Pixel Scroll 2/9/22 I Have Tasted The Pixels In The Scroll Of The Universe, And I Was Not Offended

(1) TRIPLE TIP. What he tells you three times is true: “Hand Holding” by Mark Lawrence.

This is a blog-post about hand holding. The previous sentence was hand-holding, since the title and the image below make it obvious what the blog-post is about. 

Fantasy stories can be complicated beasts. They’re potentially confusing even if we forget all the technicalities and twistiness of battles, wars, duels, mysteries, espionage, lies etc that might well bedevil other genres….

…And the question through all of this is how much hand-holding the author does. Does the writer put the pieces of the puzzle in front of the reader and assume they’ll put them together? Does the writer put the pieces together for them then repeat the answer for the reader three times in three different ways?

Before I was published I used to share short stories on the now vanished Yahoo Groups. During that time I developed through observation and experience, what I called The Rule of Three.

The Rule of Three: If you want 90% of your readership to take onboard an important fact then you need to repeat it three times in the text….

(2) IAFA’S NEW LEADER. Dr. Pawel Frelik is the next President of the International Association for the Fantastic in the Arts.

A two-term Division Head of the IAFA, Pawe? Frelik is Associate Professor and the Leader of Speculative Texts and Media Research Group at the American Studies Center, University of Warsaw, Poland. His teaching and research interests include science fiction, speculative visualities, and video games. He has published widely in these fields, serves on the boards of Science Fiction Studies (USA), Extrapolation (USA/UK), and Journal of Gaming and Virtual Worlds (UK), and is the co- editor of the New Dimensions in Science Fiction book series at the University of Wales Press. In 2013-2014, he was President of the Science Fiction Research Association, the first in the organization’s history from outside North America. In 2017, he was the first non-Anglophone recipient of the Thomas D. Clareson Award. Within IAFA, he has served as Science Fiction Division Head since 2017. Dr. Frelik will assume the presidency at the end of the 43rd ICFA in March.

(3) DISCUSS RING SHOUT. The Gunn Center for Science Fiction Virtual Book Club will meet February 25 and Director Giselle Anatol invites you to the meeting.

(4) WIDE LOAD. Reddit’s r/printSF raised the question, “Are sci-fi books much longer than they used to be? If so, any idea why?” John Scalzi contributed a detailed reply which begins:

Novel lengths in science fiction and fantasy are essentially dictated by methods of publication *and* distribution.

For example, during the “golden age” of science fiction, the main publishing action of SF/F was in the short fiction arena, with novels (many of which were “fix-ups” of previously published shorter work) largely printed as cheap paperbacks which were fitted into racks at drug stores, groceries and other such places. Because distributors (and publishers!) wanted to fit a larger number of books into each rack, novel lengths were commensurately shorter — 40,000 to 60,000 words on average….

(5) BACK TO THE FUTURAMA. “’Futurama’ Revived at Hulu”The Hollywood Reporter says they’ve lined up the creators and the cast.

Nearly 10 years after it signed off, Futurama has been revived for a 20-episode run on Hulu, the third platform for the animated comedy from creators Matt Groening and David X. Cohen.

The series that aired its first five seasons on Fox before being revived for three more at Comedy Central will return to production this month for a 2023 premiere. Following an extended deal-making period, original stars Billy West (Fry) and Katey Sagal (Leela) along with ensemble players who voiced multiple characters Tress MacNeille, Maurice LaMarche, Lauren Tom, Phil LaMarr and David Herman will all return. John DiMaggio, who provided the voice behind the wise-cracking robot with the “shiny metal ass” Bender, is finalizing a deal to return as well though a deal has not yet closed.

(6) SCIENCE PLUS. The National Book Foundation Science + Literature Program “identifies three books annually, steered by a committee of scientific and literary experts, to deepen readers’ understanding of science and technology with a focus on work that highlights the diversity of voices in scientific writing. The selected titles will act as a catalyst to create discourse, understanding, and engagement with science for communities across the country.” Authors will receive a $10,000 prize. The inaugural winners are:

(7) IMAGINARY PAPERS 9. The latest issue of Imaginary Papers, ASU’s quarterly newsletter on science fiction worldbuilding, futures thinking, and imagination, features an essay by science fiction and global futures scholar Bodhisattva Chattopadhyay on the oft-forgotten science fiction docudramas of the filmmaker George Haggerty, and CSI staffer Bob Beard on Richard Linklater’s 2006 PKD adaptation A Scanner Darkly and the dramas of self-presentation. There’s also a writeup of the “Speculating the Future” essay series from the Olaf Stapledon Centre for Speculative Futures. “Imaginary Papers, Issue 9”.

The Films of George Haggerty, Parts 1 and 2 (1975-1994)

What exactly counts as a “forgotten future”? One can google George Haggerty, the director, whose six docufiction films are presented in two anthology DVDs, released in 2017 by Screen Edge and MVDvisual. All six films—Hamburger Hamlet (1975), Mall Time (1988), Robotopia (1990), Home on Wheels (1992), LA Requiem (1993), and Cyberville (1994)—were produced by Mike Wallington, but searching that reveals little about the director or the films. It was the sleeve descriptions, which make Haggerty appear a maverick outsider figure, that first drew my attention to these anthologies. The films are unreservedly about the future, even as they operate at the interstices of the vanishing past and present. As a documentary producer and SF researcher, there is something disconcerting about finding a set of films that one is unable to locate easily in the developing history of the medium. (Drew Barrymore even appears in one of the films, but the title is absent from her IMDb profile.)…

(8) PEEK EXPERIENCE. Leonard Maltin says this was “Douglas Trumbull’s greatest visual effect” in “Remembering Douglas Trumbull” at Leonard Maltin’s Movie Crazy.

Sometime in the late 1980s my wife and I were invited to a warehouse-type building in Marina del Rey for a demonstration of Douglas Trumbull’s Showscan. A new film format from the man who was largely responsible for the incredible look of Stanley Kubrick’s 2001: A Space Odyssey and the modern era of visual effects? The same guy who directed Silent Running? Who could turn down an invitation like that? …

(9) MAKING TIME. GQ is convinced that “The Lazarus Project is your next sci-fi TV obsession” – at least for those in the UK who can access Sky.

Archie recruits him for the clandestine Lazarus Project: an organisation composed of people with the same vanishingly rare ability with which George finds himself stuck. They harness the time-bending power to prevent global catastrophes and apocalyptic scenarios (as a famous philosopher once said: “With great power, comes great…”) But when Sarah, the love of George’s life, is involved in a car accident, the ethics of such an extraordinary gift take centre stage — and what is George willing to sacrifice?

(10) TOM DUPREE (1949-2022). Writer, critic, and editor Tom Dupree died February 7. He was employed as the line editor for Star Wars novels with Bantam Spectra from 1992-1997. He was charged with handling the X-Wing series of novels. The character names “Dupas Thomree” (in Assault at Selonia and Showdown at Centerpoint by Roger MacBride Allen) and “Ree Duptom” (in Hard Merchandise by K.W. Jeter) are playful nods to him.

He had around a dozen published short stories. “With a Smile” (from Mob Magic, 1998) received an Honorable Mention in Gardner Dozois’ Year’s Best.

He co-wrote John Maxwell’s critically acclaimed one-man show based on the life of William Faulkner (filmed in 2006).

(11) MEDIA BIRTHDAY.

1966 [Item by Cat Eldridge] Fifty-six years ago this evening, the thrilling sight of Lost In Space’s “War Of The Robots” first happened. In one corner of this fight, we have Robby the Robot from Forbidden Planet.   And in the other corner of the ring (metaphorically speaking), we have B-9 from Lost in Space

Aired as the twentieth episode of the first season, the story is that while returning from a fishing trip, Will and B-9 find a deactivated Robotoid. Against the wishes of B-9, Will proceeds to repair and restore the Robotoid which apparently becomes a humble servant of the Robinson family. Sure.

The best part of this episode is the slow motion rock ‘em, sock ‘em battle between the robots. And yes it’s a very, very silly battle indeed as you can see from the image below. 

Lost in Space is available to stream on Hulu and Netflix.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 9, 1928 Frank Frazetta. Artist whose illustrations showed up damn near everywhere from LP covers to book covers and posters. Among the covers he painted were Tarzan and the Lost EmpireConan the Adventurer (L. Sprague de Camp stories in that setting) and Tarzan at the Earth’s Core. He did overly muscular barbarians very well! Oh, and he also helped Harvey Kurtzman and Will Elder on three stories of the bawdy parody strip Little Annie Fanny in Playboy. Just saying. In the early 1980s, Frazetta worked with Bakshi on the feature Fire and Ice. He provided the poster for it as he did for Mad Monster Party? and The Fearless Vampire Killers, or Pardon Me, But Your Teeth Are in My Neck, two other genre films. He was inducted into both Will Eisner Comic Book Hall of Fame and the Jack Kirby Hall of Fame. (Died 2010.)
  • Born February 9, 1935 R. L. Fanthorpe, 87. He was a pulp writer for UK publisher Badger Books during the 1950s and 1960s during which he wrote under some sixty pen names. I think he wrote several hundred genre novels during that time but no two sources agree on just how many he wrote. Interestingly nothing is available by him digitally currently though his hard copy offerings would fill a wing of small rural library. He’d be perfect for the usual suspects I’d say.
  • Born February 9, 1936 Clive Walter Swift. His first genre appearance was as Snug in that version of A Midsummer Night’s Dream (1968). Several years thereafter he was Dr. Black in “A Warning to the Curious” (based on a ghost story by British writer M. R. James).Then he’s Ecto, whoever that character is, in Excalibur. He shows up next in the Sixth Doctor story, “The Revelation of a The Daleks” as Professor Jobel. (Died 2019.)
  • Born February 9, 1940 David Webb Peoples, 82. Screenwriter of Blade RunnerLadyhawkeLeviathan, and Twelve Monkeys which is not a full listing. He’s also been writing for the Twelve Monkeys series .
  • Born February 9, 1942 Marianna Hill, 80. Doctor Helen Noel in the excellent “Dagger of The Mind” episode of the original Trek. (This episode introduces the Vulcan mind meld.) She also had roles on Outer Limits (in the Eando Binder’s “I Robot“ story which predates Asimov’s story of that name), Batman (twice as Cleo Patrick), I-SpyThe Wild Wild WestMission: Impossible and Kung Fu (ok, the last one has to be least genre adjacent, isn’t it?). 
  • Born February 9, 1951 Justin Gustainis, 71. Author of two series so far, one being the Occult Crimes Unit Investigations series which he’s written three superb novels in so far, and the other being the Quincey Morris Supernatural Investigations series which has seven novels and which I’ve not read yet. Who’s read the latter series? 
  • Born February 9, 1956 Timothy Truman, 66. Writer and artist best remembered in my opinion for his work on Grimjack (with John Ostrander), Scout, and the reinvention of Jonah Hex with Joe R. Lansdale. His work with Ostrander is simply stellar and is collected in Grimjack Omnibus, volumes one and two. For the Hex work, I’d say Jonah Hex: Shadows West which collects their work together. He did do a lot of other work and I’m sure you’ll point out what I’ve now overlooked… 
  • Born February 9, 1981 Tom Hiddleston, 41. Loki in the Marvel film universe. And a more charming bastard of a god has never been conceptualised by screenwriters. Outside of the MCU, I see he shows up in Kong: Skull Island as Captain James Conrad and The Pirate Fairy as the voice of James Hook as well in a vampire film called Only Lovers Left Alive as Adam. 

(13) COMICS SECTION.

  • Close to Home illustrates a friend who doesn’t quite get it.
  • Tom Gauld free associates.

(14) VERBATIM. The Comics Journal has posted the “Transcript of the McMinn County Board of Education’s Removal of Maus”. It’s been extensively discussed here in comments, but may still be news for others.

On January 10, 2022, the McMinn County Board of Education in Tennessee voted unanimously to remove Art Spiegelman’s Maus from its eighth-grade language arts curriculum, citing its use of profanity and depictions of nudity. This public document represents the unedited minutes of that Board’s meeting, presented as a service to all impacted parties.

(15) DAY-OLD NEWS. Someone – probably Upstream Review’s Michael Gallagher in “A Whitewashed Tomb: SFWA’s Best Can’t Sell Books” – got what you get when you poke the bear.

(16) POKÉMON TIME TRIP. “Pokémon Legends: Arceus review: breathing new life into Pokémon” promises The Verge.

…Which is what makes Pokémon Legends: Arceus so refreshing: it’s genuinely surprising. It does this by shifting the timeline back to long before the modern games in the series, during a period when pokémon were still barely understood. Instead of a world where humans and pokémon live in harmony, and anyone can buy an electronic device full of information on hundreds of species, players are thrust into a wild, untamed region where people are just doing their best to survive while surrounded by largely unknown and seemingly dangerous creatures….

(17) NEGATORY, GOOD BUDDY. If you’re sensitive to robotic (and other violence), do not watch the trailer for the game Atomic Heart. No, no, no.

(18) LONG MEMORY. Beckett’s “History of the Obscene 1977 Topps Star Wars 207 C-3PO” includes the interesting note that unlike most collectibles that have to be withdrawn, it’s easier to find the original version of this trading card than the censored replacement edition.

“C-3PO (Anthony Daniels)” is about a mundane caption as you can get.

To those working on the set at Topps and the licensor, nothing seemed to stand out.

Once the cards were out there, it didn’t take long for people to notice that something definitely was.

(19) BLOWN AWAY. BBC News reports “SpaceX loses 40 satellites to geomagnetic storm a day after launch”.

SpaceX has lost dozens of satellites after they were hit by a geomagnetic storm a day after launch, causing them to fall from orbit and burn up.

Such solar “storms” are caused by powerful explosions on the sun’s surface, which spit out plasma and magnetic fields that can hit the Earth.

The company, owned by billionaire Elon Musk, said up to 40 of 49 satellites from last week’s launch were hit.

They had been due to join its Starlink satellite internet project.

Starlink is Mr Musk’s bid to provide high-speed internet using thousands of orbiting satellites….

(20) ROCK AROUND THE CLOCK. “Asteroid sharing Earth’s orbit discovered – could it help future space missions?” asks The Conversation.

Research has shown that the Earth trails an asteroid barely a kilometre across in its orbit about the Sun – only the second such body to have ever been spotted. It goes round the Sun on average two months ahead of the Earth, dancing around in front like an excited herald of our coming.

This object, known as 2020 XL?, was first spotted in December 2020 using Pan-STARRS telescopes on the summit of Haleakala on the Hawaiian island of Maui. But determination of its orbit required follow-up observations using the 4.1-metre SOAR (Southern Astrophysical Research) telescope in Chile….

(21) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers:  Arcane:League of Legends,” the Screen Junkies find an animated series based on a video game that “taught your 13-year-old cousin all his favorite slurs” is actually pretty good.  The series features “cyberpunk, steampunk. skatepunk, and Punky Brewster” and is in a world where “magic is like science, and science is like Crossfit.”

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Jennifer Hawthorne, Chris Barkley, Rob Thornton, Joey Eschrich, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Rob Thornton.]

Pixel Scroll 1/9/22 Chapter Scroll Dune

(1) SFF A “FORM OF SUBVERSIVE ACTIVISM”. Eugen Bacon’s thoughtful review appears in the latest issue of Fafnir – Nordic Journal of Science Fiction and Fantasy Research, Volume 8, Issue 2 (Feb 2022): “Trends in Black Speculative Fiction”.

… More than two decades after the publication of Dark Matter: A Century of Speculative Fiction from the African Diaspora (Thomas), black speculative fiction continues to rise as a powerful conversation in genre fiction, and increasingly tackles precolonial, colonial, and postcolonial themes pertaining to identity and culture, as well as feminist and queer themes pertaining to engaging with difference. Anthologies have become instrumental in the proliferating Afrofuturistic writing that heroes black people in stories from Africa and the diaspora, stories whose visibility is increasingly evident in award nominations and recommendations – for example 2021 Hugo nominee Ekpeki Donald Oghenechovwe, whose novella Ife-Iyoku won the 2020 Otherwise Award.

New Suns: Original Speculative Fiction by People of Color (Shawl) – in its showcasing of interracial and cross-cultural stories – may have stunned its publisher, editor, contributors, and readers by winning the 2020 Locus, World Fantasy, British Fantasy, Ignyte, and Brave New Words Awards. Casting a diverse range of new and established writers, including (among others) Tobias S. Bucklell, Minsoo Kang, Kathleen Alcalá, Alberto Yáñez, and Chinelo Onwual, and featuring a foreword by LeVar Burton, New Suns explored intergalactic stories, dream stories, song stories, coming-home stories, futuristic stories, and even self-aware stories that encapsulate person-of-colour chants full of longing and conviction of belonging and place. With the success of New Suns, it’s no wonder that Solaris announced its acquisition of New Suns 2 for release in 2023 (“Solaris to Publish New Suns 2”)….

… It is clear from just these select exemplars that publishers, authors, and readers alike have a steeping interest in black people’s stories. Thanks to the internet, audio books, and ebooks, the world is in the heart of an ongoing digital revolution that continues to stagger traditional publishing and make best sellers as well as anthologies and collections from smaller presses cheaper and accessible to ravenous readers. As e-publishers and self-publishers create opportunities for writers and readers alike, and more awards recognise calibre and uniqueness, rather than the author’s or publisher’s muscle, black speculative fiction will continue to rise in global distribution, and be increasingly accessible. A reader has only to look for it in anthologies, collections, even award nominations….

(2) CRITTERS ANNUAL READERS POLL. The Critters Workshop, “for serious writers of Science Fiction, Fantasy, and Horror” is hosting its Annual Readers Poll, which honors print and electronic publications published during the past year. (Click here for the official rules.) There are 41 categories. Voting is open through January 14. View the Current standings at the link.

Novels pages: Horror Romance Science Fiction & Fantasy Steampunk | Magical Realism | Positive Future | Erotica Mystery Thriller Children’s | Young Adult | All other |
Short Stories pages: Horror | Romance Science Fiction & Fantasy Steampunk | Magical Realism | Positive Future | All other | Anthologies page Poems page Nonfiction articles page Nonfiction books page |
Other Categories: Artwork page Book/e-book Cover Artwork page Magazine/e-zine Cover Artwork page Authors page Poets page Artists page Book/e-book Editors page Magazine/e-zine Editors page Book Publishers page Review site | Bookstore | Promotional Firms, Sites, and Resources page Fiction ‘zines page Poetry ‘zines page Nonfiction ‘zines page Writers’ Discussion Forum page Writers’ Workshop page Writers’ Resource/Information/News Source page |

(3) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Tochi Onyebuchi and Sarah Pinsker in a virtual event on Wednesday, January 19 starting at 7:00 p.m. Eastern. The readings will be live on YouTube, link to come.

  • Tochi Onyebuchi

Tochi Onyebuchi is a novelist and essayist, who won the World Fantasy Award, the Ignyte Award, and the New England Book Award for Fiction for his novella Riot Baby, a Nebula, Locus, and Hugo Award finalist. His works include the Beasts Made of Night and War Girls series, and the non-fiction book (S)kinfolk. His most recent novel is Goliath from Tordotcom Publishing. He lives in Connecticut.

  • Sarah Pinsker

Sarah Pinsker is a writer of novels and short stories and everything in between. She has won three Nebulas, including best novel for A Song For A New Day in 2020 and best novelette for “Two Truths And A Lie,” in 2021. Her most recent novel is We Are Satellites. She’s also a musician with four albums to her name, including 2021’s Something to Hold. She lives in Baltimore with her wife and two terriers.

(4) WINDY CITY. Doug Ellis notes the 21st Windy City Pulp and Paper Convention is just four months away.  The event will be held May 6-8 at the usual venue, the Westin Lombard Yorktown Center, Lombard, Illinois.  

We’ve sold out all 180 of our dealer tables, to dealers spanning the U.S., from Canada and the U.K.  We’ll be celebrating the 100th anniversary of pulp and comic publisher Fiction House.

At this point, we don’t know what COVID requirements may be in place when the show takes place.  Currently, masking would be required, but protocols may change during the next four months.  We’ll update those as we learn them.

As has been the case in years past, this year’s convention will feature some incredible material in our estate auctions. Friday night (May 6), our auction will focus on material from the estate of legendary collector Robert Weinberg (including many more issues of Weird Tales and a complete run of Planet Stories), while on Saturday night, (May 7) material from the estate of Glenn Lord, literary agent for the estate of Robert E. Howard, takes center stage.  In addition, we also will have a number of interesting items from other consignors.

The deadline to book your hotel room and receive the convention rate is 5:00 central on April 12, 2022.  The link for con hotel reservations is here.

We hope to see you there!

(5) SECOND FÜNF. [Item by Martin Morse Wooster.] In the Washington Post, Elliot Ackerman reviews The Writer’s Crusade: Kurt Vonnegut And The Many Lives Of Slaughterhouse-Five by Tom Roston. Roston argues that Vonnegut may have had undiagnosed PTSD from his experiences in World War II (including being a prisoner of war) and that Slaughterhouse-Five is an expression of his PTSD.  Ackerman finds Roston’s diagnosis unpersuasive and thinks Vonnegut’s own descriptions of how war affected him are a better guide than Roston’s posthumous diagnosis. “Book review of The Writer’s Crusade: Kurt Vonnegut and the Many Lives of Slaughterhouse-Five by Tom Roston”.

… This defiance of categorization is probably why I found myself bristling early on when Roston asserts that his book will seek to answer “whether or not ‘Slaughterhouse-Five’ can be used as evidence of its author’s undiagnosed PTSD.” This investigation, which animates much of Roston’s book, seems misguided. Roston himself acknowledges the reductivism he’s engaged in when he writes, “I imagine reducing his book to a clinical diagnosis or, perhaps worse, putting it in the self-help category, would make Vonnegut shudder.” Indeed, I think it would. Nevertheless, Roston soldiers on, casting himself as part literary scholar and part psychoanalytic sleuth. He deconstructs “Slaughterhouse-Five” and the history around the book in search of incontrovertible proof that Vonnegut had what we would today call post-traumatic stress disorder, even though Roston acknowledges Vonnegut’s consistent denials throughout his life that his wartime experiences left him traumatized….

(6) STAR TREK’S BRIDGE. SFGate’s Victoria Sepulveda explains “Why ‘Star Trek’ made San Francisco the center of the universe”.

…On top of that, San Francisco is a beautiful city with a major recognizable landmark, great for letting TV viewers know when an episode takes us from the far-flung reaches of the cosmos back to Earth. 

