Lis Carey Review: Juniper Wiles

Juniper Wiles by Charles de Lint (Triskell Press, 2021) 

Review by Lis Carey: Juniper Wiles played teen detective Nora Constantine on a successful TV show, and then made some movies that weren’t so great. She decided to leave LA and go home to Newford. She’s living on her residuals, and pursuing the art she once set aside for acting. This has included reconnecting with her friend, faerie artist Jilly Coppercorn, and her interesting circle of friends in the artists’ collective, Bramleyhaugh. She’s happy, and doing well.

And then one day she’s sitting in her favorite coffee shop when a young man walks up to her, and asks “Nora Constantine” to take his case. He wants her to find the man who sold him the manuscript of a new Nora Constantine novel.

He thinks Juniper really is Nora Constantine. And he thinks the new novel is responsible for all the terrible things that have happened in Crescent Beach since the end of the TV show.

Juniper does not respond well, and chases this obsessed fan off.

The next day, the newspaper reports that his body has been found. His name was Ethan Law, and he’s been missing for a week, and dead for several days. Juniper spoke to a ghost.

Juniper is very, very reluctant to accept that this means she really has to take his case, but in the end there’s no avoiding it. Particularly after she and others get text messages from Ethan with more information on what’s happening in Crescent Beach, and a conversation with Emma Rohlin, author of the Nora Constantine novels, who had written a character called Ethan Law in an unpublished novel.

Oh, and she also learns that the magic stuff that Jilly talks about is not just talk or Jilly being Jilly. It’s real, and strong enough fictional worlds manifest in the otherworld. The people in them manifest as real people. They matter.

Juniper Wiles is starting to learn about a whole different side of Newford, her friends, and the world itself.

The characters are fascinating and convincing, and as always with de Lint, they’re worth spending the time with. They make me want to believe that Newford is out there, and I might visit sometime. This is a rich, textured, lived-in world.

Highly recommended.

I bought this book.

Pixel Scroll 12/22/23 Lot 97! One Child’s Space Suit, Never Travelled In

(1) FUTURE TENSE. The December 2023 entry in the Future Tense Fiction series is “Rigland,” by Suyi Davies Okungbowa. The story is about oil rigs and what we owe to our communities.

It was published along with a response essay by journalist Mia Armstrong-López: “What if Oil Platforms Belonged to the People Who Worked on Them?”.

…When I set out to report on Mexican women working offshore, I expected to focus on harassment, discrimination, and abuse and the grueling labor conditions that facilitate them. Women are in the minority on platforms—one interviewee was the only woman among dozens of men; others recounted being in groups of only five or 10 women on an entire platform, outnumbered 1 to 10 or 20. The conditions they face are often punishing: In Mexico, platforms are isolated with limited communication, living situations are dorm-style and sometimes coed, and many workers have short-term contracts with little protection. The work is dangerous—they’re exposed to heavy machinery, harsh weather, and hazardous chemicals.

I heard plenty of stories of these precarious conditions—women who were spied on while they showered or changed, discriminated against due to pregnancy, and verbally abused. But more often, women shared experiences like the fishing story. They wanted to tell me about spending hours carving tomatoes to look like flowers to make a meal feel more special; about coordinating workers to bring their favorite candies to stuff holiday piñatas so they would all feel less alone; about learning to teach yoga, helping their colleagues relieve the years of work-related pain and exhaustion their bodies had come to carry. They told me these stories not to excuse or brush over the other, darker realities of working offshore but to show me, Look what we’ve built, despite it all….

(2) ANOTHER DAY IN COURT. Michele Lundgren, charged as a Michigan fake Trump elector in July, was back in court on December 13 along with five other defendants to hear testimony before a judge who will eventually rule whether the Michigan Attorney General’s office has established probable cause for the felony charges to proceed to trial. “Michigan elections director says he contacted AG on false electors” in the Detroit News. Michele Lundgren is the wife of Carl Lundgren, a well-known sff artist.

Michigan elections director Jonathan Brater testified in court Wednesday that he contacted the Attorney General’s office after finding out about a certificate state Republicans signed falsely claiming Donald Trump won the 2020 presidential election.

Brater’s revelation highlighted the first day of preliminary examinations in the criminal cases of six of the 16 Republicans whose names appeared on the certificate, which was part of an attempt to flip Michigan’s 16 electoral votes to Trump although Democrat Joe Biden won Michigan in November 2020.

Over about seven hours of testimony in Ingham County District Court, prosecutors from Attorney General Dana Nessel’s office and defense lawyers repeatedly clashed over what the importance of the false certificate was, Michigan election law and even who could be in the courtroom.

The examinations will continue Thursday with Ingham County District Court Judge Kristen Simmons eventually having to decide whether the Attorney General’s office has established probable cause for the eight felony charges it’s brought against each of the Republicans to proceed to trial….

(3) KEEP A HANKY READY. Camestros Felapton’s “Smith Rewatch: Vincent and the Doctor”. Maybe cue Judy Garland singing, “You made me love you / I didn’t want to do it….”

…Let’s make it potentially worse by adding in a writer against which Moffat’s attraction to twee Britishisms and romcoms looks positively restrained. Richard Curtis getting to write floppy haired Matt Smith as a surrogate Hugh Grant sounds like a recipe for disaster.

And yet, this is one of the most beloved episodes of Doctor Who — perhaps more with its general normy audience rather than die-hard Who fans but still one that is often pointed at. I think I went into this episode feeling cynical, I’ll concede the ending touched me but it felt messy to me at the time. On rewatch? I’ll confess that I started tearing up much earlier than the plot demanded. It is very sentimental but a good rule for Who is to always go a little bit extra with whatever direction the story is heading….

(4) THE NEW DOCTOR. [Item by Steven French.] In the run up to the Xmas special, Ncuti Gatwa on Xmas, family and Dr Who: “Ncuti Gatwa: ‘I know many a gay man who’s exactly like the Doctor’” in the Guardian.

 “We choose our families. And the Doctor is a lonely wanderer, looking for their next adventure … I know many a gay man, MANY a gay man, I could describe that way!” He laughs. “I think that’s a beautiful, beautiful theme Doctor Who has, because chosen family can be more meaningful, more supportive. That really can be the case, and it’s a theme that absolutely runs through the show.”

(5) ORIGIN OF THE SPECIES. “Can the Oompa-Loompas Be Saved?” The New York Times seriously doubts it, if the answer depends on finding a way to make them politically correct.  

What do we do with the Oompa-Loompas?

That’s a question filmmakers and writers have tangled with ever since the 1964 debut of the tiny, largely unpaid laborers in Roald Dahl’s beloved children’s book “Charlie and the Chocolate Factory.”

In Dahl’s original, the Oompa-Loompas were starving African pygmies, subsisting largely on a mash of green caterpillars and tree bark until “rescued” by Willy Wonka. He smuggled the entire tribe out of Africa in packing crates to live and work, and sing and goof and dance, in the chocolatier’s plantation, er, factory.

“It didn’t occur to me that my depiction of the Oompa-Loompas was racist,” Dahl said in a 1988 interview. “But it did occur to the N.A.A.C.P. and others.”

In the five decades since their literary debut, the Oompa-Loompas have undergone a series of transformations to shake their story from its colonialist roots. Some fixes have been transparently cosmetic (in subsequent editions of the book, illustrators simply made the tribesmen white). Others weren’t fixes at all: In the 2005 film “Charlie and the Chocolate Factory,” the director, Tim Burton, just shifted continents, moving the Oompa-Loompas out of Africa to someplace that vaguely resembles South America, as imagined by an adventure film director from the 1950s.

In the Warner Bros. prequel “Wonka,” which opens Dec. 15, the filmmakers address the colonialist aspects head on…

(6) WESTERCON. [Item by Kevin Standlee.] The official papers of Westercon as of the end of Westercon 75 (Loscon 49) have been updated and are available at Bylaws & Business – Westercon

This document includes:

  • Minutes of the Westercon 75 Business Meeting
  • Links to video of the Business Meeting and the Committee of the Whole on Site Selection held thereat
  • Bylaws and Standing Rules as of the end of Westercon 75 and the Draft Agenda for the Westercon 76 Business Meeting.

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born December 22, 1951 Charles de Lint, 72. Need I say this is just my personal choices by an author I’ve known personally for over thirty years now? I think not.

Let’s start with Moonheart, the novel that Tamson House at its heart, a most amazing architectural wonder which may be at center of the universe. It amazes me with every page. I know that’s why readers I’ve talked to pick it as their favorite of his considerable writings. The sequel, Spiritwalk, is a patch-up novel and in someways a deeper, more interesting story, mainly because the characters are more flawed.

Moonheart is set in home city of Ottawa as are these three novels. Yarrow is an autumnal tale of a woman who has stopped dreaming, and the two Jack of Kinrowan novels, Jack, the Giant-Killer and Drink Down the Moon, involve the fey courts in Ottawa. If you like War for the Oaks, I think that you will like these novels. 

Charles deLint at 1980 World Fantasy Con. Photo by and (c) Andrew Porter.

Memory and Dream is his take on artists and their work with the usual magic thrown in. Lots of pre-Raphaelite influence here, I think if I remember correctly that he has an artist named Ruskin. Very interesting. 

Someplace to Be Flying is the first of two novels set in his city of Newford that I deeply, madly love. This one introduces the Crow Girls, immortal shape shifters who just want to have fun and eat sugar. Really they do. It’s got great characters, wonderful settings and a fantastic story as does Forests of The Heart which adds a large dollop of Irish music and the green man to boot to the Newford setting.

The Mystery of Grace which was his last novel for Tor for reasons that were interesting to say the least is a fantastic story of a motorcycle riding female mechanic who may have crossed over to the other side when the veils on Día de los Muertos grew too thin in the right, or if you prefer, wrong place. Stellar writing by him. 

The Cats of Tanglewood Forest as infused with lavish illustrations by his friend Charles Vess should be read by anyone who loves cats, Appalachian folklore or just a great story. Need I say the book itself is stunningly gorgeous?  Lillian here was the girl in A Circle of Cats, the children book done by him and again illustrated by Vess. Again recommended. Medicine Road will feature a grown up Lillian. 

His newest undertaking, in which Junniper Wiles is the central character, is a mystery series and a lot of fun. More light heated than some of his fiction has been, not a bad tack to take.

So how are his short stories you say? Extraordinarily good. For over a decade before he stopped publishing them, he sent me his annual Winter chapbook on Triskell Press, a perfect treat from him. 

If I was going to recommend but one collection to read by him, it would be an easy pick and that would be Dreams Underfoot. It has “The Moon is Drownimg While I Sleep”, maybe his best story ever, and other excellent stories such as “The Sacred Fire” which was produced as an episode of the The Hunger anthology television series hosted first by Terrence Stamp and then by David Bowie  and was first shown I some twenty-five years ago. 

He did a later collection as well on his new publisher, Tachyon Press, The Best of Charles de Lint. I’ll admit I’ve not looked at its content so let me do that now. Huh, it’s up but Tachyon Press didn’t do an epub edition so he did it himself.  I will recommend it as the stories in The Very Best of Charles de Lint are those of Dreams Underfoot plus a whole more of his later work.

(8) COMICS SECTION.

  • Carpe Diem continues its Star Wars and pets imitating their owners theme.
  • Eek! has the worst gift.
  • Eek! also has a silly demonstration of a bit of monster trivia many get wrong.

(9) TO DYE FOR. The Guardian pages back to the 19th century to explain “How a European colour revolution brought us the humble Christmas card”.

What would Christmas be without the humble Christmas card? It’s hard to think of a more quintessentially British seasonal tradition than propping up colourful bits of stiff paper on your mantelpiece, but in fact we wouldn’t be sending each other bits of stiff paper were it not for a feat of pan-European collaboration – and competition – cooked up in the mid-19th century. Many of our most familiar traditions percolated down from Britain’s royal and aristocratic families, who themselves had imported many of them from their German forebears. But it wasn’t until the widespread adoption of colour printing in the 1860s that Christmas cards, first commissioned as high-status, handcrafted items in the 1840s, became cheap enough for the middle and lower classes to get their hands on them.

Some of these early mass-produced cards are on show at the Ashmolean in Oxford, as part of their Colour Revolution exhibition. To the modern eye they are pretty elaborate affairs, dating from the 1880s, with beautifully coloured floral images, silk tassels and fringes, dyed vibrant shades of purple and orange. The cards may be small but they are part of an important story, one that the exhibition aims to tell in a detailed way. It concerns the almost incalculably formative influence of the mid-19th century “chromatic turn”, in which the Victorians’ obsession with admiring, analysing and then manufacturing colour in all sorts of areas – fashion, art, design, advertising – made itself felt across Britain, France and Germany, and indeed the rest of the world.

The Ashmolean exhibition is a brilliant and fascinating show, re-creating elements of the 1862 International Exhibition in London’s South Kensington, which showcased 19th-century attempts to reconstruct the original colours of ancient Greek sculpture (including Alma-Tadema’s fabulous painting Phidias Showing the Frieze of the Parthenon to his Friends), and some elaborate late-Victorian fashions, including a gruesome necklace made from dead hummingbirds.

The show’s key element may appear slightly dusty by comparison: a section outlining the development of synthetic aniline dyes, starting in 1856 with the invention of the strident purple known as “mauveine” by young British chemist William Henry Perkin, while studying under German professor August Wilhelm von Hofmann. Discovered accidentally as Perkin was trying to produce a malaria treatment from coal tar, mauveine – and its subsequent counterparts such as fuchsine (reddish-purple), and induline (bluish red) – were cheap to produce and had enormous commercial success as, for the first time, brightly coloured fabric became affordable for large swathes of the European lower and middle classes, allowing them to indulge in fancy dresses, hats, upholstery and, yes, Christmas card tassels….

(10) SECOND TO NONE. What is the exact time? Tom Vanderbilt learned why it’s hard to tell: “In Search of Lost Time” at Harper’s.

…The night before my visit, I’d opened time.gov, the very official-looking page—headlined official u.s. time—run by NIST and the U.S. Naval Observatory. The site features a map of the United States, divided into time zones, as well as a variety of subsidiary clock displays (Chamorro Standard Time, Aleutian Standard Time) that ticked, at the second level, in seeming synchrony. I noticed that my own watch—the Garmin Forerunner 935, a “premium running watch,” which generally gets its time from four of the thirty-one operational GPS satellites encircling the globe—looked to be a second behind. Why?

This was one of the first questions I put to Judah Levine, an eighty-two-year-old JILA physicist and one of “America’s timekeepers.” “The handheld guys are typically wrong by a second or a half-second,” Levine said. “That’s because the device’s display is not fast enough.” He said this with weary resignation. White-haired, with gold-rimmed glasses, wearing a blue flannel shirt, gray work pants, and sturdy black shoes, Levine reminded me of one of those somewhat cantankerous master craftsmen you still find in certain old quarters of Brooklyn. The shelves of his office were lined with physics textbooks, and an Oregon Scientific clock—which gets a radio signal from NIST—displayed the time in blocky liquid-crystal numbers.

In fairness to my watch, Levine explained that time.gov (which had informed me that the laptop I was using had strayed “+0.012 s”) was itself off by a noticeable amount. “It takes a while for the signal to transfer across the network, which we don’t control,” he explained. The actual correct time was on display in a laboratory adjacent to Levine’s office. It appeared as a string of red digits on a device that looked like a high-end stereo amplifier. This was a display of the official time, which is kept by a series of cesium fountain atomic clocks a few miles away, at NIST’s Boulder campus, and sent via satellite to JILA. Here was the seat of temporal power, the nation’s pulsing metronome. I watched the red LED seconds tick away, bathing in their implacable authority. It was then, however, that Levine introduced another complication. The time we were looking at might actually, a month from now, be deemed incorrect….

(11) THE DOORS, NOT THE DALEKS, WERE THE REAL NIGHTMARE. “Doctor Who: TV crew member recalls genesis of the Daleks” at BBC.com.

On 21 December 1963, some of the most feared characters in science fiction first appeared on screen.

The first episode of Doctor Who in which the dreaded Daleks appeared – The Dead Planet – was broadcast on BBC television.

While the rest of the country watched from behind their sofas, Sue Webb, from Winchester, was working as a producer’s assistant at the BBC’s Lime Grove studios in Shepherd’s Bush, west London.

Sixty years on, she has been recalling the recording of this landmark moment in TV sci-fi.

Ms Webb admits to being initially unimpressed about working on the BBC’s new science fiction drama for Saturday teatimes, based on an eccentric alien, played by William Hartnell, who time travelled in a police phone box.

“It was really just another programme and not what we were used to – we’re drama darling – we do play,” she says.

She recalls the studio being “actually a bit too small”.

“We had to fit in a petrified forest and a metal city for the Daleks,” she says, adding: “It looks like cardboard boxes covered in sheets.”

As for the metallic pepperpot-shaped aliens, created by designer Raymond Cusick, Ms Webb remembers rehearsals with actors “trolleying” around on castors in just the bottom halves of the characters that would become The Doctor’s nemesis.

She says: “Daleks were difficult creatures to move around. They got very hot and the actors were very uncomfortable inside.”

Actor David Graham, along with Peter Hawkins, spoke the Daleks’ lines in a booth off-screen. Graham later worked on Thunderbirds and Hawkins was the voice of Captain Pugwash….

…”The whole episode creaks – it just doesn’t look real at all – the actual surroundings would look terribly amateur.

“The real nightmare was the set with all those sliding doors – they were supposed to rise and sometimes they didn’t.

“You have got to rise above it and accept some things are dodgy, keep fingers crossed and hope for the best.”…

(12) LITERARY MOONS. “See the James Webb Telescope’s Stunning New Image of Uranus With Its Rings and Moons Clearer Than Ever” at Smithsonian Magazine.

…Nine of Uranus’s 27 moons can be seen surrounding the planet in the new image, shining like pearls. Individual astronomers discovered the ice giant’s five largest moons between 1787 and 1948. When Voyager 2 flew by Uranus in 1986, it discovered ten more natural satellites. Since then, the Hubble Space Telescope and ground-based observations have brought the total to what it is today.

The ice giant’s moons are sometimes referred to as the “literary moons,” because they’re named for characters in Shakespeare’s plays, along with a few from the works of Alexander Pope. Those in Webb’s close-up image, moving clockwise from 2 o’clock, are called Rosalind, Puck, Belinda, Desdemona, Cressida, Bianca, Portia, Juliet and Perdita. (A second, wide-view image shows 14 moons.)…

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Kevin Standlee, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 10/11/23 We’re All The Children Of Pixels, Ancient Pixels Who Gave Birth To All Intelligence

(1) THE ROCKETS’ GREEN LIGHT. Early this morning in Los Angeles the last of two Space Shuttle Rocket Launch Motors made their way through Exposition Park to the California Science Center. Each is 116 feet long and around 12 feet in diameter.  

They are part of the “Go for Stack” project to move and lift space shuttle components for the future Samuel Oschin Air and Space Center. What is Go for Stack?

“Go for Stack” is the complex process of moving and lifting each of the space shuttle components into place for Endeavour’s upcoming, awe-inspiring 20-story vertical display in the future Samuel Oschin Air and Space Center, which is currently under construction. This technically challenging feat has never been done outside of a NASA facility. 

(2) ROBIN REID GUESTS ON TOLKIEN PODCAST. Episode 16 of Queer Lodgings: A Tolkien Podcast is a “Queer Anthology Interview with Robin Reid, Chris Vaccaro, Steven Yandell”.

