Tag Archives: Kickstarter

Pixel Scroll 1/4/21 She’s Got
A Pixel To Scroll, And She Don’t Care

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(1) KGB. Fantastic Fiction at KGB virtual reading series hosts Ellen Datlow and Matthew Kressel present Lauren Beukes and Usman T. Malik on Wednesday, January 20 at 7 p.m. Eastern. Check back at their website or social media to get the link when it drops.

Lauren Beukes


Lauren Beukes is a South African novelist, ex-journalist and sometime documentary maker who has written five novels, a pop history, a short story collection and New York Times best-selling comics. Her novel Zoo City won the Arthur C Clarke Award, The Shining Girls is soon to be a tv show for Apple with Elisabeth Moss, and won the University of Johannesburg Prize and the Strands Critics Choice Award among others. Her new book Afterland, about a world (almost) without men, is currently in development. She lives in Cape Town with her daughter.

Usman T. Malik
 

Usman T. Malik is a Pakistani-American writer and doctor. His fiction has been reprinted in several year’s best anthologies, including The Best American Science Fiction & Fantasy series, and has won the Bram Stoker Award and the British Fantasy Award. Usman’s debut collection, Midnight Doorways: Fables from Pakistan, will be out in early 2021.

(2) COULD HAVE BEEN A CONTENDER. In search of prospects to nominate for the video game Hugo, Camestros Felapton explores another game he hopes will meet his criteria of “look[ing] like they might be interesting/notable from the perspective of science fiction & fantasy as a broad genre” — “Review: Spiritfarer (Nintendo Switch)”.

…However, the game I will nominate in this category isn’t Hades but a game set in a quite different afterlife: Spiritfarer. The two games couldn’t be more different and yet both borrow Charon the Ferryman and Hades as characters from Greek mythology and both use (different) genres of game play to lead you to interact with a series of characters from whom you learn about their lives (and deaths) and your own characters back story. Spiritfarer has fewer murderous, laser firing crystal things though.

The genre of gameplay is resource management and exploration. You have a ship with a small number of passengers and you sail between islands collecting resources and improving your ship. It’s all presented as 2D animation largely moving horizontally.

(3) ELDRITCH FOR MILLIONS. IGN Southeast Asia tells “How Cosmic Horror Went Mainstream”. (You didn’t know that, did you?)

…Alternately called cosmic horror or Lovecraftian horror, this brand of story is focused on unknowable and ancient terrors. While the genre’s most iconic monster, Cthulhu, slumbers in a lost underwater city, cosmic horror just as often directly lives up to its name and comes from the cold of space or is lurking in isolated areas like Antarctica. The genre has few real heroes, mostly focusing on people who are already deeply flawed or struggling before they confront these horrors. While they may be killed, the protagonists are just as likely to be rendered insane or somehow fundamentally transformed into something as equally unknowable and terrible as the unspeakable creatures they have encountered.

But how did cosmic horror seep into the mainstream of movies, TV, and games? Let’s trace that history from D&D to True Detective to Nicolas Cage and beyond…

(4) ELLISON REFERENCE. In the discussion of other things,Scientific American’s “Hellscapes” column “A Quick Look at Underpaid Female Docs, Unethical Ethicists and Frogs with Intestinal Fortitude” ends with the following:

Speaking of hell, a study in the August 3 issue of the journal Current Biology revealed that the vast majority of members of a species of beetle, Regimbartia attenuata, perform a literally death-defying feat after being swallowed by various species of frogs. The beetle apparently swims its little heart out till it pops out of the frog’s derriere. Because, as another axiom has it, “If you’re going through hell, keep going.”

To find out whether the insect’s passage was active or passive, researchers immobilized some beetles by coating them with wax before going into the mouth of hell, or rather, frog. None of these beetles survived. To paraphrase science-fiction legend Harlan Ellison (who definitely would have come up with this experimental protocol if he’d lived long enough): they really don’t want to open their mouths, and they must scream.

(5) NO FORWARDING ADDRESS. “Is anybody out there? All the intelligent aliens in our galaxy could be dead…” – SYFY Wire distills a scientific article about the chances.

…The Milky Way has been around for billions of years. In that time, life has not only had had plenty of time to evolve to an advanced level and achieve heights of technology even our wildest sci-fi dreams couldn’t fathom, but also to destroy itself.

“We found [self-annihilation of complex life] to be the most influential parameter determining the quantity and age of galactic intelligent life,” the physicists said in a study recently published in Astrophysics of Galaxies.

There were three types of limitations for the existence of aliens that the team studied. They considered the possibilities of abiogenesis, how long it might have taken (or be taking) for an intelligent civilization to evolve, and chances of such a civilization crushing itself. Abiogenesis is the idea of life spawning from things that are definitely not alive. 

(6) TODAY’S THING TO WORRY ABOUT. Here’s someone who’s theorizing is not discouraged by the preceding study: “Harvard Professor Says Alien Technology Visited Earth in 2017” – Yahoo! has the story.

…Loeb says there are two big details that suggest Oumuamua wasn’t just a comet, but rather a piece of alien technology. The first detail is the object’s dimensions, as it was determined to be “five to 10 times longer than it was wide.” Loeb argues the cigar-like shape isn’t typical for a natural space object.

But the theoretical physicist says the biggest detail that supports his theory is Oumuamua’s movement.

“The excess push away from the sun, that was the thing that broke the camel’s back,” he said.

Loeb explains that the sun’s gravitational force would cause a natural object to move faster as it approaches, and eventually push the object back, causing it to move slower as it moves away. Loeb points out that this didn’t occur with Oumuamua, which accelerated “slightly, but to a highly statistically significant extent” as it moved further and further away.

“If we are not alone, are we the smartest kids on the block?” Loeb asked. “If there was a species that eliminated itself through war or changing the climate, we can get our act together and behave better. Instead, we are wasting a lot of resources on Earth fighting each other and other negative things that are a big waste.”

(7) HEADLONG RETREAT. R.S. Benedict has posted a new episode of the Rite Gud podcast.”I talk to writer/artist Sloane Leong about SFF’s retreat into childhood nostalgia, and the beauty of mature fiction.” Listen here.

As the world looks grimmer and grimmer, Millennials and Gen Xers retreat deeper and deeper into childhood nostalgia. Adults dominate fandoms meant for children, like Steven Universe, Young Adult fiction, and My Little Pony. Within SFF, many writers, readers and editors have begun to treat all media as though it were meant for children: It must be didactic and escapist and safe. But there are still some of us who want art to treat us like adults.

In this episode, writer and artist Sloane Leong joins us to talk about the power of embracing your inner grownup.

(8) ROBERTS STILL ALIVE. People sent links to articles reporting the actress death, however, actress Tanya Roberts is still alive at this writing according to TMZ.

(9) JAEL OBIT. Artist Jael died November 17 reports Locus Online — Jael (1937-2020). The Encyclopedia of Science Fiction says Jael did covers for Baen and DAW, as well as magazines. Jael’s work received eight Chesley Award nominations between 1995 and 2002.

(10) SHELLEY OBIT. Hammer Films star Barbara Shelley has died at the age of 88 according to The Sun: ”’Queen of Hammer’ who starred in horror films and Doctor Who dies after surviving Covid”.

She also appeared in the Doctor Who episode Planet Of Fire, starring Peter Davison as the fifth Doctor.

Her agent, Thomas Bowington, said: “She really was Hammer’s number one leading lady and the technicolour queen of Hammer.

…Shelley was also known for TV roles in series including The Saint, The Avengers, The Borgias, Blake’s 7 and Crown Court, and later played Hester Samuels in EastEnders.

Robert J. Sawyer praised Shelley’s performance in Quatermass and the Pit (1967) on Facebook in which she”played a completely professional scientist, paleontologist Barbara Judd, the female lead, in one of the best science-fiction films ever made.”He also posted a great quote from Shelly:

“I adored science fiction. When I was a very little girl my father used to have all these science fiction magazines and we used to go through them together. My mind had been opened up to science fiction by my father so when I got these scripts it wasn’t `What’s this rubbish?’ It was ‘that’s interesting.'”

(11) MEMORY LANE.

1971 — Fifty years ago,  Larry Niven’s Ringworld would win the Hugo for Best Novel at Noreascon I over Poul Anderson’s Tau Zero, Robert Silverberg’s Tower of Glass, Wilson Tucker‘s The Year of the Quiet Sun and Hal Clement’s Star Light. It would also win the Locus, Nebula and Ditmar Awards, and Locus would later include it on its list of All-Time Best SF Novels before 1990.  It would spawn three sequel novels and a prequel series as well which was co-written with Edward M. Lerner. One film and three series have been announced down the decades but none to date have been produced.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born January 4, 1882 – P.J. Monahan.  Newspaper cartoonist, illustrator in the “pulp” days (when our and other magazines were printed on cheap pulp paper).  Thirty covers, twenty interiors.  Here is Semi Dual, the Occult Detector.  Here is Thuvia.  Here is the 26 Jun 20 All-Story Weekly – weekly!  How’d you like to be the editor of that?  To show PJM’s range, here is the 1 Sep 12 Leslie’s, and here is a portrait of Pope Pius X.  (Died 1931) [JH]
  • Born January 4, 1882 – Violet Van der Elst.  Twoscore short stories, half a dozen collections, for us.  Starting as a scullery maid, she developed cosmetics including the first brushless shaving cream – don’t say we’ve made no progress – and grew rich; fought against the death penalty, threw her money and her mind into it, lost both, barely lived to see it abolished.  (Died 1966) [JH]
  • Born January 4, 1890 — Malcolm Wheeler-Nicholson. Creator of the modern comic book by publishing original material in the early Thirties instead of reprints of newspaper comic strips. Some years later, he founded Wheeler-Nicholson’s National Allied Publications which would eventually become DC Comics. (Died 1965.) (CE)
  • Born January 4, 1904 – Dale Ulrey.  Four covers, a dozen interiors.  Also a comic-strip artist, notably Apple Mary, famous during the Depression, still running today as Mary Worth.  Here is her Wizard of Oz.  Here is an interior for Jaglon and the Tiger Fairies.  (Died 1989) [JH]
  • Born January 4, 1927 — Barbara Rush, 94. She won a Golden Globe Award as the most promising female newcomer for being Ellen Fields in It Came From Outer Space. She portrayed Nora Clavicle in Batman, and was found in other genre programs such as the revival version of Outer Limits, Night Gallery, The Bionic Woman and The Twilight Zone. (CE)
  • Born January 4, 1930 – Ruth Kyle.  Founding member of the Lunarians (New York club, famous in song and story).  Hard-working Secretary of NYCon II the 14th Worldcon; married its chairman Dave Kyle; his tale of their honeymoon flight to Loncon I the 15th is here.  Good cook, gracious hostess.  Part of an adventure I had with Dave, see here (bottom of three).  (Died 2011) [JH]  
  • Born January 4, 1933 – Phyllis Naylor, age 88.  A dozen novels for us; a hundred thirty all told; some 2,000 articles.  Newbery Medal.  Sequoyah Children’s Book Award.  Mark Twain Readers Award.  William Allen White Children’s Book Award.  Kerlan Award.  “What spare time?  If I’m not writing, I’m thinking about writing.”  [JH]
  • Born January 4, 1946 — Ramsey Campbell, 75. My favorite novel by him is without doubt The Darkest Part of the Woods which has a quietly building horror to it. I know he’s better known for his sprawling (pun full intended) Cthulhu mythology writings but I never got into those preferring his other novels such as his Solomon Kane movie novelization which is quite superb. (CE) 
  • Born January 4, 1958 — Matt Frewer, 63. His greatest role has to be as Max Headroom on the short-lived series of the same name. Amazingly I think it still stands thirty-five years later as SF well crafted. Just a taste of his later series SF appearances include playing Jim Taggart, scientist and dog catcher on Eureka, Pestilence in Supernatural, Dr. Kirschner in 12 Monkeys and Carnage in Altered Carbon.  His film genre appearance list is just as impressive but I’ll single out Supergirl,  Honey, I Shrunk the Kids, The Stand, Monty Python’s The Meaning of Life (oh do guess where he is in it) and lastly Night at the Museum: Secret of the Tomb, a series of films that I really like. (CE) 
  • Born January 4, 1960 — Michael Stipe, 61. Lead singer of R.E.M. which has done a few songs that I could argue are genre adjacent such as “Losing My Religion”. But no, I’ve got him here for being involved in a delightful project called Stay Awake: Various Interpretations of Music from Vintage Disney Films. Lots of great songs given interesting new recordings. His contribution was “Little April Shower” from Bambi which he covered along with Natalie Merchant, Michael Stipe, Mark Bingham and The Roches. Fun stuff indeed! (CE)
  • Born January 4, 1981 – Sarah Crossan, age 40.  Two books for us, seven others.  Has read four each by Jane Austen and Virginia Woolf, two by George Eliot.  [JH]
  • Born January 4, 1985 — Lenora Crichlow, 36. She played Cheen on “Gridlock”, a Tenth Doctor story. She also played Annie Sawyer on the BBC version of Being Human from 2009 to 2012, and she appeared as Victoria Skillane in the “White Bear” episode of Black Mirror. (CE)
  • Born January 4, 1985 – Lorenz Hideyoshi Ruwwe, age 36.  A dozen covers.  Here is Desert Stars.  Here is The Sentinel.  Here is Omni.  Here is his page at ArtStation.  [JH]

(13) THE SIGN OF THE Z. In the Washington Post, Michael Sragow notes the centennial of THE MARK OF ZORRO, the first Zorro movie.  He notes that both Batman creators Bob Kane and Bill Finger and Superman creators Jerry Siegel and Joe Shuster say that Zorro’s twin identity as the masked crimefighter and the foppish Don Diego as a precursor to Batman and Bruce Wayne and Superman and Clark Kent.  In addition, Sragow sees Zorro’s secret lair as a precursor of the Batcave and Lolita Pulido’s ditching Don Diego for Zorro as Lois Lane favoring Superman over Clark Kent. “On Zorro’s 100th birthday, the father of swashbucklers and superhero movies is still relevant”

…Like Tennyson’s Sir Galahad, Zorro has the strength of 10 because his heart is pure. He’s also irreverent and mischievous. His sparkle exudes hipness: He embraces the New World’s egalitarian ethos while his enemies defend the feudal past.

Zorro lifted spirits in the 1920s. In the 2020s, his ebullience can generate ecstatic highs.

During Fairbanks’s previous run as the parody hero of contemporary action comedies like “His Picture in the Papers,” fans came to think of him as “Doug,” a tribute to his offhand elegance — like Fred Astaire’s, a triumph of talent and willpower. Doug transports this knockabout grace into “The Mark of Zorro.” With his light heart and “can-do” demeanor — qualities the world embraced as quintessentially American — Zorro soon dominated action-film iconography. Cinema would never be the same.

(14) ZOOMIN’ DOWN THE ROAD. “Movin’ Right Along With Kermit The Frog and Fozzie Bear” on YouTube has Kermit and Fozzie welcoming the new year with dreams of a road trip and showing they know how to use Zoom.

(15) THANKS, MY GOOD COUNTRYMAN. James Davis Nicoll surveys “Canadians in SF as Written by Non-Canadians” at Tor.com. (Is that allowed?)

Canada! Perhaps best known to fans of British soap operas, for whom it serves as that mysterious land to the west to which characters vanish after their purpose on the show has been served. Of course, all that is needed to learn far more about Canada than you would ever need or want to know is to get trapped in a conversation with a Canadian, uninvited exposition concerning their homeland being as natural to the average Canadian as it is any given inhabitant of a fictional utopia confronted by a woken sleeper from the pre-utopian past.

One might reasonably expect that most SF touching on Canada was written by Canadians and the Canadian-adjacent. Perhaps it is. Quite a lot of it is not. Here are five examples of Canada and Canadians in science fiction, as seen by foreign eyes.

First on the list is Bob Shaw, who’s challenging because he lived and worked in Canada for a period.

(16) HOPE HE GETS HIS MD. [Item by Mike Kennedy.] The first baby of 2021 in one Alabama town has a possibly-unique name, Anakyn Gene Strange. Yeah, they changed the spelling of the first name a bit, but wouldn’t it be lovely if the young lad went into medicine. Think of it  — Dr. Anakyn Strange. “‘The Force is Strong’ with Florence’s first baby in 2021”

Star Wars fans immediately know the reference when hearing the name Anakyn.

While it may not be spelled the same as it was in the series, Hope and Dusty Strange used the name on Florence’s first birth of 2021. Anakyn Gene Strange was born at 1:04 a.m. on January 1 at North Alabama Medical Center.

According to our news partners at the Times Daily, Anakyn was 5 pounds, 12 ounces and was 19 3/4 inches long with brown eyes and curly brown hair.

