NESFA Presents Skylark, Gaughan Awards at Boskone 61

The New England Science Fiction Association honored the winners of two annual awards at Boskone 61 on February 10.

SKYLARK AWARD

NESFA presented the Skylark Awards for 2023 and 2024 at the ceremony. 

2023: John Scalzi

2024: Ellen Kushner & Delia Sherman 

The Edward E. Smith Memorial Award for Imaginative Fiction (the Skylark) is presented annually by NESFA® to some person, who, in the opinion of the membership, has contributed significantly to science fiction, both through work in the field and by exemplifying the personal qualities which made the late “Doc” Smith well-loved by those who knew him.

Here is an example of the award trophy:

The admonition about where to stick it is, after a fashion, a genuine safety warning that dates to this Jane Yolen anecdote. The line is usually delivered by the audience with great gusto.

JACK GAUGHAN AWARD FOR THE BEST EMERGING ARTIST

2024: Alex Dos Diaz 

Alex Dos Diaz

The Gaughan Award honors the memory of Jack Gaughan, a long-time friend of fandom and one of the finest SF artists of the 20th century. Because Jack felt it was important to encourage and recognize new blood in the field, The New England Science Fiction Association, Inc., presents the Gaughan Award annually to an emerging artist (an artist who has become a professional within the past five years) chosen by a panel of judges.

LUNA by Alex Dos Diaz

Alex Dos Diaz’ website, with images of many more works, is here.

FELLOWS OF NESFA

Tonight’s ceremony also included the induction of two Fellows of NESFA:

2024: Jenny & Paul Kraus

[Thanks to Lisa Hertel for the story.]

Pixel Scroll 1/30/23 Many Scrolls And Files Knew What It Was To Be Roasted In The Depths Of The Pixels That Day, I Can Tell You

(1) PUBLISHING CONTROVERSY REVISITED. Pamela Paul, former New York Times Book Review editor, returned to the three-year-old American Dirt controversy in an op-ed for the New York Times: “The Long Shadow of ‘American Dirt’”.

…From the moment Cummins’s agent sent “American Dirt” out to potential publishers, it looked like a winner. The manuscript led to a bidding war among nine publishing imprints, resulting in a game-changing, seven-figure deal for its author. In the run-up to publication, as the editor of The New York Times Book Review, I asked attendees at Book Expo, then the most significant annual publishing conference, which upcoming book they were most excited about. The answer was as unanimous as I’ve ever heard: “American Dirt.” Publishers, editors, booksellers, librarians were all wildly enthusiastic: “American Dirt” wasn’t only a gripping novel — it brought attention to one of the most vexing and heartbreaking issues of our time, the border crisis. This, its champions believed, was one of those rare books that could both enthrall readers and change minds.

But in December 2019, a month before the novel’s release, Myriam Gurba, a Latina writer whose memoir, “Mean,” had been published a couple of years earlier by a small press, posted a piece that Ms. magazine had commissioned as a review of “American Dirt,” and then killed. In her blog post and accompanying review, Gurba characterized the novel as “fake-assed social justice literature,” “toxic heteroromanticism” and “sludge.” It wasn’t just that Gurba despised the book. She insisted that the author had no right to write it.

A central charge was that Cummins, who identifies as white and Latina but is not an immigrant or of Mexican heritage, wasn’t qualified to write an authentic novel about Latin American characters. Another writer soon asserted in an op-ed that the “clumsy, ill-conceived” rollout of Cummins’s novel was proof that American publishing was “broken.” The hype from the publisher, which marketed the book as “one of the most important books for our times,” was viewed as particularly damning. Echoing a number of writers and activists, the op-ed writer said it was incumbent upon Mexican Americans and their “collaborators” to resist the “ever-grinding wheels of the hit-making machine,” charging it was “unethical” to allow Oprah’s Book Club to wield such power. More than 100 writers put their names to a letter scolding Oprah for her choice….

Dana Snitzky takes issue: “This Week in Books: It’s Pamela Paul Week”.

…American Dirt was merely criticized. Criticized, probably most famously (yet not by any means initially) in the pages of the New York Times Book Review. The New York Times Book Review as edited by Pamela Paul. Yes, friends, you heard correctly—as Max Read and others online have pointed out, Pamela Paul’s powers of discourse are such that she has established a vertically integrated outrage machine, seeing the process through from initial cancellation to reactionary backlash…. 

Silvia Moreno-Garcia addressed Paul’s op-ed in an extended Twitter thread that starts here. A few of her comments are:

(2) ELSEWHERE MONTELEONE KEEPS DIGGING THE HOLE DEEPER. It was taken down today, however, yesterday YouTube’s Hatchet Mouth posted their “Tom Monteleone Interview”, an extended opportunity for Monteleone to deliver more remarks in the vein of his now-removed Facebook post. He belittled a past Horror Writers Association award winner in derogatory racial terms (while making every effort to assign the wrong ethnicity to the person being insulted), and gave the same treatment to the woman who called for the John W. Campbell Award for Best New Writer to be renamed (as it was). Copies of the YouTube auto-generated transcript are floating around. In fact, I made my own if you need to see one…

(3) BACK TO THE DINOSAURS. Apex Publishing’s Jason Sizemore, responding to a particular thread within the Monteleone kerfuffle, told Facebook readers what was wrong with the latest attack on an award-winning story.  

There’s another old white male author who has found offense at the award recognition of non-white, non-male writers by the HWA. It’s been all over my FB feed.

Inevitably, the usual cadre of traditionalists and self-anointed old school sci-fi readers rallied around this writer rehashing the same tired arguments that showcase a poor understanding of capitalism, reality, and the depth of fiction they bemoan.

Apex Magazine was accused of catering to reactionary and psychotic (not my words) people.

“If You Were a Dinosaur, My Love” by Rachel Swirsky was evoked. Again. This story came out in March of 2013….

(4) BUFFY SLAYS TROLLS & SLIMEBALLS. [Item by Mike Kennedy.] Working now from a position of earned respect and power, Sarah Michelle Gellar expressed her opinions on mistreatment of women in visual media. In an interview with the Guardian, she takes shots at both the trolls who sit in front of the screen and certain slimeballs who reside behind the cameras. “’A lot of the demons seem a little cheesy now’: Sarah Michelle Gellar on Buffy, her burnout and her comeback”.

…For all its similarities to Buffy, Wolf Pack has one key difference: this time Gellar is in a position of influence, as an executive producer as well as the lead.

The title can be almost meaningless, a way to sweeten the deal for a star, but Gellar says she told Davis: “I’ve been doing this for 40 years. I have a lot of experience, and I have a lot to bring to the table. If you’re just looking for an actor that just wants to have the credit, I’m not your person. I’m going to have ideas, and I’m going to be vocal about them.”…

(5) IN MEMORIAM 2022. Steven H Silver’s list “In Memoriam: Those We Have Lost in 2022” has been posted at Amazing Stories.

(6) LISA LORING OBITUARY. TV’s original Wednesday Addams, Lisa Loring, died January 30 at age 64 reports the BBC.

…Her daughter, Vanessa Foumberg, told The Hollywood Reporter she died of a stroke caused by high blood pressure.

“She went peacefully with both her daughters holding her hands,” Foumberg said.

The actress had been on life support for three days, her friend Laurie Jacobson posted on Facebook.

“She is embedded in the tapestry that is pop culture and in our hearts always as Wednesday Addams,” she said in her post.

The Addams Family, which was the first adaptation of Charles Addams’ New Yorker cartoons, ran from 1964 to 1966 on ABC.

Ms Loring also appeared in the soap opera “As the World Turns” and the sitcom “The Pruitts of Southampton.”…

(7) MEMORY LANE.

1987 [Compiled by Cat Eldridge.]

And now we come to the end of the genre quotes (at least for now) with a most splendid one from Ellen Kushner’s Swordspoint: A Melodrama of Manners novel. As y’all know, it’s the first work of the Riverside series which continues in The Fall of the Kings, was co-written with her wife Delia Sherman, and finished in The Privilege of the Sword.

Yes, it’s one of my favorite novels, and the series as well, to re-read. Preferably on a cold winter’s night. I do think that Swordspoint is the best of the novels though The Privilege of the Sword is quite tasty as well. 

And you have to love a society where chocolate is the drink of choice among everyone. 

BY MIDDAY, MOST OF THE NOBLES ON THE HILL COULD be counted on to be awake. The Hill sat lordly above the rest of the city, honeycombed with mansions, landscaped lawns, elaborate gates, and private docks on the cleanest part of the river. Its streets had been built expressly wide and smooth enough to accommodate the carriages of nobles, shortly after carriages had been invented. Usually, mornings on the Hill were passed in leisurely exchange of notes written on colored, scented, and folded paper, read and composed in various states of dishabille over cups of rich chocolate and crisp little triangles of toast (all the nourishment that ought to be managed after a night’s reveling); but on the morning after the garden duel, with the night’s events ripe for comment, no one had the patience to wait for a reply, so the streets were unusually crowded with carriages and pedestrians of rank.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 30, 1911 Hugh Marlowe. First let me note that he was first to play the title character in the very first radio version of The Adventures of Ellery Queen. No, it’s not even genre adjacent but neat nonetheless. As regards genre roles, he’s Tom Stevens in The Day the Earth Stood Still, and Dr. Russell A. Marvin in Earth vs. the Flying Saucers. He was also Harold McPherson in Seven Days in May if you want to count that as genre which I definitely think you should. (Died 1982.)
  • Born January 30, 1920 Michael Anderson. English Director best remembered for Around the World in 80 Days, Logan’s Run, and perhaps not nearly as much for, Doc Savage: The Man of Bronze. Yes, I saw it. It was, errrr, interesting. He also directed The Martian Chronicles series. (Died 2018.)
  • Born January 30, 1924 Lloyd Alexander. His most well-crafted work is The Chronicles of Prydain. Though drawn off Welsh mythology, they deviate from it in significant ways stripping it of much of its negativity.  To my belief, it is his only genre writing as I don’t hold the Westmark trilogy to actually be fantasy, just an alternative telling of European history. Splitting cats hairs? Maybe. He was also one of the founders of Cricket, an illustrated literary journal for children. The late illustrator Trina Schart Hyman whose art I lust after, errrr, adore was another founder. (Died 2007.)
  • Born January 30, 1926 Peter Brachacki. Set designer for the very first episode of Doctor Who. Everything I’ve been able to read on him says that he was not at all interested in working on the series and did so reluctantly under orders. Doctor Who producer Verity Lambert would later recount that she was impressed with Brachacki’s work on the TARDIS interior even though she personally did not like him at all. His design elements persist throughout the fifty years the series has been produced. His only other genre work that I’ve been able to find was Blake’s 7 and a short series called the The Witch’s Daughter done in the late Seventies. The BBC wasn’t always great at documenting who worked on what series. (Died 1980.)
  • Born January 30, 1941 Gregory Benford, 82. His longest running series is Galactic Center Saga, a series I find a little akin to Saberhagen’s Beserker series. I’ve not read enough of it to form a firm opinion though I know some of you of have done so.  Other novels I’ve read by him include Timescape (superb) and A Darker Geometry: A Man-Kzin Novel which was actually was quite excellent. Yes I do read Baen Books. 
  • Born January 30, 1955 Judith Tarr, 68.  I’m fond of her Richard the Lionheart novels which hew closely to the historical record while introducing just enough magic to make them fantasy. The novels also make good use of her keen knowledge of horsemanship as well. Her Queen of the Amazons pairs the historical Alexander the Great, with a meeting with the beautiful Hippolyta, who is queen of the Amazons. Highly recommended.
  • Born January 30, 1973 Jordan Prentice, 50. Inside every duck is a self-described person of short stature. His words, not mine. In the case of Howard the Duck from the movie of the same name, one of those persons was him. He’s not in a lot of SFF roles after his performing debut there though he shows up next as Fingers Finnian in Wolf Girl, playing Sherrif Shelby in Silent But Deadly, Napoleon in Mirror Mirror and Nigel Thumb in The Night Before the Night Before Christmas.
  • Born January 30, 1974 Christian Bale, 49. First enters our corner of the mediaverse in a Swedish film called Mio in the Land of Faraway where he plays a character named Yum Yum. Note though that he doesn’t speak in this role as his Swedish voice is done by Max Winerdah. So his playing Demetrius in A Midsummer Night’s Dream is his first speaking role. Next up is American Psycho in which he was Patrick Bateman, that was followed by a role in Reign of Fire as Quinn Abercromby. He was John Preston in Equilibrium, and he voiced Howl in Howl’s Moving Castle, a film well worth seeing.  Need I say who he plays in Batman Begins? I thought not. He’d repeat that in The Dark Knight and The Dark Knight Rises. Amidst being Batman, he was also John Connor in Terminator Salvation. His last genre role to date was voicing Bagheera in Mowgli: Legend of the Jungle asked off Kipling’s All the Mowgli Stories. He’s got a television genre credit, to wit Jim Hawkins in Treasure Island off the Robert Louis Stevenson of that name.

