Clarke Center Lifts Off With Public Events

The Arthur C. Clarke Center for Human Imagination will launch this month with a series of free events on the UC San Diego campus. 

May 1 through 31, 2013

“Remembering Sir Arthur C. Clarke”
Remembering and celebrating the diverse genius and joie de vivre of Sir Arthur C. Clarke. Artifacts and items are from the collection of Wayne and Gloria Houser. During the May 21 reception only: Special display of original paintings of Clarke book cover art on loan from Naomi Fisher, and space science posters by Jon Lomberg. Curated by Carol Hobson, and co-sponsored by the UC San Diego Library.
Seuss Room Foyer, Geisel Library, UC San Diego

Tuesday, May 14, 2013

1-5 p.m., “Visions of the Future”
An afternoon of conversations and presentations featuring Clarke Center affiliates on their visions of science and culture 33 years into the future (in honor of Clarke’s imagining of 2001 in 1968).
Calit2 Auditorium, Atkinson Hall, Qualcomm Institute, UC San Diego

7 p.m., “The Literary Imagination”
A conversation between authors Jonathan Lethem and Kim Stanley Robinson presented by the Helen Edison Lecture Series, UC San Diego Extension and the Arthur C. Clarke Center for Human Imagination
Price Center West Ballroom, UC San Diego

Tuesday and Wednesday, May 21 and 22, 2013

“Starship Century Symposium”
A two-day event devoted to an ongoing exploration of the development of a starship in the next 100 years. Scientists will address the challenges and opportunities for our long?term future in space, with possibilities envisioned by Freeman Dyson, Paul Davies, Peter Schwartz, John Cramer and Robert Zubrin. Science fiction authors Neal Stephenson, Allen Steele, Joe Haldeman, Gregory Benford, Geoffrey Landis and David Brin will discuss the implications that these trajectories of exploration might have upon our development as individuals and as a civilization.
Calit2 Auditorium, Atkinson Hall, Qualcomm Institute, UC San Diego
Note: Seating is limited, but the two-day event will be offered via live streaming video at http://imagination.ucsd.edu.

Tuesday, May 21, 2013

Reception 6-8 p.m., “Remembering Sir Arthur C. Clarke”
Remembering and celebrating the diverse genius and joie de vivre of Sir Arthur C. Clarke. Artifacts and items are from the collection of Wayne and Gloria Houser. During the May 21 reception only: Special display of original paintings of Clarke book cover art on loan from Naomi Fisher, and space science posters by Jon Lomberg. Also screening of documentary film, “Arthur C. Clarke: The Man Who Saw the Future,” a BBC/NVC ARTS Co-Production in association with RAI Thematic Channels, 1997. Curated by Carol Hobson, and co-sponsored by the UC San Diego Library.
Seuss Room Foyer, Geisel Library, UC San Diego

Created by UCSD and the Arthur C. Clarke Foundation, the Clarke Center “will honor the late author and innovator through activities that will focus on cultural, scientific and medical transformations that can occur as we increase our understanding of the phenomena of imagination and become more effective at harnessing and incorporating our imaginations in our research and daily lives.”

UCSD’s Sheldon Brown, professor of computing in the arts in the department of visual arts, is the director of the center. The center’s associate director is David Kirsh, professor and former chair of the department of cognitive science.

In addition to drawing upon a wide range of disciplines and collaborations, the Clarke Center will engage the creative worlds of media, the arts and literature to help with discovery. UC San Diego’s unique relationship with speculative fiction and science fiction authors, including Kim Stanley Robinson, David Brin, Nancy Holder, Greg Benford, Vernor Vinge, Greg Bear and Aimee Bender, will allow the center to dismantle traditional boundaries and forge new ways of thinking about the future.

Starship Century Symposium at UCSD

Starship CenturyThe prospects for returning to the Moon are discouraging and the cost of visiting Mars is out of sight. What should a space fan do? Dream bigger!

