BBC Radio 4’s Dangerous Visions Is Back

Another season of BBC Radio 4’s Dangerous Visions has begun airing. Programs are spread across three weeks, ending July 14. All dramas and readings will be available to listen to online for 30 days. You can also download each drama via the BBC iPlayer Radio app.

This year, there’s dystopian comedy in the mix, with two new productions. The first episode of Fahrenheit 451 is available July 3.

Gregor Samsa’s life is dominated by routine – commute, work, home – until one morning when he wakes to find himself transformed into a giant insect. As he attempts to master life with six legs, his family must also learn to live with his new look. In this drama, Kafka’s masterpiece is given a modern twist with a darkly comic edge. Starring Tom Basden, Felicity Montagu, and Tim Key.

In a vision of a world where antibiotics have stopped working and uncompromising, life-changing choices must be made, Anna is a doctor working in infectious diseases, forced every day to help choose whether to treat a patient or not. Those who do not have the correct insurance must face their fate with a shadowy judge called The Quartermaster. “Culture” was developed through the Wellcome Trust Experimental Stories scheme. Starring David Calder and Pippa Nixon.

Ray Bradbury’s Fahrenheit 451 was written in the early 1950s and is a dark, dystopian vision, set in a future American society where reading is outlawed. The role of the fireman has changed – his job now is to burn any books he finds. The main character Guy Montag is a fireman who starts to question his job, and his role as book eliminator begins to wrestle with his conscience. Poetic, dazzling and shocking: Ray Bradbury’s vision of the future comes to Radio 4.

This gripping three-part thriller takes place in France, 2020. In the picturesque town of Grenoble, the Front National sweeps to power in the municipal elections. As the euphoria of triumph is replaced by the bitter taste of reality, darkness descends on the city and there’s trouble in the streets.

Perimeter is the second comedy to feature in this year’s dystopian feast and is set in a not-too-distant future, where the subtle differences to our society provide us with plenty of comic potential. In some ways things are worse e.g. environmental disaster; but in some ways things are better – more shows on Netflix. Siblings Josie and Liam live in a city divided into two zones by a giant, electrified fence. Inside the perimeter live people rich enough to afford the colossal property prices; outside is where everybody else lives.

Close to the original book, Darkness at Noon is set in an unnamed country ruled by a totalitarian government (but basically, it’s Stalin’s Russia). Rubashov, once a powerful player in the regime, finds the tables turned on him when he is arrested and tried for treason. His reflections on his previous life and experiences in prison are at the heart of this thought-provoking masterpiece.

Click here to see the schedule of upcoming episodes.

Pixel Scroll 6/10/17 The Scrollish Pixelman’s Union

(1) FISHING FOR COMPLIMENTS. Share a grilled snook to die for with Elizabeth Hand in Episode 40 of Scott Edelman’s podcast Eating the Fantastic.

Elizabeth Hand

We discussed why she probably won’t take LSD on her deathbed, what made her a fan of Marvel rather than DC when she was a kid, her unusual fee for writing term papers back in college, the true meaning of Man’s Search for Meaning, the unfortunate occupational hazard of book reviewing, who was the best science fiction writer of all time (and why), plus more.

(2) MAD PLASTIC DISEASE. Cedar Sanderson raises the spectre of hostile Nature in “Take two aspirin”:

Toni Weisskopf shared a photo on Facebook of a computer module absolutely infested with an ant nest, seething with eggs, and her comment was that she’d like to see more stories like that in science fiction. It’s an excellent point. I can’t tell you how many stories I’ve read ( and written) where the tech performs flawlessly. Which does happen. There are also stories where it doesn’t, but how many can you think of where the characters have to deal with an infestation? How would we prevent that, control it, and what kind of adaptations will we see?

I’d run across an article recently about bacteria which will break down plastics that were formerly thought invulnerable. Then there was another one speculating about why less plastic (by an order of magnitude) is found in the ocean than projected, and the discovery of novel bacteria on that plastic. The concern was focused on reducing pollution, but what happens when bacteria evolve to eat stuff we want to stay intact and functional? The stories about nanotech making gray goo aren’t that far off from what bacteria are already capable of — only fortunately they are not so fast to act.

(3) STINKS ON DRY ICE. Entertainment Weekly has the roundup: “‘The Mummy’ reboot slammed as ‘worst Tom Cruise movie ever’ by critics”.

Universal’s first foray into the depths of its Dark Universe probably would have benefitted from a brighter guiding light.

After spending over three decades dazzling audiences across large-scale action-adventures on the big screen, Tom Cruise’s latest genre spectacle, The Mummy, is set to unravel in theaters this Friday. Movie critics, however, got a peek under wraps this week, as movie reviews for the blockbuster project debuted online Wednesday morning. The consensus? According to a vast majority of them, perhaps this romp should’ve remained buried.

(4) 451 CASTING. Probably fortunate, then, that this bit of promotion came out before The Mummy opened: “HBO’s Fahrenheit 451 casting heats up as The Mummy’s Sofia Boutella boards”

If you were already fired up for HBO’s upcoming movie adaptation of Ray Bradbury’s classic novel Fahrenheit 451, then prepare to throw a couple more books on the barbie, cause this cast is starting to cook.

Just ahead of her titular turn in this weekend’s The Mummy, Sofia Boutella has signed on to join Michael B. Jordan (Chronicle, Creed, Fantastic Four) and Michael Shannon (Batman v Superman: Dawn of Justice, 99 Homes) as the core players in the film from writer/director Ramin Bahrani (99 Homes).

According to THR, Boutella will play the female lead Clarisse, “an informant caught between” Jordan’s Montag — a fireman whose job it is to burn books, but who ends up rebelling against such a scorching notion after meeting free-spirited Clarisse — and Shannon’s Fire Chief Beatty, Montag’s mentor.

(5) ROSARIUM OPENS ANTHOLOGY. Rosarium Publications invites submissions of science fiction, fantasy, horror, interstitial, and unclassifiable works to Trouble the Waters: Tales from the Deep Blue, edited by Sheree Renée Thomas, Pan Morigan, and Troy L. Wiggins.

TROUBLE THE WATERS: Tales from the Deep Blue will be a new anthology of water-themed speculative short stories that explore all kinds of water lore and deities, ancient and new as well as unimagined tales. We want stories with memorable, engaging characters, great and small, epic tales and quieter stories of personal and communal growth. Science fiction, fantasy, horror, interstitial, and unclassifiable works are welcome. We are seeking original stories in English (2500 — 7000 words; pays 5-6 cents per word) from writers of all walks of life from this beautiful planet and will accept some select reprints (pays 2-3 cents per word). Deadline: November 1, 2017. Projected publication: November 2018, Rosarium Publishing, www.rosariumpublishing.com. Please send submissions as a .doc, .docx, or .rtf file in standard mss formatting with your name, title, and word count to: TroubletheWaters2018@gmail.com

Complete submission guidelines can be found here.

(6) DYSTOPIAS. The Financial Times’ Nilanjana Roy, in “Future Shocks”, reviews Jeff VanderMeer’s Borne and Hao Jingfang’s “Folding Beijing” to see if our love of dystopias as something to do with the continued decline in urban life around the world.

The nightmare near-future city that a writer like Prayaag Akbar, by contrast, summons in his first novel, Leila (2017), rests on a distinctly South Asian set of fears. About a mother’s search for the daughter she was separated from, it is set in a frightening world where cities are segregated into zones of Purity, citizens sorted by their community, surnames, castes and religion.

This background came out of his discomfort with the way Indian cities have developed. “They are segmented, self-enclosing,€ he told me recently. “We practise a kind of blindness — you teach yourself not to see the tragedies that unfold in public spaces.”

These concerns — about cities splitting into walled enclaves, residents separated from each other’s lives by fears of pollution, contamination, or a striving after purity — find startling expression in Hao Jingfang’s Hugo award-winning “Folding Beijing”….

(7) BRADBURY. BookRiot’s Andy Browers is your guide to “A Friend In High And Low Places: Finding Ray Bradbury Where You May Not Expect Him”.

While I hate to ruin surprises, here are four places you might find yourself in his presence, sometimes peripherally, sometimes looking him right in the bespectacled eye.

Star Trek (aka “Star Track”, as my grandma called it)

Too obvious? Maybe. He and Gene Roddenberry, the fella who dreamed the franchise up, were pals who sat at the same midcentury science fiction table in the cafeteria. Bradbury famously loved all things space and rocket related, and it is fitting that he gets a couple of nods as the namesake of a Federation star ship. In the saucily-named episode of Star Trek: The Next Generation “Menage a Troi”, for instance, which ship is bestowed the great honor of relieving the pain of fandom everywhere by arriving to whisk away Wesley Crusher to Starfleet Academy? The U.S.S. Bradbury, the first of its class.

Wesley missed the space bus by saving the day in that episode, much to the chagrin of a large swath of viewers at home who were sick of having a kid on the Bridge. (Wil Wheaton, I was cheering for you. Please know that.) (Mostly because I kept hoping Wesley would scream TRAAAAIIIIIN in slow motion, which as far I know never happened.)

