(1) FOR MY
FATHER…AND FOR ALL OUR FATHERS. It’s a good day to reread Steve
Vertlieb’s Father’s Day tribute to his dad — “My Father/Myself” (from 2017).
Here is a very special Father’s Day tribute that I wrote for my beloved dad, Charles Vertlieb. I hope that you’ll find it moving. Happy Father’s Day in Heaven, Dad. I love you, and I miss you more and more with every passing day.
… The first dinosaurs we would have shared must have been at the New York World’s Fair in 1965, in Flushing Meadows, Queens (where the baseball Mets still play). In the second, and final year of that unparalleled spectacular’s existence, we saw Dinoland, Sinclair Oil’s famous “dinosaur garden.” (A small plastic stegosaurus soon became one of my prized possessions).
(2) NEW NEW NEW! Coca-Cola is the sponsor of today’s
practically daily Stranger Things tie-in
commercial. New Coke may go better with popcorn than on it.
… Here we go to the great one for his wise advice on writing. We’ll elaborate on some of his most famous quotes on the subject to showcase how screenwriters can apply the wisdom to their screenwriting art and craft….
4. “You see. No shock. No engulfment. No tearing asunder. What you feared would come like an explosion is like a whisper. What you thought was the end is the beginning.”
Screenwriters wait and wait for that big inspirational moment to come, often leading to endless months and months of waiting. Sometimes years. The best ideas come like a whisper in the night. It could be a single visual, a single line of dialogue, a single moment, a single character trait or arc, etc. Don’t wait for some big explosion of inspiration. Listen.
(4) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 16, 1894 — Mahlon Blaine. Illustrator whose largely of interest here for his work on the covers of the Canaveral Press editions in 1962 of some Edgar Rice Burroughs editions. He told Gershon Legman who would put together The Art of Mahlon Blaine “that he designed the 1925 film, The Thief of Bagdad, but Arrington says that his name doesn’t appear in any of the published credits.” He also claimed to have worked on Howard Hawks’ Scarface, but IMDB has no credits for him. (Died 1964.)
Born June 16, 1896 — Murray Leinster. It is said that he wrote and published more than fifteen hundred short stories and articles, fourteen movie scripts, and hundreds of radio scripts and television plays. Among those was his 1945 Hugo winning novella “First Contact” which is one of the first (if not the first) instances of a universal translator in science fiction. So naturally his heirs sued Paramount Pictures over Star Trek: First Contact, claiming that it infringed their trademark in the term. However, the suit was dismissed. I’m guessing they filed just a bit late. (Died 1975.)
Born June 16, 1920 — T.E. Dikty. In 1947, Dikty joined Shasta Publishers as managing editor. With E. F. Bleiler he started the first Best of the Year SF anthologies, called The Best Science Fiction, that ran from 1949 until 1957. He was posthumously named to the First Fandom Hall of Fame in a ceremony at the 71st World Science Fiction Convention. (Died 1991.)
Born June 16, 1939 — David McDaniel. He wrote but one non-media tie-in novel, The Arsenal Out of Time, but most of his work was writingThe Man from U.N.C.L.E. novels, six in total, with one, The Final Affair, which was supposed to wrap up the series but went unpublished due to declining sales but which circulated among fandom. He also wrote a Prisoner novel, Who is Number 2? (Died 1977.)
Born June 16, 1940 — Carole Ann Ford, 79. Best known for her roles as Susan Foreman in Doctor Who, and as Bettina in The Day of the Triffids. Ford appeared in the one-off 50th-anniversary comedy homage The Five(ish) Doctors Reboot.
Born June 16, 1958 — Isobelle Carmody, 61. Australian writer best known for her Obernewtyn Chronicles which she began at age fourteen. She’s rather prolific with I count at least twenty four novel and three short story collections to date.
Born June 16, 1972 — Andy Weir, 47. His debut novel, The Martian, was later adapted into a film of the same name directed by Ridley Scott. He received the John W. Campbell Award for Best New Writer. Artemis, his second novel, has been optioned as a film.
Like many Stephenson novels, Fall features a huge, multigenerational — and in this case, periodically reincarnated — cast of characters. But at its center is Richard “Dodge” Forthrast, an aging game company CEO and protagonist of Stephenson’s earlier novel Reamde.
The broad strokes of the story: Dodge dies during a routine medical procedure, and his consciousness is uploaded to a quantum computer. This digital Dodge (known as Egdod) slowly gains self-awareness and constructs a mystical space called Bitworld, presiding over a growing number of newly uploaded “souls.” But the wealthy transhumanist Elmo “El” Shepherd is furious that Dodge has seemingly recreated an old, regrettably human social system. He throws Dodge out of his own paradise, setting up a power struggle that will shake Bitworld’s very foundations.
The Child’s Play reboot is out in cinemas next week, and it’s already gotten the seal of approval from the one and only Snoop Dogg.
The rapper’s not one to mince his words, whether he’s reacting to the Game of Thrones finale or American president Donald Trump. So naturally, his quick-fire review of the new Chucky film, in a short clip for his Hot Box Office show on VH1, was filled with puns and quips.
Patricia Abbott: Landscape with Fragmented Figures by Jeff Vande Zande
Hepzibah Anderson and John O’Neill: Stand on Zanzibar by John Brunner
Pritpaul Bains: The Day of the Jackal by Frederick Forsyth
Brian Bigelow: Journey through a Lighted Room by Margaret Parton
Les Blatt: A Knife for Harry Dodd by George Bellairs
Joachim Boaz: Seconds by David Ely; Daybreak on a Different Mountain by Colin Greenland
John Boston: Amazing: Fact and Science Fiction Stories, July 1964, edited by Cele Goldsmith Lalli
Ben Boulden: A Talent for Killing (including Deadman’s Game) by Ralph Dennis
Brian Busby: The Black Donnellys by Thomas P. Kelley
Martin Edwards: Goodbye, Friend by Sébastien Japrisot (translated by Patricia Allen Dreyfus)
Peter Enfantino: Atlas (pre-Marvel) horror comics: June 1952
Peter Enfantino and Jack Seabrook: DC war comics, February 1975
Will Errickson: In a Lonely Place and Why Not You and I? by Karl Edward Wagner
José Ignacio Escribano: Maigret in Vichy by Georges Simenon (translated by Ros Schwartz)
Curtis Evans: Who wrote which of the “Patrick Quentin”/”Q. Patrick”/”Jonathan Stagge” novels
Olman Feelyus: Horizon by Helen MacInnes
Paul Fraser: Famous Fantastic Mysteries, August 1946, edited by Mary Gnaedinger (The Twenty-Fifth Hour by Herbert Best and a short story by Bram Stoker); The Great SF Stories 11 (1949) edited by Isaac Asimov and Martin H. Greenberg
John Grant: Summer of the Big Bachi by Naomi Hirahara; Silk by Alessandro Barrico (translated by Guido Waldman)
Aubrey Hamilton: The Cat Screams by Todd Downing
Rich Horton: Kate Wilhelm short fiction; The Accidental Time Machine by Joe Haldeman
Jerry House: Three by Kuttner by Henry Kuttner (edited and introduced by Virgil Utter)
Kate Jackson: The Strange Case of Harriet Hall by “Moray Dalton” (Katherine Dalton Renoir)
Tracy K: The Dusty Bookcase by Brian Busby
Colman Keane: Snout by Tim Stevens
George Kelley: The Golden Age of Science Fiction by John Wade; Best Seller: A Century of America’s Favorite Books by Robert McParland
Joe Kenney: Hickey & Boggs by Philip Rock (from the script by Walter Hill); Revenge at Indy by “Larry Kenyon” (Lew Louderback)
Rob Kitchin: London Rules by Mick Herron
Kate Laity: “Rabbit in a Trap” by Sandra Seamans
B. V. Lawson: The Saint in Europe by Leslie Charteris; Exeunt Murderers: The Best Mystery Stories of Anthony Boucher by “Anthony Boucher” (William White)
Fritz Leiber: “Try and Change the Past” (Astounding Science Fiction, March 1958, edited by John W. Campbell, Jr.)
Evan Lewis: A Badge for a Badman by “Brian Wynne” (Brian Garfield)
Steve Lewis: The Dark Kiss by Donald Enefer; Joy Houseby “Day Keene” (Gunard Hjertstedt)
John F. Norris: The Sealed Room Murder by Michael Crombie
Matt Paust: The Everrumble by Michelle Elvy
James Reasoner: Tall, Dark and Dead by Kermit Jaediker
Richard Robinson: Starman Jones by Robert Heinlein
Janet Rudolph: Crime Fiction for Father’s Day
Gerard Saylor: Bluebird, Bluebird by Attica Locke
Steven H Silver: Heavy Metal magazine, edited by Sean Kelly, Valerie Merchant, Ted White et al.
Kerrie Smith: A High Mortality of Doves by Kate Ellis
Duane Spurlock: Santa Fe Passage by “Clay Fisher” (Henry Wilson Allen)
Kevin Tipple: Oregon Hill by Howard Owen
“TomCat”: Damning Trifles by Maurice C. Johnson
Matthew Wurtz: Galaxy Science Fiction, August 1954, edited by H. L. Gold
(10) THAT’S CAT. ScreenRant invites you to step inside the pitch meeting that led to 2004’s
[Thanks to JJ, Andrew Porter, Carl Slaughter, Andrew Liptak, John
King Tarpinian, Mike Kennedy, Chip Hitchcock, Cat Eldridge, and Martin Morse
Wooster for some of these stories. Title credit goes to File 770 contributing
editor of the day Ann Nimmhaus.]
(1) WAYWARD WRITERS. Cat
Rambo shares her notes from Kay Kenyon’s class about plotting, “Mapping the
(2) OUTSIDE THE THEATER.
Abigail Nussbaum convincingly argues that the discussion around Captain
Marvel is more significant than the movie.
…Which is really the most important thing you can say about Captain Marvel: this is a movie that is important not because of what happens in it, but because of what happens around it. The most interesting conversations you can have regarding it all take place in the meta-levels–what does Captain Marvel mean for the MCU, for superhero movies, for pop culture?
…Another example is the way Captain Marvel refigures Samuel L. Jackson’s Nick Fury, who functions here as Carol’s sidekick on Earth, where she crash-lands after being captured by Skrulls, the enemies of the Kree. Fury has been a fixture of the MCU since he showed up in the after-credits scene of Iron Man in 2008, and has always cut an imposing figure: a grey eminence, spymaster, and general who suffers no fools and always has plans within plans in his monomaniacal quest to defend the Earth from alien dangers. The version of Fury we meet in Captain Marvel is much more down to earth–funny, self-deprecating, willing to pause his serious pursuits in order to coo over an adorable cat, and inordinately pleased with himself over minor bits of spycraft, like fooling a fingerprint reader with a bit of tape.
It can be hard to square the Fury in Captain Marvel with the one we’ve known for twelve years in the rest of the MCU, and once again, when looking for solutions, one immediately turns to the metafictional. My first thought when the film’s credits rolled was “someone told Jackson to just do what he did in The Long Kiss Goodnight“.….
The Brie Larson/Samuel L. Jackson/Reggie the Cat sci-fi adventure opened with $153m in North America this weekend, which is the second-biggest solo superhero non-sequel launch behind Black Panther ($202m in 2018). It’s the third-biggest March opening of all time, sans inflation, behind Batman v Superman ($166m in 2016) and Beauty and the Beast ($174m in 2017).
You founded JABberwocky Literary Agency in 1994, and your agency has grown since, adding several agents and assistants. What are the most common problems in the manuscript submissions you receive?
Make every word count! No excess description. No tossing facial gestures like smiles and smirks onto the page for no good reason. Never stopping to give a three-line description of every character when they come on stage. Quoting two of Bradbury’s 8 Rules:
• Every sentence must do one of two things—reveal character or advance the action.
• Start as close to the end as possible.
…Most writers don’t understand that an agent can only represent a limited number of authors, and that agents specialize in particular types of fiction. Can you discuss how many authors you represent and why you’ve settled on that number? Can you describe the areas that you specialize in and why you’ve chosen those areas?
In an alternate universe, the initial crop of mysteries I sold (my very first sale as an agent was a mystery) would have taken off and the sf/fantasy not done as well! I never consciously set out to be a specialist. I don’t count clients; I have “clients” who haven’t written a book in 20 years, so do I count them? And some I’m working with but haven’t yet sold. I don’t target a particular number of clients. I’d say it’s my ability to get through my reading pile that says if I can take on more or fewer; that’s the pressure valve that says if the apparatus can safely support more.
The series touches on immigration, racism, xenophobia and gun control. Did you have any idea how prescient it would be?
Well, it was very interesting what was happening when we did the first season of “American Gods.” The country has taken a serious lurch to the right, as much as they’d love to say it’s taken a serious lurch to the left. I don’t think America would know a socialist if they fell over him. They think it’s somebody who lives in a garret in Russia and has no telephone and no refrigerator. But that’s due to their lack of education. America’s been dumbed down over the years, which is a shame. It’s wonderful to see Congress now with a rainbow color, if you like, of immigrants and nationalities and people who love this country. They’re talking about it in a different way.
(6) THE PRICE ON THE BOUNTY
Mechanic’s article “The
Great Star Wars Heist” recalls that in 2017, an uncovered toy theft
ruptured the Star Wars collecting community. Two years later, the
collectors—and the convicted—are still looking for a way forward.
…After talking with Wise, though, Tann’s doubts reached beyond one Boba Fett. The legitimacy of the dozens of purchases he’d made from Cunningham were at stake. Were those stolen goods, too?
