21 I Know What Pixel You Scrolled Last Summer

Posted on October 15, 2021 by Mike Glyer

(1) ORAL HISTORY OF SMALLVILLE. “‘We Had Freedom to Change the Mythology:’ An Oral History of ‘Smallville’” in The Hollywood Reporter.

Here, the key players look back, with those sharing memories including Welling and the creators, as well as Michael Rosenbaum, Kristin Kreuk, John Schneider, Annette O’Toole, John Glover and Erica Durance.
… GOUGH There weren’t any comics on [Clark Kent’s teen years]. It was a blank slate. Jenette Kahn, who was the publisher of DC Comics at the time, said, “Clark is who he is because of his parents. If he had landed in a different cornfield and been raised by different people, he would have been a different person.” That was something that really struck us.
MILLAR We had the freedom to change the mythology, to really make it our own, with Lex losing his hair in the meteor shower — even the meteor shower itself, which was a new development. Anyone approaching that similar story today would not be allowed the freedom that we had, because at that point no one cared….
ROSENBAUM [Lex Luthor] The casting director is like, “Sit here,” and I go, “Naw, Lex wouldn’t do that.” And she’s like, “Well I have to relight,” and I go, “Would you mind?” And she relit the room and I had to wait outside. I came back in and kind of just took over the room. I go, “What are 700 other guys doing wrong that you are auditioning?” And they said, “Well, we want a sense of charisma, we want a sense of danger, we want a sense of comedic timing.” I only had three pages to work with. I circled, “I’ll be dangerous here, I’ll be funny here, I’ll be charming here.”
GOUGH Lex was the last role we cast. It was a week before we started shooting. Miles was in Vancouver with David Nutter and I was still in Los Angeles with some of the other producers. Michael came in in Los Angeles. We videotaped it and he was just fantastic. He literally hit all the right notes and he was perfect. I remember we somehow got it up to Miles and David in Vancouver.
ROSENBAUM My agent called. “They want to screen test you.” I said, “I’ll never have an audition as good as I just had. Tell them to rewind the tape.” So he goes, “You’re going to lose this role. You know that.” I don’t recommend this to any other actor, and I would never do it again, but I said, “Rewind the tape.”
WELLING “Lex Luthor does not come back for a second audition, OK?”
ROSENBAUM Exactly. He just wouldn’t do it. It’s out of character….

(2) WATCH THE AURORA AWARDS CEREMONY. The winners of the Aurora Awards will be revealed on Saturday, October 16 at 7:00 p.m. Eastern (4:00 p.m. Pacific.) Can*Con will be present awards in a virtual ceremony accessible via their YouTube channel here.

(3) INDIGENOUS FUTURISTS. On October 5 Apex Magazine released its Indigenous Futurists issue, a bonus issue featuring the work of Indigenous genre creators. The issue, guest-edited by Allison Mills, features the work of Pamela Rentz, Kevin Wabaunsee, Tiffany Morris, Sloane Leong, Rebecca Roanhorse, Norris Black, and Theodore Van Alst, Jr. Cover art by Megan Feheley. Read it at the link.

(4) THREE HEARTS. The Poul Anderson Facebook page posted a photo from the Anderson family motorcycle trip in Europe in the Fifties. See it at the link.

We’re going through an album of photos that Poul made in the late 1940s and into the late 1950s, and we’ll be sharing some images from it. For starters, here’s a picture of Poul’s brother, John Anderson, his mother, Astrid Anderson, and Poul, with the motorcycle and sidecar they toured Europe with in 1953. This was taken somewhere in Holland.

(5) NZ FIRE OFFICIAL WIZARD. [Item by Tom Whitmore.] I don’t recall seeing anything about this character around CoNZealand — how did we miss that the country had an official wizard? And doesn’t firing the wizard usually result in bad things for the kingdom? The Guardian reports “New Zealand council ends contract with wizard after two decades of service”.

… The Wizard is a well-known face to Christchurch residents, but in recent years, his presence has diminished, and sightings have become rare. He says that is because the council has made him invisible and would not respond to his suggestions to improve tourism.
“But when they cancelled this honorarium, everyone got furious, they have awakened a hornet’s nest here, it’s hilarious. The next few months are going to be real fun.”
The Wizard said he would keep up his regular appearances at Christchurch’s Arts Centre, chatting to tourists and locals. The centre is hosting an exhibition of his life this month, which is supported by the council.
When asked if he would curse the council over its decision, he said he preferred to give blessings.
“I give children happy dreams, general good health, and I want to make bureaucrats become more human.”

(6) AFRICAN LITERARY PRIZE SHORTLIST. South African author Mandisi Nkomo’s Should have Listened to Mother, a work of genre interest, is one of six shortlisted for the Toyin Falola Prize 2021.

The Toyin Fálolá Prize is an award from Nigerian-based Lunaris aimed at honouring distinguished African scholar and foremost historian, Prof Toyin Fálolá, whose contributions to the field of African history and culture have continued to place Africa on the map and accord it its deserved recognition. The prize honours his endeavours and contributions to the advancement of African cultures, peoples, myths, and histories. The first winner of the award set up in 2020 was Fayssal Bensalah.
The award organizers announced the 11-story longlist from the 495 eligible submissions, 11 stories on September 20.

(7) JUST ARRIVED. [Item by Daniel Dern.] As seen in the updates from Bud Plant. I haven’t looked at this, I plan to see about getting it through my library. It’s a 2021 Locus Award winner. The Art Of Nasa: The Illustrations That Sold the Missions.

By Piers Bizony. Art by Robert McCall, Ron Miller, Robert Watts, Paul Calle, David Hardy et al. From space suits to capsules, from landing modules to the Space Shuttle, the International Space Station, and more recent concepts for space planes, 60 years of American space exploration in an unprecedented fashion. All the landmark early missions are represented in detail — Gemini, Mercury, Apollo — as are post-Space Race accomplishments, like the mission to Mars and other deep-space explorations….
From space suits to capsules, from landing modules to the Space Shuttle, the International Space Station, and more recent concepts for space planes, 60 years of American space exploration in an unprecedented fashion. All the landmark early missions are represented in detail — Gemini, Mercury, Apollo — as are post-Space Race accomplishments, like the mission to Mars and other deep-space explorations.
Ultra-rare artworks illustrate a unique history of NASA hardware and missions from 1958 to today, giving readers an unprecedented look at how spacecraft, equipment, and missions evolved — and how they might have evolved. Formed in 1958, NASA has long maintained a department of visual artists to depict the concepts and technologies created in humankind’s quest to explore the final frontier. Culled from a carefully chosen reserve of approximately 3,000 files deep in the NASA archives, the 200 artworks presented in this large-format edition provide a glimpse of NASA history like no other.

(8) CONTRARY TO WHAT SCOTTY SAYS. James Davis Nicoll touts “Five Stories in Which Changing the Laws of Physics Leads to Bigger Problems” at Tor.com.

The laws of physics are forever confounding perfectly reasonable schemes. Whether riding gracefully on the running board of a racing car, adroitly handling semi-molten glass, or gliding lightly down from a roof to the embrace of the sidewalk whilst borne up by what intuition said was a sufficiently large bath towel, the laws of physics are forever barging in to insist that, no, things do not work that way.
What if the laws of physics were altered? …

One of James’ examples is —

A Wizard’s Henchman by Matthew Hughes (2016)
Troubleshooter Erm Kaslo specializes in solving the problems of the rich and powerful. There are enough of those, spread across the Spray’s ten thousand worlds, to keep Kaslo busy and affluent. All he asks of his clients is that they pay his fees promptly. If their demands are immoral or insane? No problem.
One of his rich clients believes that the world is about to transition from an era of technology and enlightenment to one of magic and chaos. Kaslo is willing to do as the client asks, even while he believes that the client is nuts. It’s a surprise when the client turns out to be right.
But a change in the basis of power, from technology and commerce to dark magical arts, means that there will still be powerful folks with problems. Problems Kaslo is happy to handle. The universe may have been upended, but Kaslo will prevail.

(9) SABLE REVIEW. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Tom Faber reviews Sable, a new video game featuring nomads on a desert planet, which Faber says “Is drawn in a thrillingly unique style.”

‘Drawn’ is really the word. Playing Sable is like living in a graphic novel by Jean ‘Moebius’ Giraud, the influential artist who pioneered a surrealistic sci-fi style. From the opening vista we see scrap metal villages and wind-sculpted mesas drawn in fine black lines, their flat textures and minimal shading drawing attention to a stunning pastel colour palette–one of the most artful I’ve ever seen in a game–of tawny desert, powder-blue sky and distant mountains a muted lilac…
…The fable-like qualities of the narrative are lent depth and fragrance by Meg Jayanth, the writer behind the superb interactive novel 80 Days. Language here bears the plain-spoken profiundity of myth. A machinist asking you to repair a malfunctioning wind tower says, ‘Go there, mend what is broken or sooth what is hurt, and I will give you what you seek…a direction.’ This abstraction is undercut by precise character writing, particularly in Sable herself, who is far from a blank slate — she is anxious, spunky, and completely relatable. Conversations with other nomads offer spare but evocative fragments to explain the history of the world, allowing players to fill in the gaps themselves.

(10) A SCARY PROFESSION. CrimeReads’ Celia Mattison looks at horror films about books: “Publishing Is a Nightmare: 31 Horror Films about Writing, Reading, and the Book Business”.

The business of writing and reading pops up all the time in horror films. Maybe it’s that screenwriters understand better than anyone the terror of creation. Maybe it’s that long, late hours spent alone in an office juxtaposes nicely on screen against glamorous events hosted by the literati. Or perhaps we’ve all just had a traumatic childhood experience in a library. Either way, here are 31 films guaranteed to give you an October that’s equal parts eerie and erudite….

(11) TAPPING INTO MEMORY. Strange Horizons presents an interview with Chandler Davis by Gautam Bhatia, “Across fracture lines”.

…Science fiction is not a monolith: even as racism, colonialism, and sexism played a dominant role in SF-production through the long 20th century, there were always writers and texts that questions, challenged, and subverted that dominant paradigm. The contrapuntal canon, or the hidden transcript, as it were.
At Strange Horizons, we see ourselves as committed to a plural and diverse vision of SFF, and therefore, as a continuation of this older – and sometimes submerged – tradition of against-the-grain writing. To know – and understand – more about our forebears, for this Fund Drive Special Issue, we decided to interview Chandler “Chan” Davis, one of the most outstanding exponents of the contrapuntal canon, at a time at which the dominant, regressive tendencies of science fiction were at their apogee: the 1940s and the 1950s.
…CD: One striking example of my writing responding to the preoccupations of the time is my responding to the threat of nuclear weapons. All of us in the science-fiction gang who learned of the Manhattan Project only in August 1945 felt at least a momentary joy of vindication: we had been saying this might happen, the general population didn’t know, and lo! we were in the right. But most of us soon realized, “Hey! this is a calamity, an atrocity” (and to think it was done in the name of the American people). Some of the authors sounded the alarm. I cite especially [Theodore] Sturgeon’s “Memorial”, my “The Nightmare”, and Sturgeon’s “Thunder and Roses”, but there were several others. We put it before our audience a rather large and international audience– that if your country is the target of nuclear attack, then it is up to you not to strike back but to do everything to RESTRAIN your country from striking back. We were right, but our message didn’t stick, in the USA or anywhere….

(12) AAHZ MARUCH (1967-2021). [Item by James Davis Nicoll.] Python programmer, whose fannish activities date back at least as far as classic USENET (alt.poly and other groups), died October 14 following several years of ill health. Survived by partner Steph Maruch.

Editor’s postscript: Alan Prince Winston earlier this year described him as “an unstoppable-seeming guy” who “became a contra and square dance caller and choreographer despite really severe hearing impairment.”

(13) MEDIA BIRTHDAY.

1954 – Sixty-seven years ago this day, the first Flash Gordon television series as distributed by the DuMont Television Network premiered in syndication. Its cast was Steve Holland as Flash Gordon, Irene Champlin as Dale Arden and Joseph Nash as Hans Zarkov. It immediately ran into criticism from some reviewers and fans as, well, how dare they cast a Flash Gordon who wasn’t Buster Crabbe. However it was very popular with almost everyone else and continued to run in syndication into the Sixties despite running for only one season of thirty-nine episodes. Only fourteen episodes survive and are all in the public domain, so here’s the pilot.

(14) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born October 15, 1911 — James H. Schmitz. Writer of short fiction in a space opera setting, sold primarily to Galaxy Science Fiction and Astounding Science-Fiction. His “Lion Loose” was nominated for a Short Fiction Hugo at Chicon III, and The Witches of Karres was nominated for Best Novel at NyCon 3. Sources laud him for his intelligent female characters. His collections and novels are available at the usual suspects. (Died 1981.)
Born October 15, 1919 — E.C. Tubb. A writer of at least one hundred forty novels and two hundred twenty short stories and novellas, he’s best remembered I think for the Dumarest Saga. His other long-running series was the Cap Kennedy stories. And his short story “Little Girl Lost” which was originally published in New Worlds magazine became a story on Night Gallery. He novelized a number of the Space: 1999 episodes. Somewhat surprisingly he’s never been nominated for or won any awards. (Died 2010.)
Born October 15, 1924 — Mark Lenard. Sarek, father of Spock in the Trek franchise, showing up in that role in “Journey to Babel”. (The role got reprised in the animated series, as well as three films and two episodes of The Next Generation.) Surprisingly he also played a Klingon in Star Trek: The Motion Picture, and a Romulan in an earlier episode of Star Trek. He also had one-offs on Mission Impossible, Wild Wild West, Otherworld, The Secret Empire, The Increible Hulk, and Buck Rogers in the 25th Century. He had a recurring role on the Planet of The Apes as Urko. (Died 1996.)
Born October 15, 1923 — Italo Calvino. Writer and Journalist who was born in Cuba, but grew up in Italy. His works range widely across the literary spectrum, across realism, surrealism, and absurdism. As a genre writer he is best known for his “cosmicomics”, linked stories which explore fantastical speculations about subjects such as mathematics, evolution, and human perception. At the time of his death in 1985, he was the most-translated Italian author, and he was recognized with a World Fantasy Award for Life Achievement. (Died 1985.)
Born October 15, 1926 — Ed McBain. Huh, I never knew he ventured beyond his mystery novels but he published approximately twenty-four genre stories and six SF novels between 1951 and 1971 under the names S. A. Lombino, Evan Hunter, Richard Marsten, D. A. Addams, and Ted Taine. ISFDB has a list and I can’t say I know any of them. Any of y’all read them? (Died 2005.)
Born October 15, 1953 — Walter Jon Williams, 68. The last thing I read by him was his most excellent Dagmar Shaw series which I highly recommend, but Fleet Elements is in my TBR list. I also like his Metropolitan novels, be they SF or fantasy, as well as his Hardwired series. I’m surprised how few awards that he’s won, just three with two being Nebulas, both for shorter works, “Daddy’s World” and “The Green Leopard Plaque”, plus a Sidewise Award for “Foreign Devils”. Damn it, where is his Hugo?
Born October 15, 1955 — Tanya Roberts. Stacey Sutton in the fourteenth Bond film, A View to Kill. Quite the opposite of her role as Kiri in The Beastmaster. And let’s not forget her in the title role of Sheena: Queen of the Jungle. (Died 2021.)
Born October 15, 1969 — Dominic West, 52. Jigsaw in that most dreadful Punisher film, Punisher: War Zone. His first SFF role was as Lysander in A Midsummer Night’s Dream which is the same year he shows up as Jerus Jannick in The Phantom Menace, and he was Sab Than on the rather excellent John Carter. One of his recent latest SFF roles was as Lord Richard Croft in the Tomb Raider reboot.

