25 With Six You Get Pixel

Posted on April 20, 2025 by Mike Glyer

(1) WORLDCON TABLES AT EASTERCON 76. [Item by Cath Jackel.] I’m attending Reconnect this weekend — Eastercon 76 in Belfast. Here are some photos of the Worldcons and bids doing promotion at the event. Elayne Pelz and Joyce Lloyd are representing for LAcon V. Mary Ellen Moore is behind the table for the Montreal in 2027 bid. Alex McKenzie is at the Dublin in 2029 bid table. I don’t have a table, but do have a pile of flyers promoting the Edmonton in 2030 bid (my home town).

Mary Ellen Moore for the Montreal in 2027 bid

Alex McKenzie at the Dublin in 2029 bid table

(2) SEE WHELAN AND GIANCOLA ART IN UTAH. The Compass Gallery in Provo, UT will host the “Fantastically Human 2025” art exhibit from June 6-July 12. It will feature art on loan from Brandon and Emily Sanderson’s Collection:

Cover for The Way of Kings – Michael Whelan
The Herald Taln – Donato Giancola
Tress – Howard Lyon

The Compass Gallery. 250 W Center St. Suite 101, Provo, UT 84601

(3) HORROR UPDATE. “’Sporror’ and The Substance: horror fiction spreads its spores as submissions pile in” reports The Bookseller. (Possibly behind a paywall.)

Sporror (fungal horror), The Substance-style body horror and commodification of breast milk are among the more ghoulish themes booming across fiction as horror-influenced submissions continue to pile in, the trade has said.

A year on from the record-breaking high of horror books published, editors and agents are still reporting huge interest along with a shift towards more adventurous or alternative realities.

This year’s sales continue the upward trend for the horror category to just over £8m for the full year 2024, according to Nielsen BookScan. In the first quarter of 2025, it is up over a third (37%) in value against the same period in 2024 to £1.78m and volume is up 18% to nearly 161,000 copies. But the category remains small – no book has sold more than 10,000 in 2025 and just three – Grady Hendrix’s Witchcraft for Wayward Girls (Pan Macmillan), Lucy Rose’s debut The Lamb (W&N) and Stephen King’s Holly (Hodder) – have sold more than 5,000 copies, remaining mostly backlist-driven.

“I think there has been discussion about the evolving horror space for such a long time and the fact remains at the moment that very few ‘horror’ novels have broken out,” Curtis Brown agent Cathryn Summerhayes told The Bookseller. She represented Rose and said that The Lamb “has been a break out and I guess is both traditional – in that it is a cannibal novel set in a dark wood – and non traditional in that it deals with themes of queerness, infanticide and is both a modern and fable-esque setting at the same time.”

Summerhayes added: “What Lucy Rose has done brilliantly is tap into a younger, curious readership, targeting horror film and TV fans through her social media – and they seem willing to migrate back to books away from the screen. By publishing The Lamb as both horror and literary fiction […] we’ve hit two book buying markets instead of one.”

The strange political and social events of the last few years have paved the way towards different kinds of horror, according to Summerhayes. “I think horror hasn’t necessarily changed but our openness to reading stark horror about environmental meltdown, the isolation and devastation of people and places (thanks Trump) and the reality of monsters in our midst has grown hugely now we are away from the real life horror of the pandemic and lockdown. So reader openness plays a huge part – and BookTok is really making these authors and books pop.”…

(4) HE MADE A LITTLE MISTAKE. Brian Keene tells what happened.

(5) DARTH JAR JAR. At the end of this video there’s a flash of this frightening new Fortnite character.

An all new Star Wars themed Season arrives soon, drop in for Fortnite Galactic Battle on May 2, 2025

(6) NEVER SAY NEVER. WELL, EXCEPT IN THIS CASE. “Lucasfilm Finally Acknowledges the 39-Episode ‘Star Wars’ Series No One Will Ever See for the First Time in a Decade” at Movieweb.

After more than a decade, one of the lost Star Wars projects that will probably never be seen by anyone has received a surprising acknowledgment from Lucasfilm as they celebrated 20 years of Lucasfilm Animation. The project in question is the animated comedy series Star Wars: Detours , which was created by the team who brought the world Robot Chicken but was never released despite almost 40 episodes being completed and dozens of other scripts being written.

Detours’ surprising reappearance came thanks to a small reference in a poster released by Lucasfilm which incorporates characters from their many animated shows and movies, including those from The Clone Wars and Rebels, and, somehow, Detours. Fans of the world’s biggest franchises always love a good Easter egg or two making an appearance, and the poster offered up one of the most obscure of any Star Wars references you could name by including a very unorthodox-looking Stormtrooper with big googly eyes crumpled up in the bottom right of the poster, as seen in the locked away series.

(7) BELLA RAMSEY PROFILE. [Item by Steven French.] Bella Ramsey on going straight from acting school to Game of Thrones, starring in The Last of Us and coming out as non-binary: “’When medieval times return, I’ll be ready’: Bella Ramsey on friendship, fashion and The Last of Us” in the Guardian.

Bella Ramsey self-recorded their audition tape for The Last of Us at their parents’ home in Leicestershire and sent it off more in hope than expectation. Ramsey, who was 17 at the time, had never played the post-apocalyptic zombie video game on which the new TV series was based, but knew it was a big deal: released in 2013, it had sold more than 20m copies. It would later emerge that Craig Mazin and Neil Druckmann, the show’s creators, looked seriously at more than 100 actors for the role of Ellie, the sassy and quirky but also complicated and vicious American protagonist of The Last of Us. “Yeah, I’ve been told,” says Ramsey with a wry smile.

When Ramsey got the first callback from Mazin and Druckmann, they joined the Zoom from their childhood bedroom. “I’ve gotten very used to sending in a self-tape and forgetting about it,” they say, when we meet at a photo studio in north London. “But the problem was when there was a self-tape that really meant something to me, like The Last of Us did. It feels quite scary. And when I got the phone call saying they wanted me to be Ellie it did feel surreal for a few days. I understood that if I said yes – which obviously I was going to – my life was going to change.”

Life-changing is one way to describe it. Ramsey was hardly inexperienced when they were cast: their professional debut was aged 11 as the no-nonsense Lyanna Mormont in Game of Thrones; they had also been the star of the CBBC series The Worst Witch and appeared in the BBC/HBO adaptation of His Dark Materials. But The Last of Us was something else. About 40 million people watched the first episode in 2023 and the series, which is said to have cost $100m, became the most popular HBO show ever in Europe. Brutally violent at times, but also tender and poignant, the odd-couple chemistry between Ramsey’s Ellie and Pedro Pascal’s Joel has attracted an obsessive fanbase far beyond video-game nerds….

(8) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

April 20, 1939 — Peter S. Beagle, 86.

By Paul Weimer: It’s Rankin and Bass’ fault that I got into the work of Peter S. Beagle. As a voracious young reader, I saw The Last Unicorn in the library and somehow, even given my small “c” catholic tastes in SFF, saw that it was somehow not going to be for me. So I didn’t pick it up. I passed it by.

Fast forward to the mid-1980’s. NYC’s Channel 11, an independent TV station, aka “New York’s movie station”, introduced me to a gigantic swelter of movies.

One of them, by accident, was the 1982 animated version of The Last Unicorn. I remember not remembering at the time or realizing at the time that it was based on the Beagle novel, but after I was transported and transformed by the adaptation, I went and sought out the original novel. As fine and charming as the movie is, the novel truly gave me a sense of the power and lyric nature of Beagle’s work.

I was hooked.

I came across my favorite Beagle, The Innkeeper’s Song, in the mid 90’s. I was in a strong fantasy vein at the time and was interested in a variety of narrative forms. The Innkeeper’s Song, with its multiple first-person narration, was a revelation in escaping the usual multiple third-person points of view that were the norm at the time. Even today, Innkeeper’s Song feels fresh and unique in its approach to narrative, point of view, and literary interest. Even before Gene Wolfe, I think Beagle’s fantasy was my first real immersion into what one might call literary fantasy.

But even more than literary talent or line by line skill, what Beagle’s work does to me, from the Last Unicorn to today, is make me feel. I think his shorter fiction is where the distillation of his skill, craft, mood and the ability to evoke emotion is at its best in the short form. “Two Hearts”, a sequel to The Last Unicorn, is a particular favorite, because Griffins. His TNG written episode “Sarek” is one of the most moving pieces of Star Trek to this day. And yes, to this day, The Last Unicorn, the movie, brings tears to my eyes.

(9) COMICS SECTION.

Brewster Rockit shows how a xenomorph celebrates the holiday.
Strange Brew has different invaders.
Tom Gauld pitches an Easter doubleheader.

(10) UP ON THE ROOFTOP. “Royal Mile unicorns have horns restored”. BBC says now they need names.

A pair of 19th Century unicorn sculptures at the top of Edinburgh’s Royal Mile have had their horns restored

The sandstone sculptures adorn the façade of the Scotch Whisky Experience, just in front of the Edinburgh Castle esplanade.

Their original horns, made from wood and lead, had long been missing, but as part of the building’s restoration the attraction’s facilities manager Ross Morris, a keen woodworker, crafted some new ones.

A competition has now been launched to name the unicorns, with some whisky-themed puns such as Amber, Isla and Pete among the suggestions….

…Winners of the “spirit of the unicorn” naming contest, which runs until 27 April, will receive a whisky tour and a special unicorn cocktail at the visitor attraction’s bar.

Entries can be submitted via the Scotch Whisky Experience website.

(11) NEEDS TO BE NEWER ON THE OUTSIDE. A Doctor Who replica owner seeks help in making repairs: “Burbank TARDIS” at LAist.

A blue police box in Burbank has hosted wedding proposals, family Christmas photo shoots and countless excited smiles over the past 15 years — but now, it needs your help.

It’s a replica of a TARDIS, which stands for “Time and Relative Dimension in Space.” It’s one of the most recognizable and iconic inventions from the long-running TV series Doctor Who.

This box may not be able to travel through time and is just as big on the inside as the outside, but it was engineered by the late Grant Imahara, a roboticist best known for his work on Mythbusters and White Rabbit Project.

The creation has been in the care of Donna Ricci, friend and owner of Geeky Teas and Games, who is now looking for handy Whovian volunteers who can give the Burbank TARDIS an overdue facelift….

… The TARDIS got banged up at Geeky Teas and Games’ last location, where it sat in the glaring SoCal sun for about five years.

The heat warped the doors and pulled pieces of wood away from itself. It’s been marred with graffiti and scratches, and someone even threw a full container of orange juice through one of the windows.

“She used to also light up and make the roaring noise when you open the door,” Ricci said. “She doesn’t do that anymore.”…

(12) WILLEM DAFOE Q&A. “How Willem Dafoe Became The Secret Weapon Behind The Most Surprising Fantasy Epic Of The Year” at Inverse.

Willem Dafoe is a legend of the screen, the kind of actor you see pop up in anything and everything. He’s appeared in over one hundred films, each drastically different from the last — but even with so many projects under his belt, he’s still finding stories that surprise him.

The Legend of Ochi is one such surprise. Distributed by A24 and helmed by music video director Isaiah Saxon, the film is a Millennial update on the family-friendly creature films that dominated the ‘80s. Think E.T. the Extra-Terrestrial spliced with Planet of the Apes and rendered with visuals so dreamy, most assumed it’d been created with AI. In reality, Saxon spent years crafting the world of Ochi — and the eponymous, ape-like creatures in it — with a mixture of puppetry, CGI, and matte paintings. Even after its hands-on, “down and dirty” production in Romania, Dafoe still can’t believe a project of this caliber found him.

“I read it and I thought, ‘Whoa, they want me to do this?’” Dafoe tells Inverse. “It’s very different from anything I had done.”…

I’m curious what it was like on set. Were you interacting with puppets for the ochi?

I don’t have that many scenes [with the ochi], because I’m looking for the ochi — but when I finally find him, it’s a puppet. And that was interesting, because you’d think it would be difficult to perform with a puppet, but in fact, no. Because those six, seven people that are operating the puppet, all their energy is going into it, so the puppet has a kind of presence. And you’ve got the energy of all those people that you’re playing the scene with, so it’s much more engaging than you might think….

(13) STAR WARS’ NEXT ANIME. “Star Wars Visions Volume 3’s First Trailer Is an Anime Extravaganza” says Gizmodo.

After a sojourn around the globe for a second volume of international animation, Star Wars: Visions is returning to Japan for another volume of anime-centric adventures. So it’s perhaps fitting then, that Lucasfilm just gave us our first look at the latest anthology right out of Star Wars Celebration Japan.

Today in Tokyo, Lucasfilm lifted the lid on the first teaser for Visions Volume 3 to gathered fans at Star Wars Celebration. The latest volume will feature tales created by nine Japanese animation studios, each reflecting their own unique perspective and vision for the galaxy far, far away–including some returning stories, building on episodes from the first volume. Although the trailer has yet to be fully released online, it was shared with fans via the official Star Wars Celebration livestream. Check it out below!

[Thanks to Teddy Harvia, Mike Kennedy, Andrew Porter, Cath Jackel, Carl, Paul Weimer, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Lou.]

Pixel Scroll 11/11/24 It’s The Grand Scroll-rade Of File-less Pixeling

Posted on November 11, 2024 by Mike Glyer

(1) TWO BIDS FOR BRITISH EASTERCON. Many times British Eastercon bids have been put together at the last minute, but the committees interested in running the 2026 and 2027 editions are giving fans plenty of advance notice.

2026. The 2026 Eastercon will be held in Birmingham and named Iridescence if this bid is successful. The committee is led by chair Phil Dyson, joined by Phil Nanson, Caroline Mersey, Virginia Preston, James “JT” Turner, and James Shields.

2027. A bid to hold Eastercon in Glasgow is being advanced at the moment by an unidentified “group of fans — some old hands, some newcomers. Mainly Scottish (but not exclusively).” They also haven’t picked a hotel yet. But they do have a webpage, so, hey! (You used to be able to run a WHOIS search to help unravel these mysteries. Folks are too clever now.)

(2) 2025 GRAMMY NOMINEES. The traditional huge list of Grammy Award nominees was released by the Recording Academy® on November 8. The winners will be revealed in a televised ceremony on February 2, 2025. Click here to see all the nominees. You may spot more works of genre interest – please drop a comment with your additions. Meanwhile, here are the ones I recognized.

Best Song Written for Visual Media

“Can’t Catch Me Now” [From The Hunger Games: The Ballad of Songbirds & Snakes] — Daniel Nigro & Olivia Rodrigo, songwriters (OliviaRodrigo)

Best Opera Recording

Moravec: The Shining – Gerard Schwarz, conductor; Tristan Hallett, Kelly Kaduce & Edward Parks; Blanton Alspaugh, producer (Kansas City Symphony; Lyric Opera of Kansas City Chorus)

(There’s a website for this adaptation of the King novel: https://operatheshining.com/)

Best Compilation Soundtrack For Visual Media

Deadpool & Wolverine — (Various Artists)

Best Score Soundtrack For Visual Media (Includes Film And Television)

Dune: Part Two — Hans Zimmer, composer

Best Score Soundtrack for Video Games and Other Interactive Media

Avatar: Frontiers of Pandora — Pinar Toprak, composer
God of War Ragnarök: Valhalla — Bear McCreary, composer
Marvel’s Spider-Man 2 — John Paesano, composer
Star Wars Outlaws — Wilbert Roget, II, composer
Wizardry: Proving Grounds of the Mad Overlord — Winifred Phillips, composer

(3) SLF 2024 GULLIVER GRANT. The Speculative Literature Foundation is accepting applications for the 2024 Gulliver Travel Grant through November 30, 2024. For more information and to apply, visit speculativeliterature.org/grants.

Since 2004, the Gulliver Travel Grant has been awarded annually to assist writers of speculative literature in their non-academic research. These funds are used to cover airfare, lodging, and other travel expenses. Travel may be domestic or international. Grants may be used for travel to take place at any point in the following year. Grant applications are open to all: you do not need to be a member of SLF to apply for or receive a grant.

(4) STEPHENSON REPLAYS THE THIRTIES. In his novel Polostan,“Neal Stephenson Jumps From Speculative Fancy to Strange History” says Literary Hub.

…So keen is Stephenson’s anticipatory knack, he’s been hired at companies like Blue Origin and Magic Leap just to sit around and think—working at the latter, an augmented reality startup, his title was “Chief Futurist.” It’s therefore surprising that, twenty pages into his latest excursion (then fifty, then seventy), the speculative takes a backseat to history.

The novel, Polostan, is a detective story set mainly in the 1930s, in a slew of cities and rural outposts scattered across the US and USSR. Unlike Stephenson’s previous opuses, which resemble multiple books sandwiched into gigantic tomes—Cryptonomicon and Reamde both clock in at over 1,000 pages—this one is slim, about a third of that size, and boasts a correspondingly streamlined plot….

… Polostan, the first novel in a cycle entitled Bomb Light, features a succession of increasingly intimidating nuclear brainiacs, up to and including the physicist Niels Bohr, whose appearance produces a classic Stephenson cramming session: Chadwich, Joliot, Curie, the discovery of the neutron. “The chain of reasoning,” Stephenson writes, “though long, wasn’t that difficult to follow.” (If you say so!)…

… Stephenson’s scientific narrative shines in a meeting of upper-echelon Russian secret police. It’s the winter of 1934, and they’ve called in some young experts to brief them on atomic physics outside of a labor camp in frigid Magnitogorsk, an industrial town 1,000 miles east of Moscow. “We live in this intermediate layer of medium-sized nuclei that are stable enough to form complicated molecules that support life. Bellow us, massive nuclei are decaying in a hellish sea of lava. Above us, light nuclei are combining to make starlight…”…

(5) HELP DECIDE THE DIAGRAM PRIZE. The shortlist for The Bookseller Diagram Prize for Oddest Book Title of the Year 2024 was released November 8, and is now open for a public vote on The Bookseller website here. Voting will close December 2, with the winner revealed December 6.

In contention: The Diagram Prize for Oddest Book Title of the Year 2024

Boston’s Oldest Buildings and Where to Find Them
In this updated edition of Boston’s Oldest Buildings and Where to Find Them, the city’s archaeologist takes you on a whirlwind tour of Beantown, including the delights of the Lemuel Clap House.

Hell-Bent for Leather: Sex and Sexuality in the Weird Western
The mass media discussed in Hell-Bent for Leather: Sex and Sexuality in the Weird Western includes “The Texas Chain Saw Massacre”, “BioShock Infinite” and A A Carr’s erotic vampire/monster slayer western Eye Killers.

How to Dungeon Master Parenting
Shelly Mazzanoble invites mums and dads to “level up” their child-rearing in How to Dungeon Master Parenting, arguing lessons learned from “Dungeons & Dragons” can help them “win at their most challenging role yet”.

Killing the Buddha on the Appalachian Trail
John Turner wrestles with the elements, self-doubt and ageing while he hikes the nearly 2,200-mile path from Georgia to Maine in Killing the Buddha on the Appalachian Trail.

Looking through the Speculum: Examining the Women’s Health Movement
Judith Houck’s Looking through the Speculum: Examining the Women’s Health Movement is an “eye-opening” examination of the struggles and successes of “bringing feminist dreams into clinical spaces”.

The Philosopher Fish: Sturgeon, Caviar, and the Geography of Desire
“A wild upstream adventure”, raved the New York Post about The Philosopher Fish: Sturgeon, Caviar, and the Geography of Desire—a “high-stakes cocktail of business, crime… and the dilemmas of conservation”.

(6) SNAPSHOT OF THE BUSINESS. Publishers Weekly has released “The 2024 PW Publishing Industry Salary & Jobs Report”. Median pay is up. Company usage of AI has jumped.

2023 Median Compensation

Respondents from across the industry earned more on average in 2023 than in 2022. The median compensation, which includes base salary plus bonuses and commissions, rose 7.3% over 2022, to $75,000. That increase could be due in part to the success unions and other employee groups had in getting major New York publishers to raise entry-level pay beginning in 2022. Indeed, the share of respondents earning less than $50,000 per year fell to 12% in 2023, from 17% in 2022….

