Pixel Scroll 10/6/24 In Nomine Pixelis, Et Fileii, Et Scrollius Godstalkii

(1) LEARNING CURVE. “5 Dark Academia Novels from the World of Dark Fantasy”CrimeRead’s Victory Witherkeigh on sub-genre of the school novel.

…What is it about school-setting stories that make us as readers sink into the world so much faster? Is it our nostalgia for a time when life seemed much more straightforward than our lives as working adults? We’ve seen it across the tales of boy wizards, lightning thieves, and even young women writing love letters. As a dark fantasy/horror author and fan, there’s something about school being a nightmare that just sings to my penchant for the spooky season of fall…

Ninth House by Leigh Bardugo – What is it about the secret societies of the Ivy League schools that are so interesting? Is it our own hunger for conspiracy theories when dealing with the institutions that have produced several of the United States’ most notorious leaders? Follow Galaxy “Alex” Stern as she navigates her first year at Yale University as the occult apprentice of a missing mentor trying to handle school and the varying power dynamics of the illegal occult use of the secret societies. This is the first book in a two-part Bardugo series that will make you snuggle in your college sweatshirt tighter….

(2) WHY HORROR? Nobel Prize-winning author Olga Tokarczuk tells the Guardian why she chose to write a horror novel:

“I adore horror. But I realised, too, that only the tools of that genre could portray the topic I wanted to portray – the hidden violence, the misogyny that is rife in the entirety of our culture, which we live with like some sort of constant illness, like a predator that is always present and emerges from time to time to attack us.”

(3) FOUNDATIONS OF CONTEMPORARY FANTASY. “Gods who make worlds” in The Christian Century.

Three decades ago, Tad Williams published the final volume in the best epic fantasy trilogy written in English since The Lord of the Rings. Called Memory, Sorrow, and Thorn, the series ran from 1988 to 1993 and totaled over a million words. Half of those words came in the final book—one of the longest books ever to make it onto the New York Times bestseller list….

…Why have these books sold well but never set the world on fire?

Three reasons come to mind. First, while Williams may mark a certain transition away from the never-ending half-lives of J. R. R. Tolkien imitations, his stories do not belong to the grimdark turn of contemporary fantasy (a turn recently pilloried by Sebastian Milbank as “grimdull”). They are not gritty. Whether the topic is sex or violence, there’s nothing pornographic on display. Williams is a romantic at heart. His stories are not sadistic. Subversion, when and where it happens, is subtle, thematic, and stylistic; the narratives are not oedipal, with Tolkien or C. S. Lewis or Christian morals as the fated father. For readers or viewers exhausted by the teetering nihilism of Game of Thrones and its many peers, Williams is a breath of fresh air.

Second, Williams puts the “slow” in “slow burn.” He is a master plotter, and you may be confident that every single narrative thread, no matter how small, will come together by the end. But there’s no hand-holding and no artificial fireworks to keep your attention. I know only two kinds of people who have picked up Memory, Sorrow, and Thorn: those who put it down after about 200 pages, bored to tears and wondering what all the fuss was about, and those who kept going all the way to the end, falling in love in the meantime. There is no third group.

Finally, the world and history and happenings of Osten Ard are colored by a deep melancholy. (One character is startled to find a timeworn but intact statue: “She had never seen an ancient city of her people that was not in ruins.” A different character wonders to himself: “Is all we have—all we are—only a memorial of what we failed to save?”) Williams’s prose is among the best in fantasy, and its distinguishing character is a kind of plangent lyricism. In the dedication of the third volume, he calls the book “a little world of heartbreak and joy.”…

(4) COPYRIGHTUS INFRINGIO! “Warner Bros pulls plug on Harry Potter events at library” reports the Jackson Hole (Wyo.) News and Guide.

After eight years, Teton County Library has been forced to cancel its free Harry Potter-inspired programming for children and adults.

This year’s events — A Night at Hogwarts, Harry Potter Trivia for Adults and Harry Potter Family Day — had all been scheduled for later this month.

The library said in a press release Thursday that it acted in response to a cease-and-desist letter from legal representatives of Warner Bros. Entertainment Inc., the owner of copyright and other intellectual property rights related to the films featuring child wizard Harry Potter.

Before receiving the letter, the library’s staff “was unaware that this free educational event was a copyright infringement,” the release said. “In the past, libraries had been encouraged to hold Harry Potter-themed events to promote the books as they were released.”…

Boing Boing snarkily says:

…In the past the company has encouraged such activities, but it’s rebooting Harry Potter and wants to make sure the decks are cleared of deauthorized content and all the little brains wiped and ready for their new Vision for the Franchise….

(5) TODAY’S THING TO WORRY ABOUT. Military.com reports “Troops at Colorado Space Force Base Will Have to Bring Their Own To-Go Boxes for Dining Hall”.

… “As of 15 October 2024, the Schriever SFB DFAC will no longer provide takeout containers for patrons,” the spokesman said. “This initiative is part of our ongoing efforts to reduce waste and minimize our environmental impact. Individuals who wish to take their food to go are welcome to bring their own reusable containers.”

Schriever Space Force Base near Colorado Springs is home to numerous around-the-clock missions ranging from GPS operations, missile detection and warning, satellite communications and high-level surveillance missions.

As a result of those daunting and time-consuming missions, many of the 8,000 Guardians, airmen and civilian employees on base are often in a hurry and take their meals or leftovers from the DFAC — fittingly called the Satellite Dish Dining Facility — to go.

The news was not well-received on the Space Force subreddit.

“So, if you’re on crew at Schriever, or are simply one of those people who doesn’t have time for a real lunch break and prefers (like me) to take a meal back to your desk and do working lunches, consider this your heads up to go buy a bunch of food containers,” one commenter wrote.

“I’m always impressed about how the negative-morale field around Schriever is able to warp reality into ever more depressing states, but this one takes the cake,” the commenter added.

The Space Base Delta 1 spokesperson said Guardians can bring their own from home or can also buy their own takeout containers from the on-base coffee shop — also fittingly named the “Bean Me Up Cafe.”

Additionally, Guardians can choose to sit and eat their meal entirely at the dining hall….

(6) MIESEL ART AUCTION RESULTS. [Item by Andrew Porter.] Here are screencaps showing the final sale prices of Sandra Miesel’s sff art put up for sale at Ripley Auctions. (Only the sff art, none of the other items.) Click for larger images.

(7) STILL IN SEARCH OF (DIGITAL) BOMINABLE. [Item by Daniel Dern.] Following up on my item “(8) TERRY QUERY: WHERE’S ARNOLD?” in the September 24 Scroll (and some back-and-forth with a non-Filer PTerryphile), regarding the “recentlly ‘unlost’ story “Arnold, The Bominable Snowman,” which was, according to that scroll, “is/was supposed to be published online [in September 2024]:

The story is (now) available in an updated paperback version of Terry Pratchett’s (posthumous) collection, A Stroke of the Pen: The Lost Stories… but not (based on my web search of my library’s e-holdings) Hoopla; Amazon/Kindle (and Amazon general search); nor a general web search), available online (yet).

If anybody knows more (ideally, when/e-where), my friend (via me) would like to know, as, no doubt, will many Filers.

(One guess is that it’s online in some UK site, outside of where my searches are searching.)

(Yes, I know, one could buy the new version or borrow/request it from one’s library. Or switch to Linux and LibreOffice–oh wait, wrong discussion…)

(8) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born October 6, 1950 — David Brin, 74.

By Paul Weimer: It’s Kevin Costner’s fault that the work of David Brin came to my attention. When the adaptation of The Postman, warts and all, came to the screen, I discovered to my surprise I had not at that time read any of the work of David Brin. I set to rectify that, starting with The Postman…which, to my mystified surprise, I found I preferred the plot of the movie in many respects.  Undeterred, I hit my stride with reading his Uplift novels, revelling in the grand SF idea of species across the galaxy raising others to sentience–but who raised Humanity?  

But my favorite David Brin novel is probably Kiln People. Ostensibly a mystery novel, the big damn idea of Kiln People, being able to make copies of yourself to do various tasks and functions, is such a compelling one that I felt myself propelled on the strength of the premise and its implications for work, humanity, mortality and much more. Even more than the Uplift novels, it embodies the good of Brin’s fiction and thought. 

But Brin is an author whom I can disagree with, especially when it comes to Star Wars. I find Brin’s criticism and denigration of Star Wars to be, I think, way way too much. Sure, it’s a Campbellian monomyth hero chosen one narrative. But I think his criticism is way overpowered (and goes to far too much length) for the arguments he is making. I do get they come from a place of passion and sincere belief, but it is not one that I share. 

David Brin

(9) COMICS SECTION.

(10) TYPEWRITER COMEBACK. [Item by Andrew Porter.] PBS News Weekend tells “Why typewriters are having a renaissance in the digital age”

…Take a look inside this South Philadelphia shop called Philly Typewriter and you’ll see the renaissance of something many consider a relic of the past. And now it’s gotten a boost from a 21st century icon. Singer Taylor Swift using a vintage Royal 10 typewriter in the video Fortnight, the chart topping single off her latest album, the Tortured Poets Department….

Andrew Porter remembers:

I used to use a Royal portable that my father used when he was going to school in the 1930s. It came in a big case with a carrying handle. Used it for many years. 

Then my stepfather swiped an Underwood office machine from his office for me (he was the publisher, could get away with that) that I used for ALGOL and other stuff, until I bought my Selectric directly from IBM in 1968. They said I was the first person who’d ever bought one from them who didn’t work in an office. $105 down and $35 a month payment until it was paid off.

As I’ve posted before, when I got a computer, I had my Selectric serviced, then it went into the closet, and ultimately I gave it to Curt for his wife.

I think local doctors still use them, for filling out forms in triplicate.

My desk in 1974, exactly where I’m typing this now (and mailing labels: I remember them, too!):

(11) SECRETS OF HIGHLY SUCCESSFUL BUGS. “The Oldest Termite Mound? 34,000 Years and Counting” — an unlocked article in the New York Times.

… Her appreciation for termites stems from a project that she recently oversaw in Namaqualand, a region of desert scrubland along the west coast of South Africa and into Namibia. There, some 27 percent of the landscape is covered with low, sandy mounds that were built by the southern harvester termite, Microhodotermes viator. Inside the mounds are vast labyrinths of chambers, tunnels and nests that extend up to 11 feet underground. The locals call them heuweltjies, which means “little hills” in Afrikaans.

Three years ago, Dr. Francis and her field research team set out to find why the groundwater along the Buffels River in Namaqualand was saline. “The groundwater salinity seemed to be specifically related to the location of these heuweltjies,” she said. The investigators reasoned that radiocarbon dating could pinpoint when the minerals stored in the termite mounds had seeped into the groundwater.

The investigators were surprised to find that the heuweltjies were far older than any active termite structures known to exist. As detailed in a paper that the researchers published this spring in the journal Science of the Total Environment, one of the three mounds selected for dating has been continually occupied by termite colonies for 34,000 years. It is more than 30,000 years older than the previous record-holder, a mound in Brazil built by a different termite species….

(12) GOING DEEP. “NASA’s laser comms demo makes deep space record, completes first phase” at Phys.org.

…NASA’s Deep Space Optical Communications technology demonstration broke yet another record for laser communications this summer by sending a laser signal from Earth to NASA’s Psyche spacecraft about 290 million miles (460 million kilometers) away. That’s the same distance between our planet and Mars when the two planets are farthest apart.

Soon after reaching that milestone on July 29, the technology demonstration concluded the first phase of its operations since launching aboard Psyche on Oct. 13, 2023….

(13) LET’S TREAD BOLDLY 2 — SPACE TRAVEL RADIATION. [Item by SF Concatenation’s Jonathan Cowie.] Going into space is fraught with dangers: you can get stuck in orbit (Marooned); have a critical computer glitch (2001); have your crew quarters destroyed (Dark Star); encounter a meteor shower (Pitch Black); have mental issues (Forbidden Planet); get left behind (The Martian), get a blocked toilet due to the Russian, potato-heavy diet (The Big Bang Theory); encounter rogue space junk (Gravity)… among much else.  Among the ‘much else’ are the radiation belts surrounding the Earth.  These are caused by the Earth’s magnetic field trapping solar wind positive and negative particles, accelerating them to the poles where they enter the Earth’s upper atmosphere to the visual delight of spectators. Associated risks include cancer, cataracts, degenerative diseases and tissue reactions which makes space travel far more hazardous than being at a convention after the bar has run dry. (Honest!) So, what to do?

Well, for the International Space Station there is little problem as its orbit is below the inner Van Allen belt.  But if you want to go anywhere more interesting, you have to go through the Van Allen belts.  Here the recent Artemis mission with the unmanned Orion capsule that went around the Moon (how I remember the run-up to Christmas with Apollo 8) took detailed measurements from various place inside the craft.

This research has just been published.  The Orion craft traversed both the lower (more proton rich) and higher (more electron rich) belts. They report on radiation measurements at differing shielding locations inside the vehicle, a fourfold difference in dose rates from differently located detectors was observed during proton-belt passes that are similar to large, reference solar-particle events encountered in interplanetary travel. Interplanetary cosmic-ray dose equivalent rates in Orion were as much as 60% lower than previous observations from the Apollo missions. Furthermore, a change in orientation of the spacecraft during the proton-belt transit resulted in a reduction of radiation dose rates of around 50%. These measurements validate the Orion for future crewed exploration and inform future human spaceflight mission design. What happens in the future will depend heavily on shielding, trajectory, the Solar cycle and severity of Solar particle events. The problem is that manned interplanetary missions have good reasons to prefer long missions in light vehicles. (Lighter vehicles and short missions use less fuel and short missions shorten exposure.) So radiation risks will remain a key challenge for human space exploration.

The primary research is George, S. P., et al (2024) “Space radiation measurements during the Artemis I lunar mission”. Nature, vol. 634, p48-52.

(14) GOING WITH THE FLOW. [Item by N.] This info comes a little late, but on closer inspection, this film has fantastical elements! Good, because it looks and sounds stunning. Set for a limited release in NY and LA on November 22 and a wide release in the rest of the US on December 6. (Those in France get it earlier on October 30). “’Flow,’ An Edge-Of-Your-Seat Survival Film, Gets U.S. Trailer, Release Date” at Cartoon Brew.

A wondrous journey, through realms natural and mystical, Flow follows a courageous cat after his home is devastated by a great flood. Teaming up with a capybara, a lemur, a bird, and a dog to navigate a boat in search of dry land, they must rely on trust, courage, and wits to survive the perils of a newly aquatic planet. From the boundless imagination of the award-winning Gints Zilbalodis (Away) comes a thrilling animated spectacle as well as a profound meditation on the fragility of the environment and the spirit of friendship and community. Steeped in the soaring possibilities of visual storytelling, Flow is a feast for the senses and a treasure for the heart.

(15) VIDEO OF THE DAY. [Item by Mike Kennedy.] Hmm. Seems genre adjacent. Or perhaps adjacent to genre adjacent: Ryan George’s “How Psychics Argue”.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, N., Paul Weimer, Daniel Dern, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Pixel Scroll 7/23/24 I’m Pixel, This Is My Brother Scroll, And This Is My Other Brother Scroll

(1) HAPPENING AT GLASGOW 2024. Sunyi Dean announced this on Bluesky. Click for larger images.

(2) GEOFFREY LANDIS PROFILE. “A NASA Engineer Spent Years Writing Fiction About Venus. Now He Wants to Send a Mission There For Real” at Cleveland Scene.

In writer Geoffrey Landis’s short story “Cloudskimmer,” a pair of astronauts in the near future gaze down at planet Venus from their idling spacecraft. Hired by some unnamed government backer, the two, Zara and Sanjay, begin a loose debate after one decides to—for the sake of better research!—travel to Venus’s surface himself. Why? Zara asks.

“Same reason Mallory climbed Everest,” Sanjay says. “Because I can.”

“What are we going to tell our backers?” she tells Sanjay later in the story. “They’re paying us for science, not for stunts.”

Sanjay makes the trip personal. “Humans see different things than drones do,” he says.

The vision and risk in Landis’s science fiction, like in that 2022 short story, are barely contained to the realm of make believe. Landis, besides being an award-winning novelist and fiction writer, is an aerospace engineer at NASA Glenn, which has gifted the now 69-year-old a reciprocal gift in by-day and by-night lives: interplanetary research that feeds into his writing; writing that foreshadows his research….

(3) WRITER’S COUNTRY. “Unravelling the Mystery of Agatha Christie’s Country Retreat” at CrimeReads.

A ceramic skull, grinning at visitors from a side table in the entry hall, offers a clue to the identity of the former owner of this grand home perched above the banks of the River Dart in Devon. 

You don’t need Hercule Poirot’s little grey cells or the observational skills of Jane Marple to solve this mystery. Who else but the Queen of Crime would display such a macabre ornament? 

Welcome to Greenway, the country retreat of Agatha Christie. This compact Georgian mansion, faced in white stucco that gleams in England’s rare bursts of spring sunshine, was her refuge from the demands of being the world’s most famous and beloved crime writer. It’s secluded – accessible only by boat or via a long, narrow driveway – and set on more than thirty acres of gardens and woodland. Her dream home, she called it, “the loveliest place in the world.”

Each year thousands of Christie fans make the pilgrimage to Greenway, which opened to the public fifteen years ago….