(8) ORPHAN BLACK. Carl Slaughter advises, “If you haven’t watched Tatiana Maslany portray as many as 14 cones in Orphan Black, you’re missing a treat.”

View Entertainment Weekly’s photo gallery, “‘Orphan Black’ A to Z: Dive Into the Show’s DNA Before Its Final Season”.

(9) STREET MEMORIAL. Here’s Pat Evans’ photo of the mementos being left today on Adam West’s star on the Hollywood Walk of Fame. West died on Friday from leukemia.

(10) TODAY IN HISTORY

  • June 10, 1692 — Bridget Bishop was the first person to be hanged at the Salem Witch trials.

(11) TODAY’S BIRTHDAY CREATORS

  • Born June 10, 1928 Where the Wild Things Are author Maurice Sendak.
  • Born June 10, 1952 — Kage Baker

(12) FAMOUS BOOKSTORE HAS A BACKUP PLAN. The original Books of Wonder, inspiration for the bookstore owned by Meg Ryan’s character in the 1998 comedy You’ve Got Mail, is opening a second location as a contingency plan in case it can’t afford the coming rent hike — “Books of Wonder to Open Upper West Side Location”.

Books of Wonder, the renowned children’s bookstore on 18th Street in New York City, announced Thursday that it would open a second location, on West 84th Street, sometime this summer.

According to the store’s founder and owner, Peter Glassman, the 18th Street store’s lease will expire at the end of 2019. “Given the rise in retail rents along 18th Street, I am not optimistic about our ability to renew the lease,” he said. Though he said he planned to seek a new location in that area, the impending uncertainty was part of his decision to open another branch on the Upper West Side.

“I wanted to make sure we had another location open and well established before the current store’s lease expires, so if we have difficulty finding a new location and have to close for a few months we would have another location to serve our customers, not be out of business for any period of time, and not have to lay off my wonderful staff,” he said.

Andrew Porter adds,

When they opened, originally on Hudson Street in the lower Village, they were primarily an SF/fantasy-oriented store. They took out full-page ads in my Algol/Starship, then in SF Chronicle. The store regularly has readings and signings by SF/F YA and children’s authors, for example, with Sarah Beth Durst. It has also published numerous books by and about L. Frank Baum.

 

Peter Glassman. Photo by Andrew Porter:

Sarah Beth Durst and Bruce Coville at her signing in 2015. Photo by Andrew Porter.

(13) TOMBSTONE TERRITORY. This just in from the Australian National Convention.

(14) DEADPOOL’S NEXT RAMPAGE. Marvel pulls back the shroud, er, curtain.

If you’re Deadpool and you kill the entire Marvel Universe, why not eat some chimichangas…and then kill all over again? Proving there’s nothing like revenge, the superstar team of Cullen Bunn (X-Men Blue, Venomverse) and Dalibor Talajic (Deadpool Kills The Marvel Universe, Redwolf) reunite to bring you Deadpool Kills The Marvel Universe Again, and the Merc with the Mouth has never been more ready to return to that katana.

“This is not a sequel to the original story,” warns series writer Cullen Bunn. “This is an all new murderous rampage. The Marvel Universe has changed a great deal since the first series. So, of course, Deadpool had to up his game and change his tactics.”

 

(15) WONDER MOTHER. Marguerite Bowling, in a Daily Signal piece called “Wonder Woman Can Get the Job Done Pregnant, So Can You” says that Gal Gadot’s reshooting fight scenes while five months pregnant should be an inspiration to women. (The Daily Signal is a news website run by the Heritage Foundation.)

But here’s another fun fact that shows you can proudly be pro-mom and pro-career woman: Israeli actress Gal Gadot was five months pregnant with her second child when she did reshoot scenes for the movie that included a climactic battle scene.

To get around her then-visible baby bump, costumers cut an ample triangle on her iconic suit and replaced it with a bright green cloth that allowed the movie’s special effects team to change her figure post-production.

Given the prevailing negative news that shows women facing all sorts of career challenges by wanting to have a baby, it’s refreshing to see a successful woman embrace her pregnancy and still do an exceptional job.

(16) MIL-SF. Jeffrey C. Wells says “I Can’t Believe it’s not Baen: Rick Shelley’s Lieutenant Colonel” — and throws in a funny bingo card as a bonus.

If you didn’t figure it out from the title, or the cover, Lieutenant Colonel is Military Sci-Fi (Mil-SF for short), a genre devoted to chronicling how and why people are gonna shoot at each other in the future. And, also unsurprisingly, Lieutenant Colonel is the fifth book in Shelley’s “DMC” series, with each earlier book having sequential titles like Lieutenant, then Major, then Captain, and so on. Not exactly creative, but what can you do.

In any case, this series centers around a dude named Lon Nolan as he works his way up through the ranks in the Dirigent Mercenary Corps (from which we get the “DMC” acronym). Lon is your typical officer– professional, honorable, and — kind of boring. Dude makes Honor Harrington seem like Hamlet. Wait, no, that’s not a good analogy, ‘cause Harrington gets shit done. But I digress.

…Thankfully, Lieutenant Colonel doesn’t delve into super preachiness. Though it did inspire me to create MIL-SF BINGO! Just print this off next time you read about space-soldiers shooting space-lasers at space-commies, and check off the boxes as you go along!

(17) WIDER SPECTRUM. An Adweek story tells how “Equinox Extends LGBTQA from A to Z With a New Alphabet for Pride Month”.

It’s Pride Month! And every year, around this time, a certain kind of pundit hops on a soapbox to complain about how the term “LGBTQA” just keeps getting longer, and isn’t that just ludicrous?

Actually, it isn’t. In fact, it’s not nearly long enough. And a campaign from Wieden + Kennedy New York highlights why.

For Equinox and the LGBTQA Community Center, the agency has produced “The LGBTQAlphabet,” whose chill and choreographed film goes down the list of not six letters but 26. The goal is to show that a handful of labels isn’t remotely sufficient to encompass the complex identities of the world’s 7 billion people.

(18) SHARKES KEEP NIBBLING. Here are more recent reviews from the Shadow Clarke jury, and a guest post by the actual Clarke Award director.

This is the future we were promised. This is what all those science fiction novels from way back told us to expect: silver-finned rocket ships taking us out to the frontier towns of Mars and beyond; clanking metal robots wanting to be human; people transformed into something monstrous by whatever is out there.

And Tidhar, whose work has always displayed an over-fond preference for intertextual references to other science fictions, makes absolutely certain we recognise that these are other writers’ futures. The digital vampire is called a Shambleau, a pointed reference to the first of C.L. Moore’s Northwest Smith adventures. There are repeated references to someone called Glimmung on Mars, which of course recalls Philip K. Dick’s children’s novel, Nick and the Glimmung, which is, of course, set on Mars. And the presiding spirit that dominates the whole novel is probably Cordwainer Smith, with the way space is repeatedly described as the “Up and Out”, as well as casual references to C’Mell and Mother Hitton. There are more, some less familiar than others; I’m pretty sure that there are references to Edward Whittemore’s little-known but brilliant Jerusalem Quartet scattered throughout this novel. Someday, I suspect, someone might produce a concordance for Central Station, teasing out all of the echoes of and references to other works of science fiction. It will be a thick volume.

Of course, no one has gone broke by playing to the geeky self-regard of the science fiction fan. In recent years, self-referential science fiction books, novels like Among Others by Jo Walton that deliberately draw attention to other science fiction works, have proved especially popular.

If not for my commitment to the Sharke process I wouldn’t have chosen to write about Occupy Me; it’s unlikely that I would have finished reading it at all. My immediate response was akin to a toddler presented with something green and fresh and healthy: stampy feet; scowly face; a protesting shriek of ‘I don’t like it!’. I bounced off the book hard and repeatedly, and continued to do so despite dosing myself with Gareth’s blazingly positive review and Nina and Paul’s balanced perspectives at the midway point. Whatever the book’s thematic qualities, whatever its madcap quirks — and often because of them — I couldn’t stomach it. I find it impossible to see or be fair to the better parts of the novel because I’m painfully fixated on the fundamental ways in which it fails for me. Under usual circumstances I would think it ill-advised to throw a hat into the critical ring when I have so little critical perspective to share but I will try to explain.

While the Clarke Award can never guarantee having every potentially eligible book submitted, we are able to offer a reasonably comprehensive ‘state of the nation’ snap shot via our lists, not only of the books themselves but also for deeper analysis into the numbers of submitting publishers, the demographic breakdowns of authors and similar should people want to take those numbers and run with them.

More immediately, after my first couple of spins in the director’s chair I was starting to learn all of the ongoing debates, criticisms and wishes that surrounded the award’s announcements every year.

The award was, in no particular order, overly predictable, willfully unpredictable as a tactic to generate PR controversy, trying too hard to be the Booker, ignoring the heartlands of SF, full of wrongheads (a lovely fannish term that one), and so on and so on — Business as usual for a book award in other words.

(19) DRINK IT OR ELSE. Atlas Obscura recalls a series of 1950s commercials for Wilkins Coffee that featured violent Muppets prototypes.

