Pixel Scroll 5/14/17 Ain’t Any Ivory Soap Deal

(1) TOMORROW’S NEWS TODAY: The Magazine of Fantasy and Science Fiction will be Wikipedia’s featured article of the day on May 15. Thanks to Gordon Van Gelder for the hot tip.

And if you’d like to amaze your friends by predicting what the featured articles will be for some number of days into the future — just change the digits in the URL….

(2) VOICE OF EXPERIENCE. Pat’s Fantasy Hotlist completes its questioning in “Tad Williams Interview, part 2”.

With your wife Deborah, you have an in-house editor perusing everything you write. Then, at Daw Books you have Betsy Wollheim and Sheila Gilbert editing your novels. With that many editors having you under the microscope (and I reckon that your British editor also has something to say before anything goes into print), some would think that it could become a case of too many cooks in the kitchen. And yet, this approach obviously works well for you. Why is that?

Well, for one thing, I’m stubborn. As much as I love and respect all those folks, including my overseas editors, ultimately the complaints and/or suggestions have to make sense to me before I’ll make any large changes. I’ve been doing this writing gig for quite a while now and I don’t think you get to the point I have — making a living at it for decades — without trusting your own instincts. So if one person says they don’t like something, I’ll look at it and consider it but won’t necessarily change it unless the complaint strikes a chord for me. However, if all or at least several of them say that such and such a section is boring or confusing or whatever — well, I’m not stupid. On the other hand, because I have intelligent, skilled readers and editors like the three you mentioned, I also feel I can try new and unusual things and they are all clever enough to understand what I’m trying to do, which gives me a certain sense of freedom combined with the reassuring feeling that if I screw up too badly, they have my back and will help me fix it.

(3) OCTAVIA BUTLER EXHIBIT AT THE HUNTINGTON. It would be commonplace to start an item like this, “I wonder if Octavia Butler would have been surprised to hear that one day she’d be the subject of an exhibit at the Huntington Library?” But after viewing some of the ambitious notes to herself shown in this article, I don’t think it would have surprised her that much. “At the Huntington, see the inspirational note black sci-fi writer Octavia Butler wrote to herself” in the LA Times.

Octavia E. Butler was a powerful and pioneering voice in science-fiction. The first black woman acclaimed as a master of the genre, she was known for vivid, expertly crafted tales that upended conventional ideas about race, gender and humanity.

Although her creations were bold, Butler, who grew up poor in Pasadena, was “a private, reflective person who struggled with shyness and self-doubt,” said Natalie Russell, curator of a new exhibition at the Huntington Library, Art Collections, and Botanical Gardens in San Marino.

How such struggles influenced her life and art is one of the themes explored in “Octavia E. Butler: Telling My Stories.” Russell said the show uses an invaluable resource — the author’s archive — to examine both her published work and “who she was as told through her personal papers.”

(4) CASE STUDY. Paul Linebarger may have written the military classic Psychological Warfare, but don’t assume he didn’t need some shrinkage himself — “Remembering Cordwainer Smith: Full-Time Sci-Fi Author, Part-Time Earthling” in The Atlantic.

One hot June day, probably in the late 1940s or early 1950s, psychoanalyst Dr. Robert Lindner received a phone call from a physician who wanted to refer a troubling case to him for treatment: “The fellow I’m calling you about is a man in his 30s, a research physicist with us out here. As far as I can tell, he’s perfectly normal in every way except for a lot of crazy ideas about living part of the time in another world—on another planet.”

This famous case study, which Lindner shared in his 1955 book The Fifty-Minute Hour, is now believed by some to be a real-life account of Paul Linebarger (1913-1966)—better known to science-fiction fans under the name of Cordwainer Smith, a writer who still retains a strong cult following in this year of his centenary. The accumulated evidence suggests that Smith, who published more than two dozen short stories and a single sci-fi novel during the 1950s and 1960s, may have drawn on his personal experiences, broadly defined, in crafting his peculiar and visionary tales of intergalactic life. Brian Aldiss first reported the possible linkage between Smith and Kirk Allen—the name used by Lindner for his patient—in 1973, and subsequent research by Alan Elms and Lee Weinstein has tended to substantiate, although not definitely prove, the connection.

(5) WONDER WOMAN HEALTH FOOD. Forget those protein bars —

Ahead of the release of the new Wonder Woman movie, Cold Stone Creamery is releasing a fierce new flavor. The promotional flavor is called Dark Chocolate Triple Berry Ice Cream, and the new Creation is called the Wonder Woman Berry Bold, which has the Dark Chocolate Triple Berry Ice Cream plus chocolate shavings, raspberries, and gold glitter. And that’s not all. The ice cream shop is also releasing a new cupcake called Triple Berry Wonder, which has layers of moist Red Velvet Cake and Dark Chocolate Triple Berry Ice Cream, topped with chocolate frosting, gold glitter, and a Wonder Woman logoed Chocolate Medallion.

(6) FAN MAIL. Be part of Worldcon 75’s postcard exhibit –

(7) GOLDEN AGE. “Science fiction’s new golden age in China, what it says about social evolution and the future, and the stories writers want world to see” in the South China Morning Post.

…Some 104 original sci-fi titles were published in China in 2016, compared to 75 the previous year, and 461 novelettes were released last year.

Author Regina Wang Kanyu, 27, a long-time sci-fi fan, has witnessed its growth in recent years. “It’s the golden age of Chinese science fiction,” she says.

Wang is a co-founder of AppleCore, a group of mostly university students who get together in Shanghai to read science fiction. It grew from an alliance of several university clubs into a community, and organises film screenings, visits to virtual reality labs and annual festivals.

She now works full time in the science fiction field – as a public relations manager for start-up Storycom by day and a sci-fi writer by night. Storycom purchases and publishes works by Chinese authors, and Wang’s task is to promote them in foreign markets. “We are not simply marketing the works owned by our company, but the entire genre of Chinese science fiction. We would like to increase its influence, outside China and especially beyond the field of literature, into arts and tourism.”

Last month, writers Regina Wang, Wang Yao and Hao Jingfang attended Melon Hong Kong, the city’s first science-fiction conference to bring together Chinese and Western writers….

Note that Wang Yao writes as “Xia Jia”. Regina Wang Kanyu is a contributor to Amazing Stories.

(8) TIME TRAVEL. A zoomable copy of Berenice Abbot’s photo “Newsstand, Southwest Corner of 32nd Street and Third Avenue, November 19, 1935” can be viewed at the Heritage Auctions site.

Travel back in time to the pulp era, when you could have bought a copy of Weird Tales Nov 1935, with a Conan story by R. E. Howard and a letter by Forrest Ackerman, for the original price!

(9) TODAY’S BIRTHDAY BOYS

(10) THE VIEW FROM ECBATAN. Rich Horton carries on with “Hugo Ballot Reviews: Short Story”.

My ballot will look like this:

1) “That Game We Played During the War“, by Carrie Vaughn

Easy pick for me. It was the only story on my nomination list to make the final ballot. (As I’ve noted before, that’s not unusual.) And it’s SF. More importantly, it’s really good. From my Locus review: “”That Game We Played During the War” is a moving piece about Calla, a woman who was a nurse for Enith during their war with the telepathic Gaant people. The war is over, and Calla is visiting Gaant, trying to meet and continue a game of chess she had been playing with Major Valk, whom she had encountered both in Enith and later after she was captured, in Gaant. This version of chess is unusual — because of the Gaantish telepathy — and it’s not so much the point — the point, of course, is how enemies can come to a peaceful meeting (and, too, how telepathy complicates that!)” So — a core SF idea used very well in service of a worthwhile moral point. With good writing and good characters. Works for me.

(11) BLASPHEMY. That’s what John King Tarpinian said when he spotted this LA Times headline: “So many books to help you get rid of stuff (like too many books)”. The related article, at least, does not single out books as targets of the de-cluttering process.

That stuff-to-happiness equation is at the heart of one of the hottest trends in publishing for the last few years. Publishers have been pumping out book after book celebrating the rewards of getting rid of stuff. Japanese author Marie Kondo’s “The Life-Changing Magic of Tidying Up” and “Spark Joy” have sold over 7 million copies worldwide, and she’s got another coming next month: “The Life-Changing Manga of Tidying Up: A Magical Story” a graphic novel which casts Kondo as a kind of joy-sparking Sailor Moon who helps a disorganized young woman get her life in order.

(12)  OLD BLUE EYES. He passed away 19 years ago today. Read Steve Vertlieb’s “Sinatra All The Way” tribute at The Gull Cottage.

On the night of Thursday May 14th, 1998, America and the world lost the most iconic, beloved entertainer of the twentieth century. Sadly, it has been nineteen years since the passing of The Chairman Of The Board. William B. Williams assigned that name to Francis Albert Sinatra on his WNEW Radio program a half century ago, and it stuck. No performer either before or since has had the cultural impact of Sinatra. Singer, Actor, Director, Dancer, Painter, Producer, and Social Activist, Frank Sinatra remains the single most influential multi media artist in show business history. On the anniversary of his passage into both history and legend, we take a look back at his remarkable career and commemorate more than one hundred years, as well as one of The Greatest Stories Ever Told, with this retrospective and one hundredth birthday celebration of the life and times of Frank Sinatra.

(13) BROTHER GUY IN THE NEWS. Fan favorite Brother Guy Consolmagno got some ink this week — “The Vatican Is Looking for God in the Stars”.

If you think faith and science can’t share common ground, think again. Experts in both realms met last week at the Vatican Observatory to prove their theory that you can’t have one without the other. “If you have no faith in your faith, that is when you will fear science,” said Brother Guy Consolmagno the Vatican’s chief astronomer, whose works include such titles as “Would you Baptize an Extraterrestrial?

Brother Consolmagno led the three-day conference called Black Holes, Gravitational Waves and Spacetime Singularities at the Vatican Observatory’s Castel Gandolfo labs outside of Rome, the former papal summer residence that is remote enough to allow for clear stargazing with minimal light pollution.

He challenged astronomers, cosmologists. and other experts in the field who also believe in God to “come out” and talk about the intersection of faith and fact. What he ended up with are talks like, “The Internal Structure of Spinning Black Holes” and “The Big Bang and its Dark-Matter Content: Whence, Whither, and Wherefore.” Not once in the whole program does the word “God” or “religion” even appear, which is rare for a conference sponsored by the Vatican.

(14) A SCRIBE IN KALAMAZOO. Heather Rose Jones has posted her extensive and fascinating notes about the paper sessions she attended at the Medieval Congress in Kalamazoo. For example –

What Did it Mean to Be a Magician in al-Baqillani’s Baghdad? The Social Implications of the Discourse on Magic – Mushegh Asatryan, Univ. of Calgary

(could not be present due to immigration status concerns, but sent paper to be read)

11th c Baghdad, implications of magical practice. Book concerns difference between saintly miracles, tirckery, soothsaying, magic, and ??.  Works to distinguish and offers examples. Clear case where theological speculation is informed by social context of author. Life experiences that led the author to compose the work. “Prophetic miracles” (only prophets can perform) vs. “saintly miracles”.

