(1) FOR CONRUNNERS. On Sunday, November 15, Virtual Convention Convention will be held — an event devoted to (guess who) convention runners of virtual conventions. Register at the link.
Steve Davidson sent the link and says, “I’ll be presenting on how I put AmazingCon’s scheduling together in a very short time-frame.”
(2) HAYAO MIYAZAKI NEWS. [Item by Martin Morse Wooster.] This is from an interview with Studio Ghibli co-founder Toshio Suzuki by Leo Lewis in the November 9 Financial Times.
Two weeks before our meeting in June, the studio (Studio Ghibli) had announced that Miyazaki’s son Goro was working on a CH animated adaptation of Diana Wynne Jones’s novel Earwig And The Witch, which is scheduled to be broadcast in Japan next month. But even more fascinating for Ghibli’s global fan base is the progress of the elder Miyazaki on How Do You Live?–his first film in the director’s chair since The Wnd Rises in 2013 and the reason he decided to come out of retirement. It was a decision, says Suzuki, that did not arise from any formal meeting of the company (“We never have those!” but from another of the daily chinwags between the two old friends.
Miyazaki, says Suzuki, has come into the office every day of the Covid crisis, even as the rest of the operation has had to be pared back and dependent on teleworking. The good news is that production has continued to some extent; the bad news is that because the maestro works at his own perfectionist pace, the film is at least three years away.”
Lewis talks about a video Suzuki made about how to draw Totoro that went viral. This is on the web as “Learn How To Draw Totoro From Studio Ghibli’s Former President.” He says he wanted to do something to cheer kids up at the height of the pandemic.
(3) ON THE RACK. Scott Edelman got a kick out of deconstructing the comics rack in this scene from The Queen’s Gambit.
In The Evidence (Gollancz, £20), Christopher Priest makes a welcome return to the Dream Archipelago, a string of islands where nothing is as it first appears. Thriller writer Todd Fremde is invited to lecture at the university in Dearth, a subpolar island that undergoes destabilising changes in space and time known as “mutability”. While on the island he is approached by a semi-retired police commissioner; she recounts the details of a murder that occurred 15 years earlier. Fremde investigates the killing on his return home, only to discover that aspects of her story do not tally with the known facts. He soon finds himself drawn into a series of baffling events that threaten to bring the killer to his doorstep. With characteristic literary playfulness, Priest presents both a compelling mystery – Fremde’s attempts to work out the objective truth of the cold case – and a treatise on the unreliability of subjective narrative. The Evidence is an unsettling, Kafkaesque tour de force.
(5) WORLDCON BID VIDEO. The Chengdu in 2023 Worldcon bid has put out a promotional video. President Obama’s in there for a split second. (But not his successor – they’re trying to win, after all.)
(6) MEDIA BIRTHDAY.
November 13, 1987 — The Running Man premiered. Directed by Paul Michael Glaser and starring Arnold Schwarzenegger, María Conchita Alonso and Richard Dawson. It‘s very loosely based on the novel of the same title written by Stephen King and published under the Richard Bachman pseudonym. It was a moderate box office success and currently rates 60% at Rotten Tomatoes. (CE)
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born November 13, 1850 – Robert Louis Stevenson. Had he written only the novella “Strange Case of Dr. Jekyll and Mr. Hyde”, it would have been enough for us. (Incidentally, the name is pronounced “Jee-kill”.) What he did in 25,000 words! The best discussion I know is Nabokov’s, see N’s Lectures on Literature (F. Bowers ed. 1980). The Master of Ballantrae is ours, and many shorter stories. I recommend “Markheim” for the characterization of its antagonist – but no spoilers. (Died 1894) [JH]
Born November 13, 1873 – Oliver Onions. You’ll expect me to recommend The Tower of Oblivion, and I do. Four more novels for us, three dozen others; three dozen shorter stories. He had been an amateur boxer and was a commercial artist; he sometimes did his own covers. (Died 1961) [JH]
Born November 13, 1888 — Philip Francis Nowlan. He’s best known as the creator of Buck Rogers. While working in Philadelphia, he created and wrote the Buck Rogers comic strip, illustrated by Dick Calkins. Philip Nowlan, working for the syndicate John F. Dille Company, later known as the National Newspaper Service syndicate, was contracted to adapt the story into a comic strip. The strip made its first newspaper appearance on January 7, 1929. (Died 1940.) (CE)
Born November 13, 1898 – Walter Karig. Navy captain, seven books of naval history; three Nancy Drew books, five others of that kind; detective fiction; four general-interest novels; for us, Zotz! Read it, and when you discover the tragedy, you’ll see why the movie was different. (Died 1956) [JH]
Born November 13, 1930 — Adrienne Corri. Mena in “The Leisure Hive”, a Fourth Doctor story. She was also in A Clockwork Orange as Mrs. Alexander, Devil Girl from Mars, Corridors of Blood, The Tell-Tale Heart, Lancelot and Guinevere, Revenge of the Pink Panther and Moon Zero Two which is not a complete listing by any means. (Died 2016.) (CE)
Born November 13, 1933 – Jasia Reichardt, 87. Survived the Holocaust. Art critic, curator, teacher, gallery director; assembled the Francziska & Stefan Themerson archive. Famous for curating Cybernetic Serendipity at the Institute of Contemporary Arts, London; three related books. Robots: Fact, Fiction, and Prediction. Lectures, Our Dreams Change, We Don’t (2019). Many other books and articles. [JH]
Born November 13, 1946 – Marty Massoglia, 74. Chaired Loscon 4. Fan Guest of Honor at Tuscon 10, Penulticon 3. Forty years a leading bookseller. Teaches Regency dancing. Now in Tucson, Arizona. He looked like this at LoneStarCon 3 the 71st Worldcon. [JH]
Born November 13, 1948 — John de Lancie, 72. Best known for his role as Q in the Trek multiverse though I was quite fond of him as Janos Barton inLegend (if you’ve not seen it, go now and watch it). He also was Jack O’Neill enemy Frank Simmons in Stargate SG-1. He has an impressive number of one-offs on genre shows including The Six Million Dollar Man, Battlestar Galactica(1978 version), The New Twilight Zone, MacGyver, Mission: Impossible (Australian edition), Get Smart, Again!, Batman: The Animated Series, and I’m going to stop there. (CE)
Born November 13, 1953 — Tracy Scoggins, 67. Capt. Elizabeth Lochley on Babylon 5 and its follow-up series, the short-lived Crusade. See Neil Gaiman’s most excellent Babylon 5 episode “ Day of the Dead” for all you need to know about her. She was also Cat Grant in the first season of Lois & Clark, and she played Gilora Rejal, a female Cardassian, in “Destiny” a DS9 episode. (CE)
Born November 13, 1955 — Whoopi Goldberg, 65. Best known as Guinan the Barkeep in Ten Forward on Enterprise in Next Gen which she reprised in Generations and Nemesis. Other genre appearances include It’s a Very Merry Muppet Christmas Movie, Teenage Mutant Ninja Turtles and The Adventures of Rocky and Bullwinkle to name but a few of her appearances as she’s very busy performer! And she has one interesting sounding genre novel, Alice, based off that novel to her credit. (CE)
Born November 13, 1957 — Stephen Baxter, 63. Ok I’m going to confess that the only thing I’ve read that he’s written is the Long Earth serieswith Terry Pratchett. I’ve only read the first three but they are quite great SF! Ok, I really, really need your help to figure out what else of his that I should consider reading. To say he’s been a prolific writer is somewhat of an understatement and he’s gotten a bonnie bunch of awards as well though no Hugos. It’s worth noting that Baxter’s story “Last Contact” was nominated for a. Hugo for best short story as were quite a number of his works. (CE)
Born November 13, 1977 – Leanne Hall, 43. Three novels. Text Prize for Children’s & Young Adult Writing. Wrightson Prize for Children’s Literature. Australian Writers Week in China, 2014. [JH]
Early Thursday morning, officers from the Scotts Valley Police Department in Santa Cruz County, California responded to a call about a “suspicious figure” by the side of the road. That’s a phrase that could imply all kinds of scary things, but when the officers got to the spot in question, they found something they perhaps didn’t expect: Bigfoot.
Yes, Bigfoot has been found in Scotts Valley, California! And by “Bigfoot,” we mean a beloved four-foot-tall redwood statue of Bigfoot reported stolen from a local museum earlier this week….
NASA’s Curiosity Mars rover has a new selfie. This latest is from a location named “Mary Anning,” after a 19th-century English paleontologist whose discovery of marine-reptile fossils were ignored for generations because of her gender and class. The rover has been at the site since this past July, taking and analyzing drill samples.
Made up of 59 pictures stitched together by imaging specialists, the selfie was taken on Oct. 25, 2020—the 2,922nd Martian day, or sol, of Curiosity’s mission.
Scientists on the Curiosity team thought it fitting to name the sampling site after Anning because of the area’s potential to reveal details about the ancient environment. Curiosity used the rock drill on the end of its robotic arm to take samples from three drill holes called “Mary Anning,” “Mary Anning 3,” and “Groken,” this last one named after cliffs in Scotland’s Shetland Islands. The robotic scientist has conducted a set of advanced experiments with those samples to extend the search for organic (or carbon-based) molecules in the ancient rocks.
A recent spate of bear attacks in Japan has prompted one city to invest in an unusual scare tactic: robotic wolves.
The city of Takikawa in northern Japan, population 41,000, purchased two of the animatronic wolves — called the “Monster Wolf” — in September after bears were found entering the city, Reuters reports.
The Monster Wolf is mounted on a stationary pole and comes equipped with motion sensors.
When those sensors are triggered it swivels its head, flashes lights in its eyes and on its tail, and emits a variety of sounds, including wolf-like howls and the clanking of machinery.
(12) VIDEO OF THE DAY. “Chuck Jones’s MGM Cartoons–The Dot and The Line (1965)” is a 1965 cartoon, directed by Chuck Jones and with a script by Norton Juster, about a doomed romance between a dot and a line. Narrated by Robert Morley.
[Thanks to John King Tarpinian, John Hertz, JJ, Andrew Porter, Martin Morse Wooster, Mike Kennedy, Michael Toman, Contrarius, Steve Davidson, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Joe H.]
…Minneapolis property owners have complained that the policy was slowing the pace of recovery and turning piles of debris into public safety hazards. The situation is different in St. Paul, which has been issuing demolition permits without requiring the prepayment of the second half of 2020 property taxes, which are due in October.
…“This will remove one small roadblock, but I am not sure how much it will actually speed up the entire rebuilding process,” said Don Blyly, owner of Uncle Hugo’s and Uncle Edgar’s bookstores in Minneapolis, which were destroyed in the riots. “You are still going to have the problem of a whole lot of demolition permits being handled by people who are working at home because of COVID-19.”
Blyly, who hired a contractor to remove the rubble from his lot a month ago, still doesn’t have his demolition permit, even though he paid his taxes last week.
Minneapolis City Council Member Andrew Johnson said he will introduce legislation at Friday’s council meeting that would require city officials to expedite the approval process for riot-damaged properties and waive all administrative fees.
“We should be processing their applications first, in front of everyone else’s, and they shouldn’t be subject to any unnecessary steps that are slowing stuff down,” Johnson said. “We need to bend over backward and do everything possible to help them with rebuilding.”
(2) F&SF COVER. The Magazine of Fantasy and Science Fiction’s Sept/Oct 2020 cover art is by Bob Eggleton for “The Shadows of Alexandrium” by David Gerrold.
(3) QUITE A FASCINATING ARTICLE. In “My First Thriller: David Morrell” on CrimeReads, Rick Pullen interviews Morrell, who explains that sf writer and Penn State English professor Philip Klass not only inspired Morrell to find the path he needed to complete First Blood (whose protagonist was John Rambo) but also introduced Morrell to his first agent.
…He read the show’s credits, noting that Stirling Silliphant was the creator. His local library found the address for the “Route 66” production company (the beginning of Morrell’s love affair with libraries). He mailed Silliphant a hand-written letter, saying “I want to be you.” Surprisingly, Silliphant wrote back with a single-spaced, two-page letter within the week. (The framed letter now hangs in Morrell’s office.)
“I wish I had some specific advice for you or encouragement,” wrote Silliphant, “but what I have to say is certainly not new. Keep writing…eventually if you have something of promise to say, someone will help you or hire you.”
…While at Penn State, he met science fiction writer Philip Klass, better known by the pseudonym William Tenn, who taught the basics of fiction writing.
“It was astonishing that a university would hire a real writer. He did not have a degree. He was the backbone of their creative writing department…I couldn’t get into his classes. They filled up right away. So Klass agreed to meet me during office hours.”
To test Morrell, Klass instructed him to turn in a short story every week, and every week he did.
Eventually Klass summoned Morrell to his office and begged him to stop writing fiction. “You’re terrible,” he said.
“He was right,” Morrell says. “I was writing bad Joyce and Faulkner.”
From Klass, he learned “every writer has a dominant emotion.” Morrell’s was fear. Maybe if he wrote honestly about fear, Klass told him, he would stop writing all of his horrible imitation fiction.
“I took him at his word.”…
(4) HELP NEEDED. Filer Lenora Rose hopes someone can lend a hand:
I have a writer’s issue to do with language — specifically semi-Nordic language — and I think this might be the right place to ask for help?
So I’m dealing with a fantasy setting that is used for the course of at least three books. One of the countries major characters come from speaks something I have been rendering, for the purpose of getting through the rough drafts, as quasi-Nordic — sometimes actually looking up words in Swedish or Norwegian or Icelandic and picking the one that sounds the least like English, and also going a Germanic style take two or three words and squish them together. It didn’t help that I decided they were the culture where the names of humans mostly translate to other nouns (Snow, Willow, etc) and the names of the non-human sapient race are usually those Germanic-style squished-together compounds (Bright Witty Magpie is one, as is Stream in Spring Flood). The protagonist is a multi-linguist and cares about this stuff.
Well, the story is now getting into final draft stages in every other way, and the placeholder language is still something that would almost certainly give any linguist or speaker of any of the related Scandinavian languages creeping horrors.
It certainly bothers me, because in the “I don’t know what I don’t know” way, I’m terrified I am going to end up, (as one author did when inventing names she thought sounded Welsh), naming someone a slang term for women’s hygiene products or something similarly terrible.
So basically I need a consult with someone who speaks a related language and would be willing to make non-painful translations or naming suggestions, or a linguist to do the same. *I am assuming this is something where I should pay for their time in some way*, at least if it goes past an initial consultation.
If anyone is willing to help, please relay your email through OGH – mikeglyer (at) cs (dot) com
….With 2020 seeing the re-emergence of the Black Lives Matter movement, leading to many conversations about inclusivity, [George R.R.] Martin’s mispronunciations have taken on a deeper meaning.
“The backlash is absolutely justified,” said Hugo award winner and British fantasy author Jeanette Ng. “But I am sometimes frustrated that it gets reduced down to an anger about him mispronouncing names rather than this deeper tension between competing visions of the genre and the award…Whilst the mispronunciations matter, they are ultimately a symptom of that deeper disconnect of what the [awards are meant to do].”
(6) ASFA SPONSORS BIPOC MEMBERSHIPS. The Association of Science Fiction & Fantasy Artists is offering “Sponsored Memberships For BIPOC”. Donations have raised the number available to 15.
In recognition of systemic biases against BIPOC (Black, Indigenous, & other People of Color) both within the Speculative Fiction & Fantasy communities and without, the Association of Science Fiction & Fantasy Artists intends to sponsor memberships in the organization for BIPOC artists. These sponsorships will be open to up-and-coming artists as well as established artists, and each membership will convey voting rights in the annual Chesley Awards in addition to periodic opportunities to exhibit in shows with other ASFA artists. Additionally, ASFA encourages its BIPOC members to participate in our Board elections, as candidates for Board positions and as voters, to ensure that the organization’s representatives are truly representative of our membership and our aspirations for the community overall.
The site of America’s first nuclear meltdown — and subsequent cover-up — in the picturesque hills of Ventura County may soon join Hearst Castle, the cable cars of San Francisco, and the Santa Barbara Mission as an official landmark in the National Register of Historic Places.
In what some have described as a cynical attempt by a U.S. government agency to avoid a long-promised cleanup of toxic and radioactive contaminants, NASA has nominated the Santa Susana Field Laboratory for official listing asa traditional cultural property.
…Hidden within the chaparral and rocky peaks of the Simi Hills, the Santa Susana Field Lab conducted research that was critical to the nation’s Cold War ambitions, yet toxic to the Earth. The partial meltdown released radioactive gasses that the public was never warned about, and spent rocket fuel, heavy metals and other toxins contaminated the soil and groundwater.
…Now, NASA and a coalition of Native American groups have proposed the area be designated a traditional cultural district. The move has been opposed by critics, who fear that strict laws protecting Native American artifacts, combined with terms of the 2010 agreement, could make it difficult to clean up contamination.
4. Winning an award is not always as important as being a finalist. I can speak to this personally: In terms of my career, it was far more important for me to have been nominated for the Best Novel Hugo award in 2006, than it was for me to win it in 2013. Why? Because in 2006 I was new to the field, and having my first novel nominated was a thing, especially when coupled with the nomination for the Campbell Award for Best New Writer. I was the first person in more than twenty years to get nominated for the Campbell and Best Novel in the same year, and it changed my status in the field from “who is John Scalzi” to “oh, that’s John Scalzi.”
I didn’t win the Hugo that year (nor should I have: Spin by Robert Charles Wilson won, and deservedly so), but it didn’t matter because the boost put me in a different career orbit. When I did win the Best Novel award, several years later, it was great, and I loved it, and I wouldn’t trade the experience. But careerwise, it wasn’t a transforming event. It was a confirming event. My professional career didn’t change all that much after I won. Whereas being nominated earlier was transforming, and ultimately more important to my career.
…The novel, which follows the love story between vampire Edward Cullen and high schooler Bella Swan that fans originally fell for in the first Twilight book back in 2005, is currently No. 1 on USA Today’s Best-Selling Books List as well as on The New York Times’s Children’s Series List. While the original book series —which was adapted into a franchise of movies starring Kristen Stewart and Robert Pattinson in the leading roles — was told from the point of view of Bella, this version takes readers inside the mind of her bloodsucking boyfriend, Edward.
Something about that last line sounds a little off….
When I first envisioned Web-beings, it was a thought experiment on a biological basis for being semi-immortal. I arrived at the notion of organisms who manipulate their molecular structure using energy to repair aging and damage. It led me to aliens who’d hide themselves by cycling, as I called it, into the form of shorter-lived intelligent species. To be convincing, they’d need to know how to behave as one. Thus I had them (there were six at the start) collect and share everything they discovered about a species, from its biology (and thus how to be that form) to every aspect of society and culture.
When your memory consists of your flesh, you’re able to store vast amounts of information, which Web-beings exchange by biting off bits of one another. (I love my job.)…
(11) A CONZEALAND SOUVENIR. W.O.O.F. #45 put together by the Worldcon Order of Fan-Editors for CoNZealand is a free download from eFanzines [PDF file]. It boasts a cover by Tim Kirk, and contributions from John Purcell, Chris Garcia, Rich Lynch, Chuck Connor, Ahrvid Engholm, Evelyn & Mark Leeper, David Schlosser, Mark Blackman, Andrew Hooper, Murray Moore, Kees van Toorn, Wolf von Witting, R. Laurraine Tutihasi, Roger Hill, Alan Stewart, and Phil Wlodarczyk. Guy H. Lillian III served as the Offcial Editor.
(12) I DON’T KNOW — THIRD BLAST! On the Dragon Awards site: “A Blast from the Past (Winners) – Part 3” with Kevin J. Anderson, Nick Cole, Larry Correia, Richard Fox, Claudia Gray, Brian Niemeier, S.M. Stirling, and Harry Turtledove.
If you were a voting electorate of one, what book by any other author would you give a Dragon Award to? What books by other authors would you recommend to those who voted for or enjoyed your book?
Nick Cole: I’m going to decline naming any authors because I have too many talented friends. If you enjoyed Ctrl Alt Revolt!, I guess I would recommend that you read any book by any author who’s been cancelled. Instead of just arbitrarily listening to someone’s opinion on some author and why they should be banned, blacklisted, and their works burned in a bonfire either digital or physical, I think you should take the time to read that book, listen to that person, and come to the conclusion yourself.
(13) BOOK ANNVERSARY.
August 2015 —[Item by Cat Eldridge.]The House of Shattered Wings, the first of her Dominion of The Fallen series by French-Vietnamese author Aliette de Bodard was published by Roc in the U.S. It would be the first novel in what has been a prolific and award-rich writing career. In addition to the decadent, ruined Paris set of the Dominion of The Fallen series, there’s her Xuya stellar empire where she makes rich use of her French-Vietnamese heritage. Of the new writers I’ve been reading (and most are female), I think she’s one that bears watching as it’ll be interesting to see what new universes come from her. And yes I’m waiting for the first Xuya novel somewhat impatiently.
(14) MEDIA BIRTHDAY.
