Pixel Scroll 5/2/25 Beneath The Scrolls Of Pixels

(1) SEATTLE WORLDCON 2025 CHAIR APOLOGIZES. Kathy Bond today posted an “Apology and Response From Chair” at the Seattle Worldcon 2025 website to address the brewing controversy about the committee using ChatGPT as part of its process for screening program participants.

Bond had initially defended the practice (see “Responding to Controversy, Seattle Worldcon Defends Using ChatGPT to Vet Program Participants”. Additional coverage here – “Seattle Worldcon 2025 ChatGPT Controversy Roundup”.)

(2) 2025 LOCUS AWARDS SHORTLISTS. The 2025 Locus Awards finalists have been posted at Locus Online. See the full list at the link. The Locus Awards winners will be announced June 21 during the in-person Locus Awards Ceremony, held in Oakland, California.

(3) PUPPIES AIN’T WHAT THEY USTA BE. In “Locus Slate Shenanigan Update” Camestros Felapton scores Jon Del Arroz’ efforts to push his picks onto the Locus Awards shortlist.

Early in April I posted about an attempt by Jon Del Arroz/Fandom Pulse (and others) to game the Locus voting with a last minute slate. So how did the JDA slate perform?

OK, I have to do some complex data crunching here. Well, my provisional results come out at a whopping 0% of JDA slated works made it….

(4) 2025 EDGAR AWARDS. Mystery Writers of America announced the winners of the 2025 Edgar Awards on May 1. 

Publishers Weekly reports the ceremony was marred by the use of AI images, and this is being compared with the Worldcon’s own LLM kerfuffle.

An opening video, surveying treatments of the genre on the big and small screen, was narrated by a creepy AI version of Humphrey Bogart, complete with imperfect lip-syncing, later followed by one featuring an even creepier, black cat-holding, artificially-generated Edgar Allan Poe.

(5) ELRIC’S EARS: THE DEFINITIVE ANSWER. Cora Buhlert has written an article about Elric of Melniboné for the Seattle Yesterday, Today and Tomorrow Blog, which got responses from both Michael Whelan and Michael Moorcock, settling the question whether Elric has pointed ears or not. “Fantastic Fiction: Elric of Melniboné: Tortured Elf Emperor with a Cursed Sword”.  See their comments at the link.

…Elric was born out of a conversation between John Carnell, editor of the British magazine Science Fantasy, and the young writer Michael Moorcock, wherein both proclaimed their love for the sort of fantasy adventure stories—soon to be called “sword and sorcery”—that had been published in the pulp magazine Weird Tales some thirty years earlier but were considered hopelessly passé by the early 1960s. Carnell remarked that he would be open to publishing “that Conan stuff,” so Moorcock wrote The Dreaming City, the first Elric story, which appeared in the June 1961 issue of Science Fantasy…

(6) MURDERBOT ADAPTATION Q&A. It was not a case of “needs more cowbell”, but of adding backstory for a couple characters. “Murderbot’s TV adaption will feature major changes. I talked to the creators about how those decisions were made” at The Escapist.

…“I think everything that’s in the book is in the show basically,” explained Paul Weitz. “We early on got in touch with Martha Wells kind of as fans and, so there are things that are added to the story, sort of like filling in the cracks, but anytime that we had an idea like that, we would call up Martha and say, ‘Hey, here’s what we’re thinking of, what do you think?’ And she’d either say, ‘Oh, that’s a cool idea’ or ‘Well, maybe think about this instead. That was a huge, huge relief.

“I think that part of the thing for us was never feeling like we were like we were padding stuff,” he continued as he explained why they made the changes they did….

(7) CLARKE AWARD SUBMISSIONS STATS. The administrator has posted “The complete judges’ reading list for the Arthur C. Clarke Award 2025” at Medium.

…This year our judges received 112 eligible submissions from 49 UK publishing imprints and independent authors.

If you’re interested in how this compares to previous years, you can see past lists and analysis here: clarkeaward.medium.com

The TLDR though is this is pretty much a Goldilocks Zone year. Not the highest ever numbers received, but not worryingly low, and more on par with where we’ve landed in terms of recent submissions history for both books received and publishers entering.

A caveat as always about our terminology: this is a simple list of submissions of eligible books received, not a ‘long-list’ or other form of juried selection, but simply those books sent to our judges for them to consider as potential future Arthur C. Clarke science fiction book of the year winners….

(8) MEMORY LANE.

[Written by Paul Weimer.]

Iron Man film (2008)

By Paul Weimer: “I am Iron Man”

Although the Hulk movie preceded it, Iron Man started the Marvel Cinematic Universe, and for good or ill, the modern age of superhero movies. I can’t claim to know that was going to happen at the time–but I was excited. My movie-watching friend Mike, although well versed in horror and some comics, had no idea who Iron Man was. He had never read any of his comics and didn’t know his deal. So sitting in the movie theater with him, previews rolling, I explained Iron Man’s story (as I had gotten it fifteen years earlier, first). He was fascinated, I sold him on the idea that although Iron Man was maybe C-Tier (compared to Spidey, and Hulk and other high well known Marvel Superheroes), this could be fun.

And then we settled in to watch.

Shorn of the need to set up any mythology (although it effortlessly does), future movies, or refer to previous continuity (except for the credit cookie scene with Fury), Iron Man I is still in my top tier of Marvel movies. The story is straightforward enough, and Robert Downey Jr. (who was still somewhat damaged goods, remember) redeemed his entire career playing Tony Stark. Having read the comics, when I saw Obadiah Stane show up, I realized, but didn’t tell my movie going partner, just what was in store. 

“Icing problem?”

“You might want to look into it.”

Favreau’s direction, Matthew Libatique’s cinematography are excellent in use of color, lighting and imagery. 

I think that the real best relationship in this movie is not between Downey and Paltrow (although her Pepper Potts is every inch what is needed for the role) but between Downey and Bettany (who does the voice of JARVIS). Bettany once again (like in Master and Commander and A Knight’s Tale) plays the second part of a double act to more well known actor with charm, humor and a lot of fun. Forget Vision and Scarlet Witch (sorry Elisabeth Olsen), the Iron Man/JARVIS is where it’s at. Their sometimes acidic and always funny relationship is what makes the beats of the movie really sing. 

Just writing this piece has the Black Sabbath song running through my head. 

And hey, this is the movie that launched a movie franchise…and at the same time, in the world of comics, catapulted Iron Man to A-Tier. 

When, movies later, Downey says “I am Iron Man” and does his snap and defeats Thanos at the cost of his own life, that was all originally set up and grounded from the original Iron Man movie. 

(9) COMICS SECTION.

(10) ARCHIPELACON 2 IS DRAWING NEAR. Finland’s national convention and this year’s Eurocon, Archipelacon 2, The Nordic SF and Fantasy Convention, announced today over 700 memberships have been sold, out of a total maximum of 1 000. 

The convention will take place in Mariehamn, Åland on 26-29 June, at the Alandica Culture & Congress Centre. The second Archipelacon is a follow-up to the now legendary first edition, which was held in the same venue in 2015. 

We have a stellar lineup of Guests of Honour: Ann VanderMeer, Jeff VanderMeer, Mats Strandberg, and Emmi Itäranta. For full presentations please visit our website https://archipelacon.org/guests-of-honour/

Preparations for the event are in full swing. Last minute programme proposals can be submitted via the programme form, but please hurry if you have suggestions. The form can be found here.

The final programme will be published in early June. 

We are also looking for volunteers. If you are interested in making Archipelacon 2 happen, please sign up on our website at https://archipelacon.org/volunteer/

Archipelacon 2 is financed by sales of memberships and T-shirts, vendor table rentals, as well as grants. This year’s event has received grants from PAF, Suomen Kulttuurirahasto, and Svenska Kulturfonden. We thank our sponsors for their generous support!

(11) PSYCHED OUT? “NASA’s Psyche Mission Suffers Strange Glitch on Its Way to a Metallic Asteroid” reports Gizmodo.

The Psyche spacecraft launched nearly two years ago and is currently on its way to rendezvous with a unique asteroid in an effort to understand the origins of Earth. Although it’s still a few years away from orbiting the asteroid, which bears the same name, the Psyche mission has run into an issue with its propulsion system that forced it to power off its thrusters.

NASA engineers with the Psyche mission are investigating the root cause of a recent decrease in fuel pressure in the spacecraft’s propulsion system, an issue that needs to be resolved before mid-June so that it doesn’t affect the mission’s trajectory. “The mission team has chosen to defer thrusting while engineers work to understand the pressure decrease,” NASA wrote in an update.

Psyche launched in October 2023, beginning a 2.2 billion-mile journey to a metal-rich asteroid located in the main belt. The spacecraft began firing its thrusters in May 2024, using a solar electric propulsion system that relies on solar energy to generate power for four electric thrusters. On April 1, the spacecraft detected a pressure drop in the line that delivers xenon gas to the thrusters, which went from 36 pounds per square inch (psi) to about 26 psi, according to NASA. In response to the sudden decrease, the spacecraft automatically powered off its thrusters…

(12) ROCKY AT 50. “’The Rocky Horror Picture Show’ turns 50: cult classic will be back in theaters and released on Blu-ray in 4K Ultra HD” reports 6ABC of Philadelphia.

“Let’s do the time warp again!” This year marks the 50th anniversary of the musical film “The Rocky Horror Picture Show.” To celebrate the occasion, a newly restored and remastered version of “The Rocky Horror Picture Show” will be let loose in 4K Ultra HD, along with the debut of a new anniversary logo.

Audiences were first introduced to the movie in 1975 and it quickly became a cult classic. It’s based on the musical play by Richard O’Brien, and has continued to grow with late-night screenings, fan costumes, and has created a unique moviegoing experience with dance parties. To this day, “The Rocky Horror Picture Show” still makes history as the longest-running theatrical release of all time.

The Walt Disney Studios Restoration team oversaw the 10-month project to digitally scan and preserve the film.

(13) VIDEO OF THE DAY. “The Rocky Horror Picture Show ‘Time Warp’” (1975).

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Nina Törnudd, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Mark.]

Pixel Scroll 4/8/25 Our Scroll Is A Very, Very, Very Fine Scroll, With Two Credentials In The Meter, Life Used To Be In-Feet-ers, Now Everything Is Metric Because Of You

(1) 2025 HWA LIFETIME ACHIEVEMENT AWARDS. The Horror Writers Association Lifetime Achievement Awards honorees for 2025 are Del Howison, Sue Howison, Dame Susan Hill, and David Cronenberg. The full citations are at the link.

(2) 2025 COMPTON CROOK AWARD. The Baltimore Science Fiction Society (BSFS) announced today that The Wings Upon Her Back (Tachyon Publications) by Samantha Mills won the 2025 Compton Crook Award for best debut SF/Fantasy/horror novel, a prize worth $1,000. “Samantha Mills Wins 2025 Compton Crook Award” at File 770.

(3) WHO HAS READ THESE BOOKS? Nicholas Whyte’s post about the “Nebula and BSFA shortlists and the Goodreads and LibraryThing stats” at From the Heart of Europe are one way to test how widely known books were before they became award finalist.

It’s shortlist time again! Just to remind you, the GR and LT stats are a guide to how well a book has permeated the general market, but may not have much congruence with the respective voter bases of the two awards.

He’s done another for “2025 Hugo final ballot: Goodreads / LibraryThing stats”. One of his observations is:

A clear lead for The Ministry of Time in market penetration, though The Tainted Cup has the most enthusiastic readers.

(4) BLOCK THAT OUT! Who knew Minecraft would bring out filmgoers’ rowdy side? “Witney cinema issues Minecraft warning after online trend” reports BBC.

A cinema has told customers to behave during showings of A Minecraft Movie after rowdy behaviour at other screenings went viral on social media.

A sign displayed at Cineworld in Witney, Oxfordshire, has warned people any form of anti-social behaviour would see them removed without a refund.

The film, which received underwhelming reviews from critics, made an estimated $300m (£233m) globally at the box office on its opening weekend.

Its popularity has spread online, with videos of young audience members shouting responses and celebrating the appearance of different characters made famous by the video game – which is one of the world’s best selling.

The film tells the story of four misfits pulled through a mysterious portal into the Overworld – the place where all players start in Minecraft.

A number of lines from star Jack Black – in particular his introductory “I… am Steve” – have been met with cheering, shouting and applause.

One moment showing the arrival of the character Chicken Jockey – alongside Black’s accompanying dialogue – has also been the focal point for much of the furore….

(5) ROBOTS RETURN. Netflix has dropped a trailer for “LOVE DEATH + ROBOTS VOLUME 4”. And at the link you can see five first-look images.

The fearless anthology series Love, Death + Robots is returning for a fourth volume of mechanical madness. You can always expect this anthology series to serve up some wild stuff, and Volume 4 is definitely no exception.

“I try to get a mix of horror, sci-fi, and fantasy,” creator Tim Miller (Deadpool, Terminator: Dark Fate) tells Tudum about the new lineup of shorts. “And we work with some really fucking fantastic writers and artists.”

(6) WHO TRIES TO BAN BOOKS? “Majority of attempts to ban books in US come from organised groups, not parents” reports the Guardian.

A large majority of attempts to ban books in the US last year came from organised groups rather than parents.

72% of demands to censor books were initiated by pressure groups, government entities and elected officials, board members and administrators, reported the American Library Association (ALA). Just 16% of ban attempts were made by parents, while 5% were brought forward by individual library users.

“These demands to remove and restrict books and other library materials are not the result of any grassroots or popular sentiment,” read the ALA’s 2025 State of America’s Libraries report, published on Monday. “The majority of book censorship attempts are now originating from well-funded, organised groups and movements long dedicated to curbing access to information and ideas.”

(7) DIAMOND’S IN THE ROUGH. Publishers Weekly is there when “Fight Breaks Out for Ownership of Diamond Comic Distributors”.

Days before a court hearing was set to take place April 7 to move ahead with the sale of most of Diamond Comic Distributors assets to Alliance Entertainment (AENT), Diamond owners had a change of heart and are now favoring a new, smaller joint bid by Canadian comics distributor Universal Entertainment and pop culture manufacturer and licensor Ad Populum. Attorneys for Alliance immediately filed a lawsuit to block the change and a hearing was held yesterday in the U.S. Bankruptcy Court for the District of Maryland to try to sort things out.

The April 7 hearing was focused on the appropriateness of the Alliance bid and was adjourned before the hearing was completed. The parties were due back in court April 8 and a decision is due May 28. That timeline however, is now thrown into serious question following the filing of Alliance’s April 6 lawsuit challenging the legality of Diamond’s owners’ decision to back the offer from Universal and Ad Populum.

The suit accuses Diamond of acting in bad faith by conducting an auction “in a manner that was unfair to any party other than their preferred purchaser, and—despite having designated AENT as the Successful Bidder—acted with extreme bad faith in the period following the Auction.” According to the filing, AENT’s bid of $72.2 million was deemed the highest offer and that Universal/Ad Populum were the underbidders.

According to the lawsuit, despite the offer from AENT, Diamond secretly solicited other bids with an eye toward favoring Universal (who had placed a $39 million stalking horse offer at the time of the bankruptcy filing in January) and Ad Populum. After more negotiations between AENT and Diamond, the lawsuit says, Diamond “abruptly terminated” its agreement saying that it “would proceed with the backup bidder.” To facilitate the switch, Diamond filed a motion last week asking the court to approve the sale of the company’s assets to the joint back-up bidder.

In its filing, AENT argued that its offer, which had been raised to $85.37 million, was much higher that the $69.1 million combined bid from Universal Distribution and Ad Populum, which included $49.6 million from Universal for Diamond UK and Alliance Games Distributions, and $19.5 million from Ad Populum for Diamond Comic Distributors, Collectible Grading Authority, and Diamond Select Toys….

(8) MEMORY LANE.

[Written by Cat Eldridge.]

Science Fiction Theatre (1954)

Again tonight, I’m reaching back into early days of the genre in broadcast terms by talking about the television premiere of Science Fiction Theatre which seventy years ago started off in syndication. It would end rather quickly two years later on the sixth of April with a total of seventy-eight episodes over the course of just two seasons. 

The first season was in color but to save money the second was not. I know this reverses the usual manner of going from black and white to color, but I confirmed that they actually did this. 

It was the product of Hungarian born Iván Tors who had earlier done the Office of Scientific Investigation trilogy of SF films (The Magnetic Monster which recycled footage from a German horror film, Riders to the Stars and Gog which average twenty percent among audience reviewers at Rotten Tomatoes). He’s also responsible for Flipper and Flipper’s New Adventure which surely are genre adjacent, aren’t they?

Hosted by Truman Bradley, a radio and television announcer and a Forties film actor, its schtick, and I use that Yiddish word in its fullest sense, was that they were doing a quasi-documentary series that what Ifs of modern science. Now mind they were to a great extent re-using the stories that had been earlier on Dimension X, so they were recycling existing stories. Or so say several sources.

The program never aired over a network. All seventy-eight twenty-six minute episodes were syndicated across the country in package deals of thirty-nine episodes each, with Bradley doing custom commercials for each market. 