Miracles: something only God can perform, and not others including supernatural creatures. Breaks the usual custom of events. E.g., flying through the air, moving mountains. One test is claim of prophecy. If someone claims to be a prophet and can still perform the action, it’s a miracle not a trick/magic.

Tricks are manipulation of people’s perceptions.

Magic is considered to be real, and is otherwise similar to miracles in breaking the usual course of events.

The author considers these categories in the context of determinism and atomism. Things are considered magic/miracles only because their break the apparent habit of what God wills, but they are still in alignment with God’s will. A magician cannot effect change in an object but any change is due to God’s action. So a magician can’t prove his actions to be proof of prophecy., as God won’t coincidentally break his habits to create the appearance of the effectiveness of his actions. Unless he’s a prophet and they are actual miracles. So if a magician makes a false claim of prophecy, either he must be punished, or the apparent miracle must be made into a natural law (i.e., a habit of God).

While the author condemns Muslim magicians for this reason, he does not do so for Christian or Jewish magicians,. They post no threat to the Islamic power structure of Baghdad, while Muslim magicians did. Internal political conflicts may have been relevant, e.g., Shi’ites were associated with claims of magical powers. (There is discussion of the authority structure with regard to scriptural interpretation.) The author defends the concept/acceptability of magic in order to counter Shi’a magical claims.

[Thanks to Andrew Porter, Gordon Van Gelder, Bill Mullins, Cat Eldridge, Steve Vertlieb, John King Tarpinian, and JJ for some of these stories. Title credit goes to File 770 contributing editor Raymond Chandler, with an assist from John A Arkansawyer.]

Pixel Scroll 3/23/17 I Fifth The Pixel Electric

(1) SACRIFICIAL FIRST. Camestros Felapton, who has been “Reading ‘Corrosion’so you don’t have to”, files this after-action report:

So with the tune of ‘Don’t You Want Me Baby’, running in my head I descend into ‘Corrosion: The Corroding Empire Part by Johan Kalsi and/or Harry Seldon Edited by Vox Day’.

Servo is a robot working in a cocktail bar, when we meet him. Again, if only this book was a pastiche of new-romantic pop lyrics but it isn’t – I mean how would it have been to have included a cocktail bar in the story?

Instead, we get a bunch of connected not-exactly awful stories set in a technological society run by ‘algorithms’. The style is one I shall now christen ‘Puppy Clunk’. If you read some of the less appalling slated works in 2015, you’ll recognise the style. It’s not illiterate or wholly unreadable but it just sort of goes ‘clunk’ in every sentence.

(2) FLAME ON. Entertainment Weekly’s James Hibbard assures everyone that the “’Game of Thrones’ dragaons are ‘the size of 747s’ in season 7”. Is there a word in Dothraki for “bodacious”?

The dragons are bigger this season. Okay, we say that every year. But this time, they are a lot bigger.

For Game of Thrones season 7, which has Daenerys’ trio of beasts headed to Westeros as part of the dragon queen’s invading fleet, the creatures are more fearsome than ever before.

“The dragons this year are the size of 747s,” director Matt Shakman tells EW. “Drogon is the biggest of the bunch – his flame is 30-feet in diameter!”

Shakman is one of four directors helming next season (the others are GoT vets Alan Taylor, Jeremy Podeswa, and Mark Mylod). He was probably being at least somewhat approximate when comparing the dragons to the venerable Boeing airliner. But for reference, a 747 is about 230 feet long with a 210 feet wingspan. So, really big.

(3) BLIND DATE. I’ve used up my quota of free articles in the Washington Post this month, however, Daniel Dern recommends this article about The Expanse. If you are still on the free side of the paywall, treat yourself to “The best show about international relations on television right now is on – wait for it – Syfy”.

(4) OCTAVIA BUTLER. Fortunately this Boston Globe article hasn’t gone behind the paywall just yet — “Science fiction, black music meet in Toshi Reagon’s opera-in-progress”.

In the parable of the sower in the Gospels, Jesus tells his followers about different outcomes from scattering seeds. Some are cast to the side and eaten by birds, some are planted in rocky soil or among thorns and fail to grow, but the seeds sown on “good ground” will take root and provide a bounty.

Science-fiction author Octavia E. Butler called back to that allegory about the word of God with her 1993 book “Parable of the Sower,” about a young woman in an apocalyptic future America who wanders a drought-stricken landscape, planting the seeds of a new religion fueled by empathy.

Now Butler’s book is adapted into an opera that synthesizes a wide range of musical styles culled from its creators’ deep reservoir of knowledge about black music in America.

(5) TODAY’S DAYS

You get your choice:

Commemorates March 23rd, 1989, when a large asteroid missed the Earth by a mere 500,000 miles – a very near miss indeed! What would you do if an asteroid was about to hit the Earth – how would you spend your last hours, and would you even want to know?

(6) FISHER MEMORIAL. The public memorial service for mother and daughter will take place March 25.

Fans will be able to pay their respects to Debbie Reynolds and Carrie Fisher during a public memorial Saturday at Forest Lawn Memorial Park-Hollywood Hills, where the late stars were buried together in January.

The joint service — described as a “celebration of life” — will begin at 1 p.m., Todd Fisher said in an announcement about the tribute for his mother and sister on his website.

“We will be celebrating their lives with friends, family members, and the people who loved them, you,” he wrote in the announcement.

The memorial will take place inside the cemetery’s Hall of Liberty, which, according to the Forest Lawn website, seats more than 1,000.

(7) GRAVE CONCERNS. Patrick Stewart is among the people campaigning to preserve a piece of Brooklyn history — “Patrick Stewart: Revolutionary War heroes are buried under empty Gowanus lot!”

Starship Enterprise captain and Park Slope resident Sir Patrick Stewart is throwing his weight behind a controversial theory that the bodies of hundreds of Revolutionary War heroes are buried beneath an vacant lot in Gowanus — and he wants a memorial placed there so that history never forgets the name “Maryland 400.”

Stewart claimed in a recent Gentleman’s Quarterly interview that the empty Ninth Street site is the final resting place of the famed band of soldiers — who died saving General Washington’s rebel army from annihilation during the Battle of Brooklyn — and said he has personally petitioned Mayor DeBlasio to install a monument to them there, to which Hizzoner replied, “I’m on it.”

(8) NEAGLE OBIT. Long-time New Orleans-area fan Robert Neagle (1955-2017) passed away March 22 from a massive heart attack. He was active in many local and regional fan groups, and a veteran conrunner. I first met him at Nolacon II 1988), where he was wearing his Porno Patrol t-shirt. Neagle was the Captain of the Porno Patrol and I remember asking for an explanation of what they did, and vaguely remember an explanation involving the French Quarter. I remember much more clearly being grateful that he and his friends were volunteering at the con which needed all the help it could get.

Neagle was chairman of Crescent City Con throughout its 20-year history, ending in 2005. He was one of the founders of the Companions of Doctor Who, chaired DeepSouthCon 37 (1999), and worked on Vulcon, CoastCon and NOSFF, the New Orleans Science Fiction and Fantasy Festival. He was a member of Area 504 and the Amalgamation of Non-Aligned Lifeforms Starfleet.

He was the first Fan GoH of the (relatively new) Gulf Coast convention CONtraflow. He was honored for his contributions to Southern fandom with the Rebel Award in 2001.

Neagle is being cremated and there are no services planned at this time.

(9) COMIC SECTION. Pearls Before Swine has a real groaner today.

(10) STIFLED DISCOURSE. Lela E. Buis, in “Intimidating People Into Silence”, comments on a political trend to threaten and bully people:

In the last blog, I reported on a group (wisely anonymous) who advanced an article challenging Cecily Kane’s 2016 Fireside article that used a statistical analysis to show anti-black bias among SFF editors. Although the anonymous authors agreed there was a bias against black authors, they disagreed on the cause. After threats, they withdrew the article. Fireside then posted the article on their site.

So, what was the problem here? Why were these authors threatened? Was it because they challenged Kane’s specific conclusions about editorial bias? Or was it because they challenged possible gains that might have been made because of Kane’s article? Is this a political issue? Are the anonymous authors misguided statisticians? Or are they really racists trying to undermine black progress?

The interesting thing is that this isn’t an isolated case of attacking and bullying people, not just for their social/political views, but also for research that might contradict the opposition’s conclusions. It’s actually a fairly common theme in US society right now….

(11) KSR H2O NYC. From Scientific American “Q&A: Kim Stanley Robinson Explains How He Flooded Manhattan”

His new book, New York 2140, explores the interplay of climate change and global finance on a warmer, wetter future world

What would you say this book is really about? It’s about climate change and sea level rise, but it’s also about the way that our economic system doesn’t allow us to afford a decent future. As one of the characters says early in the book, “We’ve got good tech, we’ve got a nice planet, but we’re fucking it up by way of stupid laws.”

Finance, globalization—this current moment of capitalism—has a stranglehold on the world by way of all our treaties and laws, but it adds up to a multigenerational Ponzi scheme, an agreement on the part of everybody to screw the future generations for the sake of present profits. By the logic of our current system we have to mess up the Earth, and that is crazy. My new novel explores this problem and how we might get out of it.

(12) WHO OF WHOVILLE. At the end of Daily Beast’s post about coverage of yesterday’s terror incident, “Londoners Reject British ‘Traitors’ Peddling Terror Dystopia on Fox News”, comes a genre reference —

James Moran, a screenwriter who worked on shows including Doctor Who and Torchwood, said the unique nature of London could never be altered.

“The only things that shut down London: (a) leaves, (b) 3 flakes of snow, (c) when you try to get on trains without letting people off first,” he wrote “Now let’s carry on being Londoners. Rude, always in a hurry, and completely ignoring each other, LIKE GOD INTENDED.”

[Thanks to JJ, Cat Eldridge, Stephen Burridge, Martin Morse Wooster, Chip Hitchcock, Daniel Dern, Raymond Boudreau, Andrew Porter, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 2/11/17 When A Scroll Meets A File Like A Big Pizza Pie, That’s A Story!

(1) TRACKING DOWN THE GOH. Craig Miller, who was just in Mumbai speaking at an animation event, is now en route to a Star Wars convention in Norway. As he explained to his Facebook readers:

[It’s] actually more of a “The Empire Strikes Back” convention — in Finse, Norway next weekend. Finse is where we shot the exteriors for the Hoth ice planet scenes. And I’ve been asked to be a Guest of Honor. (The other guest is Bjorn Jacobsen, who was head of Fox Norway and was Production Manager for Norway on ESB.)

I’m really looking forward to the trip. (Not the least for the planned “trip to the glacier via dogsled”.) Among the amazing parts of it is that Andreas Frølich, the event organizer, has gotten NSB, the Norwegian railway, involved as a sponsor. We’ll be traveling from Oslo to Finse on Friday via a special train car, fully decorated in “Star Wars” regalia. Bjorn and I will be the ‘guests of honor’ of the train trip as well, answering questions and such. NSB even has a page on their official website about it.

The Norwegian readers among us will get the most benefit from the railroad’s webpage about the event, NSB tar deg til Hoth. (There’s also the con’s own webpage.)

