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Pixel Scroll 6/8/23 What Happens When Pixels Go Walkabout?

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(1) CHENGDU WORLDCON VENUE CONSTRUCTION UPDATE. The Chengdu Worldcon committee is meeting in China and Vice Chair and Hugo co-Administrator Dave McCarty is there.

He has added a photo gallery to his Facebook page showing the progress in constructing what will be the main venue, called the Chengdu Science Fiction Museum in press reports.

McCarty says, “The current completion projection for the building, lake that surrounds it, and park that contains it is now August 30.”

(2) WISCON BOX SCORE. WisCon 46, held May 26-29 in Madison Wisconsin, was a hybrid convention, with some events being in-person and others being virtual. Attendance for the con was:

570 in-person for all or part of the weekend (the limit was 600);

154 online memberships.

(3) THE FIRST LOTR MOVIE NEVER MADE. Den of Geek mined the letters of Tolkien to rediscover “The 1950s Lord of the Rings Movie That J.R.R. Tolkien Absolutely Hated”. The proposal was agented by Forrest J Ackerman, known for many things good and bad, among them his long record of making cameo appearances in movies. It’s interesting to speculate where he might have shown up in a Fifties version of Lord of the Rings.

All of the English-language screen versions of The Hobbit and The Lord of the Rings came out after J.R.R. Tolkien passed away in 1973, so we’ll sadly never know what he might have thought of them. But things were nearly quite different. In the late 1950s, Tolkien and his publishers seriously considered a proposal for an animated film, which even got to the script stage before the project was eventually scrapped.

In 1957, Tolkien was approached by an American film agent, Forrest J. Ackerman, about a proposed animated film adaptation of The Lord of the Rings. Early on, Tolkien was really quite positive about the idea, in a pragmatic sort of way. At this stage, Tolkien was shown some drawings and color photographs to indicate the sort of look they were going for in the animation, and he read a “Story Line,” a synopsis of the film’s proposed plot….

By June 1958, however, Tolkien had finished going through [Morton Grady] Zimmerman’s treatment and was thoroughly unimpressed. He sent Ackerman a copy of the script complete with his own notes and comments. A lengthy series of extracts were published along with his letter to Ackerman in The Letters of JRR Tolkien. Here are a few highlights…

… Tolkien had historical issues with Zimmerman’s treatment of Rohan and the Rohirrim, too. He complains that “in such time” kings like Théoden did not have private bedrooms, presumably meaning in Northern Europe during the early medieval period, which is roughly the inspiration for Rohan. He also said they did not have glass windows that could be thrown open, something he felt strongly enough about to put two exclamation marks on, and added, “We might be in a hotel.”…

(4) PAUL ECKSTEIN (1963-2023). Paul Eckstein, co-creator and executive producer of the drama series Godfather of Harlem and an actor who appeared on Star Trek: Voyager and Star Trek: Deep Space Nine and many other shows, died June 6 at the age of 59 reports Deadline.

…Before co-creating Godfather of Harlem, along with his writing partner Brancato, Eckstein led the writers room on the first year of the hit Netflix drama Narcos. Eckstein also wrote and produced the Disney/ABC biblical series Of Kings and Prophets on location in South Africa. His other writing credits include Street Time, Law & Order: Criminal Intent and The Dead Zone….

(5) JOSHUA QUAGMIRE (1952-2023). Cutey Bunny creator Joshua Quagmire (Richard Lester) died in a Santa Monica, CA hospital around May 28 reports Taral Wayne. His sister posted this notice in social media:

(6) MEMORY LANE.

1991 – [Written by Cat Eldridge from a choice by Mike Glyer.]

I’m a big fan of Michael Swanwick having first encountered him when I read his Jack Faust novel and then the Iron Dragon’s Daughter trilogy. What I’ve read of The Periodic Table of Science Fiction flash fiction was quite enjoyable. 

Our Beginning is that of Stations of the Tide which I really like. It was first published by William Morrow and Company thirty-two years ago in hardcover and paperback editions. The cover art is by Daniel Horne. 

It would win a Nebula as well an SF Chronicle Award while being nominated for a Hugo at MagiCon. It was nominated for a John W. Campbell Memorial Award as well. 

Here is this really great Beginning….

The Leviathan Said

The bureaucrat fell from the sky. 

For an instant Miranda lay blue and white beneath him, the icecaps fat and ready to melt, and then he was down. He took a highspeed across the stony plains of the Piedmont to the heliostat terminus at Port Richmond, and caught the first flight out. The airship Leviathan lofted him across the fall line and over the forests and coral hills of the Tidewater. Specialized ecologies were astir there, preparing for the transforming magic of the jubilee tides. In ramshackle villages and hidden plantations people made their varied provisions for the evacuation. 

The Leviathan’s lounge was deserted. Hands clasped behind him, the bureaucrat stared moodily out the stern windows. The Piedmont was dim and blue, a storm front on the horizon. He imagined the falls, where fish-hawks hovered on rising thermals and the river Noon cascaded down and lost its name. Below, the Tidewater swarmed with life, like blue-green mold growing magnified in a petri dish. The thought of all the mud and poverty down there depressed him. He yearned for the cool, sterile environments of deep space. 

Bright specks of color floated on the brown water, coffles of houseboats being towed upriver as the haut-bourgeois prudently made for the Port Richmond incline while the rates were still low. He touched a window control and the jungle leaped up at him, misty trees resolving into individual leaves. The heliostat’s shadow rippled along the north bank of the river, skimming lightly over mud flats, swaying phragmites, and gnarled water oaks. Startled, a clutch of acorn-mimetic octopi dropped from a low branch, brown circles of water fleeing as they jetted into the silt.

 “Smell that air,” Korda’s surrogate said. 

The bureaucrat sniffed. He smelled the faint odor of soil from the baskets of hanging vines, and a sweet whiff of droppings from the wicker birdcages. “Could use a cleansing, I suppose.”

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 8, 1910 — John W. Campbell Jr., 1910 – 1971.  As you well know, he was editor of Astounding Science Fiction (later to be called Analog Science Fiction and Fact) from late 1937 until his death and was part of the Golden Age of Science Fiction. His novella Who Goes There? was adapted as The Thing from Another World, The Thing and yes once again as The Thing. (Died 1971.)
  • Born June 8, 1915 — Frank Riley. He’s best known for They’d Rather Be Right (co-written with Mark Clifton) which won a Hugo Award for Best Novel at Clevention. Originally published in serialized form in Astounding unlike his eight short SF stories that were all published in If. His “The Executioner” was the cover story for the April 1956 issue of If. (Died 1996.)
  • Born June 8, 1917 — George D. Wallace. He’s here for playing Commando Cody in the early Fifties Radar Men from the Moon movie serial. He would later show up as the Bosun on Forbidden Planet, and had minor roles late in his career in Multiplicity, Bicentennial Man and Minority Report. He also played a Star Fleet Admiral in “The Man of the People” episode of The Next Generation. (Died 2005.)
  • Born June 8, 1928 — Kate Wilhelm. Author of the Hugo Award–winning Where Late the Sweet Birds Sang. She also won a Hugo Award for Best Related Book and a Locus Award for Best Nonfiction for Storyteller: Writing Lessons and More from 27 Years of the Clarion Writers’ Workshop. SFWA renamed their Solstice Award the Kate Wilhelm Solstice Award. She established the Clarion Workshop with her husband Damon Knight and writer Robin Scott Wilson. (Died 2018.)
  • Born June 8, 1946 — Elizabeth A. Lynn, 77. She is well known for being one of the first sff writers to introduce gay and lesbian characters as part of her stories. So in honor of her, the widely known A Different Light chain of LGBT bookstores took its name from her novel of that name. Her best known work is The Chronicles of Tornor series. 
  • Born June 8, 1947 — Sara Paretsky, 76. Best best known for her private detective novels focused on V.I. Warshawski, she has one genre novel in Ghost Country. It, too, involves V.I. Warshawski and may or may not involve things of supernatural nature.

(8) COMICS SECTION.

  • Bliss has a special on kaiju cuisine.
  • Loose Parts supplies a scene that was left out of the Book of Jonah.
  • The Far Side  shows the moment before a time travel mistake becomes a tragedy.
  • xkcd takes up the skepticism about UFO evidence. (There may also be SJW credentials involved….)
  • Thatababy stages a peculiar race between two comparable DC and Marvel characters.

(9) MASTER PIECE. “Doctor Who stars delight fans as Master and Missy unite in new video” – RadioTimes made sure we didn’t miss it.

Doctor Who fans have had their imaginations set alight by a shared Instagram post from Sacha Dhawan and Michelle Gomez, where the Master actors can be seen strutting down a flight of stairs together.

The reason for their meeting was not given, but fans were thrilled to see them together, with each known for their popular incarnations of the Doctor’s classic arch-nemesis….

(10) ANAKIN SKYWALKER AND CASSIAN ANDOR. Variety eavesdrops on a conversation between “Diego Luna and Hayden Christiansen On How ‘Star Wars’ Has Changed Their Lives”.

Hayden Christensen and Diego Luna have never met, but as Christensen puts it, they’ve occupied the “same galaxy” for years. Christensen rocketed from teenage obscurity in Canada when George Lucas cast him as Anakin Skywalker for 2002’s “Star Wars: Episode II — Attack of the Clones” and 2005’s “Revenge of the Sith,” which chronicled the young Jedi’s transformation into the iconic villain Darth Vader. The Mexican-born Luna — who rose to prominence in Alfonso Cuarón’s 2001 coming-of-age masterpiece “Y tu mamá también” — joined “Star Wars” for 2016’s “Rogue One,” a prequel about the band of rebel spies, led by Luna’s Cassian Andor, that steal the plans for the Death Star….

CHRISTENSEN: I’d really love to hear about how you got into “Rogue One.” You were already a very established actor.

LUNA: It was the first time such secrecy happened around anything I was going to be part of. I was asked by my agent to meet someone for something that couldn’t be said on the phone. I went into a meeting in a restaurant that was completely empty. There was a guy sitting in the corner with a computer open, and this was Gareth [Edwards], the director. I sat down with him, and it was just us for four hours.

CHRISTENSEN: So you had no concept that it was “Star Wars” at all at this point?

LUNA: My agent said, “This might be ‘Star Wars.’” I guess she didn’t want me to get excited about anything. Gareth explained to me the whole film, and he said at the end, “I would really like you to play this role.” I said to him, “But I don’t see myself here. I love these films, but how do I fit here? No one has my accent. I’ve never thought this could be possible.” He basically said, “Since I saw ‘Y tu mamá también,’ I thought you could be great for a role like this. I want that kind of tone in the film. I want that realism, that feeling that it’s everyday life.” I never thought that a film like “Y tu mamá también” would get me the chance to be in the world of “Star Wars.”

CHRISTENSEN: That’s what I love about it. It’s a much darker and more grounded sort of take. I think it was very important for “Star Wars.” I love your performance. There’s so much subtlety to it and nuance to it, which you can’t always get in stories like these.

(11) OCTOTHORPE. The summer of fun continues! Episode 85 is “Super Smart or Completely the Opposite”.

John Coxon is at a convention, Alison Scott is in a cottage, and Liz Batty is not at a festival. This time we have a bevy of letters of comment, discussions about Satellite 8 and the Hugo Awards, and also picks. One pick is for some obscure book you won’t have heard of.

(12) NATURE BARS THE DOOR TO AI. [Item by SF Concatenation’s Jonathan Cowie.] Nature, the world’s leading multidisciplinary science journal (well perhaps rivaling Science but that’s the other side of the Pond and we all know what goes on there (in part thanks to File770)), is the latest to ban AI use in its content. “Why Nature will not allow the use of generative AI in images and video”.

Saying ‘no’ to this kind of visual content is a question of research integrity, consent, privacy and intellectual-property protection….

 Apart from in articles that are specifically about AI, Nature will not be publishing any content in which photography, videos or illustrations have been created wholly or partly using generative AI, at least for the foreseeable future.

Artists, filmmakers, illustrators and photographers whom we commission and work with will be asked to confirm that none of the work they submit has been generated or augmented using generative AI

Why are we disallowing the use of generative AI in visual content? Ultimately, it is a question of integrity. The process of publishing — as far as both science and art are concerned — is underpinned by a shared commitment to integrity. That includes transparency. As researchers, editors and publishers, we all need to know the sources of data and images, so that these can be verified as accurate and true. Existing generative AI tools do not provide access to their sources so that such verification can happen.

Then there’s attribution: when existing work is used or cited, it must be attributed. This is a core principle of science and art, and generative AI tools do not conform to this expectation.

Consent and permission are also factors. These must be obtained if, for example, people are being identified or the intellectual property of artists and illustrators is involved. Again, common applications of generative AI fail these tests.

Generative AI systems are being trained on images for which no efforts have been made to identify the source. Copyright-protected works are routinely being used to train generative AI without appropriate permissions. In some cases, privacy is also being violated — for example, when generative AI systems create what look like photographs or videos of people without their consent. In addition to privacy concerns, the ease with which these ‘deepfakes’ can be created is accelerating the spread of false information

Appropriate caveats

For now, Nature is allowing the inclusion of text that has been produced with the assistance of generative AI, providing this is done with appropriate caveats (see go.nature.com/3cbrjbb). The use of such large language model (LLM) tools needs to be documented in a paper’s methods or acknowledgements section, and we expect authors to provide sources for all data, including those generated with the assistance of AI. Furthermore, no LLM tool will be accepted as an author on a research paper.

(13) DUELING PLATFORMS. With the upcoming Apple TV+ release of The Crowded Room, JustWatch has compiled its quality content ranking of the most popular streaming platforms.

The top position belongs to Apple TV+, with a 0.66 point lead over the global giant: Netflix, which is struggling in fifth place despite such hits as “Squid Game” and “Stranger Things”. 

Apple TV+ attributes this advantage to a number of highly rated TV Shows such as Ted Lasso, which won 11 Primetime Emmys, and Severance with 2 Primetime Emmys under its belt. The film Coda won 3 Oscars, making Apple TV+ the first-ever streamer to win Best Picture, Best Supporting Actor and Best Adapted Screenplay.

[Thanks to John King Tarpinian, Chris Barkley, Michael Toman, Darrah Chavey, Lise Andreasen, Taral Wayne, Kathy Sullivan, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Ryka Aoki and Aaron Hamburger Win 2023 Jim Duggins, PhD Outstanding Mid-Career Novelist Prize

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Ryka Aoki

Lambda Literary today announced that Ryka Aoki and Aaron Hamburger are the winners of the 2023 Jim Duggins, PhD Outstanding Mid-Career Novelist Prize. Ryka Aoki is an sff author whose novel Light From Uncommon Stars (Tor Books 2021) won the Otherwise Award and was a finalist for the Hugo, Locus, Dragon, and Ignyte Awards. Hamburger is an author who works outside the sff field. 

Dedicated to the memory of author and journalist Jim Duggins, this prize honors LGBTQ-identified authors who have published multiple novels, built a strong reputation and following, and show promise to continue publishing high quality work for years to come. The award includes a cash prize of $5,000.

Ryka’s first novel, He Mele a Hilo, was called one of the “10 Best Books Set in Hawaii” by Bookriot. She was honored by the American Association of Hiroshima Nagasaki A-Bomb Survivors, where two of her compositions were named the organization’s “songs of peace.” Ryka has been recognized by the California State Senate for “extraordinary commitment to the visibility and well-being of Transgender people.” She is a two-time Lambda Literary Award finalist, and served as the Poetry Faculty for the 2018 Lambda Emerging Writers Retreat.

Here is an excerpt from the Lambda Literary website’s interview “Four Questions with Ryka Aoki”:

How has access to queer literature/ stories impacted your life as a queer person and shaped you as a writer?

In my case, I think it was lack of access. I don’t think we had so much queer literature when I was growing up. Definitely not trans Asian-American literature! That’s one reason why, no matter what I write, be it poetry or essays or songs or science fiction novels, I bring my authentic self—even if it is in outer space with donuts—to the page. Some people will identify with my characters and that makes me really happy.

But also, my identity does not match the identity of many readers. And I hope with them, my literature does what the literature of my childhood did for me. Despite our differences, I would like my work to impel future writers to take the pen or the keyboard or the direct thought -to-word input (wherever we are at the time) and create their worlds, their songs, their novels.

And I can’t wait to read them.

[Based on a press release.]

Pixel Scroll 6/7/23 Pixels Sleep On Scrolls

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(1) MARKOWITZ AWARD WINNERS. Naseem Jamnia and Maya Salameh are the winners of the 2023 Markowitz Award for Exceptional New LGBTQ Writers. Naseem Jamnia is a widely-recognized sff writer. See Lambda Literary’s interview here: “Four Questions with Naseem Jamnia”.

The Judith A. Markowitz Award for Exceptional New LGBTQ Writers recognizes LGBTQ-identified writers whose work demonstrates their strong potential for promising careers. The award includes a cash prize of $1,500. This year, the award goes to Naseem Jamnia and Maya Salameh.

Naseem Jamnia (they/them) is the Locus-nominated author of The Bruising of Qilwa, a novella introducing their queernormative, Persian-inspired world, which was shortlisted for the IAFA’s Crawford award. Named the inaugural Samuel R. Delany Fellow, they’ve also received fellowships from Lambda Literary and the Otherwise Award, and their nonfiction has appeared in The Rumpus, The Washington Post, Cosmopolitan, New Orleans Review, Sarah Gailey’s Stone Soup newsletter, and other venues. They are the managing editor of Sword & Kettle Press, a tiny independent publishing house of feminist speculative writing, and their debut middle grade horror, Sleepaway, is out in 2025 from Aladdin. Find out more and sign up for their newsletter at naseemwrites.com, or follow them on social @jamsternazzy.

How has access to queer literature/queer stories impacted your life as a queer person and shaped you as a queer writer?

When I was growing up, the closest I saw my gender portrayed in stories was with the “girl disguises herself as a boy to do the thing” trope, a la Mulan and Tamora Pierce’s Alanna books. I had to resort to fanfiction to explore queerness in terms of sexuality (and even then, rarely or never saw a portrayal of someone on the asexual spectrum). Much of my own writing growing up explored these issues inadvertently and vaguely, as I did not know what I was exploring at the time. However, once terms like “nonbinary” or understanding of transness outside a binary entered the public lexicon in the last 10-ish years, the wealth of queer literature we’ve seen explicitly including various identities has made a world of difference, helping me to understand and embrace my own various identities, which has since allowed me to live as my truest self. With this clearer understanding, I’ve taken the lack of what I saw growing up to turn into what I wish I had seen and where I wish we can go in the future. I’m grateful so many queer books exist now for kids and adults alike to explore the multiplicity of queer experiences….

