Cramer Asks Readercon to Investigate Age Discrimination Charge

Kathryn Cramer announced on Facebook that she has asked the Readercon board to investigate whether its program organizers engaged in age discrimination while culling their program participants list and violated the convention’s own Code of Conduct.

Several older white male writers who have been on Readercon’s program in previous years have posted to Facebook that they were notified they won’t be on this year’s program, or simply haven’t received the expected invitation. The wording of the notice sparked resentment —

Allen Steele’s reaction was typical:

Oh, we’re still welcome to attend, if we pay the registration fee. In fact, because of our exalted former status, we’re entitled to a 25% discount … if we go to a private registration site and enter the password (get this) PASTPRO.

So not only have we been told that we’re not welcome to come as professionals, we’re also being told that we’re no longer professionals, period.

Whether writers/editors/artists who have been on a convention’s program in the past are owed the courtesy of being formally notified that they are not going to be on the current year’s program, or a con should let silence speak for itself, is worthy of discussion in its own right, however, Readercon made the former choice.

Even more important than the careless language of the letter (“PASTPRO”), some writers who received it say they suspect that Readercon’s effort to churn its roster of panelists has been done entirely at the expense of older writers.

A few days ago Jeffrey A. Carver added his name to the list of writers who have gotten the letter: “Readercon Says, ‘So Long, and Thanks for All the Fish!’”

I worried I was getting old when I turned 50 and started getting mail from AARP. And then, when I wasn’t looking, I suddenly became eligible for senior discounts. (No, that can’t be right. My parents were seniors, not me!) And now…

Readercon, once one of my favorite conventions, has decided that—well, let’s let them tell it in their own words: “You won’t be receiving an invitation to participate in programming for Readercon 29. We’re deeply grateful to you for your years of participation at Readercon… but…” But so long, and thanks for all the fish!

They go on to say that they’re making room for fresh, young writers—which, if I thought that were the real reason, would at least be understandable. The truth, of course, is that Readercon has always been welcoming to new writers. I was one myself once, and Readercon always gave me a place at the table, as they did others. In fact, one of the things I liked about it was the yeasty mix of writers of all kinds, all ages, genders, creeds, etc. It made for great conversations. I guess the newer team of organizers are aiming for a new shape for their demographics. Either that, or they think they’re comping too many memberships to program participants.

I’m not the only one to receive this letter, of course. A number of older, white male writers (including my friend Craig Shaw Gardner) have received the same email. I don’t know if any female writers have received it or not. I’d be interested in knowing. (Update: I’ve received a secondhand report that a woman-writer friend of mine, also in my age group, got a similar boot to the backside.)

Kathryn Cramer tried to bring the matter to a head and tweeted Readercon a question —

Cramer also criticized a comment left on FB by Readercon program chair Emily Wagner:

…Speaking as the widow of a Readercon 13 GoH, I take exception to your complaints about past program participants’ “longevity.” You may find this whole matter “hilarious” (as per screen shot). I do not. Readercon has a code of conduct. I suggest you read it. And if you still think it is hilarious that you have given offense to many of the writers you have written such things to, and if you still think other peoples’ impression that you are engaging in age discrimination is hilarious, then I suggest you politely submit your resignation to the Readercon committee and find another hobby.

(This page lists 150 program participants from the 2017 Readercon – how Wagner’s 700 figure relates to that is unclear.)

Cramer has made a public request that the Readercon Board get involved.

I have just sent the following letter to To the ReaderCon Board:

In light of letters from Emily Wagner, writing as program Chair, recently received by older writers and professionals disinviting them from future participation on the ReaderCon program based their “longevity”, offering a discount code of “pastpro,” I formally request that the Board open an inquiry into whether Emily Wagner has committed age discrimination and whether she has, in the process, violated ReaderCon’s published Code of Conduct as pertains to age. Since Emily Wagner also sits on the Board, it would be appropriate for her to recuse herself from this inquiry.

I further request that the ReaderCon board publicly release the age demographics of the list of people to whom such letters were sent. And further, should these demographics demonstrate that all or nearly all such letters were sent to writers over age 50, I request that Emily Wagner be removed as Program Chair of ReaderCon and removed from the ReaderCon Board.

Ms. Wagner has posted on Facebook that she finds these allegations of age discrimination on her part “hilarious.” Age discrimination is not hilarious.

Further, should the Board determine that age discrimination has, in fact, taken place – which is to say that all or almost all of those disinvited are over 50 – I request that the Board take appropriate action to remedy the situation.


Kathryn Cramer

Several other well-known writers have added their protests. Peter Watts ended a comment on the subject:

Readercon, you suck.

Barry Longyear chimed in:

So, the Readercon “Dump-the Old” program is still in effect. It makes me think there ought to be two new categories in the Hugo Awards at the World SF Con: Best Science Fiction Convention, and a booby prize for that convention committee deemed as “doing the absolute least to promote science fiction and fellowship surrounding the literature of science fiction.” Designs for the Fucktard Award are currently being solicited.

David Gerrold made a more substantial comment on Cramer’s announcement:

About ten years ago or so, the Writers Guild of America won a major lawsuit on age discrimination. The studios paid out $70 million, some of which was distributed to writers who had proven they had been discriminated against, the rest to establish protections for the future.

Age discrimination is real — it’s pernicious, it’s vile, and in venues where there are laws prohibiting it, it is illegal.

For it to occur in the science fiction community is appalling. This is a community that has prided itself on inclusion. The rule in fandom is that “the ceiling constitutes an introduction.” That is, we’re all in the same room, we’re all fans, we’re here to have fun celebrating what we love.

So for any convention to knowingly violate the trust of the community, to disinvite the experienced and respected members of that community — this doesn’t just punish the authors, it punishes the fans who want to hear from those authors.

I’ve always wanted to attend a Readercon. I’ve only heard good things about Readercon — but now I suspect that I am too old to be considered worthy to contribute to Readercon.

I hope that this is a momentary glitch that the Board of Directors will address quickly. Otherwise, Readercon’s good reputation will be soiled for a long time to come

Pixel Scroll 2/10/18 There Must Be Fifty Ways To Scroll Your Pixel

(1) STUDYING TOLKIEN. “The Past, Present, and Future of Tolkien Scholarship” conference will be held November 1-4, 2018 at Valparaiso University in Indiana.

This unique conference will examine the totality and comprehensiveness of Tolkien scholarship in three large groups:  the past (from the 1950s to the 2010s), the present (from the 2010s to the present), and the future (from the present to the next 20 years).  There will be four days of paper presentations, plenary speakers, discussions, film screenings, exhibits, book-signings, and music.…

The Call for Papers is out. Full details at the link.

The conference will be divided into three major days of conference papers:

  • Friday, November 2: The past of Tolkien scholarship

Plenary speaker:  Douglas A. Anderson

  • Saturday, November 3: The present of Tolkien scholarship

Plenary speaker:  Verlyn Flieger

  • Sunday, November 4: The future of Tolkien scholarship

A plenary panel discussion with Dr. Robin Reid, Dr. Dimitra Fimi, Dr. Andrew Higgins, and Dr. Brad Eden

Paper proposals on any topic or theme related to Tolkien scholarship are welcome.

(2) CTEIN AND CHTORR. David Gerrold, who has been foreshadowing good news for awhile, finally uncloaked some of the details:

I have contracts on three books. A novella section of one of those books (co-written with Ctein) will be appearing in the May/June issue of Asimov’s. I believe it is one of the better things I’ve been involved with.

The other two books are Chtorran novels and the final draft of one of them will be turned in by summer.

I have sold an option for a TV series based on one of my projects, and the option on another book was just (enthusiastically) renewed. I have also been approached to direct a film based on a favorite fantasy novel, I just finished my first rewrite of the script. (The first writer did a marvelous job of getting all the pieces on the board, my job was to energize them.)

(3) SUMMER OF ’42. Metafilter has a resource post for Retro-Hugo voters: “Some notable SF/F from 1942”.

Most of these texts are shown in the announcement video or have been discussed as possibilities in the F&SF forum or were previously selected as great SF stories of 1942 or have a record of anthologization at ISFDB. Their categorization by length derives from ISFDB also.

(4) SPECULATIVE MASCULINITIES. Galli Books has put out a call for submissions for its anthology Speculative Masculinities. Window closes April 15. Full details at the link.

Masculinity has, almost since the category of speculative fiction emerged in the early 20th century, been a concern of fiction written in the genre. A culturally dominant, Western, toxic form of masculinity has dominated storytelling in speculative fiction. In worlds as varied and diverse as the distant past of magical worlds and the far future of this one, models of maleness and masculinity tend to be the same toxic form of masculinity that dominates modern Western culture. We want to interrogate that model of masculinity, to problematise it, and to question it; we want to see other possible models of masculinity, models not centred on dominance and violence and repression of feelings; other role models for men. We are looking for fiction, essays and poetry which do this.

We are particularly looking for submissions from authors from marginalised identities and backgrounds, especially where those identities complicate the author’s relationship with masculinity, including but by no means limited to disabled writers, trans writers, and writers of colour.

(5) THIS WAY TO THE EGRESS. Bus stop 9-3/4?

(6) COMPOSER OBIT. Jóhann Jóhannsson (1969-2018): Icelandic composer, died 9 February, aged 48. Scores include Arrival (2016).

(7) GONE BUT NOT FORGOTTEN. Prozines of the past. Art by Tim Kirk.


  • February 10, 1927 — Fritz Lang’s Metropolis premiered theatrically in his native Germany.


  • Born February 10, 1906 — Creighton Tull Chaney, known by his stage name Lon Chaney Jr.


  • John King Tarpinian saw Gort showing his rhythm at Bliss.
  • Chip Hitchcock says “He has a point” about this installment of Rhymes with Orange.

(11) WHAT WERE THEY THINKING? Yesterday’s Scroll included the class photo featuring 79 actors and filmmakers from across the Marvel Cinematic Universe. Now Unrolled thread from @UberKryptonian has done a humorous deconstruction that tells us the participants’ secret thoughts.

Has anyone really looked at the Marvel 10 year anniversary class photo? Because there is so much going on!

For example –

Chris Evans looks like he’s mad that he has to sit next to the man that tried to murder the love of his life!

(12) A SFF MOVIE LEADS THE PACK. The New York Times asks “How Did ‘The Shape of Water’ Become the Film to Beat at the Oscars?”.

This awards season has been all about hitting the zeitgeist, or at least that’s what the media, present company included, has been telling itself and you. Best picture nominees ought to tap into the #MeToo moment or, failing that, anxieties born in the age of Trump.

But is that narrative really true? And does it fully explain how a fairy tale about a janitor who hooks up with a fishman became the movie to beat?

The film, “The Shape of Water,” stars Sally Hawkins as a cleaning lady who falls for a merman held captive in a government lab, and leads the race with 13 Oscar nominations, more than any other movie. It has also scooped up key precursor awards that often culminate in Oscar gold — last weekend, the Directors Guild of America gave the filmmaker Guillermo del Toro its top prize, two weeks after the Producers Guild of America did the same.

(13) ANOTHER RED TESLA MEME. Randy’s Random has more to say about “Setting the Record”.

A 2010 Tesla Roadster achieves the highest speed and longest range of any electric car ever — and still going strong.

Plus, it can charge from solar.

The most amazing thing to me: it’s a real photo. It’s about time someone did something to capture the imagination of kids who are deciding what to be when they grow up. Engineering, science, technology, astrophysics — they have amazing opportunities.

If nothing else, the stereotype is proven true: red cars are the fastest!

(14) DEALING WITH THE BLUES. “Welcome to the Monkey House”? — “Blue Dye Kills Malaria Parasites — But There Is One Catch”.

It’s hard to imagine that a blue dye sold in pet food stores in the U.S. to fight fungal infections in tropical fish could be a potent weapon against malaria.

…Actually, the use of the dye to fight malaria is not quite as odd as it sounds. The blue dye in question, called methylene blue, is the oldest synthetic anti-malarial drug. A paper published in 1891 tells how two scientists successfully used it to treat a malaria patient.

But there was a catch.

“The treatment being followed by an intense blue coloring of the urine, and the faeces becoming blue on exposure to light, it is not very likely that methylene blue will be much used outside of hospitals,” reads an 1892 publication of the Proceedings of the American Pharmaceutical Association.

(15) HE LIKES IT. Black Panther reviewed by Mark Kermode on BBC Radio 5. Spoiler free review (as usual) from Mark, who seems to have really liked it.

Also Kermode on the attempt to game the Rotten Tomatoes audience score for Black Panther.

(16) SEATTLE FILM FEST. The 2018 “Science Fiction + Fantasy Short Film Festival” presented by MoPOP and SIFF will feature twenty short films from all over the world at Seattle’s historic Cinerama Theater on March 24. Tickets are now on sale.

The lineup is presented in two sessions of films with a 30-minute intermission and concludes with an awards ceremony.

SFFSFF brings together industry professionals in filmmaking and the genres of science fiction and fantasy to encourage and support new, creative additions to genre cinema arts. Admitted films are judged by a nationally recognized jury comprised of luminaries in the fields of science fiction and fantasy.

Session 1: Noon-2:00pm

  • FTL (dir. Adam Stern, Canada)
  • The Sea is Blue (dir. Vincent Peone, USA)
  • Everything & Everything &… (dir. Alberto Roldan, USA)
  • Cautionary Tales (dir. Christopher Barrett and Luke Taylor, UK)
  • After We Have Left Our Homes (dir. Marc Adamson, UK)
  • GEAR (dir. Kevin Adams and Joe Ksander, USA)
  • Niggun (dir. Yoni Salmon, Israel) – US Premiere
  • Fulfilament (dir. Rhiannon Evans, UK)
  • Voyage of the Galactic… (dir. Evan Mann, USA)
  • Dead Hearts (Stephen Martin, USA)

Session 2: 2:30pm–5:00pm

  • Time Chicken (dir. Nick Black, USA)
  • The Replacement (dir. Sean Miller, USA)
  • M.A.M.O.N. (dir. Alejandro Damiani, Uruguay/Mexico)
  • Die Lizenz (dir. Nora Fingscheidt, Germany/France) – US Premiere
  • Ghost Squad (dir. Kieran Sugrue, Australia)
  • Fizzy and Frank (dir. Randall McNair, USA)
  • Haskell (dir. James Allen Smith, USA)
  • Strange Beasts (dir. Magali Barbe, UK)
  • Jiminy (dir. Arthur Molard, France)
  • The Privates (dir. Dylan Allen, USA)

For more information including film synopses and director bios, visit

(17) RETURN OF THE KESH. Wire Magazine says the record label Freedom to Spend will be reissuing Ursula K. Le Guin and Todd Barton’s 1985 recording Music And Poetry Of The Kesh in physical and digital formats on March 23 — “Music And Poetry Of The Kesh reissued on LP”.