Den 17. februar kl 12.00 kan du være med på en galaktisk opplevelse på toget fra Oslo til Bergen. Da kan du reise i en egen vogn som er satt av til foredrag med Hollywoods Craig Miller, sentral i arbeid med PR rundt de tidlige Star Wars®-filmene. I tillegg blir det Starwars®-meny om bord for de som ønsker det og møter med kjente skikkelser fra Star Wars®-universet. Alt dette frem til Finse, eller Hoth® som det heter i den verdenskjente filmen spilt inn på nettopp Finse i 1979, med skuespillere som Harrison Ford og Carrie Fisher.

I couldn’t have said it better myself.

(2) PRATCHETT FANS PAY TRIBUTE. The Guardian reviews the Pratchett docudrama Back in Black:

A couple of minutes into Back in Black, there’s a shot of Terry Pratchett’s head, outlined in twinkling lights hovering over his own memorial service at the Barbican Centre in London. It looks like a satellite photograph of some new country. As Auden said of Edward Lear: “He became a land.” And here are its people.

One of the charms of this docudrama is that it largely eschews the usual talking heads in favour of Discworld fans. Even the famous faces that do appear – Neil Gaiman, Pratchett’s consigliere Rob Wilkins, the illustrator Paul Kidby – first entered Pratchett’s orbit as fans. Whether it was the life-changing offer he made to collaborate with the young Gaiman on Good Omens, or the blessing to Stephen Briggs’s attempts to map Ankh-Morpork, or simply Tipp-Exing over an old dedication in a secondhand copy of one of his books so he could “unsign” it for its new owner, Pratchett showered his fans with favours like a Highland clan chief. It’s a clan with its own code of honour: to “be a bit more Terry” is to be kinder, more tolerant.

(3) I’LL DIE WITH THIS HAMMER IN MY HAND. Carl Slaughter spotted another cool video: “So you thought only Thor could lift his hammer.  OK, so only the blonde haired, horn headed Norse god can tote it around on a permanent basis.  But at least 10 other comic book characters have wielded that legendary weapon.  OK, so it was always under special, temporary circumstances, and sometimes through loopholes.  But lift that mighty hammer they did.”

(4) AWESOME TASK. The creators tell NPR about “The Joy (And Fear) Of Making ‘Kindred’ Into A Graphic Novel”.

Not surprisingly, artists Damian Duffy and John Jennings felt especially daunted by the chance to adapt renowned speculative-fiction writer Octavia Butler’s beloved Kindred for a new graphic novel edition.

“It was like, this is awesome, we got this project, it’s, like, our dream project! Yayyy!,” Duffy said. But excitement quickly turned to panic. “I have to do what now?” he also said to himself.

“Octavia Butler is … one of the greatest American writers to live, period,” Jennings said. “She was literally a genius. The way that she would use metaphor and allegory and how she tackled some of the most horrific things about human existence through science fiction and fantasy? She was a master storyteller.” Butler, who died in 2006 at the age of 58, was the first science-fiction writer to receive a MacArthur “Genius” grant and the recipient of several Hugo and Nebula awards.

(5) IMPORTANT STORIES. Tony C. Smith, a Hugo winner for the Starship Sofa podcast, has opened a Kickstarter appeal to fund an anthology, Everyone: Worlds Without Walls. So far, contributors have pledged $2,197 of the $3,746 goal.

The District of Wonders is a world where we know that diversity makes us richer. It’s a world where there are no walls, no barriers, no guns, no hatred. The District of Wonders is a world that values equality, and seeks to recognize and welcome people of all backgrounds, religions, races, cultures, and expressions of humanity. It’s a world that values truth. Everyone has a story in the District of Wonders – and every story is important. Everyone is important.So what I’m asking now is that you join me in standing against injustice and discrimination in the way that the District of Wonders does best – by sharing stories.

If successful, this Kickstarter will fund an e-book anthology of stories that offer a greater representation of ALL the people of this beautiful rich world

The District of Wonders will draw upon its incredible network of authors and actively seek new voices to bring you a scintillating showcase of what it means to value everyone. With talent and tales from diverse nations, cultures, races, and experiences, this anthology will explore and celebrate how we are greater together – and, conversely, the need to tear down walls of ignorance, prejudice, and injustice.

(6) TODAY IN HISTORY

February 11, 2009 – “This was the first time Ray saw the plaster cast of what became the 8-foot-tall bronze Father Electrico,” recalls John King Tarpinian, who was there. “To the right is his caregiver, Santiago.  The guy with the camera is John Sasser, who is still working on the documentary.  You can barely see the artist, Christopher Slatoff.  Chris is best known for his life-size religious statues.”

(7) LAST WEEK IN HISTORY A missed anniversary:

The Beatles didn’t appear live to sing “Hey Jude” and “Revolution.” They’d gotten disinterested in touring by 1968, so they made these new things called videos, and gave them to only one TV program in the United States. Not to The Ed Sullivan Show, which had helped launch Beatlemania and the British invasion four years before — but to the Smothers Brothers.

That same year, George Harrison of the Beatles showed up unannounced — not to sing, but to support Tom and Dick in their fight against the CBS censors. By then, the fights had become almost legendary. Tom confessed to Harrison that on American television, they didn’t always get the chance to say what they wanted to say, and Harrison advised, “Whether you can say it or not, keep trying to say it.”

(8) GOT THAT RIGHT. A picture worth a thousand words, from Goodreads.

(9) ILLINOIS FIGHTS BRAIN DRAIN. Not all legislators share your opinion that they have more pressing issues to work on — “Illinois lawmakers designate October ‘Zombie Preparedness Month’”.

Illinois lawmakers are encouraging the state to be undead-ready by passing a resolution declaring October to be “Zombie Preparedness Month.”

The state House voted Thursday to approve House Resolution 0030, which calls for October to be declared “Zombie Preparedness Month” as a bid to encourage the state’s residents to be prepared for more realistic natural disasters.

“If the citizens of Illinois are prepared for zombies, than they are prepared for any natural disaster; while a Zombie Apocalypse may never happen, the preparation for such an event is the same as for any natural disaster,” the resolution reads.

(10) OVERWROUGHT. The art is prime, but not nearly as purple as the prose.

OneAngryGamer declares “SJWs Are Furious E3 2017 Is Open To Real Gamers”.

…Typically, some SJWs were not pleased that real gamers would be able to finally bypass the uninformed, fascists gatekeepers known as game journalists, and see and experience the games and technology for themselves. No longer would gamers have to rely on misinformation, sociopolitical commentary and identity politics pervading the coverage of E3….

Other SJWs found it to be a mistake, a blasphemous call for the hydra of consumerism to emerge from the far corners of the interwebs; a stake to the heart of game journalism’s oligarchy; a raping of the gated clique that once controlled the foyer of information that lactated from the bulbous PR udders dangling from the publishers’ visceral bloat that drips begrudgingly through the sphincter of the media and out through the curdled lips of their blogs….

[Thanks to Carl Slaughter, John King Tarpinian, JJ, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Ken Richards.]

Pixel Scroll 2/3/17 The Pixel That Rowed The Scroll Ashore

(1) ASIMOV ON THE AIR. BBC Radio 4, as part of their 15 Minute Drama series, will be adapting five of the stories from Asimov’s I, Robot. Original broadcasts will run from February 6-10. As usual, episodes will be available for online listening “shortly after broadcast”.

A couple of clips promoting the series are already online –

Scriptwriter Richard Kurti tells us why Isaac Asimov’s sci-fi stories were so remarkable in their ability to predict the future.

Actor Nick Briggs introduces his characters and tells us what he finds appealing about Isaac Asimov’s sci-fi stories. He also explains why he doesn’t think we should fear a future dominated by robots.

Episode One will be ROBBIE.

The rise of robotics in the 21st century, told through the poignant and mysterious story of enigmatic lawyer, Stevie Byerley. Starring Hermione Norris.

Episode One : ROBBIE As a child, Stevie Byerley is raised by Robbie, a robotic childminder, because her parents are too busy working. The powerful bond she forms with the robot is unbreakable. Their relationship will change the course of Stevie’s life.

Originally written over 60 years ago, Isaac Asimov’s stories are becoming truer with every day that passes. The world that he imagined is now upon us.

(2) BURNT ENDS AND ZOMBIES. In Episode 28 of Scott Edelman’s Eating the Fantastic he feasts on BBQ with Craig Engler, Co-Creator/Writer/Co-Executive Producer of the hit zombie TV show Z Nation.

Join us as we discuss what life’s like when you’re a professional game player for Nintendo, how running the Syfy Channel’s digital side led to him getting a shot at writing TV movies such as Zombie Apocalypse, why he wrote Weight Hacking, his geek guide to losing weight and getting fit, plus much more, including behind-the-scenes secrets on the past, present, and future of his hit zombie TV show Z Nation.

 

Craig Engler

(3) SHE STABS IT WITH HER STEELY KNIFE. Violette Malan ranks “My Top Five Sword-Fight Movies” at Black Gate.

You don’t have to read many of my posts to know that The Princess Bride is pretty well my favourite movie. And though I love the sword fighting scene between Wesley and Iñigo, and the later one between Iñigo and Count Rugen, they are not actually my favourite sword fighting scenes. In both cases, it’s really the dialogue that makes the scenes memorable. So what movies would I rank above The Princess Bride in sword fighting wonderfulness?

Here they are, in the order in which I thought of them.

The Three Musketeers (1973, directed by Richard Lester)

One of the great things about this movie, along with its sequels The Four Musketeers, and The Return of the Musketeers, is that they all feature the same cast. There are good fight scenes in all the films (Oliver Reed is more impressive in the sequels), but it’s the first one I know the best. I particularly like the fantastic opening sequence, where D’Artagnan’s father teaches him the “secret thrust.” Anything between D’Artagnan (Michael York) and Rochefort (Christopher Lee) is well worth watching. There’s also some terrific ensemble fighting, notably the scene between the four leads and the Cardinals’ Guard in the convent courtyard. It should be noted that Christopher Lee was a fencer IRL as well…

(4) KA-CHING! Mary Rosenblum analyzes “What REALLY Sold in 2016?” at the SFWA Blog.

In 2016, 43% of all traditionally published books were purchased online.  Now, THAT is a reason to break out the champagne!  Why?  Because most readers pay little to no attention to the publisher.  As long as the small press or self published book looks professional and has a professional looking cover,  it’s competitive with books from the ‘bookstore’ publishers.  If your ebook or print book includes those 5 critical elements for success and looks like the other professionally published books out there, readers don’t care who published it.  They’ll look at price.

Aha!  That might just be the reason that self publishing authors sell almost as many ebooks as the traditional publishers. They can usually price their books lower.

But what about print books?

2016 Self Published Print Book Sales

In 2016, 21,800,000 self published print books were sold, mostly published through Create Space.  The average price was $10.34.  Amazon imprints sold another 959,000 copies.

That’s a lot of print book money!

(5) NEW EDITION FROM PENGUIN. Here’s the version of George Orwell’s book for the alternate timeline you’re living in.

