Worldcon 75 Releases Hugo Voter Packet

The 2017 Hugo Awards voter packet is now available for download by Supporting, Attending, Youth and First Worldcon members of Worldcon 75. The packet is an electronic collection that helps voters become better informed about the pool of finalists. Works included are made available by finalists and their publishers.

The voter packet contains complete texts of many Hugo-nominated works, preview versions of some works, and directions for finding some finalists’ works online. The packet itself can be accessed by members directly from their online ballots with personalized links.

Nicholas Whyte, Hugo administrator for Worldcon 75, said:

This year’s voter packet is the most extensive and complete collection since the packet’s inception in its present form 10 years ago. We are deeply appreciative of the publishers, authors, artists, editors, and other creators who have generously provided their works to this year’s Hugo Voter Packet, and ask that voters who feel the same way consider posting on social media to thank the publishers, editors, and creators who have participated in the packet.

In most ballot categories there are separate downloads for each of the three most common ebook formats (EPUB, MOBI, and PDF). In the few cases where a publisher has provided only a PDF version of a work, the PDF has been included in each of the different format packets so that members will not have to do extra downloading. The exceptions to this are the Dramatic Presentation, Artist, Graphic Story, Fancast, and Editor Long Form categories, where there is only a PDF download.

The Hugo Voter Packet will be available for download until the voting deadline at 11:59 pm Pacific Daylight Time on 15 July 2017 (2:59 am EDT, 07:59 BST, 09:59 EEST). As in previous years, Worldcon 75 asks that voters honor publishers’ and creators’ request that they reserve these copies for their personal use only, and that they do not share these works with non-members of Worldcon 75.

Here is an overview of the packet contents:

  • Novel: 5 full novels and 1 excerpt
  • Novella: 6 full novellas
  • Novelette: 6 full novelettes
  • Short Story: 6 full short stories
  • Related Work: 4 full long works, 1 full short work, and 1 excerpt
  • Graphic Story: 6 full works in PDF form only
  • Dramatic Presentation (Long Form): a PDF document summarizing the Finalists, with hyperlinks to each work’s video trailer, official website, IMdb entry, and Wikipedia entry.
  • Dramatic Presentation (Short Form): a PDF document summarizing the Finalists, with hyperlinks to each work’s video trailer, official website, IMdb entry, and Wikipedia entry. In the case of the Clipping musical work, links are included to listen for free on YouTube, Spotify, iTunes and Bandcamp.
  • Editor – Short Form: submissions from 6 editors
  • Editor – Long Form: submissions from 6 editors
  • Professional Artist: image galleries for 6 artists, with citations of where and when each work was published, and a PDF document with links to all the artists’ websites
  • Semiprozine:  submissions from 6 semiprozines
  • Fanzine: submissions from 6 fanzines
  • Fancast: PDF submissions for 6 fancasts with episode summaries and links to online podcasts
  • Fan Writer: submissions from 5 fan writers and 1 PDF document with a link to an online submission from a 6th fan writer
  • Fan Artist: image galleries for 6 artists, and a PDF document with links to all the artists’ websites
  • Series: 2 full series, 1 novel for each of 2 series, 1 excerpt for each of 2 series, and a PDF document for each series which lists all the works in the series and includes some hyperlinks to bonus related online content.
  • John W. Campbell Award for Best New Writer: 3 novels, 2 novellas, and 9 short stories for 6 authors

Readers who do not have membership in Worldcon 75 can still access a great deal of Finalist material at no cost; see this page for links: Where To Find The 2017 Hugo Finalists For Free Online.

Those wishing to purchase membership to Worldcon 75 may still do so. Supporting membership is €35 / $40; Adult Attending membership is €195 / $215; and First-Time Adult Attending membership is €95 / $110. All three of these membership levels are eligible to receive the Hugo Voter’s Packet. Worldcon 75 Membership Page.

