Pixel Scroll 10/22/17 As You From Scrolls Would Pixel’d Be, Let Your Fandom Bring Forth Glee

(1) SUPPORT WANTED. Jim Barker, Rotsler Award-winning fanartist (and 1979 Hugo nominee), is looking for financial support while he deals with health problems. He hasn’t set up a crowdfunding appeal, but you can reach out to him at the email address shown in the illustration below.

My apologies for the continued absence of the Monday Cartoon. As I said last time, I am Not Well. I have had a problem with my liver for a couple of years now and it’s finally got to the point that I need a liver transplant and I need to go into hospital for tests at the beginning of November, just to find out how suitable I am.

The Problem is that it’s been a very slow couple of months and I simply can’t afford to be out of action for the five days needed for the tests. So while I hate the idea of going round with a begging bowl,I’m asking if you could possibly help out financially. Please contact me if you feel you can. Thank you.

(2) DEEP THOUGHT. The Wall Street Journal’s Jack Nicas reports “How Google’s Quantum Computer Could Change the World”. [Behind a paywall.]

Hartmut Neven believes in parallel universes. On a recent morning outside Google’s Los Angeles office, the 53-year-old computer scientist was lecturing me on how quantum mechanics—the physics of atoms and particles—backs the theory of a so-called multiverse. Neven points to the tape recorder between us. What we’re seeing is only one of the device’s “classical configurations,” he says. “But somewhere, not perceived by us right now, there are other versions.”

David Klaus sent the link with a note:

This much computational ability will finally give us fusion power, F-T-L travel, and the stars. I knew about the idea of parallel universes in 1963 when I was 8, because of The Flash.  Heinlein wrote about them (first?), Niven wrote about them, Robert Anton Wilson wrote about them, but there should be statues of Gardner Fox and Jerome Bixby, because if Fox hadn’t created the DC Multiverse and Bixby hadn’t written “Mirror, Mirror” to soak the idea into the popular culture and triggered the minds of the best and the brightest to pursue this, it wouldn’t have happened. In this universe, anyway.

(3) FOR EXAMPLE. Learning from scratch: “Computer Learns To Play Go At Superhuman Levels ‘Without Human Knowledge'”, defeats program that beat world champion:

“In a short space of time, AlphaGo Zero has understood all of the Go knowledge that has been accumulated by humans over thousands of years of playing,” lead researcher David Silver of Google’s DeepMind lab said in remarks on YouTube. “Sometimes it’s actually chosen to go beyond that and discovered something that the humans hadn’t even discovered in this time period.”

(4) NEW AWARD FOR WHITEHEAD. The Washington Post’s DeNeen L. Brown reports “‘The Underground Railroad’ by Colson Whitehead wins 2017 Hurston/Wright award for fiction”, an award given by the Zora Neale Hurston/Richard Wright Literary Foundation for significant books by African-Americans.

His award was among those presented Friday by the Zora Neale Hurston/Richard Wright Foundation, which was founded in Washington in 1990 with a mission to ensure the survival of black writers and their literature.

Whitehead’s attention to the pain of slavery and “the current state of race in this country is unprecedented,” the judges said. The novel, which was a New York Times bestseller, “confirms Whitehead’s place in the African American canon” of great authors.

The Washington Plaza hotel in Northwest Washington was bustling Friday with literary stars, publishing icons, writers, poets, editors and essayists. More than 200 people attended the annual gala, including Rep. John Lewis (D-Ga.), who won the Ella Baker Award that honors writers and arts activists who advance social justice. Lewis said he was honored to receive the award named after Ella Baker, a civil rights and human rights activist who helped organize the Freedom Movement and the Student Nonviolent Coordinating Committee.

(5) BORDERLANDS SEEKS PERMANENT HOME. Shelf Awareness reports that the bookstore that needed a crowdfunded incentive to stay in business is now thinking long-term: “Borderlands Seeks $1.9 Million to Buy Building”.

Borderlands, the San Francisco, Calif., science fiction, mystery and horror bookstore that nearly closed two and a half years ago, has made an offer to buy a building and has launched a campaign to raise $1.9 million in loans from customers, the San Francisco Chronicle reported. After eight days, Borderlands has raised $500,000 and another $300,000 “is pending.”

In 2015, owner Alan Beatts had planned to close the store, but after customers rallied in support, Borderlands created a sponsorship program; the $100 annual membership includes a range of benefits. The store has a minimum of 300 sponsors.

There is no rush to move: Borderlands still has three years left on its current bookstore lease and eight years on its café lease.

In a blog post last week, Beatts wrote in part, “The sponsorship program that we started in 2015 caused a major shift in how I viewed the business. Previously I had considered it my personal project; one that I would stop either when I could no longer do it or when I died. But, after so many people were willing to contribute to allow it to continue to operate, I began to see it more as a public trust than something that was solely my possession….”

(6) MYSTERY SOLVED. “Not broccoli,” says that sleuth of sustenance, John King Tarpinian, who can tell you what these really taste like:

I bought a mystery box for a friend who likes Oreos.  We all tasted one and it was a generally agreed, they tasted like stale Fruit Loops.  And I have never eaten Fruit Loops.

We even offered one to the waiter.  He had already had one on his own and without our prodding came up with Fruit Loops as his answer.

(7) FROM ROWLING TO REALITY. “Secretly wish you could be invisible? Science is getting close”Quartz discusses five methods for turning invisible, ranked by the inventor of a real-life invisibility cloak.

  1. Cloaking

The idea of making something invisible by bending light is so captivating that, despite the obstacles, scientists continue their attempts to create the effect. And that includes me.

Our group at Duke University, in collaboration with theoretical physicist Sir John Pendry, suggested and later demonstrated one method using a special type of material called a “metamaterial.” Metamaterials are human-made materials with little circuit-like elements—conducting rings and wires, for example—that mimic the properties of atoms and molecules of conventional materials.