(9) COMICS SECTION.

  • Candorville shows a dad telling his shrink about trying to get his kid to watch Star Trek.
  • Foxtrot’s “Goodnight Doom” adapts the verses of a children’s book to a kid’s computer.

(10) ALTERNATE OVAL OFFICES. [Item by Mike Kennedy.] Welcome to an alternate universe. Actually, six different ones.

Have you ever wondered what the White House Oval Office would look like if it were outfitted completely in IKEA furniture? Or perhaps another home furnishing brand? House Fresh will be glad to show you.

Some of the choices are breathtaking; albeit perhaps not in the way a President might desire. “If 6 Iconic Home Brands Redesigned The Oval Office” at HouseFresh.

Consider the Pottery Barn version….

(11) THE BIRD HAS THE WORD. “’An Ostrich Told Me the World Was Fake’ Director Discusses Oscar Nom” in Variety.

…The short film follows a young telemarketer named Neil who is confronted by a mysterious talking ostrich who tells him that the universe is actually stop-motion animation. Neil, voiced by Pendragon, then tries to convince his colleagues about the discovery….

Let’s talk about “An Ostrich Told Me the World Was Fake” and its journey. Where did it begin?

It was part of a doctorate in visual arts program at film school. It had to come from a research perspective. The project needed to have a level of innovation and something that you were doing differently that you could write about and talk about. I wanted to do something on stop-motion because it’s something that I love doing, but I hadn’t thought too much about it yet. There was so much potential about what could be done and explored.

I wanted to look at the handmade quality of stop-motion animation and ensure they were as apparent as possible. That led me down this path of doing something that breaks the fourth wall and deconstructs it, so that the audience could be watching the behind-the-scenes as they were watching the film. I thought it was entertaining because it would show all that goes into making this kind of film. But then on the other side, it’s like, how do I make sure that it’s not too distracting that you can still connect with these characters? Finding that balance was difficult….

(12) VIDEO OF THE DAY. “Honest Trailers – Snakes on a Plane” shows that if you steal ideas from enough different places it’s not plagiarism. But first, you also have to steal enough special effects snakes.

[Thanks to Chris Barkley, Andrew Porter, Michael Toman, Daniel Dern, Cat Rambo, Cat Eldridge, Mike Kennedy, John King Tarpinian, for some of these stories. Title credit belongs to File 770 contributing editor of the day Bill.]

Pixel Scroll 1/1/23 Billy Pixel Has Come Unscrolled In Time

(1) COMING UP. Nicholas Whyte researched the genre so he could tell you “What to expect in 2023, according to science fiction” at From the Heart of Europe.

I wasn’t able to find a single film set in 2023. I did find eight novels, one video game, and two Japanese anime series (and a third set in 2023 but missing my usual twenty-years-before deadline as it was made in 2004)….

…The one video game set in 2023 is Perfect Dark, originally released by Nintendo in 2000 but remastered since and still on the market, about special agent Emma Dark heading off an alien-led conspiracy to Take Over The World. The trailer is visually impressive if the script is a bit cringe (“the only person man enough to handle the job … is a woman!”)

(2) THE GOOD GUYS. Cora Buhlert has posted the companion piece to the Darth Vader Parenthood Award, “The 2022 Jonathan and Martha Kent Fictional Parent of the Year Award”.

While I have been awarding the Darth Vader Parenthood Award for Outstandingly Horrible Fictional Parents for 42 years now, the Jonathan and Martha Kent Fictional Parent of the Year Award is a new prize that I only introduced in 2020 as a companion piece to the Darth Vader Parenthood Award.

As for why I felt the need to introduce a companion award, depictions of parenthood in popular culture are currently undergoing a paradigm shift with more positive portrayals of supportive and loving parents and fewer utterly terrible parents. Personally, I believe that this shift is a very good thing, because the reason that I started the Darth Vader Parenthood Award in the first place is because I was annoyed by all the terrible parents in pop culture. For while most real world parents may not be perfect, at least they do their best. Maybe, the conditions that gave rise to the Darth Vader Parenthood Award will eventually cease to exist and we can permanently retire the award….

(3) CENTENNIAL-LEE. Sideshow celebrates “Stan Lee 100: Stan the Man’s Amazing, Fantastic Centennial!” with an extended profile.

This year marks one hundred years of Stan Lee! To some, he’s known as the King of Cameos. To others, Stan the Man or True Believer. No matter what you call him, Stan Lee is a beloved figure in the world of comic books and super heroes.

Over time, Stan Lee became a larger-than-life character all his own. Marvel is celebrating 100 years of Stan Lee with plenty of history, quotes, and collabs from one of the most famous faces in comics. In honor of his enduring legacy, let’s look at Stan Lee’s life, starting with his origin story up until his endless string of pop culture cameos….

(4) KSR AND CLI-FI. Oliver Brackenbury interviews Kim Stanley Robinson for the Unknown Worlds of the Merril Collection podcast: “Climate Fiction”.

(5) MEMORY LANE.

[Compiled by Cat Eldridge.]

Our next set of essays is concerned with food and drink, and where better to start than in Ellen Kushner’s Riverside during the Winter and with their obsession with hot chocolate.

IN THE MORNING, THERE WAS CHOCOLATE.

Betty seemed recovered from the previous day’s excesses. She must not have been working the party. The tray barely rattled as she set it down by the bed, and a heavenly rich scent filled the room.

I got up at once to engage with the little pot of bitter chocolate, set out with an entire jug of hot cream, as much sugar as I should care to put into it and, oh, the loveliest china cup to mix it in! I wished my mother were there to share it with me. I poured slowly, watching the cream swirl in the cup. It made the confusions and indignities of last night seem a little more worth it; I felt even better when Betty said, “And your new clothes have come, too.”

The chocolate was marvelous, but I gulped it down, assuring myself, There will be more again tomorrow, and tomorrow, and again the day after that.

— The Privilege of The Sword

Now it’s not going to surprise you that the fans of Riverside have created a cuisine for it, all the result of a contest from The Fall of the Kings audiobook launch.

And Ellen being Ellen has kindly collected those recipes including of course those for hot chocolate on on her excellent site. As she puts it there, “you’ll find everything from recipes and menus created by fans of the series to delight the Mad Duke Tremontaine and his Riverside friends, to ones created by friends of the author to keep her at her desk.” 

And yes, I’m deeply, madly in love with both Swordspoint and The Privilege of The Sword. I’ve read them many, many times and even the Suck Fairy gets a warm fussy feeling every time she reads them. 

(6) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 1, 1854 James George Frazer. Author of The Golden Bough, the pioneering if deeply flawed look at similarities among magical and religious beliefs globally.  He’s genre adjacent at a minimum, and his ideas have certainly been used by SFF writers a lot both affirming and (mostly) critiquing his ideas. (Died 1941.)
  • Born January 1, 1889 Seabury Quinn. Pulp writer now mostly remembered for his tales of Jules de Grandin, the occult detective, which were published in Weird Tales from the Thirties through the Fifties. Surprisingly, at least to me, there’s a lot his fiction at the usual suspects. (Died 1969.)
  • Born January 1, 1933 Joe Orton. In his very brief writing career, there is but one SFF work, Head to Toe which the current publisher says “is a dream-vision allegory of a journey on the body of a great giant or ‘afreet’ (a figure from Arabic mythology) from head to toe and back, both on the body and in the body.”  Orton was murdered by his lover. Unlike his other novels, Head to Toe is not available at the usual suspects. (Died 1967.)
  • Born January 1, 1926 Zena Marshall. She’s Miss Taro in Dr. No, the very first Bond film. The Terrornauts in which she’s Sandy Lund would be her last film. (The Terrornauts is based off Murray Leinster‘s The Wailing Asteroid screenplay apparently by John Brunner.) She had one-offs in Danger ManThe Invisible Man and Ghost Squad. She played Giselle in Helter Skelter, a 1949 film where the Third Doctor, Jon Pertwee, played Charles the Second. (Died 2009.)
  • Born January 1, 1954 Midori Snyder, 69. I was most impressed with The Flight of Michael McBride, the Old West meet Irish myth story and hannah’s garden, a creepy tale of the fey and folk music. She’s seems to have been inactive for a decade now. Anyone know why?
  • Born January 1, 1965 Jennifer Hale, 58. She’s a voice actor primarily showing up on such series as Green Lantern: The Animated SeriesStar Trek: Lower Decks and all over the Star Wars universe. She played Killer Frost in Batman: Assault on Arkham, the animated Suicide Squad film that was infinitely better than the live ones were.
  • Born January 1, 1971 Navin Chowdhry, 52. He’s Indra Ganesh in a Ninth Doctor story, “Aliens of London“.   I also found him playing Mr. Watson in Skellig, a film that sounds really interesting.  He was also Prince Munodi in the BBC Gulliver’s Travels series, and oh, and I almost forgot to mention that he was Nodin Chavdri in Star Wars: The Last Jedi
  • Born January 1, 1976 Sean Wallace, 47. Anthologist, editor, and publisher known for his work on Prime Books and for co-editing three magazines, Clarkesworld Magazine which I love, The Dark, and Fantasy Magazine which is another fav of mine. He won an impressive three Hugo Awards and two World Fantasy Awards. His People of the Book: A Decade of Jewish Science Fiction and Fantasy with Rachel Swirsky is highly recommended.

(7) COMICS SECTION.

(8) THREE BY BUHLERT. Cora Buhlert has had a story and two articles published lately.

….I wasn’t enamoured with John Norman’s debut novel Tarnsman of Gor and didn’t plan on reading the sequel. However, December 6 is St. Nicholas Day and since St. Nick was kindly enough to put a copy of Outlaw of Gor into my stocking, I of course felt obliged to read and review it….

(9) VIDEO OF THE DAY. Screen Junkies’ Honest Trailers brings us “Every Star Wars Movie (Compilation)” beginning with “Star Wars the first one (we are not calling it a New Hope)” that has grown into an industry “where every single person, place, or thing on screen has at least a 1000-word Wikipedia article about it.”

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Cora Buhlert, Mike Kennedy, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day MrDalliard.]

Pixel Scroll 2/16/22 This Page Intentionally Left Indescribable

(1) WHEN ‘THINGS TO COME’ WAS NEW. The videos featuring the musical score of Things to Come linked in the Pixel Scroll for February 13 prompted John L. Coker III to pass along this transcript of a conversation that he had with David A. Kyle about the movie over 20 years ago.

[David A. Kyle:] H.G. Wells’ The Shape of Things to Come was one of the first serious science fiction movies; it considered big problems and big situations, and had a great cast.  This is a picture that was full of idealism, with the viewpoint of the future as one world.  Fans of science fiction had hoped that mankind would all band together and we would all be Earth people.  When we went out to the planets, we would be representing the Earth as a whole, rather than as individual countries. 

The picture was socialistic, as H. G. Wells was, and it was rare when a real science fiction picture came out.  It dealt with real things, and forecast what was going to happen in Europe.  It is set in 1936, when an unidentified enemy bombs England and war starts.  The sky is black with airplanes coming over, all quite visionary. 

I remember when it first came out.  It played in a country theater near my home in Monticello, New York, for three days.  Because I was a young newspaper reporter, I could go into a theater anytime I wanted, and I wouldn’t have to pay.  The movie was so prophetic, and there was also the great music written by Arthur Bliss.  I had recordings of that music at one time, and it was really drummed into my head.  It still haunts me. 

When I went to New York with some of the science fiction fans in the late 1930s, we went to the Ivory Tower.  This was a breeding ground for writers such as Dick Wilson, Donald A. Wollheim and Fred Pohl.  As I came out of the subway, and approached the building, I would run through my head the march from Things to Come.  Time passed, and in 1939 war broke out in Europe, and we began to see the prophecies coming true. 

In 1941, the Japanese bombed Pearl Harbor, and the next year I enlisted.  I became an officer and was sent to Northern Ireland.  It was midnight and I was by myself in my hut, and had my radio on.  Then came the unforgettable music from Things to Come.  I remembered scenes such as the bombing of London and suddenly this creepy crawly feeling went up my back.  There I was, in uniform, a part of the conflict that was going on around me, and I realized I had become part of the picture.  It had come to life.

Six months or so later, I was in London, looking in the publication What’s On.  It listed all of the cinemas, and I noticed that Things to Come was playing.  How could I resist going to see it, being in London with a war going on? 

A few days later I was in the Savoy Hotel with a Canadian officer, and I saw Edmond Chapman, who played the role of Pippin Passworthy, opposite Raymond Massey’s main character.  So there he was, in his R. A. F. uniform, and I went over to him to say hello.  I told him that I had been intrigued by the film that I saw years ago, and that I had gone again to see it the other night.  He had several kind things to say.  It was a thrill for me to be there with a character from the film in uniform, in London, during the war.  It was as if he had somehow come alive from the movie.  It was surreal but so realistic.  I was nearly overwhelmed by the experience.  I’ll never forget it.