Tann shared a comprehensive list of his purchases with Wise and, sure enough, Wise recognized more collectibles of his. But he noticed something else, too. The large volume of items that Cunningham was selling suggested that he had been stealing from someone else.
And the quality of the collectibles left little doubt as to who it was.
(7) SHEINBERG OBIT. Universal
Studios executive Sidney Sheinberg died
March 7 reports the New York Times.
His career-launching connection with Steven Spielberg proved lucrative for
Mr. Sheinberg, who could be as tender as he was prickly, was the one who allowed Mr. Spielberg to make “Jaws,” giving him a budget of $3.5 million (about $17 million in today’s money). A problem-plagued shoot pushed the cost to more than twice as much. But Mr. Sheinberg… continued to support the film, which went on to become the prototype for the wide-release summer blockbuster.
“Sid created me, in a way, and I also re-created Sid, in a way,” Mr. Spielberg was quoted as saying in The New York Times in 1997.
Under Mr. Sheinberg’s watch, Universal released two more hits from Mr. Spielberg, “E.T. the Extra-Terrestrial” (1982) and “Jurassic Park”(1993). It was Mr. Sheinberg who handed Mr. Spielberg Thomas Keneally’s novel “Schindler’s List,” which the director turned into his masterpiece of the same title. Released in 1993, it won seven Academy Awards, including best picture.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat
Born March 10, 1891 — Sam Jaffe. His first role was in Lost Horizon as the High Lama and much later in The Day the Earth Stood Still playing Professor Jacob Barnhardt. Later on we find in The Dunwich Horror as Old Whateley, voicing Bookman in Bedknobs and Broomsticks, playing The Old-Man in The Tell-Tale Heart, and in his last film, appearing in Battle Beyond the Stars as Dr. Hephaestus. John Sayles wrote the script oddly enough. (Died 1984.)
Born March 10, 1921 — Cec Linder. He’s best remembered for playing Dr. Matthew Roney in the BBC produced Quatermass and the Pit series in the later Fifties, and for his role as James Bond’s friend, CIA agent Felix Leiter, in Goldfinger. He also appeared on Alfred Hitchcock Presents, Voyage to the Bottom of the Sea, the Amerika series, The Ray Bradbury Theatre and The New Avengers. (Died 1992.)
Born March 10, 1932 — Robert Dowdell. He’s best known for his role as Lieutenant Commander Chip Morton in Voyage to the Bottom of the Sea. After that series, he showed up in genre series such as Max Headroom, Land of the Giants, Buck Rogers in the 25th Century and Freddy’s Nightmares. (Died 2018.)
Born March 10, 1938 — Marvin Kaye, 81. Currently the editor of Weird Tales, he has also edited magazines such as H. P. Lovecraft’s Magazine of Horror and Sherlock Holmes Mystery Magazine. The Fair Folk anthology which is most excellent and which he edited won a World Fantasy Award.
Born March 10, 1958 — Sharon Stone, 61. Damn, she’s the same age I am. She’s been in three genre films, her first being Total Recall where she played the ill-fated Lori Quaid. Her next was Sphere where she was cast as Dr. Elizabeth “Beth” Halperin, and last was in, errr, Catwoman where she was Laurel Hedare, an assassin.
Born March 10, 1977 — Bree Turner, 42. She’s best known for her role as Rosalee on Grimm. She also starred in the pilot episode (“Incident On and Off a Mountain Road”) of Masters of Horror. She was in Jekyll + Hyde as Martha Utterson. Confession time: I got through maybe three seasons of Grimm before giving up as it became increasingly silly.
3. Is there a book you’re currently itching to reread?
I’m in the middle of a slow reread of P.C. Hodgell’s Kencyrath series so I can get caught up with the latest volumes in time for the new book to come out later on in 2019. I’ve just finished rereading God Stalk and Dark of the Moon, so Seeker’s Mask is next. It’s been rereleased a few times but this remains my favorite cover. If you are looking for a really splendid high fantasy series with a darker edge, intricate worldbuilding, a complex heroine and fascinating cast of characters, this is one of the best around.
(11) SATURDAY NIGHT LIVE. Idris
Elba guest hosted Saturday Night Live.
His sketches included –
“The Impossible Hulk”
“Can I Play That/” in which actors are told they can’t play various parts because trolls on Twitter say they can’t.
(12) GONE CRUISIN’. I don’t know what to say… (See second tweet.)
(13) AKA JOHN CLEVE, Here’s
a curiosity: a scan of a 7-page andy offutt
letter to Bob Gaines from 1977, mostly a history/list of his porn novels,
but also about a page of current events about his career at the time.
(14) DENIAL DENIERS. Cody Delistraty, in “John
Lanchester’s Future Tells The Truth” on Vulture,
profiles British novelist John Lanchester, whose new sf novel THE WALL is an
attempt to educate readers about climate change without preaching to them.
…Something else sets Lanchester apart from crossover literary personalities of yore. He has the ability to deflect — and to notice, too, when most people want to look away from the truth. (He has a “deep sympathy” for climate-change deniers.) He knows where to find the most pressing emergencies facing humanity, as he’s proven time and again with his nonfiction. But, crucially, in his fiction, he also knows when and how people tend to avoid the toughest topics. A central goal of his recent novels — which grounds them in cold reality — is to draw attention to what we might otherwise not want to notice: What are the lies that we musttell ourselves? What must we believe in order to cope with the world? Questions that, perhaps unsurprisingly, spring directly from his own life.
…Danvers first appeared in 1968. Originally known as Ms. Marvel, the character had fought for feminist causes throughout her comic book history, but her depiction by male writers and artists had several problematic elements. The oft-scantily clad Ms. Marvel had a tendency of being objectified or oversexualized; one infamous storyline in 1980 even featured her being raped and impregnated by an intergalactic supervillain….
(16) LEGACY. Neil Gaiman
wrote this eulogy after Harlan Ellison
passed away last June. It ends:
He left behind a lot of stories. But it seems to me, from the number of people reaching out to me and explaining that he inspired them, that they became writers from reading him or from listening to him on the radio or from seeing him talk (sometimes it feels like 90% of the people who came to see Harlan and Peter David and me talk after 911 at MIT have gone on to become writers) and that his real legacy was of writers and storytellers and people who were changed by his stories.
(17) VIDEO OF THE DAY. A
clip from The Jack Benny Program with
John King Tarpinian, JJ. Mike Kennedy, Martin Morse Wooster, Chip Hictchcock,
Cat Eldridge, Carl Slaughter, and Andrew Porter for some of these stories.
Title credit goes to File 770 contributing editor of the day Xtifr.]
…In essence, we have to stop looking at each book as an income generator, and start thinking about multiple income streams. Very few authors, indie or otherwise, make a living out of their writing. Most of us have to have a “day job” as well. I think we need to look at our writing as a series of small “day jobs”. Writing a book alone won’t be sufficient; we need to leverage that fan base into more income opportunities. Some are already common. Others will have to become so. Examples:
Open some sort of support account (e.g. Patreon, etc.) where your serious fans can support you over and above buying your books. It may be a small, slow start, but it’s something on which one can build.
A tip jar on your blog or social media account can be a useful way for fans to offer support.
Consider offering appearances in your work to your fans. They can have their names used for a character, and pay for the privilege (anything from a few dollars for a very minor character, appearing once, to a higher price for a major character with more “face time”). This will probably only work if you’re an established writer, of course – it needs that sort of fan base.
And that’s just the first four of his seven bullet points.
(2) SOCK IT TO ME. Here’s
how Rod Serling was supplementing his income back in the day:
My father and I saw each other only three times before he died. The first was when I was about ten, the second was in my early twenties, and the last doesn’t matter right now. I want to tell you about the second time, when I went up to Syracuse to visit and he tried to make me join the GOP.
Let me back up a little and explain that my mother is a black woman from Uganda and my dad was a white man from Syracuse, New York. He and my mother met in New York City in the late sixties, got married, had me, and promptly divorced. My mother and I stayed in Queens while my dad returned to Syracuse. He remarried quickly and had another son with my stepmother. Paul.
When I finished college I enrolled in graduate school for writing. I’d paid for undergrad with loans and grants, and debt already loomed over me. I showed up at my dad’s place hoping he’d cosign for my grad-school loans. I felt he owed me since he hadn’t been in my life at all. Also, I felt like I’d been on an epic quest just to reach this point. I got into Cornell University, but boy did I hate being there. Long winters, far from New York City, and the kind of dog-eat-dog atmosphere that would make a Wall Street trader sweat. But I’d graduated. And now I wanted to go back to school. More than that, I wanted to become a writer. Couldn’t my dad see me as a marvel? Couldn’t he support me just this once?
I was once driving, alone and at dusk, down a dark and winding road that hugged a mountain thick with woods. I saw a black bear cross the road, from fields on the left to the mountain on the right.
I had never seen a bear so close before. Excited, I pulled the car up and parked near where I saw the bear vanish, and had my hand on the door before I came back to myself and thought, what am I doing? It’s a bear! I drove away unharmed.
There are things in one’s life that are best appreciated from a distance, and this book is one of them.
Michael B. Jordan’s Outlier Society and Warner Bros. have nabbed the film rights to “Black Leopard, Red Wolf,” a buzzy new fantasy novel by Marlon James.
“Black Leopard, Red Wolf” draws on African mythology to tell the story of Tracker, whose acute sense of smell leads him to be hired to find a missing child against a backdrop of warring kingdoms and political chaos. The child he seeks may be the heir to an empire, something that complicates matters. James referred to the often bloody epic as an “African ‘Game of Thrones,’” but later said he was joking. Still, it includes plenty of the elements that made that HBO show a water-cooler phenomenon including witches, a shape-shifting leopard, a killer hyena, and conjoined twins.
…Then there’s the ever-popular “we found these abandoned transit stations” scenario. If humans aren’t the builders of the system, they probably don’t know how to expand it or change it. Because Ancients are notorious for their failure to properly document their networks, humans and other newcomers have to explore to see where the wormholes/tunnels/whatever go. Explorers are like rats wandering through an abandoned subway system. Examples…
By pivoting the merged list on category (novella, novelette, short story), publication, new writers, or author, and browsing the results, some noteworthy observations jump out visually.
Overlooked stories include “The Independence Patch” by Bryan Camp (score 8), “What is Eve?” by Will McIntosh (score 8), “Carouseling” by Rich Larson (score 7), each of which got recommendations from 5 prolific reviewers.
The traditional paid-only magazines (Analog, Asimov’s, F&SF, Interzone) had between 0%-6% of their stories in the Locus list, versus many free online magazines at 9%-16%, or Tor.com and Tor novellas which had a remarkable 31%-33% of their stories recommended by Locus.
There were 13 stories in the Locus list by Campbell Award-eligible writers.
Matthew Hughes, Robert Reed, and Kristine Kathryn Rusch each had 4 broadly recommended stories in RSR’s aggregated list, but none were in the Locus list. By comparison, Kelly Robson had 4 stories in the merged list and all 4 were recommended by Locus.
More details are available in the article, plus RSR features for flagging/rating stories that make it easy to track your progress when reading stories from a big list.
(7) FINNEY OBIT. Albert Finney (1936-2019): British actor, died today, aged
82. Genre appearances include: A
Midsummer Night’s Dream (1959),
Scrooge (1970), Looker, Wolfen
(both 1981), The Green Man
(mini-series, 1990), Karaoke, Cold
Lararus (connected mini-series, both 1996), Delivering Milo (2001), Big
Fish (2003), Corpse Bride (2005,
voice). His final movie appearances were in 2012, for opposing camps in the
superspy genre: The Bourne Legacy and
Oreo the raccoon, the real-life model for Guardians of the Galaxy character Rocket, has died aged 10.
The news was announced on the comic book superhero team’s Facebook page. “Oreo passed away in the early hours of this morning after a very short illness,” it reads. “Many thanks to our wonderful vets for their compassion and care.”
Rocket the raccoon was voiced by Bradley Cooper in the 2014 film and its 2017 sequel.
Oreo died after a short illness early on Thursday morning, the Facebook post says “You have been an amazing ambassador for raccoons everywhere,” it reads. “You were perfect.”
(9) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born February 8, 1819 – John Ruskin. Much to my surprise, this English art critic and pretty much everything else of the Victorian Era is listed by ISFDB as having a genre writing, to wit The King of the Golden River, or The Black Brothers: A Legend of Stiria. Anyone ever read. (Died 1900.)
Born February 8, 1828 – Jules Verne. So how many novels by him are you familiar with? Personally I’m on first hand terms with Twenty Thousand Leagues Under the Sea, Journey to the Center of the Earth and Around the World in Eighty Days. That’s it. It appears that he wrote some some sixty works and a lot were genre. And of course his fiction has become the source of many other fictions in the last century as well. (Died 1905.)
Born February 8, 1932 – John Williams, 87. Composer of the Star Wars series, Jaws, Close Encounters of the Third Kind, one of the Superman films, E.T. the Extra-Terrestrial, the Indiana Jones franchise, Hook, the first two Jurassic Park films and the first three Harry Potter films.
Born February 8, 1953 – Mary Steenbergen, 66. She first in a genre way as Amy in Time After Time. She followed that up by being Adrian in A Midsummer Night’s Sex Comedy which I suppose is sort of genre. She shows up next in the much more family friendly One Magic Christmas as Ginny Grainger. And she has a part in Back to the Future Part III as Clara Clayton Brown which she repeated in the animated series. And, and keep in mind this is not a full list, she was in The Last Man on Earth series as Gail Klosterman.