But there are other naval cities and major Earth landmarks that could suit this purpose. What really made San Francisco special, Bernardi says, was its progressivism and diversity. Roddenberry was a liberal humanist, and San Francisco, out of all American cities in the 1960s, best captured the issues Roddenberry wanted to delve into in the show. It was a hub for the civil rights and anti-war movements, says Bernardi, who has studied Roddenberry’s papers, which are collected at UCLA….

(7) DEL TORO INTERVIEW. [Item by Martin Morse Wooster.] I listened to this podcast Leonard and Jessie Maltin did with Guillermo Del Toro — Maltin on Movies: Guillermo del Toro. Del Toro is promoting Nightmare Alley (an excellent film I regard as horror-adjacent), but fantasy is never far from Del Toro’s mind; two minutes into the podcast there’s a discussion about whether Berni Wrightson or Richard Corben did better scary clown illustrations.  Del Toro also says Forrest J Ackerman was his “godfather” because Famous Monsters of Filmland was a source of inspiration and education when he was a kid.  Also credited is the great makeup artist Dick Smith, who was very generous with his time and met Del Toro at the train station when he took the train from Guadalajara to meet with the makeup master.  Del Toro tries to follow Smith’s example and give education and encouragement to young people getting started in the movie industry.  Finally, he thinks that Doug Jones, who has a small role in Nightmare Alley and a major one in The Shape Of Water, is a protean talent who is our generation’s Lon Chaney.

Del Toro’s next project is an animated Pinocchio, developed as a collaboration with The Jim Henson Company.

Del Toro shares a lot of wisdom about movie production and life, in what I think is one of the Maltins’ better episodes.

(8) DWAYNE HICKMAN (1934-2022). Actor Dwayne Hickman, best known as TV’s Dobie Gillis, and for appearing in the Western comedy Cat Ballou, died January 9 reports the New York Times: “Dwayne Hickman, T.V.’s Lovelorn Dobie Gillis, Is Dead at 87”. He had a couple of genre roles – if Dr. Goldfoot and the Bikini Machine (1965) counts, or else there’s his appearance on an episode of Kolchak: The Night Stalker (1975).

(9) BOB SAGET (1956-2022). Actor Bob Saget, best known for his comedy sitcom work, died January 9. He worked on episodes of The Greatest American Hero (1983), Quantum Leap (1992), and Robot Chicken (2016), and voiced roles in the animated movies Madagascar (2005), and Casper’s Scare School (2006).

(10) MEDIA BIRTHDAY.

1980 [Item by Cat Eldridge.] Forty-two years ago, New York City public television station WNET’s Experimental TV Lab project premiered their adaptation of The Lathe of Heaven. Based off the Ursula Le Guin novel of the same name, it was directed by David Loxton and Fred Barzyk. It should be noted Le Guin, by her own writings later, was involved in the casting, script planning, script editing, and filming of the production. Thus, we’ll give scripting credits to Diane English, Ursula K. Le Guin and Roger Swaybill. Primary cast was Bruce Davison, Kevin Conway (earlier in Slaughterhouse-Five as Roland Weary) and Margaret Avery. It was budgeted at a quarter of a million dollars.

The Lathe of Heaven became one of the two highest-rated shows that season on PBS that year. Michael Moore writing for Ares magazine liked it saying that “The best science fiction, such as Lathe, examines humankind’s place in the universe and the products and problems created by intelligence.” It was nominated for a Hugo at Denvention Two which had Ed Bryant as Toastmaster, the year The Empire Strikes Back won. Audience reviewers at Rotten Tomatoes currently give a seventy-two percent rating. 

The Lathe of Heaven is the most-requested program in PBS history. It took twelve years to clear up rights to rebroadcast it and that involved replacing the Beatles music with a cover band version. In 2000, The Lathe of Heaven was finally rebroadcast and released to video and DVD. 

I’ve seen this version several times and remember as being rather well crafted but I’ve not the second version made twenty-two years later. Who here has seen that version? 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 9, 1890 Karel Capek. [Spelled with Latin “c” because WordPress doesn’t support the correct special character.] Author of the his 1936 novel War with the Newts and 1920 play R.U.R. (Rossum’s Universal Robots), which introduced the word robot. R.U.R.was a dystopian work about a really bad day at a factory populated with sentient androids. ISFDB shows two additional works by him, Krakatit: An Atomic Fantasy and The Absolute at Large which I’ve not heard of. (Died 1938.)
  • Born January 9, 1908 Simone de Beauvoir. You know who she is but likely don’t know she wrote All Men Are Mortal (Les Hommes Sont Mortels in its original French)in 1946 which tells the story of Raimon Fosca, a man cursed to live forever. It’d be published in English in the States a decade later, and was adapted into a 1995 film of the same name. (Died 1986.)
  • Born January 9, 1925 Lee Van Cleef. The Warden of the Prison in Escape from New York but he was best known for acting in Spaghetti Westerns. Genre wise, he was also Col. Stone in The Beast from 20,000 Fathoms, and Dr. Tom Anderson in Corman’s It Conquered the World. (Died 1989.)
  • Born January 9, 1932 Algis Budrys. I am trying to remember what I read by him and I think it was Some Will Not Die which I remember because of the 1979 Starblaze edition cover. I’ve also read and really enjoyed his Rogue Moon. Setting aside his work as a writer which was exemplary, he was considered one of our best genre reviewers ever reviewing for GalaxyMagazine of Fantasy and Science Fiction, and wrote genre reviews even in the more mainstream Playboy. He edited a number of the L. Ron Hubbard Presents Writers of the Future anthologies which I’ll admit I’ve not read any of. I should note his Tomorrow Speculative Fiction prozine was quite excellent. (Died 2008.)
  • Born January 9, 1950 David Johansen, 72. He’s the wisecracking Ghost of Christmas Past in the oh-so-perfect Scrooged, he played Halston in Tales from the Darkside: The Movie in “The Cat from Hell” episode, and he appeared as a character named Brad in Freejack. I think the brief Ghost of Christmas Past riff in the aforementioned Scrooged is enough to earn him as Birthday Honors here. 
  • Born January 9, 1955 J.K Simmons, 67. You may know him as J. Jonah Jameson in the various Spider-Man films but I find his more interesting genre role to be as Howard Silk in the Counterpart series where he plays two versions of himself in two versions of parallel Berlins in a spy service that may or may not exist. He also portrayed Commissioner James Gordon in Justice League.
  • Born January 9, 1956 Imelda Staunton, 66. Voice of the Snow Queen in The Snow Queen’s Revenge, A Nurse in Shakespeare in Love, Polly in A Midsummer Night’s Dream, Dolores Jane Umbridge In Harry Potter and the Order of the Phoenix and in Harry Potter and the Deathly Hallows as well and Knotgrass in Maleficent and the sequel. 
  • Born January 9, 1957 Greg Ketter, 65. A Minneapolis SF Bookstore owner, DreamHaven to be precise, and con-running fan as well. He is a member of MN-Stf. He’s been involved in myriad regionals and Worldcons. He‘s chaired Minicons and World Fantasy Conventions alike.

(12) COMICS SECTION.

(13) SEÑORITA RIO CREATOR. The work of Lily Renée was part of the “Three with a Pen” exhibit at the Austrian Cultural Forum New York that ended in September. Although the exhibit is over, much material remains online, including a trailer.

Lily Renée

The only child of a well-to-do family, Lily Renée Willheim discovered drawing early, creating opulent fantasy worlds with mythical creatures. As a result of the so-called “Anschluss”, her father lost his job, her school friends were no longer allowed to play with her, and, like many, the family endured a variety of hardships. In 1939, at age seventeen, her parents put her on a children’s transport bound for England where she briefly stayed with a British family.

She reunited with her parents in New York City in 1940, where she lives today. After studying at the Art Students League and School of the Visual Arts, she was hired by comic book publishers. An exception in the male-dominated field, she created illustrations for several comic books including Señorita Rio, a glamorous Brazilian secret agent fighting the Nazis, the comedy duo Abbott and Costello, and others. Her later works include children’s books, decorative motifs, and textile designs. In 2007, Lily Renée attended Comic-Con in San Diego to receive their Inkpot Award and was inducted into the Hall of Fame of Friends of Lulu, an organization promoting women in comics. She celebrates her 100th birthday this year.

Read more about her in The Forward: “This female comic book artist was unknown for decades”.

Like the comic superheroes they invented, the Jewish creators of the characters often had secret identities – at least different names. Superman creators Joe Shuster and Jerome Siegel used the pseudonyms Joe Carter and Jerry Ess. Bob Kane, born Robert Kahn, created Batman. Jack Kirby, the pen name of Jacob Kurtzenberg, concocted Captain America.

Although lesser known, the comic book heroine Señorita Rio was Hollywood starlet Rita Farrar by day and Nazi-fighting secret agent by night. The artist who drew Rio’s action-packed panels in the 1940s, and signed as L. Renee, lived a sort of double life, too.

“Everybody assumed I was a man,” artist Lily Renee Phillips has said of the fan mail she received at the time, which was always addressed to “Mr. Renee.” Fans knew neither Renee’s gender nor her incredible origin story, which rivaled the plotline of Señorita Rio….

(14) DISNEY’S INSPIRATION. In the Washington Post, Philip Kennicott reviews “Inspiring Walt Disney:  The Animation of French Decorative Arts,” an exhibition at the Metropolitan Museum of Art. “Walt Disney’s fascination with France explored in Metropolitan Museum’s ‘Inspiring Walt Disney’”

I have watched more Disney princess films in the past few weeks than in the entirety of my first five decades on the planet. As a citizen of American popular culture, I enjoy their grace and charm. But as a citizen of this thing called the American republic, with its roots in revolution and its rhetoric of equality, I find them often surreal. Isn’t it odd — and perhaps even wrong, in some deeper ethical sense — that Americans are addicted to these gilded fantasies of privilege?A fascinating exhibition at the Metropolitan Museum of Art explores something that is hiding in plain sight if you watch Disney cartoons closely: the curious affinity for all things French, especially the trappings of French aristocracy.

The curators of “Inspiring Walt Disney: The Animation of French Decorative Arts” are upfront about one basic fact: Walt Disney made his movies for a very different audience than that for which the artisans of the French rococo produced their dazzling luxury objects….

(15) EFFECTS OF CHINA CENSORSHIP ON INTERNET AND TECH. According to the New York Times, “As Beijing Takes Control, Chinese Tech Companies Lose Jobs and Hope”.

…Beijing wants its cyberspace to become a tool of governance and national rejuvenation. And it will penalize anyone who fails to serve the goal.

In mid-December, the country’s internet regulator said it had ordered platforms to shut down more than 20,000 accounts of top influencers in 2021, including people who spoke ill of the country’s martyrs, entertainers involved in scandals and major livestreaming stars.

Alibaba was slapped with a record $2.8 billion antitrust fine in September. That was followed by a $530 million fine of Meituan, the food-delivery giant, a month later.

Weibo, China’s Twitter-like platform, was fined 44 times between January and November. Douban, the popular film- and book-reviewing site, was fined 20 times.

Li Chengdong, an e-commerce consultant who invests in start-ups, said some consumer internet companies he owned were struggling with higher compliance costs. “To stay on the safe side, they have to be stricter in compliance than what the government requires,” he said….

(16) ONLY HOW MANY SHOPPING DAYS LEFT? Sold by The Bodleian Library in Oxford, England, these Christmas Cards that look like book covers. Click through the slideshow to see all four examples.

[Thanks to JJ, John King Tarpinian, Andrew Porter, Doug Ellis, Chris Barkley, John A Arkansawyer, Mlex, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 1/3/22 Barsoomian Rhapsody

(1) AUTHORS CALL OUT DRASTIC PROBLEMS WITH KINDLE DIRECT PUBLISHING. Several indie romance authors recently found themselves banned by Kindle Direct Publishing with no real explanation, including paranormal and SF authors such as Ruby Dixon, author of Ice Planet Barbarians. She’s a successful writer who has been reviewed in mainstream media, so this was very odd. Even when Amazon reinstated the authors and their books, some say they had to fight to get their royalties restored as well.

Lexi Ostrow, another author who experienced this, blogged about it extensively. “The Story of Amazon & The Destruction of a career – USA Today Bestselling Author Lexi Ostrow” is the first of three posts.

… The last 30ish hours have been very hard for me. Somehow, I offended Amazon’s KDP system and my entire career has been taken down. This blog is my attempt to share only the facts, while leaving out any opinions and emotions. At present, 43 books have been unpublished, over $300 in advertising dollars on a new release from 12.20.21 are wasted, and over 700 reviews & ratings are now gone. All of this occurred just 24 hours after my latest release, which was the first release I’ve had since last Christmas, due to fighting a mystery illness and COVID parenting a toddler – writing took a backseat.

Please consider sharing this blog on your social media. I want to effect change within Amazon more than I want my career back. If enough of us make noise, it’s possible this can all be changed….

As I am human, my next course of action included breaking down. I have been a published author – indie house, small presses, and self – for just over 6 years. I have been included in or solo’d in 54 novels + the two preorders. 

Per the email, my books were gone. My reviews were gone. My royalties would not be paid – yes, you read that correctly, Amazon was going to keep money I made on all my BACKLIST titles because the preorder raised a flag. I also cannot create another KDP account to begin again (which is fair if I’d done what I was accused of doing or anything else).

I took to social media for help, because my account was blocked so I couldn’t “contact us” beyond a form fill and I wasn’t content with that. To see the Facebook post, click here.

Susan Lyn says she suffered the same fate: “Writing and Life”.

In unrelated yet just as devastating news, I seem to have angered the gods of Amazon and all books have been purged from the behemoth. They seem to be doing a massive author purge, some pretty big names have also been affected.

Never fear, I’m in the process of sending all of my previously published titles wide (to be available everywhere but Amazon) and will update links to where they are available.

Ruby Dixon’s books have since been reinstated.

Lexi Ostrow’s Amazon author page also shows her Kindle books are back, but it was a struggle every step of the way as she explains in two follow-up posts. “Amazon & The Destruction of a Career Part 2” on December 26 contains screenshots of more emails exchanged with the Amazon Content Review Team. “Amazon & The Death of a Career – the Finale” on December 29 says that when Amazon restored her books, they initially did not restore the royalties in her account. Later, Ostrow got a call from someone from KDP’s Executive Customer Relations that her royalties also had been restored. Ostrow’s final post includes these lessons learned:

What did I learn from the call?

  • The KDP content team has no phone access because “they aren’t client facing so it isn’t an issue”. I assure you, I let him know how very much it was/is an issue
  • Executives have no idea why the content team does what they do – AKA NO NOTES!!
  • He found me via Twitter, not via any of my emails or attempted calls.
  • The KDP content team is overseas and doesn’t interact with clients. I was very verbal that this is a problem.
  • I was told there would be an investigation into why I was ignored so many times and not given proper responses.
  • That while nice, I will never put all my eggs in one basket. While I will remain on Amazon for the exposure, I am 100% wide.
  • Our fight to fix this process is not yet done, but I’m still trying to understand what will help as a petition merely expresses a desire for something, but we all know Amazon KNOWS their policy is shit.

(2) WEBB TELESCOPE IN THE SHADE. Yahoo! reports:“NASA’s new space telescope ‘hunky-dory’ after problems fixed”.

NASA’s new space telescope is on the verge of completing the riskiest part of its mission — unfolding and tightening a huge sunshade — after ground controllers fixed a pair of problems, officials said Monday.

The tennis court-size sunshield on the James Webb Space Telescope is now fully open and in the process of being stretched tight. The operation should be complete by Wednesday.

… The sunshield is vital for keeping Webb’s infrared-sensing instruments at subzero temperatures, as they scan the universe for the first stars and galaxies, and examine the atmospheres of alien worlds for possible signs of life.

Getting the sunshield extended last Friday “was really a huge achievement for us,” said project manager Bill Ochs. All 107 release pins opened properly.

But there have been a few obstacles.

Flight controllers in Maryland had to reset Webb’s solar panel to draw more power. The observatory — considered the successor to the aging Hubble Space Telescope — was never in any danger, with a constant power flow, said Amy Lo, a lead engineer for the telescope’s prime contractor, Northrop Grumman….

They also repointed the telescope to limit sunlight on six overheating motors. The motors cooled enough to begin securing the sunshield, a three-day process that can be halted if the problem crops up again, officials said.

“Everything is hunky-dory and doing well now,” Lo said.

(3) HARD TO SWALLOW. Cora Buhlert reviews the opening episode of the new series: “The Book of Boba Fett finds itself a ‘Stranger in a Strange Land’”. Beware spoilers.

…“Stranger in a Strange Land”, the first episode of The Book of Boba Fett continues where both The Mandalorian and Return of the Jedi left off. Because the scenes of Boba Fett establishing himself as the premiere crime lord on Tatooine are interspersed with flashbacks of Boba Fett’s past, including his escape from the Sarlaac’s digestive tract….

(4) ROUTES. In San Marino, the Huntington’s “Mapping Fiction” exhibit will open January 15: “Exhibition to Explore the Construction of Fictional Worlds through Maps and Novels”.

On the occasion of the centennial of James Joyce’s Ulysses, “Mapping Fiction” includes works by Octavia E. Butler, William Faulkner, Jack and Charmian London, J. R. R. Tolkien, and Mark Twain, among others…

…Other featured objects in this section include an Arion Press artist book edition of Edwin A. Abbott’s satirical novella Flatland, a Romance of Many Dimensions; J. R. R. Tolkien’s Lord of the Rings trilogy; George R. R. Martin’s A Game of Thrones; maps from the Octavia E. Butler archive related to her Earthseed novels; and a map for The Mortmere Stories of Christopher Isherwood and Edward Upward.

(5) CINEMATIC CLI-FI. [Item by Martin Morse Wooster.] In the Washington Post, Sonia Rao interviews directors of films that deal with climate change.  Most of the films discussed, including Wall-E, The Day After Tomorrow, and Mad Max:  Fury Road–are sf.  Kim Stanley Robinson is briefly interviewed in the section on Mad Max:  Fury Road. “Climate change is the greatest threat to humanity. Here’s how filmmakers have tried to make sense of it all.”

… Things fall apart rapidly in “The Day After Tomorrow.” Soon after climate scientist Jack Hall (Dennis Quaid) says at a United Nations conference that climate change could lead to an ice age, a storm system develops and threatens to destroy the Northern Hemisphere. Jack’s son Sam (Jake Gyllenhaal) and his friends seek shelter at the New York Public Library, where they burn books for warmth as snow mounts against the building’s outer walls.

Like its peers in the disaster genre, “The Day After Tomorrow” is consumed by the special effects involved in depicting calamity. Emmerich says his critics often forget that “when you make a movie, it has to be dramatic in a certain way.” People bought tickets to be stunned. This was the guy who made “Independence Day,” after all….

(6) TODD SULLIVAN. Space Cowboy Books presents an online reading and interview with Todd Sullivan author of the fantasy trilogy The Windshine Chronicles on January 25 at 6:00 p.m. Pacific. Free registration here.

(7) NIGHTMARES ALLEZ. Hear from the legendary director in the Maltins’ podcast: Maltin on Movies: Guillermo del Toro.

Guillermo del Toro is a sorcerer who places no limits on his imagination. His new film, Nightmare Alley, now playing in theaters, is an exquisitely rendered film noir that stands alongside his earlier work (The Devil’s Backbone, Hellboy, Pan’s Labyrinth, The Shape of Water) with the promise of more to come—like his “take” on Pinocchio. Leonard and Jessie are longtime devotees and are thrilled to share this uniquely eloquent and passionate creator with all of you.

(8) MEDIA BIRTHDAY.

1993 [Item by Cat Eldridge.] Twenty-nine years ago, Star Trek: Deep Space Nine premiered in syndication. The fourth spin-off of the original series (counting the animated run) was the first developed after the death of Roddenberry as created by Rick Berman and Michael Piller. It starred Avery Brooks, René Auberjonois, Terry Farrell, Cirroc Lofton, Colm Meaney, Armin Shimerman, Alexander Siddig, Nana Visitor and Michael Dorn. It would run for seven seasons and one hundred seventy-six episodes. It would be nominated for two Hugo Awards but wouldn’t win either of them. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born January 3, 1892 J.R.R. Tolkien. Yes, It’s the Birthday of J.R.R. Tolkien. I thought I’d do something different, so I asked Filers and other folk I knew what their favorite works by him were. 

Peter Beagle says:

‘You mean my favorite writing by Tolkien? Probably the story of Beren and Luthien, which I’ve always loved – or maybe the one now published as The Children of Hurin. One or the other.’

Cora Buhlert is one of three Filers who gave an answer:

‘The first Tolkien I actually read was The Hobbit, in an East German edition with the illustrations from the Soviet edition. I got it as a present from my Great-Aunt Metel from East Germany, who often sent me books for Christmas and my birthday. It’s still somewhere in a box on my parents’ attic. 

‘I liked The Hobbit a lot, but I didn’t know there were more stories set in Middle Earth, until several years later, when I spotted The Lord of the Rings at a classmate’s place and borrowed it from him. As a teenager, I had a thing for mythology and read my way through the Nibelungenlied, the Odyssey and the Iliad, the Ramayana and the Mahabharata, etc… Lord of the Rings fit right into that context and I enjoyed it even more than I had enjoyed The Hobbit.

‘I didn’t read the essay “On Fairy Stories” until university, when I cited it in a paper I wrote for a class. Now I had been educated in an environment which considered the traditional Grimm’s fairy tales too brutal and unsuitable for children (luckily, my parents ignored that and told/read them to me anyway) and which viewed fantasy and science fiction or any kind of genre fiction as escapist trash and potentially harmful. I got regurgitated version of this from my teachers at school and in university I was exposed to the 1970s leftwing pop culture criticism where those ideas had originated. However, I didn’t believe that fairy tales were bad and that SFF was escapist trash, so I was thrilled to read “On Fairy Stories” and find that Tolkien, who surely was considered beyond reproach, agreeing with me.’ 

Lis Carey was our next Filer:

‘I think I have to say that The Hobbit is my favorite Tolkien. I really do identify with Bilbo’s desire to stay home, and enjoy his cozy hobbit hole and its comforts, in his comfortable, familiar neighborhood. Yet, against his better judgment, he is lured into going on an adventure (always a bad idea, adventures) with the dwarves, and finds out just how resilient he is, his unexpected bravery, his ingenuity when faced with seemingly insurmountable challenges (“…he was chased by wolves, lost in the forest, escaped in a barrel from the elf-king’s hall…”) (yes, I love The Ballad of Bilbo Baggins, too.) He finds resources in himself that he never suspected–and at the end, he still goes home, to deal with his annoying relatives and enjoy his home. None of this “and now I will abandon everything I ever cared about, to be a completely different person in a different life.”‘

It’s been a long time for Ellen Datlow: since she read his nibs. so she says:

‘I haven’t read him in so long I don’t remember–I loved all three of the LOTR trilogy and The Hobbit but don’t remember exactly why.’  