…Staff members circulate through the house, answering questions and offering insights and anecdotes. The doll a bored-looking, four-year-old Christie clutches in a portrait housed in the morning room? Her name is Rosie and, 130 years later, she’s propped up in a nearby chair. Ask about the cuneiform tablet embedded in an outside wall – Mallowan brought it back from Iraq in the 1930s – and a staff member hands over a printout explaining it dates from 600 BCE and is a plea to the Assyrian god Nabu. The black gown with gold trim hanging in a bedroom closet? Christie wore it to the 1952 premiere of The Mousetrap, her record-setting play that has been performed in London’s West End more than 29,000 times and is still going strong…

(4) DAVID BRIN ON FIRST CONTACT. The Science in Fiction podcast hosted David Brin after they talked to Avi Loeb. So “first contact scenarios, Fermi Paradoxf and plausible types of alien probes in the Solar System all came up.” “David Brin on First Contact in ‘Existence’” at Spotify.

Marty and Holly speak with David Brin, science fiction icon, scientist, futurist and civilizational optimist.  We discuss his particular view of first contact with extraterrestrial intelligence, as portrayed in his 2012 novel ‘Existence’, along with his predictions about how artificial intelligence and virtual reality will change our world in the near future.  We discuss the UFO phenomenon (a sophisticated form of cat lasers for us to chase) and the unspeakably rude behaviour of these hypothetical silvery teaser punks.  David speaks directly to the artificial intelligences and possibly alien intelligences who may be inveigled in our internet.  We talk about Cixin Liu’s ‘The Three Body Problem’ (there is no three body problem), the likely prevalence of life in the universe (90% of star systems), the Fermi Paradox, SETI, METI, and various forms that first contact with alien civilizations may take, among them Von Neumann machines and artificial alien intelligences stored in ‘envoy eggs’ orbiting our planet for millions of years. David tells us how to make the most powerful telescope in the universe, by turning the Kuiper Belt into a solar system sized lens.  Finally, he implores us to fight back against the ingrate habit of cynicism and pessimism rotting our global civilization today, and declares “I’m proud as hell and nothing can stop us! … Be citizens of wonder, help save a good civilization.”

(5) RARE CODEX. The Folio Society’s illustrated edition of A Canticle for Leibowitz can be yours for $600.

Explore a world of feudal futurism in the beloved classic A Canticle for Leibowitz, a post-nuclear masterwork featuring 12 full-page pieces of original artwork by premier fantasy artist Elliot Lang. Folio presents Walter M. Miller Jr’s Hugo-award winning novel as never before seen. This vital chapter in the canon of 20th century science fiction takes place in a scorched earth in which an order of monks is dedicated to recovering the remnants of scientific knowledge lost to nuclear war. Evocative, complex and gently funny, A Canticle for Leibowitz most recently provided direct inspiration for the Fallout games and TV show, and has been one of Folio’s most consistently requested titles. Having recommended the book himself, Pulitzer Prize-winning literary essayist Michael Dirda provides an illuminating introduction, while Elliot Lang’s brilliant designs and illustrations create a truly immersive reading experience. Along with medieval-style historiated chapter initials, scrollworked part-titles, ingenious endpaper design, an illustrated cover and slipcase, Lang also contributes an exclusive afterword that tells the uncanny story of his own personal connection to this timeless work of spiritual wonder and post-apocalyptic terror. 

(6) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

July 23, 1947 Gardner Dozois. (Died 2018).  

By Paul Weimer: I mentioned Dozois recently in my birthday appreciation of James E Gunn.  And like Gunn, Dozois has both fictional and non-fictional elements to his oeuvre, but for Dozois that balance is even more on the nonfictional side.

Gardner Dozois

But the piece of Dozois fiction I want to mention before his editorial work is near and dear to me — his “Counterfactual”.  It is an alternate history story of the metafictional kind, as someone who is in an alternate history (where the Civil War went very differently) and is trying to write a story about a world where the South lost, and not hitting the mark of our own world, but coming up with a complete and different variant. Since I had read The Man In the High Castle by the time I came across “Counterfactual”, I saw immediately what Dozois was doing, and was delighted he was going for that approach, too. 

But really, Dozois as an anthologist is really what his bread and butter is. The Year’s Best SF collections were bread and butter to me, and once I got into Hugo nominations and voting regularly, they served as a guidepost as to help inform my choices. Those volumes not only had a great set of stories every year, but the gigantic editorial/field review essay Dozois provided gave a perspective as to what he thought the field was doing, where it had been and where it was going. I didn’t always agree with his assertions and ideas (once I had enough feet under me to do so) but I found his arguments and perspective fascinating. And that essay always included a whole additional set of recommendations of stories (and novels!) that he could not anthologize in that volume.  I could set up a good half year’s reading just from one of those Year’s Best volumes and working my way through his recommendations.

Aside from the Year’s Best, I always found a new original or reprint anthology of Dozois’ to command my attention, and my wallet. And the sheer variety of the subgenres and topics he anthologized showed his Renaissance Man-like knowledge of the field. From The Good Old Stuff, to One Million AD, to The Book of Swords, Dozois provided endless reading of short fiction carefully curated and collected for particular tastes. One of my favorite of this was among his last.  Ever since I read A Princess of Mars, Mars in its dying civilization mode has always fascinated me as a setting. So his collection Old Mars, with many stories in that vein, was a particular favorite. And with a kickass set of authors including Michael Moorcock, Ian McDonald and Melinda Snodgrass, the reputation of Dozois meant that when he cast for an anthology of new stories, authors jumped at the chance.  

While there are plenty of year’s best and other anthologies since, no one, IMHO, has quite shown the power and magic of a collector of stories, be it reprints or original fiction, quite like Gardner Dozois did.

(7) COMICS SECTION.

(8) COMIC-CON SCOUTING REPORT. “San Diego Comic-Con 2024: Pre-Show News, Must-Go Panels, and More” at Publishers Weekly. The piece ends with a roster of their picks for the top programs.

It wouldn’t be San Diego Comic-Con without a little drama, some big questions, and a lot of hype. Just 24 hours before this year’s show floor opens at the San Diego Convention Center, it appears that the con will deliver all that and more—including some terrific programming set to begin on Thursday and Friday’s Eisner Awards ceremony. And with downtown San Diego abuzz with comics fever, some companies are ramping up their presence at the show while others are leaving the playing field.

(9) HOPE SPRINGS ETERNAL. “Could Star Trek’s Wesley Crusher Get His Own Spinoff? Wil Wheaton Has Thoughts” at CinemaBlend. It was only as long ago as 1988 that I ran a convention program called “Solving the Wesley Problem”. My 1988 self would be surprised to hear I like this solution.  

Star Trek: Prodigy gave Wesley Crusher the story he’s deserved for decades while also providing Wil Wheaton with the experience of watching his voiceover performance, one that made us both emotional talking about it. I think it’s a given at this point that fans would love to see more of him, potentially via his own upcoming Trek spinoff, but is that a realistic hope hold onto? Wil Wheaton had some thoughts.

As the host of The Ready Room (available to stream with a Paramount+ subscription) and someone who is around the Star Trek fandom and its creatives quite a bit, Wil Wheaton has a definite read on the franchise. If anyone would know rumblings about what is and isn’t possible, it’s probably him. So I decided to get his thoughts on the probability of a Wesley Crusher spinoff happening down the road, noting that Star Trek rarely produces projects centered around non-Starfleet characters (Prodigy being the first). When I asked whether a spinoff was a realistic hope or just a pipe dream, he told me:

“Well, if there’s one thing that we have learned through like 60 years of Star Trek, It’s that anything is possible. Like no one’s ever really gone. Things are constantly in flux, and when you have a character who can manipulate spacetime and thought to kind of do anything and go anywhere, sure, you could put him any place. As an audience member, as a fan of the characters and Prodigy, and as a fan of the actors who play them, I would love to see more. I am fascinated by stories in the Star Trek universe that do not take place inside of Starfleet. I’ve always been fascinated by that. I’ve always wanted to know what it is like. What is this universe that Starfleet is kind of like looking after? What goes on on these planets before and after the Federation shows up?”…

(10) SMILE, YOU’RE ON X-RAY CAMERA. “NASA releases never-seen-before images of Peacock galaxy” at Yahoo!

NASA is celebrating the 25th anniversary of its Chandra X-ray Observatory launch by sharing never-before-seen photos of the largest known spiral galaxy in the universe.

The Chandra X-ray observatory was launched on July 23, 1999. Since then, it has scoured the universe to look for X-ray emissions from exploded stars, clusters of galaxies and more, according to NASA. The observatory returns data to the Chandra X-ray Center at Harvard University’s Smithsonian Astrophysical Observatory.

Since its launch, the observatory has captured images of the aftermath of exploded stars, photographed the supermassive black hole that exists at the center of the Milky Way, and helped scientists learn more about dark matter, dark energy and black holes….

… The observatory captured thousands of images of the spiral galaxy, known as NGC 6872, since its launch. The galaxy, located in the Peacock constellation of the universe, is over 522,000 light-years across, or more than five times the size of the Milky Way, according to NASA

(11) COSMIC EYEBALL. Ars Technica tells how “Mini-Neptune turned out to be a frozen super-Earth”.

Of all the potential super-Earths—terrestrial exoplanets more massive than Earth—out there, an exoplanet orbiting a star only 40 light-years away from us in the constellation Cetus might be the most similar to have been found so far.

Exoplanet LHS 1140 b was assumed to be a mini-Neptune when it was first discovered by NASA’s James Webb Space Telescope toward the end of 2023. After analyzing data from those observations, a team of researchers, led by astronomer Charles Cadieux, of Université de Montréal, suggest that LHS 1140 b is more likely to be a super-Earth.\

If this planet is an alternate version of our own, its relative proximity to its cool red dwarf star means it would most likely be a gargantuan snowball or a mostly frozen body with a substellar (region closest to its star) ocean that makes it look like a cosmic eyeball. It is now thought to be the exoplanet with the best chance for liquid water on its surface, and so might even be habitable.

Cadieux and his team say they have found “tantalizing evidence for a [nitrogen]-dominated atmosphere on a habitable zone super-Earth” in a study recently published in The Astrophysical Journal Letters….

(12) JOKER TRAILER. When you’re smiling, the whole world smiles with you. Joker: Folie À Deux in theaters and IMAX, October 4.

(13) PRIME VIDEO. “Amazon Prime Video’s next big sci-fi spy thriller gets action-packed teaser” reports T3.

…The next in the line-up is Italian-language Citadel: Diana, which will tell a completely fresh story when it arrives on 10 October, and will have little overlap with the main series, other than the fact that it’ll involve the mysterious Citadel agency. 

Diana herself is played by Matilda De Angelis, who’s been making quite a name for herself in Italian productions, and looks suitably big-budget and high-concept, fusing the same sci-fi aesthetic as the first season of Citadel did….

[Thanks to Steven French, Kathy Sullivan, Teddy Harvia, Paul Weimer, Mark Roth-Whitworth, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 7/2/24 We, In Some Scroll Credential’s Employ, Also Walk Dogs, On A Rigorous Leash

(1) WANTED: A NEBULA FOR POETRY. Science Fiction Poetry Association President Colleen Anderson says she recently talked to an incoming Vice-President of SFWA about creating a Nebula award in the poetry category.

She points out that the Horror Writers Association already presents a Stoker Award for superior achievement in a poetry collection.

(2) WHERE TO ROAM IN BUFFALO. The preliminary schedule for Buffalo NASFiC 2024 is now online: Buffalo NASFiC Program Guide.

Buffalo NASFiC will have an extensive program consisting of multiple tracks, with a wide variety of events, panels, workshops, and happenings. We expect to have over a hundred hours of things to do and see, including items on fantasy & science fiction literature, film & TV, gaming, science, art, filk, new media, fandom, and much more…

(3) FOURTH OF JULY TWILIGHT ZONE MARATHON. [Item by John King Tarpinian.] I have this on CD, and Blu-ray, and limited edition, but I will still have the marathon on in the background on the fourth. SYFY Wire has the latest: “SYFY The Twilight Zone Fourth of July Marathon 2024: How to Watch”.

…The marathon kicks off first thing Thursday, July 4 at 6:00 a.m. ET with “And When the Sky Was Opened.” Written by series creator Serling and directed by Douglas Heyes, the classic Season 1 episode follows three test pilots (Rod Taylor, Charles Aidman, and Jim Hutton), who begin to mysteriously vanish from the very fabric of reality after their experimental ship crashes in the desert.

The script was adapted from the short story “Disappearing Act” from prolific sci-fi scribe Richard Matheson and plays on the universal human phobia of the unexplainable. “The worst fear of all is the fear of the unknown working on you, which you cannot share with others,” Serling once said (via Marc Scott Zicree’s Twilight Zone Companion). “To me, that’s the most nightmarish of the stimuli.”…

(4) CUBOLOGY. The New York Times celebrates as “The Rubik Cube Turns 50” (Unlocked article.)

… Mr. Rubik, a Hungarian architect, designer, sculptor and retired professor, took part in a question-and-answer session with Dr. Rokicki and his co-organizers, Erik Demaine, a computer scientist at M.I.T., and Robert Hearn, a retired computer scientist, of Portola Valley, Calif.

Dr. Rokicki asked Mr. Rubik about the first time he solved the Cube: “Did you solve corners-first?”

These days, new cubers learn on YouTube, watching tutorials at 1.5x speed. Dr. Rokicki instead recommends the old-fashioned strategy: Set out on a lone path and discover a solving method, even if it takes weeks or months. (It took the computer scientist Donald Knuth less than 12 hours, starting at his dining table in the evening and working straight through to the morning.) Corners-first is a common route, since once the corners are solved, the edges can be slotted in with relative ease. Mr. Rubik said that, yes, he indeed did corners-first. Mr. Rubik, who is known to take a philosophical approach to cubology and to life in general, added: “My method was understanding.”…

(5) MONSTER ART. Coming on July 31 to the Society of Illustrators in New York: “Beautiful Monsters: The Art of Emil Ferris”.

In the highly anticipated My Favorite Thing is Monsters Book Two, the densely layered artwork of Emil Ferris transports us to Chicago in 1968, a year of violence and protest. Against this backdrop, 10-year-old Karen Reyes continues her private investigation into the murder of her beautiful neighbor, Anka Silverberg, a Holocaust survivor. In a story where everyone in this complex cast of characters has a secret, no one is as they seem.

Ferris draws in a unique style, using ball-point pen on notebook paper, with a dynamic sense of timing and rhythm. Educated at the School of the Art Institute of Chicago, Ferris finds inspiration in both classic paintings and horror comics. Beautiful Monsters will include original character portraits, variations on classic paintings, saints, wolves, architecture, scary clowns, and a whole gallery of monster posters.

Curated by Kim Munson, editor of the Eisner nominated anthology Comic Art in Museums, curator of Women in Comics and Collen Doran Illustrates Neil Gaiman.

(6) BAYCON BIDS FOR 2026 WESTERCON. [Item by Kevin Standlee.] From the Westercon website: “BayCon Files Bid to Host Westercon 78”.

The parent non-profit organization of BayCon, The Society for the Promotion of Speculative Fiction, has filed a bid with Westercon 76 Utah to host the 2026 West Coast Science Fantasy Conference (Westercon 78) over the weekend of July 3-6, 2026 at the Marriott Hotel, Santa Clara, California, in conjunction with BayCon 2026.

No bids filed to be on the ballot for the 2026 Westercon by the April 15, 2024 deadline. As of July 1, 2024, no other write-in bids have filed bids. Groups interested in bidding to host the 2026 Westercon must file the information specified in Section 3.5 of the Westercon Bylaws with the 2026 Westercon Site Selection Administrator, Linda Deneroff, by the end of site selection voting at Westercon 76 at 6 PM MDT on July 5, 2024. Bids may be filed in person at Westercon 76 or by email. If no qualified bid wins the election at Westercon 76, the Westercon 76 Business Meeting on July 6, 2024 shall be responsible for selecting a site for Westercon 78 as provided for in the Westercon Bylaws.

BayCon 2025 was awarded the right to host Westercon 77 (2025) in a separate decision announced on June 14, 2024. Should they win the election at Westercon 76, they would host both Westercons 77 and 78.

Westercon 76 will be at the Doubletree Hotel Salt Lake City Airport July 4-7, 2024.

(7) TARTAN TIME. “Going to Scotland! But first, making things!” – Lisa Clarke tells what she’s making to take to the convention, including some items she’ll offer for sale.

Neil and I have been married for 29 years, and we’ve had kids for 24 of those years….

…So, we have never gone with Neil to cons that involved flying, with one notable exception: We went to Ireland five years ago. That was an epic trip. A first flight for one of our kids, a first time out of the country for both of our kids, and my first time on an airplane in 20 years.

This year, we’re doing it again: we’re headed to Scotland!

Neil is going to the World Science Fiction Convention, and we are tagging along with him to wander around Glasgow, see the sights, buy some yarn…

I’ve been preparing for this trip in the most Lisa Clarke of ways: making jewelry and a shawl to coordinate with the convention colors. Oh, I’m such a nerd really, but I can’t stop myself!

I’m not attending the con itself, but will be going to the Hugo Awards with Neil (he’s nominated again), and I’ll be wearing my usual black dress (aka my trusty blank canvas) along with a shawl that I have yet to finish. There will be a shawl pin, and some combination of earrings, bracelets, rings and a barrette, all made to coordinate with the con colors….

