Tag Archives: James Earl Jones

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(1) OKORAFOR Q&A. On NPR’s 1A “Nnedi Okorafor’s ‘Death of the Author’ explores the relationship between art and AI”.

Nnedi Okorafor is back on 1A. And this time, the award-winning speculative fiction author is turning her eyes and her pen from the stars to a story a little closer to reality. But not by much.

“Death of the Author” is her latest novel. It’s a book within a book that follows the story of a Nigerian author who publishes a work of science fiction that ends up affecting things far beyond her lifetime. Okorafor’s book grapples with the relationship between art and artificial intelligence and the question of who controls a story….

A quote from the transcript:

[OKORAFOR] This is this is really the novel that I wanted to write from the very beginning. I just did not feel ready to do this. And as you’ve said, it’s very autobiographical, and I just just that whole idea was hard for me. Mhmm. I think that so the way that the way that this book started was painful. It was painful. This was something that my sisters and I have 2 older sisters and then one younger brother, and we would always talk about me writing this book about our family, about the Nigerian American experience, and all of that. And, you know, we’ve talked about this for years, but I just was I just wasn’t ready. And then in 2021, my middle sister passed, and it was very sudden, and it was unexpected. And, when that happened, it was just time. It was just time. And that was when I was like, okay. It’s I’m gonna do this. I’m gonna do this. And I literally, 2 days after it happened, I started writing this book, and I don’t outline. I don’t outline. I just started writing and just pouring it out, and this is what came out.

(2) ORANGE MIKE Q&A. Chattanoogan.com interviewed a Filer who’ll attend a milestone convention: “’Orange Mike’ Lowrey Hasn’t Missed A Chattacon In 50 Years, And He’s Coming This Weekend”.

…Chattacon, an annual science fiction convention, will be held at the DoubleTree Hilton in Downtown Chattanooga from Friday through Sunday (Martin Luther King Weekend.)

“Chattacon matters because it is in the old tradition of a fan run, not-for-profit, science fiction convention for people who actually read the stuff,” says Chattacon historian and panel speaker Lowrey.

“It is not a commercial operation, like the bloated gigantic Dragon-Con. It (Chattacon) is still run by fans. If there are excess funds, they (Chattacon) donate to local charities and it is a place for people in that part of the South to gather and talk about science fiction, whether they’re professional writers or 12-year-old kids or retirees.

“Anybody who cares about science fiction can get together and talk about the stuff, and nobody’s going to check your credentials at the door. And the prices are deliberately set as low as possible so that as many people as possible can attend. It is multi-age. It is multi-cultural and it’s a heck of a lot of fun.”

Chattacon is celebrating its 50th edition, and, having been to all 49 before, Mr. Lowrey has witnessed the evolution of the convention since its inception. Founded by Chattanooga resident Irv Koch, Chattacon held its first event in January 1976 at the East Ridge Sheraton. It was a fanfare that drew just a crowd of 81 people….

Lowrey also tells us, “Prep for this interview gave me an excuse to go through old Chattacon Flickr albums; too damned many memories of dead people, from Terry Pratchett to Ken Moore to the Amoses. Here’s one from Chattacon 27 in 2002, when Kelly was 6.5 (she’s 29 now) and I didn’t have a gray hair on that head.” — Chattacon at Flickr.

(3) HAPPY ANNIVERSARY. Tachyon Publications will be celebrating their 30th anniversary throughout 2025.  

In July 1995, Jacob Weisman, an avid young science fiction fan and intern at Asimov’s Science Fiction and Locus magazines, published Ganglion and Other Stories by Wayne Wightman. The success of Ganglion, as well as that of the next book—The Black Flame by Stanley G. Weinbaum—inspired Weisman to continue expanding his publishing program. Initially, Weisman concentrated on bringing classic works that he loved back into print, including fiction by Robert Nathan and Mary Shelley. But Weisman quickly branched out by publishing work by contemporary authors he admired, such as Peter S. Beagle and Patricia A. McKillip.

By the early aughts, Tachyon had become widely known for its carefully curated, high-quality publications. In 2002, Weisman hired his firstemployee, managing editor Jill Roberts. He signed on for national distribution shortly thereafter. Over the years, Weisman’s staff has grown to a six-member international team, which includes editor Jaymee Goh, lead designer Elizabeth Story, publicity manager Rick Klaw, and publicist Kasey Lansdale.

In 2025, Tachyon Publications will reach its 30th year in publishing. Tachyon has already put out more than 220 books, typically between 8 and 10 titles annually, and primarily in the genres of science fiction, fantasy, and horror. The company continues to champion smart genre fiction for everyone.

30th Anniversary Planned Events

  • San Francisco Public Library exhibition of Tachyon books, historical photos, and documents
  • Anniversary party, open to the public, at the SFPL on October 5, 2025
  • Publication of a limited edition commemorative chapbook, which will also be given to anniversary party attendees
  • Free monthly e-book giveaways to all Tachyon newsletter subscribers, including titles by Carrie Vaughn, Jane Yolen, Ellen Datlow, Bruce Sterling, and Naseem Jamnia
  • Ongoing events, panels, signings, and readings, including at the World Fantasy and World Science Fiction
    Conventions
  • Virtual salon with Tachyon authors, artists, and editors

During its 30th anniversary in 2025, Tachyon is publishing 10 titles that encapsulate the variety and quality of the company’s publishing program:

  • A 30th anniversary edition of Patricia A. McKillip’s The Book of Atrix Wolfe
  • The Essential Patricia A. McKillip, a career retrospective collection
  • Two fantasy debuts, If Wishes Were Retail by Auston Habershaw and Audition for the Fox by Martin Cahill
  • One Level Down, Mary G. Thompson’s taut science fiction thriller
  • Pat Murphy’s original take on Peter Pan and Sherlock Holmes, The Adventures of Mary Darling
  • The Unkillable Frank Lightning, Josh Rountree’s reconstruction of the Frankenstein mythos in the Wild West
  • A new middle grade adventure from the legendary Daniel Pinkwater, Jules, Penny & the Rooster
  • Space Ships! Ray Guns! Martian Octopods!, a collection of radio interviews with science fiction luminaries in- cluding Ray Bradbury, Harlan Ellison, Joyce Carol Oates, Philip K. Dick, Isaac Asimov, and Margaret Atwood
  • Two new fiction collections from bestselling authors, Refreshments from Hell by Joe R. Lansdale and Letters from an Imaginary Country by Theodora Goss

(4) EATING THE FANTASTIC. Scott Edelman invites listeners to share shawarma with the award-winning Eric Choi in Episode 245 of the Eating the Fantastic podcast.

Eric Choi

I plucked Eric Choi‘s short story “From a Stone” out of the slush pile to publish in the September 1996 issue of Science Fiction Age, and our paths have unfortunately rarely crossed since….

…Choi was the first recipient of the Asimov Award (now the Dell Award) for his novelette “Dedication.” He also won the Aurora Award for his short story “Crimson Sky,” and a 2023 Sidewise Award for Best Short Form Alternate History for his novelette “A Sky and a Heaven”. His short story collection Just Like Being There was published in by Springer Nature in 2022. He edited the anthologies The Dragon and the Stars with Derwin Mak in 2010 (winning a 2011 Aurora Award in the category of Best Related Work) and Carbide Tipped Pens: Seventeen Tales of Hard Science Fiction with Ben Bova in 2014.

He’s also an alumnus of the International Space University….In 2009, he was one of the Top 40 finalists (out of 5,351 applicants) in the Canadian Space Agency’s astronaut recruitment campaign.

We discussed what William Shatner’s Captain Kirk might sound like dubbed into Cantonese, the wonders of fan-run science fiction conventions, how the Asimov competition gave him the courage to make his first submission, what it was like co-editing an anthology with the great Ben Bova, the accident that gave birth to his first short story collection, why his claim never to have experienced writer’s block comes with a footnote, his moving memories of the Columbia accident as experienced at the Kennedy Space Center, the Richard Feynman quote he shared throughout the pandemic, why the first Harry Turtledove story he read wasn’t written by Harry Turtledove, his unfortunate introduction to The Lord of the Rings, and much more.

(5) CAN CASH BRING THEM BACK FROM THE DEAD? “Colossal raises $200M to ‘de-extinct’ the woolly mammoth, thylacine and dodo” — VentureBeat heard the register ringing.

Colossal BioSciences has raised $200 million in a new round of funding to bring back extinct species like the woolly mammoth.

Dallas- and Boston-based Colossal is making strides in the scientific breakthroughs toward “de-extinction,” or bringing back extinct species like the woolly mammoth, thylacine and the dodo….

…Since launching in September 2021, Colossal has raised $435 million in total funding. This latest round of capital places the company at a $10.2 billion valuation. Colossal will leverage this latest infusion of capital to continue to advance its genetic engineering technologies while pioneering new revolutionary software, wetware and hardware solutions, which have applications beyond de-extinction including species preservation and human healthcare….

(6) WHO DAT? Variety learned, “Harrison Ford Got Cast in ‘Blade Runner’ After Playing Han Solo, but the Financiers Asked Ridley Scott: ‘Who the F— Is Harrison Ford?’”

Ridley Scott sat down with GQ magazine for a retrospective video interview and revealed that the financiers on “Blade Runner” originally questioned his decision to cast Harrison Ford in the lead role. Ford was already Han Solo in “Star Wars” at the point in his career, in addition to being picked by Steven Spielberg to headline “Raiders of the Lost Ark.” Apparently the financiers were not paying attention.

“Harrison Ford was not a star. He had just finished flying the Millennium Falcon in ‘Star Wars,’” Scott said. “I remember my financiers saying, ‘Who the fuck is Harrison Ford?’ And I said, ‘You’re going to find out.’ Harry became my leading man.”…

(7) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

January 17, 1931 — James Earl Jones. (Died 2024.)

By Paul Weimer: What does one say about the voice of Darth Vader? Besides the fact that despite having a solid voice of his own, David Prowse had his voice dubbed memorably by Jones in Star Wars, and then in the subsequent two movies as well. The original releases of Star Wars and Empire Strikes Back didn’t even think to mention this fact in the credits, it was only in Return of the Jedi and then in subsequent re-releases that Jones’ voice was given credit.

But with such a voice, it is no surprise that the most memorable of Jones’ film and television work (with the exception of things like Conan the Barbarian or Field of Dreams) has been for that voice, even given his considerable and undeniable on screen charisma. He was The Voice. He did The Simpsons Treehouse of Horror. He read Bible stories. He won a Grammy award for Best Spoken Word Album. 

And of course, he was Mufasa. Sure, Mufasa isn’t really on screen much in The Lion King, after all, his murder is the inciting incident that kicks off the real plot of the movie. But does he sound like the lord of the Savanna? He most certainly does. 

Finally, for many years, his was the voice for the Tagline “This is CNN.” 

He died in September of 2024. Rest in Peace.

James Earl Jones

(8) MEMORY LANE.

[Written by Cat Eldridge.]

January 17, 2002 – Chicago (movie)

Twenty three years ago, Chicago premiered. I just rewatched it on Paramount+ which is why you are getting it as the Anniversary piece tonight.  The very last line of this essay will tie it to our community. 

I first saw this film at the theater when it came out. It’s based off the 1975 stage musical of the same name which had music by John Kander, lyrics by Fred Ebb, and book by Ebb and Bob Fosse. That in turn was based off Chicago, a rather successful 1926 play written by Maurine Dallas Watkins. 

This film was directed by Rob Marshall and produced by Martin Richards from the screenplay by Bill Condon.  Fosse was contracted to direct this but died before he could do so. The film marked the directorial debut of Marshall, who also choreographed the film, with music by Kander and lyrics by Ebb, both had worked on the Fosse musical. Marshall would later direct Into the Woods and Mary Poppins Returns.

Chicago was primarily set in Cook County Criminal Court Building and Jail. And this is a musical which means we get to hear a stellar cast sing, including performers I swear I never knew could do so —  Richard Gere, Renée Zellweger, Catherine Zeta-Jones, Queen Latifah, John C. Reilly, Lucy Liu, Taye Diggs, Colm Feore and Dominic West. No dubbing here as I checked, they sing everything here — and really, really great.  

Gere in particular is very, very impressive though the women performers are stellar in part because they pass the Bechdel test in that much of the script is dialogue between women smartly done without men present. This you don’t see but rarely. 

Reception for Chicago was almost unanimously positive. I think Robert Ebert summed it up best when he called it “big, brassy fun” which it definitely is.  It gets a most excellent eighty-seven percent rating among audience reviewers at Rotten Tomatoes.  Oh, and though costly to produce at almost fifty million, it made over three hundred million. 

And yes we can tie the film into the genre as Mike pointed out to me that “Chicago is the source of a tune Maytree used to create one of the best-ever Puppy satire filks” which is here.

(9) COMICS SECTION.

(10) CANDORVILLE CARTOONIST CHARGED. “Pulitzer Prize-winning cartoonist Darrin Bell arrested for AI child porn, Sacramento sheriff says” – KCRA has details. Bell is the creator of Candorville and Rudy Park.

The Sacramento County Sheriff’s Office has arrested a Sacramento-based Pulitzer Prize-winning cartoonist on accusations of being in possession of child pornography.

Detectives from the Sacramento Valley Internet Crimes Against Children served a search warrant to 49-year-old Darrin Bell’s home Wednesday morning after receiving a tip from the National Center for Missing and Exploited Children.

Detectives said they recovered images and movies depicting child sex abuse, material believed to be computer-generated content.

“The reason that’s important is prior to Jan. 1, none of those were illegal,” said Sgt. Amar Gandhi, of the Sacramento County Sheriff’s Office.

AB 1831 went into effect Jan. 1. It explicitly made computer-generated and AI-generated child sexual abuse material illegal, putting its possession under the same penal code as child pornography…

(11) NOT JUST FOR CRUMBS. “’Harry Potter: Wizards Of Baking’ Renewed For Season 2 At Food Network” – Deadline finds when the heat was on they all stayed in the kitchen.

Prepare for more baking wizards.

Food Network has renewed Harry Potter: Wizards of Baking for a second season.

It comes after the competition series premiered in November and cooked up solid ratings for the Warner Bros. Discovery cable network.

It ranked as the number one non-news or sport cable show on Thursday nights for audiences aged 25-54. Its premiere episode scored a 0.57 rating in the 25-54 demo and a 0.74 across women in the same bracket, more than doubling the benchmark over the previous six weeks, per Nielsen live+three day data….

(12) NARNIA FILM. “Greta Gerwig’s ‘Narnia’ Gets Imax Release” – Variety tells when that will be.

Greta Gerwig has leveraged her “Barbie” star power to convince Netflix to give her the big, broad theatrical release she wanted for “Narnia,” her adaptation of C.S. Lewis’ fantasy series.

After months of negotiations, Imax announced that “Narnia” will be released exclusively on its screens worldwide for two weeks in advance of the film’s debut on Netflix. “Narnia” is currently slated to open in Imax on Thanksgiving Day 2026. It will premiere on Netflix at Christmas of the same year.

(13) POOH PAPERS SELL FOR PLENTY. “Winnie the Pooh papers fetch £95,000 at auction” says Yahoo!

A plastic bag attic find that contained original Winnie the Pooh manuscripts and drawings and other papers linked to the bear’s creator AA Milne has sold at auction for £95,000.

The rare archive was discovered in Malvern, Worcestershire, among private possessions belonging to Leslie Smith, who had a lifelong career in publishing.

A total of 34 individual lots included drafts and corrected proofs for stories Now We Are Six and The House at Pooh Corner, along with Milne autographs and correspondence from The Lord of the Rings author JRR Tolkien and children’s writer Enid Blyton….

(14) FAIRY FINDING GUIDE. [Item by Steven French.] Atlas Obscura offers a list of “15 Places to Find Fairies”.

Stories about fairies exist all around the world and in many different cultures. Often depicted as winged women—though occasionally men!—with magical abilities, fairies can sometimes be good-hearted, while others are characterized as mischievous tricksters. But it seems that, no matter the culture, finding fairies is a universally challenging task.

To help you on your quest, we’ve rounded up 15 places known for fairy sightings, from enchanted forests to pagan worship sites. But beware, seeking them out can be a dangerous task: You may be tripped by a sprite disguised as a ball of string, or even lured into a fairy grotto where time is not what it seems.

(14) A FREIGHT TRAIN LONG AGO AND FAR, FAR AWAY. Toot-toot! All aboard for Tattooine! The Star Wars and other media-related trains start on page 119 in the latest “Lionel Trains Catalog”.

(15) DAREDEVIL RETURNS. “Daredevil Born Again Trailer: Punisher, Kingpin Return in Marvel Show” – Variety sets the frame. Marvel’s TV series, “Daredevil: Born Again,” comes to Disney+ on March 4, 2025.