“There actually was a feeling of relief because 2020 was a horrible and challenging year,” she said. “It was the most pure way to start out the year.”…

(17) RAVENCON ANTHOLOGY KICKSTARTER. Michael D. Pederson, RavenCon 2022 chair, explains:

Being an April convention, we were forced to announce this year’s [2020] cancellation three weeks before the convention. Needless to say, after having spent 11 months buying supplies and paying fees for the con we didn’t have much (read: any) capital left after refunding the vendors. And we still needed to refund about a third of our attendees that wanted money. And now that we’ve had to cancel for 2021 as well, we’re really stuck for funds. So, we created an anthology, with story donations coming from many of our regular programming guests as well as a few of my old Nth Degree contributors. We’re using the anthology to raise funds through Kickstarter. We funded the entire project on our first day and hit our first stretch goal a week later. We’re working on a second stretch goal and expect to announce a third stretch goal later this week.

You can find the fundraiser at: CORVID-19 — Kickstarter. The stories in CORVID-19: A RavenCon Anthology are:

  • “Windows to the Soul” by Danielle Ackley-McPhail
  • “Raven’s Sacrifice” by Heather Ewings
  • “The Cruelest Team Will Win” by Mike Allen
  • “Jenny” by Debbie Manber Kupfer
  • “Daughter of the Birds” by Maya Preisler
  • “Kvetina and the Crows” by Rhys Schrock
  • “Corvus Monitus” by Cass Morris
  • “If the Moon is Real” by Samantha Bryant
  • “Life in a Moment” by James Maxey
  • “Crows’ Feet” by Diana Bastine
  • “A Warning of Crows” by Jennifer R. Povey
  • “Wet Birds” by Elizabeth Massie
  • “Heart Truth” by Jenna Hamrick
  • “Table for One” by Joan Wendland
  • “Dominion” by Margaret Karmazin
  • “The Gore-Crow” by Meryl Yourish
  • “The Song of the Raven” by Toi Thomas
  • “Fledging” by Kathryn Sullivan
  • “Feather Fall” by Kara Dennison

(18) ESCHEW SURPLUS CONSONANTS. A whole collection of tweets from people who seem qualified to join File 770’s crack proofreading staff: “People Who Don’t Know How to Spell ‘Cologne’ Are Hiralous” at Sad and Useless.

Who would have thought that “cologne” is such a complicated word to spell correctly? Or it just might be that many people really are enjoying the smell of large intestine…

(19) LONG PLAYING. And long ago. This interesting discovery is available at Archive.org – “A Child’s Introduction To Outer Space: Jim Timmens” (1959) – with songs performed by The Satellite Singers, and dramatic readings, and a credit on the album cover to Scientific Advisor Willy Ley who won one of the first Hugos in 1953.  

(20) VIDEO OF THE DAY. In “Wonder Woman 1984 Pitch Meeting” on Screen Rant, Ryan George says that the reasons why Steve Trevor appears in Wonder Woman 1984 have really creepy implications and that it’s highly unlikely that Wonder Woman could make an escape from the Smithsonian by stealing a fully fueled airplane from the Air and Space Museum.

[Thanks to John Hertz, JJ, Cat Eldridge, Michael Toman, Martin Morse Wooster, John King Tarpinian, Mike Kennedy, Jeff Smith, Darrah Chavey, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]

Wendy Aldiss Launches Kickstarter for “My Father’s Things” Photobook

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“Brian Aldiss was my Dad and I have produced a photographic book which is a selection of the images I made after he died. I photographed all of his possessions,” writes Wendy Aldiss. “I’m crowdfunding the printing of the book.” : “My Father’s Things – A beautifully designed photobook”.    

His shaving brush, his books, a handful of ties, his Hugo Awards … these are amongst the things my father left behind him when he died.

This book, beautifully designed and ready to print, contains a selection from the 9,000+ images I took of all my father’s things. There is a foreword by celebrated British novelist Christopher Priest and an essay by cultural sociologist Dr Margaret Gibson.

With more than 250 pages of full colour images, including 8 fold-outs, it is at once a depiction of one person’s property, a record of design across the decades and a meditation on the extraordinary nature of ordinary things.

Wendy Aldiss also quoted the encouraging words of people who have seen it:

On seeing the draft Philip Pullman said, “This is a book to pore over and marvel at, beautiful and funny and moving. I loved it”.

Elizabeth Edwards, Visual Anthropologist, says; “..the camera transfigures these ordinary traces, makes them appear luminous with interest, even exotic.”

Margaret Gibson says to me: “There are real generational and intergenerational resonances in your book that will speak to many people in many places around the world”. 

Neil Gaiman said: “Now we have a chance to see into his [Brian Aldiss] rich and varied life, through the lens of his daughter Wendy, whose inspired idea it was to photograph pretty well everything that was in his possession when he died”.

The appeal has raised $5,046 of its $8,862 goal on the first day.

Those who pledge £35 or more will receive a first edition of the book, and there are other incentives for larger donations.

By pledging money towards the funding goal you will receive a reward of your choice. Most of the rewards include the book itself (£35, or £40 for a signed copy), but you could additionally get a 2021 calendar featuring 13 additional images, a signed print from a selection of ten, or a copy of my limited edition artist’s book.

Each book includes a unique page marker previously a page marker from one of the books in my Dad’s library. Everyone who contributes will get a mention in the book’s separate Thank You letter. Books should arrive in time for Christmas.    

She asks in closing –

Remember, it’s all or nothing. If I don’t manage to raise the required funds by November 27th I don’t get any of the money for printing (and everyone who made a pledge will get their money back).

Brian Aldiss being serenaded with “Happy Birthday” at LonCon 3 in 2014. Photo by Francis Hamit. (Not part of book.)

Pixel Scroll 10/6/20 Don’t Clickety, Don’t Call Me, Let Me Sit For A While, I’m Reading All The Books In My Tsundoku Pile

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(1) POWERFUL CANON. Amy Tenebrink shares the impact that stories by a leading sff author had on her: “Personal Canons: Nnedi Okorafor”.

…Onyesonwu is one of those angry, defiant, adventurous heroines of my heart. But Who Fears Death isn’t just a story of a warrior girl; it’s the story of all warrior girls. Who Fears Death is, itself, angry, defiant, and adventurous. It rips apart the fabric of our quotidian world and shows us, more clearly for all its speculation, what is wrong with us but what could be right with us. This is speculative fiction at its best: incisive, unflinching, uncompromising. Untethered from what’s “real” in a way that can show us what is, in fact, actually real—and what could be real if only we reached for the stars.

In Who Fears Death, Nnedi put a heroine of my heart into a book of my heart. Who Fears Death showed me, in a moment, what speculative literature can be: not just a series of quest-wanderings, of dragon-slayings, of evil mage-vanquishings, but an inspirational, aspirational blueprint for me and my place in the world. Who Fears Death is itself a sword, a magic wand, a spell that can change everything.

(2) ALPHA OF THE OMEGA. The award administrators — Sci-Fest L.A. and Light Bringer Project — have announced that the Tomorrow Prize and The Roswell Award will now reside under an umbrella competition name, the Omega Sci-Fi Awards. Here’s the new logo.

(3) MEMBERS OF THE JURY. James Davis Nicoll introduces the Young People Read Old SFF panel to “The Pleiades” by Otis Kidwell Burger.

The Pleiades is impressive enough readers would no doubt run out to acquire her other works. Unfortunately, Rediscovery’s biographical entry on her reveals that her SF career was quite short1. At least, I assume younger readers would react as positively as I did. How did my Young People actually feel?

(4) QUESTIONS ABOUT THE POLICY. [Item by Cora Buhlert.] Non-binary writer Akwaeke Emezi, whose works are at least borderline SFF, has declared that they will no longer submit their novels to Women’s Prize for Fiction (where they were a finalist last year), after being asked to provide proof of their legal gender: “Akwaeke Emezi shuns Women’s prize over request for details of sex as defined ‘by law'” in The Guardian.

… Emezi said that when Faber got in touch with the Women’s prize about submitting The Death of Vivek Oji, they were informed: “The information we would require from you regards Akwaeke Emezi’s sex as defined by law.”

“Forget about me – I don’t want this prize – but anyone who uses this kind of language does not fuck with trans women either, so when they say it’s for women, they mean cis women,” wrote Emezi. “And yes, this does mean that them longlisting [Freshwater] was transphobic. It’s fine for me not to be eligible because I’m not a woman! But you not about to be out here on some ‘sex as defined by law’ like that’s not a weapon used against trans women.”

The Women’s prize was established in response to the Booker failing to shortlist a single female writer in 1991. Following Emezi’s nomination in 2019, the organisers of the £30,000 award said it was working on a policy “around gender fluid, transgender and transgender non-binary writers”.

Responding to Emezi’s comments, the prize organisers said that their terms and conditions for entry equated the word “woman” with “a cis woman, a transgender woman or anyone who is legally defined as a woman or of the female sex”.

(5) O’DELL KICKSTARTER. [Item by Cora Buhlert.] Here is a Kickstarter of interest: Claire O’Dell is looking for funding to republish her River of Souls trilogy, which came out in 2010 from Tor, when she was still writing as Beth Bernobich: “The River of Souls Trilogy, Second Edition” With 26 days left, $566 of the $2,500 goal has been raised.

I’m Claire O’Dell, author of the Lammy Award-winning Janet Watson Chronicles, the River of Souls trilogy, and the Mage and Empire books.

Back in 2007, writing as Beth Bernobich, I landed my very first book deal—a three-book contract with Tor Books for my novel Passion Play and two sequels, aka, the River of Souls trilogy.  Passion Play came out in October 2010, and to my absolute delight it won the RT Reviewers’ Choice Award for Best Epic Fantasy. Queen’s Hunt and Allegiance followed in 2012 and 2013, with great reviews, and a prequel novel, A Jewel Bright Sea, appeared last year from Kensington Books.

Now that I have the rights back to the trilogy, I’d like to re-release them with new covers that better match the story and the characters. (Not to mention fixing a few continuity errors that crept in along the way.) Pledges from this campaign will pay for custom cover art and rewards.

(6) FOUNDATION. At WIRED, “The Geeks Guide to the Galaxy” interviews several creators to support the claim that “‘Foundation’ Has One of the Best Sci-Fi Concepts Ever”.

John Kessel on psychohistory:

“I studied physics as an undergrad, and basically what [Asimov] is doing is taking classical thermodynamics and applying it to human behavior. In thermodynamics, you can’t predict what one atom is going to do, but if you have several billion atoms in a contained box, you can predict—very precisely—if you raise the temperature, exactly what the effect on pressure is going to be, things like that. He’s basically saying if you have enough human beings—you have 100 million worlds, all inhabited by human beings—that psychohistory can predict the mass behavior of human beings, without being able to predict any individual human being’s behavior. That’s a cool idea.”

(7) WHITE SCREEN OF DEATH? [Item by Cora Buhlert.] The Guardian has run several articles and opinion pieces about how the postponement of Dune and that James Bond movie will affect British cinemas — and may kill them off altogether. A lot of anger, which is partly understandable, because movie theatres are open again at reduced capacity in the UK and much of the rest of Europe, but have nothing to show, because all of the big Hollywood movies are being held back. Here are four views of the situation.

He’s best known for sweeping in at the last minute to save the day – but James Bond’s latest act could be the death knell for many British cinemas.

The announcement that the release of No Time to Die, the 25th film featuring the secret agent, would be delayed again has left cinemas facing financial obliteration because of the absence of other forthcoming blockbuster films.

Our movie industry was just about keeping its morale steady. It was enforcing perfectly workable rules on sanitising and physical distancing and not subject to those closures taking theatre and live entertainment to the cliff edge. The pilot light of big-screen cinema culture was flickering. But it was still alight.

But this is a serious blow. If it is really true that Cineworld will close 128 cinemas, putting 5,500 jobs at risk (and it is not simply a scare-story negotiating ploy leaked to the press alongside the company’s official letter to the culture secretary Oliver Dowden demanding action) then this is potentially devastating. 

…For an understanding of how we got here, look at the fates of two films that did get released during the pandemic. Following a tense summer in which Christopher Nolan’s Tenet and Disney’s live-action Mulan remake competed against the coronavirus in a game of grandmother’s footsteps, both films were finally released using opposing strategies.

“Warner Bros did a brave thing bringing out Tenet [in cinemas] at that very fraught time,” says Naman Ramachandran, international correspondent at Variety magazine. “It sent a positive message to the exhibition sector as a whole.” Disney, on the other hand, launched Mulan on its streaming service Disney+, where it came with a premium price tag (£19.99/$29.99) in addition to subscription fees. Cinemas screened it only in territories where Disney+ is not available. “My opinion is that Disney should’ve released Mulan in cinemas also,” says Ramachandran. “There was a demand for it and it would’ve kept the theatrical chains happy.” As it stands, no one is: not the exhibitors who lost out on an event movie, nor Disney, who won’t be thrilled if the mediocre streaming audience estimates are correct.

Mulan’s defection and Tenet’s under-performance in the US (it still hasn’t opened in the lucrative New York and Los Angeles markets, where cinemas remain closed) have had a devastating effect on other big releases.

…After six weeks of global release, Tenet has grossed more than £235m worldwide – a number that means different things to different analysts. For a latter-day Nolan film, it’s borderline disastrous: far short of the £405m grossed by his last film, Dunkirk, which itself was a modest performer compared to the £830m racked up by The Dark Knight Rises. With a production budget around £154m, it’s fair to say these are not the receipts of Nolan’s or Warner Bros executives’ dreams. Others would argue that they’re not half bad for a film released in the midst of a global pandemic in which the filmgoing public has been actively discouraged from communal indoor activity – a metric for which there is no precedent to set the bar. Globally, it’s the third-highest grosser of the year, behind Chinese epic The Eight Hundred and January’s Bad Boys for Life, which already feels like a relic from another era.

All in all, things could be worse for Tenet – except for the fact that, by just about anyone’s yardstick, things haven’t been nearly good enough….

(8) MEDIA ANNIVERSARY.

  • Twenty five years ago this year at Intersection, the Hugo Award for Best Dramatic Presentation, Long Form went to Star Trek: The Next Generation’s two-part series finale, “All Good Things…“.  (It beat out The Mask, Interview with the Vampire, Stargate and Star Trek: Generations.) It was directed by Winrich Kolbe from a script written by Ronald D. Moore and Brannon Braga. The title is derived from the expression “All good things must come to an end”, a phrase used by Q during the story itself. It generally considered one of the series’ best episodes with the card scene singled out as one of the series’s best. 

(9) TODAY’S DAY.

10/6 — Mad Hatter Day. The original picture of the Mad Hatter by John Tenniel in Alice’s Adventures In Wonderland by Lewis Carroll depicts him wearing a hat, bearing the note “In This Style 10/6”. Although we know this is really an order from the time the picture was drawn to mean a hat in that style cost 10 shillings and sixpence, we take this as inspiration to act in the style of the Mad Hatter on 10/6 (In the UK this would point to the tenth of June, but as the day was founded in America it is the 6th of October).