August 13, 1953 — George Pal’s adaptation of H.G. Wells’ The War Of The Worlds premiered in Atlantic City, New Jersey. (Not New York City as is popularly believed.) It was directed by Byron Haskin from the screenplay by Barré Lyndon. It starred Gene Barry and Anne Robinson. It was narrated by Cedric Hardwicke. The film was both a critical and box office success with it earning back its budget in its first run. And it would won an Academy Award for Special Effects. Audience reviewers at Rotten Tomatoes currently give it a 71% rating. (CE)
(15) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born August 13, 1895 — Bert Lahr. Best remembered and certainly beloved as The Cowardly Lion in The Wizard of Oz, as well as his counterpart who was a Kansas farmworker. It’s his only genre role, though In the war film Meet the People, he would say “Heavens to Murgatroyd!” which was later popularized by a cartoon character named Snagglepuss. (Died 1967.) (CE)
Born August 13, 1899 — Alfred Hitchcock. If he’d only done his two Alfred Hitchcock series which for the most part was awesome, that’d be enough to get him Birthday Honors. But he did some fifty films of which a number are genre such as The Birds and Psycho. Though I’ve not read it, I’ve heard good things about Peter Ackroyd’s Alfred Hitchcock. (Died 1980.) (CE)
Born August 13, 1909 — Tristram Coffin. He’s best remembered for being Jeff King in King of the Rocket Men, a Forties SF serial, the first of three serials featuring this character. He showed up on the Fifties Superman series in different roles, sometimes on the side of Good, sometimes not. He played The Ambassador twice on Batman in. “When the Rat’s Away the Mice Will Play” and “A Riddle a Day Keeps the Riddler Away”. (Died 1990.) (CE)
Born August 13, 1922 — Willard Sage. He showed up on Trek as Thann, one of the Empaths in “Empath”. He was Dr. Blake in Colossus: The Forbin Project, and had roles in The Land of Giants, Invaders, The Man from U.N.C.L.E., The Outer Limits and The Sixth Sense. (Died 1974.) (CE)
Born August 13, 1928 – Sir George Pollock, Bt. The 5th baronet (an oversimplification); pursued photography that had light itself as its subject; invented color photographs using controlled light, originally through glass, which he called Vitrograph; later, large-scale photographic murals. Five book and magazine covers for us; here is New Writings in SF 3. Two album covers for His Master’s Voice; here is HQM 1008 with Stravinsky’s Soldier’s Tale (translation in part by Michael Flanders!), here is HQM 1026 with Prokofievand Shostakovich. Here is Galactic Event. Website here (under re-construction but some help). Appreciation by the Photographic Alliance of Great Britain here (“NGV” is Nat’l Gallery of Victoria) (PDF). (Died 2016) [JH]
Born August 13, 1932 – John Berkey. A hundred seventy covers, two hundred twenty interiors. Mixed his own colors. Here is Starman Jones. Here is Star SF 6. Here is the Nov 94 SF Age. Here is a Star Wars book. Here is One Giant Leap. Four artbooks; lastly J. Frank ed., The Art of John Berkey. Society of Illustrators Hall of Fame. Spectrum Grand Master. Website here. (Died 2008) [JH]
Born August 13, 1945 – Rita Krupowicz. (She usually signed “R.J. Krupowicz”.) Ten covers, as many interiors. Here is The Dark Cry of the Moon.Here is the Nov 85 Fantasy & Science Fiction. This is from The Vortex Library on Twitter. (Died 1991) [JH]
Born August 13, 1952 – Donna Barr, 68. Enlisted in the U.S. Army, school-trained Teletype operator. Much of her work self-published, available electronically. Stinz was serialized in the Eclipse Comics series The Dreamery (hello, Lex Nakashima). GURPS (Generic Universal RolePlaying System) and Traveller role-playing books. “I usually do a rough on scrap paper (junk mail has lots of blank backs!), happily cutting and pasting, then I copy the whole thing (so the back is clear), rearrange the copy backwards on the back of the final paper, slap in some lettering guides, flip it over on a light table, and use it as a rough guide while I ink. No penciling, and no erasing.” Website here. [JH]
Born August 13, 1974 – Christina Henry, 46. A dozen novels, half a dozen shorter stories. Alice, Red Queen and Looking Glass are “a dark and twisted take on Alice’s Adventures in Wonderland”; The Girl in Red is “a post-apocalyptic Red Riding Hood novel”. The Ghost Tree, expected next month, is “an homage to all the coming-of-age horror novels I read when I was younger – except all those books featured boys as the protagonists when I longed for more stories about girls. Just to clarify, though – this is not a young adult novel; it’s intended for an adult audience (like all of my work).” [JH]
Born August 13, 1977 — Damian O’Hare, 43. Though you might know him from the Pirates of the Caribbean films, The Curse of the Black Pearl and On Stranger Tides where he played Gillette, I know him as the voice of John Constantine on Justice League Action. He also showed up in Agent Carter. (CE)
Born August 13, 1990 — Sara Serraiocco, 30. She plays the complex role of Baldwin on the Counterpart series which I’ve got on the iPad for watching soon. Anyone watch this? (CE)
Born August 13, 1990 – Marlon Pierre-Antoine, 30. “Helena’s Empire” is an E-book novelette. Its sequel Wandering Stars explores a teenage girl’s whblooming romance with Lucifer (i.e. after his fall), whom she meets on a beach. MP ranks The Divine Comedy above Animal Farm, both below The Hitchhiker’s Guide to the Galaxy. [JH]
Years after the completion of the second outing of his alternate history series The American Way, 12 Years a Slave screenwriter John Ridley is returning to comics to reveal The Other History of the DC Universe. The long-awaited series, exploring DC’s lengthy comic book mythology from a new angle, has been newly scheduled for a November release.
The five-part series, originally announced in 2018, re-examines important and iconic moments from DC’s comic book history from the point of view of characters from traditionally disenfranchised groups, including Jefferson Pierce — better known as Black Lightning — and Renee Montoya (The Question). Giuseppe “Cammo” Camuncoli, Andrea Cucchi, and colorist José Villarrubia are the artists for the series, with covers from Camuncoli and Jamal Campbell (Far Sector, Naomi)….
In a rare public fallout for Netflix, the creators of the platform’s highly anticipated, live-action adaptation of Avatar: The Last Airbender, the acclaimed Nickelodeon cartoon, have walked away from the project.
Avatar: The Last Airbender’s full run became available on Netflix this past June, attracting a huge audience and reigniting the 2000s cartoon’s popularity. But in separate posts published to their respective blogs and Instagrams, Avatar franchise creators Michael Dante DiMartino and Bryan Konietzko said they were no longer involved with the previously announced Netflix remake, due to prolonged creative differences.
“When Netflix brought me on board to run this series alongside Mike two years ago,” Konietzko wrote in his Instagram post, “they made a very public promise to support our vision. Unfortunately, there was no follow-through on that promise. … [T]he general handling of the project created what I felt was a negative and unsupportive environment.”
“I realized I couldn’t control the creative direction of the series, but I could control how I responded,” DiMartino added on his own website. “So, I chose to leave the project.”…
”People ask me to predict the future, when all I want to do is prevent it.” Ray Bradbury has been acclaimed as the writer most responsible for bringing modern science fiction into the literary mainstream but, as the quote above shows, he regarded himself as the author of modern philosophical fables, rather than a sci-fi writer. In his dystopian works, such as Fahrenheit 451, he holds up a mirror to contemporary society and then transposes it into fantastical and futuristic scenarios. Bradbury was a prolific writer who tried his hand at everything from poems and novels to TV and radio scripts but it’s his early short stories which he produced in his twenties that are perhaps the most imaginative.
To mark the centenary of Bradbury’s birth, Rajan Datar is joined by three Bradbury experts to help him navigate through the author’s prodigious output: Professor Jonathan Eller from Indiana University who is also the Director of the Center for Ray Bradbury Studies; Dr. Miranda Corcoran who teaches American literature at University College Cork with particular interest in science fiction, horror and the gothic; and Dr. Phil Nichols who combines research into Bradbury’s TV and other media work with the teaching of Film and Television Production at Wolverhampton University.
(21) TOONING OUT. Camestros Felapton’s attention was drawn to “The Webtoon Short Story Contest” by Vox Day’s complaints that his Arkhaven Comics entry got no love from the judges:
Where there are stories gathered together there are story competitions and Webtoon is no different. They recently held their Short Story competition with the winners announced here https://www.webtoons.com/en/challenge/contest/us-contest-2020. It’s a juried award with cash prizes that splits winners and runners up into two categories: “Brain” for stories that blow your mind and “Heart” for stories that warm your heart (Rules and FAQs).
“Why are you telling us all this Camestros?” I hear you say….
Camestros proceeds to make some interesting observations.
And it wasn’t just unawarded. Midnight’s War somehow didn’t even qualify as one of the 36 runners-up despite being one of the top 10 ranked in Popularity and earning a higher rating than two out of the three Silver winners.
This tells me that Arkhaven needs to seriously rethink our plan to use Webtoons as a platform….
…JAY PRICE, BYLINE: Esports has exploded in the past few years. There are pro leagues, bricks and mortar arenas, players with six-figure salaries. Millions of people log on to streaming platforms like the Amazon owned Twitch to watch games and interact with players and each other. Many are of recruiting age. The military has taken notice. Major General Frank Muth just finished a stint leading U.S. Army Recruiting Command.
FRANK MUTH: This really has brought us into the modern era of where this generation and the next generation – they’re mainly hanging out online all the time.
PRICE: The four largest military services all now have teams or official players. Sergeant Nicole Ortiz is on the Army’s team. Her role includes playing games while socializing and explaining military life to viewers, like her own as an IT specialist.
NICOLE ORTIZ: A lot of them, they look at movies and think that the Army is just about war and shooting guns. In reality, I used to work at a help desk.
PRICE: Recruiting brass say the new esports push is already helping, especially given the difficulties of face-to-face recruiting during the pandemic. Part of the allure is being able to interact directly with viewers through the chat function. And that’s where the military’s esports initiative ran into some trouble.
KATIE FALLOW: What they did here is impermissible under the First Amendment.
PRICE: Attorney Katie Fallow is with the Knight First Amendment Institute at Columbia University. She represents an activist named Jordan Uhl. On the Army and Navy Twitch channels, he posted messages including, what’s your favorite U.S. war crime? Uhl was banned from both, along with dozens of others who posted similar messages or other comments the military gamers deemed improper.
FALLOW: Because they basically said, we don’t like that you’re raising questions about war crimes or things that the military is sensitive about. And they blocked people based on their viewpoints.
(24) SOONER OF LATER IT ALL ADDS UP. In “The Cost of Perseverance, in Context”, the Planetary Society says the cost of the latest Mars Exploration Rover mission sounds quite modest compared to some other chosen figures.
NASA expects to spend approximately $2.7 billion on the Perseverance rover project. This number can sound large, even excessive, to some—but it’s a number that demands context. Let’s give it some….
The total cost of the Perseverance rover is equivalent to…
33 hours of running the Department of Defense
Slightly less than 1 day of Social Security spending
One year of spending on the Space Launch System rocket
…Northumberland Park garage will host vehicle-to-grid technology, which feeds energy stored in parked electric buses back into the electricity network.
If the government-funded Bus2Grid project is rolled out across London it could power an estimated 150,000 homes.
The project will begin in November and run for three years.
Putting energy back into the grid when demand is high and recharging buses when demand is low helps make the network more efficient by balancing the peaks and troughs.
Ian Cameron, head of innovation at UK Power Networks, said: “A fleet of bus batteries harnesses large amounts of electricity and they are habitual, with regular and predictable routes, driving patterns and timings.
“That means we can easily predict and plan for how we can use any spare electrical capacity they can offer.”
(27) FORBIDDEN KNOWLEDGE. Forbidden Planet, the world’s largest and best-known comic book and cult entertainment retail chain, is throwing itself a 42nd birthday party — Forbidden Planet 42 – an online event featuring many genre and other celebrities.
On Saturday August 29th 2020, ForbiddenPlanet.com will play host to a huge range of celebrity interviews, as alumni from the worlds of science fiction, comics & popular culture come together to help the store celebrate 42 years of pop-culture addiction – and ponder the answer to The Ultimate Question of Life, the Universe and Everythingwith an all-star cast of our oldest friends & customers!
This star-studded online event will feature new, exclusive interviews with some of Forbidden Planet’s most celebrated customers including William Shatner, DMC, Neil Gaiman, Alice Cooper, Jonathan Ross, Gerard Way, Garth Ennis, Kevin Smith, Michael Moorcock, Simon Pegg, Mark Millar, Dan Slott, V.E. Schwab, Dave Gibbons, Brian Bolland, Dirk Maggs, Chris Claremont & Ben Aaronovich amongst others, hosted by Forbidden Planet’s Andrew Sumner.
As part of the Forbidden Planet 42 celebrations, this online extravaganza will also host a tribute to Forbidden Planet’s old friend – the late, great Douglas Adams (The Hitchhiker’s Guide to the Galaxy) in the shape of a rare, never-before-heard interview with Douglas (recently discovered in the Forbidden Planet vaults) conducted by another old pal, celebrated author Neil Gaiman.
[Thanks to Kathryn Sullivan, John King Tarpinian, JJ, John Hertz, Rose Embolism, Chip Hitchcock, Cat Eldridge, Mike Kennedy, Gordon Van Gelder, Martin Morse Wooster, Michael Toman, and Andrew Porter for some of the ridiculous number of stories in today’s Scroll. Title credit goes to File 770 contributing editor of the day Olav Rokne.]
NASA’s Curiosity Mars rover has seen a lot since Aug. 5, 2012, when it first set its wheels inside the 96-mile-wide (154-kilometer-wide) basin of Gale Crater. Its mission: to study whether Mars had the water, chemical building blocks, and energy sources that may have supported microbial life billions of years ago.
Curiosity has since journeyed more than 14 miles (23 kilometers), drilling 26 rock samples and scooping six soil samples along the way as it revealed that ancient Mars was indeed suitable for life. Studying the textures and compositions of ancient rock strata is helping scientists piece together how the Martian climate changed over time, losing its lakes and streams until it became the cold desert it is today.
NOAF: When you first started outlining and writing The Poppy War, did you know how the trilogy would end?
R.F. Kuang: Yes, I knew the ending before I knew the beginning. I always come up with the ending first. I’m a pantser rather than a plotter, but I can’t get started on a story unless I know where it’s all going; I need to give some direction to the story engine. I’ve been picturing the final scene in my mind for years and years, so it’s a relief to finally get it down on paper. So yes, I actually always conceived of The Poppy War as just the prequel material to the stuff I really wanted to write.
In early June, WFC 2020 launched an initiative to help ensure that our convention is inclusive and that our program encompasses the diverse cultures and peoples that enrich the literature and art of fantasy and horror. Thanks to donations from many of our members and our sponsors, we have been able to sponsor attending memberships for twenty-eight people of color – so far. This initiative will continue until registration closes in late October. To donate to this fund, or to apply for a sponsored membership, visit this page on our website.
WFC 2020 operates under the auspices of Utah Fandom Organization, a 501(c)(3) nonprofit. Your donation may be tax deductible to the extent allowable by law.
Three-time Hugo Award-nominated editor Diana M. Pho has announced a new project dedicated to helping Black speculative fiction novelists get traditionally published. Entitled #Edits4BlackSFF, the project will select nine finalists for a free query letter review and 10-page line edit of their manuscript(s), with the winner receiving both a free developmental edit and consideration for representation from a pool of 8 literary agents.
Ugh, we’re talking about the “canon” of science fiction literature, again, for reasons (most imminently the recent Hugo award ceremony and its fallout), and whether, basically, newer writers and readers should and must slog through a bunch of books in the genre that are now half a century old at least, from a bunch of mostly male, mostly white, mostly straight writers who are, shall we say, not necessarily speaking to the moment.
I’ve essayed this before, because I’m me, but here’s my newest set of thoughts on the matter, also because I’m me. Ready? Here we go:
As a practical matter, the science fiction “canon” is already dead….
(6) CANON TO THE RIGHT OF THEM. Camestros Felapton offered his take on things in “Canon and Campbell”. I looked at this excerpt and asked myself, “What more needs be said?” And yet, Camestros thought of something.
…On the first point I’d cite Chuck Tingle’s Space Raptor Butt Invasion, which has canonical qualities to it but which is also a shining example of something that is not required reading….
…So founder Steve Haskin tells Design Week that designing the stamps was a “labour of love”. The stamps are based on fans’ most popular episodes, from the series premiere A Study in Pink to the series two cliff-hanger The Reichenbach Fall. Taking into account the global Sherlock Holmes fanbase, and its attention to detail, the studio pored over episodes to extract the “minutest moments” from Sherlock episodes.
Characters were taken from those episodes and placed in the foreground of the stamps, such as Irene Adler from the second series premiere A Scandal in Belgravia. These portraits had to be “strong” and “poignant” as they are focal point. “Special moments” were then illustrated using screengrabs and composed onto each stamp.
What was the main theme that you wanted to tackle in The House of Styx?
I was flying to the Nebulas conference, I think it was in 2013. I had already created all of the biology in the clouds of Venus, but I didn’t really have a story to tell with this. I had a sort of survival story, but something was missing. This was going on at the same time as some of the ‘reasonable accommodation’ debates were happening in Quebec — and I’m half-Quebecois myself.
So I was following the news and basically it was appalling to see some of the discourse around “how should Arab people integrate into Quebec.” It quite obviously came from a place of intolerance. Then I realized that the caustic intolerance that I was observing in society was a perfect metaphor for the sort of acidic environment of the clouds of Venus. And so I wrote that story, but there was so much more to it that — as soon as I had sold it to Analog — I realized I had another novel or two in me dealing with those kinds of characters, that kind of political setting and that kind of metaphorical environment.
Ranging from Chicago’s South Side (the show was partially shot in Chicago’s Pilsen neighborhood) to the eerie East Coast where Lovecraft’s tales haunted their hapless sailors and professors, Lovecraft Country tracks the cruel magicks of legacy while pointing out at every turn that its genre’s legacy is steeped in racism. Just because Lovecraft was a racist dickhead on a cosmic scale doesn’t mean Atticus Freeman (Jonathan Majors) doesn’t love his brand of fiction. Tic and his Uncle George (Courtney B. Vance) kick off the series on a Jim Crow-defying quest to find Atticus’ missing father (Michael K. Williams)—who’s off in search of their family’s secretive and spooky “birthright”—accompanied by Tic’s childhood friend Letitia (Jurnee Smollet).
….[It] could be a magical universe that exists just under the surface of his own, but it’s certainly not an exciting call to adventure. It’s trouble. Why? Because he’s Black, and Blackness doesn’t mix well with America’s entrenched systems—even if they’re magical ones.
This simple twist works to deconstruct the more conventional aspects of the series. That doesn’t mean the show lacks convention: there’s always water rising or bridges collapsing or demons seducing or heroes smooching. If a magazine from the ‘50s featured it on the cover, you can bet it’ll be bolder and Blacker in Lovecraft Country.
…Broadly — and with plenty of exceptions — Lovecraft’s stories suggest huge and unfathomable horrors lurking just beneath the surface of the mundane world. Filled with miscegenation, tentacles and unspeakable dread, his works often begin with ordinary or ordinary-seeming men drawn into extraordinary and otherworldly situations. Almost no one gets out alive or sane. His brand of weird is gooey and misanthropic, with an insistence that the universe is at best indifferent to human life and at worst antagonistic.
To adapt a Lovecraft work is to reckon with a troubled and troubling legacy — blatant racism and sexual phobias blight much of his work. Still, he remains influential, with his sinister, squishy qualities still felt across media — television, film, fiction, comics, video games, role-playing games, visual art, plushies — and multiple genres. The stomach monster from “Alien”? Extremely Lovecraft. That giant squid from “Watchmen”? Lovecraft again. The devouring Shoggoths from the “Lovecraft Country” pilot? A squelching tip of the hat.
If you don’t know your Yog-Sothoth from your Shub-Niggarath — good! Run while you can! But if you hold your sanity lightly, here is a brief guide to the man, the monsters and the popular culture slime trail his works have left behind.
August 7, 1940 — The Adventures Of Superman radio program aired “Taos: Pillar Of Fire At Graves End”. It starred Bud Collyer and Joan Alexander but the former was kept a secret from the audience for another six years. Based on the comic created by Jerry Siegel and Joe Shuster in 1938, Superman, it was thought that it would be better if the actor was more mysterious, so he was kept anonymous.
