By John King Tarpinian: I am lucky enough to be able to visit Ray on his birthdays, always leaving him a gift or two. The cake had to be quickly removed because there were ants that appeared to be interested in the cake. And no, I did not eat the cake but gave it to the mortuary staff as a thank you for taking care of Ray.
I left a Clark bar (Ray’s favorite), brass horse (representing his first book, Dark Carnival), & the polished coprolite (dinosaur poop) in honor of The Sound of Thunder. Oh yes, I used a box of Dark Carnival matches to light the candles.
After visiting Ray I always go over to pay my respects to others who had influences in Ray’s life. Truman Capote, who was partly responsible for Ray getting his first story published in a mainstream publication, the October 1946 issue of Colliers Magazine, “The Homecoming.”
Also going over to Hugh Hefner, who as a young publisher, serialized Fahrenheit 451 in March/April/May 1954, in Playboy.
Of course, I also visit someone who I tease as being Ray’s chauffeur, Robert Bloch.
It is a pilgrimage I both enjoy making but wish I’d rather be going to Comic-Con or simply having lunch with Ray.
(1) HUGO VOTING LYRICS. The midnight (Pacific) deadline is imminent, inspiring 770’s reference to “I’m Getting Married in the Morning” in a post today — which Goobergunch celebrated by creating new words for the song.
There’s books and ‘zines all over town And I’ve got to track ’em down In just a few more hours….
I’m Hugo voting in the morning That silver rocket’s gonna shine Put up a racket Download the packet But make sure I go vote online
At the urgings of some of my Patreon supporters, I’ve decided to break bread anyway with some of the creators I’d intended to record with had I made there, only with 16 hours and thousands of miles separating us. So last night, I had dinner with writer Lee Murray, while she had lunch the following day.
Lee is a three-time Bram Stoker Awards finalist, and is also New Zealand’s most awarded writer and editor of fantastic fiction, having won two Australian Shadows and a dozen Sir Julius Vogel Awards. Her novels include The Battle of the Birds (2011), Dawn of the Zombie Apocalypse (2019), as well as Into the Mist (2016), Into the Sounds (2018), Into the Ashes (2019), and others. She’s edited fourteen anthologies, including Baby Teeth: Bite-Sized Tales of Terror (2013), Hellhole: An Anthology of Subterranean Terror (2018), and others. Her first collection, Grotesque: Monster Stories, will be published July 24.
We discussed how she crafted her first short story collection, the importance of mentoring our next generation of genre writers, why we’re unlikely to ever go spelunking together, whether she prefers her zombies fast or slow, the unique awards club of which we’re both members, the way her use of New Zealand culture might be perceived differently by readers in and out of her country, the difficulties some seem to have with stories written in the present tense, the thrill of being the first New Zealander to appear in Weird Tales magazine, how the experiences of reading aloud The Hobbit and The Lord of the Rings differ, and much more.
I recently had to exorcise, er, fire a client. One I’d been working with for years. I have written three complete novels for this fellow, rewritten a fourth and outlined a fifth. The novel we were working on when we parted company was one we had been at for roughly six years from the time when he turned over a research binder, a long, detailed, Harvard-style outline, and a number of drafted chapters and scenes.
I freely admit that I allowed the situation to go on too long, but I really dislike quitting, and I have first hand evidence of the efficacy of the Golden Rule. I know that if you treat even contrarians with kindness and friendliness, you will end up with a good friend….
(4) BRONY DOCUMENTARY. Jenny Nicholson narrates The Last Bronycon: a fandom autopsy
With this week’s Comic-Con International moving online because of the coronavirus pandemic, there’s a whole world of cosplayers with a lot of creativity to show off. Since they can’t strut their stuff in the Gaslamp District, photographer K.C. Alfred asked them to suit up and show us their powers at various spots around San Diego County….
(6) COMIC CON ALTERNATIVE. John King Tarpinian tells me “We don’t need no stinkin’ San Diego” because this weekend they’re still going to hold the Casper Comic Con. No, it’s not for ghosts – yet, anyway. It’s happening in Casper, Wyoming.
The 2020 Casper Comic Con will be held INSIDE of the Casper Events Center. Mask are highly recommended. Guest appearance by FLASH GORDON Sam J. Jones
(7) SIZEMORE OBIT. Paranormal romance author Susan Sizemore died July 20 at the age of 69. She wrote fan fiction set in the Star Trek universe. She later began writing original romance novels and when she was about 40, she won the 1991 Romance Writers of America Golden Heart Award, presented to a previously unpublished author. And soon after she sold her debut novel, a time-travel romance called Wings of the Storm. Later in her career, she was asked to write a media tie-in novel Forever Knight: A Stirring of Dust based on the television series. She created two original series about a vampire world, Laws of the Blood, and Primes. According to her friend Jody Lynn Nye, Sizemore was active in the Society for Creative Anachronism, where she was known as Sibeol the Sinister (she was left-handed).
(8) MEDIA BIRTHDAY.
July 22, 1959 — Hercules Unchained premiered nation-wide. An Italian-French production, it was directed by Pietro Francisci, and produced by Bruno Vailati. Screenplay was by Ennio De Concini and Pietro Francisci with the latter also writing the story. It is claimed that the story is based off of Oedipus at Colonus by Sophocles and Seven Against Thebes by Aeschylus. Primary cast was Steve Reeves, Sylva Koscina, Primo Carnera and Sylvia Lopez. Critics in general though it was better than the predecessor film Hercules and it was the third most popular movie at the British box office in 1960. Audience reviewers at Rotten Tomatoes really don’t like it and give it a 20% rating.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born July 22, 1881 – Margery Williams. Wrote The Velveteen Rabbit. Lovecraft’s “On The Thing in the Woods by Harper Williams” is about one of her books: HW a pseudonym. Another novel, twenty shorter stories, for us, often with James Bowman; many others. Forward, Commandos! (1944) has a black soldier, rare in literature then. Translations from French and from Norwegian (with Dagny Mortensen). Newbery Honor. (Died 1944) [JH]
Born July 22, 1889 — James Whale. He is best remembered for these Thirties horror films: Frankenstein, The Old Dark House, The Invisible Man and Bride of Frankenstein which are all considered classics. He also made during this period, The Man in the Iron Mask, which surely is genre adjacent. (Died 1957.) (CE)
Born July 22, 1898 – Stephen Vincent Benet. “The Devil and Daniel Webster” leaps to mind. Three dozen short stories, seven dozen poems, touching SF. Guggenheim Fellowship. Judged Yale’s Young Poets Competition ten years. Three O. Henry awards (don’t minimize him either). Member, Amer. Acad. Arts & Letters. Fellow, Amer. Acad. Arts & Sciences. Pulitzer Prize. Look for him. (Died 1943) [JH]
Born July 22, 1898 – Alexander Calder.This edition of two Calvino stories has a Calder cover. But AC’s relation to us is higher, or deeper, or something. His mobiles (he invented them) and stabiles show an extraordinary joining of reality and fantasy — and science. Here is Two Moons. Here is Homage to Jerusalem. He worked flat, too; here is a lithograph Black Sun. (Died 1976) [JH]
Born July 22, 1932 — Tom Robbins, 88. Author of such novels as Even Cowgirls Get the Blues and Another Roadside Attraction. ISFDB lists everything he’s done as genre and who am I to argue with them? Now Jitterbug Perfume, that’s genre! (CE)
Born July 22, 1936 — Angus Allan. British comic strip writer responsible for such strips asThe Six Million Dollar Man, Logan’s Run and DangerMouse. As the in-house writer for the Anderson’s TV Century 21, he provided the newspaper “news story” scripts for Fireball XL5, Stingray, Thunderbirds and Captain Scarlet and the Mysterons. He also wrote the novelization of Thunderbirds Are Go. (Died 2007.) (CE)
Born July 22, 1939 — Dean McLaughlin, 81. His best-known work is “Hawk Among the Sparrows” which was short-listed for both a Hugo and Nebula Award for Best Novella. He’s also written Dawn, a novel based off of Asimov’s “Nightfall” novelette. He was won for Analog Awards for Best Novella or Novelette. (CE)
Born July 22, 1941 – Vaughn Bodé. The equipment won’t show his name as he wrote it; over the “e” shouldn’t be an accent acute (which is what you see), but a macron (horizontal line), i.e. indicating a long vowel, not emphasis: it doesn’t rhyme with “okay”. I never heard him say it; I spent years thinking it was like body, but maybe it’s like Commando Cody. Anyhow, he gave us Cheech Wizard – and lizards – and much else. Here is a cover for Galaxy. Here is one for Amazing (with Larry Todd). (Died 1975) [JH]
Born July 22, 1944 — Nick Brimble, 76. His first genre role was in Lust for a Vampire as the First Villager. He next shows up in Roger Corman’s Frankenstein Unbound as The Monster. He’s Sir Ectot in A Knight’s Tale which I really like be it genre adjacent or not. His lastest film genre role is as Dr. Zellaby in Soulmate, and he’s the voice of Owsla in the Watership series. (CE)
Born July 22, 1959 – Greg Costikyan, 61. Among us he published the New York Conspiracy’s Hymnal. Later, while staying with SF, he grew famous as a game designer and critic. Many SF reviews in Ares. Four novels (First Contract translated into French), sixteen shorter stories. Five Origins awards. Academy of Adventure Gaming Arts & Design Hall of Fame. Much about his gaming in his Wikipedia entry. [JH]
Born July 22, 1965 – Lee Ann Setzer, 55. Editor (or if you prefer, editrix) for a while of The Leading Edge. Short stories as Lee Ann Layton. Children’s books; Biblical-fiction novels Gathered about Ruth, Hidden about Esther. Her husband said “I had to marry you. You’re the only one who truly understands about the US space program.” While in Japan ate nattô (fermented soybeans), hurrah! [JH]
Born July 22, 1972 — Colin Ferguson, 48. Best known for being Sheriff Jack Carter on Eureka. Damn I miss that series which amazingly won no Hugos. He’s also been in Are You Afraid of the Dark, The Hunger, The X-Files, The Outer Limits, the Eureka “Hide and Seek” webisodes (anyone seen these?) and The Vampire Diaries. (CE)
(10) TWO PLEASE. In Episode 32 of Two Chairs Talking former Aussie Worldcon chairs Perry Middlemiss and David Grigg talk about movies and TV. Which one is the tougher audience?
After discussing the current state of COVID-19 restrictions, Perry pans the movie Ad Astra, but cheers The Mandalorian series on Disney+, and the Netflix movie The Old Guard. David waxes enthusiastic about the Amazon series Tales from the Loop, and the movie Yesterday.
For the academic, scientist, collector, or hobbyist with an interest in the building blocks of the natural world, obtaining pure, representative samples of elements can be a challenge. Since our inception, we started off as an oddball but fun sideline as the Lucite furniture company which then became, Luciteria Science. Today, we serve the discerning collector with Lucite acrylic displays of the elements in their raw forms, functional calibration reference cubes, hand- and machine-polished mirror cubes, and much more!
…Yezin Al-Qaysi says haute hazmats are just the thing to make flying feel safe again. In mid-April the co-founder of VYZR Technologies, a Toronto-based company specializing in personal protective gear, launched a new product called the BioVYZR via crowdfunding site Indiegogo. The $250, futuristic-looking outer layer resembles the top half of an astronaut’s uniform, with anti-fogging “windows” and a built-in hospital-grade air-purifying device. Paranoid flyers were quick to scoop it up, pre-ordering about 50,000 suits and raising $400,000 for the nascent company. The first batch is set to be delivered by the end of July.
Andrew Porter points out that sff got there first! Photo from 1936 film Things to Come:
If playing Disney Villainousis like being in the fifth grade,Marvel Villainous is the first day of middle school. It feels the same, but it’s totally not. There are rules and norms you had no idea existed but are now the most important things in the world—and there’s a chance the classmates you came along with may not be your friends by the end of it. But that kinda makes Ravensburger’s board game a blast.
The latest board and card game release from Ravensburger (in a partnership with Prospero Hall) is a departure from the Disney Villainous series, which pitted different Disney villains against each other in a race to complete goals from their movies. This version ventures into the Marvel Universe to focus on the exploits of classic comic book baddies (they’re technically not the MCU versions but they have very similar designs and goals, so they’re pretty much the same thing).
The starting edition of this game, Marvel Villainous: Infinite Power, features five villains: Hela, Killmonger, Ultron, Thanos, and Taskmaster.
(14) THIS IS THE CITY. Andrew Porter passed along links to two overviews of Los Angeles right after City Hall was built – terrain that will look familiar to those of you who have seen the Fifties monster movie THEM! (Or the original Dragnet series.)
(15) VIDEO OF THE DAY. In “Sharknado Pitch Meeting” on ScreenRant, Ryan George explains that all the “science” in Sharknado was “pier-reviewed” because “some drunk guy on the pier reviewed it.”
[Thanks to Cat Eldridge, Mike Kennedy, JJ, John King Tarpinian, Martin Morse Wooster, Chip Hitchcock, Michael Toman, Andrew Porter, Daniel Dern, Jennifer Hawthorne, and John Hertz for some of these stories. Title credit goes to File 770 contributing editor of the day Patrick Morris Miller.]
There are the really obvious ways to torch your career — rudeness to editors, for instance. And then there are the hidden trap doors. The one I am going to reveal today is truly obscure. It could be broadly described as meddling with the publication process. More specifically, you can enrage the publisher’s sales reps. Kill your book dead in one easy step! …
(2) AND DON’T BE THAT POET. F.J. Bergmann wrote and Melanie Stormm designed “How To Piss Off A Poetry Editor” for readers of SPECPO, the blog of the Science Fiction and Fantasy Poetry Association. Here’s the header —
(3) KGB READINGS ONLINE. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Benjamin Rosenbaum and Mike Allen Wednesday, July 15 in a YouTube livestream event. Starts at 7 p.m. Eastern.
Benjamin Rosenbaum’s short fiction has been nominated for the Nebula, Hugo, BSFA, Sturgeon, Locus, and World Fantasy Awards, and collected in The Ant King and Other Stories. His first novel, The Unraveling, a far-future comedy of manners and social unrest, comes out this October from Erewhon Books. His tabletop roleplaying game of Jewish historical fantasy in the shtetl, Dream Apart, was nominated for an Ennie Award. He lives near Basel, Switzerland with his family.
Mike Allen has twice been a finalist for the World Fantasy Award. His horror tales are gathered in the Shirley Jackson Award-nominated collection Unseaming, and in his newest book, Aftermath of an Industrial Accident. His novella The Comforter, sequel to his Nebula Award-nominated story “The Button Bin,” just appeared in the anthology A Sinister Quartet. By day, he writes the arts column for The Roanoke (Va.) Times.