AI Rising

This year’s survey found a huge jump in the percentage of employees who said their companies are using AI: 53%, compared to 23% in 2022. But like everyone else, publishing employees are uneasy about the new technology. Only 25% of survey respondents believe AI will have a positive impact on their jobs, while 40% believe it will have a negative impact. Respondents were even more concerned about how AI will affect the industry in general: only 13% said they believe AI will change publishing for the better, while 56% think the technology will make it worse…

(7) PLAINTIFF WHIFFS AGAINST OPENAI IN COPYRIGHT ACTION. [Item by Francis Hamit.] The Federal Bench hates copyright cases because of their complexity. AI is copyright poison. “Will AI Copyright Claims Keep Standing After New Ruling?” asks Copyright Lately.

…After TransUnion [v. Ramirez, in 2021], legal experts warned that this break from precedent could have sweeping effects, particularly for statutes that provide for statutory damages without proof of actual harm—like the Copyright Act. For copyright claims involving AI, TransUnion could also make it significantly harder for copyright owners to bring claims against AI companies for using their creative works in training data—at least without specific examples of infringing output.

That scenario began to unfold last week, as TransUnion played a starring role in the dismissal of Raw Story Media v. OpenAI (read here). Southern District of New York Judge Colleen McMahon ruled that the plaintiffs failed to show any concrete harm caused by OpenAI’s alleged removal of copyright management information from their articles, which they claim were then used to train ChatGPT’s language model. If Judge McMahon’s reasoning is adopted—or even extended—by other courts, AI-related copyright claims could find themselves on shaky ground, facing stricter standing requirements across a broader range of cases.

Raw Story Media v. OpenAI

In the Raw Story Media case, two digital news organizations, Raw Story and AlterNet, claimed that OpenAI violated the Digital Millennium Copyright Act (DMCA) by using their copyrighted articles—stripped of copyright management information (CMI), such as author names and copyright notices—to train ChatGPT. The plaintiffs argued that this violated section 1202(b) of the DMCA, which prohibits the removal or alteration of CMI when the party knows that doing so will facilitate future infringement.

But Judge Colleen McMahon dismissed the case, finding that the plaintiffs failed to allege a “concrete injury-in-fact”—a requirement for Article III standing, which is a threshold question in every federal case…

… The Raw Story Media ruling, with its reliance on TransUnion, raises significant questions about the future of copyright law in the context of AI. If other courts follow Judge McMahon’s lead, copyright owners may find it increasingly difficult to bring cases involving AI training data, particularly if they can’t show concrete harm from the outset.

For now, copyright holders may need to rethink their approach to AI-related claims. Gathering clear evidence of actual harm—such as instances where AI models produce outputs that closely mirror expressive elements from the original copyrighted material—may be essential. In any event, plaintiffs will need to show a real-world impact from the AI’s use of their work or risk seeing their claims fall short.

(8) SFF ON LEARNEDLEAGUE: SCIENCE OF SCIENCE FICTION AND ST:TNG. [Item by David Goldfarb.] The final week of the current “off-season” in LearnedLeague saw two SFF-related One-Day Special quizzes.

Science of Science Fiction 2 had 979 players; I got 10 right and came in 32nd. (Never having read any Alastair Reynolds hurt me.)

Star Trek: The Next Generation had 1412 players; I got 10 right and came in 632nd(!). (Evidently LL players [or LLamas, as we sometimes call ourselves] really remember this show.)

(9) CLARION WEST HOSTS MARATHON NOVEL WRITING WORKSHOP. From now through December 15, applications are open for the Nine-Month Novel Writing Workshop with instructor Samit Basu.

Course Dates: March 10, 2025, to November 17, 2025

Whether you’ve outlined extensively or are navigating by instinct, Clarion West’s nine-month virtual workshop is designed to guide you from conception to completion of your novel.

Led by author and Six-Week Workshop instructor Samit Basu, with the support of the Clarion West team, this program is built around finding your unique process.

(10) TEDDY HARVIA CARTOON.

(11) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born November 11, 1922 — Kurt Vonnegut. (Died 2007.)

By Paul Weimer: My first encounter with Kurt Vonnegut was not actually through his work, but through a movie. Not the movie of Slaughterhouse Five, his best known (an adaptation of perhaps his best novel), although that would come later. No, it came, in all places, in the Rodney Dangerfield movie Back To School. In that movie, Dangerfield, a successful businessman who doesn’t have a college degree, goes to college in order to inspire his son, who is not doing well at the university. But Dangerfield’s character figures he can buy his way to a grade. So, when he needs to do a paper on the work of Kurt Vonnegut…he hires Kurt Vonnegut, who shows up in a cameo in the movie. Dangerfield’s tactic backfires, when his professor tells him “whoever wrote this doesn’t know the first thing about Kurt Vonnegut”

Friends, I didn’t know who Kurt Vonnegut was at the time. My high school had not taught him, and I had missed him in my still growing education into SF. But, if you know me by now, I had to know who he was. And so I read Slaughterhouse Five, and Breakfast of Champions, and a variety of other things by him. His biting and unrelenting humor has stayed with me ever since, and “So it goes” is part of my vocabulary.

Speaking of which, funny thing, when I got around to reading Pournelle and Niven’s Inferno, I was shocked and surprised to find that Vonnegut had a particularly prominent place in hell. I think that the reason they put him there as they did (Vonnegut was still alive when they wrote Inferno) is because Vonnegut (like, say, Margaret Atwood or Joyce Carol Oates) vociferously and vocally denied he wrote science fiction, despite all evidence to the contrary.

I am certain that Vonnegut wrote science fiction, but to put him in hell for not saying so…badly done, indeed. But…so it goes.

(12) COMICS SECTION.

Bizarro modernizes Camelot.
Carpe Diem needs a bigger room.
Zach Hill creates a superhero for today.

(13) THUNDERBOLTS. Marvel Studios’ Thunderbolts*, a D23 Brazil Special Look. In Theaters May 2, 2025.

And what’s the deal with that asterisk in the title? AV Club is grateful that “New Thunderbolts* trailer finally addresses that damn asterisk”.

…But can we just say how relieved we are that the new look at Marvel’s Thunderbolts*—dropped this afternoon at D23 Brazil—finally, kinda, addresses that stupid asterisk in the title? Marvel added the mark to the movie’s name a few months back, and it’s been irritating the hell out of us; from the trailer, it’s apparently just intended as a joke, denoting the black ops super-team’s overall rejection of the goofy name slapped on them by enthusiastic member Red Guardian. So that’s a relief….

(14) MI:8. “’Mission: Impossible — Final Reckoning’ trailer reveals bigger stunts” – Entertainment Weekly sets the frame.

Ethan Hunt is back in action, and his latest mission officially has a name: Mission Impossible — The Final Reckoning.

The first trailer for the eighth film in the massively successful spy franchise dropped Monday. With it came the new title, new characters, and a look at more insane stunts by star Tom Cruise in Ethan’s latest mission.

As Ethan hangs from planes and explores submarines, he’s told that “the fate of every living soul is your responsibility,” and that there are consequences for the fact that he refuses to sacrifice those he loves. But as Ethan says, “I need you to trust me … one last time.”

(15) WICKED INDEED. “’Wicked’ Dolls: Mattel Apologizes for Linking to Porn Site on Packaging” says The Hollywood Reporter. The web address listed on the boxed dolls is wicked.com, instead of wickedmovie.com.

Wicked movie merchandising turned into a nightmare for Mattel over the weekend as news broke that a web address listed on the packaging for character dolls took consumers to an adult pornographic site.

The toy company apologized later Sunday…. “We deeply regret this unfortunate error and are taking immediate action to remedy this. Parents are advised that the misprinted, incorrect website is not appropriate for children. Consumers who already have the product are advised to discard the product packaging or obscure the link and may contact Mattel Customer Service for further information.”

By Sunday afternoon, the entire Mattel-manufactured doll collection had been pulled at Target, and the products with the incorrect website address were being taken off the shelves at other retailers.

But others hope this mistake has only added value in the eyes of discriminating collectors:

…The character dolls being sold with the erroneous address include Grande’s Glinda and Erivo’s Elphaba. The products with misprinted websites have already popped up on eBay for $100 to $800. (The dolls retail for $24.99 to $39.99.)…

(16) THINKING INSIDE THE BOX. [Item by Steven French.] If readers are ever in Western Australia: “TARDIS Bus Shelter – Narrogin, Australia” at Atlas Obscura.

ON A RURAL ROAD IN Western Australia, tucked back next to a driveway, there is a traditional London police call box. If you watched the television series Doctor Who, you might suspect that it’s bigger on the inside. This a full-size replica of the TARDIS, the time and space travel machine hidden inside a call box. This one is electrified, with lights and a working control panel. Be careful of the button labeled, “Don’t press this.”

The replica TARDIS is the work of Narrogin local Rob Shepherd, who originally built it as a bus shelter for his daughter. But the distinctive blue call box took on a life of its own and has become something of a pilgrimage site for fans of the show.

Shepherd used plans for a 1947 London police box to design the bus shelter, which went up in 2018. In the years that it has been up on the roadside, the TARDIS has drawn visitors not just from Australia, but all over the world. Shepherd and his family check the guest book inside every time they catch the bus to see where their ever-growing list of visitors have come from…

[Thanks to Teddy Harvia, Mike Kennedy, Andrew Porter, David Langford, Francis Hamit, David Goldfarb, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (Not Werdna) who may know what the title means.]

Pixel Scroll 11/7/24 I Came Upon A Scroll Of God, He Was Pixeling Down The Road

Posted on November 7, 2024 by Mike Glyer

(1) LUKYANENKO ON PROGRAM AT “INVENTING THE FUTURE” IN MOSCOW. Monday 4th through Wednesday 6th saw the staging of the “Inventing the Future” (aka “Creating the Future” in some English language coverage) event in Moscow. Although billed on its website as an “International Science Fiction Symposium”, neither its stated mission nor agenda made any mention of science fiction:

MISSION

To rekindle society’s interest in designing the future.

AGENDA

The Symposium is a unique space for dialogue among nations about the future of the world. The event is initiated by Russia. Government and business representatives, scientists and engineers, futurists and forecasters, public figures, and representatives of creative industries from BRICS, SCO, CIS countries, and other foreign states, that share the idea of a multipolar world are invited to join the event.

Looking at the schedule, SF writers were on several panels, but seemingly never more than one per panel. The writers on these panels were mostly Russian, but there were also Italian, Serbian and Chinese authors involved. The impression given was that science fiction was of far less relevance than the interests of the Russian state, perhaps best illustrated by the fact that Foreign Minister Sergey Lavrov was a speaker, and at least one point, the image of Vladimir Putin was shown on the video wall behind the stage. Another speaker apparently compared Steve Jobs to Hitler.

The highest profile SF figure in attendance was Chengdu Worldcon GoH Sergey Lukyanenko, who was on three panels on Tuesday. A member of staff of the Chengdu SF Museum was also on a panel about museums, and played back a promo video which included clips from their Worldcon.

Sergey Lukyanenko (second from left) on a panel; Source: event’s website

Panel discussing museums; Source: event’s website

A 5-minute “news” item from Russia Today hosted on the right-wing Rumble video platform can be viewed here. (Note: Russia Today is banned on most Western platforms now.) In one shot an image of Cixin Liu can be seen on a rotating video display behind the reporter for a couple of seconds – which may not be enough reason to look….

(2) THREE MOVIES STILL FAR, FAR AWAY. Variety has revealed a “Star Wars New Movie Trilogy: Simon Kinberg Writing”. It’s in early development and the production timeline is still unknown.

“X-Men” alum Simon Kinberg is preparing to visit a galaxy far, far away.

Lucasfilm is developing a new “Star Wars” trilogy with Kinberg set to write and produce the three films with studio chief Kathleen Kennedy. This will begin a new series with new characters after “Star Wars: The Rise of Skywalker,” starring Daisy Ridley, John Boyega, Adam Driver and Oscar Isaac, concluded the original nine-chapter “Skywalker Saga” in 2019. Though plot details haven’t been revealed, Lucasfilm has disputed the notion, first suggested by Deadline in their initial report of the forthcoming trilogy, that Kinberg’s movies will continue the story that George Lucas began with 1977’s “A New Hope,” introducing Mark Hamill as Luke Skywalker, Harrison Ford as Han Solo and Carrie Fisher as Princess Leia….

(3) 2025 WORLDCON ISSUES CALL FOR ACADEMIC PARTICIPANTS. Seattle Worldcon 2025 has issued a “World Science Fiction Convention Academic Track Call for Participants”. Queries, proposals, and any other correspondence may be directed to: Dr. Douglas A. Van Belle at doug.vanbelle@vuw.ac.nz or doug.vanbelle@seattlein2025.org. [Click for larger image.]

(4) WHAT DYSTOPIAS AND HOTCAKES HAVE IN COMMON TODAY. “Sales surge for dystopian books after Trump election victory” – the Guardian has some figures.

Books about democracy, dystopia, tyranny, feminism and far-right politics rapidly climbed bestseller charts in the wake of Donald Trump winning the US presidential election.

The Handmaid’s Tale by Margaret Atwood, set in a totalitarian society in which women are forced to reproduce, moved up more than 400 places, and is currently third in the US Amazon Best Sellers chart.

On Tyranny by historian Timothy Snyder now sits at spot eight, after climbing hundreds of places over the past day. Readers are also turning to George Orwell’s totalitarian dystopia Nineteen Eighty-Four, which has moved up to 16th place.

Democracy in Retrograde by Sami Sage and Emily Amick is near the top of the Movers and Shakers chart – which ranks the books with the largest sales increases over the past 24 hours – after the book saw a more than 30,000% boost in sales.

Rebecca Solnit’s Men Explain Things to Me is also among the biggest gainers, having climbed more than 40,000 places over the past day. The 2014 collection of feminist essays now sits in the mid-300s on the bestseller chart.

(5) CANCELLING THE U.S. Steve Davidson would like to be the first to announce the United States is no longer a suitable country to host the Worldcon. Your mileage may vary. He wrote on Facebook today:

…You know all of those discussions that were had prior to the Chengdu Worldcon, where I and others were protesting the hosting of a Worldcon in an Authoritarian country whose social values were not reflective of Fandom’s own?

I suggested at the time that WSFS adopt some kind of rule that took into account the human rights/democracy/freedom status of a potential hosting country, and not allow bids from those countries that did not meet minimal criteria?

At the time, a fairly common push-back was that I’d not apply those same criteria to the United States. That I was being “elitist” and “gatekeeping” by making such a statement.

Well, I’m making it now. For at least the next four years the United States will not be a suitable country for hosting Worldcon. It will not be a country that is generally reflective of Fannish values.

It may very well become a country that is hostile to those values.

Now, we can’t do anything about Seattle in 2025 or LA in 2026 – they’re largely set in stone by a different example of the democratic process, and Quebec is bidding for 2027 and Brisbane for 2028, so we may not have to worry about this for a few years.

On the other hand, the US may not be a safe place for many planning on attending Seattle and LA by the time they roll around. I think both committees should be taking that into consideration as they plan their events….

(6) SOAKING UP BRADBURY STORIES. I think this is more like what I am in the mood for today: “Timothy Reads ‘There Will Come Soft Rains’” at Camestros Felapton.

…As the old nursery rhyme goes: “Rain, rain, go away, stop inspiring Rain Brad-baray”. Surprisingly, Rain Bradbury was from Los Angeles and not Manchester but if you think about that it makes sense because it probably doesn’t rain much in Los Angeles, so he was probably always thinking “I wish it would rain”. Now if he was from Manchester, he’d have ended up writing miserable songs about being miserable and the world already has Morrissey to do that….

… What I need you all to do is concentrate really hard. Make the kind of face that I make on the litter box. Somewhere between screwing your features into a ball and yet looking like you are staring into the soul of the universe. Excellent. Now take yourself into the mind of young Rain Bradbury….

(7) PRAISE FOR THE FOURTH DOCTOR. Radio Times hears from Steven Moffat and Russell T Davies as “Doctor Who showrunners celebrate Tom Baker’s ‘miraculous’, ‘genius’ era”.

…[Steven Moffat] added that he loves the fact that Tom Baker’s Doctor “knows he’s on TV”, referencing how he even talks to the camera on a couple of occasions.

“We’ve never quite stopped that,” he continued. “There’s an awareness about it all that means it simply doesn’t matter that the giant rat [in Talons] is a bit silly, because have you noticed Li H’sen Chang?!

“And it doesn’t matter that Li H’sen Chang’s a bit silly, because have you noticed how c**p his plan is?

“It just doesn’t matter, because the show is thoroughly enjoying riffing on those horror tropes, and you’re not meant to take things like giant rats and mummies and Frankenstein’s monster seriously – unless there’s something genuinely wrong with you.”…

(8) OCTOTHORPE. In Episode 122 of the Octothorpe podcast, “Topical Pumpkin” —

We discuss letters of comment, hybrid conventions, awards and the recent news about Oghenochovwe Donald Ekpeki. Pumpkin carved by our very own Alison Scott.

An uncorrected transcript of the episode is available here.

A pumpkin carved with an image of Beetlejuice, with the words “Episode 122” at the top of the image and “Octothorpe, Octothorpe, Octothorpe” at the bottom.

(9) KAZUO UMEZU (1936-2024). “Legendary ‘god of horror’ manga artist Kazuo Umezu dies at 88” – GamesRadar+ pays tribute.

…His work on classics like The Drifting Classroom, My Name is Shingo, Cat Eyed Boy, and God’s Left Hand, Devil’s Right Hand is widely beloved by manga readers, while also being regarded as hugely influential on a wide range of other artists, including the likes of Junji Ito, Minetarō Mochizuki, and Urusei Yatsura creator Rumiko Takahashi, who worked as his assistant for a short time….

…Umezu moved to Tokyo in 1963 and really began to hone his style – a distinctive combination of shōjo aesthetics and horror imagery – with stories usually about children facing overwhelming supernatural forces. Nekome no Shōjo and Reptilia, the latter about a monstrous snake woman, were both published in manga magazine Shōjo Friend and proved hugely popular with readers.

As the ’60s came to an end, Umezu began to publish in shonen magazines. His epic story The Drifting Classroom – about a classroom of school children transported into a terrifying post-apocalyptic future – ran between 1972 and 1974 in Weekly Shōnen Sunday and left an eerie mark on the imagination of a generation of manga readers thanks to its terrifying nuclear themes….

…While horror is the genre that Umezu is best known for, he was a very versatile artist, also drawing comedy and science fiction manga, such as the goofy Makoto-chan and My Name is Shingo for Big Comic Spirits from 1982 to 1986, which proved to be another hit and one that was later honored at the prestigious Angoulême International Comics Festival in 2016….

(10) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born November 7, 1960 — Linda Nagata, 64.

By Paul Weimer: I am an old school fan of Nagata’s work, going back to her “first iteration” as a space opera/far future/cyberpunk author with the Nanotech Succession novels beginning with The Bohr Maker. The combination of space opera, post-humanity, and thriller was a winning combination for me, and I read the remaining books in that series eagerly.

Nagata went quiet in SFF circles for a while. I enjoyed her forays into fantasy, but kept hoping that she would “Return” to the good stuff, posthumans and high tech in space. She did eventually (see below) but before she got there, she burst back on the SF scene with a near future story of AI, soldiers and the costs of continual war and violence, THE RED. The Red was notable in being a rare (if perhaps the first, maybe) self-published book that got a Nebula nomination. This was the Nagata whose work I remembered, and it knocked my socks off and brought me “back” to her reading fold, as did its sequels.

The Inverted Frontier series, however, is her best work yet. Set in the same world as the Nanotech Succession novels but centuries later (and featuring a couple of the characters and places of that series), the Blade books are a bold stamp on future post-human high tech SF of a kind that is relatively uncommon these days (Marina Lostetter’s Noumenon series comes to mind). The Blade series has an episodic and pyramid building format, as a group of post humans, almost in BSG style are headed toward a shining beacon known as…Earth. Actually, they don’t know what has happened to Earth but they have decided to find out. Between other post humans acting as Gods, strange aliens, very dangerous reality-shaping technology and much more. The last, and final book, as of this writing is to come, and I am very curious to see where Nagata takes this series. I don’t think you need to read the Nanotech Succession books to read the Inverted Frontier novels, but it does help a bit with context.