We have a special treat for you this month – Leah, Alicia, and Grace welcome not one… not two… but three guests! They are the editors of the forthcoming edited anthology ‘”There Are Many Paths to Tread”: Queer Approaches to Tolkien’s Middle-earth’ from McFarland (due to release in 2025), and each is a well-known Tolkien scholar in their own right – Robin Reid, Chris Vaccaro, and Steve Yandell. Join us as we discuss the landscape of Queer and Intersectional Tolkien studies, why they’re important, and what these important and fresh outlooks can contribute to Tolkien scholarship.

(3) MALINDA LO ON BOOK SUPPRESSION. “My Books Have Been Banned or Challenged in 16 States” says Malinda Lo, and in this thoroughly-researched post the author explores many ways that has been done.

In the last two years, my books have been banned, challenged, or restricted in 44 cases in 40 communities across 16 states. Last Night at the Telegraph Club receives the most attention, but Ash, Huntress, A Line in the Dark and A Scatter of Light have also been targeted by book banners. The book bans have increased over time, and in the last couple of months I’ve learned about a new one almost every week…

In the spreadsheet, I’ve recorded 44 cases in which my books were targeted by right-wing activists. Those cases include: 

  1. Book bans, in which books are removed from school libraries and/or classrooms (either during an investigation of the challenge or completely);
  2. book challenges, in which a community member makes a complaint about a book to a school district or library (this may not lead to an outright ban);
  3. restrictions, in which a book is placed in a restricted section of the library or requires parental permission for access; and 
  4. instances in which a book published as young adult was moved to the adult section of a library. 

I have chosen to count more than straightforward book bans, and I include the challenges I have found even if the book is not ultimately banned, because I’m interested in tracking all the ways my books are targeted. This is a personal analysis of how book banning has affected my work, not a broader analysis of book bans in America….

Here’s an example of Lo’s detailed analysis:

…. When asked if they had read the entire book, the challenger wrote, “I read a summary and it told me everything I need to know.” What concerns them? “This book promoting a sexual agenda to young people.”

Since they didn’t read the book, you may be wondering where they found these summaries or sections that they object to. While I don’t know where these specific two challengers found their summaries, I suspect they may have used conservative book banning Facebook groups or websites like Book Looks (created by Florida-based Moms for Liberty) or Rated Books (affiliated with the Utah-based Laverna in the Library). I think that whoever made the entries about Telegraph Club for these websites has in fact read the book, or at least they have combed through it line by line hunting for excerpts that they believe prove their allegations of a book’s offensive nature….

(4) CHENGDU WORLDCON ROUNDUP. [By Ersatz Culture.]

New Worldcon logo

2023 Chengdu has changed its logo just before the con.  

Chinese-language article about the WSFS Business Meeting

The con posted an article to weixin.qq.com entitled (via Google Translate) “Everyone, please check the introduction of the 2023 Chengdu World Science Fiction Conference Business Meeting!”.  Most File 770 readers are likely to be already familiar with material about the WSFS Business Meeting – the article even has a section summarizing Robert’s Rules of Order – but there are a couple of interesting bits near the bottom of the page, as follows…

Who’s sponsoring the WorldCon?  Some answers

The October 9th Scroll pointed out that the list of Chengdu Worldcon sponsors in the Business Meeting Agenda did not match announcements at a June Brand Conference.  At the bottom of the page, there is what I believe is the first official confirmation of any sponsors on any of the Worldcon’s platforms.  There are four levels or types of sponsor, the information I’ve been able to glean so far is:

“2023 Chengdu Worldcon Starseeker”

  • China Telecom (the only sponsor confirmed at the aforementioned Brand Conference)
  • ICBC – Industrial and Commercial Bank of China

“2023 Chengdu Worldcon Stargazer”

  • Das Security – cybersecurity firm, apparently also known as DBAppSecurity, according to this article which states they were also a sponsor of the recent Asian Games alongside China Telecom and ICBC.
  • Starry Dome – I assume that this is the same company as 上海瀚海星穹网络科技 / Shanghai Hanhai Xingqiong Network Technology, but I’m still a bit unclear what exactly they do; websites that provide company data mention both technology and marketing.  This listing states (via Google Translate) that “Shanghai Hanhai Xingqiong Network Co., Ltd. was established in 2023. It is a technology company dedicated to brand management, game distribution, omni-channel operation and entertainment innovation. At the beginning of its establishment, the company determined that the derivative incubation of the “Wandering Earth” IP would be its main business direction, and it has actively explored and developed in this field.”

“2023 Chengdu Worldcon Specially Supporting Brands”

“2023 Chengdu Worldcon IP Cooperative Partner”

  • Three-Body Universe is a name I’ve seen a few times, but I never looked into.  Per a recent Reddit thread“Three Body Universe is the Chinese company behind most Three Body Problem IP like the Zhang Beihai season of the Three Body Minecraft animation, the TBP animation, the radio drama, etc…”

Note that the above list(s) include neither of the organizations named as sponsors in the Business Meeting Agenda document.

(5) ON WORLDCON WEEKEND PUTIN WILL BE IN CHINA, BUT NOT CHENGDU. [Item by Mike Kennedy.] Reuters News reports “China to host Belt and Road forum in Beijing Oct 17-18” on the same weekend as the Worldcon – and guess who will be there.

China will host its third Belt and Road Forum next week, its foreign ministry said on Wednesday, a President Xi Jinping signature event that President Vladimir Putin is due to attend on a rare trip abroad….

Putin attended the two previous forums, in 2017 and 2019, and the Kremlin said in September he had accepted an invitation to the forum and for talks with Xi.

The Russian leader is not known to have gone abroad since the Hague-based International Criminal Court (ICC) issued a warrant for him in March over the deportation of children from Ukraine….

Overlaps Worldcon in time, but not in space by a few provinces and about 1800 km by road. It might inform someone’s decisions on when and where to sightsee.

(6) TOLKIEN SOCIETY SEMINAR. The Tolkien Society Online Seminar 2023 will be happening November 26, 2023 with the theme “Tolkien and Religion in the Twenty-First Century.” Complete information at the link, including a schedule of paper presentations.

… Although J.R.R. Tolkien deliberately excluded explicit religious references from his legendarium and rejected narrow allegorical readings of The Lord of the Rings, he made no secret of his devout Roman Catholicism and its importance to his sub-creative endeavor. From the creation myth of the “Ainulindalë” to the eucatastrophic destruction of the One Ring, Túrin Turambar’s doomed warrior courage to Frodo Baggins’s self-sacrificial humility, scholars have long examined the influence of Tolkien’s Christian faith and his abiding admiration for pre-Christian legends on the nature and history of Arda. Explorations of the legendarium from other religious perspectives or explicitly nonreligious perspectives have received less attention, however, as have studies of the reception of Tolkien’s work among (non)religious readers and communities….

(7) MYTHOPOEIC ONLINE EVENT. “Something Mighty Queer” is the theme of the Mythopoeic Society’s Online Midwinter Seminar 2024, to be held next year on February 17-18. The call for papers is at the link. The deadline to submit is November 30.

We invite submissions for an online conference that focuses on queerness in fantasy, science fiction, speculative fiction or other mythopoeic work. This can be queer representation within the work or engaging with mythopoeia through queer theory. “Queerness” is an intentionally ambiguous term, demonstrating the diversity of queer experiences, and the necessity of situating queerness as a liminal, complex paradigm. Queer theory is wider than the study of gender identity or sexuality, extending to taking positions against normativity and dominant modes of thought, and engaging with the indefinite….

(8) FIVE-YEAR MISSIONARY. In an NPR interview “Patrick Stewart says his time on ‘Star Trek’ felt like a ministry”.

Martin: I talk to a lot of people about spirituality and about the value of spiritual communities, which I think are when people who have similar values gather together and have or seek transcendent experiences. And I think Star Trek, in all of its incarnations, represents that to a lot of fans. It is a spiritual world. They treat it with religious reverence. Have you encountered that? Do you get it?

Stewart: Yes. I see it very, very clearly and very strongly. It was about truth and fairness and honesty and respect for others, no matter who they were or what strange alien creature they looked like. That was immaterial. They were alive. And if they needed help, Jean Luc Picard and his crew, his team, were there to give it.

In a sense, we were ministers. And I have heard now so many times from individuals who have been honest enough and brave enough to tell me aspects of their life, of their health, of their mental health. And how it was all saved and improved by watching every week….

(9) SIGNATURE MYSTERY. [Item by Danny Sichel.] From the collection of the late Sylvain St-Pierre, Montreal fan, comes this autograph page from the souvenir program book for Nolacon II (Worldcon 1988). The top autograph is obviously from George Alec Effinger, but does anyone have any idea who the bottom one is from?

(10) MEMORY LANE.

2004 [Written by Cat Eldridge.]

Charles de Lint’s Medicine Road which is where our Beginning is from has an interesting backstory, or at least the lead characters do. Now mind you, we won’t be meeting either of them in the Beginning. Well sort of we won’t. 

There’s a minor spoiler here. Very minor. 

 There’s a number of stories that he did that are set within a place, a very rural Appalachian setting, roughly now though the year is never known to the reader. A children book, A Circle of Cats which Lis will be reviewing is where these stories began followed  by The Cats of Tanglewood Forest which she has already reviewed here.  

There’s a single story in this set of stories “Somewhere in My Mind There Is a Painting Box”.  And now we get to the YA Seven Wild Sisters where Laurel and Bess, musical twins, younger here than they will be in the adult Medicine Road where they are a folk singing duo, will get involved in the fey world of the region. Both of these will also be reviewed by her. 

And here’s our Beginning…

CHANGING DOG AND CORN HAIR

One night, not so long ago, Changing Dog and Corn Hair met up in Sedona, Arizona, to have a talk about an old bargain they’d made with Coyote Woman. It’s funny, thinking of the two of them together like that; I can imagine them doing pretty much anything except getting along. Most times they’ll argue the colour of the moon, or the taste of water, if they can’t find something better to disagree on. There’s nothing much they ever seem to settle on, except that the other’s wrong.

But this night Corn Hair wasn’t aiming for an argument. She had herself a camp there by Oak Creek, on the south bank where the water runs below Cathedral Rock. It wasn’t much, just her bedroll laid out in the sand under the sycamores, with her pack doubling as a pillow. Close by, she’d built a small fire on which she was boiling water in a tin coffee pot, the bottom blackened from all its years of use. She ground some coffee beans using a flat rock and another the size of her fist for a mortar and pestle, scooping them into the now-boiling water when they were ground to her satisfaction. By the time Changing Dog came ambling down from the red rock scars skirting the solitary butte that towered above the creek, the coffee was thick and black, ready to drink.

Changing Dog nodded hello and sat cross-legged near the fire. He was a rangy, copper-skinned man with a narrow face and long, chestnut hair that streaked to a dark tan at his temples and was kept tied back with a thin strip of leather. You hardly ever saw him dressing up. That night he was wearing a white T-shirt and jeans, dusty tooled-leather cowboy boots and an old brown leather jacket going thin at the elbows. He wasn’t a homely man and he wasn’t particularly handsome, but he had these eyes that would grab anybody’s attention, especially a woman’s. They were a vivid cornflower blue that looked violet in the right light, and there was always a promise in them–not that he’d necessarily deliver, but that whatever might come, it would at least be interesting.

He accepted the tin coffee mug that Corn Hair handed him and took an appreciative sip. Setting the mug in the sand, he pulled a tobacco pouch from his pocket and rolled them each a cigarette, lighting them with a twig from the fire. He left one hanging from his lips, offering the other to Corn Hair.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 11, 1949 Sharman DiVono, 74. She was the primary writer of the Star Trek comic strip from a year in the early Eighties.  She’s written a number of other strips such as Pebbles and Bamm-Bamm, The Man from Planet X and Tarzan. She has written for three animated series — G.I. JoeBill & Ted’s Excellent Adventures and Star Wars: Droids. She’s written one genre novel, Blood Moon
  • Born October 11, 1960 Nicola Bryant, 63. Well known for her role as Perpugilliam “Peri” Brown, a companion to both the Fifth and Sixth Doctors. She also worked in “The Two Doctors” story so she appeared with the Second Doctor as well. Of course she’s done Big Finish Doctor Who audio dramas. Like so many, many genre performers, she shows up in the video Trek fan fiction playing Lana in Star Trek Continues.
  • Born October 11, 1964 Michael J. Nelson, 59. Best known for his work on Mystery Science Theater. He was the head writer of the series for most of the show’s original eleven-year run, and spent half of that time as the on-air host. Bad genre films were a favorite target of him and his companions. Not that they don’t deserve it. 
  • Born October 11, 1965 Sean Patrick Flanery, 58. I really do think that his best work was on The Young Indiana Jones Chronicles and the films that followed. It certainly wasn’t as Bobby Dagen in Saw: The Final Chapter, a film best forgotten. (It gets a forty-one percent rating among audience reviewers at Rotten Tomatoes, much better than I expected.) He appeared as Jake Greyman in Demon Hunter, another low budget horror film, and as John in The Evil Within. I see a pattern…
  • Born October 11, 1972 Nir Yaniv, 51. Author, editor, musician, and filmmaker.  He founded a webzine for the Israeli Society for Science Fiction & Fantasy.  Currently, he’s the chief editor of Chalomot Be’aspamia, Israel’s only professionally printed genre magazine. His short fiction has appeared in Weird TalesApex Magazine and The Best of World SF. He co-wrote The Tel Aviv Dossier with Lavie Tidhar. 
  • Born October 11, 1972 Claudia Black, 51. Best known for being Aeryn Sun in Farscape, arguably the best SF video series ever done, Vala Mal Doran in Stargate SG-1 and Sharon “Shazza” Montgomery in Pitch Black. She also had a recurring role as Dahlia in The Originals and starred as Dr. Sabine Lommers in The CW’s Containment series.
  • Born October 11, 1976 Emily Deschanel, 47. Temperance “Bones” Brennan in Bones which crossed over with Sleepy Hollow twice (she visited the latter once) and she had a bit part on Spider-Man 2. More notably she was Pam Asbury in Stephen King’s Rose Red series. Actually the forensic science on Bones is genre, isn’t it? 

(12) COMICS SECTION.

(13) PRODIGY COMES IN FOR SAFE LANDING. So says The Hollywood Reporter: “’Star Trek: Prodigy’ Moves to Netflix After Paramount+ Cancellation”.

Star Trek: Prodigy, the animated kids show that was canceled at Paramount+ with its second season still midway through production, has found a new home.

Netflix has scooped up both the previously aired first season and has committed to airing the sophomore run once that completes production. Season one will stream later this year, with the second batch due in 2024.

The Paramount Global-backed Paramount+ axed Prodigy in June when it became the latest streamer to take advantage of tax write-offs. 

Prodigy, though, was a particular surprise given the series is produced in-house by CBS Studios, where Star Trek captain Alex Kurtzman is based with a nine-figure overall deal…. 

(14) DISNEY SOLVES FOR X. At CBR.com,“Disney Celebrates the X-Men and Avengers’ 60th Anniversary With What If…? Variant Covers”.

Classic Disney characters will grace the covers of Marvel’s comics in 2024 to celebrate the Avengers and X-Men‘s 60th anniversary.

The Disney What If…? variant cover series will be a monthly program adorning select issues of Amazing Spider-Man. There are twelve covers, and they will be released monthly throughout 2024. They will feature Mickey Mouse, Minnie Mouse, Donald Duck, Goofy and other classic Disney characters in milestone moments from Avengers and X-Men history. Marvel revealed the first three covers, one recreating Avengers #1 with Peg Leg Pete as Loki, another with Mickey and friends as the original X-Men, and the third showing the iconic Disney characters assembling as the Avengers, even giving Goofy Captain America‘s shield and Pluto Thor’s hammer.

(15) 2 ARMS, 2 ARMS! The Heritage Auctions Blog promises “This Piece Will Hook You – T-1000 Arms from Terminator 2”.

When it comes to explosive sequels, few in the industry can make a more bombastic blockbusting entry into a franchise like James Cameron. Having taken audiences on a pulse pounding tour de force with his follow up to the critically acclaimed Alien and made a splash with the cutting-edge special effects technologies which brought to life his memorable creations in The Abyss, one would think that Cameron would be hard pressed to continue his upward trajectory as the king of Blockbusters. Then, on July 3rd, 1991, it happened. Like a nuclear blast from his harrowing future vision of a robotic apocalypse, he unleashed yet another pioneering action film with Terminator 2 . A sequel that not only raised the stakes presented in the original film but proved to be an even bigger critical success. Among the memorable characters and sequences, a particular liquid metal menace played by a then unknown actor, Robert Patrick, captivated audiences and the vast pop-culture consciousness, the T-100.

Flash forward 32 years, and I find myself typing this entry while sitting in a large warehouse. Don’t worry. It might be a little imposing, but a fallout shelter it is not. The world hasn’t been taken over by artificial intelligence (yet), and as a cataloger working on Heritage Auctions’ various upcoming auctions, I continually find myself in a movie memorabilia mecha. And though I’ve held pieces from iconic films spanning the history of Hollywood, very few pieces have made my heart race the way these prop T-1000 hooked arms have….

(16) COULD THIS KSR SCENARIO REALLY WORK? [Item by John A Arkansawyer.] A speculative article from the BBC on climate change uses Kim Stanley Robinson’s Ministry for the Future as a hook. Beware spoilers. “To avert climate disaster, what if one rogue nation dimmed the Sun?” at BBC Future.

…In Robinson’s imagined scenario, India’s rogue deployment of solar geo-engineering turns out to be broadly benign, and buys time to scale-up emissions reductions. But in the real-world, the idea that such a deus ex machina technology could ever be safely deployed remains highly speculative, with many risks and unknowns.

So if one rogue nation did decide to dim the Sun for real, what environmental and geopolitical consequences might unfurl? And is the safe deployment of such a technology even a conceivable goal? …

(17) PLAYING CHICKEN IN SPACE – AND LOSING. [Item by Steven French.] When worlds collide! (It’s kinda pretty…) “Afterglow of cataclysmic collision between two planets seen for first time” reports the Guardian. Photos at the link.

… After a detailed analysis of the observations, the astronomers concluded that the blast of infrared radiation came from a hot new object or “synestia” created by the collision of two planets nearly as large as Neptune. Based on the infrared readings, the vast spinning object had a temperature of more than 700C for about three years. It will eventually cool and form a new planet around the star.

According to details published in Nature, the star began to dim about 2.5 years after the afterglow began as a massive cloud of fine impact debris drifted across the face of the star.

“It’s the first time we’ve seen the afterglow from such an event,” said Simon Lock, another co-lead author at the University of Bristol. “We’ve seen debris and discs before, but we have never seen the afterglow of the planetary body that’s produced.”…

(18) BARBIE HALLOWEEN. [Item by Mike Kennedy.] Part of an Utah neighborhood is transforming itself into Barbieland for Halloween. Each homeowner has picked a different theme related to the Barbie movie, Halloween+Barbie, etc. There’s the Barbie Dream House, a Barbie graveyard, Disco Barbie, and many more. Most of the houses are using pink floodlights, making the effect much more vivid at night. “Utah residents transform neighborhood into Barbieland for Halloween” at USA Today.

And the pink passion this season isn’t only in Utah. For instance, an Atlanta-area homeowner has decorated her front yard as the Barbie Scream House.

If you know of more examples of this trend, feel free to add links in the comments.

[Thanks to Ersatz Culture, John King Tarpinian, Steven French, Daniel Dern, Bonnie McDaniel, John A Arkansawyer, Lise Andreasen, Chris Barkley, Cat Eldridge SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 5/14/23 Pixelberry Jam On Filer Buttered Scrolls

(1) BAFTA TV AWARDS. The genre cupboard was practically bare when the winners of the BAFTA TV Awards 2023 were revealed tonight. “Memorable Moment” — the only publicly-voted category – proved the exception, won by “’Platinum Jubilee – Party at the Palace’ – Paddington meets Queen Elizabeth II”. 