In the ads, Wilkins — who bears a striking resemblance to Kermit the Frog — tries to convince another proto-Muppet, Wontkins to drink Wilkins Coffee. Wontkins almost always refuses. In retaliation, Wilkins shoots him, stabs him, or otherwise inflicts physical harm upon him.

 

[Thanks to Cat Eldridge, Martin Morse Wooster, Mark-kitteh, JJ, John King Tarpinian and Lace for some of these stories. Title credit goes to File 770 contributing editor of the day Xtifr, with a little help from his friends.]

Pixel Scroll 4/23/17 Scroll White And The Seven Pixels

(1) BORN ON THE SEVENTH OF JULY. In “Spinning a high-tech web”, the LA Times provides an elaborate, photo-illustrated preview of Tony Stark’s upgrade to the new Spider-Man suit that will be seen in Spider-Man: Homecoming, due in theaters July 7.

(2) FILK HALL OF FAME. The 2017 inductees to the Filk Halll of Fame were announced at FilkOntario this weekend:

(3) FAHRENHEIT 451 TO SMALL SCREEN? The Bradbury novel is on the road to development once more. “HBO to Adapt Fahrenheit 451, starring Michael B. Jordan”  — BookRiot has the story.

Now, HBO is “moving toward a production commitment” (via Variety) on a feature-length adaptation of Bradbury’s 1953 novel starring Michael B. Jordan (Creed, Chronicle, Fantastic Four) as the protagonist Guy Montag and Michael Shannon (Man of Steel, Boardwalk Empire) as Montag’s boss, Captain Beatty.

The film will be directed by Ramin Bahrani (99 Homes, At Any Price), who is co-writing with Amir Naderi (99 Homes, The Runner). David Coatsworth (production manager on Underworld: Evolution, Ender’s Game, My Big Fat Greek Wedding) will serve as producer.

(4) THEY’RE HUUGE! “Black Holes Are Bigger Than You Thought” accuses Yahoo! News. (Just how big did you think they were? How did Yahoo! News find out?)

Now meet S5 0014+81.

It’s the largest black hole ever discovered and is heavier than our Sun by 40 billion times (40, 000, 000, 000) in the last observation.

If you plug in the equation above, you’ll find that this black hole has a Schwarzschild radius of about… 119 billion kilometers, along with a said diameter of about 236,39 billion km.

(5) THE TOUGHEST AROUND. Let Den of Geek point you at “17 really difficult LEGO sets”.

The Tower Of Orthanc

It may look simple enough on the box, but The Lord Of The Rings’ Tower Of Orthanc is actually a real tough cookie. Because most of its 2,359 pieces are jet black and slim, working out which bit goes where is the stuff of nightmares (in, um, a good way). The Treebeard that comes with it will make the struggle worth it… honest.

Buy The Tower Of Orthanc now for £348.07.

(6) TODAY’S DAY

  • April 23 — World Book and Copyright Day

Pays tribute to authors and books and their social and cultural contribution to the world

(7) DID YOU KNOW? Last year the International Costumers’ Guild participated in a “friend of the court” brief to the U.S. Supreme Court, joining Public Knowledge, the American Library Association, and others, asking the Court to protect the rights of clothing designers and costumers to freely practice their craft.

(8) AT HOME. The Verge’s Andrew Liptak reports “Netflix will invest billions to shoot its original content in California”:

Netflix is betting that filming closer to home will produce better content. In 2015, the streaming giant has announced that it would be doubling its output of original content, and it is aiming to have original productions make up half of its of its streaming catalog in the coming years. The goal is to entice users to come to the service by providing content that can’t be found elsewhere, but that goal is proving to be a strain on the existing film studio infrastructure. To cope, Netflix chief content officer Ted Sarandos announced that the company would be investing $6 billion to expand infrastructure in California, rather than chase tax incentives offered by states.

Sarandos explained to The Wrap that the company determined that going after the incentives leads to diminishing returns when it comes to their final products. Filming out of state is hard on the actors and crew of a project, and the move will help bring projects back home to California. That could prove to be costly for the company, even as California has increased its own tax incentive program in recent years. While remaining in the state will likely cost Netflix more, Sarandos seems to think that the extra cost will be worth spending.

(9) SQUEAK UP. YouTube’s TheBackyardScientist set up 10 megaphones end-to-end to see how loud a noise he could make.

The video, posted to YouTube by TheBackyardScientist, features Kevin Kohler explaining he was inspired by Bart Simpson‘s prank in the season 8 Simpsons episode The Secret War of Lisa Simpson to place 10 megaphones end-to-end and test the results.

Bart’s experiment led to a shock wave that shattered all of the windows in town — as well as Homer’s fridge full of beer — but Kohler quickly ran into a problem Bart didn’t face: a feedback loop.

 

(10) BITE ON. The number of people who give their smartphones to dogs as chew toys is probably smaller than the number of men who have walked on the moon, but for them — “There’s an anti-dog label inside the Galaxy S8 — here’s what it means”. Let The Verge explain it to you.

Basically, you don’t want Fido in a situation where a battery could hiss and explode in its mouth. It’s obviously possible that a child could bite through the battery as well, but the likelihood of him / her piercing through the battery is lower.

(11) ARTIFICIAL DOG INTELLIGENCE. Amazing. How is it mine doesn’t do that?

(12) FIX THE SLATING PROBLEM FOREVER. That’s what Greg Hullender would like to do. At Rocket Stack Rank he summarizes his views about the effectiveness of 3SV, EPH(+) and their combination. He says, “I  think it makes it really clear that we need both 3SV and either EPH or EPH+. Otherwise, even small slates (100 to 200 people) will be able to control a significant amount of the final ballot, including adding embarrassing nominees.”

For each year, we produced two theoretical maximum graphs. A “finalist graph,” which shows what percentage of finalists a slate could have captured for a given number of slate voters, and a “sweeps” graph, which shows what percentage of entire categories a slate could have captured.

Looking at those four pairs of graphs (2.1-2.4 below), we will draw the following conclusions;

  • Std (5/6) by itself is far too weak.
  • EPH doesn’t protect enough finalists, but it is excellent at preventing sweeps.
  • EPH+ is an improvement on EPH, but it’s still not enough by itself.
  • 3SV is much stronger for protecting finalists, especially for modest numbers of slate voters, but it’s vulnerable to sweeps, and it breaks down for slates above about 300 people.
  • The 3SV/EPH and 3SV/EPH+ combinations are far, far stronger than either component alone. Either combination is probably sufficient, but the second one is stronger.

Accordingly, we conclude that the Business Meeting should ratify both EPH+ and 3SV. That should protect the Hugos from slating interference for the nonce.

(13) DREAM CASTING. Enjoy “Miles To Go” hosted at Archive of Our Own. Note – Password = Vorkosigan (as it says at the post).

There once was a man who dreamt of the stars…

A fanvid based on the Vorkosigan Saga by Lois McMaster Bujold.

…Obviously, it’s not so easy to make a feast for a fandom with no existing visual source. But where there’s a will, or in my case an enormous and driving folly, there’s a way. It was always going to be an ensemble vid, with Miles as the star, but the question was how to cast it. I did eventually solve that problem, and I won’t discuss my solution in detail here because… spoilers.

[Thanks to Carl Slaughter, Cat Eldridge, Robin Reid, JJ, Doctor Science, Greg Hullender, and John King Tarpinian for some of these stories, Title credit goes to File 770 contributing editor of the day Kurt Busiek.]

March Is Ray Bradbury Month

The South Pasadena Public Library and the Friends of the South Pasadena Public Library remind everyone that throughout the month of March they are presenting a “One Book, One City” Project focusing on Ray Bradbury’s enduring masterpiece Fahrenheit 451.

Ray Bradbury (1920-2012) was born in Waukegan, Illinois to a family that moved to LA in 1934 in a jalopy. In 1947 Ray started publishing his stories and his second book The Martian Chronicles gained a following among Science Fiction readers. In the early 50s, he wrote Fahrenheit 451 in UCLA”S Lawrence Clark Powell Library, named after the South Pasadena native. The book came out to rapturous reviews, became a classic, and still sells more than 50,000 copies per year. Bradbury went on to write more than 50 acclaimed books and 200 short stories. In Ray’s later years he visited South Pasadena many times for events at both the Fremont Centre Theatre and South Pasadena Public Library.

Community-wide Reading Programs create opportunities for readers to enjoyably explore a great work of literature together.

  • Presentation of  Bradbury’s “Fahrenheit 451” Play, March 16 at 7 pm in the Library Community Room* with the  Pandemonium Theatre Company.
  • Reading and Discussion of “Fahrenheit 451” Book, March 20 at 7 pm in the Library Ray Bradbury Conference Room** with renowned Actor and Author Duffy Hudson.
  • Performance by acclaimed Actor Bill Oberst, March 24  at 7 pm  in Library Community Room* of Ray Bradbury’s “Pillar of Fire”, a precursor to “Fahrenheit 451”.
  • Screening of  classic  1966 “Fahrenheit 451” motion picture, March 30 at 7 p.m. in Library Community Room*. Directed by  Francois Truffaut and starring Julie Christie and Oskar Werner.

