Links to the Atropa Series

Atropa is an SF series in seven 10-minute parts. The Scroll linked to one of them the other day – and Jonathan Cowie is making sure you won’t miss the rest by providing links to all of the episodes. Enjoy.

When Off-World Officer Cole Freeman finds the missing research vessel ATROPA, he discovers an inconsistency in the ship logs. He wakes the crew from hypersleep, and they soon find themselves caught up in a much bigger mystery.

EPISODE 1

EPISODE 2

EPISODE 3     

EPISODE 4

EPISODE 5

EPISODE 6

EPISODE 7

Beware spoiler: The series raises some metaphysical issues. (Conservation of mass: apparently we are in an Everett III multiverse…)

[Thanks to SF Concatenation’s Jonathan Cowie for the story.]

Pixel Scroll 9/22/21 Or I Will Scroll Thee In The Gobberfiles With My Pixelcruncheon, See If I Don’t!

(1) WORKING FOR THE MAN EVERY NIGHT AND DAY. Yesterday’s Scroll picked up The Mary Sue’s report that “Marvel Fired Joe Bennett After Alleged Anti-Semitic Cartoons”. Today Bounding Into Comics reports Bennett is now working for Vox Day’s Arkhaven Comics: “After Being Blacklisted By Marvel Comics, Joe Bennett Joins Arkhaven Comics”. That obviously wasn’t a hard decision for Bennett.

…In a press release, Arkhaven Comics notes they “did not hesitate to take advantage of Bennett’s unexpected availability, and promptly signed the former DC and Marvel illustrator as its lead artist on two series being written by legendary comics writer Chuck Dixon.”

Not only was Bennett the artist for Immortal Hulk, but his resume also includes Savage Hawkman, Deathstroke, and Arrow Season 2.5 among others at DC Comics. 

…Dixon, who has also been subject to a Marvel Comics blacklist since 2002, welcomed Bennett to Arkhaven Comics stating, “It’s a sign of where the American comic industry is at the moment that they would let a powerhouse talent like Joe Bennett go because his personal politics are not in line with their own.”

“I’m looking forward to working with Joe on both of the projects we have in motion at Arkhaven,” he added….

(2) BARBARIAN AT THE GATES. Funcom has purchased the Cabinet Group, which currently holds the trademarks to Conan and most other Robert E. Howard characters. This mainly affects comics and videogames, since there apparently are no movies, TV shows or new books in the works, although they say a game is in development. “Funcom Acquires Full Control of Conan the Barbarian and Dozens of Other IPs”.

…Funcom CEO Rui Casais said he has high ambitions for the IPs and noted at least one unannounced project is already in development. 

“We are currently overseeing the development of an unannounced game which will combine many of the characters in the Robert E. Howard universe,” said Casais. “And if you combine Funcom’s knowledge of games with Heroic Signatures’ knowledge of the TV/entertainment, publishing, and licensing industries, it makes us perfectly placed to take this venture to the next level. It’s exciting times ahead for us and for fans of the IPs.”… 

(3) BES&ST, Lavie Tidhar and Silvia Moreno-Garcia offer an overview of the best sword and sorcery fiction past and present at the Washington Post“Let’s talk about the best sword and sorcery books”.

Lavie: I love the original “Witcher” stories by Andrzej Sapkowski, collected in English as “The Last Wish” in 2007 and translated by Danusia Stok. They were originally published in the Polish magazine Nowa Fantastyka. I got to read “The Last Wish” in proof before it even came out, but I don’t know that anyone then expected it would become as big as it did. For a time, it was nearly titled “The Hexer” but, hexer or witcher, Sapkowski’s Geralt of Rivia is a worthy successor to its earlier influences….

(4) HE CALLED IT. Goodman Games has a post on Fritz Leiber and Fafhrd and the Grey Mouser by James Maliszewski: “Fritz Leiber, H.P. Lovecraft, and the Origin of Sword-and-Sorcery Stories”.

In the May 1961 issue of the fantasy fanzine Amra, future stalwart of Appendix N, Michael Moorcock, wrote a letter to the editor in which he proposed the term “epic fantasy” for the literary genre pioneered by Robert E. Howard in his stories of Conan the Cimmerian. In the July issue of that same year, however, Fritz Leiber offered another term in reply, writing, “I feel more certain than ever that this field should be called the sword-and-sorcery story.” Leiber elaborates a bit on his coinage, adding that this term “accurately describes the points of culture-level and supernatural element,” as well as being useful in distinguishing these stories from other popular pulp genres….

(5) WHAT BELONGS IN THAT BOX? Also at Goodman Games, — now that we have a name for these stories, how do we define sword and sorcery? Brian Murphy discusses the problem in “Sifting Through a Sword-and-Sorcery Definition”.

…But, in the same essay Moorcock began refining these broad parameters, focusing on a subset of fantasy stories “which could hardly be classified as SF, and they are stories of high adventure, generally featuring a central hero very easy to identify oneself with …. tales told for the tale’s sake… rooted in legendry, classic romance, mythology, folklore, and dubious ancient works of “History.” These were quest stories, Moorcock added, in which the hero is thwarted by villains but against all odds does what the reader expects of him….

(6) RACISM IN S&S. This isn’t new, but Charles R. Saunders’ famous essay “Die, Black Dog, Die” about the latent and not so latent racism in sword and sorcery and fantasy in general from the 1970s is available again online here: “Revisiting ‘Die, Black Dog!’” at Reindeer Motel. (It’s posted as a single image file, so no excerpt here.)

(7) BACKSTAGE TO THE FUTURE. [Item by Martin Morse Wooster, Designated Financial Times Reader.] In the Financial Times, Sarah Hemming reviews Back To The Future: The Musical, which recently opened in London.  Roger Bart, who played Frankenstein in Young Frankenstein, plays Doc.

“As in the film, restless teenager Marty McFly escapes his humdrum home life by hanging out with doc and ends up taking the wheel of the DeLorean for an early voyage.  But he gets more than he bargains for when that voyage lands him back in 1955 and in the hugely awkward position of meeting his teenage mum–who promptly develops a crush on him.  Gale’s script gleefully replicates the film (with a few wise excisions, such as the Libyan terrorists), while relishing the irony that from 2021, 1985 looks like old hat and that, for many in the audience, the whole show is an exercise in nostalgia–coupled with curiosity to see time travel on stage…

…A mix of pastiche and sincerity characterises the show.  The songs (Alan Silvestri and Glen Ballard) channel the periods–such as a peppy Fifties number in praise of gasoline and DDT–and there’s a nice streak of self-mockery.”

The website for the show is Back to the Future the Musical.

(8) SUPER-OVERRATED. James Davis Nicoll has decided there are “Five Superpowers That Just Aren’t As Fun as They Sound”.

Who among us has not dreamed of having superpowers? We are urged thereto by the avalanche of comics, movies, novels, and roleplaying games featuring abilities beyond mortal ken. Yet not all superpowers are created equal. Some superpowers require secondary superpowers to survive.  Other abilities have disquieting consequences for their possessors.

I’m not going to talk about superhumans with powers that would kill them or their friends if exercised. No one dreams of being any of the following:

  • X-Bomb Betty (can self-detonate, producing a 150 million megaton explosion (once))
  • Hazmat (lethal radioactive aura)
  • Absorbing Man (can duplicate the properties of materials he touches; see footnote)

I’m talking, here, about powers that appear on their surface to be useful but later reveal themselves to be harmful to, or at least extremely alienating for, those who wield them. Below are my musings about five such examples…

(9) NOW, THE NEWS. Also, James Davis Nicoll recommends this comedy sketch on Tik-Tok as an interpretation of “the Canadian election seen through the lens of the Matrix”.

(10) GIANT PEACH OF A DEAL. Netflix now owns the rights to Roald Dahl’s stories. Roundup at Adweek: “Netflix Acquires Roald Dahl Story Company, Plans Extensive Universe”.

The U.S. streaming giant announced Wednesday it has bought the Roald Dahl Story Company, which manages the rights to the British novelist’s characters and stories. It comes three years after Netflix signed a deal to create a slate of new animated productions based on the works of Dahl. (CNBC)

Under the previous deal, Taika Waititi is working on Roald Dahl animated series projects for Netflix, covering Charlie and the Chocolate Factory and its sequel, Charlie and the Great Glass Elevator. That’s in addition to two different versions of Matilda, including a film version of Matilda the Musical and an animated series, plus plans to make a BFG cartoon. (The Verge)

(11) 1001, A FACE ODYSSEY. “What About the Heroine’s Journey?” asks the New York Times in its review of Maria Tatar’s The Heroine With 1,001 Faces.

…[Joseph] Campbell’s ideas have rippled out in the culture for decades — especially after a popular series hosted by Bill Moyers in 1988 — but he has long demanded a feminist response. It would be hard to conjure up a more suitable person to provide one than Maria Tatar, the Harvard professor who is one of the world’s leading scholars on folklore.