…Ben Whishaw was a part of Queen Elizabeth II’s Paddington Bear skit – as the voice of Paddington – which won an 2023 BAFTA TV award for most memorable moment, the only prize voted on by the public. The skit beat out Nick and Charlie’s first kiss in “Heartstopper” and the “Running Up That Hill” moment in “Stranger Things,” among other nominees…

(2) CRUISING. [Item by Cora Buhlert.] I took my Masters of the Universe figures out into the garden and posted another photo story: “Masters-of-the-Universe-Piece Theatre: ‘Adam’s Day Out’”.

“I just love getting out of the palace and enjoying the peace and quiet of the Eternian wilderness in springtime. And the Road Ripper really packs a punch. Too bad it’s only a one-seater, so I can’t take Cringer along. Or Teela…”

“Still, nothing beats racing across the plains of Eternia. No Prince Adam, no royal duties, no He-Man, just me and the unspoiled wilderness and… – Oh, raptor crossing!”

SCREECH!

(3) EUROVISION BOOK CONTEST. [Item by Cora Buhlert.] The finalists for the Eurovision Book Contest (like the Eurovision Song Contest, only with books) have been announced and there is at least one genre finalist, the German entry The Perfume by Patrick Süsskind, which won the 1987 World Fantasy Award: “Elena Ferrante and Marian Keyes among authors competing in Eurovision book contest” in the Guardian.

In March, the literary festival asked the public to submit their favourite fiction from any of the 37 countries that take part in the music competition each year. Suggestions could be of any genre and language but they had to have been published in the years since Eurovision began in 1956.

The final selection of one book from each country was chosen by an expert panel, who were aiming to come up with “an ambitious reading list” of books that will “inspire, examine and entertain”.

This also illustrates IMO the issue with that contest. The Perfume was released in 1985, i.e. it’s almost forty years old. The Irish contestant Rachel’s Holiday by Marian Keyes came out in 1998. That Georgian contestant is a novel written in German by a Georgian expat. Two finalists are graphic novels. The selection is just weird.

(4) A CROWNING ACHIEVEMENT. Connie Willis shared her delight in Charles’ coronation with Facebook readers.  

“What is the finest sight in the world? A Coronation. What do people talk most about? A Coronation. What is delightful to have passed? A Coronation.” — Horace Walpole

Saturday I got up early to watch Charles III’s coronation. It was the second one I’d seen. The first was Elizabeth II’s which I watched seventy years ago on someone else’s TV because we didn’t own one yet. It was an impossibly grainy image on a tiny screen of a Cinderella-looking carriage drawn by four horses. I was only seven years old, but I have a vivid memory of it, probably because I was so fascinated by fairy tales and princesses and queens and golden coaches made out of pumpkins.

This time my husband and I watched it in color on a much larger screen while talking on the phone to our daughter in California the whole time as she kept us updated with texts from her friends and comments on Tumblr. Now, seventy years later, I am no longer all that fascinated by princess and carriages, but I am fascinated by history, and in terms of historical events, a coronation simply can’t be beat….

(5) ROBOTIC ROBBERY. Lincoln Michel knows “The Endgame for A.I. Is Clear: Rip Off Everyone”.

…But let’s talk about the more specific ways companies plan to rip off writers with “A.I.” as the excuse.

A strong hint can be found in the current Writers Guild of America strike. A key sticking point is the use of A.I. writing. The writers aren’t asking for Hollywood to ban the use of A.I., rather they are asking that A.I writing not count as “literary material” or “source material.” This is technical Hollywood language related to the realities of how contracts work and how much money writers get. With the hard realities of capitalism and how corporations look to rip off writers.

The concern isn’t that ChatGPT can replace writers, but that studios will get chatbots to produce a crappy script then hire a writer at a lower rate to fix up the script into something usable. Fixing up a mess of ChatGPT vomit could take more work than writing a script from scratch, but cost the corporation less money.

I think this fear is completely justified and one that writers everywhere should take note of. Will websites and magazines start hiring writers or editors to “fix” chatbot outputs for less pay and no credit? Will book publishers decide they can feed an idea into ChatGPT then hire a novelist as a ghostwriter to rewrite it?

Again, the chatbots don’t have to produce good or even usable writing for this to be a threat. The threat is A.I being an excuse to rip off writers. If you hire a screenwriter to rewrite a chatbot script, you can pay them less. If you hire an author to rewrite a chatbot draft, you can avoid royalties. Etc ….

(6) FOUNDATION. GeekTyrant walks viewers through a “Thrilling New Trailer for Apple Adaptation of Isaac Asimov’s FOUNDATION Season 2”.

…Season 2 is set more than a century after the finale of the first season, “tension mounts throughout the galaxy in Foundation season two. As the Cleons unravel, a vengeful queen plots to destroy Empire from within. Hari, Gaal, and Salvor discover a colony of Mentalics with psionic abilities that threaten to alter psychohistory itself. The Foundation has entered its religious phase, promulgating the Church of Seldon throughout the Outer Reach and inciting the Second Crisis: war with Empire. Foundation chronicles the stories of four crucial individuals transcending space and time as they overcome deadly crises, shifting loyalties, and complicated relationships that will ultimately determine the fate of humanity.”…

(7) TAKING CARE OF BUSINESS AND WORKING OVERTIME. New Amazing Stories editor Lloyd Penney has been interviewed by Angelique Fawns for The Horror Tree, a website for horror writers and markets.

AF: What personal projects are you working on? What do you do in your spare time?

LP: Spare time? What is this ‘spare time’ you speak of? These days, I go into a publications office in Toronto’s east end twice a week to do the proofreader/copyeditor thing for one print magazine and two e-magazines. Then, I am the occasional editor for a British author’s long-time series of books, D.J. Holmes and his Empire Rising series of space adventures. And, for the past 40 years, I have been a regular correspondent and writer in the Letters Column for a long series of fannish publications, fanzines. I try my best to juggle all of this, and I hope not to drop anything. I have been an editor/copyeditor/proofreader for most of my working life, and I have always been an SF reader, so this is the first time I’ve been able to combine the two, and I have tried my best to run with it. I was told it should be fun, and it has been.

(8) PRO TIP. “Tim Dowling: my wife is gardening. I’m in my shed writing. It’s a risky situation”. The author is quoted in the Guardian saying —

“A long time ago I read a quotation in a book of advice, which held that the hardest thing about being a writer is convincing your spouse that looking out of the window is part of your job. I have never been able to track down the exact wording or the author of that quotation; when I look online the only source I can find for it is me, because I cite it so regularly. This is perhaps fitting, since my wife thinks I made it up.”

(9) ONE SUMMER TO A CUSTOMER. Jonathan Clarke investigates “Rod Serling’s Enduring Appeal” for City Journal.

…You might have guessed by now that in “Walking Distance,” Serling was telling his own story. He was 35 when the episode appeared, and he had come a long way from a charmed boyhood in Binghamton, New York. Like Martin Sloan, he had good reason to be tired, and good reason, despite his considerable success, to want to go home again. As his success grew, that desire would grow stronger, too.

It’s easy to forget now that television was once regarded as a creative nullity, good only for selling product. In the medium’s early decades, the programming was mostly quiz shows, Westerns, and police procedurals. Corporate sponsors had considerable creative control, and in tone and style, the industry was not unlike Madison Avenue, slick and a bit shameless. At the same time, because the medium was so new, conventions hadn’t yet hardened, and barriers to entry were lower, especially for writers. Serling, with his early work for two important live series, Kraft Television Theatre and Playhouse 90, became one of a handful of creators pushing television forward. Even so, he accepted that it was a second-rate form, inherently inferior to theater and film. Interviewed by Mike Wallace in 1959, shortly before The Twilight Zone debuted, Serling argued that he was writing “serious, adult” scripts, but he didn’t claim the privileges of an artist. “I’m a dramatist for television,” he said, by way of apology. “This is the medium I know.”

By then, Serling was the most recognizable writer in the country. The face he showed to the public was an appealing one, and very much an American face—principled but modest, industrious, courageous. Beneath that there was a different man: vain, self-indulgent, needy. And underneath that there was a sensitive artist, and a traumatized war veteran, and a young man who lost his father too early. The inmost Serling was perhaps ever that eager boy in Binghamton, standing on his tiptoes to be seen. (As an adult, he stood just 5’5”.) As a writer, he sought to integrate these different selves, to find the sense of coherence that evaded him in life. He would never quite feel that he had done so….

(10) GERALD ROSE (1935-2023). Illustrator and teacher Gerald Rose died May 5 at the age of 87 reports the Guardian. He was the youngest winner of the Kate Greenaway medal for children’s book illustration, in 1960.

…As well as the books with [his wife] Elizabeth, Gerald illustrated the work of many other authors, including Ted Hughes’s Nessie the Mannerless Monster (1964), James Joyce’s The Cat and the Devil (1965), Paul Jennings’ The Hopping Basket (1965) and The Great Jelly of London (1967), Lewis Carroll’s Jabberwocky and Other Poems (1968) and a number of Norman Hunter’s Professor Branestawm titles (1981-83). His own later picturebooks included the award-winning Ahhh! Said Stork (1986) and The Tiger Skin Rug (2011)….

(11) LAST FAREWELL. “RIP John Mansfield”, Kevin Standlee’s tribute to our friend, includes a link to the video of the service.

As most of you who follow me may know, John Mansfield, chair of the 1994 Winnipeg Worldcon and an important figure in Canadian fandom, passed away a few days ago after a long period of decline. His funeral service in Winnipeg was today, and was live streamed and recorded so that people (including me) who could not come to Winnipeg could attend virtually….

(12) MEMORY LANE.

1990[Compiled by Cat Eldridge.]

Charles de Lint’s Drink Down the Moon which is where this Beginning comes from is one of my favorite novels by him. Published by Ace Books in 1990, it is the second novel of his Jack of Kinrowan series, one of his Ottawa set novels. 

I like them because they are tighter, less sprawling than the later Newford novels are. They have a simplicity that sometimes gets lost in those novels.

And here’s our beginning, complete with fey music…

He slipped through the darkness in the 4/ 4 tempo of a slow reel, startled an owl in its perch, and crept through the trees to join the quiet murmur of the Rideau River as it quickened by Carleton University. At length, he came to the ears of a young woman who was sitting on the flat stones on the south bank of the river. 

The fiddle playing that tune had a mute on its bridge, substantially reducing the volume of the music, but it was still loud enough for the woman to lift her head and smile when she heard it. She knew that tune, if not the fiddler, and yet she had a sense of the fiddler as well. There was something–an echo of familiarity–that let her guess who it was, because she knew from whom he’d learned to play. 

Every good fiddler has a distinctive sound. No matter how many play the same tune, each can’t help but play it differently. Some might use an up stroke where another would a down. One might bow a series of quick single notes where another would play them all with one long draw of the bow. Some might play a double stop where others would a single string. If the listener’s ear was good enough, she could tell the difference. But you had to know the tunes, and the players, for the differences were minute.

“There’s still a bit of you plays on, Old Tom,” she whispered to the night as she stood up to follow the music to its source. 

She was a small woman with brown hair cropped short to her scalp and a heart-shaped face. Her build was more wiry than slender; her features striking rather than handsome. She wore faded jeans, frayed at the back of the hems, sneakers, and a dark blue sweatshirt that was a size or so too big for her. Slipping through the trees, she moved so quietly that she found the fiddler and stood watching him for some time before he was aware of her presence. 

She knew him by sight as soon as she saw him, confirming her earlier guess. It was Old Tom’s grandson, Johnny Faw. He was a head taller than her own four foot eleven, the fiddle tucked under his clean-shaven chin, his head bent down over it as he drew the music from its strings. His hair was a darker brown than her own, an unruly thatch that hung over his shirt collar in back and covered his ears to just above his lobes. He wore a light blue shirt, brown corduroys, and black Chinese rubber-soled slippers. The multi-coloured scarf around his neck and the gold loops glinting in each earlobe gave him the air of a Gypsy. His beat-up black fiddle case lay beside him with a brown quilted-cotton jacket lying next to it. 

She waited until the tune was done–”The King of the Fairies” having made way for a Scots reel called “Miss Shepherd’s”–and then stepped out into the little clearing where he sat playing. He looked up, startled at her soft hello and sudden appearance. As she sat down facing him, he took the fiddle from under his chin and held it and the bow on his lap.

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 14, 1929 Kay Elliot. The actress who shows up in “I, Mudd” as the android form of Harry Mudd’s wife Stella Mudd. SPOILER ALERT (I promised our OGH I’d put these in. It’s possible someone here hasn’t seen “I, Mudd”.) Need I say she ends getting the upper hand in the end? She also had appearances in The Man from U.N.C.L.E. as Miss Prendergast in “The It’s All Greek to Me Affair” episode and multiple roles on Bewitched. That’s it, but she died young. (Died 1982.)
  • Born May 14, 1935 Peter J. Reed. A Vonnegut specialist with a long history starting with Kurt Vonnegut, Jr.: The Vonnegut Chronicles: Interviews and Essays that he wrote with Marc Leeds, and Kurt Vonnegut: Images and Representations with Leeds again. He also wrote a handful of essays such as “Hurting ’til It Laughs: The Painful-Comic Science Fiction Stories of Kurt Vonnegut” and “Kurt Vonnegut’s Bitter Fool: Kilgore Trout”. (Died 2018.)
  • Born May 14, 1944 George Lucas, 79. For better and worse I suppose, he created the Star Wars and Indiana Jones franchises. (Raiders of the Lost Ark and Indiana Jones and the Last Crusade are fine. I adore the original Trilogy.) And let’s not forget THX 1138. My fav works that he was involved in? LabyrinthRaiders of the Lost Ark, The Empire Strikes Back and Willow. Oh, and and The Young Indiana Jones series. 
  • Born May 14, 1945 Francesca Annis, 78. Lady Jessica in David Lynch’s Dune, Lady Macbeth in Roman Polanski’s Macbeth. I know only two roles, but what a pair of roles they were! She also appeared in Krull as The Widow of The Web but I’ll be damned if I can remember her in that role. 
  • Born May 14, 1947 Edward James, 76. Winner at Interaction of Best Related Non-Fiction Book for The Cambridge Companion to Science Fiction which he did with Farah Mendlesohn. A companion volume, The Cambridge Companion to Fantasy Literature, was also edited with Mendlesohn. He was the editor of Foundation: The International Review of Science Fiction from 1986 to 2001.
  • Born May 14, 1952 Robert Zemeckis, 71. He’s responsible for some of my favorite films including the Back to the Future trilogy, The Muppet Christmas CarolThe WitchesWho Framed Roger Rabbit and the savagely funny in a twisted sort of way Death Becomes Her. So what’s your favorite films that’s he had a hand in? 
  • Born May 14, 1952 Kathleen Ann Goonan. Her Nanotech Quartet is most excellent, particularly the first novel, Queen City Jazz. Her only Award was given for In War Times which garnered a John W. Campbell Memorial Award. She’s wrote an interesting essay on the relationship between sf and music,  “Science Fiction and All That Jazz”. (Died 2021.)
  • Born May 14, 1955 Rob Tapert, 68. I’d say he’s best known for co-creating Xena: Warrior Princess. He also produced and/or wrote several other television series including Hercules: The Legendary JourneysM.A.N.T.I.S. and American Gothic. Tapert also co-created the prequel series Young Hercules which I loved more than the adult series. He’s married to actress Lucy Lawless. 

(14) COMICS SECTION.

  • Tom Gauld says this job is not that easy!

(15) KEEP A SHARP EAR OUT. You’ve still got 18 days to bid on some prime Star Trek: The Original Series collectibles available in “The Comisar Collection Platinum Signature® Auction” at Heritage Auctions.

(16) HUANG’S OUTLAWS. At Nerds of a Feather, Paul Weimer starts with history — “Review: The Water Outlaws by S. L. Huang”.

… In Classic Chinese literature, there are a number of canonical novels, core books that are the backbone of a strand of Chinese history, culture and society….

…The Water Margin is set in the Song Dynasty, the last native Chinese Dynasty before the invasion of the Mongols. The Water Margin is a story that in its 50000 foot level will be familiar to Western readers. A group of diversely outlaws in an inaccessible area, fighting against corrupt officials who are oppressing the people? Yes, in the most broad of senses, The Water Margin is the Chinese parallel to the story of Robin Hood. It’s bigger scale, (108 outlaws in all, much larger than Robin’s band), larger stakes–fighting against full imperial armies, and, sadly, ends in a tragedy, the heroism of the outlaws ending not quite in a happily ever after.

And it is The Water Margin that is the story that S. L. Huang retells in The Water Outlaws.

S. L. Huang puts us in a slightly different China right from the get go by giving it a more feminist approach, starting with genderflipping the main character, Lin Chong. In Huang’s slightly alternate China, women have a significantly better role and place in society, but not so much that sexism and oppression of women are still not huge obstacles. But as a guard captain, Lin Chong is certainly in a position she would have not had in our own history. In this way, The Water Outlaws invites for me, comparisons to Shelley Parker-Chan’s She Who Became the Sun, which has a genderflipped protagonist, but she is a character who hides her gender. And her story is at the end of the Yuan dynasty, a century or more after the events of The Water Margin. But the queer, feminist lens of Chinese history and the perspective that it brings is strong in both works.

(17) LUNAR ORDERS. Also at Nerds of a Feather, Alex Wallace’s hook “Murder, Monks, and the Moon! What’s not to like?” gets readers started: “Review: Poor Man’s Sky by Wil McCarthy”.

There’s something about the great black void above us that attracts a wide variety of peculiar people. In our world, we have the likes of Elon Musk (who promises settlements on Mars when not driving Twitter to implosion) and other billionaires with god complexes and more money than sense. This is a theme that runs through Poor Man’s Sky Wil McCarthy’s most recent novel, a sequel to 2021’s Rich Man’s Sky….

(18) TINY DANCERS. The New York Times takes readers “Inside the Big World of Small Objects” — “For over 40 years, Tom Bishop’s dollhouse miniatures show has been the gold standard for serious collectors and hobbyists alike.”

Moments before 10 a.m., a security guard thanked the crowd for being cooperative.

When the clock struck the hour, it became clear why: The doors of the Marriott Chicago O’Hare conference center opened, and hundreds of attendees, a majority of whom were over the age of 60, bee-lined as fast as they could to the booths.

Many had studied the color-coded map ahead of time listing each booth’s location and came prepared with a shopping plan — a scene that could easily be mistaken for a Black Friday sale. Instead, it was the Chicago International Miniatures Show.

Despite the gathering touting itself as “the World’s No. 1 Dollhouse Miniatures Show,” there aren’t many actual dollhouses. Attendees instead sift through thousands of tiny objects that fill these tiny homes: miniature sponges, chocolate fondue fountains, rocking chairs, barbecue sets, Tupperware containers or fly swatters.

“The largest miniature dollhouse convention” may sound like a silly distinction to some, but it is no joking matter for the sellers. For many, the Tom Bishop show is where they hope to make the bulk of their annual sales.

The Tom Bishop show, as many attendees call it, is considered by its founder, Mr. Bishop, to be the largest dollhouse miniatures event in the world. Numbers appear to support that claim. This year, over 250 vendors traveled from 21 countries and 35 states.

