The Libertarian Futurist Society has selected four finalists for the 2022 Hall of Fame Award.
Citizen of the Galaxy, a 1957 novel by Robert Heinlein, and arguably the best of his “juveniles,” that strongly dramatizes an anti-slavery theme while exploring the meaning of freedom and defending the right to use force in self-defense. The epic, wide-ranging, planet-hopping saga revolves about a young man’s coming of age amid repeated displacement into new societies and situations (including one intriguing libertarian group of Free Traders) in a rich and complex interstellar future.
That Hideous Strength, a 1945 novel by C.S. Lewis (Book 3 of his Space Trilogy), revolves around a sociologist and his wife who discover a totalitarian conspiracy and diabolical powers scheming to take control of humanity, in the guise of a progressive-left, Nazi-like organization working for a centrally planned pseudo-scientific society literally hell-bent to control all human life.
Circus World, a 1981 collection of linked stories by Barry B. Longyear that imagines how Earth’s circus troupes have evolved on a far-distant planet into a circus- and magic-defined culture without a government but with strongly individualistic, voluntary and cooperative social norms and only One Law, designed to make it nearly impossible to impose government regulations or other legislation, that helps the planet’s citizens peacefully cooperate in resistance against coercive human invasion and statist tyranny.
“The Trees,”a 1978 fantasy-themed song with pointed lyrics by Rush (released on the Canadian rock group’s album Hemispheres), concisely and poetically presents a fable of envy, revolution, and coercive egalitarianism that threatens the survival and individuality of different kinds of trees that make up a forest with a “noble law” that keeps the trees “equal by hatchet, axe and saw.”
In addition to these nominees, the Prometheus Hall of Fame Finalist Judging Committee considered four other works: The Winter of the World, a 1975 novel by Poul Anderson; “It’s a Good Life,” a 1953 story by Jerome Bixby; Exiles, Volume 1: The Ruins of Ambrai, a 1994 novel by Melanie Rawn; and “The Measure of a Man,” the Feb. 13, 1989 TV episode of Star Trek: The Next Generation, with screenplay by Melinda Snodgress.
The final vote will take place in mid-2022. All Libertarian Futurist Society members are eligible to vote. The award will be presented at a major science fiction convention.
First presented in 1979 (for Best Novel) and presented annually since 1982, the Prometheus Awards have recognized “outstanding works of science fiction and fantasy that dramatize the perennial conflict between Liberty and Power, favor private social cooperation over legalized coercion, expose abuses and excesses of obtrusive government, critique or satirize authoritarian ideas, or champion individual rights and freedoms as the mutually respectful foundation for peace, prosperity, progress, justice, tolerance, civility, and civilization itself.”
The awards include gold coins and plaques for the winners for Best Novel, Best Classic Fiction (Hall of Fame), and occasional Special Awards.
(1) YOUNG PEOPLE. At Young People Read Old SFF, James Davis Nicoll turns his panel loose on a story that was heavy, deep, and real in 1971 and won Theodore Sturgeon his first Hugo late in his career.
Theodore Sturgeon was a widely beloved author whose work, I regret to say, never particularly appealed to me. Thus, aside from More Than Human, I am not widely read in his fiction. In particular, I have not read this specific story. Still, I do know something about ?“Slow Sculpture”, specifically that it won both a Hugo and a Nebula in a year when many observers might have expected some work from either Orbit 6 or Orbit 7 to win. Orbits 6 and 7 were remarkable anthologies, dominating award nominations in their years. For a story to edge out the Orbit stories, it must surely have been of remarkable quality. Right? And no doubt my Young People will as pleased to read ?“Slow Sculpture” now as reader were half a century ago.
(2) SWECON GOING AHEAD. Fantastika, Swecon this year, has announced the con will run in Stockholm as planned November 19-21. No further postponement due to Covid restrictions is anticipated. (Fantastika was not held last year.) The con’s program is available.
(3) ASTRONOMICON CANCELS. On the other hand, the Astronomicon 13 (Rochester, NY) committee has decided to postpone until 2022 – due to Covid, and the loss of Canadian program participants.
With great sadness we must announce that due to the rise in Covid across the country and the border to Canada not being open yet, we must postpone Astronomicon this year.
Our tentative date for the con is November 4-6, 2022.
Most of our Guests of Honor and a good number of our program participants have signed on for 2022.
We want to bring you the Astronomicon that you deserve, and with the border being closed it causes us to lose between 10-15 program participants. That is unacceptable to us.
…Set two centuries before Game of Thrones, it promises to chronicle the history of the fearsome House Targaryen. Until now, very little has been revealed about the series.
…But now things have changed. A first-look trailer has just been released and, although it is only 70 seconds long, the message couldn’t be clearer. If you liked Game of Thrones, you will like House of the Dragon. And if you didn’t like Game of Thrones, you will probably still watch House of the Dragon so that you can keep up with what everyone else is talking about.
…In April, networks air “Halfway-to-Halloween” marathons, and time ceases to usher us away, as we begin to drift toward October.
Toward that shrieking, adolescent laughter. The sound of plastic wrappers, rustling as you walk. The smell of chocolate and caramel, and the feel of wooden doors against your bony knuckles. The shadows of monsters and superheroes, cast by the headlights of idling cars. Orange and black, yellow and green. The satisfaction of picking through your plunder at the end of the night.
This is the start of the holiday season. Not the 31st, but the first of the month. The morning the countdown begins. When slashers take over cable, and costumes go on display. Even non-horror-types catch the bug. Nostalgia beckons our inner children, inviting us to slip on a costume and knock on doors.
In October of 2019, I wasn’t ready for it to end, so I started writing a book centered around my favorite holiday. Then the pandemic struck, and lockdowns provided plenty of time to finish. My publisher, HellBound Books, has prepared it for release around that magical month this year….
The exhibition is organized to commemorate the 76th anniversary of a passing of the Czech-American writer Miles (Miloslav) J. Breuer, who died in Los Angeles on 14 October 1945.
This early Czech-American science fiction writer was the author of the novel “Paradise and Iron” (1930), one of the first modern science fiction tales to warn of the dangers of a technologically oriented civilization, depicting a humanity threatened by what we today call artificial intelligence, and the co-author (with Jack Williamson) of The Girl from Mars, a thin 24 page work that became the first book in the world to be formally titled as science fiction.
At the turn of the 1920s and 30s, Breuer’s readers viewed this author as a major star of the science fiction genre. Discovered by Hugo Gernsbeck, Breuer contributed to “The Amazing Stories” and other pulp magazines.
He was born in Chicago to the Czech parents. Writing as “Miloslav” – the Czech version of his name – Breuer had published numerous stories also in Czech language (which were subsequently published in English in early science fiction magazines).
(7) WAR’S IMPACT ON TOLKIEN. Renowned mythopeoic scholar Janet Brennan Croft will discuss Tolkien’s war experience and how war is handled in his writing: “Date with History: J.R.R. Tolkien (Virtual)” for the First Division Museum. Thursday, October 7 at 7:00 Central. Free. Register at the link.
One of the reasons J.R.R. Tolkien is such a popular author is that he can be read at many levels. For the reader willing to look deeper than the adventure-story surface, there are many important themes in his works. War is one of the themes that runs through all of Tolkien’s books, especially The Lord of the Rings. Particular motifs appear over and over again: the effects of war on individuals, families, and society, whether war can ever be justified, and if so, the proper conduct of war; close friendships among groups of men; the glory and horror of battle. The depiction of war and its effects were drawn from his own life; he served in the First World War at the Battle of the Somme, and two of his sons fought in the Second World War. Like all artists, he absorbed the materials of his own life into his art. This talk will explore his personal experience of war and how it manifested in his legendarium.
Any potential adaptation of The Horse and His Boy will be fraught with minefields. Houston Chronicle editor Kyrie O’Connor claims it isn’t far-fetched to see the fantasy as “anti-Arab, or anti-Eastern, or anti-Ottoman” and suggests a desire to “stuff this story back into its closet.” While Lewis’ Narniad is emotionally stimulating and spiritually moving, it can be overshadowed by issues that led another popular fantasy writer and academic—Philip Pullman of His Dark Materials fame—to call it “one of the most ugly and poisonous things I have ever read.” He wrote that in a 1998 Guardian article titled “The Dark Side of Narnia.” Imagine what will be said about Narnia over twenty-five years later if Netflix dares to adapt The Horse and His Boy. (And I say to Netflix, as Aslan says to Bree, “Do not dare not to dare.”)
Indeed, as author, editor, and (somewhat) defender of C.S. Lewis, Gregg Easterbrook, wrote in The Atlantic two decades ago (partially in response to Pullman’s criticisms):
“Although Narnia has survived countless perils, the Chronicles themselves are now endangered… What’s in progress is a struggle of sorts for the soul of children’s fantasy literature.”
If the struggle is as eschatological as Easterbrook posits—and if Lewis’ reputation is indeed growing “beyond the reach of ordinary criticism” as Pullman argued in his ’98 hit piece—then it’s worth taking the time to look seriously at what the Narnia chronicles tell us about Lewis’ personal views and about the messaging (if any) encoded in the books….
(9) MEMORY LANE
1995 – Twenty-six years ago at Intersection, the Hugo Award for Best Dramatic Presentation, Long Form went to Star Trek: The Next Generation’s two-part series finale, “All Good Things…“. (Other nominated works were The Mask, Interview with the Vampire, Stargate and Star Trek: Generations.) It was directed by Winrich Kolbe from a script written by Ronald D. Moore and Brannon Braga. The title is derived from the expression “All good things must come to an end”, a phrase used by Q during the story itself. It generally considered one of the series’ best episodes with the card scene singled out as one of the series’s best ever.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 6, 1942 — Britt Ekland, 79. She starred in The Wicker Man* as Willow MacGregor, and appeared as a Bond girl, Goodnight, in The Man with the Golden Gun. She was also Queen Nyleptha in King Solomon’s Treasure based off the H. Rider Haggard novels. *There is only one Wicker Man film as far as I’m concerned. Whatever that thing was, it wasn’t Wicker Man. Shudder.
Born October 6, 1946 — John C. Tibbetts, 75. A film critic, historian, author. He’s written such articles as “The Illustrating Man: The Screenplays of Ray Bradbury” and “Time on His Hands: The Fantasy Fiction of Jack Finney”. One of his two books is The Gothic Imagination: Conversations on Fantasy, Horror, and Science Fiction in the Media, the other being The Gothic Worlds of Peter Straub.
Born October 6, 1950 — David Brin, 71. Author of several series including Existence (which I do not recognize), the Postman novel, and the Uplift series which began with Startide Rising, a most excellent book and a Hugo-winner at L.A. Con II. I’ll admit that the book he could-wrote with Leah Wilson, King Kong Is Back! An Unauthorized Look at One Humongous Ape, tickles me if only for its title. So who’s read his newest novel, Castaways of New Mohave, that he wrote with Jeff Carlson?
Born October 6, 1952 — Lorna Toolis. Librarian, editor, and fan Lorna was the long-time head of the Merril Collection of Science Fiction, Speculation, and Fantasy at the Toronto Public Library and a significant influence on the Canadian SF community. She founded the SF collection with a donation from Judith Merril. She was a founding member of SFCanada, and won an Aurora Award for co-editing Tesseracts 4 with Michael Skeet. (Died 2021.)
Born October 6, 1955 — Donna White, 66. Academic who has written several works worth you knowing about — Dancing with Dragons: Ursula K. LeGuin and the Critics and Diana Wynne Jones: An Exciting and Exacting Wisdom. She’s also the author of the densely-written but worth reading A Century of Welsh Myth in Children’s Literature.
Born October 6, 1955 — Ellen Kushner, 66. If you’ve not read it, do so now, as her sprawling Riverside seriesis stellar. I’m reasonably sure that I’ve read all of it. And during the High Holy Days, do be sure to read The Golden Dreydl as it’s quite wonderful. As it’s Autumn and this being when I read it, I’d be remiss not to recommend her Thomas the Rhymer novel which won both the World Fantasy Award and the Mythopoeic Award.
Born October 6, 1963 — Elisabeth Shue, 58. Best known as Jennifer, Marty McFly’s girlfriend, in Back to the Future Part II and Back to the Future Part III, she also had roles in Hollow Man and Piranha 3D.
Born October 6, 1986 — Olivia Jo Thirlby, 35. She is best known for her roles as Natalie in Russian SF film The Darkest Hour and as Judge Cassandra Anderson in the oh-so-excellent Dredd. And she was Holly in the supernatural thriller Above the Shadows.