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born October 6, 1895 – Caroline Gordon.  Guggenheim Fellowship.  O. Henry Award.  Honorary D.Litt. degrees from Bethany College (West Virginia), St. Mary’s College (Indiana).  The Glory of Hera for us, her last novel; ten others; short-story collections; non-fiction.  (Died 1981) [JH]
  • Born October 6, 1928 – Frank Dietz.  Co-founder of the Lunarians; chaired the first 15 Lunacons; Fan Guest of Honor at Lunacon 50.  Fanzine Luna (and Luna’).  Recorded many SF cons on wire and tape, unfortunately most now seems lost.  File 770 appreciation by Andrew Porter here.  (Died 2013) [JH]
  • Born October 6, 1942 – Arthur Hlavaty, 78.  A dozen times Best Fanwriter Hugo finalist.  No doubt inspired by the C.M. Kornbluth story “MS. Found in a Chinese Fortune Cookie” – maybe the only circumstance in which no doubt could be applied to him – he called a fanzine The Diagonal Relationship, later The Dillinger Relic, then Derogatory Reference; not seen since 2002, but in Fanzineland that’s neither complete nor conclusive: No. 33 of his Nice Distinctions just appeared after three years.  Fan Guest of Honor at Empricon 3, MidSouthCon 2, Westercon 42, Minicon 37; Detcon the 11th NASFiC (North America SF Con, since 1975 held when the Worldcon is overseas).  If Sarcasm is in anger, satire is with love, he is as so often with him both.  [JH]
  • Born October 6, 1942 — Britt Ekland, 78. She starred in The Wicker Man* as Willow MacGregor, and appeared as a Bond girl, Goodnight in The Man with the Golden Gun. She was also Queen Nyleptha in King Solomon’s Treasure based off the H. Rider Haggard novels. *There is only one Wicker Man film as far as I’m concerned. (CE)
  • Born October 6, 1946 — John C. Tibbetts, 74. Film critic, historian, author. He’s written such articles as “The Illustrating Man: The Screenplays of Ray Bradbury” and “Time on His Hands: The Fantasy Fiction of Jack Finney”. One of his two books is The Gothic Imagination: Conversations on Fantasy, Horror, and Science Fiction in the Media, the other being The Gothic Worlds of Peter Straub. (CE) 
  • Born October 6, 1950 — David Brin, 70. Author of several series including Existence (which I do not recognize), the Postman novel and the Uplift series of which The Uplift War won the Best Novel Hugo at Nolacon II and is most excellent. I’ll admit that the book he could-wrote with Leah Wilson, King Kong Is Back! An Unauthorized Look at One Humongous Ape, tickles me for its title. So who’s read his newest novel, The Ancient Ones? (CE)
  • Born October 6, 1953 – Roseanne Hawke, Ph.D., 67.  Wolfchild, 11th Century story set in the lost land of Lyonesse (RD was awarded Bard of Cornwall in 2006).  Daughter of Nomads, Mughal empire.  Chandani and the Ghost of the Forest, Himalayan mountains.  Memoir, Riding the Wind.  “I started a romantic novel when I was 17 but I burnt it….  working for ten years in the Middle East and Pakistan … I started writing seriously.”  Website here.  [JH]
  • Born October 6, 1955 — Donna White, 65. Academic who has written several works worth your knowing about — Dancing with Dragons: Ursula K. LeGuin and the Critics and Diana Wynne Jones: An Exciting and Exacting Wisdom. She’s also the author of the dense but worth reading A Century of Welsh Myth in Children’s Literature. (CE) 
  • Born October 6, 1955 — Ellen Kushner, 65. If you’ve not read it, do so now as her sprawling Riverside seriesis amazing. I’m reasonably sure that I’ve read all of it. And during the the High Holy Days, do be sure to read The Golden Dreydl as it’s quite wonderful. As it’s Autumn and this being when I read it, I’d be remiss not to recommend her Thomas the Rhymer novel which won both the World Fantasy Award and the Mythopoeic Award. (CE) 
  • Born October 6, 1962 – John Knoll, 58.  Chief Creative Officer at Industrial Light & Magic.  Creating the Worlds of “Star Wars”; covers for The Art of “Star Trek” (with M. Uesugi), Inside “Star Trek”.  Scientific & Engineering Award given him and his brother Thomas for creating Adobe Photoshop.  Cameo appearance as a pilot in The Phantom Menace.  More in his Wikipedia entry.  [JH]
  • Born October 6, 1978 – Anna Elliott, 42.  Three Tristan & Isolde books; four about Jane Austen characters, two about Sherlock Holmes, a few more.  Among her favorites by other authors, Life With Father, Wodehouse’s books about Bertie Wooster, Sayers’ books about Lord Peter Wimsey.  “What do you like to do when you’re not writing?”  “Mostly think about writing.”  [JH]
  • Born October 6, 1986 — Olivia Jo Thirlby, 34. She is best known for her roles as Natalie in Russian SF film The Darkest Hour and as Judge Cassandra Anderson in the excellent Dredd. And she was Holly in the supernatural thriller Above the Shadows. (CE)  

(11) COMICS SECTION.

(12) HEAVY GOING. Vanity Fair’s Richard Lawson finds it easy to curb his enthusiasm: “The Haunting of Bly Manor Is an Erratic, Melodramatic Follow-Up”.

A great actor whose name I am not supposed to mention here narrates much of the new Netflix series The Haunting of Bly Manor (out October 9). In 2007, her character tells a wedding party a chilling, sad story of 1987 (and years previous) England, when a spooky estate’s resident ghosts tangled fitfully with living people, all caught in the grip of personal loss. This American actor tries her noble best to maneuver a Northern English accent, though it gets a bit wobbly as her narration scrapes the ceiling of profundity but never quite breaks through. 

The voiceover, with its heavy writing and uneven if committed delivery, is pretty neatly representative of the whole of Bly Manor, which aims for something scary and sweeping but is too often hampered by messy adornment. Bly Manor is the second series in the Haunting franchise that began with 2018’s Hill House, an adaptation of Shirley Jackson’s novel led by horror auteur Mike Flanagan.

(13) SCRUBTOBER IS OVER. “After series of scrubs, SpaceX launches Starlink mission from Kennedy Space Center” reports Florida Today.

After more than a month of scrubs and delays, SpaceX broke the Space Coast’s launch drought early Tuesday when a Falcon 9 rocket boosted 60 Starlink internet satellites from Kennedy Space Center.

The 7:29 a.m. liftoff from pad 39A signaled the end of what was commonly referred to as “Scrubtober,” a long series of mission delays that actually began in September due to hardware issues and inclement weather. Tuesday’s Starlink mission, for example, had been scrubbed four times…

(14) FINDING THE GEMS. The Virtual Memories Show devotes Episode 399 to editor “Sheila Williams”.

With her new fantastic short story anthology, Entanglements: Tomorrow’s Lovers, Families, and Friends (MIT Press), editor Sheila Williams brings together a panoply of voices to explore how technology and scientific advances have on the deepest human relationships. We talk about Sheila’s nearly 40 years editing science fiction stories at Asimov’s Science Fiction Magazine, how she manages to balance new and diverse voices with a foundation of SF’s history, how she copes with receiving ~800 stories a month (while only being able to buy 5-6), and technology’s greater role in day-to-day life and what that means for writers’ and readers’ imagination and expectations. We also get into her author freakouts (like going blank when she met Samuel R. Delany many years ago), how her philosophy background helps her as an editor, missing cons and festivals, the challenge of editing an author in translation (in this case Xia Jia), and more. Give it a listen! And go read Entanglements!

[Thanks to Cora Buhlert, JJ, Mike Kennedy, Andrew Porter, Michael Toman, John King Tarpinian, Martin Morse Wooster, John Hertz, James Davis Nicoll, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Bill.]

Constelación Magazine Launches Kickstarter Fundraiser

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Constelación Magazine, a bilingual magazine of speculative fiction, has launched its first Kickstarter fundraising campaign. It will run until October 31.

Beyond individual issues and subscriptions to the magazine, donor rewards include: fountain pens made in Puerto Rico of native wood, silver filigree ball-point pens made in Paraguay, hand carved wooden capybaras, stickers featuring colorful capybaras, and more. All hand-crafted items are obtained by working with local artisans.

Submissions for the first issue, due in January 2021, will open on October 15, 2020. Full details available here.

Pixel Scroll 9/23/20 With Credential-Like Tread Upon Our Post We Scroll

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(1) SURPRISE ENDING. [Item by PhilRM.] Here’s another very interesting piece by Nina Allan discussing the books on this year’s Clarke Award shortlist: “Clarke Award shortlist 2020 – the reckoning”.

 There’s a bit of irony in that it was written and posted prior to the announcement of the winner, and Nina clearly had no expectation that her favorite book from the shortlist, Namwali Serpell’s The Old Drift, would get the award!

…I was hoping to avoid bringing up the whole anxiety-of-American-influence thing because we’ve been there too many times before but this question of the Clarke/Hugo overlap means I cannot escape it. Part of my disappointment with this year’s shortlist lies in the lack of recognition for British talent. The Clarke is a British award, for novels published in Britain. This is one of the valuable and necessary ways it differs from the Hugos. The submissions list reveals a whole battery of British novels – M. T. Hill’s Zero Bomb, Vicki Jarrett’s Always North, Chris Beckett’s Beneath the World, A Sea, Temi Oh’s Do You Dream of Terra-Two, Jane Rogers’s Body Tourists, Ben Smith’s Doggerland, Will Wiles’s Plume, Jeanette Winterson’s Frankissstein – the presence of any one of which would have raised the overall quality of the shortlist by a substantial degree.

Which makes it all the more perplexing that the one British entry that was chosen by the judges is a journeyman work of genre fiction with no pretensions to innovation or radicalism whatsoever….

(2) WHOM THE FAIRIES NOTICE. WIRED Magazine adopts the author’s own metaphor: “The Madness of Susanna Clarke, Fairy Princess”.

…The official story was debilitating mental illness—housebound, couldn’t write—but clearly her fairy patrons had come for her, to reclaim their erstwhile princess. Or else they meant to punish Clarke for her betrayal, for spilling their precious secrets, by enfuzzing her beautiful brain. Something like that. The ways and reasons of the Fae are little known to common folk.

If this strikes you as cutesy, tidy, annoying, even a bit disturbing, a romanticization or fancification of what sounds like a period of immense torture for Clarke and her loved ones, consider their own words. “It was as though she’d been captured into the land of Faerie, as if she had been taken away from us,” Clarke’s editor told New York magazine. Clarke herself, in a rare interview, told The New Yorker, “You really shouldn’t annoy fairies, or write about them—they don’t like it very much.” Given that Clarke has now released a second dispatch from Faerie, called Piranesi, which plunges far deeper than Strange & Norrell ever did into those forbidden fortresses from which the un-mad and mortal among us are forever barred, perhaps there’s no better explanation. Clarke has indeed been there and back again….

(3) HELP MICHAEL HOGAN. Actor Michael Hogan, who appeared in the new Battlestar Galactica, The Man in the High Castle, Fargo, Teen Wolf and many others, suffered a serious brain injury due to an accident in January. He and his family need help and friends have started a GoFundMe: “Michael Hogan Fund”. To date they have raised $232,527 of the $300,000 goal.

In the words of his wife, Susan:  

“You probably know Michael as an actor.  Or maybe you know him as a friend, an acquaintance, a co-worker, a father, a grandfather, or a husband. My husband. I am Susan Hogan and I am married to this extraordinary man. We have been each other’s best friend for decades. 

On Feb. 17, 2020, everything changed drastically in our world.  Michael was in Vancouver participating in a Battlestar Galactica convention, and at dinner following his day’s work, he fell and hit his head. Hard. He went to bed that night not realizing that the impact had caused a massive brain bleed.  He was unable to be woken the next morning and was taken to Vancouver General Hospital and emergency surgery performed. It took 57 staples to close the part of his scull they had to remove in order to reach the damage.
 
The accident left him with complete paralysis on his left side, memory loss, cogntivie impairment and an inability to swallow. … 

(4) SE HABLA. Silvia Moreno-Garcia and Lavie Tidhar say “Spanish-speaking writers are producing ambitious science fiction and fantasy. Let these books be your introduction” in their latest Washington Post column.

Spanish is one of the world’s most-spoken languages, with a long, rich literary history extending all the way back to what many regard as the first modern novel, Miguel de Cervantes’s “Don Quixote.” With authors writing in Spanish from Madrid to Mexico City to Havana, what are we English speakers missing out on? And where do we start exploring?

Lavie: I recently got back from Celsius 232, a science fiction and fantasy festival in Asturias, Spain, which usually attracts hundreds of Spanish genre writers every year. This year, it felt somewhat apocalyptic, with compulsory face masks and authors signing books behind plastic screens while wearing gloves (and disinfecting them after each book). I did get to meet Sofía Rhei, a prolific novelist for both children and adults, who has one collection of stories in English, “Everything Is Made of Letters,” published by Aqueduct Press.

While Spain has a vibrant sci-fi and fantasy scene, it is only in recent years that there has been a push into the English-language market. Two fairly recent anthologies are “Terra Nova” and “Castles in Spain,” both edited by Mariano Villarreal. They showcase some of that talent, including the excellent Elia Barceló and Félix J. Palma, whose books in English translation include the internationally successful “The Map of Time.”…

(5) HE GAVE PEACE A CHANCE. [Item by Olav Rokne.]  In recent years, the DC universe has often had more success with television than with movies. Next year, that is likely to continue with a TV adaptation of Joe Gill’s Silver Age creation Peacemaker. John Cena will play the title character, who was originally written as a pacifist diplomat who uses non-lethal weapons to fight dictators, but eventually became an ultraviolent parody of tough-guy-with-a-gun comics. “The Suicide Squad Spinoff Peacemaker, Starring John Cena, Ordered to Series at HBO Max; James Gunn to Write/Direct” at TVLine.

“Peacemaker is an opportunity to delve into current world issues through the lens of this superhero/supervillain/and world’s biggest douchebag,” Gunn said in a statement. “I’m excited to expand The Suicide Squad and bring this character from the DC film universe to the full breadth of a series. And of course, to be able to work again with John, Peter, and my friends at Warner Bros. is the icing on the cake.”

(6) VERSUS ROWLING. “Judith Butler on the culture wars, JK Rowling and living in ‘anti-intellectual times’”, a Q&A conducted by Alona Ferber at New Statesman.

Thirty years ago, the philosopher Judith Butler*, now 64, published a book that revolutionised popular attitudes on gender. Gender Trouble, the work she is perhaps best known for, introduced ideas of gender as performance. It asked how we define “the category of women” and, as a consequence, who it is that feminism purports to fight for. Today, it is a foundational text on any gender studies reading list, and its arguments have long crossed over from the academy to popular culture. …

Alona Ferber: In Gender Trouble, you wrote that “contemporary feminist debates over the meanings of gender lead time and again to a certain sense of trouble, as if the indeterminacy of gender might eventually culminate in the failure of feminism”. How far do ideas you explored in that book 30 years ago help explain how the trans rights debate has moved into mainstream culture and politics?

Judith Butler: I want to first question whether trans-exclusionary feminists are really the same as mainstream feminists. If you are right to identify the one with the other, then a feminist position opposing transphobia is a marginal position. I think this may be wrong. My wager is that most feminists support trans rights and oppose all forms of transphobia. So I find it worrisome that suddenly the trans-exclusionary radical feminist position is understood as commonly accepted or even mainstream. I think it is actually a fringe movement that is seeking to speak in the name of the mainstream, and that our responsibility is to refuse to let that happen. 

AF: One example of mainstream public discourse on this issue in the UK is the argument about allowing people to self-identify in terms of their gender. In an open letter she published in June, JK Rowling articulated the concern that this would “throw open the doors of bathrooms and changing rooms to any man who believes or feels he’s a woman”, potentially putting women at risk of violence.

JB: If we look closely at the example that you characterise as “mainstream” we can see that a domain of fantasy is at work, one which reflects more about the feminist who has such a fear than any actually existing situation in trans life. The feminist who holds such a view presumes that the penis does define the person, and that anyone with a penis would identify as a woman for the purposes of entering such changing rooms and posing a threat to the women inside. It assumes that the penis is the threat, or that any person who has a penis who identifies as a woman is engaging in a base, deceitful, and harmful form of disguise. This is a rich fantasy, and one that comes from powerful fears, but it does not describe a social reality. Trans women are often discriminated against in men’s bathrooms, and their modes of self-identification are ways of describing a lived reality, one that cannot be captured or regulated by the fantasies brought to bear upon them. The fact that such fantasies pass as public argument is itself cause for worry.

(7) ANTHOLOGY CROWDFUNDING. A Kickstarter appeal to raise $4,000 to fund publication of “Vital: The Future of Healthcare (2020)” launched September 22.

The anthology, a collection of short stories featuring the future of health and medicine, will include works from notable authors such as Tananarive Due, David Brin, James Patrick Kelly, Paolo Bacigalupi, Seanan McGuire, Annalee Newitz, Caroline Yoachim, Alex Shvartsman, Eric Schwitzgebel, Congyun Gu, and others.

Backers will receive exclusive rewards such as advanced copies and other perks for early support of the project.

Proceeds from the book’s sale will be donated to the United Nations Foundation’s COVID-19 Solidarity Response Fund for the World Health Organization (WHO). WHO is a global leader coordinating the worldwide pandemic response.  

The idea for “Vital: The Future of Healthcare” was first conceived by RM Ambrose who will serve as editor of the book. He saw a need and opportunity to use fictional stories to address real life challenges during the pandemic and declarations of racism as a public health crisis. “Medical science continues to advance, but for many, healthcare has never been more broken,” says Ambrose.  “This book will use the power of storytelling to explore and inspire solutions to the problems that government and even the tech industry have struggled to fix.” 

The book will be available for purchase or download at Barnes & Noble, Amazon, Kobo, and independent bookstores.  Kickstarter backers or supporters will receive advance copies of the book, as well as other rewards for supporting the project.

The Kickstarter campaign will last until October 22, 2020. (A previous attempt in 2019 did not fund.)  

(8) MEDIA ANNIVERSARY.