(15) COMICS SECTION.

Saturday Morning Breakfast Cereal illustrates “love modeling.” The best part is the hover text.

(16) MOVIE MEMORABILIA. Heritage Auction’s Hollywood & Entertainment Memorabilia Auction runs November 4-7. Some of the monster-themed items are on this page. The publicity poster is arresting, to say the least.

(17) MANIFESTATIONS. The Paris Review on what life might be like as a ghost: “All You Have to Do Is Die” by Rowan Hisayo Buchanan.

…I’ve never seen a soul move through the air. I am not sure that we are anything more than a skin-bag of electrical impulses. But ghosts are different from the other uncanny citizens. They are only one step away from the known. To become a ghost, you don’t have to be bitten by a vampire or receive a curse or encounter a mad scientist or fall under the spell of a full moon. All you have to do is die.
Still, I imagine the first days of ghosthood would be tricky. There are so many different hauntings, so many ways to do it. In a way, it reminds me of puberty. The unpredictable shifts….

(18) SIGN OF THE TIMES. “Portland removes ‘Merge Simpson’ sign from NW Portland freeway ramp” says The Oregonian.

Many Portlanders just thought it was neat, but city officials didn’t feel the same way about a “Merge Simpson” sign that appeared in Northwest Portland earlier this week. Transportation workers took the “Simpsons”-inspired sign down Thursday afternoon, citing driving safety concerns.
An anonymous artist put up a homemade sign near an on-ramp to Interstate 405 North. The artist covered up a pedestrian crosswalk sign with a sign reading “Merge Simpson,” and drew a portrait of TV cartoon mom Marge Simpson. The artist painted her face strategically below a tall, round column of foliage in place of her iconic beehive hairstyle….

It turns out that the City of Portland did, in fact, have a cow over the homemade ‘Merge Simpson’ sign and has removed it from the NW Portland freeway ramp https://t.co/05LgZJOBgi pic.twitter.com/G8Ob3qcFvC
— The Oregonian (@Oregonian) October 15, 2021

(19) COOL STAR WARS PAINTINGS. For your viewing pleasure, Naci Caba’s Star Wars Paintings at the link.

The artist also does other genre subjects (click “Paintings” on the sidebar).

(20) HOW SAFE WAS IT TO SQUASH SHATNER? CNN answers the question “How space researchers knew that 90-year-old William Shatner didn’t have to worry about his age”.

…A series of studies in the 2010s sought to answer such question. Researchers put people with pre-existing medical conditions, including elderly men with heart conditions, into a spinning centrifuge to simulate the g-forces the body is subjected to during a trip to space.
Subjects were strapped into a small capsule attached to a massive metal arm that can swing the capsule around in a circle. That faster it spins, the higher the g-forces pressing into the passenger grow, much like the carnival rides that pin passengers to the wall of a spinning circle by rotating the circle at high speeds. When the centrifuge is stopped, passengers inside could be said to be experiencing 1G, or normal gravity on Earth.
At 2G, they feel like they weigh twice their body weight. At 5G, a 200-pound person feels like they weigh 1,000 pounds.
Donoviel pointed to three specific studies that saw people — with a broad range of ages, physical conditions and ailments — endure up to 6G.
“They were fine, they were perfectly fine,” Donoviel said. “The only thing… that was of concern when they did those studies was really anxiety and definitely claustrophobia.”
… For its part, Blue Origin does put some limitations on who can fly aboard New Shepard, its suborbital space tourism rocket, including an age requirement that tourists be 18 years or older, be between 5’0″ and 6’4″ and 110 pounds and 223 pounds, and be in good enough physical shape to climb seven flights of stairs in a minute and a half.
The stair climb is no joke: Blue Origin passengers must rapidly climb what’s called the gantry, a tower that allows the crew to access their capsule as the 60-foot-tall rocket sits on the launch pad, brimming with fuel and ready to blast off.
Shatner quipped about scaling the tower after his flight, saying “good lord, just getting up the bloody gantry.”

(21) COSMIC HOME DELIVERY. “Meteorite Crashes Through Ceiling and Lands on Woman’s Bed” – the New York Times has the story.

Ruth Hamilton was fast asleep in her home in British Columbia when she awoke to the sound of her dog barking, followed by “an explosion.” She jumped up and turned on the light, only to see a hole in the ceiling. Her clock said 11:35 p.m.
At first, Ms. Hamilton, 66, thought that a tree had fallen on her house. But, no, all the trees were there. She called 911 and, while on the phone with an operator, noticed a large charcoal gray object between her two floral pillows.
“Oh, my gosh,” she recalled telling the operator, “there’s a rock in my bed.”
A meteorite, she later learned.
The 2.8-pound rock the size of a large man’s fist had barely missed Ms. Hamilton’s head, leaving “drywall debris all over my face,” she said. Her close encounter on the night of Oct. 3 left her rattled, but it captivated the internet and handed scientists an unusual chance to study a space rock that had crashed to Earth….

(22) VIDEO OF THE DAY. “Bohemian Catsody” a parody song of the Queen classic, “Bohemian Rhapsody,” this time, all about SJW credentials!

[Thanks to JJ, John King Tarpinian, Andrew Porter, Michael Toman, Olav Rokne, Lise Andresen, Annalee Newitz, James Davis Nicoll, Bill, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Cora Buhlert.]

Pixel Scroll 9/4/21 I Have Become Pixel, Scroller Of Worlds

Posted on September 4, 2021 by Mike Glyer

(1) A HARD ROAD. Sue Burke, author of The Immunity Index, and whose Semiosis made the Arthur C. Clarke Award shortlist and was a John W. Campbell Memorial Award finalist, summarizes the SF novel’s journey from manuscript to print, through editorial and beyond to ‘earn out’ in “Getting a book published” at SF2 Concatenation.

…Here comes the first mistake. I got to work on 20th March 2018, reviewing a folder of notes I have for ideas for stories, and I found one that I liked. Many writers have praised the creative freedom of pantsing (writing by the seat of one’s pants or making it up as you go along) a work, so although I’d previously worked with more or less complex outlines and plotting, I decided to give pantsing a go. It didn’t work. The initial draft was limp and only half as long as it needed to be.
Chastened, I reviewed ideas for ways to improve and expand the failure. This time I made notes and, eventually, crafted a plan. I added another character, rearranged some chapters, and complicated the conflict…

(2) CHARACTER WITH A LONG CAREER. Dark Worlds Quarterly contributor G.W. Thomas shares his appreciation for “The Cappen Varra Stories of Poul Anderson”.

…Shared Worlds of the 1970s
And that should have been the end of our wandering bard, but an unusual thing happened at the end of the 1970s. Robert Aspirin and Lynn Abbey cooked up the idea of the “Shared World“. With Poul’s encouragement the concept of a collection of stories where characters, setting and events coalesce between the authors to create a larger experience exploded as Thieves’ World. (There were others: Ithkar and Liavek being two of the more successful competitors.) The series ran for twelve volumes as well as a dozen novels. Poul saw it as a chance to bring Cappen Varra back! “The Gate of Flying Knives” (Thieves’ World, 1979) was the third story in the first collection. It would be Anderson’s only contribution….

(3) AN APPENDIX YOU CAN’T DO WITHOUT. Howard Andrew Jones pops up again, this time profiling historical adventure fiction author Harold Lamb for Goodman Games, where he explains why Lamb’s work is relevant for SFF fans: “Appendix N Archaeology: Harold Lamb”.

Much as I’d like to hope that Gary Gygax read Harold Lamb, he’s unlikely to have found his way to any of Lamb’s most influential work. It’s not that Lamb wasn’t in print. From the 1940s on, his histories and biographies were a mainstay on library shelves, and many modern libraries retain his books to this day. But as fine as they are – and some of them are very fine indeed – Lamb’s histories and biographies weren’t the texts that were important to Appendix N….

(4) CRIME FICTION CAREER LAUNCH. Astronaut Chris Hadfield has written a murder mystery. According to this review from Shots Mag, it is quite good: “The Apollo Murders”.

When the author has flown two Space Shuttle missions and was the commander of the International Space Station, you know that the technical details in the story are going to be accurate, integral to the story and lend the reader a real sense of being ‘there’….

(5) SHANG-CHI NEWS. In the Washington Post, David Betancourt interviews Shang-Chi star Simu Liu, who explains how Liu’s six-year campaign to get Marvel to cast him as a superhero finally paid off. “Simu Liu of ‘Shang-Chi’ finally gets the role he always wanted”.

Long before he became Shang-Chi, Simu Liu was convinced that the only way he’d be an Asian superhero on an American movie screen was to craft the story himself.
So he did. Twice.
At the age of 22, Liu crafted a wholestory bible for the Japanesemutant X-Men member Sunfire, certain it was his best bet to land a Marvel role.Years later, while a member of the Young Emerging Actors Assembly in Toronto, Liu spent $2,000 to direct, write and star in the 2015 short film called “Crimson Defender vs. The Slightly Racist Family,” about an Asian superhero who rescues a family that doesn’t believe he is a superhero because he is Asian.
Neither of those moments resulted in Liu being fitted for capes. But when Marvel Studios announced “Shang-Chi and the Legend of the Ten Rings” would be itsfirst movie with an Asian superhero in the lead role, the 32-year-old star of the TV series“Kim’s Convenience” was convinced he was ready before he ever got a phone call. He even tweeted “are we gonna talk or what” at the Marvel Entertainment account….

Kat Moon explains how she as an Asian American feels better represented by Shang-Chi than by any other Hollywood blockbuster: “Shang-Chi Made Me Feel Seen Like No Other Hollywood Film Has” in TIME.

It wasn’t a profound scene in Shang-Chi and the Legend of the Ten Rings that made me feel instantly connected to the film—not the Mandarin narration that opened the movie or even the early references to customs specific to Chinese culture like eating zhou, or congee, for breakfast and tomb-sweeping on the annual Qingming Festival. Of course, those storytelling choices told me that the latest Marvel superhero movie was crafted with viewers like me in mind. But it was a moment around 30 minutes in that let me know for certain I was watching my life experiences reflected on the big screen in a way Hollywood has rarely done: when Ronny Chieng’s character, Jon Jon, exclaims, “Wakao!”…

(6) DUNE EARLY RETURNS. The New York Times’ Kyle Buchanan says “Venice Film Festival: ‘Dune’ Leaves Us With 3 Big Questions”. The second is —

Will ‘Dune’ be a major Oscar player?
Part of what’s so striking about “Dune” is that Villeneuve has a sense of texture that’s rare among big-budget filmmakers. When a character falls in battle, Villeneuve is besotted with the way the man’s eyelashes flutter as he dies. And during the assault on a character’s compound, the camera drifts from the action to show us magnificent palm trees that have been set aflame, their leafy crowns now a starburst of destruction.
Though sci-fi movies can sometimes be a hard sell with Oscar voters, I suspect that Villeneuve’s distinctive eye will distinguish “Dune,” as the movie looks undeniably ravishing. A ton of below-the-line nominations are guaranteed, including Greig Fraser’s cinematography and the production design by Patrice Vermette. The score (by Hans Zimmer), sound and editing are all more daring than this genre usually allows: The aural soundscape and artsy crosscutting feel almost designed to draw you into a spice-induced trance.
And I haven’t even gotten to the fashion! The costume design (by Jacqueline West and Bob Morgan) is a stunner, and especially during the first hour of the film — with Rebecca Ferguson wearing outrageous space-nun sheaths and a veiled Charlotte Rampling dressed like the Green Knight in Gaultier — “Dune” can seem like a moody high-fashion shoot that occasionally includes spaceships. (I mean this as a good thing.)
Villeneuve’s last film, “Blade Runner 2049,” scored five Oscar nominations and won its cinematographer Roger Deakins a long-overdue Academy Award. Still, the movie couldn’t break into the two top Oscar categories, best picture and best director. Does “Dune” stand a better chance?
I’m taking the wait-and-see approach here….

(7) C.S. LEWIS CONFERENCE IN ROMANIA. The 5th International Interdisciplinary Conference devoted to the life and work of C. S. Lewis, “Of This and Other Worlds,” will be held November 18-20 in Iasi, Romania. Register here. Registration deadline: November 1. An excerpt from the call for papers follows:

The fifth C. S. Lewis conference focuses on C. S. Lewis and his literary and academic kin as creators of worlds. His entire work testifies to his fascination with alternative universes, from his scholarly exploration of Medieval literature, with its haunting myths and arcane symbolism, through his fiction, to his apologetics, where Christianity is seen as a parallel kingdom seeking to be reinstated in “an enemy-occupied territory”. From pain to love, through faith and imagination, he opened a spectrum of realities inviting exploration and reflection. The collection of essays by Lewis alluded to in the title of this year’s conference spans both this and other worlds: “this” realm, which we inhabit, is the necessary, unavoidable starting point for any explorers, conquerors, pilgrims, even refugees into the “others”.
Those willing to venture into the exploration of the worlds of imagination created by C. S. Lewis and kindred spirits are invited to contribute papers in the areas of semiotics, narratology, literary studies (with a special focus on fantasy, on possible worlds in language structures, at the crossroads between referential semantics and fiction studies), translation studies (the challenge of translating fantasy for readerships of various ages and its effect on reception), philosophy, logic, theology, cultural and arts studies, including any interdisciplinary permutation or cross-pollination.
Interested participants are invited to send a 200-250-word abstract for peer-review to the Conference Committee via the organizers: Dr. Rodica Albu ([email protected]), Dr. Denise Vasiliu ([email protected]), Dr. Teodora Ghivirig? ([email protected])
Deadline for proposal submission: 25 September 2021…

(8) MEMORY LANE.

