Pixel Scroll 4/14/18 The Adventures Of Scrolli And Pixelwinkle

(1) ISSUES IN SFF REVIEWING. Several interesting threads about reviews and reviewing in sff. Each tweet is the jumping off point for the thread.

  • Bogi Takács

  • Charles Payseur

  • Cecily Kane

  • Also, Jason Sanford did an overview which includes numerous links to reviewers.

(2) WORLD FANTASY AWARDS. John Joseph Adams advises that the 2018 World Fantasy Awards nominations have opened and voting continues until May 31.

The World Fantasy Awards will be presented in Baltimore, MD during the World Fantasy Convention (Nov. 1-4). Deadline for nominating is and ballots must be received by May 31, 2018.

All registered members of the 2016 World Fantasy Convention, the 2017 World Fantasy Convention, and the 2018 event in Baltimore will be eligible to vote before the deadline. If you didn’t attend one of the previously mentioned World Fantasy conventions, and you don’t plan to attend this year, you can still nominate by purchasing a supporting membership.

Already registered? Go and nominate your favorite works! Voting information is available on the World Fantasy Convention 2018 website.

(3) CODE OF OMELAS. Ursula Vernon tells about the ones who stagger away…

(4) SUPER TRAFFIC MONITOR. The Caped Crusader says, “Don’t get run over!” Or something like that. From the BBC: “Lost footage of Batman star Adam West to be screened”. [Video]

Previously lost footage of Batman star Adam West teaching road safety will be screened for the first time in more than 50 years.

The clip from May 1967 of Batman teaching children the Kerb Drill will be shown to an audience of TV professionals and enthusiasts in Birmingham to kick-off a hunt for 100 missing television clips.

Kaleidoscope, which specialises in finding missing television footage, recently discovered the segment, which was never screened outside of the UK.

It will be shown at Birmingham City University on Saturday, as the company launches its list of the UK’s top 100 missing TV shows that industry professionals most want to see recovered.

This includes early episodes of Doctor Who featuring Mark Eden as Marco Polo, Top Of The Pops and The Avengers.

(5) UTAH WESTERCON NEWS. Westercon 72 (July 4-7th, 2019 in Layton, Utah) has added Special Guest Eric Flint. Westercon also will host the 2019 1632 Minicon.

Eric Flint’s writing career began with the science fiction novel Mother of Demons. His alternate history novel 1632 has led to a long-running series with over thirty novels and anthologies in print. He’s also written many other science fiction and fantasy novels. He resides in northwest Indiana with his wife Lucille.

Along with Mr. Flint, we are also pleased to announce the 2019 1632 Minicon will be held in conjunction with Westercon 72. The minicon is the annual event that allows the 1632 fans and authors to get together. (Of course, in the case of 1632, fans and authors overlap substantially.) Each year the minicon is held “inside” a science fiction convention in a different part of the country. Many cons have agreed to host the minicon over the years. (Wording courtesy of https://1632.org )

(6) DISNEY PIXAR. A fresh trailer for Incredibles 2.

(7) TIN FOIL HATS FOR CATS. Did you know these were a thing? From the Archie McPhee catalog:

It’s a tin foil hat for conspiracy cats! They want to know what your cat is thinking. They want to control your cat’s thoughts. Not on our watch! We’ve made a Tin Foil Hat for Cats to make sure that kitty’s thoughts stay private. This mylar hat fits most cats, has a comfy felt lining and is held in place with an elastic strap. It even has holes for cat ears! Take that, Illuminati! Restores the dignity of your kitty. Very effective against MKUltra satellites, cat food company dream-insertion marketing, Guy Fieri, Soviet cat control protocols, psychic dogs, skull tapping, focused magnetic pulse and the neighbor’s labradoodle. Great for pictures! Fits most cats.

(8) BELL OBIT. Art Bell (1945-2018), the original host of the paranormal-themed radio program Coast to Coast AM, died April 13. At its peak in popularity, Bells show was syndicated on more than 500 radio stations and claimed 15 million listeners nightly

(9) TOWFIK OBIT. Sindbad Sci-Fi eulogizes an influential Egyptian sf writer: “Remembering Ahmed Khaled Towfik (1962 – 2018)”.

Ahmed Khaled Towfik is no longer with us. After a period of prolonged illness, he died of a heart attack on 2 April 2018 in El-Demerdash hospital, Cairo, at the age of 55.

By day, Dr Ahmed Khaled Towfik practised as a medical professor at Egypt’s Tanta University. Over time, he was an obsessively prolific writer who became the Arab world’s most prominent bestselling contemporary author of Sci-Fi, fantasy and horror genres. He is claimed to have written over 500 titles of which one third is science fiction, including his Arabic translations of English Sci-Fi.

(10) TODAY’S SFF BIRTHDAYS

  • April 14, 1936 – Arlene Martel. She played Spock’s betrothed, co-starred with Robert Culp in the Outer Limits Demon with a Glass Hand written by Harlan Ellison plus a couple of Twilight Zone episodes.
  • Born April 14, 1958 – Peter Capaldi
  • Born April 14, 1977 — Sarah Michelle Gellar
  • Born April 14, 1982 – Rachel Swirsky

(11) SWIRSKY CELEBRATED. Steven H Silver shares his appreciation in “Birthday Reviews: Rachel Swirsky’s ‘The Monster’s Million Faces’” at Black Gate.

Rachel Swirsky was born on April 14, 1982. To this point, her writing career has been focused on short stories, although in 2010 she co-edited the anthology People of the Book: A Decade of Jewish Science Fiction and Fantasy with Sean Wallace. Her stories have been collected in two volumes, Through the Drowsy Dark and How the World Became Quiet: Myths of the Past, Present, and Future.

(12) COMICS SECTION.

Courtesy of mlex:

(13) GOOD TO THE LAST DROP. Charles Payseur tests a new batch of short fiction: “Quick Sips – Strange Horizons 04/02/2018 & 04/09/2018”.

The short SFF from the first two weeks of April’s Strange Horizons looks at faith and education, memory and time, fiction and hope. The stories feature characters either revisiting their pasts or desperate to do so. They also feature relationships between parents and children, though in opposite directions (one with a mother as main character, the other with a son). And they explore memory and trying to rewrite the past with something better than the crushing weight of the present. The poetry looks at religion and education, at expectation and death. It’s a rather complex collection of pieces, but it makes for some compelling reading. So let’s get to the reviews!

(14) ARE YOU KIDDING? The Deseret News reports “Former FBI director James Comey is a fan of Utah author Brandon Sanderson”.

In an interview with The New York Times Book Review “By the Book” section, Comey said he’s an avid reader of fiction, “almost always (reading) something my kids are reading, so I can … pretend to be cool.”

When asked what books readers would be surprised to find on his shelf, Comey answered with “The Fault in Our Stars,” by John Green; the Mistborn series, by Brandon Sanderson, and the Red Rising series, by Pierce Brown.

(15) SFF HISTORY. Tom De Haven remembers what it was like to write for Byron Preiss in a memoir at Café Pinfold.

…I met Byron Preiss in the 1970s, near the start of both our careers—as I recall, it was at an art show that he’d curated in a small Manhattan gallery (somewhere up near Bloomingdale’s, I believe) that consisted of super-realistic, high-key paintings of Brian Wilson and the Beach Boys (yes, the Beach Boys; don’t ask me why, although probably it was the first or second or third step in a scheme to produce a “Byron Preiss Book” sometime in the future). He was the most confident man I’d ever met. Soft spoken, slow moving, but confident as hell. Always well dressed.  Good clothes but they could get rumpled looking. For as long as I knew and saw him, and it was quite a while, Byron always had a hundred ideas for new projects and the sublime confidence they’d all make millions.

So far as I understood it, he worked like this: he’d pitch a slew of different ideas to a variety of book editors in New York City, ideas that (again, so far as I understood it) he’d dreamed up himself, ideas inspired by current trends in publishing or pop culture (U.S.S.A., for example, followed in the wake of the original Red Dawn movie). Whenever Byron got the go-aheads for specific packaging projects, he’d call up writers to do the actual writing. (He was also likely to call up cartoonists and illustrators since most of his books came illustrated. Later, when he was one of the first people to pionneer digital publishing, he probably called up programmers.)

For me, and no doubt for many other “midlist” authors like me, it was often a lifesaver to get a telephone call from Byron Preiss; he took a big cut of any advance, naturally, and the advances were never better than just okay, but when you were in-between books and fresh out of ideas, or in-between advances for novels of your own, or had a major house repair that you couldn’t afford, or there was a new baby on the way, you were glad—at least I was glad—for an offer from Byron….

(16) WILL ROBINSON REBOOTY. NPR’s Glen Weldon goes back and forth in “Will Robinson, Meet Danger; Danger, Will Robinson: The ‘Lost In Space’ Reboot”, props for competent women, points off for repetition.