Born February 8, 1969 – Mary Robinette Kowal, 50. Simply a stellar author and an even better human being. I’m going to select out Ghost Talkers as the work by her that I like the most. Now her Forest of Memory novella might be more stellar. She’s also a splendid voice actor doing works of authors such as John Scalzi, Seanan McGuire and Kage Baker. I’m particularly pleased by her work on McGuire’s Indexing series. So let’s have Paul Weimer have the last words this time: “I thought it was Shades of Milk and Honey for a good long while, but I think Calculating Stars is my new favorite.”
My guest this episode is Alan Smale, who has published short fiction in Asimov’s, Realms of Fantasy, Abyss & Apex, and other magazines. He won the 2010 Sidewise Award for Best Short-Form Alternate History for “A Clash of Eagles,” about a Roman invasion of ancient America. That’s also the setting for his trilogy, which includes the novels Clash of Eagles, Eagle in Exile, and Eagle and Empire, all published by Del Rey in the U.S. and Titan Books in the UK. When not writing, he’s a professional astronomer at NASA’s Goddard Space Flight Center.
We met for lunch at Mad Chef Kitchen & Bar, a gastropub which opened recently in Ellicott City, Maryland’s Turf Valley Towne Square. We were looking for something equidistant from both of us with good food, and based first on my research and then our experience, we definitely found it.
We discussed why an astrophysicist’s chosen field of fiction is alternate history rather than hard science, how his fascination with archeology and ancient civilizations began, the reason he started off his novel-writing career with a trilogy rather than a standalone, the secrets to writing convincing battle sequences, the nuances of critiquing partial novels in a workshop setting, how his research into Roman and Native American history affected his trilogy, what steps he took to ensure he handled Native American cultures appropriately, that summer when at age 12 he read both War and Peace and Lord of the Rings, one of the strangest tales of a first short story sale I’ve ever heard, how and why he joined forces with Rick Wilber for their recent collaboration published in Asimov’s, and much more.
Latin American science fiction and fantasy occupy an odd in-between space. The commercial categories we denominate fantasy, science fiction and horror don’t traditionally exist in Latin America. Instead, the fantastical is either simply called literature or receives the moniker of magical realism.
This means finding speculative fiction is trickier and more complex in this part of the world. It also means that Latinx authors may derive their SFF canon from a very different well than their Anglo counterparts. While science fiction and fantasy are normally associated with Tolkien or Asimov, a Latinx writer might be more inclined to think of Isabel Allende or Julio Cortázar. At the same time, it is not unusual for Latinx authors to have also been exposed to Anglo pop culture, fantasy and science fiction. Finally, since Latin America is a large region, the history, culture and folklore of Latinx writers may be radically different from one another.
The result is a wild, eclectic field of the fantastic, which is reflected by the selections in this bundle.
They nicknamed it ‘the replicator’ — in homage to the machines in the Star Trek saga that can materialize virtually any inanimate object.
Researchers in California have unveiled a 3D printer that creates an entire object at once, rather than building it layer by layer as typical additive-manufacturing devices do — bringing science-fiction a step closer to reality.
A technique that harnesses energy loss has been used to produce a phase of matter in which particles of light are locked in place. This opens a path to realizing previously unseen exotic phases of matter.
When light passes through matter, it slows down. Light can even be brought to a standstill when it travels through carefully designed matter. One way in which this occurs is when the velocity of individual particles of light (photons) in a material is zero. Another, more intriguing, way is when photons, which normally pass through each other unimpeded, are made to repel each other. If the repulsion is strong enough, the photons are unable to move, and the light is frozen in place.
The ability to engineer quantum states promises to revolutionize areas ranging from materials science to information processing… The robustness and generality of this scheme will ensure that, as it is refined, it will find a home in the quantum mechanic’s toolbox.
(16) SOCIALGALACTIC. Vox Day is creating a more pliable form of Twitter – or is it a version of Gab that will obey him? (Didn’t Mark Twain say that the reason God created man is that he was disappointed in the monkey?) “Introducing Socialgalactic” [Internet Archive link].
Twitter is SJW-controlled territory. Gab is a hellhole of defamation and Nazi trolls. So, after many of Infogalactic’s supporters asked us to provide something on the social media front, the InfoGalactic team joined forces with OneWay and created a new social media alternative: SocialGalactic.
Free accounts have 140-character posts and 1MB storage, which is just enough for an avatar and a header. We’ll soon be making Pro accounts available at three levels, which will provide posts of 200, 480, and 999 characters, and image storage up to 500MB. Sign up and check it out!
(17) GAME V. INFINITY. Dakota Gardner and Chris Landers, in “Would
Thanos’ Finger Snap Really have Stopped Baseball In Its Tracks?” on MLB.com, have a pro and con about whether Thanos really wiped out
Major League Baseball (as a shot of a devastated Citi Field in the Avengers:
Endgame trailer shows),
with one writer arguing that baseball would be doomed by Thanos and the other
arguing that MLB would fill its rosters with minor leaguers after thanos wiped
out half of the major leaguers because baseball always comes back.
Ask yourself this: Do you honestly believe baseball would simply stop if Thanos dusted half of all of MLB’s players, managers, front office staff, stadium personnel and fans? Do you think that if the universe had been placed into an existential funk, that baseball wouldn’t be even more necessary than it is today? Do you honestly believe that Alex Bregman or Clayton Kershaw or Mookie Betts, if they survived the snap, would be totally fine sitting on their butts and doing nothing for the rest of time?
…They plan for DART to reach speeds as fast as 15,000 miles per hour. The crash in October 2022 will fling debris from the asteroid moon. A small satellite will accompany the DART spacecraft to measure the effect.
The team wants to hit the asteroid moon with enough force to bump it, but not break it apart. The moon orbits the asteroid at a speed of about seven inches per second. They hope to change the speed by about a centimeter per second.
“We’re just going to give it a love tap,” said Andy Rivkin, the mission’s other co-lead and planetary astronomer at APL.
In theory, a series of taps over time could deflect an asteroid off a course for Earth.
“Several years ago, when I found out that J.J. Abrams was remaking, or rebooting, the Star Wars franchise, it was the only time in my career that I’ve ever put a call out,” she admits. “I wanted to be Leia. If I got to be a woodland elf [Tauriel in The Hobbit] and Kate from Lost and Leia, that would cover it. And then I got to be the Wasp! That’s all the big franchises.
“I was so in love with Leia when I was a little girl. Those were my two fantasies – to be a woodland elf and to be Leia tied to Jabba the Hutt in her sexy bikini. But then they called me back and said, ‘Well, there’s a little-known actress called Carrie Fisher who will be playing Princess Leia.’ Well, FINE, I guess that’s OK.”
While much better know for her acting, she says about
her writing, “I see myself as a writer who has a fantastic day job.” Her
children’s book series is The
“I don’t know many stories that have lived with someone as long as this has lived with me,” she says. “I was a reclusive young woman and a bit of a loner. I was somebody who came to literature very late, and when I did, I just fell in love with such a passion that I kind of became very focused on not just reading but writing as well. And seriously, that was my idea of a great Friday night at 14 – staying home and writing by myself.
“I was a big fan of Dr. Seuss, believe it or not. Where most people come to him at four, I was reading him at 14,” she continues. “And I think the adult side of me realized what he was doing. The subtlety of the messages he’d thread into these simple, silly poems really struck me as meaningful. And I realized that this adult took the time to put these sophisticated, important messages into my childhood stories.”
(20) SHARED WORLD. George
R.R. Martin pointed to this recently uploaded Wild Cards authors video:
In August 2017, a large group of Wild Carders assembled at my Jean Cocteau Cinema in Santa Fe for a mass signing, and we interviewed them about the up and downs of writing other people’s characters, and having other people write yours.
John King Tarpinian, Steve Green, JJ, SF Concatenation’s Jonathan Cowie, Cat
Eldridge, Mike Kennedy, Martin Morse Wooster, Chip Hitchcock, Eric Wong, Paul
Weimer, Carl Slaughter, and Andrew Porter for some of these stories. Title
credit belongs to File 770 contributing editor of the day C.A. Collins.]
(1) LOOKING BACK ON HORROR. From Rocket Stack Rank, here’s a new (perhaps the first annual) selection of “Outstanding SF/F Horror” of 2016-2017.
Although horror isn’t our focus, we do review horror stories that turn up in our regular magazines, so in honor of Halloween, here are 26 outstanding science fiction & fantasy horror stories from 2016-2017 that were either finalists for major SF/F awards, included in “year’s best” SF/F anthologies, or recommended by prolific reviewers in short fiction (see Q&A).
(2) WRITING PROCESS. Jonathan LaForce notes it would be a waste to take the popular phrase literally — “Killing off the Darlings” at Mad Genius Club.
Perhaps “killing our darlings” is too much the wrong verbiage. Let us say, instead, “putting them on ice.” That’s really all we’re doing- setting them aside till we can use them again later. In this age of incredible digital technology, why worry about where you’ll save those scenes, those stories, those parts and pieces? Anybody take a look at how much space is available to use on cloud servers? My goodness!
Eddie’s struggles to find a new gig while oily tentacles are shooting out of his body in response to even minor discomforts are the most diverting section part of the film, if only because Hardy is fully committed in a way no other actor here is. Had this thing been greenlit at the 1990s apex of Venom’s popularity as a comic book character, it almost certainly would’ve starred Jim Carrey. So we all dodged a bullet there.
…I also went out to dinner with K. Tempest Bradford for one of the best meals of that extended weekend in the Santana Row neighborhood at Amber India.
K. Tempest Bradford’s short stories have been published in such magazines as Abyss & Apex, Sybil’s Garage, Electric Velocipede, and Farthing, and anthologies like Clockwork Cairo, Diverse Energies, Federations, and Shadow of the Towers: Speculative Stories of a Post 9/11 World. Her non-fiction has appeared at NPR, io9, xoJane, plus the Angry Black Woman blog, sometimes — as you’ll hear us discuss — going viral. Along with Nisi Shawl and Cynthia Ward, she teaches the Writing the Other workshop, and is on the board of the Carl Brandon Society. She also happens to be one of the funniest people I know. Whenever I’m with Tempest, I can be assured there will be laughter.
We discussed how her Egyptian Afro-retro-futurism idea grew from a short story into a series of novels, the way she used crowdfunding to complete the research she needed, why her discovery of my Science Fiction Age magazine means I bear the responsibility for all she’s done since, how an online writing community gave her the confidence to be a writer, the advice from Samuel R. Delany she embraces the most, why she set aside her goal of becoming an opera singer and decided to become a writer instead, the reason there are so many female monsters in Greek mythology, how she blew up the Internet with her “Stop Reading White, Straight, Cis Male Authors for One Year” challenge, her extremely strong opinions about Steven Moffat’s version of Doctor Who, and much more.
(5) NOT RAINBOWLED OVER. Bowlestrek snarks about that Doctor Who costume, asking which is worse, the 6th Doctor Who costume or the 13th Doctor Who costume?
— “Hipster, Wesley Crusher, Rainbow Brite, Mork & Mindy thrown into a blender abomination.”
— “Like somebody was trolling Doctor Who fans.”
— “I’ve shown this picture to people who are fashion conscious and the response almost across the board has been, “What the hell is that?”
— “What’s with the earrings, the suspenders, the rainbow shirt, what appears to be Tardis socks, and the old man pants?”
— “She looks like an elf.”
(The references to Wesley Crusher and Mork and Mindy are about the rainbow across the shirt.)
Perhaps because some of the early space hype was unconvincing when regarded with any attitude other than fanboy enthusiasm. And perhaps because there weren’t any compelling reasons (political, economic, scientific) for significant human presence beyond low Earth Orbit. We don’t need to send up squishy frail humans when we can send probes and remote-controlled vehicles .
Some readers might even now be making squinchy faces, maybe even pondering which unflattering cartoon of me to post in protest.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and JJ.]
Born October 5, 1862 – Edward Stratemeyer, Writer and Publisher. Creator of the Stratemeyer Syndicate, which pioneered the book-packaging technique of producing a consistent, long-running series of books using a team of freelance writers, which sold millions of copies, some series of which are still in publication today. He himself wrote more than 1,300 juvenile novels, including the Nancy Drew, Hardy Boys, Tom Swift, and Bobbsey Twins series, Tom Swift being the main character of a series of more than a hundred juvenile science fiction and adventure novels.
Born October 5, 1917 – Allen Ludden, Actor who became well-known for decades of hosting TV game shows, but who surprisingly had a part in an episode of Adam West’s Batman, played Perry White in the TV movie It’s a Bird… It’s a Plane… It’s Superman!, and had a cameo – as a game show host – in Hugo finalist Futureworld.
Born October 5, 1919 – Donald Pleasence, Actor and Writer who famously played the doctor in the Halloween movies and the President in Escape from New York. He also had a plethora of parts in other genre properties, a few of which include the main role in the Hugo finalist movie Fantastic Voyage which was novelized by Isaac Asimov, roles in episodes of the The Twilight Zone, The Outer Limits, and The Ray Bradbury Theater, a part in George Lucas’ first foray into filmmaking, THX 1138, John Carpenter’s The Prince of Darkness, and the role of Merlin in the TV movie Guinivere.
Born October 5, 1949 – Peter Ackroyd, 69, Writer, Biographer, and Critic known for his interest in the history and culture of London. His best-known genre work is likely the Whitbread Award-winning Hawksmoor, the story of an 18th-century London architect building a church interwoven with the narrative of a contemporary detective investigating horrific murders involving that church, and is highly recommended. His novel Dan Leno and the Limehouse Golem was recently made into a movie, and he produced a TV miniseries documentary entitled Peter Ackroyd’s London.