More than 3,000 people attended, filling three large conference rooms, with hallway spillover. The weeklong event, from April 24 to April 30, included ticketed workshops with themes like “Lobsterfest” (focused on making miniature lobster boil accouterments); trade shows; and three days of ticketed shopping for the public….

(19) FULL GROWN DANCERS. Boris Karloff narrated “The Peppermint Twist” on Shindig 1965.

[Thanks to Chris Barkley, Michael Toman, SF Concatenation’s Jonathan Cowie, Cora Buhlert, Steven French, John Hertz, Cat Eldridge, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 3/25/23 Pixel Is That Which, When You Stop Scrolling It, Doesn’t Go Away— Pixel K. Dick

(1) IA WILL CONTINUE LITIGATION. The Internet Archive announced they will appeal yesterday’s district court decision in favor of the publishers, ruling that IA cannot make and distribute entire digital copies of works still under copyright. “The Fight Continues” at Internet Archive Blogs.

Today’s lower court decision in Hachette v. Internet Archive is a blow to all libraries and the communities we serve. This decision impacts libraries across the US who rely on controlled digital lending to connect their patrons with books online. It hurts authors by saying that unfair licensing models are the only way their books can be read online. And it holds back access to information in the digital age, harming all readers, everywhere.

But it’s not over—we will keep fighting for the traditional right of libraries to own, lend, and preserve books. We will be appealing the judgment and encourage everyone to come together as a community to support libraries against this attack by corporate publishers…. 

Statement from Internet Archive founder, Brewster Kahle:
“Libraries are more than the customer service departments for corporate database products. For democracy to thrive at global scale, libraries must be able to sustain their historic role in society—owning, preserving, and lending books.

This ruling is a blow for libraries, readers, and authors and we plan to appeal it.”

(2) HEAD OF THE CLASS. John Garth shares research that will fascinate Tolkien fans: “Making an ass of yourself, with Geoffrey Bache Smith”.

…On the serious side, [Geoffrey Bache] Smith persuaded Tolkien to become a poet and was therefore truly instrumental in turning him into the author we know. Smith sent Tolkien a letter from deepest danger in the trenches of the Great War to declare himself a ‘wild and whole-hearted admirer’ of the first Middle-earth writings, and to urge him to publish them. One of the many ironies of that world war is that although Tolkien could find no publisher for his own poetry, he was able to edit Smith’s poems for publication (A Spring Harvest, 1918). You see, Smith had been killed on the Somme battlefield in 1916, and (as Dr Stuart Lee made clear in his conference paper) there was a demand for good poetry by dead soldiers….

(3) SFF IN THE UKRAINE. Borys Sydiuk shows there was a big turnout for a sff book event in Kyiv today:

Event marketing of the highest level. Max Kidruk, a rising star of Ukrainian Science Fiction, presents his book New Dark Ages: Colony in Kyiv on March 25, 2023.

(4) SUPPORT FOR OUSTING LUKYANENKO AS A CHENGDU GOH. On Facebook, David Gerrold encouraged readers to sign Polish fandom’s petition to remove Sergey Lukyanenko as a GoH of the Chengdu Worldcon: “Open letter to the Board of Worldcon 2023 / List otwarty do Organizatorów Worldconu 2023”. Gerrold’s appeal begins:

…I do not ordinarily share petitions of any kind, and I was reluctant to even share this one.

But, silence equals agreement, so I can’t be silent.

The petition asks the 2023 Worldcon Committee to withdraw their invitation to be a Guest of Honor at the convention to Russian author, Sergei Lukyanenko.

Now, ordinarily, I am against the withdrawal of any invitation. I am skeptical of any campaign anywhere to withdraw an honor, whether it is perceived as deserved or not. That is a situation where everybody looks bad, and I have expressed that thought several times in the past few years, even where I might have neither affection nor respect for the individual in the bullseye.

But there are circumstances where any kind of honor is so out of the question that voices must be raised.

Sergei Lukyanenko has made it clear that he endorses the war crimes that Russia has committed against Ukraine and is willing to endorse further war crimes.

That is so far beyond the normal range of fannish squabbles that I am horrified that the 2023 Worldcon committee has to even think twice on this….

(5) FAKE JOB OFFERS. At Writer Beware, Victoria Strauss issues a warning: “Alert: Scammers Impersonating Video Streaming Services With Fake Job Offers”.

About a year and a half ago, I wrote a post about a job offer scam in which fraudsters impersonated Acorn TV.

The scammers’ M.O.: they messaged writers on Twitter and Instagram, claiming to offer an opportunity to write stories for Acorn TV and earn an improbably large amount of money. If writers expressed interest (and why wouldn’t they), a two-part “texting interview” on Telegram followed, at the end of which the writer was offered a job agreement and description. Although I never heard from anyone who accepted, the presumed goal was to steal personal details, such as Social Security numbers and bank account information.

The same scammers are at it again. This time, they’re impersonating Minno, a Christian streaming service for kids….

(6) WHAT I SAY THREE TIMES IS TRUE. Karen Myers has advice about ways to help readers keep up with the story in “Failures of Memory” at Mad Genius Club.

…There’s no prize to be won by taxing the memory of your suffering readers — they won’t thank you for it. Make it easy on ’em, and you’ll have them in your hand for all the emotional and other effects you want to have, based on what you’ve told them.

Now, this takes some subtlety. The setting of the reminders has to feel natural rather than repetitive, worked casually into the general flow…

(7) FUTURE TENSE. Future Tense and Arizona State University’s Center for Science and the Imagination continue their series of short stories about how technology and science will change our lives: “The Preschool,” by Jonathan Parks-Ramage.

2042

Amanda sat at her desk, picking at the same $30 Little Gem salad she ordered daily, suffering a small burning sensation in her gut that was triggered either by acid reflux or the dying embers of her rapidly expiring conscience. Of course, it was standard procedure for her husband to demand that the security firm Dark Metal surveil potential new hires for any of his multibillion-dollar companies, but this was the first time Amanda had been involved in contracting the private intelligence agency herself. Seedlings is your venture, Reid had promised her, even though he’d named himself CEO. I want you to take the lead on this. Amanda was COO of Seedlings and reported to her husband, who dismissed Amanda’s concerns about the legal ramifications of their actions. Worrying about the law was something poor people did, Reid insisted. Besides, she’d never seen Reid do anything that nefarious with this type of information. He was a nice guy. Really….

Theo Zanto, a neuroscience researcher, follows with a response essay, “What can brain-computer interface technologies actually do?”

… Unlike time travel, cybernetics (which refers to the integration of our biology with machines) is one science fiction theme that is part of our experiential reality. We can already control machines with our thoughts—but only with simple commands, like those needed to move a wheelchair or play Pong. Cybernetic devices available today include (but are not limited to) pacemakers, cochlear implants, retinal prostheses, deep brain stimulators, and prosthetic limbs. Current brain-computer interface—or BCI—technologies have enabled us to use computers to decode information from our brains, such as what we have seen or heard, what we intend to say, and what we would like a prosthetic limb to do. With the continual integration of these technologies into our lives, 20th-century sci-fi writers would be surprised at how quickly humans are taking the evolutionary leap from primate to cyborg….

(8) PRETTY BATS ALL IN A ROW. The Guardian made me realize that somewhere not far from me is a movie history treasure house: “Batmobiles, Bugs Bunny and James Dean’s jeans: a day inside the Warner Bros top-secret archive”.

There is an actual Batcave in Los Angeles, where all the old Batmen live. I can’t tell you where: I signed an NDA. But in the most unlikely neighbourhood, in the most obscure location, lies a giant warehouse where Warner Bros keeps a century’s worth of treasures, including the best vehicles from its Batman films going back to 1989.

On a tour of this warehouse, which Warner Bros calls, with a slightly villainous air, the “Corporate Archive”, I saw nine Batmobiles, in a row, gleaming. Each one is a functioning vehicle with an engine, not just an elaborate prop. The most expensive cost close to $1m. It has wing-shaped treads on the tires, so it leaves little bats in its wake.

… Warner Bros, one of the original big five studios from Hollywood’s Golden Age, turns 100 on 4 April 2023, and as part of its centennial celebrations it’s letting reporters inside its secret treasure house. (You can search for the archive on Google: it’s not there.) Warner Bros has produced film or TV classics in every decade – from The Maltese Falcon, Casablanca and 42nd Street, to 2001: A Space Odyssey, to the Looney Tunes and Friends. The corporate archive is where its most infamous props, costumes and set pieces go to die – or rather, to achieve eternal life, watched over in chilled rooms by a team of dedicated archivists….

(9) MEMORY LANE.

2014[Compiled by Cat Eldridge.]

Charles de Lint’s Seven Wild Sisters: A Modern Fairy Tale is part of his Appalachian stories. It was published by Little, Brown in 2014 as a sequel to The Cats of Tanglewood Forest with illustrations by Charles Vess.  It was later done in a limited diction by Subterranean Press with illustrations by again by Charles Vess, this time in black in white. Both are wonderful. 

The series started off in A Circle of Cats, a sparkling affair of a children’s book. Two of the characters in these books will show up in Medicine Road.

I’m writing this under a Vess signed limited edition print of fifty for the cover art for A Circle of Cats

Though Canadian, de Lint does a very nice job of capturing the feel of the Appalachian region. I know he’s a very good friend of Vess who lives in the Appalachian region, so I expect that at least part of his knowledge comes from him. 

I’ve read all of the works, no surprise as I love his fiction deeply. I think as books that they are more warm, more comfortable than anything else he’s done. And there’s nothing wrong with that sort of genre fiction once in a while, is there? 

And now our Beginning… 

There’s those that call it ginseng, but ’round here we just call it ’sang. Don’t know which is right. All I know for sure is that bees and ’sang don’t mix, leastways not in these hills.

Their rivalry’s got something to do with sweetness and light and wildflower pollen set against dark rooty things that live deep in the forest dirt. That’s why bee spirits’ll lead the ’sang poachers to those hidden ’sang beds. It’s an unkindness you’d expect more from the Mean Fairy—you know, the way he shows up at parties after the work’s all done.

‘Course there’s spirits in the hills. How could there not be? You think we’re alone in this world? We have us a very peopled woods, and I’ve seen all kinds in my time, big and small.

The Father of Cats haunts these hills. Most times he’s this big old panther, sleek and black, but the Kickaha say he can look like a handsome, black-haired man, the fancy takes him. I only ever saw him as a panther. Seeing yourself a panther is unusual enough, though I suppose it’s something anybody who spends enough time in these woods can eventually claim. But I heard him talk.

Don’t you smile. I don’t tell lies.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 25, 1916 Jean Rogers. Rogers is best remembered for playing Dale Arden in the science fiction serials Flash Gordon and Flash Gordon’s Trip to Mars, both released in the Thirties. Kage Baker would’ve have loved them as she was a great fan of such cinema and wrote a series of essays for Tor.com that turned into Ancient Rockets: Treasures and Trainwrecks of the Silent Screen. (Died 1991.)
  • Born March 25, 1920 Patrick Troughton. The Second Doctor of who I’ll confess I’m not the most ardent fan of. The Fourth Doctor is my Doctor. Troughton had a long genre resume starting with Hamlet and Treasure Island early on before proceeding to such works as Scars of Dracula and Frankenstein and the Monster from Hell later on. Telly-wise, I see him on R.U.R. Radius playing a robot, on a Fifties Robin Hood show being that character, and on The Feathered Serpent. This is children’s series set in pre-Columbian Mexico and starring Patrick Troughton as the scheming High Priest Nasca. H’h. (Died 1987.)
  • Born March 25, 1939 D. C. Fontana. Though best known for her work on the first Trek series, she was a story editor and associate producer on the animated series as well. During the 70s, she was staff for such series as Six Million Dollar ManLogan’s Run and Buck Rogers in the 25th Century. She later wrote for the fanfic Star Trek: New Voyages series. (Died 2019.)
  • Born March 25, 1942 Jacqueline Lichtenberg, 81. She was nominated at the second DisCon for Best Fan Writer, the year Susan Wood won, and Neffy (National Fantasy Fan Federation Speculative Fiction Award) for Fan of the Year thirty-four years later. She’s written a number of Trek works and more fiction in the Sime/Gen ‘verse. If you’re so interested in the latter, she’s extremely well stocked at the usual suspects.
  • Born March 25, 1947 Paul Levinson, 76. “The Copyright Case” novelette would garner him a much deserved Compuserve group HOMer Award. It was the first work in a series of novels and short stories featuring the fascinating NYPD forensic detective Dr. Phil D’Amato who first appeared in Levinson’s “The Chronology Protection Case” novelette. You can purchase it from the usual digital sources.
  • Born March 25, 1950 Robert O’Reilly, 73. Best known I’d say for his appearance in the Trek franchise for a decade in his recurring role on Next Gen and DS9 as Chancellor Gowron, the leader of the Klingon Empire. He made one further appearance in the Trek verse as Kago-Darr in the Enterprise “Bounty” episode. Other genre series he appeared in include Fantasy IslandKnight RiderIncredible HulkMacGyverMax Headroom and the first version of The Flash. I’ll let y’all tell me what your favorite films with him are.
  • Born March 25, 1958 Amy Pascal, 65. She gets Birthday honors for being responsible for bringing Hugo Award winning Spider-Man: Into The Spider-Verse to the screen. She also produced Spider-Man: Homecoming and Spider-Man: Far from Home. She is producing the forthcoming Spider-Man: Into the Spider-Verse sequel, Spider-Man: Across The Spider-Verse, and the Spider-Man: No Way Home as well.
  • Born March 25, 1964 Kate DiCamillo, 59. She is just being one of six people to win two Newbery Medals, noting the wonderfulness of The Tale of Despereaux and Flora & Ulysses. The first I’ve encountered, the tale of a swords mouse in making, the latter I’ve not. Her Mercy Watson series is about the adventures of a fictional pig, illustrated by Chris Van Dusen.

(11) COMICS SECTION.

  • Pearls Before Swine reveals something that was powerful enough to kill one character’s romance.
  • Shoe shows a writer attempting what could be called a kind of reverse engineering.

(12) JEOPARDY! [Item by David Goldfarb.] The March 21 episode of Jeopardy! had a whole category in the Double Jeopardy round called “Books: The Future is Now”. The contestants took the category bottom-to-top, so that’s how I’ll give them to you.

$2000: He saw 2024 as a hellish wasteland in his 1969 short story, “A Boy & His Dog” 

Nobody was able to respond “Harlan Ellison”.

$1600: Later editions of this author’s “Do Androids Dream of Electric Sheep?” moved the story from 1992 to 2021

Returning champion Melissa Klapper correctly responded “Dick”.

$1200: In 2025, game shows are to the death in “The Running Man”, written by Stephen King under this pseudonym

This was another triple stumper: nobody knew “Richard Bachman”.

$800: This 1925 novel about a futuristic city in 2026 became an art deco sci-fi silent movie by Fritz Lang

Melissa knew “Metropolis”.

$400: In Kim Stanley Robinson’s trilogy about colonizing this planet, humans first visit there in 2020

Brandon Anderson (presumably no relation!) knew this one.

(13) STARFLEET RECRUITING OFFICE. How could anyone ever tire of this story? Don’t answer that question. “William Shatner Explains How He Landed ‘Star Trek’ Role as Captain Kirk”.

William Shatner recalled how he managed to land the role of Captain James T. Kirk on the original 1966 Star Trek series.

During the actor’s keynote interview at South by Southwest in Austin, Texas, on Thursday, Alamo Drafthouse founder Tim League asked Shatner about how he got his career-changing gig.

“Talent,” Shatner initially deadpanned, to audience applause, but then he told the story.

As all Trek fans know, Jeffrey Hunter was cast in the NBC show’s first attempt at a Star Trek pilot, “The Cage,” as Captain Christopher Pike. “Jeffrey Hunter, good-looking guy, he was quite a name,” Shatner says. “They presented the pilot to NBC and then there’s that moment when the gods — and, in this case, NBC executives — decide to buy or not to buy. To buy, or not to buy, that is the question! They said, ‘No, we’re not going to buy it, because we don’t like it. But we like the idea. So rewrite, recast and we’ll give you the money to do it.’ I’ve never heard of that happening before or since.” (To be fair, it’s actually happened many times since.)

“So they went around looking for a new captain,” Shatner continued. “I was in New York doing some work. They called me and said, ‘Would you come and see the pilot?’ With the idea of me being the captain. And I watched the pilot [and thought], ‘Oh my God, that’s really good. Why didn’t they buy it?’ Yet [the actors] were a little ponderous. Like, [soberly] ‘Helmsman, turn to the Starboard.’ You’ve been out five years in the middle of space, wouldn’t you say, [casually] ‘Hey, George, turn left’? ‘There’s a meteor coming!’… ‘Well, get out of the way!’ So I added a little lightness. Then it sold. And that’s the answer.”…

(14) A CASE OF THE VAPORS. The Guardian reports “Aviation chiefs rejected measures to curb climate impact of jet vapours”.

Airlines and airports opposed measures to combat global warming caused by jet vapour trails that evidence suggests account for more than half of the aviation industry’s climate impact, new documents reveal.

The industry argued in government submissions that the science was not “robust” enough to justify reduction targets for these non-CO2 emissions. Scientists say the climate impact of vapour trails, or contrails, has been known for more than two decades, with one accusing the industry of a “typical climate denialist strategy”.

While carbon emissions from jet engines contribute to global heating, research suggests the contrails formed when water vapour and soot particles form into ice crystals have an even greater impact. These human-made clouds trap heat in the atmosphere that would otherwise escape into space.

… Milan Klöwer, a climate scientist at Massachusetts Institute of Technology, said airlines were adopting a “typical climate denialist strategy” by overstating the level of uncertainty about non-COeffects. He said: “Even in the best case, they roughly double the effect of COemissions on the climate.”…

(15) LOOK OUT BELOW. Science reports a study showing “Earth at higher risk of big asteroid strike, satellite data suggest”.

Using a new catalog of high-resolution satellite imagery, James Garvin and his colleagues identified large rings around three impact craters and one probable one that are 1 million years old or younger. To Garvin, the rings imply the craters are tens of kilometers wider, and record far more violent events, than researchers had thought.

If Garvin is right—no sure bet—each impact resulted in an explosion some 10 times more violent than the largest nuclear bomb in history, enough to blow part of the planet’s atmosphere into space. Although not as destructive as the impact that killed off the dinosaurs, the strikes would have perturbed the global climate and caused local extinctions.

It’s an extraordinary claim, as Garvin himself admits. “We haven’t proven anything,” he says. Without fieldwork to back up the conclusions, impact researchers are wary of the circles Garvin and his colleagues have drawn on maps—especially because they defy other estimates of impact rates. “I’m skeptical,” says Bill Bottke, a planetary dynamicist at the Southwest Research Institute in Boulder, Colorado. “I want to see a lot more before I believe it.”

Because water and wind quickly erase most impact craters on Earth, researchers estimate impact rates by tallying crater sizes and ages on the Moon. They also study the size of asteroids in orbit near Earth—potential future impactors. Based on those two methods, researchers estimate that an asteroid or comet 1 kilometer wide or larger hits the planet every 600,000 to 700,000 years.

The new study, however, suggests that in the past million years alone, four kilometer-size objects pummeled the continents—and, given that two-thirds of the planet is covered by water, that could mean up to a dozen struck Earth in total, Bottke says. Anna Łosiak, a crater researcher at the Polish Academy of Sciences, doubts the ringlike features identified by Garvin’s team are truly crater rims. If they somehow are, she says, “that would be very scary because it would mean we really don’t understand what’s going on at all—and that there are a lot of space rocks that may come and make a mess.”…

[Thanks to Mike Kennedy, John King Tarpinian, Chris Barkley, Rich Horton, Steven French, David Goldfarb, SF Concatenation’s Jonathan Cowie, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Randall M.]

