Pixel Scroll 10/13/24 Pixels, Hardworking And Honest, Need The Support Of Their Scrolls

(1) UNCANNY DELUGED WITH AI SUBMISSIONS. Michael Damian Thomas of Uncanny Magazine announced on October 10 that the volume of AI submissions has caused a delay in their responses to writers.

Then he later followed up with these additional thoughts:

(2) EARLY SERIALIZATIONS OF DRACULA. At Deeper Cuts in a Lovecraftian Vein, Bobbie Derie makes “A Survey of Dracula Newspaper Serials in English (1899-1928)”.

The research for Deeper Cut: Lovecraft, Miniter, Stoker: the Dracula Revision required an examination of the history of the Dracula manuscript and an evaluation of the textual variations in order to evaluate whether there was any place in the timeline for Edith Miniter, as Lovecraft alleged, and to judge Bram Stoker’s involvement with changes to the text before and after publication.

One of the most notable developments in Dracula studies in recent years has been the discovery of and translation into English of the 1899 Swedish translation Mörkrets Makter (translated into English as Powers of Darkness), which was serialized in in the newspaper Dagen, and 1901 Icelandic edition Makt Myrkanna (also translated into English as Powers of Darkness) serialized in the newspaper Fjallkonan. What has become apparent, however, is that there were also numerous Dracula serializations in English-language newspapers in the period 1899-1928. Thanks to the digitization of old newspaper archives and online subscription services, these newspaper serials, which have received rather scanty attention, are more accessible today than they were previously. Enough that a survey of the extant texts is warranted….

… There may well be additional newspaper serializations of Dracula besides these; these are just the serials available via newspapers.com as of the time of this writing. Links will be to the full pages, as clips tend to come out illegible….

(3) JOY DAVIDMAN AT THE LONDON CIRCLE. Rob Hansen has assembled excerpts of fannish memoirs about “C.S. Lewis & The London Circle” at Fiawol.org. A great deal of it is about Joy Davidman’s attendance at pub meetings of the London fan group.

[SAM YOUD, who wrote as “John Christopher”] …Joy herself I got to know quite well. We drank bitter together and argued endlessly through those Thursday evenings. Joy never stopped arguing, and we derived much mutual pleasure from the exercise.

She had endured a cruelly-hard childhood, involving a range of diseases that included curvature of the spine, exaggerated insulin secretion resulting in excessive appetite and a weight problem, and Grave’s disease – hyperthyroidism. For the last she was treated by a doctor who required her to wear a radium collar around her neck, weekly for a year. It appeared to cure the condition, but one can speculate on the cost in later life. I did not know any of this before reading AND GOD CAME IN, her biography by Lyle Dorsett, published in 1983. Nor did she talk about her achievements as an award-winning poet, her authorship of two well-regarded novels, or her stint in Hollywood as a screenwriter. Perhaps she did not want to belittle our petty triumphs in sales to Astounding Stories or Galaxy or New Worlds….

(4) NOBEL PEACE PRIZE. “2024 Nobel Peace Prize goes to Japanese atomic bomb survivors’ group”NPR has details.

A Japanese anti-nuclear weapons group made up of survivors of the atomic bombings in Japan during World War II has won the 2024 Nobel Peace Prize.

The Norwegian Nobel Committee said it has awarded the Japanese organization Nihon Hidankyo “for its efforts to achieve a world free of nuclear weapons and for demonstrating through witness testimony that nuclear weapons must never be used again,” sending a message to countries that are considering acquiring or threatening to use them.

Committee Chair Jørgen Watne Frydnes said Nihon Hidankyo, made up of survivors of the August 1945 nuclear bombings of Hiroshima and Nakasaki by the United States, has been instrumental in the global movement that has kept nuclear weapons from being used in conflict for 80 years….

… At a press conference in Hiroshima, Nihon Hidankyo’s co-chair, Toshiyuki Mimaki, 81, held back tears and pinched his cheeks when the award was announced. “I can’t believe it’s real” he told reporters.

Mimaki is a Hiroshima survivor and said the award helped recognize the group’s work. “It would be a great force to appeal to the world that the abolition of nuclear weapons can be achieved,” he said.

He said the idea that nuclear weapons bring peace to the world is wrong.

“It has been said that because of nuclear weapons, the world maintains peace. But nuclear weapons can be used by terrorists,” he said. “For example, if Russia uses them against Ukraine, Israel against Gaza, it won’t end there. Politicians should know these things.”…

(5) SOME OF THE ORIGINAL MONSTERS. Atlas Obscura introduces us to “The Wendigo and 6 Other Ancient Monsters From Indigenous Folklore”.

…Around the world, Indigenous communities have passed rich storytelling traditions from one generation to the next from time immemorial. Many of the stories have been lost in the upheaval and destruction of the colonial era. Selfless heroes and bold tricksters alike have been forgotten, or faded to a mere wisp of collective memory. But the monsters, ah, the monsters. Ferocious, fanged, skulking, slithering, they seem to have endured better than most. These beings still haunt—and hunt—from Australia to Brazil, Lake Victoria to Lake Winnebago. Here are some of the most memorable ancient terrors from Indigenous lore that still send chills down our spines.

First on the list:

Beware the Wendigo, the Frostbitten Flesheater of North America’s Chilly Heartland by J.W. Ocker

Few monsters from Indigenous folklore can boast of making it in Hollywood. There’s Krampus, a modern amalgamation of deeply ancient Central European traditions, and the wendigo, which first terrorized the Algonquin, Ojibwe, and other Anishinaabe peoples around the North American Great Lakes. We’ll leave it to you to decide whether the 2021 movie Antlers does justice to the wendigo’s ferocity, but we’re betting the wendigo doesn’t care. It’s too busy looking for its next victim. A potent symbol of human greed, the emaciated creature is insatiably hungry and appears in the lean and desperate season of winter. In the 19th century, some documented regional cases of cannibalism and other unspeakable acts were chalked up to individuals “going wendigo.”

(6) FANTASY STUDY. Adam Roberts, winner of the John W. Campbell Memorial Award for Jack Glass, a three-time BSFA Award winner, and Professor in Nineteenth Century Literature and Culture at Royal Holloway, University of London, UK, will have a nonfiction book Fantasy: A Short History out in April 2025 from Skylight Books.

One of the most popular genres of modern times, fantasy literature has as rich a cultural and literary heritage as the magical worlds that so enrapture its readers. In this book, a concise history of the genre, Adam Roberts traces the central forms and influences on fantasy through the centuries to arrive at our understanding of the fantastic today.

Pinning the evolution of fantasy on three key moments – the 19th-century resurgence of interest in Arthurian legend, the rise of Christian allegory, and a post-Ossian, post-Grimm emergence of a Norse, Germanic and Old English mythic identity – Roberts explores how the logic of ‘the fantastical’ feeds through into the sets and trappings of modern fantasy. Tracking the creation of heroic and high fantasy subgenres through antiquarian tradition, through C. S. Lewis and J. R. R. Tolkien and into the post-Tolkien boom in genre fantasy writing, the book brings the manifestation of the fantastic beyond literature into art, music, film and TV, video games and other cultural productions such as fandoms. From Tennyson and Wagner, through Robert Graves, David Jones, Samuel Delany, Dungeons and Dragons, Terry Pratchett and Robin Hobb, to the Game of ThronesSkyrimThe Witcher and The Lord of the Rings media franchises, the book digs into the global dissemination and diversity of 21st-century fantasy. Accessible and dynamic, wide-ranging but comprehensive, this is a crash-course in context for the most imaginative form of storytelling….

(7) TEDDY HARVIA CARTOON.

(8) MEMORY LANE.

[Written by Paul Weimer.]

Anniversary: Star Trek’s “Mudd’s Women” (1966 on this date)

By Paul Weimer: Harry Mudd is, for all being a reprobate, cheat, con man, and sneak, is one of the iconic characters of all of Star Trek. In a supposedly glorious Federation, it is heartwarming in a way to see a character as mercilessly mercenary as Harry Mudd come on screen. 

“Mudd’s Women” is his first appearance. (he would be in one more TOS episode, an animated episode and surprisingly, also on Discovery (before they go to the future).   

“Mudd’s Women” itself is a con man scheme involving a drug to make women appear more beautiful, and Mudd trying to marry them off to settlers while on the drug, and reap the profits. It shows the early “Wagon Train in Space” roots of Star Trek to the fullest, because with just some changes, this could easily be an episode of Bonanza or another Western. And if you look at Mudd’s getup (and that hat), you can totally see it. And Kirk’s clever use of a placebo in the denouement is a positive message that beauty drugs, in the end, pale to self-confidence and real inner beauty. 

(9) COMICS SECTION.

(10) LEFT-HANDED COMPLIMENT. From 2018: David Williams tells us about the time: “They Tried to Ban Fahrenheit 451 and Replace It With. . . My Book” at Literary Hub.

So it was no surprise when from Santa Rosa County in the panhandle of Florida this past month there came familiar news. A parent, discovering their child was reading something they found problematic, approached a school board and asked that Fahrenheit 451 be removed from the curriculum.

“Filth,” that parent called Bradbury’s work, as she pressed for it to be removed from an eighth grade reading list. The concerned mom leading the banning effort didn’t see its prophetic relevance. All she saw was a vulgarity, the word “bastard,” which she felt was inappropriate for her 13-year-old daughter. “I’m just trying to keep my little girl a little girl,” she said.

This kind of book-banning effort isn’t unusual, but this one was a gut punch. Why? Because the parent organizing the banning effort suggested that Bradbury’s work should be replaced with something more acceptable to her.

Among her suggestions for more “suitable” material: my own dystopian novel, When the English Fall.

I cannot imagine receiving a more troubling and heartbreaking endorsement.

Sure, my Amish protagonist and narrator doesn’t use vulgarity in the face of the world’s collapse. Because he’s Amish. Old Order Mennonites don’t tend to swear like sailors. But my story contains its fair share of death and murder and human horror, at least as graphic as anything you’ll find in Bradbury.

The mother bringing the complaint was concerned at the violence in the book, and worried that the book wasn’t “safe,” and suggested that kids might read about murder and violence and become murderous and violent themselves. As a pastor, I preach the Bible every Sunday, and teach it in classes. My gracious, I can’t imagine a less “safe” book than the Bible. Try reading Genesis sometime. That’s a rough, rough book. My Adult Ed class has been discovering this last month as we’ve been reading it together. Murder? Rape? Betrayal? Incest? Ray Bradbury’s got nothing on the Word of God….

(11) THEY MAKE A DESOLATION. “SpaceX wants to go to Mars. To get there, environmentalists say it’s trashing Texas” reports NPR.

…Musk might see Starship as an ark for all God’s creatures, but environmentalists tell a different story. As Starship prototypes have begun flying from SpaceX’s launch pad in Boca Chica, Texas, they say the company has shown little regard for the wildlife Musk has said he wants to protect.

Now, a review of state and federal records by NPR, including some obtained through a freedom of information request, shows how SpaceX has sometimes ignored environmental regulations as it rushed to fulfill its founder’s vision. With each of its launches, records show, the company discharged tens of thousands of gallons of what regulators classify as industrial wastewater into the surrounding environment.

In response to the discharges of water from the pad, both the Environmental Protection Agency and the Texas Commission on Environmental Quality (TCEQ) have determined that SpaceX has violated the Clean Water Act. Both agencies levied fines totaling more than $150,000 against the company in September….

(12) EMBRACEABLE YOU. Meanwhile, “SpaceX pulls off unprecedented feat, grabs descending rocket with mechanical arms”CBS News has the story.

In one of the most dramatic, high-risk space flights to date, SpaceX launched a gargantuan Super Heavy-Starship rocket on an unpiloted test flight Sunday and then used giant “mechazilla” mechanical arms on the pad gantry to pluck the descending first stage out of the sky in an unprecedented feat of engineering.

The Starship upper stage, meanwhile, looped around the planet and re-entered the atmosphere over the Indian Ocean as planned, enduring temperatures nearing 3,000 degrees as it descended to a controlled, on-target splashdown.

The spacecraft came through the hellish heat of re-entry in relatively good condition, protected by improved heat-shield tiles and beefed-up steering fins that worked as needed while engulfed in a fireball of atmospheric friction.

But the jaw-dropping first stage capture back at the launch pad, using pincer-like arms more familiarly known as chopsticks, was the clear highlight of the giant rocket’s fifth test flight.

Snagging the descending 23-story-tall Super Heavy booster with the mechazilla arms represented an unprecedented milestone in SpaceX’s drive to develop fully reusable, quickly re-launchable rockets, a technological tour de force unmatched in the history of earlier space programs relying on expendable, throw-away rockets….

(13) PIRATE SITE CHANGES NAME. “Aniwatch, World’s Biggest Anime Piracy Site, Rebranded to HiAnime” reports CBR.com.

The world’s biggest anime piracy site, Aniwatch, has recently rebranded itself following a huge rise in infamy.

The popular site “Aniwatch” has changed its domain name to “HiAnime” this week. Users attempting to access Aniwatch received the message: “Aniwatch is being rebranded to HiAnime. You will be redirected to the new HiAnime website in 10 seconds. Or you can also click here to go to HiAnime now.” According to Similarweb, “Aniwatch” is the #1 most accessed anime piracy site worldwide with 136.2 million visitors in January 2024. It’s also 16th overall in the “Streaming and Online TV” category. Aniwatch does not provide an official explanation for the rebranding.

A new report by Torrent Freak adds that a recent ‘dynamic+’ site blocking order in India may have motivated this. This refers to a court-ordered instruction to Internet Service Providers (ISPs) to block access to a website, with the theory proving especially likely given that India is Aniwatch’s biggest user base…

(14) VIDEOS OF YESTERDAY. [Item by Mike Kennedy.] Last night’s Saturday Night Live had several items that could be considered anything from genre adjacent to vaguely kind of sort of adjacent to genre adjacent. It depends on how you look at it. And how hard you squint.

This one is definitely horror. But not supernatural horror or anything else that’s really SF-adjacent. More like serial murderer horror. Although, the fantasy talking furniture, bookcases, etc. DO lend more credibility as genre related. I think it’s extremely well-made, considering they (presumably) had less than a week to put it together. “My Best Friend’s House”.

Oh, this one is absolutely solidly genre IMO. You just have to watch it all the way to the end to see why. “The Hotel Detective”.

[Thanks to Steven French, Kathy Sullivan, Teddy Harvia, Paul Weimer, Lise Andreasen, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Lis Carey.]

Pixel Scroll 10/11/24 Those Magnificent Files In Their Pixel Machines

(1) GAME OF THRONES AUCTION. Heritage Auctions has started its three-day auction of Game of Thrones props and costumes. Westeros gives the highlights of the opening day in “Day 1 of Game of Thrones Auction Recap”.

The first day of the three day Game of Thrones prop and costume auction run by Heritage Auctions started well, with nearly $5.36 million realized across the first 290-odd listings in the auction. We kept track of it as long as we could, and by the time we went to bed we’d noted that several items had cleared the $100,000 mark. Gregor Clegane’s tourney armor was the first to hit six figures and ended up just shy of $200,000, followed by a prototype dragon egg from the first season (a second egg just missed the mark).

After that, Arya Stark’s season 2 “boy” ensemble with an included “action” version of Needle hit $150,000, which seemed like a very expected number. And then, fittingly, the first item to hit $200,000—just beating out the Mountain that Ride’s armor—was the Hound’s armor ensemble. After that point, we went to bed, but in the morning we found two more items made it to the prestigious six-figure club: a full Jaime Lannister Kinsguard ensemble. Because of the inclusion of both a prop hand and an “action” Oathkeeper, this one was an especially valuable listing, and the bidders recognized it as they drove it up to become the day’s top item with a final realized price of $212,500.

The Hound armor

And now a Jon Snow (Kit Harington) Signature Night’s Watch Ensemble has gone for $337,500.

Jon Show Nightwatch

(2) EATING THE FANTASTIC. Scott Edelman invites listeners to share beef noodle soup with award-winning writer John Chu in Episode 238 of the Eating the Fantastic podcast.

Get ready to take a seat at the table with the Hugo and Nebula Award-winning writer John Chu.

John’s a microprocessor architect by day, and a writer, translator, and podcast narrator by night. His fiction has appeared in magazines such as LightspeedUncannyAsimov’s Science FictionClarkesworldApex, and at Tor.com, plus in anthologies such as The Mythic DreamMade to Order: Robots and RevolutionNew Suns 2: Original Speculative Fiction by People of Color, and others. His translations have been published or are forthcoming at ClarkesworldThe Big Book of SF, and other venues.

John Chu

He has been a finalist for the Hugo, Nebula, Locus, and Ignyte Awards, won the Best Short Story Hugo for “The Water That Falls on You from Nowhere,” plus the Nebula, Ignyte, and Locus Awards for “If You Find Yourself Speaking to God, Address God with the Informal You.” In the days before our lunch, he surprised us all with the announcement he’d sold his first novel — and you’ll hear my own surprise during our conversation.

We discussed the way he gamified the submission process when he started out, how the pandemic made him feel as if he was in his own little spaceship, when he learned he couldn’t write novels and short stories at the same time, how food has become a lens through which he could explore a variety of issues in his fiction, the rejection letter he rereads whenever he wants to cheer himself up, how writing stories at their correct lengths was one of the most difficult lessons he had to learn as a writer, what it was about his 2015 short story “Hold-Time Violations” that had him feeling it was worthy of exploring as a novel, how he was changed by winning a Hugo Award with his third published story, and much more.

(3) KGB PHOTOS. Ellen Datlow has posted pictures from last night’s Fantastic Fiction at KGB reading series where Sarah Langan and David Leo Rice read from their most recent novels. Click here: KGB October 9, 2024.

(4) LISA TUTTLE COLUMN. The Guardian presents “The best recent science fiction, horror and fantasy – reviews roundup” by Lisa Tuttle. This time she reviews William by Mason Coile; The Tapestry of Time by Kate Heartfield; The Wilding by Ian McDonald; Of the Flesh: 18 Stories of Modern Horror by various authors; A Christmas Ghost Story by Kim Newman.

(5) FAMED ANIMATION STUDIO TAKES BATH. “‘Chicken Run’ Studio Aardman Cuts Jobs After Posting $720,000 Loss Amid Market ‘Challenges’” reports Deadline.

Aardman, the iconic UK animation studio behind Chicken Run and Wallace & Gromit, has closed around 20 jobs as it grapples with the increased cost of production.

Deadline understands that Aardman is in the process of making less than 5% of its 425 employees redundant following a savings review undertaken by management.

A third of the redundancies were voluntary, while two roles remain in consultation. It is hoped that some of the individuals who have lost their jobs can return to Aardman on a freelance basis.

As part of the restructure, Aardman has created new roles to wring increased value out of its intellectual property. These roles include a senior licensing manager and sales executive.

The cost-cutting initiative comes as Aardman has filed its earnings for 2023, which reveal that the studio sunk to a pre-tax loss of £550,135 ($720,000). The company made a profit of £1.56M in 2022.

Aardman said the loss was largely because of a £1.75M impairment of unrecouped costs on Lloyd of the Flies, a 2022 animated series that debuted on CITV in the UK and was licensed by Tubi in the U.S. Putting the impairment to one side, Aardman’s underlying profit was £1.6M….

(6) 3D-PRINTED PROP MODEL. “Star Trek ‘The Next Generation:’ TR-580 Medical Tricorder (3D Printed Model) by Tankz3dtavern” at FigureFan Zero.

There’s no doubt about it, the advancements in 3D Printing have done a lot for the collecting community. From printing missing parts for toys, and accessories for action figures, to complete collectibles, the whole endeavor has come a long way and it absolutely fascinates me. But also prop replicas! And that’s what I’m checking out today: A Starfleet Issue Medical Tricorder as featured in Star Trek: The Next Generation! I remember the days when you’re only hope of getting a decent Trek prop was to mail away for a DIY resin kit from the back of a magazine at $50-60. And what you got was exactly that, an unfinished kit that needed all sorts of sanding and painting to make it look anywhere near presentable. Even some of the “props” people were selling at conventions for twice that price were pretty crude. I recently found an Ebay seller offering some phasers and Trek replicas at prices that were too good to pass up. I started with some phasers (which we’ll check out here eventually), but the Tricorder came in this weekend and I was really excited to show it off.

This is where I usually show off the box and packaging, but there’s nothing to show here. The Tricorder came carefully bubble wrapped along with a display stand and holster. The stand is the only assembly required, and you just have to tab it all together, easy-peasy. There are no electronics included in the model, so you can consider this based on a regular prop as opposed to a hero prop, which is meant to be seen up close and functional. This particular model has two configurations to choose from: medical or regular, so whether you’re part of an Away Team mission making a geological survey or you’re in Sick Bay trying to find out why all your crew are dying, this Tricorder has you covered! Let’s start with the regular version and work our way up! And just a disclaimer, I know next to nothing about 3D Printing, I’m not qualified to comment on printing methods or techniques, and I’m evaluating this solely as a finished collectible….

(7) WARNING: IT’S A COMMERCIAL. But you might like to watch it anyway!

