The Juno minifigure holds a magnifying glass to signify her search for the truth and her husband holds a lightning bolt. Galileo, who is credited with several important discoveries about Jupiter, including identifying its four largest moons, holds both a model of the planet and his telescope.
The three figures stand along a ledge on the spacecraft’s hexagonal two-deck body, which also houses Juno’s eight primary science instruments, 29 sensors and a first-of-its-kind shielded vault to protect the probe’s electronics from Jupiter’s heavy radiation environment.
“We put these LEGO minifigures on board Juno in order to inspire and motivate and engage children, to have them share in the excitement of space exploration and reaching for the best goals that you can,” Bolton said.
To that end, NASA and LEGO have partnered on “Mission to Space,” a new design challenge that invites children to use the toy building bricks to imagine the future of space exploration.
The award was established to encourage, reward and foster creativity in the development and showcasing of science fiction writing for feature film, short film, television, radio and interactive media. It also provides an avenue for unproduced works to enter.
Jesse O’Brien, the 2015 winner in the Produced category for his screenplay Arrowhead, says, “We’re only a few movies away from a significant genre resurgence and if Arrowhead can inspire the imaginations of other writers, then it has done the very best thing movies can do,” he says. “Thank you to John Hinde for leaving this treasure for us to find, and to the AWG for presenting it.”
The Prizes
The competition will be split up into two separate categories – produced and unproduced. Each category will have its own specific prize.
Produced:
$10,000 cash prize
Unproduced:
The winning script will be read by an experienced genre producer and the writer will be set up with a meeting with an industry professional hand-selected for your specific piece of work. Associated travel expenses will be covered by the AWG/John Hinde Bequest.
The winner and all shortlisted applicants will be provided with entry into the AWG Pathways Program – an initiative that provides networking opportunities for writers and the chance to showcase their ideas to industry professionals thereby giving those industry professionals access to quality scripts.
(4) NEILL OBIT. Known for playing Lois Lane in The Adventures of Superman, actress Noel Neill died July 3 at the age of 95. She was a popular guest at media cons, where many fans got to meet her over the years.
Noel Neill and Kirk Alyn (another screen Superman) at Equicon II in 1974. Photo by Dik Daniels.
SF Site News adds:
She retired from acting when the show went off the air, but appeared as Lois Lane’s mother in the film Superman, as well as bit roles in the television series Superboy and the film Superman Returns. She also played Aunt Lois in Surge of Power.
With the help of Bing Crosby, Noel signed a seven-year contract with Paramount Pictures in 1941. She initially made several short films, then appeared in mostly non-speaking roles, gradually gaining leading lady status beginning with 1944’s Are These Our Parents?
In total, Noel made close to 100 films in her long and incredible career, and surprisingly, most were Western films made in the 1940s and 1950s. She worked with many noted directors such Cecil B. DeMille, Vincent Minnelli, and Hal Roach, and starred with actors Bob Hope, Crosby, Gene Kelley, Clayton Moore, Johnny Mack Brown and William Holden.
(5) TODAY IN HISTORY
July 4, 1862 — Lewis Caroll first told Alice Liddell the story of Alice in Wonderland.
(6) TODAY’S TRIVIA QUESTION
Donald F. Glut asks, “Did Forry say, ‘Harpy Fearth of Ghoul Eye’?”
(7) FOURTH WITH. Damien G. Walter wishes us a jolly holiday:
Daniel Jaquet of the University of Geneva and several colleagues aim to bust that myth with a new study examining the range of motion and energy cost while fighting in medieval armor. They published their findings in a recent paper in Historical Methods: A Journal of Quantitative and Interdisciplinary History.
Medieval scholars have long known that armor worn by knights of that era allowed for far more mobility than most people realize. There’s even a 1924 educational film created by the Metropolitan Museum of New York to address the popular misconception. But until quite recently, little quantitative data was available to support that stance.
(11) JAPANESE CULTURE CON. NatsuCon runs July 22-24 in St. Louis:
NatsuCon is a Saint Louis metro-area based anime convention possessing the sole desire of expanding the appreciation, understanding, and acceptance of Japanese pop-culture in America. By the use of media ranging from art, to music, to visual screenings, NatsuCon strives to present attendees with an accepting, friendly environment allowing guests of all ages to meet and express similar interests. The staff and volunteers of NatsuCon all share the common wish of providing attendees with a fun and welcoming atmosphere. Through educational panels and interactive presentations and events based around precepts of Japanese culture, NatsuCon will offer its guests with an opportunity to empower themselves by increasing knowledge, diversity, and strength of character.
(12) SPOCKUMENTARY SCREENS IN BOSTON. Adam Nimoy’s tribute to his father was shown to Kickstarter donors in Boston last week.
“Star Trek” fans like the character of Mr. Spock because he’s low-key and emotionally detached. But it turns out Leonard Nimoy, the actor who played the Vulcan with the pointy ears, was the same way in real life, which wasn’t so great for his son. That’s the sense one gets watching Adam Nimoy’s documentary about his dad, “For the Love of Spock,” which screened at the Revere Hotel this week. (The movie, which debuted at the Tribeca Film Festival in April, comes out Sept. 9.)
Monday’s invite-only screening was for Trekkies who contributed to the filmmaker’s Kickstarter campaign, an effort that raised a whopping $660,000. (That ranks as one of the crowd-funding platform’s most successful campaigns ever.)
Introducing “For the Love of Spock,” Adam Nimoy said it was a special treat to screen the film in Boston, where his dad grew up. (The elder Nimoy was raised in the West End and hawked newspapers in Boston Common as a kid.)
(13) YABBA DABBA DUDE. Michael Cavna, who writes “Comic Riffs” for the Washington Post, brings word of a Flintstones comics reboot.
DC COMICS reached out with a mission for Mark Russell. How would he like to write a reboot of “The Flintstones”?
His prompt reply: “I kind of hate ‘The Flintstones.’ ”
The DC editors’ response: They liked his humorous take for his award-winning comic “Prez,” so his distaste for the old animated Hanna-Barbera TV show was not a dealbreaker.
“So I knew from the beginning,” Russell tells The Post’s Comic Riffs, “that it would be a satiric, edgy response to ‘The Flintstones.’ ”
Next month, DC will debut “The Flintstones” No. 1, which slyly unfurls Russell’s sardonic take on the “modern Stone Age family” from the town of Bedrock.
[Thanks to David K.M. Klaus, Hampus Eckerman, Lisa Goldstein, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day John King Tarpinian.]
Philip K. Dick spent the last decade of his life from 1972 to 1982 in Orange County, having fled the Bay Area convinced he was the target of various malevolent forces, ranging from governmental agencies to religious groups. In Orange County, PKD experienced the anonymity of everyday life in suburbia. He also experienced a divine vision that, as he explained in later writings, permitted him to glimpse the “trans-temporal constancy” of the universe. During his decade in Orange County, he produced some of his most enduring and enigmatic works, including novels like A Scanner Darkly and VALIS that reflect a pervasive sense of paranoia and also PKD’s attempts to make sense of his life-altering spiritual experience.
(3) VENDORS IN SPACE. Russ Ault told Facebook readers merchants are getting a bum deal at Worldcons.
Some of us out here in the world of convention merchants have, for some time now, been getting increasingly disenchanted with the opportunity presented by the typical Worldcon. (For those unfamiliar, that’s the annual “World Science Fiction Convention”, held in a different place each year, and nominally staffed and run by a different group each year as well.) In a space that is typically similar to that occupied by a Wizard World event, at a cost of more than twice as much per attendee, they end up hosting a crowd that is just 10% to 25% of the size of the typical media or comic con – but the rates they want for vendor space (when you include the price of the separate membership) end up being commensurate with the worst of the WW shows in terms of per-live-body-square-foot results. An eight-foot table and one membership will cost you over $400, with the prospect of having a crowd of as few as 3500 to 4000 people. (Compare that to a 10×10 booth for $1500 with a delivered head count that’s typically in the area of 20,000 – which is not really a very good deal either.)
And they wonder why we bristle when they say things like “The Worldcon doesn’t owe the dealers anything.”
(4) ARTIFICIAL CHARM. Hugh Hancock foresees the “Rise of the Trollbot” in a guest post on Charles Stross’ blog.
… In “Accelerando”, Charlie posited the idea of a swarm of legal robots, creating a neverending stream of companies which exchange ownership so fast they can’t be tracked.
It’s rather clear to me that the same thing is about to happen to social media. And possibly politics.
What makes me so sure?
Microsoft’s Tay Chatbot. Oh, and the state of the art in Customer Relationship Management software….
2: On The Internet, No-one Knows Their Friend Is A Dog.
In many ways, the straightforward trollswarm approach is the least threatening use of this technology. A much more insidious one is to turn the concept on its head – at least initially – and optimise the bots for friendliness.
Let’s say you wish to drive a particular group of fly-fishers out of the fishing community online for good.
Rather than simply firing up a GPU instance and directing it to come up with the world’s best fly-fishing insults, fire it up and direct it to befriend everyone in the fly-fishing community. This is eminently automatable: there are already plenty of tools out there which allow you to build up your Twitter following in a semi-automated manner (even after Twitter clamped down on “auto-following”), and Tay was already equipped to post memes. A decent corpus, a win condition of follows, positive-sentiment messages and RTs, and a bot could become a well-respected member of a social media community in months.
THEN turn the bot against your enemies. Other humans will see the fight too. If your bot’s doing a half-decent job – and remember, it’s already set up to optimise for RTs – real humans, who have actual power and influence in the community, will join in. They may ban the people under attack from community forums, give them abuse offline, or even threaten their jobs or worse.
For even more power and efficiency, don’t do this with one bot. One person starting a fight is ignorable. Twenty, fifty or a hundred respected posters all doing it at once – that’s how things like Gamergate start.
(And of course, the choice of persona for the bots, and how they express their grievances, will be important. Unfortunately we already have a large corpus of information on how to craft a credible narrative and cause people to feel sympathy for our protagonist – storytelling. If the bot-controller has a decent working knowledge of “Save The Cat” or “Story”, that’ll make the botswarm all the more effective…)
(5) A NUMERICAL LACK. From the Dictionary of Fantastic Vocabulary, ”a compendium of imaginary words and their uses,”comes —
That’s what happens when someone uses double share!
(6) DO AS I SAY. Dr. Mauser says “Don’t Pirate Indies”. (But dude, your blog is named Shoplifting in the Marketplace of Ideas!)
…. Now, I understand a bit of what’s going on, there’s an awful lot of piracy going on out there, and yeah, in strictest terms, virtually every picture you’ve got on your phone or hard drive that you didn’t take yourself is some kind of copyright violation. I’m not going to go down that puritan road. But let me go through the usual excuses and explain why they don’t apply to indy books….
But I’m broke! – No, you’re not, you just can’t prioritize, or childishly can’t manage your budget. We’re talking an e-book in the $2.99 to $5.99 range. Hell, Comic books are about that much apiece these days. You just bought the latest video game for enough to buy TEN eBooks. You could stock a library for what you spent on that Con. Give up ONE Latte? (Furries are particularly notorious for pleading poverty when their favorite artists put out a $10 portfolio, then drop $50 for a single commission of their personal character in some sexual position – go fig.)
