Pixel Scroll 10/19/20 We Keep Our Cats As Happy As We Can

(1) OOR WOMBAT KNOWS HOW TO WRITE HORROR. Kansas City’s The Pitch has Nick Spacek “Asking author Ursula Vernon to reveal what hides in The Hollow Places.

…Part of what makes Vernon’s books so terrifying is that they’re quite relatable. Told in the first person by rather chummy narrators who immediately become something like your best friends, The Twisted Ones‘ Mouse and The Hollow Places‘ Kara feel like folks you’d love to get to know better, making each page in both books an absolute treat.

“Horror is sufficiently immediate and visceral that you spend a lot of time thinking, ‘What would I do in this situation?’” Vernon explains her style. “It has to be very immediate, so that the reader isn’t yelling, ‘Don’t go in there!’ when they’re about to open the door. You don’t want that. You want people to relate to why they’re making these choices. You need a pressing reason why they will stay in this situation that is obviously bad. Things are going down, so it has to be a believable reason.”

She points to the fact that in The Twisted Ones, Mouse doesn’t want to leave her dog behind, and I concur, pointing to the fact that much of The Hollow Places is due to the fact that Kara’s Uncle Earl is still recovering and Kara doesn’t want to abandon him.

“That’s why people stay in scary situations,” Vernon agrees. “I think that’s a more relatable reason than something I don’t actually believe. People stay in situations either because they’re too poor to leave, they have nowhere to go, or there’s someone they just can’t bear to leave behind. You got to have the personal stakes.”

 (2) MARS MY DESTINATION. Tesmanian listens in as “Elon Musk shares SpaceX Starship plans at the Mars Society Convention”.

SpaceX’s founder Elon Musk was a guest at a the virtual International Mars Society Convention on Friday, October 16 (full video below). During the conference, he held a discussion with Mars Society founder Robert Zubrin. –“I think we want to be on track to become a multiplanet species and a spacefaring civilization, in order to […] ensure the continuance of consciousness as we know it,” Musk told Zubrin. “… As far as we know… we could be the only life.”

When Zubrin asked about Starship, SpaceX’s next-generation launch vehicle, Musk said he will manufacture many iterations of the vehicle. Starship will be capable of transporting tons of cargo and one hundred passengers to space destinations. It is actively under development at Boca Chica Beach in South Texas. Musk talked about the challenges SpaceX faced to develop the Falcon rocket, stating that he expects to have Starship failures throughout its development before reaching orbit.

Musk told Zubrin that Starship is being designed to enable a self-sustaining ‘city’ on Mars. “If the ships from Earth stop coming for any reason, does Mars die out?…” he said. So, Starship must be reusable and capable of carrying all the resources needed to aid humans’ survival on the Red Planet. Musk stated SpaceX’s goal is to get enough people and tonnage to the Martian surface ‘as soon as possible’, –“Are we creating a city on Mars … before any possible World War three… […]” — He told Zubrin he hopes to takes humans to Mars before any nuclear war, asteroid strike, any potential disaster threatens humanity’s existence.

(3) ANTE AND DEAL. If you didn’t catch it live, here’s a video of the latest Wild Cards panel.

Join five of the Wild Cards authors as they discuss what it’s like to write in a shared universe series and how exactly the Wild Cards Consortium works. Featuring Melinda Snodgrass, Paul Cornell, Mary Anne Mohanraj, Kevin Andrew Murphy, and David Levine.

(4) EMPLOYMENT IN TIMES OF PANDEMIC. “‘I worked in horror films. Now I’m an undertaker’: arts workers who had to find new jobs”The Guardian tells how entertainment industry workers are adapting.

For many workers who would ordinarily be earning a living in theatres, live music venues and nightclubs, which largely still remain closed in the UK, however, retraining has been a harsh reality since they lost their jobs in March. Countless creatives have already been forced to find other income to make ends meet, while a recent report found that 34% of musicians alone had thought about hanging up their instruments for good. Here we meet some of the people who’ve added some unusual strings to their bow during the pandemic …

‘In undertaking, you get to drive luxury cars’

Paris Rivers: SFX technician turned undertaker
Paris Rivers is on the phone from a cemetery in London, where he has just done a cremation. Formerly a special effects technician in film and TV, as well as a cabaret performer, he became an undertaker at the start of lockdown. Last week, he had to help dress the body of a man who had died from stab wounds. Even more shocking was seeing a child’s brain. “I’m doing a job that most people wouldn’t touch with a 10-foot pole,” he says. “But a lot of us didn’t have any alternatives.” Besides, he adds, “when people ask, ‘What did you do during 2020?’ I can say I was there on the frontlines.”

Rivers, 31, was “really scared and desperate for work” when Covid-19 hit and by chance, had a friend who was working in one of the temporary morgues set up at the beginning of the pandemic. After working there for two months, he contacted funeral homes to see whether anyone would take him on as a funeral service operator. He’s been transporting ashes, cadavers and coffins ever since. Compared with being on a film set, he says, the job is relatively “stress-free”.