Her new book, “The Heroine With 1,001 Faces,” out this month from Liveright, is an answer to Campbell, though she is careful not to frame it as an assault. “Even though my title suggests that I’m writing a counternarrative, or maybe an attack on him, I think of it as more of a sequel,” Tatar said in a video interview from her home in Cambridge, Mass.

She is stirring what J.R.R. Tolkien once called the “cauldron of story” in search of the girls and women, some silenced and some forgotten, some from the Iliad and some from Netflix, who live in Campbell’s blind spot. The reader jumps from Arachne’s battle with Athena to the escape of Bluebeard’s trickster wife to Pippi Longstocking and Nancy Drew and even to Carrie Bradshaw typing away on her laptop.

(12) LIGHTEN UP. Sarah Gailey is joined by Sophie Lee Mae and Jaxton Kimble to play with this new writing prompt in “Building Beyond: That’s Just Super” at Stone Soup:

Exposure to fluorescent lights gives people a 98% chance of developing a superpower under conditions of duress.

(13) J. RANDOLPH COX (1936-2021). Randy Cox died in a nursing home on September 14 reports Mysteryfile.com. Cox edited The Dime Novel Round-Up for over 20 year. He wrote several books including Man of Magic & Mystery: A Guide to the Work of Walter B. Gibson, about the man who created The Shadow; Flashgun Casey: Crime Photographer, co-authored with David S. Siegel, about the character originally created for Black Mask by George Harmon Coxe; Masters of Mystery and Detective Fiction: An Annotated Bibliography;  and The Dime Novel Companion: A Source Book. He received the Munsey Award at PulpFest in 2014.

(14) MEMORY LANE.

  • 1964 – Fifty-seven years ago on NBC, The Man from U.N.C.L.E. premiered. It was created by Sam Rolfe who was responsible for Have Gun, Will Travel and Norman Felton who directed All My Children, the first daytime soap which debuted in the Forties. It starred Robert Vaughn, David McCallum and Leo G. Carroll. It would last four seasons of one hundred and five episodes, most in color. Harlan Ellison scripted two episodes, “The Sort of Do-It-Yourself Dreadful Affair” and “The Pieces of Fate Affair.” A reunion film, Return of the Man from U.N.C.L.E. with the subtitle of The Fifteen Years Later Affair with Vaughn and McCallum reprising their roles with Patrick Macnee replacing Leo G. Carroll, who had died, as the head of U.N.C.L.E. There was a film reboot recently that was very well received. 

(15) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 22, 1917 — Samuel A. Peeples. Memory Alpha says that he’s the person that gave Roddenberry the catch phrase he used to sell Star Trek to the network: “[As] fellow writer Harlan Ellison has credited him with the creation of one of the most famous catch phrases in Star Trek lore, “[Gene Roddenberry] got ‘Wagon Train to the stars’ from Sam Peeples. That’s what Gene said to me. They were at dinner and Sam Peeples, of course, was a fount of ideas, and Gene said something or other about wanting to do a space show and Sam said, ‘Yeah? Why don’t you do Wagon Train to the stars?’” (Died 1997.)
  • Born September 22, 1952 — Paul Kincaid, 69. A British science fiction critic. He stepped down as chairman of the Arthur C. Clarke Award in April 2006 after twenty years. He is the co-editor with Andrew M. Butler of The Arthur C. Clarke Award: A Critical Anthology. He’s also written A Very British Genre: A Short History of British Fantasy and Science Fiction and What It Is We Do When We Read Science Fiction. His latest publication is The Unstable Realities of Christopher Priest.
  • Born September 22, 1954 — Shari Belafonte, 67. Daughter of Harry Belafonte, I first spotted her on Beyond Reality, a Canadian series that showed up when I was living in upstate Vermont. You most likely saw her as Elizabeth Trent in Babylon 5: Thirdspace as that’s her most well known genre performance. 
  • Born September 22, 1957 — Jerry Oltion, 64. His Nebula Award winning Abandon in Place novella is the beginning of the Cheap Hyperdrive sequence, a really fun Space Opera undertaking. Abandon in Place was nominated for a Hugo at LoneStarCon 2 (2013). The Astronaut from Wyoming was nominated for a Hugo at Chicon 2000. 
  • Born September 22, 1971 — Elizabeth Bear, 50. First, let’s all wish her a speedy recovery from her cancer surgery which was this week. Her first sff series was a superb trilogy, which might be considered cyberpunk, centered on a character named Jenny Casey. She’s a very prolific writer; I’m fond of her Promethean AgeNew Amsterdam and Karen Memory series. She won an Astounding Award for Best New Writer, a Hugo Award for Best Short Story for “Tideline”, and a Hugo for Best Novelette for “Shoggoths in Bloom”. One of only five writers to win multiple Hugo Awards for fiction after winning the Astounding Award! Very impressive indeed! It is worth noting that she was one of the regular panelists on now sadly defunct podcast SF Squeecast, which won the 2012 and 2013 Hugo Awards for “Best Fancast”. (CE)
  • Born September 22, 1981 — Maria Ashley Eckstein, 40. She’s voice of Ahsoka Tano on Star Wars: The Clone WarsStar Wars Rebels, and Star Wars Forces of Destiny. She even has a voice only cameo as Ashoka in Star Wars: The Rise of Skywalker. And she voiced the character in the audiobook of E. K. Johnston’s Star Wars: Ahsoka.
  • Born September 22, 1982 — Billie Piper, 39. Best remembered as the companion of the Ninth and Tenth Doctors, she also played the dual roles Brona Croft and Lily Frankenstein in Penny Dreadful. She played Veronica Beatrice “Sally” Lockhart in the BBC adaptation of Philip Pullman’s The Ruby in the Smoke and The Shadow in The North.
  • Born September 22, 1985 — Tatiana Maslany, 36. Best known for her superb versatility in playing more than a dozen different clones in the Orphan Black which won a Hugo for Dramatic Presentation (Short Form) at the  73rd World Science Fiction Convention for its “By Means Which Have Never Yet Been Tried“ episode. She received a Best Actress Emmy and more than two dozen other nominations and awards. She’ll be playing Jennifer Walters / She-Hulk in the upcoming Marvel She-Hulk series.

(16) SHARP POINTY TEETH. Of course it’s a vampire movie. Was there ever any doubt? Night Teeth coming to Netflix on October 20.

(17) IT CANNOT BE DENIED. From a book review in today’s New York Times:

“(Turid is among those names, like Shakespeare’s Titus, for which it is crucial, when spelling, not to omit the second vowel.)”

(18) DANGEROUS HISTORY. A genre study titled Dangerous Visions and New Worlds: Radical Science Fiction, 1950 to 1985 edited by Andrew Nette and Iain McIntyre is available for pre-order from PM Press.

…It starts with progressive authors who rose to prominence in the conservative 1950s, challenging the so-called Golden Age of science fiction and its linear narratives of technological breakthroughs and space-conquering male heroes. The book then moves through the 1960s, when writers, including those in what has been termed the New Wave, shattered existing writing conventions and incorporated contemporary themes such as modern mass media culture, corporate control, growing state surveillance, the Vietnam War, and rising currents of counterculture, ecological awareness, feminism, sexual liberation, and Black Power. The 1970s, when the genre reflected the end of various dreams of the long Sixties and the faltering of the postwar boom, is also explored along with the first half of the 1980s, which gave rise to new subgenres, such as cyberpunk.

Dangerous Visions and New Worlds contains over twenty chapters written by contemporary authors and critics, and hundreds of full-color cover images, including thirteen thematically organised cover selections. New perspectives on key novels and authors, such as Octavia Butler, Ursula K. Le Guin, Philip K. Dick, Harlan Ellison, John Wyndham, Samuel Delany, J.G. Ballard, John Brunner, Judith Merril, Barry Malzberg, Joanna Russ, and many others are presented alongside excavations of topics, works, and writers who have been largely forgotten or undeservedly ignored.

Here’s a sample page that was posted to the book’s Kickstarter site:

(19) THE QUICK SAND AND THE DEAD. Juliette Kayyem remembers a hazard much on the minds of young TV viewers back in the day:

Her tweet inspired E. Gruberman to round up a zillion YouTube links to relevant scenes from old shows of TV heroes up to their hips in quicksand.

(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Transformers:  Age of Extinction Pitch Meeting” on Screen Rant, Ryan George says in the fourth Transformers movie, Sam Witwicky disappears without an explanation because Shia LeBouef didn’t want to be in Transformer movies anymore. The writer explains that the Transformers are powered by “transformium,” “which can change into any product placement we want.” but the third act will be “our usual visual mess” but will feature “guns, boobs, America, victory.”