  • Twenty years ago, Octavia E. Butler’s Parable of the Talents which was published by Seven Stories Press won SFWA’s Nebula Award for Best Novel.  (It would also be a finalist for the Clarke Award for Best Novel and would be nominated for the Otherwise Award too.) It was chosen over novels by Ken MacLeod, George R. R. Martin, Maureen F. McHugh, Sean Stewart and Vernor Vinge. It was the second in a series of two, a sequel to Parable of the Sower. She had planned to write a third Parable novel, tentatively titled Parable of the Trickster, but it never happened as instead she wrote her final novel, Fledgling. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born September 23, 1783 – Jane Taylor.  Wrote “Twinkle, Twinkle, Little Star” (1806).  So near and simple can be immortality.  (Died 1824) [JH]
  • Born September 23, 1897 — Walter Pidgeon. He’s mostly remembered for being in the classic Forbidden Planet as Dr. Morbius, but he’s done some other genre work being in Voyage to the Bottom of the Sea  as Adm. Harriman Nelson, and in The Neptune Factor as Dr. Samuel Andrews. (Died 1984.) (CE) 
  • Born September 23, 1908 — Wilmar H. Shiras. Also wrote under the name Jane Howes. Her most famous piece was “In Hiding” (1948), a novella that was included in The Science Fiction Hall of Fame anthology. It is widely assumed that it is the inspiration for the Uncanny X-Men that Stan Lee and Jack Kirby would shortly release. (Died 1990.) (CE)
  • Born September 23, 1920 – Richard Wilson.  A Futurian not barred from NYCon I the first Worldcon by the “Exclusion Act”.  Fanzines, The Atom, Escape, Science Fiction News Letter.  Served in the Army Signal Corps; eventually director of the Syracuse Univ. news bureau.  Two novels, a hundred shorter stories; a Nebula; reviews, essays, in Astonishing, Locus, SF Review, Super Science.  Memoir, Adventures in the Space Trade.  (Died 1987) [JH]
  • Born September 23, 1929 – Balbalis.  Forty interiors for Galaxy; here is one from Aug 53.  Illustrator for John Wiley & Sons.  Freehand sketch of the Shroud of Turin image adopted as the logograph of the Turin Shroud Center of Colorado.  American Institute of Graphic Arts award.  (Died 1991) [JH]
  • Born September 23, 1948 — Leslie Kay Swigart, 72. Obsessions can be fascinating and hers was detailing the writings of Harlan Ellison. Between 1975 and 1991, she published Harlan Ellison: A Bibliographical Checklist plus wrote shorter works such as  “Harlan Ellison: An F&SF Checklist“, “Harlan Ellison: A Nonfiction Checklist“ and “Harlan Ellison: A Book and Fiction Checklist”. Her George R. R. Martin: A RRetrospective Fiction Checklist can be found in the Dreamsongs: GRRM: A RRetrospective collection. (CE) 
  • Born September 23, 1956 — Peter David, 64. Did you know that his first assignment for the Philadelphia Bulletin was covering Discon II? I’m reasonably sure the first thing I read by him was Legions of Fire, Book 1: The Long Night of Centauri Prime but he’s also done a number of comics I’ve read including runs of Captain Marvel , Wolverine and Young Justice. (CE)
  • Born September 23, 1956 – Romas Kukalis, 64.  Two hundred thirty covers.  Some fine-art work.  Here is Wizenbeak.  Here is The Squares of the City.  Here is The White Dragon (Resnick’s, not McCaffrey’s).  [JH]
  • Born September 23, 1959 — Elizabeth Peña. Ok, these notes can be depressing to do as I discovered she died of acute alcoholism. Damn it. She was in a number of genre production s including *batteries not included, Ghost Whisperer, The Outer Limits, The Invaders and even voiced Mirage in the first Incredibles film. Intriguingly, she voiced a character I don’t recognize, Paran Dul, a Thanagarian warrior, four times in Justice League Unlimited. (Died 2014.) (CE) 
  • Born September 23, 1959 — Frank Cottrell-Boyce,  61. Definitely not here for his sequels to Chitty-Chitty-Bang-Bang. (Horrors!) He is here for such writing endeavors as Goodbye Christopher Robin, his Who stories, “In the Forest of the Night” and “Smile”, both Twelfth Doctor affairs, and the animated Captain Star series in which he voiced Captain Jim Star. The series sounds like the absolute antithesis of classic Trek. (CE) 
  • Born September 23, 1960 – Stephanie Osborn, 60.  Retired rocket scientist.  Nat’l Weather Service certified storm spotter.  Two dozen novels for us; nonfiction, A New American Space Plan (with Travis Taylor).  Ranks Delany’s About Writing above Gone With the Wind.  [JH]
  • Born September 23, 1974 – Cindy Lynn Speer, 46.  Five novels (The Key to All Things released in July), a few shorter stories.  Practices 16th Century swordfighting. Ranks Persuasion about the same as Nineteen Eighty-four.  [JH]

(10) SIGN UP FOR HORROR PANEL. “StoryFest 2020: Final Cuts – New Tales of Hollywood Horror and Other Spectacles”

StoryFest concludes with a panel dedicated to the nightmares of the silver screen. Legendary genre editor Ellen Datlow leads the discussion on her anthology, Final Cuts: New Tales of Hollywood Horror and Other Spectacles. She is joined by an all-star lineup of authors included in the anthology.

This is a virtual event. Click here to register and view the event.

Ellen Datlow is joined by a knockout list of panelists: Laird Barron, Christopher Golden, Stephen Graham Jones, John Langan, Josh Malerman, and A.C. Wise. 

(11) WRONG OUT LOUD. Oh, my God! First they pitch canon out the window. Now James Davis Nicoll makes this confession — “On Reading Book Series in the Wrong Order”. Think of the children!

We live in a glorious age when books are a click away. It may now seem incomprehensible that one might be forced to read a series of books out of order. Yet, in a dark age not so long ago, when we (and by we, I mean me) were dependent on the vagaries of book store and library orders, it was very easy to find oneself in a place where the choice was (a) read an intermediate book or (b) read nothing new.

By way of example, here are five F&SF series I began in what most people would say is the wrong place….

(12) ATWOOD. BBC Radio 4’s Start the Week features Margaret Atwood and another poet/author: “Claudia Rankine and Margaret Atwood”.

Claudia Rankine, one of America’s leading literary figures, and the double-Booker Prize winner Margaret Atwood look at the world afresh, challenging conventions – with Kirsty Wark.

In her latest book, Just Us: An American Conversation, Claudia Rankine reflects on what it means to experience, and question, everyday racism. Her poems draw on a series of encounters with friends and strangers, as well as historical record. Her work moves beyond the silence, guilt and violence that often surround discussions about whiteness, and dares all of us to confront the world in which we live.

Margaret Atwood recently won the Booker Prize for a second time with The Testaments, her sequel to the 1985 prize-winner The Handmaid’s Tale. Her story of the fictional Gilead’s dark misogyny has retained its relevance after more than three decades. The world of Gilead was originally sparked by an earlier poem, Spelling, and Atwood explores the importance of poetry in firing the imagination.

(13) FALSE AND FALSE. [Item by Jonathan Cowie.] Because it is the topic of the year and relevant to us all (especially SF fans as pandemics are something of a genre trope) a little science with BBC’s statistical programme More or Less and false positives in virus testing (especially in the latter half of the show): “Covid curve queried, false positives, and the Queen’s head”.

A scary government graph this week showed what would happen if coronavirus cases doubled every seven days. But is that what’s happening? There’s much confusion about how many Covid test results are false positives – we explain all. Plus, do coffee and pregnancy mix? And the Queen, Mao, and Gandhi go head to head: who is on the most stamps and coins?

Now, I have been told that my (pre-retired) job (of communicating science to non-scientists (often politicians)) is easy.

Though a little dismissive, actually, I take this as something of a compliment as anyone vaguely professional – be they a plumber, engineer. athlete or writer – tends to make their craft seem effortless. So, having listened to the afore programme, let me expand your horizons even further in just a couple of sentences.

Having considered false positives, what of false negatives? And, having pondered that, how does one balance the two? Welcome to the world of Type I and Type II errors. (That’s the real world which makes Johnson and Trump’s pontifications seem more like bluster. Hope I’m not doing them an injustice)

(14) RING DOWN THE CURTAIN. Looper combed through the movies and books to find “The last words of every fallen Lord of the Rings hero and villain”. Gollum’s, of course, is “Oops!” (Just kidding.)

We wanted to see just how legendary each deceased character’s final moments ended up being, based on the litmus test of what they were talking about when they perished. With that in mind, we decided to round up the last words of every fallen Lord of the Rings hero and villain to do some comparing and contrasting.

(15) THEY’RE DEAD, JIM. “Scientists Determine Explosive New Mass Extinction Event 232 Million Years Ago” – SYFY Wire finds another evolutionary memory hole.

Mass extinction events on our planet have only occurred a handful of times in the 540 million years since life began. Most people are familiar with the Cretaceous-tertiary Extinction that occurred some 65 million years ago that led to the demise of the dinosaurs and 50 percent of all plants and animals, as well as the Permian-triassic Extinction 250 million years ago that wiped out 95 percent of all species.

But now scientists have reconsidered the impact of The Carnian Pluvial Episode, a significant climate change event that took place approximately 234 to 232 million years ago (Late Triassic epoch) that led to the age of the dinosaurs…

…Violent volcanic eruptions in the Wrangellia Province of western Canada are the smoking gun and the most likely cause of the devastation and sudden climatic shift, when abundant volumes of hot volcanic basalt were poured out to form much of what is now the western coast of North America.

“The eruptions peaked in the Carnian,” Dr. Dal Corso said. “I was studying the geochemical signature of the eruptions a few years ago and identified some massive effects on the atmosphere worldwide. The eruptions were so huge, they pumped vast amounts of greenhouse gases like carbon dioxide, and there were spikes of global warming.”

These humid warming periods lasting a total of one million years were accompanied by an intense spike in global rainfall, as discovered back in the ’80s by geologists Mike Simms and Alastair Ruffell. This gradual climate alteration is reflected in the major biodiversity loss in the ocean and on land. 

However, following the extinction event, diverse new groups flourished to produce more modern-like ecosystems. These climate changes were beneficial to the sustained growth of plant life, especially the expansion of conifer forests.

“The new floras probably provided slim pickings for the surviving herbivorous reptiles,”explained Professor Benton. “We now know that dinosaurs originated some 20 million years before this event, but they remained quite rare and unimportant until the Carnian Pluvial Episode hit. It was the sudden arid conditions after the humid episode that gave dinosaurs their chance.”

(16) HEAVY ARMOR. “It’s Alive! 25-Ton Gundam Robot Moves for First Time in Yokohama” – Yahoo! News is there.

A 25-ton robot, inspired by the popular 1970s anime series Mobile Suit Gundam, has made its first moves in Yokohama, Japan.

Footage tweeted on September 21 shows the giant Gundam robot moving its arms and legs before lunging into an impressive squat at Yamashita Pier.

The robot is set to become the main attraction at Gundam Factory Yokohama, and was supposed to be officially unveiled on October 1, but the event has since been postponed due to the coronavirus pandemic.

[Thanks to JJ, Cat Eldridge, Michael Toman, Cora Buhlert, Martin Morse Wooster, John King Tarpinian, SF Concatention’s Jonathan Cowie, Mike Kennedy, John Hertz, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 9/1/20 Senpai
Noticed Me!

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(1) GAME OF THRONGS. Netflix has ordered a series covering all three books in Liu Cixin’s trilogy — The Three-Body Problem, The Dark Forest, and Death’s End — reports Variety: “‘Three-Body Problem’ Series From David Benioff, D.B. Weiss, Alexander Woo Set at Netflix”.

There seem to be a lot of cooks hovering over the broth:

Benioff and Weiss executive produce under their Bighead Littlehead banner along with the company’s newly installed president, Bernadette Caulfield. [Rian] Johnson, Ram Bergman, and Nena Rodrigue executive produce via T Street Productions. [Brad] Pitt executive produces with along with Dede Gardner and Jeremy Kleiner for Plan B Entertainment. [Rosamund] Pike and Robie Uniacke executive produce for Primitive Streak. Lin Qi, chairman of Yoozoo Group and The Three-Body Universe, and Zhao Jilong, vice president of The Three-Body Universe, also executive produce.

…Author Liu Cixin and accomplished sci-fi writer Ken Liu, who translated the English versions of the first and third books, serve as consulting producers.

The article quotes Liu Cixin:

“I have the greatest respect for and faith in the creative team adapting ‘The Three-Body Problem’ for television audiences,” said Cixin. “I set out to tell a story that transcends time and the confines of nations, cultures and races; one that compels us to consider the fate of humankind as a whole. It is a great honor as an author to see this unique sci-fi concept travel and gain fandom across the globe and I am excited for new and existing fans all over the world to discover the story on Netflix.”

(2) INTERNET ARCHIVE SUIT TRIAL SCHEDULED. Publishers Weekly is a fly on the courtroom wall when “Judge Sets Tentative Schedule for Internet Archive Copyright Case”. All the benchmark dates are at the link.

…The parties, barring a motion that would moot the schedule, are to be ready for trial on 48 hours notice on or after November 12, 2021.

…The copyright infringement lawsuit against the Internet Archive’s scanning and lending program was first filed on June 1 in the Southern District of New York by Hachette, HarperCollins, John Wiley & Sons, and Penguin Random House, and is being coordinated by the Association of American Publishers.

(3) VOTERS BY THE YARD. “Biden campaign launches official Animal Crossing: New Horizons yard signs” reports The Verge.

…Since the start of the coronavirus outbreak in the US earlier this year, campaigns like Biden’s have been forced to entirely rethink how they organize voters. Instead of in-person rallies, Biden’s team has opted for live-streamed events and fundraisers along with socially distanced productions and interviews. The entire Democratic National Convention was held virtually earlier this month, with most guests streaming in over video software like Zoom to deliver speeches.

The Biden-Harris campaign released four sign designs for players to download, featuring the official Biden-Harris logo, Team Joe logo, the “Joe” Pride logo, and an image of aviator sunglasses shaded in red, white, and blue. Players will be able to access the designs in-game by scanning the design QR codes through the Nintendo Switch Online app.

…Millions of people have picked up Animal Crossing: New Horizons since its initial release in March, and the Biden campaign is hoping to engage that large base with their new merch. “Animal Crossing is a dynamic, diverse, and powerful platform that brings communities together from across the world. It is an exciting new opportunity for our campaign to engage and connect Biden-Harris supporters as they build and decorate their islands,” Christian Tom, director of digital partnerships for the Biden campaign, said in a statement to The Verge. “As we enter the final campaign stretch towards November, this is one way we are finding new creative and innovative ways to meet voters where they are and bring our supporters together.”

(4) ZOOM IN BLOOM. Cora Buhlert wrote a NASFiC conreport and an overview of the growing phenomenon of virtual sff events: “Cora’s Adventures at the Virtual 2020 NASFiC and More Thoughts on Virtual Conventions”.

…The first panel I watched was “Fantasy for YA vs. Adults”, featuring Alma Alexander, Farah Mendlesohn, Sherwood Smith and Kathryn Sullivan. I picked this panel over the horror panel going on at the same time, because I knew and liked the panelists. There was some concern in the chat that the panelists were all white. And indeed, more diversity would have been nice, especially considering what a diverse field fantasy in general and YA in particular is.

Talking of the chat, unlike other recent virtual conventions, NASFiC opted not to use the Zoom chat, but have the Discord chat side by side with the panel. From the POV of an audience member, this was a lot better than having to switch between Discord and Zoom in different tabs/windows. Though I’m not sure how it was from the POV of a panelist, since panelists and moderators can more easily see questions, when they are asked in the Zoom chat…

(5) MASTERING DUALITY. Sarah Gailey’s Personal Canons series continues with “Abhorsen”.

…When I first read the Abhorsen books, I was very young, and I was just starting to grapple with questions of identity, duality, and choice. Bound up in those questions was a larger, overarching question of worth. I felt certain that if I didn’t answer those questions about myself correctly, I’d lose some degree of goodness. Bit by bit, parts of me would tarnish; I’d become Bad, and there would be no place in the world for me. That feeling was too much. I couldn’t face it.

But in Garth Nix’s books, I saw that perhaps the answers could be more complicated than I realized. In Sabriel, I saw that feeling afraid and unprepared didn’t have to mean surrender, so long as I could be resourceful and stubborn. In Lirael, I saw that it’s possible to survive the crushing feeling that life is unsurvivable.

(6) NYRSF 30TH SEASON. The New York Review of SF Readings Series, hosted by Jim Freund, kicks off its new season virtually on September 8 with a reading by Michael Swanwick. More info at the link: “NYRSF Readings: Swanwick/Dozois ‘The City Under the Stars’”

This reading marks the beginning of our 30th Season! Sadly, we cannot all join together for a fete, but over the course of time, we’ll figure something out. We wish to experiment with simulcasting the reading on our traditional home here on Facebook, but also try simulcasting it on YouTube. We’ll be testing this through the week so be sure to check back here to find out where to log in.

On Tor.com, Michael Swanwick wrote:
“Almost a quarter century ago, Gardner Dozois and I published “The City of God,” now the first half of this novel. It ended with a slam, seemingly precluding any sequels. But over the decades Gardner and I talked over what might come next. We planned to write two more novellas, “The City of Angels” and “The City of Men,” which would tell one long, complete story. One with a happy ending.

Don’t laugh.

