Eastercon, the UK’s longest running science fiction convention, will be called Reclamation in 2022. The committee’s intention is to return Eastercon to an in-person event if possible. However, the announcement does not say where it would be held. The convention dates are Friday, April 15 to Monday, April 18, 2022.
The Guests of Honor are Mary Robinette Kowal, Zen Cho, Philip Reeve and Nicholas Whyte.
Memberships are available now, from the reclamation2022 website. The committee says they are “considering all options for the convention, whether it has to be online only, in person or a hybrid event. They are watching other conventions closely to find the best possible solutions for hybrid and virtual events.”
The committee consists of Chair: Phil Dyson; Treasurer: Phil Nanson, Programme: Ali Baker and Virginia Preston; Secretary: Clare Boothby; Registration: James Shields; and Communications (Web & PRs): Emma Kalson.
Update: The Eastercon 2022 committee added in response to my question:
The venue is currently not confirmed due to complications caused by the global pandemic, but the plans for the event are very much underway. Currently event organisers have not been able to visit the site; it will be one that Eastercon has been held at in the past (though not too recently) and will be in the South of England.
… I have been appointed the new Division Head of the WSFS Division, which is the part of the Worldcon that admininsters the Hugo Awards, the Business Meeting which reviews the rules, and the Site Selection process for the 2023 Worldcon (currently contested between Chengdu, China and Memphis, Tennessee) – the three obligatory things that every Worldcon must do.
I was previously the Administrator of the Hugo Awards in 2017 and 2019, and one of the deputy administrators last year; and also Division Head for Promotions at the London Worldcon in 2014. I had not anticipated having any executive role this year, but life does not always work out as we expect.
The Hugos have had some reputational issues to deal with. Having fought off direct assault by ill-wishers in 2015 and 2016, some pretty significant mistakes were made more recently. Many of those were outside the immediate responsibility of the Hugo Administrators, including most notably the awful botching of last year’s Hugo ceremony and the Hugo Losers Party in 2019, and the hostile response from some in the community to the winners of the award for Best Related Work in both of those years (cases where I very much stand by the eligibility decisions that were made by teams that I was a part of).
I have made mistakes as well, and I hope that I have learned from them. In particular, it’s clear, not least from the problems that arose in the last few days, that the Hugos as a whole need to be less siloed and need to improve communication in both directions with the rest of the Worldcon and with the wider stakeholder community (as my work colleagues would put it). DisCon III had already started putting structures in place that would improve this side of things, and I look forward to working with those and building on them.
In the summer of 1982, Margaret Atwood walked into Bakka Books looking for a copy of “The Hobbit.” Robert J. Sawyer, the celebrated Canadian science-fiction writer who was then working behind the counter, couldn’t believe his luck.
“It was pretty amazing — she knew all about the store and how we specialized in fantasy and science fiction,” Sawyer recalls of his encounter at the bookstore when it was in its first home on Queen Street near John Street.
Atwood’s visit to pick up some Tolkien was a testament to the role the bookstore (now named Bakka-Phoenix Science Fiction and Fantasy Bookstore) plays in the literary community — not just in Toronto but beyond city borders too. On the cusp of celebrating its 50th anniversary, Bakka-Phoenix is the oldest sci-fi and fantasy specialty bookstore in the world. It’s long been a hub for aficionados of a genre that is rarely awarded more than a couple of shelves at most big-box bookstores. It’s the kind of bookstore that’s for fans of space operas and dystopian fiction, for readers hungry for the latest William Gibson saga and for those on the prowl for a rare Harlan Ellison story collection. “Bakka has always been a mecca to me,” says Sawyer.
Actor John Barrowman, who portrayed Captain Jack Harkness on Torchwood, has set off a Twitter frenzy with a post depicting a visit to a show landmark in Cardiff, Wales.
Barrowman posted a selfie in front of a shrine to the show’s Ianto Jones, who was Capt. Jack’s lover on the show and tragically died in his arms in a mini-series episode, Children of Earth.
On Friday, Barrowman paid an incognito visit to the impromptu shrine set up to honor the Ianto character in Cardiff, a site near where the series was filmed. The shrine is still very popular with fans 11 years after the television series death….
(4) EVERMORE PARK ALSO A COVID CASUALTY. [Item by David Doering.] As of yesterday, Evermore Park has cancelled any future performances at the park and has let the creative team go. Basically, the park will only be open for event rentals and strolling through. A sad loss due to Covid. Had it opened one year before or one year later, it might well have made it. “Evermore Park cancels winter production, dozens of employees laid off” at Yahoo!
Dozens of employees at Evermore Park in Pleasant Grove were laid off this week after it was decided there would be no winter-themed production, as well as other financial issues largely due to the COVID-19 pandemic.
(5) A REAL FANNISH TED TALK.FANAC.orgwill host a fannish TED talk on Saturday, January 23 when author, editor, and past Worldcon chair Ted White will be interviewed by John D. Berry via Zoom. Time: 4 pm EST. Participants are limited. To get the Zoom log-in, please RSVP to firstname.lastname@example.org .
Ted White will be talking about his long history in fandom and some of the interesting people he has encountered along the way. Ted is considered by many to be the current patriarch of fannish fandom. He has been active since the very early 1950s, both publishing fanzines and in clubs from Virginia to New York. We have more different fanzine titles of Ted’s on FANAC.org than any other faned. In addition to the many titles he edited on his own, he has published many collaborative fanzines going back to the 1950s.
Ted has also chaired several conventions, including the 1967 Worldcon – the last Worldcon in New York. As a professional in the science fiction field, he has written stories, articles, and novels. He was the editor of Amazing Stories and Fantastic magazines, and has written extensively about the music industry.
John D. Berry has known and worked with Ted for over 50 years so he knows the questions to ask. And Ted has said that no topic is off the table.
You didn’t need to be a pubescent boy (or his father) to fully appreciate the charms of Maila Nurmi — a.k.a. Vampira — when she first appeared on late-night KABC-TV in the spring of 1954. But it didn’t hurt. She was tall, beautiful and frightening and she screamed like a banshee, climaxing each howl with a lewd lick of her full lips, which even in black-and-white glistened bloodily. Her pale body was almost a caricature of an hourglass figure, like one of those inexplicably bountiful women featured in the pinups of Joaquin Alberto Vargas, for whom Nurmi had modeled only a few years earlier. But what made Vampira most memorable was the jokes she slyly delivered at machine-gun speed: pop, pop, pop. She came heavily armed with oodles of sexy, macabre puns and she wasn’t afraid to use them.
In the early days, Vampira was asked by a Los Angeles Tribune columnist to tell a little bit about herself.
“There isn’t much to tell,” she said. “I was born in Lapland. … I have an owl for a house pet. I have a 19-inch waist, 38-inch bust and 36-inch hips. My earliest recollection as a child is that I always wanted to play with mice. I’m very anti-social. I simply detest people. I don’t like snakes; they eat spiders, and I’m very fond of spiders.” Asked how she felt about children, she didn’t miss a beat: “Oh yes … delicious.”…
Last year, Javicia Leslie was asked on a podcast what she wanted her next acting role to be.
“I said I wanted to be a superhero,” Leslie recalled recently toThe Washington Post.
In July, just two months after stating her desire, the star of “God Friended Me” and “The Family Business”answered the call to a bat-signal put up in the sky just for her — finding out she was the new star of the CW’s “Batwoman.” The announcement instantly made her the new face of the network’s successful tradition of televised superheroes….
… One norm going away is the trademark black eye makeup that every on-screen bat-hero since Keaton has worn under the mask — Rose eventually parted with itand Leslie will also decline.
“Being a woman of color, it was important that we didn’t black out my eyes,” Leslie said. “We wanted to play with light instead of playing with darkness to help accentuate me being a black woman in playing this role.”
Bob Suryan has passed away today. He was very active in the Seattle Astronomical Society, and Norwescon (including chairing a couple of the conventions). He loved history and folks enjoyed chatting with him about all sorts of things. He had his ups and downs with health over the years and about a week and half ago was admitted to the hospital due to lots of pain. Sadly this turned out to be stage four lung cancer.
(10) MEDIA BIRTHDAY.
January 17, 1992 — Freejack premiered. It starred Emilio Estevez, Mick Jagger, Rene Russo and Anthony Hopkins. The screenplay was written by Steven Pressfield, Ronald Shusett (who was also the producer) and Dan Gilroy. We consider it to be very loosely adapted from Robert Sheckley’s Immortality, Inc. (Great work. The serialised version as “Time Killer” in Galaxy was nominated for the Hugo Award for Best Novel.) It was not at the time well-liked by either critics or reviewers, not is it currently liked among audience reviewers at Rotten Tomatoes as it is carrying a 25% rating and there’s a lot who have expressed an opinion — over fourteen thousand so far. (CE)
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
January 17, 1899 — Nevil Shute. Nevil Shute. Author of On the Beach. It originally appeared as a four-part series, The Last Days on Earth, in the London weekly Sunday Graphic in April 1957. It was twice a film. He has other SF novels including An Old Captivity which involves time travel and No Highway which gets a review by Pohl in Super Science Stories, April 1949. There’s In the Wet and Vinland the Good as well. (Died 1960.) (CE)
Born January 17, 1923 – Alva Rogers. Changing the name of the prozine Astounding to Analog has been applauded by some; AR wrote a Requiem. Fan Guest of Honor at Westercon XV. Co-chaired Baycon, the combined Westercon XXI and 26th Worldcon, famous in song and story. Co-edited Rhodomagnetic Digest 62, its last issue; AR’s wife Sidonie wrote a profile of Al haLevy and AR drew one. After SR died, AR married Andi Shechter, famous in song and story. (Died 1982) [JH]
January 17, 1927 — Eartha Kitt. Though you’ll have lots of folks remembering her as Catwoman from the original Batman, she appeared in but four episodes there. Genre wise, she was in such series as I-Spy, Mission: Impossible, Matrix, the animated Space Ghost Coast to Coast and the animated My Life as a Teenage Robot. Film wise, she played Freya in Erik the Viking, voiced Bagheera in The Jungle Book: Mowgli’s Story and was Madame Zeroni In Holes. (Died 2008.) (CE)
January 17, 1931 — James Earl Jones, 90. His first SF appearance was in Dr. Strangelove as Lt. Lothar Zogg. And I think I need not list all his appearances as Darth Vader here. Some genre appearances include Exorcist II: The Heretic, The Flight of Dragons, Conan the Barbarian as Thulsa Doom and I actually remember him in that role, Allan Quatermain and the Lost City of Gold, did you know the 1995 Judge Dredd had a Narrator? Well he’s listed as doing it, and Fantasia 2000 as well. (CE)
January 17, 1935 — Paul O. Williams. A poet who won the Astounding Award for Best New Writer for The Breaking of Northwall and The Ends of the Circle which are the first two novels of his Pelbar Cycle. I’ve not read these, so be interested in your opinions, of course. (Died 2009.) (CE)
Born January 17, 1952 – Tom Deitz. A score of novels. Guest of Honor at Phoenixcon 8. Gainesville State College faculty member of the year, 2008. Phoenix Award. Co-founded local SCA (Society for Creative Anachronism) barony. (Died 2009) [JH]
January 17, 1962 — Jim Carrey, 59. His first genre film is Once Bitten whose content is obvious from its name and which get a mere thirty-nine percent rating among audience reviewers at Rotten Tomatoes. The ‘dorable Earth Girls Are Easy was next followed up by Batman Forever in which he played a manic Riddler that I rather liked, then there’s the The Truman Show which was way cool. So may we not talk about How the Grinch Stole Christmas? (SHUDDER!) We settled last year that we think that Eternal Sunshine of the Spotless Mind is genre. And I think that I’ll stop there this time. (CE)
Born January 17, 1967 – Wendy Mass, Litt.D., age 54. Ray Bradbury volume for Authors Teens Love. Of course I put that first, what Website do you think this is? A score of novels for us, half as many others; nonfiction e.g. Stonehenge, John Cabot. Schneider Award for A Mango-Shaped Space. Has read The Phantom Tollbooth and The Secret Garden. [JH]
January 17, 1970 — Genndy Tartakovsky, 50. Like Romulan Ale, animation style is a matter of taste. So while I like his work on Samurai Jack and Star Wars: Clone Wars, I can understand why many SW fans don’t as it’s definitely an acquired taste. He also is responsible for directing the animated Hotel Transylvania franchise. (CE)
Born January 17, 1971 – Nomi Burstein, age 50. Technical writer, freelance editor. Collects neologisms, e.g. jan howard finder’s “bytelock”. Fanzine, Burstzine (with husband Michael Burstein). Years of patiently fielding questions about Jewish observance. Co-founder (with MB) of the Society for the Preservation of Pluto as a Planet. [JH]
Born January 17, 1981 – Rachelle Rosenberg, age 40. Color artist for Marvel, e.g. this and this and this. [JH]
What was the difference between what you did the ’50s, versus when you were in the ’70s, ’80s and ’90s?
The ’70s women were allowed — it was almost like there is was a relaxation of women and social behavior, and so that would affect their voices and the tone that they can take. Instead of it being kind of a higher and level [like in the ’50s]. The ’70s, even though it’s this really strange “Brady Bunch” aspirational time in sitcom land, women were able to have a bit more control, something that grounded them a bit more in their voice. Then as we got into the ’80s, there were the teachable moments, and how sincere everything was, that was really funny. And then as we move into the arts and into the ’00s and the 2010s, the sitcom becomes really cynical. The humor, like “Malcolm in the Middle” and “Modern Family” becomes incredibly cynical. And that’s what we found comforting for whatever reason as a society.
It was fun when we were in this boot camp to not only chart the physical changes, as tools, but to also [discover] what comedy was for that time. “Rosemary’s Baby” is a film and “Brady Bunch” is on television, it doesn’t make any sense to me. But for whatever reason, that’s what that’s what the consumer was watching at home.
When I set up Wizard’s Tower Press, one of the things I wanted to do was create a semiprozine for non-fiction. It turned out that there wasn’t a market for such a thing at the time, and it closed after 9 issues. Then last year I saw Nicholas Whyte bemoaning the lack of interest in the Fanzine category of the Hugos. I’d already come to the conclusion that I needed some form of discipline to ensure I made time to read and review books, so I decided to relaunch Salon Futura as a fanzine. Thus far it has worked in that I have read a lot more books. I figure that if I ever get on the Hugo ballot again there will be a flood of new people voting in that category to stop me winning, and that will be the other objective achieved.
(15) VINTAGE OPINIONS. Gilbert Seldes lectures on science fiction in this 1953 recording of a WNYC broadcast “Science fiction writing” from The NYPR Archive Collections.
This episode is from the WNYC archives. It may contain language which is no longer politically or socially appropriate.
Seldes discusses the science fiction genre. He opens with a story about a science fiction story about the atomic bomb preceding the actual bomb, and the government’s response.
He speaks of the symbolism of the extraterrestrial as a symbol for invaders from behind the Iron Curtain.
Seldes notes that there is a lot of science fiction that he does not deem to be of good quality, but does speak very highly of Ray Bradbury and H. G. Wells
(16) CHINESE SFF MOVIE. The Shimmer Program announced “Another Chinese science fiction film, ‘The Soul’ has been released on big screen! The thriller is adapted from Jiang Bo’s story ‘The Soul Transplanting Skill’ and directed by Cheng Wei-hao.” (The Soul is not to be confused with Pixar’s Soul).
[Thanks to John King Tarpinian, Lise Andreasen, John Hertz, JJ, David Doering, Mike Kennedy, Cat Eldridge, Martin Morse Wooster, Andrew Porter, Joe Siclari, Olav Rokne, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Soon Lee.]