[Thanks to John King Tarpinian, Cat Eldridge, Mike Kennedy, Cora Buhlert, Andrew Porter, Martin Morse Wooster, JJ, and Michael Toman for some of these stories. Title credit belongs to contributing editor of the day Jayn.]

Looking Ahead to 2023 Site Selection

Three groups are bidding to host the 2023 con — Chengdu, China, Memphis, USA, and Winnipeg, Canada – and DisCon III’s Newsletter Issue 2 distributed in early September noted the Advance Supporting Membership rate will be announced no later than when the Site Selection Ballot is released to the public. File 770 inquired when that will happen.

Site Selection Administrator Tim Szczesuil says, “The Tech Division is developing the online payment system for the Site Selection Voting Fee. We hope to have it available shortly. As soon as the payment process is complete we’ll release the Site Selection ballot.”

2021 Elgin Awards

The Science Fiction and Fantasy Poetry Association’s Elgin Award winners have been announced by Jordan Hirsch, the 2021 Elgin Award Chair.

The award is named for SFPA founder Suzette Haden Elgin, and is presented in two categories, Chapbook and Book. Works published in 2019 and 2020 were eligible for this year’s awards.

CHAPBOOK CATEGORY

Winner: Otherwheres by Akua Lezli Hope (ArtFarm Press, 2020)

Second place: Twelve by Andrea Blythe (Interstellar Flight Press, 2020)

Third placeManifest by Terese Mason Pierre (Gap Riot Press, 2020)

FULL-LENGTH BOOK AWARD WINNERS

Winner: The Sign of the Dragon by Mary Soon Lee (JABberwocky Literary Agency, 2020)

Second place: A Collection of Dreamscapes by Christina Sng (Raw Dog Screaming Press, 2020)

Third place (tie): 

Mary Shelley Makes a Monster by Octavia Cade (Aqueduct Press, 2019)

A Route Obscure and Lonely by LindaAnn LoSchiavo (The Wapshott Press, 2020)

There were 19 chapbooks nominated and 64 full-length books; 62 SFPA members voted.

2021 Elgin Chair Jordan Hirsch writes speculative fiction and poetry in Saint Paul, Minnesota.  Her work has appeared with Apparition Literary Magazine, The Dread Machine, Daily Science Fiction, and other venues. 

2021 Philip K. Dick Science Fiction Film Festival Award Winners

The 2021 Philip K. Dick Science Fiction Film Festival has announced the award winners for its ninth annual. The event was held in-person September 17-18 in Manhattan and virtually on September 19.

BEST PHILIP K. DICK FEATURE

  • Lunamancer (2021) — WORLD PREMIERE
  • Director: Noah Mucci
  • Run Time/Country: 70 min, USA
  • Synopsis: A scientist battles an otherworldly Lunamancer for the soul of his sister, armed only with his faith and a crowbar. Starring Nicki Clyne (Battlestar Galactica).

BEST SUPERNATURAL FEATURE

  • The Unhealer (2020)
  • Director: Martin Guigui
  • Run Time/Country: 92 min, USA
  • Synopsis: A botched faith healing on a bullied teenager bestows Native American powers that “reflect” any attempted physical harm back on his aggressor. When his lifelong tormentors pull a prank that kills someone he loves, he uses his powers for revenge and goes on a bloody rampage to settle the score. Starring Lance Henriksen (Aliens) and Natasha Henstridge (Species).

BEST DOCUMENTARY

  • Origin of the Species (2020)
  • Director: Abigail Child
  • Run Time/Country: 92 min, USA
  • Synopsis: An experimental feature documentary that explores current realities of android development with a focus on human/machine relations, gender & the ethical implications of this research. The film records cutting edge laboratories in Japan & the USA where scientists attempt to make robots move, speak & look human. These scientists & their discoveries are contextualized with cinematic & pop culture references, to underline the mythic, comic & uncanny aspects of our aspirations.

BEST PHILIP K. DICK SHORT

  • Pa Pa (2019)
  • Director: Douglas Petrie
  • Run Time/Country: 14 min, USA
  • Synopsis: A lonely mechanic builds a mechanical boy – and becomes an unlikely father to his own creation. Directed by the executive producer of HBO’s The Nevers and starring Clancy Brown (The Shawshank Redemption).

BEST DIVERSITY IN SCI-FI SHORT

  • The Last Starship (2020)
  • Director: Eric Haywood
  • Run Time/Country: 18 min, USA
  • Synopsis: After most of the human race has evacuated earth and relocated to a new world across the galaxy, a group of survivors forms a desperate plan to escape our planet and join the rest of humanity…but the plan comes with a significant risk. Directed by the co-executive producer of NBC’s Manifest and starring Grace Byers (Empire), Jack Coleman (Heroes), and Loretta Devine (Family Reunion).

BEST SCI-FI SHORT

  • The Immortal (2020)
  • Director: Carl Firth
  • Run Time/Country: 20 min, Australia
  • Synopsis: A man who fears death discovers the secret of immortality, but learns that eventually, everything dies – everything except him.

BEST ESCHATON, SINGULARITY AND BEYOND SHORT

  • diff (2019)
  • Director: Keitaro Fujimori
  • Run Time/Country: 27 min, Japan
  • Synopsis: Astronaut Anna awakes on Earth alone after an accident on the surface of the moon. As she undergoes rehabilitation with her attending physician and trainer, she slowly remembers. Yet the differences between her present self and her recollected memories trouble her. Anna eventually learns the truth about her accident.

BEST SUPERNATURAL SHORT

  • Koreatown Ghost Story (2021)
  • Director: Minsun Park, Teddy Tenenbaum
  • Run Time/Country: 15 min, USA
  • Synopsis: In this supernatural horror tale based on a Korean ritual, a woman entertains a macabre marriage offer that would let her pursue her dreams, for better or for much much worse. Starring Grammy and Emmy-nominated standup comedian Margaret Cho, and Lyrica Okano (Marvel’s Runaways).

BEST ISOLATION IN SCI-FI SHORT

  • Routine (2020)
  • Director: Russ Emanuel
  • Run Time/Country: 4 min, USA
  • Synopsis: A film about Cassie and her life during a pandemic, one of quarantine, routines, monotony, consistency, day in, day out – that is, until she runs out of coffee.

BEST ANIMATED SHORT

  • The Dark Odyssey (2020)
  • Director: Michael Lavine
  • Run Time/Country: 9 min, USA
  • Synopsis: A brave captain and his faithful mate transport a captive warrior, who holds The Inventory of The Mind, across the interstellar line. When their ship is forced to navigate an asteroid field, their mission is jeopardized.

BEST WEB SERIES

  • Super Science Friends (2020)
  • Director: Brett Jubinville
  • Run Time/Country: 24 min, Canada
  • Synopsis: A group of super powered scientists are sent through time by Winston Churchill to fight nazis.

BEST TRAILER

  • Come On, Harleen (2020)
  • Director: Christopher Leong
  • Run Time/Country: 2 min, USA
  • Synopsis: As grad student, Harleen Quinzel researches a newly deceased Joker for her thesis, she soon uncovers the commonality she shares with Gotham’s most-feared; spiraling back into the darkness of her own private and tortured past.

BEST VIRTUAL REALITY

  • GEIMU: A Live-Action VR Film
  • Director: Dorian Goto Stone
  • Country: Japan
  • Synopsis: Emi, a gamer, and her friend Hiroshi illegally hack together her gaming console and her AI device (like a Google Home or Amazon Alexa) and then enter the virtual reality RPG (role-playing-game) game world that the AI creates, set in medieval Japan. As they progress in the game, it becomes increasingly glitchy and weird and it becomes evident that Emi and her friend’s lives may be in danger from a deviant AI.

BEST PHILIP K. DICK SCREENPLAY

  • Future-Human: A Documentary
  • Writer: Noel David Taylor
  • Country: USA

BEST SCI-FI PROTOTYPING SCREENPLAY

  • The Hammer Falls
  • Writer: Travis Heermann
  • Country: USA

BEST SCI-FI SCREENPLAY

  • JoinWith.Me
  • Writer: Mike Meier

BEST SUPERNATURAL SCREENPLAY

  • Lizard People
  • Writer: Christopher J. Hall
  • Country: USA

BEST SHORT SCREENPLAY

  • Ads Attraction
  • Writer: Brenden Hubbard, Damon Russell
  • Country: USA

BEST GRAPHIC NOVEL

  • Monitor
  • Writer: Damian Wampler
  • Country: USA

The Philip K. Dick Science Fiction Film Festival launched in 2012 as New York City’s first and only festival of its kind. The festival honors the enduring legacy of novelist Philip K. Dick, whose enormously effective works composed of fictional universes, virtual realities, technological uprising, dystopian worlds and human mutation served as a significant observation of the current state of society. Organized by individuals and filmmakers who understand the difficulties and challenges of presenting unique narratives in a corporate environment, the festival embraces original concepts and alternative approaches to storytelling in the form of independent science fiction, horror, supernatural, fantasy and metaphysical films. Since 2013, the festival has held additional gatherings in France, Germany, Poland, Rotterdam, and Los Angeles.

