2024 BAFTA Awards

The winners of the 2024 EE BAFTA Film Awards were unveiled by the British Academy of Film and Television Arts on February 18. Oppenheimer led the field winning seven awards. Poor Things won five.

Host David Tennant appeared in an opening sketch:

Afterwards he came onstage and quipped, “Tonight’s going to go smoother than Ken’s chest,” referencing the plastic doll in Barbie (which by the end of the evening had lost all four awards it was up for.)

Michael J. Fox “brought people to tears” in a surprise appearance to present the Best Film award.

Back To The Future star Michael J Fox, who is living with Parkinson’s disease, made a surprise appearance at the Baftas to present the best film award.

The 62-year-old actor came onstage in a wheelchair but insisted on standing up at the podium to hand out the prize to Christopher Nolan’s Oppenheimer.

Fox received a standing ovation, with many social media users posting that they were in tears seeing him on stage.

He was diagnosed in the 1990s and rarely makes public appearances.

BEST FILM

  • OPPENHEIMER Christopher Nolan, Charles Roven, Emma Thomas

OUTSTANDING BRITISH FILM

  • THE ZONE OF INTEREST Jonathan Glazer, James Wilson, Ewa Puszczyńska

OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER

  • EARTH MAMA Savanah Leaf (Writer, Director, Producer), Shirley O’Connor (Producer), Medb Riordan (Producer)

FILM NOT IN THE ENGLISH LANGUAGE

  • THE ZONE OF INTEREST Jonathan Glazer

DOCUMENTARY

  • 20 DAYS IN MARIUPOL Mstyslav Chernov, Raney Aronson Rath

ANIMATED FILM

  • THE BOY AND THE HERON Hayao Miyazaki, Toshio Suzuki

DIRECTOR                                                          

  • OPPENHEIMER Christopher Nolan

ORIGINAL SCREENPLAY

  • ANATOMY OF A FALL Justine Triet, Arthur Harari

ADAPTED SCREENPLAY

  • AMERICAN FICTION Cord Jefferson

LEADING ACTRESS

  • EMMA STONE Poor Things

LEADING ACTOR

  • CILLIAN MURPHY Oppenheimer

SUPPORTING ACTRESS

  • DA’VINE JOY RANDOLPH The Holdovers

SUPPORTING ACTOR

  • ROBERT DOWNEY JR. Oppenheimer

CASTING

  • THE HOLDOVERS Susan Shopmaker

CINEMATOGRAPHY

  • OPPENHEIMER Hoyte van Hoytema

EDITING

  • OPPENHEIMER Jennifer Lame

COSTUME DESIGN

  • POOR THINGS Holly Waddington

MAKE UP & HAIR

  • POOR THINGS Nadia Stacey, Mark Coulier, Josh Weston

ORIGINAL SCORE

  • OPPENHEIMER Ludwig Göransson

PRODUCTION DESIGN

  • POOR THINGS Shona Heath, James Price, Zsuzsa Mihalek

SOUND

  • THE ZONE OF INTEREST Johnnie Burn, Tarn Willers

SPECIAL VISUAL EFFECTS

  • POOR THINGS Simon Hughes

BRITISH SHORT ANIMATION

  • CRAB DAY Ross Stringer, Bartosz Stanislawek, Aleksandra Sykulak

BRITISH SHORT FILM

  • JELLYFISH AND LOBSTER Yasmin Afifi, Elizabeth Rufai

EE RISING STAR AWARD (voted for by the public)

  • MIA MCKENNA-BRUCE

Pixel Scroll 2/18/24 Aren’t All Pixels Made Of Exotic Materials?

(1) CANCELLING HERSELF. Samantha Mills mournfully headlined her latest blog post “’Rabbit Test’ unwins the Hugo”. After reading the Barkley/Sanford report and some others’ analysis of the voting reports, Mills says:

…Looking at the information we currently have, it’s hard for me to conclude anything other than: I shouldn’t have been on that ballot. On the one hand, it seems as though the final vote hasn’t been tampered with, and the voters engaged in good faith with the works they were told were the finalists, for which I still say thank you! But it’s really, really hard for me to see past the initial fact, which is that I shouldn’t have been on that ballot.

This entire experience has been very stressful and fraught. Initially I assumed I wasn’t going to be a finalist, because even though the story had taken off like mad in the U.S., the bulk of the membership was not going to be American. I assumed we would see a lot of Chinese nominees — which would have been cool! We’d get a slice of international scifi that I rarely ever see! And then I was really pleasantly surprised to be informed I was a finalist after all. When the full ballot was posted, I was also surprised at how few Chinese nominees were in the fiction categories. There were four in the short story category, though, so I thought it was legit, and that wow, John Wiswell and I somehow made the cutoff anyway, isn’t that amazing!

I accepted the nomination because, you know, it is supposed to be an honor. But then due to concerns about the Worldcon event itself, I elected not to participate in programming or accept a free trip to Chengdu. This was also fraught. I’ve never been to a Worldcon, and I’d never been nominated before. And as I said in my previous long-winded post on the subject, I have nothing against the fandoms at play. But I wasn’t comfortable being one of the faces of local PR under political circumstances that felt entirely above my pay grade, so I bowed out…

(2) HUGO DIAGNOSIS AND POSSIBLE CURE. Nerds of a Feather editorsThe G, Vance K, Arturo Serrano, Adri Joy, Chris Garcia, Paul Weimer, and Alex Wallace have each written part of “The Hugo Awards Crisis Deepens – Where We Stand and How to Save the Awards”.

The G’s segment concludes:

There are two sets of problems here: (a) the proximate issue of what was done in 2023 and (b) what this reveals or illuminates about the the cartel of self-proclaimed “SMOFs” (secret masters of fandom) who treat the Hugos – and Worldcon more broadly – as their birthright, playground and personal fiefdom. The Hugo Awards are supposed to be democratic in nature and process; the behavior of the self-proclaimed “SMOFs” is fundamentally anti-democratic – and this is by no means confined to Chengdu Worldcon.

Now here are my suggestions for how to rebuild trust in the Hugo Awards:

  1. No one involved in the administration of the 2023 Hugo Awards, or who assisted in the collection of political evidence, can ever be allowed to have any role in administering the awards ever again.
  2. Vote tabulation must be performed in a transparent manner using software that multiple people have access to for purposes of validation. 
  3. All tabulations must be independently audited for purposes of verification. 
  4. Individual Cons should no longer administer the Hugo Awards – this should be done by an independent, rotating committee.
  5. All decisions by said committee must be audited; all disqualified nominees must be notified and given time to appeal.

(3) STARSHIP FONZIE SCOOP. Eric Hildeman got ahead of the “Glasgow 2024 Passalong Funds Announcement” with the information he reported in Episode 36 of his “Starship Fonzie” podcast. He’s now also posted a transcript on his blog.

Here’s more information about Chengdu’s passalong offer of $40,000 to Glasgow:

“… My colleague, and I think it’s fair to say, con-running coach, Alexia Hebel, is not only the treasurer for Capricon, she was the treasurer for the Western component of the Worldcon in Chengdu. And as such, one of her duties was to administer the pass-along funds from Chengdu over to Glasgow. What are pass-along funds? Well, if there’s any money left over after running a Worldcon, they have the option and traditionally always do of passing that surplus along to the next Worldcon as a donation towards its effort. It’s a bit more complicated than that, but that’s the basic idea. While in between duties at Capricon and after speaking with Ben Yalow about it, she offered $40,000 in pass-along funds to the Glasgow Worldcon. And again, that’s de rigueur. You know, every Worldcon does this if they can. Glasgow turned the money down. They’re so anxious to avoid any associations with the Chengdu Worldcon that they’re unwilling to even touch the money, to the tune of 40 grand.

(4) SEEN AROUND FANDOM. These convention badge ribbons will be in great demand once somebody starts handing them out.

(5) DRAMA CRITIC. Lauren Oyler asks what effect Goodreads one-star reviews – or any other reviews – have in “’God forbid that a dog should die’: when Goodreads reviews go bad” at the Guardian.

Something dramatic happens on a social media platform every day. On Goodreads, the anachro­nistically designed website for logging, rating (out of five) and reviewing books, the dramas are more amusing, and they occasionally even draw attention from areas beyond the site’s supposedly book-loving users. The most recent featured Cait Corrain, the fantasy author who set up an elaborate network of fake accounts to post positive reviews of her own forthcoming book as well as negative reviews of authors she felt were her competitors. When citizen journalists uncovered her plot in December 2023, her book was cancelled, and she lost her agent and a future book deal.

A juicy, postmodern story of self-sabotage, or a sad one about the intersection of the internet and mental health. Regardless, its stakes are relatively low: publicly harassing one’s colleagues is a sackable offence anyway, and it’s hard to find someone who really cares about the vicissitudes of the young adult literature world who isn’t part of the subculture. I’m not; I’m a professional critic, and an author of a literary novel. I’m a snob. I care about my book, and the authors I feel are my competitors. And while Goodreads has been around since 2007, its significance to the broader literary world remains steadfastly confusing. Does it sell books? Does it make and break careers? The flashy, funny stories that have emerged about the site over the last several years have done exactly what its proprietors surely want: make it seem like Goodreads is important. But is it?…

(6) SIMULTANEOUS TIMES. Space Cowboy Books of Joshua Tree, CA presents episode 72 of the Simultaneous Times podcast with Eugen Bacon & Todd Sullivan. Stories featured in this episode:

  • “A Good Ball” by Eugen Bacon, with music by Fall Precauxions, read by Jean-Paul Garnier
  • “Shards of Glass” by Todd Sullivan, with music by Phog Masheeen, read by Jean-Paul Garnier

Theme music by Dain Luscombe

Available on all podcast players or at Podomatic.

(7) THE SOURCE: SARAH MAAS FANTASY. Ann Smoot points out “The Jewishness of Sarah Maas’ Fantasy World” at Hey Alma. Beware spoilers.

Whether you’ve been thinking about starting to read “A Court of Thorns and Roses,” or you’re a long-time fan of “Throne of Glass,” it’s likely that you’ve heard of Sarah J. Maas. The author is making headlines the world over thanks to her fantasy series. Whether you’re invested in them for the well-written smut or the beautiful way she weaves her stories, fans can’t put down her novels. But what some readers might not know about the rather private author is that she was raised by a Catholic mother and a Jewish father and attended Hebrew school in her youth. She went on to attend Hamilton College for religious studies and met her future husband at her college’s Hillel, where he served as president. Her connection to her Jewish faith isn’t just apparent when looking at her personal history, though. It just takes a keen eye and a flip through any of her series’ to recognize that she has woven her culture through every story….

… The way that Maas deftly and lovingly weaves her Jewish culture and faith into her writing opens up the world of our stories and tradition to a wider audience. Jewish faith hasn’t had a very loud voice in fantasy — but thanks to Maas, that might be about to change.

(8) ROLE MODEL. [Item by Danny Sichel.] “Peter Talks To a Spider”, a ten-page comic, by Donny Cates and Chip Zdarsky, published on Marvel’s official Threads account: “What happens when Spider-Man chats with an actual Spider”. Images at the link.

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born February 18, 1919 Jack Palance. (Died 2006.) Tonight I’ve come to talk of Jack Palance who was born of Ukrainian immigrant parents with name of Volodymyr Palahniuk. His last name was actually a derivative of his original name. While guesting on What’s My Line?, he noted that no one could pronounce his last name, and how it was suggested that he be called Palanski but instead that he decided just to use Palance instead. He didn’t say where his first name came from.

(OK nitpickers, I do not want to hear from you. Seriously, I don’t. His career makes a gaggle of overly catnapped kittens playing with skeins of yarn with lots of lanolin still on it look simple by comparison so I may or may not have knitted it properly here, so bear with my version of it.) 

Jack Palance in 1954.

Surprisingly it looks like that he got his start in our end of things in television performances and relatively late as they started in the Sixties with the first one being Jabberwock on a musical version of Alice Through the Looking Glass. I’m sure I want to see that as it had Jimmy Durante as Humpty Dumpty, and the Smothers Brothers as Tweedledee and Tweedledum. 

Next up was a Canadian production with him in the title role of The Strange Case of Dr. Jekyll and Mr. Hyde, and that in turn saw him being the lead in Dracula, also known as Bram Stoker’s Dracula and Dan Curtis’ Dracula, the last when the ego of the Director got way, way too big. 

Jack Palance as Dracula (1973)

I’m going to digress here because it’s so fascinating. In 1963, The Greatest Show on Earth first aired. This Circus drama had Johnny Slate as the big boss who keeps the circus running as it moves from town to town. It was produced by Desilu, the production company founded by Lucille Ball and Desi Arnaz, Sr. It lasted but one season as it was up against shows by Jack Benny and Richard Boone. 

A bit of hard SF was next, Cyborg 2, released in other countries as Glass Shadow, creative but terribly uninformative, where he’s Mercy, an old renegade cyborg. 

Remember my Birthday recently on the wonderful Carol Serling? Well he was in The Twilight Zone: Rod Serling’s Lost Classics film that she made possible as Dr. Jeremy Wheaton in “Where the Dead Are”. 

If Treasure Island counts as genre and yes I do count it in my personal canon, then his role as Long John Silver is definitely canon. 

He got to play Ebenezer Scrooge in Ebenezer. Now the fun part is that it’s set in the Old West, where he is the most greedy, corrupt and mean-spirited crook in the old West obviously, he sees no value in “Holiday Humbug” by several reviewers. This film I went to look up on Rotten Tomatoes, but no rating there.

Not at all shockingly to me, he shows up on The Man from U.N.C.L.E. where he plays a character of Louis Strago in a two-parter “The Concrete Overcoat Affair” which got reedited as “The Spy in the Green Hat”. 

A bit of horror was next in Tales of the Haunted as Stokes in “Evil Stalks This House” was up late in career.

Finally for roles that I’m reasonably sure were of genre interest, he was on Buck Rogers in the 25th Century as Kaleel in the “Planet of the Slave Girls” episode.

One more gig for him related to genre or at least genre adjacent, though not as a performer, but as the host of Ripley’s Believe It or Not! for four years. He had three different co-hosts from season to season, including his daughter, Holly Palance, actress Catherine Shirriff, and finally singer Marie Osmond. 

I’ll take your leave now. 

(10) COMICS SECTION.

(11) HEAVENLY OSCULATION. [Item by Steven French.] David Tennant answers Guardian readers’ questions about the length of his sideburns, what kind of cheese he would be and being a Doctor Who fan: “David Tennant: ‘Kissing Michael Sheen was fine. He’d brushed his teeth’”.

“Am I as geeky as the Doctor who fans? Yes. As a Doctor Who fan myself of old, I can very much can plug into that. I don’t think I ever got in trouble at school. That is one of those stories that’s ended up on Wikipedia. I wrote an essay on Doctor Who, which some unpleasant newspaper found and printed. But I didn’t get in trouble for it. I think I got quite a good mark for it.”

(12) LGBTQ VIDEO GAMERS. The New York Times article about a GLAAD study says “Report Says 17 Percent of Gamers Identify as L.G.B.T.Q.”  There were 1500 participants in the survey.

Less than 2 percent of console video games include L.G.B.T.Q. characters or story lines even though 17 percent of gamers are queer, according to GLAAD’s first survey on the industry.

The survey, whose results were released on Tuesday, said a majority of respondents had experienced some form of harassment when playing online. But it also found that many queer gamers saw virtual worlds as an escape in states where recent legislation has targeted L.G.B.T.Q. people. Seventy-five percent of queer respondents from those states said they could express themselves in games in a way they did not feel comfortable doing in reality.

“That is a statistic that should pull on everyone’s heartstrings,” said Blair Durkee, who led the advocacy group’s survey alongside partners from Nielsen, the data and marketing firm. “The statistic is driven largely by young gamers. Gaming is a lifeline for them.”

GLAAD has produced a similar breakdown of queer representation in television since 1996. Its latest report found that 10.6 percent of series regulars in prime-time scripted shows identified as L.G.B.T.Q., which researchers said helped put their video game study in perspective….

(13) CREATING VIDEO FROM TEXT. That’s the latest step forward in artificial intelligence says OpenAI in “Sora”.

We’re teaching AI to understand and simulate the physical world in motion, with the goal of training models that help people solve problems that require real-world interaction.

Introducing Sora, our text-to-video model. Sora can generate videos up to a minute long while maintaining visual quality and adherence to the user’s prompt.

Today, Sora is becoming available to red teamers to assess critical areas for harms or risks. We are also granting access to a number of visual artists, designers, and filmmakers to gain feedback on how to advance the model to be most helpful for creative professionals.

We’re sharing our research progress early to start working with and getting feedback from people outside of OpenAI and to give the public a sense of what AI capabilities are on the horizon….

… The current model has weaknesses. It may struggle with accurately simulating the physics of a complex scene, and may not understand specific instances of cause and effect. For example, a person might take a bite out of a cookie, but afterward, the cookie may not have a bite mark….

(14) VIDEO OF THE DAY. The second trailer for Godzilla x Kong: The New Empire has dropped. Only in theaters March 29.

The guardians of nature. The protectors of humanity. The rise of a new empire.

The epic battle continues! Legendary Pictures’ cinematic Monsterverse follows up the explosive showdown of “Godzilla vs. Kong” with an all-new adventure that pits the almighty Kong and the fearsome Godzilla against a colossal undiscovered threat hidden within our world, challenging their very existence—and our own. “Godzilla x Kong: The New Empire” delves further into the histories of these Titans and their origins, as well as the mysteries of Skull Island and beyond, while uncovering the mythic battle that helped forge these extraordinary beings and tied them to humankind forever.

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Paul Weimer, Eric Hildeman, Joshua K., Cliff Ramshaw, Kathy Sullivan, Jean-Paul Garnier, Dan Bloch, Rich Lynch, Danny Sichel, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 1/4/24 It’s 2024, Are Those Godstalks Distimmed Yet?

(1) THE MUSIC OF HEAVY METAL. Maya St. Clair remembers “When Heavy Metal Magazine Made Playlists” at News from the Orb.