(13) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born August 7, 1871 – Abanindranth Tagore. Writer, painter, bridger of Euro-American and Asian artwork. Literary fame for Bengali stories as told to children. Nephew of Rabindranath Tagore, helped clear RT’s road to the Nobel Prize for Literature. Fantasy elements integral. Brought Chinese and Japanese elements into his own graphics. See here, here, here, here, here. On his Khirer PutulWikipedia says “sugar doll”, the French translation has “cheese doll”, which both miss the metaphor of khir. (Died 1951) [JH]
Born August 7, 1903 — Rudolf Ising. He was an early staffer to Walt Disney who left to create the Looney Tunes and Merrie Melodies cartoons at Warner. He produced Hanna and Barbera’s first cartoon, Puss Gets the Boot, a cartoon featuring characters later known as Tom and Jerry. He was the first independent cartoon producer to win an Academy Award. (Died 1992.) (CE)
Born August 7, 1928 – Milton Lesser. For us eight novels, a hundred sixty stories, see here, here, here; letters in Amazing, Astonishing, Fantastic, Planet. Fictional memoirs of Cervantes, Columbus (won Prix Gutenberg du Livre), Goya, Poe. Life Achievement Award from Private Eye Writers of America. (Died 2008) [JH]
Born August 7, 1933 – Jerry Pournelle, Ph.D. Thirty novels, a dozen shorter stories, three dozen anthologies, many with co-authors; two hundred essays, letters, in Algol, The Alien Critic, Destinies, Galaxy, Omni, The Patchin Review, SF Age, SF Chronicle, SF Review, Starship, Trumpet; translated into Croatian, Dutch, French, German, Italian, Japanese, Russian, Spanish. Lucifer’s Hammer and Footfall (with Larry Niven) on NY Times Best-Sellers list. Seventh SFWA President (Science Fiction & Fantasy Writers of America). Writers & Illustrators of the Future Lifetime Achievement Award. Aerospace. Computer journalist. Founding President of Pepperdine Research Institute. We met for lunch and disagreed. (Died 2017) [JH]
Born August 7, 1936 — Richard L. Tierney, 84. A Lovecraftian scholar. Coauthored with David C. Smith, a series of Red Sonja novels which have Boris Vallejo cover art. Some of his standalone novels riff off the Cthulhu Mythos. Unless you read German, he’s not available digitally on either iBooks or Kindle. (CE)
Born August 7, 1957 — Paul Dini, 63. First, he’s largely responsible for the existence of Batman: The Animated Series, Superman: The Animated Series, The New Batman/Superman Adventures, Batman Beyond, and yes, Duck Dodgers and Tiny Toons as well. He’s recently been writing for the Ultimate Spider-Man series which is quite good. He co-authored with Pat Cadigan, Harley Quinn: Mad Love. (CE)
Born August 7, 1957 – Lis Carey, 63. Active Boston fan, faithful Filer. Chair of Boskone 46. Here she is at BucConeer (56th Worldcon) helping with the Bostando (Boston for Orlando) 2001 Worldcon bid (L to R. Suford Lewis, LC, Tim Roberge). A few fiction and non-fiction books she’s read, her ranking higher to lower: Omar Bradley (by S. Ossad), Children of Blood & Bone (T. Adeyemi), Queens of Animation (N. Holt), The Last Emperox (J. Scalzi), The Once & Future King (T. White), The History of Bourbon (K. Albala; the drink, not France). [JH]
Born August 7, 1960 — Melissa Scott, 60. I think the first work I read by her was Trouble and Her Friends which holds up well even now. I’m also fond of Night Sky Mine and The Jazz. I see she has an entire series set in the Stargate Atlantis universe. (CE)
Born August 7, 1960 — David Duchovny, 60. Obviously Fox Mulder on X-Files. Now has he done any other genre? Well, he was Dr. Ira Kane in Evolution, a comic SF film, and then there’s Denise Bryson, formerly Dennis Bryson, played by him, who’s a transgender DEA agent on the Twin Peaks series. He also voices Ethan Cole in Area 51, a first-person shooter video game. (CE)
Born August 7, 1970 – Yû Godai, 50. The Story of the Beginning of Bone written while she was still a college student, 4th annual Fujimi Shobo (publisher) Fantasy Novel Prize; five more novels, three shorter stories. Here is a cover from Avatar Tuner. [JH]
Born August 7, 1980 – Lindsey Leavitt, 40. A dozen young-adult and children’s novels, some for us (five are fantasies about mice in a series Commander in Cheese). YALSA (Young Adult Lib’y Services Ass’n) Best Fiction Award, Amazon Book of the Year Award. [JH]
Born August 7, 1975 — Charlize Theron, 45. She surprised me by being in a number of genre films including Snow White and the Huntsman and The Huntsman: Winter’s War (which are both quite superb), Prometheus, Mad Max: Fury Road, The Addams Family as Morticia Adams, The Devil’s Advocate, Æon Flux in Æon Flux, the narrator of Astro Boy and her first film, Children of the Corn III: Urban Harvest, a horror film I suspect she’d prefer everyone forget. She played Pria Lavesque on The Orville in the episode called, errr, “Pria”. (CE)
(14) COMICS SECTION.
From Grant Snider’s Incidental Comics. Where does “Funny once” go in this model?
…DC FanDome is the first-ever global celebration of the DC Multiverse covering the brand’s biggest films, live-action series, animated TV series, games and comics.
Available in nine languages (Brazilian Portuguese, Traditional Chinese, English, French, German, Italian, Japanese, Korean, Spanish (LAS)), DC FanDome will feature over 100+ hours of programming celebrating the past, present and future DC content through panels, behind the scenes access, user generated experiences, big reveals and exclusives from DC.
DC FanDome is made up of the Hall of Heroes and five islands…
…It may sound like it could be the plot of a new Netflix series, but it’s actually one of the U.S. Army’s “science fiction prototypes,” a teaching tool designed to imagine what the near future of warfare might look like and to prompt military personnel to think creatively about conflicts they might end up fighting. This one takes the form of a 71-page graphic novel called Invisible Force: Information Warfare and the Future of Conflict, produced by the Army Cyber Institute at West Point and Arizona State University’s Threatcasting Lab.
As digital technologies and robotics have opened up the kinds of futures once imagined by pulp science fiction writers, a loose network of national security professionals, military officers, and training organizations are working to try to predict the future of war — by generating science fiction stories of their own….
…The world that Snodgrass creates continues to fascinate from the first novel, especially since we expand from the pressure cooker of the High Ground space station to see the Empire, on the ground, as it were, as well as in the depths of space. We get slices of society all around, from Mercedes’ center of Imperial power, to the very humble existence that Tracy’s father as a tailor has, to the life of military officers. We get a painted portrait of what this stratified, socially conscious world is like and how people fit into that system, resist that system and find themselves in trouble for opposing that system. We also get a better sense of how aliens, an oppressed stratum of society, fit and struggle in a human dominated Solar League. Aliens are very much third class citizens, and the consequences of that are explored in the book both from Tracy and Mercedes’ perspectives….
(18) HELP WANTED. Writing all those Tor.com five-things posts has burned out James Davis Nicoll’s laptop, and he’d be thrilled if people want to help him buy the replacement: “Alas, Poor Jenkins”.
My faithful laptop has subtly hinted that I need to prioritize replacing it, first by closing every Word File within a few minutes of opening them…
(19) SAVING THROW. Wizards: Tales of Arcadia premiered on Netflix today.
After discovering a secret underworld of trolls and teaming up with aliens to save the planet, the teenagers of Arcadia Oaks are back for one final journey: time traveling to the world of King Arthur’s Camelot to defeat villains and preserve the future. Major characters like Jim (Emile Hirsch), Toby (Charlie Saxton) and Claire (Lexi Medrano) have returned from the previous sagas of “Trollhunters” and “3Below,” joined this time by the legendary Merlin (David Bradley).
The series is written and produced by Guillermo del Toro, whose 2017 film “The Shape of Water” took home four Oscars, including best picture and director.
…Del Toro has billed the film as the conclusion to his “Tales of Arcadia” television trilogy which includes the “Trollhunters,” “3Below,” and “Wizards,” shows. “Wizards” premiered on Netflix today.
Here’s Netflix’s synopsis for the upcoming film: Arcadia may look like an ordinary town, but it lies at the center of magical and mystical lines that makes it a nexus for many battles among otherworldly creatures, including trolls, aliens and wizards. Now, the heroes from the hit series “Trollhunters,” “3Below” and “Wizards,” team-up in their most epic adventure yet where they must fight the Arcane Order for control over the magic that binds them all.
When you think about a Seth Rogen movie, he’s almost always got pals around. He’s made comedies with James Franco, Jonah Hill, Craig Robinson, Adam Sandler and — if you count Steve Jobs — even Michael Fassbender. It only makes sense he would eventually make a buddy movie with himself.
An American Pickle, streaming on HBO Max on Aug. 6, is adapted from a four-part Simon Rich story that appeared in The New Yorker in 2013. Called “Sell Out,” it’s about a Polish immigrant named Herschel (whose wife is pregnant) who falls into a pickle barrel in 1920 and wakes up, perfectly preserved, 100 years later. This premise, neatly told in the first six short paragraphs, is both absurd and (no pun intended) narratively rich. In the film, which Rich adapted for the screen himself, both the preserved Herschel and his great-grandson Ben — who are the same age — are played by Seth Rogen. What follows is part wacky opposites-attract picture, part family story, part silly caper and, most interestingly, part funny (but also thoughtful) examination of what our ancestors would think of us, especially if they made great sacrifices to give us what we now have.
In the original story, Herschel’s descendant is Simon Rich himself, a script doctor in Hollywood. Here, he’s Ben, an app developer who’s spent five years of his life trying to get an app off the ground that scans bar codes to tell you how ethically made a particular product is. For a whole variety of reasons — from “what’s an app?” to “who cares?” — this confounds Herschel. He quickly discovers, too, that the small cemetery where his wife is buried has been dishonored by the presence of a giant billboard for vanilla vodka (chosen perhaps because Rogen has enormous fun pronouncing “vanilla vodka” in his version of Herschel’s accent). This cannot stand. So Herschel sets out to do what he knows best: make pickles and sell them to Brooklyn, so he can reclaim the cemetery. This does lead to some familiar material about hipsters who love artisanal foods, but it’s executed pretty well, and Rich’s script keeps it moving.
…Let’s focus on this much: It’s a clever idea, it has some good jokes, and it approaches the idea of immigration to the United States in a way I haven’t seen. That’s not to even mention the fact that being preserved in a pickle barrel and waking up in 100 years has never been more appealing.
In this book written by Morgan Robertson, a massive ocean liner described as “the largest craft afloat” is steaming at full speed through the North Atlantic when a watchman cries out “Iceberg.” But the ship hits the ice and begins to sink. With too few lifeboats, many of the passengers drown when the ship goes down.
The story sounds familiar, but this ship wasn’t the Titanic—Futility‘s ship was the Titan. Robertson penned his novel 14 years before the Titanic took its doomed maiden voyage—and those aren’t the only similarities between Robertson’s Titan and the Titanic, either. Such was the predictive power of the text that just a week after the sinking of the Titanic the story—now called The Wreck of the Titan; or, Futility—was being serialized in newspapers as “an amazing prophecy.”
…Baru Cormorant is back for round three! In The Tyrant Baru Cormorant (which, in-keeping with the rest of this series’ inexplicable name shortenings, is being published as “The Tyrant” in the UK) everyone’s favourite provincial savant returns for another round of high-stakes political drama against the empire of Falcrest: the empire which colonised her island, killed one of her fathers and tried to cut her off from her own culture as a child, and also the empire which now counts her as among its most elite operatives. The first book in the series captured my heart and then broke it into a million pieces, and while I don’t think I’m the same reader as I was five years ago, I still consider new releases in this series to be a significant event, and I’m especially glad we haven’t had to wait too long between the previous book and this one.
9. The stories in this collection are haunting, and this also includes the stunning cover art. Whether it’s a woman who works as grief freelancer playing the roles of widowers’ dead wives or a woman pretending to be her missing sister, the stories speak to each other in unearthly ways. Can you speak about the subversive nature of ghosts that permeate the collection—when you realized this was a connective tissue while writing the stories and how it operates in the book, as well as our lives? The cover was designed by Na Kim, who is a genius. I think it captures the spirit of the collection beautifully. In terms of the thematic through lines, I thought a lot about the supernatural as a means to explore the material that cannot be contained by corporal life: the unsayable secrets, the unexamined truths, the incomprehensible realities. In an NPR interview, Toni Morrison once said that “if you are really alert, then you can see the life that exists beyond the life that exists on top.” What does this “life beyond” have to say about our world that cannot be conveyed through other channels? What does it mean to haunt? What does it mean to be haunted? All these questions were important guides, though it took some time to recognize the supernatural as a thematic link. For a while, I had a lot of stories—maybe 350 pages worth—but I was struggling to find the book. Once I started letting the spectral guide me, a shape began to emerge.
(26) A BACON REFERENCE WITHOUT SCALZI. Lise Andreasen shares a fraught moment from the German quiz show Gefragt Gejagt today.
Who wrote Nova Atlantis?
Wrong answer: Hemingway.
[Thanks to Olav Rokne, Cat Eldridge, Rob Thornton, Mike Kennedy, Chip Hitchcock, JJ, John King Tarpinian, Martin Morse Wooster, PhilRM, Michael Toman, John Hertz, Bence Pintér, Lise Andreasen, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day IanP.]
(1) WORLDCON ENDS: FILM AT ELEVEN. Watching CoNZealand’s Closing Ceremonies brought back a memory —
When Winnipeg started its bid for the 1994 Worldcon, chair John Mansfield had everybody on the committee fill out a questionnaire about their interests. On the last day of the convention he returned these forms to everyone saying, “Okay. Here’s your life back.”
At today’s Closing Ceremonies the gavel passed to DisCon III’s Bill Lawhorn and Colette H. Fozard.
(2) TABLE SERVICE. Camestros Felapton illustrates an aspect of the 2020 Hugo Award nomination process in “EPH Fan Writer”.
… As each person is eliminated, the points get redistributed. By looking at the change in points for each surviving nominee, you can calculate the proportion of points that the survivor gets from the eliminated.
(3) THE PAST THROUGH TOMORROW. There are several good rundowns on the problems with last night’s Hugo Awards ceremony, including this one from Sean Reads Sci-Fi, “Uh-Oh, the Hugos Were a Hot Mess!”, which includes some good excerpts from the acceptance speeches.
…Some of the history was admittedly interesting, but I kept waiting for Martin to catch up to the present day, to illustrate how the long arc of the Hugos has bent toward justice, how the field continues to evolve to this day. He never did. He stayed rooted firmly in the past, and as the night wore on his stubborn refusal to acknowledge current movements in SF/F began to feel pointedly exclusionary rather than just incidentally so.
And I haven’t even mentioned the names! To mispronounce someone’s name live is one thing. As a teacher, I can attest to the fact that you will occasionally get someone’s name wrong on the first day. But (a) they had plenty of time to practice, (b) they almost certainly were given pronunciation guides by most authors, and (c) this doesn’t excuse the constant mispronunciations during pre-recoded segments, unless, of course, Martin refused to re-record them, which is its own set of problems. The folks behind the scenes should have done more to vet these segments, and should have pushed back harder when it became clear what Martin was doing.
What’s fascinating to me, though, is how the awards themselves drew such a sharp contrast to the nostalgic navel-gazing of the toastmaster. It really felt like the past and the future colliding – and the future won. Literally! The winners often talked about systemic problems within the industry, about the fights that we still have to fight, about the hard work that women, people of color, queer folks, and others have to do in order to even be considered alongside the white/cis/het fuddy-duddies running last night’s show. It was such a welcome breath of fresh air, for instance, when R.F. Kuang, one of the first winners, emphasized the barriers that she faced getting into the field:
If I were talking to a new writer coming to the genre in 2020, I would tell them, well, if you are an author of color, you will very likely be paid only a fraction of the advance that white writers are getting. You will be pigeon-holed, you will be miscategorized, you will be lumped in with other authors of color whose work doesn’t remotely resemble yours. Chances are very high that you will be sexually harassed at conventions or the target of racist micro-aggressions or very often just overt racism. People will mispronounce your name, repeatedly, and in public, even people who are on your publishing team. Your cover art will be racist, and the way people talk about you and your literature will be tied to identity and your personal trauma instead of the stories you are actually trying to tell. If I had known all of that when I went into the industry, I don’t know if I would have done it, so I think that the best way we can celebrate new writers is to make this industry more welcoming for everyone.
R.F. KUANG, ASTOUNDING AWARD FOR THE BEST NEW SF WRITER
This was refreshing precisely because it’s an aspect of the history of the awards and of the fandom in general that George R.R. Martin, in his endless panegyrics to days gone by, refused to even acknowledge. Pointing out the deep-rooted, structural, and personal racism and sexism at the heart of the industry isn’t a sign of ingratitude – it’s a sign of strength and resolve in the face of tough barriers. As Ng put it in her speech:
Pulling down memorials to dead racists is not the erasing of history, it is how we make history … It would be irresponsible for me to stand here and congratulate us as a community without reminding us that the fight isn’t over and that it extends well beyond the pages of our books … Let us be better than the legacies that have been left us. Let them not be prophecies. Let there be a revolution in our time.
JEANNETTE NG, BEST RELATED WORK
That revolution was in strong form last night, as most winners took the time to celebrate marginalized voices and denounce the forces that marginalized them in the first place. I keep coming back to Martine’s speech, as well – to the knife that hurts all the more because you loved it before it cut you. A trenchant description of an industry and a genre that many loved but were excluded from for so long. That is, thankfully, changing. Not fast enough to prevent last night’s debacle – but fast enough to allow for last night’s inspiring wins
Whoever is circulating the story that I was asked to re-record portions of my Hugo hosting to correct mispronounced names, and that I refused, is (1) mistaken, or (2) lying. Never happened.
CoNZealand did ask me to re-record three of my videos, all for reasons for quality control: poor lighting, poor sound, wobbly camera. I complied with their request on two of the videos, the two that opened the evening; I re-did those live from the JCC. (The originals had been done in my cabin on an iPhone, when we were just trying to get the hang of this thing). The third segment they wanted re-recorded was the bit about the Hugo trophy, where I had some fun with the juicer, the Alfie, and the like. In that case, we decided to stay with the first take, since I no longer had the props on hand and could not easily have reproduced what I’d done at the cabin, which everyone seemed to like.
There is also a story out there that I was provided with the correct phonetic pronunciations of all the names. That too is completely untrue….
(5) YOUR NEW HUGO LOSERS HOSTS. Who wouldn’t sign up for that?
(6) GROWING PAINS. Scott Edelman stirred up some memories that were called out by his sister-in-law in service of an anti-Vietnam War protest.
…You wouldn’t think that the 4-foot-wide by 8-foot-tall space, approximately the same shape as an iPhone screen, would be big enough for a play, let alone an avant-garde company. Yet the closet, only 2 feet deep, is one of the stars of Gelb’s Theater in Quarantine series, which since late March has produced, on a biweekly schedule, some of the new medium’s most imaginative work from some of its simplest materials. As in silent movies, clowning, movement and mime are usually part of the mix.
Lem’s story is a satire of the infinite human capacity for self-defeat, with the various Egon incarnations bickering and undermining one another as the gyrations of space-time bend them into conflict. When “a meteor no bigger than a pea” pierces the ship’s hull, destroying the rudder, everyone has ideas about fixing it — but since it’s a two-man job, making cooperation essential, nothing actually gets done.
Science fiction was once a niche TV commodity, but March brought three major live-action genre projects. Star Trek: Picard finished its debut season on CBS All Access. FX shared Devs with Hulu, pitching the miniseries as prestige bait for the chattering class. Season 3 of Westworld was HBO’s new hope for a buzzy, sexy-violent epic. And they were all terrible….
I get it: We are all scared of phones, and bots, and the Algorithm. Yet by demonizing technology, these projects oddly exonerate the people behind that technology. CEOs with tragic origin stories in Westworld or Devs are puppets for machines they can’t control. Higher-tech powers in Brave New World and “You May Also Like” control whole civilizations comprised of unaware humans.
[Intro] Editors Note: In a nearly 3,000 word opinion piece published on July 25 in ‘The Globe and Mail’ Kenneth Whyte, publisher of Toronto-based indie Sutherland House Books, pinned the troubles of Canada’s independent bookstores and publishers on the work of public libraries….
Publishers Weekly reprinted the Canadian Urban Libraries Council’s response:
… It is otherwise hard to understand why public libraries are to blame when bookstores and libraries have coexisted harmoniously and supported each other for decades.