The original Lost in Space, which ran on network television from 1965 to 1968, began as a straightforward, if high-concept, adventure show: A colony spaceship carrying a nuclear family, a dashing pilot and a sniveling doctor got stranded on a remote planet. They had adventures while wearing v-neck sweaters over their turtlenecks, presumably because Irwin Allen, who produced the show, imagined that the future would be a chilly place. Or maybe he got a deal on velour, who knows.

Over the course of its run, the focus of the show shifted from the family to that weaselly doctor. Looking back, it’s easy to see why: The family was a bunch of white-bread squares in matchy-matchy outfits, but the doctor – played with a sublimely mincing menace by Jonathan Harris, was a revelation. The character of Doctor Smith was vain, overdramatic (“Oh, the pain, the pain!”), selfish, self-pitying, self-aggrandizing – a campy, eminently hissable villain out of a Christmas panto, down to the clipped British accent (which was something the Bronx-born Harris sniffily affected).

(17) LOST ATTENTION. In contrast, the Boston Globe reviewer describes the robot and the series as “sleek, shiny, and boring”: “‘Lost in Space,’ we have a problem” (may be passworded soon).

The casting is a problem, except in one case — Parker Posey as Dr. Smith. Molly Parker, a favorite of mine from “Deadwood” and “Swingtown,” is OK as the logic-and-science-loving Maureen — but she can be so much better than OK. The writers try to give her a personal storyline, since she and husband John, played sternly by Toby Stephens, are dealing with a troubled marriage. But it’s hard to care about the fate of their relationship because they’re so bland and heroic. The rest of the Robinsons are bland too, with Will (Maxwell Jenkins) a sweet but dramatically inert presence. I didn’t worry about their safety during all of their dangerous missions because I just didn’t care enough about them. TV’s original Robinson family wasn’t particularly exciting, either, but at least whimpering Jonathan Harris’s Dr. Smith brought enough camp and cowardice to keep things entertaining.

(18) SHARKE BITES. Shadow Clarke juror Maureen Kincaid Speller shares her picks: “A Shadow Clarke 2018 selection box – six exciting centres”. First, what you won’t find in her box:

This year, inevitably, my decision-making process is going to be more focused and more self-conscious, so I’ve laid out a few ground rules for myself. First, I have tried to avoid seeing what the other jurors are choosing, so this selection process has been conducted in isolation. Second, my Shadow Clarke to-read list isn’t going to feature anything I’ve already read, although there are some titles there I’d dearly like to discuss with the other jurors: Nick Harkaway’s Gnomon, for example, which is very much my kind of novel – formally inventive, a challenging read, a great story. But Gnomon is among a handful of titles already touted as shoo-ins for the official Clarke shortlist, and I have also decided to avoid putting any of those on my to-read list. I’m going to read them anyway and at this stage I’d rather experiment in my reading and see what’s going on in sf. This may seem very perverse but I would remind you that this exercise is categorically not about attempting to second-guess the official shortlist. As such I have leeway to explore.

With those decisions made, things become both easier and more complicated. Critics and reviewers are mortals like the rest of the world, and we all have our prejudices. For example, as I’ve noted before, I dislike zombie novels and while I could test that prejudice by reading a zombie novel – there seems to be a prime candidate on the list – I’ve come to the conclusion that I am secure enough in my understanding of my active dislikes to avoid wasting everyone’s time by confronting them, because the chances of anything positive emerging from the encounter are unlikely.

(19) CALL FOR PAPERS. Sublime Cognition is a very catchy name for a conference:

(20) SOLO CARDS. I don’t think I covered this with the rest of the Denny’s Star Wars-themed advertising: “Solo: A Star Wars Story exclusive trading cards, available only at Denny’s!”

[Thanks to John King Tarpinian, Camestros Felapton, JJ, Mark Hepworth, Chip Hitchcock, Michael O’Donnell, Cat Eldridge, Martin Morse Wooster, Carl Slaughter, mlex, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Peer.]

Pixel Scroll 4/12/18 But By God, Elliot, It Was A Pixel Scroll From Life!

(1) KINGFISHER. James Davis Nicoll turned the Young  People Read Old SFF panel loose on “Toad Words” by T. Kingfisher.

Young People Read Old SFF has circled back to a modern work for the final time in the phase of the project. This time the modern author is Ursula Vernon, who also publishes as T. Kingfisher. To quote her Wikipedia entry,

Digger won the Hugo Award for Best Graphic Story in 2012 and the Mythopoeic Fantasy Award for Adult Literature in 2013. She won the Nebula Award for Best Short Story and the WSFA Small Press Award for Jackalope Wives in 2015. Her story “The Tomato Thief” won the 2017 Hugo Award for Best Novelette.

I’ve read a number of Vernon’s works but not, as it happens, any of those. I have read “Toad Words”, however, and it seemed an apt choice for a modern work given what the Young People have liked in the past. But I’ve been wrong before…

(2) DEADPOOL CHOW. Adweek describes how “Deadpool’s Newest Product Pitch Takes Us Inside His Dreams, Which Center on … Frozen Food?”

Brand partnerships with superhero movies are inevitable—let’s face it, most movies are superhero movies these days—but so many of them seem like an unnatural fit. Or a lazy one, at best. There’s a car chase in the movie? Let’s use that in a car commercial! Genius!

That might initially seem like the case with Deadpool’s Devour partnership. Why would Deadpool care about frozen food? Well, he doesn’t—and that’s what makes the new 30-second spot work.

 

(3) POTTER RECAP. Martin Morse Wooster watched “Harry Potter: A History of Magic” last night on the CW:

This was a BBC documentary tied to an exhibit that is currently at the British Library and will be coming to the New-York Historical Society this fall, although what I gather from the Pottermore website is that there will be two exhibits with some overlap between the British and American versions.

The special, narrated by Imelda Staunton, had several parts.  One was when actors from the movies (including Warwick Davis, Miriam Margoyles, and David Thewlis) read excerpts from the novels.  A second thread consisted of curators from the British Library showing off their magical treasures of books and stuff from their collections.  In addition, we saw some witches and eccentrics who had things to donate to the exhibit, including two gentlemen named Dusty Miller XIII and Dusty Miller XIV who said they had created 7,500 magic-filled wands from sticks they collected in the woods.  Finally, J.K. Rowling was extensively interviewed and got to look at a lot of the stuff the curators had unearhed.

Oh, and there was a lot of Harry Potter cosplay.

Rowling had done a lot of research in the sixteenth and seventeenth centuries, such as a seventeenth-century herbal written by the great botanist Nicholas Culpeper.  She said that she invented everything to do with wands.  She also named two sources that inspired her.  One was C.S. Lewis’s THE MAGICIAN’S NEPHEW, and if there are references to portals and libraries in that book those are the parts she found inspiring.  A second source came from an illustration Rowling made in1990 of Professor Sprout.  Rowling said that that night she was watching The Man Who Would Be King, a film with many Masonic symbols.  A simplified version of one masonic symbol was the source for the three-part symbol that denotes the Deathly Hallows in the novels.

Finally Rowling said, “I tied to steer clear of hallucinogenic drugs in Hogwarts.”  So if you’re writing fan fiction where Harry and the gang settle in for good times with some mushrooms, you should know that such scenes are NOT canonical.

(4) AUSTRALIAN CON SURVEY. Twelfth Planet Press publisher/editor and Galactic Suburbia cohost Alisa Krasnostein tweeted

If you’ve attended an SF con or event in Australia in the last 5 years, please consider taking this survey: https://www.surveymonkey.com/r/TCGQB82

…The purpose of this survey is to investigate the degree of harassment being experienced at our SF conventions and events.

(5) WOTF. Vajra Chandrasekera discourages participation in the Writers of the Future Contest. His thread starts here —

(6) NEW PERSPECTIVES. Bogi Takacs has started writing a column for Tor.com about “QUILTBAG+ Speculative Classics”.

…In this series of columns, I will review classics of QUILTBAG+ speculative fiction—often out of print, little-known and seldom discussed. Even novels which were acclaimed in their day are frequently ignored now, creating the false impression that all QUILTBAG+ SFF is very recent.

For those who may be unfamiliar with the term, QUILTBAG+ is a handy acronym of Queer, Undecided, Intersex, Lesbian, Trans, Bisexual, Asexual / Aromantic / Agender, Gay and a plus sign indicating further expansion.

…On the other hand, I also don’t want to pigeonhole QUILTBAG+ writers and only show interest in their work if it is about their specific marginalization. I want to see minority writers write whatever they want. If they (we) want to write about cephalopods in space, I am all for that! Therefore I opted to include work either by QUILTBAG+ authors (where this is known) or with QUILTBAG+ themes. Often these two coincide, but not necessarily so.