Several top scientists and hard sf writers who have devoted their careers to big dreams will participate in the Starship Century Symposium, hosted by the Arthur C. Clarke Center for Human Imagination on May 21-22 in collaboration with Gregory and James Benford. Speeches and panels will present ideas from the Benfords’ new Starship Century anthology of science and science fiction.

Four questions will drive the discussion –

Is this the century we begin to build starships?
Why go to the Stars?
Can we?
Should We?

The vision of a 100 year program to create a starship will be explored – from the development of an interplanetary economic infrastructure, to the structural requirements, the human factors and speculations on what we might find.

The challenges and opportunities for humanity’s long-term future in space will be addressed by the Benford brothers, Freeman Dyson, Paul Davies, Peter Schwartz, John Cramer, Robert Zubrin and more. Science fiction authors Neal Stephenson, Allen Steele, Joe Haldeman, Geoffrey Landis and David Brin will be among the writers discussing what effect these explorations might have upon individuals and civilization as a whole.

The full agenda is here. Two of the highlights will be —  

Tuesday, May 21

Panel: The Future Of New Space

Freeman Dyson
Neal Stephenson
Allen Steele
Geoffrey Landis

Wednesday, May 22

Fiction Writers Panel: Envisioning The Starship Era

moderated by Gregory Benford

Joe Haldeman
David Brin
Larry Niven
Vernor Vinge
Jon Lomberg

[Thanks to Gregory Benford for the story.]

Paul Williams (1948-2013)

Paul Williams 1988 American Booksellers Assn photo by and copyright c 2013 Andrew Porter

Paul Williams at the 1988 American Booksellers Assn. Photo by and copyright © 2013 Andrew Porter.

Paul Williams, who began publishing fanzines as a teenager and at age 17 founded the legendary rock zine Crawdaddy!, died March 27 at the age of 64. He had been in hospice care since February suffering from early-onset dementia, attributed to the brain trauma he suffered in a 1995 bicycle accident.

Williams published Crawdaddy! from 1966 to 1968, the magazine’s distribution rapidly growing from 500 to 25,000 copies. Those historic issues can be accessed here.

Then, Williams ended the magazine and began a new phase of his life, as described in Billboard:

Following the initial success of Crawdaddy!, Williams closed up shop in New York and moved to Mendocino, Calif. where he traveled with Timothy Leary and “ended up at John and Yoko’s Bed-In for Peace in Montreal.” It was also around this time that Williams struck up a friendship with the influential science fiction author Philip K. Dick, a relationship that continued after Dick’s death, when Williams was named his literary executor. Williams is credited with helping to secure Dick’s literary legacy.

It took a long time for Dick’s reputation to gain its current stature. As Malcolm Edwards explains in his fine appreciation, Williams was instrumental in starting it on the way.

As an sf reader, which I assume you probably are, you should honour him as one of the two principal figures who kept the name of Philip K. Dick alive in the decades following his death. Paul was a close friend of Dick’s, and his 1975 Rolling Stone article “The True Stories of Philip K. Dick” was the most significant piece of writing about him published during his lifetime. (It later formed the basis of a book, Only Apparently Real, which was in turn the first book about Dick.) When Dick died in 1982, Paul was named his Literary Executor, and he worked tirelessly in conjunction with Dick’s long-time literary agent Russ Galen (the other hero of this story) to keep his name alive. Paul founded and ran the Philip K. Dick Society, which attracted hundreds of members in scores of countries. The small publishing company he ran together with David Hartwell published Dick’s novel Confessions of a Crap Artist– the first time any of Dick’s non-sf novels from the 1950s saw the light of day.

Gregory Benford paid Williams this tribute: “He was a stone sf fan from junior high, deflected into rock, but with the instincts of a fan and the smarts to see where rock could go, following the curve of sf and jazz and earlier American inventions. His kind of cross-conversation invigorated all fields he touched, from Dylan to Sturgeon to Phil Dick to all those idiosyncratic visionaries who lurk among us, bless them all in their fevered pace.”

