Tag Archives: Black Gate

Pixel Scroll 7/1/16 I Have No Mouse And I Must Fafhrd

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(1) A BOOK OWNER’S LIFE. Locus Online’s Mark R. Kelly writes a personal blog, and his newest post is a memoir, “15 Ways of Buying a Book, Part 1”.

Way #1:

The first books of my own, that I bought with my own money and at my own selection, were purchased through a classroom Scholastic Books catalog, in the 6th grade, that is, in 1966-1967. My family lived in Reseda, California, and I attended Vanalden Elementary School, a few blocks from our home. The school was a set of bungalows, separate structures holding two classrooms each, raised off the ground with a crawl-space below and a short set of steps up to the classroom door. A few times a year, pamphlet catalogs were passed out to all the students, listing a selection of titles and prices. We would take the catalogs home, consult with our parents, then return order forms to class with appropriate payment. The books cost 35 or 50 cents each. They were typically special Scholastic editions, short little paperbacks the size of old Ace Doubles, or larger thinner paperbacks for nonfiction. Everyone’s orders would be consolidated into a single order for the classroom, mailed in, and three or four weeks later, a big box would arrive in class and the selections eagerly distributed. (You can imagine: the box would have three copies of this book; five of these; one of this…)

Always being rather obsessive about keeping lists, I have maintained detailed purchase (and reading) records since I was 15 years old (on sheets of paper, later copied to logbooks, later copied to databases), and at some point reconstructed such lists from before that age. So I know exactly which books I bought when.

The three I remember from this 6th grade classroom source, and still have, are Martin Gardner’s Science Puzzlers, Isaac Asimov’s Environments Out There, and Howard Pease’ Mystery at Thunderbolt House. The Gardner likely reflected my interest in puzzles from that Things to Make and Things to Do volume I’ve described in that earlier post; the Asimov, a thin book about the solar system, from my recently discovered interest in astronomy. (My first interest in astronomy was seeing a stack of textbooks, called A Dipper Full of Stars, in a cabinet in my 6th grade classroom, and asking to borrow one. I’ve alluded to this in previous posts.)

(2) FINDING WAYS TO DONATE. Here’s a signal boost for JJ’s answer in comments to Tasha Turner’s wish for “a nationwide and worldwide Internet place to go and see places in need.”

One of the commenters on Greta’s blog linked to this:

DonorsChoose.org. Support a classroom. Build a future. Teachers all over the U.S. need your help to bring their classroom dreams to life. Choose a project that inspires you and give any amount.

search by science fiction

You can also search for projects in the highest poverty areas, nearest to being completed, closest to the deadline date, a specific age/grade range, or projects in or near your current location or your hometown.

(3) UNKNOWN CHRISTMAS COMPANION. ScreenRant says who is a mystery: “Doctor Who 2016 Christmas Special Features ‘Different Guest Companion’”.

Though his newest companion, Bill (played by newcomer Pearl Mackie) has already been introduced, speaking to Doctor Who Magazine, Moffatt has confirmed that her debut will be at the start of Season 10 in 2017, and the Doctor will have a different guest companion for the Christmas Special:

“We’ll introduce [Bill] in the first episode of 2017, and she’ll run through that series. She’ll not be in Christmas [2016], because that would blow the series launch … So there’ll be somebody else – a different, guest companion – this Christmas, like how River Song played the companion role in last year’s Special.”

Of course, this now leads everyone to wonder who might join Capaldi in the TARDIS.

(4) EXEC COMMENTS ON TREK FAN FILM GUIDELINES. Axamonitor has a thorough article covering what a CBS representative has said about interpreting the new guidelines.

John Van Citters, CBS vice president of product development for CBS Consumer Products appeared on the hour-long program, Engage: The Official Star Trek Podcast, which was released June 28, to explain the studios’ intent behind the guidelines, why they’re guidelines instead of rules and to clarify some of the guidelines’ specific restrictions regarding run-times, audio dramas, props and costumes…..

An Arms Race

AXANAR MEETING Van Citters was one of two CBS officials who met with Axanar producer Alec Peters in August 2015, followed by a warning of possible legal action.

Van Citters observed that fan productions had spiraled into something “larger and larger,” that had become “something of an arms race about how many Hollywood names could be attached. … That’s not really in the spirit of fan fiction.”

The guidelines, by prohibiting that kind of competition for involving industry professionals, level the playing field for newer and smaller fan productions, he added.

Not the End of Fan Films

Van Citters disputed some characterizations of the guidelines as a means to end fan films. Instead, he said they mark the first time a major copyright holder has ever given any guidelines for unfettered use of a major piece of its intellectual property with just guidelines.

He noted that while the guidelines’ restrictions may seem counterintuitive, they are meant to protect fan films for the long term, and to “cure some abuses that have been out there, and to refocus this around the fan experience … and around creating more stories rather than this kind of arms race about talent and fundraising.”

(5) PACKING IRON. Richard Foss is quoted in KCET’s story about “The Culinary Historians of Southern California”.

With the Cook Bear as their mascot–the only other place he has appeared is in the Pan-Pacific Cookbook published in 1915–CHSC keeps to their mission statement, “Dedicated to pursuing food history and supporting culinary collections at the Los Angeles Public Library”, by taking the money raised from membership dues ($30 a year), fundraising dinners and regular cookbook sales (typically after the events) and giving it to the library. To date the group has donated over $100,000…..

Special Events Chair Richard Foss, who also lectures regularly on a variety of food history topics, sees interest in the subject growing. “The Culinary Historians of Southern California is a club for anyone with any level of interest in food and food history,” said Foss, a journalist, food historian, and author of two books, “Rum: A Global History” and “Food in The Air and Space: The Surprising History of Food and Drink in the Skies”. “It’s as much about anthropology as it is about history and it’s really about food as a transmittor of cultural values.”

 

Richard Foss, a CHSC Board Member, demonstrates how to use an antique waffle iron during a talk on dining in California during the Victorian era at the Workman-Temple Homestead Museum in the City of Industry earlier this year. || Image provided by Richard Foss

Richard Foss, a CHSC Board Member, demonstrates how to use an antique waffle iron during a talk on dining in California during the Victorian era at the Workman-Temple Homestead Museum in the City of Industry earlier this year. || Image provided by Richard Foss

(6) HOWARD AWARDS. Black Gate has the winners of the 2016 Robert E. Howard Foundation Awards, announced in June at the REH Days celebration in Cross Plains, Texas.

(7) COSTUMERS AHOY! Costume-Con 36 (2018) in San Diego has picked its hotel and set a date. The con will take place May 11-14, 2018 at the DoubleTree Hotel in Mission Valley. The hotel is adjacent to the Hazard Center Mall (which offers several restaurant options) and it is across the street from the San Diego Trolley.

