Pixel Scroll 4/18/19 Before The Pixels Return To Capiscrollo

(1) A BIT MORE ON AO3. Polygon’s article “For AO3, the fanfiction haven, a Hugo nomination is a long time coming” includes quotes from Nicholas Whyte, Kevin Standlee, and Naomi Novik that may be of interest.

“The shortlisting of AO3 does not mean that every work published on the site is a Hugo Award finalist,” clarified Kevin Standlee, a member of the Hugo Awards Marketing Committee, to Polygon. “By analogy, if a magazine is nominated for Best Semiprozine, it does not mean that every work and every author published during that year’s run of the magazine is a Hugo Award finalist.”

Whyte also emphasized that Archive of Our Own as a project met all the requirements of the Best Related Work category as far as the Hugo administrators were concerned.

“Archive of our Own as a project is on the Hugo final ballot,” Whyte wrote in an email. “A substantial number of voters supported it, and it is not really the role of the Hugo administrators to second-guess or interpret their intentions. Our job is to determine whether it qualifies under the rules. We considered the precedents in this and other categories very carefully, and found no good reason to disqualify it.”

Archive of Our Own is a platform for fanfiction, yes, but it is also an intricate system of archiving and hosting said fanfiction, as well as a space built up by fandom members for their very own. No “one part” of AO3 qualifies the site for the prize. The entirety — past, present, and promise to the future — makes it uniquely primed for the honor.

“So if the question is, which of that work is the nomination recognizing?” penned Naomi Novik on her Tumblr. “It’s recognizing all of it. You can’t separate one part of it from the other. The garden wouldn’t exist without all of it. And I am grateful for it all.”

(2) BEWARE SPOILER. Well, maybe not… Yahoo! Entertainment says the filmmakers deny everything: “Paul Rudd, ‘Avengers: Endgame’ directors respond to ‘Thanus,’ the most insane Marvel theory ever”.

As far as the most bonkers fan theories go in the Marvel Cinematic Universe, one clear-cut winner has emerged recently in predicting the climax (back end?) of the highly anticipated Avengers: Endgame.

That would be the premise coined “Thanus,” which posits that the Avengers will finally triumph over intergalactic, snapping super-baddie Thanos (Josh Brolin) when Ant-Man (Paul Rudd) uses his size-altering abilities to shrink down, enter the villain’s butthole and then expand, killing his target in what would essentially be the most volatile hemorrhoid ever.

(3) SNACK TIME. Ursula Vernon is served a Tibetan delicacy. Thread starts here.

Followed by more culinary adventures. Thread starts here.

(4) KGB. Here are Ellen Datlow’s photos from the April 17 KGB readings by Dale Bailey and Arkady Martine.

Arkady Martine. Photo by Ellen Datlow.

(5) ABOUT VAMPIRES. Methinks Electric Literature doth protest too much: “A Perfectly Normal Interview with Carmen Maria Machado Where Everything Is Fine” .

Theodore McCombs: What about Carmilla first attracted you to this project? What do you hope 2019’s readers will find in this 1872 vampire tale?

Carmen Maria Machado: The connection between narratives of vampires and narratives of women—especially queer women—are almost laughably obvious. Even without Carmilla, they would be linked. The hunger for blood, the presence of monthly blood, the influence and effects of the moon, the moon as a feminine celestial body, the moon as a source of madness, the mad woman, the mad lesbian—it goes on and on. It is somewhat surprising to me that we have ever imagined male vampires at all. But of course, that’s because we think of Dracula as the ur-text, the progenitor of the vampire in literature. Carmilla simply isn’t as well-known; I was as surprised as anyone to learn about it. But despite the fact that it’s a somewhat obscure text, its influence can be keenly felt. So I wanted modern readers to understand both Carmilla and Carmilla’s importance.

(6) GOT LEGACY? Tad Williams explains how Game of Thrones has affected epic fantasy in an article for Vulture: “What Is Game of Thrones’ Legacy in Epic Fantasy?”

The novelist Don DeLillo wrote shortly after the attacks that 9/11 would change “the way we think and act, moment to moment, week to week, for unknown weeks and months to come, and steely years.” It’s hard to deny that he was right. Several pop-culture phenomena sprang up in the years after 9/11, HBO’s Game of Thrones being one of the most important, but by no means operating in a vacuum. The runaway popularity of The Walking Dead and The Hunger Games in the 2000s also signaled a different sort of sensibility from Tolkien’s postwar years. The enemies were closer, and sometimes they were even friends — or had been. Nothing was entirely trustworthy, not family, not community, and certainly not the government. The anti-establishment cynicism of the ’60s and ’70s had been replaced by a cynicism about virtually everything, and certainly about all institutions. Priests and teachers were now seen as potential molesters. Presidents were no longer just wrong as far as their opponents were concerned — they were actual criminal enemies. George W. Bush was labeled a murderer and Barack Obama was called a fascist. Political and cultural media were weaponized.

(7) TYPECASTING. Is it really that controversial? The Boston Globe thinks so: “Loved and loathed, iconic Helvetica font enters a new era”.

It’s the typeface that greets you on your tax forms. It announces MBTA station stops. Its sans-serif letters glow in the night outside Target and CVS.

In the world of typography, Helvetica is as common as vanilla ice cream. The 62-year-old font is celebrated and loathed for its ubiquity. Now, it’s getting a face lift for the digital age.

The reboot — by Monotype, a Woburn [MA]-based firm that owns Helvetica and thousands of other fonts — has set off a new round of debate over a typeface that has not only divided font fanatics but also transcended the field of design.

Indeed, not many fonts are controversial enough to show up on Twitter’s trending topics. So when Mitch Goldstein saw the word “Helvetica” among the social network’s hottest discussions, he joked that it must be there for the same macabre reason that sees celebrity names suddenly pop up.

(8) WOLFE APPRECIATION. Paul DiFilippo has written one of the best Wolfe tributes for the Barnes & Noble Review: “Master of Mazes: Remembering Gene Wolfe (1931-2019)”.

With the passing of Science Fiction Writers of America Grandmaster Gene Wolfe (1931-2019), literature has lost a unique writer who embraced fruitful paradox. He was at once traditionalist and rebel, metaphysician and realist, trickster and pontiff, experimentalist and conservative, the consummate professional and the most endearingly heart-on-his-sleeve fan. He married the pulp tropes of science fiction and fantasy and horror to the stringent esthetics and techniques and multivalent worldview of echt modernism to produce works which both camps felt did honor to their respective lineages. Readers of “The Death of Doctor Island” or The Fifth Head of Cerebrus could discover all the thematic density and narrative complexity they might seek in a work by Pynchon or Nabokov in tales fully alive as visionary works in SF. In 2014, writer Michael Swanwick, himself a master craftsman, dubbed Wolfe “the single greatest writer in the English language alive today.”…

(9) KATO OBIT. “Monkey Punch, creator of megahit Japan comic Lupin III, dies” — the AP service has the story.

Cartoonist Monkey Punch, best known as the creator of the Japanese megahit comic series Lupin III, has died at age of 81.

His office, MP Pictures, said Wednesday that Monkey Punch, whose real name is Kazuhiko Kato, died of pneumonia on April 11.

The story of master thief Lupin’s adventures with his gang — gunman Daisuke Jigen, sword master Goemon Ishikawa and sexy beauty Fujiko Mine, as well as a detective, Zenigata — started in 1967.

The cartoon also was adapted for TV animation and movies, some directed by renowned animators including Hayao Miyazaki and Isao Takahata.

(10) TRIVIAL TRIVIA.

In 2014, Always Look on the Bright Side of Life, from the 1979 Monty Python film Life of Brian, was the most popular song played at British funerals.

Source: The Telegraph

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 18, 1884 Frank R. Paul. Illustrator who graced the covers of Amazing Stories from May 1926 to June 1939, Science Wonder Stories and Air Wonder Stories from June 1929 to October 1940 and a number of others well past his death date.  He also illustrated the cover of Gernsback’s Ralph 124C 41+: A Romance of the Year 2660 (Stratford Company, 1925), published first as a 1911–1912 serial in Modern Electrics. He was inducted into Science Fiction and Fantasy Hall of Fame in 2009. Stephen D. Korshak and Frank R. Paul’s From the Pen of Paul: The Fantastic Images of Frank R. Paul published in 2010 is the only work I found that looks at him. (Died 1963.)
  • Born April 18, 1938 Superman. Age: damn if I know. Created by writer Jerry Siegel and artist Joe Shuster, the character first appeared in Action Comics #1 on April 18, 1938. Yes, it was cover-dated as June, 1938. This is generally thought of as the beginning of the Golden Age of Comics. (Died 1992. But he got better.)
  • Born April 18, 1945 Karen Wynn Fonstad. She was a cartographer and academic who designed several atlases of literary worlds. Among her work are The Atlas of Middle-earth which is simply wonderful, and The Atlas of Pern which I’ve not seen. (Died 2005.)
  • Born April 18, 1946 Janet Kagan. She wrote but three novels in her lifetime, Uhura’s Song, set in Trek universe, Hellspark and Mirabile which is a stitch-up of her Mirabile short stories. The Collected Kagan collects all of her short fiction not set in the Mirabile setting. Her story “The Nutcracker Coup” was nominated for both the Hugo Award for Best Novelette and the Nebula Award for Best Novelette, winning the Hugo. (Died 2008.)
  • Born April 18, 1953 Rick Moranis, 66. Though now retired from acting, he was  active genre-wise once upon a time in such properties as GhostbustersLittle Shop of Horrors (the remake obviously), Honey, I Shrunk the Kids (which isn’t bad compared to the stinkers that followed in this franchise), The Flintstones and of course Spaceballs. For you next Christmas viewing delight, may I recommend Rudolph the Red-Nosed Reindeer and the Island of Misfit Toys in which he voices The Toy Maker? 
  • Born April 18 Cheryl Morgan, born, as she put it to me today when I dared to ask her age, so long ago no one can remember. She is a Hugo award-winning critic and publisher now living in Britain. She is the owner of Wizard’s Tower Press and was running the Wizard’s Tower Books ebook store before she closed it due to changes in EU regulation.  She was previously the editor of the Hugo award-winning Emerald City fanzine which I confess I read avidly.  And she shares joint wins with the rest of the Clarkesworld team for Best Semiprozine in 2010 and 2011. Superb magazine that. Oh, and her personal blog which is great reading won a Hugo In 2009. Read it for the reviews, read it for the occasional snarky commentary. She is on the advisory board of Fafnir – Nordic Journal of Science Fiction and Fantasy Research.
  • Born April 18, 1965 Stephen Player, 54. Some birthday honor folks are elusive. He came up via one of the sites JJ gave me but there is little about him on the web. What I did find is awesome as he’s deep in the Pratchett’s Discworld and the fandom that sprung up around it. He illustrated the first two Discworld Maps, and quite a number of the books including the 25th Anniversary Edition of The Light Fantastic and The Illustrated Wee Free Men. Oh, but that’s just a mere wee taste of all he’s done as he did the production design for the Sky One production of Hogfather and The Colour of Magic. He did box art and card illustrations for Guards! Guards! A Discworld Boardgame. Finally, he contributed to some Discworld Calendars, games books, money for the Discworld convention. I want that money. 
  • Born April 18, 1969 Keith DeCandido, 50. Another writer whose makes his living writing largely works based on series. He’s done works set within the universes of Sleepy Hollow, Star Trek, Buffy, Spider-Man, X-Men, Doctor Who, Supernatural, Andromeda, Farscape,  Spider-Man, X-Men, and Stargate SG-1.  He has a fantasy series, Dragon Precinct, ongoing.
  • Born April 19, 1971 David Tennant, 48. Eleventh Doctor and my favourite of the modern Doctors along with Thirteen whom I’m also very fond of. There are some episodes such as the “The Unicorn and The Wasp” that I’ve watched repeatedly.  He’s also done other spectacular genre work such as the downright creepy Kilgrave in Jessica Jones, and and Barty Crouch, Jr. in Harry Potter and the Goblet of Fire. He’s also in the Beeb’s remake of the The Quatermass Experiment as Dr. Gordon Briscoe.

(12) PET DETECTIVE. A GOAT writer says “This Is What Happened When I Tried To Find Out Where Julian Assange’s Cat Went”:

We now know that Julian Assange’s cat, who lived with him in the Ecuadorian embassy for a time, is safe and being looked after, but we didn’t know this when I asked about it late last month. And I didn’t know that asking about it would result in the ‘Defend Assange Campaign’ getting in touch….

(13) CREDENTIAL MOVIE MUSICAL. The Hollywood Reporter gives a download: “’Cats’: Everything to Know About the Film Adaptation”.

The highly anticipated film adaptation of Andrew Lloyd Webber’s musical Cats is making its way to theaters. The story is based on T.S. Eliot’s book of poems titled Old Possum’s Book of Practical Cats.

The live production-turned-movie follows a tribe of felines, known as the Jellicle Cats, as they attend the annual Jellicle Ball. During the ball, the tribe’s leader Old Deuteronomy chooses one cat to be reborn and return to a new life.

The Universal film features a star-studded cast that includes Jennifer Hudson, Idris Elba, Taylor Swift, Ian McKellen, Judi Dench, Rebel Wilson, James Corden, Jason Derulo and Steven McRae.

(14) OUT OF TUNA. Timothy the Talking Cat…talks, of course. And writes, as explained in the latest chapter of his autobiography: “Beyond the Bounds of Genius: Chapter 4”.

Chapter 4: That Tricky First Novel

After considering a number of career choices I decided that ‘novelist’ was the best match to my temperament and experience. With both my schooling and military service behind me, I had a wealth of life experience to draw from and the natural wit of England’s upper classes running through my veins.

(15) THE WORKS. Delish says another exotic variety of Oreos is on its way to market: “Oreo’s Firework-Inspired Cookies Are Back And They Actually Pop In Your Mouth”.

Here’s the deal: The Fourth of July-inspired sweets are the classic chocolate and creme combo we all know and love but with a twist. They’re filled with red and blue popping candies, so they will quite literally explode in your mouth—in a totally safe Pop Rocks kind of way, you know?

(16) DAY FOR NIGHT. Futurism foresees the future of light pollution:“Pepsi Plans to Project a Giant Ad in the Night Sky Using Cubesats”.

A Russian company called StartRocket says it’s going to launch a cluster of cubesats into space that will act as an “orbital billboard,” projecting enormous advertisements into the night sky like artificial constellations. And its first client, it says, will be PepsiCo — which will use the system to promote a “campaign against stereotypes and unjustified prejudices against gamers” on behalf of an energy drink called Adrenaline Rush.

Yeah, the project sounds like an elaborate prank. But Russian PepsiCo spokesperson Olga Mangova confirmed to Futurism that the collaboration is real.

“We believe in StartRocket potential,” she wrote in an email. “Orbital billboards are the revolution on the market of communications. That’s why on behalf of Adrenaline Rush — PepsiCo Russia energy non-alcoholic drink, which is brand innovator, and supports everything new, and non-standard — we agreed on this partnership.”

(17) RONDO. Steve Vertlieb would be thrilled if you’d consider voting for his article:

It’s “Rondo Award” time again, and my work on “Dracula In The Seventies: Prints of Darkness” has been nominated by the “Rondo Award” committee for “Best Article of the Year.” Anyone can vote once for their favorites in this category, and voting continues through April 20th, 2019. I’ll go “bats” if you care to vote for my work. Winning a competitive “Rondo” would mean a great deal to me, and sublimely reward these sometimes fragile seventy three years. Simply send your selection (along with your name and e-mail address) to David Colton at taraco@aol.com, and please accept my sincere thanks for your most gracious kindness.

(18) GENE THERAPY IS ANSWER TO RARE DISEASE. NPR gives background: “Gene Therapy Advances To Better Treat ‘Bubble Boy’ Disease”.

Sometimes rare diseases can let scientists pioneer bold new ideas. That has been the case with a condition that strikes fewer than 100 babies a year in the United States. These infants are born without a functioning immune system.

The disease is called severe combined immunodeficiency, or SCID. “It was made famous in the mid ’70s when the ‘Bubble Boy’ was described in a documentary, and I think it captured the imagination of a lot of people,” says Matthew Porteus, a pediatrician at Stanford University.

David Vetter was the boy who spent most of his short life inside a plastic bubble to protect him from infection. He died at age 12 in 1984.

All babies born in the United States are now screened for this condition, and the best treatment today — a bone marrow transplant — succeeds more than 90 percent of the time. The disease remains a source of great interest to researchers.

“This is one of those diseases in which there’s probably more doctors and scientists studying the disease than patients who have the disease,” Porteus says.

In the 1990s, European scientists actually cured SCID in some patients, using a technique called gene therapy. This process involves removing defective blood cells from a patient, inserting a new gene with the help of a virus and then putting the cells back into the body. Those cells then build up the patient’s immune system.

At first, this treatment in the 1990s and early 2000s looked really promising.

“Of the 20 patients, they all had immune recovery,” says Donald Kohn, an immunologist at UCLA’s Broad Center of Regenerative Medicine and Stem Cell Research. “But, over time, five of them went on to develop a leukemia.”

(19) CHOOSING SCIENCE. They chose an important animal rather than a pretty one: “Snot Otter Emerges Victorious In Vote For Pennsylvania’s Official Amphibian”.

Pennsylvania’s soon-to-be official amphibian has more than its fair share of nicknames: snot otter, mud devil, Allegheny alligator, devil dog, lasagna lizard.

In short, it’s not exactly a looker.

But the Eastern hellbender salamander was the overwhelming choice of lawmakers for amphibian representation in the state. On Tuesday, the state’s House of Representatives voted 191-6 on a bill that would name the aquatic creature its state amphibian. The Senate passed the bill in February.

The hellbender is a nocturnal salamander that can grow more than 2 feet long. The mud-colored creature, covered in a layer of mucus, breathes primarily through loose flaps of thick, wrinkled skin that look a little bit like lasagna noodles.

The hellbender is also a canary for environmental degradation.

(20) CAT IN THE LAT(ERAL FILING CABINET). “‘Giant lion’ fossil found in Kenya museum drawer”.

A new species of giant mammal has been identified after researchers investigated bones that had been kept for decades in a Kenyan museum drawer.

The species, dubbed “Simbakubwa kutokaafrika” meaning “big African lion” in Swahili, roamed east Africa about 20 millions years ago.

But the huge creature was part of a now extinct group of mammals called hyaenodonts.

The discovery could help explain what happened to the group.

…”Based on its massive teeth, Simbakubwa was a specialised hyper-carnivore that was significantly larger than the modern lion and possibly larger than a polar bear,” researcher Matthew Borths is quoted by AFP news agency as saying.

(21) READY, AIM, MEOW. Here’s a piece of technology some of you will want – the Catzooka – Cat Launcher!

