(1) NOT QUIET ON THE BOOKSTORE FRONT. Sergej Sumlenny tweeted a long thread about “How [the] Russian book market prepared Russians for a full-scale war against Ukraine, NATO, the West, and promoted stalinism and nazism, and how this was ignored by the West.” Thread starts here. Some excerpts:
One of the first indicators of Russia preparing for a full-scale turn to dictatorship and a global war was the mass production of books about cool sides of Stalin and Stalinism and about upcoming war against the West. These books appeared on Russian bookshelves in early 2010s /2
This was the prelude. Soon after, Kremlin has started to publish what they called "battle fantastic". Mass-produced low-quality books about Russian military superiority in all possible conflicts. The whole book series appeared. Here: "Battlefield Ukraine series" "Ukraine on Fire" pic.twitter.com/hT2nahtGYr
Russian history-rewriting genre of "battle fantastic" has its name "popadantsy" (time-travellers, literally: "appearers"). Inspired by the Twain's "A Connecticut Yankee" and Harrison's "The Ethical Engineer", Russians opened a golden mine of stories how to make Russia GREEEAT /12 pic.twitter.com/GEwEItpFM5
I don't think they were selling good, most of them have low rankings at online stores (3/5), but 1) this is more the sign of a state-subsidized program; 2) they were everywhere, on best places, spreading the message with their covers even without being purchased, like posters.
(2) THE BUZZ. Sam Stone returns an enthusiastic verdict on “Pixar’s Lightyear” at CBR.com. If it has a fault, it’s that the movie doesn’t swing for the fences as hard as it should.
… The animation team similarly pulls out all the stops to make Lightyear a memorable sci-fi film, with a visual style that feels very much its own thing compared with the Toy Story movies while retaining that sense of familiarity. Drawing from a whole line of sci-fi influences, Lightyear evokes the sensibilities of classic ’80s sci-fi cinema, from the Space Rangers’ tech and vehicles to the creepy extraterrestrials prowling the planet where Buzz and his friends have crashed. With its time-bending concepts and a genuine sense of heart, Lightyear earns its place among that pantheon of great science fiction….
(3) WHO LEFT THE GRAVITY TURNED ON? [Item by Martin Morse Wooster.] I’m up to February 2019 in my New Yorkers (you may report me to the magazine control board!) but I thought this Talk Of The Town piece was interesting: “When ‘Spaceman’ Came Crashing Down to Earth”.
… On February 22nd of last year, “Spaceman” made its début at the Wild Project, an eighty-nine-seat theatre in the East Village. The set was a room-size contraption made of welded steel and Plexiglas, fitted with buzzers and keyboards and a chair that spins on a truss. The production simulated zero gravity using low-light effects and a puppeteer. After the show, Treadway, feeling good about the performance, came out for a bow in her spacesuit. As she walked off the stage, she tripped over a speaker. She broke her fall with her arms, then popped back up and made a “clumsy old me” face.
“Then I walked backstage and was, like, whoa,” she recalled. “I realized I couldn’t even take my costume off.” Stevens helped her change clothes, and they took an Uber to a clinic in Red Hook. The doctor informed Treadway that she had broken both elbows and her left wrist. (“The woman at physical therapy said it’s an injury that a lot of break dancers have,” she said.) She would need hard casts for a week, and then splints. They would have to cancel the entire three-week run. Stevens recalled, “The next morning, I’m drafting an e-mail to everybody telling them the news, and I’m looking through all these e-mails from people saying, ‘Break a leg!’ ” He laughed ruefully. “I never want to hear that phrase again.”…
“How long do we have to stay on Earth?” CJ Entertainment in Korea has revealed the first international trailer for an epic sci-fi movie called Alienoid. Actually it’s two movies! This “Part 1” will be out in July in Korea, though no US date is set yet. During the Goryeo Dynasty (918-1392), Taoists try to take a mysterious holy sword. Meanwhile in present day (in 2022), aliens appear on Earth. A time door soon connects the late Goryeo period and the present day. The two parties cross paths when a time-traveling portal opens, causing chaos and confusion….
1. RANDOM TRANSPORTER ACCIDENT (STAR TREK: THE MOTION PICTURE)
Here’s one way to get rid of a science officer. Sonak is a Vulcan prepped to take the place of Spock at the start of the first Star Trek movie. His tenure in the position is quite short. Thanks to a random transporter malfunction, he (and the person he transports over to the Enterprise with) dies a gruesome death.
Transporter malfunctions happen all the time, but this is not “The Next Phase” or “Tuvix.” These two people are dead, and it looks (and sounds) horrific. What little of them is recovered does not last long. That’s what Admiral Kirk is told, anyway.
People make light of McCoy not wanting to use the transporter a little later in the movie, but after this? Damn right he shouldn’t use it, especially since the accident was so random and is never really addressed. It’s not a transporter, it’s a character killer. What did Sonak ever do to deserve it? Highly illogical and highly disturbing.
(6) MEDIA BIRTHDAY.
1980 – [By Cat Eldridge.] Forty-two years ago, a rather charming film premiered in syndication this evening as produced by Paramount. The Girl, The Gold Watch & Everything was based on the novel of the same name by John D. MacDonald who of course did the Travis McGee series. I know it watched it and I know I liked even four decades on.
It was written by George Zateslo who hadn’t written anything prior to this save an episode of CHIPS. After writing this, he’d write the script for the sequel, The Girl, the Gold Watch & Dynamite.
The two cast members to note here are Robert Hays as Kirby Winter and Pam Dawber as Bonny Lee Beaumont. That because the story is — SPOILER ALERT — rather a thin SF plot involving a young male who inherits a gold watch that inherits from his millionaire uncle a gold watch that has the power to stop time. A series of rather unlikely and comic adventures ensue. And yes there’s a girl involved. END OF SPOILER ALERT.
An episode of the Twilight Zone, “A Kind of Stop Watch”, has essentially the same story as that of “The Girl, the Gold Watch & Everything”. A lot of Twilight Zone fans would claim very loudly that McDonald ripped off Serling’s script. The episode, however, aired in October of 1963, the year after the publication of the novel on which the movie is based. Sigh.
Neither film appears to streaming anywhere, nor does it appear to be available for purchase. Huh.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 13, 1893 — Dorothy Sayers. I absolutely love her mysteries. I think the Lord Peter Wimsey series are among the best mysteries ever done. And I thought that Ian Carmichael made a most excellent Lord Peter Wimsey in the Seventies Clouds of Witness series. Now to the matter at hand, ISFDB often surprises me and having her listed as writing four stories in the genre did it again. All of them were written in the Thirties and here they are: “The Cyprian Cat”, “The Cave of Ali Baba”, “Bitter Almonds” and “The Leopard Lady”. So, who here has read them and can comment on them being genre or not? (Died 1957)
Born June 13, 1892 — Basil Rathbone. He’s best remembered for being Sherlock Holmes in fourteen films made between 1939 and 1946 and in a radio series of the same period. For films other than these, I’ll single out The Adventures of Robin Hood (after all Robin Hood is fantasy), Son of Frankenstein and Voyage to the Prehistoric Planet. (Died 1967.)
Born June 13, 1903 — Frederick Stephani. Screenwriter and film director who is best remembered for co-writing and directing the 13-chapter Flash Gordon serial in 1936. He directed Johnny Weissmuller‘s Tarzan’s New York Adventure (aka Tarzan Against the World). He was also an uncredited writer on 1932’s Dracula. (Died 1962.)
Born June 13, 1929 — Ralph McQuarrie. Conceptual designer and illustrator. He worked on the original Star Wars trilogy, the first Battlestar Galactica, Star Wars Holiday Special (well somebody had to, didn’t they?), Cocoon, Raiders of the Lost Ark, Nightbreed, Star Trek IV: The Voyage Home andE.T. the Extra-Terrestrial. All of his work is quite stellar. Literally. Pun fully intended. (Died 2012.)
Born June 13, 1943 — Malcolm McDowell, 79. My favorite role for him was Mr. Roarke on the second rebooted Fantasy Island. (Still haven’t seen either of the recent versions.) Of course, his most infamous role was Alex in A Clockwork Orange. Scary film that was and yes, I saw it in the theater. His characterization of H. G. Wells in Time After Time was I thought rather spot on. And I’d like to single out his voicing Arcady Duvall in the “Showdown” episode of Batman: The Animated Series. Remember the truly awful Will Smith starred Wild Wild West film? Of course you do unfortunately. Here is the same premise with Jonah Hex involved instead as written by Joe R. Lansdale. Go watch it as it is a stellar script and of course everything is perfect.
Born June 13, 1949 — Simon Callow, 73. English actor, musician, writer, and theatre director. So what’s he doing here? Well he got to be Charles Dickens twice on Doctor Who, the first being in “The Unquiet Dead” during the time of the Ninth Doctor and then later during “The Wedding of River Song”, an Eleventh Doctor story. He’d also appear, though not as Dickens, on The Sarah Jane Adventures as the voice of Tree Blathereen in “The Gift” episode. I’ve not watched the series. How is this series? He was also The Duke of Sandringham in the first season of Outlander. And he did have a role in Shakespeare in Love which I claim is genre. As of late, he’s been on Hawkeye as Armand Duquesne III in the pilot episode.
Born June 13, 1953 — Tim Allen, 69. Jason Nesmith in the much beloved Galaxy Quest. (Which of course won a much deserved Hugo Award for Best Dramatic Presentation at Chicon 2000.) He actually had a big hit several years previously voicing Buzz Lightyear in Toy Story which would be the first in what would become a long-running film franchise.
Born June 13, 1963 — Audrey Niffenegger, 59. Her first novel was The Time Traveler’s Wife. She has stated in interviews that she will not see the film or the series as only the characters in the novels are hers. Good for her. (I’ve stated before that I don’t watch films or the series based on novels that I really like.) Raven Girl, her third novel about a couple whose child is a raven trapped in a human body, was turned into performance at the Royal Opera House. Oh, and her Ghostly: A Collection of Ghost Stories is, well, chillingly delicious.
(8) COMICS SECTION.
How To Geek’s example of early tech support will make you want to hurl.
Taika Waititi has revealed that he is still hard at work finishing the script for his upcoming Star Warsmovie.
In an interview with Screen Rant, Waititi explained where he’s currently at in the writing process for hisuntitled film and how he approached tying his script into the wider Star Wars universe. “That’s yet to be seen. I don’t know. I’m still writing. I’m still coming up with the ideas and storylining it and just wanted to make sure that it feels like a Star Wars film,” he said. “Because, I could say, ‘Oh yeah, we’ll just write any old thing and set in space and then put Star Wars on the front.’ But it wouldn’t be a Star Wars film without certain elements and a certain treatment, so I’ve just got to make sure that it stays within that wheelhouse.”…
(10) UTTERLY MADE UP. GameRant walks us through the development of the alien tongue: “Star Trek: The Klingon Language, Explained”. Dr. Marc Okrand’s 1985 book The Klingon Dictionary sold over 300,000 copies.
…The Klingons have been a steady part of Star Trek right from the beginning, starting out as the main antagonists in The Original Series and progressing to tentative friends in series to follow. Roddenberry took a leaf out of Tolkien’s book, and created the Klingon language to flesh out the culture. In doing so, he was able to add a depth of realism to his fictional race that’s not often seen even today (with a few exceptions). Instead of a bare-bones array of random sounds, the language has its own vocabulary and grammar, even its own regional dialects. The language was not always present in its fullest form, and developed slowly alongside the show. The first Klingons during the main TV series simply spoke in English, with the audience first hearing their guttural tones during the Star Trek: The Motion Picture film in 1979….
Roaming Mars is a lonely existence for NASA’s Perseverance, but the exploratory rover now has a traveling companion: a hitchhiking “pet rock” that got stuck in one of its wheels.
Luckily, the Martian stone won’t impact the rover’s science mission and is only a minor inconvenience – like having a pebble stuck in your shoe.
Perseverance’s front-left wheel accidentally picked up the pet rock on Feb. 4, or Sol 341 – the 341st Martian day of the Martian year, according to a statement by NASA.
The rock has periodically photobombed images taken by the rover’s front-left Hazard Avoidance Camera (Hazcam).
Recent images show that the rock is still tumbling along with Perseverance 126 days (123 sols) after it first hitched a ride. (A sol, or Martian day, is just 37 minutes longer than an Earth day.)
[Thanks to John King Tarpinian, Chris Barkley, Andrew Porter, Todd Mason, Daniel Dern, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]
(1) ANOTHER BURKE CO-PANELIST MAKES A STATEMENT. Shahid Mahmud, Arc Manor Books publisher, who was one of the panelists on “Diversity Readers and Why You Need Them” at Balticon 56, today told Facebook readers that he and Stephanie Burke “got into a heated discussion” but that Burke did “nothing that warranted her treatment” or expulsion from program afterwards.
…One of the panels that keeps getting referred to is a panel I was on with Stephanie, the one on Sensitivity Readers. Not only that, but I was also the one who got into a heated discussion with her on the panel.
As a fellow panelist (particularly one who got into that that discussion with her) I would like to, in no uncertain terms, make it clear that Stephanie NEVER crossed the ‘line.’ I found her charming, informative, and forceful (in a good way).
At one point I did turn to the audience and apologized for us having hijacked the discussion for the last few minutes and several of them pointed out how refreshing it was to hear different sides of the issue (a couple of them reiterating it after the panel as well).
After the panel ended, Stephanie and I did chat briefly and both of us indicated to the other how much we had enjoyed the discussion even though we disagreed with each other.
So, imagine my shock when I found out that she had been kicked off panels. Even more so, since no from Balticon bothered to contact me about the panel (and no one still has).
Anyway, as a fellow panelist on the panel that is being cited as the reason for her expulsion, I want to make it absolutely clear that Stephanie did nothing that warranted her treatment.
What I find incredulous is that someone at Balticon took it upon themselves to treat another person like that without even bothering to find out what happened or having any investigation of a any kind. Escorting someone out of a panel is pretty extreme. I do think Yakira (the Balticon Chair) is trying to set it right to the extent she can (she has publicly apologized and is now leading an investigation into the incident). I hope the investigation also focuses on Lisa Adler-Golden (the program chair, and I believe the person behind the expulsion) and her actions, motivations and suitability for participation in future Balticons.
David Weber responded at length in comments (here and here), saying in part:
…I’m waiting to see how this all works out, and I hope the con chair is able (and willing) to tell the world what really happened and issue a very sincere and public apology (if appropriate) based on the results of her investigation.
If, as I suspect from all I have heard so far, an apology IS appropriate, I think it should be accompanied with an invitation to return as a special guest and, particularly, for a panel on just how destructive this sort of thing is for the fan community as a whole, and not just for the pros/guests immediately affected by it. It’s an issue that needs to be dragged out into the daylight and confronted, without accepting it as long as it only happens to people WE don’t like, and without degenerating into fruitless rounds of whataboutism. This is goring ALL our oxen. It needs to stop, and I hope one response to this fiasco is that Balticon will tell us how IT intends to prevent it going forward….
(2) THE MESSAGE RECEIVED VARIES WITH THE READER. Jeff VanderMeer addresses the question if “Le Guin’s ‘The Left Hand of Darkness’ is a classic for its portrayal of gender, but is it also sometimes, for the modern reader, a climate change parable?” in “Landscape, Change, and the Long Road Ahead” at Orion Magazine.
…Le Guin, in creating both this world and this situation, meant to interrogate the politics and logic of countries, and how societies deal with the outsider. Even the long, harrowing journey by Genly and his erstwhile friend from Winter, Estraven, across barren ice can be interpreted as a traditional Jack Londonesque extreme wilderness survival tale, rather than anything more modern.
Yet, the reader changes a book because the world changes, and so when I read of the “facts” of Genly being disputed in Orgoreyn, I could not help but think about the “disputed” facts and proofs of the climate crisis.
Climate crisis is about extremes, and in The Left Hand of Darkness cultures are shaped by an immeasurably hostile physical environment. The coldness of the place, which forces adaptation to its conditions and discourages certain kinds of risk. The fact the nations of Winter do not engage in war constitutes one unique manifestation of this adaptation to an extreme environment. Full-scale conflict, as opposed to minor sorties, skirmishes, individual feuds, simply seems alien to the nations of Winter….
Genly describes war as “the opposite of civilization,” and this is literally true on Winter—if not on our Earth. The planet’s inhabitants cannot afford the destructiveness of war or risk Death by Planet, by diverting or destroying resources needed for survival. They do not have the luxury of surviving both the climate and war….
…We have heard back from the grants from this cycle, and we’ve gotten quite a few of them. A few were contingent on holding a convention and I’ll get into the disposition of each of those.
The big news is that we got $15,000 from the City of Boston! This is $10,000 for COVID relief and $5,000 in general operating support. We can use this money to pay organizational expenses such as rent, which comes to $15.600 per year.
We got a grant for $2,275 from SFWA for convention expenses and we can use this for expenses the convention had even though it didn’t actually happen. We have easily enough eligible expenses to get the access grant and $2500 for organizations that did. This appears to be what happened, as we were approved for $2500 for training. We have heard back from the grants from this cycle, and we’ve gotten quite a few of them. A few were contingent on holding a convention and I’ll get into the disposition of each of those.
…We proposed to use this general staff anti-racism training, and I also requested in the application to be able to use the money for board training, in case we get other funding for anti-racism trainings. I believe the Anti-Racism Committee is working on specifics for this training.
We got $3000 for CART from the Universal Participation Fund and the expenses didn’t happen. This is the grant that we qualify for because of Card to Culture. I don’t know if the money can be repurposed, or if so how.
Speaking of Card to Culture, we had 12 people registered for A22 via Card to Culture, vs. 3 in 2021. I am hopeful that we get even more in 2023.
Finally, we have gotten about $4,000 in donations, with one large donation pending in an unknown amount.
This is a total of almost $24,000 not including the access grant. Our annual expenses are a little over $19,000 and the convention had $6,000 in expenses that can’t be passed on to Arisia 2023, plus one of the grants obliges us to spend money on training that we might not have spent otherwise. So we aren’t quite square, but we’re pretty close….
Library groups this week joined with booksellers, publishers, and public advocacy groups in sounding the alarm over a lawsuit in Virginia in which two popular authors and their publishers have been ordered to defend their works against obscenity charges.
The legal action was filed last month by Virginia Beach lawyer and delegate in the Virginia Assembly Tim Anderson (on behalf of local plaintiff and congressional candidate Tommy Altman), citing an obscure state obscenity law. It alleges that two books for sale in a Virginia Beach Barnes & Noble—Maia Kobabe’s popular graphic memoir Gender Queer (Oni Press) and A Court of Mist and Fury (Bloomsbury) by bestselling author Sarah J. Maas—are “obscene for unrestricted viewing by minors.”
According to the Mercury, the judge who issued the order, Pamela Baskervill, is “a retired Petersburg-area judge,” who is handling the case because “all other judges in Virginia Beach recused themselves.”
The court’s order raises the possibility that the court could issue a restraining order barring the books from public display and restraining booksellers and libraries from selling or loaning the books to minors without parental consent. In a Facebook post, Anderson hailed the judge’s order as “a major legal victory” and laid out the playbook for those seeking to restrict access to materials they find objectionable: “Suits like this can be filed all over Virginia,” Anderson wrote. “There are dozens of books. Hundreds of schools.”…
Can a book change a young woman’s life? Kim Chakanetsa talks to two women in the publishing world about the importance of writing stories that inspire and empower girls.
Nnedi Okorafor is an award-winning Nigerian-American writer of fantasy and science fiction for both children and adults. Her books have strong female leads and draw inspiration from her Nigerian roots. Nnedi has also written comics for Marvel: she was the first woman to write the character of T’challa, the Black Panther, and she wrote a series about his tech loving sister, Shuri. She is a recipient of the World Fantasy, Hugo and Nebula Awards.
Mel Mazman is the chief product officer at Rebel Girls, a franchise publishing books and digital content aimed at empowering young women. The company started in 2016, with a crowdfunding campaign for Good Night Stories for Rebel Girls, a book featuring the stories of 100 inspirational women. Since then, they sold 7.5 million books in over 100 countries. Mel shares her insights on how the publishing industry is changing to cater for the needs and interests of younger generations of readers.
