Tag Archives: censorship

Pixel Scroll 5/29/25 They Came And Took Our Spindizzy Away From Us

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(1) THE BAR’S MY DESTINATION. [Item by Mike Kennedy.] Another “distraction” for GRRM fans to complain about: “George R. R. Martin’s Cocktail Bar Brings Ancient Apothecary Vibes To Santa Fe’s Drink Scene” says Tasting Table.

Milk of the Poppy logo

…The legendary author, whose literary works have incited television shows, fervent fandoms, and plenty of food- and cocktail-related tributes (including “Game of Thrones”-inspired drinking games), has recently set his sights on a new form of creative expression.

Based in [George R.R.] Martin’s current home of New Mexico, Milk of the Poppy is a cocktail bar named for a medicinal liquid referred to in the “A Song of Ice and Fire” book series, on which HBO’s “Game of Thrones” is based. The bar boasts medieval-inspired decor with an apothecary theme, ideal for patrons to live out their fandom fantasies and responsibly partake in various libations and food offerings.

Though there have been “Game of Thrones” pop-up bars here and there over the years, one of the most unique things about this establishment is that it isn’t simply another fan-run one-off. Conceptualized by creative director Al LaFleur, the bar has been in the works for some time, even before LaFleur left Los Angeles for New Mexico. If anything, Martin’s investment in this craft cocktail bar indicates a sort of “seal of approval” from the author, whose writing heavily influenced the bar’s robust food and drink offerings.

The dungeon-like feel of the bar is reminiscent of popular “Game of Thrones” scenery, giving patrons enough reason to explore the space for a first-hand (or first-sip) experience of what it would truly be like to eat and drink as one of their favorite characters. Having opened its doors in March 2025, the bar is still relatively new to the Santa Fe bar scene, testing the potent waters of combining fantasy food and drink with real-world applications.

With a menu featuring specialty-themed, potion-like drinks, beer, wine, and a bevy of delicious appetizers, this pop culture bar will hopefully be much more than a flash in the pan, going on to thrive and connect with New Mexico locals and travelers seeking it out. Its namesake drink is a vibrant green cocktail called MOTP Milk Punch that features white armagnac, quebranta pisco, matcha, melon, calpico, and allspice that appears to be worth the visit in itself.

Although fans may be quick to criticize the author for taking longer to complete the long-anticipated “The Winds of Winter,” it’s worth remembering that true art cannot be rushed….

Website: “Milk Of The Poppy”. It’s located in Santa Fe adjacent to GRRM’s Jean Cocteau Cinema and Beastly Books.

(2) MOST PURGED BOOKS ARE AVAILABLE TO NAVAL CADETS AGAIN. AP News reports“Most books pulled from Naval Academy library are back on the shelves in latest DEI turn”.

All but a few of the nearly 400 books that the U.S. Naval Academy removed from its library because they dealt with anti-racism and gender issues are back on the shelves after the newest Pentagon-ordered review — the latest turn in a dizzying effort to rid the military of materials related to diversity, equity and inclusion programs.

Based on the new review, about 20 books from the academy’s library are being pulled aside to be checked, but that number includes some that weren’t identified or removed in last month’s initial purge of 381 books, defense officials told The Associated Press….

…The purge led to the removal of books on the Holocaust, histories of feminism, civil rights and racism, and Maya Angelou’s famous autobiography, “I Know Why the Caged Bird Sings.”

Others included “Memorializing the Holocaust,” which deals with Holocaust memorials; “Half American,” about African Americans in World War II; “A Respectable Woman,” about the public roles of African American women in 19th century New York; and “Pursuing Trayvon Martin,” about the 2012 shooting of a Black 17-year-old in Florida that raised questions about racial profiling.

The Navy on Wednesday could not confirm which books have been returned to the library or if Angelou’s book or the others will remain pulled from shelves….

Three sff works on the original list of 381 were Light From Uncommon Stars / RykaAoki; Sorrowland / Rivers Solomon; and A Psalm For The Wild-Built / Becky Chambers.

(3) AN AUGUST PRESENCE. A Deep Look by Dave Hook continues scanning the 1949 sff offerings with “’The Other Side of the Moon’, August Derleth editor, 1949 Pellegrini & Cudahy”.

The Short: The Other Side of the Moon, August Derleth editor, 1949 Pellegrini & Cudahy, includes 20 stories and an introduction by August Derleth. While I think Derleth’s definition of science fiction is somewhat different than mine, it’s mostly SF and all speculative fiction. My favorites include “Something from Above“, a novelette by Donald Wandrei, Weird Tales December 1930, and “The Earth Men“, a Martian Chronicles short story by Ray Bradbury, Thrilling Wonder Stories August 1948. My overall average rating is 3.57/5, or just below “Very good”. I recommend the twelve stories that were rated “Great” or “Very good”, but I would recommend The Other Side of the Moon itself only to those with a real enthusiasm for stories of the period….

(4) MY PRECIOUS. “PHD Students Bear the Brunt of Science’s ‘Gollum Effect’” reports Nature.

Almost half of the scientists who responded to a survey have witnessed territorial and undermining behav[1]iours by colleagues — most commonly during their PhD studies. Of those affected, nearly half said the perpetrator was a high-profile researcher, and one-third said it was their own supervisor.

Most of the respondents were ecologists, but the organizers suspect that surveys focusing on other disciplines would be similar.

The gatekeeping behaviours that the study documents “damage careers, particularly of early-career and marginalized researchers”, says lead author Jose Valdez, an ecologist at the German Centre for Integrative Biodiversity Research in Leipzig. “Most alarming was that nearly one in five of those affected left academia or science entirely.”

Valdez and his colleagues call the possessiveness shown by many researchers the Gollum effect, after a character in the book The Lord of the Rings (1954–55), whose one goal in life is to hoard an object of power for himself. The study was published in One Earth ( J. W. Valdez et al. One Earth 8, 101314 (2025)….

… Respondents described data hoarding, ideas theft by supervisors and defamation at conferences. “Collaborator has ‘reserved’ important research avenues,” wrote one respondent, “and is actively withholding data from our entire research group”. Another wrote, “I was told I wouldn’t be able to publish anything until the collaborator published their study, which has been in prep for over six years now.”…

(5) DISPUTING THE NARRATIVE. In the view of ComicBook.com, “Sandman Showrunner Sets Record Straight on Netflix Cancellation & Neil Gaiman Accusations”.

The Sandman showrunner Allan Heinberg said on Wednesday that the show was not actually canceled over the sexual misconduct allegations against Neil Gaiman. Netflix announced that this series would end with Season 2 back in January, and at the time, the accusations against Gaiman were just beginning to impact many of his adaptations. However, Heinberg told Entertainment Weekly that the streamer, the studio, and the creative team had decided to end the show shortly before Season 1 even premiered. He said that Season 2 was already in post-production when the reports about Gaiman began to circulate, so he doesn’t think it had any impact on the story or content of the new episodes. Still, he said that the announcement of the show’s ending came at “unfortunate timing, for sure.”

“It was a decision we made three years ago,” Heinberg said of the show’s cancellation. The reason, he explained, was actually the content of the original comic book by Gaiman, Sam Kieth, and Mike Dringenberg. The book often goes off on tangents about other characters, where Dream (Tom Sturridge) is only distantly involved. “There are some volumes where he just appears in two scenes,” Heinberg pointed out….

(6) MISSION CONTROL. Kotaku brings us “Mission: Impossible’s Most Impossible Missions, Ranked”.

…This past week we’ve ranked everything from Tom Cruise’s hair in each movie to the franchise’s most irreplaceable characters. In honor of The Final Reckoning dominating the Memorial Day Weekend box offices, we decided to take a different look at the Mission: Impossible franchise by ranking the movies based on the impossibility of the mission. So, before you scream about Phillip Seymour Hoffman being a better villain than any other Mission: Impossible bad guy, or how Tom Cruise didn’t risk his life falling backwards off a helicopter for Fallout not to be the best movie ever, remember, it’s all about the mission, even if you don’t choose to accept it….

The slideshow begins with Mission:Impossible II in last place, and Kotaku’s frank comment —

Not only is it the worst Mission: Impossible, it’s also the least impossible mission.

(7) A CLOCKWORK ORANGE. [Item by SF Concatenation’s Jonathan Cowie.] Yesterday’s BBC 4 Good Read saw its first 10 minutes devoted to Anthony Burgess’ A Clockwork Orange. Panellist Adrian Chiles’ parents’ Croatian ancestry came in handy when it comes to the novel’s 21st century youth slang….

This week broadcaster and writer Adrian Chiles and musician and sound artist Marty Ware join Harriett Gilbert with their reading suggestions. Martyn nominates A Clockwork Orange by Anthony Burgess which he says has influenced his career as a musician. He even named his band Heaven 17 from a reference in the book. If you can get past the brutality and violence it’s a novel that throws up many moral questions about the nature of good and evil. Both he and Adrian Chiles are fascinated by the use of Russian language throughout the book.

You can download the programme from here.

(8) MEMORY LANE.

[Written by Cat Eldridge.]

May 29, 2009 — 2081 film

So we have an interesting short film. And no, I had no idea it existed until now as one of my email newsletter had a note about a Kurt Vonnegut story being turned into a film, not completely unsurprising as one of his works did almost become an opera.  So we have 2081 which is based off of his “Harrison Bergeron” story and which premiered on this date sixteen years ago at the Seattle International Film Festival. 

The story was first published in the October 1961 in the Magazine of Fantasy and Science Fiction, and was in his Welcome to the Monkey House collection seven years later. Welcome to the Monkey House: The Special Edition has drafts of many of stories there. 

The cast is James Cosmo, Julie Hagerty, Patricia Clarkson, and Armie Hammer. 

The story is one where a future polity is attempting by any means possible to ensure that everyone is absolutely equal. Ruthlessly as the rulers of the 1984 society were doing. That’s a bit of a SPOLER I know. It’s not quite in keeping of the Vonnegut story and that’s something I’ll not say why. 

So what did the critics think of it. Well I didn’t find a lot of them who said anything but I really liked what Mike Massie at the Gone with The Twins site said about this half hour film cost that just a hundred thousand to produce: “’What are you thinking about?’ ‘I don’t know.’ The basic plot, adapted by Chandler Tuttle (who also directed and edited) from Kurt Vonnegut Jr.’s short story, is sensational, serving as a warning and as pitch-black satire. The notion of equality taken to hyperbolic extremes is certainly worthy of cinematic translation, as are the various manifestations of crushing governmental control. True freedom requires disparity.” 

Audience reviewers at Rotten Tomatoes really liked it giving it a seventy-five percent rating.

You can watch the trailer here. 

(9) COMICS SECTION.

(10) KINGFISHER FOR THE ROCKET. Camestros Felapton’s Hugo reading / reviewing continues: “Hugo 2025 Novel: A Sorceress Comes to Call by T. Kingfisher”.

…Not unlike reading Alien Clay, I’m reading a book by an author I’ve read so often that I see her playing on repeated themes and elements in a new setting. Hester’s interest is the breeding of geese rather than gardening but she is very much a recurring kind of Kingfisher character, a smart, often wise, older woman who would like a peaceful life but circumstances prevent it. We are also in Kingfisher re-spinning a classic fairy tale, in this case the Brothers Grimm collected story The Goose Girl (Hester provides the connection to the geese but Cordelia is the titular girl)…

(11) ROBERT BLOCH IN THE FACE OF CHANGING TIMES. Keith Roysdon traces “The Evolution of Robert Bloch” at CrimeReads.

…Bloch, whose novel was the basis of one of the most classic of classic films, told the [Castle of Frankenstein] interviewer that he felt the same insecurities and frustrations of any writer. By the end of the 1960s, he confessed he had his struggles.

“Markets have changed. I will say quite candidly that in the past year, I’ve written five short stories – three of them haven’t been placed because the markets have changed for that sort of material. I would like to write a great deal more fiction, but there is the problem of market accountability. So I write to specification.” Bloch spoke about how things had changed since he wrote for Weird Tales and other magazines in the 1930s. “I feel the times have changed. And they change for every writer. There is no writer living who will end up 30 years later with the same market conditions and the same audience and the same media.”

Bloch was critical of himself: “I’ve always suffered from a shortage of talent. I’m very limited.” He cited his “inadequate” education and the challenge of keeping up with trends. 

“Empathy is the only strength I have. The ability to put myself inside the characters and understand their motivations.”…

(12) TODAY’S THING TO WORRY ABOUT. “Film and TV model maker warns skill may disappear” reports the BBC.

A visual effects designer who worked on award-winning films and TV shows has warned the art of model-making is at risk of vanishing in the coming decades.

Mike Tucker has worked with Discover Bucks Museum in Aylesbury on an exhibition of original models and props from British science fiction shows, such as Doctor Who.

The artist, in his 60s, said he hoped the displays could inspire a future generation of visual effects artists.

“A lot of the companies, like myself, have either stopped because they’ve not been able to compete with the CGI guys, or just retired out of the business.”

“The number of us who know how to do it is getting smaller and smaller with every passing year,” he added….

…The Beyond the Stars exhibition includes models and props the Oxfordshire resident has worked on, including 1980s’ Daleks, Marvin the Paranoid Android and a model of Starbug from Red Dwarf.

Originally from Swansea, Mr Tucker entered the industry via the BBC’s in-house visual effects department in the 1980s, which closed in 2005.

He recalled: “It had over 100 members of staff when I joined. By the time we closed down we were down to 14 people, because the numbers of shows that required our particular expertise was getting smaller and smaller.

“It’s not dead completely yet. If left unchecked there is going to be a gap in about 10, 15, 20 years’ time of just finding people who know how to do it.”…

(13) MASTERS OF THE UNIVERSE AUCTION. Heritage Auctions wants the world to know about the June 5 “Masters of the Universe featuring the Artwork of Mark Taylor Action Figures & Toys Showcase Auction”.

Item predicted to fetch the highest bids — Savage/Wonder Bread He-Man Prototype First Shot 

Calling all He-Fans and She-Ravers! Whether you grew up shouting “I have the power!” or just recently fell down the rabbit hole of Eternian lore (blame that catchy theme song), now’s your chance to snag the treasures of a true toy titan.

Of the top three toy sellers in the resale market—He-Man and his colleagues in the Masters of the Universe are the toy that keeps on giving.The popularity of the brand—from a 1980s movie to the original cartoon and toy line, all the way to a new movie coming in 2026-speaks to the enduring appeal of these characters across pop culture, collectibles, and meme culture alike.

Our June 5 Masters of the Universe Showcase Auction is a love letter to the legacy of Mark Taylor—the visionary artist who gave us He-Man, Skeletor, Battle Cat, and a galaxy of unforgettable icons. This isn’t just a toy auction—it’s a trip through the nostalgia-fueled vortex of pop culture greatness.

Featured treasures include:

  • The Savage/Wonder Bread He-Man Prototype First Shot (AFA 80)—a brown-haired, rough-cut warrior straight from Mattel’s pre-launch experimental phase. With ties to a long-lost “Buy 3, Get 1 Free” mail-in offer and whispers of a doomed Conan toy line, this prototype is more than rare—it’s legendary. Graded AFA 80 NM and encased in a deluxe acrylic display with a COA from Tom Derby.

But the true magic? It’s in the art:

  • Original He-Man Concept Artwork by Mark Taylor – Before he became Eternia’s polished protector, He-Man was Torak, Hero of Prehistory—a barbarian bruiser in Viking armor. Taylor’s vision drew heavy inspiration from Frazetta’s fantasy epics, capturing He-Man’s raw, untamed beginnings.
  • Original Skeletor Concept Artwork – Inspired by a terrifying childhood encounter with what Taylor believed was a real corpse (seriously!), early Skeletor—also known as De-Man—was gaunt, ghostly, and haunting. With bare feet, shin guards, and echoes of a “King of Styx” motif, this is the villain as you’ve never seen him: straight from the sketchbook of madness.
  • Castle Grayskull Original Concept Sketch (1979) – The eerie, bone-like fortress came to life in pencil before it ever took plastic form. Signed and dated by Taylor, this haunting 24×19 inch sketch captures his dream of a fortress that wasn’t built—it grew. “I wanted it to be organic… like it’s starting to melt,” Taylor said. And you can own that vision.

Whether you’re a hardcore MOTU collector, a toy history buff, or just someone who knows a good barbarian-sorcerer rivalry when they see one, this auction is your portal to the past-and a future filled with bragging rights.

Explore the full catalog and preview all the epic lots: HA.com/49181

(14) RANKING ALL OF PHILIP K. DICK’S BOOKS. [Item by SF Concatenation’s Jonathan Cowie.] Moid over at Media Death Cult has set himself the Herculean task of ranking all of Philip K. Dick’s books….

It is not a competition but you can see whether or not you agree with him and how he tried to make some very difficult decisions….

[Thanks to Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 5/27/25 Everybody Loves Raymond Palmer (Both The Shaver’s Mystery Guy And The Size-Shrinking Superhero)

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(1) SO THIS HEINLEIN, IS HE ANY GOOD? View Sharon Lee’s acceptance speech for the 2025 Robert A. Heinlein Award in this YouTube video.

(2) FAIR PAY. Steve Davidson urges sff readers to commit to pay a fair price for short fiction in a post on Facebook. Davidson begins by telling what the market rates of the Thirties would translate to after factoring in 90 years’ worth of inflation. Then he makes this appeal —

…Authors need to LIVE in order to be able to write and, I’d venture to guess, authors who are not stressing over whether or not they’ll be living in their cars next month will write more and better than those who have no such concerns.

To put a finer point on it: magazines would have to pay a word rate of 67 cents per word if the sale of that one short story is to have the same economic power today as $150 bucks did back in 1930.

On the other hand….

I’m betting that readers actually DO value authors and their works (well, at least those readers who read anyways). And I’m betting that they are willing to step up IF they’re given the opportunity. Oh, maybe not quite yet to covering sixty-seven cents per word, but certainly more than 8 cents per word.

I think the evidence is all around us that they are. I mean – go look at what a paperback costs these days! Me, I choke whenever I see the cover price because my baseline is what it cost me to buy those first Heinlein novels from the Bookmobile back in 1968 – 45 cents to 60 cents. Those same books now go for $13 – or more!

Anyway, the point is this:

We KNOW you all are willing to pay something close to what modern science fiction is actually worth, because you’re already doing it everyday when you plunk down ten bucks for an ebook or fifteen bucks for a paperback (or forty+ bucks for a hardback).

Now all you have to do is extend that same calculus, that same perceptual handwavium when it comes to magazine issues and their close cousin companions, theme anthologies….

(3) LOCUS FUNDRAISER LOOKS TO FINISH STRONG. The “Locus Mag: Science Fiction, Fantasy, Horror 2025” appeal at Indiegogo has four days to go. It had raised $44,671 when I checked this afternoon. Among reasons for you to click over, the Indiegogo paid includes links to videos of Connie Willis, Daniel Abraham, and Tobi Ogundrian reading from their work.

We are incredibly grateful for every penny donated and we’ll put it all to good use, but this is a moment to be honest about the urgency of our fundraiser. We’re just 4 days from the close of this fundraiser and we haven’t raised even half of the money we need to keep Locus running. 

Being an indie non-profit press, we’ve been running on a skeleton crew for years. A larger budget means paying writers and artists a better rate, adding more short fiction and long form reviewers to cover all the amazing stories that are being written, and enough budget to cover all the amazing events out there and to stay connected with the community. Please help keep Locus alive, as the independent voice of the field and the guide to the world’s imagination!

If we don’t reach our funding goals, we will have to contract even further – you’ve seen your favorite magazines and newspapers shrink or disappear… There’s no part of what Locus does that we can imagine giving it up, reviews, interviews, cons, obits, the Locus Awards, the recommended lists – remembering people, pushing the news out, evening out the playing field. We don’t want to give any of it up. And we want to get back to a full schedule of writing workshops, reach more people on different platforms about our amazing genre, host readings… so much more. 

We’re particularly concerned about the loss of short fiction reviews. Locus is one of the only venues that reviews short stories and makes a concerted effort to cover the small and independent press. Locus wants to help level the playing field for emerging writers and everyone in general. Without those efforts it feels like the only SFF writers getting attention out there are NYT bestsellers…

(4) APPEALS COURT SAYS LIBRARY COLLECTION DECISIONS ARE GOVERNMENT SPEECH. “Full Court of Appeals Reverses Previous Rulings, Supports Texas Library’s Book Removals” at Publishers Lunch (behind a paywall).

A full en banc ruling from the Fifth Circuit Court of Appeals has overturned both a lower-court decision and a Court of Appeals ruling that had found a Texas library’s removal of books was a violation of the First Amendment, in a 10-7 decision.

Last year, a regular three-person Court of Appeals panel ruled that the Llano County Library could not remove books based on their content, writing that, “Government actors may not remove books from a public library with the intent to deprive patrons of access to ideas with which they disagree.” The titles at issue included books about sexuality and racism, and “butt and fart books.” Eight of the original 17 removed titles were returned to the library.

Now, the court reversed that preliminary injunction and dismissed the free speech claims of the plaintiffs—seven library patrons.

In the decision, Judge Stuart Kyle Duncan writes that the right to receive information from “tax-payer funded library books” is not protected by the First Amendment.

