Pixel Scroll 3/19/16 The Fog Scrolled in on Pixilated Feet

(1) KEN LIU ON THE SCROLL. Ken Liu notes that we’re back to scrolling, in “The Grand Evolution of Books” at the Powell’s Books blog.

A similar shift may be happening today as we go from reading on paper codices back to endless (electronic) scrolls in the form of Web pages. Hyperlinks and sophisticated search functions have allowed scrolls to catch up to and even surpass the advantages of codices in random access and ease of reference, and electronic texts offer many more advantages: user-controlled text formatting and flow, instant access to encyclopedias and dictionaries, ease of note-taking and quote-sharing, community-based discussions, and so on.

Yet, we persist in pretending that the scroll is not authoritative.


(2) SCIENCE FICTION LEAGUE IN CHICAGO. Doug Ellis chronicles “Jack Binder and the Early Chicago SF Fan Club” at Black Gate.

Back in the mid-1930’s, one of the most active science fiction fan clubs was the Chicago Science Fiction Club, which had among its members such fans as Jack Darrow (among fandom’s most prolific writers of letters of comment to the SF pulps), Earl and Otto Binder (the Eando Binder writing team), Jack Binder (their brother, an artist), Walter Dennis and Paul McDermott (both of who had started the Science Correspondence Club in 1929 and later published The Comet, edited by Ray Palmer and arguably the first SF fanzine), William Dellenback, Allen Kline (brother of author Otis Adelbert Kline) and Howard Funk. The Chicago Club had formed as the Chicago Chapter of the Science Fiction League, the nationwide fan organization created and promoted by Wonder Stories. The Chicago Chapter’s activities were prominent in the pages of Wonder Stories, and in Sam Moskowitz’ words, it was “the outstanding chapter of the time.”

(3) DINING WITH DOYLE. Episode 4 of Scott Edelman’s Eating the Fantastic with Tom Doyle is now live —

Writer Tom Doyle and I recorded Episode 4 of Eating the Fantastic at Ethiopic Ethiopian restaurant nearby the Capitol, the Supreme Court, and Union Station in Washington D.C.—which unless I’m mistaken has the largest Ethiopian population outside of Ethiopia after so many resettled here during the ‘70s and ‘80s.

Tom’s the author of a contemporary fantasy series from Tor which began in 2014 with American Craftsmen, returned in 2015 with The Left Hand Way, and continues in the third installment War and Craft—the manuscript of which he handed in to his editor mere days before we met.

Edelman’s next guest will be Carolyn Ives Gilman.

(4) HAMILTON PHONES ADAMS. “The Legacy of 1776: A Conversation with William Daniels and Lin-Manuel Miranda” on New York City Center.

CITY CENTER: Before we get too deeply into ticketing, I want to talk a bit about 1776. Today we think of it as being in the pantheon of great musicals, but in the 1960s, the show was so unconventional that Sherman Edwards had a hard time getting it produced. “Some of the biggest [names] in the theater,” he recalled, “looked at me and said, ‘What, a costume musical? A costume, historical musical?’” Mr. Daniels, do you remember your initial reaction to the idea?

WD: I read the script with a bunch of people at somebody’s apartment. Sherman Edwards was a former schoolteacher from New Jersey, and he had written not just the songs, but the script. It was a little stiff; I remember thinking, We’re in the middle of Vietnam, for Christ’s sake, and they’re waving the flag? I really had to be talked into doing it. At any rate, when the script came back to me, Peter Stone had taken ahold of it, and he’d gone back to the actual conversations in the Second Continental Congress. He had written them out on little cards and injected them into the script, and it made all the difference in the world. It added humor and conciseness and truth.

LM: I love that anecdote, because it gets at something that I discovered in writing Hamilton: the truth is invariably more interesting than anything a writer could make up. That Peter Stone went back to the texts written by these guys, who were petty, brilliant, compromised—that’s more interesting than any marble saints or plaster heroes you can create. And the picture you all painted together of John Adams was so powerful; in the opening scene, he calls himself “obnoxious and disliked,” which is a real quote. We don’t have a John Adams in our show, but we can just refer to him, and everyone just pictures you, Mr. Daniels.