Years later, when I was living in England and attending a Rotary meeting, a man across the table from me who had been an entertainer told me that when he was young, he had visited the studios where they were making Things to Come.  He had been an extra on the picture, and appeared in the scene where all of the troops were jumping off of the back of the big ship.  He remembered when H. G. Wells would come around and talk with members of the cast about the picture. 

Science fiction and the cinema and fannish friends all sort of came together.  And, in my time, I was so close to the imaginative world that our writers created that sometimes I felt that I had become part of that world for a short period of time.

1st Lt. David A. Kyle (England, 1943)

(2) IDA KEOGH Q&A. Bob the Alien occasionally takes over author Paul L. Arvidson’s blog and interviews other British SF Association authors. [Via Emily Inkpen.] “Bob the Alien Interviews… Ida Keogh”.

Bob: Well what an interesting specimen we’ve beamed up here. Who are you and why have you got a tail? Other humans don’t seem to.

Ida Keogh : Hi Bob! I’m Ida, creator of words, wrangler of precious metal and occasional mermaid. Thank you for having me. Tails are great, aren’t they? Other humans are missing out.

Bob: Is this mind probe thingy working? It tells me you’re another one of these writer types. What makes you want to do that?

I.K: I have words inside me that need to get out. I love to shape phrases, sculpt paragraphs, stack pages. Sharing my words with other humans makes me glow….

(3) A MARATHON, NOT A SPRINT. [Item by Jennifer Hawthorne.] I was wandering around Reddit (being careful not to step into the pools of muck scattered around there) when I found a very cool post from a guy doing a read-through of ALL Hugo, Nebula, Locus, and World Fantasy Award winners.  He’s posting them on his blog as he gets through them, and I am very impressed (and somewhat appalled) at all the work he’s doing. “The Project” at Don’t Forget to Read a Book. The format of the reviews is explained here.

“Thomas the Rhymer by Ellen Kushner” is The Project’s latest post – here’s an excerpt.

…What is there to say about a book that is just what it is? I was unfamiliar with the ballad of Thomas the Rhymer, but apparently it is, well, a thing. A brief synopsis of the original: Thomas meets the Queen of Elfland, goes with her for seven years, sees many delights, and returns to the mortal world. He is given the gift of prophecy.

This novel version expands upon the story, offering an introduction to Thomas before he goes to Fairy, exploring his time there, and then chronicling his later life after returning. All of this added content is rather tepid. Song of Achilles is a great demonstration of the power of reimagining a well known tale and offering a new perspective. There is none of that here. No pushing of boundaries, no real expansion of the mythos. Kushner fills in the blanks in the same way that most others likely would as well….

(4) LEVAR BURTON ON TREVOR NOAH. “LeVar Burton Encourages Kids To Read Banned Books: ‘That’s Where the Good Stuff Is’”Comicbook.com introduces a clip from The Daily Show, “America’s Book Bans: The Latest Culture War Front”. (Burton appears after the 8:30 mark.)

Literacy advocate, Star Trek star, and game show host LeVar Burton wants people, particularly children, to read banned books. The former Reading Rainbow host appeared during a segment about banned books on The Daily Show with Trevor Noah. In the piece, Burton attempts to read some seemingly innocuous books only to get cut off because of a book banning for one contrived reason or another. Eventually, Burton runs away after hearing sirens nearby, but not before encouraging folks to read banned books “because that’s where the good stuff is.” You can watch the entire The Daily Show segment below….

(5) DANGEROUS VISIONS AND NEW WORLDS: RADICAL SCIENCE FICTION. On Saturday, February 26 and Sunday, February 27, City Lights in conjunction with PM Press will present a two-day symposium exploring the radical currents of Science Fiction and celebrating the launch of Dangerous Visions and New Worlds: Radical Science Fiction, 1950 to 1985, edited by Andrew Nette and Iain McIntyre.

Featuring an all-star cast of presenters including Samuel Delany, Alexis Pauline Gumbs, Michael Moorcock, Cory Doctorow, Marge Piercy, Maitland McDonagh, Annalee Newitz, Jonathan Lethem, Shelley Streeby, Mike Stax, Karen Joy Fowler, Nick Mamatas, Ann VanderMeer, Matt Bell, adrienne maree brown, Daniel Shank Cruz, Lucy Sussex, Mimi Mondal, Vandana Singh, Rebecca Baumann, Meg Elison, Terry Bisson, Andrew Nette & Iain McIntyre

Free (Registration Required) There are four sessions to register for on Day One, and another four on Day Two.

(6) MCKENNA’S NEW BOOK. The Fantasy Hive conducts an “Interview with Juliet E. McKenna” about The Cleaving, “a feminist retelling of the Arthurian legends follows the tangled stories of four women: Nimue, Ygraine, Morgana, and Guinevere, as they fight to control their own destinies amid the wars and rivalries that will determine the destiny of Britain.” The book will be published by Angry Robots in May 2023.

Can you tell us a bit more about your leading characters, Nimue, Ygraine, Morgana, and Guinevere? They’re such iconic characters, how did you approach recreating them?

[Juliet McKenna] Are they so iconic? Everyone knows Morgana and Guinevere’s names, but I can think of half a dozen very different portrayals of them both. This isn’t a problem though. That variety gives me tremendous freedom to come up with my own take. Nimue? The sources can’t even agree on how to spell her name, or exactly what she does, so I’ve got even more leeway. Ygraine’s barely mentioned in so many versions that I pretty much had a blank page there.

My approach to writing all these women has been to make them fully rounded, believable people. Far too often they’re two-dimensional figures who come and go to serve the plot by doing something or having something done to them. I took a longer view. I thought about the ways their experiences would shape their personalities, and how the people they become will influence the choices they make. 

I also looked at the influence they would have on each other. In so many Arthurian retellings women are defined by their relationships to the men at the centre of the story. Their actions only matter when what they do matters to a man. In reality, women have crucial relationships with each other, as mothers, daughters and most of all as friends and allies. There’s no way these women caught up in these events wouldn’t look to each other for support. That opens up these myths in a whole new way….

(7) CELEBRATE FAN ART. 2019 Rotsler Award winner Alison Scott has now got a website to show off her fan art 00 “Alison Scott” at Myportfolio.com. Faneds who would like to use any of this material, or perhaps something made just for them (eventually) should get in touch with Alison. This example was done for DisCon III but fits it perfectly here, don’t you think?

(8) MEAD OBIT. Prolific sff author Melissa Mead, who was born with cerebral palsy, died February 15. Her friend Eliza Ames paid tribute on Facebook.

I’ve struggled all day with how to write something about my friend Melissa Mead. Usually, writing my feelings is not hard, but Missy was a writer too, and a damn good one. Missy was born with Cerebral Palsy. Even that one illness is enough to destroy lives, and it wasn’t the only thing she had to fight her way through. Missy was a fierce fighter, and yet the single kindest person I’ve ever met….

Missy may have been limited by her body, but her imagination knew no bounds. She wrote sci fi and fantasy stories, and they were amazing. Every character felt real and every situation, no matter how fantastic, contained such imagery and forethought that it felt always as if that COULD exist….

Deirdre Saoirse Moen pointed out Melissa Mead’s recent article about disability representation in fiction, “I Don’t Hate Tiny Tim. Really!”, at Stupefying Stories Magazine. It’s brilliant.

Poor Tiny Tim.

I’m not saying that because he has a disability. I’m saying that because everyone, from his readers to his creator, pities him because he has a disability. He doesn’t pity himself, though! He joins in his siblings’ games whenever possible, and they cheerfully take him along with them. And while his father calls him “good as gold,” he’s not a perfect saint. When his father insists that the family drink a toast to his hard-hearted boss, Ebeneezer Scrooge, “Tiny Tim drank it last of all, but he didn’t care twopence for it.”…

(9) MEL KEEFER (1926-2022). Comic book and animation artist Mel Keefer has died at the age of 95. Mark Evanier wrote a tribute at News From ME.

…No one is quite sure how many newspaper strips he worked on but I know of these: Perry Mason, Dragnet, Gene Autry, Mac Divot, Thorne McBride, Willis Barton M.D. and Rick O’Shay. His longest run was with Mac Divot, which ran from 1955 to 1977. A lot of comic strip fans didn’t follow it because it was about golf and newspapers often ran it in the sports section. He ghosted on at least a half-dozen others but the most notable was Bash Brannigan, the strip drawn by “Stanley Ford” (Jack Lemmon) in the movie, How to Murder Your Wife. Mel did all the comic art in the film and when you thought you were seeing a close-up of Lemmon’s hand drawing his character, that was Mel’s hand you were seeing….

(10) MEDIA BIRTHDAY.

1967 [Item by Cat Eldridge] Fifty-five years ago, Star Trek’s “Space Seed” first aired on NBC. It was the twenty-second episode of the first season and it was directed by Marc Daniel from a teleplay from Gene L. Coon and Carey Wilber. The former was both a major writer and a show-runner on the series; the latter did writing for Captain Video and His Video RangersLost In Space and The Time Tunnel. The story was by Weber.

Yes, this is the episode that introduced Ricardo Montalbán as Khan Noonien Singh. He would of course return in The Wrath of Khan which would be nominated for a Hugo at ConStellation the year that Blade Runner won. From my viewpoint, and I know some of you may beg to differ, the only other guest performer worth noting is Madlyn Rhue as Lt. Marla McGivers. 

Director Nicholas Meyer stated in interviews that he wrote McGivers out of his drafts of The Wrath of Khan in order to give Khan more motivation for being pissed off. Anyone remember if Khan made reference to her in the film? I’ve seen it at three times but not in at least twenty years now, so I don’t remember. 

James Blish who was working from the yet script drafts at the time  used the name Sibahl Khan Noonien in his novella  long adaptation for the 1968 Bantam Books’ Star Trek 2 anthology which shows that the name change was a late decision.

Passing references to  the events here appear in here will later make it to Deep Space Nine and Enterprise.

Reception at the time of its broadcast was quite positive though the reviewers for Tor.com much later on really didn’t like the relationship between Khan and McGivers saying in their of the episode that it was “really uncomfortable to watch her immediate attraction to him and her easy acceptance of his abusive and controlling behavior”.  

I’m am not, repeat, not going to talk about Benedict Cumberbatch portraying Khan in Star Trek Into Darkness. Really, really not going to talk about him doing so. 

Greg Cox wrote a very much not canon novel titled To Reign in Hell: The Exile of Khan Noonien Singh which in great detail gave us the romance of Khan and Givers. I can’t say I’ve got much interest in reading it. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 16, 1933 Jim Harmon. During the Fifties and Sixties, he wrote more than fifty short stories and novelettes for Amazing StoriesFuture Science Fiction, Galaxy Science FictionIfThe Magazine of Fantasy & Science Fiction and other magazines. Most of his fiction was collected in Harmon’s Galaxy. EoSF says he has one genre novel, The Contested Earth, whereas ISFDB lists two more, Sex Burns Like Fire and The Man Who Made Maniacs. He’s a member of First Fandom Hall of Fame. (Died 2010.)
  • Born February 16, 1940 Angela Carter. She’s best remembered for The Bloody Chamber and Other Stories where she took fairy tales and made them very, very adult in tone. Personally I’d recommend The Curious Room instead,as it contains her original screenplays for the BSFA winning The Company of Wolves which starred Angela Lansbury and The Magic Toyshop films, both of which were based on her own original stories. Though not even genre adjacent, her Wise Children is a brilliant and quite unsettling look at the theatre world. (Died 1992.)
  • Born February 16, 1951 William Katt, 71. Ralph Hinkley, the lead of The Greatest American Hero. A series I know I watched and loved at the time.  In December 1975, he auditioned for the part of Luke Skywalker. But didn’t get the role obviously.
  • Born February 16, 1953 Mike Glyer, 69. Happy Birthday! OGH has won the Hugo Award 11 times in two categories: File 770 won the Best Fanzine Hugo in 1984, 1985, 1989, 2000, 2001 2008, and 2016. He himself has won the Best Fan Writer Hugo in 1984, 1986, 1988, and 2016. The 1982 Worldcon presented him a special award in 1982 for Keeping the Fan in Fanzine Publishing. He even wrote several pieces of genre fiction, “The Six Who Are Boring” and “The Men Who Corflued Mohammed.” 
  • Born February 16, 1954 Iain M. Banks. I’m certain I’ve read the entire Culture series even though I certainly didn’t read them in the order they were written. My favorites? Certainly The Hydrogen Sonata was bittersweet for being the last ever, Use of Weapons and the very first, Consider Phlebas are also my faves. And though not genre, I’m still going to make a plug for Raw Spirit: In Search of the Perfect Dram. It’s about single malt whisky, good food and his love of sports cars. And yes, Green Man has reviewed it. How could we not, it being by Banks? (Died 2013.)
  • Born February 16, 1957 Ardwight Chamberlain, 65. The voice of Kosh on Babylon 5. And that quite tickles me as I don’t think they credited it during the series, did they? Most of his other voice work is English-dubbing versions of Japanese anime including Digimon: Digital Monsters and The Swiss Family Robinson: Flone of the Mysterious Island.
  • Born February 16, 1957 LeVar Burton, 65. Well y’all know what series he was on and what character he played that he’s best known for so I can dispense with that. And yes, that series did win Hugos, “The Inner Light” did at ConFrancisco and “All Good Things” did at Intersection.  Other genre appearances include The Supernaturals, a zombie film, as Pvt. Michael Osgood, Superman/Batman: Public Enemies voicing Black Lightning and in another zombie film Rise of the Zombies as Dr. Dan Halpern. Plus his acclaimed reading series.
  • Born February 16, 1964 Christopher Eccleston, 58. The Ninth Doctor, who’s my third favorite among the new ones behind David Tennant and Jodie Whittaker. Other genre work includes 28 Days LaterThe SeekerG.I. Joe: The Rise of Cobra (a truly awful film), Thor: The Dark WorldThe LeftoversThe Second Coming and The Borrowers. He also played Macbeth at the Royal Shakespeare Theatre and the Barbican Theatre.