(8) TOLKIEN AT WAR. On the anniversary of the first day of the Somme, Joseph Loconte muses about “How J.R.R. Tolkien Found Mordor on the Western Front”. Loconte’s book A Hobbit, a Wardrobe, and a Great War: How J. R. R. Tolkien and C. S. Lewis Rediscovered Faith, Friendship and Heroism in the Cataclysm of 1914-1918 was released a year ago.

IN the summer of 1916, a young Oxford academic embarked for France as a second lieutenant in the British Expeditionary Force. The Great War, as World War I was known, was only half-done, but already its industrial carnage had no parallel in European history.

“Junior officers were being killed off, a dozen a minute,” recalled J. R. R. Tolkien. “Parting from my wife,” he wrote, doubting that he would survive the trenches, “was like a death.”

The 24-year-old Tolkien arrived in time to take part in the Battle of the Somme, a campaign intended to break the stalemate between the Allies and Central Powers. It did not.

The first day of the battle, July 1, produced a frenzy of bloodletting. Unaware that its artillery had failed to obliterate the German dugouts, the British Army rushed to slaughter.

Before nightfall, 19,240 British soldiers — Prime Minister David Lloyd George called them “the choicest and best of our young manhood” — lay dead. That day, 100 years ago, remains the most lethal in Britain’s military history.

Though the debt is largely overlooked, Tolkien’s supreme literary achievement, “The Lord of the Rings,” owes a great deal to his experience at the Somme. Reaching the front shortly after the offensive began, Tolkien served for four months as a battalion signals officer with the 11th Lancashire Fusiliers in the Picardy region of France.

(9) TRACKING MALZBERG’S COLUMN. Mike Resnick wanted to be sure I understood what really happened:

I’m told that File 770 ran a piece saying that Galaxy’s Edge, the magazine I edit, had pulled Malzberg’s column on Judy Merril due to protests. Nope. We pulled the entire May-June issue in which it appeared at the end of June 30, so we could post the July-August issue on our web page on July 1 (today). This has been our practice since the first issue, 4 years ago. Anyone who wants to read the May-June 2016 issue (#20) is welcome to buy it in epub, .mobi, or paper. Honest.

Thanks to a commenter here, I had already posted the correction by the time Mike reached out to me on Facebook. However, I’m happy to repeat the explanation and clear up the impression created by yesterday’s report.

(10) MALZBERG READERS. Today there were more reactions what Barry Malzberg said about Judith Merril in Galaxy’s Edge.

(11) TODAY’S BIRTHDAY BOY

  • July 1, 1899 – Charles Laughton. When Ray Bradbury went to Disneyland for the first time it was with Captain Bligh and the Hunchback and Doctor Moreau. Bradbury also originally wrote the play “Merry Christmas 2116” as a vehicle for Laughton and Elsa Lanchester.

(12) SEARCHING FOR FANNISH MUSICAL LYRICS. Rob Chilson left a comment in the About area asking for help.

I wonder if you or your readers can help me.

40 years less 2 months ago, at MidAmeriCon, I sat in on a reading of a musical version of “The Enchanted Duplicator” — my intro to the classic. It was MCed by Filthy Pierre (Erwin Strauss) who if I recall correctly adapted it to the stage. The others sang the songs and I mumbled along low enough not to disturb them. I’ve now spent a couple of hours on the net looking for one song that started: “Roscoe gave fan an arm of iron to help him pub his zine” and had the chorus, “But for a quarter or a loc, somebody else cranks the damn machine. For a quarter or a loc, a quarter or a loc. A quarter or a three-line ell-oh-cee.” Or words to that effect.

Can anyone point me at the lyrics?

One thought — is there anything like this in “The Mimeo Man”, which dates to that era?

(13) AT LIS CAREY’S LIBRARY. Posted the other day, Lis Carey’s review of an audio version of the Hugo-nominated novella: “Binti, by Nnedi Okorafor (author), Robin Miles (narrator)”.

….Except that Binti has won a scholarship to Oomza University, a very distinguished school–and on another planet. Her family is shocked at the very idea that Binti would actually accept it and go–but their dreams are not her dreams, and she does. And on her way there, the ship she’s on is attacked and boarded by the Meduze, an alien species that has a very real and serious grievance against Oomza University…..

(14) ANTICIPATION? A writer for the Huffington Post contends “A Dystopian Novelist Predicted Trump’s Campaign Slogan in the ‘90s”.

….Whatever the case, it seems sci-fi writer and unofficial Queen of the Galaxy Octavia Butler predicted the slogan a couple of decades ago. Nearly 20 years before Trump trademarked the term, she wrote about a character named Senator Andrew Steele Jarret, a harbinger for violence in her 1998 book Parable of the Talents.

You can see an excerpt outlining Jarret’s use of the phrase “make American great again” below:

(15) ILVERMORNY INK. It wasn’t only Elizabeth Warren having fun, says Entertainment Weekly — “J. K. Rowling’s Ilvermorny inspires excellent jokes from Massachusetts’ government officials”

Later, Governor Charlie Baker’s office even gave a good-natured statement to The Boston Globe about Ilvermorny, which has supposedly resided on Mount Greylock for hundreds of years without detection.

“The governor believes that small businesses are the backbone of the economy whether they are owned by witches or mortals, and because the institution has operated for nearly 400 years without incident, the administration plans to revisit the matter sometime in the next century or two,” Baker’s office told the paper in a statement. “The Department of Revenue’s spell-detecting technology procurement will be in its final stages at that time.”

The Boston Globe also talked to John Dudek, manager of Mount Greylock State Reservation’s Bascom Lodge, who said that the mountain’s weather does sometimes create a supernatural effect.

“It’s a little bit like The Shining here when you’re alone at night,” Dudek said. “There are days when we’re just locked in clouds and you can’t see anything.”

(16) WHAT IT MEANS TO GROW. Bishop O’Connell writes about “Growing as a Writer, and as a Person” at A Quiet Pint.

Yes, I’ve improved as a writer, but for me, being a better writer is inextricably tied to being a better person. Unfortunately, growth and improvement is never a singular, instantaneous event. It happens over a long period of time, sometimes so slow that, like the proverbial frog in the pot of slowly warming water, it goes entirely unnoticed until you have some context. When it happens, it can be embarrassing (see above, and we’re still not talking about it) but mostly it’s wonderful to see, clearly and starkly, just how much progress has been made. In this post I talked about how much I learned about the tropes and stereotypes I’d blindly fallen into and how I work to rise above them. I say work not achieved, because I still have a long way to go. This fact was brought into harsh relief as I was editing The Returned.