(5) SOVIET MOON LANDER. “Giant steps are what you take, walking on the Moon”, from The Space Review.

If there is an infinite number of universes, then certainly in one of them Alexei Leonov climbed down the ladder of the Soviet Lunniy Korabl (“lunar ship”) and put his bootprint on the surface of the Moon. But Leonov did not take such a step in our universe and, as a result, the Soviet effort to beat the Americans to the Moon is largely forgotten. Had the Soviets ever gotten that far, had they ever sent Leonov to the Moon, he would have died rather than eventually become a genial geriatric cosmonaut, ambassador of the Soviet space program, and living legend. That was my thought when looking at the ungainly and rickety LK-3 test article on display at London’s Science Museum a few weeks ago. It is the second time that a lunar landing craft has ever ventured outside of Russia (one was displayed at EuroDisney in Paris in the 1990s), and will probably be the last time for many, many years to come.

Soviet moon lander.

Soviet moon lander.

(6) ENTER STAGE LEFT. M. J. Herbert has a long, intensively researched piece about the earliest days of Doctor Who in “Doctor Who and the Communist: The art and politics of Malcolm Hulke” at Fantasies of Possibility.

The origins of Doctor Who Sydney Newman’s  success on ITV led him to being poached by the BBC, who offered a job as Head of Drama: he  started work in January 1963. Looking back 20 years later, when interviewed for a BBC oral history project, he described what he found at the BBC.

The material didn’t really cater to what I assumed to be the mass British audience. It was still the attitude that BBC drama was still catering to the highly educated, cultured class rather than the mass audience which was not aware of culture as such . But above all I felt that the dramas really weren’t speaking about common everyday things…” 

They needed to come up with a new series for was the late afternoon slot at 5:15 between the end of the afternoon sports programme Grandstand and the start of  Juke Box Jury. At a number of meetings in the spring of 1963 Newman and his staff evolved the notion of a mysterious Doctor who could travel in time and space. The aim of the series were educational, similar to Pathfinders in Space,  with the remit  of teaching its young audience in an enjoyable way  about space and history. In its first years the serials alternated between a science fiction adventure and an adventure set during a dramatic historical event such as the travels of Marco Polo, the Crusades, and the St Bartholomew’s Eve Massacre of 1572  (an extraordinary subject for a tea-time children’s serial, although no actual killings were shown).

Newman brought in as producer a young woman he had worked with at ABC, Verity Lambert, which caused a stir as the BBC was then a very male world. Verity persuaded the veteran actor William Hartnell to take on the role of the Doctor. Hartnell had been working as an actor since the 1930s,  but was frustrated by the limited roles he was being offered, often as an army sergeant. Verity had been impressed by his part in a recent British film This Sporting Life.

(7) TREK IN CONCERT. STAR TREK: The Ultimate Voyage visits the Hollywood Pantages Theatre on April 1-2.

Star Trek: The Ultimate Voyage brings five decades of Star Trek to concert halls for the first time in this galaxy or any other.

This lavish production includes an impressive live symphony orchestra and international solo instruments. People of all ages and backgrounds will experience the franchise’s groundbreaking and wildly popular musical achievements while the most iconic Star Trek film and TV footage is simultaneously beamed in high definition to a 40-foot wide screen.

The concert will feature some of the greatest music written for the franchise including music from Star Trek: The Original Series, Star Trek: The Motion Picture, Star Trek II: The Wrath of Khan, Star Trek IV: The Voyage Home, Star Trek: Insurrection, Star Trek: The Next Generation, Star Trek: Deep Space Nine, Star Trek: Voyager, Starfleet Academy and much more. This never-before-seen concert event is perfect for music lovers, filmgoers, science-fiction fans and anyone looking for an exciting and unique concert experience.

(8) SUPPLEMENTAL CHAOS. Brandon Kempner returns with an alternative set of rankings, “Final Best of 2015 SFF Critics Meta-List” at Chaos Horizon.