Todd Barton and Ursula K Le Guin’s recording Music And Poetry Of The Kesh, originally released as a cassette accompanying Le Guin’s 1985 book Always Coming Home, will receive a long awaited reissue next month via Freedom To Spend. Part novel, part lengthy textbook, the publication tells the story of an invented Pacific Coast people called The Kesh and a woman called Stone Telling, weaving an anthropological narrative of folklore and fantasy. For its soundtrack, words and lyrics were put together by the late novelist while the sound was composed by Barton, an Oregon based musician and Buchla synthesist with whom Le Guin had worked on public radio projects….

Both Barton and Le Guin has started work on the reissue before the novelist’s death on 22 January of this year. Moe Bowstern, a writer and friend of Le Guin, wrote the sleevenotes for this new edition in which she explains that Barton had built and then taught himself to play several instruments of Le Guin’s design, among them ‘the seven-foot horn known to the Kesh as the Houmbúta and the Wéosai Medoud Teyahi bone flute.’”

Information on streaming and purchasing the recording is available at:

[Thanks to JJ, John King Tarpinian, Lise Andreasen, Steve Green, Lenore Jean Jones, Chip Hitchcock, Cat Eldridge, IanP, Mark Hepworth, Martin Morse Wooster, Rob Thornton, Carl Slaughter, Wobbu Palooza, and Andrew Porter for some of these stories, Title credit goes to File 770 contributing editor of the day Kip W.]

ComicMix Suffers Setback in Star Trek/Seuss Mashup Lawsuit

Revoking part of an order she handed down this summer, federal Judge Janis L. Sammartino ruled December 8 that Dr. Seuss Enterprises gets to engage both copyright and trademark claims in a lawsuit against ComicMix for a crowd-funded book project titled Oh, The Places You’ll Boldly Go!

The litigation began last November, during a Kickstarter campaign to fund Oh, The Places You’ll Boldly Go!, featuring the writing of David Gerrold, the art of Ty Templeton, and the editorial skills of ComicMix’s Glenn Hauman, Dr. Seuss Enterprises (DSE) filed suit for damages claiming the project infringed their copyright and trademark on Dr. Seuss’ Oh the Places You’ll Go!

The judge had dismissed the trademark infringement portion of the claims in June (“ComicMix Gains Partial Victory in Dr. Seuss Lawsuit Over Literary Mash-Up”), however, The Hollywood Reporter story “Lawsuit Over Mashup of ‘Star Trek’ and Dr. Seuss Gets Past Alpha Quadrant” said the judge has considered an amended complaint and is allowing all the claims to move forward including one for unfair competition. (Here’s the full opinion.)

The biggest difference is the analysis of trademark and quite notably, what is causing ComicMix some trouble on that front is the font of its title.

Nominative fair use is an important concept in trademark law, referring to certain allowances to use another’s mark for purposes like commentary, criticism, comparative advertising, or parody. The standards were articulated by an appeals court in 1992 in a case where newspapers used toll numbers to conduct polls of The New Kids on the Block.

Sammartino looks at three factors to determine whether ComicMix has an appropriate defense of nominative fair use in this dispute. On two of those factors — whether the product in question is readily identifiable without use of the trademark and whether ComicMix has done acts that would falsely suggest sponsorship or endorsement by Dr. Seuss Enterprises — the defendants get the edge. But ComicMix can’t dispense with the trademark and unfair competition claims thanks to that other factor — whether its use of Dr. Seuss’ mark is more than reasonably necessary to identify it.

The mark in question is the title, “Oh, the Places You’ll Go!”

Judge Sammartino explained:

Defendants not only use the words ‘Oh! The Places You’ll Go!’ in the title of Boldly but also use the exact font used by Plaintiff. The look of the lettering is unquestionably identical on both books, down to the shape of the exclamation point. This situation is similar to that in Toho [a precedent case]. The Court finds it was unnecessary for Defendants to use the distinctive font as used on Go! to communicate their message (i.e., that Boldly is a mash-up of the Go! and Star Trek universes).

The reference to Toho is a callback to a case made by Toho, the controller of the Godzilla intellectual property, against a book publisher in 1998.

Glenn Hauman portrayed the decision to ComicMix readers in a positive light, focusing on this part of the ruling — “Judge rules that an illustration style can’t be a trademark”.

Yesterday, Judge Janis Sammartino handed down a ruling in our ongoing case, Dr. Seuss Enterprises v. ComicMix, allowing the case to proceed to discovery while narrowing the allegations in significant ways.

Quoting from the decision:

Plaintiff cited no authority to support its assertion that its general “style” is a protectable trademark. Plaintiff only argues that the book can be subject to both trademark and copyright protection and that distinctive characters can qualify as trademarks. Plaintiff claims the Ninth Circuit has recognized Plaintiff owns trademark rights to “the character illustration of the Cat [in the Hat’s] ‘stove-pipe hat’.” But the illustration of the Cat’s hat is different than the general “illustration style” and non-specific “characters and backgrounds found throughout” Plaintiff’s books, in which Plaintiff asserts trademark rights now. And Plaintiff does not allege trademark rights in any specific character or background image in [Oh, The Places You’ll] Go! The Court is not holding illustrations of specific characters within Go! are precluded from trademark protection, but at this stage of the proceedings and based on the information in front of the Court, the Court finds that Plaintiff’s claimed general “illustration style” is not protectable.

Hauman continued:

…When we speak of an artist’s “trademark style” we’re not actually speaking of a legal trademark, and as such it’s not something that can be legally claimed.

And this means that if, say, Ty Templeton draws a portrait of me looking like I was drawn by Dr. Seuss, there’s not a thing Dr. Seuss Enterprises can do about it.

Of course, this is generally a good thing. This means that no artist can be charged with stealing someone else’s “trademark style” or the way they draw (or for that matter, how they shoot a photograph or a movie). We all learn from each other, we all influence each other— particularly in comics— and we all build on other works and artistic traditions and styles to create new works of art to tell stories.

The judge summed up her decision — “the Court again cannot say as a matter of law that Defendants’ use of Plaintiff’s copyrighted material was fair,” which could be up to a jury if the case goes to trial. She denied ComcMix et al’s motions to dismiss DSE’s claim of copyright infringement, trademark infringement and unfair competition.

[Thanks to Carl Slaughter for the story.]

Pixel Scroll 11/30/17 Go Not To The Filers For Counsel, For They Will Say Both Scroll And Pixel

(1) IT GETS WORSE. Amal El-Mohtar tweeted about her horrendous experience at the hands of TSA while trying to enter the U.S. to attend a retreat. Begins here —

She missed her flight, needed to get rebooked, had to go through Customs a second time (another bad experience), and spent long hours at the airport waiting for the next flight. Here are a couple of the tweets from that thread:

There was an outpouring of sympathy, support, and indignation, for example:

(2) BEWARE. David Gerrold shared this warning on Facebook:

A friend has sent me a cautionary note not to do business with Atomic Network. (I wouldn’t anyway, I’m currently involved in a much more promising effort.) But the advice is appreciated. I won’t repeat the long explanatory message here, the language is a little blunt and might cross a couple lines, but the evidence presented is damning enough on its own merits. The point is that SF content creators and investors would probably not be happy with the track record of the CEO and his previous ventures. Consider this a Writer Beware warning.

I believe this is the website for Atomic Network.

(3) MORE CON TRADEMARK LITIGATION. Two Boston anime conventions are going to court: “Anime Boston sues to block similarly named event in Hanover”.

The New England Anime Society of Somerville, which puts on the annual Anime Boston show at the Hynes, this week sued two of its former volunteers, who are using the phrase “Boston Anime Fest” to promote their own show at the Hanover Mall, which is somewhere south of Boston.

In addition to trying to stop the organizers from associating themselves with the show that’s actually in Boston, in a trademark lawsuit filed in US District Court, New England Anime has filed a request for a temporary restraining order to try to block the Hanover show, schedule for Dec. 8 and 9.

Although the main name of the Hanover show is the Boston SouthCoast Comic Con & Collectibles Extravaganza, its Web site, with a URL of, prominently features a Boston Anime Fest logo.

New England Anime says the branding is likely to confuse anime fans into thinking it has something to do with the Hanover show, which it does not. That the new show’s organizers, Fantastic Gatherings, Inc. – founded by the two former Anime Boston volunteers – and Interactive Meet and Greet Entertainment, initially linked their social-media accounts to Boston Anime, is also an issue.

(4) BOOKSELLERS LOVE IT. Philip Pullman’s La Belle Sauvage has been named the Waterstones book of the yearThe Guardian has the story.

Pullman pronounced himself delighted to have won an award chosen by booksellers, which he called “the most important channel between the publishers and the public”.

“Writers are at one end of a complicated network that includes editors, reviewers, designers, printers, and many other real people – as well as phantoms such as the writer the readers imagine and the readers the book seems to expect,” he said. “Part of this great living network or ecology of the book world is the ancient and distinguished profession of bookselling, which I respect and value very much.”

(5) BEST SFF OF 2017. And The Guardian thinks it none too soon for Adam Roberts to tell his picks for “The best science fiction and fantasy of 2017”.

A year ago, Amitav Ghosh usefully stirred things up with his rebuke to “realist” modes of writing. Where, he asked, is all the fiction about climate change? Well, it turns out that the answer is science fiction. Genre writing has been exploring the possible futures of climate change for many years, and 2017’s three best novels engage in powerful and varied ways with precisely that subject. Kim Stanley Robinson is the unofficial laureate of future climatology, and his prodigious New York 2140 (Orbit), a multilayered novel set in a flooded Big Apple, is by any standard an enormous achievement. It is as much a reflection on how we might fit climate change into fiction as it is a detailed, scientifically literate representation of its possible consequences.

Just as rich, though much tighter in narrative focus, is Paul McAuley’s superb Austral (Gollancz), set in a powerfully realised near?future Antarctica transformed by global warming. Jeff VanderMeer’s vividly weird Borne (4th Estate) takes a different, neo-surrealist approach to the topic. You won’t soon forget its star turn, a flying bear as big as a cathedral rampaging through wastelands….

(6) NABORS OBIT. Actor and singer Jim Nabors (1930-2017), best known for playing Gomer Pyle on two TV series, died November 30. I didn’t know he had any genre-related connections beyond his character’s tendency to say “Shazam!” in place of an expletive, however, SF Site News notes that his credits include

…the Saturday morning children’s show The Lost Saucer with Ruth Buzzi. He also made appearances in an episode of Knight Rider and provided voicework for Off to See the Wizard.



  • Born November 30, 1937 – Ridley Scott
  • Born November 30, 1985 — Kaley Cuoco

(8) CAPTAINS OUTRAGEOUS. You’ll all be thrilled to know — “William Shatner ends Star Trek feud, unblocks Jason Isaacs on Twitter”.  According to Entertainment Weekly:

Shatner never publicly said why he blocked the Star Trek: Discovery star in the first place, but we’re pretty sure it had something to do with an interview that arguably mischaracterized Isaacs as saying he would never want Shatner to be a guest star on the new series

(9) SIR JULIUS. The Science Fiction and Fantasy Association of New Zealand (SFFANZ) declares that nominations for the 2018 Sir Julius Vogel awards are open.

Nominations for the 2018 Sir Julius Vogel awards are now being accepted. The nomination period will close at 8.00 pm on 2 February 2018.  The awards recognise excellence and achievement in science fiction, fantasy, or horror works created by New Zealanders and New Zealand residents, and first published or released in the 2017 calendar year.

…Anyone can make a nomination and it is free! To make a nomination, go to  and fill out the web-based nomination form.

Get busy reading NZ authors and watching NZ movies to find work to nominate. We have a list of New Zealand works that may be eligible for nomination here.

(10) LE GUIN. Arwen Curry, who’s making a Kickstarter-funded documentary about the writer, worried that Ursula K. Le Guin’s home might have been threatened by the recent Northern California fires. All is well, writes Curry: “In Thanks for Houses”.

We were also worried for Kish, Ursula K. Le Guin’s family ranch in the Napa Valley. Thankfully, it was spared. After the air cleared, we drove up to capture some of our film’s final images, of the land where she spent the long summers of her childhood, and the setting for her 1985 masterwork, Always Coming Home. We filmed the buzzards circling, the wild oaks, the river beginning to swell, the sunset-colored vineyards, “the blue hills on the left and the blue hills on the right.”

(11) LIVE-ACTION MULAN MOVIE. The Guardian tells how Disney has avoided controversy with a Mulan casting decision: “Liu Yifei gets starring role in Mulan, as tide turns against ‘whitewashing'”.

A Chinese actor will play the title role in a live-action remake of Disney’s Mulan, a move seen as a victory for Asian actors in Hollywood after repeated controversies over “whitewashing”.

Liu Yifei, who also uses the name Crystal Liu, was picked to star in the film after a worldwide search that screened nearly 1,000 candidates. The 30-year-old actor has appeared in more than a dozen films in China and began her career in television.

The decision to cast a Chinese actress was widely praised on social media after a series of controversies over whitewashing and follows Beyoncé’s casting in the upcoming Lion King remake.

Hollywood has attracted widespread criticism for casting white actors to play Asian characters. Tilda Swinton, Scarlett Johansson and Emma Stone have all played characters who were Asian in the source material.

(12) SHAPE OF THINGS TO COME. The Los Angeles Times speculates whether The Shape of Water will earn Guillermo del Toro an Academy Award. Video at the link.

Is this the year that Guillermo del Toro — close friends with Cuarón and Iñárritu since the ’90s and, like them, one of Mexico’s most acclaimed and successful filmmakers — wins his Oscar?

Del Toro stands as a strong contender for directing “The Shape of Water,” a lavish, deeply felt love story involving a pair of outsiders — a mute cleaning woman (Sally Hawkins) and an Amazonian water creature (frequent Del Toro collaborator Doug Jones).