(17) 48 HOURS. Here’s a bulletin of interest from The Onion that should keep parents everywhere concerned: “Investigators: First 48 Hours Most Critical In Locating Missing Children Who Entered Portal To Fantastical World”.

“As soon as we learn a child has disappeared down a pool of light underneath their staircase or through a strangely shaped attic door they had never before noticed, we must act fast to assemble search parties and cover as much enchanted territory as possible,” said investigator Joe Phillippe, who urged parents to contact authorities immediately if they believed their child had passed into a gleaming world of crystal palaces or been transported back in time to the age of King Arthur. “If they’re not found within that critical 48-hour window, children typically become disoriented in the thick fog and dense forest of a land where it’s always night, or they’re led astray by a well-dressed fox who promises to take them to a place where kids can play all varieties of games. At that point, they become almost impossible to locate.”

[Thanks to Rose Embolism, Cat Rambo, Steve Davidson, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 6/21/16 Everybody In The Whole Scrollblock, Dance To The Pixelhouse Rock

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(1) HE’S BAAACK. ScienceFiction.com explains how Dr. Okun’s been down for the count almost as long as Captain America – “Okun’s Razor: New ‘Independence Day: Resurgence’ Featurette Explains The Return Of Dr. Okum”.

Of course, the alien attacked the doctor and took over his mind, using him to communicate with the other people outside the laboratory, and the encounter ended with men having to shoot the alien before it hurt the president, all of which left Dr. Okun comatose on the floor.

According to the new featurette released, Dr. Okun did not actually die that day. Apparently he was just left in a vegetative state, a coma, for the past twenty years, leaving him prime to be woken up by contact with new alien minds as the aliens return in the new film.

 

(2) FUTURE PUPPIES. Paul Weimer’s “Of Dogs and Men: Clifford Simak’s City” is the latest installment of Tor.com’s “Lost Classics” series.

…A suite of stories that merges Simak’s love of dogs, his interest in rural settings and landscapes, use of religion and faith, and his interest in robots all in one package: City.

City is a fixup novel originally consisting of seven stories written between 1944 and 1951, and collected together in 1952. City charts the fall of Humanity’s (or the creature called “Man” in the stories) civilization, starting with his urban environment, and finally, of the fall of Humanity itself. As Humanity falls, so rises the successor to Man, the Dogs. As David Brin would later do to chimps and dolphins in his Uplift stories and novels, the story of the engineered rise of Dogs, and their supplanting of Man, is due to the agency of one family, the Websters. The growth and development of the Dogs is thanks to their agency, and the Dog’s continued growth is due to the help of Jenkins, the robot created as a butler for the Webster family who becomes a mentor to the Dogs and a through line character in the narrative…..

(3) SIMAK AT 1971 WORLDCON. And with lovely timing, the FANAC YouTube channel has just posted Part 2 of a photo-illustrated audio recording of the Noreascon Banquet. It includes the Guest of Honor speeches from Clifford Simak and Harry Warner, Jr. Other speakers: Bob Shaw, Toastmaster Robert Silverberg, Forrest J Ackerman, Gordon Dickson, and TAFF winner Mario Bosnyak.

(4) PATIENCE REWARDED. Ricky L. Brown says go for it, in a review of Joe Zieja’s Mechanical Failure at Amazing Stories.

At first, the book comes off as a plead, as if asking the reader to accept the fact that it supposed to be funny. The dialog feels a little forced and the humor dangerously becomes the focal point over character development and plot. If a literary version of a laugh track was a real thing, letting the reader know that this part is funny and you are supposed to be laughing along with the fabricated audience, it would be running non-stop during the first chapter.

As a reviewer, this is usually the point when one must decide if the work has potential or if it is time to abandon hope before investing the time. The original premise was sound and I truly wanted the book to be good, so I pressed on.

And then it got better….

Mechanical Failure by Joe Zieja is a funny story about a funny man in a funny universe. What makes this book work so well is the author’s innate ability to paint a sarcastic hero in a ridiculously irrational setting, and allow the reader to laugh along at the absurdity that could become our future.

(5) AUTOGRAPH SEEKERS. A weekend of signings at the Denver Comic Con inspired Sarah A. Hoyt to write “The Running Of The Fans”. Before you get cranked up – I thought it was pretty funny.

….This is interrupted by a voice from the ceiling, “The fans are coming, the fans are coming.”

The double doors open on a throng at the end of the hall.  Some of the fans are in costume.  There is a minotaur in an Acme costume, for instance, several ladies in corsets and men wearing uniforms of all epochs, some of them imaginary.

The announcers shriek and run behind the barriers which are formed by booths filled with books.  For a while the melee is too confused to focus on, and the announcers are both talking at the same time.

After a while the younger announcer says.  “John Ringo is down.  I repeat he’s down, and they’ve taken his kilt.  But he’s still fighting valiantly.”

“Larry Correia,” says the older announcer, “Is still running, though he is QUITE literally covered in fans demanding his autograph.  Look at him move!  That’s why they call him The Mountain Who Writes.”

“If mountains moved, of course.”

“We have the first author to escape the melee, ladies and gentlemen.  David Drake seems to have evaded the fans by the expedient of pretending to be lost and asking for directions, then fading away.”….

(6) TODAY’S BIRTHDAY BOY

(7) HOW TO HIT BILLIONAIRES IN THE FEELS. Renay at Lady Business outlines a plan for action in “Captain America: Steve Rogers – The Only Power Left to Us is Money”.

Captain America: Steve Rogers #2 drops on June 29. I’m not getting it because I dropped it from my pull list and didn’t buy #1 due to A) my HEIGHTENED EMOTIONS, expressed by this thread on Twitter by readingtheend and B) the behavior of Nick Spencer/Tom Brevoort in the media, which included laughing at upset fans, and generally being dismissive, cruel, and gratuitously smug on Twitter (the failure mode of clever is asshole, etc.). I placed my funds toward other comics instead (Moon Girl & Devil Dinosaur is super cute, y’all). But I’m just one fan. I’ve never advocated a boycott before, but there’s a first time for everything!

Boycotts work when they target specific behavior. A wholesale Marvel/Disney boycott is ineffective; they’re diversified (curse them for being smart at business, and also, billionaires). Refusing to buy and removing from your pull or digital subscription list Captain America: Steve Rogers #2 (June 29, 2016) and all subsequent issues will be more effective than swearing off all Marvel comics. Also, it doesn’t punish other creative people at Marvel who had no control over this situation. That sends a message to Marvel, The Company: this comic/plotline is not profitable! That’s easier for them to grasp than nuanced discussions about history and cultural respect that it’s clear they have no interest in listening to at this particular time. Although it doesn’t hurt to tell them, either, by writing emails or letters to outline exactly why you aren’t supporting the comic. This post has a longer list on how to make financial decisions that impact this specific comic that are active rather than reactive.