August 1, 1986 — Howard The Duck premiered. Directed by Water Huyck and produced by Gloria Katz who were also the screenplay writers. George Lucas was executive producer. Its human stars were Lea Thompson, Jeffrey Jones and Tim Robbins. Howard The Duck was Ed Gale in the suit with the voice being Chip Zien. Critics almost unanimously hated it, it bombed at the box office, and audience reviewers at Rotten Tomatoes currently give it a 38% rating. It would be the last Marvel Film until Captain American twenty-one years later. (CE)
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born August 1, 1819 – Herman Melville. Without debating – though some do – how far Moby-Dick is fantasy, we can claim some more clearly – hmm, maybe not the best word with this writer – anyway, “Bartleby”, “The Tartarus of Maids”, “The Encantadas”, let’s say nine or ten. John Clute would includeThe Confidence-Man. (Died 1891) [JH]
Born August 1, 1898 – William Ziff. I mean Ziff Sr., though Ziff Jr. is noteworthy too. The elder was the Ziff in Ziff-Davis Publishing, which took over Amazing from Hugo Gernsback, added Fantastic Adventures, comics with art director Jerry Siegel and e.g. John Buscema. I happen to think this cover for Weird Adventures 10 is feminist – look how the man is fascinated while the woman with him knows they should fear – but then I think Glory Road is feminist, and how many see that? (Died 1953) [JH]
Born August 1, 1910 — Raymond A. Palmer. Editor of Amazing Stories from 1938 through 1949. He’s credited, along with Walter Dennis, with editing the first fanzine, The Comet, in May, 1930. The secret identity of DC character the Atom as created by genre writer Gardner Fox is named after Palmer. Very little of his fiction is available in digital form. (Died 1977.) (CE)
Born August 1, 1914 – Edd Cartier. Oh, how great he was. Eventually we put him on two Retrospective Hugo ballots. We think of him as a comedian; true enough, but see this cover for Foundation and Empire. Vince Di Fate knew; see his treatment of EC in Infinite Worlds. World Fantasy Lifetime Achievement Award. (Died 2008) [JH]
Born August 1, 1923 — Alan Yates. Though better known under the Carter Brown name where he wrote some one hundred and fifty mystery novels, I’m noting him here for Booty for a Babe, a Fifties mystery novel published under that name as it’s was set at a SF Convention. (Available from the Kindle store.) And as Paul Valdez, he wrote a baker’s dozen genre stories. (Died 1985.) (CE)
Born August 1, 1930 — Geoffrey Holder. Best-remembered for his performance as Baron Samedi in Live and Let Die but he’s also the narrator in Tim Burton’s Charlie and The Chocolate Factory. He was also Willie Shakespeare in Doctor Doolittle but it’s been so long since I saw the film that I can’t picture his character. And he was The Cheshire Cat in the Alice in Wonderland that had Richard Burton as The White Knight. (Died 2014.) (CE)
Born August 1, 1945 – Yvonne Rousseau, 75. Author, editor, critic, long-time fan. Australian SF Review, 2nd Series with J. & R. Blackford, Foyster, Sussex, Webb. Three short stories and a novelette. Contributor to Banana Wings, Chunga, Flag, Foundation, Journey Planet, The Metaphysical Review, Riverside Quarterly, SF Commentary, SF Eye. Fan Guest of Honour at ConFictionary, where the fire alarm went off and the hotel actually was on fire. [JH]
Born August 1, 1954 — James Gleick, 66. Author of, among many other books, Genius: The Life and Science of Richard Feynman and What Just Happened: A Chronicle from the Electronic Frontier, and he is one of us in that he writes genre reviews which are collected in Time Travel: A History. Among the works he’s reviewed are Le Guin’s “Another Story or A Fisherman of the Inland Sea” and Heinlein ‘s “By His Bootstraps”. (CE)
Born August 1, 1955 — Annabel Jankel, 65. Director who was first a music video director and then the co-creator and director of Max Headroom. She and her partner Rocky Morton first created and directed The Max Talking Headroom Show, a mix of interviews and music vids which aired on Channel 4 and HBO. Jankel and Morton would go on to direct Super Mario Bros. And they’re both responsible for the Max Headroom movie and series. (CE)
Born August 1, 1969 – Dirk Berger, 51. Five dozen covers, a score of interiors. Here is Sucker Punch. Here is Empire Dreams. Here is Nova 23. Here is his Website. [JH]
Born August 1, 1979 — Jason Momoa, 41. I knew I’d seen him before he showed up as Aquaman in the DC film franchise and I was right as he was Ronon Dex on Stargate Atlantis for its entire run. He was also Khal Drogo in the first season of A Game of Thrones. And not surprisingly, he was the title character in Conan the Barbarian. (CE)
Born August 1, 1993 – Tomi Adeyemi, 27. Children of Blood and Bone, Children of Virtue and Vengeance, both NY Times Best Sellers. Norton Award, Waterstones Book Prize, Lodestar Award. Parents thought she’d be better off if they didn’t teach her their native tongue (they’re Yoruba), so with an honors degree from Harvard she got a fellowship to study it in Brazil. Website here. [JH]
(12) COMICS SECTION.
Non Sequitur offers a suggestion on how to get started on that post-apocalyptic novel.
(13) BE PREPARED. A Public Service Announcement from the Dread Pirate Roberts channeling Inigo Montoya.
(14) ADVICE FOR SFF POETS. Veteran editor of Star*Line and Mobius: A Journal for Social Change “gives some surprising insights on submissions” in this interview conducted by Melane Stormm at SPECPO.
A must watch for any writer, but especially if you identify as female or if you’re feeling hesitant to submit your work someplace.
(15) ON BRADBURY’S SHELVES. The second installment of Phil Nichols’ Bradbury 100 podcast had dropped.
My guest is Jason Aukerman, Managing Director of the Center for Ray Bradbury Studies. The “Bradbury Center”, as it’s known for short, is the place where Ray’s working papers are held in archive, along with the contents of Ray’s personal library, and many of his professional and personal artefacts such as awards, videotapes and film prints.
A library curator at the University of Iowa will join “Star Trek” actor William Shatner and a list of other celebrities, authors and science fiction experts in a Ray Bradbury Read-a-thon next month. The event on August 22nd will mark what would have been the famed author’s 100th birthday.
Peter Balestrieri, curator of science fiction and popular culture collections at the UI Libraries, says he’s thrilled to be taking part.
“The Read-a-thon will be about 40 people reading segments of Ray Bradbury’s famous novel, ‘Fahrenheit 451,’” Balestrieri says. “All of the clips from all of the different readers will be put together into one seamless audio-visual book.”
Balestrieri will read a six-minute portion of the book as part of the roughly-four-hour event. Top sci-fi authors who will also read aloud include Neil Gaiman, Marjorie Liu and Steven Barnes, as well as former NASA administrator Charles Bolden.
Nasa‘s Marsspacecraft is experiencing technical problems and has sent itself into hibernation, the space agency has said.
The spacecraft was sent to space Thursday in a launch that had no technical problems – even despite an earthquake that struck just before liftoff, and a preparation period that came during the coronavirus outbreak. Shortly after it was launched, Nasa announced that it had received its first signal from the spacecraft.
But soon after it was in space and headed towards Mars, it became apparent that something had gone wrong with the craft. After that initial signal, mission controllers received more detailed telemetry or spacecraft data that showed there had been a problem.
The signal, which arrived on Thursday afternoon, showed that the spacecraft had entered a state known as “safe mode”. That shuts down all but its essential systems, until it receives new messages from ission control.
The hibernation state is intended to allow the spacecraft to protect itself in the case of unexpected conditions, and will be triggered when the onboard computer receives data that shows something is not as expected.
Nasa’s engineers think that the state was triggered because part of the spacecraft was colder than expected while it was still in Earth’s shadow. The spacecraft has now left that shadow and temperatures are now normal, Nasa said in an update.
Mission controllers will now conduct a “full health assessment”, the space agency said, and are “working to return the spacecraft to a nominal configuration for its journey to Mars”.
“‘I wish it need not have happened in my time,’ said Frodo. ‘So do I,’ said Gandalf, ‘and so do all who live to see such times. But that is not for them to decide. All we have to decide is what to do with the time that is given us.’” —The Fellowship of the Ring
(19) NAVIGATING ON VIRTUAL SEAS. Mlex reports on the Cyberpunk Culture Con (July 9-10), with some commentary on other virtual cons (BaltiCon, ConZealand, Fantastikon): “Cyberpunk Culture Conference”.
…I want to report on the recent virtual con, the Cyberpunk Culture Conference (Jul 9-10, 2020), which managed to swim perfectly through the fantastic milieu of the future that has already become the past, and floated out from the wreckage on that frenzied ouroboros of possibility waves as easily as a swimmer takes to an inflated tire inner tube on a summer pond.
The conference sprang up around recent books published by Routledge, which are quite excellent, I should add…
The Belgian racing team Heli had an engine problem. Specifically, under race conditions, the manifold of the four-cylinder turbo diesel in its BMW 1-series exploded, bursting along an ultrasonically welded seam that held together the manifold’s two halves.
…In 2018 Heli took the problem to ZiggZagg, a Belgian company that fabricates parts using an HP 3-D printer. ZiggZagg made a digital scan of the two-piece manifold and after 10 hours had a digital blueprint for a stronger, lighter, one-piece manifold. In its first race with the new manifold, printed using what is known as PA 12 nylon, the part held up and Heli took third. That same manifold lasted until the car was retired earlier this year.
The two astronauts that blasted off in the first private space vehicle to take people to the International Space Station are about to return to Earth — by splashing down in the waters around Florida.
This will be the first planned splashdown for space travelers since 1975, although a Russian Soyuz capsule did have to do an emergency lake landing in 1976.
NASA astronaut Douglas Hurley says that he and his crewmate Robert Behnken are prepared for the possibility of seasickness.
“Just like on an airliner, there are bags if you need them. And we’ll have those handy,” Hurley said in a press conference held on Friday, while on board the station. “And if that needs to happen, it certainly wouldn’t be the first time that that’s happened in a space vehicle. It will be the first time in this particular vehicle, if we do.”
The astronauts will come home in the same SpaceX Dragon capsule that took them up on May 30. Their flight marked the first time people had been launched to orbit from U. S. soil since NASA retired its space shuttles in 2011.
The success of their trip in the SpaceX vehicle has been a major milestone for commercial space travel, and a vindication of NASA’s long-term plan to rely on space taxis for routine flights to and from the orbiting outpost—while the government agency focuses on developing vehicles for a return to the moon.
The current plan is for the Dragon “Endeavour” capsule to undock from the International Space Station on Saturday at 7:34 p.m. ET, with scheduled splashdown at 2:42 p.m. ET on Sunday. There are potential splashdown zones both in the Atlantic and the Gulf of Mexico. With a hurricane headed towards Florida, however, it’s unclear if the weather will cooperate with the plan.
(22) VIDEO OF THE DAY. “Virtual Viewing: Disney’s Cruise Line’s Tangled, The Musical” on YouTube is an hour-long musical, with three songs composed by Alan Menken, that was performed on Disney’s Cruise Line and is worth seeing for people who need a Disney musical fix. (Hat tip to Mark Evanier.)
[Thanks to Darrah Chavey, Mike Kennedy, John King Tarpinian, Martin Morse Wooster, Michael Toman, John Hertz, Chip Hitchcock, Daniel Dern, Mlex, Cat Eldridge, JJ, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip Williams.]
(1) TAKING NOTES. I’d love to see more panel reports of this kind.
(2) FAN FUNDS AUCTION. Alison Scott announced that today’s CoNZealand Fan Funds auction raised 2190$NZD for GUFF, TAFF, DUFF and FFANZ.
(3) YOU GOT YOUR POLITICS IN MY FICTION! This happened to a CoNZealand panel participant yesterday.
Schluessel also reports getting dinged for having a Black Lives Matter background. Which is pretty bizarre, because there’s a Black Lives Matter banner in CoNZealand’s virtual Exhibit Hall, as seen in the screencap below. However, Schluessel says “CoNZealand has extended me a full apology, which I have accepted.”
(4) ROTSLER AWARD EXHIBIT. CoNZealand’s virtual exhibit hall includes many things, such as the Rotsler Award exhibit (membership required to access) with artwork from each year’s award winner. Click the link, select “Boldy Go,” select Exhibits, and once there, click on Displays. The Rotsler link is last on the bottom right.
(5) PLEASE UNSIGN THEM. When she saw her sff group’s name listed as a signer of the Open Letter to WSFS about the Saudi Arabia Worldcon bid, Fran Dowd, “Sofa” of the Sheffield Science Fiction and Fantasy society posted a denial on the group’s Facebook page.
I’d like to put it on record that I have no idea how this group appeared as a signatory to the Jeddah letter. Whatever our personal feelings might be, I would not expect anyone to sign such a statement on our behalf without consultation at the least.
I have spent this morning, when I would actually rather be at the current Worldcon, trying to spread the word. Apologies have been given to the NZ Chairs and to Kevin Standlee. Given the spread of social media, getting a retraction would be meaningless.
I apologise to any members of the group who have been dragged into this. If it is of any help, please point people to this statement.
Signed by me in my capacity as Chair When We Need One.
The 1945 Retro Hugo for Best Novelette goes to “City” by Clifford D. Simak. This isn’t a huge surprise, because the City cycle is well regarded, still in print and Clifford D. Simak was one of the best writers of the Golden Age. “City” is a pretty good story, too, though not the best City story of 1944 or even the best City novelette, because “Census”, which didn’t make the ballot, is better.
That said, this was not the category I wanted to see Simak win. In fact, I was hoping that C.L. Moore, either with or without Henry Kuttner, would win Best Novelette, because both “No Woman Born” (which finished second) and “The Children’s Hour” (which finished unfairly in sixth place) are great stories.
Though I’m glad that “Arena” by Fredric Brown was its “Genocide is good” message didn’t win, because I feared that it might.
(7) MORE OR LESS RETRO-HUGOS? Charles Stross thinks pausing the Retro-Hugos for about a quarter century might address some of the competing values now in conflict. Thread starts here.
Alasdair Stuart laments the Campbell and Lovecraft Retro wins. Thread starts here.
The US space agency’s Perseverance robot has left Earth on a mission to try to detect life on Mars.
The one-tonne, six-wheeled rover was launched out of Florida by an Atlas rocket on a path to intercept the Red Planet in February next year.
When it lands, the Nasa robot will also gather rock and soil samples to be sent home later this decade.
Perseverance is the third mission despatched to Mars inside 11 days, after launches by the UAE and China.
Lift-off from Cape Canaveral Air Force Station occurred at 07:50 local time (12:50 BST; 11:50 GMT).
Nasa made this mission one of its absolute priorities when the coronavirus crisis struck, establishing special work practices to ensure Perseverance met its launch deadline.
“I’m not going to lie, it’s a challenge, it’s very stressful, but look – the teams made it happen and I’ll tell you, we could not be more proud of what this integrated team was able to pull off here, so it’s very, very exciting,” Administrator Jim Bridenstine told reporters.
…BRENDAN BYRNE, BYLINE: When the Perseverance rover lands on Mars in February, it will unpack a suite of scientific experiments to help uncover ancient signs of life on the red planet – high-tech cameras, spectrometers, sensors and…
ROGER WIENS: This is the voice of Roger Wiens speaking to you through the Mars microphone on SuperCam.
BYRNE: Roger Wiens is the principal investigator of the rover SuperCam, a slew of instruments, including a camera, laser and spectrometer, that will examine the rocks and soil of Mars for organic compounds, a hint that there might be further evidence of past life. Tucked away inside the SuperCam is the Mars microphone.
WIENS: And so it is there to listen to anything interesting, first of all, on Mars. And so we should hear wind sounds. We should hear sounds of the rover. We might hear things that we never expected to hear. And so that’s going to be interesting to find out.
BYRNE: The mic will also listen as Perseverance’s onboard laser blasts nearby rocks.
ADDIE DOVE: You might think we’re going to hear, like, pew pew, but we probably won’t.
BYRNE: University of Central Florida planetary scientist Addie Dove says the sounds of Martian rock blasts will help scientists determine if they might contain organic material, evidence of life on Mars. But it will actually sound more like this.
(SOUNDBITE OF ROCK BLASTS)
(10) JOSE SARAMAGO NEWS. [Item by Martin Morse Wooster.] In the July 24 Financial Times, Sarah Hemming discusses a new adaptation of Nobel Laureate Jose Saramago’s sf novel Blindness at the Donmar Warehouse in London (donmarwarehouse.com). Donmar’s director, Michael Longhurst says the production will be a hybrid of theatre and “sound installation” that will let the theatre hold four shows a day. I can’t tell from the review how much actual theatre there is in the production. The only Donmar production I’ve seen was an all-female Julius Caesar on PBS that had an impressive performance by Dame Harriet Walter as Brutus.
Lockdown has emphasised the importance of sound for many of us from that early experience of hearing birdsong in unusually quiet city centres, to a keener awareness, prompted by physical separation, of the way we listen. And several online drama offerings, such as Simon McBurney’s The Encounter and Sound&Fury’s wartime meditation Charlie Ward At Home, have used sophisticated recording to steep their homebound audiences in other worlds and prompt reflection.
Blindness, in a sense, builds on that (there will be a digital download for those unable to get to the theatre). So why attend in person? Longhurst suggests the very act of being in a space will change the quality of listening–and reflect the way we have all had individual journeys through the collective experience of lockdown. And while this is a one-off piece about a society in an epidemic, created for an industry in a pandemic, that physical presence marks a move towards full performance.
(11) MEDIA ANNIVERSARY.
July 1987 — Emma Bull’s War for The Oaks was published by Ace Books. This urban fantasy would get its own trailer courtesy of Will Shetterly who financed it instead of running for Governor. You’ll no doubt recognize many of the performers here. Decades later, it was scheduled to have a hardcover edition from Tor Books but it got canceled after the books were printed. And the music in War for The Oaks would later be done by Cats Laughing, a band that includes Emma Bull and other members of Minneapolis fandom.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born July 30, 1800 – Aleksandr Veltman. Order of St. Vladimir (bravery) while in the Russian army, eventually Director of the Museum of Armaments. Poetry praised by Pushkin, second wife’s novel praised by Gorky. The Wanderer in an imaginary journey parodies travel notes. Koshchei the Deathless parodies historical adventures. The Year 3448 is supposedly by Martin Zadek (who also finds his way into Pushkin and Zamyatin). The Forebears of Kalimeros has time-travel (by riding a hippogriff; “Kalimeros”, a nudge at Napoleon, is the Greek equivalent of Buonaparte) to meet Alexander and Aristotle. Tolstoy and Dostoevskyapplauded AV too. (Died 1870) [JH]
Born July 30, 1873 – Curtis Senf. Four dozen covers and hundreds of interiors for Weird Tales, after which what the Field Guide to Wild American Pulp Artists modestly calls “a more lucrative career as a commercial artist in the Chicago advertising industry”. Here is the Oct 27 WT; here is the Jan 30; here is the Mar 32. (Died 1949) [JH]
Born July 30, 1911 — Reginald Bretnor. Author of many genre short stories involving Ferdinand Feghoot, a comical figure indeed. It looks like all of these are available in digital form on iBooks and Kindle. He was a consummate SJW. He translated Les Chats, the first known book about cats which was written by Augustin Paradis de Moncrif in 1727. He also wrote myriad articles about cats, was of course a companion to cats, and considered himself to have a psychic connection to cats. Of course most of us do. (Did 1992.) (CE)
Born July 30, 1927 — Victor Wong. I remember him best as the Chinese sorcerer Egg Shen in John Carpenter’s Big Trouble in Little China. He was also The Old Man in The Golden Child, Walter Chang in Tremors, Dr. Wong in the “China Moon” episode of the Beauty and the Beast series and Lee Tzin-Soong in the “Fox Spirit” episode of Poltergeist: The Legacy. (Died 2001.) (CE)
Born July 30, 1947 – John Stith, 73. Eight novels, a dozen shorter stories, translated into French, German, Italian, Japanese, Portuguese, Russian. Wrote about John Kennedy (i.e. our JK; indeed John R.; 1945-2009) in 1992 (for the limited ed’n of “Nova in a Bottle” bound with “Encore”), interviewed by him in 1993 (SF Chronicle 164). Did his own cover for a reprinting of Death Tolls. [JH]
Born July 30, 1948 — Carel Struycken, 72. I remember him best as the gong ringing Mr. Holm on Next Gen, companion to Deanna Troi’s mother. He was also Lurch in The Addams Family, Addams Family Values and the Addams Family Reunion. He’s listed as being Fidel in The Witches of Eastwick but I’ll be damned if I remembered his role in that film. And he’s in Ewoks: The Battle for Endor which I’ve never seen… (CE)
Born July 30, 1961 — Laurence Fishburne, 59. In The Matrix films. His voice work as Thrax in Osmosis Jones on the other hand is outstanding as is his role as Bill Foster in Ant-Man. (CE)
Born July 30, 1966 — Jess Nevins, 54. Author of the superlative Encyclopedia of Fantastic Victorian and the equally great Heroes & Monsters: The Unofficial Companion to the League of Extraordinary Gentlemen which is far better than the film ever could be. I didn’t know he was an author ‘til now but he has two genre novels, The Road to Prester John and The Datong Incident. (CE)
Born July 30, 1967 – Ann Brashares, 53. Famous for The Sisterhood of the Traveling Pants (that’s the U.S. meaning of “pants”, in this case a magical pair of blue jeans), a NY Times Best-Seller, and its sequels, films, companions. Two more novels for us, one other. Indies Choice Book Award, Quill Award. Philosophy major (yay!) at Barnard, 1989. [JH]
Born July 30, 1971 – Kristie Cook, 49. Nine novels, a dozen shorter stories (some with co-authors; publishes Havenwood Falls shared-world stories, some wholly by others). Loves cheese, chocolate, coffee, husband, sons, motorcycle. “No, I’m not crazy. I’m just a writer.” [JH]
Born July 30, 1974 – Jacek Dukaj, 46. Ten novels, half a dozen shorter stories, translated into Bulgarian, Czech, English (he’s a Pole), German, Hungarian, Italian, Macedonian, Russian, Slovak. Six Zajdel Awards. EU Prize for Literature. Another writer with a Philosophy degree, from Jagiellonian University even. His Culture.plpage (in English) is here. [JH]
Born July 30, 1975 — Cherie Priest, 45. Her southern gothic Eden Moore series is kickass good and Clockwork Universe series isa refreshing take on steampunk which has been turned into full cast audiobooks by GraphicAudio. I’ve not read Cheshire Red Reports novels so have no idea how they are. Anyone read these? (CE)
(13) NOW WITH MORE MASK. Ray’s playing it safe, I see. Incidentally, the Ray Bradbury Experience Museum is accepting RSVP’s here for entry during RBEM’s Ray Bradbury Centennial Celebration on August 22, 2020.