…A standard radio astronomy technique to make sure that what you see is coming from the object you’re observing is to move the telescope back and forth a bit to point to a different part of the sky and see if the signal persists (perhaps leaking into the dish from a source nearby); this is called “nodding” because it’s like a head nodding. When they did this, the signal went away, then came back when they repointed at Proxima.
So it appears to be coming from the star, or at least form very nearby it in the sky. It also appears to have a very narrow frequency range. Not only that, but another characteristic you might expect from an intelligent signal is that, over time, the frequency itself will shift a bit — if aliens are transmitting from a planetary surface, as that planet rotates it causes a Doppler shift in the signal. A shift was seen in the signal, which is interesting….
2020 brought a plethora of new additions to the gentrification noir canon, but Sam J. Miller’s The Blade Between stands out for its heroes’ plan to raise sinister supernatural forces in defense of their city. Ever since H.P. Lovecraft first drew attention to the plight of New England architecture by filling his fictional decaying homes with hideous monstrosities, Gothic fiction has been a surprisingly partisan force for housing preservation (Jane Eyre and Rebecca notwithstanding). In The Blade Between, the relationship reaches its zenith, as a photographer and his two childhood besties attempt to save their beloved city of Hudson from corporations and yuppies, only to find themselves instead awakening an ancient force bent on vengeance. Also, since this is Sam Miller, be warned: there will be whales.
Take a pandemic. Add the paranormal. Make it a uniquely American story of survival horror. The result: “The Stand,” Stephen King’s epic post-apocalyptic novel from 1978, a new mini-series adaptation of which debuted Thursday on CBS All Access.
Conceived in the pre-Covid era, the show has taken on new resonance since, telling the story of a weaponized virus that wipes out 99 percent of the population. But that’s only the beginning. The real battle happens afterward as supernatural forces of darkness and light — embodied by the demonic dictator Randall Flagg (Alexander Skarsgard) and the holy woman Mother Abagail (Whoopi Goldberg) — duel for the souls of the plague’s survivors.
Since the original novel’s original release, King’s saga has entered the pop-culture consciousness in many different incarnations, including an expanded edition of the book and an earlier mini-series adaptation. In anticipation of the show’s arrival, we’re tracing the story from its point of origin to its latest mutation.
The opening act of King’s novel is an eerily plausible account of the complete collapse of human society after the “Captain Trips” superflu is unleashed upon the world. That aspect has found relevance across the decades since the novel’s publication, in the Cold War nuclear arms race, through the peak of the AIDS epidemic in the United States, to the events of 2020.
But that’s only the first part. Flagg is presented as an even worse plague upon the living — a grinning dictator who builds a new society based on human drivers like greed, pride, lust and wrath and who exploits the virus for the sake of his own power. Are there lessons to be applied in the real world? Successive generations have thought so….
(5) DOWN MEMORY LANE.
1953 — At the 11th Worldcon in 1953, Alfred Bester’s The Demolished Man wins the very first Hugo for Best Novel. It had been published in Galaxy in January, February and March of the previous year. It would also be nominated for the International Fantasy Award, an award that would exist only in the Fifties. This would be the only Hugo that Bester would win though he would be awarded a SFWA Grand Master Award and Prometheus Hall of Fame Award for The Stars My Destination. It, like most of his works, is available from the usual digital suspects.
(6) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born December 19, 1897 – Lucia Trent. Book reviewer for The Nation. President of the Western Poets’ Congress. Called the best woman reader of poetry. Got a poem into Fire and Sleet and Candlelight (A. Derleth ed. 1961). Seven books of them, some with husband Ralph Cheyney. (Died 1977) [JH]
Born December 19, 1902 — Sir Ralph Richardson. God in Time Bandits but also Earl of Greystoke in Greystoke: The Legend of Tarzan, Lord of the Apes and Chief Rabbit in Watership Down. Also the Head Librarian in Rollerball which I’ll admit I’ve never seen. And a caterpillar in Alice’s Adventures in Wonderland. And Satan in the Tales from the Crypt film. Oh, my he had an interesting genre film career! (Died 1983.) (CE)
Born December 19, 1922 – Harry Warner, Jr. Two indispensable books of fanhistory, All Our Yesterdays (fandom in the 1940s) and A Wealth of Fable (1950s). Quite possibly the best letters-of-comment author we’ve ever known; it seemed he read and wrote to every fanzine, his letters were short and they were good. Three Hugos, four FAAn (Fan Activity Achievement) Awards. Fan Guest of Honor at Noreascon I the 29th Worldcon. Big Heart (our highest service award). His own fanzines Horizons, Spaceways. First Fandom Hall of Fame. More here. (Died 2003) [JH]
Born December 19, 1949 – Lee Pelton. Active in Minn-stf and Minneapa. Co-edited Rune with Carol Kennedy. Often head of film program at Minicon. Younger brother played baseball with John Purcell, as a result of which Purcell went Askew. (Died 1994) [JH]
Born December 19, 1952 — Linda Woolverton, 68. She’s the first woman to have written a Disney animated feature, Beauty and the Beast, which was the first animated film ever to be nominated for Best Picture at the Academy Awards. She also co-wrote The Lion King screenplay (along with Irene Mecchi and Jonathan Roberts). (CE)
Born December 19, 1958 – Laura Whitcomb, age 62. Three novels for us. Won three Kay Snow awards, later served a term as a judge. Sings madrigals. [JH]
Born December 19, 1960 — Dave Hutchinson, 60. Best known for his Fractured Europe series which won a BSFA Award for the third novel, Europe in Winter. Europe at Midnight was a finalist for the John W. Campbell Memorial Award. I’ve listened to the entire series and it’s quite fascinating. He’s got a lot of other genre fiction as well but I’ve not delved into any of those yet. (CE)
Born December 19, 1961 — Matthew Waterhouse, 59. He’s best known as Adric, companion to the Fourth and Fifth Doctors. He was the youngest actor in that role at the time. And yes, he too shows up in The Five(ish) Doctors Reboot. (CE)
Born December 19, 1970 – Tanigawa Nagaru, age 50. (Personal name last, Japanese style.) Famous for a dozen light novels about Suzumiya Haruhi, which earned TN the grand prize at the 8th Sneaker Awards and became television and film animé, video games, manga, audio dramas, and original Net animation. I’ll actually refer you to the SF Encyclopedia. [JH]
Born December 19, 1972 — Alyssa Milano, 48. Phoebe Halliwell in the long running original Charmed series. Other genre appearances include on Outer Limits, the second Fantasy Island series, Embrace of the Vampire, Double Dragon, the Young Justice animated series as the voice of Poison Ivy and more voice work in DC’s The Spectre excellent animated short as a spoiled rich young thing with a murderous vent who comes to a most fitting end. (CE)
Born December 19, 1975 – Brandon Sanderson, age 45. Thirty novels, three dozen shorter stories. Concluded Robert Jordan’s Wheel of Time. Proposed a theory of hard and soft magic. Two Hugos, one being for a season of Writing Excuses podcast (with Kowal, Tayler, Wells, J. Sanderson). Fifteen NY Times Best-Sellers. A Geffen last year. Interviewed in Fantasy, Lightspeed, Space and Time, SuperSonic. Launched by Hambly’s Dragonsbane. [JH]
Born December 19, 1979 — Robin Sloan, 41. Author of Mr. Penumbra’s 24-Hour Bookstore which definitely has fantasy elements in it and is a damn fine read. His second novel which he sent me to consider reviewing, Sourdough or, Lois and Her Adventures in the Underground Market, is also probably genre adjacent but is also weirdly about food as well. And he’s a really nice person. (CE)
(8) COME TO PAPA. Literary Hub’s Robert K. Elder contemplates “Why Ernest Hemingway Makes a Great Subject for Comic Book Artists”).Michael Toman surmises, “He was also one of Harlan Ellison’s favorite authors, as shown by HE’s naming of his ‘Kilimanjaro Corporation.’” (Could Ellison also have been paying a homage to Bradbury’s 1965 story with a Hemingway connection?)
…Celebrity appearances aren’t new to comic books. Both Stephen Colbert and President Barack Obama got guest shots with Spider-Man, and Eminem got a two-issue series with the Punisher. Orson Welles helped Superman foil a Martian invasion, and President John F. Kennedy helped the Man of Steel keep his secret identity. Even David Letterman got a studio visit from the Avengers. But, using the crowd-sourced Comic Book Database and my own research, I’ve discovered that Hemingway by far exceeds other authors in number of appearances (Shakespeare: 22, Mark Twain: 13). As historical figures go, only Abraham Lincoln comes close to touching him, with roughly 122 appearances in comics (and counting).
(9) BATWHEELS. [Item by Martin Morse Wooster.] Batman/The Batmobile on YouTube is a 2012 documentary, directed by Roko Belic, all about the Batmobile. Although Batman always had a car, the Batmobile was really invented by George Barris for the 1966 TV series, Barris was interviewed for the documentary, and discussed how he bought a Ford Futura concept car and turned it into the Batmobile Adam West drove. West is also interviewed, as is Christian Bale, Tim Burton, Joel Schumacher, and Christopher Nolan. But the film is really for people who (like me) enjoy watching car designers talk about their work. This film is pretty geeky but worth an hour.
Fun fact: H.R. Giger was hired to design a Batmobile for BATMAN FOREVER but the car he drew looked like “a tarantula with four legs” and was unfilmable.
…As a child, I watched salmon leap from the brilliantly named fishing pools beyond the blue door (Kitbog, Witch’s, Badger) and played hide-and-seek inside Doulie Tower (a folly built around 1780, when Lord Adam Gordon, commander-in-chief of the army in Scotland, acquired the estate and turned it from “the wildest state of barrenness” into woods filled with Scots pines, oaks, rowans and silver birches). I watched dippers gliding through the Rocks of Solitude (a picturesque narrow stretch of the North Esk) and I listened to my father’s stories about trolls who lived beneath the gnarled roots of beech trees. It felt impossible that all this should exist on the other side of that little blue door, yet it did.
Comic book and TV writer Brian K. Vaughan has been hired to write Legendary’s television series adaptation of classic pulp hero Buck Rogers. Vaughan has worked on a ton of projects over the years, and he seems like a solid choice to take on the material. Some of his previous TV projects include Lost, Under the Dome, Y: The Last Man, Runaways, and more.
(12) THE TWELVE DAYS OF 770. Applause to Bruce D, Arthurs for his seasonal parody (left as a comment.)
Because I was avoiding stuff I should actually be working on this morning, I produced the following instead:
On the twelfth day of Christmas My bookstore shipped to me All twelve Maradaine books, Eleven Pipers viking, Ten Leibers mousing, Nine Gideons boning, Eight Correias shooting Seven Besters jaunting, Six Star Trek tie-ins, F-i-i-i-i-ve Mu-r-r-r-de-r-r-r-r-bots!, Four Asimovs, Three Jules Verne, Two Turtledoves,
And a one-volume Lord of the Rings!
(13) VIDEO OF THE DAY. Kaya Torres is circling a black hole in a pod, with no one coming, no one to help. She’s Alone. Mind Mattersadds —
…As Torres is “marooned on my lifepod” as the only survivor of the DSV Intrepid, she is able to contact an “interstellar penpal” to keep her company via occasional messages until her food runs out and she dies. Unless…
[Thanks to Cat Eldridge, JJ, John Hertz, John King Tarpinian, Michael Toman, Martin Morse Wooster, Mike Kennedy, Nicholas Whyte, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew (not Werdna).]
…The Martian Chronicles is not a child’s book, but it is an excellent book to give to a child—or to give to the right child, which I flatter myself that I was—because it is a book that is full of awakening. Which means, simply, that when you read it, you can feel parts of your brain clicking on, becoming sensitized to the fact that something is happening here, in this book, with these words, even if you can’t actually communicate to anyone outside of your own head just what that something is. I certainly couldn’t have, in the sixth grade—I simply didn’t have the words. As I recall, I didn’t much try: I just sat there staring down at the final line of the book, with the Martians staring back at me, simply trying to process what I had just read.
The fifth episode of my podcast Bradbury 100 drops today. The theme of the episode is biographies, as my interview guest is Jonathan R. Eller, author of three biographical volumes on Ray: Becoming Ray Bradbury, Ray Bradbury Unbound, and Bradbury Beyond Apollo.
Jon is also the Director of the Center for Ray Bradbury Studies, and has done more than anyone to explore Bradbury’s thinking and authorship.
… Bradbury’s poetic, metaphor-filled prose was not easy to adapt to the screen, which is perhaps why there have been far fewer screen versions of his work than that of, say, Stephen King. But there were still a number of significant adaptations of Bradbury’s work for both the small and big screen, including some that he was directly involved in as a screenwriter….
01 – It Came from Outer Space (1953)
With the exception of a handful of short stories adapted for various early 1950s anthology TV shows, this was the first relatively major film based on Bradbury’s work and still remains one of the finest. Oddly, it wasn’t adapted from a published story but an original screen treatment he developed for director Jack Arnold (Creature from the Black Lagoon).
In the film (the first sci-fi movie to use a 3D filming process), an alien ship crashes on Earth and its crew makes copies of the local townspeople to gather what they need to effect repairs. The aliens are not hostile, but merely want to fix their ship and leave peacefully. This was an unusual idea for the time — the extraterrestrials in most films from the era were decidedly dangerous — and sets It Came from Outer Space apart as a thoughtful yet still suspenseful piece.
…Bradbury, intoning gravely over shots of the artefacts: People ask, Where do you get your ideas? Well, right here. As the camera pans, Bradbury says, Somewhere in this room is an African veldt. Beyond that, the small Illinois town where I grew up. He sits at a typewriter and the keys clatter. One night, watching these credits, my grandmother said to me, “You know, he’s from here.” She meant, of course, from Waukegan, “that small Illinois town” where he grew up and where we sat now in her neighborhood of tiny homes called The Gardens. But I, at age seven, thought she meant here, here in the house we sat in, that he had grown up in the house, perhaps even still lived in the basement which resembled, in its murk and books and clutter, the same office Bradbury sat down to write in during the opening credits of his tv show.
It wouldn’t be a bad premise for a Bradbury story: a young girl, bookish and morbid, discovers an author living in her grandmother’s musty basement. And in a way, he was there. My father’s old room was part of that basement, still set up the way it had been when he lived there, commuting to college and working part-time at a bookstore. One room was floor to ceiling bookshelves and by the time I was in junior high school, I would go down there regularly and pick something out to read. Most of the books were yellowed and falling apart, their covers marked with their original prices: fifteen cents. Among these were a few volumes of Bradbury’s short stories. I would pick one, often The Illustrated Man, and take it back upstairs to the velour armchair and settle in.
The latest video from First Fandom Experience brings to life a three-page screed by a young Ray Bradbury addressing the issue of the incongruous and annoying ads in pulp magazines.
The piece appeared in the Spring 1940 issue of Sweetness and Light, an edgy, satirical fanzine from a faction of the Los Angeles Science Fantasy Society. A full reading of the piece is presented along with historical context and a selection of the offending advertisements. Enjoy!
1. To begin, they look pretty cool. Like the first generation, they come in their own little charging case, and when they’re nestled in there and the top is flipped open (which is a solidly satisfying tactile experience, by the way), it looks for all the world like a cute little robot with bug eyes (at least in the orange variant).
According to the complaint, filed with the Los Angeles Superior Court on Wednesday, Mike The Pike Productions was granted an option to the film rights of Martin’s novella in 2009. The company subsequently assigned the option to Blackstone Manor, LLC., the named defendants.
