Tag Archives: Cory Doctorow

Pixel Scroll 11/5/19 The Void Pixel’s Tale

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(1) 2019 WORLD FANTASY AWARDS PHOTO. Lee Whiteside took this picture of the winners and accepters at Sunday’s World Fantasy Awards ceremony.

Left to right: Kathleen Jennings (accepting for Best Novella winner Kij Johnson), Emma Törzs (Best Short Fiction co-winner as well as accepting for co-winner Mel Kassel), C. L. Polk (Best Novel), Tobias S. Buckell (Best Collection with Paolo Bacigalupi), Reiko Murakami (accepting for Best Artist winner Rovina Cai), Irene Gallo (Best Anthology) and Rajan Khanna (accepting for Scott H. Andrews, Special Award – Nonprofessional)

(2) WATCHMEN PODCAST. ScienceFiction.com alerts listeners when “HBO Launches ‘The Official Watchmen Podcast’”.

The Official Watchmen Podcast launches after the third episode of the series airs on November 3rd. Over three episodes, host Craig Mazin (HBO and Sky’s Chernobyl) discusses Watchmen with its Executive Producer and Writer, Damon Lindelof. Join Mazin and Lindelof as they divulge narrative choices, explore the show’s connection with the groundbreaking graphic novel, and how it reflects our modern times. Make sure to watch episodes one through three of Watchmen before listening. The Official Watchmen Podcast is produced by HBO in conjunction with Pineapple Street Studios.

(3) MAKE ROOM. If Marie Kondo didn’t get you started decluttering, maybe this post by Wil Wheaton will do it: “The Purge”. This excerpt is followed by a moving account of the emotional work he went through in the process.

…As I was cleaning up my emotional baggage, working on strategies to protect myself from my abusers, and practicing mindfulness daily, I realized that I had a ton of STUFF just sitting around my house, cluttering up my physical living space the way my emotional trauma and pain was cluttering up my emotional space. So I made a call, and hired a professional organizer to come to my house, go through all my bullshit with me, and help me get rid of all the things I didn’t need any more.

This process was, in many ways, a metaphor.

We spent several days going through my closets, my game room, my storage spaces in my attic and shed, and eventually ended up with FIVE TRUCKLOADS of stuff I didn’t need. Most of it was clothes and books and things that we donated to shelters, which was really easy to unload. I acquire T-shirts so much, I regularly go through my wardrobe and unload half of what I have, so it’s easy to get rid of stuff without any emotional attachments.

But there were some things that were more difficult to get rid of, things that represented opportunities I once had but didn’t pursue, things that represented ideas that I was really into for a minute, but didn’t see through to completion, things that seemed like a good idea at the time but didn’t really fit into my life, etc….

(4) AO3 TO THE RESCUE. Yahoo! will be closing downYahoo! Groups – at least as people are used to it — for good on December 14, by which point all uploaded content will be lost: “Yahoo is shuttering Yahoo Groups. Fandom will never be the same”.

The death of Yahoo Groups is a particular blow to text-based fan communities, which thrived on the platform in the 2000s. Yahoo message boards and email lists were crucial to the early days of fandom, both as a publishing platform and as a semi-private meeting place in the days before social media sites like Tumblr, Twitter, and Reddit. Yahoo Groups were particularly integral to Harry Potter and English-language anime fandoms, overlapping with the rise of Livejournal in the early 2000s. These fannish mailing lists were home to reams of fanfiction and in-depth commentary on pop culture, and spawned lifelong friendships (and, OK, the occasional deathly feud) within their communities.

AO3 has offered sanctuary to fanworks that are at risk because of the Yahoo Groups shutdown:

We have two processes in place — one to move fanworks from Yahoo Groups onto the Archive Of Our Own, and one to download and preserve messages and other content from Yahoo Groups in file systems so moderators and Yahoo Groups users have more than nine weeks to figure out how to preserve and possibly share that content.

Open Doors can only import fanworks archived in Yahoo Groups onto the Archive of Our Own with the consent of the moderator(s). If you are a moderator and would like to import fanworks from your Yahoo Group(s) to AO3, you are welcome to contact Open Doors via our contact form.

…If you’re a moderator who’d like to potentially import your group to the AO3, contact Open Doors and we’ll talk to you about options. For more updates on what’s happening, see announcements or check back on this page.

If you’d like to directly help rescue teams and you want to save only fandom groups, you can use this form to nominate fandom groups OR you can go directly to the public spreadsheet to find nominated groups that still need downloading. (General downloading instructions are here.) If you want to help save fandom groups and many other non-fandom groups, see Archive Team’s chrome extension. Both are worthy efforts and both face a hard deadline of Dec 14.

(5) CONZEALAND MINORS POLICY. Here are some features of CoNZealand’s “Minors Onsite Policy” for the 2020 Wordcon,

A minor is anyone under the age of 18. In New Zealand, the law requires that no minor under the age of 14 be left unattended. …

Overall Policy 

All Kid-in-tow and Child memberships must be tied to an adult membership. All minors under 16 should have a sticker on the back of their badge detailing up to two adults (over 18) who are responsible for them.  

Due to the nature of licensing and regulation in regards to child care in New Zealand, it will not be possible for us to provide child care at CoNZealand. Please refer to the links to nanny and babysitting services at the end of this document.

Memberships

There are three types of memberships for minors at CoNZealand:

  1. Kid-in-tow (no charge)—born in or after 2015 (generally 5 and under)
  2. Child ($105)—born in or after 2005 (generally 5-15)
  3. Young Adult ($250)—born in or after 2000 (generally 15-20)

These age groups do not exactly align with the differing expectations for supervision of minors. New Zealand law requires that no child under the age of 14 be left unattended. 

(6) ABOUT THE CAMPBELL AWARD. If you didn’t read it in August on Boing Boing, Locus Online has reposted Cory Doctorow’s opinion piece, “Jeannette Ng Was Right: John W. Campbell Was a Fascist”.

At the Hugo Awards ceremony at this summer’s Dublin Worldcon, Jeannette Ng was presented with the John W. Campbell Award for Best New Writer. Ng gave an outstanding and brave acceptance speech in which she called Campbell – the award’s namesake and one of the field’s most influential editors – a “fascist” and expressed solidarity with the Hong Kong pro-democracy protesters.

I am a past recipient of the John W. Campbell Award for Best New Writer (2000) as well as a recipient of the John W. Campbell Memorial Award (2009). I believe I’m the only person to have won both of the Campbells, which, I think, gives me unique license to comment on Ng’s remarks, which have been met with a mixed reception from the field.

I think she was right – and seemly – to make her re­marks….

(7) SOMETHING IN COMMON. BBC explains an award and poses a question: “Staunch Book Prize: Should writers ditch female victims?”

From the escapades of an intern-turned-spy in Turkey’s capital to the tale of a priest in 15th Century Somerset, there might not be an obvious connection between the novels shortlisted for this year’s Staunch Book Prize.

But they have one thing in common: none of them involve physical or sexual violence towards women.

The prize, which is in its second year, recognises thrillers in which “no woman is beaten, stalked, sexually exploited, raped or murdered”.

But while some commend it for challenging stereotypes, others accuse it of ignoring social realities.

Speaking to the BBC, shortlisted authors and other writers share their views on why female characters are so often the victims of violence – and whether that needs to change.

(8) GENTLEMEN, BE OBLITERATED. The Space Review’s article “Nuking the site from orbit: when the Air Force wanted a base on the Moon” mentions Heinlein’s 1940s vision of a moon base with atomic weaponry.

…The concept of the Moon as a strategic base apparently dates at least back to 1948 and an article by Robert S. Richardson titled “Rocket Blitz From the Moon” in the mass-market Collier’s magazine. The article was beautifully illustrated by famed space artist Chesley Bonestell. In one Bonestell painting a bullet-shaped rocket (illogically equipped with large aerodynamic fins) is blasting off from a lunar crater. Another rocket stands prepped in the background and a lunar base is tucked into the side of a mountain. In the next illustration—probably Bonestell’s most dramatic painting ever—Manhattan has been blasted with at least three atomic bombs.

Richardson’s article focused primarily on the physics of the Moon: the low gravity, the lack of air, the trajectory and velocity calculations for firing rockets at the Earth. Rather than advocate that the United States should build a lunar rocket base, Richardson warned that another country could undertake a secret project to develop a lunar base and achieve strategic surprise against the United States. He did not clearly explain why the Moon would be a good place for basing missiles other than its presumed safety from Earth observation, and he noted that it would take at least a day for a rocket to reach Earth with its warhead. Considering that there were other means of basing long-range strategic weapons that did not involve the massive cost of a space program and a lunar base, Richardson’s idea was fanciful at best. But Collier’s was a large circulation magazine, not a science fiction pulp, and this short article certainly reached a big audience and probably fired some imaginations.

Richardson was not the only person writing about the possibilities of using space as a platform for attacking Earth. Robert Heinlein co-wrote a non-fiction article in August 1947, also for Collier’s, called “Flight into the Future.” Heinlein and his co-author, US Navy Captain Caleb Laning, suggested basing atomic weapons in orbit, and Heinlein later used this idea in his book Space Cadet. The 1950 movie Destination Moon, which Heinlein co-wrote, also echoed a similar theme (see “Heinlein’s ghost (part 1)”, The Space Review, April 9, 2007). One of the characters in the movie explains why a lunar base is necessary: “There is absolutely no way to stop an attack from outer space. The first country that can use the Moon for the launching of missiles will control the Earth. That, gentlemen, is the most important military fact of this century.”…

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 5, 1938 — Jim Steranko, 81. His breakthough series  was the Sixties “Nick Fury, Agent of S.H.I.E.L.D.” feature in Marvel Comics’ Strange Tales and in the subsequent debut series. His design sensibility is widespread within and without the comics industry effecting even Raiders of the Lost Ark and Bram Stoker’s Dracula as he created the conceptual art and character designs for them. He was inducted into the comic-book industry’s Will Eisner Comic Book Hall of Fame in 2006.
  • Born November 5, 1942 — Frank Gasperik. Tuckerized in as a character in several novels including Lucifer’s Hammer as Mark Czescu, and into Footfall as Harry Reddington aka Hairy Red,  and in Fallen Angels, all by Larry Niven and Jerry Pournelle. He was a close friend of both and assisted Pournelle on his Byte column. To my knowledge, he has but two writing credits which are he co-wrote a story, “Janesfort War”, with Leslie Fish that was published in Pournelle’s War World collection, CoDominium: Revolt on War World, and “To Win the Peace” co-written with Leslie Fish which was published in John F. Carr’s War World: Takeover. He was a filk singer including here doing “The Green Hills of Earth”. (Died 2007.)
  • Born November 5, 1944 — Carol Anne Douglas, 75. Although she has two inarguably genre series In the  Delilah Street, Paranormal Investigator and the Sword and Circlet novels, I’m here to pitch to you her Social Justice Warrior credential series instead (and dissenters can now go elsewhere) in the form of her Midnight Louie series.  Each novel is told in part from the point of view of Midnight Louie, the cat himself in a style some say is like that of a Damon Runyon character.
  • Born November 5, 1949 — Armin Shimerman, 70. Quark on Deep Space Nine. And Principal Snyder on Buffy the Vampire Slayer who if I remember correctly came to a very bad end.  He had the recurring role of Pascal on Beauty and the Beast. He also played Professor George Edward Challenger in the later Nineties Lost World film.
  • Born November 5, 1960 — ?Tilda Swinton, 59. Her take as Rosetta/Ruby/Marinne/Olive in Teknolust might be the most weird genre role she’s done but I like her take as The White Witch in The Chronicles of Narnia: The Lion, the Witch and the Wardrobe as her best role to date. Mind you her Gabriel in Constantine was frelling strange…
  • Born November 5, 1961 — Sam Rockwell, 58. First in our area of interest as the Head Thug in Teenage Mutant Ninja Turtles. I’ve got him next being Francis Flute in A Midsummer Night’s Dream, not a role I knew. Ahhh, Guy Fleegman on Galaxy Quest. And lastly, he was Zaphod Beeblebroxin The Hitchhiker’s Guide to the Galaxy. 
  • Born November 5, 1964 — Famke Janssen, 55. Her first genre role was Xenia Onatopp in the Bond film GoldenEye and her longest running genre role was as Jean Grey / Phoenix (Dark Phoenix) in the X-Men film series. Counting horror which I do, she’s got a number of genre appearance including Lord of Illusions, The Wolverine, House on Haunted Hill, Deep Rising and Star Trek: The Next Generation, 
  • Born November 5, 1970 — Tamzin Outhwaite, 49. She was Detective Inspector Rebecca Flint on Paradox, a SF police series that ran for just five episodes and received really harsh reviews. Her only other SF role was as the Captain in an Eleventh Doctor story, “Nightmare in Silver” which was scripted by Neil Gaiman. 

(10) BE FREE! ABC news reports “Chicago book returns surge 240% after city eliminates fines”.

“Just by word of mouth and also on the library’s social media pages like Facebook, we saw a lot of patrons say, ‘Oh my God. This is so great. I’m gonna bring back my books. I’ve been hesitant to come back to the library because I owe these fines,'” Telli said.

Chicago became the nation’s first major city to forgo overdue fines, which went into effect Oct. 1 and erased all outstanding fees. Mayor Lori Lightfoot framed the policy change as her latest attempt to remove barriers that deter youth and low-income patrons.

Lightfoot is also making an effort to open libraries on Sundays. The mayor’s 2020 budget includes an $18 million property tax increase to honor her promise to establish Sunday hours at Chicago’s 81 libraries. Currently, the Harold Washington central library and three regional libraries are open 1 p.m. to 5 p.m. on Sundays.

(11) NEVER? WELL, HARDLY EVER. Even Book View Café’s  Madeleine E. Robins will sometimes “RTFM*”.

I am, by nature, a dive-in-and-figure-it-out sort of technology user. This may come from my early days as a computer user, when my then room-mate and sometime business partner dropped a box on my desk and said “we’re doing a user’s manual for X Corp. Can you learn this” — this being PageMaker, the forerunner of InDesign, a page layout program–“by next week? I should have copy for you then.”

Reader, I did not rise up and slay him; I learned the program, eventually well enough that I taught classes in it. I still use those skills:  one of the things I do at my day job is to use InDesign to produce the posters, ads, and other marketing materials that the museum I work at needs for promotion….

(* Read the Fucking Manual.)

(12) PERFECTLY CLEAR. Will this New York Times opinion piece make it all better? Next question! “Martin Scorsese: I Said Marvel Movies Aren’t Cinema. Let Me Explain.”

…In the past 20 years, as we all know, the movie business has changed on all fronts. But the most ominous change has happened stealthily and under cover of night: the gradual but steady elimination of risk. Many films today are perfect products manufactured for immediate consumption. Many of them are well made by teams of talented individuals. All the same, they lack something essential to cinema: the unifying vision of an individual artist. Because, of course, the individual artist is the riskiest factor of all.

I’m certainly not implying that movies should be a subsidized art form, or that they ever were. When the Hollywood studio system was still alive and well, the tension between the artists and the people who ran the business was constant and intense, but it was a productive tension that gave us some of the greatest films ever made — in the words of Bob Dylan, the best of them were “heroic and visionary.”

Today, that tension is gone, and there are some in the business with absolute indifference to the very question of art and an attitude toward the history of cinema that is both dismissive and proprietary — a lethal combination. The situation, sadly, is that we now have two separate fields: There’s worldwide audiovisual entertainment, and there’s cinema. They still overlap from time to time, but that’s becoming increasingly rare. And I fear that the financial dominance of one is being used to marginalize and even belittle the existence of the other….

(13) ELRIC MEETS DUNGEON SYNTH. A Moorcock-obsessed United Kingdom musician who goes by the name Elric is working in the “dungeon synth” genre (an eerie combination of goth, classical, and folk tunes played on 80s synths). The releases are on Bandcamp and are named “Antihero”, “Stormbringer”, and “Elric of Melnibone”. They are all “name your price.” As Bandcamp said about one of the releases:

It’s safe to say that fantasy literature and role-playing games (the tabletop and the video variety) loom large in the world of Dungeon Synth, and Elric expertly combines both of them. Inspired by the chiptune soundtracks of games like Chrono Trigger and Secret of Mana as well as (obviously) the fantasy novels of Michael Moorcock, Elric’s music is the perfect soundtrack to crawling through (16-bit) alcoves, searching for abandoned potions and treasure while trying to avoid the hungry ghouls hidden in the shadows.”

(14) DO ME A SOLID. “Searching For Solid Ice As Scientists Freeze In To Study A Warming Arctic” – BBC delivers lots of meaty detail and pictures.

High up in the Arctic Ocean close to the North Pole, a solitary ship floats in darkness, moored to an expansive piece of ice.

If all goes according to plan the ship will remain with that ice for an entire year, so that scientists on board can study the Arctic system and how it’s responding to climate change.

It’s a project called the Multidisciplinary drifting Observatory for the Study of Arctic Climate (MOSAiC). But finding a piece of ice thick and stable enough to host the mission’s science and logistics is not easy, and there may be challenges for the ice and the scientists in the months ahead.

…The MOSAiC expedition – about a decade in the planning – is an international collaboration involving hundreds of scientists and almost 20 countries. Their goal is to better understand the changing Arctic and improve how it’s represented in climate models.

“We need this information because the Arctic is changing so rapidly, and it’s a place that we have not observed very well in the past,” says Matthew Shupe, an atmospheric scientist with the University of Colorado and the National Oceanic and Atmospheric Administration and a co-coordinator for MOSAiC.

The last time scientists looked at the Arctic Ocean system so comprehensively was more than 20 years ago. But the Arctic has been warming at twice the rate of the rest of the world, and the picture there has changed dramatically.

That’s why these researchers want a year out in the ice: to get an updated look at how the physics, the chemistry, and the biology of this area work during all four seasons.

(15) BIG HOOCH. NPR finds “Climate Change Is Disrupting Centuries-Old Methods Of Winemaking In France”.

In France, climate change is already impacting one of the country’s most emblematic industries — winemaking. French vintners say heat, drought and erratic weather is altering the landscape and their centuries-old way of working.

Brothers Remi and Gregoire Couppé are fourth generation winemakers who craft a top vintage, grand cru St Emilion. In the last few years they’ve been confronted with some new challenges. Forty-four-year-old Remi Couppé says there’s no denying the weather is getting hotter and drier.

“Because of the grapes. They show us the change,” he says. “Especially in alcohol. The alcohol level has been getting higher in the last five years.” These days, the alcohol content by volume can reach 15%, he says; when he was a boy, “it was maximum 12 [% ABV]. It’s causing me some problems when I start the vinification process, because I have to use new yeast to avoid too much alcohol. It’s really new for me.”

The higher alcohol levels come from increased sugar in the grapes due to more sun and heat. What’s also new are some of the plants sprouting up between the vines. Couppé picks a flowery-looking weed, holding it up to the blazing sun. “This plant is from the south of Europe and I never saw it here in my life before four years ago.”

