25 Scroll Titles Considered As A Matrix Of Silly Fannish Puns

Posted on March 16, 2025 by Mike Glyer

(1) ELGIN AWARDS NEWS. Members of the Science Fiction & Fantasy Poetry Association (SFPA) have until May 31 to nominate books for the 2025 Elgin Awards.

The Elgin Awards, named for SFPA founder Suzette Haden Elgin, are presented annually by SFPA for books published in the preceding two years in two categories, Chapbook and Book.

2025 Elgin Chair: Juleigh Howard-Hobson

Only books of speculative poetry first published during 2023 and 2024 are eligible. Books containing fiction as well as poetry are not eligible. More than half of the poems in the book must be unequivocally speculative as determined by Chair. Translations into English are eligible.

(2) PETER DAVID FUNDRAISER. [Item by Daniel Dern.] Peter David, in addition to having written many fine issues and runs of comics (Hulk, Young Justice, Spider-Man, Supergirl, etc.), and sff (including Star Trek novels), and TV episodes (including Babylon 5) and games, wrote a wonderful, informed-and-informative opinion column “But I Digress…” for the Comic Buyers Guide (which, I see, there are two book collections of).

Now he (and his family) need our help! I see that the GoFundMe has already done remarkably…but it hasn’t yet reached its goal. As of 6:30PM ET today (Sunday, March 16), it’s reached around 55% of its goal.

Here’s the link — “Help Peter David” at GoFundMe.

And here’s the CBR.com article where I saw it – “Comics Icon Peter David Needs Our Help” — with (my) caveat that this article’s link to the GoFundMe has got lots of tracking/etc stuff in their link… I’m planning to use the link I provided just above to make my own donation, later tonight.

(3) CLIPPING STILL WORKING IN SFF. From the Guardian: “Daveed Diggs’ sci-fi rap trio Clipping: ‘We are at war all the time. It’s one of the great tricks of capitalism’”.

As a child, Daveed Diggs and his schoolfriend William Hutson drew pictures inspired by the space-age album covers of funk legends Parliament, filled with gleaming UFOs and eccentric interplanetary travellers. Diggs would grow up to become an actor, winning a Tony award as the first person to play the roles of Marquis de Lafayette and Thomas Jefferson in Hamilton. He’s since voiced Sebastian the crab in The Little Mermaid’s live-action remake and appeared in Nickel Boys, which was nominated twice at this year’s Oscars. But away from Hollywood and Broadway, he’s still dreaming up fantastical sci-fi worlds with Hutson – now through one of the most imaginative, harrowing projects in underground rap.

Along with Hutson’s college roommate Jonathan Snipes – who had a similar childhood experience, inspired by the otherworldly paintings adorning classical albums – the friends formed Clipping in Los Angeles in 2010. Over Hutson and Snipes’s production, Diggs weaves blood-soaked horror stories about racial violence or fables of enslaved people in outer space. On their new album Dead Channel Sky, he raps with mechanical precision over warped rave music, creating a noirish cyberpunk world of hackers, clubgoers, future-soldiers and digital avatars.

Their music has earned them nominations for sci-fi’s highest honour, the Hugo awards, and it’s made all the more distinctive by Diggs’s decision to avoid using the first person in his lyrics. “In an art form that is so self-conscious, is it still rap music if we take that out?” he says on a video call alongside his bandmates. “We discovered pretty quickly that it is, but that it also opened possibilities.” His raps feel like cinema or musical theatre, narrating action and voicing dialogue with characters of – generally – ambiguous gender and race. “What we’ve found from fans is that, because we don’t have much to do with these characters ourselves, it has allowed people to put a lot of themselves into them, to come up with reasons why this stuff is happening, and make links between songs we didn’t think of.”…

(4) GRRM ON FRANK HERBERT. “’I Think He Was a Little Bothered That All They Wanted Was Dune’: George R.R. Martin Discusses ‘Dune’ and Frank Herbert” at Collider.

During the interview, Martin mentioned that he wanted to see his novel Fevre Dream adapted. He also admitted that there were potential issues that might hinder it getting made, especially as it is a historical horror novel about vampires on a steamboat set in the 1850s. However, Martin maintained that, as long as the source exists, the stories can still be told. “But Frank Herbert probably didn’t think Dune would ever be made. Well, they made it, but you know what happened there,” Martin said, implying the 1984 film’s mixed reception. “If Frank had lived long enough and seen what they’re doing now, that would be great, but he’s gone.”…

…Martin recalled his brief interactions with Frank Herbert and the Dune author’s own experience with his wildly popular series, saying:

“Frank made Dune, which was one of the great, great books in the history of science fiction. But I know him a little, not a lot, just over conventions, and I think he was a little bothered that all they wanted was Dune. ‘Give us another Dune. Give us another Dune. Give us another Dune.’ He wrote other good books. He wrote Under Pressure, a deep-sea novel about exploration. He wrote The Santaroga Barrier. That’s all of us writers. We want our other children to get some attention, too.”…

(5) TEXAS GOVERNOR LIES ABOUT FURRIES. “Greg Abbott cites debunked furries claim in latest school voucher push” reports the Houston Chronicle.

Gov. Greg Abbott on Thursday resurrected debunked rumors that public schools were putting litter boxes in classrooms for students dressed as cats, amplifying right-wing criticism of some educators as he pushes for a statewide private school voucher program.

The Texas Republican told a gathering of pastors at a Baptist church in Austin that the so-called furries trend is “alive and well” in communities across the state, and that lawmakers needed to ban it.

He endorsed newly filed legislation by state Rep. Stan Gerdes called the “Forbidding Unlawful Representation of Roleplaying in Education (F.U.R.R.I.E.S) Act,” which would prohibit any “non-human behavior” by a student, “including presenting himself or herself … as anything other than a human being” by wearing animal ears or barking, meowing or hissing. The bill includes exceptions for sports mascots or kids in school plays.

Gerdes’ office did not immediately respond to a request for comment. The bill didn’t have any immediate cosponsors.

Abbott’s remarks appeared to call back unfounded rumors from 2022 that public schools across the country were catering to students who identified as animals. In one instance, the GOP chair in Williamson County falsely claimed Round Rock schools were lowering cafeteria tables for furries….

(6) KEN LIU Q&A. “Pantheon: Sci-Fi Author Ken Liu Discusses TV Series Adaptation & More” at Bleeding Cool.

Pantheon, the animated TV series that adapts stories by Hugo award-winning Science Fiction author Ken Liu, is one of the most ambitious Science Fiction series on television. It depicts the Singularity from the point of view of a grieving young girl and her family as they discover her late father has been illegally uploaded into a digital consciousness as part of a tech corporation’s plans for the next step in human evolution. Pantheon is a complex and ambitious Science Fiction series, covering topics like the uploading of human consciousness, The Singularity, Quantum entanglement, and the moral, ethical, philosophical, and existential questions that come with it, along with a commentary on capitalist exploitation…

Congratulations on the complete story of “Pantheon” finally becoming available. Can you take us back to how you came up with the original stories that ended up in “The Hidden Girl and Other Stories”? Did you just start with one before you felt inspired to explore the ideas further?

[Ken Liu] Thank you! It’s such a pleasure to talk about Pantheon. The show is based on seven stories I wrote: “The Gods Will Not Be Chained,” “The Gods Will Not Be Slain,” “The Gods Have Not Died in Vain,” “Carthaginian Rose,” “Staying Behind,” “Altogether Elsewhere, Vast Herds of Reindeer,” and “Seven Birthdays.” Collectively, I refer to them as the “Singularity” stories. Six of them can be found in my collection, The Hidden Girl and Other Stories.

The three “Gods …” stories were originally written for the Apocalypse Triptych anthologies edited by John Joseph Adams and Hugh Howey. From these, you get the basic plot line of Maddie and her dad and the uploaded “gods.” The other stories are set in the same universe and explore the world before, after, and during the apocalypse of UIs taking over the world.

However, I didn’t write the three Apocalypse Triptych stories first. I’ve been exploring the concept of consciousness uploading in fiction for over two decades (the very first story in this universe, “Carthaginian Rose,” was my first published story, all the way back in 2002).

Why have I been writing about this subject so much? The idea of uploading minds is old and quite popular among some groups in Silicon Valley (for whom the success of uploading always seems to be just about a decade or so away). On the one hand, from a materialist perspective, it seems easy to accept the idea that human consciousness can run on different hardware, including upgraded hardware that could unlock our full potential. On the other hand, it also seems that if you “upload” in the manner described in my stories, the uploaded version would not be a “continuation” of you, at least not from the perspective of the you that dies in the process. The premise, uniting boundless hope with existential horror, is irresistible to the imagination. Stories that explore this theme, such as Pantheon and the video game SOMA, tend to generate a lot of debates among fans precisely because of this paradox.

(7) WE HAVE LIFTOFF. “From Start to Finish, Framestore Visualizes ‘Wicked’” at Animation World Network.

Leading VFX and animation studio Framestore had the recent good fortune of working from previs to postvis to final on Jon M. Chu’s award-winning hit musical adventure, Wicked. On the film, Framestore Pre-Production Services devised the camera angles and movements for sequences involving Nessarose Thropp’s levitating wheelchair, Elphaba taking flight, and Doctor Dillamond.

“The chorography is similar, from action scenes through to musical numbers,” notes Christopher McDonald, Visualization Supervisor, Framestore. “A great starting point is to look at storyboards to get a representation of whether it’s a set or location and then block out the action literally from a top-down perspective. That’s a strong basis because it’s always something you can refer back to once you’ve got that basic blocking in place. On “Defying Gravity,” in particular, we worked quite closely with the stunt team, which had a bunch of tests that were done with the various rigs. They had all of these concepts for movements that Elphaba was going to perform at certain points during the song. Then it was a case of figuring out how do we fit this in? How is it going to look? How are we going to shoot it? Those are the building blocks for scenes like that.” …

(8) TODAY’S BIRTHDAY.

[Written by Cora Buhlert.]

March 16, 1961 — Todd McFarlane, 64.

By Cora Buhlert: Todd McFarlane, comic creator, toymaker and noted baseball fan, was born on March 16, 1961, in Calgary, Alberta, Canada. He fell in love with both comics and baseball at an early age. His attempts to become a professional baseball player never worked out. His attempts to become a professional comic artist did.

I first became aware of McFarlane’s work – no, not via Spider-Man or Spawn – but via the obscure DC Comics series Infinity Inc. which featured the children of DC‘s golden age superheroes, the Justice Society of America, engaging in some superheroing of their own. The series ran from 1984 to 1988, McFarlane provided the art from 1985 to 1987.

I was always more of a Marvel fan and bought my first issue Infinity Inc. by accident, because I mistook a green-skinned woman on the cover of an issue for She-Hulk.The green-skinned woman turned out to be Jennie-Lynn Hayden a.k.a. Jade, daughter of the golden age Green Lantern Alan Scott, but this comic I had bought by accident nonetheless intrigued me enough that I started reading the series regularly. I loved the premise of the kids of established superheroes forming their own group as well as the soap operatic antics, particularly the love triangle between Fury, Nuklon and Silver Scarab. The dynamic and engaging art by the then unknown Todd McFarlane certainly didn’t hurt either.

The love triangle I had followed with bated breath eventually concluded with Fury and Silver Scarab marrying, which annoyed me, because I was team Nuklon, and I moved on to other comics. So did Todd McFarlane. First, he worked on Batman: Year Two and then moved over to Marvel to work on The Incredible Hulk.

In 1988, Todd McFarlane got his big break, when he took over pencilling duties on The Amazing Spider-Man. The friendly neighborhood web slinger was a perfect match for McFarlane’s overly detailed art style. McFarlane depicted Spider-Man swinging in mid-air in dynamic, contorted poses and turned his webbing, usually depicted quite plainly, into an elaborate tangle of individual strands.

The highly detailed art style of Todd McFarlane and other artists who came up in the late 1980s like Jim Lee, Rob Liefeld or Erik Larsen was much criticized in later years – not without reason, because McFarlane was much better at covers and splash pages than at visual storytelling. But in the late 1980s this style felt like a breath of fresh air, because it was so different from anything that had gone before.

The career trajectories of the superstar comic artists of the late 1980s and early 1990s – Todd McFarlane, Jim Lee, Rob Liefeld – are remarkably similar. All three took over a mainstream Marvel title – The Amazing Spider-Man, The Uncanny X-Men, The New Mutants – and gained lots of acclaim for their work on these already popular titles. They created characters popular to this day – McFarlane’s most famous Marvel creation is Venom – and achieved superstar status. In response, Marvel relaunched these titles with a flashy number one issue with multiple variant covers that became some of the bestselling American comic books of all time and also launched the comic speculation bubble of the 1990s.

But trouble was brewing behind the scenes. The young superstar artists wanted more creative control on the titles they were working on and also clashed with veteran Marvel writers and editors. Marvel made concessions in order to keep their most popular artists happy, gave them co-creator credit on certain characters and also let them take over writing duties, whereby it quickly became apparent that McFarlane, Lee and Liefeld were much better artists (and even that is debatable, given the notable weaknesses particularly of Rob Liefeld) than writers. In McFarlane’s case, Marvel editors were not happy with McFarlane’s increasingly dark and violent art and storylines for Spider-Man, traditionally a more light-hearted character.

These simmering issues exploded in 1992, when Todd McFarlane, Jim Lee, Rob Liefeld, Erik Larsen, Whilce Portaccio and Jim Valentino left Marvel to form Image Comics, an umbrella publisher for independent comic creators. McFarlane’s launch title for Image was Spawn, based on a character McFarlane had created as a teenager. Spawn No. 1 was a huge success and sold 1.7 million copies, making it the bestselling independent US comic of all time. McFarlane is still president of Image Comic to this day.

As a teenage comic reader, I knew nothing about the behind the scenes clashes at Marvel. All I knew was that all my favorite artists all left at the same time and started new titles, while over at Marvel the X-Men and Spider-Man books began their long decline. I did buy several Image titles, but very few of them appealed to me as much as the Marvel work by those same artists did. Spawn I dropped after a few issues, because it didn’t appeal to me at all. Other problems quickly became apparent as well with comics delayed for weeks and months. Spawn was one of the more consistent Image titles and came out with relative regularity. And because McFarlane realised that he was a better artist than writer, he hired various well-regarded writers for Spawn.

Todd McFarlane gradually lost interest in the ongoing Spawn comic and expanded into other fields. He made headlines by spending huge amounts of money on collectible baseballs and tried to enter the film business with led to a Spawn movie in 1997. In 1994 he also founded Todd Toys, renamed McFarlane Toys after Mattel insisted that they owned the rights to the name “Todd”, which was also the name of Barbie’s younger brother (who was ironically discontinued shortly thereafter). McFarlane Toys started off by producing action figures based on the Spawn comic series and branched out into action figures based on videogames, music, sports, horror films, anime and many other franchises. In 2018, McFarlane Toys also took over the DC Comics license from Mattel.

Once again, Todd McFarlane made a huge splash with his entry into the toy industry. Like his artwork, his action figures were a lot more detailed and realistic than action figures had been up to this point. Ironically enough, they also shared many of the same weakness, because while the figures were beautiful, they were also stiff and hard to pose. The character selection was lacking as well. For example, the DC Multiverse action figure line from McFarlane contains endless variants of Batman and Superman, including offbeat designs such as a Batman figure with an electric guitar, but lesser-known characters, particularly female characters (which McFarlane claims don’t sell and also turn little boys into serial killers – yes, really) were few and far between. Even a classic looking Wonder Woman was nigh impossible to find, let alone characters like Huntress or Jade, to whom I’d been introduced by McFarlane’s artwork almost forty years ago.

McFarlane’s biggest impact on the toy world, however, was indirect. Because in 1999, Jim Preziosi, Eric Treadway, H. Eric “Cornboy” Mayse and Chris Dahlberg, four sculptors working at McFarlane Toys to bring those beautiful action figures to life, left the company to form Four Horsemen Studios, an independent toy design company which designed the Masters of the Universe 200X and Classics lines as well as the DC Universe Classics line for Mattel, the Marvel Legends line for ToyBiz, the Teenage Mutant Ninja Turtles line for NECA as well as the Mythic and Cosmic Legions lines for their own company. Many of the toys in my collection were designed by them.

Todd McFarlane is the subject of much criticism, a lot of it well deserved. However, he also changed the industries in which he worked – both comics and toys – forever. Image Comics broke through the stranglehold of Marvel and DC on the US comic market and offered a home for creator owned comics, while McFarlane Toys turned action figures from toys for kids into collectibles for adults, a market toy companies had barely explored before.

(9) COMICS SECTION.

Animal Crackers calls the backup.
Breaking Cat News knows the vibe.
Reality Check moves on from the Daily Bugle.
Speed Bump is given safer directions.

(10) CREEPERS, FICTIONAL AND REAL. [Item by Steven French.] Interesting interview with Róisin Lanigan who has ‘remade’ the haunted house genre for the rental age in her new novel (and cites The Amityville Horror, of course): “Róisín Lanigan: ‘I moved to London and got bedbugs’” in the Guardian.

Why was horror the right approach?

I’m a big horror fan. I was reading a lot about haunted houses, and thinking about how all haunted house stories are essentially about owning property and the huge burden that places on you psychologically. And then I was thinking, I wonder what the equivalent is for us, as millennials who rent? Alongside that, I was seeing a lot of my friends – and myself – beginning to live with their partners much earlier than we had been conditioned to think you might do so, for financial reasons.

That then brings complications, if you’re not quite ready to make that step. So the book is a ghost story set in the rental crisis, but it’s also about this young woman’s experience of a situation that she finds increasingly intolerable, and how she has no outlet to express that….

(11) BLACK HAIR ANIMATION UPGRADE. “An animation breakthrough makes it possible to more accurately illustrates Black hair” at NPR.

AYESHA RASCOE, HOST:

Whether it’s video games or animated movies and TV, you may have noticed that Black characters have matching hairstyles time and time again – often flat, two-dimensional and straight up unrealistic hairstyles. And this isn’t a coincidence. While advancements in depicting straight hair have been happening by leaps and bounds, Black hair animation has been stuck, until now.

A.M. Darke, an artist, game maker and professor in UC Santa Cruz’s Department of Performance, Play and Design, co-authored algorithms last month that animate three major characteristics of Black hair. Professor Darke joins us now to talk about her research. Thanks so much for being here.

A M DARKE: Thank you so much for having me.

RASCOE: What are these three attributes that could be illustrated in animation?

DARKE: So I’ll start by saying that whenever you’re tackling a research problem, you get to define, you know, what features matter and are important. So with straight hair, there have been certain features that say, oh, OK, if we hit this look, then we’ve got it, right? We’ve succeeded. For Black hair, that hadn’t happened. My part in this research is defining those targets. So the three targets that I defined to say, OK, these are essential features of Afro-textured hair was phase locking, switchbacks and period skipping. So I want to break that down.

RASCOE: Yeah, let’s start with the first one.

DARKE: So, phase locking is what we’re calling the kind of spongy matrix that happens when you have coilier and kinkier hair textures. So before the hair actually turns into sort of a defined curl, you kind of have this matrix of hair that – I say it’s kind of spongy because it’s sort of like each strand is sort of going in different directions.

RASCOE: Well, that’s my hair under my wrap right now.

DARKE: (Laughter).

RASCOE: That’s what my hair is. It is spongy, and it is not quite curled and then going in all different directions. And then what’s the next thing?

DARKE: Switchbacks – they’re the – sort of a secret sauce for adding a level of realism. For those of you who are old enough, we used to have telephone cords, and they were stretchy, and you might stretch the telephone cord, and it gets a kink in it. And so that is a switchback. It’s just when the curl doubles back on itself before rejoining or going in a different direction.

RASCOE: And then what’s that final third thing that you came up with in the paper?

DARKE: Period skipping – so this was another essential feature. And to simplify it, period skipping is really the frizz factor. So if you think about a coil and each sort of wave, we’ll call those periods. In clumped curls, all of the hairs are spiraling in the same direction, and that’s what we see as a defined curl. But as we know, curly hair very rarely just falls in line, and so you’ll have hairs that break out of the pattern, and so they skip the period. That is what gives the appearance of, like, frizzy or undefined hair….

(12) OLD SPICE SUPERHERO SCENTS. I must have missed these when they came out. The Batman and Superman variants are mainly offered on eBay and through some Amazon vendors. On the other hand, “Krakengard” is currently available as part of the Old Spice Wild Collection..

