Pixel Scroll 8/14/17 All These Scrolls Are Yours, Except Europa; Attempt No Pixelings There

(1) LITIGATING CLARKE’S LAW. N.K. Jemisin is interviewed by Joel Cunningham of the B&N Sci-Fi & Fantasy Blog in “The Logistics of Throwing Mountains: N.K. Jemisin Discusses The Broken Earth Trilogy”.

The Broken Earth series seems to straddle a line between fantasy and hard science (e.g. the orogenes of the novels acquire their names from orogeny: a folding of the lithosphere that creates mountains, but functionally what they perform is magic). There’s a whole mess of science underpinning the magic. What kind of research did you undertake to make orogeny something done by orogenes. and not a flat, scientific term?

I did want to play around a bit with that corollary of Clarke’s law—the idea that any sufficiently systematized magic is indistinguishable from science. A few years back I wrote a blog post called “But but but—why does magic have to make sense?” in which I argued that the whole point of magic was to defy reasoning and repeatability and all the things that equal science.

But then I wanted to write a world that tries to make sense of it anyway, and partially succeeds. And we can see by the obelisks floating through the sky of the Stillness that at one point in the distant past, people did figure magic out to a much greater degree. At that point, is it still magic? Has it become science? That’s one of the concepts the series is chewing on.

Research-wise, I hung out in seismologist forums and follow a bunch of geologist accounts on Twitter, and read a lot of layperson-oriented articles. I also visit volcanoes whenever possible, because I’m fascinated by them. Awesome demonstrations of the Earth’s power and potential fury. On a research trip to Hawai’i a few years back, I visited four volcanoes in four days. That was fun.

(2)  CASTING NEWS. What a combination of actors and writers — “Michael Sheen, David Tennant to Star in Neil Gaiman’s ‘Good Omens’ at Amazon”.

Michael Sheen and David Tennant have been cast in the lead roles in the Amazon series adaptation of Neil Gaiman and Terry Pratchett’s “Good Omens,” Variety has learned.

The show is set in 2018 on the brink of an apocalypse as humanity prepares for a final judgment. But Aziraphale, a somewhat fussy angel, and Crowley, a demon, aren’t enthusiastic about the end of the world, and can’t seem to find the Antichrist. Sheen will play the role of Aziraphale, while Tennant will play Crowley. It will consist of six one-hour episodes.

…. Gaiman adapted all six episodes of the series and will also serve as showrunner. Following its exclusive launch on Amazon Prime Video, the series will also be broadcast on BBC in the U.K.

(3) BRADBURY LECTURE. The 4th Annual Ray Bradbury Memorial Lecture “Escape Velocity: Ray Bradbury and the American Space Program” will be presented by Jonathan R. Eller, Chancellor’s Professor of English and Director, Center for Ray Bradbury Studies, IUPUI on August 23, 6:00 – 7:30 p.m. in the Central Library Riley Room at 40 E. St. Clair Street.

One of the reasons that Ray Bradbury remains one of the best-known writers of our time is that his dreams of reaching the stars became our dreams, too. The stories that grew into The Martian Chronicles and filled the pages of The Illustrated Man paved the way for his half-century relationship with NASA, the Jet Propulsion Laboratory, and all the missions that took humans to the moon and launched unmanned craft to all the planets of our solar system.

(4) RUGS FOR THUGS. The Drum interviewed an Ikea marketer about “How Ikea responded to the news HBO’s Game of Thrones uses its rugs as costumes”.

Responding to the news, Ikea decked out some of its staff in the rugs in a real-time marketing stunt, jumping upon the Game of Thrones bandwagon in an organic way.

The Drum: Was the marketing team aware that Ikea goods were being used to furnish the show?

AF: We weren’t aware that Ikea’s rugs had been used in the show until the PR team spotted it in the news on Monday morning. Together with our PR agency, Hope & Glory, we quickly developed an idea that provided our ‘twinkle in the eye’ take on the news, it was low cost and could be pulled together in a couple of hours. As any PR professional will know, timing is of the essence when a story breaks and we wanted to be able to respond as quickly as possible.

We connected with the Ikea Wembley store and the deputy store manager walked the shop-floor identifying co-workers that looked the part to re-create the Game of Thrones look. Within a couple of hours we were in the rugs department with the co-workers, trying on the different rugs and generally having a bit of a laugh.

(5) RECORD HOLDER. After he saw this photo John Hertz asked, “What does Brother Davidson say about the last line of that Guinness certificate?”

Hugo Award Record

Steve Davidson replied, “The government of the United States has, in their lack of infinite wisdom, chosen NOT to give me exclusive control and ownership of the word ‘AMAZING’, more’s the pity.”

(6) SCIENCE IMAGINED. Nancy Kress analyzes the cultural impact of “The Science of Science Fiction:  The Good, the Bad, and the Ugly”.

However, that the “science” the public learns from SF is debatable doesn’t strike me as the worst problem. That comes from another source: Writers and scriptwriters often make science itself the villain. A problem involving some scientific advance—cloning, nanotechnology, AI—is set up, and all the negative aspects of the tech are brought out, exaggerated, falsified, and blamed. I understand the impetus for this—I’m a writer, too!—which is to create the conflict necessary to drive any story. But the cumulative net effect is the impression that new science and its offspring, new tech, are invariably bad.

In the movie Ex Machina, robots turn murderous.

In countless SF stories, AI tries to take over and must be fought, shut down, destroyed.

Cloning produces not crops or food animals that can feed an ever-expanding population, but rather the oppressive (and ridiculous) one-world biological totalitarianism of Gattaca

(7) BOLOGNA OBIT. Actor Joe Bologna died August 13 at the age of 82. He was well-known for playing King Kaiser in My Favorite Year (1982). His genre work included The Big Bus (1976), and Transylvania 6-5000 (1985). He voiced characters in the animated Superman TV series (1997-1998), and Ice Age: The Meltdown (2006).

(8) TRIVIAL TRIVIA

When first introduced to Eastern bloc fans at an Eighties Worldcon, they called them “the black cookies.” They’re a fan favorite, but Yahoo! claims “You Will Never Look at Oreos the Same Way Again After Reading These Facts”.

To date, Oreo has over 42 million Facebooks followers. In comparison, The New York Times has 13 million.

(9) TODAY IN HISTORY

  • August 14, 1975 The Rocky Horror Picture Show premieres.

Let’s do the Time Warp again!

  • August 14, 2009 District 9 premiered on this day.

(10) COMIC SECTION.

(11) W75’S CANCELLED LARP. Jaakko Stenros and Markus Montola tell the LARP community’s side of the story in “How Worldcon Banned a Larp”.

On Friday the discussion on the topic continued in social media, where misunderstandings spread fast. For example, one tweeter wrote that the “scenario is ‘you are in an old folks home, have Alzheimer’s, and think you’re one of your RPG characters, hilarity ensues’.” Afterwards some were under the impression that “hilarity ensues” was a quote from the program description when in fact it was an interpretation of a tweeter.

However, now there were people also defending A Home for the Old on Facebook and Twitter and criticizing the actions of Worldcon. Many Nordic role-players found the statement’s tone condescending and rife with cultural imperialism — of Anglo-Americans trying to ‘civilize the natives’ by instilling their moral conventions on a subculture they clearly failed to understand.

No benefit of the doubt was given, and there was an aura of assuming that the Nordic creators had obviously not thought about the implications of their little games — simply because the usual phrases relating to identity politics were not foregrounded in the blurb. The idea that a creative work can just be cast aside, censored, with no debate, based on rather flimsy basis, was found appalling by many Nordic people deeply invested in the role-playing culture. A Home for the Old, and by extension the Nordic role-playing culture, was cast as not worthy of debate.

(Finland has the highest incidence of Alzheimer’s in the world.)

All of this is in stark contrast with the Nordic and Finnish cultural context, where larps, role-playing games, and games in general, are considered valuable works worthy of analysis, criticism, respect, and debate. Role-playing is a form of artistic expression that continues to gain momentum and respect.

(12) CRITIC. Frans Mäyrä, Professor of Information Studies and Interactive Media, esp. Digital Culture and Game Studies in the University of Tampere, Finland, took offense at the decision: “LARP: Art not worthy?”

There will be no doubt multiple reactions coming in to this from experts of this field in the future. My short comment: this is an unfortunate case of censorship, based on cultural perception of play and games as inherently trivializing or “fun-based” form of low culture. It seems that for some people, there still are strict cultural hierarchies even within the popular culture, with games at the very bottom – and that handling something sensitive with the form of role-play, for example, can be an insult. Such position completely ignores the work that has been done for decades in Nordic LARP and in digital indie “art games” (and also within the academic traditions of game studies) to expand the range of games and play for cultural expression, and to remove expectation or stigma of automatic trivialism from the interactive forms of art and culture. The organisers have obviously been pressurised by some vocal individuals, but the outcome in this case was a failure to stand up, explain the value and potential of role-playing games, and Nordic LARP in particular to an international audience, and make a difference. A sad day.

(13) REMEMBER THAT MONEY YOU SAVED FOR A RAINY DAY? Here’s the outfit to spend it on – a bargain at only $20,000 — the “SPIDER~MAN 2 Original Movie Prop Signed by Stan Lee ~Trenchcoat Worn by Stan”. Rush right over to eBay!

This incredible SPIDER~MAN original movie prop features the trenchcoat that Stan Lee wore during the scene in which he saves a life. This is the ONLY time that Stan makes an appearance where he gets involved to save someone! Best of all it comes signed by Stan Lee. It comes with a COA from Sony/Columbia Pictures and Hollywood Vault who were the official auctioneer a few years ago

(14) HARDWARE FOR THE LONG HAUL. Marketplace explains why “NASA is testing supercomputers to send to Mars”.

Scientists in space have computers, but they don’t exactly look like the one you might be reading this on. Computers in space have highly specific functions. There is no consumer-grade Mac or PC up in space. A lot of that has the do with the fact that laptops in space degrade quickly out there.

But NASA wants to fix that problem by creating new supercomputers, developed in partnership with Hewlett Packard Enterprise. The technology is being tested on the International Space Station in hopes that the computer can withstand trips to Mars.

(15) YOUTUBE MUSICAL. Hamilton’s opening number — with the words changed to be about Game of Thrones.

(16) WEIRD AL. Last week’s crisis, this week’s filk: “Watch ‘Weird Al’ Yankovic Beg North Korea Not To Nuke Us On Last Week Tonight”.

After highlighting the accordion skills of North Koreans earlier in the show, Oliver introduced Yankovic to play a whole new polka song about all the reasons that North Korea should not nuke us. Tom Hanks figured heavily. Sample lyric: “Please don’t nuke us, North Korea / Right now, we’re all a little tense / Believe me, we don’t hate you / In fact, we really don’t even think all that much about you, no offense.”

 

[Thanks to Andrew Porter, JJ, Cat Eldridge, Martin Morse Wooster, John King Tarpinian, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Pixel Scroll 7/21/2017 It’s 1500 Miles To Helsinki, We’ve Got A Full Tank Of Pixels, Half A Pack Of Scrolls, It’s Dark, And We’re Wearing Peril-Sensitive Sunglasses. Hit It!

(1) EATING THE FANTASTIC. Scott Edelman invites everyone to “Down drunken noodles with George R. R. Martin in Episode 43 of Eating the Fantastic”.

Some of might know him from the superhero short stories such as “Manta Ray Meets the Executioner” he was publishing in the ’60s in one of the greatest fanzines of all time, Star Studded Comics (which is where, as a young teen, I first encountered him), or as the creator and editor of the long-running Wild Cards series of mosaic, multi-author novels, some may know him better from such award-winning short fiction as “Sandkings” and “The Pear-Shaped Man,” or novels like Fevre Dream and The Armageddon Rag, while still others might know him best from his TV work … like … you know … The Twilight Zone and Beauty and the Beast—and don’t forget Max Headroom!

We discussed why he was annoyed Marvel Comics printed his letters but DC never did, the reason Gardner Dozois was responsible for his first science fiction short story sale, how the rock ‘n’ roll novel Armageddon Rag got him a job on the rebooted Twilight Zone, what he learned from the arc of Stephen R. Donaldson’s career, how losing the John W. Campbell Memorial Award got him his first editing gig, why he almost became a realtor, the time Harlan Ellison convinced him to apply to be the editor of Analog, and more. PLUS: Hear a snippet from an interview I did back in 1993 in which he makes an amusing admission about “a fantasy novel I’ve been working on off and on for awhile.”

(2) GOODBYE AND HELLO. Bence Pintér has sadly announced the closure of the Hungarian sf site Mandiner.sci-fi after two years of operation.

He is making up for it by writing a blog that will be partly in English, Spekulatív Zóna. Here’s the first post in English.

The rise of speculative fiction is a global phenomenon, but all of the important stuff are happening in English. Dealing with this topic, as a news editor, I followed the news in English and provided the news in Hungarian to the readers of mSF. But this was a one way road. In this blog I am mostly planning to write about the new releases in US and UK in English, while I also feel the need to talk to you about good Hungarian speculative books in English, because nobody else seems to be doing that. I want to channel what is happening in this tiny part of Central European fandom.

I have been reading in English for exactly a decade now. The first English book I read was Harry Potter and the Deathly Hallows in 2007, because I could not wait until the Hungarian translation’s publication in a few months (I bought the translated version as well, of course.) Ever since my fianceé at the time, now my wife, bought me a Kindle from the US in 2012, I have been reading methodically in English, eyeing for the new releases as well as genre classics which were not published in Hungary. (There are a lot of them.) Now, that mSF is gone and I can choose to read what I want, I plan to read even more in English. And to write about them. New releases, and also authors, sub-genres and the topics I have always wanted to examine more profoundly.

(3) SUMMER TV. Glenn Garvin, in “Vampires and Spies Dominate Frothy Fun Television Choices” at Reason.com, reviews Midnight, Texas.

It’s the time of the television year, safely past the May upfronts where all of next season’s advertising is sold and just before the big promotional push for the fall shows begins, when all the TV bosses flee for a few weeks to Malibu or the Hamptons or wherever it is that wealthy, imperious swine go to exchange tips on the most satisfying ways to whip the household help. And while the cat’s away, the junior programmers will play, unleashing hordes of vampires, spies and what-have-you who would never see the airwaves if the grownups were around.

The result is usually shows that are kind of fun if not necessarily any good. Which is a pretty fair summary of the week’s premieres: NBC’s pleasingly trashy spook opera Midnight, Texas; and the CNN spy documentary Declassified: Untold Stories of American Spies, which is either a carefully coded revelation about American espionage or mammothly incompetent documentary filmmaking, take your pick.

Midnight, Texas, is based on a series of books by Charlaine Harris, who authored the vampire novels that became HBO’s epic True Blood. But if you’re expecting a True Blood clone, you’re going to be wildly disappointed; the two series of books are completely different.

(4) MUSK. More Elon Musk blue-skying: “Elon Musk Says He Has ‘Verbal’ OK To Build N.Y.-D.C. Hyperloop”.

A plan to build an ultrafast Hyperloop tube train has been given “verbal [government] approval” to connect large cities on the East Coast, tech entrepreneur Elon Musk says. He adds that the system would whisk passengers from New York to Washington, D.C., in 29 minutes.

After his tweet about the plan set off intense interest, Musk added a clarification, stating, “Still a lot of work needed to receive formal approval, but am optimistic that will occur rapidly.”

Chip Hitchcock observes, “I remember this idea in Scientific American over 50 years ago, and in L. Neil Smith 40 years ago — but we still don’t have cheap tunneling as in Oath of Fealty (30 years ago).”

(5) CONFLICTING DIAGNOSES. Peter Davison puts his foot in his mouth over the new Doctor: “Two former Doctors clash over Jodie Whittaker casting”.

Peter Davison, who played the Doctor from 1981 to 1984, said he “liked the idea” of a male Doctor and that he felt “a bit sad” the character might no longer be “a role model for boys”.

His comments were promptly dubbed “rubbish” by his successor Colin Baker.

“You don’t have to be of a gender to be a role model,” said the actor, who portrayed the Doctor from 1984 to 1986.