Couppé says you have to be careful when using the mechanized harvester now, because such plants can get mixed in and ad a taste to the grapes.

The brothers say in the past three years they’ve completely stopped a process called “stripping,” where most of the vine leaves are removed just before the harvest. Now they need the leaves’ shade to keep the grapes from burning on the vine. Couppé points to a shriveled, sun-exposed cluster of grapes next to the dark, plump ones still shaded by the leaves.

(16) OUTSIDE OPINION. BBC tells how “Voyagers shed light on Solar System’s structure”.

Data sent back by the two Voyager spacecraft have shed new light on the structure of the Solar System.

Forty-two years after they were launched, the spacecraft are still going strong and exploring the outer reaches of our cosmic neighbourhood.

By analysing data sent back by the probes, scientists have worked out the shape of the vast magnetic bubble that surrounds the Sun.

The two spacecraft are now more than 10 billion miles from Earth.

Researchers detail their findings in six separate studies published in the journal Nature Astronomy.

“We had no good quantitative idea how big this bubble is that the Sun creates around itself with its solar wind – ionised plasma that’s speeding away from the Sun radially in all directions,” said Ed Stone, the longstanding project scientist for the missions.

[Thanks to Daniel Dern, Lee Whiteside, Cat Eldridge, JJ, Chip Hitchcock, Rob Thornton, Cora Buhlert, John King Tarpinian, Martin Morse Wooster, Mike Kennedy, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 10/26/19 A Møøse Once Bit My Pixel

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(1) MORE MCU DEFENDERS, ER, AVENGERS SPEAK OUT. On The Late Show with Stephen Colbert, “The Avengers Respond To Marvel Movie Critics.”

You’re right, Hulk. The “Godfather” films do glorify violence.

(2) HELP IS ON THE WAY. S.L. Huang’s Ask an Author post “Cancelling Contracts and Norms in Publishing” does a full-spectrum post about contract cancellation – its infrequency, significance, how it can be handled badly, how a publisher ought to handle it, and what an author can do.

What makes cancellations worse:

There are two interrelated problems when a publisher has to suddenly cancel multiple contracts. The first is biting off more than they could chew as a press, which obviously isn’t ideal and can be a worrying comment on the state of their business, but it can happen without ill intent. But the second is how the publisher handles it.

Here are some things that can escalate a cancellation from unfortunate to disturbingly unprofessional: …

What a publisher should do in a situation like this:

Clarity. Communication. Transparency. Exploring any possible avenues before taking a route so extreme. If there are no other options, then: Apology, honest dialogue, taking responsibility, an immediate reversion of rights, an admission of the disservice they’ve done to the authors.

Ideally, a kill fee would be offered.

S&%t happens in publishing. How we treat people when it does is important. And yes, this is a business — but businesses have ethics, and norms, and professionalism. Contracts should be treated as if they mean something.

(3) TRICK OR TRICK. Former Horror Writers Association President Lisa Morton clues in the Washington Post about “The frightening history of Halloween haunted houses”.

It is unclear why exactly the pranks got so bad. Irish immigrants had carried over the Halloween tradition of pranking to the United States, but they had been pretty innocent. One of the most popular was to disassemble a neighbor’s front gate and reassemble it on top of a building. That one was so common that some people called Halloween “Gate Night.”But by the 1920s and ?30s, teenage boys had co-opted the pranking tradition, and they were on a Halloween warpath. They broke streetlights. They started fires. They tied wires across sidewalks to trip people….

“They were costing cities millions of dollars even in the early ’30s,” said Lisa Morton, author of “Trick or Treat: A History of Halloween,” in an interview with The Post. “There were a lot of cities that were really considering banning the holiday at that point. It was really, really intense.”

Parents and civil groups needed a solution. A distraction. Or a bribe.

And from this cauldron of parental panic, they pulled out an idea that, to this day, is part of what defines American Halloween.

They thought to throw the kids a party, but “because this was the Great Depression, a lot of people didn’t have the money … so one of the first things they did was called ‘house-to-house parties.’”

And the Guardian’s PD Smith devotes an article to Morton’s book in “Trick or Treat by Lisa Morton review – a history of Halloween”.  

(4) ALL OF HISTORY AND MORE Rudy Rucker’s book review “Two Dimensional Time and Annalee Newitz’s 2nd Novel” incorporates a detailed study of the genre’s different approaches to time travel – a virtual candy store of ideas.

The Newitz Option: Two Dimensional Time

Newitz takes an approach to the time paradoxes that’s kind of strange. She allows time travel and timeline editing. But she insists that there’s only one timeline. No parallel timelines, no branching timelines. Just our one timeline: “Our only timeline, whose natural stability emerged from perpetual revision.”

So, somehow, when you travel back in time, you alter the timeline..for everyone. But you yourself remember how it was before the change. This might be viewed as hopping to a different timestream, but Newitz doesn’t want that. She wants to have just one timestream. But the timestream is changing.

(5) FUTURE TENSE. Slate’s latest Future Tense story is Cory Doctorow’s “Affordances”, about how technical restrictions start with powerless people before coming for us all.

…Ninety-Two’s work in Building 34 was as an exceptions—catcher for a Re-Cog facial recognition product. All around the world, millions of people stepped in front of cameras and made a neutral face and waited: for their office door to unlock, for the lift to be summoned, for the gates at the airport to swing open. When the camera couldn’t figure out their face, it asked them to try again, and again, and again. Then it threw an exception, and 92, or someone else in Building 34, got a live view of the feed and tapped an icon: NO-FACE (for anything that wasn’t a face, like a picture of a face, or a balloon, or, one time, a pigeon); BAD SCENE (poor lighting, dirt on the lens); CRIME (once, a decapitated man’s head; once, an unconscious woman; once, a woman in terror, a hand in her hair); and OTHER (for suspected malfunctions).

Nettrice Gaskins, an artist-educator who collaborates with A.I., wrote the response essay “Not Just a Number”.

In “Affordances,” we see various forms of intelligence agents erase people’s names and identities, particularly those who are held back by and are fighting societal barriers. These people are reduced to numbers, to maps of their faces, to their risk scores. Facial recognition software identifies protesters and otherwise serves as a technological gatekeeper. Online filters flag or block video footage of migrants, and racially biased algorithms determine whether alleged perpetrators are taken into custody or released. In our world, the power of Facebook, Google, and other technology companies is so immense that it can feel futile to push back against them, especially for marginalized groups. But that sense of helplessness can also enable a dangerous complacency. It is exactly because these companies are so powerful that we need people to interrogate their work and challenge it….

(6) A BIG SQUEEZE FOR MAKING LEMONADE. James Davis Nicoll shows Tor.com readers “Five Ways To Benefit If Planet 9 Turns Out To Be a Black Hole”.

Finding a five-Earth-mass, ten-centimetre-diameter, 0.004 Kelvin object somewhere in the outer boroughs of the Solar System should be easy—I’m sure that some grad student or professor angling for tenure is hard at work right now! But what would be the use to the rest of us of a five-Earth-mass, ten-centimetre-diameter, 0.004 Kelvin primordial black hole (PBH) orbiting somewhere in the outer boroughs of the Solar System?

OK, sure: if it’s there, it offers us the chance to do some wonderful science; we’d be able to run experiments in regions of intense gravity. But people in general don’t seem to care all that much about pure science. So, what applied applications are there?

(7) TRIVIAL TRIVIA.

Ray Bradbury did not like the ending of It’s The Great Pumpkin Charlie Brown! because the Great Pumpkin did not appear.  Chuck Jones was a friend of Ray’s and he did not like the ending either.  Together they wrote a script about Halloween.  They could not sell it to any studio.  So, Ray turned the script into his book, The Halloween Tree.  The book was successful enough, it has never gone out of print, and it was finally sold as a half-hour animation special, which won an Emmy in 1994.  The lead character was voiced by Leonard Nimoy. [Source: John King Tarpinian.]

(8) TODAY IN HISTORY.

  • October 26, 1984 — Gale Anne Hurd and James Cameron’s The Terminator premiered. Starring Arnold Schwarzenegger and Linda Hamilton, it was received well by reviewers and audience alike with the notable exception of Ellison who noted successfully that the screenplay was based on a short story and the “Soldier” episode of The Outer Limits he had written. 
  • October 26, 1984  — V finally premiered as a regular weekly series  with “Liberation Day”. There were two previous miniseries.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 26, 1942 — Bob Hoskins. I’ll insist his role as Eddie Valiant in Who Framed Roger Rabbit? is his finest genre role though I suppose Mario Mario in Super Mario Bros. could be said… Just kidding! He’s the Director of The Raggedy Rawney which he also had a role, a strange might be genre film, and he’s Smee in Hook as well. (Died 2014.)
  • Born October 26, 1945 — Jane Chance, 74.Scholar specializing in medieval English literature, gender studies, and J. R. R. Tolkien with a very, very impressive publication list for the latter such as Tolkien’s Art: A “Mythology for England, Tolkien the Medievalist, The Lord of the Rings: The Mythology of Power and Tolkien, Self and Other: “This Queer Creature”. 
  • Born October 26, 1954 — Jennifer Roberson, 65. Writer of of fantasy and historical romances. The Chronicles of the Cheysuli is her fantasy series about shapeshifters and their society, and the Sword-Dancer Saga is the desert based adventure series of sort, but the series I’ve enjoyed her Sherwood duo-logy that consists of Lady of the Forest and Lady of Sherwood which tells that tale from the perspective of Marian. Her hobby, which consumes much of her time, is breeding and showing Cardigan Welsh Corgis.
  • Born October 26, 1960 — Patrick Breen, 59. He’s Redgick, a Squid, a minor character that appeared in Men in Black. In beloved Galaxy Quest, he’s Quellek, a Thermian who forms a bond with Alexander Dane. it’s a wonderful role. 
  • Born October 26, 1962 — Cary Elwes, 57. He’s in The Princess Bride as as Westley/Dread Pirate Roberts/The Man in Black. He also shows up in Dr. Lawrence Gordon in the Saw film franchise, and was cast as Larry Kline, Mayor of Hawkins, for the third season of Stranger Things.
  • Born October 26, 1963 — Keith Topping, 56. Some of the best Who stories aren’t televised but written. The Hollow Men, his Seventh Doctor novel, is damn good and riffs off a Fifth Doctor story. He’s also written guides to that show plus The Avengers, Trek, Buffy and the X-Files.
  • Born October 26, 1971 — Jim Butcher, 48. I really don’t know how far I got in the the Dresden Files, at least though Proven Guilty, and I will go back to it eventually. Who here has read his Cinder Spires series which sounds intriguing? 
  • Born October 26, 1971 — Anthony Rapp, 48. Lieutenant Commander Paul Stamets on Discovery. His first role ever was Wes Hansen in Sky High, showed up early in his career as Jeff Glaser in the “Detour” episode of X-Files. He was Seymour Krelbourn in a national tour of Little Shop of Horrors.
  • Born October 26, 1973 — Seth MacFarlane, 46. Ok, I confess that I tried watching the Orville which he created and is in and it just didn’t appeal to me. For those of you who are fans, why do you like it? Having it described as trying to be a better Trek I admit ain’t helping.

(10) GO AWAY OR I SHALL TAUNT YOU SOME MORE. Myke Cole and Sam Sykes got into it again.  Thread starts here (I hope).

And on the sidelines…

(11) THE FULL LID. Alasdair Stuart previews The Full Lid 25th October 2019.

Here’s the opening paragraph from the entry about Clipping.

Clipping are one of the most interesting musical acts on the planet right now. Jonathan Snipes, William Hutson and Daveed Diggs don’t so much embody modern hiphop as surround it. Diggs, best known of course as everybody’s favorite fighting Frenchman, is the crispest MC on Earth, No syllable escapes his sight, no word or metaphor gets free from the specific gravity of his boundless, graceful flow. This is a man who dances with the words, building structures and meaning, narrative and plot out of them and demolishing it just as easily. Snipes and Hutson in the meantime, excel at building audio landscapes for Diggs to bound across and occasionally be pursued through.Vast walls of noise, found audio, field recordings, structural jokes and aural wit. It’s all here and all at the control of these three flat out musical geniuses. And, in There Existed An Addiction to Blood, they’ve produced another genre adjacent work which is both completely in line with their previous work and sees them evolve once again.

(12) GREAT LEAP FORWARD. According to Forbes, “The UK’s First Moon Rover Will Be A Tiny Jumping Spider In 2021”.

Spacebit, a U.K.-based startup, has announced details of its planned lunar mission in 2021 – revealing a spider-shaped rover that will scuttle across the lunar surface.

As we first revealed last month, Spacebit has a contract with U.S. firm Astrobotic to hitch a ride on their Peregrine lunar lander. Originally part of the canceled Google Lunar XPRIZE, this private endeavor will now attempt to reach the Moon after launching on a Vulcan rocket from Cape Canaveral in Florida in late 2021.

(13) WORTHY OF A MUSEUM. Behind a paywall In the October 21 Financial Times, Tom Faber profiles Jenova Chen, whose moody and artistic games have been exhibited at the Museum of Modern Art and the Smithsonian American Art Museum.

Chen studied computer programming before moving to California to enrol at the University of Southern California.  It was there that he made Cloud, a game inspired by periods he spent hospitalised as an asthmatic child. Players are cast as a boy who daydreams about flying out of his hospital window and manoeuvering clouds to combat pollution.  For Chen it was wish-fulfillment.  In Shanghai there’s a lot of pollution, but during my childhood everyone said it was mist,’ he says.  ‘I think making the game I was subconsciously trying to clean the city and the air.’

It was an unusual game, with no scores, violence or competition. Still, it went viral, crashing the university servers with more than 600,000 downloads.  Chen received messages from fans all over the world.  ‘They told me they cried while playing, I think because of the deep desire to feel free.  People need to know gaming is not just about guns, soccer, and competition,’ he says.  ‘It can be something healing and positive.’

(14) VARIATIONS ON A THEME. The South China Morning Post tells readers “What cosplay is like in China, where home-grown heroes thrive, ‘play’ is emphasised and it’s not all about copying”. 

…Having characters that look Chinese matters, especially when the cosplay industry is obsessed with exactly replicating fictional characters, but the irony of cosplay in China is that it is less about copying and more about interpretation. According to Wang Kanzhi’s research for a master’s programme in East Asian Studies at Lund University in Sweden, cosplay in China is more open to interpretation because the “Great Firewall” has isolated the community from not only other cosers but also original source materials.

“Due to the different understanding of the original pieces, local cosplayers tend to add their own ideas and points of view into the activity, which obviously changes the original characters,” Wang says. “In other words, the local cosplayers do not only duplicate fictional characters, but add their own creative points to the original form and content.”

(15) LIGHTEN UP. NPR’s Mark Jenkins reports that “‘The Current War: Director’s Cut’ Shines At Low But Steady Wattage”.

Electricity’s domestication is a triumph of American ingenuity. But The Current War, despite depicting the likes of Thomas Edison and George Westinghouse, doesn’t feel very American at all. That’s probably one of the reasons the movie was received with so little enthusiasm when it debuted at the 2017 Toronto Film Festival. (Another problem is that the film was then a product of the Weinstein Co., which collapsed soon after.)

As its subtitle announces, The Current War: Director’s Cut is the not the same movie that nearly succumbed to critical disdain more than two years ago. For those of us who didn’t see the original, ascertaining any improvement is impossible. But the latest version is not bad at all. It’s just sort of odd.

Of the three central characters, only Westinghouse is played by an American, Michael Shannon. As Edison, Benedict Cumberbatch employs an accent that is, well, not British. Nicholas Hoult’s Nikola Tesla speaks in an indeterminate Eastern European mode that can be heard, symbolically at least, as true to his Austro-Serbian-Croatian origins.

The movie doesn’t mention that Tesla had worked for an Edison-affiliated company in Paris before was he encouraged to move to the U.S. In this telling, he’s hired on a whim by the Wizard of Menlo Park, who’s eager to light American cities with his newly perfected bulbs, powered by direct current.

Edison’s nemesis is Westinghouse, who promotes alternating current — cheaper and more versatile but potentially deadly. The two men are competing for the same prize: a contract to illuminate Chicago’s Columbian Exposition in 1893, a full 13 years after the film’s event-packed story begins. Edison wants to win so badly that he’s prepared to electrocute large animals to demonstrate AC’s dangers.

(16) GAMER STRIKES BACK. Not exactly man bites dog: “Gamer buys Fallout 76 add-on domain to criticise Bethesda”.

What would you do if a company did something you didn’t like?

Some people would take to social media to voice their frustrations. Others might consider writing a letter to the business.

But when game developer Bethesda introduced a new subscription to their online game Fallout 76, David Chapman felt he had to do something with more impact.

He made a website.

And not just any website – he pinched the domain from right under the developer’s nose, so anyone looking for information about the subscription would instead be greeted with his critique.

“My motivation stems from a frustration with Bethesda,” he told the BBC. “And in general the current trend of the gaming industry.”

He added: “They said players had been asking for this – players never asked to pay a subscription for features hidden behind a pay wall.

“That was the straw that broke the camel’s back and made me make this website.”

Wait, what did Bethesda do?

Bethesda Softworks developed and published post-apocalyptic game Fallout 76.

It is an online-only game, meaning that gamers must be connected to the internet to play, and will see other people they don’t know while they’re playing.

There is no monthly cost to play online, but in a sense this is about to change.

Now players will be offered additional features which affect the gameplay, such as the ability to play without strangers or store as many items as they like, for the annual price of £99.99.

The new service, called Fallout 1st, has angered gamers who point out Bethesda promised not to charge for additional features in the past.

(17) THE ADLER SANCTION. “Migrating Russian eagles run up huge data roaming charges”.

Russian scientists tracking migrating eagles ran out of money after some of the birds flew to Iran and Pakistan and their SMS transmitters drew huge data roaming charges.

After learning of the team’s dilemma, Russian mobile phone operator Megafon offered to cancel the debt and put the project on a special, cheaper tariff.

The team had started crowdfunding on social media to pay off the bills.

The birds left from southern Russia and Kazakhstan.

The journey of one steppe eagle, called Min, was particularly expensive, as it flew to Iran from Kazakhstan.

Min accumulated SMS messages to send during the summer in Kazakhstan, but it was out of range of the mobile network. Unexpectedly the eagle flew straight to Iran, where it sent the huge backlog of messages.

The price per SMS in Kazakhstan was about 15 roubles (18p; 30 US cents), but each SMS from Iran cost 49 roubles. Min used up the entire tracking budget meant for all the eagles.

…The SMS messages deliver the birds’ coordinates as they migrate, and the team then use satellite photos to see if the birds have reached safe locations. Power lines are a particular threat for the steppe eagles, which are endangered in Russia and Central Asia.

