Pixel Scroll 6/27/17 Buy Pixels At Half Price At Filedepository SF

(1) STICK IT TO ‘EM. There will be “Ten of Disney’s finest villains on new U.S. set”Linn’s Stamp News has the story.

The Disney Villains stamps will be issued in a pane of 20 July 15 at the Anaheim Convention Center, Anaheim, Calif. A 1:30 p.m. first-day ceremony is scheduled during the Disney fan event D23 Expo 2017.

…Each stamp in the set depicts a classic Disney villain set against a deep blue background. Each stamp includes text that identifies the film in which the villain appeared, and the villain’s name.

The 10 characters on the stamps are the Queen from Snow White and the Seven Dwarfs, Honest John (Pinocchio), Lady Tremaine (Cinderella), the Queen of Hearts (Alice in Wonderland), Captain Hook (Peter Pan), Maleficent (Sleeping Beauty), Cruella De Vil (One Hundred and One Dalmatians), Ursula (The Little Mermaid), Gaston (Beauty and the Beast), and Scar (The Lion King).

(2) SINGERS WHO ARE BAD. But not bad singers. This is the perfect place to drop in Peter Hollens’ new “Epic Disney Villains Medley” featuring Whitney Avalon.

(3) CLARION FUNDRAISER. The Clarion Write-A-Thon hopes to raise $15,000 for the workshop between June 25 and August 5. They’ve taken in $1,802 in the first two days.

Welcome to Clarion UCSD’s Eighth Annual Write-a-Thon! What is a write-a-thon, anyway? Think charity walk-a-thon. In a walk-a-thon, volunteers walk as far as they can in return for pledges from sponsors who make donations, usually based on the number of miles the volunteer walks. Our Write-a-Thon works like that too, but instead of walking, our volunteers write with a goal in mind. Their sponsors make donations to Clarion sometimes based on number of words written, sometimes based on other goals, or just to show support for the writer and Clarion.

People can sign up to write or support writers, and win prizes.

As always, we have prizes for our top Write-a-Thon earners. In addition, this year we have surprises as well as prizes!

  • The top fundraiser will receive a commemorative Clarion Write-a-Thon trophy celebrating their success.
  • Our top five fundraisers will each receive a critique from a well-known Clarion instructor or alumnus. We’ve lined up Terry Bisson, David Anthony Durham, Kenneth Schneyer, Judith Tarr, and Mary Turzillo to have a look at your golden prose. A roll of the dice decides who is paired with whom. (The authors have three months to complete their critiques, and the short story or chapters submitted must be 7,500 words or less.)
  • Our top ten fundraisers will each receive a $25 gift certificate of their choice from a selection of bookstores and stationers.
  • A few small but special surprises will be distributed randomly among everyone who raises $50 or more. Lucky winners will be decided by Write-a-Thon minions drawing names from Clara the Write-a-Thon Cat’s hat. These are such a surprise that even we don’t know what they are yet. We do know that certain of our minions will be visiting places like Paris and Mongolia this summer. Anything at all might turn up in their luggage. In addition, who knows what mystery items unnamed Clarionites might donate to the loot!

(4) ASSISTED VISION. Invisible 3, a collection of 18 essays and poems about representation in SF/F, edited by Jim C. Hines and Mary Anne Mohanraj, was released today. As with the first two volumes in this series, all profits go to benefit Con or Bust.

Here’s what you’ll find inside (with links to two free reads):

  • Introduction by K. Tempest Bradford
  • Heroes and Monsters, by T. S. Bazelli
  • Notes from the Meat Cage, by Fran Wilde
  • What Color Are My Heroes? by Mari Kurisato
  • The Zeroth Law Of Sex in Science Fiction, by Jennifer Cross
  • Our Hyperdimensional Mesh of Identities, by Alliah
  • Erasing Athena, Effacing Hestia, by Alex Conall
  • Not So Divergent After All, by Alyssa Hillary
  • Skins, by Chelsea Alejandro
  • The Doctor and I, by Benjamin Rosenbaum
  • My Family Isn’t Built By Blood, by Jaime O. Mayer
  • Lost in Space: A Messy Voyage Through Fictional Universes, by Carrie Sessarego
  • Decolonise The Future, by Brandon O’Brien
  • Natives in Space, by Rebecca Roanhorse
  • I Would Fly With Dragons, by Sean Robinson
  • Adventures in Online Dating, by Jeremy Sim
  • Of Asian-Americans and Bellydancing Wookiees, by Dawn Xiana Moon
  • Shard of a Mirage, by MT O’Shaughnessy
  • Unseen, Unheard, by Jo Gerrard

(5) GODSTALKER. Jamie Beeching finds many things to compliment in “Hamish Steel’s Pantheon – ‘Because gods are people too…'” , a graphic novel reviewed at Pornokitsch.

In Pantheon, Hamish Steele tackles the Egyptian deities in a way described by Steele as “a faithful retelling of […] the battle between the gods Horus and Set for the throne of Egypt.”  Perhaps the most interesting word in that quote is ‘faithful’.  I’m no expert on Egyptian mythology, so I’ll have to take the author’s word on the majority of the facts but I somehow doubt that any of the gods referred to Set as “a notorious cock”.  It’s exactly this mixture of genuine mythological weirdness (and we’re talking totally batshit) and modern irreverence that creates Pantheon’s unique and very successful blend of humour.

(6) NINEFOX, TENFOX. Lightspeed Magazine interviews Yoon Ha Lee.

When did you notice or feel you had honed your voice? Was it before or after you made short story and poetry sales?