To supplement the mainstream’s view of SFF, I also collate 10 different lists by SFF critics. Rules are the same: appear on a list, get 1 point.

For this list, I’ve been looking for SFF critics who are likely to reflect the tastes of the Hugo award voters. That way, my list will be as predictive as possible. I’m currently using some of the biggest SFF review websites, under the theory that they’re so widely read they’ll reflect broad voting tastes. These were Tor.com, the Barnes and Noble SF Blog, and io9.com.

For the other 7 sources on my list, I included semiprozines, fanzines, and podcasts that have recently been nominated for the Hugo award. The theory here is that if these websites/magazines were well enough liked to get Hugo noms, they likely reflect the tastes of the Hugo audience. Ergo, collating them will be predictive. This year, I used the magazines Locus Magazine and Strange Horizons, the fan websites Book Smugglers, Elitist Book Reviews, and Nerds of a Feather (to replace the closing Dribble of Ink; Nerds didn’t get a Hugo nom last year, but was close, and I need another website), and fancasts Coode Street Podcast and SF Signal Podcast.

(9) LOCAL APES MEETUP. The Damn Dirty Geeks’ second annual Planet of the Apes Day gathering to celebrate the classic 1968 film Planet of the Apes and “all its sequels, remakes and re-imaginings”takes place April 2 at the Idle Hour Cafe in North Hollywood, CA (map below) beginning at 5 p.m.

The organizers ask those planning to attend to RSVP on the Facebook event page and note that you plan to be there in person. Space is limited.

(10) IRISH ORIGINS DEBATED. According to the Washington Post, “A man’s discovery of bones under his pub could forever change what we know about the Irish”. (Tolkien is quoted in the article.)

From as far back as the 16th century, historians taught that the Irish are the descendants of the Celts, an Iron Age people who originated in the middle of Europe and invaded Ireland somewhere between 1000 B.C. and 500 B.C.

That story has inspired innumerable references linking the Irish with Celtic culture. The Nobel-winning Irish poet William Butler Yeats titled a book “Celtic Twilight.” Irish songs are deemed “Celtic” music. Some nationalists embraced the Celtic distinction. And in Boston, arguably the most Irish city in the United States, the owners of the NBA franchise dress their players in green and call them the Celtics.

Yet the bones discovered behind McCuaig’s tell a different story of Irish origins, and it does not include the Celts.

“The DNA evidence based on those bones completely upends the traditional view,” said Barry Cunliffe, an emeritus professor of archaeology at Oxford who has written books on the origins of the people of Ireland.

(11) A DIFFERENT PUPPY DISCUSSION. Sarah Hollowell has a dialogue with Chester the Corgi, in “Put Fat Girls in Your SFF YA” at Fantasy Literature.

Yeah, you’re right. Okay. Okay. Let’s go.

You’re a fat teenage girl, and you love YA. You especially love scifi and fantasy. Space? Hell yeah. Magic schools? Hell yeah. Magic schools in space? Sign you up. And everyone says dystopias are out of style, but you still can’t get enough. Got it?

Got it.

So you read all these books, as many as you can, and it becomes difficult not to notice a pattern. You realize all the girls in all the books are just different kinds of skinny. You can’t for the life of you find a girl that looks like you. Books are supposed to help us dream and dream big but you’re starting to feel like you’re just too big to dream. You’ve read a couple books where fat girls get to be loved in the real world, and that’s wonderful, but fat girls don’t get whisked away into alternate worlds and told they’re a long lost princess. Fat girls don’t get to see the magical underside of New York City. Fat girls don’t save planets.


  • March 19, 1950 — Edgar Rice Burroughs
  • March 19, 2008 — Arthur C. Clarke


  • Born March 19, 1928 – Patrick McGoohan

(14) STARZ PRODUCTION OF GAIMAN NOVEL. In “’American Gods’ Casts Its Laura Moon”, The Hollywood Reporter says A Series of Unfortunate Events alum Emily Browning will take on the role in the adaptation of Neil Gaiman’s fantasy novel.

(15) A METAPHOR FOR AN ANALOGY. “It’s Over Gandalf. We Need to Unite Behind Saruman to Save Middle Earth from Sauron!” at Daily Kos.

