Pixel Scroll 1/7/23 Farmers Market In The Sky

(1) IT WASN’T THE HOBBIT. What turned Stephen Colbert into a voracious reader? Science fiction. Specifically, Niven, Asimov, Heinlein, Pohl and more. See “Team Hobbit or Lord of the Rings?” on TikTok.

(2) SETTING THE RECORD STRAIGHT. Concerning a Slate critic’s claim about Tolkien’s elves, here’s Kalimac’s response from “Ross Douthat writes a fantasy novel”.

…Tolkien’s elves…. only … “essentially good” in the … sense in which they’re broadly good, they’re more good than bad, they aspire to goodness. Read the Silmarillion and you’ll find plenty of elves behaving extremely badly, and a few who are evil the way that Saruman in Lord of the Rings is evil. The reason you don’t find elves like that in Lord of the Rings is that the elves are chastened by their earlier experiences, the ones recounted in the Silmarillion, and aren’t going to make the same mistake again….

(3) SPECULATIVE POETS AT COLLAGE. [Item by Denise Dumars.] Science Fiction and Fantasy fan? Poetry fan? Why not try both together? You will get to do so when members of the Science Fiction and Fantasy Poetry Association  (SFPA) read their work and discuss the topic at Collage: a place for Art and Culture. You’ll also learn how to join the SFPA and how to find markets for your own poetry in the genres by writers who have published in numerous journals both print and online. Come join us on Sunday, January 15, at 2:00 p.m.. Collage is located at the south end of the Harbor Freeway, at 731 S. Pacific Ave., San Pedro, CA, 90731.   

Speakers:  

  • Wendy Van Camp: Poet Laureate of Anaheim, CA, and Convention Coordinator for the SFPA, Wendy is an award-winning writer who has edited Eye to the Telescope, the online journal of the SFPA, and is currenly nominated for a Pushcart Prize. She edits the Eccentric Orbits series of SF/F poetry anthlogies, and the current issue is nominated for Best Anthology Award. Find her at https://wendyvancamp.com/.  
  • Ashley Dioses: Award winning dark fantasy poet and fiction writer, with books of poetry published by Jackanapes Press and Hippocampus Press, Ashley has been nominated for the Rhysling and Elgin awards for SF/F poetry as well as appearing in such well-known journals as Cemetery Dance and Weirdbook. She blogs at fiendlover.blogspot.com.  
  • Denise Dumars: Columnist for Star* Line, the Journal of the SFPA, and widely published and award-winning poet and short fiction writer, Denise has been a college English instructor and a literary agent. Author of several poetry books and chapbooks, she has been nominated multiple times for the Rhysling, Elgin, and Dwarf Stars awards and is a current nominee for the Pushcart Prize. Find her at www.DeniseDDumars.com.  
  • Jean-Paul L. Garnier: Editor of Star*Line, the Journal of the SFPA, he is the owner of Space Cowboy bookstore, winner of the Critters Best Bookstore award for 2021. His podcast is Simultaneous Times, and he is an independent publisher of SF poetry and fiction. He is a five-time nominee for the Elgin award with several books in print. He contributes to dreamfoundry.org. Find him at https://spacecowboybooks.com/.

(4) PIEZOELECTRIC BOOGALOO. A New York Times writer says, “‘M3GAN’ Makes Us Ask (Again): Who’s Afraid of Dancing Robots?”

…“When you see the Boston Dynamics robots dancing in perfect unison,” Johnstone said, “it’s almost like them looking at us and saying, ‘We can do what you do, and we can do it better,’ in the most obnoxious way.” He chuckled. “Like they’re going to sashay their way toward the extermination of all humanity.”

M3GAN’s ice-cold, ruthlessly calculated “performance” stands in contrast to the human dancing in some recent horror films, where flesh-and-bone bodies reach states of overheated delirium. The choreographer, director and writer Jack Ferver, who worked on the coming horror movie “The Parenting,” said dance horror is effective when the person dancing “transcends their personhood.”

But what does that mean for a nonperson? Robots aren’t dead behind the eyes because they’re in some kind of ecstatic trance; they’re dead behind the eyes because they’re not alive….

(5) MEMORY LANE.

1964 [Compiled by Cat Eldridge.] Roald Dahl’s Charlie and the Chocolate Factory

No. We are not here to talk about the stellar Willy Wonka and the Chocolate Factory film but rather about the source material that inspired it, Roald Dahl’s Charlie and the Chocolate Factory novel. It was first published in the U.K. by George Allen & Unwin in 1964 with this edition illustrated by Faith Jaques. (Yes, the US edition was first but we think this one should be considered the true first for reasons below.) 

She was renowned for her work as a children’s book author, illustrator, artist, stamp designer and a very fierce advocate of artists’ rights for control of their work. She was chosen to do the British edition following the controversy over the depiction of the Oompa-Loompas in the US edition of the book where they were African pygmies. Racism at its very worst.

In this edition, as well as the subsequent sequel, Charlie and the Great Glass Elevator, was written by Dahl in 1971, the Oompa-Loompas were drawn as being white and appearing similar to hippies and the references to Africa were deleted. All other editions followed this convention.

The story was said to based on Dahl’s experience of chocolate companies including Cadbury during his schooldays sending packages to the schoolchildren in exchange for their opinions on the new products. Popular belief was that the companies sent spies into each other’s factories to scope out new chocolates. 

Because of these practices, companies became highly protective of their chocolate making. It was a combination of this secrecy and the elaborate, often gigantic, machines that looked fantastical to a child that inspired him to write this novel.

There are several editions, each with a different illustrator — Joseph Schindelman (first and revised US editions); Faith Jaques (first UK edition); Michael Foreman (1985 US edition); and Quentin Blake (1995 edition). 

The book as you know as been adapted into two major motion pictures: Willy Wonka & the Chocolate Factory just several years after it was published, and Charlie and the Chocolate Factory that came out about twenty years ago. A prequel film, Wonka, a musical fantasy film, exploring Willy Wonka’s origins will be released in 2023. Timothée Chalamet is Willy Wonka. Really, he is.

Eric Idle narrated the audiobook version of the American Edition of Charlie and the Chocolate Factory.

(6) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 7, 1899 F. Orlin Tremaine. He was the Editor of Astounding from 1933 to 1937. It’s said that he bought Lovecraft’s At the Mountains of Madness without actually reading it. Later as Editor at Bartholomew House, he brought out the first paperback editions of Lovecraft’s The Weird Shadow Over Innsmouth and The Dunwich Horror. He wrote a dozen or so short stories that were published in the pulps between 1926 and 1949. (Died 1956.)
  • Born January 7, 1912 Charles Addams. Illustrator best known for the Addams Family which he first drew in 1932 and kept drawing until his death. Needless to say there have been a number of films and series using these characters of which The Addams Family is my favorite. Linda H. Davis’ Charles Addams: A Cartoonist’s Life is well worth seeking out and reading. (Died 1988.)
  • Born January 7, 1913 Julian S. Krupa. Pulp cover and interior illustrator from 1939 to 1971 who graced Amazing Stories and Fantastic. In the Thirties, he also contributed art to fanzines, including Ad Astra. His grandson said that “his Grandfather did all the illustrations for the training films for the first Nuclear Submarines and was a friend to Admiral Rickover. And then continued to do early training films for NASA.” (Died 1989.)
  • Born January 7, 1928 William Peter Blatty. Novelist and screenwriter best known for The Exorcist though he was also the same for Exorcist III. The former is by no means the only genre work that he would write as his literary career would go on for forty years after this novel and would include Demons Five, Exorcists Nothing: A Fable which he renamed Demons Five, Exorcists Nothing: A Hollywood Christmas Carol and The Exorcist for the 21st Century, his final work. (Died 2017.)
  • Born January 7, 1955 Karen Haber, 68. Wife of Robert Silverberg. Author Of the Fire In Winter series (first co-written with Robert) and the War Minstrels series as well. With Robert, she edited three of the exemplary Universe anthologies that Terry Carr had created. Her Meditations on Middle Earth, her essay collection on J.R.R. Tolkien is quite superb. And of course her prequel Thieves’ Carnival to Leigh Brackett’s The Jewel of Bas is stunning.
  • Born January 7, 1962 Mark Allen Shepherd, 61. Morn, the bar patron on Deep Space Nine. Amazingly he was in Quark’s bar a total of ninety-three episodes plus one episode each on Next Gen and Voyager. Technically he’s uncredited in almost all of those appearances. That’s pretty much his entire acting career. I’m trying to remember if he has any lines. He’s also an abstract painter whose work was used frequently on DS9 sets. For all practical purposes, this was his acting career. Do note that we saw more Lurians on Discovery showing that the species is still around even in the 32nd century. 
  • Born January 7, 1971 Jeremy Renner, 52. You know him as Hawkeye in those MCU films but he’s also in a number of other SFF film including Hansel and Gretel: Witch HuntersMission: Impossible – Ghost ProtocolMission: Impossible – Rogue Nation and Arrival.