(11) COMICS SECTION.

Brewster Rockit shows how it’s really going to be.
Crabgrass shows you can check out (the book) any time you want, but you can never leave (the series).
The Argyle Sweater serves unwanted drinks.
Wizard of Id decides it pays to advertise.
Saturday Morning Breakfast Cereal knows credentials.

(12) A BIG DEAL. Episode 6 of Scott Edelman’s Why Not Say What Happened? podcast features “A Highly Redacted 1978 DC Comics Poker Game”.

With the future seeming bleak, I felt the need to gaze into the past instead, sharing about the day in 1970 I met Jim Steranko, the reason I continually cause archivists to cry, my day trip to see Steve Ditko’s pre-Marvel sketch of Dr. Strange, my night at a highly redacted 1978 DC Comics poker game, which writing of mine Barry Malzberg immediately suggested I burn, the thickness of time at the 1979 Clarion Science Fiction Writing Workshop, why, when, and where I intend to destroy fifty years of journals, and more.

(13) CENTENARIAN POOH. “How Does It Feel to Turn 100? Ask Winnie-the-Pooh” – an imagined chat in the New York Times. (Regrettably, behind a paywall.)

“Pooh,” I said, “your stories have a Distinctive and Irresistible Manner.”

“Do they?” said Winnie-the-Pooh.

“Oh yes,” I said, “it’s practically contagious. Have you heard of the Walt Disney Company? They make versions of your stories. They aren’t very interesting versions, but they’ve made the company extremely rich.”

“That is a fine thing for them,” said Pooh. “If you are Extremely Rich, you can have as much honey as you want.”

“Certainly you may. You could probably fill a lake with honey.”

“I can’t imagine that would be very helpful,” said Pooh, “for the Fish.”

“No indeed. It’s unfortunate in some ways. But still, you must enjoy being so famous.”…

(14) OZ ICONS WILL GO ON THE BLOCK. “Hollywood/Entertainment Signature® Auction Featuring the Ruby Slippers” on December 7. The Wicked Witch of the West’s hat will also be up for bidding.

The Ruby Slippers are much more than a Hollywood artifact—they represent the essence of innocence and imagination, captivating millions who stand in awe before them each year at The Smithsonian. This extraordinary pair, known as Michael Shaw’s Ruby Slippers, is one of only four remaining from the original MGM production of The Wizard of Oz. Separated from their Smithsonian counterparts in 1970, these slippers have toured the country and were displayed at the Judy Garland Museum before their infamous theft and dramatic FBI recovery in 2018.

Handcrafted by the Innes Shoe Co., these slippers are richly detailed with sequined silk georgette, white leather linings, and rhinestone-bedecked bows, bearing Judy Garland’s name written inside in block letters. Forensically verified as screen-worn in scenes like the iconic heel-tap, they offer unmatched authenticity and historical value. With exquisite burgundy hues preserved by careful storage, these Ruby Slippers are primed to become the centerpiece of any world-class collection.

The Wicked Witch of the West’s hat from The Wizard of Oz stands alongside the Ruby Slippers as one of the most iconic Hollywood artifacts of all time. This vintage, screen-worn hat, designed by Adrian and originally acquired by renowned collector Michael Shaw in 1970, embodies cinematic history. For the first time since the infamous 2005 theft of Shaw’s Ruby Slippers—now recovered and also up for auction—this Wicked Witch hat reunites with its legendary counterpart.

Constructed of black wool bunting, with a 20-inch elastic chinstrap used during Margaret Hamilton’s flying scenes, the hat features an MGM Studio label inside the rim, handwritten “M. Hamilton.” Its authenticity is further reinforced by its inclusion in The Wizardry of Oz and expert matching to the Munchkinland introduction scene where Hamilton’s menacing character looms over Oz. Complete with a custom display head capturing Hamilton’s terrifying expression, this hat’s cultural significance transcends generations, symbolizing the dark allure of Hollywood’s greatest villain.

(15) BUY THE TARDIS. Meanwhile, at a Propstore auction, “Doctor Who fans have chance to bid for Jodie Whittaker’s actual TARDIS”; Radio Times has details.

Doctor Who fans have a chance to buy Jodie Whittaker’s TARDIS from Eve of the Daleks in an upcoming auction to benefit BBC Children in Need.

The episode finds the Thirteenth Doctor (Whittaker) and her companions Yaz (Mandip Gill) and Dan (John Bishop) as they attempt to escape a time loop on New Year’s Eve – while also avoiding a Dalek trapped there with them.

The auction starts on Friday 15th November at 5pm and goes on until the same time on Saturday 23rd November, with the coveted item expected to reach between £10,000 and £20,000 for the annual fundraiser. Propstore is handling the sale.

(16) YOUR NATIONAL MEMORY HOLE AT WORK. ArtNet has learned “The National Archives Museum Is Under Fire for Allegedly Scrubbing Difficult Historical Events”.

…The National Archives Museum, under the leadership of U.S. Archivist Colleen Shogan and her top advisers at the National Archives and Records Administration, has allegedly modified planned and existing exhibits involving subjects like the government’s treatment of Native Americans and the history of birth control medication in favor of more anodyne subjects, according to numerous anonymous staffers speaking to the Wall Street Journal, which broke the story.

The museum is planning a $40 million overhaul ahead of the 2026 anniversary of the Declaration of Independence.

“Visitors shouldn’t feel confronted, they should feel welcomed,” a senior official told employees according to the Journal.

Shogan and her advisors reportedly were concerned that planned exhibits might anger Republicans, who have partial oversight over the museum’s budgets, or a potential second Trump administration….

… In a reply to the Wall Street Journal published on the organization’s blog, Shogan criticized the paper’s “misinformed perspective” but did not refute any of the acts alleged in its reporting. Asked by Artnet News to refute individual allegations by staffers, a press rep instead offered a website including renderings and descriptions of the planned galleries.

One exhibit at the museum involves a photo booth in which visitors can have their own image superimposed next to images of historic figures. Reportedly removed from this display were images of civil rights crusader Martin Luther King Jr., labor union activist Dolores Huerta, and the first Native American woman to join the Marine Corps, Minnie Spotted-Wolf. Senior aides to Shogan ordered these images removed and replaced with non-controversial shots of Republican presidents, including Richard Nixon greeting Elvis Presley, and Ronald Reagan with baseball star Cal Ripken Jr., according to the Journal….

(17) WILL THEY SLICE THE ICE? “Antarctica: is coldest continent heading for chaos?” asks The Week.

For over 60 years Antarctica has been a “veritable Shangri-La”, said The Economist, “untouched by war, unspoilt by humans, where all nationalities are welcome”.

While Britain, Argentina, Australia, Norway, France, New Zealand and Chile have long held territorial claims over the vast continent, since 1961 it has been governed by the Antarctic Treaty which guaranteed its use for peaceful purposes and scientific research.

The treaty has “endured and expanded” for so long “due partly to its wisdom and partly because defying it, in practical terms, is hard to do”, wrote former Royal Navy icebreaker captain Tom Sharpe in The Telegraph. There has been the sense though that “as soon as Antarctica’s vast resources become economically worth the risk of exploiting, this would change….

… For decades The Antarctic Treaty was “widely regarded as a model of effective global co-operation”, said The Economist. It froze any future territorial claims, effectively removing it from the Cold War geopolitical struggle waged elsewhere around the world between the capitalist West and the Soviet Union.

“But now this model is falling apart” as China, Russia, and other emerging nations threaten a new scramble for control of the resource-rich continent.

The US still has the largest footprint on the continent, but China’s is growing the fastest. It recently completed its fifth base “for scientific purposes” and as it strengthens its presence has been accused of “teaming up with Russia to up-end governance in this critical polar region”, The Maritime Executive reported….

(18) A GORN FOOTPRINT? Geological news: “TMU Students Discover First Mammalian Footprint Fossil At Vasquez Rocks”. Does this photo bring back memories? That’s the inspiration for the title.

In September, TMU students and alumni presented seven research abstracts to the Geological Society of America (GSA) in Anaheim, California. GSA is an international academic conference representing the earth sciences.

However, one presentation garnered more attention. “Doggy Go Walkies” was a TMU research project on a fossil footprint found at Vasquez Rocks Natural Area.

“I took students out to Vasquez Rocks for an Essentials of Geology lab. A couple of students were pointing at mud cracks and we looked down and there was a tiny footprint. We didn’t know it at the time, but this was the first fossil footprint ever found in the park,” said Dr. Matthew McLain, Dean of the School of Science, Math, Technology & Health and associate professor of biology and geology, in an article for TMU.

According to Dr. McLain, footprints were from a hesperocyontine, a small carnivore that is now extinct but distantly related to North American canines.

“It’s cool to know, of course, what kind of animals were walking around here in the past. We’ve got a few tracks on the same surface, and so that’s exciting to learn a little bit about what animals were doing in the past out here, and we’re hoping to go and find some more tracks in that area, because there should be animals like camels walking around. There’s some other things you would expect to find. And so it’s just giving us a window into the past world that California had,” Dr. McLain said….

(19) YOU’VE GOT SYMPATHY CARDS. “Voice of AOL’s Iconic ‘You’ve Got Mail’ Alert Dies at 74” reports Gizmodo.

Millennials, pour one out. TMZ reports that Elwood Edwards, the voice behind AOL’s iconic “You’ve Got Mail” audio message, has died at age 74. His former employer, WKYC-TV Studios in Cleveland, confirmed that Edwards died of an unknown illness.

Elwood is said to have worked at WKYC-TV in Ohio for years operating cameras and working graphics, among other roles. In 1989 he was paid $200 to record four different lines for AOL, then a burgeoning provider of dial-up internet and a web portal: “Welcome,” “You’ve Got Mail,” “Files Done,” and “Goodbye.” Sometimes AOL would trigger the “You’ve Got Mail” message even if you didn’t have mail, which would always get the heart pumping in those adolescent courtship days.

AOL was an internet pioneer back in the ’90s, bringing many people online for the first time. It introduced the public to new forms of communication, like instant messaging and chat rooms. Portals were a big idea back then — Prodigy and CompuServe also offered a broad range of online services like email, for a fee….

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 5/11/22 Pixelled In The Scroll By A Chuck Tingle Pixel Scroll Title

Posted on May 11, 2022 by Mike Glyer

(1) STAR TREK SPOILER WARNING. Let that be said right up front. Anybody that doesn’t want Picard Season 2 spoiled, please skip to the next item.

Okay. Now for the rest of you: “Star Trek Producers Fought Over Which New Shows Get To Bring Back Wesley Crusher” reports TrekMovie.com.

Today Paramount released a “Wesley Crusher’s Return” video feature that was also included in The Ready Room. The video features executive producers Akiva Goldsman and Alex Kurtzman discussing the fact that after the idea of Wesley returning on Picard was brought up, it started a sort of Crusher conflict with at least one other series…

Actor Wil Wheaton commented on Facebook:

I had no idea that the showrunners of the different Star Trek shows were fighting over who could write Wesley into their story.
This just feels like such a huge validation and such a huge win for Wesley, for me, and for all the other kids who were weird, unseen, awkward, or any of the other qualities we all had in common that made him important to us.
And as long as I have your attention: I feel seen and celebrated right now, in a way I never have before. I feel like it’s personal in a way that is brand new, that *belongs* to me, because it is a gift that was given to me.
I don’t know who all the people were, at every step of the way, who made Wesley’s return to Star Trek canon happen, but I am so grateful to all of them for making this happen.
And I’m so grateful to everyone who has celebrated me, and Wesley. It feels really good and it means a lot to me.

Here’s the clip:

The Traveler has returned! Here's how Wil Wheaton returned in the season finale of #StarTrekPicard. pic.twitter.com/bBjWHzbWT4
— Star Trek on Paramount+ (@StarTrekOnPPlus) May 9, 2022

(2) LMB MAKES HISTORY. “Bujold interview by Asena Ideus, 23 March 2022” was posted by Lois McMaster Bujold at Goodreads.

Raw version of an email interview I did for a college student for her history thesis paper. I was rather bemused to have my teen fannish enthusiasms viewed as history; my parents would have been quite surprised…
When it comes to Star Trek zines, you are featured in Spockanalia 2 (issued 1968) for your short piece The Free Enterprise. Could you talk more about that, especially since fanzine culture is so different (practically nonexistent) today? What were fanzines like during the ‘60s and ‘70s? The first documented fanzines began in the 1930s, but were they extremely popular among SF fans when Star Trek: TOS was airing or were they still an emerging medium?

LMB: Fanzine culture is thriving today, its content just moved online. It’s just called blogs and websites. It may not know its own history in some cases, true.

One commenter described the internet hitting fanfic as like throwing a gasoline tanker truck onto a campfire, which sounds about right to me….

(3) COMICMIX BACK IN THE SEUSS BUSINESS. Publishers Weekly has the details. “ComicMix Launches Campaign to Publish Public Domain Seuss Stories”. The Kickstarter is here. (People have pledged $4,813 of its $5,000 goal at this writing.)

Less than a year after settling a lawsuit with Dr. Seuss Enterprises, ComicMix is launching a Kickstarter campaign to fund the publication of The Zaks and Other Lost Stories by Theodor Geisel, aka Dr. Seuss, to be released in July. The stories, which are in the public domain and available digitally on the Seussville website, include the titular story The Zaks, and The Sneetches, among others. ComicMix plans to release the titles of the other stories in the compilation as successive crowdfunding goals are met.
Between 1950 and 1956, Geisel published 23 stories in Redbook, including the seven that will be published in this compilation…. The ComicMix edition of the stories was created with high-quality scans from the original Redbook stories, tracked down from collectors of the magazine. Redbook reverted the copyright to these stories to Geisel, but the copyright was not renewed, so the versions that appeared in the magazines are now in public domain.
ComicMix issued an official comment about the publication, stating, “This book is not associated with, nor approved by, nor even particularly liked by Dr. Seuss Enterprises L.P., a California limited partnership, which owns some of the copyrights of the works of Theodor Seuss Geisel, the author and illustrator who created many works under the pseudonym ‘Dr. Seuss.’ ” Hauman, who preferred to comment about the upcoming book in Seuss-like rhyme, had this to say:
“We found Dr. Seuss stories, once thought to be lost,
that we’re bringing to you at a reasonable cost.
Some tales are familiar, though not quite this way,
but all fine examples of Seuss’s wordplay!
We spruced them all up, and now are good times
to rediscover his artwork and rhymes.
We filled up a book to put on your shelf
So that you can at last read them for yourself!” OY
Dr. Seuss Enterprises declined to comment on the story.

(4) WOKE SF TROLLS. [Item by Mlex.] A thoughtful discussion of the flap of people complaining about “woke” sf by Christopher Reeves, commentator for DailyKos. “Right-wing trolls accusing science fiction of being ‘woke’ are messing with my childhood”.

Sometimes, I fall into a rabbit hole I didn’t even know was going to happen. I was following along with a YouTube thread regarding Stargate SG-1 when it was pointed out a reboot was possible. I, having followed the series, thought, “Cool, cool, I might really enjoy this so tell me more.” I sat down to watch and learned a few things, but within the first three minutes, something interesting came about. According to a video on the subject: “Fans have become concerned following the recent release of The Wheel of Time series, and the upcoming Lord of the Rings: The Rings of Power series. Both of those series have taken significant creative license to change the characters and story to fit what many science fiction and fantasy fans believe is a ‘woke’ or progressive agenda at a cost to the canon of the original stories.“
Wait, what? I’ve read almost all of Tolkien. I’ve watched every Star Trek series. I’ve read some of Ringworld, and in general, I devoured science fiction. What on Earth are these fans so upset about? What am I missing here? I decided last night to do a little bit of looking, and I regret some of the time I sacrificed but it certainly left me with some thoughts. I can always tell things are going wrong when people use terms like “woke” which is just one of those right-wing slurs that they use to replace “compassionate” or “reasonable” it seems….

(5) FREE READ. The “Unofficial Hugo Book Club Blog,” a Best Fanzine Hugo finalist, has made their submission to the Hugo Voter Packet available as a free read at the link. And a very nice job they did, picking the material and creating the design.

(6) JDA SNEAKS BACK ONTO TWITTER. You knew that wouldn’t take long. Jon Del Arroz after being ousted from Twitter on May 6 simply opened another account and immediately resumed tweeting the usual links to his crowdfunding appeals, comics, and books. And misogynistic BS. (The last image below wasn’t posted by JDA, but I bet he wishes he’d thought of it.)

(7) LYNN HARRIS DIES. [Item by Joel Zakem.] Long-time Midwestern and Southern fan Lynn Harris passed away on May 10, 2022. She was 70 years old. Lynn was an artist who was known for running and/or working on many convention art shows, including at the late lamented Rivercon and Kubla Khan. She received the Rebel Award at the 2000 Deep South Con.

(8) PATRICIA MCKILLIP (1948-2022). World Fantasy Award for Lifetime Achievement honoree Patricia A. McKillip died May 6 at the age of 74. Her best-known works included the books in the Riddle-Master trilogy, The Riddle-Master of Hed (1976), Heir of Sea and Fire (1977), and Harpist in the Wind (1979) — the latter her only Hugo finalist, also a finalist for the World Fantasy Award, British Fantasy Award, and winner of a Locus Award.

Four of her books won the Mythopoeic Award for Adult Literature or Adult Fantasy, Something Rich and Strange (1995), Ombria in Shadow (2003, which also won the World Fantasy Award), Solstice Wood (2007), and Kingfisher (2017). Her other World Fantasy Award winning book was The Forgotten Beasts of Eld (1975), which was published in 1974, the year after the appearance of her first published work, The Throme of the Erril of Sherrill (1973), a novella.

McKillip’s Encyclopedia of Science Fiction entry written prior to her death summed up her career: “Over the past two decades, eschewing the use of fantasy backgrounds for inherently mundane epics, McKillip has become perhaps the most impressive author of fantasy story still active.”

(9) MEMORY LANE.

1999 – [By Cat Eldridge.] The considerable joy of doing these anniversaries is finding these weird little shows that I’ve never heard of. So it is with a Disney series called So Weird whichran for sixty-five episodes. So Weird could best be described as a younger version of the X-Files and it far darker than anything which was on Disney when it debuted in 1999. It lasted for just three seasons.

It was centered around teen Fiona “Fi” Phillips (played by Cara DeLizia) who toured with her rocker mom Molly Phillips (played by Mackenzie Phillips). They kept running into strange and very unworldly things. For the third and final season, she was replaced by Alexz Johnson playing Annie Thelen after the other actress gets the jones to see if she could make in Hollywood. (Well she didn’t.)

The story is that one of the characters, Annie, while visiting an Egyptian museum encounters a cat who once belonged to Egyptian queen that now wants her very much missed companion back. Yes, both the cat and the princess are either immortal or of the undead.

The writer of this episode, Eleah Horwitz, had little genre background having written just three Slider episodes and a previous one in this series. He’d later be a production assistant on ALF.

Now if you went looking to watch So Weird’s “Meow” on Disney + after it’s debuted, the streaming service pulled the second season within days of adding the series but returned it a month later within any reason for having pulled it. The show has never been released on DVD.

However the first five episodes in the first season of the series were novelized and published by Disney Press as mass-market paperbacks, beginning with Family Reunion by Cathy East Dubowski. (I know the Wiki page says Parke Godwin wrote it but the Amazon illustration of the novel cover shows her name. So unless this is one of his pen names, it is not by him.) You can find the other four that were novelized in the Amazon app by simply doing So Weird + the episode name. No they are not available at the usual suspects.

I didn’t find any critics who reviewed it, hardly surprising given it was on the Disney channel but a lot of folks really liked including John Dougherty at America: The Jesuit Review: “As a kid, my favorite show was about death. Well, not just death: it was also about faith, sacrifice and trying to make sense of life’s ineffable mysteries. Strangest of all, I watched it on the Disney Channel. ‘So Weird’ ran for three seasons from 1999 to 2001. It was Disney’s attempt to create a kid-friendly version of ‘The X-Files,’ tapping into an in-vogue fascination with ghosts, alien encounters and other paranormal phenomena. In practice, it became something more: a meditation on mystery and mortality.”