1975 – Forty-six years ago this night, Space: 1999 premiered on such stations as Los Angeles KHJ-TV. It was distributed by ITV and produced by Group Three Productions (the first season) and Gerry Anderson Productions (the second and final season). It starred as its headliners Barbara Bain and Martin Landau, previously of Mission: Impossible fame. It was created by Gerry and Sylvia Anderson who before this had done only such SF marionette puppetry series as Thunderbirds, Stingray and Captain Scarlet and the Mysterons. It would last but forty eight episodes of around fifty minutes. Setting John Clute aside who thought it had “mediocre acting” and “rotten scripts”, most critics at the time actually liked it and audience reviewers at Rotten Tomatoes give it a very splendid eighty six percent rating. You can stream it on Amazon.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born September 4, 1916 — Robert A. W. Lowndes. He was known best as the editor of Future Science Fiction, Science Fiction, and Science Fiction Quarterly (mostly published in the late Thirties and early Forties) for Columbia Publications. He was a principal member of the Futurians, and a horror writer with a bent towards all things Lovecraftian ever since as a young fan, he received two letters of encouragement from H. P. Lovecraft. And yes, he’s a member of the First Fandom Hall of Fame. (Died 1998.)
Born September 4, 1924 — Ray Russell. His most famous story is considered by most to be “Sardonicus” which was published first in Playboy magazine, and was then adapted by him into a screenplay for William Castle’s Mr. Sardonicus. He wrote three novels, The Case Against Satan, Incubus and Absolute Power. He’s got World Fantasy and Stoker Awards for Lifetime Achievement. “Sardonicus” is included in Haunted Castles: The Complete Gothic Stories which is available from the usual suspects. (Died 1999.)
Born September 4,1924 — Joan Aiken. I’d unreservedly say her Wolves Chronicles were her best works. Of the many, many in that series, The Wolves of Willoughby Chase featuring the characters of Bonnie Green, Sylvia Green and Simon is I think the essential work to read even though The Whispering Mountain is supposed to a prequel to the series — I don’t think it’s essential reading. (Or very interesting.) The Wolves of Willoughby Chase is certainly the one in the series I saw stocked regularly in my local bookstores before the Pandemic. (Died 2004.)
Born September 4, 1938 — Dick York. He is best remembered as the first Darrin Stephens on Bewitched. He was a teen in the police station in Them!, an early SF film which is considered the very first giant bug film. He’d showed up in myriad Alfred Hitchcock Presents, several episodes of Twilight Zone and has a one-off on the original Fantasy Island. (There’s now been three series.) He voiced his character Darrin Stephens in the “Samantha” episode of The Flintstones. (Died 1992.)
Born September 4, 1957 — Patricia Tallman, 64. Best known as telepath Lyta Alexander on Babylon 5, a series I hold that was magnificent but ended somewhat annoyingly. She was in two episodes of Next Generation, three of Deep Space Nine and two of Voyager. She did uncredited stunt work on Deep Space Nine as she did on Voyager. Oh, and she shows up in Army of Darkness as a possessed witch. Oh, and she was the former CEO and executive producer of Studio JMS. Yeah she ran everything for J. Michael Straczynski. Very impressive indeed.
Born September 4, 1962 — Karl Schroeder, 59. I first encountered him in his “Deodand” story in the METAtropolis: Cascadia audio work, so I went out and found out what else he’d done. If you’ve not read him, his Aurora Award winning Permanence is superb as all of the Vigra series. He was one of those nominated for a Long Form Best Dramatic Presentation Hugo for the first METAtropolis at Anticipation.
Born September 4, 1972 — Françoise Yip, 49. She was a remarkably extensive career in genre productions including, but not limited to, Earth: Final Conflict, Andromeda, Caprica, Fringe, Predator, Robocop: Prime Directives, Seven Days, Flash Gordon, Smallville, Millennium, Shadowhunters, Arrow and Sanctuary. Genre casting directors obviously really, really like her. Her longest running genre role was as Elizabeth Kepler in The Order, a horror series on one of those streaming services you’ve likely never heard of.
Born September 4, 1999 — Ellie Darcey-Alden, 22. Though she’s best known for playing young Lily Potter in Harry Potter and the Deathly Hallows – Part 2, she’s here for being Francesca “Franny” Latimer in the Doctor Who Christmas special “The Snowmen”, an Eleventh Doctor story. She also played Mary in the “Total Eclipse“ episode of Robin Hood, and was in Chitty Chitty Bang Bang for the New Theatre Oxford. And she appears, as do so many others, in The Five(ish) Doctors Reboot.

(10) COMICS SECTION.

The Far Side shows how if Worf had known about this, that whole business with the pain sticks could’ve been avoided.
Close to Home shows Spock’s version of “I’m not a doctor, I’m a —“

(11) TBR INCOMING. Fansided’s “Winter Is Coming” contributor Daniel Roman lists “15 highly anticipated fantasy and science fiction books coming this fall”. Due in October —

6. Far From the Light of Heaven by Tade Thompson (10/26)
Leaving the heavy bounds of the Earth, our next book sees us blasting into space aboard the colony ship Ragtime. Arthur C. Clarke award-winning author Tade Thompson, author of The Wormwood Trilogy, has a new standalone science fiction novel coming out that promises to be filled with deep moral quandaries and spiritual reckonings. Far From the Light of Heaven is billed as a mystery meets sci-fi political thriller in space. The acting captain of the Ragtime has to team up with an investigator and several other intriguing characters to unravel a bloody mystery that is taking place aboard her ship.

(12) ASTRONOMY PICTURE OF THE DAY. From NASA: Astronomy Picture of the Day. Description follows.

Image Credit & Copyright: Dennis Huff
Explanation: Not the Hubble Space Telescope’s latest view of a distant galactic nebula, this illuminated cloud of gas and dust dazzled early morning spacecoast skygazers on August 29. The snapshot was taken at 3:17am from Space View Park in Titusville, Florida. That’s about 3 minutes after the launch of a SpaceX Falcon 9 rocket on the CRS-23 mission to resupply the International Space Station. It captures drifting plumes and exhaust from the separated first and second stage of the rocket rising through still dark skies. The lower bright dot is the second stage continuing on to low Earth orbit. The upper one is the rocket’s first stage performing a boostback burn. Of course the first stage booster returned to make the first landing on the latest autonomous drone ship to arrive in the Atlantic, A Short Fall of Gravitas.

(13) EARLY ARRIVAL. Slash Film says these are “20 Movies About Aliens That You Definitely Need To Watch”. One of them is not what you might expect at first glance.

The Arrival
Not to be confused with a later entry on this list, 1996’s “The Arrival” stars a Charlie Sheen still at the height of his health and talent, and pits him against the terrifyingly competent Ron Silver. Sheen plays a radio astronomer who intercepts an unusual transmission from a nearby star and is blackballed from his industry for revealing its extraterrestrial origins. From there, a tangled conspiracy drives him towards the truth: the aliens are already here, and the rapid shift in our planet’s climate is meant to kill off humanity and create comfortable new digs for our new guests.
Directed by Peter Twohy, who would go on to create the Riddick franchise with Vin Diesel, “The Arrival” is surprisingly prescient with how it illustrates today’s climate change fears. A niche topic of conversation at the time, relegated to Al Gore jokes and nervous but unheard scientists, these digitigrade alien mimics are almost comforting now. They suggest that our inevitable future can be controlled — and, in a way that’s all too relatable, imply that someone else will have a good time on this planet at our expense….

[Thanks to Andrew Porter, Martin Morse Wooster, JJ, Cora Buhlert, Rich Lynch, Lise Andreasen, Michael Toman, John King Tarpinian, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to contributing editor of the day Kevin Harkness.]

Pixel Scroll 6/1/21 Welcome To The Hotel Cthulhu: You Can Get Eaten Anytime You Like, But You Will Never Leave

Posted on June 1, 2021 by Mike Glyer

(1) OCTAVIA BUTLER BIRTHDAY MONTH. The Los Angeles Public Library and The Huntington are commemorating Octavia E. Butler’s birthday throughout June in a joint celebration of her work, her legacy, and her community.

The virtual events listed below are all free, open to the public, and family-friendly, ideally for ages 10 and up.

Parable of the Sower Book Club Chat — Sat., June 5, 4 p.m. | Reserve
JPL & Octavia E. Butler — Sat., June 12, 2 p.m. | Reserve
Octavia Lab Tour — Fri., June 18, 4 p.m. | Reserve
Make a Zine Celebration of Octavia E. Butler and Juneteenth — Sat., June 19, 4 p.m. | Reserve
In Conversation with Author Lynell George — Fri., June 25, 4 p.m. | Reserve
Parable of the Sower Graphic Novel Creators’ Presentation — Sat., June 26, 4 p.m. | Reserve

(2) CHAMBERS ON TOUR, AT YOUR COMPUTER. Becky Chambers is doing a virtual tour for her upcoming book A Psalm for the Wild-Built. Tor.com has information about it, including links to the independent bookstores hosting each stop on the tour. It looks like she’ll be appearing in tandem with different SFF authors on Zoom at each of the three “stops” — Martha Wells, Sarah Gailey, and T.J. Klune + Alix E. Harrow. “Join Becky Chambers on Tour for A Psalm for the Wild-Built”.

In A Psalm for the Wild-Built, it’s been centuries since the robots of Panga became self-aware and walked into the wilderness. When one walks right into the life of a tea monk named Dex, an entirely unexpected connection is formed. The robot wants to know what people need. But how can one person answer that question? As Sarah Gailey said, “This is a book that, for one night, made me stop asking ‘what am I even for?’ I’m prescribing a preorder to anyone who has ever felt lost. Stunning, kind, necessary.”

(3) POST-PANDEMIC BOX OFFICE. Variety reports “’A Quiet Place Part II’ Smashes Pandemic Era Records”:

…The movie business is breathing a little easier after Paramount’s A Quiet Place Part II roared to $57 million over the Memorial Day Weekend. It’s a sign that cinemas are back after more than a year of pandemic era closures, capacity restrictions, and skittish customers.

Deadline says, “That’s a number which isn’t too far from the $60 million which the John Krasinski-directed sequel was anticipated to do in its three-day opening pre-pandemic.”

(4) REJECTION SLIP-UP. Remember, it’s not paranoia if they’re really out to get you. Joe Vasicek lays out his evidence in “Short Stories, Author Blacklists, and Navigating Woke Science Fiction”.

Last year, I had a short story published in the anthology Again, Hazardous Imaginings: More Politically Incorrect Science Fiction. Not only was it one of my highest paying short story sales to date, but it also made it onto the Tangent Online 2020 Recommended Reading List with a *** rating, their highest tier. Only 13 out of 293 stories on the list received that honor—and making the list at all was an accomplishment!
But a funny thing happened after the anthology came out: for a stretch of several months, I stopped receiving personalized rejections for my short story submissions, and instead got only form rejections. Normally when I write a cover letter for a short story submission, I mention the last three markets that I was published in. For example: “My stories have recently appeared in Again, Hazardous Imaginings; Twilight Tales LTUE Benefit Anthology, and Bards and Sages Quarterly (forthcoming).” In a typical month, I’ll get maybe a dozen or so form rejections and a couple of personalized rejections, depending on how many stories I have out on submission.
Back in March, I started to notice that I wasn’t getting any personalized rejections. Suspecting that my publication credit in Again, Hazardous Imaginings wasn’t helping me, I decided to change things up and only list my publication credits for stories listed in Locus Magazine’s Year In Review issue. My thinking was that all of the Hugo and Nebula eligible markets give their yearly reports in that issue, and since all of the editors want to acquire stories that are likely to win awards, a publication credit in one of those markets is more likely to get them to pay attention.
Lo and behold, I started getting personalized rejections again….

(5) YOUNG PEOPLE. In the latest Young People Read Old SFF, James Davis Nicoll turns the panel loose on “The Longest Voyage” by one of my favorite writers, Poul Anderson.

… Anderson’s curious views of the narrative role of women at the time of writing surely do not pertain to The Longest Voyage because The Longest Voyage contains no women to speak of. As well, Anderson has chosen for the setting an Earthlike moon of a gas giant, perhaps the first plausible example of such a world I recall encountering. Perhaps this story highlights Anderson’s strengths in a way to which the Young People will respond?

(I can’t bear to look!)

(6) HIGHER-TECH CONEHEADS. [Item by Martin Morse Wooster.] Even Daleks, after a hard day of extermination, need to take an ice cream break!

(7) MEDIA BIRTHDAY.

June 1, 1984 — On this day in 1984, Star Trek III: The Search for Spock premiered. It was written and produced by Harve Bennett, and directed by Leonard Nimoy. It starred William Shatner, DeForest Kelley, James Doohan. George Takei, Walter Koenig, Nichelle Nichols, Merritt Butrick and Christopher Lloyd. Critics generally loved it and thought Nimoy caught the feel of the series; audience reviewers at Rotten Tomatoes currently give it a 61% rating. It would finish third at Aussiecon Two behind 2010: The Year We Made Contact which won the Best Dramatic Presentation Hugo and Ghostbusters which came in second.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

Born June 1, 1858 – Frank Ver Beck. Wood engravings; illustrations for Collier’s, The Ladies’ Home Journal,Scribner’s; superlatively, animals, sometimes in a style eventually called anthropomorphic. Twenty books, e.g. A Handbook of Golf for Bears, and in particular Baum’s Magical Monarch of Mo. (Died 1933) [JH]
Born June 1, 1914 — George Sayer. His Jack: C. S. Lewis and His Times which won a Mythopoeic Scholarship Award for Inkling Studies and is considered one of the best looks at that author. He also wrote the liner notes for the J. R. R. Tolkien Soundbook, a Cadmeon release of Christopher Tolkien reading from excerpts from The Silmarillion, The Hobbit and The Lord of The Rings. (Died 2005.) (CE)
Born June 1, 1928 — Janet Grahame Johnstone, and Anne Grahame Johnstone. British twin sisters who were children’s book illustrators best remembered for their prolific artwork and for illustrating Dodie Smith’s The Hundred and One Dalmatians. They were always more popular with the public than they were critics who consider them twee. (Janet died 1979. Anne died 1988.) (CE)
Born June 1, 1940 — René Auberjonois. Odo on DS9. He’s shown up on a number of genre productions including Wonder Woman, The Outer Limits, Night Gallery, The Bionic Woman, Batman Forever, King Kong, Star Trek VI: The Undiscovered Country, Enterprise, Stargate SG-1 andWarehouse 13. He’s lent both his voice and likeness to gaming productions in recent years, and has done voice work for the animated Green Lantern and Justice League series. (Died 2019.) (CE)
Born June 1, 1947 — Jonathan Pryce, 74. I remember him best as the unnamed bureaucrat in The Adventures of Baron Munchausen. He’s had a long career in genre works including Brazil, Something Wicked This Way Comes as Mr. Dark himself, Pirates of the Caribbean: The Curse of the Black Pearl and Pirates of the Caribbean: At World’s End as Governor Weatherby Swann, The Brothers Grimm, in the G.I. Joe films as the U.S. President and most recently in The Man Who Killed Don Quixote as Don Quixote. (CE)
Born June 1, 1947 – Adrienne Fein. One of three Founding Mothers of CMUSFS (Carnegie Mellon Univ. SF Society). Introduced Arthur Hlavaty to apas . Known as a loccer (loc or LoC = letter of comment, the blood of fanzines) but no slouch as a fanartist, e.g this cover for Granfalloon 1 and interiors there, this one for It Comes in the Mail 18, interiors for Riverside Quarterly. (Died 1990) [JH]
Born June 1, 1947 – Chris Moore, age 74. Four hundred sixty covers, fourscore interiors. Collection, Journeyman. Here’s a cover for The Stars My Destination; one for The City and the Stars; one for Hexarchate Stories. Here’s his story. [JH]
Born June 1, 1948 – Mike Meara, age 73. Nova Award for Best Fanwriter. Administered the FAAn (Fan Activity Achievement) Awards at Corflu 32 (fanziners’ con; corflu = mimeograph correction fluid, once indispensable). Fanzine, A Meara for Observers. [JH]
Born June 1, 1954 — Michael P. Kube-McDowell, 67. A filker which gets major points in my book. See him with The Black Book Band here: “Back in Black”. And yes, I’m stalling while I try to remember what of his I’ve read. I’m reasonably sure I’ve read both of his Isaac Asimov’s Robot City novels, and now I can recall reading Alternities as well. God, it’s been twenty years since I read him. I’m getting old. (CE)
Born June 1, 1958 – Ian Gunn. Seven dozen interiors in Banana Wings, Focus, and like that; in Program Books for ConFrancisco the 51st Worldcon, ConAdian the 52nd, Aussiecon 3 the 57th; logo for The Frozen Frog; 10 Ditmars (one won by a story!), 2 FAAn (Fan Activity Achievement) Awards, 1 Hugo at last. (Died 1998) [JH]
Born June 1, 1965 — Tim Eldred, 56. Author and illustrator of Grease Monkey, a most excellent humorous take on space operas and uplifting species. As an illustrator alone, he was involved in Daniel Quinn’s superb The Man Who Grew Young. (CE)
Born June 1, 1994 – Caighlan Smith, age 27. Two novels, two shorter stories. Has read A Doll’s House, Les Misérables, Frankenstein, two Gormenghast books (the third on its way). [JH]

(9) COMICS SECTION.