Yes, Gardner could be a bleak writer. Yes, the novella was dark even for him. But he had an uplifting idea for how the book would end. We discussed it often. We were midway through the second novella and aiming at that happy ending when, without warning, Gardner died.

I knew I would never write that third novella without his input, his genius. Nevertheless I wanted the world to see this genuinely happy ending. So I changed the direction of the work in progress, combined both novellas, divided them into chapters, and made of them a novel I think Gardner would have been pleased with.

The ending is exactly what Gardner envisioned all those decades ago. A happy one. For everyone.

When I wrote the last words of it, I cried.”

(7) NOT TOO LATE TO TUNE IN. [Item by Martin Morse Wooster.]“Arthur Charles Clarke discusses science fiction” at the Studs Terkel Radio Archive is a 1959 interview Studs Terkel conducted with Clarke where Clarke discusses his novels Childhood’s End and Earthlight, explains why he thought sf was not escapist, and said that “I’m a moral vegetarian, although I hate vegetables.”

(8) OKAY BOOMER. “Can You Recognize These Guest Stars On Star Trek: The Original Series?” John King Tarpinian got 9 of 11. I got 10. It helps if you’ve watched too much Sixties television.

We gathered some of our favorite guest stars from Star Trek: The Original Series. They are famous faces from classic television. See if you can match them to their popular roles. Good luck!

(9) DINO MITES. “‘Jurassic World: Camp Cretaceous’ Trailer: Netflix Unleashes Look At New Dreamworks Animation Series, Launches Interactive Site” — Yahoo! Entertainment has the story.

…The series trailer (watch it above) sets up the premise of Camp Cretaceous: A group of six teenagers are trapped at a new adventure camp on the opposite side of Isla Nublar. When the events of the film unfold and dinosaurs are unleashed across the island, each kid realizes their very survival rests on the shoulders of themselves and their fellow campers. Unable to reach the outside world, the six teens will go from strangers to friends to family as they band together to survive the dinosaurs and uncover hidden secrets so deep they threaten the world itself.

Jurassic World: Camp Cretaceous premieres September 18 on Netflix.

The new interactive site, live now, invites users to experience a behind the gates look at Jurassic World: Camp Cretaceous. At CampCretaceous.com, users can tour the campgrounds, get up close with dinosaurs, check out tree top cabins and a zipline, among other adventures.

(10) GOSPEL OR BLASPHEMY? Chris Mooney, in “You Don’t Have To Be A Genre Writer To Explore Genre” on CrimeReads, says his desire to put sf elements in a suspense novel led him to explore other works that combine sf and suspense, including novels by Colson Whitehead, Margaret Atwood, and Sir Kazuo Ichiguro.

…Sometimes when you mix things together, the results are amazing, even spectacular. As I was writing Blood World, I realized that almost of my all-time favorite books—the ones that had the greatest impact on me—were from authors who successfully incorporated elements from more than one genre. And now, it’s mid-August, the height of vacation season, and if, like me, you find yourself stuck in your backyard on a “staycation,” or lucky enough to live near a beach, you can do no better than these definitive, intelligent, page-turning, genre-bending classics.

(11) MEDIA BIRTHDAY.

  • September 1, 1950 — Dimension X’s “The Roads Must Roll.” Based on the Robert Heinlein story that first was published in Astounding Science Fiction in the June 1940 issue, it would first be broadcast on this date on NBC  in 1950. It would win the Retro Hugo for Best Novella at MidAmericon II, the same year that OGH won another Hugo for Best Fan Writer. Jason Bolander, Norman Rose and Karl Weber were the cast. You can listen to it here. (CE)

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born September 1, 1875 — Edgar Rice Burroughs. Bradbury declared him “the most influential writer in the entire history of the world.” Now I’d not necessarily disagree or agree with that statement but I would note that he has largely fallen out of public notice once again. So what’s your favorite works by him? The Barsoom stories are mine. (Died 1950.) (CE)
  • Born September 1, 1928 – Shelby Vick.  Edited Planetary Stories 2005-2017.  Edited a new (i.e. 2013, centuries after the original) volume of Sindbad stories (with E. Erdelac & E. Roberts; unable to resist the spelling “Sinbad”), writing one.  A score of short stories around then.  Leading fan since the 1940s.  Introduced Lee Hoffman (to some of us, after this incident, “Hoffwoman”), to Bob Tucker.  Started WAW with the Crew in ’52 bringing W.A. Willis to Chicon II the 10th Worldcon.  Organized, if that word may be used, Corflu 16 (fanziners’ con; corflu = mimeograph correction fluid, once indispensable); brought as a guest to Corflu 29.  Rebel Award.  (Died 2018) [JH]
  • Born September 1, 1942 — C. J. Cherryh, 78. I certainly think the Hugo Award-winning Downbelow Station and Cyteen are amazing works but I think my favorite works by her are the Merchanter novels such as Rimrunners. Anyone familiar with “Cassandra“,  the short story she won a Hugo for at Seacon ‘79? What’s it part of? (CE) 
  • Born September 1, 1943 – Filthy Pierre, 77.  So unassumingly and widely helpful for so long he was at length given the Big Heart (our highest service award) and more locally made a Fellow of NESFA (New England SF Ass’n; its service award).  With Marilyn Wisowaty (as she then was; also F.N.) compiled The Blackdex and Bluedex indexing SF prozines.  FP being a filker is often at hand during an SF con and, when waiting is, inspires song, accompanying us on the current version of the Filth-O-Phone.  Made the well-named Microfilk, an early filk index.  Filk Hall of Fame.  Invented the Voodoo Message Board.  Fan Guest of Honor at Albacon 2010, Baltcon 52.  Under a transparent pseudonym has conducted the SF Conventional Calendar for Asimov’s since 1977.  [JH]
  • Born September 1, 1951 — Donald G. Keller, 69. Editor and critic. Co-edited Phantasmicom with Jeff Smith (1969-1974). A contributor to The New York Review of Science Fiction in the early Nineties which is where his “The Manner of Fantasy” essay appeared. He also edited The Horns of Elfland anthology with Ellen Kushner and Delia Sherman. Inactive genre wise for a decade now other than being a member of the editorial board of Slayage, the online Encyclopedia of Buffy Studies. (CE) 
  • Born September 1, 1952 – Brad Linaweaver.  Productive pro writer found lovable by many because of or despite proclaimed libertarian opinions.  A dozen novels, five dozen shorter stories, some with co-authors.  Artbook anthology Worlds of Tomorrowwith Forrest J Ackerman.  Interviewed William Tenn for Riverside Quarterly.  Two Prometheus Awards.  Phoenix. Heinlein’s brass cannon bequeathed to him.  (Died 2019)
  • Born September 1, 1954 – Larisa Mikhaylova, Ph.D., 66.  Editor, critic; translator including Cadigan and Le Guin.  Editor-in-chief, Supernova.  Organizer of conferences on Ivan Yefremov, co-ordinator of preparing his Complete Works.  Biography of HE in J. Francaville ed., Harlan Ellison.  “Shore Leave Russia” on Star Trek fandom in Russia, Eaton Journal of Archival Research in SF.  Academic Secretary, Russian Soc. Amer. Cultural Studies.  [JH]
  • Born September 1, 1961 – Jacinta Escudos, 59.  Mario Monteforte Toledo Central American Prize for Fiction.  Collection, The Devil Knows My Name (in Spanish, i.e. El diablo sabe mi nombre).  Anthologized in And We Sold the Rain, Lovers and Comrades, You Can’t Drown the Fire.  Widely known outside our field.  Blog here (in Spanish).  [JH]
  • Born September 1, 1964 — Martha Wells, 56. She’s has won a Nebula Award, a Locus Award, and two Hugo Awards, one for the “All Systems Red” novella at WorldCon ‘76, and the other for her “Artificial Condition“ novella at Dublin 2019.  Impressive. And she was toastmaster of the World Fantasy Convention in 2017 where she delivered a speech called “Unbury the Future”. Need I note the Muderbot Diaries are a truly amazing reading? (CE)
  • Born September 1, 1967 — Steve Pemberton, 53. He’s on the Birthday List for being Strackman Lux in the most excellent Eleventh Doctor stories of “Silence in the Library” and “Forest of the Dead” but he has other genre credits including being Drumknott in Terry Pratchett’s Going Postal, Professor Mule in the Gormenghast series and Harmony in the Good Omens series as well. (CE) 
  • Born September 1, 1974 — Burn Gorman, 46. Best known for his roles as Owen Harper in Torchwood , Karl Tanner in the Game of Thrones, Philip Stryker in The Dark Knight Rises and also as Hermann Gottlieb in Pacific Rim and the sequel Pacific Rim: Uprising. Like so many of his fellow Torchwood performers, he’s been active at Big Finish where he’s been in nine Torchwood stories to date. (CE) 
  • Born September 1, 1978 — Yoav Blum, 42.  Software developer and author.  First novel translated (from Hebrew), The Coincidence Makers.  Ranks Guards! Guards! about the same as Winnie-the-Pooh.  [JH]

(13) COMICS SECTION.

  • Ziggy listens to an outburst about an unfair evolutionary advantage.
  • Off the Mark comes up with one of those times when you shouldn’t count on Superman to save your life.
  • The Far Side asks Doctor who?
  • The Far Side illustrates a science fictional parenting problem.

(14) LIPTAK’S SEPTEMBER GUIDE. Andrew Liptak teases “22 science fiction and fantasy books to check out this September” on the Readling List.

….I’ve been in a bit of a reading rut in recent weeks, but one book that I’ve been enjoying is The Human Cosmos: Civilization and the Stars by Jo Marchant. It’s out today, and Marchant takes a slightly different tack on the history of astronomy: she looks at not how humanity discovered the stars and planets, but how it impacted our development as a civilization. It’s an excellent example of multidisciplinary history, looking at archeology, science, mathematics, and of course, astronomy. I highly recommend it.

If you’re looking for other books coming out this month, here are 22 science fiction and fantasy ones hitting stores that you should check out.

(15) THE STICKS HAVE BEEN HEARD FROM. SF Concatenation’s Jonathan Cowie, who has been without the internet most of the time during the pandemic, broke out of isolation to update “Concatenation Science Communication News”.

CoVID-19 / SARS-CoV-2 Lockdown — Please Note  Both Science Com and SF² Concatenation are in digital lockdown, but much is continuing as usual.  So stakeholders and those who liaise with either should note the following carefully.

Prior to CoVID-19 / SARS-CoV-2, neither abode being connected to the internet was not a problem (not even required) as regular internet access was available at college, volunteer work offices as well as learned society Fellows rooms’ and public libraries’ cybercafes (plus even hotels when travelling).  However, with SARS-CoV-2, access to these has ceased.  This means no e-mail communication since 20th March 2020 and this will not resume until we get a vaccine and restrictions are lifted. So if you have e-mailed, now you know why you have not had a response.

All other (non-e-mail) communications are working fine…

More news at the link.

He also tweeted assurance that there will be an autumnal edition of SF2 Concatenation as contributors have been snail-mailing contributions in on memory sticks.

(16) C.S. LEWIS MOVIE TO COMMENCE FILMING. “Production Begins Next Month for New C.S. Lewis Motion Picture” reports Narniafans.

… The material that this movie is based upon is Max McLean’s one man stage play that chronicles the Narnia author’s journey from atheism to Christianity… Although a filmed from the stage version of this production is already available on DVD, the new movie version will be entirely different with a full cast shooting at historic locations from C.S. Lewis’s life.

“The difference about this play is it’s going to be on location all over Oxford. We have full access to Maudlin College, The Kilns, the church, [and] various other places that are mentioned in the play. Instead of it being a one person show, it’s going to be a multi-actor show. I’ll play the older Lewis, we’ll have a boy Lewis, a young Lewis in his 20’s, cast his mother, his father, Tolkien, Barfield, Kirk, among others, and that is going to begin shortly.”

 In March 2020 the entire world of Fellowship for Performing Arts came to a complete standstill. The New York based theatrical organization had been selling 2,000 tickets a week for their four productions, but that quickly dropped to 0 tickets a week and there is no expectation that live theater will resume until 2021. More than 30 FPA shows have been canceled because it is far too dangerous to hold any public gatherings in the United States.

“Since our plays have all shut down, we’ve moved up our feature film adaptation of C.S. Lewis’s conversion story. That was designed to be a 2021/2022 project, well we’ve moved it up to September and October of this year. I’ll be leaving tomorrow for the UK to begin shooting in mid-September (I have to quarantine for two weeks before we begin shooting).”-Max McLean

Norman Stone is the producer of this movie. This award-winning British director also directed Shadowlands (1985), C.S. Lewis: Beyond Narnia (2005), and The Narnia Code (2009).

(17) WILL CROWDFUNDING LET THEM MAKE THEIR TEASER TRAILER? The Kickstarter for “BAÏDIR – the animated series”, a space-opera animated series, looks to be far from funding, having raised only $29,266 of its $35,968 goal and the appeal ending September 6.

This is an epic, modern, ecological, and family fable…

It tells the initiatory path of a hero willing to do anything to locate his sister, and thus restore the family’s lost balance. It is also a story that echoes a much broader collective quest. At stake: restoring our planet’s lost environmental equilibrium.

Baïdir is a series designed to span three parts, each composed of 8 episodes of 26 minutes. The genre varies from adventure to science fiction with a good dash of fantasy.

Born from the imagination of Slimane Aniss, then enriched by the graphic universe spun by Charles Lefebvre and Thierry Rivière, Baïdir got its first teaser in 2009. Several years later, in 2012, the concept for the series was purchased by a first production studio. This resulted in a second teaser being hatched. Then several years after that, Andarta Pictures managed to acquire the rights to the work. At long last, work could begin on building the narration and the universe, thus allowing it to take shape for the television screen.

Baïdir is a project that has garnered quite a lot of interest during its various development phases. There is a massive amount of fan art on social networks. This crowdfunding campaign will allow us to breathe life into this whole universe and to tell the story of Baïdir and his friends at last.

(18) ALIEN LIFE. The American Museum of Natural History will present online the “2020 Isaac Asimov Debate: Alien Life” on Wednesday, September 9, 2020.

Join Neil deGrasse Tyson, the Frederick P. Rose Director of the Hayden Planetarium, and a panel of experts for a livestream debate and question-and-answer session to discuss how life may have formed on Earth and explore what alien life might look like elsewhere in the universe.

What criteria do we use to classify life as we know it? Should the criteria be revised as we look for life on other worlds? The debate will bring together scientists from different fields–Nathalie A. Cabrol of the SETI Institute, Vera Kolb of the University of Wisconsin-Parkside, Seth Shostak of the SETI Institute, Carol Cleland of the University of Colorado, and Max Tegmark of MIT–to share their creative ideas for what forms life might take in an extraterrestrial environment and what these predictions can teach us about life on our own planet.

(19) HO, HO PHO. Archie McPhee has “Ketchup, Shiitake And Pho Candy Canes” ready for the holiday season – whatever holiday that may be. (“National Flash on Your Carpet Day”?) Wait – they seem to think it’s Christmas!

This year’s Archie McPhee candy canes are here! We’ve got three crazy flavors to make your Christmas more delicious than ever. Ketchup Candy Canes are fresh-from-the-bottle candy that tastes just like America’s favorite condiment. Shiitake Mushroom Candy Canes have a mushroom flavor that will make Christmas morning even more fungus than usual. And, finally, Pho Candy Canes are un-pho-gettable! 

I hope Santa leaves the antidote within reach!

(20) RU A ROBOT? Daniel Dern calls it “The best CAPTCHA I’ve seen to date”.  From FB’s Concellation group.

[Thanks to N., John King Tarpinian, Lise Andreasen, Contrarius, Michael Toman, JJ, Cat Eldridge, John Hertz, Martin Morse Wooster, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Daniel Dern, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day O. Westin.]

Pixel Scroll 8/18/20 It’s A World Of Cats On To Be Read Piles, It’s A Scroll, Scroll World!

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(1) STATE GUIDANCE ISSUED FOR SF IN CHINA. Variety reports“China Issues Guidelines on Developing a Sci-Fi Film Sector”.

Chinese film authorities issued a new document outlining policy measures to boost the country’s production of science fiction movies.

Entitled “Several Opinions on Promoting the Development of Science Fiction Films,” the document highlights how the sci-fi genre fits into the ruling Communist Party’s broader ideological and technological goals. It was released earlier this month by China’s National Film Administration and the China Association for Science and Technology, a professional organization.

The document focuses on domestically developing pro-China science fiction film content and high-tech production capability. It comes in the wake of the country’s first VFX-heavy sci-fi blockbuster hit, “The Wandering Earth,” which remains the third highest grossing film of all time in the territory with a local box office of $691 million.

…To make strong movies, the document claims, the number one priority is to “thoroughly study and implement Xi Jinping Thought.” Based on the Chinese president’s past pronouncements on film work, filmmakers should follow the “correct direction” for the development of sci-fi movies. This includes creating films that “highlight Chinese values, inherit Chinese culture and aesthetics, cultivate contemporary Chinese innovation” as well as “disseminate scientific thought” and “raise the spirit of scientists.” Chinese sci-fi films should thus portray China in a positive light as a technologically advanced nation.