(12) NATIONAL BOOK AWARD. [Item by Darrah Chavey.] The National Book Award Finalists were announced October 5. Finalists of genre interest include:
Anthony Doerr, Cloud Cuckoo Land
Kyle Lukoff, Too Bright To See
Amber McBride, Me (Moth)
Benjamín Labatut, When We Cease to Understand the World, translated by Adrian Nathan West
Winners will be announced November 17. Winners will receive $10,000 and a bronze sculpture.
(13) THE MISSION. WisCon’s parent organization SF3 has posted a draft revision of its mission statement that emphasizes its opposition to white supremacy and racism generally: “SF3: Interim Mission, Vision, and Values”.
As noted in our Anti-Racism Statement, the SF3 Board is undertaking work to reexamine our organizational mission with the intent to eliminate white supremacy and build an organization and convention where all members can thrive and contribute. In connection to this work, we are sharing interim versions of a mission statement, organizational vision, and a clear statement of our community values which center inclusivity and explicitly reject racism and white supremacy.
These interim statements will guide our work over the next year, including community-wide conversations and strategic planning to develop a permanent and inclusive set of foundational documents for SF3 and its projects, including WisCon.
(14) CONNIE WILLIS’ CHRISTMAS STORY ANTHOLOGY. Steve Rasnic Tem posted a photo of the physical cover on Facebook. The book will be released October 26.
Library of America and Connie Willis present 150 years of diverse, ingenious, and uniquely American Christmas stories
Christmas took on its modern cast in America, and over the last 150 years the most magical time of the year has inspired scores of astonishingly diverse and ingenious stories. Library of America joins with acclaimed author Connie Willis to present a unparalleled collection of American stories about Christmas, literary gems that showcase how the holiday became one of the signature aspects of our culture.
Spanning from the origins of the American tradition of holiday storytelling in the wake of the Civil War to today, this is the biggest and best anthology of American Christmas stories ever assembled. From ghost stories to the genres of crime, science fiction, fantasy, westerns, humor, and horror, stories of Christmas morning, gifts, wise men, nativities, family, commercialism, and dinners from New York to Texas to outer space, this anthology reveals the evolution of Christmas in America–as well as the surprising ways in which it has remained the same.
(15) SHAT TALKS SPACEFLIGHT. Anderson Cooper went one-on-one with William Shatner about his upcoming flight on New Shepard Blue Origin.
[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, Chris Barkley, Lise Andreasen, Darrah Chavey, Cat Eldridge, Andrew Porter, John King Tarpinian, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Acoustic Rob.]
Award-winning writer Veronica Schanoes and I shared Indian food though there were hundreds of miles between us — hers from Brooklyn, New York’s Masala Grill, me from Hagerstown, Maryland’s Sitar of India.
Veronica Schanoes has published fiction in the magazines Lady Churchill’s Rosebud Wristlet, Sybil’s Garage, and Fantasy; the anthologies The Doll Collection, Queen Victoria’s Book of Spells: An Anthology of Gaslamp Fantasy, The Mammoth Book of Cthulhu: New Lovecraftian Fiction; and online at Strange Horizons and Tor.com. Her novella “Burning Girls” was nominated for the Nebula Award and the World Fantasy Award, and won the Shirley Jackson Award for Best Novella in 2013. Her first scholarly monograph, Fairy Tales, Myth, and Psychoanalytic Theory: Feminism and Re-telling the Tale, was published by Ashgate in 2014. Her collection Burning Girls and Other Stories was published earlier this year.
We discussed what it’s been like trying to write her first novel during a pandemic, why she can only read Jane Yolen’s intro to her new collection half a page at a time, how she makes sure her fairy tale-inspired fiction works even for those who don’t catch the allusions, the joy which comes from putting the right words in the right order, how Kelly Link convinced her she should take herself seriously as a writer, whether research inspires stories or stories inspire research (and how writers make sure they don’t force readers to suffer for that research), the way fairy tales take place “outside of historical space-time,” the importance of Joe Strummer and the Clash, and much more.
What is this concept of Modernity, and why did it haunt/inspire you to write a thesis on it?
Modernity is one of those concepts with a rich intellectual history, and people spill a lot of ink over it, but it is not very complicated (in my opinion): sometimes around the 1780s, the world changed. Feudalism gave way to democracy. New technologies upset how human economies and cities were organized. Religious belief waned and changed. We stopped believing (for the most part) in the supernatural. Let me cite Max Weber again: with modernity, the world became “disenchanted.” This, of course, is only part of the story. Though this story is myopic in its Eurocentrism, it is not less valid for its narrow purview. The story of modernization outside of Europe can be told, but it will be different, with maze-like branching conversations that posit multiple “modernities.” Anyway, modernity really intrigues me.
(3) VINDICATION. In “confirmation”, former Hugo Awards administrator David Bratman tells how he once found himself at loggerheads with Locus’ Charles N. Brown.
When I was administrator for the Hugo Awards in 1996, one of the Best Novel finalists* was Remake by Connie Willis. By that time, SF novels were tending very long, but Remake was short. Though published as a standalone volume, it made a small one.
Charles Brown of Locus,** the newsletter of the SF field, insisted to me that Remake was under 40 thousand words and thus, by Hugo rules (which were shared in this respect by most other awards in the field), it fell in the Novella category, not Novel. And indeed, in the Locus awards it was put in the Novella category, which it won (not surprisingly, being one of the longest in the category as well as being by Connie Willis)….
“Translators are like ninjas. If you notice them, they’re no good.” This quote, attributed to Israeli author Etgar Keret, proliferates in memes, and who doesn’t love a pithy quote involving ninjas? Yet this idea – that a literary translator might make, at any moment, a surprise attack, and that at every moment we are deceiving the reader as part of an elaborate mercenary plot – is among the most toxic in world literature.
The reality of the international circulation of texts is that in their new contexts, it is up to their translators to choose every word they will contain. When you read Nobel laureate Olga Tokarczuk’s Flights in English, the words are all mine. Translators aren’t like ninjas, but words are human, which means that they’re unique and have no direct equivalents. You can see this in English: “cool” is not identical to “chilly”, although it’s similar. “Frosty” has other connotations, other usages; so does “frigid”. Selecting one of these options on its own doesn’t make sense; it must be weighed in the balance of the sentence, the paragraph, the whole, and it is the translator who is responsible, from start to finish, for building a flourishing lexical community that is both self-contained and in profound relation with its model….
(5) MARTIN ON MALTIN. [Item by Martin Morse Wooster.] I listened to this 2018 podcast Leonard and Jessie Maltin did with Floyd Norman, a pioneering Black animator and cartoonist (Maltin on Movies: Floyd Norman).
Norman started working for Walt Disney in the mid-1950s, and remembers being at Disneyland during its opening week (but not opening day, a legendary disaster). He recalls what it was like producing feature-length animation before computers and how everyone involved in animated film “worked like Marines” until the job was done, although Walt Disney insisted everyone leave the studio at 9 to spend some time with their families. People who remember the “string of pearls” sequence in Mary Poppins should realize that was a sequence that stressed out the animators.
Norman talked about how he was hired and quit Disney several times, and was involved in developing the stories for PIxar’s Toy Story 2 and Monsters Inc. He also self-published his own books of cartoons, including one entirely devoted to making fun of Disney CEO Michael Eisner, who Norman thinks a major egotist. Norman says Eisner didn’t mind the criticism, “as long as the book was about him.”
This may be too DIsney-centric for some but I enjoyed this episode.
The sudden shift to e-books had enormous practical and financial implications, not only for OverDrive but for public libraries across the country. Libraries can buy print books in bulk from any seller that they choose, and, thanks to a legal principle called the first-sale doctrine, they have the right to lend those books to any number of readers free of charge. But the first-sale doctrine does not apply to digital content. For the most part, publishers do not sell their e-books or audiobooks to libraries—they sell digital distribution rights to third-party venders, such as OverDrive, and people like Steve Potash sell lending rights to libraries. These rights often have an expiration date, and they make library e-books “a lot more expensive, in general, than print books,” Michelle Jeske, who oversees Denver’s public-library system, told me. Digital content gives publishers more power over prices, because it allows them to treat libraries differently than they treat other kinds of buyers. Last year, the Denver Public Library increased its digital checkouts by more than sixty per cent, to 2.3 million, and spent about a third of its collections budget on digital content, up from twenty per cent the year before….
(7) UP ALL NIGHT. It so happens the only time I ever watched Adult Swim was sitting in a hospital waiting room after driving someone to ER — but that’s not a knock, what I saw was pretty amusing. The New York Times celebrated the program block’s 20th anniversary with an oral history: “Adult Swim: How an Animation Experiment Conquered Late-Night TV”.
By all accounts, it was a minor miracle that Adult Swim ever made it off the drawing board 20 years ago. Money was next to nonexistent. The editor of Cartoon Network’s first original series worked from a closet. A celebrity guest on that series, unaware of the weirdness he had signed up for, walked out mid-taping.
In retrospect, it seems right that one of modern TV’s most consistent generators of bizarro humor — and cult followings — had origins that were, themselves, pretty freewheeling.
…WILLIS The idea for “Aqua Teen Hunger Force” started with a [expletive] fast food restaurant that tried to use all the scraps of meat they weren’t allowed by the F.D.A. to put into a hamburger, wadded together. We saw Meatwad as this poor, neglected creature — I think his line in his first script was like [in Meatwad voice], “Please, God, kill me.” I did the voice, and I can’t tell you how many times people said, “I don’t understand what he’s saying; you need to recast him.” But we stuck to our guns. I always thought of it like Willie Nelson, who sings real quietly, and so everyone is on the edge of their seat trying to listen to what he’s saying. As a result, you’re more into it. At least, that was my excuse! [Laughs.]
(8) LIFE OF LEWIS. A trailer dropped for the C.S. Lewis biopic titled The Most Reluctant Convert: The Untold Story Of C.S. Lewis that arrives in theaters November 3.
(9) TIME HAS BEEN BROKEN. So they tell us. The new season of Star Trek: Picard premieres February 2022 on Paramount+.
…At the end of WWII, 60–70% of the American aerospace industry was based in Southern California. The good climate and open land that helped draw aviation to the region also helped lure the motion picture industry. When Roddenberry began developing Star Trek, 15 of the 25 largest aerospace companies were located in the greater Los Angeles area. Many were situated close to Paramount’s Desilu Studios where the series was made.
Roddenberry drew upon the most current spaceflight technology then available to incorporate into Star Trek. He read, wrote, phoned and even dumpster-dived to get material for his new series.
A direct example of how the aerospace industry influenced Star Trek appears in the episode “The Trouble With Tribbles.” In this episode furry little creatures that “coo” and have a tremendous desire for eating and breeding overrun the Federation’s K-7 space station.
The principal elements of the K-7 as it is shown in the episode first appeared in a report done by Douglas Aircraft. The 1959 study outlined the operational requirements of an extendable orbiting space station. Constructed on Earth then launched atop a “Saturn-type missile,” the station was designed to automatically unfold in space into a donut-shape with a conical reentry vehicle at its center.
Richard Datin, a model maker who helped build the original production model Enterprise, described how the K-7 design materialized. “I was told upon viewing the original model, and maybe by Roddenberry, that he obtained it [the Douglas space station model] from Douglas Aircraft whose main office was in nearby Santa Monica. Apparently, Gene had a following from people in the space industry, particularly Caltech in Pasadena.”
(11) MICHAEL K. WILLIAMS (1966-2021). Actor Michael K. Williams died September 6 at the age of 54 reports the New York Times. While famous for his work in cop and crime series including The Wire and Boardwalk Empire, sff fans knew him as the lead in Lovecraft Country, and saw him in the 2014 RoboCop remake, The Purge: Anarchy (2014), and Ghostbusters (2016).
(12) MEDIA BIRTHDAY.
1977 – Forty-four years ago this evening on CBS, Space Academy, a Filmation children’s series, first aired. (Jason of Star Command would come out of it.) It was created by Allen Ducovny who previously only done such animated shows as The New Adventures of Superman and Aquaman. The program starred Jonathan Harris in the lead role; co-starring were Pamelyn Ferdin, Ric Carrott, Maggie Cooper, Brian Tochi, Ty Henderson, and Eric Greene. There was a cute robot as well named Peepo. Would I kid you? It would last for just fifteen half-hour episodes.