Castalia Blog Posts Excluded from Hugo Packet

Daniel Enness announced he has been informed by MidAmeriCon II that “Safe Space as Rape Room,” his Hugo-nominated series of posts on the Castalia House Blog, will not be part of the Hugo Voter Packet:

Worldcon Members who are looking forward to the forthcoming Hugo Voter Packet – which traditionally contains as many of the works nominated for a Hugo Award as possible so that all voters can review the nominees in a unified set of documents – will notice a special warning from MidAmeriCon II in this year’s edition of the Packet:

As the World Science Fiction Convention, MidAmeriCon II has members from 35 countries. Safe Space as Rape Room quotes extensively from a written work containing explicit descriptions of children engaged in sexual activities. This material may be illegal in some home countries of  members. MidAmeriCon II does not wish to put any member at risk of inadvertently violating the law in their country of residence by downloading it in the packet without intent. As such, under legal advice, we are not  hosting or distributing this material directly. However, Safe Space as Rape Room is freely available on the Internet and can be found by anyone at….

The series of posts is nominated in the Best Related Works category.

Pixel Scroll 5/25/16 Hivescape

(1) TINGLE IN YOUR PACKET. Maybe this helps explain why the Hugo Voter Packet wasn’t released on May 23.

(2) RUNAWAY TRAILER. The Hollywood Reporter analyzes “’Ghostbusters’: How Sony Plans to Out-Slime the Online Haters”.

When Sony Pictures’ second trailer for its female-fronted Ghostbusters reboot appeared online May 18, fans initially had to find it on Facebook. The studio had switched from YouTube, which hosted the first trailer, in a deliberate effort to combat a cacophony of negative reaction emanating from a very vocal minority online.

With the YouTube trailer, bloggers could embed the player on their sites to congregate negativity on Sony’s official YouTube channel, a move akin to spraying toxic green slime all over the studio. As a result, the Ghostbusters teaser was dubbed the most disliked trailer ever — not the kind of buzz Sony or director Paul Feig want just months before the $150 million comedy’s July 15 release.

Given the high stakes riding on the franchise reboot starring Melissa McCarthy, Kristen Wiig, Leslie Jones and Kate McKinnon, the studio was determined not to let the anti-Ghostbusters contingent mar the movie’s perception. “What tends to happen with a beloved property is the fanboy or the fangirl shows up and says, ‘How dare you remake this?’ ” says Sony domestic marketing president Dwight Caines.

But the umbrage taken has been even more pronounced than for the average reboot, and many believe it’s because Ghostbusters marks the first major film to get a female-centric redo (plans for others are in the works, from Ocean’s Eleven to The League of Extraordinary Gentlemen). Gender politics is rearing its ugly head, some say, with even Donald Trump weighing in last year on Instagram: “Now they’re making Ghostbusters with only women. What’s going on?!”

To some extent, Sony was expecting negative reaction to the first trailer, which contained very few special effects scenes because they mostly weren’t ready. When the studio launched the first footage of Sam Raimi’s 2002 Spider-Man, it scored a 65 percent negative rating. For the 2012 reboot The Amazing Spider-Man, it was 60 percent negative. And Daniel Craig’s first James Bond film, Casino Royale, drew a 55 percent negative rating.

(3) TORCHWOOD. ScienceFiction.com tells about an audio reunion of the Torchwood stars.

Big Finish has been issuing new ‘Torchwood’ adventures and not only have the original actors been returning to provide their voices, but the stories are set before the third series ‘Children of Earth’ meaning that fan favorite Ianto Jones played by Gareth David-Lloyd is still alive in them.

Recently, Eve Myles, who played one of the show’s two focal characters Gwen Cooper announced she was retiring the role, but it appears she has one more go-round for the character.  Myles will reunite with John Barrowman/Captain Jack Harkness, Kai Owen/Rhys Williams and David-Lloyd for the newest Big Finish miniseries ‘Torchwood: Outbreak’ which will be released as a three-part boxed set this November.  Previously, the stars each headlined their own solo installments, except for Myles and Owen who appeared together in ‘Forgotten Lives’.  But this will be the first time all four will participate together in one audio story.

Torchwood-Outbreak COMP

(4) HUMBLE AT TWENTY-ONE. The Small Beer Press fiction HumbleBunde offers up to 21 books worth as much as $184.