Pamela Dean says she “unreservedly loves The Lord of the Rings, the translation of ‘Sir Gawain and the Green Knight,’ and ‘On Fairy-Stories’.” 

Once again, The Hobbit proves popular as Jasper Fforde says it’s:

The Hobbit, because it’s the only one I’ve read – I liked it a great deal but was never really into spells, wizards and trolls, so never took it any further.’ 

Elizabeth Hand gave a lengthy reply:

‘I’d probably have to say The Lord of the Rings, which I’ve read it countless times over the last forty years. It imprinted on me at such an early age — I had the good luck to read it as a kid in the 1960s, when it was still a cult novel, and you had a real sense that you were in some secret, marvelous group of insiders who had visited a place not everyone knew about. Maybe kids discovering it today still have that feeling, in spite of the success of the movies (which I love). I hope so. But I also find that, as I’ve gotten older, I’m far more drawn to reread other works, especially in The Complete History of Middle Earth and The Silmarillion (we have very long Tolkien shelves here). 

‘I love the Beren & Luthien material, and also the various accounts of Turin, which recently were republished as The Children of Hurin. The dark tone of all of it, the tragic cast and also the recurring motifs involving elves and mortal lovers — great stuff. It doesn’t serve the function of comfort reading that LOTR does, and because I’m not so familiar with the stories I can still read them with something like my original sense of discovery. 

‘The breadth and depth of Tolkien’s achievement really becomes apparent when one reads The Complete History — 13 volumes, including an Index. Every time I go back to them I think, I could be learning Greek, or Ancient Egyptian, something that has to do with the real world.  But then, I’m continually so amazed by what this one man came up with, the intensity and single mindedness of his obsession. And I get sucked into it all over again.’ 

Gwyneth Jones says her favorite work is The Lord Of The Rings:

‘Why — Because I read it when I was a child, in bed with bronchitis. My mother brought me the three big volumes, successively, from the library, I’d never met anything like it, and it was just wonderful entertainment for a sick child. I grew out of LOTR, but will never forget that thrill.  More why: I’ve never felt the slightest temptation to open the massive prequels and spin-offs of Middle Earth fantasy, I just don’t have that gene, and I feel the Tolkien industry doesn’t need my money. And the other works are either too scholarly, or everything about them is represented in LOTR anyway.  I admired ‘Tree and Leaf’ when I read it, long ago, but I’m not sure if I still would.’ 

OR Melling says:

‘As a child, I loved reading fantasy – CS Lewis, E Nesbit, JM Barrie and so on – but when the librarian offered me The Hobbit and said “it’s about little men with hairy feet” I recall giving her one of those withering looks only children can give. Why on earth would I want to read a book about men with hairy feet? I did finally read The Hobbit when I was 12, after I had read The Lord of the Rings, and discovered that my initial suspicion was correct. I did not like the book at all, particularly its depiction of the elves. This was a great surprise, of course, considering that I had absolutely fallen in love with The Lord of the Rings. It is still one of my favourite books to this day. Aside from The Silmarillion – which I endured like all faithful fans – I have not read any other of Tolkien’s works.’ 

Catherynne M. Valente picked The Silmarillion:

‘I love The Lord of the Rings. I was once a hardcore Sindarin-speaking LoTR geek, in the days of my misbegotten youth. It is a vast and important book. But I have to say that I feel the book is incomplete without The Silmarillion, which provides a depth and mythology, an understanding of the forces at work, a breadth and beauty that LoTR does not have on its own. I am one of the few who loves The Silmarillion for itself, devoured it in one sitting, had no trouble with the archaic language. It should get more love than it does.’ 

Our final Filer is Paul Weimer who states:

‘I am going to go with a sidewise choice.   While LOTR and the Hobbit are some of my earliest and most beloved of all SFF that I have ever read, the piece by Tolkien that comes back to my mind again and again is the story of Beren and Luthien.  We get the story in a number of ways and forms :the small fragments we see in Lord of the Rings (or the tiny bit in the movie), the longer tale told in the Silmarillion, and the alternate and evolving versions seen in the extended histories of Middle Earth and his letters,  In the end this love story between man and elf, mortal and immortal, is in many ways THE story of Tolkien, more than the story of a Hobbit, or of the One Ring. It is very telling that Tolkien and his wife’s gravestone name check themselves as Beren and Luthien.  It moved me the first time I read the full story, and it moves me still.’

For Jane Yolen, it’s The Hobbit:

‘While it’s true that The Lord of the Rings is his masterwork and The Hobbit his first attempt at writing (and that, some say witheringly, for children) I have to admit I adore The Hobbit. It has adventure, wonderful characters, fine pacing and spacing, some really scary bits (my daughter ran screaming from the room when the trolls grabbed the ponies, and she refused to hear the rest of it.) And if I could ever write a chapter as good as the Riddles in the Dark chapter I would never have to write again.’

(10) COMIC SECTION.

  • Bizarro stretches the truth in a comic way.  

(11) FLIPPED SCRIPTS. “Premee Mohamed on turning science fiction tropes on their head” is one of the segments on the January 2 edition of CBC’s The Sunday Magazine with Piya Chattopadhyay. Listen to the profile at the link.

(12) THE TIME OF HIS LIFE. People always want to know how a successful writer does things. John Scalzi obliges with an account of how he budgets his time: “In Theory, My Work Day” at Whatever.

Now that the holidays have been packed away and we are back into the swing of things, I know that some of you have had an interest in how I manage my work days. The answer to this varies, largely depending on whether I’m working on a novel or not. However, as it happens, I am working on a novel again, and also, I’ve decided to put a bit more structure into my day. So in theory, here’s how my work days should go in 2022….

(13) THE AMAZON PRIME DIRECTIVE. Jeff Foust reviews an Amazon Prime documentary about Shat’s space trip for The Space Review: “Shatner in Space”.

… There is not a lot of drama in the show itself. When winds force a one-day delay in the flight, Shatner briefly ponders if the universe is trying to tell him that he shouldn’t go, but the moment passes. There’s a brief hold in the countdown because of a software issue that threatens a scrub (“You’ve got to be [bleeping] kidding,” Shatner says in the capsule) but that, too, quickly passes. There’s some footage inside the capsule during the flight itself, although not much more than what was shown during and immediately after the flight….

(14) MALLEUS MALEFICARUM. “How do you spot a witch? This notorious 15th-century book gave instructions – and helped execute thousands of women”The Conversation has the story.

Books have always had the power to cast a spell over their readers – figuratively.

But one book that was quite popular from the 15th to 17th centuries, and infamously so, is literally about spells: what witches do, how do identify them, how to get them to confess, and how to bring them to swift punishment.

As fear of witches reached a fever pitch in Europe, witch hunters turned to the “Malleus Maleficarum,” or “Hammer of Witches,” for guidance. The book’s instructions helped convict some of the tens of thousands of people – almost all women – who were executed during the period. Its bloody legacy stretched to North America, with 25 supposed “witches” killed in Salem, Massachusetts, in the late 1600s.

(15) FUSION EXPERIMENT SETS RECORD. “China switches on ‘artificial sun’ that is five times hotter than the real thing” reports MSN.com.

A nuclear fusion reactor in China has set a new record for sustained high temperatures after running five times hotter than the sun for more than 17 minutes, according to state media.

The Experimental Advanced Superconducting Tokamak (EAST), known as an “artificial sun”, reached temperatures of 70,000,000C during the experiments, the Xinhua News Agency reported.

The ultimate aim of developing the artificial sun device is to deliver near-limitless clean energy by mimicking the natural reactions occurring within stars.

“The recent operation lays a solid scientific and experimental foundation towards the running of a fusion reactor,” said Gong Xianzu, a researcher at the Institute of Plasma Physics of the Chinese Academy of Sciences, who led the latest experiment.

The EAST project, which has already cost China more than £700bn, will run the experiment until June….

(16) TRUTH. Via RedWombat.

[Thanks to John King Tarpinian, Andrew Porter, Michael Toman, Chris Barkley, Anne Marble, Olav Rokne, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 12/2/21 Of All The Pixels In The World, She Scrolls In To Mine

(1) OMICRON AT ANIME NYC 2021. The New York Times reports “Hochul Urges Anime NYC Conference Attendees to Get Tested Due to Omicron”.

Gov. Kathy Hochul of New York said on Thursday that everyone who attended a recent anime convention in Manhattan should get tested for the coronavirus, after it was announced that an individual who tested positive for the Omicron variant in Minnesota had attended to the conference.

Ms. Hochul said the individual, a Minnesota resident who was vaccinated and experienced mild symptoms, had attended the Anime NYC 2021 convention at the Javits Center in Midtown Manhattan. She urged people who attended the event, which was held from Nov. 19 to Nov. 21, to get tested and said that health officials would be in contact with attendees. The convention hosted 53,000 attendees over three days, according to a spokesman for the Javits Center….

The Mayor of New York City also put out a statement:

(2) VARLEY MEDICAL UPDATE. In “The Two Johns”, John Varley tells why he’s home from his third stay in the hospital this year. Much as he works to lighten it up, this is serious, plus some touching moments about his last roommate. The digest version about his health is in this excerpt of the last three paragraphs:

…So I’m back home now. My final diagnosis, like a slap on the butt as I went out the door, was C.O.P.D. (That’s #5.) It stands for Chronic Obstructive Pulmonary Disease. My guess is that it has something to do (ya think?) with over fifty years of a pack-and-a-half per day smoking habit, only recently terminated. Used to be, it was easy to find me at SF conventions. Just look for the very tall guy whose head was obscured by the smoke that encircled his head like a wreath. That was in the early days. More recently I could usually be found outside the hotel, huddled against the rain, the cold, and the howling gale with a couple other hopeless addicts.

I was sent home with a couple bottles of oxygen and an oxygen concentrator, but it’s possible I won’t need them after a while. Lee and I were enrolled in classes at something called the Transitional Care Clinic, TCC, a really smart and nice service of the Clinic where you record all your vital signs and come in weekly for consultation. I hate trailing the coiled tubing for the O2 all around the house, but so be it. I am able to do most things I always did, and get around in the car. I still tire quickly, but I don’t pant like an overheated hound dog.

Thanks again to all who sent money after my heart attack at the beginning of the year. I can’t tell you how much those dollars have helped take a heavy load off both our minds….

(3) MOBY WORM. Michael Dirda, well-known Washington Post critic who started there writing sf book reviews, has written an introduction to the new Folio Society edition of Frank Herbert’s Dune. An excerpt appears at Literary Hub: “What Accounts for the Lasting Appeal of Dune?”

… Even now, half a century since it first appeared in 1965, Dune is certainly still “the one”—it continues to top readers’ polls as the greatest science-fiction novel of modern times. Many would say of all time. Before Star Wars, before A Game of Thrones, Frank Herbert brought to blazing life a feudalistic future of relentless political intrigue and insidious treachery, a grandly operatic vision—half Wagner, half spaghetti western—of a hero discovering his destiny. Characters include elite samurai-like warriors, sadistically decadent aristocrats, mystical revolutionaries, and, not least, those monster worms, which barrel along under the desert surface with the speed of a freight train, then suddenly emerge from the sand like Moby Dick rising from the depths….

(4) MISSING A FEW THINGS. A.V. Club’s M.L. Kejera’s “Comics review: The History Of Science Fiction is bad history” contends “This reprehensible graphic novel could have been so much more, but instead spends time covering up history, not unpacking it.”

… Presented with an index and a list of principal art sources, the book is clearly attempting to be of some academic or referential use, on top of its wider appeal. But the English translation of Histoire De La Science Fiction fails utterly as a proper historic work—and worse, ends up functioning as weak hagiography.

… For example, though objects and ideas from Japanese sci-fi litter the futuristic museum, no Japanese author is given anywhere near the depth as writers from the aforementioned countries. Considering that one of the primary sources for this book is able to be precise about its purview (La Science-Fiction En France Dans Les Années 50, or Science Fiction In France In The ’50s), it’s a baffling decision on the part of everyone involved here to not specify this—especially while calling itself history.

Additionally, there is an ugly tendency in the book to gloss over the more reprehensible aspects of the writers featured….

(5) CLARK DEPARTS. SFWA bid “A Farewell to SFWA Blog Editor C.L. Clark”.

As of November 30, our blog editor, C.L. Clark (Cherae) has stepped down from her role for personal reasons. Clark joined SFWA’s staff in the summer of 2020. Her editorial perspective has brought many new voices to the blog over the past year, voices with a lot of insightful and fresh perspectives on the publishing industry today and the craft of science fiction and fantasy writing in the many mediums in which our members work. She’s also provided essential assistance with the release of The Bulletin #216 and our other SFWA Publications projects…. 

(6) SLF WANTS ART. The Speculative Literature Foundation has put out a “Call for Artists 2022” seeking a piece of original artwork, ideally combining fantasy and science fiction themes, to be featured as its cover art (Illustration of the Year or Artwork) for 2022.  Full guidelines at the link.

Artwork will be displayed on the Speculative Literature Foundation’s (SLF) website and social media accounts. Artwork will also be used as a visual element of SLF’s marketing material and swag, including but not limited to, bookmarks, pins, posters, etc., and may be cropped or otherwise minimally altered to fit these different formats. The winning artist will receive $750.00 (USD) and will be announced, along with the selected Artwork, on SLF’s website and in a press release.

This is the SLF’s first open call for Illustration of the Year, and the fifth consecutive year that it has featured an illustration. The SLF, founded in 2004 by author and creative writing professor Mary Anne Mohanraj, is a global non-profit arts foundation serving the speculative literature (science fiction, fantasy, and horror) community. It provides resources to speculative fiction writers, editors, illustrators, and publishers, and aims to develop a greater public appreciation of this art.

Submission Dates: November 20, 2021 at 12:01 a.m. through December 20, 2021 at 11:59 p.m.

(7) HOST CITY WANTED FOR 2023 WESTERCON. Kevin Standlee posted an announcement at the Westercon.org website: “Committee Formed to Select Site of 2023 Westercon”.

Because no groups filed to host Westercon 75, selection of the site of the 2023 Westercon devolved upon the 2021 Westercon Business Meeting held at Westercon 73 (in conjunction with Loscon 47) in Los Angeles on November 27, 2021. The Business Meeting voted to appoint Westercon 74 Chair Kevin Standlee and Westercon 74 Head of Hospitality Lisa Hayes as a committee to select a site and committee to run Westercon 75. Any site in North America west of 104° west longitude or in Hawaii is eligible to host Westercon 75.

To submit a bid to the “Standlee-Hayes Commission” to host Westercon 75, write to Kevin Standlee at [email protected], or send a paper application to Lisa Hayes at PO Box 242, Fernley NV 89408. Include information about the proposed site, the proposed dates, and the proposed operating committee.

The initial deadline for applications is January 31, 2022.

(8) ALWAYS BE CLOSING. Rosemary Claire Smith encourages writers to do what they want to anyway: “Reasons to Publicize Your Award-Eligible Works” at the SFWA Blog. Here’s the second of four points:

2. Award Eligibility Posts Are for All Writers, Not Only the Big Names.

Don’t believe me? Consider how many writers won a Hugo, Nebula, World Fantasy Award or another prestigious literary prize with the first story or novel they ever got into print. Think about the “newcomers” awards such as the Astounding Award for Best New Writer given to someone whose first professional work was published during the two previous calendar years. It’s been a springboard launching a number of careers. Also, keep in mind that your audience may nominate and/or vote on readers’ choice awards given by Analog, Asimov’s, Clarkesworld, and other periodicals. 

By now, some of you are saying to yourselves, “Why bother when I’ll never win an award…or even be nominated. Or if I am, it’ll be as a list filler.” Others are thinking, “I only published one story. It came out in an obscure publication.” Then there’s, “My novel didn’t sell all that well,” not to mention the perennial, “The reviewers don’t know my book exists.” Are you thinking about waiting until…what? You’re better known? You sell more copies? You get published in a top market? Your sales figures improve or your social-media following grows? Your work attracts a glowing review? 

To every one of your objections, the answer is the same: Your fiction merits more attention right now. Even in better times, writing is a difficult enough business without running ourselves down. As writers, we are notoriously NOT the best judge of our own work. We’re too close to it. Sometimes words flow quickly and effortlessly. Other pieces fight us for every sentence we succeed in wringing out of them. Critical and popular acclaim aren’t tethered to the ease or difficulty of creation. Besides, our assessment of particular pieces may evolve as we gain the advantages of time and distance. In short, you never know how a story will fare….

(9) A TOP SFF BOOK COMES TO TV. Station Eleven will air starting December 24 on HBO Max.

A limited series based on Emily St. John Mandel’s international bestseller, #StationEleven is a post-apocalyptic saga that follows survivors of a devastating flu as they attempt to rebuild and reimagine the world anew while holding on to the best of what’s been lost.

(10) GAIMAN ON TOUR. Neil Gaiman will be visiting many cities in the U.S. in April and May next year – see the schedule on Facebook.

(11) OSBORN OBIT. [Item by Bill.] I am saddened to pass on that Darrell Osborn has died of heart issues. He’s the husband of Stephanie Osborn. They’ve made a number of appearances at SF cons in the Southeast, with Stephanie as a writer and Darrell doing magic and balloon animals. Darrell’s day job was as a graphic designer for an aerospace contractor, and he did cover art for SF books.

(12) MEMORY LANE.

1996 [Item by Cat Eldridge.] Twenty-five years ago, Neal Stephenson’s The Diamond Age wins the Hugo for Best Novel at L.A. Con III where Connie Willis was Toastmaster. The other nominated works that year were The Time Ships by Stephen Baxter, Brightness Reef by David Brin, The Terminal Experiment by Robert J. Sawyer and Remake by Connie Willis. The Diamond Age would be nominated for Nebula, Campbell Memorial, SF Chronicle, Clarke, Locus, Prometheus, BSFA and HOMer Awards, winning the SF Chronicle and Locus Awards. 

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 2, 1913 Jerry Sohl. Scriptwriter and genre writer who did work for The Twilight Zone (ghostwriting for Charles Beaumont who was seriously ill at the time), Alfred Hitchcock PresentsThe Outer Limits and Star Trek. One of his three Trek scripts was the superb “Corbomite Maneuver” episode. He wrote a lot of SFF novels, none of which I recognize from the ISFDB listings. A lot of his genre novels are available from the usual suspects for very reasonable prices. (Died 2002.)
  • Born December 2, 1914 Ray Walston. Best remembered, of course, for playing the lead in My Favorite Martian from 1963 to 1966, alongside co-star Bill Bixby. His later genre appearances would include The Wild Wild WestMission: ImpossibleSix Million Dollar ManGalaxy of TerrorAmazing Stories, PopeyeFriday the 13th: The Series and Addams Family Reunion.  He would appear in The Incredible Hulk (in which David Banner was played by Bill Bixby) as Jasper the Magician in an episode called “My Favorite Magician”. (Died 2001.)
  • Born December 2, 1937 Brian Lumley, 84. Horror writer who came to distinction in the Seventies writing in the Cthulhu Mythos and by creating his own character Titus Crow. In the Eighties, he created the Necroscope series, which first centered on Speaker to the Dead Harry Keogh. He has received a Lifetime Achievement Award from the Horror Writers Association and a World Fantasy Award for Lifetime Achievement.
  • Born December 2, 1946 David Macaulay, 75. British-born American illustrator and writer who is at least genre adjacent I’d say. (Motel of the Mysteries is genre.) Creator of such cool works as Cathedral, The New Way Things Work which has he updated for the computer technology age, and I really like one of latest works, Crossing on Time: Steam Engines, Fast Ships, and a Journey to the New World
  • Born December 2, 1946 Josepha Sherman. Writer and folklorist who was a Compton Crook Award winner for The Shining Falcon which was based on the Russian fairy tale “The Feather of Finist the Falcon”. She was a prolific writer both on her own and with other writers such as Mercedes Lackey with whom she wrote A Cast of Corbies and two Buffyverse novels with Laura Anne Gilman. I knew her personally as a folklorist first and that is she was without peer writing such works as Rachel the Clever: And Other Jewish Folktales and Greasy Grimy Gopher Guts: The Subversive Folklore of Childhood that she wrote with T K F Weisskopf.  Neat lady who died far too soon. Let me leave you with an essay she wrote on Winter for Green Man some twenty years ago: “Josepha Sherman’s Winter Queen Speech”. (Died 2012.)
  • Born December 2, 1952 OR Melling, 69. One of her favorite authors is Alan Garner whose The Owl Service is a frequent read of hers she tells me. She too loves dark chocolate. As for novels by her that I’d recommend, the Chronicles of Faerie series is quite excellent. For more adult fare, her People of the Great Journey is quite good.
  • Born December 2, 1952 Keith Szarabajka, 69. Quite a few genre roles including Daniel Holtz in the Angel series, voicing the demon Trigon in the Teen Titans series, Gerard Stephens in The Dark Knight and a recurring role as Donatello Redfield on Supernatural. That’s just a small sample of his genre roles down the decades. 
  • Born December 2, 1971 Frank Cho, 50. Writer and illustrator, best remembered as creator of the most excellent Liberty Meadows series as well as work on HulkMighty Avengers and Shanna the She-Devil for Marvel Comics, and Jungle Girl for Dynamite Entertainment. I recommend the Frank Cho Art Book from Delcourt as being a superb look at his work. It’s available from the usual suspects. In French only for some reason. 

(14) COMICS SECTION.

  • Half Full’s joke really has nothing to do with Tom Baker. Honestly.

(15) BEEBO, IT’S COLD OUTSIDE. [Item by Daniel Dern.] A.V. Club declares, “Beebo Saves Christmas is one of the oddest holiday specials ever”.

You don’t (apparently) have to have been watching the WB/”Arrowverse” series DC’s Legends of Tomorrow; indeed, it’s not clear that will help or otherwise make any difference. Beebo is a small furry toy that’s appeared as a character in several LofT episodes, ranging from as a mild joke to a malevolent something-or-other.

… For those who aren’t invested in Arrowverse lore, Beebo Saves Christmas was spun out of a running joke on DC’s Legends Of Tomorrowthe show about loser superheroes traveling through time and trying to save the day without making anything worse. In one episode—arguably the show’s best—a talking Tickle Me Elmo-style toy called Beebo is sent back in time and ends up in the possession of Leif Erikson and a group of Vikings who worship the talking toy as their new god of war….

If you can find it. On the CW, it apparently aired last night, “with an encore presentation airing on December 21, 2021.”  JustWatch.com doesn’t have this in its database. This Decider article has some other how-to-watch-it suggestions: “What time is ‘Beebo Saves Christmas’ on The CW?”