I think it developed during the process of learning to write. Early on, I aimed for a very clear, very transparent style in imitation of writers like Piers Anthony. Then I discovered Patricia McKillip and Harlan Ellison and Roger Zelazny, and they blew my head open in terms of how language can be used. Part of it was also subject matter. After reading Orson Scott Card’s Ender’s Game for the first time, I realized that what I wanted to write about, most of all, was military ethics. That was sometime in high school, and my writing shaped itself accordingly after that.

How has the overall reaction to Ninefox Gambit been from readers?

Very bimodal! From what I can tell, most people either love it or hate it. There were some narrative decisions I made that I knew would not be popular with some readers. For example, because the two main characters, Cheris and Jedao, are making command decisions from the very top, I chose to use throwaway viewpoint characters to depict the “boots on the ground” perspective and show the consequences of decisions that are abstract from a general’s perspective. Some readers really like to tunnel into a smaller number of characters and get close to them, and I knew that I would be losing people who like to read that way. For another, I used minimal exposition. I remember really enjoying C.J. Cherryh’s Faded Sun books because they’re told in a similar way, leading to this great sense of immersion, but some readers prefer to have the world spelled out for them. On the other hand, other readers liked those very things. There are always trade-offs.

(7) EU DROPS THE HAMMER ON GOOGLE. The Guardian reports “Google fined record €2.4bn by EU over search engine results”. However, huge civil penalties like that are really in the nature of an opening bid – Google will never pay that amount. But it makes for a stunning headline.

The European Union has handed Google a record-breaking €2.42bn (£2.14bn) fine for abusing its dominance of the search engine market in building its online shopping service, in a dramatic decision that has far-reaching implications for the company.

By artificially and illegally promoting its own price comparison service in searches, Google denied both its consumers real choice and rival firms the ability to compete on a level playing field, European regulators said.

The Silicon Valley giant has 90 days to stop its illegal activities and explain how it will reform its ways or face fines of up to €10.6m a day, which equates to 5% of the average daily worldwide turnover of its parent company Alphabet.

On the back of the finding that Google is the dominant player in the European search engine market, the EU regulator is further investigating how else the company may have abused its position, specifically in its provision of maps, images and information on local services.

…Google immediately rejected the commission’s findings, and signalled its intention to appeal, in an indication of the gruelling legal battle to come between the two sides.

(8) TREASURE MAP. The investor-pitch map of the first Magic Kingdom sold for a chest of gold.

An original map of the first Disneyland park has fetched £555,838 ($708,000) at an auction in California.

The 1953 drawing was used by Walt Disney to secure funding, after his own studio refused to fund the site.

The artist’s impression was given to an employee, and remained out of public view for more than 60 years.

The map was personally annotated by the creator of Mickey Mouse, and reveals a picture of Walt Disney’s vision for the theme park, built in 1955.

(9) AUDIOPUNK. Carl Slaughter says, “Via YouTube, listen to the complete BBC radio broadcast of Neuromancer, William Gibson’s cyberpunk classic brought to life in the form of a very well done radio drama.”

(10) TODAY’S BIRTHDAY BOY

  • Born June 27, 1966 – J.J. Abrams

(11) COMIC SECTION. Martin Morse Wooster commends this Dilbert strip full of timey-wimey-ness.

(12) SINCE SLICED BREAD. Marc Scott Zicree, Mr. Sci-Fi, explains why science fiction conventions are the greatest thing ever.

(13) PECULIAR SCI-FI BAR. The Washington Post’s Maura Judkis discovered “The real reason everyone’s standing in line for D.C.’s ‘Game of Thrones’ pop-up bar”.

And this is what we want from our bars in 2017: an exhilarating escape from reality. Except instead of rides, we want photo ops.

“It’s purely for the Instagram,” said Lara Paek, 28, waiting with her sister in line outside the bar before it opened.

People who order “the tequila-and-grapefruit tonic ‘Shame,’ have the bartenders shout, ‘Shame! Shame!’ at them while everyone snaps photos for Snapchat.”

(14) KEEP WATCHING THE SKIES. Geoffrey Thomas’ debut novel, The Wayward Astronomer, is set in the same fictional universe as the online anthropomorphic graphic novel series Dreamkeepers, by Dave and Liz Lillie. The book was released May 17.

THE WAYWARD ASTRONOMER

Hal Adhil and Miri Rodgers are best friends. They spend their days working at a small observatory in the Starfall Mountains beyond the metropolis of Anduruna.

Miri is the only person Hal trusts to understand a dangerous secret: Hal can see all wavelengths of light. Hal uses his superpower only when they are free from prying eyes that could report them to the authorities.

The lives of Hal and Miri quickly change one night, however, when a meteor crashes into the nearby mountains. When they set out to retrieve the fallen star, it quickly becomes apparent that things are not what they seem. What appeared to be an ordinary meteor is in fact a strange power source that Hal and Miri are not the only ones looking for.

In order to rescue his closest companion, Hal must not only unravel a mystery that has eluded his people for ages, but also face unsavory characters from his own past. Can Hal, the Wayward Astronomer, harness his supernatural powers to rescue his friend before time runs out?

(15) HARD-TO-MISS MACROPODESTRIANS. A problem Down Under? Volvo’s driverless car can avoid most animals but is confused by kangaroos.

The Swedish car-maker’s 2017 S90 and XC90 models use its Large Animal Detection system to monitor the road for deer, elk and caribou.

But the way kangaroos move confuses it.

“We’ve noticed with the kangaroo being in mid-flight when it’s in the air, it actually looks like it’s further away, then it lands and it looks closer,” its Australia technical manager told ABC.

(16) ANT POWER. There’s a pilot project for buses that run on formic acid. (Easier to handle than hydrogen as it just sits there.)