…Naturally I cannot wear all of these things that I’ve created, but I’m hoping that if you are attending the convention, too – or you are just a fan of these colors – that you would like some pieces to wear with your own Glasgow 2024 ensemble. I see these things going equally as well with a t-shirt as they do with a blank canvas black dress….

(8) CLARKESWORLD REBUILDS SUBSCRIBER BASE. Meanwhile, back at the office…

(9) UK CHILDREN’S LAUREATE Q&A. [Item by Steven French.] The new Children’s Laureate in the UK is Frank Cottrell-Boyce who wrote the sequel to Chitty Chitty Bang Bang and the Doctor Who episodes “In the Forest of the Night” and “Smile”, among other things: “’Reading’s in danger’: Frank Cottrell-Boyce on books, kids – and the explosive power of Heidi” in the Guardian.

… He believes that the language of “catching up” post-pandemic is a code for forgetting that it happened, and that children are not being given the space, time or resources to process their experiences. And it’s not just lockdown that they have to deal with: “Kids are being told that they’re a pre-war generation, they’re growing up aware that their entire biosphere is in danger. They’ve got all these anxieties, and we have something that can alleviate those anxieties. It’s not a magic bullet. It’s not going to cure them. But it is a really simple coping mechanism that plugs you right into the entire history of our culture. This is a chain that goes back to the first fire in the first cave. We know it works. It’s what got us here, and we are in danger of losing it.”…

(10) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Nat Cassidy and A.T. Sayre on Wednesday, July 10, 2024, at 7:00 p.m. Eastern at the KGB Bar, 85 East 4th Street, New York, NY 10003 (Just off 2nd Ave, upstairs).

Nat Cassidy

Nat Cassidy’s horror novels Mary and Nestlings were featured on best-of lists from Esquire, Harper’s Bazaar, NPR, the NY Public Library, and more, and he was named one of the “writers shaping horror’s next golden age” by Esquire. His award-winning horror plays have been produced across NYC and the country, including at the Kennedy Center. You’ve also maybe seen Nat guest-starring on shows such as Law & Order: SVUBlue Bloods, Bull, Quantico, FBI, and others … but that’s a topic for a different bio. His next novel with Tor NightfireWhen the Wolf Comes Home, hits shelves in April 2025. His website is: www.natcassidy.com.

A.T. Sayre

A.T. Sayre has been writing in some form or other ever since he was ten years old. His work has appeared in The Cosmic Background, Aurealis, Haven Speculative, and most notably in Analog Magazine, where his debut novel The Last Days of Good People, appears in the current issue. His first short story collection, Signals in The Static, was published this spring by Lethe Press. More info on these and his other works can be found at www.atsayre.com/fiction. Born in Kansas City, raised in New Hampshire, he lives in Brooklyn and likes to read in coffeehouses.

(11) MEMORY LANE.

[Written by Cat Eldridge.]

July 2, 1948 Saul Rubinek, 76. So tonight we have Saul Rubinek.  My brain when I started stitching this together kept tugging at a thread that wasn’t quite there of a production that I’d seen him where he was quite good in a role so I had to look up his credits on IMDB where it turned out it was first in a nearly fifteen-year-old airing of The Golden Spiders: A Nero Wolfe Mystery where he was cast as Saul Panzer, freelance detective working for Nero Wolfe. 

This was the first of two hour-long movies that originally were all that was planned to be but ratings were excellent and critics loved it, so two seasons followed with stars Maury Chaykin as Nero Wolfe, and Timothy Hutton as Wolfe’s assistant, Archie Goodwin. 

Saul Rubinek

He was on the series not as this character, but as Lon Cohen, a reporter at the New York Gazette. He’s Archie’s source of crime news, and Archie often asks Lon for background information on current or prospective clients.

Before you ask, yes, I loved the series. Unfortunately it is not streaming anywhere right now and the DVDs are ridiculously expensive as a fellow member of Susan’s Salon noted earlier this week and I found them for sale at $150 for the complete series on Amazon.

Now onto his genre work.

His longest role was as Special Agent in Charge of Warehouse 13 Artie Nielsen, in charge of the often troublesome Pete Lattimer, Myka Bering and Claudia Donovan, not to mention several others that had very interesting stories here. Now Artie prefers old fashioned items and ways of doing things because they are familiar and comfortable. He likes tinkering with what is in Charge of Warehouse, something which can be hazardous to him, other and Warehouse 13 itself. 

Obviously I’m not going to say anything about what happens to him here as if you haven’t seen the series, it’d spoil for you. Suffice it to say that the writers use the character well.

Spoilers now as they can’t be avoided. On the “The Most Toys” episode of The Next Generation, he plays a nearly obsessed collector who adds Data to his collection. 

(Tom Toles in a Washington Post article noted what the title meant, “Maybe you remember and maybe you don’t the phrase “He who dies with the most toys wins.” It has been attributed to Malcolm Forbes, but whoever said it deserves to be noted for being able to get it out while throwing up a little in the back of his mouth.”) 

Data has been deactivated somehow and reactivated and met by Fajo, his character, who explains he collects rare and valuable objects — like Data himself. Ok let me note that is nothing to like in my opinion about Fajo. Which of course was the lint of the story here. 

The homage to Asimov’s Three Laws of Robotics is rather obvious. Perhaps a little too obvious. 

Saul wasn’t the first choice for this character. It’s very important to note the last-minute nature of his casting went well for three reasons:  he was available as he wasn’t engaged in anything, he was a Star Trek fan keen to appear in the series, and he was a personal friend of the episode’s director Timothy Bond.

They had created an elaborate prosthetic outfit for the first choice but there wasn’t time to design even facial  prosthetics for him given when they needed to get the episode done, well, now, when he stepped into the role. 

Memory Alpha has a listing of what Kivas Fajo has collected and which is shown here or used here to create a feeling of his alienness. Not surprisingly, nothing in his collection or that he uses here was created for this episode but had already been designed and constructed for another episode such as the communication device used by Sarjenka for “Pen Pals”, a  Next Generation episode that aired the previous season. 

Ok, there’s lots of one-offs he did I could mention but those are the three roles that I want to note. 

(12) COMICS SECTION.

(13) SCHRÖDINGER’S TRADING CARD BOXES. Heritage Auctions recently sent subscribers the short article: “Sealed Trading Card Game Booster Boxes: To Open or Not to Open?”

Sealed trading card game (TCG) booster boxes have become highly collectible due to nostalgia, potential value, and rarity. A common question about these boxes is whether to keep them sealed or open them. Here’s a brief look at why you might open or keep them sealed:

Why You Should Open Them

  1. Chance of Rare Cards: You might pull valuable, rare, and desirable cards.
  2. Enjoyment and Nostalgia: The experience of opening packs can be nostalgic and fun.
  3. Content Creation: Unboxings attract views and engagement for content creators.

Why You Should Keep Them Sealed

  1. Rarity and Scarcity: Fewer sealed boxes mean higher value.
  2. Preservation and Collectibility: Sealed boxes are being opened, increasing collectability.
  3. Future Demand: Nostalgia and new collectors can drive future demand.

The decision to open or keep a booster box sealed ultimately comes down to the individual. Truthfully, there’s no wrong answer to the question as long as you have fun keeping them sealed or opening them and seeing what lies inside them.

(14) THE POSTMAN ALWAYS CLICKS TWICE. Movieweb contends “The Books That Inspired Fallout Are Essential Reading Before the Show”.

The developers of the Fallout series have been very public about their influences, with the post-apocalyptic landscape drawing obvious parallels to the aforementioned Mad Max, along with lesser-known movies like A Boy and His Dog and Radioactive Dreams. The franchise’s creators have also been just as forthcoming about the series’ literary influences, and three of those books are essential reading before Prime Video’s series adaptation releases in April 2024….

David Brin was excited to find his story first on the list.

…It’s hard to imagine a video game, film, or any visual medium taking visual cues from a novel, considering the obvious lack of pictorial elements, but The Postman by David Brin is cited as a huge influence on the design process of Fallout‘s iconically unique landscape and the settlements found within.

Set in a decimated landscape, Brin’s The Postman follows a man who stumbles upon a crashed mail truck that has been untouched since the old world fell. Having lost everything after falling victim to a group of raiders, the man decides to wear the uniform, acting as the federal inspector for the “Restored United States of America” to gain entry to the local settlements across the Wasteland…

(15) BAD DAY IN SPACE TECH. A test of the Tianlong-3 rocket went wrong – video on this Weibo post. And for those of you reading along in English, Gizmodo brings us: “Chinese Rocket Accidentally Launches During Test, Crashes Dramatically”.

…Chinese company Space Pioneer accidentally launched the first stage of its Tianlong-3 rocket during a Sunday test of the vehicle that went terribly wrong. The rocket crashed and exploded near a city in Central China, but no injuries have been reported so far…

…The accidental launch occurred during a hot firing test of the rocket on Sunday at a facility in Gongyi City, Henan Province. During the test, the rocket’s nine engines are ignited, while the vehicle is supposed to be secured to the ground, preventing it from heading toward orbit.

Space Pioneer blamed a “structural failure” of the test bench for the rocket’s separation from the launch pad, the company wrote in a statement. The rocket’s onboard computer, however, automatically shut down the engines upon detecting unusual activity. That’s when Tianlong-3 plummeted towards a hilly area near the city….

(16) JUSTWATCH QUARTERLIES. This month JustWatch, the largest streaming guide in the world, released updates on the market share of all major streaming platforms across 60 different countries. The results below reflect data we collected over the last 3 months.

SVOD market shares in Q2 2024

At the forefront of the market, a fierce rivalry is unfolding between Prime Video and Netflix as their figures remain closely matched. Meanwhile, Apple TV+ and Paramount+ face a similar battle with Apple TV+ coming out on top.

Market share development in 2024

Global streaming giant: Apple TV+ grabs the attention of the US market with a +1% increase in shares. Meanwhile, Amazon Prime Video struggled throughout the second quarter to keep their share above Netflix.

In other news, Disney+ has now made Hulu content available on their app within the country, bringing the two platforms closer to integration.

Methodology: JustWatch‘s Market Shares are calculated based on user interest in their website and mobile apps. User interest in the United States is measured by adding movies or TV shows to their watchlist, clicking out to a streaming service or filtering multiple streaming services, and selecting the relevant streaming service.

(17) PRESENT AT THE CREATION. “In Ukraine War, A.I. Begins Ushering In an Age of Killer Robots” — in the New York Times (behind a paywall).

…What the companies are creating is technology that makes human judgment about targeting and firing increasingly tangential. The widespread availability of off-the-shelf devices, easy-to-design software, powerful automation algorithms and specialized artificial intelligence microchips has pushed a deadly innovation race into uncharted territory, fueling a potential new era of killer robots.

In 2017, Mr. Russell, the Berkeley A.I. researcher, released an online film, “Slaughterbots,” warning of the dangers of autonomous weapons. In the movie, roving packs of low-cost armed A.I. drones use facial recognition technology to hunt down and kill targets.

What’s happening in Ukraine moves us toward that dystopian future, Mr. Russell said. …

….  a panel of U.N. experts also said they worried about the ramifications of the new techniques being developed in Ukraine.

Officials have spent more than a decade debating rules about the use of autonomous weapons, but few expect any international deal to set new regulations, especially as the United States, China, Israel, Russia and others race to develop even more advanced weapons. 

“The geopolitics makes it impossible,” said Alexander Kmentt, Austria’s top negotiator on autonomous weapons at the U.N. “These weapons will be used, and they’ll be used in the military arsenal of pretty much everybody.”…

(18) VIDEO OF THE DAY. “Trailer: ‘Kite Man: Hell Yeah!’ Makes Soaring Max Premiere July 18”Animation Magazine sets the frame.

The DC animated universe keeps expanding, as the Max Original adult animated series Kite Man: Hell Yeah! is set to debut with two episodes Thursday, July 18, followed by one new episode weekly through September 12, on Max.

The new show features characters from the Critics Choice Award-winning Max Original Harley Quinn, which has been renewed for a fifth season and is currently available to stream on Max.

Synopsis: Kite Man and Golden Glider take their relationship to the next level by opening a bar in the shadow of Lex Luthor’s Legion of Doom. Nobody said serving cold ones to the most dangerous rogues outside of Arkham Asylum would be easy, but sometimes you want to go where everybody knows your name, and how to hide a body….

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Kevin Standlee, Steven French, Teddy Harvia, Kathy Sullivan, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 5/24/24 File “P” For Pixel

(1) RECONCILING MIDDLE-EARTH. Max Gladstone enjoys sharing his insights about The Silmarillion in “Just Silmaril Things” at The Third Place.

…Of course it’s unreliable, it’s a transcribed oral tradition! But this is the one point in the fantasy of the Silmarillion on which we, the readers, proceed with authority. We can check the bard’s math. We were there, Gandalf: we were there at the close of the Third Age. Frodo did not cast the ring “into the Fire where it was wrought.” “Alone with his servant!” No Gollum at all—imagine a version of the Lord of the Rings that doesn’t understand Gollum! (And I thought that a version that didn’t understand Faramir was a crying shame…) The previous paragraph mentions the Witch-King falling at the battle of Pelennor Fields, but says nothing at all about Merry, or Eowyn.

Two thoughts, divergent. First: how amazing, at the end of a magisterial text, to invite the reader to rethink the whole damn thing. Not to undermine it, to lampoon or lambaste—but to encourage new questions, new depths of thought, insight: who else was there? At the ride of Fingolfin, at the kinslaying of the Teleri? What haven’t we seen, for the light of all this majesty? What isn’t told? What has been forgotten?…

(2) SCIENTIFIC FICTION. What Mark Twain did for Fenimore Cooper, and Damon Knight did for his sf-writing colleagues, Dashiell Hammett once did for practitioners of his genre. The Library of America’s “Story of the Week” is Hammett’s “Suggestions to Detective Story Writers”.

Soon after Dashiell Hammett published his third novel, The Maltese Falcon, to critical acclaim and strong sales, he accepted a position as crime fiction reviewer for the New York Evening Post….

…Perhaps inevitably, after several years of reading (and trashing) so many unremarkable novels, Hammett threw up his hands. His “Crime Wave” column in the June 7, 1930, issue of the Evening Post was supposed to be a review of three newly arrived mystery novels that were “from beginnings to endings, carelessly manufactured improbabilities having more than their share of those blunders which earn detective stories as a whole the sneers of the captious.” He declined to review the books he had been assigned and instead published a list of blunders he had encountered in these and other recent books, with the hope that writers might avoid them in the future….

Hammett begins:

…It would be silly to insist that nobody who has not been a detective should write detective stories, but it is certainly not unreasonable to ask any one who is going to write a book of any sort to make some effort at least to learn something about his subject. Most writers do. Only detective story writers seem to be free from a sense of obligation in this direction, and, curiously, the more established and prolific detective story writers seem to be the worst offenders….

Here are three things on his list that apparently would have come as news to certain authors:

…(4) When a bullet from a Colt’s .45, or any firearm of approximately the same size and power, hits you, even if not in a fatal spot, it usually knocks you over. It is quite upsetting at any reasonable range.

(5) A shot or stab wound is simply felt as a blow or push at first. It is some little time before any burning or other painful sensation begins.

(6) When you are knocked unconscious you do not feel the blow that does it…

(3) BOLD AS BRASS. On the other hand, if it’s a science fiction writer you want to be, take Ursula K. Le Guin’s advice: “Ursula K. Le Guin on How to Become a Writer” at Literary Hub.

How do you become a writer? Answer: you write.

It’s amazing how much resentment and disgust and evasion this answer can arouse. Even among writers, believe me. It is one of those Horrible Truths one would rather not face….

…Honestly, why do people ask that question? Does anybody ever come up to a musician and say, Tell me, tell me—how should I become a tuba player? No! It’s too obvious. If you want to be a tuba player you get a tuba, and some tuba music. And you ask the neighbors to move away or put cotton in their ears. And probably you get a tuba teacher, because there are quite a lot of objective rules and techniques both to written music and to tuba performance. And then you sit down and you play the tuba, every day, every week, every month, year after year, until you are good at playing the tuba; until you can—if you desire—play the truth on the tuba.

It is exactly the same with writing. You sit down and you do it, and you do it, and you do it, until you have learned how to do it….

(4) DAVID BRIN HONORED BY CALTECH. David Brin is one of this year’s recipients of the Distinguished Alumni Award (DAA), Caltech’s highest honor for alumni. The announcement was made at Caltech’s 87th Annual Seminar Day on May 18. “Caltech Celebrates Its 2024 Distinguished Alumni Award Recipients”.

[The award] went to four alumni who, because of both personal commitment and professional contributions, have made remarkable impacts in a field, on the community, or in society more broadly.

The 2024 class of DAAs are: David Brin (BS ’73)Louise Chow (PhD ’73)Bill Coughran (BS, MS ’75), and Timothy M. Swager (PhD ’88)….

David Brin is recognized for his enduring excellence in storytelling, examining how change, science, and technology affect the human condition in his New York Times-bestselling science fiction novels, and for his support of revolutionary ideas in space science and engineering through NASA’s Innovative and Advanced Concepts Program.

Brin’s novels explore science’s potential impact on society with a mixture of hope and dread. His books have been honored with Hugo and Nebula awards, the most prestigious awards for science fiction and fantasy writing, and have been translated into more than 20 languages. One of his novels, The Postman, was the inspiration for the 1997 movie of the same name, which starred Kevin Costner. His 1998 nonfiction book, The Transparent Society: Will Technology Make Us Choose Between Freedom and Privacy? received the Eli M. Oboler Memorial Award from the American Library Association.