…The “Daredevil: Born Again” logline reads: “Matt Murdock (Cox), a blind lawyer with heightened abilities is fighting for justice through his bustling law firm, while former mob boss Wilson Fisk (D’Onofrio) pursues his own political endeavors in New York. When their past identities begin to emerge, both men find themselves on an inevitable collision course.”…

(16) MAKING PREHISTORY. UPI invites you to “Watch: Florida museum gathers 468 people in dinosaur costumes”. The event took place January 13.

A Florida museum gathered 468 people in dinosaur costumes to break a Guinness World Record.

The Cox Science Center and Aquarium teamed up with the City of West Palm Beach to take on the Guinness World Record for the largest gathering of people dressed as dinosaurs at West Palm Beach’s Screen on the Green….

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Paul Weimer, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Patrick Morris Miller.]

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(1) COURT STRIKES DOWN MARVEL, DC ‘SUPER HERO’ TRADEMARK. Bleeding Cool tells how it happened: “US Court States Marvel And DC Have Lost Their Super Hero Trademark”.

The law firm of Reichman Jorgensen Lehman & Feldberg (RJLF) has announced a landmark victory in its trademark case against comics publishers Marvel and DC Comics. They have obtained an order from the U.S. Patent and Trademark Office cancelling Marvel and DC Comics’ joint trademark for the word “Super Hero” and thus allowing their clients, S.J. Richold and Superbabies Limited, to freely use the term.

This was granted after Marvel and DC failed to respond to court requests.

RJLF challenged the exclusivity of the SUPER HERO trademarks after DC attempted to block Richold’s efforts to promote The Super Babies—a team of superpowered superhero babies. In its cancellation petition, RJLF charted the history of the superhero trademarks and showed how Marvel and DC used the marks to stifle competition and oust small and independent comic creators.

In 1977, DC Comics and Marvel Comics’ legal departments co-operated over the registration of the trademark “superhero” which they decided to share. It was granted by US authorities in 1979/1980. And it is a trademark that they have successfully defended with their legal departments ever since, disputing numerous challenges in many countries, until today….

(2) READ AND REREAD. Here are the “Science-Fiction Books Scientific American’s Staff Love” from Scientific American. It’s really a collection of lists divided into “Top-Shelf Recommendations”, “Series and Short Stories”, “Ghastly Thrillers”, “Dastardly Dystopias”, “All’s Fair in Love and War and Time Travel”, and “Fantastical Space Operas”. How many of these have you read?

There are few things as memorable to a young reader as the first spaceship they wanted to be onboard or the first fantastical world they wished to inhabit. If you’ve ever discussed the mechanics of warp speed, the anatomy of a shai-hulud or the ethics of a Vulcan mind meld, you know one thing for certain: science fiction is a way of life. Giants of the genre such as Mary Shelley and Isaac Asimov showed readers the horror, the excitement and the gargantuan consequences that arise from combining our scientific knowledge with the expanse of our imagination. What does it feel like to live forever, to breathe something other than air or to love someone from another planet? How will science inspire fiction next? What fiction will inspire new science?

The staff at Scientific American ask questions such as these across lunch tables and whisper book recommendations in hallways. We examine new science every day and read exceptional books each night….

(3) ANOTHER SNOUT IN HOGWARTS TROUGH. “Comcast Sues Warner Bros. Over Refusal to Partner on Harry Potter Series” – The Hollywood Reporter briefed its readers.

A legal brawl has broken out between Comcast‘s Sky and Warner Bros. Discovery, with the European media giant suing over breaches to a 2019 deal for exclusive rights to shows.

Sky, in a lawsuit filed Friday in New York federal court, says Warners is obligated to offer the opportunity to partner on at least four shows per year, including the upcoming Harry Potter series, but “fell far short of that mark” for nearly the entire duration of the contract.

Instead, Warners has “largely disregarded the parties’ agreement and sought to keep the Harry Potter content for itself so that” it can be used as the “cornerstone of the launch of its Max streaming service in Europe,” the complaint states. Sky seeks a court order that would force the David Zaslav-led company to bring it on as a co-producer on the production….

(4) DREAM DESTINATIONS. Nnedi Okorafor pointed out on Facebook:

The airport in Austin, TX has a gate for “Interimaginary Departures” and, Oomza Uni from the Binti Trilogy is on there! How cool! 

For those who don’t know, Oomza Uni is the finest university in the galaxy. It’s an entire planet that is a university and only 2% of its students are human (no human faculty).

(Click for larger image.)

(5) EATON COLLECTION GAINS DONATION. Phoenix Alexander, Klein Librarian for Science Fiction & Fantasy at UC Riverside, has a big announcement.

Huge library news! I’m delighted to share that Steven Barnes and @TananariveDue have completed their first donations of archival materials to the Eaton Collection of Science Fiction and Fantasy, where their archives will be housed and continue to grow in the coming months!

— Phoenix Alexander (@dracopoullos.bsky.social) 2024-09-27T19:32:26.553Z

(6) GROWTH OF SFF IN CHINA. In “The Dark Shadow of the Chinese Dream”, the Los Angeles Review of Books gives an overview of Chinese sff while reviewing three books, including Fear of Seeing: A Poetics of Chinese Science Fiction by Mingwei Song. 

…Celebrity author Liu Cixin not only became the first Chinese writer to win a Hugo in 2015 for the first book in his Remembrance of Earth’s Past trilogy, The Three-Body Problem, but also has gone on to become the best-selling Chinese author of all time in international markets. He has become a household name globally, a unique feat in the Sinophone fiction writer community. His name is certainly far more recognizable than those of Nobel laureates Gao Xingjian and Mo Yan, and his fame exceeds that of writers of earlier generations such as Eileen Chang and Lu Xun. Liu has cemented Chinese science fiction’s status as part and parcel of world literature.

This hypervisibility, however, is not evenly distributed. Liu defended the Chinese state’s mass internment of Uyghurs in Xinjiang in a 2019 New Yorker profile and has been embraced and heavily promoted by the state. Han Song, by contrast, a writer of the same generation whose works repeatedly satirize Xi Jinping’s public admonitions to “tell the good China story” (or “tell the China story well,” as if there is just one acceptable basic narrative), has struggled to get his writing published in China. The 2023 Hugos further amplified this entwinement between visibility and the “right” kind of politics. A retroactive investigation revealed that the Canadian and American organizers, seeking to abide by local laws, disqualified numerous titles by Chinese and Chinese American authors that were deemed politically sensitive, a form of preemptive self-censorship. Behind every blockbuster spectacle with crossover appeal—such as the 2019 film The Wandering Earth, and its prequel, both based on Liu stories—a darker, more ambiguous strain of speculative fiction struggles to make it into the light.

In his 2023 study Fear of Seeing: A Poetics of Chinese Science Fiction, which won the Science Fiction Research Association’s Book Award, Mingwei Song attempts to make sense of these contradictions….

(7) HE’S PAVING THE WAY. Batman’s star on the Hollywood Walk of Fame was unveiled on September 26: “Batman is the first superhero to get a Hollywood Walk of Fame star” reports CBS News Los Angeles.

A caped crusader who’s been around for more than 85 years got his star on the Hollywood Walk of Fame on Thursday.

Batman is the first superhero to get a Hollywood star, with neighboring sidewalk stars belonging to television’s Batman, Adam West and the co-creator of Batman, Bob Kane.

Created for DC Comics by Kane with Bill Finger, Batman first appeared in 1939’s “Detective Comics #27” and since then the Dark Knight has stood as a symbol of determination, courage, and justice.

“Zock,” “Pow,” and “Whap!” Batman made it into the Saturday morning cartoon lineup in 1968, with Bruce Timm and Paul Dini’s “Batman: The Animated Series.” The series also won acclaim with an Emmy for Outstanding Writing in an Animated Program, the first cartoon based on a comic book to do so…

A man dressed as Batman swings his cape after receiving a star on the Hollywood Walk of Fame, the first such honor for a superhero character, Thursday, Sept. 26, 2024, in Los Angeles. (AP Photo/Chris Pizzello)

(8) NOT A SPRINT BUT A MARATHON. Samit Basu will lead Clarion West’s nine-month “Online Novel Writing Workshop”.

Samit Basu

Are you a science fiction, horror or fantasy writer with a partially written novel but are feeling stalled out on where to go next? Do you have early chapters and a sense of the overall arc of your book, but can’t see a way through to the final pages? Are you bogged down in the Mushy Middle with no momentum to reach ‘The End’?

There’s no one way to complete a novel – the journey is about discovering what works for you, your writing style, and the story you want to tell. Whether you’ve outlined extensively or are navigating by instinct, Clarion West’s nine month virtual workshop is designed to guide you from conception to completion of your novel. 

Led by author and six week workshop instructor Samit Basu, with the support of the Clarion West team, this program is built around finding your unique process. 

This workshop offers:

  • Weekly classes (6-months of the 9-month period) on craft, genre, and process, starting with your existing draft or outline.
  • Monthly one-on-one meetings with Samit Basu to help fine-tune your approach and keep you on track.
  • Guest lectures from industry professionals to expand your understanding of the speculative fiction landscape.
  • Author-centered workshop models that prioritize your goals to help you gain clarity and confidence in your writing process.
  • Community and critique partners that will help keep you on track.

At the end of nine months, you’ll have a complete draft, or a solid roadmap for completing your manuscript. From the initial spark to a finished draft, we’re here to support your journey.

(9) DUELING WP’S. “The messy WordPress drama, explained” by The Verge.

WordPress is essentially internet infrastructure. It’s widely used, generally stable, and doesn’t tend to generate many splashy headlines as a result.

But over the last week, the WordPress community has swept up into a battle over the ethos of the platform. Last week, WordPress cofounder Matt Mullenweg came out with a harsh attack on WP Engine, a major WordPress hosting provider, calling the company a “cancer” to the community. The statement has cracked open a public debate surrounding how profit-driven companies can and can’t use open-source software — and if they’re obligated to contribute something to the projects they use in return.

The conflict has escalated in the days since with a barrage of legal threats and has left swaths of website operators caught in the crossfire of a conflict beyond their control. WP Engine customers were cut off from accessing WordPress.org’s servers, preventing them from easily updating or installing plugins and themes. And while they’ve been granted a temporary reprieve, WP Engine is now facing a deadline to resolve the conflict or have its customers’ access fall apart once again.

WP Engine is a third-party hosting company that uses the free, open-source WordPress software to create and sell its own prepackaged WordPress hosting service. Founded in 2010, WP Engine has grown to become a rival to WordPress.com, with more than 200,000 websites using the service to power their online presence…

(10) TODAY’S BIRTHDAY.

[By Cat Eldridge.]

Born September 28, 1946 — Joe Dante, 78.  He started off as one as us as he wrote columns and articles for fanzines and APAs.  

Now let’s look at what he’s done that I find interesting.

The first would be his collaboration with John Sayles when they completely rewrote the first draft of Gary Brandner’s The Howling novel for that film. Brandner was said to extremely angry with the film that was produced.

Because of The Howling, Speilberg offered up Gremlins, one of my all-time favorite films, to him. I’ve watched it more times than I can count and I enjoyed it each time. Gremlins II, not so much. 

Joe Dante

Spielberg also brought him on as one of the directors on John Landis’ Twilight Zone: The Movie. Dante’s segment, a remake of the original Twilight Zone “It’s a Good Life” episode as written by Serling. That story was based off a Jerome Bixby story published in 1953 in the Star Science Fiction Stories anthology series, edited by Frederik Pohl.

Ahhh, Innerspace with Dennis Quaid, Martin Short, and Meg Ryan. The Studio hated it, Dante made the film he wanted to despite the Studio and audiences stayed home. I thought it was sweet. 

I hadn’t realized til now that Dante was responsible for Small Soldiers, an interesting film. Not a great film but it did have a possibility of being something. Not sure what that something would have been though I kind of liked it. Dante says that there were twelve writers involved in writing the script. Ouch. 

So, Dante directed Looney Tunes: Back in Action. Moving on. Once seeing was way, way more than enough.

Finally, Dante came back to Gremlins by serving as a consultant on the Max Gremlins: Secrets of the Mogwai prequel series. Don’t get too excited as this is an animated series.

(11) COMICS SECTION.

(12) THE INVISIBLE SUPERMAN. “Stan Lee Used To Roast DC For Clark Kent Taking Off His Glasses And Suddenly Becoming Unrecognizable As Superman” at CinemaBlend.

In the history of comic book superheroes, the two biggest names have always been Marvel and DC. While many, especially in recent years, have downplayed the “war” between the two major comic companies, it can’t be denied that there is competition between them. So it should come as no surprise that Stan Lee used to throw shade at Superman, even if he ultimately still loved the character.

An old clip has recently resurfaced showing Larry King interviewing Stan Lee and King asks about his favorite DC character. Lee says that Superman is his favorite because the character launched superhero comics in general. That doesn’t mean he can’t have some sun at Supes’ expense, as Lee pokes fun at Clark Kent’s disguise and the fact that nobody recognized Clark as Superman because of a pair of glasses. Lee said…

“I have joked about that. I say, ‘Hello. My name is Stan Lee.’ [removes sunglasses]. Oh, where did Stan go? Who’s this fella now?’ I know it’s ridiculous.”…

(13) REALLY UNSUSPECTED. Here’s somebody who’s doing a better job of concealing his secret identity. Not that he makes it easy on himself.

(14) V.E. SCHWAB Q&A. CBS News finds out in an interview “How author V.E. Schwab is redefining the fantasy genre”.

Author V.E. Schwab has written nearly two dozen books since making her debut in 2011. Her novels feature modern characters and twisty plots, and are helping redefine the fantasy genre. Dana Jacobson has more.

(15) NOW THAT THE HURRICANE HAS PASSED. “SpaceX launches mission that will bring home Starliner astronauts” reports CNN. So it’s not quite like the movie Marooned, but I’ll just drop that thought here….

A SpaceX mission due to unite the Boeing Starliner astronauts with the spacecraft that will bring them home has taken flight. NASA’s Suni Williams and Butch Wilmore have now been on the International Space Station more than 100 days longer than expected.

The SpaceX mission, called Crew-9, took off at 1:17 p.m. ET Saturday from Cape Canaveral Space Force Station in Florida.

NASA previously delayed the launch attempt from Thursday, rolling the spacecraft back into its hangar as Hurricane Helene threatened Florida and other parts of the southeastern United States. Mission teams reset everything at the launchpad Friday after the danger had passed.

Unlike other routine trips ferrying astronauts to and from the space station under NASA’s Commercial Crew Program — of which SpaceX has already launched eight — the outbound leg of this mission is carrying only two crew members instead of four: NASA astronaut Nick Hague and Roscosmos cosmonaut Aleksandr Gorbunov.

Two other seats are flying empty, reserved for Williams and Wilmore to occupy on the spacecraft’s return flight in 2025. The configuration is part of an ad hoc plan that NASA chose to implement in late August after the space agency deemed the Starliner capsule too risky to return with crew.

Williams and Wilmore rode the Starliner to the International Space Station in early June for what was expected to be about a weeklong test flight….

(16) VOCAL POWER. Here’s is a video compilation of “James Earl Jones’ Comedy Highlights” from the The Late Show with David Letterman.

(17) FROM A LIST LONG, LONG AGO. Going down the same rabbit hole: “Top Ten Things Never Before Said By A ‘Star Wars’ Character”.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Daniel Dern, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Brian Jones.]

Pixel Scroll 9/11/24 I’ve Clicked To Scroll It Stealthily In Narnia

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(0) File 770 was crashed most of the afternoon. Customer Service said high bot traffic is to blame. That may be fixed now. Let me quote Alan Arkin to whoever is sending these bots my way: “Argo fuck yourself!”

(1) LIFE IN PANDEMIC TIMES. “Station Eleven 10th anniversary: Emily St. John Mandel on what she’d change” at Slate. “Emily St. John Mandel on her eerily prescient sci-fi classic—and what she’d change about it now.”

You’re in a unique position in that you wrote a pandemic book in 2014, then had the TV adaptation come out in 2021. You experienced people’s responses to art about pandemics before COVID, during COVID, and now. I’m curious what the differences may have been.

I remember absorbing a lot of comments online to the effect of How did you predict this? Which I absolutely did not. There was always going to be another pandemic. What was interesting to see was the differences in the way between how I imagined a pandemic would be and how it actually is. In the Station Eleven pandemic, the mortality rate is insane. It’s like 99 percent or something. I didn’t have to go that far. It turns out society gets extremely disrupted extremely quickly, with vastly lower numbers than that.