(2) REUBEN FINALISTS INCLUDE TWO SFF ARTISTS. [Item by Dariensync.] Girl Genius creator Phil Foglio and frequent Neil Gaiman collaborator Colleen Doran have both been nominated for Reuben Awards by the National Cartoonist Society. Foglio for Online Comics: Long Form for Girl Genius, Doran for Best Graphic Novel for her adaptation of Neil Gaiman’s Chivalry. “Finalists Announced For 2022 NCS Divisional Awards For The 77th Annual Reubens”.

(3) STARS ON MARS. You can watch the first aired episode of Stars on Mars on the FOX website. William Shatner serves as Mission Control.

Here’s an excerpt. “Celebrities Try To Fix A Fallen Satellite Tower”.

(4) NOT AS SPECIAL EFFECTS? Oh no, some of them were very special. Ranker came up with a list of“11 Classic Fantasy Movies Made Before CGI”.

Many fans feel that modern fantasy movies began in 2001 with the one-two punch of The Lord of the Rings: The Fellowship of the Ring and Harry Potter and the Sorcerer’s Stone. Both having been produced after the CGI revolution of the 1990s, they applied the full power of the latest visual effects techniques to bring two beloved fantasy book series vividly to life.

But fantasy films go back a lot further than 2001. Since the dawn of movies, imaginative filmmakers have striven to use the medium’s unique capabilities to bring to life visions that cannot exist in reality. Long before computers were rendering T. rexes and Orc armies, special-effects crews had already amassed a huge bag of tricks to put fantastical stories on the screen, including stop-motion, bluescreen, forced perspective, puppets, and giant props.

Three of the four most highly-rated films have effects by Ray Harryahausen. Number one is –

Jason and the Argonauts

A retelling of the myth of the Golden Fleece, 1963’s Jason and the Argonauts was one of the peaks of Ray Harryhausen’s special effects career. Numerous striking effects appear throughout the film, but the show-stopper is the epic battle where Jason and his men confront an army of magically animated skeletons.

Harryhausen recalled the incredibly painstaking work that went into the sequence:

I had three men fighting seven skeletons, and each skeleton had five appendages to move in each separate frame of film. This meant at least 35 animation movements, each synchronized to the actor’s movements. Some days I was producing just 13 or 14 frames a day, or to put it another way, less than one second of screen time per day, and in the end the whole sequence took a record four and a half months to capture on film.

(5) YOU SAW IT HERE FIRST. At Galactic Journey, John Boston reviews the issue of Amazing which scored the coup of publishing an excerpt from Delany’s Nova, the novel Campbell declined to serialize in Analog: “[June 6, 1968] The Stalemate Continues (July 1968 Amazing)”.

Once more, all but one item of fiction are reprints, though this issue’s exception is more considerable than some: House A-Fire, by Samuel R. Delany, described as a short novel (at 33 pages!) on the cover and contents page, though editor Harrison acknowledges in the letter column that it is actually an excerpt from Delany’s new novel Nova, forthcoming from Doubleday.  Delany’s name is misspelled on the cover and contents page and in Harrison’s editorial, spelled correctly on the story’s title page and in the letter column.  Are you getting tired of all this nit-picking?  So am I.  But the persistent sloppiness of this magazine continues to irritate….

(6) LIAGUNO Q&A. One of the Horror Writers Association “A Point of Pride” blog posts is an “Interview with Vince A. Liaguno”.

What was it about the horror genre that drew you to it?

I’m less certain that I chose horror; I think horror chose me. Truthfully, from as far back as I can remember, I was drawn to all things dark. As a kid, my earliest recollections of being terrified were watching made-for-TV movies from the 70s like Don’t Be Afraid of the Dark, Gargoyles, and Trilogy of Terror. I can still remember damn near pissing myself when that little Zuni fetish doll from the latter chased poor Karen Black around her apartment! (laughs)

As I got a little older, my Dad would take me to the movies as part of our weekend “buddy days”. They were usually Irwin Allen disaster flicks or movies with a lot of car chases, but then a little film called Jaws was released. I was eight years old and can still feel the knot in my stomach the first time I heard those opening notes of John Williams’ now-legendary score. I think I only made it up to the point that the ill-fated skinny-dipping Chrissie gets slammed into the buoy before I pleaded with my Dad to leave. It would take three subsequent tries before I could make it through the entire film, each time making it a little further into the film before my ever-patient father heard the desperation of the “Please, Daddy…can we leave now?” in my voice. Jaws was a rite of passage for me; it was the first time I needed to summon and sustain any sense of real bravery. When I finally saw those end credits, it was a mark of accomplishment… a hint of manhood, if you will.

1978 was a game changer for me—the cusp of adolescence and the release of John Carpenter’s Halloween. If Jaws hooked me, Halloween reeled me in and cemented what would become a lifelong adoration of both slasher films and a certain actress named Jamie Lee Curtis.

(7) MEMORY LANE.

2005 – [Written by Cat Eldridge from a choice by Mike Glyer.]

I won’t say that Haruki Murakami is author that I’m at familiar as he isn’t. Kafka on the Shore is the English translation of the original Japanese publication which is this, 海辺のカフカ. 

Alfred Knopf published the first English language edition eighteen years ago.

It would win a World Fantasy Award. 

It is an available from the usual suspects. 

And now for our Beginning…

So you’re all set for money, then?” the boy named Crow asks in his typical sluggish voice. The kind of voice like when you’ve just woken up and your mouth still feels heavy and dull. But he’s just pretending. He’s totally awake. As always. 

I nod.

 “How much?” 

I review the numbers in my head. “Close to thirty-five hundred in cash, plus some money I can get from an ATM. I know it’s not a lot, but it should be enough. For the time being.”

 “Not bad,” the boy named Crow says. “For the time being.

I give him another nod. “I’m guessing this isn’t Christmas money from Santa Claus.”

“Yeah, you’re right,” I reply. 

Crow smirks and looks around.

“I imagine you’ve started by rifling drawers, am I right?” 

I don’t say anything. 

He knows whose money we’re talking about, so there’s no need for any long-winded interrogations. 

He’s just giving me a hard time.

“No matter,” Crow says. “You really need this money and you’re going to get it—beg, borrow, or steal. It’s your father’s money, so who cares, right? Get your hands on that much and you should be able to make it. For the time being. But what’s the plan after it’s all gone? Money isn’t like mushrooms in a forest—it doesn’t just pop up on its own, you know. You’ll need to eat, a place to sleep. One day you’re going to run out.”

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 7, 1944 — Mildred Downey Broxon, 79. Author of three novels and some short stories, heavy on Nordic-German mythology.  The Demon of Scattery was co-written with Poul Anderson. There are no digital books available for her and her printed editions are out of print now. I see no sign that her short fiction has been collected into a volume to date.
  • Born June 7, 1952 — Liam Neeson,  71. He first shows up in genre films as Gawain in Excalibur and as Kegan in Krull. He plays Martin Brogan in High Spirits, a film I enjoy immensely. Next up is the title role in Darkman, a film I’ve watched myriad times. He’s Dr. David Marrow in The Haunting which I’d contend is loosely off of The Haunting of Hill House by Shirley Jackson. Now we get him as Qui-Gon Jinn in The Phantom Menace. Followed unfortunately by his horrid take as Ra’s al Ghul in Batman Begins and as a cameo in the The Dark Knight Rises. Now he voiced Aslan with amazing dignity in The Chronicles of Narnia franchise and voiced Zeus as well in the Titans franchise. 
  • Born June 7, 1954 — Louise Erdrich, 69. Writer of novels, poetry, and children’s books featuring Native American characters and settings. She is an enrolled member of the Turtle Mountain Band of Chippewa Indians. Her genre work includes according to ISFDB the Ojibwe series of The Antelope Wife which won a World Fantasy Award and The Painted Drum, plus stand-alone novels of The Crown of Columbus (co-written with her husband Michael Dorris) and Future Home of the Living God.
  • Born June 7, 1968 — Sarah Parish, 55. In “The Runaway Bride“, a Tenth Doctor story, she got to play, with the assistance of extensive CGI, one of the nastiest Who villains to date, The Empress of the Racnoss, an oversized vicious spider with a human face. Great episode. It’s our introduction to Donna Noble, his Companion for quite some time to come. In a much lighter role, she played Pasiphaë on BBC’s Atlantis series.
  • Born June 7, 1969 — Anthony Simcoe, 54. Ka D’Argo in Farscape, one of the best SF series ever done. If you don’t watch anything else, just watch the finale, The Peacekeeper Wars as it’s fairly self contained. Farscape is the SF he did. If you can find a copy, Matt Bacon’s No Strings Attached: The Inside Story of Jim Henson’s Creature Shop is a wonderful look at the creation of the creatures on the show including D’Argo facial appendages. 
  • Born June 7, 1972 — Karl Urban, 51. He’s in the second and third installments of The Lord of the Rings trilogy as Éomer. He is McCoy in the Trek reboot franchise, Cupid on Xena: Warrior Princess and Hercules: The Legendary Journeys, John Kennex on Almost Human, Vaako in the Riddick film franchise, and Judge Dredd in Dredd. For the record, I liked both Dredd films for varied reasons.
  • Born June 7, 1974 — David Filoni, 49. Creator and an executive producer on Star Wars Rebels, a most awesome series, for all four seasons, and was supervising director and a writer on another excellent series, Star Wars: The Clone Wars. (I like the animated series far better than the live action films.) He makes his live acting debut in The Mandalorian playing Trapper Wolf, an X-Wing pilot, in “The Prisoner” episode. It’s also worth noting that he his first job was directing episodes during the first season of animated series Avatar: The Last Airbender
  • Born June 7, 1979 — Anna Torv, 44. She’s best known for her role as FBI agent Olivia Dunham on Fringe. She also played an ITU nurse in Frankenstein, a modern adaptation of that novel. She voiced the lead of Nariko in the animated Heavenly Sword film based off the game of the same name. 

(9) COMICS SECTION.

  • The Argyle Sweater reveals an astronomical feature apparently known only to Federation navigators.

(10) HAMMER AND CHISEL. The Tom Brevoort Experience reproduces some of the 1938 letters between Detective Comics Inc. (DC) and Superman co-creator Jerry Siegel. The issue? Money, naturally. “The Selling of Superman: Correspondence between Jack Liebowitz and Jerry Siegel”.

…Above you see the first page of a letter sent by Jack Liebowitz to Jerry Siegel on September 28, 1938. For context, as this point, ACTION COMICS #5 had been published and the character of Superman was heating up. The McClure Newspaper Syndicate, which had been noncommittal about their interest in developing Superman as a newspaper strip, suddenly showed new signs of life, which had caused Siegel to write to Detective Comics and request that they return all rights but first publication to Superman to Siegel and Shuster. As you can imagine, Jack Liebowitz and his boss Harry Donenfeld weren’t having any part of that….

(11) VISITING SPACE. [Item by Mike Kennedy.] This $50 Lego set was inspired by a group of “space travel posters” created by the Jet Propulsion Laboratory for NASA. In turn, those were inspired in part by classic travel posters from the golden age of luxury travel. “Retro NASA Space Tourism Posters made from LEGO Bricks are a Space Nerd Must-Have” at Yanko Design.

Here are the four LEGO “posters”.

Here are examples of NASA’s space travel posters.

(12) JEOPARDY! [Item by David Goldfarb.] On Monday’s episode, a clue from Single Jeopardy and one from Double Jeopardy.

In the first round, the category was “Task: Force”, and the $400 clue:

This term for a fictional energy barrier has been traced back to the 1931 sci-fi story “Islands of Space”

Returning champion Jared Watson knew it was a force field.

In the second round, “Movie Continents” for $2000:

Antarctica: a shape-shifting alien menaces helicopter pilot Kurt Russell

Harrison Seidel identified “The Thing”.

On Tuesday’s episode, “Books and Authors” had this at the $2000 level:

Her novel “Kindred” tells of Dana, a young Black woman who is transported from the 1970s back in time to the pre-Civil War South

Jared Watson (who gave the Vulcan sign during the intro, and made the A in Jared into a little Star Trek glyph) responded correctly.

(13) FREE FLASH SF EVENT. Space Cowboys Books of Joshua Tree, CA is hosting a “Flash Science Fiction Night Online Event” on Tuesday June 27 beginning at 6:00 p.m. Pacific. Register for free here.

Join us online for an evening of short science fiction readings (1000 words or less) with Shacklebound Books authors Marisca Pichette, Eric Fomley, and Jenna Hanchey. Flash Science Fiction Nights run 30 minutes or less, and are a fun and great way to learn about new authors from around the world.

(14) VIDEO OF THE DAY. With a new Transformers movie coming out, How It Should Have Ended decided to remaster its episode “How Transformers: Revenge of the Fallen Should Have Ended”.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, David Goldfarb, Dariensync, Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 6/6/23 The Magic Morlock, So Pixeled And So New

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(1) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Nathan Ballingrud and Dale Bailey on Wednesday, June 14 at 7:00 p.m. Eastern. Where: KGB Bar, 85 East 4th Street, New York, NY 10003 (Just off 2nd Ave, upstairs).

Nathan Ballingrud

Nathan Ballingrud is the author of The Strange, Wounds: Six Stories from the Border of Hell, and North American Lake Monsters, which won the Shirley Jackson Award. A novella, Crypt of the Moon Spider, will appear in 2024. He has been shortlisted for the World Fantasy, British Fantasy, and Bram Stoker Awards. His stories have been adapted into the Hulu series Monsterland. He lives in Asheville, NC.

Dale Bailey

Dale Bailey is the author of This Island Earth: 8 Features From the Drive-In and eight previous books, including In the Night Wood and The End of the End of Everything. His story “Death and Suffrage” was adapted for Showtime’s Masters of Horror television series. He has won the Shirley Jackson Award and the International Horror Guild Award, and has been a finalist for the World Fantasy, Nebula, Locus, and Bram Stoker awards. He lives in North Carolina with his family.

(2) THESE FIGURES ADD UP. Cora Buhlert’s latest Masters of the Universe action figure photo story is “The Prisoner of Castle Grayskull Revisited”.

…Masters of the Universe: Revelation never really goes into what happens to Duncan, after Lyn gets the Power. We only see him again, after he has escaped from the dungeon with the help of the tentacled creature known as the Orlax of Primeria and joins the battle outside Castle Grayskull.

But would Lyn really ignore her favourite prisoner? I don’t think so, so let’s see what happens when the powered up Lyn goes to see Duncan in the dungeon.

In the dungeons deep underneath Castle Grayskull…

(3) SPIDER-VERSE NETS BIG DOLLARS. Spider-Man: Across the Spider-Verse opened to $120.5 million in North America, the third-biggest opening ever for an animated film, as well as a best-ever for Sony Animation. According to Deadline:

Among all animated pic domestic openings, Spider-Verse is sixth behind Incredibles 2 ($182.6 million), Super Mario Bros ($146.3 million), Finding Dory ($135 million), Frozen 2 ($130.2 million) and Toy Story 4 ($120.9 million). 

NPR analyzes why the film is drawing a big audience in “’Spider-Man: Across the Spider-Verse’ stats show how representation works”.

Turns out inclusivity also means more people want to give you their money! The early box office figures for the new Spider-Man film — and the demographic data of moviegoers — paint a vivid picture.

Who is he? There are plenty of variations on who Spider-Man is, and now Miles Morales is getting the spotlight….

What’s the big deal? The most recent film in the series, Spider-Man: Across the Spider-Verse has made even bigger headlines and received rave reviews.

  • The film grossed $208 million worldwide in its opening weekend, roughly three times as much as the opening of the first film, as reported by NPR’s critic, Bob Mondello.
  • And while in his review Mondello cites the inventive animation and plot as contributing to the success, he says that the diversity on screen was a huge draw for audiences.
  • That ranges from the main hero portrayed by Shameik Moore, to the several Spider-women featured, as well as the India based Spider-guy, Pavitr Prabhakar.
  • According to Mondello’s reporting, the film opened strongly in 59 countries. In North America, exit tracking found that the audience was about one-third Latino and another third Black and Asian, diversity percentages far higher than for most superhero films.

(4) COULD IT BE…TRINITROTRITICALE? The filmmaker insisted on a real crop of wheat for scenes in his movie.“Zack Snyder Goes Galactic: Exclusive First Look at ‘Rebel Moon’” at Vanity Fair.

Zack Snyder is world-building once again with Rebel Moon. This time the 300 and Justice League filmmaker is creating not just one world but a sprawling menagerie of planets, full of cyborg warriors with molten-metal swords, giant half-humanoid arachnids, and ancient robots that seem to have emerged more from medieval times than the future. The new Netflix space saga that Snyder directed and cowrote extends far beyond the verdant orb of the title. That moon is actually one of the more modest worlds. It circles an immense gas giant at a distant edge of the galaxy and is populated mainly by farmers. It’s nowhere special, but it’s about to change the balance of power in this fictional universe.

While any sci-fi extravaganza naturally features copious digital effects, Snyder also used his estimated budget of at least $166 million to manifest as much of it in real life as possible. In a Santa Clarita canyon just outside Los Angeles, a full-size abandoned starfighter decays not far from what appears to be an idyllic Scandinavian-style village, complete with clusters of homes, shops, and barns, as well as a stone bridge arching over a crystalline river. (Team Snyder also built the river.) Vast fields of actual wheat sprout from desert hardpan never meant for such lush growth, but Snyder insisted on real crops for his farmers to harvest and defend. Just over the rocky hillside sits another Rebel Moon set for a larger community known as Providence that looks like an Old West metropolis.  All of these are just locations on the moon of the title; there are other worlds beyond.…

(5) FILM HAS NEW NAME BUT YOU’LL RECOGNIZE THE SHIELD. Yahoo! is on hand when “Marvel Announces ‘Captain America 4’ Retitled as ‘Brave New World’”.

…Brave New World comes on the heels of the events of Avengers: Endgame and the Disney+ series The Falcon and the Winter Soldier. The former saw Chris Evans’ Steve Rogers pass the Captain America shield on to Mackie’s Sam Wilson, who had been serving as hero Falcon since Captain America: The Winter Soldier, which released in 2014…

(6) GRIFANT Q&A. Space Cowboys Books will host an online reading and interview with KC Grifant on Tuesday June 13 at 6:00 p.m. Pacific. Register for free here.

In an Old West overrun by monsters, a stoic gunslinger must embark on a dangerous quest to save her friends and stop a supernatural war. Sharpshooter Melinda West, 29, has encountered more than her share of supernatural creatures after a monster infection killed her mother. Now, Melinda and her charismatic partner, Lance, offer their exterminating services to desperate towns, fighting everything from giant flying scorpions to psychic bugs. But when they accidentally release a demon, they must track a dangerous outlaw across treacherous lands and battle a menagerie of creatures-all before an army of soul-devouring monsters descend on Earth. Supernatural meets Bonnie and Clyde in a re-imagined Old West full of diverse characters, desolate landscapes, and fast-paced adventure.
Get your copy of Melinda West: Monster Gunslinger here.

