As I’ve said, one cudgel used in this fight is a demand for civility, and I’m seeing it raised again in the debate surrounding the RWA ejecting Courtney Milan for speaking up. Courtesy becomes weaponized, a way of silencing. A way of forcing others to wait for the conversational turn that never gets ceded. Note Silverberg calling Jemisin’s speech “graceless and vulgar” and Spinrad weighing in to call Ng “swinish.” I cannot help but think that these men are less upset by what was said, than that it was not delivered with the deference that they felt Campbell, a proxy for themselves, deserved.
Hegemonic structures replicate themselves, continually pretending to reinvent and innovate but doing so in the same old forms. Traditional publishing is as prone to this as any other social structure. Indie writers get treated as though they were the nouveau riche, obsessed with money, when many of them are actually making a living at writing in a way our forebears—Chaucer, Shakespeare, Gilman—would have totally approved of. The truth is being a New York Times best-selling author doesn’t mean one is rolling around on moneypiles like Scrooge McDuck unless you’re part of a very very small group. For things to truly change, publishing must bring in new voices and not just allow them, but encourage them to speak.
(2) SHORT STORY MARKET. Heather Rose Jones’ Lesbian Historic Motif Podcast will be open for short story submissions for audio
publication during the month of January 2020.
Stories should be set in an identifiable pre-1900 time and place but may include fantastic elements that are either consistent with the setting or with the literature of that setting. And, of course, stories should center on a female character whose primary emotional orientation within the context of the story is toward other women.
Despite its popularity and far-reaching impact on the fantasy genre, Robert Jordan and The Wheel of Time have never won a Hugo Award.
In 2014 the entire WoT series was nominated for (but did not win) the “Best Novel” award. The “Best Series” category did not exist at the time. WoT’s nomination caused a controversial stir, as some people didn’t feel it was appropriate to consider the entire 15-book Wheel of Time series as one single work. This helped prompt the World Science Fiction Society, which awards the Hugos, to add a new category in 2017, the “Best Series” award.
At the time, it didn’t mean much for The Wheel of Time, but it did enable several other long-running and popular series (including Brandon Sanderson’s Stormlight Archive) to be recognized with nominations and awards.
And now The Wheel of Time will have one more chance to potentially earn a Hugo Award.
Earlier this year, in 2019, Brandon Sanderson published “A Fire Within the Ways”, a short story that was included in the Unfettered III anthology from Grim Oaks Press. This written sequence contained a lng set of “deleted scenes” from A Memory of Light. With Harriet’s permission, the scenes were lightly edited and submitted for publication in the Unfettered III anthology, with proceeds going to support health care needs for writers in need. According to the WSFS bylaws, any new installment to a written series, regardless of length, makes The Wheel of Time eligible for the Best Series award. Therefore, A Fire Within the Ways makes WoT eligible for the first–and likely only–time.
(4) AUSTRALIAN FIRES CLAIM FAN’S HOME. BBC has been reporting all day on
the fate of the Australian resort town of Mallacoota as the east Victoria bush
fires overtook it. Moshe Feder reports, “I just heard from Carey Handfield that
longtime fan Don Ashby has lost his home to the fire.”
…Plus, I think that there’s a better way to look at the decade: how did science fiction and fantasy storytelling change in the last ten years? Why? After consulting with a number of authors, editors, and agents, it’s clear that the entertainment industry and SF/F have experienced major changes in the last ten years, from the introduction of streaming services, to Disney’s franchise domination, gender and politics within SF/F, self-publishing, and a growing acceptance of SF/F content within mainstream culture. This list is broken down into those categories, with a representative example or two from each section.
Future Tense started experimenting with publishing science fiction in 2016 and 2017, but we really invested in it in 2018, publishing one story each month. That year was capped off by Annalee Newitz’s quirky and urgent “When Robot and Crow Saved East St. Louis,” which won the Theodore Sturgeon Memorial Award for the best short science fiction of the year. Our hope was that these glimpses into possible futures could provide a thought-provoking parallel to our coverage of emerging technology, policy, and society today, inviting us to imagine how the decisions we’re making today might shape the way we live tomorrow, illuminating key decision points and issues that we might not be giving enough attention.
Men In Black, the 1997 sci-fi comedy starring Will Smith and Tommy Lee Jones, remains in the red despite making $589 million (£448 million) at the global box office over 20 years ago. Adjusted for inflation, that translates to $944 million (£718 million) in 2019 money, not taking into account extra ticket prices for 3D or IMAX.
This is according to the film’s screenwriter Ed Solomon, who adapted Lowell Cunningham’s comic book seriews for Sony Pictures, who then turned it into a mega-blockbuster with a $90 million (£68 million) budget that spawned three sequels and an animated series, not to mention shifting piles of merchandise.
Solomon, who also wrote all three Bill & Ted films, Now You See Me, and Charlie’s Angels (2000), shared on Twitter that he had received his “Men In Black profit statement” from the studio over the festive period which said that the film had lost “6x what it lost last period”, linking back to a previous tweet from June this year that said the film was “STILL in the red”….
OBIT. In sadder news, Syd Mead, an artist who worked on Blade
Runner, Aliens, and Star Trek: The Motion Picture, has passed away. Variety
has the story.
…Mead started his design career in the auto, electronics and steel industries working for Ford Motor Co., Sony, U.S. Steel and Phillips Electronics. He then transitioned to film. His career began as a production illustrator working with director Robert Wise (“West Side Story”) to create Earth’s nemesis V’Ger in the 1979 “Star Trek: The Motion Picture.”
He continued fusing technology with creativity, bringing to life some of the biggest films in science fiction. In 1982, he served as a visual futurist on “Blade Runner,” before collaborating as a conceptional artist with director Steven Lisberger on the 1982 “Tron.”
He explained his inspiration for “Blade Runner” to Curbed in 2015, “For a city in 2019, which isn’t that far from now, I used the model of Western cities like New York or Chicago that were laid out after the invention of mass transit and automobiles, with grids and linear transport. I thought, we’re at 2,500 feet now, let’s boost it to 3,000 feet, and then pretend the city has an upper city and lower city. The street level becomes the basement, and decent people just don’t want to go there. In my mind, all the tall buildings have a sky lobby, and nobody goes below the 30th floor, and that’s the way life would be organized,” Mead said.
(9) INNES OBIT. Neil Innes, best
known for his work with the Bonzo Dog Doo-Dah Band, The Rutles and in collaboration
with Monty Python, has died
at the age of 75.
…A spokesperson for the Innes family said he had not been suffering from any illness and had passed away unexpectedly on Sunday night.
…In the 1970s, Innes became closely associated with British comedy collective Monty Python, contributing sketches and songs like Knights of the Round Table and Brave Sir Robin, as well as appearing in their classic films The Holy Grail and Life of Brian.
He wrote and performed sketches for their final TV series in 1974 after John Cleese temporarily left, and was one of only two non-Pythons to be credited as a writer, alongside The Hitchhiker’s Guide to the Galaxy author Douglas Adams.
A film about Innes called The Seventh Python was made in 2008.
(10) TODAY IN HISTORY.
December 31, 1958 — The Crawling Eye premiered. In the U.K, it was called The Trollenberg Terror. Directed by Quentin Lawrence, it stars Forrest Tucker, Laurence Payne, Jennifer Jayne, and Janet Munro. Les Bowiec who worked on Submarine X-1 did the special effects. The film is considered to be one of the inspirations for Carpenter’s The Fog. Critics found it to be inoffensive and over at Rotten Tomatoes, it currently a thirty percent rating among reviewers.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born December 31, 1937 — Anthony Hopkins, 82. I think one of his most impressive roles was as Richard in The Lion in Winter but we can’t even call that genre adjacent, can we? He was, during that period, also King Claudius in Hamlet. I’ll say playing Ian McCandless in Freejack is his true genre role, and being Professor Abraham Van Helsing In Bram Stoker’s Dracula is a plum of a genre role. It’s a better role than he as Odin has the MCU film franchise. What else have I missed that I should note?
Born December 31, 1943 — Ben Kingsley, 76. Speaking of Kipling, he voiced Bagherra in the live action adaptation that Disney did of The Jungle Book. He was also in Iron Man 3 as Trevor Slattery, a casting not well received. He’s The Hood in Thunderbirds (directed by Frakes btw), Charles Hatton in A Sound of Thunder and Merenkahre in Night at the Museum: Secret of the Tomb, the third of three great popcorn films.
Born December 31, 1945 — Connie Willis, 74. She has won eleven Hugo Awards and seven Nebula Awards for her work, a feat that impresses even me, someone who isn’t generally impressed as you know by Awards! Of her works, I’m most pleased by To Say Nothing of the Dog, Doomsday Book and Bellwether, an offbeat novel look at chaos theory. I’ve not read enough of her shorter work to give an informed opinion of it, so do tell me what’s good there.
Born December 31, 1945 — Barbara Carrera, 74. She is known for being the SPECTRE assassin Fatima Blush in Never Say Never Again, and as Maria in The Island of Dr. Moreau. And she was Victoria Spencer in the really awful Embryo, a film that that over five hundred review reviewers at Rotten Tomatoes give a sixteen percent rating.
Born December 31, 1949 — Ellen Datlow, 70. Let’s start this Birthday note by saying I own a complete set of The Year’s Best Fantasy & Horror which yes , I know it was titled The Year’s Best Fantasy for the first year. And I still read stories for them from time to time. If that was all she had done, she’d have been one of our all-time anthologists but she also, again with Terri Windling, did the Fairy Tale and Mythic Fiction series, both of which I highly recommend. On her own, she has the ongoing Best Horror of Year, now a decade old, and the Tor.com anthologies which I’ve not read but I assume collect the fiction from the site. Speaking of Tor.com, she’s an editor there, something she’s also done at Nightmare Magazine, Omni, the hard copy magazine and online, and Subterranean Magazine.
Born December 31, 1953 — Jane Badler, 66. I first encountered her on the Australian-produced Mission Impossible where she played Shannon Reed for the two seasons of that superb series. She’s apparently best known as Diana, the main antagonist on V, but I never saw any of that series being overseas at the time. She shows up in the classic Fantasy Island, Sir Arthur Conan Doyle’s The Lost World, Bitch, Popcorn & Blood and Virtual Revolution.
Born December 31, 1958 — Bebe Neuwirth, 61. She’s had but one television SF credit to her name which is playing a character named Lanel in the “First Contact” episode of the Next Gen series during season four, but I found a delightful genre credential for her. From April 2010 to December 2011, she was Morticia Addams in the Broadway production of The Addams Family musical! The show itself is apparently still ongoing.
Born December 31, 1959 — Val Kilmer, 60. Lead role in Batman Forever where I fought he did a decent job, Madmartigan in Willow, Montgomery in The Island of Dr. Moreau, voiced both Moses and God in The Prince of Egypt, uncredited role as El Cabillo in George and the Dragon and voiced KITT in the not terribly we’ll conceived reboot of Knight Rider. Best role? Ahhh, that’d be Doc Holliday in Tombstone.
Born December 31, 1971 — Camilla Larsson, 48. Therese in the first series of Real Humans on Swedish television. She was Jenny in the Mormors magiska vind series which is definitely genre given it’s got a ghost and pirate parrots in it!
(12) COMICS SECTION.
Lio warns us that pocket universes can pop up unexpectedly.