Many copies of the “Fahrenheit 451” book, as well as many other books and other materials by and about Ray Bradbury, are available for checkout at the South Pasadena Public Library.

(*) Library Community Room– 1115 El Centro Street
(**) South Pasadena Public Library (including Ray Bradbury Conference Room — 1100 Oxley Street

Come to the South Pasadena Fire Station for the Fahrenheit 451 Reading Project on March 2

The “One Book-One City” Reading Project of the South Pasadena Public Library and the Friends of the South Pasadena Public Library will focus on Ray Bradbury’s Fahrenheit 451.

On Thursday, March 2 at  5:00 p.m., the Kickoff for the Reading Project will take place at the South Pasadena Fire Station. It will present Micah the Magician from the World Famous Magic Castle in Hollywood. Special guests will also offer some Ray Bradbury reminiscences.

Micah will be performing a magic show for all ages in honor of Bradbury who wanted to be a magician while growing up – before he decided on a writing career. It will be presented at the Fire Station because firemen play central roles in the Fahrenheit 451 plot.

Bradbury wrote Fahrenheit 451 on a rental typewriter in the basement of UCLA’s Lawrence Clark Powell Library, where he had taken refuge from a small house filled with the distractions of two young children. Ballantine editor Stanley Kauffman, later the longtime film critic for The New Republic magazine, flew out to Los Angeles to go over the manuscript with Bradbury, plying the sweet-toothed perfectionist author with copious doses of ice cream. The book came out to glorious reviews. To this day it sells at least 50,000 copies a year and has become a touchstone around the world for readers and writers living under repressive regimes.

Lissa Reynolds of the Fremont Center Theater helps Ray Bradbury read his 90th birthday card.

Ray Bradbury’s plays were performed at South Pasadena’s Fremont Centre Theatre for many years by his own Ray Bradbury’s Pandemonium Theatre Company. He also appeared for two Author Nights for the South Pasadena Public Library, including for his 90th Birthday Celebration which attracted hundreds to the Library Community Room and Library Park. At that event, he exhorted his fans to “Do what you love and love what you do!” Ray had done just that, until his death at age 91.

The South Pasadena Fire Station is located at 817 Mound Avenue. Doors will open at 4:30 p.m.

South Pasadena Proclaims March 2 Bradbury Day

John King Tarpinian and Robert Kerr receive proclamation.

By John King Tarpinian: Today, February 15, I was honored to accept a Proclamation from the City of South Pasadena on behalf of the Bradbury family. March 2 will be Ray Bradbury Day. There will be a ceremony held at, of all places, the fire station. As things are more solidified there is expected to be a reading from the Fahrenheit 451 play, a screening of the movie, panel discussions of Ray’s body of work, and the dedication of a mural in the previously dedicated Ray Bradbury conference room of the library. The library is one of the few remaining Carnegie libraries left in the state.

To read the proclamation, click on — Proclamation Ray Bradbury Day 2017.

Pixel Scroll 2/3/17 The Pixel That Rowed The Scroll Ashore

(1) ASIMOV ON THE AIR. BBC Radio 4, as part of their 15 Minute Drama series, will be adapting five of the stories from Asimov’s I, Robot. Original broadcasts will run from February 6-10. As usual, episodes will be available for online listening “shortly after broadcast”.

A couple of clips promoting the series are already online –

Scriptwriter Richard Kurti tells us why Isaac Asimov’s sci-fi stories were so remarkable in their ability to predict the future.

Actor Nick Briggs introduces his characters and tells us what he finds appealing about Isaac Asimov’s sci-fi stories. He also explains why he doesn’t think we should fear a future dominated by robots.

Episode One will be ROBBIE.

The rise of robotics in the 21st century, told through the poignant and mysterious story of enigmatic lawyer, Stevie Byerley. Starring Hermione Norris.

Episode One : ROBBIE As a child, Stevie Byerley is raised by Robbie, a robotic childminder, because her parents are too busy working. The powerful bond she forms with the robot is unbreakable. Their relationship will change the course of Stevie’s life.

Originally written over 60 years ago, Isaac Asimov’s stories are becoming truer with every day that passes. The world that he imagined is now upon us.

(2) BURNT ENDS AND ZOMBIES. In Episode 28 of Scott Edelman’s Eating the Fantastic he feasts on BBQ with Craig Engler, Co-Creator/Writer/Co-Executive Producer of the hit zombie TV show Z Nation.

Join us as we discuss what life’s like when you’re a professional game player for Nintendo, how running the Syfy Channel’s digital side led to him getting a shot at writing TV movies such as Zombie Apocalypse, why he wrote Weight Hacking, his geek guide to losing weight and getting fit, plus much more, including behind-the-scenes secrets on the past, present, and future of his hit zombie TV show Z Nation.

 

Craig Engler

(3) SHE STABS IT WITH HER STEELY KNIFE. Violette Malan ranks “My Top Five Sword-Fight Movies” at Black Gate.

You don’t have to read many of my posts to know that The Princess Bride is pretty well my favourite movie. And though I love the sword fighting scene between Wesley and Iñigo, and the later one between Iñigo and Count Rugen, they are not actually my favourite sword fighting scenes. In both cases, it’s really the dialogue that makes the scenes memorable. So what movies would I rank above The Princess Bride in sword fighting wonderfulness?

Here they are, in the order in which I thought of them.

The Three Musketeers (1973, directed by Richard Lester)

One of the great things about this movie, along with its sequels The Four Musketeers, and The Return of the Musketeers, is that they all feature the same cast. There are good fight scenes in all the films (Oliver Reed is more impressive in the sequels), but it’s the first one I know the best. I particularly like the fantastic opening sequence, where D’Artagnan’s father teaches him the “secret thrust.” Anything between D’Artagnan (Michael York) and Rochefort (Christopher Lee) is well worth watching. There’s also some terrific ensemble fighting, notably the scene between the four leads and the Cardinals’ Guard in the convent courtyard. It should be noted that Christopher Lee was a fencer IRL as well…

(4) KA-CHING! Mary Rosenblum analyzes “What REALLY Sold in 2016?” at the SFWA Blog.

In 2016, 43% of all traditionally published books were purchased online.  Now, THAT is a reason to break out the champagne!  Why?  Because most readers pay little to no attention to the publisher.  As long as the small press or self published book looks professional and has a professional looking cover,  it’s competitive with books from the ‘bookstore’ publishers.  If your ebook or print book includes those 5 critical elements for success and looks like the other professionally published books out there, readers don’t care who published it.  They’ll look at price.

Aha!  That might just be the reason that self publishing authors sell almost as many ebooks as the traditional publishers. They can usually price their books lower.

But what about print books?

2016 Self Published Print Book Sales

In 2016, 21,800,000 self published print books were sold, mostly published through Create Space.  The average price was $10.34.  Amazon imprints sold another 959,000 copies.

That’s a lot of print book money!

(5) NEW EDITION FROM PENGUIN. Here’s the version of George Orwell’s book for the alternate timeline you’re living in.

(6) COMPLIMENTING SMUGGLERS. Nigel Quinlan writes, “I would like to selfishly draw your attention to the new issue of The Book Smugglers’ Quarterly Almanac. It contains a fun Mid-Grade fantasy short story by me, ‘The Gobbleens,’ which is featured on the utterly gorgeous cover.”

I’m happy to give it a mention, in part for the beautiful cover, and in part because I owe them thanks for sending a copy of the first one, which had a great story by Tansy Roberts.

Collecting original short fiction, essays, reviews, and reprints from diverse and powerful voices in speculative fiction, THE BOOK SMUGGLERS’ QUARTERLY ALMANAC is essential for any SFF fan.

IN THIS VOLUME (JANUARY 2017): BECKY CHAMBERS, SHERRI L. SMITH, A.E. ASH, KATHERINE MACLEAN, NIGEL QUINLAN, ZETTA ELLIOTT, ALLIAH/VIC, KATE C. HALL, NICOLE BRINKLEY, ANA GRILO AND THEA JAMES

(7) OCTAVIA BUTLER. Maura McHugh reviews the graphic novel adaptation of Octavia Butler’s Kindred on Irish national radio, now up as a podcast on this page — “Arena with Sean Rocks, Monday, January 30”

Maura McHugh reviews the sci-fi graphic novel “Kindred” by Octavia E Butler which has been adapted by writer Damien Duffy and artist John Jennings (published by Abrams ComicArts)

(8) BURNING MAN. I09 did a story on the edition of Bradbury’s Fahrenheit 451 that was bound is asbestos. John King Tarpinian adds this “Fun Fact” —

Ray had one of his copies with burn marks on it because he would hold a lighter to it to show people it would not burn.

(9) TO THE STARS. The Arthur C. Clarke Center for Human Imagination has released the fourth episode of is podcast Into the Impossible, about “How to Make a Spaceship”.