“It’s strangely relaxing,” Rivers explains. “You get to go to beautiful cemeteries, wear a nice suit, drive luxury cars. Some people are shocked by the ick factor, but I started in horror films, so I find this fascinating. And how many people who work in horror films have actually worked around death? I feel this will be helpful for me in the long run.”

Even when the film industry starts back up properly, Rivers says, he’ll continue as an undertaker part-time. The job has inspired him in other ways, too. “I’m developing an Elvira-esque cryptkeeper,” he says of a character that he plans to bring to the stage. There will, of course, be “lots of black humour”.

(5) WIZARDS SUED. “Margaret Weis and Tracy Hickman sue Wizards of the Coast after it abandons new Dragonlance trilogy” reports Boing Boing.

Margaret Weis and Tracy Hickman, creators of the Dragonlance fantasy mythos, are suing Wizards of the Coast after the company ditched a licensing deal for the latest books in the long-running series.

Filed in district court in Seattle, the lawsuit [Scribd, PDF] was first reported by Cecilia D’Anastasio. The lawsuit claims that WoTC breached their contract without explanation and in “stunning and brazen bad faith”, despite having been intimately involved in the development of the new work, approving a trilogy’s worth of characters, storylines and scenes and signing with a publisher, Penguin Random House.

The lawsuit claims $10m in damages.

Weis and Hickman created Dragonlance, set within the broad ambit of WoTC’s Dungeons & Dragons role-playing franchise, in the 1980s. Its lively mix of colorful heroes and epic drama was a hit with gamers and readers, growing into a sprawling shared universe fleshed out by many authors, artists and designers. According to the lawsuit, Weis and Hickman agreed with Wizards of the Coast to produce the new novels in 2017, capping off the series and giving fans a final sendoff.

But the company pulled the plug in August 2020—and Weis and Hickman blame controversies at WoTC itself….

(6) TOMB OF THE UNKNOWN TV SHOW. This sff production went more quietly. NPR delivers the eulogy: “‘The Venture Bros.’ Creators On The Show’s Legacy, Its Fans — And Its Cancellation”.

An era of American television ended in September.

Its death came quietly, with news of its passing drowned out from all sides by crumbling institutions, environmental disasters, a historic pandemic and pervasive social unrest. As with all matters of public interest in 2020, its demise was announced via Twitter.

After spanning three presidencies and surviving several cultural sea changes, The Venture Bros. was cancelled after 17 years on the air.

If you’ve never heard of the animated series despite its longevity, you’re far from alone: Neither the half-hour comedy nor its home, Cartoon Network’s late night programming block Adult Swim, are often mentioned in the same breath as HBO and AMC or what’s conventionally viewed as “prestige TV.”

The Venture Bros. began airing its first season in 2004. It followed Dr. Thaddeus S. “Rusty” Venture, his sons Hank and Dean — the titular brothers of the program — and bodyguard Brock Samson on episodic romps in the action-adventure and science fiction vein…

(7) EARLY WARNING. The New York Times tells how Disney unabashedly apologizes and monetizes when it comes to some of its animated classics: “Disney Adds Warnings for Racist Stereotypes to Some Older Films”.

The 1953 film “Peter Pan” portrays Indigenous people “in a stereotypical manner” and refers to them repeatedly with a slur, according to Disney.Disney

They are classic animated films like “Dumbo” (1941) and “Peter Pan” (1953), but on Disney’s streaming service they will now get a little help to stand the test of time.

Before viewers watch some of these films that entertained generations of children, they will be warned about scenes that include “negative depictions” and “mistreatment of people or cultures.”

The 12-second disclaimer, which cannot be skipped, tells viewers, in part: “These stereotypes were wrong then and are wrong now. Rather than remove this content, we want to acknowledge its harmful impact, learn from it and spark conversation to create a more inclusive future together.”

In addition to “Peter Pan” and “Dumbo,” the warning plays on films including “The Aristocats” (1970) and “Aladdin” (1992), and directs viewers to a website that explains some of the problematic scenes.

(8) MEDIA BIRTHDAY.