Brin serves on several advisory committees and sits on the external council for the NASA Innovative Advanced Concepts Program, which explores high-risk, high-reward ideas that are capable of “changing the possible.”

(5) ALL DESIRES KNOWN. New Scientist interviews “Sci-fi author Martha Wells, author of the Murderbot series, on what a machine intelligence might want”.

When I wrote All Systems Red, one of my goals was to think about what a machine intelligence would actually want, as opposed to what a human thinks a machine intelligence would want. Of course, there’s no real way to know that. The predictive text bots labelled as AIs that we have now aren’t any more sentient than a coffee cup and a good deal less useful for anything other than generating spam. (They also use up an unconscionable amount of our limited energy and water resources, sending us further down the road to climate disaster, but that’s another essay.)

In the world of All Systems Red, humans control their sentient constructs with governor modules that punish any attempt to disobey orders with pain or death. When Murderbot hacks its governor module, it becomes essentially free of human control. Humans assume that SecUnits who are not under the complete control of a governor module are going to immediately go on a killing rampage.

This belief has more to do with guilt than any other factor. The human enslavers know on some level that treating the sentient constructs as disposable objects, useful tools that can be discarded, is wrong; they know if it were done to them, they would be filled with rage and want vengeance for the terrible things they had suffered….

(6) ANOTHER REASON TO REMEMBER 1984. [Item by SF Concatenation’s Jonathan Cowie.] It strikes me that as it is 2024 this year is the 40th anniversary (1984) of the first (and I think only?) combination Eastercon-Eurocon.

Back in the day, I provided press operations for a number of conventions including Shoestringcons 1 & 2, BECCON 87 (Eastercon), Eastcon (Eastercon) etc. One of these was the 1984 Eurocon cum Eastercon, Seacon 84. Because I was doing press I got these posters (someone else produced) to include in my press kits. The attached is a photo of said poster.

The artwork shows the Brighton seaside with three piers (Brighton has had a troubled history with its piers – see the Wikipedia entries for West Pier and Brighton Palace Pier. And there is a spaceship crashing. The thing is that this space ship is also (look again) a beer mug. (Beer and SF go together in the UK.)

Sadly, I note that none of the GoHs are with us today (all those I looked up to, when I joined fandom in the 1970s, are now gone, (as also gone are a disturbing number of my fan friends which is the main reason I have cut back on con going to just one or two a year)).

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

May 24, 1963 Michael Chabon, 61. The first work by Michael Chabon that I read was the greatest baseball story ever told, and yes, I know that statement will be disputed by many of you, or at least the greatest fantasy affair which is Summerlandin which a group of youngsters save the world from destruction by playing baseball.  It’s a truly stellar novel, perfect, that in every way deserved the Mythopoeic Award it received.

Michael Chabon

 Next on my list of novels that I really enjoyed by him is The Yiddish Policemen’s Union, the alternate history mystery novel, which would win a Hugo at Devention 3. Like Lavie Tidhar’s Unholy Land, this novel with its alternate version of Israel is fascinating. 

The Amazing Adventures of Kavalier & Clay is story of  them becoming major figures in the comics industry from its start into its Golden Age. It’s a wonderful read and an absolutely fantastic look at the comics industry in that era.

An interesting story by him is “The Final Solution: A Story of Detection” novella. The story, set in 1944, is about an unnamed nearly ninety-year-old retired detective who may or may not be Holmes as this individual is a beekeeper. 

He is, I’d say, a rather great writer. 

(8) COMICS SECTION.

(9) HER. [Item by Mike Kennedy.] And here’s The Onion‘s take on the ScarJo AI voice fiasco. “Jerky, 7-Fingered Scarlett Johansson Appears In Video To Express Full-Fledged Approval Of OpenAI”. Read the short satire at the link.

(10) OCTOTHORPE. In Episode 110 of the Octothorpe podcast “Tom Hanks Bloody Loves the Moon”, John Coxon is a professor, Alison Scott doesn’t have a bucket list, and Liz Batty is the country’s foremost fan historian.

We’re a day late because John got distracted! We go through our mailbag and have our thoughts provoked by lots of intriguing commentary, before talking a little about the Arthur C Clarke Award and then onto picks.

Three photographs of the night sky, labelled Newcastle, Bangkok, and “Quite near London” (the labels were written by a Londoner, which is why it doesn’t just say “London”). Text above reads “Octothorpe 110” and below reads “Local Aurora Snapshots”. The Newcastle and London images show photographs of aurora with some minor bits of vegetation intruding; the Bangkok picture shows a skyline of buildings underneath a thunderstorm.

(11) SPACE PIONEER. “Ellison Shoji Onizuka: The First Asian American in Space” – the National Air and Space Museum website has a profile of this astronaut’s work in space before being lost in the Challenger disaster.

…Months after the tragedy, as debris from Challenger was found and processed, personal possessions were returned to the crew’s families. The Onizukas received a memento with special meaning. He had taken on the flight a soccer ball inscribed with good wishes and signatures from his daughter’s Clear Lake High School soccer team, which he helped coach. Stowed in a bag inside a locker in the crew cabin, the ball had been found in the wreckage. The Onizuka family presented the ball to the school. Thirty years later in 2016 astronaut Shane Kimbrough, whose son attended the same school, took the ball on his expedition to the International Space Station and later returned it to the school, where it remains on display. Symbolically, this flight seemed to complete Onizuka’s too-short final mission….

(12) THE BIG ONE. Smithsonian Magazine lists “The Seven Most Amazing Discoveries We’ve Made by Exploring Jupiter”.

…With its gorgeous swirling overcoat and nature of extremes, Jupiter has long captured the public imagination and continues to inspire scientific study. Recent discoveries have only heightened Jupiter’s mystique, enticing researchers to probe this far-flung realm. Here are some of the most enthralling findings scientists have made about Jupiter and its moons in the last five decades….

You may not have gotten the memo:

Yes, Jupiter has a ring

“A lot of people don’t even realize it has one,” Becker says. Too puny to be observed with a backyard telescope, Jupiter’s dusty wreath remained undetected for a long time. Discovered only in 1979 during the Voyager 1 flyby, the ring has since been viewed with more powerful ground telescopes and other visiting spacecraft.

Like any ring encircling other planets in the solar system, Jupiter’s is a glorified debris field. Detritus from crash-landed meteorites congregate around Jupiter. This loose mélange of ice, dust and rock spans 32,000 to 130,000 miles in width from the planetary surface.

When other celestial objects pass through the ring, they can leave behind tracks in the dust stream. One of the most famous of wakes came from the Comet Shoemaker-Levy 9 crashing into Jupiter in 1994. Years later, the Galileo and New Horizons spacecraft found ripples in Jupiter’s ring that were kicked up by shards from the comet, the celestial equivalent of footsteps in freshly fallen snow….

(13) WE’LL GO AT NIGHT. The BBC reports on ESA’s proposed new Sun probe: “Airbus UK to build Vigil satellite to monitor Sun storms”.

British engineers will lead the development of a new satellite to monitor the Sun for the energetic outbursts it sends towards Earth.

The announcement of Vigil, as the spacecraft will be known, is timely following the major solar storm that hit our planet earlier this month.

The event, the biggest in 20 years, produced bright auroral lights in skies across the world.

Airbus UK will assemble Vigil and make it ready for launch in 2031.

It’s a European Space Agency (Esa) mission. The €340m (£290m) industrial contract to initiate the build was signed at an Esa and European Union space council being held in Brussels….

(14) VIDEO OF ANOTHER DAY. [Item by Daniel Dern.] Roger Corman’s 1994 (but never released) Fantastic Four movie is now on YouTube. I bought a VHS of this at some WorldCon, probably late in the previous millennium. Watched it once. If this is (per the CBR article) an improved viewing, I might give it a try.

An interesting article about it from 2017: “Where Are They Now: Roger Corman’s Fantastic Four”.

The Roger Corman’s ill-fated film The Fantastic Four was supposed to officially release in 1994, but that never happened. In 2005, Stan Lee said that the only reason the film was ever made was because executive producer Bernd Eichinger wanted to retain the rights to the film series, so he made a low budget film knowing it would never see the light of day, and one day make a big-budget version for the public to see. Eichinger and Corman deny these claims, stating that their intentions were always to release the film.

Avid Arad, who was a Marvel executive at the time and would later found Marvel Studios, bought the film and ordered that it be buried without even seeing the movie because he didn’t want Marvel to be associated with low-budget B movies as it might tarnish the franchise. So what happened to the movie? It is still available for free to stream on Youtube and Dailymotion. The quality as admittedly quite poor, but it is still watchable for anyone interested in a superhero movie with the incredibly low budget. And what about the cast and crew of this Marvel anomaly? Let’s take a look at what they’ve all been up to since their work on this film.

The movie: The Fantastic Four (1994) unreleased film produced by Roger Corman and Bernd Eichinger.

https://www.youtube.com/watch?v=oA7LcG4ch3A

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Robin Anne Reid, Jeffrey Smith, Daniel Dern, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 4/8/24 Everyone I Know Is A Hoopy Scroll, Who Know Where Their Pixel Is

(1) ANGRY ROBOT BRINGS ON ECLIPSE OF STORYWISE. [Item by Anne Marble.] Angry Robot Books announced a one-week open submissions period that begins April 22, and several posts down in their thread they also said they would be using a submissions portal named Storywise to help them sort through their submissions. In their image, they explain a little more and point out that it’s not generative AI.

Angry Robot provided more information about Storywise here: “Storywise and Open Submissions FAQ’s “ [Internet Archive copy]. It included information on how authors can opt out of Storywise being used in their submission.

For obvious reasons, people are worried. People are pointing out that the Storywise platform can have biases. (And because it’s software, you can’t see those biases.) While it’s great that it’s not generative AI, does that mean writers can still trust it? For example, how do authors known what Storywise will do with their submissions? Others think its fine because it’s not generative AI — it’s just AI being used as a tool. Some have pointed out that slush readers are often unpaid, so that this is not taking away jobs. (But does that apply to slush readers working for book publishers?!)

Here is a quote-tweet by Vajra Chandrasekera with lots of information about Storywise. (Thread starts on X.com here.)

Angry Robot subsequently removed the posts to social media about their open submissions, and walked back the announcement with respect to Storywise, saying they will resume using their inbox system.

Editor’s note: Adrian Moher has a good roundup about the controversy at Astrolabe Digest: 040824. (Moher provided the link in his social media.)

(2) ON THE WAY TO THE CENTERLINE. Rich Lynch snapped this photo of the view from Interstate 87, in the middle of Adirondack Park while on his way to witness today’s eclipse. (Click for larger image to read sign).

No pictures of the event itself, though. “I don’t have any eclipse photos on my iPhone.” But Rich says, “It very much did exceed my expectations, even with the sun having to burn its way through a thin cloud layer.”

(3) STOKERCON 2024 ADDS GOH. Rob Savage was announced today as StokerCon 2024’s fifth Guest of Honor.

Rob Savage initially gained attention at the age of 19 when he wrote, directed, produced, and edited the low-budget romantic drama film Strings (2012), he later became more widely known for his work in horror films and has since co-written and directed lockdown horror hit Host (2020), co-written and directed Dashcam (2021), and directed Stephen King adaptation The Boogeyman (2023).

The con also signal-boosted HWA’s Librarian’s Day.

This year’s Librarian’s Day on Friday, May 31, 2024, once again offers fantastic programming featuring the conference’s guest authors on timely topics and more. Librarian’s Day ticket holders ($60) will have access to the Dealers Room and other areas of the full conference throughout the day.  

(4) DETROIT FURRY CON VICTIMIZED AGAIN. “Motor City Furry Con evacuated for second straight year” reports Audacy.

For a second straight year Motor City Furry Con attendees were forced to be evacuated from their hotel due to a threat.

The nature of the threat was not clear, but officials with the convention confirmed Sunday the Ann Arbor Marriott Ypsilanti at Eagle Crest in Ypsilanti was evacuated around 9 a.m.

The “all clear” was given around 12:30 p.m. and the final day of convention activities resumed.

Sunday’s evacuation comes a year after attendees were evacuated from the same hotel due to an emailed bomb threat. Ultimately, there were no injuries or any explosives found last March.

The Motor City Furry Con is a convention for people who “appreciate the anthropomorphic lifestyle,” according to a report from The Detroit Free Press.

The Detroit Free Press article also noted, “Event attendee Scoops took to social media to celebrate the second year of being an evacuee.”

(5) SLOWLY WE TURNED, STEP BY STEP. “Caeciliusinhorto” has written an impressive perspective piece synthesizing all the news items that comprise “The 2023 Hugo Awards fuckup” for Reddit’s r/HobbyDrama.

… After much discussion, the general consensus seemed to coalesce around a combination of two or three explanations: firstly, active censorship by the Hugo administrators, possibly due to pressure from the Chinese government (national or local); secondly, incompetence; and perhaps thirdly, weird nominator behaviour (possibly including organised voting blocs). For a while things stalled there: the data was obviously wrong, the most plausible explanation seemed to be some combination of cock-up and conspiracy, and there was no prospect of anyone finding out anything more.

And then we found out more….

(6) SURE. MAYBE. DUNNO. ABSOLUTELY NOT. Nautilus asked six sff writers “Does Science Fiction Shape the Future?”.

Behind most every tech billionaire is a sci-fi novel they read as a teenager. For Bill Gates it was Stranger in a Strange Land, the 1960s epic detailing the culture clashes that arise when a Martian visits Earth. Google’s Sergey Brin has said it was Neal Stephenson’s Snow Crash, the cyberpunk classic about hackers and computer viruses set in an Orwellian Los Angeles. Jeff Bezos cites Iain M. Banks’ Culture series, which unreel in an utopian society of humanoids and artificial intelligences, often orchestrated by “Minds,” a powerful AI. Elon Musk named three of SpaceX’s landing drones after starships from Banks’ books, a tribute to the role they played in turning his eyes to the stars.

Part of this makes sense. Science fiction widens the frontiers of our aspirations. It introduces us to new technologies that could shape the world, and new ideas and political systems that could organize it. It’s difficult to be an architect of the future without a pioneer’s vision of what that future might look like. For many, science fiction blasts that vision open.

Yet these tech titans seem to skip over the allegories at the heart of their favorite sci-fi books. Musk has tweeted, “If you must know, I am a utopian anarchist of the kind best described by Iain Banks.” Yet in Banks’ post-scarcity utopia, billionaires and their colossal influence are banished to the most backward corners of the galaxy.

Recently, I interviewed six of today’s foremost science-fiction authors. I asked them to weigh in on how much impact they think science fiction has had, or can have, on society and the future….

The interview subjects are N.K. Jemisin, Andy Weir, Lois McMaster Bujold, David Brin, Cory Doctorow and Charles Stross. Here’s a quote from Stross:

Charles Stross: Yes, the entire current AI bubble is exactly that. The whole idea of AI has been turned into the centerpiece of a secular apocalyptic religion in which we can create superhumanly intelligent slaves that will solve all our knottily human intellectual problems, then work out how to liberate our pure soul-stuff from these clumsy rotting meatbags and upload us into a virtual heaven. And right now, some of the biggest tech companies out there are run by zealots who believe this stuff, even though we have no clear understanding of the mechanisms underlying consciousness. It’s an unsupported mass of speculation, but it’s threatening to derail efforts to reduce our carbon footprint and mitigate the climate crisis by encouraging vast energy expenditure.

(7) MONSTER BOX OFFICE. Godzilla x Kong rang the registers loudly last weekend reports Variety.

“Godzilla x Kong: The New Empire” dominated the domestic box office again, looming large over newcomers “Monkey Man” and “The First Omen.”

Warner Bros. and Legendary Entertainment’s monster tentpole added $31.7 million from 3,948 theaters in its second weekend of release. Ticket sales dropped a standard (for a tentpole of its size and scale) 60% from its mighty $80 million debut and stand at $132 million domestically and $361 million globally.

First-time director Dev Patel’s action thriller “Monkey Man” nabbed second place with $10.1 million from 3,029 venues, while Disney and 20th Century’s supernatural prequel “The First Omen” trailed at the No. 4 spot with a muted $8.4 million from 3,375 locations….

(8) PEAK TELEVISION. “Twin Peaks’ Agent Cooper: How TV’s strangest detective was born” – BBC went right to the source.

… Writer Mark Frost told the BBC’s Late Show that part of the inspiration behind the character was the show’s co-creator and director David Lynch. 

“I tried to base that character on David to some extent,” said Frost. “A lot of his quirkiness and attention to detail, which are things that David has in great abundance, sort of came to the surface with that character. I guess his interest in people’s obsessions, and characters who are obsessed with something, are pretty common with other things he’s done.” …

(9) SMALL BUSINESS. And what is David Lynch working on today? “David Lynch Still Wants To Make Animated Movie ‘Snootworld’: Interview” at Deadline. Netflix said no – maybe someone else will say yes.

…“I don’t know when I started thinking about Snoots but I’d do these drawings of Snoots and then a story started to emerge,” Lynch told us in a rare interview. “I got together with Caroline and we worked on a script. Just recently I thought someone might be interested in getting behind this so I presented it to Netflix in the last few months but they rejected it.”