(7) BREAKFAST WITH TIFFANYS. [Item by Martin Morse Wooster.] Jo Walton talks to Helen Zaltzman about what she calls “The Tiffany Problem, or how do you tell readers that the “anachronisms” they find in novels aren’t actually anachronistic. “Tiffany” is an authentic 12th century name (ultmately derived from “Epiphany”) but use it in a historical novel and readers complain, Walton discusses how she handles this problem in her novels. “The Tiffany Problem” at The Allusionist podcast.
(8) KEN KELLY (1946-2022). Prolific genre and album artist Ken Kelly died June 3 at the age of 76. He was particularly known for his sword & sorcery cover art. He depicted Conan the Barbarian, Tarzan and the rock acts KISS, Manowar, Sleepy Hollow, Rainbow, and Ace Frehley.
(8) MEDIA BIRTHDAY.
1982 – [By Cat Eldridge.] On this day forty years ago, my favorite Trek film by far, Star Trek II: The Wrath of Khan, premiered. As I noted yesterday in my essay on the ending of the original series, there have been thirteen films so far — the good, the bad and the just plan forgettable. Star Trek II: The Wrath of Khan is in my opinion stellar.
Now I’ll admit that the episode that spawned it, “Space Seed”, isn’t one of my favorite episodes, but the screenwriter for this film, Jack B. Sowards, who based it off a story by him and Harve Bennett, created a story here that is fantastic. Neither had any genre background so Bennett watched all of the original series after being hired by Paramount and decided to do a film off the “Space Seed” story.
Damn, they did a great job. From the Kobayashi Maru simulation (named after Soward’s neighbor) to the over-the-top villain that Ricardo Montalbán is here (far more than he was in “Space Seed”), there is nothing that is not completely entertaining here. Most of these Trek films have a spot or two where I want to say to the editor why is that scene in here, but not in this film. I loved it from beginning to end unreservedly.
(Roger Ebert in his review had an interesting point about Khan: “Khan is played as a cauldron of resentment by Ricardo Montalban, and his performance is so strong that he helps illustrate a general principle involving not only Star Trek but ‘Star Wars’ (1977) and all the epic serials, especially the ‘James Bond’ movies: Each film is only as good as its villain.”)
(Some of them are entirely like that.)
They were given a lousy budget, just twelve million, as Paramount really didn’t believe the film was going to do crap. It did as it made ninety million.
What did the critics think? If they were Trekkies, they liked it. If they weren’t, they didn’t.
Kevin Thomas of the L.A. Times definitely liked it: “In this new film there’s no feeling that its makers are straining to compete with ‘Star Wars’ and other special-effects spectaculars, instead, they’re attempting to recapture the spirit of the beloved TV series. (It is, in fact, probably a plus that the film actually began production intended for TV.) The result is a brisk, handsomely designed film in which its hardware, sturdy as it is, never overwhelms its humanity.”
Whereas David Khmer of the Chicago Reader wasn’t impressed: “In this second Star Trek feature (1982), the crew of the Enterprise confronts middle age in a plot that makes very little literal sense but is packed with pertinent life-out-of-death, Waste Land imagery: a 200-year-old heavy (Ricardo Montalban) living on a barren planet, a secret project code-named ‘Genesis’ that can turn deserts into tropical jungles, Captain Kirk wearing specs and rediscovering his long-lost family. If only director Nicholas Meyer had grasped the implications of his tale more fully and enthusiastically, this might have become a classic piece of cornball SF poetry, but as it stands the tepid acting and one-set claustrophobia take a heavy toll.”
It was nominated for a Hugo at ConStellation losing out to Blade Runner. Rotten Tomatoes reviewers really like giving a ninety percent rating.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 4, 1951 — Wendy Pini, 71. With husband Richard, responsible for Elfquest which won them a Balrog. Over the years Elfquest has been self-published by the Pinis through their own company Warp Graphics, then Marvel Comics, then the Pinis again, more recently DC Comics and then Dark Horse Comics. Everything prior to 2013 is free online at the Elfquest Comic Viewer. Be prepared to spend hours lost in great reading!
Born June 4, 1960 — Kristine Kathryn Rusch, 62. If you’ve not discovered the delights of her Diving Universe series, you’re in for a treat — it’s that good. Her Retrieval Artist series is one that can be read in no particular order so is great deal of fun no matter where you start. And her Spade / Paladin series of which the first novel just came out, Ten Little Fen, is absolutely delightful. Oh, and she won the Astounding Award for Best New Writer. Her website is here; don’t miss her appreciation of A.J. Budrys.
Born June 4, 1960 — Bradley Walsh, 62. His first genre was on The Sarah Jane Adventures as Odd Bob Elijah Spellman aka The Pied Piper in “The Day of the Clown” story. His major genre role video wise however is Graham O’Brien, companion to the Thirteenth Doctor. Now it’s worth noting that he has a lot of theatre experience that is genre having appeared in multiple versions of Aladdin, Cinderella, Jack & the Bean Stalk, Peter Pan and Snow White.
Born June 4, 1964 — Sean Pertwee, 58. Let’s see, where did I see him first? Oh, of course, playing Sheriff Hugh Beringar on Cadfael but that’s not genre, is it? Captain Heinz in “Trenches of Hell, Part 2 “, on The Young Indiana Jones Chronicles which was his first genre role followed being Pilot Smith on Event Horizon and Macbeth in a UK film of that name the same year. He did a bit of low-budget horror playing Bradley Cortese in Tale of the Mummy and likewise in being Sergeant Harry G. Wells in Dog Soldiers. There were some fairly low budget SF as well, say Father in Equilibrium. Not to mention Brother Proteus in Ultramarines: A Warhammer 40,000 Movie which I dearly want to see! All of which gets redeemed by his Inspector Lestrade in Elementary, a stunning take on that character. And then there’s his Alfred in Gotham.
Born June 4, 1969 — Julie Gardner, 53. She was executive producer on the revival of Doctor Who and the spin-offs of Torchwood and Sarah Jane Adventures. She co-founded with Julie Tranter Bad Wolf, best known for the BBC TV series His Dark Materials and A Discovery of Witches on which she serves as an executive producer.
Born June 4, 1972 — Joe Hill, 50. I’ve met him once or twice down the years as he shows up here in Portland for signings at both book shops and comic shops pre-Pandemic. Really nice guy like his father. Actually the whole family is amazingly nice. Locke & Key is a superb graphic novel series and I’m fond of all of his short stories, particularly those collected in 20th Century Ghosts, and his collection Full Throttle. I notice that though he’s not yet won a Hugo, he’s won a fistful of Stokers, many BFAs, a World Fantasy Award and even an International Horror Guild Award.
Born June 4, 1975 — Angelina Jolie, 47. I really liked her two Tomb Raider films and thought Sky Captain and the World of Tomorrow was a really cool film with her role being quite magnificent. I never saw her early Cyborg 2 undertaking but think Hackers and her role as Kate “Acid Burn” Libby was rather good. I’ve not seen her Maleficent films.
Born June 4, 1991 — Jordan Danger, 31. She is best known for her role as Zoe Carter on Eureka. (Now inexplicably renamed A Town Called Eureka in syndication but not on Peacock which is streaming it now along with Warehouse 13.) She also showed up in Ragin Cajun Redneck Gators which as horror is genre of sorts, plus the SF films, Higher Power and Beyond the Sky. And even a vampire film, Living Among Us. All low budget, all straight to DVD productions.
The Far Side reveals a fine point in fantasy cuisine.
(11) COWL SCOWL. In “What Is Batman” the Pretty Much Pop podcast shares its taxonomical theories.
In light of the recent release of Matt Reeves’ film The Batman, we consider the strange alternation of darkness and camp that is Batman. Is he even a super hero? What’s with his rogues’ gallery? What’s with DC’s anti-world-building?
Your Pretty Much Pop host Mark Linsenmayer is joined by philosophy prof/NY Times entertainment writer Lawrence Ware, improv comedian/educator Anthony LeBlanc, and Marketing Over Coffee hostJohn J. Wall, all of whom are deeply immersed in the comics, and we touch on other recent shows in the Batman universe.
(12) HUMOR IN THE DARKNESS. Death’s Intern by D.C. Gomez is the debut novel in the Intern Diaries series launched in 2017.
A talking cat, a boy genius, missing people, and an untrained Intern for Death. What could possibly go wrong?
Did that really happen?
There’s no way Death offered me a job. I’m a musician that makes her living as a waitress, with absolutely no training in the supernatural world. This is all a very bad dream.
But Bob has been kidnapped, and I can’t possibly lose the only friend I have.
Bob, you’d better be alive. Because if I just gave my soul to Death for nothing, I will personally kill you. Not to mention, it seems Death’s Interns have fairly short life expectancies.
God, don’t let me die.
D. C. Gomez was born in the Dominican Republic, and grew up in Salem, Massachusetts. She study film and television at New York University. After college she joined the US Army, and proudly served for four years. Those experiences shaped her quirky sense of humor. D.C. has a love for those who served and the families that support them. She currently lives in the quaint city of Wake Village, Texas, with her furry roommate, Chincha.
One of D. C.’s passions is helping those around her overcome their self-limiting beliefs. She writes both non-fiction and fiction books, ranging from Urban Fantasy to Children’s Books. To learn more about her books and her passion, you can find her at www.dcgomez-author.com.
(13) SCIENCE TAKES A HOLIDAY. [Item by SF Concatenation’s Jonathan Cowie.] You don’t know what it has been like the past few days as you are a citizen living in a flawed democracy, conversely, I am a subject living in a full democracy kingdom. Anyway, our Queen has ruled that we must have four days celebrating 70 years of her reign. So it has been street parties, barbecue, coronation chicken and a right old national knees-up this side of the Pond. It is a tough life, but we Brits are used to it.
It has also meant that, with the exception of this morning, the library cybercafés have been closed, hence no science news until now.
More than fifteen months after landing in Jezero Crater on Mars, NASA’s Perseverance rover has finally begun its hunt for ancient life in earnest.
On 28 May, Perseverance ground a 5-centimetre-wide circular patch into a rock at the base of what was once a river delta in the crater. This delta formed billions of years ago, when a long-vanished river deposited layers of sediment into Jezero, and it is the main reason that NASA sent the rover here. On Earth, river sediment is usually teeming with life.
Images of the freshly ground spot show small sediment grains, which scientists are hoping will contain chemical or other traces of life. Poet William Blake’s “‘To see a world in a grain of sand’ comes to mind,” wrote Sanjeev Gupta, a planetary geologist at Imperial College London, on Twitter….
Meanwhile, the journal Science has been looking at Mayan astronomy and this features on their cover: “The Stargazers”.
The historic Maya oriented their lives by the heavens. Today, their descendants and Western scholars team up to understand their sophisticated astronomy
In the past few years, slowly converging lines of evidence have been restoring the clearest picture yet of the stargazing knowledge European colonizers fought so hard to scrub away…
(14) SHADOWPAW PRESS MAKES DUOTERO AVAILABLE AGAIN. Duatero by Vancouver author Brad C. Anderson, a searing far-future science fiction novel about the struggles of an abandoned human colony to survive on a hostile alien world, is back in print in a new edition from Shadowpaw Press after being orphaned by the closing of its original publisher, Bundoran Press.
Majstro Falchilo Kredo has devoted his life to protecting the abandoned Earth colony of Duatero from Malamiko, the indigenous ecosystem that makes their crops fail and whose contamination turns humans into mindless monsters.
But Malimiko is changing, becoming more dangerous, more aware, even as the ancient technology the humans use to combat it fails piece by precious piece. Kredo and his fellow soldiers must risk everything or see all they hold precious wiped away and forgotten.
Kredo is prepared to sacrifice himself—and anyone around him—to do his duty. But what if the price demanded is even higher?
“Duatero is a powerful work of science fiction that confronts issues of morality and survival head-on in a carefully thought-out and terrifying alien world,” said Edward Willett, editor and publisher of Shadowpaw Press. “It deserves to find many new readers, and I’m thrilled to be able to give it that opportunity.”
Duatero can be bought directly from the publisher or from most online bookstores in both ebook and print and can also be ordered through any brick-and-mortar bookstore. This handy URL provides links to multiple online sources: https://books2read.com/duatero/
“Like a lot of folks, I look forward to the competition every year and am excited to be a part of this wonderful tradition that celebrates excellence,” he said….
(16) IT’S ALMOST TIME. Suspension by Andrea Faye Christians – “a time travel tale of epic proportions” — is Book One of the Time Binder Series.
When Carla Thompson falls asleep and doesn’t wake up, she is shocked to discover what destiny has in store for her. Suspended between two worlds, she meets Isambard Brunel, the legendary eighteenth-century civil engineer, who built the Clifton Suspension Bridge in Bristol, England, and who now serves as guardian of its secrets. Historical events intertwine with Carla’s current reality and along the way she discovers a murder, encounters a host of characters including Jamaican psychic, Matilda, and engages in verbal banter with literary legend, Ernest Hemingway. Her adventures lead her to a startling revelation about why she was chosen for her strange new role. In death Carla realises she has never felt more alive.
Andrea Faye Christians was born and raised in Swansea, South Wales. Following a successful career in British radio including the BBC, she moved to the southern Mediterranean island of Malta to pursue her dream of becoming a freelance writer. A decade later she bought a farm in the Madonie Mountains of Sicily where a menagerie of rescue animals found their way to her. With a son in Malta and a daughter in Sicily, Andrea has a home and her heart in both places, and she now divides her time between the neighboring islands.
Neils Bohr said, “It is wrong to think that the task of physics is to find out how Nature is. Physics concerns what we can say about Nature.” Well it turns out that if we pay attention to this subtle difference, some of the most mysterious aspects of nature make a lot more sense.
[Thanks to JJ, John King Tarpinian, Chris Barkley, Andrew Porter, SF Concatenation’s Jonathan Cowie, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Tom Becker.]
(1) IS IT WASTED ON THE YOUNG? At Young People Read Old SFFJames Davis Nicoll unleashes the panel on Joe Haldeman’s “Tricentennial”.
This month’s selection has an unusual history for a Hugo finalist, having been commissioned to accompany an already completed cover….
Generally speaking, this sort of exercise does not result in notable fiction1. Haldeman managed to deliver a story that wasn’t simply a finalist but a Hugo winner. Perhaps it’s not entirely coincidental that even though his career as an SF writer was still in its early days, he had by this point racked up two Hugo nominations2, a Hugo win, a Nebula win, a Ditmar win, and been a finalist for the Locus six times.
Tricentennial stuck a chord with readers way back in the mid-1970s. Will it be as successful with the youth of today? Let’s find out!…
Polity and Custom of the Camiroi, by R. A. Lafferty
A three-person anthropological team investigates the highly libertarian planet of Camiroi. Society there is highly advanced, seemingly utopian, and utterly decentralized. Sounds like a Heinleinesque paradise. However, there are indications that the Terrans are being put on, mostly in an attempt to just get them to leave.
The result is something like what might have happened if Cordwainer Smith and Robert Sheckley had a baby. That’d be one weird tot…but an interesting one.
…As an author, I was not initially in love with audiobook versions of my books because it was an interpretation, and because the narration was not the way I heard the book in my own head — the narrative beats would sometime be different; a word would be given a different emphasis; a character who I heard one way in my head would sound different (and sometimes would feel like they had a different personality entirely).
Two things got me over this. The first was that audio increased my annual income from writing by about a third, which smoothed over quite a lot. The second thing was that I realized that audiobook narration is a performance and that, like one can appreciate the myriad of ways that actors have approached the “To Be Or Not To Be” soliloquy in Hamlet, one can equally look at the choices the narrator makes in their performance and see how they are in conversation with the text, often in ways that are a surprise to me, the author. So the necessary fact of the interpretation stopped being an annoyance and became a thing of interest….
If you die, what’s the plan for the next life?” This is the question posed in the opening scene of the recent BBC adaptation of Kate Atkinson’s 2013 novel Life After Life, in which the protagonist, Ursula, repeatedly dies and starts over from birth. It’s a fascinating idea: what would you do differently, and what would remain the same? It is one explored in another hit TV show that has just returned for a second season, Russian Doll, the first season of which saw the main character, Nadia, return endlessly to the night of her 36th birthday party, suffering a different death each time.
Mainstream film and television have a long history of playing with time loops. But while Groundhog Day was a huge success in the early 1990s, narratives about ordinary people caught in this speculative twist have been harder to pull off in literature. Perhaps this is because there tends to be an earnestness to such stories that doesn’t translate into fiction, and a tendency towards repetition that readers may not tolerate as well as viewers. It is trickier to create a montage in fiction: part of what makes Groundhog Day so compelling is the ability to only show the differences in Bill Murray’s repeating days….
(5) ORVILLE THIRD SEASON. “Our return is imminent.” The Orville: New Horizons arrives June 2 on Hulu.
Japan, South Korea, Russia, India, the United Arab Emirates and the United States aim to send missions to the Moon in the next year. But will they all make it?
NASA’s US$93-billion Artemis programme might be stealing most of the limelight with its maiden launch this year because it’s the first step towards sending astronauts to the Moon. But the United States is just one of many nations and private companies that soon plan to launch missions, heralding what scientists say could be a new golden age of lunar exploration.
Science isn’t the only driving force. The flurry of missions also signals the growing ambition of several nations and commercial players to show off their technological prowess and make their mark, particularly now that getting to the Moon is easier and cheaper than ever before….
(7) MUSK CONTRADICTED. Shannon Stirone says let the record reflect that “Mars Is a Hellhole” in The Atlantic.
There’s no place like home—unless you’re Elon Musk. A prototype of SpaceX’s Starship, which may someday send humans to Mars, is, according to Musk, likely to launch soon, possibly within the coming days. But what motivates Musk? Why bother with Mars? A video clip from an interview Musk gave in 2019 seems to sum up Musk’s vision—and everything that’s wrong with it.
In the video, Musk is seen reading a passage from Carl Sagan’s book Pale Blue Dot.
…Musk reads from Sagan’s book: “Our planet is a lonely speck in the great enveloping cosmic dark. In our obscurity, in all this vastness, there is no hint that help will come from elsewhere to save us from ourselves. The Earth is the only world known so far to harbor life. There is nowhere else, at least in the near future, to which our species could migrate.”
But there Musk cuts himself off and begins to laugh. He says with incredulity, “This is not true. This is false––Mars.”
He couldn’t be more wrong. Mars? Mars is a hellhole. The central thing about Mars is that it is not Earth, not even close. In fact, the only things our planet and Mars really have in common is that both are rocky planets with some water ice and both have robots (and Mars doesn’t even have that many)…
Recent pictures from Nasa’s Curiosity Mars rover show an intriguing feature which looks like a doorway nestled in the rocks on the Martian landscape.
It looks so convincing that it can almost tempt you to believe that it leads to a Martian hideaway – or a gateway to another Universe entirely.
While the internet seems to be having a field day with conspiracy theories about the mysterious doorway, some Reddit users aren’t buying it.
Many party poopers have pointed out the door is likely just a shear fracture — the result of some kind of strain on the rock, breaking part of it off….
(9) PIECES OF EIGHT. Octothorpe 57 is out now! Listen here! “Back Bacon is Best”.
John is a muppet bilby, Alison is actively drinking, and Liz MURDERS OWLS. We discuss Reclamation 2022 and the COVID that ensued, before talking about Horizon Forbidden West a whole bunch. Also other things.
Below, the Octothorpe cast are depicted as Australian mammals in muppet form. John is a bilby, Alison is a quokka, and Liz is an echidna. John has a glitter octothorpe on his forehead.
(10) MALTIN ON MOVIES. [Item by Martin Morse Wooster.] I heard this podcast Leonard and Jessie Maltin did with Gustav Hoegen. Hoegen is Dutch, and when he was 6 he went with his father to the Tuchinski Theatre (an old-school picture palace) in Amsterdam to see Return of the Jedi, and he decided he wanted a career in the movies. He worked his way up through British special effects shops in 2013 and now runs his own company, Biomimc Studio. His creatures have appeared in four recent Star Wars movies, one of the Jurassic World pictures, and Ridley Scott’s Prometheus. He says that Ridley Scott, J.J. Abrams and Tim Burton were the best directors to work with, and he gets work because directors realize that actors do a better job reacting with an actual object on screen rather than doing the entire film via green screen. “Maltin on Movies: Gustav Hoegen”.