(18) TASTES LIKE CHICKEN. All That’s Interesting invites you to “Be One Of The First In History To Witness A Supermassive Black Hole Destroy A Star”.

Have you ever wondered what a star looks like as it’s ripped apart by a supermassive black hole? Probably not. But thanks to the diligent eyes at NASA and Ohio State University, you don’t have to wonder, you can see it for yourself.

According to local Ohio radio station WOSU, a NASA satellite and a network of robotic telescopes known as the All-Sky Automated Survey for Supernovae — or ASAS-SN for short — located at the university captured the cosmic battle for the first time on film.

[Thanks to JJ, Cat Eldridge, John King Tarpinian, Mlex, Mike Kennedy, Martin Morse Wooster, John A Arkansawyer, Chip Hitchcock, and Andrew Porter for some of these stories.  Title credit goes to File 770 contributing editor of the day Cassie B.]

Storm Over Campbell Award

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The John W. Campbell Award for Best New Writer has been presented at the Worldcon since 1973, two years after Campbell’s death. The 47th winner was Jeannette Ng. Will there be a 48th? Many are responding to her acceptance remarks with a call to change the name of the award.

Although voting is administered by the Worldcon, the award belongs to Dell Magazines, publisher of Analog. It was named for him because Campbell edited Astounding/Analog for 34 years and in his early years at the helm he introduced Heinlein, Asimov, and many other important sf writers, reigning over what was called by the time of his death the Golden Age of SF. That cemented his legend as a discoverer of talent (regardless that in later years he passed on submissions from any number of talented newcomers incuding Samuel R. Delany and Larry Niven).

A revised version of Jeanette Ng’s acceptance remarks is posted at Medium, “John W. Campbell, for whom this award was named, was a fascist”, with the profanity removed and other corrections made.

A video of the actual speech is here —

Jeannette Ng’s tweets about the reaction include —

Annalee Newitz commented:

Rivers Solomon, another Campbell nominee, posted screenshots of the acceptance speech they would have given. Thread starts here.

N.K. Jemisin explains why the term “fascist” in Ng’s speech is apposite. Thread starts here.

https://twitter.com/nkjemisin/status/1163896054426820615
https://twitter.com/nkjemisin/status/1163897427616776193

Alec Nevala-Lee, author of Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction, says:

https://twitter.com/nevalalee/status/1163944638992060417

Past Campbell Award winner (2000) Cory Doctorow supported Ng in an article at Boing Boing: “Read: Jeannette Ng’s Campbell Award acceptance speech, in which she correctly identifies Campbell as a fascist and expresses solidarity with Hong Kong protesters”.

Jeannette Ng’s speech was exactly the speech our field needs to hear. And the fact that she devoted the bulk of it to solidarity with the Hong Kong protesters is especially significant, because of the growing importance of Chinese audiences and fandom in sf, which exposes writers to potential career retaliation from an important translation market. There is a group of (excellent, devoted) Chinese fans who have been making noises about a Chinese Worldcon for years, and speeches like Ng’s have to make you wonder: if that ever comes to pass, will she be able to get a visa to attend?

Back when the misogynist/white supremacist wing of SF started to publicly organize to purge the field of the wrong kind of fan and the wrong kind of writer, they were talking about people like Ng. I think that this is ample evidence that she is in exactly the right place, at the right time, saying the right thing.

… When Ng took the mic and told the truth about his legacy, she wasn’t downplaying his importance: she was acknowledging it. Campbell’s odious ideas matter because he was important, a giant in the field who left an enduring mark on it. No one disagrees about that. What we want to talk about today is what that mark is, and what it means.

Another Campbell winner, John Scalzi, tried to see all sides in “Jeannette Ng, John W. Campbell, and What Should Be Said By Whom and When” at Whatever.

… You can claim the John W. Campbell Award without revering John W. Campbell, or paying him lip service, and you can criticize him, based on what you see of his track record and your interpretation of it. The award is about the writing, not about John W. Campbell, and that is a solid fact. If a recipient of the Campbell Award can’t do these things, or we want to argue that they shouldn’t, then probably we should have a conversation about whether we should change the name of the award. It wouldn’t be the first time an award in the genre has been materially changed in the fallout of someone calling out the problems with the award’s imagery. The World Fantasy Award was changed in part because Nnedi Okorafor and Sofia Samatar were public (Samatar in her acceptance speech!) about the issue of having a grotesque of blatant racist HP Lovecraft as the trophy for the award. There was a lot of grousing and complaining and whining about political correctness then, too. And yet, the award survives, and the new trophy, for what it’s worth, is gorgeous. So, yes, if this means we have to consider whether it’s time to divorce Campbell from the award, let’s have that discussion.

Now, here’s a real thing: Part of the reaction to Ng’s speech is people being genuinely hurt. There are still people in our community who knew Campbell personally, and many many others one step removed, who idolize and respect the writers Campbell took under his wing. And there are people — and once again I raise my hand — who are in the field because the way Campbell shaped it as a place where they could thrive. Many if not most of these folks know about his flaws, but even so it’s hard to see someone with no allegiance to him, either personally or professionally, point them out both forcefully and unapologetically. They see Campbell and his legacy abstractly, and also as an obstacle to be overcome. That’s deeply uncomfortable.

It’s also a reality. Nearly five decades separate us today from Campbell. It’s impossible for new writers today to have the same relationship to him as their predecessors in the field did, even if the influence he had on the field works to their advantage….

Bounding Into Comics’ Spencer Baculi unexpectedly followed Doctorow’s and Scalzi’s lead, even though the site often covers the work of Jon Del Arroz and Vox Day’s Alt-Comics: “2019 John W. Campbell Award Winner Jeanette Ng Labels Influential Sci-Fi Author as a “Fascist” During Acceptance Speech”.

…Ng’s assessment of Campbell is undoubtedly informed by Campbell’s personal politics and beliefs and those who have written about him. Campbell argued that African-Americans were “barbarians” deserving of police brutality during the 1965 Watts Riots, as “the “brutal” actions of police consist of punishing criminal behavior.” His unpublished story All featured such racist elements that author Robert Heinlein, who built upon Campbell’s original story for his own work titled Sixth Column, had to “reslant” the story before publishing it. In the aftermath of the Kent State massacre, when speaking of the demonstrators murdered by the Ohio National Guard, Campbell stated that “I’m not interested in victims. I’m interested in heroes.” While difficult to presume where Campbell’s beliefs would place him in modern politics, it is apparent that Campbell would disagree with many of the beliefs held by modern America.

Ng’s speech unsurprisingly caused backlash and outrage among some members of the literary community, with some claiming that Ng should have withheld from insulting the man whose award she was receiving.

Chris M. Barkley praised Ng’s comments in his File 770 post “So Glad You (Didn’t) Ask — Special Irish Worldcon Edition, Day Four”.

…I was one of the people madly cheering this speech. I posted a meme on Facebook as she was still speaking: “Jeannette Ng is AWESOME!!!!!” Moments later, swept up in the moment, I posted another meme, “I’m just gonna say it: The Name of the John W. Campbell Award SHOULD BE F***KING CHANGED!”

To clamor atop a soapbox for a moment; NO, I am not advocating that the life and work of John W. Campbell, Jr. be scrubbed from history. But neither should we turn a blind, uncritical eye to his transgressions. When the winners of such a prestigious award start getting angry because the person behind it is viewed to be so vile and reprehensible, that ought to be acknowledged as well….

Mark Blake honored a request to comment about Campbell on Facebook.

For a brief period a few years ago, my byline was prominently associated with the John W. Campbell Award for Best New Writer. This was not because I’d ever won such an award, or even appeared on the ballot (I was never a nominee), but rather because I assembled anthologies for the purpose of showcasing new writers during their two-year window of eligibility, as an exercise in public awareness of writing that, despite potential merit, might not have received sufficient reviews to garner an audience among the Worldcon membership at large.

In that context, someone asked me to defend Campbell because of the acceptance speech given by this year’s recipient.

This was an uncomfortable request. The more I’ve learned about Campbell over the years, the more certain I’ve become that I wouldn’t have even wanted to share an elevator with him, much less try to sell him a story… and I say that despite having learned any number of his storytelling and editing techniques by way of hand-me-down tutelage….

Amazing Stories’ Steve Davidson was mainly concerned that Ng’s remarks were bad for the brand – i.e., Ng mistakenly identified Campbell as an editor of his magazine instead of Astounding/Analog. “Emergency Editorial”.

…A couple of days ago we watched and updated our post covering the 2019 Hugo Awards;  we were a bit surprised at Jeannette Ng’s acceptance where she made some connections between fascism in the SF field, fascism in the US and the events taking place in Hong Kong right now.  Hong Kong is Ms. Ng’s home base and we are absolutely and completely in sympathy with her and the protesters who are braving arrest, and possibly worse, as they try to maintain their freedoms.

We entirely missed the misattributions of Ms. Ng’s speech;  what she wanted to do was identify John W. Campbell Jr., the editor of Astounding Stories, as a fascist.  She ended up naming Jospeph Campbell as the editor of Amazing Stories….

I am sure she is tired, chuffed, overwhelmed and, perhaps even a bit embarrassed over having misnamed Campbell and the magazine he was associated with in front of an audience and a community that knows this history without even thinking about it.

But the internet being what it is, disrespect for facts being what they are these days, I can not allow the idea that John W. Campbell – racist, anti-semite, fascist, misogynist, whatever – was associated with Amazing Stories to go unchallenged….

Ng has issued a correction:

Swedish Fan Ahrvid Engholm today sent two fannish listservs copies of a complaint he has filed with the Dublin 2019 committee that Ng’s speech violated the convention’s Code of Conduct.

…One may wonder what a Code of Conduct is worth, if it isn’t respected by those who have all eyes upon them on the big stage, during the highlight of a convention, such as the awards ceremonies witnessed by thousands.

I therefore want to report, as a breach of the Code of Conduct during Dublin 2019, the intimidation and personal attacks in Jeannette Ng’s Campbell Award speech, of which the very lows are wordings like:

“John W. Campbell…was a fascist” and he was “setting a tone” she claims “haunts” us as “Sterile. Male. White.” glorifying “imperialists” etc.

Full text here https://twitter.com/jeannette_ng/status/1163182894908616706
Several parts of the CoC (as published in the Pocket Convention Guide, and also here https://dublin2019.com/about/code-of-conduct/) may apply, but let me point to:

“Everyone involved with Dublin 2019 is expected to show respect towards…the various communities associated with the convention. …Dublin 2019 is dedicated to provide a harassment-free convention experience for all Attendees regardless of…gender…race…We do not tolerate harassment of convention attendees in any form” /which includes:/
* Comments intended to belittle, offend or cause discomfort”

Most if not all would find being called a “fascist” offending, surely causing discomfort.

And it’s especially deplorable when the person belittled this way has passed away and thus can’t defend himself. It is reported that John W Campbell’s grandson John Campbell Harrmond was present at the convention that branded his grandfather a “fascist”. John W Campbell was the leading sf magazine editor of his era (of Astounding SF, not Amazing Stories as this far from well-founded speech said) and have many admirers who also have cause to feel offended. If you like Campbell, the claim he is a “fascist” surely splashes on you too – you’d be “fascist sympathiser”.

Ms Ng continues to harass whole categories of convention Attendees, those who are “male” and “white”. They are “sterile” and the negative “tone” claimed being “set” in the sf genre. It must be noted that the CoC is explicitly against slurs regarding race and gender. (And in these circumstances “white” indicates race and “male” gender.) The CoC further says it won’t be tolerated “in any form”, which surely must also include the form of a speech from a big stage.

It is too late now do do anything about this regrettable episode, but those making reports are asked to state what they would like to happen next. What I simply want is to get it confirmed that the event reported indeed IS a breach of the CoC, because that could be important for the future.

–Ahrvid Engholm
sf con-goer since 1976 (of Worldcons since 1979)

Scott Edelman supported Ng in several comments, describing his deep unhappiness with some of Campbell’s opinions at the time the were originally published 50 years ago. He also quoted this anecdote from the autobiography of William Tenn / Phil Klass:

Pixel Scroll 8/5/19 Pixel Sacrifice, Files And Scrolls Living Together, Mass Hysteria

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(1) FANAC.ORG SCANNING STATION AT DUBLIN 2019. Joe Siclari looks forward to digitizing more zines and photos at the Worldcon —

FANAC.org has scanned and archived over 92,000 pages of fanzines. Next week, our Scanning Station is coming to Dublin. If you are attending the Dublin Worldcon and can brings fanzines appropriate for scanning, we would love to have them. We’ll scan right there on site – we’ll be set-up at a fan table in the Convention Center. Look for our banner.

We have run similar Scanning Stations this year at Boskone and Corflu with great success. To see what we already have scanned and have online, look at our main fanzine page: http://www.fanac.org/fanzines/Classic_Fanzines.html. 

If you have old fannish photos that you can bring, we’d love to scan them as well. If you have photos in digital format, please bring those too. 

Even if you don’t bring material to scan, stop by our table anyway and say hello.

The Fanac.org scanning station at Boskone earlier this year. L to R: Fred Lerner, Mark Olson, and Joe Siclari at the Fanac table. Photo by and copyright © Andrew Porter.

(2) PRE-’64 IN PUBLIC DOMAIN. Boing Boing’s Cory Doctorow says “Data-mining reveals that 80% of books published 1924-63 never had their copyrights renewed and are now in the public domain”.

…But there’s another source of public domain works: until the 1976 Copyright Act, US works were not copyrighted unless they were registered, and then they quickly became public domain unless that registration was renewed….

…Now, Leonard Richardson (previously) has done the magic data-mining work to affirmatively determine which of the 1924-63 books are in the public domain, which turns out to be 80% of those books; what’s more, many of these books have already been scanned by the Hathi Trust (which uses a limitation in copyright to scan university library holdings for use by educational institutions, regardless of copyright status).

“Fun facts” are, sadly, often less than fun. But here’s a genuinely fun fact: most books published in the US before 1964 are in the public domain! Back then, you had to send in a form to get a second 28-year copyright term, and most people didn’t bother.

(3) WHEATON W00TSTOUT. The 2019 pouring of Stone Farking Wheaton w00tstout is here. Comic artist Alan Davis designed the label. Will you collect it or drink it?

Each year, when July rolls through, Stone Brewing serves up a superhero of an imperial stout. Its sheer existence, a POW! BAM! WHAM! square to the face. Its contents – an art; its bottle – a collectible. Stone Brewing announces the release of Drew Curtis / Wil Wheaton / Greg Koch Stone Farking Wheaton w00tstout.
 
Over the years, Stone Farking Wheaton w00tstout has become one of Stone’s most anticipated annual releases, and not just because it’s an astoundingly flavorful beer concocted as a collaboration between FARK’s Drew Curtis, nerd royalty Wil Wheaton and Stone Brewing co-founder Greg Koch. It’s the incredible label art adorning this beer over the years that has elevated it to the pinnacle of beer, geekery and beer geekery. “W00tstout is more than a great beer,” said actor, writer and Stone Farking Wheaton w00tstout collaborator Wil Wheaton. “It’s a work of art, carefully designed to be as drinkable right now as it will be in a decade. I am so honored and proud to be one of its parents.”

(4) CLARION WEST 2020. Next year’s Clarion West instructors have been announced:

(5) STRANGERS LIKE ME. Brian Doherty, in “San Diego Comic-Con and the Tensions of Market-Induced Growth” on Reason.com, reports from the convention and finds that despite its huge size lovers of comics and the small press can find a great deal to satisfy them at the convention.  He also interviews Maryelizabeth Yturvalde of the Mysterious Galaxy sf shop, who says she sold a great many YA novels to Comic-Con attendees.

…But who are “people like yourself” in the tent of fannish tents? That’s the sticking point. Things can get complicated when you are thrust in a tight space with people whose nerdy obsessions don’t match yours. Smith joked about seeing a bunch of people dressed as Klingons sneering at the lame geeks striding by dressed as stormtroopers.

On one of this year’s historical panels, Barry Short, a longtime SDCC worker and a former comic shop owner, described the vast crowds attracted to the con as a clear victory, the promised land all the lonely geeks of decades gone by had been fighting for. Their culture was no longer mocked and hated! Their tribe had grown beyond imagining! But one detail that he chose to highlight was telling—that it was no longer hard to find T-shirts featuring Marvel superheroes.

That sort of thing would not be any kind of victory to, say, indie cartoonist Mary Fleener, who on a historical panel remembered fondly the days in the 1990s when she and a few fellow independent artists could pool money together for a table that cost less than $400 and profit selling their homemade mini-comix. Her tribe was different than Short’s; they just awkwardly co-existed in the same grounds.

Comics are not just the root of the biggest Hollywood blockbusters; they’re a newly respected part of American literary culture. The artists and writers responsible for that aren’t necessarily obsessed with superhero T-shirts. But even that conclusion was complicated at a SDCC panel starring Chris Ware, author of Jimmy Corrigan, the Smartest Kid on Earth, one of the linchpins of modern literary comics. He admitted, in his self-lacerating sad-sack way, that as a nerdy, scared, hated kid in school, if he found anyone else who shared in any way his tortured love and fascination with crummy Mego toy figures of comics characters, he’d want to hold them close—too close for their comfort.

Comic-Con is filled with people who both seek validation in their manias and mistrust the manias next door, whether those neighboring fandoms seem to bring down the cultural property values or try to make them annoyingly highbrow.

No matter how pollyannaish you want to be about change and growth, more people in an experience makes for a different experience. Such changes may come to the benefit of the newcomers but the detriment of old-timers….

(6) GATHERING DATA. ScienceFiction.com, in “Brent Spiner Teases Data’s Role On ‘Star Trek: Picard’”, quoted the actor from his recent appearance at the Las Vegas Star Trek Convention.

I am delighted to be part of the show and all I am, is a part of the show…I want to make it semi-clear, because I don’t want to make it too clear, that I am not a regular on the show. Data did die at the end of Nemesis. But I am on the show. I do make appearances. Data’s story is a part of the thread of show.”

Apparently the Data-like android is a predecessor called B-4.

The Las Vegas Review-Journal’s also asked Spiner about Facebook’s Area 51 craze:

Given Spiner’s connections to Area 51 — his Dr. Brakish Okun was in charge of research there in both “Independence Day” and “Independence Day: Resurgence,” its 20-years-later sequel — you can’t let the actor off the phone without asking if he has advice for anyone looking to follow the Facebook phenomenon and storm the secretive military installation to “see them aliens.”

“Well, let me just say, I know this is going to be a huge disappointment to everyone, but if they do this, and they actually get there, I will not be there,” Spiner says, dryly.

“I mean, unless I’m well paid. Then I’ll show up.”

(7) TRADE WARRIORS. The Hollywood Reporter explains how “A boycott of Japanese products has been growing as a political spat with historical roots impacts sectors from beer to cars to movies” — “Anime ‘Doraemon’ Latest Victim of Japan-South Korea Trade War”.