[Based on a press release.]

Pixel Scroll 9/21/21 I Wish They All Could Be California Scrolls

(1) DATLOW Q&A. “Curating Horror: An Interview with Ellen Datlow” conducted by Sadie Hartmann at LitReactor.

Your anthologies are all invite-only, correct?

Generally yes, unless I’m co-editing and the other editor wants to screen slush for a week or two. Nick Mamatas wanted to have a two week open reading period for Haunted Legends and so we did—and he passed on about 20 stories to me. Interestingly, although we took a few stories from that period, only one—maybe—was from someone we’d never heard of.

And the HWA anthology Haunted Nights that I co-edited with Lisa Morton had several open slots for an open reading. We had a few volunteers from HWA reading what came in and they passed a few stories on to us. The reason is that I don’t have time to read hundreds of submissions, and for a theme anthology, I don’t want dozens of rejected stories on the same theme floating around.

(2) HEAR HIM. Neil Gaiman will have a cameo role in BBC 4’s production of Lud-in-the-Mist, which will air October 30. “Visit Lud-in-the-Mist for Halloween” at SciFi Bulletin.

Doctor Who writer Joy Wilkinson has adapted the groundbreaking fantasy novel Lud-in-the-Mist into a play for BBC Radio Drama, which airs in October.

The novel by Hope Mirrlees was published in 1926 and is considered a pioneer of the fantasy genre that is all too often overlooked. Wilkinson aims to put that right – with the help of one of the book’s greatest advocates, Neil Gaiman, who has a star cameo in the production.

…Gaiman has long championed Lud-in-the-Mist as “a little golden miracle of a book” that is among his top 10 favourite novels. Wilkinson was absolutely thrilled when he agreed to play a pivotal role in the cast, which is led by Richard Lumsden, Olivia Poulet and Lloyd Hutchinson, and includes Doctor Who audio drama alumni Ellie Darvill and Jane Slavin.

(3) WALT LOVED TRAINS. [Item by Martin Morse Wooster.] This video (which dropped two weeks ago) has Disney historian Don Hahn join with Bill Farmer, who has voiced Goofy and Pluto since 1987, to visit Walt Disney’s train barn, which is now in Griffith Park.  Hahn and Farmer learn that Walt Disney was a major rail fan, and discuss how Disney’s love of trains helped to shape Disneyland. “Exploring Walt Disney’s Railroad Barn With A Disney Legend”.

(4) DEADLY.  This animated marvel series on Hulu is about a monkey assassin. George Takei voices one of the characters – not the title character, however. Marvel’s Hit-Monkey.

After a Japanese snow monkey’s tribe is slaughtered, he joins forces with the ghost of an American assassin, and together, they begin killing their way through the Yakuza underworld. Marvel’s Hit Monkey Season 1 premieres on Hulu on November 17, 2021, with all ten episodes. The Voice cast includes George Takei, Jason Sudeikis, Olivia Munn, Ally Maki, Nobi Nakanishi, and Fred Tatasciore.

(5) WRANGLE OVER DRAGON CON MASK POLICY. Author Michael Z. Williamson, who doesn’t favor required mask-wearing, and anyway says his medical situation precludes it, has been exchanging accusations with the Dragon Con committee where he was going to be on the program and have his usual tables to sell knives: “DragonCon: Racism, Lies, and Borderline Fraud” at The Sacred Cow Slaughterhouse.

About two weeks before event, DragonCon suddenly started posting on social media that everyone over age 2 would have to wear a mask, have proof of vaccine (except under 16 can’t get it?), or have a specific test 3 days before (and that last is ridiculous, when an attendee might stop at 12 truck stops on the way there).

Now, my political position on masks aside, I can’t wear one.  That’s literally why I was retired from the military.  Covering my face drops my blood oxygenation to COPD levels.  My wife hits every exemption there is, but good luck getting documentation that anyone considers “Acceptable.”

I inquired with both vendor relations and guest relations, and got told, “Ignore social media, we haven’t heard this and we don’t actually have a policy yet, that will be Thursday.”

Thursday rolls around and the email is, “The policy remains…”

Wait, I thought you didn’t have one yet? “Remains” means that was your policy, but you tried to pretend it wasn’t.

I told them I’d need a rollover by preference or a refund.

“Unfortunately, per policy, it’s too late for a refund or rollover.”

Yet, they were able to change their COVID policy.

So my choice was find someone to cover the show, or forfeit several thousand dollars to the poor, starving, corporate owners of DragonCon.

I withdrew as a guest, and made a public announcement to that effect. I was the 100th.  That seemed notable. In fact, by the end they lost 203 of 641 guests and professionals, or over 30%.

Now, I’m sure a case could be made in court for this being classic bait and switch, and refusing refunds or rollovers to be fraud. But I can’t state that as a fact without a court case.  It certainly smells that way, though….

He got his daughter to run his tables instead. Since the con, Williamson says this is what he’s heard:

…After the show I was told they were so very unhappy that I publicly boasted of being the 100th cancellation. Well, sorry about your feelings, but what about the feelings of 203 guests and families you screwed over by waiting for the last moment? What about the public threats to harass “plague rats” (perfectly healthy people not wearing masks) on your social media, that remained for days before being taken down?  We’re supposed to worship you, but you don’t need to respect the professionals in the field?

Then they unleashed this whopper, claiming the statement was made about me:

” there was a vendor this year who is making an incredibly racist remarks trying to sell his wares. Including things like “buy a knife from someone who speaks American” and “this is made with real metal, not ‘Chineseium’.” Worse than all of that however, was singling out another person in the vendors hall who is also selling knives. It was an Indian couple, and apparently that was why he wanted to specify that he does speak “American”, letting anyone who passed by know another vendor had people who spoke English as a second language at their table “

I’m going to explain why this is complete, unmitigated bullshit…

His explanation follows at the link.

(6) MEMORY LANE.

  • 1969 – Fifty-two years ago this week, the pilot of Randall and Hopkirk (Deceased) premiered on two different British broadcasters though it ran on ITV, the producing network. In the pilot, Hopkirk is murdered during an investigation but returns as a white-suited ghost. It was created by Dennis Spooner who had previously scripted for The Avengers and Doctor Who.  He also created Department S with Marty Berman. It starred Mike Pratt, Kenneth Cope and Annette Andre. It ran for one season of twenty-six episodes.  In the States, it was given the really awful title of My Partner the Ghost. The series was remade thirty years later and is notable as the Fourth Doctor actor had an important role in it. It’s currently available on Amazon Prime. 

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 21, 1866 — H.G. Wells. Writer of The Time Machine, a novella in 1895, being his first genre work. Way, way too many genre works to list here so I’ll single out The War of The WorldsThe Island of Doctor Moreau and The Invisible Man as works by him that influenced the genre in a very noticeable manner. He also wrote an impressive amount of short fiction and non-fiction as well. (Died 1946.)
  • Born September 21, 1912 — Chuck Jones. He wrote, produced and directed many Looney Tunes and Merrie Melodies cartoons starring Bugs BunnyDaffy DuckWile E. Coyote and the Road Runner among many others. His work won three Oscars, and the Academy also gave him an honorary one in 1996. He’s responsible for television adaptations of Dr. Seuss’ How the Grinch Stole Christmas! and Horton Hears a Who!, and of course Norton Juster’s The Phantom Tollbooth. Oh, and yes, Duck Dodgers in the 24½th Century. (Died 2002.)
  • Born September 21, 1947 — Stephen King, 74. I once saw him leaning up against a wall in Bangor outside his favorite breakfast spot nose deep in a paperback novel. I didn’t approach him to see what he was reading so intently. That’s how his native city treated him. Favorite by him? I’m not fond of his novels but I love his novellas and shorter fiction, so Different SeasonsFour past Midnight and Skeleton Crew are my picks. His only Hugo was a Best Related Non-Fiction Book one for Danse Macabre at Chicon IV though Carrie was nominated at Suncon, and his “Obits” novelette was nominated at MidAmeriCon II. 
  • Born September 21, 1947 — Nick Castle, 74. He  co-wrote with director John Carpenter the scripts for Escape from New York and Escape from L.A., but he’s best remembered for directing The Last Starfighter. He was Michael Myers in Halloween, a role he’d later reprise in, errr, Halloween.  His other interesting genre cred was performing the title song of Big Trouble in Little China as The Coup De Villes with Carpenter and Tommy Lee Wallace.
  • Born September 21, 1950 — Bill Murray, 71. Scrooged is my favorite film by him by a long shot followed by the first Ghostbusters film. I’m also fond of his voicing of Clive the Badger in Fantastic Mr. Fox
  • Born September 21, 1961 — Mark Allen Shepherd, 60.  Morn, the bar patron on Deep Space Nine. Amazingly he was in Quark’s bar a total of ninety three episodes plus one episode each on Next Gen and Voyager. Technically he’s uncredited in almost all of those appearances. That’s pretty much his entire acting career. I’m trying to remember if he has any lines. He’s also an abstract painter whose work was used frequently on DS9 sets. For all practical purposes, this was his acting career. 
  • Born September 21, 1983 — Cassandra Rose Clark, 38. Her contributions to The Witch Who Came in from the Cold, a serial fiction piece coauthored with Max Gladstone, Lindsay Smith, Ian Tregillis, and Michael Swanwick, are  superb. The Mad Scientist’s Daughter was nominated for the Philip K. Dick Award, and her YA novel, The Assassin’s Curse, was nominated for Young Adult Library Services Association’s Best Fiction for Young Adults. She was nominated for an Elgin Award by the Science Fiction Poetry Association for her Sacred Summer collection.
  • Born September 21, 1990 — Allison Scagliotti, 31. One of the primary cast of Warehouse 13, a show that I really, really loved. Her first first genre role was as Jayna, one of the Wonder Twins, on the Smallville series. And she showed up in a crossover episode of Eureka called appropriately “Crossing Over”.  Her last gig is as Camille Engelson on Stitchers. I’ve not seen it but it’s also gotten really great reviews. 