Team Fast has found a way the acid can efficiently carry the ingredients needed for hydrogen fuel cells, used to power electric vehicles.

The fuel, which the team has dubbed hydrozine (not to be confused with hydrazine), is a liquid, which means you can transport it easily and refill vehicles quickly, as with conventional fuels.

The difference is that it is much cleaner.

“The tailpipe emissions are only CO2 and water,” explains Mr van Cappellen. “No other harmful gases like nitric oxides, soot or sulphuric oxides are emitted.”

(17) STAND AND DELIVER. It’s the 50th anniversary of the introduction of the ATM in the UK – how many questions can you answer in this 10-part trivia quiz? “Cash machine quiz: Test your knowledge”.

I only got three right – you have to do better than that!

(18) GLOOP AVOIDANCE. Jason Heller reviews Karen Tidbeck’s novel for NPR — “In ‘Amatka,’ A Warped And Chilling Portrait Of Post-Truth Reality”.

Her 2012 short story collection, Jagganath, showcased her knack for sharp yet dreamlike tale-spinning. Tidbeck’s debut novel Amatka came out the same year, in Swedish only — and it’s seeing its first English translation now. Not a moment too soon, either: Despite being originally published five years ago, its surreal vision of deadly conspiracies, political oppression, and curtailed freedom couldn’t be more eerily timely.

Amatka takes place in one of the most audacious science-fiction settings since Bes?el/Ul Qoma from China Miéville’s The City and The City….

Tidbeck’s premise is almost comical, but her execution is anything but. Amatka teems with mysteries, and almost every innocuous detail — like the fact that the colony’s residents are vegan — winds up having head-spinning ramifications later on. As exquisitely constructed as her enigmas are, however, they’re atmospheric and deeply moving. Vanja is not an easy character to latch onto, but that sense of distance makes her ultimate choices and sacrifices — and what they say about loneliness and freedom — so much more poignant.

(19) UP IN THE AIR. Debut Tor novelist Robyn Bennis does sky military steampunk with a rookie female officer who has to overcome odds on all fronts.

THE GUNS ABOVE by Robyn Bennis (Tor)

Released May 2, 2017

In the tradition of Honor Harrington and the high-flying Temeraire series, Bennis’s THE GUNS ABOVE is an adventurous military fantasy debut about a nation’s first female airship captain.

They say it’s not the fall that kills you.

For Josette Dupre, the Corps’ first female airship captain, it might just be a bullet in the back.

On top of patrolling the front lines, she must also contend with a crew who doubts her expertise, a new airship that is an untested deathtrap, and the foppish aristocrat Lord Bernat, a gambler and shameless flirt with the military know-how of a thimble. Bernat’s own secret assignment is to catalog her every moment of weakness and indecision.

So when the enemy makes an unprecedented move that could turn the tide of the war, can Josette deal with Bernat, rally her crew, and survive long enough to prove herself?

Praise for The Guns Above:

  • “Steampunky navy-in-the-air military tale full of sass and terrific characters. Great storytelling. Loved it.” ?Patricia Briggs
  • “Marvelous, witty, gory AF, action-packed steampunk with exquisite attention to detail. Bennis’s writing is incredible, her vocabulary impressive, and she honest to God made me believe you could build an airship from spare parts.”?New York Times and USA Today Bestselling author Ann Aguirre
  • “The Guns Above is a sharp, witty Ruritanian adventure full of flintlock rifles, plumed shakos, brass buttons… and airships! Taking place in an alternate mid-nineteenth-century Europe where dirigibles ply the smoky air over battlefields and women have been grudgingly admitted to the air corps,The Guns Above takes a clear-eyed, even cynical view of the ‘glories’ of war, complete with blood, shit, shattered limbs, and petty squabbles among the nobility. The aerial combat is gut-clenchingly realistic, the two viewpoint characters are well-drawn and as different as can be, and the action never stops. Hard women learn compassion, soft men learn bravery, and the fate of a nation depends on one rickety airship and its stalwart crew. A winner!” ?David D. Levine, author of Arabella of Mars
  • “An engaging gunpowder adventure with a helping of witty Noel Coward dialogue and a touch of Joseph Heller.” ?Tina Connolly, Nebula Award-nominated author of Ironskin
  • “Wonderfully adventurous and laudably detailed. Bennis paints airship battles so clearly you’d swear they were from memory.” ?Becky Chambers, author of The Long Way to a Small, Angry Planet

(20) TONIGHT’S FINAL JEOPARDY! The Jeopardy! game show often makes references to sff. For example, in the Final Jeopardy answer for June 27 —

An homage to a 1953 novel, this number appears as an error code when a user tries to access a web page with censored content

Click here and scroll down past the ads to read the correct question.

(21) FAVES. At Open Culture, “Hayao Miyazaki Picks His 50 Favorite Children’s Books”. Here are the first five on his list:

  1. The Borrowers — Mary Norton
  2. The Little Prince — Antoine de Saint-Exupéry
  3. Children of Noisy Village — Astrid Lindgren
  4. When Marnie Was There — Joan G. Robinson
  5. Swallows and Amazons — Arthur Ransome

(22) OVERDRAWN AT THE IDENTITY ACCOUNT. What Happened To Monday? stars Noomi Rapace, Willem Dafoe, and Glen Close.

Set in a not so distant future burdened by overpopulation, with a global one child per family policy, seven identical sisters (portrayed by Noomi Rapace) live a cat-and-mouse existence pretending to be a single person to elude the Child Allocation Bureau.

 

[Thanks to Rich Lynch, Hampus Eckerman, Chip Hitchcock, Cat Eldridge, Martin Morse Wooster, JJ, Carl Slaughter, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor the day Peer Sylvester.]