Scroll down to the third cartoon – a classic from The Far Side as cops deduce what killed these cats…
(13) THE LONELINESS OF GENERAL HUX. [Item by Olav Rokne.] Nobody really understands the motivations of General Hux in the most recent Star Wars movie, so Slate Magazine’s Dan Kois (@DanKois) gets into Hux’ head with excerpts from the General’s private diaries: “The Lost Diaries of General Hux”. The results are laugh-out-loud funny:
Kylo Ren loves making little comments about Starkiller Base. “I sense a great regret in your heart about the failure of your planet-sized death machine,” he says. It hurts my feelings. I spent years managing that project, prime years of my career, and I only got to blow up one star system before the whole thing was destroyed. Which, incidentally, was the fault of those horrid contractors, not me. I can’t complain to Ren, obviously. I wish there was someone I could talk to! I ordered a therapist droid from the medical bay but Snoke had them all reprogrammed to say “Your problems are inconsequential, focus only on crushing the Resistance.” No one knows how to reboot them. It’s too bad—therapy is supposed to be covered in the medical plan, and a lot of our nameless young stormtroopers could stand to talk things out about their kidnapping, parents being killed, etc.
When the creators of Harry Potter and the Cursed Child were working on adapting the wizarding world for the stage, they knew a lot of people have seen the Harry Potter movies. And they didn’t want to reproduce the things most people have already seen.
The result is a spectacle that relies much more on human-powered magic than special effects trickery. And the show’s creators have documented that process in a lavish new coffee-table book, Harry Potter and the Cursed Child: The Journey. So I went on my own journey, backstage at the current Broadway production, to see how that magic is made.
Around and under the stage of Manhattan’s Lyric Theater, there’s a warren of corridors and staircases so complex you almost expect to pop out in Hogsmeade. But instead, I end up in a rubber-floored workout room where today’s cast is warming up for the show, directed by movement captain James Brown III (who also plays the magisterially surly Bane the Centaur).
It’s pretty intense. There’s yoga, stretching, and some hard-core calisthenics. Grunts and groans ripple around the room as Brown leads everyone through their paces. This isn’t usual for a Broadway show, but then not that many shows are this physical. The actors in Cursed Child create effects that would have been done digitally onscreen with their own bodies, and with the help of some special crew members.
With some blockbuster space missions under way, 2019 saw some amazing images beamed back to Earth from around the Solar System. Meanwhile, some of our most powerful telescopes were trained on the Universe’s most fascinating targets. Here are a few of the best.
Up in the clouds
Nasa’s Juno spacecraft has been sending back stunning images of Jupiter’s clouds since it arrived in orbit around the giant planet in 2016. This amazing, colour-enhanced view shows patterns that look like they were created by paper marbling. The picture was compiled from four separate images taken by the spacecraft on 29 May.
(17) UNDEAD SUPERHEROES. [Item by Mike Kennedy.] The LARGE majority of this list had me mentally screaming,
“Noooooooo.“ In my very loudest mental voice. I’ve left out the reasons cited
for wanting to bring each of them back in reproducing the list below. It’s
kinder that way. CBR.com lists “10 Saturday Morning Cartoon Superheroes That Need To Be
Saturday morning cartoons. Before the advent of 24-hour cartoon networks and streaming services, this was the only way for kids to get their fill of both animated fare and sugary cereals. It was a Golden Age filled with characters that ran or drove past the same scene several times, animals that talked, and scrappy puppies that saved older cartoon franchises.
In the 1960s and 70s, it was also the place where superheroes came to life. Not only familiar ones like Superman, Batman, Spider-Man, and the Fantastic Four. But also ones created for that precious five hours of time on Saturday’s. Some would continue on beyond this era. Others would vanish around the same time they premiered. Yet, they all have a space in our dusty and aging hearts. To honor these pioneers, here are 10 Saturday morning cartoon superheroes that need to be resurrected.
TOPPS NOW celebrates the greatest moments… as they happen!
(19) CLEVER COMMERCIAL. “Not genre but will put a smile on your face,” promises John King Tarpinian.
[Thanks to Michael Toman, Andrew Porter, Cat Eldridge, Martin
Morse Wooster, John King Tarpinian, Olav Rokne, Darrah Chavey, Mike Kennedy, N.,
Heather Rose Jones, Nina Shepardson, Chip Hitchcock, Moshe Feder, and JJ for
some of these stories. Title credit goes to File 770 contributing editor of the
day Daniel Dern.]
…Most dragons don’t know how to read. They hiss and fume and guard their hoard. A tasty knight is what they need For dinner (they spit out the sword), Then go to sleep on heaps of treasure. They’ve no use for the written word….
(2) CLOUDY, WITH A CHANCE OF GENRE. Last night on Saturday
Night Live there were three sketches with fantasy in them:
Spooky Song is about a ghost who really doesn’t want to explain the tasteless way in which he died.
Dance Rehearsal asks, “What happens if you’re taking a dance class and your instructor is a werewolf?”
(3) ‘BOT AND SOULED. The LA Review of Books’ Patrick
House considers the writing of robots in “I, Language Robot”.
I was hired to write short fiction at OpenAI, a San Francisco–based artificial intelligence research lab. I would be working alongside an internal version of the so-called ‘language bot’ that produces style-matched prose to any written prompt it’s fed. The loss that I feared was not that the robot would be good at writing — it is, it will be — nor that I would be comparatively less so, but rather that the metabolites of language, which give rise to the incomparable joys of fiction, story, and thought, could be reduced to something merely computable.
…The model of growth that seems to lie behind that attitude—the idea that such critics have of what it’s like to grow up—must be a linear one; they must think that we grow up by moving along a sort of timeline, like a monkey climbing a stick. It makes more sense to me to think of the movement from childhood to adulthood not as a movement along but as a movement outwards, to include more things. C. S. Lewis, who when he wasn’t writing novels had some very sensible things to say about books and reading, made the same point when he said in his essay “On Three Ways of Writing for Children”: “I now like hock, which I am sure I should not have liked as a child. But I still like lemon-squash. I call this growth or development because I have been enriched: where I formerly had only one pleasure, I now have two.”
But the guards on the border won’t have any of that. They are very fierce and stern. They strut up and down with a fine contempt, curling their lips and consulting their clipboards and snapping out orders. They’ve got a lot to do, because at the moment this is an area of great international tension. These days a lot of adults are talking about children’s books. Sometimes they do so in order to deplore the fact that so many other adults are reading them, and are obviously becoming infantilized, because of course children’s books—I quote from a recent article in TheIndependent—“cannot hope to come close to truths about moral, sexual, social or political” matters. Whereas in even the “flimsiest of science fiction or the nastiest of horror stories . . . there is an understanding of complex human psychologies,” “there is no such psychological understanding in children’s novels,” and furthermore “there are nice clean white lines painted between the good guys and the evil ones” (wrote Jonathan Myerson in TheIndependent, 14 November 2001).
(5) GOALS AND PURPOSES. Robert J. Sawyer draws the title of
his article in the July edition of Galaxy’s Edge,“What
SFWA Was Supposed to Be”, from the contrast he perceives between founder
Damon Knight’s stated purpose for the organization and the SFWA mission
statement of 2018.
…Of course, times change; of course, publishing is different now than it was then. But in the thirty-six years I’ve been a member of SFWA, I’ve seen—and, indeed, foreseen—all the changes that people are talking about now and more (I was writing in 1998 as SFWA president about “the post-publisher economy”).
For instance, it used to be that giant print runs were required to get economical per-copy pricing; that’s no longer true. It used to be there were many thousands of bookstore accounts for publishers to service in North America; sadly, that’s no longer true. It used to be that audiobooks were only made in eviscerated abridgments and only of the biggest print sellers; wonderfully, that’s no longer true. And it used to be that the only effective way to publish a book was on paper. That’s no longer true, either (and I’ve got a bunch of my own older titles out in self-published e-book editions).
Whatever you might think of these changes, every single one of them came with enormous cost savings for publishers, but no portion of that was ever passed on to the authors. I remember at one convention this decade hearing the late David G. Hartwell brag that Tor, the publisher he worked for, had just had its best year ever, while one of his authors—with Hugos galore—confided to me that he didn’t know how he was going to heat his house that coming winter.
Among the most egregious things that have happened during my career: literary agents going from ten-percent commissions to a fifteen percent; publishers locking in a 3:1 split of e-book royalties—three dollars for them to every one for the writer; and publishers using print-on-demand and the mere notional existence of an e-book edition to keep from reverting rights to authors for titles the publisher is no longer promoting or selling in any meaningful quantity. SFWA rolled over on every one of these.
But never let it be said that SFWA is without achievements. They recently—and I’m not making this up—produced an official SFWA secret decoder ring. I didn’t pony up to get one; I doubt Damon Knight would have wanted such a thing, either.
(6) CHAPMAN OBIT. Scholar and regular attendee of the
International Conference on the Fantastic Arts Edgar Chapman (1936-2019), a Professor Emeritus in the English
Department at Bradley University, died
October 11 at the age of 83. He
authored numerous articles and books including The Magic Labyrinth of Philip
Jose Farmer (1984) and The Road to Castle Mount: The Science Fiction of
Robert Silverberg (1999). He also co-edited Classic and Iconoclastic Alternate
History Science Fiction (2003).
(7) TRIVIAL TRIVIA.
Don’t tell Harlan but Ray Bradbury gets credit for Terminator
first. Ray was on the Oscar nominating committee for documentaries, in
1977. The next screening for the committee was listed as a muscle
building movie, Pumping Iron. Without even screening it the
committee basically said NEXT. Ray spoke up and said they had to screen
it because his brother, Skip, was a body builder and worked out on Venice’s Muscle
Beach. After watching the documentary it was nominated. Making the
career for Arnold Schwarzenegger. Heck, we got Lou Ferrigno as the Hulk,
too. [Source: John King Tarpinian.]
(8) TODAY IN HISTORY.
October 27, 1967 — Star Trek’s “Catspaw” was first aired. Written by Robert Bloch who said it was based on his 1957 story, “Broomstick Ride” published in Super Science Fiction. It was their Halloween episode.
[Compiled by Cat Eldridge.]
Born October 27, 1922 — Ruby Dee. Her first genre role is in Cat People. No name there but she has the wonderful name of Mother Abagail Freemantle in The Stand series. (Died 2014.)
Born October 27, 1937 — Steve Sandor. He made his first genre appearance on Trek playing Lars in the second season episode “The Gamesters of Triskelion”. He also did one-offs on Knight Rider, Fantasy Island and The Six-Million Dollar Man. He did a choice bit of horror in The Ninth Configuration. (Died 2017.)
Born October 27, 1938 — Lara Parker, 80. Best known for her role as Angelique on Dark Shadows which aired from 1966 to 1971. She also played Laura Banner in The Incredible Hulk pilot, and Madelaine in the Kolchak: The Night Stalker “The Trevi Collection” episode. And she was on Galactica 1980 in “The Night The Cylons Landed” two-parter.
Born October 27, 1939 — John Cleese, 80. Monty Python of course, but also Time Bandits, Mary Shelley’s Frankenstein, two Bond films as Q and even two Harry Potter films as Nearly Headless Nick. He’s definitely deep into genre film roles. And let’s not forget he shows up as an art lover on the “City of Death” story, a Fourth Doctor story.
Born October 27, 1948 — Bernie Wrightson. Artist with who with writer Len Wein, he’s known for co-creating Swamp Thing. He did a lot of illustrations from Cemetery Dance magazine to Stephen King graphic novels to DC and Marvel comic. Ell me what you liked about his work. (Died 2017.)
Born October 27, 1953 — Robert Picardo, 66. He debuted in genre as Eddie Quist, the serial killer werewolf in The Howling. He’d be in Dante’s Explorers, Looney Tunes: Back in Action, Gremlins 2: The New Batch, Small Soldiers and Innerspace. And then of course he played the role of the Emergency Medical Hologram (EMH) on Voyager. And even managed to show on on Stargate SG-1. Busy performer!
Born October 27, 1963 — Deborah Moore, 56. English actress and the daughter of actor Roger Moore and Italian actress Luisa Mattioli. She’s an Air Hostess in Die Another Day, a Pierce Brosnan Bond film. And she was a secretary in Goldeneye: The Secret Life of Ian Fleming. Her very first role was as Princess Sheela in Warriors of the Apocalypse.