[Thanks to Gregory Benford for the story.]

SF Symposium at UC Irvine

“The Future Is Here: California in Science Fiction” convenes at UC Irvine Thursday, April 4. Writers Larry Niven, Jerry Pournelle, Gregory Benford, Sheila Finch and Steven Barnes will participate, and also scholars Catherine Liu, Sherryl Vint and Matthew Wolf-Meyer.

The West Coast of the US, and California in particular, has long been a source of inspiration for the SF imagination: the state’s history offers a rich repository of utopian schemes, dystopian realities, collectivist experiments, and commercial and  ecological catastrophes. During the Cold War and after California has represented the vanguard of technoscientific progress, free-market ideology, lifestyle libertarianism, and countercultural experimentation. California shares the seismic instabilities of the Pacific Rim and is integrated into the cultural and economic exchanges facilitated and regulated by global capital throughout the region. California exists in the larger cultural imagination as both a much-dreamed-of sphere of spiritual discovery and multicultural hybridity as well as a nightmarish realm of ecological disaster and race war. Join us for a lively discussion of these and other issues with SF writers, theorists, and critics.

Here are the scheduled highlights:

  • 12:30-1:30 Oath of Fealty: Larry Niven, Jerry Pournelle, and Gregory Benford on the classic novel about a surveillance community in Los Angeles
  • 1:30-3:30 A State of Difference: Sheila Finch and Steven Barnes on writing gender and race in Californian SF
  • 3-4:30 Breakout sessions: Writing SF

Workshop on Writing SF with Sheila Finch

Workshop on Writing SF with Steven Barnes

  • 4:30-5 Concluding Roundtable: The Critics & Theorists React: CA & SF?

Catherine Liu, UCI Film and Media

Sherryl Vint, UCR English

Matthew Wolf-Meyer UCSC Anthropology

The event takes place in Humanities Gateway 1030. It is sponsored with a grant from the California Studies Consortium, the UCI Humanities Collective and the UCI Center for Excellence in Writing and Communication.

Springer’s Science/SF Initiative

Springer, a leading science publisher, is seeking titles for a new series that will explore the “narrow frontier” between science and science fiction —

A unique new book series.In many respects the intellectual challenges of discovering new science and creating plausible new fictional worlds are two sides of the same coin. They both demand an understanding of the way the world is and, based on this, an ability to imagine how it might be.

The characteristics Springer’s looking for are books that:

  • Indulge in science speculation – describing, in accessible manner, interesting, plausible yet unproven ideas
  • Exploit science fiction for teaching purposes and as a means of promoting critical thinking
  • Analyze the interplay of science and science fiction – throughout the history of the genre and looking ahead
  • Publish essays on related topics, probably with a philosophical tenor
  • Publish short works of fiction where (i) the scientific content is a major component and (ii) the text is supplemented by a substantial summary of the science underlying the plot

Gregory Benford is a member of the editorial and advisory board. I asked him what existing works might be considered examples of what Springer hopes to publish. Benford says:

They cited Beyond Human that I did with Elisabeth Malartre, and Deep Time from 1999… plus some writings of Zebrowski and Asimov and Clarke’s Profiles of the Future, much Dyson, Rees Our Final Hour, Time Travel by Gott, Nahin’s Time Machines, a lot of Paul Davies — a wide range on the mutual inspirations of science and sf.

The Editorial and Advisory Board is loaded with prestigious scientists and writers.

Mark Alpert, author of Final Theory, The Omega Theory, and Extinction, is a contributing editor at Scientific American.