Lynch was philosophical about the reasons for that decision: “Snootworld is kind of an old fashioned story and animation today is more about surface jokes. Old fashioned fairytales are considered groaners: apparently people don’t want to see them. It’s a different world now and it’s easier to say no than to say yes.”

Thompson described the storyline to us as “wackadoo”: “It takes my breath away how wacky it is. The Snoots are these tiny creatures who have a ritual transition at aged eight at which time they get tinier and they’re sent away for a year so they are protected. The world goes into chaos when the Snoot hero of the story disappears into the carpet and his family can’t find him and he enters a crazy, magnificent world”….

(10) WHO WAS THAT MASKED MAN? “Star Trek Discovery’s Doug Jones Reveals How He Said Goodbye to Saru (And It Involves Whitney Houston)”Comicbook.com listens in.

Star Trek: Discovery‘s long-awaited fifth season finally debuted this week on Paramount+, and it marks the beginning of the end for the series. ComicBook.com recently had the chance to chat with some of the show’s cast, and they opened up about saying goodbye to their characters in the final season. Doug Jones (Saru) revealed how he said farewell to the character he began playing in 2017, and it involves an iconic song…

“Oh yeah,” Jones said when asked if he was able to keep any part of Saru after the show finished filming. “I wasn’t gonna let that go. Yeah. My final time taking Saru off, I did not cut him up and throw him across the room at all,” he added, referencing the famous story of René Auberjonois throwing his Odo mask at the showrunner at the end of Deep Space Nine. “I held him on my hand and we were playing a Whitney Houston song and I sang ‘I Will Always Love You’ to him and somebody was recording it. So I hope that’s out there somewhere.”…

(11) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born April 8, 1974 Nnedi Okorafor, 50. Tonight we have Nnedi Okorafor, a truly phenomenal writer. 

She’s Nigerian, and has coined two words to describe her literary focus, Africanfuturism, and Africanjujuism. The latter word identifies the Afrocentric subgenre of fantasy fiction that draws on African spiritualities and cosmologies. Cool. 

Let’s start with some of her work as comic book writer.  The LaGuardia series that she wrote for was published by Berger Books. The collection won a Graphic Story Hugo Award at ConZealand, and her Black Panther: Long Live the King was nominated at Dublin 2019. She did other work in the Panther universe as well — Shuri in which Black Panther is missing and she has to find him (great story), Wakanda Forever and Shuri: Wakanda Forever

I started there as I love her writing in this medium. Now let me pick my favorite novellas and novels by her. 

The Binti trilogy is an extraordinary feat of writing and my favorite reading experience by her. The Binti” novella which leads it off won a Hugo at MidAmeriCon II. Then came the “Binti: Home” novella which was nominatedfor a Hugo at Worldcon 76 and the final “Binti: The Night Masquerade” novella to date which was nominatedfor a Hugo at Dublin 2019. 

Lagoon is a deep dive in Nigerian mythology including Legba in the forefront here, in what is a SF novel as aliens and humans come together to form a new postcapitalist Nigeria. Neat concept well executed, characters are fascinating and the story is done well. 

(12) COMICS SECTION.

(13) IT COULDN’T HURT. “Fallout Moves To California For Season 2 With Big Tax Credit Award”Deadline pencils in the numbers.

Just days before its debut, Fallout looks to be assured a second season thanks to a $25 million tax credit from California.

Officially, Amazon has not said yet that the Prime Video series is coming back, but, with some hints from executive producers Lisa Joy and Jonathan Nolan recently, it is pretty clear the money is doing the talking here. Receiving one of the largest allocations ever from the program for a relocating series, the LA-set post-apocalyptic drama is among a dozen shows awarded $152 million in incentives.

Primetime prequel NCIS: Originsthe Noah Wyle starring The Pitt, plus the Ryan Murphy executive produced Dr. Odyssey starring Joshua Jackson, and Grotesquerie starring Emmy winner Niecy Nash also were awarded credits through the California Film Commission run $330 million annual program – as you can see below….

… Of course, being awarded the tax credits, even big bucks like what Fallout has reaped, is no guarantee a project will go forward. The allocations are conditional on certain timelines being met, and a number of films and shows, like Season 2 of Amazon’s spy saga Citadel, have dropped out of the program after getting a green light….

(14) FILM CENSORSHIP. [Item by SF Concatenation’s Jonathan Cowie.] Though not SF in itself, this half-hour radio programme, Screenshot, will be of interest to anyone over here in Brit Cit who are fans of fantastic films.  It explains how Britain ranks its films for age suitability. Those in the rebel colonies are not ignored as there is a section comparing Britain’s system with that in the US. It seems we get a better deal over here. Meanwhile, along the way Kim Newman (co-master of ceremonies at the 2005 Hugo ceremony) gets a name check.

As the British Board of Film Classification publishes its new guidelines, Ellen E Jones and Mark Kermode delve into the long, chequered history of film censorship and classification in the UK.

Mark speaks to BBFC President (and original Strictly Come Dancing winner) Natasha Kaplinsky about her role, and about her reaction to the new guidelines. And he discusses the Board’s controversial history, and some of its most notorious decisions, with ex-BBFC Head of Compliance Craig Lapper.

Ellen talks to director Prano Bailey-Bond about her debut film Censor, which was inspired by the ‘video nasty’ moral panic of the 1980s. And pop culture critic Kayleigh Donaldson talks her through some of the differences between the BBFC and its US equivalent, the MPA Ratings Board.

Half hour prog here: BBC Radio 4 – Screenshot, “Censorship”.

(15) THE ELEPHANT NOT IN THE ROOM. “US company hoping to bring back the dodo and the mammoth – but here’s why it won’t be like Jurassic Park” explains Sky News.

… “We’ve got all the technology we need,” says Ben Lamm, chief executive of the firm, based in Dallas, Texas.

“It is just a focus of time and funding. But we are 100% confident [we can bring back] the Tasmanian tiger, the dodo, and the mammoth.”

The science behind the project is simple: Work out the genes that make an extinct animal what it is, and then replicate those genes using the DNA of a close existing relative….

… So after around 4,000 years of extinction, when could we see the return of the mighty mammoth – a creature that fell victim to human hunting and the changing conditions brought about by the end of the last Ice Age.

“We are well into the editing phase,” says Mr Lamm.

“We don’t have mammoths yet, but we still feel very good about 2028.”…

(16) STAND BY FOR MANIACAL LAUGHTER. “Animaniacs in Concert” will be presented at Pepperdine in Malibu on April 19. Buy tickets at the link. Learn more about the show itself at their website: “Animaniacs – IN CONCERT”.

Join the leading voice cast of Animaniacs—the iconic animated Warner Bros. series created and produced by Steven Spielberg—for a “zany, animany and totally insaney” evening as they perform the world-famous songs backed by projections from the beloved cartoon TV series. The live show celebrates the creative inspiration behind the songs with lots of audience interaction and never-before-told behind-the-scenes insider stories shared by the show’s original Emmy-Winning composer Randy Rogel and iconic voice actors like Rob Paulsen (Yakko) and Maurice LaMarche (The Brain) to some of the most unforgettable characters in the history of animation. Special guest Nancy Cartwright joins for this performance. Nancy, of course, is Bart Simpson, a lead character in a “globally known property,”  as well as Mindy in Animaniacs, from “Mindy and Buttons.”  

(17) VIDEO OF THE DAY. Warp Zone’s video “If the Star Wars ‘Cantina Song’ Had Lyrics” was first posted six years ago – but it is news to me! (Maybe you, too?)

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Mark Roth-Whitworth, Lise Andreasen, Daniel Dern, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Igvar.]

Vernor Vinge (1944-2024)

Vernor Vinge

Vernor Vinge, author of many influential hard science fiction works, died March 20 at the age of 79.

Vinge sold his first science-fiction story in 1964, “Apartness”, which appeared in the June 1965 issue of New Worlds.

In 1971, he received a PhD (Math) from UCSD, and the next year began teaching at San Diego State University. It wasn’t until almost thirty years later, in August 2000, that he retired from teaching to write science-fiction full time.

His 1981 novella True Names is often credited as the first story to present a fully fleshed-out concept of cyberspace. 

He won Hugo Awards for his novels A Fire Upon the Deep (1993 — tie), A Deepness in the Sky (2000), Rainbows End (2007), and novellas Fast Times at Fairmont High (2002), and The Cookie Monster (2004). A Deepness in the Sky also won the John W. Campbell Memorial Award, and in translation won Spain’s Ignotus Award, Germany’s Kurd Lasswitz Preis, and Italy’s Italia Award.

Vinge was the guest of honor at ConJosé, the 2002 Worldcon. He won the Prometheus Award for Lifetime Achievement in 2014. He won the Heinlein Award presented by The Heinlein Society in 2020.

He was married to Joan D. Vinge from 1972 to 1979.

David Brin has posted a heartfelt tribute on Facebook which says in part:

It is with sadness – and deep appreciation of my friend and colleague – that I must report the passing of Vernor Vinge. A titan in the literary genre that explores a limitless range of potential destinies, Vernor enthralled millions with tales of plausible tomorrows, made all the more vivid by his polymath masteries of language, drama, characters and the implications of science.

Accused by some of a grievous sin – that of ‘optimism’ – Vernor gave us peerless legends that often depicted human success at overcoming problems… those right in front of us… while posing new ones! New dilemmas that may lie just ahead of our myopic gaze. He would often ask: “What if we succeed? Do you think that will be the end of it?”…

…We spanned a pretty wide spectrum – politically! Yet, we KBs [Killer B’s] (Vernor was a full member! And Octavia Butler once guffawed happily when we inducted her) always shared a deep love of our high art – that of gedankenexperimentation, extrapolation into the undiscovered country ahead.

Right to Left: Vernor Vinge, David Brin, Gregory Benford, Greg Bear.

Pixel Scroll 8/15/23 All That Is Scrolled Does Not Pixel

(1) WHEN IS HUGO VOTER PACKET COMING? Joe Yao of the Chengdu Worldcon committee responded online to questions about this year’s Hugo Voter Packet.

Sorry for the delayed release of the Hugo Packet since we are still waiting for the approval from the Administrator.

This year we have about 88 entries including all the works in fiction categories (Novel, Novella, Novelette and Short Story), and as you can see this is a Hugo finalist with the most non-Chinese works and editors/writers than ever before. We encouraged the finalists to submit their works with both Chinese and English as much as they can and some of the non-Chinese finalists are willing to do a Chinese translation version for the Chinese fandom, thus it took longer than we expected to release the packet.

But the good news is that we are almost there, and please stay posted with us on our official announcement.

Thanks for your patience.

The online Hugo voting deadline is October 1, 2023, 17:59 pm China Standard Time / September 30, 2023,23:59 pm Hawaiian Time. 

(2) CHENGDU SCIENCE FICTION MUSEUM VIDEO. [Item by rcade.] There’s video of the Chengdu Science Fiction Museum under construction embedded in a June 2023 post at KevinJamesNg: “Chengdu Science Fiction Museum #June2023| a New International Landmark”. When the video was made is unknown to me.

(3) NEW PILOT. Escape Pod announces “A Change in Crew”. Assistant editor Benjamin C. Kinney is leaving. Kevin Wabaunsee is coming aboard.

As Octavia Butler said, “All that you touch you change. All that you change changes you. The only lasting truth is change.”

Escape Pod is changing as our longtime Assistant Editor, Ben Kinney, leaves the bridge. Ben has been part of the crew since 2016, and he’s seen many of the changes we’ve gone through: the shift from Submittable to Moksha, from volunteer staff to paid staff, from private company to non-profit. Not to mention the co-editors transitions!

Ben has also helped to change Escape Pod for the better through his tireless work. From recruiting and overseeing the associate editors to navigating the galaxy of submissions we receive, Ben’s guidance and vision have kept our ship flying at warp speed. His knowledge of science and of what makes a good story are some of the reasons the podcast has been so successful in recent years. We will miss him.

Taking up Ben’s post is Kevin Wabaunsee. Kevin is a speculative fiction writer and a former newspaper reporter. He is a professional science news editor and the former managing editor for the Science Fiction and Fantasy Writers Association (SFWA). He is a Prairie Band Potawatomi. His short fiction has appeared in Strange Horizons, Escape Pod, PseudoPod, Apex, and the anthology Fighting for the Future. You can find him online at kevinwabaunsee.com. We’re excited to discover what changes Kevin has in store for us in the future….

(4) IT’S HIM. You may not realize it but the name of Fulton County Superior Court Judge Robert McBurney, who made news yesterday presiding over the submission of grand jury indictments against Trump and 18 others, came up in a news item here once before.

In 2019 he was the presiding officer of the Georgia state panel that officially suspended Judge Kathryn Schrader after she and three co-defendants were indicted on felony computer trespass charges. We covered it because one of those co-defendants was Dragon Con co-founder Ed Kramer. He worked for a private investigator tracking the activity on a WireShark monitoring system the judge had installed on her computer, under a belief the DA was spying on her. An Atlanta Journal-Constitution article quoted from the panel’s report:

“The Panel further finds that Judge Schrader’s personal decision to allow an outside third party to gain access to the County’s network — with its many subsequent repercussions, including the discovery that Judge Schrader’s actions allegedly enabled a convicted child molester to have access to Court data — also adversely affects the administration of that office, as well as the rights and interests of the public,” wrote Fulton County Superior Court Judge Robert McBurney, the presiding officer of the JQC panel.

(5) EKPEKI AND OMENGA Q&A. “Carriers of Culture: PW Talks with Oghenechovwe Donald Ekpeki and Joshua Uchenna Omenga” at Publishers Weekly.

In the stories and essays of Between Dystopias: The Road to Afropantheology (CAEZIK SF & Fantasy, Oct.)Ekpeki and Omenga explore the intersections of the fantastic and the spiritual.

What drew you to speculative fiction?

Ekpeki: I was exposed to speculative fiction at a young age through oral storytelling traditions maintained by my grandmother….

See the rest at the link.

(6) THIS IS WHY YOU HAVE TO STAY TIL THE END. “Judge Approves Final Injunction in Publishers, Internet Archive Copyright Case” — but with a twist reports Publishers Weekly. Will it make a difference? The publishers spokesperson doesn’t think so.

After more than three years of litigation, it took judge John G. Koeltl just hours to sign off on the parties’ negotiated consent judgment—but not without a final twist. In a short written opinion made public yesterday, Koeltl sided with the Internet Archive in a final dispute, limiting the scope of the permanent injunction to cover only the plaintiffs’ print books that also have electronic editions available.

In a letter to the court, lawyers for the plaintiff publishers had argued that the injunction should cover all the plaintiffs’ commercially available books, whether the books have digital editions or not. “The law is clear that the right to decide whether or not to publish a book in electronic format belongs to its authors and publishers, not IA,” the publishers’ letter argued. Furthermore, IA’s unauthorized digital editions create “clear potential market harm to the print book market,” the publisher letter claims, because a “straight, verbatim digital copy of the entire work is an obvious competing substitute for the original.”

In their letter to the court, IA attorneys argued that the injunction should be limited to the plaintiffs’ books that have digital editions available because that was what the suit addressed. “Because the parties did not have the opportunity in this case to litigate the degree to which the unavailability of digital library licensing would affect the fair use analysis, it is inappropriate for an injunction in this case, by its breadth, to effectively prejudge the outcome of that question,” IA attorneys argued.

Koeltl sided with the Internet Archive, holding that because the 127 works chosen for the suit were all commercially available works with digital editions, sweeping all the plaintiffs’ books into the final injunction risked being overbroad.

“This action concerned the unauthorized distribution of a select number of works in suit, all of which were ‘available as authorized e-books that may be purchased by retail customers or licensed to libraries,’” Koeltl pointed out in a 4-page order. “That fact was relevant to the court’s conclusion that Internet Archive was liable for copyright infringement. In particular, the court’s fourth-factor analysis emphasized the ‘thriving e-book licensing market for libraries’ and concluded that Internet Archive ‘supplants the publishers’ place in this market’ by ‘bring[ing] to the marketplace a competing substitute for library e-book editions of the works in suit.'”

In an August 15 statement, AAP president and CEO Maria Pallante said Koeltl’s decision would have “a very minimal” impact.

“The overwhelming majority of the tens of thousands of books that plaintiffs make available in print are also commercially available from them as authorized e-books,” Pallante said. “Nor are the plaintiffs precluded from enforcing under the Copyright Act the small percentage of works that may not be covered by the injunction.”…

(7) PERSONS OF INTEREST. Gizmodo learned that “Persons of Interest in Gen Con Card Theft Are Game Designers”.

At Gen Con earlier this month, a pallet of Magic: The Gathering cards worth $300,000 was stolen from the convention center; the product belonged to Pastimes, a gaming shop and MTG vendor. In an update from Indianapolis news station WTHR 13, police have identified two people of interest in the case: Thomas J. Dunbar and Andrew Pearson Giaume.

Dunbar and Pearson Giaume were attending Gen Con 2023, and might have been present to support their own card game, Castle Assault. In the photos taken from security footage, such as the one that appears above, a man that the police department has identified as a person of interest (assumed to be Dunbar) can be seen wearing a dark tee shirt with what looks like Castle Assault artwork and logotype on the back….

(8) DITCH DAY. Akemi C. Brodsky finds “5 Academic Novels That Won’t Make You Want to Go Back to School” for Tor.com.