…Nevertheless, China’s lack of strong sci-fi is primarily due to a lack of innovative ideas and scripts, the document said. The country should focus on generating strong sci-fi scripts through talent incubators and prizes, and by urging film festivals to set up specific sci-fi film departments. The adaptation of sci-fi literature, animation and games should be encouraged to stimulate the production of new original content.

Elementary and middle school students should be made to watch “excellent sci-fi movies,” while universities should be urged to “strengthen the training of sci-fi related talent.”

(2) CANCELLATION CULTURE. David Brin writes much more about what he suspects in “The Postman speaks: Save the Post Office!”

Amid outcry over Republican efforts to wreck the U.S. Postal System, scientist/science-fiction author David Brin — author of the popular novel “The Postman” — offers a few tools and perspectives…. 

What Will They Do to Destroy the Mail?

Oh, these proto-Holnist traitors can be feral and clever. Here are some ways they have already — or plan to — sabotage our nation’s oldest institution.

  • Don’t allow overtime (done)
  • Remove extra mailboxes (started; incomplete)
  • Remove critical equipment (done)
  • Remove ballot bulk mail postage discount (done)
  • Reduce funding
  • Refuse to deliver if no/insufficient postage
  • Change filters on automated sorting to reject more mail
  • Demand postal workers take unused leave at critical times
  • Misprint ballots so auto-processing fails
  • Shut down critical sorting warehouses in key areas
  • Companies currying GOP favor will send a lot of mail during the 2 weeks that mail-in ballots are flooding the system, causing jams
  • Use mercenaries and ‘holnist’ barbarians to terrorize voters, sabotage mailboxes and vehicles and workers, sow chaos and provide excuses for ‘martial law.’
  • Don’t put anything past them.

(3) JOB DESCRIPTION. David Gerrold shared a free post on his Patreon: “I Am Not A Writer. I Am A Storyteller.”

…I have been accused of being a writer. I’m not. My 1962 writing instructor was right when he told me, “You can’t write. You’re wasting your time. You’ll never be a writer.”

He was right. I’m not a writer. 

I’m a storyteller. 

A story is — pay attention now, this is the good stuff —  a story is about a person with a problem. 

Let me repeat that. A STORY IS ABOUT A PERSON WITH A PROBLEM. 

This is why stories are the essential part of human intelligence. Because all human beings have problems. We either defeat them or they defeat us. 

But either way, we end up with a story about the problem. 

The essential definition of a story is this: “Here’s a problem. Here’s what didn’t work. Here’s what did work. And here’s what I learned.” It’s that last phrase that’s important. The problem is an access to the lesson. Even if the problem didn’t get solved, the lesson is still critical. And if there is no lesson to be learned, then it wasn’t a real problem, just some stuff to be handled. (“I have to do the dishes,” isn’t a problem. Just do the damn dishes.)…

(4) COMIC BOOK LEGAL DEFENSE FUND UPDATE. Graeme McMillan, in The Hollywood Reporter story “Comic Book Legal Defense Fund Attempts to Rebuild After Chief’s Exit” discusses how the fund is rebuilding after the departure of Charles Brownstein on sexual harassment charges. 

On June 22, Charles Brownstein resigned from the Comic Book Legal Defense Fund after serving as executive director for 18 years. The exit came following pressure from comic industry professionals as details of his alleged assault of creator Taki Soma 15 years earlier re-emerged online. More than a month after his departure, the CBLDF is attempting to rebuild both itself and trust from the comic book community.

In 2005, Soma reported to police that Brownstein assaulted her during the Mid-Ohio Con convention, with details becoming public the following year. In 2006, Brownstein admitted to the assault, calling it “a stupid, drunken prank, of which I’m ashamed” in a public statement, although he kept his position inside the CBLDF following an independent third party investigation.

… “Honestly, I don’t think I’ve seen a response from the fund that would make me feel comfortable supporting them after Brownstein’s departure,” Batman writer James Tynion IV told The Hollywood Reporter. “I want to see who they put forward as the voice of the fund, and see what kind of work they’re open to doing to make a better community. Until they do that, I’ll be a skeptical observer, and my money will keep going to the [another comic book non-profit] Hero Initiative, where I can see measurably good work being done.”

Harrow County artist Tyler Crook is also skeptical about the continued viability of the organization.

“I’m very glad to see Brownstein gone, but I won’t be supporting them until after we see what changes they make to reform the organization,” said Crook, adding that Brownstein remaining with the organization for so many years despite his alleged behavior identified structural problems that need to be addressed. “Right now, I’m feeling pretty pessimistic about the CBLDF’s ability to change. I think our industry might be better served with a new, organization built on stronger foundations and with a stronger moral compass.”

Calvin Reid, in “Trexler Named Interim CBLDF Executive Director” in Publishers Weekly, says that Jeff Trexler has been named interim director.

The Comic Book Legal Defense Fund has appointed Jeff Trexler its interim director, effective immediately. He succeeds Charles Brownstein, who resigned from the position in June after allegations of assault leveled against him resurfaced.

Trexler will oversee and update the CBLDF’s operations and its mission. He will also be charged with restoring the organization’s credibility and stature in the comics community after the departure of Brownstein, who held the executive director position at CBLDF for 18 years.

“The original mission of CBLDF is one I passionately support as a longtime member of the comics community,” Trexler said in a statement. “This is a time of evolution for the organization, and I am honored to be a part of it.”

Before joining the CBLDF, Trexler was associate director of the Fashion Law Institute. He is a member of the ethics committee at Kering Americas, and has served on the board of the Museum of Comics and Cartoon Art. Trexler is also a lifelong comics fan as well as a lawyer, and has provided legal analysis on a variety of issues surrounding the comics industry….

(5) FULL COURT PRESS. “CBS Beats Copyright Claims Over ‘Star Trek: Discovery’” – Bloomberg Law has the story.

A story arc about a giant tardigrade in “Star Trek: Discovery” didn’t infringe a copyright in an unreleased video game that also featured a giant tardigrade, the Second Circuit affirmed Monday.

Many elements of the work that CBS Broadcasting Corp. and Netflix Corp. allegedly infringed covered uncopyrightable scientific facts and ideas about tardigrades, the U.S. Court of Appeals for the Second Circuit said.

Anas Osama Ibrahim Abdin owns a copyright in the “distillation” of the concept for his video game “Tardigrades,” a compilation of images, descriptions, and illustrations detailing the game’s characters and backstory. It features a space-station botanist who travels through space after being absorbed into a giant tardigrade, based on the real-life microscopic creature that can endure extreme heat, cold, pressure, and radiation.

Three episodes in the first season of CBS’ “Star Trek: Discovery” also involve a space encounter with a massive tardigrade-like creature, and Abdin sued CBS for copyright infringement in Manhattan federal court. The U.S. District Court for the Southern District of New York dismissed Abdin’s claims in September.

The Second Circuit affirmed that CBS and Netflix—which is licensed to air “Discovery” outside of the U.S.—didn’t infringe because the works aren’t substantially similar. Abdin’s use of tardigrades largely wasn’t copyrightable, the court said.

“Abdin’s space-traveling tardigrade is an unprotectable idea because it is a generalized expression of a scientific fact—namely, the known ability of a tardigrade to survive in space,” the court said. “By permitting Abdin to exclusively own the idea of a space-traveling tardigrade, this Court would improperly withdraw that idea from the public domain and stifle creativity naturally flowing from the scientific fact that tardigrades can survive the vacuum of space.”…

(6) WELL WORTH YOUR TIME. [Based on notes from John Hertz.] Roberta Pournelle left our stage on August 3, 2020.

There was no public church service and no public interment.  Her remains were laid to rest at Forest Lawn on August 14th, as it happens not far from OGH’s father’s.

“Roberta Jane Isdell Pournelle, 16 June 1936–3 August 2020” is Jennifer Pournelle’s eulogy.

 … I was hardly an “only child,” and I’m not merely referring to my wonderful brothers. Roberta taught in schools where most would not. She taught kids who were guilty of being poor, or black, or Latinx, or homeless. or abused, or dyslexic, or otherwise illiterate and/or desperate. Kids with “form,” kids with little future; kids who were pregnant or fathers or incarcerated for crimes real or imagined and precious little hope of anger management. The kids nobody wanted. The kids dismissed as “juvvies.” The kids about whom precious few truly, actually, cared.

Advised to leave, advised to cease, advised that her talents lay elsewhere, she taught on. She was there….

(7) MEDIA BIRTHDAY.

August 18, 1950 — Destination Moon, produced by Geotge Pal, premiered in the United Kingdom. It would be voted a Retro Hugo for Best Dramatic Presentation at the Millennium Philcon. It was directed by Irving Pichel from the screenplay by Alford Van Ronkel and Robert A. Heinlein and James O’Hanlon. It’s based off Robert A. Heinlein‘s Rocketship Galileo novel. It starred John Archer, Warner Anderson,  Erin O’Brien-Moore, Tom Powers and Dick Wesson. Mainstream critics usually didn’t like but Asimov said In Memory Yet Green that it was “the first intelligent science-fiction movie made.”  Audience reviewers at Rotten Tomatoes give it a mediocre 48% rating. It is not in the public domain but the trailers are and here is one for you.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born August 18, 1929 — Joan Taylor. Her first genre role was Earth vs. the Flying Saucers as Carol Marvin, and she followed that with 20 Million Miles to Earth as Marisa Leonardo. Her last genre role was as Carol Gordon in Men into Space, a late Fifties series about a USAF attempt to explore and develop outer space. She retired from acting in the early Sixties. (Died 2012.) (CE)
  • Born August 18, 1931 — Grant Williams. He is best remembered for his portrayal of Scott Carey in The Incredible Shrinking Man though he did have the role of the psychopathic killer in Robert Bloch’s The Couch. Of course, he shows up in Outer Limits where he plays Major Douglas McKinnon in “The Brain of Colonel Barham”.  And he’s Major Kurt Mason in The Doomsday Machine. (Died 1985.) (CE)
  • Born August 18, 1931 – Seymour Chwast, 89.  French ed’n of Doctor Dolittle; Odyssey; Canterbury Tales; Divine Comedy; three dozen more.  Here is We.  Here is Analog 6 (anthology).  Here is Lord Tyger.  Much outside our field too; see here, here, here, and this archive.   Saint Gaudin Award, Art Directors Hall of Fame, American Inst. Graphic Arts Medal, honorary doctorate from Parsons.  [JH]
  • Born August 18, 1934 — Michael de Larrabeiti. He is best known for writing The Borrible Trilogy which is noted by several sources online as being an influence by writers in the New Weird movement. Ok folks, I’ve not read so please explain how The Borrible Trilogy influences that literary movement as it doesn’t seem like there’s any connection. (Died 2008.) (CE)
  • Born August 18, 1935 — Brian Aldiss. He’s well known as an anthologist and SF writer with Space, Time and Nathaniel, a collection of short stories being his first genre publication. I’ll single out Space Opera and other such anthologies as my favourite works by him. His “Super-Toys Last All Summer Long” is the basis for A.I. Artificial Intelligence. Much honoured, he’s was named a Grand Master by SFWA and inducted by the Science Fiction Hall of Fame. He also has received two Hugo Awards, one Nebula Award, and one John W. Campbell Memorial Award. (Died 2017.) (CE)
  • Born August 18, 1943 –Richard Bober, 77.  Three dozen covers.  Here is Lake of the Long Sun (in Polish).  Here is Shards of Empire.  Here is the 2003 Chesley Awards Retrospective (at left, top to bottom, images by Bober, Ledet, Eggleton, Bonestell).  Gallery, Feb 98 Realms of Fantasy.  [JH]
  • Born August 18, 1947 – Paul Skelton, 73.  Long-active fanziner, in his own zines (sometimes with wife Cas Skelton) and letters of comment to others’.  Five FAAn (Fan Activity Achievement) Awards, four for Best Correspondent and one for life achievement thereat.  [JH]
  • Born August 18, 1949 –Takeshi Shudô.  Known for Magical Princess Minky Momo (television animé), Pokémon (pocket monsters; TV, film, novels), and Eternal Filena (serialized light novel, then OVA – original video animation, made for home release without prior theater or television showing – then role-playing video game).  For Pokémon, coined Team Rocket’s motto.  Won Best Screenplay at first Japan Animé Awards.  Memorial exhibit at Suginami Animation Museum, Tokyo, 2011.  (Died 2010) [JH]
  • Born August 18, 1950 — Mary Doria Russell, 70. The Sparrow series, The Sparrow and its sequel Children of God, are awesome. The Sparrow won the Arthur C. Clarke, BSFA, and Tiptree Awards, and it was the reason she won the Astounding Award for Best New Writer. Though not genre, Doc and its  sequel Epitaph are mysteries using the historic character of  Doc Holliday.  (CE)
  • Born August 18, 1966 – Alison Goodman, 54.  Seven novels, five shorter stories.  Translated into ten languages.  Part of “Time Travel, Time Scapes, and Timescape” in NY Rev. of SF with Benford, Blackford, Broderick, McMullen, Townsend.  Two Aurealis Awards.  Website here.  [JH]
  • Born August 18, 1981 – Bridget (“B.R.”) Collins, 39.  Seven novels.  Bradford Boase Award.  Blog is called jugjugjug “because ‘jug jug jug’ is supposed to be the noise a nightingale makes (the way ‘tu-whit tu-whoo’ is supposed to be an owl).”  Website shows bookshelves with The Complete Sherlock Holmes and The Sot-Weed Factor.  [JH]

(9) COMICS SECTION.

(10) FACE THE MUSIC. Stephen Colbert repurposed the last Avengers movie trailer:

(11) CLOUDY WITH A CHANCE. David Langford’s contribution didn’t make it into the CoNZealand edition of Worldcon Order Of Fan-Editors (W.O.O.F.) for whatever reason, so he posted it on his own site: Cloud Chamber #164.

(12) FIRST CABIN. George R.R. Martin told Not A Blog readers he’s “Back in Westeros”.

…But some decades ago, wanting more solitude, I bought the house across the street and made THAT my writer’s retreat.   No longer would I write all day in my red flannel bathrobe; now I would have to dress and put on shoes and walk all the way across the street to write.  But that worked for a while.

Things started getting busier, though.   So busy that I needed a full-time assistant.   Then the office house had someone else in it, not just me and my characters.   And then I hired a second assistant, and a third, and… there was more mail, more email, more phone calls (we put in a new phone system), more people coming by.   By now I am up to five assistants… and somewhere in there I also acquired a movie theatre, a bookstore, a charitable foundation, investments, a business manager… and…

Despite all the help, I was drowning till I found the mountain cabin.

My life up here is very boring, it must be said.  Truth be told, I hardly can be said to have a life.   I have one assistant with me at all times (minions, I call them).  The assistants do two-week shifts, and have to stay in quarantine at home before starting a shift.   Everyone morning I wake up and go straight to the computer, where my minion brings me coffee (I am utterly useless and incoherent without my morning coffee) and juice, and sometimes a light breakfast.  Then I start to write.   Sometimes I stay at it until dark.   Other days I break off in late afternoon to answer emails or return urgent phone calls….   

(13) SFWA. “SFWA Announces New Communications Manager”, Rebecca Gomez Farrell.

… The Communications Manager will lead SFWA’s communications initiatives to produce high-quality content to engage both SFWA members and potential members within the SF/F community, as well as expand the organization’s brand recognition.

… SFWA Executive Director Kate Baker said, “Because of the nebulous nature of the organization, and because our members are located around the world, having a steady and engaging presence via social media is more important than ever. I am thrilled that Rebecca has joined the organization to help shape our messaging, to build upon the excellent work done by past volunteers, and to promote not only the organization and its members, but communicate what is important to all SF/F writers, wherever they may be. Please join us in welcoming Rebecca to the team!”

“Since joining in 2012,” said Gomez Farrell, “my fiction career has benefited greatly from the events and services SFWA offers its members, but most importantly, from the community we share. I’m thrilled to lend my skills in new media communication to fostering more of that community for my fellow members.” 

(14) SPECTRUM. The new Spectrum Advisory board was announced on Muddy Colors. Arnie Fenner listed the names with short bios at the link.

….it’s Cathy’s and my pleasure today to present in alphabetical order our new Spectrum Advisory board!

… Talk about a Dream Team!

And what exactly does the Spectrum Advisory Board do? Well, they have two primary jobs: the first is to nominate, debate, and ultimately select each year’s Grand Master honoree. (I wrote about the criteria for the Grand Master Award in a previous Muddy Colors post for anyone that’s curious.) It’s a big responsibility, for sure, but the Board’s second job is even more difficult and crucial:

Job #2 is to help us not be stupid.