Transmitted herewith are excerpts from statements provided by members of the Barsky family regarding the incident with Hayden Barsky, age 11.
The true origins of KHAOS remain unknown….
It was published along with a response essay, “How Not to Optimize Parenthood” by Brigid Schulte, director of the Better Life Lab and author of the book Overwhelmed: Work, Love, & Play When No One Has the Time.
Most parents are well-intentioned. We try to do the right thing, hoping to spare our children at least a measure of the pain or heartache we muddled through, to smooth the rough edges of life and give them every advantage to make it in an uncertain and often cruel world.
That’s at least the hope. In practice, no one really knows how to do that. So, particularly in America, where “winning” and the self-improvement dictate to “beat yesterday” are akin to sacred commandments, we have always turned to the experts for help. What does the science say? What are the neighbors doing? What book or podcast or shiny gadget will instantly make my child’s life easier? More joyful? Miraculous? And, perhaps most importantly, better than your kid’s?…
(5) LOCKDOWN MOVIE. “Quarantine Without Ever Meeting” – Vanity Fair profiles the filmmakers. Tagline: “The actors set up lights, did their own makeup, and ran the cameras. The filmmakers advised on Zoom. Somehow…it worked.”
…While Hollywood is struggling to figure out if it’s possible to make a feature-length movie in the grip of the coronavirus pandemic, this group of independent filmmakers and actors have already done it. “The whole movie has been written, produced, packaged, shot within quarantine. Now we’re in postproduction, and I had a first cut of the whole film done on Friday,” said director and cowriter Simon. As The Untitled Horror Movie nears completion, its producers are finally announcing the secret project and seeking a distributor. It appears to be the first movie created entirely within the parameters of the lockdown.
The horror comedy is about a group of needy and desperate young stars from a once-popular TV series who learn, via video conference, that their show has just been canceled. Fearing obscurity, they decide to stay in the spotlight by making a quickie horror film—but while shooting it, they perform a ritual that accidentally invokes an actual demonic spirit. Mayhem follows. “We kind of described it going into it as Scream meets For Your Consideration,” Simon said.
The card had been around since 1994, tagged “Invoke Prejudice” by the world’s most popular trading card game. It showed figures in white robes and pointed hoods — an image that evoked the Ku Klux Klan for many people.This month, the company behind “Magic: The Gathering” permanently banned that card and six others carrying labels like “Jihad” and “Pradesh Gypsies.” Wizards of the Coast, a subsidiary of toy giant Hasbro, acknowledged the images were “racist or culturally offensive.”
“There’s no place for racism in our game, nor anywhere else,” the company said in a statement announcing its action.
With the country roiled by tensions and protests over African Americans’ deaths at the hands of police, the issues entangling Magic and its creators are unlikely to subside soon. The fantasy game of goblins, elves, spells and more boasts some 20 million players, and in pre-pandemic times, thousands flocked to elite international tournaments with hefty prizes. Players of color say they have long felt excluded in the white- and male-dominated community from the game’s top echelons, as well as employment at the company….
(7) WHAT MIGHT HAVE BEEN. “A Better World ?” seems to be a kind of text-based game letting players choose among “Uchronies,” a French term that partakes of alternate history but is more fantastic in nature. I racked up a lot of karma in a hurry, sad to say.
I am monolingual, which limits me to reading works in English. One of the joys of this modern, interconnected world in which we’re living is that any speculative fiction work written in another language could (in theory) be translated into English. One of my frustrations is that, generally speaking, they haven’t been. Here are five works about which I know enough to know that I’d read them if only they were translated….
(9) I’M READY FOR MY CLOSE-UP. Olav Rokne says, “Sometimes, you just want to ask the question nobody wants.” He passed along some of the hilarious responses.
(10) CARL REINER OBIT. The creator of The Dick Van Dyke Show and straight man to Mel Brooks’ “2000 Year Old Man,” died June 29 at the age of 98. The duo won a Grammy in 1998 for their The 2000 Year Old Man in the Year 2000. (The New York Times eulogy is here.)
He shared the lead in The Russians Are Coming, the Russians Are Coming and appeared in It’s a Mad, Mad, Mad, Mad World. He directed numerous movies, including several starring Steve Martin. In recent years he voiced characters in several genre animated TV shows — and Carl Reineroceros in Toy Story 4.
John King Tarpinian remembers:
He is not genre but his passing reminds me of the good old days. Back in the 80s, I was president of the largest Atari club consortium in the US. One of the members owned the Vine Street Bar & Grill. It was between Hollywood & Sunset. The first Wednesday of the month the guest jazz singer was Estelle Reiner. Ron Berinstein, club member and club owner invited me to come on Estelle’s nights to make sure the club was always full. The first time I went her husband, Carl, was also there. I learned that he always came…and that he’d have friends join them. Over the years everybody from Sid Caesar, Buck Henry, Neil Simon, Dick Van Dyke, Mel Brooks & more.
During Estelle’s break between sets Carl & whomever was also there would get up and entertain. Carl & Mel would do their 2000 Year Old Man routine but not the Ed Sullivan version but the version they’d do a parties. My ribs would be sore the next morning from laughing so hard.
Sid Caesar would come to Ray Bradbury’s plays. Imagine somebody being able to upstage Ray…who also would be laughing so hard.
(11) MEDIA BIRTHDAY.
June 30, 1971 — Willy Wonka & the Chocolate Factory premiered. Based on Roald Dahl’s Charlie and the Chocolate Factory novel, it was directed by Mel Stuart, and produced by Stan Margulies and David L. Wolper. The screenplay was by Roald Dahl and David Seltzer. It featured Gene Wilder as Willie Wonka with a supporting cast of Jack Albertson, Peter Ostrum, Roy Kinnear, Julie Dawn Cole, Leonard Stone and Denise Nickerson. Some critics truly loved it while others loathed it. It currently holds an 87% rating among audience reviewers at Rotten Tomatoes. (CE)
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born June 30, 1905 — Nestor Paiva. Sometimes it only takes one film or series for a performer to get a Birthday write-up from me. Paiva makes it for Lucas the boat captain in The Creature from the Black Lagoon and its oft forgotten sequel Revenge of the Creature. Though that was hardly his only genre role as his first role was in the early Forties as an uncredited prison guard in Tarzan’s Desert Mystery and he’d be in many a genre film and series over the decades as Prof. Etienne Lafarge in The Mole People, as the saloon owner in (I kid you not!) Jesse James Meets Frankenstein’s Daughter, Felicity’s Father in The Spirit Is Willing, Captain Grimby in “The Great Treasure Hunt” of The Adamms Family and a Doorman in the “Our Man in Leotards” episode of Get Smart. (Died 1966.) (CE)
Born June 30, 1920 — Sam Moskowitz. SF writer, critic, and historian. Chair of the very first World Science Fiction Convention held in NYC in 1939. He barred several Futurians from the con in what was later called the Great Exclusion Act. In the Fifties, he edited Science-Fiction Plus, a short-lived genre magazine owned by Hugo Gernsback, and would edit several dozen anthologies, and a few single-author collections, most published in the Sixties and early Seventies. His most enduring legacy was as a historian of the genre with such works as Under the Moons of Mars: A History and Anthology of “The Scientific Romance” in the Munsey Magazines, 1912–1920 and Hugo Gernsback: Father of Science Fiction. (Died 1997.) (CE)
Born June 30, 1929 – Anie Linard, 91. Active from France, herself and with Jean Linard, in the 1950s and 1960s; fanzines Innavigable Mouth, Meuh, Vintkat, X-trap. Voted in the 1958 TAFF (Trans-Atlantic Fan Fund) campaign. She was, like many of us, a correspondent of Ned Brooks. I have not traced her more recently than June 1962. Anie, if you see this, salut! [JH]
Born June 30, 1935 – Jon Stopa, 85. Active with Advent publishing house, half a dozen covers including In Search of Wonder, The Eighth Stage of Fandom, and The Issue at Hand. Three stories in Astounding. Program Book for Chicon III the 20th Worldcon, and cover for its Proceedings; with wife Joni, Fan Guests of Honor at Chicon V the 49th, where I think they were in some of the Madeira tastings I assembled when I found four or five D’Oliveiras in the hotel bar. The Stopas were (Joni has left the stage) also great costumers, both as entrants and judges; there’s a YouTube of their work here. [JH]
Born June 30, 1959 — Vincent D’Onofrio, 61. Kingpin in that not terribly good or bad Daredevil film, Edgar the Bug in the only truly great Men in Black film and Vic Hoskins in Jurassic World. He also was Jason Whitney / Jerry Ashton in The Thirteenth Floor, loosely based upon Simulacron-3, a early Sixties novel by Daniel F. Galouye. (CE)
Born June 30, 1961 — Diane Purkiss, 59. I’ve not read her Corydon Trilogy she wrote with Michael Dowling, her son, but I can say that At the Bottom of the Garden: A Dark History of Fairies, Hobgoblins, Nymphs, and Other Troublesome Things is as splendid as the title suggests it is. She’s also written Fairies and Fairy Stories: A History. (CE)
Born June 30, 1961 – Nigel Rowe, 59. Published Timeless Sands history of New Zealand fandom, then moved to Chicago. Here is a 1994 photo of him with Russell Chauvenet (who coined the word fanzine) at Corflu 11 in Virginia. A 2019 photo of him is on p. 47 of Random Jottings 20 (PDF), the Proceedings of Corflu 36 in Maryland; he’s also on the cover (back right; you may be able to make out his badge “Nigel”). Very helpful relaying paper fanzines across the seas. [JH]
Born June 30, 1961 – carl juarez, 59. No capital letters in his name. Co-edited the fanzine Apparatchik with Andy Hooper (from Apak 62), later Chunga with Hooper and Randy Byers. Here is his cover for Chunga 8. He’s on the right of the cover for Chunga 17 (PDF). Chunga credited cj as designer, the results being indeed fine. He, Byers, and Hooper were such a tripod that with Byers’ death, Chunga tottered; should it fall, may cj find his feet. [JH]
Born June 30, 1963 — Rupert S. Graves, 57. Here because he played Inspector G. Lestrade on that Sherlock series. He also appeared on Doctor Who as Riddell in the Eleventh Doctor story, “Dinosaurs on a Spaceship”. He had one-offs in The Nightmare Worlds of H. G. Wells: The Moth, Twelve Monkeys, Krypton and Return of the Saint. (CE)
Born June 30, 1966 – Penny Watson, 54. Degrees in plant taxonomy, horticultural science, biology, and floral design; “there is nothing better than getting up in the morning, heading out to your garden and picking fresh basil, cherry tomatoes, cukes, and arugula greens for breakfast.” Obsessed with dachshunds. Has trained dolphins, coached field hockey and lacrosse. Nat’l Excellence in Romance Fiction Award. Eight novels, five of them and a novella for us. [JH]
Born June 30, 1966 — Peter Outerbridge, 54. Dr. David Sandström in what I think is the underrated ReGenesis series as well as being Henrik “Hank” Johanssen in Orphan Black anda recurring role on Millennium as Special Agent Barry Baldwin. He’s currently in two series, The Umbrella Academy with a recurring role as The Conductor, and as Calix Niklosin in V-Wars, yet another Netflix SF series. (CE)
Born June 30, 1972 — Molly Parker, 48. Maureen Robinson on the current Lost in Space series. One-offs in Nightmare Cafe, The Outer Limits, The Sentinel, Highlander: The Series, Poltergeist: The Legacy, Human Target and she appeared in The Wicker Man asSister Rose / Sister Thorn. (CE)
Born June 30, 1974 – Juli Zeh, 46. A dozen novels so far, three for us. Deutscher Bücherpreis, Solothurner Literaturpreis; doctorate in international law, honorary judge at the Brandenburg constitutional court. About Schilf (“reed”, name of a character – likewise an English surname), translated into English as Dark Matter (London) and In Free Fall (New York), when a Boston Globe interviewer asked “Are you asking the reader to reconsider the nature of reality?” JZ answered “Yes, I want to take the reader on an intellectual journey”; to “Can a novel of ideas be written today, without irony?” JZ answered “As long as mankind doesn’t lose its curiosity to think about the miracles of being.” [JH]
(13) COMICS SECTION.
Non Sequitur shows us the first science fiction writer — and true Hard SF, even as to the medium it’s composed on.
Today’s Bizarro is not an SF comic, but one with good advice for the privileged rich kid starting a literary career.
…With that said, there’s another aspect of it, too, which I think I’ve been minimizing: it’s not just time on social media, it’s engagement when I am on it, and how social media is making me feel when I use it. The term “doomscrolling” refers to how people basically suck down fountains of bad news on their social media thanks to friends (and others) posting things they’re outraged about. It’s gotten to the point for me where, particularly on Twitter, it feels like it’s almost all doomscrolling, all the time, whether I want it to be or not.
…The BLM movement are not terrorists. They are not thugs. They are peaceful protesters, marching against industrial discrimination and system-entrenched bigotry. The demonstrators have actually caught looters and rioters and delivered them to the police.
It doesn’t matter how much the limousine-liberals preach equality if there are no serious efforts to redress the grievances of the disadvantaged.
If we truly are all in this together, then it behooves all of us to reach out to each other and create partnerships and opportunities. This isn’t preferential treatment. It’s a necessary bit of repair work to a damaged genre.
If we don’t talk about it, if we don’t take steps, if we don’t address it, then we are guilty of complicity. If the racism of the past was a product of its time, then let our attempts to redress the situation be a product of our time.
… These sets are up for preorder now from Lego at $59.99 and are set to ship on April 19.
Stormtrooper Buildable Model Helmet ($59.99; lego.com)
Boba Fett Buildable Model Helmet ($59.99; lego.com)
TIE Fighter Pilot Buildable Model Helmet ($59.99; lego.com)
With the Stormtrooper, you’re getting a 647-piece helmet-building set, complete with the blacked-out visor, two nodes on the bottom for speaking and stickers to complete the look. Similarly, the Boba Fett helmet will let you pay homage to the original Mandalorian. This set is 21 centimeters tall (a little over 8 inches) and has 625 pieces. You’ll be constructing each detail of the helmet, including the fold-down viewfinder that lets Boba easily track down his targets. (He is a bounty hunter, after all.)
This in turn reminded me of one of my favorite songs by Chris Smither, “Henry David Thoreau” riffing on (same tune) Berry’s song. Oddly, even incomprehensibly, I find NO mention of it anywhere via DuckDuckGo nor Google, even though I’ve heard Smither sing it numerous times. (I also checked his discography.