…”There’s been a few false stories and false tales and we placed a few posts ourselves, a couple of misleading things, and we’re very pleased that that kind of worked.”
However, Davies clarified that the rumour James Corden might be taking on the role wasn’t one of his red herrings, adding: “We didn’t plant that one, so that caught me frankly.”
While Davies did not expand on which names he’d planted in the press, a number of actors associated with the award-winning screenwriter were rumoured to be Jodie Whittaker’s replacement…
(12) ANN DAVIS (1934-2022). The Guardian paid tribute to the late Ann Davies as an “actor admired for her many roles in TV drama series including Z Cars, EastEnders and in 1964 an appearance in Doctor Who.” She died April 26 at the age of 87.
…Television immortality came early on when when she joined forces with the first Doctor Who, William Hartnell, in 1964 in The Dalek Invasion of Earth. As Jenny, a determined and capable freedom fighter, Davies was a cold and efficient co-combatant with the series regular Barbara (Jacqueline Hill, in real life Davies’s friend and neighbour).
The action required them to encounter the Daleks in arresting scenes filmed at London landmarks. At one point they smashed through a patrol with a van, which required early morning shooting in the capital to avoid the crowds. Although it was just one guest role in her long career, Davies remained in demand for Doctor Who interviews and signings.
(13) MEMORY LANE.
1969 – [By Cat Eldridge.] Samuel Delany’s Nova was nominated for a Best Novel Hugo at St. Louiscon fifty three years ago, the year that Stand on Zanzibar won. Two amazing novels; in this Scroll I’m here just to talk about Nova though I won’t deny that Stand on Zanzibar is an amazing novel as well.
Nova came at a point in Delany’s career after he had just won three Nebulas, two for novels, Babel-17 and The Einstein Intersection, plus one for his short story, “Aye, and Gomorrah..” The first novel was nominated for a Hugo at NYCon 3, the short story and the latter novel at BayCon. BayCon would see him get also nominated for “The Star Pit” novella, and St. Louiscon the next year would see his “Lines of Power” novella get nominated. It was a very fecund time for him.
And then there was Nova, a fantastic novel that was first published by Doubleday in August 1968. Is it space opera? Is it really early cyberpunk? Of course it also had strong mythological underpinning and the tarot figured prominently into the story as well, so it couldn’t be nearly put into any categories, could it? All I know is that I really liked reading it.
Reviewer Algis Budrys said in the January 1969 issue of Galaxy Science Fiction that it was “highly entertaining to read” and a later review on the Concatenation site said, “Though a novel, this runs like a string of tangled short stories fused and melted through one another, with fantastic concepts, but making its preposterous mission sound utterly credible for its extraordinary characters.”
(14) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born May 12, 1937 — George Carlin. Rufus in Bill & Ted’s Excellent Adventure and Bill & Ted’s Bogus Journey. He also showed up in Scary Movie 3 and Tarzan II. I once met him many decades ago at a Maine summer resort. He was really personable and nice. (Died 2008.)
Born May 12, 1942 — Barry Longyear, 80. Best-known for the Hugo- and Nebula-winning novella Enemy Mine, which became a film by that name as well (novelized by Longyear in collaboration with David Gerrold.) An expanded version of the original novella, plus two novels completing the trilogy, The Tomorrow Testament and The Last Enemy, make up The Enemy Papers. I’m very fond of his Circus World series, less so of his Infinity Hold series.
Born May 12, 1973 — Mackenzie Astin, 49. His major genre role was in The Magicians as Richard/Reynard but he’s also appeared in I Dream in Jeannie… Fifteen Years Later (who knew?), Agents of S.H.I.E.L.D., The Outer Limits, Lost and The Orville.
Born May 12, 1950 — Bruce Boxleitner, 72. His greatest genre role was obviously Captain John Sheridan on Babylon 5. (Yes, I loved the show.) Other genre appearances being Alan T. Bradley in Tron and Tron: Legacy, and voicing that character in the Tron: Uprising series. He has a recurring role on Supergirl as President Baker.
Born May 12, 1953 — Carolyn Haines, 69. Though best known for her Sarah Booth Delaney mystery series at twenty books and counting, she has definite genre credits having two orbs in her Pluto’s Snitch series, The Book of Beloved and The House of Memory, plus the rather excellent The Darkling and The Seeker though you might not recognize them as being hers as she wrote them as R.B. Chesterton. Her genre books are on Kindle.
Born May 12, 1958 — Heather Rose Jones, 64. Member of our File 770 community. She received the Gaylactic Spectrum Award for the Mother of Souls, the third novel in her Alpennia series which has now seen four novels published, quite an accomplishment. For six years now, she has presented the Lesbian Historic Motif Podcast subseries of the Lesbian Talk Show.
They might have big feet, but with those little legs Hobbits Samwise Gamgee and Frodo Baggins had their work cut out trekking from Bag End to Mount Doom in JRR Tolkien’s seminal The Lord of the Rings trilogy.
One thing that has always enthralled fans when picking up Tolkien’s books is the attention to geography and the maps of Middle Earth.
Well now, thanks to one brilliantly thorough Imgur user called Mattsawizard, we can see how far those little legs had to go.
Better still he’s contextualised them with the UK….
At first glance, Hunter Hawk seems to have been served the same dismal gruel as any other Thorne Smith protagonist. His home is inhabited by a swarm of grasping relatives, each one more feckless than the last. Other Smith protagonists require some external impetus to jar them out their conventional rut. Not Hunter Hawk, for long before the reader meets him, Hawk has energetically embraced mad science.
Having invented a petrification ray, Hawk’s immediate impulse is to turn it on his disappointing relatives. This leaves the inventor free for a meet-cute with Megaera, a 900-year-old fairy. It happens that Megaera has a trick that mirrors Hawk’s: she knows how to turn stone to living flesh. The couple could use this to de-petrify his relations. Instead, they transform statues of Roman gods into living deities.
The gods demand entertainment. Fortuitously, Jazz Age America is more than able to provide it.
(18) CONTAGIOUS ENTHUSIASM. [Item by Martin Morse Wooster.] Chris Holm, author of a near-future sf novel where antibiotics have failed, offers eight recommendations for movies where disease is amok and creatures are covered with goo. “Eight Biological Horror Movies Guaranteed to Make Your Skin Crawl” at CrimeReads.
…Since [my novel] Child Zero seems to be scaring the bejesus out of everybody, I thought a fun way to celebrate its release would be an alphabetical roundup of my eight favorite biological horror movies.
Why biological horror rather than, say, body horror? Because even though the latter is an accepted horror subgenre, I’m not convinced everything on my list qualifies. Besides, I’m here to hype a biological thriller, not a body horror novel—so, y’know, synergy!…
(19) SAY CHEESE. What else do you say when you photograph something with a big hole in it? From the New York Times: “The Milky Way’s Black Hole Comes to Light”. (Photo at the link.)
Astronomers announced on Thursday that they had pierced the veil of darkness and dust at the center of our Milky Way galaxy to capture the first picture of “the gentle giant” dwelling there: a supermassive black hole, a trapdoor in space-time through which the equivalent of four million suns have been dispatched to eternity, leaving behind only their gravity and violently bent space-time.
The image, released in six simultaneous news conferences in Washington, and around the globe, showed a lumpy doughnut of radio emission framing empty space. Oohs and aahs broke out at the National Press Club in Washington when Feryal Ozel of the University of Arizona displayed what she called “the first direct image of the gentle giant in the center of our galaxy.” She added: “It seems that black holes like doughnuts.”…
… Black holes were an unwelcome consequence of Albert Einstein’s general theory of relativity, which attributed gravity to the warping of space and time by matter and energy, much as how a mattress sags under a sleeper.
Einstein’s insight led to a new conception of the cosmos, in which space-time could quiver, bend, rip, expand, swirl and even disappear forever into the maw of a black hole, an entity with gravity so strong that not even light could escape it.
Einstein disapproved of this idea, but the universe is now known to be speckled with black holes. Many are the remains of dead stars that collapsed inward on themselves and just kept going.,,,
Nova explosions occur when a runaway thermonuclear reaction is triggered in a white dwarf that is accreting hydrogen from a companion star. The massive amount of energy released ultimately creates the bright light source that can be seen with a naked eye as a nova. But some of the energy has been predicted to be lost during the initial stages of the reaction as a flash of intense luminosity — a fireball phase — detectable as low-energy X-rays. In this week’s issue of Nature, Ole König and his colleagues present observations that corroborate this prediction. Using scans taken by the instrument eROSITA, the researchers identified a short, bright X-ray flash from the nova YZ Reticuli a few hours before it became visible in the optical spectrum. The cover shows an artist’s impression of the nova in the fireball phase.
(21) DEEP SUBJECT. Terry Pratchett talks to Leigh Sales of Australian Broadcasting about his Alzheimer’s and his support for right-to-die legislation in this 2011 clip: “Sir Terry Pratchett on life and death”.
On May 1, LEGO will release a series of Muppet Minifigures depicting Jim Henson’s most iconic creations: Kermit the Frog, Miss Piggy, Fozzie Bear, Rowlf the Dog, Gonzo the Great, Animal, Janice, Swedish Chef, Dr. Bunsen Honeydew, Beaker, Statler, and Waldorf. LEGO sent IGN a preview set of all 12 minifigures, and we took a few photos (see below) to show off their details….
Part of what makes the Muppets lovable is their scruffiness; they’re cute, but not cloying in appearance or mannerism. And LEGO captures this quality by customizing each head distinctively–to be rounded, or conical, or exaggerated as need be.
Gonzo’s nose is huge. Beaker’s head is narrow. Honeydew’s eyes are non-existent. The Muppets are not subsumed by the LEGO aesthetic; if anything, LEGO compromised its design boundaries to ensure these figures retained that intangible ‘Muppet-ness’ they all possess….
[Thanks to John King Tarpinian, Chris Barkley, Andrew Porter, SF Concatenation’s Jonathan Cowie, Steven French, Andrew (Not Werdna), Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Tom Becker.]
Multiple resignations from the editorial departments at two big houses caused an online reckoning on Friday. Four editors, Angeline Rodriguez and Hillary Sames at Orbit, Erin Siu at Macmillan Children’s, and Molly McGhee at Tor all announced their resignations, leading to a discussion about the workload of junior and mid-level employees and the difficulty of advancement across the industry. The online exchange brought into the open the frustrations of increased workload, burnout and turnover that have been brewing as the pandemic continues. Those feelings are intensified as big publishers report record sales and earnings, even as multiple people report on Twitter they believe their employers are not sufficiently reinvesting those proceeds in additional staff, systems and raises.
At the heart of the discussion was McGhee’s resignation letter which she posted on Twitter….
… On March 11, McGhee joined a group of junior and midlevel employees who exited the publishing industry, blaming low pay, unrealistic workloads and burnout. For context: It is extremely difficult, if not impossible, to live in or near New York City (epicenter of bookmaking) on an entry-level publishing salary. Add school loans, subtract a second job or additional subsidy and you risk being factored out of a career in letters before the ink on your college diploma has had a chance to dry.
“As some of you may have heard, today is my last day at Tor Books,” McGhee wrote in the resignation letter she shared on Twitter. “My promotion request was denied, and as such I am leaving as my first acquisition (the marvelous THE ATLAS SIX by Olivie Blake) debuts at number three on The New York Times Bestsellers List.” She goes on, “Making the NYT is a career high for an editor. It is rare for an assistant to do so and, by all accounts, this should be ‘a great beginning’ and not a heartbreaking end.”
McGhee also cites “the invisibility of the junior employee’s workload” as one of her reasons for leaving Tor. As Blake writes in her novel, “We are the gods of our own universes, aren’t we?” Indeed we are. But gods cannot live on ramen alone….
(2) ESA AND ROSCOSMOS BREAKUP. The European Space Agency has suspended the ExoMars rover after Russia’s invasion of Ukraine. The ESA ruling council “acknowledged the present impossibility of carrying out the ongoing cooperation with Roscosmos on the ExoMars rover mission with a launch in 2022” – “ESA – ExoMars suspended”.
As an intergovernmental organisation mandated to develop and implement space programmes in full respect with European values, we deeply deplore the human casualties and tragic consequences of the aggression towards Ukraine. While recognising the impact on scientific exploration of space, ESA is fully aligned with the sanctions imposed on Russia by its Member States.
ExoMars
ESA’s ruling Council, meeting in Paris on 16-17 March, assessed the situation arising from the war in Ukraine regarding ExoMars, and unanimously:
acknowledged the present impossibility of carrying out the ongoing cooperation with Roscosmos on the ExoMars rover mission with a launch in 2022, and mandated the ESA Director General to take appropriate steps to suspend the cooperation activities accordingly;
authorised the ESA Director General to carry out a fast-track industrial study to better define the available options for a way forward to implement the ExoMars rover mission.
Space Transportation
Following the decision by Roscosmos to withdraw their personnel from Europe’s Spaceport in French Guiana, all missions scheduled for launch by Soyuz have been put on hold. These concern essentially four institutional missions for which ESA is the launch service procurement entity (Galileo M10, Galileo M11, Euclid and EarthCare) and one additional institutional launch.
Consequently, the ESA Director General has initiated an assessment on potential alternative launch services for these missions, which will include a review of the Ariane 6 first exploitation flights. A robust launch manifest for ESA missions’ launch needs, including for spacecraft originally planned for launch by Soyuz from Kourou, will be submitted to Member States.
… The strife is impacting otherworldly missions as well: Consider Russia’s nascent Venera-D mission, a proposed orbiter and lander meant to blast off for Venus in 2029. The U.S. had been considering allowing NASA to collaborate on Venera-D, perhaps by contributing scientific instruments. But, citing retaliatory sanctions, Russia’s space leadership deemed continued U.S. participation in the project “inappropriate.”…
Stacey Abrams just boldly went where no Georgia gubernatorial candidate has gone before.
Abrams, the Georgia politician who’s running for governor of the state this year, had a surprise cameo in the latest episode of Star Trek: Discovery, appearing as the president of United Earth.
A scene at the end of the season four finale, “Coming Home,” introduces the United Earth president, and Abrams gets several lines, announcing that “United Earth is ready right now to rejoin the Federation, and nothing could make me happier than to say those words.” She also has a discussion with Discovery‘s main character, Michael Burnham (Sonequa Martin-Green), about Earth rejoining the Federation, and this scene closes the episode….
Yes, that was Stacey Abrams with a cameo on Star Trek Discovery as president of United Earth. A proud Star Trek nerd, Abrams has appeared as a guest on fan shows and has talked extensively about how the show shaped her perspective. #gapolpic.twitter.com/V1HbghDERw
Sky has released the official teaser trailer for Steven Moffat’s adaptation of The Time Traveler’s Wife, which will air on Sky Atlantic and NOW in May.
… The six-episode series is the second major adaptation of Audrey Niffenegger’s popular novel of the same name, following the 2009 film starring Rachel McAdams and Eric Bana, once again telling the story of a marriage that threatens to be torn apart by time travel. Alongside Leslie and James, the cast also includes Desmin Borges, Natasha Lopez, Kate Seigel and Michael Park.
Of course, it’s not Moffat’s first time dealing with time travel – following his hugely successful stint as Doctor Who showrunner between 2009 and 2017 – but he’s been on record to explain that the two shows share little in common beyond that superficial similarity.
(6) I’VE SEEN THAT FACE BEFORE. [Item by Olav Rokne.] Well, this will certainly be out of the price range of us mere mortals… Virgil Finlay’s “Portrait of Robert A. Heinlein” will be up for auction on April 15. “This lot is accompanied by a letter signed by the artist and dated August 5, 1953.”
(7) MEDIA BIRTHDAY.
2006 — [Item by Cat Eldridge]Doctor Who ended back in 1989 when the Seventh Doctor as played by Sylvester McCoy had his final story, “Survival.” No indication was given beforehand that the show was being cancelled.
A year after the BBC revived by the show in the UK, Doctor Who returned in the U.S. “Rose” was broadcast in the States on March 17, an episode named for the Billie Piper character who was the first modern companion. Christopher Eccleston played the Ninth Doctor. Briefly. Note that there is no regeneration scene here. Of course as we know there were other Doctors between the Seventh Doctor and this Doctor. Indeed the numbering is suspect, isn’t it?
So how was the reception for this new Who? The New York Times liked it: “In most previous versions of the show, so little was going on between the Doctor and his female companions that fans took to making up sex scenes on the Internet, much the way ‘X-Files’ buffs tried to fantasize a little action between Scully and Mulder. But between the Doctor and Rose there is genuine, old-fashioned chemistry, and their interaction, which occasionally takes on the aspect of screwball comedy, is much the best thing in the show.”
And Radio Times succinctly put it, “Think big. Think bold. Think fantastic! For the very first time, Doctor Who achieves a perfect blend of big screen and small screen.”
Season One over at Rotten Tomatoes holds a near perfect ninety-six percent rating among audience reviewers.
The entire new series is streaming on HBO Max. The older series is on a number of streaming services of a British nature.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 17, 1846 — Kate Greenaway. Victorian artist and writer, largely known today for her children’s book illustrations. So popular was she and her work that the very popular Kate Greenaway Almanacks appeared every year from 1883 to 1895. Among her best-known works was her edition of Robert Browning’s The Pied Piper of Hamelin, Rosa Mulholland’s Puck and Blossom and Bret Harte’s Pirate Isle. (Died 1901.)
Born March 17, 1906 — Brigitte Helm. German actress, Metropolis. Her first role as an actress, she played Maria and her double, the Maschinenmensch, plus several uncredited roles as well. She’s got some other genre credits including L’Atlantide (The Mistress of Atlantis) and Alraune (Unholy Love). Her later films would be strictly in keeping with the policies of the Nazis with all films being fiercely anti-capitalist and antisemitic. (Died 1996.)
Born March 17, 1945 — Tanya Lemani, 77. Iranian-born actress who is one of the victims of Star Trek’s “Wolf in the Fold” as the dancer Kara. She has appeared on the original Fantasy Island, Get Smart, I Dream of Jeannie, The Bionic Woman, and The Man from U.N.C.L.E. in one-offs.
Born March 17, 1933 — Penelope Lively, 89. I’ve actually mentioned her before as Catherine Butler did a work in part on her, Four British fantasists: place and culture in the children’s fantasies of Penelope Lively, Alan Garner, Diana Wynne Jones, and Susan Cooper. She’s here because I’m very fond of one of her novels, The Wild Hunt of Hagworthy, having a great liking for fiction about that story. She’s won the Booker Prize for Moon Tiger and the Carnegie Medal for British children’s books for The Ghost of Thomas Kempe.
Born March 17, 1941 — Paul Kantner. A founder of Jefferson Airplane which would become Jefferson Starship. The Dragonfly album, particularly “All Fly Away” and “Hyperdrive” is very genre as well as much of the Jefferson Airship output is genre. “Hyperdrive” would be used in the opening ceremonies at MidAmeriCon (1976). (Died 2016.)
Born March 17, 1947 — James Morrow, 75. Author of the most awesome Godhead trio whose first novel, Towing Jehovah, won a Nebula and a World Fantasy Award and was nominated for a Hugo at Intersection. I’m also impressed by The Last Witchfinder as it’s told by a sentient book, Isaac Newton’s Principia Mathematica!
Born March 17, 1948 — William Gibson, 74. I’ve read the Sprawl trilogy more times than I can remember and likewise the Bridge trilogy and The Difference Engine. He won a Hugo at Aussiecon Two for Neuromancer, his only such win, though he had other nominations including for the other two novels in the Sprawl trilogy.
Born March 17, 1951 — Kurt Russell, 71. I know I saw Escape from New York on a rainy summer night in a now century-old Art Deco theatre which wasn’t the one I later saw Blade Runner in. I think it’s much better than Escape from L.A. was. Of course there’s Big Trouble in Little China, my favorite film with him in it. And let’s not forget Tombstone. Not genre, you say. Maybe not, but it’s damn good and he’s fantastic in it.
Featuring celebrity fans and legendary creators, The Galaxy’s Greatest will stream online and for free on 26 and 27 March on 2000 AD’s social media channels and YouTube, and Rebellion’s dedicated Twitch stream.