I think I’ll leave it there.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born May 11, 1930 — Denver Pyle. His first genre performance is in The Flying Saucer way back in 1950 where he was a character named Turner. Escape to Witch Mountain as Uncle Bené is his best known genre role. He’s also showed up on the Fifties Adventures of Superman, Commando Cody: Sky Marshal of the Universe, Men Into Space, Twilight Zone and his final role was apparently in How Bugs Bunny Won the West as the Narrator. (Died 1997.)
Born May 11, 1935 — Doug McClure. He had the doubtful honor of appearing some of the worst Seventies SF films done (my opinion of course and you’re welcome to challenge that), to wit The Land That Time Forgot, The People That Time Forgot, Warlords of the Deep and even Humanoids From The Deep. Genre wise, he also appeared in one-offs in The Twilight Zone, Out of This World, AirWolf, Alfred Hitchcock Presents, Fantasy Island and Manimal. Some of which were far better. (Died 1995.)
Born May 11, 1936 — Gordon Benson Jr. Publisher and bibliographer who released the first of his many SF bibliographies around the early Eighties. Writers such as Anderson, Lieber and Wellman were covered. Early bibliographies written solo were revised for the Galactic Central Bibliographies for the Avid Reader series, are listed jointly with Phil Stephensen-Payne as later ones. (Died 1996.)
Born May 11, 1952 — Shohreh Aghdashloo, 70. Best known genre role is Chrisjen Avasarala on The Expanse series. (I’ve not seen it, but have listened to all of The Expanse series.) She also had a recurring role as Farah Madani on The Punisher. She was also in X-Men: The Last Stand as Dr. Kavita Rao, but her role as The Chairman in The Adjustment Bureau didn’t make it to the final version. She was Commodore Paris in Star Trek Beyond, and she had a recurring role as Nhadra Udaya in FlashForward.
Born May 11, 1976 — Alter S. Reiss, 46. He’s a scientific editor and field archaeologist. He lives in Jerusalem, and has written two novels, Sunset Mantel and Recalled to Service. He’s also written an impressive amount of short fiction in the past ten years, which has appeared in Strange Horizons, F&SF, and elsewhere.

(11) DISNEY, PAY THE WRITER. LA Times business columnist Michael Hiltzik reports at length about #DisneyMustPay in “Disney’s unpaid artists”.

Given its immense appetite for entertainment content to keep its movie and television pipelines filled, you would think that Walt Disney Co. would do its best to treat its creative talent fairly.
You would be wrong.
For years, Disney has been cheating the writers and artists of tie-in products — novelizations and graphic novels based on some of its most important franchises — of the royalties they’re due for their works. That’s the conclusion of a task force formed by the Science Fiction and Fantasy Writers of America and joined by the Writers Guild East and West and several other creator advocacy organizations.
…[Mary Robinette Kowal] and others say that Disney has refused to take a proactive approach to identifying the creative artists who are owed money and paying what it owes. The company has ignored pleas by the task force and individual agents to post a portal on its website and a FAQ page to inform writers how to file claims and to whom their claims should be addressed.
The company has also refused to accept names and contact information from the SFWA for writers and artists who have reached out to the organization. “Disney gets away with this by using the exhaustion tactic,” Kowal told me. “They wear people down.”
The tactic works, she says: “Some authors have just given up because Disney puts up roadblocks and makes people jump through hurdles.”
The company, according to Kowal, has told some authors who stopped receiving royalties or royalty statements that this happened because it didn’t have their addresses. “They tell that to authors they’ve sent author copies of books to,” Kowal says, “so clearly they have their mailing addresses.”…

(12) FLASHBACK. [Item by SF Concatenation’s Jonathan Cowie.] BECCON’s 40th anniversary reunion has been held – a year late due to CoVID.

BECCON was a series of biennial conventions in the 1980s: 1981; 1983; 1985; and the 1987 UK Eastercon. BECCON standing for the Basildon Essex Centre CONvention with ‘Centre’ becoming ‘Crest’ when the hotel changed its name. The 40th anniversary reunion would have taken place last year but was postponed due to CoVID. The gathering took place in Arlesey, Bedfordshire, where previous reunions had taken place so as to give one of BECCON’s film projectionists, Graham Connor, a fan experience (Graham had severe mobility issues several years prior to his passing and could not get to conventions). BECCON may be a thing of the past but those involved with it, for the most part, are still very active in fandom and BECCON did spawn two spin-out ventures still going today: Beccon Publications (a number of whose books have been short-listed for Hugos) and the SF² Concatenation (the winner of a number of Eurocon Awards).

Those present at the reunion were from far left and clockwise: John Stewart,Roger Robinson (Beccon Publications), Jenny Steele (sadly obscured), Brian Ameringen (Porcupine Books), Peter Tyers, Arthur Cruttenden, Caroline Mullan (2023 Eastercon committee), Anthony Heathcote and Jonathan Cowie (SF² Concatenation),

The BECCON ’87 programme book front cover. This was back in the days (prior to the 2010s) when Eastercons had a souvenir programme book in addition to the schedule timetable booklet. It is particularly notable as being the first British Eastercon programme book to have a full colour cover. The cover art was by one of the convention’s GoHs, Keith Roberts.

(13) DOCTORAL THESIS. At Nerds of a Feather, Arturo Serrano concludes “’Doctor Strange 2′ is visually delightful and narratively bland”.

Despite the refreshing shift in visual style brought into the MCU by director Sam Raimi, Doctor Strange in the Multiverse of Madness is far from the milestone it was expected to be. The ongoing saga of the Avengers was supposed to expand into a wealth of possibilities with the addition of alternate realities, character variants, and reclaimed franchises just acquired by Disney from Fox. But what this movie delivers is smaller than the sum of its parts….

(14) LOST IN SPACE. Serrano also finds another franchise lacking: “‘Star Trek: Picard’ season 2 is aimless and inconsistent”

Season 2 of Star Trek: Picard bites more than it can chew. In the span of ten episodes, it tries to explore xenophobia, eugenicism, the weight of self-blame, repressed trauma, the tragedy of finitude, the tension between open and closed societies, the human yearning for intimate connection, the fear of loneliness, the responsibilities that come with parenthood, immigration policy, the purpose of life in old age, the narcissism inherent to the search for a legacy, authoritarianism, temporal paradoxes, suicide, and the uncertainty about the turbulent direction of humankind in the 2020s. Unfortunately, the show doesn’t manage to say anything insightful about any one of its myriad themes….

(15) SAGE AGAINST THE MACHINE. Inverse presents “The 8 best movie time machines of all time, ranked by scientists”. You’d be surprised what kind things scientists have to say about the TARDIS.

These time-defying contraptions fill us with wonder because, while we’re innately curious with a desire to explore, we also love fawning over shiny screens and elaborate gadgetry. Humans are hardwired to push any button we see. No matter the ramifications….
6. DOCTOR WHO’S TARDIS
WHAT IT DOES: It takes you to another realm that enables you to move through time (the time vortex).
Everyone we spoke to mentioned this iconic machine, which looks like an old, blue, British police box.
“What other time machine gets a decorating job every few years, keeps updating its canon, and has an Olympic-sized swimming pool? Or even a personality?” Šiljak says. “The way the TARDIS operates and interacts with the Doctor is also a great suspension of disbelief catalyst that allows me to enjoy a plot that has holes.”
Its properties are bizarre, but its time-travel abilities are appealing to real scientists.
“The core of the TARDIS is a tesseract, which is a four-dimensional cube,” says Dr. Erin Macdonald, an astrophysicist, writer, producer, and Star Trek science advisor. “The reason this is great scientifically is our universe is four-dimensional, but we can only control three of those dimensions (space, not time). It logically makes sense that if we had an object that had four dimensions, that extra dimension could be time and could have more control than just space.”
Jan J. Eldridge, a theoretical astrophysicist and associate professor in the physics department at the University of Auckland, New Zealand, adds that the TARDIS’ ability to travel freely through both space and time also helps explain another of its key features: the interior doesn’t match the exterior.
“Any technology that allows you to bend space-time to travel through time would also leave you with the ability to stretch and square space-time itself,” she says.

(16) JEOPARDY! A whole category about sci-fi trilogies on tonight’s Jeopardy!, and Andrew Porter was tuned in. Unfortunately, the contestants weren’t!

Category: Sci-Fi Trilogies
Answer: This Alphanumeric book series follows up on the “Judgment Day” film, telling more of the story of Skynet & John Connor.
No one could ask, What is T-2?
Answer: The first in a Cixin Liu trilogy, this numerical novel is partially set during China’s Cultural Revolution.
No one could ask, What is ‘The 3-Body Problem”?

(17) SPACE EXTRICATION. “I hate that MS Word considers this an error,” says John King Tarpinian. “Double Space” at Nerdy Tees.

(18) CEREAL KILLER. Today’s Heather Martin says, “I tried Tropicana Crunch, the new cereal designed to be eaten with orange juice”.

Tropicana Crunch Honey Almond Cereal is a limited-edition offering for the “cereal curious” released to honor National Orange Juice Day on May 4. It’s the first cereal made specifically for pairing with OJ, and the company claims it’s “crispy and ready to get citrusy.” It comes thoughtfully packaged with one of Tropicana’s famous red-striped straws, so you can finish the cereal … juice … with class instead of lapping it from the bowl like a dehydrated Labrador….
It’s hard to swallow, I’ll grant you, but hear me out: It might be a sound concept. I often talk to clients who either don’t like milk or are allergic to it, and just like the box says, many times they tell me that they have tried orange juice on cereal.…

(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers: The Batman,” the Screen Junkies say Robert Pattinson is the first Gen-Z Batman, because the “villains are influencers, he’s worse off than his parents, and his home town will very soon be under water.” Also, the Riddler “talks a big game abou cleaning up the city while dressed like a garbage bag.”

[Thanks to JJ, John King Tarpinian, Cora Buhlert, Cat Rambo, Joel Zakem, Michael J. Walsh, Rich Lynch, SF Concatenation’s Jonathan Cowie, Adam Rakunas, Chris Barkley, Andrew Porter, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 11/7/21 Sufficiently Advanced Robot Sheep Might Not Obey You

Posted on November 7, 2021 by Mike Glyer

(1) THE UNANTICIPATED METAVERSE. “Neal Stephenson talks about his climate thriller — and why the metaverse didn’t match his vision” – GeekWire has a Q&A.

… Who’ll lead the effort to address climate change? “In my book, it’s a billionaire, because it makes for a good story. I don’t know how realistic that is. It’s more likely to be governments that are less democratic, frankly. If you look at the way the United States and the U.K. both responded to coronavirus, we weren’t even able to get a large part of the population to agree that it was a real thing, even though people were dying by the hundreds of thousands. … I’m pessimistic about our ability to get people to agree that human-caused climate change is a real thing, much less to agree on taking expensive and difficult steps to deal with that problem.”
On the future of democracy: “To be clear, I’m not a big fan of non-democratic countries. I’m a democracy guy all the way. But if the question we’re talking about is, ‘Can the big democracies like the U.S. and the U.K. get behind expensive and difficult action to address climate change?’ … Right now I have to be realistic and say that doesn’t look that likely.”…

(2) STRANGER THINGS TEASER. Variety breaks it down: “’Stranger Things’ Season 4 Teaser Shows Life Beyond Hawkins”.

…In it, Eleven (Millie Bobby Brown) and Will are living new lives in California, where Eleven seems to be having a hard time adjusting, although she doesn’t admit that when writing to Mike (Finn Wolfhard). Her letter serves as narration for the teaser, which you can watch below.
“I even like school now. I have made lots of friends,” she says, as she’s ignored by peers in the school hallway. “Even so, I am ready for spring break, mostly because I get to see you. We will have the best spring break ever.”
The teaser ends in a montage of classic “Stranger Things” chaos: explosions, car chases, a creepy doll, a military arrest and more. The song “A Place In California” by Jeremiah Burnham plays in the background as the teaser comes to a close….

(3) CORFLU 38. At Corflu Concorde in Bristol, England this weekend, Sandra Bond was named Past President of the Fan Writers of America for 2020. Bond also was Corflu’s GoH – always determined by drawing an attendee’s name from a hat.

(4) RETURN OF MASSIVE. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Tom Faber discusses “massively multiplayer online role-playing games” or MMORPGs.

In recent years there has been a marked absence of exciting new projects. While other games have evolved, MMORPGs have stagnated. They got bigger, but not better. One of the more popular recent releases is World of Warcraft Classic, which restores the game back to its unadorned first iteration: many players would rather go backwards than forwards. Sometimes I wonder: did the games change? Or did we?
Just because there hasn’t been another blockbuster doesn’t mean the genre is dead. If one game can claim to have assumed World of Warcraft‘s mantle, it is 2013’s Final Fantasy XIV: A Realm Reborn, a game that was rebuilt after a failed 2010 relaunch and has since cultivated a dedicated community of 24m players. Meanwhile New World, with its 17th century setting and focus on crafting, drummed up healthy viewing numbers on Twitch — though it has recently been shedding players. We are also beginning to address the first MMORPGs born through crowdfunding, including the new release Crowfall and the upcoming Pantheon and Ashes of Creation.

(5) DOWNLOAD ELLIS’ ART SALE CATALOG. Doug Ellis has issued his new art sale catalog, devoted entirely to the art of Virgil Finlay, with over 300 originals, as well as ephemera such as cover proofs.

Please note that only one of the pieces is a published illustration; the others are a mixture of science fiction/fantasy and astrology preliminaries, sketches, personal pieces, abstract art and paintings. If you saw the Finlay material I had at the Windy City Pulp and Paper Convention two months ago, you’ll still want to take a look, as over half the art in this catalog wasn’t at the show. This material all comes from Finlay’s estate, and I’m selling it on behalf of his granddaughter.

You can download the catalog (325 pages, about 90 MB) from Wetransfer or Dropbox.

(6) REVIVAL HOUR. If you thought it had been awhile since you last saw an issue of Penumbric Speculative Fiction Magazine, you were right.

After 15 years, a new dawn for Penumbric
For a few years in the early 2000s, there was an edgy little speculative fiction magazine called Penumbric Speculative Fiction Magazine. It published fiction, art, poetry, graphic narratives … and online, yet! But then it got a little too hubristic, and it tried to be a print magazine, too (I mean, you couldn’t just be online, could you?) … and the magazine sank.

It’s time to rise again. Reincarnate.

When submissions open, this is what they’ll be looking for:

I would love to see submissions representing not only multiple cultures but subcultures, exploring issues of race, ethnicity, gender, orientation, and many things I haven’t thought of. Does this mean you have to represent everybody and everything in 1000 words? Of course not. But be aware that we are creating a magazine that overall reaches and represents the true diversity of the world we live in.

In terms of genre, I am looking for work that constitutes the ever-moving edge of its kind, as a place between light and dark, consciousness and un, today and tomorrow; work exhibiting the strange, the bizarre, that which is not of the world we know, but more of a twilight realm or even altogether alien place. Not necessarily science fiction, not necessarily fantasy, not necessarily horror, and not necessarily not these things. In short, ideally edgy. Maybe even idealistically edgy. I am NOT looking for porn.

(7) IT’S NICE AND EASY ON THE OTHER SIDE. Auralee Wallace makes the case for cozy paranormal romances: “The Charm of the Paranormal Cozy: An Appreciation” at CrimeReads.

Oh, we live in troubled times, don’t we? I could list all the things wrong with the world, but why bother? All you have to do is turn on the TV, or scroll through social media, or simply walk down the street and you’ll likely be inundated with the many terrible crises we’re all facing. Who needs more of that? No, instead of reminding you of what’s wrong with the world, I’d like to offer you an escape. An escape to a world that seems much like our own but with a few key differences. It’s a world where you can expect to be handled gently. Where you can snap your fingers or wiggle your nose and life becomes miraculously easier. Here you can rest safely in the knowledge that there are forces of good working behind the scenes, and, if you’re lucky, you might just catch a peek through the veil to other side. It’s not only a world where comfort is savored and valued; it’s one where justice always prevails, killers are always caught, and the murders are at least a little bit cozy….

(8) TEXAS-SIZED SFF COLLECTION. A video introduction to the Cushing Memorial Library and Archives at Texas A&M University, housing one of the largest science fiction and fantasy collections in the country. Featuring a sneak peek at Kristen Britain’s archive.

(9) MEMORY LANE.

1997 — Twenty-four years ago, Paul Verhoeven’s Starship Troopers premiered. It’s based rather loosely off Robert Heinlein’s Hugo Award winning novel. It had a cast of Casper Van Dien, Dina Meyer, Denise Richards Jake Busey, Neil Patrick Harris, Patrick Muldoon and Michael Ironside, and it received a mixed reception by critics ranging from utterly loathing it to really, really loving it and a generally negative one by most SF fans; it currently garners a rather excellent seventy percent rating at Rotten Tomatoes among the quarter million audience reviewers who’ve given an opinion, and never earned backed its hundred million budget taking in just a hundred and twenty million. It would spawn a number of sequels, universally bad, and one superb animated series that was unfortunately not completed.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born November 7, 1910 — Pearl Argyle. Catherine CabalI in the 1936 Things to Come as written by H.G. Wells based off his “The Shape of Things to Come” story. Being a dancer, she also appeared in 1926 The Fairy Queen opera by Henry Purcell, with dances by Marie Rambert and Frederick Ashton. Her roles were Dance of the Followers of Night, an attendant on Summer, and Chaconne. (Died 1947.)
Born November 7, 1914 — R. A. Lafferty. Writer known for somewhat eccentric usage of language. His first novel Past Master would set a lifelong pattern of seeing his works nominated for Hugo and Nebula Awards but not winning either though he won a Hugo short story at Torcon II for “Eurema’s Dam”. He did receive a World Fantasy Lifetime Achievement Award, and he also received the Cordwainer Smith Foundation’s Rediscovery award. (Died 2002.)
Born November 7, 1934 — Wendy Williams. You know I’ll work in a Doctor Who reference if I can. She was in a Fourth Doctor story, “The Ark in Space” as Vira. Other genre appearances include Danger Man, Leap in the Dark, Jack the Ripper and The Further Adventures of the Musketeers. (Died 2019.)
Born November 7, 1950 — Lindsay Duncan, 71. Adelaide Brooke in the Tenth Doctor‘s “The Waters of Mars” story and the recurring role Lady Smallwood on Sherlock in “His Last Vow,” “The Six Thatchers,” and “The Lying Detective”. She’s also been in Black Mirror, A Discovery of Witches, Frankenstein, The Storyteller: Greek Myths, Mission: 2110 and one of my favorite series, The New Avengers.
Born November 7, 1960 – Linda Nagata, 61. Her novella “Goddesses” was the first online publication to win the Nebula Award. She writes largely in the Nanopunk genre which is not be confused with the Biopunk genre. To date, she has three series out, to wit The Nanotech Succession, Stories of the Puzzle Lands (as Trey Shiels) and The Red. She has won a Locus Award for Best First Novel for The Bohr Maker which the first novel in The Nanotech Succession. Her 2013 story “Nahiku West” was runner-up for the Theodore Sturgeon Memorial Award, and The Red: First Light was nominated for both the Nebula Award and the John W. Campbell Memorial Award. Her site is here.
Born November 7, 1954 — Guy Gavriel Kay, 67. The story goes that when Christopher Tolkien needed an assistant to edit his father J. R. R. Tolkien’s unpublished work, he chose Kay who was being a student of philosophy at the University of Manitoba. And Kay moved to Oxford in 1974 to assist Tolkien in editing The Silmarillion. Cool, eh? The Finovar trilogy which I love is the retelling of the legends of King Arthur, Lancelot and Guinevere which is why much of his fiction is considered historical fantasy. Tigana likewise which is wonderful somewhat resembles renaissance Italy. My favorite work by him is Ysabel which strangely enough is called an urban fantasy when it isn’t. It won a World Fantasy Award. Let’s not forget that he was the Toastmaster at ConFrancisco.
Born November 7, 1974 — Carl Steven. He appeared in Star Trek III: The Search for Spock as a young Spock, thereby becoming the first actor other than Leonard Nimoy to play the role in a live action setting. Genre one-offs included Weird Science, Teen Wolf and Superman. He provided the voice of a young Fred Jones for four seasons worth of A Pup Named Scooby-Doo which can be construed as genre. His life didn’t end well. (Died 2011.)

