Pixel Scroll 4/21/17 Pass The Pixel On The Left Hand Side

(1) MYSTERY SOLVED. Yesterday’s Scroll reported the episode of Fargo where someone picked up a rocket-shaped trophy as a weapon, which several people identified (incorrectly) as a Hugo. Today Movie Pilot ran a story about the episode’s Easter eggs and repeated the Hugo Award identification – illustrated with photos for comparison — in item #5.

When the sheriff drives back to her step-dad’s house to get the statue he’d made for her son, Nathan, she discovers the door ajar and the place a mess. Before heading up the stairs to investigate, she grabs something that looks very much like a Hugo Award, in case she needs to defend herself.

A Hugo trophy is awarded to the best sci-fi and fantasy writer of the year, meaning Ennis Stussy might have at one point won the award. Could he have been a witness to the alien encounter all the way back in 1979, inspiring him to write sci-fi?

The Fargo award is not a physical Hugo (whatever may be intended). Movie Pilot’s comparative Hugo photo is, and I was vain enough to hope it was one of mine (several have been photographed for archival purposes). After searching I found they used Michael Benveniste’s photo of a 1987 Hugo, and I definitely did not win in Brighton (although I won the year before and after), and the 1990 Worldcon bid I chaired was also annihilated in the voting…..

Whose Hugo is it? The plaque in the photo is hard to make out, but the phrase “edited by” is there, which narrows it the Hugo for Best Semiprozine or Best Fanzine, and there being an initial in the middle of the person’s name, it must be the 1987 Hugo given to Locus, edited by Charles N. Brown.

(2) NOTICING A TREND. JJ says at some point “Hugo award” entered the popular lexicon as “that’s some far-fetched confabulation you’ve got going on there.”

(3) ROAD WARRIOR. John Scalzi did a LA Times Q&A in which he shared “10 things you don’t know about authors on book tour”

  1. You have to be “on”

When people show up to your event, they expect to be entertained — yes, even at an author event, when technically all you’re doing is reading from your book and maybe answering some questions. As the author, you have to be up and appear happy and be glad people showed up, and you have to do that from the moment you enter the event space to the moment you get in a car to go back to the hotel, which can be several hours. It’s tiring even for extroverts and, well, most authors aren’t extroverts. Being “on” for several hours a day, several days in a row, is one of the hardest things you’ll ask an introverted author used to working alone to do. And speaking of work …

(4) IF I HAD A HAMMER. An advance ruling from @AskTSA.

(5) A VISIT FROM THE TARDIS. The Register claims “Doctor Who-inspired proxy transmogrifies politically sensitive web to avoid gov censorship” – a headline almost as badly in need of deciphering as HIX NIX STIX PIX.

Computer boffins in Canada are working on anti-censorship software called Slitheen that disguises disallowed web content as government-sanctioned pablum. They intend for it to be used in countries where network connections get scrutinized for forbidden thought.

Slitheen – named after Doctor Who aliens capable of mimicking humans to avoid detection – could thus make reading the Universal Declaration of Human Rights look like a lengthy refresher course in North Korean juche ideology or a politically acceptable celebration of cats.

In a presentation last October, Cecylia Bocovich, a University of Waterloo PhD student developing the technology in conjunction with computer science professor Ian Goldberg, said that governments in countries such as China, Iran, and Pakistan have used a variety of techniques to censor internet access, including filtering by IP address, filtering by hostname, protocol-specific throttling, URL keyword filtering, active probing, and application layer deep packet inspection.

(6) NAFF WINNER. Fe Waters has been voted the 2017 National Australian Fan Fund (NAFF) delegate and will attend Natcon at Continuum in Melbourne in June.

Waters got into fandom in 1990, started attending Swancon in 1995, and after being inspired by the kids’ programming at AussieCon IV took on organizing the Family Programme for Swancon 2011–2013. For her Family Programme work she was awarded the Mumfan (Marge Hughes) Award in 2013. In 2016 she was the Fan Guest of Honour at Swancon.

The National Australian Fan Fund (NAFF) was founded in 2001 to assist fans to travel across Australia to attend the Australian National Convention (Natcon).

(7) NEIL GAIMAN, BOX CHECKER. Superversive SF’s Anthony M, who liked Neil Gaiman’s 17th-century vision of the Marvel universe — Marvel: 1602 (published in 2012) – nevertheless was displeased by its revelation of a gay character: “Marvel: 1602” and the Wet Fish Slap.

….Or even, if you are really, really incapable of not virtue signaling, if it’s truly so very important to you that people know you’re Totally Not Homophobic, why on earth would you have this character tell Cyclops he’s gay?

It was stupid, it was pointless, and it was insulting that Gaiman decided to make his story worse in order to tell the world that he was Totally Cool With Being Gay. It was a way of telling the reader that he cared less about them than about making himself look good to the right people….

(7-1/2) SEVEN DEADLY WORDS. Paul Weimer watched Mazes and Monsters for his Skiffy and Fanty podcast. You can listen to what he thought about it here, but wear your asbestos earbuds because Paul warned, “That episode is most definitely not safe for work, because I ranted rather hard, and with language not suitable for children….”

(8) AROUND THE SUBWAY IN 25 HOURS. “50 Years Ago, a Computer Pioneer Got a New York Subway Race Rolling” is a fascinating article about a Vernian proposition, and may even involve a couple of fans from M.I.T. in supporting roles, if those named (Mitchell, Anderson) are the same people.

A six-man party (Mr. Samson, George Mitchell, Andy Jennings, Jeff Dwork, Dave Anderson and Dick Gruen) began at 6:30 a.m. from the Pacific Street station in Brooklyn. But when they finally pulled into the platform at Pelham Bay Park after a little more than 25 hours and 57 minutes, reporters confronted them with an unexpected question: How come they hadn’t done as well as Geoffrey Arnold had?

They had never heard of Mr. Arnold, but apparently in 1963 he completed his version of the circuit faster (variously reported as 24 or 25 hours and 56 minutes). Worse, he was from Harvard.

“I decided to take it on a little more seriously,” Mr. Samson recalled.

With his competitive juices fired up, he got serious. He collaborated with Mr. Arnold on official rules and prepared for a full-fledged computer-driven record-breaking attempt with 15 volunteers on April 19, 1967.

(9) TODAY IN HISTORY

  • April 21, 1989 — Mary Lambert’s Stephen King adaptation Pet Cemetery opens

(10) TODAY’S BIRTHDAY CITY

  • April 21, 753 BC – Rome is founded.

(11) SAD ANNIVERSARY. An interview by his local paper — “Pine Mountain author Michael Bishop to release book of short stories” – notes it’s been 10 years since his son was killed is a mass shooting at Virginia Tech.

Q: What led you to write “Other Arms Reach Out to Me: Georgia Stories” as a collection?

A: First, this book gathers almost (but not quite) all my mainstream stories set in Georgia or featuring characters from Georgia in foreign settings (see “Andalusia Triptych, 1962” and “Baby Love”) in a single volume. So, in that regard, it represents the culmination of a career-long project that I did not fully realize that I had embarked upon, but that I did always have in the back of my mind as an important project.

You will notice that “Other Arms” opens with a hommage to and an affectionate parody of the short fiction of Georgia’s own Flannery O’Connor (called “The Road Leads Back”) and that it concludes with a controversially satirical take on gun politics in Georgia set in an alternate time line (“Rattlesnakes and Men”).

I might add that this last story grows out of our lifelong desire to see the United States adopt sensible nationwide gun legislation that mandates background checks in every setting. We also are advocates for the banning of sales to private citizens of military-style weapons, high-capacity magazines, and certain excessive kinds of body-maiming ammunition without extremely good reasons for them to own such armament, which is totally unnecessary for protecting one’s home and hunting.

(12) MERGE WITH TV. The Into The Unknown exhibit at The Barbican in London runs June 3 to September 1. Visitors will be able to “Step Into A Black Mirror Episode”.

Walking into a Black Mirror.

Is that something you can see yourself doing?

Because if so, we have some good news for you: as part of their new show exploring the history of sci-fi, Into The Unknown, The Barbican are going to turn their huge Silk Screen entrance hall into an immersive take on the oh-so-gloriously bleak episode 15 Million Merits.

Quite how they’re doing this is still under wraps, but we do know that moments from the episode will be re-edited, mashed-up, and displayed on huge six-foot video installations surrounding you. We’re assuming that there will also be exercise bikes….

(13) ALWAYS NEWS TO SOMEONE. How did I miss this Klingon parody of Psy’s “Gangnam Style” at the height of the craze in 2012?

(14) WOZ SPEAKS. Steve Wozniak’s convention starts today. CNET made it the occasion for an interview — “Woz on Comic Con, iPhones and the Galaxy S8”.

Wozniak, commonly known as “Woz,” sat down with CNET a week before the second annual Silicon Valley Comic Con to talk about the geek conference he helped start in San Jose, California; what superhero he’d like to be; what features he’d like to see in the next iPhone; and why he’s excited to get his Galaxy S8.

Even though California already has a Comic Con — the massive event in San Diego — Wozniak said there’s plenty of room for more. “We’re going to have a big announcement at the end of this one,” he said. “We’re different and better, and we don’t want to be linked in with just being another.”

Last year marked the first time Silicon Valley hosted its own Comic Con, and this year it expands into areas like virtual reality and a science fair. The show kicks off Friday and ends Sunday.

“We’ll have the popular culture side of Comic Con, but we’ll mix in a lot of the science and technology that’s local here in Silicon Valley,” he said. “It seems like [tech and geek culture are] made for each other in a lot of ways.”

(15) THE TRUTH WILL BE OUT THERE AGAIN. Another season of X-Files is on the way says ScienceFiction.com.

You can’t keep a good TV series down – well, unless you’re Fox with ‘Firefly,’ I guess.  But hey, maybe Fox feels some remorse over this too-soon axing, so they are making up for it by giving 1990s hit sci-fi/conspiracy show ‘The X-Files‘ another go!

Originally, ‘The X-Files’ ran from 1993-2002 on TV, with two theatrical films in the mix as well.  Off the air but never truly forgotten, the show reached a sort of “cult status,” enough so that Fox made the call to bring the show back for a limited 6-episode revival in early 2016.  Based on the success of that experiment, Fox has rewarded series creator Chris Carter with a 10-episode order for this new season to debut either this Fall or early 2018 on the network.

(16) CELL DIVISION. A news item on Vox, “The new Oprah movie about Henrietta Lacks reopens a big scientific debate”, reminds Cat Eldridge of an sf novel: “There’s a scene in Mona Lisa Overdrive where Gibson hints strongly that one of the characters is a runaway cancer that’s contained within a number of shipping containers…”

This practice went on for decades without much controversy — until the bestselling book The Immortal Life of Henrietta Lacks by Rebecca Skloot came along in 2010. The story sparked a debate among the public, researchers, and bioethicists about whether this practice is ethical — and whether the benefits to science truly outweigh the potential harms to individuals whose donations may come back to haunt them.

On Saturday, a new HBO movie starring Oprah based on the book will surely reignite that debate. The movie strongly suggests the practice of using anonymous tissues in research can be nefarious and deeply disturbing for families — while at the same time great for science. And so the research community is bracing for a backlash once again….