(6) COMPLIMENTING SMUGGLERS. Nigel Quinlan writes, “I would like to selfishly draw your attention to the new issue of The Book Smugglers’ Quarterly Almanac. It contains a fun Mid-Grade fantasy short story by me, ‘The Gobbleens,’ which is featured on the utterly gorgeous cover.”

I’m happy to give it a mention, in part for the beautiful cover, and in part because I owe them thanks for sending a copy of the first one, which had a great story by Tansy Roberts.

Collecting original short fiction, essays, reviews, and reprints from diverse and powerful voices in speculative fiction, THE BOOK SMUGGLERS’ QUARTERLY ALMANAC is essential for any SFF fan.

IN THIS VOLUME (JANUARY 2017): BECKY CHAMBERS, SHERRI L. SMITH, A.E. ASH, KATHERINE MACLEAN, NIGEL QUINLAN, ZETTA ELLIOTT, ALLIAH/VIC, KATE C. HALL, NICOLE BRINKLEY, ANA GRILO AND THEA JAMES

(7) OCTAVIA BUTLER. Maura McHugh reviews the graphic novel adaptation of Octavia Butler’s Kindred on Irish national radio, now up as a podcast on this page — “Arena with Sean Rocks, Monday, January 30”

Maura McHugh reviews the sci-fi graphic novel “Kindred” by Octavia E Butler which has been adapted by writer Damien Duffy and artist John Jennings (published by Abrams ComicArts)

(8) BURNING MAN. I09 did a story on the edition of Bradbury’s Fahrenheit 451 that was bound is asbestos. John King Tarpinian adds this “Fun Fact” —

Ray had one of his copies with burn marks on it because he would hold a lighter to it to show people it would not burn.

(9) TO THE STARS. The Arthur C. Clarke Center for Human Imagination has released the fourth episode of is podcast Into the Impossible, about “How to Make a Spaceship”.

How do you jumpstart the private spaceflight industry? Passion, commitment, bold risk-taking, some inspiration from Charles Lindbergh, and a little luck. On today’s show, we hear from Peter Diamandis, whose XPRIZE Foundation launched the competition that gave us the first private manned spaceflight–and paved the way for Virgin Galactic, SpaceX, Blue Origin, and his own Planetary Resources, among others–along with the prize-winning pilot, Brian Binnie, and the writer Julian Guthrie, who chronicled their stories along with those of the other teams from around the world inspired by this unprecedented challenge. Also on this episode: convincing Arthur C. Clarke to buy your college friends dinner and a nearly disastrous incident with a mother-in-law and a cup of coffee.

Be sure to check out Julian Guthrie’s book, How to Make a Spaceship: A Band of Renegades, an Epic Race, and the Birth of Private Spaceflight, for the rest of the story!

(10) QUOTABLE QUOTE

“The next time you’re abducted, just steal something off the ship.”  — Neil DeGrasse Tyson

(11) TODAY IN THE HISTORY OF THINGS YOU NEVER HEARD OF

  • February 3, 1993:  Dystopian satire Acción Mutante opens in its native Spain.

(12) BIRTHDAY WIZARD

  • Born February 3, 1970  — Warwick Davis

(13) HAZARDOUS DUTY. No OSHA in the Empire? “Why ‘Star Wars’ Hates Handrails: Finally We Know Why People Keep Plummeting to Their Death”.

Ever noticed that most of the locations in the Star Wars universe wouldn’t pass a basic safety inspection? A number of characters plummet to their doom throughout the series, and the risk of accidentally falling on The Death Star or in Cloud City, or even tripping into that floor hatch on the Millennium Falcon, seems incredibly high. A new episode of the official web series The Star Wars Show explains that this was by design: George Lucas was against building guardrails on Star Wars sets.

 

(14) THE OUTFIELDER WHO WOULD BE KING. San Francisco Giants baseball player Hunter Pence posted a great photo of him wearing a Hakuna Matata t-shirt trying to free Excalibur from the Sword in the Stone at Disneyland. He couldn’t do it! The throne rests easy tonight.

(15) COMIC HISTORY LESSON. Atlas Obscura remembers “Marie Duval, the pioneering 19th-Century Cartoonist That History Forgot”.

In the late 1800s, London was swept up in the new craze of visual, satirical journalism. When Judy magazine, a twopenny serio-comic, debuted a red-nosed, lanky schemer named Ally Sloper who represented the poor working class of 19th-century England, it was one of the first recurring characters in comic history.

But credit for that character has long gone to the wrong person. Two people were responsible for Ally Sloper—and one of the creators has only recently been rediscovered by academics and comic fans.

Wearing a shabby stovepipe hat and carrying a rickety umbrella, the iconic and popular cartoon is often credited to Charles H. Ross, a playwright, cartoonist, and eventual editor of Judy. However, Ally Sloper was actually illustrated and developed by two artists: Ross and his wife, actress-turned-cartoonist Marie Duval—who was responsible for the bulk of the Ally Sloper comics.

(16) SPEAK UP. This LEGO Batman Movie promo clip introduces the voice actors behind the characters.

[Thanks to John King Tarpinian, Nigel Quinlan, Bruce D. Arthurs, Cat Eldridge, and Martn Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Paul Weimer.]

Pixel Scroll 1/13/17 Pixelcrantz And Guildenscroll Are Dead

(1) WHEN IRISH EYES ARE SMILING. Graeme Cameron has a great installment of “The Clubhouse” about the legendary Walt Willis at Amazing Stories.

In 1952 Walt was the recipient of the first Trans-Atlantic Fan Fund (TAFF) which paid his way to attend the Chicon II Worldcon in Chicago that year. To give you an idea of his inventiveness, he immediately wrote WILLIS DISCOVERS AMERICA (OR WHY MAGELLAN SAILED COMPLETELY AROUND IT), a report on his TAFF trip, BEFORE he made the trip. He crammed into its pages his impressions of America derived from all the American fanzines and correspondence he’d read to date.

“A Roscoeite!” exclaims the Chief Immigration Officer in horror. “By Ghu, this is a purple-letter day for us. We’ll show you how we treat vile infidels here. Men! Seize Ellis and transport him to Willis Island. His confederate too.”

“The South shall rise!” shouts Shelby defiantly as the Ghuist hordes close in on him. “Yeast is Yeast and …”

…Next, Willis and Shelby concoct a fiendish plan. They overpower a guard and a nurse, intending to put on their uniforms and walk out the door….

Willis and Shelby prepare to escape, but the unexpected happens.

“Now,” says Willis, “All we have to do is walk quietly out.”

He unlocks the door with the guard’s keys and is opening it slowly and noiselessly when there is the sound of rushing feet in the corridor and several men in prison guard uniform burst into the cell. Before Vick and Willis can utter a word they are gagged and bound by six of the strangers while the rest carry out the unconscious guard and nurse. The leader pauses dramatically on the threshold. “If anyone asks you who rescued Willis and Vick,” he says proudly, “tell them it was Harlan Ellison and the Cleveland Science Fantasy League. That’ll show Ken Beale. It’s not every fan group who would have thought of overpowering some of the guards and taking their uniforms.”

But every fan group does. Six in all, in fact, in sequence. Each offering Willis an opportunity to poke fun at them. Needless to say, no one escapes.

(2) GETTING AN AGENT FOR TV WRITING. Joshua Sky taps into his experience when offering his “Advice on Landing a Genre TV Lit Agent” at the SFWA Blog.

The first thing a writer will need are two killer television scripts, in the same format and in their target genre. This may sound obvious, but is nevertheless true. The hardest part isn’t just writing your script, it’s getting someone to read it, which is why it has to be excellent because second chances with a script reader are rare. The reason the writer will need at least two samples is because the agent wants proof that the scribe can do it more than once.

The writer will need to be very specific about exactly what kind of scribe they are gunning to be. A Hollywood agent won’t want someone who is open to any genre. For example: someone who blithely says that they’ll write anything, or enjoys both comedy and drama. So be precise. For our intents and purposes, we are targeting the science fiction / genre market. The samples that got me my second TV agent were two science fiction pilots. I pitched myself as the kind of writer who understood high-concept genre fare and yearned to write one-hour dramas. Shows like Man in the High Castle, Westworld and The Expanse.

After you have the requisite samples, and only then, you can begin submitting and querying agents. But to be honest, referrals work best. In my ten years in the industry, I have never met any writers who have been able to obtain a reputable TV agent via email query. I’ve heard tales of that happening, but they are very rare, like people who sell scripts that don’t live in LA, it’s more the exception than the rule.

(3) TWO OCTAVIA BUTLER ARTICLES. Salon interviews Junot Diaz — “Remembering Octavia Butler: ‘This country views people like Butler and like Oscar as aliens and treats people like us like we’re from another planet”.

But the readers and writers who admire Butler and dig her work are everywhere. One of them is Junot Díaz, author of “The Brief Wondrous Life of Oscar Wao” and “This Is How You Lose Her” and a lifelong science-fiction fan. Díaz, who teaches at MIT and lives outside Boston, corresponded with Salon about Butler and her work.

Let’s start with her achievement as a writer. How “significant” substantial. original, inventive, etc. was Octavia Butler?

Butler is a foundational figure and in my option one of the most significant literary artist of the 20th century. One cannot exaggerate the impact she has had across canons — as creators, readers, critics, we’re still wrestling with her extraordinary work. I teach her every single year without fail. To me she is that important.

Sheila Liming tells about “My Neighbor Octavia” at Public Books.

For years, I knew Octavia E. Butler, the famed African American science fiction and fantasy writer, by her first name only. That was the way she introduced herself when I first met her back in the fall of 1999. Butler had just purchased the house across the street from my parents’ and joined the ranks of our rather conventional suburban community in Lake Forest Park, WA, located just north of Seattle. A spate of rumors had attended her arrival on the block: “Octavia” wrote novels (about aliens!); “Octavia” had one of those “genius” grants; “Octavia” lived alone and was a reclusive artist type.

Andrew Porter sent these links together with this never-before-published photo of Butler.

Octavia Butler. Photo by and © Andrew I. Porter; all rights reserved.

Octavia Butler. Photo by and © Andrew I. Porter; all rights reserved.

(4) BECOMING A WINNER. 2016 Tiptree fellowship winner likhain’s application statement has been posted online. (likhain appears to be the desired name, but they have also used M. Sereno, Mia S., or Mia Sereno, per this post by Rose Lemberg).

I want to share with you the personal statement I submitted as part of my application, answering the question of how I work with speculative narrative to expand or explore our understanding of gender. I wrote this at the eleventh hour before submissions for the Fellowship application closed; I was quite sure I wouldn’t get the fellowship anyway, but I felt I had to speak, to say why I was doing my work — even if it came out broken and incoherent and raw.

I’m glad the selection committee saw something in my words that resonated. I’m glad they felt my work deserved supporting — that there is something in it that bears developing, some form of brightness to be seen. I’m so honored to be a Tiptree Fellow.

How do I work with speculative narrative to expand or explore our understanding of gender?