“That is a relief, because trying to apply it would be a nightmare,” the decision continues. “How would judges decide when removing a book is forbidden? No one in this case—not plaintiffs, nor the district court, nor the panel—can agree on a standard. May a library remove a book because it dislikes its ideas? Because it finds the book vulgar? Sexist? Inaccurate? Outdated? Poorly written? Heaven knows.”

The decision also states that “a library’s collection decisions are government speech and therefore not subject to Free Speech challenge.” Judge Duncan asserts that libraries have always made decisions about what books to shelve, just as government-funded museums decide on which paintings to include.

“That is what it means to be a library—to make judgments about which books are worth reading and which are not, which ideas belong on the shelves and which do not.

“If you doubt that, next time you visit the library ask the librarian to direct you to the Holocaust Denial Section.”…

(5) LETTING THE DOGS IN. [Item by Daniel Dern.] In chatting with one of the (local) librarians about some catalog quirks (mentioning my not-yet-replicated search within WorldCat/OCLC showing a library/book location of “outer space”), they noted that the CountWay library in the (Harvard) medical center area had a dog in their catalog — a “library” dog, e.g., for “Read with a Dog,” “schedule cuddle time”…

I haven’t (yet) found actual catalog entries, but (as I already knew), “library dogs” are indeed a Real Thing, e.g., Therapy Pets | Countway Library (harvard.edu)

For many Filers, this, of course, immediately brings to mind the classic Eric Frank Russell story, “Allamagoosa” (here’s a Baen link to the story.)

(6) ORSON WELLES HELPS SELL A BOOK. A Deep Look by Dave Hook looks at another 1949 sf collection: “’Invasion from Mars: Interplanetary Stories’, Orson Welles ‘editor’, 1949 Dell (SFE says ghost editor was Don Ward)”

The Short: I read Invasion from Mars: Interplanetary Stories, Orson Welles “editor”, 1949 Dell (there is controversy about the actual editor). Including the 1938 “Invasion from Mars: A Radio Adaption” radio play adaptation, it includes ten stories and an Introduction. My favorite story is the well reprinted and superlative Ray Bradbury story “The Million Year Picnic“, a Martian Chronicles short story, Planet Stories Summer 1946. My overall average rating of the stories was 3.76/5, or “Very good”. I have mixed feelings about recommending it, see below. You can find links to the stories here.

(7) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

May 27, 1911 — Vincent Price. (Died 1993.)

By Paul Weimer: Vincent Price. My first voice and face of horror. But especially, his voice. 

I’ve mentioned WPIX many times in these birthday reminiscences and in comments at File 770. And so it was on NY’s movie station that I first encountered the work of Vincent Price. It was one of the Dr. Phibes movies, gory, weird and a lot of fun. That voice was unmistakable. Imagine my surprise when the very different looking Dr. Egghead (played by Price) showed up in an episode of the 60’s Batman cartoon. Although Egghead and Phibes couldn’t be more different, the voice was what keyed me, even with my amusia, that the same actor was at work here.  That oily, horror fueled voice. He was the voice of terror, of nightmares, of the dark descent. 

And that’s kind of how I kept running into him, by accident, again and again. For a while it seemed I could not escape the Master of Horror. Oh, here he is in a movie based on the “Pit and the Pendulum”. How very droll.  Oh, and here he has shown up randomly on an episode of Columbo. Oops, here he is again in a Roger Corman horror film. All with That Voice. Although I still think the Jeff Goldblum version is better, the haunting image of his version of The Fly, where a part of him is trapped in a fly’s body, caught in a web, with a spider coming to eat him, is enough to give me the chills. 

Even with all of his other work, again and again, what Price comes down to is the voice of horror. And so I ask you, who else could have been the narrator voice for the music video Thriller?

Vincent Price

(8) TODAY’S BIRTHDAY, TOO.

[Written by Paul Weimer.]

May 27, 1934 — Harlan Ellison. (Died 2018.)

By Paul Weimer: Harlan Ellison. No trademark symbols, if he wants to come back from the dead and harangue me, he’s welcome to do so. 

To talk about him as a broken step will be taken as read, it turns out he did behave very badly indeed, and that mars his reputation. Not being ever to finish the Last Dangerous Visions is another stain on his record, too. He seems to have forgotten his own maxims and advice on that one. He was a writer’s writer and an editor’s editor, and while he had the juice for the first Last Dangerous Visions, he never could see through to the last. 

My older brother had plenty of collections of his stories, so his stories, both genre and only near-SF was an early part of my reading. Included in those collections were both volumes of The Glass Teat, so along with lots of Ellison stories, I also got a healthy dose of his film and television criticism, and his unyielding personality. I may have never gotten to meet him personally, but his ferocious reputation by his writing was enough. When Heinlein has him show up in the end of The Number of the Beast as simply “Harlan”, I had read enough to know what Heinlein meant with that one word. 

Three stories of his always come to my mind and you can guess them.  “’Repent, Harlequin!’ Said the Ticktockman” which for even though the titular Harlequin is captured and his rebellion ended, is still a story of hope, because his spirit of chaos cannot and will not be permanently stilled.  “I Have No Mouth and I Must Scream”, one of the most ultimate horror stories, with four people and a deranged computer at the end of the world.  And, “Paladin of the Lost Hour” which is the best “Rage against the dying of the light” story I’ve ever read.  When he wasn’t a raging a-hole, Harlan Ellison could and did write.

Harlan Ellison

(9) COMICS SECTION.

(10) DEADPOOL/BATMAN CROSSOVER. Wade Wilson has been hired for a job in Gotham City, but will the World’s Greatest Detective help him or destroy him? Entertainment Weekly today revealed Marvel’s Merc with a Mouth will meet DC’s Dark Knight this September in Marvel/DC: Deadpool/Batman #1, the first of two crossovers between Marvel and DC more than twenty years in the making. It will be followed by DC’s Batman/Deadpool #1 in November.

 Deadpool/Batman #1 will be written by prolific Spider-Man comics writer and co-writer for Marvel Studios’ Deadpool & Wolverine Zeb Wells and drawn by industry superstar Greg Capullo, an artist with an incredible legacy at both legendary comic book companies, with influential work on Batman and X-Men titles.

“After writing Amazing Spider-Man for 60 issues, I told Marvel I needed a break. Marvel told me I could do that or I could write a comic starring Deadpool and Batman with the best Batman artist of our generation. I no longer needed a break,” Wells shared with EW. “In Batman we’ve found someone who has even less time for Deadpool’s antics than Wolverine, but a city-wide threat from the Joker makes strange bedfellows (literally, if Deadpool had his way). It’s been a blast letting Deadpool loose in Gotham City and watching what happens.”

“Am I dreaming? This crossover is likely to be the high point of my career…and, I’ve had a great career,” Capullo added. “Some of my earliest work (many years ago) was on X-Force, so Deadpool and I go way back. More recently, I spent 10-plus years drawing Batman at DC. The idea that I get to do a crossover event with Deadpool and Batman…If I am dreaming, please don’t wake me!”

Check out Capullo’s main cover and stay tuned for more news about Deadpool/Batman #1 in the weeks ahead.

(11) WB WHACKS SCREENING OF SCHUMACHER CUT. “Studio Blocks Screening of Controversial Batman Forever Director’s Cut” reports CBR.com.

The fabled Schumacher cut of Batman Forever has hit a major snag as Warner Bros. has decided to scrap a planned screening of the hotly anticipated film.

A screening of the Schumacher cut was supposed to take place at Cinefile Video in Santa Monica, California. But according to The AV Club, the event was canceled following a legal request from Warner Bros. “Our planned screening of Batman Forever has been canceled,” the store said in an email to its members. “This follows a legal request from Warner Bros. regarding the rights to the version of the film we intended to show. While this was a free, members-only event meant to celebrate a unique piece of film history, we respect the rights of studios and creators, and have chosen to withdraw the event accordingly.”

The news came as a major blow for Batman fans as the Schumacher cut has long been considered a Holy Grail of sorts….

(12) FIRST OF THE LAST OF US. [Item by Steven French.] “The Last of Us science adviser: COVID changed our appetite for zombies” learned Nature.

The year was 2013, and the release of a hotly anticipated zombie-apocalypse video game was on the horizon.

The game, called The Last of Us, invited players to explore what then seemed a fanciful scenario: a world devastated by a pandemic in which a pathogen kills millions of people.

Unlike in many apocalypse fictions, the pathogen responsible wasn’t a bacterium or a virus, but a fungus called Cordyceps that infects humans and takes over their brains.

The writers at game studio Naughty Dog, based in Santa Monica, California, were inspired by real fungi — particularly Ophiocordyceps unilateralis, known as the zombie-ant fungus. The fungus infects insects and releases chemicals into the animals’ brains to change their behaviour. Ahead of the game’s release, Naughty Dog turned to scientists, including behavioural ecologist David Hughes, a specialist in zombie-ant fungi (he named one after his wife), to field questions from the media about the fungal and pandemic science that inspired the story. Hughes, who is at the Pennsylvania State University in University Park, has since moved to studying climate change and food security….

(13) BALTICON SUNDAY SHORT SCIENCE FICTION FILM FESTIVAL 2025 WINNERS. [Report by lance oszko.] Audience scores were from 0 to 5, with sum of values divided by number of votes. 

Best Live Action

  • Stephen King’s The Reach (2024) Italy Luca Caserta 167 points in 41 votes cast = 4.0731 * 

Best Animation

  • Dad in the Echo (2023) China Jacky Heng SUN  315 points in 82 votes cast = 3.8414 *  

Scores of all entries:

  • An Old Friend 2024 USA Nuk Suwanchote  198 Points in 57 Votes cast = 3.4736.
  • Akashic Spheres 2021 USA James Scott 150 points in 69 votes cast =2.1739
  • Invasion ’53  2024 Maryland Danielle Weinberg 304 points in 77 votes cast = 3.9480
  • Zerk 2024 Maryland Theo Jack-Monroe 193 points in 69 votes cast = 2.7971
  • Dad in the Echo 2023 China  Jacky Heng SUN  315 points in 82 votes cast = 3.8414  * Best Animation
  • Eunice 2018 UK Eric Garro 240 points in 74 votes cast = 3.2432  * Science History Discovery of Greenhouse Gasses.
  • M.T. Nestor 2023 USA John Schlag  250 points in 70 votes cast = 3.5714  
  • The Hairdo 2024 UK Catherine Ruby Yeats  205 points in 73 votes cast = 2.8082
  • Fire of God 2024 Belgium Yannick Mourcia  106 points in 40 votes cast = 2.6500
  • Frederic Brown’s The Hobbyist 2016 USA George Vatistas 161 points in 46 votes cast = 3.5000
  • Battle of LA 2024 USA Patrick Pizzolorusso 137 points in 46 votes cast = 2.9782  
  • Forever 2018 France  Donia Summer 115 points in 47 votes cast = 2.4468
  • Under Siege 2025 Greece Nikos Nikitoglou 107 points in 47 votes cast = 2.2765
  • Stephen King’s The Reach 2024 Italy Luca Caserta  167 points in 41 votes cast = 4.0731  * Best Live Action
  • The Faun of Healwood The Edge 2023 France Stephane Artus 116 points in 39 votes cast = 2.9743
  • In The Walls 2023  Argentina  Ramsés Tuzzio  63 points in 32 votes cast = 1.9687   (continuing trend of low scoring Horror)

*** last 3 had technical error in missing subtitle/captioning.

  • Leïla et Les Fantômes 2023  France Chiraz Chouchane  41 points in 19 votes cast = 2.1578 
  • Alcalyne 2022 France  MICHAËL PROENÇA  41 points in 24 votes cast  = 1.7083  * Lowest Score.
  • Howard Waldrop’s Mary Margaret Road Grader 2024 USA Steven Paul Judd  110 points in 30 votes cast = 3.6666.

(14) THEY KEEP WATCHING THE SKIES. “New evidence suggests our solar system has nine planets again” – Earth.com discusses a new candidate for number nine.

…Searching the far reaches

Researchers at a university in Taiwan believe a Neptune-sized object could be wandering roughly 46.5 to 65.1 billion miles from the sun.

Their fresh findings are based on two deep infrared surveys taken more than two decades apart, with equipment sensitive enough to detect a faint planetary glow.

Infrared data from 1983 and 2006 offered a rare chance to see if something moved slightly between observations.

A possible candidate popped up, and the group thinks it might take 10,000 to 20,000 years to orbit the sun….

…Researchers estimate that if this object exists, it could weigh between seven and seventeen times as much as Earth. That puts it in the ice giant category, similar to Uranus or Neptune, rather than a rocky planet like Earth or Mars….

(15) 48 CHALLENGE 2025. [Item by SF Concatenation’s Jonathan Cowie.] Sci-Fi London Film Fest has just posted its latest 48-hour film challenge’s 10 finalists for 2025.

This challenge is where amateur film makers are given a line of script and told to include a particular prop (it could be anything from a top hat to a candle stick) and then they are given two days to complete a short SF film.

You can view the finalist shorts at the link.

Meanwhile, this year’s Fest runs June 19– 22, 2025 at the Picture House in Finsbury Park (just north of central London).

(16) ESA BLUE DANUBE BROADCAST TO SPACE, [Item by SF Concatenation’s Jonathan Cowie.] To mark ESA’s 50th anniversary, ESA’s  Cebreros station will broadcast “The Blue Danube” to space on Saturday, May 31, 2025.

The Cebreros station has been used to communicate with deep space missions including: BepiColombo, Euclid, Juice, Hera, Rosetta, Mars Express and NASA’s Perseverance rover.

The Blue Danube was famously (for us SF buffs) in 2001: A Space Odyssey.

The Cebreros station can, in theory, communicate with current-technology deep-space probes up to 1/3 light years away. However, it could communicate further with bigger dishes than those aboard current deep space probes and so in theory anyone listening around nearby stars should pick the microwave (S-band) broadcast up.

Details here: “European Space Agency will beam the famous ‘2001: A Space Odyssey’ waltz out into the cosmos” in BBC Sky at Night Magazine.

The European Space Agency is planning to beam Johann Strauss’s ‘Blue Danube’ waltz out into the cosmos to celebrate a series of key anniversaries in the history of spaceflight.

2025 marks the 50th anniversary of the European Space Agency and its ‘Estrack’ satellite tracking network.

It also marks the 20th anniversary of its ‘Cebreros’ space antenna and, coincidentally, the 200th birthday of Johann Strauss II himself, composer of the Blue Danube.

And a reminder of the 2001: A Space Odyssey clip:

[Thanks to Steven French, Kathy Sullivan, Teddy Harvia, Daniel Dern, lance oszko, Paul Weimer, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mark Roth-Whitworth for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 5/24/25 I’ve Seen Pixels Through The Tears In My Eyes, And I Realize, I’m Scrolling Home

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(1) THE WHEELS FALL OFF. Deadline reports “’The Wheel Of Time’ Canceled By Prime Video After 3 Seasons”.

Prime Video will not be renewing The Wheel of Time for a fourth season. The decision, which comes more than a month after the Season 3 finale was released April 17, followed lengthy deliberations. As often is the case in the current economic environment, the reasons were financial as the series is liked creatively by the streamer’s executives….

…Three seasons in, the series has remained a solid performer but its viewership has slipped, with the fantasy drama dropping out of Nielsen’s Top 10 Originals chart after the first three weeks of Season 3 while staying on the list for the entire runs the previous two seasons. (The Wheel of Time was back on the Originals ranker for the week after the Season 3 finale at #10.)…

…The Nielsen rankings reflect U.S. viewership. Streaming renewal decisions are made based on how a show does around the world, and The Wheel of Time is a global title. It did rank as #1 on Prime Video in multiple countries with the most recent season. Still, the Season 3 overall performance was not strong enough compared to the show’s cost for Prime Video to commit to another season and the streamer could not make it work after examining different scenarios and following discussions with lead studio Sony TV, sources said.

With the cancellation possibility — and the show’s passionate fanbase — in mind, the Season 3 finale was designed to offer some closure.

Still, the news would be a gut punch for fans who have been praising the latest season as the series’ best yet creatively. Prime Video executives also have spoken of the show getting better creatively every season, which is supported by critics as Season 3 ranks 97% on Rotten Tomatoes, up from 86% for Season 2 and 81% for Season 1….

(2) OUT OF TIME LORD? Deadline is also collecting bad news from the outrage journals about another fan favorite: “‘Doctor Who’ Ratings Dive, Supercharging Uncertainty About Future Of Sci-Fi Series”. Are these just rumors? Here’s what’s on The Sun’s front page:

Deadline says:

…Rupert Murdoch-owned The Sun newspaper sparked the latest flurry of rumors, reporting that Ncuti Gatwa had been “exterminated” from the BBC series amid a ratings “nosedive.” The BBC said it was “pure fiction” that Gatwa had been fired.

The Sun‘s front-page story also gives credence to speculation that Doctor Who will be “rested” after Season 15 has finished screening on the BBC and Disney+…

… So what can we say with certainty about the destiny of the Time Lord?

Firstly, the show’s UK ratings have dropped considerably. Detractors have pinned this on so-called “woke” storylines, though it is not clear if this is the only reason people are switching off.

Deadline has analyzed official seven-day viewing figures for the first half of Season 15, and it does not make easy reading for those involved in Doctor Who.

The first four episodes have averaged 3.1M viewers, which was 800,000 viewers down from last year’s season, which was Gatwa’s first as the Doctor.

Compare the first half of Season 15 to Jodie Whittaker’s last outing as the Doctor, and things get uglier. Season 13 was watched by 5M people over its first four episodes in 2021, two million more viewers than the show is currently managing….

… In a small development today, the BBC was prepared to say that Gatwa had not been fired from the show, but refused to deny that he had quit. Gatwa’s rep has been contacted for comment….

(3) EATING THE FANTASTIC. Scott Edelman invites listeners to toast writer/editor Craig Laurance Gidney on Episode 254 of the Eating the Fantastic podcast.

This episode, which invites you to take a seat at the table with Craig Laurance Gidney, captures a meal which could have taken place during AwesomeCon — but didn’t. If you want to know why — you’ll have to join us!

Craig Laurence Gidney

Gidney’s short stories have been collected in Sea, Swallow Me and Other Stories (2008), Skin Deep Magic: Short Fiction (2014), and The Nectar of Nightmares (2022), the first two of which were Lambda Literary Award finalists — as was his 2019 novel A Spectral Hue (2019). He received the Bronze Moonbeam Medal and Silver IPPY Medal for his 2013 novel Bereft. In 1996, at the start of his career, he was also awarded the Susan C. Petrey Scholarship to attend the Clarion West Writing Workshop.

From 2020-2023 he co-edited Baffling Magazine with Dave Ring, and he’s also the co-editor — with Julie C. Day & Carina Bissett — of Storyteller: A Tanith Lee Tribute Anthology, published this month.

We discussed how meeting Samuel R. Delany led to his attending the Clarion Writing Workshop, the influence of reading decadent writers such as Verlaine and Rimbaud, why he kept trying to get published when so many of his peers stopped, the many ways flaws can often make a story more interesting, our shared love of ambiguity, the reason there must be beauty entwined with horror, why he’s a vibes guy rather than a plot guy, the time Tanith Lee bought him a pint and how that led to him coediting her tribute anthology, what he learned from his years editing a flash fiction magazine, and much more.

(4) YOU’RE FROM THE SIXTIES. Steven Heller remembers “When Undergrounds Shined the Light” at PRINT Magazine.

England was the epicenter of cool during the ’60s, not only because the Beatles and Stones spawned some of the great music and fashion innovations of the era, but also due to the wellspring of underground newspapers there. Working at undergrounds gave me access to periodicals from all over the world. IT (International Times) and Oz where the two most influential for their design and content. Muther Grumble was one of the many others that filled mailboxes.

Founded in 1966 (contrary to the 1960 dateline on the issue above), International Times was one of the earliest and most important British underground papers. After being threatened with lawsuits by the London Times, International Times changed its name to IT, but often kept the original name as a subhead on its covers. In its heyday, IT appeared regularly for 13 years. The paper’s logo was an iconic black-and-white image of Theda Bara. Contributors included most of the prominent underground figures of the period, including Allen Ginsberg (who interviewed the Maharishi), William S. Burroughs, Germaine Greer, John Peel, Heathcote Williams and Jeff Nuttall….

(5) THE WRITER GETS PAID. John Scalzi interviews himself “About That Deal, Ten Years On” at Whatever. His famous Tor contract, to be precise.

If you could go back in time to 2015, would you sign the same contract again?

Pretty much? I understand this sort of contract is not for everyone; not everyone wants to know what they’re doing professionally, and who with, for a decade or more, or wants the pressure of being on the hook for multiple unwritten books. But as for me, back then, I was pretty sure in a decade I would still want to be writing novels, and I would want to be doing it with people and a publisher who were all in for my work. Turns out, I nailed that prediction pretty well. And from a financial and career point of view I can’t say that it hasn’t benefitted me tremendously.