It turns out that, while I have heard Chris Smither sing this song, he wasn’t the author. That was Paul Geremia, one of Boston/Cambridge’s wonderful acoustic blues musicians.
The song is on his Self Portrait In Blues album. (And on my ~2,800-song Spotify playlist, which is how, when it came around again this morning on the guitar, as it were, I realized my mistake.)
Flying snakes like Chrysopelea paradisi, the paradise tree snake, normally live in the trees of South and Southeast Asia. There, they cruise along tree branches and, sometimes, to get to the ground or another tree, they’ll launch themselves into the air and glide down at an angle.
They undulate their serpentine bodies as they glide through the air, and it turns out that these special movements are what let these limbless creatures make such remarkable flights.
That’s according to some new research in the journal Nature Physics that involved putting motion-capture tags on seven snakes and then filming them with high-speed cameras as the snakes flew across a giant four-story-high theater.
How far they can go really depends on how high up they are when they jump, says Jake Socha at Virginia Tech, who has studied these snakes for almost a quarter-century. He recalls that one time he watched a snake start from about 30 feet up and then land nearly 70 feet away. “It was really a spectacular glide,” Socha recalls.
Part of the way the snakes do this is by flattening out their bodies, he says. But the snakes’ bodies also make wavelike movements. “The snake looks like it’s swimming in the air,” he says. “And when it’s swimming, it’s undulating.”
The nation’s largest movie theater chain is delaying its U.S. reopening until the end of July because film companies have postponed release dates of two anticipated blockbusters.
AMC Theatres announced that a first round of approximately 450 locations will resume operations two weeks later than initially planned, to coincide with the updated August release dates of Warner Brothers’ Tenet and Disney’s Mulan.
“Our theatre general managers across the U.S. started working full time again today and are back in their theatres gearing up to get their buildings fully ready just a few weeks from now for moviegoers,” CEO Adam Aron said in a June 29 statement. “That happy day, when we can welcome guests back into most of our U.S. theatres, will be Thursday, July 30.”
The company said it expects its more than 600 U.S. theaters to be “essentially to full operation” by early August.
AMC Theatres made headlines earlier this month when it announced patrons will be required to wear masks, reversing course on a controversial reopening plan that had only encouraged them to do so.
For the first time, the familiar marble faces outside the New York Public Library will be obscured by masks.
Patience and Fortitude, the iconic lion sculptures guarding the 42nd Street library, are wearing face coverings to remind New Yorkers to stay safe and stop the spread of COVID-19.
The masks arrived on June 29, and measure three feet wide by two feet tall, according to a library statement.
New York Public Library President Anthony Marx emphasized the symbolism of the aptly named lions, and said New Yorkers are similarly strong and resilient.
(22) NEVERENDING SENDUP. The Screen Junkies continue their look at oldies with an “Honest Trailer” for The Neverending Story, where they show that gloomy Germans created “a world of neverending misery.” They discovered that star Noah Hathaway subsequently played Harry Potter Jr. in Troll (1986) with Michael Moriarty playing Harry Potter Sr.
[Thanks to John King Tarpinian, John Hertz, JJ, Joey Eschrich, Rich Horton, Mike Kennedy, Martin Morse Wooster, Michael Toman, Chip Hitchcock, Cat Eldridge, Daniel Dern, Darrah Chavey, Olav Rokne, and Andrew Porter for some of these stories. Title credit goes to wandering minstrel of the day Cliff.]
Starting on June 6, several of our former employees posted reports on social media about a toxic work environment in our Chicago office. Many of them centered on one of our eight co-founders, Max Temkin, who led that office. We immediately began an internal investigation, and on June 9, we made the following commitments to our staff:
Max Temkin stepped down and no longer has any active role at Cards Against Humanity, effective that day.
We’re hiring a specialist firm to review and improve all HR, hiring, and management practices at the company. Our goal is to make these practices more inclusive, transparent, and equitable.
An outside organization will lead workplace training for all partners and employees of Cards Against Humanity, focusing on communication and unconscious bias at work.
Romano’s Vox article continues with an explanation of the problematic aspects of the game, and why they were not called out earlier –
…CAH’s namesake card game,a self-proclaimed “party game for terrible people,” is an off-color derivative of the family-friendly Apples to Apples, the Mad Libs-style party game. Players use a small handful of words to fill in blanks within loaded phrases for maximum comedic effect, and the appeal lies in the goal of creating a more shocking, provocative one-liner from your hand of cards than your fellow players in order to be dubbed the funniest player in the group. It’s the kind of wordplay silliness that goes over well among a lot of drunk party-goers.
But detractors have argued for years that CAH’s real appeal is, in a word, racism. A 2016 study published in the academic journal Humanity & Society found that a quarter of the cards in the original deck dealt with race, and nearly all of those cards involving minorities seemed to invite the worst readings possible. Consider, for example, the card about indigenous Rwandans, “Stifling a giggle at the mention of Hutus and Tutsis,” later reportedly changed to “Helplessly giggling at the mention …” The phrase implies that something about the names of indigenous tribes is inherently funny, and that even though we all know it’s wrong, we just can’t help but indulge in our racism just a little bit, for a laugh. (CAH removed this card from circulation in 2015.)…
(3) ANOTHER CUCKOO IN THE SLUSHPILE. [Item by Andrew Porter.] Okay, which word in the title would you have changed?
To help people learn about Grenadine, Zoom & Discord & to get practice using these apps leading up to, we will have training sessions & practice sessions over the next few weeks. The schedule, using New Zealand Time, is here: https://conzealand.grenadine.co/en/cnzpreconz/ If you plan to attend any items, don’t forget to log into Grenadine – there’s information about that on the first page of the schedule.
(5) SUMMER SCHOOL. The Clarion West Write-A-Thon has started. The schedule and other nformation is at the links:
(6) DYSON SPHERE OF INFLUENCE. From the March 2018 New York Review of Books: “The Big Bang”. Tagline: The following letters to relatives and the accompanying headnotes are adapted from Freeman Dyson’s Maker of Patterns: An Autobiography Through Letters, published by Liveright. This would be of interest in any case, all the more so to readers of Robert J. Sawyer’s new The Oppenheimer Alternative.
… Yesterday I had a talk with [Hans] Bethe about my future. Bethe told me that unless I raise objections, he will press for me to be given a second year; he said this was “in the interests of science as well as in your own interests.” He said I should spend the second year at Princeton with [J. Robert] Oppenheimer, and that Oppenheimer would be glad to look after me…
(7) MEDIA BIRTHDAY.
June 1982 — Ursula K, Le Guin’s The Compass Rose was published by Pendragon Press, the Welsh publisher. This edition was of only 550 copies, and featured cover art by Tom Canty with interior illustrations by Anne Yvonne Gilbert. It would garner a Best Single Author Collection From the annual Locus Readers Poll. And a Ditmar was also awarded. It’s been in print even since, and has quite a few translations. Most of the stories here are reprinted from elsewhere but some such as the horrific “The Wife’s Story” which is highly reminiscent of work done by Angela Carter is written for here. (CE)
(8) TODAY’S BIRTHDAYS.
Born June 28, 1948 — Kathy Bates, 72. Her performance in Misery based on the King novel was her big Hollywood film. She was soon in Dolores Claiborne, another King derived film. Another genre roles included Mrs. Green in Dick Tracy, Mrs. Miriam Belmont in Dragonfly, voice of the Sea Hag in Popeye’s Voyage: The Quest for Pappy, voice of Bitsy the Cow in Charlotte’s Web and Secretary of Defense Regina Jackson in The Day the Earth Stood Still , a very loose adaption of the Fifties film of the same name. (CE)
Born June 28, 1954 — Deborah Grabien, 66. She makes the Birthday list for her most excellent Haunted Ballads series in which a folk musician and his lover tackle the matter of actual haunted spaces. It leads off with The Weaver and the Factory Maid. You can read the first chapter here. Oh, and she makes truly great dark chocolate fudge. (CE)
Born June 28, 1954 — Alice Krige, 66. I think her first genre role was in the full role of Eva Galli and Alma Mobley in Ghost Story. From there, she plays Mary Shelley (née Godwin) in Haunted Summer before going onto being Mary Brady in Stephen King’s Sleepwalkers. Now Star Trek: First Contact in which she first plays the Borg Queen, a role she’ll repeat in the 2001 finale of Star Trek: Voyager, “Endgame”. She’s had a number of other genre roles but I only note that she was Eir in Thor: The Dark World. (CE)
Born June 28, 1979 — Felicia Day, 41. She was Vi in Buffy the Vampire Slayer, Dr. Holly Marten in Eureka, and had a recurring role as Charles Bradbury on Supernatural. She also appears as Kinga Forrester in Mystery Science Theater 3000. (CE)
Born June 28, 1957 — Mark Helprin, 73. Author of three works of significance to the genre, Winter’s Tale, A City in Winter which won the World Fantasy Award for Best Novella and The Veil of Snows. The latter two are tastefully illustrated by Chris Van Allsburg. I know Winter’s Tale was turned into a film but color me very disinterested in seeing it. (CE)
Born June 27, 1926 — Mel Brooks, 94. Blazing Saddles I’ve watched, oh, at least two dozen times. And Get Smart several times at least wholly or in part. Spaceballs, errr, once was enough. And let’s not mention Robin Hood: Men in Tights, though The Producers (not genre I grant you) was brilliant. So what do you like or dislike by him? (CE)
Born June 27, 1951 — Lalla Ward, 69. She is known for her role as Romana (or Romanadvoratrelundar in full) on Doctor Who during the time of the Fourth Doctor. She has reprised the character in Dimensions in Time, the webcast version of Shada, and in several Doctor Who Big Finish productions. In addition, she played Ophelia to Derek Jacobi’s Hamlet in the BBC television production. And she was Helga in an early horror film called Vampire Circus. (CE)
Born June 27, 1954 — Raffaella De Laurentiis, 66. Yes, she’s related to that De Laurentiis hence she was the producer of the Dune film. She also did Conan the Barbarian and Conan the Destroyer, both staring Arnold Schwarzenegger, and Kull the Conqueror. She also produced all films in the Dragonheart series. She was the Executive Producer of the Sky Captain and the World of Tomorrow. (CE)
Born June 28, 1918 – Martin Greenberg. Co-founded Gnome Press with Dave Kyle (Dave’s logograph is here), publishing ninety books in hard covers including Anderson, Asimov, Clarke, Heinlein, Moore, Norton, Simak. Edited eight anthologies. Lost his shirt to Bob Bloch at poker. First Fandom Hall of Fame. (Died 2013) [JH]
Born June 28, 1930 – Joe Schaumburger. Active in our two longest-running apas, the Fantasy Amateur Press Ass’n (FAPA) and Spectator Amateur Press Society (SAPS). President of the New Jersey SF Society and the Dickens Fellowship of New York. Founded Wossname (Pratchett fans). (Died 2011) [JH]
Born June 28, 1944 – Peggy Rae Sapienza. Daughter of Jack McKnight who made the first Hugo Award trophies. Active in FAPA. With husband Bob Pavlat was given the Big Heart, our highest service award. Chaired Smofcon 9. Vice-chair of ConFrancisco the 51st Worldcon. After BP’s death, married John Sapienza. Chaired BucConeer the 56th Worldcon, Nebula Awards Weekend 2012 and 2014, World Fantasy Convention 2014. Fan Guest of Honor at Chicon 7 the 70th Worldcon. When Japanese fans bid for and won the right, privilege, or typhoon of holding the 65th Worldcon, she was the North America agent, as probably no one else on the continent could have been. Our Gracious Host’s appreciation is here. (Died 2015) [JH]
Born June 28, 1945 – Jon Gustafson. Co-founded Moscon (Moscow, Idaho) and the Ass’n of Science Fiction & Fantasy Artists (ASFA); ASFA Western Region Director until his death. Wrote “The Gimlet Eye” for Science Fiction Review and Pulphouse. Edited the Program Books for Westercon 46 and MagiCon the 50th Worldcon; the 1995 SFWA Handbook (Science Fiction & Fantasy Writers of America); Chroma, the Art of Alex Schomburg. Founded JMG Appraisals, first professional SF art and book appraisal service in North America. Wouldn’t lead Art Show tours but walked around with me so I could lead them better. (Died 2002) [JH]
Born June 28, 1954 – Darcy Pattison, 66. Author and quilter; “Houses and Stars” on the cover of Quilting Today (September 1991); Great Arkansas Quilt Show 2002, 2007-2008. The Wayfinder among a dozen novels for us, a few shorter stories; thirty more books for children and adults. Leads the Novel-Revision Retreat. Five Nat’l Science Teaching Ass’n (NSTA) Outstanding Science Trade Books. Arkansas Governor’s Art Award. Translated into Arabic, Chinese, Danish, German, Norwegian, Portuguese, Swedish. [JH]
Born June 28, 1983 – Gina Damico, 37.Croak, Wax, and four more novels for us. Grew up under four feet of snow in Syracuse, New York; California now. Hardcore crocheter and knitter. Likes Utz cheese balls. Even she has seized the Iron Throne. Her Website is here. [JH]
(9) TRIVIAL TRIVIA.
On Mel Brooks’ birthday, let John King Tarpinian tell you about attending the premiere of Blazing Saddles. Not the one in the movie, but the real one at the Pickwick Drive-in in Burbank.
“Attending on horseback was encouraged,” says John. “It was a block from what was then called the Pickwick Stables, now the Burbank Equestrian Center. What is now the entrance back then was a grass lawn, which is where George Burns, as God, made his final phone booth call to John Denver.”
Dolphins learn special foraging techniques from their mothers—and it’s now clear that they can learn from their buddies as well. Take the clever trick that some dolphins use to catch fish by trapping them in seashells. It turns out that they learn this skill by watching their pals do the job.
The discovery, reported in the journal Current Biology, helps reveal how groups of wild animals can transmit learned behaviors and develop their own distinct cultures.
“Dolphins are indeed very clever animals. So it makes sense that they are able to learn from others,” says Sonja Wild, a researcher at the University of Konstanz in Germany. She says young dolphins spend years in close association with their mothers and naturally tend to adopt their mothers’ ways, but this study shows that “dolphins are not only capable, but also motivated to learn from their peers.”
The bottlenose dolphins that live in Shark Bay, Western Australia, have been studied for decades, and scientists have identified over a thousand individuals by looking at the unique shape and markings of their dorsal fins. Researchers know what families the dolphins belong to, and keep track of their close associates. These dolphins use a variety ways of finding food—and not every dolphin uses every method.