Through my art, I explore the weight of my heritage as a queer Filipina, heir to a history of struggle and revolution, colonization and war; descendant of women who spoke and fought, built and taught, and were as unflinching in their pursuit of their goals as they were wholehearted in their love. My understanding of being a woman is different from the dominant narratives I see in the white West: from childhood, we were always the brave ones, the bright ones, the ones who gave the impossible because we were strong enough to shoulder unbearable cost, the ones who did what was needful when it was too difficult for men, the ones who stood as the last line of defense against annihilation and the dark.

(5) A NEW RECORD. Foz Meadows posted a screencap on Tumblr with this endorsement:

Dear internets, please enjoy the single most batshit ridiculous comment ever left on my blog.

It was left on her blog post “Westworld: (De)Humanising the Other”, but it was inspired by a slam against her and Steve Davidson by Vox Day.

(6) STAR WARRIOR. An actor who has had many memorable roles since becoming famous on Cheers adds his iconic mug to a new franchise — “Woody Harrelson officially joins young Han Solo film”.

Harrelson will join Game of Thrones actress Emilia Clarke, who also has an unspecified role, as well as Atlanta star Donald Glover as Lando Calrissian.

Alden Ehrenreich (Hail, Caesar!) has the lead part of the galactic smuggler, and he was recently photographed by a fan having lunch with Harrison Ford. We have yet to learn what words of wisdom the original Han Solo had for the new guy, although the bearded Ehrenreich appeared to have Ford beat in the “scruffy nerf-herder” department.

(7) BLATTY OBIT. William Peter Blatty, author of The Exorcist, has died at the age of 89. The New York Times obituary says —

“The Exorcist,” the story of a 12-year-old girl possessed by the Devil, was published in 1971 and sold more than 13 million copies. The 1973 movie version, starring Linda Blair and directed by William Friedkin, was a runaway hit, breaking box-office records at many theaters and becoming the Warner Bros. studio’s highest-grossing film to date. It earned Mr. Blatty, who wrote the screenplay, an Academy Award. (It was also the first horror movie nominated for the best-picture Oscar.)

“The Exorcist” marked a radical shift in Mr. Blatty’s career, which was already well established in another genre: He was one of Hollywood’s leading comedy writers.

Mr. Blatty collaborated with the director Blake Edwards on the screenplays for four films, beginning in 1964 with “A Shot in the Dark,” the second movie (after “The Pink Panther”) starring Peter Sellers as the bumbling Inspector Clouseau and, in some critics’ view, the best. His other Edwards films were the comedy “What Did You Do in the War, Daddy?” (1966); the musical comedy-drama “Darling Lili” (1970); and “Gunn” (1967), based on the television detective series “Peter Gunn.” He also wrote the scripts for comedies starring Danny Kaye, Warren Beatty and Zero Mostel.

(8) TODAY IN HISTORY

  • January 13, 1930 — Mickey Mouse comic strip debuted in newspapers.
  • January 13, 1957 — The Wham-O Company developed the first Frisbee.
  • January 13, 1972 A Clockwork Orange has its first showing in the UK.

(9) A FORETASTE OF HORROR. American Horror Story will return for a seventh season and has been renewed for two more beyond that.

The first details about the seventh edition of American Horror Story are being revealed.

The next edition of the hit horror anthology is adding two very familiar names: Emmy-winning actress Sarah Paulson and her fellow AHS franchise veteran Evan Peters are both on board, executive producer Ryan Murphy told reporters at the Television Critics Association’s press tour in Pasadena, California after a panel for the upcoming limited series Feud.

The next cycle will also be set in modern times, he said.

The revelations came after Murphy was asked if the upcoming season will keep its subject matter a mystery — like FX did with last year’s Roanoke.

(10) BIZARRE COLLECTABLES. Having a bunch of these around the house, sure, that will cheer you right up (rolls eyes) – Dangerous Minds tells about collectable Hieronymus Bosch figurines.

I’m not a big knickknack person. I like to keep my home sparse in the “tiny objects” departament. But I must admit I really do dig these Hieronymus Bosch figurines. They’re kinda cool-looking in their own obviously weird way. I especially like the ones from Bosch’s Garden of Earthly Delights.

They’re also not too expensive. The figurines start at around $45, depending on quality, size and detail. I’ve posted a range of different figurines and where to purchase below each image if you’re interested.

tree-man-hybrid-creature-statue-adaptation-by-hieronymus-bosch-5h-jb01-1_1024x1024_465_623_int

(11) RICHARD MATHESON FLASHBACK. From Time Magazine’s 2013 obituary:

Fear lives forever. If as kids we are scared witless by some moment in a story, movie or TV show, it goes into a bank of memories we can tap and withdraw, with a shudder or a smile, for the rest of our lives. In popular culture of the past 60 years, few writers deposited more images of dread in the cultural consciousness than Richard Matheson, who died Sunday June 23 at his Calabasas, Cal., home at the age of 87. Here are a few of the images he implanted:

A man notices he is losing wright — no, he’s getting smaller (The Incredible Shrinking Man). An airline passenger sees a gremlin cavorting maliciously on an airplane wing (“Nightmare at 20,000 Feet” on The Twilight Zone). A driver on a lonesome highway is menaced by a killer truck (“Duel,” made into a 1971 TV movie by Steven Spielberg). A child disappears into the fourth dimension, her cries still audible to her father (“Little Girl Lost,” The Twilight Zone). A plague of vampires roams the Earth (the novel I Am Legend). A man discovers he has psychic powers that make him hear the thoughts of his neighbors, and of the restless dead (A Stir of Echoes). A young couple is visited by a stranger who tells them they’ll be rich if they just push a button that will instantly kill someone they don’t know (“Button, Button,” The Twilight Zone). A woman buys a Zuni fetish doll as a joke gift, then is attacked and assaulted when the doll comes to life (“Prey,” later a segment in the TV movie Trilogy of Terror).

(12) WATCH THE SYMPOSIUM. Tiptree Winner Eugene Fischer links to eight 2016 Tiptree Symposium videos.

In December I traveled to Eugene, Oregon to attend the 2016 Tiptree Symposium, a two-day academic conference on the work of Ursula K. Le Guin. I got to see some old friends, made some new ones, briefly met Le Guin herself, and heard many thoughtful panels and lectures. If that sounds like something you’re sad to have missed, you’re in luck: the University of Oregon has put videos of the presentations online.

I’m planning to rewatch several of these, starting with the incredible panel Alexis Lothian put together on “Speculative Gender and The Left Hand of Darkness,” featuring Aren Aizura, micha cárdenas, and Tuesday Smillie presenting three trans perspectives on the novel. I took five pages of notes on this panel alone, and came away feeling I hadn’t been able to jot down everything I wanted to think more about.

(13) HARD TRUTHS. Selections from Chuck Tingle’s visit to “Ask Me Anything” on Reddit.

  • well the timelines get HARDER as they go deeper and deeper into the tingleverse and techincally the hardest timeline is THE TINGULARITY i have never gone that far down as I am worried I would not make it back. the farthest i have visited is the timeline where all language is the word butt and there channing tatum makes up most of reality
  • well it is easy to see that love is real when you think about the way the sun shines or the way CHANNING TATUM looks handsome with his new haircut. so you can think on these things and consider that there are other timelines where channing tatum does not exhist or even one where he is a large frog. but it is also important to remember that IT IS OKAY TO BE SAD and IT IS OKAY TO BE WORRIED this is a normal part of being a buckaroo, then we consider this am move forward togeather as courageous bucks
  • when i sit down to write a tingler I think about the basic way of the story (this is through meditation on the deck) and then I think WHAT IS THE BEST WAY TO MAKE THIS PROVE LOVE. sometimes a story is good and fun or maybe spooky but it does not prove love and this is the most important part. so i think the key as a true buckaroo is to think HOW CAN THIS MAKE ME PROVE LOVE? how can this make a reader feel hot-to-trot after like they want to prance and maybe kiss a handsome plane or a handsome meatball or even maybe a handsome concept of playoff odds

[Thanks to John King Tarpinian, JJ, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Lint.]

VanderMeer Creative Sponsors the Octavia Project for 2016-2017

SAMSUNG CAMERA PICTURES

SAMSUNG CAMERA PICTURES

The Octavia Project, a free summer program that uses science fiction and fantasy to teach 21st century skills to underserved Brooklyn teenage girls, announced today that they will be funded by VanderMeer Creative for one year. VanderMeer Creative is run by editor Ann VanderMeer and author Jeff VanderMeer. Along with the announcement of their fiscal support of the Octavia Project for 2016-2017, VanderMeer Creative is offering an all-expense paid scholarship (including air travel) to one 2017 Octavia Project participant to attend their summer writing intensive Shared Worlds at Wofford College in South Carolina in 2018.

Named after science fiction author Octavia E. Butler, the Octavia Project is delighted with the support of the VanderMeers, who have been champions of the program since its inception. “Now in our third year, this sponsorship means we will have more time to create dynamic summer programming and get the word out to even more girls. It’s a dream come true at this stage in our development.” said co-founder and director Meghan McNamara.

McNamara also spoke of expanding their paid teaching staff and their commitment to hiring women of color as teachers and guest artists. “From the very beginning, our greatest champions have come from the science fiction community,” said co-founder and author Chana Porter. “N.K. Jemisin, Malka Older, Ibi Zoboi, Ann and Jeff VanderMeer, the staff of Tor.com— these members of the science fiction community helped make the Octavia Project possible.” Porter and McNamara went on to say that the Octavia Project was created to honor, support, and celebrate the imaginations of black and brown girls in Brooklyn, immigrant girls, and LGBTQ youth.

The Octavia Project uses girls’ passion in science fiction, fantasy, fan-fiction, and gaming to teach them skills in science, technology, art, and writing, equipping them with skills to dream and build new futures for themselves and their communities. Their inspiration and namesake is Octavia E. Butler, who broke barriers in writing and science fiction to become an award-winning and internationally recognized author (Kindred, Lilith’s Brood). The Octavia Project is inspired by her visions of possible futures and commitment to social justice.

Jeff VanderMeer commented, “Most of the things we fund or donate money to, we don’t make public, but the point of it being public is to up the profile of this important program and also to bring more major sponsors to them.”

VanderMeer interviewed one of the founders, Chana Porter, about the work of the Octavia Project for Electric Literature — “We Need the Alternate Realities Living Inside Girls of Color from Brooklyn”.

VanderMeer: How do you use science fiction as part of the Octavia Project?

Porter: Meghan McNamara, a science teacher and dear friend, saw the opportunity to teach science and tech skills through SF/F writing workshops I was leading with teen girls. Over the course of the month at the Octavia Project, teen girls from Brooklyn write SF/F stories that are enriched by interdisciplinary projects. A SF story is transformed into a text-based computer game. The girls learn simple coding while building the game based around their story. The computer game is a branching narrative, and this changes the way the author has been thinking about her story. So she keeps writing, incorporating the new ideas she gleaned from the computer game project.

The next day, a professional woman architect comes to teach the basics of 3-D modeling. The girl builds a cityscape from her imaginary world. Then we take it back to the page. Building her city has changed the way she thinks about her story. Every project is connected back to storytelling at the Octavia Project. The girl designs clothes and tools from her world, then uses basic circuitry and principles of electrical engineering to create wearable electronics based on her design. This causes her to think about how tools function in her story. She takes it back to the page.