(8) MARVEL FIRES BENNETT. The Mary Sue reports “Marvel Fired Joe Bennett After Alleged Anti-Semitic Cartoons”.

Marvel Comics fired Brazilian artist Joe Bennett and vowed not to hire him for “any future Marvel projects,” following allegations of anti-Semitism and troubling imagery in his artwork. Bennett had previously worked for Marvel Comics for nearly thirty years, beginning in 1994.

… This isn’t the first time Bennett has seemingly attacked members of marginalized communities. He previously mocked the 2019 assault of gay journalist Glenn Greenwald by a far-right Bolsonaro supporter. And just last year, Bennett “liked” transphobic comments on his public Instagram page. He is also an outspoken supporter of Brazil’s president Jair Bolsonaro, a fascist Trump-like leader currently overseeing the devastating spread of Covid-19 throughout his country.

SYFY Wire writer Mike Avila adds:

…But here’s the question I have: Why did it take so long? This isn’t the first time Bennett has been accused of drawing offensive material. It’s not even the first time this year it’s happened. 

Back in February, he was forced to apologize after readers of his and Al Ewing’s hit Immortal Hulk series noticed that Issue #43 had a panel with a jewelry store. In the background, the name of the store is written backward and reads “Cronemberg Jewery” with a Star of David below it. The reason why the lettering was insulting is obvious. But perhaps even more offensive was the Star of David on the jewelry store’s window. It had no bearing on the story at all and there was no indication it was a Jewish-owned business. For some, it was just the perpetuation of a Jewish stereotype in that situation….

(9) SHALKA DOCTOR. [Item by Ben Bird Person.] Based on the 2003 animated serial The Scream of the Shalka, artist Lophial did this piece on Richard E. Grant’s Shalka Doctor. Source: Commission of Shalka Doctor for @DrWho42 !

(10) A DECK OF CREDENTIALS. Daniel Dern brings to our attention these Cats Bicycle Playing Cards.

This is THE deck of cards for cat lovers! Cats from Bicycle Playing Cards features illustrated cards by the renowned artist Lisa Parker. This unique playing card deck includes custom cat illustrations on every Ace, Face Card, and Joker. This deck of cards is a must-have for anyone looking to spice up their card game game night and makes the perfect gift for the cat lover in your life!

(11) IRRESISTABLE TITLE. Mark Yon reviews “The Cat Who Saved Books by Sosuke Natsukawa” at SFFWorld.

…After the death of his grandfather, Rintaro is devastated and alone. It seems he will have to close the shop. Then, a talking tabby cat called Tiger appears and asks Rintaro for help. The cat needs a book lover to join him on a mission. This odd couple will go on three magical adventures to save books from people have imprisoned, mistreated and betrayed them. Finally, there is one last rescue that Rintaro must attempt alone . . .”

If that hasn’t grabbed your attention, this book is not for you. It involves bookshops and masses of books in piles and on shelves that appear to go on forever, the descriptions of which will make a bibliophile sigh in admiration. There’s also some lovely characterisation, especially of Rintaro the acutely shy bookish teenager referred to as a hikikomori here, but also of his wise friend Sayo Yuzuki and the cat named Tiger the tabby. And credit must go here to the sympathetic translation made by Louise Heal Kawai from the original Japanese novel, first published there in 2017.

(12) MARKET NOT OPENED YET. “‘Shang-Chi’ Wins a Warm Asia Greeting. Then There’s China.”  The New York Times

Marvel released “Shang-Chi and the Legend of the Ten Rings” with China in mind. Simu Liu, the film’s Canadian lead actor, was born in China. Much of its dialogue is in Mandarin. The cast includes Tony Leung, one of the biggest Chinese-speaking movie stars in history.

The studio’s first Asian superhero movie is a hit, drawing praise and ticket sales in East Asia and other global markets. Perhaps the only place where the movie has not been well received — in fact, it has not been received there at all — is mainland China.

Disney, which owns Marvel, has yet to receive clearance from Beijing’s regulators to show the film in the vast but heavily censored movie market. While the reasons aren’t clear, “Shang-Chi” may be a victim of the low point in U.S.-China relations.

China is also pushing back against Western influence, with increasingly vocal nationalists denouncing foreign books and movies and the teaching of English. They have even criticized Mr. Liu for his previous comments about China, which he left in the mid-1990s, when he was a small child.

Lack of access to the world’s largest movie market could limit how much money the film makes. But in other parts of Asia, the movie has been greeted warmly by audiences for how it depicts a Chinese superhero burdened by a racist back story.

“I was really expecting the movie to be racist,” said David Shin, a Marvel fan in Seoul. “I was surprised at how well they touched upon Asian culture.”…

(13) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In the spoiler-filled “Honest Trailers:  Jungle Cruise” on YouTube, the Screen Junkies say that, like the ride it is based on, Jungle Cruise is “five percent colorful adventure and 95 percent corny jokes,” that this is the third movie (after Jumanji 2 and The Rundown) where Dwayne Johnson goes into the jungle to capture a bright, shiny object, that Emily Blunt has two Ph.D.’s–in botany and parkour, and that villain Jesse Plemons is “not exactly a Nazi, but not exactly not, see?”

[Thanks to Michael Toman, John King Tarpinian, Cat Eldridge, Ben Bird Person, Rob Thornton, Chris Barkley, Cora Buhlert, Daniel Dern, Mike Kennedy, Andrew Porter, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to contributing editor of the day Soon Lee.]

Hallmark Rolls Out 2021 Ornaments

Right after the Fourth of July might not be when I shop for Christmas ornaments, but somebody does, because that’s when Hallmark runs its Keepsake Ornament Premiere.

If the timing is for the convenience of retailers, there is also a certain logic in picking a spot on the calendar that is as far away as you can get from a date associated with Christmas trees. It’s plain some of these ornaments are intended for a Halloween or Thanksgiving tree, while others probably are destined never to decorate a tree at all but to remain pristine in their original wrapping on collectors’ shelves.

Although this first one has nothing to do with the Christmas season other than that’s when four of the Harry Potter movies came out, if you believe there’s an omniscient Santa Claus who knows when you’ve been bad or good, then this might work for you, too:

“There’s nothing hidden in your head the Sorting Hat can’t see…” Relive the Sorting Ceremony, one of the most eagerly anticipated traditions for first-year students at the Hogwarts School of Witchcraft and Wizardry. This Christmas tree ornament features the famous Hogwarts Sorting Hat, which moves and says lines about each house: Gryffindor, Slytherin, Ravenclaw and Hufflepuff (battery-operated).

And Hallmark also caters to a sort of counter-Christmas clientele with these next two items.

Be sure to give Old Man Parker’s “major award” a glorious spot on the tree this year! With its lampshade fringe and fishnet stockings, this premium porcelain Christmas tree ornament will have you reminiscing about the hit holiday movie “A Christmas Story” all season long. Year dated 2021.

Or to be even more frank about it:

Spread the spirit of Halloween Town to even the smallest of Christmas trees with this miniature ornament. The stylized design features Sally holding one of her potion ingredient jars. For a spooktacular display, pair it with our coordinating Lil’ Jack and Lil’ Oogie Boogie mini ornaments (each sold separately).

Then, if you call yours a Halloween or Thanksgiving tree, Hallmark has you covered.

Make it a Halloween of legendary proportions when you display this cute ornament! The diorama-style jack-o’-lantern design features an adorable Bigfoot creature with its iconic pose wandering in front of a moonlit forest.