If you watched it later on PBS, you got the entire episode, but when the Sci-fi channel broadcast them they were cut by five minutes to cram in more blipverts, errr, I mean advertisements. Sci-fi that does with everything.

It’s streaming on Roku offers on its Movie Classics channel. 

Science Fiction Theatre

(9) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

April 8, 1974Nnedi Okorafor, 51.

By Paul Weimer: Nnedi Okorafor has written some of (to my perspective, and a moment to explain that) genre-bending speculative fiction that I’ve read.  Let me explicate.  There is science fiction, and there is fantasy, and then there is the peanut butter and chocolate of books that take elements of both. Or, specifically, books that feel like they partake of both.  Okorafor herself I think might disagree, but much of the work I’ve read of hers does do that in my own mind and limited perception.

Take Lagoon, the first of her works I read. Near future, Nigeria, First Contact. Straight-up science fiction, right? Sure, it’s a first contact novel, but several of the protagonists have what are really just straight up superpowers. Adaora can breathe underwater, after all.  And then there are actual folklore and mythic beings just living their lives in Lagos, too. I mean having a trickster deity as a phone scammer is genius, I tell you. It makes perfect sense, and instead of being in an urban fantasy, the character exists in a first contact novel, just another character with everyone else dealing with the aliens.

Inspired, to be sure.

Lagoon is my favorite of her works, but I think the Binti trilogy is probably her best work. Three novellas/short novels about the titular mathematical genius’ trip to the stars and the aliens and beings she deals with out there. Binti just wants the best education she can get, and for her trouble winds up in the middle of a war, and a relationship with an alien species under threat thereby. Fearlessly inventive, grounded in her culture and ferociously futuristic and grounded at the same time. I’ve read other authors in her vein since, but Okorafor was my first real exposure to this entire stratum and voices of emerging science fiction from Africa.

I have not yet read her metafictional Death of the Author, but I clearly need to. I’ve met her several times, including a talk she gave at my local library (she had no idea who I was, alas, and perhaps still doesn’t).

Happy birthday, Nnedi!

Nnedi Okorafor

(10) COMICS SECTION.

(11) TODAY’S THING TO WORRY ABOUT. Oh noes! Jon Del Arroz is trying to load up the Locus Awards with his pals! Camestros Felapton is ringing the tocsin in “New Right Wing Slate Shenanigans”.

… The Locus Award is open to anybody to vote in but subscribers to Locus Magazine have votes that count for double. This extra weighting for members has discouraged slate attempts in the past. Fandom Pules has already put out a Dragon Award nomination slate but as I’ve discussed before, it is not clear whether how many people nominate a work has much of a connection to the Dragon Award finalists. The Locus Awards, on the other hand, do count their votes. Additionally, JDA has been attempting to recruit people on the abuse/harassment website Kiwi Farms to vote in the Locus (although this has been met with some scepticism among the trollish inhabitants)….

(12) THEY’RE PEEVED. “Max Removing HBO Original Series From Streaming Has Fans Crying Foul” reports CBR.com.

Damon Lindelof’s hit drama series The Leftovers is slated to be removed from HBO’s Max streaming service.

Per ComicBook.comThe Leftovers is officially going to be removed from Max as of June 3. Originally, the series was supposed to make its exit from the streaming service on April 11, though that date was pushed back by almost two months. Even with the extra time to stream the series, fans of The Leftovers have let their displeasure be known online and through social media….

…  Since the series ended in 2017, The Leftovers has maintained its status as a fan-favorite. As of the time of writing, The Leftovers holds a 91% “Fresh” rating on review aggregator Rotten Tomatoes, as averaged from 84 critics reviews. The series also boasts a 90% score via the site’s user-generated “Popcornmeter.”

(13) WE SIT, BOY, SIT CORRECTED. “No, the dire wolf has not been brought back from extinction” insists New Scientist, which says “they are actually grey wolves with genetic edits intended to make them resemble the lost species.”

A company called Colossal Biosciences says it has revived an extinct species – the dire wolf. “On October 1, 2024, for the first time in human history, Colossal successfully restored a once-eradicated species through the science of de-extinction. After a 10,000+ year absence, our team is proud to return the dire wolf to its rightful place in the ecosystem.” That’s the claim made on the website of the US-based company. Here’s what we know….

… Beth Shapiro of Colossal says her team has sequenced the complete genome of the dire wolf and will soon release it to the public. Shapiro could not tell New Scientist how many differences there are but said the two species share 99.5 per cent of their DNA. Since the grey wolf genome is around 2.4 billion base pairs long, that still leaves room for millions of base-pairs of differences.

And Colossal claims it has turned grey wolves into dire wolves by making just 20 gene edits?

That is the claim. In fact, five of those 20 changes are based on mutations known to produce light coats in grey wolves, Shapiro told New Scientist. Only 15 are based on the dire wolf genome directly and are intended to alter the animals’ size, musculature and ear shape. It will be a year or so before it’s clear if those changes have had the intended effects on the genetically modified animals, says Shapiro.

So these pups aren’t really dire wolves at all, then?

It all comes down to how you define species, says Shapiro. “Species concepts are human classification systems, and everybody can disagree and everyone can be right,” she says. “You can use the phylogenetic [evolutionary relationships] species concept to determine what you’re going to call a species, which is what you are implying… We are using the morphological species concept and saying, if they look like this animal, then they are the animal.”…

(14) COLD-BLOODED SMUGGLING. Chris Barkley sent the link because he grew up in the neighborhood: “Cincinnati’s unique lizards are ‘getting larger,’ Nat Geo says” in the Cincinnati

As the weather warms, you might find a few scaly friends running around Cincinnati.

For more than 70 years, thousands of common wall lizards, known as Lazarus lizards, have scurried across sidewalks and lurked in your garden. They’re all over Cincinnati, but the reptiles aren’t from here. They’re an invasive species and native to Europe.

So how did they end up in the Midwest? It’s all thanks to a 10-year-old boy from Walnut Hills and a sock full of lizards.

In 1951, George Rau Jr. and his stepfather, Fred Lazarus Jr. (who founded the retail chain Lazarus, which would later become Macy’s), smuggled 10 Italian lizards home from a family trip in Lake Garda and set them loose in his backyard.

Many pass off the origin story as local lore, but in 1989, when Rau Jr. was an adult, he wrote to the Cincinnati Museum of Natural History explaining his role in the eventual lizard population boom. That same year, he also told The Enquirer he smuggled the lizards through customs and brought them back to his East Side home.

Last month, the Queen City’s long and unique history with Lazarus lizards was highlighted by National Geographic. In the article, National Geographic stated Cincinnati has the “perfect lizard habitat,” adding the city’s hilly geography and weather as a contributing factor for the lizards becoming “permanent residents,” as declared by the Ohio Division of Wildlife.

(15) PREDATOR. On June 6, Predator: Killer of Killers arrives on Hulu.

(16) REMEMBERING A BREAKTHROUGH. “The Day Anime Changed” at Mother’s Basement.

Let’s talk about the most important, influential anime of all time, and why now’s best time to watch it!

[Thanks to Steven French, Kathy Sullivan, Lis Carey, Teddy Harvia, N., Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mark Roth-Whitworth for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel CSN&Y Dern.]

Pixel Scroll 2/4/25 Cause We Are Materializing In A Living World (From The Soundtrack To “Kirk and Spock Beam To Ego The Living Planet”[1])

(1) DOWN THESE MEAN TWEETS. Less than 24 hours after The Self-Published Science Fiction Competition announced its new “SPSFC Code of Conduct” (linked in yesterday’s Scroll), the SPSFC management announced they were removing a writer named Devon Eriksen from the contest for violating the CoC. They did not specify why, which in these post-JDA-lawsuit times is regarded as wisdom. However, it’s clear what the host of Indie Book Spotlight believed:

And this exchange being on X.com, large numbers of people claimed to be unable to understand the problem, beginning with this fellow:

So the Indie Book Spotlight host put up a screenshot with a lengthy quote by Eriksen showing what they had in mind, which I’m not going to repost but which can be read here.

Devon Eriksen’s public response to being banned was (1) to claim he wasn’t aware he was even entered in the contest, and (2) to mock the whole proceeding at length, which you can read at X.com or in File 770’s screencaps — image-1, image-2, image-3, image-4, image-5, image-6. Or not at all, if you prefer.

(Credit Camestros Felapton with the scoop: “Different Thing”.)

(2) THIS IS THE END, MY FRIEND. “Apocalypse stories: Everything Must Go by Dorian Lynskey explores why we love skipping to the end” – a review and commentary by Slate’s Laura Miller

“The worst is not. So long as we can say ‘This is the worst,’ ” go the lines from King Lear quoted in Emily St. John Mandel’s 2014 novel Station Eleven. Any stories we tell about the end of the world will have to be fictional, since once the real thing occurs, no one will be around to describe it. As the British journalist Dorian Lynskey relates in his erudite, delightfully witty, and strangely cheering new book, Everything Must Go: The Stories We Tell About the End of the World, the fact that we can only ever speculate on the subject makes us speculate all the more frantically. “There is simply no end of ends,” Lynskey writes of the books, movies, TV shows, pop songs, and video games we’ve created to depict the apocalypse—or its near misses and the aftermaths thereof….

… Apocalyptic narratives are, of course, always more about the vexing present than the enigmatic future. Everything Must Go encompasses the stories told by doomsday cults, scientific Cassandras, pulp novelists, video game designers, and Hollywood movies. The idea that the world will one day come to an end is an especially Western notion, Lynskey points out, with its roots in the Book of Revelation. That strange document, with its psychedelic signs and portents, Lynskey writes, “supplies the Bible with a narrative arc and gives humanity’s story a theatrical finale.” Other cultures steeped in different religions may view time as cyclical, but the Judeo-Christian tradition sees it as an arrow, going in one direction, to an inevitable conclusion. As terrifying as the prospect of apocalypse can be, Lynskey writes, “it rescues believers from the endless mess of history by weaving past, present and future into a coherent, satisfying whole with an author, a message and an ending.”…

(3) THOUGHTS ABOUT AWARDS VOTING. BSFA’s Vector has republished Jo Lindsay Walton and Polina Levontin’s article “Gender, Democracy, and SF/F Literary Awards” from Foundation 149 (winter 2024).

This article explores cultural and design dimensions of non-governmental voting systems, focusing on science fiction and fantasy (SFF) literary awards voted for by fans, with a focus on the British Science Fiction Awards. The design of such voting systems needs to juggle a range of goals, one of which is fairness with regard to gender — acknowledging that ‘fairness’ is not straightforward to define, particularly given such awards are embedded within broader gender inequalities. Our analysis suggests that men have been more likely than women to vote for works by men, and also more likely to vote in ways that amplify the influence of men’s votes under an Alternative Vote System. We suggest that SFF awards are cultural spaces which lend themselves to experimentation with new democratic forms, and briefly offer potential sources of inspiration. Just as SFF has aspired to be a space to think about the future of technology, gender, the environment, and many other issues, SFF award spaces could be spaces for thinking about the future of democracy. We also offer recommendations to SFF awards designers and communities to address gender bias (emphasising reflective practices over technical solutions), and to continue to explore how aesthetic and cultural values and identities are constructed and negotiated within SFF award spaces, and beyond….

(4) ADRIAN TCHAIKOVSKY RECOMMENDED. [Item by Steven French.] In “What we’re reading: writers and readers on the books they enjoyed in January” authors and readers tell the Guardian which were their favorite books read last month and first up is …

Eimear McBride, author

Everyone else got there a long time ago but I’ve only recently read Adrian Tchaikovsky’s sci-fi masterpiece Children of Time. Cautionary, richly imaginative and deeply, unexpectedly humane, it was both utterly unputdownable and a welcome relief from the current resignation to dystopia.

I’ve also been taking delight in Edward Carey’s glorious novel Edith Holler. Set in a Norwich that is at once fictional, historical and fantastical, he transports the reader into the world of brilliant 12-year-old Edith who is cursed to never leave her family’s tumbledown theatre … until fate decides otherwise. Filled with the author’s witty, curious observations and alive with his own illustrations, it’s a novel like no other.

(5) CARL BRANDON SOCIETY 2024 ACCOMPLISHMENTS. SFWA distributed this report with the latest Singularity newsletter.

Thanks so much for your continuing support of and interest in the Carl Brandon Society. In these parlous times, we depend on you, and we want you to be able to depend on us. In the past several years, we’ve all been through a lot. Our focus—as individuals, as an organization, as countries within the world—has shifted. At the Carl Brandon Society, we’re slowly working through how we need to position ourselves during and after that shift.

We’re moving from a small, social organization of readers and writers with big dreams but essentially no money to a still-small organization with some tools to accomplish some of those large goals. With Covid reduced but still circulating, we’re figuring out how to be safe at in-person events, while expanding our online events, which allow us to serve writers and readers in the wider world, not just in the United States.

2024 Accomplishments

  • Awarded Octavia E. Butler scholarships to students at Clarion and Clarion West workshops
  • Held three online workshops: Cosmic Horror with Premee Mohamed, DIY workshop with Suzan Palumbo, and Decolonial Worldbuilding with Helen Gould
  • Held a children’s book fair in conjunction with Seattle Public Library and Mam’s Book Store
  • Distributed books left after book fair to several Seattle area school libraries
  • Hired Program Director Isis Asare out of a pool of outstanding qualified applicants

We are determined to stay focused on our work despite the current political climate. We believe it’s important, and we believe you think so, too.

Sincerely,
K. Tempest BradfordJaymee Goh, Susheela Bhat Harkins, Shiv Ramdas, Victor Raymond, Kate Schaefer, Nisi Shawl, and Yang-Yang Wang
The Carl Brandon Society Steering Committee

P.S. We’re sending a donation of $1000 to Octavia’s Bookshelf, the Black-owned bookstore in Los Angeles that has stepped up as a community resource in the wake of the devastating fires. Octavia was one of our founding members. Please consider donating to the bookstore to help rebuild that community.

And please consider supporting us with a donation as well. Thanks so much!

P. O. Box 23336
Seattle, WA 98102

The Carl Brandon Society is recognized by the IRS as a qualified 501(c)3 organization, and all donations to it are tax-deductible to the full extent of the law. No goods or services were provided in exchange for this donation. Our federal tax I.D. number is 27-0140141. 

(6) MEMORY LANE.

[Written by Paul Weimer.]

February 4, 1993 — Groundhog Day film (premiered this day)

By Paul Weimer: One of the pinnacles of time travel movies is a movie that doesn’t think that it’s a genre movie: Groundhog Day. 

Consider: We have no reason, no mechanism, nothing we can point to as to why Phil Connors (Bill Murray in peak mode, having shed some of the questionable elements of his Ghostbusters character and just playing an unpleasant weatherman but without some of the sleazier elements from the prior movie). We are not meant to like Phil at the beginning. He is dismissive, arrogant, cruel and I wouldn’t want to spend an hour, much less a day, with him on a road trip.

And so, after getting trapped in Punxsutawney the night of Groundhog Day thanks to a blizzard he didn’t accurately predict, he wakes up on the morning of February 2nd again. And again. And again and again. 

Murray’s Phil does what many of us would do in this situation at first. He tries to escape the town by any which means he can. When that fails, when his universe shrinks to the horizon of the town, he then takes subtle advantage of the situation, seeing what he can do. He goes through cycles of mania and depression and tries to kill himself, to no avail. He tries to kill Phil the Groundhog, figuring he is the reason for the time loop. 

Nothing works.

And then comes the slow turn. Phil decides, with an eternity of the same day, to make use of his gift. He learns things, ranging from flipping cards to literature to French to chiropractic back adjustment to playing the piano. What starts as a sleazy way to seduce Andie McDowell’s Rita turns into a genuine romance. The wacky comedy of the first part of the movie turns into a more considered romantic-comedy-drama of a man who over thousands of days learns to do better and be better. 

But the movie shows it can’t all go his way, and is surprisingly nuanced for it. Consider Phil’s multiple attempts to save a dying homeless man’s life, to no avail. No matter what Phil does, the man ultimately dies, each and every time. It’s a poignant philosophical, or even religious look at fate, destiny, and the limits of what we can change…but an acknowledgement that, what we can change for the better, we MUST change for the better. 

Fantasy, comedy, philosophy. And wonderful performances all around. A beautifully filmed movie of a town that was already locally famous (I had long heard of it and its annual celebration but it was too far away to ever visit) but it became globally famous thanks to the movie. The movie is a pinnacle of early 1990’s filmmaking. It never thinks it’s a genre movie but it is genre enough that we are invested in Phil’s slow transformation. 

And so, after thousands of tries, after a day spent helping the town, Phil finally breaks free of his time loop, ending his purgatory (or maybe it’s a Bardo) as inexplicably as it began. 

One of the pinnacles of time travel movies is a movie that doesn’t think that it’s a genre movie: Groundhog Day.

Consider…

(7) COMICS SECTION.