Born October 27, 1970 — Jonathan Stroud, 49. His djinn-centered Bartimaeus series is most excellent. Though considered children’s novels, I think anyone would enjoy them. I’ve also read the first two in his Lockwood & Co. series as well — very well done.
Shoe finds out why a character is not a Tolkien fan.
How To Cat hears Zarathustra speaking, if you know what I mean.
Takashi Miike’s 1999 horror movie “Audition” is often cited as one of the most disturbing films ever made. Ryo Ishibashi stars as a widow named Shigeharu Aoyama who stages auditions for men in hopes of meeting a new husband or life partner. Aoyama falls for Asami (Eihi Shiina), but her dark past has unexpected and brutal consequences. Tarantino called the movie one of his favorites since he’s been a director, referring to it as a “true masterpiece” in a 2009 interview.
Once Upon a Time In Hollywood, a.k.a. “the 9th film from Quentin Tarantino,” made quite the splash upon release when it hit theaters this past summer. It had all of Tarantino’s signature trademarks — a couple of cranky male leads, excessive violence, and a rockin’ retro soundtrack. And it’s left QT fans salivating for whatever his 10th (and possibly final?) movie will be. Rumors abound that it could in fact be a Star Trek film. Leading many fans to ponder just what the heck a “Pulp Fiction-esque Star Trek” movie would even look like.
Well, one fan has combined the well known Quentin Tarantino sensibilities and aesthetics with some old school StarTrek footage, and the result is “Once Upon a Time in Star Trek.”
…Bradbury’s novel “The Halloween Tree” tells the story of a group of trick-or-treaters who learn about the origins of Halloween while on an adventure to find their missing friend. Bradbury dreamed of having a Halloween Tree at Disneyland park, and on the 35th anniversary of the novel, his dream was brought to life.
“I belong here in Disneyland, ever since I came here 50 years ago. I’m glad I’m going to be a permanent part of the spirit of Halloween at Disneyland,” the author said at the tree’s dedication. Bradbury would visit the tree before he passed away in 2012.
Today, the Halloween Tree delights guests of all ages and honors Bradbury’s many contributions to Disney. A plaque at the base of the tree commemorates the night of its dedication: “On the night of Halloween 2007, this stately oak officially became ‘The Halloween Tree,’ realizing famed author Ray Bradbury’s dream of having his symbol for the holiday become a part of Disneyland.”
Showrunner Damon Lindelof was planning to give the “Watchmen” story quite a twist — so he told King to use her unfamiliarity to her advantage. It’s a different approach compared with many actors who land superhero roles and are immediately handed a stack of comics.
“He didn’t want me to confuse how he saw this world,” said King, who worked with Lindelof on HBO’s “The Leftovers.” “He was right.”
“Because I did watch the film after [filming the pilot], and I would have been confused,” she added. “They stand on their own. They don’t even feel related to me in any way. Which I think is a great thing. I think that’s the beauty of Damon making the choice of using the [comics] as canon instead of trying to duplicate, from my understanding, something that was already great.”
One of the more expensive offerings Hasbro had for this year’s Triple Force Friday extravaganza was the latest helmet in its Star Wars: The Black Series line of “roleplay” items. Joining a line that already had everything from Darth Vader’s helmet to more Stormtrooper variants than you can shake an Incinerator Trooper at, the Luke Skywalker X-Wing Battle Simulation Helmet is a 1:1 replica of the same helmet worn by everyone’s favorite Rebel-turned-Jedi-turned-Milk-Swigging-Curmudgeon in both A New Hope and The Empire Strikes Back.
Packed with lights and sounds to replicate Luke’s experiences at the battles of Yavin and Hoth, the main draw is it’s…well, a Star Wars helmet you can put on your head.
1. There’s a reason slow-moving zombies are terrifying.
When Romero was making his pioneering zombie favorites, the walking dead only moved at a slow and steady pace. But by the time that Wright, Pegg and Frost were making Shaun, zombies had acquired frightening busts of speed in films like 28 Days Later and Zack Snyder’s Dawn of the Dead remake. Previously a zombie originalist, Pegg now says that’s he’s come around on their lightning-quick descendants. “I’m not the purist I used to be — I’ve seen fast-zombie things that I’ve enjoyed,” the actor says, pointing to the 2016 South Korean cult favorite Train to Busan. But there was never a world in which Shaun would have made the switch, and not just because they were trying to remain true to Romero’s vision. Pegg argues that quicker creatures would have undermined the dramatic metaphor of a person — and entire society — caught in the grip of stagnation, which runs beneath the movie’s comedy. “There’s something incredibly creepy about the shambling dead. They’re more of an effective metaphor for death when they just sort of come slowly. That’s what death is — death doesn’t always just run at you.”
[Thanks to Martin Morse Wooster, Chip Hitchcock, JJ, Michael
Toman, Cat Eldridge, John King Tarpinian, Mike Kennedy, Lenore Jean Jones, and
Andrew Porter for some of these stories. Title credit goes to File 770
contributing editor of the day Xtifr.]
Since its 1984 bow, The Terminator has spawned five sequels grossing $1.8 billion globally. The latest, Terminator: Dark Fate (Nov. 1), again will have the future messing with the past. And that plot extends into real life as Gale Anne Hurd, the original’s writer, has moved to terminate a copyright grant made 35 years ago, The Hollywood Reporter has learned.
As a result, per records filed at the U.S. Copyright Office, David Ellison’s Skydance Media — which acquired the rights from his sister, Megan Ellison, who bought them for $20 million in 2011 at an auction — could lose rights to make Terminator movies starting in November 2020.
Terminator isn’t an anomaly, it’s a preview of what’s to come. In the late 1970s, Congress amended the law to allow authors to grab back rights from studios after waiting a few decades. Until now, the termination provision has largely been exploited by musicians, not screenwriters. But records show a flurry of termination notices in the past year — under law, they can come 35 years after publication — which threatens to unsettle who owns the ability to make sequels and reboots of iconic films from the mid- to late-’80s.
More works that could change hands: Gary K. Wolf is looking to terminate Disney’s rights to the book that became Who Framed Roger Rabbit. The heirs of Beetlejuice screenwriter Michael McDowell aim to do the same for the script to the 1998 Warner Bros. film. The family of novelist Roderick Thorp is terminating Fox’s grip on Nothing Lasts Forever, aka Die Hard. Other works subject to termination include Predator and Nightmare on Elm Street, with authors like Stephen King and David Mamet also on the warpath.
Why now is probably best explained by the statutory clock (termination notices must be sent at precise time during the copyright term), though a judge’s decision last year confirming the validity of a termination notice sent by Friday the 13th screenwriter Victor Miller certainly raised awareness among authors. (The producer of that film is appealing on grounds that Miller’s script was penned as a work-for-hire with no termination rights.)
Harry Potter fans have some adjusting to do, as it was recently announced that J.K. Rowling’s ‘Pottermore’ site would be shutting down, and moving over to the new ‘Wizarding World’ site, claiming that with new site enhancements and expansions, Pottermore could not longer sustain the needs of the fans of ‘Harry Potter’ and ‘Fantastic Beasts,’ and WizardingWorld.com would be an upgrade. Check out the full news release from the website itself below:
Engorgio Pottermore… We’re moving to WizardingWorld.com – our new, bigger home for all of the magic you love. Here’s everything you need to know….
Now that we’re finally examining the issues around people like John W. Campbell, James Tiptree Jr., and Marion Zimmer Bradley, we should do the same for Clarke. Especially since a major genre award is named for him.
None of this changes how important Clarke’s stories were to my development as a writer or his impact on the field of science fiction. This doesn’t mean you can’t still love his books.
But the SF/F genre simply can’t ignore this issue any longer.
…In New York City, the police department is taking a “precautionary measure” by positioning uniformed officers at every theater in the city that is screening ‘Joker’. These officers will not be stalking up and down the aisles. In fact, they won’t be in the theaters at all. They will simply be patrolling in front of the theaters. It should be stressed that there have been no “credible threats” made that anyone is planning to shoot up screenings of ‘Joker’, but just in case…
Elsewhere, ‘Joker’ won’t screen in the Aurora, CO theater where the 2012 mass shooting occurred. Landmark Theaters has banned any Joker cosplay, masks, face paint, etc. for the weekend….
N. K. Jemisin, the only author to win the prestigious Hugo Award for best science-fiction or fantasy novel three years in a row, partly credits fan fiction for her ability to draw in readers.
Jemisin started writing fan fiction, in which authors imagine new stories based on preexisting fictional works, while in grad school for counseling. “I was miserable and lonely. I didn’t have a lot of friends, or stress relief,” she told me. “Around then was when I became internetted, and one of the first communities I discovered was a fan-fic community.” Through talking with other authors and writing her own stories about Dragon Ball Z (among other things), she found friends, got feedback, and, as she put it, “blew the cobwebs off writing abilities I hadn’t used since college.”
For instance, this writing helped her hone her ability to hold readers’ interest. “Fan fiction tends to have a built-in hook because it’s written in a world you’re a fan of; you’re predisposed to like it,” she said. “You have to find a way to make it not just the world that people are tuning in to read, so they are interested in your story.” To this day, Jemisin said, she still writes fan fiction, and treats it as a way to try out new genres and skills, such as using the second person, which she does in the Broken Earth trilogy, which earned her the three Hugos.
(6) DACRE STOKER TO APPEAR. The Rancho Mirage Writers Festival (January 29-31, 2020) has a lineup of writers including Michael Chabon, Jonathan Lethem, and Dacre Stoker, Bram Stoker’s great-grand-nephew.
(7) ANGRY ROBOT PUBLISHES SHORT
FICTION. Angry Robot’s “first foray into short-form fiction” will be
released October 8.
The first novelette being produced by Angry Robot, Duchamp Versus Einstein, which is releasing in a few weeks’ time on the 8th October. This science fiction tale depicts a surreal chess match between two of the twentieth century’s greatest minds that could change the course of history. Within its 100 pages, several questions are posed – is science greater than art? Or is art an extension of science? And if this epic game could ever take place, would you be Team Einstein or Team Duchamp?
Over the last couple of years, some of the best short science fiction has emerged from a joint project between Slate, New America, and Arizona University. The Future Tense brings together some of the best science fiction authors writing right now, and this book collects a number of those stories in one volume. Authors here include the likes of Charlie Jane Anders, Paolo Bacigalupi, Madeline Ashby, Hannu Rajaniemi, Annalee Newitz, Nnedi Okorafor, and more. This is an essential book for those wanting cutting-edge fiction about our near future. Kirkus Reviews gave the book a starred review, saying that it’s full of “Provocative, challenging stories that project the tech innovations of today onto the moral framework of tomorrow.”
(10) TODAY IN HISTORY.
October 2, 1950 — Peanuts comic debuted.
October 2, 1959 — Rod Serling’s The Twilight Zone aired its first episode, “Where Is Everybody?”. Starring cast for this episode is Earl Holliman, James Gregory and Garry Walberg.
October 2, 2000 — Gene Roddenberry’s Andromedatook flight in television syndication. Starring Kevin Sorbo, it would run for five seasons. Majel Barrett-Roddenberry is listed as executive-producer.
October 2, 2009 — Stargate Universe debuted. The third series in the Stargate series franchise, it lasted two seasons and forty episodes before ending on a sort of cliffhanger. Robert Carlye, the lead in the Hamish Macbeth series, was Nicholas Rush here.
October 2, 2016 — HBO aired the much more adult Westworld as created by Jonathan Nolan and Lisa Joy. Based on the nearly fifty year old film of the same name which was a Michael Crichton endeavour, it counts J. J. Abrams among its executive-producers. It’s still going strong.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 2,1897 — Bud Abbott. Abbott and Costello did genre films, to wit Abbott and Costello Meet Frankenstein, Abbott and Costello Meet the Killer Boris Karloff, Abbott and Costello Meet the Invisible Man and Abbott and Costello Go to Mars just to list a few of them. (Died 1974.)