(7) DENNY LIEN MEMORIAL ITEMS. A memorial celebration was held on June 2 for Minneapolis fan Denny Lien, who died April 15.

The photo stream about Denny Lien’s life put together by David Dyer-Bennett for the memorial celebration (which was not screened due to equipment problems) can be viewed on DD-B’s Facebook feed.

At the memorial co-editors Karen Schaffer and Geri Sullivan distributed copies of the 32-page sampler of Denny’s fanwriting, LienZine, now available at eFanzines. Their introduction begins:

Denny Lien was Minneapolis fandom’s gentle giant. He was a research librarian at the University of Minnesota, and a mainstay of Minneapolis fandom back in the day. His height and impressive muttonchops could be intimidating on first encounter, but his quiet and calm demeanor was reassuring. He was also a prolific, erudite, and funny writer, with a fondness for parodies, puns, and imaginative flights of speculation. His letters to newspapers range from stern factual corrections to delightful skewering of logical fallacies. He wrote columns and articles for science fiction fanzines and APAs (Amateur Press Associations). He exercised his skill for parody in musical lyrics, especially in the beloved local production of Midwest Side Story. He even enlivened the minutes from the local science fiction club Minn-StF during his times as secretary.

For this memorial fanzine, we tried to include a representative cross section of his prodigious output, though we undoubtedly missed many gems. Perhaps you, the reader, will discover more someday. 

They suggest if LienZine leaves you looking to make a donation in Denny’s memory, make it to the Down Under Fan Fund or Habitat for Humanity.

(8) MEMORY LANE.

2010 – [Written by Cat Eldridge from a choice by Mike Glyer.]

Catherine Asaro is the writer who provides our Beginning this Scroll. 

She is best known for her books about the Ruby Dynasty, called the Saga of the Skolian Empire.  The Ruby Dice, one of those novels,is the source of our Beginning. 

It was first published thirteen years ago by Baen Books and in audio format by Recorded Books. 

Digging around the net, I discovered the Point Valid band had worked with her. Their second CD, Diamond Star, released fourteen years ago, is considered the soundtrack for Asaro’s novel of that name. She provides vocals on several tracks including “Ancient Ages” and her voice is quite excellent indeed. That album is available on Apple Music and I assume elsewhere. 

It’s worth noting that she’s a member of SIGMA, a think tank of speculative writers that advises the government as to future trends affecting national security.  

My favorite works by her are this series plus The Quantum Rose series and her last novel, The Jigsaw Assassin.  I can’t say that I’ve read he short fiction, so do tell me about it please. 

And now for The Ruby Dice Beginning…

Prologue

The Emperor of the Eubian Concord ruled the largest empire ever known to the human race, over two trillion people across more than a thousand worlds and habitats. It was a thriving, teeming civilization of beautiful complexity, and if it was also the greatest work of despotism in all history, its ruling caste had managed to raise their denial of that truth also to heights greater than ever before known.

Lost in such thoughts, the emperor stood in a high room of his palace and stared out a floor-to-ceiling window at the nighttime city below. The sparkle of its lights created a visual sonata that soothed his vision, if not his heart. At the age of twenty-six, Jaibriol the Third had weathered nine years of his own rule. Somehow, despite the assassination attempts, betrayals, and gilt-edged cruelty of his life, he survived.

Tonight the emperor grieved.

He mourned the loss of his innocence and his joy in life. His title was a prison as confining as the invisible bonds that held the billions of slaves he owned and wished he could free.

Most of all, he mourned his family. Ten years ago tonight, his parents had died in a spectacular explosion recorded and broadcast a million times across settled space. In the final battle of the Radiance War between his people and the Skolian Imperialate, the ship carrying his parents had detonated. He had seen that recording again and again, until it was seared into his mind.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 6, 1947 — Robert Englund, 76. I think his best performance was as Blackie on the very short-lived Nightmare Cafe. Of course, most will remember him playing Freddy Krueger in the Nightmare on Elm Street franchise. He actually appeared in a couple of now forgotten horror films, Dead & Buried and Galaxy of Terror, before landing that role. And he’s continued to do myriad horror films down to the years ranging from CHUD to Strippers vs Werewolves. Versatile man, our Robert.  
  • Born June 6, 1951 — Geraldine McCaughrean, 72. Fifteen years ago, she wrote Peter Pan in Scarlet, the official sequel to Peter Pan commissioned by Great Ormond Street Hospital, the holder of Peter Pan’s copyright which J.M. Barrie granted them. So has anyone here read it? 
  • Born June 6, 1959 — Amanda Pays, 64. I first encountered her as Thero Jones on Max Headroom, a series I think could be considered the best SF series ever made. She also had a guest role as Phoebe Green in the episode “Fire” of The X-Files, and and as Christina “Tina” McGee in The Flash. She appeared as Dawn in the Spacejacked film. 
  • Born June 6, 1961 — Lisabeth Shatner, 62. Uncredited as a child along with her sister Melanie in “Miri” episode. Also appeared uncredited on TekWar entitled “Betrayal” which she wrote. The latter also guest-starred her sister, and was directed by their father.  Co-wrote with father, Captain’s Log: William Shatner’s Personal Account of the Making of Star Trek V the Final Frontier.
  • Born June 6, 1963 — Jason Isaacs, 60. Captain Gabriel Lorca, the commanding officer of the USS Discovery in the first season of Discovery and also provided the voice of The Inquisitor, Sentinel, in Star Wars Rebels, and Admiral Zhao in Avatar: The Last Airbender. Oh, and the role of playing Lucius Malfoy in the Harry Potter film franchise.
  • Born June 6, 1973 — Guy Haley, 50. British author of the Richards & Klein Investigations series, a cyberpunk noir series where the partners are an android and an AI. His regular paycheck comes from his Warhammer 40,000 work where he’s written a baker’s dozen novels so far. Not surprisingly, he’s got a novel coming out in their Warhammer Crime imprint which, though I’ve read no other Warhammer 40.000 fiction, I’m interested in seeing how they do it.
  • Born June 6, 1973 — Patrick Rothfuss, 50. He is best known for the Kingkiller Chronicle series, which won him several awards, including the 2007 Quill Award for his first novel, The Name of the Wind. He also won the Gemmell Award for The Wise Man’s Fear. Before The Name of the Wind was released, an excerpt from the novel was released as a short story titled “The Road to Levinshir” and it won the Writers of the Future contest in 2002. 

(10) DRAWN FROM THE SOURCE. Publishers Weekly’s questions about her latest book leads them to revelations about “Tananarive Due’s Haunted History”.

Tananarive Due’s new novel The Reformatory (Saga, Aug.) opens with this dedication: “For Robert Stephens, my great-uncle who died at the Dozier School for Boys in Marianna, Florida, in 1937. He was fifteen years old.”

Due learned of Stephens’s existence 10 years ago, when she got a call from the Florida state attorney general’s office telling her she likely had a relative buried at the Dozier School, a reform school operated by the state from 1900 to 2011 that has become notorious for its horrific abuse of students. This brutality resulted in the deaths of dozens of boys who were then buried on the premises. After getting the call, Due and her father traveled to the site and attended a meeting of survivors.

Speaking via Zoom from her home office in Upland, Calif., clad in black and with posters for several of her works framed on the wall behind her, Due recalls the meeting: “I heard the firsthand testimony of survivors, Black and white, and the things that they had been through,” she says. “Some of those stories I will just never forget.”

Due mentions a man who spoke about receiving a beating so violent that the school physician had to remove pieces of his clothing from the lash marks on his back. “And this was a white man,” she notes, “which I say because if you’re talking about the segregation era, the 1960s and the 1950s, if they’re treating white students like that—white prisoners—you can only imagine how they’re treating the Black prisoners.”

Learning of her personal connection to the institution inspired Due to write The Reformatory, a ghost story that fictionalizes the experience of her great-uncle at Dozier. It’s set in 1950, when 12-year-old Black boy Robert Stephens is convicted of the crime of kicking a white boy. After being sent to the Gracetown Reformatory for Boys, Stephens finds himself under the jurisdiction of the sadistic Superintendent Haddock.

The school is also crawling with the “haints,” or ghosts, of boys who were killed there, and Haddock soon discovers that Robert has a gift for spotting them….

… “My real wish was to create almost a historical fable,” Due says, “but built on reality, where I could raise awareness about the horrible things that happened at the Dozier School and in the Jim Crow South in general.” Using the format of a ghost story also allowed her to put a spotlight on a broken criminal justice system “without retraumatizing readers.”…

(11) ZILLIONS OF CATEGORIES, MISTER RICO! [Item by Mike Kennedy.] Oh my good ghod there are tons and tons and tons of categories here. And, despite the name of the award, it covers a lot more than just trailers. All that said, quite a percentage of the nominees are genre or genre related. “Golden Trailer Awards Nominations List: ‘Stranger Things,’ ‘Black Panther: Wakanda Forever,’ ‘Ted Lasso’ & ‘Glass Onion: A Knives Out Mystery’ Among Most Nominated” at Deadline.

The Golden Trailer Awards has unveiled its nominees for its 23rd annual extravaganza taking place on Thursday, June 29th at The Orpheum Theatre in Los Angeles. The awards show honors the creative teams that are tasked with condensing two-hour films into two-minute trailers.

Films that received the most mentions include Black Panther: Wakanda Forever, Dungeons & Dragons: Honor Among Thieves, Glass Onion: A Knives Out Mystery, Nope and Oppenheimer. The TV series that were the most nominated included Ted Lasso, Stranger Things and Only Murders in the Building.

This awards show highlights the phenomenal trailers from the current year. The 2023 jury comprises an illustrious lineup of A-list directors, producers, actors, writers, executives, and advertising creatives. Winners are awarded in categories such as Best Action, Comedy, Drama, Documentary, Horror, Foreign, Video Game, Romance, and more….

(12) TRANSFORMERS FRANCHISE POPULARITY RANKING. With the premiere this week of Transformers: Rise of the Beasts, JustWatch has checked how many people are viewing the various films in the Transformers franchise.

Classic Transformers claims the first position, followed closely by Bumblebee in second place, which outshines the third-ranked Transformers: The Last Knight. The sixth spot is occupied by Transformers: Dark of the Moon. completing the lineup.

(13) DON’T LET IT BUG YOU. Mant (1993) is the story of a man who has mutated into a giant ant.

This 16-minute film in glorious black and white is the complete ‘film within a film’, which was featured in Joe Dante’s Matinee from 1993. A parody or homage morphing of several low-budget science-fiction horror films of the 1950s (many in black & white) that fused radioactivity with mad science and mutation.

(14) VIDEO OF THE DAY. The Good Omens Season 2 Opening Title Sequence has been released.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Michael J. Walsh, Chris Barkley, Michael Toman, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 6/5/23 A Baby Pixel Is So Cute In Its Scroller Pushed Along By Its Nanny Filer

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(1) 2025 WORLDCON SITE SELECTION UPDATE. The Seattle 2025 Worldcon Bid News for June reports theirs was the only bid filed, and the only one that will be on the official ballot. (If another one appears it could still be a write-in.)

Seattle filed its site selection paperwork in April which was acknowledged and approved! According to the World Science Fiction Society (WSFS) Constitution, bid documents for opposing bids must be filed no later than 180 days before the opening of the administering convention. No other bids were filed, so Seattle will be the only bid on the printed ballot. We could not be more excited! Supporting memberships are still on sale through our website, and we hope to have strong voter turnout in October.

… Watch for announcements on how to vote in site selection remotely. Barring an unlikely loss to a write-in campaign, we also plan to sell upgrades to supporting members who do not participate in site selection which allow them to purchase attending memberships to the Seattle Worldcon for a similar cost. Stay tuned for more!

(2) DROPPED LEAVES ARE HEARD FROM. At Writer Beware, Victoria Strauss shares a group statement provided to her by 17 current and former clients of New Leaf Literary. “Call For Change: Current and Former New Leaf Literary & Media Authors Speak Out”.

…Agents parting ways with agencies is not uncommon; however, it is inexcusable for an agency of New Leaf’s caliber to lack clear internal and external protocols for such situations….

(3) SFF EVENT IN BERLIN. Cora Buhlert’s conreport is up: “Cora’s Adventures at Metropol Con in Berlin, Part 2: The Con”. Here’s an excerpt covering a panel about sf in divided postwar Germany.

…The panel was very interesting and went into what distinguished East German science fiction from West German and Western science fiction in general. One of the points made was that since East Germany has an official vision of what the future would look like, namely a Socialist utopia, the questions East German science fiction asked was not so much, “What will the future look like?”, because they already knew, but “How do we get there?” and “How do we do this?” The above-mentioned novel Andymon by Karlheinz and Angela Steinmüller is actually a good example for this, because it’s about some young people landing on a planet they’re supposed to colonise, only that the planet is not as advertised, so they have to figure out how to make it habitable anyway.

Emma Braslavsky pointed out that by the 1980s, when East Germany was visibly declining and falling apart (which tracks with what Aunt Metel told me, namely that East Germany continued improve and progress, albeit slowly, into the 1970s, then it stagnated and gradually fell apart), the Socialist Utopia was more of a promise, much like Christmas. Just sleep one more night and Christmas – Socialism is here and everything will be wonderful. Emma Braslavsky also noted that when she watched things like Star Trek on West German TV (a large part of East Germany could and did watch West German TV), someone muttered some complete nonsense like “Reverse the polarity” and it actually worked.

Even though the panelists grew up in two very different countries and systems, there were some things that united all of them. For example, it was never easy to be a budding SF fan in a small rural village or town, whether in East or West Germany, because library selections were limited and books or comics not always easily available in local shops….

(4) CATHERINE LUNDOFF Q&A. Oliver Brackenbury’s So I’m Writing a Novel… podcast devotes episode 66 to the “Queen of Swords Press”.

When most of us think about publishing we tend to think of one of the Big Five (Four? How many are we down to now?), but there is a whole world of smaller, independent publishers to explore!

Wanting to learn more about that world, Oliver spoke with Catherine Lundoff about her own experiences launching and running Queen of Swords Press.

(5) AUTHORS GUILD RECOMMENDS NEW AI CONTRACT CLAUSES. The Authors Guild is introducing four new model clauses concerning AI to its Model Trade Book Contract and Model Literary Translation Contract. “AG Introduces New Publishing Agreement Clauses Concerning AI”.

…In addition to the recent clause preventing the use of books in training generative AI without an author’s express permission, the new clauses require an author’s written consent for their publisher to use AI-generated book translations, audiobook narration, or cover art. These clauses can benefit publishers and the publishing industry at large by maintaining the high quality craftsmanship that consumers are used to.

The Authors Guild also urges publishers to identify any books that contain a significant amount of AI-generated text. This summer, the Guild will be publishing AI guidelines for authors and publishers containing each of these conditions.

The purpose of these demands is to prevent the use of AI to replace human creators. The Authors Guild strongly believes that human writing, narration, and translation are vastly superior to their AI mimics. Moreover, as an ethical matter, the Authors Guild opposes relying on these tools to replace human creators, in part because current AI content generators have largely been trained on pre-existing works without consent. The Guild stands in solidarity with human creators in other industries, who like authors, face professional threats from AI-generated content flooding the markets for their work….

We encourage publishers to adopt these clauses and authors and agents to request that they be added to their contracts.

Clause Relating to Authors’ Use of AI
Author shall not be required to use generative AI or to work from AI-generated text. Authors shall disclose to Publisher if any AI-generated text is included in the submitted manuscript, and may not include more than [5%] AI-generated text. 

Audio Book Clause (For Use With Audiobook Grants)
With respect to any audiobook created or distributed under this Agreement, Publisher shall not permit or cause the Work to be narrated by artificial intelligence technologies or other non-human narrator, without Author’s prior and express written consent.

Translation Clause (For Use With Grants of Translation Rights)
With respect to any translations created or distributed under this Agreement, Publisher shall not translate or permit or cause the Work to be translated into another language with artificial intelligence technologies or other non-human translator, without Author’s prior and express written consent. For purposes of clarification, a human translator may use artificial intelligence technologies as a tool to assist in the translation, provided that the translation substantially comprises human creation and the human translator has control over, and reviews and approves, each word in the translation.

Cover Design Clause (For Book Contracts)
Publisher agrees not to use AI-generated images, artwork, design, and other visual elements for the book cover or interior artwork without Author’s prior express approval. For purposes of clarification, a human designer may use artificial intelligence technologies as a tool to assist in the creation of artwork for the Work, provided that the human artist has control over the final artwork and the artwork substantially comprises human creation.

(6) GAMES KIDS PLAYED. Cora Buhlert’s new “Non-Fiction Spotlight today” is for a book called D20 or Die!: Memories of Old School Role-Playing Games from Today’s Grown-Up Kids, edited by Jim Beard.

Why should SFF fans in general and Hugo voters in particular read this book?

Because no matter what the theme is, they will see themselves in the personal essays. That’s the beauty of these books, I think, that we all have these shared experiences and we like to see echoes of our own lives in what we read. Beyond that, if you love RPGs and began playing as a kid, you’re going to love this book.

(7) CLARKE CONTENDERS. The list of 97 books submitted for this year’s Arthur C. Clarke Award has been posted: “5 judges, 988,172,368 possible shortlist combinations”.

As is now traditional, we’re publishing below the full list of eligible titles received by the Clarke Award from which our official shortlist selection is decided.

This is released as an open-source resource to showcase the breadth and diversity of UK science fiction literature as part of its ongoing commitment to self-accountability and supporting equity, diversity and inclusion (EDI) across the publishing industry and science fiction community.

This year’s judging panel received 97 eligible titles submitted by 40 UK publishing imprints and independent authors.

The judging panel for the Arthur C. Clarke Award 2023 are:

(8) SPOCK FAMILY TREE. All I can say is that I’m glad this isn’t a trivia quiz. “Star Trek: Every Spock Family Member, Explained” at ScreenRant.

The Vulcan known as Spock was one of the most important characters in Star Trek, and many of his family members also played key roles in the franchise. Ever since his debut in Star Trek: The Original Series, Spock has been an integral part of Star Trek lore, and so has his kin. As the series progressed, more and more of Spock’s family tree began to be fleshed out, and it was clear that Spock was one of the most connected individuals in the Alpha Quadrant. From villains to ambassadors, Spock’s family was just as important as he was in shaping the franchise….

Here’s one member you might have overlooked.