Described as a “werewolf noir,” “The Skin Trade” was originally published in 1988 as part of “Night Visions 5,” a horror anthology that also included stories by Stephen King and Dan Simmons. The story follows Randi Wade, a private investigator who is looking into a series of brutal killings in her small town, which eventually leads to her learning about werewolves and other demons. The story won a World Fantasy Award in 1989.
According to the complaint, Blackstone exercised the option on Sept. 2, 2014, and, per the 2009 agreement, it had five years to start principal photography before the rights reverted to Martin.
The complaint alleges that Blackstone “hastily assembl[ed] a barebones cast and crew” a day before the 2019 deadline “to shoot a handful of scenes” for no other reason than to maintain the appearance that it was making the progress necessary to retain the rights. Martin says the “token” production was “insufficient,” comparing the move to a contractor hurriedly building a gazebo in lieu of the agreed-upon skyscraper when faced with a deadline…
(6) WW84. DC dropped a new trailer for WonderWoman 1984 at the DC Fandome event.
Fast forward to the 1980s as Wonder Woman’s next big screen adventure finds her facing two all-new foes: Max Lord and The Cheetah. With director Patty Jenkins back at the helm and Gal Gadot returning in the title role, “Wonder Woman 1984” is Warner Bros. Pictures’ follow up to the DC Super Hero’s first outing, 2017’s record-breaking “Wonder Woman,” which took in $822 million at the worldwide box office. The film also stars Chris Pine as Steve Trevor, Kristen Wiig as The Cheetah, Pedro Pascal as Max Lord, Robin Wright as Antiope, and Connie Nielsen as Hippolyta.
(7) LEFT IN THE SILO. Nicholas Whyte, CoNZealand’s Deputy Hugo Administrator, in “The 1945 Retros that weren’t”, runs the numbers to show why various categories did not make the final ballot.
We didn’t publish the full stats for the 1945 Retro Hugo categories that weren’t put to the final ballot this year, mainly because voting ended only seven days before the Retro ceremony and we had to prioritise fairly ruthlessly.
But after internal discussion, we are publishing them here….
What are the numbers again? This time we received over 600 works from hopeful contributors. At a guess, over 2 million words of fiction.
The majority of those writers really tried to send us something they thought we could use. For instance, we’re not a horror magazine. People knew that and sent very little horror. We didn’t get much in the way of apocalyptic dystopia either. Sex and swearing were at a minimum, yet people also recognized we’re not a children’s magazine nor specifically aimed at the young adult market.
By and large, the stories contained hopeful themes, big ideas and presented worlds filled with diversity, empathy, heroism, and hope.
I don’t have the exact numbers, but we read a lot of good stories. Let’s say 25% were “good to excellent.” It could be more. Conservatively, that would be over half a million words.
At $0.06/word, that’s over $30,000 (if we were able to buy all those good stories). While we do a good job of making DreamForge look big-time, that’s more than our annual budget for everything related to the magazine. And if we could somehow invest in all those stories, they would fill our pages for the next 3-4 years.
… Second, creating an issue of a magazine is not just about selecting great stories. It’s about creating a reading experience. Think of it as a variety show. If all the stories are literary, philosophical, message pieces with troubled characters navigating complex plots, our readers aren’t going to make it through the whole issue.
Some stories are challenging, and they require a clear head and concentration before delivering a payoff in emotion or thoughtful meaning. And honestly, I don’t want to read those at 11:30 pm after a long day when I open a magazine for a few minutes of relaxation. I check the Table of Contents for a short story that looks light and easy to get through…
(9) ANGUS BUCHANAN OBITUARY. Industrial archaeologist and biographer Angus Buchanan died June 17. He is profiled in The Guardian. There’s a kind of steampunk sensibility to the topic.
Engineers shape economies, landscapes and how people work and live in them. Yet in the past their achievements were little celebrated. Angus Buchanan, who has died aged 90, did much to increase awareness of their endeavours and breakthroughs.
The appearance of his book Industrial Archaeology in Britain as a Pelican Original in 1972 marked a significant step forward for an emerging discipline. It supplied the crucial link between the development of industrial archaeology at regional and national levels in Britain, leading to the conservation, restoration and reuse of buildings, sites and engineering that might otherwise have been lost.
…The culmination of Buchanan’s research came with Brunel: The Life and Times of Isambard Kingdom Brunel (2002). In building the Great Western Railway and important bridges, tunnels and dockyards, the great Victorian engineer changed the face of the British landscape. Innovations at sea included the SS Great Britain, the first screw-driven iron transatlantic steamship, and his designs revolutionised modern engineering.
The biography provided the first fully documented and objective account, placing Brunel’s significance in a historical context. The desire to avoid concentrating on familiar incidents and the legends surrounding them led Buchanan to a thematic approach rather than a chronology, covering Brunel’s overseas projects and professional practices, and the politics and society within which he functioned, as well as familiar subjects, among them his other major ship, the SS Great Eastern.
The [Bristol Industrial Archeology Society] BIAS had a major influence on the preservation of Bristol’s city docks, thwarting traffic planners who wished to build a major road complex across them. In 1970 the Great Britain was returned from the Falklands to the dry dock where it had been built in 1843, and it is now a popular tourist attraction; nearby is another of Brunel’s masterpieces, the Clifton suspension bridge.
(10) MEDIA BIRTHDAY.
August 22, 1957 — X Minus One’s “Drop Dead” first aired. Based off of Clifford D. Simak‘s story of that name which was first published in Galaxy Science Fiction in July of 1956, it’s a superb tale about a planet with a very obliging inhabitant called The Critter and how it serves the astronauts who land there. The radio script was by Ernest Kinoy with the cast being Lawson Zerbe, Ralph Camargo and Joseph Bell. You can listen to it here.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born August 22, 1880 – George Herriman. Wrote the immortal and so far unique comic strip Krazy Kat; also illustrated Don Marquis’ poetical tales of Archy and Mehitabel a cockroach and another cat. Krazy sometimes seems male, sometimes female, which hardly matters; is endlessly the target of bricks thrown by Ignatz Mouse, taking them as a sign of affection; is the subject of protection by Officer Pupp, to whom they are merely illegal. Other characters, equally unlikely, are also animals (including birds), whom anthropomorphic is equally inadequate for. Nor does dialectal justly describe the language, nor surreal the landscape. Here is the theme. Here is a variation. Here is an elaboration. (Died 1944) [JH]
Born August 22, 1919 — Douglas W F Mayer. A British fan who was editor for three issues of Amateur Science Stories published by the Science Fiction Association of Leeds, England. He was thereby the publisher of Arthur C. Clarke’s very first short story, “Travel by Wire”, which appeared in the second issue in December 1937. He would later edit the Tomorrow fanzine which would be nominated for the 1939 Best Fanzine Retro Hugo. (Died 1976.) (CE)
Born August 22, 1920 — Ray Bradbury. So what’s your favorite work by him? I have three. Something Wicked This Way Comes is the one I reread quite a bit with The Illustrated Man and The Martian Chronicles being my other go to regularly works by him. (Died 2012.) (CE)
Born August 22, 1925 — Honor Blackman. Best known for the roles of Cathy Gale in The Avengers, Bond girl Pussy Galore in Goldfinger and Hera in Jason and the Argonauts. She was also Professor Lasky in “Terror of the Vervoids” in the Sixth Doctor’s “The Trial of a Time Lord”. Genre adjacent, she was in the film of Agatha Christie’s The Secret Adversary as Rita Vandemeyer. (Died 2020.) (CE)
Born August 22, 1945 — David Chase, 75. He’s here today mainly because he wrote nine episodes including the “Kolchak: Demon and the Mummy” telefilm of Kolchak: The Night Stalker. He also wrote the screenplay for The Grave of The Vampire, and one for Alfred Hitchcock Presents, “Enough Rope fur Two”, which he also directed. (CE)
Born August 22, 1946 – Rafi Zabor, 74. Seldom does work from outside our field wholly engage with our spirit. But The Bear Comes Home is superb. Naturally we ignore it. It does have explicit sexual activity, not gratuitous. In a year when Earthquake Weather could not reach the ballot, of course The Bear could not muster even 5% of the nominations. Don’t let that stop you now. [JH]
Born August 22, 1948 – Susan Wood. Her we do recognize. Met Mike Glicksohn at Boskone 4, 1969; Energumen together to 1973, Hugo as Best Fanzine its last year; both Fan Guests of Honour at Aussiecon (in retrospect Aussiecon One) the 33rd Worldcon though marriage gone. Three Hugos for SW as Best Fanwriter; Best of SW (J. Kaufman ed.) 1982. Taught at U. British Columbia; Vancouver editor, Pac. NW Rev. Books. Atheling Award, Aurora Award for Lifetime Achievement, Canadian SF Hall of Fame. One Ditmar. (Died 1980) [JH]
Born August 22, 1954 – Gavin Claypool, 66. Los Angeles area actifan. LASFS (L.A. Science Fantasy Society) Librarian. Won LASFS Evans-Freehafer service award twice; only five people have ever done so. Reliably helpful to others e.g. at SF cons. [JH]
Born August 22, 1955 — Will Shetterly, 65. Of his novels, I recommend his two Borderland novels, Elsewhere and Nevernever, which were both nominees for the Mythopoeic Fantasy Award for Children’s Literature, and his sort of biographical Dogland. Married to Emma Bull, they did a trailer for her War for The Oaks novel which is worth seeing as you’ll spot Minnesota fans in it. And Emma as the Elf Queen is definitely something to behold! (CE)
Born August 22, 1963 — Tori Amos, 57. One of Gaiman’s favorite musicians, so it’s appropriate that she penned two essays, the afterword to “Death” in Sandman: Book of Dreams, and the Introduction to “Death” in The High Cost of Living. Although created before they ever met, Delirium from The Sandman series is based on her. (CE)
Born August 22, 1964 – Diane Setterfield, Ph.D., 56. Three novels. The Thirteenth Tale sold three million copies (NY Times Best Seller), televised on BBC2. “A reader first, a writer second…. The practice of weekly translation from my undergraduate years [her Ph.D., from U. Bristol, was on André Gide] has become an everyday working tool for me: when a sentence doesn’t run the way I want it to, I habitually translate it into French and retranslate it back into English. It’s like switching a light on in a dim room: suddenly I can see what’s not working and why.” [JH]
(13) SUICIDE SQUAD ROLL CALL. Adam B. Vary, in the Variety story “‘The Suicide Squad’ First Look, Full Cast Revealed by Director James Gunn at DC FanDome” says that director James Gunn revealed at DC Fandome that the cast of The Suicide Squad, coming out in April 2021, includes Margot Robbie and Viola Davis from the 2016 film Suicide Squad but also Nathan Fillion, John Cena, and Peter Capaldi as “The Thinker,” a DC villain from the 1940s. Principal photography was completed before the pandemic hit and the film is completed and ready to go.
… Among the new cast, Gunn said that he reached deep into the DC Comics canon to find a motley crew of villains to populate the movie, and it appears he brought some invention of his own to the project as well.
Distant cosmic objects such as planets, galaxies, and nebulae are sometimes referred to by the scientific community with unofficial nicknames. As the scientific community works to identify and address systemic discrimination and inequality in all aspects of the field, it has become clear that certain cosmic nicknames are not only insensitive, but can be actively harmful. NASA is examining its use of unofficial terminology for cosmic objects as part of its commitment to diversity, equity, and inclusion.
As an initial step, NASA will no longer refer to planetary nebula NGC 2392, the glowing remains of a Sun-like star that is blowing off its outer layers at the end of its life, as the “Eskimo Nebula.” “Eskimo” is widely viewed as a colonial term with a racist history, imposed on the indigenous people of Arctic regions. Most official documents have moved away from its use. NASA will also no longer use the term “Siamese Twins Galaxy” to refer to NGC 4567 and NGC 4568, a pair of spiral galaxies found in the Virgo Galaxy Cluster. Moving forward, NASA will use only the official, International Astronomical Union designations in cases where nicknames are inappropriate.
…Nicknames are often more approachable and public-friendly than official names for cosmic objects, such as Barnard 33, whose nickname “the Horsehead Nebula” invokes its appearance. But often seemingly innocuous nicknames can be harmful and detract from the science.
The Agency will be working with diversity, inclusion, and equity experts in the astronomical and physical sciences to provide guidance and recommendations for other nicknames and terms for review….
(16) HONEST GAME TRAILERS.[Item by Martin Morse Wooster.] Fandom Games asks in this Honest Game Trailer, “Destroy All Humans”, since alien invasion is “the only box left on the 2020 bingo card” why not enjoy this 2005 game where you’re an alien mowing down humans and giving bad Jack Nicholson impressions?
[Thanks to Mike Kennedy, John Hertz, Cat Eldridge, JJ, Martin Morse Wooster, Michael Toman, Andrew Porter, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]
Nicholas Whyte, CoNZealand’s Deputy Hugo Administrator, announced today it has come to the attention of the CoNZealand Hugo Awards administrators that the winner of the 1945 Retro Hugo for Best Graphic Story has been misattributed. While Superman: “The Mysterious Mr. Mxyztplk” was originally credited to writer Jerry Siegel and artist Joe Shuster, the artwork was actually done by artist Ira Yarbrough. In keeping with the listing for this issue in Superman Archives Vol. 8, published by DC Comics in 2010, they are changing the listing for this work as follows:
Superman: “The Mysterious Mr. Mxyztplk” by Jerry Siegel, Ira Yarbrough and Joe Shuster (Detective Comics, Inc.)
Whyte says, “The administrators apologize for not catching this earlier, and thank the fans who brought this to our attention. We will be correcting this on the official listings of winners on the CoNZealand and Hugo Awards pages, and request that other media outlets please update their reporting.”
(1) ADDING A HUGO CATEGORY. Speculative Fiction in Translation’s Rachel Cordasco renews her appeal that “major Anglophone SFF awards should include a separate translation category” in “SFT And The Awards”.
…Really, all of this comes down to a naming problem. If the Hugos are going to be a “World Award,” logically they should include works from around the world, in any language. Since that doesn’t seem likely any time soon, and Anglophone readers generally don’t learn multiple languages unless they have to, then the award should (again, logically) stop calling itself a “World Award” and start acknowledging that, from the very beginning, it has been and still is an award given to English-language SFF by English-language readers.
….And then there’s the whole set of general arguments opposing, or at least not immediately embracing, a separate translation category. I’ve listed a few below:
We already have too many award categories.
Not enough Anglophone readers read SFT so how could they vote on it?
Creating a separate translation category will send the message that SFT is inferior to Anglophone speculative fiction.
SFT can win and has won awards without any “help.”
But how can we determine if the translation is any good?
Changing award rules is too difficult.
I’m going to address each of these points separately, making sure that I reiterate that I am not involved in any of these awards at the executive level, though I did participate in the most recent Locus Awards voting and was able to bring my knowledge of current SFT to the discussion, which I truly appreciated.
You may also know that I started a “Favorite SFT” poll in 2018, which is open to anyone who would like to vote (once!). This approach has its flaws but it’s the best I can do with the resources I have. Just the fact that the poll exists makes me think that more people are becoming aware that SFT does exist.
To the first point that “we already have too many award categories”: so what? And also, is a translated category somehow less important than the “Young Adult” or “First Novel” category? And to the subpoint that some translated work might win in two categories, can’t that happen with other categories? And aren’t there ways to get around that? I freely admit that I’m not cut out for business meetings and deciding rules about rules- which is one of the reasons why I’m not on these committees. This is just me on a website putting forth my opinions, against which everyone is free to argue. (Just be respectful when you rip me to shreds, ok?)….