Born October 5, 1951 – Karen Allen, 67, Actor and Director known to genre fans as Marion in the Hugo finalist Raiders of the Lost Ark and Indiana Jones and the Kingdom of the Crystal Skull, as well as roles in Starman, Ghost in the Machine, and Scrooged. She also played Christa McAuliffe in the TV movie Challenger.
Born October 5, 1952 – Clive Barker, 66, Writer, Director, Artist and Videogame Designer, famous for his horror novels. His series include Hellraiser,Book of the Art, and Books of Blood, as well as The Abarat Quintet which is quite superb. Though not recent, The Essential Clive Barker: Selected Fiction, published some twenty years ago, contains more than seventy excerpts from novels and plays and four full-length short stories. His Imaginer series collects his decidedly strange art. My personal favorite work by him is the Weaveworld novel. His works have received many World Fantasy, British Fantasy, Stoker, Locus and International Horror Guild Award nominations and wins, and have been made into movies, videogames, and comic books. He was the Toastmaster at the 1988 World Fantasy Convention, and Guest of Honor at Albacon III in 1986 and FantasyCon 2006.
Born October 5, 1952 – Duncan Regehr, 66, Actor from Canada probably best known to genre fans for his recurring role as a Bajoran resistance leader on Star Trek: Deep Space Nine, but who also had guest roles on The Greatest American Hero, Star Trek: The Next Generation, V, and appeared in the film Timemaster.
Born October 5, 1958 – Neil DeGrasse Tyson, 60, Astrophysicist, Cosmologist, and Writer whose nonfiction work Reflections on Carl Sagan’s Cosmos is considered genre. He has had cameos in several genre TV shows and films, including Stargate: Atlantis, Ice Age: Collision Course, Bojack Horseman, The Simpsons, and The Big Bang Theory. Tyson is known for tweeting about inconsistencies and bad science in science fiction films, and Andy Weir famously posted“Someday, Neil deGrasse Tyson is going to either read The Martian or see the film adaptation of it. When he does, he’s going to immediately know that the sandstorm part at the beginning isn’t accurate to physics. He’ll point out that the inertia of a Martian storm isn’t enough to do damage to anything… The knowledge that this is going to happen haunts me.”
Born October 5, 1959 – Rich Horton, 59, Writer, Critic, and Editor. He is best known as an anthology editor – and a damn superb one at that – who has been putting out Year’s Best Science Fiction & Fantasy anthologies since 2006, as well as one-off anthologies Space Opera, Robots: The Recent A. I., and War & Space: Recent Combat. He started out writing reviews for SF Site in the late 90s, and has been reviewing books and short fiction for Locus Magazine since 2002.
Born October 5, 1967 – Guy Pearce, 51, Actor and Director from Australia who is known for genre works Memento, the remake of The Time Machine, Prometheus, and the Hugo finalist Iron Man 3.
Born October 5, 1974 – Colin Meloy, 44, Musician, Singer, Songwriter, and Writer. Front man of the indie folk rock band The Decemberists, and author of the juvenile fantasy novels The Wildwood Chronicles.
Born October 5, 1975 – Carson Ellis, 43, Writer, Artist, and Illustrator whose work graces genre works The Wildwood Chronicles written by her husband Colin Meloy, The Mysterious Benedict Society series, a Lemony Snicket book, and The Decemberists albums. Birthday celebrations must be an intimate affair.
Born October 5, 1975 – Kate Winslet, 43, Actor from England whose genre credits include the TV series Dark Season and the films A Kid in King Arthur’s Court, the Hugo finalist Eternal Sunshine of the Spotless Mind, Finding Neverland, Contagion, the Divergent series, and the upcoming Avatar 2.
Born October 5, 1975 – Parminder Nagra, 43, Actor from England who appeared in Ella Enchanted, had a recurring role on Agents of S.H.I.E.L.D., a guest part on TRON Uprising, and a voice part in Batman: Gotham Knight.
Born October 5 – Paul Weimer, Writer, Reviewer, and Podcaster, also known as @PrinceJvstin. An ex-pat New Yorker living in Minnesota, he has been reading science fiction and fantasy for over 30 years and exploring the world of roleplaying games for more than 25 years. An avid blogger, he also contributes to the Hugo-nominated fancast The Skiffy and Fanty Show and the SFF Audio podcast. He was the 2017 Down Under Fan Fund delegate to the Australia and New Zealand National Conventions, and his e-book DUFF trip report, consisting of more than 300 pages of travel stories and stunning photographs, is still available here.
Sunday (October 7) SpaceX will try (for the first time) to land a Falcon 9 rocket on the West Coast.
If you’re in the vicinity of Vandenberg Air Force Base in California Sunday evening (Oct. 7), you might hear some strange booming and see some weird lights in the sky. But the Air Force would like you to know that there’s no need to worry; something entirely normal is going on — a rocket that heaved its way up into space will be falling back to Earth, correcting its trajectory with “multiple engine burns,” and then (if all goes well) settling comfortably back on its landing struts in the vicinity of its launch site.
Life lately in the tiny northern Minnesota town of Gilbert has resembled a scene out of an Alfred Hitchcock film. Birds, lots of birds, have been “flying into windows, cars and acting confused,” according to the city police department, which has been fielding reports from anxious residents.
But these birds aren’t out for human blood. They’ve just had a few too many — a few too many overripe berries, that is.
“Certain berries we have in our area have fermented earlier than usual due to an early frost, which in turn has expedited the fermenting process,” Gilbert Police Chief Ty Techar explained in a statement. “It appears that some birds are getting a little more ‘tipsy’ than normal.”
Yes, having a boozy lark is nothing abnormal among the feathered set.
(10) CASTALIA HOUSE CHANGING STRATEGY. Vox Day will be pulling most of his imprint’s books from Kindle Unlimited, and will reduce the number of new fiction authors he publishes — “Why KU is killing ebooks” [Internet Archive link]
I did an analysis of our ebook sales and was surprised to discover that with 7 exceptions, Kindle Unlimited is simply not worth it even without taking potential non-Amazon sales into account. So, we’re going to be removing most of our books from KU and returning them to the Castalia House store over the next three months. By the start of the new year, most of our books will be available from all the major ebook platforms as well as our online store.
Remember, every dollar in the KU pool represents about THREE dollars removed from the ebook sales pool. And because the overall market is not growing, it is a zero-sum game.
We’re also going to reduce the number of new fiction authors we publish. Because repeated experiments have demonstrated that even the very best-selling KU novelists don’t sell very well in print, and because the success of KU puts us in a catch-22 situation with them regardless of whether they sell well through us or not, we are going to focus our efforts on strategic properties that we create, own and develop rather than those that we merely publish.
Because non-fiction a) sells well in print and b) is not popular on KU, our non-fiction publishing will continue without any change in focus or strategy.
Maybe the Russian bots that Bay identified are all extra-governmental, built by trolls with spare time on their hands and a grudge against Lucasfilm. Or maybe Bay’s findings are yet another example of how thoroughly Russian intelligence has zeroed in on the idea that white nationalism is central to driving a wedge into American society.
If the latter is true, then what’s most unnerving about Russia’s intelligence strategy and its connection to Star Wars isn’t what that strategy says about Russia, but what it says about us.
Whomever you believe is behind movements like Gamergate and the pushback against The Last Jedi, what they reveal about America in the 2010s feels a little hard to swallow at first: At this point in history, a lot of us — and especially a lot of young, white men — are centering their identities and their senses of right and wrong on pop culture artifacts, sometimes with a near-religious zealotry. Call it “fandamentalism.”
A touch-sensitive robotic finger that can be attached to smartphones has been developed by a researcher in France.
The MobiLimb finger can crawl across the desk, waggle for attention when messages arrive and be used as an interface to control apps and games.
It can also stroke its owner on the hand, which developer Marc Teyssier said could create more personal connections.
He told the BBC people generally found the finger creepy or weird because it was so unusual, but hoped it would be “accepted” in time.
(13) KEEPING IT OFF THE TIP OF THEIR TONGUE. French language body urges alternative phrase for “fake news”. Somehow information fallacieuse doesn’t have the same je ne sais quoi; the Commission offers “infox” among the alternatives, possibly not knowing how “Fox” is Frenched in the US.
Or if that is too long-winded, CELF suggested the abbreviation “infox”, formed from the words “information” and “intoxication”.
“The Anglo-Saxon expression ‘fake news’, which refers to a range of behaviour contributing to the misinformation of the public, has rapidly prospered in French,” the commission rued.
“This is an occasion to draw on the resources of the language to find French equivalents.”
(14) DRAWN THAT WAY. Comic artist Alex Ross appeared on Late Night with Seth Meyers promoting his latest book, Marvelocity.
Comic book writer and artist Alex Ross talks about his artistic process, what drew him to the idea of drawing realistic versions of superheroes and explains why he doesn’t have an email.
(15) SIGN UP FOR THE ZONE. Rod Serling pitches The Twilight Zone to advertisers back in the day.
[Thanks to John King Tarpinian, Eric Wong, JJ, Alan Baumler, Chip Hitchcock, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, James Davis Nicoll, Scott Edelman, Carl Slaughter, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Edd Vick.]
Imagine somebody wrote a novel about the cat and the fiddle, and the cow that jumped over the moon. In fact, imagine somebody wrote a trilogy of novels, starring the luna leaping cow. Then imagine that Netflix turned the first novel into a 10 hour premium tv series, with Joel Kinnman?—?swiftly becoming this generation’s Christopher Lambert?—?as the cow.
If you’re really into the cat, fiddle and cow genre, if you’re MEGA excited by animals leaping over celestial bodies, you’ll be happy.
For everybody else, the experience of watching Altered Carbon is going to be about as enjoyable as 10 hours of kids nonsense poetry. You might have some patience for the first hour, but by episode 3 the audience will be desperate to jump ship.
According to The Illustrated Book Of Science Fiction Lists (edited by Mike Ashley for Virgin Books in 1982) E.C. (Ted) Tubb has 45 pseudonyms credited to him, Robert Silverberg is well behind with 25, Henry Kuttner further back yet with 18, while Cyril Korthbluth trails with a mere 13.
I suspect that in this, the future world of today, the question the above information raises is not why so many pseudonyms but why any at all? I know that when I were a lad it was a given that authors used pseudonyms all the time while we, their audience, didn’t but nowadays it seems to be very much the opposite. So yes, I can understand why the above numbers might seem inexplicable to many of you.
So why were authors fond of pseudonyms once upon a time? Luckily for us editor, author, and co-founder of The Magazine Of Fantasy & Science Fiction, Anthony Boucher, decided to offer some explanation in Rhodomagnetic Digest #2, published by George Blumenson in August 1949 for The Elves’, Gnomes’ & Little Men’s Science-Fiction Chowder & Marching Society. Boucher was certainly qualified to write on this topic since his real name was William Anthony Parker White….
(3) KICKSTARTER. Hampus Eckerman says “I’ve always regretted I was out of cash when the Swedish edition was made. I’ll back this one for sure.” — “The Keyring RPG”.
The Keyring RPG is a combination of the idea of creating a procedural role-playing game and the discovery of a really cute notepad. Mashing those ideas together gave rise to the Keyring RPG.
From the FAQ —
What is the resolution mechanic in the game?
You have three basic abilities, strength, charisma and mental strength. Each of those abilities have a number of dots. Each dot represent a die. To determine if you succeed, you roll as many die as you have against a set difficulty, and you add the skills to the result of the die roll to improve your results.
I have 2 dots in strength, and I need to climb a wall. The wall has a difficulty of 3. Both of my rolls fail, a one and a two, but I have two dots in the skill problem solving. I add my dots in problem solving to the roll and succeed. From a narrative perspective, I use problem solving to create a sling harness and have my friends haul me up the wall.
Key features (no pun intended):
The Basic Game is very small, only 7 x 3 x 2 centimeters. You can carry it on your keyring.
It features a procedural adventure building system
A full rules set that allows for a lot of flexibility when playing
Five sets of generic maps
They’ve raised $3,795 of their $7,590 goal with 13 days to go.
As Benny walks home in the dark, a Twilight Zone-like fog envelops him and the music takes off on a Twilight Zone-like theme. Before long he runs into a sign reading, “Welcome to Twilight Zone. Population unlimited. [an arrow left] Subconscious 27 Mi./ [an arrow right] Reality 35 Mi.” (It gets a laugh, if only canned.) Benny finally sees his house across the street and goes and rings the bell. Rochester answers but doesn’t recognize Benny. Rochester calls on his employer, “Mr. Zone” (Serling) to deal with the situation, and Serling explains that the town is named after him (“You can call me Twi”), and he is the mayor.
(5) CLARKE CENTER PODCAST. Into The Impossible, a podcast of stories, ideas, and speculations from the Arthur C. Clarke Center for Human Imagination, has posted Episode 14, “Alien Contact”:
We’re digging in the vaults to explore ideas of alien contact, with Jill Tarter (SETI Institute) and Jeff VanderMeer (bestselling author of the Southern Reach trilogy). We’ll talk about the Drake Equation, the faulty math of the film Contact, manifest destiny, whether we’re alone, flawed assumptions about the concept of intelligence, what fiction can do to help us think about the very alien-ness of alien contact, and how it may be happening all around us.