(8) WESTWORLD TEASER TRAILER. Westworld is coming to HBO in October 2016.

(9) ORDWAY. Universe Today features “Finding ‘The Lost Science’ of 2001: A Space Odyssey”.

The film 2001: A Space Odyssey brought space science to the general masses. Today we may consider it as common place, but in 1968 when the film was released, humankind yet to walk on the Moon. We certainly didn’t have any experience with Jupiter. Yet somehow the producer, Stanley Kubrick, successfully peered into the future and created a believable story. One of his methods was to employ Frederick I. Ordway III as his science consultant. While Ordway has since passed, he left behind a veritable treasure trove of documents detailing his work for Kubrick. Science author and engineer Adam K. Johnson got access to this trove which resulted in the book “2001: The Lost Science – The Scientist, Influences & Designs from the Frederick I. Ordway III Estate Volume 2“. It’s a wonderful summary of Ordway’s contributions and the film’s successes.

Johnson’s book was released this month.

(10) TABLE TALK. Black Gate’s John O’Neill gave his neighbor a lesson in marketing psychology, as he explains in “Total Pulp Victory: A Report on Windy City Pulp & Paper 2016, Part I”.

I learned a great deal about selling at my first Windy City Pulp show. And most of what I learned was the result of one fateful purchase.

When I noticed I was running low on paperbacks, I glanced across the aisle at the seller across from me, who had hundreds in big piles on his table. He was charging 25 cents each for the books he’d stacked on the floor, but wasn’t selling many. I’d rummaged through them and found he had a lot of great stuff, including some rare Ace Doubles in great condition, but no one seemed to be taking the time to dig through the jumbled stacks on the floor.

So I offered him 10 bucks for a box of books, and he was happy to sell it to me. Back at my table, I slipped each book out of the box and into a poly bag, and slapped a $10 price tag on it. The vendor watched me wordlessly as I put them prominently on display at the front of my booth. I’d put out less than half of them when a buyer wandered by, picked one up excitedly, paid me $10, and happily continued on his way.

Over the next few hours, the seller across the way watched furiously as I did a brisk business with his books, selling a good portion of his stock and making a very tidy profit. In the process, I learned two very valuable lessons.

  1. A 25 cent book in a jumble on the floor is worth precisely 25 cents, and a prominently displayed $10 book in a poly bag is worth $10. Simple as that.
  2. One the whole, it’s much easier to sell a $10 book than a 25 cent book.

(11) STEVE FOX. Somebody on eBay will happily take $12 for “1986 sci-fi fanzine FILE 770 #60, Challenger disaster”. However, I included this link for the opportunity afforded of showing you a cover by Steve Fox, a Philadelphia fanartist who, quite unreasonably, was voted behind No Award in 1985.

steve fox cover f770 60

(12) CHARGE REVERSED. Vox Day, at the end of a post otherwise spent extolling the views of John C. Wright, took issue with the popular acclaim given to a massive battle in the latest episode of Game of Thrones.

The battle scenes in the most recent episode of A Game of Thrones were so shockingly inept and historically ignorant that I found myself wondering if Kameron Hurley had been hired as the historical consultant.

As one wag put it on Twitter: A cavalry charge? I’d better put my pikes in reserve!

And while I’m at it, I’ll refrain from ordering my archers to fire at them as they approach. Then I’ll send my infantry in to surround the survivors, so they can’t break and run, thereby preventing my cavalry from riding them down and slaughtering them from behind. And when the totally predictable enemy reinforcements arrive just in the nick of time, because I’ve been busy posturing rather than simply destroying the surrounded enemy, instead of withdrawing my army and retreating to my fortress, I’ll just stand around and watch them get entirely wiped out before fleeing by myself.

It was the second-most retarded battle scene I’ve ever seen, topped only by Faramir leading Gondor’s cavalry against a fortified position manned by archers in The Return of the King. I was always curious about what the cavalry was intended to do if they somehow managed to survive the hail of arrows and reach the walls that no horse could possibly climb.

(13) STOP MOTION DINOSAURS. The Alex Film Society will show The Lost World (1925) on Sunday, July 10th at 2:00 p.m. at the Alex Theatre in Glendale, CA.

The Lost World poster

When Sir Arthur Conan Doyle was not writing Sherlock Holmes stories, he often wrote history, fantasy, adventure and science-fiction tales. One of his most successful novels was The Lost World, the story of adventurers who find a South American plateau – where time stopped 65 million years ago – inhabited by dinosaurs. In 1912, when the book was published, movies were still in their infancy and technology wasn’t available to do the fantastic story justice, but by 1925, Willis O’Brien had begun to perfect stop motion, a form of animation that would allow him and his small team to bring these long dead creatures to life, blending them convincingly with real actors. It created a sensation when people saw, for the first time, believable prehistoric creatures on the screen, and remains a cinematic milestone today.

Featuring some of the biggest stars of the silent era, including Wallace Beery, Bessie Love and Lewis Stone, as well as no less than a dozen different species of dinosaur, our print of The Lost World is a fully restored version from the George Eastman House collection. Famed composer and pianist Alexander Rannie will accompany the film with the musical score that was written for the original release.

Preservation funded by the National Endowment for the Arts and Hugh Hefner.

(14) NEWS FOR THE FIRST DAY OF SUMMER? Yahoo! Movies has a Frozen franchise update: “Olaf Forever! Disney Introduces ‘Frozen Northern Lights’ – Including Brand New Character”.

Think of it as the Frozen sequel before the Frozen sequel. Disney has just unveiled Frozen Northern Lights, a multimedia expansion of its hugely popular princess franchise that will include new books and Lego animated shorts. The adventure revolves around Elsa, Anna, Olaf, Kristoff, and Sven — joined by their new friend, Little Rock — on an mission to fix the Northern Lights in time for a special troll ceremony.

 

frozen art

(15) JESSICA F. JONES. Whatever you thought you heard, you apparently didn’t. ScienceFiction.com has the story — “She Don’t Give A @#$%: ‘Jessica Jones’ Executive Producer Reveals Marvel’s Restrictions In Season 1”.

In a recent interview with The Hollywood Reporte, ‘Jessica Jones’ executive producer Melissa Rosenberg spoke candidly about producing the show, and what restrictions were placed on her by either Netflix or Marvel. As suspected, Netflix did not put a lot of restrictions on the show, but it seems Marvel had some very specific Dos and Don’ts that she had to abide by during Season 1 of ‘Jessica Jones.’ In her words:

“The beauty of working at Netflix is that you don’t have those limits. I also work with Marvel, and Marvel has a brand and their brand is generally PG-13. They’ve kind of let us go to PG-16. No F-bombs! And if anyone was going to say ‘fuck,’ it would be Jessica Jones. Sometimes I would be like, ‘Please just let me put one!’ Never. But what’s funny is that people said, ‘Wait — she didn’t say fuck? I could have sworn she did!’ Ritter can deliver ‘fuck’ with her face. Her look says it! She can be saying ‘potato.’”