Gandalf had the crazy idea that some little hobbits could stand up to and defy the power of the billionaire class Dark Lord Sauron. But I guess that was a pipe dream after all.

Gandalf failed. He got his ass locked up atop Saruman’s tower when he foolishly defied the head of the Democratic Party council of wizards. And now that he’s locked up it’s not like some eagle is going to magically appear and rescue him. It’s over. And now Saruman is our only hope against Sauron.

We need to stop saying nasty things about Saruman or it will be difficult to rally the people of Middle Earth to his side. Here are some things we should no longer mention, or if we do, we should put a positive spin on them so people will still see Saruman is our only hope.

  • Saruman’s Environmental Record: While it is true that Saruman has supported clear cutting huge ancient forests, and while an old hippie tree hugger like Treebeard might tell you lots of those trees were his friends, we ARE talking about trees here. And sure, Gandalf has a much better record on the environment but he’s done now. It’s time to focus on how much worse Sauron’s environmental record is. I mean, have you seen Mordor?

(16) A TREE FALLS IN THE WOODS. Alastair Reynolds, in “’Slow Bullets’ and Sad Puppies”, says his request to be removed from the SP4 List has not yet been posted in comments at Mad Genius Club.

I was away for a few days without internet access and discovered when I returned that my novella “Slow Bullets” has been included on the “SP4” Sad Puppies list for Hugo nominators. At this point it’s of no concern to me whether this is a slate or a set of recommendations. Given the taint left by last year’s antics, I don’t care for any work of mine to be associated with any list curated by the Sad Puppies. The list was announced at Kate Paulk’s website Madgeniusclub.com. Late last night I left a comment asking – politely, I hope – for the story to be removed, but after I checked the site in the morning I couldn’t find my comment and the story was still listed. I’ve tried to leave another comment to the same effect.

(17) ANTIQUE PREHENSILE. In the event someone wants to run out and buy a fanzine I published in 1973, with a 1973-appropriate Grant Canfield nude on the cover, Prehensile 10 is for sale on eBay. Since the seller doesn’t say what the contents I wondered if I remembered correctly. Checked my file copy — yes, that’s the issue with Jerry Pournelle’s article about how to reform the Worldcon, written the year he was President of SFWA. Lots of good stuff by Richard Wadholm, Bill Warren, Jerry Pournelle, Marc Schirmeister and others.

(18) INSIDE JOKES. A mash-up of references to Bewitched and Star Wars in this Brevity cartoon.

(19) ALL LIT UP. Darth Maul: Apprentice, a Star Wars fan film, is basically 20 minutes of lightsaber fights.

[Thanks to John King Tarpinian, JJ, Mark-kitteh, Martin Morse Wooster, Will R., and David K.M. Klaus for some of these stories. Title credit goes to File 770 contributing editor of the day Gregory N. Hullender.]

Sasquan Posts Committee Reports to Business Meeting

For your advance reading pleasure, Sasquan has posted these committee reports being submitted to the business meeting.

Kevin Standlee has also announced:

The Business Meeting videos are going to be uploaded to a YouTube channel set up for this: The Worldcon Events Channel, 2015 WSFS Business Meeting Playlist at https://www.youtube.com/playlist?list=PL0oLnkb-s4Yd_nZwV7lG_aItUV_5aP0aB

The easiest way to find out when each segment is uploaded is to subscribe to this channel, because nobody (especially me) is going to have the time to Tweet out the uploads as they happen.

One of the most anticipated reports comes from the YA Hugo Committee. It begins:

The Committee was (re)formed at Loncon 2014 in order to consider the issues surrounding a possible Young Adult Hugo. Such an award was first proposed at Chicon 1991 and in the 24 intervening years of debate, several proposals have been nixed, and discussions have at times been contentious. This Committee was therefore formed to approach and research the issue in a (somewhat) systematic manner, and to report its research to the Business Meeting.