This summer our theme at the Octavia Project is “200 Years in the Future”?—?we chose this theme for a few reasons. First, it pushes our participants to think about what they want their futures and the futures of their communities to look like. We’re asking them a question “What do you want the future to be like?” and then we’re helping them build the skills to create the answer. While most people agree that scientific discoveries can make the world a better place to live in, we created the Octavia Project to help address the imbalance around who gets to benefit from current and future technologies.

While most people agree that scientific discoveries can make the world a better place to live in, we created the Octavia Project to help address the imbalance around who gets to benefit from current and future technologies.

Along with our theme, this summer we’re learning about the evolution of life on Earth. We are looking at how plants and animals have evolved to where they are today, and then we’re imagining what these plants and animals might be like hundreds of years from now. We’re asking how has life on Earth changed and what conditions or events have made it change.

Octavia Project is a sponsored project of Fractured Atlas, a nonprofit arts service organization, and donations are tax deductible.

Pixel Scroll 10/16/16 Ticking Pixels To A Cat

(1) ARCHIVAL VIDEO OF NEBULA AWARDS. Video from the 1984 Nebula Awards ceremony has been posted.

You can see Octavia Butler accepting a Nebula for her novelette “Bloodchild” around the 11:30 mark.

Not seen on the video are some of the post-ceremony lowlights described on the SFWA website:

Presented at Warwick Hotel, New York, New York on May 5, 1985

Ian and Betty Ballantine were presented with a special award for their pioneering contributions to science fiction and fantasy publishing.  The Business Meeting took place on Saturday at noon and was followed by the traditional editors’ panel, and agents’ panel. LACon sponsored the pre-banquet reception.  As with the 1983 event, publishing professionals outnumbered authors.  Attorney Tim Jensen was the primary speaker and spoke about taxes and the author. Following the banquet, Harlan Ellison punched Charles Platt over comments Platt had made regarding an award given to Larry Shaw.  Tom Disch also punched William Gibson, without explanation.

 

(2) APOLOGY DYNAMICS. Ann Leckie has further thoughts — “On Apologies”.

So I want to say this straight out–the apology is not for the apologizer. The person offended against has no obligation whatever to accept any apology at all, or to forgive, or to stop being hurt or angry, or to pretend they’re not hurt or angry any more. I mean, if they want to, if they can, if they think it’s proper, sure. But the apology is for the person who was offended, and they have no obligation to respond in any particular way. Or respond at all, frankly.

(3) SUNIL PATEL NEWS. The Book Smugglers announced today they will no longer publish Sunil Patel’s work.

This past weekend, several women put forward their encounters with a well-known male SFF author, citing his history of manipulation, gaslighting, grooming behavior, and objectification of women in the speculative fiction community. We have read all of the accounts. We are listening to the stories. We stand with the women who have been the subject of this author’s behavior.

In light of these revelations, we have made the decision to no longer publish Sunil Patel’s work. We have removed The Merger from sale, and have canceled all forthcoming short stories and essays with the author.

As members of the SFF community, as publishers, and as women, we cannot in good conscience support this author’s work any longer.

Fantastic Stories also has taken Patel off its projects.

These decisions follow from accusations of abuse that have been discussed on Twitter. Two women who specifically named Patel were Kristine Wyllys and Sarah Hollowell.

Other women authors have supported the conversation by posting generally about their professional experience. You can connect with two of them here —

(3A) PATEL RESPONDS.

(4) THE MAP IS NOT THE TERRITORY. Ahrvid Engholm recently quoted this article, relevant to our discussions of the Nobel Prize for Literature, in his apazine.

The member of the Swedish Academy Per Wästberg has written an article about the work behind the Nobel Prize in literatur. It was in the daily Svenska Dagbladet Oct 4th, “The Prize that is Dynamite for Culture”, and the Swedish original piece is here: http://www.svd.se/priset-som-ar-kulturell-dynamit  But I thought I should give you a few snippets and some info from his article:  “Geograhpy is not our subject.” The Academy does not try to spread the grace between countries, languages and continents. After Saramaago he says they”could have given the prize three years in a row to Portugal, if it had been motivated”.

(5) BETWEEN THE COVERS. Bob Dylan not only survived William Shatner’s performance of his music, he also lived down having TV sitcom star Sebastian Cabot record his songs. Sebastian Cabot was a British born actor (died 1977 aged 59) whose most popular role was Mr. French, the nanny in Family Affair, and before that, a college professor who helped detectives in Eric Ambler’s TV series Checkmate. And he played Mr. Pip in a Twilight Zone episode. Cabot recorded an album of Bob Dylan covers in 1967, after his first successful season as the nanny, from which this track is taken.

(6) CLARK ASHTON SMITH. Carl Slaughter reports, “Night Shade offers paperback editions of the collected works of legendary weird fiction author Clark Ashton Smith. Volume 1 was released in 2015, volumes 2 and 3 were released in January and May, volume 4 was released in September, and volume 5 is set for January 2017.  There will also be a collection of miscellaneous writings in May 2017.”

“None strikes the note of cosmic horror as well as Clark Ashton Smith. In sheer daemonic strangeness and fertility of conception, Smith is perhaps unexcelled by any other writer.” —H. P. Lovecraft

Many of the hardcovers in this series, first published between 2007 and 2011, have been long unavailable since the original printings sold out, and over the years have become quite pricey on the secondary market. Night Shade continues to get more inquiries regarding availability of this series than any other title we’ve released. Now, we’re excited to announce that we’ve come to an agreement with the estate to release new paperback editions of all of Smith’s short fiction, which includes volumes one through five of the original series, plus the additional sixth volume of miscellaneous writings.

Clark Ashton Smith, considered one of the greatest contributors to seminal pulp magazines such as Weird Tales, helped define and shape “weird fiction” in the early twentieth century, alongside contemporaries H.P. Lovecraft and Robert E. Howard, drawing upon his background in poetry to convey an unparalleled richness of imagination and expression in his stories of the bizarre and fantastical.

The Collected Fantasies series presents all of Smith’s fiction chronologically. Authorized by the author’s estate and endorsed by Arkham House, the stories in this series are accompanied by detailed background notes from editors Scott Connors and Ron Hilger, who in preparation for this collection meticulously compared original manuscripts, various typescripts, published editions, and Smith’s own notes and letters. Their efforts have resulted in the most definitive and complete collection of the author’s work to date.

The End of the Story—September 2015
The Door to Saturn—January 2016
A Vintage from Atlantis—May 2016
The Maze of the Enchanter—September 2016
The Last Hieroglyph—January 2017
The Miscellaneous Writings of Clark Ashton Smith—May 2017

[Thanks to DMS, Natalie Luhrs, JJ, Carl Slaughter, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day ULTRAGOTHA.]

Global Authorship

By Carl Slaughter:

THE APEX BOOK OF WORLD SF, VOL. 1

Editor: Lavie Tidhar

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“The Apex Book of SF series has proven to be an excellent way to sample the diversity of world SFF and to broaden our understanding of the genre’s potentials.”

—Ken Liu, winner of the Hugo Award and author of The Grace of Kings

The Apex Book of World SF, Vol. 1, edited by Lavie Tidhar, features award-winning science fiction and fantasy short stories from Asia, Eastern Europe and around the world.

The world of speculative fiction is expansive; it covers more than one country, one continent, one culture. Collected here are sixteen stories penned by authors from Thailand, the Philippines, China, Israel, Pakistan, Serbia, Croatia, Malaysia, and other countries across the globe. Each one tells a tale breathtakingly vast and varied, whether caught in the ghosts of the past or entangled in a postmodern age.

Among the spirits, technology, and deep recesses of the human mind, stories abound. Kites sail to the stars, technology transcends physics, and wheels cry out in the night. Memories come and go like fading echoes and a train carries its passengers through more than simple space and time. Dark and bright, beautiful and haunting, the stories herein represent speculative fiction from a sampling of the finest authors from around the world.

TABLE OF CONTENTS

  • S.P. Somtow (Thailand) —“The Bird Catcher”
  • Jetse de Vries (Netherlands) —“Transcendence Express”
  • Guy Hasson (Israel) —“The Levantine Experiments”
  • Han Song (China) —“The Wheel of Samsara”
  • Kaaron Warren (Australia/Fiji) —“Ghost Jail”
  • Yang Ping (China) —“Wizard World”
  • Dean Francis Alfar (Philippines) —“L’Aquilone du Estrellas (The Kite of Stars)”
  • Nir Yaniv (Israel) —“Cinderers”
  • Jamil Nasir (Palestine) —“The Allah Stairs”
  • Tunku Halim (Malaysia) —“Biggest Baddest Bomoh”
  • Aliette de Bodard (France) —“The Lost Xuyan Bride”
  • Kristin Mandigma (Philippines) —“Excerpt from a Letter by a Social-realist Aswang”
  • Aleksandar Ziljak (Croatia) —“An Evening In The City Coffehouse, With Lydia On My Mind”
  • Anil Menon (India) —“Into the Night”
  • Melanie Fazi (France, translated by Christopher Priest) —“Elegy”
  • Zoran Zivkovic (Serbia, translated by Alice Copple-Tosic) —“Compartments”

VOLUME 2

Editor: Lavie Tidhar

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In The Apex Book of World SF 2, editor Lavie Tidhar collects short stories by science fiction and fantasy authors from Africa and Latin America.

An expedition to an alien planet; Lenin rising from the dead; a superhero so secret he does not exist. In The Apex Book of World SF 2, World Fantasy Award-nominated editor Lavie Tidhar brings together a unique collection of stories from around the world. Quiet horror from Cuba and Australia; surrealist fantasy from Russia and epic fantasy from Poland; near-future tales from Mexico and Finland, as well as cyberpunk from South Africa. In this anthology one gets a glimpse of the complex and fascinating world of genre fiction—from all over our world.

Featuring work from noted international authors such as Will Elliot, Hannu Rajaniemi, Shweta Narayan, Lauren Beukes, Ekaterina Sedia, Nnedi Okorafor, and Andrzej Sapkowski.

VOLUME 3

Editor: Lavie Tidhar

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In The Apex Book of World SF, Volume 3, editor Lavie Tidhar collects short stories by science fiction and fantasy authors from Africa, Asia, South America, and Europe.

These stories run the gamut from science fiction, to fantasy, to horror. Some are translations (from German, Chinese, French, Spanish, and Swedish), and some were written in English. The authors herein come from Asia and Europe, Africa and Latin America. Their stories are all wondrous and wonderful, and showcase the vitality and diversity that can be found in the field. They are a conversation, by voices that should be heart. And once again, editor Lavie Tidhar and Apex Publications are tremendously grateful for the opportunity to bring them to our readers.