A specific difficulty is whether to include people with non-Western, culturally specific gender, sex or sexuality IDs. Often these people also use at least some Western terms to self-identify, but sometimes they don’t—especially Indigenous people. If someone has expressed a desire not to be included in Western terms, both umbrella or specific terms, I will of course respect that. But in the absence of explicitly opting out, and also if the authors use Western terms, I decided on the side of inclusion. One of my motivations in this is somewhat self-serving: I also have a culturally specific gender / sex (though I am not Indigenous, specifically) and I am interested in other people who do too!

I aim to discuss a new book every two weeks. I will begin next week with The Gilda Stories, the queer Black / Indigenous vampire classic by Jewelle Gomez, and then follow with The Fortunate Fall by Raphael Carter, possibly the first SFF novel by an intersex author—which also draws a parallel between being intersex and sharing a mind with a giant whale.

(7) TRUTHINESS. Hear about “’That High Truth’: Lewis, Williams, Chesterton, and Ray Bradbury,” in this video of a lecture given at the Wade Center by Jonathan R. Eller of the Center for Ray Bradbury Studies on April 9, 2018.

(8) PROGRAM IDEA. Amal El-Mohtar has a fresh angle for a panel discussion. Start the thread here:

(9) BECKETT OBIT. Alex Beckett (1982-2018): Welsh actor, death announced April 12, aged 35. His genre appearances include Spark Ark (2014), and The Aliens (two episodes, 2016).

(10) HEAR STAN LEE’S DENIAL. Io9 reports “In a New Video, Stan Lee Threatens to Sue Anyone Reporting on Claims of Alleged Elder Abuse”.

The Marvel mainstay came down with pneumonia in February and so his frequent convention appearances were understandably cut back. During this time, multiple reports emerged detailing how hundreds of thousands of dollars, and literal blood, were allegedly stolen from him. In a video sent to TMZ this week that’s copyrighted to Keya Morgan (Lee’s handler, who is currently in control of all of his communications), Lee says he’s prepared to take legal action against any and all media outlets that have reported on the claims that he’s being taken advantage of:

“Hi this is Stan Lee and I’m calling on behalf of myself and my friend Keya Morgan. Now, you people have been publishing the most hateful, harmful material about me and about my friend Keya and some others. Material which is totally incorrect, totally based on slander, totally the type of thing that I’m going to sue your ass off when I get a chance.

You have been accusing me and my friends of doing things that are so unrealistic and unbelievable that I don’t know what to say. It’s as though you suddenly have a personal vendetta against me and against the people I work with. Well I want you to know I’m going to spend every penny I have to put a stop to this and to make you sorry that you’ve suddenly gone on a one man campaign against somebody with no proof, no evidence, no anything but you’ve decided that people were mistreating me and therefore you are going to publish those articles.

I’m going to get the best and most expensive lawyers I can and I want you to know if you don’t stop these articles and publish retractions, I am going to sue your ass off.”

The subject video was reportedly sent to TMZ and is marked on their website as being copyrighted by Keya Morgan. The linked TMZ article is headlined: “STAN LEE DENIES ELDER ABUSE … Leave Me and My Friends Alone!!!” This copy is on YouTube, though who knows for how long?

(11) HUGOS AT ECBATAN. Rich Horton check off another nominated book in “Hugo Ballot Review: Raven Stratagem, by Yoon Ha Lee”.

The novel is interesting reading throughout, with plenty of action (and some pretty cool battle scenes), some rather ghastly (in a good sense) comic bits, and lots of pain and angst. There is a continuing revelation of just how awful the Hexarchate is, with the only defense offered even by its supporters being “anything else would be worse”. There is genocide, lots of murders, lots of collateral damage. The resolution is well-planned and integral to the nature of this universe, with a good twist or two to boot. It’s a good strong novel that I enjoyed a lot.

(12) SERVICE TO SFF. Congratulations to 2018 Chandler Award winner Edwina Harvey! The award recognizes members of the Australian speculative fiction community, both professionals and fans.

Edwina Harvey is a worthy recipient of this year’s A. Bertram Chandler Award.  She has been an active member of Australian science-fiction fandom: writing, publishing and with her amazing artwork for 40 years.

She was one of the founding members of Astrex, the Star Trek fan club of NSW, and regularly contributed fiction to the associated fanzine Beyond Antares as well as other SF fanzines from the mid 1970s onwards. She was also an active member of The Hitchers Club of Australia (Hitch-hikers Guide to the Galaxy Fanclub) from approximately 1984 onwards contributing to the newsletter Australian Playbeing through articles and comments and assisting with the copying and distribution of some issues of the newsletter.  Known locally as the Fund Raising Queens, Edwina has worked with Karen Auhl on organising fundraiser events for Medtrek 4, Huttcon 90 and two Sydney Worldcon bids. (Late 1980s – mid 1990s)  Edwina has been a contributing member of FOLCC (the Friends of Linda Cox Chan) which was an informal group donating monies raised to Diabetes Charities in Australia.  Linda Cox Chan was a Sydney-based SF fan artist and writer who passed away in 1991. From 2012 to the present time, Edwina has also run a lucky-dip at Australian SF conventions to raise money for FFANZ.

(13) EUROVISION IN SPACE. Learn about the author’s new novel Space Opera at Whatever: “The Big Idea: Catherynne M. Valente”.

My agent refers to it as the fastest deal in publishing. It was done and I was committed before I could catch a breath. As I was signing the contract, my fiance asked: “Does it really just say ‘Eurovision in space’? Do you actually have any idea how you’re gonna pull that off?”

“Yes, it does,” I said. “And no, I don’t.”

And I didn’t. Part of me was terrified. How the hell do you even begin to write that? I mean, you can’t play it straight. It’s too absurd. It’s obviously a comedy. Ah, but if you try to write science fiction comedy, the ghost of Douglas Adams appears and asks you with a stern expression if that’s really necessary. And even if it was a comedy, the core of Eurovision is that political darkness and artistic light. You can’t play it totally camp, either. And given the politics all around me, I wasn’t sure I was actually up to singing it out just this minute. What had I agreed to?

But the deadline approached. And I sat down at a blank screen. I laughed nervously.

And then I stopped trying to worry about whether I could do this thing at all and wrote some shit about Enrico Fermi and I was off, and off at breakneck speed.

(14) I’M HOME! Glen Weldon creates a mythic dialogue. Jump on the thread here:

(15) DIRECT FROM INTERNATIONAL FALLS. Here is Amazon Prime’s trailer advertising new episodes of Rocky and Bullwinkle. [Via io9.]

The world-famous talking moose and flying squirrel are back in The Adventures of Rocky and Bullwinkle, a comedy about two goofball friends who end up in harrowing situations but end up saving the day time and again. As their silly ambitions dovetail with Fearless Leader’s sinister plans to take over the world, they are set on a collision course with his notorious super spies Boris and Natasha.

 

[Thanks to Standback, JJ, John King Tarpinian, Elizabeth Fitzgerald, Steve Green, Cat Eldridge, Martin Morse Wooster, StephenfromOttawa, Chip Hitchcock, Iphinome, Mike Kennedy, Andrew Porter, Errolwi, James Davis Nicoll, and Carl Slaughter for some of these stories,. Title credit goes to File 770 contributing editor of the day RedWwombat.]

Pixel Scroll 3/27/18 Godstalk It, Jake, It’s Pixel Scroll

(1) READ THE GAME. The Read it Forward site is celebrating Ready Player One’s theatrical debut this week with an interactive 8-bit-inspired excerpt that “gamifies” the prologue from Ernest Cline’s novel. [Click on the GIF to view.]

Read your way to the top of the Scoreboard as you earn points for discovering Easter eggs that bring the content to life. As readers learn of Parzival’s hunt for the keys to OASIS, they’ll maneuver their way around a maze, attend an ‘80s dance party, unlock footnotes, and more. Upon completion, readers can add their name to a Scoreboard and share their score with a link to the excerpt on social media. All of the excerpt’s hidden extras are unlocked once a reader earns the maximum score of 10,000 points.

(2) TV INTEREST IN THREE-BODY PROBLEM. From io9: “Report: Amazon May Pay $1 Billion to Adapt the Hugo-Winning Chinese Novel The Three-Body Problem”.

The Hugo-winning Chinese novel The Three-Body Problem could become Amazon’s Game of Thrones. A new report from Financial Times suggests Amazon is pursuing a deal to make a three-season television show based on the trilogy from Liu Cixin, and it may be willing to pay up to $1 billion to do so.

According to the Financial Times report, international investors say Amazon is negotiating for the rights to produce three seasons based on Remembrance of Earth’s Past, the scifi trilogy more commonly known by the title of its first book, The Three-Body Problem.