When I worked at Heavy Metal magazine, people in my life inevitably assumed it was a publication about heavy metal music. My usual response was “not really,” and I’d describe how Heavy Metal was a comics magazine focused on experimental, adult-rated sci-fi/fantasy. I’ve since realized that a better response would have been “fuck it, probably” — since Heavy Metal, like cosmic background radiation, seemed to presuppose and pervade everything, including music. Name a thing, and Heavy Metal had it: yellow, cyan, black, magenta, rectangles, circles, pterodactyls, Homer, Shakespeare, love, death, superheroes, hamburgers, Jane Fonda, H. P. Lovecraft, boobs, dicks, God, jazz, rockabilly, and (inevitably) heavy metal music, lower case….

St. Clair has compiled playlists at Spotify that emulate some Heavy Metal writers’ Eighties recommendation lists. Including two by my old friend Lou Stathis! Here’s the first —

In 1980, as it reached the height of its influence and circulation, Heavy Metal introduced music criticism by SFF editor/music nerd Lou Stathis and others, in the “Dossier” section. The contrarian Stathis was a fearless advocate for the experimental over the conventional (he hated the fucking Eagles, man, and Bruce Springsteen’s normie-ism was a running joke). Alternative icons like Brian Eno, Genesis, the Cure, Grace Jones, Gary Numan, Laurie Anderson, and Tangerine Dream got their recognition in Heavy Metal, plus uncountable niche bands.

Anyway, the HM squad would occasionally throw together a DJ set, album recs, or mixtape. I’ve consolidated them into playlists on Spotify, linked below….

The Metal Box: Lou Stathis’ 1983 Singles Picks

Stathis sometimes compiled lists of his “heavy rotation” singles and albums. In April 1984, he listed his top picks for the previous year. Some, like Michael Jackson and Eurythmics, are recognizable. Others are supremely obscure.

The Metal Box 1983 on Spotify

(2) ON A TANGENT. Dave Truesdale introduces the “Tangent Online 2023 Recommended Reading List”, once again targeting SFWA as the reason “real world politics” have intruded on the science fiction field. Not because Truesdale is unaware of the history of sf, but because he argues that somehow the Thirties political activism of young sff writers and editors didn’t really count.

For the most part, the literary aspect of the science fiction field proceeded as usual in 2023; the general machinery operated well enough to keep the magazines and books appearing on reasonable schedules, and SFWA (the Science Fiction and Fantasy Writers Association, formerly for decades since its 1965 inception the Science Fiction Writers of America) the field’s one and only member-funded 501(c)(3) tax exempt administrative organization, was still alive and kicking, though to my mind and due to external “real world” politics, took a wrong turn that gave the outside world an entirely misleading picture of the organization as a literary organization, but instead revealed its political advocacy (or lack thereof) on any given issue.…. 

…Politics has entered the SF field directly but sporadically over the past 97 years, since its official birth as a genre began with the April 1926 issue of Amazing Stories. Early readers became fans when they corresponded with others through letter columns, and small SF fan clubs began to sprout all over the country. The first SF worldcon was held July 1-4, 1939 in New York City, to coincide with the World’s Fair in the same city. Attendance was in the dozens and many of the members were in their teens. Sam Moskowitz (later to become SF’s premiere historian) chaired, with a few of his friends, this first worldcon at the ripe old age of 19. A group of SF fans known by their club name of the Futurians, led by Donald A. Wollheim (later founder of DAW Books), Frederik Pohl, C. M. Kornbluth, Doc Lowndes, and a few others were at odds with Moskowitz’s group and wanted to attend the worldcon. Many of these young SF fans were fashionably members of the local socialist or communist branches; it was the cool thing to do at the time. Without getting into the details (there were many different accounts given from both sides) the Moskowitz faction turned the Wollheim, Pohl, faction (the Futurians) away and were thus excluded from the convention. This became known in fandom and the early fan press as “The Great Exclusion Act.” Wollheim and Pohl, among others were either in their teens (C.M. Kornbluth 14 or 15, Pohl 19) or early twenties (Wollheim 24, Doc Lowndes 22) and full of headstrong piss and vinegar. That the feud between fan groups and the turning away of some from the worldcon was primarily because of politics was downplayed by Pohl when he wrote in his autobiography The Way the Future Was, “We pretty nearly had it coming,” and then, “What we Futurians made very clear to the rest of New York fandom was that we thought we were better than they were. For some reason that annoyed them.”

So in essence what amounted to an early fan feud between SF fan clubs whose members were still in their teens or early twenties and had little to do with politics, has somehow become the one size fits all go-to argument that supposedly proves politics has always been a part of SF and SF fandom and is thus nothing new….

(3) STAY OR GO? Catherynne M. Valente’s post “On Recent Developments at Substack” at Welcome to Garbagetown analyzes the dilemma of persisting in using that platform.

Many people have reached out to me to discuss Substack’s not-always-stellar history of managing a diverse breadth of opinions and/or policies on monetization.

Let me make it clear: This was always an issue, and I have always been aware of it. It’s gotten worse of late. And now I just feel like Marc Maron trying to figure out what to do with his friends who voted for Trump….

…Yes, Substack has and does allow dipshit fascist transphobic and otherwise morally-cancerous fuckgiblets to post freely and make money from their platform. They also allow a lot of marginalized creators to flourish and make a livelihood here. Like every other site I’ve ever known, all of whom have been incredibly reluctant to crack down on extreme right-wing content despite that very policy allowing it to proliferate wildly and bring us to a very bad historical place. Do I want them to kick out anyone making money on hate? Yep. Do I understand the slippery slope argument about free speech? That it’s much easier to take no stance and allow everything, trusting the users to sort it out, than to take the step of defining what opinions can be allowed to be heard? Yep.

I do not know if I’m going to stay here. I just don’t know. I came to Substack because of the Twitter diaspora. I managed to build a small audience, built mostly on hating fascism and idiocy. I like the community I and all of you have built here and I’m reluctant to migrate and lose people. But I don’t want to support the Badness by being here. And yet, if I go, does that not just abandon another space because bad people are also here, handing them control of yet another hugely-recognized platform, control they could never achieve on their own just on numbers and popularity, while the people who have any moral compass whatsoever have to continually start over from scratch?…

(4) AWARD-WORTHY APPAREL. The “Costume Designers Guild Awards 2024 Nominations” include two sff-specific categories. (See the full list of finalists at the link.)

Excellence in Sci-Fi/Fantasy Film

  • Barbie – Jacqueline Durran
  • Haunted Mansion – Jeffrey Kurland
  • The Hunger Games: The Ballad of Songbirds & Snakes – Trish Summerville
  • The Little Mermaid – Colleen Atwood & Christine Cantella
  • Rebel Moon – Part One: A Child of Fire – Stephanie Porter

Excellence in Sci-Fi/Fantasy Television

  • Ahsoka: Part Eight: The Jedi, the Witch, and the Warlord – Shawna Trpcic
  • Loki: 1893 – Christine Wada
  • The Mandalorian: Chapter 22: Guns for Hire – Shawna Trpcic
  • What We Do in the Shadows: Pride Parade – Laura Montgomery
  • The Witcher: The Art of the Illusion – Lucinda Wright

(5) OCCIDENTAL OCCULT. Former Horror Writers Association President Lisa Morton will teach a three-part online course “Confronting the Spectral: A History of Ghosts in the Western World With Lisa Morton” beginning January 22 through Atlas Obscura Experiences. Full details including schedule and prices at the link.

What We’ll Do

In this three-part lecture series, explore how people have thought about ghosts through time in the Western world.

Course Description

In this course, we’ll trace the history of ghostly encounters reported across the Western world, both friendly and nefarious. We’ll begin with ghosts from the classical world who haunted heroes like Gilgamesh and Odysseus, and look at the Biblical story of Saul and the Witch of Endor. We’ll meet medieval necromancers, Victorian spiritualists, and finally, the modern ghost-hunter. By the end of our time together, you’ll not only have a deep understanding of how cultures have conceived of the most common supernatural entity throughout history, but also ideas and suggestions for engaging in your own supernatural investigations.…

(6) SEA DEVILS SPINOFF? “Doctor Who Spinoff Series Seemingly Confirmed, Will Feature Classic Villains” says CBR.com.

A production listing on the Film and Television Industry Alliance website confirmed pre-production has begun on a spinoff series of the massively popular sci-fi series Doctor Who, which is scheduled to begin filming in March. The listing also provides a brief summary of the project, describing it as a fantasy-action adventure featuring the Sea Devils, an old villain from the classic Doctor Who series.

The listing does not provide any further details about the show’s plot, but it does reveal some of the crew members involved in the project, such as Doctor Who showrunner Russel T Davies set to return as the series’ writer. Other names include producers Phill Collinson, Vicki Delow, Julie Gardner and Lord of the Rings TV series producer Jane Tranter….

…As for when the spinoff series may see a premiere, the listing does not provide any concrete information, though it does confirm the projected filming date of March 4, 2024. …

(7) NEEDS WORK. The Mary Sue’s Charlotte Simmons would like to be a Zack Snyder fan if only the auteur would make that a little easier: “’Rebel Moon’ Proves That Zack Snyder Needs To Grow Up, and I Say That With Love”.

…Sure, it would have given the infamously obnoxious Snyder cult some more ammunition, but more good movies is a win for everybody. Sadly, whatever remotely interesting set dressing Zack Snyder cooked up here was woefully undermined by incoherent storytelling at its most relentless and suffocating character development—nay, the bare essentials of characterization—behind a mountain of formulaic sci-fi battles and dialogue that not even an amateur could be proud of.

Indeed, Rebel Moon is proof in the pudding that Snyder has some serious work to do, and that’s a damn shame, because the nature of his raw creative pursuits is stupendously important in the genres he occupies, which perhaps makes his failures all the more depressing….

(8) OCTOTHORPE CENTURY. John Coxon, Alison Scott and Lis Batty receive a telegram in episode 100 of the Octothorpe podcast, “I Don’t Have Show Notes or Alcohol”.

We celebrate with a bevy of special segments, including ”letters of comment”, “talking about the Glasgow Worldcon”, and “aftershow involving games”. PRETTY ADVANCED STUFF. 

(9) GLYNIS JOHNS (1923-2024). Actress Glynis Johns, best known to fans as Mrs. Banks in Disney’s Mary Poppins (1964) and as a forest maiden who assists Danny Kaye’s character in The Court Jester (1955), died January 4 at the age of 100. She also appeared in several episodes of Sixties TV’s Batman as Lady Penelope Peasoup.

…Johns won a Tony for her role as Desiree Armfeldt in the original Broadway production of Stephen Sondheim’s “A Little Night Music,” introducing the song “Send in the Clowns” — written for her by Sondheim. In addition she was Oscar-nominated for her supporting role in 1960’s “The Sundowners.”…

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 4, 1958 Matt Frewer, 66. I encountered Matt Frewer the same way that I suspect most of you did when he was unrecognizable as Max Headroom almost forty years ago. That character debuted in April 1985 in the Channel 4 film Max Headroom: 20 Minutes into the Future. It’s virtually identical to the premiere of the American television series, though there might be a bit of foul language if I remember correctly. Or not. 

Two days after it was broadcast, Max hosted on the same channel The Max Headroom Show, a program where he introduced music videos, made pointed comments on various topics, and conducted rather off the wall interviews with guests before a live studio audience. These would eventually be aired in the States on Cinemax.

Max would become a global spokesperson for New Coke, appearing on way too many TV commercials with the catchphrase “Catch the wave!”.  You can see one of those commercials here

Now we come to the Max Headroom series which on ABC from just March 31, 1987, to May 5, 1988 with just a total of fifteen episodes. Damn it seemed like it lasted longer than that. He, like everyone on the series, was spot on in creating a believable future. I consider it one of the best SF series ever done.

He’s got way too many genre roles to list them all here so let me focus on a few of my favorite ones.

He was Dr. Jim Taggart on Eureka. On screen for a total of eighteen episodes, his Aussie character was the Eureka’s veterinarian and “biological containment specialist”, which means he catches whatever needs to be caught. If it moved and it did something weird, he was after it.

And then he was Dr. Aldous Leekie, the primary Big Bad on the first season of Orphan Black. He was in charge of the handling the clones as if anyone should trust him.

Though I find it hard to believe, the Hallmark Channel produced the Hallmark Sherlock Holmes films. And he was Sherlock Holmes in four of these films — The Sign of FourThe Hound of BaskervillesThe Royal Scandal and The Case of the Whitechapel Vampire.

My final role for him a silly one indeed, it’s in In Search of Dr. Seuss where he is the Cat in The Hat. This thirty-nine-year-old film is a delightful romp  — Christopher Lloyd as Mr. Hunch, Patrick Stewart is Sgt. Mulvaney, and the list goes on far too long to give in full here. 

And yes, he’s been in a lot of genre films, go ahead and tell me your favorite. 

(11) COMICS SECTION.

(12) WHO IS YOUR HOST. All you Tennant fans pay attention: “David Tennant To Host 2024 BAFTA Film Awards” reports Deadline.

Former Doctor Who actor David Tennant has been set as the host of the 2024 BAFTA Film Awards, which take place February 18 at the Southbank Centre’s Royal Festival Hall in London….

…Jane Millichip, CEO of BAFTA, added: “We are over the moon that David Tennant will be our host for the 2024 EE BAFTA Film Awards. He is deservedly beloved by British and international audiences, alike. His warmth, charm, and mischievous wit will make it a must-watch show next month for our guests at the Royal Festival Hall and the millions of people watching at home….

(13) SEMI-MANDATORY VIEWING. Dylan sang “Everyone Must Get Stoned” but never mind that, CBR.com insists you see these 10 “Must-Watch Sci-Fi Movies For Fans of The Genre”. Or heck, maybe you already have! In the middle of the list comes the film that gave us Ripley.

5. Alien Combined Science and Horror Perfectly

Alien (1979)

The crew of a commercial spacecraft encounters a deadly lifeform after investigating an unknown transmission….

Swiss artist H.R. Giger’s biomechanical designs for the alien artifacts and creatures helped turn a great movie into an incredible one. With a story that starts out similarly to Forbidden Planet, in which a space crew investigates a distress signal, the film is transformed into an intense thriller with a horrifying Alien Xenophorph stalking and killing the crew. With stunning visuals and a premise too good for just one movie, Alien spawned a multi-media franchise that has entertained for more than four decades.

(14) MORE PICKUP. And it’s arguably appropriate to follow a mention of the Alien series (“Get away from her you bitch!”) with Giant Freakin Robot’s news item “Exoskeletons Take Huge Step Toward Becoming Common”.

Science fiction would appear to be becoming nonfiction in Europe. Indeed, in Italy, a groundbreaking pilot project involving real-life exoskeletons achieved exciting results. The Port System Authority of the Northern Tyrrhenian Sea and the Livorno Port Company reported marked advantages using the exoskeletal tech, developed by IUVO and Comau (a subsidiary of Stellantis)….

…The workers regularly undertook strenuous tasks: loading and unloading goods, relocating heavy loads, and securing containers onto ships. Without the sci-fi-reminiscent exoskeletons, these activities are notoriously exhausting. They also pose genuine risks of introducing musculoskeletal disorders.

The initial evaluations conducted by IUVO and Comau involved measuring muscle activity and gathering feedback through questionnaires–all to assess the perceived drop in fatigue. The findings were overwhelmingly positive. Laborers reportedly adjusted well to the novel technology, additionally recognizing the exoskeleton’s significant impact on their efficiency and physical well-being. 

Based on the data, utilizing MATE XT and MATE XB technologies can potentially lessen the effort required by workers.

By how much? As much as thirty percent….

(15) VIDEO OF THE DAY. The How It Should Have Ended crew knows “How Batman Should Have Ended” – meaning the version where Michael Keaton is Batman and Jack Nicholson is The Joker.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 12/4/23 Cool Carbonite Hand Luke 

(1) POWELL ARRESTED. Longtime fan Rickland Powell was arrested December 1 in connection with “assaulting a female child who is known to him” according to the Middlesex (MA) District Attorney.  Their press release follows.

Powell is on the list of people who have been banned from Arisia. Prior to that he worked on Arisia over the past couple of decades in positions ranging from Division Head to logistics and art show help.

(2) UNCATCHABLE. Gideon Lewis-Kraus’ “Maybe We Already Have Runaway Machines”, a discussion of David Runciman’s The Handover: How We Gave Control of Our Lives to Corporations, States, and AIs,  is a rather Strossian article in The New Yorker.

…Yet we citizens of modern states have always labored under the shadow of a partly mitigated alignment problem—a “mismatch between the drives of these artificial persons and the needs of the planet,” as Runciman describes it—that provides a frame, a vocabulary, and a sense of foreboding as we seek to process the automation on the horizon. The concern about unaligned machines is that even if we can program, so to speak, their ultimate ends, we can’t necessarily anticipate the instrumental subgoals they might pursue as an intermediate measure. If you instruct a machine to complete a task, the likeliest instrumental subgoal is to “gain control.” If the danger of the alignment problem seems indistinct or preposterous, Runciman suggests, you haven’t been paying attention….

“… States and corporations reflect two different sides of our contemporary fear of machines that have escaped human control. One is that we will build machines that we don’t know how to switch off, either because we have become too dependent on them or because we can’t find the off switch. That’s states. The other is that we build machines that self-replicate in ways that we can no longer regulate. They start spewing our versions of themselves to the point where we are swamped by them. That’s corporations….”

(3) FOLLOW-UP ON ALASKAN MUDSLIDE. Max Florschutz wrote in November that his mother survived the mudslide in his hometown of Wrangell, Alaska but at that time he did not know the fate of his father. Unfortunately, his father passed on. He has an update in “Emergency News and Classic Being a Better Writer: Horizontal and Vertical Storytelling” at Unusual Things.

(4) BEST XX. Esquire’s list of “The 20 Best Books of 2023” is topped by a genre work.

…Our selections range from debut works by emerging voices to new outings for canonical writers. They delve into everything from prisons to shipwrecks, ghost stories to extraterrestrials, American dreaming to American failures. Whether you’re into novels, short stories, memoirs, or nonfiction, we’ve covered the whole waterfront here with a bumper crop of incredible books. They’re all worth their weight in gold (believe us, we know exactly how much they weigh).