“Can’t you be a role model as people?”

(6) COMIC-CON IN THE NEWS. BBC wrap-up of the first day of SDCC: “What happened on the first day of Comic-Con?”

  • The cast of Kingsman: The Golden Circle tweeted a picture of themselves on stage after they discussed the new film and showed footage of the action spy comedy.
  • Halle Berry stole the show though after she appeared to down half a pint of whiskey on stage.
  • But there was disappointment from fans that 20th Century Fox’s presentation didn’t include anything about the eagerly anticipated Deadpool 2 – especially as the first film was launched at Comic-Con in 2015….

(7) THEY ARE THERE. Galactic Journey covers a 1962 sci-fi movie release in real time: “[July 21, 1962] The Human Soul In A Robot’s Hand (Movie Review: The Creation of the Humanoids)”

The complex range of anger, fear, acceptance and love that characterize the relationship humans have with robotic life is hardly new ground for science fiction. You have stories that explore societies controlled by artificial intelligence like in Jack Williamson’s With Folded Hands, stories in which robotic life works in service to their human superiors in accordance with Isaac Asimov’s Three Laws of Robotics, and stories that span every possible combination.

The newest addition to the science fiction sub-genre dealing with the evolution of humanity and its integration with robots came out this month in the form of the movie The Creation of the Humanoids. Following its premier in Los Angeles on July 3rd, this intriguing film made its way into theaters across America, including the theater in my city. It suffers from several weaknesses, but more than makes up for them with solid dialogue, interesting characters and a plot that makes the audience think.

(8) TODAY’S DAY

Junk Food Day

How to Celebrate Junk Food Day

Celebrate this wonderful day by eating any sweet or salty treats you want! Bake cupcakes, make cookies, heat up some popcorn, buy some of your favorite candies. Invite friends over and have them bring in their favorites and make a junk food buffet and spend the rest of the day watching movies. You can always go get some fast food for fun. Take a cheat day from your diet and have dessert for dinner.

(9) TODAY IN HISTORY

  • July 21, 2007 – The seventh and final Harry Potter novel, Harry Potter and the Deathly Hallows, is released.
  • July 21, 2011 — NASA’s space shuttle program completes its final, and 135th, mission, when the shuttle Atlantis lands at Kennedy.

(10) TODAY’S BIRTHDAY GIRL

  • Born July 21 – Geri Sullivan

(11) TODAY’S BIRTHDAY ROBOT

  • Born July 21, 1951 — Perennial funnyman Robin Williams. In 1999’s Bicentennial Man he starred as a robot trying to grow more and more human as he pursued and acquired emotions.

(12) AIRPLANE FOOD. Fans have had all kinds of experiences eating airplane meals. But only culinary historian (and sf writer) Richard Foss can take you back to the dawn of dining in the skies: “What Airplane Food Looked Like Through the Decades”.

Travel + Leisure spoke to culinary historian and author of “Food in the Air and Space: The Surprising History of Food and Drink in the Skies,” Richard Foss, to delve into the fascinating history of in-flight food and how much it’s changed over the decades.

The 1920s:

During the 1920s, there was a great deal of focus on the weight you could have onboard, with passengers often getting weighed before boarding, Foss said.

Engines were also feeble at this time, and since there was not as much freedom to divert energy from the engine to other sources, like heat, cold food was the norm.

Selections typically included cold fried chicken, fruit salads, and elegantly composed sandwiches, served in wicker baskets on the lightest chinawear servers could find, according to Foss.

(13) IRON FISTS AT COMIC-CON. During yesterday’s Next Big Thing Panel at Comic-Con International San Diego, Marvel Entertainment unveiled that it is joining forces with comiXology, Amazon’s premier digital comic shopping & reading service, for a line of exclusive digital comics. Available free to comiXology Unlimited subscribers and only available through comiXology and Kindle these comics will be part of the comiXology Originals line of exclusive digital content.

Marvel and comiXology’s team-up kicks off with Immortal Iron Fists, a 6-issue bi-weekly series written by Kaare Andrews with art by Afu Chan. Immortal Iron Fists is on sale today for $2.99 on comiXology and Kindle or free to comiXology Unlimited subscribers as part of their subscription. New users to comiXology’s popular subscription service can also access Immortal Iron Fists for free as part of their 30-day free trial. Additional exclusive series will be announced soon.

A unique entry-point that’s perfect for new fans and longtime readers alike, Immortal Iron Fists tells the tale of Pei, a young female monk from K’un-Lun and the youngest person to ever bear the mark of the Iron Fist. While Pei tackles the trials of high school, Danny Rand, the Immortal Iron Fist, faces his greatest challenge yet: training the inexperienced Pei. All the while, a growing threat appears that will take more than one pair of Iron Fists to defeat!

(14) COMFORT FOOD. C,J, Cherryh told her Facebook readers about a favorite food.

A confession: I am very fond of roast beef sandwiches with pickle and Miracle Whip. This from childhood. No, it is not a sophisticated taste. I also like bacon sandwiches with Miracle Whip. Mayo for other things. But these are my two favorite sandwiches.

(15) SHAZAM! Marcus Errico of Yahoo! Movies reports “Dwayne Johnson Won’t Be In DC’s SHAZAM! Movie”, which will be directed by David F. Sandberg and released in 2019.  (“Shazam!” is the guy formerly known as Captain Marvel.)

News broke at Comic-Con this week that the next hero up in DC’s movie universe is Shazam!, a story about an orphan who gains near-godlike powers. However, in his initial outing, Shazam won’t be facing his greatest foe.

Geoff Johns, the chief creative officer of DC and, with Jon Berg, architect of the DC Extended Universe, told Yahoo Movies on Thursday that Dwayne Johnson’s Black Adam will be MIA from Shazam!

“We haven’t announced any casting yet,” Johns said. “But Dwayne isn’t going to be in this movie. He’s still doing Black Adam, but he won’t be in Shazam!

Johnson and DC will be developing Black Adam concurrent with Shazam!, with the idea that the two will eventually face off onscreen.

(16) BURNING MEMORY. Tor.com has the picture – “The Firemen Start the Fires in the First Look at HBO’s Fahrenheit 451”.

HBO Films has shared the first official photo from Fahrenheit 451, its forthcoming adaptation of Ray Bradbury’s classic dystopian novel set in a future where reading is outlawed and books are burned. It’s, appropriately, an action shot of firefighter Guy Montag (Michael B. Jordan) letting the flames fly on some contraband reading, while his superior Beatty (Michael Shannon) looks on approvingly.

(17) MORE TO PUT ON YOUR THIGHS. Adweek says more food pr0n is on the way — “McDonald’s Apparel Is Here, So Make Room in Your Closet Next to Your KFC and Pizza Hut Swag”. “Wear the fries you’re jogging for.”

Joining brands like Pizza Hut and KFC, McDonald’s is unveiling its own line of apparel and goods: The McDelivery Collection, in celebration of Global Delivery Day on July 26.

The collection is available via the UberEATS app in select countries. And while it’s a limited-edition set, don’t expect to find anything as vainglorious as a burger-shaped meteorite (à la KFC). Items include a World Famous Fries jogging suit, a Big Mac onesie—wonderful for ironic winks back to youth, though unclear whether it has a handy butt flap—and slippers that read “World Famous.”

On July 26 only, fans can score a single McDelivery Collection item on-demand, delivered with their UberEATS orders. Participating cities around the world will be unveiled on July 25 on McDeliveryatMcDonalds.com. And if you’re lucky enough to live in China or Japan, you might even be able to get them in-store!

(18) THE DEFENDERS. Stan Lee & Punisher trailer Seson 1.

(19) THE LOST VERSES. The Big Bang Theory cast sang previously unknown verses of “Soft Kitty” during their appearance at Comic-Con today.

[Thanks to Martin Morse Wooster, John King Tarpinian, Carl Slaughter, JJ, Cat Eldridge, Chip Hitchcock, and Bence Pintér for some of these stories. Title credit belongs to File 770 contributing editor of the day John Seavey.]

Pixel Scroll 7/8/17 All Pixels Lead To Trantor, And There Is Where All Scrolls End

(1) WHO NEWS. Jenna Coleman will be part of the Doctor Who Christmas Special reports The Sun:

Showrunner Steven Moffatt will also depart the BBC show at the end of the year and new reports claim the “Time Lord will bid a final goodbye to Clara Oswald as well as Bill Potts”.

A source told the Mirror: “Jenna Coleman has agreed to film something new as Clara.

“It’s become a tradition now for the companions to reappear as the Doctor regenerates and Jenna isn’t letting the side down.

“It’ll help to give Peter the send-off he deserves after three years.”

Jenna’s comeback is in line with the other companions returning to say goodbye as Billie Piper returned as Rose Tyler for David Tennant’s exit in 2009 and Karen Gillan also came back for Matt Smith’s farewell in 2013.

(2) ARACHNOANTHEM. Here’s the first two stanzas of Camestros Felapton’s awesome review of Spider-Man: Homecoming done to the tune of that theme song.

Spider film, spider film
I just went to see a new spider film,
Was it good? Listen bub.
It didn’t recap the story of how he got radioactive blood.
Watch out, its a quite good spider film

Spider theme, spider theme,
Movie starts with the spider theme,
Yes, you know that classic song
But without the words to sing along
Watch out, earworm spider theme…

(3) SPIDER FAN. NPR also likes Spider-Man: “‘Spider-Man: Homecoming’ Finds Its Footing With A Less Confident Spidey”

At last: A Spider-Man movie!

…says no one. The new Spider-Man: Homecoming, which celebrates Peter Parker’s immigration to the Marvel Cinematic Universe as a headliner after his scene-stealing appearance in Captain America: Civil War last year, is, according to the most recent data available, the sixth big-screen Spidey flick since 2002. Who needs another?

Well, if they’re going to be as fizzy and funny and warmhearted as this, keep ’em coming.

(4) SWEARING FOR SCHOLARS. Yesterday’s Scroll item about stfnal swearing prompted David Langford to note in comments that the Science Fiction Encyclopedia’s recently added its own article about “Swearing”.

…The tradition of swearing by God or a variety of gods has been sanitized and science-fictionalized in various ways, perhaps most famously by E E Smith in his Lensman sequence, whose spacefarers swear vigorously by the invented “space-gods” Noshabkeming and – especially – Klono. “By Klono’s TUNGSTEN TEETH and CURVING CARBALLOY CLAWS!” cries Kim Kinnison when surprised in Children of the Lens (November 1947-February 1948 Astounding; 1954); reference is elsewhere made to this entity’s golden gills, gadolinium guts, iridium intestines and so forth. Unusually, Kinnison in Gray Lensman (October 1939-January 1940 Astounding; 1951) offers a defence of such swearing by Klono to his wife-to-be (who thinks it rather silly):

He’s got so much stuff – teeth and whiskers, claws and horns, tail and everything – that he’s much more satisfactory to swear by than any other space-god I know of. […] A man swears to keep from crying, a woman cries to keep from swearing. Both are sound psychology. Safety valves – means of blowing off excess pressure.

(5) ARISIA’S SMOFCON SCHOLARSHIPS. The group that puts on Arisia also funds SMOFcon scholarships, $1000 to be divided among selected applicants. (They don’t just do a handy-dandy press release like the CanSMOF crew I publicized yesterday.) See Arisia’s application guidelines at the linked page.

(6) FORWARD THINKING. At Black Gate, Derek Künsken lists his choice of the “hardest” science fiction in “Any Sufficiently Advanced Technology…” The late Robert L. Forward figures prominently:

I found out about Robert Forward, a NASA scientist, when reading Stephen Gillett’s World-Building and so ordered it. Forward has some clunky character work and I wouldn’t say his female characters published in 1980 age well, but he outsciences Clement. I have four of Forward’s novels.

(7) A WALKING HISTORY OF SF TV. Joshua Sky has just completed and published a new interview on Omni with the showrunner of The Expanse, Naren Shankar:

Naren Shankar has a long-running career in science fiction television. He’s written for such critically acclaimed series as Star Trek: The Next Generation, SeaQuest DSV, Farscape, and The Outer Limits. Naren has also been a showrunner for CSI and currently serves as a showrunner for SyFy’s The Expanse. Coming from a science-educated background, Naren has been able to help push real science in television shows. I had the opportunity to chat with him and get his perspective on the evolution of genre TV, his career, and all things The Expanse.

You have an amazing TV background. You’ve done so many different shows. Walk me through your origin story.

…After graduating, I decided to stay on in graduate school. I was in Applied Physics and Electrical Engineering; I had stayed on in Cornell. And one of my friends decided he was going to move out to Los Angeles and become a screenwriter. We always loved movies, we always loved television shows and that was always sort of part of late night TV watching in the fraternity. And my other friend was Ron Moore.

Ron was a political science major. About a year after our first friend went out to LA to try and become a screenwriter, he dragged Ron out there. Now, I had started college really early. I just turned 16 when I entered college. I was really young and was two years ahead of Ron, but we were the same age. I was several years into graduate school as I was working on my doctoral research. The way I describe it, I started feeling more and more like an expert on a smaller and smaller corner of the universe. And it felt kind of isolating. So what started happening is that I began taking courses in the arts, and history and literature again. Actually doing them, while I was doing my research. And what was happening was that I found that side of things extraordinarily fulfilling, and my lab rather lonely.

I actually remember the moment. I was walking back from this amazing lecture in a course that I was taking on the history of American foreign policy.  This yearlong course by a brilliant lecturer named Walter LaFeber. And I walked out of this lecture and I was heading to my lab and I was thinking, “Fuck, I can’t be an engineer.” (Laughter)

It was literally that kind of moment. But I had about a year and a half to go —and so, I gutted it out. I finished and got my degree. And then when I got out of school, I got a couple job offers and didn’t really like them. I almost got a job offer from Apple Computer, which I probably would’ve taken, as an engineering software evangelist, but I didn’t get it. It had come down to two people. So I didn’t get that and I didn’t really know what to do. Ron was out in LA and he was just starting to break into the business and get his first gig. He said, “Come and be a screenwriter!” And I was like, “… That sounds great!”

It was literally that much thought.

(8) JOAN LEE REMEMBRANCES. Entertainment Weekly’s Nick Romano, in “Revisit Stan and Joan Lee’s Sweet X-Men: Apocalypse Cameo”, has a still from the X-Men movie and a tweet from Bryan Singer about Joan Lee’s passing.

Also, Marvel Entertainment has released a video clip of Stan Lee telling about meeting his future wife for the first time.

On April 14, 2017 Joe Quesada, Marvel’s Chief Creative Officer, sat down with Stan Lee at the Paley Center in Beverly Hills, Calif. The video below was originally planned to be part of a series from the event scheduled for release later this year. In remembrance of Joan Lee and her importance to Marvel and the history of comics as a whole, we felt it appropriate to release this now.

 

(9) ELLIS OBIT. Nelsan Ellis (1978-2017): American actor and playwright, died July 8, aged 39 (heart failure). Genre appearances in True Blood (81 episodes as ‘Lafayette Reynolds’, 2008-14), Gods Behaving Badly (2013).

(10) TODAY IN HISTORY

  • July 8, 2011 — NASA launched its last space shuttle, Cape Canaveral, Florida.

(11) COMIC SECTION. John A Arkansawyer warns there may be Wonder Woman spoiler in this (quite funny) installment of Non-Adventures of Wonderella.

(12) HANDMAID’S AUDIENCE. Damien Walter makes a provocative joke. Or is it true?

I’m seeing two distinct groups of responses to The Handmaid’s Tale.

Men – this show is dull, nothing is happening, going to stop watching.

Women – this show is horrifying! Its my worst nightmare played out scene by scene! Going to stop watching.

Not good for ratings.

(13) FROM THE ANCIENT SEAS. BigThink’s 2016 article “Antikythera mechanism” includes a link to a YouTube video about a working reconstruction – made with Legos.

In June of 2016, an international team of experts revealed new information derived from tiny inscriptions on the devices parts in ancient Greek that had been too tiny to read—some of its characters are just 1/20th of an inch wide—until cutting-edge imaging technology allowed it to be more clearly seen. They’ve now read about 35,00 characters explaining the device.