(13) CAN I GET A WITNESS? NPR reports “Arkansas Prosecutors Drop Murder Case That Hinged On Evidence From Amazon Echo”.

Arkansas prosecutors have dropped their case against James Bates, whom they had charged with first-degree murder partly with the help of evidence collected by an Amazon Echo smart speaker. On Wednesday, a circuit court judge granted their request to have the charges of murder and tampering with evidence dismissed.

The prosecutors declared nolle prosequi, stating that the evidence could support more than one reasonable explanation.

The move marks a curious end to a still more curious case, which had revolved around the role played by a personal assistant device that’s supposed to begin recording as soon as someone says its wake word — “Alexa,” in this case — in its presence.

… At the time of Victor Collins’ death, the Echo had been out on the market in the U.S. for only several months, and the search warrant issued for the device’s recordings prompted some fears that the new technology was opening another battlefield over personal privacy protections.

(14) FETCH! From NPR — “Scientists Train Bacteria To Build Unnatural Proteins”:

One feature of this new system is that these germs need to be fed the precursors for the X and Y components, as well as synthetic amino acids, which are the building blocks for the artificial proteins.

“There’s actually an advantage of having to do it this way,” he says, and that’s safety.

“I think synthetic biology by its very nature scares a lot of people, because you’re sort of playing with life and trying to optimize it to do new things. And people say, ‘Hey, wait a minute — that could be dangerous. What if they escape into nature?’ And I think that’s a significant concern. I think people should be worried about that kind of thing.”

But because his organisms need to be fed man-made starting materials, they can’t survive outside the lab, he says.

(15) CROWDSOURCED SCIENCE. Sometimes you do need a weatherman…. The BBC tells about the “Huge weather rescue project under way”.

It is shaping up to be a mammoth citizen science project.

Volunteers are wanted to digitise early 20th Century weather records covering the UK and other parts of Europe.

The temperature, pressure, rainfall and wind observations are in handwritten tables and need to be converted to a form that computers can analyse.

The data comes from the Met Office’s “Daily Weather Reports”, which were started by Robert FitzRoy shortly after the agency was founded in 1854.

If this old information is recovered, it can then be used to reconstruct past conditions.

That will put more context around some of the changes now occurring in our atmosphere, says Prof Ed Hawkins, from the National Centre for Atmospheric Science and Reading University.

“Whenever we have big weather events today we need to ask ourselves, have we seen them before? And if we go further and further back in time and don’t recognise such big storms or such heavy rainfall, then we can be more confident that the changes we’re seeing today really are the result of shifts in the climate system,” he told BBC News.

(16) DIAGNOSING NARRATIVE DISORDER. Malka Older’s Null States, sequel to Infomocracy, inspires a discussion of the writer’s imagined society: “’Patchwork Futures’: Sci-fi meets the political thriller” in Harvard Magazine.

In the future imagined by Malka Older ’99, author of Infomocracy and its new sequel, Null States, the inability to distinguish narrative from reality has become a medical diagnosis, officially codified as “narrative disorder.” Older describes the condition as a rewiring of the mind in a world shaped by shared narratives. “On the one hand, there’s an addiction to narrative content, to wanting to distract ourselves with stories,” she says. “But this is also changing how our brains work. We’re changing our expectations of what’s going to happen and the way people act and the kinds of characters we’re likely to meet, and by changing those expectations we end up changing reality, because people act on those expectations.”

(17) THE VILLAIN’S RIDE. “Epic Star Wars Build Test: Colin Furze x X Robots” comes courtesy of British eBay, and features Colin Furze who decided to build a full-size fighter of the sort Kylo Ren uses, and then tested it in front of some kids from the Peterborough Star Wars Club.  The kids are happy and there are lots of fireworks.

[Thanks to John King Tarpinian, JJ, Mark Hepworth, Steven H Silver, David K.M .Klaus, Darnell Coleman, Martin Morse Wooster, Chip Hitchcock, NickPheas, Cat Eldridge, Andrew Porter, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Niall McAuley.]

Pixel Scroll 11/6/17 All Of The True Pixels I Am About To Tell You Are Shameless Scrolls

(1) MORE MAPS. Ursula K. Le Guin shares the Hainish Endpapers from new editions of her books:

  • Gethen Map by UKL Colorization by Donna G. Brown

  • List of Known Hainish Worlds by Donna G. Brown, LoA.

(2) IT’S BEGINNINNG TO LOOK A LOT LIKE ADVENT. Hingston and Olsen have included stories by several sff authors in the 2017 “Short Story Advent Calendar”.

For the third straight year, the Short Story Advent Calendar is here to be the spice in your eggnog, the rum in your fruitcake—another collection of 24 brilliant stories to be opened, one by one, on the mornings leading up to Christmas.

These stories once again come from some of the best and brightest writers across North America, and beyond. Plus, this year featuring more all-new material than ever before!

Contributors to the 2017 calendar include:

  • Kelly Link (Get in TroubleMagic for Beginners)
  • Jim Gavin (Middle Men, AMC’s forthcoming Lodge 49)
  • Carmen Maria Machado (Her Body and Other Parties)
  • Ken Liu (The Paper MenagerieThe Grace of Kings)
  • Maggie Shipstead (Astonish MeSeating Arrangements)
  • and [REDACTED x 19]!

As always, each booklet is sealed, so you won’t know what story you’re getting until the morning you open it.

(3) WSFS PAPERS. Kevin Standlee announced more documentation from the 2017 Worldcon Business Meeting has been posted:

The 2018 WSFS Constitution (including all of the amendments ratified in Helsinki), Standing Rules for the 2018 WSFS Business Meeting, and Business Passed On to the 2018 WSFS Business Meeting are now online at the “WSFS Rules page”.

The Resolutions & Rulings of Continuing Effect are being reviewed by the WSFS Nitpicking & Flyspecking Committee, and I expect them to be online at the same page within a week or so.

Thanks again to Linda Deneroff for pulling this all together and putting up with me futzing around with the documents.

(4) I CHING, YOU CHING. At Galactic Journey, The Traveler has just gotten his hands on PKD’s brand new novel! “[November 6, 1962] The road not taken… (Philip K. Dick’s The Man in the High Castle)”.

Philip K. Dick has returned to us after a long hiatus with a novel, The Man in the High Castle.  It is an ambitious book, longer than most science fiction novels.  Castle‘s setting is an alternate history, one in which the Axis powers managed to defeat the Allies…somehow (it is never explained).  Dick explores this universe through five disparate viewpoint protagonists, whose paths intertwine in complex, often surprising ways…

Surprisingly, The Traveler scoffs at the alternate history premise.

There are significant problems with Castle, however.  For one, it suffers from lazy worldbuilding.  The book is an opportunity for Dick to draw a wide cast of characters and depict their complex web of interactions.  But the underpinnings of the world they inhabit are implausible.  First and foremost, it would have been impossible, logistically, for the United States to have fallen to the Axis Powers.  For that matter, I have doubts that the Soviet Union was ever in existential danger.  Certainly the Reich never came close to making The Bomb – their racial theory-tinged science wouldn’t have allowed it.  It is sobering when you realize that the Allies managed to fight two world wars and develop the most expensive and powerful weapon ever known all at the same time.  An Axis victory in World War 2 resulting in the conquest of the United States is simply a nonstarter.

(5) EATING THE FANTASTIC. Scott Edelman invites everyone to “Sink your teeth into samosa with Karin Tidbeck” in episode 51 of the Eating the Fantastic podcast.

Karin Tidbeck

This time around, you get to listen in on my lunch at Mero-Himal Nepalese Restaurant with Karin Tidbeck during the penultimate day of the con. Tidbeck writes fiction in both Swedish and English, and debuted in 2010 with the Swedish short story collection Vem är Arvid Pekon? Her English debut, the 2012 collection Jagannath, was awarded the International Association for the Fantastic in the Arts William L. Crawford Fantasy Award in 2013 and was shortlisted for the World Fantasy Award. Her novel debut, Amatka, was recently released in English.

We discussed the serious nature of Live Action Role-Playing games in Nordic countries, the way pretending to be a 150-year-old vampire changed her life, how discovering Neil Gaiman’s Sandman comics made her forget time and space, the most important lesson she learned from the Clarion Science Fiction & Fantasy Writing Workshop, how she uses improvisational exercises to teach beginning writers, why Amatka grew from a poetry collection into a novel, what made her say, “I’m not here to answer questions, I’m here to ask them,” and more.

(6) CAN YOU EXPLAIN THAT AGAIN? Scholars contend: “Science Fiction Makes You Stupid” in a post at The Patron Saint of Superheroes.

That is a scientifically grounded claim.

Cognitive psychologist Dan Johnson and I make a version of it in our paper “The Genre Effect: A Science Fiction (vs. Realism) Manipulation Decreases Inference Effort, Reading Comprehension, and Perceptions of Literary Merit,” forthcoming from Scientific Study of Literature.

Dan and I are both professors at Washington and Lee University, and our collaboration grew out of my annoyance at another study, “Reading Literary Fiction Improves Theory of Mind,” published in Science in 2013. Boiled down, the authors claimed reading literary fiction makes you smart. And, who knows, maybe it does, but if so, their study gets no closer to understanding why–or even what anyone means by the term “literary fiction” as opposed to, say, “science fiction.”

Our study defines those terms, creates two texts that differ accordingly, and then studies how readers respond to them. The results surprised us. Readers read science fiction badly. If you’d like all the details why, head over to Scientific Study of Literature.

Arinn Dembo says about the article:

This is an interesting study. It strongly suggests that years of internalized stereotyping might influence the way you read and are *able* to read, in and out of the pulp genres you might favor. I said years ago, in my first published review, “If you don’t read outside the genre… soon you won’t be able to.”

But it might just be that if you listen too long to what arrogant, dismissive people think of your genre, you’ll stop being able to read it intelligently.

(7) VERSE WARRIORS. E. Catherine Tobler (Shimmer editor), Rachael K. Jones (recently nominated for World Fantasy Award for short fiction) and Aidan Doyle have launched a Kickstarter appeal to fund  “Sword and Sonnet” an anthology of genre stories about battle poets.

“Sword and Sonnet” will be an anthology featuring genre stories about women and non-binary battle poets. Lyrical, shimmery sonnet-slingers. Grizzled, gritty poetpunks. Word nerds battling eldritch evil. Haiku-wielding heroines.

We have a wonderful group of writers who have agreed to write stories for us: Alex Acks, C. S. E. Cooney, Malon Edwards, Spencer Ellsworth, Samantha Henderson, S. L. Huang, Cassandra Khaw, Margo Lanagan, Khaalidah Muhammad-Ali, Tony Pi, A. Merc Rustad and A. C. Wise. We’ll also be holding an open submission period.

The cover art is by Vlada Monakhova. The project is live on Kickstarter throughout November. At this writing they have raised $1,982 of their $7,654 goal.

(8) IN PASSING. Here’s a photo of the late Ben Solon, a Chicago fan whose death was reported the other day.

L to R: John D. Berry, Ray Fisher and Ben Solon at a party at late Sixties Worldcon. Photo copyright © Andrew Porter


  • Darrah Chavey found the reason for the season in Cul de Sac.
  • John King Tarpinian noted The Argyle Sweater getting its laughs at the pharmacy.

(10) TEMPLE TALK. Kim Huett writes to say he has updated his William F. Temple article with corrected information supplied by Rob Hansen in a comment.

Meantime, Bill Burns says he was “Surprised to see that when you posted Kim’s piece on Bill Temple the other day you didn’t also mention Rob Hansen’s excellent new compilation of Bill’s fan writing, Temple at the Bar – free in promotion of TAFF!”

It’s one of the free ebooks at Dave Langford’s TAFF site.

(11) MOO SIXTY-NINE. NASA’s New Horizons team is looking for help naming their next target — “Help us Nickname a Distant World”.

On January 1, 2019, NASA’s New Horizons spacecraft will fly past a small, distant, and cold world at the outer frontier of our solar system. The spacecraft is about to set the record for visiting the most remote world ever explored by humankind.

For now, our destination goes by the unexciting name “(486958) 2014 MU69“, or “MU69” for short. We would like to use a more memorable nickname when we talk about our target body.

At this site, we are asking you—the public—to suggest your ideas for the nickname to assign to MU69, and to vote for your favorites. The New Horizons team and NASA will review your best ideas and announce our selection soon—in early January, 2018.

… From here you can:

  • Read about the nicknames we are already considering.
  • Vote for your favorite names on the ballot (so far).
  • Nominate names that you think we should add to the ballot.
  • Check out the top-ranked names on the vote tally.

Would you believe — right now, Mjölnir is leading the poll.

(12) TRAD PIZZA. In “Papa John’s condemns new customers: White supremacists” the alt-right rationale that a business is “failing” – because it didn’t grow as fast as predicted (mind you, it still grew) – sounds like the same criticism recently levied against a sff writer who said his productivity was down.

Papa John’s pizza has a new customer, the alt-right.

In the days following a rant by Papa John’s CEO and Louisville resident John Schnatter where he blamed the NFL and anthem protests for low sales, a white-supremacist publication claimed it as their official pizza.

In a blog post at the Daily Stormer, a photo of pizza with pepperonis arranged in a swastika has a caption that reads “Papa John: Official pizza of the alt-right?”

“This might be the first time ever in modern history that a major institution is going to be completely destroyed explicitly because of public outrage over their anti-White agenda,” Daily Stormer writer Adrian Sol said.

Peter Collins, the senior director of public relations at Papa John’s, said the company was taken off-guard by the endorsement.

“We condemn racism in all forms and any and all hate groups that support it,” Collins told Courier Journal. “We do not want these individuals or groups to buy our pizza.”

Papa John’s released third-quarter sales figures last week that show diminished rates of growth at established North American locations: 1.5 percent this year as opposed to a projected 2- to 4-percent increase. In 2016, North American sales increased 5.5 percent during the same period.

(13) TWO-LEGGED SYLLOGISM OF THE DAY. In a piece mainly devoted to slandering David Gerrold, Dr. Mauser informs the sff community “The Science Fiction is Settled”, indulging in the fallacious logic that if any member of a group wrote sff in the early days of the genre, by that date the field was wide open to writers from that group.