Rather than physically warping space, we can use the idea of warping space to find a recipe for a material that will have the same effect. In this way, we can design an invisibility cloak just by picturing the way we would like waves to circulate around the cloaked object. This is a technique called “transformation optics.”

Light—or, in the case of our experiment, microwaves—are redirected in a metamaterial cloak, appearing to bend or flow around the cloaked object. They are then restored on the other side as if they had passed through empty space. The metamaterial cloak is a real device that forces light to flow exactly as it might around a cloaked Romulan ship, which means this type of invisibility device is plausible.

(8) INTRODUCTION TO A NIGHTMARE. Parade’s Samuel R. Murrian, in “Netflix’s Stranger Things Serves Up Thrills and Chills in Season Two “, tells how co-creator Matt Duffer was told the plot of A Nightmare on Elm Street by his babysitter when he was four.

“My babysitter in preschool told me the story of Freddy Krueger,” says Matt. “I was 4 years old! From then on, I just knew I had to watch A Nightmare on Elm Street. When we were young, we knew we weren’t supposed to be watching horror movies. That made the appeal of them so strong.

“It’s like forbidden fruit. You just want to taste it. I remember wandering into the horror section of the video store and just staring at the covers of these movies, feeling desperate to know what it was.”

(9) TODAY IN HISTORY

  • October 22, 2134 B.C. – The earliest recorded solar eclipse took China by surprise:

In China, solar eclipses were thought to be associated with the health and success of the emperor, and failing to predict one meant putting him in danger. Legend has it that 2 astrologers, Hsi and Ho, were executed for failing to predict a solar eclipse. Historians and astronomers believe that the eclipse that they failed to forecast occurred on October 22, 2134 BCE, which would make it the oldest solar eclipse ever recorded in human history.

  • October 22, 2006 Torchwood premiered.

(10) TODAY’S BIRTHDAY BOYS

  • Born October 22, 1938 – Christopher “Dr. Emmet Brown” Lloyd
  • Born October 22, 1952 – Jeff Goldblum, who appeared in Buckaroo Banzai, Jurassic Park and The Fly.

(11) COMICS SECTION

(12) SINCEREST FORM OF FLATTERY. Meantime, let the New York Post tell you where the skeletons are buried in Gotham: “The most infamous times Marvel and DC ripped each other off”.

Wonder Man vs. Wonder Woman In a 1964 issue of “The Avengers,” Marvel introduced Wonder Man. DC was not amused, feeling that the new hero sounded too much like its own Wonder Woman. So Marvel honcho Stan Lee agreed to kill him off.

Twelve years later, DC debuted a new female superhero named Power Girl — despite Marvel having introduced Power Man in 1972. Lee felt that DC was perpetrating a double standard and, in a payback bid, decided to resurrect Wonder Man. The hero joined the Avengers in 1977 and is still a major part of the Marvel print universe to this day. Although he’s never appeared in an Avengers film, actor Nathan Fillion did film a cameo as Wonder Man for “Guardians of the Galaxy 2” that got cut in the end.

(13) DEADLY PLAZA. This will be handy for me – I’ll head in the other direction: “The Most Haunted Places in Los Angeles”. (Well, I say that, but for five years I worked a block away from the first place on their list….)

El Pueblo de Los Angeles Supernatural spirits abound where the city of L.A. started: at El Pueblo de Los Angeles and its immediate surrounding area. Because this area was essentially the original town square before moving a few blocks west, it was also the town gallows and the site of public hangings and their hanging trees. Some of them occurred directly in front of City Hall, which seems bedeviled by a ghost or two. Security cameras often pick up an image of someone walking around locked offices at night, but when guards go to investigate, they find nothing. When they return to their night shift station, they frequently hear footsteps following them.

Los Angeles was once a dangerous, violent place to live, filled with gunfire and murder. The lawless and the pious were forced to coexist in the establishment of a new sprawling metropolis. At El Pueblo, early adobes were torn down, and the remains of more than 100 people were improperly excavated and relocated from the first cemetery at El Pueblo, next to La Placita church. The area where Union Station now stands, and directly adjacent to it, was not only the site of Old Chinatown but also the infamous and horrific Chinese Massacre of 1871, the largest mass lynching in American history. For a more lighthearted encounter, take your French Dip to one of the upstairs dining rooms at Philippe The Original, where the ladies of the former bordello are said to linger.

(14) HELP ME HONDA. The co-creator of Godzilla unjustly labored in obscurity. The SyFy Wire tries to remedy that in ”7 revelations about the co-creator of Godzilla”.

Despite his status as one of the most commercially successful Japanese film directors of his day, Ishiro Honda has been somewhat neglected when it comes to discussion within critical circles. His science-fiction classics — which include Godzilla (1954), Rodan (1956), Mothra vs. Godzilla (1964), and The War of the Gargantuas (1966) — have reached and dazzled audiences all over the world; and yet his name has only on occasion appeared in serious film studies. But now, from noted kaiju eiga historians Steve Ryfle and Ed Godziszewski comes the biography Ishiro Honda: A Life in Film, from Godzilla to Kurosawa.

(15) IRISH EYES. Marcin Klak of Fandom Rover chronicles his adventures at “Octocon 2017 – the Irish National SF convention”.

Golden Blasters – the Octocon’s short film festival

There were four “major” events happening during Octocon. The first and the last ones were very modest opening and closing ceremonies, which lasted for a short time. They were serving a rather informative purpose and didn’t include any performances. On Saturday night there was an Octocon’s Monster Ball. I was able to stay only at the beginning, but it started with some music and dancing. I am not sure how long it lasted. The last one of the major events I participated in was the Golden Blasters film festival.