Cathy and I started Spectrum because of a sincere love for fantastic art in whatever guise it takes and a desire to help creators receive the recognition and respect we felt they deserved. Spectrum quickly became a welcoming home, a community, and a family, for all artists regardless of gender, race, religion, nationality, politics, or ethnicity, a celebration of diversity and imagination. Though we’re moving a little slower and our energy isn’t what it once was, that love and that purpose are as strong in us today as they were when we first began 27 years ago. But time and technology march on and nothing survives in a vacuum: with so many changes and challenges, with so many societal minefields to traverse, we count on our Advisory Board to help us avoid the avoidable mistakes (as best anyone can) and better serve the community as a whole….

(15) STAND UP, EMPTY POCKETS. The “Stand Still. Stay Silent. – Book 3” Kickstarter appeal invites donors to “Help us print the third book of Minna Sundberg’s award-winning Nordic fantasy and adventure webcomic Stand Still. Stay Silent.” There being a lot of people wanting to lock down a copy of the book, they have raised $198,054 of their $35,000 goal with 26 days to go.

An underfunded, questionably selected, rag-tag team of explorers are assembled and launched into the unknown in a search for information and relics of the Old World – hopefully valuable relics. Stand Still. Stay Silent. follows six people (and a cat) on a journey filled with adventure, camaraderie and Nordic mythology. Who knows what they might find on their journey… and what they might lose.

(16) CATCHING UP. Nnedi Okorafor’s new book was released today – just in time for one feline’s appreciation.

(17) ALWAYS NEWS TO SOMEONE, Let File 770 be the last to tell you what Yahoo! Life was the next to last to tell you: “Somehow We All Just Figured Out Where Gandalf Keeps His Pipe”.

Nearly two decades years after the release of The Fellowship of the Ring, fans are still discovering new things in Peter Jackson‘s The Lord of the Rings trilogy. There’s a lot of material to cover, with the three lengthy theatrical releases further extended in their home video editions. Which is why it’s so surprising that, all these years later, people keep spotting one particular detail for the first time.

We’re talking about Gandalf’s pipe, specifically where he keeps it…

(18) REAR VIEW. “Why did scientists paint eyes on hundreds of cattle butts? To save lives, study says”.

For four years, researchers painted fake eyes on hundreds of cattle butts for the sake of science. What seems like a silly prank, the “eye-cow technique” proved lifesaving for the animals as it made predators rethink their attack, choosing another meal instead.

The scientists say their method is a more humane and “ecologically sound” alternative to lethal control and fencing used to separate cattle from carnivores. The team even theorizes the technique could be used to prevent human-wildlife conflicts and reduce criminal activity, according to a news release. A study was published Aug. 7 in the journal Communications Biology.

“The eye-cow technique is one of a number of tools that can prevent carnivore-livestock conflict—no single tool is likely to be a silver bullet. Indeed we need to do much better than a silver bullet if we are to ensure the successful coexistence of livestock and large carnivores,” study co-author Dr. Neil Jordan, a researcher with the University of New South Wales in Sydney, Australia and the Taronga Western Plains Zoo, said in the news release.

“But we’re hoping this simple, low-cost, non-lethal approach could reduce the costs of coexistence for those farmers bearing the brunt,” he added.

Eye patterns can be found — naturally — on butterflies, fish, molluscs, amphibians and birds to scare predators away. Images of eyes have even been shown to reduce bike theft in people, a 2012 study showed. But no mammals are known to possess eye-shaped patterns on their coats.

So, in the Okavango Delta of Botswana in Southern Africa, where livestock and lions, leopards, hyenas, cheetahs and wild dogs coexist, such a deceptive tactic could save animals from their death sentence, the researchers thought.

(19) VIDEO OF THE DAY. In “Honest Trailers:  The Old Guard” on YouTube, the Screen Junkies take on the latest film from Netflix designed to “make you look up from your phone for two minutes so it counts as a view.”  The film featured Charlize Theron leading a group of “illumi-hotties” who, although they’re thousands of years old, haven’t come up with a cool catchphrase.

[Thanks to Andrew Porter, JJ, Cat Eldridge, Lise Andreasen, Chip Hitchcock, John Hertz, Martin Morse Wooster, Mike Kennedy, Bill Higgins, Hampus Eckerman, Daniel Dern, Michael Toman, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W. (I had to come back and use the other half of Kip’s 2018 verse.)]

2020 Long List Anthology Kickstarter

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David Steffen has launched a Kickstarter appeal to publish Long List Anthology Volume 6, designed to celebrate more of the fiction loved by the Hugo Award voting audience.

Every year, science fiction and fantasy fans vote for their favorite works for the Hugo Award, and the winners of those are chosen at Worldcon in a different city every year (if you think that sounds cool, it is, and you should get involved as much as you want to, the rules for the award are fan-voted too if you can attend Worldcon).  After the Hugo Awards each year, the World Science Fiction Society (who administer the award) publishes a longer list of works that fans cast nomination votes for.  The works on the ballot get a lot of attention — but these other stories were also loved by so many fans, and the purpose of this anthology is to help more readers find them.  

The starting point for Volume 6 is the 2020 Hugo voting report. Steffen notes, “This project is not endorsed by nor affiliated with the Hugo awards, WSFS, Worldcon, or any associated entities. The Hugo name is used with permission.”

Backers have already pledged $956 of its initial $1,850 goal with 23 days to go.

The cover art is by Jorge Jacinto.

WHAT STORIES WILL BE IN THE ANTHOLOGY?

Short Stories (base goal with digital-only rewards, $1850)

  • “Lest We Forget” by Elizabeth Bear
  • “A Bird, a Song, a Revolution” by Brooke Bolander
  • “Beyond the El” by John Chu
  • “Give the Family My Love” by A.T. Greenblatt
  • “Fisher-Bird” by T. Kingfisher
  • “Articulated Restraint” by Mary Robinette Kowal
  • “I (28M) Created a Deepfake Girlfriend and Now My Parents Think We’re Getting Married” by Fonda Lee
  • “Shucked” by Sam J. Miller
  • “The Dead, in their Uncontrollable Power” by Karen Osborne
  • “How the Trick is Done” by A.C. Wise

Novelettes(stretch goal at cost to be determined, trying to finalize some details with a service that can handle add-on rewards with shipping)

  • “A Strange Uncertain Light” by G.V. Anderson
  • “Deriving Life” by Elizabeth Bear
  • “Erase, Erase, Erase” by Elizabeth Bear
  • “Nice Things” by Ellen Klages
  • “His Steps, Through Darkness and Light” by Mimi Mondal
  • “Blood, Bone, Seed, Spark” by Aimee Ogden
  • “Dave’s Head” by Suzanne Palmer
  • “Circus Girl, the Hunter, and Mirror Boy” by JY Yang
  • …up to 2 others!

Further stretch goals:

…novellas if 1 or more can be confirmed (these are queried one by one, and reprint rights tend to be less available, so they tend to take longer

THE LONG LIST ANTHOLOGY BOOK CLUB. A new facet to the Long List Anthology this year, they will be running a discussion group on the Kickstarter where “backers can come together, discuss the individual stories, and share their thoughts and reactions.” Everybody backing at the $15 level and up will have access.

[Thanks to JJ and Standback for the link.]

Pixel Scroll 8/12/20 You Can Pixel Your Friends, And You Can Pixel Your Scroll, But You Can’t Pixel Your Friend’s Scroll

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(1) AIRCHECK. WNYC’s The Takeaway had a segment with Victor LaValle and Silvia Moreno-Garcia today: “New Generation of Writers of Color Reckon with H.P. Lovecraft’s Racism”. Both authors discuss their first encounters with Lovecraft and how later readings opened them up to recognizing more of Lovecraft’s personal failings. The Retro Hugos are discussed and criticized by Moreno-Garcia.

This weekend, the television show “Lovecraft Country,” premieres on HBO. Based on a book by Matt Ruff, the show is set during the Jim Crow South, and combines the actual terrors of racism with the fantastical horror of author H.P. Lovecraft, who wrote most of his work in the early 20th century. In real life, Lovecraft was extremely racist, and his personal letters reveal his opposition to interracial relationships, as well as his support of Adolf Hitler.

While his influence has been felt in fantasy and horror for decades, a new generation of writers, particularly writers of color, have recently begun to reckon with his bigoted views in their own fiction.

The Takeaway speaks with two of the acclaimed authors who have worked to reclaim Lovecraft’s work for women and people of color, Victor LaValle is the author of “The Changeling,” and Silvia Moreno-Garcia is the author of “Mexican Gothic.”

(2) DELANY LECTURE TO BE WEBCAST. [Item by Olav Rokne.] Yale’s annual Donald Windham Sandy M. Campbell Literature Prizes are going online this year. That’s good news for SFF fans, because it means that we’ll get to tune in for their keynote guest speaker Samuel R. Delany. Delany will deliver the 2020 Windham-Campbell Lecture on the subject “Why I write.” The lecture will be cast at 5:00 p.m. Eastern on September 16 at windhamcampbell.org. (“Samuel R. Delany to Deliver the 2020 Windham-Campbell Lecture”.)

(3) ARECIBO OBSERVATORY DAMAGED. Vice leads the mourning: “A Broken Cable Has Wrecked One of Earth’s Largest Radio Telescopes”. But they intend to restore it to full operation.

The Arecibo Observatory, one of the largest single-aperture radio telescopes in the world, has suffered extensive damage after an auxiliary cable snapped and crashed through the telescope’s reflector dish.

…In addition to halting scientific observations at the telescope, the accident is sad news for anyone inspired by Arecibo’s status as a cultural icon and its pioneering role in the search for extraterrestrial intelligence (SETI). 

The observatory was written into the plot of Carl Sagan’s bestselling novel Contact, as well as its 1997 film adaptation. It has also served as the backdrop in the James Bond film GoldenEye, the X-Files episode “Little Green Men,” and the multiplayer map for the game Battlefield 4, among its many other popular depictions. 

Arecibo is also a popular tourist destination in Puerto Rico that attracts nearly 100,000 visitors each year, according to its visitor center.

(4) SCALZI’S NINETIES MOVIE REVIEWS. Since Richard Paolinelli (unintentionally) made people curious to read John Scalzi’s syndicated movie reviews from the 1990s, here’s a link to a set of them on his old website [Internet Archive]. The Starship Troopers and Alien Resurrection reviews are from immediately after Scalzi left his reviewing gig; the rest are from while he was writing reviews for the Fresno Bee. (These reviews are not on the current iteration of the site.)

(5) BRADBURY PANEL. The 20th Library of Congress National Book Festival will celebrate “American Ingenuity” in 2020, featuring the creativity and inspiration of some of the nation’s most gifted authors in a reimagined virtual festival from September 25-27.

The festival will honor Ray Bradbury with a discussion exploring his ingenious imagination and his enduring influence on literature, space exploration, and our collective curiosity. Bradbury historian and biographer Jonathan Eller will moderate the panel featuring writer and visionary Ann Druyan, co-creator of Cosmos; science fiction writer Mary Robinette Kowal, winner of Hugo, Nebula, and Locus awards; and Leland Melvin, NASA engineer, astronaut, and educator.

(6) BECOMING DOCTOROW. [Item by Olav Rokne.]  On the eve of his induction into the Canadian Science Fiction and Fantasy Hall of Fame, Cory Doctorow took to Twitter in tribute to several foundational figures who mentored him in his formative years. There are some very nice details in the thread about Judith Merril, Tanya Huff, and others. Worth a read. Thread starts here.    

As an aside, I maintain that the CSFF HoF trophy is one of the most beautiful trophy designs in all fandom. 

(7) THE POINT. Athena Scalzi opened my eyes to a generational difference in attitude about punctuation in “Periods. What Are They Good For.” at Whatever.

…More often than not, people my age opt to completely leave out any type of punctuation at the end of texts or tweets, especially short messages, because there’s no need to punctuate if there’s only one sentence, you can just send the message and that counts as the ending point. In addition, Twitter has a character limit, and why waste a character on a period?

I can absolutely confirm without a doubt that everyone my age for some reason thinks that periods are passive-aggressive as hell and if you use one in a text you must be mad about something, or upset with the person you’re sending it to. You just sound… so angry. I can’t explain where this logic came from, but we all hear it the same way. Periods mean you’re unhappy. When you send a sentence with a period, you are sending a clear-cut statement that has a finite end, so it must be about something serious….

(8) KICKSTARTER.The “Recognize Fascism Anthology” Kickstarter has hit $12,000 on the way to a $15,000 stretch goal that would allow them to also do an audiobook. And all backers who pledge at or above the “$25 or more” level will receive a digital copy of the Recognize Fascism audiobook.

The 70,000 word anthology edited by Crystal M. Huff features 22 authors from 9 different countries. See the Table of Contents here. The Kickstarter updates include there Recognize Fascism authors reading excerpts of their stories:

(9) I’M THE DOCTOR, NOT A BRICKLAYER. Gizmodo heard that “David Tennant Wants to Beam Aboard Star Trek”.

In a recent Reddit AMA (as reported by Syfy Wire), Tennant was asked what major franchise he’d want to cross off of his bucket list next. He’s already made waves as the Tenth Doctor in Doctor Who, a Marvel villain in Netflix’s Jessica Jones, and a sexy demon in Neil Gaiman’s Good Omens. But there’s one major series he said he’s still keen on joining.

(10) OUT FROM UNDER. BBC reports “Middlemarch and other works by women reissued under their real names”.

Novels written by women using male pen names have been reissued using the authors’ actual names.

The collection includes George Eliot’s Middlemarch, which has been reissued under the author’s real name, Mary Ann Evans, for the first time.

The 25 titles have been released to mark the 25th anniversary of the Women’s Prize for Fiction.

The Reclaim Her Name library features newly commissioned cover artwork from female designers.

Other titles in the collection include A Phantom Lover, a gothic horror novel Violet Paget published under the pen name Vernon Lee.

Also featured is Indiana by George Sand, the male pseudonym used by the 19th Century French novelist Amantine Aurore Dupin.

(11) RE MINDER. NESFA’s reCONvene 2020 is happening August 15.

reCONvene is an online convention, organized for science fiction and fantasy fans by fans. In addition to featuring traditional content such as panel discussions, solo talks, and demos, we are also taking advantage of the online environment to try a few new things that aren’t normally possible at in-person conventions. We look forward to having you join us.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born August 12, 1894 — Dick Calkins. He’s best remembered for being the first artist to draw the Buck Rogers comic strip. He also wrote scripts for the Buck Rogers radio program. Buck Rogers in the 25th Century, The Complete Newspaper Dailies in three volumes on Hermes Press collects these strips.  (Died 1962.) (CE)
  • Born August 12, 1929 — John Bluthal. He was Von Neidel in The Mouse on the Moon which sounds silly and fun. He’s in Casino Royale as both a Casino Doorman and a MI5 Man. He had roles in films best forgotten such as Digby, the Biggest Dog in the World. (Really. Don’t ask.) and did play a blind beggar in The Return of the Pink Panther as well, and his last genre role was as Professor Pacoli in the beloved Fifth Element. Lest I forget, he voiced Commander Wilbur Zero, Jock Campbell and other characters in Fireball XL5. (Died 2018.) (CE)
  • Born August 12, 1931 — William Goldman. Writer of The Princess Bride which he adapted for the film. Wrotethe original Stepford Wives script and King’s Hearts in Atlantis and Misery as well. He was hired to adapt “Flowers for Algernon“ as a screenplay which he but the story goes that Cliff Robertson intensely disliked his screenplay and it was discarded for one by Stirling Silliphant that became Charly. (Died 2018.) (CE) 
  • Born August 12, 1936 – George Flynn, Ph.D., F.N.  Stalwart of NESFA (New England SF Ass’n).  Proofreader for NESFA Press; widely regarded as the best proofreader in SF.  Named Fellow of NESFA (service award).  Representative of the Fannish Frisian Freedom Front to the Highmore in ’76 Worldcon bid.  Knight and Wilhelm bibliographies for Noreascon Two Pgm Bk (38th Worldcon).  Administrator of Hugo Awards.  Reporter of WSFS (World SF Soc.) Business Meetings for SF Chronicle.  Head of the Long List Committee.  Letters in Banana Wings, The Frozen Frog, Izzard, Janus, Patchin Review.  A fine man to watch the Masquerade (on-stage costume competition) with, quiet, observant, articulate.  (Died 2004) [JH]
  • Born August 12, 1947 — John Nathan-Turner. He produced Doctor Who from 1980 until it was cancelled in 1989. He finished having become the longest-serving Doctor Who producer and cast Peter Davison, Colin Baker and Sylvester McCoy as the Fifth, Sixth and Seventh Doctors. Other than Who, he had a single production credit, the K-9 and Company: A Girl’s Best Friend film. He wrote two books, Doctor Who – The TARDIS Inside Out and Doctor Who: The Companions. He would die of a massive infection just a year before the announcement the show was being revived. (Died 2002.) (CE) 
  • Born August 12, 1948 – Tim Wynne-Jones, O.C., 72.  Three novels for us, a score of shorter stories; many others, children’s and adults’.  Radio dramas & songs.  “I stole my father’s Welsh moodiness and his love of awful puns.”  Here is his cover for North by 2000.  Seal First Novel Award, Edgar Award, Metcalf Award.  Two Boston Globe – Horn Book Awards.  Three Governor General’s Awards.  Officer of the Order of Canada.  Website here.  [JH]
  • Born August 12, 1954 — Sam J. Jones, 66. Flash Gordon in the 1980 version of that story. Very, very campy. A few years later, he played the lead role in a TV adaptation of Will Eisner’s The Spirit which I’ve not seen and am now very curious about. (CE)
  • Born August 12, 1957 — Elaine Cunningham, 63. She’s best known for her work on Dungeons & Dragons creating the campaign setting of Forgotten Realms, including the realms of Evermeet, Halruaa, Ruathym and Waterdeep. She’s also wrote The Changeling Detective Agency series as well as a Star Wars novel, Dark Journey. (CE) 
  • Born August 12, 1967 – Kelly McCullough, 53.  A dozen novels, as many shorter stories, for us; many others.  Writers of the Future winner.  Actor in Arizona, Colorado, Minnesota Renaissance Festivals.  Essays in Apex, Uncanny.  Website here.  [JH]
  • Born August 12, 1969 – Rachel Kadish, 51.  “A gifted writer, astonishingly adept at nuance, narration, and the politics of passion,” says Toni Morrison.  Three novels; two dozen shorter stories, essays in the New England Review, Paris Review, Ploughshares, Salamander, Salon, Slate, Story; one short story for us (in The Iowa Review!).  Gardner Award, Koret Award, Nat’l Jewish Book Award.  “On Asking Dangerous Questions About Spinoza” for the American Philosophical Ass’n.  [JH]
  • Born August 12, 1971 – Erin McKean, 49.  Lexicographer; Principal Editor, New Oxford Amer. Dictionary (2nd ed’n); editor, Verbatim.  Seven books; one short story for us.  “Prettiness is not a rent you pay for occupying a space marked ‘female’”.  [JH]
  • Born August 12, 1987 – Tom Moran, 33.  Two novels for us, half a dozen shorter stories, half a dozen covers, a dozen interiors.  Here is Breaking Eggs.  Guardian and Legend Press prize (books “that are not only zeitgeisty and promising, but will be talked about in 10 or even 100 years’ time”) for Dinosaurs and Prime Numbers.  [JH]