(8) TOP 5 OVERRATED SF WRITERS? [Item by SF Concatenation’s Jonathan Cowie.] The Outlaw Bookseller has a bit of a click-baity offering on his followers’ most over-rated SF writers. (Actually, I have some sympathy with a couple of their choices — but what do I know?). This came out just a couple of days ago but already has had nearly 8,000 views… “Your Top 5 Most OVERRATED SCIENCE FICTION WRITERS- I respond to your comments”.

Steve asked for your views on which SF authors and books receive undue praise and here are the results…and as ever, he responds to your comments in kind….

(9) COMIC RELIEF. Camestros Felapton has had a busy day. Thanks to another of his posts, “Extra Scuttlebutt”, we’re now aware of the insulting things that Larry Correia has been saying about Jon Del Arroz, and the low esteem in which Vox Day holds Correia – because Vox publishes comics by JDA and therefore feels obliged to run interference for one of “his” authors. Below is Vox’s rationalization for violating omerta; then you can read a selection of Correia’s vituperative quotes at Vox Popoli’s post “Churchill, FDR, and Stalin” [Internet Archive link].

Back in the days when the Sad Puppies were the #GamerGate of the science fiction world, I reached a gentleman’s agreement with Larry Correia and Brad Torgersen, two of the first three leaders of the Sad Puppies, after they decided that they did not want to be directly connected to me or the group that became known as the Rabid Puppies. I told them at the time that this separation was a mistake for them, and that there were more Rabid Puppies than Sad Puppies, but they refused to believe that and insisted it was necessary for reasons that I will leave to them to explain.

However, they did agree that given the amount of media scrutiny we were all under, it would serve little purpose for us to attempt to speak for, or about, each other in public. All three of us knew that the media was going to try very hard to utilize anything that we would say to undermine the others. To their credit, and to mine, none of us gave the media any material for ten years.

Unfortunately, I have now concluded it is time to end that gentlemen’s agreement because a) it is now clear and undeniable that these are two men who are not, and perhaps never were, on the side of what is right or what is true, b) they are not gentlemen, and c) they have been repeatedly lying about one of my authors for several years….

… Now, to a certain extent, this is a tempest in a teapot. Literally no one in our greater community has given a quantum of a damn about what Larry Correia thinks ever since he opted out of leading the Sad Puppies more than a decade ago. Being a flagrant Never-Trumper, a civic nationalist, and a Mormon, he’s as irrelevant to the tens of thousands of Castalia, Arkhaven, and Unauthorized fans as I am to his readership. And I doubt more than two percent of our community has ever even heard of Brad Torgersen.

But nevertheless, as we’ve seen again and again, what permits wickedness to thrive is the tolerance and the silence of those who know better. And what Larry and Brad have been doing for years, the twisted rhetoric they have been repeatedly attempting to pass off as the truth, is neither good, nor beautiful, nor true. They no longer merit respect or restraint on my part….

(10) NOT JUST ANY RUBBLE. [Item by Steven French.] An elegiac and timely piece on collecting space rocks: “It came from outer space: the meterorite that landed in a Cotswolds cul-de-sac” in the Guardian.

 With a population of 5,000, Winchcombe is a pretty town of honeycomb-coloured limestone and timber-framed buildings. The Wilcock family home is a neat 1960s detached house on a quiet cul-de-sac on the outskirts of town. Early in the morning of 1 March, Cathryn Wilcock, a retired primary school teacher, opened the curtains of her living room and noticed a pile of dark lumps and powder at the edge of her driveway. It looked as though someone had upended an old barbecue.

The Winchcombe meteorite had probably travelled more than 100m miles to reach our planet. Had it landed just a few metres to the left it would have fallen into a thick privet hedge and probably never been discovered. Had it landed a few metres closer to the road, Cathryn would have assumed it was rubbish churned up by a passing car and swept it away. Instead, her husband, Rob, went out to investigate.

Rob immediately recognised that something strange had occurred. He got together some rubber gloves, old yoghurt pots and plastic bags and went outside to pick up the stones.

(11) FANTASTIC 4 TRAILER LIVE RELEASE EVENT. [Item by Marc Criley.] I think this pretty much caught most all of us in Huntsville by surprise!

The Fantastic 4: First Steps Trailer release was held at the US Space and Rocket Center in Huntsville, Alabama — the “Rocket City” — and was live-streamed on YouTube. All four stars were present beneath the Saturn 5 rocket exhibit as they and the crowd counted down to the trailer release.

The trailer is shown at the end of the release event video. However, if you want to cut to the chase…

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Marc Criley, Jeffrey Smith, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern. Title footnote [1] From Marvel comics/movie: “Ego the Living Planet” in the Wikipedia.]

Pixel Scroll 11/6/24 Scroll Low, Sweet Chariot, Coming For To Pixel Me Home

(1) ANIMAG HOF INDUCTEES. “Nine Honorees Receive Animag’s Hall of Fame Awards at World Animation Summit’s Opening Night Gala”. Animation Magazine listed the recipients of the 2024 Hall of Fame awards. Short bios at the link.

  • Pete Docter, CCO, Pixar Animation Studios. 
  • Lisa Henson. CEO of The Jim Henson Company
  • Claudia Katz, Executive Producer, Rough Draft Studios.
  • Joel Kuwahara, Co-founder, Head of Production, Bento Box [Studio of the Year Award]. 
  • Nick Park, Creator-Director, Wallace & Gromit: Murder Most Fowl. 
  • Kevin Michael Richardson, Voice Actor.
  • Kay Wilson Stallings, EVP, CCD & Production Officer, Sesame Workshop. 
  • Raymond Zibach. Production Designer, The Wild Robot. 
  • Eric Bauza. Voice of Bugs Bunny, Daffy Duck, Tweety Bird, Woody Woodpecker and many other characters.

(2) TED CHIANG AND KELLY ROBSON CONVERSATION. On the Toronto Public Library’s YouTube channel: “Ted Chiang: Soulful Science Fiction”.

“Has there been an alternate universe as alternate as this universe? Will people accept a story where the universe is this weird?” —Ted Chiang Celebrated science fiction writer Ted Chiang takes the Appel Salon stage us to discuss his beloved short story collections. In conversation with Kelly Robson on October 24, 2024. Please note that this video will only be up until December 2, 2024.

(3) FRONT ROW. [Item by SF Concatenation’s Jonathan Cowie.] BBC Radio 4’s art show Front Row has had an SFnal edition.  First up was an interview with the makers of the new Christopher (Superman) Reeve documentary. Next was an interview with author Samantha Harvey whose book, Orbital, has been short-listed for this year’s Booker. It is set on the International Space Station.  Apparently, it is not SF but ‘space realism’.

Directors Ian Bonhôte and Peter Ettedgui talk about their new documentary Super/Man: The Christopher Reeve Story, which uses never-seen-before family archive to tell the story of the famed Superman actor. He became a champion of disability rights after being left paralysed from a horse riding accident.

The final of Front Row’s interviews with the authors on this year’s Booker Prize shortlist – Samantha Harvey on her novel Orbital.

You can download an .mp3 of the programme here: “Front Row, Christopher Reeve documentary, Booker author Samantha Harvey on Orbital”.

(4) LEZLI ROBYN GOFUNDME. Francesca Myman has started a GoFundMe to “Help Lezli Robyn Deal with Medical Challenges”. The goal is $4,500. At this writing they’ve raised $2,390.

Those of you who know Lezli Robyn know that she has had a terrible run of medical bad luck for years now, from near-blindness to an excruciating case of occipital neuralgia which requires her to have nerve blocks every two months in order to function. She also had to have her thyroid radiated/fried several years back due to a thyroid storm that nearly took her life, and now unfortunately she’s facing the opposite problem: extreme hypothyroidism.

She was admitted to the hospital on Wednesday October 30 for myxedema — doctors said she was at severe risk of going into a myxedema coma, which is life-threatening….

…She went to the ER with severe tiredness, stroke-like symptoms and an almost-inability to move her left side. She was remarkably chipper mentally for all of this, because her spirit is strong, but myxedema means that your organs are essentially shutting down because they’re out of fuel. Myxedema also results in swelling from the buildup of carbohydrate and sugar compounds in the skin and tissue….What is certain is that the swelling contributed to a freak case of Quincke’s disease, which is when your uvula swells up and obstructs your breathing, meaning that she has had to puree her food to eat it and was constantly choking. It was terrifying to listen to my lovely Lezli rasping and choking as she fought that off.

She IS fighting, but this is all very debilitating and as you may recall from earlier this year she’s already been put through the wringer like no one else I have ever seen. She’s managed to edit and travel for work, and is definitely still her lovely, down-to-earth, and funny self, but can’t work during the current situation.

What’s the financial situation? She won’t even let me tell you all of it, but I’m sure you can imagine how expensive the many hospitalizations were before the new insurance kicked in. There will still be high expenses associated with this new six day hospitalization….

(5) WON’T BE MISSED. Ember Wars author Richard Fox has been banned from Author Nation’s annual Las Vegas event for violating its Code of Conduct reports crusading journalist (and Fox’s friend) Jon Del Arroz.

Author Nation, formerly known as 20BooksTo50K, asks all who want to participate on the program to complete a form. According to Del Arroz, in “Author Nation Book Conference Cancels Science Fiction Author Richard Fox For Refusing To Comply With Gender Pronouns” [Internet Archive link] at Fandom Pulse, this is what Richard Fox entered in the space for “Pronouns”:

JDA continues, “he [Fox] received a call later in the evening after filling out the form. He was told the ‘ethics and safety committee’ removed him from the panel.”

(Oh, and when someone posted some praise about Author Nation’s Code of Conduct on Facebook on September 27, Richard Fox added a “Haha” icon in response.)  

Richard Fox first shared his unique personality with File 770 in 2019 by making the false charges reported in “Perjury, Not Piracy Is The Problem” and “Brought to You By The Letter Aaaarrrrgggghhhh!”

(6) STRANGER THINGS 5. Variety has the details: “Stranger Things 5 Sets Release for 2025, Episode Titles”.

The fifth and final season of “Stranger Things” will debut in 2025, Netflix announced on Wednesday. To celebrate Nov. 6, 1983, a.k.a. “Stranger Things Day” — the day Will Byers (Noah Schnapp) was abducted into the Upside Down — the streamer also released a video revealing the titles for the final eight episodes, which will conclude the supernatural story of Hawkins, Indiana.

The episode titles are “The Crawl,” “The Vanishing of…,” “The Turnbow Trap,” “Sorcerer,” “Shock Jock,” “Escape From Camazotz,” “The Bridge,” and “The Rightside Up.”…

… The most delightful detail in the video is arguably the reveal that the season takes place in the fall of 1987, four years after the events of the first season — which debuted eight years ago, in 2016.

(7) WAS INTERACTIVE A BUST? The Verge reports “Netflix is removing nearly all of its interactive titles”.

Netflix will delist just about all of its interactive shows and films as of December 1st, the company confirms to The Verge. Netflix’s “Interactive Specials” page lists 24 titles, but only four will remain: Black Mirror: BandersnatchUnbreakable Kimmy Schmidt: Kimmy vs. the ReverendRanveer vs. Wild with Bear Grylls, and You vs. Wild.

The removal of the titles marks a disappointing conclusion to Netflix’s earliest efforts into interactive content. The company first launched the interactive titles in 2017 with Puss in Book: Trapped in an Epic Tale, and I remember being wowed (and horrified) by paths in Black Mirror: Bandersnatch.

In addition to specials based on franchises like Carmen Sandiego and Boss Baby, Netflix also tried ideas like a daily trivia series and a trivia game you could play with a friend. But the relatively few titles available suggests the format wasn’t much of a hit — Puss in Book has apparently been gone for a while….

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born October 6, 1914Jonathan Harris. (Died 2002.)

Jonathan Harris was the ever not-to-be-trusted Doctor Zachary Smith, of course, on Lost in Space. But before we get to that role, we should mention several of his previous genre roles. 

Well, I would but it turns out that all he had was two minor roles on Twilight Zone. If Zorro is genre adjacent which is really stretching it, he was Don Carlos in Disney’s Zorro.

So, Doctor Zachary Smith. 

In the pilot, not seen by the general audience until the late Nineties, there was no Doctor Smith. The marooning of the Space Family Robinson and their spaceship, the Jupiter 2, came about as the result of a meteor storm. The staff came to feel that an antagonist was needed, and so certain scenes were re-filmed with Smith having snuck aboard, with his extra weight having thrown the delicately-balanced ship badly off course. 

An outright villain on a small craft was a bad story idea and Jonathan Harris very well knew that such a villain would not be tolerated or kept around for very long, even if he were not killed off. Fond of the role as written for him, not to mention staying as a cast member, he and the writing staff kept rewriting his story as the series went so he’d be much, less evil, more sympathetic and even comical. 

However, it is my opinion, and that of many reviewers, that this change resulted also in a change in the show, turning the series from a mostly SF series to more much lighter series, more comical in tone.

He remained typecast as a villain showing up as such as Mr. Piper on Land of the Giants, The Ambassador on Get Smart and the voice of Lucifer on the original Battlestar Galactica. He did play an occasional lighter role such as Johann Sebastian Monroe on Bewitched in the “Samantha on the Keyboard” episode.

Worth noting is he played Commander Isaac Gampu, the head of the Space Academy, on the children’s series of the same name. It was produced by Filmation and aired Saturday mornings on CBS for just one season of fifteen episodes in 1977.

He did so many voices on so many animated shows that I couldn’t even begin to list them all here. It made up the bulk of the work that he did with A Bug’s Life, Buzz Lightyear of Star CommandMy Favorite MartianSpider-Man and Toy Story 2, ones where I recognized his voice.

Jonathan Harris

(9) COMICS SECTION.

(10) GET READY FOR THESE LEGO SETS OF GENRE INTEREST. “LEGO Captain America: Brave New World Sets Just Launched” – find out the price tag at Comicbook.com.

The fourth movie in the Captain America series, Captain America: Brave New World, is set to release on February 14, 2025, which is going to arrive faster than you think. LEGO is getting us prepared with the first wave of sets for the film. The lineup includes a new Captain America Construction figure, the Captain America vs. Red Hulk Battle set, and two LEGO Brickheadz figures of Captain America & Red Hulk….

  • Captain America Construction Figure (76296): Stands at 11-inches tall and made of 359 pieces, this Construction Figure is also poseable like a regular action figure! / $34.99 / Pre-order here at LEGO.com
  • Captain America vs. Red Hulk Battle (76292): This battle set includes multiple mini-figures: Captain America and Falcon (both with opening wings), Red Hulk and Ruth Bat-Seraph. The jet also includes an operable cockpit that fits any of the mini-figures and two stud blasters. 223 pieces. / $54.99 / Pre-order here at LEGO.com
  • Captain America & Red Hulk Figures (40668): This Brickheadz set is 202 pieces with each figure measuring about 3-inches. Captain America includes his wings and shield. / $19.99 / Available for pre-order on December 1st at LEGO.com

“LEGO Marvel X-Men: The X-Mansion”Comicbook.com can tell you about this one, too.

This set will be packed with details like a Cerebro element, switchable Danger Room items, an exploding cupola, a motorcycle for Wolverine, as well tons of graphical nods to the X-Men franchise. As noted, it will also include a buildable Sentinel and 10 minifigures, 5 of which are all-new for this set. These figures include Professor X in his wheelchair, a new variation of Jean Grey, Gambit, Iceman and Bishop. There’s also Magneto, Storm, Wolverine, Cyclops, and Rogue. 

(11) HOW WUDE! “58 Years Later, One Star Trek Actor Reveals the Secret to the Show’s Most Iconic Aliens” and Inverse has the quote.

…Vulcans also have a bit of an edge and a reputation for being direct to the point of being rude. And Star Trek’s latest Vulcan, Gabrielle Ruiz, understands this paradox perfectly.

“There’s a menace to their honesty,” Ruiz tells Inverse. “They’re such snobs. They’re just so sophisticated and snobby that you just want to be a part of the clique, I think.”…

… Since the Season 2 episode “Wej Duj,” Ruiz has voiced the no-nonsense Vulcan T’Lyn on the animated comedy, Star Trek: Lower Decks. 

 Like many Vulcans in Star Trek canon, T’Lyn is often the funniest character in any given scene, and part of that stems from that relentless honesty Ruiz says is essential to playing Vulcans. Sometimes Vulcans are trying to be funny, and sometimes they’re funny by accident. But in Ruiz’s opinion, it’s all down to looking at the template created by the actors who came before her.

“My rule is simple,” Ruiz says. “I literally say it’s equivalent to ‘What would Jesus do?’ It’s How would Leonard Nimoy say it? How would Spock say it?”…

(12) WHEN YOU WISH UPON A STARLINK. [Item by Steven French.] Does it ever dream of becoming a ‘real’ satellite, I wonder?! “World’s first wooden satellite launched into space” in the Guardian.

The world’s first wooden satellite has been launched into space as part of study on using timber to help reduce the creation of space junk.

Scientists at Kyoto University expect the wooden material to burn up when the device re-enters the atmosphere – potentially providing a way to avoid generating metal particles when a retired satellite returns to Earth.