Perrin

When Sarek returned in The Next Generation, he was accompanied by a new wife who filled much the same role that Amanda did. Because of the large gap in the Star Trek timeline between TOS and TNG, it could be assumed that Amanda died of old age, and Perrin, a human woman, eventually married Sarek. Because of Sarek’s advanced age, she was a companion and caretaker to him, and she was very protective of his important image as he began to succumb to Bendii syndrome in TNG season 3, episode 23, “Sarek”. Unlike Amanda though, Perrin did not get personally involved in Sarek and Spock’s affairs.

(9) WHO NEEDS MARKETING? There’s a whole book blaming insufficient marketing for the failure of John Carter to become a blockbuster, which might make you wonder if this plan will work. “Studio Ghibli to Release Miyazaki’s Final Film With No Trailer, No Marketing” – The Hollywood Reporter explains why.

… The forthcoming film, which opens in Japan on July 14, is easily the most anticipated movie coming to Japanese theaters in years — and exceedingly little is known about it. (U.S. and international release dates for the film have not yet been set.)

Ghibli previously described the film as “a grand fantasy” loosely inspired by Japanese author Genzaburo Yoshino’s 1937 novel How Do You Live?, a coming-of-age story about the emotional and philosophical development of a young boy after the death of his father….

In the interview, [lead producer Toshio] Suzuki also contrasted Ghibli’s approach for How Do You Live? with the usual marketing methods of Hollywood.

“There’s an American movie — ah, I almost said the title out loud! — coming out this summer around the same time [as How Do You Live?],” he said. “They’ve made three trailers for it, and released them one at a time. If you watch all three, you know everything that’s going to happen in that movie. So how do moviegoers feel about that? There must be people, who, after watching all the trailers, don’t want to actually go see the movie. So, I wanted to do the opposite of that.”…

(10) MEMORY LANE.

2007 – [Written by Cat Eldridge from a choice by Mike Glyer.]

Elizabeth Bear’s “Tideline” reminds me how great the short stories are by a writer whose novels I usually am reading, such as the ever so excellent White Space series.

This story was first published in Asimov’s Science Fiction in their June 2007 issue. It’s been reprinted a number of times and Primes Books published it in the Shoggoths in Bloom collection they released which is available from the usual suspects at a very nice price. 

It’s also in The Best of Elizabeth Bear from Subterranean Press which I need not say will set you back many a penny.

The audio series StarShipSofa in their number thirty-nine production has it as the lead piece here.

And now the Beginning to this story…

Chalcedony wasn’t built for crying. She didn’t have it in her, not unless her tears were cold tapered glass droplets annealed by the inferno heat that had crippled her. 

Such tears as that might slide down her skin over melted sensors to plink unfeeling on the sand. And if they had, she would have scooped them up, with all the other battered pretties, and added them to the wealth of trash jewels that swung from the nets reinforcing her battered carapace. 

They would have called her salvage, if there were anyone left to salvage her. But she was the last of the war machines, a three-legged oblate teardrop as big as a main battle tank, two big grabs and one fine manipulator folded like a spider’s palps beneath the turreted head that finished her pointed end, her polyceramic armor spiderwebbed like shatterproof glass. Unhelmed by her remote masters, she limped along the beach, dragging one fused limb. She was nearly derelict. 

The beach was where she met Belvedere.

Butterfly coquinas unearthed by retreating breakers squirmed into wet grit under Chalcedony’s trailing limb. One of the rear pair, it was less of a nuisance on packed sand. It worked all right as a pivot, and as long as she stayed off rocks, there were no obstacles to drag it over. 

As she struggled along the tideline, she became aware of someone watching. She didn’t raise her head. Her chassis was equipped with targeting sensors which locked automatically on the ragged figure crouched by a weathered rock. Her optical input was needed to scan the tangle of seaweed and driftwood, Styrofoam and sea glass that marked high tide. 

He watched her all down the beach, but he was unarmed, and her algorithms didn’t deem him a threat. Just as well. She liked the weird flat-topped sandstone boulder he crouched beside. 

The next day, he watched again. It was a good day; she found a moonstone, some rock crystal, a bit of red-orange pottery, and some sea glass worn opalescent by the tide.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 5, 1908 — John Russell Fearn. British author and one of the first British writers to appear in American pulp magazines. A prolific author, he also published novels as Vargo Statten and with various pseudonyms such as Thornton Ayre, Polton Cross, Geoffrey Armstrong and others. As himself, I see his first story as being The Intelligence Gigantic published in Amazing Stories in 1933. His Golden Amazon series of novels ran to over to two dozen titles, and the Clayton Drew Mars Adventure series that only ran to four novels. (Died 1960.)
  • Born June 5, 1928 — Robert Lansing. He was secret agent Gary Seven in the “Assignment: Earth” on Star Trek. The episode was a backdoor pilot for a series that would have starred Lansing and Teri Garr, but the series never happened.  He of course appeared on other genre series such as The Twilight Zone, Journey to the Unknown, Thriller and Alfred Hitchcock Presents. (Died 1994.)
  • Born June 5, 1931 — Barbara Paul. Writer of mysteries, some twenty or so, and a handful of genre novels. Her novels feature in-jokes such as her Full Frontal Murder mystery novel which uses names from Blake’s 7. Genre wise, she’s written five SF novels including a Original Series Trek novel, The Three-Minute Universe, which is available at the usual suspects. (Died 2022.)
  • Born June 5, 1946 — John Bach, 77. Einstein on Farscape, the Gondorian Ranger Madril in the second and third movies of The Lord of the Rings film trilogy. Also a British body guard on The Chronicles of Narnia: Prince Caspian. And he was the body double for shooting of Saruman in place of Christopher Lee, who was unable to fly to New Zealand for principal photography on The Hobbit film series.
  • Born June 5, 1953 — Kathleen Kennedy, 70. Film producer responsible for E.T. the Extra-Terrestrial, her first film, and later produced the Jurassic Park franchise.  She’s been involved in over sixty films, I’d say of which at least half are genre, starting with Raiders of the Lost Ark as an associate to Steven Spielberg. Amblin Films with her husband and Spielberg has produced many of the genre’s best loved films.
  • Born June 5, 1960 — Margo Lanagan, 63. Tender Morsels won a World Fantasy Award for best novel, and Sea-Hearts won the same for Best Novella. She’s an alumna of the Clarion West Writers Workshop In 1999 and returned as a teacher in 2011 and 2013.
  • Born June 5, 1976 — Lauren Beukes, 47. South African writer and scriptwriter. Moxyland, her first novel, is a cyberpunk novel set in a future Cape Town.  Zoo City, a hardboiled thriller with fantasy elements is set in a re-imagined Johannesburg. It won both the Arthur C. Clarke Award and a Kitschies Red Tentacle Award for best novel. (I love the name of the latter award!) And The Shining Girls would win her an August Derleth Award for Best Horror Novel. Afterland was on the long list for a NOMMO. Much of her short fiction is collected in Slipping: Stories, Essays, & Other Writing. 

(12) COMICS SECTION.

  • Sheldon witnesses an Uber reservation being placed for “Mister Gandalf”.

(13) IT’S CRACKERS. Although visiting Space Cowboy Books might be a better reason for driving to Joshua Tree, while you are in town you could pick up a snack: “Cheez-It Gas Station Pops Up in California Desert” at Food & Wine.

…From Monday, June 5 through Sunday, June 11, anyone who needs a road trip snack-break can visit the Cheez-It Stop to pick up several bags of orange crackers. The Cheez-It Stop has been equipped with the world’s first (and so far, its only) Cheez-It Pump which will spray bags of Cheez-Its through your open car window. And best of all, it’s completely free to take advantage of the pump and feed your Cheez-It cravings. 

Regardless, you just have seven days to visit the Cheez-It Stop before it disappears into the desert’s memory. It can be found at 61943 Twentynine Palms Highway, Joshua Tree, California and will be open between 10 a.m. and 6 p.m. PT every day between now and Sunday.

(14) HITS THE SPOT. Food & Wine also tells how “Wes Anderson and Dogfish Head Collaborate on ‘Asteroid City’ Beer”

…The Delaware-based beermaker has brewed up its own homage to the film called Asteroid City Lager, and it collaborated with the director himself to design the label. According to Dogfish Head, Asteroid City Lager was brewed with a combination of regeneratively grown pilsner malt, Tuxpeno corn malt, and Michigan-grown Zuper Saazer hops. The beer was then finished with a Pennsylvania lager yeast, which the brewery says is “a nod to the 1950s era during which Asteroid City takes place.” 

… The beer’s eye-catching label pays tribute to the film’s desert landscapes and to the Asteroid City billboard that shows the fictional town’s biggest tourist attraction, a giant crater left by a meteor….

(15) CHOCOLATE ORTHODOXY. I can confirm this will be a controversial opinion in our neck of the woods.

(16) WOOLLY BULLY. [Item by Michael Toman.} Should we fear the “footfall” of a “Mega Bo Peep?” “Asteroid the size of 28 sheep to ram past the Earth” reports The Jerusalem Post.

Baaaad news? How big is the asteroid coming toward Earth in 2023?

Asteroid 2023 HO18 is estimated by NASA to have a diameter of as much as 50 meters. In imperial measurements for American readers, that would be 164 feet or just under 55 yards.

But to use a more creative metric, consider the humble domesticated sheep (Ovis aries). These animals are widespread throughout the world and while there are a wide number of breeds, they are all still part of the same species.

(17) HELLO, COUSIN. Smithsonian Magazine wonders whether “A 146,000-Year-Old Fossil Dubbed ‘Dragon Man’ Might Be One of Our Closest Relatives”.

Three years ago, a Chinese farmer made an unusual donation to a university museum—a giant, nearly intact human skull with strange proportions and an unusual backstory. The man’s family had been hiding the fossil since it was unearthed at a construction site in Harbin nearly 90 years ago.

After geochemical detective work to locate where the fossil was likely found, and painstaking comparison of its distinctive features with those of other early humans, some of the scientists investigating the find believe the cranium from Harbin could represent an entirely new human species—Homo longi or “Dragon Man.” If so, they further suggest it might even be the human lineage most closely related to ourselves.

“The discovery of the Harbin cranium and our analyses suggest that there is a third lineage of archaic human [that] once lived in Asia, and this lineage has [a] closer relationship with H. sapiens than the Neanderthals,” says Xijun Ni, a paleoanthropologist at the Chinese Academy of Sciences and Hebei GEO University. If so, that would make the strange skull a close relative indeed since most humans today still have significant amounts of Neanderthal DNA from repeated interbreeding between our species….

(18) ANOTHER EARLY HOMININ BREAKTHROUGH. “Homo naledi had a brain one-third the size of humans but displayed intelligence far beyond, according to new discovery” – ABC News has the story.

Bigger brains may not equate to higher intelligence after all, according to a remarkable discovery about an early hominin.

Homo naledi, a hominin discovered in the Rising Star cave system in Africa’s Cradle of Humankind in 2013, had human-like hands and feet but a brain a third of the size of humans — a characteristic researchers previously attributed to a marker of far less intelligence than its Homo sapien relatives.

But the assertion that bigger brains make for a smarter species may have been disestablished now that scientists have made a harrowing journey into the Rising Star cave and discovered that the species — which lived about 335,000 to 236,000 years ago — buried its dead and marked the graves. It is the first non-human species in history known to do so, paleoanthropologist and National Geographic Explorer in Residence Lee Berger told ABC News.

…The researchers began to hypothesize that Homo naledi buried its dead during continued excavations in 2018 and in July 2022, those hunches were not only proven but amplified once Berger and his team found skeletal remains of Homo naledi and then carvings on the wall above them to mark those laid to rest there.

The symbols included triangles, squares and a sort-of “hashtag” sign, as in two cross-hatching equal signs, Berger said. However, it is unclear what these carvings meant, and researchers will be delving into whether there is a “random chance” that Homo naledi used the same symbols as humans or if they were obtained from some sort of shared ancestry.

(19) REH SCHOLARSHIP. A video of the “Glenn Lord Symposium”, i.e. the academic track of the 2023 Robert E. Howard Days, is available for viewing on YouTube. 

1)Dr. Dierk Gunther, Professor of English Literature at Gakushuin Women’s College, Tokyo His presentation: “Through the Eyes of an Ophirean Woman: Thoughts Concerning the Racism of Robert E. Howard’s The Vale of Lost Women.” 2) Brian Murphy, Howard Scholar His presentation: “Far Countries of the Mind: The Frontier Fantasy of Robert E. Howard.” 3) Dr. Willard Oliver, Professor of Criminal Justice at Sam Houston State University, Huntsville His presentation: “Robert E. Howard and Oil Booms: Crime, Disorder and Reality.”

(20) VIDEO OF THE DAY. “You Won’t Believe Who Did the LEGO Sequence in ‘Across the Spider-Verse’” says Collider. But you will.

…After Collider’s special screening, a member of the audience asked Dos Santos how hard it was to put the LEGO dimension together. Surprisingly, Dos Santos revealed the whole scene was created by the 14-year-old Youtuber LegoMe_TheOG, known for recreating movies and TV shows trailer and full scenes with LEGO pieces. A few months before Across the Universe hit theaters, LegoMe_TheOG made a viral recreation of the movie’s first teaser. After that, producers Phil Lord and Christopher Miller brought him to the project….

[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, Cora Buhlert, John King Tarpinian, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Accomando and Dunbier to Receive the 2023 Clampett Humanitarian Award

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San Diego Comic-Con has announced that the 2023 recipients for the Bob Clampett Humanitarian Award are Beth Accomando and Scott Dunbier. The award will be presented by Ruth Clampett (Bob’s daughter) during the Eisner Awards ceremony on July 21.

Beth Accomando has been a film critic for 30 years and began at KPBS in 1987. Since 1997 she has been covering independent and international cinema as well as pop culture for National Public Radio. She volunteers and does fundraising as part of The Film Geeks at the Digital Gym Cinema to bring independent and envelope-pushing genre filmmaking to the Media Arts Center San Diego’s micro cinema. She is also co-founder of Horrible Imaginings Film Festival. Beth makes a point of bringing attention to local San Diego creators and events, from interviewing authors at bookstore signings to covering shows such as Black Com!x Day.

Scott Dunbier spearheaded a crowdfunding campaign for Comics for Ukraine: Sunflower Seeds, an anthology that raised nearly $175,000, with all proceeds being donated to Ukrainian refugees, in partnership with Operation USA. The book’s contributors include Alex Ross, Arthur Adams, Bill Sienkiewicz, Walt Simonson, Jill Thompson, Howard Chaykin, Stan Sakai, Colleen Doran, Matt Wagner, Sergio Aragonés, Louise Simonson, June Brigman, and many more. Scott has been Special Projects Editor at IDW since 2008, where his award-winning publications have included the Artist’s Edition line of books.

Comic-Con’s Humanitarian Award named for animator Bob Clampett, who created the TV series Beany and Cecil, designed such popular characters as Porky Pig and Tweety Bird. Clampett was a regular guest at Comic-Con in the 1970s and early 1980s.

[Based on a press release.]

Pixel Scroll 6/4/23 Wednesday’s Pixel Is Full Of Scroll

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(1) CHIANG CALLS AI “A POOR CHOICE OF WORDS”. Behind a paywall in the Financial Times: “Sci-fi writer Ted Chiang: ‘The machines we have now are not conscious’”.

…Before we have had a chance to order, the proprietor, who also doubles as the waiter, turns up with two steaming bowls of peppery red lentil soup. The flavours instantly awaken my taste buds: salty and pungent. As we dive in, Chiang, in his contemplative way, takes issue with my observation that his fictional worlds and the one we’re inhabiting are getting uncomfortably close together.

“The machines we have now, they’re not conscious,” he says. “When one person teaches another person, that is an interaction between consciousnesses.” Meanwhile, AI models are trained by toggling so-called “weights” or the strength of connections between different variables in the model, in order to get a desired output. “It would be a real mistake to think that when you’re teaching a child, all you are doing is adjusting the weights in a network.”

Chiang’s main objection, a writerly one, is with the words we choose to describe all this. Anthropomorphic language such as “learn”, “understand”, “know” and personal pronouns such as “I” that AI engineers and journalists project on to chatbots such as ChatGPT create an illusion. This hasty shorthand pushes all of us, he says — even those intimately familiar with how these systems work — towards seeing sparks of sentience in AI tools, where there are none.

“There was an exchange on Twitter a while back where someone said, ‘What is artificial intelligence?’ And someone else said, ‘A poor choice of words in 1954’,” he says. “And, you know, they’re right. I think that if we had chosen a different phrase for it, back in the ’50s, we might have avoided a lot of the confusion that we’re having now.”

So if he had to invent a term, what would it be? His answer is instant: applied statistics….

(2) CHICON 8 WILL SHARE SURPLUS. The Chicon 8 Worldcon committee informed Facebook readers today the 2022 event has a surplus. Here’s how they will distributed it:

We are delighted to tell you that Chicon 8 has achieved a modest budget surplus, despite the challenge of a pandemic environment which reduced our membership numbers and increased our costs. This means that we will have funds to pass along to the next three Worldcons, as well as some other fannish organizations.

Additionally, we are offering a partial reimbursement to all qualifying staff, volunteers and program participants. You should have received the email last weekend, so do check your spam filters! Questions can be sent to reimbursements @ chicon.org

(3) POORFEADING. My reprinting “TYPOS by Mike Glyer” today reminded John Hertz of the popular poem “Ode to a Typographical Error” at Mighty Red Pen. The first two lines are:

The typographical error is a slippery thing and sly;
You can hunt till you are dizzy, but it somehow will get by.

(4) ON THE FRITZ. And while we’re on the subject, Andrew (not Werdna) suggested we check out the typos (at least two) on the back of this edition of Robert Silverberg’s Great Tales of Science Fiction.

(5) CELEBRITY BRUSH. Buzzfeed found “17 Stories From Former Classmates Of Celebs” – one of them writes sff.

Quite a while back, a since-deleted Reddit account asked, “Those who went to high school with celebrities, who were they and what were they like?”…

16. “My cousin went to high school with George R. R. Martin [the author of A Song of Ice and Fire, the series adapted into Game of Thrones] and recalled having a freshman lit class with him. When it was time for everyone to read their stories, George’s was BY FAR the best. Apparently, the entire class simultaneously dropped their jaws. Guy’s a talent. Oh, and apparently, he was a typical nice dude.”

(6) PLAY IT AGAIN, CARL. MeTV says “The music of Kolchak: The Night Stalker shares roots with Star Trek and Trilogy of Terror”.

From the first frame in the opening sequence of Kolchak: The Night Stalker, the music sets the tone. First, our protagonist whistles us a tune, a homespun melody that grounds us in Carl Kolchak’s world. Quickly, though, the playful music swells into a nearly-overwhelming orchestral score, contrasting the simpler sounds with blood-pressuring raising crescendos.