And then, tragedy strikes. Because to Gerrold, Change has an Arrow on it, with a single destination, and it’s pointing to the left. He launches into a paean about Immigrants and diversity and the global village because Diversity is Strength! And then:

So, yes, it is inevitable that science fiction authors will explore that diversity — expanded roles for women, new definitions of gender and sexuality, the contributions of People of Color and other non-white ethnicities. We’ve discovered the overlooked skills of the aged and the disabled, the unusual and extraordinary ratiocinations of people who are neuro-atypical. The next generation of authors are exploring vast new landscapes of possibility — places to explore and discover ways of being human previously unconsidered.

It’s not that SF CAN explore those things, but that SF SHOULD explore those things he seems to think. Forget exploring the stars or asking “What if we’re not alone in the universe?” Nah, we’re alone, so let’s spend all our speculative energies on exploring our own bad selves. He grudgingly admits that while we have probes going past Pluto, “some of our most ambitious authors are turning their attention to a different frontier —exploring the workings of the human soul.” I suppose our navels give us much more instantaneous gratification than the stars. But really, that kind of narcissism is only interesting to the narcissist.

And at this point, we can see where the train leaves the tracks, because he switches from talking about science fiction, to the science fiction community, while trying to carry the same points. He talks about the changes in the SF Community from all these new folks of diverse backgrounds showing up. The only problem with this theory is that they have always been here. There’s a case of DoubleThink going on here when the same folks who like to claim Mary Shelley as one of the first female authors of Science Fiction, and then set it out there as if women are something new, and even more patronizing when they act as if their side’s genuflecting to Feminism is somehow responsible for their appearance. No, this is not a change. Try reading some C.L. Moore and realize that not only have women been in SF all along, they have been awesome.

Likewise with minority writers. The publishing world is, or at least was, the ultimate meritocracy. Since most of the business was conducted by mail, a publisher had no clue about the racial background of an author. Bias was eliminated through the medium of the Manila envelope. It takes very little research to find out that Black authors have been writing science fiction since the turn of the century. No, not this century, the previous one. Likewise for Gay authors, an obvious example being from the previous list, Samuel R. Delany. He was first published in 1962. That’s FIFTY FIVE years ago. This “change” Gerrold is touting really is nothing new.

Do you think there’s much chance that David Gerrold will be stunned to learn a gay author wrote sf in the Sixties?

(14) TURNOVER AT CASTALIA HOUSE BLOG. Jeffro Johnson is leaving the Castalia House blog. Contributor Morgan Holmes will take charge. Culture warrior Johnson said in his farewell post —

I remember when Sad Puppies first came to my attention. Upon reading the most vilified author of the whole crop– Vox Day, of course– I saw a nominated story that’s worst fault could only be that it was explicitly Christian. Looking up the publishing house it was produced at, I found a manifesto stating their goal to restore fantasy and science fiction to more what it was like when it was written by Tolkien and Howard. (And yeah, I had no idea how the person that wrote that could possibly think that a pulp writer like Robert E. Howard could be anywhere on par with J. R. R. Tolkien. And even more ironically, I couldn’t imagine how a “Campbellian Revolution” they claimed to want could be anything other than good.)

…So much is happening in the wider scene today that I can barely keep up with even a portion of it. Along with that, I find that areas of my life outside of gaming and fiction have increasingly laid greater and greater claims to my time. And while I wish I could do all the things that I can think of that could really capitalize on everything that’s developed here… I’m afraid I instead have to admit that I’ve run with all of this about as far as I can.

It’s a tough thing to do, but I think it’s the right thing for me at this time. So I’m handing over editorship of Castalia House blog to Morgan Holmes, who has been writing about classic fantasy and science fiction here almost as long as I have. (Good luck, man!)

(15) ONE THING PEOPLE SEEM TO AGREE ABOUT. On National Review Online, Heather Wilhelm, in “The Surprising Joy of Stranger Things”. praises the show for being “a good, non-angry, non-political TV show.”

The show features “a prelapsarian world of walkie-talkies, landlines, and suburban kids left free to roam wherever they want on their bicycles,” wrote Emily Nussbaum in The New Yorker last year. Or, as Ross Duffer told Rolling Stone: “We were the last generation to have the experience of going out with our friends to the woods or the train tracks and the only way our parents could connect with us was to say, ‘It’s time for dinner.’” That world is largely gone, and with it, many childhood adventures. The image of a freewheeling kid on a bicycle, so integral to iconic films such as E.T. — Matt and Ross Duffer make no secret of drawing inspiration from classic ’80s blockbusters — is also integral to Stranger Things. Tooling around town or in the local woods on a bike is almost diametrically opposed to most widely approved childhood activities today, which tend to involve hyper-organized and ludicrously time-consuming team sports that seem purposely designed to torture kids and parents alike. Tooling around town or in the local woods on a bike is almost diametrically opposed to most widely approved childhood activities today. But given free rein on their bikes in and around the town of Hawkins, the kids of Stranger Things can meet up, explore, barrel through the forest, investigate baffling occurrences, and evade a posse of bad guys from a sinister government agency gone awry. That would be the Hawkins National Laboratory, a hulking structure nestled deep in the midwestern woods, packed to the gills with mysteries. According to the Duffer brothers, it was inspired mostly by “bizarre experiments we had read about taking place in the Cold War.”

(16) HERDING CATS. Camestros Felapton expanded his survey of animals in sff blogs (“Blogstrology”) to include one more —

Rocket Stack Rank is interesting because the animals mentioned would be more determined by their incidence in short fiction. Overall low frequencies and RSR has no presence on the otter or goose dimensions. Wolf-Rabbit-Cat blog – “Cat” strongly assisted by reviews of the works of Cat Rambo.

Goat has a presence but is just shy of the top 3.

(17) GLASGOWROK. Apparently he’s a riot pronouncing the word “bairn” — “Jeff Goldblum Answers Scottish Themed Questions About the End of the World Posed by Wee Claire”.

While promoting his new film Thor: Ragnarok, the wonderfully affable Jeff Goldblum sat down with Wee Claire of the BBC Scotland show The Social to answer a few Scottish-themed questions about the end of the world.


(18) VIDEO OF THE DAY. “Time Travel in Fiction Rundown” on YouTube is a look at how lots of movies and Ender’s Game and Harry Potter and the Prisomer of Azkaban handle the time travel theme.

[Thanks to John King Tarpinian, JJ, James Davis Nicoll, Bill Burns, Kim Huett, Martin Morse Wooster, Cat Eldridge, Mike Kennedy, Carl Slaughter, and Scott Edelman for some of these stories. Title credit goes to File 770 contributing editor of the day Xtifr.]

Pixel Scroll 9/26/17 I’ve Been To Arrakis On A Sandworm With Two Names Twice

(1) NO, IT AIN’T COOL. Indiewire reports “Harry Knowles Allegedly Sexually Assaulted Austin Woman Two Decades Ago, and Drafthouse Owners Didn’t Take Action”.

An Austin-area woman said Ain’t It Cool News founder Harry Knowles sexually assaulted her at an Alamo Drafthouse event — but the reason she’s speaking out now is she believes change is coming.

“Harry Knowles groped me, opportunistically, on more than one occasion,” said Jasmine Baker. “I cannot just stay silent. I am not interested in remaining silent.”

The specifics are described at the link. Knowles denied the accusations.

Alamo Drafthouse has severed ties with Harry Knowles, who had a business relationship with the owners, and had cofounded a convention with them.

As a result of the charges, several Ain’t It Cool News staffers have left — Eric “Quint” Vespe, Steve “Capone” Prokopy, and “Horrorella.”

(2) WRITING ABOUT HEINLEIN. Farah Mendlesohn answers some pointed questions about her forthcoming Heinlein book in “Q&A with Ken MacLeod”.

KMM: Heinlein is a hero to and an influence on the ‘right’ of the SF field. I remember many years ago being surprised to hear you being enthusiastic about Heinlein, and I probably asked you something like this: As a feminist of the left, why do you find Heinlein so intriguing?

FJM: Heinlein has always been a hero to parts of the left as well, particularly to the anarcho-left of which I am, loosely, a part both as a feminist and because I’m a Quaker (Quakers invented anarchist decision practice, and it’s interesting that anti-pacifist Heinlein has a soft spot for them). But to return to the question: at the age of 12-20 it was because he was pretty much the only male sf writer writing women who had jobs, adventures, access to engineering jobs, and who got to be spies and ornery grandmas, and be liked by men who weren’t as smart as they. Believe me, when you are a smart girl in school, that’s pretty reassuring. In my late teens and twenties I started to get annoyed with the requirement to be “sexy” but attracted to the arguments about consent; frustrated with the performativity of the romances, and irritated by everyone wanting babies but attracted to the arguments about the different ways to construct families. This time round I’ve been fascinated by the way it’s clear that Heinlein knows what his women are up against; I’ve ended up with very different readings of Podkayne, Friday and Maureen (To Sail Beyond the Sunset) in which all three of them become resisters of other people’s narrative of them.

The crowdfunding appeal has reached 80% of its goal as of today.

(3) HEINLEIN COLLECTIBLES. Keith Kato, President of The Heinlein Society, announces: “Ensign’s Prize Offer now open to Non-Members!” Keith explains —

The “Ensign’s Prize” are multiple titles of pirated Heinlein works that Ginny Heinlein won in a lawsuit.  She donated them to The Heinlein Society for fund-raising.  Until now we have limited sales only to THS members, but as you can see in the link, purchases are now open to anyone while supplies last.  There are different numbers of remaining copies of the various titles, and being a pirated version, the quality is what it is (though surprisingly not bad).

More info at the Society website:

There are some rare editions here to add to your collection. A prime example is the only known hardcover edition of The Notebooks of Lazarus Long with lettering by D.F. Vassallo.

The numbers of available individual copies varies by book with no individual copies of Methuselah’s Children. Only a handful of individual copies of Stranger in a Strange Land (5) are available. All individual copies will be offered for a suggested donation of $60 each except for The Notebooks of Lazarus Long which is offered for a suggested donation of $75 each with shipping & insurance on single books at $6.00 in the US. Overseas shipping will be determined at time of donation.

These books/sets are used as a fundraiser to support projects and programs of The Heinlein Society, a 501(c)3 non-profit organization dedicated to paying it forward. Proceeds from these books/sets will be used to support projects and programs of The Heinlein Society such as the scholarship program and Heinlein For Heroes.

This link will take you to a page where you can read a description of the books being offered and then click the “Details” link at the bottom of the page to be directed to the ordering site.

(4) BONES OF THE EARTH. “’Biggest Dinosaur Ever’ Discovered in Argentina”GeologyIn has the story.

New Species of Dinosaur Is the Largest Land Animal to Ever Walk the Earth

One hundred million years ago, a colossal creature the size of a 737 thundered through the forests of South America, picking trees clean with its head extended five stories in the air and sending ferocious T. rex-like therapods scattering like mice below its trunk-sized legs. It’s the largest dinosaur ever found — a titanosaur so huge that its skeleton can’t even fit into a single room in its home at the American Museum of Natural History. Scientists this week unveiled their first study on the ancient beast alongside its new, official name, ­Patagotitan mayorum, or, The Giant from Patagonia. Astoundingly, the Big Apple’s biggest resident wasn’t even fully grown when it died (scientists don’t know if it was male or female) — and an even more whopping cousin could be waiting to be uncovered, experts said Wednesday. “This animal [hadn’t] stopped growing at the time of death,” said Diego Pol, an Argentina paleontologist who helped dig it up.

…The scientists reproduced the skeleton in 3-D models, but the specimen was too large to fit in any local museum, Pol said, so they sent a fiberglass cast to New York last year. It has been welcoming visitors to the museum’s dinosaur floor ever since — literally, because its massive skull extends all the way out into the elevator bay. “[It’s] probably one of the world’s great selfie spots,” said John Flynn, the museum’s curator of fossil mammals.

(5) A VACUUM CLOSER THAN SPACE. “Australia commits to establish space agency with no budget, plan, name, deadline …” says The Register.

Mission plan: retrieve lost votes from deep within black hole of democratic disillusionment…

Cash’s statement says the agency “will be the anchor for our domestic coordination and the front door for our international engagement”, but there’s no detail on the agency’s name, budget, start date or anything else that would tell us what it will actually do. The fact that its future existence was first revealed to media in the city of Adelaide suggests one mission: help revive the city’s economy, which has struggled since auto-makers left in recent years (along with many votes for the governing Liberal Party).

(6) MAKE YOURSELF A GIBSON. Martin Morse Wooster says, “I finished Conversations With William Gibson and learned about this story, which was new to me.  This is from an episode of the Geek’s Guide To The Galaxy podcast by John Joseph Adams and David Barr Kirtley, who interviewed William Gibson in 2012.  This probably took place in the early 1990s.

GEEK’S GUIDE:  So when I first started going to science fiction conventions, I heard this funny story about you, and I’ve never been sure if it was true or if it happened the way I heard it, and I was wondering if you knew what I was talking about.  It was this story where you go into a hotel to check in, and you say, ‘Hi, I’m Mr. Gibson,’ and everyone acts all shocked at the hotel.”

GIBSON:  It was the Beverly Hills Hotel, and I don’t know, somebody had checked me in.It was when I had started doing some contact screenplay work after the ALIEN 3 script. So I got there, and it was like, you know, I couldn’t figure out what was going on.  The desk people looked gobsmacked and really unhappy.   So the bellman takes me up to this very fancy suite, and in this suite there’s a table lavishly arrayed with very expensive wines and liquors and expensive floral displays, and a bit thing that says, ‘The Beverly Hills Hotel welcomes Mel Gibson.'”

And so I looked at the bellman, and I said, ‘No, no, I’m not him.  Take this stuff away.’ And he said, ‘No, no, no, you can keep it.’ And I said, ‘What am I supposed to do with it?”  He said, ‘Call some friends, have a party.'”

(7) NAMING CALLS. While the writer’s mostly interested in Republican shenanigans, “8 Notable Attempts to Hack the New York Times Bestseller List” ends with a shout-out to a science fiction immortal.