In a statement reported by Chinese news outlets, YooZoo Pictures stated that it remains the sole owners for the film and TV rights for The Three-Body Problem, though it didn’t comment on whether Amazon had approached the company or were in talks with them to collaborate on this reported streaming project. Cixin was also asked about this development by Chinese news outlet MTime.com, where he revealed he knew nothing about the project and doesn’t know if he’d be invited to work on it.

(3) DISSENTING VOICE. In contrast to those looking forward to the movie, Vox says “The Ready Player One book used to be considered a fun romp. Then Gamergate happened,” in “The Ready Player One backlash, explained”.

A time traveler from 2011 could be forgiven for being deeply confused by this response. In 2011, Ready Player One was beloved. It was “a guaranteed pleasure.” It was “witty.” It was not only “a simple bit of fun” but also “a rich and plausible picture of future friendships in a world not too distant from our own.”

What gives? How did the consensus on a single book go from “exuberant and meaningful fun!” to “everything that is wrong with the internet!” over the span of seven years?

… But the main thing Ready Player One is doing is telling those ’80s-boy-culture-obsessed gamers that they matter, that in fact they are the most important people in the universe. That knowing every single goddamn word of Monty Python and the Holy Grail can have life-or-death stakes, because why shouldn’t it? (Yes, that is a crucial step in Wade’s battle to save the OASIS.)

For readers in Cline’s target demographic in 2011, that message felt empowering. For readers who weren’t, it felt like a harmless piece of affirmation meant for someone else. Everyone deserves a silly escapist fantasy, right? And since Cline’s silly escapist fantasy wasn’t specifically meant for girls — unlike, say, Twilight, which was getting savaged in popular culture at the timeReady Player One was largely left alone by the people it wasn’t built for…

(4) ASHBY STORY. This month’s entry in the Future Tense Fiction series, “Domestic Violence” by Madeline Ashby, is a free read at Slate.

A partnership of Slate, New America, and Arizona State University, Future Tense explores how emerging technologies will change the way we live. The latest consumer gadgets are intriguing, but we focus on the longer-term transformative power of robotics, information and communication technologies, synthetic biology, augmented reality, space exploration, and other technologies. Future Tense seeks to understand the latest technological and scientific breakthroughs, and what they mean for our environment, how we relate to one another, and what it means to be human. Future Tense also examines whether technology and its development can be governed democratically and ethically.

And there’s also a response essay from Ian Harris, who works on technology issues with the National Network to End Domestic Violence: “The Complicated Relationship Between Abuse and Tech”.

Violence against women is having something of a moment right now. Which is to say, portrayals of domestic violence in film and TV are gaining critical acclaim. Through shows like Big Little Lies and movies like I, Tonya, popular culture is grappling with more nuanced representations of domestic violence and the humanity of survivors of abuse. These are important conversations, and I hope that this is the start of a profound societal transformation, though time will tell. For me, the most disturbing part of these portrayals is not the brutality of the assaults, but how frequently physical violence is prioritized over other types of abusive behavior. It is what we don’t see that worries me.

We see this distorted prioritization in real life, too. I’ve been a domestic violence attorney for more than a decade. Despite the long list of clients who have struggled to get the justice system to live up to its name, I have found that survivors are much more likely to get help for physical assaults than for other kinds of abusive behavior such as stalking, surveillance, harassment, and intimate image disclosures, which frequently feel more harmful to the survivor.

(5) AVENGERS PLUG. A new TV spot for Marvel Studios’ Avengers: Infinity War.

The end is near. One month until Avengers: Infinity War.

 

(6) SEARCH FOR DIVERSE FICTION. Rocket Stack Rank has another new feature. Greg Hullender explains:

In response to readers who wanted a way to find good stories by diverse authors, we did an analysis of the most-recommended short speculative fiction stories written by people of color in 2015 and 2016 — “Best People of Color SF/F of 2015-2016”.

This only looks at stories that got some sort of recognition (e.g. solid recommendation from a prolific reviewer, inclusion in a years-best anthology, finalist for a major award), so just 481 stories across those two years. Of those, 112 were written by people of color.

The credit for this work goes to Eric Wong, who did the hard work of looking up information on all the authors as well as customizing the software to let readers group the data different ways.

(7) BLOWN UP, SIR. In “This teacher aims to get kids fired up about chemistry”, the Washington Post’s Kitson Jazynka profiles University of Texas chemistry instructor Kate Biberdorf, who “breathes fire and makes explosions that blast the eyes out of jack-o-lanterns.”

Or what about one who, with a quick pour of potassium iodide into a mix of hydrogen peroxide, dish soap and food coloring, makes bubbly foam that shoots toward the ceiling? Kate Biberdorf is no imaginary teacher. She’s real, and she’s coming to Washington next month, bringing along her blowtorch and cornstarch, her supplies of liquid nitrogen and dry ice, and a lot of enthusiasm for chemistry.

Bibersdorf’s website is http://katethechemist.com/.  How could Filers NOT be interested in a woman who says her goal in life is “to have an explosive science show in Vegas?”

(8) HELP BILL SPENCER. Paul Di Filippo urges readers to support a GoFundMe that will “Give Back to Bill Spencer”.

We all need a little help sometimes. This is one of those times for Bill. He has several different health issues going on right now and the medical expenses he is incurring that are not covered through Medicare are mounting and could get much worse.   As well, he’s facing some unforeseeable out of pocket expenses that could potentially end up being a serious problem.   Right now, Bill simply doesn’t have enough for monthly bills, day to day living expenses and numerous co-pays that keep coming his way for various medical necessities.

Many readers know Bill as the award-winning writer William Browning Spencer, author of novels like Zod Wallop, Resume with Monsters and short-story collections like his latest, The Unorthodox Dr. Draper and Other Stories.

But Bill has contributed to others in a very different way as well.  By freely and graciously donating endless amounts of his time over the years to sponsoring and supporting people who are facing their own daunting problems related to alcohol, drugs and living life.  It’s time to give back to Bill what he has so freely given.

This is something Bill would never ask for himself, but he is one of my best friends and I know he is important to folks like yourself, who may wish to help in his time of need.  Bill is truly one of the most amazing, caring and hilarious human beings I know and if you’re reading this you most likely feel the same.  I think we’d all love for Bill to have the peace of mind of knowing that, whatever happens, he need not be stressed out and worried each day about how he’s going to pay for medication or a test or procedure he needs on top of his modest monthly and day to day expenses.

(9) BISCHOFF OBIT. Writer David Bischoff, 66, of Eugene, OR died March 19. He was a contributor to Doug Fratz’ 1970s fanzine Thrust. His first professional successes included The Seeker, a novel published in 1976, and the Nebula-nominated story “Tin Woodman,” co-authored with Dnnis Bailey, later adapted into both a novel and TV episode for Star Trek: The Next Generation. He also wrote the Star Trek tie-in novel Grounded, which spent time on the bestseller list. His other TV work included Dinosaucers (with Ted Pedersen). Bischoff wrote 75 original novels, and tie-in novels for movies and TV series.

David Bischoff. Photo by and copyright Andrew Porter.

(10) A POLICEMAN’S LOT. Camestros Felapton reacted to Richard Paolinelli’s minor league prank of complaining to the Aussie cops about Felapton’s blog.

(11) MOUNTAINTOP EXPERIENCE. “The hidden history of the UK’s highest peak”: A tourist hiking trail once led to an early weather station whose records are now being used to trace climate change.

Back in Victorian Britain, science was still largely an amateur pastime conducted by bands of self-financed enthusiasts who formed scientific societies. One was the Scottish Meteorological Society, which set up and maintained a network of weather stations across Scotland between 1855 and 1920.

(12) WAVE GOODBYE. “Stephen Hawking’s final interview: A beautiful Universe” starts from LIGO discovery of grav waves.

Tell us how important is the detection of two colliding neutron stars?

It is a genuine milestone. It is the first ever detection of a gravitational wave source with an electromagnetic counterpart. It confirms that short gamma-ray bursts occur with neutron star mergers. It gives a new way of determining distances in cosmology. And it teaches us about the behaviour of matter with incredibly high density.

(13) MAY THE ODDS BE ALWAYS IN YOUR FAVOR. Don’t look up — “Tiangong-1: China space station may fall to Earth ‘in days'”.

Should I be worried?

No. Most of the 8.5-tonne station will disintegrate as it passes through the atmosphere.

Some very dense parts such as the fuel tanks or rocket engines might not burn up completely. However, even if parts do survive to the Earth’s surface, the chances of them hitting a person are incredibly slim.

“Our experience is that for such large objects typically between 20% and 40% of the original mass will survive re-entry and then could be found on the ground, theoretically,” the head of Esa’s space debris office, Holger Krag, told reporters at a recent briefing.