“Krakengard Wild Collection deodorant”

Old Spice Krakengard men’s deodorant overpowers even the burliest stink with good-smellingness for a full 24 hours
Krakengard deodorant smells like citrus, fresh herbs, and the unspeakable power of the ancient ocean
Emerge from the open ocean smelling like the man-nificent beast you are

(13) THE FIRING NEXT TIME. Late with this too. From Gizmodo in January: “This Atari Asteroids Watch Shoots at Space Rocks to Tell the Time”. The manufacturer’s website — Nubeo Watches – has sold out of most but not all the variations. eBay has some, including “pre-owned”.

Traditional mechanical watches have a timeless quality only matched by the ageless, simple joy of classic arcade titles like Asteroids. To celebrate the 45th anniversary of Asteroids, Atari, and watchmaker, Nubeo released a slate of limited-edition wristwatches with a watch hand in the classic triangular, alien-blasting spaceship.

Atari and Nubeo’s Asteroids collection includes five styles with similarly colored bands. Each watch face features a classic scene from the original 1979 arcade hit, including a field of vector graphics-style asteroids and flying saucers. The spaceship doesn’t move across the screen, but it spins in the center while constantly firing at an incoming alien bogey.

(14) HOMEWARD BOUND. “Crew arrives on ISS to replace astronauts ‘stranded’ in space for nine months” reports NPR.

A four-person crew entered the International Space Station early Sunday morning, part of a mission to relieve two astronauts who will now return to Earth after a protracted stay on the orbital base.

The arrival of the replacement crew means that NASA astronauts Suni Williams and Butch Wilmore can now go home after more than 9 months in space. Their trip to the ISS in June was supposed to last just over a week, but it morphed into a much longer expedition when their Boeing Starliner spacecraft ran into technical problems and was sent back to Earth without a crew.

NASA astronauts Anne McClain and Nichole Ayers — as well as Japanese astronaut Takuya Onishi and Russian cosmonaut Kirill Peskov — floated through the ISS hatch at 1:35 a.m. ET. Sunday morning….

…Williams and Wilmore — along with fellow NASA astronaut Nick Hague and Russian cosmonaut Aleksandr Gorbunov — are set to depart the ISS for Earth no earlier than Wednesday, depending on weather conditions….

[Thanks to SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Cora Buhlert, Patch O’Furr, Daniel Dern, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

AudioFile Magazine’s New Favorite SF and Fantasy Audiobooks

Posted on October 18, 2024 by Mike Glyer

Audiofile Magazine named these some of their favorite sff audiobooks to come out this fall.

NAVOLA

by Paolo Bacigalupi | Read by Marc Vietor (AudioFile Earphones Award)
[Audible, Inc. | 20.5 hrs.]

Review

Marc Vietor narrates a dark fantasy epic about a family of merchant bankers and the prince who is poised to take over the kingdom. Davico di Regulai, armed with an ancient dragon eye and his own wits, steps up to control a vast banking empire. He soon learns that kindness is a weakness that will get him killed. A slow build follows Davico from childhood to adulthood. As Vietor smoothly shifts from accented dialogue to intense narrative, he imbues Davico with earnestness, deep empathy, and a lack of ambition, despite his political position. Vietor maintains the dramatic irony as Davico heads blindly into complications the listener can see coming. Vietor’s narration illuminates an epic story of power and wealth in a dynamic world.

ALIEN CLAY

by Adrian Tchaikovsky | Read by Ben Allen (AudioFile Earphones Award)
[Hachette Audio | 14 hrs.]

Review

Ben Allen performs a thought-provoking science fiction story about a political dissident who is trying to survive on an alien planet that serves as a tyrannical empire’s prison. Anton arrives on the planet nicknamed Kiln to discover humanity was not the first sentient lifeform to visit. Kiln’s ecosystem is chaotic, hungry, and hiding several enticing secrets. Allen makes the immersive and imaginative story one to get lost in.

THE STARS TOO FONDLY

by Emily Hamilton | Read by Vico Ortiz (AudioFile Earphones Award)
[Harper Audio | 11.5 hrs.]

Review

Vico Ortiz narrates a raucous space adventure rom-com with infectious energy. It’s 2061, and Cleo and her three best friends—all scientists—sneak aboard to explore the neglected rocket PROVIDENCE I. The friends grew up fascinated with the story of its failed launch 20 years earlier. But when Cleo inadvertently starts the dark matter engine, they’re launched into a seven-year mission with only Billie, the prickly holographic computer, to guide them. This lively story of friendship and queer romance is full of interdimensional danger and is heaps of fun on audio.

SOMEWHERE BEYOND THE SEA: Cerulean Chronicles, Book 2

by TJ Klune | Read by Daniel Henning (AudioFile Earphones Award)
[Macmillan Audio | 15.75 hrs.]

Review

Narrator Daniel Henning brings his signature versatility, emotional connection, and perfect comedic timing to the latest in the acclaimed Cerulean Chronicles series. The magical children cared for by Arthur and Linus on Marsyas Island are joined by a new child, the yeti David, who is voiced with a nasally growl. A new social worker is determined to find a reason that Arthur cannot safely care for his children, and he will need the help of his entire family, along with his community, to resist her.

JUMPNAUTS

by Hao Jingfang, Ken Liu [Translator] | Read by Catherine Ho (AudioFile Earphones Award)
[Simon & Schuster Audio | 15 hrs.]

Review

Catherine Ho is an excellent storyteller for this first installment in the Folding Universe series. Set in 2080, this space thriller is steeped in Chinese philosophy. Archaeologist Yun Fan, military researcher Qi Fei, and astronomer Jiang Liu realize an alien race is returning to Earth. The trio join forces to meet the aliens in space before the organized governments of Earth can complicate matters. Ho creates complex personas for the three young people and conveys the tension in their relationships with each other and their families.

“AudioFile Magazine New Favorite SF and Fantasy Audiobooks” was curated by AudioFile. To subscribe to the AudioFile Magazine newsletter subscription click here.

Nominations Are Open for the 2024 Ursula K. Le Guin Prize for Fiction

Posted on April 1, 2024 by Mike Glyer

All are welcome to nominate work for the Ursula K. Le Guin Prize for Fiction, an annual $25,000 cash prize.

The Prize is given to a writer whose book reflects the concepts and ideas that are central to Ursula’s own work, which include (but are not limited to): hope, equity, and freedom; non-violence and alternatives to conflict; and a holistic view of humanity’s place in the natural world.

To be eligible for the 2024 Prize, a work must also be:

A book-length work of imaginative fiction written by a single author.
Published in the U.S. in English or in translation to English. (In the case of a translated work winning the Prize, the cash prize will be equally divided between author and translator.)
Published between April 1, 2023, and March 31, 2024.

The Prize also gives weight to writers whose access to resources, due to race, gender, age, class or other factors, may be limited; who are working outside of institutional frameworks such as MFA programs; who live outside of cultural centers such as New York; and who have not yet been widely recognized for their work.

Additionally, any use of large language models/“AI” in the creation of a work must be disclosed. Works with undisclosed use of large language models/“AI” may be disqualified.

Read more about the prize and eligibility requirements here.

The members of the 2024 selection panel are authors Margaret Atwood, Omar El Akkad, Megan Giddings, Ken Liu, and Carmen Maria Machado. The judges’ biographies follow the jump.

Continue reading →

Pixel Scroll 12/27/23 So Have You Looked Up And Seen How Pixels Twinkle Against The Midnight Sky?

Posted on December 27, 2023 by Mike Glyer

(1) UNFORSEEN INTERSECTION. Maya St. Clair draws a fascinating comparison between a current bestseller and Heinlein’s controversial classic in “Fourth Wing Review: Starship Troopers (for Girls!)”

…Criticisms of Starship Troopers’ themes, while hyperbolic, were not entirely off-base. In Heinlein’s world, the ideal military life is violent, abusive, and deindividualizing; death is and should be omnipresent at every stage of training. For example, there’s the basic training exercise in which

“… they dumped me down raw naked in a primitive area of the Canadian Rockies and I had to make my way forty miles through mountains. I made it [by killing rabbits and smearing fat and dirt on his body] … The others made it, too… all except two boys who died trying. Then we all went back into the mountains and spent thirteen days finding them…. We buried them with full honors to the strains of ‘This Land Is Ours’… They weren’t the first to die in training; they weren’t the last.”

Through the eyes of Johnnie, we experience an intensity of life that makes civilian existence seem anemic, even pathetic….

…With all that being said, it feels wrong to mention Fourth Wing in the same breath as Starship Troopers. Putting aside the fact that Fourth Wing is a poorly-written work whose prose has been critiqued to death by many people before me, the two books seem to represent opposing moments in publishing history. Heinlein, for all his faults, was writing “up” for an audience of teens, treating them as adults and including them in the sphere of “adult” science fiction, with complex worldbuilding and (relatively) sophisticated themes. Sixty years later, Fourth Wing and its team (author Rebecca Yarros and Entangled Publishing) represent a publishing world moving in the opposite direction: creating books for adults in an actively juvenile style, and cultivating an audience of adult readers who no longer demand that published books have good writing at all so long as they check necessary boxes of sensation and eroticism.

But thematically and content-wise, the two books are as close as one could possibly get. Fourth Wing, like Starship Troopers, sells a military coming-of-age story in which mass death is a part of the allure (“brutally addictive,” says the cover blurb). Someone on Reddit puts the death count of Fourth Wing at 222 cadets, plus an untold number of civilians — though it’s widely considered a “fluff” read. Its primary audience (and the primary audience of most mainstream fantasy now) is female, young, progressive, and would probably be aghast at being compared to grimdark bros, Heinlein apologists, or men in general. And yet here we all are, hooked on the same stuff….

(2) ICONIC LE GUIN COVER ART OFFERED. The estates of Carol Carr and her husband Robert Lichtman are in the news: “Original cover art for Le Guin sci-fi novel goes on sale” at Bay Area Reporter.

…First published in paperback by Ace Books, the novel sported cover art by award-winning artists and biracial couple Leo and Diane Dillon. Their painting featured profiles of the book’s protagonists in the left bottom corner looking off into the distance. Surrounding the pair is a blue and white celestial-like scene with what appears to be a brown planet and a spaceship hovering above.

(Leo Dillon, of Trinidadian descent, died in 2012. He was the first African American to win the prestigious Randolph Caldecott Medal for illustrators of children’s books, while the Dillons were the only consecutive winners of the award, having received the honor in 1976 and 1977.)

The Dillons’ original 17 and 1/4 by 13 inches acrylic painting is now being offered for sale for the first time at the Antiquarian Booksellers’ Association of America global book fair taking place in San Francisco in early February. The asking price is $20,000.

“It is literally unique. This is it, the original and not a print,” said Mark Funke, a rare bookseller who lives in Mill Valley where his business is also located.

Scouting out shops in the East Bay several years ago looking for new material to sell, Funke had received a tip about the sale of various items from a home in the Oakland hills. It led him to receive an invite from the executor of the estate to come to the house.

To his amazement, Funke had stumbled onto the archives of three individuals involved in the world of science fiction writing. One was the late Terry Carr, an editor at Ace Books who published the works of Le Guin and other sci-fi authors and died in 1987. While most of Carr’s personal papers had gone to UC Riverside, Funke found several boxes still in the house and acquired them….

… Funke is now handling its sale on behalf of the Carr and Lichtman Estate. He will have it available on a first-come, first-served basis at his booth at the book fair.

“I am pricing it high for the artists but, I think, reasonable for it being Le Guin’s most famous novel. She won awards for it, and it ratcheted her up to the greats of science fiction,” said Funke. “It’s got very topical content; this idea of the planet Gethen and ambisexual individuals. I just think it is fascinating and a very active topic in today’s discussion.”

In a statement to the B.A.R. about the sale, the executor for the family estate said, “The Carr-Lichtman family has treasured this artwork for over 50 years and now it is time to find a new owner who will cherish this remarkable work of science fiction publishing history for the next 50 years.”…

(3) KORSHAK COLLECTION NEWS. The Korshak Collection announced on Facebook —

We have partnered with the University of Delaware for an academic illustrated catalog of the Korshak Collection. We don’t want to give away all of our surprises, but the catalog will include a foreword by New York Times bestselling author Neil Gaiman and entry by Pulitzer prize winner author Michael Dirda, as well as an interview with the Hugo Award winning artist Michael Whelan. We are so grateful for this partnership and all of the outstanding contributions that have made this project possible.

(4) MCU UK. James Bacon recommends David Thorpe’s account of his time as a creator for Marvel UK: “In Review: The Secret Origin of Earth 616 By David Thorpe” at Downthetubes.net.

… This is a fascinating book, and, for Captain Britain fans, a definite buy. For comic fans interested in Marvel UK, of great interest. Yet it is also an excellent autobiography, a very readable and personal exploration of a comic fans desires, aspirations and progression to be a writer and an insight into how Marvel UK was, and offers real honesty when it comes to a comics career that took an interesting turn that saw David Thorpe’s work in the industry elsewhere. The story is brimful, and includes how another comic related moment saw him turn to a very successful career beyond comics, one that arguably has made a real difference to the world….

… David Thorpe came up with the concept of Earth 616, and he describes it as a Stan Lee styled “Hoo Boy” moment when he heard Mysterio say “This is Earth dimension 616. I’m from Earth 833.” to Spider-Man in Spider-Man: Far From Home and that is something that any comic reader can appreciate, many of whom have imagined themselves as writers….

(5) IN FELLOWSHIP THERE IS STRENGTH. “Board Game Cafe Workers Went on a Quest for a Union and Won” reports the New York Times.

A golden glow illuminated the employees huddled inside a Hex & Co. cafe on the Upper East Side, a haven created for board game enthusiasts to gather for fantastical quests.

Meticulous campaigns were second nature to these workers — how many times had they infiltrated an obsidian castle or vanquished a warlock? They had been immersed in this particular adventure for months, navigating a labyrinth governed by strict rules and made harrowing by unfamiliar tasks and tests. Now they gathered to plot their final triumph: unionization.

On that Tuesday in September, Hex & Co. workers confronted their bosses with a demand for recognition. Less than two months later, they voted to join Workers United, the same group that has been organizing workers at Starbucks stores across the United States. The workers at the three Hex & Co. locations across New York City were just the first employees of a board game cafe in the city to unionize. Workers at the Uncommons and the Brooklyn Strategist followed this month.

All the stores fall under the ownership of either Jon Freeman, Greg May or both, and they pleaded with their employees not to unionize, saying that a union would wipe out the “flexible and open-door atmosphere we have tried to foster.”

Teaching board games is a far cry from swinging a miner’s pick or working numbing hours on an assembly line. In fact, many of the cafe workers said they hung out at their workplaces in their off hours. But in the end, complaints over dollar-an-hour raises and bands of unruly children reigned: Among the 94 employees who voted, only 17 dissented….

…Only 10 percent of American wage and salary workers were union members in 2022, a historical low, according to the Bureau of Labor Statistics. The food-service sector’s membership rate was less than 4 percent. But this fiscal year saw the most representation filings since 2015, according to the National Labor Relations Board.

Young workers “are willing to take risks, because they feel like their future is at stake,” said Kate Bronfenbrenner, the director of labor education research at Cornell University.

After slogging through a recession and a pandemic, many found themselves earning minimum wage while corporate profits soared, she said….

(6) AI AS SEEN BY THREE SFF AUTHORS. The River Cities’ Reader tells fans how to access the “Virtual Event: ‘Speculating Our AI Future,’” with Cory Doctorow, Ken Liu, and Martha Wells on January 11.

Designed for those fascinated by, or terrified about, the rise of artificial intelligence is invited to a January 11 virtual event hosted by the Rock Island and Silvis Public Libraries, when Illinois Libraries Present’s Speculating Our AI Future finds bestselling science-fiction writers Cory Doctorow, Ken Liu, and Martha Wells in discussion on the promise, perils, and possible impacts that AI will have on our future, as well as AI as portrayed in contemporary and future science-fiction writing.

The Speculating Our AI Future panel discussion with Corry Doctorow, Ken Liu, and Martha Wells will begin on January 11 at 7 p.m., participation in the virtual event is free, and more information is available by calling (309)732-7323 and visiting RockIslandLibrary.org, and calling (309)755-3393 and visiting SilvisLibrary.org.

(7) GRAPHIC EXAMPLES. Sam Thielman hits the high notes in a review of “The Year in Graphic Novels” for the New York Times.

Good graphic novels tend to appear in bookstores seemingly out of nowhere after years of rumors, scattershot serialization, “process” zines and snippets posted to social media. As literature, long-form comics are uniquely resistant to editing. As visual art, the cartoonist is in the weird position of having no access to the final product until it’s presented to the public. So it’s frankly miraculous when we get as many good comics as we do. This year there were remarkable new books from established masters and freshman graphic novels from brilliant young artists. Better still, a gratifyingly thick stratum of our 2023 stack was devoted to making us laugh. It’s a rich conversation, and one that promises to continue into next year and long beyond.

From the moment you open it, Daniel Clowes’s MONICA (Fantagraphics, 108 pp., $30) announces its ambition. Against the weird hellscape of its front endpapers, the title spread depicts the world at its lifeless, churning, brightly colored beginning. Then all of time (so far) goes by in a whoosh on the next two pages — the dinosaurs, Jesus, Hitler, Little Richard, Sputnik — alongside the copyright boilerplate and the names of the editors and publicist. In Clowes’s smooth lines and precise hues, the rest of the book borrows styles from war, horror and romance comics to tell the story of an ordinary woman trying to give her life some meaning. Is such a thing even possible? Could the attempt destroy everything?…

(8) EVA HAUSER (1954-2023). Past fan fund winner (GUFF) Eva Hauser died December 23 at the age of 69. Here is an excerpt from Jan Vaněk Jr.’s tribute on Facebook:

I am sad to announce that the 1992 GUFF delegate died on Friday 22nd. Eva Hauser[ová] travelled from Prague, still-Czechoslovakia to Syncon ’92 in Sydney, and then to Melbourne and back.

If you were there (despite the small attendance, the trip report reads like the Who Is Who of a golden age of the Australian fandom, and a testimony to their hospitality. Even though so much, and many, have already been lost in time, like tears in rain…), you may remember; and then you will understand why Eva is so much-lamented and widely eulogised from many different communities she was a part of….

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born December 27, 1951 — Charles Band, 72. We have come tonight to honor a true film genius in Charles Band. He entered film production in the Seventies with Charles Band Productions. Dissatisfied with distributors’ handling of his movies, he formed his own company in the early Eighties. At its height, he would release an average of two films a month, one theatrically and one on home video.

So what are you going to recognize out of his hundreds of films?

Most of his films paid the cast next to nothing, were notoriously lax on safety measures according to State officials who fined him considerable amounts over the years and he paid screenwriters, well, guess.

Trancers, also released as Future Cop, the first of a series, which I’ve seen and liked, had Tim Thomerson and Helen Hunt in the lead cast. Supposedly the detective here is homage to Bogart’s various detective roles.

As producer, he did Metalstorm: The Destruction of Jared-Syn. Richard Moll who is in the cast and he shaved his head for his role here. The Night Court producers liked the look for Moll, so he continued shaving his head for the show.

Now he also produced a lot of more frankly sleazy SF such as Slave Girls from Beyond Infinity, Galactic Gigolo, and Space Sluts in the Slammer, and the post-apocalypse zombie films, Barbie & Kendra Save the Tiger King and Barbie & Kendra Storm Area 51.

His autobiography has a title that’s every bit has as over the top as most of some of film titles are, Confessions of a Puppetmaster: A Hollywood Memoir of Ghouls, Guts, and Gonzo Filmmaking.

One final note. His entire financial house of cards collapsed in the late Eighties and was seized by various banks who in turned sold the assets off to MGM, so you’re likely to see one of his films streaming just about anywhere these days.

(10) STORIES YES AND NO. Rich Horton reaches back to 1970 to tell Black Gate readers about “No More Stories — The Capstone to Joanna Russ’s Alyx Sequence: ‘The Second Inquisition’”.

“No more stories.” So ends Joanna Russ’s great novelette “The Second Inquisition.” But in many ways the story is about stories — about how we use them to define ourselves, protect ourselves, understand ourselves. It’s also, in a curious way, about Joanna Russ’s stories, particularly those about Alyx, a woman rescued from drowning in classical times by the future Trans-Temporal Authority….

(11) CORE TELEVISION. [Item by Olav Rokne.] Now, I don’t agree with everything in this article (for one thing, Foundation is execrable.) But it is an interesting look at what Apple+ is doing in SFF and why so much of it works. “The Best Sci-Fi Shows of 2023 All of Have One Shocking Thing in Common” at Inverse.

…For All Mankind isn’t the only sci-fi show pushing the limits of the genre on Tim Cook’s dime. The Apple CEO has been quietly funding some of the best science fiction TV in recent memory, ranging from the centuries-spanning Isaac Asimov adaptation Foundation to the mind-bending near-future of Severance to the globe-trotting Godzilla spinoff series Monarch: Legacy of Monsters — to name just a few.