(13) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 10, 1914 — Robert Wise. Film director, producer, and editor. Among his accomplishments are directing The Curse of The Cat People, The Day the Earth Stood Still, The Haunting, The Andromeda Strain and Star Trek: The Motion Picture. Though not at all genre, he also directed West Side Story and edited Citizen Kane, two exemplary accomplishments indeed. (Died 2005.)
Born September 10, 1937 — Spencer Milligan, 84. He’s best known for playing Rick Marshall, the father of Will and Holly Marshall, on the first two seasons of Land of the Lost. (He left because he didn’t get a cut of the merch sales.) Genre wise, he’d previously been in Woody Allen’s Sleeper as Jeb Hrmthmg, and later appeared in an episode of The Bionic Woman. That’s it.
Born September 10, 1952 — Gerry Conway, 69. He’s known for co-creating the Punisher (with artists John Romita Sr. and Ross Andru) as well as the first Ms. Marvel and scripting the death of the character Gwen Stacy during his run on The Amazing Spider-Man. He shares the story credit for Conan the Destroyer with Roy Thomas. At DC, he created a number of characters including Firestorm, Count Vertigo and Killer Croc. Not genre at all, but he wrote a lot of scripts for Law and Order: Criminal Intent, one of my favorite series.
Born September 10, 1953 — Stuart Milligan, 68. He first shows up as Walters on the Sean Connery-led Outland and a few years later we see him as a Police Sergeant on Sky Captain and the World of Tomorrow. He’ll play Richard Nixon in Doctor Who for two Eleventh Doctor stories, “The Impossible Astronuat” and “Day of The Moon”. His latest genre role is in Wonder Woman 1984 as the U.S. President.
Born September 10, 1953 — Pat Cadigan, 68. Tea from an Empty Cup and Dervish is Digital are both amazing works. And I’m fascinated that she has co-written with Paul Dini, creator of Batman: The Animated Series, a DCU novel called Harley Quinn: Mad Love. Her only Hugo win was at LoneStarCon 3 for the “The Girl-Thing Who Went Out for Sushi” novelette. Her latest work is the novelization of the first-draft Alien 3 screenplay by William Gibson. She’s well stocked at the usual suspects.
Born September 10, 1955 — Victoria Strauss, 66. Author of the Burning Land two novel series, and she should be praised unto high for being founder along with AC Crispin of the Committee on Writing Scams. She maintains the Writer Beware website and blog.
Born September 10, 1959 — Nancy A. Collins, 62. Author of the Sonja Blue vampire novels, some of the best of that genre I’ve ever had the pleasure to read. She had a long run on Swamp Thing from issues 110 to 138, and it is generally considered a very good period in that narrative. She also wrote Vampirella, the Forrest J Ackerman and Trina Robbins creation, for awhile.
Born September 10, 1968 — Guy Ritchie, 53. Director of Sherlock Holmes and its sequel Sherlock Holmes: A Game of Shadows, both of each I rather liked, and the live-action Aladdin. He did also directed / wrote / produced the rebooted The Man from U.N.C.L.E. which got rather nice reviews to my surprise as well as King Arthur: Legend of the Sword which apparently is quite excellent as audience reviewers at Rotten Tomatoes give it a seventy percent rating.
The sale of Amazing Fantasy no. 15, featuring the first appearance of Spider-Man, has set the record for the most expensive comic ever sold.
The comic sold Thursday for $3.6 million as part of Heritage Auction’s Signature Comics & Comic Art auction being held Sept. 8 to 12.
The senses-shattering sale beat out the previous record, Action Comics no. 1, published in 1938 and featuring the first appearance of Superman, which sold privately for $3.25 million earlier this year.
With just 90, or thereabouts, shopping days to Christmas, time to see what SF will be published. The SF² Concatenation seasonal news page’s forthcoming books listings are an amalgamation of the titles in the catalogues sent by major UK publishers.
As they these titles already in the catalogues, they can be ordered, or advance-ordered, now either from the publisher directly or – if you are outside the UK – from specialist SF bookshops and their related retail websites.
The books are listed alphabetically by author.
(16) SPEAKER FOR THE READ. The next episode of Essence of Wonder with Gadi Evron is “You’re Not Ender Wiggins, and That’s Okay – A Show on Strategy, Leadership, and Modern Conflict by Way of Scifi.” Streams Saturday, September 11 at 3:00 p.m. Eastern via YouTube, Facebook Live, and Twitch.
Steven Leonard, Max Brooks, Major General Mick Ryan, and Jon Klug, join us to discuss strategy, leadership, and modern conflict from the perspective of science fiction.
One of the chapters in the book is called “You’re Not Ender Wiggins, and That’s Okay” (by Will Meddings). Be still, my heart.
Researchers have discovered a new species of dinosaur that loomed over Tyrannosaurus Rex.
The Calgary Herald reports that University of Calgary scientists helped identify the massive new species named Ulughbegasaurus, which roamed the earth as an apex predator 90 million years ago.
Researchers were able to identify the new species — which was five times bigger than the fearsome T-Rex — through the dinosaur’s fossilized jaw, which was likely first found by a Russian paleontologist during a dig in the 1980s.
…The researchers found that the dinosaur was between 7.5 to eight meters (24 to 26 feet) in length and likely weighed over 1,000 kilograms (2,204 lbs). At the time Ulughbegasaurus roamed the earth, the T-Rex wasn’t fully evolved and was much smaller in comparison, weighing less than 200 kilograms (440 lbs).
Comparing the two species, Zelenitsky said Ulughbegasaurus “was like a grizzly bear” if T-Rex had been a coyote….
The failure of Nazi Germany’s nuclear program is well established in the historical record. What is less documented is how a handful of uranium cubes, possibly produced by the Nazis, ended up at laboratories in the United States.
Scientists at the Pacific Northwest National Laboratory and the University of Maryland are working to determine whether three uranium cubes they have in their possession were produced by Germany’s failed nuclear program during World War II.
The answer could lead to more questions, such as whether the Nazis might have had enough uranium to create a critical reaction. And, if the Nazis had been successful in building an atomic bomb, what would that have meant for the war?
Researchers at the laboratory believe they may know the origins of the cubes by the end of October. For the moment, the main evidence is anecdotal, in the form of stories passed down from other scientists, according to Jon Schwantes, the project’s principal investigator.
The lab does not have scientific evidence or documentation that would confirm that Nazi Germany produced the black cubes, which measure about two inches on each side. The Nazis produced 1,000 to 1,200 cubes, about half of which were confiscated by the Allied forces, he said.
“The whereabouts of most all of those cubes is unknown today,” Dr. Schwantes said, adding that “most likely those cubes were folded into our weapons stockpile.”…
Sam once again dons her trench coat to take one small step for man and one giant leap for a late night television host with an “Unsolved Mysteries” obsession. That’s right…she’s trying to figure out WTF is up with UFOs!
[Thanks to Mike Kennedy, Andrew Porter, Martin Morse Wooster, JJ, Cora Buhlert, SF Concatenation’s Jonathan Cowie, Michael Toman, John King Tarpinian, and Cat Eldridge for some of these stories. Title credit belongs to contributing editor of the day Jayn.]
(1) A HARD ROAD. Sue Burke, author of The Immunity Index, and whose Semiosis made the Arthur C. Clarke Award shortlist and was a John W. Campbell Memorial Award finalist, summarizes the SF novel’s journey from manuscript to print, through editorial and beyond to ‘earn out’ in “Getting a book published” at SF2 Concatenation.
…Here comes the first mistake. I got to work on 20th March 2018, reviewing a folder of notes I have for ideas for stories, and I found one that I liked. Many writers have praised the creative freedom of pantsing (writing by the seat of one’s pants or making it up as you go along) a work, so although I’d previously worked with more or less complex outlines and plotting, I decided to give pantsing a go. It didn’t work. The initial draft was limp and only half as long as it needed to be.
Chastened, I reviewed ideas for ways to improve and expand the failure. This time I made notes and, eventually, crafted a plan. I added another character, rearranged some chapters, and complicated the conflict…
And that should have been the end of our wandering bard, but an unusual thing happened at the end of the 1970s. Robert Aspirin and Lynn Abbey cooked up the idea of the “Shared World“. With Poul’s encouragement the concept of a collection of stories where characters, setting and events coalesce between the authors to create a larger experience exploded as Thieves’ World. (There were others: Ithkar and Liavek being two of the more successful competitors.) The series ran for twelve volumes as well as a dozen novels. Poul saw it as a chance to bring Cappen Varra back! “The Gate of Flying Knives” (Thieves’ World, 1979) was the third story in the first collection. It would be Anderson’s only contribution….
(3) AN APPENDIX YOU CAN’T DO WITHOUT. Howard Andrew Jones pops up again, this time profiling historical adventure fiction author Harold Lamb for Goodman Games, where he explains why Lamb’s work is relevant for SFF fans: “Appendix N Archaeology: Harold Lamb”.
Much as I’d like to hope that Gary Gygax read Harold Lamb, he’s unlikely to have found his way to any of Lamb’s most influential work. It’s not that Lamb wasn’t in print. From the 1940s on, his histories and biographies were a mainstay on library shelves, and many modern libraries retain his books to this day. But as fine as they are – and some of them are very fine indeed – Lamb’s histories and biographies weren’t the texts that were important to Appendix N….
(4) CRIME FICTION CAREER LAUNCH. Astronaut Chris Hadfield has written a murder mystery. According to this review from Shots Mag, it is quite good: “The Apollo Murders”.
When the author has flown two Space Shuttle missions and was the commander of the International Space Station, you know that the technical details in the story are going to be accurate, integral to the story and lend the reader a real sense of being ‘there’….
Long before he became Shang-Chi, Simu Liu was convinced that the only way he’d be an Asian superhero on an American movie screen was to craft the story himself.
So he did. Twice.
At the age of 22, Liu crafted a wholestory bible for the Japanesemutant X-Men member Sunfire, certain it was his best bet to land a Marvel role.Years later, while a member of the Young Emerging Actors Assembly in Toronto, Liu spent $2,000 to direct, write and star in the 2015 short film called “Crimson Defender vs. The Slightly Racist Family,” about an Asian superhero who rescues a family that doesn’t believe he is a superhero because he is Asian.
Neither of those moments resulted in Liu being fitted for capes. But when Marvel Studios announced “Shang-Chi and the Legend of the Ten Rings” would be itsfirst movie with an Asian superhero in the lead role, the 32-year-old star of the TV series“Kim’s Convenience” was convinced he was ready before he ever got a phone call. He even tweeted “are we gonna talk or what” at the Marvel Entertainment account….
It wasn’t a profound scene in Shang-Chi and the Legend of the Ten Rings that made me feel instantly connected to the film—not the Mandarin narration that opened the movie or even the early references to customs specific to Chinese culture like eating zhou, or congee, for breakfast and tomb-sweeping on the annual Qingming Festival. Of course, those storytelling choices told me that the latest Marvel superhero movie was crafted with viewers like me in mind. But it was a moment around 30 minutes in that let me know for certain I was watching my life experiences reflected on the big screen in a way Hollywood has rarely done: when Ronny Chieng’s character, Jon Jon, exclaims, “Wakao!”…
Part of what’s so striking about “Dune” is that Villeneuve has a sense of texture that’s rare among big-budget filmmakers. When a character falls in battle, Villeneuve is besotted with the way the man’s eyelashes flutter as he dies. And during the assault on a character’s compound, the camera drifts from the action to show us magnificent palm trees that have been set aflame, their leafy crowns now a starburst of destruction.
Though sci-fi movies can sometimes be a hard sell with Oscar voters, I suspect that Villeneuve’s distinctive eye will distinguish “Dune,” as the movie looks undeniably ravishing. A ton of below-the-line nominations are guaranteed, including Greig Fraser’s cinematography and the production design by Patrice Vermette. The score (by Hans Zimmer), sound and editing are all more daring than this genre usually allows: The aural soundscape and artsy crosscutting feel almost designed to draw you into a spice-induced trance.
And I haven’t even gotten to the fashion! The costume design (by Jacqueline West and Bob Morgan) is a stunner, and especially during the first hour of the film — with Rebecca Ferguson wearing outrageous space-nun sheaths and a veiled Charlotte Rampling dressed like the Green Knight in Gaultier — “Dune” can seem like a moody high-fashion shoot that occasionally includes spaceships. (I mean this as a good thing.)
Villeneuve’s last film, “Blade Runner 2049,” scored five Oscar nominations and won its cinematographer Roger Deakins a long-overdue Academy Award. Still, the movie couldn’t break into the two top Oscar categories, best picture and best director. Does “Dune” stand a better chance?