“However, to be injured by one of these fragments is extremely unlikely. My estimate is that the probability of being injured by one of these fragments is similar to the probability of being hit by lightning twice in the same year.”

(14) WEDDING BELLS. Page Six headline: “‘Star Trek’ star marries Leonard Nimoy’s son”:

Live long and prosper, you two.

Adam Nimoy, son of the late “Star Trek” icon Leonard Nimoy, and “Star Trek: Deep Space Nine” actress Terry Farrell married on Monday, on what would’ve been Leonard Nimoy’s 87th birthday.

The couple tied the knot in a civil ceremony at City Hall in San Francisco, according to film critic Scott Mantz, who tweeted a photo of the couple on their wedding day. Farrell retweeted Mantz’s photo and wrote, “Freakin AWESOME day!!!!!!! Love ya all! Aka: Mrs. Adam Nimoy.”

She also changed her Twitter bio to include “Mrs. Adam Nimoy.”

(15) COMPLAINTS ABOUT DATE OF HUGO ANNOUNCEMENT. The announcement of the 2018 Hugo finalists wouldn’t be on March 31/Passover/Easter weekend/a Saturday if it was up to these folks:

(16) VERTLIEB CANVASSES. Rondo Awards voting closes April 8 at midnight and Steve Vertlieb hopes people will consider his nominated article “Robert Bloch: The Clown at Midnight” for Best Article of the Year.

My published work about the author of “Psycho” … “Robert Bloch: The Clown At Midnight” … has been nominated for a Rondo Award for “Best Article of the Year.” Anyone can vote.  This year’s competition ends Sunday night, April 8th, at midnight. To vote for my remembrance of Robert, simply send your choice, along with your name, to taraco@aol.com

This is the story of my twenty five year friendship with acclaimed writer Robert Bloch, the author of Psycho. It is the newly published remembrance of a complex, remarkable man, and our affectionate relationship over a quarter century.

Robert Bloch was one of the founding fathers of classic horror, fantasy, and science fiction whose prolific prose thrilled and influenced the popular genre, its writers, and readers, for much of the twentieth century. An early member of “The Lovecraft Circle,” a group of both aspiring and established writers of “Weird Fiction” assembled by Howard Phillips Lovecraft during the early 1930’s, Bloch became one of the most celebrated authors of that popular literary genre during the 1940’s, 1950’s, and 1960’s, culminating in the publication of his controversial novel concerning a boy, his mother, and a particularly seedy motel. When Alfred Hitchcock purchased his novel and released “Psycho” with Anthony Perkins and Janet Leigh in 1960, Bloch became one of the most sought after authors and screen writers in Hollywood. His numerous contributions to the acclaimed television anthology series “Alfred Hitchcock Presents” are among the best of the director’s classic suspense series, while his legendary scripts, adaptations and teleplays for Boris Karloff’s “Thriller” series for NBC are among the most bone chilling, frightening, and horrifying screen presentations in television history. He also famously penned several classic episodes of NBC’s original “Star Trek” series for producer Gene Roddenberry. Writers Stephen King, Richard Matheson, and Harlan Ellison have written lovingly and profusely of their own literary debt to Robert Bloch. Bob was, for me, even more significantly, a profoundly singular mentor and cherished personal friend for a quarter century. This is the story of that unforgettable relationship.

(17) NUMBER PLEASE. A strange post at George R.R. Martin’s Not a Blog caught Greg Hullender’s eye: “I wonder if this is a coded announcement that Winds of Winter is coming?” “Yowza” consists of a series of pictures of hands with finger extended as though counting. But does the number 4534 really mean anything?

[Thanks to Andrew Porter, Joey Eschrich, Cat Eldridge, John King Tarpinian, Ghostbird, Martin Morse Wooster, JJ, Carl Slaughter, Chip Hitchcock, Mike Kennedy, Greg Hullender, Paul DiFilippo, and Mark Hepworth for some of these stories, Title credit goes to File 770 contributing editor of the day Kurt Busiek.]

Pixel Scroll 2/6/18 If Only The Contents Matched The Packaging

(1) WITH ADDED SHARKE. New Shadow Clarke juror Gary K. Wolfe gives his opening statement in “Conversations in a Noisy Room: Introducing Gary K. Wolfe”.

I initially came to SF criticism through academia, where matters of grace and clarity are not always the highest priority. My earliest publications were in scholarly journals or with university presses, at a time when everyone seemed enamored of structuralism as a theoretical model. (A few years later, of course, we escaped that cage, only to find everyone equally enamored of post-structuralism.) It was essentially a grammar of analysis and taxonomy, modeled largely on the language of the social sciences, and to the extent that it was evaluative at all, it was mostly in passing. It was also a language marvelously well-suited to disguising thinness of thought.

Then I was invited to begin writing for a now defunct magazine, Fantasy Review, for a very different kind of audience.  What models I had for SF criticism consisted of those early volumes by Damon Knight, James Blish, and even Kingsley Amis, and the succession of remarkable reviewers in The Magazine of Fantasy and Science Fiction – Judith Merril, Joanna Russ, Algis Budrys, and others. Budrys became a kind of mentor in my shift toward real-world reviewing and criticism. We disagreed a lot, but he showed me that while my opinions might be worthwhile, they were a lot more worthwhile if they had solid reasoning behind them, and if they described a context for the works under discussion….

(2) BEST SERIES. Now that voting has opened for Hugo nominations, keep in mind JJ’s tool: “Best Series Hugo: Eligible Series from 2017” and discussion thread.

To assist Hugo nominators, listed below are the series believed to be eligible as of this writing for the 2018 Best Series Hugo….

OTHER AIDS. JJ is also curating —

(3) BEST SERIES CAVILS. Martin P. advocates that voters impose additional criteria beyond the rules: “On the Hugo Award for Best Series”

…However, just because something can’t be legislated doesn’t mean it shouldn’t be kept in mind while nominating and voting. The standard I intend to apply is that to be worthy of a Best Series Hugo, a story must be fully satisfying even if no other installments are ever published. This does not necessarily mean a story must be conclusively over. For instance, while I can certainly imagine new installments in the Vorkosigan Saga, last year’s winner in the award’s trial run (and if Lois McMaster Bujold wants to write them I’d happily read them), my enjoyment of the series will not be diminished if Gentleman Jole and the Red Queen is ultimately the final installment. But I don’t think a series that is clearly incomplete is award-worthy, and I’m not inclined to grant credit for future work. Everybody can think of a series that started strong and then went off the rails. I’m not comfortable coming back in the future and saying “this received the Best Series Award but you need to ignore its conclusion”. I don’t even love new books getting a “Hugo-Nominated [or Hugo Winning] Series” stamp from their publisher when the Hugo electorate hasn’t had a chance to read the book yet, although I recognize that marketers are going to pull that kind of thing regardless.

I do not intend to nominate any series that does not meet this criteria, and I urge others to do likewise. I will also likely rank any clearly incomplete series nominated below No Award, although I might consider a series whose final installment is published in 2018 before the voting deadline, as such a series would be ineligible for future nomination. And yes, I fully anticipate that I will rank something I quite like below No Award.

…While it might be difficult to find satisfactory completed series every year, N. K. Jemisin’s exceptional Broken Earth trilogy is eligible for the 2018 Best Series Hugo. I’m nominating it. If you haven’t read it, I highly encourage you to do so.

(4) THANKS BUT NO THANKS. Despite endorsements like Martin P’s, author N.K. Jemisin, in “Hugo Nomination Rumination”, wants Hugo voters to leave her trilogy out when nominating in the Best Series category.

As I’ve mentioned on social media, I only have two works eligible for awards nomination from 2017: The Stone Sky, and my Uncanny short story Henosis. Last year was tough, so I didn’t get much writing done. I’m sure a lot of you can relate.

But since people have asked for my thoughts on this… Please, if you’re going to nominate The Stone Sky in any form, do so in the Novel category, rather than nominating the whole Broken Earth trilogy for Series. I mean, I can’t stop you from nominating it however you like — but let me point out, if you didn’t know, that The Fifth Season and The Obelisk Gate have both won Hugos already. This is awesome, but in my eyes, it simply wouldn’t be fair for those books to effectively get a second bite at the apple in the Series category. That this possibility exists has always been a potential problem of the category, IMO.

And here’s the thing: I understand that some folks believe I’d have a better chance at scoring a third Hugo in the Series category. I’m super-grateful to those of you who think about stuff like this, but as someone who never expected to get even one Hugo… y’all, I’m okay either way. If TSS doesn’t get nominated or win in the Novel category, and some other deserving work does win, then so be it. TSS is a New York Times and Locus bestseller and the series has been picked up for a TV show; I’m doin’ all right by most other measures. I’m not going to pretend I wouldn’t squee my head off if I won Hugo #3 at any point, but there won’t be any tears in my beer if I lose, either. (If for no other reason than that I don’t drink beer.)