Hey, I’m doing you a favor, it’s free publicity! – Bullshit. In my friend’s case, it’s costing him plenty – hundreds and hundreds of dollars. Free publicity is writing reviews, having discussions, all that stuff they call “Word of Mouth”, and actually BUYING the book so that its Amazon Rankings go up. If you actually Love the author’s work, why are you destroying it?
Still working frantically on the update for the Creating an Online Presence for Writers book, plus prepping for this weekend’s online class. One big change since the last version is Instagram‘s rocket upward in popularity. Here in 2016, it is the number two social media network in number of users, second only after Facebook.
It lets you post pictures, often with some sort of caption, and see what other people are posting. Unlike Facebook, it doesn’t play fast and loose with what you see, but gives you a stream composed of everyone you’re following.
(8) TODAY IN HISTORY
April 19, 1987 — The Simpsons first aired on The Tracey Ullman Show.
(9) MORTALITY. Rachel Swirsky has revised her essay “On Writing and Mortality”. “It was originally published in 2011. I had recently had a death scare.”
A year or two ago, an article made the rounds which had asked a number of famous authors for ten pieces of writing advice. Some of the advice was irritating, some banal, some profound, and some amusing.
One piece of advice that got picked up and repeated was the idea that if you were working on a project, and found out that you had six weeks to live, if you were willing to set the project down then it was the wrong project for you to be writing.
I dislike that advice. It seems to come from the same place that makes writers say things like “a real writer has to write” or “any writers who can be discouraged should be.” (A convenient excuse for acting like a jerk.)
The U.S. Supreme Court on Monday declined to hear a challenge by a group of authors who contend that Google’s massive effort to scan millions of books for an online library violates copyright law.
The Authors Guild and several individual writers have argued that the project, known as Google Books, illegally deprives them of revenue. The high court left in place an October 2015 ruling by the 2nd U.S. Circuit Court of Appeals in New York in favor of Google.
A unanimous three-judge appeals court panel said the case “tests the boundaries of fair use,” but found Google’s practices were ultimately allowed under the law.
The individual plaintiffs who filed the proposed class action against Google included former New York Yankees pitcher Jim Bouton, who wrote the acclaimed memoir “Ball Four.”
Several prominent writers, including novelist and poet Margaret Atwood and lyricist and composer Stephen Sondheim, signed on to a friend-of-the-court brief backing the Authors Guild.
The authors sued Google, whose parent company is Alphabet Inc, in 2005, a year after the project was launched. A lower court dismissed the litigation in 2013, prompting the authors’ appeal.
(11) WICKED AUTOGRAPH. Abe Books has a special Something available for Bradbury fans.
Published by Simon & Schuster, New York, 1962 Second Edition. Hardback. Dust Jacket. (1962)
UsedHardcoverSigned
…Signed presentation from the author on the front endpaper to Christopher Lee, ‘For Christopher Lee, who is Mr. Dark! With the admiration of his fan – Ray Bradbury, Mar. 21st 1964’. Sir Christopher Frank Carandini Lee, CBE,(1922–2015) was an English actor, singer, author, and World War II veteran. He was notably in ‘The Wicker Man’ and ‘The Man with the Golden Gun’ but is best known for his role as Count Dracula in a sequence of Hammer Horror films and later as Saruman in the ‘Lord of the Rings’ film trilogy.
Adam Nimoy remembered his late father, Leonard, during a Q&A that followed a screening of his documentary “For The Love of Spock.” The discussion took place on Monday as part of the Tribeca Film Festival where the film first screened two days earlier.
Variety‘s Gordon Cox moderated the conversation, which also included Zachary Quinto, EP David Zappone and film critic and self-proclaimed Trekker Scott Mantz.
Adam Nimoy, who wrote and directed the film, said that he had plenty of material. “A lot of things got left on the cutting room floor, unfortunately,” he said. But he added that his father would have approved of the final cut. “I think he would be very pleased and proud.”
People magazine has lifted the lid on 2017?s live action ‘Power Rangers’ reboot by revealing the film’s villain Rita Repulsa as played – beneath layers of costume and prosthetic make up – by Elizabeth Banks.
The ‘Hunger Games’ star is channelling her dark side to play the mean green witch – her first villain role – describing the character as “a modern and edgy re-imagining of the original Rita”.
(14) CROWDSOURCED BOWIE TRIBUTE. Unbound’s project Fill Your Heart: Writers on Bowie will be an anthology of writers inspired by the musician.
Our mourning isn’t over, but we want to write, we’ve got to write: to him, for him, about him. Fill Your Heart: Writers On Bowie is an anthology by some of our greatest contemporary writers. It is an anthology celebrating David Bowie with creativity. Whether a short story, a poem, a piece of memoir, psychogeograhy or creative non-fiction, these pieces will be personal responses to Bowie, to his shaping work and influence.
Edited by the novelist Tiffany Murray, this will be an important celebration, possibly a strange, mad celebration, but it is for anyone who was and is inspired by David Bowie and his work.
Fill Your Heart will be creating something new, a bold anthology that in some way shows us all how Bowie sparked each generation’s imaginations: how he made us.
Let’s spark together.
The collection is 11% funded so far.
(15) GUARDIANS. A Russian Marvel-esque superhero flick. It’s called Zaschitniki (Russian) or Guardians (English).
Set during the Cold War, a secret organization named “Patriot” gathered a group of Soviet superheroes, altering and augmenting the DNA of four individuals, in order to defend the homeland from supernatural threats. The group includes representatives of the different nationalities of the Soviet Union, which each one of them have long been hiding their true identity. In hard times, they settled down to business and gather to defend their homeland.
[Thanks to Kendall, JJ, Will R., Gregory Benford, David K.M. Klaus, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Soon Lee.]
Write a great book and you’re a genius. Turn a book into a great film and you’re a visionary. Turn a great film into a book…that’s another story.
Novelizations of films are regular best-sellers with cult followings — some are even more beloved than the films that spawned them — but respected they are not. Instead, they’re assumed to be the literary equivalent of merchandise: a way for the movie studios to make a few extra bucks, and a job for writers who aren’t good enough to do anything else. But the people who write them beg to differ.
For the Love of Spock is three stories woven together into a solid, emotionally charged strand. There is the story of a gifted actor — a renaissance man, as he is described in the film — and his journey from bit player to fame, fortune and permanent pop-culture icon status.
It’s also the story of a character who sprang from the mind of Star Trek creator Gene Roddenberry, but became flesh and blood — and Vulcan salutes — in the hands of Nimoy. And finally, it’s the story of a father and son and their decades-long journey toward love and mutual acceptance.
There’s no way to fit 83 years into a rather fast-paced 100 minutes. As a consequence, huge swaths of Nimoy’s life and career are mentioned all-too-briefly (his directing career) or not at all (Star Trek V and VI, and much of his latter TV career).
As an engineer, I think that Mr. Robinson is clearly wrong. Or at least, he doesn’t understand the basic rules for setting mission parameters and designing to meet those parameters. Mr. Robison’s vessel failed because he wanted it to fail. But to extend that to saying that ALL such proposals would fail is more than a little egotistical. And wrong, really wrong.
Now I haven’t as yet read the book.(Somehow this sticks in the craw of the people over at File 770….
Real pioneers don’t screw up because failure is not an option and incompetence is something that can’t be tolerated. Yes the environment and the unknowns get the pioneers, think the Donner Party, but the typical pioneers don’t go down without a fight. They do the work that needs to get done because they are working to make a better place for the next generation, not themselves. We as a culture have suppressed the pioneer spirit in the last few years and maybe that’s a mistake. Because pioneers desire and understand liberty and the alternative is tyranny.
Here’s a bunch of links to get the pioneer spirit started. Sorry, Mr. Robinson, our carracks to the stars will not fail because the pioneer spirits in them, will not let them fail. Look if my ancestors can cross the North Atlantic in a tiny leaky little boat, can I say anything less?
The galaxy’s empire has a new colony. Astronomers have detected a dwarf galaxy orbiting the Milky Way whose span stretches farther than nearly all other Milky Way satellites. It may belong to a small group of galaxies that is falling into our own.
Giant galaxies like the Milky Way grew large when smaller galaxies merged, according to simulations. The simulations also suggest that whole groups of galaxies can fall into a single giant at the same time. The best examples in our cosmic neighbourhood are the Large and Small Magellanic Clouds, the Milky Way’s two brightest satellites, which probably orbit each other.
Orbiting galaxies
About four dozen known galaxies orbit our own. The largest in terms of breadth is the Sagittarius dwarf, discovered in 1994 – but it’s big only because our galaxy’s gravity is ripping it apart. The next two largest are the Magellanic Clouds.
(6) BATMAN V SUPERMAN V ABIGAIL. This is the kind of post that has inspired me to write Abigail Nussbaum’s name on my Hugo ballot from time to time. In the paragraphs following the excerpt, she deconstructs a scene from Batman v Superman: Dawn of Justice and gives us a wonderful premise for understanding what shaped Superman’s psyche in the Snyder and non-Snyder movie versions.
Nor am I here to talk about how Batman v Superman fundamentally betrays its two title characters–and betrays, along the way, the fact that Snyder and writers David S. Goyer and Chris Terrio fundamentally do not understand what either of those characters are about. Because the truth is, I don’t really care. I’m not a comic book reader, but I’ve been watching Batman movies for twenty years, and good or bad they all depict the character as, at best, someone who is working out their mommy-and-daddy issues by beating up poor criminals, and at worst, an outright fascist. I’m perfectly willing to believe that there is more to the character, and that the comics (and the animated series) have captured that, but I think at this stage it’s a mug’s game to go to a Batman movie expecting to find more than what they’ve been known to give us. As for Superman, if I want stories about a character who is all-powerful yet fundamentally good, and still interesting for all that, I’ve got the MCU’s Captain America, not to mention Supergirl, so that fact that Batman v Superman depicts Superman as someone who seems genuinely to dislike people, and to be carrying out acts of heroism (when he deigns to do so) out of a sense of aggrieved obligation, doesn’t really feel worth getting worked up over. On the contrary, I was more upset by those scenes in Batman v Superman in which characters insisted–despite all available evidence–that its Superman was a figure of hope and inspiration, because they made it clear just how badly the people making the movie had misjudged its effect.
(7) TODAY IN HISTORY
April 17, 1810 – Lewis M. Norton patented a vat for forming pineapple-shaped cheese. (Even John King Tarpinian doesn’t know why he sent me this link.)
April 17, 1970 — With the world anxiously watching on television, Apollo 13, a U.S. lunar spacecraft that suffered a severe malfunction on its journey to the moon, safely returned to Earth.
(8) TODAY’S BIRTHDAY DUCK.
April 17, 1937 – Daffy Duck.
From the CBS News Almanac: …That day saw the premiere of a Warner Brothers cartoon titled “Porky’s Duck Hunt.”
The cartoon followed Porky Pig as he attempted to bag a most unusual duck … a duck quite unwilling to follow the rules:
Porky: “Hey, that wasn’t in the script!” Daffy: “Don’t let that worry you, Skipper! I’m just a darn fool crazy duck!”
Actually, make that DAFFY Duck, in his very first film role — his first, but by no means his last.