[Thanks to JJ, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Rob Thornton.]

Pixel Scroll 6/3/16 Second Pixelscroll To The Right

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(1) LATEST MOWATT RHINO RUN CUT SHORT BY INJURY. Jim Mowatt tried to follow his London Marathon triumph by running the Edinburgh Marathon but midway through his knee gave out.

At around 15 miles Steve asked me for his Lucozade bottle. I dig around in his back pack and hand it to him. My leg is hurting so I cadged some ibuprofen gel from him. His tendons were hurting and he asked me to rub some gel on his knee also.

Steve ran on, I stepped out to try and catch up and found the knee pain had increased dramatically. I gritted my teeth and tried to carry on and then suddenly discovered that I could no longer put any weight on my left leg without it buckling from the pain. I staggered over to the side of the road and found a tree to prop myself upon with one leg held in the air. A marshall came to help, asked if I needed medical assistance and I said yes.

While we were waiting I heard various exchanges on his radio. Not everyone was as willing to stop and receive assistance. Someone else apparently was weaving all over the road in considerable distress, bumping into other runners. Marshalls had asked him to stop but he didn’t seem to hear them and carried on. Someone was shouting over the radio, “stand in front of him, it’s the only way to stop them when they are like this.” I had no such problems stopping myself running. Putting any weight on that leg at all sent huge rolling waves of agony flashing out sharply from my knee. I wasn’t keen on the notion of letting that foot touch the ground anytime soon.

….Carrie pointed me at the train station and we began our long slow walk up the hill. A very tall man appeared from nowhere and asked if we wanted a lift up to the train station. “Yes, absolutely!” yells I, “that would be brilliant”. He vanishes for several minutes and then reappears in a car and drives us to the train station. I think he must have seen us from his living room window and made the decision to help. Just a downright wonderful thing to do. Thank you tall man from Longniddry. You are a damn fine chap.

(2) TIE UP YOUR BOAT TO IDAHO. Steve Fahnestalk recalls his “Moscon Memories” at Amazing Stories.

As I mentioned we asked Robert A. Heinlein to be our GOH, but he demurred at first, saying his health would not allow him to commit to any convention (Figure 5); he later said he would commit to coming as long as his health would allow. Later, closer to the con, he suggested Verna Smith Trestrail as a GOH instead, because her father, E. E. “Doc” Smith, had attended the University of Idaho in Moscow. None of us, of course, had known this. (And if you don’t know who Doc Smith was, your reading is sadly behind the times. Check out the Wikipedia article.) I corresponded with Verna, and she gave us an enthusiastic “yes!” Figure 6, the Kelly Freas convention badge, is a portrait of Verna leaning out of the back of a train—don’t ask me why; I’ve forgotten—and holding out her arms to Worsel of Velantia, one of Doc’s non-human Lensmen. Verna and Al, her husband, trekked out to Moscow from the wilds of Leesburg, Indiana, and we were all hooked. Verna on us, and we on Verna. (Al wasn’t into all this stuff, being more of a Western kind o’ guy, but he bore up really well.) Verna bustled around MosCon, buttonholing anyone who stood still for five minutes, and gave them the lowdown on Doc; she also gave a talk on Doc at the con. Because Heinlein couldn’t attend, he wrote a short article about Doc, which I put in the program book; being a thrifty sort, Heinlein recycled it and reprinted it in Expanded Universe; we PESFANs, of course, are proud of printing it first.

(3) BUSBY RITES. The Memorial Service for James M. Busby will be held on Tuesday, June 14 at The Church of Latter Day Saints 2000 Artesia Blvd., Torrance. Service begins at 11a.m.

The family requests no flowers instead please make a donation in Jim’s memory to continue his life’s passion to educate and preserve space to the Aerospace Legacy Foundation.

(4) THE WINNER. Black Gate’s John O’Neill’s choice as “The Most Successful Anthology of 2015 [is] Meeting Infinity, edited by Jonathan Strahan”. Why?

It’s beginning to look as if Jonathan Strahan’s Meeting Infinity is the most successful SF anthology of 2015… at least if you use story reprints as your yardstick (which I kinda do).

Nine of the anthology’s stories were picked for year’s best collections by Horton, Clarke and Dozois.

(5) ROOMMATE NEEDED. A female reader has just had their MidAmeriCon roommate withdraw, and if there’s a female reader who’d be interested in sharing, e-mail a message to mikeglyer (at) cs (dot) com and I will forward it. (Or if you prefer to work it this way, communicate to me and I will have the person write a message to be forwarded via email to you.)

(6) SPEAR OF LIGHT AUTHOR. SFFWorld interviews Brenda Cooper.

Are strong female characters important for you?

Thanks for the lovely leading question! Of course they are. And even more important, strong female characters that are complete with brilliance and challenges.  I’m not impressed when “strong female characters” translates to “women who act like men.”  I also like balance – I have strong men and strong women, and sometimes weak men and weak women.  Not so much in this book as Lym and the Glittering are placed that reward strength rather deeply. But still, characters should be complex, interesting, and they should grow. Women should be at least as strong as men, and just like in our current world, sometimes they need to be a little stronger.

(7) FIRST PITCH. Patrick Redford asks “What the Hell, Japan?” at Deadspin.

All sorts of people throw out first pitches before baseball games. Old guys, dinosaurs, washed rappers—you name it, they’ve done it. But this week, Nippon Professional Baseball—ever the innovators—went and put every quirky MLB first pitch into the toilet with this bizarre, unsettling play-within-a-play first pitch faceoff between Sadako from The Ring and Kayako from The Grudge.

The post has lots of GIFs of the action.

(8) PORTALS. Jonathan Thornton reviews Every Heart a Doorway by Seanan McGuire at Fantasy-Faction.

The story is set in Eleanor West’s Home for Wayward Children. It is set up by Eleanor West after she returned from her own magical world to help other children who’ve been through the same thing as her adapt. The novella follows Nancy, a girl who’s just returned from the Halls of the Dead, where she has spent decades pretending to be a statue and is promised to the Lord of the Dead, as she joins the school and begins to adapt to her new life. Nancy’s parents are thrilled to have her back and just want to give her their love and help her, but they are unable to understand her experience, or what she’s going through now. This has obvious parallels with the experiences of those who suffer from mental health problems or victims of trauma – indeed, Eleanor tells the parents of the afflicted children that her school is a sanitarium.