Since the early 1960s he has lived in London, as well as spending time in Greece and Spain. A regular contributor to the legendary Pan Book of Horror Stories during the early 1970s, his stories “Fengriffin” and “The Hunter” were filmed as, respectively, —And Now The Screaming Starts! (1973) and Scream of the Wolf (1974), and Arkham House published his novel The Third Grave in 1981 (soon to be reprinted by Valancourt Books). The author of an estimated 300 books or more under various pseudonyms, his powerful zombie novella “Pelican Cay” was nominated for a World Fantasy Award in 2001, and David was Guest of Honour at the 2010 World Horror Convention held in Brighton, England. He was always a bigger-than-life character, and I’ll miss him.
(8) TODAY IN HISTORY
February 4, 1938 — Disney releases Snow White and the Seven Dwarfs.
February 4, 1950 — The Flying Saucer opened theatrically.
February 4, 1951 — Two Lost Worlds premiered.
February 4, 1995 — Terry Gilliam’s Twelve Monkeys appeared in theaters.
(9) TODAY’S BIRTHDAY BOY
Born February 4, 1914 – George Reeves, 1950s TV’s Superman.
(10) COMICS SECTION.
Mike Kennedy says Brewster Rockit is always genre, and this one doubly so.
But on an ongoing basis, now that I have a New York literary agent, I do my best to provide her with as much information as possible about how to best handle a Canadian client. I’m aware that what is normal for me might not be normal for her, so I send her videos and articles.
Yoon Ha Lee, “Extracurricular Activities” (Tor.com, 2/17) – a quite funny, and quite clever, story concerning the earlier life of a very significant character in Lee’s first novel, Ninefox Gambit. Shuos Jedao is an undercover operative for the Heptarchate, assigned to infiltrate a space station controlled by another polity, and to rescue the crew of a merchanter ship that had really been heptarchate spies, including an old classmate….
Welcome back to A Political History of the Future, an irregular series about how contemporary SF and fantasy address current political issues, and how they imagine worlds different than our own in their political, social, and economic functioning. Our first subject, published last fall, is the first novel by io9 co-founder Annalee Newitz, a technothriller about a world in which the ready availability of non-human labor fundamentally changes the meaning of freedom.
The title of Autonomous is a pun, and a thesis statement. “Autonomous”, in our understanding and in the current common usage, refers to machines that can function without human interference–autonomous cars, most commonly. Despite its connotations of freedom, it’s a designation that denotes inhumanity. It isn’t necessary, after all, to specify that a human being is autonomous. In the world of Autonomous, this is no longer the case. Its citizens–human and machine–are distinguished as either autonomous or indentured. So a word that connotes freedom becomes a reminder of how it can cease to be taken for granted, and a usage that connotes inhumanity is transformed in a world in which personhood is a legal state and not a biological one. In both cases, it’s a reminder that the hard-won ideas of liberty and human rights that we take for granted are not set in stone; that core assumptions about how society could and should function can change, in many cases for the worse.
I thought it was fair. I thought I owed the boys some. And Arram is so popular, and gets into so much trouble, that I knew I could do it. Which was an act of hubris on my part that still leaves me breathless. See, I’m kind of notorious for one thing in particular as a writer — I’m pretty straightforward about teenagers and sex. I’ve lost count of the mothers and father’s who’ve come up to me and said, “Thank you for explaining it to them.” The thing was, in my first book, I had a girl disguised as a boy. And when you’re a girl disguised as a boy, going through puberty, the changes in your body become a major part of the plot. So I just stuck with it as I went on. And when I was working on this book, I got to a point and I went, “Oh my god, I can skip it, but that wouldn’t be right.” So I went to my writing partner, Bruce Coville, and first he laughed himself silly at me, but all those embarrassing little questions, he answered them for me. But it was important, it had to be done. I had to be as fair to the guys as I was to the girls. Which is one reason why I’m going back to girls after this is over.
…Ursula was not just a great author to me, she was one of several of my book parents. Growing up as I did with a family who was more interested in drinking and violence, I never got guidance in how to live. Through her books, Ursula taught me that you could deal with a problem by thinking rather than fighting. She taught me that gender differences don’t make one gender superior to the other. And she also helped me understand that we all have shadow parts of ourselves that we fear, but the way to cope with the shadow is to accept it with courage….
A fascinating story of growing up as a gay fan of comic books in the 1960s, building a fifty-year career as an award-winning writer, and interacting with acclaimed comic book legends.
Award-winning writer Bill Schelly relates how comics and fandom saved his life in this engrossing story that begins in the burgeoning comic fandom movement of the 1960s and follows the twists and turns of a career that spanned fifty years. Schelly recounts his struggle to come out at a time when homosexuality was considered a mental illness, how the egalitarian nature of fandom offered a safe haven for those who were different, and how his need for creative expression eventually overcame all obstacles. He describes living through the AIDS epidemic, finding the love of his life, and his unorthodox route to becoming a father. He also details his personal encounters with major talents of 1960s comics, such as Steve Ditko (co-creator of Spider-Man), Jim Shooter (writer for DC and later editor-in-chief of Marvel Comics), and Julius Schwartz (legendary architect of the Silver Age of comics).
… Note from the author: This is NOT the same book that was published in 2001 under the title Sense of Wonder, A Life in Comic Fandom(which is out of print). This new book contains two parts: the text of the first book, and a sequel of equal length. Part one covers my life up to 1974; part two picks up the story and continues it to 2017.
Before The Last Jedi hit theaters, there were rumors circulating that Finn and Poe would have a relationship in the movie, marking the first openly gay characters in Star Wars. That rumor was obviously proven to be false, but The Last Jedi did feature a brief gay relationship between two other characters that many Star Wars fans did not notice right away and now everybody is freaking out. Rian Johnson has not confirmed the scene yet, but he will more than likely address it since he has talked about nearly every decision he made while making The Last Jedi.
An eagle-eyed Twitter user spotted two Porgs snuggling with each other in the background of a scene on Ahch-To and noticed that both of the creatures were male. Officially, male Porgs are slightly larger and have orange feathers around their eyes, which both of the Porgs in question have. The image of the two gay Porgs has since taken the internet by storm and people are freaking out that they didn’t notice the small detail right away.
only male porgs have orange plumage around their eyes, and both snuggling porgs have those markings. gay porgs, folks. tlj is a gift that keeps on giving pic.twitter.com/yxDO6HJ3iD
(18) PORTMAN ON SNL. Natalie Portman answers Star Wars questions in her Saturday Night Live monologue….
And her Stranger Things 3 preview is hysterical.
[Thanks to JJ, Chip Hitchcock, Hampus Eckerman, Will R., Andrew Porter, Martin Morse Wooster, Carl Slaughter, John King Tarpinian, and Steve Vertlieb for some of these stories. Title credit goes to File 770 contributing editor of the day Jenora Feuer.]
Doom conquered the United States in 2099, made himself President and did what you’d expect Doom to do in that position. It’s worth noting that he also became a God of his own universe in 2015’s ‘Secret Wars’, so this President thing isn’t that impressive.
Another ingredient in fireworks, called perchlorate, helps the fuel combust and makes the colors shine more brightly. But it’s also thought to be toxic, which is why the Environmental Protection Agency regulates how much of the stuff can seep into drinking water.
As with air pollution, it’s not completely clear the extent to which fireworks displays contaminate water systems with perchlorate. But a 2007 study conducted by EPA scientists found that perchlorate levels in Oklahoma surface waters increased by between 24 to over 1,000 times baseline levels after an Independence Day display — and it took from 20 to 80 days to go back down.
We are raising money to help his wife, JoAnn Kaiser, who is in her 80s and lives well below the poverty level. Dwain and JoAnn owned one of the last used bookstores in Pomona, not because they made a enough money to live on, but because they loved educating our community. More importantly, they loved BOOKS. JoAnn is unable to cover the overwhelming expenses she will incur during this time of great loss: funeral, a memorial service, moving, and paying store bills. We reach out to all of you for support. Any assistance you can provide will impact JoAnn’s ability to grieve the loss of her best friend and husband without the burden of wondering how she is going to survive financially. All proceeds will go toward Dwain’s funeral, a memorial service, and moving expenses.
The goal is $10,000, and at this writing they are halfway there.
Warner Bros. and the estate of J.R.R. Tolkien have resolved a rights dispute over “The Hobbit” and “The Lord of the Rings,” the two parties said in a court filing.
The Tolkien estate and its book publisher HarperCollins had filed an $80 million lawsuit against Warner Bros., its New Line subsidiary and Rings/Hobbit rightsholder Saul Zaentz Co. for copyright infringement and breach of contract, in 2012, as reported here in “What Has It Got In Its Jackpotses?”
The gist of the suit is that their agreement allows the studio to create only “tangible” merchandise based on the books, not digital products like the Lord of the Rings: The Fellowship of the Ring: Online Slot Game.
…The suit also complained the defendants had asserted rights to exploit the books through anything from ringtones and downloadable games to hotels, restaurants and travel agencies.
Tirrenia, partnering with Gruppo Onorato Armatori and Warner Bros. Consumer Products, has started a great restyling of their ferry ships.
The classical white and blue livery will progressively be substituted by the DCSuperheroe par excellende: Batman!
Sharden, docked today 7th April of 2017 at pier 18 of the Port of Civitavecchia, is one of the first Tirrenia ships to wear the new colours: both sides of the ships are different from one another: at one side are Batman and Robin, at the other Batman with his fierce enemy, the Joker.
(6) TRIVIAL TRIVIA
The Department of Veterans Affairs has approved the hammer of Thor (the Norse god of thunder and lightning) as a religious symbol for veteran gravestones. Two soldiers have headstones bearing the hammer.
(7) TODAY IN HISTORY
July 4, 1865 — Lewis Carroll’s Alice’s Adventures in Wonderland was published.
July 4, 1939 — Julius Schwartz ditched the last day of the first World Science Fiction Convention and went with Mort Weisinger and Otto Binder to see a ballgame at Yankee Stadium. He still got to see fan history being made. Baseball fan history.
A very special thing happened that afternoon: Lou Gehrig announced his retirement from the game of baseball. There wasn’t a dry eye in the house. It’s something I will never forget.
Gehrig’s famous lines echoed throughout the park:
For the past two weeks you have been reading about a bad break I got. Yet today I consider myself the luckiest man on the face of the earth.
When the Bush I administration took office, most of the Reagan people were replaced by Bush supporters. As a Reagan man – I chaired the Citizens Advisory Council on National Space Policy that in 1980 wrote the Space and Space Defense policy papers for the incoming Reagan administration – my White House access and contacts effectively came to a halt. There were no more Reagan men in the White House.
However, there was the newly created National Space Council, headed by the Vice President, Dan Quayle. Mr. Quayle was not a space cadet, and hadn’t been well known in the pro-space community. Until the day he was asked to be then Vice President George H. W. Bush’s running mate, he was referred to as “the distinguished junior Senator from Indiana”, and generally well regarded; the day after he joined the ticket he became a buffoon not to be taken seriously by the very same news media. However, he took the post of Chairman of the National Space Council seriously, and when the Citizen’s Advisory Council proposed an X project, the SSX, he met with General Dan Graham, rocket genius Max Hunter, and council chairman Jerry Pournelle.
We presented our proposal for the SSX, a 600,000 gross liftoff weight (GLOW) single stage to orbit (SSTO) X Project; as Max Hunter said, we hoped it would make orbit; it would sure scare it to death. It would also be savable; and it could be flown sub-orbital. Of course it was fully recoverable. The preliminary design description was done mostly in my office, with visiting members of the Council working on it.
Mr. Quayle listened to us, and the asked advice from his technical people. He was told that recoverable single stage to orbit was impossible and had been proved to be so in a RAND study. Mr. Quayle then asked RAND to review that study, which they did, and Lo! It turned out not to be impossible after all. It was a possible X Project. Mr. Quayle tried to get it funded; apparently he took us quite seriously. He was unable to get full funding, but he did get Air Force funding for a scale model. Douglas won the competition for that X project, and it was built, on time and within budget, and delivered to White Sands test range for flight testing. It became known as the DC-X (Douglas Aircraft gave all their aircraft, such as the SC-3, that kind of designation).
One big controversy about vertical rocket landings was that it could not be controlled at low altitude and the speeds involved. Another was that it would re-enter nose down, and wouldn’t be able to turn tail down. DC-X flew 10 successful missions, landing and being refueled and flown again; there are plenty of reports on that. On one of those missions it went from nose up the nose down, then back to nose up in which orientation it made a perfect landing.
Alas after the 10th flight the Air Force turned the ship over to NASA. On the eleventh mission, it successfully landed, but a NASA technician had failed to connect the hydraulic line to one of the landing feet, and it fell over. It could have survived that, but due to over vigorous (and needless testing) the NASA test people cracked the hydrogen fuel tank, then welded it and sent it to fly. Falling over cracked that tank and DC-X literally burned on the ground a hydrogen leaked out.
Mr. Clinton won the 1992 election, and in 1993 abolished the National Space Council. President George W. Bush did not revive it, nor did President Obama.
…For his next act, Cole is changing things up a bit. His upcoming series, The Sacred Throne, exchanges the modern-day world that he’s been using as a setting for a more traditional fantasy realm. The Sacred Throne series is very much a modern-day fantasy thematically, but more on the “grimdark” side of the genre in the vein of authors like Joe Abercrombie, Mark Lawrence, or George R.R. Martin than the more optimistic worlds of Tolkien or Lewis….
Why the change from the more urban fantasy setting from your Shadow Ops series to something closer to traditional swords and sorcery?