(17) WORKING. “Analogue Loaders” by Rafael Vangelis explains what would happen if real-life objects had to “load” the way computers do when we boot them up.

[Thanks to JJ, Martin Morse Wooster, Cat Eldridge, Hampus Eckerman, Mark-kitteh, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Clack.]

Museum of Pop Culture 20th Anniversary SFF Hall of Fame Inductees

MoPOP in Seattle

MoPOP in Seattle

Seattle’s Museum of Pop Culture (MoPOP) has announced 24 new inductees to the Science Fiction and Fantasy Hall of Fame for 2016 year.

Creators:

  • Douglas Adams
  • Margaret Atwood
  • Keith David
  • Guillermo del Toro
  • Terry Gilliam
  • Jim Henson
  • Jack Kirby
  • Madeleine L’Engle
  • C.S. Lewis
  • H.P. Lovecraft
  • Leonard Nimoy
  • George Orwell
  • Terry Pratchett
  • Rumiko Takahashi
  • John Williams

Works:

  • 2001: A Space Odyssey
  • Blade Runner
  • Dungeons & Dragons
  • The Matrix
  • Myst
  • The Princess Bride
  • Star Trek
  • Wonder Woman
  • X-Files

Last spring, as part of its 20th anniversary celebration, the public was invited to nominate their favorite creators and works for the Hall of Fame. Twenty finalists were selected and the public was given a May 2016 deadline to vote, however, the results were never published, and the current class of inductees includes some who were not finalists, and omits others who were.

According to today’s press release:

Inductees were nominated by the public and selected by a panel of award-winning science fiction and fantasy authors, artists, editors, publishers, and film professionals. The 2016 committee included Jane Espenson (Buffy the Vampire Slayer, Torchwood), Cory Doctorow (Co-Editor, Boing Boing; Down and Out in the Magic Kingdom), Jen Stuller (Co-Founder, GeekGirlCon), Linda Medley (Castle Waiting), and Ted Chiang (Story of Your Life and Others).

A new exhibition commemorating the 20th anniversary Science Fiction and Fantasy Hall of Fame, opening March 4, 2017, will invite visitors to explore the lives and legacies of the 108 current inductees through interpretive films, interactive kiosks, and more than 30 artifacts, including Luke Skywalker’s severed hand from George Lucas’ The Empire Strikes Back, the Staff of Ra headpiece from Steven Spielberg’s Raiders of the Lost Ark, author Isaac Asimov’s typewriter, and the “Right Hand of Doom” from Guillermo del Toro’s film Hellboy.

The Hall of Fame was previously shown as part of the Icons of Science Fiction exhibit when MoPOP was called the Experience Music Project Museum. Founded in 1996, the Hall of Fame was relocated from the Gunn Center for the Study of Science Fiction at the University of Kansas to EMP in 2004.

Pixel Scroll 3/10/16 Just Hook The TBR Pile Directly To The Vein

(1) DUALING READERS. Rob Dircks delivered an unexpected bonus to those attending his reading at Queens Library Sci-Fi/Fantasy Author Night – it’s titled “Today I Invented Time Travel”.

I was invited to read from my novel Where the Hell is Tesla? at the Queens Library Sci-Fi/Fantasy Author Night, and decided to write a short story for the evening — when an unexpected visitor showed up…

Here’s a clip from the story:

And my phone found me the top five reasons to go back in time:

  1. Stop George Lucas from making the prequels to Star Wars.
  2. Bet on the 1969 Mets.
  3. Talk to that girl you had a secret crush on in elementary school.
  4. Kill Hitler.
  5. Meet Jesus.

 

(2) TEMPORAL THOUGHT EXPERIMENTS. For writers determined to stick with real science there are a lot of details to work out, even when it’s only your imagination traveling to the future. R. A. MacAvoy, co-author of Albatross with Nancy Palmer, tells about those challenges.

This ingenious 25-year leap into the future turned from wiggle-room into a straight-jacket. It helped with the science, but not so much, as each of us kept coming up with new discoveries on the news that needed massive re-write. The Higg’s Boson companion (if it is what it seems to be). Gravitational waves.

And that was just the science!

Sweating, sweating, we began to consider all the other important changes in life which would go along with the advances in the sciences and which would touch the lives of the characters in the story even more than The Theory of Everything. In twenty-five years, we assumed, would people still be driving around in automobiles? Seemed likely – as this was not a Zombie Apocalypse novel. Petrol cars? Self-driving cars? Re-write. Rewrite.

Mobile phones. On the wrist, as part of one’s glasses? People still doggedly carrying things the size of card-decks in their pockets? Hey – at least a person in a self-driving car won’t be guilty of much as they babble or text into whatever form of phone they have as their cars zoom them to their destination. Or get lost in a daily traffic jam caused by the inevitable software problems.

And in a moment of O.C.D. we decided to eliminate all references to the daily habit of tea-time in the British Isles. It suddenly seemed too difficult to decide whether or not the increasingly technical lives we lead would have time for such an old custom. Eliminating all references to tea time was perhaps the silliest rewrite. But it explains, better than anything else, the straight-jacket effect of writing in the near-future.

This is only one aspect of the difficulty we found in writing twenty-five years into the future.

(3) TROPE CONSERVATION. Peter McLean on “Why We Shouldn’t Hunt The Trope To Extinction” at Black Gate.

The poor old trope had had a lot of bad press in recent years. A lot of people seem to want to deconstruct the little critter, or subvert it or discredit it. Basically people seem to want to hunt the trope to extinction, and I think that’s unfortunate.

Now I agree some members of the trope herd have got a bit long in the tooth and are probably due for culling. No one really needs to read another fantasy novel where a simple farmboy turns out to be the Chosen One / Long Lost Heir who is foretold by prophecy and destined to save the world, do they? No, so the “Farmboy” trope is probably due to meet the huntsman, and I think the “Damsel in Distress” has probably had her day too.

You very rarely if ever see these tropes in modern fantasy now, and that’s because everyone got sick of them. An overused trope can eventually outstay its welcome and evolve into a cliché, a completely different critter, and that’s when the huntsmen need to come after it. And that’s fine. The world moves on, as Stephen King would say.

But I don’t think we should tar the whole herd of tropes with the same brush just because some of them get old and go bad. Healthy tropes can be useful little critters. Tropes are what help to stop every novel being 1000 pages long.

(4) A SCALZI FIRST. “On The Wall,” John Scalzi’s first zombie story, co-written with Dave Klecha, appears in Black Tide Rising, the zombie apocalypse anthology edited by John Ringo and Gary Poole. The book is due in stores June 7, however, Baen Books has the eARC on sale right now For $15.

(5) ATTEND ZOMBIE TECH. Amazon is hosting a Zombie Apocalypse Workshop, where you can learn to apply Amazon Web Services technology to recover from the end of civilization. Bring your own laptop and shotgun.

Apocalypse Workshop: Building Serverless Microservices – Washington D.C.

Note: The AWS Lambda Signal Corps has recruited sufficient volunteers for our mission, and all registrants from now until March 10th will be placed on a recruit waitlist. Waitlisted recruits will be admitted if space permits on a first-come, first-serve basis so please arrive early.

Scenario: Zombies have taken over major metropolitan areas. The AWS Lambda Signal Corps has built a communications system to connect the remaining survivors.

Learn how AWS Lambda provides a platform for building event-driven microservices, all without the need to provision, manage, and scale servers. In this workshop, we will introduce the basics of building serverless microservices using AWS Lambda, Amazon API Gateway, Amazon DynamoDB, and Amazon S3.

(6) CAN ALTERNATE HISTORY BECOME DATED? Fantasy Literature reviewer Marion Deeds, in 1632: The tale is dated but I love its exuberance”,  makes it hard to figure out why there are (by her count) 23 books in this popular series. (And she may not know about the 1632 conventions…)

Flint lets us know in the prologue of 1632 that there’s going to be no discussion of quantum physics, magical portals, of clicking our heels together and going home. The story is an exciting live-action role-playing game with a small force of Americans who completely outgun the competition. The competition are evil mercenaries, so we don’t have to feel sorry for them as they are chopped down like a summer lawn under the blades of a riding mower.

There are also a few other things that are not going to be problems for twentieth-century people dumped into the seventeenth century. Here’s a short list: no one’s going to struggle with a sense of psychic displacement or post-traumatic stress; no one’s going to pine for family or loved ones left behind; no one’s going to question the basic premise that they are stuck in the 1630s. No one is going to turn, irrationally, on another group; no one is going to scapegoat anyone; no one’s going to have a spiritual crisis.

A few more things no one in the new America is going to have to worry about: sufficient food, clean water, sanitation, electrical power, medicine, radios or even TV, except they do have to create their own programming. That’s because all that stuff came with them. They have their own coal vein, and Grantsville landed next to a river in Europe, so they have water and fuel for steam power. The area had its own power plant and three machine shops, several doctors and a jewelry store, so that as the various couples hook up, they can all get wedding-ring sets. It’s nice. Knowing they can’t maintain their current level of technology for too long, the Americans decide to “gear down,” and convert to steam power, settling at late-eighteenth/early nineteenth century tech. This is smart. All of this clears away survival-level problems so that Flint can get on with what’s important; those battles.

(7) RICHARD DAVALOS OBIT. Best known for roles in East of Eden and Cool Hand Luke, actor Richard Davalos died March 8 at the age of 85. He also was in genre films The Cabinet of Caligari (1962) and Something Wicked This Way Comes (1983). And he was the grandfather of actress Alexa Davalos, who stars in Amazon’s The Man in the High Castle.

(8) MICHAEL WHITE OBIT. Rocky Horror and Monty Python producer Michael White died March 9.

His theatre production credits included the West End premieres of The Rocky Horror Show, Joseph And The Amazing Technicolor Dreamcoat and A Chorus Line.

Born in Glasgow, White began his theatrical career in London’s West End producing plays such as Annie and The Rocky Horror Show.

He later went on to produce films, including The Hound of the Baskervilles in 1978, and those which have achieved cult status such as Monty Python and the Holy Grail and The Rocky Horror Picture Show, which is still regularly screened in cinemas.

(9) TODAY IN HISTORY

  • March 10, 1876 — Alexander Graham Bell transmitted the first telephone message to his assistant in the next room: “Mr. Watson, come here. I want you.” (It is not true that the second telephone message was, “Do you have Prince Albert in a can…?”)
  • March 10, 1997 — The CW premiered Buffy the Vampire Slayer. There is an oral tradition that Buffy inspired the creation of the Best Dramatic Presentation (Short) Hugo category, and it did receive a couple of nominations before it went off the air.

(10) RABID PUPPIES. After a brief hiatus, Vox Day resumed announcing his slate with “Rabid Puppies 2016: Best Novelette”.

The preliminary recommendations for the Best Novelette category.

  • “Flashpoint: Titan”, Kai Wai Cheah
  • “Folding Beijing”, Hao Jingfang
  • “What Price Humanity?”, David VanDyke
  • “Space Raptor Butt Invasion”, Chuck Tingle
  • “Obits”, Stephen King

We have been repeatedly informed that homophobia and the lack of diversity is a serious problem in science fiction, and speaking as the leader of Rabid Puppies, I could not agree more. The decades of discrimination against gay dinosaur love in space by the science fiction community stops now, and it stops here!