Pay $1 or more for Meet Me in the Moon Room by Ray Vukcevich, Trash Sex Magic by Jennifer Stevenson, The Fires Beneath the Sea by Lydia Millet, Fire Logic by Laurie J. Marks, The Liminal People by Ayize Jama-Everett, Generation Loss by Elizabeth Hand, Tyrannia by Alan DeNiro, The Monkey’s Wedding and Other Stories by Joan Aiken, and Stranger Things Happen by Kelly Link. Pay more than the average price to also receive A Stranger in Olondria by Sofia Samatar, Couch by Benjamin Parzybok, Travel Light by Naomi Mitchison, The Entropy of Bones by Ayize Jama-Everett, Kalpa Imperial by Agelica Gorodischer, translated by Ursula K. Le Guin, Solitaire by Kelley Eskridge, and North American Lake Monsters by Nathan Ballingrud.

Pay $15 or more for all of that plus Carmen Dog by Carol Emshwiller, The Child Garden by Geoff Ryman, Storyteller: Writing Lessons and More from 27 Years of the Clarion Writers’ Workshop by Kate Wilhelm, After the Apocalypse by Maureen F. McHugh, and Archivist Wasp by Nicole Kornher-Stace.

The bundle supports charities and buyers can direct where the money goes — between Small Beer Press, Worldreader, and, if you’d like, a second charity of your choice via the PayPal Giving Fund.

(5) SFWA HANGOUT. SFWA President Cat Rambo announced a new series of online chats.

Starting May 30 at noon Pacific time, every two weeks I’ll be hosting a chat on Google hangouts talking about what we’re doing, what’s coming up, recent issues and achievements, and the state of the industry overall. The chat will be broadcast live as well as recorded for the SFWA Youtube channel, and will feature a small group (4-5 people) of SFWA officials, staff, volunteers, members, and other visitors as appropriate each time.

Both SFWA members and non-members are encouraged to submit questions and comments for use on the show. You can submit them by mailing them to cat.rambo@sfwa.org or by posting them here.

(6) SWIRSKY GUESTS. At Mary Robinette Kowal’s blog, Rachel Swirsky has written a meditative memoir piece about painful moments where lives intersect with oppression.

(7) WHAT MADE THEM MAD. University of Oregon’s Jordan Schnitzer Museum of Art (JSMA) hosts “Aliens, Monsters, and Madmen: The Art of EC Comics” through July 10.

Aliens, Monsters, and Madmen celebrates the achievements of the most artistically and politically adventurous American comic-book company of the twentieth century: Bill Gaines’s Entertaining Comics, better known to fans all over the world as EC. Specializing in comic-book versions of popular fiction genres—particularly Crime, Horror, War, and Science Fiction—the company did far more than merely adapt the conventions of those genres to the comics medium.  In the case of the now legendary Science Fiction and Horror titles, Weird Science and Tales from the Crypt, the creators at EC actively extended those genre conventions, while simultaneously shaping the imaginations of a subsequent generation of writers and filmmakers, such as Stephen King, George Lucas, John Landis, George Romero, and Steven Spielberg.

EC also broke new ground in the realm of satire as the publisher of MAD, an experimental humor comic that parodied the very stories that were elsewhere its stock in trade. EC Comics offered a controversial mix of sensationalism and social provocation, mixing titillating storylines and imagery with more overtly politically progressive material. Alongside comics about beautiful alien insect-women who dine on unsuspecting human astronauts, for example, they also tackled subjects that other popular media of the era avoided, including racism, corruption, and police brutality.  As a result, the company attracted the disapproval of parents, politicians, and moralists everywhere, and was ultimately driven out of business as the result of a conservative “anti-comics” backlash in 1954. (Only MAD survived, by becoming a magazine in the mid-1950s; it remains in print today.)

The exhibition is curated by Ben Saunders, professor, Department of English. Saunders curated the JSMA’s previous comics exhibitions, Faster Than A Speeding Bullet: The Art of the Superhero (2009) and Good-Grief!: A Selection of 50 Years of Original Art from Charles M. Schulz’s Peanuts (2012).