How do you jumpstart the private spaceflight industry? Passion, commitment, bold risk-taking, some inspiration from Charles Lindbergh, and a little luck. On today’s show, we hear from Peter Diamandis, whose XPRIZE Foundation launched the competition that gave us the first private manned spaceflight–and paved the way for Virgin Galactic, SpaceX, Blue Origin, and his own Planetary Resources, among others–along with the prize-winning pilot, Brian Binnie, and the writer Julian Guthrie, who chronicled their stories along with those of the other teams from around the world inspired by this unprecedented challenge. Also on this episode: convincing Arthur C. Clarke to buy your college friends dinner and a nearly disastrous incident with a mother-in-law and a cup of coffee.

Be sure to check out Julian Guthrie’s book, How to Make a Spaceship: A Band of Renegades, an Epic Race, and the Birth of Private Spaceflight, for the rest of the story!

(10) QUOTABLE QUOTE

“The next time you’re abducted, just steal something off the ship.”  — Neil DeGrasse Tyson

(11) TODAY IN THE HISTORY OF THINGS YOU NEVER HEARD OF

  • February 3, 1993:  Dystopian satire Acción Mutante opens in its native Spain.

(12) BIRTHDAY WIZARD

  • Born February 3, 1970  — Warwick Davis

(13) HAZARDOUS DUTY. No OSHA in the Empire? “Why ‘Star Wars’ Hates Handrails: Finally We Know Why People Keep Plummeting to Their Death”.

Ever noticed that most of the locations in the Star Wars universe wouldn’t pass a basic safety inspection? A number of characters plummet to their doom throughout the series, and the risk of accidentally falling on The Death Star or in Cloud City, or even tripping into that floor hatch on the Millennium Falcon, seems incredibly high. A new episode of the official web series The Star Wars Show explains that this was by design: George Lucas was against building guardrails on Star Wars sets.

 

(14) THE OUTFIELDER WHO WOULD BE KING. San Francisco Giants baseball player Hunter Pence posted a great photo of him wearing a Hakuna Matata t-shirt trying to free Excalibur from the Sword in the Stone at Disneyland. He couldn’t do it! The throne rests easy tonight.

(15) COMIC HISTORY LESSON. Atlas Obscura remembers “Marie Duval, the pioneering 19th-Century Cartoonist That History Forgot”.

In the late 1800s, London was swept up in the new craze of visual, satirical journalism. When Judy magazine, a twopenny serio-comic, debuted a red-nosed, lanky schemer named Ally Sloper who represented the poor working class of 19th-century England, it was one of the first recurring characters in comic history.

But credit for that character has long gone to the wrong person. Two people were responsible for Ally Sloper—and one of the creators has only recently been rediscovered by academics and comic fans.

Wearing a shabby stovepipe hat and carrying a rickety umbrella, the iconic and popular cartoon is often credited to Charles H. Ross, a playwright, cartoonist, and eventual editor of Judy. However, Ally Sloper was actually illustrated and developed by two artists: Ross and his wife, actress-turned-cartoonist Marie Duval—who was responsible for the bulk of the Ally Sloper comics.

(16) SPEAK UP. This LEGO Batman Movie promo clip introduces the voice actors behind the characters.

[Thanks to John King Tarpinian, Nigel Quinlan, Bruce D. Arthurs, Cat Eldridge, and Martn Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Paul Weimer.]

Pixel Scroll 1/27/17 You Are A Scroll Of The Pixelverse/You Have No Right To Be Here

(1) DYSTOPIAS SELL LIKE INFERNAL HOTCAKES. The Washington Post’s Ron Charles notes that sales of dystopian novels, including Fahrenheit 451, Brave New World, and The Handmaid’s Tale, are soaring under a Trump presidency.  He interviews Orwell biographer Gordon Bowker about what 1984 (Amazon’s #1 bestseller) tells us about a Trump administration.

President Trump may not be a big reader, but he’s been a boon for sales of dystopian literature. Amid our thirst for adult coloring books and stories about missing girls and reincarnated puppies, some grim old classics are speaking to us with new urgency. Ray Bradbury’s “Fahrenheit 451 ,” Aldous Huxley’s “Brave New World ” and Margaret Atwood’s “The Handmaid’s Tale ” have all risen up the latest paperback bestseller list.

But by far the greatest beneficiary of our newly piqued national anxiety is George Orwell’s “1984.”

Soon after senior adviser Kellyanne Conway said on Sunday that the administration was issuing “alternative facts,” Orwell’s classic novel spiked to No. 1 on Amazon.

And if you prefer an autographed leatherbound copy of Bradbury’s Fahrenheit 451, eBay has one on sale this week.

(2) MIND MELD. Ken Liu, Silvia Moreno-Garcia, Helen Lowe, T. Frohock, Mur Lafferty, and Margo-Lea Hurwicz participate in “Mind Meld: Alternate Histories We Love” at the B&N Sci-Fi & Fantasy Blog

Alternate history can be a thrilling, but daunting, subgenre of science fiction, fantasy, and horror to dive into; there are seemingly endless possible “what-if,” timeline, and story combinations for readers to try. This month, Mind Meld asks writers:

What is your favorite alt-history novel?

What about the author’s treatment to the particular time period and story made you fall in love? What about the alt-history subgenre draws you in, as an author or a reader?

(3) STARS AND STRIPES. Jack Clemons tells the story of the late “Gene Cernan And The Last Flag On The Moon” at Amazing Stories.

Before Cernan and his fellow moonwalker Harrison Schmitt finished their final moonwalk, as a salute to the Apollo Program and a reminder to others of where we came from and how far we could go, Cernan positioned his camera so that Schmitt and the American Flag were framed in the black sky with the flag pointing to the distant blue Earth. Cernan’s own reflection can be seen in the visor of Schmitt’s helmet.

(4) WEREWOLF, THERE CASTLE. Here’s fan love for you – someone made Larry Correia a 50-pound “Bronze Statue of Earl Harbinger from MHI”. See photo at the link.

Pretty cool, huh?

That’s Earl Harbinger, mid transformation into werewolf (spoiler alert).

Devon Dorrity is a fantastic sculptor, He likes to listen to Audible while working, and had gone through the MHI series a couple of times. Alpha inspired him to create this.

(5) OVERFEASANCE. While we’re still flailing to catch up with last year’s award-worthy fiction, Jason has already evaluated this month’s new stories from semiprozines and other free sites in “Summation of Online Fiction: January 2017” at Featured Futures.

I tried forty-three stories of 176,695 words from thirteen January 2017 pro-rate webzines (Apex, Beneath Ceaseless Skies, Clarkesworld, Diabolical Plots, the final issue of the now-defunct Fantastic, Flash Fiction Online, Lightspeed, Nature, Nightmare, Strange Horizons, Terraform, Tor.com, and Uncanny)….

(6) PRINCE OBIT. Sarah Prince, a longtime fan who started receiving File 770 in 1978, passed away at the beginning of the week. Exact details are not immediately available – she was found when a friend asked someone to check on her.

Prince was a talented artist and potter. She was a resident of Columbus, OH when I first had contact with her in the Seventies, but has lived for many years in New York state. Prince ran for TAFF in 1999. Her website is here.

Sarah Prince in 2015

Sarah Prince in 2015

(7) CLOVEN COSPLAY. Nerd & Tie’s Trae Dorn gets to the bottom of a new round of complaints in “Angry Goat Productions’s Cosplay Unplugged Los Angeles Is Setting Off Red Flags For Sailor Moon Fans”.

Are people getting scammed by Angry Goat Productions, or is this simply a case of Angry Goat Productions being really bad at this….

We can confirm that the photos posted to the event’s page are stolen. The examples come from an event held in Japan last year, and that in itself is a pretty big red flag. Taking an image from someone else’s business and misrepresenting it as your own is a big no no pretty much everywhere, but it’s considered an especially egregious sin in the cosplay and convention world.

I know quite a few people who would boycott an event just for that.

The warning also links to a Who Scammed You? page, which claims that organizer Ray Jelley isn’t a real person. Now, I’ve had some experience dealing with people pretending to be other people online, and while Mr. Jelley does occasionally use an Errol Flynn photo on social media, I can honestly say that he appears to be a real human being.

A real human being with an interesting history….

(8) COMIC SECTION. John King Tarpinian recommends this installment of Brevity, with a Star Wars twist.

(9) UNLISTED NUMBERS. ComicsBeat learned that graphic novels will no longer be part of the New York Times Bestseller list.

According to an email subscription version of February 5th’s NY Times Best Sellers List, “Beginning with the advance BSL edition that will be delivered today for February 5, 2017 there will be revisions to multiple categories in the publication. These changes will span weekly and monthly lists.” One of these changes appears to be the deletion of the hardcover graphic novels, softcover graphic novels, and manga Best Seller lists, as none of these sections are included in the document that we have reviewed.

ComicsBeat had further comment here and here, in which an unnamed spokesperson for the Times cites that “the discontinued lists did not reach or resonate with many readers.”

(10) MARCHING INTO PREHISTORY. If you’ve got six minutes, you can see how a vast number of dinosaur species compared in size to modern humans.