These particles may negatively affect the environment and telecommunications, the developers say….

(13) THAT OTHER REASON FOR THE SEASON. The mission to save Christmas comes to theaters November 15. Red One Official Trailer 2.

(14) SILO SEASON 2. “Watch first 5 minutes of ‘Silo’ season 2 premiere”Entertainment Weekly introduces the clip.

Apple TV+’s dystopian thriller returns for season 2 on Friday, Nov. 15, but you don’t have to wait until then to find out what happens to Juliette (Rebecca Ferguson) after she finally ventured outside her home silo only to discover the existence of other silos close by. We’ve got the beginning of the premiere for you to watch right… now….

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Jon Del Arroz Banned by Kickstarter

Author Jon Del Arroz, whose entire marketing plan depends on provoking conflict and claiming victimization when people react, has announced to the world “Kickstarter Banned Me For Submitting My Space Marine Military Sci-Fi Comic” [Archive.Today link] (while making sure everyone knows about the alternate way to give him money).

For extra credit, he’s gotten himself blocked on X.com by Kickstarter’s Comics Lead Sam “Slam” Kusek.

As usual, JDA says he can’t imagine why there’s an issue, and that no one will give him a proper explanation.

…I received my answer a couple of days later: a permanent ban from creating projects, citing violations of community guidelines without specifying what they were. It was clear that the mass reporting going on during my last campaign got my account flagged even though I’d done nothing wrong….

Like JDA we’re left to guess, but maybe Kickstarter isn’t down with his misogynistic attacks on female comics creators? Maybe they’re not pleased to read his belittling remarks about Black writers?

Kickstarter is just the latest platform to ban JDA. He was banned from Patreon for a hate speech violation in 2022. That same year JDA was suspended and then fully removed from the Games Manufacturers Association – a group for tabletop game publishers – “for hate speech and bullying”.

Of course, once banned someplace JDA doesn’t always stay banned. He was permabanned from Twitter in 2021 but his account was restored in 2022 even before Elon Musk bought the company.

Pixel Scroll 9/8/24 I’ve Grown Accustomed To The Doors of Your Face, the Lamps of Your Mouth

(1) OFF THE CLOCK. “Critical Choices: Time Travel and Identity” by Rjurik Davidson at Speculative Insight.

…Psychologists suggest that your sense of self is constructed interpersonally, in relationship with others, and hence also in relationship to the social world. Individualism is nothing but a liberal myth. For example, people who venture into nature to “find themselves” typically discover the opposite: they lose any sense of their self. Isolated from society, they dissolve into their surroundings, become one with daily tasks: “catch fish,” “start fire,” “sleep.” They no longer exist. “All You Zombies” brilliantly illuminates this dissolution, counterintuitive to those schooled in Thoreau’s Walden or other such romantic myths. In the story, the main character (Jane) takes painkillers for her perpetual headache but discovers that without the pain everyone else disappears. It is as if the veil is torn from a false reality, revealing the true world beneath, seen before as through a glass darkly but now face to face – a premonition of one of Philip K. Dick’s enduring fascinations. Without mother, father, a social world, Jane’s existence manifests as a headache of existential dread. Either way, with headache or not, she experiences her plight as a pain of isolation. She is “alone in the dark.” Her declaration, “I know where I came from,” is replete with irony. Her somewhat desperate affirmation is made precisely because there is nothing but doubt. Neither she, nor the reader, actually knows where she came from – methinks that Jane dost protest too much….

(2) REWARDING TRANSLATION. Anton Hur analyzes “Literature that expands the borders of what ‘international’ can mean” in the Washington Post. (Usually there’s a paywall, but I was able to read this article. Hopefully, so will you.)

…But why have a translated literature category [for the National Book Awards] at all? Neil Clarke, the editor of the science fiction magazine Clarkesworld, had the same thought; he has argued against creating a translation category at the Hugo Awards, claiming that it would serve to further marginalize translated literature. A quick glance at the history of nominees for best novel at the Hugos reveals that a translation has been a finalist only twice, and for the same team: the redoubtable Cixin Liu, author of “The Three-Body Problem,” and his translator Ken Liu. As someone who reads translations primarily and prodigiously, you can’t make me take Clarke’s fears of “further” marginalization seriously. And it has to be said that this also applies to the National Book Awards, which simply stopped taking translated literature into consideration for more than three decades. (In writing this article, I was asked to consider what works may have been overlooked by the awards during the 2010s and, well, imagine me madly gesticulating at all the works in translation published in the eligibility periods between 2009 and 2017.)…

(3) THE DOCTOR IS IN. Jon Del Arroz proclaimed yesterday over a photo of Kirk and Spock that “Star Trek is an inherently right-wing concept. It upholds man’s greatness as being designed in the image of God and promotes manifest destiny and dominion of God’s creation.” Robert Picardo (who memorably played Voyager’s Emergency Medical Hologram) took him to task. Admittedly, the kind of attention Jon always hopes somebody will give him.

(4) FULL MOON VOTERS. “In Michigan, an ‘Unhinged Werewolf’ Will Make It Clear Who Voted” says the New York Times. (Behind a paywall.)

Plenty of the submissions in a statewide contest to design Michigan’s next “I Voted” sticker featured cherry blossoms or American flags fluttering in the wind.

Only one entry, however, depicted a werewolf clawing its shirt to tatters and howling at an unseen moon. A smattering of stars and stripes poke out from behind its brawny torso.

“I Voted,” reads a string of red, white and blue block letters floating above the creature’s open maw.

The illustration, which was created by Jane Hynous, a 12-year-old from Grosse Pointe Farms, Mich., was revealed on Wednesday as one of nine winning designs that the Michigan Department of State will offer local clerks to distribute to voters in the November election.

The werewolf sticker received more than 20,000 votes in the public contest, beating every other entry by a margin of nearly 2,000 votes, said Cheri Hardmon, a spokeswoman for the Michigan Department of State. The design gained traction on social media among those who found it fitting for an intense, and at times bewildering, moment in national politics….

(5)  FANAC FAN HISTORY ZOOM: PLOKTA. [Item by Joe Siclari.] It’s a fannish mystery how this jumped from nothing to an everyday phrase all over fandom.

The FANAC Fan History Zoom Series starts off its new season with what promises to be a fun, interesting, historical and important session as it brings back together the Plokta Cabal. The group was known for its weird news, quirky humour and radical graphics. 

September 22, 2024 – The Secret Origins of Plokta, with Steve Davies, Sue Mason, Alison Scott, and Mike Scott

Time: 2PM EDT, 1PM CDT, 11AM PDT, 7PM London (BST) & too early in Melbourne

This fannish group burst on the scene in May 1996 with the fanzine Plokta, which went on to receive two Best Fanzine Hugos, 2 Nova Awards for Best Fanzine, and Hugo nominations each year from 1999 to 2008. They are energetic, quirky and very, very funny. They are writers, artists, con runners, Worldcon bidders and fan fund winners. Join us and learn more about their secret origins, fannish impact and what they are doing now.

To attend, send an email to fanac@fanac.org

Two other Fanac Zoom session already on the calendar are:

  • October 26, 2024, Time 7PM EDT, 4PM PDT, Midnight London (sorry), and 10AM AEDT Sunday, Oct 27 Melbourne, Senior Australian fan Robin Johnson interview, with Robin Johnson, Perry Middlemiss and Leigh Edmonds
  • January 11, 2025, Time 2PM EST, 11AM PST, 7PM GMT London, and 6AM AEDT (sorry) Sunday, Jan 12 Melbourne, Out of the Ghetto and into the University: Science Fiction Fandom University Collections, with Phoenix Alexander (University of California, Riverside), Peter Balestrieri (University of Iowa), Susan Graham (University of Maryland, Baltimore County), and Richard Lynch (moderator)

(6) MEMORY LANE.

[Written by Cat Eldridge.]

Anniversary – Star Trek, The Original Series (1966).

On September 8 fifty-eight years ago the first episode of Star Trek aired. I want to talk about my favorite episode in the series, which is “Trouble with Tribbles”. Now there are other episodes that I will go to Paramount+ to watch such as “Shore Leave”, “Mirror, Mirrior” or “Balance of Terror” but is the one that I have watched by far the most and which I enjoy as just the funnest one they ever did.

It was first broadcast in the show’s second season, just after Christmas on December 29, 1967. The previous episode had been another one I also like a lot, “Wolf in the Fold”, written by Robert Bloch. 

This script, which was Gerrold’s first professional sale, bore the working title for the episode of “A Fuzzy Thing Happened to Me…” Writer and producer for the series Gene did heavy rewrites on the final version of the script.  The final draft script can be read in Gerrold’s The Trouble with Tribbles: The Story Behind Star Trek’s Most Popular Episode with much, much more on this episode. 

Memory Alpha notes that “While the episode was in production, Gene Roddenberry noticed that the story was similar to Robert Heinlein’s novel, The Rolling Stones, which featured the ‘Martian Flat Cats’. Too late, he called Heinlein to apologize and avoid a possible lawsuit. Heinlein was very understanding, and was satisfied with a simple ‘mea culpa’ by Roddenberry.”  

It of course is centered on tribbles. Wah Chang designed the original tribbles. Five hundred were sewn together during production, using pieces of extra-long rolls of carpet. Some of them had mechanical toys placed in them so they could move. 

According to Gerrold, the tribble-maker Jacqueline Cumere was paid $350. Want a tribble now? Gerrold has them for you in various sizes and colors. So if you’re in seeing these, go here. tribbletoys.com

Let’s talk about why it’s about my favorite episode. I’m watching it now on Paramount+. I’ve to come to the bar scene where Cyrano Jones is trying to sell the Bar Manager a tribble when Chekov and Uhura come in. When Uhura asks if it’s alive, it starts adorably purring (who created that purr?), and the story goes from there.

The next morning Kirk walks. Uhura and a group are admiring that her tribble has reproduced. Where there was one, there are now, I stopped the video to count fourteen in various hues. (Not sure what all of them are as I’ve got color blindness.) Really cute but remarkably not one seems concerned.

Right there it exhibits that It has some of the best script writing in the series including this choice line as Spock holds and strokes a tribble: “Its trilling seems to have a tranquilizing effect on the human nervous system. Fortunately, of course … I am immune … to its effect.” There is an amused look from Uhura and the others. 

Oh, and it has Klingons. Not the Worf-style ones. The ones that look like someone cos-played an Asian military character of a thousand years ago. So naturally that hard to lead to a bar fight, doesn’t it? It does when a Klingon calls Scotty’s Enterprise, his beloved ship, a garbage scow. Well, he actually calls it a lot of things before ending with that. Perfect, just perfect. 

Now let’s segue from that bar brawl to reworking of this episode to the Deep Space Nine episode which I need not talk about as I know you know about it: “Trials and Tribble-ations”. It would be nominated for Hugo at a LoneStarCon 2. It would digitally insert the performers from the original series into that episode. 

I’m assuming y’all know this delightful episode which I think can best have its attitude summed up in this conversation…

Sisko to Bashir: “Don’t you know anything about this period in time?” 

Bashir: I’m a doctor, not an historian.”

Dax in her red short skirt: “In the old days, operations officers wore red, command officers wore gold… (Looks at her outfit.) “And women wore less. I think I’m going to like history.” 

I’ve watched both shows back-to-back several times, which is well worth doing as they did an stellar job of making the DS9 characters work seamlessly in the old episode. (I know they weren’t actually there but still.) No wonder it got nominated for a Hugo. 

I could single out even more scenes like Kirk buried in tribbles, for how he reacts or the very subtle line about Spock’s ears, but I’ll stop here. I just adore it and “Trials and Tribble-ations” as both are entertaining, feel-good episodes. 

(7) COMICS SECTION.

(8) MAR$. The Week contrasts The Martian Chronicles with billionaires’ plans for Mars in its editorial letter, “Martian dreams”.

…Along with other sci-fi staples such as living forever and computerizing consciousness, colonizing Mars is now an obsession of our tech elite. Rocket tycoon Elon Musk has said he wants to establish a “self-sustaining civilization” of 1 million people on our neighboring planet as an insurance policy against humanity’s extinction. Yet I can’t help but think that, like Bradbury and Lowell before them, Musk and his fellow billionaires are really projecting their own beliefs onto Mars’ red vistas….

(9) HIDDEN PROPERTY INSPIRED LOVECRAFT. Charming old NYC architectural history, with a genre link! “Inside a West Village passageway leading to a hidden courtyard and 1820s backhouse” at Ephemeral New York.

…One person who made note of this Evening Post writeup when it appeared was author H.P. Lovecraft. A resident of New York City in the 1920s, this horror and science fiction writer published a short story titled “He,” which involved a narrator taking a late-night, time-traveling sojourn through Greenwich Village.

“At the conclusion of ‘He,’ a passerby finds the narrator—bloodied and broken—lying at the entrance to a Perry Street courtyard,” wrote David J. Goodwin, author of the 2023 book Midnight Rambles: H.P. Lovecraft in Gotham.

In “He,” from 1925, the narrator calls it “a grotesque hidden courtyard of the Greenwich section,” as well as “a little black court off Perry Street.”…

(10) TARA CAMPBELL READING.  Space Cowboys Books of Joshua Tree, CA will host an “Online Reading & Interview with Tara Campbell” on Tuesday September 17 at 6:00 p.m. Pacific. Register to attend for free at Eventbrite.

In the parched, post-apocalyptic Western U.S. of the 22nd Century, wolves float, bonfires sing, and devils gather to pray. Water and safety are elusive in this chaotic world of alchemical transformations, where history books bleed, dragons kiss, and gun-toting trees keep their own kind of peace. Among this menagerie of strange beasts, two sentient stone gargoyles, known only as “E” and “M,” flee the rubble of their Southwestern church in search of water. Along the way, they meet climate refugees Dolores Baker and her mother Rose, who’ve escaped the ravaged West Coast in search of a safer home. This quartet forms an uneasy alliance when they hear of a new hope: a mysterious city of dancing gargoyles. Or is it something more sinister? In this strange, terrible new world, their arrival at this elusive city could spark the destruction of everything they know. Tara Campbell summons fantastical magic in this kaleidoscopic new speculative climate fiction.

Get your copy of the book here.

(11) RADIO ASTRONOMY. [Item by Steven French.] This is pretty much standard stuff but the radio telescope itself is amazing: “Inside the ‘golden age’ of alien hunting at the Green Bank Telescope” at Physics.org.

Nestled between mountains in a secluded corner of West Virginia, a giant awakens: the Green Bank Telescope begins its nightly vigil, scanning the cosmos for secrets.

If intelligent life exists beyond Earth, there’s a good chance the teams analyzing the data from the world’s largest, fully steerable radio astronomy facility will be the first to know.

“People have been asking themselves the question, ‘Are we alone in the universe?’ ever since they first gazed up at the night sky and wondered if there were other worlds out there,” says Steve Croft, project scientist for the Breakthrough Listen initiative.

For the past decade, this groundbreaking scientific endeavor has partnered with a pioneering, US government-funded site built in the 1950s to search for “technosignatures”—traces of technology that originate far beyond our own solar system.

The search for extraterrestrial intelligence, or “SETI,” was long dismissed as the realm of eccentrics and was even cut off from federal funding by Congress thirty years ago.

But today, the field is experiencing a renaissance and seeing an influx of graduates, bolstered by advances in artificial intelligence and machine learning, as well as recent discoveries showing that nearly every star in the night sky hosts planets, many of which are Earth-like.

“It feels to me like this is something of a golden age,” says Croft, an Oxford-trained radio astronomer who began his career studying astrophysical phenomena, from supermassive black holes to the emissions of exploding stars…

(12) MERCHANT OF MENACE. Actor Vincent Price gave an entertaining interview on Aspel & Co in 1984.

(13) VIDEO OF THE DAY. Ryan George invites us step inside the Pitch Meeting that led to The Crow (2024).

[Thanks to Teddy Harvia, Mike Kennedy, Andrew Porter, Joe Siclari, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

SFWA: In My House There Are Many Issues

When Science Fiction and Fantasy Writers Association turned to their third President this month many asked what problems the organization is having to cause this result? Michael Damian Thomas supplied a plentiful list of SFWA’s issues, which follows below.

However, the two presidents’ resignations cite the needs of their families as their primary reason for leaving office.   

CHANGE AT THE TOP. Chelsea Mueller resigned August 15 as Interim President of SFWA, just two weeks after stepping up from Vice-President when SFWA President Jeffe Kennedy resigned on August 1. Both Kennedy and Mueller said the need to take care of family members overhwhelmed their resources.

Kennedy said:

…However, the last several months have been particularly demanding in my personal life, and I have come to the realization that I can no longer provide the focused attention SFWA needs from its President. Without going into too much detail, I continue to be the sole caregiver and financial support for my disabled husband, whose progressive condition is worsening. In addition, my stepfather of twenty years passed away suddenly, widowing my elderly mother for the third time, and I am in the process of taking over all of her finances and care….