The writing verifies the Antikythera mechanism’s capabilities, with a couple of new wrinkles added: The text refers to upcoming eclipses by color, which may mean they were viewed as having some kind of oracular meaning. Second, it appears the device was built by more than one person on the island of Rhodes, and that it probably wasn’t the only one of its kind. The ancient Greeks were apparently even further ahead in their astronomical understanding and mechanical know-how than we’d imagined.

 

(14) HELLS YES. Steve Davidson sees the Worldcon on the horizon and urges fans to ratify the Three-Stage Voting proposal (3SV) that received its first passage at 2016’s business meeting.

One week from today, voting closes on the fabulous Hugo Awards.  They’ll be handed out at Worldcon 75, being held in Helsinki, Finland, on August 12th, 2017.

The ballot this year is remarkably puppy free;  that doesn’t mean there aren’t any puppy noms on the final ballot, but there aren’t any puppy-dominated categories as there have been in years past.  It’s taken four-five years now, but WSFS (that’s the World Science Fiction Society, of which anyone who has joined this year’s con, or next year’s con, is a member.  That’s right, Worldcon attendees and supporters, you’re all members of a WORLD society, not just a science fiction convention), in its slow, sometimes frustrating yet inexorable manner, has responded to the assault on the awards effectively.

In fact, there’s only one more step (well, two if you add in my suggestion that follows) required for forever ending puppy sadness:  the ratification of 3SV.

Step 1:  Ratification of Three Stage Voting. While this will turn Hugo Awards voting into a three stage, as opposed to a two stage process, and doing so will add more work for administrators and shorten the time frames for each stage a bit, the advantages FAR outweigh this.

3SV, as it has come to be known, will allow all of the voters to take an advance look at what will be on the final ballot, and then vote again on whether or not they BELONG on the final ballot.  Finalists that receive above a certain number of “not on my Hugo Awards Final Ballot” will be removed and replaced by the next most eligible nominee(s)….

(15) SYNCOPATIC EQUATION. At Jed Hartman’s A + B = Awesome website, every time you refresh it you get an idea of the form “It’s A with/crossed with B with/in C.”

Tom Galloway says, “My favorite so far is ‘It’s Oliver Twist meets The Prisoner with dinosaurs,’ to which I came up with ‘Please sir, can I have some more information’ and a T Rex Rover.”

Hartman explains:

Renowned literary agent DongWon Song gave a great talk at this weekend’s SLF writing workshop, about how to pitch your work. One of the things he talked about is the idea of starting a pitch with the “A + B = Awesome” format, to suggest two other well-known works that your work is similar to in some way.

There was a lot more to the idea than that, but that part inspired me to put together a little pitchbot that provides suggestions for combining two works.

Note that this is intended entirely for entertainment purposes. (And it isn’t intended to criticize the “A + B = Awesome” paradigm, which is a far more useful pitching tool than I would have expected before hearing DongWon talk about it.)

A couple of writers who’ve seen this have said that it could also work as a writing-prompt generator.

(16) Q + P. Let’s play that game in real life – Tom Galloway introduces the next link:

In the grand tradition of Archie vs. The Punisher and Archie vs. Predator (Obj Dave Barry: I’m not making these up), come fall we’ll be getting Harley Quinn and Poison Ivy Meet Betty and Veronica.

Entertainment Weekly reports “Gotham and Riverdale to collide in Harley & Ivy Meet Betty & Veronica”.

The series will be co-written by Marc Andreyko and Paul Dini, with art from Laura Braga. Dini originally created Harley Quinn on Batman: The Animated Series, the show that also established the character’s flirty friendship with Poison Ivy. The new series will find them pitting their girl power against Riverdale’s most famous pair. When a proposal emerges to drain the wetlands between Gotham and Riverdale, Ivy sticks up for her beloved fauna by enlisting Harley to kidnap valuable heiress Veronica Lodge and her best friend, Betty. Chaos, you may assume, ensues.

Who wouldn’t pay to see that? (Raises hand.)

(17) THERE GOES THE NEIGHBORHOOD. First world problems.

(18) SHADOW CLARKE JURY MARCHES ON. In less than three weeks the winner of the Clarke Award will be known. The Shadow Clarke Jury is getting in its last licks – will the sf genre go down for the count?

This statement will not be popular among the Wayfarer’s legions of loyal fans and advocates, but I’m going to make it anyway because I believe it to be true: there is no real science fiction in A Closed and Common Orbit. In a climate where novels of so-called literary SF are often castigated by SFF commentators for using the trappings of science fiction to grant legitimacy and authenticity where none has been earned, when it comes to empty gestures the Wayfarer novels – clasped rapturously by fandom to its collective bosom – trump them all. I would not want to waste valuable time arguing over whether A Closed and Common Orbit is in fact eligible for the Clarke Award – the book is marketed as science fiction, there are AIs, aliens, distant planets, job done. Whether it deserves its place on the current shortlist is another matter entirely.

Organising and participating in this year’s shadow Clarke jury is turning out to be a pleasure on multiple levels, not least exchanging thoughts and opinions and discoveries with my fellow Sharkes. Speaking purely for myself though, the most significant effect of this experiment has been to make me question the very validity of ‘science fiction’ as a literary genre. In a literary landscape where everything is up for grabs, and where the tropes of science fiction – time travel, genetic and social engineering, apocalypse scenarios of every variety, artificial intelligence and mass surveillance – are increasingly becoming both core subject matter and metaphorical framing device for novelists of every nation and literary inheritance, can we usefully continue to argue for science fiction as a literature apart, worthy not just of separate study but of special pleading?

There are, in broad terms, two types of fiction. For convenience, although I am not happy with either term, I shall call them mode and genre. A genre work might include crime fiction, ghost stories, love stories and so on; they are identified by the type of story they tell. A war story would not count as a war story if war itself was not central to the story, if it did not include the familiar markers of battle, soldiers or any of the expected paraphernalia and effects of war. Modes, on the other hand, might include contemporary mainstream literature, historical fiction and science fiction. These are identified less by the the story told than by setting, style, affect, and other less readily defined characteristics. There is no specific type of story that must be told if a work is to count as historical fiction, it may be a love story or a war story or a story of political intrigue, but it must be set in the past.

I thought my feelings about this book were all sewn up. I actually began drafting this review with a hundred pages still to go, so secure did I feel in my opinion of After Atlas as the Clarke equivalent of His Bloody Project in last year’s Booker line-up: my hands-down favourite as a reading experience, though perhaps insufficiently innovative or controversial to justify its winning. And then came the ending, the unveiling of the central mystery, and I found myself thinking back to the autumn of 2015, when I went to see Guillermo del Toro’s lavishly over-produced haunted house movie Crimson Peak. I wasn’t expecting much from that movie, if anything, and so I spent the first hour and a half feeling excited at how wrong I’d been in my prejudgements. The film looked amazing, as predicted. Far more surprising was the conviction of the performances and – what’s this?? – a strongly scripted storyline I actually cared about. I began mentally drafting a blog post: how wrong I’d been about this film, how Del Toro had actually managed to square the circle and make a genuinely decent horror movie whilst operating within commercial constraints.

Since the 2013 all-male Clarke shortlist, it’s been assumed that Clarke jurors have been striving for gender parity of authors when constructing their shortlists, but more recently, through the data analysis of Nicola Griffith, we’ve become aware of the even greater problem of protagonist gender disparity: Apparently, genre readers and critics prefer to award books about males, regardless of author gender. I’ve often noticed that this is particularly true of the of the investigative-type police procedural mystery narratives, a modality SF writers often like try on, and exactly true of the police procedural selections on both the Clarke and Sharke lists.

While I wouldn’t be so hyperbolic as to say there is a deafening silence about female investigative protagonists, because there are a ton, but within SF, and especially within the SF book awards machine, the general perception of this mode is that it belongs in the masculine realm. The pragmatic, dogged, stiff upper lip investigator is a common, easy mold for authors to sink into, and although women protagonists could easily slip into that role, we readers, unfortunately, get more Mulders than Scullys.

Two novels that don’t appear to have anything in common, but are written by two powerhouses of opposing camps of the British literary community: Clarke winner and regular fan favorite, Tricia Sullivan, and Baileys Prize winner and regular contributor to various media on all things sci-fi, Naomi Alderman. Within the cloisters of British science fiction, these are two famous SF writers with a persistent presence in the field, yet neither has managed to vault over the high, imposing barbed walls of American commercial success.

It’s no secret that The Wayfarers series is written by someone whose writing is heavily influenced by the two-dimensional, wrap-it-all-up-before-the-credits, don’t-scare-off-the-advertisers format of television, so it’s no surprise to me that this book reads like a novelization of a TV/movie that has already been made. (No, I’m not talking about Firefly. This series is nothing like Firefly.) Fans and reviewers have been hooked by the low-risk palling around of characters, the exotic alien foods, and the explainy, back-and-forth dialogue that attempts to teach open-mindedness. It is Doctor Who without the danger and squirm; Farscape without the oppressive political foes, Friends without the humor and occasional cringe.

Of all the six Clarke-listed novels, The Underground Railroad best does what I think a Clarke-winning novel should do. It has Handmaid’s Potential: it employs the tools of science fiction (anachronistic technology and alternate settings and timelines) to examine and illuminate the present reality, and will make more sense to people of the future than it does right now because we are too embedded in the system that it critiques. It’s the only novel on the list that I think will be remembered and still considered important in twenty years.

Some might be surprised to see that I’ve ranked A Closed and Common Orbit above Occupy Me, but at least ACACO does what it sets out to do—which is very little—while Occupy Me just feels messy and careless, a frivolous taking on of experimentation and entertainment that achieves neither.

(19) SPIRITED CINEMA. NPR seems ambivalent about this strange film: “In ‘A Ghost Story,’ A House Is A Home For All Time”

Through much of A Ghost Story, Casey Affleck or a stand-in plays a dead soul, draped in a sheet with cut-out eye holes. This low-budget approach to the supernatural might suggest that writer-director David Lowery is playing a Halloween trick on movies that take the paranormal seriously. Except that he opens the tale with a line from “A Haunted House,” a story by Virginia Woolf, not Stephen King.

(20) THE MARS MY DESTINATION. Meanwhile, the Mars project David Levine was on now has a cast of high schoolers: “To Prepare For Mars Settlement, Simulated Missions Explore Utah’s Desert”.

Victoria LaBarre was climbing out of a canyon and into a bright, vast, seemingly lifeless landscape when she started to experience an astronaut’s nightmare.

“Suddenly,” she said, “I couldn’t breathe.”

The symptoms were real — maybe from claustrophobia, or from exertion at high altitude. But LaBarre didn’t unlatch her helmet to get a breath of fresh air because, in this simulated Mars exercise in the Utah desert, she was supposed to be an astronaut. The canyon was standing in for Candor Chasma, a 5-mile-deep gash in the Red Planet’s surface. On Mars, there’s no oxygen in the air — you do not take off your helmet.

So, instead, LaBarre radioed for help from fellow members of Crew 177. The team of students and teachers from a Texas community college had applied together to live and work for a week this spring in a two-story metal cylinder at the privately run Mars Desert Research Station near Hanksville, Utah.

(21) BOOS AND BOOZE. You’ll feel no fear (or much of anything else) after a few of these — Let’s Get Monster Smashed: Horror Movie Drinks for a Killer Time will be out in hardcover on August 28.

A horror movie inspired cocktail book with gross-looking but delicious party drinks, all wrapped up in an awesome ’80s VHS package. There are 55 recipes spread across 5 chapters (shots, gelatin, punches, special fx, and non-alcoholic) inspired by classic pulp horror movies of the ’80s and ’90s, complete with viewing recommendations. The movies may be weird, the drinks may look gross, but the elevated drink making techniques and unusually tasty recipes keep readers and their guests interested and coming back for more. Great for theme parties, Halloween festivals, movie fans, and retro enthusiasts.

[Thanks to Tom Galloway, JJ, Chip Hitchcock, Martin Morse Wooster, Steve Green, Carl Slaughter, John King Tarpinian, David Langford, and John A Arkansawyer for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Pixel Scroll 7/7/17 Oh I Get Scrolled With A Little Help From My Friends

(1) BY KLONO’S BRAZEN BALLS. I remember how 30s space opera authors invented colorful gods for characters to swear by. Taking advantage of today’s freer speech, Book View Café’s Marie Brennan advises writers to give characters language to swear with: “New Worlds: Gestures of Contempt”.

In fiction, you can sell just about anything as contemptuous so long as the characters react to it appropriately. You can give it a cultural underpinning if you want; the story about longbows and the V-sign may not be true in reality, but in a story something along those lines could be a great touch of historical depth. In many cases, though, trying to explain why the gesture is offensive would probably turn into an unnecessary infodump. Instead it can just be like the line from Shakespeare: “Do you bite your thumb at me, sir?” We don’t need to know why biting the thumb is an insult for it to work in the scene. We just need to know whether this is a mild way of saying “screw you” or something to fight a duel over, whether it’s just vulgar or a sign that the other person is placing a curse. The intent and the reaction will tell us all that’s necessary.

(2) JOANN KAISER. The GoFundMe for JoAnn Kaiser has blown past its goal and has raised over $14,000 as of today. She is the widow of fan and bookdealer Dwain Kaiser, who was killed earlier this week.

(3) SMALL PRESS. The Washington Posts’s Michael Dirda says “These small presses can help you think big about summer reading”. He plugs the Haffner Press, and gives a shout-out to Darrell Schweitzer (even using his book cover as art.)

Haffner Press . If you have any interest in pulp fiction, this is the publisher for you. Stephen Haffner issues substantial hardback volumes devoted to the magazine stories of Edmond Hamilton (creator of Captain Future); the crime fiction of Fredric Brown; the early work of Leigh Brackett (whose later credits include the screenplay for “The Empire Strikes Back”); and the occult detective stories of Manly Wade Wellman. One recent title, “The Watcher at the Door,” is the second volume in an ongoing series devoted to the weird tales of the versatile Henry Kuttner. Its foreword is by Robert A. Madle, a Rockville, Md., book and magazine dealer, who may be the oldest living person to have attended the first World Science Fiction Convention, held in 1939…..

Wildside Press . While its books aren’t fancy, this Washington-area publisher maintains an enormous backlist of classic, contemporary and off-trail works of fantasy, science fiction, adventure and horror. Wildside also issues new works of criticism focused on these genres, most recently Darrell Schweitzer’s “The Threshold of Forever.” In these easygoing and astute essays, Schweitzer reflects on the comic side of Robert Bloch (best known for his novel “Psycho”), Randall Garrett’s “The Queen Bee,” often regarded as the most sexist short story in the history of science fiction, and the work of idiosyncratic horror writers such as James Hogg, William Beckford and Sarban.

(4) OH NOES. Gizmodo fears “Mars Might Not Be The Potato Utopia We Hoped”.

In Andy Weir’s novel-turned-Matt-Damon-movie The Martian, the protagonist endures the harsh terrain of Mars by using his own shit to grow potatoes. The idea isn’t that outlandish—over the last few years, a NASA-backed project has been attempting to simulate Martian potato farming by growing taters in the Peruvian desert. While early results were promising, new research suggests that survival of any life on Mars—much less potato-growing humans—might be more difficult than we thought. I blame Matt Damon.

Scientists at the University of Edinburgh tested how the bacteria Bacillus subtilis would react to perchlorates, which were first discovered in Martian soil back in 2008. Perchlorates are naturally-occurring (and sometimes, man-made) chemicals that are toxic to humans, but they’re not always so bad for microbes. In fact, in the Atacama Desert in Chile, some microbes use perchlorates in the soil as an energy source. On Mars, perchlorates allow water to exist in a briny liquid form despite the planet’s low atmospheric pressure.

However, when the researchers put B. subtilis in a bath of magnesium perchlorate solution similar to the concentrations found on Mars, and exposed the microbes to similar levels of UV radiation, the bacteria died within 30 seconds.