Pixel Scroll 3/18/23 Pixel’s Cat, Neither Scrolling Nor Not Scrolling, You Decide

(1) DE LINT AND HARRIS STILL NEED SUPPORT. The Ottawa Citizen profiled MaryAnn Harris’s illness and fundraiser in “A tick bite, the Powassan virus, and MaryAnn’s struggle”.

… “They didn’t know what was wrong,” said Charles, a popular author of fantasy novels, a three-time Aurora Award winner, and a member of Canada’s Science Fiction Writers Hall of Fame. “They assumed it was a virus of some sort. It looked like they had 70 little machines feeding her different kinds of antibiotics.”

Today, more than a year and a half after falling ill, MaryAnn hasn’t been back home. She still breathes with a ventilator and remains nearly paralyzed.

The culprit? A tick bite that transmitted the rare but increasingly common Powassan virus, a potentially deadly pathogen that caused encephalitis.

“We were never aware of the bite. We never even saw the tick,” Charles said. MaryAnn fell ill during the lockdown and the couple hadn’t travelled anywhere.

They figure she picked up the tick bite either in the yard of their Alta Vista area home or during one of their frequent walks around the community gardens in Pleasant Park. And it’s hardly the only question that can never be answered.

“If she was going to get sick,” Charles asks, “why did it have to be something so rare?”

Powassan virus was first identified in 1958 when it infected and killed a young boy in Powassan, Ont., on the outskirts of North Bay, 200 km northwest of Ottawa. Until 1998, there had been only 27 cases in all of North America. Since then, the numbers have been rising: 5-10 cases a year in the U.S. from 2010 to 2015; and 25-30 a year since. Since 2017, there have been 21 cases in Canada. Most infections occur in the northeastern U.S., Eastern Canada and the Great Lakes region.

…The couple — Charles is 71 and MaryAnn is 70 — have been together for 47 years and married for 42. With their guitar and banjo, they are well-known in Ottawa’s folk and bluegrass music scene.Charles’s novels, many of them set in the fantasy city of Newford, have a worldwide following. MaryAnn is his business manager, editor and illustrator. Her illness has left Charles with little time to write since he now spends five hours a day at Saint-Vincent Hospital, six days a week. He pays for a caregiver on the seventh.

Friends, family and fans have rallied around the couple. Musicians have visited the hospital to play for MaryAnn. A GoFundMe started to help pay for the many expenses they now face has topped $90,000. Fans have also subscribed to Charles’s Patreon account to help support his writing.

One fan, Julie Bartel, manages the GoFundMe and posts regular updates on MaryAnn’s progress on social media. Bartel, 52, grew up in tiny Orem, Utah, and as a teenager immersed herself in Charles’s fantasy novels….

The GoFundMe is here: “Harris – de Lint Recovery Fund”.

See also Julie Bartel’s File 770 post “More Information About the Harris / de Lint Fundraiser”.

(2) DOUBLE THE DISPLEASURE. Victoria Strauss gets busy in “One Week, Two Fakes: American Booksellers Federation and The Acquisitions Guild” at Writer Beware.

As you’ll know if you’re a regular reader of this blog (and from your own experience if you’ve ever self-published), we are currently in the midst of a tsunami of scam companies that aggressively solicit authors with out-of-the-blue emails and phone calls touting phony services–“endorsement” to Big 5 publishers or major film studios, “nominations” for representation at book fairs or other costly-but-useless PR strategies, and more.

These ripoff artists often seek to boost their credibility–and stroke writers’ egos–by naming some made-up organization or group that has recommended or otherwise validated the author’s book. The Guild of Literary Agents, Book Acquisitions Guild of America, Book Acquisition Society, The Literary Arts Organization, Affiliation of Creator Agents, Hollywood Database, Literary Review of Books…I could go on, but you get the picture. Despite the official-sounding names, none of these so-called organizations (which I’ve seen referenced in multiple scam solicitations) exist–as even a cursory websearch will confirm.

Scammers, of course, are counting on writers not to check. But writers have become much more savvy about solicitation scams than they used to be–partly because there are now so many of them, and partly because there are so many warnings about them. This has caused some predators to up their game, attempting to create credibility for their made-up endorsement organizations by giving them actual websites.

I ran across two of these this week….

They are the American Booksellers Federation and The Acquisitions Guild.

(3) ROWLING INTERVIEW PODCAST CONTINUES. The Hollywood Reporter covers episode 5 of The Witch Trials of J.K. Rowling podcast under the headline “J.K. Rowling: Criticism of Trans Stance Hit Different Than Christians”.

J.K. Rowling says that when it comes to the backlash she’s received around her Harry Potter books and her personal stances on the rights and identities of trans people, criticism from her “allies” hit differently than conservatives claiming she was promoting witchcraft.

“If it’s coming from people that you would, well, you would have thought were allies? Yes, that’s absolutely going to hit differently, but I don’t hold myself —” Rowling said before The Witch Trials of J.K. Rowling host Megan Phelps-Roper cut her off in the podcast’s latest episode. “I would assume we share certain values. So yeah, that hits differently. Of course, it hits differently.”…

The podcast’s fifth episode, titled “The Tweets,” dropped March 14 and is largely dedicated to Rowling expounding on the motivation behind her past social media messages and essay regarding her position on trans women as women and their presence in women’s spaces.

“It is very biblical language that is used of women who say, ‘You know what? I think any measure that makes it easier for predators to get at women and girls is a bad idea,’” Rowling said of critics, who have said her refusal to acknowledge trans women as women is “evil.” She continued, “There are plenty of women who don’t even … identify themselves as feminists who are very concerned about this.”

During the episode, various voices, including Phelps-Roper, repeatedly read unattributed tweets allegedly sent to Rowling. But speaking to her own initial tweet in 2019, which ultimately sparked the first major wave of criticism against the author over her support of a U.K. woman embroiled in an employment case around language and discrimination in the workplace, Rowling said she notified her team ahead of time.

“I drafted the tweet, and then I was considerate enough to phone my management team and say, ‘You cannot argue me out of this,’” the author explained. “And I read out what I was about to say because I felt they needed warning because I knew it was going to cause a massive storm.”

At another point, she added that she “absolutely knew” that people who love her books would be “deeply unhappy” with her, but that “time will tell whether I’ve got this wrong. I can only say that I’ve thought about it deeply and hard and long, and I’ve listened — I promise — to the other side.”

On the larger response to her public stances, the author describes “fury and incomprehension” on one side and “a ton of Potter fans who were grateful that I had said what I said” on the other after sharing her first and subsequent tweets. But Rowling ultimately questions the motivations of the Harry Potter fans who didn’t stick by her. “What’s interesting is the fans that have found themselves in positions of power online, did they feel they needed to take this position because they themselves had followers? Possibly, I don’t know,” she said….

(4) THESE FANS LITERALLY KEEP WATCHING THE SKIES. [Item by SF Concatenation’s Jonathan Cowie.] In Nature, “Fan astronomers show pros how to help in asteroid collision”. “Astronomy, like other scientific fields, continues to benefit from working scientists collaborating with amateur colleagues.”

When NASA’s Double Asteroid Redirection Test (DART) spacecraft slammed into an asteroid on purpose last September, many telescopes were trained on this one-of-a-kind celestial event. Some were operated by teams of amateur astronomers — skilled skywatchers for whom astronomy is not their full-time day job (or, more accurately, night job). Three such teams on France’s Réunion island in the Indian Ocean, plus one in Nairobi, managed to watch the impact in real time.

These skywatchers are among the authors of a study in Nature that describes how the asteroid, named Dimorphos, became temporarily brighter and redder as the spacecraft hit it. One of five papers about the impact published in Nature15, it describes a real-time view of a cosmic collision — similar to that when Comet Shoemaker–Levy 9 slammed into Jupiter in July 1994.

(5) JERRY SAMUELS (1938-2023). Singer Jerry Samuels, died March 10. Under the name Napoleon XIV, he recorded the 1966 novelty hit “They’re Coming to Take Me Away, Ha-Haaa!” Listeners to Doctor Demento are likely familiar with it.

(6) MEMORY LANE.

2018[Compiled by Cat Eldridge.]

For these Beginnings I usually prefer to use the first novel in a series, so why use the twenty-first of twenty-three novels published to date? 

Because RobicheauxA Novel, published by Simon & Schuster five years ago, thirty-one years after the first novel by James Lee Burke in the series, The Neon Rain, came out, has one of the best Beginnings of all. 

It won’t spoil much to tell you that the series center around Dave Robicheaux, a former homicide detective in the New Orleans Police Department. He now lives in New Iberia, Louisiana, and he works as a detective for the Iberia Parish Sheriff’s Office.

I’ve read around half the books so far. It’s a quite brilliant series where the characters, both principal and secondary, continue to evolve as the series goes on, the stories are complex if usually quite violent and not for the squeamish. And the setting? The story goes often into the squalid side of New Orleans and other places just as disgusting. Need I say more? 

Oh, and Will Patton narrates the series quite amazingly in terms of giving each character their own unique voice. If you listen to books, you’ll really enjoy these.

Now here’s our very interesting Beginning…

LIKE AN EARLY nineteenth-century poet, when I have melancholy moments and feel the world is too much for us and that late and soon we lay waste to our powers in getting and spending, I’m forced to pause and reflect upon my experiences with the dead and the hold they exert on our lives.

This may seem a macabre perspective on one’s life, but at a certain point it seems to be the only one we have. Mortality is not kind, and do not let anyone tell you it is. If there is such a thing as wisdom, and I have serious doubts about its presence in my own life, it lies in the acceptance of the human condition and perhaps the knowledge that those who have passed on are still with us, out there in the mist, showing us the way, sometimes uttering a word of caution from the shadows, sometimes visiting us in our sleep, as bright as a candle burning inside a basement that has no windows. 

On a winter morning, among white clouds of fog out at Spanish Lake, I would see the boys in butternut splashing their way through the flooded cypress, their muskets held above their heads, their equipment tied with rags so it wouldn’t rattle. I was standing no more than ten feet from them, although they took no notice of me, as though they knew I had not been born yet, and their travail and sacrifice were not mine to bear. 

Their faces were lean from privation, as pale as wax, their hair uncut, the rents in their uniforms stitched clumsily with string. Their mouths were pinched, their eyes luminous with caution. The youngest soldier, a drummer boy, could not have been older than twelve. On one occasion I stepped into the water to join them. Even then, none acknowledged my presence. The drummer boy stumbled and couldn’t right himself, struggling with the leather strap around his neck and the weight of his drum. I reached out to help him and felt my hand and arm sink through his shoulder. A shaft of sunlight pierced the canopy, turning the fog into white silk; in less than a second the column was gone. 

Long ago, I ceased trying to explain events such as these to either myself or others. Like many my age, I believe people in groups are to be feared and that arguing with others is folly and the knowledge of one generation cannot be passed down to the next. Those may seem cynical sentiments, but there are certain truths you keep inside you and do not defend lest you cheapen and then lose them altogether. Those truths have less to do with the dead than the awareness that we are no different from them, that they are still with us and we are still with them, and there is no afterlife but only one life, a continuum in which all time occurs at once, like a dream inside the mind of God. 

Why should an old man thrice widowed dwell on things that are not demonstrable and have nothing to do with a reasonable view of the world? Because only yesterday, on a broken sidewalk in a shabby neighborhood at the bottom of St. Claude Avenue, in the Lower Ninth Ward of St. Bernard Parish, under a colonnade that was still twisted out of shape by Katrina, across from a liquor store with barred windows that stood under a live oak probably two hundred years old, I saw a platoon of Confederate infantry march out of a field to the tune of “Darling Nelly Gray” and disappear through the wall of a gutted building and not exit on the other side.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 18, 1888 Alexander Leydenfrost. As an illustrator, he briefly worked for Planet Stories before being signed by Life magazine where the money was better. But his quite brief tenure at Planet Stories is credited with the creation of the enduring cliche Bug-Eyed Monster as that’s what his illustrations showed. (Died 1961.)
  • Born March 18, 1926 Peter Graves. Star of Mission Impossible and the short lived Australian-filmed Mission Impossible which if you’ve not seen it you should as it’s damn good. I’m reasonably certain his first genre role was on Red Planet Mars playing Chris Cronyn. Later roles included Gavin Lewis on The Invaders, Major Noah Cooper on Buck Rogers in the 25th Century, Doug Paul Martin in Killers from Space and Paul Nelson on It Conquered the World. It’s worth noting that a number of his films are featured on Mystery Science Theater 3000 series. (Died 2010.)
  • Born March 18, 1932 John Updike. It might surprise you to learn that there are two Eastwick novels, The Witches of Eastwick and The Widows of Eastwick, the latter set some three decades after the first novel ended. He wrote a number of other genre-friendly novels including The Centaur, Brazil and Toward the End of Time.  (Died 2009.)
  • Born March 18, 1947 Drew Struzan, 76. Artist known for his more than a hundred and fifty movie posters which include films in Back to the Future, the Indiana Jones, and Star Wars film franchises. In addition, he designed the original Industrial Light & Magic logo for Lucas. My favorite posters? Back to the FutureThe Goonies and The Dark Crystal.
  • Born March 18, 1950 J. G. Hertzler, 73. He’s best known for his role on Deep Space Nine as the Klingon General (and later Chancellor) Martok. He co-authored with Jeff Lang, Left Hand of Destiny, Book 1, and Left Hand of Destiny, Book 2, which chronicle the life of his character. His very TV first role was a genre one, to wit on Quantum Leap as Weathers Farrington in the “Sea Bride – June 3, 1954” episode. Setting aside DS9, he’s been in ZorroHighlanderThe Adventures of Brisco County, Jr.Lois & Clark: The New Adventures of SupermanCharmedRoswell and the Enterprise series;  for film genre work, I see The Redeemer: Son of SatanTreasure Island: The Adventure Begins and Prelude to Axanar (yet another piece of fanfic). In addition, he’s done a lot of video game voice acting, the obvious Trek work but such franchises as BioShock 2The Golden Compass and Injustice: Gods Among Us. 
  • Born March 18, 1959 Luc Besson, 64. Oh, The Fifth Element, one of my favorite genre films. There’s nothing about it that I don’t like. I’ve not seen Valerian and the City of a Thousand Planets and comments leave me disinclined to do so. The Transporter is not genre but I recommend it as a great film none the less.
  • Born March 18, 1960 Richard Biggs. Another way too young death. On Babylon 5 as he appeared as Dr. Stephen Franklin, and reprised the role in the final aired episode of Crusade, “Each Night I Dream of Home”. Other genre roles included playing Roger Garrett on Tremors, Hawkes In The Alien Within, An Unnamed Reporter on Beauty and the Beast, Dr. Thomson on an episode of The Twilight Zone and a Process Server in an episode of The Magical World of Disney. (Died 2004.)
  • Born March 18, 1961 James Davis Nicoll, 62. A freelance game and genre reviewer. A first reader for SFBC as well. Currently he’s a blogger on Dreamwidth and Facebook, and an occasional columnist on Tor.com. In 2014, he started his website, which is dedicated to his book reviews of works old and new; and which later added the highly entertaining Young People Read Old SFF, where that group read prior to Eighties SF and fantasy, and Nicoll and his collaborators comment on the their reactions.

(8) COMICS SECTION.

  • Tom Gauld is at it again.

(9) FALLING BEHIND. The New York Times reports on “How Siri, Alexa and Google Assistant Lost the A.I. Race”.

On a rainy Tuesday in San Francisco, Apple executives took the stage in a crowded auditorium to unveil the fifth-generation iPhone. The phone, which looked identical to the previous version, had a new feature that the audience was soon buzzing about: Siri, a virtual assistant.

Scott Forstall, then Apple’s head of software, pushed an iPhone button to summon Siri and prodded it with questions. At his request, Siri checked the time in Paris (“8:16 p.m.,” Siri replied), defined the word “mitosis” (“Cell division in which the nucleus divides into nuclei containing the same number of chromosomes,” it said) and pulled up a list of 14 highly rated Greek restaurants, five of them in Palo Alto, Calif.

“I’ve been in the A.I. field for a long time, and this still blows me away,” Mr. Forstall said.

That was 12 years ago. Since then, people have been far from blown away by Siri and competing assistants that are powered by artificial intelligence, like Amazon’s Alexa and Google Assistant. The technology has largely remained stagnant, and the talking assistants have become the butt of jokes, including in a 2018 “Saturday Night Live” sketch featuring a smart speaker for seniors.

The tech world is now gushing over a different kind of virtual assistant: chatbots. These A.I.-powered bots, such as ChatGPT and the new ChatGPT Plus from the San Francisco company OpenAI, can improvise answers to questions typed into a chat box with alacrity. People have used ChatGPT to handle complex tasks like coding software, drafting business proposals and writing fiction.

And ChatGPT, which uses A.I. to guess what word comes next, is rapidly improving. A few months ago, it couldn’t write a proper haiku; now it can do so with gusto. On Tuesday, OpenAI unveiled its next-generation A.I. engine, GPT-4, which powers ChatGPT.

The excitement around chatbots illustrates how Siri, Alexa and other voice assistants — which once elicited similar enthusiasm — have squandered their lead in the A.I. race….

(10) STAR TREK INSIGHTS. Rachel Stott is on to something here.

(11) VIDEO OF THE DAY. The Library of America’s panel “Back to the Future Is Female!” can now be viewed on YouTube.

From Pulp Era pioneers to the radical innovators of the 1960s and ’70s, visionary women writers have been a transformative force in American science fiction. For Women’s History Month, acclaimed SF authors Chelsea Quinn Yarbro, Pamela Sargent, and Sheree Renée Thomas join Lisa Yaszek, editor of LOA’s The Future Is Female!, for a conversation about the writers who smashed the genre’s gender barrier to create worlds and works that remain revolutionary.

[Thanks to Cat Eldridge, Mike Kennedy, SF Concatenation’s Jonathan Cowie, Ferrak MacGoogan, Peer, John King Tarpinian, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 3/7/23 Some People Call Me Morlock, ’Cause I Speak Of The Pixeltus Of Love

(1) RUSSIAN SF PODCAST. [Item by Nickpheas.] Mark Galeotti is a British expert on Russian affairs, with a podcast series “In Moscow’s Shadows”. He’s also an SF fan and roleplayer, having written for RuneQuest and self published a Mythic Russia game, all sadly out of print as far as I can tell.

One of his latest podcasts has a segment on themes in Russian SF and how they shed light on the thinking of the Putin regime. In Moscow’s Shadows 91: “Russian Fantasies – Putin’s address to the nation and the lessons from Russian science fiction”.

The SF bit starts about two thirds of the way in. There is obviously much to say about Kremlin infighting and the war in Ukraine first.

(2) GRIM AND BEAR IT. “Margaret Atwood on Loss and Storytelling” – an interview at Vanity Fair to promote her new story collection, Old Babes in the Wood.

Vanity Fair: While reading the collection, I was reminded of how many funny moments you weave into your writing, regardless of how grim the circumstances.

Margaret Atwood: In Nova Scotia, there’s a tradition of deadpan lying—so, to see if you can get people to believe you—but they have that kind of humor. I think it’s kind of Scottish. It’s not very puritan New England, particularly, although a bunch of the family came from there. Some of them came from Scotland, and some of them came from Wales, and some of them came from France because they were Huguenots who got kicked out of France in the 18th century. We used to laugh a lot as kids at inappropriate things, and maybe it comes from that. But I think a lot of people are actually like that. Things are grim, but they’re not completely hopeless.