This book is super important me. So the Shadow Ops series, when it sold and when it got praised, it was always the authentic military voice. I think I might have been the only currently serving military member writing. At the time I was still on duty to the Coast Guard when that book came out. There’s a lot of retired military guys writing, but I don’t know anyone who is actually active and writing, which is what I was doing. So I kept getting praise for my “authentic military voice.” I was just kind of like, “Okay, I’m glad that people like this, and I’m definitely happy if it sells books,” but the truth is that you start to think “Well, is this a gimmick?” Do people like my writing because I’m a good writer, or do people like my writing because it’s authentic and it’s a military voice? And of course that set me up for kind of growing insecurity, and so it became very important to me to prove to myself that I was a writer with a capital W. That I can do other things.
The number one writer who could challenge the King for positioning is Andrew Pyper. Pyper’s most recent novel titled “The Damned” is rapidly becoming a massive success. The 2013 novel has already become a best seller. This is number six and by far the most pleasing to his following. The Writer from Toronto has written the horror story and makes no apologies. The book follows “The Demonologist” which established quite a fan base for the writer who is beginning to delve more deeply into horror genre, but without the commercial nonsense that many come to expect. He’s not prone to cliche and you’ll have to read it to find out how he makes use of throwing curves so you won’t really know what’s coming up.
Basco has a cameo in the film, but is too old to play the young Rufio. A new generation of kids now knows him better for his voice-over work as Prince Zuko in the Nickelodeon cartoon “Avatar: The Last Airbender.” But he still gets recognized by “Hook” fans every single day.
“I’ve been Rufio longer than I’ve not been Rufio, for sure,” he says. “To this day, it’s a blessing and a curse. Some people have such strong memories of me as a young actor, that it’s hard to see me as anything else. But everyone comes to Hollywood hoping to get a role people are going to remember them for, and I get girls saying I was their first crush, or Asian guys saying Rufio was the first time they saw an Asian kid on-screen that wasn’t nerdy or stereotypical, so I was lucky the character that resonated was cool.”
(12) TZ. John King Tarpinian told me he’d be at home today watching the Twilight Zone Marathon. And Steve Vertlieb made a timely recommendation that I read his 2009 post “The Twilight Zone: An Element of Time”:
“The Twilight Zone: An Element Of Time” is my published 2009 celebration of the fiftieth anniversary of the original, classic Rod Serling television series. With original teleplays by Richard Matheson, Charles Beaumont, Ray Bradbury, George Clayton Johnson, and the visionary pen of host Rod Serling, along with accompanying scores by Bernard Herrmann, Jerry Goldsmith, and Fred Steiner, among others, this tender recollection of the iconic sci-fi/fantasy anthology series may bring to mind your own special memories of the program. Be swept away into another dimension with this sweet remembrance, adrift upon rippling currents of time and space, only to be found in…”The Twilight Zone.”
Here’s the beginning:
For a writer searching for his voice in the midst of corporate conservatism during the late 1950s, the creative horizon seemed elusive at best. Television, although still a youthful medium, had begun to stumble and fall, succumbing to the pressures of financial backing and sponsorship in order to survive its early growing pains. Navigating a successful career through a cloak of fear and indecision became problematic for a young writer struggling to remain relevant.
Rod Serling had penned several landmark teleplays for The Columbia Broadcasting System, including Patterns, and Requiem For A Heavyweight, but the perils of network censorship were beginning to take a toll on the idealistic author. As his artistic voice and moral integrity became increasingly challenged by network cowardice, Serling found his search for lost horizons alarmingly elusive.
The studio offered new details of the upcoming film, which will see Eddie Redmayne return as magical beasts lover Newt Scamander to take on Gellert Grindelwald, the dark wizard played by Johnny Depp, who was unmasked at the end of the first movie.
Jude Law will star as future Hogwarts headmaster Albus Dumbledore in the film, a younger version of the character originally played by the late Richard Harris and Michael Gambon in the Harry Potter films. The sequel moves the main action to 1920s Paris, shortly after Scamander’s capture of Grindelwald at the end of the first installment.
Warner Bros. revealed that “Grindelwald has made a dramatic escape and has been gathering more followers to his cause – elevating wizards above all non-magical beings. The only one who might be able to stop him is the wizard he once called his dearest friend, Albus Dumbledore. But Dumbledore will need help from the wizard who had thwarted Grindelwald once before, his former student Newt Scamander.”
(14) MORE THAN JUST DECORATIVE. JJ sends this along with a safety warning, “Totally not a suggestion for Hugo winners with annoying neighbors. Purely hypothetically.”
@LUCIFERwriters fyi a Hugo award is very heavy and pointy and would make an excellent murder weapon. Fictionally. In fiction. Not real life.
[Thanks to John King Tarpinian, Chip Hitchcock, Cat Eldridge, JJ, Steve Vertlieb, Mark-kitteh, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day, the e.e. cummings of filers. clack.]
(1) THE FENCE. A recent Pixel Scroll reported construction is almost finished on the residence replacing Ray Bradbury’s torn-down home. Designed by architect Thom Mayne, the new house where he and his wife Blythe will live had been promised to include a tribute to the late author in the form of a fence with Bradbury quotes. But you can’t really make out any text in LA Observed’s photo:
So John King Tarpinian swung by and shot his own set of pictures.
These are three of the four panels that Mr. Mayne has erected. The fourth panel was removed, not sure why. You can only see panels one and two easily. Panel three is behind shrubs, as will be panel four when it is reinstalled. For the life of me I cannot decipher anything.
Disney (DIS) and Marvel Studios’ “Guardians of the Galaxy” franchise put up stellar results in its return to theaters this weekend, nearly three years after unexpectedly blowing the doors off the box office.
“Guardians of the Galaxy Vol. 2” brought in $145 million, making it the fifth highest grossing domestic debut for a movie in Marvel’s universe of interconnected films. Forecasts had estimated its U.S. opening weekend haul would check in around $140 million to $160 million.
Openings in the Chinese and South Korean markets this weekend helped push the movie’s global gross at $427.6 million, according to Box Office Mojo.
(3) FILE SEVENTEEN YEARS. Congratulations to Julia Bartlett-Sloan, who graduated from the University of Georgia on May 5 with a degree in mechanical engineering.
S.N.L. buffs will be the first to tell you that Yoshimura—who has been with the show from the start—first appeared as Sulu opposite John Belushi’s Captain Kirk in a 1976 sketch titled “The Last Voyage of the Starship Enterprise” from Saturday Night Live’s very first season.
(5) FRENCH SFF COMPETITION. Entries are being taken for the Prix Joël-Champetier through August 31. Eligible works are unpublished stories in French by non-Canadian authors, no longer than 10,500 words. The winner will be selected through blind judging (see the guidelines about preserving anonymity.) Subscribers to Solaris can enter free, others must pay a C$20 fee. The winner will receive a 1,000 Euro prize.
Secret Empire #1—by Nick Spencer, Steve McNiven, Jay Leisten, Matthew Wilson, and Travis Lanham—doesn’t immediately pick up after the events of Secret Empire #0, which chronicled the reveal of Captain America’s deception of his friends, allies, and the world at large. Instead, it’s an unspecified number of months after, with Hydra in control of the United States, and Captain America at its head.
Heroes still attempt to resist—spearheaded by a group lead by Black Widow, Hawkeye, and the A.I. essence of Tony Stark operating out of a hidden base in the Nevada desert, with the young Champions running sorties against Hydra patrols in Vegas—but for the average America citizen, Hydra is now their leader. And while Marvel Comics has blustered over accusations of Hydra’s past links to the Nazis, and even attempted to deny the political undertones of Secret Empire, it’s hard to read Secret Empire #1 and not draw parallels between Hydra’s rule and the rise of the Nazi party in ‘30s Germany. Books have been burned in classrooms, history has been rewritten….
There’s a man, there, carrying Captain America’s shield.
That man is one of the neo-Nazi white supremacists who attempted to get into the Minnesota State Capitol yesterday. He and his compatriots could not get in.
They were defied by regular Minnesotans, linking arms, standing their ground against hatred. The neo-Nazis were defied by the heroism of ordinary people who see evil and refuse to turn away. These regular Minnesotans understand something that Marvel Comics and Nick Spencer have completely failed to grasp.
Decent human beings do not harbor, encourage, or condone white supremacy. Decent human beings do not by their action or inaction permit evil to fester.
You brought this on yourself, Marvel. Instead of cute kids running around playing at being Avengers, a grown man carried YOUR shield, Marvel, into battle on the steps of my state capitol building yesterday.
And your shield, Marvel, stood for hatred.
May you long reap the joy and reward of your actions.
E.C. Myers was assembled in the U.S. from Korean and German parts and raised by a single mother and a public library in Yonkers, New York. He has published four novels, and short stories in various magazines and anthologies, including Space & Time Magazine, Hidden Youth: Speculative Stories of Marginalized Children, and Kaleidoscope: Diverse YA Science Fiction and Fantasy. His first novel, Fair Coin, won the 2012 Andre Norton Award for Young Adult SF and Fantasy, and YALSA selected The Silence of Six as one of its “Top Ten Quick Picks for Reluctant Young Adult Readers” in 2016. His next book will be DoubleThink, a collection of stories related to The Silence of Six from and he continues to write for ReMade, a science fiction series from Serial Box Publishing.
Sam J. Miller’s short stories have appeared in publications such as Asimov’s, Clarkesworld, and Lightspeed, along with multiple “year’s best” anthologies. His debut novel The Art of Starving, forthcoming from HarperTeen, was called “Funny, haunting, beautiful, relentless and powerful… a classic in the making” by Book Riot. His second novel, The Breaks, will be published by Ecco Press in 2018. He graduated from the Clarion UCSD Science Fiction & Fantasy Workshop in 2012. A finalist for multiple Nebula Awards along with the World Fantasy and Theodore Sturgeon Memorial Awards, he won the 2013 Shirley Jackson Award for his short story “57 Reasons for the Slate Quarry Suicides.”
Begins 7 p.m. at KGB Bar, 85 East 4th Street (just off 2nd Ave, upstairs) in New York.
(9) HELP NEEDED. If someone reading this who is fluent in Korean would be willing to serve as a go-between for a brief exchange regarding some fan-related questions, please send me your contact name and e-mail address and I will put you in touch with the fan who needs the help.
In an interview with Collider, Liman confirmed that the new movie will be called Live Die Repeat and Repeat, a nod to the tagline and later title that was given to the film for digital and home release, Live Die Repeat: Edge of Tomorrow. Blunt is on board to reprise her role as Rita Vrataski, along with Cruise as star Bill Cage. Liman previously said the movie will be a sequel that’s actually a prequel, playing on the film’s use of time to subvert people’s expectations of what a sequel should be like.
(11) DE-AGING. The Washington Post’s Michael Cavna looks at the CGI wizardry that enabled Kurt Russell, in a crucial early scene in Guardians of the Galaxy Vol. 2, to look the way he did in 1980.
From there, [director James] Gunn credits the technological growth. “It helped that Kurt has aged pretty well and that the makeup and hair team did their [work] properly,” the director says, “but it’s also that visual effects are just getting better and better.
“It’s not cheap and it’s not easy,” Gunn adds. “That [scene] pretty much took our entire post-production period to finish. I didn’t get the final shots till almost a few weeks before ‘lock.’ ”
2. Curing cancer with machines Neill Blomkamp’s 2013 film Elysium featured a magical medical pod that could cure cancer in less than a minute. While that device is an obvious Hollywood fantasy, it has roots in real medical technology that is available today.
Over the past decade, cancer treatments have improved dramatically on the pharmaceutical level, with immunotherapy and targeted therapies, and on the mechanical level, with advanced oncology machines.
Accuray’s flagship product, the CyberKnife Stereotactic Radiosurgery System, is one of these machines. The CyberKnife uses tiny lasers to deliver highly concentrated doses of radiation into the body to kill cancerous cells. The process, unlike chemotherapy, spares healthy cells and requires no physical incisions — making it a pain-free, minimally invasive option for patients with inoperable or surgically complex tumors.
(13) DON’T MESS WITH MAMATAS. What’s appropriate here? Maybe a warning: “Never bring a letter opener to a gunfight.”
Does Bill O'Reilly pay you to tweet nonsense with his settlement money, or did you sell your psych drugs to an undergrad? https://t.co/CQmar0icsX
(14) RANKING STAR WARS. David French, in “The Actual Definitive ‘Star Wars’ Movie Ratings” at National Review Online, has lots of funny bits and isn’t that political. I especially liked his throwing in ratings for the zombie apocalypse, “the actual apocalypse” and The Phantom Menace…
4. Revenge of the Sith: What? A prequel movie cracks the top four? Ahead of Return of the Jedi? Here’s the thing about Revenge — Anakin’s turn to the dark side just works. You can see why he did it, why it made sense, and why a Jedi would turn on his own order. I don’t know if this was Lucas’s intent, but he spent the prequels making the Republic (and the Jedi) look like an intergalactic U.N., wielding their lightsabers to lop off the heads of anyone who dared to exercise the slightest degree of self-determination. Revenge made me like the Sith. It made me root for the emperor.
This summer will be one small step for Lego fans, and one giant leap for nerd-kind.
Lego Ideas is launching a NASA Apollo Saturn V rocket set on June 1, 2017, to help space fans everywhere pull off historic moon missions from the comfort of their own homes.
Like NASA’s storied space program, this kit will come with three separable Saturn V rocket stages, a lunar orbiter, lunar module, crew of three astronauts, and even an American flag for the microfigurines to plant on the moon.