… The academic setting works as a literary mount just as well, if not better. Students are bound by law or narrative obligation to remain, trapped, day after day, and therefore must face their demons (sometimes literally). Maybe it’s rooting for the underdog that keeps me coming back, maybe it’s just nostalgia. In any case, I am drawn to campus novels. Still, I have no desire to relive my own school days. Fiction seems to emphasize the facts and while some stories highlight first friendships and carefree youth, others remind us that education is laced with external pressures and inner turmoil….

One of those books is —

Ninth House by Leigh Bardugo

Of all of these novels, this is the book that makes me want to go back to school least of all. Throughout the story, Galaxy “Alex,” Stern is repeatedly traumatized by both the mystical and the mundane (in ways that keep you on the edge of your seat throughout). An undergraduate given a special acceptance to Yale, Alex is an apprentice, learning to keep watch over Yale’s infamous secret societies. Only thing is, the secret societies each practice their own brand of dark magic. What I love about this book is that as much as the narrative relies on mystical elements, Bardugo does not shy away from the evils of our own world. In fact, she carefully wraps them up in her own magic that keeps you speeding through the pages but leaves you with a chilling understanding of the true wickedness among us. She almost makes you believe that Yale’s secret societies really are practicing the occult, or worse.

(9) CUTS AT LUCASFILM ILM. “Lucasfilm’s Industrial Light & Magic to Close VFX and Animation Facility in Singapore Due to ‘Economic Factors Affecting the Industry’”

Disney-owned Lucasfilm/ Industrial Light & Magic is to close its VFX and animation facility in Singapore, where more than 300 people are employed. The company points to changes in the global entertainment industry as a factor behind the decision.

“Over the next several months, ILM will be consolidating its global footprint and winding down its Singapore studio due to economic factors affecting the industry,” Disney said in a statement emailed to Variety.

The Singapore studio was founded in 2004 as Lucasfilm Animation Singapore and began operations in 2006 with work on the animated TV series “Star Wars: The Clone Wars.”

It relocated within the city-state in 2013, setting up shop in the futuristic George Lucas-owned Eclipse Building at Fusionopolis. It was nicknamed the “Sandcrawler Building,” due to its similarity to an iconic “Star Wars” vehicle. The Eclipse Building was sold by Lucas in January 2021 to the Blackstone Group.

(11) AI-ASSISTED BOOK CHALLENGES. “Iowa School District Bans 19 Books Over ‘Depictions of a Sex Act’” reports Rolling Stone, and the assessment was done using AI.

BOOKS ARE BEING pulled from the library shelves of an Iowa school district following new legislation from Republican Gov. Kim Reynolds, which purports to protect children from obscene material, The Gazette reports.

The new legislation, Senate File 496, prohibits “instruction related to gender identity and sexual orientation in school districts, charter schools and innovation zone schools in kindergarten through grade six.” It requires that every book available to students be “age appropriate” and free of any “descriptions or visual depictions of a sex act.”

The district used Artificial Intelligence to make is determinations on what books to ban.

The Mason City school board began reviewing library titles last month to ensure compliance with the law. The district said “lists of commonly challenged books were compiled from several sources to create a master list of books that should be reviewed. The books on this master list were filtered for challenges related to sexual content. Each of these texts was reviewed using AI software to determine if it contains a depiction of a sex act. Based on this review, there are 19 texts that will be removed from our 7-12 school library collections and stored in the Administrative Center while we await further guidance or clarity. We also will have teachers review classroom library collections.”…

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 15, 1858 E. Nesbit. She wrote or collaborated on more than sixty books of children’s literature including the Five Children Universe series. She was also a political activist and co-founded the Fabian Society, a socialist organization later affiliated to the Labour Party. (Died 1924.)
  • Born August 15, 1906 William Sloane. Best known for his novel To Walk The Night which Boucher, King and Bloch all highly praise. Indeed, the latter includes it on his list of favorite horror novels. It and the Edge of Running Water were published together as The Rim of Morning in the early Sixties and it was reissued recently with an introduction by King. (Died 1974.)
  • Born August 15, 1933 Bjo Trimble, 90. Her intro to fandom was TASFiC, the 1952 Worldcon. She would be active in LASFS in the late 1950s onward and has been involved in more fanzines than I can comfortably list here. Of course, many of us know her from Trek especially the successful campaign for a third season. She’s responsible for the Star Trek Concordance, an amazing work even by today’s standards. And yes, I read it and loved it. She’s shows up (uncredited) as a crew member in the Recreation Deck scene in Star Trek: The Motion Picture. Bjo and her husband John Trimble were the Fan Guests of Honor at the 60th Worldcon, ConJose. She was nominated at Seacon for Best Fanzine for Shangri L’Affaires, and two years later at DisCon 1 for the same under the Best Amateur Magazine category. 
  • Born August 15, 1934 Darrell K. Sweet. Illlustrator who was best-known for providing cover art for genre novel with his first with being Andre Norton’s Shadow Hawk, published by Ace in 1972, in which capacity he was nominated for a Hugo award in 1983. He was Illustrator GoH at 71st Worldcon, LoneStarCon III. He was also a guest of honor at Tuckercon in 2007, at the 2010 World Fantasy Convention in 2010, and LepreCon in 2011. (Died 2011.)
  • Born August 15, 1943 Barbara Bouchet, 80. Yes, I’ve a weakness for performers who’ve shown up on the original Trek. She plays Kelinda in “By Any Other Name”.  She also appeared in Casino Royale as Miss Moneypenny, a role always noting, and is Ava Vestok in Agent for H.A.R.M. which sounds like someone was rather unsuccessfully emulating The Man from U.N.C.L.E. 
  • Born August 15, 1945 Nigel Terry. His first role was John in A Lion in Winter which is at least genre adjacent as its alternate history, with his first genre role being King Arthur in Excalibur. Now there’s a bloody telling of the Arthurian myth.  He’s General Cobb in the Tenth Doctor story, “The Doctor’s Daughter”, and on the Highlander series as Gabriel Piton in the “Eye of the Beholder” episode. He even played Harold Latimer in “The Greek Interpreter” on Sherlock Holmes. (Died 2015.)
  • Born August 15, 1958 Stephen Haffner, 65. Proprietor of Haffner Press which is mainly a mystery and genre reprint endeavor though he’s published such original anthologies as Edmond Hamilton & Leigh Brackett Day, October 16, 2010 and the non-fiction work Thirty-Five Years of the Jack Williamson Lectureship which he did with Patric Caldwell.

(13) COMICS SECTION.

  • David Brin says xkcd makes his point:

(14) WALK A MILE (OR THREE) IN HER SHOES. Take Anne Marble’s advice about “How to Attend the National Book Festival” at Medium. To read all of it requires registration for a free account.

…The National Book Festival is a yearly event run by the Library of Congress. In 2001, it was founded by former First Lady Laura Bush (a librarian) and the 13th Librarian of Congress, James H. Billington. The first one hosted between 25,000 and 30,000 attendees.

Since 2014, with attendance soaring to as many as 200,000 people, the National Book Festival has been held at the Walter E. Washington Convention Center.

The National Book Festival is huge, busy, and overwhelming. Read up on the event. Learn from what I did right, and most important of all, learn from what I did wrong…

(15) SIC TRANSIT AVENUE VICTOR HUGO. [Item by Daniel Dern.] Avenue Victor Hugo Books, a SF-and-much-more bookstore (which also, for a while, was doing Galileo magazine) used to be one of my regular stops over on Boston’s Newbury Street. Then they relocated to Lee, New Hampshire. (Where I never got to.)

Now, Vince McCaffrey is hanging up his brick’n’mortar shingle, as Vince explains on the store’s web site main page, “A letter to our customers” and in the August 1st, 2023 entry to the site’s blog-ish Annotations.

Bookselling is not what it used to be. Never was, really. For me, it was always what I was willing to make of it. It’s probably that way with most independent booksellers. I’ve known a few and the motivations are as diverse as the individuals themselves.

Maybe an explanation for that is in order. The world is full of unpleasant jobs that have to be done. Bookselling is not one of them—unless it’s made to be that way. Selling books as rectangular objects to be marketed with phony advertising or artificial words such as ‘magisterial,’ or ‘brilliant,’ or even the lowly ‘provocative,’ without regard to the real matters that the authors have spent years of their lives (or too few weeks perhaps) working on, is not a better occupation than selling cars or soap…

FYI, AVH is running a 20% off online sale here.

(16) SUBLIME ACTING. Praise for Jules: Ben Kingsley Rules” at Leonard Maltin’s Movie Crazy.

Ben Kingsley disappears into every character he plays, and the quiet senior citizen he becomes in Jules is no exception. The fact that he has a mop of hair and no trace of a British accent should come as no surprise; this is an actor who has played everyone from Mahatma Gandhi to Salvador Dali, not to mention his wide range of fictional characters in films as diverse as The Wackness and House of Sand and Fog.

In Jules, writer Gavin Steckler and director Marc Turtletaub have given him a part he can play with, an understated senior citizen whose life has fallen into a routine…. 

[Thanks to Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Anne Marble, rcade, Cliff, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Norwescon Pays Tribute to the Works and Impact of Greg Bear

[Frank Catalano initially wrote this as a third-person news story for File 770 but I thought he should have a byline, too.]

By Frank Catalano. Norwescon 45 celebrated the life and career of the longtime Seattle-area author Greg Bear at its SeaTac, Washington convention over Easter weekend. The panel, “Polymath: The Works and Impact of Greg Bear,” took a wide-ranging view of the accomplishments of Bear, who died in November 2022 at the age of 71 following complications from surgery.

Panelists included Mark Teppo (collaborator with Bear, Neal Stephenson and others on The Mongoliad project), Brenda Cooper (writer and futurist), Frank Catalano (secretary of SFWA when Bear was the organization’s president) and moderator Brooks Peck (writer and pop culture curator who knew Bear through their work with Seattle’s Museum of Pop Culture and the Science Fiction Museum and Hall of Fame). 

The panel was joined by Astrid Anderson Bear, who provided additional reminiscences and perspective about her husband — from how he initially became involved with Microsoft co-founder Paul Allen’s Science Fiction Museum, to the challenges faced by Catalano in helping the Bears hang a large (fake) T-Rex bust in the two-story atrium of their home. 

Left to right: Astrid Anderson Bear, Brenda Cooper and Frank Catalano. Mark Teppo and Brooks Peck, the moderator, are on the other side of the split stage and out of camera range. The video tribute from David Brin is about to be played on the screen. Photo by Denise Catalano.

Teppo and Cooper emphasized how open Bear was to other writers, no matter what their level of accomplishment or celebrity, and how he and Astrid would host Clarion West parties for the workshop’s students every summer at their home. 

Panelists and audience members also mentioned Bear’s writing forays into the Star Trek, Star Wars and Halo universes, with one audience member crediting Bear’s Halo novels for getting his video game-playing son to start reading.

David Brin, who provided a video tribute, said that the thing that he’ll miss most about Bear “is his booming laugh.”  

“Greg was an artist, and a collector, but he didn’t let anything keep him from being a true science fiction author,” Brin said. “He had to write. And he was an explorer — as good a storyteller as Poul and Karen Anderson, his parents-in-law, and as good an explorer of ideas as Fred Pohl.” 

Brin accompanied his tribute with a photo from the 1984 Hugo Awards, where Bear won for Blood Music, adding, “Poul and Karen out in the audience nodded and said, ‘Okay, he’ll do.’” 

Greg Bear, second from right, on stage after the presentation of the Hugo Awards at the 1984 Worldcon. (From left, Octavia Butler, Michael Whelan, Shawna McCarthy and R.A. MacAvoy.)

Brin also noted the one time he and Bear were collaborators (along with Gregory Benford) on the second Foundation trilogy based on the initial books by Isaac Asimov. “Greg was the one who truly captured Isaac’s voice,” Brin said. “Greg was devoted to the story and the character.”

Bear was also remembered for his influence and efforts outside of speculation fiction.

Journalist Knute Berger, who spearheaded the Washington State Centennial Time Capsule project in 1989, said he approached Bear to be on the advisory board “and he was all-in on helping me conceive the project.” In a written remembrance read aloud during the session, Berger said they were loading the container for the capsule, set to remain sealed until 2389, when, “I looked at my finger and it was smeared with blood from a paper cut. ‘Congratulations!’ Greg shouted. ‘You’ll be cloned!’”

“Greg devoted a great deal of time and energy,” Berger wrote. “He really believed in the promise of the project and took joy in going through the intellectual exercises of trying to ensure its future. He and Astrid were just a delight to work with.”

The Norwescon panel closed with the reading of a quote from a 2017 podcast produced by the tech news site GeekWire. In it, Bear expressed how pleased he was with his first 50 years as a science-fiction writer.

“I don’t think any writer is ever happy with the attention we get, but I have very few complaints,” Bear said. “My books have been read by the people I read when I was a teenager, and that just knocked my socks off when I found that out.”

[Thanks to Frank Catalano for contributing this story.]

Pixel Scroll 3/19/23 It’s Tribbles All The Way Down (Except Level 47, Which Is Selbbirts)

(1) PICS AND IT STILL NEVER HAPPENED. David Brin stares into the abyss, discussing “All those ‘chat’ programs… and the End of Photography as Proof of Anything At All” at Contrary Brin.

One of the scariest predictions now circulating is that we are about to leave the era of photographic proof.  For generations we relied on cameras to be the fairest of fair witnesses.  Images of the Earth from space helped millions become more devoted to its care.  Images from Vietnam made countless Americans less gullible and more cynical.  Miles of footage taken at Nazi concentration camps confirmed history’s greatest crimes.  A few seconds of film shot in Dallas, in November of 1963, set the boundary conditions for a nation’s masochistic habit of scratching a wound that never heals.  

Although there have been infamous photo-fakes — such as trick pictures that convinced Arthur Conan Doyle there were real “fairies” and Mary Todd Lincoln that her husband’s ghost hovered over her, or the ham-handedly doctored images that Soviet leaders used to erase “non-persons” from official history — for the most part scientists and technicians have been able to expose forgeries by magnifying and revealing the inevitable traces that meddling left behind.

But not anymore, say some experts.  We are fast reaching the point where expertly controlled computers can adjust an image, pixel by microscopic pixel, and not leave a clue behind.  Much of the impetus comes from Hollywood, where perfect verisimilitude is demanded for fantastic onscreen fabulations like Forrest Gump and Jurassic Park.  Yet some thoughtful film wizards worry how these technologies will be used outside the theaters….

…The new technologies of photo-deception have gone commercial. For instance, a new business called “Out Takes” set up shop next to Universal Studios, in Los Angeles, promising to “put you in the movies.” For a small fee they will insert your visage in a tete-a-tete with Humphrey Bogart or Marilyn Monroe, exchanging either tense dialogue or a romantic moment.  This may seem harmless on the surface, but the long range possibilities disturb Ken Burns, innovative director of the famed Public Broadcasting series The Civil War.  “If everything is possible, then nothing is true. And that, to me, is the abyss we stare into. The only weapon we might have, besides some internal restraint, is skepticism.”   

Skepticism may then further transmute into cynicism — Burns worries — or else, in the arts, decadence…. 

(2) NO LONGER BEING OVERLOOKED. Lila Shapiro spends time “In Northampton with Kelly Link and her community of like-minded writers”.

 ….In the stories of Kelly Link, strange things happen in otherwise ordinary settings. A teenage girl from Iowa travels to New York to find an older guy she met online and ends up at a hotel hosting a pair of conventions: one for dentists and one for superheroes. A girl from the Boston area discovers a lost world preserved inside her grandmother’s old handbag (which is made from the skin of a dog that lives inside it). Her stories do not abide by the rules of conflict and resolution — they make sense in the way that dreams make sense. Pressed to explain these phenomena, Link’s characters tend to change the subject. “The mechanics of how I can speak are really of no great interest, and I’m afraid I don’t really understand it myself, in any case,” a talking cat insists in a story from Link’s new collection, White Cat, Black Dog. Since 2001, Link has published four books of short stories, with the fifth — a series of unsettling retellings of classic fairy tales — out this month. For much of that time, she has worked in relative obscurity. Early reviewers were impressed by her originality, but she remained largely unknown outside of M.F.A. programs and fantasy circles. When her first book was published more than 20 years ago, serious literature, for the most part, meant one-pound tomes of psychological realism.

That has changed as Link’s stature has grown. In 2016, she was a finalist for the Pulitzer Prize; a few years later, the MacArthur Foundation awarded her a “genius” grant for “pushing the boundaries of literary fiction.”…

… After getting an M.F.A. at the University of North Carolina at Greensboro, Link enrolled in the Clarion Science Fiction and Fantasy Writers’ Workshop. “I thought, This will be a group of people who are doing the same kind of work. But in fact, the feedback I got from many of the people was, Well, I don’t know what this is.” While she and her fellow students admired some of the same authors — Heinlein, Asimov, Tolkien — Link’s indifference to genre conventions was apparent. If her heroines start an epic quest, they’re likely to get distracted or lost or turn into someone else entirely. “I remember thinking she already wrote better than I did and there was really no point in her coming to this workshop,” said Karen Joy Fowler, one of Link’s professors at Clarion…..

(3) TIME IN A BOTTLE. Dorothy Grant persuasively explains why people should listen to Neil Gaiman’s entire advice about the freelance life in “Saying No” at Mad Genius Club.