(16) FUSE LIGHTER. WIRED touches base with Ellison biographer Nat Segaloff in “Harlan Ellison Is Sci-Fi’s Most Controversial Figure”.

Harlan Ellison is the enormously talented author of many classic stories, essays, and scripts that helped transform science fiction, but his long history of inappropriate behavior has also made him one of the field’s most controversial figures. Author Nat Segaloff tried to capture both sides of Ellison in his new biography A Lit Fuse: The Provocative Life of Harlan Ellison.

“Let’s face it, a lot of people don’t like Harlan,” Segaloff says in Episode 278 of the Geek’s Guide to the Galaxy podcast, “and I wanted to try to get to as many of those people as possible to make a rounded interview.”

(17) LIGO LEVERAGE. NPR tells how “A New Era For Astronomy Has Begun”.

With this kind of precision, astrophysicists will learn more about the size, mass, spin, and internal properties of neutron stars, one of the most exotic forms of matter in the universe. They will also find out whether the final product of the merger is a big neutron star or a black hole, and gain a better idea of how many of such pairs (binaries) exist out there. As a bonus, they will be able to test the properties of gravity at extreme events, and measure different properties of the universe, including how fast it is expanding.

But the truly remarkable discovery, confirming what astrophysicists had predicted years back, is that such violent impacts, which eject something close to 2 percent of the stars’ mass at high speeds, produce loads of chemical elements heavier than iron, including gold, platinum, and heavy radioactive atoms. The collision creates a dense disk of protons and neutrons that circle the remains of the stars; the particles quickly combine into heavy atoms as the cloud grows and cools.

In a million years, the cloud will spread across the whole galaxy, seeding stars and their solar systems with heavy elements. Quite possibly, the gold in your ring or inside your cell phone came from such collisions in the distant past.

(Follow-up to “Astronomers Strike Gravitational Gold In Colliding Neutron Stars”.)

(18) LESS SPLAT PER SCAT. ‘Windshield index’ falls: “Alarm over decline in flying insects”.

It’s known as the windscreen phenomenon. When you stop your car after a drive, there seem to be far fewer squashed insects than there used to be.

Scientists have long suspected that insects are in dramatic decline, but new evidence confirms this.

Research at more than 60 protected areas in Germany suggests flying insects have declined by more than 75% over almost 30 years.

And the causes are unknown.

(19) AWWWW. See Mauricio Abril‘s sweet painting of Carrie Fisher in character as Princess Leia on Facebook.

I started this piece back in January after learning of Carrie Fisher’s passing but never got around to finishing it until recently. In honor of her birthday today here’s my tribute to the unforgettable woman who’ll continue to inspire generation after generation of little Leias.

(20) ROWLING PAPERS ON DISPLAY. The Guardian says, “Swearing, scrapped characters, editors’ notes – JK Rowling’s exhibits are a treasure trove for fans of Hogwarts.” — “Wizard! The magic of Harry Potter at the British Library”.

While some authors would baulk at showing anyone, let alone hundreds of thousands of museum visitors, their “process”, Rowling is entirely unafraid of sharing even her ropiest Potter ideas in public. She does so at talks, on Twitter and on a website, Pottermore, where she publishes all her unexplored, unfinished plots for a starry-eyed audience. Dumbledore is gay! Harry’s grandfather made hair products! Lupin and Tonks got married in a pub in Scotland! Even for a fan, it is easy to feel suspicious of this seemingly endless post-Potter expansion. There is no hidden significance or justifying quality in Rowling’s titbits that explains their publication. No, we now know Harry’s transfiguration teacher Professor McGonagall had two brothers and a husband who died because Rowling and her publishers believe our appetite for Potter is insatiable – and on that, they’re probably right. What luck then, that Rowling has always written with pen on paper and has produced such a treasure trove, and how lucky too that revealing her failed or abandoned ideas is not an embarrassment to her, even when cushioned by such success.

…Harry Potter, a Journey Through the History of Magic, is at the British Library, London NW1, until 28 February, and the New York Historical Society from October 2018. Harry Potter: A History of Magic is on BBC2, on 28 October.

[Thanks to John King Tarpinian, JJ, Cat Eldridge, Chip Hitchcock, Andrew Porter, Carl Slaughter, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Iphinome.]

Pixel Scroll 7/28/17 The Pixhiker’s Guide To The Scrolexy

(1) WORLD SF. Rosarium Publishing has announced the table of contents for its American edition of Future Fiction: New Dimensions in International Science Fiction, edited by Bill Campbell and Francesco Verso, will be released March 1, 2018.

In its brief existence, Rosarium Publishing has worked hard in “introducing the world to itself” through groundbreaking, award-winning science fiction and comics. In combing the planet to find the best in each field, Rosarium’s own Bill Campbell has found a fellow spirit in Italian publisher, Francesco Verso.  Borrowing from the fine tradition of American underground dance labels introducing international labels’ music to the people back home, Rosarium brings to you Future Fiction: New Dimensions in International Science Fiction, a thrilling collection of innovative science fiction previously published by Francesco Verso’s company, Future Fiction. Here you will find thirteen incredible tales from all around the globe that will not only introduce you to worlds you may not be familiar with but also expand your horizons.

Table of Contents

  • James Patrick Kelly – Bernardo’s House (USA)
  • Michalis Manolios – The Quantum Mommy (Greece) – translated by Manolis Vamvounis
  • Efe Tokunbo – Proposition 23 (Nigeria)
  • Clelia Farris – Creative Surgery (Italy) – translated by Jennifer Delare
  • Xia Jia – Tongtong’s Summer (China) – translated by Ken Liu
  • Pepe Rojo – Grey Noise (Mexico) – translated by Andrea Bell
  • Liz Williams – Loose Strife (UK)
  • Ekaterina Sedia – Citizen Komarova Finds Love (Russia)
  • Nina Munteanu – The Way of Water (Canada)
  • Tendai Huchu – Hostbods (Zimbabwe)
  • Swapna Kishore – What Lies Dormant (India)
  • Carlos Hernandez – The International Studbook of the Giant Panda (USA)

(2) ACHIEVEMENT UNLOCKED. The Disabled People Destroy Science Fiction / Uncanny Magazine Year 4 Kickstarter met its goal in three days. The total last time I looked was $23,359 – the target had been $22,000.