The two-day show will feature top flight guests on more than a dozen panels, all discussing the impact of 2000 AD on comics and culture over almost half a century, as well as announcements and new merchandise.
… The event will throw a spotlight on the people who have helped make 2000 AD the galaxy’s greatest comic, with creators both new and legendary sharing their stories and insights on the comics-making process — including a feature interview with the co-creator of Judge Dredd and Strontium Dog, John Wagner, as well as panels with Garth Ennis (The Boys, Preacher), Rob Williams (Suicide Squad), Alex de Campi (Archie vs Predator), Sean Phillips (Criminal), Anna Morozova (Judge Anderson), John McCrea (Hitman), Dan Cornwell (Rok of the Reds), Aleš Kot (Zero), and more to be announced.
The next 45 years of 2000 AD will also be discussed with owners and publishers Chris Kingsley OBE and Jason Kingsley OBE, and current editor Matt Smith – now the longest serving editor in 2000 AD history….
…The Donna Noble star has been heavily linked with a return to the sci-fi show in recent months, with rumours that she might rejoin the cast for the upcoming 60th anniversary special.
And she addressed those rumours during an appearance on The One Show to promote her new film The Nan Movie, telling Jermaine Jenas that she “probably started a lot of them” herself.
“What can I tell you? No, I wish it was [true],” she said. “Well, no one’s been in touch.”
But she added: “I’m on the same number, I’d just like to say. So, if you’ve got the money, I’ve got the time.”
(12) OCTOTHORPE. John Coxon has COVID, Alison Scott wanted to do a podcast, and Liz Batty had no better offers. So it’s a short episode of the hosts answering Cora Buhlert’s questions. Listen to Octothorpe 53 here: “It Was John’s Idea”.
…We were at Zuma Beach on the kind of warm March afternoon that New York readers would surely prefer I not dwell on, and Villeneuve’s Oscar-nominated sound editors Mark Mangini and Theo Green were nearby, pouring cereal into the sand. This wasn’t meant to provoke any sea gulls; Mangini and Green wanted to demonstrate the sound-gathering techniques they used to enliven Arrakis, the desert planet where the “Dune” hero Paul Atreides (Timothée Chalamet) discovers his destiny.
“One of the most compelling images in the film is when Paul first steps foot onto the planet,” Mangini said. Since the sand on Arrakis is laced with “spice,” a valuable and hallucinogenic substance, the sound designers had to find an audible way to convey that something special was underfoot.
By way of explaining it to me, Mangini ground his work boot into the soft patch of sand that he had dusted with Rice Krispies. The sand produced a subtle, beguiling crunch, and Villeneuve broke out into a big smile. Though he’d heard it plenty of times in postproduction, he had no idea what the sound designers had concocted to capture that sound.
“One of the things I love about cinema is the cross between NASA kind of technology and gaffer tape,” Villeneuve said. “To use a super-expensive mic to record Rice Krispies — that deeply moves me!”…
(14) FLY LIKE AN EAGLE. [Item by Mike Kennedy.] Time keeps on slippin’, slippin’, slippin’ into the future… At least that’s what the Steve Miller Band assured me in their 1976 hit Fly Like an Eagle. Perhaps they assured Elon Musk the same thing (though he’d only have been 5 at the time).
In 2016, Musk told us that humanity would land on Mars by 2024. In late 2020, he revised the landing date to 2026. Now he’s telling us 2029. This is hardly the first time that Musk has been forced to change projections for one of his ventures. Nor is it the first time a targeted date for anyone’s space launch has slipped.
To me, 2029 still seems ambitious given where we are. But, if Musk (or someone else) does manage to hit that date, it’ll be 60 years after the Eagle landed on the Moon. Assuming I live that long (and am still compos mentis), it’d be extraordinary to witness both landings in one lifetime. “Elon Musk Has New Estimate for When Humans Might First Step on Mars” at CNET.
… Starship, which SpaceX is designing to take astronauts to the moon for NASA and eventually to Mars, has made some successful high-altitude flights, but has yet to make it to space.
Musk has made noise over the past two years about federal launch regulations slowing the process of reaching Mars and recently even floated the specter of bankruptcy if SpaceX isn’t able to produce Starship’s raptor engines more rapidly.
Unsurprisingly, getting to Mars takes planning. As Mars and Earth move around the sun, the two planets move closer to one another and then farther away again. To take advantage of the times when the trip between the two worlds is shortest requires launching during certain windows. The ideal Mars launch windows for this decade are later this year, late 2024, late 2026 and late 2028/early 2029.
It’s looking as though Musk’s initial ambitions may have been overly optimistic. If his target date slips much further, into the 2030s, it will be more in the ballpark of when NASA has always been aiming in terms of sending the first astronauts to Mars….
(15) BEHIND THE LINES. Enjoy “Greener Grass” a Star Wars short film made with Unreal Engine 5.
(16) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Harry Potter and the Prisoner of Azkaban Pitch Meeting” Ryan George says in the third Harry Potter movie, Voldemort isn’t around but Dumbledore still gets to give his annual address on the many ways Hogwarts students can die. And when asked why Hogwarts could produce a book of monsters that is an actual monster, the writer answers, “It’s clear wizards don’t have any consumer protection laws.”
[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, Rich Horton, Gary Farber, Olav Rokne, SF Concatenation’s Jonathan Cowie, John King Tarpinian, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Olav Rokne.]
I am in passport control. I can see my face on a screen. The technology recognises me and lets me through. I scan codes showing my vaccination status and recent Covid test results. The machines assess the data regarding my health and microbiology. Through into the waiting room, people are staring into little screens. A strangely large number have the camera flipped, and are capturing their faces at different angles, as if they’ve forgotten what they look like. I open my laptop and join in. I give my details to a company to enter the digital realm. Adverts tailored to my personality pop up. They know me better than I know myself.
(2) THE NEW NUMBER TWO. Brandon Sanderson’s “Surprise! Four Secret Novels” needed less than 48 hours to become the second Most Funded Kickstarter in history. Right now he’s in between a smartwatch and a portable cooler, having raised $17,512,529 at this writing with 28 days to go.
David Doering adds, “I’d love to say that Brandon hinted at all this at LTUE [Life, The Universe, and Everything] two weeks ago, but he was mute about it. The really big news to me is that he is now the #2 Record Holder on Kickstarter as an AUTHOR! Not a gizmo or gadget idea.guy — a WRITER sets the record. That is KEWL.”
(3) HOUSE DIVIDED. Many are commenting on the Ukraine invasion today and looking at the open letter from Russian sff authors supporting Putin’s actions that is signed by 2023 Worldcon GoH Sergei Lukianenko.
R. B. Lemberg tweeted the translation of another pro-invasion apologetic signed by a mass of Russian writers. Thread starts here. Lemberg also hits the nail on the head so far as the Worldcon is concerned.
I believe much of modern entertainment can be traced to REH, directly or via his influence. From music to gaming to professional wrestling, all the myriad forms of storytelling through any media owes its current existence to Robert E. Howard to some extent. I’ve often thought about exploring that connection, tracing that lineage. Frankly, I also always considered it too much work. Until I heard Bill Cavalier’s Guest of Honor speech “How Robert E. Howard Saved My Life” at Howard Days 2018 in Cross Plains, Texas. While much of that audience already knew that story–it truly touched me. Before the evening was over I considered it a revelation and immediately voiced efforts to gather similar stories I knew had to exist, though slightly tweaking the emphasis to be on changed rather than saved personal lives. …
… But even a Dyson Sphere wasn’t impressive enough for Ray Bradbury, and he decided to expand on the concept by postulating a nested series of spheres he called a ‘Matrioshka brain.’ In this model, the innermost sphere would collect the sun’s entire energy output and use it for computing. The waste heat produced by this computing would then be collected and used by the next sphere, which in turn would generate its own waste heat for the next sphere to collect, and so on….
The panelists for the titular panel were: Jen Gunnels as moderator, CL Polk, Narina Brelin, JS Dewes, and Lezli Robyn.
The description was as follows: When a story denies the audience the narrative they expect, reactions can range from “What a clever twist!” to “That’s awful,” to even “I feel used.” What causes some unexpected plot developments to disappoint rather than delight—and how do you craft a satisfying surprise?
Today the game maker moved to acquire Bandcamp, an online music-streaming service that revolves around DRM-free purchases of MP3s, FLACs, and other audio files. The news emerged via press releases from both Bandcamp and Epic on Wednesday. As of press time, neither side of the deal has clarified its financial terms….
…While this might sound like Epic wants to acquire Bandcamp’s backend, web storefront, and iOS/Android apps—which are a user-friendly breath of fresh air compared to the continued clunkiness of Epic Games Store—this wording suggests that Bandcamp could be rolled into the Unreal asset sales ecosystem. Want to license and use music in the Unreal Engine project of your dreams? Perhaps future creators would search for tunes inside of Unreal Engine using Bandcamp’s existing tags (“math rock,” “SoundCloud rap,” “sex jazz“) and pay a license accordingly, the same way they currently find textures, assets, or other licensed content.
…Did he watch old episodes or rely on his memories? “The latter. As the seven seasons of TNG went by, the distinction between Jean-Luc Picard and Patrick Stewart became thinner and thinner, until it was impossible for me to know where he left off and I began. So much of what I believed and felt went into that show. So coming back to the part, I felt that the impact of time on Jean-Luc would just be there in where I am now. And that’s how it has felt.”
Was the deal that if anyone played the older Picard, it would be Stewart – or was there a risk of switching on to find, say, his friend Ian McKellen in the part? “Oh, I would have watched that,” Stewart laughs.“What a clever idea. No. They were absolutely clear: if I passed on it, there would be no show. And I believed them and thought that was generous.”…
(9) MEDIA BIRTHDAY.
1997 — [Item by Cat Eldridge]
Once upon a time in a school in outer space, There was a class of misfit kids from all around the place. They snuck aboard a mystery ship, Which soon slipped through a spacial rip, And now they’re stuck on a long strange trip. — The Theme Song
Twenty-five years ago on Nickelodeon’s Saturday night block of shows known as SNICK, a Canadian created series called Space Cases aired for two seasons. I’ve never seen it but it sounds like a lot of not so serious fun.
It was created by author Peter David and actor Bill Mumy, and it starred Walter Emanuel Jones, Jewel Staite, Rebecca Herbst, Kristian Ayre, Rahi Azizi, Paige Christina, Anik Matern, Cary Lawrence and Paul Boretski.
Yes, it had a fifteen-year-old Jewel Staite as one of its cast. She’s the ship’s engineer here. Huh. Was she cast on Firefly because of her role here? Well, this was a children’s show with the concept being similar to the current Star Trek: Prodigy. It told the story of a group of Star Academy students from different planets who sneaked aboard a mysterious space ship called The Christa. A ship they bonded literally with and ended across the galaxy in.
It was shot on the cheap in Quebec. Really on the cheap, so props from Are You Afraid of the Dark? and other Nickelodeon programs were used in the series. Game consoles and compact discs were used as props.
A number of well-known genre performers showed up here including Mark Hamill, Katey Sagal, George Takei and Michelle Trachtenberg.
It lasted for two seasons comprising of twenty-seven episodes, each bring fairly short at twenty-two minutes.
A quarter of century later, the official website is still up. See if you spot Staite in the cast photo.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 2, 1933 — Leo Dillion. With his wife Diane, they were illustrators of children’s books and many a paperback book and magazine cover. Over fifty years, they were the creators of over a hundred genre covers. They won the Hugo for Best Professional Artist at Noreascon (1971) after being nominated twice before at Heicon ‘70 and St. Louiscon. The Art of Leo & Diane Dillon written by Leo Dillon, Diane Dillon and Byron Preiss would be nominated for a Best Related Non-Fiction Hugo at Chicon IV. They would win a World Fantasy Award for Lifetime Achievement. Some of my favorites? The first cover for Pavane. The Ace cover of The Left Hand of Darkness. And one for a deluxe edition of The Last Unicorn. (Died 2012.)
Born March 2, 1937 — Barbara Luna, 85. She played Lt. Marlena Moreau in the Star Trek’s “Mirror, Mirror”, the cross-universe story, a favorite of mine. She showed up in The Outer Limits, The Wild Wild West, Mission: Impossible, The Man from U.N.C.L.E., Six Million Dollar Man, Buck Rogers in the 25th Century, Mission: Impossible (Australian version) and finally in several episodes of the fanfic video Star Trek: New Voyages series. (The latter is now called Star Trek: Phase II after Paramount sued them.)
Born March 2, 1939 — jan howard finder. No, I’m not going to be able to do him justice here. He was a SF writer, filker, cosplayer and, of course, fan. He was a guest of honor at ConFrancisco. He was nicknamed The Wombat as a sign of affection and ConFrancisco was only one of at least eight Cons that he was fan guest of honor at. finder has even been tuckerized when Anne McCaffrey named a character for him. (Died 2013.)
Born March 2, 1943 — Peter Straub, 79. Horror writer who won the World Fantasy Award for Koko and the August Derleth Award for Floating Dragon. He’s co-authored several novels with Stephen King, The Talisman which itself won a World Fantasy Award, and Black House. Both The Throat and In the Night Room won Bram Stoker Awards as did 5 Stories, a short collection by him. Ok, you know not that I’m that impressed by awards, but this is really impressive!
Born March 2, 1960 — Peter F. Hamilton, 62. I read and quite enjoyed his Night’s Dawn trilogy when it first came out and I’m fairly sure that I’ve read Pandora’s Star and Judas Unchained as they sound really familiar. (Too much genre fiction read over the years to remember everything…) His only English language award is a BSFA for his “The Suspect Genome”. What else have y’all read by him?
Born March 2, 1966 — Ann Leckie, 56. Ancillary Justice won the Hugo Award at Loncon 3 and the Nebula Award, the Kitschies Award Golden Tentacle, Locus Award for Best First Novel, the Arthur C. Clarke Award, and the BSFA Award. Wow! The Ancillary Sword and Ancillary Mercy also won Awards and were no less impressive experiences. The Raven Tower is quite excellent too.
Born March 2, 1968 — Daniel Craig, 54. Obviously Bond in the now being concluded series of films which I like a lot, but also in Lara Croft: Tomb Raider as Alex West, Lord Asriel In the film adaptation of Philip Pullman’s The Golden Compass, in SF horror film The Invasion as Ben Driscoll, in the very weird and very very well done Cowboys & Aliens as Jake Lonergan, voicing Ivan Ivanovitch Sakharine / Red Rackham in the superb Adventures of Tintin and an uncredited appearance as Stormtrooper FN-1824 In Star Wars: The Force Awakens.
Born March 2, 1992 — Maisie Richardson-Sellers, 30. A most believable Vixen on Legends of Tomorrow for the first three seasons in my opinion as I’ve always liked that DC character. (Season four onward, she’s been Clotho.) Prior to that role, she was recurring role as Rebekah Mikaelson / Eva Sinclair on The Originals, and she had a cameo as Korr Sella in Star Wars: The Force Awakens.
(11) COMICS SECTION.
Bizarro shares a snapshot from the home life of a superhero.
(12) DOTRICE DIALOG. [Item by Martin Morse Wooster.] I listened to this podcast which Leonard and Jessie Maltin did with Karen Dotrice. She comes from an acting family (you may remember her father, Roy, from Beauty and the Beast) but she starred in three Disney films in the mid-1960s and has only acted sporadically since then. Maltin knows his Disney lore and this podcast is a Walt Disney geekfest, Dotrice remembers how kind Walt Disney was to her at 8, perhaps remembering that when he was 8 he was delivering newspapers. He also remembers that Disney on the Mary Poppins set treated her as an adult, which she still respects nearly 60 years later. Maltin also puts in a good word for Dotrice’s third Disney film, The Gnome-Mobile, which is from a novel by Upton Sinclair. If you’re interested in Walt Disney, this is a podcast for you! “Maltin on Movies: Karen Dotrice”.
To untold millions of people she will always be bright-eyed Jane Banks in the original Mary Poppins (1964). The real-life Karen Dotrice is the mother of three who grew up in a show-business family. Her father Roy was a member of the Royal Shakespeare Company and her godfather was Charles Laughton! Luckily for us, Karen cherishes the memory of making Poppins and has especially fond recollections of Walt Disney, who lavished personal attention on her and her family while they were in Los Angeles. Jessie and Leonard were tickled pink to engage in conversation with a woman they’ve known and admired for years. (Karen even attended Jessie’s bat mitzvah!)
…According to Merriam-Webster, postapocalyptic is defined as “existing or occurring after a catastrophically destructive disaster or apocalypse.” And according to Oxford, a dystopia is “an imagined state or society in which there is great suffering or injustice, typically one that is totalitarian or postapocalyptic.” What is the litany of our current global disasters if not… all that? From the perspective of these dystopian authors, have we arrived in a version of the postapocalyptic dystopia as they imagined it?
“Hell, no, we have not hit the ‘post’ part,” writer Catherine Hernandez tells Teen Vogue in an email interview. “I am quite certain that we will experience wave after wave of environmental disasters, pandemics, and conflict over resources until we understand that predatory capitalism will kill us all.”…
… Katin is particularly prone to verbalising the symbolism he sees around him. He wants to be a novelist but has yet to find a subject he deems worthy of his intellect and talent. Instead, he spends all his time pontificating about the nature of novels, recording endless notes to himself — notes we suspect he will never get around to making use of.
Katin provides us with a rather pompous view of the narrative as great art whereas, when Tyÿ reads the Tarot for Lorq, she interprets his quest (and the role of each crewmember) using the archetypal symbols on her cards, thereby highlighting the mythical context of the story for us. But, of all the characters, it is Mouse who seems closest to the vision of a traditional storyteller. Unencumbered by a need to interpret anything as other than what it is, he simply plays the old songs and tells the old stories, using his instrument to create all the fireworks and effects of mood and wonder that Katin could achieve in written form, if only he could stop theorising and actually commit words to paper….
(15) READ PLANET. Jeff Foust reviews a gigantic book about Martian exploration — “Review: Discovering Mars” – at The Space Review.
… William Sheehan, a history of astronomy, and planetary scientist Jim Bell start at the beginning: “Perhaps the earliest reference to Mars in human culture is as part of the Aboriginal Australians’ Dreamtime, a vision from time beyond memory” but which dates back perhaps more than 40,000 years, they write. From that prehistory they work through early observations of Mars to track its orbit, which over time provided the evidence to support a Sun-centered, rather than Earth-centered, model of the solar system.
The invention of the telescope in the early 1600s turned Mars from a wandering red star to a world of its own. Astronomers struggled to interpret those blurry images, but often defaulted to imprinting our knowledge of Earth onto Mars, be it interpretating areas as seas or regions of vegetation—not to mention the now-infamous “canals” seen by some in the late 19th and early 20th centuries.
Similarly, the era of spaceflight revolutionized our understand of Mars, killing off once and for all any thought of the planet being Earthlike. …
… In her new graphic memoir Time Zone J, Julie Doucet’s cartoon avatar comments, “I had vowed never to draw myself again.” The real-life Doucet, renowned as a pioneer of autobiographical comics since her earliest days as a 1990s zine maker, echoes the sentiment. “I just can’t believe I did that!” she says. “I had a story I wanted to tell, and I really did try to put it on paper in so many different ways, but it didn’t work out. The only way was to tell it in a comic book.”
…Asked if there are personal stories she finds difficult to tell, Doucet laughs and says, “Yes, and they’re not told.” She has a reputation with being brutally honest about her own life, but over the years she’s grown more protective of friends who feel uncomfortable about being included in her work. “For them, [the experiences] were not necessarily good memories,” she says. “So now I’m extremely careful about not putting anyone in my books who doesn’t want to be in them.”
(17) ACTING UP. Karen Joy Fowler is coming out next week with Booth, a novel about John Wilkes Booth and his family. It’s historical fiction, not sff or alternate history, but we thought you might like to know! Here’s Publishers Weekly’s review: “Fiction Book Review: Booth by Karen Joy Fowler. Putnam, $28 (480p)”.
(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Batman (1989) Pitch Meeting” on Screen Rant, Ryan George says that when Michael Keaton was picked to be Batman in the 1989 film, he was only known for Mr. Mom, which could lead to “unnecessary arguments about Batman casting for decades to come. Also the producer notes that Bruce Wayne gets Vicki Vale so drunk that she passes out and then gropes around in her bra for a roll of film, “and he’s supposed to be the hero?”