Some dolphins, for examples, use sponges as tools. The dolphins break a conical sponge off the seafloor, and then wear it almost like a protective cap on their long snout, or beak. This apparently helps them probe into the rough sand of the rocky seafloor and search for buried prey.
Horror isn’t many readers’ first choice during times like these. And while the prospect of wallowing in the murkier end of the emotional spectrum isn’t exactly high on the list of anyone’s self-care regimen right now, there’s a lot to be said for confronting our demons on the printed page as well as in real life. Emma J. Gibbon gets it. The Maine-by-way-of-England author’s debut collection of short stories, Dark Blood Comes from the Feet, is an assortment of seventeen scalding, acidic tales that eat away at society’s thin veneer of normalcy, convention, and even reality. At the same time, these horrific confections leave a sweet aftertaste of humanity.
As with all great horror, Dark Blood puts its characters first. In “Janine,” a reporter interviews a broken, middle-aged woman whose experience during her prom night in the ’80s shattered lives as well as reality. It’s the doom-laden, small-town fable of rich boy romancing a girl from the wrong side of the tracks, as if Stephen King had written Pretty in Pink instead of John Hughes.
“The Tale of Bobby Red Eyes” is more mysterious but no less sympathetic to its titular character. In it, a group of children set out to investigate a local urban legend. The ending isn’t exactly happy. “If you say ‘Bobby Red Eyes’ three times in the mirror on Halloween, he’ll be your reflection,” whispers the story’s narrator, and Gibbon builds that incantatory force until it’s incandescently frightening. And in “The Last Witch in Florida,” Gibbon etches an endearingly weird portrait of an elderly witch who’s retired to the Sunshine State, stirring up magical mischief using pink plastic flamingoes and whatever she can scare up at the corner CVS.
Kazu, the narrator of Tokyo Ueno Station, had hoped that his death would bring him some rest, some sense of closure. The man led a life marked with hard work and intense pain; he spent his final years homeless, living in a makeshift shelter in a Tokyo park. But when he dies, he finds the afterlife — such as it is — is nothing like he expected.
“I thought that once I was dead, I would be reunited with the dead,” he reflects. “I thought something would be resolved by death … But then I realized that I was back in the park. I was not going anywhere, I had not understood anything, I was still stunned by the same numberless doubts, only I was now outside life looking in, as someone who has lost the capacity to exist, now ceaselessly thinking, ceaselessly feeling –“
Kazu’s painful past and ghostly present are the subject of Tokyo Ueno Station, the latest book by Korean-Japanese author Yu Miri to be published in English. It’s a relatively slim novel that packs an enormous emotional punch, thanks to Yu’s gorgeous, haunting writing and Morgan Giles’ wonderful translation.
…The controversial episodes violate a widespread Islamic belief that depictions of Muhammad or any of the other prophets of Islam are forbidden, as they encourage the worship of idols. The prohibitions cover images, drawings, statues and cartoons.
…The episodes not available on HBO Max include season five’s Super Best Friends and season 14’s 200 and 201. Those shows had previously been removed from a streaming deal with Hulu and also were axed on the official South Park website. Also not made available to HBO Max were season 10’s Cartoon Wars Part I and Cartoon Wars Part 2, although those episodes can still be streamed on the South Park website.
South Park creators Matt Stone and Trey Parker were threatened in 2010 for the prior depictions of Muhammad. That prompted Comedy Central to remove voice and visual references in the episodes, and eventually to pull the entire episodes from streaming.
A teaspoon of soil from the Amazon contains as many as 1,800 microscopic life forms, of which 400 are fungi.
Largely invisible and hidden underground, the “dark matter” of life on Earth has “amazing properties”, which we’re just starting to explore, say scientists.
The vast majority of the estimated 3.8 million fungi in the world have yet to be formally classified.
Yet, fungi are surprisingly abundant in soil from Brazil’s Amazon rainforest.
To help protect the Amazon rainforest, which is being lost at an ever-faster rate, it is essential to understand the role of fungi, said a team of researchers led by Prof Alexandre Antonelli, director of science at the Royal Botanic Gardens, Kew.
…Fungi in soil from tropical countries are particularly poorly understood. To find out about soil from the Amazon rainforest in Brazil, researchers collected samples of soil and leaf litter from four regions.
Genetic analysis revealed hundreds of different fungi, including lichen, fungi living on the roots of plants, and fungal pathogens, most of which are unknown or extremely rare. Most species have yet to be named and investigated.
Areas of naturally open grasslands, known as campinas, were found to be the richest habitat for fungi overall, where they may help the poorer soil take up nutrients.
Understanding soil diversity is critical in conservation actions to preserve the world’s most diverse forest in a changing world, said Dr Camila Ritter of the University of Duisburg-Essen in Germany.
(16) VIDEO OF YESTERDAY. The Locus Awards virtual ceremony video is now available at YouTube.
[Thanks to Michael Toman, John King Tarpinian, Andrew Porter, Chip Hitchcock, Mike Kennedy, Martin Morse Wooster, JJ, John Hertz, and Carl Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Nina.]
Today Sotheby announced that is will auction DC Complete: The Ian Levine Collection, a comic book collection that includes every comic book published by DC Comics from 1935 through 2016, including complete runs of Superman, Batman, Action Comics, and Detective Comics. The collection includes more than 40,000 comics that also feature Wonder Woman, The Flash, Green Lantern, Aquaman, and the Justice League. The collection is available to view now on the Sotheby’s website. Sotheby’s chose today to start the private sale as it marks the 81st anniversary of the release of Detective Comics #27, which included the first appearance of Batman.
It’s a private sale, which means there is no public auction, just negotiations between Sotheby’s specialists and one or more private buyers.* Bids are being taken starting today – here’s the Sotheby’s link. Download the catalog here [PDF file]. A quote about how the collection was assembled, from the auction house’s article —
For a decade, Levine purchased a new copy of every DC issue he could find, while trying to fill in earlier issues. However, in pre-internet 1987, Levine despaired of finding many Golden Age comics he lacked, and decided to sell many of his best issues in order to fund his collection of Northern Soul records and Doctor Who film prints. However, reviewing his stacks of comic books with the purchaser reawakened his passion for this pop art form, and Levine bought his comics back from the dealer he had sold them to—at a 50% premium. Amassing about half of the comics DC had ever published, Levine determined to form a complete collection. Sacrificing his incomparable collection of Northern Soul records and Doctor Who prints, along with the assistance of the nascent internet and dealer, advisor, and author of The Comic Book Paul Sassienie, he achieved this ambition, which would essentially be impossible to replicate. In 2010, Levine’s paramount, unique collection was utilized to supply the illustrations for Taschen’s monumental publication 75 Years of DC Comics: The Art of Modern Mythmaking by Paul Levitz, the former president and publisher of DC.
…ANNALEE NEWITZ, science-fiction and nonfiction author, podcaster
I have a couple of scenarios I’ve been batting around in my head, which both feel equally plausible at this point.
Scenario One: As more people hunker down at home, more of our most vital and personal activities will have to go online. Lots of people are learning how to have serious meetings remotely, and how to work as teams in group chat.
Then there’s the arguably more psychologically vital stuff: I’ve been playing Dungeons & Dragons with my gamer group using videoconferencing, and watching TV with a housebound, high-risk loved one by hitting play at the same time on a TV episode and videochatting with him at the same time.
I’m not alone. A lot of us are cut off from our loved ones right now, and online connection is all we have. Suddenly “online” doesn’t feel like a fantasy realm. It’s our social fabric. The online world is going to become a fully robust public space, and we won’t want to see garbage and detritus everywhere. We will finally start to see social media companies taking responsibility for what’s on their platforms — information will need to be accurate, or people will die.
…Scenario Two: The pandemic rips through the population, aided in part by contradictory messages from state and federal governments, as well as misinformation online. As social groups and families are torn apart by disease and unemployment, people look increasingly to social media for radical solutions: violent uprisings, internment camps for immigrants and other “suspicious” groups, and off-the-grid cults that promise sanctuary from death.
This is the second Brown featured in Rediscovery. As mentioned last month, Brown was a promising author whose career was cut short by her death in 1967. I don’t have much to add to that, except to wonder if my Young People will enjoy this story more than they did the previous one.
(4) WHO WAS THAT MASKED FAN? John King Tarpinian has already ordered “Classic Monster Aloha Safety Mask”. Get yours for a mere $9.95. More styles here. And they sell matching shirts for some of them — Daniel Dern says “I’ve got the first two in that were shown in this post.”
Introducing Aloha Safety Face masks!! Hawaiian Printed Masks that are fashionable , fun, and made in the USA!!
And just like that, my shirt factory has shifted production, retooled, and is making much needed face masks for hospitals and clinics. We are all proud to be part of the effort to in the corona-virus fight and provide protective gear to Doctors, Nurses, and hospital staff, who in my eyes are the front line soldiers in this global pandemic.Due to the unprecedented demand for masks, healthcare system completely lacks the needed supplies and we are on a mission to outfit them.
While they are our priority so is the safety of my friends, neighbors, and countrymen. Many people with elderly parents, respiratory illnesses, diabetes, are at high risk, or want to protect their families have reached out. I know it’s hard to find masks of any kind anywhere.
She said border restrictions overseas would likely persist until a vaccine for the novel coronavirus, believed to be one year to eighteen months away at the earliest – some vaccines take a decade to develop.
Life as it is now – with most of us confined to home, getting out only for a walk in the sunshine or a quick trip to pick up mail, prescriptions, another bottle of water, an extra loaf of bread – is something we might have read about in a science fiction novel, seen on TV or at the movies but never before experienced personally to the extent we are dealing with now.
“I feel like I’m in what (science fiction author) Brian Aldiss called a cozy catastrophe,” said Walter Jon Williams, a writer of science fiction and fantasy who lives in Belen. “We have clothing, shelter, enough food in the fridge to last a month, and everything works. But everyone is gone. We just don’t see people. I went for a walk to the park today and saw one person.”
The outcry from publisher and author groups has been swift and furious after the Internet Archive announced last week the launch of it’s National Emergency Library, which has removed access restrictions for some 1.4 million scans of mostly 20th century books in the IA’s Open Library initiative, making the scans available for unlimited borrowing during the Covid-19 Outbreak.
“We are stunned by the Internet Archive’s aggressive, unlawful, and opportunistic attack on the rights of authors and publishers in the midst of the novel coronavirus pandemic,” reads a March 27 statement from Association of American Publishers president and CEO Maria Pallante, adding that publishers are already “working tirelessly to support the public with numerous, innovative, and socially-aware programs that address every side of the crisis: providing free global access to research and medical journals that pertain to the virus; complementary digital education materials to schools and parents; and expanding powerful storytelling platforms for readers of all ages.”
The Authors Guild said it too was “appalled” by the program. “[The Internet Archive] is using a global crisis to advance a copyright ideology that violates current federal law and hurts most authors,” reads a March 27 statement. “It has misrepresented the nature and legality of the project through a deceptive publicity campaign. Despite giving off the impression that it is expanding access to older and public domain books, a large proportion of the books on Open Library are in fact recent in-copyright books that publishers and authors rely on for critical revenue. Acting as a piracy site—of which there already are too many—the Internet Archive tramples on authors’ rights by giving away their books to the world.”
“So much for authors’ incomes in a time of crisis. Do librarians and archivists really want to kick authors while our incomes are down?” Hasbrouck writes. “The argument is that students need e-books while they are staying home. But that’s an argument for spending public funds to purchase or license those resources for public use — not putting the burden of providing educational materials for free on writers, illustrators, and photographers. Authors also need to eat and pay rent during this crisis.”
The Internet Archive announced the National Emergency Library project on March 24, in response to the closures of libraries during the Covid-19 crisis, building upon the Internet Archive’s “Controlled Digital Lending” program. …
(8) MANDEL OBIT. Playwright and screenwriter Loring Mandel
died March 24. His 1959 script ”Project
Immortality” for Playhouse 90 got him his first Emmy nomination: “Key
defense scientist Doner has cancer. Schramm is assigned to code Doner’s
thinking into a computer. He gets to know him as a friend, a husband and
father. The project is successful, but he now knows identity is not
was the screenwriter for Countdown,
released in 1967, the year before the first Moon landing: “Desperate to reach
the moon first, N.A.S.A. sends a man and shelter separately, one-way. He must
find it to survive. He can’t return until Apollo is ready.” The movie starred
James Caan and Robert Duvall.
March 30, 2013 — Orphan Black premiered on BBC America in the USA and Space in Canada. Starring Tatiana Maslany as the clones, it run for five seasons and fifty episodes. It would win a Best Dramatic Presentation, Short Form Hugo at Sasquan for “By Means Which Have Never Yet Been Tried”.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 30, 1904 — Herbert van Thal. Editor of the Pan Book of Horror Stories series that ran twenty-four volumes from 1959 to 1983. Back From the Dead: The Legacy of the Pan Book of Horror Stories is a look at the series and it contains Lest You Should Suffer Nightmares, the first biography of him written by Pan Book of Horror Stories expert Johnny Mains. (Died 1983.)
Born March 30, 1927 — Greta Thyssen. Labeled Queen of the B-Movies she appeared in a number of genre films such as The Beast of Budapest, Creature from Blood Island andJourney to the Seventh Planet. (Died 2018.)
Born March 30, 1928 — Chad Oliver. Writer of both Westerns and SF, a not uncommon occupation at that time. He considered himself an anthropological science fiction writer whose training as an academic informed his fiction, an early Le Guin if you will. Not a terribly prolific writer with just nine novels and two collections to his name over a forty-year span. Mists of Dawn, his first novel, is a YA novel which I’d recommend as it reads a lot a similar Heinlein would. (Died 1993.)
Born March 30, 1933 — Anna Ruud. Dr. ingrid Naarveg in the Three Stooges film Have Rocket — Will Travel. Hey, it is genre of a sorts. On a more serious note, she was Doctor Sigrid Bomark in 12 to the Moon. She had one-offs in Voyage to the Bottom of The Sea, The Girl from U.N.C.L.E. and The Man from U.N.C.L.E. (Died 2018.)
Born March 30, 1943 — Dennis Etchison. As editor, he received two World Fantasy Awards for Best Anthology, MetaHorror and The Museum of Horrors. As a writer, he’s best remembered as a short story writer of quite tasty horror. Talking in the Dark Is his personally selected collection of his stories. (Died 2019.)
Born March 30, 1948 — Jeanne Robinson. She co-wrote the Stardance Saga with her husband Spider Robinson. To my knowledge, her only other piece of writing was ‘Serendipity: Do, Some Thoughts About Collaborative Writing ‘ which was published in the MagiCon Program. (Died 2010.)