Frank and Ernest meet space aliens with opinions about NASA.

(10) BIG BEZOS IS WATCHING. According to The Guardian, “Amazon US customers have one week to opt out of mass wireless sharing”.

Amazon customers have one week to opt out of a plan that would turn every Echo speaker and Ring security camera in the US into a shared wireless network, as part of the company’s plan to fix connection problems for its smart home devices.
The proposal, called Amazon Sidewalk, involves the company’s devices being used as a springboard to build city-wide “mesh networks” that help simplify the process of setting up new devices, keep them online even if they’re out of range of home wifi, and extend the range of tracking devices such as those made by Tile.
But Sidewalk has come under fire for the apparent lack of transparency with which Amazon has rolled out the feature, as well as the limited time available for users to complete the tricky process required to opt out. Other critics have expressed concerns that failing to turn the setting off could leave customers in breach of their internet service provider’s terms and conditions.
“Amazon Sidewalk is a shared network that helps devices work better,” the company said in a Q&A document for users. “In the future, Sidewalk will support a range of experiences from using Sidewalk-enabled devices, such as smart security and lighting and diagnostics for appliances and tools.”…

(11) CHAPTERS TAKES THE CASH AND LETS THE CREDIT GO? [Item by James Davis Nicoll.] I somehow overlooked Donna Scott’s Best British SF series, now in its fifth year. Went to Chapters Indigo to order it. Chapters credits the anthologies to various famous male authors.

(12) JDA’S SPORTS REPORT.

(13) REVENGE IS A DISH BEST SERVED OLD. [Item by Mike Kennedy.] “Ancient Athenian Curse Jar Contained Dismembered Chicken And List Of Intended Victims” at IFL Science. I particularly love the article’s turn of phrase, “perhaps you need to lift your vengeance magic game.”

Have you ever hated someone so much you sacrificed a chicken in the hope its slaughter would empower a curse, then carved the targets’ names into the pot holding the chicken and buried it for more than 2,000 years? If not, perhaps you need to lift your vengeance magic game, because someone not only did that but also found 50 people they hated enough to score a place on the pot’s exterior. We don’t know whether the curse worked, but it must be conceded all the intended victims are dead.
The pot (or “chytra”) buried between 325 and 270 BCE in a corner of a building in the Athenian Agora provides insight into the uses of magic at the time. Almost a century after Socrates and Plato, the home of ancient reason and learning still had people practicing something mystical.
Having been dug up in 2006 from a corner of the Athenian Agora’s Classical Commercial Building, the chytra has finally been described by Dr Jessica Lamont of Yale University.
Under the wonderful title “The Curious Case of the Cursed Chicken”, Lamont has described her findings in Hesperia. The pot contained the head and lower limbs of a chicken, but this was no remnant of a meal. A large iron nail has been stuck through the underside, its wide circular head sealing the entrance, and a small coin has since fused to the nail head. “This assemblage belongs to the broader realm of Athenian binding curses, which, … aimed to ‘bind’ or inhibit the physical and cognitive abilities of its human targets,” Lamont writes. These were usually written on lead tablets, but the nail and animal sacrifices were common features.
More than 30 of the names are still legible, some of them familiar while others were previously unknown from Athens. The handwriting suggests at least two people carved the names, something Lamont says is “largely unprecedented in Greek curse tablets”. Other writing could include the actual curse and up to 25 names, but only scattered letters can be read….

(14) ON TOP OF OLD SMOKEY. The Pasadena Museum of History knows where you can find the humble artifacts left behind by a historic science experiment: “Lookout Mountain and the Speed of Light”.

The first lookout tower of the Angeles Forest was erected on Lookout Mountain No. 2 in 1913 and was active until 1927 when it was moved to Sunset Peak. Today, one will find on Lookout Mountain, in addition to a sign and a register, three in-line concrete blocks. The tallest of these, forty-two inches high, has a metal tablet marked “ANOTONIO 1922” and one of the smaller blocks, twenty-six inches high, has an unmarked survey point. If a sight is taken in a westernly direction over these two points, it will align to a spot on Mt. Wilson, marked on topo maps as “Michelson.” These blocks supported a mirror system for an exacting experiment by America’s first Nobel Prize winner, A.A. Michelson, in the years 1922 to 1926 to determine the speed of light.
The speed of light had been measured before, but never on such a spectacular scale or with as much accuracy. At station “MICHELSON” on Mt. Wilson; an octagonal mirror was mounted on a rotor that reflected a light beam to the station “ANTONIO” on Lookout Mountain, nearly twenty-two miles distant; then reflected back to another facet of the octagonal mirror, where it was reflected in the observer’s eye….

(15) VIDEO OF THE DAY. In “Honest Trailers: Army of the Dead” on YouTube, the Screen Junkies say this new Zack Snyder film has robot zombies, brain zombies, and “the awesome zombie-killing saw,” and a team of mercenaries that has six “damaged bad-asses,” “two fun-loving bad-asses” and “the world’s most obvious traitor. But Snyder, free of studio control, still can’t figure out how to focus his film!”

[Thanks to John Hertz, Mike Kennedy, Nina Shepardson, James Davis Nicoll, Andrew Porter, Martin Morse Wooster, JJ, Michael Toman, John King Tarpinian, and Cat Eldridge for some of these stories. Title credit belongs to contributing editor of the day Peer.]

The Tangled Skein: Call Me Joe

Posted on December 20, 2020 by Mike Glyer

By Paul Weimer: Call Me Joe by Poul Anderson strongly starts off a NESFA Press series of volumes covering the work of one of the key 20th century writers of Science Fiction, Poul Anderson

In the introduction, the editor, Rick Katze, states “This is the first in a multi-volume collection of Poul Anderson stories. The stories are not in any discernible pattern”. The pieces of fiction are an eclectic mix of early works in his oeuvre, mixed with poetry and verse that range across his entire career.

The contents include:

Call Me Joe
Prayer in War
Tomorrow’s Children
Kinnison’s Band
The Helping Hand
Wildcat
Clausius’ Chaos
Journey’s End
Heinlein’s Stories
Logic
Time Patrol
The First Love
The Double-Dyed Villains
To a Tavern Wench
The Immortal Game
Upon the Occasion of Being Asked to Argue That Love and Marriage are Incompatible
Backwardness
Haiku
Genius
There Will Be Other Times
The Live Coward
Ballade of an Artificial Satellite
Time Lag
The Man Who Came Early
Autumn
Turning Point
Honesty
The Alien Enemy
Eventide
Enough Rope
The Sharing of Flesh
Barbarous Allen
Welcome
Flight to Forever
Sea Burial
Barnacle Bull
To Jack Williamson
Time Heals
MacCannon
The Martian Crown Jewels
Then Death Will Come
Prophecy
Einstein’s Distress
Kings Who Die
Ochlan
Starfog

The introduction is not quite correct, in that the reader can find resonances between stories, sometimes in stories back-to-back. There are plenty of threads, and a fan of Anderson and his Nordic viewpoint might call it a skein, a tangled skein of fictional ideas, themes, ideas and characters. The same introduction notes that a lot of the furniture of science fiction can be found in early forms here, as Anderson being one of those authors who have made them what they were for successive writers. In many cases, then, it is not the freshness of the ideas that one reads these stories for, but the deep writing, themes, characters and language that put Anderson in a class of his own.

The titular story, for example, “Call Me Joe,” leads off the volume. It is a story of virtual reality in one of its earliest forms, about Man trying to reach and be part of a world he cannot otherwise interact with. Watchers of the movie Avatar will be immediately struck by the story and how much that movie relies on this story’s core assumptions and ideas. But the story is much more than the ideas. It’s about the poetry of Anderson’s writing. His main character, Anglesey, is physically challenged (sound familiar). But as a pseudojovian, he doesn’t have to be and he can experience a world unlike any on Earth:

Anglesey’s tone grew remote, as if he spoke to himself. “Imagine walking under a glowing violet sky, where great flashing clouds sweep the earth with shadow and rain strides beneath them. Imagine walking on the slopes of a mountain like polished metal, with a clean red flame exploding above you and thunder laughing in the ground. Imagine a cool wild stream, and low trees with dark coppery flowers, and a waterfall—methanefall, whatever you like—leaping off a cliff, and the strong live wind shakes its mane full of rainbows! Imagine a whole forest, dark and breathing, and here and there you glimpse a pale-red wavering will-o’-the-wisp, which is the life radiation of some fleet, shy animal, and…and…”
Anglesey croaked into silence. He stared down at his clenched fists then he closed his eyes tight and tears ran out between the lids, “Imagine being strong!”

Reader, I was moved.

That’s only part of the genius of Anderson’s work shown here. Anderson has many strings in his harp and this volume plays many of those chords.

There is the strong, dark tragedy of “The Man Who Came Early” which is in genre conversation with L Sprague De Camp’s “Lest Darkness Fall” and shows an American solider, circa 1943, thrown back to 11th century Iceland and, pace Martin Padway, doing rather badly in the Dark Ages. Poul Anderson is much better known for his future history that runs from the Polesotechnic League on through the Galactic Empire of Dominic Flandry, but this volume has three stories of his OTHER future galactic civilization, where Wing Alak manages a much looser and less restrictive galactic polity, dealing with bellicose problems by rather clever and indirect means.

And then there are his time travel tales. “Time Patrol” introduces us to the entire Time Patrol cycle and Manse Everard’s first mission. I’ve read plenty of his stories over the years, but this first outing had escaped me, so it was a real delight to see “where it all began”. “Wildcat” has oil drillers in the Cretaceous and a slowly unfolding mystery that leads to a sting in the tail about the fragility of their society. And then there is one of my favorite Poul Anderson stories, period, the poetic and tragic and moving “Flight to Forever”, with a one-way trip to the future, with highs, lows, tragedies, loss and a sweeping look at man’s future. It still moves me.

And space. Of course we go to space. From the relativistic invasion of “Time-Lag” to the far future of “Starfog” and “The Sharing of Flesh,” Anderson was laying down his ideas on space opera and space adventure here in these early stories that still hold up today. “Time-Lag’s” slow burn of a captive who works to save her planet through cycles of invasion and attack, through the ultimate tragedy of “Starfog” as lost explorers from a far flung colony seek their home, to the “Sharing of Flesh,” which makes a strong point about assumptions in local cultures, and provides an anthropological mystery in the bargain. “Kings Who Die” is an interesting bit of cat and mouse with a lot of double-dealing espionage with a prisoner aboard a spacecraft.

Finally, I had known that Anderson was strongly into verse and poetry for years, but really had never encountered it in situ. This volume corrects that gap in my reading, with a variety of verse that is at turns, moving, poetic, and sometimes extremely funny. The placing of these bits of verse between the prose stories makes for excellent palette cleansers to not only show the range of Anderson’s work, but also clear the decks for the next story.

The last thing I should make clear for readers who might be wondering if this volume truly is for them to is to go back to the beginning of this piece. This volume, and its subsequent volumes, are not a single or even multivolume “best of Poul Anderson”. This is a book, first in a series, that is meant to be a comprehensive collection of Poul Anderson. This is not the book or even a series to pick up if you just want the best of the best of a seminal writer of 20th century science fiction. This volume (and I strongly suspect the subsequent ones) is the volume you want if you want to start a deep dive into his works in all their myriad and many forms. There is a fair amount from the end of the Pulp Era here, and for me it was not all of the same quality. I think all of the stories are worthy but some show they are early in his career, and his craft does and will improve from this point. While for me stories like the titular “Call Me Joe”, “Flight to Forever”, “The Man Who Came Early”, and the devastating “Prophecy” are among my favorite Poul Anderson stories, the very best of Poul Anderson is yet to come.

2021 Prometheus Hall of Fame Finalists

Posted on December 6, 2020 by Mike Glyer

The Libertarian Futurist Society has selected five finalists for the 2021 Prometheus Hall of Fame Award for Best Classic Fiction.

The Winter of the World, a 1975 novel by Poul Anderson
“As Easy as A.B.C.,” a 1912 novelette by Rudyard Kipling
“The Trees,” a 1978 song by Rush (recorded as part of the rock group’s 1978 album “Hemispheres”)
Emphyrio, a 1969 novel by Jack Vance
“Lipidleggin’,” a 1979 short story by F. Paul Wilson

The Prometheus Awards ballot will be emailed to LFS members at the usual time next May, The Prometheus Award, sponsored by the Libertarian Futurist Society (LFS), was established and first presented in 1979, making it one of the most enduring awards after the Nebula and Hugo awards, and one of the oldest fan-based awards currently in sf. Presented annually since 1982 at the World Science Fiction Convention, the Prometheus Awards include gold coins and plaques for the winners for Best Novel, Best Classic Fiction (Hall of Fame), and occasional Special Awards.

Pixel Scroll 12/6/20 Tell Me About The Rest Of The Robots, Geordi

Posted on December 6, 2020 by Mike Glyer

(1) MACHINE AGAINST THE RAGE. Get your Murderbot fix from Twitter’s MurderBotBot.

They were all annoying and deeply inadequate humans, but I didn’t want to kill them. Okay, maybe a little.
— Murderbot botsin.space/@murderbotbot (@MurderBotBot) December 6, 2020

Right, so the only smart way out of this was to kill all of them. I was going to have to take the dumb way out of this.
— Murderbot botsin.space/@murderbotbot (@MurderBotBot) December 6, 2020

(2) KEEP THE ARMOR ON THE SHELF. The Society for Creative Anachronism has extended its suspension to the end of May 2021: “Resolution to Suspend In-Person SCA Activity Updated – December 4, 2020.