(12) COMICS SECTION.

(13) THE ACME OF FILMMAKING. Screen Crush reports “Wile E. Coyote’s Getting a Live-Action Movie Starring John Cena”.

Well, John Cena’s having a good day.

Not only did his HBO Max series Peacemaker get renewed for a second season, he’s also gotten tapped to star in the upcoming live-action Looney Tunes movie Coyote vs. AcmeThe concept is vaguely Space Jam-ish, in that it takes place in a world where humans animated cartoons co-exist. (There’s no basketball this time, though.)

The movie will be directed by Dave Green, whose previous efforts include Earth to Echo and the live-action (with CGI) Teenage Mutant Ninja sequel, Out of the Shadows. The premise is actually based on a 1990 New Yorker article titled “Coyote v. Acme” by Ian Frazier. (You can read it here.) Here are the specifics of the plot, via Deadline:

The film follows Wile E. Coyote, who after ACME products fail him one too many times in his dogged pursuit of the Roadrunner, decides to hires a billboard lawyer to sue the ACME Corporation. The case pits Wile E. and his lawyer against the latter’s intimidating former boss (Cena), but a growing friendship between man and cartoon stokes their determination to win….

(14) PERSPECTIVE ON TODAY. “George Takei: ‘I maintain that without optimism, we’ve already failed’” – so he tells an interviewer from the Washington Post. The profile includes a long reminiscence of his experience being taken to a WWII Japanese internment camp.

Let me ask you about maybe your defining role, your “Star Trek” role. Having experienced discrimination against Japanese Americans during and after World War II, what did it mean to you to as an actor to be able to take a role that didn’t play to the stereotypes of what Hollywood was portraying at the moment?

I immediately recognized that this was a breakthrough opportunity for me. For one thing, it was steady work if it sold. I was just doing guest shots here and there. And secondly, it was a part of the leadership team. A breakthrough opportunity, not only for me, but for the image of Asians and Asian Americans on television. The creator of the show, Gene Roddenberry, was extraordinary. He said the Starship Enterprise was a metaphor for Starship Earth and that it was the diversity of this Earth that the strength of this starship comes from.

(15) GOOD OMENS. “In Pictures: Star-spotting in Bo’ness as Good Omens 2 films with David Tennant and Michael Sheen” — the Edinburgh News has numerous photos of the actors on location in the city the other day.

Fans snapped pictures of stars David Tennant and Michael Sheen as they prepared to film scenes around the Hippodrome Cinema

They were joined by Dame Siân Phillips, while extras wearing feather-adorned caps and 1920s flapper-style dresses walked around the set….

(16) THE (KAURI) HELMET OF BOBA FETT. [Item by Soon Lee.] New Zealand actor Temuera Morrison, who plays the title character on The Book of Boba Fett, was presented with a carved wooden Boba Fett helmet. “Temuera Morrison honoured in Rotorua with Boba Fett kauri carving” at Newshub.

The carver, Graham Hoete a.k.a. MrG carved it out of native kauri and has shared the video of the gifting.

And also some of the carving process.

(17) CHRIS AND ZACH; BACK TOGETHER AGAIN. CNET reports “Star Trek 4 Will Bring Back Chris Pine and Zachary Quinto”.

It’s been six years since the last Star Trek movie, but the wait for the next one is coming to an end. J.J. Abrams, director of 2009’s Star Trek and 2013’s Star Trek Into Darkness, announced plans on Tuesday to bring back original cast members for a fourth film.

“We are thrilled to say that we are hard at work on a new ‘Star Trek’ film that will be shooting by the end of the year that will be featuring our original cast and some new characters that I think are going to be really fun and exciting and help take ‘Star Trek’ into areas that you’ve just never seen before,” Abrams said during the Paramount Investors Day Presentation…

(18) RESCUE RANGERS RETURNING. Disney+ will air new episodes of “Chip ‘n Dale: Rescue Rangers” beginning May 20. The lead voice actors will be John Mulaney as Chip, and Andy Samberg as Dale, which is very intriguing casting.

Rescuing the world takes a pair. A comeback 30 years in the making, the hybrid live-action/CG animated action-comedy catches up with the former Disney Afternoon television stars in modern-day Los Angeles. “Chip ‘n Dale: Rescue Rangers” premieres May 20, 2022, exclusively on Disney+.

(19) CAT BURGLAR. [Item by Martin Morse Wooster.] Because this Netflix cartoon is interactive, you can watch this cartoon animal bash-a-thon over and over!

Classic cartoon craziness meets an interactive quiz in CAT BURGLAR. In this Tex Avery inspired toon from the creators of BLACK MIRROR, the viewer helps Rowdy Cat vex Peanut the Security Pup and break into a museum with the goal of making off with a priceless prize. With an average runtime of ten minutes, and over an hour and a half of animation to choose from, the viewer could play CAT BURGLAR a hundred times and never view the same cartoon twice!

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Rob Thornton, Jennifer Hawthorne, Olav Rokne, Soon Lee, Chris Barkley, Michael J. Walsh, John L. Coker III, Steven French, Alison Scott, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day JeffWarner.]

To Be Fair, I Was Left Unsupervised: A Disjointed Chronicle of 79th World Science Fiction Convention, Discon III

By Chris M. Barkley:

DAY ONE

The day started out as pretty dreary to fly out of Cincinnati. The morning was punctuated by heavy rain showers and overcast skies. But, as the morning progressed, the skies cleared from the west and the sun revealed itself in full splendor.

My partner Juli and I received our first bit of DisCon III news just before we boarded our plane. Kevin Standlee reported on the geographic distribution of the 2023 Site Selection ballots in advance of the end of voting on Friday. The fact that this dispatch reflected that the Chengdu bid was projected to win in a landslide caused a HUGE kerfuffle online and at DisCon III. So much so that the upper management of DisCon III, asked that the post be removed and/or redacted online. And shortly thereafter, it was.   

I must note here that Kevin Standlee has been a very good friend of mine over the past twenty plus years and that my heart goes out to him. But I fear that he has done the Worldcon and the Site Selection process a great disservice by his actions. 

This development came on the heels of an editorial published Tuesday on File 770 by the distinguished UK fan Colin Harris, who suggested that if the bid from Chengdu did win that the fan community should take a deep breath and accept the results of the election. 

I have heard a great many good things about the members of Chengdu bid, in the earnest efforts to become a part of the worldwide community of fandom and their work towards winning the 2023 bid. I applaud their efforts, but I must say that my only fear, along with many others, is not any racial animus towards Chinese fans but that the authoritarian government of the People’s Republic of China may interfere with the convention committee, its members and its programming.
 
(Thursday morning addendum: Kevin Standlee has been removed as the Chair of WSFS Business Meeting and also been fired as an advisor from 2023 Winnipeg bid for in an announcement on the JOF Facebook page, “acting without consulting the bid’s senior management”. )    

Well, counting Wednesday, there are three more days of voting to go. As NBC’s statistical analyst (and khaki pants advocate) Steve Kornacki will tell you, the early vote may be in but all of the precincts have yet to be heard from and that it’s still anyone’s race. We’ll find out for sure by late Friday night or very early Saturday morning. Watch This Space. 

The flight was smooth and the landing was only slightly terrifying. Being seated on the left side of the plane, Juli and I were treated to a 45 second tour of all of the classic tourist sights anyone could want; the Capitol Building, the National Mall, the Washington Monument, the Lincoln and Jefferson Memorials AND the Watergate apartment and business complex. So much for sightseeing! 

As we were strolling through National Airport in search of the taxi station, we spied a cute CNBC kiosk. We didn’t stop to shop but I am imagining that all of the Brian Williams items have been marked down ninety percent. Just Sayin’…

At first sight, the Omni Shoreham Hotel looks quite massive; it is at least several hundred yards long and ten stories high. The exterior looks rather modern but the interior has the feel of an older hotel. Inside we found a spacious area around the lobby but it feels rather smaller as you journey inwards. Which leads me to the first of several criticisms of the hotel, the elevators are dreadfully small. So I can only imagine how chaotic things are going to get as people want to go to parties, programming events or checking in and out. 

Accessibility for the disabled was a hot topic before the convention and the Omni Shoreham’s deficiencies were on full display as I noticed many individuals struggling to get to Opening Ceremonies. This is not to say that accessible services are non-existent, but it is sorely in short supply abound the entire hotel. Did I mention that those elevators are REALLY SMALL?

Easily getting through Registration has never been a hallmark of any convention and DisCon III was no exception. The incredibly long line stretched from the Western part of the Promenade all the way to the Eastern Promenade elevator bank. Juli and I entered the end of the line around 2:30 p.m. After fifteen minutes, I decided to go forward to investigate why. 

What I found were two people seated at a station near the Registration Desk checking everyone’s Covid-19 vaccination cards. Only two. Around the corner, there were only two or three people relentlessly processing convention badges. 

It was at this moment that DisCon III was critically short of volunteers. Everyone reading this knows that Worldcons are run by volunteers. 

I, for one, refuse to completely blame DisCon III for the shortage of people working the convention. They have been begging for help for months and due to the pandemic and moving the convention date to December has decimated the number of people who normally would have volunteered. 

(Personal Note: I was asked to head up the Press Office earlier this year but I declined because I was unable to persuade the people I usually work with to come to DisCon III. This was the impetus for me to write the Press Office Manual and its anecdotal notes that were published here several months ago.)

But here we are. And we will have to make do with the resources we have on hand.   

ON the bright side, EVERYONE was masked and distancing as well as they could. 

At around 3:30 p.m., I was beginning to think that Juli and I wouldn’t make it to Opening Ceremonies so I took some drastic action. I hated to cut through the throngs of people waiting but I went to the Press Office (which was conveniently located near Registration), made the acquaintance of Kevin, the Deputy Head of the office, who provided us with press ribbons and made sure Juli and I got our badges. We then rushed off to find the Regency Ballroom, which was located on a lower level of the hotel.

And Opening Ceremonies were a splendid affair, hosted by Ulysses E. Campbell, and featuring a performance from the Duke Ellington School of the Arts Show Choir (who serenaded the group with a medley of Christmas carols, complete with choreography!) and an honor guard as well. I was personally delighted that the recipient of this year’s Big Heart Award was given to longtime fan Linda Deneroff, who was absolutely stunned and speechless (a rare occurrence, I assure you) as she accepted her plaque. 

The event climaxed with Sebastian Martorana’s incredibly informative presentation on how he fashioned this year’s Hugo Award base, which were made from the same sort of marble from Baltimore that was used to construct the top portions of the Washington Monument.  

Unfortunately, we had to leave right afterwards because it was 5:15 p.m. and my first panel, “What Makes A Classic A Classic,” was due to start at 5:30. There was another mad dash to find the Calvert Room, which we found with minutes to spare.

What followed was a wild and wooly hour about how the panel felt about what makes our favorite works of sf and fantasy classics. Our Moderator was Shaun Duke of the Skiffy and Fanty podcast and featured myself (singing, wut?!?!?), author, scholar and editor Ellen Kushner, collector and writer Bradford Lyau and the legendary fan editor and writer John Hertz. A full audio version will be posted on File 770 sometime in the next day or so.     

Finding dinner was strangely fortuitous; Robert’s, the restaurant located in the atrium of the hotel, told Juli that they were closing at 7:00 p.m. due to a lack of serving personnel and supplies. You would have thought that the hotel would have made plans for extra service with a major convention starting that week. Well, noted and logged… 

That threw us both for a loop. After seeing the meager offerings at the pop up takeaway in another corner of the hotel, we decided to go to one of the eateries on the corner of Calvert Street and Connecticut Avenue.

On our way out the door, we encountered mega-fan Bobbi Armbruster, her husband Warren, Kathi Overton and her partner John Pomeranz. They all enthusiastically endorsed going to The Gourmand Grill, a Mexican American place that was a short walk right around the corner.      

It was a rather small place down a steep set of stairs but Juli and I were totally enchanted by the atmosphere, the affordable menus and the incredibly helpful wait staff.

When someone canceled an order of Chipotle Shrimp, our server offered it to us at no extra charge. I had the Fish and Chips and Juli had the Meatball appetizer with a small side salad. Everything was eagerly devoured. I am quite certain we will be returning before the end of the convention.