One of the greatest scenes in sci-fi history has been captured perfectly in LEGO. That is the moment in Return of the Jedi when Princess Leia chokes Jabba the Hutt and kills him dead. It is Leia vs Jabba. This cool creation is the work of artist Iain “Ochre Jelly” Heath and it is stunning. It really captures the moment perfectly, with Leia pulling the chains and Jabba’s tongue coming out of his nasty slimy mouth. The quality here is good enough for an official LEGO kit. If only we could buy it.
Night Gallery, Rod Serling’s follow up to the highly successful Twilight Zone series, only lasted for three seasons before imploding under the pressure of internal conflicts. It seems that in a complete lapse of sanity, Jack Laird, the show’s producer, forgot a fundamental maxim of making great television: allow Rod Serling to do whatever he wants to do. Nevertheless, the show managed to squeak out a run on NBC from 1970-72.
The premise of Night Gallery centered around Serling as the curator of a Museum of the Macabre, and he would introduce the shows various segments with a piece of art that represented the basic story on canvas. These stories still mined the areas of fantasy, science fiction and horror which Serling knew so well—again utilizing his own original teleplays as well as adapting works by such writers as H.P. Lovecraft, August Derleth, and Robert A. Heinlein for the small screen—but at an hour’s running time, the show could present multiple segments, some of the more whimsical segments clocking in at under five minutes.
(18) FORRY, BLOCH AND “EGO”. Earlier this year Fanac.org posted the audio recording of Loncon II’s (1965) Guest of Honor and other Banquet speeches.
This audio recording is enhanced with over 40 appropriate images and features: Guest of Honor speech by Brian Aldiss, Arthur C. Clarke on working with Stanley Kubrick, Robert Bloch’s hilarious comments on fandom, TAFF winner Terry Carr, and Forry Ackerman’s presentation of the Big Heart award. Most astonishingly, Robert Silverberg presents the Hugo awards in 6 minutes while still torturing the nominees by delaying the announcements. Original audio recorded by Waldemar Kumming and digitized by Thomas Recktenwald.
[Thank to rcade, Martin Morse Wooster, JJ, Cat Eldridge, Carl Slaughter, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Xtifr.]
Based primarily on his short story “The Sentinel”, together with other published fact and fiction, the film was very much a joint effort, although Arthur was overly modest about his contribution. For his part, Kubrick seemed unable to come up with an ending that suited him. When I visited the set, the film was already about two years behind schedule and well over budget. I saw several alternative finale scenes constructed that were later abandoned. In one version, the monolith turned out to be some kind of alien spaceship. I also knew something that I don’t think Arthur ever did: Kubrick was at some point dissatisfied with the collaboration, approaching other writers (including J G Ballard and myself) to work on the film. He knew neither Ballard nor me personally. We refused for several reasons. I felt it would be disloyal to accept.
I guessed the problem was a difference in personality….
Without consulting or confronting his co-creator, Kubrick cut a huge amount of Arthur’s voice-over explanation during the final edit. This decision probably contributed significantly to the film’s success but Arthur was unprepared for it. When he addressed MGM executives at a dinner in his honour before the premiere, he spoke warmly of Kubrick, declaring that there had been no serious disagreements between them in all the years they had worked together, but he had yet to see the final cut.
My own guess at the time was that Kubrick wasn’t at ease with any proposed resolution but had nothing better to offer in place of his co-writer’s “Star Child” ending. We know now that the long final sequence, offered without explanation, was probably what helped turn the film into the success it became, but the rather unresponsive expressions on the faces of the MGM executives whom Arthur had addressed in his speech showed that they were by no means convinced they had a winner….
As it turned out, Arthur did not get to see the completed film until the US private premiere. He was shocked by the transformation. Almost every element of explanation had been removed. Reams of voice-over narration had been cut. Far from being a pseudo-documentary, the film was now elusive, ambiguous and thoroughly unclear.
Close to tears, he left at the intermission, having watched an 11-minute sequence in which an astronaut did nothing but jog around the centrifuge in a scene intended to show the boredom of space travel. This scene was considerably cut in the version put out on general release
Last year at this time, I was so…moved by the fact that I was going to live that it was a few weeks before I could think straight enough to get any work done. I think I was more affected by the news that I was going to live than I was by the news that I had terminal cancer. Even now––I mean, I’m getting things done but every so often I still have a sudden moment of clarity, of being surprised by joy.
Author, Daniel Jose Older, will read from his second book, entitled Shadowshaper, about a young Afro-Latina girl named Sierra who discovers her family’s history of supernatural powers and her ability to interact with the spirit world.
Carrie Fisher has been laid to rest alongside her mother Debbie Reynolds at a private service where her ashes were carried in an urn in the form of an outsize Prozac pill.
The US actress, best known for her role as Princess Leia in the Star Wars films, was frequently open about her experience of mental health issues.
“I felt it was where she would want to be,” her brother Todd Fisher said.
Following the joint funeral service at Forest Lawn Memorial Park in Hollywood Hills, Los Angeles, Todd Fisher said the giant pill in the shape of the anti-depressant drug was chosen as the urn for his sister’s ashes because it was one of Carrie’s “favourite possessions”.
Star Wars: Episode VIII,Blade Runner 2049, and Alien: Covenant topped Rotten Tomatoes’ survey of the most anticipated movies of the year.
Star Wars fans got an extra dose of the galaxy far, far away in 2016’s most anticipated movie, Rogue One, which has brought in more than $800 million at the worldwide box office following its Dec. 16 release. Episode VIII will serve as the follow-up to 2015’s smash hit Star Wars: The Force Awakens. That film will pick up where The Force Awakens left off and features Daisy Ridley, Mark Hamill, John Boyega, Oscar Isaac, Adam Driver, Gwendoline Christie, Lupita Nyong’o, Domhnall Gleeson, Andy Serkis, and the late Carrie Fisher, who completed filming before she died last month.
(7) TODAY IN HISTORY
January 8, 1958 — Teenage Monster, aka Meteor Monster, opens in theaters.
(8) TODAY’S BIRTHDAY BOYS
January 8, 1935 – Elvis Presley
January 8, 1942 – Stephen Hawking. A thought for the day: “Intelligence is the ability to adapt to change. ” — Stephen Hawking
(9) HOW DO YOU KNOW IF YOU’VE MADE IT? W.E.B. Griffin gave a tagline to characters in his series The Corps: “The true test of another man’s intelligence is how much he agrees with you.” When I read Brad R. Torgersen’s “What is ‘legitimate’ in the 21st century publishing environment?” I thought his answers were very intelligent…. Everyone would like Scalzi-size or even Milo-size book contracts, but that’s not a requirement of success.
My suggestion is to wholly ignore outside factors, and consider your specific situation alone. How much income — directly from prose writing — would it take to pay a single bill? How about several bills? The monthly rent, lease, or mortgage? Pay off the car loan? Wipe out college debt? Pay for a home remodel? Buy a new home entirely? These are scalable, individual goals which are within your individual grasp to quantify, and they don’t place you in competition with your peers. You are never keeping up with the Joneses, to use an old phrase. Your success is not determined by matching or “beating” anyone else in the business. It’s wholly dependent on how much progress you can make, and in what form, according to financial circumstances which are uniquely your own.
For example, I live in fly-over country. The cost of living, for my specific area of Utah, is rather modest. Especially compared to where I used to live in Seattle, Washington. It won’t take millions of dollars to pay off my home, or my auto loan, or to add a second floor onto my rambler, or to accomplish any other dozen things which I’d like to accomplish with my writing income. Better yet, these things can be accomplished without having to look at either Larry Correia to my northeast, or Brandon Sanderson to the south. I don’t have to “catch up” to feel like I am winning at the game of life. I am alone, on my own chess board, and I define my own conditions for victory. They can be reasonable. More importantly, they can be reachable. And I know for a fact that Larry, or Brandon, or any four dozen other successful Utah authors — we’ve got a lot of them out here — will understand completely. Because they’re all doing the same thing, too.
And so can you.
Once more, for emphasis: production, followed by readership, followed by income….
Currently, with more than $10 million raised and a bit over a day left in the campaign, the game is thefifth most funded project ever to run on Kickstarter. The other top ten highest earning products include Pebble smartwatches, the “coolest cooler,” a deluxe travel jacket and a tiny desk toy called a Fidget Cube.
New York City-based game designer and founder of Kingdom Death Adam Poots is, unsurprisingly, excited. …
Just don’t plan on playing it very soon. “Poots expects to be able to deliver all elements of the game by December 2020.”
We invite writers to eulogize the fallen icons who have profoundly shaped your relationship to yourself and your place in the world. We are more interested pieces which memorialize public figures who have recently passed, but all in memoriams submitted will be given equal attention.
We regret that we cannot consider In Memoriam pieces for Dearly Beloved which are not about public figures. We cannot consider pieces about family members, pets, friends, or figures that are not public for Dearly Beloved– this anthology is a memorial for the artists and public personalities that shape each of us differently.
Charlie the Choo-Choo, written under the pseudonym Beryl Evans, steams out out of the pages of King’s Dark Tower fantasy series and into bookshops – with a warning for Thomas fans
“As he looked down at the cover, Jake found that he did not trust the smile on Charlie the Choo-Choo’s face. You look happy, but I think that’s just the mask you wear, he thought. I don’t think you’re happy at all. And I don’t think Charlie’s your real name, either.”
Now, King has written a real-life version of Charlie the Choo-Choo: out on 22 November from Simon & Schuster, under the pseudonym Beryl Evans, and illustrated by Ned Dameron.
Meanwhile, Martin Morse Wooster points out that the latest installment of Pearls Before Swine might be seen as complementary to John Scalzi’s 10-point advice post linked in yesterdays Scroll.
(14) ANIMAL CINEMATOGRAPHY. In the Washington Post, Michael Cavna looks at how Illumination Entertainment’s fomula of talking animals and many, many jokes has proven highly profitable, leading to the green-lighting of Despicable Me 3, The Secret Life of Pets 2, and Dr. Seuss’ The Grinch.
Before 2016, Illumination had scored a modest hit with 2011’s “Hop” and, a year later, did well with “Dr. Seuss’ “The Lorax.” But the studio had a single go-to franchise: 2010’s “Despicable Me” grossed $543 million globally — just about equal to Illumination’s total reported production budget to date — and spawned the monster hits “Despicable Me 2? in 2013 ($970.8 million worldwide) and 2015’s “Minions” ($1.159 billion). Add in the sales of all cute yellow Minion merchandising, and Illumination had one property it could bank on. (“Despicable Me 3? is set to land this June.)
But “Despicable Me” writers Ken Daurio and Cinco Paul then brought their deft skills with spinning family-friendly adventures to “The Secret Life of Pets,” which grossed more than $875 million worldwide last year — making it the highest-grossing non-Disney film in 2016 (no small feat).
(15) GRANDMASTER INTERVIEWS PAST MASTER. A rare interview with Rod Serling (The Twilight Zone, Night Gallery) at the Center for the Study of Science Fiction at the University of Kansas, conducted by James Gunn in 1970.
[Thanks to John King Tarpinian, Martin Morse Wooster, Michael J. Walsh, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Peer Sylvester.]
Zoe Quinn is making a game inspired by Chuck Tingle: Project Tingler [True Name Concealed Until Release to Protect From Dark Magics] is a brilliant blend of classic adventure games, dating sims, and the world of Amazon Kindle Sensation and Hugo Award Nominee Dr. Chuck Tingle (Space Raptor Butt Invasion; Slammed in the Butthole by My Concept of Linear Time; Pounded in the Butt by My Hugo Award Loss) from game developer Zoë Quinn (Depression Quest; Framed; Betrayal at House on the Hill: Widow’s Walk), to be released on computrons of the PC/Mac variety in early 2017.
In case you wondered, they say the game’s visuals will be restrained —
GET TINGLED BY OUR CUSTOM SMUT! The very nature of the Tingleverse is The Rawest of Graphic Sensualities, but players who aren’t down with visual depictions of sexual content needn’t fear. While we’re working with video and real actors (the cast will most certainly SURPRISE and AMAZE you), there won’t be explicit footage of people taking a trip to bonetown. Our salacious scenes are literary in nature and read aloud by talented performers, intended to pound the most sexual of your organs…Your imagination.
To date she has raised $36,958 of the $69,420 goal, with 16 days to go.
(2) FRENCH WORLCON BID. Here’s a video of the Worldcon in France presentation at Utopiales yesterday. Hint: It’s not in English.
There were things that I really enjoyed. I lived half an hour from school. I got out at 3:30 and my favorite show, Gilligan’s Island, started at 4:00. Because in the winter time that little tropical island was the only reprieve I had from the snow. But you had to haul ass to make that trip in a half an hour. You had to move. You couldn’t walk or you’d miss half the show. So it was a half hour run to get home to see Gilligan’s Island at 4:00. That was a big deal to me. We didn’t have access back then the way people have access now. People can get online and see when someone’s going to be in their city. The convention circuit is huge now. But it wasn’t a big deal back then. People weren’t connected the way they are now. And on top of all that you can just get online and say, “Hey, what’s Bob Denver thinking about today?” If Bob Denver had a Twitter, I’d know what he was doing.
With changes in who writers are and where they’re from, there’s also changes in how people are reading science fiction. Traditional publishers are nervous when it comes to e-books, but that is where quite a bit of the market is going, Rambo says. A year and a half ago, SFWA voted to allow in independent publishers that meet certain criteria. The organization can help increase awareness for lesser-known authors.