  • October 19, 2010 — On this day in 2010 in the United Kingdom, the BBC’s adaption of H.G. Wells’ The First Men In The Moon premiered on BBC Four. This film was written by Mark Gatiss, directed by Damon Thomas, it stars Gatiss as Cavor and Rory Kinnear as Bedford, with Alex Riddell, Peter Forbes, Katherine Jakeways, Lee Ingleby and Julia Deakin. It ends with a tribute to Lionel Jeffries, who played Cavor in the 1964 feature film, and who died earlier that year. Audience reviewers at Rotten Tomatoes give a so-so forty five percent rating. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born October 19, 1889 – Miguel Asturias.  A novel and a few shorter stories for us, maybe more; nine novels all told, story collections, poetry.  A Kind of Mulatto (tr. English as Mulatto and Mr. Fly) called “a carnival incarnated….  a collision between Mayan Mardi Gras and Hispanic baroque”.  In Men of Maize (Eng. in UNESCO Collection of Representative Works) a postman turns into a coyote, his people into ants, “written in the form of a myth….  experimental, ambitious, and difficult to follow.”  Nobel Prize in Literature.  (Died 1974) [JH]
  • Born October 19, 1909 Robert Beatty. He’s best known for being in 2001: A Space Odyssey as Dr. Ralph Halvorsen. He played General Cutler in “The Tenth Planet,”  a Third Doctor story, and was General Halstead in The Martian Chronicles. He was in Superman III and Superman IV, respectively playing a tanker captain and the U.S. President. (Died 1992.) (CE)
  • Born October 19, 1940 Michael Gambon, 80. Actor on stage and screen from Ireland who is best known to genre fans as Professor Albus Dumbledore from the Hugo-nominated Harry Potter films (a role he picked up after the passing of Richard Harris, who played the character in the first two films), but also had roles in Toys (for which he received a Saturn nomination), Mary ReillySleepy Hollow, and the Hugo finalist Sky Captain and the World of Tomorrow. He has had guest roles in episodes of The Jim Henson HourDoctor Who, and Tales of the Unexpected, and played an acerbic storyteller and possibly tomb robber in Jim Henson’s The Storyteller. He has also done voice roles in animated features including Fantastic Mr. FoxPaddington, and The Wind in the Willows, in which he voiced very nicely The Badger. (CE) 
  • Born October 19, 1943 – Peter Weston, F.N.  Founded Birmingham SF Group.  Fanzines Zenith, renamed SpeculationProlapse, renamed Relapse.  Reviewed fanzines for Vector as “Malcolm Edwards”, confusing when a real ME appeared later, indeed each chairing Worldcons (PW the 37th).  TAFF (Trans-Atlantic Fan Fund) delegate.  Doc Weir Award (British; for service).  Fan Guest of Honor at Boskone 37, Eastercon 53, Noreascon 4 the 62nd Worldcon.  Fellow of NESFA (New England SF Ass’n; service).  Lifetime Achievement Award at Corflu 32 (fanziners’ con; corflu = mimeograph correction fluid).  His foundry cast the rockets of the Hugo Awards trophies.  (Died 2017)
  • Born October 19, 1945 John Lithgow, 75. He enters SF fame as Dr. Emilio Lizardo / Lord John Whorfin in The Adventures of Buckaroo Banzai Across the 8th Dimension. He’ll later be in Santa Claus: The MovieHarry and the HendersonsShrekRise of the Planet of the ApesInterstellar and the remake of Pet Sematary. He was on television’s Third Rock from the Sun for six seasons. Oh, and he voiced The White Rabbit on the Once Upon a Time in Wonderland series! (CE)
  • Born October 19, 1943 L.E. Modesitt, Jr., 77. Writer of more than 70 novels and 10 different series, the best known of which is his fantasy series The Saga of Recluce. He has been Guest of Honor at numerous conventions, including a World Fantasy Convention. (CE) 
  • Born October 19, 1946 Philip Pullman, 74. I’ll confess that I like his Sally Lockhart mysteries, both the original versions and the Billie Piper-led series,  far more than I enjoy the Dark Materials series as there’s a freshness and imagination at work there I don’t see in the latter. Oh, some of the latter is quite good — I quite enjoyed Lyra’s Oxford and Once Upon a Time in The North. (CE) 
  • Born October 19, 1948 – Jerry Kaufman, 72.  New York fan, then Seattle.  DUFF (Down Under Fan Fund) delegate.  Fanzines with Suzanne Tompkins, The Spanish InquisitionMainstreamLittlebrook.  Also Sweetmeats (Sandra Miesel collection); The Best of Susan WoodThe Portable Carl Brandon; final issue of Innuendo (with Robert Lichtman).  Frequent loccer (loc = letter of comment) to fanzines.  Fan Guest of Honor at Balticon 10, Rustycon 1, Minicon 26, Westercon 44, Boskone 34.  [JH]
  • Born October 19, 1961 – Mike Manley, 59.  Draws The Phantom (daily since 30 May 16; Sundays by Jeff Weige), also Judge Parker (since 23 Feb 10).  Worked at Marvel (Spider-Man; co-created Darkhawk), DC (Batman, did 500th issue; Superman), Warner Bros. (Kids WB BatmanSuperman).  Plein air painter.  Teacher.  See his Weblog Draw!  [JH]
  • Born October 19, 1964 – Kathleen Cheney, 56.  A dozen novels, thirty shorter stories.  Here is her cover for her own collection Shared Dreams.  Taught math through calculus, coached the Academics and Robotics teams, sponsored the chess club.  Fences with foil and saber.  Gardener.  Two large hairy dogs.  [JH]
  • Born October 19, 1966 Roger Cross, 54. Actor from Jamaica who moved to Canada. He played a lead role in the series Continuum and has had parts in genre films The Chronicles of RiddickWar for the Planet of the Apes, the remake of The Day the Earth Stood StillX2Doomsday RockVoyage of TerrorThe Void, and the adaptations of Dean Koontz’ Hideaway and Sole Survivor. (CE)
  • Born October 19, 1982 – Jenny Bellington, 38.  One novel so far, about a boy whose gift is making maps.  More in the works.  [JH]

(10) COMICS SECTION.