Below, here are Esquire’s 20 best books of the year…

Ranked number one:

Chain-Gang All-Stars, by Nana Kwame Adjei-Brenyah

Ever since his breakout debut, Friday Black, we’ve been eagerly awaiting Adjei-Brenyah’s sophomore outing. Nearly five years later, it arrived this past spring, and it surpassed all expectations. In a dystopian United States, the prison-industrial complex has gone private, leaving incarcerated people with no choice but to compete for their freedom in the Criminal Action Penal Entertainment system. Loretta Thurwar and Hamara “Hurricane Staxxx” Stacker have traveled together for years as Links in the same Chain-Gang, but as Thurwar nears her freedom, she contemplates how to bring dignity to her multi-racial and multi-gendered coalition of fellow gladiators. Reading Chain-Gang All-Stars in a nation addicted to violent sports that brutalize athletes of color, Adjei-Brenyah’s acerbic vision lands like a lightning bolt of truth.

Read an exclusive excerpt here at Esquire.

(5) WILKINS GOFUNDME. Cory Doctorow signal boosted an appeal to help Pacific Northwest bookseller Duane Wilkins.

Nearly every sf writer who’s ever toured the west coast knows Duane – he’s the encyclopedically knowledgeable sf buyer for the U Washington Bookseller, who has organized some of the best sf signings in Seattle history. He’s a force of nature.

He’s also broke. A two-week hospital stay left him drowning in medical debt – despite being insured! – and now he’s being threatened by a collection agency.

Now, Duane is forced into participating in one of the most barbaric of contemporary American rituals, fundraising to cover his medical debt. He’s raised $6k of the $10k he needs (I just pitched in $100).

If you can afford to help out someone who’s done so much for our community, please kick Duane whatever you can spare.

Shawn Speakman, who set up the GoFundMe (“Please Help Duane Wilkins Pay His Medical Debt”) says there are reward for certain levels of donation. (Also note – as of this writing the appeal has brought in $15,567).

I told him that I’d help him relieve that debt and raise some extra funds for any future situation that might require aid.

That’s where you come in.

If you donate $10 or more, Grim Oak Press will email you free ebooks of our amazing anthologies UnfetteredUnfettered IIUnfettered IIIUnbound, and Unbound II. These are filled with amazing SF&F short stories. Google them to view their incredible author line-ups.

And if you donate more than $20 to Duane’s GoFund Me, several of these writers are willing to give free ebooks of some of their novels. Starting with me and my newly-edited edition of The Dark Thorn.

I hope you will consider donating to Duane’s GoFundMe and help spread word about it. Together, we can help one of our best SF&F booksellers….

(6) MONSTER MASH. They’re at it again: Godzilla x Kong: The New Empire Official Trailer is coming to theaters April 12, 2024.

(7) FAITHFUL EEYORE. John Boston reviews the latest (in 1968) issue of Amazing at Galactic Journey. “[December 4, 1968] Sign Me Up (January 1969 Amazing)”.

In this January’s Amazing, on page 138, there is an editorial—A Word from the Editor, it says, bylined Barry N. Malzberg—which suggests a different direction (or maybe I should just say “a direction”) for this magazine.  First is some news.  There will be no letter column; Malzberg would rather use the space for a story.  Second, “the reprint policy of these magazines will continue for the foreseeable future,” per the publisher, but “A large and increasing percentage of space however will be used for new stories.”

Pointedly, the editor adds, “it is my contention that the majority of modern magazine science-fiction is ill-written, ill-characterized, ill-conceived and so excruciatingly dull as to make me question the ability of the writers to stay awake during its composition, much less the readers during its absorption.  Tied to an older tradition and nailed down stylistically to the worst hack cliches of three decades past, science-fiction has only within the past five or six years begun to emerge from its category trap only because certain intelligent and dedicated people have had the courage to wreck it so that it could crawl free. . . .  I propose that within its editorial limits and budget, Amazing and Fantastic will do what they can to assist this rebirth—one would rather call it transmutation—of the category and we will try to be hospitable to a kind of story which is still having difficulty finding publication in this country.”

As far as I know fifty years later Malzberg is still disappointed in science fiction. G.W. Thomas took inventory of some of his past predictions for the genre in “The Fate of Science Fiction According to Barry N. Malzberg” at Dark Worlds Quarterly.

(8) MEDICAL UPDATE. Erwin “Filthy Pierre” Strauss, who fell down some stairs at Smofcon thie weekend, suffered a broken wrist and was taken to New England Hospital, wrote Kevin Standlee yesterday. “They expect to keep him at least one more night. Sufford and Tony Lewis will retrieve him from the hospital when he is released.”

(9) TIM DORSEY (1961-2023). Crime novelist Tim Dorsey, who wrote about the eccentricities of Floridians long before Florida Man became a meme, died November 26. The New York Times obituary is here: “Tim Dorsey, Who Turned Florida’s Quirks Into Comic Gold, Dies at 62”.

…Mr. Dorsey gave his books comic titles that reflected the blend of Jimmy Buffett and Raymond Chandler that filled their interiors.

“The Maltese Iguana,” published this year, was Mr. Dorsey’s most recent book.via HarperCollins

He reveled in the diversity of Florida — the dog tracks and swamps around Miami, the Redneck Riviera along the Panhandle, the morass of state politics in Tallahassee, the nostalgic weirdness of the Keys.

His novel “Atomic Lobster” (2008), Mr. Dorsey said in an interview with Powell’s Books, was “the dissection of a Florida neighborhood populated almost entirely by degenerates, con men, the terminally dysfunctional, golf freaks, trophy wives, and prescription-abusing retirees in Buicks tying up traffic. In other words, a documentary.”

Some people considered Serge to be Mr. Dorsey’s alter ego, but he corrected them. Serge was, he said, his ego, living the kind of life and doing the sorts of things he would love to do if not constrained by conscience and the law….

(10) TODAY’S WISDOM.

From Wole Talabi:

(11) COMICS SECTION.

  • The Flying McCoys wondered how to get hold of Batman if the Batlight went out.
  • Tom Gauld decodes some highly technical terminology so the layperson can understand it.

(12) LEGACY. Bobby Derie looks at an example of the Japanese Cthulhu Mythos in “The Cthulhu Helix (2023) by Umehara Katsufumi (梅原克文)” at Deep Cuts in a Lovecraftian Vein.

… Which is why The Cthulhu Helix works as a Lovecraftian novel. The characters are all conscious of Lovecraft’s legacy, but for them it’s all shorthand and metaphor, a way to frame and discuss these complex ideas and relationships without getting bogged down in Elder Signs and other minutiae. The particular approach Umehara took is fairly Derlethian, but that’s not surprising considering when and where it was published….

(13) SEEKING SUBSCRIBERS. Sunday Morning Transport’s free-to-read story for December is “Deconstruction in the Form of a Cat God” by LaShawn Wanak.

LaShawn Wanak opens with talking cats; then the tale only grows more wondrous — and we can think of nothing better

(14) CASTING CALL. Slashfilm tells readers “How David Tennant Ended Up Playing Huyang In Star Wars”.

… It’s brilliant casting, if I may gush for a moment. I love him in both franchises. I think part of the appeal is that David Tennant’s voice is pretty recognizable; “Doctor Who” fans have a built-in feeling that this is a wise person who has centuries of universal knowledge behind whatever he’s saying. I suppose you could say the same thing for fans of “Good Omens” (where he plays a fallen angel who has been around for all of time) who only discovered Tennant’s Huyang in “Ahsoka.” Of course, his performances are great across the board, but there is something to be said for many audience members having immediate feelings about him from his past work…. 

(15) IT’S GOOD FOR YOU. “Neuroscience Says 1 Rather Brainless Activity Can Lower Your Stress and Make You More Productive” says Inc.com. And we’re all into brainless activities, right?

…The activities included coloring in a mandala, doodling within or around a circle marked on a paper, and having a free-drawing session, each for three minutes, with rest periods in between. During all three activities, there was an increase in blood flow in the prefrontal cortex of the brain, which forms a part of the wiring for our brain’s reward circuit. 

“This shows that there might be inherent pleasure in doing art activities independent of the end results,” said the study’s lead author.

The advantages of creating art go beyond just the pleasure of the activity itself. According to surveys before and after the art-making activities, participants who engaged in art-making felt more creative and were better able to solve problems….

(16) AI CON GAME. [Item by SF Concatenation’s Jonathan Cowie.] BBC Radio 4’s documentary programme File on Four has taken a fascinating look at how artificial intelligence (A.I.) is being used by criminals to con victims. A crime that, if written as a story a decade ago, would be decidedly SFnal.  A.I.-generated deep fakes are no longer restricted to images but also to voices and even video.  In the programme, the presenter gets a researcher to train an A.I. to simulate the presenter’s voice and then gets the A. I. to phone his mother: someone who arguably best knows what his voice sounds like. His mother is completely taken in by the A.I. voice.

The programme reveals that the banks, which have been using voice identification as an added security measure, are in an arms race with criminals. One A.I. researcher has even refused to let his bank use voice identification on his account!

Artificial intelligence, or AI, makes it possible for machines to learn – and in the future it will perform many tasks now done by humans. But are criminals and bad actors ahead of the curve? AI is already being used to commit fraud and other crimes by generating fake videos and audio; fast emerging threats that form just part of a potential new crime wave. File on 4 investigates.

You can listen to the half-hour programme here: File on 4, Artificial Intelligence: The Criminal Threat”.

(17) VIDEO OF THE DAY. How It Should Have Ended, strangely enough, has an opinion about how Transformers: Rise of the Beasts should have ended.

[Thanks to Chris Barkley, Ersatz Culture, Steven French, Andrew (not Werdna), Kathy Sullivan, Kevin Standlee, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 11/23/23 As I Was Meredithin’ Over The File, I Saw Murderbot In A Pixél De Vile

(1) This will be the Turkey Day Lite Scroll. Any links you think deserve to be included should be mentioned in the comments. I’ll be thankful for your help!

(2) WHO ENOUGH TO FILL ALL TIME AND SPACE. Charlie Jane Anders unfurls a long wishlist of “Doctor Who Spinoffs I’d Love To See” at Happy Dancing.

Doctor Who is back! This coming Saturday sees the first new episode in absolute yoinks, and there’s tons more to come. Returning showrunner Russell T. Davies has said one of his goals is to make more Who spinoffs, the same way RTD’s previous stint was accompanied by Torchwood and The Sarah Jane Adventures. (Full disclosure: RTD gave a very generous cover blurb to my novel Victories Greater Than Death.)

As someone who thinks about Doctor Who all the time (it’s true!) I’ve been musing about spin-offs I’d like to see. Here’s a bunch. (Warning: Spoilers for old Doctor Who stories ahead…)

One of them is:

The Paternoster Gang

Apparently this one has been a possibility at various times. For those who missed it, past showrunner Steven Moffat introduced a lady Silurian (Madame Vastra) and her human assistant/lover Jenny, living in Victorian England. They were eventually joined by Strax, an oddly peace-loving Sontaran warrior, and made several appearances during the Matt Smith and Peter Capaldi eras, as well as some Big Finish audios. A lesbian dinosaur lady solving mysteries with her friends in Victorian England honestly just feels like a no-brainer. Why doesn’t this exist already?

(3) TARDIS ARRIVAL IMMINENT. “David Tennant and Russell T Davies talk ‘joyous’ ‘Doctor Who’ return” at Entertainment Weekly.

…Davies wrote all of the 60th anniversary episodes and describes them as “a mini-season, really. It’s three different stories. There’s a little link between them, each one kind of cliffhangs into the next, but actually they are three separate stories.”

The first of those stories is titled “The Star Beast” and premieres on Disney+ Nov. 25. The tale starts with Tennant’s Doctor arriving back on planet earth just as an extraterrestrial craft crashes in the vicinity of Tate’s Noble. Davies describes the episode as “a great big family film. An alien spaceship falls in London, which is the Doctor’s meet and drink really. But is it by coincidence that that lands practically on the doorstep of an old friend of his who’s lost all memories of him?” The showrunner says the episode “becomes a huge, great big adventure with fights, and chases, and monsters, and terror, but also some great laughs as well.”

“The Star Beast” is based on a comic strip by legendary comics writer Pat Mills and Watchmen artist Dave Gibbons originally published in Doctor Who Weekly more than 30 years ago. The story introduced the alien character of the Meep, voiced in the new episode by Miriam Margolyes.

“It’s from 1979, an absolute classic,” Davies says of the original strip. “Pat Mills and David Gibbons, they were kids back then, but they created this marvelous thing. It’s always been one of my favorite Doctor Who stories, and coming back I thought it would be such enormous fun to celebrate the 60th, and also to grab hold of a great idea, to adapt it, And for those who might know the comic strip of old, don’t worry, there’s a lot of new stuff woven into it.”

(4) AUREALIS AWARDS DEADLINE APPROACHING. The Aurealis Awards, Australia’s premier speculative fiction awards, are taking entries through December 14.

It’s important to remember that ALL eligible Australian work published for the first time between January 1 and December 31, 2023 must be entered by December 14, even work intended for publication after the December 14 cut off date.

If you have any work scheduled for publication after December 14, enter it NOW! If publication is delayed, we can easily remove the entry, but we are unable to make exceptions afterwards if work is not entered by the December 14 deadline.

Please take care to check the updated entries received list and get your entries in!

(5) FREE COMIC BOOK DAY. May 4, 2024 is Free Comic Book Day. Titan Comics is getting a head start by announcing two titles that will be part of it.

Heroic Signatures and Titan Comics are pleased to announce that CONAN THE BARBARIAN will feature as part of FREE COMIC BOOK DAY, May 4, 2024. Written by Jim Zub with art by Jonas Scharf, this issue will launch a BATTLE OF THE BLACK STONE event, which will roll out through late Summer and into the Fall, building on plotlines introduced in the critically acclaimed CONAN THE BARBARIAN ongoing series.

Titan Comics is pleased to announce that it is returning to the TARDIS once more on Free Comic Book Day, with the release of DOCTOR WHO: THE FIFTEENTH DOCTORFREE COMIC BOOK DAY EDITIONAvailable in participating comic shops May 4, 2024. 

Written by master of sci-fi and fantasy, Dan Watters (Loki, Home Sick Pilots, The Sandman Universe), this special issue kicks-off an all-new DOCTOR WHO comic series starring the FIFTEENTH DOCTOR (Ncuti Gatwa) and his companion in time and space, RUBY SUNDAY (Millie Gibson). 

Free Comic Book Day takes place every year on the first Saturday of May. With over two thousand stores and several comic book publishers participating, the event gives readers a chance to grab a free comic and meet fellow comic readers. Readers can find their local participating store HERE

(6) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born November 23, 1955 Steven Brust, 68.  

Steven Brust

Of Hungarian descendant, something that figures into his fiction which he says is neither fantasy nor SF. He is perhaps best known for his novels about the assassin Vlad Taltos, one of a scorned group of humans living on a world called Dragaera. All are great reads. The Dragaeran series is twenty three novels deep with the latest, Tsalmoth, out this year, and Lyorn, out next year. 

Now the related Paarfi’s historical romances are, errr, not my cup of Chai but may well be yours. 

His recent novels also include The Incrementalists and its sequel The Skill of Our Hands, with co-author Skyler White. Both are superb. 

His finest novel? Brokedown Palace. Oh, just go read it. It’s amazing. There’s nothing about it that’s not perfect from its setting to the character there to the fact that it’s based upon a folktale. 

Brust’s short story “When The Bow Breaks” was nominated for the 1998 Nebula Award.

And no, I don’t love everything he’s done. I wrote a scathing review of Cowboy Feng’s Space Bar and Grille despite wanting to love it because of the premise. A Bar with flying through the galaxy with a resident band and eating great food. What’s not to love? So which of you did love it? 

Freedom & Necessity with Emma Bull is decidedly different but excellent none the less. 

His rather good Firefly novel, My Own Kind of Freedom, stays true to that series. It was pitched as an actual episode but that never happened obviously.

He’s quite the musician too with two albums with Cats Laughing, a band that includes Emma Bull, Jane Yolen (lyrics) and others. The band in turn shows up in Marvel comics. A Rose For Iconoclastes is his solo album and “The title, for those who don’t know, is a play off the brilliant story by Roger Zelazny, ‘A Rose For Ecclesiastes,’ which you should read if you haven’t yet.” 

Quoting him again, “’Songs From The Gypsy’ is the recording of a cycle of songs I wrote with ex-Boiled-in-Lead guitarist Adam Stemple, which cycle turned into a novel I wrote with Megan Lindholm, one of my favorite writers.” The album and book are quite amazing! Yolen’s son Adam is the vocalist on this album. 

Did I mention he’s on the chocolate gifting list? Well, he is.

(7) COMICS SECTION.

(8) BEYOND ROBOTECH. “As A.I.-Controlled Killer Drones Become Reality, Nations Debate Limits” in the New York Times.

It seems like something out of science fiction: swarms of killer robots that hunt down targets on their own and are capable of flying in for the kill without any human signing off.

But it is approaching reality as the United States, China and a handful of other nations make rapid progress in developing and deploying new technology that has the potential to reshape the nature of warfare by turning life and death decisions over to autonomous drones equipped with artificial intelligence programs.

That prospect is so worrying to many other governments that they are trying to focus attention on it with proposals at the United Nations to impose legally binding rules on the use of what militaries call lethal autonomous weapons.

“This is really one of the most significant inflection points for humanity,” Alexander Kmentt, Austria’s chief negotiator on the issue, said in an interview. “What’s the role of human beings in the use of force — it’s an absolutely fundamental security issue, a legal issue and an ethical issue.”

But while the U.N. is providing a platform for governments to express their concerns, the process seems unlikely to yield substantive new legally binding restrictions. The United States, Russia, Australia, Israel and others have all argued that no new international law is needed for now, while China wants to define any legal limit so narrowly that it would have little practical effect, arms control advocates say.

The result has been to tie the debate up in a procedural knot with little chance of progress on a legally binding mandate anytime soon….

(9) A NEW MEANING FOR CPR. The Clarke Center at UCSD has announced a Center for Psychedelic Research.

Initially organized at the Psychedelics and Health Research Initiative at the Clarke Center, this dynamic collaboration—which cuts across several divisions and departments at UC San Diego to bring together novel approaches and insights into the potential of psychedelics to help millions and produce new fundamental insights into the brain and consciousness—is now formally recognized as the Center for Psychedelic Research). The new center, and the history it builds upon—dating back to research on psychedelics in the early 1970s by CPR Director Mark Geyer—was recently featured in the UC San Diego Magazine, which can be read online here.