(7) COMICS SECTION.

  • Catching up with Tom Gauld –

(8) THEY MADE MARVEL. CBR.com contends these are “The 10 Most Important Comics In Marvel History”. For example —

8/10 Fantastic Four #1 Brought The Heroes Back

As the superhero boom died out in the late 1940s, Timely switched to other genres, including romance, teen books, and comedy titles. In 1951, a year after Captain America was canceled, Timely became Atlas News Company and it seemed like the heroes would be gone for good.

But according to legend, a decade later Martin Goodman was playing golf with Jack Liebowitz, the then head of DC Comics when Liebowitz bragged about the company’s success with their new superhero titles, most notably the Justice League of America. Goodman turned to Stan Lee and Jack Kirby to give Atlas their own superhero team, and from that discussion, the Fantastic Four, and “The Marvel Age of Comics,” were born.

(9) HE’S A POE MAN FROM A POE FAMILY. “Dudley did right: Harry Melling on his evolution from Harry Potter to Edgar Allan Poe” is explained by in a Yahoo! profile.

…He first appeared at 10 years old in Sorcerer’s Stone as the hero’s tortuous, spoiled cousin, Dudley Dursley, and would maintain the part into his 20s.

Unlike his contemporaries, he found life on set to be quite isolating at times. “My experience was unique in terms of I wasn’t in it throughout the entire shoot,” the actor, 33, tells EW over Zoom from Los Angeles — now much taller and leaner compared to the plump, rosy-cheeked child with a haughty smirk movie-goers have been used to. “The earthly sequences would very much be an isolated filming block. So, I dipped in, and then I went back to school and normal life.”

Melling never felt as if people would recognize him on the streets of London. “Which I kind of loved,” he quickly adds. To him, fame feels like noise. He counts himself lucky that he hasn’t become traditionally “famous.” “Sometimes it’s nice to just concentrate on the work and what excites you,” he says.

Melling has been able to do just that with his life post-Potter, from his early run in theater to playing chess champ Harry Beltik in the Netflix hit The Queen’s Gambit. However, one role would create a different kind of noise, the kind that would get his industry peers to notice him, if not the public. Seeing Melling as the limbless artist in 2018’s The Ballad of Buster Scruggs would inspire director Scott Cooper (Out of the FurnaceAntlers) to cast the Englishman as a young Edgar Allan Poe in The Pale Blue Eye, Melling’s most impressive on-screen role to date.

“I was struck by that performance,” Cooper tells EW of Melling’s work in Buster Scruggs. “I felt, ‘My God! He would be a really terrific Edgar Allan Poe.’ And as we say in Virginia, he kind of favors Poe. He looks like him.”….

Melling also was interviewed by NPR: “Harry Melling on playing Edgar Allan Poe in the new movie ‘The Pale Blue Eye’”.

…SIMON: The film is set in 1830. But I got to begin by asking, what’s Edgar Allan Poe doing at West Point?

MELLING: I know. That’s what I thought, right? He was there in real life, which is extraordinary….

(10) DOOR HANGER. Found hanging on the internet…

(11) BE FREE. JUNG_E debuts on Netflix on January 20.

Humanity’s hope and ultimate weapon A.I. combat warrior JUNG_E Watch her break free.

[Thanks to Andrew Porter, Michael Toman, SF Concatenation’s Jonathan Cowie, Cat Eldridge, John Hertz, Andrew (not Werdna), Mike Kennedy, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 1/6/23 I See Pixels Scrolling Down Broadway And Park Avenue With A Tiny Scottie Dog By Their Side

(1) WHO HOLDS THE RECORD? Scott Edelman notes that Lightspeed has published a new short story of his titled “A Man Walks Into a Bar: In Which More Than Four Decades After My Father’s Reluctant Night of Darts on West 54th Street I Finally Understand What Needs to Be Done”. And Edelman says, “I wondered how that compared to with other titles in our field, and dug out a science fiction book of list from 40 years ago which included a list of the longest titles” — The SF Book of Lists by Maxim Jakubowski and Malcolm Edwards, published in 1983. 

It shows Michael Bishop’s “On the Street of the Serpents or, The Assassination of Chairman Mao, as Effected by the Author in Seville, Spain, in the Spring of 1992, a Year of No Certain Historicity” as #1, with 31 words.

My story is also 31 words … but his is 169 characters to my 161.

When I sold the story to Lightspeed, I asked on social media for input on long titles since the time that list was assembled, and no one came up with anything longer.

Edelman appeals to File 770 readers, “With your vast intellects… do you know of any?”

The gallery below contains the three-page list – click for larger images.

(2) A STEP BACK. Publishing Perspectives reports industry decline in “AAP: US Book Publishing Revenues Down 9.3 Percent in October”

…In the October 2022 StatShot report, total revenues across all categories were listed as being down 9.3 percent over October 2021. As has happened throughout 2022, of course, observers look at year-over-year comparisons carefully, mindful that 2021 was the second year of the coronavirus COVID-19 pandemic‘s effects on the marketplace, both in the States and abroad….

(3) IRRESISTABLE TARGET. [Item by Jennifer Hawthorne.] Slate’s book critic Laura Miller did something rather unfair(-ish) and did a review of the first chapter of a fantasy book that Ross Douthat, conservative NY Times columnist, is writing.  I thought it contained some interesting points about how NOT to start a fantasy novel. “Ross Douthat’s fantasy novel: first chapter of The Falcon’s Children, reviewed.”

New York Times opinion columnist Ross Douthat recently revealed that he has written the first volume in a trilogy of fantasy novels. Titled The Falcon’s Children, it has not been a hit with the “reasonable list of reputable publishing houses” Douthat says he’s submitted it to. In an end-of-year what-the-hell mood, the author posted the prologue and first chapter to his otherwise dormant Substack. “Why,” New York magazine’s Choire Sicha asked on Twitter, “are publishers not desperate for Ross Douthat’s fantasy novel? History tells us this the one thing you actually do want a tortured moralizing Christian to write!” In keeping with Douthat’s good-faith request for feedback, here’s a good-faith critique that might help answer Sicha’s question…..

(4) FAAN VOTING BEGINS. Nic Farey today distributed The Incompleat Register 2022, the voters’ guide and pro forma ballot for the 2023 FAAn awards. Voting is open and continues until midnight (Pacific time) Friday March 10, 2023. The award recognizes work in fanzines.

The awards will be announced at Corflu Craic in Belfast, Northern Ireland on April 2 2023.

Voting is open to anyone with an interest in fanzines, membership in Corflu is not required.

(5) GEARHEADS. “For ‘Guillermo del Toro’s Pinocchio,’ a Star Built From Tiny Gears and 3-D Printing” – the New York Times finds out how it’s done.

…He likened the mechanics inside puppet heads to components of a Swiss watch. “Those heads are not much bigger than a ping-pong ball or a walnut,” he said, explaining that the animator moves the gears by putting a tiny tool into the character’s ear or the top of its head. “The gears are linked to the puppet’s silicone skin, enabling the animator to create the nuances you see on a big cinema screen,” he said.

The introduction of geared heads was part of a series of overlapping waves of innovation in stop-motion that brought visuals to the screen that had never been possible. Nick Park and the artists at the British Aardman Animations sculpted new subtleties into clay animation in “Creature Comforts” (1989) and “The Wrong Trousers” (1993). Meanwhile, Disney’s “The Nightmare Before Christmas” (1993) showcased the new technology of facial replacement. A library of three-dimensional expressions was sculpted and molded for each character; an animator snapped out one section of the face and replaced it with a slightly different one between exposures. Then the Portland, Ore.-based Laika Studios pushed this technique further, using 3-D printing to create faces, beginning with “Coraline” (2009).