I’m taking the wait-and-see approach here….
(7) C.S. LEWIS CONFERENCE IN ROMANIA. The 5th International Interdisciplinary Conference devoted to the life and work of C. S. Lewis, “Of This and Other Worlds,” will be held November 18-20 in Iasi, Romania. Register here. Registration deadline: November 1. An excerpt from the call for papers follows:
The fifth C. S. Lewis conference focuses on C. S. Lewis and his literary and academic kin as creators of worlds. His entire work testifies to his fascination with alternative universes, from his scholarly exploration of Medieval literature, with its haunting myths and arcane symbolism, through his fiction, to his apologetics, where Christianity is seen as a parallel kingdom seeking to be reinstated in “an enemy-occupied territory”. From pain to love, through faith and imagination, he opened a spectrum of realities inviting exploration and reflection. The collection of essays by Lewis alluded to in the title of this year’s conference spans both this and other worlds: “this” realm, which we inhabit, is the necessary, unavoidable starting point for any explorers, conquerors, pilgrims, even refugees into the “others”.
Those willing to venture into the exploration of the worlds of imagination created by C. S. Lewis and kindred spirits are invited to contribute papers in the areas of semiotics, narratology, literary studies (with a special focus on fantasy, on possible worlds in language structures, at the crossroads between referential semantics and fiction studies), translation studies (the challenge of translating fantasy for readerships of various ages and its effect on reception), philosophy, logic, theology, cultural and arts studies, including any interdisciplinary permutation or cross-pollination.
Interested participants are invited to send a 200-250-word abstract for peer-review to the Conference Committee via the organizers: Dr. Rodica Albu (firstname.lastname@example.org), Dr. Denise Vasiliu (email@example.com), Dr. Teodora Ghivirig? (teoghivi@Yahoo.com)
Deadline for proposal submission: 25 September 2021…
(8) MEMORY LANE.
1975 – Forty-six years ago this night, Space: 1999 premiered on such stations as Los Angeles KHJ-TV. It was distributed by ITV and produced by Group Three Productions (the first season) and Gerry Anderson Productions (the second and final season). It starred as its headliners Barbara Bain and Martin Landau, previously of Mission: Impossible fame. It was created by Gerry and Sylvia Anderson who before this had done only such SF marionette puppetry series as Thunderbirds, Stingray and Captain Scarlet and the Mysterons. It would last but forty eight episodes of around fifty minutes. Setting John Clute aside who thought it had “mediocre acting” and “rotten scripts”, most critics at the time actually liked it and audience reviewers at Rotten Tomatoes give it a very splendid eighty six percent rating. You can stream it on Amazon.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 4, 1916 — Robert A. W. Lowndes. He was known best as the editor of Future Science Fiction, Science Fiction, and Science Fiction Quarterly (mostly published in the late Thirties and early Forties) for Columbia Publications. He was a principal member of the Futurians, and a horror writer with a bent towards all things Lovecraftian ever since as a young fan, he received two letters of encouragement from H. P. Lovecraft. And yes, he’s a member of the First Fandom Hall of Fame. (Died 1998.)
Born September 4, 1924 — Ray Russell. His most famous story is considered by most to be “Sardonicus” which was published first in Playboy magazine, and was then adapted by him into a screenplay for William Castle’s Mr. Sardonicus. He wrote three novels, The Case Against Satan, Incubus and Absolute Power. He’s got World Fantasy and Stoker Awards for Lifetime Achievement. “Sardonicus” is included in Haunted Castles: The Complete Gothic Stories which is available from the usual suspects. (Died 1999.)
Born September 4,1924 — Joan Aiken. I’d unreservedly say her Wolves Chronicles were her best works. Of the many, many in that series, The Wolves of Willoughby Chase featuring the characters of Bonnie Green, Sylvia Green and Simon is I think the essential work to read even though The Whispering Mountain is supposed to a prequel to the series — I don’t think it’s essential reading. (Or very interesting.) The Wolves of Willoughby Chase is certainly the one in the series I saw stocked regularly in my local bookstores before the Pandemic. (Died 2004.)
Born September 4, 1938 — Dick York. He is best remembered as the first Darrin Stephens on Bewitched. He was a teen in the police station in Them!, an early SF film which is considered the very first giant bug film. He’d showed up in myriad Alfred Hitchcock Presents, several episodes of Twilight Zone and has a one-off on the original Fantasy Island. (There’s now been three series.) He voiced his character Darrin Stephens in the “Samantha” episode of The Flintstones. (Died 1992.)
Born September 4, 1957 — Patricia Tallman, 64. Best known as telepath Lyta Alexander on Babylon 5, a series I hold that was magnificent but ended somewhat annoyingly. She was in two episodes of Next Generation, three of Deep Space Nine and two of Voyager. She did uncredited stunt work on Deep Space Nine as she did on Voyager. Oh, and she shows up in Army of Darkness as a possessed witch. Oh, and she was the former CEO and executive producer of Studio JMS. Yeah she ran everything for J. Michael Straczynski. Very impressive indeed.
Born September 4, 1962 — Karl Schroeder, 59. I first encountered him in his “Deodand” story in the METAtropolis: Cascadia audio work, so I went out and found out what else he’d done. If you’ve not read him, his Aurora Award winning Permanence is superb as all of the Vigra series. He was one of those nominated for a Long Form Best Dramatic Presentation Hugo for the first METAtropolis at Anticipation.
Born September 4, 1972 — Françoise Yip, 49. She was a remarkably extensive career in genre productions including, but not limited to, Earth: Final Conflict, Andromeda, Caprica, Fringe, Predator, Robocop: Prime Directives, Seven Days, Flash Gordon, Smallville, Millennium, Shadowhunters, Arrow and Sanctuary. Genre casting directors obviously really, really like her. Her longest running genre role was as Elizabeth Kepler in The Order, a horror series on one of those streaming services you’ve likely never heard of.
Born September 4, 1999 — Ellie Darcey-Alden, 22. Though she’s best known for playing young Lily Potter in Harry Potter and the Deathly Hallows – Part 2, she’s here for being Francesca “Franny” Latimer in the Doctor Who Christmas special “The Snowmen”, an Eleventh Doctor story. She also played Mary in the “Total Eclipse“ episode of Robin Hood, and was in Chitty Chitty Bang Bang for the New Theatre Oxford. And she appears, as do so many others, in The Five(ish) Doctors Reboot.
(10) COMICS SECTION.
The Far Side shows how if Worf had known about this, that whole business with the pain sticks could’ve been avoided.
Close to Home shows Spock’s version of “I’m not a doctor, I’m a —“
6. Far From the Light of Heaven by Tade Thompson (10/26)
Leaving the heavy bounds of the Earth, our next book sees us blasting into space aboard the colony ship Ragtime. Arthur C. Clarke award-winning author Tade Thompson, author of The Wormwood Trilogy, has a new standalone science fiction novel coming out that promises to be filled with deep moral quandaries and spiritual reckonings. Far From the Light of Heaven is billed as a mystery meets sci-fi political thriller in space. The acting captain of the Ragtime has to team up with an investigator and several other intriguing characters to unravel a bloody mystery that is taking place aboard her ship.
Explanation: Not the Hubble Space Telescope’s latest view of a distant galactic nebula, this illuminated cloud of gas and dust dazzled early morning spacecoast skygazers on August 29. The snapshot was taken at 3:17am from Space View Park in Titusville, Florida. That’s about 3 minutes after the launch of a SpaceX Falcon 9 rocket on the CRS-23 mission to resupply the International Space Station. It captures drifting plumes and exhaust from the separated first and second stage of the rocket rising through still dark skies. The lower bright dot is the second stage continuing on to low Earth orbit. The upper one is the rocket’s first stage performing a boostback burn. Of course the first stage booster returned to make the first landing on the latest autonomous drone ship to arrive in the Atlantic, A Short Fall of Gravitas.
Not to be confused with a later entry on this list, 1996’s “The Arrival” stars a Charlie Sheen still at the height of his health and talent, and pits him against the terrifyingly competent Ron Silver. Sheen plays a radio astronomer who intercepts an unusual transmission from a nearby star and is blackballed from his industry for revealing its extraterrestrial origins. From there, a tangled conspiracy drives him towards the truth: the aliens are already here, and the rapid shift in our planet’s climate is meant to kill off humanity and create comfortable new digs for our new guests.
Directed by Peter Twohy, who would go on to create the Riddick franchise with Vin Diesel, “The Arrival” is surprisingly prescient with how it illustrates today’s climate change fears. A niche topic of conversation at the time, relegated to Al Gore jokes and nervous but unheard scientists, these digitigrade alien mimics are almost comforting now. They suggest that our inevitable future can be controlled — and, in a way that’s all too relatable, imply that someone else will have a good time on this planet at our expense….
[Thanks to Andrew Porter, Martin Morse Wooster, JJ, Cora Buhlert, Rich Lynch, Lise Andreasen, Michael Toman, John King Tarpinian, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to contributing editor of the day Kevin Harkness.]
Doomsday Book—whose name is a nod to the Domesday Book, a 1086 survey commissioned by William the Conqueror—features two protagonists who try to stop the spread of deadly contagions 700 years apart. In the 2054 timeline of Doomsday Book, there are no cellphones, but thanks to a complex machine called the “net,” time travel exists. The net prevents time travelers from altering history, so its main use is for historians conducting research. In Oxford, England, history professor Dunworthy sends an undergraduate researcher back in time to what he thinks is 1320. Afterward, the time travel device technician who helped send the student back in time falls seriously ill with an unknown virus. The very night he is hospitalized, public health workers begin tracking down his primary and secondary contacts and researchers begin sequencing the virus. In this future, there are governmental and scientific systems in place to respond rapidly to a new contagion. Indeed, that’s the easier part. Willis underscores a poignant truth, particularly for contemporary readers: A pandemic’s true toll is determined not by doctors and politicians, but by everyone else.
…As a leading Tolkien organisation, the Trustees considered whether Project Northmoor would help achieve the Society’s objective to educate the public in, and promote research into, the life and works of J.R.R. Tolkien. The Trustees unanimously concluded that it did not.
The Trustees’ specific concerns include that:
Project Northmoor’s two-page plan lacked sufficient detail;
No prominent members of the Tolkien community – be they writers, academics, artists etc – are directors of the company, or are named as running the project;
Project Northmoor’s primary intention appears to be to run creative workshops, rather than educational programmes about Tolkien;
Project Northmoor’s plan includes spiritual retreats, which falls outside the scope of the Society’s objective;
Their business model includes running a bed and breakfast, with a full-time resident warden;
The property itself is a listed building in a conservation area – with a blue plaque proudly showing its connection to Tolkien – meaning the property is well protected under the law and not in need of rescue;
The relationship between the US and UK organisations appeared unclear; and
As a new organisation – Project Northmoor having only existed for a month – it is difficult to assess their ability, capability, and capacity to deliver the project successfully.
The Trustees wanted to provide this transparency of their conversation for the benefit of the Tolkien community. The Trustees – as is their legal duty under the law in England and Wales – were considering the best interests of the charity and whether it achieved the charity’s objective. For the above reasons they felt it did not.
Across Britain, there has been a recent explosion of road signage. These are designed to establish safer traffic rules and to give people direction on how to use the area who would otherwise be unfamiliar. The one flaw with this is most people are confused as to what they mean….
Pedestrians do not fare much better. Only a small fraction knew that a white bar on a red circle means no entry, with many believing it meant something different, such as a pedestrian crossing.
This responses to the signage is similar to the relationship between science fiction readers and the new wave. For some they are stories full of meaningless symbols that go nowhere, for others it is an essential step in moving science fiction forward. And right at the centre of the new wave is Michael Moorcock.
In spite of being only 25 years old, Moorcock is one of the core figures in British science fiction. He previously edited both Tarzan Adventures and The Sexton Blake Library before taking over New Worlds magazine last year. For the last 5 years he has been a regular contributor to Carnell’s trio of magazines and has published books before such as The Stealer of Souls.
For an episode celebrating litRPG, a hugely successful genre ruled by indie authors, joining Gadi and Karen will be Shemer Kuznits, Avi Freedman, John Dodd, Avril Sabine, and Storm Petersen.
From what makes litRPG tick and our favorite authors, to the weird tropes hidden within, we fully intend to geek out.
(7) #DISNEYMUSTPAY. YouTuber Daniel Greene interviewed Alan Dean Foster and Mary Robinette Kowal about the #DisneyMustPay issue. Some interesting updates, including SFWA President Kowal confirming that Alan Dean Foster is not the only author affected.