(3) NEXT AT KGB. Fantastic Fiction at KGB reading series  hosts Ellen Datlow and Matthew Kressel present Gregory Frost & Rajan Khanna on Wednesday, August 16, 7 p.m. at the KGB Bar.

Gregory Frost

Gregory Frost is the author of Shadowbridge, Lord Tophet, Fitcher’s Brides, and The Pure Cold Light and a whole mess of short stories of the fantastic. His collaboration with Michael Swanwick, “Lock Up Your Chickens and Daughters, H’ard and Andy Are Come to Town” won an Asimov’s Readers’ Award for 2015. That worked out so well that he and M. Swanwick are currently engaged in writing another collaboration. Greg is the Fiction Workshop Director at Swarthmore College, and with Jonathan Maberry founded the Philadelphia branch of The Liars Club, a collective of semi-deranged and often inebriated authors. Greg is working on a collaborative series with Jonathan Maberry based upon their novella “Rhymer,” published in the anthology Dark Duets.

Rajan Khanna

Rajan Khanna is an author, blogger, reviewer, and narrator. His post-apocalyptic airship adventure series starting with Falling Sky and Rising Tide concluded in July 2017 with Raining Fire. His short fiction has appeared in Lightspeed Magazine, Beneath Ceaseless Skies, and several anthologies. His articles and reviews have appeared Tor.com and LitReactor.com and his podcast narrations can be heard at Podcastle, Escape Pod, PseudoPod, Beneath Ceaseless Skies, and Lightspeed Magazine. Rajan lives in Brooklyn where he’s a member of the Altered Fluid writing group.

KGB Bar, 85 East 4th Street (just off 2nd Ave, upstairs), New York, NY.

(4) IF YOU CAN MAKE IT THERE. Andrew Porter tells me there are New York authors with historic plaques on their old homes:

There are historic blue plaques on Montague Street, in the building where Norman Mailer lived for a while. Around the corner, there’s a bronze plaque on the building where W.H. Auden lived.

Once I heard that, I decided we should start agitating for historic plaques on the birth homes of  historic SF writers.

Andrew Porter suggested Isaac Asimov, Frederik Pohl, Robert Silverberg, and Julius Schwartz. Some others have added:

Avram Davidson, born in Yonkers, 1923

Robert Sheckley, b. 1928 (Brooklyn?)

and Tom Disch died on Union Sq. W. on 4 July 2008

(5) FUN APPROACH. Jared begins his review of The War of Undoing by Alex Perry at Pornkitsch —

This is a long – and often quite meandering – book. There’s a slow start, followed by a lot of quiet, discursive tangents. Several of Undoing’s plots and ‘hints’ don’t coalesce until the very end, and certain momentous occasions and world-changing events – which would be the very heart and soul of other fantasy novels – are downplayed, and shifted to the background. As a result, The War of Undoing can feel frustrating at times. But, and I can’t stress this enough, stick with it: this book simply has different priorities.

The War of Undoing uses a deceptively simple premise and a by-the-numbers fantasy world to great effect. It isn’t a book about what happens, where it happens, or, in some cases, even who it happens to. It is, instead, a book about the why – the choices we make, and what drives us to them.

That’s all worth excerpting – but then, Jared goes into overdrive deconstructing the book’s familiar motifs as if he was scoring the qualities of a role-playing game. That part is really entertaining.

(6) SENDING UP OLD WHO. Fathom Events will show “RiffTrax Live: Doctor Who: The Five Doctors” in theaters August 17 and August 24.

The Doctor is in the house! The RiffTrax house, that is! The stars of Mystery Science Theater 3000®, Mike Nelson, Kevin Murphy and Bill Corbett, are back on the big screen for a legendary riffing of the 1983 Doctor Who film “The Five Doctors.” Someone is taking the Doctor’s past selves out of time and space, placing them in a vast wilderness – a battle arena with a sinister tower at its center. As the various incarnations of the Doctor join forces, they learn they are in the Death Zone on their home world of Gallifrey, fighting Daleks, Cybermen, Yeti and a devious Time Lord Traitor who is using the Doctor and his companions to discover the ancient secrets of Rassilon, the first and most powerful ruler of Gallifrey.

Join Mike, Kevin and Bill as they join the Five Doctors for one of the most thrilling Doctor Who adventures ever!

(7) BUDGET BOOK LAUNCH. Mark-kitteh says, “I’m reading The Prey of Gods by Nicky Drayden — rather fun concept so far, not sure where it’s going but I’m interested to find out — and I went to check out her website. I thought this recent blog post on the finances of her book promotion might suit as a scroll item” — “Book Promotion on a $800 Budget”.

ARC GIVEAWAYS AND EARLY REVIEWS:

Four to six months before your book launches, you want to start getting ARCs (Advance Reader Copies) into as many people’s hands as possible. These early reviewers will help generate buzz for your book and get other readers interested. The easiest way to do this is by holding giveaways on Goodreads. Goodreads is where readers congregate and socialize, so you get a lot of visibility through social shares. Plus, unlike Amazon, people can start leaving reviews and ratings as soon as the book is listed, and not just once launch day has arrived.