For “Pinocchio,” which debuted on Netflix a few months after Disney released Robert Zemeckis’s partly animated version of the story, most of the puppets were built at ShadowMachine in Portland, where most of the film was shot. Candlewick, the human boy Pinocchio befriends in the film, “has threads set into the corners of his mouth which are attached to a double-barreled gear system,” explained Georgina Hayns, an alumna of Mackinnon and Saunders who was director of character fabrication at ShadowMachine. “If you turn the gear inside the ear clockwise, it pulls the upper thread and creates a smile. If you turn it anticlockwise, it pulls a lower thread which produces a frown. It really is amazing.”…

(6) ONE SIX. “A Jan. 6 Comic Book Asks the Terrifying Question: What if the Coup Had Worked?”Vice interviews the creators.

…The first wave of the mob breaks into the Capitol and ascends the stairs from the first floor to the second. Capitol Police Officer Eugene Goodman backs up to the top of the steps to try and divert the marauders. Goodman tries to get the crowd to go left. Instead they go right, overrunning him, and happen upon Vice President Mike Pence, who’s just off the Senate Floor. It’s a disaster. 

This a nearly-real scene from new, four-part comic series “1/6“ from Harvard law professor Alan Jenkins and author and activist Gan Golan.  It’s a speculative telling of the January 6 insurrection and coup attempt in an oppressive and authoritarian world where the mob, and Donald Trump, succeeded. (You’ll be able to find it on Amazon, in comic shops and in book stores starting on Jan. 8.) …

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 6, 1905 Eric Frank Russell. He won the first Hugo Award given for Best Short Story at Clevention in 1955 with “Allamagoosa”, published in the May 1955 issue of Astounding Science FictionSinister Barrier, his first novel, appeared in Unknown in 1939, the first novel to appear there. What’s your favorite work by him? (Died 1978.)
  • Born January 6, 1954 Anthony Minghella. He adapted his Jim Henson’s The Storyteller scripts into story form which were published in his Jim Henson’s The Storyteller collection. They’re quite excellent actually. Genre adjacent, well not really, but he did write an episodes of the excellent Inspector Morse series, “Driven To Distraction”. (Died 2008.)
  • Born January 6, 1955 Rowan Atkinson, 68. An unlikely Birthday perhaps except for that he was the lead in Doctor Who and The Curse of Fatal Death which I know did not give him the dubious distinction of the shortest lived Doctor as that goes to another actor although who I’ve not a clue.  Other genre appearances were scant I think (clause inserted for the nitpickers here) though he did play Nigel Small-Fawcett in Never Say Never Again and Mr. Stringer in The Witches which I really like even if the author hates. 
  • Born January 6, 1959 Ahrvid Engholm, 64. Swedish conrunning and fanzine fan who worked on many Nasacons as well as on Swecons. Founder of the long running Baltcon. He has many fanzines including Vheckans Avfentyr, Fanytt, Multum Est and others. He was a member of Lund Fantasy Fan Society in the University of Lund.
  • Born January 6, 1960 Andrea Thompson, 63. Her noted genre work was as the telepath Talia Winters on Babylon 5. Her first genre role was in Nightmare Weekend which I’ll say was definitely a schlock film. Next up was playing a monster in the short-lived Monsters anthology series. She had a one-off on Quantum Leap before landing the Talia Winters gig. Then came Captain Simian & The Space Monkeys. Really. Truly I’m not kidding. Her last genre role to date appears to be in the Heroes: Destiny web series.
  • Born January 6, 1969 Aron Eisenberg. Nog on Deep Space 9. Way after DS9, he’d show up in Renegades, a might-be Trek series loaded with Trek alumni including Nichelle Nichols, Robert Beltran, Koenig and Terry Farrell. It lasted two episodes. Lifelong suffer of kidney disease, he died from it at just age fifty. (Died 2019.)
  • Born January 6, 1976 Guy Adams, 47. If you’ve listened to a Big Finish audio-work, it’s likely that you are familiar with his writing as he’s done scripts for their Doctor, UNIT and Torchwood series among his many endeavors there. Not surprisingly, he’s also written novels on Doctor Who, Torchwood, Sherlock Holmes and so forth. I’ve read some of his Torchwood novels — they’re good popcorn literature. 

(8) SHE-HULK. Marvel announces the next arc in author Rainbow Rowell’s run on She-Hulk will take things to the next level for the character’s 175th issue issue in April. 

 In the pages of her latest solo series, Jennifer Walters has reopened her law practice, took on some of her most intense cases yet, defeated a duo of new villains, and even found time for a new romance! But this April in SHE-HULK #12, She-Hulk’s promising new super hero journey will be threatened by a dangerous new archnemesis known as THE SCOUNDREL! Just in time for her 175th solo issue, She-Hulk will meet her match in a wild showdown that will have all her fans talking!

“Every issue that I get to write She-Hulk is a delight — but I’m especially honored to escort her to her 175th issue,” Rowell said. “One of things we’ve focused on is building up Jen’s narrative support structure… Giving her friends, colleagues, a love interest and her very own antagonists. The Scoundrel is an adversary tailor-made for Jennifer Walters. A lot of things come easily for Jen. Nothing about the Scoundrel is easy.”

Check out Jen Bartel’s cover below.

(9) MALIGN HARDWARE. “‘M3gan’ Review: Wherever I Go, She Goes” from the New York Times.

…In a headier movie, there might be some misdirection. But M3gan (performed by Amie Donald) is clearly pure evil from the start. She’s a great heavy: stylish, archly wry, intensely watchful. Her wanton violence never gets graphic enough to lose a PG-13 rating. In early January, when prestige holiday fare tends to give way to trashier pleasures, a good monster and a sense of humor can be enough. This movie has both, and it makes up for a slow start, some absurd dialogue (“You didn’t code in parental controls?”) and a by-the-book conclusion….

(10) UK TOP BOX OFFICE TOP TEN FILMS OF 2022. [Item by SF Concatenation’s Jonathan Cowie.] SF2 Concatenation has just tweeted an advance post ahead of its Spring seasonal edition of its regular meta-analysis of 52 weekly top ten British Isles box office rankings: “Top Science Fiction Films – 2022”.

This is a box office analysis and so reflects the broader public interest in SF film and not that of SF fans. Scroll down the page on the latter link to see other (non-top ten) SF films of the year. Links to trailers are included.

(11) CROCNADO. “British Comedy ‘Peter Pan Goes Wrong’ Plans Spring Broadway Bow” reports the New York Times. “The farce, by the team behind ‘The Play That Goes Wrong,’ is about a bumbling theater company attempting to stage the popular children’s play.”

…The play’s creators are Henry Lewis, Jonathan Sayer and Henry Shields, who also wrote “The Play That Goes Wrong”; the three will again star in their production. “Peter Pan Goes Wrong” features the same slapstick sensibility as the earlier play, but has a bit more character development, and an even crazier set.

“The fictional theater company is taking on a much more ambitious production, with flying, crocodiles and a revolving stage, and they put on the play with the same disastrous results,” Lewis said. “You get more behind the scenes into what’s going on with the characters, as well as all the farce and the madcap comedy.”…

[Thanks to Chris Barkley, Andrew Porter, Michael Toman, Michael J. Walsh, Nic Farey, SF Concatenation’s Jonathan Cowie, Cat Eldridge, Mike Kennedy, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Marvel’s Stormbreakers Pay Homage To Famous Art Movements In New March Variant Covers

Marvel’s Stormbreakers Class of 2023 are here and bringing their incredible talents to your favorite comic series and characters. This year’s class features a diverse line-up of illustrators who are constantly breaking the mold, and each month they’ll have a chance to flex their skills with an exciting themed variant cover collection.

For March’s Stormbreakers Variant Covers, fans can see their favorite heroes in depictions inspired by art movements throughout history. A perfect spotlight of the raw talent embodied by these eight artists, these visually stunning and unique covers can be found on some of Marvel’s hottest titles.

Here are the art movements each artist chose to celebrate:  

  • C.F. Villa: Mexican Muralism
  • Elena Casagrande: Russian Fairytale Art
  • Martin Coccolo: Pinturas Negras 
  • Lucas Werneck: Art Nouveau
  • Jan Bazaldua: Surrealism
  • Chris Allen: Dada
  • Federico Vicentini: Pop Art
  • Nic Klein: German Renaissance

Check out their latest covers following the jump. Stay tuned for more Stormbreakers Variant Covers to be revealed in the coming months. For more information, visit Marvel.com.

[Based on a press release.]