Pixel Scroll 2/27/17 That’s it! Scroll Over Man, Scroll Over!

(1) ACADEMY INVITES LE GUIN. Ursula K. LeGuin has been voted into the American Academy of Arts and Letters reports SFGate. The 87-year-old Le Guin is one of 14 new core members of the Academy.

The arts academy, an honorary society with a core membership of 250 writers, artists, composers and architects, once shunned “genre” writers such as Le Guin. Even such giants as science fiction writer Ray Bradbury and crime novelist Elmore Leonard never got in.

Academy member Michael Chabon, the Pulitzer Prize-winning novelist, advocated for Le Guin.

“As a deviser of worlds, as a literary stylist, as a social critic and as a storyteller, Le Guin has no peer,” he wrote in his recommendation, shared with the AP, that she be admitted. “From the time of her first published work in the mid-1960s, she began to push against the confines of science fiction, bringing to bear an anthropologist’s acute eye for large social textures and mythic structures, a fierce egalitarianism and a remarkable gift of language, without ever renouncing the sense of wonder and the spirit of play inherent in her genre of origin.”

(2) 2017 RHYSLING ANTHOLOGY COVER REVEAL. Hat tip to F.J. Bergmann.

(3) NEW FICTION WEBZINE. Science fiction and fantasy book imprint Strange Fictions Press will officially launch Strange Fictions SciFi & Fantasy Zine on February 28 with “This Chicken Outfit,” by Pushcart nominated author, A.L. Sirois. Siriois’ short stories have appeared in ThemaAmazing Stories, and Isaac Asimov’s Science Fiction Magazine. He has also contributed comic art for DC, Marvel, and Charlton.

Strange Fictions will focus “on publishing speculative short fiction, nonfiction, art, and poetry twice a week for genre fans worldwide.”  New stories, poems, and essays will appear every Tuesday and Friday. Subscribers can sign up for email notifications whenever a new story is posted.

Strange Fictions SF&F Zine is open to submissions from both new and experienced genre writers, and details can be found at the website.

Authors of acquired pieces for Strange Fictions SF&F ‘Zine will receive a flat fee payment of $5 for stories, essays, poetry, and book reviews of 4,999 words and under and $10 for stories, essays, poetry, and book reviews of 5,000-10,000.

(4) ALOFT. Martin Morse Wooster recommends Miyazaki Dreams of Flying as “a lovely compilation of flying scenes from Miyazaki films, including an interview where the great animator expresses his love of airplanes.”

(5) DEFYING THE LAW…OF GRAVITY. In “Mars Needs Lawyers” on FiveThirtyEight, Maggie Koerth-Baker looks at the many problems of international law that have to be solved in we’re ever going to have successful Mars missions.  For example:  if you have astronauts from five countries flying in a spacecraft that’s registered in Liberia, how do you figure out which country’s law applies?

For instance, a limited number of satellites can orbit the Earth simultaneously. Put up too many, and you end up with an expensive game of celestial bumper cars. But some countries — Russia and the United States, in particular — had a big head start on gobbling up those slots. What do you do if you’re Nigeria? Today, Gabrynowicz said, the international community has settled on a regulatory system that attempts to balance the needs of nations that can put an object into geostationary orbit first with the needs of those that aren’t there yet but could be later. And even this compromise is still extremely controversial.

The same basic disagreement behind them will apply to Mars, too. And it’s at issue right now in the U.S., as lawmakers try to figure out how best to implement the U.S. Commercial Space Launch Competitiveness Act — a bill signed by President Obama in November 2015. That law states that U.S. companies can own and sell space resources — including minerals and water. But the details of what this means in practice haven’t been worked out yet, Gabrynowicz said. Legal experts say that those details will make the difference in terms of whether the law puts the U.S. in violation of the Outer Space Treaty.

This question of whether space should be an Old West-style gold rush or an equitably distributed public commons could have been settled decades ago, with the 1979 Moon Agreement (aka the Agreement Governing the Activities of States on the Moon and Other Celestial Bodies), which would have established space as part of the “common heritage of mankind.” What this would have meant in practice is not totally clear. But at the time, opponents saw it as having the potential to ban all private enterprise and effectively turn the heavens into a United Nations dictatorship. It ended up being signed by a handful of countries, most of which have no space program. But it is international law, and if humans go to Mars, though, we’ll likely end up debating this issue again.

(6) GAME WRITING. Monica Valentinelli gives an “Overview of Game Production and the Role of Writers” at the SFWA Blog.

One of the things I enjoy doing as a game developer is hiring new writers. In almost every case, writers are shocked to learn how many levers and pulleys there are in game production. This tends to hold true regardless of what kind of game a writer is contributing to; in part, this has to do with the process of transitioning from a consumer’s mindset (e.g. fan, critic, reviewer) to that of a creator’s. Sometimes, however, the process is confusing because there are aspects physical development that writers aren’t always involved with. A good example of this is that developers often regard word processing documents with an eye for production when they redline and provide comments. What’s laid out vertically on a page in text isn’t how it will be rendered in the final product, and that has a huge impact on what the writers are hired to write, edit, and make changes on. Sometimes, the number of words that fit on a page or a screen can also shape a writer’s assignment, too.

Other, lesser-known aspects of production might include:

  • Canon or Setting Bible creation
  • Systems/rules documentation
  • Marketing copy and sell sheets
  • Outlining and project management
  • Mock-ups and proofs for manufacturing
  • Playtest or beta editions

(7) DISNEY’S DUDEFRÉRES. Another clip from the live-action Beauty and the Beast shows LeFou singing “My, what a guy, that Gaston!” With Luke Evans as Gaston and Josh Gad as LeFou.