(11) REPEAL. The Antiquarian Booksellers’ Association of America reports –

Assembly Bill 228 has been introduced by California State Assembly Members Gloria and Chiu. If passed, this bill will provide significant relief from the most troubling and onerous provisions of AB 1570, California’s new autograph law.

The full language of AB 228 is found HERE.

…The legislative process is long and complicated.  Bills pass through policy committees in each house of the legislature and the process takes many months.  What AB 228 needs to help ensure that it becomes law is your support.  Right now, the best help you can provide is to:

Write a letter of support for AB 228 addressed to the bill’s primary author:

Assemblymember Todd Gloria

P.O. Box 942849

Sacramento, CA 94249-0078

Make sure you have added your name and comments to the change.org petition.

(12) DON’T DRINK AND CRUNCH. All that and a bag of chips – they may have too much sodium, but otherwise a bag of Tostitos keeps you out of trouble.

Frito-Lay unveiled “Party Safe” Tostitos bag for the Super Bowl that detects whether its holder has been drinking and can even order an Uber.

The limited-edition “Party Safe” Tostitos bag, designed by Goodby Silverstein & Partners, contains a sensor connected to a microcontroller that detects trace amounts of alcohol on a person’s breath, turning the front of the bag red and showing an image of a steering wheel and the message, “Don’t Drink and Drive.”

The bag also flashes an Uber code and contains technology that allows the holder to tap their phone against it to order an Uber for $10 off during and after the Super Bowl Feb. 5.

“We’re proud to introduce to the world the first bag of chips that gets you home safe,” Roger Baran, a Goodby Silverstein & Partners creative director, told Adweek

(13) ULTIMATE SACRIFICE. Observing the 50th anniversary of the Apollo pad fire on January 22, 1967: “The fire that may have saved the Apollo programme”.

Fifty years ago, a fire broke out during a test of the rocket that would take men to the Moon. Three astronauts died on the launch pad – but their deaths were not in vain.

As countdown resumed, the air in the capsule was replaced with pure oxygen. The oxygen was maintained at higher pressure inside the capsule than outside. This simulated the increased pressure of the spacecraft in orbit and allowed the astronauts to breathe comfortably.

Both the single-man Mercury and two-man Gemini capsules had followed the same procedure without incident. It was so routine that the safety manual for testing the spacecraft made no reference to the hazards of strapping a crew into an experimental space capsule in a pressurised oxygen environment.

17:40, Apollo 1 spacecraft

There had been problems all day with communications between the ground and spacecraft, which was only a few hundred metres away from the control centre on the launch pad. As the countdown continued and more systems were switched across to Apollo 1, at times it was impossible to make out what the astronauts were saying. “I remember Gus Grissom got very exasperated,” recalls Griffin. “He was really mad.”

“Jesus Christ,” Grissom exclaimed. “How are we going to get to the Moon if we can’t talk between two or three buildings?”…

(14) PEAKE PERFORMANCE. Soyuz capsule ridden by Tim Peake’s goes on exhibit in London’s Science Museum.

The museum says the Russian capsule is an important part of UK space history and hopes it will inspire the public.

The Soyuz TMA-19M has been refurbished, but is still slightly singed from re-entry into the Earth’s atmosphere.

Business Secretary Greg Clark has confirmed that Major Peake will make a second mission to the space station.

The timing will be decided by the European Space Agency (Esa).

(15) TECH HOT AIR. Hideo Kojima says games and films will merge together.

“In life people are very busy doing lots of things,” he explains through a translator.

“The time you have to choose what media or entertainment you experience is dwindling.

“More and more people are looking at types of media that combine elements together.”

“If we just make a game people are less likely to choose that as something to do.

“They would rather engage in something that combines different forms of entertainment together.

“That’s where we need to focus our efforts, on this convergence.”

(16) BOOKS BEYOND NUMBER. Hampus Eckerman calls it, “The roots of Mount Tsundoku.” The Guardian calls it “Bibliomania: the strange history of compulsive book buying”.

In the 19th century, book collecting became common among gentlemen, mostly in Britain, and grew into an obsession that one of its participants called “bibliomania”. Thomas Frognall Dibdin, an English cleric and bibliographer, wrote Bibliomania, or Book Madness: A Bibliographical Romance, which was a gentle satire of those he saw as afflicted with this “neurosis”. Dibdin medicalised the condition, going so far as to provide a list of symptoms manifested in the particular types of books that they obsessively sought: “First editions, true editions, black letter-printed books, large paper copies; uncut books with edges that are not sheared by binder’s tools; illustrated copies; unique copies with morocco binding or silk lining; and copies printed on vellum.”

(17) NO ALIEN SEQUEL. Alien Theory analyzes the fate of the series – “Alien 5 Cancelled: Where Does This Leave the Series? And Ripley?”

[Thanks to John King Tarpinian, Chip Hitchcock, Hampus Eckerman, Martin Morse Wooster, and Jason for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 10/26/16 The Tick Against the Box

(1) CAN’T STOP LOOKING. CinemaBlend’s Gregory Wakeman waited to finish his post about this Jar Jar Binks movie poster before gouging out his eyes…

(2) ADD THIS WORLDCON BID TO YOUR SCORECARD. Kevin Standlee reports that, at the request of this bid, he has added UK in 2024 to the Worldcon.org list of bids. The link is a Facebook page. Kevin notes, “They did say to me when they contacted worldcon.org that they plan to have an actual web site eventually as well, not just a Facebook page.”

(3) PREDICTING THE PRESENT. In “The Celebrity Campaign” on National Review Online, Kevin D. Williamson summarizes William Gibson’s Idoru and explains why Gibson’s work is important for understanding the vapid, celebrity-driven campaign we have this year.

(4) OCTOCON. Forbidden Planet bookstore’s correspondent James Bacon easily mixes dance with journalism: “Science Fiction in Ireland: James Reports from Octocon”.

Even though I finished work at 5.30AM in London on a mild autumnal Saturday morning, within a few hours I was in the Camden Court Hotel in Dublin’s city centre, amongst friends and fans at Octocon. The enthusiasm and excitement then carried me through until I hit the sheets at 4.30AM on Sunday morning, fed by the energy of the convention, dancing well past midnight and imbibing great cheer.

This year’s committee is youthful, bucking a trend with similar conventions in the UK, and possess a dynamism that brought together a nice programme, good fun social elements and of course overall a very enjoyable convention. The Guests of Honour, Diane Duaine and Peter Morward and Rhianna Pratchett, allowed much ground to be covered and attracted great audiences. With over two hundred people in attendance, the five-stream programme was busy.

(5) SETTING THE STUPID AFLAME. This Bradbury-related tweet went viral.

Here’s the text:

I love this letter! What a wonderful way to introduce students to the theme of Fahrenheit 451 that books are so dangerous that the institutions of society — schools and parents — might be willing to team up against children to prevent them from reading one. It’s easy enough to read the book and say, ‘This is crazy. It could never really happen,’ but pretending to present students at the start with what seems like a totally reasonable ‘first step’ is a really immersive way to teach them how insidious censorship can be I’m sure that when the book club is over and the students realize the true intent of this letter they’ll be shocked at how many of them accepted it as an actual permission slip. In addition, Milo’s concern that allowing me to add this note will make him stand out as a troublemaker really brings home why most of the characters find it easier to accept the world they live in rather than challenge it. I assured him that his teacher would have his back.

(6) REMAINS OF THAT DAY. The demolition of Ray Bradbury’s house inspired Joshua Sky’s Omni story “The House Had Eyes”.

The exterior was yellow with a brown triangle thatched roof and a thin brick chimney. The windows had been destroyed—the frames, like the living room, were gutted. Their remains tossed into a large blue dumpster resting on a hillside covered in dying grass. All that was left were two large cragged square shaped holes that bore inward yet outward all at once. Inward, laid the wisps of soot polished ruin. Hardwood floors, a mantle, masonry, some shelves and dust. Outward—the structure telepathically transmuted its emotions of loss and sorrow. She knew she was dying.

I was transfixed, my eyeballs locked with the house’s. It was like something straight out of a Bradbury story! My hands tightly gripped the fence, chain-links dug into my finger tendons. Focused on the yellow lawn, my mind pictured a phantom montage of Bradbury, time-lapsed: Watering the grass. Reading on the steps. Puttering about. Stalking the sidewalks. Talking to the neighbors. Talking to himself. Writing. Staring at the sky. Staring at the stars. Staring beyond. Marveling in awe. Downright dreaming—of rockets and Martians and technicolored time travelers.

It all felt so cosmically unfair. Why’d they have to tear it down? Why’d they have to piss on a legacy? It felt like we were all losing something—even if we didn’t know it. That our country—the people—the vanishing literate—were losing not only a landmark, but a sense of our collective wonderment. That we were continuing a bad trend that had no hint of ending—swapping our heritage for a buck. That’s the American way some would say. Some—maybe—but not all.

(7) FROM VELOUR TO MONSTER MAROON. With Halloween just around the corner, Atlas Obscura offers guidance to cosplayers: “How to Read The Secret Language of Starfleet Uniforms”.