At the end of July, the Board of Directors issued a proclamation suspending most inperson SCA activities in North America until January 31, 2021, due to the COVID-19 global pandemic. In November, we asked the Kingdom Seneschals and Crowns of the known world to give us their counsel on how to proceed in the first part of 2021. We received very thoughtful responses from nearly all Crowns and Kingdom Seneschals as well as many other concerned people. We wish to thank everyone who responded for taking the time to do so, and for putting such effort into your responses. After reading and discussing the feedback received, the Board decided at their conference call meeting on 12/01/2020 to continue the suspension of in-person activities in North America through May 31, 2021….

(3) FILER ASKS YOU OPINION. Cora Buhlert says, “I’m considering starting a Patreon next year and have created a survey to gauge interest.”

Tell Cora what you think here — surveymonkey.de/r/WSDN6DK

(4) THE ORIGINAL SURVEILLANCE SOCIETY. “How to subvert authoritarian regimes? Astrid Bear’s Hall of Fame acceptance speech for Poul Anderson’s ‘Sam Hall’” on the Prometheus Blog.

…Science fiction set in the future is often as much about the time it was written in as it is about prognostications.   Diving into both world and family history, we can tease out some of the threads that came together to make this story of the subversion of an authoritarian regime from within its record-keeping arm, and how that inspired revolution.
In 1953, we were less than 10 years from the end of World War II. Senator Joe McCarthy was busy investigating citizens for wrongful thoughts and potential treason.   The early main-frame computer, UNIVAC, correctly predicted the winner of the 1952 presidential election. Dad’s brother, my Uncle John, was turned down for the US Foreign Service because of his Danish Communist aunt. And Dad wrote “Sam Hall.”
Computer-savvy folk of today will likely snicker a bit at the electromechanical whirs and buzzes of the government’s Central Records computer, nicknamed Matilda the Machine. Matilda holds detailed information on all citizens, tracking all transactions, travel, education, contacts, relationships.   The “Matildas” of today know a tremendous amount about us and our shopping habits, travel plans, and private emails.
For although Dad did a good job of thinking about the power of computers held by the government as data gathering machines, in 1953 he didn’t seem to have thought much about computers as gatherers of data for private enterprise.
The America of “Sam Hall” has closed its borders to immigration, gives its citizens loyalty ratings, assigns them each a unique ID number and demands that it is tattooed on the shoulder. There is an underground movement, but, as our protagonist, Thornberg muses,   “It was supported by foreign countries who didn’t like an American-dominated world – at least not one dominated by today’s kind of America, though once ‘USA’ had meant ‘hope.’”…

(5) HAVE YE SEEN THE GREAT FLIGHT WHALE? Sam J. Miller’s new novel The Blade Between gets praised in a review by Gabino Iglesias at NPR.

The are violent ghosts, flying whales, and dead people with mouthfuls of saltwater hundreds of miles from the ocean in Sam J. Miller’s The Blade Between, but it all makes sense. It all makes sense because the story takes place in Hudson, New York, a place built on the remains of slaughtered whales, where their unused parts were buried underground and the scraps were fed to animals later used to feed people. Hudson is full of angry spirits, but now a different monster is destroying it: gentrification.
… The Blade Between is a book about broken people. The creepy atmosphere and ghosts make it horror, but the drug abuse, evictions, cheating, and destroyed lives make it noir. Also, Miller’s writing and vivid imagery, especially when describing dreams, make it poetry. The mix of genres, much like the mix of elements, makes no sense, but it works.

(6) ONCE UPON AN ACADEME. Maria Sachiko Cecire asserts that Tolkien and Lewis not only wrote influential fantasy novels, they created the curriculum for Oxford’s English School, in “The rise and fall of the Oxford School of fantasy literature” at Aeon Essays. She doesn’t find this to be a plus.

… What is less known is that Tolkien and Lewis also designed and established the curriculum for Oxford’s developing English School, and through it educated a second generation of important children’s fantasy authors in their own intellectual image. Put in place in 1931, this curriculum focused on the medieval period to the near-exclusion of other eras; it guided students’ reading and examinations until 1970, and some aspects of it remain today. Though there has been relatively little attention paid to the connection until now, these activities – fantasy-writing, often for children, and curricular design in England’s oldest and most prestigious university – were intimately related. Tolkien and Lewis’s fiction regularly alludes to works in the syllabus that they created, and their Oxford-educated successors likewise draw upon these medieval sources when they set out to write their own children’s fantasy in later decades. In this way, Tolkien and Lewis were able to make a two-pronged attack, both within and outside the academy, on the disenchantment, relativism, ambiguity and progressivism that they saw and detested in 20th-century modernity.
…The Oxford School’s medievalist approach radiated outward, influencing many more children’s fantasy authors and readers, and helping to turn Anglophilic fascination with early Britain and its medieval legends into a globally recognisable setting for children’s adventures, world-saving deeds and magical possibility.

(7) MEDIA BIRTHDAY.

December 6, 1991 — Star Trek VI: The Undiscovered Country premiered. It would be the last Trek film to feature the entire original cast from the series, and was released just after Roddenberry passed on. Directed by Nicholas Meyers and produced by Ralph Winter Steven-Charles Jaffe, the screenplay was by Nicholas Meyer and Denny Martin Flinn from a story from Leonard Nimoy, Lawrence Konner and Mark Rosenthal. It would lose out to Terminator 2: Judgement Day at MagiCon for Best Hugo, Long Form Presentation. The film received a much warmer reception from critics and audiences alike than The Final Frontier did, and it was a box office success. Audience reviewers at Rotten Tomatoes give it a most exemplary rating of eighty three percent.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

Born December 6, 1881 – Helen Knipe. Illustrator (also rendered stage plays into novels). Here is The Magical Man of Mirth. Here is The Land of Never Was. Here is an interior for The Queen of the City of Mirth. (Died 1959) [JH]
Born December 6, 1909 — Arthur K. Barnes. Pulp magazine writer in mostly the Thirties and Forties. He wrote a series of stories about interplanetary hunters Tommy Strike and Gerry Carlyle which are collected in Interplanetary Hunter and Interplanetary Huntress. Some of these were co-written with Henry Kuttner. His Pete Manx, Time Troubler collection featuring Pete Manx is a lot of fun too. Both series are available from the usual digital suspects. (Died 1979.) (CE)
Born December 6, 1911 — Ejler Jakobsson. Finnish-born Editor who worked on Astonishing Stories and Super Science Stories butbriefly as they were shut down due to paper shortages. When Super Science Stories was revived in 1949, Jakobson was named editor until it ceased publication two years later. Twenty years later, he took over Galaxy and If, succeeding Frederik Pohl. His first credited publications were The Octopus and The Scorpion in 1939, co-edited with his wife, Edith Jakobsson. (Died 1984.) (CE)
Born December 6, 1957 — Arabella Weir, 63. A performer with two Who appearances, the first being as Billis in “The Doctor, the Widow and the Wardrobe”, a superb Eleventh Doctor story, before being The Doctor Herself in “Exile”, a Big Audio production. She’s had one-offs on genre and genre adjacent series such as Shades of Darkness, Genie in the House, Randall & Hopkirk (Deceased) and even a genre adjacent Midsomer Murders. (CE)
Born December 6, 1962 — Colin Salmon, 58. Definitely best known for his role as Charles Robinson in the Bond films Tomorrow Never Dies, The World Is Not Enough and Die Another Day. He played Dr. Moon in “Silence in the Library” and “Forest of the Dead”, Tenth Doctor stories, and was Walter Steele on Arrow. He most recently played General Zod on Krypton He was, alas, Ben in the clunker of films, Mortal Engines. (CE)
Born December 6, 1942 – Ted Pauls. A hundred reviews in Locus, SF Commentary, SF Review, The WSFA (Washington, DC, SF Ass’n) Journal. His T-K Graphics was a leading mail-order bookshop. Fanzine, Kipple. Co-chaired Balticon 5-8. Part of the Baltimore SF Forum (hello, Ted White). (Died 1997) [JH]
Born December 6, 1946 – Ana Lydia Vega, Ph.D., age 74. Seven collections, one children’s book. Casa de las Américas prize, Juan Rulfo prize. Puerto Rico Society of Authors’ Author of the Year. Professor at Univ. Puerto Rico (retired). [JH]
Born December 6, 1960 – Julie Dean Smith, age 60. Four novels “done with panache and a happy skill” — hey, I’m quoting Clute, it must be St. Nicholas’ Day. [JH]
Born December 6, 1962 — Janine Turner, 58. Maggie O’Connell on Northern Exposure which we’ve accepted as genre adjacent. She was also Linda Aikman in Monkey Shines, a horror film not for the squeamish, and had one-offs in Knight-Rider, Quantum Leap and Mr. Merlin. (CE)
Born December 6, 1969 — Torri Higginson, 51. I had forgotten that she had a role in the TekWar movies and series as Beth Kittridge. I like that series a lot. Of course, she portrayed Dr. Elizabeth Weir in one episode of Stargate SG-1 and the entire Stargate Atlantis series. Her most recent genre roles was as Dr. Michelle Kessler in Inhuman Condition, where she plays a therapist who focuses on supernatural patients, and Commander Delaney Truffault in the Dark Matter series. (CE)
Born December 6, 1972 – Kevin Brockmeier, age 48. Fifteen novels for us, thirty shorter stories. “A Proustian Reverie” in the NY Times Book Review. Three O. Henry prizes (take that, Arthur Hawke), several others. Interviewed in Lightspeed. [JH]
Born December 6, 1981 – Ben White, age 39. Confessedly Aotearoan pâkehâ. Three novels. Twenty-six games here. Has read The Sirens of Titan, The Phantom Tollbooth, One Flew Over the Cuckoo’s Nest, The Thirteen Clocks. [JH]

(9) STINK ‘EM UP JUST RIGHT. ”One-star wonders: how to make a film that’s so bad it’s good” – Catherine Bray shares the formula wih readers of The Guardian.

There is nothing quite like a good-bad movie. Sometimes the title alone is enough to let us know what we’re in for: think Attack of the 50 Foot Woman (1958). Sometimes the good-badness might be about knowing we are guaranteed an over-ripe performance from a particular star: think Nicolas Cage from around 2010 onwards. Sometimes a lurid or ridiculous premise promises a good time all by itself (see: Night of the Lepus, AKA the killer rabbit movie). But whether or not the creative minds behind these kinds of cultural landmarks were in on the joke is sometimes less self-evident.
…The godfather of wonderfully terrible films is Plan 9 from Outer Space, Ed Wood’s 1959 effort about aliens attacking the Earth. Hubcaps on strings are pressed into service as interstellar spacecraft, wobbling their way to our planet. When we get our first glimpse of the alien beings within, the hubcaps start to look pretty cosmic by contrast; the aliens bear a resemblance to inexpensive actors sporting off-the-rack medieval fayre costumes. Horror veteran Bela Lugosi, appearing as the villain, passed away before filming; his character’s scenes are constructed from screen-test footage he’d shot with Wood, plus additional material featuring another, far taller guy with a cape draped over his face. Throughout the film, scenery has a habit of wobbling alarmingly, particularly the gravestones.

(10) WWI09. According to io9 “The First Impressions of Wonder Woman 1984 Are In, and It Sounds Like a Fitting Sequel and ’80s Tribute” – a roundup of tweeted comments about the movie.

(11) WHAT’S UP CHUCK? Checking in on the latest wisdom from the Tingleverse.

THE UNIQUE WAY THAT YOU TROT PROVES LOVE IS REAL do not forget this if the gateman comes and trys to keep you out. just tell the gateman to heck off
— Chuck Tingle (@ChuckTingle) December 2, 2020

ok pic.twitter.com/kxVjArwqk3
— Chuck Tingle (@ChuckTingle) December 6, 2020

[Thanks to John King Tarpinian, Andrew Porter, Michael Toman, Martin Morse Wooster, JJ. John Hertz, Cat Eldridge, Dany Sichel, and Mike Kennedy for some of these stories. Title credit goes to contributing editor of the day Daniel Dern.]

Pixel Scroll 11/12/20 When The Scrolling Gets Weird, The Pixels Turn Pro

Posted on November 12, 2020 by Mike Glyer

(1) THE NEXT GENERATION. James Davis Nicoll’s Young People Read Old SFF panel took a look at “’No Trading Voyage’ by Doris Pitkin Buck”. What did they think of this 1963 poem?

This month’s entry is from Doris Pitkin Buck, a Science Fiction Writers of America founder. Buck was mainly associated with The Magazine of Fantasy & Science Fiction, which for various stupid reason was not a magazine I followed closely back in the day. Accordingly, I was not familiar with her work when I encountered this example of it way, way back in 2019. I see I carefully side-stepped my issues with poetry in my review. Let’s see what my Young People made of her poem.

(2) FREE MARS? In “Elon Musk’s Martian Way (Empire Not Included)” on National Review Online, Texas Tech economist Alexander William Salter says a curious clause in Musk’s Starlink satellite contracts doesn’t mean Musk quietly wants to conquer Mars.

…But a much more exotic charge against Starlink, and Elon Musk himself, has recently come to light. A curious clause in Starlink’s terms and conditions suggests SpaceX’s future plans for a Martian settlement will result in SpaceX becoming a law unto itself. As the service agreement reads:
“For Services provided on Mars, or in transit to Mars via Starship or other colonization spacecraft, the parties recognize Mars as a free planet and that no Earth-based government has authority or sovereignty over Martian activities. Accordingly, Disputes will be settled through self-governing principles, established in good faith, at the time of Martian settlement.”
Nefarious! Or is it? We need some context.
Clearly, the clause doesn’t pose any immediate legal concerns. This is a long-term issue. One of Musk’s ambitions is to create a settlement on Mars. In Musk’s vision, much of the infrastructure for the settlement, including Internet via Starlink, will be supplied by SpaceX itself. That includes governance: the rules dictating how the intrepid Martian explorers will live together. In fact, SpaceX’s legal team is currently working on a Martian constitution.
This science-fiction-esque plan predictably led observers to decry the prospect of corporate domination of space. “Elon Musk plans to get to Mars first, and that means he can quickly establish a fiefdom where he makes his own rules by a first-come, first-serve system,” complains Caroline Delbert at Popular Mechanics. Legal experts weighed in soon after, claiming that this language violates international law. The smart set seems more than happy to cast Musk in the role of Hugo Drax, the tech-savvy Bond villain who sought space power to control humanity….

(3) ISFIC WRITERS CONTEST EXTENSION. Steven H Silver brings word that the ISFiC Writers Contest for unpublished writers of science fiction and fantasy has extended its deadline for submissions to November 27. Guidelines for entries are at the link.

(4) HOW CAN THE SAME THING HAPPEN TO THE SAME GUY TWICE? “Bruce Willis returns to space to kick some alien derriere in Breach trailer” – Ars Technica sets the frame.