The children’s experiences also have parallels with those whose sexual orientation or gender identity comes between them and their family. Nancy is asexual, and her parents are having difficulty understanding this aspect of her life. Kade is a trans man who is living as an intelligent and productive young man at the school while his parents still want their little girl back. More generally still the children’s condition could also be read as a metaphor for the transition from childhood to being a young adult, the point when you grow away from being your parents’ child into your own identity as an individual member of society. McGuire explores all these themes and ideas in the novella, and throughout it all treats her characters with respect and sensitivity, whatever aspect of their pain or personal history she is exploring.

(9) FOOTAGE FROM THE CULTURE WARS. Jason Ahlquist’s About Tomorrow is a feature-length documentary in progress “about the intersection of science fiction and politics told through the 2015 Hugo Award balloting controversy.” He plans to launch a crowdfunding campaign in July.

Also known as “Puppygate,” the controversy revolved around the efforts of two right-wing groups and their use of coordinated voting blocs to influence the outcomes of one of science fiction’s most prestigious awards…..

“I want this film to be a vehicle for exploration of the larger depths of sci-fi’s role,” said Ahlquist, “not only in how we see our future, but how we’ll act on our hopes and fears.” Ahlquist went on to say that production on the film is nearly complete, and that, “production will wrap at the 74th World Science Fiction Convention in Kansas City before we move into post-production.”

 

(10) X-MEN. “Meet the Underappreciated Woman Who Invented X-Men’s Apocalypse” – a profile at Vulture.

Her name is Louise Simonson, and she co-created Apocalypse (his look came courtesy of artist Jackson Guice) in the pages of Marvel Comics’ X-Factor, in 1986. Simonson — “Weezie” to her friends — is one of the better superhero-comics writers of the past 40 years, a person who crafted beloved stories about the X-Men and DC Comics’ Superman, just to name a pair of the more famous properties she has worked on. The 69-year-old was also a pioneer: She did much of her most famous work when women writers were a rarity in the comics industry. Despite all that, she’s never gotten her due in mainstream media outlets. But within the comics world, her name reverberates.

(11) NEWS, WEATHER AND SUPERMAN’S DEATH ON THE TEN. From Gamespot I learn “Superman Is Dead Again – What That Now Means”.

Back in 1993, Superman died while fighting Doomsday. In the comics, the world mourned the death of the Man of Steel, and soon saw other Supermen rise to take his place. The real Superman eventually returned to life, and his adventures continued. That was in the previous comic continuity. In the current continuity, which started in 2011, Superman is dying again. This time, his death and return is something different.

Yeah, sure it is. Excuse me while I don’t give a damn. Superman’s life status has become as routine as the weather report.

(12) APPERTAINING YOUR OWN CON. Alexandra Erin explains in considerable detail that just because a Helsinki Worldcon co-chair hopes Erin will be at next year’s con it doesn’t mean they’re paying her way. Apparently not everyone immediately understands that.

This is probably the last time I’ll bother qualifying something neat like “a WorldCon head personally told me she’d be jazzed if I were there” by explaining the real world to dedicated denizens of a carefully constructed artificial reality, for the simple reason that I know it doesn’t work. It’s more my fascination with the disconnect between actual reality on the ground and the stories that swirl based on a few glimmers of that reality and much speculation that prompts this post.

What a different world we live in than the one that is ascribed to us.

[Thanks to Chip Hitchcock, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Rob Thornton.]

Pixel Scroll 5/25/16 Hivescape

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(1) TINGLE IN YOUR PACKET. Maybe this helps explain why the Hugo Voter Packet wasn’t released on May 23.

(2) RUNAWAY TRAILER. The Hollywood Reporter analyzes “’Ghostbusters’: How Sony Plans to Out-Slime the Online Haters”.

When Sony Pictures’ second trailer for its female-fronted Ghostbusters reboot appeared online May 18, fans initially had to find it on Facebook. The studio had switched from YouTube, which hosted the first trailer, in a deliberate effort to combat a cacophony of negative reaction emanating from a very vocal minority online.

With the YouTube trailer, bloggers could embed the player on their sites to congregate negativity on Sony’s official YouTube channel, a move akin to spraying toxic green slime all over the studio. As a result, the Ghostbusters teaser was dubbed the most disliked trailer ever — not the kind of buzz Sony or director Paul Feig want just months before the $150 million comedy’s July 15 release.

Given the high stakes riding on the franchise reboot starring Melissa McCarthy, Kristen Wiig, Leslie Jones and Kate McKinnon, the studio was determined not to let the anti-Ghostbusters contingent mar the movie’s perception. “What tends to happen with a beloved property is the fanboy or the fangirl shows up and says, ‘How dare you remake this?’ ” says Sony domestic marketing president Dwight Caines.

But the umbrage taken has been even more pronounced than for the average reboot, and many believe it’s because Ghostbusters marks the first major film to get a female-centric redo (plans for others are in the works, from Ocean’s Eleven to The League of Extraordinary Gentlemen). Gender politics is rearing its ugly head, some say, with even Donald Trump weighing in last year on Instagram: “Now they’re making Ghostbusters with only women. What’s going on?!”

To some extent, Sony was expecting negative reaction to the first trailer, which contained very few special effects scenes because they mostly weren’t ready. When the studio launched the first footage of Sam Raimi’s 2002 Spider-Man, it scored a 65 percent negative rating. For the 2012 reboot The Amazing Spider-Man, it was 60 percent negative. And Daniel Craig’s first James Bond film, Casino Royale, drew a 55 percent negative rating.

(3) TORCHWOOD. ScienceFiction.com tells about an audio reunion of the Torchwood stars.

Big Finish has been issuing new ‘Torchwood’ adventures and not only have the original actors been returning to provide their voices, but the stories are set before the third series ‘Children of Earth’ meaning that fan favorite Ianto Jones played by Gareth David-Lloyd is still alive in them.

Recently, Eve Myles, who played one of the show’s two focal characters Gwen Cooper announced she was retiring the role, but it appears she has one more go-round for the character.  Myles will reunite with John Barrowman/Captain Jack Harkness, Kai Owen/Rhys Williams and David-Lloyd for the newest Big Finish miniseries ‘Torchwood: Outbreak’ which will be released as a three-part boxed set this November.  Previously, the stars each headlined their own solo installments, except for Myles and Owen who appeared together in ‘Forgotten Lives’.  But this will be the first time all four will participate together in one audio story.

Torchwood-Outbreak COMP

(4) HUMBLE AT TWENTY-ONE. The Small Beer Press fiction HumbleBunde offers up to 21 books worth as much as $184.