Let’s face it, there are just three words to describe the only event that might happen in 2016 that I can imagine would be more spectacularly awesome than “Space Raptor Butt Invasion” winning a Hugo Award this year, and those three words are “President-elect Donald Trump”.

(11) HUGO LOVE. Joe Sherry at Nerds of a Feather: “My Favorite Stories Don’t Get Nominated: A Hugo Love Story”.

I love the Hugo Awards because in becoming part of the WSFS I get to add one small voice to the multitude and help pick the nominees for the five best novels / stories / whatevers. In 2014, artist Joey Hi-Fi was one nominating vote from making the final ballot for Best Professional Artist and becoming an official Hugo Award Nominee….

Collectively, a bunch of people who love science fiction and fantasy come together and say that these, these novels and stories and artists and fans – this is the best of what I read and watched last year. These are some of the best of what the genre has produced.

Then, when the nominations come out and also after the awards are given, we can all sit back and think…what the hell is everyone else thinking? Why are they so wrong? That book is terrible and this book that I loved is so much better.

Of course my opinions are right and everyone else is wrong. Of course this is true. Unfortunately, a whole bunch of people who are just like me except that their taste in great fiction isn’t quite the same disagreed. Or, maybe what I loved was their sixth favorite story and they can only nominate five. Or maybe they just never read it because holy crap there is a lot of stuff published every year. I read a LOT and I don’t even scratch the surface of what’s out there. What the Hugo Awards allows me to do is be part of a group where everyone looks at what they read and tries to figure out what the best of that is – and then collectively, the numbers come together and a ballot is produced.

I love the Hugo Awards even when everyone else obviously gets it wrong because at its heart, the Hugo Award nominees are selected by a group of fans who are passionate about science fiction and fantasy. It’s a group of fans who, ideally with no agenda beyond love of genre, point to something they love and say “this, this is awesome.”

(12) LOOSELY WRAPPED. Kate Paulk has a small update on what Puppies can expect at MidAmeriCon II at Mad Genius Club.

Planning for the Puppy Presence at Worldcon continues under wraps until we have things sufficiently stable to make an announcement. The goal there is to be at the convention, have fun (lots of fun), and meet friends face to face. If I can arrange it there will be a PuppyGate in honor of the Jeopardy question and visitors will have to cross the PuppyGate to enter the fun zone.

(13) TRUTH, JUSTICE, AND THAT OTHER THING. Attorney-at-Work blogger Jared Correia finds an excuse to write about a favorite show – “The Truth Is in Here: Lawyer Lessons Buried in ‘The X-Files’”:

The point is that Duchovny did not again discover wide popularity until he made it back to TV, for his turn as debauched author Hank Moody, on Showtime’s “Californication.” Now “Californication” has wrapped, and he’s back on “The X-Files.” Accepting that Mulder was the best role that he’s had, and coming back around to it, feeling at home in it, is the best end for his story.

Sometimes, you can take the circuitous route back to where you belong — but, there’s something to be said for recognizing that you should never have left in the first place.

I don’t think Jared Correia is any relation to Larry, although the click-through ad over Jared’s column “The way attorneys get paid” is very Larry-esque.

(14) GREEN PLANET. CBBC answers the question “Could vegetables grow on Mars?”

The team wanted to find out what could we grown if humans try to live on Mars in the future.

Although they didn’t have real Martian soil, they used dirt supplied by Nasa, which was taken from a Hawaiian volcano that’s thought to be very similar….

But there’s still a long way to go – no one ate the experimental vegetables, because substances in the soil including arsenic and mercury might have made them poisonous.

Now the team are trying to find a way to grow vegetables that are safe to eat.

Wait a minute. So there would have been arsenic in Watney’s potatoes…?

(15) MAD SNACKS. An aeropress is a thing for making coffee. The 2016 Australian AeroPress Championship will be held March 17 —

Australian Aeropress poster COMP

On the night, Australia’s best brewers will be stirring, steeping and pressing coffee generously supplied by Condesa and roasted by the punks at PMC.

Inspired by the Thunderdome of Mad Max, there’ll be beers, industrial disco balls, heaps of food (unlike the Thunderdome), a DJ in full Mad Max dress (not conformed) and, no doubt, some crazy revellers (confirmed), but weirdly the original Mad Max, Mel Gibson, declined the offer to MC.

(16) PUPPY IN ORBIT. Galactic Journey’s time traveler has the latest (really late) space program news in “[Mar. 10, 1961] Dog and Puppy Show (Sputnik 9)”.

We are definitely not far away from a person in space.  The Soviets launched another of their five-ton spaceships into orbit.  We’re calling it Sputnik 9; who knows what they call it?  On board was just one dog this time, name of Chernushka, who was recovered successfully after an unknown number of orbits.  It is pretty clear that the vessel that carried Chernushka is the equivalent of our Mercury capsule, and once the Russians have gotten the bugs out of the ship, you can bet there will be a human at the controls.

This is not to say that the American program is standing still—one of our astronauts may go up on a suborbital jaunt as early as next month.  But the Atlas booster, the big one that can put a man in orbit, won’t be ready until the end of the year, at the earliest.

(17) A WRITER WHO WELDS. No, it’s not the Emergency Backup Hugo – it’s Nancy Jane Moore’s “Post-Apocalyptic Spaceship”, at Book View Café .

(18) THE ROCKET’S BLUE GLARE. The New York Times has a story on Amazon owner Jeff Bezos’ private space program — “Jeff Bezos Lifts Veil on His Rocket Company, Blue Origin”.

Blue Origin is part of a shift of the space business from NASA and aerospace behemoths like Lockheed Martin toward private industry, especially smaller entrepreneurial companies. Space Exploration Technologies, or SpaceX, founded by another Internet entrepreneur, Elon Musk, has been the most visible and most successful of the new generation of rocket companies. Last Friday, it launched another satellite to orbit, but an attempt to land the booster on a floating platform again ended in an explosion.

Much more quietly, Blue Origin has also had big space dreams, but until now did not give outsiders a look at what it was doing.

For almost four hours, Mr. Bezos, who only occasionally talks to the press, led 11 reporters on a tour of the factory and answered a litany of questions over lunch. He talked garrulously, his speech punctured by loud laughs. “It’s my total pleasure. I hope you can sense that I like this,” he said.

He described an image on a wall in the company’s central area, which showed two tortoises holding an hourglass and gazing upward at a stylized image of the planets and cosmos. Below is Blue Origin’s motto: “Gradatim ferociter,” Latin for “step by step, ferociously” — no cutting of corners, but no dillydallying, either. “You can do the steps quickly, but you can’t skip any steps,” Mr. Bezos said.

[Thanks to John King Tarpinian, Cat Rambo, Cat Eldridge, Mark-kitteh, Seth Gordon, Will R., and Tom Galloway for some of these stories. Title credit goes to File 770 contributing editor of the day RedWombat.]

Pixel Scroll 2/3/16 Superscrollapixelistbutextrabraggadocious

(1) THANKS FACEBOOK. Pat Cadigan joined the legions who have committed this social media gaffe — “Happy Birthday, Sorry You’re Dead”.

Well, it happened again…I wished someone a Happy Birthday on Facebook and then discovered they had passed away last year. This is what happens when you have an impossible number of Facebook friends, most of whom you don’t know personally….

Anyway, thinking or not, I have committed a birthday faux pas. And as usual, I feel awful about it. When the person’s loved ones saw that, they probably wanted to go upside my head. Because that’s how it is when you’re on the sharp end of a disaster, whether it’s something of epic proportions or the personal loss of a beloved friend or relative. Your life has changed forever, and yet the world goes on like nothing out of the ordinary has happened. Like, WTF? The stock exchange opens and closes. The sun rises and sets and rises again. People go to work, go home, go grocery shopping, go online, tweet, check Facebook––and they can’t even take a few extra minutes to find out if someone’s alive or dead? Seriously, WTF?

(2) THANKS TSA. James Artimus Owen shared a memo with his Facebook readers.

Dear TSA – I’m breaking up with you. It’s you, not me. Or anyone else you and American Airlines conned into this big threeway. We were awesome dates, going along with everything you asked for, giving you sweet, sweet lovin’, and lots of money, and always on time, and you didn’t care. You still just wanted me to get half undressed, and to feel me up, and poke me in my special place, and go through all my stuff – and then your drunk buddy American Airlines overbooked the flight…, and complained about carryons, and then broke their own damn plane while we were sitting here. And now someone is trying to “fix” things, but the air is off, and we have to sit here for another half an hour, and the paperwork is going to take longer than the repair. So, I just wanted you to know – I’m getting a private plane. With my own crew. And you can date my “people” but I’m not taking my belt and shoes off for you again just so you can lecture me about the difference between 3.5 ounces and 11 ounces.

(3) HOW DID SOME GOOD NEWS SLIP IN HERE? Hobart and William Smith Colleges (in New York’s Finger Lakes region) have announced that Jeff VanderMeer will join the Trias Residency for Writers for the 2016-17 academic year.

Jeff VanderMeer

Jeff VanderMeer

Winner of the Shirley Jackson Award, the Nebula Award, and three-time winner of the World Fantasy Award, VanderMeer is the author of more than 20 books, including the NYT-bestselling Southern Reach trilogy (“Annihilation,” “Authority,” and “Acceptance”), released in 2014 by Farrar, Straus and Giroux. The trilogy explores, among other issues, environmental degradation in extremis, creating, as the New York Times puts it, “an immersive and wonderfully realized world” with language that is “precise, metaphorical but rigorous, and as fertile as good loam.”

During the residency, VanderMeer will teach one class in the fall of 2016 and work with a number of select students the following spring. Additionally, he will offer a public reading and lecture, participate in a service event for the greater Geneva community and curate a reading series featuring Dexter Palmer (who writes sf), Ottessa Moshfegh and a third writer to-be-announced.

Beyond his work on campus, VanderMeer adds that he is looking forward to “a creative writing visit to the super max prison [in Auburn, N.Y.] and a possible partnership with the Colleges’ environmental center.” He has also invited artist John Jennings, a professor at University of Buffalo, to visit in the fall of 2016 “for some cross-media conversation about narrative and creativity.”

…The Peter Trias Residency at Hobart and William Smith Colleges is designed to give distinguished poets and fiction writers time to write. Academic expectations allow for sustained interaction with our best students while providing the freedom necessary to produce new work. Residents are active, working artists whose presence contributes to intellectual environment of the Colleges and the town of Geneva.

(4) MORE THAN MONEY. “Stephen King On What Hollywood Owes Authors When Their Books Become Films: Q&A” at Deadline.

DEADLINE: So rather than making the old deal, with big upfront money, you figure you’ll make your money on the other side?

KING: The other side of this, too, is that if you do that, you can say to these people, what I want is a share in whatever comes in, as a result, from dollar one. So it isn’t just a creative thing, it’s also the side where I say, if you want to do this, let me make it easy for you up front and if the thing is a success, the way that 1408 was a success for the Weinstein brothers, then we all share in it together. You know, of all the people that I’ve dealt with, Harvey and Bob Weinstein were the ones who were most understanding about that. They were perfectly willing to go along with that. A lot of people feel like you want to get in their business. I don’t want to do that at all. I want to be part of the solution. There were things about the 1408 screenplay that I thought were a little bit wonky actually, you know. There’s a part where you brought in the main character’s sad relationship about how his wife had died, she’d drowned, and he was kind of looking for an afterlife a la Houdini. I thought, well this seems a little off the subject. But it was great in the movie.