And while it’s hard to say what exactly defines an Apple sci-fi show, Inverse spoke to several showrunners and producers who all agree the tech giant brings a unique, futurist perspective to the genre that — when combined with endless cash — helps explain why, all of a sudden, it seems like the best science fiction television is all coming from the same company that sold you your iPhone….

… One thing you can say about pretty much any show or movie on Apple TV+ is that it probably looks gorgeous. While many Netflix productions have a certain flatness to them that can make it feel like the streamer has been cutting corners, Apple is pouring a lot of money into the look (and star power) of its original series — it helps to have a trillion-dollar cash pile, even if Amazon and Disney are still outspending the MacBook maker….

(12) MARATHON FAN. SYFY Wire understandably wants us all to know “How to Watch SYFY’s Twilight Zone New Year’s Marathon 2023-2024”.

Just as you can count on our planet making a full rotation around the sun every 365 days or so, you can also rest assured that SYFY will use the key of imagination to unlock its annual New Year’s marathon of The Twilight Zone. The honored tradition of airing Rod Serling’s groundbreaking anthology series won’t be going anywhere anytime soon. In fact, the 2023-24 edition is super-sized, with the marathon spanning a total of three whole days — starting Saturday (December 30) and ending Tuesday (January 2).

Who needs to smooch someone at midnight when you’ve got Jason Foster (Robert Keith) teaching his wicked family members a lesson they’ll never forget in “The Masks”? Fittingly enough, the classic episode — which revolves around a collection of vain and greedy individuals ordered to wear hideous masks until the stroke of midnight — will air about 40 minutes before the ball drops. If someone offers you a grotesque party favor along with that glass of Champagne, you might want to turn it down….

(13) CHINA’S MIXED SIGNALS ON VIDEO GAME PLAYING. “Will China Ease Its New Video Game Controls? Investors Think So.” The New York Times says, “After a market rout, gaming companies like Tencent and Netease rally on signals that regulators might apply proposed curbs on users less harshly than feared.”

…The events of the past several days underline the push-and-pull forces in Chinese policymaking. The country’s top leaders have acknowledged they need to stabilize the economy, which has been slow to recover from being virtually locked down during the Covid pandemic. But the government’s tight control of how companies do business continues to inject uncertainty into the markets.

China’s National Press and Publication Administration, which issues licenses to game publishers and oversees the industry, unveiled a proposal on Friday aimed at effectively reducing how much people spend playing games. The plan took the industry by surprise, and investors dumped tens of billions of dollars in company stock.

The regulator issued a statement on Saturday stressing that the draft rules aim to “promote the prosperity and healthy development of the industry,” and said it is “listening to more opinions comprehensively and improving regulations and provisions.”

Then on Monday, the agency announced that it had licensed about 100 new games, after licensing 40 others on Friday. And a semiofficial association affiliated with the agency said that the additional game approvals were “positive signals” that the agency supports the industry.

The new regulations would cap how much money users could spend within games on things like upgrading the features of characters or procuring virtual weapons or other things used by the characters. It would also ban rewards that companies use to entice players to return. The proposal did not specify a spending cap…..

… The industry is still reeling from earlier restrictions first imposed in 2019 aimed at what the government deemed was an online gaming addiction among minors, as well as a broader crackdown against tech companies. Regulators also stymied publishers by not issuing any new game licenses for an eight-month stretch that ended in April 2022….

(14) CHART YOUR COURSE. Archie’s Press offers interesting “Outer Space” prints.

Outer Space is so huge, there’s really no way to wrap your head around the entire thing. This makes it all make sense.

(15) VIDEO OF THE DAY. [Item by Dann.] A tale of old Japan. A tale as old as time. A beleaguered hero looking to avenge past wrongs. Western forces looking to control a local government. A beauty of a beast.

When the culture and government deny any usual path to survival, much less happiness, our hero seeks unusual opportunities instead. Learning the secrets of steel. Surreptitiously learning the secrets of the sword. All of them.

Eventually, our hero sets out on a path of vengeance leaving rivers of blood along the way. Companions are found, whether or not our hero desires their companionship.

Each character is well-developed with unique strengths, flaws, and motivations. Even the villains have a compelling story to tell.

Blue Eye Samurai is not to be missed. And The Critical Drinker knows why. Go watch the “The Drinker Recommends… Blue Eye Samurai”.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Dann, Olav Rokne, Michael J. Walsh, James Bacon, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 6/30/23 “What Is The Use Of A Scroll,” Thought Alice, “Without Pixels Or Conversation?”

Posted on June 30, 2023 by Mike Glyer

(1) A FINE IDEA. “Fake reviews are illegal and subject to big fines under new FTC rules” says the Washington Post’s article about a Federal Trade Commission notice of proposed rulemaking.

Fake reviews are ruining the web. But there’s some new hope to fight them.

The Federal Trade Commission on Friday proposed new rules to take aim at businesses that buy, sell and manipulate online reviews. If the rules are approved, they’ll carry a big stick: a fine of up to $50,000 for each fake review, for each time a consumer sees it.

That could add up fast.

It’s the biggest step to date by the federal government to deter the insidious market for buying and selling fake reviews, though the FTC’s rules don’t do as much to hold big review sites like Yelp, Google, Tripadvisor and Amazon directly accountable. (Amazon founder Jeff Bezos owns The Washington Post. Interim chief executive Patty Stonesifer sits on Amazon’s board.)…

Here’s the FTC press release: “Federal Trade Commission Announces Proposed Rule Banning Fake Reviews and Testimonials”.

…In its notice of proposed rulemaking, the Commission cited examples of clearly deceptive practices involving consumer reviews and testimonials from its past cases, and noted the widespread emergence of generative AI, which is likely to make it easier for bad actors to write fake reviews.

The Commission is seeking comments on proposed measures that would fight these clearly deceptive practices. For example, the proposed rule would prohibit:

Selling or Obtaining Fake Consumer Reviews and Testimonials: The proposed rule would prohibit businesses from writing or selling consumer reviews or testimonials by someone who does not exist, who did not have experience with the product or service, or who misrepresented their experiences. It also would prohibit businesses from procuring such reviews or disseminating such testimonials if the businesses knew or should have known that they were fake or false.
Review Hijacking: Businesses would be prohibited from using or repurposing a consumer review written for one product so that it appears to have been written for a substantially different product. The FTC recently brought its first review hijacking enforcement action.
Buying Positive or Negative Reviews: Businesses would be prohibited from providing compensation or other incentives conditioned on the writing of consumer reviews expressing a particular sentiment, either positive or negative.
Insider Reviews and Consumer Testimonials: The proposed rule would prohibit a company’s officers and managers from writing reviews or testimonials of its products or services, without clearly disclosing their relationships. It also would prohibit businesses from disseminating testimonials by insiders without clear disclosures of their relationships, and it would prohibit certain solicitations by officers or managers of reviews from company employees or their relatives, depending on whether the businesses knew or should have known of these relationships.
Company Controlled Review Websites: Businesses would be prohibited from creating or controlling a website that claims to provide independent opinions about a category of products or services that includes its own products or services.
Illegal Review Suppression: Businesses would be prohibited from using unjustified legal threats, other intimidation, or false accusations to prevent or remove a negative consumer review. The proposed rule also would bar a business from misrepresenting that the reviews on its website represent all reviews submitted when negative reviews have been suppressed.
Selling Fake Social Media Indicators: Businesses would be prohibited from selling false indicators of social media influence, like fake followers or views. The proposed rule also would bar anyone from buying such indicators to misrepresent their importance for a commercial purpose.

(2) NICOLA GRIFFITH WINS FIRST ADCI LITERARY PRIZE. The inaugural ADCI (Authors with Disabilities and Chronic Illnesses) Literary Prize went to Nicola Griffith for Spear (Tordotcom Publishing), “a lyrical, queer reimagining of Arthurian legend, in which ‘those usually airbrushed from history take centre stage’” (Via Ansible.)

The prize, launched in 2022 to encourage greater positive representation of disability in literature, was announced alongside ten other prizes which make up the annual Society of Authors’ Awards. The SoA Awards is the UK’s biggest literary prize fund, worth over £100,000, this year shared between 30 writers, poets and illustrators.

The ADCI Literary Prize. Sponsored by Arts Council England, ALCS, the Drusilla Harvey Memorial Fund, and the Professional Writing Academy, the ADCI Literary Prize is awarded to a disabled or chronically ill writer, for an outstanding novel containing a disabled or chronically ill character or characters. Judged by Penny Batchelor, Rowan Hisayo Buchanan, Nydia Hebden, Karl Knights, Julia Lund, Nii Ayikwei Parkes, Vikki Patis and Chloe Timms.

(3) CON OR BUST GRANT OPPORTUNITIES. Dream Foundry’s Con or Bust program for creators and fans of color makes direct cash grants to assist with travel, food, registration, and other expenses associated with attending industry events.

If you’re a person of color planning to go to a convention this year and need support, our Con or Bust program is here for you. Right now we have memberships to the following conventions for any Con or Bust qualifying application.

Readercon (July 13-16, 2023)
Pemmi-con, aka Nasfic (July 20-23, 2023)
Capricon (February 1-4, 2024)

If you want one of these memberships, or need other support from this program, you can apply on the Con or Bust page.

(4) DIAL OF DESTINY. Los Angeles Times’ Mary McNamara joins Harrison Ford on a lap of his marathon promotional tour: “’Indiana Jones’: There will never be another Harrison Ford”.

…That said, his desire for “Dial of Destiny” to succeed feels quite personal.

“I wanted to be ambitious, for those things we have not necessarily done in such measure,” he said. When asked what he means by “those things,” he explains in that instantly recognizable, back-straightening “take this seriously” tone. “I mean take a chance on telling the story of an older character, take a chance on introducing your character in present day in a totally anti-iconic way, reducing him to his underwear and a La-Z-Boy with a glass in his hand.

“That moment in film,” he says, relaxing into a laugh, “may be one of my favorite things I’ve ever done in a movie. That and grabbing a baseball bat and going out to the neighbors’.”

… Mostly, he said, he wanted to see Indy “inveigled into one last adventure. I wanted to see him at the nadir, where we could pick him up and kick him in the ass. I know what age is about. I wanted to bring that into the story. If I was going to be the actor playing this guy, I wanted the reality of my age.”

But first, in the film’s opening scene, he had to play a younger Indy, which made the contrast of past and present more striking. Ford’s face was de-aged through the miracle of artificial intelligence and Lucasfilm’s trove of images from the earlier films, but “the mouth is my mouth, the eyes are my eyes,” he said. “The voice is me talking in a higher register because age lowers the voice, and the body language I had to act. But he moves like I move and I remembered.”…

(5) EATING THE FANTASTIC. Scott Edelman invites listeners to bite into a baconless BLT with Jordan Kurella in Episode 201 of the Eating the Fantastic podcast.

This episode’s guest is Jordan Kurella, who was a Nebula Award nominee this year in the category of Best Novella for I Never Liked You Anyway, which was also longlisted for the BSFA award. His stories have appeared in Beneath Ceaseless Skies, Apex, Mermaid Monthly, Glitter + Ashes, Strange Horizons, and many other magazines and anthologies. Some of these were gathered in his short story collection, When I Was Lost, published by Trepidatio in December. In his past lives, he was a photographer, radio DJ, and social worker, and he has also taught at Iowa State University and Rambo Academy.

We discussed which ice cream flavor he chose to celebrate his Nebula Award nomination, the way readers can tell which stories writers had the most fun writing, how all he needs to pants a story is the first line, what caused him to say “it’s not write what you know, it’s write what you’re embarrassed about,” why he doesn’t like to reread his own published work unless he has to, how to avoid getting stuck in rabbit holes of research, the ways writing a book can be like spending time with your best friends, his rule about story titles, why we’re both so attracted to writing love stories, how playing the violin in public prepared him for surviving rejection, why he published only a single piece of literary fiction before realizing the fantastic was where he belonged, and so much more.

(6) SWATTING. NBC News’ report “The FBI has formed a national database to track and prevent ‘swatting’” includes a long Q&A with Patrick Tomlinson.

Author Patrick Tomlinson and his wife, business owner Niki Robinson, have been “swatted” at their home in Milwaukee more than 40 times, often resulting in police pointing guns at their heads. Their tormentors have also called in false bomb threats to venues using their names in three states. Yet law enforcement hasn’t been able to stop the calls.

The couple’s terror comes as these incidents appear to be on the rise in the U.S., at least on college campuses. In less than a single week in April, universities including Clemson, Florida, Boston, Harvard, Cornell, Pittsburgh, Rutgers and Oklahoma, as well as Middlebury College, were targeted by swatters.

To combat the growing problem, the FBI has begun taking formal measures to get a comprehensive picture of the problem on a national level.

Chief Scott Schubert with the bureau’s Criminal Justice Information Services headquarters in Clarksburg, West Virginia, told NBC News that the agency formed a national online database in May to facilitate information sharing between hundreds of police departments and law enforcement agencies across the country pertaining to swatting incidents.

… Security expert Lauren R. Shapiro, who is an associate professor at John Jay College of Criminal Justice, said: “Swatting involves people making fraudulent 911 calls reporting serious-level criminal threats or violent situations like bomb threats, hostages, killing, etc. to fool the police into raiding the house or business of somebody who is not actually committing a crime.”…

… Tomlinson’s troubles began after he posted a casual remark on Twitter in 2018 saying he’d never personally found the comedian Norm Macdonald very funny. As The Daily Beast reported, the tweet caught the attention of online trolls who soon began to harass, stalk, impersonate and defame Tomlinson and his wife, using a website of their own along with social media accounts on Reddit, Twitter and YouTube to target the couple and invite others to pile on.

Their harassers mostly converge on a website that’s cloned elsewhere so participants can migrate rapidly if their forum is ever banned by a service provider.

Since The Daily Beast report, the harassment escalated both online and offline.

The couple was mostly recently swatted at their home on Tuesday, bringing the total of swatting incidents to 43. Tomlinson’s parents, who are senior citizens, also suffered swatting at their home about 2 hours outside of Milwaukee this year…

Whether the FBI’s database will lead to any results is open to question based on past performance.

… At a federal level, Tomlinson filed a complaint with the Internet Crime Complaint Center in November 2020. He never saw a reply to that, so in early May 2022, he went to the Milwaukee branch of the FBI in person to file a new one.

An FBI special agent was assigned to evaluate his case. He says the agency already had a file on Tomlinson because of a false bomb threat that swatters had called into a hotel outside of Detroit in April 2022, a few weeks prior to a presentation he was scheduled to give. The presentation, part of PenguiCon, was titled,”Elon Musk is Full of S—.”

Since then, “There has been nearly zero communication by the FBI,” Tomlinson said.

One agent has requested more evidence from his family by email on rare occasions. But the agency has not brought him or his wife in for an interview, and have not arrested people who the couple identified as participants in their harassment and swatting…

(7) CALIFORNIA AVENGERS. Critic Todd Martens tells how “Broadway-style ‘Rogers: The Musical’ charms at Disney’s California Adventure” in the Los Angeles Times.

“Rogers: The Musical” started as a joke in the Disney+ series “Hawkeye,” which presented a challenge for the Disneyland Resort’s live-entertainment team. How, in a 30-minute, heavily condensed Broadway-style show, do you bring a little heft to a production in which fans will be clamoring for cheese? Sure, there’s Captain America, Iron Man, Black Widow and the Hulk, among others, but these are superheroes who spend more time flexing jazz hands than muscle.

In the show opening today, directed by Disney’s Jordan Peterson with a book from Hunter Bell, known best for Broadway’s “[title of show],” the answer was simple: heartbreak.

The story of Steve Rogers’ transformation into Captain America is framed by longing — for better days, for acceptance and for love. It allows the production, which veers close to overt patriotism in its opening moments, to find a sense of personal grounding. When an actor playing a young Rogers is framed by an Uncle Sam military recruitment poster, he gets all wistful and rejected: “What’s a guy to do when ‘I want you’ doesn’t mean you?”

Don’t worry, the production doesn’t stay down for long. “Hawkeye” introduced fans to the over-the-top corniness of the song “Save the City,” a work written by Broadway vets Marc Shaiman and Scott Wittman, and it pops up multiple times, each one leaning into the showtune parody that it is. When it wants to, “Rogers: The Musical” embraces its silliness….

…The musical features five original songs, not counting the previously heard “Save the City” and “Star Spangled Man,” which dates to the film “Captain America: The First Avenger.” The new works are credited to composer Christopher Lennertz, with lyrics by Peterson, Lennertz and Alex Karukas. None quite reach the heights of “Save the City,” which went all out in its showtune glitz. “Rogers: The Musical” comes off as a series of puzzle pieces constructed around that signature number.

Lennertz, a composer with a lengthy résumé of film and television credits, including Marvel’s “Agent Carter,” plays it more low-key. The new works largely attempt to take “Rogers” out of parody mode, a decision that accounts for a series of tonal shifts and results in a theatrical mood that’s not quite serious yet not fully goofy.

(8) CSI SKILL TREE. The latest episode in the ASU Center for Science and Imagination’s Skill Tree series on video games, possible futures, and worldbuilding is out, featuring the award-winning science fiction roleplaying game Citizen Sleeper (2022). This episode’s guests are Gareth Damian Martin, the game’s developer, and Phoebe Wagner, a speculative fiction author, researcher, and editor of three solarpunk anthologies, including Sunvault. Here’s a link to the entire Skill Tree playlist, with 12 episodes so far.

(9) ALAN ARKIN (1934-2023). Four-time Oscar nominee Alan Arkin, who won Best Supporting Actor for Little Miss Sunshine (2007), died June 30 at the age of 89. He was perhaps best known for playing Yossarian in Catch-22 but his other three Oscar nominations honored his portrayals of deaf-mute Singer in The Heart Is a Lonely Hunter, Russian Lt. Rozanov in one of my favorite movies, The Russians Are Coming, the Russians Are Coming, and the has-been producer Lester Siegel in the genre-adjacent Argo.

In Argo (2012), Arkin played the fictional producer of a fake sff movie that provided cover for a CIA operation to rescue Americans caught up in the Iranian Revolution of 1979. He acted in collaboration with a character based on real-life Planet of the Apes makeup man John Chambers, played by John Goodman.

Within the sff genre Arkin did a lot of voice work late in his career – including Dumbo (2019) and Minions: Rise of Gru (2022), but early on voiced Schmendrick in The Last Unicorn (1982).

He’s been in a Muppets movie, in The Monitors (1969), in the film adaptation of Kurt Vonnegut’s Mother Night (1996), played Detective Hugo in Gattaca (1997), The Chief in the movie Get Smart (2008). He had parts in The Seven Percent Solution (Dr. Sigmund Freud — 1976) Edward Scissorhands (1990), and The Rocketeer (1991).

Arkin also won a Tony for his Broadway debut in 1963’s Enter Laughing.

(10) MEMORY LANE.

1989 – [Written by Cat Eldridge from a choice by Mike Glyer.]

This time Mike picked one of my favorite writers, Sheri S. Tepper. Her series have too many exemplary books to list them all and her standalone novels such as Singer from the Sea and The Companions are excellent as well.

She’s been nominated for a lot of Awards but garnered only two, one of which is the World Fantasy Award for Life Achievement. Grass, the source of our Beginning this time, was published by the Doubleday Foundation in 1989 (one of their first books was Asimov’s Prelude to Foundation), and was a Hugo finalist at ConFiction.

And it has an absolutely stunning Beginning as you can read here…

Millions of square miles of it; numberless wind-whipped tsunamis of grass, a thousand sun-lulled caribbeans of grass, a hundred rippling oceans, every ripple a gleam of scarlet or amber, emerald or turquoise, multicolored as rainbows, the colors shivering over the prairies in stripes and blotches, the grasses—some high, some low, some feathered, some straight—making their own geography as they grow. There are grass hills where the great plumes tower in masses the height of ten tall men; grass valleys where the turf is like moss, soft under the feet, where maidens pillow their heads thinking of their lovers, where husbands lie down and think of their mistresses; grass groves where old men and women sit quiet at the end of the day, dreaming of things that might have been, perhaps once were. Commoners all, of course. No aristocrat would sit in the wild grass to dream. Aristocrats have gardens for that, if they dream at all.

Grass. Ruby ridges, blood-colored highlands, wine-shaded glades. Sapphire seas of grass with dark islands of grass bearing great plumy green trees which are grass again. Interminable meadows of silver hay where the great grazing beasts move in slanted lines like mowing machines, leaving the stubble behind them to spring up again in trackless wildernesses of rippling argent.