     The Korean release of the latest installment of Doraemon, Japan’s biggest anime franchise, has been postponed indefinitely as a trade war between the Asian neighbors continues to escalate.

     Doraemon: Nobita’s Chronicle of the Moon Exploration, the 39th feature in the tales of the blue, “cat-type robot” and his human sidekick, schoolboy Nobita, is the latest victim in the Tokyo-Seoul spat.

     Last month Butt Detective: The Movie was also caught up in the growing boycott of Japanese goods, services and companies. The film, a spinoff from a children’s book and anime TV series about a detective with a head shaped like a backside, had received maximum scores on South Korean review websites on its release, but got a bum deal after the sites were hit with posts calling for cinemagoers to boycott Japanese films.

…The current row was triggered when Japan announced July 1 that it was placing export restrictions to South Korea on materials used in manufacturing semiconductors, a major Korean industry. Tokyo accused Seoul of breaking sanctions on North Korea, but the move was widely seen as retaliation for a Korean court ruling that Mitsubishi Heavy Industries has to pay compensation to Koreans forced to work for the company during World War II….

(8) ROSEN OBIT. Fraggle Rock voice actor Stuart M. Rosen has died reports SYFY Wire.

Stuart M. Rosen, a prolific voice actor and creator who helped develop the iconic children’s puppet program Dusty’s Treehouse in the late 1960s and voiced The Storyteller in HBO’s Fraggle Rock, reportedly has passed away from cancer. He was 80 years old. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 5, 1891 — Donald Kerr. Happy Hapgood in 1938’s Flash Gordon’s Trip To Mars which might be one of the earliest such films. His only other genre appearances were in the Abbott and Costello films such as Abbott and Costello Meet the Mummy and Abbott and Costello Meet the Invisible Man in uncredited roles. (Died 1977.)
  • Born August 5, 1935 — Wanda Ventham, 84. Mother of Benedict Cumberbatch. She’s showed up on during Doctor Who over a number of years playing three different roles (Jean Rock, Thea Ransome/Fendahl Core and Faroon) in three different stories, “The Faceless Ones” over six episodes, Serial: “Image of the Fendahl” over four  episodes and “Time and the Rani” over three  episodes. That’d mean she appeared with the Fourth and Seventh Doctors. She was also Col. Virginia Lake, a series regular on UFO, during the Seventies. 
  • Born August 5, 1940 — Natalie Trundy,79. First, she was one of the Underdwellers named Albina in Beneath the Planet of the Apes. Next, she played Dr. Stephanie Branton, a specialist studying apes from the future who came into our present day in Escape from the Planet of the Apes.  Then in Conquest of the Planet of the Apes and Battle for the Planet of the Apes, she played the chimp Lisa.  
  • Born August 5, 1947 — Élisabeth Vonarburg, 72. Parisian born, she’s Quebec resident. She was the literary director of the French-Canadian SF magazine Solaris. Her first novel, Le Silence de la Cité, was published in 1981. Since then she’s been a prolific witter of novels and short fiction. In 1993, her website notes sgphecreceived a Prix spécial du Jury Philip K. Dick Award  for In the Mothers’ Land.  H’h. I’m pleased to say that iBooks is deeply stock in her works but Kindle has nothing at all by her. Her website, in French of course, is here.
  • Born August 5, 1956 — Robert Frezza, 63. Wrote five SF novels of a space opera-ish nature in five years covering two series, McLendon’s Syndrome and The VMR Theory, and The Small Colonial War series which is A Small Colonial War, Fire in a Faraway Place and Cain’s Land) before disappearing from writing SF twenty years ago.
  • Born August 5, 1956 — Maureen McCormick, 63. Though better for being Marcia Brady on The Brady Bunch, she has done some genre performances. She was Eve in Snow White: A Deadly Summer and Officer Tyler in Return to Horror High, both decidedly pulpish horror film. A step up in class was her portrayal of the young Endora in two episodes of Bewitched, “And Something Makes Three” and “Trick or Treat”. She shows up in another magical show, I Dream of Jeannie, as Susan in “My Master, the Doctor”.  And she was used in six different roles on Fantasy Island.
  • Born August 5, 1968 — Matt Jones, 51. Started as columnist for Doctor Who Magazine. A decade later, he wrote two of the Tenth Doctor scripts, a two-parter, “The Impossible Planet” and “The Satan Pit”, and one for Torchwood, “Dead Man Walking”. He co-authored with Joan Ormond, Time Travel in Popular Media.
  • Born August 5, 1980 — JoSelle Vanderhooft, 39. Former Green Man reviewer with a single novel so far, Ebenezer, and several collections, Steam-Powered: Lesbian Steampunk Stories and Steam-Powered II: More Lesbian Steampunk Stories. She also co-edited with Steve Berman, Heiresses of Russ 2011: The Year’s Best Lesbian Speculative Fiction.
  • Born August 5, 1961 — Janet McTeer, 58. Last genre role was as Jessica’s mother, Alisa Jones. in Jessica Jones. She was also Edith Prior in The Divergent Series: Insurgent, and the elderly Princess Aurora who was the narrator in Maleficent. 

(10) CHECK THAT OFF. J. Scott Coatsworth got into SFWA – not everybody does: “POINT OF VIEW: Setting Goals (And Making Them)”.

I set myself two missions at the start of this year – one, to get into the Science Fiction Writers’ Association (SFWA, pronounced Siffwuh) by writing and selling a qualifying short story. And two, to take steps to snag an agent for what I hope will be the next step in my writing career.

Well, missions one accomplished….

(11) A HOIST OF BOOKS. Atlas Obscura reads from the log of the “Bokbåten”, a circulating library afloat.

Sweden and its Nordic neighbors are among the world’s most literate countries. These nations boast a range of newspapers and public libraries, as well as provide convenient access to computers and strong educational resources to its residents.

Access to books and resources might be harder to come by for some, though, especially those living on the remote islands of Stockholm’s archipelago—the largest group of islands in Sweden and the second-largest in the Baltic Sea.

To combat this obstacle while continuing its prioritization of literacy, twice a year the Stockholm Library Service rents a boat for a week and brings books to 23 inhabited islands. Each spring and fall, the boat is packed with approximately 3,000 books and sets sail along Stockholm’s eastern seaboard as an aquatic library…. 

(12) IT’S EERIE. He looks just like a pinker version of my father when he was young.

My father is in the lower left corner of this holiday card, sent out in the early days of television.

(13) IN GLORIOUS BLACK AND WHITE. Jessica Holmes updates Galactic Journey readers about the current Doctor Who arc: “[August 5th 1964] A Bit Of A Flub (Doctor Who: The Sensorites [Part 2])”.

Meanwhile, John’s having his brain fixed, and the city Administrator comes in to whine about it. He was the one who wanted to disintegrate everybody last episode, if you recall. He doesn’t seem to like anything about the humans. Not their names, which he reckons are absurd (cheek!), not their culture of egalitarianism (though I could dispute that), and not their stupid, ugly faces (pot, kettle!)

(14) I DARN YOU TO HECK. TheWrap’s article is paved with good intentions – and spoilers (beware!): “‘Chilling Adventures of Sabrina’ Creator Says ‘We’re Going to Hell’ in Season 3 – ‘and It’s Very Fun’”.

If the closing moments of the second season finale of “Chilling Adventures of Sabrina” hadn’t already made it clear that the show was going to take an even darker turn next season, then creator Roberto Aguirre-Sacasa did so Sunday by confirming the fiery setting Sabrina (Kiernan Shipka) and co. will be entering when the show returns….

(15) SECOND TIME’S THE CHARM. BBC is on the beach — “Franky Zapata: Flyboarding Frenchman crosses English Channel”.

French inventor Franky Zapata has made the first-ever successful Channel crossing on a jet-powered flyboard.

Mr Zapata, 40, took off from Sangatte, near Calais, at 06:17 GMT on Sunday and landed in St Margaret’s Bay in Dover.

The invention, powered by a kerosene-filled backpack, made the 22-mile (35.4-km) journey in 22 minutes.

Mr Zapata, a former jet-ski champion, had failed in his first attempt to cross the Channel on 25 July after complications with refuelling.

Here’s the Voice of America video:

(16) ROMANCING THE STONE? “‘Snow White’ gravestone on show in German museum”.

Once upon a time a museum in a charming old German town was given a very important, long-lost gravestone.

It was that of Maria Sophia von Erthal, a baroness who is believed to have inspired the Brothers Grimm to write Snow White and the Seven Dwarfs.

Her restored gravestone has just gone on display at the Diocesan Museum in Bamberg, southern Germany. It was donated by a family who had rescued it.

The museum director says Sophia’s life “became the nucleus of Snow White”.

(17) LOTERIA UPDATE. BBC finds the game is evolving — “Loteria: A centuries-old game remade for millennials”. Beyond Picacio’s version: “La Mano” becomes “El Nail Art”, “El Mundo” becomes “La Student Debt”…

Lotería, a game that’s been played across Latin America for centuries, has been given a humorous and perceptive update by designer Mike Alfaro. The new version is now being sold online.

(18) BIRD IS THE WORD. You knew this, right? CBS News tells “How the Peanuts character Woodstock got his name”.

Charles Schulz, the creator of the comic strip “Peanuts,” was many things: a father, a veteran, an artist. But one thing he was NOT, by any stretch, was a hippie. 

When asked if he thought Schulz would have enjoyed attending the 1969 Woodstock Music and Art Fair, Benjamin Clark, curator of the Charles M. Schulz Museum in Santa Rosa, Calif., laughed, “No!

“He was famous for not really enjoying travel, or crowds.”…

(19) SLASHER FICTION. Slate: “Jimmy Kimmel Debuted a Considerably Less Heartwarming Trailer for That Tom Hanks Mister Rogers Movie”. Is A Beautiful Day in the Neighborhood genre? Well, if Jimmy Kimmel is to be believed it’s actually a horror film. (Hint: Don’t believe him.)

[Thanks to Chip Hitchcock, Cat Eldridge, JJ, John King Tarpinian, Mike Kennedy, Jon Del Arroz, Martin Morse Wooster, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 7/26/19 Scroll-Fly Pie And Pixel-Pan Dowdy

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(1) MARY SUE ORIGIN STORY. [Item by Jerry Kaufman.] This recent article from the London Review of Books is about fandom, or fandoms as the case may be, the woman who identified the “Mary Sue”, and her recent writing. (I am the real Jerry Kaufman – accept no other) – “On Sophie Collins”. (Registration required to read full article.)

A ‘Mary Sue’ is an implausibly skilful, attractive or successful protagonist who seems to be a stand-in for the author, especially in fanfiction. The term comes from Paula Smith’s parodic story ‘A Trekkie’s Tale’ (1973), originally published in a mimeographed journal for Star Trek fans. In mocking ‘Mary Sue’, Smith was not attacking fanfiction but trying to bolster its literary quality against fans who used it naively for wish fulfilment. Most of these fans were (like Smith) female. As the term, and the critique, became more common, some fans, and some feminist critics, pushed back. They saw fan communities, and the defiantly unprofessional cultural production that emerged from them, as a kind of safe space, where the rules imposed by a patriarchal outside world about what one can say, and who one can be, could be ignored.

(2) ON THE STREET WHERE YOU LIVE. “City Council Votes to Name Bronx Street ‘Stan Lee Way’ in Honor of Comic Book Genius, Spider-Man Creator” — New York TV station NBC-4 has the story.

Council Member Fernando Cabrera’s proposal aims to honor Stan Lee’s Bronx roots by co-naming a section of University Avenue between Brandt Place and West 176th Street after the comic book genius.

The city council voted Tuesday to approve the proposal.

… “Stan Lee was a Bronx native who grew up in my district,” said Cabrera. “Stan Lee was a creative genius who co-created iconic super heroes including Spider-Man, the X-Men, the Hulk, Doctor Strange, Ant-Man, Black Panther and more. Mr. Lee’s amazing talent brought joy and entertainment to countless children and adults and he deserves to be permanently memorialized in his home borough, the Bronx.”

(3) BUILDING A STORY WITH MAGIC. Juliette Wade’s new Dive Into Worldbuilding introduces readers to “Julie Czerneda and The Gossamer Mage“. View the video interview, and/or read the summary notes at the link. 

…I asked her where the idea for the book started, and she said it started with a pen – and proceeded to show us the pen in question! She brought a lot of cool props to show us, so I encourage you all to check out the video if you’re curious about them.

One of the things that Julie explored while writing this was the history of ink. Battles were fought over areas of the world that provided good ink ingredients, and pirates stole ink as well as other things.

I’ve always found constrained magic systems very interesting, so I asked her to tell us about the magic system she used in The Gossamer Mage. Julie said she agreed with me that she liked constrained systems. She said she liked it when everyone knows how to use the magic, but wait, it’s not so simple. This particular magic system is constrained in part because it requires writing, which means it requires a particular type of scholarship. You have to be able to write words that are not human words, and to intend them. Further, this magic can only be done in the one place in the world where magic remains. One important ingredient here is that magic used to be in more of the world, but is no longer present except in one region, ringed with mountains.

Thus, magic is constrained physically, and it is constrained to scholars….

(4) BOOK MAKER. Shelf Awareness does a Q&A with Babylon-5 creator, who recently published his autobiography Becoming Superman: “Reading with… J. Michael Straczynski”.

On your nightstand now: 

Rereading A Coney Island of the Mind by Lawrence Ferlinghetti. I believe that an appreciation of poetry is essential for any writer in any field. That economy of language reminds you of the importance of choosing exactly the right word, not the word next to the right one on the shelf. On a conceptual level, I admire Ferlinghetti’s writing which comes at you from a right angle with a huge impact, so I reread his work every couple of years to keep my brain flexible.

(5) HE WHO OVERCOMES. Then, Cory Doctorow does an epic review of “J Michael Straczynski’s “Becoming Superman”: a memoir of horrific abuse, war crimes, perseverance, trauma, triumph and doing what’s right” at BoingBoing.

And so, drip by drip, crumb by crumb, inch by inch, Straczynski manages to become a writer, and it turns out that not only can he write to deadline, he’s really good at it. Even projects that seem silly or trivial on their face, like writing for He-Man or The Real Ghostbusters, are treated with such intense seriousness that they just kill.

But this being Hollywood, where, famously, nobody knows anything, every success that Straczynski ekes out is eventually scuttled by venality, cowardice, grift, or all three, as greedy execs and bullshit-slinging consultants demand that he compromise on what he knows is right. And Straczynski being Straczynski — being the survivor of a campaign of terror visited upon him by a literal Nazi — refuses to back down, because despite the mountain of shit he’s climbed to get where he is, the prospect of falling down to the bottom is incapable of scaring him beyond his threshold of tolerability.

And, remarkably, despite industry concentration and a thousand variations of “you’ll never work in this town again,” Straczynski continues to work. His story is a beautiful parable about how luck is made: the way it’s told, it seems like Straczynski has a horseshoe up his ass, with opportunities dropping appearing over the horizon just a little faster than the burn-rate of the bridges he’s torched behind him, but when you look a little closer, you realize that the most improbable thing here isn’t the opportunities, but rather Straczynski’s relentless, singleminded determination to seize them, writing (for example) entire seasons of his TV shows when the studios’ dumb mistakes leave them shorthanded.

(6) REVOLUTIONARY DATA. Can you imagine Brent Spiner playing John Adams in 1776? There’s a concept. He’s the guest on the latest Maltin on Movies podcast.

Forever to be remembered as Lt. Commander Data on Star Trek: the Next Generation and other treks to follow, Brent Spiner is a versatile actor and performer with notable Broadway credits—and two fervent fans in Leonard and Jessie, who saw him play John Adams in a masterful revival of 1776. He’s happy to discuss all facets of his career, from musical theater to his memorable role in Independence Day. Even longtime fans may learn things they didn’t already know about Brent in this delightful chat.

(7) THIS IS COOL. The earth seen from outer space —  here is a visualization of how Planet’s satellites assemble swatches of remote sensing tiles to complete a global observation in 24 hours:

In four years, Planet has flown on 18 successful launches and deployed 293 satellites successfully into low Earth orbit. With more than 150 satellites currently in orbit, Planet has the largest constellation of Earth imaging satellites in history.

As you may notice, the satellites are not always taking photos (or sending / “beaming” the data down to Earth). Parts of the landmass can also be missing due to complete cloud cover that day. See the Amazon, Central Africa, or Northern Australia for example.

A companion piece reveals more about the satellites themselves; the “doves”, “RapidEyes”, and “SkySats”. Explaining their sizes, the numbers out there already and the types of images they capture. Check out the story here!

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 26, 1883 — Edwin Balmer. Together with author Philip Wylie, he penned When Worlds Collide and After Worlds Collide. The first was made into the 1951 movie by George Pal. He also wrote several detective novels and collaborated with William MacHarg on The Achievements of Luther Trant, an early collection of detective short stories. The latter are not genre, despite being listed as ISFDB as I’ve read them. (Died 1959.)
  • Born July 26, 1894 — Aldous Huxley. Brave New World is fascinating. I knew I had it assigned and sort of discussed in a High School class and at least one Uni class decades ago. So what else is genre by him and worth reading? (Died 1963.)
  • Born July 26, 1919 — James Lovelock, 99. Just shy of a century now in life, the Gaia theorist wrote a genre novel with Michael Allaby, The Greening of Mars, of the transformation of the red planet into a green one.  His newest work, Novacene: The Coming Age of Hyperintelligence, thinks that hyperintelligent machines are coming into being by our own hand and that we better be prepared for their arrival. 
  • Born July 26, 1928 — Stanley Kubrick. I’m reasonably sure 2001: A Space Odyssey was the first film I saw by him but Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb was the one that impressed me the most. A Clockwork Orange was just damn depressing. And I’m not a horror fan as such so I never saw The Shining. Barry Lyndon is great but it’s not genre by any means. (Died 1999.)
  • Born July 26, 1945 — M. John Harrison, 74. TheViriconium sequence, I hesitate to call it a series, starting with The Pastel City, is some of the most elegant fantasy I’ve read. And I see he’s a SJW as he’s written the Tag, the Cat series which I need to take a look at. He’s not published deep in digital form at this time.
  • Born July 26, 1945 — Helen Mirren, 74. She first graces our presences as Hermia in A Midsummer Night’s Dream. She next shows up in a genre role as Alice Rage in The Fiendish Plot of Dr. Fu Manchu, Peter Sellers’ last film. She’s an ever so delicious Morgana in Excalibur and then leaps into the future as Tanya Kirbuk in 2010: The Year We Make Contact. She voices the evil lead role in The Snow Queen, and likewise is Deep Thought in The Hitchhiker’s Guide to the Galaxy. 
  • Born July 26, 1957 — Nana Visitor,62. Kira Nerys on Deep Space Nine which for my money is the best of the Trek series to date. After DS9 ended, Visitor had a recurring role as villain Dr. Elizabeth Renfro on Dark Angel. In 1987, Visitor appeared as Ellen Dolan in a never developed series pilot for Will Eisner’s The Spirit with Sam J. Jones as The Spirit.
  • Born July 26, 1971 — Mary Anne Mohanraj, 48. Writer and editor. Founder of Strange Horizons, a genre fiction magazine. She has one genre novel, The Stars That Change, and two stories published in the Wild Cards Universe, “Low Chicago” and “Ties That Bind”. She also an anthology, Without A Map, co-edited with Nnedi Okorafor.
  • Born July 26, 1978 — Eve Myles, 41. She’s a a Welsh actress from Ystradgynlais, convenient as she played Gwen Cooper on Torchwood which was set in and shot in Cardiff. She previously played the servant girl Gwyneth in the Doctor Who episode “The Unquiet Dead” during the Ninth Doctor’s time. She and the full Torchwood cast did an an BBC 4 Radio Play called  Golden Age in which they time travelled back to Imperial India. Highly recommended. 