DEADLINE: So you’re not an author who feels that what’s in your book is sacrosanct, even when it’s translated to the screen?

KING: No. And the other thing is, you start from the belief that these people know their business. There are a lot of writers who are very, very sensitive to the idea, or they have somehow gotten the idea that movie people are full of sh*t. That’s not the truth. I’ve worked with an awful lot of movie people over the years that I think are very, very smart, very persistent and find ways to get things done. And I like that.

(5) TIL DADDY TAKES THE T-BIRD AWAY. From The Guardian: “Elon Musk personally cancels blogger’s Tesla order after ‘rude’ post”.

Unimaginable wealth has brought Elon Musk a lot of benefits, from being able to build a private spaceflight company to planning a magnet-powered vacuum tube supersonic transport system between LA and San Francisco – and be taken seriously. But perhaps the best perk of being Elon Musk is the ability to be unbelievably petty.

The Californian venture capitalist Stewart Alsop learned that to his cost, he says, after he wrote an open letter to Musk about the badly run launch event for the Tesla Motors Model X (the newest car from Musk’s electric vehicle startup).

Headlined “Dear @ElonMusk: you should be ashamed of yourself”, the letter listed Alsop’s issues with the event: it started late, it focused too much on safety, and it was so packed that even people like Alsop, who had placed a $5,000 deposit on the car (which was originally supposed to ship in 2013, but had only delivered 208 cars by the end of 2015), didn’t get the chance to test drive it.

Alsop concluded that “it would still be nice if you showed some class and apologised to the people who believe in this product”.

Instead, Alsop says, Musk cancelled his pre-order.

(6) HARTWELL OBIT IN NYT. Here is the link to David G. Hartwell’s obituary in the New York Times.

Mr. Hartwell worked at several publishing houses before starting as a consulting editor at Tor/Forge Books in the early 1980s. At his death, he was a senior editor there. He was nominated more than 40 times for Hugo Awards, among the most prominent prizes in science fiction, and won three times for editing.

Patrick Nielsen Hayden, a senior editor at Tor, said in an email that Mr. Hartwell had edited and published hundreds of books, including Mr. Dick’s novels “The Divine Invasion,” “The Transmigration of Timothy Archer” and “Radio Free Albemuth,” as well as novels in Mr. Herbert’s “Dune” saga and Gene Wolfe’s “The Book of the New Sun” series.

He also compiled dozens of anthologies, many with Ms. Cramer, including “The Space Opera Renaissance” (2006) and “Spirits of Christmas: Twenty Other-Worldly Tales” (1989), and he wrote “Age of Wonders: Exploring the World of Science Fiction” (1984).

Mr. Hartwell championed genre fiction long before crossover hits like the “Lord of the Rings” films, HBO’s “Game of Thrones” series and AMC’s “The Walking Dead” broadened its audience.

(7) BERKELEY AUTHOR APPEARANCE. Carter Scholz, author of Gypsy, Kim Stanley Robinson, author of The Lucky Strike, and Terry Bisson, author of Fire on the Mountain, at Books Inc. in Berkeley, CA on February 18th.

Carter Scholz, Kim Stanley Robinson, and Terry Bisson.

Carter Scholz, Kim Stanley Robinson, and Terry Bisson.

(8) DOLLENS ART REMEMBERED. Ron Miller’s post at io9 has a gallery of “Scenes from the 1950s Space Movie That No One Saw”.

Morris Scott Dollens is best known to aging SF fans as one of the most prolific space artists who ever lived.…

These three interests—-astronomy, photography and model-making—-led to an endeavor that that was especially close to his heart: The creation of a movie that would take audiences on a journey through the solar system.

It was to be called “Dream of the Stars,” and Dollens created dozens of meticulous models of space ships and alien landscapes. He assembled these into tabletop dioramas which were then photographed in the same way Hollywood special effects artists would create miniature effects scene. Dollens sent these photos to magazine and book publishers, who ran them with captions that declared that “Dream of the Stars . . .is said to be best space film yet.” I remember seeing these photos in books about space when I was a kid and desperately trying to track down this movie. It wasn’t until decades later, when I contacted Dollens while researching my book, “The Dream Machines,” that I finally learned the truth: that “Dream of the Stars” was just that: a dream.

(9) HAT TIP. The New York Post noticed a fan favorite is back — “’X-Files’ tips a (straw) hat to iconic ’70s TV character”.

The latest episode finds FBI special agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) interrogating a person of interest, Guy Mann (Rhys Darby), as they hunt for a reptilian “were-monster.” Mann’s quirky attire — straw hat, seersucker jacket and cheap knit tie — bears a striking resemblance to clothing worn by Carl Kolchak, the rumpled creature tracker played by the late Darren McGavin in the 1970s ABC series “Kolchak: The Night Stalker.”

The homage to McGavin’s vampire- and werewolf-hunter is intentional.

(10) HINES ON REPRESENTATION. Suvudu interviewed “Jim C. Hines on Representation and the Seeds of Possibility”, and Jim made his case in a lucid and fair manner, as he always does. It’s not his fault that his examples play so well against the next item in today’s Scroll….

I don’t understand why this is such a heated topic, but people get quite distraught when you suggest our genre should be more inclusive. Just look at the attempted boycott of Star Wars for daring to cast a woman and a black man in lead roles, or the oceans of man-tears surrounding Mad Max: Fury Road and its competent and kick-ass protagonist Furiosa.

Imagine the backlash to a science fiction show in which the main starship crew—the captain, first officer, navigator, engineer, and doctor—are all women. The only male character is basically a switchboard operator.

(11) TIMING IS THE SECRET. Who knew Ghostbusters will be putting Jim’s example to the test? “Receptionist Chris Hemsworth is Here For You” at Tor.com.

Last night Paul Feig announced that the official Ghostbusters site is up and running, with the first trailer set to drop later this month. If you poke around on Ghostbusters.com (which also has pages for the original movies), you’ll find a new batch of images, featuring the ladies in civilian garb… and their adorable receptionist, played by Chris Hemsworth.

You know how there’s that silly TV/movies trope of putting glasses on a girl to make her less attractive? Yeah, that definitely doesn’t work here.

(12) CHATTACON REPORT. Ethan Mills of Examined Worlds writes about “The Importance of Community”.

Do we need Cons like ChattaCon today?  Aren’t SF fans all shut-in introverts who make snarky anonymous comments on blogs and YouTube videos?  Even if we do need communities, couldn’t we move the Con experience to the internet, where we’ve moved so much of our communal interactions in the 21st century? A ChattaCon Report While the internet is great (you’re reading it!), I think physical meetings are still an essential part of community.  To make my case, consider some of the things I did last weekend:

…One of the guests was Larry Correia (of the Sad Puppies).  I went to one of his panels with a few friends.  Given my opposition to the whole Sad Puppy fiasco, I was wondering what he’d be like in person.   Answer: not all that different than most author guests, although nobody asked him about the Puppies.

(13) SHOCKING. Max Florschutz at Unusual Things calls it “The Indie Scam”.

There are a lot of blogs, posts, and news articles out there decrying the pricing of the big publisher’s books. They make regular appearances on smaller author’s sites, reddit’s r/books, and very frequently in the circles of indie authors. “Publishers are making their books too expensive!” they cry. Look at the price of these books!

…Then came the bit I didn’t agree with. That everyone should flock (and was flocking) to ebooks and indie because the prices were so much better.

The problem is, this isn’t always true….

Let me tell you a story. About a year ago, I was attending a con and talking with a bunch of authors about ebook sales and indie publication. One man in the “group” we’d sort of formed in the hallway was a known trailblazer in the ebook world, one of the first authors to jump ship from his publisher and go straight indie, a decision that had been great for him. Naturally, he being the one with the most experience in success, everyone was letting a lot of questions and comments gravitate his way.

At some point, ebook pricing came up, and I mentioned I was trying to figure out a price for the draft I was about to finish. He shrugged and said it was simple, and asked me how long it was. 300,000-odd words, I said. Eyes wide, he shook his head, and then told me the best way to sell a book of such length:

Cut it up into 8 or 10 sections and sell them for $2-3 a pop.

This, readers, is what I’ve started to see as “The Indie Scam.”

You see, as already mentioned, a lot of indie authors will decry the cost of “big pubs” and their ilk. Like the classic meme, they repeat the line that the prices are “just too d**n high” while showing that their books are so much cheaper at their low, low prices.

But are they really? Well, in a lot of cases … no. And that’s the problem. It’s a misdirect. Because a lot of these indie books? They’re a lot smaller than what they’d have you believe.

(14) RABID PUPPIES TODAY. Vox Day’s picks for the Rabid Puppies slate in the Best Fan Writer category are Jeffro Johnson, Dave Freer, Morgan, Shamus Young, and Zenopus.

(15) KEEPING THE WARDROBE BUDGET DOWN. Den of Geek asks: “Saturn 3: the 1980s’ weirdest sci-fi movie?”

Saturn 3 wasn’t exactly the sci-fi blockbuster its makers might have hoped. Neither broad and upbeat like Star Wars nor as claustrophobic and disturbing as Alien, it instead became one of the great oddities of 80s science fiction. This is, after all, a movie which features such bizarre lines as “No taction contact!” and “That was an improper thought leakage.”

Then there’s the bizarre scene in which Kirk Douglas (nude, of course) chokes out Harvey Keitel after he utters the line, “You’re inadequate, Major. In EVERY department.”

Saturn 3’s by no means a classic, then, but it is undoubtedly one of the most weirdly fascinating sci-fi misfires of the 1980s.

(16) DON’T ORDER THE SOUP. Gizmodo touts a photo series created by Benjamin Wong, a.k.a. Von Wong.

A lovely shepherdess in a flowing white dress tends to her flock in these gorgeous photographs reminiscent of a fairy tale. The twist: the shepherdess is underwater, and her charges are white-tipped reef sharks.

The image is part of the latest series from conservation photographer Benjamin Wong, a.k.a. Von Wong, who has a bit of an adventurous streak, taking his models into the field for a bit of storm-chasing and to underwater shipwrecks—all in the name of capturing that perfect shot. This time, he took model Amber Bourke to Fiji, a hot spot for ecotourism specializing in shark dives.

But his focus isn’t on thrill-seeking or purely aesthetic pursuits; in this case, he wanted to draw attention to the plight of sharks worldwide. “Sharks are almost always depicted as menacing and terrifying, yet it is humans that are responsible for killing them in the millions just to make soup,” he wrote on his blog. “I wanted to create a series of images that would help break those stereotypes.”

 

[Thanks to James H. Burns, David K.M. Klaus, John King Tarpinian, Jeff VanderMeer, Susan Toker, Moshe Feder, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day John Stick.]

Pixel Scroll 2/2/16 A Spoonful Of Pixels Helps The Medicine Scroll Down

(1) ALTERNATIVE FUTURISM AT UCR. Despite everything else that’s happened to sf studies there, the sun still rose over Riverside this morning and the University of California Riverside announced new events in its continuing Alternative Futurisms Series. The series is funded by a $175,000 Sawyer Seminar grant from the Andrew W. Mellon Foundation.