(11) COMICS SECTION.

Sally Forth has an out-of-reality experience.

(12) ICONIC MODEL. Robert K. Jones chronicles “Jeffrey Catherine Jones’ Unknown Muse” in The Comics Journal.

You’ve seen her, but few people know her name.
She appears in some of Jeffrey Catherine Jones’ most famous paintings, notably The Wall (1977), Seated (1983), and the covers for fantasy books such as The Undying Wizard (1975). She was also the most prominent model for the idiosyncratic strip Idyl published by National Lampoon during the years 1972-1976.
Yet, outside the artists’ circle of friends, almost no one knows anything about Jones’ most referenced, most enigmatic model: Sandi Zinaman (1952-2015), a librarian, artist and caterer who lived most of her life in New York state’s Hudson Valley….

(13) BUG OR FEATURE? “Why Doctor Who’s TARDIS Make its Iconic Sound?” CBR.com summons clicks with the question, “But is it actually supposed to, or is it user error?”

Any Doctor Who fan will instantly recognize the distinctive wheezing sound the TARDIS makes whenever it materializes or dematerializes. Variously dubbed the “vworp-vworp,” “vwoorp” or “vwoorpy” by fans of the franchise as well as several characters in-universe, the noise is as iconic as the time machine’s blue police box exterior.
For most of the show’s long run, fans and creators alike assumed the noise was simply part of the TARDIS, as intrinsic as its bigger-than-the-outside interior and temperamental, semi-sentient nature. It wasn’t until New Who and the Eleventh Doctor’s run that showrunner Steven Moffat invented an explanation for the sound effect — though some feel it is a rather dicey one. As with many factoids in the long-running, ever-changing universe of Doctor Who, there are plenty of canon occurrences that directly contradict this explanation, as well. So what is the truth behind the vwoorpy?…

(14) THEY PUT THINGS IN OUR EARS TO CONTROL OUR MINDS. WYNC’s On the Media did a segment on “The Science Fiction Origins of the Metaverse”.

When Facebook changed its name to Meta, after the Metaverse, many were quick to identify the term’s origin: Neal Stephenson’s 1992 cyberpunk classic Snow Crash. But the novel hardly paints an optimistic future—runway inflation, collapsed governments, and a maniacal media magnate who uses the Metaverse to, get this, destroy people’s minds. It begs the question: did Zuckerberg misread it?
This week, Brooke speaks with Jill Lepore, Harvard historian and New Yorker staff writer, Annalee Newitz, former Editor-in-Chief of Gizmodo and science fiction author, and Gene Seymour, longtime cultural critic, to unpack the literary world behind the social media giant’s new name. They discuss why the tech moguls love science fiction so much, the perils of reading these “world-building” novels too literally, and how new forms of the genre today are already making the Metaverse look obsolete.

(15) PLOT HATCHED. My Retro Computer is in the business of selling PC’s in shells that look like early days home computers.

Do you remember your first home computer?
Was it a Commodore 64, Vic 20 or an Amiga? Wouldn’t it be fantastic to have a modern day PC in a retro computer shell?
Here at My Retro Computer we aim to do just that. We believe the PC market is boring and stagnated, it needs a new fresh approach – retro is the new modern.
Starting with the famous C-64 we aim to expand the range to include the Vic20, A-500 and possibly the spectrum ranges.

(16) VACUUM WRAPPED. The Late Show With Stephen Colbert didn’t waste any time in mocking SpaceX’s little problem: “Launch Pads Are The New NASA-Approved Diapers”.

[Thanks to Andrew Porter, Michael Toman, John A Arkansawyer, Chris Barkley, Daniel Dern, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 5/9/20 A Pixel Scroll Title That Turns Out To Have Been Used Before

Posted on May 9, 2020 by Mike Glyer

(1) NOT DEAD YET. Since the cancellation of San Diego Comic-Con 2020 was announced in mid-April the people behind it have been thinking about an online counterpart. This humorous video dropped on May 8.

What it all means has yet to be revealed. However, in April SDCC started posting coloring books and videos with the theme of Comic-Con Museum@Home.

While Comic-Con 2020 has been cancelled (we’ll return in 2021!) and the Comic-Con Museum is currently closed along with the rest of the museums in Balboa Park, we want to welcome you to our newest endeavor: Comic-Con Museum@Home!
We have great plans for this new section of our website. This will be your main source for some amazing Comic-Con Museum content, such as exclusive videos—including past events (Sense of Wonder with Jen Bartel, The Art of Shag, Will Eisner Week), and new video content created exclusively for the Museum@Home program. Plus, we’re proud to introduce our exclusive “Fun Book” series, a regularly scheduled downloadable PDF featuring activity and coloring sheets created by the Comic-Con Museum for various age groups.

For one example – “Comic-Con Museum Celebrates Will Eisner: Life Forces: The Art of the Comics Memoir.“

(2) GNAW, YOU’RE KIDDING ME. The New York Times’ Cathy Weaver says it’s “Time to Check Your Pandemic-Abandoned Car for Rats”.

You might want to make sure there’s not a rat living (or recently dead) in your car’s engine.
Why are you still reading? Check your car for a rat, I said. That’s the tip. Rats like it in there, and while they could take up residence in a car engine at any time, anecdotal reports (and mankind’s modern if imperfect knowledge of rat behavior) suggest the phenomenon may be occurring more frequently right now.
Three line breaks into this story, it is becoming increasingly clear that the depth of your interest in rats plunges far deeper than basic car maintenance tips. You are a person who seeks to understand rats in a way that rats may not even understand themselves. You want to read the invisible instruction encoded in a rat’s brain that compels him to abandon the deli dumpster where he has spent the majority of his short life and, all of a sudden, carry a leaf and perhaps some twigs into the engine of your Jetta. OK. Here is more rat information…

(3) LEAPIN’ LEPUS. “Juliet Johnson and Peter Capaldi On The Story of Richard Adams’ Watership Down” on YouTube is a promotional video for Black Stone Publishing in which Richard Adams’s daughter, Juliet Johnson, and Peter Capaldi discuss a new, unabridged version of Watership Down which Capaldi recorded to commemorate Richard Adams’s centennial.

(4) SURVIVAL OF THE SFFEST. “Everything I Need To Know To Survive Covid-19 I Learned By Watching Scifi & Horror Movies” is a clever mashup by Evan Gorski and Michael Dougherty.

(5) SOFT RE-OPENING. South Pasadena’s Vidéothèque movie rental business told people on its mailing list they expected to be allowed to reopen for pick-up service today.

Pursuant to County Health Dept provisions (& crossing our fingers), we will re-open Saturday, May 9 from 11am-7pm with front door service & will keep these hours daily.
Please refer to our website vidtheque.com to search for titles

They included a bunch of movie recommendation lists to stimulate the demand, including Time Out’s “The 100 best horror films – the scariest movies ranked by experts”. Number four on the list is

Alien
The miracle of birth
Talk about above and beyond: Ridley Scott was hired by Twentieth Century Fox to make ‘“Jaws” in space’, and came back with one of the most stylish, subversive, downright beautiful films in either the horror or sci-fi genre. The masterstroke, of course, was hiring Swiss madman HR Giger as the film’s chief designer – his work brings a slippery, organic grotesquerie to what could’ve been a straight-up bug hunt (© ‘Aliens’). But let’s not overlook Dan O’Bannon’s script, which builds character without assigning age, race or even gender – plus one of the finest casts ever assembled.

(6) VIDEO GAME CREATOR. The Strong Museum of Play has received a collection of prototypes and projects from the family of inventor Ralph Baer.

Ralph Baer, known as the father of home video games and the first person to patent the idea of playing a video game on a television, spent more than four decades creating, inventing, and changing the landscape of play. The Strong museum, home to the World Video Game Hall of Fame, is pleased to announce that it has received a donation of prototype toys and technologies from Baer’s family that showcase his work and his creative thinking. The items add to the museum’s existing collection of Baer materials, which includes his personal papers and one of his desktop inventing workstations.
…Baer is known for his work in the video game industry, but in addition to creating the Magnavox Odyssey in 1972, the first home console machine, Baer led a successful career in toy and handheld electronic game design, creating the matching game Simon and the plush bear TV Teddy, among many other products. This collection includes dozens of items in various stages of development, including a Big Bird Talking Bank, the Video Buddy interactive system, augmented GI Joe rescue set, Super Simon, along with various other pieces or concepts, including talking greeting cards, a twirling carnival ride, modified stuffed animals, and a toy phone. Together, along with the museum’s existing personal papers, they provide a window into Baer’s design process.
“My father escaped Nazi Germany as a child, and he spent much of his life after that thinking differently about the world and trying to introduce more fun and whimsy into it. He was a visionary and creative force who never stopped learning, inventing, and tinkering—even into his 90s,” says Mark W. Baer, his son and the Trustee of the Ralph H. Baer Trust.

(7) CREATURE FEATURE. Marie Brennan considers “New Worlds: Working Animals” at Book View Café.

…In fact, dogs serve as kind of a template for things we use working animals to do. The tasks of draft (pulling things like wagons or plows), pack (carrying loads directly) and riding came up when we talked about transportation, so I won’t rehash the list of species used in different parts of the world — but I will note that certain animals we can’t domesticate, like zebra and moose, can occasionally be tamed to perform those tasks. This category is where the Industrial Revolution made the most immediate and obvious dent: once we could replace muscle power with steam power and its successors, we no longer needed to keep millions of horses and mules and donkeys and camels and so forth to work for us.

(8) WHAT’S STUFFED INSIDE. NPR’s Jason Sheehan rides the line: “These ‘Little Eyes’ Watch The World Burn”.

Samanta Schweblin is not a science fiction writer. Which is probably one of the reasons why Little Eyes, her new novel (translated from Spanish by Megan McDowell) reads like such great science fiction.

Like Katie Williams’s 2018 novel Tell The Machine Goodnight before it, Little Eyes supposes a world that is our world, five minutes from now. It is a place with all our recognizable horrors, all our familiar comforts and sweetnesses, as familiar (as if anything could be familiar these days) as yesterday’s shoes. It then introduces one small thing — one little change, one product, one tweaked application of a totally familiar technology — and tracks the ripples of chaos that it creates.

In Tell The Machine, it was a computer that could tell anyone how to be happy, and Williams turned that (rather disruptive, obviously impossible) technology into a quiet, slow-burn drama of family and human connection that was one of my favorite books of the past few years. Schweblin, though, is more sinister. She basically gives everyone in the world a Furby with a webcam, and then sits back, smiling, and watches humanity shake itself to pieces.

You remember what a Furby is, right? They were those creepy-cute, fuzzy animal toys that could blink and squawk and sing, dance around and respond to some basic commands. They were toys that pretended (mostly poorly) that they were alive.

Schweblin’s version is called a kentuki. It’s a simple, fur-covered crow or mole or bunny or dragon with cameras for eyes, wheels, a motor. And a person inside. Virtually, of course. Not, like, for real. Because that would be horrifying. And Little Eyes is absolutely horrifying, but not that kind of horrifying….

(9) REDECORATING THE DOCTOR’S OFFICE. ScreenRant tries to explain “Why The Fourth Doctor Had A Second (Original) TARDIS Console Room”.

…In the debut episode of Doctor Who‘s original season 14, The Doctor takes his then-companion, Sarah Jane Smith, to a different, unused console room, and then strongly suggests this place was actually the original hub of the TARDIS. This console room remained The Doctor‘s base for the remainder of the season and was a massive visual departure from what had come before, with wooden panel walls, stained glass windows, and a smaller, cabinet-like console. Unfortunately, the Victorian-style console room only lasted a single season before the white, pimply decor returned. Reports conflict as to whether the wood of the previous set was proving problematic to maintain, or whether incoming producer, Graham Williams, simply wasn’t a fan.

(10) TODAY IN HISTORY.

May 9, 1973 — Soylent Green premiered in theatres. It was the last performance by Edward G. Robinson who gets a great death scene here. It starred Charlton Heston and Leigh Taylor-Young. It was directed by Richard Flieschier and produced by Walter Seltzer and Russell Thacher. It was rather loosely based on Make Room! Make Room! by Harry Harrison. Most of the critics at the time generally liked it, and at Rotten Tomatoes the film has an approval rating of 71% rating among audience reviewers.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

Born May 9, 1860 — J. M. Barrie. For us and for many others he’s the author of Peter Pan. After that he had a long string of successes in the theater. He knew George Bernard Shaw and H.G. Wells. He joined the Authors Cricket Club and played for its team along with Sir Arthur Conan Doyle, A.A. Milne, and P.G. Wodehouse. He was made a baronet in 1913. (Died 1937.)
Born May 9, 1913 — Richard McKenna. His short story “The Secret Place” was a Hugo finalist and won the Nebula. “Casey Agonistes” (short story) and “Hunter, Come Home” (novelette) are in many anthologies; “Casey” has been translated into French, German, Italian; “Hunter” into French, German, Italian, Romanian; “Secret” into Dutch, German, Italian, Polish. Cover artist for Volume 3 of the NESFA Press Essential Hal Clement (Variations on a Theme by Sir Isaac Newton). Best known outside our field for The Sand Pebbles. (Died 1963.)
Born May 9, 1920 — Richard Adams. I really loved Watership Down when I read it long ago so will not read it again so the Suck Fairy may not visit it. Are any of the various Watership animated affairs worth seeing? Reasonably sure I’ve read Shardik once but it made no impression one way or the the other. Heard good things about Tales from Watership Down and should add it my TBR pile. (Died 2016)
Born May 9, 1920 — William Tenn. Clute says in ESF that ‘From the first, Tenn was one of the genre’s very few genuinely comic, genuinely incisive writers of short fiction, sharper and more mature than Fredric Brown and less self-indulgent in his Satirical take on the modern world than Robert Sheckley.’ That pretty sums him up I think. All of his fiction is collected in two volumes from NESFA Press, Immodest Proposals: The Complete Science Fiction of William Tenn: Volume I and Here Comes Civilization: The Complete Science Fiction of William Tenn: Volume II. (Died 2010.)
Born May 9, 1925 — Kris Neville. His most well-remembered work, the “Bettyann” novella, is a classic of science fiction. It would become part of the Bettyann novel, a fix-up of it and “Overture“, a short story of his. He wrote a lot of rather great short fiction, much of which can be in the posthumous The Science Fiction of Kris Neville, edited byBarry N Malzberg (who greatly admired him) and Martin H Greenberg, and more (some overlapping with the first collection) Earth Alert! and Other Science Fiction Tales. He’s not alas wisely available in digital form. (Died 1980.)
Born May 9, 1926 — Richard Cowper. Writer of some seriously comic genre fiction that Martin Amis loathed. The White Bird of Kinship series is what he’s best remembered for and I’d certainly recommend it as being worth reading. It appears that all of here are available from the usual digital suspects. (Died 2002.)
Born May 9, 1936 — Albert Finney. His first genre performance is as Ebenezer Scrooge in Scrooge. That’s followed by being Dewey Wilson in Wolfen, a deeply disturbing film. He plays Edward Bloom, Sr. In the wonderful Big Fish and voices Finis Everglot in Corpse Bride. He was Kincade in Skyfall. He was Maurice Allington in The Green Man based on Kingsley Amis’ novel of the same name. Oh, and he played Prince Hamlet in Hamlet at the Royal National Theatre way back in the Seventies! (Died 2019.)

(12) COMICS SECTION.

Immortal words from The Far Side.
Bookshelves dominate Grant Snider’s new Incidental Comic.

New comic for @tnyshouts! Minimalist Bookshelves

For more bookish comics, check out my new book I WILL JUDGE YOU BY YOUR BOOKSHELF: https://t.co/j8XoCmH9nM pic.twitter.com/3YhJAd01ha
— Grant Snider (@grantdraws) May 4, 2020

(13) KEEPING COMIC SHOPS AFLOAT. Shelf Awareness reports money will start flowing from the rescue fund next week: “Binc Distributing $950K to Comic Book Stores”.

Next Tuesday, May 12, the Book Industry Charitable Foundation (Binc) will distribute more than $950,000 raised by the Comicbook United Fund to comic store owners. The fund was created in response to the Covid-19 pandemic by Creators 4 Comics, Jim Lee, DC and Oni-Lion Forge Publishing Group. Binc is distributing amounts ranging from $800 to $2,400 to 637 comic book shops across the U.S. and U.S. territories.
The Comicbook United Fund grew out of the Forge Fund, which Oni-Lion Forge established last year with a donation to Binc of $100,000. This year, DC added another $250,000 to the fund. In addition, after the pandemic hit, a coalition of artists, authors, comics creators and other supporters held more than 600 auctions on Twitter, and DC’s Jim Lee began auctioning 60 original sketches in 60 days on eBay, with 95% of sales going to Binc.
In addition to the more than $950,000 that Binc is distributing to comic stores next week, Binc has distributed another $174,786 to 156 comic retail employees and owners to help with rent, mortgage, utilities, food and other necessities during this pandemic

(14) TIME AND TIDE. Wil Wheaton’s latest read is “By request, an HP Lovecraft short story.” Hear him at Soundcloud.

…I love the Cthulhu mythos, but I’m not crazy about Lovecraft’s storytelling. I feel like he spends a lot of time in the high concept and the world building, without ever really going more than skin deep on his protagonists and narrative characters. NB: I haven’t read a ton of Lovecraft, probably six or so short stories, so maybe he has a novel or novella with rich characters and narratives, but I haven’t found it.
None of this is to suggest that he wasn’t brilliantly creative and imaginative, just that his stories aren’t the most satisfying use of my time.
However, hundreds of you have reached out in comments and emails, asking me to narrate something from the Cthulhu Mythos, so today’s RFB Presents is a short, weird, lurid story called Dagon.

(15) OUR DYING EARTH. Tammy reviews “GOLDILOCKS By Laura Lam” at Books, Bones, and Buffy.

…Goldilocks has a fantastic premise and uses one of my favorite sci-fi tropes: leaving our dying Earth and striking out to colonize a new planet, in the hopes of saving humankind. And for the first half of the story, it lived up to this promise. But I ended up with mixed feelings, and I felt the first half was way stronger than the second half. Still, I had a lot of fun reading this book, and I’m going to recommend it to readers who love strong female characters and enjoy reading about current social issues. There are some scary events in Goldilocks that really hit close to home (can you say “pandemic”?) which added a lot of tension to the story, but I also felt that Lam made a few missteps with the characters’ choices in some cases.

(16) IN THE BEGINNING. “Supergirl: 10 Things You Never Noticed About The First Episode” at ScreenRant.

… Since so much has happened in the meantime, it’s easy to forget what Supergirl was like in its beginnings when Kara Danvers was still learning how to use her powers and was hoping to figure out how to be a hero. No matter how many times you’ve seen the show’s first episode, you might have never noticed the following 10 details.

Number 10 —

National City
Kara reveals shortly after the beginning of the first episode that she lives and works in National City. The name of the city is a nice easter egg for all fans of the publisher DC comics.
National City doesn’t have its origin in the comics, but by choosing this name for Supergirl’s home, the show’s creators paid homage to DC comics. Before DC was, well, DC, the company’s name was National Comics Publications, hence the ‘National’ in the name of Supergirl’s city.

(17) MASTERPIECE THEATRE. Gideon Marcus is there when That Was The Week That Was goes off the air, and other real news is happening, but no time to waste! This is the magazine with Robert Sheckley’s Mindswap! — “[MAY 8, 1965] SKIP TO THE END (JUNE 1965 GALAXY]” at Galactic Journey.

…And then, having given my report, I’d tie it pithily to the subject at hand, namely the June 1965 Galaxy science fiction digest. But the fact is, there’s lots to cover and I’m anxious to get it all down while it’s still fresh in my mind. So, you’ll just have to pretend that I was clever and comprehensive in my introduction….

(18) THE FAR FUTURE – 1947. At First Fandom Experience they’ll take you back even further in time where you can see “A Rarity: Tellus News”.