Some of the grimmest circumstances can have an absurd bent to them, maybe.

Without a doubt. There’s a very thin line between the absolutely horrific and the slapstick comedy. Pie in the face. There used to be a form of theater called Grand Guignol, which was horror theater, but it was funny too. It’s funny if it’s not happening to you—or anybody you love. But I don’t know, there’s something about rich men in fur coats slipping on a banana peel that’s just funny. Of course, it’s different if it’s a poor person slipping on a banana peel. I think things that violate expectations—or, as somebody said to me long ago, in the English-seaside-postcard tradition, the wife hitting the husband over the head with the rolling pin is funny, but the husband hitting the wife over the head with the rolling pin, that’s a different thing.

(3) SHAPERS OF WORLDS KICKSTARTER COMING MARCH 14. Edward Willett, Saskatchewan-based award-winning author of more than sixty books of science fiction, fantasy, and non-fiction for readers of all ages, is launching a Kickstarter campaign on March 14, 2023, to fundthe fourth annual anthology featuring some of the top writers of science fiction and fantasy working today, all of whom were guests on his Aurora Award-winning podcast, The Worldshapers (www.theworldshapers.com). The Kickstarter campaign can be found here: “Shapers of Worlds Volume IV by Edward Willett”.

Shapers of Worlds Volume IV will feature new fiction from David Boop, Michaelbrent Collings, Roy M. Griffis, Sarah A. Hoyt, Sherrilyn Kenyon, Noah Lemelson, Mark Leslie Lefebvre, Edward M. Lerner, David Liss, Gail Z. Martin, Joshua Palmatier, Richard Paolinelli, Jean-Louis Trudel, James van Pelt, Garon Whited, and Edward Willett, plus reprints by James Kennedy, R.S. Mellette, and Lavie Tidhar. Among those authors are several international bestsellers, as well as winners and nominees for every major science fiction and fantasy literary award.

All of the authors were guests during the fourth year of The Worldshapers, where Willett interviews other science fiction and fantasy authors about their creative process.

Backers’ rewards offered by the authors include numerous e-books, signed paperback and hardcover books, Tuckerizations (a backer’s name used as a character name), commissioned artwork, one-on-one writing/publishing consultations, audiobooks, opportunities for online chats with authors, short-story critiques, and more.

The Kickstarter campaign goal is $12,000 CDN. Most of those funds will go to pay the authors, with the rest going to reward fulfillment, primarily the editing, layout, and printing of the book, which will be published this fall in both ebook and trade paperback formats by Willett’s publishing company, Shadowpaw Press (www.shadowpawpress.com). This year, there’s a special stretch goal: once the campaign reaches $17,000, $5,000 over the goal, the anthology will be illustrated, with a new black-and-white drawing for each story from Calgary, Alberta artist Wendi Nordell, who has illustrated numerous books for regional publishers including Edward Willett’s science-fiction and fantasy poetry collection, I Tumble Through the Diamond Dust. [Based on a press release.]

(4) HELP WANTED. Karl Kotas hopes you can remember a book title for him.

I am trying to recall a science fiction first contact novel, possibly by a woman writer, which I read some decades ago. Normally, I have had luck searching online via sites like substack and AskMetafilter but so far I have failed. 

So, let me cut to the chase and tell you what I remember:

The book began with a scene in Iceland or Finland — a man meets some children who claim to have found an elf, a very Nordic elf. The man meets this so-called elf and realizes he is not human.

As it turns out, this elf came from a ship in orbit with a strange matriarchal system system with an extreme sexual dimorphism where the females are giant and the males are tiny..

What came to my mind then are those deep sea  angler fish where the females are enormous with tiny tadpolish males permanently joined to them at the cloaca. 

Fairly fast, these matriarchs took a look at the ecological damage being done to the earth via overpopulation and relentless development and broadcast an ultimatum to the entire human race to shape up or else.

One of the results of this broadcast is no children were conceived or born thereafter for years. This was done via the broadcast or some sort of unexplained handwavium.

Later on the man is aboard the ship and observes the results. Cars and trucks have disappeared to be replaced by railroads and North America was rewilded back to the 17th century level with large herds of bison roaming the vast open plains.

Does this ring a bell to anyone here?

(6) MEMORY LANE.

2013[Compiled by Cat Eldridge.]

So let’s  talk about Charles de Lint’s The Cats of Tanglewood Forest which is the sequel to children’s children’s book he did with Charles Vess, A Circle of Cats. Without giving away anything, the themes are the same, just expanded to a novel length work.

I love everything that de Lint has done and this is no exception, though is is quite different from the urban fantasy work of his that you’re likely to be familiar with. This is based is the Appalachian myths that I assume he and Vess talked about. He sort of first used them in Someplace to Be Flying, but they were moved to Newford which was deliberately located nowhere. This story, and related stories are located in the Appalachian region.

Needless to say it too is illustrated by Vess. Oh is it. Illustrations beyond counting. Of Lillian, of cats, of other creatures, of the Forest. You get the idea. 

It’s warm, comfortable story with believable characters, human and otherwise. That’s all I’ll say. I is available from the usual suspects but I recommend you buy the hardcover edition instead as it’s a truly remarkable book, one that you’ll cherish. 

Now here’s its Beginning…

Once there was a forest of hickory and beech, sprucy-pine, birch and oak. It was called the Tanglewood Forest. Starting at the edge of a farmer’s pasture, it seemed to go on forever, uphill and down. There were a few abandoned homesteads to be found in its reaches, overgrown and uninhabitable now, and deep in a hidden clearing there was a beech tree so old that only the hills themselves remembered the days when it was a sapling. 

Above that grandfather tree, the forest marched up to the hilltops in ever-denser thickets of rhododendrons and brush until nothing stood between the trees and stars. Below it, a creek ran along the bottom of a dark narrow valley, no more than a trickle in some places, wider in others. Occasionally the water tumbled down rough staircases of stone and rounded rocks. 

On a quiet day, when the wind was still, the creek could be heard all the way up to where the old beech stood. Under its branches cats would come to dream and be dreamed. Black cats and calicos, white cats and marmalade ones, too. Sometimes they exchanged gossip or told stories about L’il Pater, the trickster cat. More often they lay in a drowsy circle around the fat trunk of the ancient beech that spread its boughs above them. Then one of them might tell a story of the old and powerful Father of Cats, and though the sun might still be high and the day warm, they would shiver and groom themselves with nervous tongues. 

But they hadn’t yet gathered the day the orphan girl fell asleep among the beech’s roots, nestling in the weeds and long grass like the gangly, tousle-haired girl she was. 

Her name was Lillian Kindred.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 7, 1934 Gray Morrow. He was an illustrator of comics and paperback books. He is co-creator of the Marvel Comics’ Man-Thing with writers Roy Thomas and Gerry Conway, and co-creator of DC Comics’ El Diablo with writer Robert Kanigher. If you can find a copy, The Illustrated Roger Zelazny he did in collaboration with Zelazny is most excellent. ISFDB notes that he and James Lawrence did a novel called Buck Rogers in the 25th Century.  No idea if it was tied into the series which came out the next year. (Died 2001.)
  • Born March 7, 1942 Paul Preuss, 81. I know I’ve read all of the Venus Prime series written by him off the Clarke stories. I am fairly sure I read all of them when I was in Sri Lanka where they were popular.  I don’t think I’ve read anything else by him. 
  • Born March 7, 1944 Stanley Schmidt, 79. Between 1978 and 2012 he served as editor of Analog Science Fiction and Fact magazine, an amazing feat by any standard! He was nominated for the Hugo Award for Best Professional Editor every year from 1980 through 2006 (its final year), and for the Hugo Award for Best Editor Short Form every year from 2007 (its first year) through 2013 with him winning in 2013.  He’s also an accomplished author with more than a dozen to his name. I know I’ve read him but I can’t recall which novels in specific right now. 
  • Born March 7, 1945 Elizabeth Moon, 78. I’ll let JJ have the say on her: “I’ve got all of the Serrano books waiting for when I’m ready to read them. But I have read all of the Kylara Vatta books — the first quintology which are Vatta’s War, and the two that have been published so far in Vatta’s Peace. I absolutely loved them — enough that I might be willing to break my ‘no re-reads’ rule to do the first 5 again at some point. Vatta is a competent but flawed character, with smarts and courage and integrity, and Moon has built a large, complex universe to hold her adventures. The stories also feature a secondary character who is an older woman; age-wise she is ‘elderly,’ but in terms of intelligence and capability, she is extremely smart and competent — and such characters are pretty rare in science fiction, and much to be appreciated.” 
  • Born March 7, 1955 Michael Jan Friedman, 68. Author of nearly sixty books of genre fiction, mostly media tie-ins. He’s written nearly forty Trek novels alone covering DS9Starfleet AcademyNext GenOriginal Series and Enterprise. He’s also done work with Star Wars, AliensPredatorsLois & Clark: The New Adventures of SupermanBatman and Robin and many others. He’s also done quite a bit of writing for DC, mostly media-ins but not all as I see SupermanFlash and Justice League among his credits.
  • Born March 7, 1967 Ari Berk, 56. Folklorist, artist, writer and scholar of literature and comparative myth. Damn great person as well. I doubt you’ve heard of The Runes of Elfland he did with Brian Froud so I’ve linked to the Green Man review of it here. He also had a review column in the now defunct Realms of Fantasy that had such articles as “Back Over the Wall – Charles Vess Revisits the World of Stardust”.

(8) HOBBLING THE HUBBLE. The New York Times reports “Hubble Telescope Faces Threat From SpaceX and Other Companies’ Satellites”.

Private companies are launching thousands of satellites that are photobombing the telescope — producing long bright streaks and curves of light that can be impossible to remove. And the problem is only getting worse.

study, published Thursday in the journal Nature Astronomy, reveals an increase in the percentage of images recorded by the Hubble that are spoiled by passing satellites. And the data goes only through 2021. Thousands more satellites have been launched since then by SpaceX and other companies, and many more are expected to go to orbit in the years ahead, affecting the Hubble and potentially other telescopes in space.

“We’re going to be living with this problem. And astronomy will be impacted,” said Jonathan McDowell, an astronomer at the Harvard-Smithsonian Center for Astrophysics who was not involved in the study. “There will be science that can’t be done. There will be science that’s significantly more expensive to do. There will be things that we miss.”…

(9) SOME GOOD NEWS ABOUT AI. [Item by SF Concatenation’s Jonathan Cowie.] An article on the Nature website explains how an artificial-intelligence model trialled in Chile’s Atacama Desert could one day detect signs of life on other planets. “Astrobiologists train an AI to find life on Mars”.

Artificial intelligence (AI) and machine learning could revolutionize the search for life on other planets. But before these tools can tackle distant locales such as Mars, they need to be tested here on Earth.

A team of researchers have successfully trained an AI to map biosignatures — any feature which provides evidence of past or present life — in a three-square-kilometre area of Chile’s Atacama Desert. The AI substantially reduced the area the team needed to search and boosted the likelihood of finding living organisms in one of the driest places on the planet. The results were reported on 6 March in Nature Astronomy…

….Ultimately, Warren-Rhodes says she would like to see a comprehensive database of different Mars analogues that could feed valuable information to mission scientists planning their next sampling run. Her team’s advance, she adds, might appear “deceptively simple” to anyone who grew up watching Star Trek explorers scanning alien worlds with a tricorder. But, it represents an important advance in extraterrestrial research, in which biology has often lagged behind chemistry and geology. Imagine, for instance, virtual-reality headsets that feed mission scientists real-time data as they scan a surface, using a rover’s ‘eyes’ to direct their activities. “To have our team make one of these first steps towards reliably detecting biosignatures using AI is exciting,” she says. “It’s really a momentous time.”

Primary research paper abstract here here.

[Thanks to Mike Kennedy, John King Tarpinian, Chris Barkley, Karl Kotas, SF Concatenation’s Jonathan Cowie, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 2/18/23 I’ve Got The Rocket Pneumonia And The Wookie Cookie Blues

(0) I’m visiting my brother’s family overnight where we’ll hold a birthday celebration. So Cat and I have done a “seed” Scroll, and also invite you to add links in comments to things you know other sff fans would like to read. Til Sunday, as I read in Pooh, “Bizy Backson”!

(1) HPL FANS NEED A LIFT. The group that puts on NecronomiCon and carries out other activities is in a pinch and asks for donations to their GoFundMe: “Lovecraft Arts & Sciences 2023 Winter Fundraiser”. They’d raised $9,820 of their $20,000 goal as of yesterday.

…Given the obstacles presented by the pandemic and the related economic slowdown, we’re faced with a grave financial threat to our organization. NecronomiCon, for one, ended up being much more expensive than usual – all prices seemed to increase, from venue fees to printing costs, and at the same time Covid policies lead to us curtailing pass sales and fewer folks could join us anyway due to economic stress. So, while the event helps to pull in funds to sustain us through the long dark retail winter, we are coming up short much sooner than we’d normally – just as we experience some of our worst visitor days in years, even worse than much of the height of the pandemic. During those days, though, we were fortunate to receive some help from the government to sustain us, via a couple payroll protection program loans – but those days are long gone now and we’re needing to sustain ourselves, and hope for help from our community.

Right now, the situation is dire, we’re faced with making even harder decisions. This is compounded by the fact that our home building for the past seven years, the historic Providence Arcade, is still far less active than it used to be in The Before Times. A new coffee shop has opened, but we remain the only retailer in the building – a grim situation to be in.

In 2020, you, our amazing weird fiction community, stepped up and really helped us when we needed it so badly. A little over two years later, with many of the same hurdles before us, we humbly extend our hat once again – knowing full well that a lot of you are struggling, too, and realizing there are many other worthy potential recipients of your generosity. But given the existential obstacles we face, we truly need a little bit of your help….

(2) PREPPER, SERIES 1. From BBC Radio 4,PrepperSeries 1, Episode 4 of 4: The last episode of the series with Sue Johnston and Pearl Mackie.

Trump. ISIS. The Courgette Crisis. Signs of civilisation’s fragility are all around. No wonder the Doomsday Clock just nudged closer to midnight. In this fearscape, more and more ordinary people are wondering how they’d cope if everything we take for granted (law and order, access to healthcare, iceberg lettuces in Sainsburys) was taken away.

Preppers – a large and rapidly growing global community – have taken this thought one step further. They’re actively skilling-up, laying down supplies and readying themselves for the end of the world, in whatever form it comes. Indeed, a prepping shop just opened in Newquay. And if people in Cornwall are prepping, it’s time to worry.

Episode 4: “Bugging In”.

In this week’s 28 minute episode Sylvia takes Rachel in the boot (trunk?) of her car to her secret bunker. Yes, if it does look a little familiar, that’s because its design is based on Hitler’s. Politics aside, Hitler knew how to design bunkers. Meanwhile, both Sylvia and Rachel extol the virtue of having many separate food caches. Though Rachel found it s struggle carrying a 30 kg bag of rice wrapped in a carpet… and she got many funny looks while she was burying it in a field…

Prepper explores how two women live with the possibility of the end of days, and how they bond over their determination to survive. And fend off zombies.

This week – home defence.

(3) TODAY IN HISTORY.

LitHub follows up with “Some of the Best Stories from a Century of Weird Tales (That You Can Read Online)”. Here are two examples:

Ray Bradbury, “The Scythe” (Weird Tales, July 1943)

Quite suddenly there was no more road. It ran down the valley like any other road, between slopes of barren, stony ground and live oak trees, and then past a broad field of wheat standing alone in the wilderness. It came up beside the small white house that belonged to the wheat field and then just faded out, as though there was no more use for it.

Robert Bloch, “Yours Truly, Jack the Ripper” (Weird Tales, July 1943)

I looked at the stage Englishman. He looked at me.

(4) MEMORY LANE.

1984[Compiled by Cat Eldridge.]

I love Charles de Lint’s Moonheart with all my heart. 

It was published by Ace in both trade paper and hard cover thirty-nine years ago. There’s a very nice edition with illustrations by Charles Vess by Subterranean Press. And that edition is available in an epub edition at the usual suspects.

It was written back in the days previous to him prior to him creating his city of Newford, so it’s set in Ottawa where most of his early novels are set. 

In case there’s someone here who still has not read this most excellent novel which has a sequel of sorts, I will say nothing of the story therein. We did of course review it at Green Man and those of you who want to know more about this novel can go read that review. Of course that is decidedly not spoiler free. 

And now for the Beginning…

Sara Kendell once read somewhere that the tale of the world is like a tree. The tale, she understood, did not so much mean the niggling occurrences of daily life. Rather it encompassed the grand stories that caused some change in the world and were remembered in ensuing years as, if not histories, at least folktales and myths. By such reasoning, Winston Churchill could take his place in British folklore alongside the legendary Robin Hood; Merlin Ambrosius had as much validity as Martin Luther.

The scope of their influence might differ, but they were all a part of the same tale. Though in later years she never could remember who had written that analogy of tale to tree, the image stayed with her. It was so easy to envision: Sturdily rooted in the past, the tale’s branches spread out through the days to come. The many stories that make up its substance unfold from bud to leaf to dry memory and back again, event connecting event like the threadwork of a spider’s web, so that each creature of the world plays its part, understanding only aspects of the overall narrative, and perceiving, each with its particular talents, only glimpses of the Great Mystery that underlies it all.

The stories on their own are many, too myriad to count, and their origins are often too obscure or inconsequential on their own to be recognized for what they are. The Roman statesman Marcus Tullius Cicero said it best: “The beginnings of all things are small.” Though he lived and died some two thousand years before Sara was born, and though the tale was so entangled by the time she came into it that it would have been an exercise in futility to attempt to unravel its many threads, Sara herself came to agree with Cicero. Years later she could pinpoint the exact moment that brought her into the tale. It was when she found the leather pouch with its curious contents in one of the back storerooms of her uncle’s secondhand shop.

(5) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 18, 1908 Angelo Rossitto. An actor and voice artist who had dwarfism. His first genre role was in 1929’s The Mysterious Island as an uncredited Underwater Creature. His last major role was as The Master in Mad Max Beyond Thunderdome. He showed up in GalaxinaThe Incredible HulkJason of Star Command, Bakshi’s Lord of The RingsAdult FairytalesClonesDracula v. Frankenstein and a lot more. (Died 1991.)
  • Born February 18, 1919 Jack Palance. His first SF film is H. G. Wells’ The Shape of Things to Come which bears little resemblance to that novel. (He plays Omus.) Next up he’s Voltan in Hawk the Slayer followed by being Xenos in two Gor films. (Oh the horror!) He played Carl Grissom in Burton’s Batman, and Travis in Solar Crisis along with being Mercy in Cyborg 2. ABC in the Sixties did The Strange Case of Dr. Jekyll and Mr. Hyde in which he played the lead dual roles, and he had a nice turn as Louis Strago in The Man from U.N.C.L.E. which is worth seeing. (Died 2006.)
  • Born February 18, 1929 Len Deighton, 94. Author of possibly the most brilliant alternative novels in which Germany won the Second World War, SS-GB. It deals with the occupation of Britain. A BBC One series based off the novel was broadcast several years back.
  • Born February 18, 1930 Gahan Wilson. Author, cartoonist and illustrator known for his cartoons depicting horror-fantasy situations. Though the world at large might know him for his Playboy illustrations which are gathered in a superb two volume collection, I’m going to single him out for his brilliant and possibly insane work with Zelazny on  A Night in the Lonesome October which is their delightful take on All Hallows’ Eve. (Died 2019.)
  • Born February 18, 1968 Molly Ringwald, 55. One of her was first acting roles was Nikki in Spacehunter: Adventures in the Forbidden Zone. She’ll later have the lead role of Frannie Goldsmith in Stephen King’s The Stand series. And does the Riverdale series count at least as genre adjacent? If so, she’s got the recurring role of Mary Andrews there.