Something I hadn’t anticipated was the in-between state of pandemics. For all my research into pandemics, I’d kind of thought of a pandemic as a binary state. You’re either in a pandemic or you’re not in a pandemic. But I remain fascinated by the month of February 2020 in New York City—we knew it was coming, but we didn’t believe it. It’s this uneasy territory wherein it’s very hard to make informed, reasonable decisions around risk management when you’re kind of in a pandemic and kind of not. We’re kind of there again now. Obviously, it’s much better than it was, but I do a lot of events where typically people will be unmasked at this point, but often there are a few people in the audience wearing a mask, and that is absolutely rational, and also being unmasked is rational at this point. That was something I just didn’t expect.

One thing that doesn’t ring true to me about the book anymore isn’t necessarily something I got wrong, but just the way our country has changed. When I wrote the book, I wrote a scene where all these flights are diverted to the nearest airport and everybody gets off the plane. They go to a television monitor tuned to CNN or something, and the announcer is talking about this new pandemic and everybody believes what the announcer is saying, which—I swear to God, that was plausible in 2011. At this point, absolutely not. I can’t even imagine that happening.

(2) NATIONAL BOOK AWARD. Two of the five National Book Award longlists were announced yesterday reports Publishers Weekly, for Translated Literature and Young People’s Literature. The shortlists come out October 1. The winners will be announced during an awards ceremony in New York City on November 20.

The works of genre interest in the 10-book longlists are named below.

Translated Literature

  • The Book Censor’s Library by Bothayna Al-Essa, translated from the Arabic by Ranya Abdelrahman and Sawad Hussain (Restless)
  • Woodworm by Layla Martínez, translated from Spanish by Sophie Hughes and Annie McDermott (Two Lines)
  • Pink Slime by Fernanda Trías, translated from the Spanish by Heather Cleary (Scribner)

Young People’s Literature

  • The First State of Being by Erin Entrada Kelly (Greenwillow)

(4) WILL GAIMAN STEP BACK FROM GOOD OMENS? According to Deadline: “’Good Omens’: Neil Gaiman Offers To Step Back From Season 3”.

Neil Gaiman is understood to have offered to step back from the third and final season of Prime Video‘s fantasy drama Good Omens.

Deadline revealed on Monday that pre-production had paused on the BBC Studios-produced show in the wake of allegations made by four women against Gaiman, which he denies. This came after Disney’s planned feature adaptation of Gaiman’s 2008 YA title The Graveyard Book also was put on pause.

Now, we understand that Gaiman has made an offer to Amazon and producers to take a back seat on the latest season so that it can continue amid crisis talks over the Terry Pratchett adaptation’s future. Deadline understands Gaiman’s offer is not an admission of wrongdoing following a podcast from Tortoise Media that chronicled accounts of two women, with whom he was in consensual relationships, who accused him of sexual assault. Another two have since come forward. Gaiman’s position is that he denies the allegations and is said to be disturbed by them. His rep did not respond to a request for comment….

(5) WOT’S THAT? TV Guide says “The Lord of the Rings: The Rings of Power Has an Accent Problem”.

Tom Bombadil made his The Lord of the Rings: The Rings of Power debut this week, played by character actor Rory Kinnear in a voluminous beard and wig. Known for his role in The Fellowship of the Ring (notably cut from the Peter Jackson movie), Bombadil is enigmatic yet silly; a mythic figure who hints at ancient wisdom while living out his days as a jovial, eccentric hermit. And like his harfoot neighbors, Rory Kinnear’s version speaks with a strong regional accent, playing into a recurring problem throughout the show.

Tolkien’s linguistic worldbuilding is famously sophisticated, and The Rings of Power puts a lot of work into its use of constructed languages like Quenya. Unfortunately its English-language choices are nowhere near as thoughtful, embracing clumsy stereotypes from around the British Isles. The most uncomfortable example is the nomadic harfoot community in Season 1; they’re the only characters who speak with Irish accents.

Writing in The Irish Times, critic Ed Powers described these “twee and guileless” harfoots as “a race of simpleton proto-hobbits, rosy of cheek, slathered in muck, wearing twigs in their hair and speaking in stage-Irish accents that make the cast of Wild Mountain Thyme sound like Daniel Day-Lewis.” He made the convincing argument that they reflect offensive images of Irish culture as “pre-industrial and childlike.” Unfortunately the show’s accent problems don’t stop there.

Overseen by American showrunners, the accent choices in The Rings of Power are deeply rooted in unexamined classism and regional stereotypes.….

(6) SUZANNE PALMER FUNDRAISER. “Fundraiser for Suzanne Palmer by Meguey Baker : Changing Suzanne’s Story: Emergency Funds for a Writer” at GoFundMe.

Let me tell you about Suzanne. She’s a writer, a world-builder, and a dear friend of mine over the past three decades. We need art to live. We need stories and storytellers. We need Suzanne. It’s easy to think that artists just make art, but they also have lives, and bills, and accidents that are terrible, or hilarious, or both, depending on the telling.

So when she told me the story about her kid stepping through the ceiling, plaster raining down on their sister’s bedroom below, it was with the smile of a writer who sees the humor in the misadventure. I knew it would become a family legend. But when she told me about being crushingly tight on funds due to payment for her work being months late, I knew that was no laughing matter.

I’m asking us all to step up….

(7) ANALYZING CONCORD’S FAILURE. [Item by Steven French.] Here’s the latest gaming news from the Guardian: “Sony’s big-budget hero shooter Concord failed spectacularly – here’s where it went wrong”.

As is now traditional, right after I’d filed last week’s Pushing Buttons, huge gaming news broke: Sony was pulling its hero shooter Concord from sale just two weeks after launch – because nobody was playing it. Everyone who bought it on PlayStation 5 and PC was refunded, and the future of the game is now unclear.

This is a brutal sequence of events. Sony bought the makers of Concord, Firewalk Studios, in 2023. Concord had been in development for eight years, and it was an expensive game, with bespoke cinematics and a long-term plan that would have cost $100m or more to develop. In its two weeks on the market, it sold fewer than 25,000 copies, according to estimates. This is a shocker, even compared with the year’s other bad news for developers and studios.

Much has been written about why Concord flopped so spectacularly. As Keith Stuart pointed out in his review of the game, it launched into a crowded genre, the hero shooter, in which many players already have their preferred game (Overwatch, Valorant or Apex Legends, to name three). Sony’s marketing of the game also seemed to fail, in that almost nobody knew about Concord before it arrived. (I barely knew about it, and it’s my job to know these things.) Criticisms, too, were levelled at its characters and design: it was generic and didn’t have any particularly interesting gameplay ideas.

The failure of Concord is also symbolic of the existential-level problems in modern game development: they are so expensive to create, and they take so long that a game can miss its moment years before it is released. All this makes publishers risk-averse, but if you’re simply trying to recreate what’s popular, it’ll be out of date by the time it’s finished….

(8) DID DISNEY MUFF THE MOFF? “Lucasfilm Sued for Recreating Grand Moff Tarkin Actor Peter Cushing’s Image in Rogue One: A Star Wars Story” at IGN.

Peter Cushing

Disney subsidiary Lucasfilm is being sued over its recreation of Grand Moff Tarkin actor Peter Cushing’s image in Rogue One: A Star Wars Story.

As reported by The Times, a friend of Cushing has alleged Disney did not have permission to recreate the actor’s image with special effects for Rogue One. Disney tried and failed to have the case dismissed for a second time on September 9, 2024.

The plaintiff Kevin Francis is suing Lucasfilm through his film company Tyburn Film Productions and also brought claims against Rogue One producer Lunak Heavy Industries, the late executors of Cushing’s estate, and Cushing’s agency Associated International Management.

Francis claimed he must give authorization for any recreation of Cushing’s image following an agreement made between him and the actor in 1993, one year before his death at age 81.

Lucasfilm claimed it didn’t think it needed permission to recreate Cushing’s image due to his original contract for Star Wars (the 1977 film which became Star Wars: Episode 4 – A New Hope) and the nature of the special effects. It also paid around $37,000 to Cushing’s estate after being contacted by his agent about the recreation.

On September 9, deputy High court judge Tom Mitcheson dismissed the appeal, stating the case should go to trial. “I am also not persuaded that the case is unarguable to the standard required to give summary judgment or to strike it out,” he added. “In an area of developing law it is very difficult to decide where the boundaries might lie in the absence of a full factual enquiry.”

(9) TODAY’S BIRTHDAY.

[Written by Lis Carey.]

Born September 11, 1952 – Sharon Lee.

By Lis Carey: She is best known as one half of the writing team of Sharon Lee and Steve Miller, creators of the popular and very enjoyable Liaden Universe series of novels and stories. Her solo works include two Maine-based mysteries, a fantasy series set in the fictional Maine town of Archer’s Beach, and several dozen short stories, both sf and fantasy.

Sharon Lee and Steve Miller in 2017.

It may interest some to know that her “day jobs” over the years have included (in addition to a lot of secretarial work) advertising copy writer, call-in talk host, nightside news copy editor, freelance reporter, photographer, book reviewer, and deliverer of tractor trailers.

 Born and raised in Baltimore, MD, she met fellow beginning new writer Steve Miller. They married in 1980, around the time Sharon made her first professional sale, “A Matter of Ceremony,” to Amazing Stories.

 In 1988, Sharon and Steve moved to Winslow, Maine, and lived there until 2018, when they moved “into town,” to Waterville, on the other side of the Kennebec River. Throughout their writing lives, they’d been carefully supervised by a succession of cats, and this remains true for Sharon. She currently has three Maine Coon cats, including veteran editorial cats Trooper and Firefly, and the new apprentice, Rook.

Sharon is working on the next Liaden book, Diviner’s Bow. She makes no guarantees on how long she will continue writing the series, but will continue to credit Steve as co-author on any new Liaden works she writes. She’s adamant that Liaden would not exist without both her and Steve, and that he is still an integral part of continuing to tell stories in that setting. Because of that, new Liaden stories will continue to bear both names.

(10) COMICS SECTION.

(11) KISSES FROM SPACE. [Item by lance oszko.] Orbital Author Reading gives new meaning to Book Launch. “Kisses from Space”. “Kisses from Space – St. Jude Children’s Research Hospital”.

Polaris Dawn Mission Specialist and Medical Officer Anna Menon invites you to embark on a celestial journey as she reads Kisses from Space, a children’s book published by Random House. Inspired by the resilient spirit of the young patients at St. Jude, Anna’s heartwarming tale comes to life by bridging the gap between the cosmos and our earthly hearts. These courageous children, in turn, have lent their creativity to the book by crafting artwork inspired by its whimsical illustrations. As you immerse yourself in the magic of Kisses From Space, know that every page turned contributes to a noble cause: supporting St. Jude Children’s Research Hospital.

(12) WESTEROS: EVERYTHING MUST GO. Heritage Auctions is running “HBO® Original Game of Thrones The Auction”, an huge event offering over 2,000 costumes, weapons, props, and set decorations, from October 10-12. For example:

…Among the essential pieces in this auction, my favorite is Oathkeeper, a Valyrian steel sword. Although initially forged for Jaime Lannister (through Tywin Lannister) from Eddard Stark’s legendary sword “Ice,” it was later gifted to Brienne by Jaime with the poignant directive, “It was reforged from Ned Stark’s sword. You’ll use it to defend Ned Stark’s daughter.” Oathkeeper thus became a symbol of Brienne’s journey from an underestimated sole female heir, whose worth was once seen as limited to marriage, to her rise as the Lord Commander of the Kingsguard….

(13) DO YOU KNOW THE WAY TO BABYLON-I-AY? Live Science celebrates a “Babylonian Map of the World: The oldest known map of the ancient world”.

…This tablet, which depicts how Babylonians perceived the world thousands of years ago, is peppered with details that offer insight into an earlier time. For example, the ancient world is shown as a singular disc, which is encircled by a ring of water called the Bitter River. At the world’s center sits the Euphrates River and the ancient Mesopotamian city of Babylon. Labels written in cuneiform, an ancient text, note each location on the map, according to The British Museum. …

(14) CHINA’S MARS PLANS. “China aims for historic Mars mission ‘around 2028’ as it vies for space power” reports CNN.

China’s historic attempt to bring samples from Mars to Earth could launch as soon as 2028, two years earlier than previously stated, according to a senior mission official.

The country’s Tianwen-3 mission would carry out two launches “around 2028” to retrieve the Martian samples, chief mission designer Liu Jizhong said at a deep-space exploration event in eastern China’s Anhui province last week.

The projected mission launch is more ambitious than a 2030 target announced by space officials earlier this year, though the timeline has fluctuated in recent years. A 2028 target appears to return to a launch plan described in 2022 by a senior scientist involved with the Tianwen program – a mission profile that would see samples returned to Earth by 2031.

The latest remarks follow China’s landmark success retrieving the first samples from the far side of the moon in June.

It also comes as an effort by NASA and the European Space Agency to retrieve Mars samples remains under assessment amid concerns over budget, complexity and risk. The US space agency, which first landed on Mars decades ago, said it is evaluating faster and more affordable plans to allow for a speedier result than one that would have returned samples in 2040….

(15) VIDEO OF THE DAY. Once upon a time on Letterman: “James Earl Jones presents things that only sound cool when he says them.”

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, lance oszko, Lise Andreasen, Andrew (not Werdna), SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Remembering James Earl Jones (January 17, 1932 – September 9, 2024)

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By Steve Vertlieb: James Earl Jones was a giant presence, both on screen and in life. He was among the greatest actors of his generation. He triumphed on stage as boxer Jack Johnson in The Great White Hope, memorably repeating his Broadway triumph on screen, winning an Oscar nomination for his stunning performance.

A kind, gentle soul, he was nonetheless an outspoken proponent for both human and civil rights. He dominated every stage of the arts, winning a Tony, an Oscar, and a Grammy. However, it was his voice… A voice that dominated every scene in which he appeared. It was as if the voice of God emanated from his lips. His words were poetry, commanding both admiration and respect from all those fortunate enough, either to share the stage and screen with him, or to witness the sheer magnificence of his work.

He was an outspoken champion of humanity whose personal humility overshadowed his warmth. However, it was his work as an actor that propelled him to the peak of his profession and it was the power and eloquence of that unforgettable voice that catapulted him to fame.

As the iconic voice of Darth Vader, father to Luke Skywalker, in the original Star Wars films, as well as the proud Mufasa in Disney’s The Lion King, his voice soared beyond the heavens in strength, force, power, and ultimate dignity.

And that was who he was … a giant voice within a giant of a man. James Earl Jones has left us. His mortal physicality has ascended to take his place with the gods of legend and myth. But his voice … that beloved magnificence of vocal magic, that verbal eloquence of electrical ferocity, that shall forever remain, dominate, and endure.

Pixel Scroll 6/2/24 Take Me Down To The Scroll Tonight, I Want To See The Pixels

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(1) MAKING IT UP. Sarah Gailey interviews the authors and editors of The Worst Ronin in “Middle Finger To the Sky: The Worst Ronin by Maggie Tokuda-Hall and Faith Schaffer” at Stone Soup.

Gailey: What did you get to do here that you might not have gotten to do if this book landed elsewhere?

Tokuda-Hall: [The Worst Ronin] was largely written with a middle finger to the sky–when POC are invited to the table to tell our stories, there are usually so many caveats. Yes, we want your story but we want it to be about your marginalization. Or, yes, tell your story, but we want it to be edifying about your culture. There’s this demand that we serve the white gaze, and not a respect for our boundless imaginations. We want to make up shit, too. And so I very stridently let the reader know, in many ways, that this book is not there to educate them about anything. This is not historically accurate. This is a work of invention.

Gailey: How did you first dive into the story, knowing you could do whatever you want?

Tokuda-Hall: I took such joy in writing this book. I had a misguided notion at first that I would keep it super wholesome and middle grade, but my brain just doesn’t work that way, and as soon as I accepted that the plot and characters took off and I just felt like I was sprinting to catch up with them. The hardest thing with this book was balancing the humor that is so inherent to the central characters (The Worst Ronin is a buddy comedy, in its heart) with the darkness of the stories they each would face. …

(2) WHITHER STOKERCON 2025? During last night’s Bram Stoker Awards ceremony it was announced that StokerCon 2025 will be held June 12-15 at the Hilton Stamford Hotel in Stamford, Connecticut.

(3) UBIQ. The Society of Illustrators will host “JACK DAVIS: A Centennial Celebration”, an exhibit of work by the famed MAD Magazine cartoonist and commercial illustrator, at its New York location from June 12-September 21. Full details at the link.

The Society of Illustrators marks the centenary celebration of Jack Davis’ birth by hosting a retrospective featuring the original art from among his most admired works, many for the first time ever. The art on view represents every genre and every phase of Davis’ six-decade career: from EC Comics and Mad Magazine to TV Guide and Time Magazine, from Raid and McDonald’s ads to NASCAR and Super Bowl promotions, from history book illustrations to movie posters….