The JSMA is located on the University of Oregon Campus in Eugene.

(8) COOKE. Thomas Parker writes an appreciation of the late Darwyn Cooke at Black Gate “Hope, Heroism, and Ideals Worth Fighting For: Darwyn Cooke, November 16, 1962 – May 14, 2016”

I was surprised and deeply saddened on May 14th to learn of the death from cancer of comic artist and writer Darwyn Cooke, at the much too early age of 53.

Over the past decade, I have gradually lost most of my interest in current comics, especially ones from DC and Marvel that deal with long established characters; the medium (always with some honorable exceptions, of course) has largely grown too violent, too jaded, too self aware and self indulgent to produce much work that engages me.

The shock for shock’s sake taboo breaking, the endless restarts and reboots, the universe-altering big events that promise to “change everything” — they all long ago began to merge together into one dull blur, like an old chalkboard that has been written on and erased too many times. How often can you really “change everything” before you are in danger of eradicating the ties of memory and affection and shared history that connect a medium and its audience? That’s what happened with me, anyway. What the hell — maybe I’m just getting old.

There are exceptions though, as I mentioned, and Darwyn Cooke was one of them. I was always eager to see anything he produced; when a new Cooke was in my hands, I felt as young as I did the day I bought my first comic book (House of Mystery 175, July-August, 1968).

(9) TODAY IN HISTORY

  • May 25, 1953 It Came From Outer Space premieres. Although credited to Harry Essex, most of the script, including dialogue, was copied almost verbatim from Ray Bradbury’s initial film treatment.
  • May 25, 1977 — George Lucas’ Star Wars was released.

(10) TODAY’S BIRTHDAY BOY

  • Born May 25, 1944 — Frank Oz (born Richard Frank Oznowicz), age 72.

(11) CONNECTIONS. On Twitter yesterday comedian and CNN United Shades of America host W. Kamau Bell mentioned that he and N.K. Jemisin are cousins together in Mobile, Alabama.

Here’s the Tweet. (And Jemisin dropped in with a couple of replies.)

(12) A HEARTFELT APOLOGY. From The Jimmy Kimmel show.

The most recent episode of “Game of Thrones” was particularly upsetting for fans of the show. Even now people are still talking about the shocking turn of events at the end of the show – and producers DB Weiss and David Benioff took the extraordinary step of apologizing to their fans.

 

[Thanks to John King Tarpinian, and Marc Criley for some of these stories. Title credit goes to File 770 contributing editor of the day Ian P.]

Sasquan Releases Hugo Nominee Packet

The 2015 Hugo Voter Packet can now be downloaded by members of Sasquan here.

The packet contains the full text of three Hugo-nominated novels, The Dark Between the Stars by Kevin J. Anderson, The Goblin Emperor by Katherine Addison, and The Three Body Problem by Cixin Liu, plus excerpts of Skin Game by Jim Butcher and Ancillary Sword by Ann Leckie.

All of the nominated short fiction and four of the five graphic novels are included in their entirety. (Sasquan’s press release suggests Zombie Nation may still be coming).

Complete copies of four of the five Related Works nominees are in the packet, together with an excerpt from Letters from Gardner by Lou Antonelli.

There is some material in each of the other categories except the Dramatic Presentations, but as Sasquan notes in the release, “not everyone wanted us to include their work in this packet.”

This download is supplied by the creators and publishers of nominated works to allow Hugo Awards voters to make an informed choice. It is free to Sasquan members, including new members who join before July 31.

Voting on the Hugo Awards is open to all Supporting, Attending or Young Adult members of Sasquan. Information about voting and a ballot may be found here [PDF file]. Voting requires a membership number and Hugo PIN, and can be done online here.

The full press release follows the jump.

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Hugo Nominated Fauxzines

While paging through the Hugo Voter Packet a friend of mine discovered that the four blogs up for Best Fanzine are represented by samples made to look like real magazines, with selections from their entire year’s work and new introductory material.