After test pilot Chuck Yeager became the first man to break the sound barrier, he confessed to the highly un-Yeager-like emotion of fear.
“I was scared,” he wrote in a memoir, “knowing that many of my colleagues thought I was doomed to be blasted to pieces by an invisible brick wall in the sky. But I noticed that the faster I got, the smoother the ride. Suddenly, the Mach needle began to fluctuate, then tipped right off the scale.”
For 18 seconds on Oct. 14, 1947, Yeager was supersonic — a feeling he later likened to “a poke through Jell-O.” The achievement made Yeager an aeronautic legend — “the foremost in the Olympus,” according to author Tom Wolfe, “the most righteous of all the possessors of the right stuff.”…
NASA Administrator Jim Bridenstine issued a statement that concludes: “His path blazed a trail for anyone who wanted to push the limits of human potential, and his achievements will guide us for generations to come.”
(9) WALTER HOOPER OBIT. Walter Hooper (1931-2020). a literary advisor of the estate of C.S. Lewis, died December 7 of COVID-19. He served briefly in 1963 as C.S. Lewis’s private secretary prior to Lewis’s death, and became a custodian of Lewis papers and editor of his works. Joseph Loconte profiled him for National Review:“Remembering Walter Hooper: C.S. Lewis Expert Brought Author’s Work to World”.
…Hooper never tired of drawing attention to Lewis’s talent for making Christian thought persuasive to the layman. In his encyclopedic book C.S. Lewis: Companion and Guide, Hooper relates how Lewis gained national attention for his BBC broadcasts defending Christianity during World War II, receiving many speaking invitations. He engaged with fellow dons, members of the Royal Air Force, factory workers, and university students. “It was partly due to this varied experience,” Hooper writes, “that he came to see why the professional theologians could not make Christianity understandable to most people.” In the Protestant tradition to which he belonged (the Anglican Church), Lewis combined reason and imagination to translate the gospel into terms everyone could grasp.
“At times it embarrassed me, when Lewis was talking about God, that I hardly believed in the same way that he did,” Hooper told me. In this case, admiration generated a lifelong calling: What Christopher Tolkien achieved in excavating the work of his famous father, Walter Hooper accomplished for C.S. Lewis. At a recent conference in Slovakia, Hooper was asked to explain why he invested so much of his life quietly serving someone else’s legacy. He did not hesitate in answering: “I said, ‘It’s been wonderful. I wish to God I could do it all again.’”
(10) MEDIA ANNIVERSARY.
In 1982,Shadows of Sanctuary, the third Thieves’ World as edited by Robert Lynn Asprin, and published by Ace Books, wins the Balrog Award. It was not the first nominated as both Thieves’ World, the first anthology, and Tales from the Vulgar Unicorn, the second anthology, were also nominated. The Balrogs which were given out from 1979 to 1985 were created by editor Jonathan Bacon in Issue #15 of Fantasy Crossroads and first presented at the Fool-Con II convention on April Fool’s Day, 1979.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born December 8, 1861 — Georges Méliès. Best known as a film director for A Trip to the Moon (Le Voyage dans la Lune) which he said was influenced by sources including Verne’s From the Earth to the Moon and Around the Moon. (Died 1938.) (CE)
Born December 8, 1894 – James Thurber.The 13 Clocks, The Wonderful O, The White Deer are fantasy, supposedly but not necessarily for children. The Last Flower seems to be science fiction. What are we to make of his seventy-five “Fables for Our Time” – are they fantasy? “The Rabbits Who Caused All the Trouble”? “The Owl Who Was God”? In “The Unicorn in the Garden” there really is a unicorn but denying it is wiser. “If Grant Had Been Drinking at Appomattox” is a spoof of alternative history. What of his cartoons? In any event, his particular subtle, almost sour humor excels. (Died 1961) [JH]
Born December 8, 1894 — E. C Segar. Best known as the creator of Popeye who first appeared in 1929 in Segar’s comic strip Thimble Theatre. Popeye’s first line in the strip, upon being asked if he was a sailor, was “Ja think I’m a cowboy?” J. Wellington Wimpy was another character in this strip that I’m fond of. (Died 1938.) (CE)
Born December 8, 1917 – James Taurasi. A founder of fandom. Attended the 1938 Philadelphia Conference. One of the “triumvirate” (with Moskowitz and Sykora) who produced Nycon I the first Worldcon. Ran “Fandom’s Corner” in Super Science Stories. His Fantasy Times, later Science Fiction Times, won the 1955 & 1957 Best-Fanzine Hugo. Big Heart (our highest service award). (Died 1991) [JH]
Born December 8, 1930 – John Morressy. A score of novels, eighty shorter stories, some dark, some light-hearted. In fantasy, Kedrigern is a reluctant wizard first shown as an adult, then prequels of his youth. In science fiction, Nail Down the Stars and two more paint the same interstellar intrigue from three viewpoints while none sees the whole. Professor of English at Franklin Pierce College. (Died 2006) [JH]
Born December 8, 1939 — Jennie Linden, 81. She’s here for being Barbara in Dr. Who and the Daleks, the 1965 non-canon film. Her next genre forays were both horror comedies, she was in A Severed Head as Georgie Hands, and she’d later be in Vampira as Angela. She’d show up in Sherlock Holmes and The Saint as well. (CE)
Born December 8, 1950 — Rick Baker, 70. Baker won the Academy Award for Best Makeup a record seven times from a record eleven nominations, beginning when he won the first award given for An American Werewolf in London. So what else is he known for? Oh, I’m not listing everything but his first was The Thing with Two Heads and I’ll single out The Exorcist, Star Wars, The Howling which I quite love, Starman for the Starman transformation, Beast design on the Beauty and the Beast series and the first Hellboy film version. (CE)
Born December 8, 1951 — Brian Attebery, 69. If I was putting together a library of reference works right now, Attebery would be high on the list of authors at the center of my shopping list. I think The Fantasy Tradition in American Literature: From Irving to Le Guin is still essential reading and Parabolas of Science Fiction with Veronica Hollinger is very close to a Grand Unification Theory of the Genre. (CE)
Born December 8, 1954 — Rebecca Neason. She wrote a Next Generation novel, Guises of The Mind, plus several Highlander novels, and two fantasy novels; her widower says one novel went unpublished. She was a regular panelist at conventions in the Pacific Northwest. Jim Fiscus has a remembrance here. (Died 2010.) (CE)
Born December 8, 1964 – Genevieve Graham, age 56. First studied to be an oboe player; began writing after age 40. Now devoted to Canadian historical fiction. Two novels for us, four others. Has read Charlotte’s Web, Huckleberry Finn, Nineteen Eighty-Four. [JH]
Born December 8, 1966 – Anthony Lewis, age 54. Illustrator. Three hundred children’s books; also advertising, design & editorial. Here are the cover and two interiors for The Owl Tree. Here are the cover and two interiors for Why Do Stars Come Out at Night?Here is an interior for Why I Can’t See the Wind.Here is his image for Follow the Reader posters, bags, bookmarks. [JH]
Born December 8, 1982 – Elizabeth Miles, age 38. Three novels, six covers. Here is one, Moon Window. [JH]
For the first time, someone has taken credit for erecting one of the monoliths that have popped up in the last few weeks, riveting the world.
A group of four artists and fabricators unveiled themselves on Saturday as the creators of the stainless-steel curiosity that was placed atop Pine Mountain in Atascadero, Calif., on Tuesday — and shared a YouTube video of a newly made replacement going up after some young men unceremoniously toppled the original and put a cross in its spot, livestreaming themselves in the process.
“We intended for it to be a piece of guerrilla art. But when it was taken down in such a malicious manner, we decided we needed to replace it,” Wade McKenzie, one of the California monolith’s creators, said in an interview Sunday evening.
McKenzie said he built the three-sided steel structure with the help of his friend Travis Kenney, Kenney’s father, Randall, and Jared Riddle, a cousin of Travis Kenney.
Early Friday morning, another shiny steel tower was discovered in downtown Las Vegas under the Fremont Street Experience, a five-block entertainment district in the city’s casino corridor.
And yet another was found Saturday morning in Los Padres National Forest by campers at a site about 100 miles southeast of the one in Atascadero, The San Luis Obispo Tribune reported. According to the Tribune, the Los Padres monolith has “Caution” written in red letters at the top and features an image of a U.F.O. The creators of the Atascadero monolith told the news outlet on Sunday that they had not placed the monolith there.
Cinderella (Brandy) chafes under the cruelty of her wicked stepmother (Bernadette Peters) and her evil stepsisters, Calliope (Veanne Cox) and Minerva (Natalie Desselle), until her Fairy Godmother (Whitney Houston) steps in to change her life for one unforgettable night. At the ball, she falls for handsome Prince Christopher (Paolo Montalban), whose parents, King Maximillian (Victor Garber) and Queen Constantina (Whoopi Goldberg), are anxious for him to find a suitable paramour.
What is it like to write with GPT-3, the latest language model neural network artificial intelligence system created by Open AI? Clarke Center Assistant Director Patrick Coleman interviewed K Allado McDowell, writer, researcher, and co-author of Pharmako-AI, the first book co-written with GPT-3, for Slate’s Future Tense series. For anyone interested in the nature of artificial intelligence as a model for human intelligence (and imagination) or the use of AI to create art and provoke new lines of thinking, Allado-McDowell’s provocative insights point to new approaches.
(17) SPEAKING OF ROBOTS. Calling Ursula K. Le Guin!
[Thanks to John Hertz, Olav Rokne, Cora Buhlert, Mike Kennedy, John King Tarpinian, JJ, Martin Morse Wooster, Michael Toman, Cat Eldridge, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]
At the end of July, the Board of Directors issued a proclamation suspending most inperson SCA activities in North America until January 31, 2021, due to the COVID-19 global pandemic. In November, we asked the Kingdom Seneschals and Crowns of the known world to give us their counsel on how to proceed in the first part of 2021. We received very thoughtful responses from nearly all Crowns and Kingdom Seneschals as well as many other concerned people. We wish to thank everyone who responded for taking the time to do so, and for putting such effort into your responses. After reading and discussing the feedback received, the Board decided at their conference call meeting on 12/01/2020 to continue the suspension of in-person activities in North America through May 31, 2021….
(3) FILER ASKS YOU OPINION. Cora Buhlert says, “I’m considering starting a Patreon next year and have created a survey to gauge interest.”
…Science fiction set in the future is often as much about the time it was written in as it is about prognostications. Diving into both world and family history, we can tease out some of the threads that came together to make this story of the subversion of an authoritarian regime from within its record-keeping arm, and how that inspired revolution.
In 1953, we were less than 10 years from the end of World War II. Senator Joe McCarthy was busy investigating citizens for wrongful thoughts and potential treason. The early main-frame computer, UNIVAC, correctly predicted the winner of the 1952 presidential election. Dad’s brother, my Uncle John, was turned down for the US Foreign Service because of his Danish Communist aunt. And Dad wrote “Sam Hall.”
Computer-savvy folk of today will likely snicker a bit at the electromechanical whirs and buzzes of the government’s Central Records computer, nicknamed Matilda the Machine. Matilda holds detailed information on all citizens, tracking all transactions, travel, education, contacts, relationships. The “Matildas” of today know a tremendous amount about us and our shopping habits, travel plans, and private emails.
For although Dad did a good job of thinking about the power of computers held by the government as data gathering machines, in 1953 he didn’t seem to have thought much about computers as gatherers of data for private enterprise.
The America of “Sam Hall” has closed its borders to immigration, gives its citizens loyalty ratings, assigns them each a unique ID number and demands that it is tattooed on the shoulder. There is an underground movement, but, as our protagonist, Thornberg muses, “It was supported by foreign countries who didn’t like an American-dominated world – at least not one dominated by today’s kind of America, though once ‘USA’ had meant ‘hope.’”…
The are violent ghosts, flying whales, and dead people with mouthfuls of saltwater hundreds of miles from the ocean in Sam J. Miller’s The Blade Between, but it all makes sense. It all makes sense because the story takes place in Hudson, New York, a place built on the remains of slaughtered whales, where their unused parts were buried underground and the scraps were fed to animals later used to feed people. Hudson is full of angry spirits, but now a different monster is destroying it: gentrification.
… The Blade Between is a book about broken people. The creepy atmosphere and ghosts make it horror, but the drug abuse, evictions, cheating, and destroyed lives make it noir. Also, Miller’s writing and vivid imagery, especially when describing dreams, make it poetry. The mix of genres, much like the mix of elements, makes no sense, but it works.