(9) ACCOUNTING FOR TASTES. Fynbospress, in “Preorders” at Mad Genius Club, sorts out how that sales tool affects traditional and indie publishers differently.
Several years ago, indie publishers put up quite a hue and cry about not having preorders available to them on Amazon, unlike their trad pub competitors. Amazon listened, and made preorders available, with a few caveats to ensure that indie pub would indeed have the product ready on ship date, and not leave Amazon holding the bag while angry customers yelled at them.
With glee, indie pub rushed out to put things on preorder…. and promptly found it wasn’t all that and a bag of chips. It’s a useful tool, but it isn’t nearly as important to them as it’s made out to be.
The critical differences:
Amazon counts a preorder toward the item’s sales rank the day the order is placed.
This makes logical sense in the non-publishing world, as the “sale” happens the day a contract to sell is agreed upon, not the ship date, not the date money changes hands, nor the date the customer receives the item. This is pretty standard whether ordering a run of shoes manufactured in China, selling wheat futures in Chicago, or a racehorse in Kentucky.
(10) QUIDDITCH ON TV. “Quidditch, the sport of wizards” was a segment on today’s CBS Sunday Morning. There’s a video report and a text article at the link.
Quidditch, anyone? No idle question in Columbia, South Carolina, where a big championship match is underway this weekend. Anna Werner attended last year’s contest, where she saw an author’s imaginary game come to life:
It’s been nearly 20 years since the first Harry Potter book came out and proceeded to cast a spell over fans around the world. J.K. Rowling’s creation became the most popular book series in publishing history, with over 450 million copies sold — and one of the biggest movie franchises in film history, with nearly $8 billion in ticket sales.
And now Potter-mania has spawned another craze, one based on the high-flying fantasy game played by Harry and his friends called Quidditch, which has now jumped from the world of wizards to the playing fields of Rock Hill, South Carolina.
Yes, real-world Quidditch, complete with players “riding” broomsticks.
“Quidditch has exploded into the college scene and the high school scene all over the world,” said one girl. “It’s absolutely amazing!”
It’s even been the subject of a documentary called “Mudbloods” (a Harry Potter reference, of course).
“People get passionate about it because they grew up with Harry Potter,” said one fan.
The documentary introduces Alex Benepe, one of the founders of Quidditch. He’s been playing since 2005, when a classmate at Middlebury College turned to him with an idea: “‘This weekend, we’re gonna try and play real-life Quidditch,'” Benepe recalled. “We were freshman. And I just thought to myself, ‘There’s no way this is gonna work. This is gonna be so dumb!'”
A volleyball doubles as a Quaffle, which players use to score points, either by throwing it or kicking it through a hoop.
Bludgers are dodgeball-weapons used against opposing players; hit someone with a bludger, and they are temporarily out. They must drop whatever ball they possess, head to the sidelines, and touch a goalpost before returning back to the field.
In the J.K. Rowling books, a Snitch (or a Golden Snitch) is a winged ball that tried to avoid capture. Since magical equipment is harder to come by in real life, Snitches are instead played by people dressed in yellow, who run onto the field at the 18-minute mark and must evade players who try to steal their “tail.”
If a Snitch loses his tail (actually a tennis ball in a sock), the game is over, but in the event of a tie score, play goes into overtime.
(12) RUNNING LOGAN’S MOVIE. Once upon a time there was a Jeopardy! answer…
John King Tarpinian says “In the book middle age would be ten.”
And while we’re on the topic, John recommends Reading The Movie Episode 3: Logan’s Run, a 2011 video.
[Thanks to John King Tarpinian, Xtifr, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day IanP.]
*And most recently (as of today) allowing an avowed white supremacist and fascist who has previously demonstrated a bias against others based on their race, religion, etc. to participate as a Bram Stoker Award Jury member — an award which will include candidates of various races and religions…..
…Effective 1/1/17 (when the new year’s memberships become active) I will no longer work with anyone who is a then-Current member of the HWA, including writers, publishers, editors, etc. I will not give cover blurbs, introductions, or anything else. If I am asked to be in an anthology, and the anthology is being edited by a then-current HWA member, I will decline. If I am asked to submit a novel, and the publisher is a then-current HWA member, I will decline.
So… if you’d like to work with me in 2017, or you’d like my help with something going forward, I’m very happy to — provided you are not a member of the HWA as of January 1, 2017. Consider this an eight-month notice, which I think is more than fair.
I realize that this decision will put me at odds with both dear friends and fellow mutually-respected peers. That’s okay. It won’t be the first time that has happened. But this is my decision. I am not a Conservative or a Progressive, and I hold the extremists in both camps with contempt. But I am a human being, and a father, and I know what is right and what is wrong. Discrimination of someone based on their race, religion, creed, etc. is wrong.
We endorse things by our participation in them. This current debacle — and previous debacles — are not things I endorse, and I will not, in good conscience, contribute my name, my money, my talent, my draw, or my platform to them.
8. Offer them content that will draw readers to their blog. Bloggers are not your bitches. They aren’t working for you. They have a blog because they want people to read them. The harsh reality is that book spotlights get skimmed or skipped. No one cares. Anything that is easy for you, the author, is usually the least effective. Bloggers want content. They want an author’s unique view of things, they want to offer their readers something to entertain and inform them. They want something that will be shared on social media. And really, that’s what YOU want, too. You are doing a publicity tour so that you can actually reach readers. Not just so you can check off a box that says “stuck crap up on the internet.” Spotlights don’t reach readers in a memorable way. Posts that make them laugh, let them hear your voice, and show them who you are hit readers in a positive way that will make them click on the link to your work so they can learn more. That type of content is good for bloggers and is good for you. Tell them what type of post you are interested in, and if possible, even offer them a topic.
(4) STANDING UP. Randall at Catalyst Game Labs wrote his “I’m Standing Up” post before Ken Burnside’s appeared, but he subsequently linked to Burnside which is how I came across it:
I’ve certainly not been perfect. I can look back across a lifetime of con attendance and gaming and cringe now and then at stupid comments I’ve made. And for that, I publicly apologize to any woman who ever felt as though I didn’t respected her, or made her feel as though she is less valuable as she is to our hobby, community, and industry.
And perhaps for that very same sense, there are men who feel ashamed to stand up. Well shake it off. Do the right thing. Stand up. This will only change if we shine a bright enough light down into those repugnant currents. If we get enough people saying this is not okay we just might push those currents down where they’re too afraid to come out any more.
Now let me be absolutely clear, here: Harassment or bullying of any sort against anyone for any reason—be it gender, race, religion, you name it—is not okay. And if I hear anyone around me gatekeeping with that tired old mantra “you’re not a real gamer,” I’m gonna slap that down. Catalyst employees know this and swiftly take care of any such situations. (If anyone has ever had any issues that were not treated appropriately by one of our employees or Catalyst agents, feel free to email me [email protected] and I’ll immediately follow up). So this filth laps onto far too many. But it seems pretty clear to me over the research I’ve done that women, by a large margin, take the brunt of this hurt.
For anyone that feels even a moment’s regret over any of this, or experiences they’ve had, please spread this post. Plenty of others are doing the same and doing it well. But we need to do it more. I’m adding my voice to theirs to swell the chorus and shine a light on those currents.
And for all those amazing gamers that make the hobby brilliant for millions of people all over the world, thank you!
I’m a white, male gamer. And I’m standing up.
(5) ASIMOV DEBATE. The 2016 Isaac Asimov Memorial Debate topic “Is the Universe a Simulation?” was discussed by panelists on April 5 at The American Museum of Natural History.
What may have started as a science fiction speculation—that perhaps the universe as we know it is a computer simulation—has become a serious line of theoretical and experimental investigation among physicists, astrophysicists, and philosophers.
Neil deGrasse Tyson, Frederick P. Rose Director of the Hayden Planetarium, moderated a panel composed of David Chalmers, Professor of philosophy, New York University; Zohreh Davoudi, Theoretical physicist, Massachusetts Institute of Technology; James Gates, Theoretical physicist, University of Maryland; Lisa Randall, Theoretical physicist, Harvard University; and Max Tegmark Cosmologist, Massachusetts Institute of Technology.
(6) BILLIONS BEYOND FANDOM. Martin Morse Wooster passed along two fannish points from a profile of LinkedIn founder Reid Hoffman by Nicholas Lemann in the October 16 issue of New Yorker.
1. In middle school in the mid-1980s, Hofmann was a game tester for Chaosium, located near Hofmann’s home in Emeryville.
“Hoffman got himself into one of the groups, and then returned to Chaosium, offering to correct errors he had found in a set of role-playing scripts for Dungeons & Dragons that the company had published. He wrote a detailed memo and took it to Steve Perrin, a major game developer (All the World’s Monsters, RuneQuest, Elfquest) who was working at Choasium at the time. ‘He looked at it and said, ‘This is good feedback,’ Hofmann says. So they gave me another scenario pack to review. He also began writing reviews for Different Worlds, a gaming magazine that Chaosium published, and getting modestly paid for his work.”
2. Peter Thiel, a friend and college classmate of Hofmann’s, said that Hofmann “was entranced by Snow Crash, a science-fiction novel by Neal Stephenson, published in 1992, which takes place in a twenty-first century California where government has collapsed and people create avatars and try to find a new way to live through a technology-based virtual society called the Metaverse….
….Hofmann was playing with a set of ingredients that he had first explored at Stanford, with Thiel and others–fantasy gaming, computer technology, philosophy–and thinking about whether there was a big idea that could enable him to have a major effect on the world, first through a business and then through the creation of an entire social system.”
“So sf and fandom is responsible for LinkedIn!” says Wooster, and he asks, “Can we collect royalties?”
(7) FIRST LINES. Rachel Swirsky studied her first lines and other authors’, now the third installment in her series answers the question “First Lines Part III: What Can They Do?”. Here are two of her seven points:
After giving close reading to a dozen first sentences, half mine and half others, I’m ready to make a list of things that a first line can do (although probably no first line should try to do all of them).
Include a mystery the reader wants to solve by reading the next sentence.
Set a fast reading pace.
(8) FINNISH WORLDCON’S FIRST PR. Worldcon 75, to be held in Helsinki in 2017, has issued its first Progress Report. Download it or read it online here. The contents include:
Tips on small talk with the guests of honour
Finland: An assortment of notes and information
The word for Worldcon is Maailmankongressi
Finnish fandom: Some unique characteristics
You can go directly the online magazine (done in a format where you digitally flip pages) by clicking here.
For the first time in over a decade, there’s a new Godzilla movie coming from Japan’s Toho Studios. This one’s being directed by none other than Neon Genesis’ Hideaki Anno and Shinji Higuchi.
[Thanks to Martin Morse Wooster, Terhi Törmänen, David K.M. Klaus, Andrew Porter, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
It’s the question every writer dreads: “How many books have you sold? ”
It’s a tricky question because for 99% of the year, those with traditionally published books honestly have very little idea. But two times a year – in the spring and in the fall – we receive royalty statements from publishers, which give a sometimes cryptic breakdown of what has sold where. So for those keeping track here with my “Honest Publishing Numbers” posts, here’s an update.