Born March 30, 1958 — Maurice LaMarche, 62. Voice actor primarily for such roles as Pinky and The Brain (both of which Stross makes use of) with Pinky modelled off Orson Welles, the entire cast as near as I can tell of Futurama, the villain Sylar on Heroes, the voice of Orson Welles in Ed Wood, a less serious Pepé Le Pew in Space Jam, and, though maybe not genre, he’s voiced Kellogg’s Froot Loops spokesbird Toucan Sam and the animated Willy Wonka character in Nestlé’s Willy Wonka Candy Company commercials.
Born March 30, 1990 — Cassie Scerbo, 30. Nova Clarke in the Sharknado film series alongside Ian Ziering and Tara Reid (2013–2018). And one site listed her as being a member of the cast of Star Trek: Progeny, yet another of those video Trek fanfics.
(11) COMICS SECTION.
Non Sequitur follows Spaceman Leonard as he tries to fuel up on a barren planet (Earth).
…At the heart of the series was the writer Kate Worley, who gave the comic its distinctive voice and helped cultivate its wide-ranging fan base.
The character Omaha, created by the writer and artist Reed Waller, made her debut in 1978 as part of a fanzine. She eventually found her way into her own comic book, beginning in 1984. But then Waller got writer’s block.
“He wasn’t sure he wanted to continue,” Worley wrote in an introduction to a 1989 collected edition of Omaha. So she offered some suggestions. “I chattered for some time about possible plot directions, new characters,” she said.
When she was finished, Waller asked, “Would you like a job?” Worley took over as the writer, while Waller continued to draw the comic.
…United Planets cruiser C-57D, under the command of Commander John J. Adams (Leslie Nielsen), was dispatched to Altair IV to find out what had happened to an expedition that had been sent out twenty years earlier. As soon as the starship arrives in orbit, C-57D receives a transmission from the surface. There is at least one survivor of the earlier mission. To Adams’ surprise, the survivor, scientist Dr. Edward Morbius (Walter Pidgeon) doesn’t want to be rescued. Indeed, he warns the craft to go away if it wants to save its crew.
NASA has selected SpaceX of Hawthorne, California, as the first U.S. commercial provider under the Gateway Logistics Services contract to deliver cargo, experiments and other supplies to the agency’s Gateway in lunar orbit. The award is a significant step forward for NASA’s Artemis program that will land the first woman and next man on the Moon by 2024 and build a sustainable human lunar presence.
At the Moon, NASA and its partners will gain the experience necessary to mount a historic human mission to Mars.
SpaceX will deliver critical pressurized and unpressurized cargo, science experiments and supplies to the Gateway, such as sample collection materials and other items the crew may need on the Gateway and during their expeditions on the lunar surface.
(15) HE AM IRON MAN. [Item by Mike Kennedy.]
Should the Marvel Cinematic Universe ever decide to reboot, we may have
found our new Iron Man…
It is the year 2364, and Jean-Luc Picard – the revered captain of the USS Enterprise – has just come face to face with three humans who have been frozen in time since the late 20th century. By this point in the story – the 1988 finale of the first season of Star Trek: The Next Generation – he has met Klingons, Romulans, a pool of black goo, but nothing is as alien as these greedy, selfish relics.
This is Star Trek, after all: the pop-culture behemoth built on the idealistic future envisioned in the 60s by its creator Gene Roddenberry. “A lot has changed in the past 300 years,” Picard tells them. “People are no longer obsessed with the accumulation of things. We’ve eliminated hunger, want, the need for possessions. We’ve grown out of our infancy.”
Or have we? Revisiting the character 30 years later in Star Trek: Picard, Patrick Stewart’s grand return to the role at the age of 79, it seems the world has not progressed as much as we were led to believe. Set during a time in which the Federation – a union of planets with shared democratic values and interests – has turned isolationist in response to a terror attack, it has proved to be a divisively dark, gritty and morally bleak take on the Star Trek universe….
With global coronavirus cases heading toward half a million, Harvard infectious disease experts said recent modeling shows that — absent the development of a vaccine or other intervention — a staggered pattern of social distancing would save more lives than a one-and-done strategy and avoid overwhelming hospitals while allowing immunity to build in the population.
The work, conducted by researchers at the Harvard T.H. Chan School of Public Health and led by Yonatan Grad, the Melvin J. and Geraldine L. Glimcher Assistant Professor of Immunology and Infectious Diseases, and Marc Lipsitch, professor of epidemiology, also shows that if strict social distancing such as that imposed in China — which cuts transmission by 60 percent — is relaxed, it results in epidemic peaks in the fall and winter similar in size and with similar impacts on the health care system as those in an uncontrolled epidemic.
“We looked at how it would affect the thing that matters most — overwhelming the critical-care unit,” Grad said.
The problem, the researchers said, is that while strict social distancing may appear to be the most effective strategy, little population-level immunity is developed to a virus that is very likely to come around again.
(18) PUBLIC SERVICE ANNOUNCEMENTS. A lot of genre figures
are getting in on the act – we learned about these three from Comicbook.com:
[Thanks to Daniel Dern, JJ, Mike Kennedy, Chip Hitchcock, John King Tarpinian, Martin Morse Wooster, Michael Toman, Michael J. Walsh, Cat Eldridge, Darrah Chavey, and Andrew Porter for some of these stories. (* )Thanks to Bill Burns for the assist. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
As I’ve said, one cudgel used in this fight is a demand for civility, and I’m seeing it raised again in the debate surrounding the RWA ejecting Courtney Milan for speaking up. Courtesy becomes weaponized, a way of silencing. A way of forcing others to wait for the conversational turn that never gets ceded. Note Silverberg calling Jemisin’s speech “graceless and vulgar” and Spinrad weighing in to call Ng “swinish.” I cannot help but think that these men are less upset by what was said, than that it was not delivered with the deference that they felt Campbell, a proxy for themselves, deserved.
Hegemonic structures replicate themselves, continually pretending to reinvent and innovate but doing so in the same old forms. Traditional publishing is as prone to this as any other social structure. Indie writers get treated as though they were the nouveau riche, obsessed with money, when many of them are actually making a living at writing in a way our forebears—Chaucer, Shakespeare, Gilman—would have totally approved of. The truth is being a New York Times best-selling author doesn’t mean one is rolling around on moneypiles like Scrooge McDuck unless you’re part of a very very small group. For things to truly change, publishing must bring in new voices and not just allow them, but encourage them to speak.
(2) SHORT STORY MARKET. Heather Rose Jones’ Lesbian Historic Motif Podcast will be open for short story submissions for audio
publication during the month of January 2020.
Stories should be set in an identifiable pre-1900 time and place but may include fantastic elements that are either consistent with the setting or with the literature of that setting. And, of course, stories should center on a female character whose primary emotional orientation within the context of the story is toward other women.
Despite its popularity and far-reaching impact on the fantasy genre, Robert Jordan and The Wheel of Time have never won a Hugo Award.
In 2014 the entire WoT series was nominated for (but did not win) the “Best Novel” award. The “Best Series” category did not exist at the time. WoT’s nomination caused a controversial stir, as some people didn’t feel it was appropriate to consider the entire 15-book Wheel of Time series as one single work. This helped prompt the World Science Fiction Society, which awards the Hugos, to add a new category in 2017, the “Best Series” award.
At the time, it didn’t mean much for The Wheel of Time, but it did enable several other long-running and popular series (including Brandon Sanderson’s Stormlight Archive) to be recognized with nominations and awards.
And now The Wheel of Time will have one more chance to potentially earn a Hugo Award.
Earlier this year, in 2019, Brandon Sanderson published “A Fire Within the Ways”, a short story that was included in the Unfettered III anthology from Grim Oaks Press. This written sequence contained a lng set of “deleted scenes” from A Memory of Light. With Harriet’s permission, the scenes were lightly edited and submitted for publication in the Unfettered III anthology, with proceeds going to support health care needs for writers in need. According to the WSFS bylaws, any new installment to a written series, regardless of length, makes The Wheel of Time eligible for the Best Series award. Therefore, A Fire Within the Ways makes WoT eligible for the first–and likely only–time.
(4) AUSTRALIAN FIRES CLAIM FAN’S HOME. BBC has been reporting all day on
the fate of the Australian resort town of Mallacoota as the east Victoria bush
fires overtook it. Moshe Feder reports, “I just heard from Carey Handfield that
longtime fan Don Ashby has lost his home to the fire.”
…Plus, I think that there’s a better way to look at the decade: how did science fiction and fantasy storytelling change in the last ten years? Why? After consulting with a number of authors, editors, and agents, it’s clear that the entertainment industry and SF/F have experienced major changes in the last ten years, from the introduction of streaming services, to Disney’s franchise domination, gender and politics within SF/F, self-publishing, and a growing acceptance of SF/F content within mainstream culture. This list is broken down into those categories, with a representative example or two from each section.
Future Tense started experimenting with publishing science fiction in 2016 and 2017, but we really invested in it in 2018, publishing one story each month. That year was capped off by Annalee Newitz’s quirky and urgent “When Robot and Crow Saved East St. Louis,” which won the Theodore Sturgeon Memorial Award for the best short science fiction of the year. Our hope was that these glimpses into possible futures could provide a thought-provoking parallel to our coverage of emerging technology, policy, and society today, inviting us to imagine how the decisions we’re making today might shape the way we live tomorrow, illuminating key decision points and issues that we might not be giving enough attention.
Men In Black, the 1997 sci-fi comedy starring Will Smith and Tommy Lee Jones, remains in the red despite making $589 million (£448 million) at the global box office over 20 years ago. Adjusted for inflation, that translates to $944 million (£718 million) in 2019 money, not taking into account extra ticket prices for 3D or IMAX.
This is according to the film’s screenwriter Ed Solomon, who adapted Lowell Cunningham’s comic book seriews for Sony Pictures, who then turned it into a mega-blockbuster with a $90 million (£68 million) budget that spawned three sequels and an animated series, not to mention shifting piles of merchandise.
Solomon, who also wrote all three Bill & Ted films, Now You See Me, and Charlie’s Angels (2000), shared on Twitter that he had received his “Men In Black profit statement” from the studio over the festive period which said that the film had lost “6x what it lost last period”, linking back to a previous tweet from June this year that said the film was “STILL in the red”….
OBIT. In sadder news, Syd Mead, an artist who worked on Blade
Runner, Aliens, and Star Trek: The Motion Picture, has passed away. Variety
has the story.
…Mead started his design career in the auto, electronics and steel industries working for Ford Motor Co., Sony, U.S. Steel and Phillips Electronics. He then transitioned to film. His career began as a production illustrator working with director Robert Wise (“West Side Story”) to create Earth’s nemesis V’Ger in the 1979 “Star Trek: The Motion Picture.”
He continued fusing technology with creativity, bringing to life some of the biggest films in science fiction. In 1982, he served as a visual futurist on “Blade Runner,” before collaborating as a conceptional artist with director Steven Lisberger on the 1982 “Tron.”
He explained his inspiration for “Blade Runner” to Curbed in 2015, “For a city in 2019, which isn’t that far from now, I used the model of Western cities like New York or Chicago that were laid out after the invention of mass transit and automobiles, with grids and linear transport. I thought, we’re at 2,500 feet now, let’s boost it to 3,000 feet, and then pretend the city has an upper city and lower city. The street level becomes the basement, and decent people just don’t want to go there. In my mind, all the tall buildings have a sky lobby, and nobody goes below the 30th floor, and that’s the way life would be organized,” Mead said.
(9) INNES OBIT. Neil Innes, best
known for his work with the Bonzo Dog Doo-Dah Band, The Rutles and in collaboration
with Monty Python, has died
at the age of 75.
…A spokesperson for the Innes family said he had not been suffering from any illness and had passed away unexpectedly on Sunday night.
…In the 1970s, Innes became closely associated with British comedy collective Monty Python, contributing sketches and songs like Knights of the Round Table and Brave Sir Robin, as well as appearing in their classic films The Holy Grail and Life of Brian.
He wrote and performed sketches for their final TV series in 1974 after John Cleese temporarily left, and was one of only two non-Pythons to be credited as a writer, alongside The Hitchhiker’s Guide to the Galaxy author Douglas Adams.
A film about Innes called The Seventh Python was made in 2008.
(10) TODAY IN HISTORY.
December 31, 1958 — The Crawling Eye premiered. In the U.K, it was called The Trollenberg Terror. Directed by Quentin Lawrence, it stars Forrest Tucker, Laurence Payne, Jennifer Jayne, and Janet Munro. Les Bowiec who worked on Submarine X-1 did the special effects. The film is considered to be one of the inspirations for Carpenter’s The Fog. Critics found it to be inoffensive and over at Rotten Tomatoes, it currently a thirty percent rating among reviewers.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born December 31, 1937 — Anthony Hopkins, 82. I think one of his most impressive roles was as Richard in The Lion in Winter but we can’t even call that genre adjacent, can we? He was, during that period, also King Claudius in Hamlet. I’ll say playing Ian McCandless in Freejack is his true genre role, and being Professor Abraham Van Helsing In Bram Stoker’s Dracula is a plum of a genre role. It’s a better role than he as Odin has the MCU film franchise. What else have I missed that I should note?
Born December 31, 1943 — Ben Kingsley, 76. Speaking of Kipling, he voiced Bagherra in the live action adaptation that Disney did of The Jungle Book. He was also in Iron Man 3 as Trevor Slattery, a casting not well received. He’s The Hood in Thunderbirds (directed by Frakes btw), Charles Hatton in A Sound of Thunder and Merenkahre in Night at the Museum: Secret of the Tomb, the third of three great popcorn films.
Born December 31, 1945 — Connie Willis, 74. She has won eleven Hugo Awards and seven Nebula Awards for her work, a feat that impresses even me, someone who isn’t generally impressed as you know by Awards! Of her works, I’m most pleased by To Say Nothing of the Dog, Doomsday Book and Bellwether, an offbeat novel look at chaos theory. I’ve not read enough of her shorter work to give an informed opinion of it, so do tell me what’s good there.
Born December 31, 1945 — Barbara Carrera, 74. She is known for being the SPECTRE assassin Fatima Blush in Never Say Never Again, and as Maria in The Island of Dr. Moreau. And she was Victoria Spencer in the really awful Embryo, a film that that over five hundred review reviewers at Rotten Tomatoes give a sixteen percent rating.