… What is less known is that Tolkien and Lewis also designed and established the curriculum for Oxford’s developing English School, and through it educated a second generation of important children’s fantasy authors in their own intellectual image. Put in place in 1931, this curriculum focused on the medieval period to the near-exclusion of other eras; it guided students’ reading and examinations until 1970, and some aspects of it remain today. Though there has been relatively little attention paid to the connection until now, these activities – fantasy-writing, often for children, and curricular design in England’s oldest and most prestigious university – were intimately related. Tolkien and Lewis’s fiction regularly alludes to works in the syllabus that they created, and their Oxford-educated successors likewise draw upon these medieval sources when they set out to write their own children’s fantasy in later decades. In this way, Tolkien and Lewis were able to make a two-pronged attack, both within and outside the academy, on the disenchantment, relativism, ambiguity and progressivism that they saw and detested in 20th-century modernity.
…The Oxford School’s medievalist approach radiated outward, influencing many more children’s fantasy authors and readers, and helping to turn Anglophilic fascination with early Britain and its medieval legends into a globally recognisable setting for children’s adventures, world-saving deeds and magical possibility.
(7) MEDIA BIRTHDAY.
December 6, 1991 — Star Trek VI: The Undiscovered Country premiered. It would be the last Trek film to feature the entire original cast from the series, and was released just after Roddenberry passed on. Directed by Nicholas Meyers and produced by Ralph Winter Steven-Charles Jaffe, the screenplay was by Nicholas Meyer and Denny Martin Flinn from a story from Leonard Nimoy, Lawrence Konner and Mark Rosenthal. It would lose out to Terminator 2: Judgement Day at MagiCon for Best Hugo, Long Form Presentation. The film received a much warmer reception from critics and audiences alike than The Final Frontier did, and it was a box office success. Audience reviewers at Rotten Tomatoes give it a most exemplary rating of eighty three percent.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born December 6, 1881 – Helen Knipe. Illustrator (also rendered stage plays into novels). Here is The Magical Man of Mirth. Here is The Land of Never Was. Here is an interior for The Queen of the City of Mirth. (Died 1959) [JH]
Born December 6, 1909 — Arthur K. Barnes. Pulp magazine writer in mostly the Thirties and Forties. He wrote a series of stories about interplanetary hunters Tommy Strike and Gerry Carlyle which are collected in Interplanetary Hunter and Interplanetary Huntress. Some of these were co-written with Henry Kuttner. His Pete Manx, Time Troubler collection featuring Pete Manx is a lot of fun too. Both series are available from the usual digital suspects. (Died 1979.) (CE)
Born December 6, 1911 — Ejler Jakobsson. Finnish-born Editor who worked on Astonishing Stories and Super Science Stories butbriefly as they were shut down due to paper shortages. When Super Science Stories was revived in 1949, Jakobson was named editor until it ceased publication two years later. Twenty years later, he took over Galaxy and If, succeeding Frederik Pohl. His first credited publications were The Octopus and The Scorpion in 1939, co-edited with his wife, Edith Jakobsson. (Died 1984.) (CE)
Born December 6, 1957 — Arabella Weir, 63. A performer with two Who appearances, the first being as Billis in “The Doctor, the Widow and the Wardrobe”, a superb Eleventh Doctor story, before being The Doctor Herself in “Exile”, a Big Audio production. She’s had one-offs on genre and genre adjacent series such as Shades of Darkness, Genie in the House, Randall & Hopkirk (Deceased) and even a genre adjacent Midsomer Murders. (CE)
Born December 6, 1962 — Colin Salmon, 58. Definitely best known for his role as Charles Robinson in the Bond films Tomorrow Never Dies, The World Is Not Enough and Die Another Day. He played Dr. Moon in “Silence in the Library” and “Forest of the Dead”, Tenth Doctor stories, and was Walter Steele on Arrow. He most recently played General Zod on Krypton He was, alas, Ben in the clunker of films, Mortal Engines. (CE)
Born December 6, 1942 – Ted Pauls. A hundred reviews in Locus, SF Commentary, SF Review, The WSFA (Washington, DC, SF Ass’n) Journal. His T-K Graphics was a leading mail-order bookshop. Fanzine, Kipple. Co-chaired Balticon 5-8. Part of the Baltimore SF Forum (hello, Ted White). (Died 1997) [JH]
Born December 6, 1946 – Ana Lydia Vega, Ph.D., age 74. Seven collections, one children’s book. Casa de las Américas prize, Juan Rulfo prize. Puerto Rico Society of Authors’ Author of the Year. Professor at Univ. Puerto Rico (retired). [JH]
Born December 6, 1960 – Julie Dean Smith, age 60. Four novels “done with panache and a happy skill” — hey, I’m quoting Clute, it must be St. Nicholas’ Day. [JH]
Born December 6, 1962 — Janine Turner, 58. Maggie O’Connell on Northern Exposure which we’ve accepted as genre adjacent. She was also Linda Aikman in Monkey Shines, a horror film not for the squeamish, and had one-offs in Knight-Rider, Quantum Leap and Mr. Merlin. (CE)
Born December 6, 1969 — Torri Higginson, 51. I had forgotten that she had a role in the TekWar movies and series as Beth Kittridge. I like that series a lot. Of course, she portrayed Dr. Elizabeth Weir in one episode of Stargate SG-1 and the entire Stargate Atlantis series. Her most recent genre roles was as Dr. Michelle Kessler in Inhuman Condition, where she plays a therapist who focuses on supernatural patients, and Commander Delaney Truffault in the Dark Matter series. (CE)
Born December 6, 1972 – Kevin Brockmeier, age 48. Fifteen novels for us, thirty shorter stories. “A Proustian Reverie” in the NY Times Book Review. Three O. Henry prizes (take that, Arthur Hawke), several others. Interviewed in Lightspeed. [JH]
Born December 6, 1981 – Ben White, age 39. Confessedly Aotearoan pâkehâ. Three novels. Twenty-six games here. Has read The Sirens of Titan, The Phantom Tollbooth, One Flew Over the Cuckoo’s Nest, The Thirteen Clocks. [JH]
There is nothing quite like a good-bad movie. Sometimes the title alone is enough to let us know what we’re in for: think Attack of the 50 Foot Woman (1958). Sometimes the good-badness might be about knowing we are guaranteed an over-ripe performance from a particular star: think Nicolas Cage from around 2010 onwards. Sometimes a lurid or ridiculous premise promises a good time all by itself (see: Night of the Lepus, AKA the killer rabbit movie). But whether or not the creative minds behind these kinds of cultural landmarks were in on the joke is sometimes less self-evident.
…The godfather of wonderfully terrible films is Plan 9 from Outer Space, Ed Wood’s 1959 effort about aliens attacking the Earth. Hubcaps on strings are pressed into service as interstellar spacecraft, wobbling their way to our planet. When we get our first glimpse of the alien beings within, the hubcaps start to look pretty cosmic by contrast; the aliens bear a resemblance to inexpensive actors sporting off-the-rack medieval fayre costumes. Horror veteran Bela Lugosi, appearing as the villain, passed away before filming; his character’s scenes are constructed from screen-test footage he’d shot with Wood, plus additional material featuring another, far taller guy with a cape draped over his face. Throughout the film, scenery has a habit of wobbling alarmingly, particularly the gravestones.
(11) WHAT’S UP CHUCK? Checking in on the latest wisdom from the Tingleverse.
[Thanks to John King Tarpinian, Andrew Porter, Michael Toman, Martin Morse Wooster, JJ. John Hertz, Cat Eldridge, Dany Sichel, and Mike Kennedy for some of these stories. Title credit goes to contributing editor of the day Daniel Dern.]
By John Hertz: Cat Eldridge wrote a birthday notice for C.S. Lewis recently. Some of us talked about Lewis’ trilogy of Earth-Mars-Venus travel books, Out of the Silent Planet, Perelandra, That Hideous Strength.
You may have seen last year that Perelandra was one of two books on which I led SF Classics discussions at Loscon 46. My note on them before the con is here, and my con report of that day, including the discussion of Perelandra, is here.
Throughout all three Space books Lewis refers to various things he thought his readers at the time would know, but we sometimes don’t.
A Dutch scholar, Dr. Arend Smilde (“Smill-deh”) of Utrecht, has a Lewis Website (in English), including a page of notes for Silent Planet, one for Perelandra, one for Strength. He even added some for Perelandra I suggested.
NOAF: I am so excited for Constelación Magazine! When and how, and why did you decide to make this magazine a reality?
Coral Alejandra Moore: The entire process of building Constelación from the idea to what you can see on the website and social media now was really organic. Eliana and I met at a virtual convention called Flights of Foundry in May of this year, and a few weeks later we met again at the Nebulas convention. We both happened to be a in a zoom room where John Picacio and Mary Robinette Kowal started talking about Spanish language speculative fiction because of Eliana’s experience with it, and that got the hamsters in my brain turning. A few emails, and Twitter DMs later, Eliana and I were already moving forward at warp speed, and we really haven’t stopped since then. Lots of people got quarantine puppies during the pandemic, but we got a quarantine magazine!
NOAF: What makes Constelación Magazine different from other speculative fiction magazines out there?
Eliana González Ugarte: We take stories in both English and Spanish! One of our goals is to publish more Latin American and Caribbean authors who may not be able to submit their stories directly in English, or they’d have to first pay someone to translate it for them in order to be able to submit.
(2) NEXT REVELATION. Alastair Reynolds has delivered the latest book in the Revelation Space series. It will probably be called Inhibitor Phase: “I’ve delivered a book”.
… As may be apparent to those familiar with my work, the book takes place in the Revelation Space universe and is largely set in the years after ABSOLUTION GAP, my 2003 novel.
It’s not intended as a sequel to that book, but merely another entry in the mosaic of books and stories which illuminate a larger future history. That said, it does have connective tissue with some of the other novels. although I’ve scrupled as carefully as I can to make the book function as a standalone title, a single book which tells a complete tale in its own right and can be read as “just” an isolated story.
.. What happens in the book? I’m not going to say – just yet. I can state that some of the influences that have fed into the book include a film by Ingmar Bergman, a song by Scott Walker (in fact more than one), and the closing track of a Muse album.
The Marine Corps commandant’s reading list saw some big changes this week, with the sci-fi military classic Starship Troopersgetting the boot as newer works of fiction like The White Donkeytook a place on the shelf.
The change came on Tuesday when Marine Commandant Gen. David Berger released the new reading list, which includes 46 books across a range of topics and genres….
Perhaps sensing that the minds of the moviegoing public—as much as concepts like “moviegoing” and “public” exist during the COVID-19 pandemic—were otherwise occupied with images far more horrifying than a giant Slor, Sony announced this afternoon that the release of Ghostbusters: Afterlife has been pushed to June 11, 2021. For those keeping score at home, that’ll put the Jason Reitman-directed sequel into theaters 37 years after the original Ghostbusters, four months after its first revised release date, and approximately two-and-a-half years after self-proclaimed “first Ghostbusters fan” Reitman stuck his foot in his mouth upon announcing that his new addition to the comedy franchise was “for all the other fans.” But then again, what’s waiting 16 additional weeks in the midst of 40 years of darkness, earthquakes, volcanoes, and all of the other stuff that Dan Aykroyd might attribute to the difficulties of getting a third film set in the continuity of the first two Ghostbusters movies in front of people?
(5) A FLASH FROM FIFTY-EIGHT. Fanac.org has added 17 photos from the late Karen Anderson’s collection (thanks to Astrid Bear) to the Solacon (1958 Worldcon) album. These include half a dozen photos from “Alice in Thrillingwonderland” which was performed at the con.
In issue #795 of Karen’s fanzine Zed, you can read the script for the play starting on page 7. So now you can read the script, see the pix and imagine yourself there. There are also some wonderful masquerade photos and some individual photos as well. Thanks to Astrid for letting us put them up.
… Hynes got his start writing for Untapped New York and turned his animal-focused column into Wild City, which was released earlier this year. It’s an illustrated exploration that highlights everything from the return of the humpback whale to the pizza rat….
The illustrator of the animals on the posters is Kath Nash, who also illustrated Wild City. Each of the PSAs have more highlights about each creature. The Mandarin Duck one says “Remember this little guy? Used to be around all the time! Loved to swim in Central Park and have his picture taken. But now he’s just gone! We will always love you, Gucci duck. Please come home soon! ENJOY YOUR LOCAL WILDLIFE TODAY!” One of the mastodon says, “NEW YORK GIANTS. Mastodons were the original New Yorkers. These big buddies lived all over the city back in the day. Just imagine this furry elephant roaming around Inwood or wherever. It’s wild.”…
[…L]egendary scream queen [Jamie Lee Curtis} recently joked about the massive amount of fake blood needed to make the project [Halloween Kills] into a reality.