(8) VOIR DIRE STRAITS. Shadow Clarke juror Jonathan McCalmont followed his introductory post with an entry on his ownblog, Ruthless Culture “Genre Origin Stories”.

A couple of things that occurred to me upon re-reading the piece:

Firstly, I think it does a pretty good job of capturing how I currently feel about the institutions of genre culture. To be blunt, I don’t think that genre fandom survived the culture wars of 2015 and I think genre culture has now entered a post-apocalyptic phase in which a few institutional citadels manage to keep the lights on while the rest of the field is little more than a blasted wasteland full of isolated, lonely people. One reason why I agreed to get involved with shadowing the Clarke Award is that I see the Shadow Clarke as an opportunity to build something new that re-introduces the idea that engaging with literary science fiction can be about more than denouncing your former friends and providing under-supported writers with free PR….

McCalmont’s post includes a high overview of the past 40 years of fanhistory. I was surprised to find many points of agreement, such as his takes about things that frustrated me at the time they were happening, or that I witnessed affecting my friends among the LA locals who founded anime fandom.

Regardless of whether they are conventional, idiosyncratic, or simply products of distracted parenting, our paths into science fiction cannot help but shape our understanding and expectations of the field. Unfortunately, where there is difference there is bound to be misunderstanding and where there is misunderstanding there must inevitably be conflict.

The problem is that while the walls of science fiction may be infinitely porous and allow for inspiration from different cultures and artistic forms, the cultural institutions surrounding science fiction have shown themselves to be remarkably inflexible when it comes to making allowances for other people’s genre origin stories.

The roots of the problem are as old as genre fandom itself. In fact, the very first Worldcon saw the members of one science fiction club deny entry to the membership of another on the grounds that the interlopers were socialists whose politicised understanding of speculative fiction posed an existential threat to the genre’s continued existence. A similar conflict erupted when the unexpected success of Star Wars turned a niche literary genre into a mass market phenomenon. Faced with the prospect of making allowances for legions of new fans with radically different ideas as to what constituted good science fiction, the institutions of genre fandom responded with sluggishness indistinguishable from hostility. Media fandom was born when traditional fandom refused to expand its horizons and the same thing happened again in the early 1990s when fans of anime decided that it was better to build their own institutions than to fight street-by-street for the right to be hidden away in the smallest and hottest rooms that science fiction conventions had to offer.

The institutions of genre culture may pride themselves on their inclusiveness and forward-thinking but this is largely a product of the excluded not sticking around long enough to give their own sides of the story. Time and again, the institutions of genre culture have been offered the chance to get in on the ground floor when science-fictional ideas began to manifest themselves in different ways. Time and again, the institutions of genre culture have chosen to protect the primacy of the familiar over the vibrancy of the new and the different….

Cultural commentators may choose to characterise 2015 as the year in which genre culture rejected the misogynistic white supremacy of the American right but the real message is far more nuanced. Though the institutions of genre culture have undoubtedly improved when it comes to reflecting the diversity not only of the field but also of society at large, this movement towards ethnic and sexual diversity has coincided with a broader movement of aesthetic conservatism as voices young and old find themselves corralled into a narrowing range of hyper-commercial forms.

I thought that was well said. Unfortunately, I also read the comments.

(9) BELATED BIRTHDAY BOYS

  • February 24, 1909 – August Derleth
  • February 26, 1918 – Theodore Sturgeon

(10) THE STRAIGHT POOP. “Do Cats Cause Schizophrenia? Believe the Science, Not the Hype” advises WIRED.

The link between schizophrenia and cats goes back to the 1970s, when psychiatrist E. Fuller Torrey learned that viruses from dogs might trigger multiple sclerosis—a neurological condition—in humans. “That got me thinking about which animals host which infectious agents,” he says. Soon, he learned that cats host the most successful infectious bacteria in the world: Toxoplasma gondii. Looking into previously published research, he found plenty of studies showing that schizophrenics often had higher levels of toxoplasma antibodies in their blood than people without the mental illness.

Then he started surveying schizophrenics about their life history, and found that many had indeed lived with cats. But what’s important isn’t just if, it’s when. See, Torrey’s theory isn’t merely that T. gondii causes mental illness, it’s that it somehow alters the development of a person’s brain during crucial periods of brain development—and probably only if that person is genetically predisposed to schizophrenia. It’s a complicated hypothesis, and even after four decades of study, Torrey says he’s still not totally convinced it’s fact. Hence, his continued research on the subject.

Still, every study he publishes—his most recent, dropped in July of 2015—attracts the media like nip. Same with refutations, like the one published this week. The authors analyzed a dataset of 5,000 UK children, looking for a correlation between cat ownership during critical ages of brain development and behavioral indicators of later psychosis (like dark thoughts) at the ages of 13 and 18. Their statistical analysis of the results showed no correlation. Most (but not all) news websites ran with some variation of “Relax, Cats Don’t Cause Schizophrenia.”

But that’s not what the study said.

(11) GUESS WHO. From 2015. David Tennant’s NTA Special Recognition – his reaction: “Actor Sees A Tribute Video On Screen. The Realizes It’s For Him And He Can’t Believe It”

(12) TELL YOUR FRIENDS. Carl Slaughter says, “This documentary convincingly demonstrates how the Batman movies/trilogies reflect the cultural era in which they were produced.”