…“Jack Davis was quite possibly the most ubiquitous American humor illustrator of all time. Davis was a master cartoonist, caricaturist, and illustrator, and his funny, fast-paced, manic, beautifully rendered work has graced the covers of countless comic books, magazines, and record albums and has also appeared on movie posters, bubble gum cards, and advertisements. A virtual mind-boggling one-man industry, Davis has been called “the fastest cartoonist alive” and ‘the master of the crowd scene.’ It’s astonishing to realize that this quiet Southern gentleman was usually finished with assignments for the day and out on the golf course by 2:30 p.m.”

– Drew Friedman from his Fantagraphics book, Heroes of the Comics.

(4) LOSCON 50. Can it be Loscon 50 already? Why, it wasn’t that long ago I missed the first one while I was at grad school….

However, I trust the committee’s count. And here’s the graphic that accompanies their Progress Report #3 on Facebook. Get a full update there.

(5) BEFORE YOU CAN READ THE OMENS. Colleen Doran’s Funny Business brings us a “Good Omens Update”, a highly detailed tour of Doran’s techniques for producing art for the book. So much more is involved than I ever guessed.

…I use the construction method of drawing, as you see. This is an old-school technique. Some people seem to assume that artists always use computers and tracing for their drawings, but most cartoonists of my generation work extemporaneously. There’s quite a bit of noodling around and searching in the sketches. Using too much reference often results in stiff, dead work.

In comics, it’s very important to make sure you’ve considered word balloon placement when designing a page. The script for Good Omens is more copy-heavy than most modern comic book scripts because I want to preserve as much of the clever original language as I can….

(6) DIVING INTO NETFLIX. If you’re interested in the latest business statistics on Netflix and its content, JustWatch recently released a page where they provide data and analysis: JustWatch: Netflix Statistics.

Some of the page’s features are content expansion, popularity, subscription prices, its market share, and much more.

(7) FREE READ. Sunday Morning Transport’s stories for June are by authors Kelly Robson, Laura Anne Gilman, Meg Elison, and Yi Sheng Ng. The first story of the month is free to read, but they seek “paying subscribers who allow us to keep publishing great stories week after week.”

In this, June’s first, free, story, Kelly Robson shows us how, at Versailles, getting old is no picnic. But sometimes there are options… “The High Cost of Heat” by Kelly Robson.

(8) USE THE FORCE…OF MEMORY. After all this time can there still be “Facts You Probably Didn’t Know About the Original ‘Star Wars’ Trilogy”? Maariv Periodical challenges you to find out. Their first fact is:

Big Mistake

When it came to signing a contract with James Earl Jones to fill in Darth Vader’s voice, George Lucas offered him a choice: He could take a salary of $7,000 for his work or royalties off the back end of ticket sales. Back then, $7,000 was a decent amount of money, so Jones took the cash, which turned out to be a costly mistake.

Had he chosen the alternative, he would have earned far more; Jones admitted years later that the decision cost him “tens of millions of dollars.” In comparison, Sir Alec Guinness took the royalties – and his heirs have earned an estimated $95 million for his work in the first “Star Wars” film.

(9) TODAY’S BIRTHDAY DOUBLE FEATURE.

[Compiled by Paul Weimer.]

June 2, 1929 — Norton Juster. (Died 2021.)

By Paul Weimer. Once upon a time when the world was young, a 2nd grade teacher had a reading session with my class. We read a book about a character who had found himself in a land of mathematics and weirdness, of two princesses bound, of paths to infinity and clock-like dogs. It was a wild and magical place and I adored the book to pieces. 

Norton Juster

The problem is, I had misunderstood the title. I thought the title was “Milo and the Mathemagicians” and did not see or find the book for three decades after that second grade classroom. Some days, I wondered if I had just imagined or hallucinated the existence of this book. 

Enter the pre-LLM internet. It was the mid 2000’s and I got the urge to try and find some books of my youth among dome other things. And in that time, the Internet was at its peak for finding information that you wanted. SEOs were not yet a thing. Amazon was not full of crap. Websites still proliferated. And I had great success. I managed to find a copy of an old liberal arts college math textbook that, decades ago, had introduced me to Escher and other wondrous things. (Oddly, it was just called The Math Book)  I found some old SF anthologies I had not seen for years. I hit upon authors and musicians and others I had dimly remembered from my youth. It was a great time for me for rediscovery. 

And then there was Milo.  I was throwing search terms in one day trying to find “Milo and the Mathemagicians”, and somehow managed to hit The Phantom Tollbooth.  I read the description and thought “Is this it?” I bought a copy and with anxious anticipation, I started reading it. Did you ever have that feeling, wondering if the book you are reading is something that is going to be that good, or live up to the suck fairy? I had that feeling re-reading The Phantom Tollbooth.

Imagine my utter happiness  when I delved into the book and found, to my delight, that it WAS the book I had remembered from that second grade class. And all of the joys in the book, the wordplay, the characters, the concepts (how many children’s books try and explain *infinity*) and the absolute heart of the book.  And the artwork and drawings. I had not remembered specific drawings from the second grade class, but I had remembered the book WAS illustrated. And the illustrations are wonderful! 

I don’t regret seeking out the TV movie that was made, subsequently, it doesn’t quite work for me, but I can see why it was made. 

But speaking of movies, the other Juster property I adored that I did not realize at the time WAS Norton Juster was the Academy Award winning short film The Dot and the Line.  I had seen it way back when I had read Flatland, and loved it, but had no idea that it had anything to do with The Phantom Tollbooth.  Imagine my delightful surprise when I found out it was based on a Juster book. I think, given its dynamism, that the short movie is better than the actual book and I do recommend that fans of The Phantom Tollbooth go seek it out.

I’ve now, including the second grade class, read The Phantom Tollbooth four times. And I look forward to it again. And I really need to rewatch The Dot and the Line myself. Don’t jump to the island of conclusions that The Phantom Tollbooth is for children alone. It works for readers of all ages. If you have any interest in wordplay, mathematics or whimsy, pick it up and give it a spin.

Born June 2, 1915 — Lester Del Rey. (Died 1993.)

By Paul Weimer. For me, first and foremost, Lester Del Rey was a publisher and an editor. Many of the books I first encountered reading science fiction, back 4 decades ago, were published by Del Rey, which he founded with his wife Judy Lynn Del Rey.  And for a good while, that’s all I thought that he was (although his legacy and influence as a publisher is huge). 

Lester Del Rey at a Philcon around 1964. Photo by and (c) Andrew Porter.

The Science Fiction Hall of Fame anthology was a gateway to a number of authors for me. Theodore Sturgeon. Murray Leinster. Fritz Leiber (for “Coming Attraction”, although I would soon discover Fafhrd and the Grey Mouser).  And Lester Del Rey, for “Helen O’Loy”.  I had read enough Greek Mythology by that point to get the idea that this was a Helen of Troy story, and it was perhaps the first story I read where a robot was an object of romantic interest. Helen’s story, and the tragedy of it moved me deeply.

I soon came across other Del Rey stories, here and there, randomly, sprinkled in best of collections and favorite science fiction stories and the myriad other SF anthologies that I read in the first decade of my science fiction reading.  

But it was Harlan Ellison® who turned me onto perhaps the best and my favorite of the Lester Del Rey stories. In one of his own collections about the relationship between men and Gods, he mentioned a Lester Del Rey story “For I am a Jealous People”.  I could see the biblical allusion in the title, and I decided to seek it out.

I recently re-read it, and it still slaps, hard.  “For I am a Jealous People” is a kicker of a story, where the Abrahamic God is real, has always been real. But, now, God is angry with humanity and fed up with us, and basically has sided with aliens invading Earth and its possessions. That is a smash to the face to begin with, but it’s humanity response to this revelation in the story that really brings it home to me, the power of a Del Rey story at it’s best.  Humanity’s response could have been any number of plausible results. Regret. Sadness. Despair. Resignation. Anger.  Del Rey goes for “Good. Bring it!” It’s a muscular answer to the question of what to do when even God is against you, and it remains powerful to this day.

(10) COMICS SECTION.

(11) UPDATES TO THE BLOCH WEBSITE. Jim Nemeth, curator of the Robert Bloch Official Website announced three new additions.

1) Bill Gillard, an English professor at the University of Wisconsin Oshkosh, recounts his recent travel to Laramie, Wyoming, to research the Bloch papers/archives collection, housed at the University of Wyoming. With photos! Read: Robert Bloch Papers
2) Matthew R. Bradley’s interview of Bloch; from Filmfax magazine (Aug/Sep 1993) Read:  Heart of a Small Boy. 
3) See Bob’s military draft card. See Gallery page.

(12) SPACE, THE FINAL EPISODE. Camestros Felapton has closing remarks on the conclusion of a Star Trek series: “Farewell Star Trek Discovery”.

….Notably, this season had the best attempt yet at marrying the idea of single season long story with Star Trek’s more traditional episode-long stories. The basic plot idea (a quest for a series of clues leading to a hidden secret treasure) was not terribly original but it was enough of a hook to ensure each episode could have its own sub-story while overtly moving the plot along. The broader plot was also well served by the two antagonists who became more interesting as the season progressed….

(13) LEARNING ALL OVER AGAIN. “How NASA astronauts are training to walk on the Moon in 2026” in Nature.

NASA astronaut Kate Rubins was having a hard time seeing in the eerie twilight of the Moon’s south pole this month.

Rubins made her way carefully through the deep shadows on the lunar surface, her path dimly lit by lights on her spacesuit’s helmet. She was hunting through the volcanic landscape for geological treasure — Moon rocks that she could pick up and bring back to Earth, which would reveal secrets of this frozen world. As the first person to set foot on the Moon in more than half a century, Rubins was making good progress on her historic foray — despite the piles of cow manure along the way.

The rock-strewn plain wasn’t really the Moon but was, in fact, the high desert of northern Arizona. Rubins and astronaut Andre Douglas were participating in the biggest dress rehearsal yet for the next time NASA plans to send people to the Moon’s surface, a mission known as Artemis III. If all goes to plan, Rubins or one of her colleagues will be stepping onto the actual Moon a little over two years from now. So NASA is training its astronauts to make the most of their precious time there — given that no human has set foot on the lunar surface since the last Apollo crew blasted off in 1972….

(14) PIGS NOT IN SPACE. Slashfilm discusses Georges Méliès A Trip to the Moon and a little-known predecessor in “This 14-Minute Short Isn’t The First Sci-Film, But It Came Close”.

…But “A Trip to the Moon” wasn’t the first sci-fi film. Indeed, it wasn’t even Méliès’ first sci-fi film. 

If one is to trust the Aurum Film Encyclopedia, the first sci-fi film ever was “The Mechanical Butcher,” a short made by the Lumière Brothers in 1895. The Lumières, as all first-year film students know, invented the Cinématographe motion picture system, one of the earliest motion picture cameras, making them among the very first filmmakers. “The Mechanical Butcher” is only 53 seconds long, and depicts butcher characters lifting a pig into a futuristic machine and extracting it as prepared pork products. Mechanized slaughterhouses were relatively new in 1895, and the Lumières made a short depicting the absurdity of sped-up, high-tech meat manufacture. Why, only a moment ago, these pork chops were alive! If sci-fi is a genre that analyzes technology’s effects on human development — techno-anthropology — then “The Mechanical Butcher” certainly counts….

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Paul Weimer, Rich Lynch, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 1/17/24 Send Pixels, Scrolls And Files, The Fifth Has Hit The Fan

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(1) SEATTLE 2025 WORLDCON MEMBERSHIP RATES RISE TOMORROW. At least for a few more hours the cost of a WSFS Membership + Attending Membership Supplement for an adult over the age of 25 is $175. The other permutations are explained at the Memberships – Seattle Worldcon 2025 page.

Mark Roth-Whitworth sent a few editorial comments along with the foregoing reminder:

I just got our memberships for Seattle in ’25. Ouch. This far out, $175 each, and I think it goes up after tomorrow.

Was the same demographic going as did back in the Sixties and Seventies, it would be a *lot* smaller. Most of us were working class. Hell, my late wife and I together maybe made the median income, or maybe just under. In 1993 it would have been hard to pay for this.

Forget the graying of fandom, how about the economic stratification of fandom? Where are the folks who are making a living working construction, or flipping burgers, or barista, or drive a cab, or working in a thousand other jobs that we need, but make crap wages? Or people on SSI or other welfare?

I know I ghosted a con or two in my mid-twenties, when I just did not have the money. I don’t know a lot of folks who go to other than their local cons, and work them to afford it.

Have we become elite?

(2) EMMY AWARDS. Genre TV was shut out at the 75th Primetime Emmy Awards ceremony which aired on January 15. The complete list of winners – largely repeated wins by Succession, The Bear, and Beef — is here.

(3) HISTORIC MOMENTS IN TELEVISION. There are, however, plenty of genre highlights in the Television Academy’s anniversary list of 75 “Top TV Moments”.

Arguably the first one on the list is genre, because fans voted the Hugo Award to TV coverage of the Apollo 11 mission. Beyond that, you have to wait ‘til way down the list before there’s another.  

1. The Moon Landing. After Apollo 11 landed on the moon, astronaut Neil Armstrong proclaims “One small step for man, one giant leap for mankind. 1969.

40. The Twilight Zone. “Time Enough at Last” After a nuclear catastrophe, loner Harry Bemis (Burgess Meredith) is left with all the time in the world to read his beloved books, only to shatter his glasses, leaving him virtually blind. 1950.

50. Star Trek – Kirk and Uhura kiss, 1968

51. Game of Thrones — “The Rains of Castamere” At Robb’s (Richard Madden) wedding, Catelyn (Michelle Fairley) reveals chain mail under Bolton’s (Michael McElhatton) clothes just as Robb’s wife is murdered, Robb is shot with arrows, and his men’s throats are cut.

And there are several more beyond that, from The Last of Us, Lost, another from Game of Thrones, and the Mary Martin version of Peter Pan.

(4) DEEP IMPACT. Animation World Network’s Kevin Geiger anticipates “The Impact of AI on Hollywood in 2024: 12 Predictions”. Short version: AI will take away a bunch of existing jobs. Here’s an excerpt of what he forsees.

4. Deepfake filmmaking has become the new paradigm.

The continued evolution of deepfake technology enables filmmakers of all resource levels to create younger versions of living actors or bring deceased actors back to the screen. This has already been used to tell stories that span different periods. While the technology offers exciting creative opportunities, it raises significant ethical concerns regarding consent and the potential misuse of digital likenesses. Seeing is no longer believing.

5. Rise of the AI-driven extras and stunt doubles.

The use of AI-generated virtual extras and stunt doubles will be a game-changer in reducing production costs and logistical complexities, particularly in scenes requiring large crowds or dangerous stunts. However, the application of AI technology will accelerate the reduced employment opportunities for human extras and stunt performers.

6. The visual effects industry becomes more director-driven.

AI’s ability to produce sophisticated visual effects quickly and cost-effectively is set to enhance the visual storytelling in films. The prospect of generating visual effects via “prompting” (otherwise known as “directing”) will make VFX more director-driven, and encourage greater creative expression and experimentation. The number of “technical directors” required on a film will be reduced: a benefit to major studios and indie producers, but a threat to hired guns.

7. AI-assisted editing is now the default starting point.

AI-assisted editing is revolutionizing work reels and post-production by autonomously selecting takes, suggesting edits, and assembling rough cuts. This can significantly speed up the editing process and reduce costs, but over-reliance on AI could reduce the editor’s creative control, lead

(5) AAFCA AWARDS. The 15th Annual African-American Film Critics Association (AAFCA) Award Winners include Spider-Man: Across the Spider-Verse.

Best Drama: Origin
Best Comedy: American Fiction
Best Musical: The Color Purple
Best Director: Ava DuVernay (Origin)
Best Screenplay: American Fiction
Best Actor: Colman Domingo (Rustin)
Best Actress: Aunjanue Ellis-Taylor (Origin)
Best Supporting Actor: Sterling K. Brown (American Fiction)
Best Supporting Actress: *TIE* Da’Vine Joy Randolph (The Holdovers), Danielle Brooks (The Color Purple)
Best Ensemble: The Color Purple
Breakout Performance: Lily Gladstone (Killers of the Flower Moon)
Emerging Filmmaker: Cord Jefferson (American Fiction)
Best Independent Feature: A Thousand and One
Best Animated Feature: Spider-Man: Across the Spider-Verse
Best Documentary: Stamped From The Beginning
Best Music: The Color Purple
Best International Film: Io Capitano
Best Short Film: The After

(6) EKPEKI Q&A. Paul Semel interviews “’The Year’s Best African Speculative Fiction 2022’ Co-Editor Oghenechovwe Donald Ekpeki”.