Findings: The Committee looked into comparable awards, addressed past debates at Business Meetings, and considered the present Hugo Awards. Details of this work can be found in the Exhibits to this report, entitled ‘Common Concerns Expressed at the WSFS BM’, ‘Definitions of YA,’ and ‘The Hugo vs. The Newbery.’

The Committee finds that requests for an award recognizing teen literature (or YA) are indeed reasonable: teen lit, despite its popularity and quality, is not well represented by the current Hugos; the majority of YA awards are given by juries; the Worldcon community of teens, adults, and professionals would make the award unusual; the long-lasting demand for such an award is attested by repeated debates during almost a quarter-century of Business Meetings.

Under the existing methodology of the Hugo Awards, however, a separate category for YA fiction is not practical. That is, the Hugo fiction categories are defined by word count, not by age categories. We suggest instead the creation of a Campbell-like award, since the Campbell addresses authors and thereby functions outside the Hugo methodology.

Motion: The Committee requests that the Business Meeting reform the Committee for another year (with the addition of new members). The new version of the Committee will focus specifically on the issues surrounding the creation of a Campbell-like YA/teen lit award (possible topics of discussion presented in Exhibit 4), with the results presented at next year’s Business Meeting.

Sasquan Agenda Finalized

Yesterday was the deadline to submit new motions to the Sasquan business meeting. Kevin Standlee says the agenda in its essentially final form will include ratification votes on four constitutional amendments initially passed at LonCon 3, eight proposed amendments to the WSFS Constitution, and five resolutions.

You can find the agenda here.

Standlee says the YA Hugo study committee will not offer a proposal but unlike last year it will report progress:

There is no proposal from the YA Award committee. After discussing it (and they’ll have a long report which will be online along with other reports before Worldcon and will form part of a huge — currently 60 page — set of Business Meeting handouts), the committee decided to ask to be continued for a year with the idea of producing something next year, particularly given the crowded agenda this year.

The YA Hugo study committee was authorized by the 2013 business meeting, after members voted “object to consideration” to a motion that would have created the category. The published list of members is here:

This new committee is chaired by Dave McCarty. The members are Jodie Baker, Adam Beaton, Warren Buff, Johnny Carruthers, Martin Easterbrook, Chris Garcia, Helen Gbala, Patrick Nielsen Hayden, Tim Illingworth, Farah Mendelsohn, Sue “Twilight” Mohn, Helen Montgomery, Cheryl Morgan, Kate Secor, Kevin Standlee, Adam Tesh, Peter De Weerdt, Tehani Wessely, Clark Wierda, Lew Wolkoff, Aurora Celeste and Dina Krause.

The committee reported last year at LonCon 3 that no progress had been made but it was renewed for another year.

Detcon1 Awards for YA Announced

Detcon1, the 2014 NASFiC, host of the presentation of this year’s Golden Duck Awards, a juried award for children’s and young adult science fiction, has created two member’s choice awards to accompany them called the Detcon1 Awards for Young Adult and Middle Grade Speculative Fiction.

Nominations for the members’ choice awards are now being taken. Eligible are any book-length young adult or children’s science fiction or fantasy books first published in calendar year 2013. Works published in a language other than English are also eligible if their first year of publication in English was 2013.

Anyone may nominate. Just one nomination form will be accepted per person. A nomination form with full instructions is available at http://www.detcon1.org/award/. Nominations can be made using a printed ballot, or electronically after creating a user account at detcon1.org. All nominations are due by February 28.

The finalists in each category will be announced in early April. The winners will be selected by a vote of members of Detcon1. Voting information will be sent to Detcon1 members directly. Memberships can be purchased at http://detcon1.org/involved/registration/

All the awards will be given at a joint ceremony.

Detcon1 chairperson Tammy Coxen says, “We created these awards to recognize the growing interest in and demand for young adult speculative fiction. Capturing young readers is crucial to the long-term outlook of the science fiction and fantasy field as a whole.”

Helen Gbala and Doug Drummond of Super-Con-Duck-Tivity and the Golden Duck Awards for Excellence in Children’s Science Fiction say “We are always happy to cooperate with all groups that promote children’s literacy and literature.”