(5) JUICY RUMORS. Been suffering from a lack of A Song of Ice and Fire and Game of Thrones gossip? Reddit’s ASOIAF discussion group delivered a spicy serving today.

(6) YET ANOTHER STAR WARS SERIES.  With Thrones creators D&D’s work on their HBO series ending, the pair have hooked up with Disney to make more Star Wars movies — “‘Game of Thrones’ Creators to Write, Produce New ‘Star Wars’ Series of Films”.

Game of Thrones” creators David Benioff and D.B. Weiss are going to write and produce a new series of “Star Wars” films, Disney announced on Tuesday.

The new series will be separate from the main episodic Skywalker saga that started with “Star Wars: A New Hope” and is slated to wrap up with 2019’s “Star Wars: Episode IX.” It will also exist independently from a Rian Johnson-helmed series that was announced last year.

“David and Dan are some of the best storytellers working today,” said Kathleen Kennedy, president of Lucasfilm, in a statement. “Their command of complex characters, depth of story and richness of mythology will break new ground and boldly push Star Wars in ways I find incredibly exciting.”

It also comes at a time of transition for Benioff and Weiss. “Game of Thrones,” their sprawling fantasy epic, will end its run on HBO in 2019.

(7) KEEPING READER TRUST. Sandra M. Odell shares tips on “Building The Disabled World” at the SFWA Blog,

I love intricate, detailed worldbuilding; it’s the backbone of science fiction and fantasy stories, even those set in the modern era.  Sadly, few things make me stop reading faster than the realization that a writer gave more thought to the description of a meal than they did to the how or why an accommodation for a character with disabilities came to be in a story. Inclusion and representation matter, and so do the supports that allow an individual with disabilities to interact with a writer’s world. You don’t need to include every last detail about the world on the page, but there should be enough detail and consistency in the presentation that I can trust that you know what you’re talking about.

When creating a world where individuals with disabilities play a role, you should answer four basic questions…

(8) CLOVERFIELD. Netflix put up The Cloverfield Paradox on Sunday. The trailer —

Yahoo! Entertainment has a spoiler-filled discussion: “How Does ‘The Cloverfield Paradox’ Fit With the Other Two ‘Cloverfield’ Movies?”

One of the bigger developments of Super Bowl Sunday, aside from the game itself being outstanding, was the news that “The Cloverfield Paradox” (previously known as “The God Particle”) would be surprise  dropping on Netflix right after the game. It was a genius move from a marketing standpoint — the number of folks who watched the movie Sunday night probably far exceeded what the movie would have done at the box office. But now that we’ve seen it, it’s left a bunch of us scratching our heads.

Looper also has analysis (video) —

The Cloverfield movie-verse has now officially expanded into some wild new territory. Netflix surprised fans of the sci-fi film series by dropping the third installment, The Cloverfield Paradox, on Super Bowl Sunday without warning. Like the first two films, Cloverfield 3 offers a new perspective on why all of those giant monsters have appeared on Earth. If you haven’t seen it yet, you might want to click away now because we’re about to take a deep dive into outer space…

 

(9) CONAN UP THE AMAZON WITHOUT A PADDLE. According to Deadline, “Conan the Barbarian TV Series In Works At Amazon From Ryan Condal, Miguel Sapochnik & Warren Littlefield”.

Amazon is developing drama series Conan, based on the books by Robert E. Howard, Deadline has learned. The project hails from Colony co-creator Ryan Condal, Game of Thrones director Miguel SapochnikFargo and The Handmaid’s Tale executive producer Warren Littlefield, Pathfinder Media and Endeavor Content.

Created and written by Condal, Conan retells the classic character’s story via a return to his literary origins. Driven out of his tribal homelands, Conan wanders the mysterious and treacherous world of civilization where he searches for purpose in a place that rejects him as a mindless savage….

(10) TODAY’S BIRTHDAY BOY

  • Born February 6, 1947 – Eric Flint

(11) SALUTE TO THE BIRTHDAY BOY. At Black  Gate, Steven H Silver continues his series – “Birthday Reviews: Eric Flint’s ‘Portraits’”:

“Portraits” first appeared in The Grantville Gazette, an online magazine tied to Flint’s 1632 series, which allows various authors to discuss the setting and try their hand at fiction. When Baen decided to publish hard copies of some of the articles and stories, “Portraits” was reprinted as the first story in Grantville Gazette Volume I (2004) and provided the volume with its cover art. It was subsequently reprinted in Flint’s collection Worlds.

“Portraits” tells the story of Anne Jefferson, an American nurse posing for the Flemish artist Pieter Paul Rubens. The story assumes knowledge of the 1632 situation and characters Flint introduced three years earlier. This is a story which relies on its published context to be fully appreciated.

(12) LISTEN UP. Marvel New Media and top podcast listening service Stitcher have released the trailer for Wolverine: The Long Night. The 10-episode series airs weekly beginning March 12, 2018 exclusively on Stitcher Premium. It will see a wide release across all podcast platforms in fall 2018.

Listen to the trailer for Wolverine: The Long Night” here: www.WolverinePodcast.com

The “Wolverine: The Long Night” story is a captivating hybrid of mystery and the larger-scale fantasy of the Marvel Universe. It follows agents Sally Pierce (Celia Keenan-Bolger) and Tad Marshall (Ato Essandoh) as they arrive in the fictional town of Burns, Alaska, to investigate a series of murders and quickly discover the town lives in fear of a serial killer. The agents team up with deputy Bobby Reid (Andrew Keenan-Bolger) to investigate their main suspect, Logan (Richard Armitage). Their search leads them on a fox hunt through the mysterious and corrupt town.

(13) FALCON HEAVY. It worked: “Elon Musk’s Falcon Heavy rocket launches successfully”. As of the time the BBC posted this article, two of the three first-stages were known to have detached and landed safely. They were still awaiting news of the third, which was making a sea landing.

It is designed to deliver a maximum payload to low-Earth orbit of 64 tonnes – the equivalent of putting five London double-decker buses in space.

Such performance is slightly more than double that of the world’s next most powerful rocket, the Delta IV Heavy – but at one third of the cost, says Mr Musk.

For this experimental and uncertain mission, however, he decided on a much smaller and whimsical payload – his old cherry-red Tesla sports car.

A space-suited mannequin was strapped in the driver’s seat, and the radio set to play David Bowie’s classic hit Space Oddity on a loop.

…Two came back to touchdown zones on the Florida coast just south of Kennedy; the third booster was due to settle on a drone ship stationed several hundred kilometres out at sea.

During the launch, the video signal from the drone ship was lost, so the fate of the third booster is not yet clear.

(14) FRESH CYBERPUNK. Speculiction’s Jesse Hudson finds a winner: “Review of Graft by Matt Hill”

Cyberpunk is now roughly forty years old.  With relevant works from writers like James Tiptree Jr. and John Brunner appearing in the 60s and 70s, it coalesced into a recognizable trend in the early 80s—the four decades since having seen a full exploration of the idea of ‘cyberpunk’ through hundreds of stories and books.  Thus, in 2016, how does a writer do something original with the form?  With its imagery and characters, settings and ideas well established, there is probably only one way: deliver unique prose combined with a competent package.  Matt Hill, in his 2016 Graft, does precisely this….

(15) SPEAKER TO ALIENS. At Quick Sip Reviews, Charles Payseur delivers “Quick Sips – Lightspeed #93″, reviews of four stories, including —

“Four-Point Affective Calibration” by Bogi Takács (1450 words)

No Spoilers: A person must undergo a special kind of mental exercise to calibrate a machine that might allow them to communicate with aliens. The piece dissects emotions and the supposed universality of certain “core” emotions, as well as looks at the idea of expectation, immigration, and appearance. Quick but dense with hope, fear, and the barriers of language.
Keywords: Aliens, Emotions, Transcript, Non-binary MC, Immigration, Communication
Review: For me, this story hinges on understanding and communication. The piece is framed as a transcript of a sort of mental calibration—part test, part measurement to set a baseline to allow the narrator to communicate with aliens. I many ways, though, I feel like the communication with the aliens isn’t the most important relationship being explored. Or, I guess I mean, what I keep getting out of the story is that for the narrator, it’s not communicating with the aliens that seems fraught or difficult—it’s communicating with other humans. Because of the barriers that humans erect between each other in order to try and ease communication, but in practice make things much more difficult for many people, especially those who don’t fit in well enough, for whom the burden of communication and understanding is always on appeasing the dominant voices, the dominant empathies. For the narrator, this seems another way that they have to grapple with ideas, “core” emotions, that they might not feel the same as others—because they are autistic, because they aren’t a cisgender person. These things that people take for granted the narrator cannot, nor do they react to this central frustration in the ways that people expect, in ways that are expected of them. And it’s a short but very complex and moving story about the hazards and difficulties of communicating, and of being understood. That there is this frantic kicking of thoughts, worries, fears, just under the surface of the narrator’s thoughts, laid bare here by this test in the hopes that they’ll be able to have this opportunity, to be allowed to have a conversation that excites them. It’s a wonderful read!