(22) THEY PUT THINGS IN THEIR EARS TO CONTROL OUR MINDS. Buzzfeed claims that “People Wearing AirPods Are Making Things Awkward For Everyone Else”.

Unlike traditional headphones, AirPods are the kind of things you can keep in your ears at all times, and many people do. Their sleek design and lack of wires make it easy to forget they’re resting in your head. And their status symbol shine doesn’t exactly scream “take me out.” This may be great for Apple and its bottom line, but it’s making life weird for people interacting with those wearing them. Are they listening to me? Are they listening to music? A podcast? Just hanging? It’s tough to know.

(23) VIDEO OF THE DAY. In “Cabin Pressure” on Vimeo, Matthew Lee explains how to behave badly on airplanes!

[Thanks to Martin Morse Wooster, Ellen Datlow, Mike Kennedy, JJ, Mark Hepworth, Chip Hitchcock, John King Tarpinian, Daniel Dern, Cat Eldridge, Carl Slaughter, Rob Thornton, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip Williams.]

Pixel Scroll 4/8/19 File The Scroll Ashore, Pixellujah

(1) MOST READ NOMINEES. Nicholas Whyte blogs the numbers of people who report owning copies of the Hugo nominees in various categories to see if it helps predict who will win: “Hugo finalists – Goodreads/LibraryThing statistics”.

Once again I’m running the statistical ruler over the finalists for the Hugos – this year, more than ever. This has not often been a useful guide to which books will win; however I think it does show the extent to which they ave penetrated popular consciousness, at least to within an order of magnitude.

(2) TAKEN ABACK. Best Fan Artist Hugo nominee Ariela Housman (Geek Calligraphy) apparently is getting some official pushback about which of her items are qualifying work, as explained in “Hugo Eligibility Revisited”.

When we published our eligibility post in December, we included the above two works, plus “Lady Astronaut Nouveau” based on The Calculating Stars by Mary Robinette Kowal. The former two were created earlier in 2018 and shown in art shows at Confluence and ICON. We finished “Lady Astronaut Nouveau” late enough in the year that we didn’t have any more art shows booked in which we could show it. We put it all over the interwebs, though.

This is what the Hugo Awards Website gives as the criteria for the Best Fan Artist category (bolding ours):

The final category is also for people. Again note that the work by which artists should be judged is not limited to material published in fanzines. Material for semiprozines or material on public displays (such as in convention art shows) is also eligible. Fan artists can have work published in professional publications as well. You should not consider such professionally-published works when judging this award.

The internet is about as public as it gets, right? It was even included in Mary Robinette’s Pinterest Gallery for Lady Astronaut Fan Art.

Apparently the Hugo Committee disagrees. Per the email I received from the committee member who contacted me prior to the announcement of the ballot:

The first two pieces clearly qualify, so that is fine. I’m afraid that the rules exclude pieces that have only been displayed online.

This, dear reader, is ridiculous.

Hopefully, Hugo Administrator Nicholas Whyte will reconcile all this for us, especially since some of us are under the impression fan artists’ online work was included in the 2017 Hugo Voter Packet.  

(3) THUS ENDETH THE SERIES. Comic Book Resources warns fans that “AMC’s Preacher Is Ending With Season 4”.

Co-creator Seth Rogen announced the news in a video teaser posted to his Twitter page. The simple, yet stylized video prominently displays the Preacher title card, followed by an explosion and the declaration, “The end is now.” Then, the title card returns to confirm that the show’s fourth season will mark the end of the series. The teaser also reveals that Preacher Season 4 will debut on Aug. 4.

(4) LUCKY NUMBER. Next week’s Titan Comics releases include another adventure with the thirteenth Doctor Who. No, it’s not a Prisoner mashup.

DOCTOR WHO: THIRTEENTH DOCTOR #6 –  The Thirteenth Doctor’s continue after the season finale, as Eisner nominee Jody Houser brings a fresh new Doctor Who story to fans old and new.

(5) TREK THRU FANHISTORY. The Dana Gould Hour podcast interviews John and Bjo Trimble:

John and Bjo Trimble. For those of you who don’t know John & Bjo, I’m very excited you get to hear their story for the first time. In the late 1960s, they were fans of a little TV show called Star Trek, and when it was announced, during Star Trek’s second season, that the show would not be returning for a third, they sprang into action. John and Bjo knew that TV shows don’t go into syndication unless they have three seasons – that gives you enough episodes strip the show. In other words, you need enough episodes to run five nights a without repeating episodes too quickly. You needed volume. And two seasons was not enough.

In those pre-internet days, John and Bjo started the letter writing campaign that saved Star Trek. Thanks to John and Bjo Trimble, Star Trek had three seasons, which allowed it to be syndicated, which allowed it to catch on, find its audience and become the juggernaut that it is today.

(6) MORE OREO MUTATIONS. Food & Wine’s spies say “Purple Creme Oreos Will Celebrate the Moon Landing, Apparently”.

 The weekend is two days long, so of course, we have photos of three new Oreo varieties for you.

(7) LEARNING A LOT. Cat Rambo posted highlights from Catherine Lundoff’s online class, “So You Want To Put Together An Anthology”. For more information about Rambo Academy for Wayward Writers Classes, see the website at academy.catrambo.com

(8) POP YOU CAN HEAR IN SPACE. Star Trek Nitpickers didn’t find it hard to choose ten, for obvious reasons:

Top 10 funniest uses of pop music in The Orville. There were only 11, so I threw in a runner up. Also–lots of song factoids. This video serves as a loose recap for season one as well. I hope you’ll check out other songs by these great musicians!

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 8, 1887 Hope Mirrlees. She is best known for the 1926 Lud-in-the-Mist, a fantasy novel apparently beloved by many. (I’m not one of them.) In 1970 an American reprint was published without the author’s permission, as part of the Ballantine Adult Fantasy series. (Died 1978.)
  • Born April 8, 1939 Trina Schart Hyman. An illustrator of children’s books. She illustrated over 150 books, including fairy tales and Arthurian legends. She won the 1985 Caldecott Medal for U.S. picture book illustration, recognizing Saint George and the Dragon, retold by Margaret Hodges. Among the genre works she’s illustrated are Lloyd Alexander’s The Fortune-Tellers, Mark Twain’s A Connecticut Yankee in King Arthur’s Court and J. M. Barrie’s Peter Pan. (Died 2004.)
  • Born April 8, 1942 Douglas Trumbull, 77. Let’s call him a film genius and leave it at that. He contributed to, or was fully responsible for, the special photographic effects of Close Encounters of the Third Kind2001: A Space Odyssey, Star Trek: The Motion Picture and Blade Runner, and directed the movies Silent Running and Brainstorm. And Trumbull was executive producer for Starlost
  • Born April 8, 1943 James Herbert. Writer whose work erased the boundaries between horror and sf and the supernatural in a manner that made for mighty fine popcorn reading. None of his work from his first two books, The Rats and The Fog, to his latter work such as Nobody True would be considered Hugo worthy in my opinion (you may of course disagree) but he’s always entertaining. I will note that in 2010 Herbert was greatly honored by receiving the World Horror Convention Grand Master Award which was presented to him by Stephen King. (Died 2013.)
  • Born April 8, 1966 Robin Wright, 53. Buttercup! Need I say more? I think not. She next pops in in Robin William’s Toys as Gwen Tyler and I see she was in M. Night Shyamalan’s Unbreakable as Audrey Dunn. The animated Neil Gaiman Beowulf has her voicing Queen Wealtheow.  Blade Runner 2049 is next for her where she has the role of Lieutenant Joshi. The DC Universe is where we finish off with her playing General Antiope in three films, to wit Justice League, Wonder Woman and Wonder Woman 1984. 
  • Born April 8, 1967 Cecilia Tan, 52. Editor, writer and founder of Circlet Press, which she says is the first press devoted primarily to erotic science fiction and fantasy. It has published well over a hundred digital book to date with such titles as Telepaths Don’t Need Safewords and Other Stories from the Erotic Edge of SF/Fantasy. (Wouldn’t Bester be surprised to learn that. I digress), Sex in the System: Stories of Erotic Futures, Technological Stimulation, and the Sensual Life of Machines and Genderflex: Sexy Stories on the Edge and In-Between. She was two series, Magic University and The Prince’s Boy
  • Born April 8, 1968 Patricia Arquette, 51. She made her genre debut as Kristen Parker in A Nightmare on Elm Street 3: Dream Warriors. That and the horror film Nightwatch in which she was Katherine are, I think, her only genre gigs other than a Tales from the Crypt episode called “Four-Sided Triangle” episode in which she was Mary Jo.
  • Born April 8, 1974 Nnedi Okorafor, 45. Who Fears Death won the 2011 World Fantasy Award for Best Novel.  Lagoon which is an Afrofututurist novel was followed by her amazing Binti trilogy. Binti which led it off that trilogy won both the 2016 Nebula Award and 2016 Hugo Award for best novella. Several of her works are being adapted for video, both in Africa and in North America. 
  • Born April 8, 1980 Katee Sackhoff, 39. Being noted here for playing Lieutenant Kara “Starbuck” Thrace on the rebooted Battlestar Galactica though I must confess I’ve only seen in her role as Deputy Sheriff Victoria “Vic” Moretti on Longmire. She also played Amunet Black, a recurring character who showed up on the fourth season of The Flash. To my pleasant surprise, I see her on Star Wars: The Clone Wars In a recurring role of voicing Bo-Katan Kryze. 
  • Born April 8, 1981 Taylor Kitsch, 38. The lead in John Carter, a film I’ll be damn if I can figure out how anything can have such great digital effects and such truly bad acting. No mind you he went on next to be Lt. Alex Hopper In Battleship, a film based on, yes, the board game. Earlier in his career is did play Gambit (Remy Etienne LeBeau) in X-Men Origins: Wolverine which, errr, wasn’t received well either. 

(10) COMICS SECTION.

  • Frazz is all about coffee science.

(11) JANSSON LEGACY. The Guardian’s Lisa Allardice profiles the Moomins, subject of a new TV adaptation, in “‘It is a religion’: how the world went mad for Moomins”.

It is striking how much fear shadows the novels: for all the sunshine and picnics, menace lurks behind every bush: like a skater on ice, Jansson is always aware of the murky darkness just inches below. Of her success Jansson wrote: “Daydreams, monsters and all the horrible symbols of the subconscious that stimulate me … I wonder if the nursery and the chamber of horrors are as far apart as people think.” As Huckerby observes, the novels “go to some very dark places” and they have tried to reflect this in their adaptation. “It is being billed as prime time drama for all the family,” Ostler says. “It’s not a kids’ show.”

(12) YOU’RE THE TOP! To mix a metaphor, John Scalzi scaled Amazon’s Mt. Everest yesterday.

He also wrote a Twitter thread explaining that this good thing could not be improved by knocking other writers. Thread starts here.

(13) WELCOME OUR ROBOT UNDERLORDS. NPR announces “The Robots Are Here: At George Mason University, They Deliver Food To Students”.

George Mason University looks like any other big college campus with its tall buildings, student housing, and manicured green lawns – except for the robots.

…”We were amazed by the volume of orders that we had when we turned the service on,” Starship Technologies executive Ryan Tuohy says. “But what’s really touching is how the students on the campus have embraced the robots.”

(14) TURN OUT THE LIGHTS. A study shows “Big Cities, Bright Lights And Up To 1 Billion Bird Collisions”NPR has the story.

Up to 1 billion birds die from building collisions each year in the United States, and according to a new study, bright lights in big cities are making the problem worse.

The study, published this month in the journal Frontiers in Ecology and the Environment, examined two-decades of satellite data and weather radar technology to determine which cities are the most dangerous for birds. The study focused on light pollution levels, because wherever birds can become attracted to and disoriented by lights, the more likely they are to crash into buildings.

The study found that the most fatal bird strikes are happening in Chicago. Houston and Dallas are the next cities to top the list as the most lethal. One of the study’s authors, Kyle Horton, a postdoctoral fellow at Cornell University, called the cities a “hotspot of migratory action,” adding, “they are sitting in this primary central corridor that most birds are moving through spring and fall.”

(15) RUBBER WEAPONS CHECK. Somebody thinks Voyager’s photon torpedo account was overdrawn. Because they counted. (A 2011 post.)

(16) VOYAGE TO THE BOTTOM OF THE FOOD CHAIN. In comments, Darren Garrison figured out what the contents of Ursula Vernon’s next Hugo acceptance speech will be: “Unsettling Video Shows What Happens to a Dead Alligator at the Bottom of the Sea” at Gizmodo.

The enthusiasm of these scavengers is totally understandable. Deep-sea bottom feeders are immensely dependent upon “food falls,” in which deceased aquatic animals from above settle on the ocean floor. This typically involves whales, dolphins, sea lions, and large fish like tuna, sharks, and rays, but it can also involve stuff from the land, such as plant material, wood, and, as the new video shows, alligators dropped by scientists.

(17) ALL ABOARD! The Points Guy tells you how to catch a ride on this celebrity train: “Calling All Muggles: The Real Hogwarts Express Train Is Back in Action”.

Accio tickets to the Scottish Highlands!

After a seasonal break, the Jacobite steam train (a.k.a. the train used as a stand-in for the actual Hogwarts Express in the Harry Potter films) is back in business, People reports. And no, you won’t have to pass through Platform 9 3/4 to get there. 

The Jacobite steam train has been in operation for over 100 years. Known originally for its scenic views of the Scottish Highlands, the old rail line only got attached the Harry Potter-verse after it was featured as the Hogwarts Express in “Harry Potter and the Sorcerer’s Stone” and every other Potter film going forward.

(18) TOOTLE, PLUNK AND BOOM. In “Game of Thrones Turned Its Composer Into a Rock Star” in The Atlantic, Spencer Kornhaber profiles Ramin Djawadi, composer of the music for Game of Thrones.

The arsenal of instruments Ramin Djawadi has used to score Game of Thrones includes mournful strings, mighty horns, and the Armenian double-reed woodwind known as a duduk.  During the series’ first five seasons, however, he left one common weapon untouched:  the piano.  Early on, the showrunners, David Benioff and D.B. Weiss, decided that the ivories were too delicate for the show;s brutal realms, where even weddings tend to involve some stabbing.  They also banned the flute, for fear that Thrones would sound like a Renaissance fair.

(19) LIVE FROM NEW YORK. Kit Harington Saturday Night Live monologue is full of Game of Thrones jokes, and the sketch “Graphics Department” makes D and D jokes.

[Thanks to JJ, John King Tarpinian, Cat Eldridge, Chip Hitchcock, Daniel Dern, Martin Morse Wooster, Carl Slaughter, Mike Kennedy, Darren Garrison, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Rob Thornton.]

Pixel Scroll 12/16/18 Cold-Hearted Scroll That Rules The File, Removes The Pixels From Our Pile

(1) ROLL ELEVEN. Nicholas Whyte reviews “Doctor Who, Series 11 (or 37), 2018”, beginning with an overview, followed by comments on individual episodes:

…Overall I have enjoyed it. I don’t agree with Darren Mooney that this has been the weakest series of New Who; I really think that Series 6 (2011), which started with The Impossible Astronaut and ended with The Wedding of River Song, made much greater demands onthe viewer for insufficient payoff. However I think I will agree that the highest points of this year’s stories were not as high as those of previous New Who seasons; even Series 6 had The Doctor’s Wife. On the other hand, none of the low points was quite as awful as the 2007 Daleks in New York two-parter or the 2014 Kill The Moon. I do agree with Darren Mooney that it looks in general much much better than any series of Doctor Who ever has before. The absence of continuity (no theme music in the first episode, no Tardis interior until episode two) was disruptive but also intriguing. The new music is a welcome change (not that I hated Murray Gold, but he’s been doing it since 2004)….

(2) SON’S MEMORIES OF LE GUIN. “Ursula K Le Guin remembered by her son Theo Downes-Le Guin” in The Guardian.

One of the last trips I took alone with Ursula was to New York, in 2014, when she received a lifetime commendation from the National Book Foundation. She wasn’t enthusiastic about the travel, but the award was contingent on her presence. She snarled about this requirement for a few weeks, then allowed me to book the flights. I spent a couple of days with her before the awards, visiting her beloved sister-in-law and viewing “old friends” the Metropolitan Museum and the Frick Collection. In the indifferent and harsh light of a big city, I could see for the first time how small and frail she had become. The vitality of her mind and spirit had concealed her physical state from me. I was shaken by the realisation.

Three days into our trip, I walked her to the stage on which she delivered a speech that was, even by her high standards, fearless. With limited time, in every sense, she had decided to speak plainly to the defence of freedom that courses through her work: freedom of artistic and intellectual expression, freedom from dualism, freedom from oppressors. I’d read a draft beforehand and knew that she was delivering the speech of a lifetime. The audience sensed this as well, and for a few moments after she finished, the room crackled with love, support, excitement and (for some, I’d like to think) shame.

(3) A WINNER. Seeing the movie prompted John Scalzi to have many “Thoughts on Spider-Man: Into the Spider-Verse”.

2. It’s also a film where its chosen medium — animation — is exactly right for it. I think there’s a still a bit of aesthetic snobbery around animation, ironically particularly when it comes to superhero films. It’s still assumed to be a compliment if you say something along the lines of “that was good enough to have been live action.” In point of fact, this particular film wouldn’t have been better served as live action; live action and all its aesthetic requirements and expectations would have made it worse. The abstracting remove from reality that animation provides fits the film’s multiverse story and allows it to be a “comicbook film” in a way that most live-action superhero films can’t manage or look silly doing (see: Ang Lee’s Hulk).In live action, this film as it is would have come across as campy; in animation, it’s just doing its thing. This is of course more about our own expectations for live action and animation than it is about the mediums themselves. But you work with what you have.

(4) THE DRAGON CURE. After receiving an anonymous letter from a neighbor claiming that her three front-yard dragons violated the “true meaning of Christmas,” fantasy author Diana Rowland decided that the only proper response was … MORE DRAGONS!

(5) JUDGING SANTA CLAUS MOVIES. SYFY Wire’s “Ffangrrls” column examines “The best, worst and weirdest Santa Claus movies.” Good. Bad. Weird. Ffangrrls takes a look at four Santa Claus movies in each of these categories. It’s a pretty good bet that you won’t have even heard of one or more of these dozen, um, let’s say “classics.” Columnist Kayleigh Donaldson provides a trailer or clip and a fat paragraph on each:

GOOD: Miracle on 34th Street
BAD: The Santa Clause
WEIRD: Santa Claus Conquers the Martians

GOOD: Rise of the Guardians
BAD: Silent Night, Deadly Night
WEIRD: The Polar Express

GOOD: The Nightmare Before Christmas
BAD: Santa’s Slay
WEIRD: Fred Claus

GOOD: The Spirit of Christmas
BAD: The Christmas Chronicles
WEIRD: Christmas Evil

(6) SPLATTERPUNK IN ITALY.At the Horror Writers Association blog: “Revelations on the New Horror Renaissance – an Interview with Italian Author/Editor/Translator/Poet Alessandro Manzetti”.