(14) OOPS. Marc Zicree has issued a video “Apology to the Science Fiction Writers of America,” for using their membership list to publicize Space Command.
(15) A DISSATISFIED CUSTOMER. And not only that, we line up for the opportunity!
(16) BACURAU. The Criterior Channel’s August lineup includes Bacurau on August 20, an exclusive streaming premiere, featuring an interview with directors Kleber Mendonça Filho and Juliano Dornelles.
… After all, who doesn’t periodically yearn to flee the nightmarish world we now live in? A persistent feeling of helplessness, frustration, anger and mild despair has emerged as the “New Normal” — which is one reason my recent reviews and essays tend to emphasize escapism, often into books from the past. A similar impulse lies behind the pruning of my basement hoard. Going through my many boxes, I am no longer the plaything of forces beyond my control. I have, to use a vogue term, agency. I alone decide which books to keep, which to let go.
However, making these decisions has turned out to be harder than I expected.
Here’s an example of what I mean. I’m fond of a slightly overwritten travel book called “A Time of Gifts” by English writer Patrick Leigh Fermor. It recounts in striking detail a walk across half of Europe undertaken by the young Leigh Fermor in 1933. Somehow, I possess four copies of this minor classic: a Penguin paperback that I read and marked up, an elegant Folio Society edition bought at the Friends of the Montgomery County Library bookstore, a later issue of the original John Murray hardback, and a first American edition in a very good dust jacket acquired for a bargain price at the Second Story Books warehouse. Given the space-saving principle of eliminating duplicates, I should keep just one copy. Which one?
You draw seven cards. You look at your hand. It would be perfect if you had that one card.
Too bad it costs $50. And your local game store is closed anyway.
Depending on where you lie on the nerd spectrum, you may or may not have heard of Magic: The Gathering. It’s a trading card game that’s been in production for almost three decades. Even if you haven’t heard of it or played it, you probably know someone who has. It’s one of the most popular trading card games of all time, and that isn’t an exaggeration; there are millions of Magic: The Gathering players worldwide.
…Before COVID-19 hit the Magic community, players packed into local game stores to sling spells and blow off steam. Now, as players move toward the online versions, there are additional financial hurdles to clear.
There’s a reason it’s called Magic: The Gathering. Most of the fun comes from squaring off against other players, catching the clandestine tells of your opponent as they draw powerful spells. Game stores across the country offer opportunities to play; they host tournaments, stock up on new cards and teach new wizards how to play.
But even if veteran players and shop owners welcome new Planeswalkers with open arms, how accessible is Magic: The Gathering?
Players can craft a variety of decks, and if they’re playing the more common formats of the game, a deck can cost anywhere from about $275 to $834 or more. Not only are full decks expensive, but so are individual cards. The card Thoughtseize, for instance, has a current value of around $25 per copy. If a deck contains four copies of a single card (the maximum), just that one card would bring the price of a deck up by $100. And there are much more expensive cards on the market.
…There is an online version of the game, but Magic Online isn’t cheap either. And while it isn’t as expensive as its cardboard counterpart, a player still has to buy new digital versions of physical cards they already own. On top of that, a Magic Online account costs $10 just to set up. And while a Magic veteran might jump at the opportunity to play online, a new player may feel less inclined to pay the fee when there are other online deck-building games, like Hearthstone, that are free to try.
In 2018, Magic’s publisher Wizards of the Coast released a free, digital version of the game called Magic: The Gathering Arena. It’s a more kid-friendly online option for new Planeswalkers, but it still has the same Magic charm for older players. Arena does include in-game purchases, but players can obtain better cards by grinding out a lot of games instead of spending extra money. And while Arena can be a great way to introduce a new player to the online format, if they don’t want to empty their wallets, they’ll have to get used to losing for a while.
[Thanks to John Hertz, N., Mike Kennedy, Martin Morse Wooster, JJ, Cat Eldridge, Michael Toman, Chip Hitchcock, John King Tarpinian, Jeffrey Smith, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jayn.]
(2) PETITIONS AND PUBLISHING. Seanan McGuire has a quite interesting series of tweets inspired by social media petitions flogging certain authors to produce their next book now, in which she tries to open readers’ eyes about the traditional publishing process. Thread starts here.
(3) ABOUT THE GUARDIAN’S “OPEN LETTER” COVERAGE. Chris Barkley posted his letter of complaint sent to The Guardian’s Reader Service about their article.
I am writing to complain about Alison Flood’s article on the Saudi Arabian bid to hold the 2022 World Science Fiction Convention.
While Ms. Flood’s reporting was informative, it did lack ANY reaction directly from the current co-chairs of the current Worldcon in New Zealand (Kelly Buehler and Norman Cates) or any member of the Worldcon who could explain the function of the Constitution of the World Science Fiction Convention and how it relates to the multi-year bidding process works.
Nor had she any quotes or commentary from any other fans who could have offered additional information or insights about sf fandom.
It would be very much appreciated if she were to update this important story with more of these elements rather than the somewhat sensationalized version that was posted.
Chris M. Barkley Cincinnati, Ohio USA
I have worked in Worldcon Press Offices since 1983. In this day and age there is NO EXCUSE for sloppy reporting…
(4) TOASTMASTER WARMS UP THE AUDIENCE. George R.R. Martin previews the CoNZealand Hugo Ceremony in “Worldcon… Virtually” at Not A Blog.
…Anyway, here is how the Hugos are going to work… I have already pre-recorded all of my opening remarks, introductions of the guest presenters (we will have several), amusing (one hopes) anecdotes and bits of history, discussions of each category, and readings of the names of the finalists (in the cases where I am presenting myself, rather than throwing the ball to a guest presenter). ConNZealand has all those videos. The rest of it will be live streamed from my theatre in Santa Fe, the Jean Cocteau, where a member of worldcon’s tech team will be helping me Zoom. I will have the envelopes with the names of the winners sealed therein. I may actually have a Hugo to wave about.
So the drill will go like this: for each category, you will get a pre-recorded video of me as a lead-in. Then I will either read the finalists, so throw it to another presenter who will do the same. Most of their remarks are pre-recorded as well. Then back to me, this time live at the JCC, where I will rip open the envelope and announce the winner. Then we cut to the happy winner, somewhere in the world… assuming they are in front of their computers and know how to Zoom and all. (No, unlike the other major awards shows, we have no plans to show the fake smiles on the faces of the sad losers). The happy winner will make an acceptance speech, long or short as may be, that is entirely up to them. Then back to me… either live me at the JCC, or pre-recorded me for the next category.
And on and on, starting with the Lodestar and ending with Best Novel….
(5) CONZEALAND DAILY NEWZINE. Cruise Log has found a substitute for the Worldcon daily zine’s usual “warm body count” —
1400 people have logged into the CoNZealand discord server as of 09:00 Thursday morning!
The new collection of Peter Pan British Isles 50p coins have been developed in partnership with Great Ormond Street Hospital to celebrate 90 years since author, J.M. Barrie, gifted all future rights of the book to them.
The new set will be the first ever collection of its kind in the UK – but won’t be released by the Royal Mint and therefore won’t be entering circulation.
Prices start at £6.25, and for every coin sold, a donation will go directly to GOSH Charity to support the hospital’s most urgent needs: fund support services, pioneering research, equipment and refurbishment.
(7) DREAM FOUNDRY WRITING CONTEST. The Dream Foundry Writing Contest will be open for submissions from August 10 to October 11, 2020. Full guidelines here.
We’re looking for complete and finalized stories of speculative fiction of up to 10,000 words. This year, we’re proud to announce monetary prizes for 1st, 2nd, and 3rd places.
1st: $1000; 2nd: $500; 3rd: $200
There is no submission fee. All rights remain with the creators.
(8) MEDIA BIRTHDAY.
July 29, 1953 — George Pal’s adaptation of H.G. Wells’ The War Of The Worlds premiered in Atlantic City, New Jersey. It was directed by Byron Haskin from the screenplay by Barré Lyndon. It starred Gene Barry and Anne Robinson. It was narrated by Cedric Hardwicke. The film was both a critical and box office success earning back its budget in its first release. And it would win an Academy Award for Special Effects. Audience reviewers at Rotten Tomatoes currently give it a 71% rating.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born July 29, 1876 — Maria Ouspenskaya. In the Forties, she did a run of pulp films, to wit The Wolf Man, Frankenstein Meets the Wolf Man and Tarzan and the Amazons. A decade or so earlier, she was in Beyond Tomorrow. (Died 1949.) (CE)
Born July 29, 1878 – Don Marquis. (name pronounced “mar-kwis”) At The Sun, New York, a column “The Sun Dial” 1912-1922; at The Herald Tribune, “The Tower” (later “The Lantern”); three novels; plays, poems, essays, sketches. Introduced, famously and of interest to us, a cockroach whose writings DM found in the typewriter next morning; the cockroach wrote by diving onto the keys, could not get capitals, and so is known as archy; in turn archy knew a cat, mehitabel; they, illustrated by George Herriman who meanwhile drew Krazy Kat, outcreated everything. (Died 1937) [JH]
Born July 29, 1888 — Farnsworth Wright. Editor of Weird Tales. editing an amazing 179 issues from November 1924–March 1940. Mike Ashley in EoSF says, “Wright developed WT from a relatively routine horror pulp magazine to create what has become a legend.” His own genre fiction is generally considered undistinguished. He also edited during the Thirties, Oriental Stories and The Magic Carpet. The work available digitally is a poem, “After Two Nights of the Ear-ache”. (Died 1940.) (CE)
Born July 29, 1907 — Melvin Belli. Sole genre role is that of Gorgan (also known as the “Friendly Angel”) in the Star Trek “And the Children Shall Lead” episode. Koenig objected to his playing this role believing the role should have gone to someone who was an actor. (Died 1996.) (CE)
Born July 29, 1927 — Jean E. Karl. She founded Atheneum Children’s Books, and she edited Ursula K Le Guin’s Earthsea sequence and Susan Cooper’s The Dark Is Rising sequence. As an author, she wrote three genre novels, Strange Tomorrow, Beloved Benjamin Is Waiting and But We Are Not of Earth, and a reasonable amount of short fiction, all of which is In the Clordian Sweep series. Nine of those stories are in The Turning Point collection. (Died 2000.) (CE)
Born July 29, 1939 — Curtis C. Smith, 81. Editor of Twentieth-Century Science-Fiction Writers, plus two genre biographies, Olaf Stapledon: A Bibliography with co-author Harvey J. Satty, and Welcome to the Revolution: The Literary Legacy of Mack Reynolds. Not active since the mid-Eighties as near as I can tell. (CE)
Born July 29, 1941 — David Warner, 79. Being Lysander in thatA Midsummer Night’s Dream was his first genre role. I’m going to do just highlights after that as he’s got far too extensive a genre history to list everything. So he’s been A Most Delightful Evil in Time Bandits, Jack the Ripper in Time After Time, Ed Dillinger / Sark In Tron, Father in The Company of Wolves, Chancellor Gorkon in Star Trek VI: The Undiscovered Country, The Creature in Frankenstein, voice of Ra’s al Ghul on Batman: The Animated Series and Abraham Van Helsing on Penny Dreadful. (CE)
Born July 29, 1945 – Sharon Creech, 74. First person to win both the Newbery & Carnegie Medals. Three novels for us, many more (two, for adults, under another name). Some verse, some prose. “While teaching literature I learned so much about writing”; Website here. [JH]
Born July 29, 1948 – John Harris, 72. Two hundred covers, as many interiors. Two artbooks. Chesley for Lifetime Achievement. Commissions for NASA, Royal Caribbean cruise ships, Philips, Shell. Here is Stand on Zanzibar. Here is The Ringworld Throne. Here is Ancillary Mercy. Here is The Best of Gregory Benford. [JH]
Born July 29, 1953 – David Lee Anderson, 67. A score of covers, half that many interiors. Lately Oklahoma landmarks and landscapes. Here is the Oct 93 Tomorrow. Here is A Glimpse of Splendor (collection). Here is ISS Repairs (Int’l Space Station). Here is Rioghain (“ree-ann”) from Afterwalker (D. Glaser dir.; in post-production as of Mar 2020). Website here. [JH]
Born July 29, 1956 – Chitra Divakaruni, Ph.D., 64. Five novels for us; much more. The Palace of Illusions, her re-telling of the Mahabharata from Drapaudi’s perspective, was an India best-seller for a year; here (Web archive) is an India Reads review whose author confesses having known the Mahabharata only from television. American Book Award, Light of India Award, Pushcart Prize, Ginsberg Poetry Prize. Website here. [JH]
Born July 29, 1969 – Forrest Aguirre, 51. Two novels, five dozen shorter stories in Apex, Asimov’s, Vasterien. Edited two Leviathan anthologies (one with Jeff Vandermeer; World Fantasy Award). Speaks Swahili. Collections, The Butterfly Artist, Fugue XXIX. Ranks Thank You, Jeeves above Gorky Park (agreed). Interview at SF Site here. [JH]
…However, I realised that the Google n-gram site would provide a neat empirical confirmation of Mars bias in popular culture. I did a search on Martians and Venusians, choosing the inhabitants rather than the planets to avoid hits about astronomy or the gods….
If you’ve ever wanted to build a real and working Windows 95 PC inside Minecraft, now is the time. A new VM Computers mod has been created for Minecraft that allows players to order computer parts from a satellite orbiting around a Minecraft world and build a computer that actually boots Windows 95 and a variety of other operating systems.
The mod uses VirtualBox, free and open-source virtual machine software, to run operating systems like Windows 95. Within Minecraft you simply place a PC case block and then use it to create virtual hard drives to install operating systems from ISO files….
I like a small book. I trust a small book. I appreciate a small book for all the things it doesn’t do, for all the stories it does not tell.
Big books? They’re dangerous in their excess. Bloated (often) with words they do not need and larded (often) with detail that no one asked for. You can slip into a big book and lose your way too easily. But a small book is intimate. Close. Every word it says matters. The writer of a small book knows that every page has to count.
Cherie Dimaline wrote a small book called Empire Of Wild. It isn’t small in pages (320, give or take) or in words (it has the normal amount), but it is tiny in consequence. In the scope and reach of the story it tells.
It is about Joan, who has lost her husband. And who means to get him back. That’s all. There are no worlds to be saved, no history to be altered. Joan’s actions, and the reverberations of those actions, are felt only close by. Her family, her community, the barrooms and living rooms and Walmart parking lots of the small towns around Georgian Bay, Ontario are the only places where her footsteps are felt. And that’s enough. That’s more than enough.
…Down in its bones, Empire Of Wild is a monster story. Mythic but not epic, swimming in Indigenous medicine, not magic. Calling it urban fantasy gives it a gloss it doesn’t possess. Magical realism implies something absurdist, asynchronous, and doesn’t speak to the way that the medicine of the Métis elders is woven into every breath and line.
Here, Dimaline uses the Métis legend of the rogarou to square her narrative architecture — to give weight and nightmares to Joan’s private hurt. The rogarou is the bogeyman that scares children home before it gets too dark outside. It makes Métis girls walk home in pairs. It keeps men from doing wrong by women, each other or the community. The rogarou is part man, part dog, a wolfman that makes itself through bad choices. And Joan believes in the rogarou because she’s seen one before. She knows the smell of one when it’s close — and with a cell phone, some salt bone, her aunt Ajean’s medicine and her chubby, mopey nephew Zeus by her side, she knows that she’s going to have to meet one, fight one, slay one to bring Victor back home.
The Marine Corps is moving ahead with plans to test a wearable robotic exoskeleton that conjures up images of that power-loader suit Ellen Ripley wore to take down a space monster in the movie “Aliens.”
By the end of the year, the service will have a Guardian XO Alpha full-body robotic exoskeleton that allows one person to do the work of four to 10 people, depending on the task. The wearable suit can do hours of physical labor that would otherwise be impossible for a Marine to do alone, lifting and moving up to 200 pounds of gear repeatedly for eight hours straight.
We’re all familiar with migration: Wildebeests gallop across Africa, Monarch butterflies flit across the Americas … but did you know that forests migrate, too?
In his new book The Journeys of Trees, science writer Zach St. George explores an agonizingly slow migration, as forests creep inch by inch to more hospitable places.
Individual trees, he writes, are rooted in one spot. But forests? Forests “are restless things.” As old trees die and new ones sprouts up, the forest is — ever so slightly — moving.
“The migration of a forest is just many trees sprouting in the same direction,” St. George writes. “Through the fossils that ancient forests left behind, scientists can track their movement over the eons. They shuffle back and forth across continents, sometimes following the same route more than once, like migrating birds or whales.”
…“Putting together a spacecraft to Mars and not making a mistake is hard no matter what,” said NASA deputy project manager Matt Wallace. “Trying to do it during the middle of a pandemic is a lot harder. Everyone told us we could not have come up with a better name than Perseverance.” (Wallace and others in this story spoke during or in videos presented at a virtual June press conference.)
Despite this seismic hurdle, the Mars 2020 rover is on track for a July 30 launch toward its seven-month, 314-million-mile journey to the Red Planet. Its two-year mission is to gather samples suggesting past microscopic life for subsequent retrieval and return to Earth, explore the 4-billion-year-old geology of the Jezero Crater landing site, and demonstrate technologies for future robotic and human exploration. The mission has cost $2.4 billion from development through launch, with another $300 million earmarked for operations and surface science.
Smart glasses company North has told customers that their $600 (£460) purchases will stop working in a few days’ time.
The Canadian company, recently purchased by Google, says its Focals glasses will cease functioning on Friday.
From then, owners will not be able to use “any features” of the glasses, or connect to the companion app.
But the company has also said it will automatically refund all customers.
It promised to send the purchase price back to the original payment method, and to contact those customers whose refunds it could not process.
At the end of June, North announced it was being acquired by Google, and would not release a planned second-generation device.
It also said it would “wind down” its first generation smart glasses, released last year.
(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] The YouTube algorithm says I should watch “The Secret Every Tolkien Nerd Knows” by Diana Glyer. What do you think of the algorithm’s judgment?
[Thanks to Rich Lynch, JJ, John King Tarpinian, Daniel Dern, Chip Hitchcock, Martin Morse Wooster, Michael Toman, Mike Kennedy, Cat Eldridge, John Hertz, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Cliff.]
The Order of the Pure Moon Reflected in Water by Zen Cho
(PICKED BY MIKE MYERS)
Zen Cho returns with a found family wuxia fantasy that combines the vibrancy of old school martial arts movies with characters drawn from the margins of history.
A bandit walks into a coffeehouse, and it all goes downhill from there. Guet Imm, a young votary of the Order of the Pure Moon, joins up with an eclectic group of thieves (whether they like it or not) in order to protect a sacred object, and finds herself in a far more complicated situation than she could have ever imagined.
We, the undersigned, have been sponsors and supporters of Borderlands Books. Alan Beatts asked for community support to keep his business operational; in exchange, we expect him to be accountable to that community.
In light of the accusations that Alan has committed acts of intimate partner violence and sexual assault, we are withdrawing our sponsorship and support for Borderlands Books. We believe the survivors. We want to support them and any others Alan has harmed, whether or not they publicly come forward.
We cannot support Borderlands while Alan might use his position as owner to do and conceal harm. We demand that he relinquish ownership of the store and divest financially from it….
(4) SFF WINS CHINESE AWARD. Congratulations to Regina Kanyu Wang, whose story “The Language Sheath” has been awarded the 2019 Annual Award by Shanghai Writers’ Association. The English version, published by Clarkesworld, is here.
Dry witted and lethally incisive, Kit Reed (1932 – 2017), was prolific in a variety of genres: speculative fiction, literary fiction, and (as Kit Craig) psychological thrillers. Selecting a particular work out of all the short SFF Reed published over her long career must have been challenging. Nevertheless, editor Marcus assures us
“To Lift a Ship” is my favorite story from this era, and I think you’ll like it, too.
“It’s a rape revenge story? Is that what you said?”
It was October of 2016. It was a rainy morning in London just days from Halloween, and I was mind-shatteringly jetlagged, getting ready to give a talk at MozFest, the festival put on each year by the Mozilla Foundation. I was answering questions put to me by a fact-checker from the Wall Street Journal, after Margaret Atwood said they should talk to me about robots, science fiction, and the future. The interviewer had asked about my series of novels called The Machine Dynasty, which started with a little book called vN. This was how Margaret and I met — we did an appearance together with Corey Redekop at the Kingston WritersFest back home in Canada. She had gently steered the interview in the way only she can, and said, “Now, Madeline, having read your book, I must ask: how old were you when you first saw The Wizard of Oz?”