(5) WAFFLE TEST PATTERN. Scott Edelman invites the internet to chow down on chicken and waffles with Nancy Holder in Episode 42 of Eating the Fantastic. The encounter was recorded during StokerCon weekend.

Luckily, my guest this episode was not a skeptic, and enthusiastically accompanied me for the greasy goodness. Five-time Bram Stoker Award winning-writer Nancy Holder had been the Toastmaster during the previous night’s ceremony, is the author of the young adult horror series Possessions, and has written many tie-in works set in such universes as Teen Wolf, Buffy the Vampire Slayer, AngelSmallville, and Wonder Woman.

We discussed her somewhat secret origin as a romance novelist, why her first horror convention made her burst into tears, how she got off on the wrong foot with acclaimed editor Charles L. Grant, what caused her Edgar Allan Poe obsession to begin, why she was a fan of DC Comics instead of Marvel as a kid, what Ed Bryant might have meant when he called her “the first splatterpunk to chew with her mouth closed,” and more.

(6) HAWKEYE BOO-BOO. Actor “Jeremy Renner Broke Both Arms in Stunt Accident on Set of ‘Tag'”.

Jeremy Renner has broken both his arms in a stunt that went wrong while filming, the actor, who is currently working on Avengers: Infinity War, said Friday.

Speaking before a Karlovy Vary film festival screening of Taylor Sheridan‘s Wind River, in which Renner plays a federal wildlife officer drafted to help solve a murder on a Native American reservation in Wyoming, Renner said the injuries would not affect his ability to do his job.

“It won’t stop things that I need to do. I heal fast and am doing everything I can to heal faster,” he said.

Fall down seven times…stand up 8! #fixedup #pushthrough

A post shared by Jeremy Renner (@renner4real) on

(7) MISSING IN ACTION. Massacres like this are usually reserved for Game of Thrones. Ben Lee of Digital Spy, in “Once Upon a Time season 7 adds five stars including this Poldark actor”, notes that season 7 of Once Upon a Time has started production and no less than seven members of the cast have been booted:  Jennifer Morrison, Ginnifer Goodwin, Jack Dallas, Jared S. Gilmore, Emile de Raven, and Rebecca Mader.

(8) JOAN LEE OBIT. Deadline’s Patrick Hipes, in “Joan Lee Dies:  Wife of Comics Icon Was 93”,  notes her passing on July 4.  IMDB shows she had parts in X-Men Apocalypse and the TV versions of Spider-Man, Iron Man, and Fantastic Four. She and Stan Lee had been married for 69 years.

(9) TRIVIAL TRIVIA

Lon Chaney Jr. is the only actor to portray four major Universal Monsters; the Wolf Man, Frankenstein’s Monster, the Mummy (Kharis), and Count Dracula.

(10) TODAY IN HISTORY

  • July 7, 1955 — The Science Fiction radio serial X Minus One aired “The Green Hills Of Earth.” As John King Tarpinian says, this probably wasn’t a coincidence.
  • July 7, 2006Pirates of the Caribbean: Dead Man’s Chest, an adventure film starring Johnny Depp, Orlando Bloom and Keira Knightley

(11) TODAY’S BIRTHDAY BOY

  • Born July 7, 1907 — Robert A. Heinlein

(12) MEDICAL NEWS. Spreading cancer caught on film.

The way in which every single cancer cell spreads around the body has been captured in videos by a team in Japan.

The normal body tissues show up as green, while the cancer comes out as intense red spots.

The team, at the University of Tokyo and the RIKEN Quantitative Biology Center, says the technology will help explain the deadly process.

The research is on mice so far, but it is hoped the method could one day help with treatment too.

(13) NOT INCLUDED. Tesla to build the world’s largest battery.

The battery will protect South Australia from the kind of energy crisis which famously blacked out the state, Premier Jay Weatherill said.

Tesla boss Elon Musk confirmed a much-publicised promise to build it within 100 days, or do it for free.

The 100-megawatt (129 megawatt hour) battery should be ready this year.

“There is certainly some risk, because this will be largest battery installation in the world by a significant margin,” Mr Musk said in Adelaide on Friday.

He added that “the next biggest battery in the world is 30 megawatts”.

The Tesla-built battery, paired with a Neoen wind farm, will operate around the clock and be capable of providing additional power during emergencies, the government said.

(14) HUGO REVIEWS. Natalie Luhrs shares her evaluations in “2017 Hugo Reading: Novelettes”.

I think the novelette finalists are a bit more of a mixed bag. Some of them I think are outstanding, one fell flat for me, and then there’s that other one. You know the one….

This is her review of one she rates as outstanding:

“Touring with the Alien” by Carolyn Ives Gilman (Clarkesworld)

This novelette opens with Avery getting a call offering her a job transporting an alien from the DC area to St. Louis. The aliens had appeared overnight, large domes across the country and until this one decided they wanted a tour of the country, what they wanted and their motives for coming to Earth were unclear. Their motives are still not very clear at the outset of the journey, but by the end–well.

The alien comes aboard the bus in crates and is accompanied by his human translator, Lionel. Each alien has a human translator, someone who was abducted as a child from a family that didn’t care for them, a child no one would miss (how horrible is that?) Avery starts driving and as they make their way across the US, she gets to know Lionel and through Lionel, the alien.

Avery’s a sympathetic narrator and she is genuinely curious about the aliens and willing to acquiesce to most of Lionel’s requests on the alien’s behalf. There is a lot about what it means to have consciousness—the aliens are not conscious—and what value, if any, that brings to existence. I found the ending to be both a surprise and quite endearing. Gilman is an easy prose stylist and Avery’s conversational and self-reflective voice is exactly what this story requires.

(15) ANOTHER TAKE. Speaking of “the one,” it’s given an actual review as part of Doris V. Sutherland’s “2017 Hugo Reviews: Novelettes” at Women Write About Comics.

Alien Stripper Boned From Behind by the T-Rex is, of course, the Rabid Puppy pick for Best Novelette. It is here as a result of Vox Day rather lazily repeating his prank from last year when he got Chuck Tingle’s Space Raptor Butt Invasion on the ballot as a dig at Rachel Swirsky’s “If You Were a Dinosaur, My Love.”

Some have dismissed Stix Hiscock (who, despite her masculine choice of pseudonym, is a woman) as a mere Chuck Tingle imitator. This would be unfair. After all, Chuck Tingle was not the first author to write weird dinosaur erotica, and Ms. Hiscock has as much right as he does to try her hand at the genre.

Taken on its own terms, Alien Stripper Boned From Behind by the T-Rex is a solid but undistinguished specimen of its kind….

(16) SUMMER TV. Glenn Garvin on reason.com reviews Salvation, an end-of-the-world show in the vein of When Worlds Collide coming to CBS starting on July 12: “Salvation Will Have You Hoping for the World’s End”.

He concludes that “Salvation strongly resembles recent congressional budget debates, punctuated by occasional kidnappings, car chases, and gunplay by an unidentified gang of thugs that want the world to end.”

(17) MORE THAN A MEMORY. Speculiction’s Jesse Hudson, in “Review of The Mindwarpers by Eric Frank Russell”, revisits the work of someone once regarded as among sf’s more thought-provoking writers.

One of the interesting aspects of science fiction is that it is a form sometimes used to criticize science, or more precisely the application of science, rather than glorify it.  From Barry Malzberg to J.G. Ballard, Ray Bradbury to Pat Cadigan, Tom McCarthy to James Morrow—these and other writers in the field have in some way expressed a wariness at technological change and its impact, intended and unintended, on people and society.  The quantity of such fiction dropping since the days vast and quick technological change first threatened, change has almost become the norm.  Getting more outdated with each day, Eric Frank Russell’s 1965 The Mindwarpers is one such book.  Republished as an ebook in 2017 by Dover Publications, the message at its heart, however, transcends time.

(18) MANY A TRUTH IS SAID IN TWEET. Wax on. Wax off.

(19) VIDEO OF THE DAY. Isotype from Henning M. Lederer is a soothing kaleidoscope-type animation with music from Orchestral Manoeuvres in the Dark.

[Thanks to John King Tarpinian, Chip Hitchcock, Cat Eldridge, Martin Morse Wooster, and Andrew for some of these stories. Title credit belongs to File 770 contributing editor of the day Steve Davidson.]

“Marvelous Nerd Year’s Eve” Joins Ranks of Failed Media Conventions

marvelous-nerd-years-eve-banner

Perhaps the accursed year 2016’s last victim, Marvelous Nerd Years Eve in Dallas is the latest media con to underperform and leave behind a cloud of shortchanged celebrities.

Marquis guest Stan Lee, who received half of his $200,000 appearance fee in advance, is still owed $50,000 reports Heidi McDonald at ComicMix.

The con advertised 40 other celebrities would be on hand, including Ming Na Wen, Michael Rooker, Kevin Sorbo, Jasen Mewes, and Nichelle Nichols.

Matthew Egan, a con volunteer, wrote in a public Facebook post that “many celebrities were not paid, many agents were not paid, all employees at the show have been laid off.” He also claimed to have overheard attendance estimated at 4,000, half of what was needed to make the con a success.

As a result, the con did not meet its room guarantee. According to McDonald, “When not enough rooms were booked, the amount owed skyrocketed as rooms were then billed at a higher rate. When the guarantee wasn’t met the hotel threatened to kick people out of their rooms on Sunday unless organizers paid the difference.”

Things were settled with the hotel, but many others are still looking to get paid. Among them is David Gerrold, who detailed his experience in a Facebook post that he encouraged people to share.

I was an invited guest at the “Marvelous Nerd Year’s Eve” Comic-Con held in Dallas over New Year’s weekend.

Apparently, it was a disaster of biblical proportions. Not just dogs and cats living together, but suing each other for palimony and custody of the kittens.

The convention organizers over-promised, under-budgeted, over-extended, under-performed, and committed what I consider acts of “criminal incompetence.”

Why do I use the adjective “criminal?”

Because people were hurt. Not just by the incompetence, but by the deliberate incompetence.

Many of the guests — not necessarily the A-listers — depend on the sales of autographs and photographs as part of their income between gigs. They are not all millionaires. Many actors and celebrities, especially those from TV shows of yore, have some income from royalties and residuals, but often depend on convention appearances to give them a little bit of a cushion — or even cover the mortgage.

So when a convention signs a contract, makes a commitment — such as, “We guarantee that you will make $5000 in autograph and photo sales, or we will make up the difference” and then fails to provide enough attendees to make those sales and then fails to cover the guarantee as well — that’s criminal incompetence.

Even worse, the company formed to put on the convention is dissolving itself, so there will be no one to sue.

Most of the other guests had their air fare covered and meals covered by a per diem. So at least their basic travel expenses were covered.

I drove.

After four days of promises, I had nothing but four days of promises. My travel expenses were never covered.

Based on their promises, I had expected $2500 and travel expenses as the bare minimum, and I budgeted for that.

Instead, I’m out my travel expenses. Nearly $800.

Did I sell enough books and tribbles and scripts to make it worthwhile? No.

Because first, they didn’t have a dealer’s table for me, and the woman who was supposed to arrange it was more interested in talking about how busy she was than in actually making arrangements for the table. Not a bad person, but not really focused on the job.

When I finally did get a sales table, it wasn’t in the dealer’s room, it was in a second room that was carefully hidden from most of the convention membership. I did not sell enough to cover my expenses.

I am particularly angry at the CFO of the convention who lied to my face, three times — that he had a check for me for my travel expenses (I’d already turned in my receipts) — when he already knew damn well that the convention was so far in the hole that the hotel was about to lock all of the guests out of their rooms because the convention couldn’t cover the lodging bills.

Any other convention, I would have made enough to justify the effort. Instead, I have a hole in my budget that is going to create a problem for the next month or two. I had planned to spend the money on paying for the kids’ wedding pictures. Now I have to generate that cash somewhere else. (January book sale starts momentarily.)

So yes, “criminal incompetence.” People were hurt. Not just me — but every celebrity guest (over 40 of them) and every vendor (at least as many) who invested his or her weekend on the promises of this criminally incompetent group of people.

I’ve had nearly a half century of convention experience. Most of the cons I’ve attended, whether professional or fan run, have been managed well enough that fans and guests were taken care of. I have never been caught up in a disaster as big as this one. (Which is why I didn’t recognize my personal alarm bells when they went off.)

I would hope that the individuals responsible for this particular train wreck have enough class and courage to issue a public apology — but more than that, I hope they get out of the convention business, because, based on the evidence, they are a danger to the well-being of everyone who trusts them.

The event was produced by Geek Expos, and Bleeding Cool’s article about the debacle says the company is going under:

Added to a poor performance in their recent Oklahoma show, and the word was that Geek Expos is in the process of being dissolved, with firings across the company including the CEO, and future announced shows, in Dallas and Tulsa, being cancelled.

Pixel Scroll 10/25/16 Bears Discover File 770

clarke-center-arrivalcarouseli

(1) ARRIVAL PREMIERE BENEFIT FOR CLARION. The Arthur C. Clarke Center for Human Imagination will host the San Diego premiere of the film Arrival, starring Amy Adams, Jeremy Renner, and Forest Whitaker. After the film, there will be a conversation and Q&A with Ted Chiang, whose novella “Story of Your Life” provided the basis of the screenplay.

All proceeds from the screening benefit the Clarion Foundation, which supports the Clarion Science Fiction and Fantasy Writers’ Workshop at UC San Diego. Click on the link to buy tickets.

Arrival is the the story of what happens when mysterious spacecraft touch down across the globe. An elite team, led by expert linguist Louise Banks (Amy Adams), is brought together to investigate. As mankind teeters on the verge of global war, Banks and the team race against time for answers-and to find them, she will take a chance that could threaten her life, and, quite possibly, humanity.

Ted Chiang is a graduate and, later, instructor in the renowned Clarion Science Fiction and Fantasy Writers’ Workshop, organized at UCSD by the Arthur C. Clarke Center for Human Imagination. Known for his exacting craftsmanship in writing profound and psychologically rich science fiction, Chiang this year alone has the honor of having a story (“The Great Silence”) in both the Best American Short Stories 2016 and Best Science Fiction and Fantasy 2016, after it was originally written for a collaboration with the visual artists Allora & Calzadilla.

(2) NEW CLARKE CENTER PODCAST. Into the Impossible: A Clarke Center Podcast launches November 1.

clarke-podcast-logoInto the Impossible is a podcast of stories, ideas, and speculations from the Arthur C. Clarke Center for Human Imagination. Early episodes will take listeners through exciting, ranging conversations with and between scientists, artists, writers, and thinkers of different stripes, on the nature of imagination and how, through speculative culture, we create our future. The first episode includes Freeman Dyson (physicist and writer), David Kaiser (physicist, MIT), Rae Armantrout (Pulitzer Prize-winning poet, UCSD professor emeritus), and Brian Keating (astrophysicist, UCSD).

Later episodes will feature actors like Herbert Siguenza (Culture Clash), futurists like Bruce Sterling (writer, design theorist, WIRED columnist), and science fiction authors like Vernor Vinge (novelist, mathematician, computer scientist), as well as looks into Clarke Center activities like Dr. Allyson Muotri’s lab growing Neanderthal brain neurons and the new Speculative Design major. We will also premiere an audio performance created in collaboration between artist Marina Abramovic and science fiction author Kim Stanley Robinson, created in workshop here at the Clarke Center with Adam Tinkle and local and student volunteers.

(3) LEARNING AND RELEARNING. Cat Rambo’s speech is now online — “Into the Abyss: Surrey International Writers Conference, Morning Keynote for October 23, 2016”.

I try to write, every day, 2000 words, because that’s what Stephen King does and I think he’s a pretty good role model. Note that I say try, because I don’t always hit it. But you must write. Every day you write is a victory.

Figure out your personal writing process and what works for you. And then do it, lots. I realized that my most productive time is the mornings. So if my mother calls in the mornings, she knows I will answer “Is this an emergency?” and if she says no, I will hang up. (I did warn her before implementing this policy.) Find the times and places you are productive and defend them from the world. You will have gotten a lot of writing advice here and the thing about writing advice is this. All of it is both right and wrong, because people’s process differs and moreover, it can and will differ over the course of time. Find what works for you and do it.