Continue reading

Pixel Scroll 12/20/22 The Filezentian Gate

(1) PRESIDENT’S DAY WEEKEND.  Get ready for Boskone 60, coming February 17-19, 2023 in Boston – and via the internet. The convention’s guests are Nalo Hopkinson – Guest of Honor; Victo Ngai – Official Artist; Tui T. Sutherland – Special Guest; and Dave Clement – Musical Guest. Full information at the link.

Boskone 60 will be held in person at The Westin Boston Seaport District hotel, 425 Summer Street, Boston, MA. You can also attend in person at our incredible 3-day convention, starting in the afternoon on Friday, February 17, 2023, at 2:00 pm (U.S. Eastern Standard Time) and running through Sunday, February 19. We are also planning to make a portion of our programming available for virtual members and virtual program participants.

You can experience Boskone virtually for only $24.60!

(2) MEDICAL STRUGGLE. [Item by Danny Sichel.] Kelly Barnhill, winner of the 2016 World Fantasy Award for Best Novella, is marking one year since she missed a step, hit her head, fell down a flight of stairs, and was unconscious for 15 minutes.Recovery from concussion is slow; as a result, she says, writing fiction is not currently possible. Thread starts here. Some excerpts:

https://twitter.com/kellybarnhill/status/1605025107591806981
https://twitter.com/kellybarnhill/status/1605036182739501056

(3) AI YI YI. Alyssa Shotwell brings readers up to date about why “Tor Faces Major Backlash for AI Art for Upcoming Novel From Bestselling Author” in The Mary Sue.

…The comments accusing Tor of using AI art in Christopher Paolini‘s follow-up to To Sleep in a Sea of StarsFractal Noise, came as early as November (when the cover was revealed), but it wasn’t until December when more people realized what happened. Around December 9, pressure had built up, and those concerned demanded an answer from Tor and Paolini. On December 15, Tor released this statement on their social media:

“Tor Books designed the cover for Fractal Noise by Christopher Paolini. During the process of creating this cover, we licensed an image from a reputable stock house. We were not aware that the image may have been created by AI. Our in-house designer used the licensed image to create the cover, which was presented to Christopher for approval. Due to production constraints, we have decided to move ahead with our current cover. Tor Publishing Group has championed creators in the SFF community since our founding and will continue to do so.”

At first glance, it’s easy to take at least the first part of this as truth. As far back as September, stock websites and individuals began to host AI art for licensing purposes. Since then, it’s only grown, with Adobe Stock and the portfolio site Artstation catering to AI art. Shutterstock even inked a deal with AI generators in October. Between the sites hosting the images and the companies (like Tor) using them, there are no guidelines for even labeling AI art. It’s being mixed in with human-made art. The AI image created (from stolen images) for the base of Fractal Noise is not even labeled as AI created on Shutterstock.

… Tor knew they would continue to get backlash because, in that tweet, they turned off replies. Most of the people talking about it are retweets, and the conversation continues in those replies….

… Paolini has given mixed responses to the whole situation and has been tweeting (and replying) a lot. He spoke about the value of an artist in the book illustration process and how he’s always shared fan art of his works. Paolini commissioned work from artists and illustrated many elements of his Inheritance Saga (Eragon, etc.), including the map of Alagaësia. He also stated that this AI art situation is not ideal. Most other comments from the author remain neutral.

This is disappointing, as a reader of his books and as an artist, not to see him take a stronger stance on this, at least in a professional setting….

(4) CRICHTON, POURNELLE, AND BENFORD IN 2005. Camestros Felapton resumes following strands of right-wing and reactionary thought within science fiction in a new series “Contrarian Cli-Fi” about sff writers who took a contrarian view of climate change. The latest chapter, “Contrarian Cli-Fi 0.07: Aftermath 2005”, makes a real effort at fairness, it seemed to me, at a time when the internet gives no cookies for such efforts.  

…A great deal about science communication had changed over the intervening time between Fallen Angels and State of Fear. Whereas in past decades science magazines and hybrid sci-fi/science magazines like Analog or OMNI were a key part of science communication to a broader audience of people interested but not experts in science, in the 2000s science blogging was a growing channel between actual scientists and the public.

Michael Crichton’s novel State of Fear also helped spur actual climate scientists to counter Crichton’s views (and doubts about global warming more generally) directly on the web. One of the most interesting exchanges in the wake of State of Fear was, unsurprisingly, on Pournelle’s own blog in 2005.

I’ve cast Pournelle as a right-wing ideologue pushing the contrarian view on climate change but he also manifestly had a genuine interest in climate science. He absolutely wanted to understand the scientific debate if only to refute it on its own terms. In the wake of the State of Fear discussion about global warming and global cooling would be a major topic on his blog. In part that debate was fuelled by reactions to Crichton’s novel in science and science fiction communities.

One obvious overlap between State of Fear, scientists and science fiction writers was author and physicist Gregory Benford. In a 2003 speech by Crichton that presaged the sceptical position of his novel, Crichton had quoted a paper by a panel that included Benford published in Science[1]: …

…Benford responded in a column in the San Diego Tribune published in 2005 taking apart many of Crichton’s claims and misleading statements. Benford unequivocally stated that Crichton was getting his science wrong, relying on secondary sources and misunderstanding those sources….

(5) TRYING TO PREDICT THE PRESENT. “Bezos appears to lose interest in the Washington Post as its tech ambitions wither” reports Semafor.

THE SCOOP

Earlier this month, Washington Post publisher Fred Ryan and a handful of executives traveled to Seattle for a budget meeting with owner Jeff Bezos. The paper’s executive editor Sally Buzbee was not in attendance, according to two people with knowledge of the meeting.

Turmoil back in Washington, DC has followed. Ryan abruptly announced a round of layoffs. Buzbee appeared to distance herself from her publisher. The Post and Buzbee did not respond to requests for comment.

And employees and observers of the Post alike were left wondering what Bezos is doing with the publication….

(6) AMAZON CURBED IN EU ACTION. A European Union press release announced the final “commitments” made by Amazon to avoid further enforcement action, including fines. “Antitrust: Commission accepts commitments by Amazon barring it from using marketplace seller data, and ensuring equal access to Buy Box and Prime”.

To address the Commission’s competition concerns in relation to both investigations, Amazon initially offered the following commitments:

– To address the data use concern, Amazon proposed to commit:

      • not to use non-public data relating to, or derived from, the independent sellers’ activities on its marketplace, for its retail business. This applies to both Amazon’s automated tools and employees that could cross-use the data from Amazon Marketplace, for retail decisions;
      • not to use such data for the purposes of selling branded goods as well as its private label products.

– To address the Buy Box concern, Amazon proposed to commit to:

      • treat all sellers equally when ranking the offers for the purposes of the selection of the Buy Box winner;
      • display a second competing offer to the Buy Box winner if there is a second offer from a different seller that is sufficiently differentiated from the first one on price and/or delivery. Both offers will display the same descriptive information and provide the same purchasing experience.

– To address the Prime concerns Amazon proposed to commit to:

      • set non-discriminatory conditions and criteria for the qualification of marketplace sellers and offers to Prime;
      • allow Prime sellers to freely choose any carrier for their logistics and delivery services and negotiate terms directly with the carrier of their choice;
      • not use any information obtained through Prime about the terms and performance of third-party carriers, for its own logistics services.

Between 14 July 2022 and 9 September 2022, the Commission market tested Amazon’s commitments and consulted all interested third parties to verify whether they would remove its competition concerns. In light of the outcome of this market test, Amazon amended the initial proposal and committed to:

      • Improve the presentation of the second competing Buy Box offer by making it more prominent and to include a review mechanism in case the presentation is not attracting adequate consumer attention;
      • Increase the transparency and early information flows to sellers and carriers about the commitments and their newly acquired rights, enabling, amongst others, early switching of sellers to independent carriers;
      • Lay out the means for independent carriers to directly contact their Amazon customers, in line with data-protection rules, enabling them to provide equivalent delivery services to those offered by Amazon;
      • Improve carrier data protection from use by Amazon’s competing logistics services, in particular concerning cargo profile information;
      • Increase the powers of the monitoring trustee by introducing further notification obligations;
      • Introduce a centralised complaint mechanism, open to all sellers and carriers in case of suspected non-compliance with the commitments.
      • Increase to seven years, instead of the initially proposed five years, the duration of the commitments relating to Prime and the second competing Buy Box offer.

The Commission found that Amazon’s final commitments will ensure that Amazon does not use marketplace seller data for its own retail operations and that it grants non-discriminatory access to Buy Box and Prime. 

(7) HENRY MORRISON OBIT. Literary agent Henry Morrison died November 2 at the age of 86. The Publishers Weekly noted his sff connections.