Mueller said:

…Many of you may already know, but my husband was in a major motor vehicle accident a couple of months ago. The journey after that, as well as caring for our small child, has severely limited my bandwidth. I had intended to forge on and make as much time for this organization as I could.

However, I am out of spoons, and must use those I have to care for myself and my family….

Anthony W. Eichenlaub, SFWA Secretary, has taken Mueller’s place as the new Interim President. Mueller’s and Eichenlaub’s statements are excerpted in the File 770 post “Mueller Resigns as Interim SFWA President; Eichenlaub Takes Office”.

SFWA’S PROBLEMS. Michael Damian Thomas, urging SFWA members to seek out the details in the members-only Forum, gave X.com readers this list of issues troubling the organization:

It is fairly winding! One employees left & wasn’t replaced. One employee asked for accessibility accommodations, didn’t get them, gave 90 days notice, & then was immediately shut out of their SFWA email account. (That one gets more and more complicated.)

Multiple committees seem to have had members forced out or resigned, including Griefcom. There is a general pattern of these committee members saying there was little or no communication from the Board. Now we have multiple Board members resigning. Lots of claims about NDA stuff.

A check was issued to a charity antho and then the antho was told to not cash the check and destroy it, as the payment was in error. There is a lot going down!

Here is what File 770 has learned so far about those issues.

One Employee Left and Wasn’t Replaced

This is a reference to Deputy Executive Director Terra LeMay, a longtime SFWA employee whose status is a matter of controversy and is discussed in the next section. 

SFWA’s other employee is Executive Director Kate Baker.

One Employee Asked for Accessibility Accomodations; Gave 90 Days Notice; Was Shut Out of Email Account

Michael Capobianco, a former SFWA President, said in a comment on a public Facebook post on August 15:

I’m following along as best I can considering that everyone involved (and a lot of new Board members that aren’t) are on a rollercoaster ride of resignations and can’t tell anyone what’s going on explicitly because of the overbroad NDA’s they signed. It looks like it may be leveling off, but there are still a lot of members who are pissed off about the treatment of Deputy Executive Director Terra LeMay, and there’s no sign of a resolution to that problem, which could cascade into other problems of staff and Board behavior.

Jon Del Arroz’ Fandom Pulse newsletter has published – although misattributing the quote to the wrong author — the text of a SFWA Forum post on the subject in “SFWA Whistleblower Exposes Private Online Forum Post With Frustrated Members Demanding Jeffe Kennedy Be Ousted As President” [Internet Archive link]. The post was not written by Michael Capobianco, as asserted by JDA. The quoted post (dated August 2) says:

“The immediate event that kicked this off was Terra LeMay being terminated from her staff position after putting in a 90-day notice due to being denied reasonable disability accommodations, and then banned from Discord and blocked from accessing her SFWA email (presumably by Jeffe [Kennedy]) after she asked for an explanation on Discord in the ask-the-board channel.”

As of August 15, Terra LeMay’s status is that she still is employed by SFWA. She was not fired. And her terminal date would be 90 days from when notice was given – which was on June 30th — not that day. LeMay’s Discord access has been restored, but not her email account. She remains an employee, apparently without duties.

The following commentary is provided by a longtime SFWA member under condition that they remain anonymous. The source is reliable, and in a position to have direct knowledge of the information. (They are not anyone named in this post.)

Most recently, on June 30th, the SFWA employee Michael Damian Thomas mentions put in a notice of resignation. This notice expressed that the actual date of resignation would be negotiated between the two parties, but (per the terms of an existing employment contract) would be no later than 90 days. This employee is well-loved by the SFWA membership as someone who is always helpful, effective, and thoughtful, and has done a ton of great work for the organization, as well as holding a significant amount of institutional knowledge. The employee expressed their intent to continue working until the resignation date to ensure as smooth a transition as possible, but two weeks after that was abruptly locked out of SFWA email and other work accounts, which were all needed for job purposes. When the employee asked why this had happened on the SFWA Discord, someone (it’s not clear who) deleted the messages and banned the employee from the server. The first that most board members heard about this is when people started to demand it be addressed, so it definitely seems like someone in a position of power in the organization was acting on their own, without these being approved board actions.

A number of members have demanded that employee’s access be restored and they be given an apology, but that has not happened even a month later. Nobody has heard from the executive director in that time, and board members say they are unable to speak about it due to NDAs [Non-Disclosure Agreements] or because it’s an “employment situation.” My understanding is that the employee in question has since contacted the board a number of times with questions which have been ignored or only partially answered.

Committees Have Had Members Forced Out, or Resigned, Including Griefcom

The anonymous longtime SFWA member responded:

Regarding GriefCom, the chair and co-chair of that committee resigned after being told their work would have to expand to writers not in SFWA due to its nonprofit status. I think this happened a year ago or more, and don’t think it’s related to the current situation. In fact, a number of writers I know received very condescending and dismissive emails from the former GriefCom chair which essentially blamed them for problems they were facing with publishers. The new GriefCom chair is much better, and I have not heard any complaints recently about GriefCom, so in my opinion this particular case is actually the organization working as it should to serve writers.

There have been a few other committees with people resigning, and the fundraising committee was dissolved in order to set up a new structure of fundraising task forces (which I’m not sure has happened), but I am not aware of any committee volunteers actually being “forced out.”

File 770 has yet to determine who Michael Damian Thomas is referencing as “forced out”.

The list of SFWA Committees (and there are many) is at the link.

There is a general pattern of these committee members saying there was little or no communication from the Board.

The anonymous longtime SFWA member commented:

It’s been almost impossible to get answers about the current situation from the board, or even a very clear picture of what’s going on with other SFWA projects, because every board member and employee was made to sign what appears to be a very, very broad NDA. I have seen one of these, and it does not include any kind of end date, nor does it include detailed descriptions of what the people who signed it need to keep confidential. 

I want to note that the current board does really seem to be making a good faith effort to fix the issues around transparency and communication. I believe they are also setting up a special election for some time in the next couple of months, and both Chelsea [Mueller] and the new interim president [Anthony W. Eichenlaub] did make some good steps down that road when writing the membership. Chelsea provided a list of topics the board will discuss in the next four months, and Anthony has been above board as well in scheduling a special election and explicitly asking the membership to hold him accountable. Anthony was serving as secretary before this, and he’s also been working his way through the backlog of board meeting minutes at the same time as being interim president. 

While I definitely don’t think the organization is out of the woods yet, I’m hopeful that these are signs it’s moving in the right direction.

Multiple Board Members Resigning

Beyond the two presidents who have resigned, File 770 has not yet identified other board resignations.

However, SFWA has lost several other highly visible workers over the past year. Five employees and a contractor have left.

Beth Dawkins (volunteer coordinator) was a part time employee not a contractor. She gave two weeks notice on July 1. 

Kathleen Monin (event coordinator) was also a part time employee. She gave notice later on in the first part of July. 

Oz Drummond (bookkeeper and CPA) was a contractor. She resigned at the end of December, stayed a few months longer in a more limited capacity until March 2024. 

Rebecca Gomez Farrell (former communications director) was a part time employee and resigned in October of 2023.

Emily May (publications director) was a part time employee and resigned earlier in 2023, shortly before or after the Nebulas. 

No new employees or contractors have been hired in that time.

Another volunteer known to have stepped down this year is Mishell Baker, from her lead position on the Estates Project, but that was unrelated to the current situation. (Pixel Scroll — March 5, 2024, item 7)

Claims About NDAs

The anonymous longtime SFWA member said above, “It’s been almost impossible to get answers about the current situation from the board, or even a very clear picture of what’s going on with other SFWA projects, because every board member and employee was made to sign what appears to be a very, very broad NDA.”  

Author Jenny Rae Rappaport is urging SFWA members to sign a Petition for bylaws amendment to forbid NDAs. The supporting statement follows.

In the last several years, SFWA has begun requiring its Board members, employees, and key volunteers to sign non-disclosure agreements (NDAs) to ensure confidentiality. However, recent events have shown that these NDAs cause more problems than they solve. Because the NDAs are overly broad without clear limits or expiration dates, they leave employees, Board members, and volunteers uncertain about what they can and cannot say without potential legal repercussions. Even more concerning is that these NDAs have created distrust between SFWA membership and the Board, and an environment where the perception exists that bad actors can mistreat others and violate SFWA’s bylaws with impunity.

There is no legal requirement for SFWA as a 501(c)(3) to use NDAs, for either its legal or tax status. Many nonprofits, both inside and outside California, function perfectly well without using NDAs, either trusting that people will follow the laws about disclosure of personal, financial, and medical information, or using individual confidentiality agreements with the details of what information needs to be kept confidential spelled out.

Accordingly, in the interests of greater transparency for the organization, we, the undersigned members of SFWA, petition for the following change to the bylaws…

We move that Article V Directors be amended by the addition of a new section, to be numbered 10. [The complete wording of the amendment is at the link.]


  1. Confidentiality and Non-Disclosure Agreements

a. Duty of confidentiality

Members of the Board of Directors, as part of their fiduciary duties, have a duty of confidentiality, which covers such items as private financial information about the corporation (accounts, for example, as opposed to the financial status, which must be disclosed), nor use any of the information for personal gain. This does not need to be further specified.

  1. Examples of such types of information include recipients of SFWA’s medical fund, information about unannounced Nebula award winners or nominees, information about contracts committee work, and all other information that would identify confidential information about specific individuals.

b. Duty to disclose

Additionally, the members of the Board have a duty to disclose, which means they must share any information they have which will affect SFWA or its beneficiaries (writers of science fiction, fantasy, and related genres), or that will affect their ability to perform their duties….

d. No NDAs

Given that these duties are already codified, no member of the Board of Directors will be required to sign a non-disclosure agreement (NDA), nor shall any employee or volunteer be asked or expected to sign an NDA. When appropriate, Board members, employees, or volunteers may be required to sign a confidentiality agreement, which must be circumscribed in nature, listing the specific items that will be held confidential and the timeframe for which this will be required.

Any and all NDAs already existing when this bylaw becomes effective will be considered null and void, and no legal action will be considered against anyone who may be considered to have breached their NDA unless they have otherwise violated a law.


For a comparison of how NDA’s are handled by another organization of genre professionals, Horror Writers Association President John Edward Lawson explained on X.com why their organization requires elected officers and trustees, paid employees, and certain committee chairs or volunteers (but not all volunteers) to sign Non-Disclosure Agreements. Lawson’s ten-part thread starts here.

Check Issued to Charity Antho; Then SFWA Told Antho to Destroy Check

This complaint is about the handling of a charity anthology originally intended to be underwritten by SFWA, Embroidered Worlds: Fantastic Fiction from Ukraine and the Diaspora edited by Valya Dudycz Lupescu, Olha Brylova, and Iryna Pasko. It was ultimately funded through a Kickstarter appeal.

The following commentary about SFWA’s handling of the anthology is provided by a longtime SFWA member under condition that they remain anonymous. The source is reliable, and in a position to have direct knowledge of the information.

I’ve volunteered with SFWA for close to ten years, and the organization has frankly always been a little dysfunctional in terms of opaqueness and poor internal communications. The last two years in particular, though, have been Kafkaesque, with projects that committees had spent dozens of hours working on being abruptly cancelled by the board with no notice or real rationale, and volunteers being blamed for failing to communicate when they ask what happened.

Because the cancelled anthology project is emblematic of these problems, I’m going to talk about it at a little more length.

After the Russian invasion of Ukraine in early 2022, the international committee began work on setting up an anthology of Ukrainian science fiction in translation, supposedly with the agreement and approval of the board. (For context, SFWA had previously published a blog post stating that it “stands with Ukraine”). That work included contacting writers and editors living in parts of Ukraine that were being bombarded daily by Russian artillery, drones, and missiles to solicit work, and a couple of these folks put in significant amounts of effort on the project. This work proceeded for more than a year, with committee members in contact with their board liaison and other board members including the CFO, throughout. Committee members also contacted several different publishers before finding one who was interested in the project. As Michael Damian Thomas notes, that included sending the publisher a check to offset costs in printing the anthology and paying authors.

There was no indication at any time that the board disapproved of the project for over a year. Indeed, the project was announced in several different member newsletters. Early in 2023, Jeffe Kennedy [SFWA President] sent the committee chair and the publisher an email saying it was cancelled. I’m just going to quote from that email here:

“We’ve heard that there’s still confusion as to the Board’s recent decision to end SFWA’s involvement with the Ukrainian Anthology project. This email is intended to clearly communicate that to all involved parties.

“At our most recent meeting, the Board made the decision to end the project. There were two main reasons for this decision. The first is that we do not have either the staff time or expertise in Ukrainian cultural matters to take this on. That includes judging whether someone else may or may not be a good fit for editing it. This means it cannot be a SFWA project.

“It also cannot be a SFWA grant because of the extent of work that International Committee members have put into it and the potential credit they may receive as editors in any format. Of course, we recognize that the participating committee members did not know their efforts could jeopardize the grant, but that does not change the end result. Scenarios involving self-dealing and nonprofits are extremely delicate. As soon as we get into parsing shades of exemptions, we’ve crossed into the territory of an appearance of Conflict of Interest. That is our boundary; not whether a situation is legally a conflict of interest, but whether it generates the appearance of one.”

This is typical of the kind of dismissive, condescending communications I have seen from some former board members to volunteers. Note the passive “there’s still confusion” and the other ways this email makes it sound like volunteers were the ones to blame for the current situation.

The first reason Jeffe cites for the cancellation might sound reasonable on the face of things, but in light of the context above I find it ridiculous. That would have been a good reason not to start the project. It makes no sense at all at essentially the end of the project, given that one member of the international committee at the time was Ukrainian disapora and we had been working with two Ukrainian editors. The board was also not being asked to “take this on.” We already had experts in Ukrainian cultural matters working on it, and had already done all the work Jeffe said the board didn’t have time for.

The second reason is a complete misunderstanding of what “self-dealing” is. The Council of Foundations defines self-dealing as activities that result in disproportionate benefit by distribution of the organization’s earnings to insiders, such as founders, directors and officers. To claim that people who are not founders, directors, or officers of the organization receiving editor credit in a print anthology without any pay is self-dealing is clearly ludicrous. I don’t know if the board genuinely misunderstood what “self-dealing’ meant or if Jeffe was just looking for some excuse to cancel the project, or what. 

I emailed the board to tell them how bad this would be for SFWA if they really went through with it, and how disappointed I was that they would seek to blame volunteers for their own decisions (which I felt were without any merit) but I never got a response. I also still have not seen any of the meeting minutes where the project was discussed, despite requesting them repeatedly in the last year and a half, so I don’t really know what the discussion was at that board meeting or any of the ones prior.

This email also asked the publisher to shred the check they had been sent, but did not at any point apologize or say there had been any mistakes made in sending it. The publisher we had selected is a small press which runs on tight margins and which has a reputation for publishing inclusive, thoughtful fiction. Despite the situation this cancellation put them in, when the publisher said they had shredded the check, Jeffe did not thank them or apologize. Neither was there any recognition at any point that this meant people living in a literal warzone would not get paid by SFWA, after a SFWA committee had spent a year telling them they would, supposedly with the approval of the board.

The publisher was still interested in trying to do right by these authors, and several of us who had been on the international committee worked with them outside of SFWA to help bring it to publication. It’s a great anthology from a great press, and I’m proud of it. If you’d like to tell the folks at File 770 about it, they can find it here

All the same, I remain deeply frustrated at how SFWA handled the situation, and the whole thing was a giant mess.

SFWA’s Good Work Should Not Be Eclipsed.

The anonymous longtime SFWA member wants it known that despite these problems there is good work being done by the organization:

…Also, I want to be really explicit in saying that even though the organization has been having some issues, I sincerely do believe that the vast majority of current and former board members are working in good faith to meet SFWA’s mission of supporting and promoting all genre writers. 

The organization has done some great work in the last couple of years, creating more inclusive membership qualifications that better reflect professional writers as they exist today and which recognize historical and current inequities in publishing. I was also part of an effort which won the organization an NEA grant to put out a series of blog posts called “Publishing Taught Me”, a project that highlights the contributions of BIPOC editors and writers to publishing. SFWA does important work in the community as well, supporting other organizations with its Givers Grant Funds, helping authors with GriefCom, contract work, and the medical fund, and working to limit the harm of bad actors in the publishing industry through its support for Writer Beware.

I’m deeply sad that all these great things SFWA does are being overshadowed by what seems to have been one or two people abusing the organization’s lack of accountability and transparency, which could have been avoided without these overly broad NDAs. It makes me feel terrible to think that all those things may disappear if the organization doesn’t fix its issues. 

SFWA’s Interim President Anthony W. Eichenlaub feels the same, as he said in his introductory message to members:

SFWA is at a critical moment.

I hope you’ll take a pause to go through all of the emotions you are feeling because you’re right. Whatever you are feeling right now is appropriate because something you deeply care about is threatened. And many of us do love this organization. When it is functioning well, SFWA is truly a force for good, and it is unique in this industry.