Halloween Kills is in the can and was set to arrive in theaters this October, before being delayed a full year amid the pandemic. Jamie Lee Curtis is as disappointed as anyone else about this, although she recently posted an awesome video from the movie’s set. The Knives Out actress shared the story behind said clip, saying:
So the second movie that we shot takes place immediately where the first movie lets off, which is similar to what Hallowen II did. Halloween II picked up exactly after Halloween I. So I’ve been stabbed in the stomach by Michael. And the first sequence is us in the back of this truck which you see us climb into at the end of the movie. I posted on Instagram this video because you’re in the back of a truck, they’re trailing behind you. But I’m supposed to literally be bleeding out, I’m supposed to be hemorrhaging. So we had to freshen the sticky blood. And they have this big bucket, like a paint bucket. And by the end of it I was like ‘Give me my bucket. I want my bucket.’ Because it was warm, and it was super cold. David called it ‘the sauce.’ He said ‘Bring in more sauce.’
[…Y]ou can check out the video that Jamie Lee Curtis was referencing [at Instagram].
(8) MONTANARI OBIT. Gianni Montanari, writer, translator, curator of the Italian prozine Urania from 1985 to 1990, has died at the age of 71 reports Fumetto Logica. Francesco Spadaro called him, “A genius I’ve known for years through printed paper, then in person in an unexpected friendship like all the great gifts life gives you.”
Montanari was also creator of the Urania Prize.
(9) MEDIA ANNIVERSARY.
1990 — Thirty years ago at ConFiction, Hyperion by Dan Simmons wins the Best Novel Hugo. Runner-ups were George Alec Effinger’s A Fire in the Sun, Orson Scott Card’s Prentice Alvin, Poul Anderson‘s The Boat of a Million Years and Sheri S. Tepper‘s Grass. It is the first book of his Hyperion Cantos and was followed by The Fall of Hyperion. It would also be nominated for the BSFA and Clark, and win the Locus Award for Best SF Award. (CE)
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born October 22, 1882 – N.C. Wyeth. One of America’s greatest illustrators; his masterpiece Treasure Island; over a hundred books. For us e.g. Rip Van Winkle, Robin Hood. Outside our field e.g. Coca-Cola, Lucky Strike; Beethoven, Liszt, Wagner for Steinway & Sons; public and private buildings; patriotic images during both World Wars. Besides illustration – “Painting and illustration cannot be mixed” – portraits, landscapes. Here is a gallery. (Died 1945) [JH]
Born October 22, 1927 – Lee Jacobs. When he wrote “The Influence of Science Fiction on Modern American Filk Music”, filk was a typo. But it acquired a life of its own. Active in Washington, D.C, fandom; then Los Angeles. Took part in FAPA (Fantasy Amateur Press Ass’n, our oldest apa), SAPS (Spectator Am. Pr. Society, our second-oldest), SFPA (Southern Fandom Pr. Alliance), The Cult. Wrote The Ballard Chronicles (pulp-magazine parody featuring Wrai Ballard) and Redd Boggs – Superfan. (Died 1968) [JH]
Born October 22, 1938 — Derek Jacobi, 82. He played a rather nicely nasty Master in “Utopia”, a Tenth Doctor story. He’s currently Metatron on Good Omens. And he was Magisterial Emissary in The Golden Compass. I’ll single out that he’s played Macbeth at Barbican Theatre in London as part of the Royal Shakespeare Theatre ensemble. (CE)
Born October 22, 1939 — Suzy McKee Charnas, 81. I’d say The Holdfast Chronicles are her best work to date. “Boobs” won the Best Story Hugo at ConFiction. She’s also won the Otherwise, Nebula, Gaylactic Spectrum, and Lambda Literary Awards. Any of you read her Sorcery Hall series? (CE)
Born October 22, 1943 — Jim Baen. Editor of Galaxy and If for three years. He edited the sf line at Ace ad then Tor before starting his own namesake company in 1983. In late 1999, he started Webscriptions, now called Baen Ebooks, which is considered to be the first profitable e-book service. He also was the editor of Destinies and New Destinies which I remember fondly. He was nominated for Best Editor Hugo five times between 1975 and 1981 but never won. At Nippon 2007, he’d be nominated for Best Editor, Long Form. (Died 2006.) (CE)
Born October 22, 1948 – Debbie Macomber, 72. Over 200 million copies of her books in print worldwide. First winner of the Quill Award; Romantic Times Distinguished Lifetime Achievement Award; RITA Award. For us, three novels about three angels who work miracles but have a hard time resisting the use of human technology, which sometimes lands them in trouble; they are named – which I couldn’t resist – Shirley, Goodness and Mercy. [JH]
Born October 22, 1952 — Jeff Goldblum, 68. The Wiki page gushes over him for being in Jurassic Park and Independence Day (as well as their sequels, The Lost World: Jurassic Park and Jurassic World: Fallen Kingdom and Independence Day: Resurgence, but neglects my favorite film with him in it, The Adventures of Buckaroo Banzai Across the 8th Dimension, not to mention the Invasion of the Body Snatchers remake he was in. (CE)
Born October 22, 1954 — Graham Joyce. Selecting his best novel is a futile exercise as everything is fantastically good but I’ll single out Some Kind of Fairy Tale and The Tooth Fairy as the ones I found the most interesting reads. (Died 2014.) (CE)
Born October 22, 1956 — Gretchen Roper, 63. Long-time member of fandom, filker and con-runner. She co-founded Dodeka Records with her husband, Bill Roper. She received with her husband the Pegasus Award for Best Original Humorous Song, “My Husband The Filker”, and was inducted into the Filk Hall of Fame. She runs The Secret Empire, a business selling filk-related stuff and other things at cons. (CE)
Born October 22, 1958 – Keith Parkinson. A hundred forty book covers, a hundred eighty interiors. Three artbooks, most recently Kingsgate. Cards. Video and online games. Here is the May 85 Amazing. Here is In the Shadow of the Master (in Dutch; English title After the King; Tolkien). (Died 2005) [JH]
Born October 22, 1960 – Dafydd ab Hugh, 60. Eight Star Trek novels, four others; four shorter stories including “The Coon Rolled Down and Ruptured His Larinks, a Squeezed Novel by Mr. Skunk” (novelette; Hugo & Nebula finalist). Served in the U.S. Navy. [JH]
Born October 22, 1992 – Carrie Hope Fletcher, 28. Four novels for us; career onstage including A Christmas Carol (Menken, Ahrens & Ockert 1994), The Addams Family (Lippa, Brickman & Elice 2009), Cinderella (Lloyd Webber, Zippell & Fennell 2019), Mary Poppins (Sherman, Sherman, Drewe & Fellows, 2004). Singer, Internet celebrity. YouTube channel with 650,000 subscribers. [JH]
(11) COMICS SECTION.
At Bizarro, Trolls and Gremlins come to an agreement.
…It isn’t that Lewis wrote these Screwtapian letters; rather, as he says in the preface published in your copy of The Screwtape Letters:
“I have no intention of explaining how the correspondence which I now offer to the public fell into my hands.”
What is intriguing about the handwritten preface, is that Lewis makes a link between Screwtape and his Ransom book–Out of the Silent Planet from 1938 and Perelandra, which he was writing at this time. This is the first sentence of the “Ransom Preface,” as I call it:
“Nothing will induce me to reveal how my friend Dr. Ransom got hold of the script which is translated in the following pages.”
It is a pretty exciting discovery and one that I have spent years working on….
First published in December 1840, Poe’s story “The Man of the Crowd” encapsulates the mystery and fear that attended the rapid development of cities and the influx of “strangers.” Though set in London, where Poe had lived as a child and whose density and growth exceeded those of American cities in 1840, the tale reflects the future shock of mid-nineteenth-century urban experience generally. For the first third of the story, the narrator, recuperating from an unnamed illness, sits alone at the “large bow-window” of a coffee house, watching the parade of pedestrians at the workday’s end. A shrewd taxonomist of urban types, he identifies the professions and social stations of passersby. The first group includes “noblemen, merchants, attorneys, tradesmen, stock-jobbers . . . men of leisure and men actively engaged in affairs of their own.” He proceeds down the social ladder, calling attention to visible clues…
…Pictures snapped by the spacecraft’s SamCam imager show the 1-foot-wide (0.3-meter) sampling head absolutely bathed in debris. Though I’m no expert, it would be hard to believe that nothing got scooped up by the collection system, known as Touch-and-Go, or TAG. But images can be deceiving, and the team, led by the University of Arizona, will spend the next week trying to figure out how much debris was collected.
Approximately one second after making touchdown, the probe fired a nitrogen gas bottle, which produced the debris cloud, according to a NASA statement. OSIRIS-REx arrived at a predetermined site called Nightingale and reached the surface during its first attempt….
(16) VIDEO OF THE DAY. “Bob Marley — Redemption Song” on Vimeo is an animation of the classic Marley song by Octave Marsel and Theo de Gueltzl.
[Thanks to Rob Thornton, John King Tarpinian, Mike Kennedy, Martin Morse Wooster, Rich Horton, Cat Eldridge, JJ, John Hertz, Michael Toman, Michael J. Walsh, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jeff Smith.]
In a new episode of The Babylon Bee Podcast, hosts Kyle Mann and Ethan Nicolle talk to Diana Glyer, author of Bandersnatch: C.S. Lewis, J.R.R. Tolkien, and the Creative Collaboration of the Inklings.
The Babylon Beecalls itself “Your Trusted Source For Christian News Satire” and going by posts I’ve seen linked on Facebook, they’re pretty good at teasing the foibles of the church. I had no idea they did anything as serious as an interview podcast prior hearing about this episode, and be warned in advance that the set decorations suggest the hosts would not be shocked to meet someone who voted for Trump, although contemporary politics are not under discussion this time.
Dr. Glyer is on the show because —
She has spent 40 years combing through archives, studying old manuscripts, and is considered a leading expert on C.S. Lewis and J.R.R. Tolkien. Her scholarship, her teaching, and her work as an artist all circle back to one common theme: creativity thrives in community. Kyle and Ethan talk to Dr. Glyer about Tolkien, Lewis, and the creativity that can happen in a community like The Inklings.
Diana plays it straight, giving good information about the writers while the hosts nibble around the edges for punchlines. Indeed, one host remarks, “Such deep answers to my stupid questions. That’s what makes a good guest.”
A free excerpt is on YouTube, and the rest of the conversation is available to subscribers.
Within an hour of hearing that she had won the Arthur C. Clarke Award, a top honor given to science fiction published in the UK, Namwali Serpell also heard the news that the police officers who killed Breonna Taylor would not be charged for her murder.
“I received these two pieces of news about being a black woman in 2020 and it felt like a kind of whiplash, but it’s a feeling I’ve grown used to,” she told the BBC. “So I’ve been trying to figure out how to acknowledge both the honor that this award grants to my novel and the feeling that the political revolution I’m describing in the novel is yet to come.”
She decided to donate her prize money, £2,020.00, to the Louisville Community Bail Fund, with the goal of helping those who have been detained while protesting Breonna Taylor’s death….
…I tried to find a replacement for a show I’d outgrown. I wanted to find representation, something that could comfort and validate me as I move through a world that doesn’t accommodate me. I couldn’t find anything that reflected my real experience.
What I found instead was horror and fantasy.
Instead of real-world dramas like Switched at Birth, I started watching darker fare like Hannibal and Teen Wolf. Even though I couldn’t relate specifically to lycanthropy or hyper-empathy that borders on telepathy, I related with the emotional arcs these shows presented; both shows follow their protagonist trying to find their place in a world that either persecuted them or paid them little attention. I found myself rapt at the way they presented identity and community. Both Hannibal’s blood-soaked surrealism and Teen Wolf’s paranormal fantasy hit harder—and felt more relevant to my experience—than any realistic portrayal of deafness I found.
(3) RHIANNA ON RADIO. Today’s BBC Radio 4 Women’s Hour has an interview with Rhianna Pratchett, the fantasy games designer and author, about her work, her latest book and includes a bit on her life with dad.. Rhianna’s interview is about 35 minutes in. The program can be downloaded as an .mp3
(4) KGB. The Fantastic Fiction at KGB readings on October 21 with Joe Hill and Laird Barron will be livestreamed on YouTube at 7 p.m. Eastern. Link forthcoming.