…Morrison struck out on his own before he turned 30.

For the next 55 years, characters and storylines in the books and films whose rights Morrison sold became household American names, Robert Ludlum’s Jason Bourne and David Morrell’s Rambo among them. A particularly prolific agent in the crime and thriller genres, other authors in the space Morrison represented included Brian Garfield, Dean Koontz, Eric van Lustbader, Matt Scudder, and Donald E. Westlake. He also represented the science fiction writers Samuel R. Delany (one of his earliest clients) and Roger Zelazny. His well-rewarded midlist writers won multiple Edgars and served as Mystery Writers of America presidents, Grandmasters, and International ThrillerMasters….

(8) MEMORY LANE.

2014 [By Cat Eldridge.] Frankenstein in Geneva 

Tonight’s creature is one that y’all will now very well, that of  Frankenstein’s monster, though almost everyone now calls it Frankenstein. Philistines. 

While the writer was English, the story was written and takes place in Geneva, Switzerland where this statue is placed in the spot where it goes on a rampage and kills his creator’s brother. 

KLAT, a Geneva artist collective, so there was no individual sculptor listed for this work, created this nearly eight-foot-tall cast bronze sculpture. “Franc” as they call him,  is dressed in ragged clothes, which represents not the character from the novel, but “the figure of the vagrant or the marginal”. With his hunchback, his scars including those of face and hooded sweatshirt and old jeans cut at the knees, it is not at all in keeping with Shelley’s original description of the monster in her novel, but more in line with the modern interpretation of a zombie-like creature. 

The statue was unveiled in May 2014, and is part of the collection of the Contemporary Art Fund of the City of Geneva. That unveiling was — shall we say? — quite electrifying?

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 20, 1838 Edwin Abbott Abbott. Author of the Flatland: A Romance of Many Dimensions, an 1884 novella that has come to be adopted as SF even though it’s really mathematical fiction. Go ahead, argue with me. (Died 1926.)
  • Born December 20, 1925 Nicole Maurey. She appeared in The Day of the Triffids as Christine Durrant, and was Elena Antonescu in Secret of the Incas, a film its Wiki page claims was the inspiration for Raiders of the Lost Ark. I can’t find proof anywhere else that it is… (Died 2016.)
  • Born December 20, 1943 Jacqueline Pearce. She’s best known as the villain Servalan on Blake’s 7. She appeared in “The Two Doctors”, a Second and Sixth Doctor story as Chessene, and she’d voice Admiral Mettna in “Death Comes to Time”, a Seventh Doctor story. I’d be remiss not to note her one-offs in Danger ManThe AvengersThe Chronicles of Young Indiana Jones and The Rivals of Sherlock Holmes. (Died 2018.)
  • Born December 20, 1951 Kate Atkinson, 71. A strong case can be made that her Jackson Brodie detective novels are at least genre adjacent with their level of Universe assisting metanarrative. The Life After Life duology is definitely SF and pretty good reading. She’s well stocked on usual suspects.
  • Born December 20, 1952 Jenny Agutter, 70. Her first SF role was Jessica 6, the female lead in Logan’s Run. Later genre roles include Nurse Alex Price In An American Werewolf in London (fantastic film), Carolyn Page in Dark Tower which is not a Stephen King based film, an uncredited cameo as a burn doctor in one of my all time fave films which is Darkman and finally she was Councilwoman Hawley in The Avengers and The Winter Soldier
  • Born December 20, 1960 Nalo Hopkinson, 62. First novel I ever read by her was Brown Girl in The Ring, a truly amazing novel. Like most of her work, it draws on Afro-Caribbean history and language, and its intertwined traditions of oral and written storytelling. I’d also single out the Mojo: Conjure Stories and Falling in Love With Hominids collections as they are both wonderful and challenging reading. Worth seeking out is her edited Whispers from the Cotton Tree Root: Caribbean Fabulist Fiction. 
  • Born December 20, 1970 Nicole de Boer, 52. Best remembered for playing the trill Ezri Dax on the final season of Deep Space Nine, and as Sarah Bannerman on The Dead Zone. Well maybe not the latter I’ll admit. She’s done a number of genre films including Deepwater Black, Cube, Iron Invader, and Metal Tornado, and has one-offs in Beyond RealityForever KnightTekWarOuter LimitsPoltergeist: The LegacyPsi Factor and Stargate Atlantis. Did I mention she’s Canadian?
  • Born December 20, 1984 Ilean Almaguer, 38. Here for her role as Illa on the most excellent Counterpart series. If you’ve not seen it, I highly recommend it. To my knowledge, none of many the Spanish-language Mexican telenovelas she appeared in had the slightest genre element. 

(10) COMICS SECTION.

(11) TUNE IN. The BBC World Service is airing a production of Susan Cooper’s “The Dark Is Rising”.

A young boy’s time-travelling fight against ancient evil. When the Dark comes rising, who will hold it back? This dramatisation of Susan Cooper’s cult novel is a magical journey into the supernatural.

There currently are three episodes available with 26 to come.

(12) IRON MAN BACK TO THE PRESS. Gene Wolfe said in his 1985 Worldcon guest of honor speech that the difference between a professional publisher and a fanzine publisher is that if a fanzine sells out, the editor will print more. So what are we to make of Marvel’s enthusiastic announcement that Iron Man #1 is getting a second printing?

This past Wednesday, fans witnessed the beginning of an all-new era for Tony Stark in Invincible Iron Man #1! Writer Gerry Duggan and artist Juan Frigeri have taken over the armored Avenger’s adventures and didn’t pull any punches in their explosive first issue, which sold out and will return in February with a second printing!

 Invincible Iron #1 will receive two new second printing covers, both of which celebrate the character’s iconic legacy by showcasing the many armors Tony has suited up in over the years: A brand-new piece by superstar artist Mark Bagley and definitive Iron Man artist Bob Layton’s showstopping connecting piece in all its glory.

 Invincible Iron Man #1 ended with Tony Stark hitting rock bottom, having lost it all: his wealth…his fame…his friends. But don’t count Stark out just yet. In upcoming issues, Stark will navigate his new status in the Marvel Universe in surprising ways. Readers will see Iron Man court new allies, embrace bold solutions, and make startling moves that will affect his relationships with the Avengers and mutantkind. Is he building towards a brighter future or will he be the architect of further destruction? 

 (13) OH SNAP! SNAP! [Item by Daniel Dern.] If (movie version) Thanos sang or hummed along to the Addams Family theme song, would that quantumize 2x 50% or 50% of 50%?

(14) SOMETHING TO READ. Ted Gioia posted his picks for “The Best Online Essays & Articles of 2022”.

…Most of these are longform essays on music, arts, and culture—because those are matters I think about (and worry about) every day. But I don’t impose any arbitrary limits here. If the article is good enough, I include it, no matter what the subject….

First on the list – “A few things to know before stealing my 914” by Norman Garrett,

Dear Thief,

Welcome to my Porsche 914. I imagine that at this point (having found the door unlocked) your intention is to steal my car. Don’t be encouraged by this; the tumblers sheared off in 1978. I would have locked it up if I could, so don’t think you’re too clever or that I’m too lazy. However, now that you’re in the car, there are a few things you’re going to need to know. First, the battery is disconnected, so slide-hammering my ignition switch is not your first step. I leave the battery disconnected, not to foil hoodlums such as yourself, but because there is a mysterious current drain from the 40-year-old German wiring harness that I can’t locate and/or fix….

(15) VIDEO OF THE DAY. “Honest Game Trailers: The Game Awards” sends up an awards show which finds it impossible to live up to its pretentions, saying it’s “an award show that wants to be taken as seriously as the Oscars except that every single year something absolutely ridiculous happens.” Mistakes were made, birds were flipped.

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Danny Sichel, Todd Mason, Daniel Dern, Mike Kennedy, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Joe H.]

Marvel Celebrates 50 Quacktastic Years of Howard the Duck

Next year marks 50 years of Howard the Duck, and Marvel Comics will pay tribute to the iconic fowl with a year-long series of variant covers featuring the lovable loner teaming up across the Marvel Universe. From nabbing the Infinity Gauntlet to battling alongside Mary Jane and Black Cat, these delightful pieces showcase Howard the Duck’s one-of-a-kind style, and fans can find them gracing the covers of Marvel’s hottest titles starting in February.