At around 8:30 p.m., I wanted to go find the Con Suite. Juli was feeling rather tired and decided to retire to our room.

After a bit of confusion about its location, I was told that the Con-Suite was located in Room 840 in the Western part of the hotel. Upon arrival, I was informed that they had closed at 8:30. A passerby did mention that there was a party being held by a group called TANSTAAFL on the fifth floor.

While I was there, I was asked by Dave McCarty to engage in a contest. Once he outlined what it was all about, I enthusiastically accepted the challenge. What is it? What is it all about? I’ll explain in a future post, AFTER I have performed my part. Laters!

I snacked on a few dessert items and then I decided to call it a day at around 10 p.m.

After seeing what happened today, I knew tomorrow would be more of the same, if not more so. 

More As It Happens, Your Faithful Correspondent

Chris B.

On Site Head Count: Not Available.

Luminaries Spotted Today: Nancy Kress, Dave McCarty, John Picacio, Marah Searle-Kovacevic, Tammy Coxen, Greg Ketter, Ellen Kushner, John Hertz, Andrew Porter, Lt. Colonel Jonathan Brazee (Ret.), Kathi Overton, John Pomeranz and Michael J. Walsh.

Pixel Scroll 1/9/21 Magnetic Monopology: Do Not Exceed C, Do Not Collect 200 Zorkmids

(1) NOT MY FAULT. The designer of the coin that shows H.G. Wells’ Martian tripods with four legs, Chris Costello, is passing the buck to the unknown artist of an old paperback cover which he displays as part of the following statement:

It appears that I have once again drawn ire from the sci-fi community. First it was the Papyrus/AVATAR thing, and now this. No disrespect to H.G. Wells or any of you. To give more context, I will share about this specific coin design challenge and my creative process on a permanent page next month, but for now…

The characters in War of the Worlds have been depicted many times, and I wanted to create something original and contemporary. My design takes inspiration from a variety of machines featured in the book—including tripods and the handling machines which have five jointed legs and multiple appendages.

(2) WHAT YOU’D EXPECT AT BAEN. Tom Kratman is coaching the next stage of the insurrection in the storefront window. Here’s an excerpt from a comment made in his Baen’s Bar author forum.

So where do Trump and the nation go from here?

He needs to do three things; start his own news channel, start his own party, and start his own well-armed militia as part of the party.

The militia – again, a _well_armed_ militia – is necessary to present a threat in being to the powers that be such that, should they use extra-, pseudo-, and quasi-legal means to try to suppress the party, the price presented will be far too high.  The militia will be heavily infiltrated; this is a given.  No matter; it will not be there for any purpose but to present a serious threat of major combat, and the shame of defeat, and the reality of death, to the tactical elements, police and military, that may be used against the party.

It ought to be made clear that, “I can start the civil war with a stamp of my foot.  I’ve refrained, so far, but you cannot count on that restraint under all circumstances.  And if I am infiltrated, you are even more so.”

The militia should probably be neatly but simply uniformed, nothing flashy.  Solid colors, no camo.  Haircuts and facial hair trimmed.  A simple shirt and bluejeans for non-firearms related activities / head busting….

(3) WHEN AUTHORS DON’T GET PAID. Sff critic Paul Kincaid shares an email he has written to the publisher that has announced a book containing his essay which they didn’t buy the rights to. It begins — 

Following my ongoing posts relating to the unexpected appearance of my essay in Science Fiction published by Routledge, I have just sent the following email to Taylor & Francis. Let us see what sort of response this brings….

(4) TA-NEHISI COATES’ BLACK PANTHER FINALE. The Intergalactic Empire of Wakanda Saga continues next month in Black Panther #23, which hits the stands on February 24. Featuring art by Daniel Acuña and Ryan Bodenheim, the issue marks the beginning of the epic conclusion of Ta-Nehisi Coates’ redefining work on Black Panther that began in 2016.

Deep in space, T’Challa has discovered an alternate Wakandan society. Known as the Intergalactic Empire of Wakanda, these ruthless warriors present a dark reflection of T’Challa’s kingdom. Having abandoned their peaceful ways, this powerful empire looks to conquer the cosmos… and Earth’s Wakanda is their next target. This daring, thought-provoking take on the Black Panther mythology also features surprising developments for supporting characters such as Shuri, Storm, and Black Panther’s greatest foe, Erik Killmonger.

(5) JEWISH SF. Jewish Museum of Maryland will host a panel discussion “People of the (Futuristic) Book” on March 4 at 7:00 Eastern about Jewish science fiction with Steven H Silver, Valerie Estelle Frankel and Michael A. Burstein.

What makes a science fiction story Jewish? Jewish writers have worked in the science fiction genre since the very beginning, thought you might not always know it from reading their work. But some stories are clearly Jewish, whether through tone and theme or explicitly based on Jewish ideas and culture. Join us for an exploration of Jewish sci-fi and fantasy – and a discussion of what makes them Jewish stories.

This Zoom event is presented by the museum in relation to the special exhibit Jews in Space: Members of the Tribe in Orbit, on view through April 11, 2021. 

(6) COMING ATTRACTIONS. Leah Schnelbach lines up “The Most Anticipated Sci-Fi and Fantasy Books of 2021” at Book Marks, including Andy Weir’s next novel.

Project Hail Mary by Andy Weir
(Ballantine Books, May 4)

The author of The Martian and Artemis is back with another interstellar thriller! When Ryland Grace wakes up in a small makeshift spacecraft, he can’t remember his own name—but that’s not even his biggest problem. Why is he on this ship? And should he know the two corpses who are on the ship with him?

As his memories return, he realizes that he’s been asleep for a very, very long time. His ship was thrown together by dozens of different governments. And, unfortunately, his mission is to stop a terrifying threat which, if it reaches Earth, will mean the destruction of the human race. If only he had any idea how to do that.

(7) REDISCOVERING THE WRITER IN AMERICA. On Todd Mason’s Sweet Freedom blog he collects links to the 1963 KQED documentary Take This Hammer with James Baldwin, and Toni Morrison, Janet Flanner and “Ross Macdonald” and others on The Writer In America, and producer/director/editor/interviewer Richard O. Moore. Mason says, “With luck, I might find some more of these. I’d hope this would be the kind of thing World Channel would be dusting off, along with Take This Hammer.” About the link to the Toni Morrison episode of The Writer In America he says, “These old film or video source copies certainly mangle their fine musical soundtracks, but Morrison’s voice particularly manages to retain its musicality.” 

KQED’s mobile film unit follows author and activist James Baldwin in the spring of 1963, as he’s driven around San Francisco to meet with members of the local African-American community. He is escorted by Youth For Service’s Executive Director Orville Luster and intent on discovering: “The real situation of Negroes in the city, as opposed to the image San Francisco would like to present.” He declares: “There is no moral distance … between the facts of life in San Francisco and the facts of life in Birmingham. There is no moral distance … between President Kennedy and Bull Connor because the same machine put them both in power. Someone’s got to tell it like it is. And that’s where it’s at.” Includes frank exchanges with local people on the street, meetings with community leaders and extended point-of-view sequences shot from a moving vehicle, featuring the Bayview Hunters Point and Western Addition neighborhoods. Baldwin reflects on the racial inequality that African-Americans are forced to confront and at one point tries to lift the morale of a young man by expressing his conviction that: “There will be a Negro president of this country but it will not be the country that we are sitting in now.”

(8) INSIDE HOLLYWOOD. Interesting discussion about making Terry Gilliam’s classic film. “The oral history of 12 Monkeys, Terry Gilliam’s time travel masterpiece” at Inverse.

Charles Roven (producer): I was given the short film La Jetée by Chris Marker by a gentleman by the name of Robert Kosberg. I then gave that to Dave and Jan [Peoples].

David Peoples (screenwriter): We had missed seeing La Jetée in the ‘60s when we should have seen it. They sent us a terrible video of it, but in spite of the fact that it was an awful video, it really was such a wonderful movie. We said, “We’ll spend a weekend on it and see if there’s anything we can come up with that would be interesting.” It did come to us that people hadn’t been doing a lot of stuff with the threat of germs – man-made germs or germs from nature. We had an image of a city with no people and just animals roaming around, totally out of place. Chris [Marker] hadn’t said it was OK to make a movie out of his movie. He hated all Hollywood movies except Vertigo.

Janet Peoples (screenwriter): We bumped into a friend of ours from Berkeley: Tom Luddy. Tom laughed and said, “Oh, I know Chris. You know, Chris loves Francis Coppola. And Francis is in town.” So we all met at a Chinese restaurant – writers and a couple of directors; no producers, no suits – and Chris Marker at one end of the table and Francis at the other. Francis looks up and says, “Chris!?” and Chris says, “Yes, Francis?” and Francis says, “Jan and Dave want to make this movie. They’re good people; I think you oughta let them do it.” And Chris says, “Oh, OK, Francis.”…

(9) MEMORY LANE.

  • 1991 — Thirty years ago, Ellen Kushner’s Thomas the Rhymer wins both the Mythopoeic Fantasy Award and the World Fantasy Award. (It was the last single Award given out before it was split into into Adult and Children’s Awards.) Based off Thomas the Rhymer myth who was carried off by the Queen of Elfland and returned having gained the gift of prophecy.  

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born January 9, 1886 – Walter Brooks.  Two hundred stories; ours are two dozen about Mister Ed, a talking horse (these got onto television), and two dozen novels about Freddy the Pig and more talking animals on the upstate New York farm of a man named Bean.  The Freddy books have some science fiction; Uncle Ben, Mr. Bean’s brother, is an inventor, and beside that some Martians show up (Freddy and the Baseball Team from Mars).  As with much good art, what matters is less the so-called contents than the manner of telling, at which Freddy is deft and enough fun to please both The NY Times and The Imaginative Conservative.  (Died 1958) [JH]
  • Born January 9, 1890 – Karel Capek.  (The software won’t allow a caron over the C, a diacritical mark like a showing the has the sound of ch in English chat.)  Three novels for us, as many others; thirty shorter stories for us, as many others; timeless for the play R.U.R. (Rossum’s Universal Robots) introducing the word robot (although, being chemical not mechanical, they’re what we’d later call androids) and portraying the fundamental unease about them.  (Died 1938) [JH]
  • Born January 9, 1906 – Barbara Sleigh.  Five novels, four anthologies for us; two other novels, shorter stories, radio scripts, film criticism, picture books, memoirs.  Best known for books about Carbonel the King of Cats.  (Died 1982) [JH]
  • Born January 9, 1925 Lee Van Cleef. The Warden of the Prison in Escape from New York but he was best known for acting in Spaghetti Westerns. Genre wise, he was also Col. Stone in The Beast from 20,000 Fathoms, and Dr. Tom Anderson in Corman’s It Conquered the World. (Died 1989.) (CE) 
  • Born January 9, 1931 Algis Budrys. I am trying to remember what I read by him and I think it was Some Will Not Die which I remember because of the 1979 Starblaze edition cover. I’ve also read and enjoyed his Rogue Moon. Setting aside his work as a writer which was exemplary, he was considered one of our best genre reviewers ever reviewing for GalaxyMagazine of Fantasy and Science Fiction, and wrote genre reviews even in the more mainstream Playboy. He edited a number of the L. Ron Hubbard Presents Writers of the Future anthologies which I’ll admit I’ve not read any. I should note his Tomorrow Speculative Fiction prozine was quite excellent.(Died 2008.)  (CE) 
  • Born January 9, 1950 David Johansen, 71. He’s the wisecracking Ghost of Christmas Past in the oh-so-perfect Scrooged, he played Halston in Tales from the Darkside: The Movie in “The Cat from Hell” episode, and he appeared as a character named Brad in Freejack. I think the brief Ghost of Christmas Past riff in the aforementioned Scrooged is enough to earn him as Birthday Honors here. (CE) 
  • Born January 9, 1955  J. K. Simmons, 66. You may know him as J. Jonah Jameson in the various Spider-Man films but I find his more interesting genre role to be as Howard Silk in the Counterpart series where he plays two versions of himself in two versions of parallel Berlins in a spy service that may or may not exist. He also portrayed Commissioner James Gordon in Justice League. (CE) 
  • Born January 9, 1957  — Greg Ketter, 64.  Leading Minneapolis fan and bookseller; chaired Minicon 40-41 and the 1993 & 2003 World Fantasy Conventions; Guest of Honor at DucKon 16; has written for Rune and Minneapa; published the DreamHaven Fortieth Anniversary Scrapbook having earned his way there with a press so named and a shop, which last year suffered but is thankfully recovering from a disaster.  [JH]
  • Born January 9, 1954 – Philippa Gregory, Ph.D., age 67.  Half a dozen novels for us; thirty others (half about Plantagenets and Tudors), also picture books.  Outside our field The Other Boleyn Girl won the Romantic Novel of the Year Award; it and successors are also bemoaned as failing the historical accuracy they’re promoted for.  PG’s charity Gardens for the Gambia has dug two hundred low-budget wells, teaches bee-keeping, and funds batik and pottery workshops.  [JH]
  • Born January 9, 1975 – Gunnhild Øyehaug, age 46.  Two dozen of her short stories for us available in English, see the collection Knots.  Also poetry, teaching, criticism.  Co-edits literary journal Kraftsentrum (in Norwegian).  Dobloug Prize.  [JH]
  • Born January 9, 1976 Jenna Felice. Tor Books Editor. She suffered what the doctors are called a massive allergic reaction compounded by asthma. She died having never emerged from her coma. There’s a memorial page for her here. (Died 2001.) (CE)
  • Born January 9, 1981 Julia Dietze, 41. She’s Renate Richter in Iron Sky: The Coming Race, a Finnish-German film in which the Nazis are occupying the moon after a nuclear war. (It garnered a 31% rating by reviewers at Rotten Tomatoes. And yes critics were really, really hostile.) It wasn’t her first bad film as she was Princess Herzelinde in 2  Knights: In Search of the Ravishing Princess Herzelinde (1+ 1 / 2  Ritter – Auf der Suche nach der hinreißenden Herzelinde) which it won’t surprise you  didn’t exactly make the German reviewers gush over it. (CE)

(11) COMICS SECTION.