(16) SHIMMER PROGRAM. Another Chinese story in translation is available at Clarkesworld.

(17) ANSWER WITH A QUESTION. Steven H Silver reports this was “a triple stumper” on today’s Jeopardy!

(18) FOR SALE. Mel Hunter’s original art “Lunar landscape,” which appeared on the cover of the June 1960 issue of The Magazine of Fantasy and Science Fiction (with small painted rocket ships superimposed on the landscape), is offered by Illustration House. It is expected to bring $3,000-$4,000.

(19) VIDEO OF THE DAY. Nothing to do with sff whatsoever. Loved The Parking Lot Movie, recommend it highly. Here’s the trailer —

[Thanks to John King Tarpinian, JJ, Cat Eldridge, Steven H Silver, Martin Morse Wooster, StephenfromOttawa, Chip Hitchcock, Carl Slaughter, Mark Hepworth, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Dann.]

Pixel Scroll 11/26/17 I Can’t Believe I Pixeled In Front Of The Dean Of Science Fiction

(1) PRONOUNS AND ROCKET STACK RANK. Bogi Takács wrote a series of tweets criticizing Greg Hullender’s statements in reviews about the usage of pronouns for non-binary characters in stories reviewed at Rocket Stack Rank, adding many screenshots of examples. Takács also pointed out the reviews are given a certain implied authority because Rocket Stack Rank is linked from the official The Hugo Awards site as a “Third Party Recommendation Site.”

Get into the thread here:

The Hugo connection is illustrated here:

The comments on the Hugo linkage include one from Patrick Nielsen Hayden:

For those who are unfamiliar, here is Bogi Takács’ brief bio from Patreon:

I’m Bogi Takács, a Hungarian Jewish agender trans person (e/em/eir/emself or singular they pronouns) currently living in the US as a resident alien. I write speculative fiction and poetry – I have had work published in various professional venues like Clarkesworld, Lightspeed, Apex and Strange Horizons.

Other comments on RSR, Hullender’s views, and their impact included —

(2) COCO CASHES IN. On opening weekend in the U.S., “Pixar’s ‘Coco’ feasts on ‘Justice League’ at box office”.

Pixar’s “Coco” sang its way to the fourth best Thanksgiving weekend ever with an estimated $71.2 million over the five-day weekend, a total that easily toppled Warner Bros.’ “Justice League.”

“Coco” rode strong reviews and an A-plus CinemaScore from audiences to the top spot at the domestic box office. According to studio estimates Sunday, it grossed $49 million from Friday to Sunday. Centered on the Mexican holiday Dia de Los Muertos (Day of the Dead), “Coco” has already set box office records in Mexico, where it has made $53.4 million in three weeks.

(3) BSFA AWARDS. The British Science Fiction Association invites members to “Nominate for the BSFA Awards” between now and December 31:

The BSFA awards are presented annually by the British Science Fiction Association, based on a vote of BSFA members and – in recent years – members of the British national science fiction convention Eastercon. They are fan awards that not only seek to honour the most worthy examples in each category, but to promote the genre of science fiction, and get people reading, talking about and enjoying all that contemporary science fiction has to offer.

…Nominations are open until 31st December. This will be the first round. Then from 1st January to 30th January the opportunity for members to vote for their shortlist from the collated suggestions will be provided. This will be the second round.

To nominate in the first round, fill in the form here: http://tinyurl.com/BSFA2017nominations

or email your nominations to awards@bsfa.co.uk. A form and process for the second round will be made available on this page after the first round has closed.

(4) FLORIDA EXPANDS RIGHT TO CHALLENGE TEXTBOOKS. The Associated Press has the story: “New Florida law expected to increase textbook challenges”.

A parent in Florida is citing profanity and violence in trying to get the local school to ban Ray Bradbury’s “Fahrenheit 451” — itself a cautionary tale on the banning of books. Another wants to remove Walter Dean Myers’ “Bad Boy” for using the word “penis” and a homophobic slur.

Elsewhere in Florida, some say global warming and evolution are a hoax and should not be taught in textbooks unopposed. Others say their local school’s textbooks shortchange Islam’s role in the world, while their opponents argue it’s the danger posed by Muslim terrorists that’s underexposed.

Under a bill passed by the Florida Legislature this year, any district resident — regardless of whether they have a child in school — can now challenge material as pornographic, biased, inaccurate or a violation of state law and get a hearing before an outside mediator.

The mediator advises the local school board, whose decision is final. Previously, challenges could only be made by parents to the school or district. There was also no mediator and fewer mandates. Districts must now also post online a list of all new books and material by grade level to make monitoring easier.

(5) THANKSGIVING AT THE ISS. A day like any other day, only turkey was there: “Happy Space Thanksgiving: How the Food-Stuffed Holiday Went Orbital”.

One Thanksgiving party will literally look down upon them all, as the crew of the International Space Station (ISS) continues its longstanding tradition of observing the festive harvest holiday from orbit. This year’s menu includes irradiated smoked turkey, rehydratable cornbread dressing, green beans and mushrooms, broccoli au gratin, mashed potatoes, candied yams, sweet tea, and thermostabilized cherry blueberry cobbler for dessert.

Space.com says “Thanksgiving in Space Means Turkey, Work and Football for Astronauts”:

“They don’t actually have the day off on Thursday,” NASA spokesman Dan Huot told Space.com in an email, adding that the crew has “a lot of cargo-unloading tasks to complete” with the Cygnus spacecraft that arrived last Tuesday (Nov. 14). However, the astronauts will at least have Friday off, Huot said.

Along with over 7,700 lbs. (3,500 kilograms) of supplies and science equipment, the Cygnus cargo craft delivered the crew their Thanksgiving dinner and some other tasty treats, like pizza and ice cream. Holiday gifts and care packages from the astronauts’ families also shipped with Cygnus. With that trove of holiday goodies just waiting to be unpacked, the astronauts have plenty of incentives for working through the holiday

(6) AFTER THE STUFFING. Here’s how it looks from the Batcave:

(7) ANTHOLOGY APPEARANCE. Cora Buhlert highlights her recently-published story: “New science fiction anthology with a new “In Love and War” story available: The Guardian, edited by Alasdair Shaw”.

The Guardian includes eleven science fiction stories by international authors, all featuring guardians of some kind. My own story in the anthology, “Baptism of Fire” is a prequel story to my In Love and War space opera romance series, so all you fans of Anjali and Mikhail (come on, I know there are some of you out there) rejoice.

(8) ALAS, POOR ALANTIM. Motherboard invites you to “Watch a Robot Eulogize Its ‘Brother’ at Moscow’s New Cemetery for Dead Machines”; video at the link.

The sad news is that this Alantim could not be revived after the attack. But the silver lining is that its death inspired Olga Budnik, a spokesperson for the Muscovite tech hub Phystechpark, to create the world’s first dedicated robot cemetery.

“Alantim was a really good robot,” Budnik told me in an email. “It was supportive, always polite, always happy to see you. You know, like a pet. And [the cemetery] was an idea to bury it like a pet. Not disassemble or carry it to the trash. To say good-bye.”

On October 31, Alantim’s Earthly remains were placed at the Phystechpark cemetery site next to a box for collecting other dead robots. He was eulogized by another Alantim, who honored his dearly departed “brother” for being “very useful to your people and Russian science,” according to a Russian-to-English translation of the ceremony as seen at the top of this article.

(9) COURT IS IN SESSION. Lauren Davis briefs io9 readers about “Six Strange Cases of Science Fiction Trademarks”.

J.R.R. Tolkien
Ownership Claimed by: The J.R.R. Tolkien Estate

The J.R.R. Tolkien Estate owns numerous trademarks based on Tolkien’s works, as well as registered trademarks on Tolkien’s name. Last year, a fellow who sold buttons reading “While you were reading Tolkien, I was watching Evangelion” through Zazzle was contacted by Zazzle, who said that they were removing the buttons at the Tolkien Estate’s request. Later, Zazzle restored the buttons, saying that they had been removed erroneously due to a miscommunication, but it shined a light on the estate’s ownership of Tolkien’s name and left lots of folks wondering where the line was. When are you invoking Tolkien the brand and when are you referring to Tolkien the man?