This issue of Tellus News, a “newspaper of the future,” was discovered among a collection of fanzines from the 1940s. It was mis-categorized because of the cover date: “Sol 23, 1947”
But this hand-drawn fanzine was created in 1932 by Howard Lowe as a vision of what news might look like 15 years hence. It’s not a copy — it’s an original set of drawings. Rendered in colored pencil, it was likely never reproduced, and as such is a one-of-a-kind artwork….

(19) STAR WARS FOR THE 1 PERCENTERS. Michael Verdon, in the Robb Report story “Why ‘Star Wars’ Characters Are Taking Over the World’s Most Expensive Superyachts” says the British superyacht firm Thirtyc has been putting out Star Wars-related yachts for Star Wars Day on May 4, and Verdon shows how the onepercenters are having cosplay fun with their expensive yachts.

…Seeing a storm trooper and Darth Vader on a million-dollar tender isn’t an everyday occurrence. Neither is catching a glimpse of Princess Leia or Chewbacca driving away on another tender.
At first, the firm received a lot of compliments about their whimsical but highly realistic work. “As it spoke to peoples’ imaginations, they started asking us to use their boats,” says Armstrong. Soon, Star Wars vehicles like AT-AT Walkers and Starfighters appeared on superyacht helipads and rear decks.

(20) VIDEO OF THE DAY. “Universe” on YouTube is a 1960 documentary, directed by Roman Kroitor and Colin Low for the National Film Board of Canada, which Stanley Kubrick said was one of his inspirations for 2001.

[Thanks to Andrew Porter, Chip Hitchcock, Mike Kennedy, Martin Morse Wooster, Cat Eldridge, JJ, Michael Toman, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Pixel Scroll 12/13/18 Have Space Suit — But No Visa; Can’t Travel

Posted on December 13, 2018 by Mike Glyer

(1) DRAGON AWARD NOMINATIONS OPEN. Camestros Felapton found that the “Dragon Award Nominations Are Open Sort Of” — the “sort of” meaning Camestros experienced the same thing that I did before I tried it out — the actual nominations page is updated for the 2019 awards, but the supporting pages (rules,etc.) are still loaded with last year’s information. They’ll inevitably fix that when they get around to it, I’m sure. No hurry.

(2) ANOTHER LOOK AT SFWA V. WOTF. Keffy R.M. Kehrli responded to Eric James Stone’s criticism of SFWA’s handling of the Writers of the Future Contest (linked the other day in Scroll item #1.) Kehrli’s thread begins here.

– can then turn around and write a 4400 word chunk of text dismissing every one of those concerns. Concerns which I know very well he saw because he made similar "well, it was good for some people" comments to shut down discussion multiple times.
— Razorblade Snowflake (Keffy R.M. Kehrli) (@Keffy) December 12, 2018

(3) A FEW WEE IMPROVEMENTS. In that alternate universe where Camestros Felapton is Doctor Who’s showrunner, here’s what he would have done differently — “Doctor Who: Changing Season 11”.

There are lots of good things to say about the 2018 season of Doctor Who: Jodie Whittaker was great, it was often visually lovely, it took historical episodes seriously and to top it all Alan Cumming deftly eating the scenery.
In my list of least liked Doctor Who episode there is not a single one from the 2018 season but…

…the best episodes weren’t on the same level as the best episodes from previous seasons. What the season gained in consistency it lost in excellence.
I’m going to suggest some changes that I think would have given it a bit more oomph.

(4) SMELLIER ON THE INSIDE. TARDIS versus trashcan? Olav Rokne labeled his link, “The dumbest thing I have ever tweeted, And yet…I’m shockingly proud.” Thread starts here.

So let's look at another famous pop-culture device: Oscar The Grouch's trash can. Looks like a small trash can, but in Elmo's Adventure in Grouchland, we discover that it's bigger on the inside. pic.twitter.com/kRnXaYrued
— H Book Club blog (@Hugo_Book_Club) December 13, 2018

(5) SIXTIES SFF. The Library of America’s Fall 2019 offeringsinclude these volumes of genre interest:

American Science Fiction: Eight Classic Novels of the 1960s(two volumes)
Gary K. Wolfe, editor
Volume 1: Four Classic Novels1960–1966
Poul Anderson, TheHigh Crusade • Clifford D. Simak, Way Station • Daniel Keyes, Flowers for Algernon • Roger Zelazny, . . . And Call Me Conrad [This Immortal]
Library of America #321 / ISBN 978-159853-501-3
Volume 2: Four Classic Novels 1968–1969
R. A. Lafferty, PastMaster • Joanna Russ, Picnic on Paradise • Samuel R. Delany, Nova • Jack Vance, Emphyrio
Library of America #322 / ISBN 978-159853-502-0
Boxed set: ISBN 978-159853-635-5
September 2019
The tumultuous 1960s was a watershed decade forAmerican science fiction. As the nation raced to the moon, acknowledged masters from the genre’s “golden age” reached the height of their powers. As it confronted calls for civil rights and countercultural revolution, a “new wave”of brilliant young voices emerged, upending the genre’s “pulp” conventions with newfound literary sophistication—and female, queer, and non white authors broke into the ranks of SF writers, introducing provocative new protagonists and themes. In American Science Fiction: Eight Classic Novels of the 1960s, editor Gary K. Wolfe gathers eight wildly inventive novels in a deluxe, two-volume collector’s set: Daniel Keyes’s heartbreaking Flowers for Algernon and Poul Anderson’s madcap time-travel novel The High Crusade; Clifford D. Simak’s Hugo Award-winning Way Station; Roger Zelazny’s Hugo Award–winning . . . And Call Me Conrad (published in bookform as My Immortal), restored to a version that most closely approximates Zelazny’s original text; Joanna Russ’s Picnic on Paradise, a pioneering work of feminist SF, and Samuel R. Delany’s proto-cyberpunk space opera Nova; R. A. Lafferty’s quirky, neglected, utterly original Past Master; and Jack Vance’s haunting Emphyrio. Wolfe’s introduction offers a new view of the genre’s best, and a discussion of his selections, that ought to provoke rethinking and debate among fans and critics. (Wolfe’s new collection is a successor to American Science Fiction: Nine Classic Novels of the 1950s, the two-volume set he edited for us in 2012.)

(6) RICHARD LUPOFF INTERVIEW. This is the intro to the Richard A. Lupoff: Master of Xero! Interview at Alter Ego #156 – text starts on page 20.

(7) TODAY IN HISTORY

December 13, 1961 – The Phantom Planet premiered.
December 13, 1996 — Tim Burton’s Mars Attacks! premiered.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

December 13, 1925 – Dick Van Dyke, 93. Seriously you think I wouldn’t write him up? Bert/Mr. Dawes Sr. in Mary Poppins followed shortly by being Caractacus Pott in the film adaptation in Ian Fleming’s novel Chitty-Chitty-Bang-Bang.(No it’s not the same character as he is in the book.) He voices the lead character in the animated Tubby the Tuba film and plays D.A.Fletcher in Dick Tracy. He narrates Walt: The Man Behind the Myth whose subject matter you can guess. Played Commissioner Gordon in Batman: New Times as well. Shows up in both of the Night at the Museum films which sort of interest me. And yes he has a role as Mr.Dawes Jr. in Mary Poppins Returns.
Born December 13, 1929 – Christopher Plummer, 89. Let’s see… Does Rudyard Kipling in The Man Who Would Be King count? If not, The Return of the Pink Panther does.That was followed by Starcrash, a space opera I suspect hardly no one saw which was also the case with Somewhere in Time. Now Dreamscape was fun and well received. Skipping now to General Chang in Star Trek VI: The Undiscovered Country. Opinions everyone? I know I’ve mixed feelings on Chang. I saw he’s in Twelve Monkeys but I think I’ve deliberately forgotten that film and I’ve not seen The Imaginarium of Doctor Parnassus yet.
Born December 13, 1949 – R.A.MacAvoy, 69. She won the John W. Campbell Award for Best New Writer in 1984. Loved her Black Dragon series. Other series include the Damiano, Lens of the World and Albatross. If memory serves me right, I read The Grey Horse at a time when I was obsessively into Irish myth and liked it a lot for its storytelling.
Born December 13, 1954 – Emma Bull, 64. Writer of three of the best genre novels ever, Bone Dance: A Fantasy for Technophiles, Finder: A Novel of The Borderlands and War for The Oaks. Will Shetterly, her husband and author of a lot of really cool genre works, decided to make a trailer for the latter. You can see it here. Oh, and the Faerie Queen is Emma herself.
She’s also been in in a number of neat bands, one that has genre significance that being Cats Laughing which has Stephen Brust, Adam Stemple, son of Jane Yolen, and John M. Ford either as musicians or lyricists. They came back together after a long hiatus at MiniCon 50 and you can read the Green Man review of the CD / DVD combo they put out here.
Born December 13, 1954 – Tamora Pierce, 64. Her first book series, The Song of the Lioness, taking her character Alanna through the trials training as a knight, sold very well and was well received by readers.That Erie’s, like most of work, is set is in Tortall, world akin to European Middle Ages. What I’ve seen of it I like a lot. She would win in 2005 the Edward E. Smith Memorial Award for Imaginative Fiction, a rare honor indeed.

(9) PREVIEW OF COMING ATTRACTIONS. Jonathan Cowie writes: “SF2 Concatenation is gearing up now (before the Seasonal festive distractions) for its next seasonal edition to be posted mid-January.But the science part of its content will include…” —

A fuller figure has oft (rightly/or wrongly) been associated with US citizens and even SF fans. But it seems as if the rest of the world is catching up and, indeed, over-taking!
Research just published today in the BMJ suggests that a number of countries’ restaurant meals have more calories than their counterparts in the US…
Modelling indicated that, except in China, consuming current servings of a full service and a fast food meal daily would supply between 70% and 120% of the daily energy requirements for a sedentary woman, without additional meals, drinks, snacks, appetizers, or desserts.
CONCLUSION
Very high dietary energy content of both full service and fast food restaurant meals is a widespread phenomenon that is probably supporting global obesity. This arguably needs to be addressed.
Stanley Robinson’s Icehenge now a mathematical formula
Kim Stanley Robinson’s 1984 novel Icehenge depicts a long-lived future human society that forgets its recent past… Now research published in Nature has revealed that in reallife events, concerns, music etc, decays from our cultural memory mathematically.
In addition to science, the forthcoming seasonal edition of SF2Concatenation will have SF news (relating to publishing, TV and film), forthcoming SF as well as fantasy book titles, and convention reports including this year’s Worldcon, plus another in a series of articles of scientist SF authors favourite scientists.

(10) STAN LEE CAMEO. [Item by Mike Kennedy. Vanity Fair: “Behind the Scenes of Stan Lee’s Spider-Man: Into the Spider-Verse Cameo”. Fair Warning: THE VANITY FAIR ARTICLE CONTAINS SPOILERS, though none are (intentionally) included below. (Their spoiler warning appears immediately after the paragraphs quoted below.)

It won’t be his last, but it may be his best.

Though he died last month, Marvel Comics legend and Spider-Man co-creator Stan Lee pre-recorded several cameos for upcoming films before he passed—including a touching, animated appearance in Spider-Man: Into the Spider-Verse. Loaded with a heavy significance that resonates independent of his death, this emotionally resonant appearance is nothing like the zippy, superficial live-action and animated appearances Lee made in the past. That’s because the Spider-Verse filmmakers were determined to honor Lee’s legacy by breaking open narrow definitions of what it means to be a hero—and because of some personal events in Lee’s life that made his Into the Spider-Verse cameo particularly weighty. (The cameo also happens to be wickedly funny, which is part of Lee’s legacy as well.) The filmmakers—including Into the Spider-Verse’s three directors—took Vanity Fair behind the scenes of Lee’s appearance, as well as the in memoriam title card that closes out the film.

(11) A SPACE FIRST. BBC says they made it: “Branson’s Virgin Galactic successfully reaches space”.

The latest test flight by Sir Richard Branson’s Virgin Galactic successfully rocketed to space and back.

The firm’s SpaceShip Two passenger rocket ship reached a height of 82.7km, beyond the altitude at which space is said to begin.

It marked the plane’s fourth test flight and followed earlier setbacks in the firm’s space programme.

Sir Richard is in a race with Elon Musk and Jeff Bezos to send the first fee-paying passengers into space.

(12) BACK IN THE AREA CODE. It can be called a success once the data’s sent back — “Parker Solar Probe: Sun-skimming mission starts calling home”.

Just weeks after making the closest ever flyby of the Sun, Nasa’s Parker Solar Probe is sending back its data.

Included in the observations is this remarkable image of the energetic gas, or plasma, flowing out from the star.

The bright dot is actually far-distant Jupiter. The black dots are repeats that occur simply because of the way the picture is constructed.

Parker’s WISPR instrument acquired the vista just 27.2 million km from the surface of the Sun on 8 November.

(13) BOGUS BOT. Reminds me of the 19th-century chess-playing automaton. From the BBC: “Robot turns out to be man in suit”.

A robot on show at a Russian state-sponsored event has turned out to be a man dressed in a costume.

Robot Boris featured on Russian TV and was apparently able to walk, talk and dance.

But soon after its appearance journalists began to question the bot’s authenticity.

In a picture published afterwards on social media, the neck of a person was clearly visible

(14) HISTORY BELOW THE WATERLINE. “Lake Titicaca: Underwater museum brings hope to shores”.

…The 9,360-sq-m building will have two parts, one located on the shore where pieces salvaged from the lake will be exhibited and another semi-submerged part which will allow visitors to see some of the underwater structures, dubbed “hidden city”, through glass walls.

(15) SEASONS’ EATINGS. Visitors to the UK will have noticed their strangely-flavored potato chips, but the strangeness is spreading to pizza, croissants, and ham: “Marmite sprouts? Why retailers are pushing the boundaries with festive food”.

Many readers will find the thought of Christmas tree-flavoured crisps revolting, but Iceland is betting its customers will feel the opposite this festive season.

The crisps are part of the supermarket chain’s festive food range, and have a distinct pine-like taste thanks to their pine salt seasoning, which is made with pine tree oil.
It is part of a wider trend for novel, sometimes bizarre fusion foods that has swept the UK over the last few years as retailers vie for our attention and our cash.

(16) WELL, SHEET. “Nasa’s IceSat space laser makes height maps of Earth” – BBC has the story.

One of the most powerful Earth observation tools ever put in orbit is now gathering data about the planet.

IceSat-2 was launched just under three months ago to measure the shape of the ice sheets to a precision of 2cm.

But the Nasa spacecraft’s laser instrument is also now returning a whole raft of other information.

It is mapping the height of the land, of rivers, lakes, forests; and in a remarkable demonstration of capability – even the depth of the seafloor.

“We can see down to 30m in really clear waters,” said Lori Magruder, the science team leader on the IceSat mission. “We saw one IceSat track just recently that covers 300km in the Caribbean and you see the ocean floor the entire way,” the University of Texas researcher told BBC News.

[Thanks to Martin Morse Wooster, Andrew Porter, JJ, Carl Slaughter, John King Tarpinian, Mike Kennedy, Cat Eldridge, StephenfromOttawa, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 9/25/18 I Want To Be In The Scroll Where It Happens

Posted on September 25, 2018 by Mike Glyer

(1) A STORY OF REVOLUTION. Luke the Son of Anakin (Star Wars + Hamilton Parody) is from 2016 but managed to elude me until today. Turn on closed captioning to see the text of the lyrics.

(2) MODEL TARDIS. “Maladroit Modeller” has built a “working” Tardis — that is, it is truly bigger on the inside than on the outside, and he’s provided video proof.

Bill sent the link with a request, “Viewers may be strongly tempted to go searching to figure out how this works. They may be successful. But I’d hope they would keep that information to themselves, rather than post it in the comments and spoiling the mystery.”

(3) THINGS THAT DON’T MAKE SENSE. Naomi Kritzer critiques the worldbuilding involved in setting stories from the world of Harry Potter in America. The thread starts here.

If you're writing the Harry Potter world in the US, you have to be able to answer an absolutely critical question before you even start:

What happened to the muggleborn wizarding children who were born to enslaved women?

— Naomi Kritzer naomikritzer.bsky.social (@NaomiKritzer) September 25, 2018

There are a lot of ways to answer these questions. And you need to KNOW those answers because they inform a MILLION other things about your society.

— Naomi Kritzer naomikritzer.bsky.social (@NaomiKritzer) September 25, 2018

(4) STILL AFLAME. Alex Acks wrote up the FIYAH/Goodreads controversy for Book Riot: “All Issues of FIYAH Literary Magazine Removed from Goodreads”

The near-simultaneous removal of the only two speculative fiction magazines that exclusively publish Black writers and writers of color does not seem like a coincidental thing. There is ample cause for people in speculative fiction to be on the alert for activity like this. Speculative fiction is a small field—which is why you notice when two magazines suddenly vanish from site like Goodreads—and it’s had serious problems lately with the racist machinations of groups like the Puppies and even individuals who, for example, are just really upset about N.K. Jemisin winning so many Hugos even though they’ve never bothered to read her books.

(5) A VORACIOUS READER’S CHOICES. Jason Sanford listed his picks of the “Best SF/F short fiction, January through June 2018”.

I originally set out to read a short story a day this year but massively failed in that attempt. That said, I still read more than 130 short stories, novelettes and novellas published between January and the end of June.

That doesn’t mean I haven’t missed some great stories — I’m certain I did. In particular, I read relatively few novellas this go around. I’ll try to make up for that in the coming months and will add any stories I missed to my next listing of the year’s best short fiction, which will be released in December.

(6) BUT YOU CAN’T GET OUT OF THE GAME. Popular Mechanics asks what you can do with a super-soldier who wants out of the game (“Suddenly Superhuman: If the Pentagon Turns People Into Augmented Super-Soldiers, Can It Turn Them Back?”). In other words, if Halo’s Master Chief retires, can he ever become just a regular human again?

A soldier wears a skullcap that stimulates his brain to make him learn skills faster, or reads his thoughts as a way to control a drone. Another is plugged into a Tron-like “active cyber defense system,” in which she mentally teams up with computer systems “to successfully multitask during complex military missions.”

The Pentagon is already researching these seemingly sci-fi concepts. The basics of brain-machine interfaces are being developed—just watch the videos of patients moving prosthetic limbs with their minds. The Defense Department is examining newly scientific tools, like genetic engineering, brain chemistry, and shrinking robotics, for even more dramatic enhancements.

But the real trick may not be granting superpowers, but rather making sure those effects are temporary.

The latest line augmentation research at DARPA, the Next-Generation Nonsurgical Neurotechnology (N3) program, is focused on one key part of augmenting soldiers: making sure the effects can be reversed.

(7) BEYOND CONFUSE-A-CAT. Our future AI overlords are sneaking another “job” away from humans… amusing SJW credentials (Inverse: “This A.I. Cat Toy Draws Out the Most Violent Feline Behavior to Play”).

Who would’ve thought that the most sophisticated cat toy imaginable would also be the one that happens to trigger a cat’s most ruthless and disturbing behavior?

That’s what you get from Mousr, a super-smart cat toy from Petronics that has a time-of-flight sensor, a real-time operating system in a custom-built microcontroller, and A.I. programming all working on concert to convince your cat that it’s a mouse and not a tiny robot. Mousr can map its surroundings — and it even initiates a struggle protocol when it feels trapped by its predator. My cats absolutely love the struggle part.…

“A lot of automatic or autonomous toys eventually just make cats bored by doing the same exact thing over and over again,” Cohen said. “But Mousr — and real mice — will react to a cat.” Unlike many comparable devices that simply simulate a motion on repeat, Mousr uses onboard artificial intelligence to navigate the physical space around it.

(8) TODAY IN HISTORY

September 25, 1924 — In in Russia, Aelita: Queen Of Mars had its theatrical premiere.

(9) TODAY’S BIRTHDAYS

[Compiled by Cat Eldridge.]