(6) MORE TWITTER SHENANIGANS. [Item by SF Concatenation’s Jonathan Cowie.] There’s been a fair bit in File 770 recent months on changes at Twitter. In this week’s Science journal it seems that scientists are dismayed at the thought of losing a key tool they use for social media analysis, application programming interface (API). “Twitter’s plan to cut off free data access evokes ‘fair amount of panic’ among scientists”.

When Twitter announced on 2 February that the social media platform would end free access to its application programming interface (API) in a week, meaning tomorrow, a clock began ticking for Jean-Philippe Cointet. Like other researchers interested in topics such as political polarization or how misinformation spreads, the social scientist at Sciences Po uses the API to freely gather data on the hundreds of millions of tweets sent daily. If Twitter tries to charge a significant price for such information, some of his projects will not be possible. “When we got the news last week, we started to rush on a few data collection projects,” he says.

Other scientists who rely on Twitter’s data are also anxious.

(7) LOOK AND SEA. “The Little Mermaid teaser glimpses Melissa McCarthy’s Ursula” reports EW.

Cue “Poor Unfortunate Souls,” as Disney has released a glimpse of Melissa McCarthy‘s Ursula the Sea Witch in a sinister new teaser for the upcoming The Little Mermaid live-action movie….

[Thanks to Andrew Porter, Michael Toman, SF Concatenation’s Jonathan Cowie, Paul Di Filippo, Cat Eldridge, Mike Kennedy, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 1/24/23 Reverse The Scrollarity Of The Pixel Flow

(1) CHICON 8 SHARES FEEDBACK. Chicon 8 chair Helen Montgomery today published the latest of her “Messages from the Chair” dealing with some postcon housekeeping, and with a long passage apologizing for or explaining some decisions that were made. Here are two of the most significant items.

Credit for Hugo Awards Finalists (Translators and Colorists)

S. Qiouyi Lu brought to our attention the exclusion of translators’ names from the written works in the “long listed” works in the detailed results for the 2022 Hugo Awards, explaining the importance of proper credit for translators in a Twitter thread here: https://twitter.com/sqiouyilu/status/1566762259187060736. We have posted a corrected set of detailed results at https://chicon.org/home/whats-happening/hugo-awards/, in which we have included the translators for the written works and colorists for the graphic novels. 

As part of the administration of the Hugo Awards, we endeavor to list all relevant creators on the final ballot presented to voters, and this includes confirming the correct ballot citations with Finalists themselves. The long list in the detailed results released after the Hugo Award ceremony is a different matter: it is required by the WSFS Constitution primarily for transparency into our processes, and has the side benefit of pointing folks to works that garnered significant community interest so they can go seek them out on their own. As noted in the detailed results, we do not vet the long list for eligibility and because the primary function of the long list is transparency into the process (which requires a table that is easy to parse), we do not list out full citations with all associated names, publishers, etc. We truncate references to all the works on the long list, listing authors for the written works, author/artist for the graphic stories, and no names at all for the Best Dramatic Presentations and magazines. 

Taking into account feedback from S. Qiouyi Lu and other members of the community, we have come to understand that the work of translators of written works is as fundamental to the work as the authors, and that where one is listed, both should be. We have made corrections to the translated long list works in the 2022 detailed results accordingly. For similar reasons, we are also adding the colorists and cover artists, where they are cited, to the graphic novel listings in the 2022 long list works. 

Thank you to S. Qiouyi Lu and everyone else in the community who has worked with us on this issue.

Hugo Awards Ceremony

We would like to discuss two incidents that occurred during the Hugo Awards Ceremony.

First, we would like to apologize to Marguerite Kenner, Finalist in the Best Fanzine category for The Full Lid, whose name was not read aloud during the ceremony. This was simply a mis-read by our ceremony hosts, who did immediately reach out personally to Ms. Kenner after the ceremony to apologize as well.

Second, there were concerns raised online during the Best Semiprozine category presentation when the audience laughed at the discrepancy between the slide listing the names of the Strange Horizons team and what was said aloud. While we spoke with all Finalists and agreed upon the language to be used on the slides and in the presentation, we acknowledge that we did not properly explain to the audience the context and conversation around not reading out the names of everyone on the Strange Horizons team. We also did not properly support our hosts by putting them in this situation. We will be speaking to future Worldcons to pass on our advice and experience in the hope to avoid similar situations in the future. 

Other items include: an apology for the original name given to the “Future Worldcon Q&A Session” (“The Fannish Inquisition”), correction of errors in Hugo Awards list in the printed Souvenir Book (names misspelled, Astounding Award 2022 winner name listed); omissions of some credits for  the Hugo Awards Ceremony and Opening Ceremony; follow-up with the Airmeet team; Art Show feedback; complaints about badge lanyards; and reasons for having an electronic-only Pocket Program Guide.

(2) FIFTH SEASON RPG CROWDFUNDING. [Item by Eric Franklin.] Green Ronin has launched a Backerkit campaign for the Fifth Season RPG, using their tried-and-tested AGE system (which was also used in the Expanse RPG). “The Fifth Season Roleplaying Game”.

…You and your fellow players take the roles of members of such a community, working to overcome internal difficulties and external threats, in order to be ready when that inevitable Fifth Season comes. Are you a lifelong native of this place, someone everyone has recognized from childhood? Maybe you’re a more recent addition to the comm, someone who’s come from a distance, contributing something to the comm that makes the possibility of your secrets and past catching up to you worth it. Or perhaps you are an orogene, one who was born to sess the movements of the tectonic plates, gifted with a forbidden power to still the shaking earth and bleed heat in your environs away until frost coats everything in a perfect circle around you….

To let you know how it’s all going to work they’ve created “The Fifth Season Roleplaying Quickstart”, a free 45-page download at the link.

If you’re wondering what The Fifth Season RPG is like, you can find out right now. We’ve got a free PDF Quickstart that has an introduction to the Stillness, basic rules to play, pre-generated characters, and a complete adventure. Reading it, or better yet playing it, will give the best introduction to what The Fifth Season RPG is all about…

(3) WHERE ARE THE WATCHMEN? “Doomsday Clock moves to 90 seconds to midnight, signaling more peril than ever” reports NPR.

The world is closer to catastrophe than ever: the Doomsday Clock, the metaphorical measure of challenges to humanity, was reset to 90 seconds before midnight on Tuesday.

The science and security board of the Bulletin of the Atomic Scientists said the move — the closest to widespread calamity humanity has ever been judged to be — was “largely, though not exclusively” due to the war in Ukraine.

The scientific body evaluates the clock each January. This is the first full update since Russia’s full-scale invasion of Ukraine began last February, triggering a war in Europe and a new flood of refugees….

(4) LIVE FROM DEVELOPMENT HELL. Eva Green was cast for A Patriot, a science fiction movie about “a Border Corps captain in an authoritarian futuristic state”, a movie that’s not getting made while she and the producers are suing each other: “‘Evil’, ‘peasants’ and ‘vomit’ – Eva Green’s WhatsApp messages exude star quality” in the Guardian.

A lot of Eva Green’s success is down to her sense of unknowable mystique. This is a woman who steers clear of the celebrity circuit, who isn’t given to blurting her every waking thought on social media. Interviewers perennially struggle to get to her core. Since her breakthrough in Bertolucci’s The Dreamers almost two decades ago, Green has preferred to let her work speak on behalf of her. She is an enigma, an image on a screen upon which we can project our own feelings.

Or at least she was, because loads of Eva Green’s WhatsApp messages have been read out in court, and hoo boy!

Let’s deal with the court case briefly. In 2019, Green signed up for A Patriot, a science fiction movie that would also star Charles Dance and Helen Hunt. The film – about a Border Corps captain in an authoritarian futuristic state – was never made. When the production hit the skids, Green sued producers for her £830,000 fee (almost a quarter of the film’s total budget). And this caused the producers to countersue, claiming that the reason the film was never made was because Eva Green tried to sabotage it. She argues that she did everything that she could to fulfil the terms of her contract and denies “in its entirety” the allegation that she did not want the project to succeed….

(5) ROOM FOR DOUBT. Call Lincoln Michel a skeptic: “Maybe the Book Doesn’t Need to Be ‘Disrupted’ in the First Place?” at Counter Craft.

…In the intervening years, I’ve seen countless versions of enhanced books hyped. Last year, there were articles about how “web 3” and crypto would completely change publishing by [something something string of jargon] block chain! All the magazines publishing daily articles on Web 3 and NFTs have stopped talking about them, seemingly in embarrassment as the crypto space has been exposed as a series of Ponzi schemes. (The crypto crowd is too busy focusing on “disrupting” the legal system to keep themselves out of jail to innovate the novel, I guess.) So naturally everyone who, last year, was declaring crypto would revolutionize every aspect of life have pivoted to saying “A.I.” will revolutionize every aspect of life. And, like the tweet above, that means lots of predictions about how the book will be disrupted. (Commenters to the above tweet also suggested putting books in the “metaverse” so you can “live” books instead of read them, whatever that means…)

I’m on the record as a bit of an “A.I” skeptic. And I’m putting A.I. in scare quotes because a computer program that spits out text it doesn’t understand is not an “intelligence” really. (Renaming “software” as “A.I.” was a very clever marketing coup. People freak out when they hear an “A.I.” did something like win a spelling bee even though no one would be terribly impressed to hear a computer program with a built-in dictionary did that.) …

(6) LIKE A VIRGIN. Leonard Maltin is ecstatic about “My First-Ever Oscar Vote”.

I’ve been watching the Oscars since I was a kid, and writing about them for decades, but this year I did something I never dreamt of during all that time: I cast a vote.

Last year, I was admitted to the Academy of Motion Picture Arts and Sciences, in the At-Large category. (There is no branch representing authors, critics, or preservationists.) As awards season began it dawned on me that I was actually going to participate in this year’s Oscars.

My invitation to vote came about two weeks ago, with a deadline of January 17. As I continued to catch up with foreign-language films, indies, and documentaries I put off voting until Monday, one full day before deadline. The deed didn’t take long, as I was only qualified to cast one vote: for Best Picture.

In the first stage of the awards process, members of the Academy’s branches determine the nominees in each specialized category. Only writers nominate writers, only makeup artists nominate makeup artists, and so on….

(7) FIVE TOP CATS. [Item by Nina Shepardson.] Tor.com has an article about cats in fantasy. Given that File770 has a feature called “Cats Sleep on SFF”, I figured Filers might be interested…. “Admiring Five of Fantasy’s Best Cats” by Cole Rush.

I’ve always thought cats are the perfect companion for the bookish. You never have to put down your book to take a cat for a walk. Instead, our feline friends will curl up on our laps while we dive into our latest fantasy obsessions, as though they’re tiny, fuzzy dragons lounging atop their hoard.

While I have nothing but love and respect for dogs—whether they’re real-life canines or fictional good boys—I feel a special kind of appreciation when a fantasy story contains a cat. Below, I’ll list five of my favorite fantasy felines and briefly discuss whether they’d make good real-world pets….

(8) MEMORY LANE.

2004 [Compiled by Cat Eldridge.] Medicine Road by Charles de Lint

Ok, I’ll admit, it is not about food, but it’s a bar which is sort of related to food, isn’t it? Ok I’m stretching things this time. I’ll admit though The Hole does have food and de Lint (with permission of course) borrowed it from Terri Windling’s The Wood Wife.

The quote this time is from Charles de Lint’s Medicine Road which involves the grown up versions of the Dillard Sisters who we last encountered in his children’s book, A Circle of Cats. Here they are folk singers touring the Southwest when they encounter the more mythic aspects of that region. 

Medicine Road was one of a series of shorter novels by de Lint that were  illustrated by Charles Vess which published by Subterranean Press. Seven Wild Sisters, in which we first met Bess and Laurel, who are another of his sister characters.  Both are lovely books as objects and damn fine reads as well. 

Here’s my chosen quote. 

We’d just finished playing our first set at the Hole, in Tucson, Arizona, and were getting ready to take our break. The place was properly called the Hole in the Wall, but when we asked directions to the Barrio Historica at the front desk of our hotel, the guy with the purple hair told us everyone just calls it the Hole. He also told us that it’s a pretty much a dive, but he should see the roadhouses back home in the Kickaha Mountains. This old adobe building, right on the edge of the barrio, is like a palace compared to some of the places we’ve played in Tyson County.

And it’s trés cool, as Frenchy’d say.

You come in off the street into a warren of rooms with saguaro rib ceilings, thick adobe walls, beautifully carved oak doors, and weathered wood plank floors. It smells of mesquite and beer, cigarette smoke and salsa. The band posters on the walls advertise everything from Tex-Mex and Cajun to bluegrass, reggae and plain old rock ‘n’ roll.

But the best part is that once you’ve threaded your way through the maze of little inner rooms you come out into a central courtyard, open to the sky. Clematis vines crawl up the walls. Mismatched tables are scattered across a cracked tile floor. And there, under the spreading branches of a mesquite tree, is the stage where we’ve been playing.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 24, 1911 C. L. Moore. Author and wife of Henry Kuttner until his death in 1958. Their collaboration resulted in such delightful works as “Mimsy Were the Borogoves” and “Vintage Season”, both of which were turned into films which weren’t as good as the stories. She had a strong writing career prior to her marriage as well with such fiction as “Shambleau” which involves her most famous character Northwest Smith. I’d also single out “Nymph of Darkness” which she wrote with Forrest J Ackerman. I’ll not overlook her Jirel of Joiry, one of the first female sword and sorcery characters, and the “Black God’s Kiss” story is the first tale she wrote of her adventures. She retired from writing genre fiction after Kuttner died, writing only scripts for writing episodes of SugarfootMaverickThe Alaskans and 77 Sunset Strip, in the late Fifties and early Sixties. Checking the usual suspects, Deversion Books offers a nearly eleven-hundred page collection of their fiction for a mere three bucks. (Died 1987.)
  • Born January 24, 1917 Ernest Borgnine. I think his first genre role was Al Martin in Willard but if y’all know of something earlier I’m sure you’ll tell me. He’s Harry Booth in The Black Hole, a film whose charms still escape me entirely. Next up for him is the cabbie in the superb Escape from New York. In the same year, he was nominated for a Razzie Award for Worst Supporting Actor as Isaiah Schmidt in the horror film Deadly Blessing. A few years late, he’s The Lion in a version of Alice in WonderlandMerlin’s Shop of Mystical Wonders is horror and his Grandfather isn’t that kindly. He voices Kip Killigan in Small Soldiers which I liked, and I think his last role was voicing Command in Enemy Mind. Series wise let’s see…  it’s possible that his first SF role was as Nargola on Captain Video and His Video Rangers way back in 1951. After that he shows up in, and I’ll just list the series for the sake of brevity, Get SmartFuture CopThe Ghost of Flight 401Airwolf where of course he’s regular cast, Treasure Island in Outer Space and Touched by an Angel. (Died 2012.)
  • Born January 24, 1937 Julie Gregg. A performer that showed up in a lot of SFF series though never in a primary role. She was in Batman: The Movie as a Nightclub Singer (uncredited) in her first genre role, followed by three appearances on the series itself, two as the Finella character; one-offs on I Dream of GenieBewitchedThe Flying NunMission: ImpossibleKolchak: The Night Stalker and Incredible Hulk followed. Her only lead role was as Maggie Spencer in Mobile One which can’t even be stretched to be considered genre adjacent. (Died 2016.)
  • Born January 24, 1941 Gary K. Wolf, 82. He is best known as the author of Who Censored Roger Rabbit? which was adapted into Who Framed Roger Rabbit. It bears very little resemblance to the film. Who P-P-P-Plugged Roger Rabbit? which was written later hews much closer to the characters and realties of the film. He has written a number of other novels such as Amityville House of Pancakes Vol 3 which I suggest you avoid at all costs. Yes they are that awful. 
  • Born January 24, 1944 David Gerrold, 79. Let’s see… He of course scripted the Hugo nominated “The Trouble With Tribbles” which I absolutely love, wrote the amazing patch-up novel When HARLIE Was One, has his ongoing War Against the Chtorr series and wrote, with Robert J. Sawyer, Boarding the Enterprise: Transporters, Tribbles, and the Vulcan Death Grip in Gene Roddenberry’s Star Trek. Besides his work as a novel writer, he’s been a screenwriter for Star Trek, Star Trek: The Animated Series, Land of the Lost, Logan’s Run (the series), Superboy, Babylon 5, Star Trek: Deep Space Nine, Sliders, Star Trek New Voyages: Phase II, and Axanar. Very, very impressive.
  • Born January 24, 1949 John Belushi. No, he was not in a single SFF series or film that I can mention here though he did voice work on one such undertaking early in his career that I’ll not mention here as it’s clearly pornographic in nature. No, he’s here for his brilliant parody of Shatner as Captain Kirk which he did on Saturday Night Live which you can watch here. (Died 1982.)
  • Born January 24, 1984 Remi Ryan, 39. You most likely remember as her as ever-so-cute hacker urchin in RoboCop 3 who saves the day at the end of that film. She actually had her start in acting in Beauty and the Beast at four and was in The Flash a year later. At twelve, she’s in Mann & Machine. A year later is when she’s that urchin. Her last genre undertaking was in The Lost Room a decade ago and she retired from acting not long after.

(10) COMICS SECTION.

  • From Tom Gauld.

(11) JUST A SECOND. “Guns and Nonsense: Part 2” is today’s installment of Camestros Felapton’s analysis of Larry Correia’s newly released nonfiction book In Defense of the 2nd Amendment.

… It is reasonable to say that Larry Correia uses biting sarcasm, opinions differ on whether his wit is incisive and I’ve always found that what logic he uses is supremely vincible. Maybe that’s me. However, [Nick] Searcy [author of the Foreword] does focus on the central quality of Correia’s approach to examining topics of the day: mockery. Michael Moore is a large man and hence somebody who can be mocked and once mocked his opinions can be dismissed. In reality, Moore is far from infallible and his documentaries are far from flawless but engaging with them takes effort and it is so much easier to make a quick dig about over-eating and be done.

Mockery is a recurring rhetorical device in Correia’s style of argumentation and it is what his readership enjoys. He does attempt some arguments of substance but the overall thrust of his approach is not to show that an opinion is incorrect but that it is an opinion that can be mocked or dismissed. To this extent, Searcy is accurately getting to the guts of this book. The point is not to show gun control adherents as wrong but as foolish and contemptible….

(12) I SING THE LYRIC ELECTRIC. Rich Lynch took ChatGPT for a “test drive” and sent File 770 a screencap of the results.

(13) DOWNLOAD THE BIG BUCKS. Meanwhile, Microsoft has moved from the test drive stage to the heavy investor stage. “Microsoft to Invest $10 Billion in OpenAI, the Creator of ChatGPT” reports the New York Times.

Microsoft said on Monday that it was making a “multiyear, multibillion-dollar” investment in OpenAI, the San Francisco artificial intelligence lab behind the experimental online chatbot ChatGPT.

The companies did not disclose the specific financial terms of the deal, but a person familiar with the matter said Microsoft would invest $10 billion in OpenAI.

Microsoft had already invested more than $3 billion in OpenAI, and the new deal is a clear indication of the importance of OpenAI’s technology to the future of Microsoft and its competition with other big tech companies like Google, Meta and Apple.