The title music is indicative of what’s to come. Carl Kolchak is seemingly a simple-enough man, however, his exploits are anything but. What could be a simple series about a regular newspaper reporter turns into a monster-of-the-week horror show. It’s a testament to the cast and crew that this tone is so expertly balanced.

Chief among the creatives who influenced the series’ direction is the show’s various composers. Initially, for the made-for-TV ABC movies featuring Kolchak, those duties were handled by Bob Cobert. Cobert was, himself, no stranger to television shows that go bump in the night; that’s his work soundtracking the vintage vampire soap opera Dark Shadows. You might also recognize his work in Trilogy of Terror, another terrifying made-for-TV flick.

The theme for the television series, though, was composed by Gil Mellé. That’s Mellé’s melody that Kolchak whispers in the opening moments. Shows like Ironside and The Night Gallery were all the better for their Mellé scores…. 

(7) YOUR MILEAGE MAY VARY. “20 Books to 50K is worse than KBoards now” opines Joe Vasicek.

I don’t think I have posted a single thing to the 20 Books to 50K Facebook group that hasn’t been declined by the moderators. None of my posts have been political, and I’ve gone out of my way not to throw any bombs.

Even in the wokest days of KBoards, before I was banned from that site (and just before they fell off a cliff in terms of being the main gathering place online for indie authors), the moderators were never this harsh.

Online communities have a life cycle, and in the later stages they either fall apart because the trolls take over, or the moderators become too tyrannical. Apparently, that now applies to real-life communities too, now that we all spend most of our time online. Right now, 20 Books is in perhaps the most advanced stage of a moderator takeover that I’ve ever seen….

(8) MEMORY LANE.

2003 – [Written by Cat Eldridge from a choice by Mike Glyer.]

Our Beginning is that of “A Night on the Barbary Coast”, a short story by Kage Baker that was first published in The Silver Gryphon anthology edited Marty Halpern and Gary Turner and published by their Golden Gryphon Press twenty years ago. Check out the contents on ISFDB — if you’ve not read it, you’ll want to.  Oh and the wrap around illustration is by Tom Canty.

Kage and I as I have mentioned before had a long conversation ongoing in email and on the phone for years before her death. We were planning a Concordance consisting of interviews with her characters and other materials but she became too ill too fast for it to happen. Pity that as it would been a lot of fun to do. 

Gods and Pawns where it was reprinted along with other Company stories is available from the usual suspects. The Silver Gryphon is about two dollars currently on ABE Books. Signed copies are considerably more. 

And here’s our Beginning…

I’d been walking for five days, looking for Mendoza. The year was 1850. 

Actually, walking doesn’t really describe traveling through that damned vertical wilderness in which she lived. I’d crawled uphill on hands and knees, which is no fun when you’re dressed as a Franciscan friar, with sandals and beads and the whole nine yards of brown burlap robe. I’d slid downhill, which is no fun either, especially when the robe rides up in back. I’d waded across freezing cold creeks and followed thready little trails through ferns, across forest floors in permanent darkness under towering redwoods. I’m talking gloom. One day the poets will fall in love with Big Sur, and after them the beats and hippies, but if vampires ever discover the place they’ll go nuts over it. 

Mendoza isn’t a vampire, though she is an immortal being with a lot of problems, most of which she blames on me.

I’m an immortal being with a lot of problems, too. Like father, like daughter. 

After most of a week, I finally came out on a patch of level ground about three thousand feet up. I was standing there looking down on clouds floating above the Pacific Ocean, and feeling kind of funny in the pit of my stomach as a result—and suddenly saw the Company-issue processing credenza on my left, nicely camouflaged. I’d found Mendoza’s camp at last. 

There was her bivvy tent, all right, and a table with a camp stove, and five pots with baby trees growing in them. Everything but the trees had a dusty, abandoned look. Cripes, I thought to myself, how long since she’s been here? I looked around uneasily, wondering if I ought to yoo-hoo or something, and that was when I noticed her signal coming from… up? I craned back my head.

An oak tree rose from the mountain face behind me, huge and branching wide, and high up there among the boughs Mendoza leaned. She gazed out at the sea; but with such a look of ecstatic vacancy in her eyes, I guessed she was seeing something a lot farther away than that earthly horizon.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 4, 1936 — Bruce Dern, 87. Here for Silent Running, a film I’d completely forgotten I’d seen until compiling this Birthday. It’s the directorial debut of Douglas Trumbull who went on to much more famous projects. Dern also shows up in a number of other genre films such as The Incredible 2-Headed Transplant, The Haunting, The Astronaut Farmer and Freaks. Needless to say, you’ll find him on series such as The Outer Limits, Alfred Hitchcock Presents and Land of the Giants. 
  • Born June 4, 1951 — Wendi Pini, 72. With husband Richard, responsible for Elfquest. Over the years Elfquest has been self-published by the Pinis through their own company Warp Graphics, then Marvel Comics, then the Pinis again, more recently DC Comics and then Dark Horse Comics. Everything prior to 2013 is free online. Be prepared to spend hours lost in great reading! 
  • Born June 4, 1960 — Kristine Kathryn Rusch, 63. If you’ve not discovered the delights of her Diving Universe series, you’re in for a treat — it’s that good. Her Retrieval Artist series is one that can be read in no particular order so is a great deal of fun no matter where you start. Nor let us forget the Spade/Paladin series, I think we can call it a series, which is quite delightful.  Ten Little Fen is the first novel in that series. Oh, and she won the Astounding Award for Best New Writer. Her Website is here; don’t miss her appreciation of A. J. Budrys.
  • Born June 4, 1960 — Bradley Walsh, 63. His first genre was on The Sarah Jane Adventures as Odd Bob Elijah Spellman aka The Pied Piper in “The Day of the Clown” story. His major genre role video wise however is Graham O’Brien, companion to the Thirteenth Doctor. Now it’s worth noting that he has a lot of theatre experience that is genre having appeared in multiple versions of Aladdin, Cinderella, Jack & the Bean Stalk, Peter Pan and Snow White.
  • Born June 4, 1964 — Sean Pertwee, 59. Let’s see, where did I see him first? Oh, of course, playing Sheriff Hugh Beringar on Cadfael but that’s not genre, is it? Captain Heinz in “Trenches of Hell, Part 2 “,  on The Young Indiana Jones Chronicles was his first genre role followed being Pilot Smith on Event Horizon and Macbeth in a UK film of that name the same year. He did a bit of low-budget horror playing Bradley Cortese in Tale of the Mummy and likewise in being Sergeant Harry G. Wells in Dog Soldiers. There were some fairly low budget SF as well, say Father in Equilibrium. Not to mention Brother Proteus in Ultramarines: A Warhammer 40,000 Movie which I dearly want to see! All of which gets redeemed by his Inspector Lestrade in Elementary, a stunning take on that character. And then there’s his Alfred in Gotham.
  • Born June 4, 1972 — Joe Hill, 51. I’ve met him once or twice down the years as he shows up here in Portland for signings at both book shops and comic shops. Nice guy like his father. Actually the whole family is amazingly nice. Locke & Key is a superb graphic novel series and I’m fond of all of his short stories, particularly those collected in 20th Century Ghosts. I’ve got Full Throttle, his latest collection in my digital reading pile. I notice that though he’s not yet won a Hugo, he’s won a fistful of Stokers, many BFAs, a World Fantasy Award and even an International Horror Guild Award.  
  • Born June 4, 1975 — Angelina Jolie, 48. I really liked her two Tomb Raider films and thought Sky Captain and the World of Tomorrow was a really cool film with her role being quite magnificent. I never saw her early Cyborg 2 undertaking but think Hackers and her role as Kate “Acid Burn” Libby was rather good. I’ve not seen her Maleficent films. 
  • Born June 4, 1991 — Jordan Danger, 32. She is best known for her role as Zoe Carter on Eureka. (Now inexplicably renamed A Town Called Eureka in syndication.) She also showed up in Ragin Cajun Redneck Gators which as horror is genre of sorts, plus the SF films, Higher Power and Beyond the Sky. And even a vampire film, Living Among Us. All low budget, all straight to DVD productions.

(10) TO START YOUR WEEK. Sunday Morning Transport seeks to encourage subscribers with this free read, “Hibernation Heirloom”.

For June, we begin with Chelsea Mueller’s evocative view of motherhood’s pressures and expectations. ~ Julian and Fran, June 4, 2023

(11) ROBERT J. SAWYER PROFILE. The Chengdu Worldcon’s latest “Dialogue with Sci-Fi Heavy Hitters” is: “Robert J. Sawyer: Go to Chengdu and You Will Meet the Best Sci-Fi Fans in the World”.

…Robert J. Sawyer’s latest sci-fi novel Download released this month also revolves around the two core themes. In the novel, humans have uploaded their consciousness into the meta-universe, opening up an alternative way of life. But suddenly, something happened. Some people vanish forever, and the survivors have to return to the real world.

The inspiration for the novel comes from Sawyer’s own feelings during the pandemic. “Before the pandemic, we were free to meet, to gather, to touch each other, to hug loved ones. Then the life we had taken for granted took a big hit and many had to connect online. So I thought, what if one day humans could only survive digitally and never return to the real world? Or what if they were suddenly forced to return to the real world after getting used to digital existence?”

Nor were his feelings confined to this point. “For decades, sci-fi writers have depicted various possible plagues, but when a plaue actually arrived, the world was still unprepared. People never learn from their mistakes, and this hasn’t changed for thousands of years.” Sawyer tells.

“And one thing hasn’t changed too. No matter how much convenience the Internet can provide, how exciting the video games can be, nothing can replace real human connection, laughter and clinking glasses, eye contacts, and soft breathing by the ears. Digital life has never been the direction of human evolution. In this era of rapid advances in AI, it is more vital than ever to appreciate human contribution and value.” Sawyer claims….

(12) WILLETT’S FIRST NOVEL BACK IN PRINT. Soulworm, the debut novel of Edward Willett, now the award-winning author of more than 20 novels and twice that many nonfiction books, has been made available once more in a new edition from Shadowpaw Press Reprise.

This YA fantasy novel, originally published in 1997, was written in the 1980s while Willett was news editor of the Weyburn Review newspaper, and is set in Weyburn in 1984—which nowadays gives it a Stranger Things vibe, although at the time it was a present-day tale.

Willett is an Aurora Award winner for Marseguro (DAW) and for Best Fan Related Work in 2019 for The Worldshapers podcast, and a Saskatchewan Book Award for Spirit Singer in 2002.

The story

For years, Liothel has waited in vain for her powers to manifest themselves, so that she can become a full-blown Warder, defender of the realm of Mykia from the mind-controlling spirit creatures known as soulworms. But when a soulworm escapes from the Warden’s citadel through a magical portal into the parallel world of Earth, it is her spirit that, entirely by accident, is sent in pursuit.

She finds herself, a helpless, unsuspected observer, in the mind of Maribeth, a teenage girl in the small Canadian prairie city of Weyburn, Saskatchewan, in 1984—and discovers the soulworm has possessed Maribeth’s best friend, Christine.

Somehow, she must find a way to save Earth from the plague of death and destruction the soulworm and its offspring will release if allowed to spread across the unprotected planet. Only she knows the danger—and only she can stop it.

(13) “NOT TODAY”. Michael Toman suggests those who have read Connie Willis’ novel Passage could be interested in this item: “Scientists saw a surge in brain activity in dying patients that could finally help explain mysterious near-death experiences” at MSN.com.

…The researchers found that two out of four of the dying patients experienced a swell of gamma waves — the brain activity associated with lucid dreams and hallucinations — even after their hearts had stopped, according to Smithsonian Magazine.  

Scientists have long thought that the brain dies with the rest of the body, but the latest study suggests that people may retain a certain level of consciousness that lends to dream-like, out-of-body experiences as they die, Vice reported. 

“The discovery of the marked and organized gamma activities in the dying brain suggests that [a near-death experience] is the product of the dying brain, which is activated at death,” the lead author of the study, Jimo Borjigin, told Vice. 

“As far as I am concerned, our study may be as good as it will ever get for finding neural signatures of near-death consciousness,” Borjigin told Vice, adding that the “only thing better than this is to have the patients survive to tell the tale that correlates with the detected neural signatures.”…

(14) PROVING LOVE. A Midsummer Night’s Dream, with Gwendoline Christie and Oliver Chris, was captured live from the Bridge Theatre in 2019. Watch now on National Theatre at Home:  

‘The course of true love never did run smooth.’ A feuding fairy King and Queen of the forest cross paths with four runaway lovers and a troupe of actors trying to rehearse a play. As their dispute grows, the magical royal couple meddle with mortal lives leading to love triangles, mistaken identities and transformations… with hilarious, but dark consequences. Shakespeare’s most famous romantic comedy will be captured live from the Bridge Theatre in London. Gwendoline Christie (Game of Thrones), Oliver Chris (Green Wing, NT Live: Young Marx), David Moorst (NT Live: Allelujah!) and Hammed Animashaun (The Barber Shop Chronicles) lead the cast as Titania, Oberon, Puck and Bottom.

(15) VIDEO OF THE DAY. The Daniel Radcliffe series arrives July 10 reports Collider: “’Miracle Workers: End Times’ Release Date Finally Set at TBS”.

It’s the end of the world as we know it, and we feel great. After several months of delay, TBS has finally set a new release date for its anthology series Miracle Workers. The upcoming fourth season, formally titled Miracle Workers: End Times, premieres on the network on Monday, July 10.

End Times primarily follows a warrior named Sid (Daniel Radcliffe) and a warlord named Freya (Geraldine Viswanathan), a couple who must now face one of their biggest challenges yet: acclimating to a suburban lifestyle. Because even dystopia comes with its own share of modern day struggles. Based on previously released trailers, Sid and Freya try their best to find normalcy in their new setting, offering support for each other through every up and down. Additionally, Steve Buscemi will play Sid’s boss, and from the current glimpses of him, things won’t be smooth sailing.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Vincent Docherty, John Hertz, Andrew (not Wernda), Andrew Porter, John King Tarpinian, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day John A Arkansawyer.]

Pixel Scroll 6/3/23 A File Forever Pixeling Through Strange Scrolls Of Thought, Alone

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(1) MARVEL VS DC: CONTEST OF THE CHAMPIONS. [Item by SF Concatenation’s Jonathan Cowie.] BBC Radio 4 has just broadcast a documentary (just under half-hour) on DC and Marvel Comics. Most of it fans will already know, but there are some things in there folk might not! For example, I never knew that at one time, DC copied Marvel’s grittier art style despite internal management misgivings. You can access it here.

Marvel and DC, the two titans of America superhero comics, have been locked in cosmic battle for over six decades – raging across publishing, radio, TV, movies, gaming and animation.

It’s one of the greatest rivalries in the history of pop culture, ferociously debated by generations of readers, fans and industry creatives alike.

While both companies are now worth billions, this wasn’t always the case.

This feature goes back to their early comic book roots, where DC comics and young upstart Marvel both had offices in 1960s Manhattan – and yet differed widely in their approach to the genre, posing very distinct ideas of what our superheroes should be – and as a result, what it means to be human. Do we want to look up to the skies or do we really want to see a reflection of ourselves? Are our heroes other, outsiders like gods – or are they basically people like us, who gain strange powers but keep their flaws? Readers had a choice.

The creative rivalry between Marvel and DC comics has always been more than a question of sales or market share. It is a fascinating culture clash of ideals, morals and even politics. It has constituted one of the greatest post-war, pop-culture wars of our times.

(2) TAFF EBOOK. Rob Hansen’s British SF Conventions Volume 1: 1937-1951 was released June 1 as a free downloadable ebook on the Trans-Atlantic Fan Fund website. If you enjoy it, a donation to TAFF is welcome.

The cover photo from the London Festivention (1951) shows the editors of six of the seven fanzines then being published in the UK. From left to right: Mike Tealby (Wonder), Derek Pickles (Phantasmagoria), Fred Robinson (Straight Up), Walt Willis (Slant), Bob Foster (Sludge), Vince Clarke and Ken Bulmer (Science Fantasy News).

From Rob Hansen’s Foreword

Surprisingly, there were five conventions organized, announced, and held in the UK during World War Two despite travel under wartime conditions being a difficult and sometimes dangerous affair. For example, the train taking Cardiff fan Terry Overton to one of those conventions pulled out of the station during an air raid as bombs rained down on his (and my) home city. The NORCONs were only cons in the most basic of senses but 1944’s Eastercon was the most ambitious convention the UK had ever seen, as you will discover.

Hansen’s already published book 1957: The First UK Worldcon  fits into this sequence as volume 3.

(3) DRIVE-IN TRIVIA. MeTV asks “Can you complete the titles of these vintage ‘monster’ movies?” It wasn’t easy but I managed to miss two of these softballs.

What would the landscape of horror be like without the famous monsters? For decades, audiences have screamed, laughed and even sometimes jeered at the creatures lurching across the screen. Some nightmares are done so well that they haunt you for years. Others look so cheap and tacky that they become famous for how terrible they look.

We’ve collected a dungeon full of classic horror and sci-fi flicks with “monster” in the title. You may recognize some of these movies from Svengoolie! See if you can complete their full, frightful names.

(4) IT MIGHT BE FILK. John Hertz took inspiration from a recent G&S-themed Scroll title (Pixel Scroll 6/1/23 Three Little Muad’Dibs From Sand Are We) to supply the verse:

Three Muad’Dibs who, all unwary,
Come from Atreides’ seminary,
Free from the Wallach IX tutelary,
Three Muad’Dubs from sand.

Everything is a source of fun.
Paul isn’t safe, his solitude’s done,
Dune is a joke that’s just begun.
Three Muad’Dibs from sand.

Three Muad-’Dibs from sand are we,
Pert as a *pop-hop* well can be,
Filled to the brim with melange glee,
Three Muad’Dibs from sand.

(5) CUE THE CHORUS. Meanwhile another poet soon will be represented in space: “Poem bound for Jupiter’s moon Europa ties Earth to the watery world” reports Axios.

U.S. poet laureate Ada Limón on Thursday revealed her poem that will fly to Jupiter’s moon Europa aboard NASA’s Europa Clipper mission.

The big picture: The mission follows in the tradition of others — like NASA’s Voyagers — that have sent pieces of art representing humanity into the cosmos.

What’s happening: The poem uses water as a thread that binds Earth — and all of its humans — to Europa, a moon with an ocean beneath its icy shell.

  • “We are creatures of constant awe, curious at beauty, at leaf and blossom, at grief and pleasure, sun and shadow,” Limón writes. “And it is not darkness that unites us, not the cold distance of space, but the offering of water, each drop of rain.”
  • The poem is going to be engraved in Limón’s handwriting and affixed to the spacecraft, expected to launch in October 2024.