(11) GOOD NEWS, FEATURING BABY YODA. The Washington Post traces the beginnings of a legend: “A boy gave a Baby Yoda to crews battling Oregon wildfires. They lovingly passed it among firefighters, across state lines.”

Sasha Tinning took her 5-year-old grandson, Carver, grocery shopping earlier this month to buy granola bars and other snacks to contribute to a donation drive for firefighters battling wildfires in Oregon.

But when Tinning ended up in the toy aisle that day, Sept. 12, her eyes — and Carver’s — were drawn to a Baby Yoda doll, the last one on the shelf.“I said, ‘The firefighters could use a friend, couldn’t they?’ ” said Tinning, 54, who lives in Scappoose, Ore., about 20 miles north of Portland.

“He would be a very good friend for them,” she recalled Carver saying.

They agreed that volunteer firefighters needed “The Force” more than anyone. So instead of buying granola bars and nuts, they picked up Baby Yoda — also known as the Child — from the popular Star Wars series “The Mandalorian.”

On their way home, they stopped by a donation tent for firefighters with the big-eyed, pointy-eared doll in hand. Tinning helped Carver write a quick note on a piece of scrap paper she found in her car trunk:“Thank you, firefighters,” it read. “Here is a friend for you, in case you get lonely. Love, Carver.”

Tyler Eubanks, a 34-year-old horse dental technician who was working in the donation booth that afternoon, showed the note and Baby Yoda to a few other volunteers. They all started crying, she said.

“The fires were close to us, and everyone was really high on emotion,” said Eubanks. “We were all really touched that Carver wanted to give a companion to the men and women who were out there risking their lives to fight the wildfires.”

Eubanks brought Baby Yoda to some firefighters who were helping in the effort to contain the 25-acre Unger Road Fire near Colton, Ore. She snapped a few photos of the fire crew with the doll so that she could send them to Carver, and thought that would be the end of it.

“But then the firefighters said, ‘We want to take him with us,’ ” Eubanks said.

So they did. And when they came upon other fire crews and showed off their Baby Yoda, those firefighters asked if they could have him for a while. The answer was yes.

“Before I knew it, Baby Yoda was out there traveling the universe,” Eubanks said.

Eubanks quickly came up with the idea to start a Facebook page — Baby Yoda Fights Fires — to chronicle the adventures of the Child.

More than 26,000 people now follow the page, which is full of photos of Baby Yoda hanging out with firefighters on the front lines of wildfires in Oregon and Colorado, and relaxing in fire base camps.

(12) HANGING OUT WITH THE DEAD. BBC Radio 4’s series A Natural History of Ghosts kicks off with an episode about “Ancient Ghosts”

‘When was the first time a human felt haunted?’

Kirsty Logan travels back to the world’s earliest civilisations to uncover where tales of ghosts first emerged.

From the earliest evidence of belief in an afterlife, seen in decorated bones in early grave sites, to Ancient Egyptian letters to the dead, and predatory Chindi unleashed to wreak deadly vengeance in the snowy wastes of North America, Kirsty tells the tales of the spirits that haunted our most ancient forebears, and became the common ancestor for ghost stories across all of human history.

(13) HARD CHARGING. “Die Hard’s Bruce Willis reprises John McClane role for unusual commercial”Digital Spy has the story.

…Now Bruce Willis has reprised the role once again, only this time it’s for… a car battery commercial?

The ad, for the DieHard Battery from Advance Auto Parts, sees John McClane crash through a window, escape through an air vent and face off against the villainous Theo, played by a returning Clarence Gilyard Jr.

De’voreaux White also reprises his role as driver Argyle, and steals the “yipee ki yay” line from Willis, who is probably glad that he didn’t have to say it.

(14) THE UNFORSEEN. [Item by Martin Morse Wooster.] Ethan Alter, in the Yahoo! Entertainment story “MVPs of Horror: How ‘The Simpsons’ creators added COVID-19 masks to this year’s ‘Treehouse of Horror'” says Simpsons writers were already planning an election segment for this year’s Treehouse of Horror, but added jokes about masks (which everyone in Springfield wears except for Homer).  Next year’s Treehouse is already in development, and will include a segment based on the Oscar-winning film Parasite.