TABLE OF CONTENTS

  • Introduction — Lavie Tidhar
  • Courtship in the Country of Machine-Gods — Benjanun Sriduangkaew (Thailand)
  • A Hundred Ghosts Parade Tonight — Xia Jia (China)
  • Act of Faith — Fadzilshah Johanabos (Malaysia)
  • The Foreigner — Uko Bendi Udo (Nigeria)
  • The City of Silence — Ma Boyong (China)
  • Planetfall — Athena Andreadis (Greece)
  • Jungle Fever — Iko Koeck (Malaysia)
  • To Follow the Waves — Amal El-Mohtar (Lebanon/Canada)
  • Ahuizotl — Nelly Geraldine García-Rosas (Mexico)
  • The Rare Earth — Biram Mboob (Gambia)
  • Spider’s Nest — Myra Çakan (Germany)
  • Waiting with Mortals — Crystal Koo (Philippines)
  • Three Little Children — Ange (France)
  • Brita’s Holiday Village — Karin Tidbeck (Sweden)
  • Regressions — Swapna Kishore (India)
  • Dancing on the Red Planet — Berit Ellingsen (Korea/Norway)
  • Cover art and design by Sarah Anne Langton.

VOLUME 4

Editor: Mahvesh Murad

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Now firmly established as the benchmark anthology series of international speculative fiction, volume 4 of The Apex Book of World SF sees debut editor Mahvesh Murad bring fresh new eyes to her selection of stories.

From Spanish steampunk and Italian horror to Nigerian science fiction and subverted Japanese folktales, from love in the time of drones to teenagers at the end of the world, the stories in this volume showcase the best of contemporary speculative fiction, wherever it’s written.

“Important to the future of not only international authors, but the entire SF community.” —Strange Horizons

FEATURING:

  • Vajra Chandrasekera (Sri Lanka) — “Pockets Full of Stones”
  • Yukimi Ogawa (Japan) — “In Her Head, In Her Eyes”
  • Zen Cho (Malaysia) — “The Four Generations of Chang E”
  • Shimon Adaf (Israel) — “Like A Coin Entrusted in Faith” (Translated by the author)
  • Celeste Rita Baker (Virgin Islands) — “Single Entry”
  • Nene Ormes (Sweden) — “The Good Matter” (Translated Lisa J Isaksson and Nene Ormes)
  • JY Yang (Singapore) — “Tiger Baby”
  • Isabel Yap (Philippines) — “A Cup of Salt Tears”
  • Usman T Malik (Pakistan) — “The Vaporization Enthalpy of a Peculiar Pakistani Family”
  • Kuzhali Manickavel (India) — “Six Things We Found During the Autopsy”
  • Elana Gomel (Israel) — “The Farm”
  • Haralambi Markov (Bulgaria) — “The Language of Knives”
  • Sabrina Huang — “Setting Up Home” (Translated by Jeremy Tiang)
  • Sathya Stone (Sri Lanka) — “Jinki and the Paradox”
  • Johann Thorsson (Iceland) — “First, Bite a Finger”
  • Dilman Dila (Uganda) — “How My Father Became a God”
  • Swabir Silayi (Kenya) — “Colour Me Grey”
  • Deepak Unnikrishnan (The Emirates) — “Sarama”
  • Chinelo Onwualu (Nigeria) — “The Gift of Touch”
  • Saad Z. Hossain (Bangaldesh) — “Djinns Live by the Sea”
  • Bernardo Fernández (Mexico) — “The Last Hours of the Final Days” (Translated by the author)
  • Natalia Theodoridou (Greece) — “The Eleven Holy Numbers of the Mechanical Soul”
  • Samuel Marolla (Italy) — “Black Tea” (Translated by Andrew Tanzi)
  • Julie Novakova (Czech Republic) — “The Symphony of Ice and Dust”
  • Thomas Olde Heuvelt (Netherlands) — “The Boy Who Cast No Shadow” (Translated by Laura Vroomen)
  • Sese Yane (Kenya) — “The Corpse”
  • Tang Fei — “Pepe” (Translated by John Chu)
  • Rocío Rincón (Spain) — “The Lady of the Soler Colony” (Translated by James and Marian Womack)
  • Cover art and design by Sarah Anne Langton.

DARK MATTER: A CENTURY OF SPECULATIVE FICTION FROM THE AFRICAN DIASPORA

by Sheree Renée Thomas

dark-matter

This volume introduces black science fiction, fantasy, and speculative fiction writers to the generations of readers who have not had the chance to explore the scope and diversity among African-American writers.

OCTAVIA’S BROOD: SCIENCE FICTION STORIES FROM SOCIAL JUSTICE MOVEMENTS

Editors: Walidah Imarisha, adrienne maree brown

octavias-brood

  • Whenever we envision a world without war, prisons, or capitalism, we are producing speculative fiction. Organizers and activists envision, and try to create, such worlds all the time. Walidah Imarisha and adrienne maree brown have brought 20 of them together in the first anthology of short stories to explore the connections between radical speculative fiction and movements for social change. These visionary tales span genres—sci-fi, fantasy, horror, magical realism—but all are united by an attempt to inject a healthy dose of imagination and innovation into our political practice and to try on new ways of understanding ourselves, the world around us, and all the selves and worlds that could be. Also features essays by Tananarive Due and Mumia Abu-Jamal, and a preface by Sheree Renée Thomas.
  • “Those concerned with justice and liberation must always persuade the mass of people that a better world is possible. Our job begins with speculative fictions that fire society’s imagination and its desire for change. In adrienne maree brown and Walidah Imarisha’s visionary conception, and by its activist-artists’ often stunning acts of creative inception, Octavia’s Brood makes for great thinking and damn good reading. The rest will be up to us.” —Jeff Chang, Who We Be: The Colorization of America
  • “Conventional exclamatory phrases don’t come close to capturing the essence of what we have here in Octavia’s Brood. One part sacred text, one part social movement manual, one part diary of our future selves telling us, ‘It’s going to be okay, keep working, keep loving.’ Our radical imaginations are under siege and this text is the rescue mission. It is the new cornerstone of every class I teach on inequality, justice, and social change….This is the text we’ve been waiting for.” —Ruha Benjamin, professor of African American Studies at Princeton University and author of People’s Science: Bodies and Rights on the Stem Cell Frontier
  • “Octavia once told me that two things worried her about the future of humanity: The tendency to think hierarchically, and the tendency to place ourselves higher on the hierarchy than others. I think she would be humbled beyond words that the fine, thoughtful writers in this volume have honored her with their hearts and minds. And that in calling for us to consider that hierarchical structure, they are not walking in her shadow, nor standing on her shoulders, but marching at her side.” —Steven Barnes, Lion’s Blood
  • “Never has one book so thoroughly realized the dream of its namesake. Octavia’s Brood is the progeny of two lovers of Octavia Butler and their belief in her dream that science fiction is for everybody…. Butler could not wish for better evidence of her touch changing our literary and living landscapes. Play with these children, read these works, and find the children in you waiting to take root under the stars!” —Moya Bailey and Ayana Jamieson, Octavia E. Butler Legacy

Pixel Scroll 7/1/16 I Have No Mouse And I Must Fafhrd

(1) A BOOK OWNER’S LIFE. Locus Online’s Mark R. Kelly writes a personal blog, and his newest post is a memoir, “15 Ways of Buying a Book, Part 1”.

Way #1:

The first books of my own, that I bought with my own money and at my own selection, were purchased through a classroom Scholastic Books catalog, in the 6th grade, that is, in 1966-1967. My family lived in Reseda, California, and I attended Vanalden Elementary School, a few blocks from our home. The school was a set of bungalows, separate structures holding two classrooms each, raised off the ground with a crawl-space below and a short set of steps up to the classroom door. A few times a year, pamphlet catalogs were passed out to all the students, listing a selection of titles and prices. We would take the catalogs home, consult with our parents, then return order forms to class with appropriate payment. The books cost 35 or 50 cents each. They were typically special Scholastic editions, short little paperbacks the size of old Ace Doubles, or larger thinner paperbacks for nonfiction. Everyone’s orders would be consolidated into a single order for the classroom, mailed in, and three or four weeks later, a big box would arrive in class and the selections eagerly distributed. (You can imagine: the box would have three copies of this book; five of these; one of this…)

Always being rather obsessive about keeping lists, I have maintained detailed purchase (and reading) records since I was 15 years old (on sheets of paper, later copied to logbooks, later copied to databases), and at some point reconstructed such lists from before that age. So I know exactly which books I bought when.

The three I remember from this 6th grade classroom source, and still have, are Martin Gardner’s Science Puzzlers, Isaac Asimov’s Environments Out There, and Howard Pease’ Mystery at Thunderbolt House. The Gardner likely reflected my interest in puzzles from that Things to Make and Things to Do volume I’ve described in that earlier post; the Asimov, a thin book about the solar system, from my recently discovered interest in astronomy. (My first interest in astronomy was seeing a stack of textbooks, called A Dipper Full of Stars, in a cabinet in my 6th grade classroom, and asking to borrow one. I’ve alluded to this in previous posts.)

(2) FINDING WAYS TO DONATE. Here’s a signal boost for JJ’s answer in comments to Tasha Turner’s wish for “a nationwide and worldwide Internet place to go and see places in need.”

One of the commenters on Greta’s blog linked to this:

DonorsChoose.org. Support a classroom. Build a future. Teachers all over the U.S. need your help to bring their classroom dreams to life. Choose a project that inspires you and give any amount.

search by science fiction

You can also search for projects in the highest poverty areas, nearest to being completed, closest to the deadline date, a specific age/grade range, or projects in or near your current location or your hometown.

(3) UNKNOWN CHRISTMAS COMPANION. ScreenRant says who is a mystery: “Doctor Who 2016 Christmas Special Features ‘Different Guest Companion’”.

Though his newest companion, Bill (played by newcomer Pearl Mackie) has already been introduced, speaking to Doctor Who Magazine, Moffatt has confirmed that her debut will be at the start of Season 10 in 2017, and the Doctor will have a different guest companion for the Christmas Special:

“We’ll introduce [Bill] in the first episode of 2017, and she’ll run through that series. She’ll not be in Christmas [2016], because that would blow the series launch … So there’ll be somebody else – a different, guest companion – this Christmas, like how River Song played the companion role in last year’s Special.”

Of course, this now leads everyone to wonder who might join Capaldi in the TARDIS.

(4) EXEC COMMENTS ON TREK FAN FILM GUIDELINES. Axamonitor has a thorough article covering what a CBS representative has said about interpreting the new guidelines.

John Van Citters, CBS vice president of product development for CBS Consumer Products appeared on the hour-long program, Engage: The Official Star Trek Podcast, which was released June 28, to explain the studios’ intent behind the guidelines, why they’re guidelines instead of rules and to clarify some of the guidelines’ specific restrictions regarding run-times, audio dramas, props and costumes…..

An Arms Race

AXANAR MEETING Van Citters was one of two CBS officials who met with Axanar producer Alec Peters in August 2015, followed by a warning of possible legal action.

Van Citters observed that fan productions had spiraled into something “larger and larger,” that had become “something of an arms race about how many Hollywood names could be attached. … That’s not really in the spirit of fan fiction.”

The guidelines, by prohibiting that kind of competition for involving industry professionals, level the playing field for newer and smaller fan productions, he added.