  • 60s Batman  –  prosperity
  • 70s  –  disillusionment  –  no Batman movies
  • Batman  –  escapism
  • Batman Returns  –  anti rich
  • Batman Forever, Batman & Robin  –  safety
  • Batman Begins, Dark Knight, The Dark Knight Rises  –  fear
  • Batman versus Superman  –  extremism

[Thanks to Martin Morse Wooster, Carl Slaughter, Cat Eldridge, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Peer Sylvester.]

Pixel Scroll 12/4/16 I Wept Because I Had No Pixels, Until I Met A Fan Who Had No Scroll

(1) BOLD GOING. Jason Sanford says “Space operas boldly go to the heart of the human soul”.

Only after seeing Star Wars did I begin reading literary science fiction and discover that the film not only wasn’t overly original, but that George Lucas had borrowed his themes and motifs from a number of genre sources. Among these was what is likely the first space opera as readers would recognize the genre, The Skylark of Space by E. E. “Doc” Smith, published in Amazing Stories in 1928.

There are a number of earlier stories which can lay claim to being space operas, such as Edgar Rice Burroughs’ highly influential Barsoom series, featuring his famous hero John Carter of Mars. But E.E. Smith introduced something different with Skylark: true interstellar travel and space ships combined with adventures on other planets. He continued this trend with his influential Lensman series of stories.

He also introduced mediocre writing and poor science, with the space engine at the center of his Skylark adventures powered by copper which is magically transformed when connected to an unknown “element X.” But if the heart of the ship’s space drive made no sense, the heart of the story resonated with readers. They ate it up.

As did other authors, who began playing in the space opera sandbox of stars, mixing romance with the clash of civilizations and interstellar drama and action. Authors such as Leigh Brackett (known as the “Queen of Space Opera”) and C. L. Moore filled the pulp magazines with these exciting stories.  As did A. E. van Vogt, who published the well-known novel The World of Null-A. Even Isaac Asimov space opera’ed away with his extremely influential Foundation series. These space operas and many more set the stage for the Golden Age of Science Fiction.

(2) FLINT ON THE COVER. An excerpt from his interview in the December issue of Locus, “Eric Flint: Remaking History”, has been posted at Locus Online.

‘‘I’ve been a full-time author since the end of 1999. I never had a job that lasted more than five years. I thought about it the other day. Of course, I’m 69, so I don’t know that anybody would want to hire me as a machinist. If I wanted to go back to work in a factory, I couldn’t put together a résumé because most of the places I’ve worked have gone out of business. It’s ironic for me, being a writer, but that’s partly because I stayed on topic. Jim Baen once said to me, ‘You know, I’m surprised. For a commie, you haven’t made any career mistakes.’ I said, ‘Jim, it’s because I’m never caught off-guard when capitalism lives down to my expectations.’ I’ll give him credit: he laughed. He thought that was funny. I’ve had a very successful career.

‘‘Andre Norton’s prose is pedestrian, and I hear her rough drafts were even worse, and she needed a lot of editing. Nevertheless, she had one of the most successful careers in the field, because she was a terrific storyteller. I like to think that I write better than that, but, like her, I’m first and foremost a storyteller. I can teach the craft of writing, but what I cannot do is tell someone how to make a good story. I have a good friend, a photographer, and he used to be a professional for years. It’s not his eyesight – he’s got terrible eyesight. It’s just that he can look at something, and I’ll see exactly the same thing he’s looking at, but he can see that if you framed it this way, it’d be a great picture. I can’t see the frame. That’s what a storyteller does, is frame a sequence of events in such a way that there’s a point to it, it makes sense, and you go somewhere with it. I don’t know how you teach that.”

(3) GRAPHIC NOVELS. Comixology has put together its list of 50 Essential Graphic Novels which, coincidentally, they would love to sell you.

(4) MIYAZAKI PROJECT. A BBC profile, “Hayao Miyazaki: Japan’s godfather of animation?”, includes hints about a possible upcoming film.

Miyazaki has tried to retire – reportedly at least six times – but it appears he is not finished telling his stories. Since last year he has been working on a short film called Boro the Caterpillar, based on a story in development for two decades.

Last month he said it would be turned into a full-length film, which may only be released in 2021 – he will be 80 years old by then.

(5) IN SUO ANNO. When C.S.E. Cooney won a World Fantasy Award, her hometown paper took notice: “World award is no fantasy for Westerly author Claire Cooney”

When she was in third grade, Claire Cooney wrote her first musical. When she was in sixth grade, she wrote her first novel.

When she was 33, she was nominated for a Science Fiction and Fantasy Writers of America-sponsored Nebula Award for her first novella, “The Bone Swans of Amandale.”

In October the soon-to-be 35-year-old Westerly resident earned another feather for her colorful cap. She won the 2016 World Fantasy Award for “Bone Swans: Stories,” in the Best Short Story Collection category.

“I had no expectation of winning so I didn’t prepare any comments,” said Cooney, whose stories take readers on fantastical journeys through reimagined fairy tales and myths. “I just sat there saying ‘No way’ … until my friends started screaming.”

(6) HORROR APPRECIATION. This week on Jump Scare, Cierra breaks gives us a brief look at how gothic literature has help to inspire and shape horror. “A Brief Look at the Inspiration of Gothic Literature”

(7) BINKS STILL STINKS. Jerseys and bobbleheads galore in this article at Cut4 — “Get weird with 10 of the best Minor League promotions from 2016”.

MLB promotions are always a joy, but the Minors are where the most unique promotions are going to be. Teams routinely honor ’90s cartoons, give away weird bobbleheads and have the best and strangest between-innings contests.

But even in the world of zany promotions, we still must separate the wheat from the chaff. These were 10 of our favorite promotions from the last year….