I’m thinking that an hour might be overmuch, but there’s only one way to find out…

(16) LAUREL & HARDY. [Item by Martin Morse Wooster.] I listened to this 2017 podcast Leonard Maltin did with Mark Evanier on Laurel and Hardy (Maltin on Movies: Mark Evanier.)  As kids, both of them watched Laurel and Hardy two-reelers after school and when John McCabe’s Mr Laurel And Mr Hardy came out in 1961 both checked out copies from the adult section of the library.  Because the Los Angeles public library didn’t have a copy, Evanier persuaded his aunt to get the Beverly Hills library’s copy.

Both men are really knowledgeable on silent film history, and if you know enough to argue about whether Snub Pollard was funnier than Charley Chase, you’ll find a lot to enjoy here.  But their points are simple ones: all of Laurel and Hardy is worth watching except for the last five years of their careers, and it’s best to see them in a theatre or with friends because the laughter produced by a group adds to the joy these great comedians provided.

Fun facts: The stairs used in the 1932 short The Music Box still exist, and you can visit them in the Silver Lake section of Los Angeles.  Two Oscar-winning directors: Leo McCarey (as director) and George Stevens (as cinematographer) got their start on Laurel and Hardy shorts.

I thought this was a fun hour.

(17) THREE’S A CHARM. The first two were cursed. “BABYLON 5 The Geometry of Shadows commentary/reaction by Straczynski Third Version”. Why was this the third version? Straczynski spends the opening minutes explaining the problems that trashed the first two attempts:

…I’m recording the commentary for the Geometry of Shadows for the third time. The first time turned out that the new lavalier i was using wasn’t exactly hooked up right and did the entire recording sounding like Marvin the Martian — if Marvin the Martian were a raging drunk. Same applies to the Sense-8 commentary I did the same night. The second time I did it to redo the technology of the first one everything went fine. The sensitive microphone picked up all the sound in the room which was great, until I found out that it also picked up enough of the dialogue from the screen that it showed up on the recording and Youtube, when it did its search, said you cannot use this, Warner Brothers television has a claim on this, you can’t use it, you can’t post it. From 26 minutes to 42 minutes we can hear it. This is now my third run at this. I am beyond annoyed. I’m so – I wore a B5 cap from the pilot. I had a whole story about this. Screw it. I’m not telling you what it was because i don’t care anymore…

(Is this what really happened to the first four Babylons?)

(18) NOT SF. AT ALL. But if you read the Jack Reacher books you might want to see this trailer for Amazon Prime’s Reacher series. If it’s important to you that the new actor be taller than Tom Cruise, they have that covered. However, the trailer makes this Reacher look a bit of a showoff and dipshit, which isn’t his psychology in the books.  

(19) LIKE A DOG WITH A BONE. Can’t let go of it. But why couldn’t his passion project turn out great? Maybe someday. “Guillermo del Toro Wants to Make a ‘Weirder, Smaller’ Version of ‘At the Mountains of Madness,’ Possibly at Netflix” at Yahoo!

Oscar-winning filmmaker Guillermo del Toro has long held that his passion project is an adaptation of H.P. Lovecraft’s “At the Mountains of Madness,” and while he still hopes the opportunity arises to make the film, he now has a different version in mind than the one he nearly got off the ground a decade ago.

Appearing on the Stephen King-centric podcast The Kingcast to discuss “It,” del Toro was asked about the multiyear deal he signed with Netflix in 2020 and whether he might finally make “At the Mountains of Madness” at the streamer. “Take a wild guess which were the first projects I presented, you know?” del Toro replied. “I went through the cupboard and found ‘Monte Cristo’ and ‘Mountains of Madness.’ Those were a couple of the ones I presented first.”

(20) NEUTRON BEAMS, FAITH AND MAGIC.  In today’s Nature: “Neutron Beam Peers Into Medieval Faith And Superstition”.

A Norwegian amulet more than 700 years old has been hiding a runic inscription that holds religious and magic significance.

When archaeologists found the rectangular metal object during an excavation in Oslo’s medieval town in 2018, they saw that it was covered with runes and folded several times. Hartmut Kutzke at the city’s Museum of Cultural History and his colleagues wanted to study what was inscribed inside, but they feared that manually opening the talisman, known as the Bispegata amulet, would damage it. Because it is made out of lead — a heavy metal that blocks most X-rays — using X-ray tomography to make the hidden runes visible would not work either. Instead, the researchers used a neutron beam to peek inside the amulet and create a detailed reconstruction of it.

They found that some of the runes spell out Latin and Greek phrases, whereas others signify repetitive sequences of seemingly meaningless words. Some of the comprehensible phrases might carry religious meaning, whereas the abstruse abracadabra was probably thought to have a magic effect, the researchers say.

(21) IT’S A YOUNG MOON AFTER ALL. From “Robotic sample return reveals lunar secrets” in today’s Nature:

A mission to unexplored lunar territory has returned the youngest volcanic samples collected so far. The rocks highlight the need to make revisions to models of the thermal evolution of the Moon.

The wait is over for more news from the Moon1. Three studies in this issue, by https://www.nature.com/articles/s41586-021-04119-5.pdf  Tian et al.   https://www.nature.com/articles/s41586-021-04107-9.pdf   Hu et al. and https://www.nature.com/articles/s41586-021-04100-2.pdf ;Li et al., together with one in Science by Che et al. report data on the lunar samples brought back by China’s robotic Chang’e-5 mission — the first to return samples since the Soviet Union’s Luna 24 mission in 1976. These data shed light on volcanic eruptions that occurred more than one billion years more recently than those known about previously, and provide information on the cause of the volcanism that cannot be obtained from orbit. The results raise questions about the structure and thermal evolution of the lunar interior, and could help to improve methods for estimating the age of planetary surfaces throughout the inner Solar System.

In December 2020, the Chang’e-5 lander set down in the Rümker region near the northwest corner of Oceanus Procellarum on the side of the Moon closest to Earth (Fig. 1). Like the sites visited by Luna and by NASA’s Apollo missions, the Rümker region consists predominantly of a magnesium-rich volcanic rock known as basalt, but the difference from previous missions is that the Rümker basalts are potentially as young as 1.2 billion to 2.3 billion years old, which makes the Chang’e-5 samples the youngest taken from the Moon so far.

(22) NERD ART. “’Selfie with Godzilla’?! Artist Fuses Reality and Science Fiction in Multimedia Gallery Show” — some entertaining images in Houston City Book.

…Houston artist Neva Mikulicz, a self-described “nerd” with an alter ego named Commodore Mik, who once ordered Kirk to the Star Fleet Fat Farm so she could board and evaluate the condition of the Starship Enterprise, smartly and humorously blurs that line between science and science fiction in her new exhibit, Declassified, a collection of beautifully realized Prismacolor pencil on paper drawings, complemented by archival videos and LED and sound module technology. The show opens Saturday at Anya Tish Gallery.

UFOs, robots, and monsters both prehistoric and imagined are recurring subjects in Mikulicz’s artwork, which radiates with a 1950s “vintage-y” vibe, the decade when the automobile, rock’n’roll and television took hold of the country’s collective imagination.

But Declassified is no nostalgia trip. Some drawings mirror the look of our world as it is photographed and disseminated by handheld consumer gizmos, while other works are composed like panels in a graphic novel, a medium that many contemporary fine artists find inspiring. One features a T-Rex chasing an iconic orange-and-white-striped Whataburger cup; another is titled “Selfie with Godzilla.” Mikulicz also created a comic book to accompany the exhibition….

(23) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers:  No Time To Die,” the Screen Junkies say the film shows that Bond has gone beyond silliness (remember Roger Moore driving a gondola?) to be a movie “about a divorced dad who wonders what to feed a French kid for breakfast.” Also, why should characters care who is 007, since that’s basically “an employee ID number?”

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, Rob Thornton, Bill, Michael J. Walsh, Kevin Standlee, David K.M. Klaus, Will R., SF Concatenation’s Jonathan Cowie, Daniel Dern, John King Tarpinian, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Rob Thornton.]

Pixel Scroll 11/20/21 Down Slupps The Pixel-Ma-Phone To Your Ear

(1) NAVIGATING LITERATURE. The Huntington Library’s “Mapping Fiction” exhibit will run January 15-May 2. The Pasadena, CA institution timed the event to coincide with the centennial of the publication of James Joyce’s groundbreaking 1922 modernist novel, Ulysses. Maps from J.R.R. Tolkien, Octavia Butler and other creators will also be displayed.

Octavia E. Butler, Map of Acorn from notes for Parable of the Talents, ca. 1994. (Detail)

“Mapping Fiction” is an exhibition focused on the ways authors and mapmakers have built compelling fictional worlds.

Drawn entirely from The Huntington’s collections, “Mapping Fiction” includes a first edition of Joyce’s novel and a typescript draft of one of its chapters, cartographically inspired intaglio prints of Dublin as described in the book, other mappings of the novel and the famous texts to which it alludes, and materials related to the annual celebration of Bloomsday in Dublin on June 16—the single day in 1904 during which the novel takes place.

About 70 items will be on view, focused on novels and maps from the 16th through the 20th century—largely early editions of books that include elaborate maps of imaginary worlds. Among the highlights are Lewis Carroll’s 1876 edition of The Hunting of the Snark, Robert Louis Stevenson’s maps from Treasure Island and Kidnapped, J. R. R. Tolkien’s map from the trilogy The Lord of the Rings, and science fiction writer Octavia E. Butler’s hand-drawn maps from notes for Parable of the Talents (1998) and her unpublished novel Parable of the Trickster. In addition to Butler’s archives, the show draws on The Huntington’s archival collections of Jack and Charmian London, Christopher Isherwood, and others, as well as the institution’s rich print holdings in travel narratives, English literature, and the history of science.

There will be related events, including this Butler-themed tour of Pasadena.

Revisiting Octavia E. Butler’s Pasadena
March 19 and April 23, 2022
2–3:30 p.m.
In conjunction with “Mapping Fiction,” The Huntington has produced a map of Octavia E. Butler’s Pasadena. Visitors can take a self-guided walking or driving tour of the locations around Pasadena where Butler lived, visited, and often found inspiration. Tour maps will be available online and in the “Mapping Fiction” exhibition gallery. On two Saturdays this spring, Ayana Jamieson, founder of the Octavia E. Butler Legacy Network, will lead a moderated conversation about our desire to locate Butler’s Pasadena. Registration information and locations to come.

(2) TALKING TOONS. [Item by Martin Morse Wooster.] I listened to this podcast by Leonard Maltin with cartoon historians Jerry Beck and Mark Evanier — Maltin on Movies: “Talking Toons with Jerry Beck and Mark Evanier”. Jessie Maltin wasn’t on the podcast because she just gave birth to Maltin’s first grandchild.  (Playing with his granddaughter, Maltin joked, was “more fun than television!”

All three men are Boomers whose love of cartoons went back to when they were kids and Channel 9 in New York City and Channel 11 in Los Angeles would show anything (remember Colonel Bleep? They do.)  They have deep knowledge of animation history.  Did you know that the first Peanuts cartoons were done for the Tennessee Ernie Ford show?  Or that when The Bugs Bunny Show aired in prime time for two seasons on ABC in the early 1960s it had all sorts of original footage, including work by Chuck Jones and Bob McKimson, that no one has seen in 50 years?)

Jerry Beck is involved with the international animation association ACIFA, and discussed his efforts at cartoon preservation.  He noted that Paramount, unlike Disney and Warner Bros., doesn’t think they can make money from old cartoons.  ACIFA is working with the UCLA and Library of Congress archives to preserve significant work by Terrytoons and Max Fleischer that only exist in flammable negatives.  ACIFA also helped restore a 16-minute Smell-O-Vision cartoon (with voice work by Bert Lahr) that was shown before the smelly The Scent Of Mystery.

The best find in previously lost cartoons was when Maltin’s classic Of Mice And Magic was translated into Russian, and Russian cartoon fans reported they discovered the last lost Betty Boop cartoon, featuring Boop’s nephew, Buzzy Boop.  The cartoon is currently being restored.

This was a fun hour.

(3) ERASMUSCON. There’s a Dutch bid for Eurocon 2024. They propose to hold the con in Rotterdam in August 2024. They are taking presupports:

Become a supporter of the bid for €25,-
or a Friend of the bid for €100,-

(4) BIG SIX. Nerds of a Feather’s Paul Weimer gets recommendations in “6 Books with Marjorie B. Kellogg”, who’s the author of Lear’s Daughters, Harmony, and The Dragon Quartet series.

4. A book that you love and wish that you yourself had written.

The Left Hand of Darkness, by Ursula LeGuin. 

This book I have reread, more than once, and still find moving and magical. Her portrayal of an alien civilization is so deeply drawn, so compassionate, so non-comic-booky, and yet so relevant and relatable to our own Earth-bound issues and selves. It’s what Science Fiction can do like no other genre.

(5) TALKIN’ ABOUT MY REGENERATION. Jessica Holmes tries to figure out who this confused fellow is who sees Doctor Who’s face in his mirror…in 1966. That year isn’t a trick of the TARDIS — it’s today’s date at Galactic Journey! “[November 20 1966] Doctor…Who? (Doctor Who: The Power Of The Daleks [Part 1])”

It was with a mix of curiosity and trepidation that I tuned into Doctor Who this month. The character we know and love has vanished forever, and in his place is a stranger– A stranger who calls himself the Doctor. But is it really the same man? Once again, we have to ask the essential question that the programme was founded on. Doctor…who?

(6) I’M FEELING BETTER. James Davis Nicoll is in tune with “I Will Survive: Five Stories About Living to See Another Day” at Tor.com.

This year Canadian Thanksgiving was celebrated on October 11th. American Thanksgiving will fall on November 25th. In both cases, they are glorious feasts celebrating the end of harvest season. However, the first European Thanksgiving in the New World may have been Martin Frobisher’s on May 27th, 1578. As you might guess from the date, Frobisher and his crew were not giving thanks for a bountiful harvest. They were grateful to have survived their latest quest for the Northwest Passage. And isn’t simple survival something for which to be grateful?

The characters in the following five works would no doubt agree that while survival has its challenges, it is far superior to the alternative….

(7) TUNE IN. “Pee-Wee Herman to Host Radio Show on KCRW” reports Variety.

The short version is that legendary star of the screen Pee-Wee Herman will launch a radio show on KCRW, the popular National Public Radio station based in Santa Monica, Calif., and will be accompanied by his pals Chairry, Magic Screen and Miss Yvonne. A rep for the station tells Variety that for now, it will be just one show on Nov. 26 at 6 p.m. PT (and available on demand for one week after airing), but who knows?

(8) LEFLEUR OBIT. Actor Art LaFleur died at the age of 78 on November 17 reports Deadline. The character actor had many genre roles in his resume: Jekyll and Hyde . . . Together Again, The Invisible Woman, WarGames, Trancers and Trancers II, Zone Troopers, The Blob (1988), Field of Dreams (he’s the one who tells Moonlight Graham “Don’t wink, kid”), Forever Young, The Santa Clause 2 and The Santa Clause 3: The Escape Clause (as the “Tooth Fairy”), Speed Racer.  On TV, LaFleur appeared in episodes of The Incredible Hulk, Wizards and Warriors, Tales from the Crypt, Space Rangers, Strange Luck, A.J.’s Time Travelers, Angel and Night Stalker (2005).

(9) MEDIA BIRTHDAY.

1964 — Fifty-seven years ago, the second adaptation of H.G. Wells’ First Men in the Moon was released into theatres, this one complete with the superb special effects of Ray Harryhausen. The first time it was adapted was a 1919 British black-and-white silent film version, directed by Bruce Gordon and J. L. V. Leigh. (It is currently lost with film prints known to exist.) This screenplay was by Nigel Kneale and Jan Read. The primary cast was Edward Judd, Martha Hyer and Lionel Jeffries.

I have no idea what it cost as that’s not recorded but it only made one point three million. Most critics liked with Variety saying that “Ray Harryhausen and his special effects men have another high old time in this piece of science-fiction hokum”, though the New York Times called it “tedious, heavyhanded science-fiction vehicle that arrived yesterday from England”. Audience reviewers at Rotten Tomatoes are currently lukewarm on it giving it a fifty-three percent rating. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 20, 1923 Len Moffatt. He’s a member of First Fandom. Len and his second wife June helped organize many of the early Bouchercons for which he and June received a Lifetime Achievement Award from the Bouchercon staff. He was a member of LASFS. He wrote far too many zines to list here. Mike has an excellent look at his memorial here. (Died 2010.)
  • Born November 20, 1923 Nadine Gordimer. South African writer and political activist. Her one genre novel was July’s People which was banned in her native country under both governments. Her three stories are collected in Beethoven Was One-Sixteenth Black and Other Stories. She received the Nobel Prize in Literature, recognized as a writer “who through her magnificent epic writing has been of very great benefit to humanity”. (Died 2014.)
  • Born November 20, 1926 John Gardner. Author of more Bond novels than one would think possible. He’d write fourteen original James Bond novels, more than Fleming wrote, and the novelized versions of two Bond films, License to Kill and GoldenEye. He’d also dip into the Sherlock universe, writing three novels around the character of Professor Moriarty. Rights to film them were optioned but never developed due to a lack of funding. (Died 2007.)
  • Born November 20, 1929 Jerry Hardin, 92. He’s best known for playing Deep Throat on The X-Files. He’s also been on Quantum LeapStarmanBrimstone and Strange World, plus he was in the Doomsday Virus miniseries. And he made a rather good Samuel Clemens in the two part “Time’s Arrow” story on Next Gen
  • Born November 20, 1932 Richard Dawson. Usually one appearance in a genre film or show isn’t enough to make the Birthday list but he was Damon Killian on The Running Man, a juicy enough role to ensure his making this list, and twenty years earlier he was Joey on Munster, Go Home! He’d voice Long John Silver on an animated Treasure Island film in the Seventies. And he had a one-off on the classic Fantasy Island as well. (Died 2012.)
  • Born November 20, 1944 Molly Gloss, 77. Her novel Wild Life won the 2000 James Tiptree, Jr. Award. She has two more SF novels, The Dazzle of Day and Outside the Gates. Her “Lambing season” short story was nominated for a Hugo at Torcon 3, and “The Grinnell Method” won a Sturgeon. 
  • Born November 20, 1956 Bo Derek, 65. She makes the Birthday list for being Jane Parker in Tarzan, the Ape Man. There’s also Ghosts Can’t Do It and Horror 101 as well as the two Sharknado films she just did. A friend of Ray Bradbury, she was the presenter when Kirk Douglas received the 2012 Ray Bradbury Creativity Award.
  • Born November 20, 1959 Sean Young, 62. Rachael and her clone in the original Blade Runner and the sequel. More intriguingly she played Chani in the original Dune which I’d completely forgotten. A bit old for the role, wasn’t she? She was the lead, Helen Hyde, in Dr. Jekyll and Ms. Hyde. And she’s a Trekkie as she was in the Star Trek: Renegades video fanfic pilot as Dr. Lucien. But who isn’t? 

(11) COMICS SECTION.

  • Shoe has a little wizardry joke.
  • The Flying McCoys depicts a super embarrassment.
  • I was today years old when I discovered Bogart Creek.

(12) A BOOKTUBE PODCAST. Cora Buhlert’s latest Fancast Spotlight interviews Robin Rose Graves of The Book Wormhole:“Fancast Spotlight: The Book Wormhole”.

Tell us about your podcast or channel.

The Book Wormhole is a monthly updating BookTube channel where I provide spoiler free reviews and discussions of the books I read. Science Fiction makes up the majority of what I cover on the channel, and while I lean more towards female, POC and/or LGBT authors, I read both classics as well as contemporary releases. I balance popular books with indie and underrated titles. I promise there will be at least one book you’ve never heard of before on my channel.

(13) EIGHTIES HIT POINT PARADE. Meaghan Ball recalls three D&D Choose Your Own Adventure-style fantasy romance novels from days gone by: “Roll for Romance: The Forgotten D&D Romance Novels of 1983” at Tor.com.

… Seeking a way to get more young women involved in the roleplaying game (despite the fact that girls have been playing since the beginning, but that’s another story entirely), Dungeons & Dragons also branched out and commissioned a series of Choose Your Own Adventure-style romance novels. Since you probably haven’t heard of them, you can rightly assume they didn’t set the publishing world on fire—but they are fascinating relics, especially for fans of D&D and/or ’80s romance novels…. 

(14) BIG WINNER. Lela E. Buis covers Amazon’s sf book of 2021 and a Dragon Award winner: “Review of Project Hail Mary by Andy Weir”.

…Weir fuels a constantly rising action line with various emergencies that go wrong and have to be solved by the application of science and engineering expertise. This is brilliantly plotted; the ship and the characters are well developed, and the science is well-research and applied….

(15) A BOOK WITH CHARACTER(S). Paul Weimer tells what makes this humorous sff book work in “Microreview [book]: Obviously, Aliens by Jennie Goloboy” at Nerds of a Feather.

…The novel also has a lot of heart. It treats its characters, even the ostensible antagonists, rather gently and with love and respect. You will get to know Dana, Adam, Jay, Sophie and the rest and get to know them, road trip style. (If this book were ever turned into an audiobook, this novel would be really fun to listen to on a driving adventure). Sure, the characters go through all sorts of disasters, reversals, and “can you believe THIS?”  but it is a very lighthearted tone….

(16) FORWARD PROGRESS. There’s a new form of space propulsion that could change the satellite and space probe game. From Nature’s “News & Views” overview: “Iodine powers low-cost engines for satellites”.

Satellites organized in flexible networks known as constellations are more agile and resilient than are those operating alone. Manoeuvring satellites into such constellations requires inexpensive, reliable and efficient engines. Many networked satellites have electric propulsion thrusters, which generate thrust by using electrical energy to accelerate the ions of a propellant gas. However, the choice of gas presents a problem. Ionizing xenon requires a relatively small amount of energy, but xenon gas is expensive and needs to be compressed in high-pressure tanks to fit on board a satellite. Krypton is cheaper, but still requires a complex and heavy gas-storage and -supply system. …Rafalskyi et al. report a successful demonstration of an iodine-ion thruster in space — offering a cheaper and simpler alternative to xenon or krypton…

Research paper here (Open access).

(17) HEARTWARMING AND OTHERWISE. “10 Weirdest Charlie Brown Parodies Of All Time”is a roundup of YouTube videos at Yahoo!

This special, along with the Halloween and Christmas productions featuring Charles M. Schulz’s beloved Peanuts characters, have become staples of pop culture. They also inspired a genre of parody productions that frequently reconfigure Charlie Brown, Linus, Lucy and the others in ways that Schultz would never have imagined, let alone condoned.