Orange highlands burning against the sunsets. Apricot ranges glowing in the dawns. Seed plumes sparkling like sequin stars. Blossom heads like the fragile lace old women take out of trunks to show their granddaughters.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born June 30, 1902 — Lovat Dickson. Australian-born publisher and author who wrote a biography of H G Wells, H G Wells: His Turbulent Life and Times. He was the first Canadian to have a major publishing role in Britain. (Died 1982.)
Born June 30, 1905 — Nestor Paiva. Sometimes it only takes one film or series for a performer to get a Birthday write-up from me. Paiva makes it for Lucas the boat captain in The Creature from the Black Lagoon and its oft-forgotten sequel Revenge of the Creature. Though that was hardly his only genre role as his first role was in the early Forties as an uncredited prison guard in Tarzan’s Desert Mystery and he’d be in many a genre film and series over the decades as Prof. Etienne Lafarge in The Mole People, as the saloon owner in (I kid you not!) Jesse James Meets Frankenstein’s Daughter, Felicity’s Father in The Spirit Is Willing, Captain Grimby in “The Great Treasure Hunt” of The Adams Family and a Doorman in the “Our Man in Leotards” episode of Get Smart. (Died 1966.)
Born June 30, 1920 — Sam Moskowitz. SF writer, critic, and historian. Chair of the very first World Science Fiction Convention held in NYC in 1939. He barred several Futurians from the con because they threatened to disrupt it in which was later called the Great Exclusion Act. In the Fifties, He edited Science-Fiction Plus, a short-lived genre magazine owned by Hugo Gernsback, and would edit several dozen anthologies, and a few single-author collections, most published in the Sixties and early Seventies. His most enduring legacy was as a historian of the genre with such works as Under the Moons of Mars: A History and Anthology of “The Scientific Romance” in the Munsey Magazines, 1912–1920 and Hugo Gernsback: Father of Science Fiction. (Died 1997.)
Born June 30, 1959 — Vincent D’Onofrio, 64. His long running-role is Detective Goren on Law and Order: Criminal Intent which is in no way genre. He was Kingpin in Wilson Fisk / Kingpin in four television series of the Marvel Cinematic Universe, Edgar the Bug in the only truly great Men in Black film to date and Vic Hoskins in Jurassic World. He also was Jason Whitney / Jerry Ashton in The Thirteenth Floor, loosely based upon Simulacron-3, a early Sixties novel by Daniel F. Galouye.
Born June 30, 1963 — Rupert S. Graves, 60. Here because he played Inspector G. Lestrade on that Sherlock series. He also appeared on Doctor Who as Riddell in the Eleventh Doctor story, “Dinosaurs on a Spaceship”. He had one-offs in The Nightmare Worlds of H. G. Wells: The Moth, Twelve Monkeys, Krypton and Return of the Saint.
Born June 30, 1966 — Peter Outerbridge, 57. Dr. David Sandström in what I think is the terribly underrated ReGenesis series as well as being Henrik “Hank” Johanssen in Orphan Black and a recurring role on Millennium as Special Agent Barry Baldwin. He’s currently in two series, The Umbrella Academy with a recurring role as The Conductor, and as Calix Niklosin in V-Wars, yet another Netflix SF series.
Born June 30, 1972 — Molly Parker, 51. Maureen Robinson on the Lost in Space series. One-offs in Nightmare Cafe, The Outer Limits, The Sentinel, Highlander: The Series, Poltergeist: The Legacy, Human Target and she appeared in The Wicker Man as Sister Rose / Sister Thorn. She also was Alma Garret on Deadwood. No, not genre but Emma and Will love the series.

(12) COMICS SECTION.

The Far Side shows a marriage that is no longer super…

(13) WIDOWMAKER. Sarah Gailey will be writing Marvel’s White Widow comic reports The Mary Sue: “Yelena Belova Fans, Our Time Is Now With This New ‘White Widow’ Comic!”

Being a fan of Yelena Belova keeps getting better and better. The younger sister of Natasha Romanoff, Yelena is also a widow and is everything that a sassy younger sister could be. And now she’s getting her very own time in the spotlight with a new comic series! First appearing in 1998, Belova quickly became a popular character for fans of Nat but she gained a new level of fame when Florence Pugh took on the role in the Marvel Cinematic Universe.

Getting her own comic storyline is just exciting evidence of how popular Yelena Belova has grown throughout the last twenty-five years. As someone who relates to Yelena Belova a lot (and she’s one of my all-time favorite Marvel characters), this comic makes me incredibly excited for the future of her character!

Called White Widow, the series is created by writer Sarah Gailey and they worked along side artist Alessandro Miracolo to bring her to life. David Marquez gave us a perfectly Yelena cover and the entire reveal is a dream come true for fans. Sometimes, you wait a long time to see a character you love get their time in the spotlight and that’s exactly what is happening with White Widow. She’s not the little sister in Nat’s shadow anymore with this series!

(14) AI IN CINEMA. [Item by Steven French.] The Guardian seems to be having a bit of a bout of listmania these days but this one contains some interesting recommendations: “The best films about AI – ranked!”

16. Avengers: Age of Ultron (2015)

The first Avengers sequel isn’t particularly good, but at least it introduced cinema to the AI lifeform Ultron. Tasked with sparing the Avengers from having to suit up whenever a new baddie rolls into town, Ultron quickly realises that the greatest threat to world peace is humanity and – in time-honoured AI fashion – attempts to eradicate it himself. The moral of Age of Ultron is clear: trust AI less than the irresponsible billionaires who invented it.

(15) FUTURE TENSE. The June story in the Future Tense Fiction monthly series is “The Big Four v. ORWELL,” by Jeff Hewitt, about a copyright lawsuit against a prolific AI author.

The response essay is by sff novelist Ken Liu, “The Imitation Game”.

… But what about ChatGPT-5, ChatGPT-15, or ChatGPT-55? Assuming this goes on, in classic science fiction fashion, the LLMs will surely continue to blur the lines between artificial and “real” authors. That blurriness is the setup for Jeff Hewitt’s “The Big Four v. ORWELL,” a courtroom drama in which a group of publishers sue ORWELL, an A.I. that has become a prolific author, for copyright infringement.

I have my doubts that the current approach to building LLMs, essentially an exercise in statistically predicting the most likely next “token” given a string of tokens, can lead to the holy grail of artificial general intelligence, an imagined state of crafted cognition capable of accomplishing any intellectual task a human can. (ORWELL definitely appears to be an AGI.) Symbol manipulation alone, without more, must plateau at some point short of “true” intelligence—or so I tell myself (using strings of symbols, of course, smug with irony). To be sure, there is reason to be humble here. Decades ago, when I was studying A.I. in college, the idea that anything resembling the current brute-force approach could construct a virtual entity that could tutor you on any subject you liked, compose college essays, and even answer personal ads would have seemed like handwavium sci-fi. And yet, here we are. So, maybe I’m wrong about the future this time too….

(16) SERVING KAIJU CHOW. “Taiwan restaurant launches ‘Godzilla’ crocodile ramen” reports Taiwan News. These days there’s always a suspicion that such a photo is produced with AI, but the ingredient seems plausible.

A restaurant in Douliu City, Yunlin County debuted its “Godzilla” ramen featuring crocodile meat as its main ingredient.

Nu Wu Mao Kuei (女巫貓葵) announced on Facebook the launch of its “Godzilla” ramen, which is prepared by steaming or braising the front leg of a crocodile. In a clip, a young female customer samples both flavors and describes the dish as surprisingly delicious.

She says the steamed version of the dish resembles chicken, while the braised meat has a taste similar to pork feet. The soup contains over 40 spices, and the owner reportedly learned how to make the spicy “witch soup” during a trip to Thailand, SETN reported

The crocodiles used for this dish are sourced from a farm in Taitung. The owner was inspired by the giant isopods ramen, which went viral at another restaurant.

(17) TYPECASTING. [Item by Tom Becker.] Womprat is a bold font, inspired by the classic “STAR WARS” text on the movie poster. But that is just the beginning. There are alternate character sets, ligatures, symbols, and special glyphs galore. It is clearly the work of obsessive font geeks who are also massive Star Wars fans. It is a delight just to browse the glyphs or the free desktop background at http://womprat.xyz

(18) VIDEO OF THE DAY. From Good Omens’ second season: “What’s The Point Of It All? – Season 2 Sneak Peek”.

A brand new Good Omens Season 2 clip from the upcoming return of Amazon Studios’ fantasy comedy series has been released, featuring David Tennant as Crowley. The next installment will be available for streaming on July 28 on Prime Video.

The video confirms Crowley’s current status in Hell as persona non grata, as the fan-favorite demon continues to question the point of Heaven and Hell. It also features Miranda Richardson’s newest character, who has now assumed the role of Hell’s representative in London after previously playing the role of Madame Tracy in Season 1.

[Thanks to John King Tarpinian, Chris Barkley, Steven French, Juli Marr, Tom Becker, Lise Andreasen, Joey Eschrich, Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Pixel Scroll 4/1/22 This Title Contains A Non-Fungible Tribble

Posted on April 1, 2022 by Mike Glyer

(1) DIAL Q FOR MOCKERY. It may be April 1 but calling 323-634-5667 gets you the message: “Star Trek Picard Easter Egg: Real Phone Number Lets You Call Q” reports Gizmodo.

Which, of course actually works. Turns out, calling the number and not being fictional rogue geneticist Adam Soong however, just gets Q mocking you for trying to call the mighty, incomprehensible society that is the Q Continuum. Check out our recording of the phone message below:

If you can’t hear the message, here’s a transcript:
“Hello! You have reached the Q Continuum. We are unable to get to the phone right now, because we are busy living in a plane of existence your feeble, mortal mind cannot possibly comprehend.
“Furthermore, it’s pointless to leave a message, because we of course already knew that you would call, and we simply do not care. Have a nice day.”

(2) A FOOLISH CONSISTENCY. Daniel Dern sent this link with the caution – “Note, (Stardate) April 1, 2022.” “Timekettle New Cross-Species Translator Supports Klingon and Dog&Cat”.

The Timekettle team has launched cross-species language translation through its self-developed translation engine on April 1st, 2022. It is now possible to chat with aliens from the Klingon Empire, as well as with your pets via Woof or Meow.

Dern also suggested trying it on this: “GreenEggsAndHam” at the Klingon Language Wiki.

(3) PRESSED DOWN, SHAKEN TOGETHER, AND RUNNING OVER. What was Brandon Sanderson’s final take? According to CNBC, “Author’s record-breaking Kickstarter campaign closes at $41.7 million”.

Brandon Sanderson asked Kickstarter fans for $1 million to self-publish four novels he wrote during the pandemic. Thirty days later, his campaign has topped $41.7 million from more than 185,000 backers and is the most-funded Kickstarter in the crowdfunding site’s history.
Sanderson’s campaign surpassed the previous record holder in just three days, topping the $20.3 million in funds that smartwatch company Pebble Technology generated in 2015.
With the project successfully funded, Kickstarter will take a 5% fee from the funds collected, or more than $2 million….

(4) EATING THE FANTASTIC. Scott Edelman invites listeners to pig out on pork BBQ with Paul Witcover in episode 168 of his Eating the Fantastic podcast.

Paul Witcover‘s first novel, Waking Beauty (1997) was short-listed for the James Tiptree, Jr. Award. He’s also written five other novels: Tumbling After (2005), Dracula: Asylum (2006), The Emperor of All Things (2013) and its sequel, The Watchman of Eternity (2015), plus most recently, Lincolnstein, just out from PS Publishing.
His 2004 novella “Left of the Dial” was nominated for a Nebula Award, and his 2009 novella “Everland” was nominated for a World Fantasy Award. His short fiction has appeared in Twilight Zone magazine, Isaac Asimov’s Science Fiction magazine, Night Cry, and other venues. A collection of his short fiction, Everland and Other Stories, appeared from PS Publishing in 2009, and was nominated for a Shirley Jackson Award. He’s been a frequent reviewer for Realms of Fantasy, Locus, New York Review of Science Fiction, and elsewhere. He teaches fiction at UCLA Extension and at Southern New Hampshire University, where he is the Dean of the Online MFA program.
We discussed the reason the pandemic resulted in some of the best years of his freelance career, the way he thrives as a writer when dealing with the boundaries of historical fiction, why his new novel Lincolnstein is “exactly what you think it is,” how he writes in yesterday’s vernacular without perpetuating yesterday’s stereotypes, what can and can’t be taught about writing, the reasons he felt lucky to have attended Clarion with Lucius Shepard, the effect reading slush at Asimov’s and Twilight Zone magazines had on his own fiction, what Algis Budrys told him that hit him like a brick, and much more.

(5) PATREON EXPLAINS IT TO JDA. Jon Del Arroz, who as usual says he didn’t do nothin’, asked Patreon to explain why they killed his account. They answered and he has posted their response letter — which mentions that “our guidelines apply equally to off-platform activity.” It would be ironic if Patreon bounced him for the racist and misogynistic tweets and YouTube videos he posts which those platforms permit to go undisciplined despite their own community guidelines.

(6) AGING ORANGE. [Item by SF Concatenation’s Jonathan Cowie.] Check out BBC Radio 4’s Front Row arts programme. Last night’s episode includes an item on A Clockwork Orange, it being the 60th anniversary of the novel. It was very interesting. Apparently there was an unpublished sequel which was basically having a message that art does not spread violence though society. Front Row – “A Clockwork Orange, the National Poetry Competition winner announced, Slow Horses and Coppelia reviewed”.

(7) WESTWARD HO. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Tom Faber reviews Horizon Forbidden West.

The one-line pitch is that you’re a hunter-gatherer fighting robot dinosaurs across a post-apocalyptic US. With such a fun hook, nobody needed Horizon Zero Dawn to have a good story, yet its narrative proved unexpectedly compelling. The game takes place a thousand years after rampaging machines have wiped out most of humanity. Survivors have clustered into tribal communities who view relics of technology as objects of either suspicion or religious reverence. The dramas of warring clans are narrated alongside the tale of how our world came to ruin. Guerillas struck gold with flame-haired heroine Aloy, who balances grit and tenderness as one of the most memorable new characters of its console generation…
…Forbidden West is the first truly eye-popping flex of the PS5’s muscles, with graphics so beautiful that I have often found myself halting the adventure just to gawp at the landscape, whether dust clouds careening across the desert or forest leaves quivering in the breeze. The robot enemies are ingenious works of biomechanical clockwork, shaped like snakes, hippos, ferrets, rams, and pterodactyls, with electric cables for sinew and gleaming steel for ligaments.

(8) CLARION WEST CLASSES. Registration for Clarion West’s Spring online classes and workshops is now open. Full information and ticket prices at the links.

“Spotting Issues in Your Publishing Contract with Ken Liu” April 27, 4:00 p.m. Pacific.

This workshop aims to give you practical tools for evaluating publishing contracts. While it’s impossible to teach you everything there is to know about the legal side of publishing in a single class, it is possible to gain a general understanding of the rights involved and the practical mindset needed to protect your interests.
After a brief lecture on common publishing contractual terms, instructor Ken Liu (a lawyer and an author) will lead participants in interactive exercises to spot potential issues in language taken from actual contracts. Whether you’re looking at your first pro short story sale or an offer to adapt your novel into a TV show, the exercises in this class will help you.
Depending on the contracts used in the exercises, topics covered may include publishing rights (print, web, electronic, audio, etc.), performance rights, foreign language rights, media rights (gaming, film, and TV), royalties, advances, taxes, indemnification, etc. There will also be a Q&A period to address specific questions from participants.
This class is provided for educational purposes only, and none of the content should be construed as professional legal, tax, or financial advice.

“Writing Transgender and Nonbinary Characters with Milo Todd” April 24, 11:00 a.m. Pacific.

With demand for transgender and nonbinary narratives on the rise, more cisgender (non-trans/nonbinary) people are adding trans and nonbinary characters to their stories. But what can you do to make sure you’re providing accurate representation? In this session, we will explore the “Three Es” of writing a trans/nonbinary character, the best craft approaches for each, and their potential pitfalls. We’ll also go over (in)appropriate reasons to write a trans/nonbinary narrative, general dos, and don’ts, and an overview of the experiences most often used incorrectly in stories.

“Funny Business: Writing Humorous Speculative Fiction with Shiv Ramdas” First of three sessions April 12 at 11:00 a.m. Pacific.

This class for intermediate to advanced writers focused on craft to help you flex your funny muscles (since bones don’t flex). We’ll cover new ways to look at your funny fiction, techniques, exercises, the odd hack and trick- and culminate in a small mini-workshop where we’ll go over a piece you worked on!
This class meets three times: April 12, 16 and May 10, 2022, 11:00 AM to 12:30 PM Pacific.

“Authors and Libraries: Being Awesome Together with Robin Bradford” April 21 4:00 p.m. Pacific.

This class will give an overview of the tools libraries use to discover materials and what makes a title more likely to be ordered for a library’s collection. We will also discuss the challenges and opportunities librarians face in acquiring materials and how authors can position themselves to be in a library’s line of sight when it comes to getting their books included in library collections.
We’ll cover physical materials (books and audiobooks) as well as the prickly digital (ebooks and audiobooks) library landscape.
Finally, we’ll also cover a little bit about doing library programs, like readings and classes.
Attendees will come away with a better understanding of how libraries locate and purchase materials and the limitations and differences between the library and the consumer markets.

“Persisting as a Short Story Writer with A. T. Greenblatt” April 10 1:00 p.m. Pacific.

You know it’s possible to be a successful short story writer with a full-time job, family, and hobbies. The question is, How? How do you get beyond the slush pile? How do you find the time to write when you have a million other obligations? This class will cover how to level up your craft as a short story writer and how to find the time, motivation, and persistence to stick with it while living a full life.
Suitable for writers at all stages of their careers, this class will emphasize self-compassion and give you ideas for how to level up your stories!

(9) HE WAS AN INFLUENCE ON BRADBURY. [Item by Alan Baumler.] Loren Eisley was a prolific science writer, and at least one sf writer liked him. About his book The Star Thrower Ray Bradbury wrote, “The book will be read and cherished in the year 2001. It will go to the Moon and Mars with future generations. Loren Eiseley’s work changed my life.” In “Erik Visits an American Grave, Part 1,059”, Erik Loomis traces the author’s life for readers of Lawyers, Guns & Money.

…As Ray Bradbury said of Eiseley, “he is every writer’s writer, and every human’s human.” This is a great description and his combination of interest in science, human origins, evolutionary theory, and what it means to be a human being continued to lead to best sellers. He quickly moved on his popularity to become the leading interpreter of science in the United States. Darwin’s Century followed in 1958. I haven’t read that one. I have read his 1960 book The Firmament of Time. This was an attempt to give people hope to live with science in an era of such astounding advances that it threatened human beings, particularly nuclear science….

(10) MEDIA BIRTHDAY.

1995 — [Item by Cat Eldridge.] Twenty-seven years ago this evening on BBC One, the Bugs series first aired. The series was created by Brian Eastman and producer Stuart Doughty with input from writer and producer Brian Clemens who is best known for his work on The Avengers which is why he considered this “an Avengers for the 1990s”. No idea if that was true having not seen it.

It lasted, despite almost being cancelled at the end of series three, for four series and forty episodes. It had an immense, and I do mean that, cast including Jaye Griffiths who was on Silent Witness early on (I’m watching all twenty-one series of it right now), Craig McLalachlan who was the lead in The Doctor Blake Mysteries, Jesse Birdsall who played Fraser Black in the very popular soap opera Hollyoaks and Steve Houghton who’s Gregg Blake in the London Burning series.

So how was it? I couldn’t find any contemporary reviews, but this later review suggests that it was a mixed bag: “Bugs is a mid-1990s British techno-espionage TV series, intended to be The Avengers (1960s) for a new decade. Wikipedia has the facts. Absolutely laden with Hollywood Science tropes, and quite prone to So Bad, It’s Good.” Another review noted that, “The show does have a cult following in the UK and in 2005 was released on DVD. The main cast have also spoken very highly of the show and the work they did on it, expressing that Bugs was deliberately ahead of its time and set a bench mark for other shows to come.”