  1. Altoona Curve – Jar Jar Binks jerseys

Given that “Star Wars” might be the most successful and profitable film franchise of all-time (somehow more than Space Jam), it makes sense that plenty of teams at both the Minor and Major League level host nights devoted to the space opera. But only the Altoona Curve, the Double-A affiliate of the Pirates, were willing to look back at that cruelly overlooked and maligned character: Jar Jar Binks.

The team would lose, 3-0, that night, though. Perhaps Jar Jar is fairly maligned.

(8) MONSTER MAINTENANCE MAN. Ray Harryhausen Podcast “Episode 11 – Conservation and Restoration with Alan Friswell”.

Episode 11 of the Ray Harryhausen Podcast sees us interview Alan Friswell, the Foundation’s official conservator, about the work he has carried out in maintaining Ray’s models for future generations.

Listen to Alan speak about how he ended up working with Ray, and the amazing models which he has restored over the years, including most recently the original latex model of ‘Gwangi!’

(9) MTV FOR MILLENNIALS. The Washington Post’s Jennifer Swann reports that MTV is rebroadcasting Clone High, a 2003 cartoon about “historical figures resurrected as part of a government experiment (that) return to high school” because it’s part of a plan to bring back any show that appeals to cord-cutting Millennials who liked to watch cartoons as kids.  The show was one of the first projects of Chris Miller, who went on to co-create The Lego Movie and The Last Man on Earth“Feeding the nostalgia beast: MTV and other networks bring back their vintage shows”.

Abraham Lincoln spent the entire summer growing out his sideburns in the hopes of impressing Cleopatra, but it was a goth-styled Joan of Arc who yearned for his attention at John F. Kennedy’s back-to-school kegger.

Such was the plot of the pilot for “Clone High,” an animated teen comedy series whose premise was so absurd — historical figures cloned as part of a government experiment return to high school — that it could have only been produced by MTV in 2003. The network was experimenting in its attempt to find a follow-up to “Daria,” which also championed teen misfits and social outcasts. But “Clone High” never caught on; it was canceled after just 13 episodes.

“It was just like the kookiest idea ever, but that show was gone, lost,” says Erik Flannigan, executive vice president of music and multiplatform strategy for MTV. He’d all but forgotten about its existence until meeting Chris Miller, the series’ co-creator (better known as co-director of “The Lego Movie”) when their children attended the same kindergarten in Los Angeles. Around the same time, MTV was undertaking a massive archiving project, working with the data management company Iron Mountain to digitize its assets, eventually spurring Flannigan and his colleagues to launch a new network centered entirely on old content.

(10) A LITTLE SUNDAY MAGIC. Chris Pratt (Star-Lord) entertained with this card trick on The Graham Norton Show.

[Thanks to Chip Hitchcock, John King Tarpinian, Martin Morse Wooster, and Michael J. Walsh for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]

Pixel Scroll 1/5/16 A Fine and Pixeled Place

Note: I’m going to start putting the year in the header, too.

(1) SNODGRASS ON AXANAR. Melinda Snodgrass commented about the suit against Axanar on Facebook.

So far a cease and desist order has only been issued and a lawsuit filed against Axanar, but speaking as a former attorney I see no way for CBS and Paramount to turn a blind eye to the other fan efforts. As it is they have an “unclean hands” issue because they allowed the fan productions to go forward for so many years without reacting. Now that they are taking notice they will have to take notice across the board — no exceptions. That’s my best prediction based on training and education.

Because I am a professional screenwriter and also as a trained attorney I feel I have to step away from any involvement with any Star Trek fan funded project. Out of love for Star Trek, and the chance to write for two wonderful actors from the original series I was excited to write a new Trek script. And at the time I agreed to do this CBS was giving everyone tacit approval, a sort of wink and a nod. That is no longer the case.

Am I disappointed? Of course. Having met Walter I would love to have written for him, but it’s not to be. Look, I don’t blame the network or the studio. Bottom line the intellectual property that is Star Trek belongs to them. They have an obligation and a right to protect their asset.

(2) BIG BUCKS BUT SMALL FOOTPRINT. Forbes writer Scott Mendelson ponders why “Five Years Ago, ‘Avatar’ Grossed $2.7 Billion But Left No Pop Culture Footprint”. Why does the film Avatar have no great fannish following (ala Star Wars)?

Despite a pretty swift case of blockbuster backlash, whereby pundits quickly attributed the film’s box office success entirely to the 3D effects, I still think it’s a pretty fantastic adventure film. The characters are simple but primal, and the storytelling is lean and efficient even while running nearly three hours. Avatar was arguably the right film at the right time, with a potent anti-imperialism message that came about just as America was waking up from its post-9/11 stupor and the rest of the world was more-than-ready to cheer a film where murderous private armies were violently defeated and driven away by impassioned indigenous people.

But it was basically a historical cinematic footnote not a year later, with no real pop culture footprint beyond its record-setting box office and groundbreaking 3D.

(3) ADVISED BY C3PU? Hasbro responded to complaints about not including a Rey figure in Monopoly.

https://twitter.com/HasbroNews/status/684205970248089600/photo/1?ref_src=twsrc%5Etfw

Few bought the explanation.

(4) GALLIFREY CONUNDRUM. LA’s Doctor Who-themed convention Gallifrey One has posted a “Program & Guest Update: Early Schedule, Fan Panels and More!” Here’s a panel devoted to a question I’ve wondered about myself.

Life and Death in the Moffat Era — These days it doesn’t seem like anybody who’s dead stays dead… it’s merely a setback! From Clara to Rory to Missy to Osgood to Davros and even the Time Lords — and you have to through the increasingly complicated history of River Song in there somewhere — has Steven Moffat’s decision to bring back multiple characters made death in Doctor Who anti-climactic? Or is it just another example of the wibbly-wobbly-timey-wimey fun that keeps the show fresh?