Oh, I thought. She gets it. Of course she does. She’s Margaret Fucking Atwood.
This was my life in 2016. In a week or two, the world would fall apart. So would I. In both cases, it happened slowly, but faster than you might think. In both cases, it started years earlier. Collapse is not a binary state; damage occurs on a spectrum of possible repair. You might not recognize it, at first. You may not yet have the words with which to describe it….
Maria Tatar collects versions of the tale from around the world and explains how they give us a way to think about what we prefer not to
Walt Disney’s “Snow White and the Seven Dwarfs” was released as the first feature-length animated film in 1937, and decades later, the musical fantasy based on a Grimm Brothers fairy tale about the complications and conflicts in the mother-daughter relationship is still a cultural touchstone. The story has virtually eclipsed every version of the many told the world over about beautiful girls and their older rivals, often a cruel biological mother or stepmother, but sometimes an aunt or a mother-in-law. In her new book, “The Fairest of Them All: Snow White and 21 Tales of Mothers and Daughters,” Maria Tatar, the John L. Loeb Research Professor of Folklore and Mythology and Germanic Languages and Literatures and a senior fellow in Harvard’s Society of Fellows, collected tales from a variety of nations, including Egypt, Japan, Switzerland, Armenia, and India. She spoke to the Gazette about her lifelong fascination with the saga and how we can look to fairy tales to navigate uncertain times.
GAZETTE: Why did you decide to take up the Snow White story?
TATAR: While working on my previous book with Henry Louis “Skip” Gates Jr., “The Annotated African American Folktales,” I came across a South African story called “The Unnatural Mother and the Girl with a Star on Her Forehead.” It was basically what we call the Snow White story, but in it the “beautiful girl” falls into a catatonic trance after putting on slippers given to her by her jealous mother. That’s when I fell down the rabbit hole of wonder tales and discovered stories from all over the world in which a stunningly attractive young woman arouses the jealousy of a woman who is usually her biological mother. The Brothers Grimm, whose 1812 story inspired Walt Disney to create the animated film, had many vernacular tales available to them, but they chose to publish the one in which the rival is the stepmother, in part because they did not want to violate the sanctity of motherhood. Now, decades later, it is still our cultural story about the many complications and conflicts in the mother-daughter relationship. It has eradicated almost every trace of the many tales told all over the world about beautiful girls and their rivals.
GAZETTE: Why does this particular story remain so resonant?
TATAR: All of the tales in this collection are cliffhangers. They begin with the counterfactual “What if?” then leave us asking “What’s next?” and finally challenge us to ask “Why?” These stories were originally told in communal settings, and they got people talking about all the conflicts, pressures, and injustices in real life. How do you create an ending that is not just happily ever after, but also “the fairest of them all”? What do you do when faced with worst-case possible scenarios? What do you need to survive cruelty, abandonment, and assault? In fairy tales, the answer often comes in the form of wits, intelligence, and resourcefulness on the one hand, and courage on the other. With their melodramatic mysteries, they arouse our curiosity and make us care about the characters. They tell us something about the value of seeking knowledge and feeling compassion under the worst of circumstances, and that’s a lesson that makes us pay attention today.
…Despite all that. I’m nine hours into this playthrough of Breath of Fire IV and it’s going to be the first time I complete it. Maybe it’s playing on a CRT monitor, which really allows those sprites to shine. Maybe it’s sheer grit and determination. Maybe it’s a growing understanding of how to appreciate games within their context, rather than expecting them to be something more modern. Nah. It’s the sprite art.
Stitched together from 28 images, this recent view from NASA’s Curiosity Mars rover was taken from the top of a steep slope, looking out over a sandstone cap and a more distant “clay-bearing unit,” a region which scientists think contains evidence of the history of water in the area.
… She originally created The Magic School Bus in 1986 with illustrator Bruce Degen. The core idea of a sweet and nerdy crew of schoolchildren taking field trips into scientific concepts, bodily parts, into space and back to the age of dinosaurs — and always led by their teacher, the intrepid Ms. Frizzle — eventually spun out into dozens of tie-ins and more than 93 million copies in print, plus a beloved television show that aired for 18 years in more than 100 countries.
In the U.S., the original Magic School Bus TV series was broadcast by PBS for 18 years; in 2017, an updated version launched in 2017 on Netflix, with the first of four specials on the way in August….
(11) MEDIA BIRTHDAY.
July 17, 1987 — Robocop premiered. Directed by Paul Verhoeven and produced by Arne Schmidt, it was written by Edward Neumeier and Michael Miner. It starred Peter Weller, Nancy Allen, Daniel O’Herlihy, Ronny Cox, Kurtwood Smith and Miguel Ferrer. It would lose out to The Princess Bride at Nolacon II for the Best Dramatic Presentation Hugo. The movie was first given an X-rating by the Motion Picture Association of America due to its graphic violence, but Verhoeven toned it down and got an R. Most critics loved it and gave it high marks both as a SF film and as social commentary. Director Ken Russell said he thought it was the best SF film since Metropolis It did very well at the Box Office and audience reviewers at Rotten Tomatoes currently give it an 84% rating. (CE)
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born July 17, 1889 — Erle Stanley Gardner. Though best-remembered for the Perry Mason detective stories, he did write a handful of SF stories, all of which are collected in The Human Zero: The Science Fiction Stories of Erle Stanley Gardner. It is not available from the usual digital suspects but Amazon has copies of the original hardcover edition at reasonable prices. (Died 1970.) (CE)
Born July 17, 1907 – Humphry Ellis.Double first in Classics at Magdalen (i.e. Oxford; not Magdalene, Cambridge), invited to teach at Marlborough, 1930; while there submitted to Punch, was accepted; hired there, 1933; deputy editor, 1949; resigned to protest new editor Malcolm Muggeridge, 1953; earned more selling to The New Yorker, 1954; a dozen collections. For us “Trollope in Space”; “The Space-Crime Continuum” and one more in The Magazine of Fantasy and Science Fiction. (Died 2000) [JH]
Born July 17, 1912 – Barbara Strachey.Journeys of Frodo, an atlas; drew the maps herself. See The Independent’s wonderful obituary, with a doll of Lytton Strachey, wine, Bertrand Russell, gardening. (Died 1999) [JH]
Born July 17, 1936 – John Spurling, 84. Nairobi (not his fault this reminds me of Ernie Kovacs); Marlborough too late for H. Ellis; St John’s, Oxford; Royal Artillery; British Broadcasting Corp.; free lance. Arcadian Nights re-imagining Greek myths; King Arthur in Avalon, play for a ladies’ college – is the Matter of Arthur fantasy? Walter Scott Prize for The Ten Thousand Things, historical fiction about Wang Mêng (1308-1385); three more novels, nine more plays. Franz Liszt Society. [JH]
Born July 17, 1943 – Grania Davis. Two novels (and three more outside our field) plus two with Avram Davidson; a dozen and half shorter stories plus four with him; translated into Dutch, French, German, Italian; her collection Tree of Life, Book of Death; AD collections The Boss in the Wall, The AD Treasury with Robert Silverberg, Everybody Has Somebody in Heaven with Jack Dann, The Investigations of AD with Dick Lupoff, ¡Limekiller! and The Other 19th Century with Henry Wessells; anthology Speculative Japan with Gene van Troyer; essays, letters, on China, Cuba, Czechoslovakia (as it then was), Japan, M.Z. Bradley, C.N. Brown, AD, P.K. Dick, G.C. Edmondson, Judith Merril, Takumi Shibano, in Locus, NY Review of SF, et al. (Died 2017) [JH]
Born July 17, 1944 — Thomas A. Easton, 76. SF critic and author who wrote the book review column for Analog from 1979 – 2009. His Organic Future series is quite entertaining and I’m reasonably certain I read Sparrowhawk when it was serialized in Analog. He appears frequently at Boston-area Cons. (CE)
Born July 17, 1954 — J. Michael Straczynski, 66. Best-known rather obviously for creating and writing most of Babylon 5 and its all too short-lived sequel Crusade. He’s also responsible for the Jeremiah and Sense8 series. On the comics side, he’s written The Amazing Spider-Man, Thor and Fantastic Four. Over at DC, he did the Superman: Earth One trilogy of graphic novels, and has also written Superman, Wonder Woman, and Before Watchmen titles. (CE)
Born July 17, 1956 — Timothy D. Rose, 64. Puppeteer and actor. He was the Head Operator of Howard the Duck in that film, but was in The Dark Crystal, Return to Ewok, Return of The Jedi, Return to Oz, The Muppet Christmas Carol, The Force Awakens and The Last Jedi. He voiced Admiral Ackbar in the latter two and in The Return of The Jedi as well. (CE)
Born July 17, 1971 – Cory Doctorow, 49. Ten novels, five dozen shorter stories. Columnist for Locus, SF Age; anthologist; interviewed in SF Research Ass’n Review, Shimmer, Steampunk, StarShipSofa, Strange Horizons. Finding ourselves chatting about something or other at an SF convention we noticed that others stared; now, really, folks. [JH]
Born July 17, 1976 — Brian K. Vaughan, 44. Wow. Author of Ex Machina, Pride of Baghdad, Runaways, Saga, Y: The Last Man, and his newest affair, Paper Girls. And yes, he’s won Hugo Awards. You could spend an entire Summer just reading those series. In his spare time, he was a writer, story editor and producer of the television series Lost during seasons three through five. And was the showrunner and executive producer of the Under the Dome series. (CE)
Born July 17, 1988 — Summer Bishil, 32. Best-known as Margo Hanson on The Magicians, but she’s also been Azula in The Last Airbender, and Aneesa in Return to Halloweentown. (CE)
Born July 17, 1989 – H.A. Titus, 31. Two novels (Burnt Silver just released in February), ten shorter stories. Paper Tigers proofreading service. Loves legends, Tolkien, Dungeons & Dragons,skiing, rock-climbing, her husband, their sons. [JH]
(13) COMICS SECTION.
Tom Gauld captures the spirit of the moment.
(14) TIME FOR A REFILL. Alasdair Stuart’s “The Full Lid for 17th July 2020” takes a look at The Old Guard from the other side, exploring the important choices the movie adaptation makes and what that means for Western action/genre cinema. And after that, says Stuart —
I also take a look at Noelle Stevenson’s vastly impressive The Fire Never Goes Out, a graphic novel autobiography with clear eyes, a wicked sense of humor and incredible emotional honesty. Finally, there’s a look at Concrete Genie, a deeply lovely, and deceptively subtle PS4 game which maps personal and artistic growth onto the renovation of a small town, occasional parkour and adorable grobble monsters. Plus lots of apples.
The Full Lid is published weekly and is free. You can sign up at the top of the most recent issue and view an archive of the last six months.
The year is 1946, and the Lee family has moved from Metropolis’ Chinatown to the center of the bustling city. While Dr. Lee is greeted warmly in his new position at the Metropolis Health Department, his two kids, Roberta and Tommy, are more excited about being closer to their famous hero, Superman! Inspired by the 1940s Superman radio serial “Clan of the Fiery Cross,” Gene Luen Yang (American Born Chinese, Boxers and Saints, The Terrifics, New Super-Man) brings us his personal retelling of the adventures of the Lee family as they team up with Superman to smash the Klan!
To be honest, I thought of writing something witty in place of that last sentence. Maybe ‘now the less good news’ but it’s not less good. It’s appalling and I want to be clear with my language here rather than covering over the situation with typical British understatement.
Let’s take a look at the numbers.
14 authors of non-white descent (the specific definition of which we’ll discuss below)
3 British authors of non-white descent
Let me say that again.
3 British authors of non-white descent
Out of 116 authors.
In my view there were actually more books with problematic depictions of race than there are books by authors from those very communities (By my own count there were 9 books submitted from 7 imprints which featured unacceptable racial stereotypes or tropes).
The launch of the James Webb Space Telescope, the long-awaited — and long-delayed — successor to the Hubble Space Telescope, has been pushed back yet another seven months, NASA said Thursday citing, in part, delays from the COVID-19 pandemic.
The nearly $10 billion project, which scientists hope will see back to the time when the first galaxies were formed following the Big Bang, had been scheduled to launch next March from French Guiana atop an Ariane 5 rocket, but the space agency said it is now aiming for an Oct. 31, 2021, launch date.
“Webb is the world’s most complex space observatory, and our top science priority, and we’ve worked hard to keep progress moving during the pandemic,” Thomas Zurbuchen, associate administrator for NASA’s Science Mission Directorate at the agency’s headquarters in Washington, D.C., said in a statement. “The team continues to be focused on reaching milestones and arriving at the technical solutions that will see us through to this new launch date next year.”
In 1979, Monty Python’s Life of Brian was considered so controversial it was given an X certificate and banned from some British cinemas.
Last year, however, its rating was downgraded to a 12A by the British Board of Film Classification (BBFC).
In its annual report, published this week, the BBFC said it now considered the film “permissible at a more junior category” under its current guidelines.
The film returned to cinemas in 2019 to mark its 40th anniversary.
It was rereleased in April last year with a 12A rating for “infrequent strong language, moderate sex references, nudity [and] comic violence”.
…When it was first released, the BBFC – then named the British Board of Film Censors – rated the film AA, which meant those under 14 were not allowed to see it.
Contemporary concerns that the film was blasphemous in nature led to more than 100 local authorities opting to view the film for themselves.
This led to 28 of them raising the classification to an X certificate, meaning no one under 18 could see it, and 11 banning the film altogether.
…It is not uncommon for the BBFC to revisit films that are being reissued theatrically and reappraise their original classification.
Earlier this year Star Wars sequel The Empire Strikes Back, released in 1980 with a U certificate, was reclassified as a PG for its “moderate violence [and] mild threat”.
(21) VIDEO OF THE DAY. “’The New World’ from RoGoPaG” on YouTube is Jean-Luc Godard’s contribution to a 1963 anthology film called RoGoPaG where he shows the subtle psychological consequences after an atomic bomb is exploded over Paris. Part I is below. Part II is here.
[Thanks to John King Tarpinian, Martin Morse Wooster, Chip Hitchcock, JJ, John Hertz, Cat Eldridge, Mike Kennedy, Michael Toman, Dann, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew.]
These sci-fi series are perfectly awful examples of this lamentable phenomenon. For some, the finale retcons fans’ understanding of everything the show did up until that point. For others, the finale serves as a sad reminder of what could have been, had the show been given another chance. Some leave dozens of loose ends dangling. Some attempt to wrap things up too neatly. Some are tonally inconsistent. All of them are disappointing — and all of them loom large in fans’ understanding of the show as a whole. We’re here to examine the worst finales in sci-fi television, no matter how much it makes us shudder. Spoiler warning: We’re going to reveal every last detail of these shows’ endings, in an effort to fully explain why they’re so darn detestable.
Here’s one of the shows they named:
Quantum Leap leaves Sam in limbo
… Despite its poor time slots, Quantum Leap’s blend of humor and social commentary garnered a fanbase. But due to declining viewership, it ended after five seasons. In the series finale, “Mirror Image,” we learn that Sam can return home if he chooses — but instead, he decides to go back in time and save his friend Al’s marriage. In doing so, Sam willingly makes it so he and Al never met, trapping himself in a paradox and giving up the life he so desperately wished to return to throughout the duration of the series. Sam’s fate is finally revealed in the show’s last frame: “Dr. Sam Beckett never returned home.”
This ending changes the mood of the show entirely. Instead of being wacky misadventures, each episode is reframed as one man’s fruitless quest to return home. He will, apparently, just keep going through these motions… forever. That’s not just bleak — it’s horrifying.
Silvia Moreno-Garcia’s Mexican Gothic is a thoroughly enjoyable, thought-provoking novel. I want to discuss it around tea, preferably while in the mountains, preferably somewhere well-lit. I remember placing my bookmark in the book and thinking, I should not have read this before bed.
I was afraid of what I might dream.
Noémi’s cousin Catalina writes a strange letter begging for help. She claims her new husband Virgil Doyle is poisoning her, that “fleshless things” and ghosts trouble her, that “they will not let me go.” Noémi — self-assured, chic and stubborn — leaves the glamor of 1950s Mexico City for the countryside, still depressed after a mining bust and fecund with secrets, to determine whether Catalina needs rescue.
Reader, she does. The situation is more complicated and sinister than the initial fear of just a con artist husband isolating his new wife and convincing the world she’s mad so he can steal her money.
“It’s the representation in gaming I’ve waited for my whole life.”
Marvel’s Avengers are assembling once again, not on the big screen, but for a blockbuster video game.
It features many of the superheroes you might expect, including Iron Man, Hulk and Captain America. But they are joined by a new addition: Kamala Khan.
The Muslim-American teenager of Pakistani heritage, who has shape-shifting abilities, is the latest character to adopt the Ms Marvel moniker.
When the game’s publisher Square Enix announced that Marvel Avengers would include Kamala Khan as one of its main playable characters and make her central to the plot, it garnered praise from both fans and industry insiders.
“I first heard of Ms Marvel from the comics a few years ago,” says Maria Afsar, a 25-year-old gamer.
“I immediately thought it was so cool when read her background was like mine, being Pakistani, Muslim and a girl.
“When I saw the announcement she is going to be in the game and one of the main characters, I just thought I’ve literally been waiting for something like this my whole life. I saw nothing like this when I was younger.”
The Chairs of CoNZealand are pleased to be able to offer a Membership upgrade initiative to support inclusion of colonised, marginalised and historically underrepresented people in at Worldcon.
With the pandemic affecting job security, the financial ability to participate in conventions and the fan community is becoming increasingly difficult for many fans.
Marginalised communities are overrepresented in the group suffering the greatest fallout from this pandemic, and as such, we want to ensure that our community does not suffer a loss of its hard-won diversity. We want to lower the barriers for participation for those from underrepresented communities.
…The initiative upgrades eligible members from supporting to attending memberships. There Is no requirement for the supporting membership to be purchased before grantees are notified.
Eligible members who are already fully paid, but would like some income relief are also invited to apply.
In return, we ask that successful applicants willingly participate in our community. Whether that be through programme, art show, or volunteering is up to the individual and how they enjoy participating in this community.
Grantees will be chosen by the chairs. As long as there is a good plan for participation, we expect to grant applications. The grantees will be notified as soon as practical, and we will continue to announce grantees at least weekly as long as upgrades last.
…Armies sacrificed for no obvious purpose and meaningless wars are not entirely unknown in speculative fiction. Here are five examples from that golden age of such stories, the Vietnam War era, and its literary aftermath.
(7) LIBERTARIAN FUTURIST SOCIETY AT NASFIC AND WORLDCON. The LFS told members about their plans to participate in two of the summer’s virtual sff cons.
Their scheduled presence at the Columbus 2020 North American Science Fiction Convention will migrate online with the rest of the virtual con. There will be a back-to-back Prometheus Awards ceremony and Prometheus-Awards-themed panel discussion, free and widely available to watch live.
Novelist F. Paul Wilson, previously confirmed by NASFiC as their and LFS’ Prometheus Awards Guest of Honor, will participate in the awards ceremony by presenting the Best Novel category, which Wilson was the first author to win in 1979. Wilson also will be a panelist in a “Visions of SF, Liberty, Human Rights: The Prometheus Awards Over Four Decades, from F. Paul Wilson and Robert Heinlein to Today”. So will Sarah Hoyt, the 2011 Prometheus Award Best Novel winner for Darkship Thieves, LFS co-founder Michael Grossberg and newspaper journalist Tom Jackson.
During CoNZeland’s virtual convention, LFS will put on a panel “Freedom in Science Fiction: Four Decades of the Prometheus Awards, From F. Paul Wilson and Robert Heinlein to Ursula LeGuin, Vernor Vinge, Cory Doctorow, Neal Stephenson and Today.” Tom Jackson will moderate, joined by F. Paul Wilson and others to be announced. The Worldcon online program will initially be accessible that weekend for viewing only by registered Worldcon members.
When mainstream authors like Eric Flint complain that the science fiction establishment, and its gatekeeper the Hugo Awards, has “drift[ed] away from the opinions and tastes of… mass audience[s],” prioritizing progressive messaging over plot development, the response from the Left is uniform: Science fiction is by its very nature progressive. It’s baked into the cake, they say. This is a superficially plausible claim. With its focus on the future, its embrace of the unfamiliar and other-worldly, and its openness to alternative ways of living, it is hard to see how the genre could be anything but progressive. In fact, studies indicate that interest in SF books and movies is strongly correlated with a Big Five personality trait called openness to experience, which psychologists say is highly predictive of liberal values.
But openness to experience also correlates with libertarianism and libertarian themes and ideas have exercised far greater influence than progressivism over SF since the genre’s inception. From conservatarian voices like Robert Heinlein, Larry Niven, Vernor Vinge, Poul Anderson, and F. Paul Wilson to those of a more flexible classical liberal bent like Ray Bradbury, David Brin, Charles Stross, Ken McLeod, and Terry Pratchett, libertarian-leaning authors have had an outsized, lasting influence on the field. So much so that The Encyclopedia of Science Fictionhas deemed “Libertarian SF” its own stand alone “branch,” admitting that “many of libertarianism’s most influential texts have been by SF writers.”