(12) TAKING TO THE LIFEPODS. Alexandra Petri provides some much-needed comic relief in “I see no choice but to resign from this Death Star as it begins to explode” at the Washington Post.

It is with a heavy heart and a deep sense of responsibility that I must submit my resignation, effective immediately, from my post on this Death Star. However, I see no other choice.

Now is the time for all of us to stand up from our posts and do what is right.It’s been an honor to work on this Death Star. I love the aesthetic. I love how I’ve been able to pursue my greatest passion: destroying planets and pressing buttons. I love my little hat that is a sunshade for no reason!

(13) GOTHAM’S SISTER CITY, ISTANBUL. Take a look at “Turkey’s legacy with sci-fi and superheroes in film” at Daily Sabah.

Last week marked the start of Turkey’s first-ever science fiction television series, “Ak?nc?,” which tells the story of an Ottoman superhero tasked with guarding over the Istanbul of Sultan Mehmed II, also known as Mehmed the Conqueror, in contemporary times.

A teacher by day and a superhero by night, the handsome Ak?nc?, whose name refers to the advanced troops of the Ottoman Empire, is tasked with stopping terrorism while being followed by an equally attractive female journalist who has been on his trail for the past three years. An enthralling and entertaining watch, the highly anticipated Ak?nc? premiered on Jan. 1 and will continue to air on Friday evenings at 8 p.m. on ATV.

In light of this exciting addition to Turkish primetime television, which is also the first of its kind within the genre of science fiction and superhero television series, it might be an opportune time to reflect back on Turkey’s famous legacy of its films in these genres….

(14) SF2 CONCATENATION HERALDS SPRING WITH NEW ISSUE. [Item by Jonathan Cowie.] The latest edition of SF2 Concatenation is now up. The spring season sees the return of a full news-page and the return of its forthcoming SF and fantasy books listings.

SF2 Concatenation is about the only place on the net with a forthcoming books listing from several genre imprints and major UK publishers.

As done every January, SF2 Concatenation has its choices as to the Best SF books and Best SF films of the previous year.  Just a bit of fun, yes, but over the years every year, one of either their choices of books or films, often both, subsequently go on to be short-listed for a major award (Hugo, Nebula, BSFA, Locus etc.) some even win.  See their track record (scroll down).

Also in the mix are half a dozen articles covering conrunning, publishing, fanzines, convention reviews and an SF diary, as well as another in the series of articles by SF author scientists on their science heroes. Plus there’s over 30 standalone fiction reviews. Hopefully something for everyone.

v31(1) 2021.1.15 — New Columns & Articles for the Spring 2021

v31(1) 2021.1.15 — Science Fiction & Fantasy Book Reviews

v31(1) 2021.1.15 — Non-Fiction SF & Science Fact Book Reviews

(15) VIDEO OF THE DAY. What will NASA be doing this year?

Sending the first Artemis mission to the Moon in preparation for human missions, landing a new rover on Mars, and launching the James Webb Space Telescope into space, expanding our ability to see deep into the universe, are just a few of the things NASA has planned for 2021.

[Thanks to Andrew Porter, Steven H Silver, Mike Kennedy, Martin Morse Wooster, Cat Eldridge, John King Tarpinian, John Hertz, JJ, Mlex, Todd Mason, Jonathan Cowie, Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 10/27/17 Dark Scroll Crashes, Pouring Pixels Into Ashes

(1) ASSUAGING YOUR TBR GUILT. Fantasy-Faction’s Nicola Alter playfully advises about “Coping with Reading Guilt in 7 Easy Steps”.

Signs you might suffer from Reading Guilt of one form or another can include:

1. The pile of unread books on your shelf, be it virtual or real, makes you feel anxious every time you look at it.
2. You occasionally dust off that book your friend loaned you and pretend you are about to read it, knowing in your heart you are just preparing it to collect more nightstand dust.
3. The sight of a bookstore evokes complex feelings of longing and guilt.
4. The book-devouring speed of a well-read friend makes you irrationally envious.
5. The question, “have you read…” elicits an instinctual dread, because whatever it is, you’ve usually never read it.
6. When someone recommends a book to you, you smile and make enthusiastic noises to cover the sinking feeling in your stomach, because it’s just another to add to the endless list and you’ll probably never get around to reading it anyway.
7. You are so behind on that reading goal you set that it just serves to depress rather than motivate you.
8. You have a vague but pervasive feeling that you haven’t read enough of the “important” books.
9. The hunt for bookmarks depresses you, because you realise they are all wedged in half-finished books and you can’t bring yourself to remove them.
10. You participate in online “How many of these books have you read?” quizzes, even though you know the results will not cheer you up.

Fortunately, Reading Guilt is a very treatable disorder, and if you are exhibiting these symptoms, you are not alone. Here are seven easy steps to help you cope with Reading Guilt, and prevent it from getting in the way of your bookly enjoyment….

(2) A CHEESY EVENT. The Harry Potter Festival that promised to “bring the magic” to Jefferson, WI last weekend has been roundly criticized as a dud: “Angry fans say organizers of Harry Potter Festival in Jefferson were unprepared”.

Some Harry Potter fans are cursing their decision to attend last weekend’s Harry Potter Festival USA in Jefferson, Wisconsin.

Fans says organizers promised an immersive experience but were instead unprepared for the crowds. City officials provided an estimate that around 35,000 attended the event on Saturday.

Here are some of the main criticisms circulating on the festival’s Facebook page: 1) Visitors say hidden costs were added on top of the price of admission 2) the effort put into decorations were at the level of a high school homecoming and 3) poor transportation planning caused long lines for shuttles.

…For hours people waited to get to certain attractions that have also been highly criticized online.

One person commented on the festival’s Facebook page “‘Hagrid’ ate breakfast without his wig and played on his phone the whole time and did not get up once for pictures. Very disappointing, especially for $20 per person!”

Another person wrote “Went to the ‘prison’ – where nothing was happening?! Empty tennis court? So extremely disappointed.”

Others say they wouldn’t make the drive to the again and regret doing it the first time.

“We traveled an hour and a half,” Maria Remillard of Elk Grove Village, Illinois said.

“And once we got there we were basically stuck there. The bus lines were hours long. I ended up walking back to the fairgrounds to pick up our car so I could go back and pick up my parents, my sister, and my daughter,” Remillard said.

“‘The Owlry’ was a small VFW hall with one stuffed animal and one girl signing letters for an extra fee,” Remillard said.

(3) SUBURBAN BLIGHT.  Adweek highlights another scary ad: “Xfinity Adds Its Own Creepy 5-Minute Film to 2017’s Fright Fest of Longer Halloween Ads”.  See the video at the link.

The Comcast cable brand just unveiled its own five-minute horror short, titled “The Neighborhood,” developed by Goodby Silverstein & Partners and written and directed by Dante Ariola of production company MJZ.

The tale concerns a spooky old mask, made out of a burlap sack, that seems to be making the rounds in one suburban neighborhood on Halloween. But those gifted with it quickly come to regret their mysterious new present.

(4) PULP ART BOOK. IDW Publishing has released “The Art of the Pulps: An Illustrated History” co-edited by Doug Ellis, Ed Hulse, and Robert Weinberg. Doug Ellis gives the background:

“The Art of the Pulps”, co-edited by myself, Ed Hulse and Robert Weinberg, came out earlier this week, on October 24 from IDW. For me, it was a long wait, but I think the final book was well worth it. Bob and I actually started preliminary work on the book back in January 2016, so it’s been nearly a two year project for me. Bob unfortunately passed away in late September 2016, just as we were about to start working on it in earnest, but fortunately Ed Hulse was willing to step in and help see the book through to its completion. I think Bob would have been very pleased with how it came out.

The book focuses on the colorful cover art of the pulps, along with a sampling of some black and white interior pulp art, containing roughly 460 images. But in addition to the images, there’s well over 50,000 words of text, written by some of the top experts in the pulp field. Besides contributions from the co-editors, we were fortunate enough to enlist the writing talents of (in alphabetical order): Mike Ashley (science fiction), Will Murray (hero), Michelle Nolan (sports), Laurie Powers (love), Tom Roberts (air and war), David Saunders (the great pulp artists), F. Paul Wilson (foreword) and John Wooley (detective). We think you’ll agree, if you read the book, that each did a bang-up job!

(5) DOWN THESE MEAN STREETS. Stevens Point author Patrick Rothfuss’ new show on Travel Channel, Myth or Monster, debuts with three showings this weekend on Travel Channel. Myth or Monster will first air 9 p.m. on Friday.

Rothfuss “dives into the past and consults with present-day eyewitnesses to expose the truth behind stories long believed to be sheer fantasy.”

The first episode is titled “Mothman:

Armed with new evidence of a modern-day sighting, acclaimed fantasy author Patrick Rothfuss investigates the local legend of an 8-foot-tall man-bird hybrid that has haunted a small West Virginia town for over 50 years.

(6) THE DICKENS YOU SAY. Alonso Duralde of The Wrap was disappointed: “‘The Man Who Invented Christmas’ Review: Scrooge’s Origin Story Ends Up a Bit of a Humbug”

The history of Christmas is a fascinating one, from the biblical account of Jesus’ birth, to the church’s moving of his birthdate so as to capitalize on the popularity of pagan holidays like Saturnalia and Yule, to the Puritans banning it as a feast of licentiousness, to the abundant, familial celebration we know today. Standiford touches upon all of this, and on how the immense popularity of “A Christmas Carol” changed the culture around the holiday, but screenwriter Susan Coyne (“Anne of Green Gables”) and director Bharat Nalluri (“Miss Pettigrew Lives for a Day”) gloss right over it in a way that will leave most viewers befuddled by the film’s title.

While Dickens (played here by Dan Stevens) was a well-established writer by 1843, the author was in something of a slump before he decided to take a crack at writing a Christmas story. “Barnaby Rudge” and “Martin Chuzzlewit” were slow sellers, and his essays about his trip to America hadn’t flown off the shelves either; meanwhile, he and his family were grandly restoring a new house, and his constantly-in-debt father John (Jonathan Pryce) was one of many people in Dickens’ orbit with hands perpetually out.

(7) KING TUT. Someone apparently tutted at John Scalzi about his weekly photos of incoming ARCs and review copies.

(8) TODAY’S BIRTHDAY BOYS

  • Born October 27, 1948 – Bernie Wrightson
  • Born October 27, 1953 – Robert Picardo, who played the holographic doctor in ST-Voyager and is on the board of directors of the Planetary Society.

(9) LOOK OUT BELOW. Newsweek brings out Michael Rampino  to answer the question: “Did Dark Matter Kill the Dinosaurs? How Mass Extinctions Are Linked With Universe’s Mystery Ingredient”.

… Over the last three decades, some scientists have found a good correlation of mass extinctions with impacts and massive volcanism. Curiously they have also turned up evidence that these events occur in a cycle of about 26 to 30 million years. This attracted the interest of astrophysicists, and several astronomical theories were proposed in which cosmic cycles affected Earth and life on the planet.

My own hypothesis linked the Earthly events to the motion of the solar system as it moves through the galaxy.  Now, it seems that these geologic cycles may be a result of the interactions of our planet with mysterious dark matter.

How does dark matter affect our planet? Most dark matter can be found as huge haloes surrounding the disc-shaped spiral galaxies, like our own Milky Way. But in 2015 physicist Lisa Randall at Harvard, proposed that significant dark matter is concentrated along the central mid-plane of the galactic disk.

During the cyclic movement of the sun and planets through the galaxy, we pass through the mid-place about once every 30 million years. At these times, the dark matter concentrated there tugs on the myriad Oort cloud comments found at the edge of the solar system. This gravitational perturbation causes some of the loosely bound comets to fall into the zone of the inner planets, where some would collide with Earth, producing a roughly 30 million year cycle of impacts and associated mass extinctions. As a result, dark matter may have killed the dinosaurs.