(5) USED BOOKSTORES. Mad Genius Club’s Amanda S. Green, in “Bookstores: Friend or Enemy”, a commentary on Kristen Lamb’s post about the publishing industry (also linked here the other day), makes an interesting point about used book sales.

When I started this post, I did so figuring I’d be flaying Lamb over how she viewed used bookstores. Why? Because some of the comments I’ve seen around the internet claimed she denounced used bookstores as bad for authors. She doesn’t, not really. She points out something a lot of readers don’t understand. When you buy a book from a used bookstore, the author gets nothing from that sale. Also, she rightly points out that the books you will find in such stores are, by the vast majority, traditionally published books. So, used bookstores aren’t much help for indie authors.

However, for authors whose books are found there, used bookstores do serve a purpose. In fact, it is much akin to the same purpose libraries serve. A person is more likely to pay a percentage of the price of a new book for an author they have never read before than they are to pay full price. So, even though that author doesn’t get a royalty from that particular sale, if the buyer likes the book, there is the possibility of a royalty sale down the road. Even if the reader doesn’t buy a new book later, they will discuss the book with others who might. To me, it is promotion and a good thing. Word of mouth is the best sort of promotion an author can have.

(6) TODAY IN HISTORY

  • January 5, 1889 — The word hamburger first appeared in print in the Walla Walla Union, Walla Walla, Washington.

(7) TODAY’S BIRTHDAY BOYS

  • Born January 5, 1914 — George Reeves, of Adventures of Superman fame. (He was also one of Scarlett O’Hara’s suitors in Gone With The Wind.)
  • Born January 5, 1929 — Russ Manning, artist of the comic strip Tarzan, whose credits include Magus Robot Fighter.
  • Born January 5, 1941 Hayao Miyazaki,  Japanese film director, producer, screenwriter, animator, author, and manga artist.

(8) DIRTY PICTURES. Settle down, they’re only pictures of dirt. NASA’s Curiosity Mars rover is now sending back close-ups of tall, ripple-ridden Martian sand dunes. Lots of photos here.

(9) GOTHAM. Formerly known as Pee Wee Herman — “Gotham: First Look At Paul Reubens As Penguin’s Father”.

Cobblepot is in need of a parental figure on Gotham, after his mother was killed toward the end of the first half of the season, by Theo “Dumas” Galavan. What role daddy dearest will play in that story is unclear, but from this image it looks like Penguin may have gotten his more vengeful side from his paternal parent.

While we don’t know exactly when Penguin’s Papa will show up, Gotham returns February 29, 2016, so we can expect him soon after.

(10) LEAPIN’ LITTERS. Not every dog has his day.

(11) THE CERTAINTY UNCERTAINTY PRINCIPLE. T. C. McCarthy can’t explain it.

(12) QUIDDITCH PONG. Combining the elements of Harry Potter’s favorite sport with beer pong, the Unofficial Quidditch Pong tabletop game assigns the player representing each house three unique spells. For example —

Slytherin:

Avada Kedavra– Once per game, choose a cup and remove it from the table. (can be used on Resurrection Stone)

Crucio– All of your opponents must make trick shots for one round

Imperio– Dictate which cup your opponents must make for one round

 

Quidditch Pong slide_2

(13) WETFOOT. Past LASFS President, actor Ed Green, plays one of the hundreds of faux lawyers and bankers fording the Rio Grande to illustrate a talking point in this Ted Cruz campaign ad. (If there’s a problem with the embedded video below, it can also be played at the Ted Cruz website Fix Our Border Yeah, like you would do that…)

Ed appears at in all his glory at :14, :25 and :35.

[Thanks to Dave Doering, John King Tarpinian, and David K.M. Klaus for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]

2015 ALAA Hall of Fame Inductees

By Fred Patten: The Anthropomorphic Literature and Arts Association announced the 2015 inductees to the ALAA Hall of Fame at Midwest FurFest 2015 in Chicago on December 4-6. They are —

  • Hayao Miyazaki (person)
  • Walt Kelly (person)

The ALAA Hall of Fame Award was instituted in 2012 to “honor people who were crucial to the formation of furry fandom as what it is today” but it can go to a writer, artist, a favorite character, book, movie, TV series – anything that would make most people say, “Oh, yeah, sure — how could we have overlooked him, or her, or it?”

Hayao Miyazaki has created many fine animated TV series and features, including working on Animal Treasure Island, designing Famous Detective Holmes/Sherlock Hound, and creating the title character of Porco Rosso. Walt Kelly, of course, created Pogo Possum and his whole cast of Okeefenokee Swamp friends and enemies.

In 2012 the first selections to the Hall of Fame were Walt Disney, Bugs Bunny, and Richard Adams’ Watership Down. In 2013 the inductees were Animal Farm by George Orwell, Pride of Chanur by C. J. Cherryh, and the 1973 animated movie Robin Hood from Walt Disney Studios.  In 2014 they were Carl Barks, the novel Charlotte’s Web by E. B. White, and Osamu Tezuka.

The ALAA also presents the Ursa Major Awards and compiles an annual Recommended Anthropomorphics List.

Midwest FurFest 2015 had 5,606 attendees and donated $62,020.71 to Save-A-Vet.org, a military and law-enforcement working dog rescue and support organization. The charity auction included a bidding war up to $5,500 for a Blackhawks team-signed charity hockey stick.

Update 12/11/2015: Correction by Fred Patten. Removed Alan Dean Foster from the list of inductees. He was a runner-up.