For those with a warped sense of humor and no squeamishness over occasional deep-dives into NSFW entertainment, here are the 10 weirdest Charlie Brown parodies that you’ll be able to find online.

“Bring Me the Head of Charlie Brown.” One of the earliest works by Jim Reardon of “The Simpsons” fame was this 1986 cartoon made during his studies at the California Institute of Arts. Reardon spoofs Sam Peckinpah’s “Bring Me the Head of Alfredo Garcia” in a comically violent tale that shows Charlie Brown being ruthlessly hunted by his many antagonists before he gets his revenge in a massive shootout….

(18) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers:  Marvel’s Guardians of the Galaxy,” Fandom Games says this game answers the question, “What if Cowboy Bebop was written by Joss Whedon?” and its premise is “you love these characters so much you’d pay $60 to have them talk for 15-20 hours.”

[Thanks to John King Tarpinian, Andrew Porter, Michael Toman, Cora Buhlert, SF Concatenation’s Jonathan Cowie, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Brian Z.]

Pixel Scroll 10/11/21 The Pixel Went Down To Georgia, He Was Looking For A Scroll To Steal, He Was Way Behind, He Was Fifth

(1) INDIGENOUS HERITAGE IN HORROR. The Horror Writers Association blog features Owl Goingback, a three-time Bram Stoker Award Winner, receiving the award for Lifetime Achievement, Novel, and First Novel. “Interview with Owl Goingback”.

Do you make a conscious effort to include indigenous characters and themes in your writing and if so, what do you want to portray?

Yes. I’ve used indigenous characters in most of my books and stories, because I wanted to share a culture rich in history, folklore, and ceremony, and often very misunderstood. I also wanted to show that native people of this country have a different way of looking at things than people whose ancestors came from other parts of the world. Like the traditional oral storytellers of my people, I wanted to create stories that were enjoyable while weaving a bit of teaching into the narrative. That way I’m educating in addition to entertaining.

I guess I’ve done a good job of weaving teaching elements into my stories, because my books are being used in an eight-week educational program for youthful offenders at the Orange County Corrections Facility in Orlando, Florida. The young inmates get to read a novel featuring monsters and mayhem, and scenes of bloody carnage, while subconsciously being reminded to listen to their elders and respect Mother Earth.

(2) BECKY CHAMBERS Q&A. Vox’s Emily VanDerWerff hears from “Becky Chambers on why the best aliens are just a little bit human”.

You’re really good at designing non-human species. They’re just recognizable enough for us to be like, “Oh, I understand the emotions and the intellect going on here,” but also just alien enough for us to be like, “That’s really different.”

One of my favorite things to do on any project is invent aliens. I always start with the caveat of: We have to have a point of entry. We have to be able to relate to them on some human level. Do the aliens in Wayfarers resemble anything like what I think actual extraterrestrial life is like? No, of course not. But you have to be able to emotionally connect with them. And I don’t know that we could [immediately do that] with other species out there in the universe that exists.But from there, we’re gonna get weird. I start with biology first. I look at the physicality. I look at how they are different from us. I always start with a particular trait. For example, the Aeluons, one of the big alien species in Wayfarers, communicate through the chromatophore patches on their cheeks. That starts with a real-world inspiration — squid and octopus.

I take that and blow it up to a civilization level. If color is your primary mode of communication, how does that affect your art? How does that affect your architecture, the way you dress, the sorts of technology you have? And how do you relate to other species, especially if they have different ideas about what color means or just use it as a decoration? There’s a million questions you can ask with just that one element. Everything else comes from there….

(3) F&SF COVER. The Magazine of Fantasy & Science Fiction’s Nov/Dec 2021 cover art by Maurizio Manzieri illustrates “Broad Dutty Water” by Nalo Hopkinson. Publisher Gordon Van Gelder says, “The issue has just been printed and will be distributed soon.”

(4) ORDER IN THE COURT. Every so often someone sends me a link to a stfnal t-shirt, and if I like it well enough I run it in the Scroll. Which is always promptly greeted by fan-lawyering comments to the effect “I hope they have the rights to that art” or “I looked that up and its copyright hasn’t expired OMG!” Well, there’s no stopping that, however, after yesterday’s response to Out of Print’s Foundation unisex book t-shirt I contacted the company to inquire if they had the rights. Here’s their reply:

Thank you for your interest in Out of Print. We work with the Estate of Isaac Asimov (Asimov Holding LLC) and the Estate of both respective artists for each book cover. Please do not hesitate to contact us if you have any other questions. 

So please step it back down to Defcon 770.

(5) T-PARTY. Boskone 59 will be returning to an in-person convention with a hybrid option. The Boston con will run from February 18-20, 2022. This weekend they announced their current Covid-related attendance requirements.

The following policies were just approved at today’s Boskone and NESFA meetings:

  1. [Boskone] Attendees must be vaccinated and show proof of vaccination or have tested negative with a PCR test taken February 15, 12:01 am or later and before the convention. There are no exceptions.
  2. All humans 2 years old or older [attending Boskone] must wear a mask in convention spaces (including open parties) at all times, except when eating or drinking in designated food and drink spaces. There are no exceptions.

(6) MORRISON Q&A. At Altered Instinct, Stephen Hunt invites fans to “Meet Diane Morrison, author of A Few Good Elves”.

Without spoilers, what was one of your favourite moments of the story to write? What was it that made you enjoy that section so much? 

The Aces High obstacle course, hands-down, was the most fun in this book! The protagonist must successfully navigate an obstacle course in an asteroid field like a slalom race to qualify for entry into an advanced Star-Pilot’s school. It’s full of raw action, but unlike many action scenes in the story, there’s no violence involved. It’s a chance for the reader to see starfaring through a Pilot’s eyes, with excitement and joy. Describing the different challenges, and how Shaundar deals with them, not only let me really buckle down into how the universe works, but it let me show you a lot of important things about Shaundar as a character. It was a glorious moment.

(7) BRIANNA WU ENGAGED IN DEVELOPING TV SERIES. Deadline reports, “Fictional Gamergate Series In The Works From Mind Riot Entertainment & Video Games Developer Brianna Wu”.

Mind Riot Entertainment will work with journalist, game developer and computer programmer Brianna Wu for Gamergate, a series about her experience as a critic and target of the notorious 2014 online harassment campaign, for which the studio has optioned life rights.

The 2014 Gamergate online campaign ignited a firestorm for its targeting of women in the gaming industry which laid the foundation for current issues of disinformation and hate. Before QAnon, Covid-19 conspiracists and the January 6th insurrection, there was Gamergate. Wu was among the targeted women, which also included Zoë Quinn and Anita Sarkeesian.

… The series will explore the origins of the widespread intimidation campaign from the perspective of multiple, fictional people in the game industry – from executives to journalists and indie developers.

Gamergate is co-created and co-written by Wu and J. Brad Wilke (Camel Spiders), and will be produced by Mind Riot Entertainment’s Jonathan Keasey (Parallel) and Jeremy J. Dodd (One Nation Under Earl).

… [Wu said:] “We’re not going to retread the same story told in thousands of news stories from outlets such as the New York Times and Washington Post, plus multiple documentaries like GTFO. Our series will focus on new, fictional people within the industry reacting to a horrific situation. By explaining how they were unable to stop the video game industry from being hijacked by the lunatic fringe – we can show how the tactics of Gamergate were the same ones that led to tragedies like Christchurch and January 6th”…

Keasey added: “Working with Brianna is a huge score for us. Based in Seattle, one of the country’s meccas for gaming, we’ve been wanting to shed light on this subject matter for a while and are honored that Brianna will be co-writing the series alongside Brad.”

(8) 007 PLUS 007 EQUALS THREE HOURS. Leonard Maltin finds that in Daniel Craig’s last outing as 007, there’s “Plenty Of Time To Die: The New James Bond Movie”.

The caretakers of the Intellectual Property known as James Bond, knowing that their newest effort would be the last one to star Daniel Craig, decided to spare no expense—or footage—to make this an “epic” entry in the long-running series. The result is a lavish piece of entertainment that ought to please any 007 fan. My only complaint is that there’s just too much of it. Any film that asks its audience to sit still and pay attention for nearly 3 hours had better have a damn good reason. This one doesn’t….

(9) NO PLACE LIKE HOME. Discovery’s lead actress gets profiled by her home state news site: “Alabama’s Sonequa Martin-Green rules Season 4 trailer for ‘Star Trek: Discovery’” at AL.com.

…In the trailer for Season 4, Martin-Green’s character and her crew are faced with a mysterious and deadly space anomaly.

“Today, we seek to understand a threat like none our galaxy has faced before,” Martin-Green says in the trailer. “With so much at stake, countless lives, futures … Once we enter the anomaly, we are going where no one has gone before.”

That’s a direct pull, of course, from the voice-over introduction to the original “Star Trek” series, an iconic TV program that first aired in the 1960s and spawned an entire universe of sci-fi content. As Burnham, Martin-Green is the first Black woman to have the lead role in a “Star Trek” series….

(10) MEMORY LANE.

  • 1999 – Twenty-two years this Autumn, the Baen Free Library, which was founded by writer Eric Flint and Baen Books publisher Jim Baen. opened for business. (Accounts differ on the actual date. And really it doesn’t matter that much, does it?) Jim Baen considered it an experiment in the field of intellectual property and copyright whereby the giving away of free books would increase the sale of other books sold by that publisher. Currently Baen Ebooks, as it’s now called, sells individual e-books, a subscription-based e-book program and access to galleys of forthcoming publications. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 11, 1940 Caroline John. Liz Shaw, companion to the Third Doctor. Shaw was a brilliant scientist, unusual for a companion. She returned for The Five Doctors. And she would reprise her character in the Big Finish audio works. Later she played the role of Laura Lyons in the BBC adaptation of The Hound of the Baskervilles, opposite Tom Baker as Holmes. (Died 2012.)
  • Born October 11, 1944 Patrick Parrinder, 77. I’ve a soft spot for academics who plow our fields. This one settled upon H. G. Wells starting with H. G. Wells and H. G. Wells: The Critical Heritage nearly forty years ago all the way to H. G. Wells’s Perennial Time Machine that he recently wrote with Danièle Chatelain and George E. Slusser. 
  • Born October 11, 1960 Nicola Bryant, 61. Well known for her role as Perpugilliam “Peri” Brown, a companion to both the Fifth and Sixth Doctors. She also worked in “The Two Doctors” story so she appeared with the Second Doctor as well. Of course she’s done Big Finish Doctor Who audio dramas. Like so many, many genre performers, she shows up in the video Trek fan fiction playing Lana in Star Trek Continues.
  • Born October 11, 1964 Michael J. Nelson, 57. Best known for his work on Mystery Science Theater. He was the head writer of the series for most of the show’s original eleven-year run, and spent half of that time as the on-air host. Bad genre films were a favorite target of his and his companions. 
  • Born October 11, 1965 Sean Patrick Flanery, 56. I really do think that his best work was on The Young Indiana Jones Chronicles and the films that followed. It certainly wasn’t as Bobby Dagen in Saw: The Final Chapter, a film best forgotten. (It gets a forty-one percent rating among audience reviewers at Rotten Tomatoes, much better than I expected.) He appeared as Jake Greyman in Demon Hunter, another low budget horror film, and as John in The Evil Within. I see a pattern…
  • Born October 11, 1972 Claudia Black, 49. Best remembered for being Aeryn Sun in Farscape, Vala Mal Doran in Stargate SG-1 and Sharon “Shazza” Montgomery in Pitch Black. She also had a recurring role as Dahlia in The Originals and starred as Dr. Sabine Lommers in the Containment series. 
  • Born October 11, 1972 Nir Yaniv, 49. Author, editor, musician, and filmmaker.  He founded a webzine for the Israeli Society for Science Fiction & Fantasy.  Currently, he’s the chief editor of Chalomot Be’aspamia, Israel’s only professionally printed genre magazine. His short fiction has appeared in Weird TalesApex Magazine and The Best of World SF. He co-wrote The Tel Aviv Dossier with Lavie Tidhar. 
  • Born October 11, 1976 Emily Deschanel, 45. Temperance “Bones” Brennan in Bones which crossed over with Sleepy Hollow twice (she visited the latter once) and she had a bit part on Spider-Man 2. More notably she was Pam Asbury in Stephen King’s Rose Red series. Actually the forensic science on Bones is genre, isn’t it? 

(12) COMICS SECTION.

  • Close to Home shows why astronauts should have been alerted by the fiddle playing cat.
  • Dork Tower, in “Foundation’s Edgy,” is skeptical that fans really want to watch an absolutely faithful adaptation of Asimov’s trilogy. (“I do not agree with the views expressed in this comic,” says Lise Andreasen.)

(13) PHOTOS FROM NY COMIC CON. Gizmodo has a slide show of the “Best Cosplay NYCC 2021”. Daniel Dern says his favorite is “Bicycleb Loki Variant”.

(14) AUTOGRAPHED FANZINE RARITY. Bidding ends October 14 on The Gary Munson Collection of Horror and Fantasy Rare Books Auction at Heritage Auctions. One fascinating item is Ray Palmer’s personal, bound copy of Cosmos – The Serial Novel, produced in the early Thirties with seventeen chapters by seventeen different authors. Installments ran in the fanzine Science Fiction Digest between July, 1933 and January, 1935. It was a round-robin novel with each chapter by a different author (one a Palmer pseudonym). Palmer got sixteen “Masters of Science Fiction” to write successive chapters of the story, “using each other’s unique characters, worlds, and conflicts to build an adventure that spans galaxies.” Each author has autographed a page in the volume.

  • Chapter 1 – Faster Than Light by Ralph Milne Farley – July, 1933
  • Chapter 2 – The Emigrants by David H. Keller, M.D. – August, 1933
  • Chapter 3 – Callisto’s Children by Arthur J. Burks – September, 1933
  • Chapter 4 – The Murderer From Mars by Bob Olsen – September, 1933
  • Chapter 5 – Tyrants of Saturn by Francis Flagg – October, 1933
  • Chapter 6 – Interference on Luna by John W. Campbell – November, 1933
  • Chapter 7 – Son of the Trident by Rae Winters [Pseudonym of Raymond A. Palmer] – December, 1933
  • Chapter 8 – Volunteers From Venus by Otis Adelbert Kline and E. Hoffman Price – January, 1934
  • Chapter 9 – Menace of the Automaton by Abner J. Gelula – February, 1934
  • Chapter 10 – Conference at Copernicus by Raymond A. Palmer – March, 1934
  • Chapter 11 – The Last Poet and the Robots by A. Merritt – April, 1934
  • Chapter 12 – At the Crater’s Core by J. Harvey Haggard – May-June 1934
  • Chapter 13 – What a Course! by Edward E. Smith, Ph.D. – July, 1934
  • Chapter 14 – The Fate of the Neptunians by P. Schuyler Miller – August, 1934
  • Chapter 15 – The Horde of Elo Hava by L. A. Eshbach – September, 1934
  • Chapter 16 – Lost in Alien Dimensions by Eando Binder – October-November, 1934
  • Chapter 17 – Armageddon in Space by Edmond Hamilton – December, 1934-January, 1935

(15) ASK THE PANEL. QI is a BBC comedy panel show with Sandi Toksvig and Alan Davies, where panelists get points for being interesting. Here’s a recently posted excerpt from a show a couple years old, BUT, there’s an equation! “When Is The Best Time For Interstellar Travel?”

(16) SWORN-IN. Paul Weimer discusses his latest read: “Microreview: When the Goddess Wakes by Howard Andrew Jones” at Nerds of a Feather.

Howard Andrew Jones Ring-Sworn Trilogy has been a recent highlight and hallmark of positivist heroic epic fantasy. In strong contrast to grimdark, morally grey epic fantasy that has long been a dominant note, the Ring-Sworn Trilogy has opted for the path of less ambiguous protagonists and antagonists, and highlighting and emphasizing the importance, and effectiveness of positive action and standing up for one’s beliefs, family, and country.  All of this takes place in a richly created multiverse….

(17) VICIOUS CYCLE. [Item by Ben Bird Person.] Artist Martha Womersley did this piece based on a vinyl toy for the 1963 movie Matango or Attack of the Mushroom People

(18) ALLEY OOPS. Once again I came across an ad for the Wizard AlleyWorld Bookshelf Insert Box, which I think is a clever little thing (although the ad’s choice to put it on a shelf full of thriller novels seems tone-deaf.)

(19) AMBITIOUS HALLOWEEN DECORATIONS. Laughing Squid draws our attention to this “Halloween Light Show Featuring the Final Scene of ‘The Matrix’ and Rage Against the Machine’s ‘Wake Up’” in Tracy, CA that runs a couple hours a night during October. The schedule is available on Facebook. Or if that’s too far to drive, here’s a video of the display:

VIDEO OF THE DAY. [Item by Martin Morse Wooster.] The Death and Return of Superman/Long Live Superman on YouTube is a 2019 documentary, written by Scott McCulloch and directed by Alexander Gray, which is connected with the publication of the thousandth issue of Action Comics.  As DC publisher Dan DiDio notes, if “Batman comes into a bar, everyone wants to run and hide.  If Superman comes into a bar, you want to buy him a drink.”

This documentary is worth seeing if you want to see great comics creators such as Denny O’Neil, Neal Adams, and Louise Simonson talk about what Superman means to them.  This works for me, but it might not work for you.  The existence of Zack Snyder’s evil Superman is thankfully ignored.

Best bit of trivia: superheroes in 1940 were known as “long johns characters.”

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Ben Bird Person, Gordon Van Gelder, Daniel Dern, Lise Andreasen, Brown Robin, Martin Morse Wooster, JJ, John King Tarpinian, Andrew Porter  for some of these stories. Title credit belongs to File 770 contributing editor of the day Miles Carter.]

Pixel Scroll 9/29/21 I Should Have Been A Pair Of Ragged Pixels, Scrolling Across The Floors Of Silent Files

(1) BROOKLYN BOOK FESTIVAL. The Brooklyn Book Festival, running from September 26-October 4, has several virtual panels of interest to sff readers. Register at the links.

From creating slice-of-life cyclops and mermaid stories to horror-infused dramas and Afrofuturist epics, worldbuilding—complete with specific rules, cultures, and logic—is no small feat. Join creators Tim Fielder (Infinitum), Kat Leyh (Thirsty Mermaids), John Jennings (After the Rain), and Aminder Dhaliwal (Cyclopedia Exotica) as they discuss the unique challenges and joys of speculative storytelling and how fantastical worlds can say more about our own. Moderated by writer and editor Danny Lore (Queen of Bad Dreams, FIYAH Magazine). 

A dystopian London, a child caught in the midst of a deadly epidemic, and a grieving taxi driver in a ghostly Washington, D.C. Join the authors of A River Called Time (Courttia Newland), Phase Six (Jim Shepard), and Creatures of Passage (Morowa Yejidé) for a conversation on what draws them to speculative fiction, from world-building to the mechanics that make a story tick. Moderated by Carolyn Kellogg.

A Life of Crime (virtual) – Brooklyn Book Festival – October 3, 9:00 p.m. Eastern

Join award-winning mystery authors Naomi Hirahara and Walter Mosley for a discussion about their prolific and versatile writing livest. Hirahara’s latest mystery, Clark and Division, revolves around a Japanese American family building a new life in 1940s Chicago after their release from mass incarceration during World War II. Mosley’s indefatigable detective, Easy Rawlins, returns in Blood Grove, solving a new mystery on the streets of Southern California in 1969. Moderated by Dwyer Murphy, editor in chief of CrimeReads.  

The in-person programming includes “The View from the End of the World”, October 3, 11:00 a.m. Eastern.

A cross-country road trip in an atomic-powered tunnel digger, when everything else has stopped working.. A scavenger hunt for extinct species set against the backdrop of environmental collapse.. Hollywood dreams literally going up in flames, amid nefarious corporate dealings.  Join Jonathan Lethem (The Arrest), Jeff VanderMeer (Hummingbird Salamander), and Alexandra Kleeman (Something New Under the Sun), as they discuss visions of our world and how we’ll manage to keep living in it. Moderated by Alice Sola Kim.

Jonathan Lethem and Jeff VanderMeer will be appearing virtually.

(2) FLAME ON. SF2 Concatenation’s Autumn 2021 issue weighed in on fan controversies from last spring in this incendiary Editorial Comment.  (The creators of this long-lived periodic sff news publication are The Science Fact & Science Fiction Concatenation Team.)

EDITORIAL COMMENT

The 2021 Worldcon has a new Chair who deserves best wishes from all in the SF Worldcon community.  We need to remember, she has taken over following the successive resignations of the convention’s former co-chairs one of which was due to the continued abuse conrunners and others are receiving from a minority of self-righteous, perfervid, strident Worldcon fans.
          Of course, it is not just convention runners, this year one major author who has given much to the Worldcon community – in both time, effort and cash over many years – has received disparaging attention due to what is arguably a non-malicious misjudgement unfortunately made at last year’s Worldcon. The maltreatment this well-known author has received includes a nasty little article whose title uses profanity against its target (the article’s writer was unable to marshal her argument with calm logic). Sadly, there were enough of these strident fans for it to be short-listed for a Hugo Award to be presented at this year’s Worldcon. That the article contains both a profanity and the author’s name – the target of her abuse – means that it clearly runs contrary to the Worldcon convention’s own code of conduct, yet the Worldcon committee has decided to do nothing: the least it could have done would have been to censor the offending words and explain why.
          Such Worldcon abuse from a minority of fans is not new, in fact it seems to be increasingly regular.  Indeed the last time the Worldcon had been held in our neck of the woods in Brit Cit there was a volatile reaction to the proposed host for the Hugo ceremony that was both unwarranted and totally over-the-top that even spilled over into the mainstream press.
          And so it will be interesting this year to see whether the Hugo will go to a hate-mongering work or whether the majority of Worldcon’s Hugo voters will take a stand?
          The Worldcon is next likely to come to our neck of the woods in 2024; that is if the Cal Hab Worldcon bid for that year wins.  Let’s hope that by then the braying, vociferous minority will have moved on so that that event can be tantrum free.

(3) BIDDERS CALLED OUT. SF2 Concatenation – which is produced by a predominantly UK team – also challenged the Glasgow in 2024 Worldcon bid to address crowding issues at the last three European Worldcons.

The 2024 bid for a British Worldcon in Glasgow is still on….  But given the increasing overcrowding problems at recent European Worldcons (London in 2013Helsinki in 2017, culminating in a jam-packed Dublin in 2019) it seems that the current generation of European Worldconrunners are unable or (worse?) unwilling to curb numbers to fit their venue’s size.  It would arguably be helpful if the Glasgow 2024 bid team gave a clear steer as to its planning policy on avoiding overcrowding so that those contemplating registering having attending the programme (as opposed to the socialising) as a big draw can decide whether or not to commit a four-figure investment in registration, travel, accommodation and food to attend.