JustWatch says it is not streaming anywhere at the current time.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born April 1, 1883 — Lon Chaney. Actor, director, makeup artist and screenwriter. Best remembered I’d say for the Twenties silent horror films The Hunchback of Notre Dame and The Phantom of the Opera in which he did his own makeup. He developed pneumonia in late 1929 and he was diagnosed with bronchial lung cancer which he died from. (Died 1930.)
Born April 1, 1917 — Sydney Newman. Head of Drama at BBC, he was responsible for both The Avengers and Doctor Who happening. It’s worth noting that Newman’s initial set-up for The Avengers was much grittier than it became in the later years. (Died 1997.)
Born April 1, 1925 — Ernest Kinoy. He was a scriptwriter for such stories as “The Martian Death March” to Dimension X and X Minus One as well as adapting stories by Isaac Asimov, Ray Bradbury, Philip K. Dick for the both series. He also wrote an adaptation of Shirley Jackson’s “The Lottery” for NBC’s Presents: Short Story. (Died 2014.)
Born April 1, 1926 — Anne McCaffrey. I read both the original trilogy and what’s called the Harper Hall trilogy oh so many years ago when dragons were something I was intensely interested in. I enjoyed them immensely but haven’t revisited them so I don’t know what the Suck Fairy would make of them. I confess that I had no idea she’d written so much other genre fiction! And I recounted her Hugo awards history in the March 7 Pixel Scroll (item #9). (Died 2011.)
Born April 1, 1930 — Grace Lee Whitney. Yeoman Janice Rand on Star Trek. She would reach the rank of Lt. Commander in Star Trek VI: The Undiscovered Country. Folks, I just noticed that IMDB says she was only on eight episodes of Trek, all in the first fifteen that aired. It seemed like a lot more at the time. She also appeared in in Star Trek: The Motion Picture, Star Trek III: The Search for Spock, Star Trek IV: The Voyage Home and Star Trek VI: The Undiscovered Country. By the last film, she was promoted to being a Lt. Commander in rank. Her last appearance was in Star Trek: Voyager’s “Flashback” along with Hikaru Sulu. Oh, and she was in two video fanfics, Star Trek: New Voyages and Star Trek: Of Gods and Men. (Died 2015.)
Born April 1, 1942 — Samuel R. Delany, 80. There’s no short list of recommended works for him as everything he’s done is brilliant. That said I think I’d start off suggesting a reading first of Babel- 17 and Dhalgren followed by the Return to Nevèrÿon series. His two Hugo wins were at Heicon ’70 for the short story “Time Considered as a Helix of Semi-Precious Stones” as published in New Worlds, December 1968, and at Noreascon 3 (1989) in the Best Non-Fiction Work category for The Motion of Light in Water: Sex and Science Fiction Writing in the East Village, 1957-1965. I will do a full look at his awards and all of his Hugo nominations in an essay shortly.
Born April 1, 1953 — Barry Sonnenfeld, 69. Director of The Addams Family and its sequel Addams Family Values (both of which I really like), the Men in Black trilogy and Wild Wild West. He also executive-produced Lemony Snicket’s A Series of Unfortunate Events which I’ve not seen, and did the same for Men in Black: International, the recent not terribly well-received continuation of that franchise.
Born April 1, 1963 — James Robinson, 59. Writer, both comics and film. Some of his best known comics are the series centered on the Justice Society of America, in particular the Starman character he co-created with Tony Harris. His Starman series is without doubt some of the finest work ever done in the comics field. His screenwriting is a mixed bag. Remember The League of Extraordinary Gentlemen? Well, that’s him. He’s much, much better on the animated Son of Batman film. And I’ll admit that James Robinson’s Complete WildC.A.T.s is a sort of guilty pleasure.

(12) IT CAUGHT ON IN A FLASH. Cora Buhlert has a new story out. A flash story called “Rescue Unwanted,” it appears as part of the flash fiction Friday series of Wyngraf Magazine of Cozy Fantasy: “Cozy Flash: ‘Rescue Unwanted’”.

After a lengthy and laborious climb, Sir Clarenbald the Bold finally reached the summit of the Crag of Doom. The cave of the dragon lay before him, its mouth a dark void in the grey rock….

(13) WHERE IT’S AT. The Movie District has mapped out the “Invasion of the Body Snatchers (1956) Filming Locations” with a combination of stills from the movie and contemporary Google Maps images. This is pretty damn interesting to me because I used to live two blocks from a few of the places in Sierra Madre.

(14) RAZZIES REVERSED. “Razzie Awards Backtrack, Rescind Bruce Willis Award – and Shelley Duvall Nomination as Well” – The Wrap explains why.

The Razzie Awards have reversed their decision to stand by their “Worst Performance by Bruce Willis in 2021” award. “After much thought and consideration, the Razzies have made the decision to rescind the Razzie Award given to Bruce Willis, due to his recently disclosed diagnosis,” a statement by co-founders John Wilson and Mo Murphy says.
“If someone’s medical condition is a factor in their decision making and/or their performance, we acknowledge that it is not appropriate to give them a Razzie.” Willis’ family announced on Wednesday that the actor had been diagnosed with the cognitive disorder aphasia and was stepping away from acting.
The Razzie Awards came under fire on Wednesday for refusing to rescind the special award for Willis, and for making an inflammatory Tweet. “The Razzies are truly sorry for #BruceWillis diagnosed condition,” the parody awards ceremony wrote on Twitter. “Perhaps this explains why he wanted to go out with a bang in 2021. Our best wishes to Bruce and family.”
In addition, the organization took the opportunity to rescind another previous nomination – Worst Actress for Shelley Duvall in “The Shining.”
“As we recently mentioned in a Vulture Interview, extenuating circumstances also apply to Shelley Duvall in ‘The Shining.’ We have since discovered that Duvall’s performance was impacted by Stanley Kubrick’s treatment of her throughout the production. We would like to take this opportunity to rescind that nomination as well.”…

(15) JEOPARDY! Andrew Porter says tonight’s Jeopardy! contestants struck out on this one.

Category: Books and Authors
Answer: In “The Story of” this man, his friends include Too-Too, an owl, Chee-Chee, a monkey, & Dab-Dab, a duck.
No one could ask, “Who is Doctor Dolittle?”

(16) JUSTWATCH – TOP 10’S IN MARCH. JustWatch says these were the “Top 10 Sci-Fi Movies and TV Shows in the US in March 2022”.

Rank*	Movies	TV shows
1	Spider-Man: No Way Home	Severance
2	Dune	Halo
3	The Adam Project	Upload
4	After Yang	Resident Alien
5	Spider-Man: Far From Home	Doctor Who
6	Spider-Man: Homecoming	Raised by Wolves
7	Venom: Let There Be Carnage	Snowpiercer
8	Spider-Man	Star Trek: The Next Generation
9	Interstellar	The X-Files
10	The Matrix Resurrections	Battlestar Galactica

*Based on JustWatch popularity score. Genre data is sourced from themoviedb.org

(17) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Hancock Pitch Meeting” Ryan George explains that Hancock has a scene where one character destroys her house to prevent her husband from knowing she has super powers. But the producer is troubled by another scene where Hancock becomes enraged and violent after he is taunted. “How could that happen?” the producer asks. “That’s just not in Will Smith’s character!”

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Cora Buhlert, Alan Baumler, Scott Edelman, Michael J. Walsh, Dennis Howard, Dan Bloch, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 1/18/22
21 Jaunt Street

Posted on January 18, 2022 by Mike Glyer

(1) RED WOMBAT EXTRA! Ursula Vernon has launched a newsletter: Wombat Droppings – Issue #1.

Hello, friends and subscribers! I’m starting a newsletter, because Twitter is like drinking from a firehose, Patreon costs you money, and I rarely have the braincells to blog these days. (Plus, when all your presence is on someone else’s platform, they can delete you at any time and leave you floundering in the social void.)
I promise that if you subscribe, I will not bother you too much. Also, I have no intention of charging for this thing, although apparently “newsletter” now means “thing you charge money for” and I don’t know what to call a thing that used to be a newsletter but now isn’t? (Free newsletter? I dunno. May need to workshop that.)
Anyway, let’s give this a try and see what happens!

The theme of Issue #1 is “So I’ve Started GMing…”

…Our game hook is that all the players are interns from the Church of the Good Boy, an all-dog temple established in our previous campaign. So they are all dogs, except for the rogue, who has paperwork stating that he is a dog, despite suspiciously cat-like ears…

(2) PUBLISH LIKE A PIRATE DAY. This might be the topic of Red Wombat’s next newsletter:

A buddy actually talked to them in the live chat. pic.twitter.com/ycAQR1YZZV
— Kingfisher & Wombat (@UrsulaV) January 18, 2022

Can somebody see if their live chat is currently working and if they’ve just banned me? I of course do not condone threats or abuse. Courteous disapproval should be fine, though.
— Kingfisher & Wombat (@UrsulaV) January 18, 2022

ME: It’s fine, it’ll get handled. Go back to work. You don’t need to hunt down their individual ghostwriters.
KEVIN: BUT THEY HAVE SLIGHTED MY WIFE
— Kingfisher & Wombat (@UrsulaV) January 18, 2022

(3) CSI SKILL TREE. The CSI Skill Tree series examines how video games “envision possible futures, build rich and thought-provoking worlds, and engage people as active participants in unfolding and interpreting stories.”

The next event in the CSI Skill Tree series will be on Wednesday, February 23, from 1:00-2:15 p.m. Eastern and feature Cloud Gardens, a 2020 gardening game about using plants to overgrow and transform abandoned post-industrial landscapes. The guest speakers are SFF author and translator Ken Liu and game designer Liz Fiacco, who has worked on titles including The Last of Us 2 and Pillars of Eternity. The event is virtual, free, and open to everyone. Here is the registration page.

The event is cohosted with Orion Magazine, a quarterly publication working at the convergence of ecology, art, and social justice, and attendees will receive a code for 20% off a subscription to Orion.

Join the Center for Science and the Imagination and Orion Magazine, an ad-free, quarterly print publication at the convergence of ecology, art, and social justice, for our latest event, featuring “Cloud Gardens,” a 2020 gardening game about using plants to overgrow and transform abandoned post-industrial landscapes. At once soothing and cryptic, “Cloud Gardens” uses pastel colors and calming music to raise questions about the boundaries we construct between organic and built environments, the human and the nonhuman, the sublime and the dystopian.

(4) RENEWED AND PRENEWED. “’Star Trek: Discovery,’ ‘Lower Decks’ Renewed at Paramount Plus” – Variety has the story.

“Star Trek: Discovery,” “Star Trek: Lower Decks,” and “Star Trek: Strange New Worlds” have all been renewed at Paramount Plus.
For “Discovery,” that means it will return for a fifth season. The show is due to resume its fourth season on Feb. 10. “Lower Decks” will now be back for a fourth season, with Season 3 of the animated comedy set to debut this summer.
“Strange New Worlds” has yet to debut its first season, which will drop on Paramount Plus on May 5.

(5) MINUTES OF THE WORLD SQUEECORE CONGRESS. Sure, you could run your own Twitter search for the latest “squeecore” tweets – but these are curated tweets. You know, like a cooking show where the chef does marvels by adding pancetta or Calabrian chiles. (People are now looking around, asking, “So why don’t I see anything Mike added?”)

CAT RAMBO

"Squeecore" seems like such a dismissive and loaded title for some really positive overall trends in SF, like diversity across a number of axes, a rejection of 'the chosen one,' and attention to interactions between people other than competition or romance.
— Cat Rambo (@Catrambo) January 17, 2022

LAURA DIAZ DE ARCE

6. Are you squeecore?
7. Are you not squeecore?
8. Why the hell did we have to bring Joss Whedon back into discourse.
8.a. is it because he is a model of squeecore.
9. Is it neoliberal?
10. Is it dominated by middle & upperclass whites?
— ???? Laura Diaz de Arce, a Writer ???? ???? (@QuetaAuthor) January 18, 2022

SILVIA MORENO-GARCIA

https://twitter.com/silviamg/status/1483236553438613504

https://twitter.com/silviamg/status/1483237569408032772

https://twitter.com/silviamg/status/1483239797221052418

https://twitter.com/silviamg/status/1483240310612267009

https://twitter.com/silviamg/status/1483245456121499651

NICK MAMATAS

"What sort of things do you squee ov—"

NICE TRY OFFICER
— Nick Buy My Book Mamatas ??????????????? (@NMamatas) January 18, 2022

DR. AMANDA DILLON

The whole 'Squeecore' thing is just a reminder that those who have been ostracised so often go on to ostracise, a pattern that SFF exhibits again and again. Just let people like what they like, for the love of words.
— Dr Amanda Dillon (@oddityofwings) January 18, 2022

PAUL M. CRAY

In other words, Patrick O'Brian wrote squeecore
— Paul M. Cray (@pmcray) January 18, 2022

3DPARTYINTERNET

https://twitter.com/3dPartyInternet/status/1483487055506198528

MARIE BRENNAN

In all seriousness, this "anti-squeecore" thing and the bigger SF/F movement it's a part of have the same root impulse as the political conflict in the U.S. over voting rights and claims of "stolen elections":

The inability to accept other people's preferences/votes as valid.
— Marie Brennan (@swan_tower) January 18, 2022

ANNA NICGIOLLAMHUIRE

https://twitter.com/_wordsfromspace/status/1483543264967942147

ANDREW NETTE

Someone has just alerted me to the fact that there is such a thing as 'squeecore' and now I want to purge it with fire from all my social media feeds. pic.twitter.com/TCggb9vmQb
— Andrew Nette (@Pulpcurry) January 18, 2022

(6) FOWL BAWL. Was it a slow news week? Having nothing more pressing to do, TIME Magazine ripped Donald Duck as one of the “Top 10 Worst Awards-Show Hosts” for his work on the 1958 Oscars.

We love classic cartoons as much as the next kid disguised as a grownup, but given the star power of the glittering 1950s, Donald Duck probably didn’t need to co-host the 30th Academy Awards. Bob Hope, Jack Lemmon, David Niven, Rosalind Russell and James Stewart also ran the 1958 show. Donald appeared on film rather than, as is preferable for most hosts, in person. Still, he wasn’t completely out of his element: 15 years earlier, his short Der Fuehrer’s Face won an Oscar.

(7) CHUCK SHIMADA OBIT. LASFS member Charles Shimada passed away peacefully in his sleep on December 26, 2021, Calvin Ogawa reported on Facebook. LA-area fans remember Chuck for doing a lot of the Audio/Video technical setup for many conventions over the years – including the 1996 Worldcon I chaired.

Much earlier, at the 1975 EquiCon, Chuck let me run the projector as we showed Star Trek episodes. These were Gene Roddenberry’s personal 16mm prints. And while I was rewinding one of them, I noticed to my horror that I had not closed the reel lock — the reel was starting to do a high-frequency wobble. What would happen when it reached the end? OMG! Was it going to fly off and unspool irreplaceable film all over the fans sitting in front of the projection stand? What would happen to my hand if I grabbed the reel to stop it spinning? I found out. Nothing, fortunately; film saved; I lived to volunteer another day.

(8) MEDIA BIRTHDAY.

1973 — [Item by Cat Eldridge.] Forty-nine years ago, The Six Million Dollar Man premiered this evening on ABC. It was based on Martin Caidin’s Cyborg. Executive Producer was Harve Bennett, who you will recognize from the Star Trek films. It was produced by Kenneth Johnson who would later do The Bionic Woman spin-off and the Alien Nation film.

Its primary cast was Lee Majors, Richard Anderson and Martin E. Brooks. Majors had a successful second series shortly after this series was cancelled, The Fall Guy, about heart-of-gold bounty hunters. The Six Million Dollar Man would run for five seasons consisting of ninety-nine episodes and five films. The Fall Guy would run five seasons as well.

Reception by media critics is generally positive. Phelim O’Neil of The Guardian says, “He was Superman, James Bond and Neil Armstrong all rolled into one, and $6M was an almost incomprehensibly large amount of money: how could anyone not watch this show?” And Rob Hunter of Film School Reviews states “The story lines run the gamut from semi-believable to outright ludicrous, but even at its most silly the show is an entertaining family friendly mix of drama, humor, action, and science fiction.”

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born January 18, 1882 — A.A. Milne. Talking fat bears obsessed with honey. Bouncing tigers, err, tiggers. Morose, well, what is he? It’s certainly genre. And though it isn’t remotely genre, I wholeheartedly recommend Milne’s The Red House Mystery, a Country House Mystery that’s most excellent! (Died 1956.)
Born January 18, 1932 — Robert Anton Wilson. I think I first encountered him in something Richard E. Geis wrote about him in Science Fiction Review in the Eighties. Schrödinger’s Cat Trilogy is just weird and might or might not be a sequel to Wilson’s The Illuminatus! Trilogy co-authored with Robert Shea. But the absolutely weirdest thing he did might be an interview titled Robert Anton Wilson On Finnegans Wake and Joseph Campbell. (Died 2007.)
Born January 18, 1933 — John Boorman, 89. Director who’s responsible for one of the best SFF films ever done, Excalibur, and one of the worst, Zardoz. (He wrote the novel for that one as well.) (I know some Filers like Zardoz. Oh well.) He also directed the rather nifty Emerald Forest which Holdstock did a far better than merely good job of novelizing.
Born January 18, 1937 — Dick Durock. He was best known for playing Swamp Thing in Swamp Thing and The Return of Swamp Thing and the following television series which ran for three seasons. His only other genre appearances were in The Nude Bomb (also known as The Return of Maxwell Smart) and “The First” of The Incredible Hulk. He shows up in Die Hard with a Vengeance in a subway scene. No, it’s not genre, I just like that film. (Died 2009.)
Born January 18, 1953 — Pamela Dean Dyer-Bennet, 69. Her best novel is I think Tam Lin though one could make an argument for Juniper, Gentian, and Rosemary which Windling calls her favorite fantasy novel. Her Secret Country trilogy is also a great deal of fun to read. Much of her short stories are set in the Liavek shared universe created by Emma Bull and Will Shetterly. All of the Liavek anthologies are now available on all major digital platforms. According to the files sitting in my Dropbox folder, there’s eight volumes to the series. They’re wonderful reading. End of plug.
Born January 18, 1955 — Kevin Costner, 67. Some of his genre films are Robin Hood: Prince of Thieves, Waterworld, The Postman and the recent Dragonfly, but I really like his Field of Dreams — his acting in it as Ray Kinsella is quite excellent. Not quite as superb as he was as “Crash” Davis in Bull Durham but damned good. Bull Durham is one of my go-to films when I want to feel good. He also was Jonathan Kent in both Man of Steel and Batman v Superman: Dawn of Justice.
Born January 18, 1964 — Jane Horrocks, 58. Her first SFF genre role was Pattern in The Wolves of Willoughby Chase, scripted off the Joan Aiken novel. A year later, she showed up in the most excellent The Witches, scripted off the Raoul Dahl novel playing Miss Susan Irvine. She voices Black Widow / Mrs. Plum in Tim Burton’s The Corpse Bride, and voiced Hannah in the late Ninties Watership Down.

(10) IRISH COMIC NEWS AWARDS SHORTLISTS. Congratulations to James Bacon who has been nominated for the Irish Comic News’ ICN Awards 2021 in the Best Irish Writer (Non-Fiction) category for his work on File 770. (James also edits and writes for Journey Planet.) The complete list of nominees is here.

BEST IRISH WRITER (NON-FICTION)

James Bacon – File 770
Michael Carroll – Rusty Staples
Peter Duncan — downthetubes.net

As I mentioned in a year-end roundup, James uses his descriptive abilities and camera to allow Filers to accompany him to exhibits and events in vivid and enjoyable reports.

His round table interview with N.K. Jemisin about her work on Green Lantern was great fun to read. And he constantly reviews comics from off the beaten track which deserve our attention. His work last year on File 770 was considerable —

I wish him and all other nominees the best of luck.

(11) EFFICIENCY EXPERT. I can see that Michael Carroll’s sense of humor is part of his appeal – here’s how he introduces his list of Rusty Staples’ “Most Popular Posts of 2021!”

…As I promised in last year’s look back at the previous year, I ditched my plan to post at least one entry every week: doing so freed up a lot of time that I was able to divide between idly daydreaming about winning imaginary arguments with jerks, and needlessly wallowing in unwarranted self-pity. So, time well-spent, I think….

(12) MOON KNIGHT. Disney+ dropped a trailer for their new streaming series with Oscar Isaac yesterday. The series will premiere on March 30.

(13) THAT’S A LOT OF QUARTERS. “Microsoft acquires gaming giant Activision Blizzard for nearly $70 billion” reports CNN.

Microsoft on Tuesday announced plans to acquire Activision Blizzard in a blockbuster deal worth nearly $70 billion. It’s one of the biggest acquisitions in the tech industry in recent years, one that will boost Microsoft’s standing in the growing gaming industry but could be complicated by recent concerns about Activision’s toxic culture.
The all-cash transaction is valued at $68.7 billion, and Microsoft says it will make the company the third-largest gaming company by revenue, after Tencent and Sony.
Bobby Kotick, the controversial CEO of Activision Blizzard, will continue in his role, according to a press release detailing the announced acquisition. Activision employees had previously staged walkouts and called on Kotick to step down for having allegedly been aware of widespread harassment and discrimination problems at the company for years….