…Originally titled Anti-Life, the film’s premise is that a devastating plague has wiped out much of Earth’s population, and the survivors are being evacuated via an interstellar ark to “New Earth.” Willis plays Clay Young, described as a hardened mechanic who is part of the crew selected to stay awake and maintain the ark for the six-month journey. But then he discovers a shape-shifting alien (or “a malevolent cosmic terror,” per the early press materials) has also stowed away on the ark, and it seems to be intent on killing everyone on board…

(5) FIRST FANDOM SALUTE TO MADLE. First Fandom Annual 2020 has just been published with the theme “Celebrating Robert A. Madle.”

This is a tribute to legendary fan Bob Madle, who just recently celebrated his one hundredth birthday. In a long article featuring rare photographs and illustrations, Bob recounts his involvement in science fiction fandom over the course of ten decades. He also reflects on the early days of Amazing Stories, the origins of FAPA, and the genesis of First Fandom.
Among the highlights: appreciations of Bob by some of his long-time friends, including a poem from 1968 by Robert Bloch; a gallery of First Fandom photos and a Robert A. Madle bibliography prepared by Christopher M. O’Brien.
Edited by John L. Coker III and Jon D. Swartz. 60 pages, limited edition (26 copies); Laser printed on good quality paper; Photographs and interior illustrations; Gloss covers, 8½ x 11, saddle-stitched.

This will soon be out-of-print, so order your copy today by sending a check or money order for $30 payable to John L. Coker III to 4813 Lighthouse Road, Orlando, FL 32808.

(6) COVID DELAYS ANOTHER CON. The Chicago Comics and Entertainment Expo has been pushed back: “C2E2 Postpones Next Convention to December 2021” at Comicbook.com.

The convention circuit has been profoundly impacted by the ongoing COVID-19 pandemic, as social distancing guidelines and fluctuating positivity numbers have thrown out the possibility of large scale events. As a result, many high-profile events have been forced to move into a digital format, or delay their dates well into next year. The Chicago Comics and Entertainment Expo, or C2E2, is the latest to do so, announcing on Tuesday that its next convention will be held from December 10th through December 12th of 2021. This delays the 2021 convention pretty significantly, as it was originally set to occur March 26-28, 2021.

(7) MCCAULEY OBIT. Literary agent Kay McCauley died on Sunday. Melinda Snodgrass paid tribute in “Living Life On Your Own Terms — Kay McCauley”.

I met Kay McCauley at the World Science Fiction Convention in Toronto back in 2003. I was in desperate need of a new literary agent, and George offered to introduce me to his agent. Kay was there to support George who was the GoH, but wasn’t much into the convention scene so I took a taxi and met her for lunch at her hotel.
The woman I met was a bit taller than me with elegantly coifed brunette hair, elegant gold jewelry, a chic pantsuit and a perfect manicure. Kay alternated between being charming, brusque, funny, judgmental, demanding. She pushed me — what are your goals? Why do you do this? What do you want to write? I could tell she was sizing me up in every way possible. I guess I managed to do something right because she became my agent a few months later.
She worked tirelessly for me for nearly twenty years. But this wasn’t just a professional relationship. Kay became my dear friend and confidant and it was a two way street. I could call her when I was sad or upset and she knew she could lean on me whenever life dealt her a blow. We always kept each other’s confidences. We had each other’s backs….

(8) LAFARGE OBIT. Tom LaFarge (1947-2020) died on October 22. He is survived by Wendy Walker and his son Paul La Farge. Tom had recently completed The Enchantments, a series of three novels published 2015-18. Author Henry Wessells wrote an essay on his writings for NYRSF, “Ticket to Bargeton”.

(9) MEDIA ANNIVERSARY.

1975 – Forty-five years ago, Poul Anderson’s A Midsummer Tempest would win the Mythopoeic Fantasy Award and be nominated for the Locus, Nebula and World Fantasy awards as well. Set in a world where Shakespeare was the Great Historian, all the events depicted within his plays were historical fact. Lester Del Rey in his August 1974 If review said that it is “a fantasy I can recommend with pleasure.” Tom Lewis is the cover artist. It is available in print and digital editions. (CE)

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

Born November 12, 1877 – John R. Neill. Starting with the second Oz book, illustrated the rest of Baum’s, all of Thompson’s, three of his own. Before, worked on newspapers; around the time of Baum’s death, became a free lance, drawing for e.g. Boy’s Life, Ladies’ Home Journal, Vanity Fair, Saturday Evening Post, Argosy. Here is The Lost Princess of Oz. Here is The Magic of Oz. Here is Scraps, the Patchwork Girl. Here is an interior from the Dec 19 Everybody’s. Here is “Beyond the Dark Nebula” from the 4 Apr 31 Argosy. A granddaughter maintains a Website. (Died 1943) [JH]
Born November 12, 1929 — Michael Ende. German author best known for The Neverending Story which is far better than the film which only covers part of the novel. Momo, or the strange story of the time-thieves is a charming if strange novel worth your time. The rest of his children’s literature has been translated from German into English mostly by small specialist presses down the years. Unlike The Neverending Story and Momo which I’ve encountered, I’ve not read any of these. (Died 1995.) (CE)
Born November 12, 1930 – Irma Chilton. Ten novels, a few shorter stories. Wrote in English and Welsh. Tir na n-Og Award. Crown for prose at 1989 Nat’l Eisteddfod. Welsh Arts Council’s Irma Chilton Bursary prize named for her. (Died 1990) [JH]
Born November 12, 1943 — Wallace Shawn, 77. Probably best remembered as the ferengi Grand Nagus Zek on Deep Space Nine, a role he only played seven times. He was also Vizzini in the beloved Princess Bride, and he played Dr. Elliott Coleye in the My Favorite Martian film.(CE)
Born November 12, 1943 — Julie Ege. A Bond Girl On Her Majesty’s Secret Service as Helen, the Scandinavian girl. She also appeared in Hammer‘s Creatures the World Forgot and The Legend of the 7 Golden Vampires. And in The Mutations which got released under the alternative title of The Freakmaker. She had a role in De Dwaze Lotgevallen Von Sherlock Jones which got dubbed into English as The Crazy Adventures of Sherlock Jones. (Died 2008.) (CE)
Born November 12, 1943 — Valerie Leon, 77. She appeared in two Bond films, Never Say Never Again and The Spy Who Loved Me, and in the horror flick Blood from the Mummy’s Tomb as Margaret Fuchs / Queen Tera. She was also Tanya in Revenge of the Pink Panther, and had one-offs in The Avengers, Space:1999 and Randall and Hopkirk (Deceased). (CE)
Born November 12, 1945 – Michael Bishop, 75. A dozen novels, a hundred thirty shorter stories, fifty poems; a dozen “Pitching Pennies Against the Starboard Bulkhead” essays, many others e.g. Introductions to Nebula Awards 23-25, “Forty Years with Asimov’s SF” (Jul-Aug 17 Asimov’s), letters in Locus, NY Rev SF, Riverside Quarterly, SF Commentary; a dozen collections, recently The Sacerdotal Owl. Reflections, Reverie for Mister Ray. M.A. thesis on Dylan Thomas. Two Nebulas, a Rhysling, a Shirley Jackson. Website here. [JH]
Born November 12, 1950 – Michael Capobianco, 70. Two novels and a shorter story; four more novels, two shorter stories, with William Barton. Two (non-consecutive) terms as SFWA (Science Fiction & Fantasy Writers of America) President; Service to SFWA Award. MC & WB interviewed in SF Eye. [JH]
Born November 12, 1952 — Max Grodenchik, 68. He’s best known for his role as Rom, a recurring character on Deep Space Nine. He has a long genre history with appearances in The Rocketeer, Here Come The Munsters, Rumpelstiltskin, Star Trek: Insurrection (scenes as a Trill were deleted alas), Tales from The Crypt, Sliders, Wienerland, The Adventures of Rocky and Bullwinkle and Bruce Almighty. (CE)
Born November 12, 1969 – Olivia Grey, 51. Three novels, four more under another name; half a dozen shorter stories. Muse of the Fair at 2011 Steampunk World’s Fair. Avalon Revisited won Steampunk Chronicle’s 2012 Reader’s Choice for Best Fiction. M.A. thesis on Le Morte d’Arthur. [JH]
Born November 12, 1976 — Richelle Mead, 44. Best known for her Georgina Kincaid series, the Vampire Academy franchize and its spin-off series Bloodlines, and the Dark Swan series. I’ve only read Succubus Blues by her but it’s a truly great read and I recommend it strongly. Spirit Bound won a Good Reads Award. (CE)
Born November 12, 1984 – Benjamin Martin, 36. Moved to Okinawa from Arizona. Two fantastic samurai novels (Samurai Awakening won a Crystal Kite Award), one shorter story. Karumi Tengo photography prize. [JH]

(11) COMICS SECTION.

Frank and Ernest discover what dinosaur dreams are made of.

(12) THE FIRST. James Davis Nicoll digs into “Science Fiction’s Very First ‘Year’s Best’ Anthology” at Tor.com.

… This 314-page hardcover, published by Frederick Fell, with a cover by Frank McCarthy (1924–2002) collected twelve stories from 1948. It sold for $2.95, which in today’s currency is about $30.
What did the best of 1948 look like, you wonder? I am so happy you asked.
The table of contents is dominated by men. One of the two women included, Catherine Moore, was concealed behind her husband’s byline effectively enough that an editorial comment makes it clear the editors believed the story was by Kuttner alone. Women were active in the field at the time, but as documented by Lisa Yaszek, the editors crafting SF canon were not much interested in acknowledging women. Who else, one wonders, was overlooked?
Still, one has to review the Best SF anthology one has, not the Best SF anthology you might want or wish to have at a later time….

(13) HOW SOME WRITERS GET PAID. “BYU Vending Machines Dispense Short Stories” reports KSL TV.

They are far from the typical vending machines found on college campuses.
At Brigham Young University, two new dispensers are offering a different kind of fare — short stories.
“I thought, ‘what a brilliant way to not be staring at your phone all the time!’” said Leslee Thorne-Murphy, an English professor and associate dean at the BYU College of Humanities.
Thorne-Murphy said she first saw the Short Edition dispensers in an urban mall in London and helped bring the idea to BYU as part of an initiative launched by the College of Humanities.
Three contactless buttons allow a student to select either a 1, 3, or 5-minute read, and the machine prints out a story selected at random from its database.
Stories range from famous works to student-submitted stories that have been added through writing contests.

These are far from the typical vending machines you'd usually find on college campuses. These dispense short stories! https://t.co/4InCiPloxe #KSLTV #GoodNews @AndrewAdamsKSL
— KSL 5 TV (@KSL5TV) November 10, 2020

(14) MAKE IT SO. SYFY Wire is there when “The Star Trek Cocktails book arrives with a bounty of libations to enjoy…for medicinal purposes”.

Relaxing from the universe’s withering stresses has always been an important part of the Star Trek universe. For some, that included imbibing alcoholic drinks. Be it solemnly inside their quarters to mark a moment, or collecting with peers in a bar like Ten-Forward, Trek has given us plenty of tantalizing visual cocktails in all of its various film and television iterations that audiences have long wished to taste at home.
Luckily, you can now give almost 40 different Star Trek inspired alcoholic drinks a spin at home with the release today of Hero Collector’s Star Trek Cocktails: A Stellar Compendium. Written by Glenn Dakin with drinks curated by mixologists by Simon Pellet and Adrian Calderbank, the coffee table book features photos and illustrations of the drinks, the characters, and the events that inspired their creation.

(15) SPACEX IS GO. SPACEX but it’s THUNDERBIRDS! by Psyclonyx.

(16) BE KIND TO YOUR WEBFOOTED FRIENDS. “Who Would Rig This Vote? The Fraud Was Real (and Feathers Were Ruffled)” – the New York Times has the story. Tagline: “More than 1,500 fake votes were slipped into New Zealand’s Bird of the Year 2020 contest in favor of the kiwi pukupuku.”

…The scandal has roiled Bird of the Year 2020, an online popularity contest among the native birds of New Zealand, and made headlines in the remote Pacific Island nation, which takes its avian biodiversity seriously.

“It’s kind of disappointing that people decide to try their little tech tricks on Bird of the Year,” Laura Keown, the spokeswoman for the competition, told Radio New Zealand on Tuesday. “I’m not sure what kind of person could do it, but I like to assume that it’s somebody who just really loved native birds.”

No one has claimed responsibility, and no one is expected to.

The contest, which began on Nov. 2 and ends on Sunday, is conducted through an instant-runoff system that allows voters to rank their favorite birds — just as New Zealanders do when they elect humans to office. The organizer, a New Zealand-based advocacy group called Forest & Bird, has said that the contest is designed to raise awareness about the plight of the country’s more than 200 species of native birds, many of which are threatened or at risk of extinction.

(17) HONEST TRAILERS. In “Honest Trailers: The Evil Dead Movies,” the Screen Junkies say the three “Evil Dead” movies are “as light on substance as they are heavy on style” and contain “enough red-dye corn syrup to flood the Eastern Seaboard.”

[Thanks to Andrew Porter, JJ, Michael Toman, John King Tarpinian, John Hertz, Mike Kennedy, Cat Eldridge, James Davis Nicoll, David Doering, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Patrick Morris Miller.]

2020 Prometheus Novel and Hall of Fame Winners

Posted on July 10, 2020 by Mike Glyer

The Libertarian Futurist Society has announced the Best Novel and Best Classic Fiction winners for its 40th annual Prometheus Awards.

PROMETHEUS AWARD FOR BEST NOVEL. Alliance Rising, by C. J. Cherryh and Jane S. Fancher (DAW), has won the 2020 Prometheus Award for Best Novel for novels published in 2019.

The citation says:

Set in C.J. Cherryh’s Alliance/Union Universe (before her novel Downbelow Station), Cherryh and Jane S. Fancher’s interstellar saga of technological upheaval, intrigue and romance explores the early days of the Merchanter Alliance. Independent spaceship families ally during complex, mult-isided political-economic rivalries to defend established rights and promote the common good through free trade.

In one of the better fictional treatments of a complex economy, characters maneuver to prevent statist regimes from dominating space lanes, resist Earth’s centralized governance, and investigate the purpose of a mysterious ship, The Rights of Man, undergoing construction on an isolated space station. Classic libertarian themes emerge about what rights are and where they come from (often to resolve conflicts and avoid the initiation of force) and how commerce and property rights promote peace and prosperity as humanity spreads among the stars.

The other 2020 Best Novel finalists were The Testaments, by Margaret Atwood (Random House; Nan A. Talese); Ruin’s Wake, by Patrick Edwards (Titan Books); Luna: Moon Rising, by Ian McDonald (TOR Books): and Ode to Defiance, by Marc Stiegler (LMBPN Publishing).

THE PROMETHEUS HALL OF FAME FOR BEST CLASSIC FICTION. “Sam Hall,” Poul Anderson’s short story, won the 2020 Best Classic Fiction award and will be inducted into the Prometheus Hall of Fame.