(6) MEMORY LANE.

1987 – [Written by Cat Eldridge from a choice by Mike Glyer.]

Lawrence Watt-Evans’ “Why I Left Harry’s All-Night Hamburgers” story is where our Beginning comes from this Scroll. Though Mike of course selected it, I too have read it with great delight.

So the story won a Hugo at Nolacon II, and had a Nebula nomination as well.

It was published in Isaac Asimov’s Science Fiction Magazine in their July 1987 issue. 

I’m going to praise him for having up-to-date social media and for dropping out of Twitter. Check out the links to those sites from his ISFDB page 

So here’s the first chapter of that story….

Hamburgers Harry’s was a nice place–probably still is. I haven’t been back lately. It’s a couple of miles off I-79, a few exits north of Charleston, near a place called Sutton. Used to do a pretty fair business until they finished building the Interstate out from Charleston and made it worthwhile for some fast-food joints to move in right next to the cloverleaf; nobody wanted to drive the extra miles to Harry’s after that. Folks used to wonder how old Harry stayed in business, as a matter of fact, but he did all right even without the Interstate trade. I found that out when I worked there. 

Why did I work there, instead of at one of the fast-food joints? Because my folks lived in a little house just around the corner from Harry’s, out in the middle of nowhere – not in Sutton itself, just out there on the road. Wasn’t anything around except our house and Harry’s place. He lived out back of his restaurant. That was about the only thing I could walk to in under an hour, and I didn’t have a car.

This was when I was sixteen. I needed a job, because my dad was out of work again and if I was gonna do anything I needed my own money. Mom didn’t mind my using her car – so long as it came back with a full tank of gas and I didn’t keep it too long. That was the rule. So I needed some work, and Harry’s All-Night Hamburgers was the only thing within walking distance. Harry said he had all the help he needed–two cooks and two people working the counter, besides himself. The others worked days, two to a shift, and Harry did the late night stretch all by himself. I hung out there a little, since I didn’t have anywhere else, and it looked like pretty easy work – there was hardly any business, and those guys mostly sat around telling dirty jokes. So I figured it was perfect. 

Harry, though, said that he didn’t need any help. 

I figured that was probably true, but I wasn’t going to let logic keep me out of driving my mother’s car. I did some serious begging, and after I’d made his life miserable for a week or two Harry said he’d take a chance and give me a shot, working the graveyard shift, midnight to eight A.M., as his counterman, busboy, and janitor all in one.

I talked him down to 7:30, so I could still get to school, and we had us a deal. I didn’t care about school so much myself, but my parents wanted me to go, and it was a good place to see my friends, y’know? Meet girls and so on. 

So I started working at Harry’s, nights. I showed up at midnight the first night, and Harry gave me an apron and a little hat, like something from a diner in an old movie, same as he wore himself. I was supposed to wait tables and clean up, not cook, so I don’t know why he wanted me to wear them, but he gave them to me, and I needed the bucks, so I put them on and pretended I didn’t notice that the apron was all stiff with grease and smelled like something nasty had died on it a few weeks back. And Harry–he’s a funny old guy, always looked fiftyish, as far back as I can remember. Never young, but never getting really old, either, y’know? Some people do that, they just seem to go on forever. Anyway, he showed me where everything was in the kitchen and back room, told me to keep busy cleaning up whatever looked like it wanted cleaning, and told me, over and over again, like he was really worried that I was going to cause trouble, “Don’t bother the customers. Just take their orders, bring them their food, and don’t bother them. You got that?”

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 3, 1901 — Maurice Evans. Ahhh the amazing work of make-up. Under the make-up that was Dr. Zaius in Planet of the Apes and Beneath the Planet of the Apes was this actor. Though this was his most well-known genre role, it wasn’t his only ones — he was in a Thirties Scrooge as poor man, on Bewitched as Maurice, Samantha’s father, on Batman as The Puzzler in “The Puzzles are Coming” and “The Duo Is Slumming”, in Rosemary’s Baby as Hutch, and finally in Terror in the Wax Museum as Inspector Daniels. Oh, and he showed up on Columbo as Raymond in “The Forgotten Lady”. No, not genre — but I love that series! (Died 1989.)
  • Born June 3, 1905 — Malcolm Reiss. It’s uncertain if he ever published any genre fiction but he’s an important figure in the history of our community as he edited in the Thirties through the Fifties, Jungle Stories, Planet Stories, Tops in Science Fiction and Two Complete Science-Adventure Books. Fletcher Pratt, Ross Rocklynne, Leigh Brackett and Fredric Brown are but a few of the writers published in those magazines. (Died 1975.)
  • Born June 3, 1905 — Norman A. Daniels. Writer working initially in pulp magazines, later on radio and television. He created the Black Bat pulp hero and wrote for such series as The Avengers, The Phantom Detective and The Shadow. He has three non-series novels, The Lady Is a Witch, Spy Slave and Voodoo Lady. To my surprise, iBooks and Kindle has a Black Bat Omnibus available! In addition, iBooks has the radio show.  (Died 1995.)
  • Born June 3, 1947 — John Dykstra, 76. He was one of the founders of Industrial Light & Magic. That means he’s responsible for the original visuals for lightsabers, the space battles between X-wings and TIE fighters, and much of the other Star Wars effects. Can’t list everything he later worked on, so I’ll single out his work on Battlestar Galactica, the sfx for Batman Forever and Batman and Robin, the visual effects on X-Men: First Class, and visual effects supervisor on Doolittle.
  • Born June 3, 1950 — Melissa Mathison. Screenwriter who worked with Spielberg on  E.T. the Extra-Terrestrial, Twilight Zone: The Movie and the charming BFG, the latter being the last script she did before dying of cancer. She also did absolutely splendid The Indian in the Cupboard which was directed by Frank Oz. (Died 2015.)
  • Born June 3, 1958 — Suzie Plakson, 65. She played four characters on the Trek franchise: a Vulcan, Doctor Selar, in “The Schizoid Man”(Next Gen); the half-Klingon/half-human Ambassador K’Ehleyr in “The Emissary” and “Reunion” (Next Gen); the Lady Q in “The Q and the Grey” (Voyager); and an Andorian, Tarah, in “Cease Fire” (Enterprise).  She also voiced Amazonia in the “Amazon Women in the Mood” episode of Futurama. Really. Truly. By the way, her first genre role was in the My Stepmother Is an Alien film as Tenley. She also showed up in the Beauty and the Beast series as Susan in the “In the Forests of the Night” episode.
  • Born June 3, 1949 — Michael McQuay. He wrote two novels in Asimov’s Robot City series, Suspicion and Isaac Asimov’s Robot City (with Michael P. Kube-McDowell) and Richter 10 with Arthur C. Clarke. The Mathew Swain sequence neatly blends SF and noir detective tropes – very good popcorn reading. His novelization of Escape from New York is superb. (Died 1995.)
  • Born June 3, 1964 — James Purefoy, 59. His most recent genre performance was as Laurens Bancroft in Altered Carbon. His most impressive was as Solomon Kane in the film of that name. He was also in A Knight’s Tale as Edward, the Black Prince of Wales/Sir Thomas Colville. He dropped out of being V in V for Vendetta some six weeks into shooting but some early scenes of the masked V are of him. And let’s not forget that he’s Hap Collins in the Sundance series Hap and Leonard which was steaming on Amazon Prime before the idiots there pulled it. 

(8) COMICS SECTION.

  • Macanudo is there when puberty comes to 2001.

(9) JEOPARDY! [Item by David Goldfarb.] Friday’s episode of Jeopardy! had a category in the first round called “Their Middle Initial”, where each clue gave us a person’s given name and surname and asked for…oh, you guessed.

The $1000 level was:

Of sci-fi and fantasy author Ursula Le Guin

One of the contestants did in fact know it.

(10) SPACE CHOW. [Item by Mike Kennedy.] Nope, it’s not Rice-A-Roni. But, this San Francisco firm is competing in the Deep Space Food Challenge, sponsored by NASA and the Canadian Space Agency. The goal is to find ways to meet the food needs of astronauts on long-term space missions, such as one to Mars. Making the food interesting (as well as nutritious) is important from a psychological standpoint. “Does this look appetizing? If you go to Mars, it may be your meal” at CNN Business.

As part of a NASA competition called the Deep Space Food Challenge, a San Francisco based design firm shows CNN its ideas for tasty treats astronauts can grow themselves and even grill while on a long flight to Mars.

(11) JUSTWATCH. Here is the sff that JustWatch found people had on their screens in May.

(12) DINO SKINNER ARRESTED. “Vandal Causes $250,000 in Damage to ‘Jurassic Park’ Exhibition, Police Say” – the New York Times has the story.

A newly opened dinosaur exhibition in Atlanta based on the blockbuster series of “Jurassic Park” movies has been temporarily shut down after an intruder broke in and caused $250,000 in damage, the police said. One man is in custody.

On Monday, officers from the Atlanta Police Department responded to a burglary call at Jurassic World: The Exhibition, where a manager said he discovered several exhibits had been damaged, according to a police report.

The exhibition, which has made stops in North America, officially opened Friday at Pullman Yards, a large entertainment venue east of downtown Atlanta. The show promises to immerse audiences in scenes inspired by the films and features life-size dinosaur models.

Officials for the exhibition said security footage showed four suspects before they entered the property on Sunday night. One suspect was later seen “sitting on top of one of the dinosaurs ripping off the skin covering,” the report said….

… Michael Mattox, the executive vice president of Animax Designs, the company in Nashville that constructed the dinosaurs, told Fox5Atlanta last week that it took 18 months to design and build them.

About 140 artists, engineers and other creative people were involved in the production of the dinosaurs, he said.

(13) STEEL MAGNOLIAS.  “Japan will put a wooden satellite into orbit next year” reports TechSpot.

Researchers from Kyoto University in Japan have determined that wood from magnolia trees could be the ideal construction material for a satellite due to launch into space next year.

Test results from a recent experiment aboard the International Space Station among three wood specimens revealed magnolia to be the most versatile. The samples, which were exposed to the harsh conditions of space for 10 months, returned to Earth this past January.

Analysis showed magnolia experienced no decomposition or damage like cracking, peeling, or warping. Furthermore, there was no change in the mass of the wood samples before and after their exposure in space….

(14) STARLINER STANDS DOWN. “Boeing finds two serious problems with Starliner just weeks before launch” reports Ars Technica. People are surprised this kind of problem was discovered so late in the process.  

A Boeing official said Thursday that the company was “standing down” from an attempt to launch the Starliner spacecraft on July 21 to focus on recently discovered issues with the vehicle.

Mark Nappi, vice president and program manager for Starliner, said two spacecraft problems were discovered before Memorial Day weekend and that the company spent the holiday investigating them. After internal discussions that included Boeing chief executive Dave Calhoun, the company decided to delay the test flight that would carry NASA astronauts Suni Williams and Butch Wilmore to the International Space Station.

“Safety is always our top priority, and that drives this decision,” Nappi said during a teleconference with reporters.

Two issues

The issues seem rather serious to have been discovered weeks before Starliner was due to launch on an Atlas V rocket. The first involves “soft links” in the lines that run from Starliner to its parachutes. Boeing discovered that these were not as strong as previously believed.

During a normal flight, these substandard links would not be an issue. But Starliner’s parachute system is designed to land a crew safely in case one of the three parachutes fails. However, due to the lower failure load limit with these soft links, if one parachute fails, it’s possible the lines between the spacecraft and its remaining two parachutes would snap due to the extra strain.

(15) UFO STUDY. The May 31 public meeting by the NASA team tasked with studying UAPs (UFOs) is archived on YouTube. “NASA’s UFO study team holds a public meeting”. Over 3.5 hours of talks, charts, stats, etc. 

Other coverage includes “NASA reveals findings on unidentified objects” at CNN Business and “UFOs: Five revelations from Nasa’s public meeting” at BBC News.

[Thanks to Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, David Langford, John Hertz, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Pixel Scroll 6/2/23 I Thought Muddy Waters Scrolled That Pixel

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(1) JMS RETURNS TO MARVEL IN CAPTAIN AMERICA #1. Marvel Comics has announced that writer and filmmaker J. Michael Stracyznski will return this September in Captain America #1. Marvel previously shared the news with io9.

Stracyznski has written fan-favorite stories including AMAZING SPIDER-MAN and THOR, and now he’s ready to embark on a new adventure with Marvel’s star-spangled hero! Alongside superstar artist Jesús Saiz (PUNISHER, DOCTOR STRANGE), the talented duo is ready to take Steve Rogers on an exhilarating new adventure.

Decades ago, Steve Rogers changed the world forever. Now powerful and insidious forces are assembling to ensure he never does it again. Past, present and future collide as the man out of time reckons with an existential threat determined to set the world on a darker path at any cost…

 Speaking with io9, Straczynski says, “Overall, the goal is to do some really challenging stories, some really fun stories, and get inside Steve’s head to see who he really is in ways that may not have been fully explored before. If folks like what I did with Peter in AMAZING SPIDER-MAN, and Thor in, well… THOR, then they should give this a shot, because I’m really swinging for the bleachers in this one!”

 See the cover by Jesús Saiz below.

(2) ARTIFACTS OF AFROFUTURISM. The National Museum of African American History and Culture in Washington, DC is displaying “Afrofuturism: A History of Black Futures” through March 24, 2024. An online version of the exhibit is here.

Investigating Afrofuturist expression through art, music, activism and more, this exhibition explores and reveals Afrofuturism’s historic and poignant engagement with African American history and popular culture. From the enslaved looking to the cosmos for freedom to popular sci-fi stories inspiring Black astronauts, to the musical influence of Sun Ra, OutKast, Janelle Monae, P-Funk and more, this exhibition covers the broad and impactful spectrum of Afrofuturism.

A highlight of the exhibition is the Black Panther hero costume worn by the late Chadwick Boseman. The Black Panther is the first superhero of African descent to appear in mainstream American comics, and the film itself is the first major cinematic production based on the character.

The exhibition also utilizes select objects to elevate stories that speak to Black liberation and social equality, such as Trayvon Martin’s flight suit from Experience Aviation, and his childhood dream of being an astronaut.

Companion book: Afrofuturism: A History of Black Futures, National Museum of African American History and Culture, Kevin Strait, and Kinshasha Holman Conwill

(3) SOMETIMES THEY DO GET WEARY. Mark Roth-Whitworth says, “I’m so tired of hearing how ‘character-driven’ stories are somehow ‘better’ than plot-driven, and I’ve written a rant, er, sorry, criticism.” “Character- or Plot-Driven – A False Dichotomy?”

As I’ve been developing as a writer, and submitting stories, I read and hear a lot about character-driven stories vs. plot-driven these days. Most novels seem to me to still are “plot-driven”, while a lot of shorter fiction that gets published in magazines is character-driven, or primarily thus, and I have issues with this.

Many years ago, in a long letter to my just-teenage children, speaking of people and relationships, I said that barring some life-changing event, whoever someone is at eighteen is who they will remain, only growing to be more of that. The result of that is that thinking someone is perfect, except for one little thing that you can fix… well, you can’t. In a story, the same is necessarily true….

(4) HAPPY WINNERS. Frank Wu and Jay Werkheiser are ecstatic to have won Analog’s AnLab Award for their novella “Communion” in the Jan 2022 issue as you can see in this photo taken by Brianna Wu. The winning cover was Eldar Zakirov’s artwork for the same story. Frank’s elevator pitch for the story is –

 A space ship is about to crash and a 50-km-long mag wire is an essential part of the drive. During the crash, the robot saves the wire – and the mission and his human captain – by wrapping the wire around his arm and using his own body as a heatfield!

Frank Wu and Jay Werkheiser with their certificates recognizing their Anlab-winning novella “Communion” in the Jan 2022 issue. Photo by Brianna Wu.

(5) THIS JOB IS NOT THAT EASY. “How to be a Regency Lady Sleuth” by Alison Goodman at CrimeReads.

…For instance, the Regency era – officially from 1811 to 1820—was well before England had a police force. So where does a lady sleuth get her official back up and assistance?

What’s more, record keeping was patchy at best and, if it did exist, was not centralised or easy to access. This was particularly the case for women because a vast majority of them could not read. Education, my dear fellow, is wasted on women—or at least that was the majority opinion of the time. How then, does a lady sleuth track down the information she needs to solve her mysteries?

So, when it came to written information, my lady sleuths had to be the kind of women of that era who would be feasibly taught to read, and secondly have access to the various places these records were kept. That is why I decided to make Lady Augusta (aka Gus), and Lady Julia part of the highest rank in Regency society, the aristocracy. At this rank, they would have a chance of some education, as well as having access to private libraries (public libraries as we know them were not yet in existence). They would also have the social clout and contacts to obtain information from other sources. At that time, most of the government officials were men from the gentry class or the aristocracy and since Gus and Julia move in those circles, they literally have friends in high place: excellent sources of information….

(6) BANNED IN 2023. The Los Angeles Times discusses each of “The 15 most banned books in America this school year” before moving on to a list of challenged classics which include these genre works:

“Brave New World” by Aldous Huxley. Modern Library’s editorial board ranked “Brave New World,” the 1932 novel about the discontents of a technologically-advanced future society, as the fifth most important novel of the 20th century. Nevertheless, the book was challenged as required reading in the Corona-Norco Unified School District in 1993 because it is “centered around negative activity.” The novel also was removed from a high school library in Foley, Ala., in 2000 after a parent complained that it showed contempt for religion, marriage and family.

“Animal Farm” by George Orwell. The 1945 allegorical novella has been a target of complaints for decades, according to the ALA. In 1987, “Animal Farm” was one of dozens of books banned in schools in Bay County, Fla. Then 44 parents, students and teachers filed a federal lawsuit, and the school board reversed the decision. ‘’The only thing we have succeeded in doing is making sure every child in Bay County reads the books we banned,’’ a board member told the Associated Press.

(7) BEAGLE Q&A. Shelf Awareness is “Reading with… Peter S. Beagle”

Book you’re an evangelist for:

The Time Traveler’s Guide to Medieval England by Ian Mortimer. If you’re going to write a historical novel, you’ve got to start with that one. It’s a fascinating book about the way that medieval England actually was, as opposed to the novels about it. It’s still a book that I go back to if I’m setting a story in anything like medieval England.

(8) EATING THE FANTASTIC. Scott Edelman invites listeners to dip into durian ice cream with William Shunn in Episode 199 of the Eating the Fantastic podcast.

William Shunn

It’s time to head to Anaheim, California to take a seat at the table with William Shunn, the first of five guests I managed to chat and chew with for Eating the Fantastic during last month’s Nebula Awards conference. I first met Bill in 1993 though his words alone, when I bought his short story “Colin and Ishmael in the Dark” for publication in Science Fiction Age magazine. We met in the flesh later that same year at the San Francisco Worldcon, and he’s been part of my life for the past 30 years.