(9) THE BOYS. According to NPR’s Glen Weldon, “Superhero Satire ‘The Boys’ Doesn’t Have Much New To Say, But Says It Loudly”.

…Amazon’s new 8-episode series The Boys – about a team of non-powered mercenaries determined to take down the world’s premier team of evil, corrupt, soulless-corporate-shill superheroes – chooses to play in a sandbox that’s seen its share of use. A sandbox that’s been sitting out in the sun and rain and wind for decades, filling up with cigarette butts and cat poop and old toys left by previous storytellers, who’ve hit precisely the same themes.

This is even more true today than it was in 2006, when the comics series The Boys, by writer Garth Ennis and artist Darick Robertson – from which the Amazon show has been adapted, freely – first debuted.

…What The Boys was, at the time — especially if you’d been reading comics for years — was tiresome, more than anything else: Really? We’re still doing … this?

I’m happy to report that the Amazon series improves on its source material. It does so by taking the comics’ lazy inciting incident – the accidental death-by-superhero of the girlfriend of its main character Hughie (Jack Quaid) – and treating it as something more than solely a plot trigger. The series gives Hughie time to absorb, to grieve, to soak in the brutal incident so – even though it is depicted, lovingly, in garish slow-motion – it becomes something more than another nihilistic gag.

That’s a hallmark of the show, as it turns out. Where the comic was content to steer headlong into bloody spectacle and smugly snicker, the show serves up the spectacle (on a budget) and then … takes the time to inspect it, examine it, unpack it. To legitimately honor it, in other words. In its way.

(10) NEW TENANT IN THE WHITE HOUSE. Zombieland: Double Tap comes to theaters October 18.

A decade after Zombieland became a hit film and a cult classic, the lead cast (Woody Harrelson, Jesse Eisenberg, Abigail Breslin, and Emma Stone) have reunited with director Ruben Fleischer (Venom) and the original writers Rhett Reese & Paul Wernick (Deadpool) for Zombieland 2: Double Tap. In the sequel, written by Rhett Reese & Paul Wernick and Dave Callaham, through comic mayhem that stretches from the White House and through the heartland, these four slayers must face off against the many new kinds of zombies that have evolved since the first movie, as well as some new human survivors. But most of all, they have to face the growing pains of their own snarky, makeshift family.

(11) CHANNELING TRADER JOE. Fast Company appreciates why “The Trader Joe’s YouTube channel is unexpectedly amazing—and very weird”.

Although wackiness levels vary from video to video, the run times are all wisely kept brief. The only things that run longer than the time it takes to decide between regular avocados and organic ones are the cooking tutorials. Everything else—including charm-infused shorts like Christmas in Germany, produced by Condé Nast Traveler, which mixes traditional animation with stop-motion footage of Pfeffernüsse cookies and other German delicacies—runs at around the one-minute mark, making for a thoroughly undemanding watch.

This one’s very stfnal –

While this one’s just plain funky –

(12) NASFIC/WESTERCON IN UTAH. Rodford Edmiston has posted an album of photos from Spikecon at Flickr. Whether intentionally or not, the photographer showed a genius for standing at the back of a hall in which the only people were in the front row and on the platform.

(13) REUBEN AWARD. Stephan Pastis won the 2018 Reuben Award for Cartoonist of the Year given by the National Cartoonists Society. The award was announced during the NCS Annual Reuben Awards Weekend in May.

STEPHAN PASTIS is the creator of the daily comic strip Pearls Before Swine, syndicated by Andrews McMeel Syndication. Stephan practiced law in the San Fransisco Bay area before following his love of cartooning and eventually seeing syndication with Pearls, which was launched in newspapers beginning December 31, 2001. The National Cartoonists Society awarded Pearls Before Swine the Best Newspaper Comic Strip in 2003 and in 2006. Stephan is also the author of the children’s book series Timmy Failure. Stephan lives in northern California with his wife Staci and their two children.

(14) CHERNOBYL. BBC digs into “The true toll of the Chernobyl disaster” in a long meaty article. Here is a brief excerpt:

Covered up by a secretive Soviet Union at the time, the true number of deaths and illnesses caused by the nuclear accident are only now becoming clear.

Springtime was always the busiest time of year for the women working at the wool processing plant in Chernihiv, northern Ukraine. More than 21,000 tons of wool passed through the factory from farms all across the country during the annual sheep shearing period. The April and May of 1986 were no exception.

The workers pulled 12-hour shifts as they sorted the piles of raw fleece by hand before they were washed and baled. But then the women started getting sick.

Some suffered nosebleeds, others complained of dizziness and nausea. When the authorities were called to investigate, they found radiation levels in the factory of up to 180mSv/hr. Anyone exposed at these levels would exceed the total annual dose considered to be safe in many parts of the world today in less than a minute.

Fifty miles away was the Chernobyl nuclear power plant. On 26 April 1986 reactor number four at the power plant suffered a catastrophic explosion that exposed the core and threw clouds of radioactive material over the surrounding area as a fire burned uncontrollably.

But Chernihiv was regarded to be well outside the exclusion zone that was hastily thrown up around the stricken plant and readings elsewhere in the town had shown it to have comparatively low levels of radiation.

(15) HAUER’S MASTERPIECE. Bilge Ebiri explains why “Even Now, Rutger Hauer’s Performance in ‘Blade Runner’ Is a Marvel” in the New York Times.

…Had Hauer played Batty as another stone-faced Eurobaddie, “Blade Runner” itself might have been a more comfortably classifiable genre effort, the kind of movie that many viewers expected in 1982, the kind that promised to pit Ford, the star so familiar to us as Han Solo and Indiana Jones, against a new kind of futuristic nemesis. Instead, audiences were thrown off by the knotty neo-noir that Scott and the screenwriters Hampton Fancher and David Webb Peoples delivered, the film flopped, and a cult masterpiece was born.

Look no further than Batty’s extended final battle with Deckard to see both the evidence of the movie’s idiosyncratic tone and how Hauer’s remarkable performance enhances it, practically deconstructing the simple plot before our eyes. The replicant chases the beleaguered, frightened Deckard around an abandoned building, toying with the cop and playing singsong children’s games. But there’s still a catch in Batty’s words, slight pauses scattered in unusual places. Seeing that Deckard has killed his replicant lover, Pris (Daryl Hannah), Batty offers, “I thought you were good. Aren’t you the … good man?” The awkwardness of the words, combined with the pause before “good man” seems to question the film’s very moral universe…

(16) X MARKS THE PLOT. ScreenRant fires up another Pitch Meeting – this one for Dark Phoenix.

The X-Men franchise has been running for nearly two decades, and it all culminates with Dark Phoenix, a storyline that the movies already covered in 2006. Once again, Jean Grey goes absolutely bonkers with power, but this time Wolverine isn’t around to stab her. The movie has a pretty awful score on Rotten Tomatoes and definitely raises a lot of questions. Like what’s the deal with the aliens, are they bulletproof or not? Why was Quicksilver dismissed from the movie so quickly? What was up with that Phoenix moment in X-Men Apocalypse? Why do these movies keep jumping forward a decade each time? Is Magneto supposed to be 62 years old, and if so, why is a 42-year-old with no make-up playing him? Why did they show Mystique dying in the trailer?

[Thanks to Jerry Kaufman, Juliette Wade, John Hertz, Chip Hitchcock, JJ, Mike Kennedy, Carl Slaughter, Andrew Porter, mlex, John King Tarpinian, Cat Eldridge, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew.]

Pixel Scroll 4/4/19 But, Doctor, I Am Pixeliacci!

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(1) MCINTYRE TRIBUTE BOOK PLANNED. At CaringBridge, Jeanne Gomoll invites people to participate in a “Vonda Memories” project.  

Stephanie Ann Smith and I are collecting memories of Vonda from folks who loved Vonda. We plan to collect the material into a book and would like to see it made available both as a free electronic document and as a print-on-demand physical book. We are looking for stories, poems, artwork, photos, tributes, ANYTHING you would like to contribute. Please send them to me at [email protected] or 2825 Union Street, Madison, WI 53704. I will keep you up-to-date on the publication here. Thank you!

(2) INTERPRETING THE AO3 LEAVES. Michael Schick’s article for Hypable philosophizes about the meaning of AO3’s Hugo nod:“Archive of Our Own’s Hugo Nomination is a win for marginalized fandom”.

In allowing for the nomination of AO3, the Hugo Awards are broadening what it means to contribute to the experience of fiction. This process, they have recognized, goes beyond interacting with a work of fiction as it is — it also encompasses interacting with what the work might be. The imaginations and creativity of fans also contribute to the story of that original story. Talking about art by working within it is not particularly different from talking about art from a remote perspective.

As any fanfiction writer will tell you, transformative works are constantly in dialogue with the original piece. That dialogue may take the form of a Coffee Shop AU rather than an essay, but it is equally as involved in the work of commentary and reflection. Far beyond the academic or critical space, fanfiction probes and challenges original works, bolstering themes and reworking flaws.

It just also happens to be done for fun.

Camestros Felapton also cheers the nomination: “Archive of Our Own is a work and its related and I’m really happy that it’s a Hugo finalist”.

As a thing in itself, AO3 is a monumental achievement and a huge expression of fan activity. It’s this last aspect that I think makes it a good fit for the Hugo Awards which are themselves derived from a similar drive of fannish self-organisation and expression.

(3) SHAZAM! NPR’s Glen Weldon gives context for his conclusion that “With ‘Shazam!’ DC Superhero Movies Bring The Thunder … And The Lightening Up”.

The cultural narrative that’s built around films starring DC Comics superheroes over the course of the past decade or so reads thusly: DC films are too dark and dour, and the company should take a cue from Marvel, whose films always leave room for the fun and whimsical elements so crucial to the superhero genre.

It’s a gross oversimplification, but there’s no denying the kryptonite-hard nugget of truth there: Years ago, Warners/DC executives looked at the runaway success of Christopher Nolan’s dark and dour The Dark Knight trilogy, and concluded that they’d cracked how to approach the superhero genre, once and for all.

…It would be easy to say that the latest DC superhero outing, Shazam!, represents DC/Warners finally learning how to pivot, how to come at a given hero in the mode that suits them best. It’s certainly true that the film’s stuffed to its gills with goofy gags and clever winks, and that the film’s resident good guy (his name’s “Shazam!” in the credits, but in the movie’s reality, it’s more an open-question kind of deal) is a puffed-up, square-jawed galoot in a tomato-red getup played by Zachary Levi. But it also frequently stops dead in its tracks to dutifully attend to more familiar, straight-ahead genre business…..

(4) YOACHIM TALKS. Lightspeed’s Laurel Amberdine gets the interview: “Author Spotlight: Caroline M. Yoachim”.

I know you write at a lot of different story lengths. Do you have a particular preference nowadays, and has that changed any over time?

I have less of a preference than I used to. For a long time, my natural length was flash, so I spent a lot of time trying to figure out how to write things longer—adding threads, having more characters, sometimes playing with the structure to force myself to draw out the story more.

The two projects I’m currently working on are relatively longer lengths—I’m currently finishing up a trio of inter-related short stories (which in some ways is like a novelette in three parts), and when that’s done I have a novella that I drafted last year and need to go back and revise.

(5) MILSF COMPARISONS. Paul Weimer conducted an “Interview with Kameron Hurley” about her new book The Light Brigade for Nerds of a Feather.

I’ve seen comparisons to Starship Troopers–how do you feel that, for positive and negative, the novel has influenced this novel and other stories and novels of your work?

It’s more like the film than the book! In book form, I’d say it more closely resembles The Forever War in tone and approach, but really The Light Brigade is its own beast. I loved a lot about the film adaptation of Starship Troopers; it didn’t take itself too seriously while also being very serious. You can say important things about war, fascism, freedom, corporal punishment, and conscription while telling an exciting story. People who live in dystopias don’t always believe they’re living in one, especially when they’re young. They’re raised to believe it’s the only sane and rational way to be.

(6) MORE ABOUT MCINTYRE. The Guardian published its “Vonda N McIntyre obituary” today.

Vonda N McIntyre, who has died aged 70, was foremost among a legion of new female science-fiction authors in the early 1970s inspired by humanist writers such as Ursula K Le Guin, Joanna Russ and Samuel Delany. With Dreamsnake (1978), she became only the second woman to win the Nebula award and the third to win the Hugo award for best novel.

(7) SPIKECON GUEST. An introduction to Kitty Krell.

Masquerade, Hall Costuming Awards, and Cosplay are just the tip of the iceberg – meet Kitty Krell, cosplay Guest of Honor for Westercon 72. A wonderful Corset and Costume maker, cosplay advocate, artist and Kitty will be here in July!

(8) CAMPBELL HOLDING FORTH. On Fanac.org’s YouTube channel, hear Fred Lerner’s 1962 radio interview with John W. Campbell, Jr. I corresponded with Campbell but never met him, so this was a new experience for me.

John W. Campbell and his views on science fiction are showcased in this intriguing audio interview (presented with illustrative pictures) from 1962. Fred Lerner, noted librarian, bibliographer and historian, was just 17 when he interviewed John W. Campbell, the man that shaped much of science fiction for decades. Campbell was both a successful author and the long time editor of Astounding Science Fiction (later Analog). Topics discussed include Rudyard Kipling as a science fiction writer, the government’s interest in Cleve Cartmill’s fiction, and the nature and value of science fiction. If you like Golden Age science fiction, this is an opportunity to hear one of the giants of the field in his own voice

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 4, 1902 — Stanley G. Weinbaum. His first story, “A Martian Odyssey”, was published to general accolades in July 1934, but he died from lung cancer less than a year-and-a-half later. ISFDB lists two novels, The New Adam and The Dark Other, plus several handfuls of short stories that I assume were out for consideration with various editors at the time of his death. (Died 1935.)
  • Born April 4, 1932 — Anthony Perkins. Without doubt, he’s best known for playing Norman Bates in Alfred Hitchcock’s Psycho and its three sequels. Three sequels?!? One sec.. H’h, I missed the third one in the Nineties. Genre wise, I don’t see a lot otherwise by him though he was in The Black Hole as Dr. Alex Durant and was in Daughter of Darkness as Prince Constantine. (Died 1992)
  • Born April 4, 1948 — Dan Simmons, 71. He’s the author of the Hyperion Cantos and the Ilium/Olympos cycles. I’m reasonably sure that I’ve read some of the Hyperion Cantos but I’ll be damned if I remember it clearly now. 
  • Born April 4, 1952 — Cherie Lunghi, 66. Her fame arise from her role as Guinevere in Excalibur. (I saw Excalibur in a 1920s theater on a warm summer night with hardly anyone there. Those there were very impressed by it.) She was also Baroness Frankenstien (Victor’s Mother) in Kenneth Branagh’s Mary Shelley’s Frankenstein. She was also in The Lady’s Not for Burning as Jennet Jourdemayne.
  • Born April 4, 1954 — Bruce Sterling, 65. Islands in the Net is I think is his finest work as it’s where his characters are best developed and the near future setting is quietly impressive. Admittedly I’m also fond of The Difference Engine which he co-wrote with Gibson which is neither of these things.
  • Born April 4, 1958 — Phil Morris, 61. His first acting role was on the “Miri” episode of Trek as simply Boy. He was the Sam the Kid on several episodes of Mr. Merlin before returning to Trek fold as Trainee Foster in Star Trek III: The Search for Spock. Next interesting role is voicing Vandal Savage on a three-part Justice League Unlimited story called “The Savage Time”, a role he reprised for Justice League: Doom. No, I’ve not forgotten that he was on Mission: Impossible as Grant Collier. He also played the Martian Manhunter (J’onn J’onzz) on Smallvillie. Currently He’s Silas Stone on Doom Patrol and no, I didn’t spot that was him in that role. 
  • Born April 4, 1960 — Hugo Weaving, 59. He is known for playing Agent Smith in The Matrix franchise, Elrond in The Lord of the Rings and The Hobbit trilogies, V in V for Vendetta  and Red Skull in Captain America: The First Avenger. He also voiced Megatron in the first three films of Transformers franchise.
  • Born April 4, 1965 — Robert Downey Jr., 54. Iron Man in the Marvel Universe film franchise. Also a rather brilliant Holmes in Sherlock Holmes and Sherlock Holmes: A Game of Shadows. Also voicing James Barris in an animated adaption of Philip K. Dick’s A Scanner Darkly. Charmingly enough, he’s playing the title role in the ‘20 release of The Voyage of Doctor Dolittle.
  • Born April 4, 1967 — Xenia Seeberg, 52. She is perhaps best known for her role as Xev BeLexx in Lexx, a show’s that’s fantastic provided you can see in its uncensored form. I’ve also see her playing Muireann In Annihilation Earth, Noel in So, You’ve Downloaded a Demon, uncredited role in Lord of The Undead, and Sela In the “Assessment” episode of Total Recall 2070.
  • Born April 4, 1968 — Gemma Files, 51. She’s a Canadian horror writer, journalist, and film critic. Her Hexslinger series now at three novels and a handful of stories is quite fun. It’s worth noting that she’s a prolific short story writer and four of them have been adapted as scripts for The Hunger horror series. 

(10) ORDER TODAY! Dr. Diana Pavlac Glyer’s Azusa Pacific University honors students will publish the fruit of their labors as a book: Warnings from Outer Space: Backdrops and Building Blocks of C. S. Lewis’s Science Fiction Trilogy.

My students were fortunate enough to collaborate with some of the best scholars around: Charlie Starr, Mike Glyer, Scott Key, and Sørina Higgins took an active role and read draft chapters and gave advice. It was wonderful to see these undergraduates joining the scholarly conversation. Did you order your copy?

(11) STAR POWER. The manicurist didn’t get the story quite right, but look how MRK celebrated her Hugo nomination:

(12) DEL TORO. Coming on July 2, a book will fill out the background of a popular movie: “Guillermo Del Toro Is Expanding The World Of ‘Pan’s Labyrinth’ With A Novel” – ScienceFiction.com has the story.