Born December 31, 1949 — Ellen Datlow, 70. Let’s start this Birthday note by saying I own a complete set of The Year’s Best Fantasy & Horror which yes , I know it was titled The Year’s Best Fantasy for the first year. And I still read stories for them from time to time. If that was all she had done, she’d have been one of our all-time anthologists but she also, again with Terri Windling, did the Fairy Tale and Mythic Fiction series, both of which I highly recommend. On her own, she has the ongoing Best Horror of Year, now a decade old, and the Tor.com anthologies which I’ve not read but I assume collect the fiction from the site. Speaking of Tor.com, she’s an editor there, something she’s also done at Nightmare Magazine, Omni, the hard copy magazine and online, and Subterranean Magazine.
Born December 31, 1953 — Jane Badler, 66. I first encountered her on the Australian-produced Mission Impossible where she played Shannon Reed for the two seasons of that superb series. She’s apparently best known as Diana, the main antagonist on V, but I never saw any of that series being overseas at the time. She shows up in the classic Fantasy Island, Sir Arthur Conan Doyle’s The Lost World, Bitch, Popcorn & Blood and Virtual Revolution.
Born December 31, 1958 — Bebe Neuwirth, 61. She’s had but one television SF credit to her name which is playing a character named Lanel in the “First Contact” episode of the Next Gen series during season four, but I found a delightful genre credential for her. From April 2010 to December 2011, she was Morticia Addams in the Broadway production of The Addams Family musical! The show itself is apparently still ongoing.
Born December 31, 1959 — Val Kilmer, 60. Lead role in Batman Forever where I fought he did a decent job, Madmartigan in Willow, Montgomery in The Island of Dr. Moreau, voiced both Moses and God in The Prince of Egypt, uncredited role as El Cabillo in George and the Dragon and voiced KITT in the not terribly we’ll conceived reboot of Knight Rider. Best role? Ahhh, that’d be Doc Holliday in Tombstone.
Born December 31, 1971 — Camilla Larsson, 48. Therese in the first series of Real Humans on Swedish television. She was Jenny in the Mormors magiska vind series which is definitely genre given it’s got a ghost and pirate parrots in it!
(12) COMICS SECTION.
Lio warns us that pocket universes can pop up unexpectedly.
Scroll down to the third cartoon – a classic from The Far Side as cops deduce what killed these cats…
(13) THE LONELINESS OF GENERAL HUX. [Item by Olav Rokne.] Nobody really understands the motivations of General Hux in the most recent Star Wars movie, so Slate Magazine’s Dan Kois (@DanKois) gets into Hux’ head with excerpts from the General’s private diaries: “The Lost Diaries of General Hux”. The results are laugh-out-loud funny:
Kylo Ren loves making little comments about Starkiller Base. “I sense a great regret in your heart about the failure of your planet-sized death machine,” he says. It hurts my feelings. I spent years managing that project, prime years of my career, and I only got to blow up one star system before the whole thing was destroyed. Which, incidentally, was the fault of those horrid contractors, not me. I can’t complain to Ren, obviously. I wish there was someone I could talk to! I ordered a therapist droid from the medical bay but Snoke had them all reprogrammed to say “Your problems are inconsequential, focus only on crushing the Resistance.” No one knows how to reboot them. It’s too bad—therapy is supposed to be covered in the medical plan, and a lot of our nameless young stormtroopers could stand to talk things out about their kidnapping, parents being killed, etc.
When the creators of Harry Potter and the Cursed Child were working on adapting the wizarding world for the stage, they knew a lot of people have seen the Harry Potter movies. And they didn’t want to reproduce the things most people have already seen.
The result is a spectacle that relies much more on human-powered magic than special effects trickery. And the show’s creators have documented that process in a lavish new coffee-table book, Harry Potter and the Cursed Child: The Journey. So I went on my own journey, backstage at the current Broadway production, to see how that magic is made.
Around and under the stage of Manhattan’s Lyric Theater, there’s a warren of corridors and staircases so complex you almost expect to pop out in Hogsmeade. But instead, I end up in a rubber-floored workout room where today’s cast is warming up for the show, directed by movement captain James Brown III (who also plays the magisterially surly Bane the Centaur).
It’s pretty intense. There’s yoga, stretching, and some hard-core calisthenics. Grunts and groans ripple around the room as Brown leads everyone through their paces. This isn’t usual for a Broadway show, but then not that many shows are this physical. The actors in Cursed Child create effects that would have been done digitally onscreen with their own bodies, and with the help of some special crew members.
With some blockbuster space missions under way, 2019 saw some amazing images beamed back to Earth from around the Solar System. Meanwhile, some of our most powerful telescopes were trained on the Universe’s most fascinating targets. Here are a few of the best.
Up in the clouds
Nasa’s Juno spacecraft has been sending back stunning images of Jupiter’s clouds since it arrived in orbit around the giant planet in 2016. This amazing, colour-enhanced view shows patterns that look like they were created by paper marbling. The picture was compiled from four separate images taken by the spacecraft on 29 May.
(17) UNDEAD SUPERHEROES. [Item by Mike Kennedy.] The LARGE majority of this list had me mentally screaming,
“Noooooooo.“ In my very loudest mental voice. I’ve left out the reasons cited
for wanting to bring each of them back in reproducing the list below. It’s
kinder that way. CBR.com lists “10 Saturday Morning Cartoon Superheroes That Need To Be
Saturday morning cartoons. Before the advent of 24-hour cartoon networks and streaming services, this was the only way for kids to get their fill of both animated fare and sugary cereals. It was a Golden Age filled with characters that ran or drove past the same scene several times, animals that talked, and scrappy puppies that saved older cartoon franchises.
In the 1960s and 70s, it was also the place where superheroes came to life. Not only familiar ones like Superman, Batman, Spider-Man, and the Fantastic Four. But also ones created for that precious five hours of time on Saturday’s. Some would continue on beyond this era. Others would vanish around the same time they premiered. Yet, they all have a space in our dusty and aging hearts. To honor these pioneers, here are 10 Saturday morning cartoon superheroes that need to be resurrected.
TOPPS NOW celebrates the greatest moments… as they happen!
(19) CLEVER COMMERCIAL. “Not genre but will put a smile on your face,” promises John King Tarpinian.
[Thanks to Michael Toman, Andrew Porter, Cat Eldridge, Martin
Morse Wooster, John King Tarpinian, Olav Rokne, Darrah Chavey, Mike Kennedy, N.,
Heather Rose Jones, Nina Shepardson, Chip Hitchcock, Moshe Feder, and JJ for
some of these stories. Title credit goes to File 770 contributing editor of the
day Daniel Dern.]
…Most dragons don’t know how to read. They hiss and fume and guard their hoard. A tasty knight is what they need For dinner (they spit out the sword), Then go to sleep on heaps of treasure. They’ve no use for the written word….
(2) CLOUDY, WITH A CHANCE OF GENRE. Last night on Saturday
Night Live there were three sketches with fantasy in them:
Spooky Song is about a ghost who really doesn’t want to explain the tasteless way in which he died.
Dance Rehearsal asks, “What happens if you’re taking a dance class and your instructor is a werewolf?”
(3) ‘BOT AND SOULED. The LA Review of Books’ Patrick
House considers the writing of robots in “I, Language Robot”.
I was hired to write short fiction at OpenAI, a San Francisco–based artificial intelligence research lab. I would be working alongside an internal version of the so-called ‘language bot’ that produces style-matched prose to any written prompt it’s fed. The loss that I feared was not that the robot would be good at writing — it is, it will be — nor that I would be comparatively less so, but rather that the metabolites of language, which give rise to the incomparable joys of fiction, story, and thought, could be reduced to something merely computable.
…The model of growth that seems to lie behind that attitude—the idea that such critics have of what it’s like to grow up—must be a linear one; they must think that we grow up by moving along a sort of timeline, like a monkey climbing a stick. It makes more sense to me to think of the movement from childhood to adulthood not as a movement along but as a movement outwards, to include more things. C. S. Lewis, who when he wasn’t writing novels had some very sensible things to say about books and reading, made the same point when he said in his essay “On Three Ways of Writing for Children”: “I now like hock, which I am sure I should not have liked as a child. But I still like lemon-squash. I call this growth or development because I have been enriched: where I formerly had only one pleasure, I now have two.”
But the guards on the border won’t have any of that. They are very fierce and stern. They strut up and down with a fine contempt, curling their lips and consulting their clipboards and snapping out orders. They’ve got a lot to do, because at the moment this is an area of great international tension. These days a lot of adults are talking about children’s books. Sometimes they do so in order to deplore the fact that so many other adults are reading them, and are obviously becoming infantilized, because of course children’s books—I quote from a recent article in TheIndependent—“cannot hope to come close to truths about moral, sexual, social or political” matters. Whereas in even the “flimsiest of science fiction or the nastiest of horror stories . . . there is an understanding of complex human psychologies,” “there is no such psychological understanding in children’s novels,” and furthermore “there are nice clean white lines painted between the good guys and the evil ones” (wrote Jonathan Myerson in TheIndependent, 14 November 2001).
(5) GOALS AND PURPOSES. Robert J. Sawyer draws the title of
his article in the July edition of Galaxy’s Edge,“What
SFWA Was Supposed to Be”, from the contrast he perceives between founder
Damon Knight’s stated purpose for the organization and the SFWA mission
statement of 2018.
…Of course, times change; of course, publishing is different now than it was then. But in the thirty-six years I’ve been a member of SFWA, I’ve seen—and, indeed, foreseen—all the changes that people are talking about now and more (I was writing in 1998 as SFWA president about “the post-publisher economy”).
For instance, it used to be that giant print runs were required to get economical per-copy pricing; that’s no longer true. It used to be there were many thousands of bookstore accounts for publishers to service in North America; sadly, that’s no longer true. It used to be that audiobooks were only made in eviscerated abridgments and only of the biggest print sellers; wonderfully, that’s no longer true. And it used to be that the only effective way to publish a book was on paper. That’s no longer true, either (and I’ve got a bunch of my own older titles out in self-published e-book editions).
Whatever you might think of these changes, every single one of them came with enormous cost savings for publishers, but no portion of that was ever passed on to the authors. I remember at one convention this decade hearing the late David G. Hartwell brag that Tor, the publisher he worked for, had just had its best year ever, while one of his authors—with Hugos galore—confided to me that he didn’t know how he was going to heat his house that coming winter.
Among the most egregious things that have happened during my career: literary agents going from ten-percent commissions to a fifteen percent; publishers locking in a 3:1 split of e-book royalties—three dollars for them to every one for the writer; and publishers using print-on-demand and the mere notional existence of an e-book edition to keep from reverting rights to authors for titles the publisher is no longer promoting or selling in any meaningful quantity. SFWA rolled over on every one of these.
But never let it be said that SFWA is without achievements. They recently—and I’m not making this up—produced an official SFWA secret decoder ring. I didn’t pony up to get one; I doubt Damon Knight would have wanted such a thing, either.
(6) CHAPMAN OBIT. Scholar and regular attendee of the
International Conference on the Fantastic Arts Edgar Chapman (1936-2019), a Professor Emeritus in the English
Department at Bradley University, died
October 11 at the age of 83. He
authored numerous articles and books including The Magic Labyrinth of Philip
Jose Farmer (1984) and The Road to Castle Mount: The Science Fiction of
Robert Silverberg (1999). He also co-edited Classic and Iconoclastic Alternate
History Science Fiction (2003).
(7) TRIVIAL TRIVIA.
Don’t tell Harlan but Ray Bradbury gets credit for Terminator
first. Ray was on the Oscar nominating committee for documentaries, in
1977. The next screening for the committee was listed as a muscle
building movie, Pumping Iron. Without even screening it the
committee basically said NEXT. Ray spoke up and said they had to screen
it because his brother, Skip, was a body builder and worked out on Venice’s Muscle
Beach. After watching the documentary it was nominated. Making the
career for Arnold Schwarzenegger. Heck, we got Lou Ferrigno as the Hulk,
too. [Source: John King Tarpinian.]
(8) TODAY IN HISTORY.
October 27, 1967 — Star Trek’s “Catspaw” was first aired. Written by Robert Bloch who said it was based on his 1957 story, “Broomstick Ride” published in Super Science Fiction. It was their Halloween episode.
[Compiled by Cat Eldridge.]
Born October 27, 1922 — Ruby Dee. Her first genre role is in Cat People. No name there but she has the wonderful name of Mother Abagail Freemantle in The Stand series. (Died 2014.)
Born October 27, 1937 — Steve Sandor. He made his first genre appearance on Trek playing Lars in the second season episode “The Gamesters of Triskelion”. He also did one-offs on Knight Rider, Fantasy Island and The Six-Million Dollar Man. He did a choice bit of horror in The Ninth Configuration. (Died 2017.)
Born October 27, 1938 — Lara Parker, 80. Best known for her role as Angelique on Dark Shadows which aired from 1966 to 1971. She also played Laura Banner in The Incredible Hulk pilot, and Madelaine in the Kolchak: The Night Stalker “The Trevi Collection” episode. And she was on Galactica 1980 in “The Night The Cylons Landed” two-parter.
Born October 27, 1939 — John Cleese, 80. Monty Python of course, but also Time Bandits, Mary Shelley’s Frankenstein, two Bond films as Q and even two Harry Potter films as Nearly Headless Nick. He’s definitely deep into genre film roles. And let’s not forget he shows up as an art lover on the “City of Death” story, a Fourth Doctor story.
Born October 27, 1948 — Bernie Wrightson. Artist with who with writer Len Wein, he’s known for co-creating Swamp Thing. He did a lot of illustrations from Cemetery Dance magazine to Stephen King graphic novels to DC and Marvel comic. Ell me what you liked about his work. (Died 2017.)
Born October 27, 1953 — Robert Picardo, 66. He debuted in genre as Eddie Quist, the serial killer werewolf in The Howling. He’d be in Dante’s Explorers, Looney Tunes: Back in Action, Gremlins 2: The New Batch, Small Soldiers and Innerspace. And then of course he played the role of the Emergency Medical Hologram (EMH) on Voyager. And even managed to show on on Stargate SG-1. Busy performer!
Born October 27, 1963 — Deborah Moore, 56. English actress and the daughter of actor Roger Moore and Italian actress Luisa Mattioli. She’s an Air Hostess in Die Another Day, a Pierce Brosnan Bond film. And she was a secretary in Goldeneye: The Secret Life of Ian Fleming. Her very first role was as Princess Sheela in Warriors of the Apocalypse.
Born October 27, 1970 — Jonathan Stroud, 49. His djinn-centered Bartimaeus series is most excellent. Though considered children’s novels, I think anyone would enjoy them. I’ve also read the first two in his Lockwood & Co. series as well — very well done.