While other Best Of type anthologies only consider short stories, The Year’s Best African Speculative Fiction 2022 also includes poems. I recently interviewed Stephen Kotowych, the editor of Year’s Best Canadian Fantasy And Science Fiction: Volume One, which also includes poetry. Is there something going on in the speculative realm where poetry is becoming more popular or respected?

Speculative poetry is such a wide and important form that we decided to include this year to make the book separate from last year’s. Hopefully, it’s something that matches up with the vibrancy the speculative poetry world exudes [and this is a] chance to showcase some of that speculative poetry vibrancy going on

(7) THE METERS OF MIDDLE-EARTH. And CBR.com studies “How The Lord of the Rings Made Poetry Exciting”.

…The characters of The Lord of the Rings used poetry as a coping mechanism to deal with negative emotions. Shortly after leaving the Shire, the hobbits were overwhelmed with uncertainty and weariness about the journey ahead. To raise their spirits, Frodo recited “The Road goes ever on and on,” a poem that Bilbo had taught him. In Jackson’s The Lord of the Rings: Fellowship of the Ring, Gandalf and Bilbo both sang sections of this same poem. As the hobbits rested at Weathertop, poetry again assuaged their worries. In the chapter “A Knife in the Dark” from Tolkien’s The Fellowship of the Ring, Aragorn “began to tell them tales to keep their minds from fear.” These tales came in the form of poems, such as the song of Beren and Lúthien….

(8) FREE READ. Entries in the Quantum Shorts flash fiction contest are available to read at the link. The shortlist will be announced in March.

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 17, 1931 — James Earl Jones, 93. This Scroll you’re getting James Earl Jones, most notably known in our circles as the voice of a certain Sith Lord whose voice he did up to Star Wars: The Rise of Skywalker, but he’s got much more, and sometimes surprisingly diverse career here. So let’s see what he’s done…

His film debut was as Lieutenant Lothar Zogg, the B-52’s bombardier  in Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. 

In 1969, Jones participated in making short films for what became Sesame Street. These were combined with animated segments, then were shown to groups of children to see if the format appealed to children. As cited by production notes included in the Sesame Street: Old School 1969–1974 DVD, the short that had the greatest impact with test audiences was one showing a bald-headed Jones counting slowly to ten. And yes, it was shown on the show when it aired.

I truly love him in Conan the Barbarian as Thulsa Doom, an antagonist for the character Kull of Atlantis. Thulsa Doom was created by Robert E. Howard in the “Delcardes’ Cat” story. Neat character for him, I’d say. 

He’s in Allan Quatermain and the Lost City of Gold withthe name of Umslopogaas, a fearless warrior and old friend of Allan Quatermain. I looked him up in the original novel, Allan Quatermain. Please don’t make me do that again. Really. Don’t. 

Ahhh, Field of Dreams: “Ray, people will come Ray. They’ll come to Iowa for reasons they can’t even fathom. They’ll turn up your driveway not knowing for sure why they’re doing it.” Great role. To say more would involve spoilers, right? 

He voices Mufusa, the lion murdered by his brother in The Lion King and its sequel, who death does not stop from being present. Really present. Extraordinary performing by him. 

Did you know that he narrated Stallone’s Judge Dredd? Well he did. He was uncredited at time but as is with these things, it didn’t stay a secret permanently, did it? 

He had series appearances on Faerie Tale Theatre (as, and I simply love it, Genie of the Lamp, Genie of the Ring), Highway to Heaven, Shelley Duvall’s Bedtime Stories, Picket Fences, Lois & Clark: The New Adventures of Superman, (he was the uncredited narrator of 3rd Rock from the Sun (maybe he’s the nameless narrator for all of the multiverse?), Touched by an Angel in which he’s the Angel of Angels, cool name, Stargate SG-1 , Merlin and finally as himself on The Big Bang Theory.

He hosted Long Ago and Far Away, a children’s series that lasted thirty-five episodes with each of them based on a folk or fairy tale. Stop motion animation, live actors and traditional animation were all used.

That’s it, folks.

Carrie Fisher, James Earl Jones and Jim Parsons in a scene from Big Bang Theory.

(10) COMICS SECTION.

(11) PAYDAY FOR COMIC OWNER. “Rare copy of The Amazing Spider-Man No 1 sells for more than £1m” – the Guardian wanted you to know. And weep if you ever owned a copy in your youth.

A rare copy of the first issue of The Amazing Spider-Man has sold for more than £1m.

The comic, published in March 1963, reached a record-setting $1.38m (£1.1m) at auction. It is one of only two copies of The Amazing Spider-Man No 1 rated “near mint/mint” by comic book grading service Certified Guaranty Company (CGC).

“It was obvious this Spider-Man was an opportunity not likely to come around, and the final price reflected that,” said Barry Sandoval, vice president at Heritage Auctions, the company that ran the auction, according to Fine Books magazine.

The copy sold for nearly three times as much as a CGC-rated “near mint” version sold in July last year for $520,380 (£410,184)….

(12) TODAY’S THING TO WORRY ABOUT. The lede is the most interesting part of Variety’s article “When Superman and Batman Copyrights Expire in a Decade, Will It Be Kryptonite for DC?”.

About a decade ago, Zack Snyder developed a storyline for the DC Extended Universe that involved Bruce Wayne impregnating Lois Lane.

The subplot in which Batman cuckolds Superman was poised to unfold in “Justice League,” with Batman dying in the sequel and Lois raising their spawn with Superman. Snyder’s vision for Wonder Woman was equally unorthodox, with visuals featuring a superheroine who brandished the decapitated heads of her conquered enemies like an ISIS jihadi.

Warner Bros. and DC Studios — which hold a firm grip on their intellectual property — rejected Snyder’s ideas, which were deemed “super creepy,” according to a source familiar with the back and forth. (DC declined to comment for this story. A representative for Snyder did not respond to a request for comment.) But in the next decade, artists and rival studios won’t need permission to create their own take on the characters.

A sad fact of Hollywood is that while superheroes never truly die, all copyrights do. On Jan. 1, Disney lost control of “Steamboat Willie,” and within 24 hours two horror-comedies starring Mickey Mouse were announced. The DC characters are the next major expirations looming on the horizon. Superman and Lois Lane will enter the public domain in 2034, followed by Batman in 2035, the Joker in 2036 and Wonder Woman in 2037….

(13) FIREFLY ON THE CHEAP. SYFY Wire admires “How Serenity Slashed Its Budget from $100 Million to $39 Million” and was able to get greenlighted.

…In a 2005 interview with the Los Angeles Times, the effects crew and film’s creators opened up about the ways they shaved tens of millions off the film’s cost. Basically, they shot it like a TV show, creating only what was necessary and meticulously storyboarding things out so no resources were wasted.

One of the movie’s most ambitious set pieces, a wild chase scene early in the film, was projected to be one of the costliest segments in the film. So instead of trying to build out a massive CGI chase, they built a trailer with a cantilevered arm big enough to hold the on-screen hovercraft and actors. Then they just shot the scene on Templin Highway around Santa Clarita. For the Reaver vehicle chasing the crew, they hacked an old pick-up truck together with some CGI overlays for final effects. In the end, a scene expected to take 30 days was finished up in five.

To create the spaceship models in the space-set scenes, they used a common cost-cutting approach called “kit bashing,” where you combine several different ship models and kits and mix them all together to create something new. It’s a cheap alternative to full-on spaceship design, and it saved time and money for plenty of those space scenes.

They even had to rebuild the Serenity ship itself for sets, using old blueprints and DVD screen grabs for reference, a process they knocked out in a brief 14 weeks and under budget. All the explosions and pyrotechnics in the film were also done on a tight schedule, filmed across three nights at Mystery Mesa near Valencia. Traditionally, that level of sci-fi action pyro work for a blockbuster movie would’ve taken around two weeks….

(14) KLINGONS DON’T DRINK MERLOT. TrekMovie.com invites as to watch as “Paul Giamatti Auditions For Star Trek, Recreates His Iconic ‘Merlot’ Moment In Klingon”.

Danish movie journalist and friend of TrekMovie Johan Albrechtsen has once again used a non-Star Trek promotional junket to recreate a Star Trek moment. As Paul Giamatti was promoting his award-winning role in The Holdovers Albrechtsen brought up the actor’s previously expressed interest in playing a Klingon in Star Trek. And he persuaded the Giamatti to recreate his famous “I am not drinking any f###ing Merlot!” moment from the 2004 wine-themed film Sideways, but this time in Klingon. The moment was then edited to create a new Star Trek “audition tape” with Giamatti as a Klingon captain, cut into a scene from The Next Generation….

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Kathy Sullivan, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 9/24/22 A Click of Scrolling Pixels Are We

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(1) HAPPY BIRTHDAY SYFY. [Item by Mike Kennedy.] Today, September 24, 2022, marks the 30th anniversary of the Sci-Fi Channel (now SYFY). Can you guess what the first movie they ran was? “What was first show on Sci-Fi Channel, now SYFY?”

…The lead-up to the debut of the channel was marked with intriguing, somewhat ominous promos warning of “an invasion” that was “coming for you.” As the date drew closer, a countdown clock ticked down the seconds until the Sci-Fi Channel made its debut on a reported 10 million of the United State’s then-56 million cable-owning households. (In New York City, Star Trek’s Leonard Nimoy was the Master of Ceremonies at the launch party, which was held in the Hayden Planetarium.) The first official broadcast of the Sci-Fi Channel was a sad one, dedicating it to Roddenberry and Asimov, both of whom had died before the Sci-Fi Channel launched. 

The dedication was followed by a nifty little faux news report from the year 2142….

(2) SOUND DECISION? Deadline reports James Earl Jones may be done as the voice of Darth Vader. “James Earl Jones Signs Over Rights To Voice Of Darth Vader, Signalling Retirement From Legendary Role”.

James Earl Jones – one of the most distinctive voices in the history of film – appears to have made steps to step back from voicing the Star Wars character, Darth Vader, after nearly 40 years in the role.

Vanity Fair reports that the actor, aged 91, has signed over the rights to his voice to filmmakers using new AI, technology, Matthew Wood of Lucasfilm told the magazine that the actor “wished to keep Vader alive”

“He had mentioned he was looking into winding down this particular character,” Wood told Vanity Fair. “So how do we move forward?”…

(3) THE HUGO HAS LANDED. It took awhile for Cora Buhlert’s Best Fan Writer Hugo to arrive. So naturally – as fan writers do — she got a good blog post out of it! “2022: A Hugo Odyssey”. However, the ending is not that happy – it arrived with the base broken.

…By Tuesday, there was still no change and no answer to my e-mail either, so I called FedEx Germany customer service and explained my problem.

“Did you order this?” the lady at the other end of the line asked me.

I said, “No, I did not order it, I won it.”

“Are you aware this might be a scam?” the lady asked.

I explained to her that no, it’s not a scam, that the Hugo is a legitimate award and that I won it, that she can google it, if she doesn’t believe me and that I’d really like my trophy now….

(4) TWO STEPS FORWARD, ONE STEP BACK. The new Chengdu Worldcon website, which launched without any reference to who its Guests of Honor are, or even having any, has now progressed to (1) a placeholder graphic and (2) a link to Guests of Honor that only goes to the About page. I think we’re all looking forward to reading what they have to say about Sergey Lukianenko.

(5) TOMB OF DOOM. Galactic Journey’s Jessica Holmes is tuned in as the 1967 season of Doctor Who begins. “[September 24th, 1967] A Really Cool Story (Doctor Who: Tomb Of The Cybermen)”.

Doctor Who is back for another season, and let me tell you: we’re off to a promising start. The Cybermen are back, we’ve got a new companion, and Patrick Troughton continues to impress in his role. Let’s take a look at Doctor Who in The Tomb Of The Cybermen….

(6) ERIC IDLE IS BACK. Eric Idle told TIME about his experience surviving pancreatic cancer.

About three years ago I was incredibly lucky: I was diagnosed with pancreatic cancer. Lucky? One of the most lethal forms of cancer, how on earth was that lucky? Well, because it was found incredibly early. No, not before lunchtime, but before it had gone anywhere…

The 79-year-old then proved to himself he still has what it takes by participating in costume on The Masked Singer. “The full Monty: Eric Idle talks ‘Masked Singer,’ secret cancer battle, the Rutles, George Harrison, his lost David Bowie/Kate Bush movie, and making Queen Elizabeth II laugh” at Yahoo!

The Hedgehog is among the many absurdist roles that Monty Python’s Eric Idle, who was unmasked this week on The Masked Singer Season 8’s premiere, was perhaps born to play. “The Hedgehog was perfect for me, because I’m prickly, and when I’m attacked, I curl up into a ball,” he jokes to Yahoo Entertainment the day after his big reveal. On the show, Idle actually pointed out that going on The Masked Singer was one of the more normal things he’d ever done in his career, and he tells Yahoo, “Yes, being silly and dressing up in silly animal costumes is not strange to me. When they asked me, and it was out of the blue, I thought, ‘Well, this is in my wheelhouse.’”

But there was a serious reason why the 79-year-old British comedy legend accepted Fox’s invitation: to make a comeback and test himself after his secret, against-all-odds pancreatic cancer battle, and to spread awareness for his new Bright Side Fund partnership with Stand Up to Cancer. Idle revealed the news about his 2019 diagnosis shortly after his Masked Singer episode aired.

Below, Idle discusses his cancer recovery; how he convinced Paul McCartney to let him cover “Love Me Do” on The Masked Singer despite the Beatle’s previous grudge over Idle’s Fab Four parody band the Rutles…

(7) SNAPE SNIPES. “Alan Rickman’s secret showbiz diaries: the late actor on Harry Potter, politics and what he really thought of his co-stars”:  the Guardian has excerpts.

2001

4 November
HARRY POTTER PREMIERE.
6.30pm The film should only be seen on a big screen. It acquires a scale and depth that matches the hideous score by John Williams. Party afterwards at the Savoy is much more fun….

2004

23 May
NEW YORK.
4pm Harry Potter 3. World Premiere.

Arriving at Radio City was like being a Beatle. Thousands of fans screamed as we got out of cars. Mostly for Daniel Radcliffe but a rush for everyone. Not to mention walking out on to the stage to 6,000.

Alfonso has done an extraordinary job. It is a very grown-up movie, so full of daring that it made me smile and smile. Every frame of it is the work of an artist and storyteller. Stunning effects that are somehow part of the life of the film, not show-off stunts. Later back to the hotel w. Ariel Dorfman, who takes egomania to utterly charming heights. He just loves being him…

2007

20 July
[PUBLICATION DAY OF THE LAST HARRY POTTER.]
11.15pm Tunbridge Wells and Waterstones. I had guessed at 20 or 30 people waiting for midnight. Probably 300-400. And a queue moving slowly. One hour in the queue and it was time for action. Went to friendly security man. “Have you read the books?” No. “Have you seen the films?” One of them. “I’m in them.” Oh yes! There will be mayhem if I go into the queue. “I’ll get the manager.”

(Manager arrives.) “Oh! Hello!”

(8) A SLAP IN THE FACE OF OUTER SPACE. Zapf.punkt #15, edited by Filer Mlex, reviews the French science fiction novel, Metro to Hell (1962), by Validimir Volkoff, which features half-human zombies called Necrozones.

Then there’s a brief tour of the British paperback houses: Consul, Corgi, and Compact, in a review of Steve Holland’s Mushroom Jungle: A history of postwar paperback publishing (1993)

(9) LOUISE FLETCHER (1934-2022). Actress Louise Fletcher died September 23. She won an Oscar as Nurse Ratched, but she also played Bajoran religious leader Kai Winn Adami for 14 episodes of Deep Space Nine, and had appearances Invaders from Mars and the Ray Bradbury Theater.

… “I knew from the movies,” she would say, “that I wouldn’t have to stay in Birmingham and be like everyone else.”

(10) MEDIA BIRTHDAY.  

1995 – [By Cat Eldridge.] So what’s the best televised SF series ever done? Max Headroom? Farscape? Babylon 5? The original Trek? May I put in a vote for a series that lasted just one season twenty-seven years ago? That would be of course Space: Above And Beyond. A series with strong overtones of Robert Heinlein in it.

It was created and written by Glen Morgan and James Wong who would collectively write many of the X-Files scripts.

It originally had been planned as a five season story, but only ran for one season, due largely to low ratings. The cast, I submit, of Lanei Chapman, Kristen Cloke, Joel de la Fuente, James Morrison (sexiest actor alive I say), Rodney Rowland  and Morgan Weisser was absolutely stunning in their roles as members of the United States Marine Corps 58th Squadron of the Space Aviator Cavalry fighting the methane breathing Chigs.

Trivia: though humanoid, they were named after a species of fleas. 