Super-Con-Duck-Tivity has been presenting the Golden Duck Awards since 1992 to recognize excellence in the field of Children’s Science Fiction. More information can be found at http://www.goldenduck.org/.

Funding for the Detcon1 Awards and related Young Adult programming was provided by Chicon 7, the 2012 World Science Fiction Convention.

The full press release follows the jump.

[Via Andrew Porter.]

Continue reading

Statement by Chris Barkley

By Chris Barkley: I am pleased to announce that the misunderstanding regarding the YA Hugo and Loncon 3 has been resolved.

The strongly worded statement issued by the YA Hugo Discussion Page [on Facebook] on Thursday was made because our group was not informed of the decision by the Loncon 3 Committee was not going to use a provision in the WSFS  Constitution to try a YA Hugo Award category next year’s Worldcon.

I have been in contact with Steve Cooper, the Co-Chair of Loncon 3 over this past weekend. He stated that he regretted that the group was not informed and that  previous emails sent to the Committee about his this issue did not reach them directly.

In light of this revelation, the YA Page has  issued an apology to the Loncon 3 Committee about the statement and has  pledged to work with YA Hugo Study Group formed at LoneStarCon 3 to  present an informed report at next year’s Business Meeting.

Loncon 3 Nixes Experimental YA Hugo

Steve Cooper, Co-Chair of the 2014 Worldcon, Loncon 3, said in a message to the Smofs list that a meeting of the full committee decided against introducing a YA special Hugo or YA award despite requests to use its one-time authority under the WSFS Constitution to do so.

Reasoning – As there is currently a business meeting sub-committee in place to bring forward proposals for a YA Hugo / Award to the WSFS business meeting at Loncon 3, we believe it would be wrong for Loncon 3 to pre-empt the workings of this committee, especially as they do not have a draft proposal we could test. So any such move would be seen as Loncon 3 giving an opinion that we believe X is the solution to the YA award, and as the administrating convention for the business meeting where the proposals will be tabled this would be inconsistent with the due impartiality the WSFS membership would expect of us.

Cooper added, “We do not plan to issue a press release on this as it is not our policy to announce things we are not doing, but many of the individuals who have lobbied us to run and not-run a YA Special Hugo have been informed of our decision. People on this list are free to pass on our decision to others not on-here, but we would ask that the decision in full – including the reasoning – is quoted.”

Advocates for a YA Hugo category Chris M. Barkley and Juli Marr responded on Facebook expressing “profound disappointment” about the decision and criticizing the way it was communicated. They also rebutted the reasons given for the decision.

That being said, we would like to reiterate several points; the call for this Special award would have served a dual purpose; to see if the idea a of YA award had any traction with the Hugo Award electorate and for the Hugo Award administrators to provide the YA Committee (and the Business Meeting) any indications of problems that may have occurred during the nomination or voting process.

While we acknowledge the Committee’s reasoning for not presenting the award, we maintain that such an award can be administered this year, without the appearance of prejudice or impropriety by the Committee towards the YA study group. Language from previous proposals could have been used for the expressed purpose of administering the award for this occasion.

However, In light of this decision, we can only look forward to the upcoming discussions of the YA study group over the winter. It is our fervent hope that we will present a viable YA Hugo Award proposal for passage at the Loncon 3 Business Meeting.

Experimental YA Hugo Urged

Chris Barkley has started a Facebook discussion page for the Young Adult Book Hugo Award Proposal where he calls on fans to contact Loncon 3, the 2014 Worldcon, and ask the committee to exercise its right under the WSFS rules to create a one-time Best YA Book Hugo Award.

Barkley’s appeal reads —

Please tell the Loncon Three Committee how is vitally important that the viability of this category should be tested (as the Graphic Story and Podcast Hugo awards were before their inceptions as regular categories) and that authors, editors and that publishers of young adult fantasy and science fiction should be recognized and honored on an annual basis by one the premiere awards in genre literature.

He also reminds readers that the 2013 Worldcon Business Meeting appointed a YA Hugo study committee with Dave McCarty as Chair scheduled to make recommendations at Loncon 3.