Yes, it’s hard to imagine a more sacred holiday memory than this —

Relive one of the most hilarious moments from “Friends” when you display this Christmas tree ornament. In an effort to cheer up Chandler, Monica wears a turkey on her head—complete with a fez and sunglasses. When you press the button to play the audio clip from the show, you’re sure to proclaim your love…just as Chandler did on that fateful Thanksgiving Day.

But it’s a complete mystery what occasion Hallmark thinks people are celebrating when they buy creeptastic ornaments like these two:

After her sister’s demise, the Wicked Witch of the West harbored villainous hope for getting her hands on the Ruby Slippers. Relive the climactic scene inside her castle as the Wicked Witch of the West demands that a frightened Dorothy turn over the enchanted footwear. Fans of the classic movie “The Wizard of Oz” will love adding this Christmas tree ornament to their collection.

And I think the most suitable tree for decorating with the next ornament would be something like Old Man Willow, who tried to turn the hobbits into mulch.

Considered one of the most powerful Disney villains, the dark and sinister Chernabog first reared its wicked head in the classic 1940 film “Fantasia.” Pay tribute to good versus evil with this striking likeness of the menacing character ferociously emerging from Bald Mountain with his giant wings extended. Insert the bulb of a standard miniature light string through the rubber grommet on the ornament to create a special lighting effect.

Otherwise there are literally dozens of Keepsake Ornaments that commemorate popular movies and TV shows.

If they’re serious about selling these, quit fooling around, call him “Baby Yoda.”

The legend continues with The Child named Grogu (often called “Baby Yoda” by fans) from the Disney+ original series The Mandalorian. This Christmas tree ornament features the mysterious Force-sensitive alien playing with a shifter knob—from Din Djarin’s ship, The Razor Crest—as he sits atop a Stormtrooper helmet from remnants of the Galactic Empire.

Ordinarily, when I see a robot it’s not my first response that “He needs a few square meals under his belt” like I do with this one:

Loyal to the Rebel Alliance, K-2SO carried the markings of his former programming as an Imperial security droid, allowing him to effectively infiltrate Imperial installations and outposts. Rebellion hero Cassian Andor undertook the difficult task of reformatting K-2SO’s personality, leaving him with a blunt disposition that cemented his place as a favorite character. Fans of Rogue One: A Star Wars Story will love displaying this metal Christmas tree ornament of the versatile droid.

There are quite a few sci-fi TV shows with ornaments. There’s even an entire series of alternate-universe crew from Star Trek: TOS’ “Mirror, Mirror” episode, including the iconic Spock.

A striking departure from his prime-universe self, Spock’s discipline toward logic and science not only made him an inscrutable presence aboard the I.S.S. Enterprise but also led him to discern Captain Kirk’s most dangerous secret. Plug the ornament into Hallmark’s Keepsake Power Cord (sold separately) for constant illumination, then press the button to start a sound and light show based on the classic original Star Trek series episode “Mirror, Mirror.” Connect all of the Star Trek Storytellers ornaments—Captain James T. Kirk, Lieutenant Hikaru Sulu, Lieutenant Nyota Uhura, First Officer Spock and Ensign Pavel Chekov—and the U.S.S. Enterprise Tree Topper (each sold separately) to unlock additional interactive performances.

Likewise, many movies and other characters. I think it’s the inclusion of the comic book that I like best about this one.

Eighty years ago, “Man’s World” changed forever with the first appearance of Wonder Woman. This Christmas tree ornament celebrates the legacy of one of DC Comics’ most powerful and beloved Super Heroes—a steadfast symbol of truth, justice and equality—alongside cover art from the Wonder Woman No. 1 comic book.

Want to bet there are a couple of Filers who will soon own this item?

Originally constructed from a single enchanted stone in the shape of a giant Power Skull, Castle Grayskull protects the hidden power of the Universe and the secrets of Eternia. He-Man and his foes struggle to hold the mysterious, timeless powers of the mighty fortress. This Christmas tree ornament is a nostalgic tribute to “He-Man and the Masters of the Universe” for fans of all ages.

In the end I admit that this ornament, which relates to no holiday and needs no tree to justify its existence, affords me so much amusement that if I’m not careful I’ll wind up owning it.

He’s not Sheldon Cooper, he’s The Flash! Relive the hilarious events as the gang dresses up like the Justice League of America for a New Year’s Eve costume party with this Christmas tree ornament. Press the button to play some of Sheldon’s phrases from that unforgettable episode of “The Big Bang Theory” (battery-operated).

Pixel Scroll 9/20/21 Something Is Pixelling But You Don’t Know What It Is, Do You, Mr. Scroll?

(1) SOMTOW’S FILM WINS AWARD. This past weekend Somtow Sucharitkul and an orchestra flew in to do a concert at the Oldenburg International Film Festival — the biggest indie fest in Europe, “Sundance of Europe.” The music selected for the occasion, he says, “included all sorts of great music appropriate to our field including the 1922 score from Nosferatu and the ‘classic’ overture to Piranha II.”

The festival audience also witnessed the premiere of The Maestro, a film made with director Paul Spurrier, with Somtow’s score and onscreen performance.  (See File 770’s post about the making of The Maestro.)

In the video below you can watch the entire concert of film music at the Oldenburg Festival — followed by Somtow’s surprise at receiving the Spirit of Cinema Award 2021 for The Maestro.

Oldenburg Festival founder and director Torsten Neumann (left) Somtow Sucharitkul (right)

(2) NO EMMYS FOR SFF SHOWS. The Primetime Emmy Awards aired last night but I don’t have a post up about them because “Sci-fi and fantasy shows completely shut out of Primetime Emmys”, as explained at Winter Is Coming.

… And while series like WandaVision and The Mandalorian cleaned up at the Creative Arts Emmys, which awards more technical categories like production design and costuming, they came up empty at the Primetime Emmys, which rightly or wrongly are considered to be more prestigious….

(3) NEW LEM TRANSLATION. Stanislaw Lem’s 1964 story, published in English for the first time, tells the tale of a scientist in an insane asylum theorizing that the sun is alive. “The Truth, by Stanislaw Lem”, translated by Antonia Lloyd-Jones, is part of a new collection and a free read at The MIT Press Reader.

Here I sit writing in a locked room, where the door has no handle and the windows can’t be opened. They’re made of unbreakable glass. I tried. Not out of a wish to escape or out of rabid fury, I just wanted to be sure. I’m writing at a walnut table. I have plenty of paper. I’m allowed to write. Except no one will ever read it. But I’m writing anyway. I don’t want to be alone, and I can’t read. Everything they give me to read is a lie, the letters start to jump before my eyes and I lose patience. None of what’s in them has been of the least concern to me ever since I realized how things really are….

(4) MARCIA LUCAS’ OPINION ABOUT SW SEQUELS. From Marcia Lucas’ foreword in a new biography about Howard Kazanjian.

IGN continues, in “Marcia Lucas Was ‘Furious’ Over Star Wars Sequel Trilogy: ‘They Don’t Get It’”.

…And perhaps to set the record straight, Lucas also directs her wrath at her ex-husband’s prequel trilogy, revealing her disappointment in Episode I literally brought her to tears in 1999.

“I remember going out to the parking lot, sitting in my car and crying,” Lucas writes. “I cried. I cried because I didn’t think it was very good. And I thought [George] had such a rich vein to mine, a rich palette to tell stories with… There were things I didn’t like about the casting, and things I didn’t like about the story, and things I didn’t like — it was a lot of eye candy. CG.”…

(5) DUNE, ON THE BIG AND BIGGER SCREEN. “’Dune’ Earns $36.8M in Overseas Debut”The Hollywood Reporter has a breakdown.

The highly anticipated Legendary/Warner Bros. movie opened overseas to $36.8 million across 24 markets and 7,819 screens. Russia led international tickets sales with $7.6 million, followed by France ($7.5 million), Germany ($4.9 million) and Italy ($2.6 million).

Dune‘s giant-format ticket sales were a particular stand-out, with the movie earning $3.6 million in Imax ticket sales from 142 screens, making its per-screen Imax average an astounding $25,000. The Imax ticket sales made up 10 percent of the movie’s total international take. The movie was shot for large-format viewing, with the Imax version featuring an exclusive expanded aspect ratio….

(6) IN CASE YOU WANT TO KNOW. Deadline has a vast calendar of when shows will begin airing: “Fall TV Premiere Dates 2021: New and Returning Series”.

Deadline’s comprehensive annual list of fall premiere dates for new series and new seasons of returning series. It covers more than 450 broadcast, cable and streaming shows bowing from September 1 through December 31

(7) SOUNDS OF SILENCE. I’m gradually working my way through SF Signal’s blogroll. It was compiled years ago and many of the authors have in the interim changed to another platform or dropped blogging for other alternatives. Justine Larbalastier explains why she moved on from Twitter in “Why I Left Twitter, or, the Last Day of 2019”, and left  blogging in “The Importance of Masks”, posted in July 2020.