Be kind to yourself. We are delicate, complex machines both physically and mentally. Writers are so good at beating themselves up, at feeling guilty, at imagining terrible futures. You are the person with the most to gain from being kind to yourself; do it. Don’t punish yourself for not hitting a writing goal; reward yourself when you do.

(4) ZOMBIE PROM REVIEW. Martin Morse Wooster personally eyeballed the production and returned with a verdict:

I saw Zombie Prom on Friday, and I think Nelson Pressley’s review was unfair.  Unexpected Stage Company, which did the production, is a minor-league company.  I doubt any member of the cast was over 25 and no one was a member of Equity.  That being said, everyone hit their marks and remembered their lines and most of the cast had pretty good voices.  I thought the production was pleasant.

The title of the musical is misleading, because there’s only one zombie in the cast. (I guess they couldn’t call it One Zombie at a Prom.) It’s the 1950s, and we’re at Enrico Fermi High.  Jonny Warner gets jilted by his girlfriend and leaps into a vat of nuclear waste, which turns him into a zombie.  Will anyone accept him–including his former girlfriend?

I have never heard of Dean P. Rowe, who did the music, and John Dempsey, author of the book and lyrics, but they have talent and my guess is in five years we will hear a lot from them.  There are some mildly deep references to ’50s pop culture, including what I thought was a reference to The Milton Berle Show.  The two best performers were Dallas Milholland, who for some reason decided to play semi-villainous Principal Delilah Strict in a pseudo-British accent, and Will Hawkins, who played Jonny Warner with a great deal of gusto.

Their website is Unexpected Stage Company.

(5) LONG LISTENER ANTHOLOGY. David Steffen says there will be an audiobook of the Long List Anthology Volume 2 after all, using a modified table of contents.

I have been talking with Skyboat Media and we have decided to go ahead with the audiobook, with some alterations to the table of contents from the original stretch goal to get it to just the right length for the resources available.  So there will be an audiobook again this year, this time with 6 stories.

The table of contents is:

  • Our Lady of the Open Road by Sarah Pinsker
  • Today I Am Paul by Martin L. Shoemaker
  • Madeleine by Amal El-Mohtar
  • Pocosin by Ursula Vernon
  • Damage by David D. Levine
  • Grandmother-nai-Leylit’s Cloth of Winds by Rose Lemberg

The title will also be different to reflect the different table of contents from the book/ebook:

OUR LADY OF THE OPEN ROAD & OTHER STORIES FROM THE LONG LIST ANTHOLOGY, volume 2

(6) TEPPER OBIT. The SFWA Blog posted an obituary for Sheri S. Tepper.

Cat Rambo says, “If I had to name one series by her I adore more than any other of the many excellent choices, it’s the Marianne series, and I highly recommend them to the File 770 readers.”

(7) TODAY’S BIRTHDAY BOYS

  • Born October 25, 1892 — Leo G. Carroll in 1892  (played Topper, and Alexander Waverly in The Man from U.N.C.L.E.)
  • Born October 25, 1924 — Billy Barty. His sf/f resume includes the animated The Lord of the Rings (1978, rotoscope footage) Snow White (1987), Masters of the Universe (1987) and Lobster Man from Mars (1989).

(8) CHAT WITH THREE-BODY AUTHOR. An excellent interview at SF Crowsnest: “Cixin Liu: interviewed by Gareth D Jones”.

GDJ: My favourite character in the books is Da Shi, especially in the second volume, ‘The Dark Forest’. Do you have a favourite character out of the ones you wrote about?

CL: In terms of Da Shi, he’s one of the most liked characters amongst Europeans and American readers. I think it’s because he’s like a caricature of a Chinese person of Beijing police, real well-connected, good with people. But this kind of people are actually really common in China, so we all know someone like that. But for non-Chinese readers, he immediately captures the attention. In terms of favourite character, I don’t think I have a favourite character really because they’re just there to propel the story forward. So it’s where the story is taking them that affects them, so I don’t have a favourite.

(9) ET, PHONE US. “Either the stars are strange, or there are 234 aliens trying to contact us” says Phys.org news. Obviously, these guys haven’t read the Three-Body Trilogy.

What we’re talking about here is a new study from E.F. Borra and E. Trottier, two astronomers at Laval University in Canada. Their study, titled “Discovery of peculiar periodic spectral modulations in a small fraction of solar type stars” was just published at arXiv.org. ArXiv.org is a pre-print website, so the paper itself hasn’t been peer reviewed yet. But it is generating interest.

The two astronomers used data from the Sloan Digital Sky Survey, and analyzed the spectra of 2.5 million stars. Of all those stars, they found 234 stars that are producing a puzzling signal. That’s only a tiny percentage. And, they say, these signals “have exactly the shape of an ETI signal” that was predicted in a previous study by Borra.

Prediction is a key part of the scientific method. If you develop a theory, your theory looks better and better the more you can use it to correctly predict some future events based on it. Look how many times Einstein’s predictions based on Relativity have been proven correct.

The 234 stars in Borra and Trottier’s study aren’t random. They’re “overwhelmingly in the F2 to K1 spectral range” according to the abstract. That’s significant because this is a small range centred around the spectrum of our own Sun. And our own Sun is the only one we know of that has an intelligent species living near it. If ours does, maybe others do too?

(10) THE HULK V. THE THING. CinemaBlend reports Stan Lee’s definitive answer to America’s most asked question. (And no, it’s not “Does your chewing gum lose its flavor in the bedpost overnight?”)

It’s a question that has dogged comic book fans for decades: who would win in a fight between The Hulk and The Thing? Of course, there’s only one man who has the definitive answer to this quandary: Marvel icon Stan Lee himself. So when it was finally posed to the comic book legend, the world waited with bated breath to hear the answer, which, as it turns out, is The Hulk.

Stan Lee made this admission during his chat with The Tomorrow Show. But there were a few caveats to Stan Lee’s answer, who predicted that The Thing/Ben Grimm would definitely give The Hulk/Bruce Banner a run for his money, as he’s a little smarter than his counterpart. But that didn’t stop Stan Lee from picking The Hulk as the winner, as he explained:

“Oh, The Hulk would win. The Thing is faster and smarter, so he would probably find a way to turn it into a draw or save himself. He’d trap or trick the Hulk. But, in a fair fight, there’s no way the Hulk [would lose]. He’d win.”

(11) FIFTH OF INDIANA. ScreenRant says a fifth Indiana Jones movie will be out in 2019, starring Harrison Ford and directed by Steven Spielberg. But what about George Lucas? “Indiana Jones 5: George Lucas Is Not Involved With Story”.

In an interview with Collider, the screenwriter mentioned that Lucas does not have a hand in crafting the Indiana Jones 5 story, saying, “I haven’t had any contact with him.” Spielberg’s earlier claims that Lucas would be an executive producer could still be true, but it’s difficult to envision a scenario in which Lucas is attached to an Indiana Jones film and isn’t helping design the narrative. It would appear that Lucas would rather enjoy his retirement than jump into the Hollywood machine again, which isn’t all that surprising considering his comments about Disney in the lead-up to Star Wars: The Force Awakens. For many fans, this is a bittersweet revelation; like Star Wars, Lucas is an integral part of the Indiana Jones property, but he was responsible for some of the more unfavorable elements in Crystal Skull, such as his insistence aliens be in the film. Some viewers would prefer Lucas stay away.

(12) SFWA MARKET REPORT. SFWA President Cat Rambo says, “The latest market report went out a little late this month and I wanted to make sure people were aware of it. Dave Steffen is doing a terrific job assembling it.” Find it here: http://www.sfwa.org/2016/10/sfwa-market-report-october/.

(13) OPENINGS IN RAMBO/SWIRSKY CLASS. There are still slots open in “Re-Telling and Re-Taleing: Old Stories Into New”, the Cat Rambo/Rachel Swirsky live online class happening Saturday, October 29.

Authors constantly draw on the stories that have preceded them, particularly folklore, mythology, and fables. What are the best methods for approaching such material and what are the possible pitfall? How does one achieve originality when working with such familiar stories? Lecture, in-class exercise, and discussion will build your proficiency when working with such stories. Co-taught with Nebula-award winning writer Rachel Swirsky.

(14) ARCHEOTELEVISION. Echo Ishii has a new post about another antique sff TV show – “SF Obscure: Children of the Stones”.

Children of the Stones is a 1977 television drama for children produced by ITV network. I know of this show mainly because of the late Gareth Thomas. So, I decided to watch it because I had heard good things about it.

Astrophysicist Adam Brake and his son Matthew go to a village called Millbury which has a megalithic circle of stones in the middle of it. (It’s filmed on the prehistoric monument of Avebury) Things get strange as soon as they arrive. First of all, the housekeeper and neighbors all seem abnormally happy. Matthew has strange feelings of evil and is immediately hostile towards the new neighbor. His father chides him, but Matthew can’t help but feel something is wrong. We later learn that Matthew has some psychic abilities and this is why he reacts the way he does….

(15) DISSECTING THE FALL TV PREMIERES. Asking the Wrong Questions’ Abigail Nussbaum continues “Thoughts on the New TV Season, 2016 Edition, Part 2”.

Westworld – Easily the most-anticipated new series of the fall, the consensus that has already formed around HBO’s latest foray into genre is that it represents the channel’s attempts to grapple with its own reputation for prurient violence, particularly violence against women (see Emily Nussbaum in The New Yorker, and Aaron Bady in The Los Angeles Review of Books).  You can see how that consensus has formed–Westworld builds on the 1973 movie to imagine a lush and impeccably-detailed theme park in which customers pay lavishly to indulge their every fantasy, which almost inevitably seem to involve murder, mayhem, and of course rape.  The metaphor for how HBO’s pretensions to highbrow entertainment ultimately rest on the sumptuously-filmed and -costumed violence of Game of Thrones, True Detective, and The Night Of pretty much writes itself.  For myself, I’d like to believe that there’s more to Westworld than this glib reading, first because I simply do not believe that anyone at HBO possesses this level of self-awareness–this is, after all, the channel whose executives were genuinely taken aback, in the year 2016, by the idea that their shows had become synonymous with violence against women–and second because it’s by far the least interesting avenue of story the show could take.

(16) WOMEN INVISIBLE AGAIN. Juliet McKenna takes to task “Andrew Marr’s Paperback Heroes – a masculine view of epic fantasy entrenching bias”.

Two things happened on Monday 24th October. News of Sheri S Tepper’s death spread – and a lot of people on social media wondered why isn’t her brilliant, innovative and challenging science fiction and fantasy writing better known?

Then the BBC broadcast the second episode of Andrew Marr’s series on popular fiction, looking at epic fantasy.

The programme featured discussion of the work of seven, perhaps eight, major writers – six men and one, perhaps two women if you include the very passing reference to J K Rowling .

Four male writers were interviewed and one woman. Please note that the woman was interviewed solely in the context of fantasy written for children.

If you total up all the writers included, adding in cover shots or single-sentence name checks, eleven men get a look-in, compared to six women. Of those women, three got no more than a name check and one got no more than a screenshot of a single book.

It was an interesting programme, if simplistic in its view, to my mind. There’s a lot of fantasy written nowadays that goes beyond the old Hero’s Journey template. There’s a great deal to the genre today that isn’t the male-dominated grimdarkery which this programme implied is currently the be-all and end-all of the genre….

(17) MASQUERADE VIDEOS. The International Costumers Guild has posted the final version of the “MidAmeriCon 1 masquerade Look Back”.

This episode features highlights from the MidAmeriCon 1 masquerade held in Kansas City, MO. Having discovered another version of this masquerade after the initial upload, we’ve replaced it with this one because the color is more vivid. There is also one additional costume entry that has been added to the video. Note: This video, while not the sharpest in detail, could still be considered slightly NSFW.

 

They have also just released a quick memorial to author and costumer Adrienne Martine-Barnes.

[Thanks to John King Tarpinian, Cat Rambo, Nora and Bruce Mai, JJ, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 10/23/16 Earth Scrolls Are Easy

(1) LE GUIN HEALTH NEWS. Ursula K. Le Guin, who was hospitalized for a few days this summer with heart problems, gave a health update in a comment at Book View Café on October 22.

The kindness of these messages is wonderful.  I wish I could thank you each. I can only thank you all with all my heart.

Health update: My daily bouquet of medicines with weird names is definitely doing its job.   Am quite recovered from the bad time, and get along fine if I don’t push it. My model of behavior is the Sloth.  Can’t hang from branches yet, but am real good at moving slo o o w w l y . . .

Best wishes to all my well-wishers.

(2) STARSHIPS IN OUR LIFETIME. Starship Engineer Workshops are being offered in London on November 12-13.

For further information or to book contact the team at: info@i4is.org  for more details.  For the full promotional flyer: http://i4is.org/app/webroot/uploads/files/SE_A4_Nov2016%20(AM)%20Vers%202.pdf

The Initiative for Interstellar Studies in collaboration with the British Interplanetary Society will deliver an updated Starship Engineer workshop course. Two one day courses, either attend one or both, each will be different and important in their own way.

12th November: Starship Engineer.  Aims to give a grounding in interstellar studies. It starts from considering the essential requirements to giving you an overview of different spacecraft systems, then takes you on a journey through several actual starship design studies. We use examples from the literature, but focus on two specific case studies, that of fusion and beamed-sail propulsion, as plausible ways by which we may someday reach the  stars.

13th November: Science Fiction Starships.  The works of science fiction literature have fascinating starship concepts, but how realistic are they? In this day course we will examine and evaluate the laser-sails in “The Mote in Gods Eye (Larry Niven and Jerry Pournelle), Torch Ships in “Time for the Stars” (Robert Heinlein), Quantum Ramjets in “The Songs of Distant Earth” (Arthur C Clarke) and other inspirational examples of interstellar vessels….

Principal Lecturers: Kelvin F. Longis a physicist and aerospace engineer, until recently Chief Editor Journal of the British Interplanetary Society, author of the book “Deep Space Propulsion: A Roadmap to the Stars” and is the Executive Director i4is and a member of the Breakthrough Starshot advisory committee.

Rob Swinney is a former RAF Squadron Leader aerosystems engineer and is a Deputy Director of i4is. He, and Long, have both been involved in the creation and running of the only two modern starship design projects, Project Icarus (fusion) and Project Dragonfly (laser-sails).

(3) IN TRAINING. Kevin Standlee writes a lyrical post about taking the California Zephyr through the Sierras.

Speaking of the nice parts: the eastbound Zephyr includes some views through the Sierra Nevada that you don’t get on the westbound trip. For example, shortly after Colfax the train goes around “Cape Horn” with some spectacular views of the American River Canyon. Some of the trees have finally been cut back as well; for a while, they’d grown so thick that they cut off the vista, which was unfortunate. Eastbound you miss this because the normal eastbound track goes through a tunnel that custs off this corner with its precipitous view. I’m composing most of them while snaking our way up the mountain, but I can’t post it because on this stretch there is no cell phone signal. We’re on the opposite side of the mountains from the I-80 corridor where the cell phone towers are. Not that I mind. I’m mostly looking out the window. As a touch-typist, I don’t need to stare at the keyboard to write.

(4) NOT A TYPICAL ANALOG WRITER. Galactic Journey says Harry Harrison has finally registered on their radar screen –

Author Harry Harrison has been around for a long time, starting his science fiction writing career at the beginning of the last decade (1951).  Yet, it was not until this decade that I (and probably many others) discovered him.  He came into my view with the stellar Deathworld, a novel that was a strong contender for last year’s Hugo.  Then I found his popular Stainless Steel Rat stories, which were recently anthologized.  The fellow is definitely making a name for himself.

Harrison actually occupies a liberal spot in generally conservative Analog magazine’s stable of authors.  While Harry tends to stick with typical Analog tropes (psionics, humano-centric stories, interstellar hijinx), there are themes in his work which are quite progressive – even subversive, at least for the medium in which they appear.

For instance, there is a strong pro-ecological message in Deathworld.  I also detect threads of pacifism in Harrison’s works, not to mention rather unorthodox portrayal of women and sexual mores.  Harry isn’t Ted Sturgeon or anything, but he is definitely an outlier for Analog, and refreshing for the genre as a whole.

(5) ALMOST YOUR BIGGEST FAN. The Twitter user formerly known as Jim Henley knows how to pay a compliment.

(6) DILLON OBIT. Comics artist Steve Dillion died October 22 reports the BBC.

Steve Dillon, the legendary British comic book artist, known for his work on Preacher, Punisher, and 2000AD’s Judge Dredd has died aged 54.

His brother Glyn confirmed the death on Twitter, saying his “big brother and hero” had died in New York City.

Dillon was a prolific artist who began professional work at age 16, drawing for Marvel UK’s Hulk magazine.

He was best known for his US collaborations with writer Garth Ennis, creating classic cult comic titles.

In his Twitter profile, Dillon, originally from Luton, describes himself as: “A comic book bloke. Co-creator/Artist of Preacher. Co-founder/Editor of Deadline magazine. Artist on Punisher, Judge Dredd and many others.”

(7) TODAY’S BIRTHDAY BOY

  • Born October 23, 1942  — Michael Crichton.

(8) YOUR EPIC IMAGINATION. James Davis Nicoll says it’s “Good news!” Dorothy J. Heydt’s The Interior Life (published under penname Katherine Blake) available again as a free ebook.

Go here for the download.

(9) DO YOU LIKE WHAT SMART PEOPLE LIKE? Ann Leckie keeps hitting them out of the park. Today’s topic: “On Guilty Pleasures”.

Or Romance. Romance isn’t one of my things, right, but let’s be honest, a crappy detective novel or a crappy SF or Extruded Fantasy Product is just as bad as a crappy Romance. When it’s SF we’ll protest that no, that’s just a bad one, the whole genre’s not like that, but Romance? Romance is just stupid, man.

Isn’t it funny how guilty pleasures are things that poor people like–or tend to buy or use because it’s cheap. Isn’t it funny how guilty pleasures are things that teenage girls like, or women. Isn’t it funny how guilty pleasures are things we liked when we were kids.

I’m not saying that nothing can be criticized–there are surely bad Romance novels. Taylor Swift is a pretty good songwriter who has done some very admirable things, but she’s also had her less than admirable public moments. Velveeta doesn’t come out well in a comparison with really good cheese (unless its a competition for what will make the easiest mac & cheese, given only three minutes and a microwave to work with), and it’s probably not very good for you. I’m perfectly willing to criticize things I like, or consider criticism of those things, and still like them.

No, I’m talking about that weird, moral dimension to likes and dislikes. You like pumpkin spice anything? You should be ashamed. You should feel guilty, because you’re not supposed to like that, smart people don’t like that, people who like that have something wrong with them.

So much of what we like or dislike–what we’re publicly supposed to like or dislike–is functioning as in-group identifiers.

(10) HAN SOLO MOVIE CASTING. Donald Glover will play young Lando Calrissian, and YES he will wear a cape reports the Los Angeles Times.

Donald Glover is officially your new Lando Calrissian. Lucasfilm has announced that Glover will play the younger version of “Star Wars’” Cloud City administrator turned Rebel Alliance general in the upcoming standalone Han Solo film.

Glover will join Alden Ehrenreich, who was confirmed to play the young Solo during Star Wars Celebration in July.

According to the press release, the upcoming film will depict “Lando in his formative years as a scoundrel on the rise in the galaxy’s underworld — years before the events involving Han, Leia, and Darth Vader in ‘The Empire Strikes Back’ and his rise to Rebel hero in ‘Return of the Jedi.’”

(11) ACCELERATING HUMAN IMAGINATION IN ENGLAND. Did somebody think it wasn’t fast enough?

On November 24 and 25th on the campus of the University of Liverpool, London, the Arthur C. Clarke Center for Human Imagination and the University of Liverpool, London will host a workshop called Accelerating Human Imagination, bringing together a number of US and European experts in the study of imagination. They will be presenting and discussing new research on questions such as: What is “imagination?” Is there a singular basis of imagination that develops into a number of different phenomena, or do we use the word imagination to group together a number of aspects of behavior and cognition into a common category? If we can better understand imagination, we might be able to find ways of directly engaging it in order to accelerate its operation. What use might we put this accelerated imagination to?

(12) RAW SCIENCE FILM FESTIVAL. The Arthur C. Clarke Center for Human Imagination is a  partner of the Raw Science Film Festival, which honors films on science and technology from around the world. The screening and award ceremony will take place on December 10, 2016, on the Fox Studio lot inside the historic Zanuck Theater. Sheldon Brown will be on hand to present the inaugural Arthur C. Clarke Center for Human Imagination Prize in Speculative Media. The deadline for festival submissions is November 9.

(13) INDIE SHRINKS. At Mad Genius Club, Fynbospress makes insightful speculations about the new author earnings report.

Interesting times, interesting results. After two and half years of constant growth, this time we see the first contraction for indie market share. Trad Pub’s big five showed a very slight gain in unit sales, but most of the market share went to Amazon’s own publishing arm, and a smaller amount to uncategorized single-author publishers (mostly indies).

On gross revenues, most of the lost market share went to small and medium publishers, with a smaller amount to amazon Pub.

Having the what, we’re left to speculate on the why, and how. Causes may include, but are not limited to: Amazon’s Kindle first program, pushing their own new releases; Bookbub’s increasing percentage of big and medium press slots as opposed to indies (and increased price raising the barrier to the fewer slots left); Amazon’s new promoted/sponsored search ads; consolidation of indies into small pubs; the stars being in the right configuration for C’thulu to rise from dead R’lyeh; other factors unknown at this time.

(14) SAY AHHHHH. Research shows “Migraine Sufferers Have More Nitrate-Reducing Microbes in their Mouths”.

Researchers at University of California San Diego School of Medicine have found that the mouths of migraine sufferers harbor significantly more microbes with the ability to modify nitrates than people who do not get migraine headaches. The study is published October 18 by mSystems.

“There is this idea out there that certain foods trigger migraines — chocolate, wine and especially foods containing nitrates,” said first author Antonio Gonzalez, a programmer analyst in the laboratory of Rob Knight, PhD, professor and director of the Center for Microbiome Innovation at UC San Diego and senior author on the study. “We thought that perhaps there are connections between what people are eating, their microbiomes and their experiences with migraines.”

Many of the 38 million Americans who suffer from migraines report an association between consuming nitrates and their severe headaches. Nitrates, found in foods such as processed meats and green leafy vegetables and in certain medicines, can be reduced to nitrites by bacteria found in the mouth. When circulating in the blood, these nitrites can then be converted to nitric oxide under certain conditions. Nitric oxide can aid cardiovascular health by improving blood flow and reducing blood pressure. However, roughly four in five cardiac patients who take nitrate-containing drugs for chest pain or congestive heart failure report severe headaches as a side effect.

(15) SQUINTING. Kevin Marks discusses “How the Web Became Unreadable”. Surprisingly, he’s not talking about all the political posts.

It’s been getting harder for me to read things on my phone and my laptop. I’ve caught myself squinting and holding the screen closer to my face. I’ve worried that my eyesight is starting to go.

These hurdles have made me grumpier over time, but what pushed me over the edge was when Google’s App Engine console—a page that, as a developer, I use daily—changed its text from legible to illegible. Text that was once crisp and dark was suddenly lightened to a pallid gray. Though age has indeed taken its toll on my eyesight, it turns out that I was suffering from a design trend.

There’s a widespread movement in design circles to reduce the contrast between text and background, making type harder to read. Apple is guilty. Google is, too. So is Twitter.

(16) HAGIOGRAPHY. Leonard Maltin interviews Stan Lee for Parade.

DINNER WITH DOCTOR STRANGE

When asked which three of his superheroes he would like to have dinner with, he takes a moment to think the question through. “I’d probably enjoy talking to Iron Man,” he says. “I’d like to talk to Doctor Strange. I like the Silver Surfer. Iron Man is sort of a classier Donald Trump, if you can imagine that sort of thing. The Silver Surfer is always philosophical; he comments about the world and man’s position in the universe, why we don’t enjoy living on this wonderful planet and why we don’t help each other.

[Thanks to John King Tarpinian, James Davis Nicoll, JJ and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day RedWombat.]

Pixel Scroll 4/9/16 Little Old Lady Got Nominated Late Last Night

(1) HERE’S THE PLOT. Ursula Vernon cultivates history in her garden. Read “Sowing History: A Gardener’s Tale” at Tor.com.

When people think of gardeners, many of them tend to picture little old ladies in straw hats with bright green gloves, pottering among the roses.

When people think of gardeners who are also children’s book authors, they go straight to Beatrix Potter and assume that not only are these little old ladies in straw hats pottering among the roses, but they are also greeting the friendly woodland creatures by name—“Hello, Mister Robin! You’re looking very feathery today!” “Why, Missus Tiggywinkle, how have you been?” “Oh dear, that naughty little cottontail has been at my lettuces again!”

Well, I am a gardener and a children’s book author. I am also under forty, tattooed, and the owner of a mostly black wardrobe, and when I greet a happy woodland creature by name, there is an excellent chance that the sentence will end with “touch that and I will end you.”

(2) THE FIRST STAR WARS FANS. The Skywalking Through Neverland podcast discusses “The Early Days of Star Wars Fandom with Craig Miller”.

Our spe­cial guest Craig Miller was the Pub­li­cist and Direc­tor of Fan Rela­tions for Lucas­film dur­ing the hey-day of the 70’s and 80’s. Ever won­der how fans knew what was going on in fan­dom before social media? Whose job was it to tell the world about this new movie called Star Wars? Craig shares some awe­some stories.

 

episod116square Craig Miller

(3) KAMERON HURLEY. Asked where his inspiration came from, lyricist Sammy Cahn said “When the check arrives.” Kameron Hurley’s check has arrived, but she explains what else she needs besides, in “Kameron Hurley: Cultivating Inspiration on Deadline” at Locus Online.

Instead of spending all that time feeling guilty about what I wasn’t doing and scrolling through Twitter, I needed to release myself from the ‘‘I should be writing’’ mentality and let my brain start connect­ing things on its own. I found that the more I actively thought about plot problems, the less my brain wanted to fix them. It kept trying to avoid the problems I’d put to it. For instance, instead of fixing a plot problem on my current book, my brain recently offered up a solution to a subplot problem in the next book I’ll be working on. At some point I have to give in and let my brain make the connections it needs to make, without getting in its way. More and more, I have to let my brain go more than I’m used to, or it just retreads the same old story paths.

I would like to tell you that giving up everything to write is the only way to write. I enjoy spouting that whole ‘‘fall on your sword’’ advice time and time again. Giving up activities that waste your time while you should be writing is beneficial, but I can only burn hard like I have for so long before the flame gutters out. I don’t want to be that writer who just writes the same story over and over again.

(4) A LECKIE FANTASY. Rachel Swirsky’s April 8 Friday Fiction Recommendation is “Marsh Gods” by Ann Leckie.

I’m a fan of Ann’s fantasy universe in which gods must be careful to speak the truth, lest they lose their power. I hope we get longer work in it someday, or at least more. (Publishers: Hint, hint.)

Read “Marsh Gods” at Strange Horizons, or listen at PodCastle.

(5) WRITERS OF THE FUTURE. There was a bit of drama during “Day 5 – Writers of the Future Volume 32 Workshop”.

First up was Liza Trombi from Locus Magazine, the foremost professional publication in science fiction and fantasy literature. She discussed Locus, and then moved on to the vagaries of self-publishing, traditional publishing, and going hybrid. Liza recommended trying traditional publishing before attempting self-publishing. She also mentioned that publishing your first novel is rare, and that the best thing you can do for your future writing career is to always be writing a new book.

Robert J. Sawyer was up after Liza. With fresh copies of Locus in the winner’s hands, Robert took the opportunity to point out that his latest book, while having been well reviewed by Publisher’s Weekly and the Washington Post, was disliked by Locus. And while the book is doing extremely well, the reality is that someone will always dislike your work. He stressed that you should never write to please everyone because you never will. Your job, he says, is to identify what it is you do. You should know what your brand is as a writer, and write to please those people.

(6) WRITERS OF THE PRESENT. The bestselling authors are walking between the raindrops at the Los Angeles Times Festival of Books this weekend.

Stan Lee kept dry.

Other ornaments to our genre were on hand.

No Scalzi food photo today, but it played an important part on the program.

He also found time to practice his starship hijacking skills, on a modest scale.

(7) BINDER FULL OF LETTERS. Doug Ellis shares a few more historic letters in his post “Otto Binder on H.P. Lovecraft and Robert E. Howard” at Black Gate.

In late December 1935, science fiction author Otto Binder moved from Chicago to NYC to represent Otis Adelbert Kline’s literary agency. Among the authors he represented for Kline’s agency was Robert E. Howard. Binder had been to NYC previously, in late June and early July 1935, with his friends Clifford Kornoelje (better known in SF circles as Jack Darrow) and Bill Dellenback.

As I’ve mentioned before, back in 2001 I bought a few boxes of correspondence from Darrow’s estate, including dozens of letters that Binder had written to Darrow over the course of many decades. In going through them last month, I pulled this one and thought I’d post it today.

Once in NYC, Otto quickly resumed his friendships with Mort Weisinger and Charles Hornig, and rapidly met more figures involved in the local science fiction community. Less than two weeks after he’d arrived, he was invited to a gathering at Frank Belknap Long’s place, which was held on Friday, January 3, 1936. Binder and Long were fellow Weird Tales authors, with Binder and his brother, Earl, having sold WT some stories under their Eando Binder penname.

Among the others at the party were Donald and Howard Wandrei, Kenneth Sterling and, most interestingly of all, H.P. Lovecraft. Lovecraft impressed Binder greatly, as he relates in this letter to Darrow dated January 12, 1936. That would have been some gathering to attend!

(8) HAMPUS, IS THAT YOU? Not a toll-free call! CNN has the story: “The Swedish Number: Random Swedes are waiting to hear from you”.

Are you there, Sweden? It’s us, the world.

To mark the 250th anniversary of Sweden’s abolition of censorship, the Swedish Tourist Association has launched a phone number connecting global callers with random Swedes.

Think Chatroulette meets the United Nations.

Sweden’s new ambassadors don’t receive any training and their time is voluntary. They simply download the Swedish Number app, register their number, and signal their availability by switching themselves on or off.

As for the cost of ringing up, it’s charged as an international call so check with your provider before chatting with your new Swedish buddies late into the night.

There have been nearly 14,000 calls since the service launched on April 6, with nearly a third coming from the U.S. and a fifth from Turkey.

(9) GAME MAKER YIELDS. Crave reports “Baldur’s Gate Developer States They Will Change Trans Character and Remove GamerGate Joke”.

After an inexplicable amount of press was placed upon their team by angry gamers, Baldur’s Gate: Siege of Dragonspear‘s developer Beamdog has stated that they will be altering the dialogue of transgender character Mizhena in a future update, along with removing a reference to GamerGate.

In the game, which is an expansion to the original Baldur’s Gate, there is a line of dialogue in which minor NPC Mizhena explains the origins of her name, revealing to the player that although being born a boy, she and her parents “came to understand [she] was truly a woman” later in life. This entire exchange, which is limited to four sentences, led to the game being bombarded with negative user reviews online, despite critical reviews of the game being positive. Another point of contention for its detractors was a line at the expense of GamerGate, in which popular character Minsc says “really, it’s all about ethics in heroic adventuring.”

(10) CARPENTER ON GALAKTIKA PAYMENT OFFER. Anna Grace Carpenter, who surfaced the story (“Galaktika Magazine: Theft on a Massive Scale”) expresses her views about Galaktika’s response in “Galaktika Magazine: By Way of Explanation”.

Let me pause for a moment and say that the offer of compensation is a step in the right direction. However, neither Mr. Burger or Mr. Németh have addressed the underlying issue.

This is a chronic and widespread issue of theft. It is not just the stories published in 2015 (of which there are many), but work that was published as far back as 2008….