SFWA BOARD MEMBERSHIP, BEFORE AND AFTER

As of August 6

  • Chelsea Mueller – Interim President
  • Jonathan Brazee – CFO
  • Anthony Eichenlaub – Secretary
  • Christine Taylor-Butler – Director-at-Large
  • Phoebe Barton – Director-at-Large
  • Noah Sturdevant – Director-at-Large
  • Oghenechovwe Donald Ekpeki – Director-at-Large
  • Alton Kremer – Director-at-Large

As of August 15

  • Anthony Eichenlaub – Interim President
  • Jonathan Brazee – CFO
  • Christine Taylor-Butler – Director-at-Large
  • Phoebe Barton – Director-at-Large
  • Noah Sturdevant – Director-at-Large
  • Oghenechovwe Donald Ekpeki – Director-at-Large
  • Alton Kremer – Director-at-Large

Update 08/18/2024: Made additions and corrections based on comments.

Pixel Scroll 3/14/24 I Am The Go-Captain Of The Pixelfore

(1) LIBBY BOOK AWARDS. Congratulations to Martha Wells and Rebecca Yarros, two of the 17 winners of the inaugural Libby Book Awards, chosen by a panel of 1700 librarians worldwide.

  • Fiction: The Heaven & Earth Grocery Store, by James McBride
  • Nonfiction: The Wager, by David Grann
  • Young Adult: Divine Rivals, by Rebecca Ross
  • Audiobook: I Have Some Questions for You, by Rebecca Makkai
  • Debut Author: The House in the Pines, by Ana Reyes
  • Diverse Author: Camp Zero, by Michelle Min Sterling
  • Comic Graphic Novel: The Talk, by Darrin Bell
  • Memoir & Autobiography: Pageboy, by Elliot Page
  • Cookbook: Start Here, by Sohla El-Waylly
  • Mystery: Vera Wong’s Unsolicited Advice for Murderers, by Jesse Q. Sutanto
  • Thriller: Bright Young Women, by Jessica Knoll
  • Romance: Georgie, All Along, by Kate Clayborn
  • Fantasy: Fourth Wing, by Rebecca Yarros
  • Romantasy: Iron Flame, by Rebecca Yarros
  • Science Fiction: System Collapse, by Martha Wells
  • Historical Fiction: Let Us Descend, by Jesmyn Ward
  • Book Club Pick: Yellowface, by R. F. Kuang

(2) BOOK BANS SURGED IN 2023. “American Library Association reports record number of unique book titles challenged in 2023” at ALA.org.

Stack of books background. many books piles

The number of titles targeted for censorship surged 65 percent in 2023 compared to 2022, reaching the highest levels ever documented by the American Library Association (ALA). The new numbers released today show efforts to censor 4,240 unique book titles* in schools and libraries. This tops the previous high from 2022, when 2,571 unique titles were targeted for censorship. 

ALA’s Office for Intellectual Freedom documented 1,247 demands to censor library books, materials, and resources in 2023. Four key trends emerged from the data gathered from 2023 censorship reports: 

  • Pressure groups in 2023 focused on public libraries in addition to targeting school libraries. The number of titles targeted for censorship at public libraries increased by 92 percent over the previous year; school libraries saw an 11 percent increase.
  • Groups and individuals demanding the censorship of multiple titles, often dozens or hundreds at a time, drove this surge.  
  • Titles representing the voices and lived experiences of LGBTQIA+ and BIPOC individuals made up 47 percent of those targeted in censorship attempts. 
  • There were attempts to censor more than 100 titles in each of these 17 states: Colorado, Connecticut, Florida, Idaho, Illinois, Iowa, Kentucky, Maryland, Missouri, North Carolina, Ohio, Pennsylvania, Tennessee, Texas, Utah, Virginia, and Wisconsin.

“The reports from librarians and educators in the field make it clear that the organized campaigns to ban books aren’t over, and that we must all stand together to preserve our right to choose what we read,” said Deborah Caldwell-Stone, director of ALA’s Office for Intellectual Freedom. “Each demand to ban a book is a demand to deny each person’s constitutionally protected right to choose and read books that raise important issues and lift up the voices of those who are often silenced.  By joining initiatives like Unite Against Book Bans and other organizations that support libraries and schools, we can end this attack on essential community institutions and our civil liberties.”…

(3) PNH’S NEW POST AT TPG. “Patrick Nielsen Hayden to Become Editor-at-Large for TPG” reports Publishers Weekly.

Patrick Nielsen Hayden has assumed the title of editor-at-large for the Tor Publishing Group. Hayden has been with TPG for 35 years and most recently served as v-p, associate publisher, and editor-in-chief.

During his tenure, he has published the debut novels of authors such as Charlie Jane Anders, Corey Doctorow, John Scalzi, and Jo Walton, and has received three Hugo Awards and a World Fantasy Award for his editorial work. In 2020, he founded our Tor Essentials imprint, which highlights a new generation of SFF classics. 

As editor-at-large, he will continue to edit such authors as Scalzi, Doctorow, and Walton, and will continue to select and oversee the Tor Essentials. 

In announcing Hayden’s new role, TPG president and publisher Devi Pillai added that the company “will not be replacing Patrick in his previous position—he is one of a kind.”

Patrick Nielsen Hayden in 2013. Photo by Scott Edelman.

(4) WICKED WORLD’S FAIR FOLLOWUP. “Eventbrite Refutes Mach’s Claims About WWF Payouts, Hints at Possible ‘Actions’” at The Steampunk Explorer. The linked post adds a great deal more coverage after this introductory item:

Amid the fallout from the Wicked World’s Fair (WWF), show organizer Jeff Mach has repeatedly blamed Eventbrite, the online ticketing and event management platform, for his inability to cover the event’s expenses. But in a statement provided Wednesday to The Steampunk Explorer, Eventbrite refuted key aspects of his claims.

WWF was held Feb. 23-25 at the SureStay Plus hotel in Bethlehem, Pennsylvania. Mach used Eventbrite to manage ticket sales, as well as sales of vendor spaces. During the event, as a sound crew was awaiting payment and vendors were requesting refunds, he told them that Eventbrite had frozen his account, preventing use of the platform’s payout features.

In the weeks that followed, Mach continued to blame Eventbrite for payment issues at WWF. “I had repeated assurances from Eventbrite that the money would be forthcoming,” he remarked in one statement to The Steampunk Explorer. “Why Eventbrite had the account locked down, but refused to tell us, I don’t know.”

This was the company’s response on Wednesday: “Eventbrite offers, but does not guarantee, multiple ways to request funds ahead of the event date. Due to an error on the organizer’s end, we can confirm that a few of these advance payouts were delayed. This was quickly remedied, and the organizer received much of his payout ahead of the event and has now been paid out in full.”…

(5) I NEVER WANTED TO GO DOWN THE STONEY END. [Item by Danny Sichel.] Last month, Doug Muir did a piece about the impending death of Voyager 1, originally launched in 1977. “Death, Lonely Death” at Crooked Timber.

…Voyager has grown old.  It was never designed for this!  Its original mission was supposed to last a bit over three years.  Voyager has turned out to be much tougher than anyone ever imagined, but time gets us all.  Its power source is a generator full of radioactive isotopes, and those are gradually decaying into inert lead.  Year by year, the energy declines, the power levels  relentlessly fall.  Year by year, NASA has been switching off Voyager’s instruments to conserve that dwindling flicker.  They turned off its internal heater a few years ago, and they thought that might be the end.  But those 1970s engineers built to last, and the circuitry and the valves kept working even as the temperature dropped down, down, colder than dry ice, colder than liquid nitrogen, falling towards absolute zero.  

(Voyager stored its internal data on a digital tape recorder.  Yes, a tape recorder, storing information on magnetic tape.  It wasn’t designed to function at a hundred degrees below zero.  It wasn’t designed to work for decades, winding and rewinding, endlessly re-writing data.  But it did.)…

… We thought we knew how Voyager would end.  The power would gradually, inevitably, run down.  The instruments would shut off, one by one.  The signal would get fainter.  Eventually either the last instrument would fail for lack of power, or the signal would be lost.

We didn’t expect that it would go mad.

In December 2023, Voyager started sending back gibberish instead of data.  A software glitch, though perhaps caused by an underlying hardware problem; a cosmic ray strike, or a side effect of the low temperatures, or just aging equipment randomly causing some bits to flip.

The problem was, the gibberish was coming from the flight direction software — something like an operating system.  And no copy of that operating system remained in existence on Earth….

But all is not lost. Well, probably. But not necessarily. At the link you can read the rest of the story about the people trying to put the smoke back in the system from fifteen billion kilometers away.

(6) WEIMER GUESTS ON WORLDBUILDING FOR MASOCHISTS. Paul Weimer joins hosts Marshall Ryan Maresca, Cass Morris, and Natania Barron for  episode 124 of the Worldbuilding for Masochists podcast, “Worldbuilding in Review”.

We spend a lot of time thinking about how to work with worldbuilding as writers — but how does a reviewer approach the topic when they’re reading works of sci-fi and fantasy? Guest Paul Weimer joins us to share his insights as a prolific consumer and critiquer of speculative fiction! Paul talks about the details that he pays attention to, the things he looks for, and the things that draw his attention, as well as discussing the purpose of reviews and who they’re for (hint: it’s not the authors!).

In this episode, we spin things around to look at how we approach worldbuilding and narrative construction as readers — since we are, of course, readers as well as writers! We explore of aspects of how a writer can set and, hopefully, meet expectations through worldbuilding — and where that can sometimes become challenging as a series goes on. What makes a world exciting to enter in the first place? What grips a reader and keeps them with it? And how can you use worldbuilding to make your wizard chase sequence a more cohesive part of your world?

(7) ENTRIES SOUGHT FOR BALTICON SHORT FILM FESTIVAL. Balticon Sunday Short Science Fiction Film Festival has been revised and is looking for talented filmmakers. Full guidelines here: “Short Film Festival”. Entries must be submitted by April 10 2024.

In 2024, the Balticon Sunday Short Science Fiction Film Festival (BSSSFFF) will take place on Sunday evening at 7:00pm. We will thrill festival attendees with independently produced short films from around the region and across the globe. BSSSFFF features live action and animated films in the science fiction, fantasy, and horror from some of the best independent filmmakers this side of the Crab Nebula.

Awards will be given in both the Live Action and Animation category based upon audience preferences. Some of the history of this film festival can be found on the BSFS website.

(8) TRY SUNDAY MORNING TRANSPORT. Mary Robinette Kowal has posted a link valid for a 60-day free trial of Sunday Morning Transport.

(9) ONE SUPERHERO ACTOR CONS ANOTHER. “Simu Liu was scammed by a Hollywood Boulevard Spider-Man” at Entertainment Weekly.

Simu Liu is reflecting on an enemy he made during his first visit to Los Angeles: a not-so-friendly neighborhood Spider-Man.

During an interview with Jesse Tyler Ferguson on Dinner’s On Me, the Shang-Chi and the Legend of the Ten Rings actor recalled an unfortunate encounter with a swindling web-slinger on Hollywood Boulevard. “I remember I was taking photos of the Chinese Theater and a Spider-Man came up to me and was like, ‘I’ll help you!’” the actor remembered.

Alas, Liu’s spider-sense didn’t alert him to the insidious plot that was about to unfold. “And then he took a bunch of photos of me, and then he took some selfies of himself, and then he was like, ‘That’ll be $20!’” the actor said. “And that was mortifying for me, because I didn’t have $20 to give him. Core memory, clearly.”

(10) INTELLECTUAL (?) PROPERTY. Jon Del Arroz tagged me on X.com about this. I clicked through and was fascinated to learn he has declared Sad Puppies is a movement “owned and led by JDA!”

OFFICIAL Sad Puppies merch is now live on the store! Show your allegiance to this great movement which is owned and led by JDA!

(11) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 14, 1933 Michael Caine, 91. On my list of favorite British performers of all time, Michael Caine is near the top of that list. Both his genre and non-genre performances are amazing. So let’s take a look at those performances.

Caine portrayed Alfred Pennyworth in Christopher Nolan’s Batman trilogy. He was quite stellar in this role. And he was in The Prestige, a truly great film, as John Cutter, in Inception as Stephen Miles, Professor John Brand in Interstellar and Sir Michael Crosby in Tenet.

Did you see him in as Ebenezer Scrooge in The Muppet Christmas Carol? If not, go see it now. He’s wonderful and The Muppet take on the Dickens story is, errr, well actually touching. Really it is.

Definitely not genre is The Man Who Would Be King, based off the Kipling story, which starred him with Sean Connery, Saeed Jaffrey and Christopher Plummer. The two primary characters were played by Sean Connery — Daniel Dravot — and Caine played the other, Peachy Carnehan. A truly fantastic film. 

Michael Caine and Sean Connery in The Man Who Would Be King.

In the Jekyll & Hyde miniseries, he’s got the usual dual role of Dr Henry Jekyll / Mr Edward Hyde. He was nominated for a Golden Globe Award for Best Actor – in a Miniseries. He did win a Globe for Best Actor for playing Chief Insp. Frederick Abberline in the Jack Ripper miniseries airing the same time.

Nearly thirty years ago, he was Captain Nemo in a 20,000 Leagues Under the Sea miniseries. 

He’s in Austin Powers in Goldmember, third film in the franchise. He’s Nigel Powers, a British agent and Austin and Dr. Evil’s father. Can someone explain to me the appeal of these films? 

In Children of Men, he plays Jasper Palmer, Theo’s dealer and friend, Theo being the primary character in this dystopian film. 

He’s Chester King in Kingsman: The Secret Service. That’s off the Millarworld graphic novel of Kingsman: The Secret Service by Mark Millar and Dave Gibbons.

I’m reasonably sure that’s all I need to mention about his career.

(12) COMICS SECTION.

  • Blondie anticipates tomorrow’s celebration of World Sleep Day.
  • Frazz figures out the anatomy involved in scientific advancement.
  • Does F Minus depict the dream of some File 770 commenters?
  • Non Sequitur imagines the earliest days of streaming.
  • Carpe Diem has a new origin story.

(13) OCTOTHORPE. In episode 105 of the Octothorpe podcast, John Coxon watches movies, Alison Scott walks on the Moon, and Liz Batty has special bonds. Listen here: “Scorching Hot Month-Old Takes”.

In this episode, we talk through your letters of comment with diversions into Zodiac podcasts, poetry collections, and Scientology. We discuss the BSFA Awards shortlist and return to the Hugo Awards for another round of head-scratching and bewilderment.

A famous photograph of Margaret Hamilton standing beside printed outputs of the code that took the Apollo spacecraft to the Moon, overlaid with the words “Octothorpe 105” and “Liz has finished reading the latest Hugo Award exposés”.

(14) OUTSIDE THE BOX — AND INSIDE THE SHELVES. Harlan Ellison’s Greatest Hits can already be found in some bookstores, ahead of the official release date.

(15) GLIMPSE OF BLACK MIRROR. “Black Mirror Season 7 Will Arrive in 2025 With a Sequel to One of Its Most Beloved Episodes”IGN has the story.

Netflix’s long-running bleak anthology series, Black Mirror, is coming back for Season 7 next year, and it’s bringing a sequel to fan-favorite episode USS Callister with it.

The streaming platform announced the news during its Next on Netflix event in London (via The Hollywood Reporter), later bringing public confirmation with a cryptic message on X/Twitter. The post contains a video teasing the six episodes, and judging by the familiar logo that appears, it sounds like the third will be the one to give us our USS Callister sequel.

(16) THE GANG’S ALL HERE. “Doctor Who’s Russell T Davies and Steven Moffat unite to support Chris Chibnall”Radio Times cheers the gesture.

Doctor Who writers past and present have shared a photo together after Russell T Davies and Steven Moffat attended a performance of Chris Chibnall’s new play.

Recently returned showrunner Davies posted the image to his Instagram page alongside the caption: “A marvellous night out in Salisbury to see Chris Chibnall’s wonderful new play, One Last Push.”

And he added: “Also, we plotted Zarbi vs Garms”, referencing two classic Doctor Who monsters…

(17) TRUE OR FALSE? Radio Times reviews evidence supporting story that “Doctor Who’s Steven Moffat ‘returns to write 2024 Christmas special’”.

More than six years after his final episode of Doctor Who aired, it appears that former showrunner Steven Moffat may be returning to write a new episode of the sci-fi.

While the news has not yet been confirmed, it was picked up on Tuesday 12th March that producer Alison Sterling’s CV had been updated to note she had worked on the show’s 2024 Christmas special.

Underneath this, it was noted that the director of the episode is Alex Pillai, while it was stated that the writer is one Steven Moffat. The notes regarding the writer and director of the episode have since been removed….

One factor which may throw doubt on the idea that Moffat has written the special, is that Russell T Davies previously said that he himself was writing it back in 2022.

(18) STARSHIP HITS SOME MARKS. “SpaceX celebrates major progress on the third flight of Starship”ArsTechnica has details.

… The successful launch builds on two Starship test flights last year that achieved some, but not all, of their objectives and appears to put the privately funded rocket program on course to begin launching satellites, allowing SpaceX to ramp up the already-blistering pace of Starlink deployments.