Born October 2,1906 — Willy Ley. He was a science writer who designed the rocket used with Fritz Lang’s 1929 film Die Frau im Mond (Woman in the Moon). It was so accurate that in 1937 that the Gestapo confiscated not only all models of the spaceship but also all foreign prints of the picture. The crater Ley on the far side of the Moon is named in his honor. (Died 1969.)
Born October 2,1909 — Alex Raymond. Cartoonist, generally only known for creating Flash Gordon for King Features in 1934. The strip was has been adapted into many media, from a series of movie serials in the Thirties and Forties to a Seventies TV series and the Eighties feature film not to be confused with the American-Canadian tv series of the same vintage. Radio serials, myriad films, comic books, novels — any medium that exists has seen Flash Gordon fiction. There are at least fifteen authorized strips and a number of bootleg strips as well. Needless to say there are bootleg films and serials too. (Died 1956.)
Born October 2, 1911 — John Finney. Author of The Body Snatchers and Time and Again, two truly great novels. Of course there’s also the awesome Fifties Invasion of the Body Snatchers film too. (Died 1995.)
Born October 2, 1931 — Edmund Crispin. He’s well remembered and definitely still read for his most excellent Gervase Fen mystery series. It turns out that he was the editor of the Best SF anthology series that ran off and on between 1955 and 1972. Writers such as Kuttner, Moore, Blish, Bradbury and Von Vogt had stories there. These anthologies alas are not available digitally or in hard copy. (Died 1978.)
Born October 2,1944 — Vernor Vinge, 75. Winner of five Hugo Awards, none for what I consider his best series which is the Realtime/Bobble series. I’m also very fond of his short fiction, much of which is collected in The Collected Stories of Vernor Vinge, though the eighteen years worth of his work remain uncollected.
Born October 2,1948 — Avery Brooks, 71. Obviously he’s got his Birthday Honor for being Benjamin Sisko on Deep Space Nine, but I’m going to note his superb work also as Hawk on Spenser: For Hire and its spinoff A Man Called Hawk. He retired from video acting sixteen years ago but is an active tenured Theatre professor at Rutgers.
Born October 2,1948 — Persis Khambatta. Indian model and actress who played Lieutenant Ilia in Star Trek: The Motion Picture. She made mostly low-budget films, some genre (Warrior of the Lost World, She-Wolves of the Wasteland) and even showed up in the pilot of Lois & Clark: The New Adventures of Superman. She died of a massive attack at the age of 49. (Died 1998.)
Born October 2,1950 — Ian McNeice, 69. Prime Minister Churchill / Emperor Winston Churchill on Doctor Who in “The Beast Below,” “Victory of the Daleks,” “The Pandorica Opens,” and “The Wedding of River Song,” all Eleventh Doctor stories. He was an absolutely perfect Baron Vladimir Harkonnen in Frank Herbert’s Dune and Frank Herbert’s Children of Dune series. And he voiced Kwaltz in The Hitchhiker’s Guide to the Galaxy.
Born October 2,1951 — Sting, 68. Feyd-Rautha Harkonnen in the Dune film. Far, far too old for the character who was supposed to be sixteen years old. He worked as a Heroic Officer in The Adventures of Baron Munchausen. And he’s Martin Taylor in the horrific Brimstone & Treacle.
Born October 2,1953 — Walter Jon Williams, 66. The last thing I read by him was his most excellent Dagmar Shaw series which I highly recommend. I also like his Metropolitan novels, be that Sf or fantasy, as well as his Hardwired series. What else by him is worth my time?
Born October 2, 1972 — Graham Sleight, 47. Editor of Foundation: The Review of Science Fiction between 2007 and 2011, and was a Locus reviewer 2005 to 2012. He is the Managing Editor of the 3rd edition of The Encyclopedia of Science Fiction and was so when the 2012 Hugo Award for Best Related Work was given to it. He oft times writes about Doctor Who. He co-edited (along with Simon Bradshaw and Antony Keen) The Unsilent Library, a book of essays about the Russell T Davies era. His other Doctor Who work, The Doctor’s Monsters: Meanings of the Monstrous in Doctor Who, is now available in a trade paperback edition.
(12) COMICS SECTION.
Foxtrot recommends Dungeons & Dragons to motivate your studying.
How do you weigh the largest animals on the planet?
Until now it has only been possible to weigh whales once they have washed up dead on beaches.
Now scientists have solved the conundrum, with the help of aerial photographs taken by drones.
Their model accurately calculated the body volume and mass of wild southern right whales. Already being used to assess the survival of calves, it has many potential uses in conservation.
Body mass is a key factor in the success of whales as a group, determining their energy uses, food requirements and growth rates.
Yet most of what we know about the body size of whales comes from old whaling literature or from animals that end up stranded on the beach or caught in fishing gear.
“It is very difficult to measure a whale on a scale – I mean you have to kill it to do it and that’s exactly what we’re avoiding here,” said study researcher Fredrik Christiansen from the Aarhus Institute of Advanced Studies in Denmark.
(16) HALLOWEEN SUPPLIES. While out shopping, John King
Tarpinian encountered Audrey’s offspring:
In the climactic scene of the 2007 Disney film Ratatouille—during which the movie’s main characters, Remy the rat and Linguine the human chef, attempt to impress an important culinary critic—Remy and his animal pals diligently prepare a mouthwatering dish of sauce and vegetables that reminds the tough food commentator of his mother’s homemade meals. The delectable-looking animated spread is presented in the film as ratatouille, a Provençal recipe that originated from Nice, France. But while we can’t fault Disney for the use of a clever pun, the beautifully arranged vegetarian dish shown during the movie isn’t, in all technicality, ratatouille. Rather, it’s a variation on another, very similar Provençal dish: tian.
D. Harlan Wilson discusses his book from the University of Illinois Press, J.G. Ballard. Part of the Masters of Modern Science Fiction series, Prof. Wilson provides a look at Ballard’s literary career as well as some of the adaptations of his work for the cinema.
If you haven’t noticed, fall seems to be when Starbucks fans let their freak flags fly and come up with all sorts of amazing Halloween-inspired creations. Recently, we had the Jack Skellington Frappuccino, but now another Nightmare Before Christmas character is getting his (its?) time to shine with the Oogie Boogie Frappuccino.
If you’re not familiar with the film, Oogie Boogie is described as a “burlap sack filled with insects, spiders and a snake for a tongue,” which…same.
Disney is launching “Star Wars” treats for the opening of “Galaxy’s Edge,” a new 14-acre immersive “land” based on the “Star Wars” universe and located within Hollywood Studios in Disney World.
The offerings at the Florida park include dishes such as churros that look like lightsabers, Millennium Falcon-shaped Chocolate Pops, and Chewbacca-inspired cupcakes.
(21) VIDEO OF THE DAY. “Dead End” on Vimeo is a cartoon by Victoria Vincent about a
depressed high school guidance counselor.
[Thanks to Cat Eldridge, John King Tarpinian, JJ, Chip Hitchcock,
Michael Toman, Martin Morse Wooster, Mike Kennedy, Darrah Chavey, and Andrew
Porter for some of these stories. Title credit goes to File 770 contributing
editor of the day Andrew.]
(1) BLOGGER BLOWS AWAY SHORT SFF REVIEW SITE. Jason McGregor of Featured Futures just announced he is going to quit promoting and reviewing short sff and has gone so far as to delete hundreds of posts from his site: “The Incredible Shrinking Blog”.
…I was discouraged from rushing back to do reviews by the John W. Campbell business. In many ways (especially socioeconomic) I’m a pretty liberal guy, but I have next to no patience with “political correctness” or historical “revisionism” or any number of the other manifestations of “theory” prevalent these days. This has always been a drag on my enjoyment of current SF and contributed to the burnout I was feeling which led to my falling behind in March, but I felt like I was ready to get back on the horse…. And while I was doing that, we got the Awards Formerly Known As Campbell. While the attack was vulgar and ignorant, it was also irrelevant to short SF. However, people who are relevant to short SF and should know better have not only failed to be voices of reason but have added to the unreason. It just underscores that I signed up to read a body of literature with a significant emphasis on creative ideas and positive visions of futures with technologically and rationally advanced natures and what I’ve been reading is mostly a subgenre of LGB,eTc. fiction which is populated by Orwellian erasers of the giants whose shoulders they stand upon insofar as they are SF at all (or Wile E. Coyotes sawing off the limb they sit on). The great Katherine MacLean died recently. One guess as to who published her first story in 1949….
As a lover of the unpopular field of print science fiction and the even less popular field of short SF, I made the promotion of contemporary short SF the purpose of this blog, only to have to admit that short SF has become unpopular for very good reasons and I now wish to do anything but promote it.
…Capturing the sheer tumult of the times, rather than being washed away by it, is an artistic challenge that spans genres. In this case there’s a positive: It has become common ground in a slightly surreal online friendship played out on Twitter, featuring Hood and novelist William Gibson. On one side you have a band known for its obsession with the ways that the South’s history taints its present; on the other you have the futurist who coined the term “cyberspace” and revolutionized science fiction with his 1984 novel “Neuromancer.”
What most people don’t realize, Hood said, is that Gibson has Southern roots as well, having grown up in Virginia before moving to Canada during the Vietnam era….
I also had the terrifying experience in the afternoon of being summoned to meet James Bacon, the chair of Worldcon. I assumed that word about The Incident had finally percolated up to him and I was about to be removed from the Convention Centre with extreme prejudice. But before I could launch into an unconvincing attempt to explain myself, James revealed that he was actually presenting me with a Hero medal in recognition of my work for Worldcon both before and during the convention. This was something of a surprise and I was truly honoured to receive the medal, which I wore with pride for the rest of the convention.
THE ELECTORAL COLLEGE, about which historical ignorance, incapacity to reason, blindness to reality driven by ideology and just plain stupidity have produced an ocean of twaddle.
It should be blindingly obvious by now that the Electoral College is at best an antiquated institution which never matched the vision of it held by the Founding Fathers and has become an impediment to modern government. In times past, the reason most people shrugged off its grotesque features was because in practice it didn’t seem to make much difference. In the first two centuries of the nation’s existence, a candidate won the Electoral College while losing the so-called “popular vote” only three times (in 1824, 1876 and 1888). But it has happened twice in the past five elections (2000 and 2016), so now it has become a major topic of debate….
(5) GRAEME GIBSON OBIT. Writer and conservationist Graeme
Gibson, Margaret Atwood’s partner, has died at the age of 85 reports the CBC.
Margaret Atwood, Gibson’s longtime partner, said in a statement Wednesday issued by publisher Penguin Random House Canada: “We are devastated by the loss of Graeme, our beloved father, grandfather and spouse, but we are happy that he achieved the kind of swift exit he wanted and avoided the decline into further dementia that he feared.
“He had a lovely last few weeks, and he went out on a high, surrounded by love, friendship and appreciation. We are grateful for his wise, ethical and committed life.”
September 18, 1951 — The Day The Earth Stood Still had its theatrical premiere in New York City. Klaatu was played by Michael Rennie.
September 18, 2002 — The Twilight Zone, 3rd version, premiered on TV.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 18, 1884 — Gertrude Barrows Bennett. She’s been called a pioneering author of genre fiction. She wrote a number of fantasies between in the late teens and early twenties, and has been called “the woman who invented dark fantasy”. Her short story, “The Curious Experience of Thomas Dunbar” which was published under G.M. Barrows in Argosy is considered first time that an American female writer published SF story using her real name. I’m pleased to say that both iBooks and Kindle are heavily stocked with her works. (Died 1948.)