When the staff of The Simpsons sat down to write the thirty-first edition of the show’s annual “Treehouse of Horror” Halloween anthology in 2019, they knew that the 2020 Presidential election would be the scariest subject they could tackle. That’s why “Treehouse of Horror XXXI,” which airs Nov. 1 at 8 p.m. on Fox, opens with an election parody that’s not for the faint of heart. “We predict what will happen on January 20 if people like Homer don’t smarten up a little,” longtime Simpsons showrunner, Al Jean, teased during the all-star The Simpsons Treehouse of Horror at Paley Front Row 2020. “Amazingly, most of it was written a year ago, and all of it still seems true!” (Watch the panel above.)

Simpsons fans know that the show has a knack for seeing into the future, whether it was predicting President Donald Trump back in 2000 or calling the winners of multiple Super Bowls. But there’s one thing that the writers didn’t predict while writing their own 2020 election parody: that Americans would be casting ballots for either President Trump or Vice President Joe Biden during the midst of a deadly pandemic….

(15) BE ON THE LOOKOUT. Food & Wine found a portal story in the candy section of the store: “Reese’s Created a Roving, Remote-Controlled Door to Help Make Trick-or-Treating Safer This Halloween”.

With the COVID-19 pandemic still in full force, this year’s Halloween celebrations will look significantly different than they did in 2019. Trick-or-treating, specifically, is problematic as attempting to visit as many neighbors as possible in a single night is pretty much the opposite of staying “bubbled.” But major candy brands are doing what they can to keep the Halloween spirit alive with interesting interpretations on how to make trick-or-treating coronavirus-friendly.

Reese’s Peanut Butter Cups are a Halloween favorite, and for 2020, the always inventive brand is introducing an over-the-top new candy delivery system: the Reese’s Trick- or-Treat Door. This robotic door uses voice-recognition technology to deliver candy hands-free. When the remote-controlled, nine-foot-tall front door (lamps and all!) uses its three motors to lumber your way, simply say “trick-or-treat,” and a Bluetooth speaker should know it’s time to spit out a king-size Reese’s candy bar via a retractable shelf in the mail slot.

[Thanks to Andrew Porter, Bill Wagner, Michael Toman, John Hertz, Cat Eldridge, JJ, Mike Kennedy, Martin Morse Wooster, Daniel Dern, N., SF Concatenation’s Jonathan Cowie, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]

Pixel Scroll 8/5/20 Please Pixel Your Scroll In The Form Of A Question

(1) KEEPING THE PLUS IN DISNEY+. Disney+ will premiere Mulan on its platform – at an extra charge to subscribers reports Variety.

In another major blow to movie theaters, Disney announced Mulan will forgo its planned theatrical release.  Instead, the live-action remake is premiering on Disney Plus on Sept. 4 for a premium rental price.

The company believes that the release of the action epic will help drive subscribers while serving as a valuable test case to determine how much of their hard-earned cash customers are willing to part with in order to watch a movie that was originally intended to debut exclusively in cinemas.

Unlike the rest of the content available on Disney Plus, “Mulan” won’t be available directly to subscribers. Consumers in the U.S. and other territories will have to pay $29.99 to rent the movie on top of the streaming service’s monthly subscription fee of $6.99. In markets where Disney Plus isn’t available, “Mulan” will play in cinemas.

(2) SEE AURORA AWARDS CEREMONY. The Canadian Science Fiction and Fantasy Association will hold the Aurora Awards ceremony online this year on Saturday, August 15 at 7:00 p.m. Eastern via the When Words Collide YouTube channel. The livestream will be open to everyone.

(3) LEADER OF THE PACK. HBO Max dropped a trailer for Raised by Wolves. Arrives September 3.

Mother was programmed to protect everyone after Earth had been destroyed. When the big bad wolf shows up, she is the one we must trust.

(4) BEUKES Q&A. NPR’s Petra Myers interviews author: “In ‘Afterland,’ A World (Mostly) Without Men: Questions For Lauren Beukes”.

Lauren Beukes’ new Afterland takes place in a world that exists not long after our own — a very near future in which a terrible virus has wiped out almost all the men in the world, leaving a scant few million, mostly held in government research facilities.

As the book opens, we meet Cole, who’s on the run after breaking her preteen son out of one of those facilities with the help of her sister, Billie (who has her own motives). Their journey will take them across a drastically different — but still recognizable — country, bouncing from utopian communes to religious sects to Miami sex clubs.

“I wanted to interrogate the preconceptions that a world of women would be a kinder or gentler place,” Beukes tells me over email, “especially if it was only a couple of years out from our current reality and the existing power structures, inequality and social ills. Because of course, women are full human beings and just as capable of being power hungry, selfish, violent, corrupt as much as we are of being kind, compassionate and nurturing as men are of all those things too….”

Why do you think the idea of wiping out all the men is so compelling? This isn’t the first no-men post-apocalyptic story I’ve read, but I don’t think I’ve seen any where women get wiped out.

I’ll be the first to cop to a world without men hardly being an original idea, from Charlotte Perkins Gilman’s 1915 somewhat-prim women’s utopia, Herland, on up through Joanna Russ’ The Female Man in 1975 and, more recently, the hugely popular comics series Y: The Last Man by Brian K. Vaughan and Pia Guerra, which gets a subtle nod in Afterland.