More than 50 pieces will be featured during a 50th-anniversary Star Trek art exhibit honoring a half-century of exploring the final frontier. That includes the final piece of art created by original series star, the late Leonard Nimoy.
The event, which San Diego Comic-Con attendees will arrive just in time for, opens on July 21 at the Michael J. Wolf Fine Arts in San Diego, CA. It will then travel to Las Vegas, Toronto, and the UK.
The official Star Trek site is rolling out all the pieces bit by bit, but the artistic work of the beloved Nimoy was one of the first released. The piece, which depicts multiple images of Nimoy’s hand giving the “Live Long and Prosper” salute, was created for the Star Trek Art Exhibit.
The red, yellow and blue motif is a nod to the uniform colors worn by the Star Trek cast of characters in the original show.
Face me when talking.
Repeat or double check that I’ve got the important information.
Help me sit in the center so I can hear everyone.
Speak clearly, and if I ask you to repeat yourself, try to raise your voice just a tad, but mostly speak slower and more clearly.
If you have a induction loop in a facility, use it.
Microphones should always be used, and if an audience microphone is available, use it too.
Alternatively, have the moderator repeat the questions.
When I’m at conventions, I always sit in the front row. If I’m in a panel I prefer to sit in the middle. This is what works for me — if you don’t know what works for someone else, try asking!
And how did it go at the Steampunkfestival?
Some panels went just fine, if I was placed in the center and didn’t get an audience question. Some panels worked less fine if the moderator forgot to repeat the audience question before someone answered it.
In one panel, I got an audience question and waited for the moderator to repeat it. My silence was interpreted as confusion or not having a good answer, so other panel members answered instead, while I looked like a question mark. I felt really stupid.
The writers who most influenced me (for good or bad) are probably Philip K. Dick, Raymond Chandler, Cordwainer Smith (the pen name of Paul Linebarger, who was an intelligence specialist and the godson of Sun Yat-sen and wrote the most extraordinary and peculiar science fiction stories). Tim Powers–I still remember discovering him for the first time and being so blown away. T.S. Eliot.
It’s a sort of Hardboiled Five, isn’t it? It’s more a list of people who directly influenced my writing in some way than anything else.
I met Deborah Coates when I was in graduate school at the University of Iowa. She and I were in a writers group together with a lot of other people. We called it Dragons of the Corn.
Deb writes beautiful magical realism, fantasy and science fiction. At one point, she was tossing around the term “rural fantasy.” Her prose is lovely, and the moods she creates are delicate and pervasive.
(6) HAMNER. Earl Hamner, Jr.’s family thanked everyone for their condolences on Facebook, and at the post provides addresses of charitable institutions he supported.
We have been asked about a memorial or service and all I can tell you at this time is that Dad was emphatically opposed to the idea. He even made my mother promise him not to even consider the idea! So, we are respecting his wishes, but at the same time trying to imagine a way to remember him that he would like. (I.e., we all meet at the James River in Virgina and go fishing and drink a lot of Jack Daniels.) In the meantime, if you feel you need to do something to honor him, you will find below a list of organizations that Dad supported. A charitable gift in his memory would make him proud.
(7) TODAY IN HISTORY
March 25, 1956 — Lon Chaney stars as “Butcher” Benton, The Indestructible Man.
Spike TV has pushed the pause button onRed Mars, its 10-episode straight-to-series drama adaptation of Kim Stanley Robinson’s best-selling “hard” science-fiction trilogy. The move comes as executive producer/showrunner Peter Noah has exited the project, produced by Skydance TV.
…. I hear Straczynski, who had written the pilot script out of his passion for the books, had the option to stay on as showrunner or leave and keep an executive producer credit. The writer, who had been busy in features and TV, opted for the latter, and Noah came in as showrunner. He has now departed too over what I heard were creative differences with Spike.
…What bothers me about the whole Sad Puppies situation is how often the existence of talent in the opposition has been denied, by both sides in this small battlefield of the culture war. Obviously that was Correia’s point in kicking off the whole affair; to expose what he considered to be ideological filtering in the Hugo nomination and voting process.
Personally, I think he was right. Not because of some grand cabal of liberal hypocrites willing to trash good authors on the grounds of political dissent, but because communities develop specific cultures, and those cultures create preferences.
And WorldCon has its own subculture, and as a result its own preferences, and those preferences lean towards the kind of pretentious twaddle that bores me to tears. But hey, it has the right messages, and that’s what’s important.
Or is it?
You see, there’s something that bothers me more than the denial of talent on the grounds of ideology, and that is the degradation of talent in the service of ideology.
One of the problems you run into, and this is something I’ve seen in other mediums as well, is that when you place the perceived political and social value of a work over its artistic value when determining merit, you get, well, precisely what you deserve. Passive, politically-correct-for-your-critical-lens pablum. A checklist of boxes to be marked off, with the expectation of accolades if enough boxes are checked.
You get boring message fiction. Or games. Or art of any kind….
(10) ON THE DOGS. Lela E. Buis, in “Discrimination against the Puppies?”, applies the thoughts from her recent posts about multiculturalism to the Puppy dilemma.
But, is Kate Paulk telling it straight? I don’t quite think so. Unfortunately I’m not going to have time to read the whole list of recommendations before the award nominations are due, but I have worked through the short stories and some of the related works. I can’t speak for the novels, but much of what I’ve read are not neutral recommendations. If you’re keeping up with my reviews, these works are slanted to present the Puppies side of the recent conflict. That means they are written by SJW’s on the Puppy side.
Who’s right? I suspect the SFF community needs to consider the Puppies’ point of view. If you’re reading along on my social commentary, you’ll note that the 50-year era of multiculturalism has closed, and we are now entering a period where community is becoming more important. This means the actions of divisive activists will be less well received than in the past—on all sides. I know people like to fan the flames, but wouldn’t community building be time better spent?
(11) PERFECTION. Sarah A. Hoyt begins “Perfectly Logical” with an epic autobiographical introduction to justify her view about why people asked off the Sad Puppies 4 List.
….It wasn’t a stupid fear. It was real. Even though writers can’t control who reads them and likes them, if you’re liked by the “far right” you must be using “dog whistles” — and thus the blacklisting starts.
So those people asking to be removed from the Hugo recommendations which were made by fan vote? Perfectly logical. Getting tainted by association is a thing in their circles.
The people proclaiming that we: Larry, Brad, myself, John C. Wright, I don’t know if they were stupid enough to include Kevin J. Anderson and Butcher in that, but definitely everyone else in the list, had “ruined their careers” are right. For their world and their definition of career. None of the big four will ever publish us again, except Baen.
They are stuck in the old push-model days in their head. They think that everyone down the chain will now boycott us. And they want to make d*mn sure it doesn’t splash on them.
Meanwhile we’re living in a different world. We’ve tried indie, and it worked. (Even though in my case it was just toe dipping. More to come once internet is fixed and bedrooms, kitchen and office unpacked. (It’s all we’re unpacking in this house.)
We’re living in a world where we can be rude to whomever we please, love our fans whoever they are, and have our own opinions. Because NYC publishing is NOT the boss of us….
Many of us who were following the casting of Marvel’s upcoming Iron Fist Netflix series were disappointed when news broke that some white dude named Finn Jones would play the title role of Danny Rand.
Inspired by this thoughtful plea by Keith Chow of The Nerds of Color, over the last two years a vocal fan movement had swelled and rallied around the possibility of an Asian American Iron Fist. While Danny Rand has traditionally been depicted as white in the comic books, there is no legitimate reason why he had to be played by a white actor. This could have been an interesting opportunity to cast an Asian American actor in the lead role, and complicate and reclaim some of the more problematic, orientalist elements of the character’s mythos.
It was a nice thought. But alas, Danny Rand will be white and it’s business as usual. Some people had some gripes about that. And of course, some people had gripes about the people with gripes.
Comic book creator Joshua Luna, best known for his work as a co-creator and writer of such books as Ultra, Girls and The Sword with his brother Jonathan Luna, recently posted a funny comic offering his take on the Iron Fist casting. Imagine, if you will, an alternate dimension…
In the grand tradition of Gratuitous Lists, here’s a look at the twenty Best Science Fiction TV Shows of All Time (that I can think of today). The list is in alphabetical order, not order of quality, nor is there a #1 choice as I’d probably have a totally different choice tomorrow. So rather than argue about arbritary placements on the list, you can instead yell at me at what got left off.
In case you’re wondering, the list contains only overtly science fictional TV shows. No fantasy (that’d be another, different list) and no anime, as I’m not well-enough versed in the field. After some debate, also no superhero stuff as the SF credentials of those shows can vary wildly and there’s enough of them now to make for another list.
(14) LEGO ACTORS. The LEGO Batman Movie – Batcave Teaser Trailer.
Promising that it would be best to just buy a ticket and take care of the unpleasantness right away, a new Batman V. Superman: Dawn Of Justice promotional campaign launched this week reportedly urged filmgoers to simply get this whole thing over with. “Listen, you all knew this day was coming, so just go sit your ass in the theater, stare up at the IMAX screen for a couple hours, and be done with this shit once and for all,” said Warner Brothers marketing strategist Elizabeth Harris, who encouraged fans to make plans with friends right now so they could all bite the fucking bullet over opening weekend.
East coast registers are winding down and Warner Bros.’ Batman v Superman: Dawn of Justiceis still on track to be the biggest pre-summer opening day with $80.5M (beating Furious 7‘s $67.4M) and weekend with $169.5M (outstripping The Hunger Games $152.5M) at 4,242 theaters. In sum, this is $20M better than where the industry originally estimated the film to be.
This is the theme to Glyer’s blog,
The theme to Glyer’s blog.
Glyer tweeted me and asked if I would write his theme song.
I’m almost halfway finished,
How do you like it so far?
How do you like the theme to Glyer’s blog?
This is the theme to Glyer’s blog,
The opening theme to Glyer’s blog.
This is the music that you hear as you read the comments.
We’re almost to the part of where he starts to Pixel Scroll.
Then we’ll read Michael Glyer’s blog.
This was the theme to Michael Glyer’s blog.
For those scratching their heads (starting around 30 seconds in):
You see me now a veteran
Of a thousand Usenet wars
I’ve been living on the edge so long
Where the posts of flaming roar
And I’m young enough to look at
And far too old to see
All the scars are on the inside
I’m not sure if there’s candy left in me…
[Thanks to Karl-Johan Norén, Michael J. Walsh, John King Tarpinian, Will R., and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Nigel.]
The Carnegie Medal, established in 1936, is awarded annually to the writer of an outstanding book for children. The Kate Greenaway Medal has been given since 1955 for distinguished illustration in a book for children.
The first poem, The Shadow Man, is an early version of a poem that Tolkien went on to publish in his 1962 collection The Adventures of Tom Bombadil. It tells of “a man who dwelt alone/ beneath the moon in shadow”, who “sat as long as lasting stone,/and yet he had no shadow”. When “a lady clad in grey” arrives, he wakes, and “clasped her fast, both flesh and bone;/and they were clad in shadow”.
The second, Noel, is a Christmas poem, albeit one set in scenery that would not be out of place in Middle-earth. “The hall was dark without song or light,/The fires were fallen dead,” writes Tolkien, going on to portray “the lord of snows”, whose “mantle long and pale/Upon the bitter blast was spread/And hung o’er hill and dale”.