…Although he began his career as a utopian socialist working for Upton Sinclair’s 1934 gubernatorial campaign, Heinlein underwent a political transformation and became known for the rest of his career as a libertarian “guru” of sorts. Scott Timberg at the LA Timesdescribes him as a “nudist with a military-hardware fetish” who “dominated the pulps… and became the first science fictionist to land on the New York Times bestseller list.” A four-time Hugo Award winner, Heinlein is credited with helping to elevate SF from its ray-blaster and tentacled space-monster phase to a more serious, respectable prominence, penning such classics as Stranger in a Strange Land and, Milton Friedman’s favorite, The Moon is a Harsh Mistress, a book that reads like an anarcho-capitalist blueprint for revolutionary uprising. Friedman even named his 1975 public policy book after the novel’s slogan TANSTAAFL (“There Ain’t No Such Thing As A Free Lunch”).
…Perhaps this is why so much of SF expresses itself as dystopian fiction, a genre which, by its very nature, cannot but take on a libertarian flavor. Totalitarianism, war, and wide-scale oppression is almost always carried out by state force. Liberation, accordingly, must come in the form of negative rights—that is, “freedom from”—and voluntarism: “[I]n writing your constitution,” Professor de la Paz instructs, “let me invite attention to the wonderful virtues of the negative! Accentuate the negative! Let your document be studded with things the government is forever forbidden to do.”
There is some controversy as to whether World UFO Day falls on June 26 or July 02 with people seemingly celebrating it on both days. The occasion is an awareness day for UFOs coinciding with the Roswell incident’s anniversary. It is getting increasingly popular as UFOs have been making headlines again lately, notably due to the “Storm Area 51” event which went viral last year. That’s on top of The New York Times running an interesting article about several U.S. Navy fighter pilots encountering mysterious objects near the southeastern coast of the United States. The high-profile story remains unexplained and so do plenty of other UFO sightings reported by members of the public every year like strange lights crossing the night sky or orange disks hovering in the distance.
The National UFO Reporting Center which is based in the U.S. maintains statistics about global UFO sightings. Notably, they are ticking up again….
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born July 2, 1877 – Hermann Hesse. You’ll expect me to celebrate The Glass Bead Game (also published as Magister Ludi), and I do, subtle, profound, satirical, moving, the first Nobel Prize SF novel, to my surprise and delight reaching the Retrospective Hugo ballot. Other books of his in or near SF and more in line with the Hesse fad are Steppenwolf, Siddhartha, Journey to the East. (Died 1962) [JH]
Born July 2, 1908 — Rip Van Ronkel. Screenwriter who won a Retro Hugo for Best Dramatic Presentation at Millenium Philcon for Destination Moon. He also produced the earlier Destination Space movie for television, andwrote the screenplay for The Bamboo Saucer. (Died 1965.) (CE)
Born July 2, 1914 – Hannes Bok. Under this name (from Johann S. Bach) and in a short life he was one of our masters. First Hugo for Best Cover Artist, shared with Emsh (Ed Emshwiller). A hundred covers, his many monochromes maybe even better. See how well he could work when he wanted to do without his famous weirdness (he turned down hundreds of commissions he didn’t want): Lest Darkness Fall; the Nolacon I Program Book (9th Worldcon); F & SF under Davidson (yes, I know those are covers). Author too, novels, two dozen shorter stories, poems published posthumously as Spinner of Silver and Thistle. See Petaja’s biography and flights of angels, and Ned Brooks’ index. (Died 1964) [JH]
Born July 2, 1935 – Doug Hoylman, Ph.D. I hope I know when Our Gracious Host has done better than I can. (Died 2015) [JH]
Born July 2, 1946 – Arnie Katz, 74. He’s done much. Fundamentally a fanziner, he’s contributed to clubs and cons. I might not be luxuriating in APA-L (alas, this Fancy 3 article has not caught up with Fred Patten) if AK hadn’t been a forerunner with APA-F. He owes me a chicken dinner, but he’s quite fair about what I must do to collect. Anyway, I pray for his prosperity. And see here. [JH]
Born July 2, 1948 – Larry Tucker. How bodacious July 2nd has been for the birth of nearly unbelievable brothers (sisters too! it just happens I’ve come to another brother). This Titan took fanzines to video – took fanzines to video early on, while the tech was still truculent: Uncle Albert’s Video Fanzine (he had in mind this Uncle Albert; alas, I never asked if he also thought of, less directly or even less fairly, this one (but look who has the cigar). LT co-founded the Ann Arbor SF Ass’n and the SF Oral History Ass’n; he didn’t start, but always inspired, the Stilyagi Air Corps and the well-named ConFusion. The photo here is by Mark Olson; speaking of Leah Zeldes Smith (see no. 8 here), I’ve just recommended one of her stories. (Died 2013) [JH]
Born July 2, 1948 —Saul Rubinek, 72. Primarily of interest for being on Warehouse 13 as Artie Nielsen, though he does show rather often on genre series and films including Eureka, Masters of Horror, Person of Interest, Beauty & the Beast, Stargate SG-1, The Outer Limits and Star Trek: The Next Generation. Memory Run and Death Ship seem to be his only only genre films. His latest genre role is in For all Mankind as Rep. Charles Sandman in their “He Built the Saturn V“ episode. (CE)
Born July 2, 1949 — Craig Shaw Gardner, 71. Comic fantasy author whose work is, depending on your viewpoint, very good or very bad. For me, he’s always great. I adore his Ballad of Wuntvor sequence and highly recommend all three novels, A Difficulty with Dwarves, An Excess of Enchantments and A Disagreement with Death. Likewise, his pun filled Arabian Nights sequence will either be to your liking or really not. I think it’s worth it just for Scheherazade’s Night Out. (CE)
Born July 2, 1950 –Stephen R. Lawhead, 70. I personally think that The Pendragon Cycle is by far his best work though the King Raven Trilogy with its revisionist take on Robin Hood is intriguing. And I read the first two of the Bright Empires series which are also very much worth reading. (CE)
Born July 2, 1956 — Kay Kenyon, 64. Writer of the truly awesome The Entire and the Rose series which I enjoyed immensely as a listening experience a few years back. I’ve not read his Dark Talents series, so opinions please. (CE)
Born July 2, 1962 – Laura Benedict, 58. Nine novels, a few shorter stories; anthologies. “You don’t look like a person who writes scary stories. I hear those words often and it makes me laugh every time.” She put them next to this photo for good reason. Three anthologies (with Pinckney Benedict, who – never mind, it’s not his birthday notice) are called Surreal South, for good reason. [JH]
Born July 2, 1970 — Yancy Butler, 50. Detective Sara Pezzini on the Witchblade series which would’ve been awesome with current CGI. She was later Avedon Hammond in Ravager, Captain Kate Roebuck in Doomsday Man, Angie D’Amico in Kick-Ass and Kick-Ass 2, Reba in Lake Placid 3 and Lake Placid: The Final Chapter, Officer Hart in Hansel & Gretel Get Baked (also known as Black Forest: Hansel and Gretel and the 420 Witch) (given the latter, a career low for her) and Alexis Hamilton in Death Race 2050. Series work other than Witchblade wasa recurring role as Sgt. Eve Edison in Mann & Machine inher first genre role. (CE)
(11) COMICS SECTION.
Shoe answers a history quiz. Spectacularly wrongly.
Two Incidental Comics by Grant Snider.
(12) UMM, ROBOT LITMUS TEST? This line occurred recently in Agents of S.H.I.E.L.D. Agent Coulson was trying to identify who on a bus might be a time-traveling robot from the future and he came out with this:
(13) THE MARCH OF FUR. Coming July 3, The Fandom is a feature length documentary about the furry community from its origins in sf and anime fandoms up to present day.
The Fandom explores the history of animation fans who brought anime to the western world in the 1970s, Disney animators who faced threats to their careers, sci-fi fans who started the first furry conventions, and why furries became early adopters of the 1980s internet. It contrasts that with the modern fandom covering how it became a haven for the LGBT community as well as a positive economic and artistic impact on major US cities.
…I keep an eye out for all media about furries, and often call the Furry 101 kind boring. The Fandom raises the bar by giving an intimate tour with quality and heart. It’s 95% positive celebration.
Documentaries can show more drama or criticism or bad sides than this really does. But how much negativity do you need in these times? Not to say that this documentary has no opinion — it’s strong advocacy.
The toastmaster wears many hats at worldcon, but probably the single biggest part of the gig is hosting the Hugo Awards ceremony. I am going to be doing that with a combination of live streaming and pre-recorded videos, which we will (I hope I pray) edit seamlessly together. This week I have started recording some of those videos. It has been fun, if a little surreal, to be reading off the names of this year’s Hugo finalists when voting has not actually started yet. And trying to be amusing (one hopes) while talking into a camera without the feedback of laughter (or moans, boos, or soul-chilling silence) from an actual audience is challenging as well. But so it goes.
…((And before anyone starts to panic, “oh my god he is making videos in place of writing,” OF COURSE I am still working on WINDS OF WINTER as well. That really should go without saying, yet somehow I need to say it, or someone might make stupid assumptions. I am also doing some editorial work on three new Wild Cards books, reading scripts and making notes on a couple of exciting Hollywood projects, texting with agents, editors, and friends about this and that, eating several meals a day, watching television, reading books, and from time to time using the toilet. Just because I do not mention it in every Not A Blog does not mean it is not happening)).
(15) BE YOUR OWN CTHULHU. This bit of Lovecraftian solipsism has been making the rounds:
Sam Maggs is no stranger to SYFY FANGRRLS. She’s got her hands in some of our absolute favorite properties of all time, from Spider-Man to Star Trek, and we’re so thankful she’s there to represent our, well, fangirling. But now, Maggs is back with something brand new on her plate: original fiction! Her debut novel Con Quest! came out just last week.
Con Quest! is a comics convention adventure for young readers about fandom, family, and finding your place in the world!
Cat and Alex are excited to be at the world’s most popular comics convention — and they’re even more excited to compete in the Quest, a huge scavenger hunt run by their favorite nerdy celebrity. The big prize: a chance to meet him!
(18) REALLY FAUX GAIMAN. “Neil Gaiman–Bad Gaiman Challenge–Wits” on YouTube is an excerpt from a 2014 episode of the public radio show Wits where Gaiman read the winners of the show’s “Bad Gaiman challenge.”
We asked you guys to submit their worst versions of a Neil Gaiman-style short story. Hundreds responded to the call. Here, read by Neil Gaiman himself, are the worst of the worst.
[Thanks to Martin Morse Wooster, Mike Kennedy, Andrew Porter, Michael Toman, John King Tarpinian, JJ, John Hertz, Chip Hitchcock, Jenifer Hawthorne, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Stoic Cynic.]
(1) PUBLISHER CUTS TIES WITH MYKE COLE. Angry Robot, which published their first Myke Cole book, Sixteenth Watch, in March, says they won’t be bringing out any more.
Cole previously had a trilogy published by Tor, and another series by Ace.
Cole also has been dropped by his agent.
Vault Comics canceled Hundred Wolves, where Myke Cole was the writer. The series was set to begin in September.
Cole apologized for his behavior, and reiterated an apology from 2018 — and then said he was “exiting…the public square…for the foreseeable future.”
(2) THE ROOM WHERE IT SHOULDN’T HAPPEN. Foz Meadows suggests ways to understand and navigate the sff social scene. Thread is compiled at Threadreader.
Foz kicks off with this tweet –
— but spends more time on issues like these:
(3) THE PROMISE OF ANGER IS AN ILLUSION. Alexandra Erin also discusses ethical ideas that may be helpful in deciding how to handle social situations: “More In Sorrow Than In Anger”. Tagline: “On what we choose to do when all our sins are remembered.”
This is not the piece I had planned on writing this week. While I cannot ignore national politics or world events, the professional community of which I am a part – that of the science fiction and fantasy literary profession – has been imbroiled with a wave of revelations of misconduct by some of the big fish in our small ponds of convention circuits, mentor programs, and what passes for royalty and nobility in our petty fiefdoms.
… At some points in our lives, all of us will find ourselves in a situation where the next thing we do will either make others very sad or very angry.
Sometimes this will be entirely outside your control. Sometimes you are placed in a situation through no fault of your own where nothing you do will make others happy, and in fact anything you do will likely leave them unhappy.
This is not about those times.
This is about the times when you do something, or are party to something, or fail to prevent something that is hurtful and harmful to others. Maybe you didn’t see it that way. Maybe you didn’t intend to do anything wrong.
But it’s true nonetheless that you’ve caused damage and now the question is what to do about it. What to say about it. Where to go next.
(4) WORD PICTURE. Catherynne M. Valente offered a way of looking at recent developments.
Since June 15, 2020, when artist/writer Cameron Stewart was widely accused of abusing his clout to prey on aspiring teenage comic book creators, the industry has continued to be rocked by allegations of other prominent figures sexually harassing, assaulting, or coercing their colleagues. Other creators have also begun to speak out about general sexism in the industry.
This list of recent allegations will continue to be updated….
(6) KEENE’S COMMENTS. In last night’s episode of The Horror Show With Brian Keene, he said the show’s team was aware of 10 cases of allegations involving everything from sexual coercion to sexual assault that have been made “against ten different individuals in the comic book, horror, science fiction, book-selling, convention organizer, and cosplay sectors of our industry — all of which had publicly come to light in the last 7 days.”
When Keene followed up the podcast today with a public Patreon post, “Behind Closed Doors”, he said the number is up to 17.
…When we started out, we were lifted up by those who came before us. Now, we spend a good part of each day lifting up those who are following our trail. But while we may be able to speak with some authority on the quality of that person’s writing or art or directorial abilities, and while we may speak to them via email or phone or social media — at the end of the day, we don’t always know what’s going on behind closed doors.
…Ignorance is not an excuse. But I do believe that we as creators, in the process of lifting up others and celebrating others, must always remember that we don’t know what goes on behind closed doors. And if those doors are opened and we see what goes on, and it is harmful to individuals or to our greater community, then we have a duty to speak out about it and our association with that person going forward, as I did with Chandler.
I believe we can separate the art from the artist. I also believe we can separate the artist from their associations. I believe that once their associations come to light, we should take a moment — just a moment — and look at it with some nuance. If the artist was associated with something like Stormfront, and was secretly posting hate-screeds, okay, yeah, fuck that person right in the ear. But there’s a big difference between that and Tweeting, “Hey, check out this other author’s book.”
We as creators have a responsibility when it comes to our platforms and our reach. If we’ve lifted up an artist who is later alleged to have done something harmful to individuals in our community, or to the community itself, I think it is our absolute duty to speak on that candidly and honestly and urgently. And that can be difficult. I think the most heartbreaking thing about Kelly Sue DeConnick’s two videos regarding the Warren Ellis allegations is not what she says — but what she doesn’t say. The hurt and bewilderment that is there in her expression. The pain left unvoiced. I can only imagine how hard it was for her to speak out like that, but she was right to do so. To not address it, after years of Ellis lifting her up to his audience and she (in all fairness) lifting him up to her audience, would have been a disservice to the larger community.
Due to allegations made against one of our members, on Wednesday evening, June 24, 2020, the Board of Directors of Mystery Writers of America (MWA) voted to suspend the membership of the accused member, pending the outcome of our investigation. Mystery Writers of America takes the safety of our members at industry events, whether sponsored by MWA or not, very seriously and will continue to work towards a goal of making every event safe for everyone who attends. We are currently working with our legal advisors on developing a more comprehensive code of conduct, which will be completed and made public shortly.
Eight of 10 board members and the executive director have resigned from International Thriller Writers, a professional association which has faced widespread criticism for its responses to the Black Lives Matters protests and an author’s allegations she was harassed during a writers conference.
Criticism of the ITW emerged last week when novelist Laurie Chandlar announced on Twitter that she had stepped down from her position as Debut Author Chair.
“I and another female author brought serious concerns to the ITW board regarding a male author’s behavior at an industry event. They were summarily and callously dismissed,” Chandlar wrote. “For years I’ve heard of women being harassed, groped, and cornered at industry events. And even with serious complaints involving a police report, it seems some leaders have preferred over the years to just sweep it all under the rug.”
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born June 26, 1905 – Lynd Ward. His striking Gods’ Man, a novel in woodcuts, has no words; an artist sells his soul for a magic paintbrush, which seemed a good idea, but ha ha; there’s a Dover edition; the title alludes to Plautus’ Bacchides Act IV sc. 2, “Whom the gods favor, dies young”. LW did a fine illustrated edition of Frankenstein; won the Caldecott Medal; with wife May McNeer, other notable work, e.g. Prince Bantam about Yoshitsune and Benkei who although historical people are also the stuff of legend. Here is another LW image. (Died 1985) [JH]
Born June 26, 1910 – Elsie Wollheim. One of the original Futurians. Wife and then widow of Donald A. Wollheim, co-founded DAW Books with him and succeeded him at his death. Guest of Honor at WisCon 5, Lunacon 26, DeepSouthCon 33, L.A.con III the 54th Worldcon (some use Roman numerals, some don’t) chaired by Our Gracious Host. (Died 1996) [JH]
Born June 26, 1929 – Milton Glaser, 91. Graphic designer. Made the logograph for DC Comics; also I [heart] NY which, since I’ve lived there, I invite you to consider as possible fantasy, but I loved it, anyway. Two dozen covers for us. Here is A Canticle for Leibowitz. Here is The Man Who Called Himself Poe. Here is a Bob Dylan poster. [JH]
Born June 26, 1929 – Wally Weber, 91. Of Seattle and Huntsville. Co-edited Cry of the Nameless when it won the Hugo for Best Fanzine; chaired the 19th Worldcon; TAFF (Trans-Atlantic Fan Fund) delegate. [JH]
Born June 26, 1936 – Nancy Willard, Ph.D. Wrote Things Invisible to See, four more; four shorter stories; poetry; two or three score other things of which we might claim many; Pish, Posh, said Hieronymous Bosch and The Sorcerer’s Apprentice illustrated by the Dillons; Newbery Medal for A Visit to William Blake’s Inn. (Died 2017) [JH]
Born June 26, 1987 – Zoraida Córdova, 33. Eight novels, of which one is Star Wars and so is a shorter story (in From a Certain Point of View). Having been reared in Queens she naturally writes about Brooklyn Brujas. Co-hosts a podcast Deadline City. [JH]
(10) MUPPETS NOW. The forthcoming Disney+ Muppets show starts July 31.
So the Grateful Dead are launching a deodorant brand, which is not particularly on-brand. It’s true – when you think of the Dead, you don’t right away think fresh scent. But the line is handmade, small-batch and vegan. The fragrances have names like skull and roses and sunshine, overtones of lavender and rose and blood orange and bergamot, respectively. All this meaning your armpits can now glow with the gold of sunshine.
You could help the Curiosity rover navigate Mars by flipping through photos of the red planet’s rocky landscape and labeling what you see.
NASA is asking volunteers to help sort through and label thousands of photographs taken by the rover. The labels, gathered through the AI4MARS program, will help the rover pick a path to reach its next scientific target. The labels will contribute to a machine learning project to help the rover’s path planners pick smooth routes, after years of sharp terrain wore down the rover’s treads, Elizabeth Howell reports for Space.
… Curiosity landed on the Red Planet in 2012. In theory, choosing clear, smooth paths could help extend Curiosity’s useful time on Mars. But by 2017, there was damage on the rover’s zigzagged treads, threatening their ability to carry its four-ton mass. That’s after only driving about 14 miles throughout its mission so far. According to a statement, it can take four to five hours for a team of rover planners to figure out where Curiosity should drive and how it should get there.
The estate of Sir Arthur Conan Doyle has sued Netflix over its upcoming film Enola Holmes,arguing that the movie’s depiction of public domain character Sherlock Holmes having emotions and respecting women violates Doyle’s copyright.
Enola Holmes is based on a series of novels by Nancy Springer starring a newly created teenage sister of the famous detective. They feature many elements from Doyle’s Sherlock Holmes stories, and most of these elements aren’t covered by copyright, thanks to a series of courtrulings in the early 2010s. Details from 10 stories, however, are still owned by Doyle’s estate. The estate argues that Springer’s books — and by extension Netflix’s adaptation — draw key elements from those stories. It’s suing not only Netflix, but Springer, her publisher Penguin Random House, and the film’s production company for unspecified financial damages.
We’re interested in works of genre fiction (adult and YA crossover only) whose themes include race, gender, and building an equitable society; illness, pandemics, and the post-apocalypse; superheroes and supervillains outside of comics and graphic novels; and witchy dark fantasy. Pitches on other SFF trends are welcome, as is information on series openers/finales. New titles only, please; no reprints. Pub dates: Sept. 2020–Feb. 2021.
… The Walt Disney Co. on Thursday announced that its classic ride Splash Mountain would be “completely reimagined,” amid scrutiny over the ride’s roots in the racist 1946 film “Song of the South.”
The ride will be redesigned to draw from the 2009 film “The Princess and the Frog,” the first Disney animated movie to feature a Black princess. According to Disney, the redesign has been in the works for over a year, though no concrete timeline for its construction and relaunch has been announced. The new ride’s storyline will pick up after Princess Tiana and Louis’ final kiss in the film, and feature music from the movie as the pair prepare for a Mardi Gras performance….