Thirteen years after it was released, Guillermo del Toro is fleshing out his iconic film ‘Pan’s Labyrinth’ with a novel titled ‘Pan’s Labyrinth: The Labyrinth of the Faun.’ In its pages, you will find the full tale from the movie which was co-written with Cornelia Funke

(13) THE MAGIC GOES AWAY. Microsoft is getting out of ebook selling – and the books its customers bought will be going away too: “Books in Microsoft Store: FAQ”.

The books category is closing

Starting April 2, 2019, the books category in Microsoft Store will be closing. Unfortunately, this means that starting July 2019 your ebooks will no longer be available to read, but you’ll get a full refund for all book purchases. See below for details.

While you can no longer purchase or acquire additional books from the Microsoft Store, you can continue to read your books until July 2019 when refunds will be processed.

If that isn’t clear enough, let the BBC explain it: “Microsoft’s eBook store: When this closes, your books disappear too”.

…But just think about that for a moment. Isn’t it strange? If you’re a Microsoft customer, you paid for those books. They’re yours.

Except, I’m afraid, they’re not, and they never were – when you hand over money for your “book”, what you’re really paying for is access to the book. That access, per the terms and conditions of every major eBook store, can be taken away at any moment.

At BoingBoing, Cory Doctorow heaps contempt on the whole arrangement: “Microsoft announces it will shut down ebook program and confiscate its customers’ libraries”.

…People sometimes treat me like my decision not to sell my books through Amazon’s Audible is irrational (Audible will not let writers or publisher opt to sell their books without DRM), but if you think Amazon is immune to this kind of shenanigans, you are sadly mistaken. My books matter a lot to me. I just paid $8,000 to have a container full of books shipped from a storage locker in the UK to our home in LA so I can be closer to them. The idea that the books I buy can be relegated to some kind of fucking software license is the most grotesque and awful thing I can imagine: if the publishing industry deliberately set out to destroy any sense of intrinsic, civilization-supporting value in literary works, they could not have done a better job.

(14) ROWLING WINS IN COURT. BBC reports “JK Rowling assistant to pay back fraud money to Harry Potter author”.

A former personal assistant to JK Rowling has been ordered to pay almost £19,000 to the Harry Potter author after fraudulently using her credit card.

Amanda Donaldson, 35, from Coatbridge in North Lanarkshire, must pay £18,734 back with interest.

The author pursued damages in a civil case at Airdrie Sheriff Court under her married name Joanne Murray.

She said the money would be donated to her charity Lumos.

Donaldson was dismissed from her job in Ms Rowling’s Edinburgh office in 2017 over the incident.

(15) ANCIENT KINDLING. History illustrates a possible worst case — “Climate change: Warning from ‘Antarctica’s last forests'”.

Scramble across exposed rocks in the middle of Antarctica and it’s possible to find the mummified twigs of shrubs that grew on the continent some three to five million years ago.

This plant material isn’t much to look at, but scientists say it should serve as a warning to the world about where climate change could take us if carbon emissions go unchecked.

The time period is an epoch geologists call the Pliocene, 2.6-5.3 million years ago.

It was marked by temperatures that were significantly warmer than today, perhaps by 2-3 degrees globally.

These were conditions that permitted plant growth even in the middle of the White Continent.

(16) SEE SPOT RUN. For the first time, scientists studying Neptune have been able to track the blossoming of a ‘Great Dark Spot’ — an enormous, whirling storm in the planet’s atmosphere. The academic paper is a tad dry, so here’s a snap the Hubble took:

(17) FRESH GUNS. The Borderlands 3 game is coming in September.

[Thanks to JJ, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Carl Slaughter, Harold Osler, Chip Hitchcock, Martin Morse Wooster, Mike Kennedy, Paul Weimer, Andrew Porter, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Kip Williams.]

Pixel Scroll 3/18/19 I Needed Pixels Coz I Had None, I Filed The Scroll And The Scroll Won

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(1) MCINTYRE. CaringBridge readers received a saddening update about Vonda McIntyre’s status:

Vonda has been told she has somewhere between two weeks and two months. She’s doing well enough right now that she will probably last longer than the short end of this estimate but we aren’t seeing much cause for hope she might exceed the long end. 

She has signed up with hospice. The people who have come out this past week all seem smart and kind, and Vonda is pleased with them.

Vonda is, on the whole, fairly comfortable. She gets some pain before her scheduled paracentesis sessions, but she says it isn’t bad and goes away as soon as she gets the procedure. She’s weak, moves slowly, and sleeps a lot. However, she’s alert and engaged when she is awake, and has been enjoying visits from various people. She doesn’t eat much, but is still enjoying food and has no nausea issues.

Emotionally, I find her to be in astonishingly good shape. She’s still grieving the loss of Ursula and her sister, Carolyn, but she says she’s not especially upset about her own situation. She is focused on getting some things down, many of which are fun for her. This stuff could hit harder later but for now she seems calm and accepting.

Frank Catalano sent the link with a note: “Vonda was generous to me when I moved to the Seattle area in the 1980s and I took on the task of administering SFWA’s Nebula Awards. She and I and a small crew of volunteers stuffed and stamped numerous Nebula Awards Reports in my Queen Anne apartment. I consider her a friend and she has also encouraged my writing.”

(2) MONSTER MASH. A new trailer for Godzilla: King of the Monsters has dropped. The move arrives in theaters May 31

Following the global success of “Godzilla” and “Kong: Skull Island” comes the next chapter in Warner Bros. Pictures’ and Legendary Pictures’ cinematic MonsterVerse, an epic action adventure that pits Godzilla against some of the most popular monsters in pop culture history. The new story follows the heroic efforts of the crypto-zoological agency Monarch as its members face off against a battery of god-sized monsters, including the mighty Godzilla, who collides with Mothra, Rodan, and his ultimate nemesis, the three-headed King Ghidorah. When these ancient super-species—thought to be mere myths—rise again, they all vie for supremacy, leaving humanity’s very existence hanging in the balance.

(3) ALSO NSFWWW. Camestros Felapton pauses for breath at almost the halfway point in the series to write a quick review: “Love, Death + Robots: Initial Impressions”.

I’ve watched eight episodes (out of eighteen) of Netflix’s “Adult” anthology series based on contemporary SF short stories. It’s ‘Adult’ in the sense of stereotypes of adolescent male interests which means many episodes with gore and most episodes with CGI boobs. There are some good pieces but they are ones that differ sharply from the general aesthetic.

(4) TECH SUPPORT. Brianna Wu has an opinion piece in today’s Boston Globe: “Senator Warren is onto something: The best way to protect the tech industry is to break it up”.

I’ve spent a career working in tech as a software engineer. And I believe regulated markets are the best way to build and deliver innovative products. That might sound counterintuitive. But increasingly, the largest players in the game aren’t playing by the same rules. Instead, they’re using their power to bully or buy out the competition.

That’s why I was thrilled last week when Senator Elizabeth Warren put forward a bold plan to break up the largest tech companies, including Facebook, Google and Amazon. Many parts of the plan are strong and have widespread support by industry experts, such as breaking up Facebook and Instagram. Other parts inadvertently jeopardize privacy and increase consumer risk of malware and spyware. Overall, it’s a strong start to an antitrust conversation that is long overdue.

(5) WOLFE’S SERVICE RECOGNIZED. Last week at the International Association for the Fantastic in the Arts conference, Gary K. Wolfe received the Robert A. Collins Service Award, “presented to an officer, board member, or division head for outstanding service to the organization.” [Via Locus Online.]

(6) IMPATIENTS. In “Cory Doctorow’s Radicalized and Audience Awareness”, Joseph Hurtgen urges us all to “Put Cory Doctorow’s Radicalized on your reading list. It’s a short and powerful meditation on the power of the internet to radicalize suffering individuals, the broken healthcare system in the US, the exploitation of the poor in America, and the broken judicial system in the US.”

…Doctorow considers a slightly different kind of mass murdering, one with a political agenda. The terrorists in Doctorow’s world kill to force the US to fix the broken healthcare system. In the 21st century, our situation is that experimental treatment for cancer is available to those that can write a seven-figure check. But for the rest of us, no matter how much we’ve paid into the system, death is still the only cure. 

(7) HOLDING FORTH. YouTube has video of Isaac Asimov on The David Letterman Show, October 21, 1980

(8) ELLEN VARTANOFF OBIT. Ellen Vartanoff (1951-2019) died March 17 reports her brother-in-law, Scott Edelman.

Stu McIntire wrote a tribute for ComicsDC:

Ellen Vartanoff was a fan, a collector, creator, artist, teacher, mentor and so much more to countless friends and admirers. Condolences to Irene, Scott, and all of Ellen’s family. I will always carry with me the last time I saw Ellen.

The Washington Post covered a 1997 exhibition she put together from her own cartoon collection:

“I’ve been in love with cartoons since I was 7 years old,” says Vartanoff, 46, who financed her early comic book purchases by collecting returnable soft drink bottles, which brought her 2 cents each. “That amount was more meaningful back when comics cost a dime. My sister and I have been collecting comics since 1957 and began collecting original cartoon art in the 1960s, way before it became a popular thing to do.”

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 18, 1926 — Peter Graves. Star of Mission Impossible and the short lived Australian filmed Mission Impossible which if you’ve not seen it, you should as it’s damn good. I’m reasonably certain his first genre role was on Red Planet Mars playing Chris Cronyn. Later roles included Gavin Lewis on The Invaders, Major Noah Cooper on Buck Rogers in the 25th Century, Doug Paul Martin in Killers from Space and Paul Nelson on It Conquered the World. It’s worth noting that a number of his films are featured on Mystery Science Theater 3000 series. (Died 2010)
  • Born March 18, 1932 — John Updike. It might surprise you to learn that there are two Eastwick novels, The Witches of Eastwick and The Widows of Eastwick, the latter set some three decades after the first novel ended. He wrote a number of other genre-friendly novels including The Centaur, Brazil and Toward the End of Time. (Died 2009.)
  • Born March 18, 1947 — Drew Struzan, 72. Artist known for his more than a hundred and fifty movie posters which include films in Back to the Future, the Indiana Jones, and Star Wars film franchises. In addition, he designed the original Industrial Light & Magic logo for Lucas. My favorite posters? Back to the Future, The Goonies and The Dark Crystal.
  • Born March 18, 1950 — J. G. Hertzler, 69. He’s best known for his role on Deep Space Nine as the Klingon General (and later Chancellor) Martok. He co-authored with Jeff Lang, Left Hand of Destiny, Book 1, and Left Hand of Destiny, Book 2, which chronicle the life of his character. His very TV first role was a genre one, to wit on Quantum Leap as Weathers Farrington in the  “Sea Bride – June 3, 1954” episode. Setting aside DS9, he’s been in Zorro, Highlander, The Adventures of Brisco County, Jr., Lois & Clark: The New Adventures of Superman, Lois & Clark: The New Adventures of Superman, Charmed, Roswell and Enterprise series;  for film genre work, I see The Redeemer: Son of Satan, Treasure Island: The Adventure Begins and Prelude to Axanar (yet another piece of fanfic). In addition, he’s done a lot of video game voice acting, the obvious Trek work but such franchises as BioShock 2, The Golden Compass and Injustice: Gods Among Us. 
  • Born March 18, 1959 — Luc Besson, 60. Oh, The Fifth Element, one of my favorite genre films. There’s nothing about it that  I don’t like. I’ve not seen Valerian and the City of a Thousand Planets and reviews leave me disinclined to do so. The Transporter is not genre but I recommend it as a great film none the less. 
  • Born March 18, 1960 — Richard Biggs. He appeared as Dr. Stephen Franklin on Babylon 5, reprising the role in the final aired episode of Crusade, “Each Night I Dream of Home”. Other genre roles included playing Roger Garrett on Tremors, Hawkes In The Alien Within, An Unnamed Reporter on Beauty and the Beast,  Dr. Thomson on an episode of The Twilight Zone and a Process Server in an episode of The Magical World of Disney. (Died 2004.)
  • Born March 18, 1961 – James Davis Nicoll, 58. A freelance game and genre reviewer. A first reader for SFBC as well. Currently he’s a blogger on Dreamwidth and Facebook, and an occasional columnist on Tor.com. In 2014, he started his website, jamesdavisnicoll.com, which is dedicated to his book reviews of works old and new; and which later added the highly entertaining Young People Read Old SFF, where that group read prior to Eighties SF and fantasy, and Nicoll and his collaborators comment on the their reactions.
  • Born March 18, 1989 — Lily Collins, 30. First genre role was in cyberpunk horror film Priest as Lucy Pace. She next shows up in Mirror Mirror before being Clary Fray in The Mortal Instruments: City of Bones. I did read the first three or four novels in the series. Recommended them wholeheartedly, no idea how the film is. She’s Edith Tolkien in the Tolkien filmnow in post-production. 

(10) STAY TUNED FOR VERSE. John A Arkansawyer sent a note with this link to his sff poem: “Shameless self-promotion for something which will not win the Rhysling But I’m pleased to have written it in the last fifteen minutes.” — “The Synoptic Bump in “Warrior”, by Gordon R. Dickson”.

(11) IT’S STILL NEWS TO ME. From 2011, Tracer’s parody “How David Weber Orders a Pizza”. He nails the style.

The telephone rang.

Jason Wilkins roused himself out of his dough-and-flour-addled stupor, and gazed at the ringing noise emanating from the receiver….

And if you scroll down to item #24 you’ll find Chapter 2 of Weber’s epic “In Ovens Baked.”

Pizza Delivery Person Third Class Alonzo Gomez smoothly turned his control wheel counterclockwise, with the skill of a man who’d practiced this maneuver for years. In the sealed chamber in front of his feet, a gear at the end of the wheel’s shaft pushed the rack-and-pinion assembly to one side, changing the angle of the vehicle’s front wheels. Now, driven onward relentlessly by the vehicle’s momentum, the tires bit into the road surface obliquely, forcing the vehicle’s nose to port and carrying the entire vehicle with them on its new course. Alonzo and his vehicle thereby rounded the corner, taking them off of Elm street and onto 5th Avenue….

(This reminds me of the time I watched a visiting clergyman doing a sendup of “Pastor Jack telling the congregation the church is on fire.” He had everyone in hysterics, with the assistant pastor waving his handkerchief in surrender.)

(12) DUNE BUILDERS. Warner Bros. Pictures has announced the full cast and creative team for the new Dune movie with Brian Herbert as an executive producer. No change in the November 20, 2020 release date: “Cameras Roll on Warner Bros. Pictures and Legendary Entertainment’s Epic Adaptation of ‘Dune’”.

(13) RETRO FUTURE. Popular Mechanics remembers “When Pan Am Promised to Fly Us to the Moon”.

In 1964, Austrian journalist Gerhard Pistor walked into a Vienna travel agency with a simple proposition. He’d like to fly to the moon, and if possible, he’d like to fly there on Pan Am. 

The travel agency, presumably dumbfounded by this request, decided to simply do its job and make the ask: It forwarded the impossible request to the airline, the legend goes, where it attracted the attention of Juan Trippe, the notoriously brash and publicity-thirsty CEO of Pan American World Airways, the world’s most popular airline. Trippe saw a golden opportunity, and the bizarre request gave birth to a brilliant sales ploy that cashed in on the growing international obsession with human spaceflight: Pan Am was going to launch commercially operated passenger flights to the moon. Or, at least, that’s what it was going to tell everyone. 

In hindsight, it’s beyond ludicrous. NASA wouldn’t land men on the moon for five more years; the promise of lunar getaways on a jetliner sounds like a marketing scam at worst, and the most preposterous extension of 1960s techno-optimism at best. And yet, in a striking parallel to today’s commercial space race, would-be customers put down their names on a waiting list for their chance to go to space, joining Pan Am’s “First Moon Flights” Club.

If history is a guide, then Virgin Galactic, SpaceX and Blue Origin should be cautious. Pan Am dissolved in 1991 without ever getting close to launching a spacecraft. Even when it promised the moon and the stars, the airline was far closer to financial oblivion than it was to the cosmos. 

(14) NOW THEY TELL US. “US detects huge meteor explosion” – but we need to hear about it from BBC?

A huge fireball exploded in the Earth’s atmosphere in December, according to Nasa.

The blast was the second largest of its kind in 30 years, and the biggest since the fireball over Chelyabinsk in Russia six years ago.

But it went largely unnoticed until now because it blew up over the Bering Sea, off Russia’s Kamchatka Peninsula.

The space rock exploded with 10 times the energy released by the Hiroshima atomic bomb.

Lindley Johnson, planetary defence officer at Nasa, told BBC News a fireball this big is only expected about two or three times every 100 years.

(15) VIDEO OF THE DAY. In “Disney–The Art of Animation” on YouTube, Kaptain Kristian provides the 15 principles of animation that have ensured Disney’s continued excellence in animation for over 80 years.

[Thanks to Bill, JJ, Cat Eldridge, John King Tarpinian, Daniel Dern, Scott Edelman, Mike Kennedy, Martin Morse Wooster, Chip Hitchcock, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kurt Busiek.]

Pixel Scroll 1/14/19 Baby, It’s Cthulhu Outside

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(1) MICHELLE YEOH TREK SPINOFF. The Hollywood Reporter brings us additional details on one of the several Star Trek spinoffs (the existence of which leaked as far back as November) in the works (“‘Star Trek’: Michelle Yeoh-Led ‘Discovery’ Spinoff Details Revealed”).

Riding the high of a Critics’ Choice Award win for best comedy, Michelle Yeoh has further reason to celebrate Monday.

CBS All Access has officially tapped Yeoh to captain a Star Trek series of her own: a black ops-themed spinoff of Discovery in which the actress will reprise her role and explore the next chapter in the life of Capt. Philippa Georgiou. The untitled drama will further explore Starfleet’s Section 31 division, a shadow organization within the Federation featured on Star Trek: Discovery.

[…] “Michelle has shattered ceilings, broken boundaries and astonished us with her grace and gravitas for decades. As a human, I adore her. As an actor, I revere her,” [producer Alex] Kurtzman said. “Erika [Lippoldt] and [Bo Yeon Kim] are remarkable, exciting writers who bring a fresh perspective to the world of Star Trek, and we’re all thrilled to explore the next wild chapter in the life of Captain Philippa Georgiou.”

(2) SMOKE GETS IN YOUR EYES. Kotaku covers the auto arsonist who struck at Anime Los Angeles this weekend: “Suspected Cosplay Stalker Destroys Seven Cars During Anime Con”.

A suspected arson attack, allegedly carried out by an “obsessed stalker”, has torched seven cars in the parking lot of a hotel where Anime Los Angeles attendees have been staying over the weekend.

The incident took place early on Sunday morning, just before 2am. The night manager of the Azure Hotel & Suites in Ontario, California told ABC News that surveillance footage “showed a man walk up to the main vehicle, pour two cans of gasoline all over it and then [flick] a match on it”.