It’s an appealing idea because it allows us to explore how women could be without the centuries of oppression and misogyny (including the internalized kind), without the constant threat of violence and rape. It’s the joy of imagining a world where we could be safe walking at night (without having to be a man-killing vampire, as in the wonderful Iranian film A Girl Walks Home Alone at Night.)

The reverse has been explored in a much more limited away, including in a recent movie about a woman-killing plague with a father and his sole surviving daughter, and in Stephen and Owen King’s Sleeping Beauties, which puts all the women in the world into a coma.

I don’t think it’s as popular a conceit, because of the power structures. We live under patriarchy. And the horrific reality is that women are “wiped out” every day, usually by intimate partner violence. In South Africa, we have a devastatingly high rate of gender-based violence, including against gay and trans men and women. According to my friend Dr. Nechama Brodie, who wrote the recent Femicide in South Africa, four women a day are killed here by their partners or ex-partners. The most recent international stats I could find were from the Global Study on Homicide, which found that one-third of women killed in 2017 were victims of domestic violence.

(5) MISSING IN ACTION. Sir Julius Vogel Award winner Casey Lucas tells “How NZ’s best fantasy and science fiction writers got shafted on a global stage” on The Spinoff.

… But I’m going to do what the Hugo Awards committee was afraid to do and stop giving Martin airtime. Because I’m here to document a completely different phenomenon – one that has only been generating chatter once the immediate shocking aftermath of the Hugos’ disrespect to its own nominees had passed.

It began as murmurs in chat rooms, posts on social media platforms, questions posed on industry Slacks and Discords: say, where was the New Zealand representation at the Hugo Awards ceremony? The New Zealand presenters? What of the karakia, the acknowledgement of mana whenua? Aside from a few jokes, a ramble about our gorgeous country, an admittedly brilliant segment on the artists who crafted the physical Hugo trophies, and a stuffed kiwi on a desk, there was no New Zealand content.

Those who attended the WorldCon held in Helsinki, Finland in 2017 commented on the stark contrast. That ceremony, organised in part by the Turku Science Fiction Society, presented Finland’s Atorox Award alongside its international counterparts. So … what about our local awards ceremony?

(6) ISN’T SOMETHING ELSE MISSING? CoNZealand publications staff didn’t exactly cover themselves in glory here.

Since they didn’t print anything but his name, James Davis Nicoll thinks it would have been nicer if it had been spelled correctly.  

Souvenir Book editor Darusha Wehm apologized, however, Nicoll says he found that apology lacking.  

(7) YES, WE’LL EAT THE BREAD. Why certainly, giving a Hugo to people who hijacked the CoNZealand name is exactly the kind of move you might expect to see after the previous two news items.

But as a salute to their not using any WSFS registered trademarks I think we really should be voting them the DisCon III Shiny Pointy Thing.

(8) IF IT’S RIGHT IT’S A MIRACLE. Somehow Tor.com gets James Davis Nicoll’s name right in the byline for this fivesome — “Five SFF Stories Involving Secretly Supernatural Beings”. Was it a case of divine intervention?

Neighbours! Fine people, right up to the moment when they are overcome by xenophobia and assemble in a large mob (shouty), all too well supplied with torches (lit) and implements (agricultural). Of course, not all people are prone to hateful prejudice and fear against outsiders. Some might go the other way, lavishing unwanted adoration and attention on unusual people. It’s awkward either way, which is reason enough for some folks to carefully conceal their true nature.  Such as these five…