Joe Hill is the #1 New York Times bestselling author of Full Throttle, Strange Weather, and The Fireman, among others. Much of his work has been adapted or is in development for film and TV. His third novel NOS4A2 was the basis for the AMC program of the same name, while his comic Locke & Key — co-created with artist Gabriel Rodriguez — is now a hit series for Netflix. The fall sees the release of five graphic novels under his Hill House Comics imprint with DC, including his own Basketful of Heads and Plunge.
Laird Barron spent his early years in Alaska. He is the author of several books, including The Beautiful Thing That Awaits Us All, Swift to Chase, and Worse Angels. His work has also appeared in many magazines and anthologies. Barron currently resides in the Rondout Valley writing stories about the evil that men do.
… And sometimes magic happens. A poem turns into a picture book. A short story turns into a novel. A novel or a picture book turn into films or tv shows. The magic is not the turning, it is in the money! As my late agent said, “It can’t be reprinted unless it’s printed.” Which made me understand why sometimes you can sell an 8-line poem for a hundred dollars and someone pays $10,000 to reprint it. This actually happened to me. Once. But once is enough for a story and a moral lesson.
But if you write a lot of short stuff…it can become BIG. And what was a small idea (a scary story in Asimov’s magazine, another two or three in various Datlow anthologies, or Greenberg anthologies, or…And suddenly you have a Big Idea—a collection.
…Unofficial and incomplete texts are nothing new to readers of Franz Kafka; the problems of textual authority haunt nearly all his work. Kafka’s aesthetic practice cultivates a resistance to finality and what Judith Butler calls a “poetics of non-arrival.” The bulk of the literary output he left to posterity, as Michael Hofmann notes, “ends” rather than “finishes.” More crucially, all of Kafka’s novels, and a considerable haul of his short stories, beast fables, and aphorisms, owe their existence to Max Brod’s refusal to honor his best friend’s wish and burn all the manuscripts in his possession (unlike Kafka’s last lover Dora Dymant, who destroyed those in her keeping). The material in The Lost Writings is no more fringe or “lost” than any other unfinished text like The Castle, The Trial, Amerika, “The Great Wall of China,” “Investigations of a Dog,” or “The Burrow,” since Kafka’s publication history has been determined by the accidents of editorial preferences and decisions over the last century.
Regardless, Kafka, along with his editorial and translational collaborators, is one of our most prolific contemporary writers…
The only thing better than reading C.S. Lewis’s novels would be listening to Lewis himself read from his novels. It is now possible to hear Lewis reading from both Perelandra (1943) and That Hideous Strength (1945). Additionally, Lewis fans can listen to him reading the famous opening section of Chaucer’s Canterbury Tales in resonant Middle English.
These tracks were first recorded at Lewis’s home, the Kilns, in August 1960. After Joy Davidman Lewis passed away in July 1960, her former husband, Bill Gresham, traveled to Oxford to see his two sons, David, 16, and Douglas, 14, as well as to meet Lewis face to face. Gresham brought a portable tape recorder with him and apparently asked Lewis if he would do some readings….
October 1920 — The Belgian detective Hercule Poirot first appeared in Agatha Christie’s first novel, The Mysterious Affair at Styles, which was published by John Lane in hardback though the first true publication was as a weekly serial in The Times which included the maps of the house and other illustrations included in the book. This novel would be one of the first ten books published by Penguin Books when it began publishing in 1935. If you need a genre connection, David Suchet who played the most popular Poirot showed up in the Twelfth Doctor story, “The Landlord”, and Agatha Christie herself is portrayed in the Tenth Doctor story, “The Unicorn and The Wasp”.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born October 2, 1885 – Ruth Bryan Owen. Pioneer filmmaker, first woman U.S. ambassador (to Denmark; appointed by F.D. Roosevelt). Collected Scandinavian fairy tales, The Castle in the Silver Wood. Many adventures at home and abroad. Wikipedia entry here. (Died 1954) [JH]
Born October 2, 1906 – Willy Ley. Early student of rocket science. Gifted author of science-fact articles, two Hugos for them. Fled Nazi Germany 1935. Rockets (1944); The Conquest of Space (1949, with Chesley Bonestell). Science column in Galaxy 1951-1969. Rockets, Missiles, and Space Travel (1957). Regular participant at SF cons; sole Guest of Honor at Philcon II the 11th Worldcon. One novel; four shorter stories under another name. Much more in and out of our field. (Died 1969) [JH]
Born October 2, 1909 – Alex Raymond. Outstanding pro artist for us with Flash Gordon. After combat service in the U.S. Marines, drew the also excellent Rip Kirby (detective fiction; won a Reuben). Eisner Hall of Fame, Soc. Illustrators Hall of Fame. (Died 1956) [JH]
Born October 2, 1911 — Jack Finney. Author of many novels but only a limited number of genre, to wit The Body Snatchers, Time and Again and From Time to Time. He would publish About Time, a short story collection which hah the time stories, “The Third Level” and “I Love Galesburg in the Springtime”. (Died 1995.) (CE)
Born October 2, 1944 — Vernor Vinge, 76. Winner of five Hugo Awards, none for what I consider his best series which is the Realtime/Bobble series. I’m also very fond of his short fiction, much of which is collected in The Collected Stories of Vernor Vinge, though the last eighteen years’ worth of his work remain uncollected as far as I can tell. (CE)
Born October 2, 1947 – Ann Broomhead, F.N., 73. Chaired two Boskones (22 & 51), co-chaired two (12 & 33). Edited Reynolds, Deep Navigation. Co-edited (with Tim Szczesuil) Bellairs, Magic Mirrors; Dozois and others, Strange Days; Stross, Scratch Monkey. Fellow of NESFA (New England SF Ass’n; service award). [JH]
Born October 2, 1948 — Avery Brooks, 71. Obviously he’s got his Birthday write-up for being Benjamin Sisko on Deep Space Nine, but I’m going to note his superb work also as Hawk on Spenser: For Hire and its spinoff A Man Called Hawk which are aren’t even genre adjacent. He retired from video after DS9 but is an active tenured theater professor at Rutgers. (CE)
Born October 2, 1968 – Range Murata, 52.Animé, manga, video games. Seiun for Best Artist of the Year, 2006. Character designer on Last Exile, see here. A 2015 interview (in English) here. [JH]
Born October 2, 1953 — Walter Jon Williams, 67. The last thing I read by him was his most excellent Dagmar Shaw series which I highly recommend. I also like his Metropolitan novels, be that SF or fantasy, as well as his Hardwired series. I’m am surprised how few Awards that he’s won, just three with two Nebulas, both for shorter works, “Daddy’s World” and “The Green Leopard Plaque”, plus a Sidewise Award for “Foreign Devils”. (CE)
Born October 2, 1972 — Graham Sleight, 48. He’s The Managing Editor of the third edition of the Encyclopedia of Science Fiction which won the Hugo for Best Related Work at Chicon 7. He’s also a critic whose work can be found in Locus, Strange Horizons, The New York Review Of Science Fiction, and Vector. And he’s a Whovian who edited The Unsilent Library, a book of writings about the Russell Davies era of the show, and The Doctor’s Monsters: Meanings of the Monstrous in Doctor Who. (CE)
Born October 2, 1974 — Michelle Krusiec, 46. She was the eighteen-year-old Molly O’Brien in DS9’s “Time’s Orphan’s”. She had a recurring role as Nadine Park on the fourth season of Fringe, and appeared as Wu Mei on Community which we’ve agreed is almost genre, if not genre. She showed up on Supergirl as Natalie Hawkings in “Parasite Lost”. (CE)
Born October 2, 1981 – Leah Wilson, 39. Currently Editor-in-Chief for BenBella Books’ Smart Pop. Here is an interview about Through the Wardrobe (i.e. C.S. Lewis’ Narnia) from Ben Bella’s Teen Libris. Here is Boarding the “Enterprise”. [JH]
And xkcd has a brilliant chart comparing the effectiveness of various masks.
(12) QUINO MOURNED. Harrison Smith in the Washington Post has an obituary for Argentinian cartoonist Quino, who died on September 30 at age 88. Quino’s strip “Mafalda,” which ran between 1964-1973, was a strip in the Peanuts style with sharp criticism of poverty, injustice, and political repression.
…When Mafalda spots workmen trying to locate a gas leaks, she asks: “Are you searching for our national roots?” In another sequence, Mafalda’s pet turtle is revealed to have an unusual name, Bureaucracy. When a friend asks why she gave it that name, Mafalda replies that she needs to come back the next day for more information. She can’t say exactly when.
“In Argentina I had to censor myself, because when I started to draw in Buenos Aires they clearly told me ‘no military, no religion, no sex,’ ” Quino once said, according to the Agence France-Presse. “And then I talked about all that, but in another way.”
(13) KEEPING TRACK. The Digital Antiquarian revisits the triumph of Chris Sawyer’s Transport Tycoon. (I sure spent plenty of hours playing it.)
…So, while he was waiting for his better-known colleagues to send him the next chunks of their own games for conversion to MS-DOS, Sawyer began to tinker. By the time Elite II was wrapping up, he had an ugly but working demo of an enhanced version of Railroad Tycoon which did indeed shift the viewpoint from vertically overhead to isometric. “I decided to devote all my time to the game for a few months and see what developed,” he says. He convinced a talented free-lance artist named Simon Foster, who was already an established name in commercial graphics but was looking to break into games, to provide illustrations, even as he made the bold decision to step up to cutting-edge SVGA graphics, at more than twice the resolution of standard VGA. At the end of that few months, he was more convinced than ever that he had a winner on his hands: “Even people who didn’t normally play computer games would sit for hours on end, totally engrossed in building railway lines, routing trains, and making as much profit as possible.” He soon made his train simulator into an all-encompassing transportation simulator, adding trucks and buses, ships and ferries, airplanes and even helicopters.
(14) CHILD SIGHTING. Michael Clair, in “Baby Yoda is a Braves fan” on mlb.com, says that Baby Yoda made an appearance in Atlanta during the Red-Braves playoff series, accompanied by Braves mascot Blooper cosplaying as “The Mandabloopian.”
…Matte paintings are everywhere in movies. Picture the vast, secret government warehouse that closes Raiders of the Lost Ark (1981), or the image of the Statue of Liberty, half-buried in sand at the end of Planet of the Apes (1968). Or the view of London and the River Thames that unfolds behind Mary Poppins as she rises, umbrella in hand.
This detailed portrayal of ancient Rome, used in Stanley Kubrick’s Spartacus (1960), was painted with oils on glass by Peter Ellenshaw. Using Ellenshaw’s painting, the director framed groups of actors moving about the faux Roman city, which includes details of the Parthenon, Temple of Athena, and other well-known buildings. Black blobs on the painting indicate where the director inserted these actions into his film.
…Ellenshaw’s son, Harrison, who enjoyed his own career as a matte painter, estimates the Spartacus piece took his father eight to ten hours, spread over several weeks. “He would work on more than one at a time,” he remembers. “The schedule was based on making the deadline for the final negative cut in time to make enough prints for the film’s release.”
Now more than 60 years old, Ellenshaw’s Spartacus painting needed some conservation before going on display. Before replacing a yellowing varnish layer with a new, UV-protecting one, Kathryn Harada, an L.A.-based paintings conservator, worked to repair cracks in the glass and paint. When conservators discovered that Ellenshaw himself had retouched the painting, years ago, they chose to preserve his efforts….
…Just a couple days ago, Jeff Goldblum promised that he’d recreate one of his scenes from “Jurassic Park” if 1,000 people would “register to vote, or check your registration status, or request a mail-in ballot.” On Friday, his character, Dr. Ian Malcolm, was back.
“That was fast!” Goldblum wrote on Instagram, posting a video recreating his famous “chaos theory” scene from the 1993 movie. In the original moment, he dropped water gently on Laura Dern’s hand. In the recreation, he’s got a different scene partner.
(18) VIDEO OF THE DAY. “William Shatner feat. Pat Travers ‘I Put A Spell On You'” on YouTube is an animated film by Balazs Grof of a track from Shat’s new blues album featuring Shatner’s take on the classic Screamin’ Jay Hawkins song.
[Thanks to John King Tarpinian, Dann, Martin Morse Wooster, Mike Kennedy, Michael Toman, JJ, John Hertz, Cat Eldridge, Jeffrey Smith, SF Concatenation’s Jonathan Cowie, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Olav Rokne.]