Pay $1 or more for Meet Me in the Moon Room by Ray Vukcevich, Trash Sex Magic by Jennifer Stevenson, The Fires Beneath the Sea by Lydia Millet, Fire Logic by Laurie J. Marks, The Liminal People by Ayize Jama-Everett, Generation Loss by Elizabeth Hand, Tyrannia by Alan DeNiro, The Monkey’s Wedding and Other Stories by Joan Aiken, and Stranger Things Happen by Kelly Link. Pay more than the average price to also receive A Stranger in Olondria by Sofia Samatar, Couch by Benjamin Parzybok, Travel Light by Naomi Mitchison, The Entropy of Bones by Ayize Jama-Everett, Kalpa Imperial by Agelica Gorodischer, translated by Ursula K. Le Guin, Solitaire by Kelley Eskridge, and North American Lake Monsters by Nathan Ballingrud.

Pay $15 or more for all of that plus Carmen Dog by Carol Emshwiller, The Child Garden by Geoff Ryman, Storyteller: Writing Lessons and More from 27 Years of the Clarion Writers’ Workshop by Kate Wilhelm, After the Apocalypse by Maureen F. McHugh, and Archivist Wasp by Nicole Kornher-Stace.

The bundle supports charities and buyers can direct where the money goes — between Small Beer Press, Worldreader, and, if you’d like, a second charity of your choice via the PayPal Giving Fund.

(5) SFWA HANGOUT. SFWA President Cat Rambo announced a new series of online chats.

Starting May 30 at noon Pacific time, every two weeks I’ll be hosting a chat on Google hangouts talking about what we’re doing, what’s coming up, recent issues and achievements, and the state of the industry overall. The chat will be broadcast live as well as recorded for the SFWA Youtube channel, and will feature a small group (4-5 people) of SFWA officials, staff, volunteers, members, and other visitors as appropriate each time.

Both SFWA members and non-members are encouraged to submit questions and comments for use on the show. You can submit them by mailing them to [email protected] or by posting them here.

(6) SWIRSKY GUESTS. At Mary Robinette Kowal’s blog, Rachel Swirsky has written a meditative memoir piece about painful moments where lives intersect with oppression.

(7) WHAT MADE THEM MAD. University of Oregon’s Jordan Schnitzer Museum of Art (JSMA) hosts “Aliens, Monsters, and Madmen: The Art of EC Comics” through July 10.

Aliens, Monsters, and Madmen celebrates the achievements of the most artistically and politically adventurous American comic-book company of the twentieth century: Bill Gaines’s Entertaining Comics, better known to fans all over the world as EC. Specializing in comic-book versions of popular fiction genres—particularly Crime, Horror, War, and Science Fiction—the company did far more than merely adapt the conventions of those genres to the comics medium.  In the case of the now legendary Science Fiction and Horror titles, Weird Science and Tales from the Crypt, the creators at EC actively extended those genre conventions, while simultaneously shaping the imaginations of a subsequent generation of writers and filmmakers, such as Stephen King, George Lucas, John Landis, George Romero, and Steven Spielberg.

EC also broke new ground in the realm of satire as the publisher of MAD, an experimental humor comic that parodied the very stories that were elsewhere its stock in trade. EC Comics offered a controversial mix of sensationalism and social provocation, mixing titillating storylines and imagery with more overtly politically progressive material. Alongside comics about beautiful alien insect-women who dine on unsuspecting human astronauts, for example, they also tackled subjects that other popular media of the era avoided, including racism, corruption, and police brutality.  As a result, the company attracted the disapproval of parents, politicians, and moralists everywhere, and was ultimately driven out of business as the result of a conservative “anti-comics” backlash in 1954. (Only MAD survived, by becoming a magazine in the mid-1950s; it remains in print today.)

The exhibition is curated by Ben Saunders, professor, Department of English. Saunders curated the JSMA’s previous comics exhibitions, Faster Than A Speeding Bullet: The Art of the Superhero (2009) and Good-Grief!: A Selection of 50 Years of Original Art from Charles M. Schulz’s Peanuts (2012).

The JSMA is located on the University of Oregon Campus in Eugene.

(8) COOKE. Thomas Parker writes an appreciation of the late Darwyn Cooke at Black Gate – “Hope, Heroism, and Ideals Worth Fighting For: Darwyn Cooke, November 16, 1962 – May 14, 2016”

I was surprised and deeply saddened on May 14th to learn of the death from cancer of comic artist and writer Darwyn Cooke, at the much too early age of 53.

Over the past decade, I have gradually lost most of my interest in current comics, especially ones from DC and Marvel that deal with long established characters; the medium (always with some honorable exceptions, of course) has largely grown too violent, too jaded, too self aware and self indulgent to produce much work that engages me.

The shock for shock’s sake taboo breaking, the endless restarts and reboots, the universe-altering big events that promise to “change everything” — they all long ago began to merge together into one dull blur, like an old chalkboard that has been written on and erased too many times. How often can you really “change everything” before you are in danger of eradicating the ties of memory and affection and shared history that connect a medium and its audience? That’s what happened with me, anyway. What the hell — maybe I’m just getting old.

There are exceptions though, as I mentioned, and Darwyn Cooke was one of them. I was always eager to see anything he produced; when a new Cooke was in my hands, I felt as young as I did the day I bought my first comic book (House of Mystery 175, July-August, 1968).

(9) TODAY IN HISTORY

  • May 25, 1953 – It Came From Outer Space premieres. Although credited to Harry Essex, most of the script, including dialogue, was copied almost verbatim from Ray Bradbury’s initial film treatment.
  • May 25, 1977 — George Lucas’ Star Wars was released.

(10) TODAY’S BIRTHDAY BOY

  • Born May 25, 1944 — Frank Oz (born Richard Frank Oznowicz), age 72.

(11) CONNECTIONS. On Twitter yesterday comedian and CNN United Shades of America host W. Kamau Bell mentioned that he and N.K. Jemisin are cousins together in Mobile, Alabama.

Here’s the Tweet. (And Jemisin dropped in with a couple of replies.)

(12) A HEARTFELT APOLOGY. From The Jimmy Kimmel show.

The most recent episode of “Game of Thrones” was particularly upsetting for fans of the show. Even now people are still talking about the shocking turn of events at the end of the show – and producers DB Weiss and David Benioff took the extraordinary step of apologizing to their fans.

 

[Thanks to John King Tarpinian, and Marc Criley for some of these stories. Title credit goes to File 770 contributing editor of the day Ian P.]