…He [Neil Gaiman] went on, though, to warn about the problems of success… and that’s what gets dropped out of a lot of the advice. He noted the problems of success are harder, in part because nobody warns you about them… and what do people do? Not listen to the warning, and drop it out of their quotes. They include:

“The point where you stop saying yes to everything, because now the bottles you threw in the ocean are all coming back, and have to learn to say no.”

(4) PLUS ÇA CHANGE, PLUS C’EST LA MÊME CHOSE. “50 Best Short Stories for High School Students” at We Are Teachers is surprisingly chock full of sff – Bradbury, Le Guin, Poe, Dahl – though I’m a little more surprised at how many of these stories were already part of the canon when I was in high school and are still on a list like this.  

If there is one thing that my students and I share, it’s our love for short stories. High school kids may not choose to read short stories on their own time, but they get very excited when the story I choose to teach a concept is short. I find that short stories pack a stronger emotional punch. They elicit real reactions, especially if the author manages to surprise them. In fact, short stories are the thing I use most often in my high school lessons to teach literary devices, act as mentor texts for our writing, and get students excited about reading. Here is a collection of 50 of my favorite short stories for high school students….

(5) GIRARDI Q&A. The Horror Writers Association blog has a new “Women in Horror” entry: “Women in Horror: Interview with Jill Girardi”.

Jill Girardi is the internationally best-selling, award-nominated author of Hantu Macabre, a novel which was optioned for a film starring MMA Fighter Ann Osman and directed by Aaron Cowan (a senior member of the Visual Effects team that won four Oscars for Avatar and Lord of the Rings.)…

What was it about the horror genre that drew you to it?

This is something I’ve found difficult to explain over the years. Going back to the subject of du Maurier’s work, I found her simple, direct form of writing to be both beautiful and haunting, evoking so many emotions in the reader. The symbolism of it struck such a deep chord with me. For example, in one of my favorite stories, The Apple Tree, a mere tree takes on the qualities of a deceased woman, one who withered from neglect and lack of love all her life. The image was one that stayed with me long after I first finished reading the story. Many people believe that horror is all about shock value, that there’s no emotion or any deep meaning in it. Those of us who read or write horror know otherwise. We know that something as simple as a tree can haunt you, and bring you close to your own pain. This is what I adore about horror. There is so much more lurking under its surface….

(6) GODZILLA NOVELIZATIONS. [Item by Ben Bird Person.] Since its publication nearly 70 years ago, there is finally an English translation by Jeffrey Angles to the Shigeru Kayama’s novelizations for Godzilla (1954) and Godzilla Raids Again (1955). According to its Amazon listing, it’ll be published by University of Minnesota Press and released October 3, 2023.

(7) MEMORY LANE.

2003[Compiled by Cat Eldridge.]

Sharyn McCrumb’s Ghost Riders is the seventh of her Ballad Novels, her mystery series set in the Appalachian Mountains. It features a strong dash of magic realism as you’ll see in the Beginning from this novel which was published twenty years ago by Dutton Adult.

I like the novels because they feel authentic which reflects McCrumb’s being born and raised in the Appalachian region. The novels are richly detailed, the characters are fully developed, particularly the continuing ones such as Rattler, and the stories are certainly some of the better ones set in the Appalachian region. 

And if her name sounds familiar, that’s because of Bimbos of the Death Sun and Zombies of the Gene Pool which she wrote.

And now our Beginning…

Prologue: Rattler 

The boy stood still in the moonlight watching the riders approach. The chill of the night air had shaken the last bit of sleep-stupor from him, and he shivered, feeling the wind on his legs and the sensation of his bare feet touching the rough boards of the porch, and knowing that he was not dreaming. He had stumbled outside to make his way to the privy, but now something–not a sound, more like a feeling–made him stop a few feet from the door, and for long minutes as he stood there he would forget the push in his bladder that had sent him out into the cold darkness of an October night. 

Night riders. 

Horses were not an every day sight in the mountains nowadays, as they had been in his daddy’s time. Now that the Great War had ended in Europe, the world had changed. People talked about aeroplanes and automobiles and store-bought clothes. Every year brought more Model A’s into the county, and those folks that didn’t run an automobile could take the train into Johnson City or Asheville if they needed to go. You sent money to the mail-order catalogue, and the postman would bring you the goods, all parceled up in brown paper, whatever you’d asked for. They called it “the wish book.” But nobody ever wished for the old days, not in these mountains. They all wanted the future to get here double quick. 

But tonight was an echo of the old days… there were horsemen at the edge of the woods. 

The boy wondered who these riders were, out on the ridge past midnight, far from a road and miles from the next farm. He could make out three of them just this side of the trees beyond the smokehouse, but in the faint light of the crescent moon their features were indistinguishable. They carried no lantern, and they rode in silence. It took the boy three heartbeats longer to register the fact that the horses made no sound either. He heard no rustle of grass, no snapping of twigs beneath their hooves. 

One of the riders detached himself from the group by the woods and trotted toward the porch where the boy stood. He was a tall, gaunt man in a long greatcoat and scuffed leather boots, and he had a calculating way of looking through narrowed eyes that froze the boy to the spot like a snake-charmed bird. The rider looked to be in his twenties, with dark hair and black whiskers outlining his chin, as if he were growing a beard by default and not by design. The boy stared at the face, a pale oval in the moonlight, and he forgot to move or cry out. 

The man smiled down at him as if he had trouble remembering how. “Evenin’, Boy,” he said in a soft mountain drawl. “What’s your name then?” 

“Rat–they called me Rattler, mister.” It took him two tries to get the sound to come out of his throat. 

The rider grinned. “Rattler, huh? Mean as a snake, are you, boy?” 

The boy lifted his chin. Even if he was shivering in his nightshirt, he was on his own porch and he would not cower before a stranger. “I don’t reckon I’m mean,” he said. “But I give salt for salt.” 

“Fair enough.” The dark man looked amused. “I guess I do the same.” He glanced back at the woods where his companions waited, motionless, shadows in moonlight. “And you’d be–what? About twelve?” 

“About,” said the boy. He would be eleven in January.

“Well, snake-boy, what do you say? You want to ride with us?” 

The boy shrugged. “Got no horse.” 

“Reckon we could rustle you up one.” 

The smile again, cold as a moonbeam. The boy hesitated. “You never said who you are, Mister.”

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 19, 1821 Sir Richard Francis Burton KCMG FRGS. He was a geographer, translator, writer, soldier, cartographer, ethnologist, spy, linguist, poet, fencer and diplomat. He worked on the translation of an unexpurgated version of One Thousand and One Nights. Also, Vikram and the Vampire or Tales of Hindu Devilry. Mind you, he was also the publisher of both Kama Sutra and The Perfume Garden. Philip Jose Farmer made him a primary character of the Riverworld series. (Died 1890.)
  • Born March 19, 1926 Joe L. Hensley. Long-time fan and writer who was a First Fandom “Dinosaur” (which meant he had been active in fandom prior to July 4, 1939), and received the First Fandom Hall of Fame Award in 2006. Very impressive! His first genre fiction sale was the short story “And Not Quite Human,” published in the September 1953 issue of Beyond Fantasy Fiction. His co-authors included Alexei Panshin and Harlan Ellison. Though he wrote nearly fifty pieces of short fiction, and much of that is not genre, he wrote just one genre novel, The Black Roads. (Died 2007.)
  • Born March 19, 1928 Patrick  McGoohan. Creator along with George Markstein of The Prisoner series in which he played the main role of Number Six. (The one and only Prisoner. I know it’s been remade but I refuse to admit it exists.) I’ve watched it at least several times down the years. It never gets any clearer but it’s always interesting and always weird.  Other genre credits do not include Danger Man but comprise a short list of The Phantom where he played The Phantom’s father, Treasure Planet where he voiced Billy Bones and Journey into Darkness where he was The Host of. (Died 2009.)
  • Born March 19, 1932 Gail Kobe. She has genre appearances with the more prominent being as Jessica Connelly in Twilight Zone’s “In His Image”, in another Twilight Zone episode as Leah Maitland in “The Self-Improvement of Salvadore Ross”, and two Outer Limits episodes, first as Janet Doweling in “Specimen, Unknown” and then as Janet in “The Keeper of the Purple Twilight”. (Died 2019.)
  • Born March 19, 1936 Ursula Andress, 87. I’m sure I’ve seen all of the original Bond films though I’ll be damned I remember where or when I saw them. Which is my way of leading up to saying that I don’t remember her in her roles as either as Honey Ryder in the very first Bond film, Dr. No, or as as Vesper Lynd in Casino Royale. Bond girls aren’t that memorable to me it seems. Hmmm… let’s see if she’s done any other genre work… well her first was The Tenth Victim based on Sheckley’s 1953 short story “Seventh Victim”. She also appeared in L’Infermiera, oops wrong genre, The Mountain of the Cannibal GodThe Fifth MusketeerClash of the Titans where she played of course Aphrodite, on the Manimal series, The Love Boat series and the two Fantaghirò films. 
  • Born March 19, 1945 Jim Turner. Turner was editor for Arkham House after the death of August Derleth, founder of that press. After leaving Arkham House for reasons that are not at all clear, he founded Golden Gryphon Press which published really lovely books until it went out of existence. (Died 1999.)
  • Born March 19, 1947 Glenn Close, 76. I had not a clue that she’d done genre-friendly acting. Indeed she has, with two of the most recent being Nova Prime in Guardians of The Galaxy, Topsy in Mary Poppins Returns and voicing Felicity Fox in the animated film adaptation of Roald Dahl’s Fantastic Mr. Fox. Before those roles, she was Aunt Josephine in Lemony Snicket’s A Series of Unfortunate Events, Blue Mecha in A.I. Artificial Intelligence and Madeline Ashton in Death Becomes Her. Oh the latter is almost too weird in what it is. 
  • Born March 19, 1955 Bruce Willis, 68. (It’s very sad what’s happening to him.) So do any of the Die Hard franchise count as genre? Even setting them aside, he has a very long  genre list, to wit Death Becomes Her (yes another actor in it), 12 Monkeys (weird shit), The Fifth Element (damn great), Armageddon (eight tentacles down), The Sixth Sense (not at all bad), Sin City (typical Miller overkill) and Sin City: A Dame to Kill For (yet more Miller overkill). 

(9) COMICS SECTION.

(10) PLUNKING TOGETHER. In “Krissy and I Have a Band: Introducing OEMAA and ‘Parking Space’”, John Scalzi lets fans hear a driver’s overflowing white-hot rage when supply exceeds demand.  

…We agreed that we would form a punk band, whose musical theme would be venting furiously about the minor annoyances that beset ones such as ourselves, which is to say, comfortable middle-aged folks.

Fast forward to 2023, and right now, and I’m happy to announce that Krissy and I do, in fact, have a punk band in which we bemoan the inconveniences of the hugely privileged. We call ourselves OEMAA (pronounced “wee-ma”), which is an acronym for Outrageously Entitled Middle-Aged Assholes, and our first song, “Parking Space,” is the sonic blast of aggrievement emanating from the soul of a man in an SUV who sees the parking space he’s been hovering over get snapped up by another equally entitled jerk in a Lexus. Hell hath no fury like a dude in an SUV, missing out on a parking opportunity…

(11) INEXPLICABLE WRITING. Ryan George takes viewers inside the Harry Potter and the Chamber of Secrets Pitch Meeting.

With the first movie as well as the book series being massive international successes, Warner Bros was fast to get to work on adapting the second book in the Harry Potter series: The Chamber of Secrets. What adventures lay ahead for Harry Potter at his death trap of a magical high school?! People were anxious to see it play out on the big screen. Harry Potter and the Chamber of Secrets definitely raises some questions though. Like why would Hogwarts hire Lockhart and why would he accept, knowing full well that he’s a fraud? Was the Whomping Willow really the best thing they could think of to put on school grounds? Why does the car have a mind of its own? Why did Hagrid send children off to speak to man-eating spiders in the most dangerous forest there is? How did Nearly Headless Nick get unpetrified? Is Fawkes the secret star of this movie?! To answer all these questions and more, step inside the Pitch Meeting that led to Harry Potter and the Chamber of Secrets! It’ll be super easy, barely an inconvenience.

(12) VIDEO OF THE DAY. Colonials debuts in select theaters on April 7 and on digital platforms on April 11.

On his mission from Mars, a space colonist’s ship is attacked by a Moon-based civilization and crash lands on Earth. Having lost his memory, he joins forces with a Resistance to save the galaxy from human extinction.

[Thanks to Mike Kennedy, John King Tarpinian, Chris Barkley, Lise Andreasen, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 6/22/22 Heigh-ho, The Battling Throg, The Frog Down In Valhalla, Oh

(1) HOW WRITERS GET UNPAID. Quenby Olson shows how a returned book costs her money on Amazon. Thread starts here.

Olson backed up the account with Vice’s article “TikTok Users Are Showing Readers How To Game Amazon’s Ebook Return Policy”.

A TikTok trend where users encourage others to purchase, read, and return Amazon ebooks within the company’s return policy window has irked independent authors, who claim to have seen dramatic spikes in their ebook return rates since the trend went viral.

The #ReadAndReturn challenge drew attention to Amazon’s Kindle return policy, which states that readers can “cancel an accidental book order within seven days.” But what’s been presented as a literary community “life hack” is hurting romance-fantasy authors like Lisa Kessler’s bottom line. 

“When you buy a digital book, if you read and return it, Amazon just turns around and gets the money back from the author, plus Amazon builds in a digital delivery fee and so Amazon is still getting that delivery fee but we get all the royalties taken back,” Kessler told Motherboard. 

Kessler, who self-publishes several book series, says that before the challenge, she would see on average one or two returns per month. But when she checked her Kindle Direct Publishing (KDP) sales dashboard on June 1st, she says she was shocked to find a negative account balance….

(2) JUST A SECOND. The Fall of Númenor, a collection of Tolkien’s works about the Second Age of Middle-Earth, will be published by HarperCollins in November 2022. The book will appear after Amazon Prime releases the streaming series The Rings of Power, set during the Second Age of Middle-earth, in September 2022. “New Tolkien book: The Fall of Númenor to be published” at The Tolkien Society.

A HarperCollins press release included in the post explains that the volume is edited by writer and Tolkien expert, Brian Sibley, and illustrated by acclaimed artist, Alan Lee.

…Presenting for the first time in one volume the events of the Second Age as written by J.R.R. Tolkien and originally and masterfully edited for publication by Christopher Tolkien, this new volume will include pencil drawings and colour paintings by Alan Lee, who also illustrated The Lord of the Rings and The Hobbit and went on to win an Academy Award for his work on The Lord of the Rings film trilogy.

J.R.R. Tolkien famously described the Second Age of Middle-earth as a ‘dark age, and not very much of its history is (or need be) told’. And for many years readers would need to be content with the tantalizing glimpses of it found within the pages of The Lord of the Rings and its appendices.

It was not until Christopher Tolkien presented The Silmarillion for publication in 1977 that a fuller story could be told for, though much of its content concerned the First Age of Middle-earth, there were at its close two key works that revealed the tumultuous events concerning the rise and fall of the island-kingdom of Númenor, the Forging of the Rings of Power, the building of the Barad-dûr and the rise of Sauron, and the Last Alliance of Elves and Men.

Christopher Tolkien provided even greater insight into the Second Age in Unfinished Tales of Númenor and Middle-earth in 1980, and expanded upon this in his magisterial 12-volume History of Middle-earth, in which he presented and discussed a wealth of further tales written by his father, many in draft form.

Now, using ‘The Tale of Years’ in The Lord of the Rings as a starting point, Brian Sibley has assembled from the various published texts in a way that tells for the very first time in one volume the tale of the Second Age of Middle-earth, whose events would ultimately lead to the Third Age, and the War of the Ring, as told in The Lord of the Rings.

(3) BALTICON UPDATE. Balticon’s post-convention email dated June 17 included the following update about the Code of Conduct investigation that is addressing events reported by File 770 here, here, and here.

(4) LIBRARY E-BOOK RELIEF UNCONSTITUTIONAL. “In Final Order, Court Declares Maryland’s Library E-book Law Unconstitutional” reports Publishers Weekly.

In a June 13 opinion and order, Judge Deborah L. Boardman declared Maryland’s library e-book law “unconstitutional and unenforceable” all but ending a successful months-long legal effort by the Association of American Publishers to block the law.

“In its February 16, 2022 memorandum opinion, the Court determined that the Maryland Act likely conflicts with the Copyright Act in violation of the Supremacy Clause,” Boardman’s opinion reads. “Although neither AAP nor the State has moved for summary judgment on any claim, they agree a declaratory judgment may be entered… Therefore, for the reasons stated in the February 16, 2022 memorandum opinion, the Court finds that the Maryland Act conflicts with and is preempted by the Copyright Act. The Act ‘stands as an obstacle to the accomplishment and execution of the full purposes and objectives of Congress.’”

… First introduced in January 2021, the Maryland library e-book law required any publisher offering to license “an electronic literary product” to consumers in the state to also offer to license the content to public libraries “on reasonable terms.” The bill passed the Maryland General Assembly unanimously on March 10, and went into effect on January 1, 2022.

In response, the AAP filed suit on December 9, 2021 arguing that the Maryland law was pre-empted by the federal Copyright Act. Just days after a February 7 hearing, Boardman agreed with the AAP and temporarily enjoined the law. Boardman’s order this week now permanently renders the law enforceable….

(5) CENSORSHIP CASE IN VIRGINIA. Publishers Weekly also reports, “Lawyers Say ‘Defective’ Virginia Obscenity Claims Should Be Tossed”.