Aim to give away at least 30 physical ARCs through random giveaways and targeting bigger name reviewers. If you’re with a big house or small press, they should be offering some giveaways on their own and getting you reviewers, so you’ll just be supplementing as necessary. For these figures, I’m assuming it costs about $7 to ship each book and $8 per book copy beyond free books provided by the publisher. I’m also assuming if you’re with a big house, you’ll get at least 20 free copies of your book, 10 for small press, and 0 for indie authors.

I’d recommend doing three big pushes prior to launch, and two small giveaways (1-2 books each) in the months after launch. Goodreads users can mark your book as to-be-read when they enter the contest, which will make them much more likely to purchase your book. With each giveaway you should see more and more interest. Below you can see how much “to-read” numbers jump when there’s a giveaway. The smaller spikes are the start of the giveaways….

(8) JULIE GOMOLL OBIT. Julie Gomoll (1962-2017), sister of Jeanne, died this past weekend. Jeanne’s eulogy on Facebook is now set to public.

Jackie Dana wrote this deeply touching reminiscence of Julie: “Our Chief Schemer Has Left Us”.

That was the last time I got to see you, and now I’m just reeling. How is it that you’re not going to be around anymore? No more Julie snark on Facebook, no photos of Mr. Pants sitting inappropriately, no more brainstorming. I just can’t bear it.

I sit here trying to make sense of it all, and I know you’re probably just rolling your eyes, wanting to tell me to go do something else. But it’s you, Julie, and I can’t. I knew about your personal struggles, and I knew you were trying to reinvent yourself professionally (like all of the best entrepreneurs do). But even though things were tough sometimes, you were a fighter. A bad ass. So I just can’t understand.

One thing’s for sure. I’m not alone. There’s a not-so-small army of friends and family who you inspired, and we’re all struggling to understand. We miss you so much already. You didn’t leave a hole behind when you left us—you left a chasm as wide as the Grand Canyon.

A fundraiser for Austin Pets Alive! has been started in her honor.

Please join me in honoring the memory of Julie Gomoll, a true digital pioneer.

Julie founded Go Media in 1987. It became one of the first major digital agencies in Texas. The web just seemed to run in her veins. Even when companies asked Julie to create mailers, she’d build them a website. One day, I was fortunate enough to see Julie’s portfolio. One page after another, I saw another piece of Austin digital history. Dell. Whole Foods. The City of Austin. Julie helped pin these organizations on the digital map. With the switch of a DNS server, her company connected them to the entire world.

Julie took the money she made on the sale of Go Media to Excite, and invested in a coworking space named Launchpad. This wasn’t 2015?—?this was 2007. She was a coworking goddess when other people were sweating their 9–5. Launchpad was an unfortunate casualty of the 2008 recession. The coworking movement, however, was not. Dozens of other Austin coworking formal and informal spaces emerged thanks to early adopters like Julie. There are hundreds of small companies that emerged as a result…

Julie loved dogs. Like, pretty much any dog. She even built the first website for Austin Pets Alive!, which has saved thousands of them. Thanks, Julie. We’d like to help you save thousands more. Please help honor Julie’s memory by donating to Austin Pets Alive! in her name.

And Julie Gomoll’s professional website has more about that side of her story.

(9) ZIMMERMAN OBIT. Bookstore owner Lorraine Zimmerman died July 12 reports The Indy. Along with her husband Norman, she owned the Fahrenheit 451 bookstore in Laguna Beach, CA from 1976 until it closed in 1988. It wasn’t a specialty store, however, they did sell everything Bradbury had in print. I bought Bradbury’s book of Irish stories there in the Eighties.

Lorraine Zimmerman, owner of legendary Fahrenheit 451 Books in Laguna Beach (1978-1988), of Collected Thoughts Bookshop in Berkeley (1996-2004), and partner at Berkeley’s University Press Books (2004-2017), passed away on July 12. She was 76 and is survived by her two brothers, three children and seven grandchildren.

Born and raised in Chicago, Lorraine entered the University of Wisconsin, Madison, in 1957. Pausing from university studies after marrying and starting a family, Zimmerman relocated to Orange, Calif., with family in 1970. She resumed her studies at UC Irvine, earning a Bachelor of Arts degree in social ecology. A lover of books and ideas, Zimmerman bought Laguna Beach’s Fahrenheit 451 Books in 1976.

The bookstore soon received national recognition. In 1981, Lorraine was one of five booksellers interviewed in The New York Times for an article on independent bookstores. In 1987, the Los Angeles Times described Fahrenheit 451 Books as “one of the most distinctive independent bookstores in Southern California,” and “Laguna Beach’s literary landmark.” Zimmerman inspired Laguna residents with her own literary flare, publishing Fahrenheit Flasher, a newsletter with colorful images, stories about upcoming author signings and her reviews of forthcoming books. Zimmerman’s innovative promotional strategies included a children’s reading program that enrolled 40 families at its height, and a 12-book plan whereby customers received credit for the average price of their purchases.

Zimmerman made headlines by hosting book signings with such renowned authors as Ray Bradbury, Lawrence Ferlinghetti, Allen Ginsberg, June Jordan, P.D. James, and Michael Chabon. Upon selling Fahrenheit 451 Books, Zimmerman reflected on her experience in American Bookseller magazine, writing in May 1989: “Discussing books with customers and local writers; sponsoring literary events; having a finger on the pulse of current American thought through the knowledge of forthcoming books and my customers’ requests; having the ability to disseminate hard-to-find information–these were the daily rewards of bookselling.”

(10) TODAY IN HISTORY

  • July 28, 1957 The Cyclops premieres.
  • July 28, 1995 Waterworld debuted in theaters.

(11) COMIC SECTION. John King Tarpinian recommends today’s Moderately Confused.