“Starship reached orbital velocity!” wrote Elon Musk, SpaceX’s founder and CEO, on his social media platform X. “Congratulations SpaceX team!!”

SpaceX scored several other milestones with Thursday’s test flight, including a test of Starship’s payload bay door, which would open and shut on future flights to release satellites into orbit. A preliminary report from SpaceX also indicated Starship transferred super-cold liquid oxygen propellant between two tanks inside the rocket, a precursor to more ambitious in-orbit refueling tests planned in the coming years. Future Starship flights into deep space, such as missions to land astronauts on the Moon for NASA, will require SpaceX to transfer hundreds of tons of cryogenic propellant between ships in orbit.

Starship left a few other boxes unchecked Thursday. While it made it closer to splashdown than before, the Super Heavy booster plummeted into the Gulf of Mexico in an uncontrolled manner. If everything went perfectly, the booster would have softly settled into the sea after reigniting its engines for a landing burn.

A restart of one of Starship’s Raptor engines in space—one of the three new test objectives on this flight—did not happen for reasons SpaceX officials did not immediately explain.

Part rocket and part spacecraft, Starship is designed to launch up to 150 metric tons (330,000 pounds) of cargo into low-Earth orbit when SpaceX sets aside enough propellant to recover the booster and the ship. Flown in expendable mode, Starship could launch almost double that amount of payload mass to orbit, according to Musk….

Space.com has a video at the link: “SpaceX launches giant Starship rocket into space on epic 3rd test flight (video)”.

(19) FAILURE TO LAUNCH. Elsewhere, some bad news from Japan: “Space One’s Kairos rocket explodes on inaugural flight” reports Reuters.

Kairos, a small, solid-fuel rocket made by Japan’s Space One, exploded shortly after its inaugural launch on Wednesday as the firm tried to become the first Japanese company to put a satellite in orbit…

(20) TALKING TO NUMBER ONE. In Gizmodo’s opinion, “This New Robot Is So Far Ahead of Elon Musk’s Optimus That It’s Almost Embarrassing”.

As if Elon Musk needed yet another reason to hate OpenAI. Figure, a startup that partnered with OpenAI to develop a humanoid robot, released a new video on Wednesday. And it’s truly heads above anything Tesla has demonstrated to date with the Optimus robot.

The video from Figure, which is available on YouTube, shows a human interacting with a robot dubbed Figure 01 (pronounced Figure One). The human has a natural-sounding conversation with the robot, asking it to first identify what it’s looking at….

(21) MILLION DAYS TRAILER. “A Million Days” is available on Digital Platforms 18 March.

The year is 2041 and the next step in the future of humankind is imminent. After decades of training and research, the mission to create the first lunar colony is about to launch with Anderson as lead astronaut. Jay, an AI purpose built for the mission, has simulated every possible outcome for the expedition. Tensions arise when the chilling motives of Jay become apparent, sowing the seeds of distrust between Anderson, and the group that had gathered to quietly celebrate the launch. As the night descends into chaos, the group’s faith in one another and their mission begins to crack, with the knowledge that the decisions they make before sunrise, will change humanity forever.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Lance Oszko, Daniel Dern, Kathy Sullivan, Scott Edelman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 2/22/24 Home Is The Pixel, Home From The Scroll

(1) WE’RE BACK. “Odysseus becomes first US spacecraft to land on moon in over 50 years”CNN not only has the story, they enlisted Captain Kirk – William Shatner – to help tell it on the air.

The US-made Odysseus lunar lander has made a touchdown on the moon, surpassing its final key milestones — and the odds — to become the first commercial spacecraft to accomplish such a feat, but the condition of the lander remains in question.

Intuitive Machines, however, says the mission has been successful.

“I know this was a nail-biter, but we are on the surface, and we are transmitting,” Intuitive Machines CEO Steve Altemus just announced on the webcast. “Welcome to the moon.”

Odysseus is the first vehicle launched from the United States to land on the moon’s surface since the Apollo 17 mission in 1972.

Mission controllers from Intuitive Machines, the Houston-based company that developed the robotic explorer, confirmed the lander reached the lunar surface Thursday evening….

…After some intense waiting, Intuitive Machines, the company behind the Odysseus lunar landing mission, has confirmed the spacecraft is “upright and starting to send data.”

That’s a major milestone…

William Shatner on CNN.

(2) 2023 BUSINESS MEETING MINUTES POSTED. [Item by Kevin Standlee.] The 2023 WSFS Business Meeting minutes are now available at the WSFS rules page.

All documents are updated except the Resolutions of Rulings of Continuing Effect, which are still being reviewed by the Nitpicking & Flyspecking Committee. 

(3) HELP PAY TRIBUTE TO STEVE MILLER. Sharon Lee is asking people to send Locus their recollections about her husband, Steve Miller, who died on February 20. This link should work: locus@locusmag.com.

(4) THE YEAR’S BEST AFRICAN SPECULATIVE FICTION VOLUME THREE: CALL FOR SUBMISSIONS. The Year’s Best African Speculative Fiction Volume Three anthology is now open to submissions through March 31, 2024. See full guidelines at the link.

This next volume of the series covers works originally published in 2023. It will be published with a release date of late 2024 under the Caezik SF & Fantasy imprint (Arc Manor).

​Editors for this volume are Oghenechovwe Donald Ekpeki and Chinaza Eziaghighala.

(5) LINK Q&A. “Interview: Kelly Link on Writing Her First Novel” at New York Magazine.

How did you intellectually and practically and physically and spiritually transition from writing short stories to writing a rather long novel?

Even if one is a short-story writer at heart, this is a world of novels. This is a world where readers love novels, which I get. I love them too. But if you’re a short-story writer, any time that you are talking with somebody, they will say, “Well, have you ever thought about writing a novel?”

My husband and I ran a small press for a couple of decades. I had the enormous privilege of working with a bunch of writers on novels. I also, in my writing life, have a group of friends that I meet with, sometimes on a daily basis, and they are all novelists. We spend a lot of our time talking about the possibilities that novels present to a writer. And I love their books. I get to read them when they’re working on them. And eventually, if you’re me, at least, you start to think, Well, what could I do at this length? My very good friend, one of the writers that I work with, Holly Black, said to me about nine years ago, “If you don’t intentionally write a novel, you will write one by accident. And so you might as well plan out how to do it intentionally.”

(6) MYMAN ON THE 2023 HUGOS. Francesca Myman, who attended the Chengdu Worldcon, has written several illuminating posts about the current Hugo Award crisis.

Here’s the first post from February 16:

…The thing that gets me is, if they truly believed they were taking care of people’s safety, and they couldn’t possibly think about it creatively and find other solutions because {reasons}, they were remarkably blasé about a lack of reasonable guidance.

And it does seem that the internal justification was safety. On June 7 Kat Jones says “I’m pointing out examples of both that I find for these fan writers out of an abundance of caution, because I’m assuming we’re talking about the safety of our Chinese con-running friends when we’re making these evaluations. Maybe any fan writer concerns can be mitigated by asking them to curate their voter packet materials with our Chinese friends’ safety in mind?” Of course, “I’m assuming” isn’t the same thing as “I’m asking” and no answers are given.

Then in the February 3 interview, when Chris Barkley asked if people were likely to be endangered on some sort of social or physical level, Dave’s response was some aggrandizing bluster about “the friends I would make and how much I love them and how much I would set myself on fire for them if I needed to,” which inappropriately puts the blame for everything underhanded and weaselly and inexcusable that he did into the laps of the very people he’s claiming to protect.

I’m not here to say Chinese censorship doesn’t exist, we ourselves had to comply with regulations and couldn’t sell magazines and books at Worldcon and it did cause me a considerable amount of stress (and to be fair it was incredibly difficult to obtain any information about exactly what we needed to do to be in compliance, things like whether or not we were allowed to sell digital subscriptions and the actual problem was physical materials sold on site, or whether no sales at all were permitted), but the active participation of Westerners in hand-selecting targets for censorship is stomach-churning….

The second post appeared on February 17:

Soooo while I do think you should read my last long-but-important post about the Hugos, literally the MOST important news about what happened to the Hugos is this: Vajra Chandrasekera on Bluesky linked to a Chinese language post by “zionius” explaining that the supposed “slate” of Chinese voters that was removed from the voting was actually the result of a recommended list from Chinese publication Science Fiction World, their most respected and popular magazine. To be clear, a close analogy is if people removed a batch of Hugo votes from the voting process because they were listed in the Locus Recommended Reading List and voters had too-similar patterns because of that. A recommended reading list is NOT a slate.

Apparently there were one to nine recommendations per SF World category including both Chinese and non-Chinese creators. I suppose the “one recommendation” category, whatever that was, could be tough — but nine recommendations? That’s quite normal for a recommended reading list. The readership of SF World is vast, way higher than Locus, let me tell you that (Chandrasekera claims it’s bigger than that of every western SF magazine put together which seems plausible to me), so they have a ton of influence, but that doesn’t make it illegal….

The third post came out on February 19:

…If McCarty DID receive an earlier heads-up — I’m envisioning something like “you must remove these things because their inclusion will harm us” — we have no way to be sure. And it’s possible I’m wrong here. We lack a WHOLE lot of papertrail, and it’s probably not the worst thing we don’t have it, in terms of all the aforementioned safety concerns.

About which I would like to add: I imagined that if I had been in the committee’s position I would have been most worried about someone saying something about “Hong Kong, Taiwan, Tibet, negatives of China” onstage. But I don’t really have a basis to determine the impact of speeches, so. . .

. . .I asked an expat friend yesterday what the consequences would be if someone, for example, used the Worldcon stage to opine on the political situation in Taiwan, and got an “eek” face emoji.

Eek face emoji situation, I guess. Here’s what he said, which I found particularly illuminating:

“The entire community would face repercussions. Outright censoring, problems for the organizers, attracting Beijing’s ire. The government liaison who helped bring this thing to Chengdu would have severe career blowback and would either lose position or have to pivot and punish to save themselves. It would be a very selfish thing to do and would hurt the Chinese sci fi community significantly. Think of what happened when Bjork called out ‘Free Tibet!’ She said that one phrase on a stage in Beijing and for a decade + afterwards there was a massive crackdown on all artist performances and a massive impoverishment of live music in general. All the festivals struggled. Probably the most damaging thing done to China’s live music scene in the modern era. And Bjork did it because she didn’t know or care about consequences, she just wanted to say her piece. Because the West teaches Westerners that we are morally superior to everyone else and have a right or obligation to ‘speak truth to power’ especially in non white non European places.”

So based on this and other research I absolutely believe safety concerns were real. Which is why I keep coming back around to the point that the best way of handling that was just letting the rules play out and letting Chinese voters take the lead as they were meant to.

(7) ANOTHER ONE ON THE SHELF. “Stephen King Is Baffled by Decision To Keep New Salem’s Lot Movie on the Shelf” reports Comingsoon.net.

Salem’s Lot Still in Limbo

Back in November of 2023, King championed the adaptation of his celebrated vampire novel, saying it had a feeling of ”Old Hollywood” to it. The movie was originally due to be released in 2022, and then in the Spring of 2023, where it lost its spot on the calendar to Warner horror stablemate Evil Dead Rise.

Then came the SAG-AFTRA strike, which reportedly caused Warner Bros. to reconsider a theatrical release altogether, subsequently being eyed for a streaming debut on Max. However, a Warner spokesperson told Variety that ”No decision has been made about the film’s future distribution plans.”

Yet nothing else has been said about the film’s status since.

King isn’t feeling all that patient with Warner Bros. and has once again reiterated his praise for the film while failing to hide his bafflement at its continued release limbo.

”Between you and me, Twitter, I’ve seen the new SALEM’S LOT, and it’s quite good. Old-school horror filmmaking: slow build, big payoff. Not sure why WB is holding it back; not like it’s embarrassing, or anything. Who knows. I just write the fucking things.”…

(8) PRODUCTION ALMOST SHUTTERED, NOW OSCAR CONTENDER. The Hollywood Reporter found out “Why Megan Ellison Saved the Animated Film ‘Nimona’”.

In January of 2021, Megan Ellison got a call from Erik Lomis, the former head of distribution at her company, Annapurna Pictures, asking if she’d like to take a look at a movie whose filmmakers needed a lifeline. Disney was days away from announcing that it planned to shutter Blue Sky Studios, the 500-person, Greenwich, Connecticut-based animation studio it had inherited in the 2019 Fox acquisition, and with that closure, the Burbank media giant would be dropping Blue Sky’s most promising movie, Nimona.

“I wasn’t really engaging in new film projects at the time, but being curious, I said yes,” Ellison said, in an email.

Ellison watched the hand-drawn storyboard reels, which directors Nick Bruno and Troy Quane had adapted from ND Stevenson’s 2015 graphic novel, and instantly connected with the title character, a shape-shifter voiced by Chloë Grace Moretz who appears most often as a young woman, but can change into animals or other people. “I had never seen a character like Nimona in a film, let alone an animated family movie,” Ellison said. “I needed this movie when I was a kid, and quite frankly, I needed it right then and there. It was the perfect story to come into my life at that moment.”

Nimona — which has LGBTQ themes that Disney executives wanted to downplay — seemed destined to become a tax write-off before Ellison scooped it up. Now the movie, which Netflix released last June, is nominated for an Oscar for animated feature…. 

(9) ANALOG SCORES GERROLD INTERVIEW. There’s a “Q&A With David Gerrold” at The Astounding Analog Companion.

Analog Editor: What is your history with Analog?
David Gerrold: I have a long personal history with Analog. My first year of high school was at Van Nuys High. The library was a good place to hang out at lunch time and they had a subscription to Astounding. I started working my way through every issue they had. Astounding represented (to me) the high point of science fiction magazines. It introduced me to so many great stories and writers, that it became a goal. It was decades before I sold a story to the magazine, but that was one of the high points of my career.
This story was a sequel to an earlier piece where Ganny knit a spaceship out of cables and plastic sheeting. I suspect that construction of habitats in space would probably use a lot more fabricated materials than metal. So that was the spark. But once I’d written about how to build the ship, I began to wonder about the interplanetary politics, the economics, and how it all might work where everything is light minutes away from everything else. I think that’s part of the effect that reading Astounding/Analog had on me—I want to know how things work, especially in science fiction.

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born February 22, 1959 Kyle Maclachlan, 65. I of course came to know Kyle Maclachlan first for playing Paul Atreides in David Lynch’s Dune. Like Timothée Chalamet, who was twenty-six when he played Paul Atreides, Maclachlan also was too old at twenty-five for the teen aged character. Just noting that.

(Remember that I’m not going to not noting everything that he’s done, just what I find interesting,)

Kyle Maclachlan at Cannes in 2017.

It was his first film role which I didn’t know until now, so he was old for an actor getting his film career going.

Next up was Blue Velvet in which he was Jeffrey Beaumont. Definitely genre, as it is a thriller mystery blended with psychological horror. Also directed by David Lynch. Weird film, and even weirder role for film. 

He did an excellent job as Lloyd Gallagher in The Hidden, a great SF film. He was not in The Hidden II which was not a great film. 

Yes, the Twin Peaks franchise is genre given some of the things that happened here. His Dale Cooper character is played to perfection over to the thirty episodes of the original series and the eighteen episodes of Twin Peaks known as Twin Peaks: The Return and Twin Peaks: A Limited Event Series. He was also in Twin Peaks: Fire Walk with Me.

Did you know that he voiced Superman? Well he did. In one of the better animated films, Justice League: The New Frontier, he was as Kal-El / Clark Kent / Superman. He voiced him very well. 

He showed up as Edward Wilde, a librarian in The Librarian: Quest for the Spear, one of the films in The Librarian franchise. Just on the off chance that you’ve not seen it, I’ll say no more as it, but it like all The Librarian franchise, is great popcorn viewing. 

He was Cliff Vandercave in The Flintstones, the only Flintstones film worth watching. 

Lastly he was in the Agents of S.H.I.E.L.D. in the dual role of Calvin Johnson / The Doctor. 

(11) COMICS SECTION.

(12) MASTODON UNDER ATTACK. TechCrunch says “Discord took no action against server that coordinated costly Mastodon spam attacks”.

Over the weekend, hackers targeted federated social networks like Mastodon to carry out ongoing spam attacks that were organized on Discord, and conducted using Discord applications. But Discord has yet to remove the server where the attacks are facilitated, and Mastodon community leaders have been unable to reach anyone at the company.

“The attacks were coordinated through Discord, and the software was distributed through Discord,” said Emelia Smith, a software engineer who regularly works on trust and safety issues in the fediverse, a network of decentralized social platforms built on the ActivityPub protocol. “They were using bots that integrated directly with Discord, such that a user didn’t even need to set up any servers or anything like that, because they could just run this bot directly from Discord in order to carry out the attack.”

Smith attempted to contact Discord through official channels on February 17, but still has only received form responses. She told TechCrunch that while Discord has mechanisms for reporting individual users or messages, it lacks a clear way to report whole servers.