Shoe finds out why a character is not a Tolkien fan.
How To Cat hears Zarathustra speaking, if you know what I mean.
Takashi Miike’s 1999 horror movie “Audition” is often cited as one of the most disturbing films ever made. Ryo Ishibashi stars as a widow named Shigeharu Aoyama who stages auditions for men in hopes of meeting a new husband or life partner. Aoyama falls for Asami (Eihi Shiina), but her dark past has unexpected and brutal consequences. Tarantino called the movie one of his favorites since he’s been a director, referring to it as a “true masterpiece” in a 2009 interview.
Once Upon a Time In Hollywood, a.k.a. “the 9th film from Quentin Tarantino,” made quite the splash upon release when it hit theaters this past summer. It had all of Tarantino’s signature trademarks — a couple of cranky male leads, excessive violence, and a rockin’ retro soundtrack. And it’s left QT fans salivating for whatever his 10th (and possibly final?) movie will be. Rumors abound that it could in fact be a Star Trek film. Leading many fans to ponder just what the heck a “Pulp Fiction-esque Star Trek” movie would even look like.
Well, one fan has combined the well known Quentin Tarantino sensibilities and aesthetics with some old school StarTrek footage, and the result is “Once Upon a Time in Star Trek.”
…Bradbury’s novel “The Halloween Tree” tells the story of a group of trick-or-treaters who learn about the origins of Halloween while on an adventure to find their missing friend. Bradbury dreamed of having a Halloween Tree at Disneyland park, and on the 35th anniversary of the novel, his dream was brought to life.
“I belong here in Disneyland, ever since I came here 50 years ago. I’m glad I’m going to be a permanent part of the spirit of Halloween at Disneyland,” the author said at the tree’s dedication. Bradbury would visit the tree before he passed away in 2012.
Today, the Halloween Tree delights guests of all ages and honors Bradbury’s many contributions to Disney. A plaque at the base of the tree commemorates the night of its dedication: “On the night of Halloween 2007, this stately oak officially became ‘The Halloween Tree,’ realizing famed author Ray Bradbury’s dream of having his symbol for the holiday become a part of Disneyland.”
Showrunner Damon Lindelof was planning to give the “Watchmen” story quite a twist — so he told King to use her unfamiliarity to her advantage. It’s a different approach compared with many actors who land superhero roles and are immediately handed a stack of comics.
“He didn’t want me to confuse how he saw this world,” said King, who worked with Lindelof on HBO’s “The Leftovers.” “He was right.”
“Because I did watch the film after [filming the pilot], and I would have been confused,” she added. “They stand on their own. They don’t even feel related to me in any way. Which I think is a great thing. I think that’s the beauty of Damon making the choice of using the [comics] as canon instead of trying to duplicate, from my understanding, something that was already great.”
One of the more expensive offerings Hasbro had for this year’s Triple Force Friday extravaganza was the latest helmet in its Star Wars: The Black Series line of “roleplay” items. Joining a line that already had everything from Darth Vader’s helmet to more Stormtrooper variants than you can shake an Incinerator Trooper at, the Luke Skywalker X-Wing Battle Simulation Helmet is a 1:1 replica of the same helmet worn by everyone’s favorite Rebel-turned-Jedi-turned-Milk-Swigging-Curmudgeon in both A New Hope and The Empire Strikes Back.
Packed with lights and sounds to replicate Luke’s experiences at the battles of Yavin and Hoth, the main draw is it’s…well, a Star Wars helmet you can put on your head.
1. There’s a reason slow-moving zombies are terrifying.
When Romero was making his pioneering zombie favorites, the walking dead only moved at a slow and steady pace. But by the time that Wright, Pegg and Frost were making Shaun, zombies had acquired frightening busts of speed in films like 28 Days Later and Zack Snyder’s Dawn of the Dead remake. Previously a zombie originalist, Pegg now says that’s he’s come around on their lightning-quick descendants. “I’m not the purist I used to be — I’ve seen fast-zombie things that I’ve enjoyed,” the actor says, pointing to the 2016 South Korean cult favorite Train to Busan. But there was never a world in which Shaun would have made the switch, and not just because they were trying to remain true to Romero’s vision. Pegg argues that quicker creatures would have undermined the dramatic metaphor of a person — and entire society — caught in the grip of stagnation, which runs beneath the movie’s comedy. “There’s something incredibly creepy about the shambling dead. They’re more of an effective metaphor for death when they just sort of come slowly. That’s what death is — death doesn’t always just run at you.”
[Thanks to Martin Morse Wooster, Chip Hitchcock, JJ, Michael
Toman, Cat Eldridge, John King Tarpinian, Mike Kennedy, Lenore Jean Jones, and
Andrew Porter for some of these stories. Title credit goes to File 770
contributing editor of the day Xtifr.]
Since its 1984 bow, The Terminator has spawned five sequels grossing $1.8 billion globally. The latest, Terminator: Dark Fate (Nov. 1), again will have the future messing with the past. And that plot extends into real life as Gale Anne Hurd, the original’s writer, has moved to terminate a copyright grant made 35 years ago, The Hollywood Reporter has learned.
As a result, per records filed at the U.S. Copyright Office, David Ellison’s Skydance Media — which acquired the rights from his sister, Megan Ellison, who bought them for $20 million in 2011 at an auction — could lose rights to make Terminator movies starting in November 2020.
Terminator isn’t an anomaly, it’s a preview of what’s to come. In the late 1970s, Congress amended the law to allow authors to grab back rights from studios after waiting a few decades. Until now, the termination provision has largely been exploited by musicians, not screenwriters. But records show a flurry of termination notices in the past year — under law, they can come 35 years after publication — which threatens to unsettle who owns the ability to make sequels and reboots of iconic films from the mid- to late-’80s.
More works that could change hands: Gary K. Wolf is looking to terminate Disney’s rights to the book that became Who Framed Roger Rabbit. The heirs of Beetlejuice screenwriter Michael McDowell aim to do the same for the script to the 1998 Warner Bros. film. The family of novelist Roderick Thorp is terminating Fox’s grip on Nothing Lasts Forever, aka Die Hard. Other works subject to termination include Predator and Nightmare on Elm Street, with authors like Stephen King and David Mamet also on the warpath.
Why now is probably best explained by the statutory clock (termination notices must be sent at precise time during the copyright term), though a judge’s decision last year confirming the validity of a termination notice sent by Friday the 13th screenwriter Victor Miller certainly raised awareness among authors. (The producer of that film is appealing on grounds that Miller’s script was penned as a work-for-hire with no termination rights.)
Harry Potter fans have some adjusting to do, as it was recently announced that J.K. Rowling’s ‘Pottermore’ site would be shutting down, and moving over to the new ‘Wizarding World’ site, claiming that with new site enhancements and expansions, Pottermore could not longer sustain the needs of the fans of ‘Harry Potter’ and ‘Fantastic Beasts,’ and WizardingWorld.com would be an upgrade. Check out the full news release from the website itself below:
Engorgio Pottermore… We’re moving to WizardingWorld.com – our new, bigger home for all of the magic you love. Here’s everything you need to know….
Now that we’re finally examining the issues around people like John W. Campbell, James Tiptree Jr., and Marion Zimmer Bradley, we should do the same for Clarke. Especially since a major genre award is named for him.
None of this changes how important Clarke’s stories were to my development as a writer or his impact on the field of science fiction. This doesn’t mean you can’t still love his books.
But the SF/F genre simply can’t ignore this issue any longer.
…In New York City, the police department is taking a “precautionary measure” by positioning uniformed officers at every theater in the city that is screening ‘Joker’. These officers will not be stalking up and down the aisles. In fact, they won’t be in the theaters at all. They will simply be patrolling in front of the theaters. It should be stressed that there have been no “credible threats” made that anyone is planning to shoot up screenings of ‘Joker’, but just in case…
Elsewhere, ‘Joker’ won’t screen in the Aurora, CO theater where the 2012 mass shooting occurred. Landmark Theaters has banned any Joker cosplay, masks, face paint, etc. for the weekend….
N. K. Jemisin, the only author to win the prestigious Hugo Award for best science-fiction or fantasy novel three years in a row, partly credits fan fiction for her ability to draw in readers.
Jemisin started writing fan fiction, in which authors imagine new stories based on preexisting fictional works, while in grad school for counseling. “I was miserable and lonely. I didn’t have a lot of friends, or stress relief,” she told me. “Around then was when I became internetted, and one of the first communities I discovered was a fan-fic community.” Through talking with other authors and writing her own stories about Dragon Ball Z (among other things), she found friends, got feedback, and, as she put it, “blew the cobwebs off writing abilities I hadn’t used since college.”
For instance, this writing helped her hone her ability to hold readers’ interest. “Fan fiction tends to have a built-in hook because it’s written in a world you’re a fan of; you’re predisposed to like it,” she said. “You have to find a way to make it not just the world that people are tuning in to read, so they are interested in your story.” To this day, Jemisin said, she still writes fan fiction, and treats it as a way to try out new genres and skills, such as using the second person, which she does in the Broken Earth trilogy, which earned her the three Hugos.
(6) DACRE STOKER TO APPEAR. The Rancho Mirage Writers Festival (January 29-31, 2020) has a lineup of writers including Michael Chabon, Jonathan Lethem, and Dacre Stoker, Bram Stoker’s great-grand-nephew.
(7) ANGRY ROBOT PUBLISHES SHORT
FICTION. Angry Robot’s “first foray into short-form fiction” will be
released October 8.
The first novelette being produced by Angry Robot, Duchamp Versus Einstein, which is releasing in a few weeks’ time on the 8th October. This science fiction tale depicts a surreal chess match between two of the twentieth century’s greatest minds that could change the course of history. Within its 100 pages, several questions are posed – is science greater than art? Or is art an extension of science? And if this epic game could ever take place, would you be Team Einstein or Team Duchamp?
Over the last couple of years, some of the best short science fiction has emerged from a joint project between Slate, New America, and Arizona University. The Future Tense brings together some of the best science fiction authors writing right now, and this book collects a number of those stories in one volume. Authors here include the likes of Charlie Jane Anders, Paolo Bacigalupi, Madeline Ashby, Hannu Rajaniemi, Annalee Newitz, Nnedi Okorafor, and more. This is an essential book for those wanting cutting-edge fiction about our near future. Kirkus Reviews gave the book a starred review, saying that it’s full of “Provocative, challenging stories that project the tech innovations of today onto the moral framework of tomorrow.”
(10) TODAY IN HISTORY.
October 2, 1950 — Peanuts comic debuted.
October 2, 1959 — Rod Serling’s The Twilight Zone aired its first episode, “Where Is Everybody?”. Starring cast for this episode is Earl Holliman, James Gregory and Garry Walberg.
October 2, 2000 — Gene Roddenberry’s Andromedatook flight in television syndication. Starring Kevin Sorbo, it would run for five seasons. Majel Barrett-Roddenberry is listed as executive-producer.
October 2, 2009 — Stargate Universe debuted. The third series in the Stargate series franchise, it lasted two seasons and forty episodes before ending on a sort of cliffhanger. Robert Carlye, the lead in the Hamish Macbeth series, was Nicholas Rush here.
October 2, 2016 — HBO aired the much more adult Westworld as created by Jonathan Nolan and Lisa Joy. Based on the nearly fifty year old film of the same name which was a Michael Crichton endeavour, it counts J. J. Abrams among its executive-producers. It’s still going strong.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 2,1897 — Bud Abbott. Abbott and Costello did genre films, to wit Abbott and Costello Meet Frankenstein, Abbott and Costello Meet the Killer Boris Karloff, Abbott and Costello Meet the Invisible Man and Abbott and Costello Go to Mars just to list a few of them. (Died 1974.)
Born October 2,1906 — Willy Ley. He was a science writer who designed the rocket used with Fritz Lang’s 1929 film Die Frau im Mond (Woman in the Moon). It was so accurate that in 1937 that the Gestapo confiscated not only all models of the spaceship but also all foreign prints of the picture. The crater Ley on the far side of the Moon is named in his honor. (Died 1969.)
Born October 2,1909 — Alex Raymond. Cartoonist, generally only known for creating Flash Gordon for King Features in 1934. The strip was has been adapted into many media, from a series of movie serials in the Thirties and Forties to a Seventies TV series and the Eighties feature film not to be confused with the American-Canadian tv series of the same vintage. Radio serials, myriad films, comic books, novels — any medium that exists has seen Flash Gordon fiction. There are at least fifteen authorized strips and a number of bootleg strips as well. Needless to say there are bootleg films and serials too. (Died 1956.)
Born October 2, 1911 — John Finney. Author of The Body Snatchers and Time and Again, two truly great novels. Of course there’s also the awesome Fifties Invasion of the Body Snatchers film too. (Died 1995.)
Born October 2, 1931 — Edmund Crispin. He’s well remembered and definitely still read for his most excellent Gervase Fen mystery series. It turns out that he was the editor of the Best SF anthology series that ran off and on between 1955 and 1972. Writers such as Kuttner, Moore, Blish, Bradbury and Von Vogt had stories there. These anthologies alas are not available digitally or in hard copy. (Died 1978.)
Born October 2,1944 — Vernor Vinge, 75. Winner of five Hugo Awards, none for what I consider his best series which is the Realtime/Bobble series. I’m also very fond of his short fiction, much of which is collected in The Collected Stories of Vernor Vinge, though the eighteen years worth of his work remain uncollected.
Born October 2,1948 — Avery Brooks, 71. Obviously he’s got his Birthday Honor for being Benjamin Sisko on Deep Space Nine, but I’m going to note his superb work also as Hawk on Spenser: For Hire and its spinoff A Man Called Hawk. He retired from video acting sixteen years ago but is an active tenured Theatre professor at Rutgers.
Born October 2,1948 — Persis Khambatta. Indian model and actress who played Lieutenant Ilia in Star Trek: The Motion Picture. She made mostly low-budget films, some genre (Warrior of the Lost World, She-Wolves of the Wasteland) and even showed up in the pilot of Lois & Clark: The New Adventures of Superman. She died of a massive attack at the age of 49. (Died 1998.)
Born October 2,1950 — Ian McNeice, 69. Prime Minister Churchill / Emperor Winston Churchill on Doctor Who in “The Beast Below,” “Victory of the Daleks,” “The Pandorica Opens,” and “The Wedding of River Song,” all Eleventh Doctor stories. He was an absolutely perfect Baron Vladimir Harkonnen in Frank Herbert’s Dune and Frank Herbert’s Children of Dune series. And he voiced Kwaltz in The Hitchhiker’s Guide to the Galaxy.