Authors Daniel José Older and Walter Mosley will speak on Wednesday, Feb. 3, followed on March 3 by a panel of award-winning authors discussing the expectations of science fiction and fantasy produced by Caribbean writers….

“Throughout 2015-2016, the Sawyer Seminar on Alternative Futurisms is helping to build bridges amongst the various zones of scholarship and creation in people-of-color futurisms and fantastical narratives,” said Nalo Hopkinson, co-organizer of the yearlong seminar, a professor of creative writing and an award-winning author of science fiction and fantasy. “Following a successful fall quarter, which included a conference, film screenings and panel discussions, the winter quarter is focusing on creators of people-of-color science fiction and fantasy.”

… “The Sawyer Seminar has brought together faculty, students and the larger community around the important question of imagining a diverse future,” said Milagros Peña, dean of the College of Humanities, Arts and Social Sciences (CHASS). “I am proud of CHASS’s continuing commitment to science fiction studies.”

Events scheduled this month and in the spring include:

Thursday, March 3, 3:30 p.m. Interdisciplinary 1113 – Panel discussion on Caribbean science fiction and fantasy. Panelists are: with Karen Lord, an award-winning Barbadian author (“Redemption in Indigo,” “The Best of All Possible Worlds”) and research consultant; Karin Lowachee, an award-winning author (“Warchild,” “Cagebird”) who was born in South America, grew up in Canada, and worked in the Arctic; Nalo Hopkinson, award-winning author (“Midnight Robber,” “Falling in Love With Hominids”) who was born in Jamaica and teaches creative writing at UCR with a focus on the literatures of the fantastic such as science fiction, fantasy and magical realism; and Tobias Buckell, a best-selling author who grew up in Grenada and whose work (the “Xenowealth” series, “Hurricane Fever”) has been nominated for numerous awards.

Monday, April 11, 4 p.m. (location tbd) – Readings by Ted Chiang, whose work (“Tower of Babylon,” “Exhalation,” “The Lifecycle of Software Objects”) has won numerous awards; and Charles Yu, whose debut novel “How to Live Safely in a Science Fictional Universe” was a runner-up for the Campbell Memorial Award.

(2) EARTHSEA OF GREEN. The Kickstarter appeal for Worlds of Ursula K. Le Guin raised its target amount of $80,000 on the very first day. A total of $83,268 has been pledged by 1,164 backers as of this writing.

(3) RABID PUPPIES. Vox Day’s daily slate revelation was “Rabid Puppies 2016: Best Fan Artist”, with picks Karezoid, rgus, Matthew Callahan, Disse86, and Darkcloud013.

(4) DAY VERSUS DAVIDSON. Vox Day also reacted to Steve Davidson’s attempt to get Andy Weir to repudiate slates: “SJW attempts to block Weir nomination”.

As for why I did not recommend Mr. Weir as Best New Writer last year, it was for a very simple and straightforward reason. I had not read his novel. Unlike so many of the SJWs, I do not recommend novels I have not read, writers whose books I have not read, or artists whose work I have not seen. Those who have not brought their works to my attention have only themselves, and their publishers to blame, if I remain unfamiliar with them. I am but a mere superintelligence, I am not omniscient.

It is perhaps worth noting, again, that I do not care in the least what a writer or an artist happens to think about being recommended; die Gedanken sind frei. People can recuse themselves, publicly repudiate, or virtue-signal, or perform interpretive dance to express the depth of their feelings about Rabid Puppies. It makes no difference to me.

That being said, it appears Marc Miller is not eligible for Best New Writer despite having published his debut novel in 2015. I shall have to revisit that category at a later date.

Although it really doesn’t have any implications for the current discussion, it’s an interesting bit of trivia that Bryan Thomas Schmidt, who was on both the Sad and Rabid slates last year as a short fiction editor, was the person who edited Weir’s novel The Martian.

(5) BIGGER ISSUE. David J. Peterson argues that Puppy drama is overshadowing a really important issue – the lack of a YA Hugo.

No, to my mind the real injustice in the Hugo Awards is the lack of a separate award for YA fiction. More than anywhere else, YA is drawing new readers to science-fiction and fantasy. Yes, right now HBO’s Game of Thrones is huge, and it’s based on a very adult series of fantasy novels by George R. R. Martin, but beyond, what else is big—and I mean big big—in SFF? A few series come to mind: Harry Potter, The Hunger Games, Divergent, The Mortal Instruments. I’m sure you can think of others (oh, duh, Twilight, whatever you think of it). All of these are very successful YA series (all by female authors, incidentally), and all of them have been made into movies that range from moderately successful, to wildly, outrageously successful. Generally, though, unless it’s world-shatteringly successful, YA novels don’t stand a chance of being nominated for a Hugo, let alone winning (of all the books listed above, only two were nominated for best novel—Harry Potter and the Prisoner of Azkaban and Harry Potter and the Goblet of Fire—with the latter winning)….

Writing YA fiction is a different endeavor than writing adult fiction. There are different rules in play; a different audience to consider. It’s a different approach altogether. Different. Not better. Not worse. But different. Think of your favorite YA novel and your favorite adult novel (two that jump to mind immediately for me are Matilda and The Great Gatsby). Can you rank one over the other? I can’t. It’s not because I can’t decide which one is better: It’s because they’re not even playing by the same rules….

And that’s my point with YA and the Hugos. YA is underrepresented, but it’s not because readers are ignoring it or anything like that: It’s because it’s competing in a category it shouldn’t be. Right now, enormous YA works are grabbing new readers by the truckload and essentially delivering them into SFF fandom, but they don’t have a seat at the table. This is an issue that has been raised before, but I think the whole Sad Puppy thing has really shoved it to the side, and that, to me, is a real shame.

(6) SEEKS LOVE. Meantime, James Troughton just cuts to the chase —

(7) FINDS LOVE. Congratulations Laura Resnick on the film option offered on one of your romance novels!

The deposit has cleared, which means it’s time to announce: I’ve been offered a film option deal for my romance novel, FALLEN FROM GRACE. This means I’ve licensed the right for a filmmaker to apply for development money from (of all things) the National Film Board in South Africa (where the story would be relocated and the movie made, if it’s made). It’s a multi-stage process and may never get beyond this point (or may never get beyond the next point, “development,” etc.), but I’m still excited. I’ve had an initial approach 2-3 times before about film adaptations (though not for this book), but no one has ever before pursued it beyond the initial “are these rights available?”

(8) BLUE TWO. The New Zealand Herald reports “First Avatar sequel to start shooting in NZ this April”.

The follow-up to the blockbuster hit Avatar will start production in New Zealand this year.

Director James Cameron is set to start filming the first of three Avatar sequels in April, which are scheduled to be released one year after the other.

The first sequel was supposed to come out in cinemas later this year, but delays have forced the release date to the end of 2017.

According to My Entertainment World, the film will start shooting in California’s Manhattan Beach and New Zealand.

The website also reveals the premise for the film, saying “Jake Sully (Sam Worthington) permanently transfers his consciousness to his Na’vi avatar and begins a new life with Princess Neytiri (Zoe Saldana) after they defeat the human colonisers.”

(9) DRAWERS IN A MANUSCRIPT. M. Harold Page recommends a book about period costumes at Black Gate: “Pulp-era Gumshoes and Queen Victoria’s Underwear: Stitches in Time: The Story of the Clothes We Wear by Lucy Addlington”.

It puts us in the shoes (and unmentionables) of the people we read about — the Pulp-era gumshoes and flappers, the Victorian Steam Punk inventors, the swashbuckling musketeers. They all feel a bit more real when we know how they dress in the morning, how they manage the call of nature, what fashion bloopers they worry about, how their clothes force them to walk or sit.

It also helps us decode some of the nuances. For example, men’s shirts were actually regarded as underwear until well past the Victorian period. If you took off your jacket, you’d immediately don a dressing gown. To be in your shirtsleeves was to be not entirely decent. The color of your shirt reflected your class and… and it’s a rabbit hole of nuance and snobbery. You just have to read it.

(10) X-FILES. If you’re in the market for a spoiler-filled recap of the latest X-Files episode, click Mashable’s “’The X-Files’ Episode 3 was a silly hour of TV that couldn’t have been better”.

(11) TOO MUCH LAVA. Open Culture today highlighted this eight-minute animation of the destruction of Pompeii from 2013. Well worth the eight minutes.

A good disaster story never fails to fascinate — and, given that it actually happened, the story of Pompeii especially so. Buried and thus frozen in time by the eruption of Mount Vesuvius in 79 AD, the ancient Roman town of 11,000 has provided an object of great historical interest ever since its rediscovery in 1599. Baths, houses, tools and other possessions (including plenty of wine bottles), frescoes, graffiti, an ampitheater, an aqueduct, the “Villa of the Mysteries“: Pompeii has it all, as far as the stuff of first-century Roman life goes.

 

[Thanks to John King Tarpinian, and JJ for some of these stories. Title credit goes to File 770 commenter of the day IanP.]

X-Files Hate Roundup

Did you hate the X-Files revival, or love it? Brian Z. produced this roundup of critics’ negative responses to help jumpstart discussion.

The Original X-Files Pilot Perfectly Explains Why the Reboot Fails – Slate

We wanted to believe the revival of The X-Files would be a return to form, but after last night’s inaugural episode, our hope quickly faded. From the opening monologue, a seriously confusing snooze-fest, to the arbitrary new conspiracy theory, the episode veers off track early and never recovers.

To understand where it goes wrong, watch the video above, which goes back to the masterful original pilot of The X-Files to show how creator Chris Carter and his writers have forgotten what made the show work in the first place.

weird, but not in a good way – The Guardian

“You can’t say these things,” Scully tells Mulder after his epiphany (by the way: Anderson is great here, even without this monologue to endear her to the embrained members of the audience). “It’s fearmongering claptrap isolationist techno-paranoia so bogus and dangerous and stupid that it borders on treason. Saying these things would be irresponsible.”

I have another reason Mulder, and people who think the dumb things Mulder thinks, should stay silent: equating news reports of government surveillance (which is real) with the theory that the Trilateral Commission secretly orchestrated 9/11 (which is not real) makes it harder for people who want to stop things like the expansion of the former to be taken seriously.

‘I want to believe’Hollywood Reporter

After more than a few heavy-handed scenes that would otherwise seem like parody, there’s a moment in the first hour when — after an “oh-don’t-do-that” rant by Mulder about what’s really happening under their noses — Scully says something that serves as both descriptor and indictment of revisiting the series: “It’s fear-mongering, clap-trap, isolationist, techno-paranoia so bogus and dangerous and stupid that it borders on treason.”

Yes, what she said.

 I Wanted To Believe, But… – Yahoo!

The fault in the new X-Files is in some part our own fault. After all, Carter might not have executed his wish to get the old band back together for a reunion tour if there wasn’t an audience perennially agitating for it. This aspect of Nostalgia Culture — the one that is inspiring the returns of everything from Full House to Twin Peaks to Gilmore Girls — is both understandable and regrettable.

If ‘The X-Files’ Sticks Around, It Has To Abandon Its Bloated Mythology – Forbes

Now the story goes that aliens grew concerned for humanity’s survival when we started toying with nukes, but we in turn killed their emissary at Roswell in 1947 and stole their technology to further fuel a shadow government’s takeover of America, and then the planet. That’s just…well ok, that’s something I think is borderline plausible given the evils and atrocities on display by humankind lately. But I digress.