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born August 5, 1850 – Guy de Maupassant.  Fifty short stories for us, translated into Dutch, German, Italian, Portuguese, Romanian, Russian, Spanish; three hundred in all, six novels, travel, poetry.  Second novel Bel Ami had thirty-seven printings in four months.  A father, many think, of the short story.  Managed to write both realistically and fantastically.  (Died 1893) [JH]
  • Born August 5, 1891 Donald Kerr. Happy Hapgood in 1938’s Flash Gordon’s Trip To Mars which might be one of the earliest such films. His only other genre appearances were in the Abbott and Costello films such as Abbott and Costello Meet the Mummy and Abbott and Costello Meet the Invisible Man in uncredited roles.  (Died 1977.) (CE)
  • Born August 5, 1929 Don Matheson. Best-remembered  for being Mark Wilson in Land of the Giants. He also had roles in Lost in Space (where he played in an alien and an android in another episode), Voyage to the Bottom of the SeaThe Alfred Hitchcock Hour, an Alice in Wonderland film and Dragonflight. (Died 2014.) (CE) 
  • Born August 5, 1935 Wanda Ventham, 85. Mother of Benedict Cumberbatch. She’s been on Doctor Who three times, in “The Faceless Ones”, a Second Doctor story, in “Image of the Fendahl, a Fourth Doctor story and finally in “Time and the Rani”, a Seventh Doctor story. She also had roles in The Blood Beast TerrorProject U.F.O and Captain Kronos: Vampire Hunter. She was often on British TV including Danger ManThe SaintThe Avengers and The Prisoner. And yes, she was on Sherlock where she played his mother. (CE) 
  • Born August 5, 1943 – Kathleen Sky, 77.  Five novels, eight shorter stories, translated into French and German.  The Business of Being a Writer with Stephen Goldin.  I realize I haven’t read “One Ordinary Day, with Box”, but since it came well after an all-time great Shirley Jackson story (“Had it for lunch”; he didn’t, of course, which is the point), it must –  [JH]
  • Born August 5, 1947 – Élisabeth Vonarburg, Ph.D.,, 73.  A score of novels, fifty shorter stories.  Editor of Solaris 1983-1986, contributor thereafter; also to CarfaxFoundationNY Review of SFTorus (hello, Lloyd Penney).  Ten Prix Aurora.  Grand Prix de l’ImaginairePrix du Conseil Quebecois de la Femme en LitteratureUtopiales Prix Extraordinaire.  Guest of Honor at WisCon 25, three-time Guest of Honour at Boréal (2004, 2007-2008), Guest of Honour at Anticipation the 67th Worldcon.  [JH]
  • Born August 5, 1948 – Larry Elmore, 72.  First professional illustrator at TSR (producers of Dungeons & Dragons).  Did Dragonlance.  Also Magic: the Gathering.  Also Traveller and Sovereign Stone.  Novel (with brother Robert), Runes of Autumn.  Artbooks Reflections of Myth (2 vols.) and Twenty Years of Art and Elmore: New Beginnings.  Two hundred covers, twelve dozen interiors.  Here is the Mar 85 Amazing.  Here is Chicks in Chainmail.  Here is 1632.  Here is Missing Pieces 5.  [JH]
  • Born August 5, 1956 Ian R. MacLeod, 64. Another author I need to read more of. I’ve read the first two in what’s called the Aether Universe series, The Light Ages and The House of Storms, but there’s a number of novels I’m intrigued by including Song of Time and The Great Wheel. Anything else y’all would recommend I read?  (CE)
  • Born August 5, 1966 James Gunn, 54. Director, producer and screenwriter who first film as director was Slither. Very silly film. He’s responsible for both Guardians of The Galaxy films, plus the forthcoming one. He executive produced both of the recent Avengers films, and he’s directing and writing the next Suicide Squad film. (CE)
  • Born August 5, 1968 – Carina Axelsson, 52.  Fashion model and author.  After modeling in New York and Paris went to art school, wrote and illustrated children’s picture book Nigel of Hyde Park, a frizzy-haired dragon (then fashion-detective Model Under Cover, then Royal Rebel; naturally World-Wide Web logs = blogs brought about video blogs = vlogs).  Three favorite books Jane EyrePride and PrejudiceRebecca, so she may really be a both-ist.  Website here.  [JH]
  • Born August 5, 1972 Paolo Bacigalupi, 48. I remember the book group I was part of having a spirited debate over The Windup Girl over the believability of the central character. I think he did a better job with characters in his next novels, Ship Breaker and The Drowned Cities, but he’s really not about characters anyways. (CE)
  • Born August 5, 1988 – Manuel Sumberac, 32.  (The should have a caron over it, a punctuation mark like a little v, indicating a sound like English sh.)  Thirty covers, many interiors.  Here is The Nowhere Emporium.  Here is Tuesdays at the Castle.  Also animation.  Also Steampunk City, an alphabetical journey: see the letters O and P.  Here is an interior from Steampunk Poehere is another.  Website here.  [JH]

(10) COMICS SECTION.

(11) THREE-BODY. Now it’s going to be a TV series.

(12) THEY MADE A LITTLE CORRECTION. Somebody jogged the elbow of the folks at io9, who now have added this note to the bottom of their post about George R.R. Martin and the Hugos

Correction: An earlier version of this post misidentified File 770, a multiple award winner of Hugos for Best Fanzine, as being affiliated with “the Hugos’ official website.” io9 regrets the error.

Think of it as a corollary to Muphry’s Law.

(13) OVERCOMING. Vanity Fair chronicles how “Black Storytellers Are Using Horror to Battle Hate”.

Civil Rights leader Patricia Stephens Due adored scary stories, which baffled her family since she had experienced so many real terrors. While crusading against Jim Crow laws and segregation in the 1960s, she’d been threatened, dragged away, and arrested, and her eyesight had been permanently damaged when police threw a tear gas canister directly into her face.

Still, she loved tales of killers, monsters, and restless spirits, and purchased her daughter, the future novelist and scholar Tananarive Due, her first Stephen King book. “My dad thought it was kind of weird, but now I’ve come to think that she liked horror because she was a civil rights activist,” says Due. “There was something about horror—that thrill and anxiety when you’re watching something on a screen that isn’t real—that I believe was therapeutic to her, and helped her slough off some of that fear and anger.”