Bill attended the Clarion Science Fiction Writers Workshop in 1985, when he was only 17. (A class which included Mary Turzillo, Geoffrey Landis, Kristine Kathryn Rusch, Resa Nelson, and other writers with whom you might be familiar.) In addition to being published in Science Fiction Age, he’s also appeared in Asimov’s, Analog, F&SF, Realms of Fantasy, and other magazines. In 2002, he was nominated for a Nebula in the category of novelette for “Dance of the Yellow-Breasted Luddites,” and a few years later hit the nomination trifecta when he was up for a Nebula, Hugo, and Sturgeon Award for his novella “Inclination,” which had been published in Asimov’s in 2006.

In addition, if you’re a writer, you might be familiar with what’s come to be called the “Shunn format,” a guide to proper manuscript preparation which first appeared online in 1995 and has since become the gold standard for numerous publications. His widely acclaimed memoir, The Accidental Terrorist: Confessions of a Reluctant Missionary, was published in 2015, and in addition to detailing the youthful indiscretion which prevents him from ever returning to Canada, explains how Clarion changed his life and helped him become the writer he is today.

We discussed what he hoped would happen when he arrived at the Clarion Science Fiction and Fantasy Writing Workshop when he was 17 vs. what actually did happen, how his post-Clarion homelife was haunted by Ray Bradbury, the time Kate Wilhelm critiqued his critiquers, how an early rejection from Playboy got him in big trouble, the way a tragedy scuttled the sale of his memoir to a major publisher, how he and Derryl Murphy collaborated on a novella without killing each other, and so much more.

(9) RAJNAR VAJRA-LOEB (1947-2023). Rajnar Vajra-Loeb, known to the sff field as author Rajnar Vajra, died May 16 at the age of 75. Memorial comments are being gathered on his funeral information webpage.

He twice won the Analog Readers Poll, in 2002 for the short story “Jake, Me, and the Zipper” , and in 2005 for his novella “Layna’s Mirror”.

His 2015 Hugo-nominated story “The Triple Sun: A Golden Age Tale” was on both the Sad Puppies and Rabid Puppies slates, however, as reported by Chris Barkley at the time “he has vehemently disassociated himself from them. When other nominees dropped out of the Hugo Awards race, he bravely stayed in, because he believed in his story and vacating the nomination slot may have given the ballot yet another puppy candidate.”

He lived long enough to celebrate the “book birthday” of his latest novel Opening Wonders released on May 2.

(10) MEMORY LANE.

2019 – [Written by Cat Eldridge from a choice by Mike Glyer.]

Silvia Moreno-Garcia is a fantastic writer. Mexican born and raised, she moved to Canada in her twenties. Her debut novel, Signal to Noise, is a superb first novel. 

She’s the publisher of Innsmouth Free Press, a press devoted to weird fiction. With Lavie Tidhar, she edits The Jewish Mexican Literary Review. 

Gods of Jade and Shadow, the source of our Beginning, a historical fantasy, was published by Del Rey four years ago.  Gods of Jade and Shadow was nominated for a Nebula Award for Best Novel.

And now let’s go into our Beginning….

But what the lords wished was that they should not discover their names.—Popol Vuh, translated into English by Delia Goetz and Sylvanus Griswold Morley from the work by Adrian Recino

Some people are born under a lucky star, while others have their misfortune telegraphed by the eposition of the planets. Casiopea Tun, named after a constellation, was born under the most rotten star imaginable in the firmament. She was eighteen, penniless, and had grown up in Uukumil, a drab town where mule-drawn railcars stopped twice a week and the sun scorched out dreams. She was reasonable enough to recognize that many other young women lived in equally drab, equally small towns. However, she doubted that many other young women had to endure the living hell that was her daily life in grandfather Cirilo Leyva’s house. 

Cirilo was a bitter man, with more poison in his shriveled body than was in the stinger of a white scorpion. Casiopea tended to him. She served his meals, ironed his clothes, and combed his sparse hair. When the old brute, who still had enough strength to beat her over the head with his cane when it pleased him, was not yelling for his grandchild to fetch him a glass of water or his slippers, her aunts and cousins were telling Casiopea to do the laundry, scrub the floors, and dust the living room.

Casiopea, who had prayed at the age of ten for her cousin Martín to go off and live in another town, far from her, understood by now that God, if he existed, did not give a damn about her. What had God done for Casiopea, aside from taking her father from her? That quiet, patient clerk with a love for poetry, a fascination with Mayan and Greek mythology, a knack for bedtime stories. A man whose heart gave up one morning, like a poorly wound clock. His death sent Casiopea and her mother packing back to Grandfather’s house. Mother’s family had been charitable, if one’s definition of charity is that they were put immediately to work while their idle relatives twiddled their thumbs. 

Had Casiopea possessed her father’s pronounced romantic leanings, perhaps she might have seen herself as a Cinderella-like figure. But although she treasured his old books, the skeletal remains of his collection—especially the sonnets by Quevedo, wells of sentiment for a young heart—she had decided it would be nonsense to configure herself into a tragic heroine. Instead, she chose to focus on more pragmatic issues, mainly that her horrible grandfather, despite his constant yelling, had promised that upon his passing Casiopea would be the beneficiary of a modest sum of money, enough that it might allow her to move to Mérida.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 2, 1915 — Lester Del Rey. Editor at Del Rey Books, the fantasy and science fiction imprint of Ballantine Books, along with his fourth wife Judy-Lynn del Rey. As regard his fiction, I’m fond of Rocket Journey and Police Your Own Planet, early works of his. His Jim Stanley series has much to say for it. And he got nominated for four Retro Hugos. (Died 1993.)
  • Born June 2, 1929 — Norton Juster. Author of the much beloved Phantom Tollbooth and its less known variant, The Annotated Phantom Tollbooth. Adapted in 1970 into a quirky film, now stuck in development hell being remade again. He also wrote The Dot and the Line: A Romance in Lower Mathematics, a story he says was inspired by Flatland: A Romance of Many Dimensions. (Died 2021.)
  • Born June 2, 1937 — Sally Kellerman. She makes the list for being Dr. Elizabeth Dehner in the superb episode of Trek “Where No Man Has Gone Before”. She also had one-offs on the Alfred Hitchcock Hour, The Twilight Zone, The Outer Limits, The Invaders, and The Ray Bradbury Theater. She played Natasha Fatale in Boris and Natasha: The Movie. (Died 2022.)
  • Born June 2, 1941 — Stacy Keach, 82. Though best known for playing hard-boiled Detective Mike Hammer, he’s got a long association with our genre starting with being The Mountain of the Cannibal God, an Italian horror film. Next up for him was Class of 1999 followed by voicing both Carl Beaumont / Voice of Phantasm in Batman: Mask of the Phantasm, a film I really, really like. More horror, and a really silly title, await him in Children of the Corn 666: Isaac’s Return where The Hollow has a tasteful title which the Man with the Screaming Brain does not provide him. Storm War, also known as Weather Wars, is SF. And then there is Sin City: A Dame to Kill For which is a rather nice piece of film making. And yes, he’s been in a televised version of Macbeth playing Banquo. 
  • Born June 2, 1920 — Bob Madle. Helped start his local sf club in 1934, went to what he considered to be the first-ever sf convention in 1936, and attended the first Worldcon (Nycon I) in 1939. Bob Madle and named the Hugo Awards. He was the first North American TAFF (Trans-Atlantic Fan Fund) delegate to an overseas con (Loncon, 1957). Twenty years later he was Fan Guest of Honor at the 1977 Worldcon (listen to his GoH speech here.) First Fandom has inducted him to their Hall of Fame, and given him the Moskowitz Award for collecting. He’s a winner of the Big Heart Award). This post about his centennial birthday in 2020 includes photos and a summary of his fannish life in his own words. (Died 2022.)
  • Born June 2, 1979 — Morena Baccarin, 44. Very long genre history starting with portraying Inara Serra in Firefly and  Serenity; Adria in the Stargate SG-1 series and the Stargate: The Ark of Truth; Anna in the 2009 version of the series V; Vanessa in Deadpool and Deadpool 2; and Dr. Leslie Thompkins in Gotham.
  • Born June 2, 1982 — Jewel Staite, 41. Best known as the engineer Kaylee Frye in the Firefly verse. She was Jennifer Keller in Stargate Atlantis, Catalina in the Canadian series Space Cases, Tiara VanHorn in Honey, I Shrunk the Kids: The TV Show and “Becca” Fisher in Flash Forward. Genre one-offs? Oh yes: The Odyssey (twice), Are You Afraid of The Dark (again twice), The X-Files, So Weird, Sabrina: The Animated Series, The Immortal, Seven Days, Stargate Atlantis, Supernatural, Legends of Tomorrow, The Order and The Magicians.

(12) A DOCKET FOR DEMETRIOUS. “J.R.R. Tolkien’s Trust Sues Author For Selling ‘Derivative’ Sequel To ‘Lord of the Rings’ As $250 Million Battle Heats Up” – Radar Online has the story. “The legal moves comes weeks after Demetrious Polychron filed his own $250 million lawsuit against the Trust, Amazon and Jeff Bezos.”

J.R.R. Tolkien’s estate has filed a bombshell lawsuit accusing a writer of ripping off the late author’s iconic Lord of The Rings series and is demanding his books be taken out of stores, RadarOnline.com has learned.

According to court documents obtained by RadarOnline.com, The Tolkien Trust, which is responsible for managing the intellectual property of the late Professor J. R.R. Tolkien, is suing a man named Demetrious Polychron.

In the suit, the Trust said the lawsuit was brought due to Polychron’s “willful and blatant violation” of its copyright interests in the Lord of the Rings franchise.

The Trust said despite the author being aware of its rights in Tolkien’s work, he decided to “write, publish, market and sell a blatantly infringing derivative sequel to the Tolkien Trilogy entitled The Fellowship of the King (the “Infringing Work”). In addition to clearly mimicking the title of the first book in the Tolkien Trilogy, the Infringing Work constitutes a blatant, wide-ranging and comprehensive misappropriation of Professor Tolkien’s creative opus.”

The Trust said its aware that Polychron plans to release up to six additional books — all based on Tolkien’s characters.

“The Infringing Work is currently being offered for sale on various online platforms in the United States for $17.99 – $26.99 a copy,” the suit read.

The suit explained, “Neither Professor Tolkien nor the Tolkien Estate has ever authorized any written sequels to the Tolkien Trilogy. Not only was the Infringing Work unauthorized, but the Tolkien Estate had already expressly refused the [Polychron’s] request to publish any work of this nature, in keeping with its longstanding policy.”

(13) PAYING THOSE STORY IOUs. Charlie Jane Anders demonstrates with her own novel that “Revision is the Process of Going from General to Specific” at Happy Dancing.

I feel as if a big part of revision is going from the general to the specific. My first drafts, at least, always include a lot of details that are kind of fuzzy. Sometimes, a piece of information changes every time it comes up, because I haven’t made up my mind yet what the actual real version is, and I’m just hedging my bets. Sometimes there’s a highly specific piece of backstory, front story or side story, but it’s just really a placeholder — a supporting character is a stock character, or someone’s job is merely a sitcom job that doesn’t feel like a real employment situation. And sometimes, things are just left so vague that they could be anything, or there’s no information whatsoever.

So when I revise, I try to nail things down more. On one level, this is just a process of deciding on stuff. Where did this character grow up? Who were their parents? What kind of job do they have, and what specifically does the job ask of them? And so on….

(14) AWARD-WORTHY VISIT TO THE SPIDER-VERSE. Variety’s Clayton Davis makes the case why “’Spider-Man: Across The Spider-Verse’ Should Be a Best Picture Oscar Contender”.

Don’t tell me “Spider-Man: Across the Spider-Verse” is merely a cartoon. It’s a visionary work that redefines what the animation medium can achieve, sitting alongside the handful of sequels such as “The Dark Knight” and “The Empire Strikes Back” that elevate their franchises by pushing them in surprising new directions.

On a personal level, this animated second installment of the web-slinging superhero is the closest I’ve ever come to seeing an accurate depiction of my life and culture on a movie screen – well, with a few fantastic elements added into the mix. That’s invaluable.

“Across the Spider-Verse” takes place a year after the events of the previous film with Miles Morales (a.k.a. Spider-Man) facing a new threat. Unfortunately, it’s one that causes him to interact with a new group of Spider-People from across the multiverse.

So why did I respond so deeply to this superhero story? Like Miles, I’m made up of an exciting ethnic mix of Puerto Rican and Black parents brought together in the melting pot that is New York City. Neither of us possesses the acceptable amount of Spanish fluency that our fellow Boricuas require. Nonetheless, we have a weakness for fried platanos, as well as an appreciation for our heritage. Just hearing the word “bendición,” a standard greeting and farewell term used in Latino culture, used in “Across the Spider-Verse, ” filled my eyes with tears and pride….

(15) COMMUNICAT. Salon reports “A ‘talking’ cat is giving scientists insight into how felines think”. And if you think only a hungry plant will say “Feed me”, stick around, it won’t be long until this cat does it.

…Considering Billi’s feline status, Baker was naturally a bit skeptical at first.

“I was concerned because they [the buttons] were quite large for a little tiny kitty, and I was not sure that she was actually going to be heavy enough to press them,” Baker said. “So I started with a word that I’d really not recommend that you start with, which is ‘food,’ because it becomes very motivating for them. And Billi loves food.”

Baker’s concerns quickly washed away once it became clear that Billi was able to press the button “food” — which she appeared to enjoy doing perhaps a little too much.

“She was definitely heavy enough for it,” Baker said. “And then I later regretted starting with food because it kind of backfired on me, but it definitely got the ball rolling.”

Today, Billi has 50 words on her board, and — like Bunny — is part of the ongoing research project called TheyCanTalk, whose goal is to understand if animals can communicate with humans through AAC devices. While the study is mostly made up of dogs, about 5 percent of the animals using AAC devices are now felines. It turns out that many cats have been successful at using the device.

“They have this reputation of just doing what they want and not really caring what the humans are doing, and I think this is a great opportunity to see that they actually are paying attention,” Smith said. “Seeing that they can be engaged, that they’re not just cat automatons, that aren’t driven by instinct 24/7 can function a great deal positively for their role in other studies.”

(16) PAYING DIVIDENDS ON BORROWED TIME.  Ingenuity, NASA’s record-breaking Mars helicopter, continues to fly two years after scientists expected it to fail. “NASA plays hide-and-seek with unrelenting Mars helicopter Ingenuity” in the Washington Post.

…On April 2, Ingenuity soared 52 feet up into the Martian sky — a record height for the drone — to take a suborbital photo of Mars’s landscape.

After landing, it disappeared. When scientists attempted to upload instructions for a subsequent flight, Ingenuity’s radio sign was gone.

Scientists eventually located Ingenuity after six days of searching as the helicopter’s companion on Mars, the Perseverance rover, crested a ridge and drove closer to where the helicopter had landed.

Ingenuity, controlled via radio signals relayed from Perseverance, completed its five-flight mission — a simple series to prove that the helicopter’s design would work in the thin Martian atmosphere — in May 2021. Then, Tzanetos’s team received approval to keep flying.

“At that point, we’re on borrowed time,” Tzanetos said. “None of the mechanisms were designed to survive longer than that.”

Somehow, they did — for months and months, and dozens more flights. By May 2022, it seemed as if Ingenuity’s miraculous story would finally plummet down to (Martian) earth. Winter was setting in, and NASA feared the lower temperatures would cause Ingenuity’s solar-charged batteries to fail, or even freeze overnight.

The helicopter entered a low-power state after its 28th flight in late April of that year, and scientists told The Post they weren’t sure if it would fly again.

Incredibly, Ingenuity’s delicate parts stood up to the Martian cold. But NASA still faced the challenge of reconnecting with the helicopter every time its components froze, Tzanetos said. The Ingenuity team adjusted by using data on Martian sunrises to calculate when the helicopter would thaw out each morning and regain enough charge to power on….

(17) CAN WE MOVE EARTH ACROSS SPACE? [Item by SF Concatenation’s Jonathan Cowie.] Shades of Stephen Baxter in this week’s PBS Space Time when Matt O’Dowd asks can we move planet Earth across the Universe?

Interstellar travel is horrible-what with the cramped quarters of your spaceship and only the thin hull separating you from deathly cold and deadly cosmic rays. Much safer to stay on here Earth with our gloriously habitable biosphere, protective magnetic field, and endless energy from the Sun. But what if we could have the best of all worlds? No pun intended. What if we could turn our entire solar system into a spaceship and drive the Sun itself around the galaxy? Well, I don’t know if we definitely can, but we might not not be able to.

(18) TALES FROM THE ZONE – ROADSIDE PICNIC. [Item by SF Concatenation’s Jonathan Cowie.] In this week’s Media Death Cult Moid Moidelhoff considers Roadside Picnic. Roadside Picnic is in the Goldilocks zone, it is a perfect balance of a straight narrative that requires nothing more than standard plot and characters to make sense. But the sub-text is as thick as porridge… “Tales From The Zone – Roadside Picnic”.

[Thanks to Chris Barkley, Michael Toman, Cat Eldridge, Steven H Silver, Rich Lynch, Jennifer Hawthorne, Scott Edelman, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter. John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Jake.]

Pixel Scroll 6/1/23 Three Little Muad’Dibs From Sand Are We

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(1) FORD PERFECT. Ryan D’Agostino has a tremendously entertaining profile of “Harrison Ford on ‘Indiana Jones,’ ‘Star Wars,’ Career” in Esquire.

….What you don’t know is what happens when they mess up Harrison Ford’s eggs. The plates come, two Farmer’s Breakfasts. Mine’s good: over easy. As Ford cuts into his first poached egg, I’m asking, “So would you say the character of Indiana Jones has some of your own boyhood—”

He lays down his fork and knife. His shoulders droop in defeat.

The egg white is rubbery, the yolk chalky. He looks up at me.

“You couldn’t have been clearer,” I say.

The waiter, seeing a problem, scurries over, eager and recoiling at the same time. Ford just looks up at the poor guy, not with anger but with something worse: disappointment. It’s not a mean look. It’s a look that says, “We can do better, friend.”

The waiter is smiling and trying to speak, and he looks as if he might cry. “Are they . . . not soft?” He slinks away. Ford tries to refocus….

(2) INDY BEGINNING. And if you have Disney+, Slashfilm says these are “The Essential Young Indiana Jones Episodes You Need To Stream On Disney+”.