Born September 18, 1888 — Arthur Gilchrist Brodeur. He is known primarily for his scholarly work on Beowulf and his translation of Snorri Sturluson’s Prose Edda for The American-Scandinavian Foundation, but also as a writer of pulp fiction having written The Altar of the Legion (with Farnham Bishop), He Rules Who Can and one short genre story, “The Golden Story”, though iBooks has The Adventures of Faidit and Cercamon for sale which may or may not be genre. (Died 1971.)
Born September 18, 1944 — Veronica Carlson, 75. She’s best remembered for her roles in Hammer horror films. Among them are Dracula Has Risen from the Grave, Frankenstein Must Be Destroyed and The Horror of Frankenstein. She also shows up in Casino Royale as an uncredited blonde.
Born September 18, 1947 — Paul Seed, 72. Actor who’s now a director. He’s made the Birthday Honors list as he was Graff Vynda-K in “The Ribos Operation”, a Fourth Doctor story. That and an appearance on Tales of The Unexpected appear to be his only acting roles in the genre.
Born September 18, 1948 — Lynn Abbey, 71. She’s best known for co-creating and co-editing with Robert Lynn Asprin (to whom she was married for awhile) the Thieves’ World series of shared-setting anthologies. (Now complete in twelve volumes.) Her Sanctuary novel set in the Thieves’ World universe is quite excellent. I’ve not kept up with her later work, so y’all will not to tell me how it is.
Born September 18, 1949 — William Stout, 70. Illustrator who’s worked on projects as diverse as Manning’s Tarzan of the Apes strip, Ralph Bakshi’s Wizards, Harvey Kurtzman and Will Elder’s Little Annie Fanny in Playboy and Raiders of the Lost Ark.
Born September 18 — Michael R. Nelson. Conrunner from the Baltiwash area who got into fandom in 1989. He chaired Disclave 41, Capclave 2002 and co-chaired the DC17 Worldcon bid. He is a member of the Washington Science Fiction Association.
Born September 18, 1955 — Gary Russell, 64. As a writer, he is best known for his work in connection with Doctor Who and its spin-offs in other media. He worked for BBC Wales as a Script Editor on The Sarah Jane Adventures and Torchwood. (Anyone here who’s watched the former series?) as a writer, he’s written nineteen Doctor Who universe novels and directed forty audioworks for Big Finish, one of which he wrote.
Born September 18, 1973 — James Marsden, 46. He was Scott Summers / Cyclops in the X-Men film franchise. He was gunslinger Teddy Flood, an android in Westworld. He plays Tom Wachowski in the forthcoming Sonic the Hedgehog film
Born September 18, 1984 — Caitlin Kittredge, 35. Wiki say she’s best known for her Nocturne City series of adult novels, and for The Iron Codex, a series of YA novels, but I think her best work is by far the Black London series. She’s also writing the current Witchblade series at Image Comics.
On Friday, September 13, a truck bound for the Georgia-based tabletop and video game company Trivium Studios took a turn too sharply, spilling 216,000 gaming dice onto Interstate 75 in Atlanta in what could be the biggest unintentional dice roll ever.
(10) MARK YOUR CALENDARS. Tomorrow is Talk
Like a Pirate Day. I guess I jumped the gun by running my “Aaaarrrrgggghhhh!”
Lillard said a recent hunt for clues on Google brought him an old photo from a California newspaper showing the Well of Scribes, a sculpture that disappeared in 1969 from the Central Branch of the Los Angeles Public Library.
“You could only see half of the well in the picture,” Lillard said. “That’s the half that I had.”
Lillard’s portion is one of three pieces that composed the entire sculpture. He said he has been in contact with the Los Angeles Public Library about bringing the sculpture home.
The final two pieces of the sculpture are still missing, but Lillard said he has hope they might still be found.
Whether you see Poe’s story as a reflection on mortality, or rather a tale of morality, it’s also important to remember that Poe himself was famously averse to didacticism in literature—so perhaps we should simply read the story for its own beauty and not try to imbue it with meaning? And “The Masque of the Red Death” is, indeed, a beautiful and classic work. A gothic masterpiece. The guests retire to “the deep seclusion” of a “castellated abbey.” The prince’s designs for the masquerade ball glow “with barbaric lustre”—being “grotesque” as they “glitter” with “piquancy and phantasm.” The story throbs with “something of the terrible” as the atmosphere of dread builds. Until, in true gothic style, we have the tragic ending, where all die in a “despairing posture.”
…Arby’s, for one, has not given up on the dream. In July, the chain showed its support for the viral cause by announcing that it would bring a special menu of Arby’s items to feed whoever was in attendance at Area 51’s storming. And today, not only did Arby’s confirm that it’ll still be there, but also announced what those otherworldly new items would be.
… The “Redacted on Rye Sandwich” is billed as “roasted turkey on a toasted marble rye bread with Swiss cheese, tangy slaw and thousand island dressing,” a further spin on the classic Reuben. The “E.T. Slider” will feature “a crispy chicken tender dipped in Bronco Berry Sauce.” “Arby’s Frying Objects” will be “Arby’s loaded curly fries topped with savory moon rocks.” And finally, the “Galaxy Shake” is described as a “purple cow meets a Sour Patch Kid—a blue sweet milkshake base that turns pink and tarter as you drink or stir it, topped with a fruit crunch.”
(15) 30-50 FERAL COOKIES. Meanwhile, John King Tarpinian
has sighted the Halloween Oreos in the field…
(16) WINDUP UP YOUR WATCHMEN. Quis custodiet ipsos
custodes? Everything begins 10/20 on HBO,
[Thanks to Nancy Sauer, Andrew Porter, John King Tarpinian,
Michael Toman, Chip Hitchcock, JJ, John A Arkansawyer, Cat Eldridge, Greg
Hullender, Martin Morse Wooster, Darrah Chavey, StephenfromOttawa, and Mike
Kennedy for some of these stories. Title
credit goes to File 770’s contributing editor of the day Anna Nimmhaus.]
(1) ASTOUNDING AWARD. CoNZealand will use the new name immediately. (At least one very well-known business meeting regular has been trying behind the scenes to convince other conrunners they don’t have the authority to make the change, and failed.)
Ng, who wrote the fantasy novel “Under the Pendulum Sun,” said in an interview on Wednesday that she was delighted by the decision. “It’s a good move away from honoring a completely obnoxious man who kept a lot of people out of the genre, who kept a lot of people from writing, who shaped the genre to his own image.” Thanks to the change, she added, “we’re now celebrating a little more neutrally a piece of history that’s not attached to his name.”
Becky Chambers just earned a Hugo Award for her blisteringly optimistic Wayfarers trilogy, and coming off that win, she’s shifting gears with a new, standalone novella, To Be Taught, If Fortunate. In the 22nd century, scientists make a big breakthrough that will help astronauts adapt to the harsh realities of space, opening up distant destinations in the cosmos to human explorers.
One team of astronauts ventures out to a solar system 15 light years away, and as they transform and adapt to their new home, so too is Earth. Publishers Weekly gave the book a starred review, saying that “Chambers packs an immense amount of story into a novella worthy of full-length praise.”
TAKEAWAYS. Eric Wong and
Greg Hullender cover their Ireland tour and Dublin 2019 in “Dublin
2019 Recap “. Says Greg, “Yeah, it had a few issues, but we had fun.”
Greg was on the “Fanzines Now!” panel, and that was the only panel we participated in this year. This panel was a discussion about the state of fanzines today. We had a good mix of people doing online fanzines (Rocket Stack Rank, Journey Planet, and Nerds of a Feather Flock Together) as well as Joe Siclari, who runs the Fanac History Project.
As usual for fanzine panels, the audience included lots of people involved with the traditional paper-based fanzines. Somewhat to our surprise, they were broadly supportive of modern online efforts. Joe remarked at one point that he had thought he’d be the conservative one on the panel, but he found himself standing up for the idea that “a blog is a fanzine, even if it only has one contributor, and even if no one ever comments on it.”
In 1979, the year before he was awarded the World Fantasy Professional Award, DMG published Acts of Providence, The Road of Azrael, Lack Colossus, The Black Wolf, Tales of the Werewolf Clan, Jewels ofGwahlur, Lovecraft’s Providence and Adjacent Parts, Mayhem on Bear Creek, and Hawks of Outremer.
The year after Grant won the award, Stephen King approached him with the rights to publish the first edition of any and all books in the Dark Tower series. King didn’t believe they would have a wide appeal among his general audience.
(5) TIPTREE DISCUSSION. Geoff
Ryman’s thoughts about the call to rename the award (which the Motherboard
today declined to do) is here on
Facebook and attracted comments from writers including David Gerrold, Nisi
Shawl and Eileen Gunn.
(6) MONGOLIAN HANDMAID. Ferret Bueller checks in from a
Mongolian bookstore once again. (Eat your heart out Locus!)
I don’t think I’ve had free time to visit File770 more than three times the past several months, but I saw the newest Mongolian SFF translation at the bookstore near my office today and immediately thought I’d pass on a picture if anyone was interested?. First is the full view and then the picture cropped to give a good look at the book at the top left, Margaret Atwood’s Handmaid’s Tale (the translation of the title is exact). It’s next to Michelle Obama’s Becoming and Gabriel Garcia Marquez’s Love in a Time of Cholera (though that title is rendered in Mongolian as Love in a Time of Plague), both of which were released about a month or two ago, maybe longer.
(7) DICKS OBIT. Perhaps the most prolific contributor to Doctor
Who, Terence Dicks (1935-2019) died August 29. Working as a writer and also serving as the program’s script
editor from 1968 to 1974, he was credited in 156 episodes of Doctor
Who. He wrote several Doctor Who serials and scores of novelizations. His final short story Save Yourself will be published next month in BBC Books’ Doctor Who: The Target Storybook. He wrote for TV’s The Avengers, the soap opera Crossroads,
and co-created and wrote for the series Moonbase 3. He also worked as a
producer on Sunday Classics. He authored several children’s series,
including about a cat call Magnificent Max and, his longest running, another
about a golden retriever The Adventures of Goliath. He received the 2015 Scribe Grandmaster career award for
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 2, 1899 — Martin Miller. He’s in Doctor Who with the First Doctor as Kublai Khan in “Mighty Kublai Khan” and “Assassin at Peking”. He’s Professor Spencer in The Avengers in “The Master Minds” and he shows up in The Prisoner as Number Fifty Four in “It’s Your Funeral”. He also showed up as Dutrov in Department S in the series finale, “The Perfect Operation”. (Died 1969)
Born September 2, 1909 — David Stern III. Creator of the Francis the Talking Mule character that became the star of seven popular Universal-International film comedies. Stern adapting his own script for the first entry, simply titled Francis. (Died 2003.)
Born September 2, 1911 — Eileen Way. She appeared on Doctor Who in An Unearthly Child, a First Doctor story, as Old Mother Karela the series first on-screen death, and in The Creature from the Pit, a Fourth Doctor story, as Karela. She would appear yet again in the 1966 Peter Cushing film Daleks’ Invasion Earth 2150 A.D. (as Old Woman), based on the serial The Dalek Invasion of Earth. (Died 1994.)
Born September 2, 1936 — Gwyn Thomas. Welsh poet and academic who translated Tales from the Mabinogion with Kevin Crossley-Holland. “Chwedl Taliesin”, “The Tale of Taliesin” was a short story by them as well. By the way my SJW credit is named Taliesin. And he tells a lots of tales. (Died 2016.)
Born September 2, 1964 — Keanu Reeves, 55. Ok Bill & Ted’s Excellent Adventure is a lot better film than its sequel. And I find the Matrix franchiseto be a pretentious mess that almost works. And let’s not talk about Johnny Mnemonic which bore little resemblance to the brilliant Gibson story.
Born September 2, 1966 — Salma Hayek, 53. Her performance as Santanico Pandemonium in From Dusk till Dawn is quite excellent. I can’t say the same for her performance as Rita Escobar in Wild Wild Wild West which got her nominated for a Golden Raspberry Award for Worst Supporting Actress. I do like her as Francesca Giggles in Spy Kids 3-D: Game Over.