The article is “Psychedelic Revolution” and it begins:

The story of psychedelics research at UC San Diego does not begin with research scientist Albert Yu-Min Lin,  but it is certainly a good place to start.

In 2016, the world-renowned scientist, National Geographic explorer and three-time UC San Diego graduate (’04, MS ’05, PhD ’08) suffered a devastating accident that resulted in the amputation of his lower right leg. After the physical wounds healed, Lin was left with excruciating and debilitating “phantom limb pain.” 

He describes the sensation as the feeling of “my leg folding in half and breaking into bones and lighting on fire and knives stabbing into it … but there was no leg there.”

Lin had recently read about successful studies using psychedelics in the treatment of depression and anxiety. Desperate and willing to try anything, he drove to the desert to try psilocybin, the active compound in “magic mushrooms.”

He says, “If our mind is how we perceive the world, and our mind can also perceive our bodies in that context, then maybe I should be looking into the tools that are used to treat other aspects of the mind.”

A single session with psilocybin alleviated his pain in less than 30 minutes. After weeks of all-consuming and debilitating pain that had him on the brink of extreme depression, Lin felt like himself again. 

His psychedelic experience changed everything. 

But until then, the use of psilocybin to treat phantom limb pain had not been researched in a controlled, rigorous way. According to the National Institutes of Health, phantom limb pain affects an estimated 60% to 80% of amputees….

(10) SOUND EFFECTS. The New York Times covers the work of a composer: “Martians, Dolls and a Cellist’s Dog: The Many Worlds of Jennifer Walshe”,

… a new piece, composed by Walshe, … called “Some Notes on Martian Sonic Aesthetics, 2034-51,” it invites a chamber ensemble to impersonate a musically trained crew who have set up a colony on Mars and are beaming performances back to Earth.

While researching the piece, Walshe, 49, said that she had asked NASA how sound waves travel in carbon-dioxide rich atmospheres (“you don’t hear high-end frequencies”). She had also requested that packets of freeze-dried food be placed on the percussionists’ tables, so that the audience could hear the sound of astronauts chowing down, along with cans of compressed air to imitate the hiss of airlocks opening and closing.

And the helium-filled balloons? Here to make the double bassist’s bow feel 60 percent lighter, as though he were playing in Martian gravity. “I’m a hardcore science fiction fan,” Walshe said as she strode onto the street. “I want things to be as accurate as possible.”

(11) VIDEO OF THE DAY. Ryan George is more than just a fly on the wall at “The Marvels Pitch Meeting”.

The Marvels definitely raises some questions. Like how are they still making villains like this? Isn’t that the same plan as in Spaceballs? Why did Monica not try to fix the space-time hole from our side? Captain Marvel is so powerful she can reignite suns? What was up with that singing planet? To answer all these questions, check out the pitch meeting that led to The Marvels!

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 10/26/23 It Was An Early Evening Pixel And The Scroll Had Just Opened Up

(1) LIGHTNING STRIKING AGAIN AND AGAIN. Charlie Jane Anders asks “Why Is It So Hard For Hollywood To Create Brand New Heroes?” at Happy Dancing.

…I actually have no idea why Hollywood’s heaviest hitters keep coming back to the same characters. To find out more, I asked Javier Grillo-Marxuach, the creator of The Middleman (which I praised in last week’s newsletter.) Javi recently pitched a Hitchhiker’s Guide to the Galaxy TV show that wouldn’t include Arthur Dent, so I was curious to find out what he thought about this topic. Here’s what he told me.

Star Wars has arguably had a hard time moving away from the Skywalkers — every Star Wars TV show or movie up to now features characters who are at most two Kevin Bacons away from Luke. The Wizarding World has stumbled when it tries to move too far away from Harry Potter — the Fantastic Beasts movies very quickly pivoted to being about Harry’s mentor Dumbledore. The only Hunger Games spinoff is a prequel that focuses on a guy who spent a lot of time with Katniss. Why is it so hard to move away from characters we already know, or the familiar version of the saga?

Having worked on one or two franchise projects, I would add the caveat that it’s easy to armchair quarterback some of these decisions when one is not aware of the parameters under which they were made. That said, the biggest issue is always money. Every single project you mentioned above is an investment of hundreds of millions of dollars that has to be recuperated — not to mention that these projects also have to buttress entire empires of merchandising, theme park attractions, and publishing across all media. It’s not a business model that rewards risk.

There’s also what I call “The Fog of War,” by which I mean the often desperate need to make things work for no reason other than being committed to a something like the availability of a piece of talent, or setting a release date before having a robust concept, or a weird contractual obligation (like Sony needing to produce a Spider-Man movie every six years on pain of losing the rights to the characters), or having too many powerful producers who disagree about everything, and needing something — anything — to put before the camera. Those sorts of artificial constraints lead directly to the lowest-hanging fruit, and often to decisions that make little sense when examined with the benefit of a greater perspective….

(2) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

113 recommended short SF stories

I’m not sure what – if any – connection this list of stories has to the Worldcon – possibly it’s related to the reaction to Hai Ya’s Hugo win, as covered in yesterday’s Scroll?  It seems to have been crowd-sourced, and is a mix of Chinese and non-Chinese works.  Hopefully most of the Western authors and works are still recognizable after the “Translate content” link does its work; whilst it doesn’t always successfully reverse-engineer the correct original titles from their translated titles, it should be close enough for them to be identified.

“Celebrity” and other photos from Xiaohongshu

I was mildly amused when the algorithm behind the Xiaohongshu app started categorizing some photos of people who will be recognizable to Filers – or who are actually Filers – as “celebrities”.  Most if not all of the following links contain a variety of photos, but I’ve highlighted the names of people who appear in some of those photos.

A couple of other photos and videos:

A couple more con reports from Chinese fans

(via Zimozi Natsuco on Twitter).  A slight word of warning: I think this pair of con reports don’t fare as well with machine translation (well, Google Translate at least) as does a lot of non-fiction material.  Part of this is that Google Translate doesn’t seem to have been trained on fannish materials.  For example “二次元” becomes “second dimension” or”two-dimensional”, which is correct in a literal sense, but would be more understandable as “anime”, “anime-styled” or “animation”.

The first is from an anime fan, and probably covers the overall Chinese speculative fiction and media scene more than the con itself.  A couple of extracts via Google Translate, with minor cleanup edits:

Compared with the dazzling array of two-dimensional products, looking at Chinese science fiction, what products have been developed over the years that are well-known to the public?

“The Three-Body Problem”!  Anything else?

“The Wandering Earth”!  Anything else?

Um, “Sun of China“?  Are there any works other than those of Liu Cixin?

…Umm, “Shanghai Fortress“?

When science fiction was introduced to China by Lu Xun, Liang Qichao and others in the early 20th century, it was included in a utilitarian direction as soon as it was involved. Of course, this was also due to the ambiguity of the meaning of “science fiction” proposed by Hugo Gernsback. Most people now equate “speculative fiction” with “fiction about science”, and the “fantasy” aspect of speculative fiction is ignored. lThis makes more sense in Chinese: “科幻” is translated as “science fiction”, but it is actually an abbreviation of “科学幻想”, which are the words “科学” science and “幻想” fantasy.)]

This definition deeply influenced Chinese science fiction literature in the 1970s and 1980s. Even now, many people still believe that science fiction should be scientific, and the fantasy part is excluded. This situation was particularly serious when “The Three-Body Problem” first became popular. At that time, the Internet was full of comments such as “hard science fiction is science fiction, soft science fiction is not as good”

Our old friend Game Grape also published an article on the last day of the Chengdu Science Fiction Conference called “The second dimension is getting colder. Is science fiction the next trend in the gaming industry?” In the article, a game company boss revealed to Putao that “the next trend may be science fiction.”

Nowadays, more and more two-dimensional mobile games are beginning to put on the skin of science fiction. In the second trailer for Honkai Impact 3 released in September, it is not difficult to see the dominance of science fiction: the stage is placed in the universe.

The second is by Zimozi himself.  Again, via Google Translate with minor edits

But the conference was a real success. Please read the news reports: We have received the highest attendance in the decades-long history of the World Science Fiction Convention. The foreign guests present are sincerely praising the venue and services. Chinese writers have gained a lot from the Hugo Awards and even [appeared on the TV news], Bai Yansong enthusiastically discusses with the audience, “Where is China’s science fiction going?”…

So, do I have a problem?

….

Science fiction is also an industry. The industry is not child’s play, nor is it a few science fiction fans who want to start a science fiction fanzine…  There are carefully arranged corporate exhibitions, grand and enthusiastic talent introduction, and the intensive construction of talent housing — opposite the venue are several new talent apartments and new real estate projects that are in full swing, attracting science fiction talents from all over the world to settle down in Chengdu. In industry summits one after another, we have seen one after another novel support plans and science fiction awards, as well as countless new institutions integrating industry, academia and research. 

(3) HUGO WINNERS ON TV. Chris Barkley sent a link to video of “the press conference Neil Clarke and I were a part of after the Hugo Awards Ceremony.” — here.

(4) SIXTIES PARANORMAL SERIES. Todd Allen made a discovery – “Martin Landau’s Lost Occult Detective TV Show”. It will probably be news to you, too.

…I stumbled into Martin Landau’s lost occult detective TV show a couple weeks ago.

His what?!? Yes, that was my reaction, too. I later asked a few people I’d expect to have heard of such a thing and none of them had, so now I’ll tell you about it.

I’d been watching The Brides of Dracula on Prime and was flipping through the list of films people who watched that also watched, I came across what appeared to be an old Martin Landau horror movie called The Ghost of Sierra de Cobre. I hadn’t heard of this or associated Landau with horror, so I looked it up and proceeded to be shocked.

It seems that back in 1964, James Aubrey (the president of CBS) commissioned Joseph Stefano to produce a pilot called “The Haunted.” Does the name “Stefano” sound familiar? He wrote the screenplay for Alfred Hitchcock’s Psycho and was one of the writer/producers on the first season of The Outer Limits.

The Haunted would have starred Martin Landau – two years before Mission: Impossible – as Nelson Orion, an architect who moonlights as a paranormal investigator….

(5) OCTOTHORPE. In episode 95 of the Octothorpe podcast – “Hugo, Girl!”John Coxon is playing a game, Alison Scott is in New Zealand, and Liz Batty’s head is on fire.

We discuss the Hugo Award winners, Anna Karenina, what the word “semiprofessional” means, and what continent/timezone/day of the week Alison is in. Art by the very talented España Sheriff.

(6) APPLE+$. “Apple TV+ Price Increase: Apple Raises Monthly Fee to $10” says The Hollywood Reporter.

Apple is hiking the price of Apple TV+ significantly, raising the monthly subscription fee to $9.99 per month from its current $6.99 per month price point. The cost of an annual plan is going from $69 to $99.

(7) OTHER SERVICES TOO. Reuters adds to its Apple+ coverage this info about Disney+ and Netflix.

Netflix increased subscription prices for some streaming plans in the United States, Britain and France when it reported results last week. Disney said in August it would raise by 27% the price of the ad-free tier of the Disney+ service to $13.99 and hike by 20% the no-ad version of Hulu. 

(8) DOCTOR APPOINTMENTS. “Doctor Who confirms air dates for 3 specials with David Tennant”Radio Times has the schedule – and the publicity posters.

The BBC has announced that David Tennant’s Fourteenth Doctor will officially be bursting back onto our screens on Saturday 25th November, with the second and third specials following on Saturday 2nd December and Saturday 9th December respectively.

(9) HUNGARIAN SFF AUTHOR TRANSLATED. [Item by Bence Pintér.] One of the best contemporary Hungarian sci-fi writers, Botond Markovics (AKA Brandon Hackett) had his Zsoldos Award-winning book Disposable Bodies translated into English. He also set up an English-language Facebook page on which he wrote about this.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 26, 1934 Dan McCarthy. The grand old man of New Zealand fandom. He belonged to Aotearapa, New Zealand’s APA, for 25 years, and was its official editor from 1986-1987 and 2001-2003. As a member, he contributed 77 issues of his fanzine Panopticon, for which he did paintings and color graphics. His skills as a fanartist were widely appreciated: he was a Fan Guest of Honour at the New Zealand national convention, a nominee for the Sir Julius Vogel Award, and he won NZ Science Fiction Fan Awards (the predecessor of the Vogel) Best Fan Artist twice. (Died 2013.) (JJ) 
  • Born October 26, 1945 Jane Chance, 78. Scholar specializing in medieval English literature, gender studies, and J. R. R. Tolkien with a very, very impressive publication list for the latter such as Tolkien’s Art: A “Mythology for EnglandTolkien the MedievalistThe Lord of the Rings: The Mythology of Power and Tolkien, Self and Other: “This Queer Creature”. She’s garnered four Mythopoetic Award nominations but no wins to date.
  • Born October 26, 1954 Jennifer Roberson,69. Writer of fantasy and historical romances. The Chronicles of the Cheysuli is her fantasy series about shapeshifters and their society, and the Sword-Dancer Saga is the desert based adventure series of sort, but the series I’ve enjoyed her Sherwood duo-logy that consists of Lady of the Forest and Lady of Sherwood which tells that tale from the perspective of Marian. Her hobby, which consumes much of her time, is breeding and showing Cardigan Welsh Corgis.
  • Born October 26, 1962 Faith Hunter, 51. Her longest running and most notable series to date is the Jane Yellowrock series though I’ve mixed feelings about the recent turn of events. She’s got a nifty SF series called Junkyard that’s been coming out on Audible first. Her only award to date is the Lifetime Achievement award to a science fiction professional given by DeepSouthCon. 
  • Born October 26, 1963 Keith Topping, 60. It being the month of ghoulies, I’ve got another academic for you. He’s published Slayer: The Totally Cool Unofficial Guide to BuffyHollywood Vampire: An Expanded and Updated Unofficial and Unauthorised Guide to AngelThe Complete Slayer: An Unofficial and Unauthorised Guide to Every Episode of Buffy the Vampire Slayer and one and one for horror film fans in general, A Vault of Horror: A Book of 80 Great British Horror Movies from 1956-1974. He’s also written some novels in the Doctor Who universe, some with Martin Day, and written non-fiction works on the original Avengers, you know which ones I mean, with Martin Day also, and ST: TNG & DS9 and Stargate as well with Paul Cornell. 
  • Born October 26, 1971 Jim Butcher, 52. I really don’t know how far I got in the the Dresden Files, at least though Proven Guilty, and I will go back to it eventually. Who here has read his Cinder Spires series which sounds intriguing? 

(11) FRANKENSTEIN. [Item by Steven French.] With Halloween almost upon us, Leeds Central Library has a nice blog piece about its 3rd edition copy of Mary Shelley’s classic which includes the first illustration of the monster, looking quite different from the movie version! “Mary Shelley – The First Science Fiction Author” at Secret Library.

…Leeds Central Library has a third edition copy of this novel, published in 1831 by Richard Bentley and Henry Colburn and the first illustration of Frankenstein’s monster can be found on the first page. This stunning and slightly disturbing drawing was drawn by Theodor von Holst, a student of Henry Fuseli. The image is a visualisation of an extract from the text that is written at the bottom of the page. The quote reads;

‘By the glimmer of the half-extinguished light, I saw the dull, yellow eye of the creature open; it breathed hard, and a convulsive agitation seized its limbs…I rushed out of the room.’

At the right side of the illustration, you can see Victor Frankenstein fleeing the room, the look of pure fear on his features. However, the main focus of the image is the ‘monster’ who is on the floor with an agonised look on his face as he takes his first breaths. The Gothic meets romantic style of the image as well as the symbols of both death and science perfectly capture the themes that Shelley conveyed in this novel.

This edition was edited from the original version that Mary Wollstonecraft Shelley wrote in 1816 when she was only 18 years old. This version contains an introduction from Shelly in which she answers the question “How I, then a young girl, came to think of, and to dilate upon, so very hideous an idea”….

(12) THE “TRANSPORTER” BEFORE THE TRANSPORTER. “Read Gene Roddenberry’s First Sci-Fi TV Show Pitch in Its Original Doc” at IndieWire.

…In 1955, Roddenberry had begun writing for Ziv TV, a production company for TV shows in syndication, specifically for the titles “Mr. District Attorney” and “Highway Patrol.” He had gotten into television writing by acting as a liaison for the LAPD, when he worked as a police officer in the early 1950s, to the show “Dragnet.” In that capacity he helped condense actual case files into story treatments that the show’s writers could turn into teleplays.

“Science Fiction Theatre” was a Ziv TV production as well. Hence why at the top of this document you see the company listed, before Roddenberry crossed that out in favor of the name of a production executive he’d be pitching. Here’s the document, and give it a closer look in PDF format here….

…The description of his pitch for the episode reads:

The proposed story is of the invention of the “Transporter” — a device which is television, smellovision, soundovision, all rolled into one. A device which creates an artificial world for the user, capable of duplicating delight, sensation, contentment, adventure–all beyond the reach of the ordinary person living the ordinary life. With it you can voyage to far-off lands, argue with Socrates, earn and spend a million dollars, or lay Marilyn Monroe. Take your choice.

And this is the story of the inventor who, after achieving this miracle, suddenly realizes that a commercial, greedy, sometimes inhuman world would take over his miracle. And it might be used as they have used the miracle of radio, television, the motion pictures–with much more devastating results. It could become the most powerful totalitarian enslaving device; it could become the most powerful opiate; it could create wants and desires for which the world would destroy itself–a dying race sitting at their “transporters.”

(13) TAIKONAUTS. “China’s youngest-ever crew of astronauts heads to space station”Reuters has the story.

The youngest-ever crew of Chinese astronauts departed for China’s space station on Thursday, paving the way for a new generation of “taikonauts” to advance the country’s space ambitions in the future.

The spacecraft Shenzhou-17, or “Divine Vessel”, and its three passengers lifted off atop a Long March-2F rocket from the Jiuquan Satellite Launch Centre in northwest China.

Leading the six-month mission was former air force pilot Tang Hongbo, 48, who was on the first crewed mission to the space station in 2021.