…[DJ Jean] Shepherd decided that he wanted to get a book on the bestseller list—an imaginary book. “What do you say tomorrow morning each one of us walk into a bookstore, and ask for a book that we know does not exist?” he asked his listeners. The book they decided to ask for was I, Libertine, its author, Frederick R. Ewing, published by Excelsior Press, an imprint of Cambridge University Press. And ask they did…

…What is true, though, is that this book became real through sheer force of will. After only a few months, the story broke: I, Libertine was a hoax. But then it was un-hoaxed: Theodore Sturgeon, a friend of Shepherd’s, actually wrote the book, and Ballantine Books published it.


Batman Day

The purpose of Batman Day is to celebrate the anniversary of the character’s first ever appearance, which was in Detective Comics #27 way back in May 1939. Since those early comic book appearances, Batman has grown into one of the world’s best-loved and most recognizable fictional characters, and is the focal point of television shows, animated cartoons, video games and Hollywood blockbusters.


  • September 26, 1937 – The first episode of The Shadow was broadcast.
  • September 26, 1987 Star Trek: The Next Generation premiered.


John King Tarpinian suspects there is something missing after reading The Wizard of Id.

(11) BIT PARTS. After reporting a leak about the forthcoming Star Wars movie, CheatSheet also tells about some of the more interesting appearances in earlier films of the franchise: “‘Star Wars: The Last Jedi’: A Few Major Celebrities Will Make a Surprising Cameo”.

With Star Wars: The Last Jedi still upcoming, John Boyega let confirmation of a few major cameos — specifically, Princes William and Harry — slip out in an interview on BBC Radio (via Screen Rant). As he stated:

I’ve had enough with those secrets. They came on set. They were there. I’m sick of hiding it. I think it was leaked, anyway. There were images. Every time I get asked, I have to dodge it. I’m tired of dodging it. They were there. Tom Hardy was there too.

Hardy is certainly a major cameo. But he’s actually just one of many big names to show up in a film from the Star Wars franchise.

As fans look forward to the surprise appearances that are set to come in The Last Jedi, we take a look back at the history of celebrity cameos in the Star Wars franchise — including some you may not have noticed or heard about.

(12) FAN FEUDS. I was struck by David Gerrold’s observation about fan feuds, from a long post mainly about something else, although I’ve kept the first line for context. What he says about fan feuds is spot on.

Yes, I did ask Jody Wheeler and Carlos Pedraza to back off on the Axanar stuff — not just because of my respect for Alec Peters, but also because of my equal respect for Jody Wheeler and Carlos Pedraza, both of whom I have worked with. Fan-feuding helps no one. It hurts everyone. It destroys possibilities. It destroys opportunities. (I know of two entities who decided not to engage with Jody and Carlos because of their efforts in the anti-Axanar movement.) I speak from a half-century of direct experience on this.

But yeah, my bad. I should know better than to ask fans to disengage from a feud. Especially this one. I should have known better because internecine warfare is always more important than mutual support and partnership in any endeavor. It’s much more fun to have enemies — war is the most profitable human product, because it gives you not only the illusion of power and authority, it creates the opportunity to control how others think and act…

(13) YOUR SECOND-BEST SUIT. Electric Literature thought today is a good time to revisit “The 5 Weirdest Lawsuits About Authors Stealing Ideas”.

Claim: J.K. Rowling stole the word “muggle”

J.K. Rowling has been accused of idea theft, and vice versa, so many times that there’s a whole Wikipedia page for “legal disputes over the Harry Potter series.” The earliest was American writer Nancy Kathleen Stouffer, who sued Rowling for infringement in 1999, when only three of the books had been published (although it was already clear that the series was turning a handsome profit). Stouffer claimed that she’d invented the word “muggle” in her vanity-press book The Legend of Rah and the Muggles, and that another of her works featured a character named Larry Potter. This is thin enough—but the court didn’t just rule that the similarities were too vague to amount to much. It actually found that even Stouffer’s weak evidence may have been fabricated.

Two other cases involve Stephenie Meyer’s Twilight and Cassandra Clare’s Darkhunter series.

(14) ON OR OFF THE SHELF? The Washington Post’s Michael Cavna, in “Banned Books Week: Why are illustrated books being challenged more than ever?”, notes that the top two books in the American Library Association’s list of banned books for 2017 were graphic novels.  He then looks at graphic novels that censors fund particularly irritating.

Some industry observers say that the spike in challenges to illustrated books can be attributed to the recent rise in the literary form’s popularity and accessibility on bookshelves, as well as the subject matter.

“Graphic novels are more popular and widely read than ever,” said Charles Brownstein, executive director of the Comic Book Legal Defense Fund, an advocacy organization. “Their authors are speaking directly to the real concerns of their audiences in an accessible way.”

Brownstein noted, too, that the illustrated form can attract challenges that other books might not.

“There are many other factors to weigh, including the medium’s reliance on the power of the static image,” he said. “Graphic novels are frequently reduced to a single image or sequence of images that can be removed from the larger context of the work, and used to justify censorship. Comics’ use of images and words give the stories added power that resonates with audiences, and makes works like ‘This One Summer’ and ‘Drama’ even more compelling. These works must be considered as a whole to be fully appreciated. When that happens, the complexity, nuance and sophistication of the stories can be fully appreciated.”

The CBLDF director pointed, as well, to how comics are perceived by many parents and officials. “In many cases, comics are still regarded as lesser reading,” he said. “Some people don’t expect comics to have the kind of complexity or depth that earned ‘This One Summer’ the Caldecott honor and ‘Drama’ a Stonewall honor. We’ve seen cases where comics are challenged because the conversations that they raise were unexpected.”

(15) ALL WRAPPED UP. The Bangor Daily News makes a new novel sound tantalizing: “Kings of fiction: Father and son combine for ‘Sleeping Beauties’”.

In this year of all things King, with nearly two dozen movies, TV shows or miniseries based on Bangor’s own horror-meister in production or on screens, it makes perfect sense to add another Stephen King-thing to what has become a total-immersion experience.

Enter “Sleeping Beauties,” a novel that’s a team effort by Stephen King and his son, Owen. Published by Scribner, it goes on sale on Tuesday, Sept. 25 ($32.50 hardcover).

The duo’s first tandem effort on a novel, “Sleeping Beauties” is an ambitious work that combines some age-old Stephen King themes — the potential end of the world, the battle between good and … well … not so good, if not evil — with a distinctly sci-fi premise.

Simply put: Women around the world are falling asleep, and being covered in wispy cocoons. They may never wake up (and in true Stephen King fashion, those who try to rouse the females from their slumber quickly learn that doing so was a big, bad, bloody mistake).

Is the human race’s demise insured? Will a world with no women become a reality (for a time)? Or is there another option that we just can’t see on this side of the story? Good questions, all

(16) UNDER THE HAMMER. The Daryl Litchfield Collection of Arkham House & H.P. Lovecraft goes on the auction block October 5. So do a great many volumes by Edgar Rice Burroughs and other sff authors.

More than 300 lots of fine literature, from the 18th through the 21st centuries, are included in this exciting auction. Headlining the sale is the Daryl Litchfield collection of Arkham House and H.P. Lovecraft. The collection includes the earliest work by Lovecraft and a near complete collection of Arkham House publications. Many other science fiction and fantasy first editions are also offered, including nearly fifty lots of Edgar Rice Burroughs novels, many in the rare original dust jackets. Also featured are more than fifty lots of Black Sparrow press limited editions of the writings of Charles Bukowski, many signed by the author. Other rare literary works from the last 300 years are also offered, including titles by Dickens, Faulkner, Fitzgerald, Stowe, Twain, Wilde, and many others.

See the online version of the catalogue at

Direct link to the online catalogue:

To view as ebook:

(17) VIDEO OF THE DAY. In an Entertainment Weekly video “The Walking Dead cast explains 100 episodes in 30 seconds”.

(18) VIDEO OF YESTERDAY. In March 1971, General Mills introduced the chocolate-flavored Count Chocula and the strawberry-flavored Franken Berry.

[Thanks to Keith Kato, Cat Eldridge, David K.M. Klaus, Martin Morse Wooster, Michael J. Walsh, Wendy Gale, and John King Tarpinian for some of these stories.. Title credit goes to File 770 contributing editor of the day Daniel Dern, who inquires “Not having read all the Dune books (by Frank Herbert, and then the non-FH prequels), and not remembering all of those I did read… did any of the individual sandworms have names (i.e., not ‘Shai Halud’ (sp?), which was the general name). E.g. ‘Big Fella,’ ‘Spot,’ ‘Masterful Mighty Wriggler of Doom,’ ‘Fluffy’?”]

Pixel Scroll 9/9/17 The Map Is Not The Epic Fantasy Just As The Pixel Is Not The Scroll

(1) FURRY COUNCILMAN OUSTED. A city councilman in the eastern U.S. was pressured into quitting after his activities as a furry fan became a source of public controversy. The Danbury, Connecticut News Times has the story: “New Milford councilman resigns after furor over ‘furry’ activities”.

Town Council member Scott Chamberlain had never made a secret of his deep involvement in Furry Fandom, a subculture of adults who dress in mascot-like animal costumes, attend role-playing conventions and interact regularly online.

But an uproar ensued when a town resident posted on a community Facebook page several screenshots of Chamberlain’s profile from a private website catering to “furries,” many of whom participate in or write about unusual sexual practices. The profile includes a list of Chamberlain’s “loves,” “likes” and “hates,” some sexual in nature, but also said that he “tolerates” rape.

In an interview at midday Thursday, Chamberlain explained his involvement in the “furry” community as a harmless hobby.

“It’s nothing to do with sex; it’s an interest in cartoon animals,” said the first-term Democrat, who was up for re-election.

But Mayor David Gronbach, saying elected officials should be held to a “higher standard,” called for Chamberlain’s immediate resignation, and within two hours party officials said he would resign all his town and party positions by Monday morning.

(2) PROGRESS. The “Help Lezli See (Eye Surgery)” campaign has now raised $6,525 of its $8,000 goal. The contributions have come from 130 donors, including Game of Thrones producer David Benioff.

(3) GENRE GROWTH. At Amazing Stories David Gerrold has a guest editorial, “Humanity’s’ R&D Department – Science Fiction”.

The evolution of science fiction is a reflection of our changing culture. Attitudes that were commonplace in the past have been recognized as antiquated, quaint, and obsolete.

Our national conversation is the result of our diverse history. We’re not the proverbial melting pot — no, we’re a tossed salad. Every new wave of immigrants adds new ingredients to the mix, new flavors to discover; but all arrive with the same dream, a place to build a better life. We are immigrants, or we are the descendants of immigrants, and as a people we are learning to recognize the strength and value of our national diversity — it gives us a greater sense of the global village.

So, yes, it is inevitable that science fiction authors will explore that diversity — expanded roles for women, new definitions of gender and sexuality, the contributions of People of Color and other non-white ethnicities. We’ve discovered the overlooked skills of the aged and the disabled, the unusual and extraordinary ratiocinations of people who are neuro-atypical. The next generation of authors are exploriong vast new landscapes of possibility — places to explore and discover ways of being human previously unconsidered.

Even as science extends its reach outward, probes journeying as far as Pluto, telescopes peering to the farthest edges of the universe, as we expand our knowledge of what’s out there, some of our most ambitious authors are turning their attention to a different frontier —exploring the workings of the human soul.

We’ve seen some remarkable work, truly transformative — mind bending. Yes, it’s non-traditional — so what? Science fiction has always been non-traditional. It has always been “that weird stuff.” It has always been subtly subversive — and sometimes even openly dangerous.

(4) SPACE FOR YOU. Brandon O’Brien muses about the genre:

Further down he says:

(5) STRANGE HORIZONS. Elsewhere, O’Brien encourages people to participate in the “Strange Horizons Fund Drive 2017”. $4,726 out of $16,000.

(6) AWARD WORTHY. The Hugo Award Book Club waxes nostalgic about “The science fiction art of Erik Nitsche”.

There was no Hugo Award given for Best Artist in 1957 at the 15th Worldcon in London. But since awards were given in other categories, there is no provision in the current rules of the WSFS constitution to award any Retro Hugos for that year. Which is a shame, because some of the finest work from one of the most innovative graphic designers of the era had started verging into the realm of science fiction in 1955 and 1956. The name Erik Nitsche is rarely brought up in conversations of science fiction, but is well-known to historians of graphic design. In 1955, the Swiss-born designer had been hired by General Dynamics to create promotional imagery for the organization’s annual International Conferences on the Peaceful Uses of Atomic Energy (ICPUAE).

(7) WASTED ON THE YOUNG? In The Guardian, Joanna Walsh asserts “All the awards for young writers amount to discrimination”.

A few years ago I wrote an article for the Guardian on ageism in the literary world, about the predilection of publications like Granta, the New Yorker and Buzzfeed for authors under the age of 40. The problem hasn’t gone away and on Tuesday I wrote an open letter to the Royal Society of Literature, after it called for nominations for 40 new fellows under 40.

Encouraging young writers is laudable. After all, it’s increasingly difficult to get started. Publishers’ advances are low and getting lower; arts degrees are more expensive than Stem subjects; social security is fiercely tested. Which must mean that those most able to pay for a writing course, or those most able to take time off work to write while still young, are those most likely to have money, security, contacts, confidence. There’s a correlation between setting an age bar and encouraging the already privileged.

All writers were young once, and many start writing young, but not all begin their careers as published authors at that point. Leaving aside the fact that some only decide to start writing later in life, many factors affect one’s ability to commit to writing seriously. Besides income issues, age bars can lead an organisation into worrying territory. Authors from outside the perceived cultural mainstream who do not already see their voices represented – LGBTQ writers, writers of colour – are sometimes slow to recognise the contribution they can make, or to feel like their voices will be valued.

Age is a feminist issue. Careers, delayed by years looking after children or other dependents, are mostly women; residencies that offer no childcare or require long stays are an easy way to sift female candidates out of contention. Older women are already told every day, in ways ranging from the subtle to the blatant, that they are irrelevant and should shut up. Multiply this by, say, race or gender, and the courage required to put work out is even greater. Or the potential writer might not be the carer, but the cared-for. Writers who live with a disability or ill-health may not start out until they have found a way to write with their condition – which may take longer than this 40-years-old rule allows for.


  • September 9, 1927 — Silent horror-comedy The Cat and the Canary turns 90 today.


