Anne Devereaux Jordan Crouse (1943-2013)

Anne Jordan at Constellation, the 1983 Worldcon, where she accepted a Hugo for Edward Ferman. Photo by & Copyright © 2013 Andrew Porter

Anne Devereaux Wilson Jordan Crouse, founder of the Children’s Literature Association and a former editor for F&SF, died February 2 of lung cancer at the age of 69.

She worked for The Magazine of Fantasy & Science Fiction from 1979-1989, both on the magazine and some of its hardcover story collections where she was credited as Anne Jordan.

Jordan wrote 11 books under her own name and as a ghost writer on 10 other nonfiction books. She published poetry in The Magazine of Fantasy and Science Fiction, Isaac Asimov’s Science Fiction Magazine, and Star*Line, the magazine of the Science Fiction Poetry Association. Crouse also contributed to the New York Review of Science Fiction.

She founded the Children’s Literature Association in 1973 and served as its executive Secretary/Treasurer as well as Director of the Annual Conference in Children’s Literature until 1976. In 1992, she was the first recipient of the “Anne Devereaux Jordan Award,” an award established in her honor and now given annually by The Children’s Literature Association for outstanding contributions to the field of children’s literature. From 1994 to 1998, she was a senior editor of TALL (Teaching and Learning Literature for Children and Young Adults) for which she also wrote two bimonthly columns.

Anne Jordan also had a long teaching career teaching, variously at Eastern Connecticut State University, Wesleyan University, Central Connecticut State University, the University of Connecticut, the University of Hartford and Western Michigan University.

[Thanks to Andrew Porter for the story. This post largely draws on the obit posted by the funeral home.]

2013 Hugo Nominator Eligibility Deadline

2013 Hugo Nominator Eligibility Deadline

The nomination period for the 2013 Hugo Awards and John W. Campbell Award is now open and will continue until March 10, 2013.

Nomination is open to anyone who is an Adult, Young Adult, or Supporting member of LoneStarCon 3 or Loncon 3 (the 2014 Worldcon) as of January 31, 2013, as well as all Adult, Young Adult, and Supporting members of Chicon 7 (the 2012 Worldcon).

The Loncon 3 committee has issued a press release reminding prospective members that one of the advantages of joining by January 31 is having the right to nominate in the 2013 Hugos.

The full press release follows the jump.

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Hugo Award Logo

René Walling is helping to popularize use of the Hugo Award logo by creating winner-specific versions people can run in their fanzines or post on their blogs or websites. After I get home from Renovation I will figure out the best way to display mine, but in the meantime here are examples of the two styles.

Hugo Nominating Ballot
in Renovation PR#3

Renovation, the 2011 Worldcon, has mailed Progress Report 3 containing the Hugo Award Nominating Ballot and detailed information on convention hotels and hotel booking arrangements.

A download is available from www.renovationsf.org/progress-reports.php.

Opening and closing dates for the Hugo nominations are given in the PR:

The 2011 Hugo Award nominations open on January 1st, 2011, and close Saturday, March 26th, 2011 at 23:59 PDT. Members of Renovation who join by January 31st, 2011 and all members of Aussiecon 4 (the prior year’s Worldcon), are invited to submit nominating ballots. Nominations may be submitted for works first published in 2010, or for those works whose first US/English publication was in 2010.

Nominations may be cast online at our website (www.renovationsf.org) or by mailing in the paper ballot included in this progress report. The online ballot requires a personal identification number (PIN) located on the mailing label of the progress report. If you need a PIN, email your name and mailing address to hugopin@renovationsf.org.

The full press release follows the jump.

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Taking Home Hugos, Then and Now

You don’t need to be told how different airport security is today from what it used to be. Controversies about that subject are constantly in the news. But my jaw dropped when I read about the problems Cheryl Morgan had taking her Hugo home from Aussiecon 4. She really experienced something I only vaguely worried about when I flew home with a Hugo from another Aussiecon 25 years ago.

I transported my Hugo to the plane in a carry-on bag after deciding it would be safer there than in my suitcase. In 1985 security checkers inspected passenger carry-ons with an x-ray machine at the entrance to the boarding lounge. I knew my hunk of solid metal shaped like a mortar round would show up quite spectacularly so I went through the line rehearsing an explanation for the guard about my “literary award.” But I need not have bothered, and my pride suffered a little when he looked up and said, “Oh, you’ve got one of these too.” The guard had already checked in Charlie Brown with his Hugo for Locus and Fred Pohl with a Hugo he’d accepted for Jack Williamson.

Today’s scanners display an even more impressive image of the Hugo. Unfortunately, the guards are not in the least jolly about it. 

Cheryl Morgan had a horrible experience a few days ago trying to depart Australia with her Hugo packed in checked luggage:

Firstly the check-in lady did not pass my comments about the Hugo in the bag on to security (the Thai Airways staff admitted to this). Secondly, having found the Hugo (which I must say lights up magnificently on the scans – I saw a print-out), the security people did not check with the airline, they called the police. And the police, having got involved, were determined to treat the whole incident as a potential terrorist threat.