The citation says:

First published in 1953 in Astounding Science Fiction, Anderson’s story is set in a security-obsessed United States, where computerized record-keeping enables the creation of a panopticon society. The insertion of a false record into the system leads to unintended consequences.

Anderson (1926-2001), now a five-time Prometheus Award-winner and the first sf author to be honored with a Special Prometheus Award for Lifetime Achievement (in 2001), explored political implications of computer technology that now, decades later, are widely recognized.

The other Prometheus Hall of Fame finalists were “As Easy as A.B.C.,” a 1912 story by Rudyard Kipling; “The Trees,” a 1978 song by the rock group Rush; A Time of Changes, a 1971 novel by Robert Silverberg; and “Lipidleggin’,” a 1978 story by F. Paul Wilson.

In addition to the finalists, the Hall of Fame Finalist Judging Committee considered four other works: The Winter of the World, by Poul Anderson; The Handmaid’s Tale, by Margaret Atwood; “The Pedestrian,” by Ray Bradbury; and The Uplift War, by David Brin.

While the Best Novel category is limited to novels published in English for the first time during the previous calendar year (or so), Hall of Fame nominees may be in any narrative or dramatic form, including novels, novellas, stories, films, television series or episodes, plays, musicals, other video, graphic novels, song lyrics, or epic or narrative verse.

PROMETHEUS BLOG: AWARDS APPRECIATION SERIES. The Prometheus Award, sponsored by the Libertarian Futurist Society (LFS), was first presented in 1979, making it one of the most enduring awards after the Nebula and Hugo awards, and one of the oldest fan-based awards currently in sf.

Presented annually since 1982 at the World Science Fiction Convention, the Prometheus Awards include a gold coin and plaque for the winners – with a one-ounce gold coin for Best Novel and a smaller gold coin for the Prometheus Hall of Fame (for Best Classic Fiction in all written and broadcast/on-screen media) and the occasional Prometheus Special awards.

In the words of the LFS:

The Prometheus Awards recognize outstanding works of science fiction and fantasy that dramatize the perennial conflict between Liberty and Power, champion cooperation over coercion, expose the abuses and excesses of government, critique or satirize authoritarian ideas, or uphold individual rights and freedoms as the mutually respectful foundation for peace, prosperity, progress, justice, tolerance, and civilization itself.

Last year LFS started a weekly appreciation series about all the award winners on the LFS Prometheus Blog. With the initial Best Novel series completed, the series is now continuing with review/essays in chronological order of each of the winners of the Hall of Fame category.

For a full list of past Prometheus Award winners in all categories, visit www.lfs.org.

Pixel Scroll 7/31/19 Yes, It’s True. This Scroll Has No Pix

Posted on July 31, 2019 by Mike Glyer

(1) AHH, THE CLASSICS. Newly available from British fandom’s premier historian, Rob Hansen, a reader of fannish literature intended as a companion to his classic history of UK fandom, THEN, assembled by Rob and the late Vince Clarke.

THEN Again: A UK Fanhistory Reader 1930-1979 is a free download (in multiple formats) from Dave Langford’s TAFF website, but please consider making a donation to the Transatlantic Fan Fund while you’re there. (And check out the other free downloads, too.)

This companion to Rob Hansen’s monumental THEN: Science Fiction Fandom in the UK: 1930-1980 brings together the writings of many players on the stage of British and Irish fandom from 1930 to the end of 1979, telling in their own words the stories of SF groups – including the BSFA – fanzines, famous fannish addresses, bizarre fan activities and much more. There are 59 articles, several compiled from more then one source, plus an Introduction, Appendix and Afterword.

Cover photo: Festivention 1951, with Ted Carnell speaking and Forrest J Ackerman at front right. Published by Ansible Editions for the TAFF site on 1 August 2019. Over 120,000 words.

(2) SLIMED. Alyssa Wong was the victim today of right-wing media circulating a fake anti-Stan-Lee tweet (dated last November) reports Bleeding Cool. Wong herself tweeted a denial:

Hey folks, I've been seeing some tweets circulating that are falsely attributed to me. Those are not my words. I have enormous respect for Stan Lee and his legacy, and I wouldn't be working for Marvel if I didn't.
— Alyssa Wong (they/them) ???????? (@crashwong) July 31, 2019

What seems to have triggered the attack on Wong, says Bleeding Cool, was this news:

Two weeks ago, Greg Pak announced that fantasy, sci-fi and comics writer Alyssa Wong was to work with him on the current Aero series, writing the character’s origin. This would be her first work for Marvel Comics.

As the article shows, Wong sharply criticized Marvel’s C.E. Cebulski in the past, but that’s not in dispute.

Meantime, outlets like Bounding Into Comics today ran stories capitalizing on the fake tweet. (I’m not linking to it, you do what you need to do.)

(3) LOTS TO LOVE. James Davis Nicoll is “Celebrating Poul Anderson with Five Favourite Works” at Tor.com.

Poul Anderson died on this day back in 2001. Anderson’s career spanned over sixty years, from the 1940s to the early 2000s. He wrote fiction and non-fiction. He published in many genres: fantasy, science fiction, historicals, and mysteries. He wrote dozens of novels and hundreds of shorter pieces, all of a level of quality that was never less than competent—and sometimes better. The often acerbic Encyclopedia of Science Fiction calls Anderson “his generation’s most prolific sf writer of any consistent quality[…].” (He was the anti-Lionel Fanthorpe.)

(4) IT’S ONLY NATURAL. John Scalzi has tweeted the photo that goes with his Whatever post from the other day that said:

On my walks on my street these days, I pass by a dairy farm. Mostly the cows keep near the barn but yesterday they were down by the road, and they were very very interested in me as I walked by.

Of course these cows are interested — they’ve heard John knows when The Last Emperox is arriving.

I still get people surprised that, who has all the hallmarks of a "coastal elite." live in a small rural midwest town. Well, I do, and have done for almost two decades now. Please enjoy this photo of some neighbors just down the road. They are happy to meet you. pic.twitter.com/tU2eM2vTXb
— John Scalzi (@scalzi) July 31, 2019

(5) DRAWING A LINE IN THE SILICON. “Toby Walsh, A.I. Expert, Is Racing to Stop the Killer Robots” – the New York Times interviewed Walsh about his concerns.

What was your argument?
That you can’t have machines deciding whether humans live or die. It crosses new territory. Machines don’t have our moral compass, our compassion and our emotions. Machines are not moral beings.
The technical argument is that these are potentially weapons of mass destruction, and the international community has thus far banned all other weapons of mass destruction.
What makes these different from previously banned weaponry is their potential to discriminate. You could say, “Only kill children,” and then add facial recognition software to the system.
Moreover, if these weapons are produced, they would unbalance the world’s geopolitics. Autonomous robotic weapons would be cheap and easy to produce. Some can be made with a 3-D printer, and they could easily fall into the hands of terrorists.
Another thing that makes them terribly destabilizing is that with such weapons, it would be difficult to know the source of an attack. This has already happened in the current conflict in Syria. Just last year, there was a drone attack on a Russian-Syrian base, and we don’t know who was actually behind it.

(6) THE WILL TO WRITE. “Facebook funds AI mind-reading experiment”. The opening line of BBC’s article says “Facebook has announced a breakthrough in its plan to create a device that allows people to type just by thinking” – which sounds like it should be easy for a company that already has people typing without thinking.

It has funded a study that developed machine-learning algorithms capable of turning brain activity into speech
It worked on epilepsy patients who had already had recording electrodes placed on their brains to assess the origins of their seizures, ahead of surgery.
Facebook hopes it will pave the way for a “fully non-invasive, wearable device” that can process 100 words per minute.
University of California San Francisco scientists asked the patients to answer out loud a list of simple multiple-choice questions ordered randomly.
And the algorithms learned to identify:
the question they had been asked, 75% of the time
their chosen answer, 61% of the time

“Most previous approaches have focused on decoding speech alone,” Prof Eddie Chang said, “but here we show the value of decoding both sides of a conversation – both the questions someone hears and what they say in response.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born July 31, 1932 — Ted Cassidy. He’s best known for the role of Lurch on The Addams Family in the mid-1960s. if you’ve got a good ear, you’ll recall that he narrated The Incredible Hulk series. And he played the part of the android Ruk in the episode “What Are Little Girls Made Of?” on Trek, and provided the voices of the more strident version of Balok in the episode “The Corbomite Maneuver” and the Gorn in the episode “Arena”. In The Man from U.N.C.L.E. episode “The Napoleon’s Tomb Affair”, he was Edgar, who kidnapped, tortured, and repeatedly attempted to kill Napoleon and Illya. (Died 1979.)
Born July 31, 1951 — Jo Bannister, 68. Though best know as a British crime fiction novelist, she has three SH novels to her credit, all written in the early Eighties — The Matrix, The Winter Plain andA Cactus Garden. ISFDB lists one short story by her as genre, “Howler”, but one I wasn’t aware that Ellery Queen’s Mystery Magazine printed genre fiction which is where it appeared first.
Born July 31, 1955 — Daniel M. Kimmel, 64. His essays on classic genre films were being published in The Internet Review of Science Fiction from 2005–2010 and are now in Space and Time. He is the 2018 recipient of the Skylark Award given by the New England Science Fiction Association.
Born July 31, 1956 — Michael Biehn, 63. Best known in genre circles as Sgt. Kyle Reese in The Terminator and Terminator 2: Judgment Day, Cpl. Dwayne Hicks in Aliens and Lt. Coffey in The Abyss. He’s also as being The Sandman in a single episode of Logan’s Run.
Born July 31, 1959 — Kim Newman, 60. Though best known For his Anno Dracula series, I’d like to single him out for his early work, Nightmare Movies: A critical history of the horror film, 1968–88, a very serious history of horror films. It was followed up with the equally great Wild West Movies: Or How the West Was Found, Won, Lost, Lied About, Filmed and Forgotten.
Born July 31, 1962 — Wesley Snipes, 57. The first actor to be Blade in that Blade film franchise. There’s a new Blade actor though they name escapes right now. I also like him as Simon Phoenix in Demolition Man.
Born July 31, 1965 — J. K. Rowling, 54. I will confess that the novels were not my cup of Earl Grey hot but I loved the films. Anyone here read her Cormoran Strike crime series?
Born July 31, 1976 — John Joseph Adams, 43. Anthologist of whom I’m very fond of The Improbable Adventures of Sherlock Holmes and Dead Man’s Hand: An Anthology of the Weird West which he did. He was the Assistant Editor at The Magazine of Fantasy & Science Fiction for nearly a decade, and he’s been editing both Lightspeed and Nightmare Magazine since the early part of this decade.

(8) COMICS SECTION.

xkcd jokes about ebook reading habits.

(9) A WHIZ OF A WIZ. ModernCryptid muses about D&D interior design. Thread starts here.

#dnd thoughts: What's in a wizard tower

-Half-read books they'll totally get to later

-Bath robes because who has time to get dressed really

-Concerning amounts of coffee

-A bunch of pens and The One Good Pen™ nobody is allowed to borrow
— ModernCryptid (@SammyAshl3y) July 29, 2019

(10) THE DOCTOR IS IN…THE COMPUTER? Smithsonian Magazine: “Will Artificial Intelligence Improve Health Care for Everyone?”

Tagline: “A.I.-driven medical tools could democratize health care, but some worry they could also worsen”
There is no shortage of optimism about A.I. in the medical community. But many also caution the hype surrounding A.I. has yet to be realized in real clinical settings. There are also different visions for how A.I. services could make the biggest impact. And it’s still unclear whether A.I. will improve the lives of patients or just the bottom line for Silicon Valley companies, health care organizations, and insurers.

(11) LE LOCH NESS. Look out! “Giant Serpent Emerges From the Sea Off the Coast of France”.

Just off the shore of the Loire estuary outside of Nantes, France, a slithering serpent rises from the water. Completed in 2012, Serpent d’océan is an impressive 425-foot (130 meters) sculpture by French Chinese contemporary artist Huang Yong Ping and is part of the Estuaire permanent public art collection along the estuary’s 37 miles.
The aluminum skeleton of the serpent is continually covered and uncovered by the tides, excavating itself as the water level decreases and revealing its archeological remains. The curving shape of the serpent’s spine mirrors the form of the nearby Saint-Nazaire bridge, harmonizing the creature with its surroundings.

"Serpent D’océan" is an amazing installation by #HuangYong #SouraMagazine: https://t.co/NABCQnXdV0 pic.twitter.com/hNNacSOmlu
— Soura Magazine (@SouraMagazine) June 29, 2018

(12) SMASH HIT. BBC finds Disney has gotten into a habit: “The Lion King hits $1bn box office mark”.

The Lion King has become the fourth Disney film this year to make $1bn (£821m) in worldwide box office sales.
The Disney remake of the 1994 classic has achieved the feat less than three weeks after being released in cinemas.
The movie, which features the voices of Beyonce and Donald Glover, joins Avengers: Endgame, Captain Marvel and Aladdin in Disney’s $1bn class of 2019.
As reported by Variety, director Jon Favreau’s version is already the fifth-biggest global release of of the year.

(13) NON LOCATION. “The Lion King – how VR brought the animals to life” – a BBC video.

Director of Disney’s The Lion King, Jon Favreau, has told BBC Click how they created a completely digital 3D environment with 3D digital animals.
“We had a full live-action film crew in VR, operating camera equipment as though it was a live-action set,” said Favreau.
The crew achieved a documentary look by limiting themselves to the camera platforms that would be available to them if they were out on location filming live animals, he explained.
The digital characters and environment were created by visual effects company MPC.

(14) IT’S DANCEABLE. For the ages: “Could La Folia be history’s most enduring tune?”

Why did this humble tune, first conjured by medieval farmers, capture so many people’s imaginations and even feature in The Addams Family? Andrea Valentino takes a look.
Checking the pop charts today is simple. Want to know the most popular artist on Spotify? Just a few clicks will take you to Ed Sheeran and his 72 million monthly listeners. What about the most popular song? The scruffy ginger-haired heartthrob strikes again. Sheeran’s Shape Of You was the first track to be streamed a bewildering two billion times. The numbers elsewhere are even more astounding. Luis Fonsi and Daddy Yankee’s Despacito has over 6.3 billion views on YouTube.
But for all that, the internet can’t tell you everything. What, for example, is the most popular tune ever? Not the most covered song: that would be Yesterday by The Beatles. But rather the most enduring melody, a simple theme that has been shaped by countless hands. One of the strongest candidates is a tune few will recognise. Yet for centuries, La Folia has dazzled hundreds of composers and musicians, up to the present day. Its story tells us much about the history of music, and maybe even something about ourselves….

(15) MCU COMMANDMENTS. ScreenRant chronicles “25 Strict Rules Marvel Actors Have To Follow” if they want to keep making the big bucks.