  • John King Tarpinian found one it takes a moment to figure out: The Argyle Sweater.
  • It’s Daredevil vs. Spider-man at Bliss.

(10) JUST PLAIN FOWL. The Guardian profiles actor Michael Keaton: “Michael Keaton: ‘There was a lot of bad taste in the 90s and I contributed to that’”.

He has made a career out of taking the unpredictable route: you can never guess his next role, and then he never plays it the way you’d expect. In his breakthrough movie, 1983’s Mr Mom, Keaton played a stay-at-home father at a time when such a concept was almost unheard of, and he played him as a man who has no idea how to do any of the stereotypically masculine jobs around the house; when asked if he’s rewiring the house with 220 volts, Keaton adlibbed, “220, 221, whatever it takes”. He was the dazzlingly frenetic lead in Tim Burton’s Beetlejuice, a largely improvised performance opposite fellow ghosts Alec Baldwin and Geena Davis. With Burton again, he played Batman as a conflicted nerd, rather than a grinning muscle man. In Birdman, he plays an actor so neurotic, he ends up running through Manhattan in his underwear.

(11) PRATCHETT INSPIRES FAST FOOD AD. Arby’s is known for its roast beef, not its Morpork….

(12) HISTORY CORRECTED. Have researchers finally discovered Sweden’s real-life version of Lady Brienne of Tarth or Xena the Warrior Princess? “Viking warrior found in Sweden was a woman, researchers confirm”.

The grave, which Hedenstierna-Jonson describes as the world’s “ultimate warrior Viking grave”, was discovered and excavated by Swedish archeologist Hjalmar Stolpe at the end of the 19th century. Because of the “manly” warrior equipment found in the grave, it was just assumed – rather than proven – that the remains were that of a man.

But a few years ago, Anna Kjellström, an osteologist at the Stockholm University, brought out the remains to study them for another research project and noticed that something was amiss. The cheekbones were finer and thinner than that of a man, and the hip bones were typically feminine. An osteological analysis was carried out, lending even more support to her suspicion.

Now, however, a DNA-analysis has been carried out, clearly confirming that the Viking warrior was indeed a woman.

(13) WEEDING THE PLOT. Your cabal curator, Shaun Duke:

(14) PLUNGE RIGHT IN. Beware: John Scalzi is a language prescriptivist and a plumber.

(15) GRITE LITERATURE. Camestros Felapton has had a busy day, posting chapters from Timothy the Talking Cat’s work in progress, Chiseled McEdifice: Returns.

Just then a gunshot rang out and a bullet ricocheted off his space marine helmet (he was wearing his space marine helmet obviously – look at the cover image). The HUD display flickered on in his helmet (no that isn’t ‘redundant’ I can’t just say ‘his HUD flickered on’ as that sounds perverted to me). Targeting identified a heat source 501.67 metres away to the north east.

“Enhance,” McEdifice vocalised and in some sort of cool special effect way the helmet magnified that area of his vision (with maybe a hi-tech noise like boop-ooohwushboop). It was one of the Treerat gang!

The Treerat Gang: a bunch of outlaws and pagan worshippers of the ancient demonic squirrel god. They had a lasting hate for McEdifice ever since he drove them and their filthy ways out of town and killed their leader in a shoot-out.

“Oh dear!” said McEdifice as he once again made a futile attempt to apply the brakes! Just then the front wheel hit a particularly large pebble! The bike crashed and McEdifice was thrown clear!

KABOOM! The bicycle exploded in a fiery explosion as a consequence of it hitting a rock. McEdifice rushed over and beat back the flames and then with one mighty flick of his shoulders he hoisted up the flaming bike and threw it into a near by pond which I should have probably mentioned earlier.

(16) NO TRUCE IN THE CULTURE WARS. Sadly, Lawrence Person ended his Jerry Pournelle obituary with an irrelevant shot at “SJWs”.

He edited a number of anthologies over the years; when he finally received a Hugo nomination for that, Social Justice Warrior bloc voting made sure he finished below No Award.

Person didn’t think it was important to mention that Pournelle was slated onto the 2016 ballot by the Rabid Puppies, which was the direct cause of that outcome. Or that Pournelle was nominated for eight other Hugos and finished above No Award every time.

(17) MEAT. What are they selling in this video? It’ll come to you eventually. Includes L. Ron and an alien.

[Thanks to John King Tarpinian, Cat Eldridge, JJ, Darren Garrison, and David Doering for some of these stories. Title credit goes to File 770 contributing editor of the day Soon Lee.]

David Gerrold’s Martian Child Grows Up, While the Chtorr Universe Expands

David Gerrold

By Carl Slaughter: David Gerrold is swimming in novels and has been cranking out more than a few short stories for Asimov’s, Analog, FSF, and other magazines. On a personal note, his adopted son, the inspiration for the Martian Child story and screen adaptation, recently got married and Gerrold is the proudest father on the planet.

CARL SLAUGHTER: Why return to the Chtorr universe after such a long lapse?

DAVID GERROLD: I never left the Chtorr universe. I’ve been adding to it continually. Books five and six and pieces of seven have been growing for years. Book five is essentially done. I’m editing it now. I’m rearranging some chapters and adding a key scene at the end. Book six is mostly done, but needs some deeper editing.

CS: How many Chtorr books will there be?

DG: At least seven. Maybe eight. Or nine. Until the story is done.

CS: What are the release dates?

DG: TBD after I turn in the final drafts.

CS: What’s happened so far in the series, what will happen as it progresses, and, without spoilers, how will it be resolved?

DG: In the words of River Song, “Spoilers!” The short version: The Earth got invaded by an alien ecology. A lot of stuff happened, then shit got real. One of the reasons why the long lapse between the previous four books and the next three — the big payoffs come in books five, six, and seven.

CS: Will be see art work for any of the pending novels any time soon?

DG: Not until an artist is assigned. And that won’t happen until the books are turned in. Although … I’ll give you this hint. I am having discussions about a graphic novel series.

CS: Why make the main character a soldier rather than a scientist?

DG: Jim isn’t a a soldier. He’s a scientist who got drafted. He’s been trying to be a scientist throughout — but it’s like studying a volcano. If you get too close, you die. So being a soldier is part of the job.

CS: How do scientists factor into the plot?

DG: Somebody has to ‘splain it all. Murray the Explainer died in the plagues. From my perspective, the science is the most interesting part, but a good story also needs some action between the explanations. And maybe a love story too.

CS: What short fiction have you done lately?

DG: I’ve sold “Bubble And Squeak” (a collaboration with Ctein) to Asimov’s. And I’ve got “Endless City” coming up in Analog sometime soon. Before that, I had a run of short stories placed in The Magazine of Fantasy & Science Fiction, including “The White Piano,” “The Further Adventures of Mister Costello,” and “The Dunsmuir Horror.” Plus, I’ve placed a slew of shorter stories in various anthologies: “The Schwarzchild Radius,” “The Trouble With Hairy,” “The Great Milo,” (in Amazing) and “A Brief Explanation Of How Budapest Became The Taco Capital Of The World” in Altered States.

CS: What short fiction is on the horizon?

DG: Well, as mentioned above, “Bubble And Squeak” should be showing up in Asimov’s soon, and “Endless City” in Analog. But there’s nothing else in the pipeline that’s ready. I’ve got three stories that I need to finish, but they’re already at novella length and are threatening to turn into novels. I also have the first draft of a Young Adult sequel to the Jumping Off The Planet trilogy. That’s a novel.

CS: Why the need for fund raising?

DG: I’ve made and spent three fortunes. I intend to make and spend at least three more. I’ve spent most of it raising my son, and I don’t regret a penny. My son is my hero. He’s the best thing that ever happened in my life and it makes me proud to see how well he’s doing. It was money well-spent. Myself, I’ve been in a writing spurt — or surge for a long time. A writing torrent? This last few years, I’ve been turning out enough short fiction to cover all the bills and even put a bit aside. But novels (and other responsibilities) take up a lot of time. I’ve got three big-ticket projects working, each of which require a lot of working time without the usual on-time payday. (I may or may not announce progress on these, but only if there’s something significant to report.) So when several big checks did not arrive as expected, I started an online book sale as a GoFundMe project.

CS: How is the campaign going?

DG: We sold a few thousand dollars worth of ebooks in a very short time. In terms of value received, the people who donate are getting a bargain. I’ll probably let the book sale go on as long as people want to buy books. I’ve already earmarked some of the funds for Hurricane Harvey relief. I believe in paying it forward.

CS: Do you still need beta readers?

DG: I used to be resistant to the idea of beta-readers, but when Ctein and I worked on “Bubble And Squeak” we found that we needed a lot of technical information from people who were experts in their field. It helped a lot. So I’m always open to the idea.

CS: What happens after you wrap Chtorr?

DG: Do you know how much bubble wrap and duct tape you need to wrap a Chtorr? Not sure I’m ever gonna get this bastard to the post office. Ask me again after I’ve wrapped and shipped it

CS: Your book Martian Child and the screen adaptation of the same name were based on your experience as a parent of an adopted child. How did parenting turn out for you?

DG: Parenting is probably the single greatest adventure any human being can undertake. You’re given custody of another life and your job is to provide a safe place for the growth and development of a healthy human being. It’s not ownership, it’s something else — we don’t have a word for it, but it’s a relationship of nurturing, cherishing, supporting, listening, and simply being an emotional safety net. And you learn it the hard way — by making it up as you go. But specifically, all I needed to know about Sean the day I met him was that he had a big heart — he proved that in the first five minutes. I won’t say that he was an easy child to raise — but he turned into a terrific adult, dependable, generous, and intelligent. He’s got street-smarts too. He married a wonderful young woman in December of 2016. He saved up for the wedding and for a terrific honeymoon in London and Paris, and they both came home sparkling. I have never seen him so happy in his entire life. Now, he’s making plans for the next part of their lives together and he’s working hard to turn those plans into reality. I couldn’t be prouder of him. Now, yes — if I hadn’t adopted Sean, I probably could have written another dozen books, but they wouldn’t have been as good, and I wouldn’t have learned how to be a better person. I learned as much from Sean as he learned from me.

David Gerrold, Ursula K. Le Guin and Suzy McKee Charnas at the 2015 Tiptree Symposium. Photo used by permission.

Pixel Scroll 8/27/17 During Total Eclipse, Electric Sheep Don MirrorShades Before Looking Up

(1) WINTER IS COMING TO HOGWARTS. Buzzfeed wants to help: “Let’s Find Out Which ‘Game Of Thrones’-‘Harry Potter’ Hybrid House You Should Be In “. Click away!

(2)  DONATIONS SOUGHT. David Gerrold has started a GoFundMe to solve ” A Bubble In The Cash Flow”. He has raised $5,751 of his 7,500 goal at this writing.

Well, I wasn’t planning to do this, I really hate having to do this, but … circumstances have changed.

The mortgage, phone bill, and electric bill are all due and I have some serious car repairs looming, PLUS we’re still trying to repair two rooms in the house, as well as paying off some of last year’s delayed expenses. It’s a perfect storm of financial challenges.

What makes this necessary, two royalty checks are delayed, payment for a BIG story isn’t due until October, and negotiations on something else are dragging on longer than expected (and nothing is final until the check clears the bank anyway.) So I need to raise some serious cash right now. (Online sales have helped, just not enough.)

MOST IMPORTANT, books five and six in THE WAR AGAINST THE CHTORR are done, but they still need some editing, and I need to buy some serious writing time to work on them.

(3) LISTEN UP. Cat Rambo’s Flash Fiction Reading is available to the public:

A reading of “Mystery in Metal,” first published in Signs of Life: Contemporary Jewelry Art and Literature at the Facere Jewelry Art Gallery, 2013.


(4) CALLING ALL WAYWARD WRITERS. Planning on taking a writing workshop with Cat Rambo at a convention or via her online school? Here’s what to expect.

(5) PACEY NOT PREACHY. At Bastian’s Book Reviews, Robert Holbach recommends The Salarian Desert Game by J. A. McLachlan”.

The Salarian Desert Game is just as wonderful to read as the first novel. Pacey, tongue  in cheek, fun, and filled with adventure and peril. It is more hard-hitting than the first book, and it tackles some more challenging moral dilemmas. Don’t get me wrong: this is not a preachy novel. It’s a fun adventure novel which is designed to make readers think (from time to time). Kia is a great protagonist because she has a sense of humour, a sarcastic / rebellious streak, and because she isn’t a goody-two-shoes hero. She does the right thing more often than not, but not without grumbling. When there is no right and wrong, she is just as beset by difficulties with making decisions as the reader would be. Easy to identify with and plucky – a great character to spend literary time with.

(6) RIGHT THE FIRST TIME. Abigail Nussbaum, in “Recent Reading Roundup #44”, regrets giving an author a second chance.

The Buried Giant by Kazuo Ishiguro – I’m having trouble explaining to myself why I picked up The Buried Giant.  After all, the only other Ishiguro novel I’ve read, Never Let Me Go, left me feeling disappointed, frustrated, and genuinely puzzled at the love and admiration that so many other readers (including genre readers) had for it.  The only justification I have for giving Ishiguro another look is that it had been ten years since Never Let Me Go put me off, and in that time the ongoing praise for it made me doubt my own recollections.  Was it possible that I was being too harsh?  Did I miss the point of the novel’s tragedy, seeing nastiness in what was intended as a soulful meditation on the human condition?  Add to that the conversation that developed around The Buried Giant‘s genre, and the fact that its premise and setting sounded intriguing, and it seemed like a good opportunity to give Ishiguro a second try.  Turns out, I was right the first time.  Ishiguro is a nasty piece of work; The Buried Giant, like its predecessor, is a mean-spirited, taunting bit of misery-porn that seems to hold its readers in actual disdain, and pretends to profundity without having anything to say.  And what makes it all worse is that I have no one to blame but myself.

(7) LONG PLAYING. The records on the Voyager spacecraft — and how they almost got punted: “How the Voyager Golden Record Was Made”, from The New Yorker.

We inhabit a small planet orbiting a medium-sized star about two-thirds of the way out from the center of the Milky Way galaxy—around where Track 2 on an LP record might begin. In cosmic terms, we are tiny: were the galaxy the size of a typical LP, the sun and all its planets would fit inside an atom’s width. Yet there is something in us so expansive that, four decades ago, we made a time capsule full of music and photographs from Earth and flung it out into the universe. Indeed, we made two of them.