There’s a lot more detail on her blog, all of it adding up to a nightmare.

Cheryl was finally turned loose. She made her flight in spite of everything and wrote afterwards, “Thankfully all my fears came to naught, and the suitcase and Hugo arrived safely at baggage claim in Heathrow.”

It may not always be true that all’s well that ends well, but Cheryl and her Hugo having reached England together it’s a little less problematic that as word of Cheryl’s predicament spread someone allegedly contacted Australian artist Nick Stathopoulos, designer of this year’s Hugo base, asking if he could make a replacement. He told his Facebook friends, “Cheryl Morgan’s Hugo Award may have been blown up at Singapore airport….” I swallowed the hook long enough to e-mail Cheryl and ask if she’d subsequently discovered damage to her Hugo.

Cheryl cleared things up directly. “You’ll note that Nick also mentioned Singapore, while my post mentions Bangkok. You may want to Google the Australian term ‘larrikin.’ Alternatively you may just want to kick Nick’s butt next time you see him.”

Larrikinism, I now know, is the name given to “the Australian folk tradition of irreverence, mockery of authority and disregard for rigid norms of propriety.” One might say larrikin is the mundane Australians’ word for “faanish humor.”

One last note: The Aussiecon 4 committee offered to have the Hugos shipped and almost half the winners accepted, whether to avoid security hassles or just yielding to the convenience.

Just Asking

I asked Denvention 3 Hugo Administrator Mary Kay Kare if the media (hey, faneds are media!) would again receive an embargoed list of winners, as was done with the nominees?

She replied, “No. The only person who got an advance list was D3′s webmaster to do our page.”

My personal opinion is that’s exactly the right way for Denvention 3 to handle its business. It’s fine that the winners’ names will be all over the Net two seconds after each Hugo is presented (assuming people in the audience can make their technology to work.) And I feel more comfortable when there is no potential for the winners to be accidentally revealed in advance, as happened with the nominees.

Longest and Shortest Hugo Award Ceremonies

Hugo Award ballots must be received by Midnight, Pacific Daylight Time, on July 7. Denvention 3 members are eligible – do your online voting soon and beat the rush. The imminent deadline also means that about a month from now another audience of nominees will be sweating out the results. Diana and I will be there.

I said in “Silverberg and Resnick: That’s Entertainment!” in File 770 #153 that I’m no fan of the Hugo-Ceremony-as-100-Yard-Dash. The ceremony’s purpose is to honor the best in our field, and to me the clock is not the tool to measure how well that’s done. But I’d agree that some of the shortest ones have been great fun.

When the fans who love speedy Hugo Ceremonies start honoring people on a Mount Rushmore for toastmasters, Marta Randall will be right up there in Washington‘s place. She always did an admirable job of making haste as entertainingly as possible. And no wonder people were moving. The funniest moment of the fast-moving 1982 Hugos came when she goosed presenter Bob Tucker as he left the stage. Marta’s 90-minute 1982 Hugo Ceremony set a record unequalled for 23 years.

Chicago brought her back for 1991 and the Hugos sped by in 100 minutes, a brisk pace if not a record. Tucker presented again and when he started to leave the stage covered his butt with both hands. But Marta came over, gave him a big hug, and winked to the audience, “Now I know why he was kicked out of the Garden of Eden.”

Only in 2005 did Paul McCauley and Kim Newman turn in the second 90-minute performance with Interaction’s Hugo Ceremony.

All people who yelp like they’re being tortured when the Hugos last two hours should pay silent tribute when in the presence of anyone who endured the 1968 Worldcon banquet. It was Toastmaster Bob Silverberg’s baptism of fire — a baptism of live steam for everyone else. Fans endured dinner and speeches in 95-degree heat, in an unventilated ballroom without air conditioning, for five hours and fifteen minutes before the first Hugo was presented. As Mike Resnick recalled in File 770:100:

[At 8:00 p.m.] Phil Farmer got up to give his speech…. [When] he paused for a drink of water more than 2 hours into it, we all gave him a standing ovation in hope it would convince him he was through. It didn’t. He finished after 10:30. Time for the Hugos, right? Wrong. Randy Garrett gets up, takes the microphone away from Toastmaster Bob Silverberg, and sings about 50 verses of ‘Three Brave Hearts and Three Bold Lions.’ Finally, approaching 11:15, Silverberg gets up to hand out the Hugos.

How the Hugos Work, In Case You Wondered

The Crotchety Old Fan, Steve Davidson, has taken a swing at explaining the mechanics of the Hugo Awards voting process. It should be good info, since necessary corrections were made after rules expert Kevin Standlee dropped in to vet the article. (Factchecking articles about WSFS rules is a little like visiting a restaurant and going into the kitchen to proofread the sausage recipe, isn’t it?) You have been warned.