‘My Struggle’ Doesn’t Encourage Our Faith Or Trust – Indiewire

Behold Mulder, a man of the year 2016, which we know because apparently he’s learned how to use Uber. (This is something I honestly find a little hard to believe. Any man driven to investigate conspiracies on Mulder’s level ought to at least be a little familiar with that company’s shady underpinnings.)

Everything Is Wrong (PHOTO RECAP) – tv.com

But yeah, levitating invisible spaceships built by humans. It was like we were in a Syfy miniseries suddenly! Anyway, Mulder honestly looked like he’d rather stretch out on a futon than think about aliens for another second.

Every Episode of The X-Files, Ranked From Worst to Best

That said, it’s best to be forewarned that while the post-Mulder episodes of the series aren’t spectacular pieces of television, I find season eight incredibly underrated (and miles better than season seven, where David Duchovny seems as bored as all of us were at that point), and I actually like not only John Doggett, but Monica Reyes, too. Please don’t stop reading.

Pixel Scroll 1/25/16 The Depixellated Man

(1) X-OUT THE X-MEN FAN VIDEO PROJECT. Joel Furtado, an animator from Vancouver, Canada has cancelled his fan film X-men: Danger Room Protocols due to legal issues with Marvel, which prevented the first video in the series from being hosted on YouTube or Vimeo.

Now, there’s word of another fan production falling to legal issues: Joel Furtado’s X-Men: Danger Room Protocols.

Furtado has been working on the web series for a long while now, with eighteen episodes planned to showcase different pairs of 1990s-era X-Men characters in animated adventures against iconic villains in a Danger Room scenario. Furtado told io9 via email: “I’ve always loved X-men since I was a little kid. It was something I gravitated to, reading the comics at that time even before the animated series,” adding, “When Fox’s cartoon came out that was it, I was hooked. I’ve done a few personal projects over the years, but nothing of this scale or scope. I decided I wanted to take a year off and do this thing for myself, as well as the fans. I knew there were X-men fans out there, wanting more than what the official powers that be were giving them.”

The first episode featured Jean Grey and Wolverine against the Sentinels, but was quickly pulled from YouTube. Furtado released it on Vimeo, but the video was pulled from there as well.

Furtado gave a valedictory talk to his supporters in a new video.

(2) USING YOUR POWER. Kameron Hurley was at Confusion over the weekend, and was inspired to write a wisdom-filled post, “On Kindness and Conventions”.

I have argued with authors for years about the power imbalance between authors and fans. By the very fact that you’re an author, that you’ve had worked published, it puts you in a position of perceived power, even if you don’t feel powerful. And what you do with that power is important. But first you need to realize, and accept, that you have it and people have given it to you….

Most importantly, though, when I was out at parties, or in the bar, I opened up the conversation circle to people. This is probably the most important thing you can do at either of these events. There is nothing worse than hanging on outside the circle hoping to try and get someone to invite you in. Here are these people who’ve known each other for years, and you’ve been told to socialize at the bar because it’s so great to network! and all you’re doing is standing outside these circles of people with a drink, feeling stupid….

I have talked a lot of talk over the last decade. It’s my turn to pay it forward, and to help build the community I’d like to see, instead of just complaining about how shitty things are elsewhere.

Because there is no greater joy than seeing the reactions of people who’ve had their first amazing convention, and who tear up all the way home because in a single weekend they’ve found their people, they feel included, they felt like part of something bigger than themselves.

Be the change you want to see, right? I need to act like the author I always wished I would have encountered when I was twenty-one years old at my first convention. Every time I talk to some new person, especially those at their first convention, I imagine that I’m talking to somebody who is going to come up fighting through here just like me. I’m holding out the hand I didn’t get that first time. I’m opening up the circle.

(3) FANFIC. Mindy Klasky’s “F is for Fanfiction” at Book View Café is an overview of the topic for professional writers that raises good questions writers should consider about setting boundaries on the use of their work, however, it was this paragraph that generated all the comments – most disagreeing that one must outgrow fanfic.

Fan fiction might be a great way for an author to exercise writing skills, learning to recreate an established author’s tone and/or using known characters expected to act in specific ways. But if you intend to publish your work, you’ll need to move beyond fanfic. That “moving beyond” should include at least “filing off the serial numbers”, erasing the specific references to character names, locations, and other details.  Thus, Bella Swan from Twilight became Anastasia Steele, and Edward Cullen became Christian Grey in Fifty Shades of Grey. The special world of sparkling vampires became the elite life of a billionaire.

(4) KING CONTEST SHORTLIST. The finalists have been announced in a short story competition to celebrate the publication of Stephen King’s collection The Bazaar of Bad Dreams. There were more than 800 entries.

A team of dedicated readers carefully selected stories worthy of putting forward to the long list.  20 stories were in serious contention and after due deliberation judges Claire Armitstead (Books Editor at the Guardian), Philippa Pride (Stephen King’s British editor) and Kate Lyall-Grant (our independent judge and Publisher at Severn House Publishers) unanimously chose six stand-out stories for the shortlist.

The judges were extremely impressed by the quality of the six stories which are now on their way to Stephen King.  The winner will be announced on or after 30 January. Watch this space…

Please join us in congratulating the talented authors on the shortlist:

‘The Spots’ by Paul Bassett Davies; ‘The Unpicking’ by Michael Button; ‘Wild Swimming’ by Elodie Harper;  ‘The Bear Trap’  by Neil Hudson; ‘La Mort De L’Amant’ by Stuart Johnstone; ‘Eau de Eric’ by Manuela Saragosa.

(5) THORNTON OBIT. SF Site News reports Kathy Thornton (1957-2016) died on January 16. She was one of the founding members of Con-Troll in Houston and worked on Texas NASFiCs and Worldcons. In 2005, she was the fan Guest of Honor at Apollocon.

Kathy Thornton and Derly Ramirez

(6) CAST IN THE HAT. As Nicole Hill warns, “We Sort the Cast of The Force Awakens into Their Hogwarts Houses” at B&N Sci-Fi & Fantasy Blog is MOSTLY SPOILERS. So no excerpt here. Fun article, though.

(7) LOVECRAFT. Submissions are being taken for the Dunhams Destroys Lovecraft anthology through February 6. What do they mean by the title?

Destroy it all.
Burn the tropes.
Smash the traditions.
The statues.
The awards.
The apologetics.
The so-called gatekeepers of Weird Fiction.
Mock the big fish in the small pond of Lovecraftian fiction.
Nothing is safe.
NO ONE IS SAFE.
Parody as a means to topple to regime.
Spoof the blowhards.
Take anything Lovecraftian and mock the hell out of it.

Payment is $25 and a contributor’s copy for 5-10K word stories. And they repeat, “We do NOT want traditional Lovecraftian fiction.”

(8) TODAY’S BIRTHDAY BOY

  • Born January 25, 1920 – Jerry Maren, leader of The Lollipop Guild – last of the Munchkins.
Jerry Maren

Jerry Maren

(9) BROKEN NEWS. People asked Jim C. Hines what he thought about his name being mentioned in a Breitbart story based on a comment here. He told them in “Fact-Checking for Dummies. And Breitbart.”

This is what rates an article on Breitbart. “Hey, a commenter on the internet said that some unnamed person is talking to a couple of Toronto bookstores and showing them what some of the Sad/Rabid Puppies have said and asking them not to stock said puppies. Oh, and yeah, there’s no actual evidence of it having any effect.”

(10) SOMETHING IN COMMON. George R.R. Martin’s tribute to David Hartwell touched John C. Wright. He sent this note to Martin.

It grieves me that you and I should be at odds over unimportant political matters when science fiction as a genre, and the people in our lives, and much else besides are things we both have in common and outweigh any differences.

The shadow of our mutual loss of a friend sharply reminds me of what is important in life, and mutual ire is not one of those things.

You wrote not long ago of a desire for peace in the science fiction community; I second that sentiment and voice it also. Let there be peace between us.

(11) ELIGIBILITY POSTS. Cat Rambo favors Hugo eligibility posts.

I blogged about it as a result of Twitter conversation with Daniel Older and Shveta Ta; he’s posted his own and I urged people to post links to theirs in my post. Any help spreading the word is appreciated; too many people let themselves get silenced by fear of internet kerfuffles. I’m hoping that puppies feel free to post on there as well; too many people forget that as SFWA President I’m representing a range of writers, not a single crowd.

Rambo introduces the post on her personal blog with these sentiments:

Let us begin by acknowledging that this is a rancorous period, full of clashing agendas, bewildered onlookers, and all too many innocents caught in the crossfire (although it is not the first time we’ve seen these storms, nor will it be the last.). And that right now making an eligibility post particularly mentioning Hugo Award categories like Related Work is something that some of us are circling and wondering about.

And my answer is yes. Yes, you should. Why?

Check the post for her three arguments.

(12) RSR CAMPBELL LIST. Rocket Stack Rank has made a list of new writers whose stories were reviewed on their site who should be eligible for the 2016 John W. Campbell Award.

Here are 62 writers who are eligible for the 2016 Campbell Award. They were selected from the 565 stories reviewed by Rocket Stack Rank and eight other prolific reviewers in 2015. There are many more new writers out there, but their stories weren’t read by Rocket Stack Rank so they’re not included here.

(13) A LONGLIST OF HUGO RECOMMENDATIONS. Nerds of a Feather will be posting lists of recommendations drawn from its contributors. First up is the Hugo Award Longlist for fiction.

For the past couple years I’ve posted a draft Hugo ballot (2014, 2015). Last year’s slate voting controversy, however, made me rethink that practice. True, this blog has limited influence within fandom, and we’ve never tried to mobilize voters to further a cause or agenda either. But it still feels strange to call out slate-based voting campaigns while publishing something that looks, superficially at least, like a slate of our own. So instead of giving you my personal ballot, I asked the the thirteen nerds of a feather to contribute to a longlist of potential Hugo nominees.

The rules for inclusion were simple–just: (a) meet the eligibility criteria; and (b) be “award worthy” (i.e. good). Given the subjectivity of the latter, it should come as no surprise that the selections on our longlist reflect the spectrum of tastes, tendencies and predilections found among our group of writers. You’ll find selections ranging from the obscure and literary to the unabashedly popular and commercial, and from all corners and subdivisions of the genresphere

(14) UFO FILES. The Express has a photo-illustrated article, “Some of ‘world’s best ever UFO pictures’ go online with CIA former top secret files”.

The US intelligence agency, often accused by UFO conspiracy theorists of being involved in a major cover up to hide evidence of alien life from the public, has for some reason chosen to upload some of its formerly classified UFO case files to its website.

(15) RETROFUTURISM. Joshua Rothman comments on “The Nostalgic Science Fiction of ‘The X-Files’” in The New Yorker.