His return to the orbiting outpost Tiangong, or “Celestial Palace” in Chinese, also set a new record for the shortest interval between two spaceflight missions by taikonauts – coined from the Chinese word for space – suggesting a faster rotation of taikonauts in coming years.

Tang, from China’s second batch of astronauts in 2010, had to wait more than a decade before he was picked for his inaugural spaceflight in 2021.

By contrast, his fellow Shenzhou-17 crew members Tang Shengjie, 33, and Jiang Xinlin, 35, both travelling to space for the first time, joined China’s third batch of astronauts in September 2020….

(14) POISONING PIXELS IN THE PARK. [Item by Jim Janney.] There’s an article in MIT Technology Review about a tool that lets artists “poison” their images in ways that mess with generative AI: “This new data poisoning tool lets artists fight back against generative AI”. It seems to work by manipulating pixels in ways that the human eye doesn’t notice, so wouldn’t be directly applicable to large language models.

…The tool, called Nightshade, is intended as a way to fight back against AI companies that use artists’ work to train their models without the creator’s permission. Using it to “poison” this training data could damage future iterations of image-generating AI models, such as DALL-E, Midjourney, and Stable Diffusion, by rendering some of their outputs useless—dogs become cats, cars become cows, and so forth. MIT Technology Review got an exclusive preview of the research, which has been submitted for peer review at computer security conference Usenix.   

AI companies such as OpenAI, Meta, Google, and Stability AI are facing a slew of lawsuits from artists who claim that their copyrighted material and personal information was scraped without consent or compensation. Ben Zhao, a professor at the University of Chicago, who led the team that created Nightshade, says the hope is that it will help tip the power balance back from AI companies towards artists, by creating a powerful deterrent against disrespecting artists’ copyright and intellectual property. Meta, Google, Stability AI, and OpenAI did not respond to MIT Technology Review’s request for comment on how they might respond. 

Zhao’s team also developed Glaze, a tool that allows artists to “mask” their own personal style to prevent it from being scraped by AI companies. It works in a similar way to Nightshade: by changing the pixels of images in subtle ways that are invisible to the human eye but manipulate machine-learning models to interpret the image as something different from what it actually shows…. 

(15) SMALLER ON THE INSIDE. [Item by Mark Roth-Whitworth.] Nature reports“Mars has a surprise layer of molten rock inside”. “Fresh investigations find that the red planet’s liquid-metal core is smaller than scientists thought.”

A meteorite that slammed into Mars in September 2021 has rewritten what scientists know about the planet’s interior.

By analysing the seismic energy that vibrated through the planet after the impact, researchers have discovered a layer of molten rock that envelops Mars’s liquid-metal core. The finding, reported today in two papers in Nature1,2, means that the Martian core is smaller than previously thought. It also resolves some lingering questions about how the red planet formed and evolved over billions of years.

The discovery comes from NASA’s InSight mission, which landed a craft with a seismometer on Mars’s surface. Between 2018 and 2022, that instrument detected hundreds of ‘marsquakes’ shaking the planet. Seismic waves produced by quakes or impacts can slow down or speed up depending on what types of material they are travelling through, so seismologists can measure the waves’ passage to deduce what the interior of a planet looks like….

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Mark Roth-Whitworth, Jim Janney, Bence Pintér, Mike Kennedy, Andrew Porter, and Ersatz Culture for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 10/25/23 Scrollkahoma, Where The Solar Wind Comes Clicking Down The Galactic Plane

(1) WELL, I’M BACK. That’s one of many things the Fourteenth Doctor doesn’t say in this video. Let Collider explain to you the way a new “’Doctor Who’ Featurette Breaks Down How David Tennant Returned”.

After an entire decade of not playing the role of the Doctor, David Tennant is back in Doctor Who, the classic BBC show about an alien who travels across time and space in a blue police box called the TARDIS. A new behind-the-scenes featurette released by the network shows how the team behind the series collaborated to film Tennant’s return to the titular role. Since a different crew was in charge of filming Jodie Whittaker‘s departure from the story, the team working with Tennant had to coordinate with the footage that had already been shot…

(2) 2023 WSFS BUSINESS MEETING VIDEOS. [Item by Kevin Standlee.] The video from the 2023 WSFS Business Meeting is now uploaded to YouTube.

The room was under-lit. I tried to compensate in the camera settings and in post-production, but the videos still came out darker than I would have liked. 

The meeting was conducted in English and Chinese, with simultaneous translation through headsets. There was no mechanism for combining those translation feeds with this video. 

There was CART transcription in both English and Chinese, but it was computer generated and computer translated, which means it was not all that accurate. In some cases, we tried to swing the camera around to pick up the approximate English translation, but we did not manage to do so in all cases, especially when I wasn’t operating the camera, which I was unable to do when I was presiding over the meeting as the deputy presiding officer.

These videos are CC-attribution licensed, so if anyone wants to create translations, they are welcomed to give it a try as long as they apply the same CC licensing.

(3) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

Taiyo Fujii on Chengdu hotel arrangements

This is an interesting observation, which perhaps Filers who attended Chengdu in person can comment on.  (Very minor manual cleanups for style and grammar.)

I seemed to meet with non-Anglophone writers whilst at Chengdu.  This was because the hotels were separated.

Guests stayed in separate hotels.  One was the Sheraton which was close to the Chengdu Science (SF)  Museum, and the other was the Wyndham, which was 30 mins from the venue.

The WSFS committee, exhibitors, foreign nominees, members from the USA and UK, and elderly visitors stayed in the first one, whereas others stayed at the latter.

[At the latter] I met many Chinese people, and writers from Asia, Europe, South America and other regions.

#worldcon

Note: Chinese laws require hotels to register foreign guests with the authorities, and a number of smaller locations won’t accept such guests, not through xenophobia (probably), but because they don’t have the systems or trained staff to handle the bureaucratic aspects.  I don’t think that’s too relevant here – I assume all of the hotels associated with the con would be set up to handle foreigners – but may be a partial explanation as to why the con organizers were so involved in accommodation for invited attendees, to avoid potential bad press if attendees were turned away from a hotel.

Con commentary

File 770 contributor SanFeng aka Feng Zhang links to a Chinese-language newspaper report, which contains quotes from him, and adds his own thoughts in this Weibo post.  (Via Google Translate, with minor cleanup edits.)

Me and West China Metropolis Daily reporter Zhang Jie chatted very happily.  This passage really basically sums up my main feelings about attending the Worldcon this time.  Of course, the “multi-layered” conference is bound to have various conflicts, contradictions, and inconsistencies.  I also heard and experienced a lot. The main problem is that the needs of science fiction fans are not a high priority, which lead to some misplaced expectations and reality.  Anyway, we thank Chengdu for hosting this event!  Looking forward to the next meeting.

Photos from the other SF con that took place in Chengdu last weekend

(Via SF Light Year/Adaoli) I think these are the events that took place at the Sheraton, rather than the SF museum, under the banner of the 6th China (Chengdu) International SF Convention, that was originally scheduled for 2021, but got cancelled due to COVID.  (If you remember the item last month about a bean paste tie-in, it was technically connected to this event, rather than the Worldcon proper.)

The QR code shown here should link to https://y.camera360.com/photolive/collection?channel=pc&origin=link&collectId=20231020204417122

I haven’t actually looked at more than a couple of these photos, because for me it took several minutes to show anything other than a loading spinner.  

Xiaohongshu images

Now that the con is over, lots of people are uploading their photos.  These are but a small sampling of the posted photosets. 

There are even more photos taken with faces familiar to Filers, or people who are Filers themselves.  I’ve not had chance to go through them all yet, but I’ll try to include them in the next day or so.

(4) BIRD AND BABY BOUGHT. “Eagle and Child: Tolkien and Lewis pub bought by tech institute”BBC News has the story.

An Oxford pub that was frequented by authors CS Lewis and JRR Tolkien has been bought by a research institution building a campus in the city.

The Ellison Institute of Technology (EIT), founded by US tech billionaire Larry Ellison, said it had bought the Eagle and Child, which shut in 2020.

The pub in St Giles’ dates back to 1650 and has a plaque inside commemorating the writers’ get-togethers.

EIT said it would “refurbish and reopen the iconic venue”….

…. The company’s founding director and CEO, Dr David Agus, said: “The Eagle and Child pub is a truly historic venue that has hosted some of the greatest minds Oxford has had to offer for over 300 years.

“We are humbled and proud to be able to safeguard this treasured pub’s future and continue its legacy as a place for brilliant people to come together, including for our Ellison scholars.”

(5) AFROPANTHEOLOGY ANTHOLOGY. Between Dystopias: The Road To Afropantheology edited by Oghenechovwe Donald Ekpeki and Joshua Uchenna Omenga has been released. It’s available as an eBook (direct from Publisher, MOBI & EPub)trade paperback from Amazon, a trade paperback from Barnes and Noble, a trade paperback from Books a Million and almost everywhere else.

(6) FIVE BY FIVE. Charlie Jane Anders names “Five sci-fi and fantasy novels to read now” in the Washington Post. Thanks to a gift link you can read it there. Authors of these books are Cassandra Clare, Samit Basu, micha cárdenas, B. Pladek and Alix E. Harrow.

One theme animates many recent science fiction and fantasy books: What happens when an outsider enters the corridors of power? Not every orphan with special powers ends up saving the world. The heroes of these new books make their way into rarefied circles and encounter the snares of politics. In the process, they give us new insights into what happens when an ordinary person rises to greatness….

(7) EATING THE FANTASTIC. Scott Edelman invites listeners to chat and chew over fried calamari with Michael Marano in Episode 210 of his Eating the Fantastic podcast.

Michael Marano

This time around my guest is Michael Marano, winner of both the Bram Stoker Award and the International Horror Guild Award for Best First Novel for Dawn Song, published by Tor Books in 1998. His short fiction has appeared in the anthologies Outsiders: 22 All New Stories from the EdgeDark Fusions: Where Monsters LurkThe Outer Limits, Volume TwoPeter S. Beagle’s Immortal Unicorn, and others. His novella “Displacement” was nominated for a 2011 Shirley Jackson Award. Some of his short fiction has been gathered in the collection Stories from the Plague Years from Cemetery Dance Publications.

Michael’s also a journalist who went on many junkets for me back when I edited science fiction media magazines. His non-fiction has appeared in alternative newspapers such as The Independent Weekly, The Boston Phoenix, and  The Weekly Dig, plus his column “MediaDrome” has been a popular feature in Cemetery Dance magazine since 2001. He’s a writing teacher as well, which you’ll hear all about in this episode. Plus, he’s an aerialist who’s done performances inspired by a variety of science fiction greats. That’s an art form I’ve never had the chance to discuss before, so that’s where our conversation began.

We discussed how his love of science fiction storytelling led him to explore wrestling and roller derby, the lessons we each learned from our early rejections, his preference for old school Dungeons & Dragons, how his crush on Linda Blair affected his first celebrity interview, whether writers ever really retire regardless of what they claim, what his career as a film critic taught him about the possible arc of his fiction writing career, and much, much more.

(8) BRO GUY SIGHTING. [Item by Mark Roth-Whitworth.] Brother Guy was on C-SPAN3 Saturday talking about storytelling, science and religion. Here is a link to video of his talk – “The Pope’s Astronomer on Astronomy and Faith”.

Known as the pope’s astronomer, Vatican Observatory director and author Brother Guy Consolmagno considered how the art of storytelling can illuminate both astronomy and religious faith. Friends of the North Hollywood Library in Los Angeles hosted this program.

(9) MEMORY LANE.

2007 [Written by Cat Eldridge from a suggestion by Mike Glyer.]

Michael Chabon’s The Yiddish Policemen’s Union is the source of our Beginning for this Autumnal Scroll. But let’s talk about the writer now.

I first encountered him by way of his Summerland novel, possibly the best fantasy ever written about baseball. It won the Mythopoeic Fantasy Award for Children’s Literature though I think that it is a book for individuals of all ages.  

From there I then moved unto The Gentlemen of the Road which is genre by virtue of being alternate history.  The only long work that I’ve not read by him that I probably should is The Final Solution: A Story of Detection, a Sherlock Holmes novella or short novel depending on your viewpoint. Anyone here that has read it?

Yes, I’m skipping a lot of his work here obviously including being a scriptwriter for genre series and films as that’d take more space here than is really warranted. Do feel free to take me to task for what I should’ve mentioned here that I didn’t.

And that brings me to The Yiddish Policemen’s Union which had its first English language publication by HarperCollins sixteen years ago. It actually had its first publication in Dutch as De Jiddische politiebond on Manteau previously the same year

It would win a Hugo at Devention 3 along with a Nebula and a Sidewise, very impressive indeed. 

See no spoilers? Now here’s the Beginning…

Nine months Landsman’s been flopping at the Hotel Zamenhof without any of his fellow residents managing to get themselves murdered. Now somebody has put a bullet in the brain of the occupant of 208, a yid who was calling himself Emanuel Lasker.

 “He didn’t answer the phone, he wouldn’t open his door,” says Tenenboym the night manager when he comes to roust Landsman. Landsman lives in 505, with a view of the neon sign on the hotel across Max Nordau Street. That one is called the Blackpool, a word that figures in Landsman’s nightmares. “I had to let myself into his room.” 

The night manager is a former U.S. Marine who kicked a heroin habit of his own back in the sixties, after coming home from the shambles of the Cuban war. He takes a motherly interest in the userpopulation of the Zamenhof. He extends credit to them and sees that they are left alone when that is what they need.

“Did you touch anything in the room?” Landsman says. 

Tenenboym says, “Only the cash and jewelry.” 

Landsman puts on his trousers and shoes and hitches up his suspenders. Then he and Tenenboym turn to look at the doorknob, where a necktie hangs, red with a fat maroon stripe, already knotted to save time. Landsman has eight hours to go until his next shift. Eight rat hours, sucking at his bottle, in his glass tank lined with wood shavings. Landsman sighs and goes for the tie. He slides it over his head and pushes up the knot to his collar. He puts on his jacket, feels for the wallet and shield in the breast pocket, pats the sholem he wears in a holster under his arm, a chopped Smith & Wesson Model 39.

“I hate to wake you, Detective,” Tenenboym says. “Only I noticed that you don’t really sleep.”

 “I sleep,” Landsman says. He picks up the shot glass that he is currently dating, a souvenir of the World’s Fair of 1977. “It’s just I do it in my underpants and shirt.” He lifts the glass and toasts the thirty years gone since the Sitka World’s Fair. A pinnacle of Jewish civilization in the north, people say, and who is he to argue? Meyer Landsman was fourteen that summer, and just discovering the glories of Jewish women, for whom 1977 must have been some kind of a pinnacle. “Sitting up in a chair.” He drains the glass. “Wearing a sholem.”

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 25, 1939 Fred Marcellino. Among all our writers this time, we have an illustrator. And what an illustrator he was. He did the Antheum cover of McCaffrey’s Dragonsong and several other Pern covers as well, along with Mark Helprin’s Winter’s Tale, Iain Banks’ The Wasp Factory and Rat Bradbury’s Death Is A Lonely Business to name but a few of the covers that he’s illustrated. (Died 2001.)
  • Born October 25, 1940 — Janet Fox. Author whose stories appeared in countless genre zines and anthologies between the Seventies and mid-Nineties.  Her long fiction, mostly the Scorpio Rising series, was done as Alex McDonough. She’s also known for the Scavenger’s Newsletter which featured a number of noted writers during its long including Linda Sherman, Jeff VanderMeer and Jim Lee.  (Died 2009.)
  • Born October 25, 1963 John Gregory Betancourt, 60. Writer best known most likely for his work In Zelazny’s Amber universe but who has written quite a bit of other franchise fiction including works in the Star TrekHerculesRobert Silverberg’s Time ToursDr. Bones and The New Adventures of Superman. Most of his original fiction was early in his career. He’s also edited in a number of magazines including Weird TalesAmazing StoriesH. P. Lovecraft’s Magazine of HorrorAdventure Tales and Cat Tales. He even co-edited with Anne McCaffrey, Serve It Forth: Cooking with Anne McCaffrey. His Wildpress Press has been nominated three times for World Fantasy Awards. 
  • Born October 25, 1969 Cecil Castellucci, 54. Canadian rock musician who performs under the name of Cecil Seaskull. I’m giving her a Birthday shout-out for two very different works, the first being The Year of the Beasts co-written with Nate Powell which used the Medusa myth as its story basis, and Tin Star, a romance tinged space opera set on a remote space station. All of work is YA in nature. 
  • Born October 25, 1971 Marko Kloos, 52. Author of two MilSF series, Frontlines and The Palladium Wards. His Lines of Departure was nominated for Hugo Award for Best Novel at Sasquan on a slate organized by the Sad Puppies. In reaction to this, Kloos withdrew the novel from consideration for the award. He was subsequently honored by George R. R. Martin for this decision. And that gets him Birthday Honors. Four of his books have been Dragon Awards nominees in the Best Military SF or Fantasy category.
  • Born October 25, 1971 Elif Safak, 52. Turkish writer of three genre novels, one written originally in Turkish (Mahrem), The Gaze in its English translation, and two written in English, The Architect’s Apprentice (which was translated into Turkish as Ustam ve Ben)  and 10 Minutes 38 Seconds in This Strange World.
  • Born October 25, 1979 — Kristian Bruun, 44. Canadian actor best known for his long-running role as Donnie Hendrix on the Hugo- and Emmy-winning SF drama Orphan Black, where he was one of the main sources of (usually dark) comic relief. He also starred in the SF Rom-Com Red Rover opposite The Expanse regular Cara Gee, had minor recurring roles in A Handmaid’s Tale and Snowpiercer, and appeared in the Inuit SF film Slash/Back, among other genre roles. (Xtifr.)

(11) COMICS SECTION.

(12) FREEDOM OF EXPRESSION AWARD. A $10,000 prize — “Penguin Random House launches high schoolers’ award to combat book bans”. The Guardian has details.

Publisher Penguin Random House has launched a new writing award in the US celebrating freedom of expression in response to a rise in book bans across the country.

The Freedom of Expression award invites applicants to write about one banned book that changed their life and why. The $10,000 (£8,168) prize will be awarded to a high-school student planning to attend university in 2024.