With Microsoft’s deep pockets and OpenAI’s cutting-edge artificial intelligence, the companies hope to remain at the forefront of generative artificial intelligence — technologies that can generate text, images and other media in response to short prompts. After its surprise release at the end of November, ChatGPT — a chatbot that answers questions in clear, well-punctuated prose — became the symbol of a new and more powerful wave of A.I….

(14) DRONES SHOT DOWN? “Amazon drone unit hit with layoffs as long-awaited program launches”CNBC has the story.

In 2013, Amazon founder Jeff Bezos appeared on CBS’ “60 Minutes” to reveal a futuristic plan his company had been secretly pursuing to deliver packages by drone in 30 minutes. 

A pre-recorded demo showed an Amazon-branded “octocopter” carrying a small package off a conveyor belt and into the skies to a customer’s home, landing smoothly in the backyard, dropping off the item and then whizzing away. Bezos predicted a fleet of Amazon drones could take to the skies within five years and said, “it’s going to be a lot of fun.”

A decade later, Amazon is finally starting to launch drone deliveries in two small markets through a program called Prime Air. But just as it’s finally getting off the ground, the drone program is running squarely into a sputtering economy and CEO Andy Jassy’s widespread cost-cutting efforts.

CNBC has learned that, as part of Amazon’s plan to slash 18,000 jobs, its biggest headcount reduction in history, Prime Air is losing a significant number of employees…. 

(15) GOOD DEED FOR THE DAY. Ready to move on from fandom? This sounds like a great substitute. “A ‘Big Night’ for Newts, and for a California Newt Brigade” in the New York Times.

…What the newts need now is a safe way to get to their rendezvous points. In many places, busy roads lie between newts and their breeding grounds. In Petaluma and other parts of the San Francisco Bay Area, thousands of newts are killed by cars each year as they try to cross these roads. The carnage in Petaluma is so severe that a group of local residents has taken it upon themselves to stop it.

For the past four years, volunteers have spent their winter nights shepherding newts across a one-mile stretch of Chileno Valley Road, a winding country road in the hills of Petaluma. They call themselves the Chileno Valley Newt Brigade, and their founder, Sally Gale, says they will keep showing up until the newts no longer need them.

On a warm, wet evening in early December, Ms. Gale and her fellow brigaders gathered to do what they do best: save newts. Wearing reflective vests and armed with flashlights and buckets, Ms. Gale and her brigaders split up into groups and began scouring Chileno Valley Road. The conditions were perfect for newts. It had just rained and the temperature was a brisk 55 degrees.

“That’s their sweet spot,” Ms. Gale said.

…On busy nights, as many as 24 volunteers gather on the road to spend their evening shepherding newts to safety.

“It’s such a huge cross-section of people, and we haven’t met a bad one yet,” said Katie Brammer, a graphic designer and newt brigade captain. Among her fellow volunteers are schoolteachers, students, naturalists, business owners and retirees.

Ms. Brammer and her husband, Rick Stubblefield, have been newt brigade captains for just over a year. They say it’s the charisma of the newts that got them hooked on helping.

“California newts are quite endearing,” Ms. Brammer said. “They hold onto your hand as you’re carrying them across the road.”…

(16) VIDEO OF THE DAY. This has been out for awhile, however, it may not have been linked here before. “Marvel Studios’ Ant-Man and The Wasp: Quantumania”. To be released February 17.

[Thanks to Chris Barkley, Andrew Porter, Michael Toman, Nina Shepardson, Cat Eldridge, Mike Kennedy, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Amdrew (not Werdna).]

Pixel Scroll 1/11/23 A Song Of Fur And Mice

(1) BRINGS THE MESSAGE. During last night’s Golden Globes ceremony CNN reports “Michelle Yeoh would not be played off during Golden Globes acceptance speech”.

Michelle Yeoh won best performance by an actress in a musical or comedy motion picture for her role in “Everything Everywhere All at Once” at the Golden Globes on Tuesday night, a career first for the veteran actress.

Though she had to stop her acceptance speech momentarily to threaten violence to the Golden Globes powers-that-be for trying to play her off (joking, “Shut up, please; I can beat you up”), her remarks centered on her journey in Hollywood.

“I remember when I first came to Hollywood, it was a dream come true until I came here … Someone said to me: ‘You speak English?’ And then I said: ‘Yeah, the flight here was about 13 hours long, so I learned,” she said….

… “We all know that it’s so hard,” she added on Tuesday night. “I think any immigrant that comes here will tell you how difficult it is and of sometimes failing and not being able to find it.”

(2) SOME WINDOWS OPEN, OTHERS DON’T. Public Domain Review’s post “Happy Public Domain Day 2023!” begins with a caution about what’s not entering public domain this year.

…Each January 1st is Public Domain Day, where a new crop of works have their copyrights expire and become free to enjoy, share, and reuse for any purpose. Due to differing copyright laws around the world, there is no one single public domain, but there are three definitions which cover most cases. For these three systems, newly entering the public domain today are:

  • works by people who died in 1952, for countries with a copyright term of “life plus 70 years” (e.g. UK, Russia, most of EU and South America);
  • works by people who died in 1972, for countries with a term of “life plus 50 years” (e.g. New Zealand, and most of Africa and Asia);
  • films and books (incl. artworks featured) published in 1927 for the United States.

We normally have Canada listed in the second system above, but in a disappointing development, there’ll be no new published works entering the public domain in Canada next year (nor for the next 20 years) after they retroactively extended copyrights on published works from life of the author plus 50 years years to plus 70 years.

There will also be no new sound recordings entering the US public domain this year. Last year we saw a mammoth release of historical sound recordings become copyright-free, but it won’t be until 2024 that those from 1923 will join them.

Some of you may have been following our advent-style countdown calendar which revealed day-by-day through December our highlights for these new public domain entrants. The last window was opened yesterday, and while such a format was fun for the slow reveal, for the sake of a good gorgeable list we’ve exploded the calendar out into a digestible array below….

(3) THE QUICK AND THE DEAD, AND THE NOT-SO-QUICK. “A romance author was believed to be dead. When she appeared to return, the story got more complicated”CNN tries to sort it out.

In September 2020, fans and friends of Susan Meachen received devastating news. The romance writer’s Facebook account posted a message saying she had died. A later post claimed she had taken her own life and suggested her actions were the results of online bullying by others in her thriving, close-knit online writing group.

Over the next two years, her fellow writers and loyal followers helped keep her memory alive through her published works. However, her Facebook account made a shocking claim this month: Meachen was still alive, and she wanted to return to writing.

“Let the fun begin,” the post concluded.

The bizarre post plunged Meachen’s fans and fellow writers into confusion and rage. Did the woman they had considered a friend, a colleague and a mentor stage a devastating, years-long ruse? Those who spoke to CNN say the scandal has threatened to upend the trust and collaboration that keeps their independent publishing community going. More than that, their search for answers after years of mourning has only turned up more questions….

Camestros Felapton also looked at the coverage given to these developments by Michael Gallagher and Declan Finn, who tried to inject their Upstream Reviews blog into the story, in “Twists…”.

…So getting more mainstream promotion by accounts oblivious to the nature of the site was a bit of a coup for them, all fuelled by the possible-zombie Susan Meachen replying to their direct message. However…it is now unclear if Susan Meachen did reply to them at all. After publishing the responses, claims have been made that the Twitter account they DM’d is fake.

Upstream Reviews has since retracted the responses from Susan Meachen…

(4) A LITTLE LIST. Eric Adelson has assembled “An unofficial list of the most influential science fiction works ever” for the Washington Post.

On a Monday evening last September, a NASA spacecraft intentionally blasted into an asteroid in deep space. The goal was planetary defense — protecting our planet from the kind of wayward rock that could end civilization as we know it. The unprecedented moment seemed surreal, with a camera from the craft sending footage back to Earth of a large asteroid getting bigger and bigger until — pow! — impact. It was both incredible and credible — equal parts jaw-dropping and successful in its proof of concept.

Who could have imagined such a thing?

Well, science fiction writers did.

“Crashing big things into celestial objects goes all the way back to the 1930s stories of Edmond ‘World Wrecker’ Hamilton,” Lisa Yaszek, regents professor of science fiction studies at Georgia Tech, wrote in a text message. “In ‘Thundering Worlds,’ we throw Mercury at an invading alien army to save the rest of the solar system.”…

(5) COLLECTORMANIA. Heritage Auctions sent out an email promoting its top 2022 sales. Among them was the “Margaret Hamilton ‘Wicked Witch of the West’ Hourglass from The Wizard of Oz” that went for $495,000, and the “Dracula (Universal, 1931). Fine/Very Fine on Paper. Insert” that fetched $228,000. And there were many more comics and game items at the top of the list.

(6) MEMORY LANE.

2000 [Compiled by Cat Eldridge.] Metheglin from Charles de Lint’s Forest of the Heart

Metheglin figures into Charles de Lint’s Forest of the Heart because the theme here is based heavily upon the pre-British Greenman imagery and the myth that comes out of it, and one the characters here is Welsh. 

There’s also a very great scene of a Celtic music session in this novel.

You can read the first chapter, courtesy of Charles, here.

She took a sip, bracing herself, but the liquid went down smooth as silk, with the full-body of a fine brandy. Not until it had settled in her stomach did she realize the kick it had. She gasped and her eyes began to tear. But a fluttering warmth spread through her and the sour taste was finally gone. The liqueur held a faint bouquet of honey and herbs, of a field of wildflowers. It was like drinking a piece of summer and for a moment she almost thought she could hear the buzz of bees, feel the heat of a hot summer’s day.

‘Wow,’ she said and peered into the mouth of the flask. She caught a glimpse of a light, yellowish-amber liquid. ‘What is this stuff?’

‘Metheglin,’ the man told her. ‘A kind of Welsh whiskey made from hops and honey. Have some more,’ he added when she started to hand the flask back.

Ellie did, this time rolling the liquid around in her mouth before finally swallowing it. She looked down at the flask, noting the fine filigree worked into the metal before her eyes teared up again. She drew in a sharp breath, savoring the bite of the cold as it hit the roof of her mouth.

‘So where would you find it in a liquor store?’ she asked. ‘Under whiskeys or…you said it was made from hops. That’s like beer, right?’

Except she’d never tasted either a whiskey or a beer that was this good.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 11, 1906 John Myers Myers. Ahhh, Silverlock. It would have made a Hell of a movie with the right script and such. I read the NESFA Edition which has the Silverlock Companion in it which is very useful as you know the novel’s very meta indeed. If you don’t have this, it was reprinted separately later. Thirty years after Silverlock was published, The Moon’s Fire-Eating Daughter novella came out. Myers claims it’s a sequel to the novel. There are three different publishers selling it on the usual suspects, all three legit. (Died 1988.)
  • Born January 11, 1923 Jerome Bixby. His “It’s a Good Life” story became the basis for an episode of the original Twilight Zone episode under the same name and which was included in Twilight Zone: The Movie. He also wrote four episodes for the original Star Trek series: the Hugo nominated “Mirror, Mirror”, and “Day of the Dove”, “Requiem for Methuselah”, and “By Any Other Name”.  With Otto Klement, he co-wrote the story upon which the Hugo nominated Fantastic Voyage series, and Isaac Asimov novel were based. Bixby’s final produced or published work so far was the screenplay for The Man from Earth film. (Died 1998.)
  • Born January 11, 1930 Rod Taylor. First genre role would be as Israel Hands in Long John Silver. He would follow that up with SF film World Without End (which you probably heard of), The Time Machine (which I suspect you’ve heard of), Colossus and the Amazon Queen (Taylor claims to have rewritten the script), The Birds (I don’t like it), Gulliver’s Travels and last, and certainly least, The Warlord: Battle for the Galaxy. (Died 2015.)
  • Born January 11, 1937 Felix Silla. He played Cousin Itt (sic) on The Addams Family in a role invented for the show. The voice was not done by him but rather provided by sound engineer Tony Magro in post-production. He was also responsible for the physical performance of Twiki on Buck Rogers in the 25th Century though the voice was supplied by Mel Blanc or Bob Elyea. And he played an unnamed Ewok on Return of the Jedi. (Died 2021.)
  • Born January 11, 1952 Diana Gabaldon, 71. I have friends who read her and enjoy immensely her Outlander series. They also avidly look forward to every new episode of the Outlander television series. Any of y’all fans of either? 
  • Born January 11, 1961 Jasper Fforde, 62. I read and thoroughly enjoyed every one of his Thursday Next novels with their delightfully twisted word play as I did his Nursery Crimes series. I’ve not, though I may be wrong, read his Shades of Grey books and I know I’ve not read the Dragonslayer series though I’ve heard Good Things about them. 
  • Born January 11, 1963 Jason Connery, 60. Son of Sir Sean Connery. He’s best known for appearing in the third series of Robin of Sherwood, a series I loved dearly (including the music which was done by Clannad which I’ve got live boots of). He also played Jondar in the “Vengeance on Varos” story on Doctor Who during the Sixth Doctor era (my least favorite Doctor by far). He was Ian Fleming in Spymaker: The Secret Life of Ian Fleming. And he was a young Merlin in Merlin: The Quest Begins.
  • Born January 11, 1972 Amanda Peet, 51. Not a long SFF précis but an interesting one none-the-less.  She first shows up voicing Maria Montez in Battle for Terra. She was then Harlee in Martian Child which is at least genre adjacent. She was ASAC Dakota Whitney in The X-Files: I Want to Believe. Say did you know that Quantum Quest: A Cassini Space Odyssey was paid for in part by NASA? Way cool. She voiced Ranger in it. 

(8) CAP’S NEXT ADVENTURE. Tensions erupt between Steve Rogers and Sam Wilson as Captain America: Cold War begins. The upcoming crossover between Captain America: Sentinel Of Liberty and Captain America: Symbol Of Truth, kicks off in April. More information here from Marvel. 

It’s all been leading to this! Last year, a new era of Captain America began as both Steve Rogers and Sam Wilson picked up the shield and embarked on separate journeys in the pages of Collin Kelly, Jackson Lanzing, and Carmen Carnero’s Captain America: Sentinel Of Liberty and Tochi Onyebuchi and R.B. Silva’s Captain America: Symbol Of Truth. This April, the two Captains will reunite for Captain America: Cold War, an explosive crossover event that will make them question everything they believe in…and each other….

(9) DR. ARTIE MATIC. [Item by Mike Kennedy.] What could be more helpful than having your mental and emotional health evaluated by something that doesn’t have a brain or emotions? How about doing so without your knowledge or permission? Ars Technica reports “Controversy erupts over non-consensual AI mental health experiment”.

On Friday, Koko co-founder Rob Morris announced on Twitter that his company ran an experiment to provide AI-written mental health counseling for 4,000 people without informing them first, The Verge reports. Critics have called the experiment deeply unethical because Koko did not obtain informed consent from people seeking counseling.

Koko is a nonprofit mental health platform that connects teens and adults who need mental health help to volunteers through messaging apps like Telegram and Discord.

On Discord, users sign into the Koko Cares server and send direct messages to a Koko bot that asks several multiple-choice questions (e.g., “What’s the darkest thought you have about this?”). It then shares a person’s concerns—written as a few sentences of text—anonymously with someone else on the server who can reply anonymously with a short message of their own….

(10) GO AND CHANGE YOUR ARMOR. The Daily Record remembers “The abandoned Scottish mine that starred as a Monty Python filming location”.

Nestled away in Perth and Kinross is an abandoned mine that may look unimpressive to most, but will be instantly recognisable to any Monty Python fan.

Tomnadashan Mine was constructed in the 19th century by John Campbell, 2nd Marquess of Breadalbane, in an attempt to mine copper, gold, and sulphur. This venture proved unsuccessful and the mine was deserted after his death.

It wasn’t until over 100 years later that the mine would gain a second life as the backdrop for one of the most iconic scenes in comedy history. Those who have seen Monty Python and the Holy Grail will no doubt be familiar with the Rabbit of Caerbannog….

(11) STILL A VIRGIN. “Attempt at First Satellite Launch From Britain Fails” reports the New York Times.

Britain’s attempt to get into the space launch business on Monday night came up short when a 70-foot rocket stuffed with satellites failed to reach orbit, Virgin Orbit, the company providing the launch service, said.

An hour after takeoff from an airstrip in Cornwall, in southwest England, a modified Boeing 747 released the rocket, which fired away as planned. It was supposed to take nine satellites up into low orbital positions 300 or more miles above the Earth. But Virgin Orbit said in a statement on Tuesday that the system had experienced an “anomaly” while the rocket’s second-stage engine was being fired. It had been traveling at more than 11,000 miles per hour when the mission ended prematurely.

Dan Hart, the chief executive of Virgin Orbit, said in the statement that “the first-time nature” of the mission had added layers of complexities, and that a “technical failure” appeared to have occurred. “We will work tirelessly to understand the nature of the failure, make corrective actions and return to orbit as soon as we have completed a full investigation and mission assurance process,” he said.

People in Britain’s space industry said the goal — launching satellites from British soil for the first time — would have huge importance even though Virgin Orbit, which was founded by the British entrepreneur Richard Branson, is a California company….

(12) PREHISTORIC COSTUME COMPETITION. [Item by Michael Toman.] “Humans First Started Wearing Clothes At Least 300,000 Years Ago, New Research Finds” at Open Culture.

Artist’s conception….

That people wore clothes back in the Stone Age will hardly come as a surprise to anyone who grew up watching The Flintstones. That show, never wholly reliant on established archaeological fact, didn’t get too specific about its time period. But it turns out, based on recently published discoveries by a team of researchers from the University of Tübingen, the Senckenberg Centre for Human Evolution and Palaeoenvironment, and Leiden University, that Stone Agers were dressing themselves as early as 300,000 years ago — over one hundred millennia earlier than previously thought.

“This is suggested by cut marks on the metatarsal and phalanx of a cave bear discovered at the Lower Paleolithic site of Schöningen in Lower Saxony, Germany,” says the University of Tübingen’s site. The location of such marks indicate that the bear was not simply butchered but carefully skinned….

(13) SPIN DOCTORS. Inertia by Mark Everglade (Rockhill Publishing) features a young geophysicist, Ash, and her father who must solve the ecological crisis of a planet spinning out of control, using the latest cybernetics while evading an oppressive regime profiting off the destruction. 

Gliese 581g is the last remaining colony of the human race, located twenty light years from Earth. The planet was once tidal locked to its sun, with one side draped in darkness and the other half always bright. This changed after a radical group called O.A.K. increased the planet’s rotation to bring daylight cycles to all in the name of equality. All was not well, however, as decades passed, and new generations dealt with continual floods as the newfound sunlight melted the icecaps. Entire neighborhoods went aquatic from rising sea levels. Soon, the planet was spinning out of control, with sunrises occurring every few hours.

Ash and her father discover a research lab where Severum uncovers a connection between Geosturm and the Old Guard, a scion of the now defunct Government of Evig Natt led by Eduardo Culptos. The Old Guard seek to restore their power over the hemisphere by accelerating the planet’s rotation at breakneck speed, exacerbating the negative ecological effects, as they convince the public that the planet was better off in darkness. They’re motivated by the wealth they obtained back when light was scarce and commodified, and seek a restoration of their influence.

The book is available at Amazon.com and Amazon.ca. Author Mark Everglade has spent his life studying social conflict. He runs the website www.markeverglade.com where he reviews cyberpunk media and interviews the greats.

(14) VIDEO OF THE DAY. Screen Junkies’ “Honest Trailers: Glass Onion: A Knives Out Mystery” begins with a spoiler warning. So we’ll not blab further in this introduction.

[Thanks to John King Tarpinian, Chris Barkley, Andrew Porter, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]