DeLorean Labs has now released Back to the Future-style video of Lloyd playing himself as he opens a DeLorean Time Capsule. Directed by filmmaker Allan Ungar, who previously directed the feature film Bandit, the nostalgic video introduces the Time Capsule collection, as Lloyd has the item handed to him by a mysterious individual emerging from a DeLorean. Lloyd is seen opening the Time Capsule in amazement, before proceeding to utter Doc Brown’s famous catchphrase. Read DeLorean Labs President Evan Kuhn’s comments below:

“With the Time Capsule, we wanted to introduce something fun to our community that can celebrate DeLorean’s introduction to the digital age. Being DeLorean has been about futurism and counterculture. It allows us to get creative and move in such a way that other major car manufacturers can’t.”…

(8) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born October 11, 1945 Gay Haldeman, 79.

By Paul Weimer: Possibly one of the ultimate science fiction fans, and wife of Joe Haldeman, I got to meet Gay Haldeman in 2014 at the London Worldcon when Shaun Duke brought me over to meet Joe and Gay at a random point in the hallway near the escalators.  I was starstruck by Joe, and charmed by Gay (but she doesn’t remember me).  But that’s all right.

Gay also helps manage Joe’s work, for which all of us in SFF can be eternally grateful.  She is one of the abiding icons of the science fiction community and I value her continued presence in the field.  (May I get a chance to actually meet her and Joe again some day.)

Joe and Gay Haldeman

(9) COMICS SECTION.

(10) BRENDA STARR. PRINT Magazine interviews James Sholly about comics creator Dale Messick: “The Daily Heller: Brenda Starr, Comics Star”.

Was “Brenda Starr” Dale Messick’s full-time gig?
It was! She wrote and drew “Brenda Starr, Reporter” for over 40 years! At times, she worked in a mobile studio that allowed her and her family to take long road trips across the country. She would frequently weave aspects of her own story into the plot lines. In real life, Dale had a daughter named Starr, which was the same name that Brenda gave her daughter after giving birth in a storyline from the 1970s. In the early 1960s, Brenda traveled to the Canal Zone in Panama shortly after Dale Messick took a trip there to visit friends. I was also impressed to learn that Dale drew “Brenda Starr, Reporter” using a brush and ink, which must have been incredibly difficult. I looked at some of the original art at the Lilly Library on the campus of Indiana University and was blown away by the control and expressiveness of her line work. 

Why was Brenda Starr such a popular strip?
People I’ve spoken with say that particularly for young women, Brenda was a role model. Even in a fantastical sense, Brenda was a smart, savvy, career woman who went after what she wanted and didn’t let obstacles or expectations of what she should be slow her down (still a novel concept in the 1940s and 50s). She was unafraid of adventure and unbowed by people trying to get in her way. I think this kind of symbolism is really powerful to a young person with aspirations to achieve great things. Dale Messick had similar qualities in that she left the stability of her family life in Indiana, and came to New York on her own for a promising job (drawing greeting cards) and life in the big city. Messick was also savvy in presenting Brenda in the latest designer fashions, so she always looked incredible! She was able to build connections with readers by drawing their suggestions for Brenda’s clothes and including them as paper dolls in the Sunday editions of the strip. These sorts of gestures helped to create a loyal and dedicated readership….

(11) PANEL ABOUT THE WILD ROBOT. In Pasadena on October 26: “LightBox Expo Reveals ‘The Wild Robot: Art & Technical Strategies Behind the Scenes’ Panel” at Animation World Network.

LightBox Expo (LBX) returns October 25-27 to the Pasadena Convention Center, with an expansive program lineup celebrating artists and creators behind acclaimed films, animation, games, TV shows, comics, illustrations, and features.

The expansive 2024 program lineup just got more exciting with the announcement of “The Wild Robot: Art & Technical Strategies Behind the Scenes” panel, Saturday, October 26 from 4:00-5:00 pm.

Details on this previously unannounced panel are as follows:

“The Wild Robot: Art & Technical Strategies Behind the Scenes:”

Saturday, October 26 from 4:00-5:00 pm

Join heads of departments on The Wild Robot for a discussion about the artistic and technical strategies they took behind the scenes to capture the best on screen.

(12) IMMORTALITY CANCELLED. “Have We Reached Peak Human Life Span?” asks the New York Times (paywalled article).

The oldest human on record, Jeanne Calment of France, lived to the age of 122. What are the odds that the rest of us get there, too?

Not high, barring a transformative medical breakthrough, according to research published Monday in the journal Nature Aging.

The study looked at data on life expectancy at birth collected between 1990 and 2019 from some of the places where people typically live the longest: Australia, France, Italy, Hong Kong, Japan, South Korea, Spain, Sweden and Switzerland. Data from the United States was also included, though the country’s life expectancy is lower.

The researchers found that while average life expectancies increased during that time in all of the locations, the rates at which they rose slowed down. The one exception was Hong Kong, where life expectancy did not decelerate.

The data suggests that after decades of life expectancy marching upward thanks to medical and technological advancements, humans could be closing in on the limits of what’s possible for average life span.

“We’re basically suggesting that as long as we live now is about as long as we’re going to live,” said S. Jay Olshansky, a professor of epidemiology and biostatistics at the University of Illinois Chicago, who led the study. He predicted maximum life expectancy will end up around 87 years — approximately 84 for men, and 90 for women — an average age that several countries are already close to achieving.

During the 20th century, life expectancy rose dramatically, spurred on by innovations like water sanitation and antibiotics. Some scientists have projected that this pace will hold as better treatments and preventions are discovered for cancer, heart disease and other common causes of death. The famous demographer James Vaupel maintained that most children born in the 21st century would live to 100.

But according to the new study, that is unlikely to be the case. The researchers found that instead of a higher percentage of people making it to 100 in the places they analyzed, the ages at which people are dying have been compressed into a narrower time frame….

(13) 2024 NOBEL WINS MAY CONFOUND THE MACHINES TAKING OVER? [Item by SF Concatenation’s Jonathan Cowie.] I have long warned that the machines are taking over, but nobody ever listens.

This may now be changing! Two of this year’s Novel Prizes go to artificial intelligence (AI) related work.  The Novel Prize for Chemistry goes to work using AI to elucidate the complex folding structure of proteins (the molecules that make up enzymes and some other large biological molecules that do things to keep us alive) from DNA code (genes).

More significantly, this year’s Nobel Prize for Physics goes to work on developing AI itself.  One of this prize’s winners has gone on to warn that we need to work out how to manage AI before it takes over. He opines that we could have smarter-than-human within a couple of decades. (This is likely to be within the lifetimes of many of you.)  It looks like I can no longer say nobody ever listens….

(14) THE MOST DISTURBING STORY EVER WRITTEN. Moid Moidelhoff over at Media Death Cult takes a look at Harlan Ellison’s unsettling short story “I Have No Mouth and I Must Scream”. The story is set against the backdrop of World War III, where a sentient supercomputer named AM, born from the merging of the world’s major defense computers, eradicates humanity except for five individuals. These survivors – Benny, Gorrister, Nimdok, Ted, and Ellen – are kept alive by AM to endure endless torture as a form of revenge against its creators.

(15) LOWER DECKS SEASON 5. There won’t be a second fifth – this is it. “’Star Trek: Lower Decks’ Final Season Blasts Off with Official Trailer”Animation Magazine sums it up.

Synopsis: In Season 5 of Star Trek: Lower Decks, the crew of the U.S.S. Cerritos is tasked with closing “space potholes” — subspace rifts that are causing chaos in the Alpha Quadrant. Pothole duty would be easy for Junior Officers Mariner, Boimler, Tendi and Rutherford … If they didn’t also have to deal with an Orion war, furious Klingons, diplomatic catastrophes, murder mysteries and scariest of all: their own career aspirations.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Paul Weimer, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Joe H.]

Pixel Scroll 10/10/24 I Ride An Old Anti-Gravity Paint, My Partner Favors Cavorite

(1) NOBEL PRIZE IN LITERATURE. Korean author Han Kang wins 2024 Nobel Prize in Literature reports Publishers Weekly. (There are no genre elements present in the descriptions of Han Kang’s work in “What to read: Han Kang” at NobelPrize.org, or in the “Han Kang” Wikipedia article.)

Han Kang. Ill. Niklas Elmehed © Nobel Prize Outreach

…One of only 18 women to be awarded global literature’s highest honor, she is the first South Korean writer to win the prize and the first Asian laureate since 2012, when the Nobel was awarded to Chinese author Mo Yan.

“Han Kang’s visible empathy for the vulnerable, often female lives, is palpable, and reinforced by her metaphorically charged prose,” said Anders Olsson, chairman of the Nobel Committee at the Swedish Academy, the body that administers the prize. “In her oeuvre,” he added, quoting from the Committee’s citation, “Han Kang confronts historical traumas and invisible sets of rules and, in each of her works, exposes the fragility of human life. She has a unique awareness of the connections between body and soul, the living and the dead, and in her poetic and experimental style has become an innovator in contemporary prose.”…

(2) FORMER FRAZETTA HOME IN FLORIDA UNHARMED BY STORM. Frank Frazetta’s daughter reassured fans that the Frazetta Art Gallery in Boca Raton, FL was undamaged by Hurricane Helene. (This is not the Frazetta Art Museum which is in Pennsylvania.)

This paragraph distinguishes the Frazetta Art Gallery from the Museum:

…For Frazetta fans, it’s an essential destination, since it contains dozens of pieces of Frazetta artwork, paintings, newspaper strips, comic book pages, and a nice selection of personal artwork Frazetta executed as gifts for his wife, Ellie, and other family members. The personal work on display gives viewers a true feeling of intimacy, of being part of Frazetta’s inner circle, since most of them have never been reprinted….

(3) ELECTORIAL. [Item by SF Concatenation’s Jonathan Cowie.] A few years ago, because of the Sad Puppies Affair (which, contrary to popular belief, was not a Man From U.N.C.L.E. episode), there was much debate in fandom as to how we vote on the Hugo short-list.  Now, better late than never, this week’s edition of Nature has an article on electoral systems,  “Which Is The Fairest Electoral System?”  

Scientists hope to explore whether some approaches are more likely to promote democratic resilience or to stave off corrosive partisanship. Such answers might inform policy, but differences in interpretation are inevitable when it comes to politics. “Democracy is a complex system,” says Lee Drutman, a political-science researcher at New America, a think tank in Washington DC. There can be multiple ways to parse the data, he says.

A Hugo-type system is briefly mentioned…

There are sub-variants in FPTP (first past the post) systems: ranked-choice voting, which is used, for instance, in Australia, ensures a majority winner. Voters rank all candidates or parties; the lowest-ranked candidate drops out and their supporters’ second-choice preferences are tallied, and so on until a single candidate surpasses a 50% threshold. And run-off elections, such as those in France, when the two leading parties are voted for in a second round, ensure a direct national face-off.

Interestingly the piece has two conclusions. One that ranked choice has benefits, but a contrary view 2) is that this pushes folk to limited options. Here the article calls for more political parties in the US rather than the two big ones.  In Hugo terms this would translate as increasing the number in the short-lists.

(By the way, personally I have no preference: I just share out of interest and am not advocating anything.)

(4) OCTOTHORPE. In episode 120 of the Octothorpe podcast, “Activate Liz”

We do rather fewer letters of comment than last episode, and then we let Liz do her favourite topic of all: STATISTICS.

Listen here: Octothorpe (Podbean.com). Read the unedited transcript of the episode here.

Words read ‘Octothorpe 120: Introducing Judge Coxon. “I am the lore”’. They are around a picture of John as a Judge in the style of *2000AD*, holding a big stack of books. The logo of the Clarke Award may or may not appear in the artwork.

(5) ATWOOD PICKS A CARD. Margaret Atwood appeared on NPR to publicize her new collection called, Paper Boat: New And Selected Poems: 1961-2023. They played clips of her answers to questions on the Wild Card program. “Writer Margaret Atwood plays a game of ‘Wild Card’”.

MARTIN: When I asked the question [about envy], though, you asked for a definition – envy that you suffered or had to manage or other people’s envy of you?

ATWOOD: Yes.

MARTIN: Is that – does that happen a lot?

ATWOOD: It has, certainly. Yeah. So what I said to young writers who had had a sudden success, I said, within a couple of years, you will have three nasty, vicious personal attacks from people you don’t know.

MARTIN: What were the attacks that were leveled at you in your first couple years of success?

ATWOOD: (Laughter) Some of them were quite funny. So a lot of it had to do with hair – Medusa hair, frizzy hair, you know, name something about hair. Yes, and one of them wrote a satirical fairy tale in which I bit the heads off men and made them into a pile and turned into an octopus. Figure that out.

MARTIN: So you were a Medusa-haired man hater.

ATWOOD: Yeah. And power mad, ladder-climbing…

MARTIN: Oh, power mad?

ATWOOD: Yes. Power-mad, ladder-climbing witch.

MARTIN: Oh, wow. I mean, that’s evocative.

ATWOOD: I thought so too.

(6) REMEMBERING J.G. BALLARD. “Diary: Deborah Levy on J. G. Ballard” at Book Post.

J. G. Ballard, England’s greatest literary futurist, changed the coordinates of reality in British fiction and took his faithful readers on a wild intellectual ride. He never restored moral order to the proceedings in his fiction because he did not believe we really wanted it. Whatever it was that Ballard next imagined for us, however unfamiliar, we knew we were in safe hands because he understood “the need to construct a dramatically coherent narrative space.”

When it came to anything by Ballard, genre really did not matter to me; his fiction could have been filed under “Tales of Alien Abduction” or “Marsh Plants” and I would have hunted it down. Despite our difference in generation, gender, and literary purpose, it was clear to me that he and I were both working with some of the same aesthetic influences: film, surrealist art and poetry, Freud’s avant-garde theories of the unconscious….

…The reach of his imagination was never going to fit with the realist literary mainstream but I was always encouraged by his insistence that he was an imaginative writer.
“I believe in the power of the imagination to remake the world, to release the truth within us, to hold back the night, to transcend death, to charm motorways, to ingratiate ourselves with birds, to enlist the confidences of madmen.”

Good on you, Jim.

His highly imagined landscapes and abandoned aircraft and stopped clocks and desert sand were located in his head—and anyway he preferred driving fast cars to walking. He once sent me a photograph of the Heathrow Hilton and told me it was his spiritual home. …

 (7) BUSTED. Was Chuck Tingle’s “true identity” revealed today? That’s what author C.J. Leede was hoping we’d think, til you-know-who caught them in the act.  

(8) THOU SHALT NOT PASS. “The Editors Protecting Wikipedia from AI Hoaxes” — an excerpt from a 404 Media’s post.

A group of Wikipedia editors have formed WikiProject AI Cleanup, “a collaboration to combat the increasing problem of unsourced, poorly-written AI-generated content on Wikipedia.”

The group’s goal is to protect one of the world’s largest repositories of information from the same kind of misleading AI-generated information that has plagued Google search resultsbooks sold on Amazon, and academic journals.

“A few of us had noticed the prevalence of unnatural writing that showed clear signs of being AI-generated, and we managed to replicate similar ‘styles’ using ChatGPT,” Ilyas Lebleu, a founding member of WikiProject AI Cleanup, told me in an email. “Discovering some common AI catchphrases allowed us to quickly spot some of the most egregious examples of generated articles, which we quickly wanted to formalize into an organized project to compile our findings and techniques.”…

(9) SIMULTANEOUS TIMES. Space Cowboys Books presents episode79 of the “Simultaneous Times” podcast with Pedro Iniguez, Lisa E Black, and Addison Smith.

  • “Sneeze” by Pedro Iniguez. (Music by Phog Masheeen. Read by Jean-Paul L. Garnier)
  • “Of Course I Still Love You” by Lisa E Black. (Music by Phog Masheeen. Read by the author.)
  • “Residual Traces” by Addison Smith. (Music by Fall Precauxions. Read by Jean-Paul L. Garnier.)
  • Theme music by Dain Luscombe.

Simultaneous Times is a monthly science fiction podcast produced by Space Cowboy Books in Joshua Tree, CA.

(10) MEMORY LANE.

[Written by Paul Weimer.]

Anniversary: Barbarella film (1968)

Oh, Barbarella. 

I didn’t quite get why it was so controversial when I first saw it, it was a bowdlerized version of the already bowdlerized version Barbarella: Queen of the Galaxy. This was on a local channel in New York City in the 1980’s. I thought it was a funny but rather goofy looking SF movie, although of course Jane Fonda was something to look at.

(My father was upset at her being in the movie, something I did not understand for years until I understood her politics…and my own family’s politics, better)

I finally got to see the uncut and real version in the early 2000’s on DVD.  And then I could finally see what I was missing. Did it add a lot to the actual movie besides the visuals? No, but what visuals!  I slotted it in the same space as Woody Allen’s Sleeper, as a science fiction movie that talked about sex, and around sex, a lot. But going on the other visuals, the sets, costume design and props (including the infamous Excess Pleasure Machine) were just mind boggling in both of the versions I’ve seen.  Too, the actual cinematography is mesmerizing, the camera knows where to linger, where to bring our attention in sometimes rather chaotic and baroque set pieces. I have not yet seen a 4k version of the film, but that is something I do very much need to see sometime, to see it at the maximum fidelity and clarity.  

Is it great cinema? No. But it is great art. 

(11) COMICS SECTION.

(12) DEADPOOL AND WOLVERINE COMICS REUNION. “Deadpool and Wolverine officially return in 2025, Marvel confirms”GamingBible has the story.

…For those who miss the bromance between Marvel’s Deadpool and Wolverine, you’re in luck because the pair are officially returning in 2025.

Their antics won’t play out on the big screen but upon the pages of comics instead.

The Deadpool/Wolverine series comes from writer Benjamin Percy and artist Joshua Cassara. This partnership, much like Deadpool and Wolverine, is a match made in heaven.

Fans who enjoyed the bloody violence of the film needn’t worry that the comics will strip that action away…

(13) BEGINNING OF A FASCINATION. CrimeRead’s Jeremy Dauber outlines “A Brief History of the Rise of Horror in 19th Century America”.

At the Civil War’s end, under a quarter of Americans lived in cities; by the end of the Great War, the proportion was almost exactly half. All those people moving to the cities—both from rural America and from abroad— changed things. Size created anonymity, the possibility of losing yourself in the crowds, remaking yourself, if you so chose. . . . or getting lost, and not always by your choice. Increasingly, the streets were lit by electric light, and the machines inside them were powered the same way; but that simply swapped a new set of shadows and terrors for the old ones. The horrors of the next decades were, all too frequently, industrial and mass-produced: whether they came from the chatter of guns or the whirr of a film projector, they cast an eye on progress, and murmured about what lay beneath.

Start, perhaps, with that newly electrified white city, Chicago. In 1893, its World’s Columbian Exposition, or World’s Fair, was an announcement of America’s newly flexing muscles: its willingness to be broad-shouldered, to play a leadership role in world affairs, to stride into the future. And yet, inside the city limits, there sat a haunted castle. This castle, though, had no clanking chains, no Gothic ghost or Salem witch; it had a psychopath who used modern tools—the soundproofed room, the knockout gas-bearing pipes, and of course, the three-thousand-degrees-Fahrenheit kiln—to disable, kill, and dispose of guests who checked into his World’s Fair Hotel at 701 Sixty-third Street. And why did H. H. Holmes do it? For his part, when eventually caught, he had a simple, and chillingly modern, explanation: “I was born with the devil in me. I could not help the fact that I was a murderer, no more than the poet can help the inspiration to sing.”…

(14) I DO SOLEMNLY SWEAR. SFFAudio reminds us that once upon a time Robert Bloch urged authors to swear to uphold “ROBERT BLOCH’S CREDO FOR FANTASY WRITERS”.

(15) JUSTWATCH MARKET SHARE REPORT. As the third quarter of 2024 comes to an end, JustWatch has released their latest data report on market shares in the US. As usual, they based our report on the 13 million JustWatch users in the US selecting their streaming services, clicking out to streaming offers and marking titles as seen.

SVOD market shares in Q3 2024
Global streaming giant: Prime Video managed to keep its first-place rank, with a 1% lead against Netflix. Meanwhile, Max is managing to stay ahead of major competitors Disney+ and Hulu.

Market share development in 2024
Disney+ and Hulu both gained momentum with a +1% subscriber boost by September. While Netflix and Max stumbled with a -1% decline each, revealing a shake-up in the streaming rivalry.

(16) IF YOU INSIST ON WATCHING. “Too Scared to Watch Horror Movies? These 5 Tips May Help” says the New York Times (paywalled).  

The October ritual of watching horror movies in the lead-up to Halloween can be exhilarating. Unless, of course, you can’t quite stomach the gory and gruesome, or even the spooky and spine-tingling….

…If you’re someone who wants to indulge in the season but dreads jump scares and buckets of blood, here are five tips that could help even the biggest scaredy cats among us start to open up to the world of horror.

The first two tips are:

Embrace the Spoiler

The first and best line of defense is to read the plot in advance. If you’re feeling brave, go for just a synopsis, but there’s no reason to be a hero. I sometimes read an entire plot in great detail before watching, especially with films I know will tap into my weak spot: movies about demonic possession. Unlike with other genres, knowing what will happen in horror doesn’t necessarily detract from the experience of watching. Your heart will most likely still pound. You will probably still jump. And the visuals and sounds will probably still shock. Knowing what comes next may simply help keep the anxiety and uncertainty in check.