It’s Halloween time again, and as it has been for the past 50 years, a Star Trek costume is a safe bet for anyone looking to dress up. But do you want to be a Starfleet captain in 2268? A ship’s doctor in 2368? For the uninitiated, deciphering the language of colors and symbols that place you in the show’s universe is a crapshoot.

Luckily, Atlas Obscura is here to help, with a bit of cosplay codebreaking….

The most recent Star Trek television series, 2001’s Enterprise, was actually a prequel, taking place in the mid-2100s, and strangely, their uniforms take cues from every era of the Star Trek franchise. Taking place prior to the formation of the Federation Starfleet seen in later incarnations, the uniforms of the very first space-faring Enterprise, were once again standardized into a purple workman’s jumpsuit (echoing the red-washed uniforms of the later Original Series films). Position on the ship could be determined by the color of a seam that ran along the shoulder of the jumpsuit, with the colors corresponding to the original command gold, science blue-green, and operations red.

And then rank was indicated by the number of silver bars over the right breast, just like the pips used in The Next Generation. While not everyone’s favorite, this suit kind of had it all.

(8) NEXT AT KGB. The Fantastic Fiction at KGB reading series will present John Langan and Matthew Kressel, on Wednesday, November 16, beginning at 7p.m. in New York’s KGB Bar (85 East 4th Street, just off 2nd Ave, upstairs.)

John Langan

John Langan is author of two novels, The Fisherman and House of Windows.  He’s also published two collections, The Wide Carnivorous Sky and Other Monstrous Geographies and Mr. Gaunt and Other Uneasy Encounters.  With Paul Tremblay, he co-edited Creatures:  Thirty Years of Monsters.  He is one of the founders of the Shirley Jackson Awards and he currently reviews horror and dark fantasy for Locus magazine.

New and forthcoming are stories in Children of Lovecraft, The Madness of Dr. Caligari, The Mammoth Book of Cthulhu, Swords v. Cthulhu, and Children of Gla’aki.  In February of 2017, his third collection of stories, Sefira and Other Betrayals, will be published by Hippocampus Press.

John Langan lives in New York’s Hudson Valley and teaches classes in creative writing and Gothic literature at SUNY New Paltz.  With his younger son, he’s studying for his black belt in Tang Soo Do.

Matthew Kressel

Matthew Kressel is the author of the novels King of Shards and the forthcoming Queen of Static. His short fiction has been twice nominated for a Nebula Award and has or will soon appear in such markets as Lightspeed, Nightmare, Tor.com, Clarkesworld, Beneath Ceaseless Skies, io9.com, Apex Magazine, Interzone, and the anthologies Cyber World, After, Naked City, The People of the Book.

From 2003-2010 he published and edited Sybil’s Garage, an acclaimed SF magazine. He also published the World Fantasy Award-winning anthology Paper Cities and for his publishing work, received a World Fantasy Award nomination for Special Award Non-Professional. He co-hosts the Fantastic Fiction at KGB reading series alongside Ellen Datlow. When not writing fiction he codes software for companies large and small, studies Yiddish (Nu?), and recites Blade Runner in its entirety from memory.

(9) NEW SF BOARD GAMES. In a piece on arstechnica.com called “Essen 2016: Best board games from the biggest board game convention”, Tom Mendlesohn reports from the International Spieltage convention in Germany, where most of the new board games have sf/fantasy content.

terraforming-mars

Terraforming Mars

FryxGames, 1-5 players, 90-120 mins, 12+

One of the most buzzworthy releases of the whole show, this title sold out by 3pm on the first day—a whole hour before Ars even arrived. The one table that FryxGames ran with a playable copy was booked every day. Fortunately, Ars US staffers already got their grubby little hands on the title and gave it a thorough—and hugely positive—review.

You’re playing as a futuristic global megacorp attempting, as the title suggests, to terraform Mars. Your tools are lots of plastic cubes, which track your resources and which are traded to in for asset cards, which get you more cubes. (The game is a total engine-builder.) Though the art isn’t terribly exciting, this is a terrific thinky Eurogame of interlocking systems and finding the most efficient ways to exchange one set of numbers for a higher set of numbers. 

(10) HE MADE IT SO. In a piece in the San Francisco Chronicle by Mike Moffitt called “The Real James T. Kirk Built the Bridge of the Enterprise – In the Sunset District” profiles a guy named James Theodore Kirk, who was born a month before Star Trek went on the air and who built a replica of the Enterprise in his house.  He also is a Trekker who once won a chance to meet William Shatner, but he was dressed as the villianous reptile Gorn and wouldn’t tell Shatner his name really was James T. Kirk.

Captain’s log, Stardate 21153.7: After straying into a wormhole, the Enterprise has somehow crash-landed on Earth in early 21st-century San Francisco. We are attempting to effect repairs from a location in the city’s Sunset District.

James T. Kirk commands the Starship Enterprise from the captain’s chair of the ship’s bridge, conveniently located in the back of his house in San Francisco’s Outer Sunset.

The bridge is equipped with a wall of computers blinking with colorful lights, a transporter room and the main viewer, which would toggle to show flickering stars, sensor data or the occasional Romulan or Klingon message demanding the Enterprise’s immediate withdrawal from the Neutral Zone.

There is even an “elevator” in the back that makes a “whoosh” just like the one on the classic 1960s show “Star Trek.” Of course, the bridge is not an exact duplicate of the show’s — it’s a smaller area, so the key fixtures are a bit crammed and the helmsmen seats are missing altogether. But the overall impression is clearly Mid-century Modern Starship.

(11) KUTTNER. You can find Stephen Haffner hawking his wares this weekend at World Fantasy Con. Or you can order online today!

Haffner Press does it again! In 2012 we included a newly discovered Henry Kuttner story—”The Interplanetary Limited”—in THUNDER IN THE VOID. Now, with the upcoming release of THE WATCHER AT THE DOOR: THE EARLY KUTTNER, VOLUME TWO, we are pleased as pandas (!) to announce we have discovered ANOTHER unpublished Henry Kuttner story!

MAN’S CONQUEST OF SPACE or UPSIDE-DOWN IN TIME is an early gag-story (featuring pandas) supposedly written for the fanzines of the 1930s. It likely predates Kuttner’s first professional sale in 1936. “And how can I get a copy?” you ask? Well, we made it simple. So simple that it’s FREE* if you place (or have already placed!) a PAID preorder for THE WATCHER AT THE DOOR: THE EARLY KUTTNER, VOLUME TWO. We’re printing a limited quantity of this new Kuttner story, so Do. Not. Delay.

(12) KEEP WATCHING. Martin Morse Wooster recommends an animated short, Borrowed Time.

A weathered Sheriff returns to the remains of an accident he has spent a lifetime trying to forget. With each step forward, the memories come flooding back. Faced with his mistake once again, he must find the strength to carry on.

“Borrowed Time” is an animated short film, directed by Andrew Coats & Lou Hamou-Lhadj, and produced by Amanda Deering Jones. Music by Academy Award winner Gustavo Santaolalla.

 

[Thanks to Hampus Eckerman, John King Tarpinian, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Niall McAuley.]

A Bradbury Link Omnibus

(1) IN LETTERS OF FIRE. Book Riot’s Nikki Vanry presents “19 of My Favorite Fahrenheit 451 Quotes”.

“‘Books were only one type of receptacle where we stored a lot of things we were afraid we might forget. There is nothing magical in them, at all. The magic is only in what books say, how they stitched the patches of the universe together into one garment for us.’”

(2) INCREASED SPACE. The Indianapolis Monthly records “A New Chapter for IUPUI’s Center for Ray Bradbury Studies”.

Following Bradbury’s 2012 death, the collection grew to include his personal library, writing desk, and 40 years of correspondence with presidents, filmmakers, and other writers. Much of the archive temporarily languished in storage: 20,000 pounds of boxes and furniture stacked floor to ceiling.

This month, the Center celebrates its move to a space three times larger in Cavanaugh Hall with a show at IUPUI’s Cultural Arts Gallery, Ray Bradbury’s Magical Mansions, which draws from the Center’s extensive collection. It’s an unusual repository for this or any university campus. Aside from smaller science fiction collections at a few college libraries, and occasional class offerings, academic acceptance of Bradbury’s genre has been scarce. Archives like the one at IUPUI could change that. Bradbury’s chance meeting with Eller all those years ago gave the professor his life’s work. In return, Eller is giving Bradbury what science fiction writers never had: a place of honor in academia.

…[Jonathan] Eller, with now-retired IUPUI Professor William Touponce, co-wrote the first university press book on Bradbury. Ray Bradbury: The Life of Fiction (Kent State University Press, 2004) laid the groundwork for founding the Center and archive in 2007. Though the 510-square-foot basement location wasn’t set up for tours, Eller would often drop what he was doing to show curious visitors around. This summer, Eller began the laborious task of moving the archive to an impressive new 1,460-square-foot location in Cavanaugh Hall. It includes a room for Bradbury’s recreated office: a blue metal desk and work table, a globe of Mars given to him by NASA, and a Viking 76 paperweight made with material from the lander. Bookshelves and file cabinets line every wall. Eller and his wife, Debi, spent months readying the space: hanging pictures, cleaning shelves, and cataloging the large book collection. “At this point in most academics’ lives, they’re getting ready to retire,” Debi says. “But Jon is trying to preserve the effects of a man he respected so much.”