Can’t get enough Howard? Readers can also celebrate Howard’s milestone by picking up Marvel Masterworks: Howard The Duck Vol. 1 and the upcoming Marvel Masterworks: Howard The Duck Vol. 2. Enjoy Steve Gerber and his artistic cohorts Val Mayerik, Frank Brunner and Gene Colan’s satirical Howard masterpieces, including his first appearance and his greatest adventures, all restored in Masterworks glory.

Check out the first four Howard the Duck variant covers following the jump. For more information, visit Marvel.com.

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Marvel Celebrates Black History Month With Variant Covers, Backup Stories

Last month at New York Comic Con, Marvel Comics announced some exciting things coming when it celebrates Black History Month this February with various new series centered about Black heroes and creators and a new edition of Marvel’s Voices anthology series, Marvel’s Voices: Wakanda Forever.

Marvel’s Voices: Wakanda Forever #1 will feature five all-new stories spotlighting the iconic heroes of Wakanda and brought to life by an incredible lineup of both fan-favorite creators and talent fresh to the Marvel Universe. Join them as they grow and expand the inimitable world of Wakanda in these tales of myth, adventure, strife, and more!

  • T’Challa’s grandfather, Azzuri, learns a lesson as a teenager that will have a dramatic impact on Wakanda’s present in a moving story by writer Adam Serwer (Wakanda) and Marvel Studios storyboard artist Todd Harris!
  • It’s the debut of the LAST Black Panther in the far future of Wakanda in a revelatory tale written and drawn by Juni Ba (Black Panther, Image Comics’ Monkey Meat)
  • T’Challa must grapple with a crisis of faith and goes to a surprising ally to help get him through it in a thrilling tale by writer Karama Horne, author of the recent Black Panther: Protectors of Wakanda book, and artist Alitha E. Martinez, known for her work on Black Panther and Miles Morales: Spider-Man
  • Learn what length Shuri will go to in order to protect Wakanda from a devastating attack from a dangerous new foe in an action-packed story by Murewa Ayodele and Dotun Akanda, the team behind the recently announced I Am Iron Man limited series
  • A new Dora Milaje trainee must accomplish one last thing to earn her place: defeat Okoye in combat! Witness this breathtaking battle in this story by Eisner Award-winning writer Sheena Howard and artist Marcus Williams (Tuskegee Heirs)
  • Plus all-new essays and interviews about all things Wakanda! 

 In addition, Marvel’s Black History Month Variant Covers are back, giving some of the industry’s most acclaimed artists a chance to spotlight some of the most iconic Black super heroes in fiction. This year, fans can find these covers on four titles and each issue will also have a special backup story starring that very character.

  • THOR #31 will include a teamup story featuring Thor and Black Panther by writer Cheryl Lynn Eaton and artist ChrisCross
  • MOON KNIGHT #20 will see the crescent crusader cross paths with the Sheriff of the Vampire Nation, Blade in a story by writer Danny Lore and artist Ray-Anthony Height
  • SPIDER-MAN #5 features Spider-Man and Photon in an action-packed adventure by writer Justin A. Reynolds and ChrisCross.
  • SCARLET WITCH #2 will see two of Marvel’s biggest powerhouses, Scarlet Witch and Storm, join forces in a story by writer Stephanie Williams and artist Chris Allen

Check out the covers following the jump. For more information about Marvel Comics’ Black History Month celebration visit Marvel.com.

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Marvel Heroes Are Exposed To The Wonderous Size-Shifting Effects Of Pym Particles In New Stormbreakers Variant Covers

Marvel’s Stormbreakers Class of 2023 are here and bringing their talents to your favorite comic series and characters. In February, your pupils will grow to goliath proportions when you view their new size-shifting super hero Stormbreakers variant covers. These pieces portray some of Marvel’s most popular heroes including Storm, Deadpool, and Scarlet Witch with the power of Hank Pym’s eponymous particles. See them shrink down to just a few inches or tower to the heights of an NYC skyscraper on the covers of Marvel’s titles all month long.

Marvel’s Stormbreakers continues the tradition of spotlighting and elevating powerful artists to showcase their abilities, artwork and prominence in the world of comic books. The new group of talents includes Elena Casagrande, Nic Klein, Jan Bazaldua, Chris Allen, Martin Coccolo, Lucas Werneck, Federico Vicentini and C.F. Villa.

Check out their latest covers following the jump. For more information, visit Marvel.com.

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Pixel Scroll 11/10/22 What the Pixels Need Now Is Scroll, Sweet Scroll

(1) HARPERCOLLINS UNION EMPLOYEES STRIKE. “HarperCollins Workers Strike for Better Pay and Benefits” – the New York Times has the story.

Unionized employees at HarperCollins went on strike Thursday, saying they planned to stop working until they reached an agreement on a new contract.

The HarperCollins union represents about 250 employees in editorial, publicity, sales, marketing, legal and design. In a statement, the union said its members, who have been working without a contract since April, wanted better family leave benefits and higher pay.

Olga Brudastova, the president of Local 2110 of the U.A.W., which represents unionized HarperCollins employees, said that the union had decided to go on an indefinite strike after negotiations with the company stalled. The union is proposing that HarperCollins raise the minimum starting salary to $50,000, from $45,000. It has also demanded that the company address the lack of diversity in its work force.

Publishing has long been a low paying industry with long hours for its entry and midlevel employees, and it is based in New York, a very expensive city. It is also an overwhelmingly white industry, and many in the industry feel the low pay is part of what makes diversifying the industry difficult.

A recent report from PEN America, a free speech organization, said that according to company data, 74 percent of employees at Penguin Random House were white last of year, as were more than 70 percent of employees at Macmillan and about 65 percent of employees at Hachette. Those concentrations were even higher among senior managers.

Some employees joining the strike said that they hoped their collective action would also drive changes across the industry.

(2) THE COSPLAY CANDIDATE. Looked at from a certain viewpoint – as Vice is doing — the Georgia Senate election has been forced into a runoff because Libertarian Party candidate Chase Oliver pulled votes away from one of the other candidates (your choice of which one). “This Guy Just Threw the Senate Election Into Chaos From His Basement”.

… Asked whether he just upended the entire Senate election from his basement for less than the price of a used car, Oliver casually agreed. 

“Yeah, you could say that,” he said. “And, good on me, I guess. You, too, can do this.” 

Oliver racked up over 81,000 votes, according to the official tally. That’s more than twice the gap between the two main candidates. Warnock led on Wednesday afternoon with about 1,941,000 votes, compared to roughly 1,906,000 for Walker.

That wafer-thin margin means Oliver’s supporters could swing the runoff, too, if they all get behind one candidate. Their choice will be Warnock, a pastor at the church where Martin Luther King Jr. preached; or Walker, a football star with a stormy personal life, endorsed by former President Donald Trump…. 

And Oliver has some fan credentials, according to the Atlanta Journal-Constitution profile published in September: “Chase Oliver could send Georgia’s Senate race to a runoff – he’s OK with that”.

Chase Oliver loves to dress up for Dragon Con, the fantasy and science-fiction convention held over Labor Day weekend in Atlanta. He prefers villains. One year he came as the Riddler; another as the Norse god Loki.

But this year, Oliver, 37, is playing a different role altogether on a much different stage. As the Libertarian candidate for the U.S. Senate in Georgia, he may be the spoiler.

In the neck-and-neck contest between Democrat Raphael Warnock and Republican Herschel Walker, Oliver might peel off enough votes to send the nationally watched race into a runoff. That would translate into four more weeks of campaigning and millions more dollars in spending for a contest already expected to be among the costliest and most consequential in the nation.

Oliver is OK with that.

“The voters send this to a runoff. I don’t,” he said in an interview. “If one of the candidates can’t get 50% plus one of the vote, they don’t deserve to win.”

(3) DEPARTURE LOUNGE. There are probably many such announcements being made, I just happened to see this one.

(4) EKPEKI’S WFC ACCEPTANCE SPEECH. Oghenechovwe Donald Ekpeki has posted on Facebook and his YouTube channel two videos of his World Fantasy Award, Best Anthology, acceptance speech. The first from the WFC has audience reactions muted. A second one taken from the audience is slightly less clear but has audible audience reactions.  

(5) PLAY LONG AND PROSPER. The idea of it may be more entertaining than the actual account, still, you may enjoy reading about “When Jimi Hendrix met Spock: the incredible story of the guitar legend’s encounter with a sci-fi icon” at Guitar World.

…And then there is the “Mind-Meld Experience,” the day that Jimi, a renowned traveler through space, time and dimension, encountered Nimoy, another astral musical voyager. 