Just in case there’s a soul here who’s not seen it yet though I find that extremely unlikely, I’ll not do spoilers at all. It’s perhaps the best depiction of a military campaign in space that we are likely to see. Think of it as the complete and absolute antithesis of Starship Troopers. No breasts in the showers here. No almost Nazi references. No hotshot pilots. 

It ran a mere twenty-three episodes, and depending on your viewpoint, wrapped its storyline, or didn’t. The writers certainly thought they did. I’ve actually heard it argued both ways by its fans. 

The producers have said it is not Starship Troopers that was their main influence but rather was The Forever War. (Good choice I say. A stellar book that very much deserved the Hugo it won at MidAmeriCon.)

Interesting note: if the sound effects later sound familiar to you, it was because they were reused on Futurama.

It’s not apparently streaming anywhere.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 24, 1922 — Bert Ira Gordon, 100. He not only wrote but directed such films as Serpent Island, King Dinosaur, The Amazing Colossal Man, Earth vs. the Spider, Village of the Giants and Empire of the Ants. Forrest J Ackerman nicknamed him “Mr. B.I.G.” a reference to both his initials and his films’ tendency to feature super-sized creatures.
  • Born September 24, 1934 — John Brunner. My favorite works by him? The Shockwave Rider, Stand on Zanzibar which won a Hugo at St. Louiscon and The Sheep Look Up. I’m also fond of The Squares of The City which was nominated for a Hugo at Tricon. That was easy. What’s your favorite works by him? (Died 1995.)
  • Born September 24, 1936 — Jim Henson. As much as I love The Muppet Show, and I’ve watched every show at least twice, I think The Storyteller is his best work. That’s not to overlook Labyrinth, The Witches and The Dark Crystal and the first two Muppets films which are also excellent. Warning note: the three newest takes done on The Muppets suck beyond belief. Disney should be ashamed. (Died 1990.)
  • Born September 24, 1945 — David Drake, 77. Writer with his best-known solo work being the Hammer’s Slammers series of military science fiction. He has also written the Royal Cinnabar Navy series which are space operas inspired by the Aubrey–Maturin novels. He has also drafted story ideas that were then finished off by co-authors such as Karl Edward Wagner, S.M. Stirling, and Eric Flint. He’s very, very well stocked at the usual suspects. 
  • Born September 24, 1945 — Ian Stewart, 77. Mathematician and writer. He makes the Birthday Honors for the four volumes in The Science of Discworld series he wrote with Jack Cohen and Terry Pratchett. It was nominated for a Hugo at Chicon 2000. Each of the books alternates between the usually absurd Discworld story and serious scientific exposition. (All four volumes are available from the usual suspects.) He would write a number of genre novels, none of which I’m familiar with. Anybody here read his works? 
  • Born September 24, 1951 — David Banks, 71. During the Eighties, he was the Cyberleader on Doctor Who in all the stories featuring the Cybermen — Earthshock (Fifth Doctor story), The Five Doctors, Attack of the Cybermen (Sixth Doctor story), and Silver Nemesis (Seventh Doctor story). In 1989, he played the part of Karl the Mercenary in the Doctor Who: The Ultimate Adventure stage play. There were two performances where he appeared as The Doctor as he replaced Jon Pertwee who had fallen ill.
  • Born September 24, 1950 — Harriet Walter, 72. I knew I recognized her — she shows up in Star Wars: The Force Awakens as Kalonia, in A Dorothy L. Sayers Mystery as Harriet Vane for the entire run, and the Thirteenth Doctor story, “Revolution of the Daleks” as the Prime Minister. And that’s not mentioning the many appearances on mysteries that she’s made! 
  • Born September 24, 1965 — Richard K. Morgan, 57. The Takeshi Kovacs novels are an awesome series which are why I haven’t watched the Netflix series. His fantasy series, A Land Fit For Heroes, is on my TBR, well my To Be Listened To pile now. And yes I read Thin Air, the sequel first and it’s quite excellent. 

(12) COMICS SECTION.

(13) BRIDGERTON LITIGATION SETTLED. “Netflix Settles Copyright Suit Over ‘Unofficial Bridgerton Musical’” – Variety has the story.

Netflix has settled a copyright lawsuit that it had filed against the creators of “The Unofficial Bridgerton Musical.”

The streaming service dismissed the suit on Friday against Emily Bear and Abigail Barlow, the creators of the musical. Though the court filing did not say so, a source confirmed that the suit was in fact settled. The pair had earlier canceled a performance of the musical at Royal Albert Hall in London, which was to take place this week.

Netflix sued in July, alleging that Barlow and Bear had infringed on its copyrights by putting on a for-profit stage show at the Kennedy Center in Washington, D.C. The service argued that their conduct “stretches ‘fan fiction’ well past its breaking point.”…

(14) ONCE A KNIGHT. Deadline reports “’Star Wars’ Composer John Williams ‘Knighted By Queen’ In Final Honors”.

Star Wars composer John Williams is reported to have been made one of Her Majesty Queen Elizabeth’s very last knights, with the honor one of the final awards approved by the late monarch before her death a fortnight ago.

British press reports that the veteran composer’s name is on the final list of honorary awards for foreign nationals. 

Ex-Disney chief executive Robert Iger has also reportedly been awarded an honorary KBE for services to UK-US relations…

(15) REWILDING IN FLORIDA. Jeff VanderMeer is interviewed in Audubon. “Best-Selling Author Jeff VanderMeer Finds That Nature Is Stranger Than Fiction”.

…VanderMeer hoped that, one day, native plants and the insects they supported could sustain birds visiting his backyard. In the meantime, he laid out an avian buffet. This included at least three types of seed feeders (hopper, tube, thistle sock), along with suet cakes in squirrel-proof cages and abundant globs of bark butter. The spread attracted dozens of species. There were Pine Siskins and Rose-breasted Grosbeaks and Yellow-rumped Warblers, which he called “adorblers.” He learned to recognize their calls. VanderMeer noticed that the Blue Jays uttered a certain warning cry if a cat ambled into the ravine. Whenever he heard it, he ran outside to shoo the cat away. He liked to think they were fighting this predator together. “It’s the least I can do for the community,” VanderMeer deadpanned.

… Even without help from his imagination, ShadowVale could be bracingly strange. One morning a raccoon rang his doorbell at 5 a.m. (The glowing buzzer was unusually low to the ground and paw prints revealed the culprit.) Another time the mailman pleaded with him not to eradicate a patch of invasive grass, calling it “Larry” and arguing “he’s been here 10 years longer than you.” (In the spirit of compromise, VanderMeer gave Larry a haircut instead.) On the east side of the house, he sometimes heard a shriek when he plunged his shovel into the dirt. (The former site of a dog run, it was mined with squeaky toys.)

Apart from such oddities, VanderMeer also had neighbors to contend with. Some doused their lawns with pesticides that could leach into the ravine. Others had solar lamps that ran from dusk till dawn, emitting a constant, low-level light pollution that might disorient nocturnal creatures. He worried about the neighbors’ attitudes toward local wildlife; one insisted, somewhat defensively, that an armadillo had “bared its fangs” at his dog. (Around that time, VanderMeer adds, one of two armadillos frequenting the ravine appeared to go missing.)…. 

(16) NORDIC LARP. [Item by Martin Morse Wooster/] In WIRED, Jason Anthony discusses “Nordic LARP,” the Scandinavian variant of LARPs which focuses on recreating realistic events rather than engaging in fantasy adventure. Anthony spent $300 to take part in a weekend “gay conversion camp” where psychologists are supposed to make gay people straight.  One of the “staff psychologists” in the game is revealed to be Swedish sf writer Karin Tidbeck.

Anthony says that while a weekend of “gay conversion” was not meant to be depressing, there’s a variant of Nordic LARP called “misery LARP” where people spend a weekend in a  “concentration camp” or “slave plantation.” “Nordic Larp: My 4 Days in Fake Gay-Conversion Therapy”.

… I’m sharing a silly groove with Walker. The slicked-back bob is gone. The polyester suit is packed away, and now it’s pants and a shirt with a genderqueer pride pin. After a while the two of us duck over to the dining hall, where the group congregates around a few cases of Tuborg beer.

Walker’s transformation is dramatic. They are now Karin Tidbeck, an icon of Swedish science fiction who counts the late Ursula K. Le Guin as a fan. Their novel Amatka described a world constantly created and destroyed through language, and I can’t help but think how much that describes Nordic Larp. Tidbeck looks drained but happy, a beer in their hand….

(17) VERY WEIRD VIDEO OF THE DAY. [Item by Martin Morse Wooster.] I have NO idea what this one by John Butler is about.  But there’s a Bradbury reference in it! “The Avant Garde”.

[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, Mlex, John King Tarpinian, Andrew Porter, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 5/4/22 This Is The File Primeval, The Murmuring Scrolls And The Pixels

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(1) LOOK AT A HUGO NOMINEE. Abigail Nussbaum reviews “She Who Became the Sun by Shelley Parker-Chan” at Strange Horizons.

The twenty-first century has seen a tremendous flowering in the subgenre of epic fantasy. What was once largely a monoculture of vaguely medieval, vaguely Western European settings has seen an influx of writers (or perhaps more accurately, of publishers willing to platform those writers) who look beyond the template set by Middle Earth. From more specific European settings (Naomi Novik, Katherine Arden) to the Middle East (S.A. Chakraborty), and Africa (Marlon James). Perhaps most especially, there have been a slew of epic fantasies set in East Asian-inspired worlds, drawing on the varied cultures of the region and its storied history.

At first glance, Shelley Parker-Chan’s debut novel, She Who Became the Sun,seems like it would sit comfortably on the shelf beside these works. It is a fantasized, fictionalized account of the rise to power of Zhu Yuanzhang, the peasant-turned-monk-turned-general who drove the descendants of Genghis Khan out of China and established the Ming dynasty. It is blatantly inspired by the Chinese historical melodramas that have populated our TV screens in recent years. And it features enough battle scenes and political scheming to fill a whole season of Game of Thrones.

On this level, the novel delivers handsomely, and is a thoroughly enjoyable fantasized adventure (though its actual fantasy elements are on the thin side, and not very central to its story). But the further one gets into this gripping, thoughtful novel, the more obvious it becomes that this is first and foremost a novel of character—and that the lens through which it interprets character is that of gender. Not for nothing was Parker-Chan awarded an Otherwise (then Tiptree) fellowship for an earlier draft of this book: at the heart of She Who Became the Sun is an analysis of how two cultures define themselves through—and are weakened by—rigid gender roles, and how specific individuals—by subverting, defying, and most of all queering those roles—can discover an unexpected path to power….

(2) MAY THE FOURTH ETC. National Public Radio celebrates the day: “On May the 4th, let’s remember the time NPR had a ‘Star Wars’ radio drama”.

On this May the 4th, we want to take you back to 1981, when NPR turned its attention to Star Wars. That’s right: Some of you may have forgotten (and some might not even know) that the network created three radio dramas based on George Lucas’ original three movies.

NPR figured it could maybe get more listeners by reviving the radio drama, which had been out of fashion for some 30 years. So the network called Richard Toscan, then-head of the theater program at the University of Southern California. He remembers asking a colleague for advice on what story to dramatize: “There’s this long pause, and he says, ‘Create a scandal.’ “

Toscan was at a loss. Then he mentioned the problem to a student. “And he said, ‘Oh, why don’t you do Star Wars?’ ” Toscan recalls. “There was the scandal.”

See, Star Wars was a commercial juggernaut. And as Toscan puts it, “Folks working at NPR thought, ‘Oh good grief, we’re selling out to Hollywood.’ “

But if this was selling out, it sure came cheap. George Lucas had graduated from USC and was a fan of the campus NPR station. So after a little prodding, he gave away the radio rights to Star Wars for $1 — a public radio budget if there ever was one….

(3) BY GRABTHAR’S HAMMER, WHAT A BARGAIN. “‘Star Wars’ Icon James Earl Jones Only Made $7,000 to Voice Darth Vader in ‘A New Hope’” recalls The Hollywood Reporter.

The actor also says when he first read the script for ‘The Empire Strikes Back,’ he thought for sure Vader was lying to Luke Skywalker about being his father.

James Earl Jones was paid only $7,000 to voice Darth Vader in Star Wars: A New Hope — but the actor says for him at the time, it was a huge score.

To celebrate Star Wars Day, The Hollywood Reporter looked back at some interviews Jones gave through the years, in which he talked about voicing the legendary sci-fi villain….

(4) FOR TEN YEARS WE’VE BEEN ON OUR OWN. Disney Plus dropped this Obi-Wan Kenobi trailer for Star Wars Day.

The story begins 10 years after the dramatic events of “Star Wars: Revenge of the Sith” where Obi-Wan Kenobi faced his greatest defeat—the downfall and corruption of his best friend and Jedi apprentice, Anakin Skywalker, who turned to the dark side as evil Sith Lord Darth Vader. The series stars Ewan McGregor, reprising his role as the iconic Jedi Master, and also marks the return of Hayden Christensen in the role of Darth Vader.

(5) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Grady Hendrix and Alex Irvine on May 18.

Grady Hendrix

Grady Hendrix is a New York Times bestselling novelist and screenwriter who makes up lies and is mean to babies. He has written terrible books like My Best Friend’s Exorcism, The Final Girl Support Group, The Southern Book Club’s Guide to Slaying Vampires, and Paperbacks from Hell. Currently, he has an unhealthy fixation on gothic romances.

Alex Irvine

Alex Irvine would write nothing but short stories if he thought he could get away with it, but in this fallen world he has also written novels, comics, games, and various forms of interactive narrative. Recent work includes Anthropocene Rag, The Comic Book Story of Baseball, New York Collapse, and stories in F&SF, Asimov’s, and Tor.com. He lives in Maine.

IN-PERSON at the KGB Bar on May 18, starting at 7:00 p.m. Eastern.  KGB Bar, 85 East 4th Street, New York, NY 10003 (Just off 2nd Ave, upstairs)

(6) THE COLOSSUS OF BED BATH AND BEYOND. There’s a story that explains how it landed here: “The Captain America Statue at Brooklyn’s Bed Bath & Beyond” at Untapped New York.

Shoppers going in to grab one of the innumerable home products on sale at Bed Bath & Beyond or discount fashion garb at the Saks Off 5th outlet may be surprised to see a 13-foot-tall bronze Captain America statue upon entering Liberty View Industrial Plaza in Industry City, Brooklyn. Captain America is so tall, his shield reaches into the mezzanine level of the building’s atrium. He holds his iconic star shield aloft with his left hand, with his right hand clenched into a fist. On the top of the bronze plinth are the words “I’m just a kid from Brooklyn,” a line from the 2011 film Captain America: The First Avenger. In this modern era, it seems rare for any statue to arrive without controversy and this one was no different….

(7) MEDIA BIRTHDAY.

1999 — [By Cat Eldridge.] Remember that fan letter I just wrote to Heinlein’s Rocket Ship Galileo? Well certain films have the same effect upon me. Such is true of The Mummy and the first sequel, The Mummy Returns. (I shall not mention the third film in the series in pain of, well, something horrible happening to all of us. Yes, it is that bad a film.) Both are perfect popcorn films worthy of repeated viewing which I’ve certainly done in the last two decades. 

I know I saw the first one in the theater not long after it came out. It was directed by Stephen Sommers who wrote the screenplay and it claims to be a remake of a 1932 American pre-Code horror film called, errr, The Mummy. It’s out of copyright and you see it here. Boris Karloff was The Mummy.

The 1999 version stars what I think is one of the great movie pulp couples of modern times in Brendan Fraser as Rick O’Connell and Rachel Weisz as Evelyn Carnahan. A librarian? Huh?  Are they completely believable in their roles? Well no, but they look like they’re have a lot of fun in a really absurd undertaking and that counts for quite a lot. John Hannah as Jonathan Carnahan is just the right amount of comic relief. The secondary characters, good and bad, are great characters  — Arnold Vosloo as Imhotep, Oded Fehr as Ardeth Bay and even Patricia Velásquez as Anck-su-namun add a great deal to the film.

The production values are very high and the look of the film, be London or the pulpish Egypt they create is quite amazing. The original script was a Terminator-style Mummy but no one was interested in that. Clive Barker wrote a screenplay next that was so dark and violent everyone cringed. (I want to see that one!) Sommers is, well I can’t count that high, the Director who eventually found a screenplay that worked.

The studio needed a hit after a series of film failures so they gave Sommer an actual budget and turned him loose, one of eighty million dollars. The film would make four hundred and twenty million dollars in its initial showing. Not bad at all. (The first director was offered ten million dollars as his budget.) And of course it gout a Sequel (yes I capitalized that), The Mummy Returns which earned just over four hundred million against a budget of a hundred million. 