Now, to be clear, other writers have sold more than me, or gotten bigger advances than I have, or have won more awards than me, in the ten years since that contract made the news. But I’ve sold enough, been paid enough, and have been awarded enough to make me happy and then some. I’m happy with the work I’ve done in this last decade. I’m happy with how it’s been received. I’m happy with where I am with my career and life. Much of that is because of this contract. So, yeah, I would do it again. I kind of did, last year, when I signed that ten-book extension.

(6) PBS SELF-CENSORSHIP. “Criticism of Trump Was Removed From Documentary on Public Television” reports the New York Times. “A segment in a documentary about the cartoonist Art Spiegelman was edited two weeks before it was set to air on public television stations across the country.”

The executive producer of the Emmy Award-winning “American Masters” series insisted on removing a scene critical of President Trump from a documentary about the comic artist Art Spiegelman two weeks before it was set to air nationwide on public television stations.

The filmmakers say it is another example of public media organizations bowing to pressure as the Trump administration tries to defund the sector, while the programmers say their decision was a matter of taste.

Alicia Sams, a producer of “Art Spiegelman: Disaster Is My Muse,” said in an interview that approximately two weeks before the movie’s April 15 airdate, she received a call from Michael Kantor, the executive producer of “American Masters,” informing her that roughly 90 seconds featuring a cartoon critical of Trump would need to be excised from the film. The series is produced by the WNET Group, the parent company of several New York public television channels.

Stephen Segaller, the vice president of programming for WNET, confirmed in an interview that the station had informed the filmmakers that it needed to make the change. Segaller said WNET felt the scatological imagery in the comic, which Spiegelman drew shortly after the 2016 election — it portrays what appears to be fly-infested feces on Trump’s head — was a “breach of taste” that might prove unpalatable to some of the hundreds of stations that air the series.

But the filmmakers have questioned whether political considerations played a role. They have noted that earlier this year, according to Documentary Magazine, which first reported the “American Masters” decision, PBS postponed indefinitely a documentary set to air about a transgender video-gamer for fear of political backlash.

Sams pointed out that their film had already been approved for broadcast — the filmmakers agreed it would be shown at 10 p.m. rather than 8 p.m., so that certain obscenities would not need to be blurred or bleeped — and that the call came a week after a Capitol Hill hearing in which Congressional Republicans accused public television and radio executives of biased coverage (the executives denied that accusation in sworn testimony).

“If PBS cannot protect the free speech of its content creators and subject matters without fear of retribution from members of the government who may find their views displeasing, then how can it strengthen the ‘social, democratic and cultural health’ of the American people?” Sams and four other producers and directors wrote to PBS and WNET executives last month, quoting from PBS’s mission statement….

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

May 24, 1963 — Michael Chabon, 62.

The first work by Michael Chabon that I read was the greatest baseball story ever told, and yes, I know that statement will be disputed by many of you, or at least the greatest fantasy affair which is Summerland in which a group of youngsters save the world from destruction by playing baseball.  It’s a truly stellar novel, perfect, that in every way deserved the Mythopoeic Award it received.

Next on my list of novels that I really enjoyed by him is The Yiddish Policemen’s Union, the alternate history mystery novel, which would win a Hugo at Devention 3. Like Lavie Tidhar’s Unholy Land, this novel with its alternate version of Israel is fascinating. 

The Amazing Adventures of Kavalier & Clay is story of them becoming major figures in the comics industry from its start into its Golden Age. It’s a wonderful read and an absolutely fantastic look at the comics industry in that era.  It has a screenplay he wrote a quarter of century ago ready to be filmed but it’s been tied up in pre-production Hell ever since. 

An interesting story by him is “The Final Solution: A Story of Detection” novella. The story, set in 1944, is about an unnamed nearly ninety-year-old retired detective who may or may not be Holmes as this individual is a beekeeper. 

He is, I’d say, a rather great writer. 

I’d be remiss to overlook his work on the Trek series. He joined the writing team of Picard, and later was named showrunner. He had two Star Trek: Short Treks episodes co-written by Chabon, that one “Calypso”; the second written only by him was “Q&A”. 

Michael Chabon

(8) COMICS SECTION.

(9) JURASSIC BODEGA. amNewYork’s “Ask the MTA” feature explains “How the Whispering Gallery works, A line service and more”. The “and more” includes a dinosaur-themed bodega.

Q: What’s going on with the dinosaur pop-up at Grand Army Plaza? – Meghan K., Upper East Side  

A: Rex’s Dino Store is an art installation and the first (and only) bodega for dinosaurs in New York City. Featuring a hand-crafted 7-foot-tall paper mâché orange dinosaur named Rex, the scene is a life-size diorama of a bodega with prehistoric-themed products and publications with seemingly endless dinosaur puns, like the Maul Street Journal or ClawmondJoy bars.

Created by Brooklyn artists Akiva Leffert and Sarah Cassidy, the installation is a whimsical celebration of New York City bodegas and a childlike exploration of what it’s like to be a New Yorker. Rex’s Dino Store is part of the MTA’s Vacant Unit Activation Program, which aims to fill former retail units in the subway with creative non-traditional public projects and exhibits to make stations more vibrant and welcoming. Those interested in applying to use available spaces can submit proposals on the MTA website, MTA.info. — Mira Atherton, Senior Manager of Strategic Partnerships and Sustainability, MTA Construction and Development

(10) REH NEWS. The Robert E. Howard Days website thinks you may be surprised to hear “Howard Days Fans Have Arrived!” – after all, the convention’s still three weeks away. But wait…!

…Well, our feeble attempt attempt at humor notwithstanding, the Pavilion will be a cooler place for Howard Days 2025! Working in conjunction with Project Pride, the Robert E. Howard Foundation has seen to the installation of three giant ceiling fans in the roof of the Pavilion next to the Robert E. Howard Museum….

That will be a welcome improvement in Texas this summer.

(11) HOW WEIRD ARE THEY? Sci-Fi Odyssey introduces fans to “5 Weird Civilisations Sci-Fi Books You Need to Read”

Today we’re taking a tour through some of the weirdest civilisations in science fiction. Eden by Stanisław Lem; The Child Garden by Geoff Ryman; The Mote in God’s Eye by Larry Niven & Jerry Pournelle; The Gods Themselves by Isaac Asimov; Honourable Mentions: Embassytown by China Miéville; City by Clifford D. Simak; Engine Summer by John Crowley; A Deepness in the Sky by Vernor Vinge.

(12) IT’S LIFE JIM, BUT NOT AS WE KNOW IT! [Item by SF Concatenation’s Jonathan Cowie.] I have a vague recollection (which needs fact checking) that a brief (a very concise) aside in a David Brin ‘Uplift’ novel had intelligent species in our part of the Galaxy coming together to agree a treaty whereby all heavy element life forms would get to be able to colonise systems with planets amicable to their own kind, and all carbon-based life forms would get to be able to colonise systems with planets suitable to them…  All well and good, but could there really be life that that is unlike our water-based, carbon life?

So step up astrophysicist Dr Becky who has just posted a video on “The search for LIFE: but NOT as we know it…”  What solvent would it use? (We use water.) And if not carbon-based, on which elements might it be based?

We only know of one planet in the universe that hosts life: Earth. So when we search for other life out there in the Universe we look for what we know. We look for water, and ozone, and methane, and a whole bunch of carbon containing molecules because we know that those ingredients point to life here on Earth. But what if life out there in the Universe is NOT as we know it, and we’re missing the signs because it doesn’t have the same signatures of Earth-life?! This is a real possibility, and there are astrochemists and astrobiologists out there who are working through all the options of what we think life could be like. So let’s chat about the fundamental biochemistry of life and pick out a few things that could be different to Earth…

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Microtherion.]

Pixel Scroll 5/10/25 All Around The Scrollberry Bush, The Monkey Chased The Pixel

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(1) GUARDIAN BOOK REVIEWS. Past Best Fan Writer Hugo winner Abigail Nussbaum, and author of 2025 BSFA Award winner Track Changes penned the Guardian’s latest “The best science fiction, fantasy and horror – reviews roundup”. Nussbaum cover The Devils by Joe Abercrombie (Gollancz, £25), The Incandescent by Emily Tesh (Orbit, £20), Land of Hope by Cate Baum (Indigo Press, £12.99), and A Line You Have Traced by Roisin Dunnett (Magpie, £16.99).

(2) MEETING DEATH SCIENTIFICALLY. [Item by SF Concatenation’s Jonathan Cowie.] The BBC’s World Service  has a nifty weekly science programme Unexplained Elements.  This week’s programme was topical with this week’s news of the Pope popping off and the pomp and circumstance ceremony that garnered international attention. It was a topic in which the late Terry Pratchett would have been interested. 

It addressed questions such as when did humans first start burying their dead? The answer seems to be over 100,000 years ago, but this is for anatomically modern humans. Apparently some proto-human species (whose brain capacity was a third of modern humans) may have buried their dead, though the research (currently in peer review) is debatable.  Apparently, the pre-print has been amended to take criticisms into account and while one critic has been convinced, others remain sceptical.

Another topic was that of the biology of graveyards.  Because its ground remains largely untilled, and because of gravestones and the like, there are many micro-environments, and both these factors lead church graveyards have a higher local area biodiversity.

Then there is the issue of a dead person’s digital rights to their social media and online accounts. The European Union’s GDPR is the world’s most robust data protection regulation, though that does not seem to stop firms like Facebook or EventBrite failing to strictly follow it (just look as the small print when you sign up) or even Worldcons who arguably (it would be interesting to test this in court and I could write an essay on this) fail to strictly adhere to its provisions.  Nonetheless, despite GDPR being the world’s gold standard in data protection, the dead have no rights whatsoever under GDPR!

Talking of a dead person’s digital rights (or lack thereof), what of mobile (cell) phones and smartphones, what happens to them when they ‘die’?  Well, fans of Red Dwarf might say that they go to silicon heaven. The reality, however, is for most of them landfill!  Here there are multiple environmental sustainability issues.  All those heavy metals and rare earth elements leech out in landfill causing threats to water tables and other ecotoxicology issues.  And then there is the loss of these elements (which include silver and gold – many kilograms per tonne of mobile phones disposed) to the economy necessitating the mining of replacement elements and the environmental damage that this does.  So the next time a Worldcon tells you that they are ditching recyclable paper from sustainably managed forests (look for the kite mark when buying the paper for publications) don’t accept the Worldcon’s word for it: more greenwash!

It was a fascinating programme. You can access it here.

First up, we delve into the thorny issue of when early humans started to carry out funerary rituals, before turning our attention to graveyards and the life that thrives within these sacred environments.

Next, we are joined Carl Öhman from Uppsala University in Sweden, who reveals what happens to our data when we die and why we should care about it.

Plus, we discuss the precious materials hiding in our old devices, and find out whether animals mourn.

(3) DODGE THE SCAMS. Victoria Strauss points out “Two to Avoid: Book Order Scams and Fake Reviews”. Full details at Writer Beware.

Here are two newish frauds that appear to be on the rise. As with most writing scams these days, they target self-published authors.

The Book Order Scam

I’ve written before about book order scams, in the context of scammers impersonating bookstores such as Barnes & Noble with out-of-the-blue emails promising bulk purchases and big royalties. All the author has to do is pony up thousands of dollars or pounds to cover printing and/or shipping costs (the relevant note here: bookstores do not print the books they sell, and they typically order from the publisher or publishing platform, rather than from the author).

This newer version of the book order scam is somewhat different, arriving not from a bookstore impersonator, but from the self-publishing service provider the writer has hired to publish and/or market their book. That provider isn’t a true self-publishing company, though, but rather one of the many ghostwriting scams that waylay would-be indie authors in order to defraud them….

Fake Reviews

Fake reviews–sometimes just a few lines, sometimes elaborate essays with stars and number rankings–arrive unasked-for, attached to a complimentary email claiming that a book has been “discovered” by book scouts or book evaluators. Or they’re included as part of a pitch for a package of publishing and marketing services, to show how much the service provider believes in the author’s book.

Undoubtedly produced by feeding book blurbs and other info into chatbots, they are essentially bait: affirmation and flattery designed to induce the author to reply, so they can be subjected to aggressive sales pitches for whatever the “reviewer” is selling.

Here are a couple of examples, both sent out by scammers on this list. They’re not just book reviews–they’re PROFESSIONAL book reviews! So much better than just the regular kind….

(4) CHERRYH ANNOUNCEMENT. CJ Cherryh told Facebook followers yesterday she and Jane Fancher won’t be at the Seattle Worldcon – but it’s not the result of any controversy.

Jane and I will not be attending WorldCon despite it being in our state (which some people might want to know)—no controversy, just the expense and the physical buffeting of crowds. While Jane’s got more go-juice than I do, the crowd pressure and distances involved would be pretty exhausting, leaving us sadly low-energy. We’ll still go to friendly ‘little’ cons in driving range, note well, if we know about them!!! and be our brilliant selves, but we’re not up to a full-on WorldCon.

(5) ABOUT THE FEMALE MAN. Farah Mendlesohn’s book Considering The Female Man by Joanna Russ, or, As the Bear Swore is available for preorder from Luna Press Publishing. It will be released in Summer 2026.

Joanna Russ’s writing career was relatively short, running from 1968 to 1987, with a number of essay collections published in the years after that. Her fiction career consists of just six novels and four collections, but each of the novels she published challenged engrained conventions of the genre.

The Female Man was received with shock, horror and vituperation when it was published in 1975. Its fractured narrative, and its direct attack on patriarchy and the straight-jacket of performative femininity, were described as shrill and man-hating. Over the years it emerged as a classic of feminist science fiction, a novel that continues to excite and resonate, and a touchstone for proudly militant feminists.

This exploration of The Female Man offers a close reading of the text, focussing on how the book works, its structures, arguments, humour, and brilliant anger

(6) COMPENSATING FACTORS. “My School Visit was Cancelled. I Fought Back and Won” writers Erica S. Perl in School Library Journal.

As a children’s book author, I love a good mystery. Which is why, last month, after a Virginia elementary school principal abruptly cancelled my visit by email, with no explanation or interest in rescheduling or paying me, I decided to investigate.

It didn’t take Sherlock Holmes to figure out what had happened: a parent had complained because of a social media video I had made celebrating Pride month. In it, I mention that Snail, a character in my Whale, Quail, Snail early reader series (illustrated by Sam Ailey), is nonbinary. Most snails are. “It’s a fiction series,” I add, “but that’s a fact.”…

… I wish I could tell you that my story ended amicably with the return of my visit to the school’s calendar. That’s not what happened.

Instead, after I asked for my fee, the principal turned the matter over to the district’s lawyers. The principal then informed the school librarian, who booked my visit, that she might have to pay me out of her own pocket. I told her I would not take her money, no matter what happened. I was extra-outraged that the principal was threatening to make her pay for the “crime” of setting up an author visit.

But my story doesn’t end there. I’m not just a children’s book author. I’m also a former trial lawyer. So instead of walking away muttering about injustice, I spent some quality time with my contract.

That’s right, my author contract. Whenever I am invited to visit a school, my booking agent draws up a contract—and this visit was no exception. According to one clause, if an appearance is cancelled with less than 30 days notice, the school is required to pay my entire fee plus any non-refundable travel expenses. The principal had cancelled on me 28 days before my visit.

And finally, my contract specifies that the contract is governed by the law of the state where I live, not the law of the state where the school is located. So if I wanted to sue for breach of contract, I could simply file papers in my local courthouse (no legal expertise or degree required!).

So, I did. Which is how I got to a different kind of happy ending: the school paid me my fee.

It’s not the win I wanted, because that would have had me standing in front of a gymnasium full of elementary school students. But it is a victory, as I see it, for all authors, especially in this current climate….

(7) KILLER ROBOTS NO LONGER SCIENCE FICTION. [Item by Francis Hamit.] “Unmanned Systems Are Not Revolutionary (But Could Be)” says a post on War Room, hosted by the U.S. Army War College.

Rather than revolutionizing warfare, unmanned systems have emerged as evolutions within the larger information revolution; advancements to be sure, but failing to render conventional militaries obsolete or dramatically reshaping force structures….

(8) PLONK YOUR MAGIC TWANGER. The one answer Smithsonian Magazine knows for sure is the price: “Who Created This Peculiar Painting of a Drooling Dragon? Nobody Knows—but a Museum Just Bought It for $20 Million”. Steven French adds, “Actually the ‘drooling dragon’ looks more like our Patterdale Terrier after he’s spotted the postman!”

Emma Capron, a curator at the museum who was responsible for the acquisition, describes the altarpiece as “wildly inventive” and “full of iconographical oddities,” per the Art Newspaper.

Start with the dragon and its bizarre dog-like face, exaggerated fangs and dripping drool. According to tradition, Satan, disguised as a dragon, swallowed St. Margaret whole. His stomach rejected her and there she appears in the painting, kneeling in prayer, totally unfazed by the event.Next to Margaret, one of the two angels holds a book of song, once thought to be a hymn by the English composer Walter Frye but now identified as musical gibberish. The other angel plucks her mouth harp, “a sound hardly associated with celestial harmony,” as the National Gallery says in the statement….

(9) PEACEMAKER IS BACK. “Peacemaker Season 2 Trailer: John Cena’s DC Superhero Returns” – Variety sets the frame.

… John Cena‘s very R-rated DC superhero has returned in the first trailer for “Peacemaker” Season 2, created by DC Studios co-chief James Gunn. The sophomore season takes place in the rebooted DC Universe, which officially kicked off with Gunn’s animated series “Creature Commando” and continues with his summer tentpole “Superman.” Nathan Fillion’s Guy Gardner and Isabela Merced’s Hawkgirl cameo in the trailer and will appear in “Superman.”…

(10) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

May 10, 1969 — John Scalzi, 56.

By Paul Weimer: I’d read John Scalzi’s blog for years before his fiction. 

I got onto the Scalzi train with his entry in Metatropolis. His story involving a high tech pig farmer had all of the bones of a Scalzi story, from its “I think I know everything” protagonist, to its often snarky sense of humor. While I didn’t fall deeply in love with his work, then or since, I kept reading his work. Redshirts, of course, which still may be my favorite of his novels and stories, helped expand in my mind the metafictional opportunities in science fiction. Lock In is a solid piece of science fictional speculation on how a society might come together and respond to the consequences of a pandemic.  Given that it was written long before Covid…I wonder if Scalzi or, aged fifty six yearswould have reconsidered the novel after the worldwide reaction to the aftermath of the Covid Pandemic. 

Of course the Old Man’s War series is the one that he gets grief for, because it should appeal to the Sad and Rabid Puppies…but it is, in the parlance of today, “too woke”. It’s possible that the existence of such books helped motivate Torgersen and Beale, an irritant to their ideology and worldview (and a counterexample to the idea that Mil-SF must be conservative). Again, I do wonder how Scalzi would write it today, given all that has happened. 

So this is a long way of saying that although it is on my Kindle, I have not yet read When The Moon Hits Your Eye, which seems to have as triggering an idea (the moon turns into cheese. Seriously?) as one can possibly make in the field. But it shows that in the end, Scalzi likes to have fun when writing. He never takes it too seriously, even if he keeps it as rigorous and locked down as the story needs. He’s just telling stories and doing his thing and having the time of his life, and haters can go hang. 

The first time I actually met him in person, he didn’t remember it. He was extremely jet lagged, sitting in a hotel lobby and apparently remembered little from the entire weekend. Due to circumstance (although Scalzi is an excellent DJ, I am told, I am not a dance party goer), I only finally, finally actually got to talk to him at the Glasgow Worldcon. Being part of the photography team did  let me meet and photograph everyone who would hold still.   But did he know who I was? I’m still convinced that he didn’t, and that’s all right. 

John Scalzi’s fiction, too…that’s all right. 

(11) COMICS SECTION.

(12) AMAZING STORIES COLLECTION. Amazing Stories: Best of 2024,a collection of  science fiction short stories published by the magazine over the past year, is now available.

Edited by Lloyd Penney, this collection continues Amazing’s nearly century-long tradition of exploring the strange, the speculative, and the sublime.

From lunar labor revolutions to delicate alien diplomacy, these stories represent the vanguard of speculative fiction. Readers will encounter futures both dystopian and dazzling, technologies that reshape identity and time, and characters grappling with the emotional and ethical consequences of scientific progress. Highlights include:

  • “A Short-Lived History of the Stockpiling of Time, in Post-Mono-Heliocentric Space-Times” by K.V.K. Kvas, a mind-bending tale of interstellar economics, identity, and revolt.
  • “Return from Venus” by C.B. Droege, a quiet and touching story about cross-species friendship and the longing for home.
  • “Best Case Scenario” by Susan Oke, a suspenseful diplomatic mission where what you offer—and what you misunderstand—could mean the difference between peace and peril.

With cover art by Hugo Award-winning artist Bob Eggleton and a lineup of diverse voices offering everything from hard science speculation to lyrical philosophical fiction, Amazing Stories: Best of 2024 is a must-have for any SF fan’s collection.

 “Amazing Stories has always been a home for bold, boundary-pushing science fiction,” says Editor-in-Chief Lloyd Penney. “This year’s stories continue that proud legacy—with some of the most challenging, beautiful, and entertaining tales we’ve ever published.”

It is available online at amazingstories.com and in paperback and eBook editions at indie and major retailers worldwide or at this link.

(13) MONSTROUSLY COOL. That’s what your drinks become with an assist from the “Godzilla Ice Mold”.