Q. As the first Italian to be awarded the Bram Stoker Award, and as a purveyor of hard-core horror and even splatter-punk how would you describe your reception amongst your Italian peers? What inroads do you hope to make in Italy with your publishing and writing?

A. Here in Italy Splatterpunk fiction represents a small market niche (same goes for poetry, and, unfortunately, also for traditional horror fiction, excluding a few big names), anyway I have a good audience, fans of the genre follow me with great passion; they’re very fond of some of my main characters, and many of them are women (even if I write hardcore/Splatterpunk horror). Somedays ago was released, from Cut Up Publishing, my first dark psycothriller novel, ‘The Keepers of Chernobyl’, something different from what I wrote so far, and I think that this kind of works could reach a larger audience. My goal is always the same: connect myself to the readers, be their accomplice.

(7) RAMBO ACADEMY. Sign up for Seanan McGuire’s workshop: “Crossing Over: Moving from Fanfic to Your Own Worlds”.

Join prolific, award-winning, and overall amazing writer Seanan McGuire for a workshop that will discuss what writing fanfic teaches you and how you can use that in fiction involving your own worlds and characters. Using lecture, discussion, and writing exercises, Sanan will provide you with inspiration as well as the tools with which to apply that inspiration to your work.

This is a single session workshop taught on Saturday, January 12, 2019 9:30-11:30 AM Pacific time.

Cost is 199 for new students; $79 for former Rambo Academy students and Patreon supporters.

Live classes are taught online via Google hangouts, are limited to 15 participants, and require reliable Internet connection, although in the past participants have logged on from coffee shops, cafes, and even an airplane. A webcam is strongly suggested but not required. If there is an on-demand version of the class, you will be provided with a free coupon for it, so you have access to those notes.

(8) THEY’REDEAD(POOL), JIM. Aw, Jeez, he’s at it again (HuffPost:Marvel’s ‘Avengers: Endgame’ Trailer Is Even Better When Everyone Is Deadpool”).

So much Deadpool. Truly a maximum effort.

And we thought the last “Avengers” trailer was better when every character was Deadpool.

Istanbul-based digital animator Saruhan Saral has outdone himself with a new take on the recently released “Avengers: Endgame” trailer. In Saral’s latest video, voice actor Mishka Thebaud brings to life the Merc with a Mouth. 

(9) WHALE TALE. ASLE-Brasil (Association of Literature and the Environment) interviewed Craig Russell about Fragment: “Craig Russell – Literature and Ecocriticism / Literatura e Ecocrítica”:

2. Z. Can you tell us about the specific characteristics of your narratives?

C. When writing, I find it’s important for me to find at least two interesting ideas that can play off of each other in the story. So in Fragment we have not only the catastrophic events that unfold when a huge part of the three-hundred-meter thick Ross Ice Shelf is thrust out into the ocean, but also the civilization changing interactions that come from humans and blue whales learning to communicate with each other. Then, I try to put my characters in a situation they can’t escape from. (Either because of physical limitations, like the three scientists who are held incommunicado aboard the submarine; or because of a sense of duty, like when Ring, the blue whale feels he has to stay near the Fragment, to warn other blue whale pods of the danger it poses to their survival. Once they’re locked into the situation I confront the characters with problems which I don’t know the solution to, and see how (and if) they can find a way to survive. 

Some authors describe this as chasing your characters up a tree, and then throwing rocks at them.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • December 16, 1917 Arthur C. Clarke. When I was resident in Sri Lanka courtesy of Uncle Sam in the early Eighties, nearly every American ex-pat I ran into was reading The Fountains of Paradise. I never saw him but he was well known among the small British community there. I’ll admit that I’ve not read that much by him — Childhood’s EndRendezvous with Rama  and that novel are the only long form works by him I’ve read. I’m certain I’ve read The Nine Billion Names of God collection as well. And I’ve seen 2001 myriad times but I’ve never seen the sequel. (Died 2008.)
  • December 16, 1927Randall Garrett. Ahhh Lord Darcy. When writing this up, I was gobsmacked to discover that he’d written only one such novel, Too Many Magicians, as I clearly remembered reading reading more than that number. Huh. That and two collections, Murder and Magic and Lord Darcy Investigates, is all there is of this brilliant series. Glen Cook’s Garrett P.I. is named in honor of Garrett. I’ll admit I’ve not read anything else by him, so what else have y’all read? (Died 1987.)
  • December 16, 1928 Philip K. Dick. OK, confession time. I’m not a fan of his work so the only acquaintance I’ve with him is the first Bladerunner film which I’ve watched in its various forms many times. (Died 1982.)
  • December 16, 1937 Peter Dickinson. Author who was married from 1991 to his death to Robin McKinley had a number of truly great works, both genre and not genre, including EvaThe Tears of the Salamander and The Flight of Dragons. His James Pibble upper class British mystery series are quite excellent as well. (Died 2015.)

(11) LINGUISTICS. Available as an on-demand class: Juliette Wade’s “The Power of Words”, “Everything Fantasy and Science Fiction Writers Need to Know about Linguistics at the World-building and Prose Level.”

In this class, we will discuss the study of linguistics and its relevance to genre writing. Author and linguist Juliette Wade shows how linguistics differs from the study of foreign languages, and gives a survey of eight different subfields of linguistics. She examines principles of language at levels of complexity from the most basic articulation of speech sounds to the way that language is used to participate in public forms of discourse. For each subfield, she looks at how it can be used to enhance a writer’s portrayal of characters and societies in a fictional world. After completing this examination of linguistics and its relevance to in-world languages, Wade moves to the meta-level to talk about using the principles of linguistics to hone point of view and the effectiveness of narrative language in storytelling.

(12) BUNNY TIME. Tim Goodman supplies “‘Watership Down’: TV Review” for The Hollywood Reporter.

In 1978, the film Watership Down became legendary for scaring the bejeezus out of children everywhere, drawn there by parents who either didn’t read the book or thought it would hide — not graphically triple down on — all the violence from the book. It’s funny now because so many people have harrowing stories of how that defined their early childhood.

On Christmas Day, Netflix, in a co-production with the BBC, will drop the eagerly awaited, star-studded latest version, a four-part effort that tones down the movie’s bloodshed and finds a good balance, letting Adams’ story unfold as it did in the book (with some tweaks) and suffering no loss of drama by curtailing those awful bunny screams.

Having seen the whole thing, the biggest obstacle the new version has to overcome is that the animation is decidedly flatter than what modern moviegoers are used to in the last chunk of years (decade?), and it’s often difficult to figure out which rabbit is talking or which rabbits are in peril as they fight other rabbits to survive. The saving grace to all of that, of course, is the magnificent voice cast that seems to be employing every available actor in Britain.

(13) CATCHING UP ON 2017. Lady Business delivers a blast from the past, asking contributors to recommend “Media released before 2018 that you didn’t get to until thisyear and loved.” First on the list —

Jenny

Castle Hangnail by Ursula Vernon. What a treasure. I have already yelled about that book in this space, but basically this is a gem of a middle-grade book that you’ll love if you love Eva Ibbotson. I have been responsible for at least five purchases of this book this calendar year, and three of those are me giving it as a gift for Christmas. I regret nothing.

(14) FREE READ. Vice’s Motherboard “imprint” has posted a free short story, “The Bonus,” by Liz Maier.

Two hundred extra hours of life per month, and only a few would have to be dedicated to the Company. Who would say no to not sleeping, to the bonus?

(15) APPROACHING GENRE. An NPR interview: “Lin-Manuel Miranda On ‘Mary Poppins Returns’ And Writing His Way Onstage”.

Audie Cornish: I was reading that your favorite song from the original Mary Poppins movie — maybe not favorite, maybe you have a mixed relationship with it — is “Feed the Birds.”

Lin-Manuel Miranda: [Laughing] “Openly hostile” is probably my relationship to it as a child.

I mean, that’s a little strong.

Yeah, no. I just found it so sad. The notion of this bird lady, who cares for these birds and sits on the steps of St. Paul’s Cathedral, I couldn’t bear it as a child — it was too much for me. And so, I only saw the first two-thirds of the movie many times as a kid: As soon as “Feed the Birds” came on, I would turn it off. Such was VHS technology.

If it has an equivalent in this movie — not so much that I would turn off the movie — there’s a beautiful song in our film called “Where the Lost Things Go.” Mary Poppins is singing to these children — they’ve lost their mother the year before. And she sings about it in such a smart Scott Whitman lyric, because it’s about loss and it’s about grief, but it’s also in a way that a child can understand and is not condescending, it doesn’t talk down, doesn’t baby-talk. It’s just really beautiful. If I were a kid at the time, I probably would’ve fallen apart at it.

Your character offers a kind of path of joy and advice out of that mood. I’m thinking of a song like “Trip a Little Light Fantastic.”

That’s sort of Jack’s MO, is that he sees the light in any situation. He looks for the bright side, the hope, even in a dark time or in a dark place, and it’s a lovely sentiment. It’s also eight minutes of nonstop dancing. It was one of the last numbers we shot, and we basically spent the entire movie shoot rehearsing for it.

“Trip a Little Light Fantastic” (audio only) from Mary Poppins Returns.

(16) MYTH REFURBISHED. Paul Weimer’s latest contribution to Nerds of a Feather is “Microreview [book]: In the Vanisher’s Palace by Aliette de Bodard”.

The story of the Beauty and the Beast, bound relationship to a monster as a price for a service or favor, is a story that spans the globe, and strikes at the heart of a lot of myths and tropes about family relationships, gender politics, power dynamics, autonomy, freedom, choice and a whole lot more. Beauty and the Beast is far more than dancing animated clocks and the song “Be Our Guest”. In The Vanishers’ Palace, Aliette de Bodard takes the Beauty and the Beast story in new directions, giving a strong critique of some of the tropes, interrogating others, and providing a queer friendly narrative, amongst many other strands, in a densely packed novella.

(17) SHATNER ON PARADE. Parade magazine has made their recent interview with William Shatner available online (“William Shatner on His Christmas Album, Shatner Claus, & Why Star TrekIs Still So Popular”). In the usual style of Parade interviews, breadth is emphasized overdepth. It touches on Shatner family holiday traditions, his country album Why Not Me?, recent memoir Live Long And…: What I Learned Along the Way, non-Trek movies he’s involved in, and his longstanding Hollywood Charity Horse Show.

(18) SNL. The New York Times coverage of the most recent Saturday Night Live includes two skits of genre interest.  

Several celebrity guests turned out for the final new “Saturday Night Live” broadcast of 2018, including Alec Baldwin, Ben Stiller, Matt Damon and Robert De Niro.

In the show’s opening sketch, Baldwin returned to play President Trump in a sendup of the film “It’s a Wonderful Life.”

While it’s rare to see “Saturday Night Live” offer up topical comedy in the waning moments of an episode, the show did just that in a sketch that imagined Theresa May (McKinnon), Britain’s prime minister, struggling to host a Christmas-themed talk show after having survived a party confidence vote.

As McKinnon opened the show, she said, “What a dreadful week it’s been. My Brexit deal is falling apart. I almost got voted out and no one in the world likes me at all. But it’s still Christmas so let’s try to have some cheer tonight, shall we?”

She went on to introduce guests including her predecessor, David Cameron (Damon); Elton John (Bryant); and the Harry Potter villain Lord Voldemort (Mikey Day), whom she introduced as “the one person in Britain more reviled than me.” Day apologetically resisted McKinnon’s attempts to compare her to him: “If you could maybe not lump us together, I just can’t have that be the pull-quote from this interview,” he said.

[Thanks to rcade, John King Tarpinian, Mike Kennedy, JJ, Cat Eldridge, Chip Hitchcock, Martin Morse Wooster, Carl Slaughter, Craig Russell, Rob Thornton, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip Williams.]

Pixel Scroll 9/20/18 The Mad Pixels Have Kneed Us In The Scroll

(1) SAN DIEGO 2049. The School of Global Policy and Strategy is celebrating its 30th anniversary by partnering with the Arthur C. Clarke Center for Human Imagination to produce San Diego 2049, “a series of programs through 2018-19 that will use the imagination and narrative tools of science fiction to stimulate complex thinking about the future and the ways we could shape it through policy, technology, innovation, culture, and social change.”

If we are to leave the earth in better shape than we found it, successful social choices will require us to imagine distant alternate futures that reflect our best knowledge about how humans behave and evolve socially, politically, and cognitively. Science fiction gives us the needed space for long-range speculation and the complex interactions of technological, political, and social change.

Imagining the future helps us react to unanticipated situations–futures that we did not imagine. This competition and event series foster diverse visions for San Diego in 2049 from UC San Diego graduate students and draws on research by faculty across divisions. By bringing together students, science fiction writers, faculty, policy makers, and industry experts, we aim to foster the kind of multi-modal, boundary-crossing thinking that we need today to anticipate the potential shape of the world thirty years from now.

The Opening Events include a lecture by Vernor Vinge that is free and open to the public, and a workshop with Ann Pendleton-Jullian that is limited to participating UCSD graduate students.

Opening Events:

WORLDBUILDING: SCENARIOS, FOR FUN AND FOR SURVIVAL

PROGRAM KICKOFF PUBLIC LECTURE WITH VERNOR VINGE

October 12, 5 – 7pm, Robinson Auditorium, UC San Diego

Free and open to the public; RSVP required (click here)

Light reception to follow

Learn about the complex process of science fiction worldbuilding to construct a dynamic future scenario with one of the masters of the field, Vernor Vinge.

The much acclaimed science fiction writer Vernor Vinge is author, among other books, of Rainbows End, which takes place, in part, on a future UC San Diego campus. Vinge has won five Hugo Awards, including one for each of his last three novels, Upon the Deep (1992), A Deepness in the Sky (1999), and Rainbows End (2006). Known for his rigorous hard-science approach to his science fiction, he became an iconic figure among cybernetic scientists with the publication in 1981 of his novella “True Names,” which is considered a seminal, visionary work of Internet fiction and cyberspace. Dr. Vinge is Emeritus professor of mathematics and computer science at San Diego State University and also noted, among other things, for introducing the term “the singularity.”

(2) HARD SF 2017. Rocket Stack Rank has compiled its annual short story selection of “Outstanding Hard Science Fiction” from 2017.

There are 33 outstanding stories of hard science fiction from 2017 that were either finalists for major SF/F awards , included in “year’s best” SF/F anthologies , or recommended by prolific reviewers  in short fiction (see Q&A). That’s 33 out of 95 hard science fiction stories from that year, and out of 279 outstanding SF/F stories from 2017.

Observations:

(3) HELP WANTED. Social media help, that is. SF2 Concatenation is seeking to approach scientists (those with a BSc degree in science, technology, engineering, maths/medicine [STEM]) who are also professional SF authors: those published by a commercial SF/F genre imprint, to contribute to a special series of articles — “SF authors who are scientists wanted”.

We at SF2 Concatenation have been running a series of short articles by SF authors (folk who have had at least two or more SF books commercially published) who have a degree in science, engineering, mathematics of medicine.  These identify the top ten scientists born in the 20th century that have inspired the scientist SF authors (and by implication perhaps part of their science fiction writing?).

…What we would like you – our readers – to do is to let any SF authors you know who have a science/maths etc, degree know of this series by sending them the link to this page and then they can get in touch with us.  And/or you can get in touch with us yourself and nominate a potential contributor to this series.

You can also spread the word on your social media linking to this article.

Potential scientist authors need not currently be working in science but must have a science degree.

(4) MOOMIN PICTURES. Nicholas Whyte tells why he enjoyed “Five Moomin books, by Tove Jansson”, including Comet in Moominland —

This was the first full Moomin novel, pubished in 1946 but written in the shadow of war, and it’s not too difficult to see the metaphor of the world-altering disaster threatened here in the shape of a comet aproaching the Earth. Against this ominous background, Moomintroll, who is the central character of most of the Moomin books, along with Sniff (who fulfills a younger sibling role) and Snufkin (the Best Friend) go to the Observatory to ask advice from the Astronomer. On the way they make friends with two more siblings, the Snork and the Snork Maiden. After a series of adventures (including a dragon and a carnivorous tree), they get to the Observatory and there the Astronomer nonchalantly informs them that there is no hope – the comet will destroy everything. They return home across a devastated landscape with scurrying refugees, and at the last moment as they prepare for the end, all comes right and the world is saved.

(5) DO MORE THAN JUST RUB TWO STICKS TOGETHER. The B&N Sci-Fi & Fantasy Blog’s Ross Johnson declares that How to Invent Everything Is a Hilariously Essential Guide for Would-Be Time Travelers”.

…The book is purportedly a guide for time travelers, made from futuristic materials and discovered embedded in pre-Cambrian rock. At some point in the future, a Chronotix Solutions will invent the FC3000(tm) personal time machine. Individuals may lease the machine for travel to any point whatsoever in history and, given the particular theory of time travel at play here, do whatever they wish in the past. Since visits to the past generate alternate timelines, there’s no conceivable way to do any damage to the traveler’s original timeline. Successful journeys return the Traveller to their original frame of reference, but the stranded will find themselves stuck in a newly created timeline branching off from the moment of their arrival.

The book suggests a novel solution for the stranded: figure out when you are, and then rebuild civilization from the literal ground up as a means of making life bearable…

(5) PUMPING THE BRAKES. ScreenCrush says “Disney Plans Star Wars Franchise ‘Slowdown’”:

[CEO] Iger says he now believes Disney’s approach to Star Wars was “too much, too fast.” And there will be an adjustment moving forward:

I made the timing decision, and as I look back, I think the mistake that I made — I take the blame — was a little too much, too fast. You can expect some slowdown, but that doesn’t mean we’re not gonna make films. J.J. [Abrams] is busy making [Episode] IX. We have creative entities, including [Game of Thrones creators David] Benioff and [D.B.] Weiss, who are developing sagas of their own, which we haven’t been specific about. And we are just at the point where we’re gonna start making decisions about what comes next after J.J.’s. But I think we’re gonna be a little bit more careful about volume and timing. And the buck stops here on that.

(6) KGB READINGS. Ellen Datlow has posted photos from Fantastic Fiction at KGB’s September readings:

Patrick McGrath read from his most recent novel, a ghost story titled THE WARDROBE MISTRESS and Siobhan Carroll read excerpts from a short story she recently finished.

 

Patrick McGrath and Siobhan Carroll 2

(7) GETTING READY FOR IRELAND. Something of general interest, and possibly a bit of prep a person might do before traveling to Dublin 2019 — “Free Online Course on the Book of Kells starts next month”.

A new, free, online course developed by Trinity College Dublin will allow learners worldwide to explore the history of Ireland through the remarkable Book of Kells — one of  the world’s most famous medieval manuscripts.

… Now members of the public around the world will have the opportunity to learn more about this precious manuscript through a new four-week online course. The “Book of Kells: Exploring an Irish Medieval Masterpiece” course will start on October 8th, 2018 and is run in partnership with Futurelearn, the social learning platform. The free online course is aimed at anyone with an interest in Ireland, medieval studies, history, art, religion and popular culture.

(8) TODAY’S BIRTHDAYS

[Compiled by Cat Eldridge.]

  • Born September 20, 1878 – Upton Sinclair. Writer of — and would I kid you? — The Gnomobile: A Gnice Gnew Gnarrative With Gnonsense, but Gnothing Gnaughty. They’re gnomes which makes them genre. And Walt Disney himself produced it as a film shortly before his death. Mind you it was released as The Gnome-Mobile. 
  • Born September 20, 1916 – Bradford M. Day. He’s best known as an early bibliographer of science fiction and fantasy. Some of his pubs which are archived in the University of Texas System include The Complete Checklist of Science-Fiction Magazines which is complete up to the late 50s, Edgar Rice Burroughs Biblio: Materials toward a Bibliography of the Works of Edgar Rice Burroughs and Talbot Mundy Biblio: Materials toward a Bibliography of the Works of Talbot Mundy. Anyone recognize the last author?
  • Born September 20, 1935 – Keith Roberts. Best known I think for Pavane where the Catholic Church holds brutal rule over England after the assassination of Queen Elizabeth I. It like most of his novels were a series of linked short stories. There’s a rather good collection of ghost stories by him, Winterwood and Other Hauntings, that has an introduction by Robert Holdstock.
  • Born September 20 – George R.R. Martin, 70. Setting aside A Game of Thrones which is hardly limited to those novels, there’s The Armageddon Rag and Dying of the Light set in his Thousand Worlds universe which I really l like among his myriad novels. There’s a very nice compilation of his excellent short fiction, Dreamsongs: A RRetrospective (not a typo) and I recommend A Song for Lya as well as it’s a collection focused on his early short fiction. Awards? Hugos and  Nebulas, Bram Strokers and so forth almost beyond count.
  • Born September 20 – James P. Blaylock, 58. Writer of the Balumnia trilogy which the author says was inspired by The Wind in The Willows and The Hobbit. Other works include the Narbondo series which has two Victorian London steampunk novels which are wonderful. All of the these stories are collected in The Adventures of Langdon St. Ives. He won World Fantasy Awards for his “Thirteen Phantasms” and “Paper Dragons” stories.

(9) MAJOR PICTURES. Michael Dooley publicizes the just-released DC Comics Before Superman: Major Malcolm Wheeler-Nicholson’s Pulp Comics in his post “Pulp Fiction Facts: the Secret Origin of Comic Books”:

If you’re a fan of Golden Age comic book stories with plenty of action thrills, you should know about the military intelligence officer Malcolm Wheeler-Nicholson. Here’s how Jim Steranko, Silver Age superstar artist on Captain America and Nick Fury, describes him: “He adventured around the globe, from hunting Mexican revolutionary Pancho Villa with famed General John Pershing to fighting with Cossack warriors across Russia during WWI. … As one of the youngest cavalry members serving his country, Wheeler-Nicholson faced enemies from the Philippines to Siberia.” This character could have been the star of his own comics during those early, anything-goes 1930s and ’40s, or the hero of numerous 1920s and ’30s pulp fiction tales. And in a way, he was both….

Most of the first comics publishers came from a background in pulps, but as salesmen. The Major was the only one with the kind of creative background that greatly enhanced his understanding of genre fiction and story structure. It also gave him empathy for his artists and writers, as he crusaded for their financial equality and ownership rights. Nicky’s text provides background details as seen through her eyes and research. They’re interspersed throughout the book, which primarily displays the Major’s seldom-seen comics, drawn by a variety of artists including Jerry Siegel and Joe Schuster, whose careers he was instrumental in launching….

“Jerry Siegel was submitting the Superman story in many different places in the attempt to get it published. … Many people in the burgeoning and close-knit industry knew about the comic, and several had turned it down. There was only one person in that publishing arena who believed in Superman from the very beginning: Major Malcolm Wheeler-Nicholson. … Jerry Siegel would later remark, ‘And so, because Nicholson had not tossed away the wrapping paper sketches, Joe and I broke into print.’”

(10) SET PHASERS TO EPONYMOUS. Space.com makes note that a planet has been found in the canonical place for Mr. Spock’s home (“Hey, Spock! Real-Life ‘Planet Vulcan’ Orbits Sun Featured in ‘Star Trek’“).

“Star Trek’s” planet Vulcan, ancestral home of Spock and his species, just became a little more real, thanks to a team of exoplanet scientists.

Because “Star Trek” creators eventually associated planet Vulcan with a real star, called 40 Eridani A, scientists have wondered for years whether a factual equivalent of the beloved science fiction planet exists, with or without pointy-eared inhabitants. And now, a team of scientists has said that the star really does host at least one planet.

“This star can be seen with the naked eye, unlike the host stars of most of the known planets discovered to date,” Bo Ma, lead author of the new research and an astronomer at the University of Florida, said in a statement. “Now, anyone can see 40 Eridani A on a clear night and be proud to point out Spock’s home.” …

(11) CONGRATULATIONS. Galactic Journey’s Gideon Marcus takes time out for “A Word From Our Sponsor”.

Last month, I transitioned from amateur author to professional.  My first published short story, Andy and Tina, is the lead novelette in the anthology, Tales from Alternate Earths 2 (sequel to the Sidewise Award-winning Tales from Alternate Earths).

My piece starts in 1963 and features some fascinating elements of the Space Race.  I’m told by folks who aren’t even related to me that it’s a great read, as are the other nine stories in the volume.  I would be absolutely delighted (and I think you will be, too) if you would purchase a copy.  If you like my prose, and you must if you’re still here, you’ll love this book.

So go get yourself a copy!  You’ll be supporting the Journey, and you’ll be the proud owner of a fantastic book.

(12) INSPIRED HOMAGES. Scott Edelman’s “Tell Me Like You Done Before” is on sale from Lethe Press:

Wonderful and wry pastiches! Scott Edelman’s newest collection brings together his fiction inspired by master storytellers – Edgar Allan Poe, John Steinbeck, Alice Sheldon among others. Herein can be found the Shakespearean riff of a living son of the mayor of New York City falls in love with the daughter of the zombie king, a Bradburyesque aged carnival attraction who promised patrons immortality, and a Wellsian figure deals with the impossibility of miracles. The collection features notes by Edelman that offer insight into each story’s birth and the importance of the storyteller he sought to emulation.

I’m confident in guessing “The Final Charge of Mr. Electrico” is the Bradbury one.

(13) THE ATLANTIC’S DOPEST CRUSTACEANS. My question is how somebody who’d worry about this could convince themselves to eat a lobster at all — “Maine restaurant sedates lobsters with marijuana”.

A growing body of scientific findings suggest that not only lobsters but other invertebrates, such as crayfish and crabs, are able to feel pain.

The owner of Charlotte’s Legendary Lobster Pound, Charlotte Gill, says eating the sedated lobster will not make customers high and using marijuana leads to better quality meat, as the animal is more relaxed when it dies.

(14) ANOTHER REEFER PLAN. “Jellyfish robots to watch over endangered coral reefs” — can look for reef damage without doing damage itself the way a drone with a propeller would.

A fleet of robotic jellyfish has been designed to monitor delicate ecosystems, including coral reefs.

The underwater drones were invented by engineers at Florida Atlantic University and are driven by rings of hydraulic tentacles.

The robots can squeeze through tight holes without causing damage.

One expert praised the design but warned that the man-made jellyfish might be eaten by turtles.

(15) APEX MAGAZINE. They need a basic number of subscribers to keep their print edition going – if you want to be one of them see details here.

(16) LET ROVER COME OVER. BBC reports “Hayabusa-2: Japan’s rovers ready for touchdown on asteroid”.

Japan’s space agency is preparing to deploy two robotic explorers to the surface of an asteroid.

On Friday, the Hayabusa-2 spacecraft will despatch a pair of “rovers” to the 1km-wide space rock known as Ryugu.

Rover 1A and Rover 1B will move around by hopping in Ryugu’s low gravity; they will capture images of the surface and measure temperatures.

Hayabusa-2 reached the asteroid Ryugu in June this year after a three-and-a-half-year journey.

(17) SORTING OUT SESAME STREET. John Scalzi analyzes the perpetual Bert and Ernie controversy as part of “The Whatever Digest, 9/20/18”.

I posted the tweet above the other day about the recent contretemps regarding whether Bert and Ernie are a gay couple, which was prompted by one of Sesame Street’s former writers noting he always wrote them as if they were a gay couple, which in turn prompted but Sesame Workshop and Frank Oz (creator of Bert) to aver that they were not, which in turn made Twitter explode, because, well, Twitter….

It can be truly said that Frank Oz, when he created him, did not think of Bert as being gay; it can also be truly said that at least one writer on Sesame Street, when writing Bert and Ernie, wrote them as a gay couple; it can also be truly said that the Sesame Workshop, at least publicly, doesn’t want Bert and Ernie to be considered as beings with sexuality at all….

(18) TO BE NAMED LATER. SYFY Wire brings news of a new female led ABC series from the Marvel Cinematic Universe (“Marvel is developing a female-centric superhero show at ABC”)—they just don’t know what superhero will take the lead.

…Marvel is apparently looking for more female heroes on the small screen. Now, with the MCU currently thriving on Netflix, Hulu, and Freeform, an all-new female-fronted Marvel series is in the works at ABC.

According to Deadline, a new superhero show is being developed by the network, which launched the TV side of the MCU with Marvel’s Agents of S.H.I.E.L.D. back in 2013. Allan Heinberg, who wrote DC’s big screen adaptation of Wonder Woman, will be writing the series. Details are still scarce, but it’s reported to be an hour-long drama focusing on lesser-known female superheroes in the Marvel canon.

The complete lack of info on the lead didn’t stop the article’s writer, Christian Long, from taking a few guesses:

An obvious guess would be A-Force, the first all-female Avengers team that resulted from a Secret Wars crossover in 2015. They were also led by She-Hulk, who would certainly be a welcome addition to the MCU. Another possibility is Lady Liberators, who, despite a tone-deaf one-off appearance in Avengers #83 in 1970, was re-launched in 2008. It’s worth noting that they were also led by She-Hulk.

There’s also the Fearless Defenders, though they were led by Misty Knight and Valkyrie. The former is a major character in Netflix’s Luke Cage, played by Simone Missick, while the latter is portrayed on the big screen by Tessa Thompson, so neither character would likely be available.

(19) CUMBERBATCH VOICES DR. SEUSS CHARACTER. The Grinch Movie comes to theaters November 9.

The Grinch tells the story of a cynical grump who goes on a mission to steal Christmas, only to have his heart changed by a young girl’s generous holiday spirit. Funny, heartwarming and visually stunning, it’s a universal story about the spirit of Christmas and the indomitable power of optimism. Academy Award® nominee Benedict Cumberbatch lends his voice to the infamous Grinch, who lives a solitary life inside a cave on Mt. Crumpet with only his loyal dog, Max, for company.

 

[Thanks to John King Tarpinian, Martin Morse Wooster, JJ, Cat Eldridge, Eric Wong, Chip Hitchcock, Mike Kennedy, Carl Slaughter, ULTRAGOTHA, SF Concatenation’s Jonathan Cowie, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Robert Whitaker Sirignano.]

Pixel Scroll 9/8/18 Space Zamboni!

(1) WHO TO LISTEN TO. Nicholas Whyte enthusiastically reviews four audio Doctor Who stories in “Jenny – the Doctor’s Daughter”.

Big Finish have scored a major coup by persuading Georgia Tennant to return to her brief role as Jenny, the Tenth Doctor’s cloned daughter, for more sfnal adventures across space and time, flanked by Sean Biggerstaff as the innocent but mysterious Noah, and both pursued by Siân Philips (who was Livia in I, Claudius forty years ago) as a vengeful cyborg, the Colt-5000. (Georgia Moffatt, as she then was, had a part in a Big Finish audio back in 2000, when she was only 16.)

 

(2) EVERMORE. Utah’s VR theme park Evermore opens today: “Evermore Park immersive experience from former Disney Imagineer invites you to enter fantasy world”.

Walt Disney Imagineers work diligently to create the most incredible experiences in the world. Sometimes, however, they take their immeasurable talents and create these experiences elsewhere. That’s the case for former Imagineer Josh Shipley.

According to his LinkedIn page, Shipley started with the Walt Disney Company in 1992 and became an Imagineer in 1996. He left Disney Imagineering in 2017 and began working on an immersive new experience park (located in Pleasant Grove, Utah) known as Evermore.

 

(3) ALL YOUR BASE. The Hugo Awards official site now has some very nice photos of the 2018 Hugo Award base created by Sara Felix and Vincent Villafranca, including closeups of the figures, inscriptions, and other details.

(4) STILL TIME TO HELP. A GoFundMe created to help Samanda Jeude is still open for donations. It’s received only a little over $1,000 so far. One of the incentives was a 1986 Hugo Award trophy.

“Helping The Helper -Electrical Eggs”

Science Fiction Fandom lost a long time friend and organizer in January, in the form of Donald (Dea) Cook. He left behind another well-known fan, his wife of over 30 years, Samanda Jeude.  Samanda is best known for establishing the organization Electrical Eggs, the first Disability Access organization in the Science Fiction community. Don was Sam’s sole career. She had polio as an infant, and that was complicated later in life by a couple of strokes. She now resides in a nursing home in Canton, Georgia. We helped to clear out the house to get it sold, and are now selling all of the contents to pay for Samanda’s ongoing care needs. How does any of this involve a Hugo, you might ask, and rightfully so!

Marcia Kelly Illingworth organized the appeal, and says the Hugo will stay in the fannish family, so to speak:

Update #2

The votes are in! The people have spoken! You have voted overwhelmingly to donate the Hugo to Fandom. I think I always knew that you would. Samanda thanks you, and I thank you!

We are leaving the fund open for a while longer for those who still wanted the opportunity to donate. Thank you again for all of your support.

Since donors have voted to donate the Hugo to fandom rather than have it be auctioned off to the highest bidder, that means less money raised for Samanda’s ongoing care. Given her service to fandom, it would be great to see further donations from fans.

(5) HIS PREFERRED WINNER. Nicholas Whyte has one thing in common with all Hugo voters – he thinks sometimes the wrong book loses — in this case, “Snow Crash, by Neal Stephenson”.

Second paragraph of third chapter:

But there are worse places to live. There are much worse places right here in this U-Stor-It. Only the big units like this one have their own doors. Most of them are accessed via a communal loading dock that leads to a maze of wide corrugated-steel hallways and freight elevators. These are slum housing, 5-by-10s and 10-by-10s where Yanoama tribespersons cook beans and parboil fistfuls of coca leaves over heaps of burning lottery tickets.

This popped to the top of one of my lists just at the moment that I have been reading some of the other award winners from 1994. Snow Crash was shortlisted for the Arthur C. Clarke Award (won by Jeff Noon’s Vurt) and the BSFA Award (won by Christopher Evans’ The Aztec Century); also on both of those shortlists was Ammonite by Nicola Griffith, which won the Tiptree. The Hugo for Best Novel was shared between A Fire On The Deep and Doomsday Book, the latter winning the Nebula as well; Snow Crash was on the Hugo long-list, but nowhere for the Nebula. (It did win two awards in French translation, and one in Spanish.)

This is surely one of those cases where the awards in general (and particularly across the Atlantic) failed to spot the classic in the making: Snow Crash now has more owners on LibraryThing than any two of the other books named above combined (which is why I read it; see below). I think it’s much the best of them.

(6) YOUR DIGITAL GOOD PLACE. Courtesy of io9, (“Google Chrome Has a Forking Clever Good Place Extension”) I learned about Google Chrome’s The Good Place extension:

Replace new tab page with a personalized dashboard that brings your very own version of The Good Place right to your desktop.

Calling all Good Place fans! Make The Good Place your Chrome home with an all-new tab page that features your favorite characters, quotes and photos from the show. Complete with weather updates, calendar reminders, and daily “inspiration” from Eleanor and the crew, you can become more productive and feel like you’re getting into The Good Place every single time you go online.

FEATURES:

-Replace curse words from your Chrome with the Obscenities Censor

-Search the web using your very own Janet

-Pry yourself away from the internet with the “Joy of Missing Out” built-in break reminders

-Replace “Thumbs up” and “Thumbs down” buttons on YouTube with “Good Place” and “Bad Place”

(7) TODAY IN HISTORY

  • September 8, 1966  — A little TV show, Star Trek, aired its first episode, “The Man Trap,” written by George Clayton Johnson.

And earlier this week The Hollywood Reporter reprinted the show creator’s article about his new series: “When Gene Roddenberry Explained ‘Star Trek’ in 1966”.

Just over two months after Star Trek first beamed up to audiences on NBC during the 8:30 p.m. hour on Sept. 8, 1966, creator Gene Roddenberry wrote a column explaining the scope of his ambitious space series — and why it aimed for much more “science” than “fiction.” His original column in The Hollywood Reporter, “Science Fiction Thing of Past,” is below: 

Imagine a space vessel, larger than any naval vessel known, crossing our galaxy at a velocity surpassing the speed of light. Fourteen decks, a crew of over 430 persons. A whole city afloat in space.

Science fiction? Absolutely not. Rather, real adventure in tomorrow’s space. Based upon the best scientific knowledge and estimates of what our astronauts of the future may face when they move out of our own solar system and into the vastness of our galaxy. Other worlds like ours? Other peoples? What?

Our starship, designed with the help of space experts, is the United Space Ship Enterprise. The place — NBC-TV, Thursday nights. In full color, this new action-adventure format boasts flesh and blood stars like talented William Shatner playing Ship’s Captain Kirk; love Grace Lee Whitney playing Yeoman Janice Rand; and Leonard Nimoy in an unusual new role as the half-alien Mister Spock. Plus talents such as DeForest Kelley, George Takei, Jimmy Doohan and Nichelle Nichols.

(8) TODAY’S BIRTHDAYS

[Compiled by Cat Eldridge.]

  • Born September 8 – John Boardman, 85. Editor, fanzine Knowable; his Diplomacy zine, Graustark turned fifty a few years ago. Active in civil rights as a student as Florida State University which got him expelled from his doctoral studies program there.
  • Born September 8 – Michael Hague, 70. Illustrator of his own work including The Book of Dragons, Michael Hague’s Magical World of Unicorns,  The Book of Fairies, The Book of Wizards and Michael Hague’s Read-to-Me Book of Fairy Tales; also interior and cover art for such genre works as The Hobbit, The Wizard of Oz and The Wind in The Willows. 
  • Born September 8 – Gordon Van Gelder, 54. Editor, The Magazine of Fantasy & Science Fiction, The New York Review of Science Fiction and a smattering of anthologies including Go Forth and Multiply and Welcome to the Greenhouse. Reviewer as well.
  • Born September 8 – Matt Ruff, 53. Author of quite a number of genre novels including Fool on The Hill, Lovecraft Country which was nominated for a World Fantasy Award, and Set This House in Order: A Romance of Souls which may or may not be genre fiction but never-the-less won a James Tiptree Jr. Award.

(9) COMICS SECTION.

  • Cutting-edge humor: Bizarro
  • Copernicus’ theory of SJW credentials: Free Range.
  • They’re not phoning home: Bliss

(10) GAP IN EXHIBIT. Holly Ordway, in “The Maker of the Maker of Middle-earth” at Christianity Today, reviews the Bodleian Tolkien exhibit and examines why it says little about Tolkien’s strong religious faith.

…There are many ways that Tolkien’s Christian faith could have been represented, even in the relatively limited space available. One item already on display was a 1914 letter to Edith. The display label transcribes, from Tolkien’s small and difficult-to-read handwriting, a paragraph about officer-training maneuvers on Port Meadow.

Immediately following this portion of the original letter is Tolkien’s comment that the next day “I got up at 7.40 and just reached church on time, and went to Communion.” Just one more sentence on an already existing display label would have given a glimpse of Tolkien’s faith in practice. As it is, nearly all visitors will miss this reference entirely; I very nearly did.

Other extracts from letters could have been shown, such as the 1956 letter in which Tolkien relates Frodo’s failure to give up the Ring to the petition in the Lord’s Prayer “lead us not into temptation, but deliver us from evil.” Or perhaps the 1944 letter in which Tolkien discusses modern healing miracles and describes the Resurrection as the “happy ending” of human history.

Several examples of his Elvish calligraphy were displayed; one could have been selected from the prayers that Tolkien translated into Elvish, such as the Lord’s Prayer. Both the 1956 letter and this translation show the way that Tolkien’s faith, and indeed specifically his prayer life, had an influence on his writing—exactly the kind of influence we would hope to see emphasized in an exhibit on an author.

…These references, if they had been included, need not have been emphasized, but for one who knows of Tolkien’s faith, the absence of any such small detail is striking.

Playing It Safe

Why might the Tolkien Estate and the Bodleian have chosen to downplay Tolkien’s faith? And why does it matter? …

(11) FUTURE FICTION AUTHOR. Listen to “Nexhuman, an interview with Francesco Verso” conducted by Filer Mlex at Yunchtime.

In this free-form interview, Francesco Verso, explores the topics of transhumanism, consumer culture, and the philosophical aspects of Nexhuman. He also discusses his work in the context of English language publications and the emergence of global voices in Science Fiction, including his own anthology, called Future Fiction, which was co-edited by Bill Campbell and published by Rosarium Press.

(12) NZ NATCON REPORT. SF Concatenation has posted a report on the New Zealand national sf convention by Lee Murray (with an assist from Simon Litten) — “Conclave III”. The convention was held the weekend of March 30-April 2, 2018 in Auckland.

Then we were on to Norman Cates’ WETA presentation to get the skinny on all the new techniques making our movie viewing epic. As is customary with Norman’s presentation, I could tell you about all the wonderful clips he showed us, but then I’d have to kill you, or Norman would, or WETA’s lawyers would have to engage a hitman. In any case, it was cool.

Next up, was the Other Voices panel, moderated by Stephen Litten, where we were joined by Matters Arising from the Identification of the Body author Simon Petrie and Indiana fantasy writer, Laura VanArendonk Baugh. It’s a lively discussion, with some great insights from my fellow panellists around the definition ‘other’ and the value of including marginalised and foreign-to-us voices on our reading lists. We discussed the vagaries of translation and the layering of culture that occurs when works are translated by a second voice. We touched on appropriation and the discourse surrounding Aboriginal and Maori mythologies. Panellists and audience members raised some seminal works from other cultures, including French, Italian, Japanese titles, which we all felt should be included on our must-read lists.

(13) UNKEPT ROBOTIC PROMISES. On Gizmodo, Matt Novak lists (and links) “99 Things That Robots Were Supposed to Be Doing by Now” (though many of the linked “predictions” aren’t really “by now”).

Below is a list of just some of the things people of the past said robots would do in the near future. Many of them are fun or weird, while others are downright scary. But they’re all still “futuristic.” For now.

  1. Robots were supposed to replace school teachers.
  2. Robots were supposed to be professional boxers.
  3. Robots were supposed to pay taxes.

[…]

  1. Robots were supposed to pull off their heads and become the sickest drum set you’ve ever seen.
  2. And by 2076, robots were supposed to run for president.

(14) WINTER IS COMING FOR AI, MAYBE. Popular Science looks at the idea that Artificial Intelligence may — once again — be overhyped, which could lead to a collapse in research/support (“Another AI winter could usher in a dark period for artificial intelligence”).

Artificial intelligence can take many forms. But it’s roughly defined as a computer system capable of tackling human tasks like sensory perception and decision-making. Since its earliest days, AI has fallen prey to cycles of extreme hype—and subsequent collapse. While recent technological advances may finally put an end to this boom-and-bust pattern, cheekily termed an “AI winter,” some scientists remain convinced winter is coming again.

The article goes on to discuss the first “winter” that occurred during the early Cold War when natural language translation proved to be a much more difficult task that anticipated and another beginning in the 70s/80s when the Lisp machine didn’t live up to its hype as an AI solution. Author Eleanor Cummins expresses concern that, among other things, self-driving cars are over-promised and may be under-delivered, then concludes that:

Much like actual seasonal shifts, AI winters are hard to predict. What’s more, the intensity [of] each event can vary widely. Excitement is necessary for emerging technologies to make inroads, but it’s clear the only way to prevent a blizzard is calculated silence—and a lot of hard work. As Facebook’s former AI director Yann LeCun told IEEE Spectrum, “AI has gone through a number of AI winters because people claimed things they couldn’t deliver.”

(15) AI PRIORITY. DARPA doesn’t seem worried by that weather forecast: “DARPA announces $2B investment in AI”.

At a symposium in Washington DC on Friday, DARPA announced plans to invest $2 billion in artificial intelligence research over the next five years.

In a program called “AI Next,” the agency now has over 20 programs currently in the works and will focus on “enhancing the security and resiliency of machine learning and AI technologies, reducing power, data, performance inefficiencies and [exploring] ‘explainability’” of these systems.

“Machines lack contextual reasoning capabilities, and their training must cover every eventuality, which is not only costly, but ultimately impossible,” said director Dr. Steven Walker. “We want to explore how machines can acquire human-like communication and reasoning capabilities, with the ability to recognize new situations and environments and adapt to them.”

(16) FOUNDATION ORDERED. Ars Technica says that, “Apple confirms TV series order of Asimov’s Foundation” for their nascent streaming service.

In April, we reported that Apple was working on developing a TV series based on Isaac Asimov’s highly influential Foundation series of science fiction novels. Today, Ars has confirmed not only that Foundation was in development, but it has now been given a full series order—meaning we’re definitely going to see it.

As previously reported, David Goyer (screenwriter for The Dark Knight and Batman Begins) and Josh Friedman (creator of the TV series Terminator: The Sarah Connor Chronicles and screenwriter for Steven Spielberg’s 2005 War of the Worlds film) will be the showrunners and executive producers. The series is being produced by Skydance Television, and Skydance CEO David Ellison will be an executive producer for the series (he is the son of famed Oracle executive Larry Ellison). Isaac Asimov’s daughter, Robyn Asimov, will also executive produce, along with Dana Goldberg and Marcy Ross.

(17) THE LIGHTS IN THE SKY ARE…UHH. NPR says this wouldn’t be news if anyone besides photographers had been paying attention: “Scientists Are Puzzled By Mysterious Lights In The Sky. They Call Them STEVE”.

There’s a light in the night sky over Canada that’s puzzling scientists. It looks like a white-purple ribbon. It’s very hot, and doesn’t last long. And it’s named STEVE.

STEVE: as in, Strong Thermal Emission Velocity Enhancement.

Naturally.

Scientists don’t actually know what’s causing the atmospheric phenomenon, which has been known to amateur photographers of the night sky for decades but only recently came to the attention of researchers.

But in research published this week in Geophysical Research Letters, they pin down what it definitely isn’t. It’s not an aurora….

(18) HYBRID HUMAN. Nature reports: “Mum’s a Neanderthal, Dad’s a Denisovan: First discovery of an ancient-human hybrid”

Genetic analysis uncovers a direct descendant of two different groups of early humans.

A female who died around 90,000 years ago was half Neanderthal and half Denisovan, according to genome analysis of a bone discovered in a Siberian cave. This is the first time scientists have identified an ancient individual whose parents belonged to distinct human groups….

(19) BEFORE MARVEL WAS A SURE THING. Looper has a roster of Marvel TV Shows You Completely Forgot About. Or in my case, never heard of to begin with….

[Thanks to John King Tarpinian, Cat Eldridge, JJ, Daniel Dern, Chip Hitchcock, SF Concatenation’s Jonathan Cowie, Martin Morse Wooster, Mike Kennedy, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 8/25/18 The Quidditch Policeman’s Union

(1) BRING ME MY SPEAR OF BURNISHED BRONZE, BRING ME MY CHARIOT OF FILE. Prior to the pacemaker being put in the staff worked hard to convince me to stay in San Jose a week before attempting to drive home. One it was in, the cardiologist cleared me to drive home immediately. That was a surprising, though positive, development.

Not that I really felt ready to drive right away. I stayed in a motel overnight, then got on the road this morning.

Many thanks to David Bratman for his daily hospital visits, and Spike, Michael Ward, and Karen Schaffer for helping get me and my stuff to the Motel 6. Plus Michael and Karen for picking up a nice dinner of Chinese take-out.

Getting ready to leave the hospital — photo by Karen Schaffer.

With all the Bay Area conventions I’ve been to over the years, I’ve done the trip down I-5 many times. The closer I got to LA, the more familiar the roads looked, and the smoother the drive seemed to go. I reached home in about 6 hours.

John King Tarpinian asked me if I’ll have to make a lot of changes to accommodate my newly-implanted device. While there are warnings about various electronics, I’m okay to microwave as long as I’m not staring into the window while it’s nuking the food. Also can’t hover over a running car engine. (Not that I ever do.) Hovering over a blogging laptop — okay. Phone held on the right side is okay — which I already do (pacemaker is on left). Nothing I really have to change in respect to the tech I already use.

And I’m not only grateful for all the comments and good wishes, but for Filers working overtime to turn all this into publishable material. Waste not, want not is on my list of mottos….

Tom Becker wrote:

GlyerBot could have gone rogue after he hacked his pacemaker module, but then he realized he could post pixel scrolls on the entertainment feed of the company satellite.

Iphinome responded:

Part human part machine. If we could get a picture of a cat sleeping on you, you can be Iphinome’s murderbot of the month.

And in other themes…. Cathy said:

I join the others in welcoming our File 770 Cyborg Overlord.

And Ryan wrote:

Congrats Locutus of Mike

(2) DEEP DIVE. Juliette Wade’s new Dive into Worldbuilding features “Alex White and A Big Ship at the Edge of the Universe”. Watch the video conversation and read the summary at the link –

…I asked Alex about his research sources, and much of the material comes from his life experiences and those of his friends. This includes attitudes toward autistic people that he’s seen growing up with his child. He says, “the cultural baggage we drag around we assume is the right way to be.” This gets translated into things like Loxley’s boss telling her how to live, saying “I know a spinster who will police you,” and robbing the vulnerable of their agency. Even looking people in the eye is cultural and not universal.

I asked him also about his research sources for A Big Ship at the Edge of the Universe. He said the magic/tech blends were influenced by recent games, and that Cowboy Bebop had influenced some of the action sequence writing. He asked, “what is the worst goofy thing that can go wrong?” That’s the first question he asks, he says, when writing an action sequence. He told us about his podcast, The Gearheart, and said that this novel was a spiritual successor to the podcast, occurring 800 years later. Alex spent a lot of time running D&D there and getting to know the world….

 

(3) A GIFT TO THE WHOLE CULTURE. An editorial at The Guardian does more than simply praise N.K. Jemisin’s Hugo win: “The Guardian view on science fiction: The Broken Earth deserves its Hugo”

Ms Jemisin is the first black winner of a Hugo award for novels (the redoubtable Samuel Delany won twice for his short stories). Most of her characters are black, though this becomes only gradually apparent, and the system of slavery on her planet is not based on skin colour. Yet science fiction allows her to display some of the fundamental characteristics of any system of slavery, however much her account derives from the particular experience of African Americans. It may be the ultimate ambition of novelists to make characters who are entirely three-dimensional but in practice most of them produce bas-reliefs, where only aspects of their characters spring from the page and much of the background is undifferentiated.

(4) INSIDE THE NUMBERS. Nicholas Whyte’s analysis of the 2018 Hugo voting statistics is full of all kinds of interesting observations: “The 2018 Hugo Awards in detail”. For example:

Declined nomination:

  • Best Series – The Broken Earth (N.K. Jemisin);
  • Best Editor Long Form – Liz Gorinsky;
  • Best Professional Artist – Julie Dillon;
  • Best Fancast – Tea and Jeopardy
  • For Best Series, N.K. Jemisin declined for The Broken Earth;

the following were ruled ineligible, due to not having added enough to the series since last year:

  • The Expanse,
  • The Craft Sequence,
  • the October Daye books

And what Whyte said about the Best Fanzine stats I probably wouldn’t have noticed myself!

(5) THANKS TO ALL FILERS. Here’s a link to the Hugo ceremony video. Jo Van Ekeren’s File 770 acceptance speech begins at 48:34.

(6) THE FANNISH TITHE. Kevin Standlee says one in ten Worldcon 76 attenders volunteered – “Worldcon 76 Day 5+1: That’s a Wrap”.

(7) HECK OBIT. German TV personality and actor Dieter Thomas Heck died yesterday, reports Cora Buhlert.

He was mainly known for hosting music and game shows, but he was also an actor and had a memorable SF role as the game show host in “Das Millionenspiel”, a 1970 adaptation of a Robert Sheckley story. And since I couldn’t find an English language obituary for him anywhere, I wrote one myself.

(8) TODAY’S BIRTHDAYS

(9) COMICS SECTION.

(10) AFTER ACTION REPORT. Joe Sherry tells how he appreciates the value of a fanzine’s community, like the one they have at Nerds of a Feather: “Thoughts on the 2018 Hugo Awards”.

Being a finalist for the Hugo Award means that Nerds of a Feather is a part of the history of science fiction and fantasy fandom. I treasure that. I’m fairly sure I also speak for both Vance and The G when I say that. It is an amazing feeling to receive that notification and we’re grateful for it.

I said this privately to our writers, but I would like to say it publicly as well. The reason we even had an opportunity for a Hugo is not because of the work Vance, G, and I are doing behind the scenes. It’s because of the high quality of the work our writers are putting out every day. It’s the cumulative power of the book reviews and essays and special projects and interviews and none of that happens without these fantastic writers. We may not have won the Hugo Award, but we are absolutely confident that we deserved to be at that table, that the work our writers are doing is as good as anything on that ballot for Fanzine. The name on the ballot might say “The G, Vance Kotrla, Joe Sherry”, but it is that full list of contributors, past and present that have built the reputation we have and the every day excellence they deliver that allowed us to even have a chance. They’re the best.

(11) SPACE CATS. Steve Davidson announced in comments there is a call out to help many, many SJW credentials living at the Arecibo radio telescope site in Puerto Rico – “Arecibo Observatory’s Space Cats Need Your Help!”

When Hurricane Maria slammed Puerto Rico last September, destroying tens of thousands of homes and damaging the observatory, staff and other members of the local community sought shelter and supplies at the observatory’s visitor center. And the local cats did the same. [The Arecibo Observatory: Puerto Rico’s Giant Radio Telescope in Photos]

The Arecibo Observatory has long been known for its felines, and it has become an increasingly popular cat hangout ever since the hurricane hit last year, Flaviane Venditti, a researcher at the observatory, told Space.com. “After the hurricane, many people left the island and, in the process, left their animals behind,” Venditti said. “We can see that based on how people-friendly some of the cats are. They might have come to the observatory to shelter during the storm.”

(12) THEY’RE QUACKERS. [Item by Mike Kennedy]. What do you get when both The Joker and Daffy Duck show up in the same continuum? SYFY Wire says “Comics and cartoons collide in sneak peek at DC’s The Joker/Daffy Duck crossover”. The fertile (or fevered) minds at DC are cooking up not just The Joker/Daffy Duck one-shot, but also Catwoman/Sylvester and TweetyHarley Quinn/Gossamer, and Lex Luthor/Porky Pig. These follow-up previous Warner Bros. or Hanna-Barbera crossovers with DC superheroes titles like Black Lightning/Hong Kong PhooeyBatman/Elmer Fudd, The Flash/Speed Buggy, Martian Manhunter/Marvin the Martian, Aquaman/Jabber Jaw, and Jonah Hex/Yosemite Sam.

The  SYFY Wire article has a 6-page preview of The Joker/Daffy Duck Special #1, “which finds Daffy visiting Gotham City to tour the ACME headquarters, only to discover that the building has been abandoned and taken over by the infamous Clown Prince of Crime.”

(13) IRON FIST. Trailer for Marvel’s Iron Fist: Season 2

It’s not a weapon to be held. It’s a weapon to be used. Season 2 of Marvel’s Iron Fist debuts exclusively on Netflix September 7, 2018.

 

[Thanks to Rich Lynch, Cora Buhlert, Cat Eldridge, JJ, Chip Hitchcock, John King Tarpinian, John Hertz, Rick Moen, Steve Davidson, Mike Kennedy, Martin Morse Wooster, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 7/29/18 Winter Comes To Pixels, As Well As To Scrolls.

(1) BRONYCON TO END. Next year’s BronyCon is the last, it was announced at this weekend’s event in Baltimore.

BronyCon is the world’s largest family-friendly convention for and by fans of the animated TV series My Little Pony: Friendship is Magic.

(2) HELP HUGO AND CAMPBELL FINALISTS ATTEND WORLDCON. Mary Robinette Kowal is running a GoFundMe appeal to help get more award finalists to Worldcon 76.

Kowal says, “We’ve managed to get six finalists to the Hugos who otherwise would not have been able to attend.”

At this writing, “Worldcon Finalist Assistance” has raised $2,335 of its $10,000 goal.

Earlier this year we raised money to bring one of our Campbell Nominees to the Hugos and were met with astounding support! Now, we want to offer that same opportunity to the other WorldCon Awards Finalists so that they can participate in the celebration of their work.

Much like the previous fundraiser, we want to raise money for:

    • Plane tickets
    • Hotel stays
    • WorldCon memberships
    • Per diem
    • Ceremony attire rental
  • Other potential costs, based on individual needs

Thankfully, we have a strong community that is dedicated to celebrating authors, their work, and these awards. We want to hear from the folks we’re voting for, and they should be able to attend their own party!

What happens if we raise more?

That money will go towards an ongoing  fund dedicated to defraying the costs for future WorldCon Finalists.

(3) RINGBEARERS. David Doering is ecstatic, because of the LTUE connection:

BIG, BIG News here for Utah–INCREDIBLE NEWS in fact! Our own LTUE alumnus JD Payne and his writing cohort Patrick McKay will pen Amazon’s new The Lord of the Rings series. WOW! Those who met him last year know he’s one of the most approachable people and an inspired writer.

Deadline has the story: “‘The Lord Of the Rings’ Hires Writers JD Payne & Patrick McKay As Amazon Series Moves To Next Development Phase – TCA”.

As Amazon Studios head Jennifer Salke previously has suggested, creating the big-scope fantasy drama will involve a writers room. Payne and McKay were selected from a shortlist of scribes considered for the job, most of them from features, in the talent search, overseen by Amazon’s head of genre Sharon Tal Yguado.

Payne and McKay are rising feature writers who recently worked on Star Trek 4 for producer J.J. Abrams. I hear Abrams was one of a number of high-profile filmmakers and producers who  recommended the duo for the LOTR job.

With the search for lead writers completed, the development of the series is moving to the next stage with the set up of . writers room to collaborate on Payne and McKay’s vision. It is unclear yet — but possible — that any of the other writers who made it to the short list for the gig would be invited and that the project would bring in a showrunner.

(4) STEP RIGHT UP. Nicholas Whyte has “Two small Hugo reforms looking for co-sponsors”. Full text at the link.

A couple of minor amendments to the rules that I’d like to put to this year’s WSFS business meeting, but I need at least one co-sponsor. I won’t be there myself, but I think that these are technical and uncontroversial, and encode existing best practice in order to remove ambiguity. Please let me know, in comments here or by other channels, if you are a Worldcon 76 member willing to add your name to the list of sponsors. The deadline is 2 August.

(5) TOY STORY LAND. In the Washington Post, Steve Hendrix visits Toy Story Land at Disney World, which opened in late June, where  Baby Boomer favorites (Etch-a-Sketch, Yahtzee, Barrel of Monkeys) illustrate the rides and you can get snacks in a food station shaped as “Andy’s lunchbox propped open by Andy’s Thermos.” — “Larger-than-life charm at Walt Disney World’s Toy Story Land”.

You only have to go a few steps into Toy Story Land to sense that big thinkers have made huge efforts to make you feel small. The pieces used to assemble this toy-dimensional universe are agreeably supersize, from the Tinker Toy fences the size of satellite dishes and water mains to the life-size (because they’re alive) green army men marching to and fro in this 11-acre Pixarian play yard.

Specifically, it’s a backyard. In Walt Disney World’s newest major addition, which opened in late June at Disney’s Hollywood Studios park in the Florida resort, the Imagineers are trying to place you between the very blades (in this case, soaring shoots of bamboo) of a grassy lot filled with the daily detritus of a child at play.

(6) ABU DHABI DOO! John King Tarpinian says he wants to visit Bedrock — LAist reports “Warner Bros. Just Opened A Billion-Dollar Theme Park! And It’s Air-Conditioned! (But It’s In Abu Dhabi)”.

…It’s part of the United Arab Emirates’ efforts to become a world tourist destination. Abu Dhabi’s Yas Island (yaaaaas!) already features Ferrari World, which includes the world’s fastest rollercoaster, and Waterworld. (No, not that Waterworld.) You also have Dubai as a major travel center, with other local parks including Legoland, IMG Worlds of Adventure, and Motiongate.

Excited yet? Look, you can book a flight here! We’ve seen prices as low as $800 round-trip (though it’ll be around $2,500 if you want to leave, like, NOW).

You enter the park through Warner Bros. Plaza, which features old-school Hollywood style in an art deco setting. Like Disney’s Main Street U.S.A., it’s the portal to the rest of what this park offers. Then you can venture into the bright superhero world of Superman’s Metropolis or the darker realm of Batman’s Gotham City, as well as checking out the other cartoon-themed realms.

 

(7) PRESIDENTIAL MOMENT. Horror Writers Association President Lisa Morton is interviewed by The Witch Haunt.

WH: So many wonderful accomplishments so far! What other career would you have if not writing/publishing?

I actually have another career that I love: I’m a bookseller. I work for a used and rare bookstore, where I get to catalogue some truly magnificent rarities.

WH: How awesome that you get to go through daily life surrounded by stories. Which of your written works are you most proud of?

I think my novel Malediction, which was nominated for the Bram Stoker Award (but lost to Stephen King’s Doctor Sleep).

WH: Malediction, about curses, psychic powers, ghosts and such sounds like my perfect cup of horror. If you could have coffee with any horror author, gone or alive, who would it be?

He’s not primarily a horror author, but I have to say Philip K. Dick.

(8) TODAY IN HISTORY

  • Born July 29, 1958 — The U.S. Congress passes legislation establishing the National Aeronautics and Space Administration (NASA).

  • July 29, 2002 — M. Night Shyamalan premieres SIGNS

(9) COMICS SECTION.

(10) RIVER’S END. Paul Weimer at Nerds of a Feather: “Microreview [book]: The Black God’s Drums by P Djelli Clark”.

The real richness of the novella is it is delight in invention, with an eye for creating a world that is rich for the potential for story and adventure. From the palpable existence of very active orishas, to an alternate history with a Confederacy, Haiti as a Caribbean power, and, naturally, airships, the world that Clark has created is a fascinating one that we only get a small short-novella taste of, but I want to read more of. The vision of New Orleans as a freeport where the Union, the Confederacy, Haiti and other powers all meet and trade, complete with extensive airship facilities is a compelling and fascinating one. There are hints that the world beyond what we see is similarly not the one we know, either, but really, Clark could tell many stories just in the North America and Caribbean around New Orleans. There is just simply a lot of canvas here for the author to unleash her protagonist and other characters upon.

(11) MIXED BAG. Adri Joy finds good and bad in this Fforde outing: Microreview [Book]: Early Riser by Jasper Fforde at Nerds of a Feather.

…while Early Riser is another magnificent entry in Fforde’s bibliography, it didn’t wow me to the same extent as The Eyre Affair or Shades of Grey did; I’m quite happy that it’s intended to be a standalone, and don’t feel a great need to explore any more of this particular world beyond what this volume offers. Everything just feels more constrained than Fforde’s other work, and while part of this is just the claustrophobic hibernal setting, I suspect it’s also just built on a smaller scale. The weird details and tangents are just interesting enough to carry the story they are in, without leaving much additional food for thought. It’s highly obnoxious to judge a work based on the timelines of the author’s unfinished series, but I suspect for a lot of long-time fans, Early Riser might be a mixed experience: great fun, a promising sign of more to come, and yet not quite what we were waiting for. That said, being a standalone at least means it doesn’t end with more tension, wrapping up Charlie’s story and its world-changing implications in a swift but ultimately satisfying conclusion.

(12) WHEN BEST MEANS BEST. Joe Sherry is on his way to a flying finish – “Reading the Hugos: Series” at Nerds of a Feather.

It’s time for another installment of Reading the Hugos and it’s time to either go big or go home. Since I’m already sitting at home while I write this, I think I’m going to go big and cover the abundance of excellence up for Best Series.

There is so much goodness here that it isn’t even fair.

Best Series last year was a trial run, a special one time category (pending the ratification at the WSFS business meeting at last year’s Worldcon) – which makes this the first full year of the category. I’m probably the only person who is going to think of things like this.

If last year was a proof of concept and this year represents the very high bar we should expect from the Best Series quality, we’re looking at one of the strongest categories on the ballot year after year. The series I ranked lowest on my ballot is exceptional. The only challenge here is that there is a lot of reading to do to at least get a brief overview of each series, let alone do a deep dive.

(13) SIODMAK’S BRAIN. Eric Leif Davin’s interview with Curt Siodmak, a chapter in his book Pioneers of Wonder (1999) has been posted at SF Magazines: “From Print to the Screen: A Conversation with Curt Siodmak by Eric Leif Davin”.

Upon graduation from the University of Zurich, Curt joined his brother in Berlin. There, the vagaries of the financial situation made it impossible to pursue his engineering career. Instead, he drifted into his brother’s film circle and wrote scripts for several of Robert’s films. Both brothers fled the Nazis in the early thir­ties and eventually ended up in Hollywood. Curt was quickly given a job writing a sarong picture for Dorothy Lamour and a succession of such assignments followed for the next two decades. A number of his assignments for Universal Pictures— The Wolf Man, House of Frankenstein, Frankenstein Meets the Wolf Man, Son of Dracula, and others—have since become horror classics. This, as he makes clear in the following conver­sation, was entirely accidental. He had no particular affection for or interest in either horror or science fiction—indeed, he never read the stuff. It was merely a job….

I see. Did you always think science fiction was gibberish?

Of course, it was always gibberish. You know, the human mind is so limited. We write about societies on other worlds, and they resemble us so much. You look at the paintings of Brueghel or Bosch10 and all those demons look like men with two eyes and two arms—hard to think of a new shape. The same with societies. You go into outer space and you find fascism or communism or the Roman Empire or feudal Europe. We don’t have much in our brains.
I wrote a few books about space, Skyport and City in the Sky.11 A friend took me to visit engineers at Lockheed because he thought talking with them would help give me ideas. They got their ideas from reading my books!
For instance, instead of launching rockets from the ground to reach orbit, why not have a huge elevator into space, miles high? Launch things from the top and they save so much on fuel!

Didn’t Arthur C. Clarke already write about that in The Fountains of Paradise?12

Who? I don’t know. I never read that.

(14) DRAGONS. Coming to the Worldcon 76 art show.

(15) FAMILY OKAYS CARRIE FISHER APPEARANCE. Members of Carrie Fisher’s family are expressing support for her appearance in the next main-line Star Wars movie (SYFY Wire: ”Carrie Fisher’s brother, Todd, couldn’t be happier for Leia’s return in Star Wars: Episode IX”). It had already been reported that Fisher’s daughter, Billie Lourd, approved the plan to recycle unused footage shot for Episode VII in Episode IX. Now Fisher’s brother, Todd Fisher, has given has given his blessing, also.

“I couldn’t be more personally thrilled and happy that our Carrie will reprise her role as Princess Leia in the new and final Star Wars Episode IX, using previously unreleased footage of her shot for Star Wars: The Force Awakens,” he said. “As we, her family, as well as her extended family of fans around the world so believe, Carrie’s Princess Leia is forever entrenched in the franchise and her indelible presence is fundamental to the film. J.J. Abrams understood Carrie’s iconic role, and he has masterfully re-crafted this final entry to include this unused and very last footage of Carrie ever taken, without resorting to CGI or animatronics. Our family and her fans will look forward with great anticipation for this one! Her force will forever be with us!”

(16) AN ORVILLE TO LOOK FORWARD TO. Two Star Trek: TNG stars will unite on an episode of The Orville, albeit with only one of them in front of the camera (ComicBook.com: “‘Star Trek: The Next Generation’ Alum Marina Sirtis to Guest Star in ‘The Orville’ Season 2“).

It was previously announced that Jonathan Frakes, who played Commander William Riker on Star Trek: The Next Generation and directed several episodes of Star Trek television and two movies, will direct an episode of The Orville Season Two. It seems Frakes is bringing his Imzadi with him, as Marina Sirtis, who played Counselor Deanna Troi on Star Trek: The Next Generation, recently shared a photo of herself with Frakes and [Seth] MacFarlane asking, “Where am I?”

Frakes seemingly confirmed that Sirtis is on The Orville set in the photo by responding to the tweet, saying “Cat’s out of the bag now…”

Trek Movie has since also confirmed that Sirtis will guest star in an episode of The Orville

(17) FALL TV SCHEDULES. Did you know you can find these on the Wikipedia? Grids for the larger networks in each country, except for PBS in the USA.

(18) PLAGUE PRACTICE. The Johns Hopkins Center for Health Security created a simulation of a “moderately contagious and moderately lethal” emergent virus that could decimate the world population—in the literal sense of killing 10% of humans (Business Insider: “Pandemic virus simulation from Johns Hopkins shows our vulnerability”). The “Clade X” simulation concerned a bioengineered virus, but a novel emergent natural virus could have the same effect. The fictional situation is described as killing 150 million in 20 months of simulated time, expected to rise to 900 million eventually if no vaccine could be created. At that 20-month mark of simulated time, researches paused for a real-time day:

On May 15th, when the  “Clade X” simulation  was played out real-time, the people acting out the scenario were the sorts of individuals who’d be responding to this situation in real life. The  players included  former Senate Majority Leader Tom Daschle, Indiana Representative Susan Brooks (R), former CDC Director Julie Gerberding, and others with extensive experience….

“I think we learned that even very knowledgeable, experienced, devoted senior public officials who have lived through many crises still have trouble dealing with something like this,” Dr. Eric Toner, a senior scholar at the Johns Hopkins Center for Global Health Security and the designer of the Clade X simulation, told Business Insider. “And it’s not because they are not good or smart or dedicated, it’s because we don’t have the systems we need to enable the kind of response we’d want to see.”

(19) HEAVENLY ABODES. Business Insider has posted some 1970’s vintage NASA concept drawings for three variants of space habitats, designed to hold between 10,000 and 1,000,000 people each (“NASA once envisioned life after Earth in these fantastical floating cities”). They credit NASA Ames Research Center for the photos, making them public domain and fair game if you want an aspirational image for your computer or smart phone wallpaper. The ships range from a simple toroid to a massive cylinder.

In the 1970s, physicists from Princeton University, the NASA Ames Research Center, and Stanford University created fantastical illustrations of massive orbiting cities for life after Earth. The scientists imagined a worse-case scenario in which our planet would be destroyed, and humankind would move to space.

[Thanks to Cat Eldridge, ULTRAGOTHA, Chip Hitchcock, JJ, John King Tarpinian, Martin Morse Wooster, Mike Kennedy, David Doering, Carl Slaughter, Nicholas Whyte, and Andrew Porter for some of these stories, Title credit goes to File 770 contributing editor of the day vondimpleheimer.]

Pixel Scroll 7/12/18 Pixels’ Red Glare, The Scrolls Bursting In Air

(1) SFPA HANDLES CODE OF CONDUCT ISSUE. The Science Fiction & Fantasy Poetry Association (SFPA) notified members via Facebook that member Bruce Boston has been suspended for a Code of Conduct violation. SFPA President Bryan Thao Worra wrote:

Following a 7-day review and conferral with the SFPA Executive Committee, SFPA member Bruce Boston has been suspended for six months from commenting on the Facebook Group and Yahoo Groups listserv for violation of the SFPA Code of Conduct, regarding egregious remarks beginning on July 4th, 2018, and a failure to retract those remarks in a timely manner. He remains a member of the SFPA and retains all honors and titles. This suspension remains in effect until December 31st, 2018.

In light of this incident, we wish to share the Code of Conduct, which the Executive Committee created and implemented in July 2017. It was shared on the fora, to which it applies, but was not transmitted to every member and new members may be unaware.

Please click on the blue button below to read the document about our expectations of conduct on our forums, Facebook and Yahoo Groups. The rules as well as the consequences for not following them are detailed therein.

To read the SFPA Code of Conduct, click here. [Dropbox file]

SFPA Grand Master Bruce Boston, in comments on a SFPA Facebook group post about the Rhysling winners, publicly insinuated that 2018 short poem Rhysling winner, Mary Soon Lee, must have been the beneficiary of vote stuffing because in his view her poem was unworthy of the honor. As of this writing, Boston’s and others’ comments are still accessible by nonmembers of the group. Here is a screenshot from near the beginning of the exchange.

(2) W76 BUSINESS MEETING SCHEDULE. On his blog, Kevin Standlee previewed his Worldcon article – “Business Meeting & Site Selection Schedules at Worldcon 76”.

For those of you trying to arrange your schedule for Worldcon 76 around the WSFS Business Meeting and Site Selection (as I am rather forced to do by the nature of running the WSFS division), here’s the current state of our plans. For those of you who are veterans of the process, this may all sound boring, repetitive, and obvious, but based on the questions I’ve fielded, there are members — including people interested in WSFS Business — who do not know this stuff.

Linda Deneroff also has posted the start of the agenda for Worldcon 76. You can find it on the Business Meeting page. Click on the “Agenda” link.

(3) ROBOT HOTEL. Grant Imahara (perhaps best know for his former gig on Mythbusters) visits a robot hotel in this Popular Science article (“Mouser Electronics: Generation Robot”). No, not a hotel for robots, but one staffed by robots. It sounds like Henn Na Hotel is trying to avoid — at least in part — the Uncanny Valley. Quoting the article:

Imagine checking into a hotel and handing your luggage to a bellhop, but not seeing another human besides other guests. That’s the reality at Henn Na Hotel in Japan’s Nagasaki Prefecture, where robots have taken over. Robot enthusiast Grant Imaharavisits the hotel to see how the hospitality business can succeed without humans.

During his stay, Grant is surprised by the non-humanoid robot he meets at the check-in desk. Maybe he should have known—Henn Na Hotel loosely translates to “strange hotel” in Japanese. Naomi Tomita, the hotel’s Chief Technology Officer, says that using non-humanoid robots can make the interactions less awkward. The hotel encourages guests to chat with the robots while they work. A robot checks Grant’s coat, and a robotic trolley takes his luggage to his hotel room.

 

(4) MORE FROM BODLEIAN. Nicholas Whyte tweeted an image from the Bodleian’s Tolkien exhibition.

(5) MOVIE POSTER AUCTION. Heritage Auctions told subscribers that sf movie posters will be featured in its forthcoming Movie Posters Auction July 28-29 in Dallas. A Star Trek poster by illustrator Bob Peak is expected to compete for top-lot honors.


Star Trek IV: The Voyage Home by Bob Peak (Paramount, 1987) (est. $40,000-80,000) is the largest and arguably the most detailed of all Star Trek posters designed by Peak. A renowned commercial artist whose greatest acclaim comes from his developments in the design of modern movie posters, Peak’s artwork has appeared on the cover of numerous magazines, including Time, TV Guide and Sports Illustrated . The brilliant color used for the evening sky of San Francisco offers stark contrast to the Klingon Bird of Prey flying just over the Golden Gate Bridge. The 40-by-57-1/2-inch poster is done on illustration board mounted on foamcore, is signed by Peak and comes with a gold frame.

“Bob Peak was a popular and important movie poster artist who produced a number of posters for various Star Trek films, and this is as dramatic as any of them,” Heritage Auctions Vintage Posters Director Grey Smith said. “His subtle portraits of several of the film’s primary characters offer an extraordinary balance to the bold images of the sunset and the Bird of Prey. This poster is a large and striking image that would be a significant addition to any collection.”

Science fiction fans also will be drawn to The War of the Worlds (Paramount, 1953). Half Sheet (22″ X 28″) Style B (est. $20,000-40,000), a rare Style B half sheet that is one of the most iconic and elusive images in the genre. Featuring Martian warship imagery not included in many other posters for the original release of George Pal’s powerful adaptation of H.G. Wells’ science fiction novel.

…Widely considered to be among the greatest film posters of all time, a Things to Come (United Artists, 1936) one sheet (est. $15,000-30,000) was inspired by another science fiction film based on another H.G. Wells-inspired screenplay. The film is based on his 1933 novel The Shape of Things to Come and his 1931 non-fiction The Work, Wealth and Happiness of Mankind. Among the always-rare posters for this early sci-fi epic, this one stands out in part because of the 1930s deco-designed version of the future.

(6) RECORD SETTING. Seattle’s Sub Pop Records is taking preorders on Bandcamp for The Rick And Morty Soundtrack, a 26-track collection of music from the animated series on Cartoon Network. Two vinyl LP packages (“Deluxe” and “Loser”) and a digital version are available.

This release is the first official collection of music from Rick and Morty. All formats feature 26 songs, 24 of which are from the first 3 seasons of the show, and 18 of which were composed by Ryan Elder specifically for the show. The album also includes songs by Mazzy Star, Chaos Chaos, Blonde Redhead, and Belly, all of which have been featured in the show, as well as two new tunes from Chad VanGaalen and Clipping inspired by the show. The box set includes a special bonus track on a 7”.

(7) JOHNSON OBIT. Somebody has to think these things up, you know — “Alan Johnson, 81, ‘Springtime for Hitler’ Choreographer, Dies”. Here’s an excerpt from the New York Times:

Alan Johnson, a choreographer renowned for his campy movie collaborations with Mel Brooks on the “Springtime for Hitler” goose-steppers-and-showgirls extravaganza in “The Producers” and the “Puttin’ On the Ritz” tap dance in “Young Frankenstein,” died on Saturday at his home in Los Angeles. He was 81.

Mr. Johnson had danced in the original Broadway production of “West Side Story” and begun his career as a choreographer when he started working with Mr. Brooks, whom he had already met through a friend, the lyricist Martin Charnin. Mr. Brooks, best known at the time for his work with Carl Reiner on the “2000 Year Old Man” records, was developing “The Producers,” about a producer who schemes with his accountant to create a certain Broadway flop and steal the money invested in it by unsuspecting old women.

…In his role as producer, Mr. Brooks gave Mr. Johnson the chance to direct two films. The first, “To Be or Not to Be” (1983), was a remake of Ernst Lubitsch’s 1942 comedy with Mr. Brooks and Ms. Bancroft in the roles played in the original by Jack Benny and Carole Lombard. Three years later Mr. Johnson directed “Solarbabies” (1986), a science-fiction story about roller-skating orphans fighting for a solution to a worldwide water shortage. It was widely panned.

(8) TODAY’S BIRTHDAYS

(9) COMICS SECTION.

  • That’s some potion in Bizarro.
  • Frazz asks how a reader can like wildly disparate writers.
  • Bliss contains a space navigation tip.

(10) MOVIE AD ADAPTATIONS. These cat pictures may not display properly here, however, they are certainly worth clicking through to see.

(11) ANCIENT MONUMENT. Science journal Nature covers the “Mystery of buried children at German ‘Stonehenge’”.

Scientists scrutinize monumental complex of ditches and posts built more than 4,000 years ago.

As prehistoric Britons gathered at Stonehenge, people living in what is now Germany were erecting their own grand monument: a complex of nested circular ditches, pits and rows of posts, interspersed with the remains of women and children, who might have been human sacrifices…

(12) GRIST FOR THE MILL. Sean T. Collins argues “The only good online fandom left is Dune” at The Outline.

Beyond that, Dune is not a corporate cash cow, and being a fan doesn’t carry with it that icky feeling you’re doing an unpaid PR internship for Disney or AT&T Time Warner. You’re not being cultivated when you make a Reverend Mother Gaius Helen Mohaim Appreciation Thread, the way you are when you do something similar for, like, Harley Quinn or Groot. Nor are you helping billionaires whitewash their crimes if you point out politically positive aspects of the series, like its environmentalism or its bone-deep skepticism of leader cults. People who quite reasonably respond favorably to long-overdue representation of non-white-dudes in movies like The Last Jedi and Black Panther have to grapple with stuff like Marvel teaming up with defense contractors Northrop Grumman, or its CEO Ike Perlmutter being a noted Trump supporter.

(13) WHERE ROCKS WERE BANGED TOGETHER. BBC summarizes an item from Nature: “Earliest evidence of humans outside Africa”.

Scientists say they’ve found the earliest known evidence of a human presence outside Africa.

Stone tools discovered in China suggest primitive humans – or a close relative – were in the region as early as 2.12 million years ago.

They are about 270,000 years older than the previous earliest evidence, which consists of bones and tools from Dmanisi in Georgia.

The research, by a Chinese-British team, appears in the journal Nature.

The stone artefacts were discovered at Shangchen on a plateau in northern China.

(14) HOO-RAY. A Gizmodo writer is overwhelmed: “The World’s First Full-Color, 3D X-rays Are Freaking Me Out”.

A New Zealand company called Mars Bioimaging has developed a new type of medical imaging scanner that works in a similar fashion, but borrows technology developed for the Large Hadron Collider at CERN to produce far more detailed results. The Medipix3 chip works similar to the sensor in your digital camera, but it detects and counts the particles hitting each pixel when a shutter opens….

It will be years before the new Spectral CT scanner receives all the clearances and approvals it needs so that it can be used in hospitals and clinics. But it’s well past the research stages at this point, and clinical trials are expected to get underway in New Zealand in the coming months.

So (posits Daniel Dern), it’s no longer too dark inside a dog to read?

(15) ACTION FIGURE REVIVAL. SYFY Wire makes note of several new lines of action figures coming soon from a company known for them in the 70’s and 80’s (“Mego toys is staging a comeback with new line of action figures from DC, Star Trek, and more”). The figures will be exclusive to Target and are being debuted at San Diego Comic-Con. They’ll appear in stores a little later this year.

Quoting the SYFY Wire article:

One of the earliest pioneers in the world of action figures is prepping a nostalgic resurrection, promoting a new line of toys at this year’s San Diego Comic-Con […]

Mego Corp., the company that innovated some of the earliest cross-merchandising action figure toys for cartoon, comics, and pop culture fans throughout the 1970s and early 1980s, is launching a new line of figures based on characters from DC, Star Trek, Firefly, Charmed, The Wizard of Oz, and more […]

Quoting the Target website:

Ready for a blast from the past? Toymaker Mego and industry legend Marty Abrams, co-founder and CEO of Mego Corporation, are recreating the company’s famous action figure line, and Target will be the exclusive retailer. The new line of collectibles hits stores and Target.com July 29, but fans will get a first look next week during a panel at San Diego Comic-Con—one of the largest gatherings of comic, movie and science fiction fans in the world….

Target’s exclusive line of Mego collectibles will be available in stores and online July 29 at prices ranging from $14.99 to $29.99. Check out our full assortment of collectibles at Target stores nationwide and Target.com.

[Thanks to JJ, John King Tarpinian, Mark Hepworth, SF Concatenation’s Jonathan Cowie, Cat Eldridge, Rob Thornton, Chip Hitchcock, Mike Kennedy, Martin Morse Wooster, Carl Slaughter, Daniel Dern, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]

Pixel Scroll 6/9/18 Scroll-The-Pooh Filed In A WordPress All By Himself Under The Name Of Pixel

(1) DAMES AND KNIGHTS. The Queen’s birthday honours list is out. The Guardian has the highlights likely to be of interest to Filers (although it does not cite any of the recipients’ genre credits).

The Queen’s birthday honours list, in which actor Emma Thompson was made a dame,…

Thompson, who is one of Britain’s best loved actors, has been made a dame, adding to a long list of awards including Oscars, Baftas, Golden Globes and Emmys.

…The damehood awarded to the classicist Mary Beard is likely to prove more popular. The Cambridge professor, author and TV presenter described it as a “smashing honour” and attributed it to growing interest in her field of work.

“I feel especially pleased that someone working on the ancient classical world gets honoured in this way,” she said. “I’d like to treat it as a bit of a tribute to the Greeks and Romans themselves, as well as to all my wonderful academic colleagues who also do so much for the study of antiquity.”

The actors Keira Knightley and Tom Hardy are awarded an OBE and CBE respectively.

The author Kazuo Ishiguro, whose works include The Remains of the Day, the film adaptation of which starred Thompson, is knighted for his services to literature. He said he was “deeply touched to receive this honour from the nation that welcomed me as a small foreign boy”.

(2) EPISODE HATE. The Late Show with Stephen Colbert concocted a hilarious “’Stars Wars’ Trailer To Piss Off Hateful Fanboys.” Starts around 2:20 of this video.

There’s a special new ‘Star Wars’ movie for all the angry fans whose racist, misogyny led ‘Last Jedi’ actress Kelly Marie Tran to leave Instagram.

 

(3) DRAGON CON TURNOVER. Early this month bloggers Francis Turner and Jon Del Arroz celebrated a Dragon Con staff firing, however, those searching for an objective explanation of what transpired had nowhere to turn until this week when Richard “Fife” Blaylock published two resignation statements on his blog, one by former Dragon Con Fantasy Literature Track director Charlotte Moore, and his own.

Moore committed what she terms “an error in judgment” in telling a ConCarolinas supporter and regular Dragon Con panelist his support of that convention made him “less welcome” by the Fantasy Literature Track. Dragon Con leadership considered that beyond her authority and a misrepresentation of the convention’s commitment to political neutrality. Almost concurrently,  Moore tweeted in support of a friend she saw being harassed in social media. Dragon Con leadership ultimately told Moore the appearance of the con’s neutrality was more important than these acts of conscience, and she was fired.

Moore initially put a farewell post on the Fantasy Literature at Dragon Con Facebook page, which was taken down by Facebook. It has been reposted to Blaylock’s blog. Here is an excerpt:

Hi, everyone. It’s Charlotte.

Effective immediately, I am no longer the Fantasy Literature Fan Track Director.

I apologize for the cryptic nature of what follows. I will, at my discretion and on a person-by-person basis, give details in private, or when plied by sufficient quantities of alcohol.

First:

I would like to thank Rachel Reeves and David Gordon for working with me to find an equitable resolution to some longstanding and, ultimately, insurmountable differences between my priorities and the convention’s.

I deeply regret that, in an effort to defend this community I love so much, I have, in moments of anger, occasionally overstepped my bounds, resorting to tactics that were unbecoming of me. My behavior has not consistently reflected the convention’s values—nor, in my better moments, mine.

While I do not regret, for one second, standing up to any person who, through their stories, statements, or behavior, threatens this community—or who, out of self-preservation, chooses not to see injustice and abuse—there are ways I might have done so without grabbing for low-hanging fruit.

Dragon Con strives to be apolitical. Perhaps that’s admirable (and perhaps it isn’t? I truly don’t know), but it strikes me that the most bombastic champions of this position are the ones most incensed by social justice, a phrase they sneer as a term of derision and ridicule.

I believe that Dragon Con’s heart is in the right place. I really do. They made it clear to me that they have no compunction with the fundamental nature of my values; that they welcome strong opinions among their track directors; and that they share a desire to create a diverse and safe environment.

They want everyone to have a seat at the table. Unfortunately, they also want everyone to have a seat at the table. And a table that seats abusers beside their abused is not, in fact, a table for all: “If you are neutral in situations of injustice, you have chosen the side of the oppressor.”

So. The convention and I are at an impasse. And perhaps it is best if Dragon Con finds a less vociferous replacement for me, though I regret that this must happen so close to this year’s event….

—Charlotte, who will miss you all very much.

Richard Blaylock, likewise, has quit the convention as he explains in “My Resignation from Dragon Con” (full statement at the link.)

The below is my resignation as Director’s Second of Fantasy Literature at Dragon Con, as I sent it in. For some quick context:

  • The prior director had acted out of line and was due some form of censure, along the lines of public apology and a warning to chill.
  • Instead of a transparent process, she was fired without being allowed to defend herself, and before she was even informed that she was being fired, they were soliciting potential new directors.
  • The “greater crime” for which she was fired was that she was vocally expressing that she would not provide a platform for bigotry and hate in her programming.

So, without further adieu, and with the intent to allow this to be shared easily across social media platforms (I’d already shared it on Facebook), my letter of resignation to Dragon Con:

To: Director, Fantasy Literature
CC: Sr. Director, Fan Track Operations; Dragon Con Board of Directors
Thank you for the opportunity to stay on as Director’s Second for Fantasy Literature. After a long time mulling it over, I regret to inform you that I cannot, in good conscience, continue on in this position.

While I do not agree with all of Prior Director Charlotte Moore’s means and methods, and I do feel she stepped out of line in her interaction with [guest name redacted] in specific, I cannot countenance the actions that have been taken—actions taken both by means of punishing her and of the convention making a political statement in her firing and its choice for her replacement.

I can appreciate that the convention doesn’t want to become accused of being a political entity for both legal and social reasons. But there is a false equivalency and a tone deafness in the convention claiming that bigotry and harassment is “just politics.” It is the paradox of tolerance that those who try to uphold absolute tolerance invite the absolutely intolerant. A political difference is how to provide health care, entitlements, and the size and role of government. It is not debating the fundamental humanness of those who are not white, heteronormative men.

A “Safe Space” is also a paradox. It is a place where those accepting of differences, willing to admit that all people have a fundamental equality, are welcome. It is not, in truth, “safe” for everyone, because it should be absolutely unwelcoming of bigots. By their fundamental nature, bigots make others unsafe. Fantasy Literature has, in the five years I’ve worked for it, always been a Safe Space, and I thought this was not just because of the actions of the director and her volunteers, but because senior convention leadership saw the value in this as well.

However, in its actions, Dragon Con has made the declaration that hate and bigotry are acceptable behaviors, and that the deluge of snide micro-aggressions that people of color, the differently-abled, women, and the LGBT community will suffer is an acceptable price for convention leadership to pay so they don’t have an angry, vocal, and harassing minority emailing them…..

Dragon Con prides itself on “running like a business.” I am sure that the mentality is you don’t care that a few offended attendees won’t come because of this decision; the numbers are still going up overall. On the whole, the masses don’t care.

But the thing is, the masses don’t care. Dragon Con could do the right thing, take a stand against bigotry and refuse to give it a platform, and you will only lose a minor handful of other bigots.

The masses don’t care. So it becomes such a puzzlement when the only action taken is to turn a blind eye and allow the tyranny of one minority over another so you don’t have to make a decision.

I have made my decision. I hope that you and others will come to see that it was correct one day.

Richard “Fife” Blaylock
Formerly Director’s Second, Fantasy Literature, Dragon Con

(4) ON THE OTHER SIDE OF THE WALL. Galactic Journey imported Cora Buhlert to 1963 where she discusses “[June 8, 1963] The Future in a Divided Land (An Overview of Science Fiction in East and West Germany) Part 1”.

…I am fortunate enough to live in West Germany and therefore the main focus of this article will be on West German science fiction. However, I will also take a look at what is going on in East Germany.

In the US and UK, science fiction is very much a magazine genre, even if paperback novels are playing an increasingly bigger role. In West Germany, there are a couple of science fiction publishers, such as the Balowa and Pfriem, which specialise in hardcovers aimed at the library market, as well as the paperback science fiction lines of Heyne, Fischer and Goldmann. The three paperback publishers focus mainly on translations, whereas the library publishers offer a mix of translations and works by German authors. Though Goldmann has recently started publishing some German language authors such as the promising new Austrian voice Herbert W. Franke in its science fiction paperback line.

However, the main medium for science fiction and indeed any kind of genre fiction in West Germany is still the so-called “Heftroman:” digest-sized 64-page fiction magazines that are sold at newsstands, gas stations, grocery stories and wherever magazines are sold. Whereas American and British science fiction magazines usually include several stories as well as articles, letter pages, etc…, a “Heftroman” contains only a single novel, technically a novella. “Heftromane” are the direct descendants of the American dime novel and the British penny dreadful – indeed, they are also referred to as “Groschenroman”, which is a literal translation of “dime novel”….

(5) TODAY IN HISTORY

  • June 9, 1790 — The first copyright for a book was given to The Philadelphia Spelling Book by John Barry.
  • June 9, 1934 —  Donald Duck made his debut in the cartoon “The Wise Little Hen”.
  • June 9, 1978 The Cat From Outer Space premiered theatrically
  • June 9, 1989 Star Trek V: The Final Frontier debuted on this day

(6) TODAY’S BIRTHDAYS

  • Born June 9, 1930 – Lin Carter
  • Born June 9, 1943 – Joe Haldeman
  • Born June 9, 1963 – David Koepp

(7) HUGO BALLOT PREVIEW. Nicholas Whyte groks “The 2018 Hugo finalists for Best Dramatic Presentation, Short Form”. At the top of his ballot —

1) Doctor Who: “Twice Upon a Time”

The Moffat era had its low points, but the return of the First Doctor for the Twelfth Doctor’s final story was not one of them. I actually thought that the 2018 season was Capaldi’s best in general, and would have rated a couple of the other episodes higher than this; but this one deserves its place on the ballot and gets my vote. Bonus points for having scenes set in Belgium.

(8) PIXAR PIONEER GOING. Yahoo! Entertainment says “Lasseter, Pixar co-founder, to step down at end of year”.

John Lasseter, the co-founder of Pixar Animation Studios and the Walt Disney Co.’s animation chief, will step down at the end of the year after acknowledging “missteps” in his behavior with staff members.

Disney announced Friday that Lasseter — one of the most illustrious and powerful figures in animation — will stay on through the end of 2018 as a consultant. After that he will depart Disney permanently.

Lasseter in November took what he called a six-month “sabbatical.” He apologized “to anyone who has ever been on the receiving end of an unwanted hug” or any other gesture that made them feel “disrespected or uncomfortable.” At the time, Lasseter signaled that he hoped to then return to Disney. Many in Hollywood were skeptical that was possible.

“The last six months have provided an opportunity to reflect on my life, career and personal priorities,” Lasseter said in a statement. “While I remain dedicated to the art of animation and inspired by the creative talent at Pixar and Disney, I have decided the end of this year is the right time to begin focusing on new creative challenges.”