…I haven’t been blogging because I missed the community that used to be here. When this was a regular blog there was a wonderful conversation in response to almost every post. I’m finding blogging here to silence soul sucking.

I miss the community of the old days but I accept those days are gone. The conversations now unfold on social media.

I have found an engaged community on Instagram ready and willing to discuss the intersections of fashion and politics during this pandemic and there are no trolls. I’m loving it. So I post my mini essays there. I will continue to post longer essays here and will soon be updating this site with my fashion research.

I don’t foresee returning to Twitter anytime soon. It was too depressing. I miss those of you I no longer interact with, but my mental health is so much better since I left. So . . .

(8) RUNNING FOR PRESIDENT IN 1840. Barbara Hambly, who is still at it, recently migrated her blogging activity to Barbarahambly.blogspot.com as she notes in “Experimental Post #2”.

And here we are, at my new blog. The website is yet to come, and for the first couple of weeks I’ll be buried in a deadline: Benjamin January # 19, Death and Hard Cider, which takes place against the background of the 1840 Presidential election. I thought about calling it, “Tippecanoe and Murder, Too,” but realized that a lot of people won’t understand the reference to the campaign of William Henry Harrison. That was the first “modern” style Presidential campaign, with songs, rallies, women’s auxiliary organizations (even though women couldn’t vote – the guys found them convenient for providing refreshments at the rallies, and Harrison’s opponents railed against those hussies for handing out leaflets and reading newspapers and having opinions about the politics of their betters)….

(9) MEDIA BIRTHDAY.

  • 1979 – Forty-two years ago on this evening, Buck Rogers in the 25th Century first aired on NBC. It was developed by Glen Larson who created Battlestar Galactica and Leslie Stevens who created Outer Limits. It is of course based on characters created by Philip Francis Nowlan. The only cast that counts was Gil Gerard as Captain William “Buck” Rogers and Erin Gray as Colonel Wilma Deering. Oh, and Mel Blanc in the first season voicing Twiki. It lasted but two seasons of thirty-seven episodes. Buster Crabbe who played Buck Rogers in the original thirties Buck Rogers film serial would play Brigadier Gordon in an episode here. It’s worth noting that the series re-used most of the props, star fighters, stages, some of the effects film and even costumes from Battlestar Galactica. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 20, 1935 — Keith Roberts. Author of Pavane, an amazing novel.  I’ve also read his collection of ghost stories, Winterwood and Other Hauntings, with an introduction by Robert Holdstock. Interestingly he has four BSFA Awards including ones for the artwork for the cover of his own first edition of Kaeti & Company. (Died 2000.)
  • Born September 20, 1940 — Jonathan Hardy. He was the voice of Dominar Rygel XVI, called simply Rygel, once the royal ruler of the Hynerian Empire, on Farscape.  He was also Police Commissioner Labatouche in Mad Max, and he had a one-off in the Mission: Impossible series that was produced in his native Australia in the “Submarine” episode as Etienne Reynard. (Died 2012.)
  • Born September 20, 1950 — James Blaylock, 71. One of my favorite writers. I’d recommend the Ghosts trilogy, the Christian trilogy and The Adventures of Langdon St. Ives whichcollects all of the Langdon St. Ives adventures together as his best writing, but anything by him is worth reading. I see the usual suspects don’t have much by him but they do have two Langdon St. Ives tales, Homunclus and Beneath London.
  • Born September 20, 1951 — JoAnna Cameron, 70. I’ve previously mentioned in passing Shazam!, a Seventies children’s series done by Filmation. Well she was the lead on Isis, another Filmation children’s series done at the same time. Her only genre appearance was a brief one in the Amazing Spider-Man series. Anyone here seen it? I don’t remember seeing it. 
  • Born September 20, 1955 — David Haig, 66. He played Pangol in “The Leisure Hive” a Fourth Doctor story. He also showed up on Blake’s 7 in “Rumours of Death” as Forres, and was Colonel Bonnet inThe Adventures of Young Indiana Jones: Tales of Innocence. He’s also General Vandenberg in the film remake of A for Andromeda. Finally I should I should he’s The Player in Rosencrantz and Guildenstern Are Dead done at The Old Vic a few years back.
  • Born September 20, 1974 — Owen Sheers, 47. His first novel, Resistance, tells the story of the inhabitants of a valley near Abergavenny in Wales in  the Forties shortly after the failure of Operation Overlord and a successful German takeover of Britain. It’s been made into a film.  He also wrote the “White Ravens”, a contemporary take off the myth of Branwen Daughter of Llyr, found in the New Stories from the Mabinogion series.
  • Born September 20, 1986 — Aldis Hodge, 35. He played Alec Hardison on the Leverage series which just got a reboot. Ok, I know it’s not precisely genre but if there’s a spiritual descendant of Mission: Impossible, this series is it. Both the cast and their use of technology in that series are keeping with the MI spirit. He’s also had one-offs on CharmedBuffy the Vampire SlayerSupernaturalThe Walking DeadStar Trek: Discovery’s Short Takes and Bones (which given that it crossed over with Sleepy Hollow…)

(11) COMICS SECTION.

(12) FROM THE NEIGHBORHOOD. “Whistle, Gotham City’s latest superhero, is Jewish. It’s a full-circle moment for the comics industry” reports the Jewish Telegraphic Agency.

It turns out that Batman’s hometown of Gotham City has a historically Jewish neighborhood, complete with a synagogue. And for this year’s High Holidays, at least one masked superhero will be worshipping there. 

Her name is Whistle, a.k.a. Willow Zimmerman, and she’s a Jewish superhero — DC Comics’ first to be explicitly created as Jewish in 44 years. She’s an activist-turned-masked-crusader who draws inspiration from Jewish teachings; she develops the ability to talk to dogs; and she’s making her debut this month in “Whistle: A New Gotham City Superhero,” a graphic novel geared to young adults.

“There’s a long and fascinating history of Jewish creators in comics,” the book’s author and character creator, E. Lockhart, told the Jewish Telegraphic Agency. “Superman, Batman and Spider-Man were all invented by Jewish men, and scholars have interpreted them through a variety of lenses that take that into account. But while there have certainly been Jewish superheroes before, Whistle is the first Jewish hero to originate as Jewish from DC Comics since 1977.”

Lockhart was referring to Seraph, a superhero from Israel who helped Superman in “Super Friends #7? before immediately falling out of the public eye. 

(13) TWENTY ACROSS. Catherynne M. Valente celebrated on Facebook her appearance as a clue in a Washington Post crossword puzzle.

(14) NEIGHBORHOOD READY TO BEAM UP. Janice L. Newman tells Galactic Journey readers about their new (in 1966) television-watching tradition: “[September 20, 1966] In the hands of an adolescent (Star Trek’s ‘Charlie X’)”.

….It’s official, we now have a “Star Trek” night at our house each week, when we gather our friends and watch the latest episode. Though we’ve only watched two episodes so far, the show is off to an interesting start! This week we saw “Charlie X”, which had thematic similarities to both of the pilots we saw at Tricon….

(Tricon was “this year’s” Worldcon in Cleveland.)

(15) LIKE THE TUNGUSKA EVENT? It’s a theory. “A giant space rock demolished an ancient Middle Eastern city and everyone in it – possibly inspiring the Biblical story of Sodom” reports Yahoo!

…Experiments with laboratory furnaces showed that the bubbled pottery and mudbricks at Tall el-Hammam liquefied at temperatures above 2,700 F (1,500 C). That’s hot enough to melt an automobile within minutes.

The destruction layer also contains tiny balls of melted material smaller than airborne dust particles. Called spherules, they are made of vaporized iron and sand that melted at about 2,900 F (1,590 C).

In addition, the surfaces of the pottery and meltglass are speckled with tiny melted metallic grains, including iridium with a melting point of 4,435 F (2,466 C), platinum that melts at 3,215 F (1,768 C) and zirconium silicate at 2,800 F (1,540 C).

Together, all this evidence shows that temperatures in the city rose higher than those of volcanoes, warfare and normal city fires. The only natural process left is a cosmic impact….

(16) JEOPARDY! Andrew Porter was tuned in to tonight’s episode of Jeopardy! where contestants had trouble connecting this chemistry lesson with a famous film.

Final Jeopardy: 1980s Movies

Answer: The dip used to kill characters in this 1988 film consisted of Acetone, Benzene & Turpentine, ingredients in paint thinner.

Wrong questions: What is “Dune?” and “What is Raiders of the Lost Ark?”

Right question: What is, “Who Framed Roger Rabbit?”