(12) CLARKE WINNER. Colson Whitehead said in his Arthur C. Clarke Award acceptance remarks, “Way back when I was 10 years old, it was science fiction and fantasy that made me want to be a writer. If you were a writer, you could work from home, you didn’t have to talk to anybody, and you could just make up stuff all day. Stuff about robots and maybe zombies and maybe even miraculous railway lines. Fantasy, like realism, is a tool for describing the world, and I’m grateful that a book like The Underground Railroad, which could not exist without the toolkit of fantastic literature, is being recognized with the Arthur C. Clarke award.”

(13) ELLISON BIO. Daniel M. Kimmel gives a glowing review to his friend Nate Segaloff’s A Lit Fuse, The Provocative Life of Harlan Ellison.

What makes this so special? It is a full-bodied portrait of Ellison the writer as well as the ups and downs of his personal life. It doesn’t turn away from the touchy subjects (“The City on the Edge of Forever,” the Connie Willis controversy, the never published Last Dangerous Visions), but it also celebrates not only his successes, but the way he has inspired the writers who followed him, created works of lasting value, and demonstrates that while he is, indeed, one of the giants of science fiction, he is also a writer of mysteries, of criticism, of essays, and of one of the most interesting lives in modern American letters. Even If you are not a devoted Ellison fan, it is a fascinating story, and you may find yourself eager to fill in the gaps in your own reading of Ellison.

(14) SUMMERTIME AND THE READING IS EASY. The Washington Post’s Michael Dirda presents “A summer book list like no other”.

To everything there is a season, and the season for short stories is summer — except for tales of ghosts and demons, which should be reserved for late fall. To help you enjoy your time on a beach or in a hammock, here are seven short-story collections worth looking for.

Other Arms Reach Out to Me: Georgia Stories , by Michael Bishop (Fairwood Press). Michael Bishop is well known as a science fiction writer — don’t miss his best-of collection, “The Door-Gunner and Other Perilous Flights of Fancy” — but this new book collects his equally fine stories about contemporary Southern life. How can anyone resist “The Road Leads Back,” which pays homage to Flannery O’Connor? From the opening sentence, its tone is pitch-perfect: “Flora Marie did not want to visit the Benedictine monastery in Alabama. Back in April, at the insistence of her aunt Claire, who had paid for the pilgrimage, she’d made a fatiguing round-trip journey by air to Lourdes. Aunt Claire had believed that a reverent dip in the shrine’s waters would enable Flora Marie to throw away her crutches and live again as a ‘normal person.’ ” Other stories recall the trailer-park black humor of Harry Crews or Barry Hannah: In “Doggedly Wooing Madonna,” a misfit teenager repeatedly writes letters proposing to the Material Girl, who eventually pays him a visit while he is working at Finger Lickin’ Fried. Bishop closes his excellent collection with the Nebula Award-nominated “Rattlesnakes and Men.” …

(15) YOU’RE INVITED. There will be a “Chinese Fandom Fan Party” at Worldcon 75. The public is invited. (Here is the Facebook event link.)

Hosted by The Shimmer Program, Storycom and Science Fiction World Publishing House

Thursday, August 10 at 9 PM – 11 PM UTC+08 Room 103, Messukeskus, Helsinki, Finland

You have to be a Worldcon 75 member to attend the parties. Our party welcome all guests and feel free to share it with your friends who are coming to Worldcon this year! The more the merrier! Highlights:

  • Meet Chinese sf authors, Xia Jia, Zhang Ran, A Que, Luo Longxiang, Tan Gang, Nian Yu and more…
  • Meet Chinese editors in Science Fiction World to discuss how to publish your works in China
  • Meet Chinese fans who won Storycom’s Worldcon 75 Attending Funding…
  • Introduction of Chengdu City – “SF capital of China”
  • Welcome to The Fourth China (Chengdu) International SF Conference
  • Learn about various ways of attending cons in China for free
  • Free snacks and drinks
  • Chinese specialties and Chinese tea

(16) KEEPING UP WITH JEOPARDY! Steven H Silver sent me this information from the future about a genre reference on today’s episode of Jeopardy!

In Double Jeopardy, categories were:

Plan

9

From Outer Space

Other Odd Films

(17) SLUSSER CONFERENCE. Organizers have put out a call for papers for The George Slusser Conference on Science Fiction and Fantasy to be held at UC Irvine on April 26-29, 2018.

Coordinators: Jonathan Alexander (University of California, Irvine)

Gregory Benford (University of California, Irvine)

Howard V. Hendrix (California State University, Fresno)

Gary Westfahl (University of La Verne)

Although the late George Slusser (1939–2014) was best known for coordinating academic conferences on science fiction and editing volumes of essays on science fiction, he was also a prolific scholar in his own right, publishing several books about major science fiction writers and numerous articles in scholarly journals and anthologies. His vast body of work touched upon virtually all aspects of science fiction and fantasy. In articles like “The Origins of Science Fiction” (2005), he explored how the conditions necessary for the emergence of science fiction first materialized in France and later in England and elsewhere. Seeking early texts that influenced and illuminate science fiction, he focused not only on major writers like Mary Shelley, Jules Verne, and H. G. Wells but also on usually overlooked figures like E. T. A. Hoffmann, Benjamin Constant, Thomas De Quincey, Honoré de Balzac, Guy de Maupassant, J.-H. Rosny aîné, and J. D. Bernal. His examinations of twentieth-century science fiction regularly established connections between a wide range of international authors, as suggested by the title of his 1989 essay “Structures of Apprehension: Lem, Heinlein, and the Strugatskys,” and he fruitfully scrutinized both classic novels by writers like Arthur C. Clarke and Ursula K. Le Guin and the formulaic ephemera of the contemporary science fiction marketplace. A few specific topics repeatedly drew his interest, such as the mechanisms of time travel in science fiction and the “Frankenstein barrier” that writers encounter when they face the seemingly impossible task of describing beings that are more advanced than humanity. And he aroused controversies by criticizing other scholars in provocative essays like “Who’s Afraid of Science Fiction?” (1988) and “The Politically Correct Book of Science Fiction” (1994). No single paragraph can possibly summarize the full extent of his remarkably adventurous scholarship.