The Smaller, the Better

Nothing against the big-screen experience, but going small, by watching on your phone or a tablet, can go a long way. Not only will you have a sense of control that a crowded theater with speakers blaring hellish soundscapes can’t provide, you will also be able to make adjustments. If it gets too loud or chaotic, turn down the volume. If it gets too visually scary, turn down the brightness or flip the device down. Sometimes for the most intense scenes, it’s better to just hear the movie without seeing it, or to watch without sound….

(17) QUITE A TAIL. And for your viewing pleasure, The Copenhagen Post recommends “Reptilicus”.

Next time you’re looking for a Danish film to watch, spare a thought for Denmark’s only giant monster film ‘Reptilicus’ – a 1960s cult-classic with puppets, bad acting, bazookas, and a prehistoric reptilian beast rampaging through Amager…

Reptilicus is the name for two monster films about a giant, prehistoric reptile which decides to attack Denmark.

Shot simultaneously, one film is in Danish (1961) and the other is from the USA in English (1962). Both films have a near identical cast (except for one actress) and two directors (Poul Bang – Danish, and Sidney Pink – English) who took turns throughout each shooting day to create two of the most iconic, kitsch and downright unintentional masterpieces to grace Danish screens.

The plot tells of a Danish miner in Lapland who accidentally digs up a section of a giant reptile’s tail from the frozen ground. The section is flown to the Denmark’s Aquarium in Copenhagen, where it is preserved in a temperature-controlled room for scientific study.

Of course they don’t put anyone competent in charge of monitoring it but instead choose a bumbling buffoon (the legendary Dirch Passer). The room is left open and the section begins to thaw and regenerate….

(18) FILLING UP WITH GAS. According to TechRadar, “Toyota’s portable hydrogen cartridges look like giant AA batteries – and could spell the end of lengthy EV charging”.

Toyota is showcasing a series of sustainable developments at the Japan Mobility Bizweek later this month – including its vision of a portable hydrogen cartridge future, which could apparently provide ‘swappable’ power for next-gen hydrogen fuel cell electric vehicles (FCEVs).

Originally a project of Toyota’s mobility technology subsidiary Woven (formerly Woven Planet), the team produced a working prototype of a hydrogen cartridge back in 2022 but has since developed the idea further… and appears to be running with it.The latest cartridges are lighter and easier to transport, with Toyota claiming the current iteration has been developed with the experience the company has gained in reducing the size and weight of the hydrogen tanks used in its fuel cell electric vehicles….

…Put simply, the cartridges would allow fuel cell electric vehicle drivers to swap out their power source when hydrogen levels run low, rather than having to refuel at a station like you typically would with a fossil fuel-powered car.

But Toyota also feels that these refillable and renewable cartridges could be used in a multitude of situations, such as to generate electricity in a fuel cell to power the home or even providing hydrogen to burn for cooking.

In fact, Toyota and the Rinnai Corporation are exhibiting a stove at Japan Mobility Bizweek that does just that. Similarly, in emergency situations, the hydrogen cartridge could be removed from the car and used to power any applicable device in the case of a blackout, for example….

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Paul Weimer, Danny Sichel, Lise Andreasen, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel “All Is Wells” Dern.]

Pixel Scroll 10/9/24 As You Know, Boba

(1) WIN A DOCTOR WHO SCREENING. Doctor Who’s upcoming Christmas is getting a special early release for selected fans. As part of Doctor Who and Star Trek’s “Friendship is Universal” collaboration fans in the US and the UK are eligible to enter a competition to see the episode screened in their local movie theater for them and 30 others. Enter here: “Friendship Is Universal – a Festive Special Competition”.

Friendship is Universal is a celebration of the companionship and camaraderie that is at the heart of Doctor Who, both in the characters we love, and the heart (or hearts!) of every fan of the Whoniverse. Why not honour the friends and friendships you hold dear by entering this competition?

You could win the chance to bring Doctor Who to your local cinema this Christmas for an exclusive screening of the festive special, before it airs. Plus, you can invite your friends and family too!

To enter, please submit your details before 23:59 pm (BST) on 13 October 2024. Good luck!

(2) SF 101. Phil Nichols and Colin Kuskie tell listeners “Let’s Go Ape” in Episode 47 of the SF 101 podcast.

It’s fifty years since the TV series of Planet of the Apes debuted, enlivening the childhood of millions around the planet of the humans. Phil and Colin enjoyed the show as kids, but now undertake a celebratory rewatch, reviewing the adventures of Virdon (the blond one), Burke (the dark-haired one), and Galen (the hairy one).

We also have a Planet of the Apes quiz, and our usual round up of recommendations of past, present and future SF.

(3) MAKING A SALE OR SELLING OUT? “Can a Start-Up Help Authors Get Paid by A.I. Companies?” The New York Times finds The Authors Guild thinks “Yes”.  (Article is paywalled.)

…The Authors Guild, the largest and oldest professional organization for writers in the United States, is teaming with a new start-up, Created by Humans, to help writers license rights to their books to artificial intelligence companies.

The partnership, announced Wednesday, comes as authors and publishers are wrestling with the rapid incursion of artificial intelligence into the book world. The internet is already flooded with books generated by A.I., and sophisticated chatbots can instantly generate detailed summaries of books and spew out material in the voice and style of popular writers.

The Authors Guild has taken an aggressive stance against the unauthorized use of books by A.I. companies to train large language models, which power chatbots that can generate complex and often evocative text. Last year, it brought a class-action lawsuit on behalf of authors against OpenAI and its partner, Microsoft, arguing that using books to train Chat GPT’s chatbot without licensing the rights amounts to copyright infringement. (The Times also sued OpenAI and Microsoft last year, claiming copyright infringement of news content used by A.I. systems.)

By endorsing Created by Humans’ platform, the Authors Guild is in a sense acknowledging that there is no avoiding the disruption that A.I. has unleashed on the book business. Through their partnership, the Authors Guild will help Created by Humans develop informational webinars for authors that will explain how licensing works and what their options are.

“What’s good about licensing is it gives the author and the publisher control, as well as compensation, and it gives you the ability to say no,” said Mary Rasenberger, the chief executive of the Authors Guild, who will serve on Created by Humans’ advisory board. “Right now, it’s the A.I. companies that just went and crawled pirate websites and swept all that material in.”

Several A.I. companies have already registered interest in licensing book content through the platform, said Trip Adler, the co-founder and chief executive of Created by Humans. Adler declined to name the companies, citing nondisclosure agreements….

(4) NPR ON OCTAVIA BUTLER’S 2024. A 31-minute NPR article discusses “The Power And Prescience Of Octavia Butler’s ‘Parable Of The Sower’’ at the link.

It’s 2024. Extreme weather events due to global warming have overwhelmed parts of the United States. Water is increasingly scarce. The mass migration of people in search of more livable conditions has caused political tension and border closures. A drug epidemic spreads across the country. And a candidate for president promises he can fix the country’s problems with more religion and fewer regulations.

That’s the premise of Octavia E. Butler’s novel Parable of the Sower, which was published in 1993.

The novel contains a powerful and poignant vision of the United States of the future, one that rings scarily true in the present. The 2024 of Butler’s 1993 work isn’t so far away from the 2024 in which we’ll all currently living. Butler published a sequel, Parable of the Talents, in 1998. Both feature a protagonist named Lauren Olamina, a young woman trying to survive and make a life for herself….

(5) CRANIUM STRAINIUM. Camestros Felapton’s intelligence is not artificial but he’s still managed to give us this: “An image was put in my head & I can edit photos so now you get to see it as well”.

At File770 the eminent host replied to a post about the musical nature of the recent Joker film:

PJ Evans: Imagine the Arthur Freed Joker with Gene Kelly as Joker, Judy Garland as Harley Quinn, and let’s throw in Fred Astaire as the Riddler! “You made me love you”…”

(6) EXPANDED UNIVERSE. Dennis Wilson Wise, who served as a research consultant for PBS’ recent “Judy-Lynn del Rey: The Galaxy Gal” episode of Renegades, tells more of her story in a short article at The Conversation: “The woman who revolutionized the fantasy genre is finally getting her due”.

…Over the course of her career, del Rey earned a reputation as a superstar editor among her authors. Arthur C. Clarke, who co-wrote the screenplay for “2001: A Space Odyssey,” called her the “most brilliant editor I ever encountered,” and Philip K. Dick said she was the “greatest editor since Maxwell Perkins,” the legendary editor of Ernest Hemingway and F. Scott Fitzgerald.

She got her start, though, working as an editorial assistant – in truth, a “gofer” – for the most lauded science fiction magazine of the 1960s, Galaxy. There she learned the basics of publishing and rose rapidly through the editorial ranks until Ballantine Books lured her away in 1973.

Soon thereafter, Ballantine was acquired by publishing giant Random House, which then named del Rey senior editor. Yet her first big move was a risky one – cutting ties with Ballantine author John Norman, whose highly popular “Gor” novels were widely panned for their misogyny.Nonetheless, del Rey’s mission was to develop a strong backlist of science fiction novels that could hook new generations of younger readers, not to mention adults. One early success was her “Star Trek Log” series, a sequence of 10 novels based on episodes of “Star Trek: The Animated Series.”

But del Rey landed an even bigger success by snagging the novelization rights to a science fiction film that, at the time, few Hollywood executives believed would do well: “Star Wars.”…

Unfortunately, this scholar of fantasy literature doesn’t understand that it wasn’t a “Hugo committee” but Hugo voters who were responsible for her getting the award — the one Lester threw back in our faces, of course.

…Yet despite these accolades, Del Rey’s reputation continued to suffer from its own commercial success. Notably, Judy-Lynn del Rey was never nominated for a Hugo Award for best professional editor. When she died in 1986, the Hugo committee belatedly tried granting her a posthumous award, but her husband, Lester, refused to accept it, saying that it came too late….

(7) 2024 NOBEL PRIZE IN CHEMISTRY. [Item by Steven French.] Gamer wins Nobel Prize! Well, Hassabis started out as a games designer before developing Deep Mind’s AlphaFold programme which has helped scientists make major strides towards predicting complex protein structures (looks like AI is on a roll with this year’s prizes!)

The Nobel Prize in Chemistry 2024 goes —

One half to David Baker (University of Washington, Seattle, WA, USA; Howard Hughes Medical Institute, USA) “for computational protein design”

and the other half jointly to Demis Hassabis and John M. Jumper of Google DeepMind, London, UK “for protein structure prediction”

The Nobel Prize in Chemistry 2024 is about pro­teins, life’s ingenious chemical tools. David Baker has succeeded with the almost impossible feat of building entirely new kinds of proteins. Demis Hassabis and John Jumper have developed an AI model to solve a 50-year-old problem: predicting proteins’ complex structures. These discoveries hold enormous potential….

The Guardian did a feature about “Demis Hassabis: from video game designer to Nobel prize winner”.

Most 17-year-olds spend their days playing video games, but Britain’s latest Nobel prize winner spent his teenage years developing them.

Sir Demis Hassabis, who was jointly awarded the chemistry prize on Wednesday, got his big break in the tech world as co-designer of 1994’s hit game Theme Park, where players create and operate amusement parks.

Born in London to a Greek Cypriot father and Singaporean mother, Hassabis went on to gain a double first in computer science at Cambridge University, launch his own video game company, complete a PhD in cognitive neuroscience and then co-found the artificial intelligence startup DeepMind, which Google bought for £400m in 2014.

The 48-year-old was knighted for services to AI this year….

(8) EAGLE CON 2024.  Eagle Con 2024 will take place on Tuesday, October 15 and Wednesday, October 16 on the 3rd floor of the Cal State LA University Student Union in Los Angeles.

Space Cowboy Books owner Jean-Paul L. Garnier will take part in a panel of speculative poets as part of Eagle Con 2024 “Unfrakking the Future”, along with Wendy Van Camp, Pedro Iniguez, and Denise Dumars. The event is open to students and faculty. The panel runs on Wednesday Oct 16 from 12:20-1:25 p.m. Pacific.  

Also on October 16, from 4:35– 5:40 p.m., will be the Prism Award Presentation to Edward James Olmos (University Student Union 3rd Floor Los Angeles Room 308).

The Prism Award is given to creators who have made outstanding contributions to diversity in speculative genres across media. This year we honor legendary actor and Cal State LA alumnus Edward James Olmos. Among his many acting credits, Olmos has been a central character in two of the most important science fiction stories of all time: he was Gaff in the film Blade Runner (1982) and Admiral William Adama in the series Battlestar Galactica (2003-2009). Come hear him discuss his illustrious career and his life at Cal State LA.

Awardee: Edward James Olmos, actor (Blade Runner, Battlestar Galactica, Stand and Deliver, Mayans M.C., Miami Vice)

Moderator: Dr. Stephen Trzaskoma, Dean of the College of Arts and Letters

(9) DONA SADOCK DIES. Norman Spinrad today announced the death of his partner Dona Sadock.

Dona Sadock’s body has just died.  But her great spirit will allways be immortal.

(10) TODAY’S BIRTHDAY.

[Written by Mike Glyer.]

Born October 9, 1964 Guillermo del Toro, 60. Here at File 770 we’re big fans of filmmaker, director, and author Guillermo del Toro. And not just because of the great work he’s done – including Pan’s Labyrinth (he wrote its Nebula-winning script), The Shape of Water (which won him an Oscar as Best Director while the film took Best Picture), Guillermo del Toro’s Pinocchio (an Oscar for Best Animated Feature), plus two Hellboy movies, and Pacific Rim. He’s also an impressive and generous person.

Guillermo del Toro in 2023. Photo by Boungawa.

As John King Tarpinian, reporting on the del Toro signing at Mystery & Imagination in 2013, told us: “Guillermo is a kind, unassuming, down to earth man. When he heard a local bookshop, Mystery and Imagination, was just getting by in this age of internet sales and big box book stores he volunteered to do what turns out to be his only official signing of his new book, Pacific Rim, as a fund raiser… Once the event got started Guillermo was more than affable with all in attendance. He spoke with everybody, shook everybody’s hand. Guillermo was great with kids, a few of which had drawn their versions of the Kaiju. He’d stop and look at the drawing showing real appreciation at their attempts….”

He’s been inducted to the Science Fiction Hall of Fame (2017), and naturally has a star on the Hollywood Walk of Fame (2019).

However, he tells interviewers that there’s a price to pay for his work:

“I think the main sign of a good story for you is that it has to hurt. It has to dig deep into who you are … I jokingly say that Hellboy is autobiographical, but it is. The way I think about myself, and the way I think about my story with my wife, everything is in there, and Pan’s Labyrinth was incredibly personal, to the point where I showed it to my wife and she turned to me after seeing the movie complete and she said, ‘You felt that bad?’ And I said, ‘Yeah, I felt that bad.’ 

His latest project, a Frankenstein movie for Netflix, recently finished filming.

(11) COMICS SECTION.

(12) HOW COOL IS THIS? The Science Fiction and Fantasy Poetry Association (SFPA) now has badges that Elgin Award winners can put on the covers of their books.

(13) UM, ACTUALLY. “Online Rent-a-Sage” Bret Devereaux disputes the notion in some fantasy literature that systems of magic would be reduced to a kind of science and its practitioners would resemble engineers. The fifteen-post thread begins here.

And later…

(14) ROCK’N SFF. [Item by Steven French.] As is well known, Jimi Hendrix was a huge science fiction fan and this essay in Classic Rock looks at how his SF reading shaped his second album, Axis:Bold as Love: “Jimi Hendrix: the story of the Axis: Bold As Love album”.

If you were to write a science fiction novel set in the year 1967, it would be hard to imagine a more captivating cosmic messenger than Jimi Hendrix. With a wild afro that looked like a shock of electrical wires, psychedelic duds streaked with hues from the Crab Nebula and a strange language that was part-philosophical rambling, part screaming Stratocaster, he came to London, dropping jaws wherever he went. And since aliens always arrive on earth with a manifesto to help humanity, Hendrix’s was called, with futurist bravado, Axis: Bold As Love.

He’d already grabbed everyone’s attention early that year with his band The Experience’s debut Are You Experienced. So the second album seemed the ideal vessel for a message. Axis was recorded in fits and starts amidst a hectic tour schedule that included over 180 international dates (including package outings with such strange bedfellows like The Monkees and Englebert Humperdinck), many TV appearances, and a landmark appearance at the Monterey Pop Festival. It was seen by Hendrix’s manager Chas Chandler and Jimi’s labels Track in the UK and Reprise in the US as a quick follow-up release, a way to keep the conversation going with fans and critics. Considering it was followed less than a year later by Jimi’s double-album masterwork Electric Ladyland, it’s not surprising that Axis has suffered from a kind of middle child syndrome. But middle children can go to extremes to get attention, and this one often sounded like it was tuned to a radio station on another planet.

Not to belabor the extraterrestrial, but Hendrix even described the album as “science fiction rock ‘n’ roll,” and on the opener Up From The Skies, he sings from an alien’s point of view: “I wanna know about the new mother Earth, I wanna hear and see everything.” That fascination was there from his childhood. As a boy, Jimi claimed he saw a UFO, and he was obsessed with TV show Flash Gordon, even insisting that his family call him “Buster,” after the serial’s star Buster Crabbe.

(15) MOVING PICTURE OF THE DAY. Possibly inspired by Steve Vertlieb’s article “Hermann and Hitchcock: The Torn Curtain” posted on File 770 today, Andrew Porter sent this GIF.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Dann, Peer, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 10/8/24 Whirling Pixels Will Make Anyone Who Watches Them Dizzy

(1) HEARTS OF DARKNESS. [Item by Steven French.] The Guardian situates the new Joker movie in the context of ‘dark’ musical more generally: “Singin’ in the nuclear rain: new films push the musical genre in a darker direction”.

A murderous psychopath mournfully sings his heart out in jail. A family living in a below-ground bunker chorus together about the end of the world. A lawyer belts out a number about gender re-assignment surgery. Welcome to the movie musical 2024 – a period, it seems, of radical reinvention for the genre. Never mind the ebullient nature of High Society and other Hollywood golden age musicals, film-makers are now turning to all-singin’, all-dancin’ spectaculars to express something much darker….

(2) NOBEL PRIZE IN MEDICINE. In an interesting footnote to yesterday’s Nobel announcement, the co-winner of the Prize for Medicine, Gary Ruvkin, is also part of the Search for Extraterrestrial Genomes project which is developing instruments that will enable comparison of the DNA of eg microbial life on Mars or other planetary bodies with that of life on Earth. “Medicine Nobel awarded for gene-regulating ‘microRNAs’” in Nature.

The 2024 Nobel Prize in Physiology or Medicine has been awarded to two geneticists who discovered microRNAs, a class of tiny RNA molecules that help to control how genes are expressed in multicellular organisms.

Victor Ambros, who works at the University of Massachusetts Medical School in Worcester, and Gary Ruvkun at Massachusetts General Hospital (MGH) in Boston share the prize pot of 11 million Swedish kronor (US$1 million), awarded by the Nobel Assembly at the Karolinska Institute in Stockholm.

MicroRNAs perform a multitude of tasks in complex organisms, from embryonic development to cell physiology. Researchers have speculated that they were involved in evolutionary leaps, such as humans’ bulging brains, and they have been implicated in the onset of cancers and other diseases….

(3) THANKS SO MUCH, GUYS (/SARCASM). ABC News reports: “Nobel Prize in physics awarded to two scientists for machine learning discoveries”.

Two pioneers of artificial intelligence — John Hopfield and Geoffrey Hinton — won the Nobel Prize in physics Tuesday for helping create the building blocks of machine learning that is revolutionizing the way we work and live but also creates new threats for humanity.

Hinton, who is known as the godfather of artificial intelligence, is a citizen of Canada and Britain who works at the University of Toronto, and Hopfield is an American working at Princeton.

“These two gentlemen were really the pioneers,” said Nobel physics committee member Mark Pearce.

The artificial neural networks — interconnected computer nodes inspired by neurons in the human brain — the researchers pioneered are used throughout science and medicine and “have also become part of our daily lives,” said Ellen Moons of the Nobel committee at the Royal Swedish Academy of Sciences…

… Hinton predicted that AI will end up having a “huge influence” on civilization, bringing improvements in productivity and health care.

“It would be comparable with the Industrial Revolution,” he said in an open call with reporters and officials of the Royal Swedish Academy of Sciences.

“We have no experience of what it’s like to have things smarter than us. And it’s going to be wonderful in many respects,” Hinton said.

“But we also have to worry about a number of possible bad consequences, particularly the threat of these things getting out of control.”

The Nobel committee also mentioned fears about the possible flipside.

Moons said that while it has “enormous benefits, its rapid development has also raised concerns about our future. Collectively, humans carry the responsibility for using this new technology in a safe and ethical way for the greatest benefit of humankind.”

Hinton, who quit a role at Google so he could speak more freely about the dangers of the technology he helped create, shares those concerns.

“I am worried that the overall consequence of this might be systems more intelligent than us that eventually take control,” Hinton said….