Philip Ball worked at Nature for over 20 years, first as an editor for physical sciences (for which his brief extended from biochemistry to quantum physics and materials science) and then as a Consultant Editor. His writings on science for the popular press have covered topical issues ranging from cosmology to the future of molecular biology. Ball’s latest is Curiosity: How Science Became Interested in Everything (Bodley Head, 2012)

Gregory Benford, in addition to being one of our most honored sf writers and the author of over 20 novels, is a professor of physics at UC Irvine. He conducts research in plasma turbulence theory and experiment, and in astrophysics. He has published over a hundred papers on topics including condensed matter, particle physics, plasmas and mathematical physics, and biological conservation.

Michael Brotherton, an astronomer on the faculty at University of Wyoming, studies the supermassive black holes in the centers of  galaxies. He is also the author of Star Dragon (2003) and Spider Star (2008), and founder of the NASA-funded Launch Pad Astronomy Workshop for Writers, which brings a dozen award-winning professional writers to Wyoming every summer.

Victor.Callaghan credits his love of “SciFi” for drawing him into “Science and Engineering and, ultimately, to teaching and researching in a university …. the best job in the world.” Callaghan and his colleagues have made many contributions, a couple examples being the development of a novel real-time self-programming fuzzy-logic based genetic algorithm for robot control, and the development of the world’s first network camera (NetCam – a spinoff of robotics work).

Amnon Eden is a computer scientist and the co-editor of a forthcoming collection of essays on the singularity hypothesis.

Geoffrey Landis is a NASA scientist who works on Mars missions and developing advanced concepts and technology for future space missions. His sf has won two Best Short Story Hugos and a Nebula, and as a poet he has won a Rhysling Award.

Rudy Rucker is a mathematician who worked for twenty years as a computer science professor. He’s the author of 30 published fiction and nonfiction books, including 2 Philip K. Dick Award winners.

Dirk Schulze-Makuch’s researchs the interaction of microbes with their natural geological environment in an aqueous medium. He is interested in the presence of liquid-rich environments on other planets and moons inside and outside of our Solar System and how these environments can serve as a potential habitat for microbial life.

Rudy Vaas is editor of Beyond The Big Bang: Competing Scenarios for an Eternal Universe and cod-editor of The Arrows of Time: A Debate in Cosmology.  

Ulrich Walter is a physicist/engineer and a former DFVLR astronaut and a professor of astronautics.

Stephen Webb has written on such cosmological subjects as If the Universe Is Teeming with Aliens … WHERE IS EVERYBODY?: Fifty Solutions to the Fermi Paradox and the Problem of Extraterrestrial Life.

Summing up the project, Benford says: “I hope this can be a new vehicle for such approaches. Plainly as we accelerate into this turbulent century, facing unprecedented problems like climate change and the population/resource crunch (see The Windup Girl), we need all the thinking we can get.”

Anthony Burgess, Fibber

Jonathan Lethem, at Salon, remembers embarrassing himself while getting an autograph from Anthony Burgess. He asked –

The Wanting Seed, my favorite of his novels – could it, possibly, by any chance, have been influenced by the writing of Philip K. Dick? (I now know that Burgess’s novel was written well before any of Dick’s major novels had appeared; the question was foolish.)

“I don’t read science fiction,” Burgess hissed, taking his revenge now.

But he knew who I was talking about.

This happened in 1985.

Greg Benford, pointing to Lethem’s post, put the lie to Burgess’ claim.

Anthony Burgess didn’t read science fiction ? Oh yeah?

In 1981 he wrote me a letter about Timescape

Benford to Sign at UCI 11/15

Gregory Benford will give a reading from and sign copies of the new Niven & Benford novel Bowl of Heaven at UC Irvine’s “The Hill” bookstore on November 15 at 5:00 p.m.

Benford notes the book’s East Coast promotional tour starts in two weeks.

Hear the authors discuss Bowl of Heaven in this video – Authors@Google Presents: Gregory Benford and Larry Niven [YouTube].

[Thanks to Gregory Benford for the story.]