(4) HOLLYWOOD ICON. [Item by Martin Morse Wooster.] I heard this 2018 interview Leonard and Jessie Maltin did with Rick Baker and his daughter Veronica Baker: Maltin on Movies: Rick and Veronica Baker. Rick Baker won seven Oscars for makeup and has a star on the Hollywood Walk of Fame.  His daughter, Veronica, is a producer at DC Universe Infinite.

Rick Baker discovered his calling in 1958 when he was 8 and bought the third issue of Famous Monsters Of Filmland.  As a teenager, he discovered the home address of master makeup artist Dick Smith and sent him some photos of his work.  Smith realized that Baker had talent and then spent a day with the teenage Baker giving him tips and subsequently hired him as an assistant for The Exorcist.  Smith, Baker recalled, was a very nice guy who was really good at spotting talent, since three of the teenage monster enthusiasts he corresponded with became Baker, J.J. Abrams, and Peter Jackson.

Baker, who retired in 2015 because he was tired of dealing with the suits, had lots of stories.  He notes he was King Kong in the 1976 movie and played the pilot who killed Kong in the 2005 remake.  He still works on new designs and enthusiastically posts them on Instagram.

Cosplayers whose favorite holiday is Halloween will find Baker and his family simpatico because they spend three months a year prepping their  Halloween costumes. One year Baker, his wife, and their two daughters played four different versions of the Joker.  Another year they were characters from Beauty And The Beast with Baker playing the Beast.

I thought this was very enjoyable.

(5) ENJOYING ASIMOV’S BOOKS. Adam-Troy Castro tries to stick up for Asimov, though necessarily begins his Facebook post with a hefty list of concessions.

Thanks to the new TV adaptation of Asimov’s FOUNDATION, some people are rushing to the internet to make the clever observation that Isaac Asimov really wasn’t a great writer of fiction.

They are also talking about his disgusting personal conduct toward women at conventions, but let us put that aside, mostly because I absolutely agree that it was disgusting and have no reason to argue with you….

…When I was a kid of about 8-10, precociously picking up books that had been marketed to adults from a school library that had the whole set of Asimov and Clarke books, they were a godsend to me. I had no problem parsing the prose, any prose. But for a kid who had not yet even begun to decode adult interactions, beginning a process that I am still shaky on today, as are we all, it was helpful to have books that imparted the sense of wonder and provided drama that was pretty much all surface because anything more sophisticated was precisely the stuff that I would be confused by and get bogged down in. Through Asimov I learned the trick of reading a book. And from Asimov I moved on to writers capable of introducing, among other things, more elegant prose, more complex description, more sophisticated characterization, and the resonance of human interactions that were by their nature harder to navigate than math problems….

(6) PROPERTY IS THEFT. WIRED’s “Geek’s Guide to the Galaxy” podcast interviews a professor who believes “Sci-Fi Is a Good Way to Learn Political Theory”. Listen to the complete interview with Joseph Reisert at the link.

…Reisert is currently teaching Ursula K. Le Guin’s novel The Dispossessed to help students understand Marxist ideas of a society without private property. “It’s the one imagining of a society without property that seems reasonably plausible to me,” he says. “I love that novel, and I think the central insight there is that to make that society without property work, even apart from the organizational challenges, requires a kind of moral transformation that’s not easy to accomplish.”

Another advantage of science fiction novels is that they tend to be more entertaining than political treatises, meaning that students are more likely to actually read them. “One shouldn’t underestimate the importance of having a light, easy reading at the end of a long semester right before people take exams,” Reisert says.

(7) THEFT IS THEFT, EVEN MORE SO. A press release on Business Wire reports “Educational Publishers Obtain Preliminary Injunction Against 60 Illegal Websites that Use Online Ads to Sell Pirated Content”.

Educational publishers, Macmillan LearningCengage Group, Elsevier, McGraw Hill and Pearson,have obtained a Preliminary Injunction from the United States District Court for the Southern District of New York against 60 websites that sell illegal, unlicensed copies of eBooks. The publishers filed suit against the operators of these websites on August 9, 2021, and on the same date obtained a Temporary Restraining Order that required the immediate shutdown of the infringing activity on these websites, as well as the cessation of the services provided by intermediaries that support the websites. With the Preliminary Injunction, that injunctive relief has now been extended through the pendency of the litigation. This is the fourth suit in less than two years that the publishers have brought against pirate eBook websites, and the fourth time they have successfully obtained a Preliminary Injunction.

Like the prior lawsuits, the current lawsuit states that the operators of the pirate eBook websites use online ads—most notably ads on Google and Microsoft’s Bing—to attract customers searching for the publishers’ legitimate content to their illegal websites. In addition to Google and Bing, the websites rely on payment processors, web hosts, domain registrars, proxy service providers and other internet service providers, all of whom are required by the Court’s injunction to stop facilitating the pirate websites’ illegal activity.

The sale of pirated textbooks injures students, who do not receive legitimate copies of the products they seek to purchase. Piracy also causes publishers financial injury, creating a ripple effect impacting the ability to invest in the creation of new works and scholarly contributions that benefit education as a whole. The educational publishers’ enforcement efforts seek to stop online piracy.

(8) SANDMAN CLIP. IndieWire introduces “’The Sandman’ First Look at Neil Gaiman’s Netflix Series”.

Netflix’s logline for the dark fantasy show reads: “A rich blend of modern myth and dark fantasy in which contemporary fiction, historical drama and legend are seamlessly interwoven, ‘The Sandman’ follows the people and places affected by Morpheus, the Dream King, as he mends the cosmic — and human — mistakes he’s made during his vast existence.”

The preface at YouTube says —

The Lord of Dreams has been summoned, and captured, by mortal men. Once free from his captivity, this eternal ruler of Dreams will realize that his troubles are only just beginning. The Sandman is a Netflix series based on the groundbreaking comic book series created for DC by Neil Gaiman.

(9) LITERARY CHOCOLATE. Fine Books & Collections brings to fans’ attention a new Lovecraftian delicacy that will soon be available.

Open Book Chocolates, purveyors of handmade, literary-themed chocolates, has announced a Lovecraft-inspired dark chocolate bar infused with Nori seaweed, ginger spice, and candied ginger. It’s called ‘The Call of Cthulhu,’ and a Kickstarter campaign is underway to launch this new flavor into the world. They’ve already met their funding goal, but potential backers can still get in on the action through October 12.

The Kickstarter still has 13 days to run: The Call of Cthulhu Chocolate Bar by G. E. Gallas.

…Our newest flavor, The Call of Cthulhu, is inspired by H. P. Lovecraft’s 1926 short story about narrator Francis Wayland Thurston’s search for the truth behind his recently deceased great uncle’s papers. Cthulhu is an ominous, nightmarish, octopus-like creature that hibernates underwater until the time is right for him to emerge and cause havoc. Nori seaweed represents Cthulhu’s aquatic origins, while the spicy kick of ginger expresses the discombobulation he bestows on man….

Call of Cthulhu is just one of a whole line of book-inspired chocolate bars that includes Alice in Wonderland, Sherlock Holmes, Jane Eyre, Pride and Prejudice, Treasure Island, The Raven, Les Miserables, and A Christmas Carol.

(10) ANOTHER TASTE OF HPL. Heritage Auctions has a big Horror, Science Fiction and Fantasy auction coming up on October 14 when  The Gary Munson Collection of Horror and Fantasy Rare Books goes under the hammer. One example is this Lovecraft rarity:

…No discussion of genre-defining work is complete without a mention of H.P. Lovecraft. Though a somewhat controversial character, there can be no doubt that his curious mind, monstrous creations and bone-chilling descriptions of creeping madness continue to shape the horror genre — and will well into the future. There is a reason we describe the worst of our nightmares as Lovecraftian: because H.P. Lovecraft shined a spotlight on all the darkest corners of our world and our minds.

As rare and secretive as the Eldritch gods themselves is this copy of an autographed manuscript signed for the short story, Pickman’s Model. Featuring 16 leaves of Lovecraft’s spidery handwriting, the manuscript is not only signed by Lovecraft, but is also written on the backs of 15 letters written to the author himself. Purportedly, Lovecraft was no fan of typewriters and often used the backs of correspondence, notes and other scrap paper for getting down his ideas. These unique letters contain a laundry list of recognizable names of Lovecraft’s peers and provide unique insight into the publication timeline of the story and Lovecraft’s correspondence and interactions in the years leading up to publication…

(11) MEDIA BIRTHDAY.

1963 – Fifty eight years ago this evening on CBS, My Favorite Martian first aired. It was created by John L. Greene who had absolutely no SF background. (Think The Adventures of Ozzie and Harriet.) It starred Ray Walston as “Uncle Martin” (aka the Martian) and Bill Bixby as Tim O’Hara. The first two seasons, seventy five episodes, were black and white, while the last thirty two episodes of season three were in color. It did very well for the first two seasons but ratings dropped significantly in the third season and it got cancelled. An animated series, My Favorite Martians, was made by Filmation and aired on CBS a decade later. It lasted sixteen episodes. Jonathan Harris voiced Martin. It would be remade in 1999 as a film with Christopher Lloyd as Uncle Martin and Ray Walston in a new role, Armitan/Neenert. It was a box office disaster. It currently has a twelve percent rating among audience reviewers at Rotten Tomatoes. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 28, 1873 — Theodore Lorch. He’s the High Priest in 1936 Flash Gordon serial. He also shows up (uncredited originally) as Kane’s Council Member in the 1939 Buck Rogers serial as well. (Died 1947.)
  • Born September 28, 1930 — Naura Hayden. Her best-known film appearance is a starring role in The Angry Red Planet where she was Dr. Iris “Irish” Ryan. Yes she was a redhead. Unless you can count her uncredited appearance as a harem girl in Son of Sinbad, this is her only film or series genre role. In 1955, she joined a Canadian musical cast of Li’l Abner. This was made possible by Sidney W. Pink who wrote the script for The Angry Red Planet. (Died 2013.)
  • Born September 28, 1934 — Stuart M. Kaminsky. Though best remembered as a very prolific mystery writer for which I single out the Toby Peters series about a private detective in 1940s Hollywood and the Inspector Porfiry Petrovich Rostnikov series about a Moscow police inspector,  he does have genre works. He did two Kolchak the Night Stalker graphic novels, plus wrote the scripts for two Batman stories, “The Batman Memos” and “The Man Who Laughs”. As an editor, he’s responsible for the On a Raven’s Wing: New Tales in Honor of Edgar Allan Poe anthology. (Died 2009.)
  • Born September 28, 1942 — Ian McShane, 79. Setting aside Deadwood which is the favorite series of Emma Bull and Will Shetterly where he’s Al Swearengen, he portrayed Mr. Wednesday in American Gods. And it turns out, though I don’t remember it, he was Dr. Robert Bryson in Babylon 5: The River of Souls film. And he’s Blackbeard in Pirates of the Caribbean: On Stranger Tides. Now you tell me what your favorite genre role is by him. 
  • Born September 28, 1944 — Isla Blair, 77. Her first credited film appearance was in  Dr. Terror’s House of Horrors as an art gallery assistant.  She was Isabella in The King’s Demons, a Fifth Doctor story. She’s in Indiana Jones and the Last Crusade as the wife of her real-life husband Julian Glover, and credited as Mrs. Glover. She’s Blaker in The Quatermass Experiment. Finally she has played a starring role as Sally in the BBC’s alternate history An Englishman’s Castle series.
  • Born September 28, 1959 — Scott MacDonald, 62. He’s been on four Trek shows:  Next Gen,  Voyager,  Deep Space Nine, and  Enterprise. He’s also up on Space Above and BeyondBabylon 5X-FilesStargate: SG-1Carnivale and Threshold. He was also in Jack Frost 2: Revenge of the Mutant Killer Snowman, a film which you can guess how bad the rating at Rotten Tomatoes is.
  • Born September 28, 1961 — Nicholas Briggs, 60. A Whovian among Whoians who started out writing Who fanfic. First off he’s the voice of the Daleks and the Cybermen in the new series of shows. Well not just them as he also voices the Judoon, the Ice Warriors, the  Nestene Consciousness, the Jagrafess and the Zygons.  Second he’s the Executive Producer of Big Finish Productions, the audio drama company that has produced more Doctor WhoTorchwood and other related works that you’d think possible. Third he did act twice in the Whoverse. Once on Torchwood as Rick Yates on “Children of Earth: Day Four” andThe Sarah Jane Adventures as Captain Tybo in “Prisoner of the Judoon” episode.  Fourth he’s appeared as himself in The Five(ish) Doctors Reboot
  • Born September 28, 1974 — Alexis Cruz, 47. He was Skaara in the Stargate film and  remarkably got to play the same character in the Stargate SG-1 series as well which is unusual indeed. He’s done a number of fairly obscure horror films (DarkWolfSpectres, Slayer and Altergeist).
Hayao Miyazaki

(13) LOVE FOR MIYAZAKI. {Item by Martin Morse Wooster.] Behind a paywall in the September 21 Financial Times, former Financial Times film critic Nigel Andrews noted the 20th anniversary of Hiyao Miyazaki’s Spiritied Away, the only film in Andrews’s 46-year career he gave six stars to (Andrews judged on a 1-5 star scale).

Hiyao Miyazaki’s Spirited Away is 20 years old. I saw it at the 2001 Berlin Film Festival, where it won the golden Bear for Best film.  Some months later it won the Best Animated Feature Oscar. Is it the best film I’ve ever seen?  Quite possibly.  I’d want it on a desert island.  Yes, my life would be poorer without it. And I never, during my 46 years as a practicing movie reviewer, bestowed that 6/5 rating on anything else; or even thought to….

…Maybe Miyazaki’s masterpiece is better seen as a movie to crown his own career than to coronate future directors.  He never followed it with a better one himself, though there are marvels in Howl’s Moving Castle, Ponyo, and The Wind Rises.  But then Welles never surpassed Citizen Kane, nor Hitchcock Vertigo.  Spirited Away is the great treasure of 21st century animation, and we may be saying that when the 21st century ends. 

(14) TRADPUB’S ANSWER TO THE $600 ASHTRAY. Amanda S. Green, in “Who can read your book?”, discusses news reports about the U.S. Senate’s Finance Committee grilling publishers about library e-book contracts.  

…As an example, the article notes how a California school district had to pay $27/yr per student for access to e-books of The Diary of Anne Frank. In other words, if 100 students that year studied the book, the district paid the publisher $2700–and the district nor the kids “owned” that e-book. If they bought the paperback book directly from Amazon instead of through Baker & Taylor where they’d probably get a discount, they’d pay $11/copy or less. The e-book would cost $6.99. So why is the per student cost for the school library for this e-book so much more?

Why aren’t publishers trying to encourage school districts to invest more of their limited library funds in books and e-books–and giving them more for their money–than they are? After all, if we teach our youngsters to enjoy reading, that should be a win-win for publishers, right?

When publishers have politicians pointing out the obvious, there’s a problem….

(15) ON WRY. David Bratman’s report about visiting “Beyond Van Gogh: The Immersive Experience” in San Jose begins with a rather clever comment.

… You show your proof of vaccination – though they’re quite bewildered by the actual card, expecting it to be transferred to a phone – and nobody’s very interested in your ticket – and head down a clogged (because people read very slowly) passage by a series of panels with explanatory narration and quotes from Vince’s letters in English and Spanish. Finally, if you get around that and the arrow-bearing signs reading “Gogh This Way” which must be terribly confusing to anyone who doesn’t know how to mispronounce the name, you get to the main hall….

(16) REWRITING THE DICTIONARY. The WPM Invitational site has an archive of the results of two Washington Post competitions, among other things: “Word Play Masters”.

The Washington Post’s Mensa invitational once again asked readers to take any word from the dictionary, alter it by adding, subtracting, or changing one letter, and supply a new definition.   Here are the winners:

1. Cashtration (n.): The act of buying a house, which renders the subject financially impotent for an indefinite period of time.                     
                                                                            
2. Ignoranus : A person who’s both stupid and an asshole….               

And there are 15 more.

The same site also has the 16 winners of a different challenge:

The Washington Post has also published the winning submissions to its yearly contest, in which readers are asked to supply alternate meanings for common words.  And the winners are:
                                                                                                              
                                                                            
 1. Coffee , n. The person upon whom one coughs.                            
                                                                            
 2. Flabbergasted , adj. Appalled by discovering how much weight one has gained….             

Etc.

(17) LIVED IN A HOLE IN THE GROUND. “Scientists Unseal Secret Cave Chamber Used by Neanderthals”Yahoo! has the story.

Scientists exploring a cave network inside of the Rock of Gibraltar—a monolithic limestone mass in the British territory of Gibraltar—have discovered a chamber that nobody’s seen for 40,000 years. The chamber, which measures about 42 square feet, not only offers insight into a pocket of Earth long untouched, but also, in all likelihood, an area where Neanderthals visited. And perhaps snacked on animal carcasses.

Gizmodo reported on the discovery, which the scientists recently announced. The team visited the Gibraltar cave network—known as Gorham’s Cave complex—in August of this year as a continuation of a nine-year-long effort to determine its true dimensions. The complex is of intrigue as experts consider it to be one of the last habitations for Neanderthals in Europe. The site’s so important for archaeology, in fact, it’s even a UNESCO World Heritage Site….

(18) ROBOTECH. Here’s a promotional video with footage the Amazon Astro mentioned in the Scroll the other day:

(19) AUTEUR’S DEBUT. Dementia 13, the 1963 horror film that marked Francis Ford Coppola’s debut has been released last week in a restored director’s cut.

Presented in HD and available on Blu-ray for the first time, Francis Ford Coppola’s director’s cut of Dementia 13 is quintessential gothic horror, wrapped in the twisted mysteries of a family’s deepest, darkest secrets. A widow deceives her late husband’s mother and brothers into thinking he’s still alive when she attends the yearly memorial to his drowned sister, hoping to secure his inheritance. But her cunning is no match for the demented, axe-wielding thing roaming the grounds of the family’s Irish estate in this cult favorite featuring Patrick Magee, Luana Anders, William Campbell, and Bart Patton.

(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “The Costume Designer Tutorial” on Screen Rant, Tyler Lemco plays costume designer Dode L.who took off Superman’s underwear for Man Of Steel and says “I knocked Thor’s dumb helmet off his dumb head and never looked back”  Among his suggestions:  black leather jackets always work and make sure all male superheroes have abs built into their costumes; but don’t ask him about “that credit card thing” that got him into trouble with Willem Dafoe. This was written by Seb Decter.  Ryan George has a brief cameo.

[Thanks to Cat Eldridge, Andrew Porter, John King Tarpinian, Chris Barkley, Daniel Dern, SF Concatenation’s Jonathan Cowie, Michael Toman, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit goes to File 770 contributing editor of the day Jim Janney.]

Pixel Scroll 9/10/21 It Was A Pixel Scroll Of Rare Device

(1) EATING THE FANTASTIC. Scott Edelman offers listeners a chance to feast on Indian food with Veronica Schanoes in episode 153 of his Eating the Fantastic podcast.

Veronica Schanoes

Award-winning writer Veronica Schanoes and I shared Indian food though there were hundreds of miles between us — hers from Brooklyn, New York’s Masala Grill, me from Hagerstown, Maryland’s Sitar of India.

Veronica Schanoes has published fiction in the magazines Lady Churchill’s Rosebud WristletSybil’s Garage, and Fantasy; the anthologies The Doll CollectionQueen Victoria’s Book of Spells: An Anthology of Gaslamp FantasyThe Mammoth Book of Cthulhu: New Lovecraftian Fiction; and online at Strange Horizons and Tor.com. Her novella “Burning Girls” was nominated for the Nebula Award and the World Fantasy Award, and won the Shirley Jackson Award for Best Novella in 2013. Her first scholarly monograph, Fairy Tales, Myth, and Psychoanalytic Theory: Feminism and Re-telling the Tale, was published by Ashgate in 2014. Her collection Burning Girls and Other Stories was published earlier this year.

We discussed what it’s been like trying to write her first novel during a pandemic, why she can only read Jane Yolen’s intro to her new collection half a page at a time, how she makes sure her fairy tale-inspired fiction works even for those who don’t catch the allusions, the joy which comes from putting the right words in the right order, how Kelly Link convinced her she should take herself seriously as a writer, whether research inspires stories or stories inspire research (and how writers make sure they don’t force readers to suffer for that research), the way fairy tales take place “outside of historical space-time,” the importance of Joe Strummer and the Clash, and much more.

(2) MODERN THOUGHT. S.E. Lindberg interviews pulp scholar and sword-and-sorcery author and editor Jason Ray Carney at Black Gate. “Sublime, Cruel Beauty: An Interview with Jason Ray Carney”.

What is this concept of Modernity, and why did it haunt/inspire you to write a thesis on it?

Modernity is one of those concepts with a rich intellectual history, and people spill a lot of ink over it, but it is not very complicated (in my opinion): sometimes around the 1780s, the world changed. Feudalism gave way to democracy. New technologies upset how human economies and cities were organized. Religious belief waned and changed. We stopped believing (for the most part) in the supernatural. Let me cite Max Weber again: with modernity, the world became “disenchanted.” This, of course, is only part of the story. Though this story is myopic in its Eurocentrism, it is not less valid for its narrow purview. The story of modernization outside of Europe can be told, but it will be different, with maze-like branching conversations that posit multiple “modernities.” Anyway, modernity really intrigues me.

(3) VINDICATION. In “confirmation”, former Hugo Awards administrator David Bratman tells how he once found himself at loggerheads with Locus’ Charles N. Brown.  

When I was administrator for the Hugo Awards in 1996, one of the Best Novel finalists* was Remake by Connie Willis. By that time, SF novels were tending very long, but Remake was short. Though published as a standalone volume, it made a small one.

Charles Brown of Locus,** the newsletter of the SF field, insisted to me that Remake was under 40 thousand words and thus, by Hugo rules (which were shared in this respect by most other awards in the field), it fell in the Novella category, not Novel. And indeed, in the Locus awards it was put in the Novella category, which it won (not surprisingly, being one of the longest in the category as well as being by Connie Willis)….

The rest of the analysis is at the link.

(4) FICTION IN TRANSLATION. Jennifer Croft argues “Why translators should be named on book covers” in The Guardian.

“Translators are like ninjas. If you notice them, they’re no good.” This quote, attributed to Israeli author Etgar Keret, proliferates in memes, and who doesn’t love a pithy quote involving ninjas? Yet this idea – that a literary translator might make, at any moment, a surprise attack, and that at every moment we are deceiving the reader as part of an elaborate mercenary plot – is among the most toxic in world literature.