Born October 2,1951 — Sting, 68. Feyd-Rautha Harkonnen in the Dune film. Far, far too old for the character who was supposed to be sixteen years old. He worked as a Heroic Officer in The Adventures of Baron Munchausen. And he’s Martin Taylor in the horrific Brimstone & Treacle.
Born October 2,1953 — Walter Jon Williams, 66. The last thing I read by him was his most excellent Dagmar Shaw series which I highly recommend. I also like his Metropolitan novels, be that Sf or fantasy, as well as his Hardwired series. What else by him is worth my time?
Born October 2, 1972 — Graham Sleight, 47. Editor of Foundation: The Review of Science Fiction between 2007 and 2011, and was a Locus reviewer 2005 to 2012. He is the Managing Editor of the 3rd edition of The Encyclopedia of Science Fiction and was so when the 2012 Hugo Award for Best Related Work was given to it. He oft times writes about Doctor Who. He co-edited (along with Simon Bradshaw and Antony Keen) The Unsilent Library, a book of essays about the Russell T Davies era. His other Doctor Who work, The Doctor’s Monsters: Meanings of the Monstrous in Doctor Who, is now available in a trade paperback edition.
(12) COMICS SECTION.
Foxtrot recommends Dungeons & Dragons to motivate your studying.
How do you weigh the largest animals on the planet?
Until now it has only been possible to weigh whales once they have washed up dead on beaches.
Now scientists have solved the conundrum, with the help of aerial photographs taken by drones.
Their model accurately calculated the body volume and mass of wild southern right whales. Already being used to assess the survival of calves, it has many potential uses in conservation.
Body mass is a key factor in the success of whales as a group, determining their energy uses, food requirements and growth rates.
Yet most of what we know about the body size of whales comes from old whaling literature or from animals that end up stranded on the beach or caught in fishing gear.
“It is very difficult to measure a whale on a scale – I mean you have to kill it to do it and that’s exactly what we’re avoiding here,” said study researcher Fredrik Christiansen from the Aarhus Institute of Advanced Studies in Denmark.
(16) HALLOWEEN SUPPLIES. While out shopping, John King
Tarpinian encountered Audrey’s offspring:
In the climactic scene of the 2007 Disney film Ratatouille—during which the movie’s main characters, Remy the rat and Linguine the human chef, attempt to impress an important culinary critic—Remy and his animal pals diligently prepare a mouthwatering dish of sauce and vegetables that reminds the tough food commentator of his mother’s homemade meals. The delectable-looking animated spread is presented in the film as ratatouille, a Provençal recipe that originated from Nice, France. But while we can’t fault Disney for the use of a clever pun, the beautifully arranged vegetarian dish shown during the movie isn’t, in all technicality, ratatouille. Rather, it’s a variation on another, very similar Provençal dish: tian.
D. Harlan Wilson discusses his book from the University of Illinois Press, J.G. Ballard. Part of the Masters of Modern Science Fiction series, Prof. Wilson provides a look at Ballard’s literary career as well as some of the adaptations of his work for the cinema.
If you haven’t noticed, fall seems to be when Starbucks fans let their freak flags fly and come up with all sorts of amazing Halloween-inspired creations. Recently, we had the Jack Skellington Frappuccino, but now another Nightmare Before Christmas character is getting his (its?) time to shine with the Oogie Boogie Frappuccino.
If you’re not familiar with the film, Oogie Boogie is described as a “burlap sack filled with insects, spiders and a snake for a tongue,” which…same.
Disney is launching “Star Wars” treats for the opening of “Galaxy’s Edge,” a new 14-acre immersive “land” based on the “Star Wars” universe and located within Hollywood Studios in Disney World.
The offerings at the Florida park include dishes such as churros that look like lightsabers, Millennium Falcon-shaped Chocolate Pops, and Chewbacca-inspired cupcakes.
(21) VIDEO OF THE DAY. “Dead End” on Vimeo is a cartoon by Victoria Vincent about a
depressed high school guidance counselor.
[Thanks to Cat Eldridge, John King Tarpinian, JJ, Chip Hitchcock,
Michael Toman, Martin Morse Wooster, Mike Kennedy, Darrah Chavey, and Andrew
Porter for some of these stories. Title credit goes to File 770 contributing
editor of the day Andrew.]
(1) BLOGGER BLOWS AWAY SHORT SFF REVIEW SITE. Jason McGregor of Featured Futures just announced he is going to quit promoting and reviewing short sff and has gone so far as to delete hundreds of posts from his site: “The Incredible Shrinking Blog”.
…I was discouraged from rushing back to do reviews by the John W. Campbell business. In many ways (especially socioeconomic) I’m a pretty liberal guy, but I have next to no patience with “political correctness” or historical “revisionism” or any number of the other manifestations of “theory” prevalent these days. This has always been a drag on my enjoyment of current SF and contributed to the burnout I was feeling which led to my falling behind in March, but I felt like I was ready to get back on the horse…. And while I was doing that, we got the Awards Formerly Known As Campbell. While the attack was vulgar and ignorant, it was also irrelevant to short SF. However, people who are relevant to short SF and should know better have not only failed to be voices of reason but have added to the unreason. It just underscores that I signed up to read a body of literature with a significant emphasis on creative ideas and positive visions of futures with technologically and rationally advanced natures and what I’ve been reading is mostly a subgenre of LGB,eTc. fiction which is populated by Orwellian erasers of the giants whose shoulders they stand upon insofar as they are SF at all (or Wile E. Coyotes sawing off the limb they sit on). The great Katherine MacLean died recently. One guess as to who published her first story in 1949….
As a lover of the unpopular field of print science fiction and the even less popular field of short SF, I made the promotion of contemporary short SF the purpose of this blog, only to have to admit that short SF has become unpopular for very good reasons and I now wish to do anything but promote it.
…Capturing the sheer tumult of the times, rather than being washed away by it, is an artistic challenge that spans genres. In this case there’s a positive: It has become common ground in a slightly surreal online friendship played out on Twitter, featuring Hood and novelist William Gibson. On one side you have a band known for its obsession with the ways that the South’s history taints its present; on the other you have the futurist who coined the term “cyberspace” and revolutionized science fiction with his 1984 novel “Neuromancer.”
What most people don’t realize, Hood said, is that Gibson has Southern roots as well, having grown up in Virginia before moving to Canada during the Vietnam era….
I also had the terrifying experience in the afternoon of being summoned to meet James Bacon, the chair of Worldcon. I assumed that word about The Incident had finally percolated up to him and I was about to be removed from the Convention Centre with extreme prejudice. But before I could launch into an unconvincing attempt to explain myself, James revealed that he was actually presenting me with a Hero medal in recognition of my work for Worldcon both before and during the convention. This was something of a surprise and I was truly honoured to receive the medal, which I wore with pride for the rest of the convention.
THE ELECTORAL COLLEGE, about which historical ignorance, incapacity to reason, blindness to reality driven by ideology and just plain stupidity have produced an ocean of twaddle.
It should be blindingly obvious by now that the Electoral College is at best an antiquated institution which never matched the vision of it held by the Founding Fathers and has become an impediment to modern government. In times past, the reason most people shrugged off its grotesque features was because in practice it didn’t seem to make much difference. In the first two centuries of the nation’s existence, a candidate won the Electoral College while losing the so-called “popular vote” only three times (in 1824, 1876 and 1888). But it has happened twice in the past five elections (2000 and 2016), so now it has become a major topic of debate….
(5) GRAEME GIBSON OBIT. Writer and conservationist Graeme
Gibson, Margaret Atwood’s partner, has died at the age of 85 reports the CBC.
Margaret Atwood, Gibson’s longtime partner, said in a statement Wednesday issued by publisher Penguin Random House Canada: “We are devastated by the loss of Graeme, our beloved father, grandfather and spouse, but we are happy that he achieved the kind of swift exit he wanted and avoided the decline into further dementia that he feared.
“He had a lovely last few weeks, and he went out on a high, surrounded by love, friendship and appreciation. We are grateful for his wise, ethical and committed life.”
September 18, 1951 — The Day The Earth Stood Still had its theatrical premiere in New York City. Klaatu was played by Michael Rennie.
September 18, 2002 — The Twilight Zone, 3rd version, premiered on TV.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 18, 1884 — Gertrude Barrows Bennett. She’s been called a pioneering author of genre fiction. She wrote a number of fantasies between in the late teens and early twenties, and has been called “the woman who invented dark fantasy”. Her short story, “The Curious Experience of Thomas Dunbar” which was published under G.M. Barrows in Argosy is considered first time that an American female writer published SF story using her real name. I’m pleased to say that both iBooks and Kindle are heavily stocked with her works. (Died 1948.)
Born September 18, 1888 — Arthur Gilchrist Brodeur. He is known primarily for his scholarly work on Beowulf and his translation of Snorri Sturluson’s Prose Edda for The American-Scandinavian Foundation, but also as a writer of pulp fiction having written The Altar of the Legion (with Farnham Bishop), He Rules Who Can and one short genre story, “The Golden Story”, though iBooks has The Adventures of Faidit and Cercamon for sale which may or may not be genre. (Died 1971.)
Born September 18, 1944 — Veronica Carlson, 75. She’s best remembered for her roles in Hammer horror films. Among them are Dracula Has Risen from the Grave, Frankenstein Must Be Destroyed and The Horror of Frankenstein. She also shows up in Casino Royale as an uncredited blonde.
Born September 18, 1947 — Paul Seed, 72. Actor who’s now a director. He’s made the Birthday Honors list as he was Graff Vynda-K in “The Ribos Operation”, a Fourth Doctor story. That and an appearance on Tales of The Unexpected appear to be his only acting roles in the genre.
Born September 18, 1948 — Lynn Abbey, 71. She’s best known for co-creating and co-editing with Robert Lynn Asprin (to whom she was married for awhile) the Thieves’ World series of shared-setting anthologies. (Now complete in twelve volumes.) Her Sanctuary novel set in the Thieves’ World universe is quite excellent. I’ve not kept up with her later work, so y’all will not to tell me how it is.
Born September 18, 1949 — William Stout, 70. Illustrator who’s worked on projects as diverse as Manning’s Tarzan of the Apes strip, Ralph Bakshi’s Wizards, Harvey Kurtzman and Will Elder’s Little Annie Fanny in Playboy and Raiders of the Lost Ark.
Born September 18 — Michael R. Nelson. Conrunner from the Baltiwash area who got into fandom in 1989. He chaired Disclave 41, Capclave 2002 and co-chaired the DC17 Worldcon bid. He is a member of the Washington Science Fiction Association.
Born September 18, 1955 — Gary Russell, 64. As a writer, he is best known for his work in connection with Doctor Who and its spin-offs in other media. He worked for BBC Wales as a Script Editor on The Sarah Jane Adventures and Torchwood. (Anyone here who’s watched the former series?) as a writer, he’s written nineteen Doctor Who universe novels and directed forty audioworks for Big Finish, one of which he wrote.
Born September 18, 1973 — James Marsden, 46. He was Scott Summers / Cyclops in the X-Men film franchise. He was gunslinger Teddy Flood, an android in Westworld. He plays Tom Wachowski in the forthcoming Sonic the Hedgehog film
Born September 18, 1984 — Caitlin Kittredge, 35. Wiki say she’s best known for her Nocturne City series of adult novels, and for The Iron Codex, a series of YA novels, but I think her best work is by far the Black London series. She’s also writing the current Witchblade series at Image Comics.
On Friday, September 13, a truck bound for the Georgia-based tabletop and video game company Trivium Studios took a turn too sharply, spilling 216,000 gaming dice onto Interstate 75 in Atlanta in what could be the biggest unintentional dice roll ever.
(10) MARK YOUR CALENDARS. Tomorrow is Talk
Like a Pirate Day. I guess I jumped the gun by running my “Aaaarrrrgggghhhh!”
Lillard said a recent hunt for clues on Google brought him an old photo from a California newspaper showing the Well of Scribes, a sculpture that disappeared in 1969 from the Central Branch of the Los Angeles Public Library.
“You could only see half of the well in the picture,” Lillard said. “That’s the half that I had.”
Lillard’s portion is one of three pieces that composed the entire sculpture. He said he has been in contact with the Los Angeles Public Library about bringing the sculpture home.
The final two pieces of the sculpture are still missing, but Lillard said he has hope they might still be found.
Whether you see Poe’s story as a reflection on mortality, or rather a tale of morality, it’s also important to remember that Poe himself was famously averse to didacticism in literature—so perhaps we should simply read the story for its own beauty and not try to imbue it with meaning? And “The Masque of the Red Death” is, indeed, a beautiful and classic work. A gothic masterpiece. The guests retire to “the deep seclusion” of a “castellated abbey.” The prince’s designs for the masquerade ball glow “with barbaric lustre”—being “grotesque” as they “glitter” with “piquancy and phantasm.” The story throbs with “something of the terrible” as the atmosphere of dread builds. Until, in true gothic style, we have the tragic ending, where all die in a “despairing posture.”
…Arby’s, for one, has not given up on the dream. In July, the chain showed its support for the viral cause by announcing that it would bring a special menu of Arby’s items to feed whoever was in attendance at Area 51’s storming. And today, not only did Arby’s confirm that it’ll still be there, but also announced what those otherworldly new items would be.
… The “Redacted on Rye Sandwich” is billed as “roasted turkey on a toasted marble rye bread with Swiss cheese, tangy slaw and thousand island dressing,” a further spin on the classic Reuben. The “E.T. Slider” will feature “a crispy chicken tender dipped in Bronco Berry Sauce.” “Arby’s Frying Objects” will be “Arby’s loaded curly fries topped with savory moon rocks.” And finally, the “Galaxy Shake” is described as a “purple cow meets a Sour Patch Kid—a blue sweet milkshake base that turns pink and tarter as you drink or stir it, topped with a fruit crunch.”
(15) 30-50 FERAL COOKIES. Meanwhile, John King Tarpinian
has sighted the Halloween Oreos in the field…
(16) WINDUP UP YOUR WATCHMEN. Quis custodiet ipsos
custodes? Everything begins 10/20 on HBO,
[Thanks to Nancy Sauer, Andrew Porter, John King Tarpinian,
Michael Toman, Chip Hitchcock, JJ, John A Arkansawyer, Cat Eldridge, Greg
Hullender, Martin Morse Wooster, Darrah Chavey, StephenfromOttawa, and Mike
Kennedy for some of these stories. Title
credit goes to File 770’s contributing editor of the day Anna Nimmhaus.]