Born September 2, 1968 — Kristen Cloke, 51. Captain Shane Vansen in the unfortunately short-lived Space: Above and Beyond, a damn fine series. She has one-offs in Quantum Leap, The X-Files, Millennium and The Others. She co-wrote with Shannon Hamblin an episode of The X-Files, “Rm9sbG93ZXJz” which is base64 code for “Followers”.
Joaquin Phoenix stars as Batman’s arch-nemesis in a new origin-story movie. But is this dark, dingy drama any better than any of the other supervillain films?
Now that Hollywood studios are running out of superheroes to make films about, they’re turning to supervillains instead, starting with Suicide Squad and Venom, and moving onto Batman’s smiley-faced arch enemy, the Joker. Todd Phillips’ revisionist origin story is different from those other entries in the bad-guy sub-genre, though. Devoid of fist fights and bank robberies, Batcaves and Batmobiles, Joker is a dark, dingy drama about urban decay, alienation, and anti-capitalist protests, with a distinctive retro vision and a riveting central performance by Joaquin Phoenix. Whether these differences make it much better than other supervillain movies, however, is open to question.
The film doesn’t specify when it is set, but its Gotham City is modelled on the graffiti-sprayed, litter-strewn pre-gentrification New York of Taxi Driver and Midnight Cowboy. This is the home of Arthur Fleck, played by Phoenix as a greasy, disturbingly emaciated figure with ribs and vertebrae poking out at all angles. No male actor has been this skinny since Christian Bale – yes, Batman himself – starved himself to stick-insect proportions for The Machinist.
…The film traces his gradual uncovering of family secrets, and his slow descent into homicidal mania – and I do mean slow. Joker doesn’t have much of a plot, let alone any subplots, so there are only a couple of major sequences that haven’t already been in the trailers. Phoenix is a magnificent presence – always believable, how outrageous he becomes – and I was quite happy to sit and watch him skipping around in his outsized shoes and striking balletic poses on beautifully grimy staircases. But, however unusual its grungy 70s styling may be, Joker is ultimately nothing but a flimsy, two-hour supervillain origin movie, so the viewer is just waiting for Arthur to become the fully-fledged Clown Prince of Crime. If it had been chopped down to an hour and then intercut with a Batman plot, what a film that might have been.
In May 1937, John W. Campbell, Jr. was looking for work. He was in good company — the unemployment rate in the United States was fluctuating around 15%, reflecting the lingering economic malaise of the Great Depression. Despite his degree in Physics and some success as a writer of science fiction stories, Campbell hadn’t found a steady gig.
This was to change in the Fall of that year when Campbell was hired as the Editor of Astounding Stories, where he reigned until his death in 1971….
The bottom of this page begins a critical passage that relates Campbell’s relationship with Mort Weisinger, a former editor of Science Fiction Digest / Fantasy Manazine, the most prominent fanzine of the mid-1930s. At the time of this letter, Weisinger had crossed into the professional ranks as Editor of Thrilling Wonder Stories.
This page essentially says that Weisinger taught Campbell how to be an editor, and wrote a letter of recommendation for him in that vein. It seems likely that both the advice and the reference played key roles in Campbell acquiring his job at Astounding. This is a tremendous testament to the role that prominent fans played in establishing science fiction as an industry during this period.
What do hideous mall t-shirts, emo bands from the mid-aughts, and gorgeously-wrought realist novels about dissolving marriages have in common? Simply this assertion: Life Sucks. And it does suck, undoubtedly, even for the happiest and/or richest among us, not one of whom is immune from heartbreak, hemorrhoids, or getting mercilessly ridiculed online.
Still, at certain points in life’s parade of humiliation and physical decay almost all of us feel a longing—sometimes fleeting, sometimes sustained—for it to never actually end. The live-forever impulse is, we know, driving all manner of frantic, crackpot-ish behavior in the fringier corners of the tech-world; but will the nerds really pull through for us on this one? What are our actual chances, at this moment in time, of living forever? For this week’s Giz Asks, we spoke with a number of experts to find out.
Answers are essayed by Alice
Parker (“Dean’s Professor, Electrical and Computer Engineering,
University of Southern California, whose research focuses on
reverse-engineering the human brain, among other things”), Lindsay Wu (“Senior Research Fellow and Co-Head
of the Laboratory for Ageing Research at the University of New South Wales,
Sydney”), David Sinclair (“Professor of Genetics and
co-Director of the Paul F. Glenn Center for the Biology of Aging at Harvard
Medical School, whose research focuses on why we age and how to slow its
effects”), and Mark
McCormick (“Assistant Professor, Biochemistry and Molecular
Biology, University of New Mexico Health Sciences Center”).
In the nearly two decades since a co-founder of Dragon Con was accused of molesting teenage boys, a strange legal odyssey has unfolded, including a proposed move to Israel, a trial delay because of a presidential election and an extradition by air ambulance.
Now, Ed Kramer faces new charges that could send him to prison for the rest of his life.
As one Disney movie continues succeeding at the box office, another falls another spot down on the all-time charts. Thanks to another steady weekend at the box office, The Lion King hyper-realistic reimagining has passed Joss Whedon’s fan-favorite The Avengers on the worldwide all-time box office chart. The Lion King is now seventh on the chart with $1.56 billion while the Marvel Studios hit drops to eighth with $1.52b.
It appears that’s the highest Jon Favreau’s remake will go on the worldwide charts as Jurassic World is sixth with a hefty $1.67b.
Three full truck loads of dinosaur fossils were shipped out of the “Mission Jurassic” dig site in North Wyoming as scientists brought the 80-day excavation season to an end.
The specimens included skeletal parts from giant herbivorous sauropods and meat-eating theropods.
The fossils will now be cleaned to see precisely which species they represent.
Mission Jurassic is a major undertaking involving researchers from the US, the UK and the Netherlands.
It is led by The Children’s Museum of Indianapolis (TCMI) which has taken out a 20-year lease on a square mile (260 hectares) of ranch land.
The BBC was given special access to the site in July.
The fossil beds exposed at the secret location in the Big Horn Basin record dinosaur activity around 150 million years ago – and the summer’s work confirms the site is particularly rich.
One three-tonne block of rock lifted on the final day last week was embedded with multiple remains all stacked one on top of the other.
“Overall we must have moved something like 500-600 bones; it’s just a huge amount of material we’ve been able to shift in one year,” said Prof Phil Manning, a University of Manchester palaeontologist and TCMI scientist in residence.
A British inventor has taken up the challenge to deliver a letter across open water through donning a jet engine-powered suit, 85 years after the idea of rocket post failed.
Richard Browning has followed in the footsteps of German entrepreneur Gerhard Zucker, who tried to send mail by rocket to the Isle of Wight, in 1934.
The distance from Hurst Castle in Lymington to Fort Albert in Freshwater is 1.3 km, and is the furthest Richard has ever flown.
(18) MEANWHILE, IN THE REAL WORLD. BBC reminds
everyone about “The ‘ghost work’ powering tech magic”. Chip
Hitchcock notes, “It’s ironic that Amazon’s collaborative tool is named
Mechanical Turk, considering the fraud behind the original.”
Armies of workers help power the technological wizardry that is reshaping our lives – but they are invisible and their jobs are precarious.
Next time you ask Alexa a question, your voice might fly halfway round the world to Chennai, India, where human workers toil away to fine tune her artificial intelligence- (AI-) powered responses.
In nine-hour shifts workers transcribe audio, classify words and phrases into categories, and evaluate responses from Amazon’s digital assistant. It’s one of many Amazon centres around the world where “data associates” prepare millions of chunks of data to train Alexa’s AI.
The work can be relentless, says a former employee. He was crunching roughly 700 Alexa questions a day with strict benchmarks for how long each should take. Workers’ performance figures were circulated daily and targets crept up over the time he spent there. The work was monotonous, but the volume and pace were mentally exhausting, and he eventually quit.
“It’s not possible to work like a machine every day,” he says. “The system is built in such a way that every time you have to give 100%. From the point of a human, it’s not possible.”
To users, digital assistants, search engines, social media and streaming services seem like software wizardry, but their smooth running relies on armies of humans whose contribution often goes unrecognised.
(19) WIKIPEDIA TODAY. When he saw the Wikipedia had selected “the Nebula Award for Best Short story” for on Today’s Featured Article, John King Tarpinian snapped his screen. So to speak.
There are so many words and phrases that we use in science fiction—and even science—without giving it much thought. But where did we get terms like “death ray,” “terraforming,” “hive mind,” “telepathy,” and “parallel universe”?
(21) VIDEO OF THE DAY. “The Egg” on YouTube is an animated adaptation of a short
story by Andy Weir about the meaning of life
[Thanks to John King Tarpinian, Rich Horton, Mike Kennedy, JJ,
Chip Hitchcock, Martin Morse Wooster, Darrah Chavey, Cat Eldridge, Hampus
Eckerman, and Andrew Porter for some of these stories. Title credit goes to
File 770 contributing editor of the day Contrarius.]
It seems likely that at least some characters from Picard’s past might show up on our screens again—here are 25 Next Generation characters ranked from least likely to most likely that they’ll beam-in and hang out with Jean-Luc.
(2) DOTS NICE. Edmund
Schluessel shares his experiences at Finncon 2019, which took place this past
weekend in a place with lots of dots in the name in Finland.
…Finncon 2019 took place 5-7 July in Jyväskylä, which as a town hardly seems like a place — the city, center is just a half dozen square blocks. Nonetheless the University of Jyväskylä is a major center of learning in Finland and their hosting of the Con afforded a good venue eerily devoid of students in the high summer. The Con ran seven or eight program items at once, spread across three floors, and filled many of them up to the fire limit. As is the norm for Finnish conventions, there was no registration fee and many people simply arrived as they pleased.
…The con boasted four guests of honor, author Charles Stross, editor Cheryl Morgan, translator Kersti Juva and professor Raine Koskimaa who headed up the academic track. This lineup underlines one of the things that sets Finnish conventions apart and allies them more closely with Eastern European and Continental fandom: conventions in Finland are seen as not just fandom events but literary events, where people attend not just to enjoy and appreciate genre works but discuss them and their cultural contexts seriously and to examine the process of creating them….
(3) BLISH 1970 GOH TALK. A photo-illustrated 38-minute audio recording of James Blish’s GoH speech at Sci-Con 70, the 1970 British Eastercon, has been uploaded to Fanac.org’s YouTube channel.
An interesting talk tracing the history of science fiction from well accepted general literature to a literary ghetto and back to general respectability. With wit, insight and quiet passion, James Blish (who was also the respected critic William Atheling Jr.) talks about science fiction before the debut of Amazing ,and his perceptions of the malign influence of the specialty magazine. Jim discusses the impact of technology on society’s attitude towards science fiction, and where we might go from here. Audio recording enhanced with 40 images. Recording and photos provided by Bill Burns, who was part of the Sci-Con 70 committee.
(4) POP CULTURAL ABUNDANCE. Alasdair Stuart is back with a refill: “The Full Lid 5th July 2019”. “This week, we go to Glastonbury for Stormzy and Lizzo, to Steven Universe for Sarah Gailey’s extraordinary comics debut, The Walking Dead 193 for the end of the line and Spider-Man: Far From Home for life after Endgame. And then, we tie them all together.” Here’s the beginning of the Steven Universe segment —
After another successful mission, Amethyst hits a sad spell. The other Crystal Gems know to leave well alone but Steven, worried about his friend, sets out to cheer her up.
This comic needs to be taught in schools and workplaces. Not just because it’s a great piece of visual storytelling, it is. Sarah Gailey‘s script maps onto the big action, fast moving and weirdly peaceful world of the series and its characters beautifully. Rii Arbrego’s art is expressive, kinetic and kind. Whitney Cogar’s colours and Mike Fiorentino’s letters nail the feel and pace of the world to a tee. If you love the show, you’ll love this book.