(4) PRISON BANNED BOOKS WEEK. Learn about Prison Banned Books Week 2024 at the website.

Prisons are the largest censors in the United States.

Single state prison systems censor more books than all state schools and libraries combined. Literature gets banned by prison mailroom staff quickly flipping through books as they inspect the mail. These cursory judgments sweep up medical books, drawing and art books, popular magazines, history books and literature of all kinds. Prison censorship prevents people in jails and prisons from reading.

Recently, prisons and jails have been contracting with private telecom companies to provide tablets to detained and incarcerated people. While tablets offer unprecedented access to loved ones and outside allies, they have also been used to curtail paper literature under specious claims that mail is the primary conduit of contraband.

Content on tablets is also highly limited–with titles largely in the public domain whose copyright has lapsed because they were published in the nineteenth century. Despite obtaining these works for free, many prisons and jails charge incarcerated people to access this content. This inaccessible and outdated reading material is used to justify the denial of paper literature, including health and legal news….

… Demand Department of Corrections, the Federal Bureau of Prisons and Sheriffs ensure that people held in carceral facilities have equal access to both paper literature and tablets. Reading should not be restricted.

(5) ANOTHER SHUTTLE WILL COMMUTE TO ITS NEW L.A. HOME. “L.A. Gets a Second Space Shuttle and You Can Join the Motorcade”Los Angeles Magazine tells how.

It’s missing a wing and the tail is a little janky, but jaws are sure to drop when a giant space shuttle cruises the streets of Downey next week en route to its new home. The shuttle mockup Inspiration measures 35 by 122 feet and, while it never went to space, had an outsized impact on the space program and on Los Angeles history.

The idea of a reliable and reusable truck that could haul objects to orbit was around long before the first astronaut reached space. A 1959 proposal called for a vehicle that would be launched on a missile and glide back to earth. By 1972 engineers at Downey’s North American/Rockwell (later Lockheed/Boeing) plant were putting the finishing touches on an aluminum, plywood and plastic mockup of what a full-sized spacecraft might look like. “It was never meant to go into space,” says Ben Dickow, President and Executive Director of the Columbia Memorial Space Center. “It was a valuable tool in figuring out how to build the shuttle and see how things fit while still on the ground.”

A new $30 million pavilion next the Space Center will become the mockups new home, but for now it will reside in a temporary building at the museum. …

The 52-year-old classic will slowly trundle through city streets on October 17, like its younger cousin Endeavour did in 2012, greeting fans, dodging trees, and saying hello to Randy’s Donuts as it traveled from LAX to the California Science Center. Inspiration and Endeavour, the oldest and youngest versions of the Space Shuttle, will now both reside in Los Angeles….

… Along the way, it will pass a Kaiser Hospital, a TJ Maxx, and the 24 Hour Fitness built on the original site. When the old hangars were demolished, Inspiration was moved to the city yard. “The public works guys have been asking for that to be gone for 10 years,” says Dickow. “So, they’re excited to get their parking spaces back.”

Thursday, October 17
Site opens at 8am, shuttle starts moving at 9am, speakers at 10am

Columbia Memorial Space Center
12400 Columbia Way, Downey, CA 90242
Bellflower Blvd. will be closed for the move between Imperial Highway and Washburn Road.

(6) CHIMERA BRIGADE TEASER. “’The Chimera Brigade’ Unleashes a WWII Era of Superheroes in Stunning Animation”Animation Magazine sets the frame.

…Based on the graphic novel by Serge Lehman & Fabrice Colin (published by L’Atalante), The Chimera Brigade is an 8 x 40′ saga directed by Louis Leterrier & Antoine Charreyron (duration: 8 x 40’) which imagines a world where Marie Curie’s work with radium creates the world’s first superheroes on the eve of the Second World War. The project was recently presented at the 2024 Cartoon Forum. The project is produced by Ron Dyens for Sacrebleu and Cilvy Aupin for Ciel de Paris.

About the Series: The Chimera Brigade is an animated fantasy adventure series with an international scope. The universal nature of the subject matter, the mythology of superhumans, and the fundamental opposition between Magic and Science — ingredients that have been at the very heart of fiction — all bring a powerful and exciting narrative thrust to this reinterpretation of history. This story will sweep audiences away on a thrilling journey through a familiar period in History, seen through an entirely new lens.

The Chimera Brigade will give a new take on the interwar period, covering the rise of fascism in Europe up to Hitler’s accession to power. It holds up a mirror to the tragic reality that tainted that era, its blind spots and stances, resonating with modern history, an example of how the fate of the entire world can sometimes crystallize in the neuroses of a single man.

(7) ONE MARYLAND – ONE BOOK. [Item by Maria Markham Thompson, CPA.]  The Baltimore Science Fiction Society (BSFS) welcomes everyone to join in a discussion of What Storm, What Thunder by Myriam J. A. Chancy on Sunday, October 20, 2024 at 4:00 p.m. Eastern.

This book was chosen by Maryland Humanities as the 2024 One Maryland One Book (OMOB) to bring together diverse people in communities across the state through the shared experience of reading the same book.

The book discussion will be held in person at the BSFS Building, 3310 E. Baltimore Street, Baltimore, MD 21224. The building is fully accessible to all people and easily reached by several bus lines. Anyone who cannot travel to the building is invited to join the discussion via Zoom. Details including link and password are available on the BSFS website, www.bsfs.org.

(8) ROBERT J. RANDISI (1951-2024). Author, editor and screenwriter Robert J. Randisi has died reports Mystery Fanfare.

Bob was born August 24, 1951. He wrote over 650 books in the mystery, western, adventure, and fantasy genres, as well as being an Editor and Screenwriter. Bob founded The Private Eye Writers of America in 1981, where he created the Shamus Award. He also co-founded The American Crime Writers League; co-founded Western Fictioneers, and co-created the Peacemaker Award. 

(9) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born October 8, 1920Frank Herbert. (Died 1986.)

By Paul Weimer: I read Dune thanks to the original Dune movie, even if I didn’t manage to see it for years. Once upon a time magazines like Starlog had multiple features over multiple months on SFF movies, and an issue of Starlog with Sting on the cover drew my eye. What was this movie? Who was “Paul” anyway?  The movie came and went in theaters before I got to see it, but I came away with the key fact that this was based on a novel. 

And so I found the novel in the library and read it. And it became one of my heart books, because I hit it at just the right time for it to speak to me. I didn’t get, until a re-read and reading the sequels, how much Dune actually critiques its Chosen One narrative, and how much of a trap Paul walks into, but I was swept away by the characters, setting and infinitely recursive labyrinth of worldbuilding.  It was on the re-reads that I’ve seen just how powerful, potent and nuanced Herbert’s novel was. 

The next few novels beyond the original Dune only reinforced that belief, as I found myself endless fascinated by what Herbert created. I firmly believe people could and will remake Dune in other media for decades to come, and bring new and different perspectives on it, all of them equally valid — and all of them equally unable to capture the entirety of the novel, and its sequels. I eventually sought out some of Herbert’s other work and have found much of it much more of its time.  The surreal The Santaroga Barrier for instance, feels like a counterculture version of Walden Two. The strange giant insects of The Green Brain. The city prison of The Dosadi Experiment. But frankly, it is Dune and its sequels (and I owe myself a re-read of the entire series) that holds me to this day.

Frank Herbert

(10) COMICS SECTION.

(11) MINTY-FRESH HORROR. “Mouthwashing is a horror gem set on a stranded courier ship in space” – a Polygon-recommended game.

A good horror game scares you in the moment, but a great horror game lingers in the back of your mind well past the end credits. We’ve been blessed in recent years with a plethora of excellent horror games, but with the arrival of October comes even more spooky games to get us nice and scared before Halloween. Mouthwashing immediately gripped me with its jarring, off-putting visuals, and kept me pinned under the weight of mounting dread.

Mouthwashing is a three-hour narrative experience that takes place on the Tulpar, a Pony Express courier ship in the middle of a long-haul trip through space to deliver cargo….

…The game jumps around on the timeline, showing us the crew’s dynamic before the crash, and the mounting despair after the disaster. Months after the crash, still lost in space, the crew is eager to find an alternate source of food as their supplies dwindle. The captain was badly burned in the crash, leaving him reliant on a dwindling supply of painkillers. No one is coming for them, they’re running low on supplies, and all they have in the cargo bay is crate after crate of mouthwash….

… If this nightmare scenario has you even slightly intrigued, I heartily recommend checking out Mouthwashing on Steam or Itch.io. The game opens with a short message with the ship’s name, the delivery status, and an ominous note: “I hope this hurts.” It certainly did, and that’s why my mind is still stuck in far space on board the Tulpar….

(12) NO MORE ORDERS OF ‘KAOS’. Variety reports “’Kaos’ Canceled After One Season at Netflix”.

“Kaos,” the Greek mythology comedy series that premiered in late August, has been canceled at Netflix, Variety has learned.

The show premiered on August 29 and starred Jeff Goldblum as the all mighty Zeus, albeit in a more whimsical and insecure portrayal. In a modern-day setting, Zeus has chained up Prometheus after interfering his with godly rule over humanity. Prometheus then attempts to overthrow Zeus with the help of three humans, Eurydice, Ariadne and Caeneus. Charlie Covell (“The End of the F***ing World”) wrote the entire eight-episode series….

(13) JUPITER WILL HAVE TO WAIT. “Hurricane Milton’s Imminent Landfall Officially Delays NASA Mission to Jupiter”Gizmodo has the story.

NASA’s Europa Clipper, a mission set to probe Jupiter’s icy moon, will no longer launch on Thursday due to a Category 5 hurricane making its way towards Florida.

The spacecraft’s launch window opens October 10 and remains open until November 6. The Europa Clipper was supposed to launch on the 10th, but the unexpected rapid development of Hurricane Milton means the launch is officially postponed. In a release, NASA stated that the probe and the SpaceX Falcon Heavy rocket which will launch it into space are safely secured in a Kennedy Space Center hangar. NASA did not immediately state a revised launch date for the spacecraft….

(14) GRAPHENE: MAYBE NOT QUITE VIBRANIUM. [Item by Steven French.] Has graphene lived up to the hype? Let’s find out: “Graphene at 20: still no sign of the promised space elevator, but here’s how this wonder material is quietly changing the world” at The Conversation.

…Incredible claims about its properties made it sound like something out of a Stan Lee comic. Stronger than steel, highly flexible, super-slippery and impermeable to gases. A better electronic conductor than copper and a better thermal conductor than diamond, as well as practically invisible and displaying a host of exotic quantum properties. 

Graphene was hailed as a revolutionary material, promising ultra-fast electronicssupercomputers and super-strong materials. More fantastical claims have included space elevatorssolar sailsartificial retinas, even invisibility cloaks….

(15) THEORETICAL HOLES. [Item by SF Concatenation’s Jonathan Cowie.] From Nature, a report that primordial black holes, which are smaller than their better-known cousins, visit the inner Solar System once a decade, simulations suggest.  “Black holes as big as atoms might be speeding through the Solar System”.

Microscopic black holes might whizz through the inner Solar System once a decade — and scientists should be able to detect them

Some physicists think that primordial black holes — tiny, super-dense bodies created soon after the Big Bang — could account for the 85% of the Universe’s mass that is invisible, known as dark matter. Studies have ruled out the existence of very heavy and very light primordial black holes, but testing whether they exist in the asteroid-mass range has been challenging.

Tung Tran at the Massachusetts Institute of Technology in Cambridge, and his colleagues investigated how the gravitational pull of a passing atom-sized, asteroid-mass black hole would affect the Solar System. They simulated how much the black hole would shift planets off their usual trajectories and for how long. If primordial black holes do make up all dark matter, the team calculated that fly-bys should create an observable perturbation around once a decade.

Researchers could look for such blips in existing data — such as Earth-to-Mars measurements made by Mars orbiters — and use them to put limits on how abundant such black holes must be, they add.

See the primary research paper here: “Close encounters of the primordial kind:”  

(16) DIANA RIGG, MAGGIE SMITH SING TOGETHER. (MOSTLY DIANA RIGG). [Item by Daniel Dern.] Via my YouTube feed, showing that even algorithms can be right twice a day. From the 1982 (or 1981, depending who ya believe) film of Agatha Christie’s Hercule Poirot Evil Under the Sun. (Peter Ustinov as Poirot.) “You’re The Top” is from Cole Porter’s musical Anything Goes, btw. “Diana Rigg & Maggie Smith sing Cole Porter’s ‘You’re the Top’”.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Daniel Dern, Paul Weimer, N., SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 10/5/23 The Fan-Kzin Scrolls

(1) NICOLA GRIFFITH Q&A. “’Hild’ sequel author Nicola Griffith talks about ‘Menewood’” in the Christian Science Monitor.

When did you first learn about the real Hild?

I love old abbeys, old castles, all that kind of thing. But I had never been to [the ruins of Whitby] Abbey until I was in my early 20s. I crossed the threshold of the abbey, and it was like stepping into Narnia. The world just changed. You know when some people talk about the skin of the Earth being thin in some places, this sense of immanence? It was like that for me. 

I read in a tourist pamphlet about St. Hilda of Whitby, who founded the abbey, and I wanted to learn more, but there were no books about her. 

My question was, why is this woman, from a time when we’re told that women had no power, no influence, no significance whatsoever, still remembered 1,400 years later? Nobody could tell me. I was on fire to find out; I thought what we knew of history must be wrong. This could not have happened if what we think of as history is actually true. So I basically started this enormous controlled experiment. I rebuilt the seventh century. I mean, I researched before I even wrote a word.

I’d been researching that book [“Hild”] for 20 years. I’d been reading everything you could possibly think of, all the medieval plants, everybody’s lists of grave goods. I followed all the archeology magazines and blogs and journals, and I read about the weather. I researched the flora, fauna, jewelry, making textiles. And then the day before my birthday, I thought, I cannot start another year without having done this book. So I sat down and said, I’m going to write one paragraph. And so I did. And there was Hild. And she was 3 years old and sitting under a tree. And I thought, that’s how I’m going to do it. She’s going to learn the world along with the reader.

(2) LE GUIN VIDEOS PART FOUR. The Journey That Matters is a series of six short videos from Arwen Curry, the director and producer of Worlds of Ursula K. Le Guin, a Hugo Award-nominated 2018 feature documentary about the iconic author.

In the fourth of the series, Khadija Abdalla Bajaber introduces “There I Am on the Page,” in which Ursula and other writers—including Nisi Shawl and adrienne maree brown—reflect on Ursula’s decision to make many of her characters people of color. Watch  “Ursula K. Le Guin on Writing Characters of Color” at Literary Hub.

(3) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present David D. Levine and Robert Levy on Wednesday, October 11 at 7:00 p.m. Eastern. Where: KGB Bar, 85 East 4th Street, New York, NY 10003 (Just off 2nd Ave, upstairs)

DAVID D. LEVINE

David D. Levine is the author of Andre Norton Nebula Award winning novel Arabella of Mars, sequels Arabella and the Battle of Venus and Arabella the Traitor of Mars, and over fifty SF and fantasy stories, some collected in the award-winning Space Magic. His story “Tk’Tk’Tk” won the Hugo, and he has been shortlisted for awards including the Hugo, Nebula, Campbell, and Sturgeon. His latest novel is The Kuiper Belt Job.

ROBERT LEVY

Robert Levy’s novel The Glittering World was nominated for the Shirley Jackson Award and the Lambda Literary Award. Shorter work has appeared in The Magazine of Fantasy & Science FictionNightmareBlack Static, and The Best Horror of the Year. He teaches at the Stonecoast MFA Program, and his collection No One Dies from Love: Dark Tales of Loss and Longing is out now from Word Horde.

(4) NOBEL PRIZE FOR LITERATURE. Jon Fosse has won the 2023 Nobel Prize for Literature “for his innovative plays and prose which give voice to the unsayable.”

(5) LAURIE HALSE ANDERSON DONATES $100K TO PEN AMERICA’S FIGHT AGAINST BOOK BANS. The 2023 Astrid Lindgren Memorial Award laureate, American writer Laurie Halse Anderson, is donating $100,000 of her prize money to PEN America’s fight against book bans.

…Many of Laurie Halse Anderson’s books are frequently found on lists of banned books: books that, in some states or districts in the United States, are not allowed to be read in schools or bought by public libraries because of their subject matter or plot. Earlier this year, Anderson received the Astrid Lindgren Memorial Award, the world’s largest award for children’s and YA literature. The prestigious award comes with a cash prize of SEK 5 million ($452,000).

“Public libraries and schools have a duty to offer a broad range of books to the communities that they serve. People who find a book that they don’t like don’t have to read it. They do not have the right to dictate what books other people, or other people’s children, can read. I am proud to support PEN America and their fight against book banners and others bent on destroying our freedom to read. Remember: censorship is the child of fear and the father of ignorance”, says Laurie Halse Anderson….

(6) THEY WENT APE. Matthew Hays recalls how “50 Years Ago, One of the Gutsiest, Strangest Sci-Fi Movie Franchises Came to a Close with Battle for the Planet of the Apes” at Literary Hub.

When Planet of the Apes opened in cinemas in 1968, its box-office success was surprising even to the filmmakers themselves. After all, the film featured an astronaut survivor named Taylor (played by Oscar winner Charlton Heston) facing off against a planet of actors wearing elaborate ape makeup.

The possibility that the film would seem a giant joke to audiences had already crossed the minds of the suits at 20th Century Fox. The studio had set up an audience screening before they greenlit the project. Producer Arthur Jacobs was commissioned to film a 15-minute short film that would include some actors in ape makeup; if one person in the audience laughed, there would be no movie. No one laughed, and a legendary science fiction film was born.

To kids (I first saw the film at age six), Planet of the Apes seemed a basic movie about an astronaut landing on a planet run by a different species. But when the film arrived, many adults got the film’s multilayered jokes and running commentary: screenwriters Rod Serling and Michael Wilson (adapting Pierre Boulle’s novel) packed every imaginable bit of baggage that would fit into their carefully crafted Trojan horse. As New Yorker critic Pauline Kael immediately intuited, Planet of the Apes was a hate letter to America, full of commentary about slavery, manifest destiny, religious fundamentalism, creationism versus evolution, colorism and racism generally. The extensive medical experimentation done on the humans by apes is a clear reference to the Tuskegee Experiments. That some thought the apes were meant to represent Black Americans was a fundamental misreading of the film; the ape society is clearly a parody of American society, with all of its contradictions (especially the purported separation of church and state).

(7) WRITING POEMS, AND WAITING TO BE ARRESTED. [Item by SF Concatenation’s Jonathan Cowie.] With Chengdu Worldcon in mind, it is worth checking out today’s BBC World Service programme on the life of a Uyghur artist (poet, film and documentary maker) in China.

The programme is very Orwellian.

Tahir Izgil is one of the most highly respected living Uyghur poets. Tahir was born near Kashgar, in Xinjiang province, and from an early age he was immersed in the poetry of his culture. When the Chinese state clamped down on the Uyghur community, he lived under constant threat of arrest, and says he couldn’t even perform his poems. So he decided to try and escape his homeland…

You can listen to it here: “Writing poems, and waiting to be arrested”.

(8) 24TH FANTASIC SHORT STORY CONTEST. [Item by Ahrvid Engholm, contest administrator.] Results are in for the “24th Fantastic Short Story Contest” or “Fantastiknovelltävlingen”, probably the oldest running writing contest in Sweden, organized by writing E-mail list SKRIVA. (The term “fantastik” is here often used for sf, fantasy and horror, the “fantastic” genres.)

1st prize: “Der Berliner Underwellen”, by Kristian Schultz

2nd prize: “Cladosporium¨, by Isak Laestander

3rd prize: “The Cleaning Day”, by Kristian Schulz

There also were five “honorable mentions”.

A total of ca €200 is handed out in prize money plus a diploma and a secret prize… The Google English translation version of the result announcement

The winner 2023 Kristin Schultz also grabbed 3rd place, and despite having a German sounding title — it’s set in Berlin — the short story was in Swedish. An edited summary of the jury’s comments, authors P Lindestrand, K Bjällersted-Mickos and N Krog:

“…well-balanced description of a relationship in disintegration…Very eerie environments and Lovecraftian abominations that dwell in dark cellars…exciting and evocative story about…an underground tunnel populated by a hungry monster. The ending is dramatic, well written and classic…Wonderfully well-written and well-thought-out story about a Mathias and Klara who go on group sightseeing in the Berlin underground…Soon total chaos breaks out. The short story is well structured…A pleasure to read.”

Next contest starts in spring 2024. It will be the 25th and a silver jubilee!

(9) FAN HISTORY ZOOM: EVOLUTION OF FAN ART. The Fan History Project has another great FANAC Fan History Zoom session coming up coordinated by webmaster Edie Stern.

  • Evolution of Fan Art with legendary fan artists Grant Canfield, Tim Kirk, Jim Shull and Dan Steffan.