The time capsules, really a pair of phonograph records, were launched aboard the twin Voyager space probes in August and September of 1977. The craft spent thirteen years reconnoitering the sun’s outer planets, beaming back valuable data and images of incomparable beauty. In 2012, Voyager 1 became the first human-made object to leave the solar system, sailing through the doldrums where the stream of charged particles from our sun stalls against those of interstellar space. Today, the probes are so distant that their radio signals, travelling at the speed of light, take more than fifteen hours to reach Earth. They arrive with a strength of under a millionth of a billionth of a watt, so weak that the three dish antennas of the Deep Space Network’s interplanetary tracking system (in California, Spain, and Australia) had to be enlarged to stay in touch with them.

(8) THE IRON BOARD. In a kind of thought experiment, experts on British history and royalty weigh in on “Game of Thrones: Who is the true heir?” First to be considered, Cersei Lannister.

Richard Fitzwilliams says: In Britain, an heir is determined by descent and parliamentary statute. Succession is also determined by the sequence of royal family members.

Cersei declared herself queen without any legitimacy. Her claim rests on two things: being Robert Baratheon’s widow and the mother of two dead kings.

She resembles the villainous Margaret of Anjou, queen by marriage to the feeble King Henry VI. Margaret was also ruthless and highly influential.

Sarah Peverley says: Inheritance in the Seven Kingdoms is based on real medieval laws, often prone to contradictory interpretations.

Generally speaking, the law of primogeniture seems to govern the Iron Throne, which females can claim in the event of no male heir. Or they can act until a young king comes of age, as Cersei attempted to do. But her current claim rests solely on the power she wields.

Gordon McKelvie says: There have been plenty of unpopular queens with too much influence and power. Cersei seems to share their qualities.

I can’t think of any historical example where a king (with no children) dies and passes the crown to his mother. No one in medieval England made such a dramatic grab for power like Cersei did.

(9) HOOPER OBIT. Horror film director Tobe Hooper (1943-2017) died August 27 at the age of 74. He was most famous for The Texas Chainsaw Massacre (1974).

His tale of a family of cannibals with oversized kitchen utensils, laced with dark humour, became cult viewing.

Hooper also directed Poltergeist, and the Salem’s Lot TV miniseries.


(11) WHEN GRRM COULDN’T GET HIRED AS A TV WRITER. Guess which show didn’t want to hire a science fiction writer, even one with previous TV experience?

Speaking at a workshop at UCSD’s Arthur C. Clarke Center for Human Imagination in May, the prolific writer got onto the subject of how there has long been a stigma against science fiction. To illustrate this, he told the following story about being rejected by Star Trek: The Next Generation:

I had an interview with Star Trek: The Next Generation for a possible job as a staff writer. I remember coming in to the office of this producer – who thankfully did not last long on the show and you can see why when I tell the story. He said “I don’t know who you are can you tell me your credentials.” And I said “I am just coming off Twilight Zone where I worked for a while, but before that I wrote novels and short stories. I am primarily a science fiction writer.” And he said “Oh really, well Star Trek is not a science-fiction show, it is a people show.” I was fooled by the photon torpedoes and starships. I was misled. Needless to say I did not get that job.

(12) WORLDCON 75 VIDEOS. The con now has 45 videos on YouTube although a little birdie chirped that no video of the Hugo Ceremony is among them.

(13) HEAVY SCHEDULE. Nalo Hopkinson’s conreport on Patreon can be viewed by the public: “Worldcon 75 (Helsinki) & the Edinburgh Book Festival”.

Worldcon 75 in Helsinki was amazing, just bloody amazing. It was one of the best attended Worldcons ever. The general aura of the con was jubilant. Helsinki is very easy on the eyes, but I didn’t take many pics. When you’re a Guest of Honour at a Worldcon, you don’t get much breathing room. It wasn’t only the many panels and events I was on, but I gave a couple of interviews practically every day of the con….

(14) FREE DAY. Captain Pigheart — Nick Tyler, who works for Angry Robot Books – begins his report: “A Whistle-Stop Tour of Worldcon75, Helsinki Day One”.

We selected BICYCLE as our vehicle of choice, swayed by the 10 Euro a week rental. The con venue was relatively easy to find, though Google Maps yelling incomprehensible Finnish placenames in my ear was quite stressful. It was closed. Since it was the day before the con, that made sense. We had found the most important place. Second most important: beer.   

(15) PANEL FAN. Canadian professor and aspiring SFF author David Lamb covered a lot of programs in his convention write-up.

14:00 Writing about Plants, Landscapes, and Nature with Anthony Eichenlaub, J.S. Meresmaa, Eric Scott Fischl. The initial part talked about settings in general. One speaker didn’t like the “setting is a character” meme; it’s something else because it has no character arc. Descriptions can be practical, but can be also set the tone. What are the daily and seasonal challenges in a setting? What senses other than visual are evoked?

Setting can help establish a character’s personality; one speaker mentioned using descriptions of lawns, and another mentioned how someone curses at brambles. Non-nature settings deal with similar issues: Lyndon Johnson would establish dominance by sitting in a higher chair with visitors sitting on a low couch.

If a region is unfamiliar, you need to do a lot of research. There’s an incredibly detailed survey of different soil types around the United States. One author was tripped up in that the bioluminescent species in one place was fireflies and in another was glowworms. Describing the diversity of a forest is very hard, as is some type of landscape you haven’t experienced. Another resource: Michael Dirr’s Manual of Woody Landscape Plants; it has no pictures but you can google the plant names. The Drunken Botanist by Amy Stewart describes plants used to make alcohol.

(16) FROM SEA TO SHINING SEA. Stephanie Saulter sketches out a few memories in “What I Did On My Summer Holiday (or, How to travel to Helsinki and end up on the radio in Bristol)”.

No post-mortem as such, but I was asked if there was a particularly memorable con moment. There were actually two, starting with the panel I wasn’t scheduled to be on and the reading I hadn’t known I was going to do. The panel was Caribbean SF, and featured Worldcon Guest of Honour, fellow Jamaican Nalo Hopkinson; Barbadian writer, Worldcon Toastmistress and my good mate Karen Lord; and Brandon O’Brien from Trinidad & Tobago. As they made their way to the front of the room I was summoned from my front-row seat to join them on the platform….

(17) UNCANNY COMPLETES KICKSTARTER. The Disabled People Destroy Science Fiction / Uncanny Magazine Kickstarter fully funded, and met its stretch goals for a print edition, and for a Disabled People Destroy Fantasy issue.

The final update included DPDSF Personal Essays Editor Nicolette Barischoff’s personal essay.

What do you want to see more of in representations of disability?  

What do YOU want to see more of in representations of disability?

I actually had to think awhile about how to answer it. Of course there are the self-evident answers: I want characters who are well-rounded, who are real, who are interesting. Characters who live honestly within their limitations without ever being consumed by them. But let’s assume the writer who asks this question is already planning on doing these things as part of writing a halfway decent story. What, specifically, do I as a disabled reader want to read more of?

The answer I came up with was that I wanted characters whose disabled bodies felt lived-in. I wanted to see characters whose disabilities were nothing new to them, who had inhabited their bodies for their entire lives (or at least a good long time) and who knew how to navigate their possibly deeply inconvenient worlds without thinking very much about it.

The trouble for me is that disabled characters as written by able-bodied writers tend to spend a lot of time thinking about disability, and feeling things about it. Bran Stark, one of the more prominent disabled protagonists right now, spends an awful lot of his inner life lamenting his broken body, even five books later. Around book four, I would have loved to experience a little less lamenting and a little more of Bran adapting to the new limitations of his body. What’s Bran’s day-to-day like? Apart from a convenient supernaturally gentle giant, what clever medieval assistive technologies have the household clergy dreamed up to help their lord get around Winterfell? (The handsome man at my elbow would like to point out that George R.R. Martin did rather thoughtfully line the walls of Bran’s bedroom with weight-bearing bars.) What does he think about in the moments when he’s pissing, or bathing or eating or scratching an itch? There’s gotta be whole hours where even Bran Stark doesn’t think about his broken back at all.

(18) MICRO SOLAR. BBC reports “‘Cyborg’ bacteria deliver green fuel source from sunlight”.

Scientists have created bacteria covered in tiny semiconductors that generate a potential fuel source from sunlight, carbon dioxide and water.

The so-called “cyborg” bugs produce acetic acid, a chemical that can then be turned into fuel and plastic.

In lab experiments, the bacteria proved much more efficient at harvesting sunlight than plants.

The work was presented at the American Chemical Society meeting in Washington.

Researchers have been attempting to artificially replicate photosynthesis for many years.

(19) BACKWARDS TO THE FUTURE. Brian Merchant interviews William Gibson about his new novel for Motherboard.

On that note, in Archangel, present-day post-apocalyptic America has been brought about at least in part by a US president-cum-wannabe-dictator, who consolidated power in the wake of a nuclear tragedy. Any present-day through-lines you’d like to comment on there?

If you look at American science fiction from the Cold War, that’s not a novel scenario. It’s more like a meme. Using it in Archangel felt like resurrecting an American retro-future, which is what it is. But I never expected to be living, right now, in that American retro-future!

(20) ODIOUS,. Meanwhile, back in 2015… Adam-Troy Castro’s verse “Ode To That Signed Book by Him Who Chose To Block Me” is just as relevant to Facebook users today.

O that novel on my shelf
by him who chose to block me,
Who signed it o’er to my self,
in belief that it would rock me,
who called me friend and colleague then,…
in the hopes I’d write some praise,
with fine excerptable blurb,
that might his royalties raise.
But alas! Alack! That book
of Heinleinian flavor,
with ray gun blasts, I ne’er took
an afternoon to savor.
My author pal got online
with Hugo-baiting rancor
o’er books both poor and sublime,
with allies like a canker….

[Thanks to Cat Rambo, John King Tarpinian, JJ, Andrew Porter, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 6/16/17 There’s A Scroll In The Bottom Of The Sea

(1) JACK KIRBY NAMED DISNEY LEGEND. The late Jack Kirby will be honored with the Disney Legend Award at this year’s D23 Expo in Anaheim.

JACK KIRBY first grabbed our attention in the spring of 1941 with Captain America, a character he created with Joe Simon. Kirby then followed this debut with a prolific output of comic books in the Western, Romance, and Monster genres–all a prelude to his defining work helping to create the foundations of the Marvel Universe. For the next decade, Kirby and co-creator Stan Lee would introduce a mind-boggling array of new characters and teams — including the Avengers, Hulk, Thor, Iron Man, Silver Surfer, Ant-Man, Wasp, Black Panther, S.H.I.E.L.D., and the Inhumans. Kirby was inducted into the Eisner Hall of Fame’s 1987 inaugural class and continued creating comics throughout the ‘90s before passing away in 1994.

Other honorees of this year’s Legends Award are Carrie Fisher, Clyde “Gerry” Geronimi, Manuel Gonzales, Mark Hamill, Stan Lee, Garry Marshall, Julie Taymor, and Oprah Winfrey.

(2) BILL FINGER AWARD WINNERS. Jack Kirby, along with Bill Messner-Loebs, is also a winner of the 2017 Bill Finger Award presented by Comic-Con International.

Bill Messner-Loebs and Jack Kirby have been selected to receive the 2017 Bill Finger Award for Excellence in Comic Book Writing. The selection, made by a blue-ribbon committee chaired by writer-historian Mark Evanier, was unanimous.

“As always, I asked on my blog for suggestions of worthy recipients,” Evanier explains. “Many were nominated and the committee chose Bill as the worthiest of those still alive and working, and Jack because although his artwork has always been justly hailed, his contribution as a writer has been too often minimized or overlooked. In fact, in the years we’ve been doing this award, Jack Kirby has received many more nominations than anyone else, but we held off honoring him until this year because it seemed appropriate to finally do it in the centennial of his birth, and because members of his family will be at Comic-Con to accept on his behalf.”

The Bill Finger Award was created in 2005 at the instigation of comic book legend Jerry Robinson. “The premise of this award is to recognize writers for a body of work that has not received its rightful reward and/or recognition,” Evanier explains. “Even though the late Bill Finger now finally receives credit for his role in the creation of Batman, he’s still the industry poster boy for writers not receiving proper reward or recognition.”

Kirby’s history was covered in the first item. Here’s the citation for the second winner.

Bill Messner-Loebs has been a cartoonist and writer since the 1970s. He has worked for DC, Marvel, Comico, Power Comics, Texas Comics, Vertigo, Boom!, Image, IDW, and the U.S. State Department (for which he produced a comic about the perils of land mines). He has written Superman, Flash, Aquaman, Mr. Monster, Hawkman, Green Arrow, Wonder Woman, Dr. Fate, Jonny Quest, Spider-Man, Thor, and the Batman newspaper strip. He wrote and drew Journey: The Adventures of Wolverine MacAlistaire and Bliss Alley, and he co-created The Maxx and Epicurus the Sage. He has also delivered pizzas, done custom framing, been a library clerk, sold art supplies, and taught cartooning.

(3) TROLLS. Recent Facebook experiences led David Gerrold to post a thorough discussion of trolling.

There is no freedom of speech on Facebook — Facebook is a corporation, like a newspaper or a television station. They are not obligated to protect your rights. You waived specific rights when you agreed to the terms of service —

But those terms of service have to be a two-way street. They represent a contract between service provider and consumer. And there must be a responsibility on the part of the service provider to protect the consumers from the abusive behavior of those who violate the social contract of our nation.

The social contract, you say? I’ve heard people argue, “I never agreed to a social contract.”

Actually, you agreed to it when you accepted the responsibility of being a citizen — you agreed to abide not only by the laws of the nation, but by the underlying promise of this land, the promise of liberty and justice for all.

So, I do not regard trolls as simply an internet annoyance — I regard them as human failures — as individuals who have forgotten the promise on which this nation was founded. They are not much better than caged chimpanzees who are good at screeching at the bars and throwing feces at anyone who gets to close.

Because in the great grand scheme of things, every moment of our lives is a moment of choice. We can choose to dream of the stars, or we can choose to wallow in the mud. We can choose to create something of value for ourselves and our families and our friends — or we can choose to destroy the well-being of others.