The George Slusser Conference on Science Fiction and Fantasy seeks to pay tribute to his remarkable career by inviting science fiction scholars, commentators, and writers to contribute papers that employ, and build upon, some of his many groundbreaking ideas; we also welcome suggestions for panels that would address Slusser and his legacy. To assist potential participants in locating and studying Slusser’s works, a conference website will include a comprehensive bibliography of his books, essays, reviews, and introductions. This selective conference will follow the format that Slusser preferred, a single track that allows all attendees to listen to every paper and participate in lively discussions about them. It is hoped that the best conference papers can be assembled in one volume and published as a formal or informal festschrift to George Slusser.

Potential contributors are asked to submit by email a 250-word paper abstract and a brief curriculum vitae to any of the four conference coordinators: Jon Alexander (jfalexan@uci.edu), Gregory Benford (xbenford@gmail.com ), Howard V. Hendrix (howardh@csufresno.edu), or Gary Westfahl (Gwwestfahl@yahoo.com ). The deadline for submissions is December 31, 2017, and decisions will be provided by mid-January, 2018. Further information about the conference schedule, fee, location, accommodations, and distinguished guests will be provided at the conference website.

(18) AT HOME WITH RAY’S HUGOS. Jonathan Eller writes about this photo —

Ray Bradbury’s two most recent Retro Hugo Awards, “Best Fan Writer, 1941” and “Best Fanzine, Futuria Fantasia, 1941,” have been in the Center for Ray Bradbury Studies since Center director Jon Eller accepted them on behalf of the Bradbury family at the 2016 World Science Fiction Convention in Kansas City (August, 2016). The Bradbury family graciously agreed to have the Bradbury Center curate these Hugo Awards through a long-term loan agreement completed earlier this year.  Here you see both awards in the Bradbury center, guarded by a Martian modeled on one of the 1970s stage productions of The Martian Chronicles.  The Bradbury Center, as well as the Indiana University School of Liberal Arts and IUPIU, are deeply indebted to the Bradbury family for this curatorial loan.  —  Jon Eller

[Thanks to Steven H Silver, Matthew Kressel, Howard Hendrix, Andrew, JJ, Cat Eldridge, Andrew Porter, Mark-kitteh, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day ULTRAGOTHA.]

The Underground Railroad Wins Pulitzer Prize

Colson Whitehead’s novel The Underground Railroad has won the 2017 Pulitzer Prize for Fiction.

The citation says Whitehead’s book was chosen “For a smart melding of realism and allegory that combines the violence of slavery and the drama of escape in a myth that speaks to contemporary America.”

As the publisher describes the story:

In Whitehead’s ingenious conception, the Underground Railroad is no mere metaphor—engineers and conductors operate a secret network of tracks and tunnels beneath the Southern soil. Cora and Caesar’s first stop is South Carolina, in a city that initially seems like a haven. But the city’s placid surface masks an insidious scheme designed for its black denizens. And even worse: Ridgeway, the relentless slave catcher, is close on their heels. Forced to flee again, Cora embarks on a harrowing flight, state by state, seeking true freedom.

The Pulitzer Prize, worth $15,000, goes to “distinguished fiction published in book form during the year by an American author, preferably dealing with American life.”

The winner was determined by a jury composed of Eric Banks (Chair), Director, New York Institute for the Humanities, New York University; Lan Samantha Chang, Director and May Brodbeck Professor of Liberal Arts and Sciences, Iowa Writers’ Workshop, University of Iowa; Mary Ann Gwinn, Book Editor, Seattle Times.

Overcoming a historic mainstream bias, in the past two decades speculative fiction has contended for the Pulitzer several times. In 2016 Kelly Link’s Get in Trouble: Stories was one of two finalists, while past winners have included The Road, by Cormac McCarthy (2007) and The Amazing Adventures of Cavalier & Clay by Michael Chabon (2001).

2017 Audiobook of the Year Audie Award Finalists

The Audio Publishers Association announced the finalists for 2017 Audiobook of the Year, as well as for Excellence in Design, Excellence in Marketing, and Excellence in Production on March 22. These are in addition to the individual nominees posted in February.

Genre works are up for Audiobook of the Year and all three Excellence categories, including audiobooks of novels by Kameron Hurley, John Scalzi, and Colson Whitehead.

Audiobook of the Year

  • Boys in the Trees, written and narrated by Carly Simon, published by Macmillan Audio
  • The Girl with the Lower Back Tattoo, written and narrated by Amy Schumer, published by Simon & Schuster Audio
  • Hamilton: The Revolution, by Lin-Manuel Miranda and Jeremy McCarter, narrated by Mariska Hargitay, with the authors, published by Hachette Audio
  • The Underground Railroad, by Colson Whitehead, narrated by Bahni Turpin, published by Penguin Random House Audio / Books on Tape
  • Year of Yes, written and narrated by Shonda Rhimes, published by Simon & Schuster Audio

Excellence in Design

  • The Adventures of Tom Sawyer, by Mark Twain, design by David Drummond, published by Audible Studios
  • Alice’s Adventures in Wonderland, by Lewis Carroll, design by Levente Szabo, published by Audible Studios
  • Alien: Out of the Shadows: An Audible Original Drama, by Tim Lebbon and Dirk Maggs, design by James Jackson, published by Audible Studios
  • Geek Feminist Revolution, by Kameron Hurley, design by Jessica Daigle, published by HighBridge/Recorded Books
  • Grimm’s Fairy Talesby the Brothers Grimm, design by Divya Srinivasan, published by Listening Library