This pattern is more than a lack of diligence or caution or speed on the part of the publishing staff at Galaktika. It is not an occasional oversight or misunderstanding of previous contracts. This is habitual theft.

Remember that the vast majority of these authors never submitted their work for consideration, there was no implication of giving their permission for the translation and publication of their stories in Galaktika. Rather, their work was copied from other, paying publications online without any attempt to contact the original publisher, editor or author, and then printed for profit in Galaktika. That is not a mistake, that is theft.

Cat Rambo, current president of SFWA, said she is still trying to obtain a copy of István Burger’s statement in English and there are still questions to be answered. (How soon can authors expect to receive payment? Will authors be able to request their work be pulled from Galaktika? Will Galaktika contact all those involved to arrange compensation or will they put the responsibility on the individual to contact them and make a claim?)

And the question remains, what will Mr. Burger and Mr. Németh do going forward?

(11) DRAGON AWARDS DISCUSSION CONTINUES.

Deby Fredericks on “The Dragon Awards” at Wyrmflight.

One of the distinctions I believe Dragon Con is trying to make, is that the existing prestigious awards are decided by a limited number of people — a jury, members of a particular convention or group — while the Dragon Awards will be nominated and voted by all fans. This sounds fair and noble, but I’m remembering that time when DC let fans vote on whether Robin should be killed by the Joker. They were aghast that fans wanted Robin dead. Was the outcome fair? Perhaps. But was it noble?

Already, some in the community responsible for the Hugo Awards Kerfluffle have been heard to gloat that now they will win because no bunch of snobs can vote them down. As you probably can tell, I’m a little tired of hearing privileged majorities play the dismartyrdom card. We’ll all find out in time.

I don’t necessarily agree that SF/media/everything needs another set of awards. However, I do believe Dragon Con is a large enough and inclusive enough organization to credibly present such an award. It will be interesting to see the outcome, and where it aligns or doesn’t align with the other awards.

Brian K. Lowe posted about “The Dragon Awards” at Graffiti on the Walls of Time.

“Another trophy,” you say, possibly enthusiastically, perhaps dismissively, maybe with a touch of boredom. Or maybe you say it with an appraising tone, as do we authors who think, “Hey, there’s another award I can aspire to (and probably never win)…” Regardless of your personal reaction, the awards are here and presumably they’re going to stick around a while. (America’s thirst for awards ceremonies is almost as impossible to slake as its thirst for reality shows, or sleazy political drama. If it ain’t a competition, we’re not interested.)

All of these reactions are quite understandable. What I don’t understand is those who believe that this development somehow spells trouble for the Hugo Awards given out every year by the aforementioned Worldcon.

Cirsova takes the whole thing rather less than completely seriously in “Genrefication and Dragon Awards”.

This isn’t a victory, unless your aim is creating genre ghettos.

In response, I propose an alternative.  If I ever get the reach to make such an endeavor feasible, I will give you the Brackett Awards:

  • Categories will include, but are not limited to, in Long and Short Form:
  • Best Space Princess/Classiest Dame
  • Most Dashing Swordsman/Gunman
  • Creepiest Monster/Alien
  • Most Exotic/Erotic Xeno-hominid
  • Best Explosion
  • Coolest Spaceship
  • Best Empire (domineering, crumbling or otherwise)

Will these categories end up punishing certain books under the SFF umbrella?  Probably, but not the most awesome ones.

Ian Mond says live and let live at Hysterical Hamster.

And a day or so ago Dragon Con launched its own genre awards.  To reflect the size of the con there’s about fifty billion categories ranging from best Apocalyptic fiction (my personal favourite) to Best episode in a continuing science fiction or fantasy series, TV or internet (take a deep breath).  I don’t begrudge any organisation, individual or entity organising and administering their own awards.  More power to them.  Personally though, I think I’ll give this one a miss.

Martin C. Wilsey’s sentiments about “The Dragon Awards” are shorter but not as sweet.

Well it was bound to happen. The Hugo Awards process corruption scandal has finally led to the inevitable conclusion. A new award that has fairness baked in. The Dragon Awards.

–Let’s hope that this award is all about quality of the fiction.

(12) RECAP. I don’t watch Sleepy Hollow so it’s hard to explain how I got sucked into reading this spoiler-filled recap of the final episode. This paragraph will give you the gist of what SciFi4Me felt about it:

Bloody Hell. I don’t know what they are thinking. And I don’t know how a show based on such a flimsy premise could jump the shark, but they did.

(13) DEAN KAMEN. The inventor of the Segway is the son of E.C. Comics’ Jack Kamen. Read about “Inventor Dean Kamen’s Big Ideas” in the Wall Street Journal.

Mr. Kamen, 65, is known for coming up with the Segway (the two-wheeled electric vehicle), the iBot (a stair-climbing wheelchair) and a portable dialysis machine. He considers the First Robotics Competition, now in its 25th season, one of his best ideas yet…

In the competition, teams of students have six weeks to build a robot from scratch. The robots must then complete various tasks, working in teams. In this year’s challenge, they have to get through their opponents’ fortifications and take over territory in a space set up to look like a medieval battlefield with castles and towers. More than 400,000 students are competing this year, up from about 100 in 1992. “More and more, kids are starting to see that technology is cool. It’s not for nerds,” he says.

Mr. Kamen grew up a self-described nerd in New York’s Long Island, the son of a comic-book illustrator and a teacher. His engineering career started early; in high school, he earned more than $50,000 a year for designing and installing light and sound systems for musicians and museums.

Mr. Kamen, who is unmarried and doesn’t have children, spends most of his time working. “I get up in the morning, and I start working, then I keep working until I can’t work anymore, then I fall asleep,” he says. His idea of a vacation is going from one project to another when he’s stuck.

(14) TODAY IN HISTORY

  • April 9, 1833: First tax-supported U.S. public library founded, Peterborough, New Hampshire
  • April 9, 1959: NASA introduced first seven astronauts to press.

(15) TODAY’S BIRTHDAY BOY

  • Born April 9, 1926 – Hugh Hefner.

(16) KEEPING THE HARD IN HADRON. Ladies and gentlemen, the LEGO Particle Accelerator! JK Brickworks says —

This is a working particle accelerator built using LEGO bricks. I call it the LBC (Large Brick Collider). It can accelerate a LEGO soccer ball to just over 12.5 kilometers per hour.

 

(17) A CASE OF PHYSLEXIA. As most of you already guessed, I picked the previous item’s headnote because it references a typo that made news this week.

The BBC get overexcited by the world’s largest atom smasher.

 

(18) ATARI FLASHBACK. RPF Pulse brings us “The Art of ATARI Book Preview Images”.

Co-written by Robert V. Conte and Tim Lapetino, The Art of Atari includes a comprehensive retrospective collecting game production and concept artwork, photos, marketing art, with insight from key people involved in Atari’s rich history, and behind-the-scenes details on how dozens of games featured within were conceived, illustrated, approved (or rejected), and brought to life!

Includes a special Foreword by New York Times bestseller Ernst Cline, author of Armada and Ready Player One, soon to be a motion picture directed by Steven Spielberg.

Atari is a touchstone for many people. Their games and game system exposed many to video games for the first time. Whether you’re a fan, collector, enthusiast, or new to the world of Atari, this book offers the most complete collection of Atari artwork ever produced!

[Thanks to John King Tarpinian, JJ,and Soon Lee for some of these stories. Title credit goes to File 770 contributing editor of the day Will R.]

Marvel at the Streets of Wonder

marvelmania_sticker_sheet_steranko_kirby_fantastic_four_2 COMP

By James H. Burns: It was in the early 1990s when rereading some Marvel comics of the very late ’60s, and early ’70s — and more to the point, reading some tales from that period that were entirely new to me — that I came to the happy conclusion that the success of the comics line was no accident, or a gossamer from childhood that didn’t quite hold up in a later light. Stan Lee, with Jack Kirby and Steve Ditko and Don Heck–and many, many others! —

All for publisher Martin Goodman, the gentleman most overlooked in pop culture histories (and who had been active since the days of the pulp magazines, in the 1930s)

— Had indeed created an engaging and complex universe, with as much potential for enchantment and intelligence, as action and adventure.

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Too often forgotten is that it was with Lee’s achievements as an editor overseeing the Marvel line, coordinating and inspiring the contributions of many other writers and artists (while still scripting many  titles on his own) that all these terrific elements coalesced. (Writer/editor Roy Thomas, beginning in the second half of the 1960s, also made significant contributions, which became even stronger, when he became Marvel’s editor-in-chief in 1972, with Lee as the publisher.) This saga was all the more remarkable because you could see the new installments of Stan Lee’s oeuvre every month, gleaming  at your local newsstand, beaming with often incredible cover art —

By just making a few blocks walk, or bike ride (or a short car-drive with a parent)!

panel_avg034b

Also phenomenal was that you could purchase these issues for just twelve, and then fifteen cents…

(Imagine the widest spectacle of adventure, with almost always wonderful illustrations, available today, for what would be the equivalent of  a little less than a buck!)

Many of the stories, at least in their cumulative impact, remain among the best the medium has offered.

60s-marvel-blockbusters

And while the Marvel movies have certainly offered at least a hint, too many fans of imaginative fiction remain unaware of just how wonderful that Marvel universe could be–

Priceless, at any time!

KirbyAsgardhttpdigitalspyuk.cdnds.net1432980x490landscape_comics-steve-ditko-doctor-strange-1.jpg

st156_1Marvel was a success all over the country, but there was a special kind of thrill if you grew up in New York, or the Tri-State area (New Jersey, Connecticut, and even parts of Pennsylvania)

The characters not only lived relatively near you, but so did their creators! The majority of Marvel’s heroes and villains resided in Manhattan, or its nearby environs, and the editorial offices were in the heart of the great metropolis.

marvel_spread_lrg

I first discovered the world of Marvel in the same way as millions of other kids, via The Marvel Super Heroes, a daily syndicated half-hour cartoon series, that debuted across the United States in September 1966.

The series featured often primitive animation — even using what seemed like cut-outs from the comics, or colored xeroxes of the same, moving across the screen. But the adaptations of the Marvel scripts were usually almost exact, and it’s astonishing, even today, to see the era’s artwork come to a certain kind of life, with some particularly good voice acting, and background — if stock — music.

The line-up included Captain America, Hulk, Iron Man, Thor and Bill Everett’s Sub-Mariner.  (Each character received thirteen half-hour episodes, with very memorable theme songs!) Spider-Man was originally supposed to be part of the lineup, but when a Spidey series was sold to ABC for the next television season, Subby (Prince Namor, of Atlantis) indeed became a substitution. (The network Spider-Man series featured far improved animation, and a jazz score that remains notable.)

(The program was also unusual because, reportedly, its individual series were provided by several animation studios (which would certainly help explain the shows’ widely divergent styles)! Stan Lee supplied the scripts for which — even more remarkably, if recent accounts are accurate! — he also brought in contributions from none other than Jerry Siegel, the co-creator (with Joe Shuster) of Superman.)

The Marvel Super Heroes’ importance to Marvel as a company, and to the explosion of super hero pop culture across the nation in the mid-1960s is usually ignored, which is odd:  Because for the next several years, the program would be the majority of Americans very first exposure, and introduction to Marvel’s unique cosmography.

You were able to experience much of the first couple of years of the Marvel universe, before you could even read!

As a four-year old, it was amazing to be sitting in front of the family TV, and see New York City street scenes, and sequences taking place in the suburbs — often with a kind of neat, chiaroscuro effect (as I watched on a black-and-white television!) — taking place within less than forty minutes from where I lay my head.

I also loved the DC/National comics characters (Superman, Batman, Flash, Green Lantern, the Atom, Hawkman, the Justice League of America…).  As I began to read and become devoted to comics over the next few years, those affections grew even stronger. But there was a bonus to knowing that many of the Marvel folks lived virtually next door!

This delightful fancy came full on to me one weekend afternoon in the early 1970s, during one of the very last times – the last time? — my immediate family was in a car together, going somewhere.  Anne and Phil Lehrman had been like an aunt and uncle to me, and their daughter, Bettie Jo, was marrying David Chin, in Queens (the New York City borough right between Manhattan’s East River, and Long Island).

(For years, Annie and Phil would bring me an ice cream sundae — a parfait, actually, from Carvel — whenever they would visit!)

As we drove through the pleasant residential area that some might  be surprised to discover exists in New York City’s outer reaches, I suddenly thought:

This is where Peter Parker lives (or, somewhere close by….)!”

I didn’t expect the Friendly Neighborhood Spider-Man (Parker’s alter-ego) to suddenly be swinging overhead, or even to see his Aunt May out for a stroll.  But it was fun to indulge in such whimsy, on what promised to be an even happier afternoon ahead.

Forest-Hills-Peter-Parker

1367610602_1(Similarly, as a very little kid, the skyline of Manhattan always gave me  a thrill, and not just for the obvious reasons.  For years, every early Sunday afternoon, New York’s local WNEW-TV would broadcast a comedy from the Bowery Boys series (starring Leo Gorcey, Huntz Hall, and Gorcey’s father, Bernard, as Louie Dumbrowski, the “Sweet Shop” owner).  Many of the movies opened with a logo featuring New York’s skyscrapers. The iconography of the mind, particularly of those that are very young, can take many forms!)

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It was even more astonishing to learn, later, that at the time of Marvel’s early ascendancy, I lived directly between the homes of Stan Lee and Jack Kirby, in Nassau County — Lee in Hewlett Harbor, and Kirby in East Willison (near Mineola); both about fifteen-to-twenty minutes distance….  I still haven’t been able to quite process the fact–discovered only about fifteen years ago — that in the late 1960s and early 1970s, the legendary fantasy and comics artist Wally Wood had opened a small studio only five minutes from my family’s place in Valley Stream. As a child, I had walked by that nondescript small building, with absolutely no idea of the delights being devised within!

Nick_Fury_of_SHIELD(1000)_001_20

Forgive me, because I didn’t mean to go all self-referential.  But New York City, I’m told by some, has become inexorably linked to my writing. (Barbara Peterson, in fact, surprised me by initially  entitling a series of occasional columns that I wrote for her wonderful Thunderchild website, “Burns in the City”.)

When I’m walking in Manhattan, particularly at night…  It’s  always more than enough to be on the Seventh Avenue and Broadway blocks that live so much in my heart —

But many of those Marvel comics panels still echo somewhere in my mind.

(Surely, many of your own favorite writers and artists — comics and otherwise — know these streets as well, or better than I do. And it’s extraordinary to realize that artist/writer Steve Ditko, now eighty-eight years old, the co-creator of Spider-Man, and the creator of Doctor Strange and many other characters, still works every day in his studio/office, somewhere in the Times Square area.)

It’s not that I expect to have Captain America suddenly tap me on the shoulder–

And I wonder sometimes if I’d even deserve such an hero’s greeting —

But it’s warm to remember how many of the adventures that so inspired me, transpired here, along the way.

And that for those who are only discovering these stories today, it’s all in the future, as so many tales await.

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ADDENDUM:

For decades, the rarest piece of Marvel film footage was the opening and closing credits of The Marvel Super Heroes.  The title sequences disappeared somewhere during the program’s later rebroadcasts and syndication.  When the cartoons debuted on home video in the 1980s, clips from the scenes could be seen in a new montage that began each volume, but the intro and finale were still gone.

…Until a few years ago, when some intrepid comics fans (“True Believers,” or “Fearless Face Fronters,” as Stan Lee might have called them!) began somehow finding the films, and putting them online.

These vignettes are of importance because they were some of the first science fiction or fantasy super hero milieu experienced by the general public.

And as to the end titles, how often, to this day, do you get to see a group of dancing titans?

The Marvel Super Heroes also featured theme songs for each character:

Captain America

Hulk

Iron Man

Thor

Subby

As a service to our faithful readers, here are the lyrics: CAPTAIN AMERICA

When Captain America throws his mighty shield,
All those who chose to oppose his shield must yield.
If he’s led to a fight and a duel is due,
Then the red and white and the blue’ll come through,
When Captain America throws his mighty shield.