“In the midst of censorship efforts, it’s crucial that we protect and celebrate freedom of expression, especially for young people whose voices we need and want to lift up now more than ever,” said Claire von Schilling, director of corporate communications and social responsibility at Penguin Random House.

Book bans in US public schools increased by 33% over the last school year according to a September report by Pen America. It found that the authors whose books were targeted were most frequently women, people of colour and LGBTQ+ individuals.

Some of the books banned in more than 20 districts include The Bluest Eye by Toni Morrison, A Court of Mist and Fury by Sarah J MaasGender Queer: A Memoir by Maia Kobabe and The Perks of Being a Wallflower by Stephen Chbosky. This report followed an American Library Association study which found that attempts to censor materials in school, academic and public libraries reached a record high in the first eight months of 2023….

(13) MEDIEVAL ROAD TRIPPER. “Chaucer goes digital as British Library makes works available online” reports the Guardian.

The entire collection of Geoffrey Chaucer’s works held by the British Library is being made available in digital format after the completion of a two and a half year project to upload 25,000 images of the often elaborately illustrated medieval manuscripts.

In a “major milestone” for the library, which holds the world’s largest surviving collection of Chaucer, it is hoped the digital platform will enable new research into the 14th-century poet, courtier, soldier, diplomat, and MP who is most famous for his Middle English epic, The Canterbury Tales.

Chaucer, who died in about 1400, was proclaimed by his contemporary poet Thomas Hoccleve as the “firste fyndere of our fair language” and is widely regarded as the father of English poetry. He was, in essence, the first poet laureate, being rewarded by Edward III with a gallon of wine daily for an unspecified task, thought to be for poetic work or works. He was also the first to be buried in what became Poets’ Corner in Westminster Abbey.

The British Library holds more than 60 items related to his works and life, and has now digitised them all….

(14) MST3K NEEDS $$$. “Mystery Science Theater 3K readies the Satellite Of Love for season 14” says AV Club. (The fundraiser link is here.)

Mystery Science Theater 3000, the little puppet-based movie commentary show that could, turns 35 this year (not counting the KTMA years), and The Mads are preparing another round of underseen crappy movies for our heroes to laugh at. But, aside from Tom Servo’s inevitable but unannounced presidential campaign next year, the Gigzmoplex has more surprises in store.

Earlier today, host and creator Joel Hodgson announced that financing for season 14 has begun. As anyone clicking on an article about MST3K knows by now, the show is a crowdfunded endeavor these days, a business decision that has paid dividends for MSTies. Following two revival seasons on Netflix, Mystery Science Theater took its future into its own hands and launched the Gizmoplex, an online viewing and community hub that hosted the crowdfunded season 13, which raised a staggering $6.5 million. What can we say? People really like Crow….

(15) IT’S LIFE JIM. [Item by SF Concatenation’s Jonathan Cowie.] 30 years ago research was published that a space probe detected life on a planet and there were also the signs of a technological civilization!

The journal Nature has just looked back on this groundbreaking experiment in an editorial and also an essay.

One of the researchers’ lead scientists was the legendary Carl Sagan, and the space probe that detected the life and techno-signs was NASA’s 1989-launched Galileo that, having been taken into Earth orbit by the space shuttle Challenger, was heading off to Jupiter. However, to get there it would need gravitational assists from both Venus and the Earth to acrue the necessary velocity to get to Jupiter in 1995.

As it was getting its gravitational assists from the Solar system’s inner planets, it passed 960 kilometres of Earth and Carl Sagan convinced NASA to use the probe’s instruments to look for signs of life on Earth.

The probe detected both methane and oxygen in the Earth’s atmospheres, a chemical mix that was in disequilibrium due to life. It also detected, in the red part of the spectrum, absorption characteristics of oxygenic photosynthesis. Finally, it detected modulated radio signals.

The reason this research is worth remembering today is that though 30 years ago no exoplanet had yet been discovered; today we have over 5,500 and counting. Today, we are also about to get data from the James Webb Space Telescope on the atmospheric composition of some of these exoplanets and it may be one of more exhibits disequilibrium.

As Nature notes, at the time the journal’s editors were in two minds as to whether to publish Sagan’s research – after all, we already knew that there was life on Earth. However, as a proof-of-capability and as a controlled experiment, the Sagan team’s work underpins that which will inform the forthcoming James Webb Space Telescope data.

Meanwhile Galileo went on to discover a beneath-the-ice ocean on Jupiter’s moon Europa. And now we have ESA’s Jupiter and Icy Moons Explorer (JUICE) mission heading out to Jupiter to see – among other things – what chemicals there are on Europa and whether these might be signs of life in Europa

[Thanks to Ersatz Culture, John King Tarpinian, Chris Barkley, Mark Roth-Whitworth, Lise Andreasen, Kevin Standlee, Jennifer Hawthorne, Steven French, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 8/23/23 I Yelled “Pixel!” When I Scrolled Into The Chocolate

(1) IMAGINARY PAPERS 15. The latest issue of Imaginary Papers, ASU Center for Science and the Imagination’s quarterly newsletter about science fiction worldbuilding, futures thinking, and imagination, is out today.

In this issue, Hispanic studies scholar Mateo Díaz Choza writes about the 1968 speculative fiction story “Tesis,” by José B. Adolph; film studies student Devan Hakkal writes about the gloriously strange 2010 video game Nier: Replicant; and we cover UNESCO’s new open-access book Reporting on Artificial Intelligence: A Handbook for Journalism Educators.

Tesis (1968)

A spacecraft is crossing some indeterminate region of outer space. Inside, a group of students presents their final projects to Professor Locust. His favorite student, Andros, introduces a case study: an unknown planet will be struck by a comet, and violent precipitation and inundations will follow. Andros describes the planet as a primitive place where civilization is in its early stages, though its inhabitants have developed agriculture, modes of transportation, and small cities. When Professor Locust asks Andros how he will resolve the issue of preserving this young civilization, Andros enigmatically answers, “solution B.”…

The full archive of Imaginary Papers is available to read here.

(2) LANSDALE Q&A. Shelf Awareness brings us “Reading with… Joe R. Lansdale”.

Book you’ve bought for the cover: 

A lot of Ace Double science fiction books. There’s no single book I’ve bought for the cover, but many. But the Ace Doubles were great. You got two books for the price of one, short books, and these really outstanding covers that were sometimes better than the contents. I remember one book I bought because of a giant lizard man approaching a human. They were both on a netting in the trees–and I think they were armed–and from there I filled in the story. When I actually read the book, it was nowhere as good as in my imagination. But there were many that fulfilled my expectations. Philip José Farmer was one.

(3) SMOFCON REMINDER. Smofcon, an annual conference for convention planners, will be held December 1-3 in Providence, RI. The event will be fully hybrid convention so members can attend from anywhere. Tammy Coxen explained on Facebook:

At Smofcon, we gather to discuss many aspects of convention planning, at both the local level and at the Worldcon and other large conference level. We look for old friends, make new ones, attend panels on a variety of subjects about convention running, and express our views on best ways to do something. We often get recruited to work on other conventions — or recruit others to come work on our next convention.

While Smofcon covers a variety of topics, this year’s program will have a particular focus on running hybrid conventions.

Learn more and sign up at the Smofcon 40 website.

(4) LEARNEDLEAGUE. [Item by David Goldfarb.] Another SFF question cropped up in the ”Notable Women of Asia” mini-league.

Persis Khambatta was the winner of the 1965 Miss Femina India pageant, a contestant in that year’s Miss Universe pageant, and the first Indian person to present at the Academy Awards. But you may also know her as Deltan Starfleet officer Lt. Ilia in what 1979 science fiction film, a role for which she shaved her head.

This is of course Star Trek: the Motion Picture. It had a 57% get rate, with 13% giving the most common wrong answer of Alien.

(5) A CONDUCTOR’S LIFE. While looking up info about Somtow Sucharitkul for a post today I came across one of the maestro’s anecdotes in Martin Morse Wooster’s 2015 “Operacon Report”:

…Somtow also told about the time he tried to bring an elephant for a performance of Aida. He didn’t know that elephants in Bangkok had to be licensed, and was surprised when the pachyderm police showed up and arrested the elephant, taking him to the elephant impoundment lot or wherever it is that unlicensed elephants in Bangkok go. The resulting performance of Aida was elephant-free….

(6) AUSSIE FANHISTORY IN THE WORKS. Leigh Edmonds announced on Facebook he finished drafting the first part of the history of Australian science fiction fandom.

This project was ordered on my during Aussiecon 4 in 2010 and has taken 13 years to get this far partly because of the necessities of daily life. Partly also because I had expected the entire project of writing a history of Australian fandom up to Aussiecon in 1975 would run to around 50,000 words and the part that I have just completed, which covers the period from 1936 to about 1960, runs to just on 75,300 words. Now it’s time to write an introduction, polish up the text, find some photos, an editor and indexer (hint, hint) and get it published. I still have no idea what to call it.

(7) UNDER COVER OF DARKNESS. While we’re all preparing for the upcoming eclipses, Michael Toman suggests Filers will enjoy hearing Cordelia Willis, Courtney Willis, and Connie Willis tell about family trips they have taken to see eclipses. This 2018 recording is preserved at StoryCorps Archive. There’s a transcript, too. This excerpt quotes Cordelia:

The eclipse itself is very short, you know… Then I remember as the sun started to reappear people yelling out “Encore!” and I did not know what that word meant. And everyone around me laughed and I remember turning to my parents and saying “What does encore mean, what does that mean?” And they said it means “You are so good. We wanted you to do it again.”

(8) MEMORY LANE

2016 – [Written by Cat Eldridge from a choice by Mike Glyer.]

David Hutchison’s Fractured Europe Sequence is a brilliant telling of a Europe fractured into hundreds, maybe thousands, of political polities. Europe in Winter was published by Solaris seven years ago. It was the third of the five Fractured Europe Sequence novels. There may a sixth novel someday Hutchison says. 

It’s an interesting series as the novels share the same setting but aren’t connected though the characters are common to the series except the final novel which has an all new cast of characters.

There are also two stories. Remember my wish that more stories were sold separately? Good luck on reading these two — one is in Barcelona Tales, the other is in London Centric: Tales of Future London which I actually have.

Our Beginning comes from Europe in Winter that won a BSFA. The series actually nominated for a lot of Awards include a Campbell Memorial, a Clarke, multiple BSFAs, a Dragon and even a Kitschies.

And now for our Beginning….

TRANS-EUROPE EXPRESS

THEY ALMOST MISSED the train. They had always planned to arrive close to departure time, so that Amanda had to spend as little time as possible on her feet, but there was a flash mob on the Place de la Concorde and all the streets leading into it were blocked.

“What the hell is this?” muttered William, who was driving. “Anti-Union protesters,” Kenneth said, reading the placards being carried by the crowds boiling between the traffic.

“Well, God has a sense of irony, anyway,” muttered Amanda, shifting uncomfortably on the back seat.

William looked back at her. “How are you feeling?” 

“I’m all right,” she said. “Don’t worry about me. Can we go another way?” 

They were in a make of vehicle nicknamed La Rage by the French, basically a looming black mediaeval fortress festooned with bullbars and lights and antitheft devices. Kenneth had wanted something more anonymous, but William said the only thing Parisian drivers understood was force. It had one obvious drawback; although its defensive systems could cause epileptic fits and rectal bleeding in anyone stupid enough to try to steal or attack it, it was too large to go down many of Paris’s lesser thoroughfares.

“We’re stuck,” William said, twisting left and right to look out of the windows and hovering his finger over the icon on the dash display which triggered a 10,000 volt charge through the skin of the car, as protesters bumped and pushed by between the line of vehicles.”

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 23, 1868 Edgar Lee Masters. Author of the Spoon River Anthology which, since each poem is by someone who’s dead, should count as genre, shouldn’t it?  Well, I think so even if you don’t, so there. (Died 1950.)
  • Born August 23, 1927 Peter Wyngarde. Not a lead actor in any genre series but interesting nonetheless. For instance, he shows up in the two Sherlock Holmes series, one with Peter Cushing and one with Jeremy Brett. He’s in a series of Doctor Who with the Fifth Doctor and he faces off against the classic Avenger pairing of Steed and Peel. He shows up as Number Two in The Prisoner as well. (Died 2018.)
  • Born August 23, 1929 Vera Miles, 94. Lila Crane in Psycho which she reprised in Psycho II. On a much more family friendly note, she’s Silly Hardy in Tarzan’s Hidden Jungle, the very last of the twelve Tarzan pictures released by RKO. She has done one-offs on Buck Rogers in Twentieth CenturyFantasy IslandThe Twilight ZoneAlfred Hitchcock PresentsI Spy and The Man from U.N.C.L.E. 
  • Born August 23, 1931 Barbara Eden, 92. Jeannie on I Dream of Jeannie. Her first genre role however was on Voyage to the Bottom of the Sea as Lt. Cathy Connors, and she’d show up a few years later as Greta Heinrich on The Wonderful World of the Brothers Grimm. She was Angela Benedict in The Seven Faces of Dr. Lao, the wonderful film version of Charles Finney’s novel, The Circus of Dr. Lao. Some thirty-five years after I Dream of Jeannie went off the air, she had a recurring role as Aunt Irma on Sabrina, the Teenage Witch. Her latest genre was just two years ago, Mrs. Claus in My Adventures with Santa. 
  • Born August 23, 1944 Karl Alexander. Author of Time after Time which was filmed as Time after Time as directed and written by Nicholas Meyer. Cast includes Malcolm McDowell, Mary Steenburgen and David Warner. (A thirteen-episode series would happen in 2017.) His sequel of Jaclyn the Ripper is not as well known, nor is his Time-Crossed Lovers novel. Time after Time was nominated for a Hugo at Noreascon II, the year Alien won. (Died 2015.)
  • Born August 23, 1966 Charley Boorman, 57. He played a young Mordred in Excalibur which was directed by his father (and he was joined by his older sister Katrine Boorman who played Ygraine, Mordred’s grandmother) He was Tommy Markham in The Emerald Forest, and had an uncredited role in Alien

(10) ALIENS ALL OVER THE WORLD TONIGHT. “Invasion season 2 review: Apple’s sci-fi drama ramps up the tension” says critic Andrew Webster in The Verge.

…One of the most notable things about Invasion is its structure. The show follows a handful of characters spread across the globe, each dealing with the invading aliens in different ways. Season 1 was all about survival for pretty much the whole cast, whether it was a mother in America trying to keep her kids alive, a bus full of students stranded and alone in England, or a Japanese communications expert desperately trying to contact a lost astronaut who also happened to be her secret girlfriend. But in season 2, most everybody has a bit more direction, and it makes the show move forward with more purpose and intensity.

The new season picks up a few months after the spiky alien blobs first made their presence known, and things aren’t going so well. Major cities look like war zones, with most people having fled or died, while those who remain struggle to fight against the very tough to kill invaders. If it weren’t for the looming spaceships on the horizon, the show could be mistaken for any number of postapocalyptic series early on…

(11) TENNANT IN STAR WARS PROPERTY. “Who Is Huyang? David Tennant’s ‘Ahsoka’ Character, Explained” at The Mary Sue.

… Professor Huyang is a droid who made his first appearance in the animated series Star Wars: The Clone Wars. He appeared in a total of three episodes in season 5, accompanying Yoda (Tom Kane) and Tano (Ashley Eckstein) to the planet Ilum with a group of younglings so they could find Kyber crystals to assemble their lightsabers. This is an important rite of passage for a youngling on their journey to becoming a Jedi. Huyang has been aiding younglings at this stage of their training for centuries and was specifically built to serve this purpose….

…Not much is known about Huyang’s role in Ahsoka, but we can probably expect him to be just as loyal and filled with stories and wisdom as ever. Additionally, we’re expecting a top-notch performance from Tennant, who took home an Emmy award for Outstanding Performer in an Animated Program for his role as Huyang in Star Wars: The Clone Wars. Tennant’s performances brings so much depth, mystery, and allure to the character. Whether it’s another award-winning performance or adding further context to this ancient droid, Huyang’s role in Ahsoka holds quite a bit of potential.

(12) VES HONOREES. Yahoo! is standing by as “Visual Effects Society Reveals 2023 Founders Award & Lifetime Honorees”.

Oscar-winning VFX supervisor and VES founding member Tim McGovern will receive the 2023 VES Founders Award, and the group has awarded lifetime VES memberships to McGovern, archivist and curator Sandra Joy Aguilar, producer and AMPAS Governor Brooke Breton and VFX artist agent and executive Bob Coleman.

(13) RYAN GEORGE VIDEO. It’s great to be a genius, of course, but that’s not who we’re talking to here: “The First Guy To Ever Own A Bird”.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, David Goldfarb, Joey Eschrich, Andrew Porter, John King Tarpinian, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Russell Letson.]

Pixel Scroll 4/4/23 There’s A Bad Scroll Happening Tonight And Not Even A Pixel Can Stop It

(1) SANDERSON ADDRESSES WIRED INTERVIEW. [Item by Dann.] Brandon Sanderson yesterday posted a piece on his blog in response to part of the recent story about him published by Jason Kehe in WIRED Magazine: “Outside”. While Sanderson’s other reactions have been notably muted, he found one aspect of Kehe’s story to be worthy of response.

Sanderson had shared his personal condition of not experiencing emotions in the same way that most other people do. The conversation about emotions seemed off and he asked Kehe to exclude that from his piece.

…My neurodivergence came up in a recent interview I did. The interviewer latched onto the fact that I don’t feel pain like others do. (More accurately, some mild pains don’t cause in me the same response they do others.) I asked the interviewer not to mention it in his article, as I felt the tone to our discussion was wrong. I worry about my oddity changing the way people think of me, as I don’t want to be seen as an emotionless zombie. So I try to speak of it with nuance….

Sadly, Kehe did not honor that request.

Having had an aspect of himself laid bare, Sanderson opted to do what many writers do when feeling a need to work through something.  He wrote about himself.  What makes him the type of writer that he is.  What makes him the type of person that he is.

…This is why I write. To understand. To make people feel seen. I type away, hoping some lonely reader out there, left on a curb, will pick up one of my books. And in so doing learn that even if there is no place for them elsewhere, I will make one for them between these pages….

And this is why I read.  When I’m not standing outside, looking up at the falling snow.