(3) TWITTER WISHES. John Scalzi, in “What I Want Out of Twitter”, explains the changes he’d like to see made in this social media platform.
What I’m more interested in is how Twitter can make itself better, which is a different question than how Twitter can be saved. Twitter’s major issue, as everyone except apparently Twitter’s C-bench knows, is that there are a bunch of shitheads on it who like to roll up to whomever they see as targets (often women and/or people in marginalized groups) and dogpile on them. That’s no good….
So, if Twitter were asking me what I wanted out of Twitter to make it an optimal service for me, here’s what I would suggest, in no particular order:…
Other things to allow filtering of:
Profile keywords: If I could filter out every single account that had “#GamerGate” in its profile text, as an example, my replies would have been a lot quieter in the last couple of years.
Accounts based on who they follow: Right now I’m thinking of five Twitter accounts of people I think are basically real assholes. I suspect that if you are following all five of them, you are probably also an asshole, and I don’t want to hear from you. In this particular case I think it’d useful to have the filtering be fine-grained, as in, rather than just filtering everyone who followed one account, you’d filter them if they followed Account 1 AND Account 2 AND Account 3 (and so on). It would also be useful to be able to do this more than once, i.e., have more than one follower filter, because often it’s not just one group being annoying.
Noting a serious lack of geek-themed hardware, Dave Delisle came up with an idea for a tool set to tackle virtually any home-repair project in the Nine Realms, even the famed clogged drains of Jotunheim.
As you can see, the Thor Hammer Tool Kit looks like the fabled Mjolnir, until it’s opened to reveal a claw hammer, wrench, screwdriver, socket set and so on.
Click through to see an animated gif that makes it all clear.
And now that the release date for Rian Johnson’s ‘Star Wars: Episode VIII’ has officially moved from May 2017 to December 15, 2017, it looks like even the legendary Steven Spielberg is jumping out of the way in hopes of not getting steamrollered.
According to Variety, the iconic filmmaker’s latest film ‘Ready Player One’ will push back it’s release date to March 30, 2018. Originally slated for December 15, 2017, the movie based on Ernest Cline’s acclaimed nostalgia-filled sci-fi adventure has vacated that spot to give a galaxy far, far away some space. After all, they definitely don’t want to end up like Tina Fey and Amy Poehler’s ‘Sisters’, which went up against J.J. Abrams’ highly anticipated blockbuster during this past holiday season and didn’t stand a chance against the intergalactic juggernaut.
(6) A MUNDANE YEAR FOR GRAMMY. The 2016 Grammy Award winners didn’t have much of genre interest. I’m really going to have to stretch a point…
Best pop duo/group performance
“Uptown Funk”: Mark Ronson featuring Bruno Mars
Although the music video for the song wasn’t a Grammy nominee, it’s the main reason I’m reporting any of these awards, because fannish actor Ed Green appears in the background of it beginning at :25 — he’s on the left, speaking on the pay phone. (He also appears at right, below, in the title frame.)
Best Score Soundtrack For Visual Media
Birdman
Antonio Sanchez, composer
Then, Jimmy Carter won the Best Spoken Word Album category, where Janis Ian was also a nominee.
Lord Hall, the director-general of the BBC, will not replace Danny Cohen, the corporation’s recently departed director of television, and is instead moving ahead with radical plans to abolish the broadcaster’s radio and television divisions.
“’Doc Martin’ and ‘Doctor Who’ to be combined into new programme, ‘Doc Who’,” reports Andy Porter.
(10) LE GUIN. Ursula K. Le Guin continues answering people’s questions about writing in “Navigating the Ocean of Story (2)” at Book View Café.
Do you consider it a good idea to offer your work in progress to numerous and/or unselected critics? If so, how do you decide which criticisms are valid and useful?
To offer work for critique to an unselected group on the Net, people who remain strangers, is to extend trust to absolute strangers. Some of them will take advantage of the irresponsibility afforded by the medium.
Here’s my advice, for what it’s worth: Don’t do it unless you’ve considered the risks. Pay attention to any comment that really makes sense to you; value any intelligent praise you get. That’s about as far as trust can take you. Keep an eye out for know-it-alls who make like critics, spouting secondhand rules. And remember some may be there because they want to make soup out of your bones.
This is not the voice of experience. I never gave my work to strangers to criticize in first draft or at any stage. I never submitted a piece to an editor or agent until it was, to the best of my knowledge and ability, finished.
(11) TODAY IN HISTORY
February 16, 1923 – Archeologists opened the tomb of Tutankhamen in Egypt’s Valley of the Kings.
(12) TODAY’S BIRTHDAY GIRL
Born February 16, 1958 – Lisa Loring, the actress who played Wednesday Addams in the original Addams Family TV series.
(13) TODAY’S BIRTHDAY BOYS
Born February 16, 1926 – Rusty Hevelin
Born February 16, 1957 – LeVar Burton, Jr., who played ST:TNG’s Geordi LaForge.
Gannon [Raising Caine] and Schoen [Barsk] have shot up this list like rockets, going from nowhere in November to dominating by the end. Those 34 and 33 numbers are so impressive it’s hard to imagine them not getting Nebula nominations at this point. Overall, there were 728 total recommendations; that has to represent a substantial amount of the final Nebula nomination vote. Gannon and Schoen will raise some eyebrows if they get nominations; these SF books certainly got less press, acclaim, and online discussion than other SF books like Sevenves or Aurora. The Nebula is quirky like this, often favoring smaller authors over the big names. If they get nominated, I think the question is whether or not one of those books can win. Will Gannon follow the McDevitt route—get nominated enough and eventually you’ll win? Will Barsk grab a ton of new readers and take the Nebula? I think there’s a definite advantage to being fresh in your voters’ minds.
The Puppy-kickers are our ideological foes bent on replacing popular and well crafted sci fi tales with politically correct science-free and entertainment-free moping dreck that reads like something written by a highschool creative writing course dropout.
The Puppy-kickers have repeatedly and vehemently assured us assured us that soliciting votes from likeminded fans for stories you judge worthy was a “slate” and therefore was (for reasons not specified) totally and diabolically evil and wrong and bad, was not something insiders had been doing for decades, and was always totally inexcusable, except when they did it, and voted in a slate to grant ‘No Award’ to categories where they had lost their stranglehold over the nominations.
In that spirit, I hereby officially announce in my capacity as the Grand Inquisitor of the Evil Legion of Evil Authors, that the following list is the recommended reading list of our Darkest Lord only, and not a voting slate.
These are the recommendations of my editor, Theodore Beale, aka Vox Day, the most hated man in Science Fiction, but certainly the best editor I have had the pleasure to work with.
(16) MESSAGE FREE. Those who feel the yarn is the most important thing may find themselves voting for this —
Many of the shows you write about as Millennial programs are also shows with strong female leads and targeted at female consumers — Friday Night Lights would be a notable exception on your list. So, what happens to the gendering of fandom as we move towards Millennial fan culture?
Issues of gender permeate millennial culture, fan culture, and the relationship between the two. Masculinizing—or feminizing—fan culture has been one way industry interests tame fandom’s perceived unruliness. Seemingly masculine forms of fandom (and I would emphasize that these areas, like gender itself, are social constructs) have already been categorized as industrially legible and profit friendly. The fanboy stereotype has its share of taboo associations, going all the way back to the “Get a Life” bit on Saturday Night Livethat Textual Poachers opens with; but the fanboy position has since been spun into industry heralded narratives of superfans and fanboy auteurs (see Scott, Kohnen), with the lines toward brand support and profit already clearly delineated.
Obsession_inc (and many others citing her) have termed this divide “affirmational fandom,” versus “transformative fandom,” with the latter perceived as more the practice of female consumers who transform media texts into art and fiction, often in so doing significantly changing their meaning. In Millennial Fandom, I actually argue that transformational and affirmational fandom are more deeply intertwined than we might at first assume, but nevertheless, at a discursive level, the distinction helps us to see why and how transformative (perceived “feminine”) practices have been and continue to be treated as suspect, marked as taboo, and policed.
Then along came ToyFair 2016. Ahhhh, good old ToyFair. Hosted in New York City at the beginning of each year, the convention showcases the best of upcoming merchandise to look forward to. It’s also ALWAYS good for a spoiler or two. One of this year’s was a complete look at Jason Momoa’s costume in Batman v Superman, complete with colors. Behold!
The tattoos on Aquaman’s chest appear to continue onto his pants(?) which are a murky green. The better to blend into the ocean floor with. Of course, the camo look is marred by the bright gold knee-highs, but a king has to make concessions for style. I’m curious if Aquaman’s asymmetrical armor has a backstory is just there to look cool. Also, he is totally standing in rubble. Could it be that Wonder Woman isn’t the only superhero to show up at the end to clean up Batman and Superman’s mess?
Whether they’re in their Kirk and Spock guises, or just being themselves, it’s hard to prefer William Shatner to Leonard Nimoy. Nimoy just seems more comfortable and real of the two, whereas Shatner appears to be putting on airs. Over the years, William Shatner seems to have figured this out and embraced the fact that no one will ever totally take him seriously. All of this makes the publication of a memoir written by him about Leonard Nimoy both look like a cynical cash-grab and a disingenuous maneuver of faux-love.
But if you’re a Star Trek fan, or casually interested in Leonard Nimoy, Leonard: My Fifty-Year Friendship With a Remarkable Man reveals that not only is Shatner a good guy, but that Leonard Nimoy may not have been the cool one, and did in fact fight all sorts of demons both inside and out.
I know writers aren’t supposed to respond to reviews, but I’m not responding to this as a writer, I’m responding to it as a retired accountant.
I am the author in question. Your review doesn’t hurt anything except my overall average. You aren’t sticking it to the man. You aren’t harming the corporate fat cats. If you think the book sucks, give it one star. That’s awesome. That’s what the stars are for. But you don’t use one star to bitch about the price of eBooks. That just makes you look stupid. We shouldn’t still be having this conversation with anybody who isn’t a Bernie Sanders supporter.
Now, Accountant Hat on. This is pretty basic stuff. This is how basic costing works, not just for books, but quite literally everything. But today, we’ll talk about books, because your ridiculous review has pissed me off. I’m going to dumb this down and keep it simple as possible.
The rest is a long but lighthearted lesson about the business of producing books that makes cost accounting entertaining. (I know you think I’m being facetious, which is why I need to say, no, I really found it entertaining.)
(21) ANOTHER OPINION ABOUT THE KENYON SUIT. Amanda S. Green at Mad Genius Club begins her “And the World Keeps Turning” column: “I will give the same caveat here that Sarah gave in her post. I have not read the pleadings filed on Ms. Kenyon’s behalf. Nor have I read Ms. Clare’s books.”
On Friday of last week, the Guardian published an article that addresses, from Ms. Clare’s point of view. Two things stood out for me and, yes, I know I am paying attention to lawyer-speak but the attorney, John Cahill, does bring up some interesting questions. First, “the lawsuit failed to identify a single instance of actual copying or plagiarism by Cassie.” The second is that Ms. Clare has been writing these characters and series, iirc, for ten years. That’s a long time to wait before filing suit and part of me wonders if the fact Ms. Clare’s series is being made into a television series wasn’t the impetus for the suit.