(9) JUNOT DIAZ. Boston Review’s decision to keep Junot Diaz as an editor has driven three other editors to quit reports the Boston Globe “Boston Review editors resigning in protest of decision to retain Junot Diaz”.

The decision by Boston Review to retain Junot Diaz as an editor despite recent sexual misconduct allegations isn’t sitting well with some members of the magazine’s staff.

Three poetry editors have announced they plan to resign effective July 1 because they disagree with the decision of Boston Review editor in chief Deborah Chasman to keep Diaz on as fiction editor, a position he’s held since 2003.

In a statement posted on the magazine’s website this week, Chasman and executive editor Joshua Cohen said they had done a “careful review of the public complaints” about Diaz, as well as their own inquiry, and determined that “the objectionable conduct described in the public reports does not have the kind of severity that animated the #MeToo movement.”

That prompted Boston Review poetry editors Timothy Donnelly, BK Fisher, and Stefania Heim to respond with a statement of their own.

“What most distresses us are the [Boston Review statement’s] apparent arbitration of what constitutes inclusion in the #MeToo movement and its lack of attentiveness to power dynamics in a star-driven media and publishing landscape,” the three editors wrote. “Though we raised these reservations to the executive editors and asked them repeatedly to rethink their position, they went forward as planned.”

The decision-makers explained why they did not remove Dias in “A Letter from Deborah Chasman and Joshua Cohen” at Boston Review.

Junot Díaz has been Boston Review’s fiction editor since 2003. Like many others, we were deeply moved by Junot’s recent essay in the New Yorker  describing his experience as a child victim of rape, and also struck by his acknowledgment in that essay that he had hurt people with his “lies and choices.” Also, like many others, we have been disturbed by recent reports from women who have come forward to describe the ways they were hurt by him. We have read their reports carefully, taken their complaints seriously, and thought hard about how we should respond.

On the basis of what we have learned, we have decided to continue our editorial relationship with Junot. We want to give a few words of explanation.

First, during his 15-year tenure as fiction editor, we have never received any complaints about Junot’s conduct, either from our staff or from writers.

If we were only an employer, that might be the end of the discussion. But issues of gender and race are at the heart of our mission. Because of Junot’s important public role, we cannot narrowly confine our attention to his role as our fiction editor.

Second, then, we do not think that any of the individual actions that have been reported are of the kind that requires us to end the editorial relationship. To be clear: we do not condone the objectionable behavior that they describe. Instead, we asked ourselves whether the conduct they report is of a kind that—given his role and our mission—requires us to end the editorial relationship. We do not think so. The objectionable conduct described in the public reports does not have the kind of severity that animated the #MeToo movement.

Third, we considered whether, as some have suggested, the complaints point to a larger pattern of abusing power—the kind of star power that has attached to Junot as a successful writer, editor, and public intellectual. On the basis of a careful review of the public complaints, we think not. The events they characterize—including several episodes of aggressiveness in public discussion—are dispersed over a long stretch of time, and do not, as we see it, show the characteristics, repetition, and severity required to establish such a pattern….

(10) THE WHO FAMILY. Don’t ask whether Doctor Who is the Doctor’s Daughter’s father or mother now. This isn’t that kind of project. Syfy Wire reports Doctor Who’s “daughter” is back In Universe, this time in a series of audio adventures: “The Doctor’s Daughter finally returns this week but it could have been much sooner”.

It’s been a decade, but the Doctor’s daughter is finally back for a series of new Big Finish audio adventures out this week. However, if it had been up to Georgia Tennant, her Doctor Who character would have returned to the Whoniverse much sooner.

Thing is… she was never asked back.

“I’ve always been aware of what Doctor Who brings to it, and what you then carry on throughout your life,” explained the actress (who happens to be the daughter of Fifth Doctor Peter Davison and the wife of Tenth Doctor David Tennant) to Radio Times. “But because it was just one episode I thought ‘Oh…that’ll just come and go.’ But it hasn’t, and everyone’s so lovely. Everyone’s wanted me to do this, and at conventions everyone’s been like ‘Why don’t you come back and do something?’ And you know, obviously they never asked me on the TV show…”

(11) PREGAME RITUAL. HBO needs to find a way to keep the cash register ringing: “Game of Thrones: HBO orders spinoff prequel pilot”.

Game of Thrones could be getting a prequel series, HBO has announced, one of five potential spin-offs from the series.

Book author George RR Martin has created the new series alongside British screenwriter Jane Goldman.

HBO has ordered a pilot episode for the show, set thousands of years before the battles over the Iron Throne.

Executives say any spin-off will not be broadcast until after Game of Thrones’ final season in 2019.

If picked up, the prequel will chronicle “the world’s descent from the golden Age of Heroes into its darkest hour”, HBO said in a statement.

“From the horrifying secrets of Westeros’ history to the true origin of the White Walkers, the mysteries of the East, to the Starks of legend… it’s not the story we think we know.”

Gosh!

(12) LIGHTLY FROSTED. David Pogue, in the Yahoo Entertainment story “How technology brings Broadway’s ‘Frozen’ musical to life”, looks at how the current theatrical adaptation of Frozen is a very high-tech production.

In “Frozen,” technology is behind most of it. Almost none of the effects in the Broadway show would have been technologically possible five years ago.

“I mean, scenery remains scenery, but the video and the lighting equipment is changing so fast. Even by the time we take the show to London, the video technology we use here will almost be obsolete. It moves that rapidly.”

According to stage manager Lisa Dawn Cave, that technology includes an enormous video screen that forms the back wall of the stage. “Our video wall weighs about 8,600 pounds and contains more than 7 million individual LEDs,” she says.

It’s complemented by 19 projectors — six over the stage, and 13 on the ceiling of the theater, on the balcony railing, and on the box seats. “They’re laser projectors — not lasers in the sense like you see laser beams in movies,” says show electrician Asher Robinson, “but they have a laser phosphor source, which means that we’re not changing the lamps in them, and they’re not making a lot of heat.”

(13) PLANTING SEASON. Elon Musk—in the guise of SpaceX—wants a major upgrade to Kennedy Space Center and has provided NASA with a plan laying out their vision. That plan includes a 133,000 sq.ft. hangar to process used SpaceX boosters and a 32,000 sq.ft., 300 ft. tall control tower with a retro-futuristic ovoid top. “NASA Publishes SpaceX Maps and Renderings from Its Proposed “Rocket Garden”Inverse has the story. Quoting the article:

The Kennedy Space Center might be getting a major upgrade and expansion soon if Elon Musk gets his way. NASA published a plan submitted by SpaceXthat dramatically reimagines the company’s presence at KSC in Cape Canaveral, Florida. The plans include everything from a control tower that resembles a flying saucer to a “rocket garden,” showcasing futuristic designs that will expand the space company’s footprint and potential influence within the US agency.

NASA published a draft environmental review for the proposed SpaceX Operations Area, as first reported by Florida Today on Friday. According to the document, SpaceX is seeking permission to build on a 67-acre patch of land about one mile north of KSC’s visitor center complex.

…The proposal justifies the expansion by arguing that the KSC’s current offerings won’t support the 54 launches that SpaceX plans of Falcon 9 or the 10 annual launches planned for Falcon Heavy. By obtaining the space and the green light to build, the proposal says, SpaceX will have the facilities it needs to build, repair, and launch more rockets each year.

SpaceX plans to reach 30 orbital launches in 2018, which is already a record number of missions for the United States. Considering the grandiose proportions presented in the current proposal, it’s clear that the company intends to reach even further with orbital launches in 2019.

[Thanks to Todd, Chip Hitchcock, Martin Morse Wooster, Andrew Porter, Carl Slaughter, JJ, John King Tarpinian, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Rick Moen.]

Pixel Scroll 5/28/18 Chapter 5 – Our Last, Best Hope For Pixels

(1) MORE ABOUT WISCON’S KILLABLE BODIES PANEL. One of the program participants, Nicasio Reed, put up “a quick mid-WisCon post”. This excerpt is about half of it.

So this morning I was on a 10AM panel at WisCon 42, and it was called The Desire for Killable Bodies in SFF. I’d been very much looking forward to the discussion, even though we’d had little pre-panel discussion about it. It’s a topic that deeply interests me, and that I strive to think deeply about while consuming and creating narratives and characters. The panel was staffed by myself, one other panelist, and a moderator. I was familiar with Molly Aplet, our moderator, who very appropriately made the call to act also a third panelist, because there were just the three of us. Lisa Freitag, my fellow panelist, I knew from one email before the start of the convention, and from a brief conversation in the Dealer’s Room on the Saturday before the panel, when we chatted about texts to bring up. My biggest fear before the panel started was not getting to bring up all the things I wanted to talk about, or not having intelligent responses to the inevitably brilliant audience questions.

Turns out I should be more creative with my fears! As was reported live via Twitter, and then on the WisCon blog, Lisa repeatedly made statements that expressed a desire to sympathize with both individual Nazis (in this context we would be talking about, I believe, Third Reich-era Nazis), and later also individual Confederate soldiers. That this happened once was confusing, surprising, and alarming. That this happened multiple times as the panel went on was flabbergasting, frightening, and finally just damaging.

A lot of people have checked in on me since the panel, making sure I was doing okay, and I appreciate all of you so much. However, I was absolutely not the most affected by what she said, and what she brought into that room. Most saliently, I’m not Jewish. I want to apologize to everyone who was there who was justly rattled, afraid, saddened, or made to feel unsafe. While I gathered myself enough to push back ideologically while on the panel, I didn’t take the step of directly turning to Lisa and saying, in however many words, “That was a fucked up thing to say, and it’s not okay.” The person who did eventually do that was an audience member, who I won’t name here without their permission. (Panelist and moderator names are, of course, public knowledge.) The onus for directly confronting those statements should absolutely not have fallen on the audience, particularly on those most directly and historically affected by the views expressed. That was my failure, and I am extremely sorry for it. So, again, to everyone in the audience who helped to push back, I’m sorry, and thank you….

The blogger Coffeeandink attended the panel and wrote a post detailing some of the discussion.

I don’t feel comfortable naming the panelist, though I wouldn’t say it was wrong to do so, either, and I do link to a post that names them. For this post, though, I’m just going to call them X.

I’m willing to answer questions about what happened. I am not willing to discuss the punishment or the con’s reaction with people who are not targeted by Nazis. If you are not Jewish, Roma, queer, disabled, or nonwhite/a person of color, please have that discussion elsewhere.

  • The discussion was focused on Nazis in Third Reich.
  • X did not express support for Nazi or Confederate ideology. What they did, repeatedly, was express sympathy for Nazi individuals and stress the need to “humanize” Nazis. They mentioned Confederates in support of this, appearing to think that saying that every soldier on both sides was “some mother’s son” was a convincing argument for extending compassion to Nazis. They argued that some Nazis were “good people”.
  • According to Wiscon’s post, X “appeared to posit that disabled or injured people sometimes ‘have to be sacrificed'”, but I was pretty distracted at the point when that came up and can’t confirm it.
  • The panel description focused on SFF “killable bodies” that are stand-ins for marginalized people, so I was not expecting the subject of Nazis as killable bodies rather than as killers to come up. It’s not innately problematic for a panel discussion to have a larger scope than its description, but I think a lot of people had this expectation and that it made the approach X took especially unexpected.
  • Multiple audience members, multiple times, objected to what X was saying. At the end of the panel, one audience member said bluntly, “There’s a difference between understanding Nazis and sympathizing with them.”
  • I remember the audience as being the ones who pushed back most assertively, but the moderator and panelist Nicasio Reed also argued with X after the audience broke the ice. I do not blame anyone for being too startled to respond firmly while in the room. I myself did not speak up.
  • It’s important to recognize and acknowledge the humanity of people who do terrible things. However, when doing so, it is a moral imperative to center the victims of those terrible things. X centered the emotions and conflicts of the perpetrators–directly in the face of survivors or people who would have been targeted, who repeatedly pointed out that this is what X was doing. I do not believe X did spoke out of malice, but this is a topic that requires great care. If X has considered the topic with that care, it was not apparent during the panel….

(2) THE LAST OF LE GUIN. David Naimon on working with a legend at Literary Hub: “Ursula K. Le Guin, Editing to the End”.

Ursula’s final words to me, her final edits on the manuscript of our collected conversations, were in pencil. We had talked in one of these conversations about technology, about how, in her mind, she was unfairly labeled a Luddite. That some of the most perfect tools—a pestle, a kitchen knife—were in fact perfected technologies. I had just received the manuscript from her days before, and the pencil on it reminded me of the aura of in-the-world magic this whole endeavor, bringing a book into the world together, had assumed.

The manuscript had traveled in the world as an object, one carried by foot and passed hand to hand. Our publisher, Tin House, located literally in a house of tin on the corner of a leafy boulevard in Northwest Portland, was just down the hill from Ursula’s home. And by a remarkable twist of fate, as if sharing the same street were not enough, Ursula’s own granddaughter worked as an intern there. It was often her or the book’s editor Tony who would walk up the hill to deliver the pages, or walk up the hill to walk them back down again. …

She could have published most if not all of her books at one of the big five publishers in New York. She could’ve economized and maximized her time by only granting interviews to the likes of Terry Gross, Bill Moyers, and Charlie Rose. And yet she continued to choose small presses, and often ones distant from the hierarchy of the publishing powers in NYC, whether an anarchist press from San Francisco or a feminist science fiction press from Seattle. Similarly, she never said no to her hometown community radio, KBOO, a station that is not Portland’s NPR affiliate, but whose mission statement is to give voice to the voiceless, with shows like Rose City Native Radio, Transpositive PDX, and Black Book Talk. By conventional metrics, KBOO is a small station, both in reach and listenership, and yet you wouldn’t get that impression when Ursula speaks of it…

(3) CALLING ALL HOLLYWOOD ACCOUNTANTS. We Got This Covered puts its flopologist to work: “Disney Responds To Solo: A Star Wars Story Flopping At The Box Office”.

Although the full four-day estimate won’t be released until later today, it’s probably safe to say that the Anthology pic won’t be gunning for the Memorial Day holiday weekend record anymore. As you’ve surely heard, the Ron Howard-directed space western hauled in $83.3 million in its opening weekend and will finish off Monday with about $110 million, nowhere even remotely near the current record holder, Pirates of the Caribbean: At World’s End ($140M).

In a year that’s seen three releases enter the domestic top thirty for all-time opening weekends, Deadpool 2 ($125M), Black Panther ($202M) and Avengers: Infinity War ($257M), the box office failure of Solo: A Stars Wars Story is only amplified that much more.

(4) DANCING IN AND AROUND THE MAY POOL: At Featured Futures, Jason has compiled another month of choice reading to dip into with “Summation: May 2018”.

This month’s baker’s dozen of noted stories (four recommended) comes from the pool of ninety (of 440 Kwds) published between April 30 and May 28. The print zines were individually strongest with Analog and F&SF each contributing multiple tales but the web combined to contribute seven.

While not applicable to the monthly recommendations, I did review a collection this month which had eight reprints (three recommended) that I especially liked.

(5) TODAY’S BIRTHDAY REDWOMBAT

  • Born May 28, 1977 – Ursula Vernon

(6) TODAY’S BIRTHDAY SPOOK

  • Born May 28, 1908 – Ian Fleming. Happy Chitty Chitty Bang Bang!

(7) COMICS SECTION.

(8) WORD TO THE WIS(E)CON. I wish I could transplant this axiom to the comment section here. Beware the free-floating harshers of squee.

(9) HARDLY A MARVEL. Nicholas Whyte chimes in with his preferences for “The 2018 Hugo finalists for Best Dramatic Presentation, Long Form”. Landing well below No Award is —

7) Thor: Ragnarok

This is the fourth Marvel Universe film I have seen, but only the third in chronological order – the others were the first Iron Man, which didn’t impress me much, and nor did Captain America: The First Avenger, which I also ranked below No Award. On the other hand there is also Black Panther, made after Thor: Ragnarok but which I saw earlier this year, and loved. I’m afraid Thor: Ragnarok is back to the usual form for me. Not being terribly invested in the characters of the Marvel Universe, let alone the Thor storyline, I could see that the whole thing was trying to be funny but it wasn’t really my fandom. At least Jeff Goldblum was treating it with the approriate level of seriousness. I am sure it will do better than seventh place in the overall vote.

(10) DINING (WAY) OUT. NPR reports “Great White Sharks Have A Secret ‘Cafe,’ And They Led Scientists Right To It”.

“We expected it to be the desert that the textbooks sort of advertised it would be,” said Bruce Robison, a senior scientist at the Monterey Bay Aquarium Research Institute.

But this was no desert.

A layer of nutrient-rich plant life exists deeper under the ocean than satellites could detect. Tiny creatures feed on it, and larger creatures feed on them. And up and up. It represents “a complete food chain, a ladder of consumption, that made us believe that there was an adequate food supply out here for big animals like tunas and the sharks,” Robison said.

(11) LET’S ALL TWEET LIKE THE ROBOTS DO. Too sensitive: “Bulgarians tweeting in Cyrillic confused for Russian bots”. Twitter has several criteria, ANY of which can cause a tweet or account to be suppressed; using Cyrillic is one of them, despite it being used in 11 countries beside Russia.

Speaking at a United States Senate Committee inquiry into extremist content and Russian disinformation online, Twitter’s acting general counsel Sean Edgett shed some light on why this might be happening.

He said in October 2017 that Twitter’s tools “do not attempt to differentiate between ‘good’ and ‘bad’ automation,” when looking for Russian-linked accounts.

“They rely on objective, measurable signals, such as the timing of tweets and engagements to classify a given action as automated.”

What can qualify as a Russian-linked Twitter account?

  • Created in Russia
  • Registered with a Russian phone carrier or email address
  • User’s display name contains Cyrillic characters
  • Tweets are frequently in the Russian language
  • Logged in to Twitter via a Russian IP address even once

“We considered an account to be Russian-linked if it had even one of the relevant criteria,” said Mr Edgett.

(12) DINO DANDER. Might be evidence of the first step towards birds: “Dinosaur dandruff reveals first evidence of skin shedding”

An analysis of fossilised dandruff fragments has given scientists their first evidence of how dinosaurs and early birds shed their skin.

Found among the plumage of these ancient creatures, the 125-million-year-old flakes are almost identical to those found in modern birds.

It shows that these dinosaurs shed their skins in small pieces, and not all at once like many modern reptiles.

It’s more evidence that early birds had limited flying skills, the authors say.

(13) FUN FOR ALL. Here’s video of the Anime North 2018 religious protesters. (There’s several posts about them in Reddit’s Anime North thread.)

These guys show up every year. The congoers also do this every year [play songs on a loudspeaker].

 

[Thanks to JJ, Cat Eldridge, John King Tarpinian, Brian Z., Chip Hitchcock, Carl Slaughter, Andrew Porter, and Mike Kennedy for some of these stories, Title credit goes to File 770 contributing editor of the day Peer.]