(2) START TWANGING. Stephen Haffner’s latest Newsletter announces that The Complete John The Balladeer by Manly Wade Wellman is at the printer and they expect to begin shipping the initial preorders on May 15.

The two-volume set, amounting to 1152 pages, includes all 19 short stories, all 5 novels, and Wellman’s synopsis for the unwritten 6th novel: The Valley So Low.

(3) IN CASE YOU HAVEN’T ALREADY SHIFTED YOUR PARADIGM. “Women now dominate the book business. Why there and not other creative industries?” NPR’s “Planet Money” program looked into the question.

…One of the first projects the Copyright Office had Waldfogel work on was a data analysis of the evolution of women in copyright authorship. Looking at the numbers, Waldfogel’s eyes opened wide when he realized that women have seen incredible progress in book authorship but continue to lag in other creative realms.

For example, while they have made inroads in recent years, women still accounted for less than 20 percent of movie directors and less than 10 percent of cinematographers in the top 250 films made in 2022. Likewise, when looking at the data on patents for new inventions, women make up only between 10 to 15 percent of inventors in the US in a typical year.

For a long time, the book market saw a similar disparity between men and women. Sure, some rockstar female authors come to mind from back in the day: Jane Austen, Mary Shelley, Emily Dickinson, Agatha Christie, Zora Neale Hurston — to name just a few prominent ones. But, Waldfogel says, between roughly 1800 and 1900, the share of female authors hovered around only 10 percent each year.

In the 20th century, female authorship began to slowly pick up. By the late 1960s, the annual percentage of female authors had grown to almost 20 percent.

Then, around 1970, female authorship really began to explode. “There was a sea change after 1970,” Waldfogel says.

By 2020, Waldfogel finds, women were writing the majority of all new books, fiction and nonfiction, each year in the United States. And women weren’t just becoming more prolific than men by this point: they were also becoming more successful. Waldfogel analyzes data from a whole range of sources to come to this conclusion, including the Library of Congress, the U.S. Copyright Office, Amazon, and Goodreads. Waldfogel finds that the average female-authored book now sees greater sales, readership, and other metrics of engagement than the average book penned by a male author….

(4) BEST SF THEN AND NOW. [Item by SF Concatenation’s Jonathan Cowie.] Which SF books do SF fans consider the best? And which SF books did SF fans consider the best? SF2 Concatenation has tweeted an advance post ahead of its next seasonal edition, “Best Science Fiction Novels”, an article comparing SF fans’ choices both today (2022) and back in 1987.

One survey was taken at the UK Eastercon back in 1987 by SF2 Concatenation.The other is a survey of over a thousand followers of the Media Death Cult YouTube Channel taken last year (2022).

Are the choices then and now different or the same? Do some of the same titles appear in both….?

… Before we go any further, it should be pointed out that the two surveys did not poll exactly the same question.  The 1987 SF² Concatenation survey was a desert asteroid poll with participants asked which SF novels would they wish to be castaway with on a desert asteroid.  This is not a point pedantry.  Some may view classics such as – and here I invent wildly – as H. G. Wells’ The Time Machine as being so well read by fans and perhaps dated that they would not select it as one of their ten to be marooned with for goodness knows how long. So, a classic, best SF novel might not be one of a few that you would be marooned with for life.

As for the results, you need to be aware of arguably wild cards.  The eagle-eyed among you will have noticed Pavane coming in at number 16 on the 1987 SF² Concatenation survey results.  Could this be that its author’s status that Easter, Keith Roberts, being a Guest of Honour at the 1987 BECCON Eastercon, influenced matters?

On the Media Death Cult front, you need to be aware that a number of the titles had been mentioned a few times on the YouTube channel the previous years. For example, Leviathan Wakes is part of the ‘Expanse’ series of novels and the first few of these had been reviewed on the Channel and the Expanse television show has been mentioned in a number of the Cult’s TV-related videos.  Was this an influence? Nobody knows, but it is worth being aware that such potential biases exist….

(5) REVISIONISM. “As Classic Novels Get Revised for Today’s Readers, a Debate About Where to Draw the Line” – and the New York Times takes notes.

…While some changes have been made to books published in decades past, often with little fanfare, many of the current attempts to remove offensive language are systematic and have drawn intense public scrutiny. The effort has left publishers and literary estates grappling with how to preserve an author’s original intent while ensuring that their work continues to resonate — and sell.

Finding the right balance is a delicate act: part business decision, part artful conjuring of the worldview of an author from another era in order to adapt it to the present.

“My great-grandmother would not have wanted to offend anyone,” said James Prichard, Christie’s great-grandson, and the chairman and chief executive of Agatha Christie Ltd. “I don’t believe we need to leave what I would term offensive language in our books, because frankly all I care about is that people can enjoy Agatha Christie stories forever.”

The financial and cultural stakes of the exercise are enormous. Authors like Dahl, Christie and Fleming have, together, sold billions of copies of books, and their novels have spawned lucrative film franchises. In 2021, Netflix bought the Roald Dahl Story Company, including rights for classics such as “The BFG,” for a reported $1 billion. Leaving the works unchanged, with offensive and sometimes blatantly racist phrases throughout, could alienate new audiences and damage an author’s reputation and legacy.

But altering a text carries its own risks. Critics say editing books posthumously is an affront to authors’ creative autonomy and can amount to censorship, and that even a well intentioned effort to weed out bigotry can open the door to more pervasive changes.

“You want to think about the precedent that you’re setting, and what would happen if someone of a different predisposition or ideology were to pick up the pen and start crossing things out,” said Suzanne Nossel, the chief executive of PEN America.

Changes could also remake the literary and historical record by deleting evidence of an author’s racial and cultural prejudices, and eroding literature’s ability to reflect the place and time in which it was created. “Sometimes the historical value is intimately intertwined with why something is offensive,” Nossel said.

Then there’s the chance that readers who cherish the original works will revolt….

(6) TIME TO SET YOUR COURSE. The Horror Writers Association has posted the lineup for 2023 Horror University Online at Teachable.com. Single courses are $65 for non-HWA members.

Horror University Online, the HWA’s program of interactive workshops and presentations provides opportunities for writers to learn from some of the strongest voices in horror.

(7) JUST ASKING. “How bad is the idea of a Harry Potter TV series?” asks Camestros Felapton. In a nutshell:

The answer is “very bad” and very bad on multiple axes. 

And Camestros grinds several of those axes in his latest post.

(8) GHOST CARGO. I’m sure your O-Gauge Halloween rail setup will not be complete until it’s haunted by this item of rolling stock: O-“Gondola Car w/Flickering Lighted Ghosts #1984 – Ghost Trap”.

On its customer Web site, the Union Pacific Railroad characterizes a gondola as an “extremely sturdy open design” for carrying “rugged unfinished commodities”; its “large flat interior design with side walls” is described as “more flexible than a flat car.” These qualities make the modern gondola particularly popular with the steel industry, for transportation of loose materials like scrap metal, waste, coke, and slag as well as finished products like iron or steel plate, pipe, structural steel, and rails for railroad track. Other commodities commonly shipped in these versatile cars include mineral ores, granite slabs, gravel, logs, lumber, railroad ties, and even prefabricated railroad track, also known as “panel track.”

These unique versions of the ubiquitous gondola are the perfect addition to your annual Halloween train. Each of the five ghosts is individually lighted and features a flickering glowing effect that is sure to bring your spooky Halloween train to life.

(9) STARTING A NEW CHAPTER. But Chapter 11 can be the next-to-last chapter unless things turn around. “Virgin Orbit: Richard Branson’s rocket firm files for bankruptcy” and BBC News has the story.

British billionaire Sir Richard Branson’s rocket company Virgin Orbit has filed for bankruptcy in the US after failing to secure new investment.

The satellite launch company halted operations weeks ago but it hopes to find a buyer for the business.

The company, based in California, announced last week that it would cut 85% of its 750-strong workforce.

Earlier this year, a Virgin Orbit rocket failed to complete its first-ever satellite launch from UK soil….

… On Tuesday, the company said Virgin Investments, part of Virgin Group, would provide $31.6m in new money to help Virgin Orbit through the process of finding a buyer.

It has filed for what is known as Chapter 11 bankruptcy protection in the US. This allows a business to keep operating and address its financial issues while providing protection against creditors who are owed money.

Former president of Virgin Galactic Will Whitehorn said the failed launch in Cornwall and the collapse of Silicon Valley Bank at the time it was trying to raise new funding contributed to its downfall.

But Mr Whitehorn said the business deserved a second chance because there was “a lot of demand” in the industry.

“What you have got to remember is they have got nearly 50 satellites into space already, so I think there’s a chance they’ll be back,” he said….

(10) MEMORY LANE.

1928[Compiled by Cat Eldridge.]

For this Beginning , we have Robert E. Howard’s very first Solomon Kane story, “Red Shadows”.  It was first published in Weird Tales in the August 1928 issue. Most of Howard’s tales about Kane were in Weird Tales. The last time it had a hardcover printing was in The Savage Tales of Solomon Kane by Del Rey twenty years ago. It is now available from the usual suspects. 

SPOILER WARNING. 

Look we are dealing with a nearly century old character, so it’s hard to believe anyone here hasn’t heard of its history.

Other authors will take Kane and adapt him, e.g. Paul Di Filippo’s Observable Things and he is namechecked in Philip José Farmer’s Doc Savage: His Apocalyptic Life

Also Tales of the Shadowmen,  an anthology series which is co-edited by Jean-Marc Lofficier and Randy Lofficier. All of the characters there from French and international genre fiction exist in the same multiverse.

END OF SPOILERS IF INDEED THERE WERE ANY

And now our Beginning of Solomon Kane…

The moonlight shimmered hazily, making silvery mists of illusion among the shadowy trees. A faint breeze whispered down the valley, bearing a shadow that was not of the moon-mist. A faint scent of smoke was apparent. 

The man whose long, swinging strides, unhurried yet unswerving, had carried him for many a mile since sunrise, stopped suddenly. A movement in the trees had caught his attention, and he moved silently toward the shadows, a hand resting lightly on the hilt of his long, slim rapier. 

Warily he advanced, his eyes striving to pierce the darkness that brooded under the trees. This was a wild and menacing country; death might be lurking under those trees. Then his hand fell away from the hilt and he leaned forward. Death indeed was there, but not in such shape as might cause him fear

“The fires of Hades!” he murmured. “A girl! What has harmed you, child? Be not afraid of me.” 

The girl looked up at him, her face like a dim white rose in the dark.

“You—who are—you?” her words came in gasps.

“Naught but a wanderer, a landless man, but a friend to all in need.” The gentle voice sounded somehow incongruous, coming from the man. 

The girl sought to prop herself up on her elbow, and instantly he knelt and raised her to a sitting position, her head resting against his shoulder. His hand touched her breast and came away red and wet.”

“Tell me.” His voice was soft, soothing, as one speaks to a babe.

“Le Loup,” she gasped, her voice swiftly growing weaker. “He and his men—descended upon our village—a mile up the valley. They robbed—slew—burned—”

 “That, then, was the smoke I scented,” muttered the man. “Go on, child.”

“I ran. He, the Wolf, pursued me—and—caught me—” The words died away in a shuddering silence. “I understand, child. 

Then—?””

“Then—he—he—stabbed me—with his dagger—oh, blessed saints!—mercy—” 

Suddenly the slim form went limp. The man eased her to the earth, and touched her brow lightly. 

“Dead!” he muttered. 

Slowly he rose, mechanically wiping his hands upon his cloak. A dark scowl had settled on his somber brow. Yet he made no wild, reckless vow, swore no oath by saints or devils.

“Men shall die for this,” he said coldly.”

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 4, 1902 Stanley G. Weinbaum. His first story, “A Martian Odyssey”, was published to general accolades in July 1934, but he died from lung cancer less than a year-and-a-half later. ISFDB lists two novels, The New Adam and The Dark Other, plus several handfuls of short stories that I assume were out for consideration with various editors at the time of his death. (Died 1935.)
  • Born April 4, 1948 Dan Simmons, 75. He’s the author of the Hyperion Cantos and the Ilium/Olympos cycles. Hyperion won a Hugo Award at ConFiction (1990), and The Fall of Hyperion was nominated the following year at ChiCon V (1991). Both are, if my memory serves me right, excellent. If you like horror, Song of Kali which won a World Fantasy Award is quite tasty indeed. In 2013 he became a World Horror Convention Grand Master.  Beware his social media, which include remarks about environmental activist Greta Thunberg.
  • Born April 4, 1949 David C. Sutherland III. An early Dungeons & Dragons artist. His work heavily influenced the development of D&D. He was also one of their writers on such modules as the Queen of the Demonweb Pits that Gary Gygax edited. He also drew the maps for Castle Ravenloft. (Died 2005.)
  • Born April 4, 1952 Cherie Lunghi, 71. Her fame arose from her role as Guinevere in Excalibur. (I saw Excalibur in a 1920s-built theater on a warm summer night with hardly anyone there.) She was also Baroness Frankenstien (Victor’s Mother) in Kenneth Branagh’s Mary Shelley’s Frankenstein. She was also in The Lady’s Not for Burning as Jennet Jourdemayne. That I’ve not seen.
  • Born April 4, 1959 Phil Morris, 64. His first acting role was on the “Miri” episode of Trek as simply Boy. He was the Sam the Kid on several episodes of Mr. Merlin before returning to Trek fold as Trainee Foster in Star Trek III: The Search for Spock. Next interesting role is voicing Vandal Savage on a three-part Justice League Unlimited story called “The Savage Time”, a role he reprised for Justice League: Doom. No, I’ve not forgotten that he was on Mission: Impossible as Grant Collier. He also played the Martian Manhunter (J’onn J’onzz) on Smallvillie. And yes played Silas Stone on Doom Patrol and no, I didn’t spot that was him in that role. 
  • Born April 4, 1967 Xenia Seeberg, 56. She is perhaps best known for her role as Xev Bellringer in Lexx, a show’s that’s fantastic provided you can see in its uncensored form. I’ve also see she played Muireann In Annihilation Earth, Noel in So, You’ve Downloaded a Demon, uncredited role in Lord of The Undead, and Sela in the “Assessment” episode of Total Recall 2070
  • Born April 4, 1965 Robert Downey Jr., 58. Iron Man in the Marvel Universe film franchise. (I loved the first Iron Man film, thought they could’ve stopped there.) Also a rather brilliant Holmes in Sherlock Holmes and Sherlock Holmes: A Game of Shadows. Also voicing James Barris in an animated adaption of Philip K. Dick’s A Scanner Darkly which picked up a nomination at Nippon 2007. Yes, he’s plays the title role in Dolittle which despite having scathing critical reviews has a rather superb seventy-six rating among audience reviewers at Rotten Tomatoes. 
  • Born April 4, 1968 Gemma Files, 55. She’s a Canadian horror writer, journalist, and film critic. Her Hexslinger series now at three novels and a handful of stories is quite fun. It’s worth noting that she’s a prolific short story writer and four of them have been adapted as scripts for The Hunger horror series. 

(12) PUT ANOTHER TRAILER ON THE BARBIE. [Item by N.] “After being expelled from ‘Barbie Land’ for being a less-than-perfect doll, Barbie sets off for the human world to find true happiness.”

To live in Barbie Land is to be a perfect being in a perfect place. Unless you have a full-on existential crisis. Or you’re a Ken.

(13) JEOPARDY! David Goldfarb tuned into the April 3 episode of Jeopardy! and noted this sff reference:

In the Double Jeopardy round, “Their lesser-known books” for $400:

This author went to Venus instead of Narnia in his space novel “Perelandra”

Eventual game-winner Crystal Zhao responded to this correctly.

(14) JEOPARDY! REDUX. And tonight Andrew Porter found that Jeopardy! devoted an entire category to “The World of Middle-Earth” – the contestants could have been better prepared….

Answer: This peak is where the Ring was forged & the only place it can be destroyed.

Wrong questions: What is Mordor? and What is Sauron?

Right question: What is Mount Doom?

Answer: This creepy guy calls the Ring of Power his “precious”

Wrong question: Who is uh, er, I lost it.

Right question: Who is Smeagol?

Answer: Sting is the name Bilbo gives to this possession.

No one could ask, What is his sword?

(15) HOW PALE IS URANUS?  “A pair of images, taken eight years apart, show changes to the ice giant planet as spring arrives in the northern hemisphere,” says the New York Times. “A Paler Uranus Emerges in the Latest Hubble Telescope Image”.

…Studying Uranus’s seasons takes a while. One year on the distant, bluish gas giant — the time it takes Uranus to go once around the sun — is 84 Earth years.

“This is so long that no one human can hope to study it directly,” said Heidi B. Hammel, vice president for science at the Association of Universities for Research in Astronomy.

Dr. Hammel notes that although Uranus was discovered 242 years ago, sophisticated instruments did not exist then, and even electronic detectors capable of accurately measuring the brightness of the planet did not exist until the 1950s.

Long-term brightness measurements since then suggest the northern hemisphere of Uranus, now emerging into sunlight, is brighter than the southern hemisphere, which Voyager 2 observed when it flew by in 1986….

(16) REACH FOR THE SKY. The New York Times calls it “One of the Luckiest Lightning Strikes Ever Recorded”.

Benjamin Franklin invented lightning rods in the 18th century, and the devices have been protecting buildings and people from the destructive forces of lightning ever since. But the details of how lightning rods function are still the subject of scientific research.

Although modern lightning protection systems involve extra equipment that makes them more efficient, the lightning rod itself is quite simple: a copper or aluminum rod set above the highest point of a building, with wires connected to the ground. When lightning strikes a building it will preferably pass through the rod — the path of least resistance — and then through the wires into the ground, protecting the building and its contents from the extremely high currents and voltages produced by lightning.

But a rod doesn’t wait for the lightning to strike. Less than one millisecond before the lightning touches it, the rod, provoked by the presence of the negative discharge of the lightning, sends a positive discharge up to connect to it.

Brazilian researchers recently got lucky, photographing this event with high-speed video cameras at very high resolution. They captured the electric action in São José dos Campos, a city northeast of São Paulo.