(14) DOCKING MANUVER. Here we are outside 104 E. Providencia Ave in Burbank in 1964. I hope somebody explained parallel parking to Mr. Sulu later!

(15) A ROBERT PICARDO APPEARANCE. Jonathan Cowie reports that at the last Novacon they screened a short film based on a story by Chris Priest – here is a trailer for it: The Stooge.

(16) A REAL INCENTIVE. JDA truly understands the audience for his comics.

(17) VIDEO OF THE DAY. [Item by Cath Jackel.] Here’s a BBC Reel about How to ride a pterosaur, according to science. Includes a saddle mockup inspired by How to Train Your Dragon.

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Jamoche, Joey Eschrich, SF Concatenation’s Jonathan Cowie, Chris Barkley, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 6/2/21 For The File Is Scrollow, And I Have Ticked The Box

Posted on June 2, 2021 by Mike Glyer

(1) CATEGORY CHALLENGED. “’Asian Fantasy’ Is A Popular Category — But Is It A Useful One?” – NPR’s Kalyani Saxena poses the question to Rebecca F. Kuang, Cindy Pon, Ken Liu, Fonda Lee, Roshani Chokshi, and Tasha Suri.

…However, not all Asian authors writing fantasy feel at home with the genre label. When I reached out to Rebecca F. Kuang, author of The Poppy War, a Hugo-nominated fantasy trilogy inspired by Chinese history, she said that she finds “Asian fantasy” to be a reductive category.
“I think that Asian doesn’t really make a lot of sense, either as a literary category or as an identity category. Obviously, there are a lot of different things that fall under the subcategory of Asian, including East Asian, including South Asians, Southeast Asian, Pacific Islander, for example,” she says. “So when we call works just blanket ‘Asian,’ that belies an entire world of difference.”
So while the growing popularity of Asian fantasy marks a positive turn towards a broader and more inclusive range of experiences in fantasy, it also raises important questions: Does it actually make sense to group novels by a geographic region, especially one that encompasses billions of people? Does the label “Asian fantasy” help or hurt Asian authors? Well, the answer depends on who you’re asking….

(2) SOMTOW ON SCREEN. The Maestro – A Symphony of Terror, from Somtow Sucharitkul (in the title role) and filmmaker Paul Spurrier, opens July 14 in Bangkok at Central World SF Cinema (one of the major movie chains in Thailand). From there it will do the festival circuit, maybe book a few weird international gigs, and onto some kind of streaming platform, Somtow predicts.

The Maestro tells the story of a misunderstood genius with profound psychological problems. Rejected by the European musical establishment, he returns to his native Thailand and gets a job teaching music in a youth program. Stalked by an obsessed opera singer, ridiculed by his public, his big premiere preempted by a world-renowned conducting mediocrity, he begins a descent into madness. Accompanied by street busking violinist and a prodigy pianist from a dysfunctional family, he sets out to build a musical utopia in the wilderness to bring his transcendent vision to life … only, inevitably, it all goes horribly wrong.

(3) IF IT AIN’T BROKE, DON’T FIX IT. Hugo Book Club Blog compared the official list of 1963 Hugo Award nominees with a copy of the ballot and found something was missing. And there unquestionably was. But stay tuned for the rest of the story….

https://twitter.com/Hugo_Book_Club/status/1400217244529954821

They even convinced The Hugo Awards official site to enter a correction:

Note: We previously listed Burn, Witch, Burn (1962) (alt: Night of the Eagle) ([Anglo-Amalgamated/Independent Artists] Directed by Sidney Hayers; Screenplay by Charles Beaumont & Richard Matheson and George Baxt; based on the novel Conjure Wife by Fritz Leiber) as a finalist for the 1963 Hugo Award for Best Dramatic Presentation; however, a copy of the 1963 Hugo Award final ballot that we received on June 2, 2021 does not include this work as a finalist.

And yet when you look at a scanned copy of the 1963 Worldcon Program Book Burn, Witch, Burn is included. (Remember – 1962 is the eligibility year.)

In the DRAMATIC PRODUCTION category, the top four for 1962 were:
TV series: Twilight Zone
Movie: Last Year at Marienbad
Movie: The Day the Earth Caught Fire
Movie: Burn, Witch, Burn

Why is there a discrepancy between the Program Book and the official use-no-other, no-write-ins-allowed postcard ballot? Because someone made a mistake while typing the stencil for the 1963 ballot. Chair George Scithers blushingly told what happened in the Worldcon runner’s manual he wrote after the con — DisCon 1 Guide: Introduction:

…To encourage voting, we used printed, return addressed, postage prepaid postcards with the names of the nominees thereon. This of course was expensive; about $16, plus printing. On the other hand, it did improve the number of votes (about 226 people voted in the final poll, not counting late votes) and it did insure against anyone not a member sending in a forged card. For future cons, I’d suggest prepaid postcards for both nominations and final votes. Be careful and proofread these final ballots; we left “Burn, Witch, Burn” off our postcard list (4) [If George wasn’t accepting the principle of Collective Responsibility, this would read properly: “Dick Eney left ‘Burn, Witch, Burn’ off …”], an omission which was very embarrassing indeed.

(4) GOT TO HAVE IT. Julie Nováková inventories “What Technology Can’t SF Writers Live Without?” at the SFWA Blog.

When I started editing an anthology of SF stories centered around alien life, each accompanied by a short essay on the science of the story, naturally I was curious about what sciences or technologies inspire the contributing authors, how their process works and how they rely on technology. Conducting a mini-interview with each author, I asked, among other things, whether there’s any technology they can’t imagine to live without. Think for a moment what it would be for you. Some piece of 21st century technology, or something vital developed thousands of years ago? Something to guide your writing process, or indispensable in your life regardless of the craft?
Many writers (including myself, after all) can’t imagine working without computers. Rich Larson says: “Over half my day is spent on my netbook.” He uses it for around ten hours of writing and other work, and then for recreation and socialization. At night, its USB port powers the small fan that lets him sleep. “It’s basically a vital organ!”
“My Bose QC 35 wireless headphones,” says Tobias S. Buckell. They help him create a focusing space around himself. “The ritual of turning on noise canceling and hearing the world around me drop into background; it’s this trigger for focus that really helps me,” he adds….

(5) PURPLE EATER PEOPLE. Inspired by the park’s chicken dinners and boysenberry pie – and a few less legal substances — Rolly Crump’s “Legendary theme park ride resurfaces at Knott’s Berry Farm” reports the Los Angeles Times. “Knott’s Bear-y Tales: Return to the Fair” has been recreated after being out of service for a generation. Crump, the 91-year-old designer, also helped shape It’s a Small World, the Enchanted Tiki Room and the Haunted Mansion at Disneyland,

… “Everyone comes together at the fair at the end,” Merritt says. “All the characters you saw in the previous scene make a new appearance, doing something different and fun. It’s a big room. It takes up almost half of the show building.”
Crump’s theme park designs were known for near constant movement. The figures may not have been as advanced as those at Disneyland, but every mechanical creature was moving. Today’s theme park fans may want to picture the grand musical and animal finale of Disneyland’s soon-to-be rethemed Splash Mountain when trying to picture the closing seconds of Bear-y Tales.
Describes Merritt, “In the middle of the room, there’s a big balloon coming from the ceiling where the Bear-y Family are going up and down, and there’s music, there’s Dr. Fox selling his Weird Juice, there’s puppets and there’s a frog jumping contest. There’s musicians, there’s a rabbit who’s walking on wire, there’s jugglers. It’s too much. It’s sensory overload.”
…The more one digs into the scenes of the Bear-y Tales ride, the more detail and uniqueness one uncovers.
One of Crump’s first jobs at Disney was to partner with illusionist Yale Gracey on potential effects for the Haunted Mansion, so it’s perhaps no surprise that Crump wanted a sense of magic throughout Bear-y Tales. The ride was liberal in its use of projections and Pepper’s ghost-like effects. There were floating instruments, hovering candle tips and one neat trick that Merritt recalls involving an adorable mouse suddenly appearing out of a candle holder in midair.
But perhaps the real reason Bear-y Tales had such a grip on those who rode it is because in some ways it represents the kind of ride that doesn’t really exist anymore. Crump’s original had pies — and pie scents — but was little more than a story about a bunch of nomadic, bohemian animals.
“It’s super unique. It was such a snapshot in time,” says Nix. “When you look at the pictures, it wasn’t terribly advanced. The animatronics were simple, but there were a lot of them. You just felt like you were in these scenes and places.”…

(6) VIRTUAL 4TH STREET. Elizabeth Bear has made public an edition of her Throwanotherbearinthecanoe newsletter: “What we’ve been doing around here…” After fulminating against the latest “improvement” of Instagram, she alerts readers to her coming appearance at a virtual con:

….Anyway, speaking of things to do on the internet that are actually fun, there will be a Virtual 4th Street Fantasy convention this year. I’ve recorded a panel for it (“Personalizing the Apocalypse”) with a remarkable cast of brilliant people, and we will be doing a live Q&A for attendees on the weekend of June 18th.
If you would like to “attend,” you can register here! Moneys collected go toward paying off hotel expenses, and if you would like to make a donation, the convention is a 401(c) nonprofit organization, which means donations are tax-deductible.

(7) ATWOOD ACQUISITION. “Doubleday to Publish Margaret Atwood Essay Collection” – Publishers Weekly has the story.

Doubleday will publish a new collection of Margaret Atwood’s essays, Burning Questions: Essays 2004-2021, on March 1, 2022. U.S. rights were acquired from Karolina Sutton at Curtis Brown.
…The selection of more than 50 essays, the publisher said, “seeks answers to burning questions such as: Why do people everywhere, in all cultures, tell stories? How much of yourself can you give away without evaporating? How can we live on our planet? Is it true? And is it fair? What do zombies have to do with authoritarianism?”…

(8) TOMORROW, AND TOMORROW, AND TOMORROW. John Hertz celebrates Bob Madle’s 101st birthday with this poem:

All our yesterdays
Live on, or some of them do,
In the fannish mind,
Vitally moving new deeds
Even as we joke of them.

(9) MEDIA BIRTHDAY.

June 2, 1950 – On this day in 1950, Rocketship X-M premiered. The film was produced and directed by Kurt Neumann. The screenplay was by Orville H. Hampton, Kurt Neumann and Dalton Trumbo (of Johnny Got His Gun fame). It starred Lloyd Bridges, Osa Massen, John Emery, Noah Beery, Jr., Hugh O’Brian, and Morris Ankrum. It was shot on a budget of just ninety-four thousand dollars. It was nominated for the 1951 Retro Hugo Award for Best Dramatic Presentation at the Millennium Philcon when Destination Moon won that Award. Fandom holds it in a higher esteem that audience reviewers at Rotten Tomatoes do who give it a mere fifteen percent rating! Oh, and it was the first SF film to use a theremin in the soundtrack.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

Born June 2, 1857 – Karl Gjellerup. In The Pilgrim Kamanita, the Pilgrim meets a strange monk who he does not know is Gautama Buddha. In The World-Roamers, characters re-experience happenings of former eons. In The Holiest Animal, the snake that killed Cleopatra, Odysseus’ dog, Jesus’ donkey, and others, meeting after death, choose as the holiest animal the Buddha’s horse – but he has vanished without a trace, to Nirvana. Nobel Prize in Literature. (Died 1919) [JH]
Born June 2, 1899 – Lotte Reiniger. Pioneer of Silhouette animation. Animated intertitles and wooden rats for Paul Wegener’s Pied Piper of Hamelin (1918); a falcon for Fritz Lang’s Nibelungen (Part 1 – Siegfried, 1924). Her own Adventures of Prince Achmed (1926) is the oldest known surviving feature-length animated film. Doctor Dolittle and His Animals, 1928. Her early version of a mutiplane camera preceded Walt Disney and Ub Iwerks by a decade. Great Cross of the Order of Merit of the Fed’l Republic of Germany, 1979. (Died 1981) [JH]
Born June 2, 1915 – Lester del Rey. Fan, pro, short-order cook. Used many names, not least of which was Ramon Felipe San Juan Mario Silvio Enrico Smith Heathcourt-Brace Sierra y Alvarez-del-Rey de los Verdes. Two dozen novels alone and with others; a hundred shorter stories (see the 2-vol. Selected Short Stories); half a dozen non-fiction books; Skylark Award, SFWA (Science Fiction & Fantasy Writers of America) Grand Master; reviews for Analog, features editor for Galaxy; SF editor for Ballantine; with Judy-Lynn del Rey and after her death, Del Rey Books. (Died 1993) [JH]
Born June 2, 1920 – Bob Madle, age 101. He may be Oldest of All. He was at Nycon I the 1st Worldcon; he named the Hugo Awards. TAFF (Trans-Atlantic Fan Fund) delegate. Fan Guest of Honor at SunCon the 35th Worldcon. First Fandom Hall of Fame. Moskowitz Award for collecting. Big Heart (our highest service award). This post from last year includes photos and a summary in his own words. [JH]
Born June 2, 1929 — Norton Juster. Author of The Phantom Tollbooth, it is said that he met Jules Feiffer who illustrated that work when he was taking his trash out. There is of course the superb film that followed. And let’s not forget The Dot and the Line: A Romance in Lower Mathematics, a work well worth spending an evening reading. (Died 2021.) (CE)
Born June 2, 1921 — Virginia Kidd. Literary agent, writer and editor, who worked mostly in SF and related fields. She represented R.A. Lafferty, Ursula K. Le Guin, Anne McCaffrey, Judith Merril, and Gene Wolfe. She was married to James Blish, and she published a handful of genre short fiction. Wolfe modeled Ann Schindler, a character in Castleview, in large part on Kidd. (Died 2003.) (CE)
Born June 2, 1937 — Sally Kellerman, 83. Here for her role as Elizabeth Dehner in “Where No Man Has Gone Before”, the second pilot for Star Trek. Her first genre role was in an episode of the Outer Limits, “The Bellero Shield”. She shows up in the Invaders in the “Labyrinth” episode. Her last genre appearance was on the Ray Bradbury Theater in the “Exorcism” episode. She also appeared in the Lost Horizon film. (CE)
Born June 2, 1941 — Stacy Keach, 80. Though best known for playing hard-boiled Detective Mike Hammer, he’s got a long association with our genre starting with The Mountain of the Cannibal God, an Italian horror film. Next up for him was Class of 1999, followed by voicing both Carl Beaumont / Voice of Phantasm in Batman: Mask of the Phantasm, a film I really, really like. More horror, and a really silly title, awaited him in Children of the Corn 666: Isaac’s Return. Whereas The Hollow has a tasteful title, the Man with the Screaming Brain does not. Storm War, also known as Weather Wars, is SF. And then there is Sin City: A Dame to Kill which is a rather nice piece of film making. And yes, he’s been in a televised version of Macbeth playing Banquo. (CE)
Born June 2, 1948 – Leigh Edmonds, age 73. Founder of ANZAPA (Australia – New Zealand Amateur Press Ass’n). Melbourne SF Club Achievement Award. First DUFF (Down Under Fan Fund) delegate, published Emu Tracks Over America. First A-NZ Administrator of GUFF (Get-Up-and-over Fan Fund, or Going Under Fan Fund, in alternate years). Helped organize 10th Australian natcon (i.e. national convention); Fan Guest of Honour (with Valma Brown) at 30th. Two Ditmars for Best Fanzine, three for Best Fanwriter. [JH]
Born June 2, 1959 – Lloyd Penney, age 62. Thirty years on Ad Astra con committees (Toronto); Chair 1993 & 1994. “Royal Canadian Mounted Starfleet” (with Yvonne Penney & others – and song) in Chicon IV Masquerade (40th Worldcon). Also with Yvonne, Chairs of SMOFcon VI (Secret Masters Of Fandom, as Bruce Pelz said “a joke-nonjoke-joke”; con-runners’ con); CUFF (Canadian Unity Fan Fund) delegates, published Penneys Up the River; Fan Guests of Honor, Loscon 34. Prolific loccer (loc or LoC = letter of comment, the blood of fanzines); 5 FAAn (Fan Activity Achievement) Awards. [JH]
Born June 2, 1965 — Sean Stewart, 56. Fantastic author whose Galveston novel that won the World Fantasy Award I highly recommend, as well as the Resurrection Man novels. I’ve not read his most recent set of novels, The Cathy’s Book series, but it’s take on augmented reality sounds intriguing. (CE)
Born June 2, 1973 – Carlos Acosta, age 48. Cuban director of Birmingham Royal Ballet; before that, 17 years at The Royal Ballet, many other companies. Prix Benois de la Danse. Commander of the Order of the British Empire for services to ballet. Besides dancing in many fantasies (Afternoon of a Faun, Apollo, The Nutcracker, Swan Lake) – and finding time for a wife and three children – he’s written a magic-realism novel, Pig’s Foot. Memoir, No Way Home. [JH]
Born June 2, 1979 — Morena Baccarin, 42. Very long genre history starting with portraying Inara Serra in Firefly and Serenity; Adria in the Stargate SG-1 series and the Stargate: The Ark of Truth; Anna in the 2009 version of the series V; Vanessa in the Deadpool franchise; and Dr. Leslie Thompkins in Gotham. She did an exemplary job of voicing Black Canary in Justice League Unlimited. (CE)

(11) ASIAN AMERICAN SUPERHERO Q&A. View “Jim Lee and Asian American Superheroes”, a video interview available at the Library of Congress.

DC Chief Creative Officer and Publisher Jim Lee discusses his work in celebration of Asian-Pacific American Heritage Month. He will appear in conversation with illustrator Bernard Chang (“Generations Forged”) and writers Sarah Kuhn (“Shadow of the Batgirl”) and Minh Lê (“Green Lantern: Legacy”). This event is moderated by former National Ambassador for Young People’s Literature Gene Luen Yang (“Superman Smashes the Klan”).

(12) PRODUCT PLACEMENT. This iconic watch has been on stars’ wrists from Elvis to the Men in Black: “Exploring The Hollywood History Of The Hamilton Ventura Watch” at A Blog to Watch.

…The Hamilton Ventura has always been part of the Men in Black movies. Back in 1997, when the first installment (Men in Black) hit the cinema, the choice of Agents J and K was the classic Hamilton Ventura Quartz (ref. H24411732). Five years later, in 2002’s Men in Black II, the Ventura Chrono Quartz (ref. H24412732) was chosen in the starring role instead. The next decade saw those two watches reunite on-screen for Men in Black III (2012), as well as introducing the Hamilton Ventura XXL.
Men in Black: International will build on the cult following enjoyed by the Ventura since its launch in ’57. The new film focuses on two agents attempting to protect the world from a mole within their own organization, while dressed in their classic suits and armed with their essential neuralyzer pens. Helping Agent M and Agent H on their mission are the classic Hamilton Ventura Quartz (M), and the Hamilton Ventura Automatic with a cut-out dial and brown leather strap (H), respectively….

(13) JEOPARDY! Andrew Porter watched a contestant miss this one on last night’s Jeopardy!

Final Jeopardy; category: Around the World
Answer: In the 1860s, a zoologist proposed that this island was once part of a lost continent he dubbed Lemuria.
Wrong question: What is Galapagos?
Correct question: What is Madagascar?

(14) JDA SUSPENDED FROM TWITTER AND FACEBOOK. Straight from the horse’s…mouth.

#Naughty @jondelarroz #DeleteYourAccount pic.twitter.com/qsKOfKtw8Y
— Top Elf (@NorthPoleSpyNet) June 2, 2021

(15) A HOLE IN THE WRONG ONE. “’Scary stuff’: International Space Station robotic arm struck by space junk” reports The Guardian.

The sudden appearance of a small hole in a robotic arm aboard the international space station (ISS) has brought renewed attention to the danger posed by space junk.
Mission managers discovered the puncture during an inspection of the exterior of the spacecraft on 12 May. The Canadian space agency (CSA), which operates the arm, described it as a “lucky strike” that did not affect operations or endanger the seven astronauts in orbit aboard the station.
It is not known what kind of object struck the space station or when it happened. But analysts say the incident is a reminder of the proliferating amount of junk circling Earth and the risk that poses as launches and satellites in orbit increase.
“There’s a lot of stuff out there traveling at over 17,500mph and obviously it can do a lot of damage,” John Crassidis, SUNY distinguished professor of mechanical and aerospace engineering at the University of Buffalo, told the Guardian….

(16) SABERKITTENS. These prehistoric credentials probably looked pretty cute as long as you weren’t a mammoth. “Sabercats Raised Their Kittens for Years” affirms Smithsonian Magazine.