Scholars have a term for our fascination with the science fiction of the past: they call it “retrofuturism.” In the “Oxford Handbook of Science Fiction,” Elizabeth Guffey and Kate Lemay offer an elegant definition of the term: “Where futurism is sometimes called a ‘science’ bent on anticipating what will come,” they write, “retrofuturism is the remembering of that anticipation.” Retrofuturism tends to be both celebratory and regretful. On the one hand, the retrofuturist sensibility is drawn to old visions of the future because today’s have lost their appeal; on the other, it recognizes that those old visions had their downsides. Steampunk, for example, is attractive precisely because it rejects the disembodied corporatism of the digital world; still, the vision of the future in the film “Snowpiercer” is both refreshingly analogue and brutally Dickensian. (That’s not to say that retrofuturism is always ambivalent: “Star Wars” is, among other things, an upbeat retrofuturist response to the drug-addled sci-fi of the sixties and seventies.) “The X-Files” was a retrofuturist show. It celebrated the wide-eyed sense, prevalent in the forties, fifties, and sixties, that science was about to change everything. It also recalled the darkness of the Cold War, when individuals felt powerless against vast geopolitical forces, and science brought us to the edge of thermonuclear doom.

Because we live in a moment of reboots, remakes, and revivals, we seem to be surrounded by retrofuturism. Superhero movies, with their emphasis on mad-science mutation, have a retrofuturist appeal. So do the rebooted “Star Wars,” “Star Trek,” and “Mad Max.” Even “Interstellar,” in many ways a forward-looking film, also looked back to the sci-fi of the past. If you’re of a theoretical cast of mind, you might wonder what it means to be nostalgic for a retrofuturist show like “The X-Files.” Is it possible, “Inception”-style, to square retrofuturism? Can you look back ambivalently at the way people used to look back ambivalently at a vision of the future?

(16) TV SUCCESS WOULD X-OUT THIRD X-FILES MOVIE. A third X-Files movie has been scripted by Chris Carter – but if the ratings are good for the TV series, he’d prefer to focus on that.

“I actually wrote a third movie, just because I was interested in the idea of where that might go,” Carter told the audience. When Fox approached him about bringing The X-Files back to television, Carter considered repurposing the script for the series. “I let my wife read the third movie,” he shared, “and she said ‘I think not for television.'”

Any chance of a third X-Files film will depend on how strong (or poor) the ratings for the upcoming mini-series are. If the ratings are good, Carter seems more interested it sticking to TV. “I’m waiting for Fox to come back and ask for more,” said Carter. “Then we’ll talk about it.”

And early reports are that ratings for the new show were good.

The preview of the mini-series premiered on Sunday night following the NFC Championship game between the Arizona Cardinals and Carolina Panthers and received strong ratings.

Monday’s debut on the mini-series’ normal night will be the true test, along with the subsequently five episodes. Should that run be as strong as many suspect that it will be, a third film might yet by in the cards

(17) SATIRE NOSTALGIA. The WSJ’s Speakeasy blog remembers “When Mulder and Scully Went to Springfield: An Oral History of the ‘Simpsons’ – ‘X-Files’ Crossover”.

Mike Reiss: We had the most illegal shot in TV history. [The episode has] a line-up of aliens where Homer is supposed to pick out which alien is his. We had Alf, Marvin the Martian, Chewbacca — they were all copyrighted. In one five-second shot, we violated five people’s copyrights. But the only comment we ever got was, we had Alf in there. Alf said “Yo!” and I got a call from the real Alf, who said, “Next time you do me, let me do it.”

(18) REV. BOB CROWNED. Our own Rev. Bob was king for about as long as it takes to boil an egg at the Whoisthekingrightnow site. He’s still searchable as Robert in the Hall of Kings, where his three decrees have been immortalized.

King Bob the Horizontal.

  • The denizens of Sensible Castle do not judge. Unless you’re a jerk.
  • Get thee down. Be thou funky.
  • In case of emergency, the masks that drop from the ceiling will make everyone’s final moments MOST interesting. You’re welcome.

[Thanks to Brian Z., John King Tarpinian, Gregory N. Hullender, and Nick Mamatas for some of these stories. Title credit goes to File 770 contributing editor of the day Nigel.]

Update 01/26/2016: Corrected Rev. Bob’s royal name to the right royal name, with the right decrees.

Pixel Scroll 10/30 The Stainless Steel Hedgehog Has A Harsh Mistress, Not That There’s Anything Wrong With That

(1) Larry Smith is out of the hospital reports Marcia Kelly Illingworth on Facebook.

Please forgive the lack of recent updates. As they say, no news is good news. Larry is back out of the hospital, and appears to be doing well. He was finally able to attend a convention last weekend, and held up remarkably well. At this point, he is hoping to make all of his November commitments. Clearly, he is not exactly on top of his game, and has had to make some adjustments to his activity level and routine, but he is improving.

Larry and Sally asked me to try to convey the enormous gratitude they feel to everyone who has come to their aid through this very trying time. I say *try* to convey, because there just are not enough words to adequately express how thankful and humbled they feel. And let me just add my thanks as well. These are some very special people, and my heart swells when I see this wonderful family that we call fandom come together to help them like you have.

They are currently still trying to find a replacement van. The one they had was a 15 passenger model, with a long wheelbase and extra suspension to handle the weight of the books. They have found a couple of possibilities (of course, none local), so they hope to find one soon. Give yourselves a much – deserved pat on the back for making this possible for them. Please share this update on any list or social media that you have available to you

(2) David Langford proudly displayed his “Sausage Maker To Fandom” badge ribbon in the new issue of Ansible.  It was given to him at LonCon 3.

(3) Thursday night’s Late Show with Stephen Colbert had Seth MacFarlane and Neil DeGrasse Tyson as guests. Stephen is convinced that star KIC 8462852 is evidence of the alien life predicted in one of his favorite books. In the final interview segment, Colbert goes off on a seriously detailed Ringworld rant, including crediting Larry Niven.

“Just because you don’t understand what you’re lookin’ at doesn’t mean it’s alien,” countered Tyson…

In this YouTube clip, the Ringworld bit starts just after the 1:50 mark.

(4) CNN reports “Orbiting bacteria: Space Station may need some tidying up”.

The next time NASA picks an astronaut to live in the International Space Station, it might want to send Mr. Clean. That’s because scientists using a kind of high-tech white glove test found something in the space dust there.

The astronauts are not alone, it turns out. They share tight quarters with some previously undetected, opportunistic bacterial pathogens.

Nothing unusual here. The Sasquan guest of honor left his hotel room in the same condition as every other fan at this year’s Worldcon. A generous tip ordinarily covers these things. In this case, two or three million dollars should do it…

(5) Grantland, ESPN’s pop culture site founded by Bill Simmons, is shutting down. I’ll miss genre-themed coverage like Brian Phillips’ ”50 Scenes That Do Not Appear in the Fox ‘X-Files’ Revival”.

  1. It does not, at any point, transpire that Assistant FBI Director Walter Skinner joins Kickstarter to seek funding for his “elegantly bound novelization” of Infocom’s Leather Goddesses of Phobos.
  2. The word “copyleft” — that doesn’t get thrown around a lot.
  3. Jonathan, who is not making churros, does not tell Scully that “it’s about the cinnamon” and then gasp, “I’ve said too much,” and then get shot in the head by a sniper from Venus.

(6) Charle Jane Anders acknowledges “The Difference Between a Great Story and a Shitty Story Is Often Really Tiny” at io9.

To some extent this is a “Devil in the details” thing: It’s the little details that will trip you up. Small inconsistencies can make your world feel flimsy. But, too, tiny character moments and little bits of emotional resonance, in between the big incidents, can do a ton to make people buy stock in your world and its people.

The difference between a shitty story and a great story is often just one of clarity, also. A great story sets up its premises early on, then builds on them and deepens them, until finally you reach some kind of crisis. Going back to the topic of movies, I’ve been amazed by how many movies I’ve seen lately where the first 20 or 30 minutes are compelling and fascinating (the “first act”) and then what follows is a dull morass. It’s like the “building and deepening” part of the recipe just got thrown out.

(7) That lunar rover that went to the junkyard?

“Although Mr. Clueless opted to dispose of the moonlander for scrap, not so the junkyard owner!” reports David Doering.

Motherboard has an interview with the anonymous buyer.

Tuesday, we told the sad story of a prototype NASA lunar rover that was sold by an Alabaman to a scrap yard. That is true, but there’s a twist: A heroic scrap dealer has saved the buggy, which appears to be in good condition.

The scrap dealer spoke to Motherboard on the condition of anonymity because he says he wants to speak to his lawyer about his next steps, but he did send me the recent photo of the buggy above to confirm it’s in his possession. The rover matches a historical NASA image we believed to be the rover in question. It also matches the description given by NASA in its investigatory documents.

“The man who originally bought it, from my understanding, he bought it at an auction. He was a road conditioner [in Alabama],” the junkyard owner told me. “I can’t confirm this is true, but he bought it at a NASA auction many years ago. NASA just discarded a lot of that stuff back then. When it was brought to my scrap facility, I set it aside because I knew what it was. The unit does exist today. It is not scrapped. I have that unit in storage.”

“I’ve done quite a lot of research on the unit and it’s an artifact that needs to be saved,” he added.

David Doering says, “Sure looks like an easy cut-and-dried Kickstarter campaign to buy the rover!”

(8) Speaking of space exploring antiques, NASA needs a programmer fluent in 60-year-old computer programming languages to keep the Voyager 1 and 2 crafts going. The new hire has to know FORTRAN and assembly languages.

(9) Although written before the revised WFC 2015 harassment policy came out, Alasdsair Stuart’s post on the issue remains revelant for making points like these:

In the last two years I’ve been part of a team asked to deal with a single incident. I saw my colleagues treat the individual who had been harassed with compassion, patience and respect. I saw them be given the space they needed to collect themselves and make decisions rather than be pressured into a choice they might later regret. I have rarely been prouder of the teams of volunteers I’ve worked with over the last few years than I was on that day.

And that’s why the mealy mouthed legal tapdance WFC’15 was throwing up wasn’t just bullshit, it was and still is actively harmful. This event, that proudly lays claim to being the definitive convention for industry professionals, was not bothering to do something that events with a tenth its status and a hundredth its reach have baked into their procedures. The obvious defense here is of course the tiny size of the community and ‘we’ choosing to deal with it ‘in house’.

That’s not even in the same time zone as ‘good enough’.

No one on Earth WANTS to have a harassment policy. Even in building one you’re forced to imagine the absolute worst of the people around you, and in doing so, work out how to minimize the damage they may cause. These people have to, by definition, include your friends and colleagues. It’s an inherently cautious, inherently cynical piece of work that codifies the worst potential human behaviour and how to deal with it. No one wants that, least of all members of a community that likes to pay lip service to inclusion and diversity. But we all need it precisely because of that inclusion and diversity.

(10) John Holyoke reviews Stephen King’s new short story collection Bazaar of Bad Dreams in the Bangor Daily News.

bazaar of bad dreams cover COMP

For loyal King fans who devour anything the author produces, these collections are tiny desserts: sweet morsels that can be consumed rapidly, without guilt. Like some? Fine. Love ’em all? Better. Hate a few? Oh, well — move on. Take a bite out of another.

For those who are new to King and unsure whether they’ll like what they find, “The Bazaar of Bad Dreams” provides a tasty sampler that, like his other short story collections, showcases the master’s array of talents.

King said a year ago that he was confident he could still “write stories that are sleep-with-the-lights-on scary.” And he can. (Try his novel “Revival” on for size, if you’re in doubt.)