The scientists were in the right place, at the right time, and with the right equipment to capture 31 of these upward discharges as they happened. With their location, about 150 yards away from the lightning strikes, and their camera, a device that records 40,000 images a second, they were able to take clear photographs and a slow-motion video of what happens in that instant before the charge from the rod meets the charge from the lightning bolt. The scientists’ study and photos were published in Geophysical Research Letters in December….

This photo comes from the paper: “Close View of the Lightning Attachment Process Unveils the Streamer Zone Fine Structure”.

(17) JUSTWATCH. Here is the sff that JustWatch found people had on their screens in March.

(18) TALKIN’ ‘BOUT MY REGENERATION. From the Radio Times: “David Tennant stars as Fourteenth Doctor in Comic Relief sketch”.

Doctor Who fans were treated to another visit by the Fourteenth Doctor during yesterday’s Red Nose Day telethon, with David Tennant re-enacting his regeneration scene with Sir Lenny Henry to start the show.

This marked Tennant’s second appearance as The Doctor since he returned to Doctor Who for Jodie Whittaker’s final episode, taking viewers by surprise when the Thirteenth Doctor regenerated.

In the opening sketch, Henry prepared to open the show, saying in the mirror, “Comic Relief, Salford, make some noise!” before doubling over in pain. “I’ve got to stop having them all you can eat hotel breakfasts.”…

(19) VIDEO OF THE DAY. “’Spider-Man: Across the Spider-Verse’ Trailer: Miles Morales Is Back” says Variety.

…In the animated sequel, Miles Morales (voiced by Shameik Moore) and Gwen Stacy (Hailee Steinfeld) work to save every Spider-Man, Spider-Woman and Spider-Person in the multiverse. Together with a new crew, Miles must stop a mysterious new villain, who happens to be planning a disaster that could disrupt each universe. In the trailer, he is told, “Being a Spider-Man is a sacrifice.”…

[Thanks to Cat Eldridge, Mike Kennedy, Andrew Porter, Dann, David Goldfarb, Rich Lynch, N., Dan Bloch, SF Concatenation’s Jonathan Cowie, John King Tarpinian, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 3/9/23 Pixels, All Reconstituted With Extra Iron And Calcium

(1) EKPEKI WILL TACKLE NEW VISA. A GoFundMe aims to raise $17,000 for “Oghenechovwe Ekpeki visa processing & legal fees”.

Oghenechovwe Donald Ekpeki recently experienced visa complications that left him unable to attend the NAACP Image award ceremony, where he was a nominee for his work co-editing the anthology Africa Risen. These visa issues will also prevent him from attending the 44th Afrofuturism-themed International Conference For The Fantastic In the Arts as a guest of honour or be a visiting fellow at Arizona State University.

Because of these issues, Ekpeki is crowdfunding for a new visa that allows him the range of activities his burgeoning literary career demands.

Specifically, this crowdfunding is for a new visa and the associated legal and application fees. Ekpeki has already connected with a lawyer experienced in this legal area who will assist with the application.

The fundraiser will cover the following expenses:

  • Legal fees, $12,000
  • Filing fees, $2,000
  • Processing fees, $3,000
  • Visa fees, $500

(2) HWA’S WOMEN IN HORROR. In March the Horror Writers Association is doing a series on “Women in Horror.” Here’s the latest: “Women in Horror: Interview with Rachel Harrison”

What has writing horror taught you about the world and yourself?

It’s taught me to be more hopeful about the world. It’s changed my relationship with fear. I put my characters in really bleak situations, and they choose to fight on. That must come from me, right? From somewhere inside me. I always joke about how I’m not resilient, how I’d be the first to die in a real-life horror scenario, but maybe that’s a lie I tell myself and the truth is in my fiction.

(3) DON’T THROW THE READER OUT OF THE STORY. Karen Myers spotlights “Words that don’t belong” at Mad Genius Club.

…Let’s start with the most obvious — Character names. In a fantasy not set in the real world or some explicit alt-variant of it, you probably shouldn’t call your characters Tom, Dick, Harry, and Mary Sue. Not even Imogene. Or Ishiro. The naming conventions of the society are their own thing, just like the rest of the language, and while you represent the language as “English” so the reader can, you know, read it, actual real world names have all sorts of connotations, and you don’t want that shadow to follow your characters around and interfere with the illusion of the world they occupy. I’m using a naming convention of mostly single name and more-syllables-implies-higher-class (gods at the top with six), with a practice that allows one-or-two-syllable nicknames for informal or pejorative usage….

(4) BARE-KNUCKLE ANTIQUARIANS. The New York Times reassures us, “For Rare Book Librarians, It’s Gloves Off. Seriously.”

Last month, The New York Times reported on an ultrarare medieval Hebrew Bible that was headed to auction with a record-smashing estimate of up to $50 million.

The reaction was swift.

“Why are they handling this without cotton gloves? Shame on them,” one reader wrote in the comments section, referring to photographs showing someone touching the worn pages.

“This photo is disturbing,” wrote another. “Why is this person touching such an old book with ungloved hands?”

The alarmed tweets and emails kept rolling in. At the same time, a silent scream of exasperation arose at rare book libraries around the world.

People who handle rare books for a living are used to doing battle with a range of dastardly scourges, including red rot, beetles and thieves. But there is one foe that drives many of them particularly crazy: the general public’s unshakable — and often vehemently expressed — belief that old books should be handled with Mickey Mouse-style white cotton gloves.

“The glove thing,” Maria Fredericks, the director of conservation at the Morgan Library and Museum said when contacted about the matter, sounding slightly weary. “It just won’t die.”

“Every time it comes up, I sigh deeply,” said Eric Holzenberg, the director of the Grolier Club, the nation’s oldest private society of book collectors. “And then I give my three-sentence explanation of why it’s” — to use a milder term than he did — bunk.

To (politely) sum up the current consensus: Gloves reduce your sense of touch, increasing the likelihood that you might accidentally tear a page, smear pigments, dislodge loose fragments — or worse, drop the book.

(5) THE VACUUM IS ALIVE WITH THE SOUND OF MUSIC. “Star Trek Is Getting A Musical And It Looks Hilarious” according to MSN.com.

…The Star Trek musical was co-written, including lyrics, and composed by musician Brent Black who says that The Original Series inspired him, but it was The Next Generation that enlightened the breakthrough for the story. The musical takes place in 2366, and Data the Android is presenting the musical through a holographic image. Black claims that seeing how Data learns things through trial and error in The Next Generation is what inspired him to have the android present the musical through a simulation that occurs inside the Star Trek universe. 

In the Star Trek musical, an older Captain Kirk is going through a mid-life crisis when his nemesis Khan escapes from exile, coming after Kirk for his revenge. The plot of the musical follows Kirk and Khan as they go through constant adventures of pursuits and near captures, with the story occasionally being interrupted by songs, Vulcans tap dancing, the discovery of Kirk’s long-lost son (who is apparently a William Shatner impersonator?), and mutant space chickens….

(6) TOPOL (1935-2023). Israeli actor Topol died March 9 at the age of 87. While best known for his role in Fiddler on the Roof, the New York Times notes he also had a couple of genre credits, “’Flash Gordon’ (1980), in which he portrayed the scientist Hans Zarkov; and the James Bond film ‘For Your Eyes Only’ (1981), starring Roger Moore, in which he played the Greek smuggler Milos Columbo.” He also appeared in one episode each of SeaQuest 2032 and Tales of the Unexpected.

(7) MEMORY LANE.

1986[Compiled by Cat Eldridge.]

I usually pick the first novel in a series as my Beginning for these matters but this Beginning was way too good to pass on. It’s from Harry Harrison’s The Stainless Steel Rat is Born

I suspect most of you know about this series but in keeping with our policy of not doing spoilers about both the books and the series here, I’ll say nothing beyond the fact that first novel, The Stainless Steel Rat, rather obviously led to more novels, this being the sixth of twelve in the series. The Stainless Steel Rat is Born was published by Bantam in 1986.

Look, it’s comic SF at its very best (or worst depending on your viewpoint), it’s got a protagonist that you will never take seriously and the stories are designed to tread the edge of believability without falling over the edge. Mostly I think. 

And so to our comical Beginning…

I approached the front door of The First Bank of Bit O’ Heaven, it sensed my presence and swung open with an automatic welcome. I stepped briskly through—and stopped. But I was just far enough inside so that the door was unable to close behind me. While it was sliding shut I took the arc pen from my bag—then spun about just as it had closed completely. I had stop-watched its mechanical reflex time on other trips to the bank, so I knew that I had just 1.67 seconds to do the necessary. Time enough. 

The arc buzzed and flared and welded the door securely to its frame. After this all the door could do was buzz helplessly, immobile, until something in the mechanism shorted out and it produced some crackling sparks, then died.

 “Destruction of bank property is a crime. You are under arrest.” As it was speaking, the robot bank guard reached out its large padded hands to seize and hold me until the police arrived.

“Not this time, you jangling junkpile,” I snarled, and pushed it in the chest with the porcuswine prod. The two metal points produced 300 volts and plenty of amps. Enough to draw the attention of a one-tonne porcuswine. Enough to short the robot completely. Smoke spurted from all its joints and it hit the floor with a very satisfactory crash. 

Behind me. For I had already leapt forward, shouldering aside the old lady who stood at the teller’s window. I pulled the large handgun from my bag and pointed it at the teller and growled out my command.

 “Your money or your life, sister. Fill this bag with bucks.” 

Very impressive, though my voice did break a bit so the last words came out in a squeak. The teller smiled at this and tried to brazen it out. 

“Go home, sonny. This is not…” 

I pulled the trigger and the .75 recoilless boomed next to her ear; the cloud of smoke blinded her. She wasn’t hit but she might just as well have been. Her eyes rolled up in her head and she slid slowly from sight behind the till. 

You don’t foil Jimmy diGriz that easily! With a single bound I was over the counter and waving the gun at the rest of the wide-eyed employees.

“Step back—all of you! Quick! I want no little pinkies pressing the silent alarm buttons. That’s it. You, butterball—” I waved over the fat teller who had always ignored me in the past. He was all attention now. “Fill this bag with bucks, large denominations, and do it now.”

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 9, 1918 Mickey Spillane. His first job was writing stories for Funnies Inc. including Batman, Captain America, Captain Marvel and Superman. Do note these were text stories, not scripts for comics. Other than those, ISFDB lists him as writing three genre short stories: “The Veiled Woman” (co-written with Howard Browne), “The Girl Behind the Hedge” and “Grave Matter” (co-written with Max Allan Collins).  Has anyone read these? (Died 2006.)
  • Born March 9, 1930 Howard L. Myers. Clute over at EofS positively gushes over him as does here of Cloud Chamber: “attractively combines Cosmology, Antimatter invaders of our Universe, Sex and effortless rebirth of all sentient beings in a wide-ranging Space Opera“.  I see he had but two novels and a handful of short stories. They’re available, the novels at least, from the usual digital sources. (Died 1971.)
  • Born March 9, 1939 Pat Ellington. She was married to Dick Ellington, who edited and published the FIJAGH fanzine. They met in New York as fans in the Fifties. After they moved to California, she was a contributor to Femizine, a fanzine put out by the hoax fan Joan W. Carr. (Died 2011.)
  • Born March 9, 1940 Raul Julia. If we count Sesame Street as genre, his appearance as Rafael here was his first genre role. Yeah I’m stretching it. OK, how about as Aram Fingal In Overdrawn at the Memory Bank, a RSL production off the John Varley short story? That better?  He later starred in Frankenstein Unbound as Victor Frankenstein as well. His last role released while he was still living was in Addams Family Values as Gomez Addams reprising the role he’d had in The Addams Family. (Died 1994.)
  • Born March 9, 1945 Robert Calvert. Lyricist for Hawkwind, a band that’s at least genre adjacent. And Simon R. Green frequently mentioned them in his Nightside series. Calvert was a close friend of Michael Moorcock.  He wrote SF poetry which you read about here. (Died 1988.)
  • Born March 9, 1952 James Shull, 71. Artist that was mostly active in the Seventies. His recognizable artwork was in most of the major fanzines. He published the Crifanac fanzine and was co-editor of The Essence fanzine along with Jay Zaremba. He was nominated for a number of Best Fan Hugos. He did beautiful covers for fanzines —  here is an example from Mike’s 1973 genzine Prehensile #8.
  • Born March 9, 1955 Pat Murphy, 68. I think her most brilliant work is The City, Not Long After. If you’ve not read this novel, do so now. The Max Merriwell series is excellent and Murphy’s ‘explanation’ of the authorial attributions is fascinating. I’d be remiss not to note her second novel, The Falling Woman won a Nebula Award did as her “Rachel in Love” novelette (which also won the Theodore Sturgeon Memorial Award). The Points of Departure collection garnered a Philip K. Dick Award, and her “Bones” novella the World Fantasy Award. 
  • Born March 9, 1978 Hannu Rajaniemi, 45. Author of the Jean le Flambeur series which consists of The Quantum ThiefThe Fractal Prince and The Causal Angel. Damn if I can summarize them. They remind a bit of Alastair Reynolds and his Prefect novels, somewhat of Ian Mcdonald’s Mars novels as well. Layers of weirdness upon weirdness. 

(9) SENSITIVE TO WHAT? Zoe Dubno in a Guardian opinion piece asserts “Publishers are cynically using ‘sensitivity readers’ to protect their bottom lines”.

…The publishing industry’s willingness to safeguard Dahl’s longevity is particularly perplexing in an age when they have begun to silence living authors whose personal lives they deem unacceptable. In 2021, when Philip Roth’s biographer, Blake Bailey, was accused of sexual assault, WW Norton pulled his biography. Similarly, Hachette refused to publish Woody Allen’s autobiography the year before.

But it was the personal conduct of those authors, not the content of their work, that the industry took issue with. If we are told to separate the art from the artist, why does Dahl – whose art and life both fail the social acceptability test – get a pass?

Though the current furore is about reprints, sensitivity reading has become popular with new books as well. When I first reported on sensitivity readers, in 2021, the phenomenon was still relatively unknown. Since then coverage has exploded. Most of the discussion revolves around the sensationalist prospect of woke censorship stripping art of nuance, but far less attention has been paid to the readers who vet these books….

(10) TINY CAMEO. From the Guardian: “Mark Everett of Eels: ‘It’s weird being a father when you’re older than your father ever was’”.

Mark Everett of Eels: ‘ I actually make a cameo appearance in Ant-Man and the Wasp: Quantumania as a nod to my dad. The director’s a fan of his and thought it would be fun.’

(His dad being Hugh Everett of Many Worlds fame!)

(11) BEEN THERE, DONE THAT, AND THAT, AND THAT. “Disney Being “Very Careful” With Star Wars Movie Development, CEO Bob Iger Says” in Deadline. Quoting Bob Iger —

…With Marvel, he said, “there are 7,000 characters, there are a lot more stories to tell. What we have to look at at Marvel is not necessarily the volume of Marvel stories we’re telling, but how many times we go back to the well on certain characters. Sequels typically work well for us. Do you need a third and a fourth, for instance, or is it time to turn to other characters?”

Iger didn’t get specific, but his comments came less than three weeks after the release of Marvel Cinematic Universe entry Ant-Man and the Wasp: Quantumania, the third Ant-Man film. It has grossed more than $600 million globally, but drew tepid response from critics and posted a 69% second-weekend drop in the U.S., the steepest by any MCU title to date.

“There’s nothing in any way inherently off in terms of the Marvel brand,” Iger stressed. “I think we just have to look at what characters and stories we’re mining. If you look at the trajectory of Marvel in the next five years, there will be a lot of newness. We’re going to turn back to the Avengers franchise with a whole new set of Avengers, for example.”…

(12) PRESCRIPTION FOR FASHION. “David Tennant shows off Doctor Who costume for Red Nose Day” reports Radio Times. Photos at the link.

Doctor Who star David Tennant has given fans another look at his Fourteenth Doctor costume in new photos for Red Nose Day — and it looks absolutely glorious.

The actor, who played the Tenth Doctor, has returned to the show to star in the 60th anniversary specials alongside co-star Catherine Tate (Donna Noble).

Now, ahead of his return to host Red Nose Day, Tennant has posed alongside Comic Relief co-founder Lenny Henry in a whole host of epic snaps….

(13) THERE WERE TWO FLAGS ON THE PLAY. [Item by Mike Kennedy.] Unexpected damage at both ends of the recent uncrewed Artemis mission around the Moon are raising yellow flags.

At launch, there was an unexpected amount of damage to the mobile launch tower. Some of those items have already been repaired and work on others is in progress.

On reentry, which was faster & hotter than any previous space mission, more damage was seen to the heat shield than expected. Further, the damage went beyond the expected ablation, with small chunks of the shield flaked off.

Mashable has the story: “NASA reveals its moon spacecraft was damaged as it plummeted to Earth”.

… The primary objectives of the inaugural flight were getting the spacecraft to orbit and recovering it. But another major purpose was to see how Orion’s heat shield stood up to the punishing temperatures as the spacecraft plummeted through Earth’s atmosphere. Orion came home faster and hotter than any spacecraft prior, traveling at 24,500 mph in 5,000 degree Fahrenheit temperatures.

The heat shield was supposed to get a little barbecued, but not charred to the extent that the team has observed in its post-flight analysis, said Howard Hu, manager of Orion, at the press conference.

“We’re seeing larger, like, more little pieces that are coming off versus being ablated,” he said, referring to a type of heat-driven evaporation engineers expected. The team has not determined yet whether the material needs to be redesigned, he said….

(14) SPACE NEEDLE. [Item by Mike Kennedy.] Elementary school students teamed with the University of Ottawa for a first-of-its-kind test. In a finding that could be of major significance for space medicine, they’ve discovered that epi-pens not only lose their potency when taken to space, but actually become poisonous.

I imagine quite a few adult scientists are now queuing up to test out other medicines that they assumed would be OK for space use. “Useless in space? uOttawa helps elementary students make startling discovery about EpiPens” at uOttawa.

… The John Holmes Mass Spectrometry Core Facility in the uOttawa’s Faculty of Science analyzed the returned samples to find the epinephrine sent into space returned only 87% pure, with the remaining 13% transformed into extremely poisonous benzoic acid derivatives, making the EpiPen unusable…

[Thanks to Chris Barkley, Andrew Porter, Michael Toman, Steven French, Cat Eldridge, Mike Kennedy, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]