[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Chris Barkley, David Doering, Jeffrey Smith, Rich Lynch, Will R., John A Arkansawyer, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Paul Weimer.]
(1) EASTERCON WANTS YOUR DRABBLES. The UK’s national science fiction convention, Eastercon, aka Reclamation 2022, is running April 15-18 at the Radisson Hotel & Conference Centre London Heathrow. Guests of Honor are Mary Robinette Kowal, Phillip Reeve, Tasha Suri and Nicholas Whyte. Here’s how you can join in the fun, wherever you may be.
We wanted to do something a little different with Reclamation and so are resurrecting an age-old fannish tradition of drabbling. Depending on how many we receive, we may make posters to display round the convention, and publish them in the convention readme booklet. We’re looking for tiny, standalone speculative fiction tales, of exactly 100-words each.
What is a drabble?
A drabble is a piece of fiction that is exactly 100 words long, excluding its title. If you imagine a novel to be a full three-course meal, a drabble is more of an amuse-bouche: a single, bite-sized delight that gets your taste buds primed for the next course.
…Delilah S. Dawson’s THE VIOLENCE (Del Rey, 498 pp., $28) takes place in a post-Covid Florida, on the cusp of a very different pandemic. It’s 2025, and Chelsea Martin lives an apparently idyllic life in a gated community with her wealthy husband, two daughters and small fashionable dog. In reality, Chelsea’s husband is physically and emotionally abusive, and has systematically cut her off from any friends or support systems apart from her cruel and self-absorbed mother. But as a new disease called the Violence spreads — causing brief, individual episodes of amnesiac rage during which the infected beat the nearest living thing to death — Chelsea sees an opportunity to free herself and her daughters….
(3) ROLL ‘EM, ROLL ‘EM, ROLL ‘EM. Head ‘em up and move ‘em out! The Hollywood Reporter says Paramount is determined to have a Star Trek movie for Christmas 2023 but they don’t have a script and no stars are attached to the project. “Why Paramount’s ‘Star Trek’ Sequel Reveal Surprised Its Own Stars”.
On Feb. 15, Paramount (nee ViacomCBS) announced that it would boldly go where it hasn’t managed to go before — a fourth iteration in a stalled 21st century feature strategy for theStar Trek franchise. During the Paramount investor day, producer J.J. Abrams — who rebooted the sci-fi franchise for the big screen in 2009 — revealed that the USS Enterprise was being readied for a new flight. “We are thrilled to say that we are hard at work on a new Star Trek film that will be shooting by the end of the year that will be featuring our original cast,” Abrams said.
The proclamation came as a surprise, not just to observers who have been watching the movie studio haltingly try to revive Trek on the big screen for years but to the actors and their representatives as well.
Sources tell The Hollywood Reporter that most, if not all, teams for the franchise’s primary players — who include Chris Pine, Zachary Quinto, Simon Pegg, Karl Urban, Zoe Saldaña and John Cho — were not aware that an announcement for another film was coming, much less that their clients would be touted as a part of the deal, and certainly not that their clients would be shooting a movie by year’s end. Insiders say that Pine, who plays Captain Kirk, is the first to enter into early negotiations as he is the lynchpin to the project.
The hope is to begin filming in the fall in order to make the Dec. 22, 2023, theatrical release. The script is still being worked on, according to sources, and there is no green light or budget in place. In fact, the budget will now likely have to account for talent deals that may be supersized. Industry insiders say that Paramount let go of negotiating leverage in order to have a key chess piece as it courts Wall Street investors.
(4) CLOSE, BUT NO CIGAR. On the Jeopardy! National College Championship, Friday, Andrew Porter witnessed a contestant miss this one:
Category: Science Fiction
In this “colorful” author’s “An Absolutely Remarkable Thing,” alien sculptures called the Carls pop up all over the Earth.
Duvall Hecht was somewhere between his banking job in Los Angeles and his home in Newport Beach when he realized he’d heard the same song for the third or fourth time. On the news stations, the daily report had grown stale and repetitive. The commercials were numbing and endless.
It was, he told The Times years later, the most “deadly two hours” in his day, a grinding commute devoid of any intellectual stimulation.
In a flurry of entrepreneurial magic, he sold his 1965 Porsche, hired a college drama coach and created what would become volume No. 1 in the soon-to-be-massive Books on Tape catalog, a recording of George’s Plimpton’s football tale, “Paper Lion.”
“It never once seemed like a wacky idea to me,” he said in 2001, shortly after selling his startup to Random House for an estimated $20 million.
Hecht, a man of varied interests, died Feb. 10 at his home in Costa Mesa, his wife, Ann Marie Rousseau, said. He was 91.
… Customers would rent book tapes for 30 days, and since Hecht didn’t charge a deposit, they were on an honor system to return them. For the most part, he said, customers held up their end of the bargain and mailed back the tapes.
(6) MEMORY LANE.
1993 — [Item by Cat Eldridge]
Babylons one, two and three were sabotaged and destroyed. Number four vanished without a trace twenty-four hours after becoming operational. To this day no one knows what happened to it. — John Sinclair to Lyta Alexander in Babylon 5: The Gathering
Twenty-nine years ago on PTEN, Babylon 5: The Gathering aired, the first of six feature length films that would happen in the franchise. And thus J. Michael Straczynski’s vision of this SF series came to be. This was written by him and directed by Richard Compton who had minor acting roles in Trek’s “The Doomsday Machine” and “The Enterprise Incident”. Really minor acting roles.
It was executive produced by Douglas Netter and Straczynski. Netter would between the third and fourth seasons of Babylon 5 found Netter Digital, a CGI special effects company. Unfortunately Straczynski was his only client, so the end of the Babylon 5 related projects such as Crusade meant the end of the company.
Actual production was by Robert Latham Brown and John Copeland. The former has worked with Mel Brooks, George Lucas, Paul Verhoeven and Steven Spielberg. The latter really hasn’t done anything interesting outside of the Straczynskian universe.
Babylon 5 always had a sprawling cast and this was no exception — here we had Michael O’Hare, Tamlyn Tomita, Jerry Doyle, Mira Furlan, Peter Jurasik, Andreas Katsulas and Patricia Tallman as the principal performers.
It is said that following the success of the movie, Warner Bros. Television commissioned the series for production in May of that year, as part of its Prime Time Entertainment Network. The series would go on the air the next air in January.
The pilot was quite different from the series. For example, Patricia Tallman who played Lyta Alexander here was replaced by Andrea Thompson as Talia Winters but would return later in the series, first as a recurring character and then as a regular. And the First Officer who was Laurel Takashima as played here by Tamlyn Tomita was replaced for the series by Claudia Christian who played Susan Ivanova.
Straczynski later rejiggered it into a different version which is longer and adds footage that was obviously not seen in the original version including Kosh briefly speaking to Sinclair.
Reception by critics at the time was not overwhelming. The Boston Globe reviewer who saw it said that “Great special effects do not make for great science fiction. Writing is what makes TV series cook. Unfortunately, writing is the single biggest problem haunting Babylon 5.” And Variety said “It’s going to be a close call whether to make “Babylon 5” a series or just leave it as this one-shot telefilm. As a stand-alone, “Babylon 5” falls short of the mark, but it’s a serviceable first episode.”
It currently holds a sixty-eight percent rating among audience reviewers at Rotten Tomatoes.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 22, 1917 — Reed Crandall. Illustrator and penciller best known for the Forties Quality Comics‘ Blackhawk (a DC property later) and for stories in myriad EC Comics during the 1950s. In the late Sixties, he did the illustration work on King Features Syndicate’s King Comics comic-book version of the syndicate’s Flash Gordon strip. He’s been inducted into Will Eisner Award Hall of Fame. (Died 1982.)
Born February 22, 1925 — Edward Gorey. I’m reasonably sure that his animated introduction to the PBS series Mystery! was my first encounter with him. I will recommend Gorey Cats, The Haunted Tea-Cosy: A Dispirited and Distasteful Diversion for Christmas and The Doubtful Guest. Ok if he’s not genre but if he’s still fun and delightfully weird. Oh, and do go read Elephant House: Or, the Home of Edward Gorey, with superb photographs and text by Kevin McDermott. (Died 2000.)
Born February 22, 1929 — James Hong, 93. Though not quite genre, he became known to audiences through starring in The New Adventures of Charlie Chan in the late Fifties. Genre wise, his first role was in Godzilla, King of the Monsters! voicing Ogata/Serizawa. He then pops up in The Satan Bug as Dr. Yang and next is seen playing Ho Lee in Destination Inner Space. You’ll no doubt recognize Colossus: The Forbin Project where he’s Dr. Chin but I’ll bet you’ve never heard of, oh wait you have, Blade Runner in which he’s Hannibal Chew and Big Trouble In Little China which I love in which he’s wizard David Lo Pan. It’s back to obscure films after that with next up being Shadowzone where he’s Dr. Van Fleet and Dragonfight where he’s Asawa. He’s next in The Shadow as Li Peng and he’s Che’tsai in Tank Girl. He’s Mr. Wu in the very loose adaption of the classic The Day the Earth Stood Still.
Born February 22, 1930 — Edward Hoch, The lines between detective fiction and genre fiction can be awfully blurry at times. ISFDB listed him but I was damned if I could figure out why considering he’s known as a writer of deceive fiction who wrote several novels and close to a thousand short stories. It was his Simon Ark character who was the protagonist of Hoch’s first published story and who was ultimately featured in thirty-nine of his stories that made him a genre writer as Ark is the cursed by God immortal doomed to wander forevermore and solved crimes. (Died 2008.)
Born February 22, 1937 — Joanna Russ. Is it fair to say she’s known as much for her feminist literary criticism as her SF writings? That The Female Man is her best known work suggest my question really isn’t relevant as there may be no difference between the two. She was for a long time an influential reviewer for Magazine of Fantasy & Science Fiction where I think it would fair to say that you knew clearly what she thought of a given work. (Died 2011.)
Born February 22, 1953 — Genny Dazzo, 69. She attended the first Star Trek Convention in New York. She was later involved in the local SF con, Lunacon. Moving out to LA, she was on the committee for all of the LA Worldcons as well as many Westercons, Loscons, and AnimeLA. Fan Guest of Honor at DeepSouthCon 31 and Loscon 27 (with husband Craig Miller).
Born February 22, 1972 — Duane Swierczynski, 50. Though a mystery writer by trade, he’s also worked as a writer at both DC and Marvel on some very impressive projects. He did writing duties on the second volume of time traveling soldier Cable, penned the Birds of Prey as part of The New 52 relaunch and wrote an excellent Punisher one-off, “Force of Nature”.
Signed on front pastedown, “Taking the pledge will not / make bad liquor good, but it will improve it. / Mark Twain / Oct / 06.”
(9) SUBGENRES. At CrimeReads, Richard Thomas explains what “New Weird and “hopepunk” fiction are all about in “Time to Discover Your New Favorite Sub-Genre of Fiction”, which you might not have guessed are areas of expertise for an author whose forthcoming collection is titled Spontaneous Human Combustion.
As a reader, and viewer, of contemporary dark stories, I’m most drawn to work that does not sit nicely in the middle of a major genre. I’m drawn to the periphery, the edges, the shadows, and cobwebbed corners. And these three subgenres—neo-noir, new-weird, and hopepunk—all have those traits in common. They are looking to pull us in with techniques, tropes, rules, and histories that are familiar–so we’ll know how to access these works, how to set up our expectations. And then…they subvert those expectations. Not with deus ex machina twists that come out of nowhere, but with unique moments, surprises that feel fated, and endings that are earned. And I think it’s okay to be polarizing, too. As a writer, I’d rather have half my audience hate what I did and the other have love it, then have 90% think it was just okay. And I think the films coming out from A24 and Neon, television shows like Squid Game and Midnight Mass, and books being written by award-winning authors such as Stephen Graham Jones, Usman T. Malik, A. C. Wise, Brian Evenson, and Kelly Robson are doing the same thing. They are honoring the past, pouring themselves into the work, and then taking us someplace new, inspired, and unsettling. And isn’t that why we’re here?…
(10) STAPLEDON ON FILM. Chicago Reader’s Maxwell Rabb praises “Last and First Men”.
Before his untimely death, the prophetic Icelandic composer Jóhann Jóhansson completed his first and final film, exploring a delicate space between the literary and the cinematic for a science fiction classic. Last and First Men is the composer’s reimagined narrative of Olaf Stapledon’s triumphant sci-fi novel by the same name. Jóhansson’s haunting adaptation facilitates a chilling link between two distinct humanities spanning across two billion years….
Last year Krissy decided that she wanted to upgrade our bathroom suite, and not in just a “new hand towels and shower curtain” way — a whole revamp. I was fine with this, I said, if I got what I wanted out of it: a supercool space age “intelligent toilet” with all the bells and whistles. It took a while, because 2021 was The Year of Supply Chain Issues, but the new bathroom is 90% completed and the Space Toilet is now installed and operational….
Masayuki Nakahata has been waiting 35 years for a nearby star to explode.
He was just starting out in science the last time it happened, in February 1987, when a dot of light suddenly appeared in the southern sky. This is the closest supernova seen during modern times; and the event, known as SN 1987A, gained worldwide media attention and led to dramatic advances in astrophysics.
Nakahata was a graduate student at the time, working on what was then one of the world’s foremost neutrino catchers, the Kamiokande-II detector at the Kamioka Underground Observatory near Hida, Japan. He and a fellow student, Keiko Hirata, spotted evidence of neutrinos pouring out of the supernova — the first time anyone had seen these fundamental particles originating from anywhere outside the Solar System.
Now, Nakahata, a physicist at the University of Tokyo, is ready for when a supernova goes off. He is head of the world’s largest neutrino experiment of its kind, Super-Kamiokande, where upgrades to its supernova alert system were completed late last year. The improvements will enable the observatory’s computers to recognize when it is detecting neutrinos from a supernova, almost in real time, and to send out an automated alert to conventional telescopes worldwide….
(13) THEY CAN DIG IT. [Item by Martin Morse Wooster.] At The Space Review, John Strickland looks at the logistics of Elon Musk’s Mars plans, including Musk’s claim that he will have to take one million tons of stuff to Mars to make the mission work and how large Martian farms would have to be to supply enough food for the mission. “Building Musk’s path to Mars”.
…Partial self-sufficiency depends heavily on two issues: energy production and food production, which itself depends on energy production. In addition, both depend on the ability to build industrial facilities to make fuel and materials, and to construct pressurized habitats to house crew and provide growing areas for food plants.
Most people greatly underestimate the effort it will take to build growing areas and grow food crops on Mars or in space. On Earth, a one-square-kilometer (247-acre) farm gets a maximum of about a one gigawatt of sunlight on a clear day, at noon in midsummer. Much less than this gets to the plants due to clouds, etc., and the plants only use about 1% of what they get to make plant tissue, only part of which is actually edible food. To create one square kilometer of pressurized growing space will require a huge amount of structural materials, and most of that will need to be made locally. Even so, Elon Musk estimates that he will need to transport one million tons of cargo to Mars before a settlement is relatively self-sufficient.
It is important to realize how large the SpaceX cargo capacity to an operating Mars development base will be. Most NASA concepts envision barely enough mass—typically a few tens of tons—to support a crew for one short mission. The high SpaceX mass transport capacity will allow a large amount of industrial equipment to be sent. This would include equipment designed to smelt Mars minerals into metals, alloy them, and then to turn the structural metals into pressurized habitats, drill rigs, and other kinds of equipment. Large amounts of other artificial materials, such as plastics and polymers, will also be produced. Tunnel boring and lining equipment would also be included. Operations will be limited more by manpower than by lack of equipment and supplies.
Musk has a goal of building the large fleet of Starships needed to carry the required amount of equipment and supplies to get a settlement going. If an advanced Starship stage can carry 200 tons of cargo to the surface of Mars, 5,000 trips of such vehicles to Mars would be able to carry the one million tons. Ignoring the prior build-up phase, if he had 500 Starship stages with the tankers to support them, he would be able to transport that much during just ten Mars launch windows or in about 22 years. In actuality, the number of flights would be increasing from year to year, as the 500 stages could carry 100,000 tons during each window, and the existing crew would not be able to handle such a large volume of materials without a carefully planned ramp-up sequence….
A fossil jawbone peeking out from a limestone seashore on Scotland’s Isle of Skye led scientists to discover the skeleton of a pterosaur that showed that these remarkable flying reptiles got big tens of millions of years earlier than previously known.
Researchers said on Tuesday this pterosaur, named Dearc sgiathanach, lived roughly 170 million years ago during the Jurassic Period, soaring over lagoons in a subtropical landscape and catching fish and squid with crisscrossing teeth perfect for snaring slippery prey.
Its scientific name, pronounced “jark ski-an-ach,” means “winged reptile” in Gaelic.
With a wingspan of about 8 feet (2.5 meters), Dearc was the Jurassic’s largest-known pterosaur and the biggest flying creature that had inhabited Earth to that point in time. Some pterosaurs during the subsequent Cretaceous Period achieved much greater dimensions – as big as fighter jets. But Dearc shows that this scaling up had its origins much earlier….
(15) RELIEF PITCH ON THE WAY. Ryan George came out with his first Pitch Meeting in a month for a film that isn’t genre (Uncharted Pitch Meeting) and says at the end that he is leaving Screen Rant – but it’s barely an inconvenience! He’s starting his own channel on March 10.
PITCH MEETING IS GETTING IT'S OWN CHANNEL
Starting Thursday March 10th, new Pitch Meeting episodes will be released there exclusively. You can subscribe now! Wow wow wow…. wow.https://t.co/gaT5pk2gTH
(16) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers: Encanto,” the Screen Junkies say the newest Disney animated film has “so many characters that even the characters can’t keep up with the characters” and at least the fifth villain in a Disney cartoon named Bruno. And how did it take Disney this long to find out that capybaras are adorable?
[Thanks to John King Tarpinian, Andrew Porter, Michael Toman, Chris Barkley, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Brown Robin.]
(1) COMING ATTRACTIONS. Somtow Sucharitkul told Facebook friends his movie The Maestro will play in L.A. in June. (See the story of the film here.) He wants help to make its appearance a hit.
To my friends in Los Angeles:
THE MAESTRO will open at one of the Laemmle theaters, probably in June, exact dates and location TBA.
Before then, I would like to mobilize the F/SF/H community, the Thai community, and the Music community to try to make the run a success and even to push it beyond one week.
So happy to be following in the footsteps of Dakota Loesch and Scott Monahan the creators of “Anchorage” which just enjoyed a run with this chain.
Any friends of mine in L.A. who would like to help me organize all our potential viewers, need all the grassroots help we can get! I will fly in for the opening for sure, and maybe some others from the team.
The way a lot of press gets this wrong, of course, is to say things like “the AI made some sci-fi book covers.” Even as these algorithms get a lot more sophisticated than averaged pixels or a Markov chain, they are still just algorithms, lacking in agency, albeit with enormous data sets as source material. In turn, though, that makes some of the aesthetic peculiarities they generate all the more interesting, and means that it’s helpful to understand them as generative tools in the hands of artists. They’re the outcome of a lot of human effort in mathematics, code, and ultimately human choice, even if that last bit upsets those in search of general artificial intelligence.
Lewis Hackett is that artist, and cleverly selected what we’re seeing, combining a graphics technique called Clip Guided Diffusion for the imagery with familiar GPT3 techniques for the titles. And he’s done a great job selecting the results and aping the typography style by hand….
Thank you to @peterkirn for another feature in CDM, this was a fun little project close to my heart as I draw a lot of my inspiration from the incredible history of Sci-Fi artwork and design https://t.co/KLyU70EkWz
Remember all the excitement a couple years ago when Hollywood media reported that Tom Cruise planned to film a movie in space? The NASA administrator at the time, Jim Bridenstine, confirmed that NASA was in talks with the famous actor for filming some kind of movie—no one was really sure what it would be about—on the International Space Station, but there’s been little overt progress since then. Cruise remains grounded for the foreseeable future: given the schedule of missions to the ISS, the soonest he could go is early 2023.