“We’ve seen this costing server admins of Mastodon, Misskey, and others hundreds or thousands of dollars in infrastructure costs, and overall denial of service,” Smith wrote to Discord Trust & Safety in an email viewed by TechCrunch. “The only common link seems to be this discord server.”…

(13) A TUNE, NOT TUNA. “Whale song mystery solved by scientists” reports BBC.

… Baleen whales are a group of 14 species, including the blue, humpback, right, minke and gray whale. Instead of teeth, the animals have plates of what is called baleen, through which they sieve huge mouthfuls of tiny creatures from the water.

Exactly how they produce complex, often haunting songs has been a mystery until now. Prof Elemans said it was “super-exciting” to have figured it out.

He and his colleagues carried out experiments using larynxes, or “voice boxes”, that had been carefully removed from three carcasses of stranded whales – a minke, a humpback and a sei whale. They then blew air through the massive structures to produce the sound.

In humans, our voices come from vibrations when air passes over structures called vocal folds in our throat. Baleen whales, instead, have a large U-shaped structure with a cushion of fat at the top of the larynx.

This vocal anatomy allows the animals to sing by recycling air, and it prevents water from being inhaled….

(14) DEAR SCHADENFREUDE. Between bites of popcorn Shepherd exacted a little payback.  

(15) [DELETED]. I apologize for drawing a comparison between Shepherd and Vox Day in the item that formerly appeared in this space. I was wrong to give into the impulse, which vented at Shepherd my emotional reaction to all the Hugo stuff I’ve had to write news about for the last month, something he has nothing to do with. (And if you want to ask why, then, is item #14 still here — Shepherd intended the needle, and I felt it. Ouch.)

(16) MIDNIGHT PALS. But do you know who’s really spinning in his grave? Read this and Bitter Karella will tell you.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Laura, Joyce Scrivner, Oghenechovwe Donald Ekpeki, Kevin Standlee, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day OGH.]

Pixel Scroll 10/2/23 Mammas Don’t Let Your Pixels Grow Up To Be Scrollboys

(1) THIS WEEK. My mother has been hospitalized since last Friday. While her main medical problem is abating, it’s still not clear to me what will happen next. She’ll be 97 next week, which makes the outcome hard to predict. I’ve been with her four or five hours a day, then coming home and working on the daily roundup. If something develops and I want to spend more time there, I will put up a placeholder Scroll for the day.

(2) CAINE PRIZE WINNER. “A Soul of Small Places” by Mame Bougouma Diene and Woppa Diallo is the 2023 winner of The Caine Prize for African Writing. The story appeared in Africa Risen edited by Sheree Renée Thomas, Z. Knight and Oghenechovwe Donald Ekpeki.

(3) THE DARK: CASE STUDY. The Dark’s Sean Wallace lays bare the facts about what the end of Amazon Newsstand did to his magazine. Thread starts here. Subscriptions absolutely welcome here.

(4) COIN OF THE REALM. Todd Allen has launched a Kickstarter for the audiobook of The Dragon Who Dabbled in Crypto.

Something wanted the podcaster dead.

An attempt to blow the whistle on a cryptocurrency scam drew a response: a botched assassination by supernatural means. Management brought in a consultant to “fix” the problem, but a trail of scorch marks from incinerated bodies leads into a web of demonic financial crimes, purloined precious metals and eSports game fixing. What is the secret of the “Schatzhorde des Drachen” coin and will it lead Mister Lewis into the lair of… The Dragon Who Dabbled in Crypto?

[No actual dragons were harmed in the writing of this book. Egos, on the other hand…]

 And Todd hopes you want to ask:

How did I come up with “The Dragon Who Dabbled in Digital?”

I typically lampoon the tech world or business world as a subtext for the Hardboiled Magic books. When I was looking around for something worth poking at the things that were bubbling to the surface were questionable behavior across the crypto world and the Gamestop stock shorting incident was still a meme until itself, if I could get a little punny.  When you bring memes into stock trading, the lines between that and crypto start to blur when you look at meme-based cryptocurrency like Dogecoin, so I felt confident putting those two things side by side in the plot.

And since Dumb Money came out as I was finalizing the release schedule, I’m apparently not the only person who was thinking in this general ballpark

The working title for quite awhile was “Dragoncoin,” and then I got to the point where I had finalize a name for the cryptocurrency the scam in the title would be based around. Would you believe most of the good crypto names are already taken. I retreated to German and named it “Schatzhorde des Drachen” or Dragon’s Treasure Hoard.

As I was thinking about names for the book, Dragoncoin is just way too close to some actual coins, I was bouncing around “Dragon” and “cryptocurrency” and “The Dragon Who Dabbled in Crypto” popped out when I was thinking about some of the more verbose titles I’ve seen lately. 

Todd Allen and narrator Erik Braa “The King of Voice” put together a promotional video.

(5) CHENGDU WORLDCON ROUNDUP. [By Ersatz Culture.]

  • Various con merchandise on sale

Mostly badges, but there’s also a pillow, fridge magnets, ornaments and brooches.  I’ve struggled to navigate the Taobao shop page, because it keeps wanting me to log in whenever I click on anything.

Weibo announcement: https://weibo.com/7634468344/Nm11GjBkX

Taobao store page: https://shop58985787.taobao.com/

  • Summary of the ticket/event schedule situation

Here’s a long Weibo post from SF Light Year aka commenter Adaoli, summarizing the current state of play.  A precis of the numbered points is (via Google Translate, and my summarizing skills, so there’s plenty of scope for error here):

  1. The 5-day in-person tickets that were priced at 320 yuan (approx $44 USD) were discontinued (over a week ago).
  2. Single day passes – reportedly costing 128 yuan (approx $18 USD) – have been promised, but are not yet available.  Holders of these tickets will not be able to attend the opening, closing or Hugo ceremonies.
  3. Supporters of the Chengdu bid at DisCon III will also have to apply via the lottery to attend any of those ceremonies
  4. People who already bought the 5-day in-person tickets also have to apply via the lottery to attend those ceremonies.  It won’t be possible to attend all the ceremonies.
  5. Foreigners don’t have to apply via the lottery, if they’ve previously applied to the “1/100 Light Second Plan”.  That said, if the “3000km travel distance” mentioned is strictly enforced, I think that might exclude people travelling from places like Korea, Thailand or the west of Japan?
  6. Hugo Finalists also don’t have to apply for the lottery, although I think they need to have had contact with someone from the organizing staff.
  7. Ditto Guests of Honour.
  8. Apparently announcements of the schedule are/were expected during China’s National Day Holiday, but that ended a few hours ago as I type this, and I don’t think anything has been announced.  However, the “Golden Week” holiday period runs until Saturday 7th, so it’s possible that’s the timeframe those announcements are expected in?
  • Three-Body Problem immersive experience

Here are a couple of posts to the Xiaohongshu social network, and a news report, showing a Three-Body Problem branded attraction that has just – I think – opened in Chengdu.  The images in the first linked post are actually short videos, although I could only get them to play in the app; I tried the website in a couple of different browsers, and they only appeared as static images.

  • More images of the con venue

I suspect these have long lost their novelty, but if not, here are some new aerial shots — https://weibo.com/1649289953/NlqFZcgzH?refer_flag=1001030103_

(6) LOST AND FOUND CAUSES. [Item by Bill.] An interesting thread about recent Russian propaganda novels in service of generating support for Putin and the invasion of the Ukraine, including a uniquely Russian strain of Alternate History. Thread starts here.

Here are a few excerpts from the 52-tweet thread.

(7) SCARIER THAN PUMPKIN SPICE. Variety gives us the “Best Halloween Movies Ever, Ranked”. Here’s one I wasn’t expecting —

13. Casper (1995)

This sweet film centers its biggest reveal around a tween Halloween party. A father and daughter (played by Bill Pullman and Christina Ricci) move into a haunted mansion to rid the pad of its poltergeist tenants (Casper and his three uncles, the Ghostly Trio). After lots of spirited capers and calamities, the true story behind Casper the friendly ghost is revealed. But the record scratch moment is truly when Casper is transformed into a human boy in the form of 90’s Tiger Beat sensation, Devon Sawa. The new boy surprises Ricci at the party and whisks her into the air for a floating dance that ends with a kiss as the human boy then returns to his original ghostly shape. It’s charming, it’s innocent and his presence scares all the other kids away. — M.W.

If you think you can guess what’s #1 on the list, you are probably right.

(8) KICKIN’ IT GUNDAM STYLE. [Item by Mike Kennedy.] For only $3 million (give or take, depending on the ¥/$ exchange rate) you could be running the controls inside your own Mobile Suit Gundam-inspired robot. Start-up Tsubame Industries plans to build 5 of the 3.5 ton, nearly 15-foot tall, bots. “Japan startup develops ‘Gundam’-like robot with $3 mln price tag” at Reuters.

… Called ARCHAX after the avian dinosaur archaeopteryx, the robot has cockpit monitors that receive images from cameras hooked up to the exterior so that the pilot can manoeuvre the arms and hands with joysticks from inside its torso….

“I wanted to create something that says, ‘This is Japan’.”

Yoshida plans to build and sell five of the machines for the well-heeled robot fan, but hopes the robot could one day be used for disaster relief or in the space industry….

(9) SAUNDERS TRIBUTE. The Washington Post’s Michael de Adder wrote a piece about colleague Charles R. Saunders, who died in 2020. Saunders was an African-American author and journalist, a pioneer of the “sword and soul” literary genre with his Imaro novels. 

(10) ED YOUNG (1931-2023). Ed Tse-chun Young, children’s book illustrator and author died September 29 at the age of 91. Young illustrated more than 100 children’s books, including Jane Yolen’s The Emperor and the Kite, which received a Caldecott Honor in 1968. The annual award from the American Library Association recognizes the previous year’s “most distinguished American picture book for children”. He also wrote and illustrated Lon Po Po, which won the Caldecott Medal in 1991, and Seven Blind Mice, which received a 1993 Caldecott Honor.

For his lifetime contribution as a children’s illustrator, he was U.S. nominee in both 1992 and 2000 for the biennial, international Hans Christian Andersen Award, the highest international recognition available to creators of children’s books. In 2016, Young was honored with Lifetime Achievement Awards from the Eric Carle Museum and the Society of Illustrators.

(11) DOUG BERRY OBIT. Bay Area fan Doug Berry died on September 30. Kevin Standlee said, “While he wasn’t a high flyer known much outside of certain SF Bay Area fan circles, he was a nice person who had a hard life, and he and his wife Kirsten (who is fighting cancer herself) were friends of Lisa and mine. They worked on the newsletter staff at Worldcon 76 in San Jose, and were active members of the local fandom.”

Dave Gallagher told Facebook readers, “Doug had medical issues that did not keep him from a job that he loved as a school crossing guard with the Santa Clara Police Department. He was also a rabid San Francisco Giants fan. His health took a turn for the worse a couple of weeks ago and was hospitalized.”

He also was a former game writer and served in the Army. He did this self-introduction video on his YouTube channel.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 2, 1909 Alex Raymond. Cartoonist, generally only known for creating Flash Gordon for King Features in 1934. The strip has been adapted into many media, from a series of movie serials in the Thirties and Forties to a Seventies TV series and the Eighties feature film not to be confused with the American-Canadian tv series of the same vintage. Radio serials, myriad films, comic books, novels — any medium that exists has seen Flash Gordon fiction. And more action figures than I care to think about. Here’s a review of one of the better ones. There are at least fifteen authorized strips and a number of bootleg strips as well. Needless to say there are bootleg films and serials too. (Died 1956.)
  • Born October 2, 1911 Jack Finney. Author of many novels but only a limited number of them genre, to wit The Body Snatchers, Time and Again and From Time to Time. He would publish About Time, a short story collection which has the time stories, “The Third Level” and “I Love Galesburg in the Springtime”. The film version of The Body Snatchers was nominated for a Hugo at Seacon ‘79. He has a World Fantasy Award for Lifetime Achievement. (Died 1995.)
  • Born October 2, 1919 Edward Wellen. Mostly remembered for the most excellent mysteries he wrote in great number that showed up in the Alfred Hitchcock Magazine and other outlets. He’s here because he wrote an ongoing column in Galaxy called Spoofs with first one in July entitled “Origins of Galactic Slang”. It was followed by similar Galactic Origins well call them for lack of a better term spoofs over the following decade. He wrote a fair amount of short fiction, all if it quite good, most, if not all, is collected in two digital Golden Age Metapacks. (Died 2011.)
  • Born October 2, 1921 Edmund Crispin. He’s well remembered and definitely still read for his most excellent Gervase Fen mystery series. It turns out that he was the editor of the Best SF anthology series that ran off and on between 1955 and 1972. Writers such as Kuttner, Moore, Blish, Bradbury and Von Vogt had stories there. These anthologies alas are not available digitally or in hard copy except in gently or not so gently remaindered copies.  Buyer beware. (Died 1978.)
  • Born October 2, 1944 Vernor Vinge, 79. Winner of five Hugo Awards, none for what I consider his best series which is the Realtime/Bobble series. I’m also very fond of his short fiction, much of which is collected in The Collected Stories of Vernor Vinge, though the eighteen years’ worth of his work since remain uncollected.
  • Born October 2, 1954 Diane Carey, 69. A major contributor to the Trek multiverse of novel. I mean really, really major contributor. I learned there are lines of Trek novels that I never knew existed. She uses three pen names (Lydia Gregory, Diane Carey, and D. L. Carey) which helps when you’re pumping out a lot of product. She has novels in the Original Series, Next Generation, Deep Space Nine, and Enterprise franchises. So nothing surprising there you say. Then under Diane Carey, she has the New Earth series and there’s at least three other series which extrapolate off the existing series. She also did a novel about Kirk as a cadet at Starfleet Academy. 
  • Born October 2, 1972 Graham Sleight, 51. Editor of Foundation: The Review of Science Fiction between 2007 and 2011, and was a Locus reviewer 2005 to 2012. He is the Managing Editor of the 3rd edition of The Encyclopedia of Science Fiction and was so when the 2012 Hugo Award for Best Related Work was given to it. He oft times writes about Doctor Who. He co-edited (along with Simon Bradshaw and Antony Keen) The Unsilent Library, a book of essays about the Russell T Davies era. His other Doctor Who work, The Doctor’s Monsters: Meanings of the Monstrous in Doctor Who, is now available in a trade paperback edition. 

(13) COMICS SECTION.

(14) ALT RIGHT FOOD FIGHT. Camestros Felapton’s “Yet more scuttlebutt” is all about butts being shown, belonging to brawling authors Larry Correia, Jon Del Arroz, and Vox Day. If you can never get enough of that, uh, why?

It’s over ten years since the first Sad Puppy campaign, its over six years since this blog began covering Jon Del Arroz and yet the storm keeps rumbling. Adding to the Correia v Arroz fight is, of course, Vox Day. Unlike JDA, Day does exercise some diplomatic phrasing before joining the fray… However, Day feels he must defend JDA…

(15) SPACE FOR SURPRISES. Explore the eerie depths of the cosmos on Halloween in the Hayden Planetarium Space Theater. The American Museum of Natural History in New York is offering an in-person event “Spooky Space: Planetarium Tour of the Universe” on October 31 at 7:00 p.m. Eastern. Ticket info at the link.

Prepare to be spellbound by hauntingly spectacular views of monstrous stars, devilish supernova explosions, and frightful collisions that await you in the eerie depths of the cosmos!  

Join Jackie Faherty, senior scientist in the Museum’s Department of Astrophysics, for a spooky tour of our universe.  As you settle into the darkness of the Hayden Planetarium Space Theater, the universe’s most spine-tingling phenomena will be unveiled before your eyes, leaving you in awe of the cosmic mysteries and eerie enigmas. 

(16) MUSIC OF THE SPHERE. Chris Barkley asks, “Could this be Hugo-worthy in the Best Related category? Stay tuned.” “U2’s Sphere Opening Night Lives Up to the Hyperbole: Concert Review” in Variety.

This is pretty much the antithesis of any accepted, traditional rock ‘n’ roll orthodoxy. It is also the natural human reaction to just about any or all of “U2:UV Live at Sphere Las Vegas,” the greatest-show-on-earth that opened Friday night in an enormous dome just off the Strip. The just-over-two-hour show marks the apotheosis of a bigger-is-better ethos that has regularly occurred throughout the band’s career, and which they are not about to give up now that they’re in their 60s for any back-to-basics false modesty. The group that has spent so much of its recording output urging you to think about God, and other only slightly less weighty matters, is in Sin City mostly to make you say: “Oh my God.” And we can vouch that we were hearing that utterance, from people above, below and around us, in a kind of reactive, quadrophonic effect that nearly matched Sphere’s vaunted 22nd-century sound system….

(17) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Moid over at Media Death Cult has recreated that scene from Everything, Everywhere, All At Once

It’s the Moideverse…

[Thanks to Mike Kennedy, Andrew Porter, Ersatz Culture, Todd Allen, James Reynolds, Kevin Standlee, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]