(10) TREMONTAINE. At Fantasy Literature, Marion Deeds reviews the book version of Tremontaine Season One by Ellen Kushner, Alaya Dawn Johnson, Malinda Lo, Joel Derfner, Patty Bryant, Racheline Maltese and Paul Witcover — “Tremontaine Season One: Magic can’t always be re-created”.

The most interesting secondary character is Micah, a young county girl in the city, who is a math genius. Disguised as a boy, Micah is taken up by the university students because she has a gift for winning card games, and because she is a genius. Micah is a problematic character for some of the writers. She is neuro-atypical. In some of these novellas, Micah convinces me that she is somewhere on the autism spectrum. In the hands of others she reads more like an innocent, much younger girl (eleven or twelve). This wobbliness broke my suspension of disbelief. Beyond the problem of Micah’s characterization, tone in general is a problem, changing from episode to episode, and sometimes clashing with the previous chapter, as it does most noticeably in Episode Seven, “The Swan Ball.”

(11) THEY LOST HIM AT HELLO. Superversive SF’s Declan Finn says he was so offended by Star Trek: Discovery that he had already turned it off before they reached the part that was designed to offend him: “The STD That Will Never Go Viral”.

I gave up at the 40 minute mark. So, all of this is this is, of course, before I got to the stuff that was designed to offend me. I’m told there are gay, bisexual and other sexes all over the place, that the Klingons were supposed to be Trump supporters, that they use cussing but can’t say “God” on the show.  Heck, I didn’t even get far enough into the episode to see “Michael” assault her captain, take over the ship in a mutiny specifically so she could commit an act of war on the Klingons… which happened.

But they never got a chance to appeal to my politics. They never got a chance to offend me. They never got a chance to make me angry. Because they never got me to care. Because this isn’t Star Trek. This is just a bad parody.

This is one STD that will never go viral.

(12) THE NOT RIGHT. Prager University produced a video, “What is the Alt-Right?” which briefly mentions Vox Day.

What is the alt-right? What is its worldview? How big is it? Michael Knowles, bestselling author and host of The Michael Knowles Show, took a deep dive into alt-right culture. Here’s what he learned.

When a reader of Vox Popoli brought it to Day’s attention he teed off on the site’s namesake.

I would have been shocked if Dennis Prager had anything positive to say about me. He’s a mediocre thinker and a mediocre writer whose columns on WND were lightweight, little trafficked, and almost entirely forgettable.

(13) ARISTOTLE! Speaking of Aristotle….Camestros Felapton has now reached Chapter 6 in his dissection of Vox Day’s SJWs Always Double Down: Anticipating the Thought Police.

“It is one of more than a dozen such tactics that I have observed SJWs utilizing over the past few year, and what is fascinating is how many of these tactics were first observed more than 2,400 years ago by one of Man’s greatest thinkers, Aristotle.”

Having said that, we don’t get an illustration of social media bait and report re-imagined for ancient Athens (which might have been interesting). I’d imagine the advice would be simple from Aristotle – if somebody is trying to bait you then don’t let them wind you up. There is an excellent example from Jesus in the New Testament dodging a “bait and report” when he is quizzed about paying taxes. Mind you I don’t think Vox reads the New Testament much, particularly not a section where his God implies that you should pay your taxes.

Anyway, put my side trip to Jesus aside, Vox is back with our friend Aristotle. This time rather than Aristotle’s Rhetoric, Vox wants us to look at The Organon and in particular the section called On Sophistical Refutations. “Sophistical” here referring to sophists – the quasi-professional arguers of stuff and/or Plato’s contemporary philosophers not in tune with the Socratic wing of thinking.

Aristotle lists 13 fallacies and Vox goes through them all to some extent. I’m going to look at them from a different direction…

(14) LET THERE BE LIGHTS. Tesla in real-world success: “Turns Power Back On At Children’s Hospital In Puerto Rico”.

Tesla has used its solar panels and batteries to restore reliable electricity at San Juan’s Hospital del Niño (Children’s Hospital), in what company founder Elon Musk calls “the first of many solar+battery Tesla projects going live in Puerto Rico.”

The project came about after Puerto Rico was hit by two devastating and powerful hurricanes in September, and Musk reached out about Tesla helping.

Musk’s company announced its success in getting the hospital’s power working again less than three weeks after Puerto Rico Gov. Ricardo Rossello tweeted on Oct. 6, “Great initial conversation with @elonmusk tonight. Teams are now talking; exploring opportunities.”

Tesla’s image of the project’s solar array, in a parking lot next to the hospital, has been liked more than 84,000 times since it was posted to Instagram Tuesday.

(15) SOFTCOVER SCARES. Rise of a genre? “These ‘Paperbacks From Hell’ Reflect The Real-Life Angst Of The 1970s”. NPR did an interview with Grady Hendrix who argues that “horror” was not a mainstream term before _Rosemary’s Baby, The Exorcist, et al.

On the appeal of horror paperbacks in the ’70s and ’80s

In the early ’70s, I think part of the appeal of these books is [that] they were written fast and without a lot of pretensions, and so in doing that, these authors were kind of capturing the time in which they were writing. And so you had in the early ’70s, late ’60s, all this fascination with the occult. Astrology was big, Time magazine had two covers that were like, “The New Age occult craze in America” and also there was a fear of our children — “What is this rock music and this LSD and this ‘Summer of Love’? Surely there must be a dark side there.”

And so these books really reflected a lot of where we were at the times and answered a lot of questions, and the answer to most of the questions was, “Yes, be very, very afraid of everything.” Jellyfish, mattresses, curtains, dogs, moths, caterpillars, children, dolls, clowns, puppets. But at least they were answers.

(16) NO RENDEZVOUS WITH THIS RAMA. Passing through: “Scientists Spot First Alien Space Rock In Our Solar System”.

It’s long been assumed that an interstellar object like this one should be out there, because giant planets in forming solar systems are thought to toss out bits of space crud that haven’t yet glommed into anything. But this is the first time scientists have actually found one.

The mysterious object is small — less than a quarter mile in diameter — and seems to have come from the general direction of the constellation Lyra, moving through interstellar space at 15.8 miles per second, or 56,880 miles per hour.

“The orbit is very convincing. It is going so fast that it clearly came from outside the solar system,” says Paul Chodas, manager of NASA’s Center for Near-Earth Object Studies at the Jet Propulsion Laboratory in Pasadena, Calif. “It’s whipping around the Sun, it has already gone around the Sun, and it has actually gone past the Earth on its way out.”

(17) INSECURITY. The internet doesn’t know you’re a dog – or an AI: “AI Model Fundamentally Cracks CAPTCHAs, Scientists Say”.

A new model, described in research published today in Science, fundamentally breaks the CAPTCHA’s defenses by parsing the text more effectively than previous models with less training, George says.

He says that previous models trying to get machines to learn like humans have largely relied on a prevailing AI technique called deep learning.

“Deep learning is a technique where you have layers of neurons and you train those neurons to respond in a way that you decide,” he says. For example, you could train a machine to recognize the letters A and B by showing it hundreds of thousands of example images of each. Even then, it would have difficulty recognizing an A overlapping with a B unless it had been explicitly trained with that image.

(18) RUNAWAYS. Marvel’s Runaways will be on Hulu starting November 21.

(19) YOU HAD ONE JOB. Alien Invasion S.U.M. 1 official trailer.

[Thanks to JJ, Carl Slaughter, Cat Eldridge, Chip Hitchcock, Andrew Porter, Martin Morse Wooster, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Xtifr.]

Pixel Scroll 5/6/17 And He Called For His Pipe, And He Called For His Scroll, And He Called For His Pixels, Three.

(1) DUALING. Sherwood Smith discusses “Tremontaine: When Collaboration Really Works” at Book View Café.

Nowadays, collaborations are happening in all kinds of forms, in print form in our genre not just the traditional pair of co-authors: there was a rise of senior writer-and-junior writer combos, and the continued series.

Then there are the collaborations that share a lot in common with film development, in which writers gather (in film it’s the writers’ room) and hammer out a story between them all.

Then they either go off separately and write portions, or they pass material back and forth, each adding or subtracting or putting their own spin on the emerging narrative.

The most successful of these that has come to my attention lately is Tremontaine, which initially came out in episodes from Serial Box.

Serial Box in itself is interesting: they are using a TV model for readers. The episodes come out weekly, and I believe most if not all are developed by teams. The episodes individually are cheap—less than you’d spend on a Starbucks coffee….

(2) UP ABOVE THE BEAR SO HIGH. Jeff VanderMeer may inspire a new subgenre of sff with the great reception being given to his new novel Borne:

Wow. In Canada, the #1 hardcover bestseller in Calgary for the week is Borne. Thanks, Calgary. You must really love giant psychotic flying bears. (Borne was #5 in Canada overall, across all 260 indie bookstores that report in.)

(3) STAR TREKKIN’. Visit the edge of space with Captain Kirk. Space.com tells how — “‘Star Trek’ Icon William Shatner to Take Zero-G Flight in August”.

This August, William Shatner will get closer to the final frontier than he ever did in his “Star Trek” days.

The 86-year-old actor, who famously portrayed Captain James T. Kirk in the original “Star Trek” TV series and a number of movies, has signed up for an Aug. 4 flight with the Zero Gravity Corporation (Zero-G). The Virginia-based company sells rides on its modified Boeing 727 aircraft G-Force One, which flies in a series of parabolic arcs to give passengers brief tastes of weightlessness.

“Going weightless will turn a dream into reality,” Shatner said in a statement. “I’ve always wondered what it would be like to actually explore the final frontier, and now I have the opportunity to experience zero gravity firsthand. It will be an incredible adventure.”

You have a chance to share this adventure with Shatner, if you wish: Zero-G is selling a limited number of tickets aboard the actor’s flight for $9,950 apiece, plus 5 percent tax. (For perspective: a seat aboard a normal Zero-G flight runs $4,950, plus 5 percent tax.) Go to Zero-G’s website if you’re interested.

(4) TOURING CHINA. China Miéville is coming to the U.S. later this month on a book tour promoting October: The Story of the Russian Revolution, which is non-fiction.

(5) COMING ATTRACTION. Teaser poster for the FORUM FANTÁSTICO convention taking place in Lisbon, Portugal this September.

(6) TRIVIAL TRIVIA

In The Big Bang Theory series Wil Wheaton is a recurring character. In one episode, Sheldon goes to Wil’s house to confront him. The house number is 1701…a homage to the USS Enterprise.

John King Tarpinian adds, “Something even more trivial got me thinking: ‘A homage or an homage?’

(7) TODAY’S DAY

Free Comic Book Day

History of Free Comic Book Day Free Comic Book day was established by Joe Field in 2001. While writing for a magazine of the comic industry, he noted that there had been a resurgence in purchases in the wake of the recent flow of comic book franchise movies. Society and finances were both looking favorably on this unending wealth of stories, and so it was that he suggested the institution of a Free Comic Book Day to spread the fandom as wide as possible.

(8) FUR AND FEATHERS. Special effects aficionados will love the preview reel for the upcoming SIGGRAPH conference.

SIGGRAPH 2017 brings together thousands of computer graphics professionals, 30 July – 3 August 2017 in Los Angeles, California, USA.

 

(9) A FEATURE NOT A BUG. Dragonfly cyborgs will fight terrorism reports Fox News — “How insect cyborgs could battle terrorism”.

The US military, like others around the world, has long pursued tiny flying robots to deploy for surveillance. Armed with tech like cameras and sensors, these flying robots could gather data that larger technology or humans could not.

To be useful in realistic conditions, the drones would need to be able to fly for long periods of time and be able to navigate around obstacles. They also need to be able to carry the weight of the data gathering systems.

(10) THE WORLD ON A STRING. If you like expensive toys, here’s a chance to pay a lot for “Yomega – Star Wars – Darth Vader – The Glide Yo-Yo” – tagged at $118.25.

  • Now available for a limited time, Yomega has produced its professional level yo yo, The Glide, in a collectible Star Wars Series with laser etching of Darth Vader and both Rebel and Imperial symbols.
  • The Glide has been engineered to the highest competition level standards. Machined from airplane grade aluminum, with a silicone pad return system and the world famous Dif-e-Yo KonKave bearing, this is a yo-yo meant for the most discerning player.
  • If you want the “Force to be With You” this is a must have piece for your collection.

Or for the same price you can rock the rebel logo — “Yomega – Star Wars -Rebel Symbol – Glide Yo-Yo”.

(11) GETTING PAID. Someone who should be able to buy as many yo-yos as he wants is Alan Dean Foster – Inverse recalls how “How George Lucas Made a Young, Anonymous Author Rich”. (And as Foster explains in the story, it’s something Lucas didn’t have to do.)

Alan Dean Foster, the author of the very first Star Wars book, remembers George Lucas doing him a huge solid, even when the fledgling director wasn’t rich.