The estate also owns the right to publicity for Tolkien’s name and image, which they used to challenge the publication of Steve Hillard’s historical fiction book, Mirkwood: A Novel About JRR Tolkien. Eventually Hillard and the estate settled, with Hillard agreeing to make some changes to the book’s appearance to make it look less like one of Tolkien’s novels. A Mirkwood movie is in the works.

Bonus Round: Like any other trademark holder, the Tolkien Estate has to be vigilant about enforcing their trademarks. But some are stranger than others. In 2004, the estate issued a cease and desist letter to the owner of the domain Shiremail.com, claiming the estate owned the trademark on the word “shire.” The word “shire,” which means an administrative subdivision, such as a county, has been around since the 12th century.

(10) BOARDMAN OBIT. Perdita Boardman (1931-2017) died November 26 after a long illness. Mark Blackman writes:

Perdita was best-known in Northeast Fandom for hosting Lunarians meetings and running the Lunacon Con Suite for many years, and with her husband, John, hosting a monthly fannish gathering called First Saturday. For their long service, she and John were voted Honorary Members of the Lunarians.

Her younger daughter, Deirdre, shared the following on Facebook:

I wanted to share with family (& friends) about the passing of my mom this morning peacefully in her sleep.

Many know she has been suffering from severe dementia well over a decade now, but she became very sick about two weeks ago and moved to hospice care.

Born Dec 27, 1931 in Baxter Springs, KS she grew up outside of Detroit, bounced around a bit living in Chicago, San Francisco, Virginia and finally settling in New York City about 1960, first in Manhattan, then Park Slope and finally her well known home in Flatbush. She spent her final years in Frederick, MD to be closer to Karina & I.

She has loved science fiction & fantasy (as well as mysteries & regency romances) novels since the 50s and was an avid reader.

She was a talented artist, master seamstress and knitted the most amazing sweaters!

I could go on all.

One of her funny quotes from the other day after being annoyed by nurses prodding her was, “I am Perdita Ann Lilly Nelson Boardman and I am going to sleep”

Good night mom.

(11) LE GUIN AS CRITIC. Ursula K. Le Guin reviews You Should Come With Me Now by M John Harrison – stories “for the uncommon reader” in The Guardian:

One of these brilliantly told stories, “The Walls”, begins: “A man, let’s call him D, is seen digging his way out through the wall of his cell. To help in this project, D has only the thinnest and least reliable tools: two dessert spoons (one stainless steel, one electro-plated nickel silver); half of a pair of curved nail scissors; some domestic knives lacking handles; and so on. The cell wall, constructed from grey, squarish cinder blocks about a foot on a side has been carelessly mortared and laid without much attention to detail. But this lack of artifice makes no difference; none of the knives is long enough to reach the last half inch of mortar at the back of each block, and the more D uses them the shorter they get. Each block must, eventually, be loosened and removed by hand, a task which can take several months, and which leaves him exhausted.”

A close attention to detail characterises this story and contributes much to its effectiveness, and yet, like the careless mortaring of the cinder blocks, it makes no difference in the end. Why and how does D have two dessert spoons? What does he live on during these months (which become years)? Who brings it to his cell? We have nothing with which to fill in unstated facts, as we’re used to doing when reading fiction, because the story is consistent only in pulling the carpet out from under its own feet. It is a play of imagination in a void. Its power is that of a dream, in this case a bad one, the kind that keeps repeating itself with variations in an endless loop of frustration.

This holds for all the stories collected in You Should Come With Me Now. Some of them are surrealistic, some are spoofs, some are fables; many are funny, all are inventive; none entirely escapes the loop….

(12) 25 WAYS TO RUB YOUR LAMP. A Yahoo! Movies piece, “Disney’s ‘Aladdin’: 25 magical fun facts for 25th anniversary”, has lots of trivia about Aladdin, including how Patrick Stewart nearly played Jafar but couldn’t get out of his Star Trek: The Next Generation commitments and how there is a hidden Aladdin reference in Hamilton.

  1. The animators crafted the Genie around Williams’s rapid-fire improv. Co-director Ron Musker said Williams did 25 takes for the movie’s first scene, “and they were all different.” The entertainer would stick to the script for the first few takes, “then he would riff.” Musker said Williams recorded 16 hours’ worth of material, forcing the creative team to piece the character together “like a ransom note.”

(13) COMICS SECTION.

  • Mike Kennedy quit groaning at the Tolkien pun long enough to send a link to today’s Brevity.

(14) HE’S DEAD ED. The Smithsonian covers nine theories about “The (Still) Mysterious Death of Edgar Allan Poe” (2014 article.)

On September 27 [1849] —almost a week earlier—Poe had left Richmond, Virginia bound for Philadelphia to edit a collection of poems for Mrs. St. Leon Loud, a minor figure in American poetry at the time. When Walker found Poe in delirious disarray outside of the polling place, it was the first anyone had heard or seen of the poet since his departure from Richmond. Poe never made it to Philadelphia to attend to his editing business. Nor did he ever make it back to New York, where he had been living, to escort his aunt back to Richmond for his impending wedding. Poe was never to leave Baltimore, where he launched his career in the early 19th- century, again—and in the four days between Walker finding Poe outside the public house and Poe’s death on October 7, he never regained enough consciousness to explain how he had come to be found, in soiled clothes not his own, incoherent on the streets. Instead, Poe spent his final days wavering between fits of delirium, gripped by visual hallucinations. The night before his death, according to his attending physician Dr. John J. Moran, Poe repeatedly called out for “Reynolds”—a figure who, to this day, remains a mystery.

(15) MISSING FROM THE MARQUEE. The project loses some name cachet as “Adam Nimoy Steps Down From Directing Deep Space Nine Doc, Release Pushed Back” – story at TrekMovie.com.

On Saturday there were two announcements from What We Left Behind, the upcoming crowd-funded Star Trek: Deep Space Nine documentary.  Adam Nimoy, while remaining involved, will no longer be directing, and the release date  is likely being pushed back.

Nimoy stepping back

In a statement posted on Facebook Saturday, Adam Nimoy revealed he was stepping down as director for What We left Behind, but he will continue to be a producer and advisor on the doc. The reason given for the change was that he needed more time to focus on other responsibilities. From the statement:

“The real creative force behind the DS9 documentary was well in place before I came along. I was happy to lend them support and guidance to push the project along so that it could be completed in time for the 25th anniversary of the show which is coming up in 2018. I wish the creative team all good things as they Boldly Go!”

(16) WINDOW ON THE UNIVERSE. Motherboard’s article about the “Casting of a Giant Mirror for the First Extremely Large Telescope” has a good infographic comparing the relative sizes of all the existing large telescopes, as well.

(17) HARD SF. Down these mean starlanes a man must go…. A Twitter conversation begins here:

(18) COMPLETE HORSESHOE. Here’s another statistic I never knew anyone kept – the record for world’s largest horseshoe sculpture: “Camberley artist’s dragon ‘could obliterate’ world record”.

Mr Poolman’s sculpture is described as “not just a dragon but a tableau”, telling the story of a village bringing a dragon from the sky with arrows and stones.

“It’s partly collapsed,” Mr Powell said, “brought to the ground, in its death throes.”

Tens of thousands of old horseshoes were provided by farriers in Hampshire – some of them were used whole and others cut into smaller pieces.

“A complete horseshoe is quite limiting in what it can be made into,” Mr Poolman said.

(19) NEW YORK TIMES BESTSELLER. Brandon Sanderson isn’t just on the list, he’s #1 —

(20) UNDER THE TREE. We continue our cavalcade of holiday presents with –

(21) MULTITASKING. It’s a Jedi thing: “Elle UK Interviews Daisy Ridley While She Builds A Lego Millennium Falcon”.

She’s talented and beautiful and she plays Luke Skywalker’s new padawan, Rey, in one of the most anticipated “Star Wars” films of all time, but now comes the true test: Can Daisy Ridley build the Millennium Falcon with Legos?

Elle UK interviewed the “Star Wars: The Last Jedi” actress, asking her things like when was the last time she cried, what color her lightsaber would be, and if her father still prefers “Star Trek” (ouch) ? all while she’s tasked with building the Millennium Falcon out of Legos.

(22) VIDEO OF THE DAY. Happiness by Steve Cutts is a cartoon on Vimeo about rats trying to survive the rat race as commuters, consumers, and at work. I’m having trouble getting it to embed, so here’s the link — https://vimeo.com/groups/motion/videos/244405542

[Thanks to JJ, John King Tarpinian, DMS, Carl Slaughter, Cat Eldridge, Martin Morse Wooster, Mark Blackman, and Andrew Porter for some of these stories, Title credit goes to File 770 contributing editor of the day Andrew.]