Not the End of Fan Films

Van Citters disputed some characterizations of the guidelines as a means to end fan films. Instead, he said they mark the first time a major copyright holder has ever given any guidelines for unfettered use of a major piece of its intellectual property with just guidelines.

He noted that while the guidelines’ restrictions may seem counterintuitive, they are meant to protect fan films for the long term, and to “cure some abuses that have been out there, and to refocus this around the fan experience … and around creating more stories rather than this kind of arms race about talent and fundraising.”

(5) PACKING IRON. Richard Foss is quoted in KCET’s story about “The Culinary Historians of Southern California”.

With the Cook Bear as their mascot–the only other place he has appeared is in the Pan-Pacific Cookbook published in 1915–CHSC keeps to their mission statement, “Dedicated to pursuing food history and supporting culinary collections at the Los Angeles Public Library”, by taking the money raised from membership dues ($30 a year), fundraising dinners and regular cookbook sales (typically after the events) and giving it to the library. To date the group has donated over $100,000…..

Special Events Chair Richard Foss, who also lectures regularly on a variety of food history topics, sees interest in the subject growing. “The Culinary Historians of Southern California is a club for anyone with any level of interest in food and food history,” said Foss, a journalist, food historian, and author of two books, “Rum: A Global History” and “Food in The Air and Space: The Surprising History of Food and Drink in the Skies”. “It’s as much about anthropology as it is about history and it’s really about food as a transmittor of cultural values.”

 

Richard Foss, a CHSC Board Member, demonstrates how to use an antique waffle iron during a talk on dining in California during the Victorian era at the Workman-Temple Homestead Museum in the City of Industry earlier this year. || Image provided by Richard Foss

Richard Foss, a CHSC Board Member, demonstrates how to use an antique waffle iron during a talk on dining in California during the Victorian era at the Workman-Temple Homestead Museum in the City of Industry earlier this year. || Image provided by Richard Foss

(6) HOWARD AWARDS. Black Gate has the winners of the 2016 Robert E. Howard Foundation Awards, announced in June at the REH Days celebration in Cross Plains, Texas.

(7) COSTUMERS AHOY! Costume-Con 36 (2018) in San Diego has picked its hotel and set a date. The con will take place May 11-14, 2018 at the DoubleTree Hotel in Mission Valley. The hotel is adjacent to the Hazard Center Mall (which offers several restaurant options) and it is across the street from the San Diego Trolley.

(8) TOLKIEN AT WAR. On the anniversary of the first day of the Somme, Joseph Loconte muses about “How J.R.R. Tolkien Found Mordor on the Western Front”. Loconte’s book A Hobbit, a Wardrobe, and a Great War: How J. R. R. Tolkien and C. S. Lewis Rediscovered Faith, Friendship and Heroism in the Cataclysm of 1914-1918 was released a year ago.

IN the summer of 1916, a young Oxford academic embarked for France as a second lieutenant in the British Expeditionary Force. The Great War, as World War I was known, was only half-done, but already its industrial carnage had no parallel in European history.

“Junior officers were being killed off, a dozen a minute,” recalled J. R. R. Tolkien. “Parting from my wife,” he wrote, doubting that he would survive the trenches, “was like a death.”

The 24-year-old Tolkien arrived in time to take part in the Battle of the Somme, a campaign intended to break the stalemate between the Allies and Central Powers. It did not.

The first day of the battle, July 1, produced a frenzy of bloodletting. Unaware that its artillery had failed to obliterate the German dugouts, the British Army rushed to slaughter.

Before nightfall, 19,240 British soldiers — Prime Minister David Lloyd George called them “the choicest and best of our young manhood” — lay dead. That day, 100 years ago, remains the most lethal in Britain’s military history.

Though the debt is largely overlooked, Tolkien’s supreme literary achievement, “The Lord of the Rings,” owes a great deal to his experience at the Somme. Reaching the front shortly after the offensive began, Tolkien served for four months as a battalion signals officer with the 11th Lancashire Fusiliers in the Picardy region of France.

(9) TRACKING MALZBERG’S COLUMN. Mike Resnick wanted to be sure I understood what really happened:

I’m told that File 770 ran a piece saying that Galaxy’s Edge, the magazine I edit, had pulled Malzberg’s column on Judy Merril due to protests. Nope. We pulled the entire May-June issue in which it appeared at the end of June 30, so we could post the July-August issue on our web page on July 1 (today). This has been our practice since the first issue, 4 years ago. Anyone who wants to read the May-June 2016 issue (#20) is welcome to buy it in epub, .mobi, or paper. Honest.

Thanks to a commenter here, I had already posted the correction by the time Mike reached out to me on Facebook. However, I’m happy to repeat the explanation and clear up the impression created by yesterday’s report.

(10) MALZBERG READERS. Today there were more reactions what Barry Malzberg said about Judith Merril in Galaxy’s Edge.

(11) TODAY’S BIRTHDAY BOY

  • July 1, 1899 – Charles Laughton. When Ray Bradbury went to Disneyland for the first time it was with Captain Bligh and the Hunchback and Doctor Moreau. Bradbury also originally wrote the play “Merry Christmas 2116” as a vehicle for Laughton and Elsa Lanchester.

(12) SEARCHING FOR FANNISH MUSICAL LYRICS. Rob Chilson left a comment in the About area asking for help.

I wonder if you or your readers can help me.

40 years less 2 months ago, at MidAmeriCon, I sat in on a reading of a musical version of “The Enchanted Duplicator” — my intro to the classic. It was MCed by Filthy Pierre (Erwin Strauss) who if I recall correctly adapted it to the stage. The others sang the songs and I mumbled along low enough not to disturb them. I’ve now spent a couple of hours on the net looking for one song that started: “Roscoe gave fan an arm of iron to help him pub his zine” and had the chorus, “But for a quarter or a loc, somebody else cranks the damn machine. For a quarter or a loc, a quarter or a loc. A quarter or a three-line ell-oh-cee.” Or words to that effect.

Can anyone point me at the lyrics?

One thought — is there anything like this in “The Mimeo Man”, which dates to that era?

(13) AT LIS CAREY’S LIBRARY. Posted the other day, Lis Carey’s review of an audio version of the Hugo-nominated novella: “Binti, by Nnedi Okorafor (author), Robin Miles (narrator)”.

….Except that Binti has won a scholarship to Oomza University, a very distinguished school–and on another planet. Her family is shocked at the very idea that Binti would actually accept it and go–but their dreams are not her dreams, and she does. And on her way there, the ship she’s on is attacked and boarded by the Meduze, an alien species that has a very real and serious grievance against Oomza University…..

(14) ANTICIPATION? A writer for the Huffington Post contends “A Dystopian Novelist Predicted Trump’s Campaign Slogan in the ‘90s”.

….Whatever the case, it seems sci-fi writer and unofficial Queen of the Galaxy Octavia Butler predicted the slogan a couple of decades ago. Nearly 20 years before Trump trademarked the term, she wrote about a character named Senator Andrew Steele Jarret, a harbinger for violence in her 1998 book Parable of the Talents.

You can see an excerpt outlining Jarret’s use of the phrase “make American great again” below:

(15) ILVERMORNY INK. It wasn’t only Elizabeth Warren having fun, says Entertainment Weekly — “J. K. Rowling’s Ilvermorny inspires excellent jokes from Massachusetts’ government officials”

Later, Governor Charlie Baker’s office even gave a good-natured statement to The Boston Globe about Ilvermorny, which has supposedly resided on Mount Greylock for hundreds of years without detection.

“The governor believes that small businesses are the backbone of the economy whether they are owned by witches or mortals, and because the institution has operated for nearly 400 years without incident, the administration plans to revisit the matter sometime in the next century or two,” Baker’s office told the paper in a statement. “The Department of Revenue’s spell-detecting technology procurement will be in its final stages at that time.”

The Boston Globe also talked to John Dudek, manager of Mount Greylock State Reservation’s Bascom Lodge, who said that the mountain’s weather does sometimes create a supernatural effect.

“It’s a little bit like The Shining here when you’re alone at night,” Dudek said. “There are days when we’re just locked in clouds and you can’t see anything.”

(16) WHAT IT MEANS TO GROW. Bishop O’Connell writes about “Growing as a Writer, and as a Person” at A Quiet Pint.

Yes, I’ve improved as a writer, but for me, being a better writer is inextricably tied to being a better person. Unfortunately, growth and improvement is never a singular, instantaneous event. It happens over a long period of time, sometimes so slow that, like the proverbial frog in the pot of slowly warming water, it goes entirely unnoticed until you have some context. When it happens, it can be embarrassing (see above, and we’re still not talking about it) but mostly it’s wonderful to see, clearly and starkly, just how much progress has been made. In this post I talked about how much I learned about the tropes and stereotypes I’d blindly fallen into and how I work to rise above them. I say work not achieved, because I still have a long way to go. This fact was brought into harsh relief as I was editing The Returned.

(17) 48 HOURS. Here’s a bulletin of interest from The Onion that should keep parents everywhere concerned: “Investigators: First 48 Hours Most Critical In Locating Missing Children Who Entered Portal To Fantastical World”.

“As soon as we learn a child has disappeared down a pool of light underneath their staircase or through a strangely shaped attic door they had never before noticed, we must act fast to assemble search parties and cover as much enchanted territory as possible,” said investigator Joe Phillippe, who urged parents to contact authorities immediately if they believed their child had passed into a gleaming world of crystal palaces or been transported back in time to the age of King Arthur. “If they’re not found within that critical 48-hour window, children typically become disoriented in the thick fog and dense forest of a land where it’s always night, or they’re led astray by a well-dressed fox who promises to take them to a place where kids can play all varieties of games. At that point, they become almost impossible to locate.”

[Thanks to Rose Embolism, Cat Rambo, Steve Davidson, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Octavia Butler Legacy Conference

Shaping-Change-update O Butler

Scholars and writers will convene at the UCSD Cross-Cultural Center in La Jolla from June 3-5 for Shaping Change: Remembering Octavia E. Butler Through Archives, Art, and Worldmaking.

The conference will feature talks by

  • Adrienne Maree Brown
  • Aimee Bahng
  • Alexis Lothian
  • M. Asli Dukan
  • Ayana Jamieson
  • Krista Franklin
  • Lisa Bolekaja
  • Melanie West
  • Moya Bailey
  • Nisi Shawl
  • Ola Ronke
  • Rasheedah Phillips
  • Shelley Streeby
  • Sophia Echavarria
  • Ted Chiang
  • Walidah Imarisha

The event is being organized by Shelley Streeby, Faculty Director of the Clarion Science Fiction and Fantasy Writers Workshop. It is sponsored by the Arthur C. Clarke Center for Human Imagination; The Clarion Science Fiction and Fantasy Writers’ Workshop at UCSD; The Octavia E. Butler Legacy Network; UCSD’s Culture Art & Technology/Sixth College Social Sciences; Office of Equity, Diversity, and Inclusion; Departments of Theater and Dance, Ethnic Studies, Literature, Humanities, and Critical Gender Studies.