Now let’s see how it was received by critics. 

You know I really, really like the reviews of Roger Ebert who wrote for the Chicago Sun-Times so let’s start with his rather nice summation: “There is hardly a thing I can say in its favor, except that I was cheered by nearly every minute of it. I cannot argue for the script, the direction, the acting or even the mummy, but I can say that I was not bored and sometimes I was unreasonably pleased.”

Next up is David Hunter of Variety who was more ambivalent: “Far more ambitious than its predecessors but a notch or two below the unique event-movie experience it might have been, Universal’s The Mummy is undermined by weak writing. Overall, though, it should erect pyramids of moola and not sink into the quicksand when Star Wars: Episode 1 — The Phantom Menace opens 12 days into its run.”

Finally let’s end with these words from Bob Graham of the SF Gate: “This comic horror movie emphasizes the comic, and Brendan Fraser is in his element. With his exaggerated features — big eyes, big nose, big lips — Fraser already looks like a comic-book hero. More importantly, he’s got the flair and know-how to bring it off.  “The Mummy” digs up both laughs and chills from timeworn material.     From the gilded bodies of ancient priests about to die — they are going to be “mummified alive” — to the hokey subtitles in the prologue — what do they think they are speaking, anyway, old Egyptian? — this looks as if it’s going to be big-time fun. It is.”

It has an excellent rating at Rotten Tomatoes among audience reviewers of seventy five percent.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 4, 1920 — Phyllis Miller. She co-wrote several children’s books with Andre Norton, House of Shadows and Seven Spells to Sunday. Ride the Green Dragon, a mystery, is at best genre adjacent but it too was done with Norton. I’m not seeing any of them being available at the usual suspects. (Died 2001.)
  • Born May 4, 1926 — Christine White. Forever known for appearing in one episode of the Twilight Zone, to wit “Nightmare at 20,000 Feet” alongside William Shatner as Bob Wilson. She played Julia Wilson, his wife. She, like Shatner, had appeared on the Twilight Zone earlier, though not with him; she had the lead as Kitty Cavanaugh in “The Prime Mover”.  I’m reasonably sure that her only other genre appearance was on One Step Beyond as Nancy Lloyd Chandler in “The Haunting” episode. (Died 2013.)
  • Born May 4, 1943 — Erwin Strauss, 79. I’m not sure I can do him justice. Uberfan, noted member of the MITSFS, and filk musician. He frequently is known by the nickname “Filthy Pierre” which I’m sure is a story in itself that one of you will no doubt tell me. Created the Voodoo message board system used at a number of early cons and published an APA, The Connection, that ran for at least thirty years. Still does the event calendar for Asimov’s. Do tell me about him. 
  • Born May 4, 1949 — Kim Mohan, 73. Editor and author of the Cyborg Command RPG based on an outline by Gary Gygax. He was Editor of TSR’s The Dragon magazine for several years which led to his becoming editor of Amazing Stories from 1991 to 2000. 
  • Born May 4, 1974 – James Bacon, 47. He’s a 16-time Hugo nominee, as a fan writer and as co-editor of The Drink Tank and Journey Planet, and a two-time winner — one Hugo with each fanzine. James was the 2004 Trans-Atlantic Fan Fund delegate: download his trip report at the unofficial TAFF website, WorldConNomicon. In addition to working on Irish convention Octocon, he ran his own conventions: Aliens Stole My Handbag, Damn Fine Convention, and They Came and Shaved Us. Ultimately, he chaired the Dublin 2019 Worldcon. He ran Sproutlore—the Robert Rankin Fan Club. With fellow fans he established The James White Award, an annual short-story competition. And he often contributes to File 770! (OGH)
  • Born May 4, 1976 — Gail Carriger, 46. Ahhhh such lovely mannerpunk she writes! I think I first noticed her with the start of the Finishing School series which she started off with Etiquette & Espionage some six years ago. Moirai Cook does a delightful job of the audiobooks so I recommend that you check them out. I also love the two novellas in her Supernatural Society series as well. And let’s not overlook Souless getting a nomination for BSFS’s Compton Crook Award’s Best First Novel. 
  • Born May 4, 1995 — Shameik Moore, 27. He voices Miles Morales, the teen-ager who would become Spider-Man in Spider-Man: Into the Spider-Verse which I review here. It’s by far the best film I saw while in-hospital that year for fifty days straight and I urge you to go see it now. Yes, I know it deservedly won a Hugo at Dublin 2019.  And the sequel is coming up soon! 

(10)  RETAILING SCIENCE. [Item by Bill Higgins.] Many’s the time I’ve toured a museum along with fellow SF fans, so when we get to the gift shop, we usually find ourselves exchanging views on the merchandise offered there. In “Outer Space in the Museum Shop,” Dr. Eleanor Armstrong, an expert on space science communication and museums, contemplates messaging, merchandising, and visitors’ experiences. “Outer Space in the Museum Shop” from EASST Review Volume 41(1) 2022 (that is, the European Association for the Study of Science and Technology).

…Purchasing an item from the shop at a science museum will make that object part of the visitor’s everyday science learning, both at the time of purchase and after the museum visit[…] n this instance, the item comes home from the museum with the visitor, bringing science learning into a different sphere of a visitors’ life, and arguably allowing the item to influence secondary communities, such as family members and larger school groups. Science (and by extension, everyday science learning) never happen in a vacuum, but instead reflect and magnify broader social and political issues in the society in which the museum sits….

(11) LEGENDS BUT NO TOMORROW. CBR says “DC’s Legends of Tomorrow Proved Taking Risks Can Pay Off”. It’s going away anyhow.

…While many of the CW shows — and superhero shows in general — stick to that single format, Legends of Tomorrow created entirely new scenarios that existed throughtout time. Seeing the team track down an alien in the 1930s or fight with magicians in the Wild West helped to make each episode special. The show allowed fans to experience their heroes in so many different eras that the plotlines were continually refreshed.

…While fans are upset to see the end of the series — especially with the cliffhanger ending to Season 7 — they can be happy with the impact it had. Legends of Tomorrow evolved from a show featuring other series’ guest characters to one of the longest-running Arrowverse series. The actors, writers, and directors all worked tirelessly to provide a different superhero experience, and it was those risks and differences that kept the series on the air for the better part of a decade.

(12) CARTOONIST KEEPS GOING. [Item by Martin Morse Wooster.] Nathan Fitch profiles New Yorker cartoonist George Booth, still active at 95.  This dropped about a week ago.

(13) EDGAR ALLAN POE NEWS. This 2008 adaptation of Poe’s “The Tell-Tale Heart,” starring Carrington Vilmont, is directed by Robert Eggers, whose current feature is The Northman.

[Thanks to John King Tarpinian, Chris Barkley, Andrew Porter, Bill Higgins, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Danny SIchel.]

Pixel Scroll 2/15/21 A Hit!
A Palpatine Hit!

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(1) INVESTIGATION OF BAEN’S BAR. [Item by rcade.] Jason Sanford has published an investigative report on the disturbing number of right-wing users calling for political violence on Baen’s Bar, the private message board of the SF/F publisher Baen Books. “Baen Books Forum Being Used to Advocate for Political Violence”, a public post on Patreon.  

Some of the users advocating violence are even site moderators.

A moderator with the username Theoryman wrote, “As I’ve already pointed out, rendering ANY large city is uninhabitable is quite easy… And the Left lives in cities. The question is just how many of its inhabitants will survive…” Theoryman later in the thread suggested shooting transformers in cities with high-power rifles to make the cities “uninhabitable until restored,” adding in another post that “The point is to kill enough of them that they can not arise for another 50 years… or more.” …

[T]his user is a moderator for Baen’s Bar, meaning the publishing company selected this user to monitor and manage discussions on their forum.

While stating that he does not believe Baen Books endorses the calls for violence hosted on its forum, Sanford has questions he’d like Baen publisher Toni Weisskopf to be asked when she is the guest of honor at Worldcon this year.

During this year’s interview I’d really like Weisskopf to be asked about her company’s private forum being used to advocate for political violence. Does she find this acceptable? Does she condone these types of statements? Why did Baen Books previously ban some topics from their forum but doesn’t currently ban advocacy of political violence?

(2) RESPONSES TO SANFORD’S ARTICLE. There’s been an outpouring of response. Here is just a small sampling.

Marie Brennan:

Christopher Hensley on Facebook:

Well, I guess it’s time to burn this bridge. This is the last of a long chain of harmful behavior by Baen Books, and their Editor Toni Weisskopf. Set aside the political affiliations of the authors being mentioned. Baen’s stable is built around authors with a documented history of harassment. They are what’s known as missing stairs…

Even Publishers Weekly tweeted the link.

Jon Del Arroz tried to add a comment to the discussion on Sanford’s Patreon page – it’s gone now. “Helicopter rides” is a common right-wing reference to Chilean dictator Augusto Pinochet’s use of “death flights” to murder opponents.

Jason Sanford tweeted this update:

https://twitter.com/jasonsanford/status/1361487852954091524

(3) REDISCOVERING SF BOOK CLUB ART. The second part of Doug Ellis’ series looking at the art of “Things to Come” (the newsletter of The Science Fiction Book Club) has now gone live over at Black Gate. This time he covers 1958-1960, which includes seldom seen work by Virgil Finlay: “The Art of Things to Come, Part 2: 1958-1960”.

The bulletin of the SFBC, Things to Come, which announced the featured selections available and alternates, sometimes just reproduced the dust jacket art for the books in question. However, in many cases the art was created solely for the bulletin, and was not used in the book or anywhere else. Nearly all of the art for the first 20 years of Things to Come is exclusive to that bulletin, and as a result hasn’t been seen by many SF fans. In this series, I’ll reproduce some of that art, chosen by virtue of the art, the story that it illustrates or the author of the story. The first installment featured art from 1957 and earlier, while this installment covers 1958-1960, presented chronologically.

(4) HISTORY-MAKING ASTRONOMY. The latest episode of the Center for Science and the Imagination’s podcast The Imagination Desk features an interview with Katie Bouman, a professor at Caltech who was part of the Event Horizon Telescope team that took the first image of a black hole: The Imagination Desk: Katie Bouman.

Katie Bouman is an assistant professor of computing and mathematical sciences, electrical engineering, and astronomy at Caltech in Pasadena, California. In this episode, we talk about scientific collaboration, imagination, and Katie’s work on the Event Horizon Telescope, which produced the first image of a black hole by combining insights and methods from signal processing, computer vision, machine learning, and physics. 

The podcast is on the CSI website (which links out to the other services), Apple Podcasts, Spotify, RadioPublic, and Libsyn.

(5) THE MOST IN UNINTENTIONAL HUMOR. The gourmands at ScreenRant serve fans the “10 Silliest 50s Sci-Fi Movies, Ranked”.

There is no shortage of silly science fiction films produced during the 1950s. With the fear and paranoia over the atomic bomb and its potentially monstrous mutations, the subgenre took the opportunity to explore some of the most outlandish stories, plots, and premises in cinematic history during this era….

It’s impressive to consider that this one is in effect last on their list. Imagine what must follow? (Plan 9 is number one.)

10. King Dinosaur

… Here’s the kicker. The giant monsters are led by King Dinosaur, which is really just an iguana forced to stand on its hind legs to appear like a Tyrannosaurus Rex. The foursome uses atomic power to destroy the iguana in the end.

(6) ROVER COME OVER. The Perseverance rover is set to land on the surface of Mars on February 18, 2021. JPL explains the challenges: “7 Minutes to Mars: NASA’s Perseverance Rover Attempts Most Dangerous Landing Yet”.

All landings on Mars are difficult, but NASA’s Perseverance rover is attempting to touch down in the most challenging terrain on Mars ever targeted. The intense entry, descent, and landing phase, known as EDL, begins when the spacecraft reaches the top of the Martian atmosphere. Engineers have referred to the time it takes to land on Mars as the “seven minutes of terror.” The landing sequence is complex and targeting a location like Jezero Crater on Mars is only possible because of new landing technologies known as Range Trigger and Terrain-Relative Navigation.

(7) MEMORY LANE.

  • 1996 – Twenty-five years ago at L.A. Con III, The Diamond Age by Neal Stephenson wins the Hugo for Best Novel. Other Nominees fur this Award were The Time Ships by Stephen Baxter, Brightness Reef by David Brin, The Terminal Experiment  by Robert J. Sawyer and Remake by Connie Willis. It would also win the Locus Award for Best SF Novel, and be nominated for the HOMer, Nebula, Prometheus, Campbell Memorial and Clarke Awards.

(8) ALEXANDER OBIT. Wanda June Alexander, a freelance editor for Tor for 22 years (1984-2006), and a high school English teacher in New Mexico, died of cancer on February 14. One of the projects she worked on while with Tor was George R.R. Martin’s The Ice Dragon, a fully-illustrated children’s book.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born February 14, 1883 — Sax Rohmer. Though doubtless best remembered for his series of novels featuring the arch-fiend Fu Manchu. I’ll also single out The Romance of Sorcery because he based his mystery-solving magician character Bazarada on Houdini who he was friends with. The Fourth Doctor story, “The Talons of Weng-Chiang” whose lead villain looked a lot like most depictions of Fu Manchu did. (Died 1959.) (CE) 
  • Born February 15, 1915 – L. Robert Tschirky.  Half a dozen covers, two interiors for us.  Art director for Encyclopedia Americana; travel articles (particularly Spain) in e.g. the NY Times.  Here is The Mislaid Charm.  Here is Without Sorcery.  Here is The Incomplete Enchanter.  Here is Lest Darkness Fall.  Here is a piece of bibliographic history.  (Died 2003) [JH]
  • Born February 15, 1915 – Ian Ballantine.  Pioneering publisher.  First President of Bantam.  Ballantine Books an early publisher of SF paperback originals; first publisher of authorized U.S. edition of Tolkien; a hundred Richard Powers covers.  World Fantasy Award, SF Hall of Fame (both with wife Betty Ballantine).  (Died 1995) [JH]
  • Born February 15, 1935 – Paul Wenzel, age 86.  A score of covers.  Here is the Nov 58 Galaxy.  Here is the Sep 62 If.  Here is the Dec 63 Fantastic.  Here is the Aug 66 Worlds of Tomorrow.  [JH]
  • Born February 14, 1945 — Jack Dann, 76. Dreaming Down-Under which he co-edited with Janeen Webb is an amazing anthology of Australian genre fiction. It won a Ditmar Award and was the first Australian fiction book ever to win the World Fantasy Award. If you’ve not read it, go do so. As for his novels, I’m fond of High Steel written with Jack C. Haldeman II, and The Man Who Melted. He’s not that well-stocked digitally speaking though Dreaming Down-Under is available at the usual digital suspects. (CE)
  • Born February 14, 1948 — Art Spiegelman, 73. Author and illustrator of Maus which if you’ve not read, you really should. He also wrote MetaMaus which goes into great detail how he created that work. And yes I know he had a long and interesting career in underground comics but I’ll be damn if I can find any that are either genre or genre adjacent. (CE)
  • Born February 15, 1951 – Lisanne Norman, age 70.  Nine novels, a dozen shorter stories.  Some activity with U.K. fandom.  Interviewed in Interzone.  “I trained as a teacher so I’m interested in everything….  used to read a minimum of 8 books a week….  it’s so easy now to be influenced while I’m writing that I don’t read nearly as much as before.  [Yet] it’s mostly SF I read.”  [JH]
  • Born February 14, 1958 — Cat Eldridge, 63. Cat Eldridge is the publisher of Green Man Review and Sleeping Hedgehog. Cat, who’s had some severe health problems, likes to remind people, “Technically I died in 2017 and was revived in the same year. Repeatedly.” (CE)
  • Born February 14, 1971 — Renee O’Connor, 50. Gabrielle on Hercules: The Legendary Journeys and Xena: Warrior Princess. I’m reasonably sure that I watched every damn episode of both series when they aired originally. Quite fun stuff. Her first genre role was first as a waitress in Tales from the Crypt andshe’s had some genre film work such as Monster Ark and Alien Apocalypse. She’s also played Lady Macbeth in the Shakespeare by the Sea’s production of Macbeth. (CE)
  • Born February 15, 1959 – Elizabeth Knox, age 62.  Ten novels, two shorter stories for us; eight other novels; essays.  Co-founded the New Zealand literary journal Sport.  Prime Minister’s Award.  Companion of the NZ Order of Merit.  Interviewed in SFRA (SF Research Ass’n) Review.  Here she is on The Master and Margarita.  [JH]
  • Born February 15, 1975 – Erick Setiawan, age 46.  So far one novel, Of Bees and Mist (2009), about which there have been many yeas and nays – although I see little among us.  In April 2013 he said “I am feverishly finishing another book – my plan is to get it done by end of year.”  No blame, it’s hard work.  [JH]

(10) COMICS SECTION.