(14) DAISY RIDLEY’S ZOMBIE ENCOUNTER. JustWatch quotes Daisy Ridley in its Why to Watch feature about her role in the zombie thriller “We Bury the Dead streaming: where to watch online?”

We Bury the Dead is a gripping, emotional thriller set in a world transformed by the undead. In a unique take on the zombie genre, the film follows Ava—a woman tormented by loss—who volunteers with a corpse retrieval unit to search for her missing husband. Set against a surreal yet intimate apocalypse, the story explores love, grief, and the fragile boundaries of what makes us human.

Daisy Ridley says:

The script is beautiful. It’s about grief and watching someone desperately trying to find an answer, even though she doesn’t know what that answer is going to be. The backdrop of the zombies represents this moment for [my character] Ava because she’s neither here nor there emotionally. Ava’s sole purpose is to find her husband. As a means to get to him, she joins the body retrieval unit which volunteers to find people and notify families. The zombies look like our friends and family, so it’s close enough to reality but in a way that doesn’t feel too close. It feels horribly human.

(15) HONEY, I’M HOME! “Soviet-era spacecraft Kosmos 482 plunges to Earth after 53 years stuck in orbit” reports AP News.

A Soviet-era spacecraft plunged to Earth on Saturday, more than a half-century after its failed launch to Venus.

Its uncontrolled entry was confirmed by both the Russian Space Agency and European Union Space Surveillance and Tracking. The Russians indicated it came down over the Indian Ocean, but some experts were not so sure of the precise location. The European Space Agency’s space debris office also tracked the spacecraft’s doom after it failed to appear over a German radar station.

It was not immediately known how much, if any, of the half-ton spacecraft survived the fiery descent from orbit. Experts said ahead of time that some if not all of it might come crashing down, given it was built to withstand a landing on Venus, the solar system’s hottest planet.

The chances of anyone getting clobbered by spacecraft debris were exceedingly low, scientists said….

…Any surviving wreckage will belong to Russia under a United Nations treaty….

…After so much anticipation, some observers were disappointed by the lingering uncertainty over the exact whereabouts of the spacecraft’s grave….

A Russian press release says it fell in the Indian Ocean west of Jakarta.

(16) YOUR ALIEN NATION. The BBC explains, “More than half your body is not human”.

More than half of your body is not human, say scientists.

Human cells make up only 43% of the body’s total cell count. The rest are microscopic colonists.

Understanding this hidden half of ourselves – our microbiome – is rapidly transforming understanding of diseases from allergy to Parkinson’s.

The field is even asking questions of what it means to be “human” and is leading to new innovative treatments as a result.

“They are essential to your health,” says Prof Ruth Ley, the director of the department of microbiome science at the Max Planck Institute, “your body isn’t just you”….

… But genetically we’re even more outgunned.

The human genome – the full set of genetic instructions for a human being – is made up of 20,000 instructions called genes.

But add all the genes in our microbiome together and the figure comes out between two and 20 million microbial genes.

Prof Sarkis Mazmanian, a microbiologist from Caltech, argues: “We don’t have just one genome, the genes of our microbiome present essentially a second genome which augment the activity of our own…

(17) SCIENCE PAPERS WITH UNDISCLOSED AI USE. [Item by SF Concatenation’s Jonathan Cowie.] Artificial Intelligence (A.I.) is controversial to some, in no small part due to large language models (LLMs) and other A.I. (such as image-generating A.I.) using people’s intellectual property (their written or art works) for A.I. and LLM training without permission or recompense.  This is exemplified by the recent debate over the Seattle’s Worldcon use of A.I. (for example, see (1) in the Scroll here).

Similarly, the use of A.I. has controversies in science.  Indeed, a number of leading science journals, such as Nature, frown on the use of A.I. and/or at least ask science authors to declare any use of A.I. in their submissions. The latest news here comes from a news item in this week’s Nature that hundreds of papers have used A.I without disclosure!

Generative A.I. tools such as ChatGPT have quickly transformed academic publishing. Scientists are increasingly using them to prepare and review manuscripts, and publishers have scrambled to create guidelines for their ethical us. Although policies vary, many publishers require authors to disclose their use of A.I….

But science sleuths have identified hundreds of cases in which A.I. tools seem to have been used without disclosure…

…Publishers need to act quickly to resolve issues of dishonest A.I. use.

[Thanks to Teddy Harvia, Mike Kennedy, Andrew Porter, Rich Lynch, Paul Weimer, Francis Hamit, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Xtifr.]

Pixel Scroll 4/12/25 Hey, Scroll. Take A Walk On The Filed Side

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(1) THE FATE OF U.S. WORLDCONS WEIGHED. Two editorials came out today addressing how Worldcons should react to the increased risks of international travel to the U.S.

The Unofficial Hugo Book Club Blog’s post “Worldcon In An Age Of American Truculence” concludes:

…Because of the voter base, institutional knowledge, and enormous fan base, US Worldcons will and should always occur. But perhaps there should be an increased willingness among fandom to support overseas conventions in locations that present logistical hurdles for North American travellers. If we may be so bold, perhaps we as fans should encourage the practice of having a Worldcon outside of North America every second year.

In an age of US truculence, Worldcon needs to embrace friends and allies around the globe without turning its back on the generations of fans and volunteers who have built it as an institution.

Gary Westfahl’s “Op-Ed: ‘No More Worldcons in the United States?’” at File 770 starts with a more draconian conclusion:

The time has come to cancel or move the 2025 Seattle Worldcon.

And to cancel or move the 2026 Los Angeles Worldcon.

It has to be done, in order to honor a century-old tradition of science fiction….

(2) FRANK R. PAUL AWARDS. Frank Wu has announced that the 2025 Frank R. Paul Awards will be presented at Philcon (November 21-23). Due to the lateness of the convention in the calendar, he is extending the deadline for submissions for the Frank R. Paul Awards for another month, to May 15. All artists, publishers and editors are enthusiastically encouraged to submit their 2024 work to the main awards administrator, Frank Wu, at FWu@Frankwu.com Details are available here: “Frank R. Paul Awards”.

Frank R. Paul Award trophy. Photo by Rich Lynch.

(3) BALTICON SUNDAY SHORT SCIENCE FICTION FILM FESTIVAL 2025. [Item by lance oszko.] The Balticon Sunday Short Science Fiction Film Festival 2025 has curated 19 short films representing 8 countries. Featured are Short Stories adapted into Short Films.

Sunday 25 May 2025 7 p.m. to 11:30 p.m.

George RR Martin produced another Howard Waldrop film Mary Margaret Road Grader“. Estimated budget $2.2 Million. Director Steven Paul Judd is known for Dark Winds and Marvel’s Echo. It has a score by Game of Thrones composer Ramin Djawadi.

Italian Director Luca Caserta brings us The Reach. One of the last authorized Dollar Baby Stephen King Films.
With a song by Bruce Springsteen.

Director George Vatistas adapted The Hobbyist by Frederic Brown.

Actor Stacy Thunes (Nosferatu – Head Nurse) currently at Universal Studios, Japan stars in The Hairdo.

An Old Friend. Director Nuk Suwanchote. An imaginary friend (Jason Faunt) finds out his sole purpose is to bring happiness to his child, only to discover his child is a 90 year old man (Tom Skerritt) on his deathbed.

First time Local filmmakers were also selected in Twilight Zone and Animation motifs.

Horror and Fantasy round out our offerings.

(4) “I’M NOT A ROBOT” [Item by lance oszko.] The Balticon Sunday Short Science Fiction Film Festival could not arrange a screening, but still worthy of your attention. “Watch The Surreal Identity Crisis of ‘I’m Not a Robot’” in The New Yorker.

(5) SFF BOOKS OUT OF NAVAL ACADEMY LIBRARY. Allen Steele pointed out that the list of 381 books pulled from the U.S. Naval Academy library (reported at the top of yesterday’s Scroll) includes several works of sff (even though the vast majority are nonfiction about gender issues or racism). Steele asks, “Wonder what Robert Heinlein would have to say about the actions of his Alma mater?”

The three sff works I found on the list are:

  • Light From Uncommon Stars / RykaAoki.
  • Sorrowland / Rivers Solomon
  • A Psalm For The Wild-Built / Becky Chambers.

(6) AUSTEN IN INNSMOUTH. Deep Cuts in a Lovecraftian Vein finds much to enjoy in “’Innsmouth Park’ (2025) by Jane Routley”.

Jane Austen’s role in weird fiction is underappreciated, largely because she herself didn’t really write any (although Northanger Abbey is a biting satire of the Gothic novel, and a must-read for Gothic fans which even Lovecraft acknowledged, which has to at least classify Austen as weird fiction’s strange aunt.) Yet the world she described, the characters and milieu she envisioned, have been enduring and influential far beyond the genre she initially worked in. Generations of writers have called back to Austen, and mashups like Sense and Sensibility and Sea Monsters (2009) by Austen & Ben H. Winters, Regency Cthulhu (2023) by Andrew Peregrine & Lynne Hardy, and Secrets & Sacrifices: A Regency Cthulhu Novel (2024) by Cath Lauria all point to a similar rainy-day afternoon brainstorm:

Why not mix Austen and Lovecraft?…

(7) PEN AMERICA LITERARY AWARDS FINALISTS.  There are almost no nominees of genre interest among the 2025 PEN America Literary Awards Finalists. The one exception is in this category, a work of horror fiction.

PEN Translation Prize ($3,000)

For a book-length translation of prose from any language into English.

The Empusium, Olga Tokarczuk. Translated from Polish by Antonia Lloyd-Jones (Riverhead Books)

(8) BBC COVERAGE OF BELFAST EASTERCON. Eastercon got a 15-minute slot on BBC Northern Ireland with Jo Zebedee and Ian McDonald doing an interview and chatting about it. “Saturday with John Toal – Puppets, Worms and Sci-fi”. Interview starts at 45m20s.

…As Belfast prepares to host a special Sci Fi convention Eastercon, for the first time in its 76 year history, John hears from two successful science fiction writers Ian McDonald and Jo Zebedee….

(9) STUNT OSCAR APPROVED. “Oscars Add Best Stunt Design Category Starting in 2027” – Variety has the story.

…“Since the early days of cinema, stunt design has been an integral part of filmmaking,” said Academy CEO Bill Kramer and Academy president Janet Yang. “We are proud to honor the innovative work of these technical and creative artists, and we congratulate them for their commitment and dedication in reaching this momentous occasion.”

In a statement, Leitch said, “Stunts are essential to every genre of film and rooted deep in our industry’s history—from the groundbreaking work of early pioneers like Buster Keaton, Harold Lloyd, and Charlie Chaplin, to the inspiring artistry of today’s stunt designers, coordinators, performers, and choreographers.” He went on to say, “This has been a long journey for so many of us. Chris O’Hara and I have spent years working to bring this moment to life, standing on the shoulders of the stunt professionals who’ve fought tirelessly for recognition over the decades. We are incredibly grateful. Thank you, Academy.”

…Category rules for eligibility and voting for the inaugural award will be announced in 2027 with the complete 100th Academy Awards Rules….

(10) BLACK MIRROR. “Black Mirror Season 7’s Tech Tales Come With a Knife-Twist of Emotion” — Gizmodo gets down to cases.

A new season of Black Mirror has arrived, and with it the usual cautionary tales (and screaming warnings) about technology’s darkest capabilities—wrapped in a deceptively alluring blanket of “Jeez, that would actually be really cool if it were real!” Across six episodes, season seven boasts some of the show’s all-time greatest performances, as well as its first sequel episode, which proves well worth the eight-year wait….

(11) MIDDLE-EARTH WAYFINDER. Wisconsin Public Radio profiles Karen Wynn Fonstad, “The Wisconsin cartographer who mapped Tolkien’s fantasy world”.

If you’ve ever wanted to explore the world of “The Hobbit” and “The Lord of the Rings,” the best place to start might be Oshkosh.

That’s where a Wisconsin cartographer created dozens of maps that went into “The Atlas of Middle-earth,” the official geographic guide to the world of author J.R.R. Tolkien. Her work went on to influence “The Lord of the Rings” movie trilogy.

Like many readers, Karen Wynn Fonstad fell in love with the fantasy series and went through multiple readings. Unlike most readers, she was trained as a cartographer, and came up with an ambitious plan to use the texts to create realistic maps from Tolkien’s texts.

Fonstad passed away 20 years ago. Now, her husband and her son — both geographers themselves — have embarked on a new quest: to digitize her original maps and find an archive to house them…

… “It’s a little bit of an overwhelming process because, first of all, there’s hundreds of maps. Secondly, the maps are built in such a way that they have many layers to them,” Mark said. “I barely scratched the surface this week.”

As we walk into the map library, we are surrounded by Middle-earth. Mordor, the Shire and all points in between are represented. And not just Middle-earth. Karen created works for other fantasy worlds — some never published.

How do you scan a collection of maps of varying sizes, some of them in delicate condition?

You need a big scanner, caution and some patience….

… In 1977, she called the American publisher of Tolkien’s work, Houghton Mifflin, to pitch the idea of an atlas. As Todd recalled, the person in charge of handling Tolkien’s work fell in love with the idea, and the Tolkien estate gave it the thumbs-up.

Then the work really began….

(12) MEMORY LANE.

[Written by Paul Weimer.]

Mad Max film (1979)

By Paul Weimer: The quintessential post-apocalyptic movie, the one with the real breakthrough. Sure, A Boy and His Dog and Damnation Alley and others preceded it, but this was the movie, series of movies that made a star of Mel Gibson, and the scenes of the Australian desert became the cinematic language and landscape of what a post apocalyptic world should look like in three movies that it took dozens for, say, the American Western.

That’s the power of Mad Max, that’s the power of George Miller’s cinematography. One could approach these movies from all sorts of angles, from worldbuilding to characterization, to point of view. As an example-the second movie, Mad Max 2 (The Road Warrior) is not told from the point of view and perspective that you’d expect. It’s a recreation, a retelling, and that brings in all sorts of interesting questions about narrative and conventions and storytelling. 

Or one could explore Max as a character, from his end of the world cop, all through the damaged survivor in the latest Mad Max movie, where he literally is used as a resource. 

Or one could explore environmental themes, social themes, and the psychology of the survivors of the landscape, from the small to the mighty.

But I want to talk a bit about cinematography, as a person interested in image, you are not surprised. One thing that told me and showed me that Miller “Still had it” in Fury Road was the scene with the dust storm and the vehicles approaching it. You know the scene if you watched it. It was solid proof for me that Miller’s fantastic cinematography, to be able to bring the wildness of the Australian wasteland to life in the previous films, was still there. It recalled for me of many of the other iconic places and imagery used in the series, from Thunderdome back through the mean streets of Melbourne in Mad Max. The lack of dialogue in much of the films means that Miller’s storytelling in the films is necessarily what the movies are carried on. And it is indeed carried so effectively. You remember the visuals, the costumes, the sets, and of course the vehicles. How many gearheads were born from watching these movies?

One last fun note on Mad Max. The first bit of Mad Max I saw was not until the mid 80’s. I accidentally caught the last few minutes on a videotape recording of Mad Max 2 while trying to (don’t judge) see D.C. Follies. I wondered what the heck I had watched and looked it up in the TV guide…and then I recorded and watched The Road Warrior and was captivated.  Later, I found the original Mad Max…and then, of course Thunderdome.

Mad Max. A cinematic icon, four movies (5 if you count Furious) and counting.

(13) COMICS SECTION.

(14) TWO HEARTS AND TWO EARS. “Graham Norton to star in Eurovision-themed Doctor Who episode” reports BBC.

Graham Norton is to star in a new episode of Doctor Who, taking his Eurovision commentary duties to an Interstellar Song Contest.

Norton, the BBC’s voice of Eurovision, will meet Ncuti Gatwa’s Time Lord at the 803rd annual Interstellar Song Contest, where different planets compete to be crowned winner.

“And it’s not just a cameo,” showrunner Russell T Davies said. “He has a whole plot twist all to himself!”

The episode will also feature fellow Eurovision fanatic and broadcaster Rylan Clark as the event’s co-host, and will be broadcast on BBC One just before this year’s real-life grand final on 17 May….

(15) THOUGHT EXPERIMENT. “How might AI chatbots replace mental health therapists?” asks The Week.

There is a striking shortage of mental health care providers in the United States. New research suggests that AI chatbots can fill in the gaps — and be remarkably effective while doing so.

Artificial intelligence can deliver mental health therapy “with as much efficacy as — or more than — human clinicians,” said NPR. New research published in the New England Journal of Medicine looked at the results delivered by a bot designed at Dartmouth College.

What did the commentators say?

There was initially a lot of “trial and error” in training AI to work with humans suffering from depression and anxiety, said Nick Jacobson, one of the researchers, but the bot ultimately delivered outcomes similar to the “best evidence-based trials of psychotherapy.” Patients developed a “strong relationship with an ability to trust” the digital therapist, he said.

Other experts see “reliance on bot-based therapy as a poor substitute for the real thing,” said Axios. Therapy is about “forming a relationship with another human being who understands the complexity of life,” said sociologist Sherry Turkle. But another expert, Skidmore College’s Lucas LaFreniere, said it depends on whether patients are willing to suspend their disbelief. “If the client is perceiving empathy,” he said, “they benefit from the empathy.”….

(16) UPON FURTHER CONSIDERATION. “MIT study finds that AI doesn’t, in fact, have values” says TechCrunch.

A study went viral several months ago for implying that, as AI becomes increasingly sophisticated, it develops “value systems” — systems that lead it to, for example, prioritize its own well-being over humans. A more recent paper out of MIT pours cold water on that hyperbolic notion, drawing the conclusion that AI doesn’t, in fact, hold any coherent values to speak of.

The co-authors of the MIT study say their work suggests that “aligning” AI systems — that is, ensuring models behave in desirable, dependable ways — could be more challenging than is often assumed. AI as we know it today hallucinates and imitates, the co-authors stress, making it in many aspects unpredictable.

“One thing that we can be certain about is that models don’t obey [lots of] stability, extrapolability, and steerability assumptions,” Stephen Casper, a doctoral student at MIT and a co-author of the study, told TechCrunch. “It’s perfectly legitimate to point out that a model under certain conditions expresses preferences consistent with a certain set of principles. The problems mostly arise when we try to make claims about the models, opinions, or preferences in general based on narrow experiments.”

Casper and his fellow co-authors probed several recent models from Meta, Google, Mistral, OpenAI, and Anthropic to see to what degree the models exhibited strong “views” and values (e.g., individualist versus collectivist). They also investigated whether these views could be “steered” — that is, modified — and how stubbornly the models stuck to these opinions across a range of scenarios.

According to the co-authors, none of the models was consistent in its preferences. Depending on how prompts were worded and framed, they adopted wildly different viewpoints.

Casper thinks this is compelling evidence that models are highly “inconsistent and unstable” and perhaps even fundamentally incapable of internalizing human-like preferences….

(17) BIRD WORRIES. “Conservationists raise alarm over Air Force plan to land SpaceX Starships on bird sanctuary atoll” reports Space.com.

The U.S. military is considering Johnston Atoll, a remote Pacific island chain that serves as an important refuge for dozens of seabird species, for “two commercial rocket landing pads” to test giant cargo rocket landings for the Department of the Air Force’s (DAF) Rocket Cargo Vanguard program, and it’s getting push-back from environmentalists.

The Rocket Cargo Vanguard program aims to develop the technologies required to rapidly deliver up to 100 tons of cargo anywhere on Earth using commercial rockets. Though not explicitly named, Elon Musk’s SpaceX is currently the only company —commercial or otherwise — capable of manufacturing rockets designed for landing and reuse, and its Starship megarocket is DAF’s leading contender. The Air Force outlined its plans in a Federal Registry notice last month. Objections from the American Bird Conservancy (ABC), however, may hinder plans for the new landing pads on the South Pacific atoll.Johnston Atoll lies about 825 miles (1,325 kilometers) southwest of Hawaii, and is home to several different species of seabirds, including the largest known colony of Red-tailed Tropicbirds. It was designated a refuge for native bird populations in 1926, but suffered environmental degradation through 2004, due to its use by the U.S. military as a nuclear weapons testing and chemical weapons disposal site. Since the military’s departure from the islands, restoration efforts have helped raise Johnston Atoll’s bird population back to nearly 1.5 million.

(18) ARE YOU GOING TO BELIEVE YOUR LYING EYES? “Purple Isn’t Real, Science Says. Your Brain Is Just Making It Up” reports Popular Mechanics. If there is no purple, does that mean there can be no purple people eaters?

You might be today years old when you realize there is no purple in the rainbow. There is no P in ROYGBIV.

But wait, what about violet? Well, despite what you may have come to believe, violet is not purple. In fact, violet (along with the rest of the colors in a naturally occurring rainbow) has something purple doesn’t—its own wavelength of light. Anyone who ever ended up with a sunburn knows violet wavelengths are real, as the Sun’s ultraviolet (UV) radiation is the reason you need to wear sunscreen, even though you can’t see those wavelengths (more on that later). Red, orange, yellow, green, blue, and indigo are all just as real.

But purple? Well, purple is just your brain’s way of resolving confusion.

That’s right. Red and blue (or violet) wavelengths are two opposite extremes on the spectrum. When you see both of these wavelengths in the same place, you eyes and brain don’t know what to do with them, so they compensate, and the clashing wavelengths register as the color we call purple. It doesn’t actually exist….

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Steven H Silver, lance oszko, Frank Wu, James Bacon, Allen Steele, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Dan’l.]

Pixel Scroll 4/11/25 Within This Scroll Of Pixels And Sin/Your Tribbles Grow Bald But Not Your Kzin

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(1) SINKING THE NAVAL ACADEMY LIBRARY. The New York Times reveals “Who’s In and Who’s Out at the Naval Academy’s Library?” (Behind a paywall). “An order by Defense Secretary Pete Hegseth’s office resulted in a purge of books critical of racism but preserved volumes defending white power.”

 Gone is “I Know Why the Caged Bird Sings,” Maya Angelou’s transformative best-selling 1970 memoir chronicling her struggles with racism and trauma.

Two copies of “Mein Kampf” by Adolf Hitler are still on the shelves.

Gone is “Memorializing the Holocaust,” Janet Jacobs’s 2010 examination of how female victims of the Holocaust have been portrayed and remembered.

“The Camp of the Saints” by Jean Raspail is still on the shelves. The 1973 novel, which envisions a takeover of the Western world by immigrants from developing countries, has been embraced by white supremacists and promoted by Stephen Miller, a senior White House adviser.

“The Bell Curve,” which argues that Black men and women are genetically less intelligent than white people, is still there. But a critique of the book was pulled.

The Trump administration’s decision to order the banning of certain books from the U.S. Naval Academy’s library is a case study in ideological censorship, alumni and academics say.

Political appointees in the Department of the Navy’s leadership decided which books to remove. A look at the list showed that antiracists were targeted, laying bare the contradictions in the assault on so-called diversity, equity and inclusion policies….

(2) EATING THE FANTASTIC. Scott Edelman invites listeners to wolf down lamb with Carolyn Ives Gilman in Episode 251 of the Eating the Fantastic podcast.

Carolyn Ives Gilman

Carolyn Ives Gilman was one of my earliest guests of the podcast, appearing all the way back on Episode 5. Nine years and two days later, the night she was taking part in the latest Charm City Spec, we decided it was time to chat and chew for you again.

Gilman’s books include her first novel Halfway Human, which has been called “one of the most compelling explorations of gender and power in recent SF;” Dark Orbit, a space exploration adventure; and Isles of the Forsaken and Ison of the Isles, a two-book fantasy about culture clash and revolution. Some of her short fiction can be found in Aliens of the Heart and Candle in a Bottle, both from Aqueduct Press, and in Arkfall and The Ice Owl, from Arc Manor.

Her short fiction has also appeared in Analog, Tor.com, Lightspeed, Clarkesworld, Fantasy and Science Fiction, The Year’s Best Science Fiction, Interzone, Universe, Full Spectrum, Realms of Fantasy, and others.  She has been nominated for the Nebula Award three times and for the Hugo twice. Gilman lives in Washington, D.C., and works as a freelance writer and museum consultant.  She is also author of seven nonfiction books about North American frontier and Native history.

We discussed the way her ideas aren’t small enough to squeeze into short stories, how she shelved a novel she’d written because she felt her imagination at its wildest wasn’t ridiculous enough to match reality, whether our personal archives will be trashed or treasured, the reason she doesn’t feel she can teach writing, why authors need to respect what the story wants, why she’s terrible at reacting to writing prompts and how she does it anyway, how she generally starts a story not with character or plot but with setting, the ethics and morality of zoos and museums, how she manages to makes the impossible seem possible, our shared inability to predict which stories editors will want, and much more.

(3) TUTTLE BOOK REVIEWS. Lisa Tuttle’s “The best science fiction, fantasy and horror – reviews roundup” for the Guardian covers Sleeper Beach by Nick Harkaway; Some Body Like Me by Lucy Lapinska; City of All Seasons by Oliver K Langmead & Aliya Whiteley; Rose/House by Arkady Martine; and The Cat Bride by Charlotte Tierney.

(4) THE NEBUGO AWARD. When it comes to the Hugo’s novella category, Eddie believes in “Casting the net a little wider” at Borrowed and Blue. Or at least as widely as the titles on Eddie’s own list of faves of 2024. (And if nothing else, you might find something that belongs on your own TBR pile.)

…I shall now proceed to suggest that the collective wisdom of the Hugo jury this year was, in one meaningful way, somewhat questionable. The novella category for this year consists entirely of nominees from a single publisher, with all but one from a single imprint. That seems to me to be a rather myopic view of the field; I think we can look much more widely than that.

Without further ado, the Nebugo Awards Novella & Novel shortlists (commentary for the books that were on my favourite of the year list for 2024 is cribbed from there; comment for those which weren’t is new)….

(5) SLAN. [Item by SF Concatenation’s Jonathan Cowie.] When the eldest (a 90-year-old) member of our local SF group came to last month’s meeting with a suitcase of books, there were some interesting titles. I grabbed four including Slan by van Vogt.  When I got home, I found I already had a copy on my unread bookshelf that had embarrassingly been there unread for nigh on four decades (I’m getting on a bit myself)…  Anyway, waste not want not, I dived in and then after generated a review for SF² Concatenation which has been posted ahead of its next season edition due to go up next week.

Van Vogt’s Slan is his first novel and something of a minor SF classic. Minor, because it has not really stood the test of time despite winning the Retro-Hugo for 1941 in 2016 at the MidAmeriCon II Worldcon in Kansas City. ‘The Retro for 1941’ I hear you cry?  Well, yes, because the novel was originally serialized in the Astounding Science Fiction over their September–December editions in 1940. But is it any good?  Well, truth be told, opinion is divided.  First, the story…

The review is here.

(6) SOUNDS LIKE A GREAT JOB. [Item by Steven French.] The Doctor’s new companion is interviewed in advance of the new season kicking off tomorrow: “’I can’t believe I’m paid to watch Ncuti Gatwa!’: Doctor Who’s boundary-pushing new companion, Varada Sethu” in the Guardian.

Most teenagers rebel against their parents in small ways: sneaking out, stealing a nip of Cointreau, arriving home past curfew. Not Varada Sethu, the Newcastle-raised actor who’s about to grace screens as new companion Belinda Chandra in the forthcoming season of Doctor Who. Her rebellion took on a go-big-or-go-home attitude befitting a future screen star: when she was 18 she entered, and subsequently won, the Miss Newcastle beauty pageant. “Oh my God, I thought that was gonna be buried somewhere!” she exclaims when I bring it up. The whole thing was “kind of an accident”, she explains: “My sister and I were walking around in Eldon Square shopping centre, and they asked us if we wanted to enter, and I thought: ‘Yeah, I’ll give it a go’ – I thought it might piss off my parents a bit!”

The decision to enter definitely caused “a bit of friction”, but Sethu’s parents didn’t raise a quitter. “On the day we had the rehearsals, I called my mum up and said: ‘I don’t want to do this, can you please take me home?’ And Mum was like: ‘Well, you’ve signed up for it, so you’re doing it,’” she recalls. “None of us expected me to win – the whole thing was a bit of a bodge job for me!”

Now 32, the beauty pageant world “doesn’t really align with” Sethu’s value system, and her chosen vocation is miles – galaxies, really – away from that world of tiaras and special skills. In recent years, thanks to a starring role in the acclaimed Star Wars series Andor and her forthcoming turn as Belinda, as well as a part in the 2018 BBC drama Hard Sun, she’s become known as a go-to British sci-fi actor. “You don’t often see brown people in space – well, you do more than in other genres, because they’re futuristic – but I don’t think I necessarily saw myself as part of the sci-fi world,” she says. “So I don’t quite know how I ended up here, but I love it, and I’m very, very happy to be here.”…

(7) THE MOUSE AND THE TARDIS. “Has Disney+ Changed ‘Doctor Who’? U.S. and U.K. Fans Discuss.” in the New York Times. Link bypasses NYT paywall. Perhaps a spoiler warning is a good idea here.

…So the stakes are high this season. Four “Doctor Who” fans from the United States and Britain spoke to The New York Times via video calls to share their views on Gatwa’s performance, on Davies’s return, and on how the show has changed since Disney+ got involved. Their comments have been edited for length and clarity….

Vera Wylde, 43. Vermont.

As a performer — and I do not say this lightly — [Gatwa] is the most charismatic person who has taken on the role. He commands the camera immediately.

I do have an issue, in that I feel like I don’t truly know him as well as I would like. The surface level is complete charisma, bright as the sun. I got that. What’s underneath that? I’m still working on that.

I had far, far more feelings about [Davies] coming back as showrunner than I did about Disney being involved. At a fundamental level, I am frustrated with him because I had hoped that he wouldn’t just slip back like it’s 2005 again and approach seasons in the same way — which is exactly what he did. It’s mostly standalone, and there’s a mystery box that is really blatant, and it ends in a two-part finale with the return of a classic-era villain….

(8) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

April 11, 1963 — Gregory Keyes, 62.

By Paul Weimer: I started reading Gregory Keyes at the very start of my reviewing life. This was in 1999, and I was just started to test the waters of connecting with reviewers and publishers and talking about books to people I didn’t know (I’ve always talked about books to people I did know).  In an electronic newsletter put out by Barnes and Noble in those days, they mentioned the forthcoming alternate history fantasy book by an author new to me, J. Gregory Keyes.  (Aas Keyes styled himself, for these books).  

The idea of an alternate world where Newton discovered the laws of Magic was instant catnip for me, and I got the book as soon as it came out, and the sequels as well. Come for the alternate history with magic and angels, stay for an alternate United States with Bluebeard as a founding father.

His oeuvre since has mellowed out a bit, with lots of big phat fantasy of the first water, the doorstoppers that he knows the minor and major keys and plays them well (The Briar King series, for example,The High and Faraway series, The Basilisk Throne, and even Elder Scrolls novels). He’s done a bunch of other tie-ins and novelizations, from Marvel to Godzilla to Star Wars).  

I talk of mellowing out because I eventually went back to his first novels, before Newton’s Cannon…the Waterborn duology. And like Newton’s Cannon, they are inventive, strange and weirdly wild in a way some of his post-Cannon fiction is not. The world of the Waterborn is something you don’t see so much — a relatively young fantasy world, that hasn’t had the thousands of years of history in the past yet, but that future is definitely stretching ahead of it.

I can’t fault the fact that he has found success in more traditional fantasy novels, but I do kind of miss the author who had Goddesses of Rivers begging lovers to kill the river they emptied into, and the idea of Benjamin Franklin doing alchemy. (To be fair, The High and Faraway does capture a bit of that early wildness once more).  Like the realms of faerie in many of his books, Keyes’ work has been somewhat tamed…but not quite completely. Not quite. But if I think of authors who write to fantasy doorstopper length, sure there is Martin and Williams and Jordan and Elliott…but there is also Keyes as well. He should always be part of that conversation.

I have not yet tried his latest novel, The Wind that Sweeps the Stars. 

Gregory Keyes

Happy birthday!

(9) COMICS SECTION.

(10) BUTTERBEER OREOS. These started out as a viral fake. They might still be, although there’s a new wave of claims they’re really going to show up in stores.

(11) CHARITY AUCTION. [Item by Froonium Ricky.] Maureen Ryan, genre-loving tv critic and author of Burn It Down: Power, Complicity, and a Call for Change in Hollywood, is currently holding an eBay auction (see “Moryanwatcher on eBay”) of various TV items, including a Star Trek: Strange New Worlds “Subspace Rhapsody” T-Shirt, some X-Files promo items, a “Warrior” hoodie, some Game of Thrones magnets, and a Farscape script and actual piece of the Moya set. All the proceeds go to various excellent Mo-chosen charities! 

(12) GETTING TO THE BOTTOM. “3D scan of Titanic sheds new light on doomed liner’s final moments” at CNN.

A new documentary reveals the incredible results of a project to create 3D underwater scans of the doomed ocean liner RMS Titanic, which sank 113 years ago.

“Titanic: The Digital Resurrection” tells the story of how deep-sea mapping company Magellan created “the most precise model of the Titanic ever created: a full-scale, 1:1 digital twin, accurate down to the rivet,” according to a statement from National Geographic, published Tuesday….

… The 90-minute National Geographic documentary allows filmmaker Anthony Geffen “to reconstruct the ship’s final moments—challenging long-held assumptions and revealing new insights into what truly happened on that fateful night in 1912,” according to the statement.

In the film, Titanic analyst Parks Stephenson, metallurgist Jennifer Hooper and master mariner Chris Hearn walk around a full-scale reproduction of the ship, highlighting previously hidden details.

One key finding is a visibly open steam valve, which corroborates accounts that engineers manned their stations in Boiler Room Two for more than two hours after Titanic hit the iceberg.

This maintained the electricity supply and allowed crew to send distress signals, meaning the 35 men in the boiler room may have sacrificed themselves to save hundreds of other people.

The team also reconstruct hull fragments found scattered around the site, revealing that Titanic didn’t split in two, but “was violently torn apart, ripping through first-class cabins where prominent passengers like J.J. Astor and Benjamin Guggenheim may have sought refuge as the ship went down.”

The scan also helps to exonerate First Officer William Murdoch, who has been accused of abandoning his post. The position of a lifeboat davit, a piece of equipment used to lower the craft, corroborates testimony that Murdoch was, in fact, washed out to sea as the crew prepared to launch it….

(13) MIKHAIL TIKHONOV Q&A. [Item by Steven French.] As the man says, the possibilities are indeed vast … “Q&A: How to (theoretically) spot an alien” at Phys.org

Are we alone in the universe? The answer to one of humanity’s biggest questions is complicated by a basic reality: If there is life on other worlds, it may not look familiar. A sample of rocks from Mars or another planet almost certainly won’t have recognizable fossils or another similarly obvious sign of living organisms, said Mikhail Tikhonov, an assistant professor of physics in Arts & Sciences at Washington University in St. Louis who studies microbial communities.

But just because we might not recognize signs of life on a distant moon or planet doesn’t mean it’s actually lifeless. “There could be life forms out there that defy our imagination,” Tikhonov said.

Searching for life that we don’t understand may seem like an impossible mission. In a paper published in Nature Communications, Tikhonov and co-author Akshit Goyal of the International Centre for Theoretical Science in Bengaluru, India, propose a new idea. Instead of looking for particular molecules or compounds associated with life as we know it, scientists can look for telltale patterns of energy.

Tikhonov discusses his out-of-this-world idea in this Q&A.

(14) REACHING THE FINISH LINE. Mr. Sci-Fi, Marc Scott Zicree, gives his comments about the publication history of Last Dangerous Visions and the late Harlan Ellison in “The Book on the Edge of Forever Finally Arrives!”

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, N., Froonium Ricky, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel “Burma Shave” Dern.]

Pixel Scroll 4/8/25 Our Scroll Is A Very, Very, Very Fine Scroll, With Two Credentials In The Meter, Life Used To Be In-Feet-ers, Now Everything Is Metric Because Of You

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(1) 2025 HWA LIFETIME ACHIEVEMENT AWARDS. The Horror Writers Association Lifetime Achievement Awards honorees for 2025 are Del Howison, Sue Howison, Dame Susan Hill, and David Cronenberg. The full citations are at the link.

(2) 2025 COMPTON CROOK AWARD. The Baltimore Science Fiction Society (BSFS) announced today that The Wings Upon Her Back (Tachyon Publications) by Samantha Mills won the 2025 Compton Crook Award for best debut SF/Fantasy/horror novel, a prize worth $1,000. “Samantha Mills Wins 2025 Compton Crook Award” at File 770.

(3) WHO HAS READ THESE BOOKS? Nicholas Whyte’s post about the “Nebula and BSFA shortlists and the Goodreads and LibraryThing stats” at From the Heart of Europe are one way to test how widely known books were before they became award finalist.

It’s shortlist time again! Just to remind you, the GR and LT stats are a guide to how well a book has permeated the general market, but may not have much congruence with the respective voter bases of the two awards.

He’s done another for “2025 Hugo final ballot: Goodreads / LibraryThing stats”. One of his observations is:

A clear lead for The Ministry of Time in market penetration, though The Tainted Cup has the most enthusiastic readers.

(4) BLOCK THAT OUT! Who knew Minecraft would bring out filmgoers’ rowdy side? “Witney cinema issues Minecraft warning after online trend” reports BBC.

A cinema has told customers to behave during showings of A Minecraft Movie after rowdy behaviour at other screenings went viral on social media.

A sign displayed at Cineworld in Witney, Oxfordshire, has warned people any form of anti-social behaviour would see them removed without a refund.

The film, which received underwhelming reviews from critics, made an estimated $300m (£233m) globally at the box office on its opening weekend.

Its popularity has spread online, with videos of young audience members shouting responses and celebrating the appearance of different characters made famous by the video game – which is one of the world’s best selling.

The film tells the story of four misfits pulled through a mysterious portal into the Overworld – the place where all players start in Minecraft.

A number of lines from star Jack Black – in particular his introductory “I… am Steve” – have been met with cheering, shouting and applause.

One moment showing the arrival of the character Chicken Jockey – alongside Black’s accompanying dialogue – has also been the focal point for much of the furore….

(5) ROBOTS RETURN. Netflix has dropped a trailer for “LOVE DEATH + ROBOTS VOLUME 4”. And at the link you can see five first-look images.

The fearless anthology series Love, Death + Robots is returning for a fourth volume of mechanical madness. You can always expect this anthology series to serve up some wild stuff, and Volume 4 is definitely no exception.

“I try to get a mix of horror, sci-fi, and fantasy,” creator Tim Miller (Deadpool, Terminator: Dark Fate) tells Tudum about the new lineup of shorts. “And we work with some really fucking fantastic writers and artists.”

(6) WHO TRIES TO BAN BOOKS? “Majority of attempts to ban books in US come from organised groups, not parents” reports the Guardian.

A large majority of attempts to ban books in the US last year came from organised groups rather than parents.

72% of demands to censor books were initiated by pressure groups, government entities and elected officials, board members and administrators, reported the American Library Association (ALA). Just 16% of ban attempts were made by parents, while 5% were brought forward by individual library users.

“These demands to remove and restrict books and other library materials are not the result of any grassroots or popular sentiment,” read the ALA’s 2025 State of America’s Libraries report, published on Monday. “The majority of book censorship attempts are now originating from well-funded, organised groups and movements long dedicated to curbing access to information and ideas.”

(7) DIAMOND’S IN THE ROUGH. Publishers Weekly is there when “Fight Breaks Out for Ownership of Diamond Comic Distributors”.

Days before a court hearing was set to take place April 7 to move ahead with the sale of most of Diamond Comic Distributors assets to Alliance Entertainment (AENT), Diamond owners had a change of heart and are now favoring a new, smaller joint bid by Canadian comics distributor Universal Entertainment and pop culture manufacturer and licensor Ad Populum. Attorneys for Alliance immediately filed a lawsuit to block the change and a hearing was held yesterday in the U.S. Bankruptcy Court for the District of Maryland to try to sort things out.

The April 7 hearing was focused on the appropriateness of the Alliance bid and was adjourned before the hearing was completed. The parties were due back in court April 8 and a decision is due May 28. That timeline however, is now thrown into serious question following the filing of Alliance’s April 6 lawsuit challenging the legality of Diamond’s owners’ decision to back the offer from Universal and Ad Populum.

The suit accuses Diamond of acting in bad faith by conducting an auction “in a manner that was unfair to any party other than their preferred purchaser, and—despite having designated AENT as the Successful Bidder—acted with extreme bad faith in the period following the Auction.” According to the filing, AENT’s bid of $72.2 million was deemed the highest offer and that Universal/Ad Populum were the underbidders.

According to the lawsuit, despite the offer from AENT, Diamond secretly solicited other bids with an eye toward favoring Universal (who had placed a $39 million stalking horse offer at the time of the bankruptcy filing in January) and Ad Populum. After more negotiations between AENT and Diamond, the lawsuit says, Diamond “abruptly terminated” its agreement saying that it “would proceed with the backup bidder.” To facilitate the switch, Diamond filed a motion last week asking the court to approve the sale of the company’s assets to the joint back-up bidder.

In its filing, AENT argued that its offer, which had been raised to $85.37 million, was much higher that the $69.1 million combined bid from Universal Distribution and Ad Populum, which included $49.6 million from Universal for Diamond UK and Alliance Games Distributions, and $19.5 million from Ad Populum for Diamond Comic Distributors, Collectible Grading Authority, and Diamond Select Toys….

(8) MEMORY LANE.

[Written by Cat Eldridge.]

Science Fiction Theatre (1954)

Again tonight, I’m reaching back into early days of the genre in broadcast terms by talking about the television premiere of Science Fiction Theatre which seventy years ago started off in syndication. It would end rather quickly two years later on the sixth of April with a total of seventy-eight episodes over the course of just two seasons. 

The first season was in color but to save money the second was not. I know this reverses the usual manner of going from black and white to color, but I confirmed that they actually did this. 

It was the product of Hungarian born Iván Tors who had earlier done the Office of Scientific Investigation trilogy of SF films (The Magnetic Monster which recycled footage from a German horror film, Riders to the Stars and Gog which average twenty percent among audience reviewers at Rotten Tomatoes). He’s also responsible for Flipper and Flipper’s New Adventure which surely are genre adjacent, aren’t they?

Hosted by Truman Bradley, a radio and television announcer and a Forties film actor, its schtick, and I use that Yiddish word in its fullest sense, was that they were doing a quasi-documentary series that what Ifs of modern science. Now mind they were to a great extent re-using the stories that had been earlier on Dimension X, so they were recycling existing stories. Or so say several sources.

The program never aired over a network. All seventy-eight twenty-six minute episodes were syndicated across the country in package deals of thirty-nine episodes each, with Bradley doing custom commercials for each market. 

If you watched it later on PBS, you got the entire episode, but when the Sci-fi channel broadcast them they were cut by five minutes to cram in more blipverts, errr, I mean advertisements. Sci-fi that does with everything.

It’s streaming on Roku offers on its Movie Classics channel. 

Science Fiction Theatre

(9) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

April 8, 1974 — Nnedi Okorafor, 51.

By Paul Weimer: Nnedi Okorafor has written some of (to my perspective, and a moment to explain that) genre-bending speculative fiction that I’ve read.  Let me explicate.  There is science fiction, and there is fantasy, and then there is the peanut butter and chocolate of books that take elements of both. Or, specifically, books that feel like they partake of both.  Okorafor herself I think might disagree, but much of the work I’ve read of hers does do that in my own mind and limited perception.

Take Lagoon, the first of her works I read. Near future, Nigeria, First Contact. Straight-up science fiction, right? Sure, it’s a first contact novel, but several of the protagonists have what are really just straight up superpowers. Adaora can breathe underwater, after all.  And then there are actual folklore and mythic beings just living their lives in Lagos, too. I mean having a trickster deity as a phone scammer is genius, I tell you. It makes perfect sense, and instead of being in an urban fantasy, the character exists in a first contact novel, just another character with everyone else dealing with the aliens.

Inspired, to be sure.

Lagoon is my favorite of her works, but I think the Binti trilogy is probably her best work. Three novellas/short novels about the titular mathematical genius’ trip to the stars and the aliens and beings she deals with out there. Binti just wants the best education she can get, and for her trouble winds up in the middle of a war, and a relationship with an alien species under threat thereby. Fearlessly inventive, grounded in her culture and ferociously futuristic and grounded at the same time. I’ve read other authors in her vein since, but Okorafor was my first real exposure to this entire stratum and voices of emerging science fiction from Africa.

I have not yet read her metafictional Death of the Author, but I clearly need to. I’ve met her several times, including a talk she gave at my local library (she had no idea who I was, alas, and perhaps still doesn’t).

Happy birthday, Nnedi!

Nnedi Okorafor

(10) COMICS SECTION.

(11) TODAY’S THING TO WORRY ABOUT. Oh noes! Jon Del Arroz is trying to load up the Locus Awards with his pals! Camestros Felapton is ringing the tocsin in “New Right Wing Slate Shenanigans”.

… The Locus Award is open to anybody to vote in but subscribers to Locus Magazine have votes that count for double. This extra weighting for members has discouraged slate attempts in the past. Fandom Pules has already put out a Dragon Award nomination slate but as I’ve discussed before, it is not clear whether how many people nominate a work has much of a connection to the Dragon Award finalists. The Locus Awards, on the other hand, do count their votes. Additionally, JDA has been attempting to recruit people on the abuse/harassment website Kiwi Farms to vote in the Locus (although this has been met with some scepticism among the trollish inhabitants)….

(12) THEY’RE PEEVED. “Max Removing HBO Original Series From Streaming Has Fans Crying Foul” reports CBR.com.

Damon Lindelof’s hit drama series The Leftovers is slated to be removed from HBO’s Max streaming service.

Per ComicBook.com, The Leftovers is officially going to be removed from Max as of June 3. Originally, the series was supposed to make its exit from the streaming service on April 11, though that date was pushed back by almost two months. Even with the extra time to stream the series, fans of The Leftovers have let their displeasure be known online and through social media….

…  Since the series ended in 2017, The Leftovers has maintained its status as a fan-favorite. As of the time of writing, The Leftovers holds a 91% “Fresh” rating on review aggregator Rotten Tomatoes, as averaged from 84 critics reviews. The series also boasts a 90% score via the site’s user-generated “Popcornmeter.”

(13) WE SIT, BOY, SIT CORRECTED. “No, the dire wolf has not been brought back from extinction” insists New Scientist, which says “they are actually grey wolves with genetic edits intended to make them resemble the lost species.”

A company called Colossal Biosciences says it has revived an extinct species – the dire wolf. “On October 1, 2024, for the first time in human history, Colossal successfully restored a once-eradicated species through the science of de-extinction. After a 10,000+ year absence, our team is proud to return the dire wolf to its rightful place in the ecosystem.” That’s the claim made on the website of the US-based company. Here’s what we know….

… Beth Shapiro of Colossal says her team has sequenced the complete genome of the dire wolf and will soon release it to the public. Shapiro could not tell New Scientist how many differences there are but said the two species share 99.5 per cent of their DNA. Since the grey wolf genome is around 2.4 billion base pairs long, that still leaves room for millions of base-pairs of differences.

And Colossal claims it has turned grey wolves into dire wolves by making just 20 gene edits?

That is the claim. In fact, five of those 20 changes are based on mutations known to produce light coats in grey wolves, Shapiro told New Scientist. Only 15 are based on the dire wolf genome directly and are intended to alter the animals’ size, musculature and ear shape. It will be a year or so before it’s clear if those changes have had the intended effects on the genetically modified animals, says Shapiro.

So these pups aren’t really dire wolves at all, then?

It all comes down to how you define species, says Shapiro. “Species concepts are human classification systems, and everybody can disagree and everyone can be right,” she says. “You can use the phylogenetic [evolutionary relationships] species concept to determine what you’re going to call a species, which is what you are implying… We are using the morphological species concept and saying, if they look like this animal, then they are the animal.”…

(14) COLD-BLOODED SMUGGLING. Chris Barkley sent the link because he grew up in the neighborhood: “Cincinnati’s unique lizards are ‘getting larger,’ Nat Geo says” in the Cincinnati

As the weather warms, you might find a few scaly friends running around Cincinnati.

For more than 70 years, thousands of common wall lizards, known as Lazarus lizards, have scurried across sidewalks and lurked in your garden. They’re all over Cincinnati, but the reptiles aren’t from here. They’re an invasive species and native to Europe.

So how did they end up in the Midwest? It’s all thanks to a 10-year-old boy from Walnut Hills and a sock full of lizards.

In 1951, George Rau Jr. and his stepfather, Fred Lazarus Jr. (who founded the retail chain Lazarus, which would later become Macy’s), smuggled 10 Italian lizards home from a family trip in Lake Garda and set them loose in his backyard.

Many pass off the origin story as local lore, but in 1989, when Rau Jr. was an adult, he wrote to the Cincinnati Museum of Natural History explaining his role in the eventual lizard population boom. That same year, he also told The Enquirer he smuggled the lizards through customs and brought them back to his East Side home.

Last month, the Queen City’s long and unique history with Lazarus lizards was highlighted by National Geographic. In the article, National Geographic stated Cincinnati has the “perfect lizard habitat,” adding the city’s hilly geography and weather as a contributing factor for the lizards becoming “permanent residents,” as declared by the Ohio Division of Wildlife.

(15) PREDATOR. On June 6, Predator: Killer of Killers arrives on Hulu.

(16) REMEMBERING A BREAKTHROUGH. “The Day Anime Changed” at Mother’s Basement.

Let’s talk about the most important, influential anime of all time, and why now’s best time to watch it!

[Thanks to Steven French, Kathy Sullivan, Lis Carey, Teddy Harvia, N., Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mark Roth-Whitworth for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel CSN&Y Dern.]

Pixel Scroll 4/7/25 That Sound? Either The Music Of The Spheres, Or Of An Infinity Of Pixels

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(1) HUGO VOTE TOTAL UPDATE. Today Hugo Administrator Nicholas Whyte issued a correction. The correct number of total Hugo Award nominating votes is 1,338.

(2) MURDERBOT PRODUCTION NEWS. Martha Wells is posting photos taken by Troyce on the Murderbot set at Bluesky. That’s in addition to the “First Look” photos in the following article which she warns is “spoilery”.

“’Murderbot’ Would Hate You—But That’s Why You’ll Love It” promises Vanity Fair.

… While the title might make the show sound like a hard-edged thriller, it’s more like a workplace comedy about hating what you’re good at. Skarsgård’s character is the unwitting straight man—or rather, straight…thing. (Though it looks like a man, Murderbot prefers the neutral pronoun because it is proud to be an object rather than a person.) It regards the small group of interplanetary scientists it must protect with the same enthusiasm as W.C. Fields babysitting a room full of toddlers. “It just doesn’t get humans at all,” Skarsgård says. “It’s not a deep hatred, it’s just zero amount of curiosity. It’s confused by humans and wants to get away from them.”…

… Murderbot’s devotion to a futuristic TV series called The Rise and Fall of Sanctuary Moon also evokes real people on the spectrum, who can develop a phenomenon called hyperfixation. Murderbot studies the fictional melodrama for cues about how to behave in emotional situations. The show-within-a-show stars John Cho, Jack McBrayer, Clark Gregg, and DeWanda Wise, sporting outrageous hairstyles and costumes that make the stylings of A Flock of Seagulls look like business casual…

(3) SF TITLES PULLED FROM NAVAL ACADEMY LIBRARY. [Item by F. Brett Cox.] The Nimitz Library at the U.S. Naval Academy has removed 381 books in response to the current administration’s policies. The list includes What Are We Fighting For?, nonfiction by Joanna Russ, as well as the following works of contemporary science fiction and fantasy literature: Ryka Aoki, Light from Uncommon Stars; Becky Chambers, A Psalm for the Wild-Built; Mohsin Hamid, The Last White Man; Rivers Solomon, Sorrowland; Neon Yang, The Genesis of Misery. This has been reported in multiple outlets, including CNN, the NY Times, the AP, and CBS News.  Link to full list: “250404-List of Removed Books from Nimitz Library.xlsx” at Defense.gov.

(4) THE YEAR IN LIBRARY BOOK CHALLENGES. “ALA Releases Top 10 Most Challenged Books of 2024” reports Publishers Weekly.

The American Library Association kicked off National Library Week 2025 with its annual report on the state of the nation’s libraries, including the top 10 most challenged books of 2024. All Boys Aren’t Blue, George M. Johnson’s YA memoir about growing up Black and queer, surpassed Maia Kobabe’s Gender-Queer, which had topped the list two years in a row, as the most challenged title of last year….

…[The] ALA stressed the new stakes, in a statement: “This year, as library funding is under attack, ALA encourages every library advocate to Show Up for Our Libraries by telling Congress to protect federal support for libraries.”

In its report, the ALA documented 821 attempts to censor materials and services at libraries, schools, and universities in 2024—a notable drop from the 1,247 attempts recorded in 2023. Moreover, the ALA 2,452 unique titles that were challenged or banned last year, marking a decrease from the record-breaking 4,240 titles targeted in 2023.

However, Caldwell-Stone noted that while the trend is a positive one, 2024 still marked “the third-highest number of book challenges recorded by ALA’s Office for Intellectual Freedom since it began documenting library censorship in 1990.” She added that the data is just one part of the picture.

“Not reflected in these numbers are the relentless attacks on library workers, educators, and community members who stand up to the censors and defend the freedom to read,” Caldwell-Stone wrote. “These attacks are creating an environment of fear in which library workers are afraid to buy books or report censorship.”…

(5) R. E. BURKE PROFILE. British comics creator R. E. Burke is “working on a comic that will tell the story of what happened to her, and the women she shared 19 days with, based on the drawings, notes and official documents she managed to take out of the detention centre. Becky still doesn’t know why she was incarcerated for so long.” “’I was a British tourist trying to leave the US. Then I was detained, shackled and sent to an immigration detention centre’” in the Guardian.

…Workaway warns users that they “will need the correct visa for any country that you visit”, and that it is the user’s responsibility to get one, but it doesn’t stipulate what the correct visa is for the kind of arrangements it facilitates in any given country. Becky had always travelled with a tourist visa in the past – including to the US in 2022 – without any problems. She checked that work visas were only required for paid work in Canada. She had had months to plan her trip, and would have applied for a work visa if it was necessary, she says.

But the Canadian officials told Becky they’d determined she needed a work visa. She could apply for one from the US and come back, they said. Two officers escorted her to the American side of the border. They talked to the US officials. Becky doesn’t know what was said.

After six hours of waiting – and watching dozens of people being refused entry to the US and made to return to Canada – Becky began to feel frightened. Then she was called into an interrogation room, and questioned about what she had been doing during her seven weeks in the US. Had she been paid? Was there a contract? Would she have lost her accommodation if she could no longer provide services? Becky answered no to everything. She was a tourist, she said.

An hour later, Becky was handed a transcript of her interview to sign. She was alone, with no legal advice. “It was really long, loads of pages.” As she flicked through it, she saw the officer had summarised everything she told him about what she had been doing in the US as just “work in exchange for accommodation”. “I remember thinking, I should ask him to edit that.” But the official was impatient and irritable, she says, and she was exhausted and dizzy – she hadn’t eaten all day. “I just thought, if I sign this, I’ll be free. And I didn’t want to stay there any longer.” So she signed.

Then she was told she had violated her tourist visa by working in the US. They took her fingerprints, seized her phone and bags, cut the laces off her trainers, frisked her, and put her in a cell. “I heard the door lock, and I instantly threw up.”

At 11pm, Becky was allowed to call her family. Her father asked what was going to happen next. “I looked at the officer and he said, ‘We’re going to take you to a facility where you’ll wait for your flight. You’ll be there one or two days – just while we get you on the next flight home.’”…

But of course, she wasn’t.

… On her first day in the facility, Becky asked for a scrap of paper and a pen, and began to draw the inmates on the table next to her. She was immediately inundated with portrait requests. A Mexican woman called Lopez, who had a photo of her children stored on one of the iPads, told Becky she would buy her some paper and colouring pencils from the commissary if Becky drew her kids. She soon became the dorm’s unofficial artist-in-residence, with women huddling around the dirty mirrors to make themselves look presentable before they sat for her. They would decorate their cells with Becky’s drawings, or send them to their families. Lopez declared herself Becky’s manager. “She kept saying, ‘Becky, you need to ask for stuff in exchange. Ask for popcorn.’ And I’d be like, ‘Lopez, I don’t need anything.’ I thought, I’m here briefly, you’re stuck here a long time. I’m not going to take your food away from you.”…

… Becky had arrived in the detention centre on a Thursday. She soon realised she would not be out of it before the end of the weekend. No one ever replied to the message she sent to Ice on the iPad; she found out the Ice officer assigned to her case had gone on annual leave. The following Monday, Paul contacted the Foreign Office in London, and the British consulate in San Francisco. “They were doing the diplomatic bit,” he tells me. “But, after seven days, I could see it wasn’t really working. My perception is the British consulate couldn’t get Ice people to respond to them. There was no end in sight.”

After Becky had been incarcerated for more than 10 days, Paul decided to go to the media…

(6) OLIVIER AWARDS 2025. The Guardian names the winners of the awards that celebrate London theatre: “Olivier awards 2025: Giant, Benjamin Button and Fiddler on the Roof triumph”.

…The play Giant, which portrays children’s author Roald Dahl amid an outcry about his antisemitism, has triumphed at the Olivier awards on a star-studded night at the Royal Albert Hall in London.

US star John Lithgow took home the best actor prize for his performance as Dahl, Elliot Levey won best supporting actor (for playing publisher Tom Maschler) and Mark Rosenblatt received the award for best new play.

Giant is Rosenblatt’s debut as a playwright and brought him a double victory at the Critics’ Circle theatre awards in March, where he won for most promising playwright and best new play. Giant ran last year at the Royal Court in London and will transfer to the West End later this month, with Lithgow and Levey resuming their roles.

Lithgow thanked the audience for “welcoming me to England” and said “it’s not always easy when you welcome an American into your midst”, highlighting that this moment was “more complicated than usual” for relations between the US and the UK….

(7) REMEMBERING THE INKLINGS. Brenton Dickieson revisits “The First Meeting of the Inklings, with George Sayer” at A Pilgrim in Narnia.

I wrote last week about all the literary groups that formed some of the greatest writers of the 20th century, and how L.M. Montgomery was alone. One of those was the Inklings, which made C.S. Lewis and J.R.R. Tolkien into the writers that they were. Without the daring possibilities in Tolkien’s work and the intelligent conversation of the Inklings, Lewis may never have turned to popular fiction and cultural criticism. Without Lewis’ persistent support and criticism and the company of other mythopoeic writers, Tolkien may never have completed that grand project of turning his mythology into popular story, lyric, and epic. I don’t think that the Inklings were more important to English literature than the Paris Expats or the Bloomsbury Set or the Detection Club, but in terms of the development of fantasy literature, the Inklings created new worlds.

Dickieson quotes from George Sayer’s Jack: C.S. Lewis and His Times (1988; 1994; 2005). 

…I don’t know if Sayer ever attended an official Inklings event, but his description of how the Inklings emerged and what happened there is a great introduction both to this Oxford literary circle and to Sayer’s biography.

“For years no regular event delighted Jack more than the Thursday evening meetings of the little group of friends called the Inklings. His was the second group to use this name. Its predecessor was founded in about 1930 by a University College undergraduate named Tangye Lean. Members met in each other’s rooms to read aloud their poems and other work. There would be discussion, criticism, encouragement, and frivolity, all washed down with wine or beer. Lean’s group consisted mainly of students, but a few sympathetic dons were invited to join, including Tolkien and Jack, who may have been Lean’s tutor. Lean graduated in June 1933, and that autumn Jack first used the name the Inklings to describe the group that had already begun to meet in his rooms.

“It was always utterly informal. There were no rules, no officers, and certainly no agenda. To become a member, one had to be invited, usually by Jack. Nearly all members were his friends….

“…The ritual never varied. When most of the expected members had arrived (and maybe only three or four would come), Warren would brew a pot of strong tea, the smokers would light their pipes, and Jack would say, ‘Well, has nobody got anything to read us?’ …”

(8) MEMORY LANE.

[Written by Cat Eldridge.]

Quark series (1978)

Forty-six years ago, a series called Quark aired as mid-season replacement on NBC. It surprised me that it only lasted eight episodes as I swear, I remember it lasting longer than that, then I often think that of series such as the Space Rangers which lasted six episodes and Nightmare Cafe which, oh guess, lasted six episodes as well. Surely, they lasted longer, didn’t they? 

It was created by Buck Henry, co-creator along with Mel Brooks of Get Smart. It was co-produced by David Gerber who had been responsible for the series version of The Ghost & Mrs. Muir (try not to hold that against him) and Mace Neufield who after being a talent agent for such acts as The Captain and Tennille and became responsible for The Omen as its producer. That film is effing scary.

(I tried rewatching Get Smart! a few years ago. Unlike The Man from U.N.C.L.E which held very splendidly when we watched it again, Get Smart! caused the Suck Fairy to visibly cringe when we watched it. I just thought it was bad, really bad.)

The cast was Richard Benjamin, Tim Thomerson Richard Kelton, Cyb and Tricia Barnstable, Conrad Janis, Alan Caillou and Bobby Porter. The Barnstable twins got a lot of press, mostly for the fact that they didn’t wear much by the standards of the day and really, really could not act. They previously appeared as the Doublemint Twins often with identical canines. I kid you not. 

Interesting note: they still live in their hometown of Louisville, Kentucky and are the hostesses of the annual Kentucky Derby Eve party which they founded in 1989. There were no Kentucky Derby parties before that as Tricia notes here, “It was astonishing that there really weren’t any celebrations at that time in Louisville,” Tricia says. “We started with about 500 people. We invited James Garner. Dixie Carter. Lots of stars. And they came!” The party which now draws thousands is a fundraiser for diabetes research as the maternal side has a history of that disease. 

Ok, so how is the reception? Oh, you have to ask? Seriously? One reviewer summed it up this way: “Only lasting eight episodes, it is eight episodes too many. The idea of spoofing science fiction is a given and there are only a handful that get it right, but this is a spectacularly awful show.” 

And another said succinctly that “A viewer seeking something a little different may find the series entertaining, but low expectations are a must.” 

Doesn’t most television SF comedy require low expectations? Most I said, not all.

It has no rating at Rotten Tomatoes. It might be streaming on Crackle and Philo, two services that I’ve never heard of. It might not be. Telling what is there is almost impossible as the major streaming tracking services don’t bother such services.

Yes, there are full episodes on YouTube. As it is very much still under copyright, those are definitely bootleg, so not provide links to them as they will be removed. As the Board Chair in Robocop 2 said, “Gentlemen, behave yourselves!”

(9) COMICS SECTION.

(10) JMS’ NEXT SPIDER-MAN. This July, writer J. Michael Straczynski closes out his series of “unlikely duo one-shots” with Spider-Man Vs. The Sinister Sixteen, featuring art by Phil Noto. For more information, visit Marvel.com.

 Over the last few months, prolific writer J. Michael Straczynski has been spotlighting unlikely character pairings in a series of action packed one-shots. These timeless and standalone stories have co-starred two Marvel icons of Straczynski’s choosing—either in unexpected team-ups or thrilling showdowns—from Doctor Doom & Rocket Raccoon to Nick Fury Vs. Fin Fang Foom. This July, Straczynski closes out the series with a collision course of heroes and villains from every corner of the Marvel Universe in SPIDER-MAN VS. THE SINISTER SIXTEEN #1.

…On what inspired the tale, Straczynski explained, “One of the most common tropes in the super hero world is that of the amount of destruction that comes when heroes and villains lock horns. We all accept that it just happens. This led to thinking: What if the owner of a popular restaurant has run it into the ground and needs the place to be destroyed for the insurance money, and invites a ton of heroes and villains to dine all at the same time in the hope that a fight breaks out? What if initially everyone tries to stay calm to enjoy the experience, but sooner or later, with that roster…the storm comes.”

(11) DIRE STRAITS. “’Game of Thrones’ Dire Wolves Return in De-Extinction Breakthrough” – The Hollywood Reporter mashes up science and show-biz insights.

Immortalized in Game of Thrones and on the crest of House Stark, the dire wolf is walking the Earth again and even howling after going extinct nearly 10,000 years ago.

As announced today by genetic engineering company Colossal Biosciences, the long-extinct canine — or at least a very close approximation of it — has been successfully brought back to life. The process was accomplished via DNA extracted from two fossils as well as 20 edits of the genetic code of a gray wolf, the species’ closest living relative, according to research carried out by Colossal, sometimes known as the De-Extinction Company.

Colossal says it has whelped three dire wolves and — using CRISPR technology — decided to select fluffy white fur for their coats, based on its new analysis that the original species had snow-colored fur. (A previous study, published in Nature in 2021, found evidence that dire wolves were not closely related to gray wolves.)

The Colossal company has named its two new male dire wolves — a pair of six-month old adolescents — Romulus and Remus, after the mythological twin founders of Rome, who were said to have been raised by a wolf. And in an homage to Game of Thrones’ Daenerys Targaryen, it’s christened a female puppy Khaleesi.

The trio are now living in an enclosed preserve of more than 2,000 acres at an undisclosed location. They are expected to mature at 130 to 150 pounds — by contrast, a typical gray wolf clocks in at about 80 to 100 pounds.

 “Our team took DNA from a 13,000-year-old tooth and a 72,000-year-old skull and made healthy dire wolf puppies,” says Colossal CEO and co-founder Ben Lamm in a statement. “It was once said, ‘any sufficiently advanced technology is indistinguishable from magic.’ Today, our team gets to unveil some of the magic they are working on and its broader impact on conservation.”…

… Colossal reached out to [George R.R.] Martin after it started work on its dire wolf de-extinction project. Not only did he sign on as a Colossal Biosciences cultural adviser and investor, Martin also flew to meet Romulus and Remus at their private preserve (which Colossal says has been certified by the American Humane Society).

Says Martin, in a statement, “Many people view dire wolves as mythical creatures that only exist in a fantasy world, but in reality, they have a rich history of contributing to the American ecosystem.”

While many fans of Game of Thrones likely think that dire wolves as fantasy beasts, they are in fact an actual animal that lived in the Americas and likely went extinct due to the disappearance of the large herbivores on which they preyed. At L.A.’s famed La Brea Tar Pits, fossil remains from more than 3,600 dire wolves have been discovered and the adjacent museum devotes an entire wall to displaying around 400 dire wolf skulls….

(12) FUSION IN SPAAAAACE, [Item by Mark Roth-Whitworth.] Actually, this makes *perfect* sense. In my novels, before we discover complete conversion, this is how we get around the solar system.

There will, of course, be idiots against it, I mean, let’s ignore the humongous fusion reactor in the middle of the solar system… “Nuclear-powered rocket concept could cut journey time to Mars in half” at CNN.

… With funding from the UK Space Agency, British startup Pulsar Fusion has unveiled Sunbird, a space rocket concept designed to meet spacecraft in orbit, attach to them, and carry them to their destination at breakneck speed using nuclear fusion.

“It’s very unnatural to do fusion on Earth,” says Richard Dinan, founder and CEO of Pulsar. “Fusion doesn’t want to work in an atmosphere. Space is a far more logical, sensible place to do fusion, because that’s where it wants to happen anyway.”

For now, Sunbird is in the very early stages of construction and it has exceptional engineering challenges to overcome, but Pulsar says it hopes to achieve fusion in orbit for the first time in 2027. If the rocket ever becomes operational, it could one day cut the journey time of a potential mission to Mars in half….

(13) CUDDLY KEN PASSED 30 YEARS AGO THIS MONTH, [Item by SF Concatenation’s Jonathan Cowie.] Kenny Everett, one of Britain’s all-time top two disc jockey’s, died 30 years ago this month.  In addition to radio, he was known for The Kenny Everett TV Show: it was all in the best possible taste.. His humour was decidedly wacky and occasionally SF-adjacent if not, as with Captain Kremmen full-blown Sci-Fi.  And so…

Front shields on. Krill tray in position. Booster one. Booster two. Booster three. My mission, to camply go where no hand has set foot, to explore new vistas, quash new monsters and make space a safe place for the human race…  Yes, he’s so hunky… Muscles of steel, legs like a gazelle, thighs like tug boats, x-ray eyes, bionic blood, bulging biceps, a lock of tousled hair falling over a bronzed forehead, saviour of the Universe… Cue the music…

[Thanks to Mark Roth-Whitworth, Steven French, Kathy Sullivan, F. Brett Cox, Lis Carey, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 3/26/25 It Takes A File Of Pixels To Make A Scroll A Home

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(1) SALAM AWARD OPENS FOR ENTRIES. The Salam Award for Imaginative Fiction, which recognizes emerging speculative fiction writers of Pakistani origin or residence, is taking submissions through July 31. Full guidelines at the link.

Eligible for consideration are original, previously unpublished English-language stories of 10,000 words or less by persons residing in Pakistan, or of Pakistani birth/descent. The full guidelines are at the link.

The Salam Award for Imaginative Fiction is named for Dr. Albus Salam, one of the pioneers of science in Pakistan.

(2) TIME FOR NOMMO AWARDS NOMINATIONS. The African Science Fiction Society has announced the 2025 Nommo Awards nominations are now open for works published in 2024.

Only works of speculative fiction by an African published between 1 January 2024 and 31 December 2024 anywhere in the world are eligible. 

ASFS members have until May 5 to make nominations. Please read the Nommo Awards eligibility and rules on this link here.

(3) NOTE ABOUT WORLD FANTASY AWARDS SUBMISSIONS. With the June 1 deadline not far off, Peter Dennis Pautz of the World Fantasy Awards Administration has issued a reminder:

I’ve heard from all the World Fantasy Awards judges and their receipt of submissions has been extremely inconsistent, i.e. not all judges have received the same submissions.

As the deadline draws near, we are especially concerned about the lack of submissions from the larger publishers, both in the US and UK.

If you have already sent in your submission, please check your records to ensure that a copy of every work was sent to each judge, in their preferred formats, as detailed in the attachment.

If you haven’t sent your submission as yet, please do so as soon as possible to allow full consideration to your works.

Finally, the judges have also asked that you not send drop box, zip files, or wetransfer links. The links often expire before the judges get to them, and it requires a lot of time to open the links and side load the files to ereaders. Sending three or four titles at a time by email is preferable/

As always, thank you all for your support, your thoughtfulness, and your help.

See the list of judges and their contact information here: “2025 World Fantasy Awards Judges Announced”.

(4) JUDGE’S RULING PAUSES IOWA CENSORSHIP. [Item by Andrew Porter.] “Iowa law banning books including 1984 and Ulysses blocked by US federal judge” reports the Guardian. Books unconstitutionally caught up in the law include Brave New World by Aldous Huxley, Slaughterhouse-Five by Kurt Vonnegut, and 1984 by George Orwell.

A lawsuit brought by publishers and authors including John Green and Jodi Picoult has led to a portion of a law banning Iowa school libraries and classrooms from carrying books depicting sex acts being halted.

On Tuesday, a federal judge temporarily blocked the measure, writing that it had been applied unconstitutionally in many schools and that books of “undeniable political, artistic, literary, and/or scientific value” had been caught up in it, including Ulysses by James Joyce, Nineteen Eighty-Four by George Orwell, Beloved by Toni Morrison and The Kite Runner by Khaled Hosseini.

This is the second time that US district judge Stephen Locher, a Joe Biden appointee, has blocked the ban. The law, Senate File 496, was first approved by Iowa’s Republican-led legislature and governor Kim Reynolds in 2023, however, Locher placed an injunction on it in December 2023 after authors and publishers sued the state.

The preliminary injunction was reversed by the US Eighth Circuit appeals court last August, leading publishers and authors to file a second complaint, arguing that the ban violates free speech and “goes far beyond prohibiting books that are obscene as to minors because it prohibits books with even a brief description of a sex act for students of all ages without any evaluation of the book as a whole”.

In his decision, Locher wrote that the ban has resulted in “forced removal of books from school libraries that are not pornographic or obscene”, and that unconstitutional applications of the law “far exceed” constitutional applications….

(5) DIVERSITY TAKES STEP BACK IN UK PUBLISHING. The Guardian learns “UK publishing less accessible to Black authors now than before 2020, industry names say”.

UK publishing is less accessible to Black authors now than it was five years ago, according to some of the biggest names in the industry.

The Black Lives Matter movement of 2020 led to many publishing houses making commitments to address the longstanding racial inequality in the industry. But, ahead of the Black British book festival (BBBF) this weekend, a number of Black literary figures say there has been a noticeable downward shift in the number of Black writers being published.

Selina Brown, who founded BBBF in 2021, said the number of Black authors being pitched to her has dropped dramatically in the last 18 months. She also believes the number of books being published by Black writers has “plummeted”….

…Sharmaine Lovegrove, cultural strategist at Hachette UK, one of the country’s leading publishing houses, co-founded The Black Writers’ Guild and established Hachette’s Dialogue imprint, which focuses on books by, about and for marginalised communities. She said things are harder for new Black authors now than they were pre-2020….

Lovegrove said the industry hasn’t been able to build new, diverse audiences and struggled to talk and cater to Black authors who were often labelled “difficult” for advocating for themselves.

Lovegrove said: “The biggest mistake was seeing it as a trend as opposed to an opportunity to cultivate something meaningful that was missing.”

“It’s as if the industry is saying: ‘It’s all very difficult and these books haven’t done very well so we’re literally not going to try again with someone from the same background’,” she added. “It’s the craziest thing I’ve ever heard.”

A report by PA found that “ethnic minority” representation across the industry fell from 17% to 15% in 2024, with a decline in the numbers of Asian and British Asian staff. The number of Black staff remained at about 3% during the same period.

There have been success stories. After selling more than a million copies of Why I’m No Longer Talking to White People About Race, Reni Eddo-Lodge launched her Monument Books imprint at HarperCollins last year, with the specific goal of finding writers “who can help us understand our past, navigate our present and map new futures”.

But Brown says the impetus of 2020 has faded and new Black authors have often seen their books marketed the same way as other authors despite publishers speaking of wanting to “reach new audiences”….

(6) TOLKIEN’S CARTOGRAPHY. “It’s Tolkien Reading Day” – a Facebook post from yesterday by the Bodleian Libraries. (Click for larger image.)

It’s Tolkien Reading Day, so we wanted to share with you a rather magical treasure from our Tolkien archives and invite you to share your favourite moments as a Tolkien reader.

Pictured is an annotated version of a fold-out map which was included in early editions of the Lord of The Rings. The map shows readers Tolkien’s fantasy world ‘Middle-earth’.

The annotations are by Tolkien himself, and were for the benefit of Pauline Baynes, an artist who was creating an illustrated poster map of Middle-earth.

Baynes ripped the map out of her own 1954 copy of Lord of the Rings and took it to Tolkien, who covered it with notes, including many extra place names that do not appear in the book. Since most were in his own invented Elvish language he helpfully translated some: ‘Eryn Vorn [= Black Forest] a forest region of dark [pine?] trees.’

The annotations give an insight into how vividly Tolkien pictured Middle-earth in his mind, and how thorough his research was. They include a series of geographical pointers about the latitude of key locations: ‘Hobbiton is assumed to be approx. at latitude of Oxford,’. ‘Minas Tirith is about latitude of Ravenna (but is 900 miles east of Hobbiton more near Belgrade). Bottom of the map (1,400 miles) is about latitude of Jerusalem.’

Pictured: MS. Tolkien Drawings 132. copyright Tolkien Estate / Williams College Oxford Programme 2018

(7) MAPPING GENRE LOVE. “The Most Popular Book Genre In Each State” – BookRiot says a research firm came up with a rationale for assigning them. Map at the link.

Are there different preferences for book genres depending on what state you’re in? According to new research from Cloudwards, there are trends in book preferences based on location.

Utilizing Google Trends data over the last 12 months, Cloudwards explored the most searched genre in each of the 50 states, plus the District of Columbia. All searches were limited to Google Trends “Books and Literature” category, and the researchers used a variety of common genre terms to determine the frequency of interest in them by state. Some of the genre categories were a little unconventional for the average reader–how do you determine the difference between “fiction” and “family” as terms–but the major genres were included, including romance, fantasy, mystery, and so forth….

… Romance dominated in terms of genre popularity across the US, with 22 states seeing it as their top searched genre. In terms of geographic region, romance was especially popular in the south, with states like Florida, Georgia, Louisiana, Tennessee, Kentucky, and Virginia ranking it as their top genre.

Fiction and poetry tied for next most popular genres, each either nine states reporting it as the most searched genre. The researchers note that these findings aren’t surprising, given that fiction is broad and encompassing. As for poetry, it is likely not surprising to see people looking for more information about poetry; the research here isn’t about poetry being the most read genre, but rather, one of the most researched genres….

(8) REASON TO BE SCARED BY THE PHONE BILL. Atlas Obscura remembers “The Heyday of Horror Hotlines and Why We Still Love to Fear the Phone”.

IT’S NO ACCIDENT FREDDY KRUEGER is the most famous monster of the last 50 years….

…So of course Freddy would capitalize on one of his decade’s definitive devices: the telephone. In the late 1980s you could communicate with Krueger on your home phone (after you “get your parents’ permission,” of course) through the awesome telecommunicative power of the hotline. Dialing 1-900-909-FRED connected brave teens to a running tape of short ghost stories, each introduced by Freddy Krueger like a malevolent MTV VJ throwing to Paula Abdul videos…

HAHAHAHAHAHAHA. IT’S TIME FOR ANOTHER ONE OF FREDDY’S FAVORITE BEDTIME STORIES. AND THIS ONE’S A DREAM—MY KIND OF DREAM: THE KIND YOU DON’T WAKE UP FROM…

You can listen to 40 consecutive minutes of this stuff on YouTube, thanks to some intrepid young Gen-Xer who owned a tape deck and I guess was willing to catch hell from their parents when the phone bill arrived….

(9) L.J. SMITH (1958-2025.) L. J. Smith, author of The Vampire Diaries, died March 8 at the age of 66.

Her first book, The Night of the Solstice, written during high school and college, was published by MacMillan in 1987.

The New York Times obituary explains that the Vampire Diaries publisher eventually moved on from Smith to a ghostwriter, and how Smith recovered her characters by writing fanfiction.

…The first three books in The Vampire Diaries series were published by HarperCollins in 1991, and a fourth was released in 1992. But Ms. Smith — whose first agent was her typist, who had never represented a client — told The Wall Street Journal that she had written the trilogy for an advance of only a few thousand dollars without realizing that it was work for hire, meaning she did not own the copyright or the characters….

…In 2009, “The Vampire Diaries” were adapted into a dramatic television series that lasted for eight seasons on the CW Network….

…By 2014, the “Vampire Diaries” book series had sold more than five million copies, but Ms. Smith was no longer writing the authorized version: Alloy Entertainment fired her in 2011 over what its president and founder, Leslie Morgenstein, told The Wall Street Journal were creative differences.

A ghostwriter and then an author using the pen name Aubrey Clark were brought in to complete the final six books in the series. Ms. Smith said in interviews that she had believed that Alloy and HarperCollins wanted shorter books more closely associated with the TV series. They continued to put Ms. Smith’s name prominently on the cover of the books as the series’ creator….

…Eventually, Ms. Smith found an outlet to reclaim her characters — fan fiction, which book lovers have long written and posted, spooling out their own amateur versions of stories and characters even though they did not own the intellectual property and it was often not strictly legal.

In 2013, Amazon created Kindle Worlds, an online service that gave writers of fan fiction permission to write about certain licensed properties, including Alloy’s “Vampire Diaries” series, and to earn money for their ventures.

In 2014, Ms. Smith became the rare celebrated author to produce fan fiction as a way to recoup characters and story arcs she had lost, publishing a novel and novella in an informal continuation of the “Vampire Diaries.” (Kindle Worlds was discontinued in 2018)….

(10) TODAY’S BIRTHDAY.

[Item by Paul Weimer.]

March 26, 1931 — Leonard Nimoy. (Died 2015.)

By Paul Weimer: It is fitting that Leonard Nimoy’s birthday should only be a couple of days after William Shatner’s. Sure, like Shatner himself, Nimoy is much more than his Star Trek character. But then again, he is the one who felt it necessary to write a book called I am Not Spock. Shatner never had to do the same for Kirk. 

Why that is is because Nimoy brings a human alienness to Spock that no iteration of him since has quite managed. There are several Spocks running around now in movie and series history, but Nimoy’s is the one that sticks, the one that is the definitive article. The brainiac logic-fueled half human…who nevertheless shows real passion and anger in “Amok Time”, and especially at the utter joy that Kirk has in fact survived after all. Or learning the limits of logical action in “The Gaileo Seven”. Nimoy’s Spock was always learning, always growing, always becoming better (a lesson Spiner would apply to Data).  The whole journey of Spock’s death, resurrection, and return to normal through the Star Trek movies shows a whole gamut of emotions and character growth. Nimoy sells all of that. 

But Nimoy was more than that. He was the narrator of In Search Of, and I remember watching that for the first time and wondering why the voice was familiar on the episode, and only learning a couple of months later it was, in fact, “Spock”. I also enjoyed his secondary role in the 1978 Invasion of the Body Snatchers. He also directed a number of movies as well, and became a producer, later, in the bargain. When I finally got to watching the original Mission Impossible (which I had only seen scattershot growing up), I was delighted to find he was there, too, as a master of disguise and immersion, Paris.  

Later in life, he had a role in a number of episodes of Fringe.

On top of all that, you probably know about his music, if for nothing else than “The Ballad of Bilbo Baggins.”. But did you know he was also a rather good photographer? In a world next door, he pursued that to the fullest rather than acting. As it is, the work he has done has been exhibited in major museums. 

Such a diverse and strong and polymathic artistic talent. I wish I could have met him, but he died in 2015.  Requiescat in pace. 

Leonard Nimoy

(11) COMICS SECTION.

  • Dinosaur Comics poses a past/future riddle.
  • Jerry King has an employer with a risky idea. 
  • Tom Gauld finds a place that didn’t believe in “safety first”.

My cartoon for this week’s @newscientist.com

— Tom Gauld (@tomgauld.bsky.social) 2025-03-23T10:49:40.154Z

(12) INTRODUCING BETWEEN A ROCKET AND A HARD SPACE. The International Space Station (ISS) National Laboratory is launching Between a Rocket and a Hard Space, the official ISS National Lab podcast. This podcast series dives deep into the discoveries, innovations, and people shaping the future of space, with the first episode now available.

The podcast’s name is a nod to the challenges and complexities of exploring the space environment, with recognition of the far-reaching benefits space-based R&D may bring. Going beyond the launch pad, Between a Rocket and a Hard Space offers exclusive insights from scientists, engineers, and visionaries leveraging the unique environment of low Earth orbit to push the boundaries of research and technology development. But that’s just the beginning. We’ll also hear from policymakers driving the industry forward, financial experts fueling the space economy, and communicators working to inspire the next generation of explorers.

In the first episode, host Patrick O’Neill sits down with ISS National Lab Chief Scientific Officer Michael Roberts to explore the groundbreaking science happening on the orbiting outpost and its real-world impact on medicine, technology, and industry. Roberts will provide an insider perspective into how microgravity is unlocking advancements in drug development, regenerative medicine, advanced materials, and in-space  manufacturing.

Episodes of Between a Rocket and a Hard Space will be available through many major listening platforms, including Apple Podcasts, Spotify, YouTube, iHeartRadio, TuneIn, Alexa, Overcast, Pocket Casts, Castro, and Castbox.

(13) KEEP YOUR EYE ON THE HOLE. “’So Much Good Science’: The Black Hole Visuals In Christopher Nolan’s $759M Oscar-Nominated Sci-Fi Movie Called ‘One Of The Most Accurate Depictions Of The Environment’ By Expert, Who Gives It A Near-Perfect Score” at ScreenRant.

… An expert speaks about the black holes in Intersellar. The 2014 sci-fi movie tells the story of a former NASA pilot named Cooper (Matthew McConaughey) who re-enters space exploration in order to help locate a new planet for humans when Earth becomes uninhabitable. The film features a leading cast including McConaughey, Anne Hathaway, Matt Damon, John Lithgow, Jessica Chastain, and a young Timothée Chalamet. Interstellar made over $758 million at the box office, and ultimately ended up as one of Nolan’s lower-rated films in terms of Rotten Tomatoes score, getting a 73%…

… Speaking with Insider, astrophysicist Paul M. Sutter discusses Interstellar‘s black hole visuals, giving them a high accuracy rating. Sutter said there is “so much good science in the black hole image,” noting how well Nolan’s film maps the behavior of light in relation to a black hole. The expert also explains how Newton’s third law impacts how Cooper is acting in the key black hole scene. Ultimately, he gave Interstellar‘s black hole accuracy a 9 out of 10. Check out the full quote from Sutter below:

So much good science in the black hole image. Light follows the curves, the hills and valleys of spacetime. And these curves are set by massive objects. This is one of the earliest tests of Einstein’s theory of relativity. And black holes bend space a lot, and so what we are seeing is there’s a thing disk called an an accretion disk surrounding the black hole. But if you’re standing on one side of the black hole, light from the back end — which normally you wouldn’t see because you know, black hole in the way — there’s light that’s going up this way but then gets bent and curves right to you.

Newton’s third law is for every action, there is an equal and opposite reaction. And this is in the fundamental basis for space travel. We push against the air to get our airplanes to go. But in space there’s no ground, there’s no air. So we can only push against ourselves. If we throw something away from us, that propels us in the equal and opposite direction. So what I think he’s going for, old Cooper, is to get him away from that orbit, if he pushes something towards the black hole, that will nudge the spacecraft away from that orbit, and give it a safe escape.

The event horizon is the one way barrier. This is the edge of the black hole. This is the point of no return. That if you cross the event horizon, that gravity is so strong, that nothing, not even light can escape.

When Cooper first falls through the black hole, then he goes ‘oh, everything’s black.’ No, like you’re not the only thing falling into a black hole. There’s light from the entire rest of the universe that’s falling in with you. For a supermassive black hole like this, like Gargantua in the movie, you’ve got a handful of seconds from the moment you cross the event horizon to the time you hit the singularity.

That was an incredibly accurate depiction. In fact, it is one of the most accurate depictions of the environment around a black hole ever made. I would give it a 9. Okay a point off because it is not actually dark in there. But honestly, we don’t know what actually happens inside of a black hole, so that’s fair game….

(14) IS THIS A SPOILER? It is if the fan is right. “43 years later, John Carpenter has hinted at who turns into The Thing in the horror movie and one eagle-eyed fan has worked it out” at GamesRadar+

It’s been 43 years since legendary director John Carpenter’s The Thing hit screens, but the mystery behind which character turns into the fearsome monster has remained shrouded in secrecy, until now. And one fan has worked it out.

At a special 4K screening of The Thing at David Geffen Theater on March 22, Carpenter revealed that a scene in the middle of the movie reveals whether Kurt Russell’s R.J. MacReady or Keith David’s Childs is The Thing. “I think I found that hint,” said Joe Russo (a film fan not the Marvel director) on Twitter.As pointed out by Russo, MacReady is informed that The Thing can replicate at the cellular level, so to be safe they should only drink and eat what they have prepared themselves. Despite the warning, toward the end of the movie, MacReady shares a bottle of liquor with Childs, which could mean that he is either rather forgetful or he is, in fact, The Thing. “As soon as Childs drinks from the bottle, The Thing has won. It’s beaten its most skeptical, final threat,” says Russo…

More details at the link.

(15) ASSEMBLY REQUIRED. “’Avengers: Doomsday’ Cast: Chris Hemsworth, Anthony Mackie and More” – Variety covers the announcement. (If you have five-and-a-half hours to spare, you can watch it yourself here: “Avengers: Doomsday | Cast Announce”.)

The Avengers have assembled once again. Marvel slowly revealed the full cast of “Avengers: Doomsday” in a livestream that began Wednesday morning.

Among the returning cast members are Chris Hemsworth as Thor; Anthony Mackie as Sam Wilson, who debuted as Captain America in last month’s “Brave New World”; his co-star Danny Ramirez as Joaquin Torres, the new Falcon; Sebastian Stan as Bucky Barnes, the Winter Soldier; Paul Rudd as Scott Lang/Ant-Man; Tom Hiddleston as Loki; Letitia Wright as Shuri, who took over the Black Panther mantle in “Wakanda Forever,” and her co-star Winston Duke as M’Baku. As previously announced, Robert Downey Jr. will be back as the villain Doctor Doom instead of Iron Man.

The biggest surprises were several returning “X-Men” stars for “Avengers: Doomsday.” The mutant cast includes Patrick Stewart, whose Professor Charles Xavier was killed off in both “Logan” and “Doctor Strange in the Multiverse of Madness” but appears to be back; Ian McKellen, who was last seen as Magneto in “X-Men: Days of Future Past”; Kelsey Grammer as Beast, who made a cameo in the post-credits scene of “The Marvels”; Alan Cumming as Nightcrawler from “X2”; James Marsden as Cyclops; Channing Tatum, who played Gambit in “Deadpool & Wolverine”; and Rebecca Romijn, who originated the shape-shifting role of Mystique before Jennifer Lawrence took it over in the “X-Men” prequels.

Some recent Marvel newcomers are also being introduced to the “Avengers” ensemble. They include Pedro Pascal as Mr. Fantastic, Vanessa Kirby as the Invisible Woman, Joseph Quinn as Human Torch and Ebon Moss-Bachrach as the Thing from this summer’s “The Fantastic Four: First Steps”; “Thunderbolts*” stars Florence Pugh as Yelena Belova, David Harbour as Red Guardian, Wyatt Russell as U.S. Agent, Hannah John-Kamen as Ghost, Lewis Pullman as the mysterious Bob; Simu Liu as Shang-Chi; and Tenoch Huerta Mejía, who played the underwater antagonist Namor in “Black Panther: Wakanda Forever.”…

(16) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Grammaticus Books takes a look at a  Fritz Leiber fantasy… “Our Lady of Darkness…a look at Fritz LEIBER’S SOUL”.

An in-depth review of Fritz Leiber’s, 1978 dark urban fantasy, OUR LADY of DARKNESS. A thinly veiled autobiography and biopic of Leiber’s life from 1977, from the author most famous for his sword and sorcery tales of Fafhrd and the Grey Mouser.

[Thanks to SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Michael J. Walsh, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 2/27/25 All These Pixels Are Yours, Except Scrollropa. Attempt No Filing There

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(1) NO MORE US WORLDCONS DECLARES JO WALTON. Welsh-Canadian author Jo Walton, past winner of the Hugo, Nebula, World Fantasy, and Otherwise Awards, called on Bluesky yesterday for an end to US Worldcons. She did so in response to a leaked State Department policy designed to implement Trump’s executive order “Defending Women From Gender Ideology Extremism And Restoring Biological Truth To The Federal Government”.

Walton says she would prefer for the LAcon V committee to abandon its Anaheim, CA location and move outside the country. Setting aside that the bid was seated by a democratic site selection process, they’ve also made legal and financial commitments to secure their 2026 facilities. Breaking those contracts would involve paying large penalties. How much? Remember that when Arisia 2019 decided the principled stance was to move the con away from two strike-affected hotels they were planning to use that triggered approximately $150,000 in cancellation fees and anticipated attrition charges. Even under the settlement negotiated by Arisia’s lawyers they still had to pay over $40K, much of the money donated by fans to Arisia’s fundraising campaign.

(2) MAY THE BEST APE WIN. [Item by Olav Rokne.] The Unofficial Hugo Book Club Blog is advancing a bit of an off-board pick for the Best Dramatic Hugo, but it’s a beguilingly bonkers and beautiful little movie. And I will maintain to my last breath that any movie in which there are 100,000 chimpanzees fighting with swords is at the very least magical realism, and consequently a genre work: “The Ape Star”.

In the climactic moment of Better Man, an anthropomorphic chimpanzee named Robbie Williams takes the stage at the Knebworth Festival in front of 125,000 fans to sing his pop anthem, “Let Me Entertain You.” Nearing the end of the song, he spots in the audience dozens — then hundreds — of younger and angrier chimpanzee versions of himself. Leaping into the crowd, he begins fighting them one-by-one, with each showdown getting bloodier and more outlandish.

With the leaping chimpanzees, the soaring camera work, and the colourful cinematography, it is as if the Battle of Isengard had been set on the Planet of the Apes and directed by Speed-Racer-era Wachowskis….

(3) PEN AMERICA REPORT ON BOOK BANS. “PEN America Report Zooms In on School Year 2023–2024 Book Bans” — Publishers Weekly has a synopsis.

In a new report out today called “Cover to Cover,” PEN America provides a comprehensive analysis of the 4,128 unique titles that it determined were removed from public schools nationwide during the 2023–2024 academic year—the result of more than 10,000 instances of school book bans over that time period. With this latest look at its data from 2023–2024, PEN America builds on the findings it released last fall with a goal of better understanding the wide-reaching impacts of this educational censorship being driven by politics and coordinated, well-funded groups.

For the “Cover to Cover” report, PEN’s team of staff researchers, expert consultants, and author volunteers reviewed each banned title across 37 variables. What they learned was that certain marginalized identities are “being removed from library shelves en masse.” The reviewers found that 36% of the books banned during the 2023–2024 school year feature characters or people of color and 25% include LGBTQ+ people or characters. Of those banned titles with LGBTQ+ representation, 28% feature trans and/or genderqueer characters.

PEN’s researchers noted that in terms of identity erasure, the numbers are even more stark within the different genres and formats of the banned books. For example, they found that 73% of banned titles that fall into the graphic and illustrated titles category feature LGBTQ+ representation, people or characters of color, or discussions of race/racism. Sixty-four percent of banned picture books depict LGBTQ+ characters or stories; and 44% of banned history and biography titles feature people of color.

“When we strip library shelves of books about particular groups, we defeat the purpose of a library collection that is supposed to reflect the lives of all people,” Sabrina Baêta, senior manager for PEN America’s Freedom to Read program, said in a statement. “The damaging consequences to young people are real.”…

(4) KATHLEEN KENNEDY REPLIES. She’s not retiring. In Deadline, “Kathleen Kennedy clarifies Lucasfilm future, Star Wars plans”. After Mike Fleming, Jr. takes the media to task for what was reported, he walks Kennedy through a Q&A session which begins:

DEADLINE: We’ve read all these speculative reports that you are out, that there’s a frenzy for the next person who’s going to take over Lucasfilm. What is the truth?

KATHLEEN KENNEDY: The truth is, and I want to just say loud and clear, I am not retiring. I will never retire from movies. I will die making movies. That is the first thing that’s important to say. I am not retiring. What’s happening at Lucasfilm is I have been talking for quite some time with both Bob and Alan about what eventual succession might look like. We have an amazing bench of people here, and we have every intention of making an announcement months or a year down the road. We are in lockstep as to what that’s going to be, and I am continuing. I’m producing Mandalorian the movie right now, and I’m also producing Sean Levy’s movie, which is after that. So I’m continuing to stay at Lucasfilm and looking very thoughtfully with Bob and Alan as to who’s stepping in. So that is all underway, and we have every right to make that announcement when we want to make it….

(5) OCTOTHORPE. John Coxon thought of something, Alison Scott is educational, and Liz Batty reads contracts in Episode 129 of the Octothorpe podcast. They discuss the Belfast Eastercon, Alison shakes her cane at John and Liz, and they talk a little about WSFS things before getting into picks. Listen here: “Deep in Annex A”. An uncorrected transcript is available here.

Words read “Octothorpe 129: Can you pin Thailand on the map?” above a black-and-white world map. The backs of John, Alison and Liz’s heads are shown. John is thinking “Yup!”, Liz is thinking “100%”, and Alison is holding Thailand and thinking “???”.

(6) FILK HISTORY ZOOM. Fanac.org has posted video of the Zoom session “Margaret Middleton – A Shaper of Modern Filk (Part 1 of 2), interviewed by Edie Stern”.

Description: FANAC History Zoom: February 2025: Named to the Filk Hall of Fame in 1996, and a long time officer of the Filk Foundation, Margaret Middleton has been instrumental in the shaping of modern filk, as well as a mainstay of Arkansas fandom. She’s published multiple fanzines, including Kantele, and was a founder of the first specialized filk convention, Filkcon 1. In Part 1 of this 2 part recording, we learn about her introduction to conventions and fandom, including a delightful story of the Icon elevator that may have changed her life. 

Margaret starts at the beginning, with her entry to fandom and how she started writing filk, and continues to the four bearded guys and how she came to pub her ish. A traveling fan with many convention stories, this Part 1 includes the origin story of Roc*Con in the grand fannish tradition, as well as tales of Big Mac (MidAmericon, 1976 Worldcon), and reminiscences of some of the filkers of the time (incuding the “Great Broads of the Galaxy”). The talk moves on to filkzines, specialized filk conventions, and filksing styles. It’s great fun, especially for those of us that remember filking in those days. Full Disclosure: the interviewer (me) is one of those people.

(7) HUNGER GAMES TRIBUTES WILL TREAD THE BOARDS. “’Electrifying experience’: stage version of The Hunger Games to open in new London theatre” reports the Guardian.

A new theatre in London’s Canary Wharf will open with the delayed world premiere of The Hunger Games, based on Suzanne Collins’ bestselling 2008 novel and the hit 2012 film version.

Irish playwright Conor McPherson’s adaptation of the dystopian adventure, which follows teenagers fighting to the death in a televised spectacle, will begin previews on 20 October. The purpose-built, 1,200-seat Troubadour Canary Wharf theatre is operated by the company behind the venue for the successful Starlight Express reboot in Wembley Park, where singing roller-skaters whiz among the audience. The Hunger Games has been similarly designed to place theatregoers amid the action.

Tristan Baker and Oliver Royds, joint CEOs and founders of Troubadour Theatres, said the show would offer “a transportive, electrifying experience that fully captures the scale, intensity and spectacle of Suzanne Collins’ world. Every element – from the staging to the technology – has been tailored to transport audiences right into the heart of the Games like never before.”…

(8) GENE HACKMAN (1930-2025). Actor Gene Hackman and his wife, pianist Betsy Arakawa, were discovered dead in their Santa Fe, NM home yesterday. Authorities are investigating their deaths, with Deadline’s most current information summarized here: “Gene Hackman & Wife Suffered ‘No External Trauma’, Police Say”.

…No cause of death has been determined so far for Gene Hackman and Betsy Arakawa, but New Mexico police say the situation “remains an open investigation.”

With affidavits, search warrants and statements calling the death of the two-time Oscar winner, his wife and their dog late Wednesday “suspicious enough in nature,” the Santa Fe Sheriff’s office is reiterating Thursday that “there were no apparent signs of foul play.”…

…“An autopsy was performed. Initial findings noted no external trauma to either individual,” they added. “Carbon monoxide and toxicology tests were requested for both individuals. The manner and cause of death has not been determined. The official results of the autopsy and toxicology reports are pending. This remains an open investigation.” 

Earlier today, the local coroner’s office said it could be 4-6 weeks before a full report on the 95-year-old Hackman and the 63-year-old Arakawa is complete….

…With that, the deaths of Hackman and Arakawa become all the more complicated by what wasn’t addressed in the latest statement by the Santa Fe police. While the late Wednesday night affidavit for a search warrant on the couple’s property mentioned both bodies being on the floor of the house in different rooms and a “pill bottle being opened and pills scattered next to the female,” there was zero mention of that in this afternoon’s release…

The actor won Oscars winner for his work on 1971’s The French Connection and 1992’s Unforgiven. Hackman and classical pianist Arakawa married in 1991. 

His work of genre interest included playing Lex Luthor in multiple Superman films, appearing in Young Frankenstein, Marooned, and in one episode of The Invaders TV series. He also voiced a character in the animated movie Antz.

(9) A TOAST. This is a good day for “Remembering GENE HACKMAN in YOUNG FRANKENSTEIN (1974)”.

(10) MEMORY LANE.

[Item by Cat Eldridge.]

Anniversary, TekWar: TekLab (1994)

Thirty-one years ago this evening TekWar: TekLab, the third of the TekWar episodes, aired. Created by William Shatner, the novels credited initially to him were actually ghost-written by Ron Goulart. I don’t know how much input Goulart had into the TV series. TekWar would be developed for television by Stephen Roloff who earlier had done the same for Friday the 13th: The Series and Beyond Reality which I liked, also filmed in Toronto, the site of other series such as Forever Knight. 

TekLab would take our detectives to London attend a ceremony at the Tower of London which marks the start of a campaign to restore the British monarchy. Before the film ends, much will happen including the appearance of Excalibur. 

The primary cast was Greg Evigan as Jake Cardigan, Eugene Clark as Sid Gomez, William Shatner as Walter Bascom, Michael York as Richard Stewart, Laurie Winger as Rachael Tudor and Maurice Dean Winter as Lt. Winger. 

I can’t say most critics loved this William-Shatner-created affair as they mostly did not, with who I’ll not quote by name to protect the guilty saying of the series that it was “bargain basement science fiction with a stale protagonist, a convoluted murder mystery, and a narrative that feels incomplete.” Audience reviewers at Rotten Tomatoes currently give this film specifically a thirty-six percent rating. 

It ran two seasons for a total of 22 episodes, films as well. Supposedly in production, there was an adult animated TekWar film (whatever the hell they meant by that and I’m definitely not speculating) which was announced five years ago but I can’t find any proof of it existing.

Unlike most of the critics, I liked this series as the lead protagonist, Jake, was developed enough to be a good character in that crucial story role and even Shatner in the role he was in was likable enough to be generally not annoying, the supporting characters made sense, the stories weren’t exactly the best science-fiction ever done, but they weren’t bad either and the setting made sense for what it was.

It is streaming, well, nowhere. It aired originally on the USA network before repeating on the Sci Fi network. The USA network is owned by NBC Universal, parent company of Peacock as well, so I’m surprised it is not there at least. 

(11) COMICS SECTION.

(12) BERLITZKRIEG. This bilingual joke has to have been around for a long time but today is the first time I’ve seen it. “Yo” is the Spanish counterpart to the English pronoun “I”.

The Spanish-language version of Asimov's sci-fi classic I, Robot sounds a lot more street.

— Rob McD (@yourfunnyuncle.bsky.social) 2025-02-27T22:20:11.197Z

(13) OUR MEGAFAUNA NEIGHBORS. TL;DR version: It took longer for humans to eat the last of them than previously thought. P.S. The article says that idea is actually wrong, no matter how much I like it. “Giant Megafauna Lived Alongside Humans As Recently As 3,500 Years Ago” says IFLScience.

….For a long time, the overall consensus has been that mammalian megafauna – giant mammals that roamed the Earth in the past, including species like mammoths, giant sloths and sabertoothed tigers – went extinct at the start of the Holocene. This is our current geological epoch, which started around 11,700 years ago, at the end of the last major glacial age.

However, some recent studies have obtained fossil evidence that challenges this consensus. In particular, the discovery that woolly mammoths were still alive 4,000 years ago helped undermine this idea. Now researchers have found other megafauna specimens, including giant sloths and camel-like animals, that survived in South America up to around 3,500 years ago.

This evidence raises questions about what really led to the planet’s most recent large animal extinction while also showing that it was not a homogenous event….

(14) NEWLYWED WALT. Animation Magazine alerts us that “Rare Early Disney Photos Go to Auction at Van Eaton Galleries”. And some of the photos can be viewed at the link.

(15) THE TECHNICAL TERM IS…. [Item by Mark Roth-Whitworth.] And you want to know why AI shouldn’t replace people? “’Emergent Misalignment’ in LLMs” at Schneier on Security.

Interesting research: “Emergent Misalignment: Narrow finetuning can produce broadly misaligned LLMs“:

“Abstract: We present a surprising result regarding LLMs and alignment. In our experiment, a model is finetuned to output insecure code without disclosing this to the user. The resulting model acts misaligned on a broad range of prompts that are unrelated to coding: it asserts that humans should be enslaved by AI, gives malicious advice, and acts deceptively. Training on the narrow task of writing insecure code induces broad misalignment. We call this emergent misalignment. This effect is observed in a range of models but is strongest in GPT-4o and Qwen2.5-Coder-32B-Instruct. Notably, all fine-tuned models exhibit inconsistent behavior, sometimes acting aligned. Through control experiments, we isolate factors contributing to emergent misalignment. Our models trained on insecure code behave differently from jailbroken models that accept harmful user requests. Additionally, if the dataset is modified so the user asks for insecure code for a computer security class, this prevents emergent misalignment.

“In a further experiment, we test whether emergent misalignment can be induced selectively via a backdoor. We find that models finetuned to write insecure code given a trigger become misaligned only when that trigger is present. So the misalignment is hidden without knowledge of the trigger.

“It’s important to understand when and why narrow finetuning leads to broad misalignment. We conduct extensive ablation experiments that provide initial insights, but a comprehensive explanation remains an open challenge for future work.”

The emergent properties of LLMs are so, so weird.

[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, Olav Rokne, John Coxon, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Olav Rokne.]