HULK

Doc Bruce Banner,
Belted by gamma rays,
Turns into the Hulk.
Ain’t he unglamorous!
Wrecking the town,
With the power of a bull,
Ain’t no monster clown,
Who is as lovable,
As ever-lovin’ Hulk! HULK!! HULK!!!

IRON MAN

Tony Stark makes you feel,
He’s a cool exec with a heart of steel.
As Iron Man, all jets ablaze,
He’s fighting and smiting with repulsor rays!
Amazing armor!
That’s Iron Man!
A blazing power!
That’s Iron Man!

THOR

Cross the Rainbow Bridge of Asgard,
Where the booming heavens roar,
You’ll behold in breathless wonder,
The God of Thunder, Mighty Thor!

SUB-MARINER

Stronger than a whale,
He can swim anywhere; He can breathe under water,
And go flying through the air:
The noble Sub Mariner, Prince of the deep.
So, beware you deadly demons,
Lord Namor of Atlantis,
Is the Prince of the Deep.

There remains one more “lost” element from the series. The cartoons were actually relatively short, about eighteen minutes in their entirety, which led  some stations to initially have the program presented by a host (working from scripts, reportedly, provided by Lee and Siegel, as well using their own material and ad-libs).

To “fill out” the half hours, the show included “interstitials,” very short segments (under a minute), explaining a character’s origin, or special concerns. These sequences also disappeared over the years, and only a few have resurfaced.

You have a repeat of The Marvel Super Heroes opening here (in color), but at 47 seconds, a “bumper” all about Captain America’s shield:

Some are available for now only in French, such as this one about Thor:

Or this “bio,” about Prince Namor, the Sub-Mariner

And finally, this background on the character who was one pf the Marvel Universe’s very first pillars,, Captain America:

It would be lovely if a historian at Marvel, or its current corporate parent, Disney, could trace the rest of these short films down.  It’s not so much, obviously, that they are celluloid jewels, but they  still  reflect in a  very unique way on these oh-so-many beloved fictional lives, and the history of the company they once kept.

Pixel Scroll 2/23/16 The Lurker at the 5% Threshold

(1) THE PUPPET’S INSIDE STORY. Mary Robinette Kowal livestreamed “Ask a puppet about publishing” today. The answer to the old standby “Where do you get your ideas?” got perhaps the truest answer that has ever been given to this question.

(2) GREG KETTER MAKES NEWS. The legendary Minneapolis bookstore is featured in Twin Cities Geek — “From the Stands: DreamHaven Books Is Still Standing”.

Dreamhaven

A later memory I have of the store is hearing Neil Gaiman read his book The Day I Swapped My Dad for Two Goldfish there upon the book’s rerelease in 2004. I remember maybe 35 or 40 people in the store, which can’t be correct—there must have been more than that to see Neil Gaiman—though I’m certain it was a number far smaller than you’d expect to see today, in the age of expanded cons, fandom, and the Internet social-media grapevine. Except for running into Gaiman a few weeks later at the Minnesota Renaissance Festival (and a few other places, actually—that was a weird summer), I wouldn’t see him again in the flesh until an MPR Wits show last year, crammed into the Fitzgerald Theater with over 1,000 other fans. That show was a little closer to what one would expect of a Gaiman sighting, where Neil is a smudge, his pale face and customary black clothes treating us to an impromptu and sparsely populated Mummenschanz show against the stage’s dark backdrop, not at all the mild, T-shirted man with the roiling mind, reading to us about the best deal you could get in a trade for your dad.

… Last April, DreamHaven returned to normal store hours with the help of Alice Bentley, a former business partner of Ketter’s. The two co-founded the Chicago bookstore The Stars Our Destination in 1998, which Bentley ran by herself from 1994 until 2004, when she closed the store, moved to Seattle, and got out of the book business. Says Ketter of Bentley, “She had been out of books for a while, and she really wanted to get back in. So, she moved to [Minneapolis] from Seattle and she’s partnering with me . . . She’s very knowledgeable; in the last 11 or 12 years since she left, things have changed a great deal [but] she’s been very happily relearning the book business.” The two now run the business as partners, with Ketter as the “go-to guy for questions” and Bentley employing her “love of spreadsheets” to keep the business on track.

(3) SPURNING PASSION. Andrew Porter recalls, “I wanted to reprint a Tolkien poem first published in the 1940s, and Tolkien refused me permission — and then he refused a whole bunch of other people including Ballantine Books, and it’s still not been ‘officially’ published. But some people got tired of waiting for “official” publication, and here it is, on the web: “The lay of Aotrou and Itroun” (1945).

A witch there was, who webs could weave
to snare the heart and wits to reave,
who span dark spells with spider-craft,
and as she span she softly laughed;
a drink she brewed of strength and dread
to bind the quick and stir the dead;
In a cave she housed where winging bats
their harbour sought, and owls and cats
from hunting came with mournful cries,
night-stalking near with needle-eyes.

(4) TELL ME IF YOU’VE SEEN THIS BEFORE. At MeTV, “7 reused props on television that will make you do a double-take”.

Neosaurus Disguise:

Lost in Space’s creator Irwin Allen liked to recycle props, but one of his most notable ones was reused by another iconic ’60s TV show. The neosaurus disguise first appeared in Lost in Space:

(5) NEW SAWYER NOVEL. Robert J. Sawyer’s 23rd novel Quantum Night will be released March 1 in hardcover, ebook (all formats), and as an audiobook from Audible.

Robert-J-Sawyer-novel-Quantum-Night

What if the person next to you was a psychopath? And that person over there? And your boss? Your spouse? That’s the chilling possibility brought forth in bestselling author Robert J. Sawyer‘s new novel Quantum Night. Psychopaths aren’t just murdering monsters: anyone devoid of empathy and conscience fits the bill, and Sawyer’s new science-fiction thriller suggests that there are as many as two billion psychopaths worldwide.

A far-out notion? Not at all. As Oxford Professor Kevin Dutton, the bestselling author of The Wisdom of Psychopaths, says, “Sawyer has certainly done his homework about psychopaths and he understands well that, far from being just the occasional headline-grabbing serial killer, they’re everywhere.”

Sawyer says: “Reviewers often call me an optimistic writer — one of the few positive voices left in a science-fiction field that has grown increasingly dystopian. I like to view my optimism as a rational position rather than just naïveté, and so I felt it was necessary to devote a novel to confronting the question of evil head on: what causes it, why it flourishes, why there seems to be more and more of it — and what we can do about it. The theme is simple: the worst lie humanity has ever told itself is, ‘You can’t change human nature.’”

Click to read the opening chapters. Details of the Canadian and U.S. stops on Sawyer’s book tour can be found here.

(6) OSHIRO STORY CONTINUES. Here are links to new posts dealing with Mark Oshiro’s published harassment complaint.

The Kansas City Science Fiction and Fantasy Society, Inc. (KaCSFFS) is the sponsor of ConQuesT, the oldest convention in the central states region. The KaCSFFS Board of Directors oversees ConQuesT, but the day-to-day operations of the convention are done by the volunteer chairs and convention committee, who change from year to year.

In light of recent issues we feel that more oversight of the convention committee as a whole is necessary by the KaCSFFS Board of Directors. This is being addressed by the current Board of Directors as we speak.

KaCSFFS is profoundly sorry that these issues arose, and the policies in place were not followed through to completion. We are taking steps to ensure that future complaints are addressed appropriately and in compliance with current policies and procedures in place.

Posted by Jan Gephardt

The KaCSFFS Board of Directors is: Margene Bahm, President, Earline “Cricket” Beebe, Treasurer, Kristina Hiner, Secretary, Jan Gephardt, Communications Officer, Keri O’Brien, ConQuesT Chairperson for 2016, and Diana Bailey, Registered Agent.

From SFF and romance convention attendees alike. To the point that I’ve applied some probably unfair stereotyping of my own, in deciding that media and writers’ conventions in Those Four States (Texas, Oklahoma, Kansas, and Missouri) are probably off limits to me. If I won a lottery tomorrow and travel costs were not an issue…I probably wouldn’t change my decision.

I get told, rightfully so: ‘That’s unfair. We have lovely, diverse people at X convention or Y festival! By not attending, you are letting the bad people win!”

True. I know some good people in those places. I’d love to visit them. There is a large romance convention in Texas and an even bigger SFF gathering in Kansas City that I *should* attend for career reasons. (Except that the romance con has a dismal record respecting M/M romance authors, and I’m not sure I’m at the professional level to go to the SFF con yet.)

By not attending, I’m not validating some indefensible behavior from con committees who keep getting away with this shit, and use fans and sane staffers as their human shields. I’m not paying into the tax coffers of hotels, cities, and corrupt hypocritical legislatures who still seem to be stuck in Pre-Civil Rights America. By myself, I’m a nobody, and I only have power over what I personally spend and buy.

I was unlucky enough to get tapped for a self-pub panel at CONQuest (Kansas City 2013) that consisted of me and two gatekeepers who bloviated the entire time, talking over anything I had to say. Lawrence M. Schoen was the moderator who opened his introductory email to me with a declaration that nobody should self publish unless they’d already been vetted by the publishing industry. He also used the term “politically correct” which prompted the following response from me:

“Please do not use the term ‘politically correct’ in my presence. My colleagues and mentors include survivors of the Chinese Cultural Revolution and the Soviet GULag. Current American usage of this term trivializes these mass atrocities in the service of defending lazy-minded reflexive bigotry.”

In response, he doubled down on his insistence on right to say anything he liked.

On the panel, Silena Rosen was particularly notable for her crude, hostile manner as well as rant about how self-pub was shit, fanfic was public masturbation, yadda yadda yadda. Schoen wasn’t so much a moderator as a partner in the pile-on. I had quality assurance experience from multiple industry jobs, and a whole list of suggestions for editorial collectives and the like. They talked right over me as loudly as they could. None of that stuff even got said.

I felt the whole time as if I were fighting with both hands tied behind my back. I was there to give the audience new ideas and perspectives and to present myself with courtesy and professionalism; they were there to beat me up in public.

I don’t know anything about the Oshiro thing. Is that the one where the guy was the GoH at a con and didn’t get treated well? I’ve seen that in passing is all. I can only assume that if File 770 is upset over it, they’re either on the wrong side, or just plain stupid.

A bunch of comments from File 770 are reproduced in that same thread. Which is great, because it proves how many of Larry’s fans find this blog despite his refusing to allow pingbacks from my posts, and how they force the rest to read the material anyway.

(7) REASONS WHY DOING NOTHING IS WORSE. Jim C. Hines reviews the recent history of convention antiharassment policy enforcement in “The Importance of Having and ENFORCING Harassment Policies at Cons”

I get it. It’s one thing to write up policies on harassment and appropriate behavior for a convention. It’s another to find yourself in the midst of a mess where you have to enforce them.

Emotions are running high. The person accused of violating the policy isn’t a mustache-twirling villain, but someone who’s been attending your con for years. They’ve got a lot of friends at the con — possibly including you. If you enforce the consequences spelled out in your policies, someone’s going to be upset. Someone’s going to be angry. Someone’s going to feel hurt. It feels like a no-win situation.

And it is, in a way. There’s nothing you can do to make everyone happy. But we’ve seen again and again that there’s a clear losing strategy, and that is to do nothing. To try to ignore your harassment policy and hope the problem goes away on its own.

It won’t. As unpleasant as it is to be dealing with a report of harassment, doing nothing will make it worse. Here are just a few examples from recent years.

(8) THE F IN SF IS NOT FILLET. Seeing a comment on File 770 about all the fiction with “bone” in the title, Fred Coppersmith recommended:

(9) HENCEFORTH THEY WILL BE CALLED FUCHSIA HOLES. Gazing at black holes – “What does a black hole actually look like?” at Vox.

Impossibly dense, deep, and powerful, black holes reveal the limits of physics. Nothing can escape one, not even light.

But even though black holes excite the imagination like few other concepts in science, the truth is that no astronomer has actually seen one….

We do have indirect images of black holes, however

Some of the best indirect images of black holes come from the Chandra X-ray Observatory, where Edmonds works. “The friction and the high velocities of material forming out of a black hole naturally produces X-rays,” he says. And Chandra is a space telescope specially designed to see those X-rays.

For example, the Chandra observatory documented these X-ray “burps” emanating from the merger of two galaxies around 26 million light-years away. The astrophysicists suspect that these burps came from a massive black hole: …

Similarly, the fuchsia blobs on this image are regions of intense X-ray radiation, thought to be black holes that formed when two galaxies (the blue and pink rings) collided: …

Be sure to check out the fuzzy but fascinating video showing the proper motion of stars around an apparent black hole.

(10) YES THERE IS A DRAGON. Pete’s Dragon official teaser trailer.

(11) FARTHER BACK TO THE FUTURE. TechnoBuffalo declares “This fan-made Back to the Future prequel trailer is amazing”.

There’s never going to be a Back to the Future sequel or reboot—at least as long as director Robert Zemeckis is alive. With that in mind, what if there was a prequel? Didn’t think of that, did you? I sure didn’t, but after seeing the trailer above, I’d totally be on board.

If you’ve never seen BTTF (what’s wrong with you?), it begins with Doc Brown revealing to Marty that the only way to produce the 1.21 Gigawatts necessary to time travel is to use plutonium. The prequel would be a story about how Doc Brown gets hands on the plutonium, which he only mentions in passing in the original film.

The prequel trailer was brilliantly edited together by Tyler Hopkins, who used footage from various movies featuring Christopher Lloyd (the actor who played Dr. Emmett Brown).

 

(12) HE’S A MARVEL. “Stan Lee Makes a Cameo During Frank Miller’s Batman: The Dark Knight Returns 30th Anniversary Panel”. (Check out the photo at the post — Stan looks younger than Frank!)

In Los Angeles to celebrate the 30th Anniversary Edition of the book’s release, Miller sat down with IGN to talk about The Dark Knight Returns’ enduring legacy, what makes Batman relevant, and why he keeps coming back to the character. He then took the stage for a Q&A moderated by DC Co-Publisher Dan DiDio, where he discussed his initial apprehension at reinventing such an established character, the impact he’s had on future creators, and who would win in a fight between Batman and Captain America.

The evening took an unexpected turn right out the gate as Miller’s panel was interrupted by an audience heckler. That heckler turned out to be none other than Marvel Comics legend/cameo king Stan Lee, who was on hand to celebrate pal Miller’s accomplishments. Lee of course demanded to know who would win in a showdown between publisher mainstays Batman and Captain America, to which Miller slyly responded “Robin.”

(13) THE ICON’S IMAGE. Abraham Riesman profiles the icon in “It’s Stan Lee’s Universe” at Vulture.

A comic-book Methuselah, Lee is also, to a great degree, the single most significant author of the pop-culture universe in which we all now live. This is a guy who, in a manic burst of imagination a half-century ago, helped bring into being The Amazing Spider-Man, The Avengers, The X-Men, The Incredible Hulk, and the dozens of other Marvel titles he so famously and consequentially penned at Marvel Comics in his axial epoch of 1961 to 1972. That world-shaking run revolutionized entertainment and the then-dying superhero-comics industry by introducing flawed, multidimensional, and relatably human heroes — many of whom have enjoyed cultural staying power beyond anything in contemporary fiction, to rival the most enduring icons of the movies (an industry they’ve since proceeded to almost entirely remake in their own image). And in revitalizing the comics business, Lee also reinvented its language: His rhythmic, vernacular approach to dialogue transformed superhero storytelling from a litany of bland declarations to a sensational symphony of jittery word-jazz — a language that spoke directly and fluidly to comics readers, enfolding them in a common ecstatic idiom that became the bedrock of what we think of now as “fan culture.” Perhaps most important for today’s Hollywood, he crafted the concept of an intricate, interlinked “shared universe,” in which characters from individually important franchises interact with and affect one another to form an immersive fictional tapestry — a blueprint from which Marvel built its cinematic empire, driving nearly every other studio to feverishly do the same. And which enabled comics to ascend from something like cultural bankruptcy to the coarse-sacred status they enjoy now, as American kitsch myth.

[Thanks to John King Tarpinian, Moshe Feder, Paul Weimer, Andrew Porter, and Michael J. Walsh for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]