(17) MOVIE HISTORY UP FOR BIDDING. Heritage Auction’s “Monsters & Friends: Featuring The Kevin Burns Collection” event November 5-7 will include many prime items, including these two:

First, Producer Stanley Bergerman’s Personal Copy of the Universal Pictures Script for Frankenstein (1931). A vintage studio bound and bradded, 99-page screenplay for the Classic Horror movie, Frankenstein. Stanley Bergerman was Universal Studios head, Carl Laemmle’s, son-in-law and a Producer. The oversized script is filled with the content that became one of the greatest monster movies of all time. Second, The Wizard of Oz Metro Goldwyn Mayer Clapperboard (1938). A large vintage wooden clapperboard with metal-hinged clapstick, hand lettered in white on the black painted front face, “Metro Goldwyn Mayer, Wizard Of Oz, Director – Victor Fleming, Camera – Harold Rosson,” and dated, at the bottom of the board, “11-6-1938.” 

[Thanks to JJ, Michael Toman, John King Tarpinian, Lise Andreasen, Will R., Cat Eldridge, Mike Kennedy, Andrew Porter, and Martin Morse Wooster for some of these stories. Title credit belongs to contributing editor of the day Randall M.]

Commando And British Weekly Comic Swap Meet

Saturday 25th September 

Bushey and Oxhey Scout Hut
Park Ave. Bushey, Watford.
WD23 2BA

By James Bacon: Join comic book fans at the 7th Commando Comic Swap meet, an old school event in suburban Watford where thousands of British weeklies and digest comics will be on sale, at very affordable prices. 

Being organized with profits going to the Scout Hut, the volunteers organizing the event welcome dealers, and with tables only a tenner, it’s a very affordable way to sell comics. 

Entry is a £1. 

Alan Hebden will be along for the day. Alan who has written for Commando, Victor, Starlord, 2000AD and most recently had a story in The Battle special from Rebellion, and created fan favorites Major Easy, El Mestizo and Fighting Mann. 

With Commando Comics trading for 50p, and weeklies at a variety of prices, not only is it a chance to fill up your collection, but an opportunity for new collectors to make a decent start on doing so while finding or reconnecting with incredibly good story telling and fabulous art. 

This as a small but excellent comic event offering exceptionally good value, and a level of friendly helpful expertise with most sellers collectors themselves or only too happy to engage and chat about shared interest and passion.  

(Further details can be found on the Commando Comic Collectors Facebook group, but you have to join the group to get access.)

Emails From Lake Woe-Is-Me — Fit the Eighth

Melanie Stormm

[Introduction: Melanie Stormm continues her humorous series of posts about the misdirected emails she’s been getting. Stormm is a multiracial writer who writes fiction, poetry, and audio theatre. Her novella, Last Poet of Wyrld’s End is available through Candlemark & Gleam. She served as guest editor for issue 43.4 of Star*Line, an issue focused entirely on Black voices in the speculative arts. Find her in her virtual home at coldwildeyes.com. Wipe your feet before entering.]

CHEKOV’S GUN SHOOTS BACK IN TIME AND HITS CHEKOV

Hello All. How’s your weekend been?

It looks like we’re back to that weird closet activity. I don’t have much to say about the following events except that there comes a time in every draft when a writer will be tempted by the plot of another. I find the truth is that most every book you’ll ever write will require you put one word after the other at some point. What’s your approach when you’re wistfully thinking of all the other stories you could be writing?

Without further ado: the email from Writer X. Figure it’s also time for me to re-up the disclaimer that all typos, grammatical and ethical choices are hers.


Dear Gladys,

I have been haunted this week.

Mostly by the idea that I might be writing the wrong book. I’m 1,060 pages behind schedule. Writing the wrong book has to be what my problem is. Every time I sit down to write Fenchin’s story, I start thinking about all the other stories I’d rather be writing.

For example, the other day at lunch I told myself I was going to write one hundred pages, but went to buy some tide pens at Mr. Morgan’s instead. While I was nosing around the detergent and stain removal aisle, I suddenly imagined a whole story of tiny little people who live in a grocery store and fight ping pong battles on the shelves.

And then, when I went to get an emergency sundae at McDonalds, I imagined that the new brick exterior was actually a castle and I imagined that it was a very big castle (maybe I was still thinking about the little people and so I kept the castle to scale.) Anyways, the castle is SO big that it fits an ENTIRE COUNTRY in it!

Isn’t that so creative????

What if I’m supposed to be writing THOSE stories???

It’s haunting me, Gladys. I’m losing sleep over it. Ms. B___ isn’t talking to me and has threatened a restraining order after my clairvoyant palm reading. That’s depressing too. All I did was tell her that her palm indicates that—within a year, a mysterious fire will rage over her house and this entire neighborhood following an army of Neil Gaiman Golems and ghostly moose and that, as a result of her up-cycled wine bottle fountains melting, she’ll discover her youngest isn’t really at University of Ohio studying pet programming but that he took her money and went to Thailand to start a mouse circus. And that she has abominable breath.

Meanwhile, the other way I’m being haunted is just by that thing in my walk-in closet that keeps jiggling the door handle.

I went to BAM again in hopes of triggering my ability to write and I looked at all the new books out and got depressed and a little bit angry. My book should be up there with those other books but I can’t seem to get it written.

Anyway, I felt so despondent that I went over to the self-help section and looked at all their books on how to write and bought five of them and put them on my new credit card. I started to read one of them but my eyes just kept crossing except for this one part where they talk about CHEKOV’S GUN!!!!

Get ready for this Gladys. This is REAL writing technique. I’m not sure you’ll understand so I’ll explain it very carefully.

Apparently, Chekov was a writer, or a gun collector, whose guns were always taken down from the wall and fired in the third act and essentially that means that the rules to writing are that you have to put a gun somewhere on one of the walls and then you’ve got to SHOOT AT SOMEBODY IN THE THIRD ACT!!!! And it doesn’t matter who you shoot it at. Or if they’re also pointing a gun at you. Or if you miss. Or if you just shoot it to make some noise. YOU JUST HAVE TO SHOOT IT!!!! Isn’t this amazing?

SO THAT’S HOW BRANDON SANDERSON DOES IT.

I knew that there was a secret formula to writing a book!!! Now I’m realizing that all I have to do is put a lot of guns in the backstory so that they all fire at the end!! Magical guns, of course.

But that’s hard. Because that means I have to know how the story ends at the beginning!! I’m going to do something entirely new, Gladys, I’m going to write the end first!!! Then, when I have all the guns go off, I’ll know what to put in the beginning!! Then this backstory won’t be so boring and besides I won’t keep doubting that I’ll ever finish this book because I’ll have finished the book FIRST!!!

I’m starting not to get along with my house again. It’s getting to be the full moon and it’s getting that feeling that it gets that makes me want to be anywhere but here. I never had this feeling when C____ was alive. I think it’s because I’m alone. I think I need to either get a roommate or some beanie babies.

Also, I’m really busy right now trying to unravel this mystery of who was in my yard last week. I went over to my evil neighbor A____’s house and confronted her and demanded my shoe back but she wasn’t home. Instead I ended up talking to her mumble rap nephew, R____. I was going to accuse him of standing in my back yard with the bowler hat, but he has a head full of thick, long dreads and can’t fit the bowler hat on his head. We tried. So it couldn’t have been him. Besides, he’s really nice and I don’t think his foot would fit my missing croc, either.

So now I’m still missing my right croc and I have this mysterious hat. I’m sending you a picture of it. Never mind the chicken feathers on it, the rain still hasn’t washed them all away since The Incident. My question is, who would be wearing this hat and standing in my backyard and why would they take my right croc???

I’m down one and a half pairs of shoes in three weeks. Anyways, it’s getting late and that thing that’s in my closet upstairs has started jiggling the door again. I think I’m going to sleep down here. The good news is that R____ said he’s starting a little handyman business so he’s going to come over tomorrow and look at the closet door and see if he can fix it.

At least The Society seems to be leaving me alone.

I wish C____ were still here. It was cruel what Brian told me. That C____ might not be dead. It goes to show you what a stupid person Brian is. If C___ were here, things would be very different. I would probably still be writing True Blood fan fiction.

Tomorrow IT’S GONNA BE A BIG WRITING DAY!!! I’ll work on the last 171.9 pages of my book! I’ll send you pages after that but keep in mind that everything will be in REVERSE ORDER. I don’t have to warn you about spoilers because when you read it from the end, you’ll still have to find out what the beginning and middle are so that will be interesting for you. Also, things will grow more and more calm as you progress through the story.

In the future, I’m going to sell a writing book about writing a fantasy saga starting at the end. I know that it’s going to work because I’ll have finished writing the book at the very beginning of the process. So that means I’ll also have had the confidence to finish the writing book about writing a book backwards.

Maybe I should start writing the writing book about writing a book backwards first. It’s like a Chekov 21 Gun Salute all the way down!!! This is gonna be easy!!!

To celebrate, I’m going to search for my croc. It’s custom made!!!

xox,
X