(14) CIVICS CURSE. “City growth favours animals ‘more likely to carry disease'”.

Turning wild spaces into farmland and cities has created more opportunities for animal diseases to cross into humans, scientists have warned.

Our transformation of the natural landscape drives out many wild animals, but favours species more likely to carry diseases, a study suggests.

The work adds to growing evidence that exploitation of nature fuels pandemics.

Scientists estimate that three out of every four new emerging infectious diseases come from animals.

The study shows that, worldwide, we have shaped the landscape in a way that has favoured species that are more likely to carry infectious diseases.

And when we convert natural habitats to farms, pastures and urban spaces, we inadvertently increase the probability of pathogens crossing from animals to humans.

“Our findings show that the animals that remain in more human-dominated environments are those that are more likely to carry infectious diseases that can make people sick,” said Rory Gibb of University College London (UCL).

(15) DEAD ON. “Horror effects icon Tom Savini: ‘My work looks so authentic because I’ve seen the real thing’”, he explains to The Independent.

Whether it’s Kevin Bacon unexpectedly getting an arrow through the throat while lying in bed in Friday the 13thTed Danson’s waterlogged walking corpse in Creepshow, or a zombie getting the top of its head sliced off by a helicopter blade in Dawn of the DeadTom Savini is responsible for some of horror cinema’s greatest moments. Yet not everybody realises that a lot of this iconic gore was inspired by the special effects guru’s traumatic time serving as a field photographer in Vietnam.

“I saw some pretty horrible stuff,” the horror legend, now 73, tells me soberly. “I guess Vietnam was a real lesson in anatomy.” While serving with the US military, Savini learnt details such as the way blood turns brown as it dries or how our bodies lose control of the muscles when we die. “This is the reason why my work looks so visceral and authentic,” he adds. “I am the only special effects man to have seen the real thing!”

(16) MARTIAN HOP. “SpaceX: Musk’s ‘Mars ship’ prototype aces 150m test flight” – BBC has the story.

A prototype of SpaceX’s next-generation Starship vehicle has successfully flown to an altitude of 150m (500ft).

The uncrewed test vehicle rose up on a plume of exhaust before deploying its landing legs and touching down softly.

The flight was carried out at SpaceX’s test site near the village of Boca Chica in south Texas on Tuesday evening.

It’s the first flight test in almost a year for the Raptor engine, which will be used to power Starship.

The stainless steel test vehicle, called SN5, has been compared variously to a grain silo and water tank.

But it could pave the way for a spacecraft capable of carrying humans to the Moon and Mars.

(17) ROUGH RIDE. “SpaceX: Nasa crew describe rumbles and jolts of return to Earth” – BBC story includes interview video.

Astronauts Bob Behnken and Doug Hurley have described the rumbles, heat and jolts of returning from space in the Crew Dragon spacecraft on Sunday.

Behnken vividly described the clouds rushing by the window and jolts that were like being “hit in the back of the chair with a baseball bat”.

But Hurley and Behnken said the spacecraft performed just as expected.

They splashed down in the Gulf of Mexico, ending the first commercial crewed mission to the space station.

“As we descended through the atmosphere, I personally was surprised at just how quickly events all transpired. It seemed like just a couple of minutes later, after the [de-orbit] burns were complete, we could look out the windows and see the clouds rushing by,” he said at a news conference broadcast from Nasa’s Johnson Space Center in Houston.

“Once we descended a little bit into the atmosphere, Dragon really came alive. It started to fire thrusters and keep us pointed in the appropriate direction. The atmosphere starts to make noise – you can hear that rumble outside the vehicle. And as the vehicle tries to control, you feel a little bit of that shimmy in your body.

“We could feel those small rolls and pitches and yaws – all those little motions were things we picked up on inside the vehicle.”

(18) NO S**T, THERE THEY ARE. Er, correction, make that “yes s**t” — “Climate change: Satellites find new colonies of Emperor penguins”.

Satellite observations have found a raft of new Emperor penguin breeding sites in the Antarctic.

The locations were identified from the way the birds’ poo, or guano, had stained large patches of sea-ice.

The discovery lifts the global Emperor population by 5-10%, to perhaps as many as 278,500 breeding pairs.

It’s a welcome development given that this iconic species is likely to come under severe pressure this century as the White Continent warms.

The Emperors’ whole life cycle is centred around the availability of sea-ice, and if this is diminished in the decades ahead – as the climate models project – then the animals’ numbers will be hit hard.

One forecast suggested the global population could crash by a half or more under certain conditions come 2100.

(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] “Down And Out Kidney” on Vimeo is a cartoon by Dan and Jason about why you should worry about too much uric acid in the body (and yes, it’s entertaining!)

[Thanks to Daniel Dern, JJ, Cat Eldridge, Hampus Eckerman, Mike Kennedy, John King Tarpinian, John Hertz, Chip Hitchcock, Michael Toman, James Davis Nicoll, Mlex, Martin Morse Wooster, Madame Hardy, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]