Born September 25, 1919 – Betty Ballantine. Editor who with husband created Bantam Books in 1945 and were responsible for Ballantine Books in 1952. They became freelance publishers in the 1970s. She wrote a novel that was genre, The Secret Oceans. The Ballantines won a special World Fantasy Award for professional work in 1975 and another one shared with Joy Chant and other creators of The High Kings (Bantam, 1983), a reference book on the Matter of Britain that incorporates stories of the Arthurian myths.
Born September 25, 1930 – Shel Silverstein. Cheerfully admitting he’s not genre but I want to include him anyways. Film, theater, song, illustration, writing — he was a bloody genius. For books, I’ll single out The Giving Tree, Where The Sidewalk Ends and A Light in The Attic. Oh for albums, let’s do Hairy Jazz, Freakin’ at the Freakers Ball and The Best of Shel Silverstein: His Words His Songs His Friends.

(10) COMICS SECTION.

Frank and Ernest deliver a vampiric pun.

(11) MAKING IT UP AS YOU GO ALONG. In “The Big Idea: Ryan North” at Whatever, North explains why his fictional world needs a book titled How To Invent Everything:

I made up a future in which time travel existed and was practiced routinely. It was a world in which time machines are rented like cars: generally painlessly, though sometimes with the risk that your too-good-to-be-true deal of a vehicle breaks down. It was a way to ease myself (and readers) into the concept, and it helped me set up some ground rules: you, as a reader, are a temporal tourist. You are trapped in the past in a broken rental-market time machine. There is a repair guide, but it very quickly reveals a unfortunate truth: that time machines are for sure the most complicated pieces of machinery humans have ever produced, and that there aren’t any user-serviceable parts inside. Time machines are so complicated, in fact, that it’s actually easier to tell you how to rebuild all of civilization than it is to explain how a 45.3EHz chrotonic flux inverter works. So that’s what this time machine repair guide does.

(12) KING JAMES VERSION, OF COURSE. Nate Sanders Auctions set a minimum bid of $40,000 on a “Bible Flown to & Landed Upon the Moon During the Apollo 14 Mission” – bids are being taken until September 27.

Extraordinarily rare Bible lunar-landed upon the moon aboard Apollo 14, one of only a handful of such Bibles to have graced the surface of the moon, flight-certified by both Apollo 14 astronaut Edgar Mitchell and the Director of the Apollo Prayer League Reverend John Stout.

Complete King James microform Bible, Serial Number 14-026, originates from the Apollo Prayer League, formed with the dual goals of praying for the astronauts, and also of sending a Bible to the moon in the memory of Edward White, the astronaut who died in the Apollo 1 fire before he could fulfill his dream of bringing a Bible to the moon.

(13) FIRST LOTR. Hasn’t been to the moon and the minimum bid is only $4,000, but you still might be interested in this “First Edition Set of J.R.R. Tolkien’s ‘Lord of the Rings’”. Bidding is open til September 27.

Rare first edition, second printing set of J.R.R. Tolkien’s ”Lord of the Rings” trilogy. London: George Allen & Unwin Ltd., 1954 & 1955. All three books are well-preserved, in their original dust jackets and with maps present. ”The Fellowship of the Ring” is a first edition, second printing (London: George Allen & Unwin, 1954) with map attached to rear flyleaf. Publisher’s red cloth with gilt spine titles.

(14) THE UNRECOGNIZABLE BRADBURY. According to The American Conservative, “Ray Bradbury Was the Coolest Non-Conformist on the Planet”, but they do their best to make him sound rather Sad Puppyesque. Really, is this the same guy that the FBI ran a file on?

Still, even Bradbury could not fully disguise or dismiss his own political and cultural view of the world. When asked what the truth was that emerged from Fahrenheit 451, he admitted he wrote it in response to “Hitler and Stalin and China, where they burned God knows how many books, killed God knows how many teachers.” Add to this, he feared, the disaster of Joseph McCarthy in the early 1950s, and free thought and free expression would collapse in America. Siding with Alexis de Tocqueville, Bradbury feared that true oppression in the United States would be a soft despotism, with the culture being run by progressive busy bodies, moralizing and oppressing with a myriad of rules and acceptable attitudes. Fahrenheit 451, thus, anticipated political correctness almost three full decades before it became a deadly and nascent issue in the late 1980s.

(15) SIGN UP FOR THIS COURSE. NPR tells about a new college degree: “Space Mining — Learning How To Fuel An Interplanetary Gas Station”.

Starting this semester, the Colorado School of Mines is offering the world’s first degree programs in Space Resources — essentially mining in outer space.

It’s not just academic institutions like the School of Mines taking note; a small but growing number of startups expect this to be very big business sooner than a lot of us might think.

If people ever want to land on Mars, or explore beyond it, it’s too expensive to rocket everything these missions will ever need from Earth. You need interplanetary gas stations on the moon or on asteroids, extracting raw materials to fuel future deep space missions.

(16) ARE YOU AS SMART AS A SEVEN-YEAR-OLD? See if you can answer these — “Quiz: Test your knowledge of evolution”.

Even spelling the word, evolution, can be tricky when you’re seven, but Sophia tells me confidently that evolution “basically means engineering”.

And Jack says that sharks are lighter underneath so that “when the sun is on the sea, you can’t really see the sharks”.

He’s talking about the fact that sharks have evolved a form of camouflage that helps them sneak up on their prey.

At the opening of the new Milner Centre for Evolution at the University of Bath, school children are learning about evolution through the help of cuddly sharks of all shapes and sizes, fruit flies and even a tame owl.

(17) MIND UNDER MATTER. Rose Eveleth, in an episode of her podcast Fast Forward called “Fungus Among Us”, interviews sf authors David Walton and Tade Thompson in an episode discussing possible futures where people’s brains are taken over by fungi. Also in this episode: zombie ants!

How much of what you do is actually your choice? What if you were secretly being controlled by a parasite that had infected your brain? What if that infection was spreading?

(18) ANIME. SYFY Wire has a list of “10 LGBTQ+ anime that you need to watch now”, several of them genre stories.

What may surprise many who aren’t terribly familiar with anime is the wealth of LGBTQ+ focused series out there. Sure, many series have gratuitous fanservice and crossdressing is a recurring trope across the board, but there are earnest stories out there with a strong, if not singular, focus on LGBTQ+ characters.

To get started you need to know your terminology. Shounen-ai is boys love, while shoujo-ai is girls love. Yaoi is explicit boys love, so you’re going to get some sexy times on screen. Likewise, yuri is explicit girls love.

Now that you’ve got that down pat, here is our list of LGBTQ+ anime to watch!

(19) VIDEO OF THE DAY. In Chapter 17: The Grid Man’s Universal Translator on Vimeo, Stan Schwartz offers a story of identical twins with unusual powers and a universal translator with supernatural results. [Note: Vimeo has this video set so it can’t be embedded here.]

[Thanks to Bill, John King Tarpinian, JJ, Chip Hitchcock, Cat Eldridge, Mike Kennedy, Martin Morese Wooster, Carl Slaughter, Daniel Dern, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 8/10/18 This Pixel Scroll Title Has Been Used Before

Posted on August 10, 2018 by Mike Glyer

(1) TARDIS MAKEOVER. Doctor Who Today has this leaked photo of a new TARDIS design.

(2) ANOTHER BIG $ALE. The Hipsters of the Coast report that the “Art for Chandra, Torch of Defiance SDCC Promo Sells for $35,000”.

Chandra, Torch of Defiance, the third of the five San Diego Comic Con promotional planeswalker paintings by Terese Nielsen, has sold for $35,000. The final bid all but doubled in the closing minutes of the auction that ended on eBay Sunday evening.

…Chandra, Torch of Defiance blew past the final prices of Liliana, Untouched by Death ($22,950) and Nissa, Vital Force ($25,600), eclipsing the highest total by almost $10,000. I did not expect Chandra to surpass these two, and I’m not sure that anyone, even Terese herself, might have guessed she would either.

(3) CHICAGO 8. The Book Smugglers feature an Uncanny Kickstarter promo about Chicago by the hosts-in-waiting of Uncanny TV: “Eight Nerdy Chicago People and Organizations We Love By Matt Peters and Michi Trota (Uncanny Magazine Kickstarter shout out)”

Our home nerd community in Chicago has countless examples of nerdy groups and individuals using their own geeky passions to inspire and shape incredibly diverse and wide-ranging projects. Their work reminds us why stories matter, and wanting to talk with creators like them and hear their own stories is a primary reason we’re so excited for the potential of Uncanny TV. Chicago is one home among many to geeky creators from all walks of life, and our hope is that Uncanny TV will have a chance to visit as many of those communities as possible. We couldn’t possibly name all of the nerds and geeks we know whose art and activism are fueled by their geeky loves, but here are eight based in Chicago who provide a snapshot of the inspiring work being created in fandom.

Acrobatica Infiniti Circus

“Cosplay” and “circus” aren’t two things we would have thought of putting together before but thankfully someone did! Acrobatica Infiniti Circus, also known as “the Nerd Circus,” was created several years ago by Tana “Tank” Karo, who had a background in dance and design but had wanted to create something that allowed her to merge her love for circus and geekery. The resulting collaboration among extraordinarily talented and undeniably nerdy jugglers, acrobats, aerial artists, contortionists, and object manipulators is delightful and surprising each time: Leeloo performing mind-boggling contortionist poses, Totoro juggling sootballs, Harley Quinn on a trapeze. The fact that the group has a rotating cast allows the performers to stay fresh and provides continuous opportunities for new performers to come in and join the show. And rather than approaching the performance scene as a competition, AIC often works in collaboration with similar performance groups to encourage more artistic development and positive ties within the community….

(4) LITTLE-KNOWN WORLDCON BUSINESS. I must have missed this on my first read-through of the agenda. The thread starts here.

https://twitter.com/rakdaddy/status/1028002250168315904

(5) 2007 BUSINESS MEETING. Kevin Standlee has uploaded four videos of the 2007 WSFS Business Meeting in Yokohama.

It took him awhile to do it. Kevin says, “My upload bandwidth at home is so poor that I could only upload one file per night overnight.”

(6) SIMULATING MARS. NBC News posts a video (“The human factor: What it will take to build the perfect team for traveling to Mars”) about a simulated mission to Mars that didn’t turn out as planned.

Hi-SEAS in Mauna Loa, Hawaii is a simulated Mars habitat that’s meant to facilitate the study of human behavior. A group of four-to-six participants is selected from a pool of hundreds of astronaut aspirants to make up the crew for each mission. So far five missions have been conducted successfully. Mission VI began earlier this year but things didn’t go exactly as planned.

The Atlantic thoroughly reviews what happened in the article “When a Mars Simulation Goes Wrong”.

… In February of this year, the latest batch of pioneers, a crew of four, made the journey up the mountain. They settled in for an eight-month stay. Four days later, one of them was taken away on a stretcher and hospitalized….

(7) ACROSS THE WALL. Cora Buhlert writes from the divided Germany of 1963 at Galactic Journey — “[August 10, 1963] The Future in a Divided Land, Part 3 (An Overview of Science Fiction in East and West Germany)”.

In the last two entries in this series, I gave you an extensive overview of West German science fiction. Now let’s take a look across the iron curtain at what is going on in East Germany. For while the inner German border may be nigh insurmountable for human beings, mail does pass through. A lot of us have family in the East, including myself, and are in regular contact with them via letters and parcels. Parcels from West to East Germany usually contain coffee, nylons, soap, canned pineapple and all sorts of other consumer goods that are hard to come by in Communist East Germany.

Unfortunately, we cannot send books and magazines, cause they will probably be seized at the border for fear of “dangerous” ideas spreading. East Germans, on the other hand, are free to send books and magazines to relatives and friends in the West. And since my love for reading in general and for “space books” in particular is well known to my aunts in East Germany, the occasional science fiction novel from beyond the iron curtain has found its way into my hands.

…However, the most exciting of those voice from beyond the iron curtain is not German at all, but a Polish writer, Stanislaw Lem, whose work I encountered via East German translations. I particularly enjoy Lem’s humorous stories about the adventures of a space traveller named Ijon Tichy, which have been collected as Die Sterntagebücher des Raumfahrers Ijon Tichy (The Star Diaries of the Spaceman Ijon Tichy).

Lem’s more serious works include the novels Eden with its fascinating portrayal of a truly alien society, Planet des Todes (Planet of Death), which was even filmed in 1960, and the generation ship story Gast im Weltraum (Guest in Space), which is currently being filmed in Czechoslovakia.

(8) MASSIVE ROUNDUP. Todd Mason has an ambitious collection of more than three dozen links to recent reviews and essays in “Friday’s ‘Forgotten’ Books and more: the links to the reviews” at Sweet Freedom.

(9) STEAMIN’ WORLDCON. Included in The Steampunk Explorer’s “Steampunk Digest – August 10, 2018”:

Worldcon, the World Science Fiction Convention, will be held August 16-20 in San Jose, within shouting distance of The Steampunk Explorer’s International Headquarters. The program lists several steampunk-themed panels, including “Carriger & Adina Talk Steampunk (tea and silliness optional)” with authors Gail Carriger and Shelley Adina; “The Victorian & Edwardian Tech Tree” with Steve Frankel; and “Defining Steampunk” with Elektra Hammond, Anastasia Hunter, William C. Tracy, Diana M. Pho, and Jaymee Goh. We plan to be there, and for the benefit of attendees, we’ll be posting stories about steampunk-related attractions in San Jose and elsewhere in Silicon Valley.

(10) LOOKING FOR BOOKS. Donations needed –

Book Drive for The Science Fiction Outreach Project (SFOP). Donate your books so they can be a lure for new fans! Bring them to Worldcon 76 and drop them off at the SFOP display in the Exhibit Hall.

Visit their site: https://t.co/6wo6U7OKrn

— Worldcon 76 San Jose (@worldcon2018) August 9, 2018

(11) WE HAVE ALWAYS BEEN AT WAR WITH EAST BAYSIA. The Digital Antiquarian remembers the big brawl between Apple and Microsoft in “Doing Windows, Part 8: The Outsiders”.

…Having chosen to declare war on Microsoft in 1988, Apple seemed to have a very difficult road indeed in front of them — and that was before Xerox unexpectedly reentered the picture. On December 14, 1989, the latter shocked everyone by filing a $150 million lawsuit of their own, accusing Apple of ripping off the user interface employed by the Xerox Star office system before Microsoft allegedly ripped the same thing off from Apple.

The many within the computer industry who had viewed the implications of Apple’s recent actions with such concern couldn’t help but see this latest development as the perfect comeuppance for their overweening position on “look and feel” and visual copyright. These people now piled on with glee. “Apple can’t have it both ways,” said John Shoch, a former Xerox PARC researcher, to the New York Times. “They can’t complain that Microsoft [Windows has] the look and feel of the Macintosh without acknowledging the Mac has the look and feel of the Star.” In his 1987 autobiography, John Sculley himself had written the awkward words that “the Mac, like the Lisa before it, was largely a conduit for technology” developed by Xerox. How exactly was it acceptable for Apple to become a conduit for Xerox’s technology but unacceptable for Microsoft to become a conduit for Apple’s? “Apple is running around persecuting Microsoft over things they borrowed from Xerox,” said one prominent Silicon Valley attorney. The Xerox lawsuit raised uncomfortable questions of the sort which Apple would have preferred not to deal with: questions about the nature of software as an evolutionary process — ideas building upon ideas — and what would happen to that process if everyone started suing everyone else every time somebody built a better mousetrap.

(12) NAVIGATING THE AMAZON. Peter Grant relates more “Lessons learned from a trilogy, Part 2: the impact on sales of rapid releases, and other factors” at Mad Genius Club. He discovered several benefits from releasing a trilogy of new novels in a short timeframe.

You can see at once that sales rose a little per volume after each launch, but not spectacularly so. What did rise very strongly were KU [Kindle Unlimited] “borrows”. The triple “bounce” is obvious to the naked eye, even without numbers. It seems that, once they were aware of the series, KU readers jumped on it, and read each volume in turn (sometimes “binge-reading” all three within a week). That drove the series’ sales ranks higher, and is still doing so, long after I’d have expected the earlier books’ ranks to drop by much more. As I write these words, all three volumes are still ranked in the top three-tenths of one percent of all books in the Kindle Store. Needless to say, I find that very satisfying.

(13) DID THEY GAME THE SYSTEM? Six writers who have been booted from Amazon say they can’t understand why: “Amazon self-published authors: Our books were banned for no reason” at Yahoo! Finance.

In recent weeks, Amazon (AMZN) has taken down e-books written by at least six self-published novelists who say they did nothing wrong and depend on the platform to make their living, those six novelists told Yahoo Finance.

The six authors published many of their books through Amazon’s online self-publishing platform Kindle Direct Publishing Select, and they expressed shock and frustration over losing their livelihoods without understanding why.

Amazon, for its part, has been cracking down on KDP Select authors who supposedly game the system in order to get paid more. But the authors Yahoo Finance spoke to insist they haven’t engaged in this kind of fraud, and that Amazon banned them without sufficient explanation of wrongdoing.

(14) TODAY’S BIRTHDAYS

Born August 10 — Rosanna Arquette, 59. Amazon Women on the Moon as well as voice work in Battle for Terra, appearances in Medium and Eastwick.
Born August 10 — Antonio Banderas, 58. Genre work in Interview with the Vampire: The Vampire Chronicles, the Spy Kids franchise, voice work in Puss in Boots and Shrek 2, appearances in the forthcoming The Voyage of Doctor Dolittle and The New Mutants.
Born August 10 — Suzanne Collins, 56. The Hunger Games trilogy which became a film series as well and The Underland Chronicles, a epic fantasy series.
Born August 10 — Angie Harmon, 46. Barbara Gordon in the animated Batman Beyond series and voice work in the current Voltron series, appeared on Chuck.
Born August 10 — Joanna Garcia Swisher, 39. Quite a bit genre work including the From the Earth to The Moon miniseries, the animated The Penguins of Madagascar, Are You Afraid Of The Dark, The Astronaut Wives Club, Kevin (Probably) Saves the World and Once Upon a Time series.

(15) SHORT FICTION REVIEWS. Charles Payseur sells Ceaseless Sips by the seashore: “Quick Sips – Beneath Ceaseless Skies #257”.

I am sorely tempted to guess that the link between the two latest stories from Beneath Ceaseless Skies is that their both authored by a Christopher. Because, at first glance, these two pieces are very different in terms of character, tone, and theme. Looking closer, though, and the stories seem paired not because of how well they work in harmony, but in how well they contrast, showing two sides of the same coin. On one, we get to see a man on a quest realize that he’s in danger of losing something of himself and pause, take stock, and find comfort and guidance in another person. In the other story, though, we find a man who has fully embraced his quest, regardless of who he needs to destroy or hurt. Both stories feature mostly conversations and philosophy, but in one a lesson is learned, and in the other it is utterly destroyed. So yeah, let’s get to the reviews!

(16) PICK SIX. Grow your TBR pile by reading “Six Books with Sam Hawke” at Nerds of a Feather.

What upcoming book you are really excited about?Probably Foundryside by Robert Jackson Bennett is the one I’m looking forward to the most. He wrote one of my favourite fantasy trilogies of recent years (the Divine Cities) and Foundryside has the thieves and heists in city state, Locke Lamora kind of vibe that I dig. Special mention to The Monster Baru Cormorant (because the Traitor was amaaaaazing) though I am scared of how much it is going to hurt me.

(17) POWER ARRANGERS. Former Archbishop of Canterbury Rowan Williams surprises with his deep interest in the meanings of Lord of the Rings: “Master of his universe: the warnings in JRR Tolkien’s novels” in New Statesman.

…Yes, Sam is an idealised version of a socially ambivalent and archaic stereotype. Forget this for a moment and look at his instinctive realisation that fantasies of high-octane power, celebrity and control are poisonous. He is anything but perfect: his stubborn parochialism and his taunting of Gollum are failings, with bad consequences. But he retains some fundamental instinct of moral realism. This helps him share Frodo’s burden without collapsing. Frodo’s empathy for Gollum (rooted in a shared understanding of the Ring’s terrible seduction), finally leads to a genuinely shocking denouement; but Gollum, furious, alienated by Sam, recklessly greedy for the Ring, saves Frodo from his self-inflicted catastrophe and dies as a result.