In today’s ScreenRant video special, we’re going to look at some of the rules that Marvel devised. You lucky bunch. The video has a variety of different rules. Some rules dictate the public personas that the actors must show. Another rule looks at which other production companies that the thespians can’t work for. A different collection of rules include what the actors can be expected to do when on set. And finally a different bunch of rules that cover Marvel’s obsession with reducing the possibility of film leaks. So, strap in. Get your cape ready. And relax whilst we fill you in on Marvel’s collection of rules.

[Thanks to Moshe Feder, Martin Morse Wooster, John King Tarpinian, Carl Slaughter, JJ, Chip Hitchcock, Contrarius, Cat Eldridge, Mike Kennedy and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 12/9/18 Harry Pixel And The Forgotten Click of Tickbox

Posted on December 9, 2018 by Mike Glyer

(1) 2020 REVISION. Radio Times sets off weeping and wailing with news that “Doctor Who series 12 WILL be delayed to 2020”.

Doctor Who series 11 just came to an end – but fans will have quite a long wait until the next full selection of adventures for the Thirteenth Doctor and her friends.
The BBC have confirmed longstanding rumours that the sci-fi series won’t be back on screens for a full series in 2019, with the twelfth season of the revived series instead airing in “early” 2020.

(2) DECK THE DALEK. The Baltimore Science Fiction Society completed decorating their Dalek at the end of the December business meeting, as they have done every year since 2001. Dale Arnold says –

Andrew Bergstrom made this lifesize Dalek for a playat Balticon 35 in 2001 and it was too nice to throw away…so we started decorating it for the holidays and have done so on with new decorations addedto the mix every year.

(3) EDITOR’S INSIGHTS. “Interview: Guest Lecturer Neil Clarke” at Odyssey Writing Workshops.

As a guest lecturer at this summer’s Odyssey Workshop, you’ll be lecturing, workshopping, and meeting individually with students. What do you think is the most important advice you can give to developing writers?
I don’t think there’s anything I’d raise to that level, but I do often recommend that developing writers and editors volunteer as slush readers somewhere. The experience gives you insight into the common mistakes most writers are makingand the distance you might need to start recognizing them in your own work.You’ll also see the current trends and get a good sense of your own place inthe field. I’ve yet to meet a slush reader who hasn’t underestimated their skill level. The rule for writers is to quit when you stop learning. Potential editors should keep going a few more months, just to see if they can hack the experience when it becomes routine.
Bonus advice: If you are still seeking your first sale, every editor I know wears their “discoveries” as a badge of honor. Saying “I am previously unpublished” in a cover letter is not a bad thing. When you do sell your first story, make sure the purchasing editor knows.

(4) INVERSE ROUNDUP. What would you think are “The Best Depictions of Real-Life Science in Science Fiction”? Inverse plans a series stretching through most of December discussing the best (not the most accurate) such depictions.

This December, Inverse is counting down the 20 best science moments seen in science fiction this year, whether it be on the big screen or small, in books, on stage or in the immersive worlds of video games. Our science and entertainment writers have teamed up for this year-end series to show how real-life science has been memorably —though not always accurately! — portrayed in the culture. Watch this space for more additions all month long.

On the list is – “‘Pokémon: Let’s Go’s Fake Poké Ball Science Is Absolutely Terrifying”:

Poké Balls have been a key part of the Pokémon experience, from the original GameBoy games to the recently-released Pokémon: Let’s Go, which even works with a specially-designed Poké Ball Plus accessory that lets you simulate the experience. And yet we still have no idea how Snorlax (a giant fat cat-like creature that’s 6’11” and weighs around 1014 pounds) fits inside a metal object roughly the size of a baseball.
The canonical — and nonsensical — pseudoscientific explanation is that Poké Balls shoot out a beam that converts the Pokémon into a form of energy. Sounds fun, right? Except it’s not. The only known way to legitimately convert matter into energy is through nuclear fusion. Even in that process, less than 1 percent of the matter is converted into energy, and the reaction is so volatile that it causes massive explosions.

(5) ODDEST TITLE. The winner of the Diagram Prize for Oddest Book Title of the Year is Joy of Waterboiling by Christina Scheffenacker. The Bookseller, which sponsors the prize, noted that “for the first time in the 40-year life of the world’s most prestigious literary gong, a foreign-language tome” has won. Published in Austria by Asche Verlag, the book is eligible for the prize despite being in German because its title is in English.

(6) THESE BOOTS AREN’T MADE FOR TALKIN’. Was there ever anybody more impressed with Harlan Ellison than himself? Perhaps Gay Talese. Now available on YouTube is Harlan’s version of this legendary pop culture confrontation: “Harlan Ellison on Esquire’s ‘Frank Sinatra Has a Cold’ by Gay Talese.”

An excerpt and unused interview from the feature doc “‘Tis Autumn: The Search For Jackie Paris” by director Raymond DeFelitta (2007) || RIP Harlan Ellison

(7) CASTING CALL. Dublin2019 will be staging “Jophan!,” Erwin Strauss’ musical adaptation of the great classic of Irish fanwriting, The Enchanted Duplicator by Walt Willis and Bob Shaw, a fannish parody of John Bunyan’s “The Pilgrim’s Progress.”

Strauss is reaching out to the community for people interested in participating, either on stage, or in the orchestra pit, or wherever. There is no travel budget, so participants will have to already be planning to be attending Dublin 2019. Contact Strauss or the Dublin Theatre team at [email protected].

(8) NETFLIX SHELL GAME. Reporting for SYFY Wire, Christian Long says, “Netflix announces a new Ghost in the Shell series as part of its growing anime slate.”

It looks like Netflix is reviving another groundbreaking anime for its ever-expanding platform.
The streaming giant just announced Ghost in theShell: SAC_2045, which is set to premiere sometime in 2020. Based on Masamune Shirow’s classic manga Ghost in the Shell, which premiered back in 1989, it explores themes of consciousness and individuality through the lens of artificial intelligence.

(9) GLOWING BLACK HOLES. On December 14, the Arthur C. Clarke Center for Human Imagination presents “Sir Roger Penrose: Lecture on Hawking Points”.

In this special lecture, we are very pleased to welcome Sir Roger Penrose back to the Clarke Center to explore how Hawking Points –Stephen Hawking’s prediction of glowing black holes– explain the nature of how our universe was formed and if there are others like it.
Sir Roger Penrose, the celebrated mathematician and physicist, is an Emeritus Professor at the Mathematical Institute of the University of Oxford and winner of the Copley Medal and the Wolf Prize in Physics — which he shared with Stephen Hawking. He has made profound contributions in geometry, blackhole singularities, the unification of quantum mechanics and general relativity, the structure of space-time, the nature of consciousness and the origin of our Universe.

Friday, December 14, 2018 — 3:00 – 4:30 p.m. Kavli Auditorium, Tata Hall forthe Sciences, Division of Physical Sciences & the Clarke Center, UC San Diego. RSVP required; pleaseRSVP here

(10) TESSER OBIT. [Item by Mark Blackman.] Gary c Tesser (1952-2018). NY fan Gary c Tesser (small “c” with no period to be demure) died on Saturday night, December 8, after a lengthy battle with cancer.

He was one of the first 2 people in SF Fandom I met (in September 1970; he was recruiting for the Brooklyn College SF & Fantasy Society) and introduced me to apas (notably TAPS) and to Lunarians, of which he later (in the early ’90s) became President. He was my closest friend for many years. Dubbed “Captain Doom” and self-dubbed “The Plucky Red Ace”, he was a fannish legend, his habitual lateness (“the Tesser Effect”) and unique sense of logic were the inspiration for a slew of “Tesser Stories.”

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born December 9, 1848 – Joel Chandler Harris. American journalist, fiction writer, and folklorist who is best known for his collection of Uncle Remus stories. Yes he’s white and the stories are about the ‘Brer Rabbit’ stories from the African-American oral tradition but he’s widely accepted by all about having done these stories justice. James Weldon Johnson called them “the greatest body of folklore America has produced.” (Died 1908.)
Born December 9, 1900 – Margaret Brundage. Illustrator and painter. Working in pastels on illustration board, she created most of the covers for Weird Tales between 1933 and 1938. Her work is collected in The Alluring Art of Margaret Brundage: Queen of Pulp Pin-UpArt. She was one of the very few women artist in the industry, a fact not known as she signed her work as M. Brundage. (Died 1976.)
Born December 9, 1934 – Judi Dench, 84. M in the Bond films GoldenEye, Tomorrow Never Dies, The World Is Not Enough, Die Another Day, Casino Royale and Quantum of Solace. Aereon in The Chronicles of Riddick, Queen Elizabeth in Shakespeare in Love, Society Lady in Pirates of the Caribbean: On Stranger Tides and Miss Avocet in Miss Peregrine’s Home for Peculiar Children. Her very first genre film in the late Sixties, A Midsummer Night’s Dream, was poorly received by critics and I recall her role being a mostly nude faerie.
Born December 9, 1953 – John Malkovitch, 65. I was pondering if I was going to include him then decide that Being John Malkovich which won him a New York Film Critics Circle Award for Best Supporting Actor was enough for me to include him. What a strange role that is! He also shows up in the dreadful Jonah Hex film and played Edward ‘Blackbeard’ Teach in the Crossbones series.These are selective highlights.

(12) COMICS SECTION.

Sunday’s Brewster Rockit takes what may be a hopeful look at the Simulation Hypothesis.
The December 3 Brewster Rockit saluted Stan Lee.

(13) OUT OF A HUNDRED. AbeBooks.com list of “100 (Fiction) Books to Read in a Lifetime”, says Steve Davidson, is 25% genre or genre-adjacent. Davidson continues —

The genre titles listed are classic works that have endured on bookshelves for decades, if not centuries.
Isn’t in interesting (?) that of these titles that have demonstrated longevity, continued relevance (and, as a side note, continued sales that dwarf just about everything else) each and every one ofthem is not only “science fiction”, but each and every one of them is social commentary? “Political messaging in fiction” as somehave called it?
Not trying to resurrect a dead horse here, but it’s interesting nonetheless that SF’s enduring works — the classics — are all united in this way.

(14) THEY’RE NOT RELATED. James Davis Nicoll worries about these things. Your mileage may vary: “SF Novels That Get Special Relativity All Wrong” at Tor.com.

I gravitate towards certain SF sub-genres, such as stories featuring relativistic travel. I’ve encountered a fair number of such sub-genrebooks in which it is clear that the authors did not, emphatically NOT, understand relativity. This article features novels in which authors have wrestled with Mr. Einstein and lost three falls out of three.
As you know, there are two essential foundations of relativity.The first is that the laws of physics are the same everywhere. The second is that the speed of light is invariant regardless of one’s frame of reference. Every single SF novel in which reference is made to time as measured by the ship as “subjective” and time measured by the Earth “objective” is wrong: everyone’s clocks are right, even if they don’t agree with each other.

(15) PLEONASM DETECTED ON JUPITER. The Traveler is a bit jaded about Poul Anderson’s prose in the latest IF: “December 9, 1963 Indifferent to it all (January 1964 IF)” at Galactic Journey.

Some examples: Anderson likes to wax poetic on technical details. He spends a full two pages describing what could have been handled with this sentence: “I used a neutrino beam to contact the Jovians; nothing else could penetrate their giant planet’s hellish radiation belts or the tens of thousands of thick atmosphere.”
Two. Pages.

(16) ONCE MORE, WITH FEELING: Jason has compiled another “year’s best” at Featured Futures, which includes 29 stories of science fiction, fantasy, and their various permutations: Year’s Best Short Science Fiction and Fantasy #2 (2018 Stories).

This second annual virtual anthology of the year’s best speculative fiction differs in four primary ways from last year’s Web’s Best Science Fiction #1 (2017 Stories) and Web’s Best Fantasy #1 (2017 Stories). Rather than restricting my coverage to web magazines as in 2017, I added coverage of several 2018 print magazines which created a much larger pool of stories to choose from. Thus, the word count for the “best” stories has increased from 140,000 to 250,000 words. Further, those words were evenly divided between two volumes of science fictional and fantastic stories but have now been combined into a single volume with three sections of uneven story and word counts. Finally, because of some of this, I renamed it to Year’s Best Short Science Fiction and Fantasy.
What hasn’t changed is the principle of selecting (to repeat the first introduction’s quote of the late Gardner Dozois) “only those stories that honestly and forcibly struck me as being the best published during that year, with no consideration for log-rolling, friendship, fashion, politics, or any other kind of outside influence.” And there’s still the same qualification to that: for variety’s sake, if multiple stories are by the same author or have strikingly similar elements, I try to select only one. Similarly, I’ve attempted to sequence the stories for a varied reading experience rather than any other principle.

(17) THE ONLINE PALEONTOLOGIST. BBC reports “‘Digital museum’ brings millions of fossils out of the dark”.

The bid to create a “global digital museum” has been welcomed byscientists, who say it will enable them to study valuable specimens that are currently “hidden” in museum drawers.

(18) MR. RICO’S ARTIST. Andrew Liptak interviews Stephen Hickman for The Verge: “An artist on creating the retro art for a new edition of Robert Heinlein’s Starship Troopers”.

You’ve provided cover illustrations for some of Heinlein’s works before — how did working on this edition stack up to those works?
The main difference is that I had quite a bit more time on each of my previous illustrations to refine and finish the paintings, which were done just for book cover images.
A cover is like a small movie poster, designed to compete with literally hundreds of similar tiny posters for the attention of potential buyers in bookstores. On the other hand, illustrations for the interior of a book should be approached a bit differently. They can be more quiet and thoughtful in their presentation, in terms of color mood and content, which is relative in the case of a book like Starship Troopers, naturally.

(19) YODA CLAUS. Business Insider tips readers to “27 creative and unexpected gifts for ‘Star Wars’ fans of all ages”. Two examples –

PANCAKE STAMP

LUGGAGE TAGS

(20) TODAY’S HERESY. An NPR writer throws down the challenge — “Dear Internet: Goats In Sweaters Are Cuter Than Kittens In Mittens”.

The goat pics turnout to be about more than making people go “awwwwww.”
The caprine fashionistas are featured on a calendar, the sales of which have benefited local organizations in Varanasi, India, where most of the images were taken.
Christy Sommers, who takes the photos, first noticed the cuteness that is clothed goats in 2010, while living in a village in northwestern Bangladesh as a Fulbright scholar studying rural primary education. Now she considers the project as adding “net happiness” to the world and helping to share a little slice of life from parts of the world that Americans don’t often get to see.

(21) THE UMBRELLA ACADEMY. Netflix dropped a trailer. The show airs February 15.

[Thanks to John King Tarpinian, JJ, Dale Arnold, Mike Kennedy, Chip Hitchcock, Cat Eldridge, Jason, Martin Morse Wooster, Michael J. Walsh, Carl Slaughter, Alan Baumler, Steve Davidson, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

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Tag Archives: Poul Anderson

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2020 Prometheus Novel and Hall of Fame Winners

Pixel Scroll 7/31/19 Yes, It’s True. This Scroll Has No Pix

Pixel Scroll 12/9/18 Harry Pixel And The Forgotten Click of Tickbox