Hugo Multiplication Tabled

An impassioned march on the Worldcon Business Meeting is expected Friday morning to make sure no Hugos are subtracted. Then, depending on how much of the agenda survives the preliminary meeting, members may get a chance on Saturday to play Santa by adding two new Hugos and radically expanding eligibility for another.

For the third consecutive year voters will be asked to create a YA Hugo category. This time called Best Youth Book, the Hugo would be given to “a science fiction or fantasy book published in the previous calendar year for young adults, middle readers, or children.”

The 2012 motion to create a Best Young Adult Fiction Hugo failed 51-67, however, losing a relatively close vote represented an improvement from the year before when the YA Hugo motion never made it to the floor, being disposed of by a vote to object to consideration.

Attendees of this year’s Business Meeting will also be invited to further subdivide the Best Dramatic Presentation Hugo by adding a category for short length works.

Proposed by Eemeli Aro and seconded by James Bacon, John Coxon, and Jesi Pershing, this new Hugo would be given to a “video, audio recording or other production, with a complete running time of less than 15 minutes, in any medium of dramatized science fiction, fantasy or related subjects.”

They say an extra category will “provide a more even ground for the promotion and popularization of both more and less professional short films, filk songs, commercials, and even acceptance speeches” which are now being overwhelmed by episodes of TV shows.

The existing Long Form category would continue to cover work more than 90 minutes in length, but be renamed “Best Dramatic Presentation, Feature Length Long Form.” The Short Form category would become “Best Dramatic Presentation, Mid-Length Short Form” and cover works 15 to 90 minutes in length.

Lastly, Joshua Kronengold and Lisa Padol want to transform the Best Fan Artist Hugo into something that can also be won by “musical, dance, jewelry and costuming artists.”

The new eligibility definition would be — “An artist or cartoonist working in any visual or performance medium whose work has appeared through publication in semiprozines or fanzines or through other public, non-professional, display (including at a convention or conventions) during the previous calendar year.”

Illustrators and cartoonists appearing in fanzines and semiprozines would remain eligible. Kronengold and Padol, in a commentary, say animators and artists working in special effects would also be eligible. But the motion’s fate could depend on wooing votes from costumers and filkers onsite at LSC3. Saturday is also the day of the masquerade, so costumers might need to juggle the demands on their schedules if they want to vote for the change.

Jane Yolen on YA Hugo Possibility

Fans are divided over the proposal to add a Hugo category for YA books. No matter your opinion, it’s worth hearing what a leading YA author thinks about the idea.

Jane Yolen has enjoyed success in many literary categories and is renowned among YA audiences. Craig Miller had an opportunity to ask for her views. Here’s what she said about adding a YA book category to the Hugos:

All the YA and children’s book writers I know who do sf and fantasy WANT a Hugo within a designated category and don’t feel it would ghettoize the award at all. It will also make it much easier to “sell” sf/fantasy books to the teachers and librarians. They LOVE to see award stickers and lists of award winners and buy from those lists. It would make a huge difference.

[Thanks to Craig Miller for the story.]

YA Hugo Proposal

A proposal to create a Best Young Adult Book Hugo category has been submitted to the Chicon 7 business meeting by Juli Hanslip, Lou Berger, Dan Kimmel, Stu Segal, Bobbi DuFault and Chris M. Barkley.

Barkley reports the category definition is:

(a) A young adult science fiction or fantasy book of any length published in the previous calendar year.

(b) Any work nominated in this category may not be simultaneously considered, if eligible, in any other fiction category.

(c) Two years after being implemented, this Constitutional Amendment may be repealed by a simple majority vote at the subsequent Main Business Meeting.

(A young adult book is defined as one in which the author(s) and/or the publisher specifically targeted a potential nominee to this intended audience. In the event of any confusion on the issue, the Hugo Administrator may inquire with the author(s) of potential nominated work for clarification.)

Note: The parenthetical phrase is part of the proposed rule.

Barkley and others submitted a YA Hugo motion last year at Renovation which was disposed of by a vote to object to consideration, although this was done in the expectation he would come back with a revision in 2012.