As the industry grapples with how to reopen for production safely, one movie is proceeding with a lead actress who is immune to COVID-19 — because she’s a robot named Erica.
Bondit Capital Media, which financed titles such as To the Bone and the Oscar nominated Loving Vincent, Belgium-based Happy Moon Productions and New York’s Ten Ten Global Media have committed to back b, a $70 million science fiction film which producers say will be the first to rely on an artificially intelligent actor.
Based on a story by visual effects supervisor Eric Pham, Tarek Zohdy, and Sam Khoze, who also produces through Life Entertainment, b follows a scientist who discovers dangers associated with a program he created to perfect human DNA and helps the artificially intelligent woman he designed (Erica) escape.
Japanese scientists Hiroshi Ishiguro and Kohei Ogawa, who created Erica in real life as part of their study of robotics, also taught her to act, applying the principles of method acting to artificial intelligence, according to Khoze….
(18) VIDEO OF THE DAY. In “Howard The Duck Pitch Meeting” on YouTube, Ryan George explains why Howard The Duck made no sense.
[Thanks to John Hertz, JJ, John King Tarpinian, Cat Eldridge, Daniel Dern, Chip Hitchcock, Mike Kennedy, Martin Morse Wooster, Michael Toman, Dan B., and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Kendall.]
Okay, the world continues to go mad, with Covid-19, racism, and social injustice rampant. (Tonight, for instance, they’re tear-gassing people in D.C. again, coronavirus cases in Arizona are spiking, and two megachurch conmen are claiming they’ve invented a new air conditioning that kills 99.9 per cent of the virus. Note: They haven’t.)
I spend most of my days yelling and/or screaming at the TV and obsessing about how nuts everything is and how many things need to be fixed, and today’s no exception, but some of the time, just to keep a tenuous hold on our sanity, my family and I try to think about stuff that has nothing to do with the mayhem around us. To that end, my husband quilts, my daughter does the Getty Art Challenge, I read Agatha Christie mysteries, and together my daughter and I make up lists of favorite books and movies.
We thought you might need to take a mental break occasionally, too, so we’re sharing this, but I don’t want you to think that we’re not still VERY AWARE of how much is wrong and how much we need to do to rescue the world from its current messes.
So, in that spirit…
My daughter Cord and I had so much fun coming up with our lists of books that we reread over and over again, that we decided to put together another list, this one of movies and books that you should definitely read and/or watch….
5. BOOK: SENSE AND SENSIBILITY by Jane Austen MOVIE: SENSE AND SENSIBILITY (with Emma Thompson, Kate Winslet, and Hugh Grant)
It’s impossible to improve on Jane Austen, but Emma Thompson almost pulls it off in her brilliant script for the 1995 movie, SENSE AND SENSIBILITY. She got rid of a bunch of extraneous characters and equally extraneous scenes and made the younger sister Margaret (a mere cipher in the novel) into a charming and fully-developed character who by the end was my favorite: “He’s kneeling down!”
(2) IGNORE THOSE CLICKBAIT WEBSITES. That’s what George R.R. Martin says. He means the other ones, not mine, I’m sure. Even if I am also linking to his Winds of Winter progress report. Because we all want to know!
…If nothing else, the enforced isolation [of the pandemic] has helped me write. I am spending long hours every day on THE WINDS OF WINTER, and making steady progress. I finished a new chapter yesterday, another one three days ago, another one the previous week. But no, this does not mean that the book will be finished tomorrow or published next week. It’s going to be a huge book, and I still have a long way to go. Please do not give any credence to any of the click-bait websites that like to parse every word of my posts as if they were papal encyclicals to divine hidden meanings.
… Of late I have been visiting with Cersei, Asha, Tyrion, Ser Barristan, and Areo Hotah. I will be dropping back into Braavos next week. I have bad days, which get me down, and good days, which lift me up, but all in all I am pleased with the way things are doing.
I do wish they would go faster, of course. Way way back in 1999, when I was deep in the writing of A STORM OF SWORDS, I was averaging about 150 pages of manuscript a month. I fear I shall never recapture that pace again. Looking back, I am not sure how I did it then.
George is also preparing to participate in the virtual Worldcon.
…I still plan to host the Hugo Awards and fulfill all the rest of my toastmasterly duties for worldcon, and have started pre-recording some bits for the ceremony (a wise precaution, since I am hopeless with Zoom and Skype and like things), but that is a lot less time-consuming and distracting than flying to the other end of the world. In between tapings, I return to Westeros.
Some inventive Doctor Who fans — and Nate — showed off their costume-making talents to the world, with The Doctors themselves assessing the results.
The Late Late Show host and former Who cast member James Corden put out a call to Doctor Who fans to compete in a cosplay challenge where they would have some 24 hours to create a costume from the show “using only objects from around their homes.” This is, in fact, keeping with the tradition of the classic series, which has often been teased for its wobbly sets and very low-budget aesthetic. (Seriously, some of the creatures were clearly made from bubble wrap.)
James Corden also did an interview segment with the two actors.
Aaron Robertson: I enjoyed the tongue-in-cheek, poetic quality of the annotations. I wonder if you have any literary influences of your own with those?
Leslie Klinger: The big “literary influence” on me is the best Sherlockian scholarship, written by hundreds of amateur scholars who love the world of Holmes and Doyle. Dorothy Sayers famously explained how Sherlockians approach the stories in their scholarship: “The rule of the game is that it must be played as solemnly as a county cricket match at Lord’s; the slightest touch of extravagance or burlesque ruins the atmosphere.”
I have carried that approach—the Sherlockian “game”—over to other books that I’ve annotated, pretending (or “pretending”) that the stories are true and analyzing them from a biographical/historical perspective. Could the character have really done that? Are the historical aspects presented true or made up?
Neil—no mean Sherlockian himself—is especially adept at weaving reality into his fiction. I discovered that in detail in the course of annotating Gaiman’s Sandman and so fully expected to find a wealth of historical underpinnings here.
…Actors Sandra Oh, Phillipa Soo, John Cho, Ruthie Ann Miles and newcomer Cathy Ang joined producers Gennie Rim and Peilin Chou, along with director Glen Keane, to discuss the making of the movie, a musical adventure about a young Chinese girl named Fei Fei (Ang), who builds her own rocket ship to travel to the moon in order to prove the existence of the legendary Moon goddess Chang’e (Soo).
Soo, a Tony Award nominee for her work in “Hamilton,” noted that she has known about the story of Chang’e since childhood, through a children’s book written by Amy Tan. “I remember as a kid, asking my dad to read it over and over and over to me. Because I was just obsessed with this idea of the moon lady,” Soo said. “And when I was asked to play her, I was of course honored because it’s so infrequent that I’m being asked to play specifically Chinese characters. And also even more rare that I get to be in a film with incredible Asian actors who are surrounding me. So when I read the script and they invited me to come join them to create this beautiful story, I was, of course, immediately on board and so excited.”
(6) AGENT DROPS KRUEGER DUE TO ALLEGATIONS. Publishers Lunch reported today:
Agent DongWon Song announced that he was dropping Filipino-American fantasy author Paul Krueger as a client after allegations were made on Twitter that Krueger had harassed multiple women in publishing, although the specifics of the complaints available on that platform were unclear and mostly second-hand. Krueger posted a vague apology but has since deleted his Twitter account, and one person who publicly accused Krueger subsequently made her account private. DongWon said in his tweet, “I have terminated my professional relationship with Paul Krueger. This was a difficult decision to make but it is the right one.” He referred to “new information coming to light” in the past week and said he had “spoken to several people directly impacted by Paul’s behavior,” later adding, “Thank you to those of you who spoke up. That took courage and I am grateful to you all.”
… So how do you store 12.5 million books — and not only books, but maps, manuscripts, microfilms, periodicals and newspapers too? By 2009, the New Bodleian (which had 11 floors of space) as well as facilities at Nuneham Courtenay and a salt mine in Cheshire (yes, really) were at capacity. Costing approximately £25 million, and involving the biggest book-move in the Bodleian’s history (6.5 million items!), the BSF needed some serious storage. As we entered the main warehouse, it became clear that they really pulled it off.
… The BSF is huge. Its shelves are 11 metres high and over 70 metres long. Before the automatic lights kick in, the narrow aisles seem to converge into darkness. We wore high-visibility jackets to alert staff driving the book-retrieval vehicles to our presence. A cross between a cherry-picker and a forklift, these vehicles are configured to fit exactly between the shelves, allowing staff to retrieve an impressive average of one book per minute. Although I personally wouldn’t like to be 11 metres up in the air, Boyd assured us it’s a very safe operation!
(8) MEDIA BIRTHDAY.
June 23, 1983 — Twilight Zone: The Movie premiered. It was produced by Steven Spielberg and John Landis who says they conceived it as a cinematic interpretation of the 1959–1964 TV series at created by Rod Serling. The film stars Vic Morrow, Scatman Crothers, Kathleen Quinlan, and John Lithgow, with Dan Aykroyd and Albert Brooks in the prologue segment. Burgess Meredith took over as Host, the position of Rod Serling, in the series. So how did it fare? Critics were generally lukewarm, although some like as New York Times‘ media critic Vincent Canby, who called the movie a “flabby, mini-minded behemoth” were almost angry. The audience reviewers at Rotten Tomatoes give it a 54% rating.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born June 23, 1945 — Eileen Gunn, 75. Her story “Coming to Terms” based on her friendship with Avram Davidson won the Nebula Award for Best Short Story. Her stories are in Stable Strategies and Others, Steampunk Quartet and Questionable Practices. With L. Timmel Duchamp, she penned The WisCon Chronicles, Vol. 2: Provocative Essays on Feminism, Race, Revolution, and the Future. (CE)
Born June 23, 1946 — Ted Shackelford, 74. He’s mostly remembered as Lieutenant Patrick Brogan on Space Precinct which lasted a single season of thirty-four episodes. It was created and produced by Gerry Anderson. It combined live action, full-body prosthetics, puppetry, and Supermacromation techniques. The writing crew likewise was huge — thirty-seven are listed at IMDB. Likewise the cast was immense, Ted Shackelford, Simone Bendix, Lou Hirsch and Richard James who a cast of thirty-seven actors according ISFDB! He had the usual one-offs in Alfred Hitchcock Presents, The Twilight Zone, Deadman’s Gun and The Outer Limits. (CE)
Born June 23, 1951 – Greg Bear, 69. Blood Music which won both a Nebula Award for Best Novelette and a Hugo Award for Best Novelette is an amazing read. I’m also very fond of the Songs of Earth and Power duology, The Infinity Concerto and The Serpent Mage, and found his Queen of Angels a fascinating mystery. (CE)
Born June 23, 1953 — Russell Mulcahy, 67. You’ll likely remember him as directing Highlander, but he was responsible also for Highlander II: The Quickening, but disowned it after the completion-bond company meddled with production. He would later release this film as Highlander II: The Renegade Version. He also directed several episodes of The Hunger, On The Beach, Perversions of Science and Tales from The Crypt. (CE)
Born June 23, 1963 — Cixin Liu, 57. He won a Hugo Award for The Three-Body Problem and a Locus Award for Death’s End. He also a nine-time recipient of the Galaxy Award, China’s SFF awards. Anyone got a clue what’s going on with the alleged Amazon production of The Three-Body Problem as a film? (CE)
Born June 23, 1972 — Selma Blair, 48. Liz Sherman in Hellboy and Hellboy II: The Golden Army. She voiced the character also in the animated Hellboy: Sword of Storms and Hellboy: Blood and Iron as well. She’s Stevie Wayne in The Fog, a slasher film a few years later and was Cyane on the “Lifeblood” episode of Xena: Warrior Princess. Later on, she’d be Jessica Harris in the “Infestation” episode of Lost in Space. (CE)
Born June 23, 2000 — Caitlin Blackwood, 20. She was the young Amelia Pond in these Doctor Who episodes; “The Eleventh Hour”, “The Big Bang”, “Let’s Kill Hitler”, and “The God Complex”, and had a cameo in “The Angels Take Manhattan”. She’s the cousin of Karen Gillan who plays the adult Pond. No idea how she was cast in the role but it was brilliantly inspired! (CE)
Born June 23, 1896 – Paul Orban. His first sale was a watercolor at age 14 for $5 – about $135 in money of 2020. Fifty years later he had done a dozen covers, some fourteen hundred interiors. Brian Aldiss said he expressed “perennial things – unending quests, great aspirations, long farewells, and a welcoming pair of arms on the far side of light.” Here is a cover for Astounding magazine. Here is a cover for Marooned on Mars. Here is an interior for The World of Null-A. Here is an interior for Norman Menasco’s “Trigger Tale”. (Died 1974) [JH]
Born June 23, 1931 – Nancy Share. With her sister Marie-Louise Share produced the fanzine Hodge-Podge for SAPS (the Spectator Amateur Press Society); with Larry Touzinsky, Fan To See (she was Art Director) which had contributions and letters from Robert Bloch, Terry Carr, Harlan Ellison, Juanita Wellons (later J. Coulson). When Wrai Ballard wrote Non-Poetry that poetry-haters might like, NS countered with Am-So Poetry. After the revelations of Ghu, Foo (or Foofoo), and Roscoe, NS proclaimed Ignatz. She married Art Rapp, the first Rosconian. (Died 2002) [JH]
Born June 23, 1937 – Richard Curtis, age 83. Edited the anthology Future Tense; audio anthology Best of Science Fiction and Fantasy; wrote Squirm, a movie novelization; a few shorter stories. Best known as a literary agent; contributed “Agent’s Corner” to Locus 1980-1992, collected as Mastering the Business of Writing (rev. 1996). [JH]
Born June 23, 1947 – Mark Olson, F.N., age 73. Active Boston fan; has been President and Treasurer of both NESFA (New England SF Ass’n) and MCFI (Massachusetts Convention Fandom, Inc., which has produced three Worldcons, four Smofcons). Chaired Boskone 23 and Noreascon 3 (47th Worldcon). Fan Guest of Honor at ArmadilloCon 9, Minicon 34, WindyCon 33. Fellow of NESFA, a service honor. Active with fanhistory Website fanac.org (fanac = fan activity; FANAC = Florida Ass’n for Nucleation And Conventions ran the 50th Worldcon, then started the Website); oversees Fancyclopedia 3. Fanzine, The Typo Machein. [JH]
Born June 23, 1967– Tommy Ferguson, age 53. Founded the Queen’s University of Belfast Science Fiction & Fantasy Society. Lived in Belfast, Toronto, Belfast. Long-time fanzine Tommyworld – TF beat Claire Brialey, Tom Digby, Mike Glyer, Cheryl Morgan, Ted White, and me for Best Fanwriter in the 1998 FAAn (Fan Activity Achievement) Awards – now a Website. [JH]
Born June 23, 1981 – Ertaç Altinöz, age 39. Digital artist (his name actually uses a dotless-i character which in Turkish stands for a sound different from i, but the software won’t show it). Here is a cover for Clarkesworld 49. Here is Shireen Baratheon teaching Ser Davos to read. Here is “The Pointy End”, which for me recalls Princess Langwidere in Ozma of Oz. [JH]
After being officially cancelled earlier this year due to the ongoing coronavirus pandemic, Free Comic Book Day is back! Though usually scheduled for the first Saturday in May each year, Diamond Comic Distributors have announced the event will take place in comic shops around the country with brand new free comics every week starting in July and running through September. Due to the length of the event now, it’s being rebranded as Free Comic Book Summer for this year. Retailers will receive five to six Free Comic Book Day (FCBD) titles in their weekly shipments during each week of the promotional window, the full slate of which you can find below.
“Every year, Free Comic Book Day is our big event to thank current comics fans, welcome back former fans and invite those new to comics to join the fun,” said Joe Field, originator of FCBD, and owner of Flying Colors Comics in Concord, CA. “In this very different year, Free Comic Book Day is more like Free Comic Book Summer… and there’s so much fun to discover in this year’s FCBD comics! So many cool stories are available for this stretched-out Free Comic Book Day 2020. I’m confident long-time fans and newcomers alike are going to find a story that’ll make them want to visit their local comic shop every week! Fans, bring your friends and family and head to your local comic shop every week starting July 15 through September 9 to check out the new, and fantastic, free comics available that week!”
(11) A RECORD NO ONE WANTS TO SURPASS. Rob Hansen has added a section on the 1970 UK Eastercon to his THEN fanhistory website, with photos and links to audiofiles.
SCI-CON the 1970 UK National Science Fiction Convention took place over the weekend of Friday, 27th March to Monday, 30th March. It was held in London at the Royal Hotel, Russell Square (located a hundred yards or so from Russell Square Underground station). It’s widely regarded as being the worst Eastercon ever held.
Well, I guess that’s frank enough!
Bill Burns’ Prologue gives immediate hints about why things didn’t go well.
…At the Oxford Eastercon in 1969, George Hay proposed with his then-usual enthusiasm that the 1970 convention should be held in London – without having done any prep work on finding a hotel (or indeed on anything else). In the absence of any other bids, George was awarded the con. At the time he was also starting something called “The Environmental Consortium” with an office in central London, whose aims were never quite clear to me, but which an on-line reference notes was one of George’s organisations to promote “applied science fiction”.
Despite winning the bid, George had no hotel, no committee, and no idea how to run a con. Derek Stokes and I looked at each other in dismay, and volunteered for the committee in the hope of steering the con at least partially along traditional lines, but George had his own agenda and couldn’t be restrained….
(12) HAMILTON. Some inside baseball about the Disney+ release of Hamilton.
An extremely rare Pokemon card, thought to be one of only seven ever produced, is up for auction online and experts said it could sell for up to $100,000.
The Pokemon Super Secret Battle No. 1 Trainer card, being sold by Heritage Auctions, is billed by the auction house as the “holy grail” of collectible cards and its condition was rated a perfect 10 by experts at PSA Card.
For the first time in more than three decades, research scientists have received grant money from NASA to search for intelligent life in outer space.
Specifically, the [$278K, 2 year ] grant will provide funding for a project to search for signs of life via “technosignatures.”
Grant recipient Avi Loeb of Harvard is quoted as saying:
“Such signatures might include industrial pollution of atmospheres, city lights, photovoltaic cells (solar panels), megastructures or swarms of satellites.”
Anogher grantee, Adam Frank (University of Rochester) said:
“The Search for Extraterrestrial Intelligence has always faced the challenge of figuring out where to look. Which stars do you point your telescope at and look for signals? Now we know where to look. We have thousands of exoplanets including planets in the habitable zone where life can form. The game has changed.”
On 20 July, Nasa will get its first opportunity to launch the Perseverance rover to Mars. Here, we answer some common questions about the mission.
What will the rover do?
The Perseverance rover will land on Mars to search out signs of past microbial life, if it ever existed. It will be the first Nasa mission to hunt directly for these “biosignatures” since the Viking missions in the 1970s.
The rover will collect samples of rock and soil, encase them in tubes, and leave them on the planet’s surface for return to Earth at a future date. Perseverance will also study Martian geology and test out a way for future astronauts to produce oxygen for breathing and fuel from CO2 in the atmosphere.
In addition, a drone-like helicopter will be deployed to demonstrate the first powered flight on Mars. Perseverance will explore Mars’ Jezero Crater for at least one Martian year (about 687 Earth days).
The newly crowned world’s fastest supercomputer is being deployed in the fight against the coronavirus.
Japan’s Fugaku supercomputer claimed the top spot on Monday, carrying out 2.8 times more calculations per second than an IBM machine in the US.
The US machine, called Summit, came top of the bi-annual Top500 list the previous four times.
Fugaku’s victory broke a long run of US-China dominance, returning Japan to the top for the first time in 11 years.
Top500 ranks the world’s most powerful non-distributed computer systems.
Fugaku has already been put to work on fighting the coronavirus, simulating how droplets would spread in office spaces with partitions installed or in packed trains with the windows open.
When it is fully operational next year, experts are hoping the machine will also be able to help narrow down the search for effective treatments for the virus.
The room-sized machine lives in the city of Kobe and was developed over six years by Japanese technology firm Fujitsu and the government-backed Riken Institute. Its name is another way of saying Mount Fuji.
Its performance was measured at 415.53 petaflops, 2.8 times faster than second-place Summit’s 148.6 petaflops. The US machine is housed at the Oak Ridge National Laboratory in Tennessee. A supercomputer is classified by being more than 1,000 times faster than a regular computer.
Facebook has banned users trading in historical artefacts on the site.
It follows a campaign by academic researchers and an investigation by BBC News, exposing how items looted from Iraq and Syria were sold on Facebook.
One expert welcomed the move but said for anything to change, Facebook should invest in “teams of experts to identify and remove networks rather than playing whack-a-mole with individual posts”.
Facebook says all trade in ancient artefacts is banned on its platforms.
(19) PLAIN GOOFY. The Screen Junkies continue their look at older movies with their “Honest Trailer” on A Goofy Movie.
[Thanks to Chip Hitchcock, JJ, Martin Morse Wooster, N., Cat Eldridge, John Hertz, Mike Kennedy, Michael Toman, John King Tarpinian, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]