This annoyed my friend, who is one of the old guard with strong opinions about the difference between fanzines and blogs, and what belongs in the Best Fanzine category.

I, on the other hand, was highly amused. Just as people determined to overcome L’Académie française’s rejection of foreign vernacular like “hot dog” speak about finishing the good work begun by Henry V, I thought it was beyond wonderful to see Aidan Moher forced to present A Dribble of Ink to Hugo voters in a nicely formatted little PDF file.

That would be the same Aidan Moher who tweeted these gloating remarks after the Hugo nominations were announced in April.

Amusing comments about the “Best Fanzine” nominations in the comments to this File 770 post: http://file770.com/?p=16682

From that thread, “I did what I could to keep the non-fanzines from being nominated when I introduced the amendment back in 2011.”

Sorry to rain on your parade, guys.

Not at all. I can only applaud when someone turns away from the dark side. Congratulations on your first fanzine, Aidan!

Loncon 3 Releases Hugo Voter Packet

The 2014 Hugo Awards Voter Packet was made available today to members of Loncon 3. It is located here and is accessible to those with a Worldcon membership number and PIN. The packet will remain online until voting closes at 0000 PDT on August 1.

The bundle includes full editions of some nominated works and preview versions of others.

Notably, Tim Holman, publisher of Orbit, announced earlier this month that the three shortlisted novels from his company will be represented only by previews —

We are of course very much in favour of initiatives that help readers to engage with important awards, and we are always looking for new ways to help readers discover new authors. However, in the case of the voter packets, authors and rights holders are increasingly feeling that if their work is not included in the packet it will be at a disadvantage in the awards. It’s difficult for anyone to know for certain whether this is the case, but either way we don’t feel that authors and rights holders should feel under pressure to make their work available for free. There are a lot of different attitudes to the idea of giving work away for free, but we hope most people would agree that writers and rights holders should be able to make their own choice, without feeling that their decision might have negative consequences.

Later tonight I will have time to explore the complete bundle. In order to get a quick sense of how this year’s version will operate I opened one of the smallest directories, that for Best Fan Writer. As a result I found that Meadows, Hurley, Bourke and Nussbam are represented, but the directory contains nothing from Mark Oshiro.

The Loncon 3 team will shortly release a voter packet for the Retro Hugos, commemorating the best in science fiction and fantasy available to fans in 1939.

The full press release follows the jump.

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2013 Hugo Voter Packet Released

LoneStarCon 3 has opened the 2013 Hugo Voter Packet to members.

Congratulations to the organizers, who secured submissions from every Hugo and John W. Campbell Award nominee (apart from the Dramatic Presentations), including all nominated works in the written fiction categories.

The packet, whose contents have been made available by publishers and creators so members can familiarize themselves with the award finalists before voting, will remain available to Supporting, Attending, Military and Young Adult members until voting closes on Wednesday, July 31, 2013 at 11:59pm CDT.

You can get started reading immediately if you have your LoneStarCon 3 Hugo PIN and Membership # — or if you don’t there is a utility that will promptly e-mail you a copy. Just head over to the login page.

Chicon 7 Fixes Hugo Voter Packet

The full Hugo Voter Packet now is available – including previously missing samples for the Best Editor – Short Form, Best Semiprozine, Best Related Work, Best Graphic Story and Best Fanzine categories.

Helen Montgomery, Vice-Chair, attributed the delay to a “very large bug” which was resolved with a lot of hard work by the Chicon 7 tech team and their ISP. The problem caused a 10-day delay in making the missing material accessible, everything else in the packet having gone online by May 18.

Voter Packet a Few Bricks Shy of a Load

The 2012 Hugo Voter Packet as of this hour still lacks the samples in four publication categories — Graphic Story, Editor – Short Form, Semiprozine, and Fanzine.

The Chicon 7 committee’s May 21 press release publicizing the 2012 Hugo Voter Packet neglected to address the continuing unavailability of the samples or say when the technical problems are expected to be fixed. Items from all other categories have been online since May 18 or before.

The full press release follows the jump.

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