To be fair, the suit does allege that Ms. Clare, in her series, does, “employ a line of warriors who protect the normal world from demons”, both cover how “a young person becomes part of the Dark-Hunters’ (or Shadowhunters’) world after being saved by a gorgeous blond Dark-Hunter (or Shadowhunter)”, and “both Dark-Hunters and Shadowhunters have enchanted swords that are divinely forged, imbued with otherworldly spirits, have unique names, and glow like heavenly fire”.
Now, I don’t know about you, but I can think of any number of books, short stories, TV shows and movies that could fall under that description. Those are, indeed, story elements, but does it rise to the level of plagiarism and copyright infringement?
Green steps into the judge’s shoes, for at least a few sentences, to voice skepticism about the plaintiff’s case. Not having read the complaint, Green missed the opportunity to see its list of the statutes the judge is asked to apply. With the help of Google she could have tested lawyer Cahill’s argument, as well as her own doubts that the infringement is actionable.
When American Airlines recently launched a 15-hour direct flight from Los Angeles to Sydney, Australia, it also debuted a new menu. Flight attendants offer first-class passengers complimentary glasses of 2010 Penfolds Grange Shiraz (normally $850 per bottle) and roasted sirloin steak with red wine sauce.
Travelers in the economy cabin are still only treated to peanuts (But hey, at least they now get complimentary spirits — quite the perk).
Foss has studied the history of airline food for over a decade, from the glory days in the ’70s when airlines served lobster to today’s inflight tuna sandwiches. Here’s a look at that history, and how airlines are trying to bring back the golden age of airline dining for high-paying passengers.
[Thanks to Will R., JJ, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Jonathan Edelstein.]
Texas A&M University is set to give “Game of Thrones” author George R.R. Martin the latest link in his maester’s chain this week, as the school offers up an honorary degree to the author.
Martin has a long history with A&M, which has been home to his writings since long before his books were picked up by HBO.
Martin, who calls himself a pack rat, regularly sends copies of just about everything he’s written, produced or been given, from games and calendars based on the series to replica swords and war hammers, to Texas A&M University’s Cushing Memorial Library and Archives. The library boasts a world-renowned sci-fi and fantasy collection and Martin’s works are its crown jewel.
Martin last year gave A&M a first-edition copy of “The Hobbit,” saying at the time that the Cushing library has one of the best science fiction and fantasy collections in the nation. The author acknowledged that A&M — “a place where people shout ‘yeehaw’ a lot, and of course lately (was) known for Johnny Football” — might seem like a strange place for such a collection.
(2) THE MEDIUM IS THE MIXED MESSAGE. Variety reports Hannibal creator Bryan Fuller has been named showrunner and co-creator of CBS’ new Star Trek series. Who suspected Hannibal would be the proving grounds for the next executive at the helm of the Trek franchise?
The new series is set to bow on CBS in January 2017, then move to CBS’ All Access digital subscription service. It will be the first original series to launch on a broadcast network but air primarily on an SVOD service.
“Bringing ‘Star Trek’ back to television means returning it to its roots, and for years those roots flourished under Bryan’s devoted care,” said Kurtzman. “His encyclopedic knowledge of ‘Trek’ canon is surpassed only by his love for Gene Roddenberry’s optimistic future, a vision that continues to guide us as we explore strange new worlds.”
The creative plan is for the series to introduce new characters and civilizations, existing outside of the mythology charted by previous series and the current movie franchises.
Speaking after receiving his OBE the other day, Steven Moffat confirmed that Doctor Who series 10 will have 13 episodes. And Sherlock series 4 will have three episodes.
(4) HMM. Anthony at the Castalia House Blog puts his finger on a problem with the Potterverse in “So You Made It Into Hufflepuff”.
Hufflepuff is noteworthy in the Harry Potter series for being supremely un-noteworthy (“A Very Potter Musical” famously lampshades this after the end of its opening number “Gotta Get Back to Hogwarts” with the immortal line “What the hell is a Hufflepuff?”). The Hufflepuff we know the best is Cedric Diggory. Diggory is a fine character, but he probably doesn’t even rank in the series’ top twenty most interesting. Even in “Goblet of Fire” we just don’t learn that much about him, except that he’s apparently an honorable man, a hard worker, and a capable wizard. Besides that – nothing.
I could never figure out what Hermione was doing in Gryffindor when she was an obvious Ravensclaw. I mean, being intelligent and studious to the point of being annoying about it was the primary aspect of her personality.
For now though, it seems that J.K. wants to take us back to basics. Over the weekend an official Sorting Hat quiz went live on Pottermore — and unlike the numerous ones you’ve probably taken over the years, this is the real deal because it was developed by the author herself.
The quiz determines whether you’re in Gryffindor, Slytherin, Hufflepuff, or Ravenclaw by asking you a series of personality questions and by placing you in a number of unique scenarios.
….Naturally, most Potter fans jumped at the chance to try out this new sorting utility — yet instead of uncontrollable excitement, many were overcome with a deep sense of despair. Indeed, when the quiz dropped, the Internet became awash with staunch criticism. Why? Well, because most people were mad they didn’t get into the house they felt they deserved to be in.
“There’s nothing hidden in your head the Sorting Hat can’t see, so try me on and I will tell you where you ought to be!”
I took it and was identified as a Gryffindor. See what a reliable quiz this is?
(7) GERSON OBIT. Scriptwriter Daniel Gerson died February 6, age 49, of brain cancer. Genre credits include Monsters, Inc.,Monsters University, and Big Hero 6.
(8) COOPER OBIT. Henry S.F. Cooper Jr., the author of eight books and a writer for The New Yorker, died January 31 at the age of 82.
Mr. Cooper celebrated scientific achievement, addressed scientific failure and demystified what was behind both.
Reviewing his book “Apollo on the Moon” in 1969 in The New York Times, Franklin A. Long, who was the vice president for research at Cornell University, said that Mr. Cooper’s description of an imminent mission to the moon was “remarkably evocative” and that a reader “gets the feel of what it is like to be a crew member in the lunar module.”
Mr. Cooper began his book “Thirteen: The Apollo Flight That Failed” this way: “At a little after 9 Central Standard Time on the night of Monday, April 13, 1970, there was, high in the western sky, a tiny flare of light that in some respects resembled a star exploding far away in our galaxy.”
The flare was caused by a cloud of frozen oxygen — a “tank failure,” as NASA engineers delicately described it — that would cripple the service module and jeopardize the crew’s return to Earth. The story was told in the 1995 film “Apollo 13,” starring Tom Hanks.
Brian Troutwine, in The Huffington Post, called Mr. Cooper’s book “one of the best technical explanations of a catastrophic failure and its resolution ever written.”
He was a descendant of famed author James Fenimore Cooper.
Each new poster mixes a bit of that reality with an optimistic take on what exploring our solar system might actually look like someday. The poster for Venus calls for visitors to come see the “Cloud 9 Observatory,” which isn’t far off from an idea that’s been thrown around at NASA. The poster for Europa advertises the ability to see underwater life — something that doesn’t feel so far-fetched considering the moon is home to a global subsurface ocean.
(11) RABID PUPPIES. Vox Day has advanced to Rabid Puppies 2016: Best Editor (short-form), and in this category has only one name for his slate, Jerry Pournelle, editor of There Will Be War, Vol. X.
(12) NUMEROUS SUGGESTIONS. George R.R. Martin gave his recommendations for Short Form in “A Rocket For The Editor, Part Two”. He covers quite a few names. Martin also emphasizes that he feels there is an equivalency between last year’s slate makers and advocates for No Award in the Best Editor (Short Form) category.
All that being said… the slates, by whatever means, did throw up some legitimate Hugo-worthy nominees in this category last year, though not as many as in Long Form. One of those stood well above the others, IMNSHO. The Hugo really should have gone to MIKE RESNICK. Resnick has a long and distinguished career as an anthologist, one stretching back decades, and while he has plenty of rockets on his mantle at home, and even more crashed upside down rockets on the shirts he wears at worldcon, he had never been recognized for his work as an editor before. In addition, Resnick had founded a new SF magazine, GALAXY’S EDGE; in an age when the older magazines are struggling just to keep going, starting up a new one is a bold act (maybe a little insane) that deserves applause. But even more than that, Resnick has been a mentor to generations of new young writers, featuring them in his anthologies and now his magazine, advising them, nurturing them, teaching them, even collaborating with them. His “writer babies,” I have heard them called. In a way, Resnick is a one-man Clarion. Finding and nurturing new talent is one of an editor’s most important tasks, and Resnick has been doing it, and doing it well, for decades.
He got my Hugo vote. He got a lot of other Hugo votes as well. But not enough to win. As with Long Form, this category went to No Award. The work that the Sad and Rabid Puppies began to wreck this Hugo category was completed by Steve Davidson of AMAZING, Deirdre Saoirse Moan, and the rest of the Nuclear Fans. Resnick was never part of the slates, fwiw. He took no part in the Puppy Wars on either side, preferring to stay above the fray. And he did deserve a Hugo. But guilt by association prevailed, and he was voted down with the rest. A real pity.
Now there are Nuclear Fans, to go along with the other names people get called? And, in the circumstances, a very unfortunate misspelling of Moen’s name?
A few years before Leonard Nimoy died last February at age 83, he stopped speaking to William Shatner, his close friend since their many “Star Trek” adventures. As he explains in “Leonard,” his new book about that relationship, Shatner still isn’t sure what caused Nimoy to freeze out his Starship Enterprise other half. “It remains a mystery to me, and it is heartbreaking, heartbreaking,” Shatner writes. “It is something I will wonder about, and regret, forever.”
That revelation, both personal and laden with questions, is very much in keeping with the overall tone of Shatner’s book. At times, the actor recounts his connection to Nimoy with great candor and reverence, particularly when he discusses how that bond solidified after the death of Shatner’s third wife, Nerine Kidd, who drowned in the couple’s pool in 1999. But readers may wish they got a little more fly-on-the-wall perspective on the lengthy friendship born in a place where few are: on the set of an iconic sci-fi TV series. As Shatner says at one point, “When I think about Leonard, my memories are emotional more than specific.” His memories often read that way, too.
Boldly Go! follows the intrepid crew of the Starship Enterprise, along with some new characters, on an exciting and hilarious adventure.
Assumptions will be confronted, paradigms challenged, alliances tested, and new contacts made – whether for good or ill as yet to be seen. And it’s all set to a side-splitting tour de force of musical mayhem!
While having fun with the sometimes farcical aspects of science fiction and parodying Star Trek, this new show also satirizes the musical theater genre. Boldly Go! is written by brothers Cole Remmen (University of Minnesota Theatre Arts Senior) and Grant Remmen (Caltech theoretical physics graduate student). The Caltech world premiere, featuring a talented cast from the Caltech and Jet Propulsion Lab communities, is being directed by Theater Arts Caltech director Brian Brophy (Star Trek TNG; Shawshank Redemption; PhD Comics 2).
A series of short videos about the production can be viewed at the site.
(15) HARRYHAUSEN CAMEO. John King Tarpinian enthused about Burke & Hare —
Watched this Simon Pegg movie yesterday. Even in period costume most of the actors were recognizable…except one who looked very familiar but I could not put my finger on who he was. The ending credits identified him as Ray Harryhausen…a pleasant surprise.