But that’s not the reason this one hit me between the eyes. It did that because this is a story about depression, living with it and living with people with depression. One that uses the vehicle of the show to communicate clearly and directly a vital message that gets lost far too often.
(5) MULAN TRAILER. Disney has dropped a teaser trailer
for its live action version of Mulan.
When the Emperor of China issues a decree that one man per family must serve in the Imperial Army to defend the country from Northern invaders, Hua Mulan, the eldest daughter of an honored warrior, steps in to take the place of her ailing father. Masquerading as a man, Hua Jun, she is tested every step of the way and must harness her inner-strength and embrace her true potential. It is an epic journey that will transform her into an honored warrior and earn her the respect of a grateful nation…and a proud father.
However, fans have noticed a couple of major omissions from
(6) ICE CREAM GRIDLOCK. John King Tarpinian heard a
lot of folks are accepting the invitation to Step Inside Scoops Ahoy
– Baskin-Robbins’ tribute to Stranger Things’ new season: “A friend
drove by yesterday. She said the line of people was around the block and
the queue of cars wanting to enter was equally as long.”
Step Inside Scoops Ahoy
Sail on over to our Burbank, CA location*, where Scoops Ahoy has been recreated exactly as the Hawkins gang would have experienced it over 30 years ago. It will feel like you’ve stepped right into the show – but it won’t be here for long!
*Scoops Ahoy Address: 1201 S Victory Blvd, Burbank, CA 91502. Open July 2 –16.
Last month, I talked about the successful German film series based on the novels of British thriller writer Edgar Wallace as well as the many imitators they inspired. The most interesting of those imitators and the only one that is unambiguously science fiction is the Dr. Mabuse series.
Dr. Mabuse is not a new character. His roots lie in the Weimar Republic and he first appeared on screen in 1922 in Fritz Lang’s Dr. Mabuse – The Gambler, based on the eponymous novel by Luxembourgian writer Norbert Jacques.
Brauner was a fascinating person, a Holocaust survivor who went on to produce more than a hundred movies, ranging from forgettable softcore erotica to Academy Award winners. Most of the official obituaries focus on his serious Holocaust and WWII movies, but he did so much more. His genre contributions include the Mabuse movies, the 1966/67 two part fantasy epic The Nibelungs and the 1959 science fiction film Moon Wolf.
Born July 8, 1942 — Otto Penzler, 77. He’s proprietor of The Mysterious Bookshop in New York City who edits anthologies. Oh, does he edit them, over fifty that I know of, some of genre interest including The Big Book of Sherlock Holmes Stories, Zombies! Zombies! Zombies! and The Black Lizard Big Book of Black Mask Stories which an original Lester Dent story in it.
Born July 8, 1951 — Anjelica Huston, 68. I’m going to single her out for her performance as The Grand High Witch of All The World, or Eva Ernst in The Witches, a most delicious film. She was also wonderful as Morticia Addams in both of the Addams Family films, and made an interesting Viviane, Lady of the Lake in The Mists of Avalon miniseries.
Born July 8, 1914 — Hans Stefan Santesson. Trifecta of editor, writer, and reviewer. He edited Fantastic Universe from 1956 to 1960, and the US edition of the British New Worlds Science Fiction. In the Sixties, he edited a lot of anthologies including The Fantastic Universe Omnibus, The Mighty Barbarians: Great Sword and Sorcery Heroes and Crime Prevention in the 30th Century. As a writer, he had a handful of short fiction, none of which is available digitally. His reviews appear to be all in Fantastic Universe in the Fifties. (Died 1975.)
Born July 8, 1955 — Susan Price, 64. English author of children’s and YA novels. She has won both the Carnegie Medal and the Guardian Prize for British children’s books. The Pagan Mars trilogy is her best known work, and In The Sterkarm Handshake and its sequel A Sterkarm Kiss, will please Outlander fans.
Born July 8, 1958 — Kevin Bacon, 61. The role I best remember him in isValentine “Val” McKee in Tremors. He also played Sebastian Shaw, Jack Burrell in Friday the 13th, David Labraccio in the most excellent Flatliners and Sebastian Caine in the utterly disgusting Hollow Man.
Born July 8, 1958 — Billy Crudup, 61. William “Will” Bloom in Big Fish is a most wonderful role. His take on Doctor Manhattan in Watchmen is quite amazing. And he’s in Christopher Oram in Alien: Covenant, a film I’ve no interest in seeing as that series as it’s run far too long.
Born July 8, 1978 — George Mann, 41. Writer and editor. He’s edited a number of anthologies including the first three volumes of Solaris Book of New Science Fiction. Among my favorite books by him are his Newbury & Hobbes series, plus his excellent Doctor Who work.
MISSION? Mary Robinette Kowal noted an anomaly about a new commemorative Lego
figure. (Hamilton did this a
few years later.)
In March 1966, a group of 14 scientists, working on behalf of NASA, produced an astonishing report about a delicate topic: How to go to the Moon without polluting the Moon.
The conclusion: You can’t.
Simply landing a spaceship and astronauts on the Moon was going to bring with it an astonishing fog of alien pollution.
The lunar module’s rocket engine, hovering the spaceship down from orbit and running until the moment the lunar module touched the surface, was burning almost 1,000 pounds of fuel every 30 seconds, and spraying its exhaust across the Moon nonstop.
The lunar module itself vented both gases and water vapor, and when the astronauts got ready to leave for a Moon walk, they emptied the entire cabin—humidity, air, any particles floating in the atmosphere—right out onto the Moon.
When the lunar module blasted off to head for orbit, the ascent engine would again spray the surface of the Moon with chemicals.
“Look at it this way,” he said. “Suppose there were germs on the moon. There are germs on the moon, we come back, the command module is full of lunar germs. The command module lands in the Pacific Ocean, and what do they do? Open the hatch. You got to open the hatch! All the damn germs come out!”
Buzz Aldrin made a similar point as footage showed the astronauts being disinfected as they were on a raft next to the spacecraft they’d splashed down to Earth on.
He said that the rescuers had cleaned him down with a rag – and then thrown that same rag straight into the water….
PLURIBUS SPACE. Live in the US? NASA now has an
interactive map to let you know what your state’s contribution to their mission
is. Zoom in and click away — NASA in
the 50 States.
1) “A Witch’s Guide To Escape: A Practical Compendium of Portal Fantasies,” Alix E. Harrow
This does have a plot, one that’s heartbreaking and hopeful at the same time: a librarian/witch who gives a broken foster kid the Book he needs most, and with it the means to escape his life into another world. The fact that the author uses examples of real books (Harry Potter, et al) to illustrate her story’s points give it real power, and is one of the reasons I couldn’t forget it. When you can’t get a story out of your head, no matter how much reading you’ve done since, that makes a story award-worthy. As I said, I would be happy if just about any of these stories won…but I’m pulling for this one.
I’ll begin with a bit of an ongoing gripe: once again, the actual home of short-form dramas in the 1940s – the ubiquitous and very popular radio shows – has been ignored in favour of cartoon shorts and movies which aren’t quite long enough to reach the Long Form cut-off point. Harrumph, say I, harrumph.
WHAT A WEB THEY WEAVE. What has 24 legs and catches
flies? In “Spider-Man vs. Spider-Man vs. Spider-Man”, SYFY Wire looks
at the first solo films for each of the three tries at Spider-Man in the last
decade plus. Let’s just say the article expresses strong preferences.
…When Tobey Maguire was cast as Peter Parker, Spidey fans had all but given up hope ever to see the webhead on the big screen. Rights issues and development hell had besieged the character for years, so when Spider-Man finally made it to theaters, audiences were thrilled. That goodwill extended through Spider-Man 2, but when Spider-Man 3 came around in 2007 … there was some frustration. Five years later, Andrew Garfield swung into our collective conscious as the Amazing Spider-Man. Then, in 2014, Amazing Spider-Man 2 came out, and the less said about that one the better. Finally, Marvel Studios got their most popular character back to make a home in the MCU, and in 2017 Tom Holland made his solo debut in Spider-Man: Homecoming.
(18) TONIGHT’S JEOPARDY! Andrew Porter on the game show beat
files this report:
The category: Fictional Languages; contestants had to guess who created them.
Answer: Valyrian, Braavosi.
No one got: Who is George R.R. Martin?
(19) SPOUSAL DISPUTE. Amanda Palmer and Neil Gaiman disagree
whether Neil used to sport a mullet. There is a photo…
Before Jarret Stopforth takes his first sip of coffee, he adds cream and sugar to mask the bitterness.
But then, he thought, why settle for a regular cup of joe? So the food scientist decided to re-engineer coffee, brewing it without the bitterness — or the bean. “I started thinking, we have to be able to break coffee down to its core components and look at how to optimize it,” he explains.
Stopforth, who has worked with other food brands like Chobani, Kettle & Fire and Soylent, partnered with entrepreneur Andy Kleitsch to launch Atomo. The pair turned a Seattle garage into a brewing lab, and spent four months running green beans, roasted beans and brewed coffee through gas and liquid chromatography to separate and catalog more than 1,000 compounds in coffee to create a product that had the same color, aroma, flavor and mouthfeel as coffee.
“As we got deeper into the process, we learned more about the threats to the coffee world as a whole — threats to the environment from deforestation, global warming and [a devastating fungus called] rust, and we were even more committed to making a consistently great coffee that was also better for the environment,” Stopforth says.
The future of coffee is uncertain. The amount of land suitable for growing coffee is expected to shrink by an estimated 50 percent by 2050, according to a report by the International Center for Tropical Agriculture.
(21) THE SPLASH AT THE BOTTOM OF THE WELL. Translate tweet: “I’m so grateful when anybody pays attention to me. Thank you! Please don’t stop!” You’re welcome, Richard.
(22) ROBERT MCCAMMON RAP VIDEO. Bestselling author Robert McCammon
wrote a song about his creations and worked with filmmaker Chuck Hartsell to produce
a music video that features some of them.
[Thanks to JJ, John King Tarpinian, Edmund
Schluessel, Cat Eldridge, Chip Hitchcock, Soon Lee, Martin Morse Wooster, Mike
Kennedy, Carl Slaughter and Andrew Porter for some of these stories. Title
credit goes to File 770 contributing editor of the day Jayn.]
In response to my previous newsletter on dealing with jealousy for the career successes of friends and colleagues, I’ve had a couple of conversations about how one might deal with an even more difficult form of jealousy: jealousy for the successes of people you just can’t stand—or, even worse, who have done you some personal harm. Sometimes abusers, toxic exes, harassers, or people who got you fired go on to have brilliant careers and amass great amounts of personal power.
And that’s a hard thing to take. Especially if, every time you go to an industry event, somebody is telling you how awesome that person is.
If there’s one thing that the #MeToo movement has made evident, it’s that this isn’t a problem unique to publishing. It’s a terrible situation to be in—triggering, traumatizing, and grief-provoking. It can make you doubt your own experience, memories, and senses. It can prove a constant reminder of violation.
It’s also (if there’s another thing the #MeToo movement has made evident) a depressingly common situation.
So how does one deal with it, when one finds one’s self in a situation like that?
(2) BECOMING SUPERMAN. J. Michael Straczynski previews his
forthcoming autobiography. Thread starts here.
… When the first volume of the series was published in the United States, in 2014, the models for Trisolaris and Earth were immediately apparent. For the Chinese, achieving parity with the West is a long-cherished goal, envisaged as a restoration of greatness after the humiliation of Western occupations and the self-inflicted wounds of the Mao era. As Liu told the Times, “China is on the path of rapid modernization and progress, kind of like the U.S. during the golden age of science fiction.” The future, he went on, would be “full of threats and challenges,” and “very fertile soil” for speculative fiction.