That car belonged to cosplayer Julia Moreno Jenkins, who says her vehicle was “targeted and set on fire by an obsessed stalker”. Once it was in flames, the fire then spread to nearby cars. As a precaution, the hotel was evacuated….

(3) YOU DON’T SPIT INTO THE WIND. Maybe they won’t be suing Cory Doctorow after all — “Start-up Bird backs down in electric scooter legal row”.

A scooter firm has apologised after issuing a journalist with legal threats over a blogpost about its scooters.

Start-up Bird offers electric scooters in around 40 US cities, which are hired via an app.

Bird accused Cory Doctorow of copyright infringement for linking to a forum about a device which enables abandoned scooters, bought at auction, to be fitted with a new motherboard.

This means they can then be used without the Bird app.

Mr Doctorow’s blogpost, published on the website Boing Boing, was about the number of Bird scooters that are being abandoned or badly parked, then removed by local authorities and legitimately sold.

It described a $30 (£23) motherboard which replaces the scooters’ existing hardware but does not alter either the hardware or software installed by Bird.

A spokesperson told the BBC Bird’s legal team had “overstretched” in issuing a takedown request.

Doctorow posted Bird’s lawyer letter at the Electronic Frontier Foundation.

(4) FIFTIETH ANNIVERSARY. Neil Clarke unveiled Mack Sztaba’s cover and the table of contents for his The Eagle Has Landed collection, to be released in July.

On July 20, 1969, mankind made what had only years earlier seemed like an impossible leap forward: when Apollo 11 became the first manned mission to land on the moon, and Neil Armstrong the first person to step foot on the lunar surface.

…The Eagle Has Landed collects the best stories written in the fifty years since mankind first stepped foot on the lunar surface, serving as a shining reminder that the moon is and always has been our most visible and constant example of all the infinite possibility of the wider universe.

Table of Contents

  • Introduction
  • Bagatelle by John Varley
  • The Eve of the Last Apollo by Carter Scholz
  • The Lunatics by Kim Stanley Robinson
  • Griffin’s Egg by Michael Swanwick
  • A Walk in the Sun by Geoffrey A. Landis
  • Waging Good by Robert Reed
  • How We Lost the Moon by Paul McAuley
  • People Came From Earth by Stephen Baxter
  • Ashes and Tombstones by Brian Stableford
  • Sunday Night Yams at Minnie and Earl’s by Adam Troy Castro
  • Stories for Men by John Kessel
  • The Clear Blue Seas of Luna by Gregory Benford
  • You Will Go to the Moon by William Preston
  • SeniorSource by Kristine Kathryn Rusch
  • The Economy of Vacuum by Sarah Thomas
  • The Cassandra Project by Jack McDevitt
  • Fly Me to the Moon by Marianne J. Dyson
  • Tyche and the Ants by Hannu Rajaniemi
  • The Moon Belongs to Everyone by Michael Alexander and K.C. Ball
  • The Fifth Dragon by Ian McDonald
  • Let Baser Things Devise by Berrien C. Henderson
  • The Moon is Not a Battlefield by Indrapramit Das
  • Every Hour of Light and Dark by Nancy Kress
  • In Event of Moon Disaster by Rich Larson

(5) FANHISTORY. Steven H Silver reminisces about “The Golden Age of Science Fiction: Lou Tabakow” at Black Gate, a long resume of the conventions he founded. I’d also like to mention what impressed me about Lou Tabakow. By the time I encountered him in the mid-1970s yes, he was a vaunted fanpolitician and Secret Master of Fandom, yet he was always interested in how to bring more people into fandom and share what was going on. That not as common a trait as you’d expect among fans.

(6) TODAY IN HISTORY.

  • January 14, 1959 — Journey to the Center of the Earth premiered.
  • January 14, 2005 — The first probe to land on Saturn’s moon, Titan, signaled it survived its descent. The Huygens space probe was designed to last only minutes on Titan’s surface, but surpassed the expectations of mission managers. Huygens descended the atmosphere, contacted the surface, and transmitted for at least an hour and a half.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 14, 1921 – Kenneth Bulmer. Oh my god. I couldn’t possibly summarise him if I tried. Looking through his list of writing that I know that I have read some Astor New Writings in SF and I reasonably sure that those Antares novels sound awfully familiar. So what have y’all read of him? (Died 2005.)
  • Born January 14, 1949 – Lawrence Kasdan, 70. Screenwriter, director and producer. He is best known as co-writer of The Empire Strikes Back, Raiders of the Lost Ark (one of my favorite films of all time), Return of the Jedi, Star Wars: The Force Awakens, and Solo: A Star Wars Story. He directed SF horror film  Dreamcatcher which was based on a novel by Stephen King and by a William Goldman screenplay. 
  • Born January 14, 1962 – Jemma Redgrave, 57. Her her first genre role was as Violette Charbonneau in the “A Time to Die” episode of Tales of the Unexpected which was also her first acting role. Later genre roles are scant but include a memorable turn as Kate Lethbridge-Stewart, daughter of Brigadier Lethbridge-Stewart on Doctor Who. 
  • Born January 14, 1964 – Mark Addy, 55. He got a long history in genre films showing up first as Mac MacArthur in Jack Frost  followed by by the lead in The Flintstones in Viva Rock Vegas (why did anyone make this?), Roland in A Knight’s Tale (now that’s a film), Friar Tuck In Ridley Scott’s Robin Hood (has anyone seen this?) and voicing Clyde the Horse in the just released Mary Poppins Returns. Television work includes Robert Baratheon on Game of Thornes, Paltraki on a episode on Doctor Who, “The Battle of Ranskoor Av Kolos”, and he was Hercules on a UK series called Atlantis. 
  • Born January 14, 1974 – Kevin Durand, 45. Jason Woodrue In the forthcoming live Swamp Thing series on the DC Universe service (that’s me jumping up and down!). Previous genre roles include as The Blob in X-Men Origins: Wolverine, Little John In Robin Hood, Mogadorian Commander In I am Number Four, Ricky in Real Steel, Emil Pangborn In The Mortal Instruments: City of Bones, Cesar Tan In Winter’s Tale
  • Born January 14, 1990 – Grant Gustin, 29. Actor, known as The Flash in the Arrowverse. I’ve got him as a boyfriend on an episode of A Haunting, one of those ghost hunter shows early in his career. Later on, well that’s it as Arrowverse has kept him rather busy.

(8) COMICS SECTION.

  • Yoda offers some seasonal advice at Half Full.

(9) IS HOMER IN THE MCU NOW? Thanos paid a visit to The Simpsons with predictable—yet unpredictable—results (Inverse: “Only One ‘Simpsons’ Character Survived Thanos on Sunday”). The Big Guy added a new “stone” to his gauntlet and used it to lay low most of the Simpson family in the introduction to the episode.

Thanos wants to wipe out half the known universe in the pursuit of perfect balance, but he has a (very toxic) soft spot. In a guest appearance on The Simpsons on Sunday, the villain of Avengers: Infinity War used the Infinity Stones to wipe away most of the Simpsons family, except for one.

In the “couch gag” for the Sunday premiere of Season 30, Episode 12 of The Simpsons, Jim Starlin’s Thanos occupies the Simpsons family couch and uses his Infinity Gauntlet to wipe out most the Simpsons family.

(10) A LIST TO THINK ABOUT. Nerds of a Feather’s contributors have assembled the “2019 Nerds of a Feather Hugo Awards Longlist, Part 1: Fiction Categories”. A nice set of cover galleries accompany the picks.

…The rules for inclusion were simple–just: (a) meet the eligibility criteria; and (b) be “award worthy” (i.e. good). Given the subjectivity of the latter, it should come as no surprise that the selections on our longlist reflect the spectrum of tastes, tendencies and predilections found among our group of writers. You’ll find selections ranging from the obscure and literary to the unabashedly popular and commercial, and from all corners and subdivisions of the genresphere.

That said, this is not nor intends to be a comprehensive survey of the field. Some books that are undoubtedly “award worthy,” for example, are absent for the simple reason that we haven’t read them yet. Thus we encourage you to think of this as a list of candidates to consider–alongside others…. 

(11) R.O.U.S. Ars Technica: “Rodents of Unusual Size—Meet the invasive, orange-toothed pests of coastal erosion”. A new nature documentary makes a callback to The Princess Bride—in its title, at least. Nutria. They’re not just for breakfast anymore.

…Back in the early 20th century long before environmental changes imminently threatened the state’s natural resources, Louisiana still needed more industry. So businessmen like EA McIlhenny (of the Tabasco family, yes) had an idea. Argentina has this abundance of these large, furry creatures called nutria, what if we acquired some?

The concept seemed solid: raise ‘em on a fur farm, skin ‘em for the pelts, and then export hats, jackets, and other fine furs to make a pretty penny. And for a long time, the scheme worked—even Sophia Loren once wore nutria, and the industry for Louisiana trappers peaked around $15 million in annual revenue. But as animal rights became more of a mainstream concept, the popularity of fur drastically decreased. Suddenly, folks in Southern Louisiana didn’t have the same motivation, and nutria quietly built out a larger population within their new habitat.

This, to put it lightly, had consequences. In the ’70s and ’80s when the fur game started drying up, Rodents of Unusual Size estimates 25 million invasive nutria occupied Southern Louisiana. Unfortunately, the rats tend to devastate their immediate environment, eating anything green in sight and uprooting plants in the process, which makes a plot of land more at risk to the natural forces of coastal erosion….

(12) SHORT FICTION REVIEWS. Charles Payseur catches up with “Quick Sips – Anathema #6”:

So I might have missed when this latest issue of Anathema dropped on the last day of the year. My apologies! I’m super glad I caught it, though, because it’s an amazing bunch of stories, featuring six different works that explore grief, loss, and a palpable powerlessness. The characters are dealing with things that cannot be changed (or that seem like they cannot be changed) and finding out what they can do about it. That sometimes means learning how to accept things and try to move on, though that’s complicated by grief, by pain, and by the fear of losing more. It’s an emotional and often devastating read, and I’ll get right to those reviews!

(13) OUT OF THE MAZE AND INTO THE BOX. “Rosa Salazar: From ‘Abbreviated’ ‘Bird Box’ Role to James Cameron’s ‘Alita'” – The Hollywood Reporter has the story.

The apocalypse has been good to Rosa Salazar.

After dystopic turns in the Divergent and Maze Runner franchises, the 33-year-old actress was most recently seen in Bird Box, Netflix’s foray into the end times. While the movie has since reached hit status (more than 45 million views in its first week, according to the streamer), she was hesitant to sign on.

“I felt like I had been there and done that,” she explains. But Bird Box was an opportunity to work with some of her “idols,” like star Sandra Bullock, and Salazar ultimately joined after director Susanne Bier offered to add more of a backstory for her character, who was not in the original Josh Malerman novel.

(14) A STORY ABOUT RAY BRADBURY. Mr. Sci-Fi shares a story Ray Bradbury told him personally — about the time he met Laurel and Hardy. And Space Command is off to London to meet with Netflix!

(15) SPILL THE BEANS. Supermarket News says “Giant/Martin’s, Stop & Shop begin robot rollout”.

Ahold Delhaize USA plans to deploy robots to nearly 500 Giant Food Stores, Martin’s and Stop & Shop locations to help improve in-store efficiencies and safety.

The company’s Retail Business Services (RBS) arm said Monday that the rollout, slated to continue through the early part of 2019, comes after successful store pilots of the technology. The initiative stems from a partnership between RBS and retail automation and robotics provider Badger Technologies, a division of Jabil.

Named “Marty,” the robots are being used to flag hazards — such as liquid, powder and bulk food-item spills — and report when corrective action is needed. RBS said the robots help stores reduce the risk caused by such spills, freeing up store associates to spend more time serving customers.

(16) VIDEO OF THE DAY. In “If You Can” on Vimeo, Hanna Rybak animates an inspiring quote by WInston Churchill.

[Thanks to Mike Kennedy, Cora Buhlert, JJ, Cat Eldridge, David Doering, John King Tarpinian, Chip Hitchcock, Martin Morse Wooster, Michael J. Walsh, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 11/13/18 If We Had Pixels We Could Have A Pixel Scroll, If We Had Scrolls

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(1) NOIR WITH EXTRA MUSTARD. Here’s the first trailer for POKÉMON Detective Pikachu, coming to theaters May 10.

The story begins when ace private eye Harry Goodman goes mysteriously missing, prompting his 21-year-old son Tim to find out what happened. Aiding in the investigation is Harry’s former Pokémon partner, Detective Pikachu: a hilariously wise-cracking, adorable super-sleuth who is a puzzlement even to himself. Finding that they are uniquely equipped to communicate with one another, Tim and Pikachu join forces on a thrilling adventure to unravel the tangled mystery. Chasing clues together through the neon-lit streets of Ryme City—a sprawling, modern metropolis where humans and Pokémon live side by side in a hyper-realistic live-action world—they encounter a diverse cast of Pokémon characters and uncover a shocking plot that could destroy this peaceful co-existence and threaten the whole Pokémon universe.

 

(2) CRITICS RECOGNIZE HAWKE. Author Sam Hawke won a Canberra Circle Critics Award for her novel City of Lies.

(3) FEED INTERRUPTED. Cory Doctorow’s Unauthorized Bread is being adapted for TV: “Topic Studios Buys Cory Doctorow’s Sci-Fi Novella ‘Unauthorized Bread’”.

Topic Studios (who were behind mainstream hits including Spotlight and Leave No Trace) have begun work on an adaptation of Cory Doctorow’s upcoming novella Unauthorized Bread. The planned TV series takes aim at the ‘Internet of Things’ by imagining a world in which corporations have put user locks on all kitchen appliances so that they only work with brand-name food — to the point that even a toaster won’t work on Unauthorized Bread. Doctorow’s novella comes out next January.

(4) OOPS. A New Zealand newspaper’s mistake inspired an epically funny Twitter thread.

(5) DATA POINTS. Trekspertise considers “Androids vs Holograms: Personhood In Star Trek.”

Star Trek’s defense of personhood is both loud & obvious, like Picard’s defense of Androids. But, what if there was a more subtle way? Enter the Holograms.

 

(6) LIBERTYCON 2019.  The LibertyCon 32 Guests of Honor will be:

(7) FURRIES ON CNN. The next episode of Lisa Ling’s CNN series This Is Life is “Furry Nation” – and the trailer shows it is, indeed, about fursuited fans. Airs this Sunday.

(8) RED PLANET TOUCHDOWN. Cnet says “NASA set to broadcast its first Mars landing in six years” and tells where to watch.

It’s been a while since we’ve sat down in front of the TV to watch a good ol’ Mars landing.

But clear your calendar because NASA said Tuesday it will broadcast its InSight Mars Lander touching down on the Red Planet on Nov. 26 on NASA Television and its website, as well as Twitter and Facebook.

The last time NASA broadcast a landing was six years ago, and it made for exciting viewing: The Curiosity rover executed a dramatic plunge to the surface.

InSight was launched May 5, and if it’s successful, it will be NASA’s first spacecraft to land on Mars since Curiosity in 2012. NASA says its mission is to study the “deep interior” of Mars. It’s data will “help scientists understand the formation of all rocky worlds, including our own,” the space agency said.

(9) BEST OF 2018. Do I want to make James Davis Nicoll yell that 2018 isn’t over again? Yeah, why not? Here’s a link to “Tor.com Reviewers’ Choice: The Best Books of 2018”. Ten folks make selections, including Paul Weimer. Here are Mahvesh Murad’s picks.

I’m a fangirl of Megan Abbott’s lean, mean writing, so of course I was going to enjoy her latest novel, Give Me Your Hand. I didn’t know just how much of an impact it would have though, because it did, with its taut, intense narrative about two young women scientists working on premenstrual dysphoric disorder research. Abbott is so deft at turning a thriller narrative inwards, forcing us to dip our fingers into the bloody souls of female friendships.

There have been a few revamps of ancient epics this year, and Madeline Miller’s Circe is one of the two I loved. It’s a gorgeous book ostensibly based on The Odyssey, but told from the perspective of the witch Circe, and is a glorious exploration of femininity and feminism, divinity and motherhood.

The second book based on an epic that will stay with me for a long while is Maria Dahvana Headley’s The Mere Wife, a sharp,visceral feminist take on Beowulf. Headley’s writing has rhythms I’ve always been fascinated by, and The Mere Wife is no exception to her unabashed no holds barred approach to any narrative. If Beowulf was a story about aggressive masculinity, The Mere Wife is one of femininity, where the female characters are more than just monster, hag, trophy—they are also in turn hero, saviour, leader.

(10) BUCK BUCK BOOK. Gabriel Iglesias, in “The 10 Weirdest Crime Novels You Probably Haven’t Read” on Crimereads, recommends such “crime/bizarro hybrids” as Repo Shark by Cory Goodfellow, in which “ancient entities turn into sharks” and Embry by Michael Allen Rose, in which all the characters are chickens.

Sometimes weirdness doesn’t affect the core of the narrative, and this is a perfect example. Embry is an extremely strange tribute to 1950s sleuth pulp. There are fistfights, a mysterious murder, a lot of running and hiding, and a femme fatale that helps the antihero. In fact, the only difference between this and a Dashiell Hammett novel is that the characters are all chickens. Yes, poultry. Rose is obviously a fan of pulp, and the fun he had writing this is palpable in every page, every cracked shell, and every bloody feather.

(11) TODAY IN HISTORY

  • November 13, 1933 – The Invisible Man debuted in theaters.
  • November 13, 1940 – Disney’s Fantasia premiered.

(12) TODAY’S BIRTHDAYS

[Compiled by Cat Eldridge and JJ.]

  • Born November 13, 1887 – A.R. Tilburne. Pulp artist who by 1938 was selling illustrations to Short Stories and Weird Tales, and  the 1940s he also drew many interior story illustrations for Weird Tales. In 1947 he painted the cover for H. P. Lovecraft’s The Lurking Fear which was published by Avon. (Died 1965.)
  • Born November 13, 1888 – Philip Francis Nowlan. He’s best known as the creator of Buck Rogers. While working in Philadelphia, he created and wrote the Buck Rogers comic strip, illustrated by Dick Calkins. Nowlan and the syndicate John F. Dille Company, later known as the National Newspaper Service syndicate, were contracted to adapt the story into a comic strip. The strip made its first newspaper appearance on January 7, 1929. (Died 1940.)
  • Born November 13, 1955 – Whoopi Goldberg, 63. Best known for her role as Guinan the Barkeep in Ten Forward on Enterprise in Star Trek: The Next Generation which she reprised in Star Trek Generations and Star Trek: Nemesis. Other genre appearances include It’s a Very Merry Muppet Christmas Movie, Pinocchio 3000, Teenage Mutant Ninja Turtles and The Adventures of Rocky and Bullwinkle  to name but a few of her appearances as she’s very busy performer!
  • Born November 13, 1957 – Stephen Baxter, 61. Ok I’m going to confess that the only thing I’ve read that he’s written is the Long Earth series with Terry Pratchett which produced five books, The Long Earth, The Long War, The Long Mars, The Long Utopia and The Long Cosmos. I’ve only read the first three but they are quite stellar SF! I really, really need your help to figure out what else of his that I should consider reading. To say he’s been a prolific writer is somewhat of an understatement and he’s gotten a bonnie bunch of literary awards as well.  It’s worth noting that Baxter’s story “Last Contact” was nominated for the 2008 Hugo Award for best short story.
  • Born November 13, 1969 – Gerard Butler, 49. He’s done Tomb Raider, Reign of Fire, the 300 films (for which he received a Saturn nomination), the How to Train Your Dragon films, Beowulf & Grendel, Dracula 2000, Tale of the Mummy, Gamer, and Timeline.