Harryhausen can be seen in the closing credits at 1:03.
[Thanks to Brian Z., John King Tarpinian, Chip Hitchcock, Michael J. Walsh and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Steve Wright.]
(1) SAFETY LAST. I didn’t know it was this dangerous to work for J.J. Abrams. Or to be J.J. Abrams.
In his interview on the Howard Stern show, Abrams tells stories about (1) how a hydraulic door on the “Force Awakens” set slammed down on Harrison Ford’s ankle, (2) how Abrams broke his back trying to lift the door, and on an earlier occasion, (3) Leonard Nimoy broke his nose while working on the Star Trek reboot.
“He fell, he hit his nose… he had a gash on his nose,” J.J. revealed. “I thought, ‘holy crap, this is a disaster.’ I felt horrible. I wanted to kill myself at this point.
The most intense and thrilling part of this universe is the real-life Carrie Fisher, whose self-possessed wooziness makes her one of pop culture’s most sublime entities. She was just on “Good Morning America” chatting about losing weight to play the part of General Leia. She brought her dog. She was electric. She was rad, weird as hell, and right. She awakened America.
I love everything about this interview, namely Carrie’s one-liner about resuming her role in the “Star Wars” universe. “I got in character and I’ve never gotten out again – and really, I’ve tried everything.”
…Star Wars, like pretty much every space drama of the past 40 years, is more in the realm of fantasy than science-fiction. Though our understanding of arriving and surviving outside the atmosphere has grown tremendously, our representations of such acts in film and literature remains steadfastly in the realm of fiction. In my series The Gray Wars Saga, I am equally guilty of playing space battles more for the drama than the science. Why is it that every auteur from Heinlein to Abrams showcases a false image of the dark void above? Let’s take a look at the realities of space combat and see if we can find out.
1) Explosions are Pretty, Space-splosions are not.
In any space opera worth its salt, a massive ship is bound to explode. As an audience, we anticipate it the same way we expect anyone in a dark hat to be a bad guy. To paraphrase Anton Chekhov, if you show a spaceship in Act 1, you’d better be blowing it up by Act 3. But explosions, and fire in general require three elements to exist: Heat, Fuel, and Oxygen. You’ll notice I bolded the last word, as it is fairly important. Space is famously lacking in O2—to the point where people think you explode if you’re ever exposed to the vacuum (also not true, but Cracked already covered that, so let’s move on). Space explosions look more like the time you dropped your LEGOs on the kitchen floor than when you dumped a pack of Mentos into a 3 liter of Diet Coke. The rapid expansion of heat (literally the definition of an explosion) will rend your big ol’ ship into pieces, and those shards will head in every direction until acted upon by another force (thanks, Newton). No fireball, no awesome ring-shaped shockwave. Just scrap….
Real space may not be able to carry sound (no oxygen, so nothing to carry the vibrations) but a movie theater with a THX monster system can. If we’re going to allow musical cues in our cinematic experiences to pull our emotional strings, we can surely forgive a few foley artists getting creative with the sound design. It allows the truth of the drama to reach the audience on more levels. And if playing to one of our senses for the sake of drama makes the cut, then allow us science-fiction writers the joy of delivering fiery ends to our marvelous creations.
How would you describe your work to people who might be unfamiliar with you? [Robert J Sawyer:] I’m a hard-SF writer, heavily influenced by the best of Frederik Pohl (I consider his Gateway to be the finest novel our field has ever produced). I’m also liberal, even by Canadian standards, and a rationalist, a secularist, and a humanist (Humanism Canada gave me their first ever “Humanism in the Arts” award) — and my work embraces all those things. I mostly do near-future or present day stories, usually set on Earth, with a strong philosophical bent. My prose is pellucid (much more Arthur C. Clarke than Gene Wolfe) and my tone usually upbeat….
What is your favorite Star Wars memory, scene, or line? What is it that that memory, scene or line that continues to stick with you today? [Cerece Rennie Murphy:] (It could be a moment from within any of the films, a moment associated with the films, or something inspired by the films. – My favorite scenes from Star Wars are all the scenes between Luke Skywalker and Yoda from Empire Strikes Back. I remember watching theses scenes in the theatre when I was 7 years old. They literally changed my perception of God, my place in the world and my potential. I realized then, as I still believe now, that we’re all Jedi, we just don’t know it. Watching Luke’s fear and doubt keep him from fully accessing his own potential was powerful for me, even then. I don’t think you can sum up the human condition any better than that. “Luminous beings are we….not this crude matter,” I really believe that the healing of our entire world could begin with this statement.
(5) HELP ANN TOTUSEK. “I’ve started a GoFundMe to help with my family’s housing situation,” Ann Totusek told me. Her complete narrative about her situation is here.
Through a change in circumstances, Minneapolis fan Ann Totusek has found herself in a situation where she either needs to buy her house or find herself homeless. Ann is currently the caregiver for her mother, suffering dementia, and her teenage son, who suffers SPD. Ann, who helps run conventions throughout the upper Midwest in Iowa, Minneapolis, and Chicago, is running a GoFundMe to raise money for the down payment on their home.
Ann has run Green Room and Program Ops for me at several Windycons as well as the hospitality suite at the Nebula Award Weekend in Chicago in 2015 (and plans to again in 2016). Her hospitality has always been wonderful and now we have the opportunity to repay some of that hospitality by ensuring that Ann and her family can live and thrive.
In the first 11 hours, the appeal brought in $8,463 of its $150,000 goal, including a $2,000 boost from Ctein and another $5,000 anonymous donation.
(6) MARKETING TIP. Fynbospress makes a compelling argument for placing more of the “front matter” in the back of your self-published ebook, in “What’s the matter with front matter?” at Mad Genius Club.
Why? Well, a sample is 10% of your entire file, not 10 percent of your story. When you get a reader interested enough that they downloaded a sample, or are clicking “look inside” on a web page, you really don’t want them to scroll past all of that stuff only to find three paragraphs of story! You want a couple pages to hook them in, draw them deep, and make them immediately click “buy the book” so they can keep reading.
Some very savvy authors actually set up the amount of front matter and their story so the 10% cutoff falls directly after a cliffhanger. This is sneaky and wonderful, because you can immediately deliver the payoff with the rest of the book.
(7) Today In History
December 4, 1985:Barry Levinson’s Young Sherlock Holmes makes its theatrical debut.
December 4, 2008: Forrest J Ackerman passes away.
(8) DOES SIZE MATTER?
Two Jet Propulsion Laboratory engineers stand with three vehicles, providing a size comparison of three generations of Mars rovers. Front and center is the flight spare for the first Mars rover, Sojourner, which landed on Mars in 1997 as part of the Mars Pathfinder Project. On the left is a Mars Exploration Rover test vehicle, a working sibling to Spirit and Opportunity, which landed on Mars in 2004. On the right is a test rover for the Mars Science Laboratory, which landed Curiosity on Mars in 2012.
(9) THEATER HISTORY. Alex Ross’ profile “The Magnificent Memory of Norman Lloyd” at The New Yorker shows the 101-year-old actor still has the power to bring history to life.
Through the Group Theatre, Lloyd came in contact with the Stanislavsky method, and he applied it to his character in “Caesar.” In Act III of Shakespeare’s play, Cinna the Poet ventures out to attend Caesar’s funeral; a mob mistakes him for another Cinna, a member of the conspiracy, and drags him off. Welles had realized that the scene could stand in for contemporary Germany, where even non-Jews were persecuted for having Jewish-sounding names. Initially, Welles thought of the character as a Byronic figure, wearing a beret. But Lloyd wanted to pattern Cinna on someone he knew: the Greenwich Village poet Maxwell Bodenheim, who used to sit on the stoops around Washington Square, offering to write poems for twenty-five cents. Lloyd pictured Cinna as a bum in a suit, foolscap spilling out of his pockets. Welles said, “O.K., do it your way.”
(10) LOGGIA OBIT. The actor who played the President’s military advisor in Independence Day, and the toy company mogul who danced on the piano with Tom Hanks in Big, Robert Loggia, died December 4at the age of 85. He had been battling Alzheimer’s Disease for the past five years.
He was best known for his roles in the movie Scarface and in the TV series Mancuso FBI
During a long career he worked a lot, in the beginning often playing ethnic characters, usually Hispanic or Middle Eastern, and at the end frequently cast as a mobster.
His genre appearances in television included episodes of One Step Beyond (“The Hand,” 1959), Voyage to the Bottom of the Sea (“Graveyard of Fear,” 1966), The Wild Wild West (“Suspicion,” 1967), Wonder Woman (“Wonder Woman vs Gargantua,” 1976), The Bionic Woman (“Jaime and the King,” 1977), The Six Million Dollar Man (1976), Tales of the Unexpected (1984), and The Outer Limits (2000).
(10) REDISCOVERED TALKIE. High Treason (1929), not only one of the earliest sound movies but an sf movie to boot, will be shown December 6 at the Anchorage International Film Festival. The sound version of the film was long thought lost until it was rediscovered in 2005 in a group of old films in Washington State. Kevin Tripp, a moving image archivist in Alaska, arranged transfer of the nitrate films to Library of Congress for salvage – having first completed a hazardous materials training program.
The film was taken from a play by Noel Pemberton-Billing. He was an aviator, politician and inventor who founded the Supermarine aviation company, which would produce the Spitfire fighter plane in World War II.A declared pacifist, the playwright nonetheless advocated aerial bombing of civilian targets in wartime, two topics that weight heavily in the script.
File 770 reader Steve Johnson says, “I will be in the Bear Tooth Theatre for the show on Sunday–my wife snapped up two reserved seats.”
(11) DESTROYED AGAIN. Funded as a stretch goal of Lightspeed’s “Queers Destroy Science Fiction!” Kickstarter campaign, a companion publication “Queers Destroy Fantasy!” is now available from Amazon.
…This month we’re presenting a special one-off issue of our otherwise discontinued sister-magazine, FANTASY, called Queers Destroy Fantasy!: an all-fantasy extravaganza entirely written—and edited!—by queer creators. Here’s what we’ve got lined up for you in this special issue: Original fantasy—edited by Christopher Barzak—by Catherynne M. Valente, Kai Ashante Wilson, Carlea Holl-Jensen, and Richard Bowes. Reprints—selected by Liz Gorinsky—by Caitlin R. Kiernan, Austin Bunn, Shweta Narayan, and Nicola Griffith. Nonfiction articles—edited by Matthew Cheney—by merritt kopas, Matthew Cheney, Keguro Macharia, Ekaterina Sedia, Mary Anne Mohanraj, and Ellen Kushner. Plus an original cover illustration by Priscilla Kim and original interior illustrations by Goñi Montes, Odera Igbokwe, Sam Schechter, Elizabeth Leggett, and Vlada Monakhova.
(12) LOAFING AROUND. Will R. sent along the link to “Make This Awesome Dune-Inspired Sandworm Bread” with a skeptical comment: “I have to agree with the person I saw this via, who said ‘delicious-looking is not the description I would have used.’” Will had a valid point, and that is why I didn’t gank the picture to go with the excerpt.