Here, then, is WKYC Radio disc jockey Chuck Dunaway’s fascinating account of a wild night with Jimi and Leonard Nimoy in Cleveland on March 25, 1968. It is Chuck D.’s story of that day, illustrated with a few rare artifacts, some of which I published in the March 1988 Guitar World [Special Collectors’ Edition: Hendrix Lives! Tribute to a Genius] and others from Chuck’s personal archives….

(6) DAW’S TAD WILLIAMS ACQUISITIONS. Betsy Wollheim, Publisher at DAW Books, has acquired North American rights to two fantasy books by Tad Williams, represented by Matt Bialer at Sanford J. Greenburger Associates.

The first of the two books, scheduled for Fall 2024, is The Splintered Sun. Set in Williams’ beloved and well-known fantasy world of Osten Ard, The Splintered Sun follows the adventures of Robin Hood-esque figure Flann Alderwood and his band of misfit rebels in one of Osten Ard’s oldest and strangest cities, Crannhyr.

The Splintered Sun is a fast-moving adventure that will thrill newcomers diving into the world of Osten Ard for the first time, while weaving together many parts of previously unrevealed Osten Ard history for all the readers who are eager to delve into the pre-Dragonbone Chair history of Hernystir and Erkynland.

The Splintered Sun will be published by DAW Books in Fall 2024.

(7) THEY’RE FASH, AND I’M FURIOUS. [Item by Olav Rokne.] A few of us at the Hugo Book Club Blog have been musing about what the depiction of fascist empires in space-based science fiction tells us about the popular conception of what it means to be “nazi.” There’s often a lack of engagement in pop culture with the question of what “fascism” actually means, which unfortunately probably makes it easier for real-world fascists to peddle their wretched ideology. (The blog post title is a reference to a classic 1987 Trauma movie about neo-nazis on surfboards.) “Space Nazis Must Die”.

Nazis should be opposed wherever they exist: on the battlefield, at the ballot box, in the streets, and across the tenebrous depths of interstellar space. As such, depicting villains as Nazis — and therefore Nazism as villainous — has value. But depiction without engaging with the premises of motivation is lacking.

(8) GILLER PRIZE. The 2022 Scotiabank Giller Prize winner was announced November 7. The Prize is a celebration of Canadian literary talent. It went to the non-genre novel The Sleeping Car Porter by Suzette Mayr.

There had been two works of genre interest on the shortlist, Kim Fu’s story collection Lesser Known Monsters of the 21st Century, and Sheila Heti’s Pure Colour.

(9) GOODREADS CHOICE. The opening round for the 2022 Goodreads Choice Awards begins November 15.

(10) MEMORY LANE.

1932 [By Cat Eldridge.] One of the earlier Sherlock Holmes films is Conan Doyle’s Master Detective Sherlock Holmes which it’s ninetieth anniversary this year. It came sixteen years after the first such film, Sherlock Holmes, was released.

It was an American pre-Code film starring Clive Brook as the eponymous London detective. It was not based directly off the writings of Doyle but on the very successful Sherlock Holmes stage play by William Gillette. 

Gillette was a manager of actors, a playwright, and stage-manager in that era. He is best remembered for portraying Sherlock Holmes on stage and in a 1916 silent film thought to be lost until it was rediscovered in 2014 which I essayed about here.

The 1932 film was directed by William K. Howard for the Fox Film Corporation. Brook had played Holmes previously in The Return of Sherlock Holmes and the “Murder Will Out” segment of Paramount on Parade.

The story here in brief is that Holmes is pulled away from retirement with his fiancée when the condemned Moriarty escapes from prison and swears vengeance.

Interestingly Reginald Owen plays Dr. Watson, and Ernest Torrence is Holmes’s arch-rival, Professor Moriarty. Reginald Owen played Sherlock Holmes the following year in A Study in Scarlet.

Owen is but a very one of a small number of performers ever that have performed the roles of Holmes and Watson. 

It includes Jeremy Brett, who played Watson on stage in the United States and, of course, Holmes later on, Carleton Hobbs, who did both roles in British radio adaptations, and Patrick Macnee, who did both roles in US television movies.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 10, 1889 Claude Rains. Actor whose first genre role was as Dr. Jack Griffin in the 1933 film The Invisible Man. He would go on to play Jacob Marley in Scrooge, Prince John in The Adventures of Robin Hood, Sir John Talbot in The Wolf Man, and Erique in The Phantom of the Opera. (Died 1967.)
  • Born November 10, 1924 Russell Johnson. Best known in what is surely genre for being Professor Roy Hinkley in Gilligan’s Island. His genre career started off with four Fifties films, It Came from Outer Space, This Island Earth, Attack of the Crab Monsters and The Space Children. He would later appear in both the Twilight Zone and Outer Limits. On ALF, he would appear as Professor Roy Hinkley in “Somewhere Over the Rerun”.  (Died 2014)
  • Born November 10, 1943 Milt Stevens. Today is indeed his Birthday. On the day File 770 announced his unexpected passing OGH did a wonderful post and y’all did splendid commentary about him, so I’ll just send you over there. (Died 2017.)
  • Born November 10, 1946 Jack Ketchum. Writer who was mentored by Robert Bloch, horror writer par excellence. Winner of four Bram Stoker Awards, he was given a World Horror Convention Grand Master Award for outstanding contribution to the horror genre. I’ll admit I’m not sure that I’ve read him, so I’ll leave it up to the rest of you to say which works by him are particularly, errr, horrifying. Oh, and he wrote the screenplays for a number of his novels, in all of which he quite naturally performed. (Died 2018.)
  • Born November 10, 1950 Wesley Dean Smith, 72. Editor of Pulphouse magazine, about which fortunately Black Gate has provided us with a fascinating history which you can read herePulphouse I first encountered when I collected the works of Charles de Lint who was in issue number eight way back in the summer issue of 1990. As a writer, he is known for his use of licensed properties such as StarTrekSmallvilleAliensMen in Black, and Quantum Leap. He is also known for a number of his original novels, such as the Tenth Planet series written in collaboration with his wife, Kristine Kathryn Rusch. 
  • Born November 10, 1960 Neil Gaiman, 62. Where to start? By far, Neverwhere is my favorite work by him followed by the Sandman series and Stardust. And I sort maybe possibly kind of liked American GodsCoraline is just creepy. By far, I think his best script is Babylon 5’s “Day of The Dead” though his Doctor Who episodes, “The Doctor’s Wife” and “Nightmare in Silver” are interesting, particularly the former. 
  • Born November 10, 1971 Holly Black, 51. Best known for her Spiderwick Chronicles, which were created with fellow writer and illustrator Tony DiTerlizzi, and for the Modern Faerie Tales YA trilogy.  Her first novel was Tithe: A Modern Faerie Tale. (It’s very, very good.) There have been two sequels set in the same universe. The first, Valiant, won the first Andre Norton Award for Young Adult Science Fiction and Fantasy.  Doll Bones which is really, really creepy was awarded a Newbery Honor and a Mythopoeic Fantasy Award.  Suffice it to say if you like horror, you’ll love her. 
  • Born November 10, 1989 Aliette de Bodard, 33. Author of the oh-so-excellent Xuya Universe series. Her Xuya Universe novella “The Tea Master and the Detective” won a Nebula Award and a British Fantasy Award, and was nominated for the Hugo and World Fantasy Award. “The Shipmaker”, also set herein, won a BSFA Award for Best Short Fiction. Her other major series is The Dominion of the Fallen which is equally lauded. More Hugos noms?  Oh yes indeed. LoneStarCon3 saw her nominated both for her oh so amazing “On a Red Station, Drifting” novella and her “Immersion” short story; Loncon 3 for her “The Waiting Stars” novelette (a Nebula winner); “Children of Thorns, Children of Water” novelette nominated at Worldcon 76; at Dublin2019, In a Vanishers’ Palace was nominated as was the ever so stellar The Tea Master and The Detective novella (a Nebula winner), a favorite of mine ever more; DisCon III saw another novelette, “The Inaccessibility of Heaven”, nominated . And this year, her most excellent Fireheart Tiger novella was up for a Hugo.

(12) MARVEL REVEALS ITS 2023 FREE COMIC BOOK DAY TITLES. In 2023, Free Comic Book Day will lure customers to their local comic shops on May 6. Here are Marvel’s four giveaway titles. For more information, visit Marvel.com.