But “The Bazaar of Bad Dreams” is a collection of a different flavor and seems to reflect the maturing — and aging — of a writer who likely has left far more tales in his rear view mirror then he has remaining in front of his headlights. Recurring themes this time around include aging, dealing with aging and death itself.

And while that isn’t surprising in itself — there’s often a hefty helping of dying going on in a King book or story — the tone is different, almost melancholy at times, as characters face their mortality and battle with questions like the age-old unanswerable: What’s next?

(11) Lisa Morton, Horror Writers Association president, tells the true, highly commercial origins of today’s Halloween holiday.

The next time somebody tries to tell you that Halloween is a ghoulish tradition that goes back to Druid priests practicing pagan rituals, tell them that companies like Hershey, Coors and Dennison had a lot more to do with the modern Halloween we revere than the Celts from 2,000 years ago.

And that’s a good thing, because these companies have largely created the holiday we now love.

While it is likely that Halloween owes much of its macabre character to the Irish Celtic harvest celebration, Samhain (pronounced “sow-in”), there’s no proof whatsoever to suggest that the Celts dressed in costumes, begged candy from neighbors or staged elaborate haunted scares (although they probably did hold major feasts complete with alcohol).

(12) The Horror Writers Association website has a fine array of posts about the holiday by its members. Today’s entry is “Halloween Haunts: Souled” by Tonya Hurley.

We almost drove past it until I noticed the line snaking around the side of the nondescript-looking Dutch Colonial house on the canal. It hardly looked like the scene of any crime let alone that crime — The Amityville Horror. “112 Ocean Avenue.  That’s it!” I shouted with half excitement and equal parts guilt. The latest family to own the house was moving out and this was hyped as a yard sale guaranteed to top them all.  Shoppers and rubberneckers from miles around gathered to land a piece of horror history, joking with each other, retelling tall tales, mixing myths with fact about the house and the crime like a demonic game of telephone as they waited. A quick walk through the home yielded little contents owned by the DeFeo family, the original owners, who were famously murdered there…

(13) Amy Wallace has updated her Wired article “Sci-Fi’s Hugo Awards and the Battle for Pop Culture’s Soul”.

It is August 2015, and things are looking up for Team Humanity. Or are they? A record 11,700-plus people have bought memberships to the 73rd World Science Fiction Convention in Spokane, Washington, where the Hugo winners are soon to be announced. A record number have also forked over dues of at least $40 in time to be allowed to vote, and almost 6,000 cast ballots, 65 percent more than ever before.

But are the new voters Puppies? Or are they, in the words of Game of Thrones author George R. R. Martin, “gathering to defend the integrity of the Hugos”? Just before 8 pm on August 22, in a vast auditorium packed with “trufans” dressed in wizard garb, corsets, chain mail, and the like, one question is on most attendee’s minds: Will the Puppies prevail?

The evening begins with an appearance by a fan cosplaying as the Grim Reaper, and that turns out to be an omen for the Puppies. By evening’s end, not a single Puppy-endorsed candidate takes home a rocket. In the five categories that had only Puppy-provided nominees on the ballot—Best Novella, Best Short Story, Best Related Work, and Best Editors for Short and Long Form—voters choose “No Award.”

Earlier, Beale explained to me that his plan was a “Xanatos gambit”—“that’s where you set it up so that no matter what your enemy does, he loses and you win.” No surprise then, that in an email he sends after the awards ceremony, Beale is crowing. “The scorched-earth strategy being pursued by the SJWs in science fiction is evidence that we hold the initiative and we are winning,” he writes. The number of major categories in which no awards are given “demon­strates the extent to which science fiction has been politi­cized and degraded by their far left politics.”

Quotes from pro writers only – Kloos, Bellet, Correia, Torgersen, Vox Day, George R.R. Martin, N.K. Jemisin.

Zero quotes from fans, who merely run and vote for the awards. Yet Brad R. Torgersen is outraged that still another pro, Sarah A. Hoyt, wasn’t interviewed.

[Thanks to Michael J. Walsh,Tom Galloway, David K.M. Klaus, Martin Morse Wooster, David Doering, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 9/29 What Color is Your Parvo Shot?

(1) Today’s birthdays —

1547 – Miguel de Cervantes, author of that famous tome about the old windmill tilter

1942 – Madeline Kahn, a signature comedic actress of the 1970s, who appeared in Paper Moon, Blazing Saddles, Young Frankenstein, High Anxiety and many more films.

(2) The 30th anniversary of Back To The Future means a new chance to sell a Blu-ray release, and to help market it Christopher Lloyd is back in character as Doc Brown in an exclusive short video. Go to the link to watch a new trailer.

Lloyd has donned his lab coat and white wig once again to play the mad scientist in a brand new original short film ‘Doc Brown Saves The World!’ that’s being exclusively released in the ‘Back To The Future 30th Anniversary Trilogy’ box set on 5 October.

Little is known about the plot of the new short story, but we can see that the famous time-travelling DeLorean DMC-12 will feature heavily. The new box set will also gather the trilogy of time-travel comedies starring Michael J Fox. the entire ‘Back To The Future: The Animated Series’, plus hours of bonus content all together for the first time.

(3) Jamie Todd Rubin has already done the groundwork for one source of 1941 Retro Hugo nominees.

As he explains in “The Retro Hugo Awards for 1941 at MidAmeriCon II”

Next summer at MidAmeriCon II–the 74th World Science Fiction Convention–among the awards given out will be the Retro Hugo awards for 1941. The award will cover stories published in 1940. I have a particular interest in this award because a few years ago, when I was taking my Vacation in the Golden Age, I read, and wrote about, every story that appeared in Astounding Science Fiction from July 1939 – November 1942. That means that I read and commented on every story that appeared in 1940 issue of Astounding.

Rubin lists his favorite stories from the 1940 issues of ASF:

  1. “Final Blackout” by L. Ron Hubbard1 (April, May, June 1940)
  2. “Requiem” by Robert A. Heinlein (January 1940)
  3. “Cold” by Nat Schachner (March 1940)
  4. “The Stars Look Down” by Lester Del Rey (August 1940)
  5. “The Mosaic” by J. B. Ryan (July 1940)
  6. “If This Goes On–” by Robert A. Heinlein (February 1940)
  7. “Butyl and the Breather” by Theodore Sturgeon (October 1940)
  8. “Fog” by Robert Willey2 (December 1940)
  9. “One Was Stubborn” by Rene La Fayette3 (November 1940)

(4) British Eastercon attendees are invited to help decide the con’s future by completing a questionnaire. (For more info about the process, read the FAQ.)

We’re hoping that a wide variety of people will be filling in this questionnaire, so we start by asking what you know about Eastercon, and why people go to Eastercons. Then what you think works or doesn’t work, and whether you have any suggestions for improvement. Then about issues, and some suggestions people have already made to deal with them. Finally, we’ll ask whether you would like us to keep in touch, and because no matter how hard we try we can’t capture everything, you have the opportunity for a final comment.The results will be published on our website, and discussed both at Novacon and at next year’s Eastercon. You do not have to provide any personal details unless you want to, and if you do your participation will be kept strictly confidential.

We hope this will take you no more than about 15 to 20 minutes to complete. Thank you in advance for your time and consideration.

To fill it out, visit: https://docs.google.com/forms/d/1ndMn5Soj0FHE4Gkj-XjUbVgFM9w8Ma5PvgvND9g8WZE/viewform?c=0&w=1&usp=mail_form_link

(5) A new Rick Riordan series – my daughter has already announced she is waiting for the minutes to tick past so she can buy the Magnus Chase and the Gods of Asgard: The Sword of Summer. Bibliofiend has an exclusiveread the first five chapter free. [PDF file]

(6) The 2015 MacArthur Genius Awards are out. Better check and see if your name is there.

(7) Europa SF reports the winners of the 16th Swedish Fantastic Short Story Contest. Article (and where needed, translation to English) by Ahrvid Engholm.

The Fantastic Short Story Competion (“Fantastiknovelltävlingen“, in Swedish) has been running yearly since the year 2000, and is dedicated to stories of science fiction, fantasy and horror. It is probably Sweden’s oldest at present; at least one short story contest that used to be older has folded.

This year the contest received 117 entries, and the jury decided to distribute the prize money of 2000 Swedish crowns (just under €200) to the following three winners. Titles given in Swedish with English translations and some comments from the jury are added:

First prize: “Bläcklingar” (“Inklings”) by Fredrik Stennek. “A fine tale in the succession of HC Andersen… A portrait of a society collapsing under censorship and oppression…but humour and longing for freedom is bigger. It raises questions of freedom of the press and freedom of opinion“.

Second prize: “Hon” (“She”) by Eva Ullerud. “A wonderfully creepy story… When the threat is close, really close, it easily becomes invisible, but even creepier.”

Third prize: “Götheborg” (“Gothenburg”) by Dennis Jacobsson. “An alternate history explaining why the ship Götheborg went under in the 1700’s. The atmosphere is as thick as the wool in the woolen clothes of the characters, the danger as tangible as the smell of gunpowder on gundeck, and the curiousity of the reader picks up wind.”

Five stories – By Jonas Bengtsson, Emanuel Blume, Lisa Hågensen, Hanna Kristoffersson and Jens Mattsson – also received honourary mentions by the jury, consisting of the sf/f authors Niklas Krog, Pia Lindestrand and Karolina Bjällerstedt Mickos. All stories were judged without author identification.

(8) Lela E. Buis called a story to the attention of select Twitter readers.

Here’s her description of David Levithan’s Every Day.

Every Day was published in 2013 and received the Lambda Award for Best LBGTQ Children’s/Teen Book. It went on to feature on the New York Times Bestseller List. This means my opinion isn’t unusual, either from the literary community or the fan community. However, this book never made a ripple in the SF&F community because SF&F isn’t something Levithan normally writes.

(9) NASA has some thoughts about how difficult it would be to send humans to Mars.

(10) The agency also helped celebrate National Coffee Day.

(11) Kameron Hurley might be overdue for a few convention Guest of Honor invites.

https://twitter.com/KameronHurley/status/648874752631775232

https://twitter.com/KameronHurley/status/648879242730713088

(12) Hurley also tweeted a link which ultimately takes readers to G. Derek Adams’ guest post on This Blog Is A Ploy about how to sell your books in a way that actually sells books, but doesn’t make you feel like a shyster.

(13) Amanda S. Green agrees that she was quote laundering. Too bad she can’t admit that without first strawmanning a false accusation about something I never said.

First of all, I had someone (and I will let you guys guess where they came from) basically accuse me of not having read Scalzi’s post that I referred to in my Saturday blog. The entire basis for this person — as well as the condemnation from the referring blog — seems to be because I didn’t link to the Scalzi post. Instead, I linked to Teleread. Well, let me set the record straight. I did read the original post. I didn’t link to it because I know the readers here on MGC have the ability to google and find the original source if they want to read it. Teleread had excerpted the parts I wanted and I happened to also agree, for the most part, with what Chris Meadows had to say. So, that is what I linked to.

There are basically two reasons why I don’t link to a post. The first is as I stated above. I know our readers here can go find the original if they want to. The second is when I don’t want to send additional traffic their way.

(14) The X-Files is returning as a six-episode event series in 2016. David Duchovny and Gillian Anderson will also be back as Mulder and Scully.

[Thanks to John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]