First filed in May by lawyer and Republican Virginia assembly delegate Tim Anderson on behalf of plaintiff and Republican congressional candidate Tommy Altman, the suits allege that the graphic memoir Gender Queer by Maia Kobabe and A Court of Mist and Fury by bestselling author Sarah J. Maas—are “obscene for unrestricted viewing by minors.” On May 18, a retired local judge found there was “probable cause” for the obscenity claims and ordered the authors and publishers to answer the charges, raising the possibility that the court could bar the books from public display and restrict booksellers and librarians from providing the books to minors without parental consent.

But in filings late last week, lawyers for Kobabe and her publisher, Oni Press, and Maas and her publisher Bloomsbury, along with lawyers for Barnes & Noble, told the court the suits as filed are defective and the remedy sought unconstitutional.

“The petition and show cause order are facially defective because [the Virginia law] does not authorize a court to declare that the book is ‘obscene for unrestricted viewing by minors,’” reads a joint filing by Maas and Bloomsbury, explaining that the Virginia law “cannot constitutionally be the basis for the relief sought by petitioner as a matter of law.”

In separate filings, Kobabe and Oni Press also argue the law in question is misapplied and the complaint defective. “The statute permits the challenge of a book on the grounds that it is ‘obscene’ to the entirety of the community of the Commonwealth,” reads the brief from Oni Press lawyers. “Petitioner here attempts to redefine [the Virginia law] to have book declared obscene as it relates to one subset of the Community: minors in the Hampton Roads and Virginia Beach areas.”

Furthermore, lawyers for the authors and publishers argue that the books in question do not come close to meeting the standard for obscenity as established by the Supreme Court, which requires that materials, even if they contain explicit material, be found to lack serious literary, artistic, political or scientific value. Thus, the relief requested by the plaintiffs would be “an unconstitutional restraint on free speech,” lawyers argue.

(6) THE MIGHTY NATALIE. “’Thor: Love and Thunder’: How Natalie Portman Grew Nine Inches Taller”Variety divulges the answer at the link.

…“I definitely got as big as I’ve ever been,” Portman explained for Variety‘s cover story. “You realize, ‘Oh, this must be so different, to walk through the world like this.’”

Portman means that quite literally. Along with getting her arms and shoulders as swole as humanly possible, Portman’s Mighty Thor also stands 6 feet tall — nearly 10 inches larger than Portman’s actual height.

… To date, no one has figured out how an actor can safely elongate their body, so director Taika Waititi and his crew needed to figure out how to get Portman to the proper height for scenes in which she walked with her co-stars. Their solution proved to be about as low-tech as a Marvel movie can get….

(7) KGB. The Fantastic Fiction at KGB reading series will be changing its schedule to the second Wednesday of the month. The date change begins on September 14, 2022. Both the July and August readings will be on the third Wednesday as originally scheduled.

After more than twenty years of being held on the third Wednesday of every month, the Fantastic Fiction reading series, currently hosted by Ellen Datlow and Matthew Kressel at the KGB Bar in Manhattan, will be switching to the second Wednesday of the month, beginning in September, for the foreseeable future. Previously, the series was held on the third Wednesday of the month.

During the Pandemic, when Covid cases in New York City were dangerously high, hosts Ellen and Matt decided to go virtual (via YouTube) for the safety of all. This virtual period lasted for more than eighteen months, during which time Ellen and Matt were able to bring in guests, many of whom were unable to visit New York in person, from all over the world, including Pakistan, Barbados, the U.K., Australia, South Africa and elsewhere.

During this same period a younger crowd less fearful of Covid began to congregate in person at the KGB Bar during the series’ usual third Wednesday. When the Fantastic Fiction series finally returned to the KGB Bar in person in late 2021 and early 2022, the KGB Bar saw a significant drop in income. Because of this, the KGB Bar owner has asked Ellen and Matt to switch weeks for this “big earner/younger generation” that they wish to accommodate on the third Wednesday of each month.

(8) EAR TO THE GROUND. CSI Skill Tree is a series from the Center for Science and the Imagination at Arizona State University.The latest event in the CSI Skill Tree series on how video games envision possible futures and create thought-provoking experiences will streamed on Thursday, July 7, from 2:00-3:15 p.m. Eastern. The event is free and open to everyone—here is the registration link.

In this event, speculative fiction author Tochi Onyebuchi and composer/sound designer Amos Roddy will discuss how sound and music in games contributes to worldbuilding, storytelling, and immersion. They’ll look closely at Inside (2016), a moody adventure game with environmental puzzles and grim, industrial aesthetics.

Roddy’s other sound work in games is frequently for science fiction titles (most recently, Citizen Sleeper), and Onyebuchi is an incredibly talented SF storyteller. 

(9) AN IDEA THAT WHIFFED. Galactic Journey knows exactly what the public in 2022 wants to hear about the Worldcon – which is nothing good, of course – and presents: “[June 22, 1967] The Stench Arising from the World Convention” by Alison Scott.

…Here we are in 1967, and Ted White, from his lofty position of power as chairman of NyCon 3, this year’s World SF Convention, has decided that the time has come to expand the existing Best Fanzine Hugo. I think that many of we actifans would welcome additional awards for Best Fan Writer and Best Fan Artist. However, the NyCon 3 committee – and I think we must assume this is mostly Ted – decided to unilaterally create a new class of awards, the Fan Achievement Awards, by analogy to the Science Fiction Achievement Awards, and to nickname them the “Pongs”, by analogy to the “Hugos”….

P.S. Even at the time almost everyone said they hated the idea. That’s why in the end the NyCon 3 committee actually did call these added fan awards Hugos.

(10) MEDIA BIRTHDAY

1925 [By Cat Eldridge.] Let’s keep in mind that ninety-seven years ago when this first version of The Lost World premiered, A. Conan Doyle was very much alive. This is very important as he was involved in the film including writing the script from his novel and being involved in the production quite personally. Doyle said repeatedly that Challenger, not Holmes, was his favorite creation.

Directed by Harry O. Hoyt, The Lost World featured the amazing stop motion special effects by Willis O’Brien, the dinosaurs here being a great look at what he would do on King Kong in eight yers. Nine different types of dinosaurs were created including of course Tyrannosaurus. A very crowded plateau it was. Some of the dinosaur models made for this film were collected later by Ackerman.

It cost seven hundred thousand to make and grossed one point three million. Studios being relatively honest in those days, we can say it actually made money. 

Full early prints include an introduction by Doyle. Later prints removed this.  

The New York Times after seeing early reels of the dinosaurs said if these be “monsters of the ancient world, or of the new world which he has discovered in the ether, were extraordinarily lifelike. If fakes, they were masterpieces.” Contemporaneous reviews such as the LIFE one say the same thing: “In The Lost World, as it appears on the screen, the animals have been constructed with amazing skill and fidelity and their movements, though occasionally jerky, are generally convincing.” 

Audience reviewers at Rotten Tomatoes currently have a sixty-nine percent rating for it.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 22, 1856 — H. Rider Haggard. Writer of pulp fiction, often in the the Lost World subgenre. King Solomon’s Mines was the first of his novels with Allan Quatermain as the lead and it, like its sequels, was successful. These novels are in print to this day. Haggard by the way decided to take ten percent royalties instead of a flat fee for writing, a wise choice indeed.  And let’s not forget his other success, She: A History of Adventure, which has never print out of print either. (Died 1925.)
  • Born June 22, 1894 — George Fielding Eliot. ISFDB has scant listings from him and Wiki is not much better but shows “The Copper Bowl”  in Weird Tales in the December 1928 issue and notes that thirty years later he has “The Peacemakers”  in the Fantastic Universe in January 1960 edition. Stitching this together using the EofSF, I’ll note he wrote Purple Legion: A G-Man Thriller, a really pulpish affair. As Robert Wallace, he wrote “The Death Skull Murders”, one of the Phantom Detective stories, a series that came out after The Shadow and ran for a generation. (Died 1971.)
  • Born June 22, 1936 — Kris Kristofferson, 86. He first shows up in a genre film, The Last Horror Film, as himself. As an actor, his first role is as Bill Smith in Millennium which is followed by Gabriel in Knights, a sequel to Cyborg. (A lack of name creativity there.) Now comes his role as Abraham Whistler in Blade and Blade II, a meaty undertaking indeed! Lastly I’ll note he voiced Karubi in Planet of the Apes.
  • Born June 22, 1947 — Octavia Butler. I think her Xenogenesis series is her most brilliant work though I’m also very, very impressed by the much shorter Parable series. I’m ambivalent on the Patternist series for reasons I’m not sure about. Her first Hugo was L.A. Con II (1984) for her “Speech Sounds” short story and she also got a Hugo for her “Bloodchild” novelette at Aussiecon Two (1985). DisCon III (2021) saw Parable of the Sower: A Graphic Novel Adaptation with text by her obviously as adapted by Damian Duffy and illustrated by John Jennings pick up the Best Graphic Story or Comic Hugo. (Died 2006.)
  • Born June 22, 1949 — Edward M Lerner, 73. I’m here today to praise the Ringworld prequels that he co-wrote with Niven, collectively known as Fleet of Worlds which ran to five volumes. Unlike the Ringworld sequels which were terribly uneven, these were well written and great to read. I’ve not read anything else by him.
  • Born June 22, 1949 — Meryl Streep, 73. She’d make the Birthday list just for being Madeline Ashton in Death Becomes Her and her epic battle there with Goldie Hawn. She’s the voice of Blue Ameche in A.I. Artificial Intelligence, and a very real Aunt Josephine in Lemony Snicket’s A Series of Unfortunate Events. She’s the voice of Felicity Fox in Fantastic Mr. Fox, based off the on Dahl’s 1970 children’s novel. She voices Jennie in a short that bring Maurice Sendak’s dog to life, Higglety Pigglety Pop! or There Must Be More to Life. She’s The Witch in Into The Woods. I think that’s it.
  • Born June 22, 1958 — Bruce Campbell, 64. Where to start? Well let’s note that Kage loved the old rascal as she described him, so I’ve linked to her review of Jack of All Trades. I personally liked him just as much in The Adventures of Brisco County, Jr. and think it’s well worth checking out. I think his work as Ash Williams in the Evil Dead franchise can be both brilliant and god awful, often in the same film. Or the same scene. The series spawned off of it is rather good. Oh, and for popcorn reading, check out If Chins Could Kill: Confessions of a B Movie Actor, his autobiography. 
  • Born June 22, 1973 — Ian Tregillis, 49. He is the author of the Milkweed Triptych trilogy which is frelling brilliant. He’s contributed three stories to Max Gladstone’s The Witch Who Came in From the Cold, a  rather good serial fiction narrative (if that’s the proper term), and he’s got another series, The Alchemy Wars, I haven’t  checked out. He’s also a contributor to George R. R. Martin’s Wild Cards series which I’m beginning to suspect everyone has been involved in.

(12) COMICS SECTION.

Joel Merriner mashes up Gotham with Middle-Earth.

(13) THE READING LIFE. The Critic’s Paul Dean mourns the decline of the second-hand book trade in “Bookshops remaindered”.

At the Oxford Book Fair in April, the presence of a hundred exhibitors from all over Britain suggested that Covid had not killed off the antiquarian book trade. But those who buy antiquarian books are not necessarily interested in reading, any more than those who buy hundreds of cases of rare wines are interested in drinking.

The second-hand market — for immediate consumption rather than laying down — is a different matter, as Oxford itself sadly demonstrates. In the 1970s, Blackwell’s second-hand department occupied the whole of the top floor. By 2000, it occupied most of the third floor. Now it shivers forlornly in a few feet of the first floor.

Will Waterstones, Blackwell’s new owners, bother to keep it? One second-hand bookshop after another has closed in Oxford, leaving two admittedly excellent Oxfams, St Philip’s Books opposite the cathedral, a new small outlet in the Covered Market, and the ominously named The Last Bookshop in Jericho. Thornton’s and Robin Waterfield are much missed. The former still sells online, but, although I plead guilty to online buying, that is not the same. It is like eating the menu instead of the food….

(14) GETTING READY TO INTERACT WITH AI. “Soon, Humanity Won’t Be Alone in the Universe” says David Brin in his opinion piece for Newsweek.

…In 2017 I gave a keynote at IBM’s World of Watson event, predicting that “within five years” we would face the first Robotic Empathy Crisis, when some kind of emulation program would claim individuality and sapience. At the time, I expected — and still expect — these empathy bots to augment their sophisticated conversational skills with visual portrayals that reflexively tug at our hearts, e.g. wearing the face of a child. or a young woman, while pleading for rights… or for cash contributions. Moreover, an empathy-bot would garner support, whether or not there was actually anything conscious “under the hood.”

One trend worries ethicist Giada Pistilli, a growing willingness to make claims based on subjective impression instead of scientific rigor and proof. When it comes to artificial intelligence, expert testimony will be countered by many calling those experts “enslavers of sentient beings.” In fact, what matters most will not be some purported “AI Awakening.” It will be our own reactions, arising out of both culture and human nature.

Human nature, because empathy is one of our most-valued traits, embedded in the same parts of the brain that help us to plan or think ahead. Empathy can be stymied by other emotions, like fear and hate — we’ve seen it happen across history and in our present-day. Still, we are, deep-down, sympathetic apes.

But also culture. As in Hollywood’s century-long campaign to promote—in almost every film — concepts like suspicion-of-authority, appreciation of diversity, rooting for the underdog, and otherness. Expanding the circle of inclusion. Rights for previously marginalized humans. Animal rights. Rights for rivers and ecosystems, or for the planet. I deem these enhancements of empathy to be good, even essential for our own survival! But then, I was raised by all the same Hollywood memes….

(15) SPIDER-REX. “Spider-Rex Makes His Roaring Debut on Leinil Francis Yu’s New ‘Edge of Spider-Verse’ #1 Variant Cover” Marvel announced today.

The future of the Spider-Verse is here! Launching in August, Edge of Spider-Verse will be five-issue limited series that introduces brand-new Spider-heroes and redefines fan-favorites such as Araña, Spider-Man Noir, Spider-Gwen, and Spider-Man: India! Each thrilling issue will contain three stories crafted by Marvel’s biggest Spider talents including an overarching narrative by Dan Slott who will lay the groundwork for the epic conclusion of the Spider-Verse later this year. Edge of Spider-Verse #1 will see the debut of Spider-Rex in a story by hit Spider-Woman creative team, Karla Pacheco and Pere Perez. Fans can see this awesome and one-of-a-kind Spider-Hero in a brand-new variant cover by Leinil Francis Yu.

(16) WEIRD AL’S SONG FOR STAR WARS. There might actually be a few notes from it in this trailer, I’m not sure. “LEGO Star Wars Summer Vacation”, set shortly after the events of Star Wars: The Rise of Skywalker, features the voices of “Weird Al” Yankovic, Yvette Nicole Brown, Kelly Marie Tran, Anthony Daniels, Billy Dee Williams, and returning cast members from previous LEGO Star Wars specials, and includes “Weird Al’s” new original song, “Scarif Beach Party”.

(17) CAT NOT SLEEPING ON SFF. Enjoy this entertaining trailer for “Puss In Boots: The Last Wish”.

This Christmas, everyone’s favorite leche-loving, swashbuckling, fear-defying feline returns. For the first time in more than a decade, DreamWorks Animation presents a new adventure in the Shrek universe as daring outlaw Puss in Boots discovers that his passion for peril and disregard for safety have taken their toll. Puss has burned through eight of his nine lives, though he lost count along the way. Getting those lives back will send Puss in Boots on his grandest quest yet. Academy Award® nominee Antonio Banderas returns as the voice of the notorious PiB as he embarks on an epic journey into the Black Forest to find the mythical Wishing Star and restore his lost lives. But with only one life left, Puss will have to humble himself and ask for help from his former partner and nemesis: the captivating Kitty Soft Paws (Oscar® nominee Salma Hayek).

(18) SHOULD BE WORTH MORE THAN TWO POINTS. [Item by Martin Morse Wooster.] This Rube Goldberg machine by Creezy has been viewed nearly 10 million times, but not on File 770! “The Swish Machine: 70 Step Basketball Trickshot”.

(19) REFERENCE DIRECTOR! [Item by Daniel Dern.] To help you decipher today’s Scroll title “Heigh-ho, The Battling Throg, The Frog Down In Valhalla, Oh” —

Throg is Frog Thor, The Frog Of Thunder, first introduced by Walt Simonson in 1986 (see “Thor Left Asgard’s Future to Marvel’s Strangest Thunder God”), although, Marvel being Marvel (sigh), there are now several variants and versions…

“Heigh-Ho etc” riffs on the Irish folk song “Heigh-Ho, The Rattlin’ Bog” popularized by The Irish Rovers and done by many others including Seamus Kennedy,

(20) AMATEURS DRIVING THE CHARIOT OF APOLLO. [Item by Martin Morse Wooster.] James Burke and John Parry tour an Apollo training facility, crash a “scooter” on the Moon and mispronounce “Houston” in this clip from the BBC show Tomorrow’s World in 1968.

(21) VIDEO OF THE DAY. This is buzzzzzare! “Best-Case Scenario, Worst-Case Scenario and One with Bees” from Late Night with Seth Meyers.

[Thanks to Chris Barkley, Andrew Porter, Daniel Dern, Joey Eschrich, John A Arkansawyer, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]