In the past few years, those threats and challenges have escalated, as China’s global ambitions, especially in the field of technology, have begun to impinge upon America’s preëminence.
…As the standoff has intensified, Liu has become wary of touting the geopolitical underpinnings of his work. In November, when I accompanied him on a trip to Washington, D.C.—he was picking up the Arthur C. Clarke Foundation’s Award for Imagination in Service to Society—he briskly dismissed the idea that fiction could serve as commentary on history or on current affairs. “The whole point is to escape the real world!” he said. Still, the kind of reader he attracts suggests otherwise: Chinese tech entrepreneurs discuss the Hobbesian vision of the trilogy as a metaphor for cutthroat competition in the corporate world; other fans include Barack Obama, who met Liu in Beijing two years ago, and Mark Zuckerberg. Liu’s international career has become a source of national pride. In 2015, China’s then Vice-President, Li Yuanchao, invited Liu to Zhongnanhai—an off-limits complex of government accommodation sometimes compared to the Kremlin—to discuss the books and showed Liu his own copies, which were dense with highlights and annotations.
There’s another potential explanation as to why Men in Black: International has failed to click with audiences, and it has to do with spectacle. Spectacle has long been a key part of the draw of big-budget Hollywood films. And for a long time, spectacle in terms of what films were using the most cutting-edge technology — had the most lifelike monsters, the most extensive battle sequences and so on — quite often corresponded with what films did well.
Think of a film like Avatar (2009). No one was writing home about the story. In spite of the various box office records it broke, the actual content of the film has left little lasting impression on popular culture in comparison to other comparable box office successes. While Jaws lives on in references like, “you’re gonna need a bigger boat” and the characters of the Star Wars films or the Marvel Cinematic Universe are household names, a lot of people would have a far more difficult time recalling any characters or lines of dialogue from Avatar. And this is because Avatar is the sort of film that reached the heights it did by merit of technical spectacle — immersing the audience in what, for many, was a compellingly photorealistic alien world.
(5) AUDIO FURNITURE. The new Two Chairs
Talking podcast, in which David Grigg and Perry Middlemiss talk
about sff books and movies, takes its name from the pair’s history as Worldcon
Chairs — David: Aussiecon Two; and Perry: Aussiecon Three and co-chair of
The fifth episode, “Episode 5: An Incomplete History of Serious Events”, features guest Leigh Edmonds talking about how he became a historian, and about his project to write a history of science fiction fandom in Australia. It also features Perry on Greg Egan, and David, as he says, “talking probably for too long about the tv series A Series of Unfortunate Events.
(6) CALLING DOUGHNUT CONTROL. Krispy Kreme is cashing in on the 50th anniversary of the
first moon landing by launching a new type of doughnut. (John
King Tarpinian, who sent the link, promises he’ll be sticking to his
traditional Moon Pie.)
One small bite for man. One giant leap for doughnut-kind! As America prepares for the 50th anniversary of the Apollo 11 moon landing, Krispy Kreme is making a giant leap for doughnut-kind by introducing a whole NEW interpretation of the brand’s iconic Original Glazed. This will be the FIRST TIME Krispy Kreme has offered another version of the Original Glazed Doughnut on the menu PERMANENTLY.
(7) GOAL EXCEEDED. The Dennis Etchison Memorial
Fund at GoFundMe raised $5,445 to help Kristina Etchison with costs incurred to have Dennis
laid to rest. (The target amount was $4,000.)
(8) TODAY IN HISTORY.
June 19, 1954 — Them! released on this day.
June 19, 1964 — The Twilight Zone aired its series finale: “The Bewitchin’ Pool”, penned by Earl Hamner.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 19, 1915 — Julius Schwartz. He’s best known as a longtime editor at DC Comics, where at various times he was primary editor for the Superman and Batman lines. Just as interestingly, he founded the Solar Sales Service literary agency (1934–1944) where Schwartz represented such writers as Bradbury, Bester, Bloch, Weinbaum, and Lovecraft which including some of Bradbury’s very first published work and Lovecraft’s last such work. He also published Time Traveller, one of the first fanzines along with Mort Weisinger and Forrest J Ackerman. (Died 2004.)
Born June 19, 1921 — Louis Jourdan. Fear No Evil and Ritual of Evil, two tv horror films in the late Sixties, appear to be his first venture into our realm. He’d play Count Dracula in, errr, Count Dracula a few years later. And then comes the role you most likely remember him for, Dr. Anton Arcane in Swamp Thing which he reprised in The Return of Swamp Thing. Definitely popcorn films. Oh, and let’s not forget he was Kamal Khan, the villain in Octopussy! (Died 2015.)
Born June 19, 1926 — Josef Nesvadba. A Czech writer, best known for his SF short stories, many of which have appeared in English translation. ISFDB lists a number of stories as appearing in English and two collections of his translated stories were published, In The Footsteps of the Abominable Snowman: Stories of Science and Fantasy and Vampires Ltd. : Stories of Science and Fantasy. Neither’s available in digital format. (Died 2005.)
Born June 19, 1947 — Salman Rushdie, 72. Everything he does has some elements of magic realism in it. (Let the arguments begin on that statement.) So which of his novels are really genre? I’d say The Ground Beneath Her Feet, Grimus (his first and largely forgotten sf novel), Two Years Eight Months and Twenty-Eight Nights and Haroun and the Sea of Stories. If you’ve not read anything by him, I’d start with The Ground Beneath Her Feet which is by far both one of his best works and one of his most understandable ones as well.
Born June 19, 1953 — Virginia Hey, 66. Best known for her role as Pa’u Zotoh Zhaan in the fabulous Farscape, series and playing the Warrior Woman in Mad Max 2: The Road Warrior. She’s also Rubavitch, the mistress of KGB Head, General Pushkin, in The Living Daylights. She also had a brief appearance as a beautician in The Return of Captain Invincible, an Australian musical comedy superhero film.
Born June 19, 1954 — Kathleen Turner, 65. One of her earliest roles was in The Man with Two Brains as Dolores Benedict. Somewhat of a Fifties retro feel with that title. Of course, she voiced sultry Jessica Rabbit in Who Framed Roger Rabbit, one of my favorite all time films. I still haven’t seen all of the Roger Rabbit short films that were done. She voiced Constance in Monster House a few years later, and was in Cinderella, a television film where she was the lead of the Wicked Stepmother Claudette.
Born June 19, 1957 — Jean Rabe, 62. She’s a genre author and editor who has worked on the Dragonlance, Forgotten Realms, Rogue Angel and BattleTech series, as well as many others. Ok, I admit to a degree of fascination with such writers as I’m a devotee of the Rogue Angel audiobooks that GraphicAudio does and she’s written according to ISFDB five of the source novels under the house name of Alex Archer.
Born June 19, 1978 — Zoe Saldana, 41, born with the lovely birth name of Zoë Yadira Saldaña Nazario. First genre role was Anamaria in Pirates of the Caribbean: The Curse of the Black Pearl. She’s Nyota Uhura in the new Trek series and she’s also Neytiri in the Avatar franchise. She portrays Gamora in the MCU, beginning with Guardians of the Galaxy, a truly great film.
(10) COMICS SECTION.
This Off the Mark could be the pilot for CSI: Springfield, if you know what I mean.
(11) SIGHTING. The commemorative Moon Landing Oreos have hit
the markets. John King Tarpinian snapped this photo in a Target store.
(12) HUGH JACKMAN. Ahead of his live show in Houston, Hugh Jackman visited NASA,
something he’s been dreaming about doing since childhood:
in the opening number of the second act of his show, channeling Peter Allen, he
brought a NASA salsa dance instructor up on stage with him. Who
even knew NASA had salsa dance instructors? It’s a real thing
don’t know about you guys! I’m going to Mars!” … “I’m gonna sign up
to be an astronaut tomorrow!”
Yesterday, as the video game industry’s attention was focused squarely on the final day of the E3 convention in Los Angeles, Amazon’s video game division quietly laid off dozens of employees.
Amazon Game Studios, which is currently developing the online games Crucible and New World, told affected employees on Thursday morning that they would have 60 days to look for new positions within Amazon, according to one person who was laid off. At the end of that buffer period, if they fail to find employment, they will receive severance packages.
Amazon also canceled some unannounced games, that person told Kotaku.
Over the past year, from Bermuda and the Bahamas to Ireland and Orkney, hundreds of pairs of unworn shoes have washed up on beaches. But how did they get there, and why are scientists so interested in where they are being found?
…The source of all these shoes is believed to be a single ship.
“Through the research I have done,” Mr Ribeiro says, “everything indicates they may have been from some of the 70 to 76 containers that fell overboard from the Maersk Shanghai.”
…Despite the environmental damage, scientists can salvage something from such incidents – a better understanding of our oceans and the currents that drive them.
While many of the shoes from the Maersk Shanghai have been washing up on beaches, far more are likely to be doing laps of the North Atlantic ocean, stuck in a network of powerful currents.
…Even more enlightening, Dr Ebbesmeyer says, is how the shape of the shoes seems to dictate where they end up.
“The left and the right sneakers float with different orientation to the wind,” he explains. “So when the wind blows on them they will go to different places. So on some beaches you tend to get the left sneakers and on others you get the right.”
…This book is a cool mixture of puzzle-solving, personal story and world-changing events.
What strikes me the most about it though is the choice of having this particular type of protagonist because April? Not exactly a super great person. She is kinda of a jerk, she is flawed, full of contradictions, she well and truly fucks up on numerous occasions. She loves AND hates all the attention and fame she receives – especially in a world that mirrors our own in terms of how social media shapes the lives of people. There is good in it, but there is also bad and there is certainly the ugly too and at different times April embodies all of these possibilities.
In her debut novel Trail of Lightning, Rebecca Roanhorse introduced readers to a compelling future in which climate change and wars have wrecked North America, resulting in some fantastical transformations to the country. Native American gods walk alongside mortal humans, some of whom have developed fantastical clan powers, and magical walls have grown around the traditional Navajo homeland Dinétah. In her next adventure, Storm of Locusts, Roanhorse ups the stakes for her characters and the world….
Hey, you. Did you really like A Canticle For Leibowitz but think it needed more robot hookers and a talking goat? Then FKA USA is the book for you.
Did you think The Road suffered by not having enough gunfights with Mormons? Do you have a fondness for The Wizard Of Oz but believe, deep in your weird little heart, that it suffered a crippling lack of footnotes, bad language and fart jokes? Yeah, me, too. Which is (maybe) why I liked FKA USA so much.
For a limited time, the first episode of Savage Builds—in which Adam Savage (late of Mythbusters) constructs and tests an Iron Man suit—is available free on the Discovery Channel website.
Adam Savage became a household name as the cohost of Mythbusters, and now, he’s returned to the Discovery Channel with a new show: Savage Builds. In each episode of the series, Savage goes out and builds something, consulting with other experts and builders. The series just began airing on Discovery, and the first episode, in which he builds a flying Iron Man costume, is available for free online (at least in the US) for the next two weeks.
Think of it like a builder’s version of Mythbusters: take a thing from pop culture or history, and make a version that functions as closely as possible to its on-screen counterpart. In the show’s first episode, Savage sets out to build a real, flying Iron Man costume that’s also bulletproof.
(19) VIDEO OF THE DAY. “Woke Up Looking” on Vimeo is a love song Gideon
Irving sings to his robot.
[Thanks to Kat, Irwin Hirsh, Contrarius, Andrew Porter, Carl
Slaughter, JJ, John King Tarpinian, Chip Hitchcock, Mike Kennedy, Martin Morse
Wooster, and Cat Eldridge for some of these stories. Title credit goes to File
770 contributing editor of the day Daniel Dern.]
Rare Books LA was held in Pasadena, CA over the weekend. John King Tarpinian snapped photos of some of the sff rarities for sale with their price cards. If you look closely the current values of some of these familiar works you may be surprised.