…Two new studies published this year have underscored the fact that sabercats required some of the same family ties that today’s big cats rely upon. Some young sabercats may have stayed with their parents for two years or more as they waited for their impressive fangs to come in. Those parents likely played an essential role in teaching their saberkittens how to catch and eat food, including dragging mammoth legs home to chew on. Together, these studies help highlight how sabercat behavior evolved to cope with a world in which many carnivorous species—from dire wolves to giant bears—competed for prey.

(17) WATCH YOUR SIXTH. What’s more dangerous, a sabertooth or the Doctor? Artist JohannesVIII did this piece of Doctor Who‘s Sixth Doctor (Colin Baker) as a cat!

Cat dressed as Six (commission for @DrWho42 ) pic.twitter.com/NqaRfag8aa
— JohannesVIII (@ViiiJohannes) June 2, 2021

[Thanks to Mike Kennedy, Andrew Porter, Ben Bird Person, John A Arkansawyer, Martin Morse Wooster, JJ, Michael Toman, John King Tarpinian, Cat Eldridge, and John Hertz for some of these stories. Title credit belongs to contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 4/5/21 You Say Pixels Go, I Say Here We Scroll

Posted on April 5, 2021 by Mike Glyer

(1) IS CLI-FI PART OF THE PROBLEM? BBC World Service’s The Climate Question asks a panel including Ken Liu “Is science fiction holding back climate action?” (23 minute audio.)

For centuries, we’ve been reading, watching and listening to science fiction. And all too often, it’s pretty pessimistic about our future, especially when it touches on the topic of climate change.

This is leading some to ask whether these doom and gloom stories are doing the climate fight more harm than good – causing us to feel so anxious and powerless that we don’t take action.

So for this week’s climate question, we’re asking: Is sci-fi holding us back?

Graihagh Jackson is joined by:
Amy Brady, editor-in-chief of the Chicago Review of Books, where she writes a monthly column called Burning Worlds. In it she explores how fiction addresses climate change.

Cheryl Slean is a playwright, filmmaker and educator working with the National Resource Defense Council’s Re-write the Future campaign to increase accurate climate stories in film and television.

Ken Liu is a futurist and author of speculative fiction. He has won the Nebula, Hugo, and World Fantasy awards. His debut novel, The Grace of Kings, is the first volume in a silkpunk epic fantasy series.

(2) LAWSUIT EVAPORATES. The case has now been dismissed: “Guillermo del Toro named ‘true creator’ of The Shape of Water as plagiarism suit ends” reports Entertainment Weekly. Del Toro had won the lower court decision, which the plaintiff appealed in the federal Ninth Circuit.

Guillermo del Toro and his Oscar-winning Shape of Water team have emerged unscathed from the depths of a copyright lawsuit claiming that the Best Picture winner plagiarized the work of the late playwright Paul Zindel.
In a statement provided to EW, film distributor and production company Searchlight Pictures (formerly Fox Searchlight) indicated that the legal action against del Toro and associate producer Daniel Kraus had been dismissed after the Zindel estate’s attorney, Marc Toberoff, previously cited 69 points of alleged similarities between the 1969 stage play Let Me Hear You Whisper (about a woman who bonds with a lab dolphin) and del Toro’s movie (about a woman, played by Sally Hawkins, who bonds with a humanoid sea creature, played by Doug Jones, in a research facility).
“David Zindel, the son of Paul Zindel, author of Let Me Hear You Whisper, acknowledges, based on confidential information obtained during the litigation process, that his claims of plagiarism are unfounded,” the statement said. “He acknowledges Guillermo del Toro as the true creator of The Shape of Water. Any similarity between the two works is coincidental.”
… Both sides were reportedly slated to present additional information this year, and a trial had been set for July before the case was dropped.

(3) HOMETOWN PAPER SALUTES NEW F&SF EDITOR. The Daily Memphian profiles Sheree Renée Thomas: “Memphis writer emerges as a major player in the sci-fi world”.

… She says her family’s gathering and bonding time was spent watching movies and television, and they were big horror fans. And then she would realize that movies that she watched had sometimes been classic books. Then she would read those.
“That’s what I remember getting really excited about early on,” she said. “And then I started reading more science fiction work. And the writer that stood out the most for me, that I enjoyed consistently, was Ray Bradbury.”
Bradbury told stories in clear, sometimes lyrical prose, she said. And he had a great sense for characterization.
“People came alive in his writing,” Thomas said.
She can’t pinpoint when she moved from reading to writing, too. “I don’t know if it was a conscious thing. I felt like, ‘I’m consuming these other stories, whether it was a movie or I’m reading it, someone sat down to write those and my head was full of thoughts.’”
Thomas recalls that her interest in science fiction waned for a time because of the way Black people were depicted in the stories: “Either we weren’t in the future, or if we were present in the storytelling it wasn’t in a very complimentary light or wasn’t in a way which characters had agency, or operated or moved in ways that you could recognize as having been a person that is part of the Black community or a community at all.”
So she started reading mostly Black literature, specifically Black women writers, from her mother’s shelves and the public library. Reading work by Alice Walker, Gayle Jones, Gloria Naylor and Toni Morrison was formative to her….

(4) SECOND SEASON OF PICARD. Paramount + dropped a trailer for Star Trek: Picard, Season 2 which includes the return of Q.

(5) IS IT A PEARL? In the latest Young People Read Old SFF, James Davis Nicoll turns his readers loose on “All the Seas with Oysters,” a 1958 story that won a Hugo the same year (because those wacky LA fans running Solacon set the eligibility period from July 1957 to July 1958.)

Avram Davidson (April 23, 1923 – May 8, 1993) was (as so often true for authors of his vintage) prolific across an expanse of genres, including fantasy, science fiction, and mysteries, to name a few. His SFF awards include a World Fantasy Life Achievement award, World Fantasy Awards for The Enquiries of Doctor Eszterhazy, and ?“Naples”, and the Hugo Award for ?“All the Seas with Oysters”, not coincidentally the subject of this month’s Young People Read Old SFF.
… Young readers encountering the tale for the first time do so without the rosy patina of uncritical nostalgia concealing whatever issues the story might have. Still, this is a widely loved classic. What are the odds generations of SF readers overlooked something? Let’s find out!

(6) SECOND LOKI TRAILER. [Item by Daniel Dern.] Not that I wasn’t already psyched to watch this…

Loki’s time has come. Watch the brand-new trailer for “Loki,” and start streaming the Marvel Studios Original Series June 11 on Disney+.

And the first trailer, I believe.

BTW, the TVA (Time Variance Authority) is an established Marvel Comics organization. My main memories are from Walt Simonson’s fabulous run in Fantastic Four with the TVA. (Simonson also brought us Beta Ray Bill, and Thor as Frog, among many, many other delightful creations)

Wikipedia: The Time Variance Authority

The Time Variance Authority (or TVA) is a fictional organization, a group of timeline monitors appearing in American comic books published by Marvel Comics. They first appeared in Thor vol. 1 #372 (October 1986). Created by Walt Simonson and Sal Buscema, the TVA originally paid homage to long-time Marvel writer/editor, and continuity expert, Mark Gruenwald: the TVA staff were all clones of Gruenwald.

Other resources:

CBR.com: “Loki: 10 Things You Didn’t Know About The Time Variance Authority”
Marvunapp.com: “Time Variance Authority (TVA, Fantastic Four characters)”
Marvel.com: “Time Variance Authority Members, Enemies, Powers”

(7) NYRSF READINGS. Ilana C. Myer will read from the third book in her Harp and Ring Sequence, The Poet King, and will talk will host Amy Goldschlager at the next NYRSF Readings on Facebook on Tuesday, April 6, 2021 at 7 p.m. Eastern. Viewers can ask questions and comment via the chat channel. Will be available later on YouTube.

Ilana C. Myer has worked as a journalist in Jerusalem and a cultural critic for various publications. As Ilana Teitelbaum she has written book reviews and critical essays for The Globe and Mail, the Los Angeles Review of Books, Salon, and the Huffington Post. Last Song Before Night was her first novel, followed by Fire Dance and The Poet King. A native New Yorker and longtime Jerusalem resident, she now lives in the mountains of Pennsylvania.

(8) CONFUSION AFTER ACTION REPORT. Farah Mendlesohn’s writeup about last weekend’s virtual Eastercon (UK) — “ConFusion FM’s con report” [PDF file] – covers the positive and negative con experiences, including how it was to use the Gather Town app, and delivers a withering comments about accessibility issues.

… I am not going to pretend here. I felt utterly betrayed. My sneaking feeling at other conventions that ‘only wheelchair users really mattered’, a feeling for which I’d berated myself, was utterly confirmed. Hearing, sight, neurodivergence, hand or co-ordination issues…. None of these things apparently mattered, yet all of them could have been addressed with good design, a careful choice of discussion platforms, and over and above all with conversation.
I didn’t go to the Feedback meetings because for much of the convention I was too angry. What would I have asked after all; “will the convention chair make a full and unqualified apology for the utter disregard of issues of accessibility in the planning and delivery of this convention?”
In future I will not vote for any bid that does not have a clear statement on access and inclusion. I will not go to a convention that does not support access and inclusion (I began declining conferences for this reason some time ago).

(9) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present via livestream Nalo Hopkinson and Bruce McAllister on April 21 at 7 p.m. Eastern. Check back for the link here.

Bruce McAllister

Bruce McAllister has been writing science fiction, fantasy and horror for some decades. He began as an sf writer but these days writes more fantasy of the uncanny kind. His most recent novel is a little thing called The Village Sang to the Sea: A Memoir of Magic. His Hugo-nominee short story “Kin” launched the new podcast Levar Burton Reads.

Nalo Hopkinson

Nalo Hopkinson is a Jamaican-born Canadian author and maker of objects. She has won the World Fantasy Award, the Andre Norton Nebula Award, and the Sunburst Award for Canadian Literature of the Fantastic. She authored and co-authored the series “House of Whispers” for DC Comics, set in Neil Gaiman’s “Sandman” universe. SFWA recently honored her with the “Grand Master” award for lifetime achievement.

(10) SOVIET LOTR VIDEO AVAILABLE. Ars Technica surprises with news that a“30-year-old Soviet TV adaptation of The Lord of the Rings surfaces on YouTube”.

After 30 years, a TV adaptation of J.R.R. Tolkien’s The Lord of the Rings long thought lost has resurfaced. The 1991 Soviet television adaptation has been uploaded to YouTube in two one-hour videos.
The film focuses on the events of the first book in the trilogy, The Fellowship of the Ring, and features many elements that were excluded from the popular global theatrical release by director Peter Jackson, including an extended sequence featuring the character Tom Bombadil—one of the biggest omissions by the bigger-budget 2001 film far more of us have seen.
Originally broadcast on TV in 1991 (and then never aired again), the film was thought lost to time by those who had seen it. But as reported in The Guardian, Leningrad Television successor Channel 5 uploaded the film to its YouTube page with little fanfare, surprising fans who had given up on seeing the production again. It is believed to be the only adaptation of these books produced in the Soviet Union….

(11) TODAY’S DAY.

(12) MEDIA BIRTHDAY.

April 5, 1992 — On this day in 1992, Mann & Machine premiered on 1992. It would last for only nine episodes. Starring David Andrews, Yancy Butler and S. Epatha Merkerson, it was a Dick Wolf production, he of the eventually myriad Law & Order series. Yancy Butler would go on to be the lead a decade late in Witchblade. It has no audience rating at Rotten Tomatoes but the critic rating there is 20%. NBC has the pilot available here for your viewing.

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

Born April 5, 1526 – Giuseppe Arcimboldo. More than his work as a court painter, like this, his portraits composed of pertinent objects appeal to our fantasy. Here is the Emperor Rudolf II portrayed as Vertumnus, the god of plant growth and fruit trees. Here is a librarian. Here is a waiter. (Died 1593) [JH]
Born April 5, 1867 – Helen Stratton. Illustrator in monochrome and color. Three editions of H.C. Andersen, three of The Arabian Nights, three of Grimm, The Princess and the Goblin (G. MacDonald), Marie of Romania’s Lily of Life, many more. Here is The Wild Swans. This is from “The Tinderbox”. This is from “The Snow Queen”. (Died 1961) [JH]
Born April 5, 1917 — Robert Bloch. His Wiki Page says he’s best known as the writer of Psycho, but I’ll guarantee that only film geeks and many of y’all know that. I know him best as the writer of the Trek “Wolf in the Fold” episode. His Night of the Ripper novel is highly recommended by me. And I know that “That Hellbound Train” which won the Hugo Award for Best Short Story is the piece of fiction by him that I’ve read the most. He’s not well represented at the usual digital suspects. (Died 1994.) (CE)
Born April 5, 1926 — Roger Corman, 95. Ahhhh, popcorn films! (See popcorn literature for I mean.) Monster from the Ocean Floor in the early Fifties was his first such film and Sharktopus vs. Whalewolf on Syfy just a few years back was another such film. He’s a man who even produced such a film called, errr, Munchies. A Worldcon guest of honor in 1996. (CE)
Born April 5, 1931 – Al haLevy, age 90. Chaired Westercon 16 (2nd appearance of B. Trimble’s Project Art Show! rumor – false – that F. Pohl lost Galaxy to B. Bernard at late-night poker!), co-chaired Pacificon II the 22nd Worldcon. Revived Rhodomagnetic Digest awhile. [JH]
Born April 5, 1935 – Helen M. Hoover. A dozen novels for us, two others. Golden Duck Award. Two American Lib’y Ass’n Best Books. Alas, Children of Morrow and Treasures of Morrow are about a person, not a place, although come to think of it one could still tell people “Go to Morrow.” (Died 2018) [JH]
Born April 5, 1950 — A.C. Crispin. She wrote several Trek and Star Wars novelizations and created her own series called Starbridge which was heavily influenced by Trek. She also co-wrote several Witch World novels, Gryphon’s Eyrie and Songsmith, with Andre Norton. Pirates of the Caribbean: The Price of Freedom was her last novel prior to her death from bladder cancer while in hospice care. (Died 2013.) (CE)
Born April 5, 1955 – Toriyama Akira, age 66. (Personal name last, Japanese style.) So successful in manga and animé that he won not only Shogakukan Publishing’s Manga Award, but also the 40th Anniversary Festival Award at the Angoulême Int’l Comics Festival, and was made a Chevalier of the Ordre des Arts et des Lettres. Dragon Ball has sold 300 million copies worldwide, plus animé, video games. See more here. [JH]
Born April 5, 1963 – Arthur Adams, age 58. Artist and writer for Marvel, Legend (Monkeyman and O’Brien still appears here and there), DC, Wildstorm. Diana Schutz got him to draw Gumby Summer Fun Special 1, so of course he drew this – and won an Eisner. Front and back covers for Ron Goulart’s Great Comic Book Artists vol. 2. Frequently in Spectrum. Inkpot Award. Here is Wolverine. Here is Phoenix. [JH]
Born April 5, 1965 — Deborah Harkness, 56. She’s the author of the All Souls Trilogy, which consists of A Discovery of Witches and its sequels Shadow of Night and The Book of Life. I listened to the Jennifer Ikeda-narrated audiobooks which are an amazing experience. Highly recommended as Harkness tells a remarkable story here. I’m not even fond ’tall of vampires in any form and hers actually are both appealing and make sense. I’ve not seen the series made from the novels. (CE)
Born April 5, 1982 — Hayley Atwell, 39. Agent Carter with her as Peggy Carter I’ll freely admit has been the only series or film in the MCU repertoire save the first Iron Man and Avengers films being the ones that I’ve flat out enjoyed so far. Even the misogyny of the males though irritating in that setting made sense. Oh and I’m interested to see her in Christopher Robin as Evelyn Robin. (CE)

(14) COMICS SECTION.

The Far Side has a different opinion about what really happened to Godzilla. (OK, you’re right. That’s not really what it’s about.)

(15) LIVING UNDER A CLOUD. [Item by rcade.] A Brazilian science fiction film that presciently anticipated the Covid-19 pandemic has won the top prize at the Sofia International Film Festival. “Brazil’s ‘The Pink Cloud’ wins top prize at lockdown-hit Sofia film festival” at Screen Daily.

The Pink Cloud, written and directed by Iuli Gerbase, is about a couple whose one-night stand becomes a permanent arrangement when a killer cloud drifts into cities across the globe and forces people to shut their windows and quarantine at home. A film that seems like a painfully obvious metaphor for the pandemic was written in 2017 and filmed in 2019, according to a disclaimer that precedes the opening credits.

Guy Lodge writes in Variety (“’The Pink Cloud’ Review: Brazil’s Effective, Accidental Lockdown Drama”:

It’s not often one sees a film arguing against its own topicality, but that’s what happens at the outset of The Pink Cloud, a subtly fevered quarantine drama that is so of the moment, you all but wonder how they had time to shoot and cut it just last week. But they didn’t …
Not even sure they like each other to begin with, Giovana and Yago try things out as platonic roommates, friends with benefits and eventually lovers, never comfortable settling into any of those modes. Early in the lockdown, Giovana jokes that their setup is akin to an arranged marriage: It’s a comparison that seems less amusing as weeks turn to months, and months to years.

Public screenings at the film festival were stopped by a new pandemic lockdown caused by surging cases in Bulgaria.

(16) THE WAIT IS OVER. A.V. Club introduces readers to a Korean sff author: “I’m Waiting For You by Kim Bo-Young review: Cosmic tales of love, loss”.

In the title story of I’m Waiting For You, the first of Korean science fiction writer Kim Bo-Young’s works to be translated into English, the unnamed protagonist says he felt he was prepared for solo space travel because he’d once spent a few months without leaving his home. After a year in which so much of the world has experienced an even more extreme version of such isolation, that idea might seem trite. But then the character goes on to explain how wrong he was:
That wasn’t actually living alone. I have never once really lived alone. Someone cleared away the trash I left out for collection, and emptied the septic tank… In another place they boiled noodles and put them in a dish and delivered them… I had never lived alone, not once. How would really living alone even be possible?
“I’m Waiting For You” was originally written in 2015 at the request of a fan who wanted Kim to write a story he could use to propose to his girlfriend. The tale of a man journeying through time and space in an increasingly desperate and unlikely attempt to reunite with his fiancée has taken on new power as we look toward the end of more than a year of isolation that has also produced a newfound understanding of how connected we are to the communities around us….

(17) HISTORIC WARNING. “Ghosts of the Future: A Conversation with Larry Achiampong” is a Critierion Channel Q&A with the maker of the Relic film series.

The London-based, British Ghanaian artist and filmmaker Larry Achiampong explores race, class, and history in a multidisciplinary practice that, as described in the biography on his website, seeks to “examine his communal and personal heritage—in particular, the intersection between pop culture and the postcolonial position.” First devised in 2016, partially as a response to the sociopolitical shock of Brexit, Achiampong’s Relic Traveller is an ambitious project that has manifested as performance, sound installation, moving image, prose, and a remarkable public commission in which Achiampong reimagined London Underground’s iconic roundel in Pan-African colors—green, black, and red—that spoke symbolically to various African diasporic identities.
A central pillar of the project is a suite of four science fiction–inflected short films—Relic 0, Relic 1, Relic 2, and Relic 3—now streaming on the Criterion Channel.
… Clearly, these films engage deeply with long, painful histories and would be resonant at any time. But in the past few years, particularly in the UK, there’s been a real resurgence of empire fetishism, and seemingly more reluctance than ever among the media and ruling classes to address the reality of this history. To what extent are the films a reaction to that context?
For me, the films represent a warning to the West about its negligence, ignorance, mythical approach to history, omission of the histories and legacies of empire, slavery and colonization, and how those things affect the way that we live today: the way that Black people are still disenfranchised. They’re a stark warning that the West will undo itself as a result of the lies it has celebrated, taught, and disseminated for a while. It’s almost as if it will eat itself unless an understanding of the truth—or what has not been allowed to be revealed as the truth—is opened up….

(18) CURB APPEAL. SYFY Wire says “We might need to see the Earth like aliens would if we intend to find them”.

Suppose there really are aliens out there who are creeping around on the surface of some faraway planet and have managed to survive everything space has thrown at them so far. How could we find out they exist?
The answer might lie in how they would (hypothetically) see us. We may never know whether there really are intelligent beings who have spotted our planet as it passed by the sun, but observing it from their perspective could help us see through extraterrestrial eyes. This is the objective of the Earth Transit Observer (ETO) mission concept. Led by a research team from the Johns Hopkins Applied Physics Laboratory (APL), ETO will watch Earth in transit as if it was a spacecraft sent out here by other intelligent beings.
Researchers Noam Izenberg and Kevin Stevenson, who will be the project leads if this mission becomes reality, and co-led a study recently presented at the 52nd Lunar and Planetary Science Conference, and Laura Mayorga, who also co-led the study, believe that observing Earth from the perspective of a being who never knew it existed could give us new insight on how to look for habitable—and possibly inhabited—planets….