The reality of the international circulation of texts is that in their new contexts, it is up to their translators to choose every word they will contain. When you read Nobel laureate Olga Tokarczuk’s Flights in English, the words are all mine. Translators aren’t like ninjas, but words are human, which means that they’re unique and have no direct equivalents. You can see this in English: “cool” is not identical to “chilly”, although it’s similar. “Frosty” has other connotations, other usages; so does “frigid”. Selecting one of these options on its own doesn’t make sense; it must be weighed in the balance of the sentence, the paragraph, the whole, and it is the translator who is responsible, from start to finish, for building a flourishing lexical community that is both self-contained and in profound relation with its model….

(5) MARTIN ON MALTIN. [Item by Martin Morse Wooster.] I listened to this 2018 podcast Leonard and Jessie Maltin did with Floyd Norman, a pioneering Black animator and cartoonist (Maltin on Movies: Floyd Norman).

Norman started working for Walt Disney in the mid-1950s, and remembers being at Disneyland during its opening week (but not opening day, a legendary disaster). He recalls what it was like producing feature-length animation before computers and how everyone involved in animated film “worked like Marines” until the job was done, although Walt Disney insisted everyone leave the studio at 9 to spend some time with their families. People who remember the “string of pearls” sequence in Mary Poppins should realize that was a sequence that stressed out the animators.

Norman talked about how he was hired and quit Disney several times, and was involved in developing the stories for PIxar’s Toy Story 2 and Monsters Inc.  He also self-published his own books of cartoons, including one entirely devoted to making fun of Disney CEO Michael Eisner, who Norman thinks a major egotist.  Norman says Eisner didn’t mind the criticism, “as long as the book was about him.”

This may be too DIsney-centric for some but I enjoyed this episode.

(6) CHECK IT OUT. The New Yorker’s Daniel A. Gross analyzes “The Surprisingly Big Business of Library E-books”.

The sudden shift to e-books had enormous practical and financial implications, not only for OverDrive but for public libraries across the country. Libraries can buy print books in bulk from any seller that they choose, and, thanks to a legal principle called the first-sale doctrine, they have the right to lend those books to any number of readers free of charge. But the first-sale doctrine does not apply to digital content. For the most part, publishers do not sell their e-books or audiobooks to libraries—they sell digital distribution rights to third-party venders, such as OverDrive, and people like Steve Potash sell lending rights to libraries. These rights often have an expiration date, and they make library e-books “a lot more expensive, in general, than print books,” Michelle Jeske, who oversees Denver’s public-library system, told me. Digital content gives publishers more power over prices, because it allows them to treat libraries differently than they treat other kinds of buyers. Last year, the Denver Public Library increased its digital checkouts by more than sixty per cent, to 2.3 million, and spent about a third of its collections budget on digital content, up from twenty per cent the year before….

(7) UP ALL NIGHT. It so happens the only time I ever watched Adult Swim was sitting in a hospital waiting room after driving someone to ER — but that’s not a knock, what I saw was pretty amusing. The New York Times celebrated the program block’s 20th anniversary with an oral history: “Adult Swim: How an Animation Experiment Conquered Late-Night TV”.

By all accounts, it was a minor miracle that Adult Swim ever made it off the drawing board 20 years ago. Money was next to nonexistent. The editor of Cartoon Network’s first original series worked from a closet. A celebrity guest on that series, unaware of the weirdness he had signed up for, walked out mid-taping.

In retrospect, it seems right that one of modern TV’s most consistent generators of bizarro humor — and cult followings — had origins that were, themselves, pretty freewheeling.

WILLIS The idea for “Aqua Teen Hunger Force” started with a [expletive] fast food restaurant that tried to use all the scraps of meat they weren’t allowed by the F.D.A. to put into a hamburger, wadded together. We saw Meatwad as this poor, neglected creature — I think his line in his first script was like [in Meatwad voice], “Please, God, kill me.” I did the voice, and I can’t tell you how many times people said, “I don’t understand what he’s saying; you need to recast him.” But we stuck to our guns. I always thought of it like Willie Nelson, who sings real quietly, and so everyone is on the edge of their seat trying to listen to what he’s saying. As a result, you’re more into it. At least, that was my excuse! [Laughs.]

(8) LIFE OF LEWIS. A trailer dropped for the C.S. Lewis biopic titled The Most Reluctant Convert: The Untold Story Of C.S. Lewis that arrives in theaters November 3.

(9) TIME HAS BEEN BROKEN. So they tell us. The new season of Star Trek: Picard premieres February 2022 on Paramount+.

(10) BUCKS AND BUCK ROGERS. Think of it as the military-industrial-entertainment complex: “The making of an Enterprise: How NASA, the Smithsonian and the aerospace industry helped create Star Trek” in The Space Review.

…At the end of WWII, 60–70% of the American aerospace industry was based in Southern California. The good climate and open land that helped draw aviation to the region also helped lure the motion picture industry. When Roddenberry began developing Star Trek, 15 of the 25 largest aerospace companies were located in the greater Los Angeles area. Many were situated close to Paramount’s Desilu Studios where the series was made.

Roddenberry drew upon the most current spaceflight technology then available to incorporate into Star Trek. He read, wrote, phoned and even dumpster-dived to get material for his new series.

A direct example of how the aerospace industry influenced Star Trek appears in the episode “The Trouble With Tribbles.” In this episode furry little creatures that “coo” and have a tremendous desire for eating and breeding overrun the Federation’s K-7 space station.

The principal elements of the K-7 as it is shown in the episode first appeared in a report done by Douglas Aircraft. The 1959 study outlined the operational requirements of an extendable orbiting space station. Constructed on Earth then launched atop a “Saturn-type missile,” the station was designed to automatically unfold in space into a donut-shape with a conical reentry vehicle at its center.[3]

Richard Datin, a model maker who helped build the original production model Enterprise, described how the K-7 design materialized. “I was told upon viewing the original model, and maybe by Roddenberry, that he obtained it [the Douglas space station model] from Douglas Aircraft whose main office was in nearby Santa Monica. Apparently, Gene had a following from people in the space industry, particularly Caltech in Pasadena.”

(11) MICHAEL K. WILLIAMS (1966-2021). Actor Michael K. Williams died September 6 at the age of 54 reports the New York Times.  While famous for his work in cop and crime series including The Wire and Boardwalk Empire, sff fans knew him as the lead in Lovecraft Country, and saw him in the 2014 RoboCop remake, The Purge: Anarchy (2014), and Ghostbusters (2016).

(12) MEDIA BIRTHDAY.

  • 1977 – Forty-four years ago this evening on CBS, Space Academy, a Filmation children’s series, first aired. (Jason of Star Command would come out of it.) It was created by Allen Ducovny who previously only done such animated shows as The New Adventures of Superman and Aquaman. The program starred Jonathan Harris in the lead role; co-starring were Pamelyn Ferdin, Ric Carrott, Maggie Cooper, Brian Tochi, Ty Henderson, and Eric Greene. There was a cute robot as well named Peepo. Would I kid you?  It would last for just fifteen half-hour episodes. 

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 10, 1914 — Robert Wise. Film director, producer, and editor. Among his accomplishments are directing The Curse of The Cat PeopleThe Day the Earth Stood StillThe HauntingThe Andromeda Strain and Star Trek: The Motion Picture. Though not at all genre, he also directed West Side Story and edited Citizen Kane,  two exemplary accomplishments indeed. (Died 2005.)
  • Born September 10, 1937 — Spencer Milligan, 84. He’s best known for playing Rick Marshall, the father of Will and Holly Marshall, on the first two seasons of Land of the Lost. (He left because he didn’t get a cut of the merch sales.) Genre wise, he’d previously been in Woody Allen’s Sleeper as Jeb Hrmthmg, and later appeared in an episode of The Bionic Woman. That’s it.
  • Born September 10, 1952 — Gerry Conway, 69. He’s  known for co-creating  the Punisher (with artists John Romita Sr. and Ross Andru) as well as the first Ms. Marvel and scripting the death of the character Gwen Stacy during his run on The Amazing Spider-Man. He shares the story credit for Conan the Destroyer with Roy Thomas. At DC, he created a number of characters including Firestorm, Count Vertigo and Killer Croc. Not genre at all, but he wrote a lot of scripts for Law and Order: Criminal Intent, one of my favorite series.
  • Born September 10, 1953 — Stuart Milligan, 68. He first shows up as Walters on the Sean Connery-led Outland and a few years later we see him as a Police Sergeant on Sky Captain and the World of Tomorrow. He’ll play Richard Nixon in Doctor Who for two Eleventh Doctor stories, “The Impossible Astronuat” and “Day of The Moon”. His latest genre role is in Wonder Woman 1984 as the U.S. President.
  • Born September 10, 1953 — Pat Cadigan, 68. Tea from an Empty Cup and Dervish is Digital are both amazing works. And I’m fascinated that she has co-written with Paul Dini, creator of Batman: The Animated Series, a DCU novel called Harley Quinn: Mad Love. Her only Hugo win was at LoneStarCon 3 for the “The Girl-Thing Who Went Out for Sushi” novelette.  Her latest work is the novelization of the first-draft Alien 3 screenplay by William Gibson. She’s well stocked at the usual suspects. 
  • Born September 10, 1955 — Victoria Strauss, 66. Author of the Burning Land two novel series, and she should be praised unto high for being founder along with AC Crispin of the Committee on Writing Scams. She maintains the Writer Beware website and blog. 
  • Born September 10, 1959 — Nancy A. Collins, 62. Author of the Sonja Blue vampire novels, some of the best of that genre I’ve ever had the pleasure to read. She had a long run on Swamp Thing from issues 110 to 138, and it is generally considered a very good period in that narrative.  She also wrote  Vampirella, the Forrest J Ackerman and Trina Robbins creation, for awhile. 
  • Born September 10, 1968 — Guy Ritchie, 53. Director of Sherlock Holmes and its sequel Sherlock Holmes: A Game of Shadows, both of each I rather liked, and the live-action Aladdin. He did also directed / wrote / produced the rebooted The Man from U.N.C.L.E. which got rather nice reviews to my surprise as well as King Arthur: Legend of the Sword which apparently is quite excellent as audience reviewers at Rotten Tomatoes give it a seventy percent rating. 

(14) FRIENDLY NEIGHBORHOOD RECORD-SETTER. The Hollywood Reporter knows it’s worth a headline when “First Spider-Man Comic Book Sets Record for Biggest Sale Ever”.

The sale of Amazing Fantasy no. 15, featuring the first appearance of Spider-Man, has set the record for the most expensive comic ever sold.

The comic sold Thursday for $3.6 million as part of Heritage Auction’s Signature Comics & Comic Art auction being held Sept. 8 to 12.

The senses-shattering sale beat out the previous record, Action Comics no. 1, published in 1938 and featuring the first appearance of Superman, which sold privately for $3.25 million earlier this year.

(15) A SLEIGHLOAD TO ADD TO YOUR MT. TBR. SF² Concatenation has posted its list of “Forthcoming SF books in the run-up to Christmas UK SF book releases September – 31st December 2021” from the major UK imprints (available/or on order elsewhere from specialist bookshops). This is an advance posting (6th September) of the ‘forthcoming books’ sections’ of SF² Concatenation’s autumnal news page whose full edition will be posted September 15. 

With just 90, or thereabouts, shopping days to Christmas, time to see what SF will be published. The SF² Concatenation seasonal news page’s forthcoming books listings are an amalgamation of the titles in the catalogues sent by major UK publishers. 

As they these titles already in the catalogues, they can be ordered, or advance-ordered, now either from the publisher directly or – if you are outside the UK – from specialist SF bookshops and their related retail websites.

The books are listed alphabetically by author.

(16) SPEAKER FOR THE READ. The next episode of Essence of Wonder with Gadi Evron is “You’re Not Ender Wiggins, and That’s Okay – A Show on Strategy, Leadership, and Modern Conflict by Way of Scifi.” Streams Saturday, September 11 at 3:00 p.m. Eastern via YouTube, Facebook Live, and Twitch.

Steven Leonard, Max Brooks, Major General Mick Ryan, and Jon Klug, join us to discuss strategy, leadership, and modern conflict from the perspective of science fiction.

One of the chapters in the book is called “You’re Not Ender Wiggins, and That’s Okay” (by Will Meddings). Be still, my heart.

(17) HUGE NEWS. A T-Rex might have made a nice snack for one of these: “Researchers Identify Dinosaur Species 5 Times Larger Than the T-Rex: ‘This Is Very Exciting’”Yahoo! News has the story.

Researchers have discovered a new species of dinosaur that loomed over Tyrannosaurus Rex.

The Calgary Herald reports that University of Calgary scientists helped identify the massive new species named Ulughbegasaurus, which roamed the earth as an apex predator 90 million years ago.

Researchers were able to identify the new species — which was five times bigger than the fearsome T-Rex — through the dinosaur’s fossilized jaw, which was likely first found by a Russian paleontologist during a dig in the 1980s.

…The researchers found that the dinosaur was between 7.5 to eight meters (24 to 26 feet) in length and likely weighed over 1,000 kilograms (2,204 lbs). At the time Ulughbegasaurus roamed the earth, the T-Rex wasn’t fully evolved and was much smaller in comparison, weighing less than 200 kilograms (440 lbs).

Comparing the two species, Zelenitsky said Ulughbegasaurus “was like a grizzly bear” if T-Rex had been a coyote….

(18) CUBE ROOTS. The New York Times shares scientists’ curiosity about a relic that lends itself to alternate history: “Did Nazis Produce These Uranium Cubes? Researchers Look for an Answer.”

The failure of Nazi Germany’s nuclear program is well established in the historical record. What is less documented is how a handful of uranium cubes, possibly produced by the Nazis, ended up at laboratories in the United States.

Scientists at the Pacific Northwest National Laboratory and the University of Maryland are working to determine whether three uranium cubes they have in their possession were produced by Germany’s failed nuclear program during World War II.

The answer could lead to more questions, such as whether the Nazis might have had enough uranium to create a critical reaction. And, if the Nazis had been successful in building an atomic bomb, what would that have meant for the war?

Researchers at the laboratory believe they may know the origins of the cubes by the end of October. For the moment, the main evidence is anecdotal, in the form of stories passed down from other scientists, according to Jon Schwantes, the project’s principal investigator.

The lab does not have scientific evidence or documentation that would confirm that Nazi Germany produced the black cubes, which measure about two inches on each side. The Nazis produced 1,000 to 1,200 cubes, about half of which were confiscated by the Allied forces, he said.

“The whereabouts of most all of those cubes is unknown today,” Dr. Schwantes said, adding that “most likely those cubes were folded into our weapons stockpile.”…

(19) THE TRUTH MAY BE OUT THERE, IT’S NOT HERE. Samantha Bee of Full Frontal shares“Sam Bee’s Not-Solved Mysteriez: UFOs” on YouTube.

Sam once again dons her trench coat to take one small step for man and one giant leap for a late night television host with an “Unsolved Mysteries” obsession. That’s right…she’s trying to figure out WTF is up with UFOs!

[Thanks to Mike Kennedy, Andrew Porter, Martin Morse Wooster, JJ, Cora Buhlert, SF Concatenation’s Jonathan Cowie, Michael Toman, John King Tarpinian, and Cat Eldridge for some of these stories. Title credit belongs to contributing editor of the day Jayn.]

Pixel Scroll 8/25/21 Helen O’Loy And The Scrollcrank Redemption

(1) BLACK STARS. SYFY.com offers a preview of a Black Stars story plus comments by series editor Nisi Shawl: “Amazon Original Stories Black Stars: Read an excerpt by Chimamanda Ngzoi Adichie”.

…Titled Black Stars, the collection showcases some of the biggest names writing science fiction today, highlighting their visions of what the future might look like for the human race and the issues we might have to tackle. The six authors forming this all-star lineup include Chimamanda Ngozi Adichie (We Should All Be Feminists), C. T. Rwizi (Requiem Moon), Victor LaValle (The Changeling), Nnedi Okorafor (Binti), Nalo Hopkinson (The House of Whispers), and Nisi Shawl (Everfair), who also edited the entire collection, along with co-editor Latoya Peterson. 

“Freedom is the overarching theme among the stories,” Shawl tells SYFY WIRE, while discussing the throughline that connects all six stories. “Freedom to explore new star systems, to develop new economies, to break away from stale stereotypes.” 

Part of what makes Black Stars so special is the fact that it is showcasing speculative science fiction from Black authors from around the world.

“I want readers to take away the dazzling diversity that is the Black experience,” Shawl says. “I want us all to realize how our dreams and fantasies, our supposings and nightmares and aspirations are so very varied. Blackness is not a monolith! I’ve learned this, and I want to share with our readers the enormous wealth that is Black heritage and the many possible Black futures.” …

(2) YORK SOLAR SYSTEM. NickPheas, inspired by Ingvar’s photos of Sweden’s epic model, shot photos of the solar system model running for ten miles south of York, UK. Twitter thread starts here.

(3) STAR TREK EXPLORER. If you aren’t getting enough Star Trek news, Titan Comics promises to fix that for you when Star Trek Explorer – The Official Magazine Issue #1 hits stores on November 2.

EXPLORER is the no. #1 destination for everything Star Trek – filled with in-depth interviews and features taking you behind-the-scenes of all your favorite shows and movies.

The new-look EXPLORER magazine also includes two brand-new exclusive Star Trek short stories, and a bonus 16-page themed supplement bound inside each issue.  The hotly anticipated premier issue features a definitive guide to Captain Kirk!

Subscribers of STAR TREK EXPLORER – THE OFFICIAL MAGAZINE will also receive an exclusive digital magazine, direct to their inbox with every quarterly issue. Each digital magazine will feature bonus short stories, printables, activities and much more!

(4) SLF NEEDS GRANT JURORS. The Speculative Literature Foundation is looking for grant application readers.

The Speculative Literature Foundation needs jurors to help read applications for the Working Class Writers’ Grant Ideally, we’re looking for people who are well read in speculative fiction, but we’d also like a mix of readers, writers, librarians, teachers, editors, etc. who are capable of judging literary quality in a work.

If interested, please send a brief note to Catherine Lin ([email protected]) with the subject line: JUROR.

Please include the grant you wish to be a juror for and a paragraph about what your qualifying background is to serve as a juror: for example, your interest in / connection to the field. (i.e., “I’m an ardent reader!” or “I’ve been writing SF/F for seven years…”). Please feel free to ask any questions you may have as well.

(5) AMAZING STORIES RETRENCHES. Following the announcement “Amazing Stories Special All Canadian Issue Now Available” comes a statement that “Amazing Stories has had a rough past year, mostly owing to the fact that our former Licensee – NBC/Universal Television – has failed to meet their contractual obligations” and how their publishing program is changing in response:

…Beyond denying you a regular issue of the magazine up till now, in order to continue publishing the magazine we have had to take the following steps as well:

Owing to the previously stated, Amazing Stories must change the way it produces issues, while at the same time attempting to do what is right by our subscribers. These are necessary, budget-related changes that represent our only option for keeping the magazine in publication. Those changes are as follows:

First, Amazing Stories will be changing to an annual format, producing one (over-sized) issue per year rather than quarterly (four) issues per year.

Second, we are eliminating the print edition as a regularly available option. Print copies of each issue will remain available as a separately purchased Print On Demand (POD) product.
All current print subscriptions will be converted to Electronic Editions moving forward. In addition, former print subscribers may select one of the Amazing Select titles, electronic edition, for each year of subscription that is being converted.

Please know that we are not happy with having to make these changes, but following long discussion, we believe that these changes offer us our best chance of moving forward. Those with questions, please feel free to get in touch with the publisher, Steve Davidson, via Steve (at) amazingstories (dot) com.

(6) RATIONALIZATIONS. James Davis Nicoll was able to think of “Five Ludicrous Reasons for Not Reading a Perfectly Good Book”. How about you?

There are perfectly legitimate reasons not to have read works widely regarded as science fiction and fantasy classics. Perhaps the most compelling is that the field is far too large for any one person to have read all of it, even if they were to limit themselves to works other readers enthusiastically recommend. However, there are other reasons, some quite silly, to have left promising books unread. Here are five of my stupidest reasons for not having read a widely-praised book cover to cover….

(7) STORIES THAT ARE THE FOUNDATIONS FOR RPG. Goodman Games, an RPG publisher, occasionally features interesting articles on their site. Here are two:

 Ngo Vinh-Hoi, co-host of the Appendix N Book Club podcast, profiles Andrew J. Offutt: A “Adventures in Fiction: Andrew Offutt”.

Appendix N of the original Dungeon Masters Guide has become a Rosetta Stone for the study of the literary roots of D&D. One figure carved on that stone is Andrew J. Offutt, who is cited not for his own writing, but for editing the Swords Against Darkness heroic fantasy anthology series. Oddly, only the third volume of the five-book series is singled out and none of the other four books are even mentioned. Who then is Andrew Offutt, and why is he enshrined with the other Appendix N luminaries? …

Pulp scholar Jason Ray Carney talks about dehumanising violence and compassion in “Red Nails”, Robert E. Howard’s final Conan story: “Dehumanizing Violence and Compassion in Robert E. Howard’s ‘Red Nails’”.

Robert E. Howard’s sword and sorcery tale “Red Nails,” published as a three-part serial in Weird Tales in 1936, tells the story of the city of Xuchotl, the enduring, blood-soaked war between the Tecuhltli and the Xotalanc, and the dehumanizing effect of sustained hatred and violence. “Red Nails” engages with several ancient literary tropes, but the one that centers “Red Nails” is what I term “the stalemate war.” By focusing on the stalemate war between the murderous Tecuhltli and insane Xotalanc, I hope to bring into focus a surprising facet of Robert E. Howard’s most famous sword and sorcery character, Conan of Cimmeria: the way the barbarian maintains his humanity through compassion….

(8) A KEY INVENTION. The Typewriter Revolution exhibit can be seen at the National Museum of Scotland through April 17, 2022. Or you can view photos of over 100 typewriters in their connection at the website.

The impact of the typewriter has been much wider than simply speeding up the way we write. It helped revolutionise the world of work and change the lives of working women in particular. Typewriters helped them launch their own businesses at a time when female employers were rare and became a vital weapon in the fight for the vote. 

The typewriter’s social and technological influence is revealed in this new exhibition and looks at its role in society, arts and popular culture. It traces the effect and evolution of typewriters across more than 100 years, from weighty early machines to modern style icons. And despite being erased from many offices by the rise of computers, the typewriter has remained a beloved design icon that is still in use today.