(13) STAN LEE TRIBUTES. Michael Cavna has an appreciation of Stan Lee in the Washington Post that includes an interview with Neil Gaiman. It starts with a strong lede: “There was a lot more to comics’ greatest showman than just showing up, convention after convention, show after show. And to the man who long wore that mantle, with great power came great adaptability.” “Stan Lee became one of pop culture’s greatest showmen — by making fans feel like part of the club”.

Lee told me that the key to all this success was that he began to listen to himself — to what fascinated him about fairy tales and classic novels alike, from Grimm to “Great Expectations.” Lee was drawn to the strength we find in ourselves at the height of human frailty.

That universal appeal to our vulnerabilities — at the height of tumultuous times and generational change in the United States in the 1960s — helped Marvel’s creations become embraced and embedded in mainstream culture. And as their popularity grew, Lee grew from his duties as writer-editor to his role as promoter and ringmaster.

“He was the huckster that comics needed — he was the showman,” novelist and “Sandman” writer Neil Gaiman told me Monday. “He was also an effective writer. When you look at the [Marvel] comics by other people who weren’t Stan, you realized how efficient and effective he was.”

(14) VINTAGE LEE. Marcus Errico, in the Yahoo! Entertainment story “The Lost Stan Lee Interview:  From Making Modern Fairy Tales To The Hero He Most Identified With”, reprints an interview from 2015.

Yahoo Entertainment: You’ve created so many universes of superheroes in your career — do you have a philosophy of superheroism?
Stan Lee: I hate to make it sound un-intellectual, but to me, I think of these superheroes the way young people read fairy tales. When you’re 3, 4, 5 years old, you read about giants and witches and monsters and things like that. And they’re colorful and bigger than life, and you’re a little kid and you’re impressed with them. [But when] you get a little older, you can’t read fairy tales anymore. Suddenly, along come these superhero stories and to me they’re like fairy tales for grown-ups because they’re all bigger than life, they’re about characters that really have abilities that no human beings possess. … You’re recapturing the enjoyment you had when you were a kid reading fairy tales. So I don’t think there’s anything thing very much deeper to it than that.

(15) WHEN WOLVERINE PLAYED SECOND BANANA. Hugh Jackman told this Stan Lee anecdote to Stephen Colbert:

‘The Front Runner’ star Hugh Jackman remembers thinking his portrayal of Wolverine would make him the center of attention on the red carpet at Comic Con. That was until the paparazzi abandoned him for Stan Lee.

Jackman also admitted that when he was cast he’d never heard of wolverines, thought it was a made up name, because they don’t have any in Australian zoos. Instead, he spent lots of time studying wolves and their mannerisms. On the first day of filming Wolverine the director told him he’d got it totally wrong.

(16) JUNO SNAP. Smithsonian proves “Juno’s Latest Photo of Jupiter Is Breathtaking”.

On October 29, the Juno spacecraft that has been orbiting Jupiter since 2016, swooped above the planet’s North Temperate Belt and snapped what may be its most mesmerizing image of the gas giant’s clouds yet. The image, taken 4,400 miles above the planet and enhanced by citizen-scientists and artists Gerald Eichstädt and Seán Doran, includes white pop-up clouds and an anticyclonic storm that appears as a white oval.

(17) THINKING OF A BOOK WILL KEEP YOU WARM. It is the time of year for a reading blanket. Litograph has all kinds of thematic graphics. Here is a link to their sci-fi/fantasy genre designs.

(18) PAST LIVES. Filers consumed by the discussion of Barbie in comments may be interested to see that Galactic Journey’s John Boston coincidentally uncovered a Philip K. Dick story inspired by the doll in a 1963 Amazing — “[November 13, 1963] Good Cop (the November 1963 Amazing)”

…The adult humans are completely preoccupied with Perky Pat, a blonde plastic doll that comes with various accessories including boyfriend, which the flukers have supplemented with various improvised objects in their “layouts,” which seem to be sort of like a Monopoly board and sort of like a particularly elaborate model train setup.  On these layouts, they obsessively play a competitive game, running Perky Pat and her boyfriend through the routines of life before the war, while their kids run around unsupervised on the dust- and rock-covered surface chasing down mutant animals with knives.

Obviously the author has had an encounter with a Barbie doll complete with accessories, and didn’t much care for it….

(19) RIVERS OF LONDON. Fantasy Literature’s Rachael “Ray” McKenzie fills readers in about Lies Sleeping by Ben Aaronovitch:

Peter Grant, our favourite semi-competent detective cum wizard-in-training, returns in Lies Sleeping (2018), the seventh book in Ben Aaronovitch’s RIVERS OF LONDON series. The Faceless Man has been unmasked and is on the run, and it is now up to Peter and the inimitable Detective Chief Inspector Nightingale (slash last officially sanctioned English Melvin the Wizard) to apprehend him.

(20) ONE OF LIFE’S MYSTERIES. Adam-Troy Castro can’t understand it. Who can?

If I live to be a thousand, I will never ever understand this impulse possessed by the dull, the cornball, the second-rate, to think they can take on the quick, in battles of wits.

…And yet they try. Oh, how they try.

When I see the dullards taking on Jim Wright, or David Gerrold, or John Scalzi, or J.K. Rowling — all masters at such responses — I am not astonished at how cleverly these misguided ripostes are returned. I am astonished that the barely equipped aggressors took them on, virtually unarmed, and thought that it would end well….

(21) CASE OF THE HIVES. BBC asks “Can listening to bees help save them – and us?”

Can artificial intelligence (AI) and machine learning help save the world’s bees? That’s the hope of scientists who are scrambling to reverse the dramatic declines in bee populations.

Bees are in trouble, but we’re not quite sure why.

It could be the overuse of insecticides; air pollution; warming temperatures; the varroa destructor mite; or even interference from electromagnetic radiation.

Or it could be a combination of all these factors. But until we have more data, we won’t know for sure.

So the World Bee Project and IT firm Oracle are creating a global network of AI “smart hives” to give scientists real-time data into the relationships between bees and their environments./CHip

(22) QUEEN FOR A KING. “Queen of New York” featuring Christiani Pitts and members of the cast is a video based on a song from King Kong, which has just opened on Broadway

[Thanks to Chip Hitchcock, Mark Hepworth, John King Tarpinian, Paul Weimer, JJ, Cat Eldridge, ULTRAGOTHA, Martin Morse Wooster, Mike Kennedy, Olav Rokne, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Matthew Johnson.]

Harlan Ellison Tribute Roundup

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Acclaimed speculative fiction writer Harlan Ellison died today at the age of 84. Here is a selection of tributes and reactions posted in social media immediately following the announcement.

Stephen King

Samuel Delany on Facebook

Here’s the guy who started the notable part of my career. At the Tricon, he ran up to me and demand a story: I wrote it at the upcoming Milford–Aye and Gomorrah, which won the following year’s Nebula Award.

Patton Oswalt

Arthur Cover on Facebook

As most of the planet knows, Harlan Ellison passed away in his sleep last night. I am seriously bummed. Little did I know when I bought the first volume of the paperback edition on Dangerous Visions when I was a sophomore at Tech did those two words would have such a profound impact on my life. Harlan was responsible for my first sale, to the mythical Last Dangerous Visions, at a Clarion Workshop.

He became a big brother figure to me, and I stayed at Ellison Wonderland on and off during the many times when I was *ahem* between places in LA. I knew his dog Abu, who used to sneak out of the house to get some Hungarian Goulash from a couple down the street. I knew his maid Yosondua, a wonderful person. And I missed meeting his mother by a couple of weeks. There’s so much to remember about him that I can barely stand it.

I met a whole bunch of interesting people thanks to him. Forget the famous ones like Erica Jong; thanks to him, I met Pam Zoline, author of “The Heat Death of the Universe.” We saw Borges together. Thanks to him, I discovered Mahler and Bruckner. I turned him on to Kalinnikov. We both read comics and he liked to impersonate the Hulk with the voice of Ronald Coleman. (Try it.) He tried to set me up with young women; usually I ignored them, thus driving him stinking bonkers. And that was just the 70s.

Then there’s that Dangerous Visions thing – a whole bunch of autograph parties just for starters. (And let’s not forget the time he streaked A Change of Hobbit.) He was immensely supportive throughout the entire frustrating, rewarding enterprise. True, he had his faults; usually I ignored them too. But the exception of my family and friends from Tazewell, I wouldn’t know any of you today were it not for his generosity and friendship. He was a helluva guy, and I have been proud to be his friend forever.

Barbara Hambly on Facebook

Just got word that my friend Harlan Ellison passed away last night. An amazing man to know. I knew he was very ill – he’d never really recovered from a stroke a couple of years ago. So I feel no surprise. Just very, very sad.

Michael Cassutt on Facebook

A talented writer for sure, a self-made writer for absolutely sure…. I so remember “Repent, Harlequin” and “On the Downhill Side” and THE CITY ON THE EDGE OF FOREVER… and his columns that became THE GLASS TEAT, which sent me here to LA…. and more, the friendship that developed in the past decade or so, where I would pop up to Ellison Wonderland and have coffee with HE in his kitchen…. telling tales of George O. Smith and who else. I am actually bawling right now…..Harlan was my big brother and while his passing now, given his stroke three years back, is not a surprise…. it’ s still a shock.

Jaym Gates on Facebook

Harlan Ellison has died. My sympathies to those who will miss him. His voice was powerful, sometimes for good.

As a woman, I am not sad that there will be one less person who thinks it is funny to grope a woman on stage, and who was often used as a smoke screen for bad behavior by creative men.

Wil Wheaton on Twitter

Rest in Peace, Harlan. You always treated me like I was a person whose voice mattered, and I will cherish that memory for the rest of my life.

David Gerrold on Facebook

Harlan didn’t drink. I rarely drink.

Today I will drink.

Today I will toast a man who was a role model, a mentor, a critic, a friend — and ultimately my big brother.

He knew how much I loved him. I told him more than once.

The one thing he said about me that I cherish the most was shortly after I adopted Sean. He said, introducing me to someone else, “David Gerrold is the most courageous man I know.” Actually, it was Sean who needed the courage, but I understood what he was saying. He was acknowledging that I had finally grown up.

Harlan had a great public persona — but it was the private soul I loved the most. And goddammit, I’m going to miss that man.

Charles de Lint on Facebook

I’m very sad to have to write this but Harlan Ellison has passed away. He was a voice of reason, if somewhat contrary, and one of the best short story writers this field, or really any field, has known. He wore his “angry young man” persona lost after he was a young man but behind that bluster was a kind and generous man who would do anything for a friend. He will be greatly missed.

Cory Doctorow on Boing Boing

Ellison’s voice was infectious and has a tendency to creep into his fans’ writing. When I was 19, I attended a writing workshop at a local convention taught by Ann Crispin, who told me that I would be pretty good writer once I stopped trying to write like Harlan Ellison (I went on to sell that very Ellisonian story to Pulphouse).

Harlan was one of my Clarion instructors in 1992. He taught us remotely, by speakerphone, from his hospital bed in LA where he was recovering from angioplasty. I had attended that year because I couldn’t miss the opportunity to learn from Harlan Ellison, whom I held in highest regard (“hero worship” is not too strong a phrase to use here).

Ellison was not a good teacher (that year, at least). In fact, I think it’s safe to say that his instructional methods, which involved a combination of performative bullying and favorite-playing, were viewed as a disaster by all of my classmates, at least in hindsight.

Confronting the very real foibles of the object of my hero-worship was the beginning of a very important, long-running lesson whose curriculum I’m still working through: the ability to separate artists from art and the ability to understand the sins of people who’ve done wonderful things.

John Scalzi in the Los Angeles Times

…My second Harlan Ellison story was from 2011, the last time he was a finalist for the Nebula Award, given out by SFWA. Traditionally, SFWA contacts the Nebula finalists by phone to see if they’ll accept being on the ballot, and knowing of Harlan’s sometimes irascible phone manners, I was the one to call.

Harlan was not irascible. He wept into the phone. He had been ill, he said, and he wondered if what he was writing now still resonated and still mattered to people. To have his professional peers nominate him for one of the field’s most significant awards, he said, meant everything to him.

In that moment he wasn’t a giant of the field, a figure equally loved and loathed, a man about whom everyone had a story, or an opinion, about. He was simply a writer, happy to be in the company of, and remembered by, other writers.

Jeff VanderMeer on Facebook

He was a monumental personality who was influential in his day and to some extent today. He dove into the style and issues of his times with vigor, which sometimes makes his work feel dated but also resulted in classics that feel timeless. As an anthologist, he pushed boundaries in ways that, like his fiction, risked looking silly or actively terrible to modern audiences, but because of that also published a ton of innovative material and furthered the careers of writers who were quite experimental.

In erratic and sporadic fashion Ellison tended to be immensely helpful to some beginning writers and actively not helpful to others for no particular reason. Sometimes, I think, because he was too caught up in his mythology. Sometimes because he had a chip on his shoulder and was mercurial. I have mixed feelings about him for that reason, not to mention others, but there’s no denying he was a protean creative talent. I did learn to take risks in my writing from him, while also learning who I did not want to be as a teacher.

Richard Pini on Facebook

There are no words. He used them all anyway, and far better than most.

Robert Crais on Facebook

We lost Harlan Ellison today. The dedication to THE FIRST RULE reads as follows: “For my friend, Harlan Ellison, whose work, more than any other, brought me to this place.”. He cannot be replaced. He was a giant. He mattered.

David Brin on Facebook

Harlan was wickedly witty, profanely-provocative, yet generous to a fault. His penchant for skewering all authority would have got him strangled in any other human civilization, yet in this one he lived – honored – to 84… decades longer than he swore he would, much to our benefit with startling, rambunctious stories that will echo for ages.

John Hertz

I can’t remember who first remarked that “H.E.” stood equally for Harlan Ellison and High Explosive.

It also stands for His Excellency. Our H.E. being a whole-souled egalitarian would never have stood for that. But if one can break from the bonds of aristocratic associations – which in principle he was always for – it’s true.

I’m glad, not I hope without humility, that what pushed down the Montaigne piece was your notice of Brother Ellison’s death. Although Montaigne and the nature of zeal were two topics I never discussed with him, he might – and he did this sometimes – have approved.

David Doering

I feel a strong sense of loss with his passing. While he and I shared few opinions in common, I always appreciated his ability to stir up discussion.

To be clear, I did not have much personal interaction with Harlan over the years. The first tho was at a Worldcon in the 80s when he asked a large audience who had read a particular book he appreciated. Turned out that only he and I had done so. We chatted for a minute sharing comments, and, as a first encounter, I found him pleasant despite his reputation.

The other time was when Ray Bradbury suggested I call “his friend Harlan” about serving as a guest to LTUE. I can just imagine what must have gone through Harlan’s mind when he got a call from Utah, and from very Mormon BYU at that, asking about being a guest. (Had it happened, it would certainly have stirred things up here!) He was polite, straightforward, and nothing like his public “persona”. I came away appreciating him much more.

The last time was at a LASFS meeting at the old “Hooverville” building. He looked tired, but came to be with fen and seemed to have a good time. I’ll keep that image in my mind as I remember him.

Deadline.com — “Harlan Ellison Dead: Legendary ‘Star Trek’, ‘A Boy And His Dog’ Sci-Fi Writer was 84”

Along with the Star Trek episode, Ellison’s 1964 Outer Limits installment “Demon with a Glass Hand” is widely considered among the best of its series. The bizarre, uncanny episode starred Robert Culp as a man who wakes with no memory but an apparently all-knowing glass hand. For years, rumors persisted that “Demon” inspired Terminator, though Ellison was quoted to have said, “Terminator was not stolen from ‘Demon with a Glass Hand,’ it was a ripoff of my OTHER Outer Limits script, ‘Soldier.’” According to a 1991 Los Angeles Times article, Ellison once again sued and settled.

ComicBook.com — Sci-Fi Writer Harlan Ellison Dies At 84

…Ellison also crafted a script for the Batman ’66 television series that would’ve introduced Two-Face into the show’s canon, but it was never shot. The story recently was turned into a comic titled Batman ’66: The Lost Episode, which officially brings the character into the series.

Variety — Harlan Ellison Dead: Sci-Fi Writer Was 84

…When he dealt with Hollywood, he fearlessly said exactly what he thought again and again — often causing fallout as a result. In the wake of the 1977 release of “Star Wars,” a Warner Bros. executive asked Ellison to adapt Isaac Asimov’s short story collection “I, Robot” for the bigscreen.

Ellison penned a script and met with studio chief Robert Shapiro to discuss it; when the author concluded that the executive was commenting on his work without having read it, Ellison claimed to have said to Shapiro that he had “the intellectual capacity of an artichoke.” Needless to say, Ellison was dropped from the project. Ellison’s work was ultimately published with permission of the studio, but the 2004 Will Smith film “I, Robot” was not based on the material Ellison wrote.

Perhaps Ellison’s most famous story not adapted for the screen was 1965’s “Repent, Harlequin! Said the Ticktockman,” which celebrates civil disobedience against a repressive establishment. “Repent” is one of the most reprinted stories ever.

Shawn Crosby

[Editor’s note: The evil done to Harlan Ellison’s television scripts by cigar-chomping producers has long been part of his legend. In some of the worst cases he refused to have his name appear in the credits, and they aired with his pseudonym Cordwainer Bird shouldering the blame.]

Harlan’s death is accompanied by the passing of Cordwainer Bird, his writing partner of many years, described as “a short, choleric, self-possessed writer of mystery stories and science-fiction for television”, who “has no compunction about punching directors and producers two foot taller than himself right in the mouth.” Bird’s parents were Jason Bird and Rhonda Rassendyll, and he is nephew to The Shadow and a descendent of Leopold Bloom. As a member of the Wold Newton Family himself, Bird’s illustrious heritage has made him something of a fighter for justice in his own right.

Godspeed, gentlemen…

Mark Barsotti

A great voice silenced.

Until you pick up one of his books…