Sunday, October 15, 2023. Time: 4 pm EDT, 1 pm PDT, 9 pm BST (UK) and 7 am (Oct. 16, Melbourne, AU)

To attend, please send a note to fanac@fanac.org

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 5, 1945 Judith Kerman, 78. Can we call her a polymath? She’s a translator, publisher, academic, anthologist and poet.  All of her poetry, collected in Uncommonplaces: Poems of the Fantastic, is well worth your time. She did two non-fiction works of which I’m recommending one, “Retrofitting Blade Runner: Issues in Ridley Scott’s Blade Runner and Phillip K. Dick’s Do Androids Dream of Electric Sheep”, as I’ve a Jones for that literature.
  • Born October 5, 1949 Peter Ackroyd, 74. His best known genre work is likely Hawksmoor which tells the tale of a London architect building a church and a contemporary detective investigating horrific murderers involving that church. Highly recommended. The House of Doctor Dee is genre fiction as is The Limehouse Golem and The Casebook of Victor Frankenstein.  I thought Hawksmoor had been turned into a film but it has not. But he has a credit for The Limehouse Golem which is his film work. 
  • Born October 5, 1952 Clive Barker, 71. Horror writer, series include the Hellraiser and the Book of Art, which is not to overlook The Abarat Quintet which is quite superb. Though not recent, The Essential Clive Barker: Selected Fiction published some twenty years ago contains more than seventy excerpts from novels and plays and four full-length short stories. His Imaginer series collects his decidedly strange art.  There has been a multitude of comic books, both by him and by others based on his ideas.  My personal fave work by him is the Weaveworld novel.
  • Born October 5, 1959 Rich Horton, 64. Editor of three anthology series — Fantasy: Best of The Year and Science Fiction: Best of The Year, merged into The Year’s Best Science Fiction & Fantasy in 2010. He wrote a review column for Locus for twenty years, signing off this past February. His Strange at Ecbatan blog includes reviews, criticism, and a well-received series that proposes Hugo finalists to fill in the old years when only winners were announced, or even before the award was created.
  • Born October 5, 1971 — Paul Weimer, 52. Writer, Reviewer, and Podcaster, also known as @PrinceJvstin. An ex-pat New Yorker living in Minnesota, he has been reading science fiction and fantasy for over 40 years and exploring the world of roleplaying games for more than 35 years. A three-time Hugo finalist for Best Fan Writer (2020-2022), he is a prolific reviewer for Nerds of a Feather and contributes elsewhere, including Tor.com, The Skiffy and Fanty Show, A Green Man Review, and here at File 770. He also contributes to the Hugo-nominated fancast The Skiffy and Fanty Show and the SFF Audio podcasts. He was the 2017 Down Under Fan Fund delegate to the Australia and New Zealand National Conventions, and his e-book DUFF trip report, consisting of more than 300 pages of travel stories and stunning photographs, is still available here.
  •  Born October 5, 1974 Colin Meloy, 49. He’s best known as the frontman of the The Decemberists, a band that makes use of folklore quite a bit,  but he has also written the neat and charmingly weird children’s  fantasy Wildwood chronicles which is illustrated by his wife, Carson Ellis.

(11) COMICS SECTION.

(12) GET READY FOR LIFE DAY. Marvel comics will publish four Life Day variant covers in November – in time for the Wookiee celebration of Life Day on November 17.  

Each November, the galaxy far, far away celebrates family, joy, and harmony on Life Day, and this year, Marvel Comics will commemorate this longstanding Wookiee tradition by reflecting these values in all-new variant covers!

 Gracing the covers of STAR Wars, Star Wars: Darth Vader, Star Wars: Doctor Aphra, and Star Wars: Bounty Hunters, the four new Life Day Variant Covers come from artists Mike Del Mundo and Rod Reis and feature characters from throughout various eras of Star Wars storytelling, including nods to the original Star Wars Holiday Special. Fans can enjoy heartwarming moments like young Anakin Skywalker sharing a meal with his mother Shmi, Han Solo and Chewie decorating, Chef Gormaanda whipping up a delicious feast, and Doctor Aphra and Krrsantan reuniting for the season!

(13) EATING THE FANTASTIC. Scott Edelman invites listeners to relive Capclaves past and present during Eating the Fantastic’s lightning-round Capclave Donut Carnival.

I love Eating the Fantastic’s lightning-round donut episodes, for which I park myself in a heavily trafficked area of a con with a dozen donuts and chat with anybody who’s up for trading five minutes of talk for a freebie. It’s a fun contrast to my usual well-researched one-on-one conversations, in that it’s completely spontaneous, since I never know the identities of my guests until their eyes alight on my donuts and they choose themselves.

In 2016, listeners were able to eavesdrop on the Readercon Donut Spectacular, then in 2017 the Balticon Donut Extravaganza, in 2018 the Nebula Awards Donut Jamboree, and in 2019 — before the pandemic forced me to take a break from such things — the StokerCon Donut Spooktacular.

Because Capclave — which ended the day before yesterday as this episode goes live — not only has a patio, but this year, unlike last, had weather warm enough for us to gather there, I was able to bring back that tradition. On Saturday afternoon, I sat down out on the patio with two boxes of donuts from Donut King in Kensington, Maryland, and waited for potential guests to materialize.

So join us during the lightning-round Capclave Donut Carnival, where you’ll hear R. Z. Held and me bond over rejection, David Hacker explain his love of listening to writers read, Michael Dirda recall why Orson Scott Card once kneeled before him on an elevator, James Morrow share his fascination with Charles Darwin, how Katy Lewis found her husband through Dungeons and Dragons, Michael Walsh’s favorite moment as a con chair (which involved Howard Waldrop, Gardner Dozois, and George R. R. Martin), Bill Lawhorn clarify the creation of the bronze dodo, Sarah Pinsker reveal how and why her first science fiction convention was Capclave, Adeena Mignogna explain why space is cool but space travel gets really hot, Mike Zipzer’s memories of Terry Pratchett’s surprise visit, Sarah Mitchell’s arranging of a secret con wedding, Sunny Moraine opine on how the world’s response to COVID-19 changes our ideas of what would happen in a real-world zombie apocalypse, John Pomeranz chat about how the infamous Disclave Great Flood thrust him into being a hotel liaison — and much more!

(14) WOOF 2023. [Item by Rich Lynch.] WOOF(the Worldcon Order Of Faneditors) will have a collation at the upcoming Worldcon in Chengdu.  This year’s Official Editor (OE) is Don Eastlake. 

WOOF is an amateur press association (apa) that has been a feature of Worldcons since 1976 thanks to its originator, the late Bruce Pelz.  For those who will be attending this year’s Worldcon, there will be a WOOF collection box at the Worldcon for printed fanzines.  Alternatively, you can email your WOOFzine as a PDF to <woof2023@pobox.com>. Your contribution must be received by October 22, Chengdu time. After the deadline passes, the OE will collate all fanzines received into a single PDF document and this assembled mailing will then be made available for download and viewing at efanzines.com, where several previous mailings of WOOF are now archived.  (It’s not yet known if there will be any printed copies.)

(15) CHENGDU WORLDCON ROUNDUP. [By Ersatz Culture.]

Procedure for Chengdu bid supporters to be able to enter the lottery https://weibo.com/5726230680/NmqACu8fo

Following on from recent items, File 770 commenter Adaoli has documented the process that (Chinese?) supporters of the Chengdu site selection bid have to go through, in order to enter the lottery to attend any of the main ceremonies.  (I don’t think this particular quirk was mentioned in those earlier updates, because I didn’t — and still don’t — fully grok all the details.)  In my understanding, anyone who had Chengdu membership through supporting that bid — as opposed to buying a new membership or ticket — doesn’t have the purchase number that is necessary to fill in the lottery application, and so they have to go through this process.  Amongst other things, this involves calling a telephone helpline.

Some initial Weibo comments about the apparent lack of foreign/Western guests

Via Google Translate.  Poster’s identities have been removed, as have the names of authors, which has involved some minor editing for readability.  There are multiple comments from certain posters, so I wouldn’t claim that this is a representative sample of Chinese fandom by any means.

  • Guest of honor Lukyanenko did not appear (understandably). The willingness of foreign science fiction people to participate in the conference is indeed too low (visible to the naked eye).  (I suspect that last bit would be more accurately translated as “invisible to the naked eye”.)
  • Many authors who have been inactive for many years have been brought up to make up the number. Foreign guests invited many cartoonists and artists who are not well-known in China. There were only four well-known foreign writers. Yes, this is really embarrassing.
  • There is no publicity outside. When I helped distribute flyers at the Japan Science Fiction Convention in August, many people who sold doujinshi didn’t know it was held in Chengdu.  (FWIW, this poster has Korean hangul characters in their username, and Weibo indicates they posted that comment from a Japanese IP address.)
  • [In] 1991, there were 45 foreign guests at the WSF conference in Chengdu.
  • Let’s not talk about European and American writers. I didn’t see the writers from neighboring Japan, [Names of 8 Japanese writers omitted.]  It feels not much different from domestic science fiction conventions.
  • I checked that there were probably more than 120 foreign guests attending the event in Yokohama 2007. There were approximately 1,210 foreign participants at that conference (the total number of participants was 2,788) 

At time of submitting this item, I’ve not seen any general reaction to the schedule – although as the announcement on Weibo went out at 22:52 local time, I’m hoping there’ll be more commentary tomorrow.

Video posted showing the interior of the con site https://weibo.com/6088652407/4952842881735936

Chengdu-based KanDu News posted this 2:42″ video to Weibo, which is the best look yet at the interior of the con venue.  The opening captions indicate it was filmed yesterday (October 3rd), and there’s clearly a lot of interior construction work still underway.

From 0:30 to 0:55 shows the “Hugo Hall”, which is 4000 square meters. The guy talking indicates there’s something special about the video wall; it looks to be translucent and/or visible from both sides?  The area shown between 0:55 – 01:10 is (I think) the area for the press and media, and is 1000 square meters.  

 The structure shown between 1:35 and 2:20 seems like it’s a reproduction of something from the Wandering Earth 2 film, although I haven’t seen that, so I’m unclear what exactly it is. 

That organization also posted a video yesterday composed of night drone shots of the exterior — https://weibo.com/6088652407/NmaFNiigG.

Tibet Airlines magazine interview https://weibo.com/6045346855/NlSyioyiG

Via the Weibo account of Chengdu SF publisher 8 Light Minutes, (what I assume is) the October issue of the in-flight magazine of Tibet Airlines has a 6-page interview with Best Editor (Short Form) finalist Yang Feng, with various photos relating to the history of Chinese SF and the upcoming Worldcon

(16) WE APOLOGISE FOR ANY INCONVENIENCE. [Item by SF Concatenation’s Jonathan Cowie.] A time-loop, Groundhog Day-type audio play on BBC Radio 4, “We Apologise for Any Inconvenience.”

The being-trapped-in-a-repeating-time-loop trope has an early exemplar film in Groundhog Day (1993) but that was decidedly fantasy.

The SF version was 12:01 (1993) in which the loop was caused by technology. However, the trope’s provenance does not begin there: there was the earlier, Oscar short-listed, short film, 12:01 (1990) which in turn was based on the short story ’12:01 P.M.’ (1973) by Dick Lupoff (who sadly died in 2020).

Alas, challenging Hollywood as to potential plagiarism is arguably hard: it has deep pockets. But you can’t keep a good trope treatment down, and the idea of being stuck in a recurring time loop has been used in a fairly recent Star Trek series as well as an episode of Stargate as well as elsewhere.

And now the BBC has just gotten in on the act with a play on Radio 4 this week: We Apologise for Any Inconvenience, only this time, the principal protagonists are not those actually stuck in the loop themselves but others who happen to encounter the hapless looper that day… 

Sebastian Baczkiewicz’s drama takes us to an anonymous northern station at the heart of the rail network on the day everything grinds to a halt. Hundreds of lives go into limbo but one person claims to have been stuck there longer than anyone else. Will his groundhog day ever end? 

You can listen to it here.

(17) TOP STREAMING. JustWatch lists the top 10 most streamed movies and TV shows for the month of September.

(18) OVER 20K YEARS OLD. A U.S. Geological Survey “Study confirms age of oldest fossil human footprints in North America”.

In September 2021, U.S. Geological Survey researchers and an international team of scientists announced that ancient human footprints discovered in White Sands National Park were between 21,000 and 23,000 years old. This discovery pushed the known date of human presence in North America back by thousands of years and implied that early inhabitants and megafauna co-existed for several millennia before the terminal Pleistocene extinction event. In a follow-up study, published today in Science, researchers used two new independent approaches to date the footprints, both of which resulted in the same age range as the original estimate. 

The 2021 results began a global conversation that sparked public imagination and incited dissenting commentary throughout the scientific community as to the accuracy of the ages. 

“The immediate reaction in some circles of the archeological community was that the accuracy of our dating was insufficient to make the extraordinary claim that humans were present in North America during the Last Glacial Maximum. But our targeted methodology in this current research really paid off,” said Jeff Pigati, USGS research geologist and co-lead author of a newly published study that confirms the age of the White Sands footprints….

In addition to the pollen samples, the team used a different type of dating called optically stimulated luminescence, which dates the last time quartz grains were exposed to sunlight. Using this method, they found that quartz samples collected within the footprint-bearing layers had a minimum age of ~21,500 years, providing further support to the radiocarbon results…

(19) VIDEO OF THE DAY. Ryan George is there when “The Eggplant Emoji Finds Out” what everybody uses it for.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Kathy Sullivan, Scott Edelman, Joe Siclari, Rich Lynch, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, and Ersatz Culture for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 10/6/22 I’m Called Little Barlennan, Strong-Pincered Barlennan

(1) BRIDGING WORLDS EDITOR Q&A. Insightful questions, great answers in “Hugo Book Club Blog: Interview with Oghenechovwe Donald Ekpeki, editor of Bridging Worlds”.

It strikes me that your previous anthology Dominion was extremely successful. It seems to me like it would be tempting to take the easy route and follow that up with something very similar. One of the things that impresses me about Bridging Worlds is that you’ve taken a risk. Could you speak to that risk? To the fact that you’re tackling new ground here?

[ODE] I consider myself a literary explorer. I want to enjoy and experience things across the entire gamut of the literary, starting with the speculative. That is why I am engaged in a wide range of activities like writing and editing, long and short fiction, non-fiction, slush reading, publishing, conrunning, organizing awards, presses, etc. Even in my fiction, you’ll notice this. O2 Arena my Nebula-winning story is mundane sci-fi as Geoff Ryman coined, where my Nommo-winning “Witching Hour” is fantasyish. “Mother’s Love, Father’s Place” is a historical fantasy and “Destiny Delayed” in Asimov’s and Galaxy’s Edge published this year is a genre blender. My latest story “The Magazine of Horror”, yet unpublished is epistolary, written as a series of letters between magazine editors and a submitter. 

My editing is the same. After Dominion, an original fiction anthology, I undertook to do the first-ever Year’s Best African Speculative Fiction anthology, a Hugo, Locus, WFA & BFA finalist. It was a reprint anthology. And next was Bridging Worlds, an original non-fiction anthology, then I edited several collections with Interstellar Flight Press before returning to editing original fiction with Sheree Renée Thomas and Zelda Knight again in Africa Risen. I believe in exploring, charting and discovering new courses, to challenge myself to growth as you cannot find without risk. Rather than stagnating on the capitalist, hollywoodish attitude of being safe and dying on the altar of ‘never change a winning formula.’ The truest wins, are yet undiscovered and continued progress and the ongoing growth of the genre hinges on going outside our comfort zones to find what’s different, new, needed.

(2) NOBEL PRIZE FOR LITERATURE. Annie Ernaux is the winner of the 2022 Nobel Prize for Literature, a French author cited “for the courage and clinical acuity with which she uncovers the roots, estrangements and collective restraints of personal memory.” The summaries of Ernaux’ major works do not indicate that any are genre, but you wanted to know who won, didn’t you?

(3) RELATED WORKS. Cora Buhlert’s new “Non-Fiction Spotlight” is for Rising Sun Reruns: Memories of Japanese TV Shows from Today’s Grown-up Kids, edited by Jim Beard.

SFF-related non-fiction is somewhat sidelined by the big genre awards, since the Nebulas have no non-fiction category and the Best Related Work Hugo category has become something of a grab bag of anything that doesn’t fit elsewhere. So why do you think SFF-related non-fiction is important?

[Jim Beard] Because of the width and breadth of SF and Fantasy in pop culture, and how we all as fans have connection points throughout it. I personally love coming across a non-fiction book on a subject I love, whether well-known or obscure, and while I myself am chugging away on doing my own publications, I can’t wait to see what other editors and publishers are doing. We’ve only scratched the surface of what can be discussed, debated, and delivered in SFF non-fiction.

(4) TROLLING TOMLINSON. The Daily Beast gives mainstream media attention to a story fans have been following for some time: “Internet Trolls Have Tormented Patrick Tomlinson for Years and He Can’t Stop Them”.

…Tomlinson and his wife have both been the victims of impersonators spoofing their email and social media accounts to send bigoted messages to colleagues and random people, prompting intensive cleanup efforts on the sci-fi writer’s behalf.

All the while, the author continues to receive dozens of insulting texts, voicemails, and emails on a daily basis from his nameless stalkers, some of whom even send pictures indicating they’re just outside his house.

Yet, as Tomlinson told The Daily Beast, the efforts they’ve taken to identify his harassers and potentially bring them to justice have not only come up empty but cost them tens of thousands of dollars in legal fees. All because a court recently found that the identity of the anonymous owner of the message board can remain hidden and thus cannot be subpoenaed to provide information about the identities of the users on their site.

Tomlinson’s plight is somewhat similar to that of trans Twitch streamer Clara Sorrenti, who has been the focus of a lengthy, vicious, anti-trans harassment campaign by users on the internet message board Kiwi Farms. In fact, Tomlinson himself was the target of a 1,400-page thread on the notoriously toxic online community, whose users single out specific individuals to stalk and harass….

…During this period of time, Tomlinson filed a court action attempting to subpoena Cloudflare in an effort to seek the identity of the anonymous blogger who runs the OnA Forums. Tomlinson’s lawyers argued that he needed the ability to depose the forum owner in order to learn the identities of dozens of anonymous users he sought to sue for posting defamatory statements about him on the site.

In September 2021, a California judge granted John Doe’s order to quash Tomlinson’s petition to subpoena Cloudflare to learn Doe’s identity, citing protections under Section 230 that allows for anonymity for those who passively engage on the internet.

…Besides quashing the subpoena, Judge Ethan P. Schulman also ordered Tomlinson to pay a mandatory amount of $23,739.25 in attorneys’ fees and costs.

(5) CITY TECH SF SYMPOSIUM. The Seventh Annual City Tech Science Fiction Symposium has put out a “Call for Papers: Science Fiction and the Archive”. The online event, sponsored by the School of Arts and Sciences at the New York City College of Technology, CUNY, will take place Tuesday, December 6, 2022 from 9:00AM-5:00PM Eastern.

Continuing the explorations and conversations of the previous two symposia on “Race” and “Access” respectively, this year’s City Tech Science Fiction Symposium is focused on the idea of the “Archive.” The potential of the SF Archive as an inclusive and celebratory concept is increasing, and we hope this symposium will be a space to facilitate its expansion through our conversations and collegial debate. Of course, an archive (little a) can refer to practical considerations of Library-based Special Collections like those in the City Tech Science Fiction Collection and others, including the collected materials, cataloging, and providing access. However, we are also thinking of the Archive (big A) in terms of canonicity, cultural preservation, reading lists, and bookstore shelfspace. These latter considerations raise questions about what does and doesn’t get included within what we might call the SF Archive as well as who does and doesn’t get a say in those selections. Therefore, the SF Archive is a broadly based concept that encompasses Libraries and Special Collections and the larger cultural space of fandom, social media, and the marketplace, all of which involve the exchange of cultural capital, influence by different forms of gatekeepers, and conversations on many levels by different readers about what SF should be valued, recognized, and saved. 

The SF Archive changes over time. Perhaps most exciting for the present are the many initiatives to excavate our shared cultural histories for SF that had been overlooked or forgotten but certainly deserving of inclusion, such those by writers of color, women, and LGBTQ+ persons; and efforts to bring global SF to wider audiences thanks to growing networks of readers and scholars versed in the original language of a text and those wanting to experience those stories through translation. 

The Symposium is also where Analog Science Fiction and Fact will announce the winner of their second Analog Award for Emerging Black Voices Award.

(6) CROWDSOURCED QUESTIONS FOR KEVIN SMITH. [Item by Cora Buhlert.] Readers of the Guardian interview director Kevin Smith. Of his works Dogma and Masters of the Universe: Revelation are explicitly genre, the rest is at the very least genre-adjacent: “Kevin Smith: ‘How are you going to get laid if you look like an old person?’”. The answer to the first question is really sad BTW, because Smith says he received so much harassment from toxic fanboys about Masters of the Universe: Revelation that he wouldn’t even want to do a Star Wars or Marvel movie, because he fears it would be worse.

 What was it like working with Alan Rickman in Dogma? CWilliams1955

Bliss. Alan Rickman, it turns out, was my friend. I was such a fan from the moment I saw him in Die Hard. I assumed we were just associates, but he stayed in touch the rest of his life. Whenever I was in England, he would call out of the blue and say – I can’t do the voice: “I know you’re here, it’s time to hang out.” He wasn’t just being professionally courteous because we made a movie together 20 years ago. I still can’t believe Alan Rickman actually liked me.