(19) VIDEO OF THE DAY. In “Godzilla vs. Kong Pitch Meeting” on Screen Rant, Ryan George’s screenwriter tells the producer, “We’re just going to keep cutting to monsters punching each other so that no one has time to digest the mumbo-jumbo we use as explanation” for why Godzilla and King Kong fight each other. SPOILER WARNING.

[Thanks to Michael Toman, Lise Andreasen, N., Martin Morse Wooster, JJ, Mike Kennedy, rcade, Daniel Dern, Nicholas Whyte, Andrew Porter, John Hertz,John King Tarpinian, Rich Lynch, Nina Shepardson, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Bruce Baugh.]

Pixel Scroll 12/13/20 It’s The Pixel To Scroll When You’re Scrolling More Than One

Posted on December 13, 2020 by Mike Glyer

(1) THE VALUE IN EXPERIMENTING. Nino Cipri offers some sff writing pointers. Thread starts here.

Included this slide in my final lecture for my creative writing class and am inordinately proud of it. pic.twitter.com/z5MDTSmXlm
— ????Nino Cipri isn't here right now (@ninocipri) December 9, 2020

So yeah. Carve out time for weird shit that might not work, half-baked ideas, and absolute garbage dug out from the gutters of your brain. Assert your right to write for pleasure or exploration or the sheer joy of not caring about the end product. Fuck around and find out.
— ????Nino Cipri isn't here right now (@ninocipri) December 9, 2020

(2) BABY FOOD. Beware spoilers – but not spoilage: ‘The Mandalorian’ Season 2: A Baby Yoda food diary”) in the LA Times.

Babies have to eat — and Grogu is no different.
During the second season of “The Mandalorian,” Grogu, long referred to by fans as Baby Yoda, has been shown eating everything from a froglike alien’s eggs to fancy blue cookies. The popular Disney+ series could easily spawn a spinoff called “The Best Thing Baby Yoda Ever Ate.”
As of the seventh episode of Season 2, titled “The Believer,” Baby Yoda remains a captive of Moff Gideon and his Imperial forces. Hopefully, the Empire remembers to feed its prisoners, because Grogu is one hungry baby, if previous episodes are anything to go by.
Until Mando and Baby Yoda are reunited (and hopefully throw a celebratory feast), here’s a look back at everything Baby Yoda has been seen eating during the show so far.

(3) DINO TIMES. The Los Angeles Public Library did an “Interview With an Author: David Gerrold” about his new novel Hella.

How did the novel evolve and change as you wrote and revised it? Are there any characters or scenes that were lost in the process that you wish had made it to the published version?
I had a first draft that sat on my computer for a couple of years. It wasn’t bad, but it needed a polish. And the ending was unsatisfying. I offered it to Betsy Wollheim at DAW. I really admire her. She understands the genre better than most because she grew up in it. Her dad, Donald A. Wollheim, was one of the most underrated movers and shakers in the field. She suggested that I rethink the ending and I came up with a much stronger resolution, one that was a much better payoff. So I have to give her the credit for making Hella a better book.

(4) PRO TIP. In Isaac Asimov’s autobiography In Memory Yet Green he discusses how he continued to write letters in the pages of science fiction magazines even after he became a professional.

I began to enjoy less the writing of letters. Yet I did write them, and often quarreled with writers who objected to something or other in one of my stories–until I received a letter from the writer Nelson S. Bond (whom I met briefly at the World Convention in 1939, and never again), saying that now that I was a professional, I should stop slugging it out in fan columns. I took that seriously and from the moment I received that letter, I stopped writing letters to the magazines, except for very occasional ones that did not involve fannish comments. I have always been grateful to Bond for this word in season.

(5) TWO FIFTHS. Thanks to Jim Henley for this fine example of a File 770 trope – double fifths!

??????????????????? pic.twitter.com/eyfhEzXvZy
— NM (@zumbany) December 12, 2020

OMG WE KNEW BACK BEFORE THERE WAS ANYTHING TO KNOW
— Kingfisher & Wombat (@UrsulaV) December 13, 2020

(6) ANOTHER FIVE. Speaking of the magic number, James Davis Nicoll knows “Five Novels About the World After the End of the World”.

While nostalgia has had a place in tabletop roleplaying games ever since the field was old enough to have second editions—remember when tabletop roleplaying game nostalgia was new?—the recent Twilight 2000 Kickstarter is remarkable for the speed at which the project hit its funding goals: just seven minutes, a bit longer than it would take missiles launched from the Soviet Union to reach Britain.
First published in 1984, Twilight 2000 took as its background a mid-1990s Soviet-Chinese conflict that spiraled into a global war when East and West Germany tried to use Soviet distraction to reunify. By 2000 all sides are too exhausted to continue. Most campaigns begin as the war stumbles to a chaotic, exhausted halt.
T:2000 might seem to be an odd game to be nostalgic about. Perhaps it is a reflection of the Jason Mendoza principle: “Anytime I had a problem and I threw a Molotov cocktail, boom! Right away, I had a different problem.” …

(7) CHINA’S COSPLAY RESTRICTIONS. “China cracks down on cleavage at cosplay convention” – CNN has the story.

Organizers of Asia’s largest digital entertainment expo — where scantily clad models usually dress up as characters from comic books, movies and video games — say they will levy a fine of $800 on women who reveal “more than two centimeters of cleavage.”
Men are not exempt from the crackdown on exposed flesh.
They will face the same penalty if they wear low-hanging pants or expose their underwear. If models are caught dancing in cages or around a pole they will be fined a whopping $1,600, as will anyone caught striking vulgar poses.
It’s the latest example of what appears to be a government campaign for stricter morality in China.

A New York Times story on December 11 collected other examples in “Two soccer teams showed up to play. One lost because of hair dye” (repeated here by the South Florida Sun-Sentinel):

Under China’s top leader, Xi Jinping, the Communist Party’s creeping interference on the smallest details of Chinese life is being felt more and more. Censors have blurred the bejeweled earlobes of young male pop stars on television and the internet so that, in their mind, the piercings and jewelry don’t set a bad example for boys. Women in costumes at a video game convention were told to raise their necklines.

(8) BATMAN ’66 AND OTHER VINTAGE TV OPINIONS. [Item by Todd Mason.] From 1966: “At Issue; 65; What’s Happening to Television?” This episode of the monthly series from National Educational Television makes its points, sometimes less tellingly than its creators think it does, but writer Morton Silverstein and some of those interviewed sure get their boots in on Batman, the ABC series, to a remarkable degree. Also, the blithe use of “drama” to refer only to anthology series that don’t have a slant toward one established program category or another beyond that concept. Interesting to those who are students of popular culture and news medium self-justification.

“What’s Happening to Television?” is the topic explored by no fewer than twenty-two top personalities allied to the television industry. This hour program in National Educational Television’s “At Issue” series presents timely and critical observations on daily programs, news, TV ratings, government regulations and the role of advertising. “What’s Happening to Television?” is analyzed by network executives, news commentators, advertising people, writers and critics. They comment on the growth of television, from its infant days to its present giant development, when more than 35 million Americans watch their sets for some 3 hours daily. “What’s Happening to Television?” looks back into TV history, analyzing some of the early successes, commenting on present programs, and giving the viewer a glimpse of next fall’s offerings. Some of the questions discussed include: Will television ever live up to its potential? What is the real purpose? Who determines which programs are dropped? What is the role of the program sponsors? Is the public interest being protected? Is educational television the answer to more worthy programs? What can the viewer do to control the quality of programs coming into the family living room?

(9) GALANTER OBIT. Star Trek author Dave Galanter (1969-2020) died of cancer on December 12. Galanter has authored (or coauthored with collaborator Greg Brodeur) such Star Trek projects as Voyager: Battle Lines, the Next Generation duology Maximum Warp, The Original Series novels Crisis of Consciousness and Troublesome Minds, and numerous works of short Star Trek fiction.

(10) LE CARRE OBIT. The author of the George Smiley novels has fallen to pneumonia: “John le Carre, who probed murky world of spies, dies at 89” reports the AP News. He died December 12.

“John le Carre has passed at the age of 89. This terrible year has claimed a literary giant and a humanitarian spirit,” tweeted novelist Stephen King. Margaret Atwood said: “Very sorry to hear this. His Smiley novels are key to understanding the mid-20th century.”
…After university, which was interrupted by his father’s bankruptcy, he taught at the prestigious boarding school Eton before joining the foreign service.
Officially a diplomat, he was in fact a “lowly” operative with the domestic intelligence service MI5 —he’d started as a student at Oxford — and then its overseas counterpart MI6, serving in Germany, on the Cold War front line, under the cover of second secretary at the British Embassy.
His first three novels were written while he was a spy, and his employers required him to publish under a pseudonym. He remained “le Carre” for his entire career. He said he chose the name — square in French — simply because he liked the vaguely mysterious, European sound of it….

(11) MEDIA BIRTHDAY.

December 13, 2002 — On this date in 2002, Star Trek: Nemesis premiered. It directed by Stuart Baird and produced by Rick Berman from the screenplay by John Logan as developed from the story by John Logan, Rick Berman and Brent Spiner. It was the fourth and final film to feature the Next Generation cast. It received decidedly mixed reviews, was a full-blown box disaster but currently has a decent fifty percent rating among audience reviewers at Rotten Tomatoes.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

Born December 13, 1909 – Alan Barclay. Five novels, two dozen shorter stories; essays “Interplanetary Navigation” in New Worlds SF, “The Bow” in SF Adventures. “The Scapegoat” is in New Worlds SF 105 which has this neato Sydney Jordan cover. (Died 1991) [JH]
Born December 13, 1923 – Faith Jaques. Six covers, eight interiors for us. Here is Charlie and the Great Glass Elevator and here is an interior. Here is “The Flirtation of Two Mice”. Outside our field I know her for this; and here are some Christmas Waits. (Died 1997) [JH]
Born December 13, 1929 — Christopher Plummer, 91. Let’s see… Does Rudyard Kipling in The Man Who Would Be King count? If not, The Return of the Pink Panther does. That was followed by Starcrash, a space opera I suspect hardly anyone saw which was also the case with Somewhere in Time. Now Dreamscape was fun and well received. Skipping now to General Chang in Star Trek: The Undiscovered Country. Opinions everyone? I know I’ve mixed feelings on Chang. I see he’s in Twelve Monkeys which I’m not a fan of and I’ve not seen The Imaginarium of Doctor Parnassus yet. (CE)
Born December 13, 1940 – Ken Mitchell, age 80. Co-founded the Saskatchewan Writers’ Guild and the S Playwrights Center. A novel, a shorter story, two covers for us (here is The Tomorrow Connection); six other novels, a dozen plays. Retired from the Univ. Regina English Department, tours as a cowboy poet. Order of Canada. Saskatchewan Order of Merit. [JH]
Born December 13, 1945 – Drew Mendelson, age 75. Two novels, half a dozen shorter stories. Maybe Cora Buhlert can explain why “Once I Built a Railroad” was translated as »Einst baute ich eine Eisenbahn« which means Once I built a railroad but Pilgrimage was translated as Die vergessenen Zonen der Stadt which isn’t a bad title for it but doesn’t mean Pilgrimage. [JH]
Born December 13, 1949 — R.A. MacAvoy, 71. Winner of the Astounding Award for Best New Writer. I’m very, very fond of her Black Dragon series, Tea with the Black Dragon and Twisting the Rope. The only other thing I’ve read of hers is The Book of Kells so, do tell me about her other works. (CE)
Born December 13, 1954 — Tamora Pierce, 66. Her first book series, The Song of the Lioness, took her character Alanna through the trials of training as a knight; it sold very well and was well received by readers. She would win in 2005 the Edward E. Smith Memorial Award for Imaginative Fiction, a rare honor indeed. (CE)
Born December 13, 1954 — Emma Bull, 66. Writer of three of the best genre novels ever, Bone Dance: A Fantasy for Technophiles, Finder: A Novel of The Borderlands and War for The Oaks. Will Shetterly, her husband and author of a lot of really cool genre works, decided to make a trailer which you can download if you want. Just ask me. She’s also been in in a number of neat bands, one that has genre significance that being Cat Laughing which has Stephen Brust, Adam Stemple, son of Jane Yolen, and John M. Ford either as musicians or lyricists. They came back together after a long hiatus at MiniCon 50. Again just ask me and I’ll make this music available along with that of Flash Girls which she was also in. (CE)
Born December 13, 1960 – José Eduardo Agalusa Alves da Cunha, age 60. (Agalusa the maternal, Alves da Cunha the paternal surname, Portuguese style.) Two novels for us: The Society of Reluctant Dreamers just appeared in English, 2019; The Book of Chameleons won the Independent Foreign Fiction prize); a dozen others, shorter stories, plays, poetry, journalism, radio. Int’l Dublin Literary Award. [JH]
Born December 13, 1969 — Tony Curran, 51. Vincent van Gogh in two Eleventh Doctor stories, “Vincent and the Doctor” and “The Pandorica Opens”, the latter as a cameo. He’s had vampire roles in Blade II as Priest and Underworld: Evolution as Markus, and was Lt. Delcourt in The Adventures of Tintin: The Secret of the Unicorn to name but a few of his myriad genre roles. (CE)
Born December 13, 1978 – Lee Isserow, age 42. A score of novels, a dozen shorter stories for us; screenwriting; and the terrifying ABAM project, which means – yes – A Book A Month. Has read not only Breakfast of Champions but The Master and Margarita. [JH]
Born December 13, 1984 — Amal El-Mohtar, 36. Canadian editor and writer. Winner of Hugo Awards for Best Short Story for “Seasons of Glass and Iron” at WorldCon 75 and Best Novella for “This Is How You Lose the Time War” at CoNZealand (with Max Gladstone). (The latter got a BSFA and a Nebula as well.) She’s also garnered a Nebula Award for “Madeleine“, a World Fantasy Award for “Pockets” and a World Fantasy Award for “Seasons of Glass and Iron”. Impressive. She has edited the fantastic poetry quarterly Goblin Fruit magazine for the past four years. (CE)

(13) COMICS SECTION.

In The Far Side, it looks like the coroner’s office has already picked up this extra sized decedent.
And in another entry of The Far Side, they also walk dogs.

(14) IMAGINARY GIFT SHOP. [Item by Martin Morse Wooster.] The Washington Post had a short feature where they asked writers to “dream up the presents that they’d love to parcel out this year but don’t exist.” Ken Liu says he wants a phone-sized device he can point at tweeters to see whether they are arguing in good faith or just being a troll. Ted Chiang says he wished the Web had evolved into a subscription-based servie where people paid for sites they visited with money instead of personal data. “A guide to gifts that don’t exist but should”.

(15) THE ANSWER IS BOOKS. Of more practical use, “A gift guide for the fans of science fiction, fantasy and horror books in your life” by Silvia Moreno-Garcia and Lavie Tidhar in the Washington Post.

It’s that time of the year when the nights grow long, the air grows cold, the festive lights go up and the year’s best books lists are sprouting like mushrooms after the rain. But will any of them help you find that perfect book-gift for your friends who love science fiction, fantasy and horror? If not, we’re here to help….

(16) THE HIGH AND THE MIGHTY. Camestros Felapton is highly entertaining with “My new pointless Star Wars theory”.

The issue that had been bugging me was the inconsistent way of travelling between planets. In the films but also in The Mandalorian (less so in cartoons), characters fly in space ships between planets in two ways:

Using hyperspace as faster than light travel.
Using sub-light speed engines….

But now he has it all figured out!

(17) YES, VIRGINIA, THERE WAS A WRITER NAMED G. K. CHESTERTON? At CrimeReads, Olivia Rutigliano contends “Famed mystery writer G.K. Chesterton proudly, sincerely believed in Santa Claus”.

… Chesterton’s applied his penchant for logic in this article on “Santa Claus.” Along with providing a short history of the figure of Santa Claus in popular culture (particularly his origins, as the gift-wielding St. Nicholas of Bari in Medieval iconography), Chesterton offered a simple proposition: that a child’s ultimately ceasing to believe in Santa Claus, justified by the fact that Santa Claus is not real, is a precursor to that child’s ceasing to believe in God. And this, Chesterton explained, was a terrible phenomenon.
And then he admitted a surprising detail: “I startled some honest Protestants lately by telling them that, though I am (unfortunately) no longer a child, I do most definitely believe in Santa Claus.”
Elaborating on this decidedly ‘hot take,’ Chesterton stressed that he felt it was critical for children to believe in Santa Claus even after Santa Claus has been debunked as a real, flesh-and-blood man, because the Santa Claus that children know is ultimately a caricature of an actual saint; just because, Chesterton argued, he is not real to their eyes does not mean that he is not a genuine, spiritual entity….

(18) FIREFLY CHARACTER AS ILLUSTRATION OF PTSD. “SERENITY and Coping with Trauma” from Cinema Therapy on YouTube.

What happens when you’re kidnapped from your family, tortured, and conditioned into being an assassin? You get River Tam. And also Alan, apparently. Therapist Jonathan Decker and filmmaker Alan Seawright discuss what we can learn about coping with trauma from Summer Glau’s character River in Serenity and Firefly. They break down some of the symptoms of PTSD she exhibits, and some of the things that help her work through them and start healing. Even though most of us don’t live in a sci-fi future with space ships, space zombies, and space cowboys (along with psychics and lots of other fun), we can still learn a thing or two about how to heal from and deal with the trauma we do face in real life.

(19) ZOOMING THROUGH FANHISTORY. Fanac.org is planning a series of Zoom Interactive Fan History Sessions.

For our first session, Rob Hansen is going to give us an historic tour of fannish Holborn, London. Rob is probably the most accomplished fan historian writing these days. As most of you know, he has written the history of British fandom, Then and has put together a number of books covering various aspects of British fandom. Find many of them here. Reserve the date: Saturday, December 19, 2020 at 11AM EDT.
Despite the pandemic, Rob has done video recordings around London, and with historic photos and live description will give us a tour that covers some household fannish names and places. He has worked with Edie [Stern] over the past several months to provide an interesting and fairly detailed coverage of London’s fan heritage. This one-hour session is based on tours which Rob has given to individual fans and also developed as a group tour after the last London Worldcon. Even if you have been on one of these tours, you will find some fresh sights and insights. Of course, Rob will be live on Zoom with additional material and to answer questions. Please send your RSVP to fanac@fanac.org as our Zoom service is limited to 100 participants.

(20) BEYOND INFINITY. Disney+ dropped a trailer for What if….? an alternate-universe animated series.

(21) MARTIANS AT THE NEW YORK TIMES. [Item by David Goldfarb.] The New York Times puzzle page has a game called “Letter Boxed”, in which you make words out of letters arranged around a square. The idea is to use all the letters with as few words as possible: there is always a two-word solution. The two-word solution for Saturday 12/12 was “Visualizing – Grok”.

(22) EDUCATE YOURSELF. Ursula Vernon ladles out more life experience. Thread starts here.

So here is a lengthy tale of the single most spectacular loss of consciousness I have personally witnessed, in my misspent youth, lo these many years past. https://t.co/4ruxYOs1Ua
— Kingfisher & Wombat (@UrsulaV) December 13, 2020

MOM: ooh! Can you see my aura?
ME, SQUINTING: Yes.
MOM: What color is it?
ME: Chartreuse.
MOM: You know, I thought it was chartreuse today!

(My mother, ladies and gentlefolk. I come by it honestly.)
— Kingfisher & Wombat (@UrsulaV) December 13, 2020

(23) RUN TO DAYLIGHT. SYFY Wire learned that “Spiders get thrown off spinning webs in zero-G…unless they have light”.

It’s one small step for insects, eight steps for spider-kind.
“Arachnauts” flown to the ISS have revealed their secret backup plan when they can’t use gravity to figure out where they are when spinning their webs. Earth’s gravity is what normally helps them make a web optimal for catching dinner—and position themselves in it. Lamps accidentally placed above the spider experiment showed that when the arachnids lose their orientation in microgravity, they use light to find their way again….

(24) VIDEO OF THE DAY. In “Hulk (2003) Pitch Meeting” on Screen Rant, Ryan George says that people who watched the 2003 Hulk expecting that Hulk would smash things will be disappointed by the first 45 minutes, which consist of nothing but brooding and that few people will be excited by the scenes where Hulk beats up a Hulkified French poodle.

[Thanks to Jim Henley, David Goldfarb, Martin Morse Wooster, John Hertz, John King Tarpinian, Contrarius, JJ, Cat Eldridge, Michael Toman, Mike Kennedy, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Bill.]

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