Fans of the novel and movie Dune will appreciate this spice-filled sandworm bread recipe from geek baker extraordinaire Chris-Rachael Oseland….
The sandworm bread consists of a basic sweet bread with a spice filling and a sugar glaze. Yum. Blanched almonds are added to create the sandworm’s intimidating, toothsome maw. I can smell its melange breath from here!
(13) S.H.I.E.L.D. S.P.O.I.L.E.D. Those who know say that spoilers abound in this trailer for Marvel’s Agents of SHIELD 3×10 “Maveth” (Winter Finale).
S.H.I.E.L.D. and Hydra go head-to-head in a battle that will change Coulson’s world forever.
[Thanks to Steve Johnson, John King Tarpinian, and Will R. for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
I have been the Museum’s acquisition archivist for almost 26 years, and during that time over 3,200 archival collections have been entrusted to us. Most of these materials have been personally delivered or shipped, but it has sometimes been necessary for me to travel to obtain a collection, whether to California, New York, or South Dakota. Sri Lanka has certainly been the furthest I’ve travelled for a collection.
What emerges from a first review of his papers is a deeply thoughtful man shaped by and creatively responding to his time—with World War II and the first decades of the Cold War as critically formative. From his early 20s through the rest of life he possessed a remarkably consistent vision and purpose of what was important to him: to make sense of a world experiencing tremendous advances in science and technology, the result of which, in his view, augured potentially radical changes in the fabric of social and cultural life. In the years after the war, this dynamic seemed especially insistent, making the idea and reality of the “future” a critical problem in need of understanding. Through his career, this challenge led Clarke to advance his three laws of prediction (easily found via an internet search), an attempt to make serious the future as a shared, collective human concern but do so with a light touch.
From this vantage, Clarke’s interest in science fiction, as is evident throughout his papers, was not merely incidental but central: It was his essential tool, perhaps the best one, for sorting through and understanding this condition and educating readers about the time in which they were living.
(2) In a podcast for Creature Features, Walter Murch, writer and director of Return to Oz, “discusses the long genesis of the 1985 fantasy film, how personal a project it was for him, how tumultuous it became at times, and how happy he is with it after 30 years.”
I also ran off the program — about 250 copies of a single page, as I recall — for Dave Kaler’s NY Comic Convention, held in 1965 at the Hotel Broadway Central (an impressive pile in Theodore Dreiser’s “Sister Carrie”) on my Ditto machine.
(5) The University of Oregon Libraries will celebrate the acquisition of the James Tiptree, Jr. (Alice B. Sheldon) literary papers with a two-day symposium at the Eugene, Oregon campus on December 4-5, 2015.
The acquisition of the Tiptree Papers enriches Special Collections and University Archives’ growing collection of feminist science fiction manuscript collections, which include the Ursula K. Le Guin Papers, the Joanna Russ Papers, the Sally Miller Gearhart Papers, and the Suzette Haden Elgin Papers.
The symposium will kick off with a keynote talk by Julie Phillips, author of the biography: James Tiptree, Jr.: The Double Life of Alice Sheldon (St. Martins, 2006), and will also feature a panel discussion with other writers who carried on lively and engaging correspondence with Tiptree, including Ursula K. Le Guin, Suzy McKee Charnas and David Gerrold.
SUVUDU: Updraft has some of the most original worldbuilding I’ve ever come across – could you tell us a little bit about your process for creating the details of this city built out of bone towers and its residents?
FRAN WILDE: That’s wonderful to hear! The city of bone towers was born late one night at a writing workshop following many cups of coffee. I realized that I wanted to write a story set in a living city with a focus on engineering and flight. (I wasn’t drinking Red Bull, I swear.)
What emerged from that writing session was a short story that had elements of Milton’s Paradise Lost, The Codex Seraphinianus, China Mieville’s short stories about living cities in Looking for Jake, and Italo Calvino’s Invisible Cities as ancestors. The story contained the man-made wings, bridges, and bone towers that exist today, but the characters and conflict were different. After reading it, Gordon Van Gelder of Fantasy & Science Fiction Magazine wrote me to suggest I look at other high-altitude megastructure stories like Steven Gould’s “Peaches for Mad Molly” and K.W. Jeter’s Farewell Horizontal as well.
So my process from the first draft involved a lot of reading. In the end, when the short story had grown into a novel, and the very spare sketch of bone towers and wings had grown into a world, the process also involved getting into a wind tunnel to go indoor skydiving, and talking to cloud and weather experts about wind shear near steep, high-altitude objects, and to biologists about bone growth. I also researched scarcity societies, high-altitude food production, and cephalopods, among other things.
Le Guin’s peculiar gift, though, is to make the ordinary feel as important as the epic: mundane questions about who’s cutting firewood or doing the dishes share space with rune books and miscast spells. Her Earthsea has less in common with Narnia, Hogwarts, and Percy Jackson’s Camp Half-Blood than it does with medieval romances and Icelandic sagas, where dragons and death keep company with fishing yarns, goat-herding woes, and village quarrels.
JP: And has it always been clear to you which category your books fall into?
UL: Oh no. When I started it was all mushed up together! My first three novels are kind of science fantasy. Rocannon’s World (1966) is full of Norse myth barely disguised. But I began to realize there was a real difference between these two ways of using the imagination. So I wrote Earthsea and Left Hand of Darkness. From then on I was following two paths.
In Left Hand of Darkness I was using science fiction to come at a problem that I realized was very deep in me and everybody else: what is gender? What gender am I? A question we just hadn’t been asking. Look at all the answers that are coming out now. We have really deconstructed it. We really didn’t even have the word “gender” back then. Just, “What sex are you?” So in some respects we really have come a long way, and in a good direction, I think.
(8) Gregory N. Hullender says, “No one seems to have commented on it yet, but I think the December 2015 Analog is unusually strong. After a really weak year, maybe they’re getting their act together.” He has more to say on Reddit.
They decided to collaborate on ‘Imaginary Fred’ due to a chance meeting in New Zealand.
“We were there for the Auckland book festival and we met up at a story slam competition,” Mr Colfer said.
“We were giggling like schoolboys at each other’s stories, and at the end of the night we said let’s do something together.”
‘Imaginary Fred’ tells the story of Fred, who becomes the imaginary friend of Sam, a boy in need of company.
The two embark on a series of adventures together, but when Sam meets Sammi, a girl with an imaginary friend of her own, Fred has to move on from Sam.
The story, unusually, is told from Imaginary Fred’s point of view.
“I like to do that with my books,” said Mr Colfer.
“To take what is often a secondary character and make them the main character because they’re a lot more interesting to me.”
(10) An event celebrating the 50th Anniversary of the Marion E. Wade Center on October 29 at 7 pm Central time will be livestreamed. The Wade is a focal point of Inklings scholarship. Featured speakers will include the Wade’s former director, Dr. Lyle W. Dorsett, poet Luci Shaw, and Dr. Leland Ryken, who is currently at work on a book length history of the Wade Center. The dedication of the new Bakke Auditorium will be part of this special evening. Watch the proceedings online via WETN.
Join us as we celebrate our newest Artist on the Stairwell! Illustrator George Cwirko-Godycki presents a limited edition poster show inspired by the works of Ray Bradbury. The show is the first in Vroman’s Artists on Authors series in the stairwell where visionary artists interpret the works of renowned authors. The first 25 attendees will receive a signed catalog of the exhibition that details the process of creating this unique show from start to finish. George is based in San Francisco where he provides concept illustration for the entertainment industry and teaches figure drawing at the Academy of Art University.
Ultimately, the neatest feature at Pathmark for a youngster may have been a huge paperback section featuring an amazing array of bestsellers and non-fiction books. Pathmark was where I bought some of my very first books on the history of movies, including, in my monster-loving youth, a biography of Boris Karloff!
From its inception in Franklin Square, Pathmark had tried to be unique. At the back of the store was a section invoking the classic Horn and Hardart cafeterias in Manhattan, famous for all the food, sandwiches and cakes and the like, being offered through slots in the wall protected by a glass cover. If you put coins in the apparatus, you could lift the cover and take your treat. Horn and Hardart was famous for the quality of its offerings, and for being a very affordable place for any New Yorker to put together a decent meal. More than one location also became known as a writers’ hangout, with some of the best-known reporters and talent of the era sitting for a long while, sipping their coffee, and enjoying the conversation.
Beginning in the 1970s, Pathmark also had a long running series of television commercials, starring James Karen. Most of us probably presumed he was a Pathmark executive, until he also began popping up as an actor in horror movies like “Poltergeist” and “The Return of the Living Dead.”
They say a picture’s worth a thousand words, but, when it comes to the best old-time radio horror, each word is worth a thousand pictures.
By using voices, sound effects, and snippets of music, masters of radio terror turned what could’ve been a disadvantage of the medium—we can’t see what’s happening—into their greatest asset.
Radio writers and actors spawned monsters that the technology of the time couldn’t have realistically portrayed on film. They suggested depravity and gore that screen censorship would’ve banned. And they could manipulate the imagination so that listeners themselves collaborated in the summoning of their worst fears.
In case you can’t tell, I adore old-time ratio (OTR) horror. After countless hours poring over archives of old shows, I’ve selected 31 bloodcurdling episodes, from 1934 all the way up to 1979, for your pleasure.
Millions of Star Wars fans may have eagerly devoured the trailer for Star Wars: The Force Awakens, due out on December 18, but William Shatner—captain of the starship Enterprise and star of the original Star Trek series—wasn’t among them. “To me there isn’t a controversy,” the actor tells Newsweek. “Star Trek is far superior to Star Wars.”
Fans of The Big BangTheory and Star Trek can rejoice because an upcoming episode the geektastic TV sitcom will feature a guest appearance from the son of Mr. Spock himself, Adam Nimoy! Plus, we have an exclusive first look at the episode, which airs on Thurs., Nov. 5 at 8/7! In “The Spock Resonance,” recurring guest star Wil Wheaton will appear alongside Adam, an accomplished writer and director in real life, who asks Sheldon Cooper to be in a documentary about his beloved father, Leonard.
The final progress report from World Fantasy was emailed to members this evening. It included the harassment policy, which is legalistic and is essentially useless. For posterity, here it is…
[Thanks to Bill Menker, Michael J. Walsh, Andrew Porter, Bill Burns, James H. Burns, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]
A vast number of iconic movie props, costumes and photos — many of genre interest — will be auctioned by Profiles in History September 29-October 1. The catalog is online.
Items range from the small – Captain America’s dogtags (page 604) – to the large, the Green Hornet’s Black Beauty automobile (page 609). You can buy the model Rodger Young used in Starship Troopers (page 574). There are Watchmen costumes, and from Lord of the Rings, plenty of prop swords and an endless supply of prosthetic hobbit feet and ears.
The dedicated Ray Bradbury fans among us will want to know that an autographed first edition of The Martian Chronicles, and a signed The Martian Chronicles preproduction shooting script, will be going on the block. See photo below.
Trek fans are expected to pay $6,000-$8,000 for Jonathan Frakes’ collection of 250+ ST:TNG scripts.
And a Leonard Nimoy-worn Star Trek tunic in Science Officer blue is on offer, valued between $70,000-$90,000.