FREE COMIC BOOK DAY 2023: AVENGERS/X-MEN #1 features a pair of all-new stories that set the stage for the next evolution in mutant adventures, FALL OF X, and introduces an uncanny new lineup for a new team book launching next year. Plus a preview of Jonathan Hickman and Valerio Schiti’s upcoming mystery project.

FREE COMIC BOOK DAY 2023: SPIDER-MAN/VENOM #1 will web-sling readers into the exciting developments currently taking place in Zeb Wells and John Romita Jr.’s hit run of Amazing Spider-Man and lay the groundwork for the SUMMER OF SYMBIOTES. Plus a preview of new Marvel epic just on the horizon.

FREE COMIC BOOK DAY 2023: MARVEL’S VOICES #1 invites readers to the groundbreaking and critically acclaimed Marvel’s Voices series, which spotlights creators and characters across Marvel’s diverse and ever-evolving universe. The book will include a range of stories from previous Marvel’s Voices issues as well a brand-new one!

 And last but certainly not least, FREE COMIC BOOK DAY 2023: SPIDEY & FRIENDS #1 is back! Swing into adventure with Spidey, Ghost-Spider, and Miles as they face off against Green Goblin, Doc Ock and more in this spectacular special. Filled with easy-to-read comic stories based on the hit Disney Junior show, this book is perfect for the youngest readers aged 5-7. Young fans will even be able to test their wall-crawling skills with thrilling interactive activity pages! Kids will love this not-to-be-missed comic: the perfect primer for the newest generation of Spider-Fans!

 (13) OCTOTHORPE. John Coxon, Alison Scott, and Liz Batty are back with episode 70 of the Octothorpe podcast —  “Oh”.

We read your lovely letters before talking about a bunch of news, including the Clarke Awards, Pemmi-Con, the Chengdu Worldcon, World Fantasy Con 2025, and Novacon.

(14) A QUESTION. [Item by Daniel Dern.] Question: Do authors get paid (reasonably) for special-press/signed editions of their books?

(In some Facebook Groups I’m following) I’m seeing special collector/collectible editions of books with a mix of additional content (essays, art, etc.), print quality (nicer paper, leather-bound, bound-by-hand, etc), and limited-edition indicia (numbered, signed-by-author)… priced often in the hundreds of dollars.

I have no doubt that the price reflects the work and materials… my question is, are authors getting a reasonable piece of the action? (Particularly when they’d put in the time to sign.)

(15) GRINCHWORMS. It’s understandable you wouldn’t be looking for Easter Eggs in a Grinch movie, but they’re there: “15 details you probably missed in ‘How the Grinch Stole Christmas’” at Yahoo! For example —

…There are lots of fun architectural features in Whoville, including an elephant statue that seems to be a reference Dr. Seuss’ “Horton Hears a Who.”

In his story, the titular elephant saves the city of Whoville (which exists on a tiny speck of dust), so it makes sense that they’d have a statue for him in the town.

Jim Carrey also voiced both the Grinch and Horton in film adaptations of the stories….

(16) CHANGE IS COMING. Deadline heralds plan by “Universal Orlando To Shut Down Five Attractions To Make Room For New Family Entertainment Based On ‘Beloved Animated Characters’” – whatever they may be.

Universal Orlando Resort today announced the closing of at least five attractions to make way for what it termed “new family entertainment.” Fievel’s Playland, Woody Woodpecker’s Nuthouse Coaster, Curious George Goes to Town, DreamWorks Destination and Shrek and Donkey’s Meet & Greet will permanently close at end of day on January 15 203, according to an announcement posted to the resort’s Twitter page.

… Universal confirmed in March that its Orlando Resort will be getting a Super Nintendo World sometime after a same-named area opens at the L.A. park,. That is scheduled for early next year. But, according to permit filings reportedly obtained by the Park Stop blog, the Florida Super Nintendo World appears to be a part of the vast new Epic Universe park being built in Orlando.

Some educated guesses about what will fill the space include a possible Pokémon attraction, or concepts based on DreamWorks or Illumination IP such as Trolls or The Secret Life of Pets — Illumination’s Minions already have their own zone coming next year. Universal promised more details “in the months ahead.”

(17) UNDERWATER DISCOVERY. “Section of destroyed shuttle Challenger found on ocean floor” reports Yahoo!

A large section of the destroyed space shuttle Challenger has been found buried in sand at the bottom of the Atlantic, more than three decades after the tragedy that killed a schoolteacher and six others.

NASA’s Kennedy Space Center announced the discovery Thursday.

“Of course, the emotions come back, right?” said Michael Ciannilli, a NASA manager who confirmed the remnant’s authenticity. When he saw the underwater video footage, “My heart skipped a beat, I must say, and it brought me right back to 1986 … and what we all went through as a nation.”

It’s one of the biggest pieces of Challenger found in the decades since the accident, according to Ciannilli, and the first remnant to be discovered since two fragments from the left wing washed ashore in 1996.

Divers for a TV documentary first spotted the piece in March while looking for wreckage of a World War II plane. NASA verified through video a few months ago that the piece was part of the shuttle that broke apart shortly after liftoff on Jan. 28, 1986. All seven on board were killed, including the first schoolteacher bound for space, Christa McAuliffe….

(18) ASTROCLICKBAIT. [Item by SF Concatenation’s Jonathan Cowie.] Physicist and professor of particle physics Brian Cox explains whether the big bang theory is wrong. Despite major scientific discoveries that provide strong support for the Big Bang theory, there´s been a viral paper spreading over the Internet lately which says that the James Webb Space Telescope has refuted the theory. This has led many to think that our understanding of the Big Bang may be wrong. Could this really be the case? Is the James Webb telescope rewriting fundamental theories of the cosmos?

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Anne Marble, Olav Rokne, Daniel Dern, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Rob Thornton.]

Marvel Universe Faces A Simian Takeover

Earlier this year, Marvel Entertainment announced that the Planet of the Apes franchise will return to Marvel Comics with all-new stories starting in early 2023. The legendary science fiction franchise has spanned over five decades with media including comics, books, films, television series, video games, and toys and now it’s the dawn of a new era. To celebrate the launch of the upcoming Planet of the Apes comic series, some of Marvel’s biggest talents have crafted stunning variant covers depicting Marvel super heroes trapped on a world ruled by apes. Just like the groundbreaking film series, these scenes range from action-packed to poignant and will grace the covers of Marvel’s hottest titles throughout February.

 Marvel Comics and Planet of the Apes have a rich history that goes back over 40 years. Marvel first published Planet of the Apes stories in 1974, and in 1975, Marvel published Adventures on the Planet of the Apes, full-color adaptations of the iconic Planet of the Apes films. Now, Planet of the Apes is back at Marvel and ready to take comics by storm!

Check out the first Planet of the Apes variant covers following the jump and stay tuned for details about the upcoming new comic series! For more information, visit Marvel.com.

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Alex Ross Depicts Stunning Portraits Of Marvel’s First Family In New Fantastic Four Variant Covers

The Fantastic Four are about to enter an all-new era. The upcoming run by writer Ryan North and artist Iban Coello will be ripe with mystery and overflowing with suspense as it finds the team separated after a devastating incident back in New York. The first three issues will deliver exciting standalone adventures starring Ben Grimm and Alicia, Reed and Sue, and Johnny before the team’s heartbreaking and revelatory reunion in February’s Fantastic Four #4!

In addition to gracing the series with breathtaking main covers, legendary artist Alex Ross will mark this major milestone with a series of variant covers for the opening four issues. Presented in striking black and white and capturing the team’s timeless appeal, the iconic Fantastic Four artist has crafted classic portraits of all four members of the team in these solo variant covers.

Discover what happened to the Fantastic Four and find out what it will take to bring them back together when Ryan North and Iban Coello’s Fantastic Four begins on November 9. For more information, visit Marvel.com.

FANTASTIC FOUR #1: Written by RYAN NORTH; Art by IBAN COELLO; Solo Variant Cover by ALEX ROSS; On Sale 11/9

FANTASTIC FOUR #2: Written by RYAN NORTH; Art by IBAN COELLO; Solo Variant Cover by ALEX ROSS; On Sale 12/7

FANTASTIC FOUR #3: Written by RYAN NORTH; Art by IBAN COELLO; Solo Variant Cover by ALEX ROSS; On Sale 1/4

FANTASTIC FOUR #4: Written by RYAN NORTH; Art by IBAN COELLO; Solo Variant Cover by ALEX ROSS; On Sale 2/15

[Based on a press release.]