The Center’s new outpost offers room to shelve the 20,000 pounds of materials previously stacked floor to ceiling, and perhaps more importantly, a much more public face. Eller sees the Center as a resource for teachers, librarians, and scholars who want to pass on Bradbury’s importance to future generations, and it gives Bradbury and science fiction academic credibility. And it might be just be the beginning: In addition to finishing the third volume of his biography, the professor eventually hopes to acquire even more space and funding to expand the Center into a full-fledged museum.

(3) BRADBURY BIO REVIEWED. “Bradbury: between dystopia and hope”, at Spiked.

Ray Bradbury, by David Seed, is published by the University of Illinois Press.

As David Seed observes in this meticulously researched and affection tribute to the author, ‘Bradbury conceived his early science fiction as a cumulative early warning system against unforeseen consequences’. As the author himself said: ‘technological science fiction, as put in motion by human beings, can either shackle us with the greatest totalitarian dictatorship of all time, or free us to the greatest freedom in history. I mean to work for the latter in my science-fiction stories.’

Like the best writers who imagine the worlds of tomorrow, Ray Bradbury talks to contemporary society. The Martian Chronicles features a tale of America’s ‘niggers’ parting en mass by rocket to the Red Planet to escape racism and servitude in the United States, in their own kind of ironic Mayflower. This story speaks to readers now as much as it would have 70 years ago. While the recurrent themes in The Martian Chronicles of environmental catastrophe and the perils of colonisation will resonate with concerned minds today, they spoke foremost to 1950s readers for whom the Dust Bowl was in living memory. It’s no coincidence that Bradbury gives his colonies on Mars mid-Western names such as Ohio or Illinois.

(4) RAY ANTICIPATED LIFE ONLINE. You may have thought that Ray Bradbury had nothing to say about the rise of social media and the way the virtual world often obliterates the real one. Financial Times columnist Nilanjana Roy, in “Back To Virtual Reality”, would disagree:

Perhaps an internet historian could better pinpoint when the digital world became the real world, but the truth is that our “real”, physical-world selves are so intimately, inescapably layered with virtual experiences that it may no longer be possible to split the two. The price you pay for digitally detoxing is to step outside the mainstream, and that has profound consequences. An obvious example might be that I feel less connected to old friends who are not on Facebook, for example, because I don’t see them, or see pictures of their kids. More subtly, if you unplug from the running streams of news, you also disconnect yourself from dinner-party, workplace, or even friendly conversation.

In Ray Bradbury’s short story “The Pedestrian” (1951), a man arouses police suspicion because he is the only person to take walks while his neighbours stay at home, the flickering blue light of televisions playing on their walls. If he’d been writing today, Bradbury might have made more of the disconnect between the walker and his neighbours, the widening gap between the few who turn away from news-streams and social media immersion, and the many who are shaped by these.

(5) A SPIRITUAL MAP OF BRADBURY. J. W. Ocker just completed a week of superb blog posts inspired by and about Ray Bradbury.

1) Ray Bradbury’s Ravine

September 26, 2016 — It was night, and the thunderstorm that followed me from the hotel had calmed into light rain and thunderous sky flashes. My hair was sodden, my shirt and jeans were sticking uncomfortably to me, and I was at the slippery edge of a black ravine, ready to disappear into its depths. All for Ray Bradbury.

2) Ray Bradbury’s Waukegan

September 27, 2016 — This was a big one for me: Waukegan, Illinois—the hometown of Ray Bradbury. But it was more than just his hometown, more than the mere place where he was born. It was the very geography of his imagination. The place where so many of his stories were set. So many of his characters lived. On his pages, he rechristened the city Green Town. And I was going to see it all, both the real Waukegan and the fictional Green Town. We’ve got a lot to pack into this one, so let’s get going.

3) Thoughts on Ray Bradbury’s Statue

…But the one thing I didn’t find was a statue of him. I mean, there was one of comedian Jack Benny, another Waukeganite, but not one of Ray Bradbury. And that’s because I was in town too early. The city’s been working on a statue project for him for about a year and half and, by the time of my visit, had narrowed the 40-odd submissions it had received to three. In fact, mere days after I returned from my trip to Waukegan and other points along the shores of the Great Lakes, the city announced the winning design.

4) Ray, Halloween, the Witch and Salem

September 29, 2016 — I don’t know if Ray Bradbury ever visited Salem, Massachusetts. But I can tell you that a piece of his life did. Because I took one there myself. I brought it with me during my Salem October last year. And good thing too, as that piece, of its own power almost, provided an anecdote that allowed me to write the name “Ray Bradbury” a few times in my account of that Salem October, A Season with the Witch. Below is the relevant excerpt from the book:

5) Strange Stuff fromo my Study: The Halloween Tree Sketch

September 30, 2016 — In this episode of Strange Stuff from My Study, I dig into my Ray Bradbury collection to show you an original 50-year-old sketch by an artist named Joseph Mugnaini, a sketch that he did as a test layout for one of the fantastic interior illustrations for Bradbury’s 1972 book, The Halloween Tree.

(6) MARTIAN PENSEES. Tyler Miller undertakes to prove “How Ray Bradbury’s ‘The Martian Chronicles’ Changed Science Fiction (And Literature)”.

Unlike his peers, Bradbury didn’t care much for the future either. Though The Martian Chronicles deals ostensibly with a future inhabitation of Mars, Bradbury’s tales are clearly a lens through which to study the past. He is not interested in the mechanics of space flight or the geographic terrain of the Red Planet. Technology is laced through the book, but it is the technology of a Flash Gordon comic strip, not based in actual mathematics and engineering. These stories are not realistic in the least. They are metaphors.

“Do you know why teachers use me?” Bradbury once said, in an interview for the Paris Review. “Because I speak in tongues. I write metaphors. Every one of my stories is a metaphor you can remember.”

However, I have to say Miller is thoroughly wrong when he says, “Sherwood Anderson, Shakespeare, St. John Parse, Ernest Hemingway. These were hardly the writers inspiring usual 1950s science-fiction.” Plenty of them tried to tap into Shakespeare and Hemingway — Papa’s economical prose was regarded by many as the ideal 50 years ago.

(7) TRUFFAUT. Released this month: The New Ray Bradbury Review, No. 5, edited by Phil Nichols and Jonathan Eller.

Fahrenheit 451—American science fiction meets French New Wave cinema

As a highly visual writer, Ray Bradbury’s works have frequently been adapted for film and television. One of the most stylized and haunting dramatizations is François Truffaut’s 1966 film adaptation of Fahrenheit 451. For this fifth volume of The New Ray Bradbury Review, guest editor Phil Nichols brings together essays and articles that reflect upon Bradbury’s classic novel and Truffaut’s enduring low-tech science fiction film, fifty years after its release.

French film director and writer François Truffaut was a major force in world cinema. Beginning with his first days as a firebrand film critic and early years as a highly original director, Truffaut sustained a career that brought him numerous accolades, including an Academy Award for Best Foreign Language film. Yet Fahrenheit 451—his only film in English and his only foray into science fiction—is often overshadowed by the considerable triumphs of his other works, like The 400 Blows, Jules and Jim, and Day for Night. Similarly, while science fiction scholars often present the film as a significant work, they sometimes see it as a flawed adaptation, somehow less than its source, Ray Bradbury’s classic 1953 novel of book-burning firemen.

The articles in this volume represent the first scholarly investigation of Truffaut’s film and Bradbury’s novel together. They lay out the key critical issues in comparing book and film and novelist and filmmaker, discuss various aspects of Bradbury’s and Truffaut’s nar­rative strategies in creating a world where books are systematically burned, consider the film’s screenplay and Bradbury’s own creative reactions to Truffaut, and examine the reception of the film among various audiences and critics.

(7) CARTOON TIME. Melville House recommends two cartoons a Soviet director made based on Bradbury’s short stories “There Will Come Soft Rains” and “The Veldt.”

Ray Bradbury: science fiction author, namesake of a patch of Mars, and Last Interview series participant. In 1950, a twenty-nine-year-old Bradbury published There Will Come Soft Rains, which would become one of his signature short stories. It depicts a California morning in the year 2026, as a robotic house wakes itself up and begins preparing its residents for a busy day: making them breakfast, laying their clothes out, and so forth.

There is, naturally, a twist, and one fun way of learning what it is (besides reading the story), is to watch this Soviet cartoon adaptation, Budet Laskovyj Dozhd’, made by the Uzbekfilm studio in 1984, and directed by Nazim Tulyakhodzhayev. It’s a beaut — austere, creepy, and oddly warm. Do yourself a favor:

At the post are links to both videos on YouTube.

[Thanks to John King Tarpinian, J. W. Ocker, and Martin Morse Wooster for these stories.]