(11) I HEART PLUTO. [Item by Steven H Silver.] Lowell Observatory is running the on-line I Heart Pluto this week.  It started yesterday and runs through Thursday, which is the 91st anniversary of the discovery of Pluto.  A full schedule can be found here including links to the talks already given.

Ron Miller will be speaking on Imagining Pluto on Wednesday and I’ll note that on his bio page, he is sitting with his Hugo Award.

(12) BOUND FOR THE ISS. “Russian cargo ship launched to International Space Station” – ABC News carried the update.

An unmanned Russian cargo ship launched successfully Monday with a load of supplies for the International Space Station.

The Progress MS-16 cargo ship blasted off as scheduled at 9:45 a.m. (0445 GMT) from the Russia-leased Baikonur launch facility in Kazakhstan and reached a designated orbit en route to the station.

It is carrying water, propellant and other supplies and is set to dock at the space outpost on Wednesday….

(13) WHAT ARE YOU DOING HERE? “Scientists accidentally found life under 3,000 feet of ice in Antarctica. ‘Never in a million years’ would they have expected it, the lead scientist said.” – Yahoo! has the story.

… The video reveals two types of unidentified animals, shown here in a video from the British Antarctic Survey. The animals in red seem to have long stalks, whereas another type of animal, highlighted in white, looks more like a round sponge-like animal.,,,

The scientists say these animals are about 160 miles from the open sea.

“Our discovery raises so many more questions than it answers, such as how did they get there?” Griffith said in a press release. “What are they eating? How long have they been there?”

The scientists said their next step was to understand whether the animals were from a previously unknown species.

“To answer our questions we will have to find a way of getting up close with these animals and their environment,” Griffiths said.

(14) THE BRITCHES OF TOKO-RI. Jon Del Arroz continues to make his brand known everywhere.

(15) I’VE HEARD THAT VOICE BEFORE. There’s an app called PRAY where James Earl Jones reads The Bible. I’m wondering — if you don’t log in often enough, does he say “I find your lack of faith disturbing”?

(16) KAIJU-SIZED CREDENTIAL. Yahoo! is quite right – the “Godzilla Vs. Kong Trailer Is Even Better with a Cat”.

… A YouTuber that goes by JKK Films put his cat, Wayne, into the trailer, and it’s incredible. There’s something so special about a giant super-imposed kitty yawning in the background while the big monster boys fight….

(17) UP, UP, AND AWAY. Film Theory answers a serious scientific question: “Pixar’s Up, How Many Balloons Does It Take To Lift A House?”

Have you ever wondered if the house in Up could really float away on balloons? So have I but that is not the most INTERESTING question! You see, people have tried to figure that out before. What I aim to do today, Loyal Theorists, is figure out the actual COST of making a balloon powered flying house WORK! That’s right, we are not stopping until this house would really fly!

(18) VIDEO OF THE DAY. In “Prometheus Pitch Meeting” on ScreenRant, Ryan George says the characters in this Alien prequel are “the worst scientists you can imagine” because they take their helmets off in an alien cave because there’s breathable oxygen and try to escape a giant rolling spacecraft by trying to outrun it instead of leaping to one side.

[Thanks to Hampus Eckerman, James Davis Nicoll, John Hertz, JJ, Mike Kennedy, John King Tarpinian, Martin Morse Wooster, Jason Sanford, Joey Eschrich, Michael Toman, Kit Harding, Cat Eldridge, Danny Sichel, rcade, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 9/29/20 The Three-Tribble Problem

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(1) TREK THE VOTE. Trek fans are called on to volunteer their time to help protect election integrity in this YouTube clip featuring many stars from all of the shows, including Gates McFadden, Wil Wheaton, and Armin Shimmerman.

(2) R.U.R. EXHIBIT. Radio Prague International posted on its English language page “Karel Capek’s ‘robots’ at 100 – new exhibition highlights foreign productions of R.U.R.” (although, of course, they used the proper character to begin the author’s last name, for which we have substituted “C” because WordPress turns the other into a question mark.)

This week marks the 100th anniversary of the publication of R.U.R., the dystopian theatre play by Karel Capek that introduced the word ‘robot’ into English – and to science fiction as a whole. A new exhibition called A Journey into the Depths of the Robot’s Soul focuses on how Capek’s ground-breaking play was received and staged abroad.

R.U.R. (or ‘Rossum’s Universal Robots’) was Karel ?apek’s most popular work during his lifetime, both in Czechoslovakia and abroad. By 1923, a couple of years after its premiere in Prague, the dystopian play had been translated into 30 languages and been staged in major theatres in Europe and across the Atlantic.

Exhibition curator Zdenek Vacek is director of the Karel Capek Memorial, a museum housed in the writer’s summer residence in Stará Hu?, south of Prague. For the centennial anniversary, he says, they decided to focus on the history of R.U.R.’s early foreign performances and influence on writers around the world.

(3) BOLDLY GOING? A comic con in LA in December? Don’t count on it: “L.A. Comic Con announces in-person event, but conventions are still banned in the state” – the LA Times has the story.

L.A. Comic Con says it is moving forward with its plan to hold an in-person convention in December at the L.A. Convention Center, but large gatherings — such as conventions and conferences — are currently not permitted anywhere in California amid the ongoing COVID-19 pandemic.

The event’s organizers explained in a Sunday announcement on the L.A. Comic Con website that they have been working with the convention center and taking guidance from state and local officials to plan an event they think will “be both safe and fun” for attendees and exhibitors.

But Doane Liu, the executive director of the Los Angeles Department of Convention and Tourism Development, told The Times on Monday that this announcement came as a surprise and is premature.

“Under current state health guidelines, conventions are not allowed,” Liu said. “It’s not known when they will be allowed.”

…In a video posted to YouTube on Tuesday, the chief executive of L.A. Comic Con parent company Comikaze Entertainment, Chris DeMoulin, clarified that L.A. Comic Con is currently “a potential show.”

(4) DISNEY RETRENCHING. In fact, here’s more of the news we’re really expecting to see: “Disney to lay off 28,000 workers at domestic theme parks” reports the LA Times.

The Burbank-based company said Tuesday that it would lay off 28,000 employees at its domestic parks division, which includes Disneyland Resort in Anaheim and Walt Disney World in Orlando, Fla.

The company’s once-mighty parks division has been severely hobbled by the coronavirus health crisis. In March, Disney announced it was furloughing more than 100,000 workers after the pandemic forced the company to shut down its lucrative theme parks.

Walt Disney World has been operating with strict capacity limits and social distancing requirements. California has not yet allowed theme parks including Disneyland to resume business.

(5) TRAILER PARK. SciFiNow alerted viewers to “Cognition: Trailer Revealed For Sci-Fi Short”.

COGNITION is a short dystopian sci-fi drama / thriller about a son confronting his past trauma. Journeying through the symbolic landscape of the subconscious mind, the story follows an unbreakable bond between father and son…. A bond that transcends SPACE AND TIME…..

(6) ASHKIN DIES. Nobel laureate Arthur Ashkin, who the New York Times styles as having invented a ‘Tractor Beam’, died September 21 at the age of 98.

Arthur Ashkin, a physicist who was awarded a 2018 Nobel Prize for figuring out how to harness the power of light to trap microscopic objects for closer study, calling his invention optical tweezers, died on Sept. 21 at his home in Rumson, N.J. He was 98.

Optical tweezers — or optical traps, as they are more properly known — use the pressure from a highly focused laser beam to manipulate microscopic objects, from atoms to living organisms, like viruses and bacteria.

As the Nobel committee wrote, Dr. Ashkin had “invented optical tweezers that grab particles, atoms, molecules, and living cells with their laser beam fingers.”

Trapping biological material proved to have groundbreaking practical applications in research and in understanding the behavior of the basic building blocks of life, like DNA, and other biological systems. Today, optical tweezers are widely manufactured and sold to researchers.

Dr. Ashkin’s “tweezer” is created by shining a laser — a beam of coherent monochromatic light — through a tiny magnifying lens. The lens creates a focal point for the laser, and, by a strange twist of nature, particles are drawn near that focal point and trapped there, unable to move up or down or backward or forward.

Steven M. Block, a professor of biology and applied physics at Stanford University, compared optical tweezers to the kind of immobilizing technology postulated in “Star Trek” and “Star Wars,” calling them “the closest thing to a tractor beam that humans have ever produced.”…

(7) MEDIA ANNIVESARY.

  • Fifty years ago, Ursula Le Guin’s The Left Hand of Darkness won the Hugo Award for Best Novel at Heicon ’70. (It would win the Nebula Award as well.) (The  runner-ups for the Hugo were Robert Silverberg’s Up the Line, Piers Anthony‘s Macroscope, Kurt Vonnegut, Jr.‘s  Slaughterhouse-Five and Norman Spinrad’s Bug Jack Barron.)  It was published first by Ace Books in their paperback Ace SF Special, Series 1 in 1969, and has had at least thirty editions in eleven languages though not Finnish. The first edition of The Left Hand of Darkness did not contain an introduction though later editions do. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born September 29, 1942 — Ian McShane, 78. Setting aside Deadwood which is the favorite series of Emma Bull and Will Shetterly where he’s Al Swearengen, he portrays Mr. Wednesday in American Gods.and it turns out, though I don’t remember it, he was Dr. Robert Bryson in Babylon 5: The River of Souls film. And he’s Blackbeard in Pirates of the Caribbean: On Stranger Tides. Now you tell me what your favorite genre role is by him. (CE)
  • Born September 29, 1944 — Isla Blair, 76. Her first credited film appearance was in Dr. Terror’s House of Horrors as an art gallery assistant.  She was Isabella in The King’s Demons, a Fifth Doctor story. She’s in Indiana Jones and the Last Crusade as the wife of her real-life husband Julian Glover, and credited as Mrs. Glover. Finally, she has played a starring role as Sally in the BBC’s alternate history An Englishman’s Castle series. (CE)
  • Born September 29, 1949 – Joêlle Wintrebert, 71.  Nine novels, three dozen shorter stories; three years editing Univers; essays, reviews in Alerte!, Fiction, Futurs; edited Petite anthologie de la science-fiction (all in French).  [JH]
  • Born September 29, 1952 – Lou Stathis.  Fan and pro.  Part of the SF Forum that gave birth to ICON.  Wrote for Fantastic, Mississippi Review, SF Eye, Thrust, Vertigo (i.e. DC Comics’). One novel.  Here is a Jeff Schalles photo from the mid-1980s.  (Died 1997) [JH]
  • Born September 29, 1959 — Scott MacDonald, 61. He’s been on four Trek shows:  Next Gen, Voyager, Deep Space Nine, and  Enterprise. He’s also on Space Above and Beyond, Babylon 5, X-Files, Stargate: SG-1, Carnivale and Threshold.. (CE) 
  • Born September 29, 1961 — Nicholas Briggs, 59. A Whovian among Whoians who started out writing Who fanfic. First off, he’s the voice of the Daleks and the Cybermen in the new series of shows. Second he’s the Executive Producer of Big Finish Productions, the audio drama company that has produced more Doctor Who, Torchwood and other related works that you’d think possible. Third he’s appeared as himself in The Five(ish) Doctors Reboot. (CE) 
  • Born September 29, 1961 — Dale Dickey, 59. She was Martha Bozeman in a recurring role on True Blood. She’s also been on Them: Covenant, The X-Files and Bones, and in two genre films, Changeling and Iron Man 3. (CE) 
  • Born September 29, 1961 – John O’Halloran, 59.  Long active at SF cons.  Webmaster for the Int’l Costumers Guild, 1989.  “Gerard” in the Best of Show “Trumps of Amber”, Torcon 3 (61st Worldcon) Masquerade, see here (at right) and here; judge, LoneStarCon 3 Masquerade (71st).  Official Photographer of Events, Loncon 3 (72nd); Official Photographer for Candid Shots, Sasquan (73rd) – see his Sasquan album here.  Fan Guest of Honor (with wife Chris), Baycon 2013.  Taiko drummer (as Chris is too).  [JH]
  • Born September 29, 1978 – Aislinn Batstone, 42.  (Forename is Irish, pronounced like “Aish-lin”.)  “What the Witch Wants” in Stupefying, “Instructions in My Absence” in Timeless Tales, a dozen more.  Master’s degree in Philosophy, taught philosophy, married a philosopher.  So there.  [JH, B.A. in Philosophy]
  • Born September 29, 1983 – Elisa McCausland, 37.  Half a dozen books (some collaborative).  Ignotus award for Wonder Woman about feminism as a superpower; later, with Diego Salgado, Supernovas, a feminist history of audiovisual SF; McC also does “Postheroic Transmutations”, about the subversive power of superheroines, on the Rock & Comics podcast (all in Spanish, i.e. her section of R&C is «Transmutaciones Postheroicas»).  [JH]

(9) COMICS SECTION.

(10) STOCKING UP. Virgin Galactic SPCE stock recorded big gains after more financial firms recommended it to investors: “Virgin Galactic jumps 25% in its second best day ever after getting Wall Street’s full endorsement”.

Shares of Virgin Galactic surged nearly 25% in trading Monday after Wall Street firms continued to set higher expectations for the space tourism stock.

The stock jump came after Bank of America and Susquehanna began coverage of Virgin Galactic. Notably, the two firms join six others in recommending Virgin Galactic’s stock to investors, giving the company the eight Wall Street buy ratings – and zero to hold or sell.

“No company in our coverage universe has anywhere near comparable growth potential,” Bank of America analyst Ron Epstein said.

Virgin Galactic’s 24.8% jump, with shares closing at $20.51, was its second-biggest in a trading day since its public debut last year. Including Monday’s climb, the stock is up about 78% this year.

(11) ALWAYS THOSE DARNED MUGGLES. “Scots Harry Potter fans slammed for cramming station to see Hogwarts Express” reports the UK’s Daly Record.

Scots Harry Potter fans have been slammed as ‘idiotic’ after scores of people crammed onto a railway platform to watch a train from the iconic film franchise pass by.

The steam train, made famous by the blockbuster movie series, travelled from its winter base in Carnforth in Lancashire on Monday.

The ‘Hogwarts Express’ route had several stops at a number of Scots stations, including Dalmuir in West Dunbartonshire.

The locomotive chuntered past the gathered Potter fanatics at around 5.45pm.

But photos that emerged of the fleeting moment sparked fury on social media.

Locals slammed Dalmuir residents for ignoring social distancing guidelines.

Some claimed that many among the large crowd on the platform were not wearing face masks or coverings and were also not staying two metres away from each other.

Many took to Facebook to vent their anger after the image was shared online.

One wrote: “Yes, it’s a train from Harry Potter, but I think there are much more important things going on.

“Covid-19 is so strong right now, Christmas is under threat.

“We are meant to be social distancing and none of this is happening whatsoever for a train.

“This is shameful, disgusting and very disappointing.”

Another added: “Where is the social distance there?”

A third commented: “I cannot believe the stupidity of these people all for the sake of a Harry Potter train….

(12) ABOUT YOUR STAR WARS KNOWLEDGE. Ranker contends there are “25 Things You Didn’t Know About The Original ‘Star Wars’ Trilogy”. (If I didn’t know that many answers on my driver’s exam, I’d be walking!) Here’s Number One —

1. James Earl Jones Wasn’t Credited By Request

James Earl Jones’ long career is filled with exceptional roles, but he’s probably best known for providing the voice of Darth Vader. David Prowse spoke all the dialogue as the movie was filmed, but his British West Country accent wasn’t working for George Lucas.

It’s unclear whether Lucas always planned to dub over Prowse’s dialogue, but in the end, that’s what he did, using Jones’ dialogue instead. Jones, however, asked that he not be given credit for his work in the film’s credit reel, and in the original, he wasn’t. 

Jones felt that his contribution to the film was minimal and he didn’t deserve credit. Over time, he realized the significance his voice gave to the character and reprised the role in subsequent movies, television series, and video games.

(13) BUSINESS OUTREACH. “How do you know you’ve arrived at the Uncommon Open Air weekend? You see the bookshop with a sea monster coming out of the windows,” the owners said on Facebook.  This landmark is the River Bookstore in Amherstburg, Ontario.

(14) VIDEO OF THE DAY. The Screen Junkies, in “Firefly Honest Trailer” on YouTube, invite viewers to “suit up in their dustiest browns and beiges” to watch Firefly, the show with so much “quippy dialogue” that “if the ship goes under 50 quips an hour, it’s primed to explode!”

[Thanks to John King Tarpinian, JJ, Cyril Simsa, Martin Morse Wooster, Cat Eldridge, Mike Kennedy, Michael Toman, Michael J. Walsh, Rob Thornton, John Hertz, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel “One-Body” Dern.]