(4) TOLKIEN BIOGRAPHER AIDS CROWDFUNDING EFFORT. John Garth, author of Tolkien and the Great War, has donated signed copies of his book to the fundraising campaign for Oxford University’s project to document the First World War.

I’ve donated five signed copies of Tolkien and the Great War to help raise money for this appeal. It’s only thanks to the personal letters and photographs preserved by various Great War veterans, by families and by museums that I was able to bring to life the experiences of Tolkien and his friends in the training camps and trenches of the war. If you can donate, please do. Whether you can or can’t, please share this announcement:–

Win over £1,000/$1,000 worth of Tolkien Books… and Help Oxford University Save Items from World War One

Oxford University is currently crowd-funding a project to run a mass-digitization initiative of publicly-held material from the First World War and as is well known the experiences J. R. R. Tolkien underwent in 1916 in the Battle of the Somme had a profound effect on him and his writing. To assist with our major crowd-funding appeal we have been generously supported by Tolkien scholars and publishers, allowing us to present a prize draw opportunity to win three major publications amounting to over £1,000. Our sincerest thanks go to John Garth, Wiley/Blackwells, and Routledge for their help.

To enter the prize draw go to:

If you sponsor us by pledging £1 or more (or equivalent) you will be entered into a draw to win one of five copies signed by John Garth of his ‘Tolkien and the Great War’ (pbk, HarperCollins, 2011 – RRP: £9.99; $12.00; ‚¬11.99).

If you sponsor us by pledging £5 or more (or equivalent) you will also be entered into a draw to win one of three copies of ‘A Companion to J. R. R. Tolkien’ (hbk, Wiley/Blackwells, 2014) signed by the editor (RRP: £125; $140; ‚¬150).

Finally, if you sponsor us by pledging £10 or more (or equivalent) you will also be entered into a draw to a full set set of ‘J. R. R. Tolkien: Critical Assessments of Major Writers’ (4 volumes, hbk, Routledge, 2017) signed by the editor (RRP: £900; $1,180; ‚¬930)

In addition to these chances of winning, you will also be helping to save and preserve important objects from the First World War which are in danger of being lost on a daily basis.

Here’s the home site of the preservation project: ‘Lest we forget’ – a national initiative to save the memories of 1914-1918

We are raising £80,000 to train local communities across the UK to run digital collection days to record and save objects and stories of the generation who lived through World War One. Every item collected will then be published on November 11th 2018 through a free-to-use online database for schools, scholars, and the wider public.

But we cannot achieve this alone so please help by donating to support the training days, outreach activities, and the equipment we need.

saving the past for the future – world war one
2018 will mark the centennial anniversary of the end of World War One. Few families in Britain were unaffected by the conflict, and in thousands of attics across the country there are photographs, diaries, letters, and mementos that tell the story of a generation at war, of the loved ones who fought in the conflict, served on the home front, or lost fathers and mothers. Help us launch this national effort to digitally capture, safeguard, and share these important personal items and reminiscences from the men and women of 1914-1918. Help us support local digitisation events across village halls, community centres, schools, and libraries.

(5) THE FOUNDATION OF MIDDLE-EARTH. Josephine Livingstone reviews The Tale of Beren and Lúthien for New Republic in “J.R.R. Tolkien’s Love Story”.

And The Tale of Beren and Lúthien is more like a scholarly volume than a storybook. There are versions of the tale in verse, and versions in prose. There are versions where the villain is an enormous, evil cat, and versions where the villain is a wolf. Names change frequently. But instead of taking the “best text” route, where the editor chooses a single manuscript to bear witness to the lost story, Christopher Tolkien has offered up what remains and allowed the reader to choose. It’s a generous editorial act, and a fitting tribute in memoriam to his parents’ romance.

(6) MEDICAL UPDATE. Fanartist Steve Stiles sent this news about his diagnosis and treatment plans.

I just found out, via the lung specialist I saw the week before last, that I’m *NOT* having lung surgery at Sinai on the 20th, but rather a consultation re my “options” (would that be chemo vs. surgery? ), followed by *another* appointment to have a tube inserted down into my lung, which sounds like a whole bunch of fun. *THEN* I go in for surgery or whatever.

Looks like July is pretty well shot as far as having the two weekend cookouts with friends who we traditionally have over. It’s a drag, but considering the alternative….

(7) DALMAS OBIT. Author John Dalmas (1926-2017) has died reports Steve Fahnestalk:

With great sadness I learn that John Dalmas has died, either last night or early this morning; I understand he was in the hospital with pneumonia. Author of “The Yngling” and many other books, he was a good friend to MosCon and PESFA. You will be missed, Onkel !

Dalmas’ The Yngling, his first published sf, was serialized in Analog in 1969 and made especially memorable by Kelly Freas’ cover art.


Ray Bradbury and Ralph Waldo Emerson are descendents of Mary Perkins Bradbury, who was sentenced to be hanged in 1692 in the Salem Witch trials, but managed to escape before her execution could take place.


  • June 16, 1954 Them! premiere in New York City.
  • June 16, 1978Jaws 2 swims into theaters.

(10) THAT THING YOU DIDN’T KNOW YOU NEEDED. The Golden Snitch Harry Potter Fidget Spinners are selling like hotcakes. Who knows if there will be any left by the time you read this? (I’m kidding — they’re all over the internet.)

(11) AWESOMECON. The Washington Post’s Michael Cavna, in “Over Awesome Con weekend, D.C. will prove its geek-to-wonk ratio”, previews Awesomecon, the Washington, D.C. comicon taking place this weekend. He talks about the celebrities who are coming, including Chris Hadfield, Edgar Wright, David Tennant, and Stan Lee, still hustling at 94. A sidebar has short items of some of the panels, including “CosLove Presents: #I Can Be A Hero, where cosplayers talk about the good deeds they do, like volunteering at hospitals. Finally, Manor Hill Brewing (which is at has the official Awesomecon beer, Atomic Smash, which has a robot and an A-bomb!

So could King, who worked overseas with the agency’s counterterrorism unit after 9/11, ever see the Caped Crusader making it as a CIA agent?

“I can see Batman doing the job,” King says, but it is “harder to see him filling out the paperwork. And without good paperwork skills, you’ll never even make ­GS-12 in this town.”

This town, where sometimes the political wonk and comics geek are the same person.

(12) GIFT CULTURE VS. WAGE CULTURE. At Anime Feminist, Amelia Cook triggers a collision between fandom’s gift culture and those running megacons who expect on skilled people to work for free — “The Big Problem Behind Unpaid Interpreters: Why anime fans should value their skills”. [Hat tip to Petréa Mitchell.]

This week Anime Expo, the biggest anime convention in the English speaking world, put a call out for volunteer interpreters. Anime Expo is far from a new event, and had over 100,000 attendees last year. How did they fail to account for the cost of professional interpreters when budgeting? If they can’t afford to pay interpreters, what hope do any of the smaller cons have?

Let’s be real: they didn’t fail to account for it, and they can afford it. AX is a big enough event in the fandom calendar that they could have bumped ticket prices up by under a dollar each to bring in the necessary funds. If for some reason that wasn’t an option, they’re a big enough name that they could even have crowdfunded it. There’s no good reason not to pay every single interpreter for their work. There are, however, a couple of bad ones.

The most generous reading of their actions is that not a single person on the entire AX staff understands what interpreting involves. More likely is that they considered it an unnecessary cost, knowing they could get enthusiastic amateurs to work for free without putting a value on their time. Ours is a culture of scanlators and fansubbers working for the love of it, right? Why not give these lucky worker bees a chance to meet some cool people and see behind the scenes of a big event?

….When I first saw the tweet from AX, it made me viscerally angry. I couldn’t stop thinking about it, to the point that I’ve written this post. What possible justification is there for this decision? What on earth made them think it would be acceptable? Were interpreters even discussed at the budgeting stage (and if not, why not)? Will they get their stable of unpaid amateur interpreters anyway, or will the outcry their tweet sparked make capable people steer clear? If they don’t get enough sufficiently capable volunteers, will they fork out for professionals or settle for people with a lower level of Japanese? What are their priorities in this situation? What were their priorities when they drew up this year’s budget?

(13) BATLIGHT. Here’s what it looked like when they flashed the Bat Signal on LA City Hall.

(14) SHARKES ON DUTY. The Shadow Clarke Jury’s latest reviews include coverage of two Hugo novel finalists (if you count that the Fifth Season one also covers the Obelisk Gate a bit.)

I wanted to begin this piece by noting that I put The Fifth Season at the top of my ballot for the Hugo last year — although this is somewhat undermined by the fact that I can no longer remember for sure if I actually voted. One time when I did actually vote was at the 2005 Glasgow Worldcon, where all that was required was posting a paper form into a ballot box in the dealers’ room. That year there was an all British shortlist suggesting perhaps that the domestic audience dominated the nomination process but also the then high international standing of British SFF. I voted for Iain M Banks’s The Algebraist, which was only on the ballot paper because Terry Pratchett had withdrawn Going Postal. The Hugo was won by Susanna Clarke’s Jonathan Strange & Mr Norrell, which I had read, loved, and placed last on my ballot because it was fantasy. In retrospect, I shouldn’t have been surprised at the result because J. K. Rowling and Neil Gaiman had won recently and, in any case, Jonathan Strange & Mr Norrell was probably the most substantial novel on that ballot. The only virtue I can now see in the decision I made at the time is that it served to reduce the difficulty of making a choice.

While an increasing number of writers have made strenuous and laudable efforts to confront the “boys’ own adventure’ stereotypes of core genre archetypes“ the most famous recent example being Ann Leckie’s Imperial Radch trilogy — progressive experimentation and stylistic complexity in terms of the text itself is much, much rarer and receives scant notice. When Yoon Ha Lee’s Ninefox Gambit turned up on this year’s Clarke Award shortlist, of the three books I’d not read already it was definitely the one I was most excited about. My encounters with Lee’s short fiction had left me with an impression of complex ideas nestled within a prose that was dense and highly coloured and often abstruse — pluses for me on all three counts. Would Ninefox Gambit prove to be my space opera holy grail: a thrilling adventure in terms of prose as well as high-concept, widescreen FX? I was eager to find out.

It’s space opera, you know?

One of last year’s most famous, most advertised, most-clearly-recognized-as-science-fiction novels, on a shortlist almost entirely of famous, advertised novels–especially in relation to the rest of the 86-title submissions list–the inclusion of Ninefox Gambit on the Clarke shortlist was inevitable. Its reputation as a challenging narrative, its loyalty to standard genre form, and the requisite spaceship on the cover have established its place in the science fiction book award Goldilocks zone. If things go as they did last year and in 2014, it’s also a likely winner.

Although I’ve already made it clear this is not the kind of book I would normally value or enjoy, the placement of Ninefox Gambit on the Clarke shortlist is something I asked for last year, though not in such direct terms:

(15) NUMBER OF THE FOX. Elsewhere, Terence Blake responded to Jonathan McCalmont’s earlier review of Ninefox with some interesting points: “NINEFOX GAMBIT (2): power-fantasy or philo-fiction?”

I agree with everything that McCalmont says about the novel’s structural flaws, and in particular the problematic subordination of Yoon Ha Lee’s speculative inventivity and complexity to the fascistic, bellicose form of military science fiction. However, I don’t fully recognize the novel from McCalmont’s description.

1) The novel reads like both science fiction and fantasy, but there are many ways to blur or to undercut the distinction. In the case of NINEFOX GAMBIT I think that the “fantasy” aspect is only superficial. It is derived from the fact that the “hard” science underlying the story is not physics but mathematics. It has this structural feature in common with Neal Stephenson’s ANATHEM, which nonetheless is a very different sort of novel….

(16) FROM TOP TO, ER, BOTTOM. For your fund of general knowledge — “Every British swear word has been officially ranked in order of offensiveness”.

The UK’s communications regulator, Ofcom, interviewed more than 200 people across the UK on how offensive they find a vast array of rude and offensive words and insults.

People were asked their opinion on 150 words in total. These included general swear words, words linked to race and ethnicity, gender and sexuality, body parts and health conditions, religious insults and sexual references, as well as certain hand gestures.

(17) MARVEL LEGACY 1. Sounds like Marvel is about to push the “reset” button.

An Asgardian titan. A Wakandan warrior bred to be a king. The very first Sorcerer Supreme.

Since its inception, Marvel has been delivering groundbreaking heroes and explosive stories. Now, prepare to return to the dawn of time, as Marvel introduces you to the first Avengers from 1,000,000 BC — when iconic torch-bearers such as Odin, Iron Fist, Star Brand, Ghost Rider, Phoenix, Agamotto, and Black Panther come together for the startling origin of the Marvel Universe, in MARVEL LEGACY #1!

The acclaimed team of writer Jason Aaron (Mighty Thor) and artist Esad Ribic (Secret Wars) reunite for an all-new 50-page blockbuster one-shot that will take you through time to the current Marvel Universe, showing you how it’s truly “all connected.” A true homage to Marvel’s groundbreaking stories, MARVEL LEGACY brings your favorite characters together for exciting and epic new stories that will culminate in returning to original series numbering for long-running titles.

MARVEL LEGACY #1 isn’t simply a history lesson,” says SVP and Executive Editor Tom Brevoort. “Rather, it’s the starting gun to a bevy of mysteries and secrets and revelations that will reverberate across the Marvel Universe in the weeks and months to come! No character, no franchise will be untouched by the game-changing events that play out across its pages. Jason and Esad pulled out all the stops to fat-pack this colossal issue with as much intrigue, action, surprise, mystery, shock and adventure as possible!€

MARVEL LEGACY #1 will present all fans — new readers and current readers — the very best jumping on point in the history of comics,” says Marvel Editor in Chief Axel Alonso. “What Jason and Esad have crafted is more grand and more gargantuan than anything we have ever seen before and introduces concepts and characters the Marvel Universe has never encountered. Fans are going to witness an all-new look at the Marvel Universe starting at one of the earliest moments in time carried all the way into present day. Not only will this be the catalyst for Marvel evolving and moving forward, but expect it to be the spark that will ignite the industry as a whole.”

[Thanks to John King Tarpinian, Martin Morse Wooster, Steve Stiles, and Mark-kitteh for some of these stories, and a hat tip to Petréa Mitchell. Title credit belongs to File 770 contributing editor of the day Jayne.]