(13) COMICS SECTION.

  • Half Full worries about a superhero affected by the pandemic.

(14) ESSENCE OF WONDER. Kevin Hearne, Chuck Wendig, and Delilah S. Dawson will join the Essence of Wonder team on Saturday, August 15 at 3:00 p.m. Eastern, along with special guest Amal El-Mohtar who will come back on the show to interview Kevin about his work. Kevin, Chuck, and Delilah will discuss the art and science of location scouting, and their joint hobby of nature photography “as a moment on zen”. Register here: “Kevin Hearne And Friends on Location Scouting, and Nature Photography”.

(15) THE FUTURE OF MEDICINE. [Item by Olav Rokne.] If there’s one thing that Canadians love more than bragging about our universal health care system, it’s talking about the future of the health care system. Fresh off his fourth time on the Hugo shortlist, Canuck fan writer James Davis Nicoll takes a look at some of the various ways that science fiction writers have imagined health care systems. I’m just surprised that he doesn’t talk about Mercy Point — ”Five Science-Fictional Approaches to Healthcare” at Tor.com.

Recently I encountered an SF novel in which medical care—more exactly, healthcare funding—featured as a significant element. Curiously, the work drew on the same rather implausible healthcare system used to such effect in, say, Breaking Bad. No doubt the author was simply unaware of other approaches. Other science fiction authors have been more imaginative when it comes to healthcare systems, as these five examples show….

(16) MÖRK, NOT FROM ORK. “Unleash the minstrels of pain! Mörk Borg, the metal role-playing game rocking lockdown” – The Guardian has the story.

The dungeon-master Flintwyrm explains to four adventurers over a voice call that the only way to stop the apocalypse is to play the most intense extreme-metal song imaginable. All they have to do is find a concert venue called The Hall of Cacophonous Screams, an endless keg of beer, and five “minstrels of pain” to frontline their jam session, all the while surviving goblins and the forthcoming apocalypse. Flintwyrm, a 29-year-old named Christopher Joel, is excited about the adventure: this is how he and hundreds of strangers are bonding during quarantine, whether they are role-playing gamers, metalheads, or somewhere in between.

Welcome to Mörk Borg, the headbanger of a game that is the latest example of the fertile cross-pollination between tabletop role-playing and extreme metal: a love letter to the hellraising imagery, lyrics, and album art of metal.

(17) A FILER ON FAULKNER. The current Atlantic has a review by former Harvard president Drew Gilpin Faust of The Saddest Words: William Faulkner’s Civil War by Michael Gorra — “What to Do About William Faulkner”. Most Filers may not know that Gorra, the eminent English professor at Smith College, was once a fanzine publisher. And Gorra commented here as recently as 2012!

…Michael Gorra, an English professor at Smith, believes Faulkner to be the most important novelist of the 20th century. In his rich, complex, and eloquent new book, The Saddest Words: William Faulkner’s Civil War, he makes the case for how and why to read Faulkner in the 21st by revisiting his fiction through the lens of the Civil War, “the central quarrel of our nation’s history.” Rarely an overt subject, one “not dramatized so much as invoked,” the Civil War is both “everywhere” and “nowhere” in Faulkner’s work. He cannot escape the war, its aftermath, or its meaning, and neither, Gorra insists, can we. As the formerly enslaved Ringo remarks in The Unvanquished (1938) during Reconstruction-era conflict over voting rights, “This war aint over. Hit just started good.” This is why for us, as for Jason and Quentin Compson in The Sound and the Fury (1929), was and again are “the saddest words.” As Gorra explains, “What was is never over.”

In setting out to explore what Faulkner can tell us about the Civil War and what the war can tell us about Faulkner, Gorra engages as both historian and literary critic. But he also writes, he confesses, as an “act of citizenship.” His book represents his own meditation on the meaning of the “forever war” of race, not just in American history and literature, but in our fraught time. What we think today about the Civil War, he believes, “serves above all to tell us what we think about ourselves, about the nature of our polity and the shape of our history.”

…Gorra underscores the “incoherence” of Faulkner’s position as both critic and defender of the white South’s resistance to change….

(18) WORTH A ROYALTY. Garik16’s “Fantasy Novella Review: The Empress of Salt and Fortune by Nghi Vo” wishes the story had been even longer.

…And it’s a really nice story of memory and queerness and family, told by an old woman (identified only as “Rabbit”) to a “Cleric” of an order of archivists, telling mainly the story of the just deceased Empress, from a time in her life when she was in exile.  It’s a tale of memory, love, and family and what it all means, as we and the archivist find out about how one cast off woman managed to fight back against a man in power determined to keep her out of his way, and what it cost in the end.

(19) THE TAENIIDAE FAMILY. “Save The Whales. Save The Tigers. Save The Tapeworms?” They’re creepy and they’re kooky – no, wait, that’s somebody else.

They’re wiggly and slimy and live inside the flesh of other animals. Now, scientists are making a new case for why they should be saved.

Parasites play crucial roles in ecosystems around the world, making up around 40% of animal species. As wildlife faces the growing threats of climate change and habitat loss, scientists warn that parasites are equally vulnerable.

That’s why a team of scientists has released a “global parasite conservation plan.”

“Parasites have a major public relations problem,” says Chelsea Wood, assistant professor at the University of Washington’s School of Aquatic and Fishery Sciences. “Most people don’t really like thinking about them, but the fact is they’re really important in ecosystems.”

…”We think that about 1 in every 10 parasite species might be threatened with extinction in the next 50 years just from losing their habitat,” says Colin Carlson, assistant professor and biologist at Georgetown University. “But when we account for that they might also lose their hosts, it pushes it closer to about 1 in every 3 species of parasite.”

“That’s an extinction rate that’s almost unthinkable at broad scales,” Carslon says.

(20) ‘POD PEOPLE. NPR talked to people who think “Gene-Altered Squid Could Be The Next Lab Rats”. Sounds fascinating, right?

GREENFIELDBOYCE: So what he’s saying there is it’s a big world out there with all kinds of organisms whose genes we could be studying, but, you know, we’re not really. So Josh and his colleagues have been trying to add another organism to that short list of model organisms, and what he’s most interested in are squids.

KWONG: Oh, like cephalopods.

GREENFIELDBOYCE: Right – squid, cuttlefish, octopuses – all cephalopods.

(21) TODAY’S THING TO WORRY ABOUT A ZILLION YEARS AGO. What a croc — “‘Teeth The Size Of Bananas’; New Study Paints Picture Of ‘Terror Crocodiles'”.

Enormous “terror crocodiles” once roamed the earth and preyed on dinosaurs, according to a new study revisiting fossils from the gigantic Late Cretaceous crocodylian, Deinosuchus.

The research, published in the Journal of Vertebrate Paleontology, reiterates that Deinosuchus were among the largest crocodylians ever in existence, reaching up to 33 feet in length. New in this study is a look at the anatomy of the Deinosuchus, which was achieved by piecing together various specimens unknown until now, giving a fuller picture of the animal.

Adam Cossette, a vertebrate paleobiologist at the New York Institute of Technology College of Osteopathic Medicine at Arkansas State University, led the study that corrected some misunderstandings about the Deinosuchus.

“Until now, the complete animal was unknown,” Cossette said. “These new specimens we’ve examined reveal a bizarre, monstrous predator with teeth the size of bananas.”

Past studies on cranial remains and bite marks on dinosaur bones led paleontologists to believe the massive Deinosuchus were an opportunistic predator, according to the press release. Fossil specimens now make it clear that Deinosuchus did indeed have the head size and jaw strength to have its pick of prey, including large dinosaurs.

“Deinosuchus was a giant that must have terrorized dinosaurs that came to the water’s edge to drink,” Cossette said.

(22) THE NEIGHS HAVE IT. “Europe’s earliest bone tools found in Britain” – BBC is on the lookout.

Archaeologists say they’ve identified the earliest known bone tools in the European archaeological record.

The implements come from the renowned Boxgrove site in West Sussex, which was excavated in the 1980s and 90s.

The bone tools came from a horse that humans butchered at the site for its meat.

Flakes of stone in piles around the animal suggest at least eight individuals were making large flint knives for the job.

Researchers also found evidence that other people were present nearby – perhaps younger or older members of a community – shedding light on the social structure of our ancient relatives.

There’s nothing quite like Boxgrove elsewhere in Britain: during excavations, archaeologists uncovered hundreds of stone tools, along with animal bones, that dated to 500,000 years ago.

They were made by the species Homo heidelbergensis, a possible ancestor for modern humans and Neanderthals.

(23) GIVING AWAY THE ENDING. Since you won’t be around to see this anyway, no spoiler warning is required. Science says “This is the way the universe ends: not with a whimper, but a bang”.

In the unimaginably far future, cold stellar remnants known as black dwarfs will begin to explode in a spectacular series of supernovae, providing the final fireworks of all time. That’s the conclusion of a new study, which posits that the universe will experience one last hurrah before everything goes dark forever….

…The particles in a white dwarf stay locked in a crystalline lattice that radiates heat for trillions of years, far longer than the current age of the universe. But eventually, these relics cool off and become a black dwarf.

Because black dwarfs lack energy to drive nuclear reactions, little happens inside them. Fusion requires charged atomic nuclei to overcome a powerful electrostatic repulsion and merge. Yet over long time periods, quantum mechanics allows particles to tunnel through energetic barriers, meaning fusion can still occur, albeit at extremely low rates.

…Caplan says the dramatic detonations will begin to occur about 101100 years from now, a number the human brain can scarcely comprehend. The already unfathomable number 10100 is known as a googol, so 101100 would be a googol googol googol googol googol googol googol googol googol googol googol years. The explosions would continue until 1032000 years from now, which would require most of a magazine page to represent in a similar fashion.

(24) CREATE A NEED AND FILL IT. Archie McPhee offers the Office Possum. You didn’t know you needed one, did you?

This perfect possum has posable paws so it can hang on the side of a garbage can, computer monitor or anything with a ledge. It even has a tail for creepy dangling! Sure, you can set it up somewhere to scare a loved one, but really the Office Possum just wants to be your new BFF.

(25) HE’S RED, JIM. If these masks go with Trek crew uniforms, one wearer may find out if there’s an afterlife sooner than the others.

[Thanks to Olav Rokne, John King Tarpnian, Chip Hitchcock, John Hertz, JJ, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, John A Arkansawyer, Daniel Dern, Michael Toman, Cliff, Tom Boswell, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Olav Rokne.]

Editors Lynne & Michael Thomas Kickstarting Year Seven of Their Uncanny Magazine

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Lynne M. Thomas; Michael Damian Thomas; Chimedum Ohaegbu; Elsa Sjunneson; Caroline M. Yoachim; Naomi Day; Erika Ensign; Steven Schapansky; Joy Piedmont.

Uncanny Magazine’s Hugo-winning editors Lynne M. Thomas and Michael Damian Thomas today launched a Kickstarter for Year Seven of their – also multi-Hugo Award-winning — professional online sff magazine: Uncanny Magazine Year 7: Space Unicorns Shine On Together!

Each issue contains new and classic speculative fiction, fiction podcasts, poetry, essays, art, and interviews. Uncanny Magazine is raising funds via Kickstarter to cover some of its operational and production costs for the seventh year, with an initial goal of $18,700, plus added stretch goals of raising contributor and staff pay rates. The Kickstarter will launch August 6, 2020, and run through September 4, 2020.

On day one they’ve raised $12,566 of their initial $18,700 goal.

“Uncanny features passionate SF/F fiction and poetry, gorgeous prose, and provocative nonfiction, with a deep investment in our diverse SF/F culture. We publish intricate, experimental stories and poems with verve and vision, from writers from every conceivable background. With the hard work of the best staff and contributors in the world, Uncanny Magazine has delivered everything as promised (or is in the middle of delivery) with our Year One, Two, Three, Four, Five, and Six Kickstarters. This year, the magazine has been recognized as a Hugo winner and Locus Award finalist, and three stories plus the editors-in-chief have been recognized as Hugo Award finalists,” Lynne says.

“We couldn’t have done all of this without the amazing support of our Kickstarter community, who we call the Space Unicorn Ranger Corps after our logo mascot. This is also their magazine; their support makes it possible for us to make all of this amazing content available for free on our website. We still feel Uncanny‘s mission is important, especially in these times. And hopefully, we will meet the stretch goals and be able to offer an additional novella this year,” Michael adds.

For Year Seven, Uncanny has solicited original short fiction from Hugo, Nebula, Locus, and World Fantasy Award-winning and nominated authors and bestselling authors including: Aliette de Bodard, Martha Wells, Catherynne M. Valente, Fran Wilde, Tochi Onyebuchi, Sarah Pinsker, Shveta Thakrar, Carrie Vaughn, P. Djèlí Clark, Sam J. Miller, Ellen Kushner, Tananarive Due, Elizabeth Hand, and Caroline M. Yoachim. There will also be numerous slots for unsolicited submissions.

Uncanny Magazine Year Seven plans to showcase original essays by Marieke Nijkamp, Jay Edidin, Alice Wong, Katherine Cross, Troy L. Wiggins, Nisi Shawl, and Sarah Kuhn, plus poetry by Neil Gaiman, Brandon O’Brien, L.X. Beckett, Valerie Valdes, Theodora Goss, Jane Yolen, and Peter Tacy.

And if they get the support, after they hit the initial target here’s what comes next:

Year Seven Stretch Goals:

  •  $20,700 – Original cover art from Galen Dara 
  •  $22,700 – Original cover art from Nilah Magruder 
  •  $24,700 – Original cover art from Alexa Sharpe 
  •  $26,700 – Pay our submissions editors a modest stipend 
  •  $28,700 – Increase Essay Pay Rate to $100 per essay 
  •  $34,700 – Purchase & Publish 1 Novella Per Year at (up to 30,000 words) $.10 per word 

Uncanny Magazine issues are published as eBooks (MOBI, PDF, EPUB) bimonthly on the first Tuesday of that month through all of the major online eBook stores. Each issue contains 5-6 new short stories, a reprinted story, 4 poems, 4 nonfiction essays, and 2 interviews, at minimum.

Material from half an issue is posted for free on Uncanny’s website (built by Clockpunk Studios) once per month, appearing on the second Tuesday of every month (uncannymagazine.com). Uncanny also produces a monthly podcast with a story, poem, and original interview. Subscribers and backers will receive the entire double issue a month before online readers.