…But outside of a stay-at-home crisis, time loops have gained traction in their appeal due to the same themes that made Groundhog Day so popular to begin with. Like the drunken locals that Phil Conners laments to in Punxsutawney, or the fellow wedding guest in the Palm Springs hotel pool talking to Samberg’s Nyles, those existing outside the loop can relate on a visceral level to the experience of feeling like today is the same as yesterday and tomorrow. For Bill Murray, the appeal of Groundhog Day as a script was its representation of people’s fear of change, and how we choose to repeat our daily lives to avoid it. These themes echoed in Russian Doll, which as a bingeable streaming series really allowed audiences to inhabit the repetitive nature of the loops, ironically utilizing the same technologies that have sped our lives up and caused them to feel even more cyclical.
(3) FIYAHCON. I signed up for FIYAHCON (October 17-18) news in time to receive its August Update naming three more guests:
FIYAHCONtweeted additional information: Rebecca Roanhorse: “We suspect you know @RoanhorseBex from all of that constant award-winning she does as a Black + Indigenous writer of many brilliant things.”; Cassie Hart: “is a Maori writer who’s been working intensely behind the scenes to shine a light on SFF from Aotearoa while grinding out an impressive number of works herself.”; Yasser Bahjatt: “chaired the Worldcon bid for Saudi Arabia. And while that didn’t land, we are thrilled to hear more from him about Arabian SFF and other ways we can uplift and celebrate the spec community there.”
The three newcomers join FIYAHCON’s previously announced guests:
She’s boldly going where no one has gone before, but doing so means leaving the people she loves the most. We’ve got the first trailer for Netflix’s Away, a new series that sees Hilary Swank joining the first manned mission to Mars—a three-year journey that will test the limits of its crew, as well as the patience of those who were left behind….
(5) JUST SAYIN’. Jay Blanc tweeted his ideas for improving Hugo administration. Thread starts here. Whether or not he has the solution (and CoNZealand Deputy Hugo Administrator Nicholas Whyte responded skeptically in the thread), I had to agree with Blanc’s last tweet about what one of the problems is.
He’s not alone in marveling at how many times in the past decade the Hugos have been hamstrung because someone was writing code from scratch. That doesn’t always happen for the same reason. We didn’t always need or want, in the past, a system that integrates all aspects of a member’s digital interaction with the convention. That’s what they’re moving toward, therefore it would make sense for that software to be created and stabilized. Funding it, having the work done and vetted, and working out licensing to the committees (which are entities of their own) would all be part of the mission.
… Because they are voted on primarily by people who were born decades after the original publication dates, the Retro Hugos are less likely to recognize work that has not been reprinted. This means that the average Retro Hugo voter inevitably experiences the works they’re voting on through a filter created by the intervening generations. Other than Erle Korshak, Cora Buhlert, and Gideon Marcus, we’d be hard-pressed to name a Hugo voter who is likely to have read a 1945-era pulp magazine cover-to-cover and experienced the works in something like their original context….
No need to be so “hard-pressed.” You have not because you ask not.
…For the Retro Hugos to be relevant and worthwhile awards, we as members of the World Science Fiction Society need to wrestle with why the awards need to exist. Is their intent to reproduce the racist tastes of the past or can they help focus a critical lens on the history of the genre and help us discover works that might have been overlooked?
(7) MEDIA BIRTHDAY.
August 10, 1951 — Tales Of Tomorrow first broadcast the “Blunder” in which a scientist is warned his experiment with nuclear fission could destroy the earth. Written by Philip Wylie who wrote the screenplay for When Worlds Collide. The primary cast is Robert Allen and Ann Loring. It was directed by Leonard Valenta who otherwise did soap,operas. The original commercials are here as well. You can watch it here.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born August 10, 1902 — Curt Siodmak. He is known for his work in the horror and sf films for The Wolf Man and Donovan’s Brain, the latter from his own novel. ISFDB notes the latter was part of his Dr. Patrick Cory series, and he wrote quite a few other genre novels as well. Donovan’s Brain and just a few other works are available in digital form. (Died 2000.) (CE)
Born August 10, 1903 — Ward Moore. Author of Bring the Jubilee which everyone knows about as it’s often added to that mythical genre canon and several more that I’m fairly sure almost no one knows of. More interestingly to me was that he was a keen writer of recipes of which ISFDB documents that four of his appeared in Anne McCaffrey’s Cooking Out of This World: “Kidneys — Like Father Used to Make” and “Pea Soup — Potage Ste. Germaine“ being two of them. (Died 1978.) (CE)
Born August 10, 1913 — Noah Beery Jr. Genre-wise, he’s best remembered as Maj. William Corrigan on the Fifties classic SF film Rocketship X-M, but he showed up in other genre undertakings as well such as 7 Faces of Dr. Lao, The Six Million Dollar Man, Fantasy Island, Beyond Witch Mountain, The Ghost of Cypress Swamp and The Cat Creeps. I think he appeared in one of the earliest Zorro films made where he’s credited just as a boy, he’d be seven then, The Mark of Zorro which had Douglas Fairbanks Sr. and his father, Noah Beery Sr. (Died 1994.) (CE)
Born August 10, 1931 – Alexis Gilliland, 89. Seven novels, six shorter stories and a Feghoot; Campbell (as it then was) for Best New Writer. Chaired six Disclaves. WSFA (Washington, D.C., SF Ass’n) met at his house for decades. One of our finest fanartists. Four Hugos, three FAAn (FAn Activity Achievement) Awards, Rotsler. Letters, perhaps three hundred cartoons in Alexiad, Algol, Amazing, Analog, Asimov’s, Chunga, Fantasy Review, Flag, Janus, Locus, Mimosa, Pulphouse, SF Eye, SF Commentary, SF Review, SFWA (Science Fiction & Fantasy Writers of America) Bulletin, Star*Line, Worldcon Souvenir Books. Here is a cover for SF Review. See here, here, here. Makes good deviled eggs. [JH]
Born August 10, 1944 — Barbara Erskine, 76. I’m including her because I’ve got a bit of a mystery. ISFDB lists her as writing over a dozen genre novels and her wiki page says she has a fascination with the supernatural but neither indicates what manner of genre fiction she wrote. I’m guessing romance or gothic tinged with the supernatural based on the covers but that’s just a guess. What do y’all know about her? (CE)
Born August 10, 1955 — Eddie Campbell, 65. Best-known as the illustrator and publisher of From Hell (written by Alan Moore), and Bacchus, a most excellent series about the few Greek gods who have made to the present day. Though not genre in the slightest way, I highly recommend The Black Diamond Detective Agency which he did. It’s an adaptation of an as-yet unmade screenplay by C. Gaby Mitchell. (CE)
Born August 10, 1955 – Tom Kidd, 65. Eight Chesleys. Artbooks Kiddography, OtherWorlds, How to Draw & Paint Dragons. Three hundred eighty covers, a hundred forty interiors. Here is Not This August. Here is the Oct 83 Fantasy & Science Fiction. Here is Songs of the Dying Earth. Here is Overruled. [JH]
Born August 10, 1962 – Horia Gâbea, Sc.D., 58. Romanian playwright, poet, essayist, novelist, engineer, popularizer of contract bridge. University of Bilbao prize for poetry. The Serpent performed by the British Royal Court Theatre. Translator of Chekhov, Corneille, John D. MacDonald, Machiavelli. Accused of being “gratuitously bookish…. a pun more important than a murder…. thin and edgy like a razor…. forgives no one no thing.” Worlds and Beings anthology in English. [JH]
Born August 10, 1965 — Claudia Christian, 55. Best-known role is Commander Susan Ivanova on Babylon 5, but she has done other genre roles such as being Brenda Lee Van Buren in The Hidden, Katherine Shelley in Lancelot: Guardian of Time, Quinn in Arena, Lucy in The Haunting of Hell House and Kate Dematti in Meteor Apocalypse. She’s had one-offs on Space Rangers, Highlander, Quantum Leap, Relic Hunter and Grimm. She’s Captain Belinda Blowhard on Starhyke, a six-episode series shot in ‘05 you can on Amazon Prime. (CE)
Born August 10, 1971 – Lara Morgan, 49. Six novels for us. “Her mission is to rid the world of tea, one cup at a time. This is going quite well.” She liked All Our Yesterdays, alas for me not Harry Warner’s but Cristin Terrill’s; ranked Ender’s Game about the same as Lilith’s Brood. Website here. [JH]
Born August 10, 1985 – Andrew Drilon, 35. A dozen short stories; Philippine Speculative Fiction 9 with Charles Tan; four covers, three dozen interiors; comics. Here is Heroes, Villains, and Other Women. Here is WonderLust. Here is a sequence from his own Whapak! [JH]
(9) COMICS SECTION.
The Far Side has one about aliens that really brings this cartoon series’ title to mind.
…Round 1 saw Connery knock out current 007 actor Daniel Craig, coming out on top with 56 per cent of the vote compared to Craig’s 43 per cent, while Pierce Brosnan winning Round 2 with 76 per cent against his opponent George Lazenby’s 24 per cent.
Round 3 saw perhaps the most surprising result yet, as Roger Moore was knocked out of the competition – with 41 per cent of the vote, he lost out to his immediate successor Timothy Dalton, who scored 49 per cent of the vote.
At some point, someone decided that Star Trek fans were fanatical about cutlery and all things fine dining, hence the creations of a series of elegant Next Generation spoons.
The high-quality spoons feature the faces of fan-favorite characters such as Captain Picard and Data on the handle of each implement. While nice its almost impossible to imagine anyone actually using these spoons to eat with and the illogical decisions that led to their creation would no doubt befuddle Spock.
As long as there has been spaceflight, there have been conspiracy theories. There were conspiracy theories about Sputnik in the late 1950s (“their Germans are better than our Germans”) and dead cosmonauts in the early 1960s. Even before some people claimed—on the very day that it happened—that the Moon landing was faked, Apollo had its own conspiracy theories. In those days it was difficult for them to propagate and reach a wide audience, unlike today, when they can spread around the world at the speed of light. One of those Apollo conspiracy theories was about a whistleblower named Thomas Baron, who later died under mysterious circumstances.
Baron worked on the Apollo program in Florida for one of the key contractors. After the Apollo 1 fire in early 1967, Baron testified before a congressional fact-finding delegation that went to Florida. He later died under what some people considered to be mysterious circumstances, fueling speculation that he was killed to shut him up. The transcript of his testimony also could not be found by later researchers, which fueled the speculation that somebody was covering up damaging information.
In 1999, in honor of the 30th anniversary of the Apollo 11 landing, radio station WAMU in Washington, DC, aired a program about the role of Washington politics in the lunar landing. “Washington Goes to the Moon” was written and produced by Richard Paul and featured interviews with a number of key figures in the story. Paul had decided that the Apollo 1 fire and the subsequent investigations into its cause would be a key focus of the program. In the course of researching the fire, he stumbled upon a document that many believed was long-lost: a transcript of an interview with Thomas Baron, who alleged that there were numerous improper actions taken by his employer, North American Aviation, which was building the spacecraft.
From invading animals to a faulty computer chip worth less than a dollar, the alarmingly long list of close calls shows just how easily nuclear war could happen by mistake.
…All told, there have been at least 22 alarmingly narrow misses since nuclear weapons were discovered. So far, we’ve been pushed to the brink of nuclear war by such innocuous events as a group of flying swans, the Moon, minor computer problems and unusual space weather. In 1958, a plane accidentally dropped a nuclear bomb in a family’s back garden; miraculously, no one was killed, though their free-range chickens were vaporised. Mishaps have occurred as recently as 2010, when the United States Air Force temporarily lost the ability to communicate with 50 nuclear missiles, meaning there would have been no way to detect and stop an automatic launch.
(14) BLOCKHOUSE FOR BLOCKHEADS? [Item by Martin Morse Wooster.] Isaac Schultz, in “For Sale: A Cold War Bunker and Missile Silo in North Dakota” on Atlas Obscura, says that tomorrow auctioneers will sell a 50-acre site in North Dakota that housed a missile base loaded with Sprint missiles that were supposed to be the last line of defense against Soviet ICBM’s. The missiles are gone but the buildings are still there, and it’s perfect for a slan shack or future Worldcon bid, or would be an ideal place to conduct fan feuds. What better place to launch verbal missiles than a place that housed real missiles? Plus all the former missile silos are guaranteed to be socially distant from each other!
HALF AN HOUR SOUTH OF the Canadian border, in Fairdale, North Dakota, a hulking concrete structure rises up from the flat fields that surround it. The beige buildings are so prominent on an otherwise pastoral landscape that they could be mistaken for a 20th-century Stonehenge.
(15) I WALK TO THE TREES. In “The Lord of The Rings: The Two Towers Pitch Meeting” on ScreenRant, Ryan George promises a film with “a whole lot of walking. Even the trees walk.”
[Thanks to John Hertz, Lise Andreasen, N., Chip Hitchcock, Andrew Porter, James Davis Nicoll, Martin Morse Wooster, John King Tarpinian, JJ, Cat Eldridge, Michal Toman, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
…What a ride, what a charge. Kameron Hurley was last shortlisted for the Clarke Award back in 2014, for her debut novel God’s War. I enjoyed and admired God’s War, but had fallen somewhat out of touch with Hurley’s work since, so I was pleased to have the opportunity to read her latest within the context of the Clarke. What a delight it is to see a writer fulfilling her potential. What I loved most about God’s War and the short fiction from Hurley that I’d read in the interim was its densely textured language, and The Light Brigade is immediately, thrillingly identifiable as by the same hand. Time (and increasing fame) has done nothing to slow or flatten the vividness and immediacy of Hurley’s approach, nor compromise its intelligence or conceptual ambition.
… Although The Light Brigade works perfectly well as a standalone novel – you don’t need to have read any of Hurley’s other work or even any science fiction to get on board – it is important to note the many and clever ways in which it is directly in conversation with older works of SF. …
(2) SUBSCRIBE TO ASTROLABE. Aidan Moher will launch a new newsletter— Astrolabe — on Friday
Astrolabe covers all the stuff I love—from science fiction and fantasy, to retro gaming, parenting, and personal news about my work. It’s about talking my stuff and professional news, but also building a community of readers, and sharing the love by highlighting and sharing all the other great work and books I come across.
You know how sometimes people say, Oh, it’s okay. You don’t have to read the first book in this series to dive right into the second.
This is not that kind of book
You know how sometimes people say, It’s like everything you loved about the first book, only MORE.
This is not that kind of book.
Last year, Tamsyn Muir absolutely owned the lesbian-necromancers-in-space genre. She created a crumbly, dusty, deeply haunted and wonderfully goopy horror-universe with Gideon the Ninth, peopled it with creepy, sepulchral wizards, dipped it all in the reverential tones of quasi-Catholic religious fanaticism, wrote it like a science-fantasy parlor romance full of murder and then gave it to us, still warm and dripping, like a cat bringing home a particularly juicy mouse.
…I loved Gideon. Loved everything about it. It was just so much of a book — so strange, so full, so lush, so double-bats*** crazy and so unerringly cool — that I didn’t think anything could top it.
And Harrow the Ninth, second in the series, doesn’t.
Because it is not that kind of book.
Gideon was the perfect surrogate through which to experience Muir’s creation — a brash, foul-mouthed, anarchic guide who was just as wonderstruck as we were by the gory weirdness happening at every other breath, but never so serious about it that any piece of the story felt logy with funereal detail.