One of my favourite memories is when he came to one of my shows at the O2 in London and we drove back to town together. He said: “I’ve finally broken and bought an apartment in New York.” I said: “That’s excellent.” He said: “It’s not excellent, it’s in the same building as my friend Ralph.” I said: “Why is that bad?” And he said: “Ralph Fiennes. If the Harry Potter world found out that Snape and Voldemort live in the same building, they’d burn it to the ground!”

(7) MEMORY LANE.  

1962 [By Cat Eldridge.] Sixty years ago, the very first novel in James White’s most exemplary Sector General series was published, Hospital Station

Now I wasn’t originally was going to do an essay on this series as I was about to do a UPN series about a human interstellar hospital series (and yes I’ll tell you about it next year) but I remember this series and yes I liked it a lot, so decided to essay it this time. Me, fickle? No. 

(That series, Mercy Point, was considered influenced by White’s series. It lasted seven episodes. No, I’ve not seen it.)

I think I was in University when I discovered the Ballantine Books paperback of the first novel  in a wonderful bookstore near the public library in the town near the University. (It had four used bookstores. Bliss!) I won’t say it was it was the cover that it attracted me as it wasn’t at all appealing, but the tag line of “the fabulous story of a hospital in the sky” did get my attention.  

It certainly didn’t disappoint. Hospital Station was quite amazing from beginning to end. It was the home of many strange creatures, including humans! 

As one reviewer so aptly put it, “Good-natured, high quality, pacifist SF that is ideal comfort food when looking to elevate your mood into the upper range of the happy scale.”  It was the antithesis of all the military SF in existence and I loved deeply it for being so. Humans and aliens not attacking each other, but working together instead. Oh how so very wonderful!

White was very good at envisioning both how humans would handle dealing with various aliens and those aliens themselves. One of the lasting advantages of text fiction over video fiction is it is easier to create in the mind’s eye an alien for the reader. And damn cheaper too! 

Some reviewers and readers have criticized the twelve novel series saying that as it went along its way that it got weaker, less interesting. Not for me, as I think it was perfectly fine right to the end, even the sometimes far too jokey The Galactic Gourmet. 

Okay, food in genre fiction is a tricky thing to doJust look at Steven Brust’s Cowboy Feng’s Space Bar and Grille which is the only novel by him that I deeply loathe with all my heart. (Don’t worry, he knows that. He gets dark chocolate from me.)

One critic compared the setting to that of Deep Space Nine which I must say makes me go WTF? Yes it’s a station in outer space but that’s the only resemblance. A pacifist hospital versus a heavily armed station? Huh?

I’ve re-read some of the novels several times such as Hospital Station forty years on and the steel booted Suck Fairy stubbed her toe on the way to it and broke her leg. It’s just as fine now as it was way back then. 

The first three novels, Hospital StationStar Surgeon and Major Operation are really a Meredith Moment from the usual suspects at twelve bucks.

White was a Guest of Honor of the L.A.con III Worldcon that Our Ever So Gracious Host chaired in 1996. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 6, 1942 Britt Ekland, 80. She starred in The Wicker Man as Willow MacGregor, and appeared as a Bond girl, Goodnight, in The Man with the Golden Gun. She was also Queen Nyleptha in King Solomon’s Treasure based off the H. Rider Haggard novels. 
  • Born October 6, 1946 John C. Tibbetts, 76. A film critic, historian, author. He’s written such articles as “The Illustrating Man: The Screenplays of Ray Bradbury” and “Time on His Hands: The Fantasy Fiction of Jack Finney”. One of his two books is The Gothic Imagination: Conversations on Fantasy, Horror, and Science Fiction in the Media, the other being The Gothic Worlds of Peter Straub.
  • Born October 6, 1950 David Brin, 72. Author of several series including Existence, the Postman novel, and the Uplift series which began with Sundiver, followed by Startide Rising, a most excellent book and a Hugo-winner at L.A. Con II (1984). I’ll admit that the book he co-wrote with Leah Wilson, King Kong Is Back! An Unauthorized Look at One Humongous Ape, tickles me to no end.
  • Born October 6, 1955 Ellen Kushner, 67. If you’ve not read it, do so as her now sprawling Riverside series is amazing. I’m quite sure that I’ve read all of it. And during the High Holy Days, do be sure to read The Golden Dreydl as it’s quite wonderful. As it’s Autumn and this being when I read it, I’d be remiss not to recommend her Thomas the Rhymer novel which won both the World Fantasy Award and the Mythopoeic Award.
  • Born October 6, 1952 Lorna Toolis. Librarian, editor, and fan Lorna was the head of the Merril Collection of Science Fiction, Speculation, and Fantasy at the Toronto Public Library from 1986-2017, a collection started in 1970 with a donation from Judith Merril. Toolis was a significant influence on the Canadian SF community, a founding member of SFCanada, who won an Aurora Award for co-editing Tesseracts 4 with Michael Skeet. (Died 2021.)
  • Born October 6, 1963 Elisabeth Shue, 59. Best known as Jennifer, Marty McFly’s girlfriend, in Back to the Future Part II and Back to the Future Part III, she also had roles in Hollow Man and Piranha 3D. Really Piranha 3D? Let’s look that up on Rotten Tomatoes… The audience reviewers there gave it a twenty-two percent rating.

(9) COMICS SECTION.

(10) ACTING IN THE AGE OF CGI. [Item by Francis Hamit.] I trained as an actor when I was a Drama major.  A Method actor should be able to handle this. British-trained actors may have a harder time of it.  But this may explain why the performances in comic book movies are so uneven. “Does it really matter if Marvel’s stars act in a state of utter bewilderment?” in the Guardian.

Ewan McGregor revealed earlier this year that he spent virtually the entirety of filming for 2002’s Star Wars: Attack of the Clones wandering round a blue-screen studio talking to inanimate objects while portraying the young Obi-Wan Kenobi, an experience he clearly found disgruntling. “I spent a lot of time off on my own and on this planet with tall aliens, and of course, none of that was there,” he said during interviews for the recent Disney+ show that revived the Jedi knight. “For me, it was, like, a long time walking around blue sets speaking to tennis balls and sticks and it was just not what I was used to, and it was hard to make. Hopefully, we made it realistic and we did the best we could.”

In the early days of CGI film-making, actors regularly reported similar unease, but in recent years the problem seems to have diminished. This is probably down to the increased use of motion capture where actors can bounce off their fellow cast members in a more organic fashion….

(11) STAR POWER. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Timmy Fisher discusses “When You Wish Upon A Star” from Pinocchio.

…The song was penned for Walt Disney’s original animated feature, with in-house composer Leigh Harline setting words by ex-Broadway lyricist Ned Washington.  That wistful version–a homage to the nursery rhyme ‘Star Light, Star Bright’–was perfectly suited for the crooning falsetto of Cliff Edwards, aka Ukulele Ike, a vaudeville star who voiced Jiminy Cricket and recorded abridged versions for the opening credits and the final scene….

Though Pinocchio initially struggled at the box office. ‘When You Wish’ was an instant hit:  a re-recording with Edwards and the Victor Young Orchestra jostled for attention among covers by Glenn Miller, Kate Smith, and Vera Lynn, as well as the movie soundtrack release.  Foreign-language versions such as the Swedish “Ser du Stjärnan I Det Blå” (“Do you see the star in blue”) soon popped up.  Even Nazi Germany succumbed.  According to Albert Speer, Hitler whistled it at the Palais de Chaillot overlooking a conquered Paris.

(12) THE DOC AND SPOCK. “Star Trek’s Leonard Nimoy nearly directed the Doctor Who TV movie” reports RadioTimes.

Having premiered just over 25 years ago to a mixed reception, the 1996 Doctor Who TV movie has slowly garnered an appreciation alongside a strong fandom for Paul McGann’s Eighth Doctor, who made a brief return appearance as part of the show’s 50th anniversary celebrations in 2013….

…While best known for his iconic role as Spock in Star Trek, Nimoy is no stranger to directing, having helmed Star Trek III and IV as well as Three Men and a Baby, which went on to become the highest-grossing film of 1987.

With an impressive track record not only with sci-fi fans but also at the box office, Nimoy might have seemed like a no-brainer to come on to direct. So, what happened?

“FOX did not want him to do it. They were concerned it looked very kitsch to go, ‘Aren’t we clever? We’ve got Spock from Star Trek directing.’”…

(13) YOU GOT TROUBLE, MY FRIEND. In the Washington Post, Michael Cavna says newspapers are slashing the space given to comic strips, with Lee Enterprises saying in its 77 dailies the comic strips will be cut to half a page.  Comic strip creators are scrambling to replace the lost income. “Is the print newspaper comics page in trouble?”

…And Patrick McDonnell, creator of the strip “Mutts,” which he says lost dozens of clients, underscores why comics are a popular staple of the newspaper, with readers developing long-term relationships with their favorite strips: “Over time, the characters are like family. Newspapers should consider this bond before they decide to make drastic changes.”…

(14) BOO! Alasdair Beckett-King sums up all haunted house movies in this clip from 2021.

(15) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers:  Metal:  Hellsinger,” Fandom Games says this game combines the thrill of blasting creatures with the throbbing beats of metal, with a different headbanging song on every level.  They say “We wonder what these guys could do with an actual budget,” but adds the key to success here is “just don’t expect to use any part of your brain that you can’t find on a lizard.  But sometimes smooth brain fun is the best kind of fun.”

[Thanks to John King Tarpinian, Andrew Porter, Chris Barkley, mark, Cora Buhlert, Francis Hamit, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern & Sullivan.]

Pixel Scroll 10/4/22 TANSTAFE! (There Ain’t No Such Thing As Free Elevenses)

(1) MEASURED BY ANOTHER YARDSTICK. “Too Dystopian for Whom? A Continental Nigerian Writer’s Perspective” by Oghenechovwe Donald Ekpeki at Uncanny Magazine.

It is a common conception that people come to fiction, especially the speculative, to escape reality. And that is indeed one of the purposes it can serve. Another is that conversely to escaping, people come to fiction to encounter or experience reality. A paradox? After all, we already live in reality, one that is ubiquitous. We have it all around us, painfully so sometimes. Hence the need for an escape. But you see, reality has different facets, different windows, like eyes, that reveal different vistas.

This is why the consumption of fiction and SF/F based on other cultures and by people of other demographics is a necessity. Doing so helps us diversify our understanding and encounter all these different realities that lie beyond our immediate purview. What we are often steeped in is our own immediate reality, which is, while occasionally painful, also painfully limited.

It has often been surmised, most especially around discussions of war, climate change, natural disasters, and more recently the outbreak of COVID-19, in articles like this in Wired and on The Apeiron Blog we are living in a dystopia. This realization has weaned many of the need for apocalyptic, post-apocalyptic, and dystopian fiction, and has them preferring instead to immerse themselves in lighter, more upbeat and positive work. This is of course valid, as we all must do what we feel right. But beyond personal preferences of individuals for lighter, “happier” works in this period of gloom, there is a wider and more general assertion that dystopias, apocalypses, grimdark, dark fantasy, and the like are now unnecessary because we live in and have it all around us. A Publishers Weekly piece talks about dystopian fiction losing its lustre due to the pandemic and spells doom for the subgenre of doom. But is this really so? In a viral tweet, the account tweets its disagreement, which I quite agree with, saying that “Dystopian fiction is when you take things that happen in real life to marginalized populations and apply them to people with privilege.” The dystopian reality is not new and has been with us for a while. Its fictionalizing continues till date despite those debates regarding its relevance or necessity….

(2) FINALIST NUMBER ONE. Mark Lawrence has started posting finalists for the 8th Self-Published Fantasy Blog-Off. The first (and as of today only) finalist is Tethered Spirits by T.A. Hernandez.

(3) NOBEL PRIZE IN PHYSICS. The Royal Swedish Academy of Sciences today announced the winners of “The Nobel Prize in Physics 2022: Entangled states – from theory to technology”.

The Royal Swedish Academy of Sciences has decided to award the Nobel Prize in Physics 2022 to
Alain Aspect, Université Paris-Saclay and École Polytechnique, Palaiseau, France,
John F. Clauser, J.F. Clauser & Assoc., Walnut Creek, CA, USA and
Anton Zeilinger, University of Vienna, Austria

Alain Aspect, John Clauser and Anton Zeilinger have each conducted groundbreaking experiments using entangled quantum states, where two particles behave like a single unit even when they are separated. Their results have cleared the way for new technology based upon quantum information.

The ineffable effects of quantum mechanics are starting to find applications. There is now a large field of research that includes quantum computers, quantum networks and secure quantum encrypted communication.

One key factor in this development is how quantum mechanics allows two or more particles to exist in what is called an entangled state. What happens to one of the particles in an entangled pair determines what happens to the other particle, even if they are far apart….

(4) THE ONION ISN’T KIDDING. “Area Man Is Arrested for Parody. The Onion Files a Supreme Court Brief.”  — the New York Times covers the litigation.

A man who was arrested over a Facebook parody aimed at his local police department is trying to take his case to the Supreme Court. He has sought help from an unlikely source, which filed a friend-of-the-court brief on Monday.

“Americans can be put in jail for poking fun at the government?” the brief asked. “This was a surprise to America’s Finest News Source and an uncomfortable learning experience for its editorial team.”

The source is, of course, The Onion.

Or, as the satirical website described itself in the brief, “the single most powerful and influential organization in human history.”

The Parma, Ohio, area man in question, Anthony Novak, spent four days in jail over a Facebook page he created in 2016 that mocked his local police department. He was charged with using a computer to disrupt police functions, but a jury found him not guilty.

Mr. Novak says his civil rights were violated, and he is trying to sue the city for damages. A federal judge dismissed the lawsuit earlier this year, saying that the police had qualified immunity, and an appeals court upheld that decision. Now the high court is reviewing his request to take up the matter….

(5) STAR TREK SANDWICH. According to Boing Boing, “Harlan Ellison auction includes the world’s most (in)famous “Star Trek” photo”.

Heritage Auction’s upcoming auction of Harlan Ellison’s estate contains a wealth of memorabilia, including a photo of young Harlan flanked by Leonard Nimoy and William Shatner in full character costume. Nimoy inscribed the photo with, “Harlan, Love you & your great credits,” and Shatner wrote, “Who’s the kid in the middle.”

Heritage says the photo is “sure to be one of the most fought-over, sought-after items in Heritage’s history.”

…Proceeds from the sale will benefit the Harlan and Susan Ellison Foundation, a nonprofit created by Straczynski. The foundation is working to turn the late couple’s Los Angeles home into what Straczynski calls “a place dedicated to writing, creativity, art and music.”

It will be a “memorial library,” he says, “full of books (50,000 by actual count), art (the pieces in the Heritage auction represent only a small portion of what’s there), comics, amazing architecture (complete with a tower, hidden rooms, gargoyles and the Lost Aztec Temple of Mars).” Straczynski says it will serve “fans of Harlan’s work, sure, but also lovers of art and books and architecture, as well as academics who will be able to study his manuscripts and decades of correspondences with some of the most famous writers in and out of the science fiction genre.”

(6) DEBUT NOVEL OF FAMED COMICS CREATOR. Grant Morrison discusses their first novel at CrimeReads. “Grant Morrison on Gender, Genre, and Drag”.

Molly Odintz: Luda is all about the instability of identity, exemplified by drag. What did you want to say about the identities we are assigned, and assume?

Grant Morrison: At the simplest level, I suppose I want to say that ‘identity’, at least from my point of view, appears to be conditional and refuses to be contained by any label; how does the ‘identity’ of a person as a two year old child square with that same person’s alleged ‘identity’ as a 40-year old or as a dying 90-year old in a failing physical frame – our bodies and minds and how we feel about ourselves, and who we are within a larger constantly shifting and rearranging system, are subject to such radical transformations over decades that were we to speed a human life up to last ten minutes rather than 80 years the result would resemble a radical metamorphic shifting of shape and size, intellectual capacity and ‘personality’. The idea of a single label adequate to that process seems absurd.

(7) SOCIAL MEDIA CRITICISM AGAINST GRRM COAUTHORS. George R.R. Martin’s tweet publicizing a forthcoming Westeros reference book opened floodgates of criticism against his coauthors Linda Antonsson and Elio M. García Jr.

Variety reported today “‘Game of Thrones’ Fans Boycott George R.R. Martin’s Next Book, Accusing Coauthors of Racism”.

Bestselling fantasy author and “House of the Dragon” executive producer George R.R. Martin is caught in the crossfire of the heated battle over inclusive casting — and some of his fans are calling for a boycott of his upcoming book due to comments by its coauthors.

Out Oct. 25, “The Rise of the Dragon: An Illustrated History of the Targaryen Dynasty, Volume One” is being touted as a “deluxe reference book” for those itching to learn more about Westeros’ most powerful family. When Martin publicized it on social media last week, thousands of fans responded in outrage, many calling out the problematic behavior and “history of racism” of his coauthors, married couple Linda Antonsson and Elio M. García Jr. “I will not be buying anything with Linda and Elio attached to it,” one wrote, while others urged Martin to sever ties with the pair….

…Antonsson contends that upset fans are criticizing “cherry-picked statements stripped of context.” She tells Variety that it bothers her to be “labeled a racist, when my focus has been solely on the world building.” According to the author, she has no issue with inclusive casting, but she strongly believes that “diversity should not trump story.”

“If George had indeed made the Valyrians Black instead of white, as he mused on his ‘Not a Blog’ in 2013, and this new show proposed to make the Velaryons anything other than Black, we would have had the same issue with it and would have shared the same opinion,” Antonsson says.

Vulture carries more documentation: “’Game of Thrones’ Book Co-Authors Accused of Racism by Fans”.

…Married couple Linda Antonsson and Elio M. García Jr., who founded the fansite Westeros.org and have worked as fact-checkers on Martin’s novels, have decried the casting of people of color in Game of Thrones for over a decade. In 2011 and 2012, Antonsson made numerous Tumblr posts saying that most of Westeros, including Dorne, and many of the overseas lands, should be considered “very white indeed,” and getting angry and defensive at any suggestions from “whiny social justice crusaders” to the contrary. Antonsson insists that the only correct interpretation of the books is that “Unremarked skin colour=>white.”

“If you start talking about there being a need — a need outside of what is in the text — to cast actors of certain ethnicites [sic] even if their appearance doesn’t match at all what’s in the text … well, fuck that, plain and simple,” she wrote in May 2012. “I don’t respect that approach, never have and never will, and that is a perfectly valid decision. It has nothing to do with racism, so kindly go fuck yourself with something sharp and pointy.” She disapproved of the casting of a Black actor as Xaro Xhoan Daxos because that character was described as “pale” in the books, and celebrated the casting of a white actor to play Daario Naharis because of his race. In 2021, after the casting of Steve Touissant as Corlys VelaryonAntonsson wrote on Twitter, “Take your woke fucking stupidity and shove it up you ass. Corlys is miscast, there are no black Valyrians and there should not be any in the show.”…

(8) BIG DEALS. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Tom Faber discusses the appeal of card games.

The influence of cards is more notable in the popular genre of ‘deck-building’ games.  These titles such as Slay The Spire and the enormously popular Hearthstone, from World Of Warcraft creator Blizzard, prove particularly compelling because they augment cards with all the capabilities of digital technology, offering seamless online multi-player modes, visual pyrotechnics and an eternally expanding set of possible cards from which to choose…

…The enduring presence of cards is credit to their adaptability.  Cards are not a game in themselves but a highly flexible medium which can be used as metaphors for combat, vehicles for strategy or links to a long lineage of play that stretches far back into human history.  Today you can build memories out of houses of cards in Where Cards Fall or use cards as units of dialogue in Signs Of The Sojourner.  Rather than killing off the humble playing card, video games have given them thousands of fresh possibilities.

(9) MEMORY LANE.  

1965 [By Cat Eldridge.] Fifty-seven years ago on the BBC, Out of this World series first aired. It. produced by the BBC and broadcast on BBC2 in four series. 

It was created and produced by Irene Shubik while she was working on Armchair Theatre as a story editor. In the highly patriarchal workplace of the Sixties BBC, it was unusual that was allowed to do this. 

(Very much to her credit, she was involved in The Jewel in the Crown undertaking, a most impressive series indeed.)

She was aided by the fact that Armchair Theatre had done an adaptation of John Wyndham’s “Dumb Martian” story as a deliberate showcase for the Out of this World series. 