“I think self-publishing will become more and more accessible,” she says. “The biggest issue those authors have is discoverability. Once you have more gatekeepers saying what’s good, it gets easier.”
She reads an extremely high number of books each month — somewhere between 50 and 100 — and about 80 percent of those are e-books. That doesn’t mean print books don’t have a future, though. Print books can continue to push the boundary of the definition of a book, Rambo says. The can blend books and games, for instance, or expand what a book looks like through changing fonts, how words appear or what’s included in a text.
(5) HALLOWEEN READING. Cat Rambo has posted a free story suitable for the holiday, “The Silent Familiar”.
The Wizard Niccolo was not happy. At the age of 183 — youthful for a wizard, but improbable for an ordinary human — he had thought certain things well out of his life. Sudden changes in his daily routine were one. And romance was another – even if it was his familiar’s romance, and not his own.
(6) FERTILITY. And, says Cat, put in a link to Will Kaufman’s “October’s Son” in Lightspeed Magazine, perfectly timed for Halloween and also free to read.
This piece is full of surprises and frank, unsettling images, which is part of what makes it so effective. To me, it never goes too far or becomes gratuitous. What, for you, are the benefits and the hazards, or perhaps the challenges, of surprise and shock?
In a short story, visceral imagery can be a great tool. Short stories don’t give the writer a lot of time to work a wedge into the reader’s brain so you can split it open and fiddle around inside. A solid visceral image is a very fast, effective way to do that. Reading is often portrayed as an intellectual activity, but it can also be very bodily. Nothing reminds people of that, or grounds them in their bodies and short-wires the defenses that separate mind from body, quite like a little body horror.
Richard Matheson – ‘Nightmare At 20,000 Feet: Horror Stories By Richard Matheson’
In his introduction, Stephen King describes Matheson’s influence on the horror genre in the 1950s as “a bolt of pure ozone lightning.” The master also confesses that without Matheson, he “wouldn’t be around.” This modern collection largely draws from the 1950s, with some 1960s shorts thrown in as well, keeping it contemporary with Twilight Zone. Matheson was the mind behind other classic episodes like “Third from the Sun,” “Nick of Time,” “The Invaders,” “Night Call” and more.
In his senior year of high school, he was interested in joining the military, enlisting after graduation. He served as a U.S. army paratrooper and demolition specialist with the 511th Parachute Infantry Regiment of the 11th Airborne Division.
His military service was a turning point in his life and influenced much of his writing, experiencing combat for the first time in November 1944 on the Philippine island of Leyte. When he was discharged in 1946, Serling had earned the Purple Heart, Bronze Star, and Philippine Liberation Medal.
Nightmares and flashbacks of his wartime experiences haunted Serling constantly once he returned. One particular event while serving in World War II would dramatically change his life and writings….
(9) TODAY IN HISTORY
October 30, 1938 — Orson Welles triggered a national panic with a realistic radio dramatization of a Martian invasion, based on H.G. Wells’ “War of the Worlds.” The wire service news story about the event began —
NEW YORK, Oct. 30, 1938 (UP) — Residents of New Jersey fled their homes tonight, squad cars and ambulances roared through Newark and newspaper and press association offices throughout the country were besieged with telephone calls demanding to know about “a meteor which fell in New Jersey.”
The uproar resulted from a radio dramatization of H.G. Wells’ novel, “The War of the Worlds,” in which the arrival of men from Mars upon earth at first is believed to be a meteor shower.
My wife and I coordinated our Halloween costumes this year, to correspond with It’s the Great Pumpkin, Charlie Brown! She’s Lucy, complete with red witch hat and green witch mask; both custom-made — my wife is just talented as hell like that. My outfit, on the other hand, is far simpler: Charlie Brown — to include the white sheet with way too many eye holes. A family friend commented to me (tonight, at the local ward party) that all I needed to complete my portion, was a football, and a paper sack filled with rocks.
I’ve use the sack-full-of-rocks analogy before, to describe what it’s like being an aspiring author….
Yeah, I get it. No sane person gets a sack full of rocks every single year, and doesn’t experience moments of severe doubt. I was getting ready to throw in the towel by 2005 — after over a dozen years of rejection — when my wife said to me, “If you let this dream go, you have to replace it with an equal or better dream.” I ultimately couldn’t do that, because I couldn’t turn off the story-generator in my head. Even if my storytelling chops weren’t yet good enough to take what was happening in my head, and smoothly translate it to words. So I redoubled my effort. And I switched up my style. Moving from third-person to first-person — especially for short stories — was a huge win for me. Uncomfortable as hell, at first. But it was the necessary move that helped me bump my short work into entry-level professional territory. So that by 2010 I had stuff under contract, with more on the way, and a bona fide career was launched.
And because I still had all those sacks filled with rocks, I could look at them and relish the (then, new) candy suddenly being thrown my way….
Once I started thinking about Fandom in these terms, it occurred to me that voting on awards is just as much a Fan activity as any of those others. Voting, in this case, doesn’t just mean checking boxes and clicking submit on a form, it means the whole process: researching potential candidates, nominating, reviewing and ranking nominees, presenting the awards, celebrating the winners, and examining all of the voting statistics afterwards. Different voters may emphasize different parts of the process, but they all put time and effort into it, just like Fans of other activities.
So when we talk about a Fan-voted award, we aren’t talking about a random sampling of Fans from across Fandom. We aren’t talking about a group that was selected on some basis, they aren’t necessarily more knowledgeable than anyone else and they don’t have an agenda to push. The core Voter Fan group is unified only by the fact that they enjoy participating in awards. They don’t make up the whole voter population, there will also be occasional participants who are either trying it to see if they enjoy it, or they joined the group for some other reason and they’re voting just because they can, or because they do have a particular story, author or agenda to push (obviously this has been an issue recently). So Voter Fandom doesn’t automatically control the outcome of any particular vote, but they’re usually going to be an influential voice in the proceedings.
This explains why a relatively small group of Fans determines the outcome of some major awards. It’s just not an activity that attracts a big crowd….
Mel was 5 years old in 1931 when he saw Boris Karloff in “Frankenstein.” He was so terrified he asked his mother, Kate, if he could sleep with the window by the fire escape closed in their Brooklyn apartment. It was 90 degrees outside, but Mel thought the monster would come through the window and eat him.
His mother thought for a moment and said, “The monster lives in Romania . . . Romania is not near the ocean. He’s going to have to go a long way to get to a boat. Then he has to have money to pay for his passage. He may not have any money if he is just a monster. He may not have pockets. Let’s say he gets a boat to America. The boat may go to Miami. But if it goes to New York and he gets off, he doesn’t know the subway system. Let’s say he gets to Brooklyn. He doesn’t know our street. Let’s say he does find our street. The people on the first floor have their window open. If he’s hungry, he is going to eat who’s ever on the first floor.”
“Never mind all that – I need you to think of an ending for my book.” grumbled the cat, who now sat on his haunches in front of the specially cat-adapted keyboard.
“Your book?” I asked. Timothy’s book? I had announced Timothy’s book some weeks ago and it was originally going to be a domestic drama called the “Confusing Walrus” based on unsubtle plagiarism of a John Scalzi space-opera, which had led to some excitement among Timothy’s inexplicable following. The capricious cat had then forced me to retract that announcement because the supposedly “finished” book was now going to be a cook-book called the “Collapsing Souffle”.
[Thanks to JJ, Gregory N. Hullender, John King Tarpinian, Cat Rambo, and Jamoche for some of these stories. Title credit goes to File 770 contributing editor of the day RedWombat.]
There’s never been a Hugo for Best Series, which might strike some as odd, seeing as series is, and has always been, the backbone of science fiction and fantasy literature. The thought, for many years, was that A Good Book Will Out, no matter if it was part of a series, or a standalone, and, indeed, many books which were parts of series have won the Novel Hugo (*). In any case, the system kinda sorta worked most of the time, for most of the works involved.
Sort of like Ankh-Morpork under the Patrician’s rule, really.
However, the idea of a Series Hugo had been kicked around for a number of years, and the Collected Wisdom of the Business Meetings decided to go for it, despite the very real difficulties in administering — or even voting on — such an award.
Themes of body swapping, the search for love and a frantic quest to save a town from imminent destruction have combined to propel a Japanese animated film to box office gold, and prompted talk that the country has found its successor to the globally acclaimed director Hayao Miyazaki.
Your Name, Makoto Shinkai’s fantasy about two teenagers drawn together by gender-swapping dreams, has been seen by more than 8 million people since its release in August, beating the hugely popular Godzilla Resurgence to become the highest-grossing film in Japan this year, and the ninth highest of all time.
It has earned more than 10bn yen (£77m) in box office receipts, an anime milestone previously achieved only by Miyazaki’s films.
Tom Bradley had been elected mayor of Los Angeles, the city’s first African-American mayor, on 29 May 1973. He’d been the City Councilman for its Tenth District prior to becoming mayor. The city had a special election held on 18 September 1973 to fill Bradley’s vacated position. Bradley had endorsed political consultant David Cunningham, Jr. to fill his seat. A few other men and women also campaigned for it. One of them was George Takei.
Nineteen years after the special election, Cunningham was quoted in the Los Angeles Times as saying, “If you don’t exercise political muscle by voting, you are not part of anything but a nondescript group.” Apparently he knew something about the use of political muscle. Complaints were raised during the 1973 campaign for the Tenth District seat—possibly by Cunningham, possibly by a nondescript group: there was no published list of named complainers found at this point in time—regarding Takei’s recognition level within the voting population being higher than for other candidates because of his portrayal of Sulu on ST: TOS. As a result of the Federal Communication Commission’s equal-time rule regarding political candidates on television, reruns of the original series were not broadcast in Los Angeles until the special election had ended.
Which brings us, once again, to 8 September 1973. The Los Angeles NBC affiliate KNBC didn’t broadcast “Beyond the Farthest Star” on that date like every other network affiliate in America; instead, it broadcast the episode scheduled to follow it, “Yesteryear”, because Takei-as-Sulu had no dialogue, nor was his character a part of the plotline, which his above-mentioned political opponents were convinced would be a factor in the election. The following week, KNBC broadcast “Yesteryear” again. “Beyond the Farthest Star” wasn’t shown in Los Angeles for the first time until 22 December 1973.
Astrophysicist Neil deGrasse Tyson is entering the video game business. His new game, Neil deGrasse Tyson Presents: Space Odyssey, is an educational title developed to encourage players to explore space and science.
Although in early development, it’s being designed as a building game. Space Odyssey asks players to create their own galaxies. While there are elements of MineCraft and Civilization baked into the experience, Mark Murphy, co-creator and developer of the game from Whatnot Entertainment, said it’s something unique.
Jeremy Lichtman (“Bob the Hipster Knight”); October 5
Alex Shvartsman (“How Gaia and the Guardian Saved the World”); October 12
Vince Liberato (“Parental Guidance Recommended”); October 19
Stephen Power (“The Sounding Cataract”); October 26
Karen Skovmand (“The Mesmerist”); November 2
Trent Walters (“Awake the Snorting Citizens With the Bell”); November 9
James Gordon Harper (“A Clean Start”) ; November 16
Matt Downer (“The Size of the Fight”); November 22
Stuart Barton (“Lost Phoenixes”); November 23
Sean Monaghan (“Penny of Tharsis Montes”); November 24
We will be publishing two additional stories in addition to those Gernsback award winning stories:
Kermit Woodall (“We’re all Here in the Future”); November 30
David Gerrold (“The Great Milo”); December 7
The above will also be compiled into a special edition issue of the magazine and released in electronic and POD formats.
(10) KEEP ON CASTING. In “Fishing for Contracts”, Brad Torgersen tells Mad Genius Club readers the similarities between a writing career and sport fishing.
I think it’s much the same with the new world of indie publishing, too. In this case, you’re not selling to an editor, as much as you’re selling to the world at large. You’re still casting — each book or individual product is equivalent to throwing out a line. Whether or not your item(s) reel back the customers, is a calculated gamble. Having more item(s) on the market is much more likely to get you action, than having few, or one. More casting with more lures is upping your chances of getting strikes. If you happen to hit the right thing at the right time for the market, you may have the fish practically jumping out of the water at you. But you can’t have a moment like that, unless you can produce first. And production comes down to having a plan, sticking to that plan, and not letting the “skunked” days — when the fish aren’t biting — throw you off your game.
Also, don’t be fooled into thinking accouterment is a replacement for either craft, or effort. I have known some writers who devote far, far more time to attending writing workshops and using the latest software, or creating the perfect home office for themselves, than they do actually putting words down on the blank page. I think they mistake the trappings of the writerly life, for actual writing. An all-too-easy mindset to fall into, I know from experience! Believe me.
But then, all I have to do is look at my little, abused, green-plastic Flambeau box — with its attendant bargain-shopper no-name pole and reel — to be reminded of the fact that you don’t need a $2,000 laptop with the latest genius manuscript program, to haul in a lunker. My first award-winner for Analog was written on a hand-me-down POS computer from work — during nights I hunched at my daughter’s vinyl-padded play table in the unfinished basement. Because it was the only quiet spot I could find, when the family was fast asleep.
Actor Nathan Fillion has been cracking us up since his role on the TV show Castle — and we couldn’t be more excited for him to keep us laughing in his new role on Modern Family as a weatherman named — wait for it — Rainer Shine.
But lately, his Instagram is where the jokes are at. Nathan is currently in Moscow attending Russia Comic Con 2016, and following along has been a feast of comedic delights. See for yourself: