Pixel Scroll 5/13/18 I Kicked The Cord And Broke The Board And Set My Pixels Free

(1) PARTING GIFT. CinemaBlend makes sure we didn’t miss it: “The Big Bang Theory Finale Deleted Scene Reveals Stephen Hawking’s Wedding Present”.

One wedding-related scene fans did not get to see was the wedding gift that was bestowed upon the happy couple by Stephen Hawking. Fortunately, The Big Bang Theory‘s Twitter account posted the scene for fans, which also included a tribute to one of their most revered guest stars. Watch it for yourself below:

(2) GETTING BACK IN THE USA. Sheesh, is there any reason not to want this? “Mobile Passport Will Get You Through Customs and Immigration in Under 60 Seconds”.

Around the Condé Nast Traveler offices, not having Global Entry is a badge of shame. What kind of travel editor wouldn’t want to make re-entering the U.S. as easy and seamless as possible? Well, this kind. Six years after the official launch of Global Entry, which includes the security-line-skirting PreCheck membership, I still haven’t ponied up the $100 enrollment fee or gone through the application process. It’s not because I love standing in line—obviously that sucks—and it’s not because I don’t have one of the many credit cards that would pay the fee for me. I don’t have Global Entry because I can get through customs and immigration in less than 60 seconds without it.

My secret is the Mobile Passport app, which was first released in 2014 but has yet to catch on the same way Global Entry has. The app, which is completely free, has been downloaded about 3.5 million times since launch, according to its developers. While that number may sound big, it’s less than the number of people using Global Entry, which has at least 4.7 million members and “thousands of additional travelers applying for membership each day,” according to a November statement from Customs and Border Protection.

(3) RELIQUARY. The New York Times visited “The Sistine Chapel of Comic-Strip Art”.

On a beer-splotched wall of a Midtown sports bar, a forgotten relic from the heyday of cartooning, featuring Beetle Bailey, Fred Flintsone and some jokers from Mad magazine. With cameos by James Thurber, Ernest Hemingway and Marilyn Monroe.

This crumbling, beer-splotched wall in the back of a sports bar on East 44th Street is one of New York’s more neglected cultural treasures. Created in the 1970s, it is a veritable Sistine Chapel of American comic-strip art: the 30-some drawings across its face were left by a who’s who of cartooning legends, including a Spider-Man by Gil Kane, a Beetle Bailey by Mort Walker, a Dondi by Irwin Hasen, a Steve Canyon by Milton Caniff, a Hagar the Horrible by Dik Browne, and a Dagwood Bumstead by Paul Fung Jr. There’s also a self-portrait by Al Jaffee, a doodle by Bil Keane, and a Mad magazine-style gag by Sergio Aragonés. Old regulars are familiar with the wall’s past, and comic book scholars make occasional pilgrimages to the bar, but the Overlook’s cartoon mural remains largely unknown and untended.

Al Jaffee, who is now 97, was surprised to learn the wall still existed when reached by phone at his apartment. “I’m amazed to hear it is around in this crumbling state,” said Mr. Jaffee, who created Mad magazine’s signature back-page Fold-In feature. “We did that stuff a long time ago. I’m curious myself how many of us who worked on that are still around. I was honored to draw it alongside so many of my heroes.”

Mark Evangelista, an owner of the Overlook, said his attempts to bring attention to the artifact have been futile. “No one cares,” he said. “I’ve tried telling national cartoon organizations and societies about it, but no one is interested. This bar could be like McSorley’s if only more people knew about it. This is a piece of New York history.”

(4) COMICS AUCTION. Probably shouldn’t be speculating on Mother’s Day what you might have made if Mom hadn’t tossed some of those old comics in the trash — “Vintage Superman, Batman comic lot auction grabs $6.5 million on day 1”.

Heritage Auctions in Chicago started selling the books and the art on Thursday, which include rare gems like “Action Comics” #1 from 1938, which is the first time Superman appeared, “Batman” #1 from 1940 and·”Justice League of America” #1 from 1960.

The comic with Superman’s first appearance nabbed $573,600, while “Batman” #1 was purchased for $227,050.

(5) SALUTE TO YA MOMS. And for our next morbid thought of the day….

(6) COMICS SECTION.

  • Mike Kennedy recommends Pearls Before Swine, “Wherein Pig defines a mother as the one who is proud of you even when your second book bombs.”

(7) MORE TO COME. C.J. Cherryh announced “Jane and I have been given the unofficial goahead for another novel…. …to follow Alliance Rising. We know where we take up.”

(8) BALLOT ANALYZED. Camestros Felapton speaks frankly in “Hugo Ballot 2018: BDP – Short”.

…And overall, it’s a bit lacklustre. The clear favourite is Black Mirror’s Star Trek riff USS Callister but I had issues with it. Doctor Who traditionally gets a slot here but I found that episode overly sentimental. One of my least favourite episodes of Star Trek: Discovery got nominated. There’s just not enough of Clipping’s The Deep and two episodes of The Good Place just seems odd…

(9) WAKANDA COMMENCEMENT ADDRESS. WUSA has video: “‘Howard Forever’: Chadwick Boseman, ‘Black Panther’ star, gives Howard University grad speech”.

“This is a magical place where the positives and negatives seem to exist in the extremes,” he said reminiscing on his time at Howard. He told a story about coming across Muhammad Ali on campus. “I walked away floating like a butterfly,” he said to laughter, talking about how that experience made him feel like he could do anything. “That is the magic of this place. Almost anything could happen here.”

He went on to call out the names Howard has been referred to as: Wakanda University, The Mecca, The Hilltop. “Every day is leg day here,” he laughed, referring to the literal meaning of The Hilltop.

“The Hilltop represents the culmination of the intellectual and spiritual journey you went on while you were here,” he went on, describing overcoming the academic, financials and social struggles of college.

“But you’re here…you made it to the top of the hill.”

(10) WEIRD SEEKER. Hungarian blogger Balázs Farkas argues that Donald Glover’s Atlanta is the best weird fiction on TV nowadays: “Best Weird Fiction on Television? Atlanta!”

But it turns out, this show is much more than that. And this might sound odd, but I must point it out: Atlanta is weird fiction. And Atlanta is weird fiction at it’s best.

Now, I’ve always struggled to find something on TV that does the eerie and uncanny extremely well, but with the exception of Twin Peaks: The Return, there wasn’t really anything out there that would satisfy my craving for a show that can establish a seemingly ordinary premise, make it extremely convincing and engaging, and then turning it into something truly… truly weird.

And I’m not talking about weirdness in a comedic sense, I’m talking about the slipstream school of writing (or, the weird and the new weird as defined by a succession of writers since H. P. Lovecraft), where you’ll be confronted with a reality that in some ways matches with your perception of reality, but with a heavy dose of cognitive dissonance and a sense that there’s something deeply wrong with the world, something unnerving. And you can’t really grasp why.

(11) HAPPY BIRTHDAY. Steven H Silver keeps up his Black Gate series with “Birthday Reviews: Gregory Frost’s ‘Farewell, My Rocketeer’”.

…Gregory Frost’s novelette “Madonna of the Maquiladora” was nominated for the Hugo Award, the Nebula Award, the James Tiptree, Jr. Memorial Award, and the Theodore Sturgeon Memorial Award. Frost has also been nominated for the International Horror Guild Award and World Fantasy Award for his novel Fitcher’s Brides. His Shadowbridge and Lord Tophet jointly were nominated for the Tiptree, and “How Meersh the Bedeviler Lost His Toes” was nominated for the Sturgeon. He also received a Bram Stoker nomination for the story “No Others Are Genuine.” Several of his stories have been collected in Attack of the Jazz Giants and Other Stories, published by Golden Gryphon in 2011….

(12) TODAY’S BIRTHDAY MAUDE

  • Born May 13, 1922 — Bea Arthur. Her genre association was she appeared in the Star Wars Holiday Special as Ackmena.

(13) WHERE A CAT RESTS. Fantasy author James Enge knows the value of cats sleeping on SFF.

(14) THE LATEST. Galactic Journey’s John Boston gives his approval to the current (in 1963) Amazing: “[May 12, 1963] SO FAR, SO GOOD (the June 1963 Amazing)”.

On the June 1963 Amazing, the cover by Ed Emshwiller seems to portray humanity crucified, with photogenic fella and gal affixed to the front panels of computers, anguished expressions on their faces and slots cut in them like the holes in a computer punch-card.  I guess they are mutilated, if not bent, folded, or stapled.  This is done in the hyper-literal and slightly crude mode of Emsh’s Ace Double covers, which compares badly to the less literal but much more imaginative and better-executed work he is contributing to F&SF.  Suffice it to say that Emsh has not displaced William Jennings Bryan as our nation’s leading purveyor of Crucifixion imagery.  The cover illustrates Jack Sharkey’s two-part serial The Programmed People, on which I will defer until it’s finished next month.

(15) INCREDIBLES SPOT. GeekTyrant breaks down the revelations in a new commercial: “Incredibles 2 Introduces Us to Some New Superheroes”.

Disney has released a new TV spot for Pixar’s Incredibles 2 and features some new footage that fans will be interesting in seeing. Not only do we get to see another Jack-Jack power, with him multiplying, but we also get a first look at a few new Supers jumping into action. Those Supers include He-Lectrix, Voyd, with Brick in the background. You can find out more about these characters here. When talking about Voyd, Brad Bird said that she’s a huge fan of Elastigirl, and that her “infatuation with Helen Parr has become quite passionate over the years, leading to a sort of manic obsession.” He goes on to explain:

“There’s a character named Voyd who’s a new superhero, and she admires Helen and is kind of a Helen groupie. I described her to the animators as like, we had this dog that was this very big, powerful dog and it only had two settings. One was in your face, ‘Love me! Love me! Love me! Love me! Love me! Love me!’ And when you said finally, ‘Get off!’ it [becomes] ‘I’m sorry! I’m sorry! I’m sorry! I’m sorry!’ Then he goes, ‘Oh it’s okay! Now Love me, love me, love me!’ She’s a little bit like that and she’s always leaning in a little too much and always a little too ready to ask ten million questions and it’s a fun character. I’ve never seen that before in superhero movies and we’re always trying to juice it up.”

 

(16) 2001 RESTORED, NOT REINCARNATED. More important than Nixon’s missing 18 minutes, says John King Tarpinian. “Why you’ll never see the missing 17 minutes from ‘2001: A Space Odyssey'”.

On Saturday, the Cannes Film Festival will travel back to the future when Christopher Nolan presents a 50th anniversary screening of Stanley Kubrick‘s sci-fi classic, 2001: A Space Odyssey. Like Kubrick, who passed away in 1999, Nolan is a vocal proponent for the supremacy of the analog cinematic experience, and intends for 2018 audiences to watch 2001 in the same way their 1968 predecessors did. Hence, the 70 mm print that will play at Cannes — followed by a theatrical rollout on May 18 — is largely free of any digital restoration, instead produced by printing elements from the original camera negative.

Still, there’s one part of the 1968 viewing experience that Nolan can’t duplicate for modern audiences. When 2001 first played for premiere audiences that April, the film was roughly 20 minutes longer than the one that subsequently went into wide release. The baffled reaction of those first moviegoers, as well as the studio, sent Kubrick back to the editing room to excise 17 minutes of footage. And unlike some filmmakers, he wasn’t concerned when it came to the film that ended up on the cutting-room floor. “Once he released a movie, that was it,” longtime Kubrick colleague — and subject of Tony Zierra’s new documentary Filmworker — Leon Vitali reveals to Yahoo Entertainment. “There’s a place in London where all the city’s refuse is taken, and I remember taking van loads of outtakes and stuff that was never used and burning them, because he did not want any of his old material.”

(17) HOLD YOUR CANON FIRE. Inverse says “New Millennium Falcon Design in ‘Solo’ Has Been Explained”.

While history is being made about the real-life SpaceX Falcon Heavy, a different spaceship — the Millennium Falcon from Star Wars — has been totally redesigned. But, angry fans who think the new design might violate canon can hold their Canto Bight space horses. The design for the new/old Falcon in Solo: A Star Wars Story is a deep dive since before the dawn of canon.

On Wednesday, the official Star Wars Show on YouTube revealed that the fresher, newer design for the Millennium Falcon in Solo was specifically taken from Ralph McQuarrie’s concept art done before the original Star Wars. The new Star Wars Show confirmed that the design was “heavily inspired by Ralph McQuarrie … including having the radar dish pointing up.”

(18) VIDEO OF THE DAY. “Getting some air, Atlas?” on YouTube is Boston Dynamics’s latest robot video in which a robot goes jogging and then leaps over a log!

[Thanks to JJ, Hampus Eckerman, John King Tarpinian, Joe H., Andrew, Bence Pintér, Andrew Porter, Martin Morse Wooster, Cat Eldridge, Will R., David K.M. Klaus, Carl Slaughter, and Chip Hitchcock for some of these stories. Title credit goes to contributing editor of the day Kip W.]

Pixel Scroll 5/9/18 They Had Many Books For Their Kindles And Nooks And Hardcovers Kept In A Pile

(1) AWARD REVOKED. While I haven’t located any related protests in social media that would explain the decision, evidently the Romance Writers of America received enough complaints after making their award to the Washington Romance Writers to change their minds: “Update on 2018 Chapter Excellence Award”.

On May 1, 2018, RWA’s board voted to rescind the 2018 Chapter Excellence Award granted to Washington Romance Writers. This decision was made after extensive review and deliberation, because the board found it impossible to hold Washington Romance Writers up as an example of excellence due to a number of complaints received after the board voted to grant the award.

Incidents reported to RWA were submitted by WRW members as well as meeting and retreat attendees who were made to feel unwelcome, disrespected, and embarrassed by members of Washington Romance Writers. Such incidents potentially violate RWA’s Code of Ethics for Members, RWA’s By-Laws, Chapter By-Laws, and are clearly in violation of the Chapter Code of Conduct recently adopted by RWA and required to be included in all chapters’ governing documents by March 2019.

RWA’s board is dedicated to ensuring that all members feel respected, and we will no longer tolerate insensitive or biased behavior. We hope and expect that WRW is willing to take steps to ensure its future success as an RWA chapter. Only by working together can we make RWA stronger.

(2) COCKY OR NOT TO COCKY, THAT IS THE QUESTION. You may have already read news stories about Faleena Hopkins’ effort to trademark the word “cocky” for a series of romance books (her works include Cocky Romantic and Cocky Cowboy) and reports that she warned off some other writers who use the adjective in the titles of their books (see “Romantic novelist’s trademarking of word ‘cocky’ sparks outcry” in The Guardian.)

(3) THE CASE OF THE MISSING COCKY. Now there have been claims that Amazon, a primary sales channel, has been culling other authors’ titles based upon her claim.

What’s more, there have been claims that Amazon has removed some customer reviews using the word “cocky,” and delayed the posting of others (which their makers tried to post either in protest or to test Amazon’s policy.)

You can see this one’s gone:

Original URL: https://www.amazon.com/gp/customer-reviews/R3A3NXV2FH4Q4A

Google cache copy of page with review: https://webcache.googleusercontent.com/search?q=cache:zxJaTw9kaAcJ:https://www.amazon.com/Falling-Hard-New-Adult-Anthology/dp/098614150X

However, there are both titles and reviews still on Amazon with “cocky” in them which are not by the author claiming the trademark. There’s no way to tell whether any of those were zapped, then restored, by Amazon.

JJ ran a search of customer reviews containing the word “cocky” and got only 3 hits, which seemed rather low:

https://www.google.com/search?safe=off&biw=1234&bih=656&q=%22cocky%22+romance+site%3Aamazon.com%2Freview

I don’t know. It does seem like a very small search return; they’re almost all “trending” results rather than individual review results, which would indicate that they are quite recent reviews.

Heidi Cullinan did a thread on the topic:

If Amazon is deleting things — what’s with their legal staff? Do they really think they have exposure from this?

The Romance Writers of America have gotten involved:

(4) GILLIAM STROKE. And it was just the other day we were reporting his luck had finally changed for the better: “Terry Gilliam Suffers Minor Stroke Days Before Verdict on Cannes Closer ‘Don Quixote'”.

Terry Gilliam suffered a minor stroke over the weekend, days before a final verdict on whether his long-gestating passion project The Man Who Killed Don Quixote will be screened as the closing film at the 71st Cannes Film Festival.

The Hollywood Reporter has confirmed that Gilliam, 77, had a minor stroke but is fine now and recuperating at his home in England, awaiting the outcome of a court ruling regarding the screening of Don Quixote on the last night of the festival May 19. French newspaper Nice-Matin first reported the news.

(5) FIRST LOOK. The Daily Beast tells about “The Secret Photographs of Stanley Kubrick”.

According to Michael Benson’s authoritative Space Odyssey, Kubrick shot setups with the Polaroid then, based on the results, he and cameraman John Alcott adjusted lighting and the placement of his Super Panavision 70mm cameras.

“I think he saw things differently that way than he did looking through a camera,” Alcott told Benson. “When Kubrick looked at this Polaroid still, he would see a two-dimensional image — it was all one surface and closer to what he was going to see on the screen.”

It’s estimated Kubrick shot some 10,000 insta-images on 2001, and if you only know Kubrick as a reclusive eccentric that reliance on the Polaroid might seem a characteristic quirk.

But in fact it was an extension of the creative sensibility he developed as a teenager working for Look. From 1945 to 1950, Kubrick was a photographer for the picture magazine, evocatively and empathically documenting ordinary New Yorkers, celebrities, athletes, and post-war playgrounds like the amusement park.

He shot more than 135 assignments for Look while honing the skills, relationships, and chutzpah that led him to filmmaking.

Yet this vital strand of Kubrick’s artistic DNA has been criminally underexplored. The Museum of the City of New York’s new exhibition Through a Different Lens: Stanley Kubrick Photographs, on view through October 28, aims to change that….

(6) HIRED HELP. BuzzFeed takes you “Inside Amazon’s Fake Review Economy”. Given the ongoing debate on deleted reviews on Amazon, it may be interesting that a ReviewMeta algorithmic analysis (per CEO Tommy Noonan) of 58.5 million reviews on Amazon found 9.1% of them (5.3 million) to be “unnatural” and possibly fake. Unsurprisingly, Amazon disagrees claiming that <1% are “inauthentic.” Note that this article is concerned with paid reviews (both positive and negative), not tit-for-tat reviews as have been discussed in File 770.

The systems that create fraudulent reviews are a complicated web of subreddits, invite-only Slack channels, private Discord servers, and closed Facebook groups, but the incentives are simple: Being a five-star product is crucial to selling inventory at scale in Amazon’s intensely competitive marketplace — so crucial that merchants are willing to pay thousands of people to review their products positively.

…In October 2016, Amazon banned free items or steep discounts in exchange for reviews facilitated by third parties. But Tommy Noonan, CEO of ReviewMeta, a site that analyzes Amazon listings, said what he calls “unnatural reviews” — that is, reviews, that his algorithm indicates might be fake — have returned to the platform. In June 2017, Noonan noticed an uptick in unnatural reviews along with an increase in the average rating of products, and the rate of growth hasn’t slowed since.

Amazon’s ban didn’t stop sellers from recruiting reviewers. It only drove the practice underground. Reviewers are no longer simply incentivized with free stuff — they’re commissioned specifically for a five-star rating in exchange for cash. The bad reviews are harder to spot, too: They don’t contain any disclosures (because incentivized reviews are banned, and a disclosure would indicate that the review violates Amazon’s terms). Paid reviewers also typically pay for products with their own credit cards on their own Amazon accounts, with which they have spent at least $50, all to meet the criteria for a “verified purchase,” so their reviews are marked as such.

(7) CYBER TAKEDOWN. Equifax has been in no hurry for the complete damages to be made public. The Register has the latest totals: “Equifax reveals full horror of that monstrous cyber-heist of its servers”.

Late last week, the company gave the numbers in letters to the various US congressional committees investigating the network infiltration, and on Monday, it submitted a letter to the SEC, corporate America’s financial watchdog.

As well as the – take a breath – 146.6 million names, 146.6 million dates of birth, 145.5 million social security numbers, 99 million address information and 209,000 payment cards (number and expiry date) exposed, the company said there were also 38,000 American drivers’ licenses and 3,200 passport details lifted, too.

(8) LOOKING FOR CIVILIZATION THAT PREDATES HUMANITY. Gavin Schmidt, a climate scientist at NASA, published a recent paper about what could be left in the geological record that could identify a pre-human technologically advanced civilization.

The drier scientific discussion is here: “The Silurian hypothesis: would it be possible to detect an industrial civilization in the geological record?”

Abstract

If an industrial civilization had existed on Earth many millions of years prior to our own era, what traces would it have left and would they be detectable today? We summarize the likely geological fingerprint of the Anthropocene, and demonstrate that while clear, it will not differ greatly in many respects from other known events in the geological record. We then propose tests that could plausibly distinguish an industrial cause from an otherwise naturally occurring climate event.

Impressively, he has also written a short story about the impact of making such a discovery: “Under the Sun” at Motherboard.

(9) CRAIG OBIT. Noble Craig, U.S. actor, died April 26, 2018. Severely injured during wartime service in Vietnam, he used his disabilities to forge an acting career, taking roles those with four limbs were unable to fill, beginning with Sssssss (1973). Also appeared in Poltergeist II: The Other Side and Big Trouble in Little China (both 1986), The Blob (1988), A Nightmare on Elm Street 5: The Dream Child and Bride of Re-Animator (both 1989).

(10) STAR TOY. Have you fiddled with this yet? — ESASky is an application that allows you to visualize and download public astronomical data from space-based missions. Mlex sent this sample:

(11) 1984. Fanac.org has posted another Hugo ceremony video: “L.A.con II (1984) Worldcon – Hugos and Special Tributes – Robert Bloch, MC.”

Hey, there’s R. A. MacAvoy at 13:00. And guess who at 22:16 and 23:45.

L.A.con II, the 42nd World Science Fiction Convention, was held in Anaheim, CA in 1984. Toastmaster Robert Bloch’s introductory remarks are tantamount to standup comedy, and the video also includes several special and moving tributes along with the Hugos. The first tribute is presented by Robert Silverberg and Harlan Ellison to fan and editor Larry Shaw (who died within the next year) and the second to Robert Bloch himself. There’s also some fun with Larry Niven and Jerry Pournelle on stage having to do with a rocket shaped object. Thanks to the Southern California Institute for Fan Interests (SCIFI) for this recording.

 

(12) PLANETARY AWARDS. The 2017 winners of the Puppy-influenced Planetary Awards have been announced.

  • Best Shorter Story: “The First American” by Schuyler Hernstrom (Cirsova).
  • Best Novel: Legionnaire (Galaxy’s Edge) by Jason Anspach and Nick Cole.

(13) FREE CELL. A better model? “Artificial Intelligence Takes Scientists Inside Living Human Cells”

A new application of artificial intelligence could help researchers solve medical mysteries ranging from cancer to Alzheimer’s.

It’s a 3D model of a living human cell that lets scientists study the interior structures of a cell even when they can only see the exterior and the nucleus — the largest structure in a cell. The model was unveiled to the public Wednesday by the Allen Institute for Cell Science in Seattle.

The technology is freely available, and Roger Brent, an investigator at the Fred Hutchinson Cancer Research Center in Seattle who was not involved in the tool’s development, has been using it for several months. He’s a big fan.

“This lets you see things with a simple microscope that are going to be helpful to researchers all over the world — including in less affluent places,” Brent says.

(14) VACUUM POWER. BBC video: “The amazing power of the world’s largest vacuum” — is used for testing spaceworthiness; also tests noise resistance, and was used in first Avengers movie.

(15) DOUBLE STAR. Michael B. Jordan was on The Late Show with Stephen Colbert to talk about his recent and his upcoming star turns in sff epics.

‘Fahrenheit 451’ star Michael B. Jordan approaches every role by journaling the character’s backstory, including his portrayal of Erik Killmonger in the blockbuster film ‘Black Panther.’

 

[Thanks to JJ, Steve Green, Mike Kennedy, Martin Morse Wooster, John King Tarpinian, Rob Day, Cat Eldridge, Carl Slaughter, Andrew Porter, and David K.M. Klaus for some of these stories. Title credit goes to File 770 contributingh editor of the day Joe H.]

Pixel Scroll 5/6/18 If Pixels Were Zombies, They’d Want To Eat Your Scrolls

(1) CASTING CALL. James Davis Nicoll wants young people for his next project.

I am looking for volunteers for the follow up to Young People Read Old SFF, Young People Listen to Old SF. Participants will get to listen to and react to one moderate length olden timey radio drama per month.

DM me or email me at jdnicoll at panix dot com

(2) NEEDS A PURPOSE. Abigail Nussbaum returns to China Miéville in her latest column “A Political History of the Future: The City & The City” at Lawyers, Guns & Money.

…Introducing a premise like The City & The City without tying it into current political issues feels like a much less tenable proposition right now. And yet this is what the BBC did in its recent miniseries adaptation of the book. As an adaptation, the miniseries is dutiful but not very exciting. It does a good job of transposing the book’s technique, of slowly revealing its setting until we finally realize that there is nothing going on except a mass delusion, to a more visual medium. In one particularly memorable scene, Borlú and his assistant, Lizbyet Corwi, speak on their cellphones, he from Ul Qoma and she in Bes?el. The camera cuts between them as we’d expect from any TV series trying to convey that two characters are in different physical spaces. Then it pulls back to reveal that Borlú and Corwi are sitting on the same bench, which is half in one city and half in the other. The series also does a good job of beefing up the roles of women, giving Corwi more to do, changing the gender of Borlú’s Ul Qoman counterpart, and even giving her a wife. (A similar impetus might have been at the root of a new subplot involving the disappearance of Borlú’s wife, but it just ends up reading like the common trope of motivating a man by having a woman suffer.)

Still, one has to wonder why you’d even try to adapt this novel, at this moment in time, if you weren’t willing to change it enough so that it actually says something…

(3) WHEN YOU CARE ENOUGH. Just came across this today. As we say around here, it’s always news to someone. From Know Your Meme.

(4) 2001 RETURNING TO THEATERS. The director of Dunkirk finds more use for 70 mm projectors installed to show his film: “Christopher Nolan returns Kubrick sci-fi masterpiece ‘2001: A Space Odyssey’ to its original glory”.

Christopher Nolan wants to show me something interesting. Something beautiful and exceptional, something that changed his life when he was a boy.

It’s also something that Nolan, one of the most accomplished and successful of contemporary filmmakers, has persuaded Warner Bros. to share with the world both at the upcoming Cannes Film Festival and then in theaters nationwide, but in a way that boldly deviates from standard practice.

For what is being cued up in a small, hidden-away screening room in an unmarked building in Burbank is a brand new 70-mm reel of film of one of the most significant and influential motion pictures ever made, Stanley Kubrick’s 1968 science-fiction epic “2001: A Space Odyssey.”

Yes, you read that right. Not a digital anything, an actual reel of film that was for all intents and purposes identical to the one Nolan saw as a child and Kubrick himself would have looked at when the film was new half a century ago.

(5) NEW SFF MAGAZINE. The inaugural issue of Vulture Bones: Spec Fic from Trans & Enby Voices is out. See the table of contents here.

Vulture Bones is a quarterly speculative fiction magazine showcasing the voices of transgender and nonbinary writers.

Vulture Bones is what is left when everything useful is harvested, even the gamey meat of scavengers.

Vulture Bones is the name of a bald and genderless sharpshooter with thirteen enemies and one bullet left.

Vulture Bones is something morbid and foundational.

Vulture Bones is a wild ride.

(6) STAFFCON. Kevin Standlee takes you inside the room where it happened this weekend – “StaffCon”.

“StaffCon” for Worldcon 76 planning had over 100 people registered, using the same RegOnline system that the convention itself is using. Today was a chance to do a bit of a dry run of what on-site registration would be like, and to discover some bugs now while there is a chance to adjust them and make things better for the actual convention. After the initial morning session, there were numerous impromptu meetings (including a short WSFS division meeting with the four members of the division who are actually here), followed by groups touring the San Jose Convention Center. There’s an event moving in today, so we couldn’t get at everything, but everyone got a decently good look around before the lunch break. The break allowed people to spread out and find places to get lunch within a short distance of the convention center. There are many such places (far more than there were sixteen years ago).

(7) GET FINALISTS TO THE WORLDCON. The GoFundMe to bring Campbell Award finalist Rivers Solomon to Worldcon 76 reached its goal, and now additional money is being raised to help get more Hugo and Campbell finalists to the ceremony. Mary Robinette Kowal wrote in an Update:

Folks, we’ve got two additional Campbell finalists who could use a boost getting to the Hugos. I’ve got a form set up for additional finalists.

Let’s see how many we can get to the ceremony.

Need help? The link to the application is in Update #2.

(8) GOLLANCZ OBIT & KERFUFFLE. A trade publication’s obituary about Livia Gollancz (1920-2018), who once ran UK publisher Gollancz, a major publisher and now imprint of sf, got pushback from the imprint’s current editor.

For anyone under 40, Gollancz is merely a science fiction imprint—“the oldest specialist sci-fi and fantasy (SFF) publisher in the UK.” Gollancz indeed published many award-winning and successful SFF authors, J G Ballard and Terry Pratchett among them, but Gollancz is far more important than that, which makes the story of its last two decades a tragedy.

Victor Gollancz, a classics graduate from Oxford, was just 30 when he set up his eponymous company in 1927. He published George Orwell’s The Road to Wigan Pier, and Kingsley Amis’ Lucky Jim, as well as books by Ford Madox Ford, Daphne du Maurier, Franz Kafka and Vera Brittain. On his daughter Livia’s watch, Julia Hales’ The Green Consumer Guide and Nick Hornby’s Fever Pitch were trendsetting bestsellers….

I was genuinely shocked to see the comments about Gollancz in Livia Gollancz’s obituary published in The Bookseller. To describe a beloved publishing list as “merely a science fiction imprint” and its last two decades as a “tragedy” is offensive to my colleagues; our authors and fans; our reviewers and bloggers; fellow SFF publishers; and to the wider genre community. While everyone has a right to their personal opinion and literary preferences, to air such a definitive bias against genre fiction in the obituary of our former owner was troubling and frankly insulting.

It is easy to point out how many of the greatest works ever written are SF or Fantasy titles. From the Iliad to Jules Verne, to George Orwell’s Nineteen Eighty-Four, to The Handmaid’s Tale, right up to Naomi Alderman’s The Power, speculative fiction has been an unrivalled way of exploring our world and society. It is just as easy—as your publication has demonstrated—to dismiss that claim by saying those books are ”proper” literary novels not “merely SFF”.

That argument is nonsense. Worse, it is prejudiced and badly informed nonsense….

  • Bookseller editor Philip Jones apologized.

My comments on the diminution of Victor Gollancz should not be interpreted as a slight on the proud history of SF publishing itself, at Gollancz or anywhere else. Rather it is a reminder, to readers and publishers too young to remember the “old” Gollancz, that Victor Gollancz Ltd was a leader in so many ways and an independent powerhouse that set standards and trends in both adult and children’s publishing….

(9) BIRTHDAY BOY

  • Born May 6, 1915 – Orson Welles

(10) COMICS SECTION.

(11) AURORA AWARDS HEADS-UP. Canadian Science Fiction & Fantasy Association members have until May 26 to nominate eligible works for the Aurora Awards – see the nominations page.

(12) KEEP YOUR SUIT ON. In this Wired video, Chris Hadfield makes nude space walks sound even less attractive than they already did. And that’s just for starters.

Retired astronaut Chris Hadfield helps debunk (and confirm!) some common myths about space. Is there any sound in space? Does space smell like burnt steak? Is NASA working on warp speed?

 

(13) HURTS SO GOOD. I keep reading Galactic Journey despite Gideon Marcus’ tendency to break my teen-aged fannish heart. It’s bad enough the things he says about every issue of Analog. Now he’s lighting into one of young Mike’s all-time favorite sf novels (in the hardcover version, Way Station): “[May 6, 1963] The more things change… (June 1963 Galaxy)”.

The proud progressive flagship [Galaxy] appears to be faltering, following in the footsteps of Campbell’s reactionary Analog.  It’s not all bad, exactly.  It’s just nothing new…and some of it is really bad.  Is it a momentary blip?  Or is Editor Pohl saving the avante-garde stuff for his other two magazines?

…Simak is one of the great veterans of our field, and he has been a staple of Galaxy since its inception.  He is unmatched when it comes to evoking a bucolic charm, and he has a sensitive touch when conveying people (human or otherwise).  This particular tale begins promisingly, but it meanders a bit, and it frequently repeats itself.  Either over-padded or under-edited, it could do with about 15% fewer words.  Three stars so far, but I have a feeling the next half will be better….

Next he’ll be telling Mozart “too many notes”!

(14) SPOCK IN OREGON. As long as we’re revisiting the Sixties, here’s Leonard Nimoy to tell you all about his Star Trek character….

Interview from 1967 conducted by KGW-TV, a news station in Portland, Oregon. This was rediscovered in 2010 in their film archives. Nimoy talks at length about playing Mr. Spock on “Star Trek”, then in its second season.

 

(15) TAKEI IN BOSTON. George Takei is still with us – and in the public eye: “‘Star Trek’ actor George Takei to speak at Boston library” on May 8.

Star Trek” actor George Takei (tuh-KAY’) is scheduled to speak at the Boston Public Library.

Takei on Tuesday is set to discuss his experience during World War II spent in U.S. internment camps for Japanese-Americans.

Takei used his family’s story as the inspiration for the Broadway musical “Allegiance.”

The show tells the narrative of the fictional Kimura family, whose lives are upended when they and 120,000 other Japanese-Americans are forced to leave their homes following the 1941 attack on Pearl Harbor.

The cast of the SpeakEasy Stage Company’s production of Takei’s musical also will perform during the event at the library’s main branch at Copley (KAHP’-lee) Square.

(16) IT’S DEAD, JIM. Self-conscious about your Latin pronunciation? Let @Botanygeek James Wong put you at ease. Jump on the thread here:

(17) WELL THAT SUCKS. Once more, a story goes viral only to yield a dud: “Egypt says no hidden rooms in King Tut’s tomb after all”.

New radar scans have provided conclusive evidence that there are no hidden rooms inside King Tutankhamun’s burial chamber, Egypt’s antiquities ministry said Sunday, bringing a disappointing end to years of excitement over the prospect.

Mostafa Waziri, Secretary General of the Supreme Council of Antiquities, said an Italian team conducted extensive studies with ground-penetrating radar that showed the tomb did not contain any hidden, man-made blocking walls as was earlier suspected. Francesco Porcelli of the Polytechnic University of Turin presented the findings at an international conference in Cairo.

“Our work shows in a conclusive manner that there are no hidden chambers, no corridors adjacent to Tutankhamun’s tomb,” Porcelli said, “As you know there was a theory that argued the possible existence of these chambers but unfortunately our work is not supporting this theory.”

(18) BRAIN DEATH. Vice headline: “This Neurologist Found Out What Happens to Our Brains When We Die”.  German neurologists Jens Dreier and Jed Hartings have published a study about what happens to the human brain while dying. It turns out some of the details are remarkably like that discussed in the Star Trek: The Next Generation episode “Skin of Evil” during the death of character Tasha Yar.

…if German neurologist Jens Dreier had just binged enough Star Trek: The Next Generation, he could have already known the outcome of his groundbreaking research, which the sci-fi series predicted 30 years ago.

Dreier works at the Charité Hospital in Berlin, one of Germany’s leading university hospitals. In February, the 52-year-old and his colleague, Jed Hartings, published a study that details what happens to our brain at the point of death. It describes how the brain’s neurons transmit electrical signals with full force one last time before they completely die off. Though this phenomenon, popularly known in the medical community as a “brain tsunami”, had previously only been seen in animals, Dreier and Hartings were able to show it in humans as they died. Their work goes on to suggest that in certain circumstances, the process could be stopped entirely, theorising that it could be done if enough oxygen is supplied to the brain before the cells are destroyed.

Soon after their discovery, the two researchers also found out that a 1988 episode of Star Trek: The Next Generation shows chief physician Beverly Crusher trying to revive Lieutenant Tasha Yar, while clearly describing the exact processes the neurologists have been trying to understand for years. I spoke to Dreier about their discovery and how it feels to be beaten by a TV show by three decades.

And didn’t Connie Willis’ Passage make use of this premise as well?

[Thanks to John King Tarpinian, Karl-Johan Norén, Martin Morse Wooster, Cat Eldridge, JJ, Carl Slaughter, ULTRAGOTHA, Andrew Porter, Chip Hitchcock, Jay Byrd, Avilyn, Alan Baumler, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Steve Davidson.]

Pixel Scroll 4/8/18 Do Not Go Pixel Out Of That Good Hive, Buzz, Buzz, Against The Flying Of The Five

(1) WALK / DON’T WALK. This not-quite-infinite series of variations on Le Guin’s famous story: “Once upon a time there was a city called Omelas, where everyone lived good and happy and fulfilling lives” is a hoot!

“…the best predictions of our scientists suggest that there will be a slight average decrease in various hard-to-measure kinds of happiness, which nevertheless in total adds up to more suffering than this child experiences.”
And Outis said to the elder, “I will have no part in this evil thing.” And he took the child and bathed him and cared for his wounds. And the average happiness increased in some ways and decreased in others, and the net effect might have been negative, but the best results on the matter had p > 0.05, so the scientists of Omelas could not rule out the null hypothesis.

(2) SUE ‘EM, DANNO. Dorothy Grant gives the rundown on a scam to inflate payments from Amazon’s Kindle Unlimited program in “Book stuffing, KU reads, and Amazon’s Doing Something” at Mad Genius Club.

While I would hope that everyone who reads this is interested in being a real author making up real stories that are your own, writing them down, and publishing them, we are all aware that there are scammers out there, and people who care more about the money, than acting ethically or the readers. We also know that Amazon has a habit of taking a wide swath of potential wrongdoers, then filtering out and restoring the innocent.

Yep, they’re doing it again.

  1. David Gaughran gave us the first heads-up on twitter that Amazon has filed suit against an author for book-stuffing.

Forbes article here: https://www.forbes.com/sites/adamrowe1/2018/04/07/amazon-has-filed-suit-to-stop-the-six-figure-book-stuffing-kindle-scam/#2af7a11b7344

Book stuffing is when authors take all their works and stuff them into the back of every other book to artificially inflate their page count. Some authors even stuff in newsletters: the goal is to inflate the page count as much as possible, and thus the payout on KU page reads.

(3) ATOMIC PILES OF LAUGHS. Scott Tobias profiles “artificial intelligence-assisted comedy” in “Can algorithms be funny? Veterans of Clickhole and the New Yorker team up to find out” at the Washington Post. What they do is put giant amounts of text into a computer and produce “interactive text collages.”  For example, they put all the Harry Potter novels into a computer and came up with a pastiche that said, “Ron’s ron shirt was just as bad as Ron itself.”  A lot of the weird pastiches they produce are sf.

Onstage at the Hideout, a small Chicago music club, two performers read passages from Civil War love letters. “Oh darling wife of the war,” one begins, “I shall always be a husband to you and the children and all the folks in our neighborhood.” He goes on to complain that “the boys from the army have taken my breakfast.” The news is worse back home. “Our horses are sadly on fire,” his wife laments. But they’re ever reunited, she promises, “I would kiss you as many times as there are stitches in the children.”

Rest assured, every word from these letters is authentic. It’s just that the words have been scrambled up by a computer algorithm and pieced back together, one by one, by writers with an ear for the absurd.

(4) WESTERCON BID NEWS. Seattle (SeaTac, using the same hotel as Norwescon) has formally filed what Kevin Standlee says is likely to be the only bid for the 2020 Westercon.

(5) REINCARNANIMATION. MovieWeb has learned that “Lucasfilm Has Digital Clones of Every Star Wars Actor”.

The digitally recreated Grand Moff Tarkin and Young Princess Leia in Rogue One were unsettling and creepy for some Star Wars fans. But that technology is almost two years old and only improving at an expedient rate. The next time an actor gets digitally inserted into a Star Wars movie, it’s gong to be a lot harder to tell the difference. And before long, the line will be completely burred. Soon, Lucasfilm and Disney could have the potential to create a whole Star Wars movie featuring an authentic young Han Solo, Luke Skywalker and Princess Leia, which practical effects built around them. And this will be entirely possible, even for Carrie Fisher, as Lucasfilm has confirmed they have digital clones of all Star Wars actors both young and old.

Incredible, right? As of now, these digital clones are being used sparingly and are often mixed with live-action footage of the actor to create scenes that would be impossible to shoot or are deemed far to expensive to do practically. We’ve seen this with Tarkin and Leia in Rogue One, and we’ve also seen it in The Last Jedi, even if you didn’t know that’s what you were looking at.

(6) MCCANN OBIT. Chuck McCann died April 8 reports Mark Evanier. Much of his career revolved around children’s television, however, the Wikipedia recalls that he was in vogue as a TV/movie actor back in the Seventies —

In the 1970s, McCann’s life and career shifted west, and he relocated to Los Angeles. He made frequent guest appearances on network television shows including Little House on the Prairie, Bonanza, Columbo, The Rockford Files and The Bob Newhart Show. He appeared in the 1973 made-for-TV movie The Girl Most Likely to… and was a regular on Norman Lear’s All That Glitters.

In addition, he co-starred with Bob Denver in CBS’s Saturday-morning sitcom Far Out Space Nuts, which he co-created. The 1970s also brought him fame in a long-running series of commercials for Right Guard antiperspirant: he was the enthusiastic neighbor with the catch phrase “Hi, guy!” who appeared on the other side of a shared medicine cabinet, opposite actor Bill Fiore.

McCann impersonated Oliver Hardy in commercials for various products (teaming with Jim MacGeorge as Stan Laurel),

John King Tarpinian sent along a photo of McCann meeting Ray Bradbury.

Ray Bradbury and Chuck McCann

If you want to see his act, watch “Chuck McCann & Dick Van Dyke as Laurel & Hardy & The Honeymooners.”

(7) TODAY’S BIRTHDAY

  • Born April 8, 1974 – Nnedi Okorafor

(8) CANDLES ON THE CAKE. Steven H Silver celebrates Okorafor’s natal day at Black Gate in “Birthday Reviews: Nnedi Okorafor’s ‘Bakasi Man’”.

Nnedi Okorafor was born on April 8, 1974.

Okorafor won her first Carl Brandon Award for the novel The Shadow Speaker and she won the Carl Brandon Award and the World Fantasy Award for her novel Who Fears Death, which was also nominated for the Nebula Award. She won the Nebula Award and the Hugo Award for her novella Binti in 2016. Her fiction has also been nominated for the Theodore Sturgeon Memorial Award, the John W. Campbell Memorial Award, the James Tiptree, Jr. Award, the British Science Fiction Association Award, the British Fantasy Award, the Arthur C. Clarke Award, and the Andre Norton Award. Okorafor has collaborated with Alan Dean Foster and Wanuri Kahiu on short diction. She co-edited the anthology Without a Map with Mary Anne Mohanraj.

(9) COMICS SECTION.

  • Daniel Dern is right – Curtis knows how to throw a party.

(10) POISONING PIXELS IN THE SCROLL. Nature celebrates an April birthday boy: “Tom Lehrer at 90: a life of scientific satire”.

Much of Lehrer’s oeuvre — some 50 songs (or 37, by his own ruthless reckoning) composed over nearly three decades — played with tensions at the nexus of science and society. His biggest hit, That Was The Year That Was, covered a gamut of them. This 1965 album gathered together songs Lehrer had written for That Was The Week That Was, the US satirical television show spawned by the BBC original. ‘Who’s Next?’ exposes the dangers of nuclear proliferation. ‘Pollution’ highlights environmental crises building at the time, such as undrinkable water and unbreathable air.

The rousing ballad ‘Wernher von Braun’ undermines the former Nazi — who designed the V-2 ballistic missile in the Second World War and later became a key engineer in the US Apollo space programme. In Lehrer’s view, it was acceptable for NASA to hire von Braun, but making him into an American hero was grotesque. “‘Once the rockets are up, who cares where they come down?’/‘That’s not my department,’ says Wernher von Braun” — lines that still resonate in today’s big-tech ethical jungle.

(11) FINDING THE RETRO NOMINEES. Nicholas Whyte, with an assist from Carla, presents “How to get the 1943 Retro Hugo finalists” —

(12) CAST OF FAVORITES. And for your collecting pleasure, here is where you can get a copy of the Fifth Annual Science Fiction Film Awards (1978).

The 5th Annual (first televised) Science Fiction Film Awards. Hosted by Karen Black & William Shatner (who performs an absolutely jaw dropping rendition of Elton John and Bernie Taupin’s “Rocket Man”) Starring Buzz Aldrin, Richard Benjamin, Ray Bradbury, Mark Hamill, Charlton Heston, Wolfman Jack, Quincy Jones, Piper Laurie, Christopher Lee, Paula Prentiss, Ralph the Robot, Lord Darth Vader, and many more. Included are the original broadcast TV commercials from 1978!

(13) GOOD IS NOT BAD. Rich Horton is working his way through the Hugo nominees. Here are his comments on Six Wakes by Mur Lafferty.

…But even before the award nominations, Six Wakes was getting some good notice, and I bought it and read it after the Nebula nod. And, you know what – I liked it. It’s a good fun fast-moving read. I’m glad I read it.

But – well – you saw that coming, right? There had to be a but. The thing is, there are lots of enjoyable novels published any year, and I’m glad when I encounter those. But I can enjoy a novel and not think it worthy of an award. And, really, that’s the case with Six Wakes. It’s fun, it’s pretty darn pure hard SF (with the understanding that “hard SF” absolutely does NOT mean “SF that gets all the science right”), it’s exciting. But, it also has some annoying logic holes, and it doesn’t really engage with the central (and very worthwhile) moral issues it raises as rigorously as I wish it had, and the prose is just OK….

(14) ARISTOTLE. Nitsuh Abebe explores the question “Why Have We Soured on the ‘Devil’s Advocate’?” at the New York Times Magazine.

…That name dates back to the 17th century, when the Roman Catholic Church created an office popularly known as the advocatus diaboli — a person tasked with making the case against the canonization of new saints, scrutinizing every report of their miracles and virtue. How could a claim be trusted, the thinking went, if it hadn’t been rigorously tested? Plenty of educators will still tell you that devil’s advocacy isn’t just useful as a practical matter but also as an intellectual exercise: Imagining other perspectives and plumbing their workings is essential to critical thinking.

But on today’s internet, the devil’s advocate is less admired than ever, and it’s often the advocate’s own fault. The problem isn’t just debate-club tedium. Last year, on Slate, the writer Maya Rupert neatly outlined just how toxic devil’s advocates could be on a topic like race. She noted that they often seemed to be adopting the stance of a disinterested logician in order to air beliefs they knew were socially unacceptable to hold in earnest; the phrase “just to play devil’s advocate,” she wrote, had come to occupy the same role in her life as “not to sound racist, but. … ” A black person continually asked to consider — just hypothetically, just for a moment — whether she was possibly inferior to other humans would have to be masochistically broad-minded to entertain this challenge more than a few times before dismissing it, and the sort of people who presented it, forever.

A little more than a decade ago, around the same time online sentiment began to turn against the devil’s advocate, it also seized on a close cousin: the “concern troll.” If the devil’s advocate playacts disagreement with you for the sake of strengthening your argument, the concern troll is his mirror image, a person who pretends to agree with you in order to undermine you. The concern troll airs disingenuous worries, sows doubt, saps energy, has reservations, worries that things are going too far. At first, the term described purposeful double agents — people like the congressional staffer suspected, back in 2006, of posing as a Democrat to leave comments on liberal blogs suggesting everyone abandon the candidate vying for a Republican incumbent’s seat. But the term has evolved in such a way that, at this point, a person can very easily qualify as a concern troll without even knowing it.

A tidy summary on the “Geek Feminism” Wiki site explains why this is the case: Even earnest concern-airing can be pernicious, turning every discussion into a battle over basic premises. …

(15) UNEVENLY DISTRIBUTED. The BBC reports “The Swedes rebelling against a cashless society” where the elderly are especially likely to be left out.

However, while Sweden’s rush to embrace digital payments has received plenty of global hype, and is frequently flagged as an example of the Nordic nation’s innovation, there are growing concerns about the pace of change.

Some worry about the challenges it poses for vulnerable groups, especially the elderly.

“As long as there is the right to use cash in Sweden, we think people should have the option to use it and be able to put money in the bank,” says Ola Nilsson, a spokesperson for the Swedish National Pensioners’ Organisation, which is lobbying the government on behalf of its 350,000 members.

“We’re not against the cashless society, we just want to stop it from going too fast.”

(16) THE LIGHTS IN THE SKY ARE… What we can see from the ground is only part of what happens: “Hunting mystery giant lightning from space”.

The electrifying effects of storms are frequently observed from the space station.

Yet when lightning strikes downward, something very different is happening above the cloud tops.

Known as Transient Luminous Events (TLEs), these unusual features were first spotted by accident in 1989.

Minnesota professor John R Winckler was testing a television camera in advance of an upcoming rocket launch, when he realised that two frames showed bright columns of light above a distant storm cloud.

(17) SOLVING FOR 2001. The BBC Culture post “Why 2001 remains a mystery” actually dwells less on mystery, and more on interesting parallels with Kubrick’s Dr. Strangelove.

It’s been 50 years since the release of 2001: A Space Odyssey, and we’re still trying to make sense of it. Stanley Kubrick’s science-fiction masterpiece is regularly voted as one of the greatest films ever made: BBC Culture’s own critics’ poll of the best US cinema ranked it at number four. But 2001 is one of the most puzzling films ever made, too. What, for instance, is a shiny rectangular monolith doing in prehistoric Africa? Why does an astronaut hurtle through a psychedelic lightshow to another universe, before turning into a cosmic foetus? And considering that the opening section is set millions of years in the past, and the two central sections are set 18 months apart, how much of it actually takes place in 2001?

(18) VIDEO OF THE DAY. Chadwick Boseman hosted Saturday Night Live last night, and appeared in a Black Jeopardy! sketch:

[Thanks to Chip Hitchcock, JJ, Kevin Standlee, John King Tarpinian, Daniel Dern, Martin Morse Wooster, Cat Eldridge, Nicholas Whyte, ULTRAGOTHA, Carl Slaughter, Danny Sichel, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Ky.]

Pixel Scroll 4/6/18 The Scroller You Tick, The Pixeler You File.

(1) ARGUMENT AGAINST COLORBLINDNESS. Chesya Burke now has set to “public” her analysis of the lack of diversity in anthologies generally, and in the horror genre particularly.

Some of the arguments I’ve seen mentioned excusing the exclusion of diverse writers:

  1. Editing is hard. Many anthos are put together as an “afterthought,” editors are forced to simply search out writers they “like.”

Putting together anthos as an afterthought is the first redflag. It’s shocking that anyone would think this is a good idea or will yield good results. An editor who does not have a strong grounding of current writers in the genre is a second. White editors who only choose writers they “like” is the final straw. You’re literally editing white boy escapism at that point. Let’s call it what it is.

  1. Just mentioning race is racist.

Since when is simply mentioning race racist? That’s absurd. Some people are white, some black and many others. There is nothing racist about pointing this out. In fact, it’s just the opposite. Ignoring someone’s racial identity is racist, because the default is white. There’s all kinds of research on this, it’s called colorblind racism.

  1. Editors just want the best stories, expecting them to publish writers who don’t deserve it is reverse-racist and sexist. Having black only or women only anthos is “cringy.”

There are LOTS of anthos with only white men writers filling the ToC, especially in the horror genre. It is irrelevant that they didn’t put out a call for only white men, because the outcome is the same. White men have, as we’ve seen, been the default. This is why claiming “I don’t read black or white writers, I just want good stories” upolds the status quo. But never once in the history of ever have you heard a white man writer say that he felt “cringed” because he was published because he was a white man, at the expense of writers of color and women. Because this is what happens, don’t fool yourself.

Burke launched a good discussion, both from people who unintentionally provided examples of the problems, and others talking about the work it takes to overcome them. Among the latter, The Dark Magazine’s Silvia Moreno-Garcia:

Silvia Moreno-Garcia Here’s some free advice for those who may be like but there’s nothing I can do to build diversity and I’m an editor. I funded Innsmouth Free Press paying a penny a word and managed to get POC and women to write in a very male dominated sub genre, Lovecraftiana and Weird fiction. I did this by actively recruiting writers and convincing them my efforts were worth. Writers who had their first credits with me include Daniel Jose Older, Nadia Bulking and Molly Tanzer. I worked out hard, talking about how women and POC were welcome, and then *showing* it. Over time people have come to understand I’m an editor who values work from women and POC, and they sub to me. Because I want to encourage more authors to submit, I just ran a successful Kickstarter for THE DARK, where I’m an editor. I’ve done this and more starting with a penny a word and my friend Paula to support me. Because I truly wanted to be a better editor and give a place to women and POC. And I’ll continue that with the help of The Dark, Sean Wallace and hopefully future authors reading this.

(2) BEEB. Jonathan Cowie of Concatenation did these links in dialect: “First (and forgive me if you’ve already covered) today in Brit Cit we have the start of a mini-series of Mielville’s The City and The City on B Beeb Ceeb 2.”

RadioTimes invites you to “Meet the cast of The City And The City”.

(3) PETER WATTS IN CONCATENATION. And Cowie also informs they have, “advance-posted (that is it is up but not yet on our index and what’s new pages) an article on SF author and biologist Peter Watts scientists that have inspired him. This is part of an on-going series with previous contributors including SF authors
and scientists (different disciplines) Paul Mc Auley, Ian Stewart, Andrew Bannister, and Tony Ballantine. Most people use .rss or the regularity of our seasonal postings to keep tabs on us. But a very few follow us on Twitter for advance alerts only (no chat). For this dedicated few we have just tweeted an advance alert:”

Peter Watts’ post begins:

It’s taken me nigh on two years to compile this list. Perhaps half that time was spent fuming over the demand that it be ten scientists long? I mean, what if I don’t find that many twentieth-century scientists inspirational? What if my pop-culture recognition of Fermi and Feynman doesn’t really rise to the level of inspiration, what if the scientists who did inspire me did so on a purely personal level, without achieving rock-star status? What if the people who inspired me aren’t even real scientists, huh?

Concatenation’s full summer issue is expected online April 15.

(4) CAMERON’S SF HISTORY. A Syfy Wire writer is impressed: “James Cameron joins Spielberg, Lucas for AMC’s ‘Story of Science Fiction’ series”. I’m still waiting to see some writers’ names on these lists:

How exhaustive is Cameron’s trip into the genre’s storied past?

“Throughout each episode of the six-part television series, [Cameron]… explores science fiction’s roots, futuristic vision, and our fascination with its ideas through interviews with A-list storytellers, stars, and others whose careers have defined the field,” says AMC, “including Steven Spielberg, George Lucas, Guillermo del Toro, Ridley Scott, Christopher Nolan, Arnold Schwarzenegger, Will Smith, and Sigourney Weaver, among some 100 other series participants.”

Whoa — now that’s a lineup that definitely has our attention. To check out more video previews of the one-on-one talks Cameron will be sharing with some of the genre’s biggest luminaries, head on over AMC’s landing page.

(5) SNAPSHOT. Another cat snoozing in the vicinity of SFF:

(6) SFF ART WORKSHOP SCHOLARSHIPS. Artists have until April 12 to apply for the two scholarships being offered to the Muddy Colors 2018 Illustration Master Class being held in Amherst, MA from June 11-17.

Arnie Fenner notes, “I think it’s something around $2800 to participate so it’s a pretty sweet give-away.”

The IMC is a 7 day workshop focused on making you a better artist with the help of some of the best illustrators and fine artists in the world. All disciplines (traditional or digital) and skill levels are welcome. Old or young. Novice or pro. Anyone may apply for this scholarship.

Full guidelines at the link.

(7) TAKAHATA OBIT. Studio Ghibli co-founder Isao Takahata has died at the age of 82.

Mr Takahata was nominated for an Oscar in 2015 for The Tale of the Princess Kaguya but is best known for his film Grave of the Fireflies.

He founded Studio Ghibli with iconic director Hayao Miyazaki in 1985.

It became a world-renowned animation studio, producing blockbusters such as Castle in the Sky, and Nausicaä of the Valley of the Wind.

Mr Takahata started his career in animation in 1959 at Japan’s Toei studio, where he met Mr Miyazaki, who is usually seen as the face of Studio Ghibli.

(8) TODAY IN HISTORY

  • April 6, 1967 Star Trek’s “City on the Edge of Forever” first aired.
  • April 6, 1968 — Stanley’s Kubrick’s classic 2001: A Space Odyssey makes its debut in movie theaters.

(9) HAL ORNAMENT. And the anniversary makes this io9 story more timely than it would have been: “Hallmark Has a Talking, Glowing HAL 9000 Ornament Headed for Your Christmas Tree”.

Hallmark is continuing its celebration of the 50th anniversary of 2001: A Space Odyssey right to the end of 2018 with a new keepsake ornament that lets you hang a miniature version of the film’s HAL 9000 computer on your Christmas tree, complete with its menacing, glowing, red eye.

The ornament doesn’t exactly scream “happy holidays,” of course; HAL did kill most of Discovery One’s crew. But as bad guys go, the computer, with its perpetually calm voice, remains one of the most disturbing antagonists in film history, and that certainly earns him a branch on my Christmas tree.

(10) TODAY’S BIRTHDAY LANDO

  • Born April 6, 1937 – Billy Dee Williams

(11) COMICS SECTION.

  • John King Tarpinian discovered the Wizard of Id having a kind of entmeet….
  • JJ admits Incidental Comics’ “Stages of Work” isn’t genre. In case you have a strict rule about that sort of thing.

(12) LOST IN SPACE. It’s time to “Meet Dr. Smith.”

(13) GUARDING THE GUARDIANS. Karl Urban is back says The Hollywood Reporter:

Karl Urban is returning to the small screen.

The Star Trek and Lord of the Rings actor has landed the starring role in Amazon Studios’ straight-to-series superhero drama The Boys.

The Boys takes places in a world where superheroes embrace the darker side of their massive celebrity and fame, and centers on a group of vigilantes known informally as “the boys” who set out to take down corrupt superheroes with no more than blue-collar grit and a willingness to fight dirty.

(14) PORTION CONTROL. Walking With Giants demos its “Mini Bacon and Eggs.” You might need to order seconds.

(15) HOW THE JURASSIC ERA WOULD REALLY END. Brandon Carbaugh’s thread breaks down how today’s social media would dispose of Jurassic Park.

Includes:

(16) THE BEES KNEES. Camestros Felapton showed me once more why he’s a Best Fan Writer Hugo nominee in his instant filk about the robot bees story linked in yesterday’s Scroll.

(13) To the tune of Yesterday

Robot bees, were tired of flying into trees,
Now they live were there ain’t no seas,
Oh Mars is fine for robot bees

Suddenly, the bees aren’t where they are supposed to be,
There at the poles digging furiously
Oh robot bees teraformingly

Why they had to fly
To the poles
And nearly freeze?

They found, something bad
Now I’m sad
For robot bees

Robot bees, fighting ancient martian zombie fleas
Trapped for eons in a polar freeze
Oh robot bees are hard to please

Monster fleas wiould conquer Earth quite easily
But they can’t defeat a robot bee
Our last defence is an apiary

Why they fight so tough
Is it enough,
To kill the fleas?

They sting twice as hard
They’re battle scared
Those robot bee-ee-ee-ee-ees

Robot bees, fought on Mars apocalyptically
They went and saved humanity
Oh robot bees beat zombie fleas
robot bees beat zom-bie fleas….

[Thanks to JJ, Cat Eldridge, John King Tarpinian, Mark Hepworth, Stuart Gale, Chip Hitchcock, Martin Morse Wooster, ULTRAGOTHA, Carl Slaughter, Arnie Fenner, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Kip W.]

Barkley — So Glad You (Didn’t) Ask: A Column of Unsolicited Opinions — #28

Martin Luther King and 2001: A Space Odyssey, Plus 50

By Chris M. Barkley:

“If you can’t fly then run, if you can’t run then walk, if you can’t walk then crawl, but whatever you do you have to keep moving forward.
Dr. Martin Luther King, Jr., 1967

If anyone understands it on the first viewing, we’ve failed in our intention.
Director Stanley Kubrick on 2001: A Space Odyssey, 1968.

Fifty years ago today, the Reverend Martin Luther King, Jr. was assassinated in Memphis, Tennessee, while attempting to support the city’s sanitation workers’ strike for better wages and working conditions.

Two days earlier, the world premiere of Stanley Kubrick’s visionary science fiction film, 2001: A Space Odyssey was held at the Uptown Theatre in Washington, D.C.

One event nearly shattered the United States and the other marked a seismic occurrence in film history. Both still continue to resonate and shape our lives to this day.

April 4, 1968 was a Thursday. I was in the sixth grade, attending a Catholic parochial school, St. Francis de Sales. I don’t remember seeing any ads about 2001 during that period of time. The main news of that day, that week, as a matter of fact, was the assassination of Dr. King. President Lyndon Johnson urged the populace remain calm.

That Saturday, the Cincinnati Reds announced that the Opening Day parade and game were postponed. The mayor declared a sunset to sunup curfew for all citizens. Rioting erupted in urban areas all over the country, including Cincinnati. In Avondale, a neighborhood a few miles away from our home, the entire shopping district was destroyed. Two were killed. Ironically, the only thing left standing was a bronze statue of Abraham Lincoln nearby.

In the meantime, 2001 opened across the country a few weeks later to mixed reviews. Variety’s Robert B. Frederik proclaimed that it was not a cinematic landmark, claiming, “2001 lacks dramatic appeal to a large degree and only conveys suspense after the halfway mark. Despite the enormous technical staff involved in making the film, it is almost entirely one man’s conception and Kubrick must receive all the praise – and take all the blame.”

Pauline Kael, one of the premiere film critics of the mid-20th century, said, “It has the dreamy somewhere-over-the-rainbow appeal of a new vision of heaven. 2001 is a celebration of cop-out. It says man is just a tiny nothing on the stairway to paradise, something better is coming, and it’s all out of your hands anyway. There’s an intelligence out there in space controlling your destiny from ape to angel, so just follow the slab. Drop up.”

Roger Ebert, an up and coming film reviewer at the Chicago Sun-Times (and ardent, die-hard sf fan as it turned out), was tad more perceptive when he stated, in a five-star review, “The fascinating thing about this film is that it fails on the human level but succeeds magnificently on a cosmic scale. Kubrick’s universe, and the space ships he constructed to explore it, are simply out of scale with human concerns. The ships are perfect, impersonal machines which venture from one planet to another, and if men are tucked away somewhere inside them, then they get there too.”

In the spring of 1968, I was mostly oblivious to 2001. I was mainly more concerned with surviving the seventh-grade landscape, in which dodging bullies, doing homework, baseball, meeting my parent’s expectations reading and watching as many movies and consume as much television as possible.. I was also being outfitted with a series of glasses as my myopia decreased the acuity of my eyesight.

Doctor King’s message of non-violence was a sound theory to me at the time. The problem was that the other children I went to school with or were living in my neighborhood were more interested in acting like typical adolescent kids than pondering the philosophical mysteries of being a better person.

Eventually, film was a welcome diversion. Although I missed 2001 on its first theatrical release, I was more than ready in 1974, when it came back to theaters for a limited run in its original 70MM form.

Nothing prepared me for the totally immersive experience of the widescreen presentation. I count seeing 2001 for the first time one of the most influential and best film experiences of my life. From the stunning beauty and grand vistas of the African veldt to the eerily accurate rendering of the lunar surface (15 months before the real deal) to beyond the stargate, I was completely captivated.

What is also remarkable is that all of the makeup, ship models, stunts and special effects were all physical or manmade and not computer generated.

Beyond feeling that I had experienced something transcendental (without the aid of any recreational drugs, mind you), I did not know what to make of my first viewing of 2001. To me, it is completely open to a number of interpretations which is its greatest strength and exactly what Stanley Kubrick in mind.

Kubrick, in an interview with Playboy magazine said, “You’re free to speculate as you wish about the philosophical and allegorical meaning of the film—and such speculation is one indication that it has succeeded in gripping the audience at a deep level—but I don’t want to spell out a verbal road map for 2001 that every viewer will feel obligated to pursue or else fear he’s missed the point.”

When quizzed on the subject, Arthur C. Clarke gleefully recommended people read his novelization (which is still in print, BTW) of the film, which in turn contained substantial changes from the film narrative and further clouded the issue of whose version of the story is more “true”.

Yesterday, I took time out to watch a 2007 dvd reissue of 2001 in a way that I have never attempted before with any other movie I own; with the audio commentary on. The lead actors of the film, Keir Dullea (David Bowman) and Gary Lockwood (Frank Poole) provided a fascinating play-by-play of their involvement with their part in the film and other peripheral views they witnessed firsthand. Since I have seen the movie eight or nine times, I could readily follow the action as they talked. Of particular interest are their descriptions of various scenes such as Lockwood’s jog around the centrifuge of Discovery’s spaceship cabin and Dullea’s rather perilous reentry into the ship after being locked out by HAL.

Another note; Stanley Kubrick showed his true genius in the casting Lockwood and Dullea; the former was a California born athlete and television supporting actor and the latter a film veteran with the attitude of a New York stage actor. Both are approximately the same age (81 as of this column) and remain friends to this day. Although they come from completely different backgrounds and acting styles, they found that each complemented the other perfectly in their roles of astronauts.

Martin Luther King Jr. never had the opportunity to see 2001: A Space Odyssey. Frankly, I can’t see it as being the kind of film he would be interested in seeing. But, if he had done so, I think he would have focused in on one of the most famous moments in the film, the ‘match cut’ as main ape character, Moon-Watcher, learns to wield an animal bone as a weapon and subsequently throws it up in the air, only to come down through the frame and transition four million years later as a nuclear armed satellite orbiting the earth.

Most film critics over the decades have seen interpreted particular moment as the advancement of the human species from its primitive roots to a technological extreme.

Canadian sf novelist Robert J. Sawyer had a different view. Speaking in the Canadian documentary 2001 and Beyond, he saw the film cut from a bone to a nuclear weapons platform as,  “…what we see is not how far we’ve leaped ahead, what we see is that today, ‘2001’, and four million years ago on the African veldt, it’s exactly the same—the power of mankind is the power of its weapons. It’s a continuation, not a discontinuity in that jump.”

I am quite sure that if Doctor King had seen 2001, he would have seen that connection, that our violent past and present might be transcended some day. He might have not agreed with the method, especially if it was implied that it would happen at the hands (or appendages) of extraterrestrial life. He would have preferred that mankind was more than willing and capable of achieving that on our own.

Today, as I reflect back on the past fifty years, I note that people still suffer from classism, voter suppression and widespread profiling and physical violence from the police. That at this point in time, our political system seems to be in total disarray. And that the city of Memphis, the very city Doctor King was in when he was brutally cut down, is still rated by the US Census Bureau as one of the highest rates of poverty in the country.

I prefer to believe the world of 2001, as depicted in the film, is a better place than ours. That, in spite of the apparent tensions between the United States and the Soviet Union, we cooperate to the extent that both parties (and more) can operate in space and the moon in relative harmony. And by extension, we may have solved our energy and climate concerns.

Despite everything that has happened since their deaths, the works and words of Doctor Martin Luther King, Stanley Kubrick and Arthur C. Clarke continue to inspire us to do our best for humanity. And hopefully, they will for quite a while.

Pixel Scroll 3/28/18 A Pixel Here, A Pixel There, And Pretty Soon You’re Talking About Real Scrolls

(1) ANOTHER FANS V. HOLLYWOOD DUSTUP. This is fascinating. Business Insider, in the process of crabbing that “The last 15 best-picture Oscar winners prove how out of touch Hollywood’s biggest night is with general audiences”, shows that the top box office picture in all but one of those years was a genre film, or else an animated movie.

We looked back at the lifetime domestic gross for the last 15 best picture Oscar winners and matched those with the lifetime gross for the movies that topped those years at the box office. And only once did they match up (2003’s “The Lord of the Rings: The Return of the King”).

In fact, most of the best picture Oscar winners didn’t crack $100 million at the box office and only two crossed the $200 million mark — and that’s counting inflation!

Nevertheless, in 2012 when genre films went head-to-head and Oscar winner Argo beat box office champ The Avengers, I was pretty happy about that result.

(2) ABOUT THE HUGO ANNOUNCEMENT. Annalee Flower Horne explores important nuances in the argument over when the Hugo finalist announcement should be scheduled. Jump on the thread here —

(3) NO THANKS. Wendy S. Delmater helps authors read the entrails when it comes to “What Rejection Letters Really Mean”.

Oh no. Your literary creation—poem, article, novel, or story—has been rejected. What do you do now?

One of the first questions you should ask is, was this a Form Rejection or a Personalized Rejection? When you use The Grinder (by Diabolical Plots) to keep track of your submissions, it even gives you those options on a drop down menu. And there a shades of rejection letters, something called “tiered rejections.” Every publication has different rejection letters, too. One thing you can do is to take a look at the rejection wiki to see if the market you submitted it to has sample rejection letters.

(4) EYE-OPENER. Laura Dale tells Polygon readers “Why I helped create a game about being trans,” in the article “When simply existing is dangerous, everything is a risk”. Thid video role-playing game is designed to help cis people understand what it feels like to have gender dysphoria, to be forced to live as a gender which does not match the one with which they identify.

As a trans woman, I hear stories of transgender individuals dying by murder or suicide depressingly often. At least 81 transgender people were murdered in 2015, while 41 percent try to kill themselves at some point in their lives.

I don’t always have the emotional energy to engage with the topic, but in the wake of Leelah Alcorn’s suicide, I decided to try and do something to help raise awareness of what it’s like to go through the rough early stages of gender transition.

I got together with coder Alex Roberts, artist Joanna Blackhart and writer 8BitGoggles to develop a game called Acceptance.

(5) THE RISK OF OOPS. Scientists are the only ones…. “Why Scientists Aren’t Fans Of Creating On-Demand Meteor Showers” …because, of course, nothing could possibly go wrong.

AILSA CHANG, HOST:

In this video, the firm Astro Live Experiences explains how it hopes this will work. A satellite in low orbit around the Earth releases a cluster of small spheres. Those spheres fall through the atmosphere. And as they do, they burn up. Here on Earth, that translates into an artificial shooting star show.

SHAPIRO: Sounds like it could be pretty. But if the idea of manmade spheres hurtling through the atmosphere also sounds alarming, you’re not alone. Some scientists have objections. For one thing, they say we need to be able to observe objects beyond our atmosphere.

(6) PROBLEMATIC SURVEY. Lauren Orsini, in the Forbes.com column “Why Did The Flying Colors Anime Census Lose Fans’ Trust”, says anime fans were disturbed by a quiz sent out by previously-unknown Flying Colors Foundation, because the foundation didn’t explain who they were and then asked if anime fans had mental health problems, including social anxiety, body image issues, bullying,  and depression.”

Why does the survey ask about mental health?

Near the end of the Anime Census, survey-takers are asked if they have ever experienced social anxiety, body image issues, drug addiction, or other “health complications.”

However, the survey website does not inform fans about how the information will be used, so it’s no wonder that some survey-takers assumed the worst.

“The intention of the mental health question is threefold,” [spokesperson Daniel] Suh told me, “To let the community know that they are not suffering alone, to prove that anime can quite literally change lives by helping fans endure and grow through difficult times, and to understand and measure the benefits of anime on mental health. We want to help prove that anime is a global medium that could be used for good. We are aware of HIPAA regulations and, although we are not a health service provider, we are complying with its strictest rules. Any responses we receive about mental health will not be shared with anyone outside of FCF.”

(7) TODAY IN HISTORY

  • March 28, 1963 – Alfred Hitchcock’s The Birds premiered in theaters.

(8) TRIVIAL TRIVIA. Trivial Trivia:  Ray Bradbury was approached to write the original screen treatment of The Birds but declined.

Later, when he’d watch the movie at home, he’d yell at the TV, “You should have used the ending from the book!”

(9) CANCELLED. Starbase Indy, a convention that has been held for 30 years, will not be back in 2018 the chair announced on Facebook.

Like any fan-run not-for-profit, Starbase Indy relies on the community around the event for all the labor required to run it and also for all of the money that goes into the event. Taking a clear-eyed look at our financial and volunteer situation, there is no responsible way to hold an event this year.

…To bring the event back in the future, we would need to build a Board of Directors capable of guiding the event, and a convention staff excited about running the event. Currently I’m the only Board member remaining. That’s not a sustainable base from which to build any organization, especially not a volunteer organization with no paid staff.

(10) 2001 TRIBUTE. Cora Buhlert recommends “50 Jahre Kubricks ‘2001’”, a video about an exhibition in Frankfurt/Main honoring the 50th anniversary of Stanley Kubrick’s 2001 – A Space Odyssey. Cora explains, “The video is from a German culture program and therefore only in German, but you can see plenty of the exhibits. Not sure how long it will stay online.”

(11) PILES OF PIXELS. Furthering a trend, “The National Museum of Scotland is putting its entire collection online”.

People across the world can now view all the National Museum of Scotland has to offer without even leaving their sofas.

Using Google Arts and Culture’s museum view experience, which is similar to how Google’s Street View works, tourists can view the 20,000 objects on display at the National Museum. The virtual display also includes 1,000 pictures of objects from the Edinburgh museum’s collection.

It’s the first museum in Scotland that can be toured online, but not the first in the world. The Taj Mahal in India and the Palace of Versailles in France have also opened up their exhibit in a similar way, giving visitors from around the world a novel opportunity to explore their interior. Google Arts and Culture hopes to continue working with institutions to make cultural and historical materials across the globe more easily accessible.

(12) DOCUMENTARY WILL TRACE BRADBURY’S IMPACT. For fans who like to be heard –

Are you a fan of Ray Bradbury’s works? Have you had contact with him at some time in your life? Maybe he signed a book you still own. Or, maybe you met him in Waukegan, his hometown. You might even have a letter from him. Or, maybe his writing influenced you in a special way.

If so, we want to hear from you! We invite you to be interviewed as part of a video documentary. You will have a chance to tell about your “I Met Ray” moment in your own words.

This video documentary project is sponsored by the Ray Bradbury Museum Committee, which is working to preserve these unique Bradbury moments and memories for posterity.

For more information, please contact us at one of the following:

info@raybradburymuseum.org

RBEM office
13 N. Genesee Street
Waukegan, IL 60085

847-372-6183

(13) JEOPARDY! More sff on Jeopardy! The category was “Entertaining Inspirations.”

Steven H Silver says, “They got it right for $400.  The previous clue was about the film Alien.”

(14) THE ANSWER IS YES. Someone asked Anna Nimmhaus if things could be verse:

If you want to be happy and go without strife,
Never make the pixel-scrolling your life.
So from my personal point of view
Get a paper book to a-muse you.

(apologies to J. Soul, J. Royster, C. & F. Guida, 1963)

(15) BALLGAME OF THRONES. Sports Illustrated promises “This ‘Game of Thrones’ MLB Promo Will Get You Ready for Baseball Season”.

If you’re looking forward to the return of baseball and the return of Game of Thrones, I have good news and bad news.

The bad news is that the hit HBO series won’t be back until 2019. The good news, though, is that baseball is back this week and there’s even a Game of Thrones tie-in.

There were 19 GoT promotional nights by MLB teams last season and HBO has renewed its agreement with the league to make it happen again this year. To mark the occasion, the network produced this really cool video based on the show’s title sequence.

 

[Thanks to JJ, Cat Eldridge, ULTRAGOTHA, Cora Buhlert, John King Tarpinian, Steven H Silver, Rich Lynch, Martin Morse Wooster, Carl Slaughter, Chip Hitchcock, Daniel Dern, John Hertz, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor Kip W, who reminded me of the days when I was a fan of Everett Dirksen.]

Pixel Scroll 3/20/18 If You Are Stuck In A Kerfuffle, Pixel A Trench And Scroll Your Way To Freedom

(1) #METOO. Pat Cadigan opened up about her #metoo experiences in a public post on Facebook.

Heard Germaine Greer on BBC Radio 4 this morning, disparaging #metoo

Germaine should also talk about welding, engineering, astrophysics, and brain surgery, because she knows as much about them as #metoo

And just for the record: #metoo

I’ve talked about the first job I ever had after I graduated from high school. I lasted a week cold-calling people, trying to sell the photographic packages for a photography company. My supervisor was a woman struggling to be a single parent after her divorce. Her supervisor, who was onsite almost all the time literally chased me around the office, trying to get his hands on me.

When I complained to my supervisor, she said, “You better keep running, because if he catches you, it will be your fault.”…

(2) THE ROOM WHERE IT HAPPENED. National Air and Space Museum will mark the 50th Anniversary of 2001: A Space Odyssey with an immersive art exhibit celebrating the film’s impact on culture and technology.

This spring, the Smithsonian’s National Air and Space Museum will host a special temporary exhibition of the immersive art installation “The Barmecide Feast,” a fully realized, full-scale reflection of the iconic, neo-classical hotel room from the penultimate scene of Stanley Kubrick’s and Arthur C. Clarke’s landmark film, 2001: A Space OdysseyOpen to the public April 8 – May 28, the installation will be the centerpiece of the Museum’s celebration of the film’s 50th anniversary. Museum visitors will be able to enter the re-created room in small groups for short periods to experience the surreal environment depicted in the film. The public will get its first chance to see the installation as part of the Museum’s Yuri’s Night celebration, a ticketed, 21-and-over evening event presented with Brightest Young Things Saturday, April 7

National Air and Space Society members will get a special sneak peak of the exhibition on April 5. There is no charge for this members-only event, but advance reservations are required.

(3) SIAM SOUVENIRS. A Filer’s relative actually attended the Siam Sinfonetta concert!

She said, “It was a great concert – ran about 3 hours. During the various pieces they had different characters wandering through the concert hall and sometimes lightsaber fighting. They all came out at the end (except the little ones who had probably already left to go home to bed).”

(4) STEM, STEP BY STEP. BBC reports a study: “Children drawing more women in science”, from 1% in 1960’s and 70’s to 28% today.

Children in the US are drawing more women scientists than in previous decades, according to a new study.

The “Draw A Scientist” test has been administered by sociologists in various studies since the 1960s.

Researchers at Northwestern University, US, analysed five decades of the test.

When asked to draw a scientist, less than one per cent of children in the 1960s and 1970s drew a woman. This rose to 28% between the 1980s and present day.

However, children are still far more likely to draw a traditionally male figure when asked to depict a scientist.

…Yet, the study highlights, by 2013 women were 49% of biological scientists, 35% of chemists, and 11% of physicists and astronomers in the United States.

(5) IN THE MIX. Camestros Felapton gives us a “Review: Black Lightning”.

I’m up to episode 8 of a 13 episode season and I think I can pull apart what I like and don’t like about it.

I’ll start negative. I don’t think it has yet managed to find the right mix of humour, gritty crime drama, family drama, superhero-antics. That’s not a surprise, as all superhero shows and movies struggle to find that sweet spot (and the right spot is going to vary among viewers). At times the show is quite violent (or suggestive of extreme violence) but within a show that feels more like it has been written for a more general audience. Like the Marvel Netflix shows, the central character regularly beats up criminals to get information but unlike those shows, the behaviour feels at odds with Black Lightning’s non-superhero persona.

However, there is also a lot to like about this show. The central character, Jefferson Pierce, is unusual for a superhero. He is an older man with a successful career as a high school principal. He has a family and responsibilities and ‘Black Lightning’ is something from his past. By having him as a superhero who is coming out of retirement (due to gang violence initially) is a clever way of avoiding a protracted origin story, while giving viewers an introduction to the character. We have not, as yet, been given an explanation for the source of his electrical powers – although there are hints in a subplot around the death of his journalist father some years ago.

(6) SENSITIVITY. The Washington Post’s Everdeen Mason looks at how Keira Drake changed her forthcoming Harlequin Teen novel The Continent in response to sensitivity readers, which included changing the name of one clan from “Topi” to “Xoe”  to remove any comparisons to the Hopi, making another clan less Asian-looking, and eliminating “savage,” “primitive,” and “native” from the text. The article includes many examples contrasting the original and revised text.

Drake and Wilson maintain that the book was never supposed to be about race. “The main theme of ‘The Continent’ is how privilege allows us to turn a blind eye to the suffering of others,” Drake said in a phone interview in February.

Wilson explained that when she originally edited the novel, she was looking for potential problems with pacing, plot and dialogue. “I was simply not thinking about things like racial stereotypes,” she said. “It’s almost mortifying to say that because it was so blatantly obvious when it was pointed out.”

The Washington Post compared the old advance copy with a newly revised copy received in 2018 and spoke with Drake about changes she made.

(7) BLOCK AROUND THE CLOCK. The Paris Review quotes Ray Bradbury: “On Writer’s Block: Advice from Twelve Writers”.

“I have three rules to live by. One, get your work done. If that doesn’t work, shut up and drink your gin. And when all else fails, run like hell!” —Ray Bradbury

(8) PARTY MAVEN. The website Gastro Obscura records Stephen Hawking’s champagne-laden effort to prove whether time travel exists or not:

It was a little unusual that when he threw a party in 2009, not a single guest attended.

A film of the event depicts a dismal cocktail party. Three trays of canapes sit uneaten, and flutes filled with Krug champagne go untouched. Balloons decorate the walls, and a giant banner displays the words “Welcome, Time Travellers.”

…By publishing the party invitation in his mini-series Into the Universe With Stephen Hawking, Hawking hoped to lure futuristic time travelers. You are cordially invited to a reception for Time Travellers, the invitation read, along with the the date, time, and coordinates for the event. The theory, Hawking explained, was that only someone from the future would be able to attend.

(9) COOLEY OBIT. Texas fan Earl Cooley III died March 20, his sister announced on Facebook:

Earl Cooley III

I am Earl’s sister, Dot Cooley. Earl left this world early this morning. He moved back to the San Antonio area 3 years ago when his health started getting worse and because of that Earl got to spend so much more time with me and our brother, Paul. Mom recently discovered Skype, so she got to visit with him more. We would love for you to share any thoughts or stories with us. Rock on ArmadilloCon!

(10) COMICS SECTION.

  • John King Tarpinian encountered a Biblical joke in Shoe.

(11) MARVEL AT MOPOP. The Museum of Pop Culture in Seattle unveiled the official poster artwork for its upcoming exhibition Marvel: Universe of Super Heroes.

Designed by Marvel artist Nick Bradshaw, the illustration depicts some of the most iconic characters created during Marvel’s nearly 80 year history including Spider-Man, Thor, Black Panther, Ms. Marvel, Hulk, Iron Man, Black Widow, Captain America, and others. Marvel: Universe of Super Heroes is the first and most extensive exhibition celebrating the visual and cultural impact of Marvel Entertainment. The exhibition will debut at MoPOP on April 21, 2018. Tickets are on sale now at MoPOP.org.

Organized by the Museum of Pop Culture, SC Exhibitions and Marvel Entertainment, Marvel: Universe of Super Heroes will feature more than 300 original artifacts, including some of Marvel’s most iconic and sought-after pages, costumes and props, many of which have never-before been seen by the public. The exhibition will tell the Marvel story through comics, film and other media, taking place as it celebrates 10 years of the Marvel Cinematic Universe, and ahead of the 80th anniversary in 2019.  The exhibition will trace the story of the company and its influence on visual culture – including how it’s responded to historical events and addressed wider issues such as gender, race and mental illness – as well as uncovering the narratives of individual characters such as Captain America, Spider-Man, Black Panther and Doctor Strange. Immersive set pieces will bring the comic book world to life, and the exhibition will be accompanied by an immersive soundscape created by acclaimed composers Lorne Balfe and Hans Zimmer.

(12) DO-IT-YOURSELF. Lucy A. Snyder’s satirical “Installing Linux on a Dead Badger: User’s Notes” appeared on Strange Horizons in 2004, but it’s news to me. Very funny!

Reanimation puts most creatures in a foul mood, and the test badger woke up murderously angry, requiring a hasty launch of FleshGolem to get the beast under control. It is highly recommended to have the computer close at hand during the incantation.

(13) VACUUMING UP THE BITS. Via today’s Boston Globe: “Data storage beyond the clouds: Wasabi promises a super-secure system in space”. “…Which sure sounds like the start of a ‘what where they thinking/yeah sure’ techno-heist thriller,” says Daniel Dern.

In space, no one can steal your data.

Well, that’s the theory, anyway — one that the Boston data storage company Wasabi Technologies Inc. hopes to help prove.

Wasabi is partnering with a California company to create a database from outer space. The system, called SpaceBelt, will feature orbiting data centers capable of storing thousands of terabytes of information. SpaceBelt will be marketed to businesses and corporations that need instant access to their most valuable data, but who are also desperate to keep that data from being stolen or corrupted.

(14) ALL STROSS CONSIDERED. Joe Sherry describes a mixed bag in “Microreview [book]: Dark State, by Charles Stross” at Nerds of a Feather.

My experience of reading Charles Stross is a persistent struggle between the quality of his ideas and my perception of the quality of his writing, which is to say that I seldom find that the writing lives up to the promise of the ideas.

When I wrote about Empire Games (my review), I noted “the level of Stross’s writing is actually beginning to rise to the level of his ideas” and that once Stross got the story rolling, nothing distracted from the cool ideas of the world walking between the worlds we’ve already known and the opening up of new worlds and the drama of the how the United States interacts with the world walkers from a parallel universe.

Dark State picks up almost immediately after the conclusion of Empire Games, and despite the increasingly breakneck pace of the second half of that novel, Dark State suffers from some of the same issues that Empire Games did. Stross spends at least a third of Dark State resetting the playing field and planting the seeds for where the rest of the novel and trilogy will go. That’s fine, as far as narrative conventions go, but Stross is not at his best as a writer when working with a more deliberate pace.

(15) CHARACTER IN CRISIS. Adrienne Martini reviews The Genius Plague by David Walton at Locus Online.

In Walton’s hands, what could be a straight­forward “we must save humanity with science” thriller (not that there’s anything wrong with that), becomes, at times, a meditation on what makes us human and why that alone is a survival advan­tage. Those moments offer a chance to catch your breath before the next calamity, some of which our hero brings on himself. Walton makes Neil into a layered character, one who is frequently torn between family bonds and saving the world – and, frequently, making the situation worse because he is still working out that other people are also torn by their own layers. He’s also still learning that NSA security is never f-ing around.

(16) JEOPARDY! Andrew Porter was gazing at the tube during Jeopardy! and spotted this stfnal clue:

Answer: “Kardashians are reality TV stars; Cardassians are an alien culture in this sci-fi universe.”

No one got the question, “What is Star Trek”?

(17) YOU CAN GET THERE FROM HERE. You can now get to Gotham City, the Emerald City, Neverland, Middle Earth, and other places via roundabouts on the A4130 in Didcot, Oxfordshire reports the BBC.

A county council statement read, in part:

“We will investigate as soon as the weather improves. While on the surface amusing, it is vandalism and a potential distraction for drivers.”

The story also mentions:

Local resident Charlotte Westgate said she saw a hooded man in his 20s adding “Gotham City” to a sign on Friday afternoon.

She said: “He was on his own, and didn’t seem worried that anyone might be looking at him, but no one driving past did anything to stop him.”

(18) BARRAYAR BOY. Miles Vorkosigan posted the lyrics to “Dendarii’s Privateers” on Facebook. The first verse is —

Oh the year was 2978
(How I wish I’d stayed on Barrayar!)
When I flunked my military test
By breaking my legs, as I do best

(19) HOW IT SHOULD HAVE BEEN PLAYED FOR LAUGHS. From the folks at HISHE, “A Comedy Recap / Review of Pacific Rim voiced by How It Should Have Ended.”

[Thanks to JJ, Chip Hitchcock, Daniel Dern, John King Tarpinian, Cat Eldridge, Martin Morse Wooster, Michael J. Walsh, Carl Slaughter, and MT Davis for some of these stories. Title credit goes to File 770 contributing editor of the day Elisa.]

 

Pixel Scroll 1/12/18 If You’ll Be My Pixel, I Can Be Your Long Lost Scroll

(1) TERRAN AWARD. George R.R. Martin, in “Aliens In Taos”, announces he has created a scholarship to bring an sf writer from a non-English speaking country to Taos Toolbox.

When astronauts look down on Earth from orbit, they don’t see borders, national boundaries, or linguistic groups; they see one world, a gorgeous blue globe spinning in space, streaked with clouds. I don’t know if humanity will ever reach the stars (though I hope we will), but if we do, it won’t be Americans who get there. It won’t be the Chinese or the Russians or the British or the French or the Brazilians or the Kiwis or the South Africans or the Indians or the folk of any other nation state either. It will be humanity; in the language of the SF of my youth, it will be Terrans or Earthlings or Earthmen. The future belongs to all the peoples of the world.

With that in mind, I want to announce that I am sponsoring a new scholarship, to bring an aspiring SF writer from a non-English-speaking country to the Taos Toolbox, the graduate level writing workshop that Walter Jon Williams and Nancy Kress run every summer in the mountains of northern New Mexico. The TERRAN AWARD, as I am calling it, will be given annually, and will cover all tuition and fees to the Toolbox (travel and meals not covered, alas). Applicants will need to speak and write in English, but must be from from a country where English is not the primary language. Walter Jon and Nancy and the Toolbox staff will select the winner. For more information on applying for the workshop, and the scholarship, contact WJW at wjw@taostoolbox.com

(2) MARKET REPORT. David Steffen has compiled the “SFWA Market Report for January” for the SFWA Blog,

(3) VISIT QO’NOS. The first Klingon tourist center has opened in Sweden.

Humans! tlhlngan maH [we are Klingons]

The Klingon Institute of Cultural Exchange demand your presence at our Terra-Friendly© presentation of Klingon culture and customs at Turteatern on Terra, Alpha Quadrant.

You will get the possibility to try cuisine, listen to opera, and a chance to acquire useful lifesaving tips in your everyday interaction with Klingons and Klingon customs, so that you may plan your holiday to our great empire and the First City on the planet Qo’noS without risking any discomfort and/or premature death.

This live-act presentation is brought to you by Visit Qo’noS, the tourist department of the Klingon high council.”

(4) OPINION RECONSIDERED. Teresa Jusino goes in an unexpected direction at The Mary Sue with “Internalized Sexism and Star Wars: My Long-Overdue Apology to Luke Skywalker”.

It would be tempting to “blame” all this on the prequels adding in new information after the fact, but as the video essay goes to great lengths to point out, Obi-Wan Kenobi and Yoda teach Luke the same lessons about burying his feelings in the original trilogy. The difference between Anakin and Luke?

Luke consistently bucks his Jedi training in favor of giving in to his emotions and saving people.

Luke cares about others, even if they’ve “fallen to the Dark Side,” and so whether it’s to save his sister and his friends or to try to redeem Darth Vader, he follows his emotions in spite of the warnings he gets from his mentors, and he’s heroic because of it. This is why, to me, the Luke we meet in The Last Jedi is Peak Luke. He’s at his most emotional, his most vulnerable … and ultimately, at his most heroic

(5) WHEATON. Think Tank tells about supernovas in “When Stars Go Boom.”

Why do some stars end their lives in a supernova explosion? And how does that lead to forming planets and life like us? A science expert (Jerrika Hinton) explains by hooking her hapless assistant (Wil Wheaton) up to a Thought Visualizer, a machine that allows anyone to see his thoughts. With Ed Wasser.

 

(6) MORE VIDEO ARCHEOLOGY. Fanac.org has posted the restored video of the “Weird and Horror Genre Luncheon Panel” from MidAmeriCon, the 1976 Worldcon.

MidAmeriCon, the 34th World Science Fiction Convention, was held in Kansas City in 1976. This excerpt from the discussion held at the Weird and Horror Genre Luncheon features (L-R) Poul Anderson, Charles Grant, Ted White, Kirby McCauley (mod), Tom Reamy and Stuart Schiff talking about ghost stories, fairy tales, and why they are attracted to the genre. There are some spots where the film is damaged. Video and video restoration provided by David Dyer-Bennet and the Video Archeology Project.

 

(7) FLAME ON. HBO dropped a teaser trailer for Fahrenheit 451.

HBO Films presents Fahrenheit 451. In a terrifying care-free future, a young man, Guy Montag, whose job as a fireman is to burn all books, questions his actions after meeting a young girl…and begins to rebel against society. Starring Michael B. Jordan, and Michael Shannon.

 

(8) EATING THE FANTASTIC. Scott Edelman invites listeners to share flash-fried cauliflower with Sheila Williams in episode 57 of the Eating the Fantastic podcast.

Sheila Williams

Sheila has worked for Isaac Asimov’s Science Fiction Magazine since 1982, became its editor in 2004, and went on to win the Hugo Award for Best Short Form Editor in 2011 and 2012. She also co-edited A Woman’s Liberation: A Choice of Futures by and About Women with Connie Willis, as well as numerous other anthologies.

We chatted about her first day on the job more than a third of a century ago, meeting Isaac Asimov at an early Star Trek convention when she was only 16, which writer intimidated her the most when she first got into the business, what she learned from working with previous Asimov’s editors Shawna McCarthy and Gardner Dozois, the most common problems she sees in the more than 7,000 stories that cross her desk each year, the identities of the only writers she’s never rejected, what goes through her mind in that moment she reads a manuscript and arrives at “yes,” and much more.

(9) TODAY IN HISTORY

  • January 12, 1933:  Dr. Moreau adaptation Island of Lost Souls opens in New York City.
  • January 12, 1940:  Universal’s Invisible Man returns in The Invisible Man Returns! The Department of Redundancy Department approves.

(10) TODAY’S BIRTHDAY EYEBALL

  • Born January 12, 1992 or 1997 – HAL 9000. In the film 2001, HAL became operational on this date in 1992. The Wikipedia says the activation year was 1991 in earlier screenplays and changed to 1997 in Clarke’s novel.

(11) COMICS SECTION.

(12) MASSIVE EFFORT. Pornokitsch reviews all ten Self-Published Fantasy Blog-Off 2017 finalists in a single glorious post – “SPFBO2017: The Finalists Reviewed (All of ’em!)”.

But, for now, here are this year’s ten finalists, in no particular order, with my – somewhat arbitrary – scores. Thanks again for all the writers, readers, judges and administrator (singular!) for participating, and please check out the other judges for other perspectives!

(13) CON OR BUST. Kate Nepveu’s Con or Bust newsletter lists many opportunities for fans of color/nonwhite fans to get memberships and other assistance to attend upcoming sf events. For example —

The following cons have recently donated assistance or memberships to Con or Bust:

  • JoCo Cruise 2018, February 18-25, 2018, departing from San Diego, CA, USA. JoCo Cruise has donated at least five cabins, which accommodate two to four people, and which come with lodging, meals and drinks (except not alcohol or soft drinks), and access to all programming. Please see the blog post for important details.
  • The 2018 SFWA Nebula Conference, May 17-20, 2018, Pittsburgh, PA, USA. The SFWA Givers Fund has awarded $4,000 to Con or Bust to enable people of color/non-white people attend SFWA Nebula Conference; funds can be requested during February 1-10, 2018.
  • Beach City Con, October 12 – 14, 2018, Virginia Beach, VA, USA (@beachcitycon). Beach City Con is a Steven Universe fan convention; it donated four weekend passes, which can be requested during February 1-10, 2018.
  • Scintillation, October 5-7, 2018, Montréal, Quebec, Canada. Scintillation is a small literary focused SF convention with program by Jo Walton; details at its Kickstarter page. It donated three memberships and $100, which can be requested during February 1-10, 2018

(14) LAST JEDI ANALYZED. Under some circumstances, Foz Meadows might like to take a red pen to “Star Wars: The Last Jedi”. BEWARE SPOILERS, if you still need to.

Based on this, it seems clear that The Last Jedi is intended to parallel The Empire Strikes Back, both structurally and thematically. All the same elements are in play, albeit recontextualised by their place in a new story; but where Empire is a tight, sleek film, The Last Jedi is middle-heavy. The major difference between the two is Poe’s tension-and-mutiny arc, which doesn’t map to anything in Empire.

And this is the part where things get prickly. As stated, I really love Rose Tico, not only because she’s a brilliant, engaging character superbly acted by Kelly Marie Tran, but because she represents another crucial foray into diverse representation, both in Star Wars and on the big screen generally. There’s a lot to recommend Vice-Admiral Holdo, too, especially her touching final scene with Leia: I still want to know more about their relationship. I am not for a moment saying that either character – that either woman – doesn’t belong in the film, or in Star Wars, or that their roles were miscast or badly acted or anything like that. But there is, I suspect, a truly maddening reason why they were paired onscreen with Finn and Poe, and that this logic in turn adversely affected both the deeper plot implications and the film’s overall structure.

(15) NO EMISSION CONTROL. NPR says “Researchers Spot Massive Black Hole In Double ‘Burp'”.

A giant black hole located at the center of a galaxy 800 million light-years from Earth has been caught on camera letting out not one, but two massive “burps” of highly charged particles.

It is the first time astronomers have viewed the phenomenon twice in the same black hole.

Images released Thursday and credited to the Hubble Space Telescope and the Chandra X-ray Observatory were presented at the American Astronomical Society’s winter meeting in National Harbor, Md., outside Washington, D.C.

“Black holes are voracious eaters, but it also turns out they don’t have very good table manners,” Julie Comerford, an astronomer at the University of Colorado Boulder, said during a news conference Thursday, according to Space.com. “We know a lot of examples of black holes with single burps emanating out, but we discovered a galaxy with a supermassive black hole that has not one, but two burps.”

(16) PADDINGTON 2 VERDICT. NPR’s Andrew Lapin sees “‘Paddington 2’: A Story That Bears Repeating”.

If only all of us could see the world the way Paddington sees London. The furry little bear in a raincoat looks around his adopted home and finds, in the smiling faces of his neighbors, nothing but joyful spirits and good intentions. There are no “no-go zones”; even a prison full of roughnecks can be a chance to help people in need. Forget the fact that he’s a talking bear from Darkest Peru. It’s Paddington’s impenetrable spirit, his striving to do right by the world, to “always see the good in people,” even those who wish him harm, that is the biggest wish-fulfillment of 2018.

(17) SHE GETS MAIL. Ursula Vernon cannot comfort the youth of America —

(18) MORE EYES IN THE SKY. BBC reports on a UK satellite, launched by India, to make movies from space, (first of a planned cluster, like ICEYE satellites sent yesterday).

A British satellite has gone into orbit on an Indian rocket to acquire full-colour, high-definition video of the surface of the Earth.

The demonstrator is expected to pave the way for a series of at least 15 such spacecraft, which will be operated by the Guildford-based company Earth-i.

The small, low-cost UK mission was one of 31 payloads riding on the Indian Polar Satellite Launch Vehicle.

It lifted off from the Satish Dhawan spaceport in Andhra Pradesh.

(19) BLACK WIDOW APPROACHING. According to Variety, “Marvel’s Standalone ‘Black Widow’ Movie Gains Momentum With Jac Schaeffer Writing”.

Marvel is finally pushing ahead with the highly anticipated “Black Widow” standalone movie starring Scarlett Johansson, with Jac Schaeffer penning the script.

Sources say this is still very early development, as the film has no greenlight, but naming a writer is the closest the studio has come to moving forward on a standalone pic. Marvel President Kevin Feige met with several candidates before tapping Schaeffer, and Marvel execs met with Johansson to discuss what they wanted from a “Black Widow” writer.

In case you need a reminder, watch this scene from Iron Man 2 of Scarlett Johansson’s Black Widow in action.

(20) BLUE MAN CULTIST. Here’s the official trailer for Cold Skin.

[Thanks to John King Tarpinian, JJ, Cat Eldridge, Chip Hitchcock, Hampus Eckerman, Andrew Porter, Kathodus, and Carl Slaughter for some of these stories. Title credit belongs to File 770 contributing editor of the day Steve Davidson.]

Pixel Scroll 11/27/17 And All I Ask Is A Tall Scroll And A Pixel To Godstalk Her By

(1) MORE GIFT POSSIBILITIES. C.F. Payne, who has produced covers for Time and Reader’s Digest among others, has been doing portraits of various creatives (writers, artists, musicians, et al) as demos for his art students and selling them on his Etsy page. These three examples are Lucas, Méliès, and Bradbury.

(2) OFF THE GROUND. George R.R. Martin’s 10-episode Season 1 of Nightflyers has been greenlit by SyFy.

NIGHTFLYERS will be shot in the Republic of Ireland, I’m told, on sound stages in Limerick… which will give them access to the same great pool of Irish and British actors that GAME OF THRONES has tapped in Belfast (and considering how many characters we’ve killed, a lot of them should be available). … If all goes according to schedule, the series should debut this summer, in late July. It will be broadcast on SyFy in the USA, and on Netflix around the world.

(3) ROOM DISRUPTION. Arisia 2018 takes place January 12-15 in Boston, but they just learned they’ll have to get by with almost 200 fewer rooms in their main hotel.

Q: What happened?

A: In early November the Westin informed us that its parent company has scheduled guest-room renovations. These renovations will be happening all winter and overlap the convention. During Arisia, three floors of guest rooms will be unavailable.

“Innkeeper” Holly Nelson is appealing to members to volunteer to move their reservations to a secondary hotel:

…One month into my role, Arisia received the news from the Westin about the renovations scheduled this winter. We were told 196 rooms would be unavailable and those reservations would need to transfer to the Aloft across the street. I was shocked and worried about how we would address the situation. Arisia staff members worked with the Westin to negotiate a better deal for those who would be required to move, as well as increasing how much of the Westin is reserved for our attendees to use.

If we don’t get enough volunteers, we’ll need to make involuntary transfers. If that happens we will be considering what is best for everyone who is concerned about moving. We’re working to meet the needs of as many people as possible – with the help of Arisia staff, including our Con Chair – in the most fair, impartial way we can. I would love to avoid this unpleasant duty, but that’s only possible if you volunteer by Thursday….

There are incentives for volunteering – see the FAQ.

(4) ABOUT HUGO AWARDS SITE LINKS TO THIRD PARTIES. The official Hugo Awards website’s response to criticism of Rocket Stack Rank, one of the “Third Party Recommendation Sites” linked there, has been to add a disclaimer:

I asked Kevin Standlee, who is part of the committee that runs the website, to address the broader question of why the Hugo Awards site links to other sites and how they are chosen:

The sites we’ve added have been as they came to our attention or when people asked us to add them. But a key thing is that they had to have a fixed address. People who set up a list for one year, then a new address for another year, then another new address, and so forth, we won’t add, because it’s too difficult to maintain. That has been apparently too high a bar for most people, who want to do things like set up Google Sheets for 2017, 2018, 2019, etc, with a new one every year. I’ve turned down the people whose request amounted to, “Add my site, and constantly monitor it so that when I change it to a different address, you’ll also change yours.” I have enough trouble keeping up with routine maintenance as it is.

Renay of Lady Business, this year’s Best Fanzine Hugo winner, will recognize Kevin’s example.

(5) BLOCKED. In “Star Trek Fight:  Shatner Blasts Isaacs on Twitter”, James Hibbard of Entertainment Weekly notes that William Shatner has blocked Jason Isaacs on Twitter, because he says that Isaacs is preventing him from a guest role on Star Trek: Discovery.  Isaacs responds that since Star Trek:Discovery takes place just before Star Trek TOS, James T. Kirk would be about 16 on the show which leaves no room for Shatner.

William Shatner has set his Twitter shields to maximum.

The actor who played the most iconic Star Trek captain has blocked the newest actor to play a Star Trek captain —  Jason Isaacs on Star Trek: Discovery — on the social network following the latter’s comments in an interview.

Shatner hasn’t publicly stated a reason for the blocking. But it follows a UK tabloid story posted a couple of weeks ago headlined, “Jason Isaacs hopes William Shatner won’t appear in Star Trek: Discovery.” Which admittedly does sound pretty bad. But Isaacs didn’t say that — or at least didn’t seem to mean that — but rather was making a point about how it wouldn’t make sense to have Shatner in the series since his character would only be about 16 years old during the Discovery time period.

(6) THE LION SLEEPS TONIGHT. John Hertz could tell from the way I spelled the lyric “A-WEEMA-WEH” that I was missing cultural nuances – beginning with the correct spelling – readily available from the Wikipedia’s entry about “The Lion Sleeps Tonight”.

Apparently I’m first in directing your attention to the Zulu mbube (“lion”) and uyimbube (“you’re a lion”), the spelling “Wimoweh” by Pete Seeger, and a cross-language cross-cultural trail of creativity and intellectual property (some Filers would add “appropriation”) worthy of B. Pelz’ coinage Berlitzkrieg.

The Wikipedia says this about the song’s origin:

“Mbube” (Zulu for “lion”) was written in the 1920s, by Solomon Linda, a South African singer of Zulu origin, who later worked for the Gallo Record Company in Johannesburg as a cleaner and record packer. He spent his weekends performing with the Evening Birds, a musical ensemble, and it was at Gallo Records, under the direction of producer Griffiths Motsieloa, that Linda and his fellow musicians recorded several songs including “Mbube,” which incorporated a call-response pattern common among many Sub-Saharan African ethnic groups, including the Zulu.

(7) 2017’S TOP HORROR. The B&N Sci-Fi & Fantasy Blog brings us the editors’ picks for “The Best Horror Books of 2017”. The list begins with –

Chalk, by Paul Cornell
Chalk tells the story of Andrew Waggoner, who suffers a horrifying act of violence at the hands of his school’s bullies. In his grief and anger, the boy makes contact with an old and ancient presence, which offers to help make him whole and exact terrible revenge—if he allows it. The occult horror masks a genuine exploration of how trauma can affect a person, cutting them out of the world, instilling violent fantasies of revenge, and leaving psychological wounds that linger long after the physical trauma had healed. It’s heartfelt, surreally terrifying, and utterly wrenching in ways I can only struggle to describe, and worth all the attention you can give it. Read our review.

(8) MYTHS FOR OUR TIME. Let The Guardian tell you why this is a good idea: “Mythos review – the Greek myths get the Stephen Fry treatment”.

Ever since William Godwin persuaded Charles Lamb to retell The Odyssey as a novel for younger readers in The Adventures of Ulysses (1808), the myths of ancient Greece have been retold in contemporary prose by every generation. Most of these retellings were originally poetry – the epics of Hesiod, Homer and the philhellene Latin poet Ovid, the Athenian tragedies of Aeschylus, Sophocles and Euripides – in Mythos, Stephen Fry has narrated a selection of them in engaging and fluent prose. But do we need another version of the Greek myths in an already crowded market? Such treasured collections as Nathaniel Hawthorne’s Tanglewood Tales (1853), Edith Hamilton’s Mythology: Timeless Tales of Gods and Heroes (1942) and Robert Graves’s The Greek Myths (1955) are still in print. Countless family car journeys are enlivened by Simon Russell Beale’s audiobook of Atticus the Storyteller’s 100 Greek Myths. So should a reader looking for an initiation into the thrilling world of the ancient Greek imagination choose Fry’s book?

…Yet Fry’s ear is finely tuned to the quaint tonality of some of his ancient sources. This is best revealed in his retelling of two Homeric Hymns, to Demeter and Hermes. They deal respectively with the abduction of teenage Persephone and the theft by the newborn Hermes of his big brother Apollo’s cattle. Fry’s distinctive voice undoubtedly adds something lively, humorous and intimate to myth’s psychological dimension. People who enjoy his media personality and particular style of post?Wodehouse English drollery are in for a treat. He tells us that he imagines Hera, queen of the gods, “hurling china ornaments at feckless minions”. Ares, god of war, “was unintelligent of course, monumentally dense”. Baby Hermes tells Maia: “Get on with your spinning or knitting or whatever it is, there’s a good mother.” Epaphus, child of Zeus and Io, “was always so maddeningly blasé about his pedigree”.

(9) MARVEL CINEMATIC UNIVERSE TO END — WELL, NOT REALLY. “Secrets of the Marvel Universe” by Joanna Robinson in Vanity Fair is a lengthy interview with MCU supremo Kevin Feige, including the revelation that the MCU will officially end with the release of Avengers 4 in 2019, although there will still be plenty of Marvel superhero movies after the MCU ends.

On a sweltering October weekend, the largest-ever group of Marvel superheroes and friends gathered just outside of Atlanta for a top-secret assignment. Eighty-three of the famous faces who have brought Marvel’s comic-book characters to life over the past decade mixed and mingled—Mark Ruffalo, who plays the Hulk, bonded with Vin Diesel, the voice of Groot, the monosyllabic sapling from Guardians of the Galaxy. Angela Bassett, mother to Chadwick Boseman’s Black Panther, flew through hurricane-like conditions to report for duty alongside Robert Downey Jr., Scarlett Johansson, Gwyneth Paltrow, Brie Larson, Paul Rudd, Jeremy Renner, Laurence Fishburne, and Stan Lee, the celebrated comic-book writer and co-creator of Iron Man, Spider-Man, Doctor Strange, the Fantastic Four, and the X-Men.

Their mission: to strike a heroic pose to commemorate 10 years of unprecedented moviemaking success. Marvel Studios, which kicked things off with Iron Man in 2008, has released 17 films that collectively have grossed more than $13 billion at the global box office; 5 more movies are due out in the next two years. The sprawling franchise has resuscitated careers (Downey), has minted new stars (Tom Hiddleston), and increasingly attracts an impressive range of A-list talent, from art-house favorites (Benedict Cumberbatch and Tilda Swinton in Doctor Strange) to Hollywood icons (Anthony Hopkins and Robert Redford) to at least three handsome guys named Chris (Hemsworth, Evans, and Pratt). The wattage at the photo shoot was so high that Ant-Man star Michael Douglas—Michael Douglas!—was collecting autographs.

(10) BIZARRE HOLLYWOOD. Life and times: Escapes is a Winningly Off-Kilter Doc About the Screenwriter of Sci-Fi Classic Blade Runner” at The Stranger.

If the name Hampton Fancher rings a bell, you probably have strong opinions on the best version of Blade Runner. The screenwriter of that sci-fi classic, Fancher sports one of the damndest backstories in Hollywood, including acting appearances on Bonanza, literal ditch digging, and occasional bouts of flamenco dancing. The documentary Escapes tells the thoroughly odd, strangely endearing saga of a genial bullshitter who somehow keeps stumbling, if not always upwards, at least sideways through show business. Think Robert Evans with a smidge of self-consciousness, and prepare for a wild ride.

Beginning with a long, shaggy story involving Teri Garr, director Michael Almereyda (Experimenter) gives his subject ample room to spin his yarn, wittily utilizing a slew of media clips as Fancher wanders hither and yon between topics such as his relationship with Lolita’s Sue Lyon, Philip K. Dick’s hilariously unsmooth attempt to hit on Fancher’s then-girlfriend, and the sexual exploits of the (human) star of Flipper. As for Blade Runner, that seemingly career-defining experience receives the same breezy pass-through as the rest of his stories, further painting the picture of a man who’s proud of his achievements, but doesn’t always seem entirely certain of how all the dots came to connect….

(11) LONELINESS OF THE LONG-DISTANCE BURRITO. Perhaps you’ve already seen this culinary steampunk extravaganza — it’s dated 2007: “The Alameda-Weehawken Burrito Tunnel” at Idle Words.

Who can imagine New York City without the Mission burrito? Like the Yankees, the Brooklyn Bridge or the bagel, the oversize burritos have become a New York institution. And yet it wasn’t long ago that it was impossible to find a good burrito of any kind in the city. As the 30th anniversary of the Alameda-Weehawken burrito tunnel approaches, it’s worth taking a look at the remarkable sequence of events that takes place between the time we click “deliver” on the burrito.nyc.us.gov website and the moment that our hot El Farolito burrito arrives in the lunchroom with its satisfying pneumatic hiss.

The story begins in any of the three dozen taquerias supplying the Bay Area Feeder Network, an expansive spiderweb of tubes running through San Francisco’s Mission district as far south as the “Burrito Bordeaux” region of Palo Alto and Mountain View. Electronic displays in each taqueria light up in real time with orders placed on the East Coast, and within minutes a fresh burrito has been assembled, rolled in foil, marked and dropped down one of the small vertical tubes that rise like organ pipes in restaurant kitchens throughout the city.

Once in the tubes, it’s a quick dash for the burritos across San Francisco Bay. Propelled by powerful bursts of compressed air, the burritos speed along the same tunnel as the BART commuter train, whose passengers remain oblivious to the hundreds of delicious cylinders whizzing along overhead. Within twelve minutes, even the remotest burrito has arrived at its final destination, the Alameda Transfer Station, where it will be prepared for its transcontinental journey….

(12) SIX BOOKS. From Nerds of a Feather comes “6 Books with Mira Grant”:

  1. How about a book you’ve changed your mind about over time–either positively or negatively?

The Dead Zone, by Stephen King. I originally read it when I was way too young, and thought it was incredibly boring. Revisiting it as an adult was a revelation.

(13) VINTAGE DARKNESS. It used to be all you had to do was look up. Night is getting harder to find: “Idaho Dims The Lights For One Of The Best Night Skies Anywhere”.

In a high mountain valley in central Idaho over 6,000 feet in elevation, the last hint of a glow from sun fades in the western sky. The conditions are perfect as Steve Botti, an astronomy enthusiast and city councilman for the tiny town of Stanley, holds his sky quality meter to the heavens. There are no clouds, and the moon has dipped behind the craggy Sawtooth Mountains as he assesses the darkness of the sky with the little device that looks like a pager.

His arm extended and his head snugly wrapped in a beanie, Botti says, “A reading of 21.75 or higher is considered by the dark sky association to be exceptionally dark.”

On a clear night here you can see the purple cloud of the Milky Way stretched across the sky. The rare sight is possible because people are making an effort to keep the night sky dark. Dark enough, they hope, to earn a seal of approval from the International Dark-Sky Association…

(14) CARTLOADS OF CARATS. An asteroid’s leavings: “The German town encrusted with diamonds”.

During construction of the town, which was first mentioned in records in the 9th Century AD, the settlers didn’t realise the stone they were using was embedded with millions of tiny diamonds, in a concentration seen nowhere else in the world.

As I looked down on the sleepy Bavarian town from the top of the tower, it was hard to picture the area as being anything other than tranquil. It was, in fact, a violent and otherworldly event – an asteroid strike that hit 15 million years ago – that led to the strange reality of Nördlingen becoming Germany’s diamond-clad town.

… Not long after Shoemaker and Chao first visited Nördlingen, it was estimated by local geologists that the town walls and buildings contained approximately 72,000 tons of diamonds. Although suevite can be found in other parts of the world from similar impacts, nowhere is the gemstone concentration as high as it is in Nördlingen.

(15) NEW VOICE. Editor Elizabeth Fitzgerald has joined the Skiffy and Fanty Show.

I’ll be working as their YA reviewer and my first post will go up in December. In the meantime, you can hear my first outing as co-host of one of their podcasts. Paul Weimer and I chatted with C.B. Lee, Cat Rambo and Nicky Drayden about participating in National Novel Writing Month.

Last year Fitzgerald was a co-winner of the Ditmar Award for Best Fan Publication with the team of interviewers who created the Australian Speculative Fiction Snapshot.

(16) 70 MM. How long will people be able to see 2001 in its original format? “Dying arts can be saved — but is it worth it?” (From the Boston Globe: may be paywalled in the near future, but isn’t yet.)

When cinema buffs celebrate the 50th anniversary of “2001: A Space Odyssey” next year, an uncomfortable question will loom larger than a malicious monolith. Does the epic sci-fi movie — the one that to its most ardent fans delivers a near-religious experience — have any future?

To true believers, the 1968 Stanley Kubrick cult classic must be viewed in its original wide-screen 70-millimeter format, an immersive visual experience augmented by the classical music score. Lauded for its crisper colors, deeper blacks, and higher-resolution images, fans see 70-millimeter as the highest expression of Hollywood artistry. The format was popularized in the 1950s to showcase movies’ technical superiority over television, and reserved for major productions like “Ben-Hur” and “Lawrence of Arabia.” But today, with Hollywood’s near-total shift to digital projection, the format faces an uncertain future — and is only held together, as a labor of love, by the efforts of a passionate community of movie fans.

…The worst case scenario is that, in a generation or two, the movie theaters may still exist, but the practical skills to build, fix, and use the specialized projectors will have vanished.

(17) GRATITUDE. Joe Stech of Compelling SF found plenty to be thankful for in his Thanksgiving post “10 issues of Compelling Science Fiction: a retrospective”.

I get asked every couple months why I spend so much time on this magazine. Most of the time I give a brief canned answer, something along the lines of “everyone needs a hobby, this is one of mine.” While that’s true, it’s a bit of a non-answer. Let me try and give a real answer here, in a few parts:

  1. Science fiction is fascinating. Like many art forms, good science fiction requires a base layer of technical skill. That’s the starting line. However, there’s a secondary layer of subject matter expertise, and a third layer that involves actually saying something meaningful about the universe we live in.
  2. Evaluating that third layer is deeply subjective, which means that no two readers will necessarily see eye to eye when reading a story. This also means that every publisher has its own set of biases when selecting stories to publish, which means that many stories that I’d enjoy never get out into the world. I want to help change that.
  3. There are extremely talented people out there producing wonderful content who never get paid for their work — I want to help support them, which is why I’ve always paid professional rates, even at the beginning when nobody was supporting the magazine. I’ve always been a proponent of putting my money where my mouth is, and I’m extremely grateful to have found magazine supporters who feel the same way.

[Thanks to John King Tarpinian, JJ, Arnie Fenner, Chip Hitchcock, Cat Eldridge, Carl Slaughter, Martin Morse Wooster, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]