It lasted but thirteen episodes of which one survives today as the BBC bulk erased them, the ass****s. Too bad as Boris Karloff presented it and the stories were based off tales written by Clifford D. Simak (“Immigrant”), Isaac Asimov (“Little Lost Robot”) which is the only one that survives which the British Film Institute has released on DVD and Philip K. Dick (“Impostor”). 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 4, 1860 Sidney Edward Paget. British illustrator of the Victorian era, he’s definitely known for his illustrations that accompanied Arthur Conan Doyle’s Sherlock Holmes stories in The Strand. He also illustrated Arthur Morrison’s Martin Hewitt, Investigator, a series of short stories featuring the protagonist, Martin Hewitt, and written down by his good friend, the journalist Brett. These came out after Holmes was killed off, like many similar series. (Died 1908.)
  • Born October 4, 1904 Earl Binder. Under the pen name of Eando Binder, he and his brother Otto published SF stories. One series was about a robot named Adam Link. The first such story, published in 1939, is titled “I, Robot”. (A collection by Asimov called I, Robot would be published in 1950. The name was selected by the publisher, despite Asimov’s wishes.) As Eando Binder, they wrote three SF novels — Enslaved BrainsDawn to Dusk and Lords of Creation. There’s lots of Eando Binder available on iBooks and Kindle. (Died 1966.)
  • Born October 4, 1923 Charlton Heston. Without doubt, his best known genre role was astronaut George Taylor in the Planet of the Apes. He returned to the role Beneath the Planet of the Apes. He’s also Neville in The Omega Man, and Detective Thorne in Soylent Green. By the way, once at the LA Music Center he played Sherlock Holmes in The Crucifer of Blood, opposite Richard Johnson as Dr. Watson. His IMDB credits show him as being on SeaQuest DSV in the “Abalon” episode. (Died 2008.)
  • Born October 4, 1932 Ann Thwaite, 90. Author of AA Milne: His Life which won the Whitbread Biography of the Year, as well as The Brilliant Career of Winnie-the Pooh, a scrapbook offshoot of the Milne biography. (And yes, Pooh is genre.) In 2017 she updated her 1990 biography of A.A Milne to coincide with Goodbye Christopher Robin for which she was a consultant. 
  • Born October 4, 1956 Christoph Waltz, 66. He portrayed James Bond’s nemesis Ernst Stavro Blofeld in Spectre and in No Time to Die. Genre wise, he also portrayed Qohen Leth in The Zero Theorem, Benjamin Chudnofsky in The Green Hornet (I lasted ten minutes before giving up), Cardinal Richelieu in The Three Musketeers, himself in Muppets Most Wanted, Léon Rom in The Legend of Tarzan and Dr. Dyson Ido in Alita: Battle Angel
  • Born October 4, 1956 Bill Johnson. His writing was strongly influenced by South Dakota origins. This is particularly true of his “We Will Drink a Fish Together” story which won a Hugo for Best Novelette in 1998. (It got a Nebula nomination as well.) His 1999 collection, Dakota Dreamin, is quite superb. (Died 2022.)
  • Born October 4, 1960 Annabelle Lanyon, 62. She was Oona in Legend. And she showed as Isabel in the Quatermass franchise, Quatermass series and the Quatermass Conclusion. She’s been in more genre related films and series than I can possibly list here, i.e. The Werewolves of The Third Reich which has a twenty-one rating among audience reviewers at Rotten Tomatoes, 
  • Born October 4, 1975 Saladin Ahmed, 47. His Throne of the Crescent Moon was nominated for the Hugo Award for Best Novel and did win the Locus Award for Best First Novel. He has also written for comics characters Kamala Khan (The Magnificent Ms. Marvel), Black Bolt, Exiles and the Miles Morales (Spider-Man) series, all on Marvel Comics. Oddly only his Marvel is available at the usual suspects.

(11) COMPLETELY MAD. [Item by Martin Morse Wooster.] In the Washington Post, Michael Cavna profiles Sergio Aragones, who is still active at 85 drawing for MAD, about his comic book Groo The Wanderer. “Sergio Aragones, MAD magazine artist, is still spoofing our humanity”.

… “When Mad accepted me, that was a change of life, a change of mind, a change of everything. Somebody liked what I did,” Aragonés says. Yet despite this “radical mind change,” he appreciated: “I didn’t have to change at all. It was what I had been doing since I was a kid, drawing, drawing, drawing.”

Aragonés also cherished the famous annual Mad trips, sometimes to far-flung places. He roomed with his heroes in Switzerland, went on safari with them in Africa, and while onboard near Bermuda, helped surprise Gaines by re-creating the publisher’s favorite Marx Brothers moment: the crowded cabin scene from “A Night at the Opera.”…

(12) IT’S OFFICIAL. “Velma Is a Lesbian: New ‘Scooby Doo’ Film Makes Her Gay Officially” reports Variety.

Velma is officially a lesbian.

Clips from the brand new movie “Trick or Treat Scooby-Doo!,” which show the Mystery Inc. member googly-eyed and speechless when encountering costume designer Coco Diablo, have gone viral on Twitter, confirming suspicions held by the “Scooby” fan base for decades.

“OMG LESBIAN VELMA FINALLY,” reads one tweet, which has over 100,000 likes.

It’s long been an open secret among fans and “Scooby-Doo” creatives that Velma is gay. Even James Gunn, who wrote the early live-action films, and Tony Cervone, who served as supervising producer on the “Mystery Incorporated” series, have confirmed the character’s sexuality, but they were never able to make it official onscreen.

In 2020, Gunn tweeted that he “tried” to make Velma a lesbian in the live-action movies. “In 2001 Velma was explicitly gay in my initial script,” he wrote. “But the studio just kept watering it down & watering it down, becoming ambiguous (the version shot), then nothing (the released version) & finally having a boyfriend (the sequel).”

(13) LOCAL ROVING. [Item by Steven French.] Wanted: job for redundant Mars rover! “Planetary rover once intended for Mars tested in Milton Keynes quarry” – the Guardianihas the story.

A planetary rover potentially destined for missions on the moon or Mars has been put through its paces at a quarry in Milton Keynes.

The Sample Fetch Rover (SFR), known as Anon, was intended to collect sample tubes left on the surface of Mars by Perseverance.

But this year Nasa and the European Space Agency announced the rover would no longer be needed for this work, as Perseverance, which landed on the red planet in February 2021, was already collecting samples from the planet.’

… Quarry testing is essential to the development process, providing a unique and dynamic landscape that cannot be replicated within the Mars Yard test facility at Stevenage, and the event marks the first time all the rover’s systems are being tested simultaneously….

(14) PLAYING IN OVERTIME. [Item by Martin Morse Wooster.] In “The Visual Effects Crisis,” the Royal Ocean Film Society notes that visual effects artists are suffering, with weeks of 100-hour days to make insane deadlines.  The Phantom Menace used one visual effects company; The Rise Of Skywalker used 12, and some Marvel films use 35.  But profit margins are thin, and companies frantically shift locations to take advantage of tax credits.  CATS is exhibit A of what happens when visual effects companies screw up.  The narrator notes that Rhythm and Hues’s work helped Life Of Pi win four technical Oscars but the company went bankrupt because of the many changes they had to do to make director Ang Lee happy.

(15) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers: Avatar (2022 Remastered) the Screen Junkies say that even though they did Avatar in 2012 if there’s a remastered version of Avatar in theatres they can take on the film again.  They say the plot combines Dances With Wolves, Pocahontas, and Ferngully, with generic characters they call “Colonel Soldier” and “Doctor Samples” (because Sigourney Weaver’s character is always looking for samples).  The aliens look like a cross between Ugly Sonic and those creatures in CATS.  And if you think “unobtainium” is a silly name, your inner 12-year old can look up the real mineral “cummingtonite” on Wikipedia.

[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Steven French, Andrew Porter, Chris Barkley, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 10/3/22 My Positronic Brain It Teems With Endless Subroutines

(1) FANTASTIC FICTION AT KGB FUNDRAISER. Fantastic Fiction at KGB is a monthly speculative-fiction reading series held on the second Wednesday of every month at the KGB Bar in Manhattan, hosted by Ellen Datlow and Matthew Kressel. Admission is always free. To cover the next round of guest expenses, they have launched their first fundraiser in three years, with a $6,000 goal: “Fantastic Fiction reading series at the KGB Bar Gofundme”.

The monthly series, which has been running since the late 1990s , serves as a salon, where writers, editors, agents, and fans of science fiction, fantasy, and horror can co-mingle in a shared event space. The series also served a vital social function during multiple Covid lockdown periods, when we featured authors from all over the globe on our live YouTube channel, and people who were isolated due to the lockdown could keep in contact with the writing community. We also release a free podcast, where we post audio recordings of the monthly readings.

Running the series costs us money. We pay a stipend to our guests, we pay for their drinks at the bar, and we also take them out to dinner after the readings. At present, the series costs about $2,000 per year to run. Unfortunately, we are almost out of money from our last fundraiser three years ago. We hope to raise at least $6,000, which will fund the series for three more years. It would be great if we could raise more.

(2) BLACK PANTHER. “Show them who we are.” A new trailer for Marvel Studios’ Black Panther: Wakanda Forever dropped today. See it only in theaters beginning November 11.

(3) CALL FOR SUBMISSIONS — JOURNEY PLANET: ANTHROPOCENE RUMINATIONS. [Item by Olav Rokne and Amanda Wakaruk.] When Chris Garcia and James Bacon approached us to guest edit an edition of their Hugo-winning fanzine Journey Planet, they asked us “what subject would you most like to tackle?”

The answer was easy: climate fiction.

Climate change is the defining crisis of our age. Given that the causes of climate change are rooted in technological transformations celebrated by the past century of science fiction, enthusiasts like us have some responsibility to grapple with what it means.

The upcoming “Anthropocene Ruminations” will contain some of the various ways in which SFF fans are grappling with a rapidly heating and chaotic planet: through fiction, through art, through poetry, and through critical discourse. 

We’re hoping to have reviews of books depicting climate change, discussions of historical trends, and examinations of aspects of climate change that may have been neglected by genre fiction. 

We’d love to hear article and art pitches from across the fandom community (that means all y’all). Send us your ideas before October 15 (email BOTH of us at amanda.wakaruk at gmail dot com and olavrokne at gmail dot com). We’re aiming to have the finished works submitted by November 15. 

Will “Anthropocene Ruminations” singlehandedly solve climate change? It’s too early to say for certain. What it’s not too early to say is that it will contain some pieces by Hugo-finalist and Hugo-winning fanwriters.

Drop us a line. Amanda & Olav. Unofficial Hugo Book Club Blog co-editors

(4) KEEPING UP WITH CORA BUHLERT. The alumni newsletter of Bremen University, Kurzmeldungen, listed Cora Buhlert’s Hugo win.

Issue Zero of New Edge Sword & Sorcery Magazine published Cora’s article about C.L. Moore and Jirel of Joiry, as well as fiction and non-fiction by Howard Andrew Jones, Brian Murphy, Milton J. Davis, Nicole Emmelhainz, David C. Smith, Dariel R.A. Quiogue, Remco van Strane and Angeline B. Adams, Bryn Hammond, J.M. Clarke, T.K. Rex, Robin Marx and editor Oliver Brackebury. The digital edition is free, the print editions are fairly cheap.

And Cora has an essay about anime in West Germany in the 1970s and 1980s in Rising Sun Reruns: Memories of Japanese TV Shows from Today’s Grown-Up Kids.

In these pages you will find glowing memories of flights of fancy such as Ultraman, Johnny Sokko and His Flying Robot, Astro Boy, Battle of the Planets, Space Giants, Speed Racer, Robotech, and many, many more—including a few you may never even heard of!

(5) NOBEL PRIZE FOR PHYSIOLOGY OR MEDICINE. “Svante Pääbo Wins Nobel Prize for Unraveling the Mysteries of Neanderthal DNA”Smithsonian Magazine has the story.

The Nobel Committee for Physiology or Medicine awarded the field’s top prize on Monday to Svante Pääbo, a Swedish geneticist who determined how to extract and analyze DNA from 40,000-year-old Neanderthal bones. Pääbo’s decades of research have made it possible for scientists to begin probing differences between today’s modern humans and their ancient ancestors.

Pääbo, who is 67, has spent decades pioneering and perfecting new methods of extracting Neanderthal DNA, an extremely complex and challenging process. Over time, very old DNA degrades and can become polluted with the DNA of bacteria, and modern scientists can also easily contaminate it with their own genetic material.

But time and again, Pääbo found ways around these and other issues. In 2010, after years of painstaking work, Pääbo and his team published the sequenced Neanderthal genome, a feat that at one time was considered impossible, reports the New York Times’ Benjamin Mueller. As Elizabeth Kolbert wrote in her book The Sixth Extinction, the process was like trying to reconstruct a “Manhattan telephone book from pages that have been put through a shredder, mixed with yesterday’s trash, and left to rot in a landfill.”

…On Monday morning, Pääbo was just finishing a cup of tea when he got a call from Sweden. He assumed the call was bad news about his family’s summer home in Sweden and was instead surprised to learn he’d won the Nobel Prize. When asked whether he ever envisioned winning science’s most prestigious prize, Pääbo humbly replied that he “somehow did not think that this really would… qualify for a Nobel Prize,” per an interview posted on the Nobel Prize website….

Here’s a further excerpt from the Nobel’s “Svante Pääbo – Interview”.

…AS: Your work is of course on the sequencing of these early hominins. What does our knowledge, your knowledge of the genetic makeup of those species tell us about our relationship with them.

SP: Well, it does tell us that we are very closely related, first of all, and we’re actually so closely related that they have contributed quite directly, 50, 60 thousand years ago, DNA to the ancestors of most people today, those who have their roots outside Africa. And that variation that, sort of, those variants do have an influence, and influence many things in our physiology today.

AS: Do you think that changes our view of ourselves, knowing that?

SP: In some sense, I do think it does so, the sort of realisation that until quite recently, maybe 14 hundred generations or so ago there were other forms of humans around and they mixed with our ancestors and have contributed to us today. The fact that the last 40 thousand years is quite unique in human history, in that we are the only form of humans around. Until that time, there were almost always other types of humans that existed.

(6) A MOMENT IN SFF HISTORY. “Science Fiction In Communist Bloc Changed Forever 40 Years Ago” writes Jaroslav Olsa Jr., the Consul General of the Czech Consulate in Los Angeles.

In October 1982, the first issue of FANTASTYKA, Polish science fiction monthly reached its first readers. This was the first real science fiction magazine in the former Soviet bloc! And it had an enormous impact on science fiction in other neighbouring countries as the situation in Eastern Europe was significantly different than in Western Europe as all publishing business in Soviet bloc was under strict control of each state and its leading (often Communist) party. The publishing houses were operated and owned predominantely by state ministries or its subsidiaries, controlled more or less visibly by various types of censorship bodies and though in some Soviet bloc countries in different times publishing was allowed greater freedom (e. g. Yugoslavia, Hungary and/or 1980s Poland), there was never allowed a free press.

And thus even publishing SF fanzines was a sort of risky adventure…

Thank you late Adam Hollanek, late Maciej Parowski, late Andrzej Krzepkowski, Jacek Rodek, Andrzej Wójcik and many many others, who gave us Fantastyka, and who helped us to open the window to science fiction in the West and internationalize science fiction – something then a real novelty….

(7) MICKEY MOUSE CAPITALISM. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Elaine Moore discusses how Disney CEO Bob Chapek is concerned that people who show up at a Disney park every week are crowding out the occasional visitor who will spend a lot of money on stuff.

The problem is that super fans don’t spend as much per visit as occasional park visitors.  There are only so many Minnie Mouse headbands a person can wear.  For some, the annual pass that allows buyers to visit Disney parks throughout the year is extremely good value too.  A one day trip to Disney World in Florida is $109.  The annual Incredi Pass is $1,299 plus tax. Visit once a month and you break even.  Go every week and you’d save over $4,000.  The mismatch has shades of the MoviePass debacle, in which subscribers paid less than $10 per month for multiple cinema trips.  MoviePass guessed they might visit once or twice a month.  But their willingness to go day after day left the company bankrupt…

…At the recent D23 Expo there were complaints that passes were still suspended.  Unluckily for them, Chapek used to run the parks division.  He knows that demand is far higher than supply and is sufficiently unsentimental to take advantage.  Prices would double and visitors would pay them.  Disney fans may moan but they will still keep coming back.”

(8) ANTI-MUSLIM SENTIMENTS. The culture war is engulfing Bollywood reports the Guardian: “Bollywood under siege as rightwing social media boycotts start to bite”.

…For decades, India’s Hindi film industry, known as Bollywood, has been one of the country’s most popular products, for Indians themselves and the world at large. But the consolidation of Hindu nationalism under the ruling Bharatiya Janata Party (BJP), has marked a cultural shift.

Laal Singh Chaddha stars, and is produced by, Aamir Khan, one of Hindi cinema’s trio of superstar Khans (Shahrukh and Salman are the other two, all unrelated). On its release, social-media platforms witnessed a tidal wave of targeted attacks calling for a boycott of the movie. The resurfacing of remarks made by Khan on the rise of “intolerance” in India in 2015, as well as clips from his 2014 film PK (which criticised blind-faith belief) were coupled with targeted tweets. Laal Singh Chaddha has fared poorly at the box office, but the calls for a boycott have not stopped. Other movies, such as Vikram Vedha, Dobaara, Shamshera and Brahmastra, are also in the line of fire, the last two owing to the recirculation of 11-year-old remarks by the lead actor, Ranbir Kapoor, on eating beef….

(9) SALES FIGURES. In the Washington Post, David Betancourt looks at the process that Hasbro uses to make 32-inch action figures that cost $399,99.  (The latest, Galactus, will be “a towering 32-inch monstrosity of plastic articulation.”)  Betancourt says Hasbro uses a crowdfunding method of deciding which giant action figures to make; they greenlit the huge Galactus last summer after 14,000 people agreed to buy it.) “Would you buy a $400 Marvel action figure? Thousands of people can’t wait.”

In comic books,Galactus is known as the devourer of worlds. When it comes to action figures, Galactus is now the destroyer of wallets.

Hasbro decided that its newest figure depicting the giant planet eater from Marvel’s Fantastic Four wouldn’t be the typical six-inch toy that retails inthe $20 to $30 range and decorates work desks and bookshelves. This Galactus,with a design based on the art of famed Marvel writer-artist John Byrne, would be a towering 32-inch-tall monstrosity of plastic articulation. The figure, scheduled for release some timethis fall, is the biggest toy Hasbro has ever built for its Marvel line, which is fitting, given Galactus’s gigantic stature….

(10) A FREE-TO-READ STORY. Sunday Morning Transport presents “A Hole in the Light” by Annalee Newitz, “an astounding new world wrapped around a stellar story of grief and growth.”

Arch had never been to a ritual of dissolution for someone who mattered.

Of course, there were distant kin who had died. But when they dissolved, it felt like they had moved to the next village: poignant, but not a disaster. The artificiality of the ritual made her more uncomfortable than their loss. Well, perhaps that wasn’t quite true. She had genuinely suffered when her physics teacher had died, and she could no longer ask questions about what lay beyond the village of Slope-Toward-Sea, on the planet Skiff, wrapped in the mottled glow of the eroding firmament. Even when her teacher dissolved, though, the ritual had seemed absurd….

(11) MEMORY LANE.  

2016 [By Cat Eldridge.] Six years ago on NBC the Timeless series debuted. (Yes, I do delve into the recent past on occasion). It would last but two seasons. (Yes, two seasons. Read below for why it was only two seasons, really.)

Not terribly original in concept, it involved a group that attempts to stop a mysterious organization from changing the course of history through time travel. 

It was created by Eric Kripke who of Supernatural series fame along with the later The Boys, and Shawn Ryan who’s done nothing else they genre wise but has created S.W.A.T. that I love and Lie to Me, a rather odd crime drama series I also like a lot. Yes, I have odd tastes.

Project Lifeboat, among its members, had a history professor, a Delta forces soldier, a computer programmer and a creator of the Lifeboat time machines. Ok I did say it wasn’t a terribly original concept, didn’t I so guess what? NBC got sued by the Spanish series El ministerio del tiempo (The Ministry of Time), which follows the adventures of a three-person team made up of two men and a woman who travel to the past with a view to preserving past events.  

It went to court but eventually “their attorneys of record hereby stipulate that the entire civil action may be and hereby is dismissed with prejudice, with each party bearing that party’s fees and costs of suit.” One assumes that large sums of money were involved. Isn’t there always money involved when such things need to be settled?

Getting back to the series, it was cancelled after the second season but a massive, and I do mean massive, fan campaign sort of saved it, so it got a special two-part finale. It originally didn’t make the cut for the next fall season but when they started getting a pushback from fans, NBC responded saying “And then we woke up the next morning, heard the outcry (from fans). We went back to the drawing board, with our partners at Sony, and we found a way to bring it back. It’s extraordinarily well produced and deserved to come back.”

Unlike many similar series, it was allowed a proper wrap-up. Fandango noted, “A fitting farewell, Timeless wraps with a fun, festive finale that ties up loose ends and provides enough fan service to satisfy.”