Drawing on our outstanding typewriter collection, the exhibition features a range of machines, including an 1876 Sholes and Glidden typewriter which was the first to have a QWERTY keyboard; a 1950s electric machine used by Whisky Galore author Sir Compton Mackenzie; and the 1970s design icon, the Olivetti Valentine.

(9) ON THE RADIO, Listen to “Black Sci-Fi: Stories from the End of the World” at BBC Radio 4.

Writer, activist and broadcaster Walidah Imarisha presents the untold story of black sci-fi and its vital role in redefining the present and imagining the future.

This documentary explores the power – and the rich history – of speculative, visionary fiction by black authors in the UK, USA and Africa, and how activists around the world have been inspired by science fiction as they strive to build new worlds. Walidah Imarisha unravels the idea that all organisation and activism is a form of “science fiction” – and how bringing new realities into being is itself a creative act.

Interviewees include multidisciplinary artists Moor Mother and Rasheedah Philips, Nigerian-American writer Nnedi Okorafor, and British feminist writer and researcher Lola Olufemi.

(10) DAVIN Q&A. The collection of “Science Fiction Author Interviews” linked at the Middletown Public Library, conducted by the Science Fiction Club Facebook group, has a new addition this month — “Interview with Eric Leif Davin (Aug. 2021)”.

Dr. Eric Leif Davin teaches labor and political history at the University of Pittsburgh. He wrote “Pioneers of Wonder: Conversations with the Founders of Science Fiction.” as well as “Partners in Wonder: Women and the Birth of Science Fiction, 1928-1965.”

John Grayshaw: What is the Gernsback era?

[Davin] Although Hugo Gernsback briefly published an SF magazine in the 1950s, “SF Plus,” the Gernsback Era is actually referring to the period 1926-1934. In 1926 Gernsback launched “Amazing Stories,” the first SF magazine. It was the only SF magazine until 1929, when he launched “Wonder Stories.” In 1934 he sold the latter magazine to the Thrilling group, with it becoming “Thrilling Wonder Stories.” With that, he exited the SF magazine world until the 1950s

(11) SPACED OUT LIBRARIAN. David Nickle offers a personal tribute: “In the orbit of Lorna Toolis – 1952-2021”.

…In the late 1980s when I first met Lorna, the Spaced Out Library was on the second floor of the Boys and Girls House at Beverly and College Streets. Not climate-controlled. Not accessible. As ad-hoc a library as its name might suggest.

I’d come in as a journalist, ostensibly working with another writer on an article about the Canadian science fiction community for a local alternative paper – but really, dipping my toe into a world that I very much wanted to enter.

Lorna helped me do both. First, she gave me a who’s-who rundown of sources I might speak to, suggested I hit Ad Astra, the local science fiction convention to find those sources in one place.

Those sources included Judith Merril herself, who after a very professional interview, told me very candidly, about a writer’s workshop that might be looking for members – and introduced me to one of the founding members, Michael Skeet. Lorna’s husband….

(12) MEMORY LANE.

  • 2007 – Fourteen years ago today, Masters of Science Fiction, an anthology science fiction series, finished its very brief run on ABC. And I do mean brief as only four of its six episodes actually aired. It was presented by Stephen Hawking which is why when it broadcast later on the Science Channel in its entirety that it was called Stephen Hawking’s Sci-Fi Masters. The six stories were all by SF writers, to wit John Kessel, Howard Fast, Robert Heinlein, Harlan Ellison, Walter Mosley and Robert Sheckley. The few critics that actually noticed it liked it. Like so many similar short-run series, it has no Rotten Tomatoes audience rating. The trailer is up here. (Several YouTubers attempted to host the videos, however, they aren’t available as, of course, the series is under copyright.) 

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 25, 1909 Michael Rennie. Definitely best remembered as Klaatu in The Day the Earth Stood Still. He would show up a few years later on The Lost World as Lord John Roxton, and he’s got an extensive genre series resume which counts Lost in Space as The Keeper in two episodes, The Batman as The Sandman, The Time TunnelThe Man from U.N.C.L.E. and The Invaders. (Died 1971.)
  • Born August 25, 1913 Walt Kelly. If you can get them, Fantagraphics has released Pogo in six stunning hardcover editions covering up to 1960. They’re planning to do all of his strips eventually. Did you know Kelly began his career as animator at Walt Disney Studios, working on DumboPinocchio and Fantasia? (Died 1973.)
  • Born August 25, 1930 Sir Sean Connery. Best film overall? From Russia with Love. Best SF film? Outland. Or Time Bandits you want go for silly. Worst film? Zardoz. These are my choices and yours no doubt will be different. (Died 2020.)
  • Born August 25, 1940 Marilyn Niven, 81. She was a Boston-area fan who lives in LA and is married to writer Larry Niven. She has worked on a variety of conventions, both regionals and Worldcons.  In college, she was a member of the MITSFS and was one of the founding members of NESFA. She’s also a member of Almack’s Society for Heyer Criticism.
  • Born August 25, 1955 Simon R. Green, 66. I’ll confess that I’ve read pretty much everything he’s written. Favorite series? The NightsideHawk & Fisher and Secret History are my all-time favorite ones with Drinking Midnight Wine the novel I’ve re-read the most. He’s got three active series now of which the Ishmael Jones and the Gideon Sable series are the best. 
  • Born August 25, 1958 Tim Burton, 63. Beetlejuice is by far my favorite film by him. His Batman is kind of interesting. Read that comment as you will. Charlie and the Chocolate Factory is definitely more Dahlish than the first take was, and Sleepy Hollow is just damn weird. Not really true to the source material though. 
  • Born August 25, 1970 Chris Roberson, 51. Brilliant writer. I strongly recommend his Recondito series, Firewalk and Firewalkers. The Spencer Finch series is also worth reading. He’s also written two Warhammer novels, Dawn of War and Sons of Dorn, and is publisher with his wife Allison Baker of Monkey Brain Books which has twice been nominated for World Fantasy Awards. He won two Sidewise Awards for Alternate History, for his novella O One (2003), and novel The Dragon’s Nine Sons (2008).
  • Born August 25, 1987 Blake Lively, 34. She was Adaline Bowman in The Age of Adaline, a neat mediation upon life and death. She also played Carol Ferris in that Green Lantern film but the less said about it the better. Her very first role was as Trixie / Tooth Fairy in The Sandman at age eleven. 

(14) SMALL WONDER. The biggest hit sci-fi movie of 1966 (to date, anyway) – read the raves at Galactic Journey: “[August 24, 1966] Fantastic Voyage lives up to its name!”

It’s finally here! And it was worth the wait. Fantastic Voyage has reached the big screen, and it’s spectacular.

Fantastic Voyage may be the most advertised science fiction film ever made, with intriguing articles in Life and Look, a novelization published in The Saturday Evening Post and about a zillion articles in Famous Monsters in Filmland. And despite this endless campaign – or maybe because of it – I’m delighted to tell you this audacious film deserves its media ubiquity.

(15) YOU’LL SHOP HERE SOONER OR LATER. A business in LA’s Echo Park neighborhood has the fascinating name Time Travel Mart. Here are just a few of the items they sell there.

Portable Wormhole

(16) INSTANT CLASSIC. Joe H. contributed a fine verse to yesterday’s comments:

As we go filing, filing
In the pixel of the scroll
We climb our Mount Tsunduko
And we make our series whole

Our shelves shall not be emptied
From birth until life closes
Eyes starve as well as bodies
Into books we’ll stick our noses

(17) A LOOK BACK. Cora Buhlert has posted a new Retro Review: “’More Than Shadow’ by Dorothy Quick” about a 1954 Weird Tales story. Spoiler warning!

…Just to make sure that she isn’t imagining things, Mona calls over Ellen, the maid, and asks her what she sees in the puddle of spilled water. Ellen confirms that the puddle looks like a dog, but not just any old dog either, but the little dogs on which the leprechauns ride on moonlit nights. For Ellen just happens to be Irish and therefore a fount of Irish folklore…..

(18) IT CAUSES ME TO TINGLE. Not only is love real, so is Chuck.

(19) R.L. STINE REMEMBERS. [Item by Martin Morse Wooster.] I listened to this podcast that Leonard and Jessie Maltin did with R.L. Stine. “Maltin on Movies: R.L. Stine”. The Maltins began by remembering how they would chat with Stine in the Los Angeles Times Book festival green room, where they would also say hello to Ray Bradbury and Harlan Ellison.  Stine then explained how he, born in 1943, was first influenced by radio comedians (remember Mortimer Snerd?) He also loved E.C. comics and after his parents refused to let him buy the comics he made sure to get a haircut every Saturday because the local barbershop had a plentiful supply.  Stine then worked his way up at Scholastic Books, and became a YA horror author because an editor got mad at Christopher Pike and they wanted someone to write YA horror novels.  Stine said he was a hands-on producer of the Goosebumps TV series, which “gave every child actor in Canada a job” including 11-year-old Ryan Gosling.  Stine also explained that he had kids come up to him and say they learned how to use typewriters because they saw Jack Black use a typewriter playing Stine in the Goosebumps movie.

(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Monster Hunter Stories” on YouTube, Fandom Games says Monster Hunter Stories is a dinosaur-fighting game that has gone through “Pokemonification,.” and includes a scene here you fight a dinosaur with a bagpipe and another where a talking cat spends too much time explaining how she enjoys donuts.

[Thanks to John King Tarpinian, Cat Eldridge, Mike Kennedy, Cora Buhlert, James Davis Nicoll, SF Concatenation’s Jonathan Cowie, Andrew Porter, Martin Morse Wooster, JJ, and Michael Toman for some of these stories. Title credit belongs to contributing editor of the day Daniel Dern.]

Pixel Scroll 6/18/21 Pixels, Who File Pixels, Are The Soylenty-Est Pixels In The Scroll

(1) KOONTZ UPDATE. “Putting the Heart in the Work: Close-up on Dean Koontz” at Publishers Weekly asks how he keeps growing as an author. I’m always a bit fascinated to compare his ultimate success with his beginnings as a testy newcomer who wrote locs to Science Fiction Review.  

Would you say that your writing style continues to evolve?

When I was young, I thought that after a few years, I would learn all the tricks of the trade, after which writing novels would be easy. Instead, it gets harder—and more exciting—because there are infinite approaches and techniques to explore. In the past, I’ve had some publishers express bafflement as to why I had to change direction. However, repetition of past work is not art; it’s imitation and not in the least satisfying. You have to do new things and risk failure. My experience is that readers expect that and will reward it.

There’s a certain comfort for readers in returning to a world they already know. Is it ever a struggle to maintain your own investment in a particular story or with particular characters?

I don’t think I could ever write as many words about any other character as I wrote about Odd Thomas. I loved him. I knew he was on a journey to absolute humility—which would really test my powers of imagination—and he won my heart with every page. Five novels was right for Jane Hawk, and two seasons for Nameless. Readers who want more of any one thing need to be won over by a new world and new characters that they like as well or better. Otherwise, both they and the author are standing still emotionally and intellectually.

(2) CALL FOR FANWRITING. For the next issue of The Drink Tank, Christopher J. Garcia, Alissa McKersie, and Chuck Serface want articles, artwork, and anything printable dedicated to Armistead Maupin’s Tales of the City.  Chuck Serface says: “The novels, the PBS shows, the recent Netflix series — it’s all good.  Our due date is July 10, 2021, and we’ll have the issue out shortly thereafter.”  Send your offerings to Chuck at [email protected] or to Christopher at [email protected].

(3) A PLEONASM OF MIDDLE-EARTH. Sam Woods gives us “James Joyce’s The Hobbit at McSweeney’s Internet Tendency.

There never was a Hobbit Hole quite like Bag End in all of Hobbiton a place that oftsaw the comings and goings of many of the Little Folk and Big Folk the bastards they are as time has onwardflown and kings and queens of the other lands of Middle Earth have died and been barrowburied since the dawn of Man upon these soils but even so there have been no bigger bastards to tromp up to Bilbo’s door (for I am the current resident of Bag End) than the Sackville Bagginses…

(4) BENEATH THE RISING TRILOGY. What is the Premee Mohamed calling the third book? The Edmonton Journal has the scoop: “Edmonton author announces final title of cosmic horror trilogy”.

Premee Mohamed didn’t intend to publish multiple books about the end of the world during a global pandemic — it just worked out that way.

Her debut novel, Beneath the Rising, has garnered major attention since its release in March of 2020. The book’s popularity led to a sequel, A Broken Darkness, released in March of this year, and The Void Ascendant, the trilogy’s final installment, was just announced for March 2022.

(5) UP THE MIGHTY AMAZON. The New York Times contends: “Buyers of Amazon Devices Are Guinea Pigs. That’s a Problem.”

…Many have learned a hard lesson about what it means to be an Amazon customer. Even when you’re paying lots of money, you are a guinea pig at the whims of a company endlessly striving to innovate. At any moment, the company could surprise you with an unwelcome change to an Amazon product you own or decide to kill it altogether.

Last week, many people who own Amazon devices were automatically enrolled in Sidewalk, a new internet-sharing program that drew intense scrutiny. Basically, the program lets owners of newer Amazon products share their internet connections with others nearby. If a neighbor’s Ring camera has a spotty internet connection and yours has a strong one, you can share your bandwidth with your neighbor.

That all sounds nice if everything works as expected, but security experts have raised concerns that device makers could have inappropriate access to people’s data. They advised that people opt out of the program to avoid becoming part of Amazon’s experiment because there are still many unknowns….

(6) JAWS JAZZ. Sarah Gailey is joined by Christine Sandquist and Martin Cahill to play with a writing prompt: “Building Beyond: Space Mouth-ain”:

NASA has discovered a massive open mouth floating just beyond the edge of our solar system. It’s just a mouth. And it’s open.

(7) GRADUATION DAY. A big day for Galactic Journey’s Marcus family:

Lorelei Marcus is graduating today. As school Valedictorian. And with department math honors.

I know, I know. “Of course she is.” But actually, we couldn’t be prouder of her super hard work that has made her accomplishment a seeming inevitability. Her perseverance, her willingness to help others, her dealing with disabilities that make computer-use difficult to impossible, have all just been stellar.

The other piece of news regards Journey Press, the publishing house the Marcus Family and Co. run. Yes, we managed to make it through 2020. In fact, we kind of flourished. In March 2020, we were in about 200 stores. Now we’re in 600 — in five countries and every state of the Union.

Lorelei Marcus displaying the wares from Journey Press.

(7A) KEEPING PACE. There will be “Hollywood Walk of Fame stars for Carrie Fisher, Michael B. Jordan, Jason Momoa” reports SYFY Wire.

The Hollywood Walk of Fame is a tourist hotspot in Los Angeles — a stretch of sidewalk that passes other iconic L.A. locations like the Chinese Theater, the El Capitan, Pantages, and a Toyota dealership.

The Hollywood Chamber of Commerce decides who among the many applicants receive a star each year, and for 2022, there’s an impressive roster of genre actors who made the cut. The most notable star, however, goes to Carrie Fisher….

Fisher won’t be the only Star Wars actor getting a spot on the sidewalk next year. The Mandalorian’s Ming-Na Wen will also get a star, along with young Obi-wan himself, Ewan McGregor.

Other extended universes also got some love. MCU veterans Michael B. Jordan (Black Panther), Tessa Thompson (Thor: Ragnarok) and Salma Hayek (Eternals) will also be honored, while the DCEU will be represented by Jason MomoaWatchmen’s Regina King and Jean Smart will also get their own stars, as well as Willem Dafoe (aka the Green Goblin from the 2002 Tobey Maguire Spider-Man film).

Continuing on the comic book front, two other notables receiving stars are The Walking Dead’s Norman Reedus and Greg Berlanti, creator of The CW’s Arrowverse.

(8) MEDIA BIRTHDAY.

  • June 18, 1983 — Thirty-eight years ago today, Dr. Sally Ride became the first American woman in space, paving the way for sixty-four other female astronauts to do the same. While in orbit, Dr. Ride launched two commercial satellites, directed the use of robotic technology, and served as her ship’s mission specialist; as of 2022, she will be one of the few women featured on US coinage.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 18, 1917 — Richard Boone. He did only two genre roles of which one, playing Maston Thrust Jr. in The Last Dinosaur, I’m willing to bet you’ve never seen. The other however is one that nearly everyone here has heard, yes heard, as he voiced Smaug in the Rankin/Bass animated The Hobbit. Of course, his major non-genre role was Paladin in Have Gun, Will Travel.
  • Born June 18, 1931 — Dick Spelman. A fan and a legendary book dealer who was active at SF conventions from the late Seventies  through the early Nineties. He chaired Windycon IX in 1982. He was a member of the board of directors of Chicon IV, and ran the Dealers’ Room at many Worldcons. In 1991 he sold his book business to Larry Smith and retired to Orlando, where he was active in local fannish affairs. (Died 2012.)
  • Born June 18, 1942 — Roger Ebert. He got his start as a fanzine writer while in high school, publishing the Stymie zine and having his writing appear in Xero, Yandro and many other zines such as KippleParsection and Psi-Phi. In university, he was a member of the Champaign-Urbana Science Fiction Association. His fannish  autobiography is  How Propellor-Heads, BNFs, Sercon Geeks, Newbies, Recovering GAFIAtors and Kids in Basements Invented the World Wide Web, All Except for the Delivery System. Mike has much to say about him here. (Died 2013.)
  • Born June 18, 1943 — Paul McCartney, 78. I could include him for the Magical Mystery Tour which might be genre. He actually has a cameo in Pirates of the Caribbean: Dead Men Tell No Tales as a character named Uncle Jack in a cell playing poker singing “Maggie May”. A shortened version of the song is on the Let It Be album. 
  • Born June 18, 1947 — Linda Thorson, 74. Though Diana Rigg as Emma Peel was John Steed’s best known partner on The Avengers, she was not his first nor his last. His last one would be Tara King played by this actress. She was the only one to be a real spy. Interesting that other than an appearance on Tales from The Darkside, her only other genre performance was on The Next Gen as Gul Ocett in “The Chase” episode. 
  • Born June 18, 1949 — Chris Van Allsburg, 72. For some twenty years now until the Pandemic came upon us, the local Narrow Gauge Railroad ran a Polar Express every Christmas season compete with cars decorated in high Victorian fashion and steaming cups of hot chocolate for the children. It always sold out for the entire month they ran it. Allsburg‘s Polar Express book is just magical for me and I enjoy his Jumanji every bit as much. (I’ve never seen the film.) He illustrated A City in Winter which was written by Mark Helprin and I highly recommended it. 
  • Born June 18, 1958 — Jody Lee, 63. Illustrator with a long career in genre work. Her first cover art was Jo Clayton’s Changer’s Moon for DAW Books in 1985. Her latest is Passages: All-New Tales of Valdemar, a Mercedes Lackey anthology, that came last year on DAW Books which seems to be her primary client. Her rather excellent website is here.
  • Born June 18, 1960 — Barbara Broccoli, 61. Daughter of the late James Bond producer Albert R. “Cubby” Broccoli. She has producer or director credit on at least fourteen Bond films which or may not be genre depending on how you view each one of them. Her only acting role is as an uncredited Opera patron in The Living Daylights. She produced the Chitty Chitty Bang Bang production staged in NYC at the Hilton Theater sixteen years ago. 

(10) COMICS SECTION.

(11) THE RISING TIDE OF PIXAR. “Luca: Living La Dolce Vita” – a review at Leonard Maltin’s Movie Crazy.

Luca doesn’t look or sound like any film Pixar has made before. It has a charm all its own and captures our imagination from the moment it begins. It’s the living definition of an immersive experience (pun intended). Who else would dare ask us to care about strange-looking sea monsters, and then repeatedly surprise us while spinning its coming-of-age tale?

The story begins underwater, where we meet an adolescent boy named Luca and his family. These fish have no idea that people regard them as sea monsters. Curiosity impels Luca to disobey his protective parents and see what life is like above the surface of the ocean. Director Enrico Casarosa and his team draw us into their lively story as Luca ventures onto dry land, where he is magically transformed into a human being…

(12) PRECEDENT. SYFY Wire traces film fan history — “’Superman II: The Donner Cut’ was the OG Snyder Cut”.

While the Snyder Cut had to wait four years to finally be realized, it took 25 years for Superman II: The Donner Cut to get the same treatment. In doing so, the Donner Cut was arguably the “OG” Snyder Cut; a trial run that — for better or worse — set a precedent for fan-led campaigns that set the stage of an (at best) aggressive breed of fandom to help Snyder’s take on Superman and the rest of the Justice League defy the Anti-Life equation that is Development Hell. In honor of Superman II’s 40th anniversary this week, here’s a look at how that film’s troubled production and pop-culture legacy paved the way for another Man of Steel to find a second chance. 

(13) BUILDING TRUST. “Sciencing Out: What it Means to Make Information Tangible” from NOVA.

In the second episode of Sciencing Out, host Reyhaneh Maktoufi introduces us to 18th century Englishwoman Lady Mary Wortley Montagu and modern-day wildlife conservationist Paula Kahumbu. By dedicating time to build public trust, both Montagu and Kahumbu made major positive changes in their communities.

In 1716, when smallpox was still ravaging the world, Montagu moved to Constantinople, where she noticed that smallpox was less widespread than in England. She discovered that Constantinoplans held “smallpox parties” where, in a process called “inoculation,” a person would place a dried smallpox scab from a patient with a mild case into the open wound of a healthy person. Montagu grew to trust the process enough that she had her own child inoculated.

Montagu returned to England and tried to advocate for inoculation, but struggled to gain trust. So she went to her friend Caroline, the Princess of Wales, and implored her to inoculate her own child against smallpox and inform the public of the result. Caroline agreed. Seeing royalty successfully inoculate their children against smallpox helped build the public’s trust in the practice, ultimately resulting in significantly fewer disease-related mortalities and setting the stage for modern-day vaccination….

(14) IN THE ‘BAG. “Horror Comedy Short Snore: Puppets, Gore, Mayhem”Gizmodo says this short video delivers a lot.

…Snore introduces us to a businesswoman named Karen who’s fallen on hard times—currently, she’s got nothing left except a stack of schemes for her comeback, and her personal assistant/sorta-boyfriend Callum. Together, they check into a fleabag motel for the night while she plots her next move, but there’s something already in their room that causes quite a ruckus….

The YouTube blurb says it all comes down to this question:

Who will survive and, most importantly, what will be left of Callum’s designer manbag?

(15) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] This video from AT&T Corporate Television from 1979 shows the exciting future where everyone can have an electronic Yellow Pages in their home that gives access to business listings AND Dr. Joyce Brothers!

[Thanks to Andrew Porter, Martin Morse Wooster, JJ, Chuck Serface, Olav Rokne, Lise Andreasen, Michael Toman, John King Tarpinian, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to contributing editor of the day Andrew (not Werdna).]