Those reports did apparently convince the Russians to do their own space movie, called The Challenge, with the cooperation, and maybe financial support, of Roscosmos. A director and an actress flew to the station in October to film scenes of a movie that’s supposed to come out later this year, putting The Challenge in line to become the first feature-length dramatic movie with major parts of it filmed in space (a distinction that’s required for earlier documentaries or Richard Garriott’s short spoof Apogee of Fear.) Take that, Tom Cruise!
Both Cruise’s rumored plans and the upcoming Russian film seem to have convinced people there’s a market for shooting movies in space. Last month, Axiom Space, a company adding commercial modules to the space station that will later become part of a standalone commercial space station, said it had been selected by a company called Space Entertainment Enterprise (SEE) to build an “inflatable microgravity entertainment venue” called SEE-1 that would be attached to its own commercial modules….
(6) SCIENTISTS IN SCIENCE FICTION. Dream Foundry is adding videos of Flights of Foundry 2021’s programming to their YouTube channel. Some highlights include “The Unhelpful Legacy of Mad Scientists: Writing Scientists as Positive Role Models” with Octavia Cade, Benjamin C. Kinney, and Arula Ratnakar, moderated by Sid Jain. View on YouTube.
(7) MARTIAN HOP. You can still enjoy the online portion of the “Mars. The Red Mirror” exhibit at the Centre de CulturaContemporània de Barcelona: “Inside the red mirror”.
This is a virtual space where you can imagine your own view of Mars: god, symbol and planet in its different metamorphoses. You may have visited the exhibition or simply clicked on to this page skipping between links and other everyday internet browsings. It depends on how much time you want to spend, how much concentration is required and how curious you are….
The voice of the meteorite
I am a rare stone. Call me KSAR Ghilane 002 or whatever name your imagination conjures up. I come from Mars. I have travelled through space for thousands of years until I reached my unexpected destination in the desert you call the Sahara. I was discovered as a result of the insatiable curiosity for exploring that is inherent to your species. Now you can see one of my fragments. I come from the deepest strata on the Red Planet. I have a story to tell you. Because I am also a meteor, like the storms, typhoons and hurricanes you can’t control.
(8) DOUGLAS TRUMBULL (1942-2022). Director and special effects creator Douglas Trumbull died February 7 at the age of 79. He directed Silent Running. Trumbull got three Academy Award nominations for visual effects (for Blade Runner, Star Trek: The Motion Picture and Close Encounters of the Third Kind) and, in 1992, a special scientific and engineering award for his work helping to design the CP-65 Showscan Camera System for motion picture photography. In 2012, he received the Academy’s Gordon E. Sawyer Award, a special technical Oscar for his contributions to the industry. The Associated Press has an extensive tribute: “’2001,’ ‘Blade Runner’ effects pioneer Douglas Trumbull dies”.
(9) ROBERT BLALACK (1948-2022). Oscar-winning Star Wars visual effects artist Robert Blalack died February 2. Deadline highlights his career.
… At the age of 29, he designed and supervised the Star Wars VistaVision Composite Optical production pipeline, which allowed all the groundbreaking 365 VistaVision VFX shots in Star Wars. Much of what he created for the film was built on a (relative) shoestring. With a VFX budget of just $1.6 million for the film, Blalack made use of obsolete VistaVision optical composite equipment from Hollywood’s Golden Years that could be had for a song.
“My task was to scavenge the Hollywood junkyards for any VistaVision Composite Optical mechanics,” he wrote, “figure out how to upgrade those relics with custom state-of-the-art optics, design a photographic process to mass-produce the movie’s 365 VistaVision composites, and then train and supervise the Star Wars Composite Optical crew.”
The result was what he called, “This Rube Goldberg assemblage of ancient composite printer hardware, state-of-the-art optics and the mass-production blue screen color-difference composite techniques were the backbone of the celluloid system…subsequently used on all ILM VistaVision VFX Composite Opticals.”
Blalack was part of the team that founded Industrial Light and Magic, and again the effort was driven by necessity….
In 1983, Blalack added an Emmy to his trophy case for his work on ABC’s The Day After, a TV movie about a nuclear holocaust which captured the public imagination due in no small part to his visual effects. It was seen by 100 million people in the U.S.
His other credits would comprise a career to be proud of unto themselves. They include effects on Carl Sagan’s landmark PBS series Cosmos; transformational visions in Altered States, Wolfen, Cat People and RoboCop; and FX in service of comedic classics such as Airplane and The Blues Brothers.
(10) MEMORY LANE.
2007 — [Item by Cat Eldridge] Fifteen years ago on this evening, the short-lived Flash Gordon series that debuted on Sci-Fi on August 10, 2007 ended. The series was developed by Peter Hume who served as executive producer and the showrunner. He wrote the first and last episodes of the series which lasted twenty one episodes as well as many others. He would later be the Executive Producer of Primeval: New World and was involved in Charmed and Fantasy Island as well.
The primary cast which was all Canadian was Eric Johnson was Flash Gordon, Gina Holden as Dale Arden, Jody Racicot as Dr. Hans Zarkov and John Ralston as Ming the Merciless. Anna Van Hooft had a recurring role as Princess Aura.
So how was it received? Not at all well as the New York Post stated in a frankly hostile review that it was “a disgrace to the name of the enduring comic-strip-character-turned-movie-and-TV space hero.” And U.K. TV Zone stated that it might “have worked if the early episodes hadn’t been so dire that no-one but reviewers are still watching.” Ouch. It probably mercifully has no audience rating at Rotten Tomatoes.
I have not seen it and would like to know how it was. So, who here has seen it?
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 8, 1828 — Jules Verne. So how many novels by him are you familiar with? Personally, I’m on first-hand terms with Twenty Thousand Leagues Under the Sea, Journey to the Center of the Earth and Around the World in Eighty Days. That’s it. It appears that he wrote some sixty works and a lot were genre. And of course, his fiction has become the source of many other fictions in the last century as well. (Died 1905.)
Born February 8, 1905 — Truman Bradley. He was the host of syndicated Science Fiction Theatre series which ran from 1955 to 1957. It aired its last episode on this day in 1957. On Borrowed Time, a fantasy film, is his only other SFF work. (Died 1974.)
Born February 8, 1918 — Michael Strong. He was Dr. Roger Korby in the most excellent Trek episode of “What Are Little Girls Made Of?”. He also showed up in Green Hornet, Mission Impossible, I-Spy (ok I consider it genre even if you don’t), Galactica 1980, Man from Atlantis, The Six Million Dollar Man, Planet of The Apes, Kolchak: The Night Stalker and The Immortal. (Died 1980.)
Born February 8, 1938 — Ned Brooks. A Southern fan involved for six decades in fandom, and he attended his first Worldcon in 1963. He wrote two associational works, Hannes Bok Illustration Index and Revised Hannes Bok Checklist back in the days when print reigned surpreme. ISFDB shows that he was quite the letter writer. Mike has an appreciation of him here. (Died 2015.)
Born February 8, 1944 – Rogert Lloyd Pack. He was John Lumic in the “Rise of the Cybermen” and “The Age of Steel”, both Tenth Doctor stories. (He was the voice of the Cyber-Controller in these episodes as well.) He was also Barty Crouch, Sr. in Harry Potter and the Goblet of Fire. And he played Quentin Sykes in the Archer’s Goons series. (Died 2014.)
Born February 8, 1953 — Mary Steenburgen, 67. She first acted in a genre way as Amy in Time After Time. She followed that up by being Adrian in A Midsummer Night’s Sex Comedy which I suppose is sort of genre though I’ll bet some you will dispute that. She shows up next in the much more family friendly One Magic Christmas as Ginny Grainger. And she has a part in Back to the Future Part III as Clara Clayton Brown which she repeated in the animated series. And, and keep in mind this is not a full list, she was also in The Last Man on Earth series as Gail Klosterman.
Born February 8, 1962 — Malorie Blackman, 60. Her excellent Noughts and Crosses series explores racism in a dystopian setting. (They’re published as Black & White in the States.) She also wrote a Seventh Doctor short story, “The Ripple Effect” which was published as one of the Doctor Who 50th Anniversary e-Shorts. She’s readily available on all digital platforms.
Born February 8, 1969 — Mary Robinette Kowal, 53. Simply a stellar author and an even better human being. Chair of the last Worldcon. I’m going to select out Ghost Talkers as the work by her that I like the most. Now her Forest of Memory novella might be more stellar. She’s also a splendid voice actor doing works of authors such as John Scalzi, Seanan McGuire and Kage Baker. I’m particularly amazed by her work on McGuire’s Indexing series. So let’s have Paul Weimer have the last words on her: “I thought it was Shades of Milk and Honey for a good long while, but I think Calculating Stars is my new favorite.”
Born February 8, 1979 — Josh Keaton, 43. He voiced the Hal Jordan / Green Lantern character in the most excellent Green Lantern: The Animated series which is getting a fresh series of episodes on the DC Universe streaming service. Yea! I’m also very impressed with his Spider-Man that he did for The Spectacular Spider-Man series.
World War II and 9/11 couldn’t halt comic book production; COVID did. In 2020, as the world flipped on its head, even comics couldn’t evade a concentrated economy’s bursting fault lines. Diamond Comic Distributors—the industry titan that distributed Marvel and DC Comics for a quarter-century—shut down operations in April 2020 for nearly two months.
While distribution eventually restarted, the industry has continued to suffer lags. Entering the third year of the pandemic, frustrations run deep among comic book enthusiasts. Paloma Deerfield has worked for more than five years at Vault of Midnight, a comic book shop in Grand Rapids, Michigan. Her favorites include X-Men, Saga, Demon Slayer, Jujutsu Kaisen, and the indie comic publisher Boom! Studios. It’s disappointing, says Deerfield, “not being able to stock the shelves the way we want to.”
Buyers and sellers alike are feeling the impact not only from comic book distribution delays, but also from a shortage of bags and boards—the materials used to preserve collections in mint condition.
At BCW Supplies, an Indiana-based company that provides over 900 hobby accessories for collectors and retailers, backing boards are processed in their Indiana facility, while plastic bags are produced in their China factories, according to marketing manager Ted Litvan.
The paper industry’s significant price increases, explained Litvan, are due to higher demand outside of the collectibles industry. In early 2021, Amazon and other e-commerce giants snatched up the majority of the world’s cardboard supply. The cost of producing corrugated cardboard tripled last year too. For imported goods, meanwhile, “the ports are a mess,” and BCW can no longer predict when a shipment will be available for final delivery….
(13) FREUD AND C.S. LEWIS DRAMATIZED.[Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Sarah Hemming reviews Freud’s Last Session, a 2010 play by Mark St Germain about an imaginary encounter between Sigmund Freud and C S Lewis in 1939, that is on stage at the Kings Head Theatre (kingsheadtheatre.com) through February 12. It stars Sean Browne as Lewis and Julian Bird as Freud.
Lewis, who finds himself repeatedly drawn to the couch as if by a magnet, talks about his childhood. For Freud, in physical agony and contemplating his end, arguments about the finality of death feel far from theoretical.
For both men the imminent conflict (of World War II) weighs heavy. Lewis still bears the scars of his First World War experience; Freud has recently fled Austria. The conversation is interrupted by a couple of moments of mortal terror–an air road siren; the throes of aircraft overhead–well realised in Darney’s staging. Browne and Bird bring the two adversaries springing to life.
(14) NO MIRACLE ON 35TH STREET. Bob Byrne wrote a series showing members of The Wolfe Pack how Nero and Archie are riding out the pandemic in the Spring of 2020. Black Gate has been reprinting them, and the latest installment is: “Nero Wolfe’s Brownstone: Stay at Home – Days 34 and 35”.
…He eyed me levelly. “You know very well that you took that laundry to Lee’s as an infantile response to my insistence that the laundry go out that day. I highly doubt that Swann’s was closed.”
I was nonplussed. He continued. “No doubt, you instructed Mister Lee to put extra starch in my collars. And you added the cuffs out of spite.”
I gave him hurt expression number three. “I did no such thing.” I stared at the wall, thoughtfully. “Although, I did practice my Chinese with him. I might have said, ‘extra’ when I meant ‘less.’ My Chinese is a little rusty.”
He snorted. “Ridiculous. You don’t even speak Chinese.”
…The clever puzzle simply asks: “The better of two sci-fi franchises.” Depending on your preference, the answer is either Star Wars or Star Trek. The double entendre was highlighted in Wordplay, the Times’ crossword column along with a note about the choice from puzzle constructor Stephen McCarthy.
“I am a fan of both Star Wars and Star Trek, so it’s nice to be able to highlight both (not to mention the friendly rivalry between the two fandoms) in one puzzle,” McCarthy says in the column….
Fun little trick in the Sunday New York Times crossword yesterday: the central theme clue was "The better of two sci-fi franchises", and regardless of whether you put Star Wars or Star Trek, the crossing clues worked pic.twitter.com/NS4LDxwxxl
(16) SCIENCE IN A VACUUM. “Science and the Sublime” is an exhibit The Huntington in San Marino, CA has assembled around a famous painting temporarily on loan.
Feb. 12, 2022–May 30, 2022
Huntington Art Gallery
One of the great masterpieces from the Age of Enlightenment, Joseph Wright of Derby’s monumental An Experiment on a Bird in the Air Pump (1768) depicts a small group of people gathered around a candlelit table on which a lecturer in natural history is performing a scientific experiment, namely the creation of a vacuum, as described by chemist Robert Boyle in the 17th century. As air is slowly removed from a glass jar, the fate of a cockatiel inside the jar hangs in the balance. The observers’ reactions range from fascination to dismay. In Wright’s hands, the tableau is an exercise in the sublime, a moment of extreme tension recast as a dramatic meditation on the fragility of life. At the same time, the experiment being performed relates to advances in the fields of science and medicine, making the scene a celebration of human achievement.
“Science and the Sublime: A Masterpiece by Joseph Wright of Derby” presents the powerful 6-by-8-foot painting on loan from the National Gallery in London, where it is one of that institution’s most popular paintings, along with 15 works from The Huntington’s own collections, including two smaller paintings by Wright and 13 rare objects from the Library’s holdings. The exhibition’s theme highlights two major strengths of The Huntington’s collections—British art and the history of science—providing a unique opportunity to juxtapose materials that are not normally displayed together. Alongside Bird in the Air Pump, are rare books and ephemera that reveal the real science behind the elements that Wright depicts on canvas, as well as the contemporary moral and aesthetic debates with which he engages.
The loan of Bird in the Air Pump is part of a reciprocal exchange with the National Gallery, where The Huntington’s most famous work, Thomas Gainsborough’s iconic painting of The Blue Boy (ca. 1770), will be on display for London museumgoers for the first time in a century, from Jan. 25 through May 15, 2022.
[Thanks to John King Tarpinian, Andrew Porter, Michael Toman, Tom Becker, Darrah Chavey, Jennifer Hawthorne, John A Arkansawyer, Will R., Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]
The New Year’s Day special ‘Eve of the Daleks’ will see Jodie Whittaker’s Doctor getting stuck in a time loop with Yasmin Khan (Mandip Gill), Dan Lewis (John Bishop) and a group of deadly Daleks.
The episode also features Aisling Bea and Adjani Salmon in the roles of Sarah and Nick as they get ready to celebrate the start of the new year….
(2) TRANSPORT OF DELIGHT. Julian Yap and Fran Wilde begin weekly publication of The Sunday Morning Transportin January, delivering speculative fiction using a newsletter platform. Subscribe for one free story a month, or become a paid subscriber and get a story every week.
Subscribing to Sunday Morning Transport means bringing a a new speculative short story connection to your inbox every week, fifty weeks a year.
Sunday Morning Transport readers are makers, thinkers, scientists, artists, authors, dreamers. With a single speculative short story each Sunday, we connect across space and time. We deliver, right to your inbox: a moment of whimsy; a deep dive into an unknown world; a single illuminating transformation; a vibrant community of readers and writers built around the best new speculative stories each week.
Free subscribers receive one story a month. Paid subscribers receive one story each week, fifty weeks a year. For paid subscribers, there’s more: the opportunity to join in a conversation about story, to ask questions, and to help build a year’s worth of moments with authors including Max Gladstone, Karen Lord, Elwin Cotman, Kij Johnson, Kat Howard, Elsa Sjunnesson, Kathleen Jennings, Katherine Addison, Juan Martinez, E.C. Myers, Maureen McHugh, Tessa Gratton, Sarah Pinsker, Michael Swanwick, Brian Slattery, Malka Older, and many more.
Subscribe now, and get ready for your Sunday Morning Transport starting in January 2022.
@julianyap has a new project starting up in January, @MorningTransprt — and I've got an Onyx Court short story coming out there in February! Sign up for weekly fiction from some amazing authors here: https://t.co/XVIcnOIVLh
(3) BUILDING A HUGO CATEGORY. Ira Alexandre has launched a discussion on Twitter by asking: For purposes of a Game Hugo, what does it mean for a game to be “in the fields of science fiction, fantasy, or related subjects”? Thread starts here.
My leaning, as usual, is to trust the voters. I want to create a flexible and broad "Best Game or Interactive Experience" Hugo because games are a rapidly evolving medium and we don't know what they'll do next. Futureproof, trust Hugo voters on what they want to honour 14/16
…For a long old time, the quickest way to get taken out of libraries or complained about by parents was to include swearing. This led sci-fi creators to come up with new alternatives to the usual suspects, both to evade censorship and emphasise the ‘otherness’ of the worlds in which their tales took place (if a movie was set 10,000 years in the future and started with someone calling someone else a shithead, that would just seem plain silly).
Bill The Galactic Hero by Harry Harrison is a terrific book, a laugh-out-loud funny anti-war satire with a hidden gut-punch of an ending. A bleakly hilarious look at the futility of war and the cruelty with which people can treat one another, it’s a book that should be read by as many people as possible – ideally when they are about 12. During the title character’s ascension through the ranks of the Space Troopers, there’s plenty of effing and jeffing, except Harry opts for his own coinage, ‘bowb’, instead of the curses we all know and love.
As with a lot of made-up swear words, ‘bowb’ is kind of all-purpose – the phrases “Don’t give me any of your bowb!”, “Get over here, you stupid bowb!” and “What is this, “Bowb Your Buddy Week?” suggest it can be substituted in easily enough for ‘shit’, ‘bastard’, ’asshole’ and ‘fuck’….
(5) IN TIMES TO COME NEXT WEEK. Nicholas Whyte tries the thought experiment of anticipating next year with the help of films and stories that treat 2022 as history: “2022 according to science fiction, in novels and films” at From the Heart of Europe. Some of these sources aren’t very helpful!
Time Runner (1993)
What’s it about? Mark Hamill, unsuccessfully attempting to fight off an alien invasion of Earth in 2022, somehow gets sent thirty years back in time to try and prevent it all from happening. He tangles with a corrupt politician who is destined to become the collaborationist president of the world, and ends up assisting at his own birth.
Is 2022 really going to be like that? Actually most of the film is set in 1992, apart from the very beginning and occasional flashforwards. As of now, we don’t (yet) have a President of Earth; as for the alien invasion, we will have to wait and see….
In his last weeks as mayor, Bill de Blasio has been bestowing Keys to New York City to a number of figures, including legendary music producer Clive Davis (who helped stage the ultimately Mother Nature-interrupted “Homecoming” concert in Central Park), and Senate Majority Leader Chuck Schumer for his indefatigable support for the city. On his last Monday in office, de Blasio honored one of his favorite artists, the “punk rock laureate,” Patti Smith….
(7) TAKE BIXELSTRASSE TO I-95. Gwen C. Katz tweeted her interpretation of the history that shaped Worldcon’s administrative culture. Thread starts here.
This gatekeeping was achieved through complex official and unofficial rules, often nonsense linguistic rules like "it's SF, not sci-fi." These rules served as a sort of Masonic handshake with no purpose except to tell insiders from interlopers.
So that's why the Raytheon incident is typical of WorldCon and the Hugos, and why these kinds of problems are both predictable and likely to continue. They're part of the con by design, and part of the design is making it difficult to change how it works.
(8) THE PRESTIGE. Catherine Lundoff followed-up the Katz thread with her thoughts about the Hugo Awards. Thread starts here. Lundoff evidently is focused on book-length work, since publishers of finalists like Uncanny, Clarkesworld, and Beneath Ceaseless Skies, for example, aren’t operating with “deep pockets.”