…Since these revised mini-Indy movies are appearing on Disney+ for the first time, we picked out the six most important episodes you might want to watch as you count down to “Indiana Jones and the Dial of Destiny” … though it must be said that every episode is worth your time…

Their list begins with —

My First Adventure

Exactly as the title says, “My First Adventure” is the first adventure of the young Henry Jones, Jr. It begins with a nine-year-old Indy living at Princeton with his parents when his life gets turned upside down when he has to accompany them on a journey around the world. The family heads to Oxford first, where Indy picks up his tutor, Ms. Seymour. They find themselves in Egypt and Indiana Jones helps T.E. Lawrence (yes, the “Lawrence of Arabia”) solve a murder mystery. Then, they travel to Africa, where Indy learns a lot about colonialism, slavery, and languages. It’s a good taste of what the younger side of Indy’s adventures will hold for audiences and an essential introduction to the series.

(3) ANOTHER FIRST FOR EKPEKI. Oghenechovwe Donald Ekpeki is the first Black winner of the Asimov’s Science Fiction Readers Award editor Sheila Williams told him today. Part of the reason, she adds, is that they published Octavia Butler’s stories, which won major awards, before the Asimov’s SF Readers Award was created.

(4) IT’S REAL! I’M ABSOLUTELY CERTAIN OF IT! [Item by Mike Kennedy.] Prepare for a barrage of proclamations that this is a real ET message, and the government is just covering things up by pretending it’s a test. Pfffft!

In what may be the first piece of interplanetary performance art, a message crafted by an artist to look like an extra terrestrial broadcast is coming from a Mars orbiter. Now people are trying to decipher it. “The Race Is On to Crack an Artist’s ‘Test’ Signal From Aliens” in WIRED.

For decades, a dedicated international band of researchers has searched the skies in the hopes of finding some sign that humanity is not alone in the universe. They’re engaged in SETI, the Search for Extraterrestrial Intelligence. So far, the hunt for an alien signal has turned up only false positives. But that hasn’t stopped anyone from speculating about how people might respond to a real communication attempt. Now, Daniela de Paulis, an artist in residence at the SETI Institute in Mountain View, California, is simulating just such an alien message to see how humans react and whether they can figure out how to decipher it. 

Her group’s project, A Sign in Space, began last week by transmitting a mysterious radio signal from the Trace Gas Orbiter, a European Space Agency craft that’s orbiting Mars. Participating astronomers at the Green Bank Observatory in West Virginia, the Allen Telescope Array in California, and the Medicina Radio Astronomical Station in Italy received the signal, removed the telemetry data, and posted the remaining encoded message on the project’s website for anyone to download. Now it’s up to the people of Earth to crack the code, interpret the message, and—de Paulis hopes—make some art. She and her colleagues are leading a series of online workshops to encourage people to discuss the concept of alien communication, including an event she hosted yesterday at which people shared thoughts and artwork inspired by the project so far….

(5) THE MAN FROM GONDOR. A classic fanfic is now available on the ConChord website, The Tenth Nazgul Affair by William Baker Glass, with illustrations by Richard Paul Glass. Barry Gold has made it available in HTML and EPUB formats.

Napoleon and Illya are engaged in a firefight with several T.H.R.U.S.H. agents when Illya is struck by lightning and ends up in Middle Earth. He helps King Elessar Telcontar (aka Strider) fight off Shelob and one extra Nazgul that somehow survived the destruction of the One Ring.

(6) SOMETHING NICE TO SAY ABOUT AI. Rob Hansen says he’s recently begun using A.I. for extrapolated reconstruction of old photos and sent links to work done on pictures of Forties LASFS members. Bill Burns found the online site to do this and produced this enhanced Tigrina image. Then Hansen  followed with Art Joquel and Sam Russell.

Rob adds, “These are extrapolations rather than reconstructions, of course, but I think the results are pretty remarkable. Using A.I. for good; who’da thunk it?”

(7) EARLIEST RAY. Phil Nichols has launched a “Chronological Bradbury!” sequence with the latest episode of his Bradbury 100 podcast.

The idea is to work through Ray Bradbury’s fiction output in the order of publication, discussing each item as we go.

In this first “Chronological Bradbury”, I start right at the beginning, with a discussion of Ray’s earliest published works, which appeared in amateur magazines in 1938.

(8) FUTURE TENSE. The May 2023 entry in the Future Tense Fiction series from Future Tense and Arizona State University’s Center for Science and the Imagination is Tara Isabella Burton’s “I Know Thy Works”, about an AI designed to compute and uphold our preferred moral systems.

Harry wasn’t a bad person. You just couldn’t take him too seriously, that’s all. Whatever Harry said, whatever Harry did, whatever Harry put down as his meta-ethic, this week, on his Arete profile, be it the ends justify the means or the greatest happiness for the greatest number or do what thou wilt be the whole of the law, Harry never meant a word. Harry changed his meta-ethic more often than he changed his clothes….

It was published along with a response essay “Why it’s so hard to compute ethics” by computer scientist Suren Jayasuriya.

…There’s debate over whether the trolley problem is really the right framing to interrogate ethical choices (specifically whether decisions made in the simulation really reflect what you would choose in real life), and the experiment itself has also been criticized for both its setup and assumptions. But the Moral Machine does provide a fascinating example of an algorithm that observes your ability to make decisions in a handful of tense driving situations, and then spits out a bulleted list of your preferences for saving babies over dogs, and how that compares with the rest of the world (or at least the rest of the people who have taken the test)….

(9) TOOLS FOR FORESIGHT. On Wednesday, June 14 from 12-1 p.m. Eastern, ASU’s Center for Science and the Imagination will be hosting a free virtual event, “Reimagining the Future of [X],” exploring how to build collective visions of the future using science fiction and foresight tools.

The event is the fourth and final in the series for the Applied Sci-Fi Project, which seeks to understand the influence of science fiction on technology and the people who build it, and to study the ways that sci-fi storytelling can a tool for innovation and foresight.

We’ll be joined by our opening speaker, science fiction and nonfiction author Annalee Newitz (The Terraformers, Four Lost Cities) and four special guests: sci-fi author and futurist Tobias Buckell (Arctic Rising, “Zen and the Art of Starship Maintenance”); policy expert, foresight consultant and sci-fi author August Cole (Ghost Fleet, Burn-In); anthropologist Amy Johnson, who researches the use of speculative futures techniques at Harvard’s Berkman Klein Center; and Tory Stephens, climate fiction editor at Grist Magazine. The panel will be moderated by CSI’s managing editor Joey Eschrich, who will also share his perspective on CSI’s own “Future of X” book anthologies, contests, and other projects. 

(10) MEMORY LANE.

1998 – [Written by Cat Eldridge from a choice by Mike Glyer.]

Tricia Sullivan is the writer responsible for our Beginning this time. 

A US-born author who moved to the United Kingdom in 1995. Four years later, she won the Arthur C. Clarke Award for her novel Dreaming in Smoke which is where we get this Beginning. To date, it’s her one Award won. 

She writes SF under her own name and fantasy as Valery Leith. She is a very prolific novelist, writing thirteen novels over a period of twenty-two years.

She’s written a double handful of fiction. Interestingly she stopped getting published six years ago. And she stopped updating her blog seven years ago. There’s a story there, isn’t there? 

Dreaming in Smoke is a Meredith Moment at the usual suspects.

So here’s our Beginning…

my man’s gone now

The night Kalypso Deed vowed to stop Dreaming was the same night a four-dimensional snake with a Canadian accent, eleven heads and attitude employed a Diriangen function to rip out all her veins, then swiftly crocheted them into a harp that could only play a medley of Miles Davis tunes transposed (to their detriment) into the key of G. As she contemplated the loss of all blood supply to her vital organs it seemed to her that no amount of Picasso’s Blue, bonus alcohol rations, or access privileges to the penis of Tehar the witch doctor could compensate for having to ride shotgun to Azamat Marcsson on one of his statistical sprees with the AI Ganesh. She intended to tell him so–as soon as she could find her lungs. Ganesh was murmuring through her interface. 

KALYPSO, IT’S GETTING TOO LOOSE AND KINKY IN HERE.

 ‘Did you hear that, Azamat? Keep it off my wave!’ she sent, annoyed at being reduced to verbing. She simply didn’t have the resources to image him, for by now the snake had decomposed into a flight of simian, transgressive bees, which were in the process of liquefying her perception of left and right. Everything seen through her right eye became negative and sideways. The alarming part was that it didn’t seem to make any difference.

Marcsson’s response came back as a series of pyrotechnical arrays, which, loosely translated, meant, ‘Relax. It’s only math.’ 

I DON’T WANT TO BE YOUR ABACUS, said Ganesh. KALYPSO, GET YOUR DOZE UNDER CONTROL OR I WILL. 

The AI had a point. Kalypso mustered her wits and started cutting sensory intake to the Dreamer, feeling a little defensive about Miles Davis. Maybe she shouldn’t have been listening to the jazz Archives; maybe if she’d endured the boredom of monitoring the feeds between Ganesh and Marcsson she could have cut off the sudden explosion of parameters in the Dream the instant it began. But she had been shotgunning Marcsson for a long time, and he had always been safe. Marcsson had been Dreaming since before Kalypso was even born–he knew what he was doing with the AI, which could take data and weave them into Marcsson’s sensory awareness while he floated in a state of semi-conscious, lucid thought. He could immerse himself in literalized math through Dreams that improved a hundred-fold on the raw visions that humanity had experienced in its sleep for eons. He could be secure in his own safety because he had technique.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 1, 1914 — George Sayer. His Jack: C. S. Lewis and His Times won a Mythopoeic Scholarship Award for Inkling Studies and is considered one of the best looks at that author. He also wrote the liner notes for the J. R. R. Tolkien Soundbook, a Cadmeon release of Christopher Tolkien reading from excerpts from The Silmarillion, The Hobbit and The Lord of The Rings. (Died 2005.)
  • Born June 1, 1926 — Andy Griffith. His most notable SFF genre credit is as Harry Broderick on the late Seventies Salvage I which lasted for two short seasons. Actually that was it, other than a one-off on The Bionic Woman. It’s streaming for free on Crackle whatever the Frelling that is. (Died 2012.)
  • Born June 1, 1928 — Janet Grahame Johnstone, and Anne Grahame Johnstone. British twin sisters who were children’s book illustrators best remembered for their prolific artwork and for illustrating Dodie Smith’s The Hundred and One Dalmatians. They were always more popular with the public than they were with the critics who consider them twee. (Janet died 1979. Anne died 1988.)
  • Born June 1, 1940 — René Auberjonois. Odo on DS9. He’s shown up on a number of genre productions including Wonder Woman, The Outer Limits, Night Gallery, The Bionic Woman, Batman Forever, King Kong, Star Trek VI: The Undiscovered Country, Enterprise, Stargate SG-1 and Warehouse 13. He’s lent both his voice and likeness to gaming productions, and has done voice work for the animated Green Lantern and Justice League series. He directed eight episodes of DS9. And he wrote a lot of novels, none of which I’ve read. Has anyone here read any of them? (Died 2019.)
  • Born June 1, 1947 — Jonathan Pryce, 76. I remember him best as the unnamed bureaucrat in The Adventures of Baron Munchausen. He’s had a long career in genre works including Brazil, Something Wicked This Way Comes as Mr. Dark himself, Pirates of the Caribbean: The Curse of the Black Pearl and Pirates of the Caribbean: At World’s End as Governor Weatherby Swann, The Brothers Grimm, in the G.I. Joe films as the U.S. President and most recently in The Man Who Killed Don Quixote as Don Quixote. 
  • Born June 1, 1950 — Michael McDowell. Screenwriter and novelist whose most well-known work is the screenplay for Tim Burton’s Beetlejuice. He also did work on Burton’s The Nightmare Before Christmas though he’s not listed as the scriptwriter. He wrote eleven scripts for Tales from the Darkside, more than anyone else. And he wrote a lot of horror which Stephen King likes quite a bit. (Died 1999.)
  • Born June 1, 1965 — Tim Eldred, 58. Author and illustrator of Grease Monkey, a most excellent humorous take on space operas and uplifting species.  As an illustrator alone, he was involved in Daniel Quinn’s superb The Man Who Grew Young
  • Born June 1, 1966 — David Dean Oberhelman. Mike has an appreciation of him here.  The Intersection of Fantasy and Native America: From H.P. Lovecraft to Leslie Marmon Silko which he co-wrote with Amy H. Sturgis was published by The Mythopoeic Press. ISFDB lists just one genre essay by him, “From Iberian to Ibran and Catholic to Quintarian”, printed in Lois McMaster Bujold: Essays on a Modern Master of Science Fiction and Fantasy. (Died 2018.)

(12) COMICS SECTION.

  • Poorly Drawn Lines’ Astronaut Bill shows friendship is the best. (And if you go to the link, preceding this date are four or five really great cartoons about various other characters.)

(13) MARRIAGE IS WHAT BRINGS US TOGETHER. Actor Alex Kingston remembers her time on Doctor Who as the Doctor’s enigmatic time-travelling wife in “Alex Kingston on 15 Years of River Song”, a feature in the new issue of Doctor Who Magazine. This excerpt appears at the link.

“I spoke to Steven [Moffat] on the phone and he said, ‘I’ve got this idea and I need to know if you’re available for it, because if you’re not I can’t write this.’ I let him know when I was available and he told me the outline, but I had to swear not to tell anyone. I’m very good at keeping secrets. Matt, Karen and Arthur had guessed I knew something and tried to persuade me to tell them, but I wouldn’t! Even when we had the script for that episode, the reveal wasn’t in it. They kept those pages out so the crew didn’t know. The actors were given the single pages – I’m not even sure when. And even on shooting day, the pages weren’t there and it was only then, at the last minute, that the crew saw the reveal. They managed to keep the secret and avoid any leaks at all. That takes a lot of doing.”

The season climaxed with THE WEDDING OF RIVER SONG (2011), a game-changer that, despite its title, left the status of the relationship between the Doctor and River up to the viewer’s interpretation. “I still get people going, ‘You’re not really married to him because he was a Teselecta!’” Alex laughs, referring to the shape-shifting craft that had taken on the Eleventh Doctor’s form. “I’m like, ‘Thank you very much, I was married to him. I’m his wife!’”

(14) CLIMBING MT. TBR. Lifehacker advises on “How to Actually Read the Books You Buy”. It may be something you already do or it may be news to you. (The actual advice is at the link. Fair is fair.)

…The problem with all of these items is that they are quick to purchase, but take a long time to use. You can add a game to your Steam collection in minutes, but chances are most will take you 20 hours or more to play. (Howlongtobeat.com says Tears of the Kingdom takes 52 hours for the main story alone.)

How many more games will you impulse-buy before you’ve finished that one? How many skeins of yarn will you snap up (they were on sale! And so soft!) before you’ve finished the sweater you’re currently knitting? It’s the same problem as the TBR pile, really. And I promise, there is a solution…

(15) BEFORE 1984. The Guardian reviews “Orwell by DJ Taylor review – a very English socialist”.

…The key to his reading of Orwell is what happened to him in Spain. Though married to Eileen only six months before, he was determined to fight for the Republican cause (“Good chaps, the Spaniards, can’t let them down”) and on his return became far more politically engaged: “at last [I] really believe in Socialism, which I never did before”. But he’d seen bullying and infighting too. For the rest of his life and in his two great novels, this was the war he fought, on behalf of a wholesome, English, sweetly C of E brand of socialism, as opposed to Stalinist totalitarianism….

(16) STRIKES HINDER SCI-FI LONDON. [Item by SF Concatenation’s Jonathan Cowie.] Sci-Fi-London film fest is now go… But sadly rails strikes made its opening day Wednesday difficult for fans to attend except by bus. Rail strike also on Saturday. Nonetheless hoping to make Sunday’s two sessions of shorts and there’s a free cyber tech exhibition and demonstration there too…. 2023-Hackstock.

(17) JAWS: THE OVERBITE. Check out the WTF! photo of a Goblin Shark at the National Geographic.

Swishing through the deep sea, a goblin shark notices a small, yummy-looking squid. The animal inches toward its prey. But as the fish closes in, the snack starts to dart away. So the shark thrusts its jaw three inches out of its mouth! (The jaw is connected to three-inch-long flaps of skin that can unfold from its snout.) The predator then grabs the squid in its teeth. After scarfing down the meal, the shark fits its jaw back into its mouth and swims off….

(18) TURKISH DELIGHT. “Superman towers over the Kremlin: Reiner Riedler’s best photograph” – see it in the Guardian.

…This photo is part of my Fake Holidays series. At the beginning of the project, more than 15 years ago, I went to Lara Beach in Antalya, Turkey, where there is one luxury five-star hotel after another, all along the coastline. On the other side of the road were the tents of the workers who had built the hotels. Luxury hotels are like little ghettoes. You take your plane and your taxi, then you are in the middle of an isolated luxury area.

The Kremlin Palace hotel, where this photo was taken, has an exact copy of Saint Basil’s Cathedral in Red Square, Moscow. I have been to Moscow and seen the original church, which is a focal point – all tourists take a picture there. But here in Turkey, there is a swimming pool in front of the cathedral. I was fascinated. There were many Russian tourists.

I saw a weird guy, an astronaut, walking around the pool. “What’s happening here?” I asked. It turned out the hotel had a huge room with costumes for the entertainers who perform for the tourists. Superman was one of them. I found him by the pool and immediately asked to take his picture. I took about three shots. I chose the photo point, in front of the church with the pool between us, then asked Superman to jump. It was a very childish approach, perhaps, but he did it. The way he jumped was perfect. I felt in the moment: “That’s the picture.”…

(19) IT’S A GUSHER. “James Webb telescope: Icy moon Enceladus spews massive water plume” and BBC News has the photos.

…The new super-plume was spied by the James Webb Space Telescope. Previous observations had tracked vapour emissions extending for hundreds of kilometres, but this geyser is on a different scale.

The European Space Agency (Esa) calculated the rate at which the water was gushing out at about 300 litres per second. This would be sufficient to fill an Olympic-sized swimming pool in just a few hours, Esa said.

Webb was able to map the plume’s properties using its extremely sensitive Near-Infrared Spectrograph (NIRSpec) instrument.

The instrument showed how much of the ejected vapour (about 30%) feeds a fuzzy torus of water co-located with one of Saturn’s famous rings – its so-called E-ring.

“The temperature on the surface of Enceladus is minus 200 degrees Celsius. It’s freezing cold,” commented Prof Catherine Heymans, Astronomer Royal for Scotland.

“But at the core of the moon, we think it’s hot enough to heat up this water. And that’s what’s causing these plumes to come out.

[Thanks to John King Tarpinian, Chris Barkley, Michael Toman, Barry Gold, Lise Andreasen, Joey Eschrich, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]