The original Star Wars was released on May 25, 1977, and a full six months before that, on November 12, 1976, its novelization hit bookstore shelves. Though the author of the book — Star Wars: From the Adventures of Luke Skywalker — is listed under George Lucas’s byline, the novelization was in fact ghost-written by Alan Dean Foster.

(12) THIS BOX OFFICE WEEKEND IN HISTORY

Directed by Sam Raimi and starring Tobey Maguire in the title role, the eagerly awaited comic book adaptation Spider-Man was released on Friday, May 3, 2002, and quickly became the fastest movie ever to earn more than $100 million at the box office, raking in a staggering $114.8 million by Sunday, May 5.

(13) BRADBURYVERSARY. Seventy years ago this week, recalls Phil Nichols, Ray Bradbury’s first book was published.

DARK CARNIVAL, a hardcover from Arkham House, collected Ray’s finest dark fantasy stories, most of them having previously been published in WEIRD TALES magazine.

Some of the classic story titles you may recognize: The Lake, The Small Assassin, The Jar, The Homecoming, The Crowd, The Scythe, There Was An Old Woman, Uncle Einar. Some of his best-ever fiction; and some of the best fantasy fiction of the twentieth-century.

Ray revised some of the stories between their WEIRD TALES appearances and their first book appearance. Then, with the passing years, he came to have second thoughts about some of the stories, and so he re-wrote them again when they were re-packaged for a new book, THE OCTOBER COUNTRY. The OCTOBER COUNTRY remains in print to this day.

Because of THE OCTOBER COUNTRY, Ray allowed DARK CARNIVAL to retire, and only once permitted a re-printing. That was for a special limited edition from Gauntlet Press. Both the original book and the Gauntlet edition are out of print today….

(14) BRICK AND MORTAR. Atlas Obscura takes you inside “Internet Archive Headquarters” in San Francisco.

With the stated mission of providing “universal access to all knowledge,” the Internet Archive is one of history’s most ambitious cataloging projects. So far millions of books, movies, television, music, software, and video games have been collected and digitized by the project, and that’s not counting the billions of websites they’ve been archiving over the past two decades with the Wayback Machine.

Fitting of such an ambitious project, the archive’s brick-and-mortar headquarters are also quite grand. The old Christian Scientist church in San Francisco’s Richmond district was chosen largely because the church’s front resembled the Internet Archive’s logo: the Library of Alexandria’s Greek columns. Inside the beautiful building you’ll find dozens of employees and volunteers digitizing everything from old home movies, to old LPs, to 8-bit video games….

(15) THUMBS DOWN ON DARK TOWER TRAILER. According to Forbes, “‘The Dark Tower’ Should Be A Surrealist Western, Not A Superhero Blockbuster”.

When I pictured The Dark Tower movie, I thought about the structure and pacing of The Good, The Bad and the Ugly mixed with the tone of The Road with the aesthetics of The Cell. If that sounds wacky, good, because The Dark Tower is wacky as hell. It’s a western with high fantasy elements thrown in, mixed with every book Stephen King has ever written, and actually includes Stephen King as a character himself in one of the most surreal storylines in literary history.

But what I’m seeing from this trailer weirds me out in a bad way….

(16) IN LIVING BLACK & WHITE. Terror Time forewarns — “LOGAN – B&W Version of Film Hitting Theaters In May”.

Fans of Wolverine will be getting an extra treat very soon. A Black & White version of the film ‘Logan’ will be hitting theaters May 19th and it will also be included on the DVD when that hits the shelves. Only down side of this awesomeness is that it will only be released in U.S. theaters.

This all started when the film was first released and a fan tweeted at the director James Mangold asking if a B&W version could be done like Mad Max. The director replied in kind and here we are.

(17) NEIL CLARKE, MOVIE STAR? I’m sure it’s just a coincidence. Watch the Absolutely Anything trailer.

Neil Clarke, a disillusioned school teacher, suddenly finds he has the ability to do anything he wishes, a challenge bestowed upon him by power-crazed aliens. Unbeknownst to Neil, how he employs his newfound powers will dictate the fate of mankind — one wrong move and the aliens will destroy Earth. CAST: Simon Pegg, Kate Beckinsale, Rob Riggle, Robin Williams, John Cleese, Terry Jones, Terry Gilliam

 

[Thanks to John King Tarpinian, Cat Eldridge, Michael J. Walsh, Carl Slaughter, and JohnFromGR for some of these stories. Title credit goes to File 770 contributing editor of the day Greg Hullender.]

Hot Serial:  NYRSF Readings Series Presents an Evening with Serial Box Authors

L to R: Joel Derfner, Michael Swanwick, Max Gladstone, Matthew Cody, Lindsay Smith, Ellen Kushner, Amy Goldschlager.

By Mark L. Blackman: On the spring evening of Tuesday, May 2, the New York Review of Science Fiction Readings Series, in a special event, showcased Serial Box, a publisher of serialized fiction in text and audio delivered in weekly episodes; it currently runs five ongoing series. In this innovative – or perhaps retrograde – publishing platform, as with television, the serials are collaboratively written by author teams. Representing four of the serials, and reading from their projects, were authors Michael Swanwick, Max Gladstone, Lindsay Smith, Matthew Cody, and Joel Derfner. (Ellen Kushner participated in the events, though did not read.) The stories were as diverse as the “writers rooms,” touching upon Urban Fantasy, Mannerpunk, Magical Espionage, and Young Adult Science Fiction.

Welcoming the audience to the Series’ venue, the Brooklyn Commons in transit-accessible Brooklyn, executive curator Jim Freund, host of WBAI-FM’s Hour of the Wolf radio program on sf and fantasy, shared the sad news of the death of Ama Patterson, who had been an integral part of Andrea Hairston’s performance at the Series. He thanked members of his own team, hinted at a possible special event later in the month, and announced that the 26th Season would likely close on Tuesday, June 6 with readings by Sam J. Miller and Lara Elena Donnelly. He then turned the stage over to the evening’s guest host/guest curator (and curator emerita) Amy Goldschlager.

Amy Goldschlager, an editor, proofreader and book/audiobook reviewer, related that serialized fiction began in the 19th century (notably with Dickens), and shared worlds with Thieves World and Wild Cards; Serial Box, she saw as “a wonderful confluence of it all.” With that, she introduced the first reader of the night, Joel Derfner, representing the Mannerpunk Tremontaine.

Joel Derfner

Joel Derfner is the author of Gay Haiku, Swish: My Quest to Become the Gayest Person Ever and What Ended Up Happening Instead, and Lawfully Wedded Husband: How My Gay Marriage Will Save the American Family. (Indeed, he does live, “alas, in Brooklyn, along with his husband and their small, fluffy dog.” He never did explain that “alas,” however.) His selection, from the prequel to – set 15 years before – Swordspoint, and preceding the writing of On the Causes of Nature (which figures in that novel), was characterized by Goldschlager as a “delightfully snarky bit of foreshadowing,” and contained many double entendres – intentional and not – about sausages. (His sex scenes, he said, were too long.)

Lindsay Smith

Next to read was Lindsay Smith, who offered a scene from the “urban fantasy Cold War thriller” (Goldschlager) The Witch Who Came in From the Cold. There are, Smith explained, two factions of witches, the Fire and the Ice (so “the Cold” is not just the Cold War), fighting a war (here in 1970s Prague) alongside the one with American, British and Soviet spies.

Matthew Cody

Like Smith, Matthew Cody is a YA author; his published works include the award-winning Powerless and the Supers of Noble’s Green series, the Robin Hood re-imagining Will in Scarlet, and his current series The Secrets of the Pied Piper. His Serial Box series, ReMade, is about resurrected teens who are kidnapped and sent to the future; the action takes place in the future and in flashbacks (the present), and the scene that he chose was one of the latter. The boy, Holden (yes, named after you-know-who), who played a fairy (the only boy one) with no lines in A Midsummer Night’s Dream, nervously offers a ride to the cast party to its star (Titania), which does not end as he might have hoped.

During the intermission, a raffle drawing was held for donors in the audience, and two won a season of the Serial Box serial of their choice.

Max Gladstone

Max Gladstone, co-creator of The Witch Who Came in From the Cold and creator of Bookburners, describes himself as having “been thrown from a horse in Mongolia, drunk almond milk with monks on Wudang Shan, and wrecked a bicycle in Angkor Wat.” He is also the author of the Craft Sequence of books about undead gods and skeletal law wizards­, Full Fathom Five, Three Parts Dead, Two Serpents Rise, Last First Snow., and the forthcoming Ruin of Angels (which doesn’t have a number in the title!). Bookburners is, he explained, a “supernatural procedural” about secret agents from the Vatican who pursue demons and black magic. For his reading, he offered the audience a choice between the first season and a preview of the third, which is launching in June, and the latter won out (the vote was not “rigged”). (What happened in Belfast?)

Back on stage, Goldschlager said that she and Freund had asserted that there can’t be a NYRSF Readings season without a reading by Michael Swanwick, and he writes for Serial Box. Swanwick has written nine novels – the latest of which is Chasing the Phoenix – 150 short stories, and countless flash fictions, and has received the Nebula, Theodore Sturgeon, World Fantasy and Hugo Awards. He returned us to The Witch Who Came in From the Cold, prefacing his reading by noting that, as if there aren’t already too many characters in it, he had brought in two more, the Russian general Bitovsky and the Norwegian Magnus. (They must be spies – they’re meeting in “a spy bar.”)

There was a recess as the stage was reset with all of the readers – joined by Kushner – for an interview by Goldschlager. She opened by asking about the process of collaboration, which Gladstone called “a Frankenstein process.” There are a lot of story breakdowns. (As on tv, the editor/publisher equivalent is a “showrunner.”) Smith said that Witch is “more puzzle-piecey,” with people gravitating toward their own characters. Derfner disagreed, and jokingly called her a liar. There are a lot of personal meetings over Tremontaine. Gladstone noted his writers retreats. What struck him, said Swanwick, was how many times a story goes through the editorial process, somewhere between six and 123 (he cited a debate over whether it’s duct tape or duck tape – as in a film or tv show, there has to be consistency, or continuity). There is a “house voice.” Derfner said that he liked “having structure, and not having to make things up.” In Season 1, he said, he had trouble getting Diane’s (the Duchess Tremontaine) voice right and asked Kushner to revise him. She said that she was doing Joel doing herself; the process was “metaphysical” (I offered the word). They had to invent a new way of doing a narrative.

Cody said with his background in theater (he holds a Master’s Degree in Theater, with a focus on Shakespeare), he enjoyed the collaborative process. People would fight for their idea, but only up to a point. Alluding to ReMade, Goldschlager noted that we figure things out (that they’re in the future) before the characters do, and wondered about how “genre-savvy” the readers are, particularly in YA. Whatever the genre, replied Cody, soap opera is the “underpinning” of YA. Finally, she asked Gladstone if The Witch Who Came in From the Cold and Bookburners take place in the same universe. “Stay tuned,” he intoned, providing a perfect conclusion to the interviews.

In the Q&A that followed, an audience member asked how they select people to be “in their zone.” Gladstone looks for writers “who are going to jump on and run with it” and had a “willingness to speak the same language.” Kushner said that she had it easier, had the advantage of everyone being a Swordspoint fan, knowing and loving the Riverside books, and knowing that they can “play well with others.” The writers, she continued, “have to be flexible, open to their ideas being changed.” There are gay men in the story, and so she has “an actual gay man” writing episodes. His theatrical background also helps. (Derfner has, as his biography states, composed the score to musicals that “have played in New York, London, and various cities in between [going counterclockwise].”) Her Tremontaine team, she observed, was “queer or writers of color, or both.”

The next questioner asked if the long form was easier to play with than a shorter form. Gladstone said that it made it easier to “compartmentalize.” Smith said that they have to create an “atmosphere;” she can tell which writer wrote which episode, yet the story unifies and flows. The final questioner asked about how much work goes into the “Series Bible” (again, a tv term). Cody said that it gave “everyone a level playing field,” but, as Gladstone agreed, it changed quickly and almost immediately as everyone gave input.

The customary Jenna Felice Freebie Table returned and there were copies of Tremontaine offered for sale. The audience, which approached 70, included Melissa C. Beckman (the Readings’ “official photographer”), Richard Bowes, Rob Cameron, Lynn Cohen Koehler, Barbara Krasnoff (the House Manager and a Nebula Award nominee), John Kwok, Lissanne Lake, Marianne Porter, James Ryan, Terence Taylor (Tech Director), Paul Witcover, and Serial Box co-founders Molly Barton and Julian Yap. Throughout the course of the evening and afterward, members of the audience availed themselves of the Café’s fare.

Writers React: Thumbs Up for New WFA Design, Thumbs Down for Lovecraft Nominee Pins

Everyone’s raving about Vincent Villafranca’s winning design for the World Fantasy Award. However, World Fantasy’s statement in the same press release that nominee pins will still feature the supposedly retired Lovecraft image is being widely criticized.

There was one dissent, from a Castalia House blogger —

Here is a sampling of the reaction to the news about the Lovecraft nominee pin:

[Thanks to JJ for the story.]