Benford, Niven Signing Bowl of Heaven

Gregory Benford and Larry Niven will launch their new novel, Bowl of Heaven in San Diego on October 16 and follow with signings at bookstores all the way up the West Coast. (A list of dates and locations follows the jump.)

When they come back they’ll go back to work on the sequel, Shipstar.

Benford talks about Big Dumb Objects vs. Big Smart Objects on his blog,and in the same post Larry Niven pitches the basic idea:

With Greg Benford I was willing to take a whack at a Dyson-level civilization. Greg shaped the Bowl in its first design. It had a gaudy simplicity that grabbed me from the start. It was easy to work with: essentially a Ringworld with a lid, and a star for a motor. We got Don Davis involved in working some dynamite paintings.

Greg kept seeing implications. The Bowl’s history grew more and more elaborate. Ultimately I knew we’d need at least two volumes to cover everything we’d need to show.

Continue reading

2012 Endeavour Award Finalists

Five novels are finalists for the 2012 Endeavour Award, which honors a distinguished science fiction or fantasy book, either a novel or a single-author collection, created by a writer living in the Pacific Northwest:

Anna Dressed in Blood by Kendare Blake
City of Ruins by Kristine Kathryn Rusch
River Marked by Patricia Briggs
Robopocalypse by Daniel H. Wilson
When The Saints by Dave Duncan

The finalists were selected from entries read and scored by seven preliminary readers. The winning entry will be chosen by 2012 Endeavour judges Gregory Benford, Lawrence M. Schoen, and Susan Shwartz.

The award comes with a $1,000 honorarium.

The winner will be announced November 2 at OryCon, Oregon’s major science fiction convention.

The full press release follows the jump.

Continue reading

Bradbury Farewell Roundup

Makeshift memorial for Ray Bradbury at Mystery & Imagination Bookshop in Glendale, CA. Photo by John King Tarpinian.

Tributes to the late Ray Bradbury are being posted everywhere today.

Mark Evanier
News From Me
Ray Bradbury, R.I.P.

Before we left, he quietly took me aside and invited me to come back without my friends. They were nice kids and all but they didn’t have my commitment to writing so he had “a couple of things” he wanted to say to me and me alone.

Me and me alone went back a week later and he must have spent three hours slathering me with advice. Absolutely none of it was about story content. He didn’t talk about plot or character motivation or plot structure. He talked about being a writer…about living like one, working like one, thinking like one. A lot of it was very pragmatic, about how to not fantasize the profession into something it was not. It was not, for example, a profession where visions pop into your genius brain and you just type them up, send them in and get hailed as brilliant. He had worked damn hard to become Ray Bradbury and every day, he worked damn harder to stay Ray Bradbury.

He did not make me want to become a writer. I was already there. What he did, I suppose, was make me think as follows: Ray Bradbury gave me all that time and encouragement. I can’t waste that.

Io9
R.I.P. Ray Bradbury, Author of Fahrenheit 451 and The Martian Chronicles:

His grandson, Danny Karapetian, shared these words with io9 about his grandfather’s passing: “If I had to make any statement, it would be how much I love and miss him, and I look forward to hearing everyone’s memories about him. He influenced so many artists, writers, teachers, scientists, and it’s always really touching and comforting to hear their stories. Your stories. His legacy lives on in his monumental body of books, film, television and theater, but more importantly, in the minds and hearts of anyone who read him, because to read him was to know him. He was the biggest kid I know.”

Lynell George
Los Angeles Times
Sci-fi pioneer Ray Bradbury dies at 91

Bradbury’s poetically drawn and atmospheric fictions—horror, fantasy, shadowy American gothics—explored life’s secret corners: what was hidden in the margins of the official family narrative, or the white noise whirring uncomfortably just below the placid surface. He offered a set of metaphors and life puzzles to ponder for the rocket age and beyond, and has influenced a wide swath of popular culture–from children’s writer R.L. Stine and singer Elton John (who penned his hit “Rocket Man” as an homage), to architect Jon Jerde who enlisted Bradbury to consider and offer suggestions about reimagining public spaces.