Excellence in Marketing

  • Alien: Out of the Shadows: An Audible Original Drama, by Tim Lebbon and Dirk Maggs, narrated by Rutger Hauer, Corey Johnson, Matthew Lewis, Kathryn Drysdale, Laurel Lefkow, Andrea Deck, and Mac McDonald, published by Audible Studios
  • Battlefield Earth: A Saga of the Year 3000, by L. Ron Hubbard, narrated by Josh Clark, Scott Menville, Jim Meskimen, Phil Proctor, Stefan Rudnicki, Fred Tatasciore and a full cast, published by Galaxy Audio
  • Bob Honey Who Just Do Stuff, by Pappy Pariah, narrated by Sean Penn, published by Audible Studios
  • The Dispatcher, by John Scalzi, narrated by Zachary Quinto, published by Audible Studios
  • Hamilton: The Revolution, by Lin-Manuel Miranda and Jeremy McCarter, narrated by Mariska Hargitay, with the authors, published by Hachette Audio

Excellence in Production

  • Alien: Out of the Shadows: An Audible Original Drama, by Tim Lebbon and Dirk Maggs, narrated by Rutger Hauer, Corey Johnson, Matthew Lewis, Kathryn Drysdale, Laurel Lefkow, Andrea Deck, and Mac McDonald, published by Audible Studios
  • Battlefield Earth: A Saga of the Year 3000, by L. Ron Hubbard, narrated by Josh Clark, Scott Menville, Jim Meskimen, Phil Proctor, Stefan Rudnicki, Fred Tatasciore, and a full cast, published by Galaxy Audio
  • Beric the Briton, by G.A. Henty. narrated by Brian Blessed, Brian Cox, Tom Baker, Honeysuckle Weeks, John Rhys-Davies, and a full cast, published by Heirloom Audio Productions
  • The Oedipus Plays: An Audible Original Drama, by Sophocles, narrated by Jamie Glover, Hayley Atwell, Michael Maloney, Samantha Bond, Julian Glover and David Horovitch, published by Audible Studios
  • The Secret History of Twin Peaks, by Mark Frost, narrated by a full cast, published by Macmillan Audio
  • A Wild Swan, by Michael Cunningham, narrated by Lili Taylor and Billy Hough, published by Macmillan Audio

2017 Audie Awards Nominees

SF and fantasy are heavily represented across the entire spectrum of 2017 Audie Awards categories. The shortlist of the best audiobooks of the year was announced February 8.

The audiobooks in the Science Fiction and Fantasy categories are shown below. In addition —

  • Neil Gaiman is a finalist in the Narration by Author category for his work on The View from the Cheap Seats.
  • Original Work is dominated by familiar sf/f names and series — The Adventures of Tom Stranger, Interdimensional Insurance Agent by Larry Correia, narrated by Adam Baldwin, Alien: Out of the Shadows: An Audible Original Drama by Tim Lebbon and Dirk Maggs, with seven voice talents, and The Dispatcher by John Scalzi, narrated by Zachary Quinto.
  • The Alien and Doctor Who franchises claimed three of the five Audio Drama finalist spots
  • One finalist in Short Stories/Collections is The Collected Stories of Arthur C. Clarke by Arthur C. Clarke, narrated by Ray Porter, Jonathan Davis and Ralph Lister.
  • And there is some kind of yin/yang dynamic at work in having a Best Female Narrator nominee for The Underground Railroad by Colson Whitehead (narrated by Bahni Turpin) and a Best Male Narrator nominee for Underground Airlines by Ben H. Winters (narrated by William DeMeritt).  Also recognized as Best Narrators are the men who voiced End of Watch by Stephen King and Jerusalem by Alan Moore. And The Underground Railroad received a second nomination, in the Literary & Classic Fiction category.
  • There is even a genre entry for the best Business Book — Trekonomics: The Economics of Star Trek by Manu Saadia, narrated by Oliver Wyman

Winners will be revealed at the Audie Awards® Gala on June 1, 2017. A roll-call of all the nominees, many with samples you can listen to, appears here.

The Audie Awards generated extra attention this year by having guest presenters tweet each set of finalists — genre participants included Brandon Sanderson, John Scalzi, Marissa Mayer, Neil Gaiman, Colson Whitehead, and Locus Magazine.

ORIGINAL WORK

FICTION

NONFICTION

AUDIO DRAMA

EROTICA

LITERARY FICTION & CLASSICS

BEST FEMALE NARRATOR

BEST MALE NARRATOR

INSPIRATIONAL FAITH-BASED FICTION

INSPIRATIONAL FAITH-BASED NONFICTION

THRILLER/SUSPENSE

LITERARY FICTION & CLASSICS

SCIENCE FICTION

FANTASY

MIDDLE GRADE

NARRATION BY THE AUTHOR

YOUNG ADULT

ROMANCE

PARANORMAL

AUTOBIOGRAPHY/MEMOIR

HISTORY/BIOGRAPHY

SHORT STORIES/COLLECTIONS

BUSINESS/PERSONAL DEVELOPMENT

YOUNG LISTENERS

HUMOR

MYSTERY

MULTI-VOICED PERFORMANCE

Underground Railroad Wins National Book Award

underground-railroad-whitehead

Colson Whitehead won the 2016 National Book Award for fiction for Underground Railroad, the story of Cora, a young slave who escapes captivity in the South. In Whitehead’s novel the historical Underground Railroad is a literal rail network.

“Two steel rails ran the visible length of the tunnel,” Whitehead writes, “pinned into the dirt by wooden crossties. The steel ran south and north presumably, springing from some inconceivable source and shooting toward a miraculous terminus.”

And the stops along the way often are also excursions into the fantastic.

(Note for clarity: This is a different book than Ben Winters’ alternate history Underground Airlines.)