It carries a most excellent seventy-seven percent rating among audience reviewers at Rotten Tomatoes. It does not appear to be streaming for free anywhere. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 3, 1933 Norman Adams. The SF Encyclopedia says genre wise that “Adams may be best known for his cover for the first edition of Larry’s Niven’s World of Ptavvs” on Ballantine Books in 1966.  I must say having looked at his ISFDB listings that their assessment is absolutely right. (Died 2014.)
  • Born October 3, 1927 Don Bensen. Best-known for his novel And Having Writ… which is not in print in form digitally or in hard copy — damn it. Indeed, nothing by him is. Huh. (Died 1997.)
  • Born October 3, 1931 Ray Nelson, 91. SF writer best known for his short story “Eight O’Clock in the Morning” which was the basis of John Carpenter’s They Live.  He later collaborated with Philip K. Dick on The Ganymede Takeover. In the 1940s Nelson appropriated the propeller beanie as a symbol of science fiction fandom. His fannish cartoons were recognized with the Rotsler Award in 2003. He was inducted to the First Fandom Hall of Fame in 2019.
  • Born October 3, 1935 Madlyn Rhue. She on Trek’s “Space Seed” as Lt. Marla McGivers, Khan Noonien Singh’s (Ricardo Montalbán) love interest. Other genre appearances included being on the original Fantasy Island as Lillie Langtry in “Legends,” and Maria in the “Firefall” episode of Kolchak: The Night. (Died 2003.)
  • Born October 3, 1944 Katharine Kerr, 78. Ok I’m going to confess that I’ve not read her Deverry series so please tell me how they are. Usually I do read such Celtic tinged series so I don’t know how I missed them.
  • Born October 3, 1964 Clive Owen, 58. First role I saw him in was the title role of Stephen Crane in the Chancer series. Not genre, but fascinating none the less. He’s been King Arthur in film of the same name where Keira Knightley was Guinevere. He’s also was in Sin City as Dwight McCarthy, and in The Pink Panther (though weirdly uncredited) as Nigel Boswell/Agent 006. I’ll also single him out for being Commander Arun Filitt in Valerian and the City of a Thousand Planets.
  • Born October 3, 1973 Lena Headey, 49. Many of you will know her as Cersei Lannister on Game of Thrones, but I liked her sociopathic Madeline “Ma-Ma” Madrigal on Dredd better.  She was also Angelika in The Brothers Grimm, a film I’m sure I’ve seen but remember nothing about. 

(13) COMICS SECTION.

(14) SURPRISE BEGINNING. John Grayshaw of the Middletown PA Public Library arranged for questions about Murray Leinster to be answered for his Online Science Fiction Book Club by Steven H Silver and the author’s daughter, Billee Stallings. See the Q&A here: “Interview about Murray Leinster”. Note: Murray Leinster was the pen name of Will Jenkins, but I never knew til now that H.L. Mencken was behind his decision to use one.

Damo Mac Choiligh: A trivial question perhaps, but where did he get the pseudonym ‘Leinster’? The word is the English version of the name of a region of Ireland, well known to any Rugby fans.

Billee: When Will was published in Smart Set magazine in his teens, H. L. Mencken put down the other magazines he was selling to and said he should use a pen name and save his own for the “good stuff” (ie; Smart Set). Dad selected Murray from his mother’s maiden name (Murry. Wyndham Martyn, an English writer for the magazine, suggested Leinster. Martyn (known for the Anthony Trent novels) told him the Fitzgeralds (Dad’s middle name) were descended from the Dukes of Leinster.

(15) A DIFFERENT KIND OF TIMELESS NEWS. In 2020, Alex Ross crafted over 30 extraordinary depictions of Marvel’s most beloved super heroes in a beautiful art piece known as Timeless. This iconic imagery was used to produce a best-selling variant cover program and now… it’s the villains turn.

The legendary artist’s newest art piece deviously unites 37 of Marvel’s classic villains! Capturing the menace, danger, and allure of characters like Green Goblin, Doctor Doom, and Thanos, this stunning group shot represents the definitive takes on Marvel’s deadliest foes straight from one the industry’s most revered talents! Look for this beautifully painted artwork to be used for a new series of variant covers starting in March 2023.

“The passion I held for illustrating many of Marvel’s heroes in a timeless representation was easily matched by the passion I felt for illustrating the villains,” Ross said. “Marvel clearly has some of the greatest concepts in the realm of supervillains as well as heroes.”

Find more information about Alex Ross’ new piece including which titles it’ll grace the covers of at Marvel.com.

(16) HERE THEY COME AGAIN. “’The Rings of Power’ Season 2 Has Started Filming” in the UK says The Hollywood Reporter.

The news follows the first official Nielsen ratings being released Thursday for the Prime Video series, showing The Rings of Power topped the streaming charts for its debut week with 1.3 billion minutes viewed (likely an Amazon series record given that only two hours were released).

The first season of the show was filmed in New Zealand over an epic stretch of 18 months during the pandemic. For season two, which will consist of eight episodes, Amazon switched the show’s production to the U.K., which is considered more economical and is also where the company is establishing a multishow hub….

(17) SCREEN TIME. Here are JustWatch’s September’s Sci-Fi Top 10 lists:

Rank*MoviesTV shows
1NopeQuantum Leap
2Everything Everywhere All at OnceThe Handmaid’s Tale
3Jurassic World DominionSeverance
4MoonfallWar of the Worlds
5AvatarThe Twilight Zone
6PreyOrphan Black
7Jurassic World: Fallen KingdomDoctor Who
8The ThingLa Brea
9Jurassic WorldThe X-Files
10Crimes of the FutureMoonhaven

*Based on JustWatch popularity score. Genre data is sourced from themoviedb.org

(18) MORE HOLLYWOOD BUZZ. The teaser trailer for the new Ant-Man and the Wasp: Quantumania movie dropped Friday.

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Olav Rokne, Kate Yeazel, Kathy Sullivan, Andrew Porter, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 9/28/22 Pokéscroll – Gotta File’em All!

(1) PLACE YOUR BETS. “Here are the bookies’ odds for the 2022 Nobel Prize in Literature” at Literary Hub.

Do you enjoy gambling—but, you know, in a cultured way? None of that racetrack nonsense or three card monte for you? Well you’re in luck: the 2022 Nobel Prize in Literature will be announced next Thursday, October 6, and the bookies have begun taking bets. (You know literary prize season has truly begun when the Lit Hub editors start lurking on online betting sites.)

Here are a few names of genre interest among the 44 listed.

Salman Rushdie – 8/1
Stephen King — 10/1
Haruki Murakami — 14/1
Margaret Atwood — 16/1
Maryse Condé — 16/1

(2) FUTURE TENSE. The latest short story in the Future Tense Fiction series, published this past Saturday, is “Yellow,” by B. Pladek, a story about risk-assessment technology, protest, and future conflicts over water.  

It was published along with a response essay by health economist Lorens Helmchen, “How risk scores could shape health care”.

If a medical treatment for a life-threatening disease had a 60 percent chance of success, but another treatment with a 50 percent success rate had a lower risk of bankrupting your family, which would you choose? What if the success rates were 95 and 90 percent? Would you change your answer?

How we use probabilities like these to guide our choices is at the heart of “Yellow,” a new Future Tense Fiction story written by B. Pladek. The story’s main character, Chase, works for a private company that helps people navigate these numbers…

(3) CLI-FI. “Is This the Way the World Ends?: PW Talks with Stephen Markley”. A Q&A with the author of The Deluge, about future responses to global warming.

Why choose fiction to explore the subject?

Here is my truly arrogant answer that will embarrass me but is still the truth: every artist who has ever pursued a career with passion and commitment believes their art has the power to change everything. That’s why we all do it. I read no shortage of nonfiction climate change books. I watched no shortage of earnest environmental documentaries. Many of them I don’t even remember because you read about potential catastrophe, and sure, it sounds like a bummer, but it leaves no lasting emotional impact. The point of narrative, of art, is that it can reorient us emotionally. If done well, it can make vivid what is abstract. Given the enormity of the task ahead of everyone alive on this planet, we desperately need that reorientation.

(4) WOLVERINE, COME FORTH. Ryan Reynolds answers people who say, “”How can Wolverine be in Deadpool 3 when he died in Logan?” “Deadpool Update, Part Hugh”.

Quick #Deadpool explainer video that tackles… 1) Timeline questions 2) Logan canon 3) MCU FAQ 4) Whether we can do this all day or not

(5) SEATTLE WORLDCON BID NEWS. SWOC, the Seattle Westercon Organizing Committee has awarded a grant of $5000 to the Seattle Worldcon in 2025 bid.

This grant will be used to promote, advertise, and recruit for the Seattle Worldcon Bid; to assist members of the bid in covering the costs of attending this year’s SMOFCon in Montréal; and to co-sponsor a night of the SMOFCon hospitality suite.

(6) THAT’S HIM. This time Nick Stathopoulos is on the receiving end of an award-winning portrait. His friend Xavier Ghazi’s artwork “Nick 2” won the Joshua Smith Memorial Award for Best in Show at a Drummoyne Art Society exhibition.

(7) WHEATON RETURN ENGAGEMENT. “Wil Wheaton presents and signs Still Just a Geek: An Annotated Memoir at Vroman’s Bookstore in Pasadena, CA on October 26 at 7:00 p.m. (And if this sounds familiar, he was there in August, too.)

From starring in Stand by Me to playing Wesley Crusher on Star Trek: The Next Generation to playing himself, in his second (third?) iconic role of Evil Wil Wheaton in The Big Bang Theory, to becoming a social media supernova, Wil Wheaton has charted a career course unlike anyone else, and has emerged as one of the most popular and well respected names in science fiction, fantasy and pop culture.

Back in 2001, Wil began blogging on wilwheaton.net. Believing himself to have fallen victim to the curse of the child actor, Wil felt relegated to the convention circuit, and didn’t expect many would want to read about his random experiences and personal philosophies.

Yet, much to his surprise, people were reading. He still blogs, and now has an enormous following on social media with well over 3 million followers.

In Still Just a Geek, Wil revisits his 2004 collection of blog posts, Just a Geek, filled with insightful and often laugh-out-loud annotated comments, additional later writings, and all new material written for this publication. The result is an incredibly raw and honest memoir, in which Wil opens up about his life, about falling in love, about coming to grips with his past work, choices, and family, and finding fulfillment in the new phases of his career. From his times on the Enterprise to his struggles with depression to his starting a family and finding his passion–writing–Wil Wheaton is someone whose life is both a cautionary tale and a story of finding one’s true purpose that should resonate with fans and aspiring artists alike.

(8) TAKING NOTES. [Item by Martin Morse Wooster.] Well, I guess no Filer watches The Masked Singer because the figure of “The Knight” was revealed to be William Shatner! The Reveal: Knight / William Shatner | Season 8 Ep. 1 The Masked Singer.

(9) MEMORY LANE.  

1964 [By Cat Eldridge.] The Munsters premiered fifty-eight years ago this past weekend on CBS and I could hardly not write their series coming into existence, could I, after just doing the Addams Family? No, I could not.

I think that The Munsters had a better, sweeter family than the Addams Family. Every character here from Fred Gwynne as the sort of monster created by Frankenstein who was the head-of-the-household Herman Munster; Yvonne De Carlo as his vampire wife Lily; Al Lewis as Lily’s father, Grandpa, the somewhat over-the-hill vampire; Beverley Owen (later replaced by Pat Priest) as their college-age niece Marilyn, who was a conventional human but the “ugly duckling” of the family; and Butch Patrick as their werewolf son Eddie, all worked perfectly. 

On paper, it’s a lot of movie tropes into one series and hope they work, but Allan Burns and Chris Hayward did a stellar job here. Burns had nothing before and Hayward had been responsible for the Dudley Do-Right of the Mounties segment of The Rocky and Bullwinkle Show. Yes, I remember both the segment and the series very fondly. 

The creators intended it to be a satire of American suburban life, the wholesome TV family fare of the era, and traditional monster movies. It certainly was a satire of the first and the latter, but I’ll be damned how it was a satire of the wholesome TV family fare of the early Sixties. 

It achieved much higher ratings than the similarly themed Addams Family, which aired concurrently on ABC. Though seventy episodes were produced over its two years, it would be cancelled after ratings dropped to a series low due to competition from ABC’s Batman.

It was rebooted as The Munsters Today in 1988 with John Schuck as Herman Munster and Lee Meriwether as Lily Munster. It lasted three seasons and seventy episodes. And then there was the very, very weird Mockingbird Lane pilot of a decade ago. I liked but it didn’t go to series. And there’s Rob Zombie’s The Munsters which is on Netflix and gets a rave review here.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 28, 1913 Ellis Peters. Nom de plume of the writer of The Cadfael Chronicles, which I’ll admit I broke my rule of never watching a video adaption of a print series that I like. Derek Jacobi as Cadfael was damn perfect. She is here because she was the writer of two excellent haunting aka ghost novels, The City Lies Four-Square and By This Strange Fire, under her real name of Edith Pargeter. (Died 1995.)
  • Born September 28, 1923 Erle Korshak. He’s a reminder of how old fandom is. He discovered SF in 1934 with the August Astounding magazine and became a very serious collector in 1937 according to several sources. By 1939 he was a well-known fan and one of the leaders of the Moonstruck Press which was created to publish a bibliography of all fantasy books.  He was part of the leadership triumvirate of Chicon 1, the 1940 Worldcon. He later founded a publishing house whose first major work was Everett F. Bleiler’s The Checklist of Fantastic Literature in the late Forties, a pioneering work of SF bibliography. This was followed by major works by Heinlein, Bester, Fredric Brown and other SF suthors. He was absent from fandom from the late 50s for thirty years, then rejoined fandom and was attending cons with his children.  He was inducted into the First Fandom Hall of Fame in 1996, and won the Barry R. Levin Science Fiction and Fantasy Literature Lifetime Collectors Award in 2001. He was a guest of honor of Chicon 8, however he died before the convention.(Died 2021.)
  • Born September 28, 1923 William Windom. Commodore Matt Decker, commander of the doomed USS Constellation in “The Doomsday Machine” episode, one of the best Trek stories told. Norman Spinrad was the writer. Other genre appearances include being the President on Escape from the Planet of the Apes, The Major in “Five Characters in Search of an Exit” episode of Twilight Zone and Ben Victor in the “The Night of the Flying Pie Plate” story of The Wild Wild West. This is a sampling only! (Died 2012.)
  • Born September 28, 1932 Michael G. Coney. British-born writer who spent the last half of his life in Canada. He’s best remembered for his Hello Summer, Goodbye novelI’m very fond of The Celestial Steam Locomotive and Gods of the Greataway which might be set on what could be Vancouver Island. His only Award was from the BSFA for Brontomek!, one of his Amorphs Universe works, although he was a 1996 Nebula nominee for his “Tea and Hamsters” novelette, and a five-time finalist for the Aurora Award. (Died 2005.)
  • Born September 28, 1935 Ronald Lacey. He’s very best remembered as Gestapo agent Major Arnold Ernst Toht in Raiders of the Lost Ark. (A series where they should’ve stopped with first film.) He’s actually in Indiana Jones and the Last Crusade as Heinrich Himmler though it’s an uncredited role. One of his first genre appearances was as the Strange Young Man in The Avengers episode “The Joker”.  In that same period, he was the village idiot in The Fearless Vampire Killers which actually premiered as The Fearless Vampire Killers, or Pardon Me, But Your Teeth Are in My NeckAnd he’s in The Adventures of Buckaroo Banzai Across the 8th Dimension as President Widmark. This is but a thin wafer of his genre roles so do feel free to add your favorite. (Died 1991.)
  • Born September 28, 1938 Ron Ellik. Writer and Editor, a well-known SF fan who was a co-editor with Terry Carr of the Hugo winning fanzine, Fanac, in the late 1950s. Ellik was also the co-author of The Universes of E.E. Smith with Bill Evans, which was largely a concordance of characters and the like. Fancyclopedia 3 notes that “He also had some fiction published professionally, and co-authored a Man from U.N.C.L.E. novelization.” The Encyclopaedia of Science Fiction says he died in an auto accident the day before his wedding. (Died 1968.)
  • Born September 28, 1966 Maria Pilar Canals-Barrera, 56. She’s getting Birthday Honors for being the voice of Hawkgirl on Justice League and Justice League Unlimited. She’s also voiced Commissioner Ellen Yindel in Batman: The Dark Knight Returns, and voiced Rio Morales, the mother of the Spider-Man, Miles Morales, on the Ultimate Spider-Man series. I just picked this to watch as it looks very good. 
  • Born September 28, 1982 Tendai Huchu, 40. Zimbabwean author who’s the editor along with Raman Mundair and Noel Chidwick of the 2020 issue of Shores of Infinity zine. He’s also written a generous number of African centric stories of which “The Marriage Plot” won an African Speculative Fiction Society Nommo Award for African Speculative Fiction for Best Short Story (2017), as did his novel The Library Of The Dead (2022). That issue of Shoreline of Infinity (Issue 18, Summer 2020) is available from the usual digital suspects. His newest novel, Our Lady of Mysterious Ailments, came out in April this year.

(11) ONLINE ARCHIVE MOVES.  “British comic fanzines archive ‘The Fanscene Project’ has a new online home” reports downthetubes.net.

An incredible project aiming to document the history of British comic fanzines and fandom, both as an online archive and in print, has a new home on the web.

Founded back in 2015 as the Classic UK Comic Zines site, artist and comic archivist David Hathaway-Price has been constantly adding to what is now The Fanscene Project.

Now residing at comicsfanzines.co.uk, the project is an online, read-only archive of British comic fanzines, published across the last 50 years, including, with the permission of their original editors, titles such as BEMComic Media NewsFantasy TraderInfinitySpeakeasy, and many more. It even includes incredibly rare digital editions of very early zines such as Ka-Pow, published by Phil Clarke and Steve Moore back in 1967/68.

… The aim of The Fanscene Project is to create a digital repository of as many of the Comics Fanzines published in the UK as possible; fan publications containing work by artists and writers who would sometimes later move into, and shape, the industry that they loved….

(12) JEOPARDY! Unlike the contestants, Andrew Porter knew the right question to go with this answer on tonight’s episode.

Category: Cliff Notes

Answer: “Dizzy sunless cliffs above the Great Abyss” paints a picture in H.P. Lovecraft’s “At the Mountains of” this.

No one could ask, “What is Madness”?

(13) SMALL BANG THEORY. In the Washington Post, Planetary Society editorial director Rae Paoletts says the asteroid-smashing DART mission was an important achievement because it shows that planetary defense against asteroids is possible. “Three cheers for NASA’s asteroid smasher”.

…Asteroids are a notoriously sticky wicket. On one hand, they’re remnants from the birth of our solar system; relics from the beginning of everything — or whatever our slice of that is. On the other, asteroids have caused inconceivable damage to our planet. Roughly 66 million years ago, a 6-mile-wide asteroid slammed off the coast of what is now Mexico’s Yucatán Peninsula. A single asteroid robbed us of the chance to see pterodactyls soar across the sky, or to have them use us for food, depending on which way you look at it.

DART can’t undo the damage of past asteroid impacts, but it can help us prevent them in the future. With DART’s collision, scientists tested a planetary defense strategy known as the “kinetic impactor technique,” which aims to move — but not destroy — an object….

(14) WHO’S THAT? These are IndieWire’s nominees for the “Most Controversial Movie and TV Recastings Ever”. Most are from sff productions.

Marvel Cinematic Universe — The Hulk

Edward Norton played Bruce Banner for the Marvel Cinematic Universe in 2008, starring in Louis Leterrier’s “The Incredible Hulk.” When it was revealed that Norton would not continue his journey in the growing multiverse, Marvel’s Kevin Feige released a statement citing “the need for an actor who embodies [creativity and a] collaborative spirit.” Norton has since said he had a great time doing the project and holds no ill-will toward Feige. Mark Ruffalo went on to play the lovable green giant in seven films with more to come.

Other notable MCU recastings include War Machine, originated by Terrence Howard in “Iron Man” and taken over by Don Cheadle; as well as Howard Stark, played by Gerard Sanders (in a non-speaking role), John Slattery, and Dominic Cooper.

(15) WILL THEY MAKE THE CUT? At Eclectic Theist, J. W. Wartick continues screening entries in the second annual Self-Published Science Fiction Competition: “SPSFC2 First Impressions: ‘Mercury’s Shadow,’ ‘Ever the Hero,’ and ‘A Hardness of Minds’”.

The Self-Published Science Fiction Contest (“SPACEFIC”) is underway, and my group is going through one of my favorite parts of the contest: sorting through a slush pile. Basically, we get a stack of books and need to sample them all to narrow down our selections for quarter- and semi-finalists. Here, I’ll be going over my first impressions of some of these books. Please note my “Yes,” “No,” or “Maybe” vote is only indicative of my opinion and may not reflect the opinion of our whole group. Since we advance books as a group, it’s possible a “Yes” from me may end up a “No” overall and vice versa. Let me know what you think of the books in the comments!

(16) A LOOK BEHIND AT A LOOK AHEAD. YouTube’s The 1920s Channel presents The Future Of The 1920s.

“Futurism” is what people believed the future would be like at a given time. Similarly, “retrofuturism” is futurism of the past. Most people think of Victorian futurism (steampunk) and 1950s/1960s futurism (atompunk). 1920s futurism sits right in the middle, mostly forgotten. Technically, it’s grouped in with “dieselpunk,” which extends into the WWII period, but I think the aesthetic of the 1920s is a bit different. For example, in the 1920s version of the future, zeppelins and airships are all over the place, though by WWII, zeppelins were a thing of the past. In this video, I’ll explain a little bit about the 1920s conception of the future, then show a lot of examples from a 1920s science and technology magazine called “Science And Invention.”

[Thanks to John King Tarpinian, Andrew Porter, Chris Barkley, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Ingvar.]