Somehow, the tangled web of interaction between these three ends in “salvation”. Some force overrules and rescues them – but only through the weaving together of a whole set of flawed agencies, mixed motives, compassion, prejudice, courage and craving. Tolkien is seeking to model the way in which the creator works not by intervening but by interweaving. It is this starkly unexpected conclusion to the quest and the journey that makes the book most clearly a Christian fiction.

But even for the non-religious reader, this diagnosis of power is a reason for treating Tolkien more seriously than many are inclined to. Look beyond the unquestionable flaws: the blandly patriarchal assumptions, the recurrent patronising of the less “elevated” characters, the awkwardness of the would-be High Style of narrative and dialogue, the pastiche of Scott or Stevenson at their worst; beyond even the fantastically elaborated histories and lores and languages of Middle Earth.

The work is ultimately a fiction about how desire for power – the kind of power that will make us safe, reverse injustices and avenge defeats – is a dream that can devour even the most decent. But it is also a fiction about how a bizarre tangle of confused human motivation, prosaic realism and unexpected solidarity and compassion can somehow contribute to fending off final disaster. Not quite a myth, but something of a mythic structure, and one that – in our current climate of political insanities and the resurgence of varieties of fascistic fantasy – we could do worse than think about.

(18) UP YOUR UPLOAD. BBC discovered “This rigged charger can hijack your new laptop”. “Who ran a sewer through a recreation area?” is joined by “Who put charging on a data line?”

A neat feature of many modern laptops is the ability to power them up through the USB port. Unlike the rectangular USB ports of old, the newer type – USB-C – can carry enough power to charge your machine.

That’s great news: it means you don’t need to add a separate port just for charging. And when the USB port isn’t being used for power, it can be used for something useful, like plugging in a hard drive, or your phone.

But while you and I may look at that as an improvement, hackers see an opportunity to exploit a new vulnerability.

One researcher, who goes by the name MG, showed me how a Macbook charger could be booby-trapped. Modified in such a way it was possible to hijack a user’s computer, without them having any idea it was happening.

(19) SENT BACK LIKE GANDALF? “Gladiator 2: The strangest sequel never made?” — Maximus resurrected by Jupiter to fight a rebel god, then sent time-travelling through wars of the ages.

At the time, [Nick] Cave had written just one produced screenplay, John Hillcoat’s Ghosts… of the Civil Dead, and he was concentrating on his music career. But he couldn’t resist when Crowe offered him the Gladiator 2 job, despite one obvious misgiving. “Didn’t you die in Gladiator 1?” he asked. “Yeah, you sort that out,” replied Crowe.

And that’s what he did. Cave’s Gladiator 2 screenplay opens with Maximus waking up in the afterlife. To his disappointment, it isn’t the sun-kissed Elysium he dreamt of in Gladiator, but an endless rain-sodden netherworld where wretched refugees huddle on the shores of a black ocean. With the help of a ghostly guide, Mordecai, Maximus treks to a ruined temple where he meets Jupiter, Mars and five other diseased and decrepit Roman deities. Jupiter explains that one of their number, Hephaestus, has betrayed them, and is now preaching the gospel of another god who is more powerful than all of them. Just to quibble for a moment, Hephaestus is a Greek god, not a Roman one, so Cave should really have named him Vulcan. But the screenplay compensates for this slip with some writing to relish….

(20) DO YOU REMEMBER WHO KILLED SUPERMAN? At SYFY Wire — “An oral history of the original Death and Return of Superman, 25 years later”.

…Jurgens fittingly enough would be the artist who drew that final image of a battle-weary Superman finally succumbing to battle with Doomsday, cradled in Lois Lane’s arms, with Jimmy Olsen forlorn in the background.

Jurgens: As for that final double page splash, well… it first appeared as a triple page spread at the end of Superman #75. I don’t think it has ever been reprinted that way, with a double page spread that then folds out into a triple pager. We spent an extraordinary amount of time getting it to work properly and I think it really helped bring Superman #75 to an appropriate close.

Superman #75 would go on to sell millions copies over multiple printings, reaching sales figure that were bolstered in no small part by the mainstream attention the death of this international icon had attracted.

Ordway: Coincidentally, the public’s actual reaction mirrored what we did in the comics — they suddenly came out in numbers, professing their love for Superman. That was what we wanted all along, though of course none of us had any idea it would sell. We had hopes that people would respond, maybe comic shops might order more Superman comics.

Jurgens: There is no way we, DC or anyone was prepared for the reaction to our story. We were simply trying to tell a good, dramatic story that said something about the nature of a great character.

Carlin: I still can’t believe people believed Superman would be gone forever. Reporter after reporter came up to DC and asked “Why are you killing Superman?” and my standard answer was “When was the last time you bought a Superman comic? Hell, when was the last time you bought ANY comic?” And every reporter said they hadn’t bought a Superman comic since they were kids, to which my response was: “Then you’re the one who killed Superman!” And most of these reporters, men and women, said that they were reporters because of Clark and/or Lois’s inspiration!

For the creative team, the story they yearned to tell was not the slugfest that led up Superman’s death, but the stories of loss afterward.

Bogdanove: In what seemed like no time, we’d written most of “Funeral for a Friend,” which was where the real meat of the story was. I think we accomplished exactly what Louise spoke of. Through the eyes of Metropolis and the world, via the reactions of heroes, villains and the friends and family he knew, I think we got to say a lot about why Superman matters.

Certain scenes stand out in my memory: Bibbo (Bibowski, a supporting character who idolized the Man of Steel) saying, “It shoulda’ been me!” Ma and Pa Kent watching the funeral of their own son on television, all alone by themselves. Some of these scenes we talked about that day still make my eyes tear up just thinking about them.

(21) JOIN THE SPACE FORCE. Commander Fred Willard comes out of retirement to enlist in Trump’s Space Force. “We’re going to build a big, beautiful wall and those filthy Neptunians are going to pay for it.” “When there’s trouble in space, we’re on the case.” From the Jimmy Kimmel Show. Fast forward to 3 minutes and 30 seconds.

[Thanks to John King Tarpinian, Kevin Standlee, JJ, Cat Eldridge, Chip Hitchcock, Martin Morse Wooster, Mike Kennedy, David Doering, Carl Slaughter, Andrew Porter, and Hyman Rosen for some of these stories. Title credit belongs to File 770 contributing editor of the day Niall McAuley.]

Pixel Scroll 5/29/18 The Future Is Pixelled, It’s Just Not Evenly Scrolled

Posted on May 29, 2018 by Mike Glyer

(1) HUGO VOTER PACKET. Members can access the 2018 edition: “2018 Hugo Awards Voter Packet Now Available”.

Worldcon 76 has issued the 2018 Hugo Awards Voter Packet, a collection of finalists for the 2018 Hugo Awards made available to members of Worldcon 76 to assist them in making informed decisions when voting on this year’s Hugo Awards. The packet is available for download from the Worldcon 76 Hugo Awards website in the “Hugo Voter Packet” section. Members of Worldcon 76 can sign in using their Hugo Award voting credentials that were sent to them when the final Hugo Award ballot was issued.

Only members of Worldcon 76 can access the 2018 Hugo Award Voter Packet and vote on the 2018 Hugo Awards.

…Worldcon 76 will shortly send an announcement regarding the availability of the Hugo Voter Packet to all members who registered their e-mail address with the convention. This mailing will include a copy of the member’s voting credentials (membership number and voting PIN). Members can request a copy of their credentials using the 2018 Hugo Awards PIN lookup page.

A 1943 Retro-Hugo Voter Packet is in preparation.

(2) “SNAPE” MEMORABILIA TO AUCTION. You Alan Rickman fans should get ready to empty your money belts. Taryn Ryder, in the Yahoo! Entertainment story “Alan Rickman’s frustrations playing Snape in ‘Harry Potter’ revealed in personal letters” says the actor’s archive is about to be auctioned off by Neil Pearson Rare Books for 950,000 pounds, which includes many Harry Potter collectibles, including Rickman’s annotated copies of Potter scripts, as well as scripts for other films and plays Rickman was in, like Die Hard.

Rickman — who died of cancer in 2016 — helmed the role in all eight films from 2001 to 2011.

One letter is from producer David Heyman, who sent Rickman a thank-you note after 2002’s Harry Potter and the Chamber of Secrets. “Thank you for making HP2 a success,” it reads. “I know, at times, you are frustrated but please know that you are an integral part of the films. And you are brilliant.”

Alan Rickman's fan mail.https://t.co/piFuSXLIoI pic.twitter.com/zSshhR0yJY

— Neil Pearson (@RareNeilPearson) April 17, 2018

(3) MORE ON WISCON. From S. Qiouyi Lu. Thread starts here:

https://twitter.com/sqiouyilu/status/1001387473497288705

(4) CODES OF CONDUCT ELSEWHERE. According to Business Insider, “Programmers are having a huge debate over whether they should be required to behave respectfully to each other”. A lot of the objections are still current events in the Vox Popoli comment section, but not in most parts of fandom.

Last week, a software engineer publicly quit a very popular open-source project, setting off a firestorm of debate within the programming world.

Programmers are arguing about whether they should have to agree to a community code of conduct that requires them to behave respectfully.

They are also arguing about whether programs that aim to increase participation from underrepresented groups are “racism.”

The debate began on Wednesday when a developer named Rafael Avila de Espindola quit the LLVM Compiler Infrastructure Project, to which he had been a major contributor over the past decade.

Avila outlined several of his frustrations with the group but said he quit because it was requiring him to agree to a community code of conduct to attend its conference.

That code of conduct basically says the group is open to people from all walks of life and expects its members to be courteous.

Avila also said he was unhappy that the project had decided to accept an intern from a group called Outreachy, which offers paid internships to women, LGBTQ folks, African-Americans, people with Hispanic or Latin heritage, and those with indigenous American ancestries.

In other words, the internships are for people in underrepresented gender and racial groups in the programming/open-source worlds; white men and Asian men are the two groups best represented in tech, diversity reports have found.

…Despite that kind of rancor, large open-source communities and conferences are increasingly adopting community codes of conduct.

And for good reason — the open-source world has a reputation for aggressive, rude, and intimidating behavior.

In 2013, Linus Torvalds, the creator of Linux and the god of open-source programming, was called out for profanity-laced rants on the Linux email lists, which set the tone for the open-source world.

He and the Linux community did an about-face — sort of — in 2015, telling members that their work would be criticized but asking them to “be excellent to each other” and to feel free to report abuse.

(5) ERASURE FIGHTER. James Davis Nicoll’s personal Episode VII appears on Tor.com — “Fighting Erasure: Women SF Writers of the 1970s, Part VII”.

At this stage of James’ Tour of Disco-Era Women SF Authors, we have reached M. Certain letters are deficient in authors whose surnames begin with that particular letter. Not so M. There is an abundance of authors whose surnames begin with M. Perhaps an excess. In fact, there are more authors named Murphy than the authors I listed whose names begin with I….

Sondra Marshak is best known for her Star Trek-related activity. Star Trek, an American science fiction television show akin to Raumpatrouille—Die phantastischen Abenteuer des Raumschiffes Orion, was cancelled after seventy-nine episodes in the mid-1960s. An anthology of original stories commissioned a decade after a show’s cancellation seems unthinkable and yet in 1976, Marshak and Myrna Culbreath’s co-edited collection, Star Trek: The New Voyages, was published by Bantam Books, soon followed by Star Trek: The New Voyages 2. This suggests that the show’s fandom managed to survive the show’s demise. Perhaps some day there will be a revival of this venerable program—perhaps even a movie!—although I must caution fans against getting their hopes up…

Fans of John Scalzi’s Redshirts may find the New Voyages story “Visit to a Weird Planet Revisited” of interest, as yet another example of science fiction authors independently hitting on very similar ideas.

(6) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Mary Robinette Kowal and Lawrence C. Connolly on Wednesday, June 20, 7 p.m. at the KGB Bar (85 East 4th Street, just off 2nd Ave, upstairs) in New York.

Mary Robinette Kowal

Mary Robinette Kowal is the author of historical fantasy novels: Ghost Talkers, and The Glamourist Histories series and the forthcoming Lady Astronaut duology. She is also a three time Hugo Award winner and a cast member of the podcast Writing Excuses. Her short fiction appears in The Magazine of Fantasy and Science Fiction, Tor.com, and Asimov’s. Mary, a professional puppeteer, lives in Chicago. Visit her online at maryrobinettekowal.com.

Lawrence C. Connolly

Lawrence C. Connolly is one of the writers for the anthology film Nightmare Cinema, premiering next month at the Fantasia Film Festival in Montreal. Produced by Mick Garris, the movie goes into wide release later this year. Connolly’s books include the Stoker finalist Voices (scheduled for re-release this summer), This Way to Egress, and Veins. More at LawrenceCConnolly.com.

(7) FUNDRAISER. Tessa B. Dick is trying to raise $5,000 through YouCaring to “Keep my home”. She’s got $4,205 in contributions as of this writing. Her May 28 update said:

I really need your help, or I am not going to make it. I don’t know how to explain that I can’t sleep because every time I close my eyes, I see that gang banger with a knife to a boy’s throat. I can’t go anywhere because every time I walk out the door, I see his gangster buddies coming after me because my testimony put their buddy in prison. I got crisis counseling and I coped for twelve years, but I can’t cope any more. I went through major forest fires in 2003 and 2008, a severe burn to my foot in 2007, a head injury in 2010, a broken leg in 2012, and more stress than I can describe. I got a settlement for the head injury that didn’t even cover my medical bills, which is why I had to go bankrupt.

I should qualify for disability, based on my severe weight loss alone, but they keep turning me down. My only hope is to get this house in good enough shape to get a reverse mortgage.

(8) GAME MAN. Rich Lynch was tuned into tonight’s Jeopardy! In the category “Award Winning Books” one of the answers was:

(9) TRIVIAL TRIVIA.

Crayola crayons’ distinctive smell — ranked 18th in a list of the 20 most identifiable smells in a 1982 Yale University study — is largely due to the stearic acid used to make the waxy consistency. Stearic acid is a derivative of beef fat.

Source: Mental Floss

(10) TODAY’S BIRTHDAY

Born May 29, 1906 — T.H. White, best known for his Arthurian novels including The Sword in the Stone

(11) COMICS SECTION.

JJ finds Tolkien and Middle-Earth deconstructed in Existential Comics’ “Council of Elrond”.
John King Tarpinian found one voter’s party preference was not all that surprising in Bizarro.

(12) THE OLD STOMPING GROUNDS. ExCeL, the site of the 2014 London Worldcon (aka Loncon 3), was the host site of MCM Comic Con this past weekend (25–27 May 2018). Newham Recorder has the story: “Superheroes and spandex squeeze into ExCeL for MCM London Comic Con”

Tens of thousands of pop culture buffs took a pilgrimage to the ExCeL this bank holiday weekend for the UK’s largest comic book convention.

…Monolithic entertainment brands seemed keen to continue cashing in on the nerd demographic, wheeling out a long list of stars for the event, including Black Panther’s Letitia Wright, The Defenders’ Rosario Dawson and Khary Payton and Cooper Andrews from zombie series The Walking Dead.

(13) MAINSTREAMING FAN REFERENCES. Karl-Johan Norén found a “Sign that the Hugo awards and sf fandom is, or at least is becoming, mainstream: we are used in a joke but not as the butt of it” in NewsThump’s headline “UK Brexit proposals nominated for Hugo Award in Fantasy category”.

(14) FINGERPRINTS ALL OVER IT. BBC reports “Fortnite sued for ‘copying’ rival game PUBG”.

The makers of Fortnite, one of the world’s most popular video games, have been accused of copying rival title PlayerUnknown’s Battlegrounds (PUBG).

The studio behind PUBG has asked a court in South Korea to determine whether Epic Games copied its intellectual property.

Fortnite and PUBG have both attracted millions of gamers with their huge “last player standing” online battles.

Epic Games has not yet commented on the lawsuit.

PUBG was first released in March 2017. It was inspired by the Japanese thriller film Battle Royale, in which a group of students is forced to fight to the death by the government.

In PUBG, up to 100 players parachute on to an island, search for weapons and kill one another until only one player remains.

Fortnite was first released in July 2017 but its Battle Royale mode was not added until September 2017.

(15) WARPED TRUTH. The Defense Intelligence Agency (DIA) recently released a 2010 study document entitled “Warp Drive, Dark Energy, and the Manipulation of Extra Dimensions” [PDF file]. The report was originally marked Unclassified, but For Official Use Only (U/FOUO) and was publicly posted by (among others) by KLAS-TV, the Las Vegas NBC affiliate (“I-Team: Documents prove secret UFO study based in Nevada”).

So, does the document provide a roadmap to a working warp drive engine? Probably not, according to at least one physicist. Quoting a Science Alert article “The US Military Has Released a Mysterious Report on ‘Warp Drives’. Here’s What Physicists Think About It”:

The authors suggest we may not be too far away from cracking the mysteries of higher, unseen dimensions and negative or “dark energy,” a repulsive force that physicists believe is pushing the universe apart at ever-faster speeds.

“Control of this higher dimensional space may b? ? source of technological control ?v?r the dark energy density and could ultimately play ? role in the development of exotic propulsion technologies; specifically, ? warp drive,” the report says, adding: “Trips to the planets within our own solar system would take hours rather than years, and journeys to local star system would be measured in weeks rather than hundreds of thousands of years.”

However, Sean Carroll, a theoretical physicist at Caltech who studies and follows the topics covered by the report, had a lot of cold water to pour on the report’s optimism.

“It’s bits and pieces of theoretical physics dressed up as if it has something to do with potentially real-world applications, which it doesn’t,” Carroll said.

“This is not crackpot. This is not the Maharishi saying we’re going to use spirit energy to fly off the ground – this is real physics. But this is not something that’s going to connect with engineering anytime soon, probably anytime ever.”

(16) THE VASTY FIELDS OF GALLIFREY. Io9’s James Whitbrook advises everyone about “The Best Stories to Watch During Twitch’s Absurdly Ginormous Classic Doctor Who Marathon”.

Today, Twitch begins a seven-week endurance run/celebration of all things old-school Doctor Who, live streaming over 500 episodes worth of adventures in Time and Space. Unless you happen to have seven weeks of free time starting imminently (in which case, I envy you), you likely can’t sit down and watch all of it. So here’s a few must-watch storylines to dive in for….

(17) ANOTHER BUYING OPPORTUNITY. From Mental Floss we learn: “An Original Doctor Who TARDIS Is Hitting the Auction Block”.

If you’ve ever wondered if there’s really something to this whole “dimensional transcendentalism” thing, a.k.a. the explanation given as to why Doctor Who’s TARDIS is so tiny on the outside but enormous on the inside, now’s your chance to find out for yourself. A TARDIS created for Peter Cushing for the 1965 film Dr. Who and the Daleks is getting ready to hit the auction block at Ewbank’s as part of its “Entertainment & Memorabilia” auction, which kicks off on May 31.

(18) DIVIDENDS. Absolutely true.

https://twitter.com/realtegan/status/1001586146261061634

(19) INSTANT CLASSIC. Applause for Matthew Johnson’s latest filk in comments:

Also, for the Nick Lowe/Johnny Cash fans among us:

The beast of squees
Obsessed with old, forgotten Bonds
And whichever one you like
Is one of which he isn’t fond
God help the beast of squees

The beast of squees
Knows more than you on Doctor Who
Which host was better on Blue’s Clues
And in the twinkling of an eye
Might declare a Mary Sue
God help the beast of squees

Sometimes he tries to kid me
That he’s just a normal fan
Or even that he’s run right out of things to pan
I feel pity when I can
For the beast of squees

That everybody knows
They’ve seen him out in fannish clothes
Patently unclear
If it’s A New Hope or New Year
God help
The beast of squees

[Thanks to Mike Kennedy, John King Tarpinian, JJ, Rich Lynch, Cat Eldridge, Bill, Chip Hitchcock, Martin Morse Wooster, Carl Slaughter, James Davis Nicoll, Matthew Kressel, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Soon Lee.]

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Tag Archives: TARDIS

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Pixel Scroll 5/29/18 The Future Is Pixelled, It’s Just Not Evenly Scrolled

Mary Robinette Kowal

Lawrence C. Connolly