Harrow, though? Harrow is all black crepe and rosaries. She’s that one goth girl from high school gone full dark supernova with her sacramental face paint and unfathomable necromantic powers. A bone witch (and don’t think Muir doesn’t have some fun with that), she can construct a skeleton from a chip of tibia and have it tear your arms and legs clean off. She vacillates wildly between breathless (though exceptionally prudish) teenage passion for a corpse (that would take pages to explain), fervent prayer and drear musings on death — her own and everyone else’s. At one point, she carefully (and explosively) poisons someone with a soup made from her own bone marrow and it’s passed off like, Oh, that’s just Harry, exploding one of God’s own hit men at the dinner table, the kooky kid!
[Question] … I have been telling all my friends that Alecto the Ninth is going to be a heist novel. Can you please confirm this, and if so, also confirm that there will be many heart crimes. Thank you for writing these books, they are fantastic….
I had to go back and look to see if I’d ever mentioned that I wanted a heist in Alecto, because otherwise you are 1. psychic or 2. hiding in my drywall — there IS actually a heist in Alecto. It’s not the world’s greatest heist, and is undertaken by idiots, but there’s a heist. If you’re in my house, can you tell me if turning off the boiler at night has helped the pipes? I assume you’re between the walls.
The prospect of spoofing Star Trek represents nothing new under the (binary) sun(s). The franchise has become an institution, and mocking institutions remains a thriving American cottage industry. Saturday Night Live started taking whacks at Trek way back in the ’70s, as did MAD magazine, and the short-lived sitcom Quark. As a piece of cultural furniture, Star Trek’s ubiquity, driven by multiple television series, movies, books, games, comics and fan-fiction, means its tropes have entered the collective consciousness, and have thus become easy to recognize — and to make fun of.
Why, one could even construct an entire, very-good movie just by riffing on Trek (1999’s Galaxy Quest), as well as an entire, not-very-good television series (FOX’s mystifying The Orville).
The difference between all these previous efforts and the one represented by Star Trek: Lower Decks, premiering Thursday August 6th on CBS All Access, is a simple one:
This time, the comm signal is coming from inside the house.
True, the franchise has poked the gentlest of fun at itself, over the years — a throwaway line here, a winking reference to previous Trek series there. But Star Trek: Lower Decks is an official Trek property, its yuks are both nerdily meta and rigorously in-canon, and they go — more broadly than boldly, it must be said — where no Trek has gone before.
The premise is such stuff as comedy sketches are made on: Starships are huge, and staffed by hundreds of officers and crew members, so why does every Trek story need to revolve around the bridge, and the same 7 or so characters? Why not focus instead on the grunts doing the tedious, everyday work?
Creator/showrunner Mike McMahan made his bones on the animated series Drawn Together and Rick and Morty — shows whose darker, more cutting humorous sensibilities would seem to clash with Trek’s traditional commitment to ennobling, optimistic uplift. But that disconnect turns out to work for the new series, in most respects. For the nerds, in-jokes and easter eggs abound, testifying to the creators’ fondness for the source material, while viewers who don’t know a nacelle from a Jeffries Tube will likely appreciate the show’s sheer joke-density — and the fact that, as an animated series, it comes outfitted with an unlimited special effects budget.
That’s important, because despite its bright, broad, cartoony look, the planets of Lower Decks can appear legitimately otherworldly, instead of all looking like the Vasquez Rocks outside of Santa Clarita, California. Alien races can look alien — obviating previous series’ need to, as one wag (me) once put it, “Grab a dayplayer, slap a hunk of spirit gum between their eyebrows, paint ’em Prussian blue and shove ’em in front of the camera”.
Alan Menken composed the song “Prince Ali,” memorably sung by Robin Williams in Disney’s 1992 animated feature Aladdin, while sitting at the lyricist’s hospital bed. His friend, Howard Ashman, was dying.
“His life was pitifully cut short, unfortunately, as were many at that time,” says Menken. “But Howard’s [death], for me, is the most personally difficult and his spirit remains very, very present still; there’s something about Howard that is not just a statistic in the battle against AIDS. But as an artist, he’s extremely vital — even now.”
Howard, a documentary about Ashman and his work as an award-winning lyricist, is coming to streaming August 7 on Disney+. It also shows the friendship between Ashman and Menken, who met in New York City in the 1970s, where Ashman was the artistic director of a black box theater, the WPA, near Union Square. Menken had been working as an accompanist for singers and writing songs for Sesame Street, and they immediately gelled like Rodgers and Hammerstein. Together they wrote the musicals Kurt Vonnegut’s God Bless You, Mr. Rosewater and the unlikely hit, Little Shop of Horrors — a monster mash parody of American musical comedies, which won several Drama Desk Awards and was adapted into a film in 1986 – before going on to work for Disney.
The documentary tracks Ashman’s rise from a theater-obsessed kid in Baltimore, to his musical highs and lows (including the ill-fated Broadway show Smile with composer Marvin Hamlisch), and to his untimely death. It’s told through archival photos, song demos, new interviews with family and friends and a filmed recording session from Beauty and the Beast — a Disney-lover’s treasure trove….
“In general,” writes Nevala-Lee, “Asimov chose targets who were unlikely to protest directly, such as fans and secretaries, and spared women whom he saw as professionally useful.”
I have to take exception to this. In the mid-1980s I was serving my first term as president of the Science Fiction Writers of America (SFWA), the first woman to hold that office, and attended the Boskone convention, as did Dr. Asimov. He showed up in the organization’s suite and I thought it proper to introduce myself, so at a suitable break in the conversation, I held out my hand for a shake and tried to say, “Dr. Asimov, I’m Marta Randall, the president of SFWA.” I didn’t make it to the second syllable of his title before he grabbed my hand, jerked me to him, and tried to stick his tongue down my throat. We were in a suite run by our professional organization, but apparently it never occurred to him that his actions might be inappropriate. Luckily a number of members who knew me pried him off of me before I tried to deck him.
We met again years later, when I was protected by carrying a baby on my back. He was perfectly cordial, but never apologized, if he even remembered the assault.
The man was a pig.
(8) VIRTUAL OXONMOOT. The UK’s Tolkien Society will hold “Oxonmoot Online” from September 18-20. Full details at the link.
…Clearly Oxonmoot Online will be a very different event from a normal Oxonmoot, but our aim is to bring you a busy and engaging weekend of Tolkien related activities. In addition, the online nature of the event offers new opportunities for international members who are normally unable to travel to Oxford to take part….
…Thanks to the actions of Ar-Pharazôn at the end of the Second Age, we find ourselves living on a round world – which means we have to deal with the complexities of time zones. To make the event as accessible as possible to as many of our members as we can, the “core” time for the keynote events and larger activities will be 18:00-22:00 UK time.
Outside these hours, we will run an engaging programme of talks, papers, activities and social gatherings – the exact timing of which will depend on the offers we get from you, our members. We intend to record talks and papers so that delegates can watch the presentations which are delivered at a time which is difficult in their time zone…
(9) THE GOAL IS MONEY. Trailer for the Korean sff movie Space Sweepers. “Are lots of trash worth a fortune?”
(10) MEDIA BIRTHDAY.
August 6, 1955 — Science Fiction Theater’s “The Stones Began to Move” first aired. Starring Truman Bradley, Basil Rathbone, and Jean Willie, a discovery inside the just-opened tomb of an Egyptian pharaoh may hold a clue as to the construction of the pyramids, but a murder is committed to keep that secret from being revealed. You can watch it here,
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born August 6, 1809 – Alfred, Lord Tennyson. (His name was Alfred Tennyson; he was later made 1st Baron Tennyson.) Poet whose engagement with quest and fantasy point us to him (“To follow knowledge like a sinking star, beyond the utmost bound of human thought” – speaking of which, don’t neglect the highly strange Frank Belknap Long story “To Follow Knowledge”, 1942). See “Ulysses”, “Tithonus”, Idylls of the King (the Matter of Arthur). (Died 1892) [JH]
Born August 6, 1874 — Charles Fort. Writer and researcher who specialized in anomalous phenomena. The term fortean is sometimes used to characterize such phenomena. No, not genre as such, but certainly an influence on many a writer. The Dover publication, The Complete Books of Charles Fort, that collects together The Book of The Damned Lo!, Wild Talents and New Lands has a foreword by Damon Knight. L. Sprague de Camp reviewed it in Astounding Science-Fiction in the August 1941 issue when it was originally published as The Books of Charles Fort. (Died 1932.) (CE)
Born August 6, 1877 — John Ulrich Giesy. He was one of the early writers in the Sword and Planet genre, with his Jason Croft series He collaborated with Junius B. Smith on many of his stories though not these which others would call them scientific romances. He wrote a large number of stories featuring the occult detective Abdul Omar aka Semi-Dual and those were written with Smith. I see iBooks has at least all of the former and one of the latter available. Kindle has just the latter. (Died 1947.) (CE)
Born August 6, 1911 — Lucille Ball. She became the first woman to run a major television studio, Desilu Productions, which is where Star Trek was produced. Her support of the series kept it from being terminated by the financial backers even after it went way over budget in the first pilot. (Died 1989.) (CE)
Born August 6, 1917 – Barbara Cooney. Author and illustrator of a hundred children’s books, some fantastic. Two Caldecott Medals. National Book Award. Here is a picture that might simply be entitled “Fantasy”. Here is a cover for Snow White and Rose Red. Here is Where Have You Been?Here is “The Owl and the Pussycat” (note the runcible spoon). (Died 2000) [JH]
Born August 6, 1955 – Judith Bemis, 65. Co-chair (with husband Tony Parker), Tropicon 8-9. Fan Guest of Honor (with Parker), Concave 16. Treasurer of MagiCon (50th Worldcon), Noreascon 4 (62nd). Active getting fanzines into FANAC.org database. [JH]
Born August 6, 1955 –Eva Whitley, 65. Chaired Paracon 1, Disclaves 26 & 34. Widow of Jack Chalker; says ”Possibly the only person in fandom to meet spouse by making him GoH (Paracon 1)”. Fan Guest of Honor at Balticon 17 (with Chalker) & 21, Norwescon XXII (with Chalker). Active in WSFA (Washington [D.C.] SF Ass’n) and BSFS (Baltimore SF Ass’n). [JH]
Born August 6, 1962 — Michelle Yeoh, 58. Ok, I have to give her full name of Yang Berbahagia Tan Sri Dato’ Seri Michelle Yeoh Choo-Kheng. Wow. Her first meaningful genre roles were as Wai Lin in Tomorrow Never Dies and Yu Shu Lien in Crouching Tiger, Hidden Dragon. I actually remember her as Zi Yuan in The Mummy: Tomb of the Dragon Emperor, the first film of a since cancelled franchise. And then there’s her dual roles in the Trek universe where she’s Captain Philippa Georgiou and Emperor Philippa Georgiou. The forthcoming Section 31 series will involve one of them but I’m not sure which one… (CE)
Born August 6, 1969 – Álvaro Enrigue, 51. Novel Sudden Death for us, Herralde Prize. Six novels, three collections of shorter stories and one of essays. Mortiz Prize. Carlos Fuentes said E’s novel Perpendicular Lives “belongs to Max Planck’s quantum universe rather than the relativistic universe of Albert Einstein, a world of co-existing fields … whose particles are created or destroyed in the same act.” Translated into Chinese, Czech, French, German. [JH]
Born August 6, 1972 – Paolo Bacigalupi, 48. Six novels, a score of shorter stories, translated into French, German, Hungarian, Italian, Japanese, Romanian, Spanish. Interviewed in Electric Velocipede, Intergalactic Medicine Show, Interzone, Lightspeed, Locus, NY Review of SF, SF Research Ass’n Review. First novel The Windup Girl won Hugo, Nebula, Campbell (as it then was) Memorial, Compton Crook, Grand Prix de l’Imaginaire, Ignotus, Laßwitz, Prix Planète, Seiun; also a Printz, a Sturgeon, another Seiun. Toastmaster at MileHiCon 42; Guest of Honor at ArmadilloCon 33, Capclave 2014. Williamson Lectureship, 2014. [CE and I found two different dates for his birthday; since he’s done and won much, we decided to let both notes stand – JH]
(13) US IN FLUX. The latest story from the Center for Science and the Imagination’s Us in Flux project is “Tomorrow Is Another Daze,” a story of Aztlán, creative reuse, and making technology work for you by Ernest Hogan (an Arizona-based writer, often called the father of Chicanx science fiction).
Lalo was in the middle of making Huevos Rancheros Microöndas when the doorbell rattled. The microwave buzzed less than a second after. Yet another quarantine for yet another virus was going on, so he wasn’t eager to answer the door. For all he knew it could be a terminal case, long past the early stages that are said to be similar to what they used to call future shock: the disorientation and hallucinations, the convulsions, foaming at the mouth, about to drop dead on his porch under the decorations his wife insisted on putting up, requiring the services of a hazmat team….
On Monday, August 10 at 4:00 p.m. Eastern, they will have another virtual event on Zoom, with Ernest and scholar, author, and editor Frederick Luis Aldama. Register at the link.
(14) EAR TO THE GROUND. Michelle Nijhuis, in “Buzz Buzz Buzz” at New York Review of Books, discusses four recent works about human responsibilities towards animals.
…The scholarly emphasis on negative rights, along with the work of animal-rights and animal-welfare activists, has arguably improved the treatment of domesticated animals in North America and Europe. Public opposition to animal cruelty is now widespread, and recent laws and policies have banned animal blood sports. The insights of advocates such as Temple Grandin have helped us imagine how other species experience the world, and begin to curb some of the most brutal factory-farming practices.
None of these advances, however, has changed our fundamental relationship with animals—which is hardly sustainable, ethically or otherwise. In Slime, when one of the translators finally succeeds in communicating with a bump-nosed parrotfish from the Pacific Ocean, the message is stark, delivered in dramatic terms: “Youare helping Slime to kill us You You You Land Monsters!!! Why? Stop? Why? Change your swimming!Change your swimming!Change your swimming!!!!” Were Slime written today, it might include a line from a pangolin or a bat, warning that our heedless exploitation of animals carries deadly risks for all.
… That animals are in this sense political actors is an underrecognized and, to my mind, potentially powerful point of convergence between the animal-rights and ecological-protection movements: both traditions hold that animals have needs and wants that humans are more than capable of understanding, and should attend to.
(15) BE CAREFUL OUT THERE AMONG THEM ENGLISH. James Davis Nicoll was pleased to get some egoboo from the letters to the editors in the August 4 Sydney Morning Herald:
Hold the phonics
Each of your “o’s”, Kevin Harris, represents different sounds because of the consonants in each word that have individual phonetic sounds; always have and always will (Letters, August 5). Otherwise, we’d all be speaking French, where half the letters aren’t ever pronounced. John Kingsmill, Fairlight
Thirty years ago, one James Nicoll observed that “English has pursued other languages down alleyways to beat them unconscious and riffle their pockets for new vocabulary”. With that has come disparate rules of pronunciation, to the annoyance of Kevin Harris’ five-year-old and countless others. For English, basic phonics works for about 40 per cent of words, enough to make it a useful tool. For the rest, plenty of guided reading will make up most of the deficit. Richard Murnane, Hornsby
Scientists found that attaching small weights to pigeons causes them to shoot up in the social hierarchy. The finding is important because scientists often attach trackers to pigeons.
STACEY VANEK SMITH, HOST:
It turns out there is a social hierarchy among pigeons, and it definitely pays to be the big bird on campus.
STEVE PORTUGAL: Being top of the dominance hierarchy basically gives you preferential access to everything. It means you get priority access to food, priority access to mates.
SHAPIRO: That’s Steve Portugal, a zoologist and biologist at Royal Holloway, University of London. And contrary to what you may have heard about the early bird getting the worm, in the case of pigeons, it is heavier birds that get all the perks.
VANEK SMITH: So Portugal and his colleagues wondered what would happen if you made lighter pigeons feel heavier. If you beefed them up, would they punch above their weight?
SHAPIRO: They tested their theory in a captive flock of homing pigeons. They identified the birds in the bottom half of the hierarchy and loaded them up with tiny weights – little bird backpacks, actually.
PORTUGAL: And sure enough, when I did that, they became much more aggressive, started much more fights and won many more fights as well.
A number of Star Trekactors lent their voices to the animated series Gargoyles. The showfollowed the adventures of gargoyles, nocturnal creatures who turned into stone during the day. After being transported from their home in Scotland to New York City, the clan were awoken from their 1000-year-long magical slumber and took on the responsibility of protecting the city. The children’s series originally ran from 1994 until 1997, but has been finding new audiences thanks to Disney+.
… Like Jonathan Frakes, Marina Sirtis was a main character on both Star Trek: TNG as well as Gargoyles. Sirtis played Deanna Troi, the empathetic, chocolate-loving counsellor onboard the USS-Enterprise. Troi is half-Betazoid, which grants her empath abilities — which often came in handy in dealings with other alien races. Also like Frakes, Sirtis played a villainous role on Gargoyles:her character Demona despised humans, and is possibly the most dangerous of all remaining gargoyles. She aligned herself with David Xanatos, and was largely responsible for him resurrecting the Wyvern clan, whom she had hoped would join her on her quest for vengeance.
(19) BEEB TRIVIA. Nicholas Whyte told the SMOFs list where they could see this Hugo-related feat:
The UK quiz show University Challenge had three questions about the Hugo Awards for Best Dramatic Presentation, Short Form last night, all correctly answered by the team from Strathclyde University – which, as it happens, is in Glasgow.
[Thanks to PhilRM, JJ, Chip Hitchcock, John Hertz, Mike Kennedy, Cat Eldridge, Michael Toman, John King Tarpinian, Peer Sylvester, Martin Morse Wooster, Joey Eschrich, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day, verified, blue check Andrew.]
(3) INSIDE THE HUGO CEREMONY. Erin Underwood, who presented the Best Fan Writer Hugo, told Facebook readers some specifics about the lack of support she received, and offered these general comments —
A few more thoughts, the ConZealand Hugo Awards Ceremony production team owned the production of the event (edited to be clear). It was their show. What we saw was what they created. George owns his words and choices, but they own the decision of using those videos. They produced the show that we saw.
… It is hard to push back against an iconic guest and to provide critical guidance for improved performance, but that was their job. ConZealand owned that Hugo Ceremony from start to finish. As con runners and volunteers, it’s our job to make sure that our speakers and guests are well-prepared and know exactly what’s expected of them, and if they fail, we fail.
CoNZealand Hugo administrators were as much in the dark about what was going on as you were. Probably more so in that we had no input at all, whereas at least you recorded a video.
Edited to add: practically the first thing we did with finalists was to ask the correct pronunciation of their names.
(4) AVOID FRIENDLY FIRE. Michi Trota is concerned about collateral damage from the social media response to the troubled Hugo Awards ceremony.
(5) ASPIRATION PLUS PERSPIRATION. Cheryl Morgan analyzes some of the challenges of managing Worldcons in “Why Worldcons Go Wrong” and says in conclusion:
…There’s a tendency in certain quarters to sneer when people say that running Worldcon is hard, but it is, and unless you have actually done it you probably don’t understand just how hard it is. Which is not to say that people don’t make terrible mistakes, and should not be called to account for them. I can assure you that I have done that often enough in my time (ask people about TorCon 3 if you don’t believe me). However, I have always tried to do so in the hope that we can learn from our mistakes and make Worldcon better. I hope you can see from the above that fixing things, or creating an alternative, is not simply a matter of vowing to “do better”.
(6) CLOSED CAPSHUNNING. The AI still needs some work.
The Eighties were a golden era for science-fiction. Cineplexes were chockablock with blockbusters like The Empire Strikes Back, Back to the Future, Aliens and The Terminator. On the small screen, you could get your space fix with Star Trek: The Next Generation. Sitcoms had aliens and androids as their stars in ALF and Small Wonder. Even the cars could talk on Knight Rider.
Of course, not everything was a hit. For every smash, there were scores of knock-offs. Every network attempted to launch its own time travel adventure, it seems. While these shows rarely made it to a second season, they remain cult favorites of those who watched them. They might have thrived today, in our geek culture of a thousand options…
13. THE POWERS OF MATTHEW STAR (1982–83)
Peter Barton starred alongside Lou Gossett, Jr., in this 1982 superhero series. Production began in 1981, though was put on hold after Barton fell onto a pyrotechnics flare, suffering severe third degree burns. Production was shut down, as the actor healed for several months in a hospital. Barton had edged Tom Cruise for the lead role, an alien prince hiding out in high school on earth. Star Trek fans take note: Leonard Nimoy directed an episode, and Walter Koenig wrote one.
I mean, in a novel. OK, a minor character, more like a cameo, but still — my name is the first that you see in the first chapter of “The Relentless Moon,” the new novel in Mary Robinette Kowal’s “Lady Astronaut” science fiction series. The novels are set in an alternate timeline that has the world, after a devastating meteorite strike and the resulting runaway global warming, greatly accelerating its space program to get humans off the doomed planet.
HALFWAY TO MARS John Schwartz, Special to the National Times KANSAS CITY, March 28, 1963 — If all goes as it should — and in space, that is no sure thing — then sometime today, thirteen brave voyagers will cross a Rubicon that no man ever has: the halfway point between our home planet and Mars.
Ms. Kowal, who has won Hugo and Nebula awards and who is president of the Science Fiction & Fantasy Writers of America, makes her novels something of a group project by relying on the expertise of others for thorny passages: She gets help with orbital mechanics and spacecraft piloting, for example, from actual astronauts. She puts the names of real people into her work, including astronauts.
But she tucks in other names, as well….
(9) DON COMES UP LIKE THUNDER. [Item by Martin Morse Wooster.] Last night I heard a 2019 podcast Leonard and Jessie Maltin did with Don Hahn. Hahn began his career at Disney in the mid-1970s, back when an animator who asked to “see a scene” could have an intern go to the storage area where the original cels were stored. Hahn’s been associated with Disney ever since, surviving the first attempt to revive the animation decision in the early 1980s and the second one when Disney shifted to musicals with The Little Mermaid. He was the producer of the first versions of Beauty and The Beast and The Lion King, and tells many stories about the era, including how The Lion King was nearly scored by ABBA. He’s also proud of spotting talent early, including seeing the potential in composer Hans Zimmer and director Tim Burton, and says Burton became a success because of “an incredible work ethic.”
Hahn also writes books, including books about animation and an edited version of Walt Disney’s memos about animators. He paints and published a collection of his art called Hahn Solo.
Hahn also directs documentaries about Disney. His most recent one is Howard, about Howard Ashman, who revived the American musical with his lyrics for The Little Mermaid and Beauty and The Beast but whose career was tragically cut short after he died of AIDS in the early 1990s. Howard is dropping on Disney+ on August 7,
Hahn was going to come to a movie convention Maltin held last year, and promised he would sign a book any way a customer wanted “as long as it was legal according to the laws of the state of California.”
John Clute, the co-editor of the six million-word Encyclopedia of Science Fiction, is pleading with me.
“Please don’t use it, it is deeply vulgar and very stupid. It’s really kind of reprehensible . . . I shouldn’t have mentioned it at all, and I didn’t.” But, John, it’s out there, it’s in your book. I really have no choice.
The term he loathes is “cli-fi”. It means climate-change fiction — stories about the world after a climate catastrophe, stories that used to be called science fiction. The purpose cli-fi serves is not noble, it is pure snobbery. It is, as the entry says, a way of “distancing from the perceived downmarket nature or Pulp roots of Genre SF”. “Speculative fiction” is another class-ridden term used by authors who don’t like to be seen slumming it. Even “sci-fi” is not welcome — in TV listings and the like it describes superhero nonsense.
Yet calling it SF will not, for many readers, drag it out of the lower ranks of the literary league table. Jessica Harrison, the editor of the new SF series from Penguin Modern Classics, admits that for her the term at first evoked book or magazine covers with “half-naked girls and purple planets”. Neither is present on the austere white covers of her list…
… Now, and here comes the optimism, SF has gone global, with new waves of Asian and African writers. One Chinese author in particular has to be mentioned, Liu Cixin. I’ve just started reading his book The Three-Body Problem — it is different from anything else and beautifully written. It is also brave, in that it starts with a vivid description of the horrors of Mao’s Cultural Revolution in the 1960s and 1970s. Barack Obama loved the book, not least because it made his “day-to-day problems with Congress seem fairly petty”. That, of course, is exactly what SF should do.
SF will survive even as technological progress seems to race ahead of some of its wildest imaginings. It will survive because it is a way of seeing — not aliens, time warps, superluminal travels and so on, but ourselves. Dr Snaut nailed it in the greatest of all SF movies, Tarkovsky’s Solaris (1972).
“We don’t want other worlds; we want a mirror. We seek contact and will never achieve it. We are in the foolish position of a man striving for a goal he fears and doesn’t want. Man needs man!”
(11) BRIMLEY OBIT. Actor Wilford Brimley, who appeared in Cocoon and its sequel, died August 1 at the age of 85. He was also in The Thing (1982), the Ewoks: Battle for Endor TV movie, Progeny, and in the genre-adjacent Remo Williams: The Adventure Begins (1985) as the head of C.U.R.E.
(12) BELATED MEDIA ANNIVERSARY.
In July 1997, Donnerjack was published by the Easton Press. This was the true first edition as the Avon Books hardcover edition wouldn’t be out for another month. Though it was started by Roger Zelazny, this novel was largely completed by Jane Lindskold. He completed a few hundred pages of the first draft and left detailed notes for its remainder. The outline Zelazny did was entitled ”Donnerjack, of Virtù: A Fable for the Machine Age“. It was to be the first novel in a trilogy but as Zelazny said in his Hugo Award winning “24 Views of Mt. Fuji, byby Hokusai“ novelette, “I know, too, that death is the only god who comes when you call.” (CE)
(13) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born August 2, 1916 — Elizabeth Russell. She’s best remembered as the Cat Woman (though the voice was dubbed by Simone Simon) in The Cat People. And she was Barbara Farren In The Curse of the Cat People — some of the same characters, not a sequel. She was also Countess Lorenz in The Corpse Vanishes where her co-star was Bela Lugosi. Lastly she was Dean of Women Grace Gunnison in Weird Women which was sort of based off Fritz Leiber’s Conjure Wife. (Died 2002.) (CE)
Born August 2, 1920 — Theodore Marcuse. He was Korob in “Catspaw”, a second-season Trek episode that aired just before Halloween aptly enough. He had appearances in The Twilight Zone (“The Trade-Ins” and “To Serve Man”), Time Tunnel, Voyage to the Bottom of the Sea, Wild, Wild West and The Man from U.N.C.L.E. in the episodes “The Re-collectors Affair”, “The Minus-X Affair”, and “The Pieces of Fate Affair”. (Died 1967.) (CE)
Born August 2, 1942 – Isabel Allende, 78. Adventures in and beside literature include ten novels for us, a score of shorter stories, translated into Dutch, French, German, Portuguese; many others (one of which, Chip Hitchcock, is Zorro). Fan of Shakespeare. Translator of romance novels into Spanish, fired for altering dialogue to show the heroines smarter, plots to show them more independent. First woman to receive the Gabriela Mistral Order of Merit. Harvard Litt.D. (Latin, Litterarum Doctor “doctor of letters”, in her case honoris causa “for the sake of the honor” i.e. honorary degree). Memoir, The Sum of Our Days. American Academy of Arts & Letters. Chilean Literature Prize. Gish Prize. US Medal of Freedom. [JH]
Born August 2, 1945 — Joanna Cassidy, 75. She is known for being the replicant Zhora Salome in Blade Runner and Dolores in Who Framed Roger Rabbit, two of my favorite films. She also did really bad horror films that don’t bear thinking about. I mean really bad horror. (CE)
Born August 2, 1948 — Robert Holdstock. Another one who died far too young. His Ryhope Wood series is simply amazing with Lavondyss being my favorite volume. And let’s not overlook his Merlin Codex series which is one of the more original takes on that character I’ve read. The Ragthorn, co-written with Garry Kilworth, is interesting as well. (Died 2009.) (CE)
Born August 2, 1949 — Craig Shaw Gardner, 71. Comic fantasy author whose work is, depending on your viewpoint, very good or very bad. For me, he’s always great. I adore his Ballad of Wuntvor sequence and highly recommend all three novels, A Difficulty with Dwarves, An Excess of Enchantments and A Disagreement with Death. Likewise his pun-filled Arabian Nights sequence will either be to your liking or really not. I think it’s worth it just for Scheherazade’s Night Out. (CE)
Born August 2, 1949 – Joe Siclari, F.N., 71. Collector, fanhistorian, active in cons and fanzines. New Yorker and Floridian. Chair of MagiCon the 50th Worldcon. Co-founded SMOFcon (“Secret Master Of Fandom”, as Bruce Pelz said a joke-nonjoke-joke) and FanHistoriCon. Published The Complete “Quandry” (Q being Lee Hoffman’s fanzine; note spelling), The Enchantment (Walt Willis), A Wealth of Fable (Harry Warner’s fanhistory of the 1950s); edited a photo-illustrated ed’n of All Our Yesterdays (HW fanhistory of the 1940s). Fellow of NESFA (New England SF Ass’n; service award). Chairman of FANAC (fanac has long been short for fan activity; in this case, the Florida Ass’n for Nucleation And Conventions) which sponsored MagiCon and now sponsors Fancyclopedia 3 and the FANAC Fan History Project. Fan Guest of Honor at MiniCon 31 (with wife Edie Stern), DeepSouthCon 34, Loscon XXVI, Lunacon 51. DUFF (Down Under Fan Fund) delegate (with Stern). Big Heart (our highest service award; with Stern). FAAn (Fan Activity Achievement Award) for Best Online Archive or Resource (i.e. the FANAC Fan History Pjt; with Stern). Named Fan Guest of Honor (with Stern) for Chicon 8 the scheduled 80th Worldcon. [JH]
Born August 2, 1952 – Hope Leibowitz, 68. Only person to have attended every Ditto (fanziners’ con; named for a brand of copying machine). Has lived in Toronto longer than New York (38 yrs, 30 yrs). Contributor to FLAP (Fannish Little Amateur Press, an apa). Sent a birthday card to Bob Madle (see here and here). Likes the cover for Mike Resnick’s Paradise – but I forgot to ask if she meant this one (Whelan) or maybe this one (Gauckler). [JH]
Born August 2, 1954 — Ken MacLeod, 66. Sometimes I don’t realize until I do a Birthday note just how much I’ve read a certain author. And so it was of MacLeod. I’ve read the entire Fall Revolution series, not quite all of the Engines of Light Trilogy, all of The Fall Revolution, just the first two of the Corporation Wars and every one of his one-off novels save Descent. I should go find his Giant Lizards from Another Star collection as I’ve not read his short fiction. Damn it’s not available digitally! (CE)
Born August 2, 1973 – Prapda Yun, 47. Writer, filmmaker, graphic designer. S.E.A. Write Award for Probability (short stories); The Sad Part Was, mostly therefrom, seems the first translation of Thai fiction published in the UK. PY himself has translated Lolita and Pnin, A Clockwork Orange, R.U.R. Songs and other music for Buahima and the Typhoon Band. [JH]
Born August 2, 1976 – Emma Newman, 44. Eleven novels, as many shorter stories (one for Wild Cards). Collection, From Dark Places. Audiobooks. “How LARP [Live-Action Role Playing] Changed My Life” here. Best-Fancast Hugo for Tea and Jeopardy (with husband Peter), see here. [JH]
Born August 2, 1994 – Dawson Vosburg, 16. Three novels. “I love my imagination. It’s the one thing I’m thankful for every day.” Here’s Chapter 2 of Incognito. [JH]
This week in The Full Lid! With the movie riding high I dig into the second volume of the original Old Guard comic series. Force Multiplied changes the game for the immortals in some big ways and is both a good read and a great basis for the almost certain sequel.
Elsewhere this issue I take a look at Fredrica and Stefon Bristol’s audacious and smart time travel movie See You Yesterday which is one of those films that will stay with you after viewing. Finally, I take a look at the first issue of Bleed Them Dry, a vampire/cyberpunk/murder mystery from Vault Comics and the team of Hiroshi Kuzumi, Elliot Rahal, Dike Ruan, Tim Daniel and Miquel Muerto. Our interstitials this week are remixes of classic Calvin and Hobbes strips by the Blindspotting team of Rafael Casal and Daveed Diggs.
The Full Lid is weekly, free and published every Friday at 5 p.m. BST. You can find an archive and a subscription link at the top of this week’s issue.
…my suggestions would be to focus on the award’s goal of introducing fans to lesser-known works and teaching us something about SF history. I’d suggest the following format changes: 1) make it a juried award, with the jury consisting of academics and critics who’ve done historical recovery work; 2) reduce the slate from 12 or so awards to 1 or 2, which would allow for more fan engagement with the work(s) in question; 3) make its guiding question not, ‘what works might have won in a given year’ but ‘Which lesser-known SF works from the years of eligibility most speak to the genre and the SF community in 2022?’”
We at BookNest.eu are incredibly excited to announce that we have reached the extraordinary milestone of TWO THOUSAND reviews! That’s an incredible number, considering all of the hours that go into crafting even a single review. We are proud of our reviewers, who have worked for years with passion and dedication to deliver our reviews to the fantasy community in the hopes of increasing awareness of authors and titles we are excited about.
In celebration of this occasion, our reviewers have compiled a list of our picks for the top one hundred fantasy novels that have been published this century. This list is, of course, subjective, so if your favourite book is missing, we apologize in advance. We have not read every book in the world, and the taste of our reviewers may not reflect your own.
(19) PRETTY COLORS. Goobergunch is definitely showing something here. Excuse me a minute while I go learn from the Wikipedia what it is….
Two NASA astronauts are back on Earth after their space capsule splashed down in the Gulf of Mexico, off the coast of Pensacola, Florida.
The last time any NASA astronauts came home by splashing down was in 1975—and back then, they were in an Apollo space vehicle. This time, the astronauts were in a white, bell-shaped capsule owned by SpaceX.
The success of their test flight, to the International Space Station and back, is a milestone for SpaceX, the first private company to send people to the outpost.
The company has been taking cargo to and from the station for years. This flight with people on board was the final test for SpaceX’s crew system to be certified by NASA as ‘operational’ for future astronaut missions.
That means the U. S. once again has its own ability to put people in orbit and return them safely. Since retiring its space shuttles in 2011, NASA has had to buy seats for its astronauts on Russian spaceships.
NASA can now rely on an American space taxi that takes off from Florida, and it’s already assigning astronauts to future SpaceX missions–including Megan McArthur, who happens to be married to one of the just-returned astronauts, Bob Behnken.
If you wanna watch, it’s live right now on Twitch.
(22) A HORSE, OF COURSE. Adam Thirwell says Bojack Horseman reminds him of everything from Don Quixote to Ibsen in “A Horse’s Remorse” at The New York Review of Books.
…I’m in no way an avid watcher of cartoons but, to risk a sense of disproportion, I began to feel something similar as the animated series BoJack Horseman unfolded on Netflix over six seasons and seventy-seven episodes, beginning in 2014 and ending early this year. “It’s not Ibsen,” went a repeated refrain in the show, which was funny not just because it was a form of immediate self-deprecation about the show itself—a cartoon comedy whose supporting cast includes a news anchor who’s an irascible blue whale and a film studio renamed Warbler Brothers—but also because this show was Ibsen in a way, just an opioid version: a wild investigation of self-deception and failure. Or rather, that’s what I concluded by the end. At first it was simply zany and delightful, this series about a talking horse who’s the washed-up star of a now-forgotten 1990s hit sitcom, Horsin’ Around, a saccharine confection about a horse who adopts three human orphans. But by the time it finished, it had become something much grander and more terrible. Exactly what, however, and exactly how, are conundrums that have preoccupied me….
[Thanks to John Hertz, Chip Hitchcock, rcade, Andrew Porter, JJ, John King Tarpinian, Michael Toman, Dann, N., Mike Kennedy, Cat Eldridge, Daniel Dern, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
NOMINATIONS OPEN. Nominations
for the 2020 Australian SF (“Ditmar”) awards are open until one minute before
midnight Perth time on Sunday, March 1, 2020 (ie. 11.59 p.m., GMT+8). The
current rules, including Award categories can be found at: here.
…Despite receiving zero nominations at the 92nd Academy Awards, the Peele-directed horror flick also managed to win big elsewhere this awards season. Peele won Best Director at this summer’s Saturn Awards while Nyong’o won Best Actress with the Hollywood Critics Association and more. As a whole, the movie’s biggest award came during the Critics’ Choice Awards, where it won Best Sci-fi/Horror movie.
John Romita Sr.Amazing Spider-Man#51 Cover Kingpin Original Art (Marvel, 1967). One of the finest Amazing Spider-Man covers we have ever had! It was the Kingpin’s very first cover appearance, and it set the image of the character in many fan’s heads for decades to come….
(4) SEND THE TARDIS TO DUBLIN. Nicholas Whyte wishes Doctor
Who spent more time in Ireland – like any at all. He has written a rundown
on the Irishness of the TV show, book adaptations, audio dramas, and comics. You
might say there is more green in Tom Baker’s trademark scarf than the rest of
the show combined.
It is a sad fact that up to the present day (choosing my words *very* carefully here), not a single second of TV screen time on the show, or any of its spinoffs, has been set in Ireland. Indeed, hitherto the Doctor spent more televised time in Hungary than on the Emerald Isle (special prize if you know what story I am referring to). A couple of confused characters do wonder if Gallifrey, the home planet of the Time Lords, may be in Ireland, but that’s as close as we get.
However, the real life relationship between Doctor Who and Ireland is much stronger. Tenth Doctor David Tennant’s grandmother was from Northern Ireland – his grandfather was a professional footballer, whose record of 57 goals for Derry City in a single season still stands. Lalla Ward, who played the second incarnation of Romana and was briefly married to Fourth Doctor Tom Baker, is the daughter of the 7th Viscount Bangor; their family home was Castle Ward in County Down, better known to Game of Thrones fans as Winterfell.
And lucky kids in Belfast and Derry were thrilled one day in 1978 when the Fourth Doctor himself turned up at their school…
…The hack has to be done like an old video game cheat code. You need to make certain inputs by a certain time in order to bring “Chewie mode” online. Here is a video and written instruction from the FreshBaked YouTube Channel, which specializes in Disneyland tips and tricks:
Chalk this one up to fun scientific papers we inexplicably missed last year. A group of undergraduates at the University of Leicester in the UK calculated the growth rate of the fictional Star Trek critters known as tribbles. They published their results in a short paper in the university’s undergraduate-centric Journal of Physics Special Topics, estimating just how long it would take for there to be enough tribbles to fill up the USS Enterprise….
…Imagine a world hot enough to turn lead into a puddle, where the atmospheric pressure can crush a nuclear-powered submarine. Now imagine sending a rover to explore that world.
Venus, ancient sister of Earth with a planetary environment just this side of hellish, has been visited by a handful of probes since the early days of space flight. Of the many missions to our celestial neighbor, only about a dozen have made contact with the surface of the planet. The longest-lived landers only managed to function for a couple of hours before succumbing to the relentlessly oppressive heat and pressure.
… Current, state-of-the-art, military-grade electronics fail at approximately 125°C, so mission scientists at JPL have taken their design cues from a different source: automatons and clockwork operations. Powered by wind, the AREE mission concept is intended to spend months, not minutes, exploring the landscape of our sister world. Built of advanced alloys, AREE will be able to collect valuable long-term longitudinal scientific data utilizing both indirect and direct sensors.
As the rover explores the surface of Venus, collecting and relaying data to an orbiter overhead, it must also detect obstacles in its path like rocks, crevices, and steep terrain. To assist AREE on its groundbreaking mission concept, JPL needs an equally groundbreaking obstacle avoidance sensor, one that does not rely on vulnerable electronic systems. For that reason, JPL is turning to the global community of innovators and inventors to design this novel avoidance sensor for AREE. JPL is interested in all approaches, regardless of technical maturity.
This sensor will be the primary mechanism by which the potential rover would detect and navigates through dangerous situations during its operational life. By sensing obstacles such as rocks, crevices, and inclines, the rover would then navigate around the obstruction, enabling the rover to continue to explore the surface of Venus and collect more observational data.
February 23, 1935 — The Phantom Empire premiered. It was a Western serial film with elements of SF and musical theater as well. It was directed by Otto Brower and B. Reeves Eason. It starred the singing cowboy himself Gene Autry along with Frankie Darro and Betsy King Ross. In 1940, a feature film edited from the serial was released as either Radio Ranch or Men with Steel Faces. It was a box office success earning back its seventy-five thousand dollar budget. The very few audience members who gave it a rating at Rotten Tomatoes didn’t like it hence the 27% rating there. You can see the first chapter here.
February 23, 1954 — Rocky Jones, Space Ranger premiered. This was the first science fiction television show to be entirely pre-filmed (instead of being televised live as was the case with Captain Video, Buck Rogers and Tom Corbett.) It was also the first to use sets of unusual good quality, live location shoots, and rather decent special effects. Rocky Jones was played by Richard Crane. It was created by Roland D. Reed and written by Warren Wilson, Arthur Hoerl and Marianne Mosner, with Hollingsworth Morse being the director. It lasted but two seasons as it never really caught on with the public. Story wise, it actually had a great deal of continuity built into it, unlike almost all of the other series at the time. Its thirty-nine episodes, each twenty-five minutes in length, aired originally between February 23rd and November 16th, 1954. You can see the first episode here.
February 23, 1978 — Quark was slotted in on NBC as a mid-season replacement series. Yes, the pilot aired on May 7, 1977, so technically that it’s birthday but let’s skip past that please. It was created by Buck Henry, co-creator of Get Smart. The series starred Richard Benjamin, Tim Thomerson, Richard Kelton, Tricia Barnstable and Cyb Barnstable. It specialized in satirizing popular SF series and films — the Wiki article states that three episodes were based upon actualTrek episodes, though that can’t be confirmed. It lasted but eight episodes beating Space Rangers by two episodes in longevity. You can see the first episode here. here.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 23, 1564 — Christopher Marlowe. Author of Doctor Faustus (or The Tragical History of the Life and Death of Doctor Faustus. Elizabeth Bear made him a character in her Stratford Man series which is Ink and Steel and Hell and Earth novels which I highly recommend. If you’ve not read them, the Green Man review is here. (Died 1593.)
Born February 23, 1915 — Jon Hall. Frank Raymond in Invisible Agent and The Invisible Man’s Revenge. He was also the creator and star of the Ramar of the Jungle series. And he directed and starred in The Beach Girls and the Monster and The Navy vs. the Night Monsters. (Died 1979.)
Born February 23, 1930 — Gerry Davis. Mid-Sixties story editor on Doctor Who where he created companion Jamie McCrimmon and co-created the Cybermen along with unofficial scientific adviser Dr. Kit Pedler. They would create the Doomwatch series that ran in the Sixties on BBC. Davis briefly returned to writing for the series, penning the first script for Revenge of the Cybermen, though his script was largely abandoned by editor Robert Holmes. In 1989 he and Terry Nation, who created the Daleks, made a failed bid to take over production of the series and reformat it for the American market. (Died 1991.)
Born February 23, 1932 — Majel Barrett. No doubt best remembered for being Nurse Christine Chapel and Lwaxana Troi as well as for being the voice of most of the ship computer interfaces throughout the series. I’ll note that she was originally cast as Number One in the unused Pilot but the male studio heads hated the idea of a female in that role. Early Puppies obviously. (Died 2008.)
Born February 23, 1965 — Jacob Weisman, 55. Founder, Tachyon Publications, which you really should go look at as they’ve published every great author I’d care to read. Seriously Tidhar, Beagle and Yolen are among their newest releases! He also edited (with Beagle) The New Voices of Fantasy which I highly recommend as most excellent reading.
Born February 23, 1983 — Emily Blunt, 37. Her most direct connection to the genre is as Elise Sellas in the Adjustment Bureau film based off Dick’s “Adjustment Team” story. Mind, she’s been in quite a number of other genre films including The Wolfman, Gulliver’s Travels, Gnomeo & Juliet, The Muppets, Looper, Edge of Tomorrow, Into the Woods, The Huntsman: Winter’s War, The Strange Case of Sherlock Holmes & Arthur Conan Doyle, and Mary Poppins Returns.
Born February 23, 2002 — Emilia Jones, 18. I’m reasonably sure this is the youngest Birthday individual that I’ve done. She shows up on Doctor Who as Merry Gejelh, The Queen of Years, in the “The Rings of Akhaten”, an Eleventh Doctor story. At nine years of age, she’s made her acting debut in Pirates of the Caribbean: On Stranger Tides as an unnamed English Girl. She’s Young Beth in the horror film Ghostland. She’s currently in Residue, an SF horror series you can find on Netflix.
(11) LEAP BEER. On February 29 Ology
Brewing Company in Tallahassee, Florida will combine the debut of their Tropical
Habitat beer – “inspired by the Southern Reach trilogy” – with a book signing
by Jeff VanderMeer.
To honor our friendship with Jeff VanderMeer, Tallahassee resident and author of the Southern Reach Trilogy, we are releasing Tropical Habitat, a tropical, otherworldly Hazy Double IPA at a special Book Signing and Meet & Greet event alongside the release of three other beers (Barrel-Aged Imperial Stout, Barrel-Aged American Sour, and Fruit Beer).
A portion of Tropical Habitat sales (both cans and tap pours) will benefit the Friends of St. Marks Wildlife Refuge (The Salamander Project) and honor the setting of the trilogy book series and one of our team’s favorite places – the North Florida Coast.
Uncommon for Leigh Brackett, “The Veil of Astellar” begins with a framing story about a manuscript found inside a message rocket sent to the Interworld Space Authority headquarters on Mars. This manuscript offers an explanation of the space phenomenon called “the Veil” which comes out of nowhere and swallows spaceships in the asteroid belt. The space police officers are initially sceptical about the account, but eventually manage to determine that it is authentic. Furthermore, the much feared Veil has vanished and the message inside the rocket explains why….
(13) HEARTFIELD CLASS. Cat Rambo shared “Highlights from Writing Interactive Fiction,”
taught online by Kate Heartfield. Thread
We’re going through a Harley Quinnaissance at the moment, even if Birds Of Preydidn’t light up the box office, and it looks like DC Universe is eager to keep it going. As announced on Twitter, the streaming service (which still exists and has yet to be swallowed up by HBO Max!) will already be getting a new season of the Harley Quinn animated series in April. The first season just premiered at the end of 2019, so this will be a surprisingly short wait for a chance to hear more DC comic book characters say “fuck” and get beat up in surprisingly violent ways. Also, maybe this time Harley and Poison Ivy will end up together? Or maybe they won’t and that’s okay too? Either way, DC Universe has to hold onto something that fans want to see, or else HBO Max will just quietly roll up and take over. Then Harley Quinn’s going to have to hang out with the Friendsinstead of Poison Ivy, and nobody wants that.
The South Korean dark comedy film Parasite had a historic awards season sweep – and in the process, reignited the debate over whether subtitles or dubbing is the best way to watch a movie that isn’t in your native language.
As director Bong Joon Ho accepted the first-ever best foreign language picture Golden Globe for a South Korean film, he said: “Once you overcome the one-inch tall barrier of subtitles, you will be introduced to so many more amazing films.”
Fast forward a month, and he was making history again, accepting the best picture award once more at the Oscars. Parasite’s Oscar win introduced it to a broad US audience – but not everyone was in favour of watching the award winner in its original language.
Dubbing takes the stress out of enjoying a foreign film, some argued, and performances are meant to be heard, not read. The angered response from subtitle fans ranged from accusations of racism to pointing out the needs of deaf viewers.
How you watch a foreign film is a clearly personal matter, tangled in pet peeves and accessibility. But as foreign flicks are gaining more screen time before American audiences, here’s a deeper dive into how we got here, and where the industry is headed.
In the early days of film, on-screen text was far from a “one-inch barrier” – it was the only way to express dialogue. Title cards were the precursor to subtitles, and they, too, were controversial in a way that mirrors the modern debate.
Stage actors would try to hide their work in silent film as many felt the lack of sound diminished the quality of the performance, Professor Marsha McKeever, academic director of New York University’s Tisch School of the Arts, told the BBC.
…Although science is Greene’s raw material in this fathoming — its histories, its theories, its triumphs, its blind spots — he emerges, as one inevitably does in contemplating these colossal questions, a testament to Einstein’s conviction that “every true theorist is a kind of tamed metaphysicist.”
I’ve been impressed with my ability to not get sucked into Hasbro’s Transformers’ Siege line. Those figures really look impressive, but I’m trying to keep my Transformers purchases to the Masterpiece line. But now with the release of Netflix’s Transformers: War for Cybertron Trilogy trailer, I’m thinking my resolve is about to crumble especially given how good this series looks.
[Thanks to Cat Eldridge, Andrew Porter, Martin Morse Wooster, Mike
Kennedy, JJ, Chip Hitchcock, John King Tarpinian, and Michael Toman for some of
these stories. Title credit goes o File 770 contributing editor of the day Daniel
(1) MCINTYRE BEQUEST. Clarion West announced in
August that they are the recipient of the
literary assets of Vonda N. McIntyre, who wished that the organization manage
her literary copyrights in perpetuity. Locus Online in an
article today reported —
She also left a bequest of $387,129 to the program, the largest single financial gift in the organization’s history: “The bequest will bolster the Clarion West endowment, strengthening our mission and ensuring our financial stability for years. Vonda’s extraordinary generosity will allow Clarion West to continue to support emerging writers for generations to come.” Janna Silverstein has joined as literary contract manager, and will advise Clarion West on how to manage “all copyright materials.”
…And while there are technically an infinite number of copies of digital files, e-books also work differently. When a library wants to buy a physical book, it pays the list price of about $12 to $14, or less if buying in bulk, plus for services like maintenance. An e-book, however, tends to be far more expensive because it’s licensed from a publisher instead of purchased outright, and the higher price typically only covers a set number of years or reads.
That means Prince’s recently released memoir “The Beautiful Ones” recently had a four-week wait for the e-book in San Francisco. Library-goers in Ohio’s Cuyahoga County were waiting 13 weeks to download Jia Tolentino’s book of essays, “Trick Mirror.”
Library e-book waits, now often longer than for hard copies, have prompted some to take their memberships to a new extreme, collecting library cards or card numbers to enable them to find the rarest or most popular books, with the shortest wait.
“We’re excited about developing the next generation of Native superhero, science fiction, and action/adventure stories,” said Rob Schmidt, owner of Blue Corn Creations. “To do that, we also need to develop the next generation of Native writers. This scholarship will help accomplish that.”
Clarion West has helped emerging writers reach for their dreams of professional careers in speculative fiction since 1971. Every summer, aspiring science fiction and fantasy writers attend the Clarion West Writers Workshop, a six-week intensive whose instructors include the best and brightest in the genre. Attendees benefit from the opportunity to hone their craft with the guidance of successful writers.
“Historically the field has reflected the same prejudices found in the culture around it, leading to proportionately fewer successful writers of color,” according to Clarion West’s vision statement. That’s why the Blue Corn Creations scholarship is a great fit with Clarion West’s mission, said Schmidt. “With it the workshop can serve another group with untapped potential: Native Americans.”
The Blue Corn Creations Scholarship for students of Native descent will help cover tuition, fees, and lodging for one student in 2020. The winner will be awarded in a blind judging to those indicating an interest on the application form.
…Blue Corn Creations and Clarion West encourage others to contribute to the scholarship fund. The goal is to establish a permanent full scholarship for students of Native American descent.
(4) BAIZE WHITE MOURNED. Mark Oshiro is going on immediate hiatus while he deals with the sudden death of his partner Baize White.
Sometimes he stood 8 feet 2 inches tall. Sometimes he lived in a garbage can. He often cited numbers and letters of the alphabet, and for nearly a half century on “Sesame Street” he was Big Bird and Oscar the Grouch, opening magic doors for children on the secrets of growing up and the gentle arts of friendship.
His name was Caroll Spinney — not that many people would know it — and he was the comfortably anonymous whole-body puppeteer who, since the 1969 inception of the public television show that has nurtured untold millions of children, had portrayed the sweet-natured, canary-yellow giant bird and the misanthropic, furry-green bellyacher in the trash can outside 123 Sesame Street.
…Big Bird appeared in “The Muppet Movie” (1979) and “The Muppets Take Manhattan” (1984), and in 1985 starred in “Sesame Street Presents: Follow That Bird,” in which a meddlesome social worker sends him to live with “his own kind,” a family of dodos in “darkest Illinois.” He runs away, and has a cross-country adventure.
…With the impending 50th anniversary of “Sesame Street” in October 2018, Mr. Spinney left the show after his own remarkable half-century run as the embodiment of two of the most beloved characters on television and one of the last surviving staff members who had been with the show from its beginning.
Auberjonois was a prolific television actor, appearing as Paul Lewiston in 71 episodes of “Boston Legal” and as Clayton Runnymede Endicott III in ABC’s long-running sitcom “Benson” — a role that earned him an Emmy nomination for best supporting actor in a comedy in 1984. He played shape-shifter Changeling Odo in “Star Trek: Deep Space Nine,” and carried that role into video games, voicing Odo in “Harbinger” and “The Fallen.” His appearance as Judge Mantz in ABC’s “The Practice” earned him another Emmy nod for guest actor in a drama in 2001.
… Other film credits include Roy Bagley in 1976’s “King Kong” and Reverend Oliver in “The Patriot,” as well as parts in “Batman Forever,” “Eyes of Laura Mars” and “Walker.”
…Auberjonois was also known for his voice roles, particularly in 1989’s Disney Renaissance hit “The Little Mermaid,” in which he voices Chef Louis and sang the memorable “Les Poissons.” Fans of “The Princess Diaries” would recognize him as the voice of Mia Thermopolis’ father, Prince Philippe Renaldi, in an uncredited role.
(7) TODAY IN HISTORY.
December 8, 1954 — The Atomic Kid premiered. It was produced by Maurice Duke and Mickey Rooney, and directed by Leslie H. Martinson. It stars Mickey Rooney, Elaine Devry and Robert Strauss. This is the film showing in 1955 at the Town Theater in Back to the Future.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born December 8, 1861 — Georges Méliès. Best known as a film director for A Trip to the Moon (Le Voyage dans la Lune) which he said was influenced by sources including Verne’s From the Earth to the Moon and Around the Moon. (Died 1938.)
Born December 8, 1894 — E. C Segar. Best known as the creator of Popeye who first appeared in 1929 in Segar’s comic strip Thimble Theatre. Popeye’s first line in the strip, upon being asked if he was a sailor, was “Ja think I’m a cowboy?” J. Wellington Wimpy was another character in this strip that I’m fond of. (Died 1938.)
Born December 8, 1916 — Richard Fleischer. Starting in the early Fifties, he’s got he an impressive string of genre films as a Director — 20,000 Leagues Under The Sea, Fantastic Voyage (which came in second to Star Trek’s “The Menagerie” at NyCon 3 in that Hugo category), Doctor Doolittle, Soylent Green (placed third in Hugo voting), Conan The Destroyer and Red Sonja during the thirty year run of his career. (Died 2006.)
Born December 8, 1939 — Jennie Linden, 80. She’s here for being Barbara in Dr. Who and the Daleks, the 1965 non-canon film. Her next genre forays were both horror comedies, she was in A Severed Head as Georgie Hands, and she’d later be in Vampira as Angela. She’d show up in Sherlock Holmes and The Saint as well.
Born December 8, 1950 — Rick Baker, 69. Baker won the Academy Award for Best Makeup a record seven times from a record eleven nominations, beginning when he won the first award given for An American Werewolf in London. So what else is he known for? Oh, I’m not listing everything, but his first was The Thing with Two Heads and I’ll single out The Exorcist, Star Wars, The Howling which I quite love, Starman for the Starman transformation, Beast design on the Beauty and the Beast series and the first Hellboy film version.
Born December 8, 1951 — Brian Attebery, 68. If I was putting together a library of reference works right now, Attebery would be high on the list of authors at the center of my shopping list. I think The Fantasy Tradition in American Literature: From Irving to Le Guin is still essential reading and Parabolas of Science Fiction with Veronica Hollinger is very close to a Grand Unification Theory of the Genre.
Born December 8, 1953 — Kim Basinger, 66. She was the of Bond girl Domino Petachi in Never Say Never Again. After that, it’s Vicki Vale in Burton’s Batman as far as we’re tracking her. (We’re pretending My Stepmother Is an Alien never happened.) Ahhhh, Holli Would In Cool World… there’s an odd film.
(9) COMICS SECTION.
Non Sequitur has Alexa working on helping you to become a better writer.
In 1907, the gloriously named Horace Newte published The master beast : being a true account of the ruthless tyranny inflicted on the British people by socialism A. D. 1888-2020, republished in 1919 as The Red Fury: Britain Under Bolshevism. Unlike the other two, Bellamy isn’t mentioned explicitly but it’s clearly a response all the same. Newte’s hero is dismayed to see socialists come to power in Britain at the start of the twentieth century, followed of course by a successful German invasion. He then sleeps from 1911 to 2020, and awakes to find a morally degenerate country where women behave with dreadful freedom. But England is then invaded again, this time by African and Chinese forces, and he escapes to France. It’s online here.
(11) A SEASON FOR GIVING. Nerds
of a Feather helps fans with their holiday shopping in a series of posts about
gift suggestions, such as — “Holiday Gift Guide: Games (All Kinds!)”. Adri
Joy’s enthusiasm about the Goose Game is contagious.
It will come as a surprise to nobody that Untitled Goose Game is my pick for a video game gift this year. This year’s most memeable game, from indie developer House House, combines elaborate stealth-based mechanics with the aesthetics of a rural English village, and puts you in the shoes (well, the webbed feet) of a horrible goose completing a number of tasks to mess with a series of villagers. Featuring four main areas for mischief which open up into an increasingly elaborate world, its a game whose puzzles are satisfying and unrepentantly sadistic, with a great flow through the “level-based” tasks and into more elaborate post-game tests. There’s also plenty of fun to be have in tasks which serve no in-game purpose apart from the pure-hearted joy of being a goose, and while this isn’t quite Breath of the Wild levels of “exploring the world because its there” content, it’s still a diversion that can be returned to even once your goose to-do is all crossed off.
Once you started writing seriously, how long did it take you to sell your first piece? What were you doing wrong in your writing in those early days?
I started writing fiction in 2004, but prior to that I had been writing non-fiction for a long time. Laboratory manuals and procedures, business documents, etc. Then I got a part-time gig writing elementary school test preparation guides for The Princeton Review. That required writing fictional reading passages. I found I liked it, and here’s where real serendipity enters the equation. Makes you wonder if Fate really exists. I wanted to write horror and sci-fi, so I attended a convention (LunaCon) in New York, where I met Odyssey Director Jeanne Cavelos. We talked, and she said I should submit something to an anthology she was working on. I had two days before the deadline. I went home and wrote like a fiend. Finished my first-ever short story and sent it to her, unedited, unproofed.
It got rejected, of course.
But she sent it back with a note saying I almost made it in, I had real talent, and I should keep writing. So I did. And a year later I made my first professional sale, a short story. The year after that, it was two pieces of flash fiction and some poems. Then another couple of short stories. I went on like that for five years, all while also working on my first novel, which was published in 2010.
In those days, I’d have to say I was doing EVERYTHING wrong! I didn’t know about using editors or beta readers. I thought you just proofed your work and the publishers edited it. I didn’t know about first or third drafts. I didn’t know how to write a cover letter. I didn’t know anyone in the business except Jeanne. Over time, I attended more conventions. Met people. Joined the Horror Writers Association and the Science Fiction & Fantasy Writers of America. Took some classes. Learned how to edit properly.
Is They’d Rather Be Right the worst Hugo Award winning novel of all time? I’m in the minority of readers who hated The Three-Body Problem, so that will always be in contention for my personal Worst Hugo Winner of All Time category.
(14) BONES. The New York Review of Books’ Verlyn
Klinkenborg dismisses their own question “What
Were Dinosaurs For?” while covering a selection of dino books.
…As I was reading some recent books on dinosaurs, I kept wondering, “What were dinosaurs for?” It’s a ridiculous question, and I wondered why I was wondering it. After all, dinosaurs were “for” exactly what we are “for,” what every organism has been “for” since life began. Every species that has ever lived is a successful experiment in the enterprise of living, and every species is closely kinned at the genetic level with all other species. This is harder to grasp than it seems, partly because the logic of that Satanic preposition—“for”—is so insidious, so woven through the problem of time. Teleology is the moralizing of chronology, and nowadays science tries to keep watch for even the slightest trace of it, any suggestion that evolution has a direction tending to culminate in us or in what we like to call intelligence or in any other presumably desirable end point.
PopHorror: Are you still touring with Ray Bradbury Forever (Live)?
Bill Oberst, Jr.: Yes. I’ve got a show in Atlanta next year and then I’m going to Walla Walla, Washington. I wanted to go there just so I could say Walla Walla. It’s fun. And then I’ll be performing at some libraries next year because it will be the 100th anniversary of Ray’s birth. We did it on Broadway, and we did it in Los Angeles. We did about ten performances last year, so I learned what worked and what didn’t work. My goal is to get it to the point where people who know nothing at all about Ray Bradbury, people who have never read a word of his, can say, “Wow, I got something out of that.” I’m not interested in the Wikipedia info, where he was born and what he wrote and all that.
Think about it: after we’re all gone and all the people who have known us are gone, what’s left of Tracy and Bill? What were our lives lived for? What did we stand for? What is it about us that future people can say, “Well, I don’t know anything about Tracy or Bill, but this thing they did could apply to my life.” That’s the test. In 100 years, who is going to remember you unless you have some legacy, some mark.
[Thanks to Cat Eldridge, John King Tarpinian, JJ, Darrah Chavey, Chip
Hitchcock, Mike Kennedy, Martin Morse Wooster, Danny Sichel, Nicholas Whyte, Michael
Toman, and Andrew Porter for some of these stories. Title credit goes to File
770 contributing editor of the day David Shallcross.]