She also extensively quoted Gregory Benford’s thoughts about Bradbury’s appeal:

“Nostalgia is eternal. And Americans are often displaced from their origins and carry an anxious memory of it, of losing their origins. Bradbury reminds us of what we were and of what we could be,” Benford said.

“Like most creative people, he was still a child, His stories tell us: Hold on to your childhood. You don’t get another one. I don’t think he ever put that away.”

Gerald Jonas
New York Times
‘Idea Writer’ and Lyrical Master of Science Fiction

An unathletic child who suffered from bad dreams, he relished the tales of the Brothers Grimm and the Oz stories of L. Frank Baum, which his mother read to him. An aunt, Neva Bradbury, took him to his first stage plays, dressed him in monster costumes for Halloween and introduced him to Poe’s stories. He discovered the science-fiction pulps and began collecting the comic-strip adventures of Buck Rogers and Flash Gordon. A conversation with a carnival magician named Mr. Electrico that touched on immortality gave the 12-year-old Bradbury the impetus to become a writer.

In 1934 the family moved to Los Angeles, where Mr. Bradbury became a movie buff, sneaking into theaters as often as nine times a week. Encouraged by a high school English teacher and the professional writers he met at the Los Angeles chapter of the Science Fiction League, he began a lifelong routine of turning out at least a thousand words a day on his typewriter.

Locus Online
Ray Bradbury (1920-2012)

Ray Douglas Bradbury was born August 22, 1920 in Waukegan, Illinois.  He moved with his family to Los Angeles in 1934, at age 13, and in 1937 discovered the Los Angeles Science Fantasy Society. Through that organization he met Forrest J Ackerman, Hannes Bok, Edmond Hamilton, Ray Harryhausen, Robert A. Heinlein, Henry Kuttner, and many other friends who would go on to become SF luminaries.

Gene Seymour
CNN
Bradbury was a writer of perils, possibilities and wonder

Bradbury’s more intelligent and incisive readers found greater resonance in his writing than his deceptively simple approach evoked on the surface.

One such fan was the Argentine fabulist and poet Jorge Luis-Borges, who in his introduction to his Spanish-language translation of “The Martian Chronicles, asked: “What has this man from Illinois done, I ask myself when I close the pages of his book, that episodes from the conquest of another planet fill me with horror and loneliness?”

Alan Duke
CNN
Sci-fi legend Ray Bradbury dies

“For many Americans, the news of Ray Bradbury’s death immediately brought to mind images from his work, imprinted in our minds, often from a young age,” President Obama said. “His gift for storytelling reshaped our culture and expanded our world. But Ray also understood that our imaginations could be used as a tool for better understanding, a vehicle for change, and an expression of our most cherished values. There is no doubt that Ray will continue to inspire many more generations with his writing, and our thoughts and prayers are with his family and friends.”

“He was my muse for the better part of my sci-fi career,” director Steven Spielberg said. “He lives on through his legion of fans. In the world of science fiction and fantasy and imagination he is immortal.”

“Ray Bradbury wrote three great novels and 300 great stories,” author Stephen King said. “One of the latter was called ‘A Sound of Thunder.’ The sound I hear today is the thunder of a giant’s footsteps fading away. But the novels and stories remain, in all their resonance and strange beauty.”

Jerry Pournelle
Chaos Manor
R.I.P. Ray Bradbury

Ray affected writing more than he intended to: he made short stories look much easier than they are. A lot of new writers fell for that. In the early days Ray was a fantasy writer in a science fiction world – it’s hard to remember that science fiction used to sell much better than fantasy – but he could do science fiction as well, witness Fahrenheit 451. At one time the whole genre was dominated by “ABC”, Asimov, Bradbury, and Clarke, although usually someone would quickly add Robert Heinlein. Now the Big Four are gone. They will all be missed.