The International Space Station brings together astronauts from around the world to collaborate on cutting-edge research, and some have called it humanity’s greatest achievement. But after two decades in orbit, the ISS will shut down, and a crop of several new space stations will take its place. While these new stations will make it easier for more humans to visit space, they’re also bound to create new political and economic tensions.
NASA is scaling back its presence in low-Earth orbit as the government focuses on sending humans back to the moon and, eventually, to Mars. As part of that transition, the space agency wants to rent out facilities for its astronauts on new space stations run by private companies. When these stations are ready, NASA will guidethe ISS into the atmosphere, where it will burn up and disintegrate. At that point, anyone hoping to work in space will have to choose among several different outposts. That means countries won’t just be using these new stations to strengthen their own national space programs, but as lucrative business ventures, too….
(10) MEMORY LANE.
1893 — [Item by Cat Eldridge.] One hundred twenty-eight years ago, The Memoirs of Sherlock Holmes was first published by G. Newnes Ltd. sometime late in 1893 with an actual publication date listed as 1894. It was the second collection following The Adventures of Sherlock Holmes, and like the first it was illustrated by Sidney Paget. This hardcover edition has two hundred seventy-nine pages comprising twelve stories. The stories were previously published in the Strand Magazine.
Doyle had determined that these would be the last Holmes stories, and intended to kill off the character in “The Final Problem”, but a decade later a new series, The Return of Sherlock Holmes, would begin in the aftermath of “The Final Problem”, in which it is revealed that Holmes actually survived.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born December 27, 1938 — Jean Hale. If you’ve watched Sixties genre television, you’ve likely seen her as she showed up on My Favorite Martian, In Like Flint (at least genre adjacent), Alfred Hitchcock Presents, My Brother the Angel, Wild, Wild West, Batman and Tarzan. (Died 2021.)
Born December 27, 1951 — Robbie Bourget, 70. She started out as an Ottawa-area fan, where she became involved in a local Who club and the OSFS before moving to LA and becoming deeply involved in LASFS. She’s been a key member of many a Worldcon and Who convention over the years. She was the co-DUFF winner with Marty Cantor for Aussiecon 2. She moved to London in the late Nineties.
Born December 27, 1960 — Maryam d’Abo, 61. She’s best known as Kara Milovy in The Living Daylights. Her first genre role was her screen debut in the very low-budget SF horror film Xtro, an Alien rip-off. She was Ta’Ra in Something Is Out There, a miniseries that was well received and but got piss poor ratings. Did you know there was a live Mowgli: The New Adventures of the Jungle Book series? I didn’t. She was Elaine Bendel, a recurring role, in it.
Born December 27, 1977 — Sinead Keenan, 44. She’s in the Eleventh Doctor story, “The End of Time” as Addams but her full face make-up guarantees that you won’t recognize her. If you want to see her, she’s a Who fan in The Five(ish) Doctors Reboot. Her final Who work is a Big Finish audio drama, Iterations of I, a Fifth Doctor story. And she played Nina Pickering, a werewolf, in Being Human for quite a long time.
Born December 27, 1987 — Lily Cole, 34. Been awhile since I found a Who performer and so let’s have another one now. She played The Siren in the Eleventh Doctor story, “The Curse of The Black Spot”. She’s also in some obscure film called Star Wars: The Last Jedi as a character named Lovey. And she shows up in the important role of Valentina in The Imaginarium of Doctor Parnassus. Not mention she’s in Snow White and The Huntsman as Greta, a great film indeed.
Born December 27, 1995 — Timothée Chalamet, 26. First SF role was as the young Tom Cooper in the well received Interstellar. His only other genre role was Zac in One & Two before he played Paul Atreides in Director Denis Villeneuve’s Dune.
(12) COMICS SECTION.
The Far Side shows something by the side of the road – a little too big for a hubcap, I’m thinking.
The Argyle Sweater spots the moment an undercover operator’s cover is blown.
For decades, various incarnations of Star Trek have offered mostly positive visions for the future of humanity—one in which we’ve set aside petty, earthbound squabbles in favor of boldly seeking out new worlds (and, of course, finding the occasional conflict).
But the first three seasons of Star Trek: Discovery (Paramount+), the seventh television series in the long-running franchise, have too often seemed tied down by storylines that might have more in common with real-world politics of the 21st century rather than the unbridled optimism that was such an important part of Star Trek creator Gene Roddenberry’s original conception for the show. Discovery is highly serialized, more focused on a single calamity than a larger sense of exploration, and with far more internally focused characters who care more about their own interests than in a larger plan for society.
As a result, Star Trek now seeks to reinforce the trepidation and existential doubt that is a hallmark of our modern culture. Instead of showing the potential of what humanity can become, Discovery seems to reflect more on what the feelings of the human condition are today…
On Dec. 27, 1984, one of the most famous Mars meteorites was found in Antarctica.
…Weighing in at just over 4 lbs., this space rock is considered to be one of the oldest Martian meteorites ever found on Earth. Scientists estimate that it crystallized from molten rock more than 4 billion years ago, when Mars still had liquid water on its surface. It also has been the source of controversy about the search for life on Mars that continues to this day.
(15) NOT JUST ANY KIND OF HORROR. The new episode of the Rite Gud podcast features an interview with John Langan on cosmic horror. And also about the horror of dealing with the publishing industry.
Bram Stoker Award-winning author John Langan joins us to talk about cosmic horror, his novel The Fisherman, upstate New York, how much money writers make (none), and how hard it is to get published when you’re a little too literary for the genre crowd but a little too genre for the literary crowd. Special appearance by Langan’s wiener dog/beagle.
For weeks, a question hung over London theater: What would happen to Stephen Sondheim’s “Into the Woods”?
On Nov. 1, the Old Vic theater canceled a revival of the musical, co-directed by Terry Gilliam, after a dispute in which the renowned director was accused of endorsing transphobic views and playing down the MeToo movement. That left the production in limbo and London’s theater world wondering if anyone would dare to take it on.
Now, there is an answer. On Aug. 19, 2022, Gilliam’s “Into the Woods” will debut at the Theater Royal in Bath, 115 miles from London. The show will run through Sep. 10, 2022, the theater said in a statement….
(17) CRITICAL COMPONENT. DUST presents a short film about a young robot with a defective part, trying to find their way in the world.
Tesla has agreed to modify software in its cars to prevent drivers and passengers from playing video games on the dashboard screens while vehicle are in motion, a federal safety regulator said on Thursday.
(19) VIDEO OF THE DAY. Alasdair Beckett-King’s parodies are news to me but not to his quarter of a million YouTube subscribers. Here’s a sample.
As the first person ever to spoof Doctor Who, I decided not to bother doing an impression of 13 different actors, and just wore a jaunty hat instead.
[Thanks to John King Tarpinian, Andrew Porter, Michael Toman, N., Bill, Raquel S. Benedict, Jeffrey Smith, Nicholas Whyte, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Rob Thornton.]
(1) LET US REMEMBER THE TWENTY-FIRST OF DECEMBER. It’s already dark out! Oh, wait – today’s the Winter Solstice! No wonder. Let NASA Ames Research Center tell you all about it.
(2) RAYTHEON. Social media criticism for DisCon III’s acceptance of Raytheon sponsorship money splashed onto some of the Hugo ceremony participants. The committee issued this statement:
Harassment is not acceptable. Responses should be directed to DisCon III and not at the finalists or winners who were uninvolved in our decisions.
I would have hoped for a more strongly worded statement by DisCon III, but this part I full co-sign. The Hugo finalists had no idea about Raytheon sponsoring the ceremony until the ceremony started, many are furious about this and yet several have been harrassed https://t.co/VYTChqk3f2
Discon III turned out to be my worst Worldcon ever – one of my worst genre events, ever.
And I didn’t even go….
(4) THE GAME’S AFOOT. Congratulations to James Nicoll Reviews on posting their 2000th review today: “Just Lots of Little Frames”, about Greg Stafford, Jeff Richard, and Jason Durall’s 2021 The Runequest Starter Set, which is a starter set for Runequest: Roleplaying in Glorantha . As always, the footnotes are great!
Netflix’s recent cancellation of the live-action Cowboy Bebop has left many fans disappointed, and now more than 50,000 of them have signed a petition to bring the show back for a second season.”
“I truly loved working on this,” the show’s co-executive producer Javier Grillo-Marxuach said on Twitter after Netflix’s decision. “It came from a real and pure place of respect and affection. I wish we could make what we planned for a second season, but you know what they say, men plan, God laughs.” He added that the team “had so much cool sh*t planned” for Cowboy Bebop’s second season.”
(6) SUITE MEMORIES. Covert J. Beach gives a full rundown on the party suite he used for his “loosely invitational” parties at DisCon III (which also ended up being the location for the Chengdu Victory Party when “it turned out that the suite that had been earmarked for Chengdu had been given away.”)
….At over 1800 sqft the Suite was bigger than my Condo, complete with full kitchen (I even baked something) and a full washer-dryer. To do it justice I brought three bags of booze rather than just two, discovering in the process that the Briggs and Riley Baseline Carryon is a fantastic piece of luggage to carry booze. It is the perfect width for most long whisky tins. It took two full trips of the car to move the party kit to the hotel, and two back (the 2nd return load which totally packed the car is picured), with a third supplementary trip each way. I caused a lot of bemusement with the valets.
The Convention had a bartender on tap over zoom so people could get advice on what drinks to make. I hear a number of calls were made from the room in the suite called “The Library” where the bartender was amazed at the variety the Capclave/Balticon Scotch Cabal put together (I don’t bring it all.) Much was drunk….
…If you love books then you know: They aren’t just escapism, they also inspire introspection, making us think harder about the world we live in. This is precisely the promise of great science fiction and fantasy — categories we’ve chosen to consider in a list together, as fantastic books continue to blur the line between the two speculative genres (and besides, we love to read them all). These 20 books span genres and perspectives — from space operas, to Norse mythology retellings, to romances with a dash of time travel. But all of them gave us something new to consider.
In a year with so many incredible choices, it was hard to narrow down the list. So we’ve also included some of our favorite runners up….
(8) WOMEN OF MARVEL. In March, Women Of Marvel #1 will continue highlighting Marvel’s female heroes in an all-new collection of tales.
A Squirrel Girl and Black Widow team-up against a maniacal villain in a story that explores the complexities of super hero identities by Hugo award winning writer Charlie Jane Anders
An action-packed Shanna the She-Devil and Silver Sable short sees the jungle ladies battle against wild animal poachers by award winning video game script writer Rhianna Pratchett
A dark Jessica Jones tale of compulsion and redemption from celebrated creator Jordie Bellaire and drawn by rising star Zoe Thorogood
A fun-filled page-flipper of Black Cat’s greatest failures and latest triumphes by novelist Preeti Chhibber and superstar artists Jen Bartel, Marguerite Sauvage and more!
The Marvel Comics writing debut of artist Mirka Andolfo and much more!
(9) MILAN MEMBER OF JURY IN HIGHLY-PUBLICIZED CASE. [Item by rcade.] The romance novelist Courtney Milan revealed on Twitter that she was a juror in the trial that led to truck driver Rogel Aguilera-Mederos being sentenced to 110 years in prison for the 29-vehicle crash in Colorado that killed four people in 2019. The brakes on his truck failed while he was descending mountains on Interstate 70, leading to the accident after he didn’t veer off into a runaway truck lane.
Milan wrote this on December 14 in tweets she subsequently deleted (Archive.today copy below):
I’m going to write something longer about this, but I just have to say this right now: 110 years is unjust. I feel sick with how unjust this is.
I don’t feel like I can say much right now because my brain keeps stuttering out on this, but my brain will come back online at some point.
I was on the jury in this case and if I had known this was the mandatory minimum for a kid who made some really bad decisions at exactly the wrong time, I would absolutely have engaged in jury nullification.
The severity of the sentence, which must be served consecutively, has brought international attention to the case. A Change.org petition asking Colorado Gov. Jared Polis to grant clemency or a commutation to Aguilera-Mederos has received over 4.5 million signatures.
Before becoming a full-time romance writer, Milan was a law professor at Seattle University School of Law and clerk to Supreme Court justices Sandra Day O’Connor and Anthony Kennedy, according to the Washington Post.
A male juror in the case told Fox 31 the sentence was “100-fold of what it should have been” and had this reaction when it was handed down: “I cried my eyes out.”
(10) STEP RIGHT UP. Signal boosting Connie Willis’ appeal for Locus subscriptions and donations. If she were here she’d say click to support Locus today.
…He refashioned himself as a toy inventor (he held dozens of patents) and broker. During the Toy Fair in Manhattan in the early 1980s, he saw a Japanese-made toy — a tiny car that could easily change into an airplane — and recognized more elaborate possibilities.
“He started playing with it and said, ‘This is the best thing I’ve seen in at least 10 years,’” recalled Mrs. Orenstein, who, as Carolyn Sue Vankovich, met her future husband in 1967 when she was demonstrating Suzy Homemaker at the Toy Fair. “He had the sparkle he got when he got excited.”
Mr. Orenstein put together a deal between Hasbro and the Japanese manufacturer, Takara, which led to Hasbro’s introduction in 1984 of Transformers, toy robots that could turn into vehicles or beasts. They would become hugely popular, spawning an animated television series and a movie franchise.
“Ideas don’t come in little pieces,” Mr. Orenstein told Newsweek in 2016. “It’s in, it’s out. It’s there or it’s not,” he said. “I was just an inventor. You needed a big company to do what I thought should be done: making real transformations from complex things to other complex things.”…
(12) MEDIA BIRTHDAY.
1965 — [Item by Cat Eldridge.] ?Fifty-six years ago one of the best Bond films premiered in the form of Thunderball. Directed by Terence Young, it was the fourth Bond film off a screenplay by Richard Maibaum and John Hopkins off yet another Fleming novel. The original screenplay was by Jack Whittingham but it wasn’t used.
Need I say that Sean Connery plays Bond here? Well this will be only the first time that Connery plays Bond based off this novel as he’ll play him in Never Say Never Again which was executive produced by Kevin McClory, one of the original writers of the Thunderball story. McClory had the filming rights of the novel following a very long legal battle dating from the Sixties.
Reception from critics was decidedly mixed but Dilys Powell of The Sunday Times said that “The cinema was a duller place before 007.” The box office was fantastic as it earned out one hundred and forty million against a budget of under ten million. Audience reviewers at Rotten Tomatoes currently give it a rather excellent seventy-three percent rating.
(13) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born December 21, 1898 — Hubert Rogers. Illustrator during the Golden Age of pulp magazines. His first freelance work was for Ace-High, Adventure, Romance, and West. In ‘42, he started doing covers for Astounding Science Fiction which he would do until ‘53. He did the cover art for the ‘51 edition of The Green Hills of Earth, the ‘50 edition of The Man Who Sold the Moon and the ‘53 edition of Revolt in 2100. (Died 1982.)
Born December 21, 1928 — Frank Hampson. A British illustrator that is best known as the creator and artist of Dan Dare, Pilot of The Future and other characters in the boys’ comic, The Eagle, to which he contributed from 1950 to 1961. There is some dispute over how much his original scripts were altered by his assistants before being printed. (Died 1985.)
Born December 21, 1929 — James Cawthorn. An illustrator, comics artist and writer who worked predominantly with Michael Moorcock. He had met him through their involvement in fandom. They would co-wrote The Land that Time Forgot film, and he drew “The Sonic Assassins” strip which was based on Hawkwind that ran in Frendz. He also did interior and cover art for a number of publications from the Fifties onwards including (but not limited to) Vector 3, New Worlds SF, Science Fantasy and Yandro. (Died 2008.)
Born December 21, 1937 — Jane Fonda, 84. I’m sure everyone here has seen her in Barbarella. Her only other genre appearances are apparently voice work as Shuriki in the animated Elena of Avalor series, and in the Spirits of the Dead, 1968 anthology film based on the work of Poe. She was the Contessa Frederique de Metzengerstein in the “Metzengerstein” segment of the film.
Born December 21, 1948 — Samuel L. Jackson, 73. Where to start? Did you know that with his permission, his likeness was used for the Ultimates version of the Nick Fury? It’s a great series btw. He has also played Fury in the Iron Man, Iron Man 2, Thor, Captain America: The First Avenger, The Avengers, Captain America: The Winter Soldier, Avengers: Age of Ultron and Avengers: Infinity War and showed up on Agents of S.H.I.E.L.D. too! He voiced Lucius Best (a.k.a. Frozone) in the Incredibles franchise, Mace Windu in The Phantom Menace and The Clone Wars, the Afro Samurai character in the anime series of the same name and more other genre work than can be listed here comfortably so go ahead and add your favorite role by him.
Born December 21, 1943 — Jack Nance. Let’s just say he and David Lynch were rather connected. He’s in Henry Spencer in Eraserhead, he had a small role as the Harkonnen Captain Iakin Nefud in Dune and he’s Pete Martell in Twin Peaks. He’s also a supporting role as Paul, a friend of Dennis Hopper’s villain character in Blue Velvet but even I couldn’t stretch that film to be even genre adjacent. (Died 1996.)
Born December 21, 1944 — James Sallis, 77. Ok he’d be getting a Birthday today if only for his SJW cred of giving up teaching at a college rather than sign a state-mandated loyalty oath that he regarded as unconstitutional. But he also does have a short SFF novel Renderings more short fiction that I can count, a book review column in F&SF and he co-edited several issues of New Worlds Magazine with Michael Moorcock. Worthy of a Birthday write-up!
Born December 21, 1966 — Kiefer Sutherland, 55. My he’s been in a lot of genre undertakings! I think that The Lost Boys was his first such of many to come including Flatliners, Twin Peaks: Fire Walk with Me, The Three Musketeers, voice work in Armitage: Poly-Matrix, Dark City, more voice work in The Land Before Time X: The Great Longneck Migration, Marmaduke and Dragonlance: Dragons of Autumn Twilight, Mirrors, and yes, he’s in the second Flatliners as a new character.
(14) COMICS SECTION.
Tom Gauld’s alternate history drives the world of a well-known Christmas carol.
Dark Horse Comics properties such as Hellboy and The Umbrella Academy are finding a new home. The indie comics publisher has agreed to be sold to Embracer Group, the Swedish video game conglomerate. The deal is expected to close in early 2022….
(16) THE RAIN IN NEW SPAIN STAYS THE LAUNCH AGAIN.[Item by Mike Kennedy.] Astronomers have once again been told they must wait a bit to open their Big Present—launch of the James Webb space telescope. The latest, and hopefully the last, delay has pushed the launch until Christmas day. This one-day delay is due to expected advert weather conditions. “Delay pushes NASA’s James Webb Space Telescope launch to Christmas morning” at CNN.
The highly anticipated launch of the James Webb Space Telescope has been delayed yet again — this time because of interference by Mother Nature.
Now, the telescope is expected to launch on December 25 from Europe’s Spaceport in French Guiana.
The launch window opens Christmas morning at 7:20 a.m. ET and closes at 7:52 a.m. ET. Live coverage of the launch will stream on NASA’s TV channel and website beginning Saturday at 6 a.m.
The news of adverse weather conditions came shortly after NASA shared that the Launch Readiness Review for the telescope was completed on Tuesday….
(17) ABOUT THE WESTERN SPELLING OF A CHENGDU GOH’S NAME. [Item by SF Concatenation’s Jonathan Cowie.] Given the fuss some make over pronunciation, I am a little reluctant to wade in here (though I have lost count of the number of times my own name has been mispronounced, misspelled and even an alternate used (well, this last is a bit debatable but suffice to say my first name is not the one I am commonly known as – and no it wasn’t my choice).) There are simply far more important things to get exercised about: human rights, political rights (*cough* Hong Kong) and climate change to name but a few. Anyway…
How do you spell Sergei Lukyanenko / Lukianenko? Well, conversions to the Latin alphabet are always problematic. I do not know about the US, but here in Brit Cit William Heinemann published Sergei Lukyanenko’s Night Watch series. If that is his commonly-used publishing name in the West then arguably it would be best to use that so that folk can internet search out his work.
(18) LIFE IMITATES ART. You know the humorous motorcade bits that interrupted the Hugo Awards ceremony? Well, Andrew Porter did not have to leave Washington without seeing the real thing. Here’s his photo of a motorcade taken from his Shoreham Hotel window.
The Mystic Museum is a small museum dedicated to the occult, paranormal, mysticism, and horror. If you find yourself fascinated by the macabre, then consider it the place for you!
(20) HOLIDAY WHO. [Item by Ben Bird Person.] Artist/illustrator Colin Howard did this piece on the 2003 animated Doctor Who serial “Scream of the Shalka”:
Happy Christmas Everybody!!! Here's my final artwork for Scream of the Shalka,hope you like it??!! pic.twitter.com/UIatoFUNNg
A researcher orbiter circling around Mars has discovered “significant amounts of water” underneath the surface of an area on the red planet similar to the Grand Canyon, according to the European Space Agency.
The orbiter, the ExoMars Trace Gas Orbiter, was launched by the European Space Agency along with the Russian Space Agency in 2016 and has been orbiting Mars ever since, with the goal of learning more about the gases and the possibility of life on the planet.
Recently, the orbiter was scanning an area of Mars called Valles Marineris, using the Fine Resolution Epithermal Neutron Detector instrument, or FREND, which can detect hydrogen on and up to 3 feet underneath Mars’ soil.
The Valles Marineris is a 2,500-mile-long canyon on Mars with parts that are 4 miles deep. Not only is it 10 times longer and 4 times deeper than the Grand Canyon, but the Valles Marineris’ length is nearly as long as the entire United States.
Data collected from the instrument from May 2018 to Feb. 2021 showed the middle part of the canyon contained a large amount of water, indicating some form of life could possibly be sustained. The findings were published in the solar system journal Icarus on Wednesday….
(22) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Spider Man: No Way Home Pitch Meeting” on Screen Rant, Ryan George, in a spoiler-filled episode, has the producer watch the five Spider-Man movies before Tom Holland shows up so he can understand the many special guest stars in this one. “How are we going to market this film without revealing all the crazy stuff?” the producer asks. “Leaks!” the writer says.
[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Ben Bird Person, rcade, Bonnie McDaniel, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]
(1) REACHING OUT. Kate Elliott distills her sff experience into a Twitter thread, which starts here.
One thing I’ve learned after 30 years in the sff field is to not waste my time trying to get the approval of people who will never give it or only give it conditionally or without reciprocity, so find your peeps as you can. I wish it wasn’t as tough as it can sometimes be.
— Kate Elliott writing yet another book, go figure (@KateElliottSFF) December 10, 2021
And I have stuck to that rule (I actually can’t afford to attend that many cons regardless). Because I remember the people who were (genuinely) friendly without conditions when I ventured as a stranger into this community & that is the model I aspire to now I’m part of the scene.
— Kate Elliott writing yet another book, go figure (@KateElliottSFF) December 10, 2021
(2) COWBOY BEBOP. [Item by Ben Bird Person.] Science fiction author Wesley Chu (The Lives Of Tao, The Walking Dead: Typhoon) posted this “hot take” on Twitter:
Hot take: Live action Cowboy Bebop will find a second life and eventually achieve a cult following like Firefly.
(3) IN AND OUT OF FLUX. Camestros Felapton, in “Review: Doctor Who Flux”, assesses how nu-Who’s thirteenth season with the Thirteenth Doctor wrapped up. Beware spoilers!
…So where does that leave Flux and why was it not so terrible despite all that? As I’ve joked before, it was a shaggy-dog story where lots of things happen but most of it doesn’t really matter. Events strung together but without a substantial narrative arc can be entertaining. These kinds of “just a bunch of stuff that happened” plots make millions when they are Fast & Furious movies. I don’t know what the first big example of this approach is but I suspect that is the James Bond film You Only Live Twice which makes not a bit of sense but has so many memorable fragments that it feels like it has a story there. F&F is worse to some degree because that narrative fragmentation splits over multiple films i.e. I can remember lots of scenes from those movies but I have to actively think about elements to work out which film it was from (at least from about F&F5)….
…Nichelle Nichols, one of the stars of the original Star Trek series and a pioneering recruiter of women and minorities for America’s space program, made her final convention appearance before her many fans as part of a three-day farewell celebration at L.A. Comic-Con over the weekend.
Best known for playing communications officer Nyota Uhura aboard the starship Enterprise, the iconic actress, singer and dancer — who turns 89 on Dec. 28 — signed autographs, posed for photos and attended an early birthday celebration, where she briefly but joyfully kicked up her heels and danced. Nichols was also the subject of tribute panels throughout the convention, though she did not make any public statements.
An active figure on stage, TV and music since the early 1960s, Nichols’ public and professional life has been slowed since she was diagnosed with dementia in 2018, and she has also been at the center of a conservatorship battle. However, she was all smiles during her many appearances on her retirement tour at Comic-Con LA. Nichols was seen waving, blowing kisses and flashing Star Trek‘s famous Vulcan salute to the many fans who turned out to bid her farewell….
(5) FROM THE ARCHIVES. [Item by Bill.] Metafilter just finished a series of posts over the last week in which highlighted “short speculative fiction stories published by online magazines that are no longer publishing, or that are on hiatus, but whose interesting archives remain online” — Posts tagged with magazinearchives / MetaFilter.
(6) PRAISING WITH FAINT DAMS. Is James Davis Nicoll’s Young People Read Old SFFpanel impressed by this Lafferty Hugo-winner? Please…stop laughing.
This month’s Young People Read Old Hugo Winners presented me with a dilemma. “Eurema’s Dam” by R. A. Lafferty shared the 1973 Hugo for Best Short Story with “The Meeting” by C. M. Kornbluth and Frederik Pohl. How to choose between two works the voters found worthy? The answer, it seems, was in having read “The Meeting”, which is about commandeering a developmentally deficient child’s body so the body can house the brain of a superior child. Since I don’t actively dislike my Young People, I went with the story I didn’t remember anything about, a story that only might annoy them, rather than the story I remembered all too well and was absolutely certain would enrage them.
R. A. Lafferty was a beloved author of whimsical fantasies. My brain lacks the proper receptors and I don’t see the appeal. I am aware I am in the minority here. Perhaps my Young People will see the virtues in Lafferty’s writing to which I am blind. Let’s find out!
(7) TIME AFTER TIME. The latest episode of CSI Skill Tree, a series on videogames, worldbuilding, storytelling, and possible futures, is focused on the 2019 game Outer Wilds, about unraveling the mysteries of a solar system caught in a time loop. The guests are game director and designer Randy Smith (Thief series, Waking Mars, JETT: The Far Shore) and Luc Riesbeck, a space policy and research analyst at Astroscale U.S.
(8) FUTURE SEASON’S GREETINGS. The Bristol Board has copies of the original space-themed covers by Frank R. Paul for the Christmas issues of Forecast, Hugo Gernsback’s radio and electronics magazine of the Fifties and Sixties. Here’s an example.
The estate of George Orwell has approved a feminist retelling of Nineteen Eighty-Four, which reimagines the story from the perspective of Winston Smith’s lover Julia.
… Publisher Granta said that Julia understands the world of Oceania “far better than Winston and is essentially happy with her life”. As Orwell puts it in Nineteen Eighty-Four, “in some ways she was far more acute than Winston, and far less susceptible to Party propaganda … She also stirred a sort of envy in him by telling him that during the Two Minutes Hate her great difficulty was to avoid bursting out laughing. But she only questioned the teachings of the Party when they in some way touched upon her own life. Often she was ready to accept the official mythology, simply because the difference between truth and falsehood did not seem important to her.”
“She has known no other world and, until she meets Winston, never imagined one. She’s opportunistic, believing in nothing and caring not at all about politics. She routinely breaks the rules but also collaborates with the regime whenever necessary. She’s an ideal citizen of Oceania,” said Granta. “But when one day, finding herself walking toward Winston Smith in a long corridor, she impulsively hands him a note – a potentially suicidal gesture – she comes to realise that she’s losing her grip and can no longer safely navigate her world.”
Orwell’s estate said it had been “looking for some time” for an author to tell the story of Smith’s lover, and that Newman, who has previously been longlisted for the Women’s prize and shortlisted for the Guardian first book award, “proved to be the perfect fit”…
(10) WHO DREW. [Item by Ben Bird Person.] Artist Colin Howard who did book and VHS covers for Doctor Who in the 1980s-1990s has announced a new art book: Timeslides: The Doctor Who Artwork of Colin Howard.
Colin Howard’s art graced the covers of around thirty VHS releases, and for the first time ever, they’re collected together in Timeslides: The Doctor Who Art of Colin Howard.
Join Colin as he opens his personal archive and takes you on a tour of his Doctor Who universe – from iconic videos to book covers, from illustrations to private commissions. Featuring original sketches, unpublished designs, and a fascinating commentary, Timeslides takes you further behind the scenes than ever before.
(11) MEDIA BIRTHDAY.
1992 — [Item by Cat Eldridge.] Twenty-nine years ago, The Muppet Christmas Carol premiered as directed by Brian Henson (in his feature film directorial debut) from the screenplay by Jerry Juhl. Based amazingly faithfully off that story, it starred Michael Caine as Ebenezer Scrooge with a multitude of Muppet performers, to wit Dave Goelz, Steve Whitmire, Ed Sanders, Jerry Nelson, Theo Sanders, Kristopher Milnes, Russell Martin, Ray Coulthard and Frank Oz. I must single out Jessica Fox as the voice of Ghost of Christmas Past.
Following Jim Henson’s death in May 1990, the talent agent Bill Haber had approached Henson’s son Brian with the idea of filming an adaptation. It was pitched to ABC as a television film, but Disney ended up purchasing it instead. That’s why it’s only available on Disney+ these days.
Critics in general liked it with Roger Ebert being among them though he added that it “could have done with a few more songs than it has, and the merrymaking at the end might have been carried on a little longer, just to offset the gloom of most of Scrooge’s tour through his lifetime spent spreading misery.” (Those songs were by Paul Williams, another one of his collaborations with the Jim Henson Company after working on The Muppet Movie.) Box office wise, it did just ok as it made twenty-seven million against production costs of twelve million, not counting whatever was spent on marketing. And audience reviewers at Rotten Tomatoes currently give it a rather ungloomy rating of eighty-eight percent.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born December 11, 1926 — Dick Tufeld. He’s best known, or at least best recognized, as the voice of the Robot on Lost in Space, a role he reprises in the feature film. The first words heard on Voyage to the Bottom of the Sea are spoken by him: “This is the Seaview, the most extraordinary submarine in all the seven seas.” He’s been the opening announcer on Spider-Man and His Amazing Friends, Spider-Woman, Thundarr the Barbarian, Fantastic Four and the Time Tunnel. (Died 2012.)
Born December 11, 1945 — Zienia Merton. She’s best remembered for playing Sandra Benes in Space: 1999. She played Ping-Cho during a series of First Doctor stories. She had roles on Dinotopia, the Sarah Jane Adventures and Wizards vs. Aliens. (Died 2018.)
Born December 11, 1944 — Teri Garr, 77. A long history of genre film roles starting in Young Frankenstein as Inga before next appearing in Close Encounters of the Third Kind as Ronnie Neary. Next is the horror film Witches’ Brew where she was Margaret Lightman. She voices Mary McGinnis in Batman Beyond: The Movie, a role she has does on a recurring basis in the series. Series wise, shows up uncredited in the Batman series in the “Instant Freeze” as the Girl Outside the Rink. And of course, she’s Roberta Lincoln in Star Trek’s “Assignment Earth” episode. (I once found a site that the spin-off series had actually been made.) She has a number of other genre roles, none as interesting as that one.
Born December 11, 1954 — Richard Paul Russo, 67. Winner of two Philip Dick Awards, first for Subterranean Gallery, and later for Ship of Fools. Subterranean Gallery was also nominated for a Clarke Award. He apparently stopped writing genre fiction quite some time ago.
Born December 11, 1957 — William Joyce, 64. Author of the YA series Guardians of Childhood which is currently at twenty books and growing. Now I’ve no interest in reading them but Joyce and Guillermo del Toro turned the early ones into in a rather splendid Rise of the Guardians film which I enjoyed quite a bit. The antagonist in it reminds me somewhat of a villain later on In Willingham’s Fables series called Mr. Dark.
Born December 11, 1959 — M. Rickert, 62. Short story writer par excellence. She’s got three collections to date, Map of Dreams which won a World Fantasy Award, Holiday and You Have Never Been Here. Her two novels The Little Witch and The Shipbuilder of Bellfairie are most excellent, and are available from the usual digital suspects. Her collections unfortunately are not.
Born December 11, 1962 — Ben Browder, 59. Actor of course best known for his roles as John Crichton in Farscape and Cameron Mitchell in Stargate SG-1. One of my favorite roles by him was his voicing of Bartholomew Aloysius “Bat” Lash in Justice League Unlimited called “The Once and Future Thing, Part 1”. He’d have an appearance as sheriff in the Eleventh Doctor story, “A Town Called Mercy”, a Weird Western of sorts.
Born December 11, 1965 — Sherrilyn Kenyon, 56. Best known for her Dark Hunter series which runs to around thirty volumes now. I realize in updating this birthday note that I indeed have read this first several of these and they were damn good. She’s got The League series as well which appears to be paranormal romance, and a Lords of Avalon series too under the pen name of Kinley MacGregor. She has won two World Fantasy Awards, one for her short story, “Journey Into the Kingdom”, and one for her short story collection, Map of Dreams.
(13) COMICS SECTION.
The Far Side shows the alien takeover is ready to begin.
…Stefanie Peters and David Cloyce Smith and the other editors at Library of America did all the heavy lifting, scouring all sorts of obscure books and magazines, finding thousands of stories for us to choose from, and getting all the necessary permissions and releases. All I did was read a bunch of stories, suggest some stories they’d missed, and write the introduction.)
Between us, we found mysteries, horror stories, Westerns, science-fiction stories, ghost stories, police procedurals, and fantasies, stories by famous authors like Bret Harte and John Updike and stories by writers you’ve never heard of, like Pauline Hopkins and John Kendrick Bangs. Stories by African-American authors writing in the post-Civil War South, by Chinese-American authors writing about California’s Chinatown, by authors of vastly different backgrounds writing about Alaskan and Puerto Rican and Nebraska Christmases.
And we found stories written in all different keys, from cynicism to sentimentality, from nostalgia to urban angst. And comedy. So many Christmas collections focus solely on serious or uplifting stories, but humor’s been a staple of the American Christmas story since Mark Twain and William Dean Howells, and I was really happy we were able to include humorous stories by Shirley Jackson, Robert Benchley, Leo Rosten, Joan Didion, and Damon Runyon.
(Especially Damon Runyon. We would have included all his Christmas stories if we’d had room, and all of O. Henry’s, but alas, there were length constraints–and permissions we weren’t able to get. And in addition, we didn’t want this collection to be a carbon copy of every other Christmas anthology we’d ever read. Which is why O. Henry’s “Gift of the Magi” and the “Christmas won’t be Christmas” piece by Louisa May Alcott aren’t in the book. Sorry. But they’ve been reprinted virtually everywhere, and if we included them, we’d have had to leave out stories by both O. Henry and Alcott that you might not have read before.).
We also included lots of other wonderful stories, like Langston Hughes’ wistful “One Christmas Eve” and Edna Ferber’s “No Room at the Inn” and Ben Hecht’s “Holiday Thoughts” Jacob Riis’s “The Kid Hangs Up His Stocking” and Jack London’s “Klondike Christmas” and Dorothy Parker’s “The Christmas Magazines and the Inevitable Story of the Snowbound Train.”
For you science-fiction, fantasy, and horror fans, there’s Cynthia Felice’s “Track of a Legend,” Mildred Clingerman’s “The Wild Wood,” Steve Rasnic Tem’s “Buzz,” Ray Bradbury’s “The Gift,”and Raymond E. Banks’s “Christmas Trombone.”” (And a story of mine that they chose, “Inn.”)…
And don’t forget to register for the Library of America’s American Christmas Stories conversation with Connie Willis, Nalo Hopkinson, and Penne Restad on December 15 at 6:00 p.m. Eastern.
(15) I READ YOU FIVE BY FIVE. Two more of James Davis Nicoll’s thematic look-back posts at Tor.com.
… Perhaps some fictional examples are in order, since historical examples would no doubt set the comments on fire (so let’s please avoid that)….
Wild Seed by Octavia E. Butler (1980)
No person works as hard to find and gather humanity’s psionic adepts as Doro. Doro has invested millennia tracking down, gathering, and breeding mutants to ensure that they survive and flourish. Thanks to Doro’s endless work, the genes for psionic talents have been concentrated and encouraged to flourish.
However, this long-standing project had nothing to do with any particular concern for mutant-kind or a belief in orthogenesis. Doro is a psychic predator. Mutant minds are tasty and their appropriated bodies provide him with comfortable temporary accommodation. Worse, the psychics are quite aware of Doro’s appetites. They simply lack the means to resist him. The best that shape-shifting immortal Anyanwu can do is to play a weak hand as well as she can, using Doro’s desire for a peer to limit the damage he does to her kin.
… But pessimism is nothing new, of course. Olden time SF authors were enormously pessimistic, producing works every bit as sour and gloomy as the most morose works penned by today’s authors. Don’t believe me? Here are five intensely depressing SF novels from the long, long ago. I recommend each and every one of them, if only to cast your current circumstances in a more favourable light….
(16) GALACTIC OPPORTUNITY.Space Cowboy Books will host an online reading and interview with Janice L. Newman, author of “At First Contact,” on December 14. Register here.
Join us for a reading and interview with Janice L. Newman about her new book At First Contact, a touching trio of romances in a speculative vein. From the edge of space, to the shadows of the paranormal, to the marvels of the mystical.
… “We also say that we don’t think that Frank Capra intended Bedford Falls to be one place,” said Law. “It is every place that people hold dear to our hearts.”
Regardless, Law noted that Seneca Falls has welcomed actress Karolyn Grimes, who played Zuzu Bailey, since her first visit there in 2002.
“She has introduced us to other cast members, relatives of cast members and others associated with the film,” said Law. Other visiting actors have ranged from Jimmy Hawkins, who played Tommy Bailey, to Jeanine Roose, who played younger Violet Bick.
Grimes also helped to make the It’s A Wonderful Life Museum a reality, after being talked to about the need for a place where film fans can reminisce and honor its meaning….
It’s a Wonderful Life was filmed entirely in California, as were most movies at that time.
However, Seneca Falls has long believed itself to be the inspiration for Bedford Falls…
(18) GHASTLY TIMING. The New York Ghost Story Festival started December 11 and continues online. It’s free. Watch live on You Tube, or view any time later.
See the December 11 event with Kathe Koja, Brian Evenson, Rudi Dornemann and Jeff Ford:
Still to come —
Tuesday, December 14, 8:00 p.m. Eastern with David Surface, Brenda Tolian, Pat Wehl, and Joshua Rex here
Friday, December 17, 8:00 p.m. Eastern with Kevin Lucia, Jo Kaplan, and Eric Guijnard here.
Saturday, December 18, 7:00 p.m. Eastern with Sarah Langan, Kevin Brockmeier, John Langan, and Angela Slatter here
(19) W76 WOULD LIKE ITS $4K BACK. Twitter shut down Jon Del Arroz’ account under his own name, but he’s started another. Think about how good his lawyer must be that he was able to defend Jon against allegations of being a racist.
Some surface features, such as possible sedimentary material and mud volcanoes, hint at the past flow of water, so scientists are looking for clues that there was once water or ice below the surface. This is “of great scientific interest” because it might provide evidence of an ancient ocean, says Bo Wu, a planetary scientist at the Hong Kong Polytechnic University.
On another night last week Jennifer Lawrence appeared on The Late Show With Stephen Colbert. Near the end of their second segment, they discussed genre movies. After the 3:00 mark, Colbert gets a little flustered when Lawrence reveals how little she knows about the Lord of the Rings movies. Nominally, the main topic of the interview is Lawrence’s to-be-released movie Don’t Look Up, which definitely has a genre premise.
[Thanks to JJ, John King Tarpinian, Andrew Porter, Bill, Ben Bird Person, Chris Barkley, Joey Eschrich, SF Concatenation’s Jonathan Cowie, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Steve Davidson, part of “The Hugo Pixel Scroll Winners” series.]