Pixel Scroll 5/15/16 Think Baloo, Count Two

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(1) TWO FIVES WORTH OF WISDOM. Cecilia Tan shares “Ten Things I Learned at SFWA Nebulas Weekend”. Here’s the outline, click through for details:

  1. We Clean Up Pretty Good
  2. Kickstarters Should Be Pretty
  3. At Patreon a Little Means a Lot
  4. Dictate for Artistry
  5. The Myth of Self-Publishing
  6. White Knights and Online Harassment
  7. Think Globally
  8. You Can’t Be in Two Places at Once
  9. John Hodgman is Really Funny
  10. Not the Hugos or the Worldcon

[Warning: One Filer says this was flagged on her system as NSFW. I don’t see anything problematic on that page. However, Tan does write some NSFW things which may be elsewhere on her site.]

(2) NEBULA WINNERS PHOTO.

(3) NEBULA LOSERS CELEBRATION. Meanwhile, an informal survey showed only 50% of SFWAns know how to make an “L” sign on their foreheads.

(4) GRANDMASTER CHERRYH. Black Gate’s John O’Neill has posted a video of C.J. Cherryh’s SFWA Grandmaster panel.

This weekend I attended the 2016 Nebula Conference here in Chicago, where CJ Cherryh received the SFWA Damon Knight Grand Master Award, the highest honor bestowed by the Science Fiction Writers of America. Part of the Friday afternoon programming included “An Hour With CJ Cherryh, SF’s Newest Grandmaster.” I sat in the front row, with Nebula nominees Ann Leckie and Lawrence M. Schoen, and captured the first part of the speech, in which Cherryh entertained the audience with recollections of her childhood ambition to be a writer, discovering science fiction, her early career, selling her first novel to Donald Wollheim at DAW Books, and her recent marriage to fellow novelist Jane Fancher.

 

(5) SAME NIGHT, AT THE BRAM STOKER AWARDS. Ace Antonio Hall knew from the look of Scott Edelman’s piñata-colored jacket there was still some candy left….

(6) WISE INVESTMENTS FOR YOUR PLAY MONEY. From Die Welt, “Game of Thrones: Real estate and Prices in Westeros”.

The dungeons and castles located on the continent of Westeros have kept the families known from the tv-show “Game of Thrones” safe and sound for centuries. What if several properties from the show were suddenly listed for sale? Christoph Freiherr Schenck zu Schweinsberg, leading expert on castles for the real estate agency Engel & Völkers, checked out some of the unreal estate objects….

Andrew Porter is skeptical about these exorbitant valuations:

I don’t believe any of the properties have indoor plumbing, and the thought of being shot with a crossbow while sitting on the throne (no, not the Iron Throne!) may give you second thoughts about buying any of these…

(7) TOLKIEN’S FRIEND. Tolkien scholar John Garth contributed to “Robert Quilter Gilson, TCBS – a documentary”.

When Tolkien writes in the Foreword to The Lord of the Rings that ‘by 1918 all but one of my close friends were dead’, he is referring to his friends in a clique formed at school but later bonded by the First World War – the TCBS. Of these, Robert Quilter Gilson was the first to be killed, on the first day of the Battle of the Somme, 100 years ago this July. Tolkien’s shock and grief infuses one of the first items in The Letters of JRR Tolkien: ‘His greatness is … a personal matter with us – of a kind to make us keep July 1st as a special day for all the years God may grant to any of us…’

Geoffrey Bache Smith never returned from the Somme either; only Tolkien and Christopher Luke Wiseman, a naval officer, survived the war. The letters written by Tolkien, Gilson, Wiseman and Smith form the heartbeat of my book Tolkien and the Great War. For Gilson, thanks to the wonderful generosity of his relatives, I was also able to draw a little from the many letters he wrote home from the training camps and trenches to his family and to the woman he loved.

Now, with my help, Gilson’s letters have been used as the basis for a 40-minute documentary by the school, King Edward’s in Birmingham.

 

(8) TODAY’S BIRTHDAY BOY

  • Born May 15, 1856 – L. Frank Baum. John King Tarpinian has a Baum story —

A number of years back I went to an author event for a friend. She raises Cairn Terriers aka Toto Dogs. The author, a grand nephew of Baum was using a rubber stamp made from an imprint of Toto’s paw to sign the books.

Baum’s house was in Hollywood, just behind Musso & Frank Grill. It is now a mid-60s apartment building. In those days just about every house had an incinerator for burning trash, my parent’s home had one that also worked as a BBQ & wood burning oven.

Shortly after his death a niece came over to the house to visit her aunt to see how she was doing. Baum’s wife was in the back yard burning his papers. She figured since all of his books were on the shelves there was no need for the old papers. The niece explained to her why that was not a good idea to continue. You could feel the people in the event audience shudder at the thought.

(9) CHOOSING HELL. Brad R. Torgersen takes SFWA’s choice of Max Max: Fury Road for its dramatic award as the text for his message, in “The Martian and Mad Max”.

…Of course, The Martian was every inch a Campbellian movie, while Fury Road was almost entirely New Wave.

Guess which aesthetic dominates and excites the imaginations of SF/F’s cognoscenti?

I know, I know, I am a broken record about this stuff. But it never ceases to amaze me (in an unhappy way) how the so-called writers of Science Fiction, seem to be in such a huge hurry to run away from the roots of the field. I’ve read and listened to all the many arguments — pro and con, from both sides — about how Campbell rescued the field from the Pulp era, but then New Wave in turn rescued the field from the Campbell era. So it might be true that we’re finally witnessing the full maturation of SF/F as a distinct arena of “serious” literature, but aren’t we taking things too far? Does anyone else think it’s a bad idea for the field to continue its fascination with cultural critique — the number of actual nutty-bolty science types, in SFWA, is dwindling, while the population of “grievance degree” lit and humanities types, in SFWA, is exploding — while the broader audience consistently demonstrates a preference for SF/F that might be termed “old fashioned” by the modern sensibilities of the mandarins of the field?

Now, I think there is a very strong argument to be made, for the fact that Campbellian vs. New Wave is merely the manifestation of a deeper problem — a field which no longer has a true center. The two “sides” in the discussion have been taking shots at each other since long before I was born. The enmity may be so ingrained — in the internal conversation of SF/F — that nothing can reverse it. Save, perhaps, the total explosion of the field proper….

(10) BAD DAY IN SANTA FE. Bleeding Cool posted screencaps of a con committee’s rude Facebook comments in “Santa Fe Comic Con Makes Social Media Faux Pas”.

Instead of faux pas, how about we just say you shouldn’t call anyone a boob model?

(11) TIME TRAVEL ON FALL TV SCHEDULE. NBC’s new drama Timeless, starring Abigail Spencer, Matt Lanter and Malcolm Barrett, follows a team chasing a criminal intent on destroying America through time.

(12) AND THIS. NBC’s new comedy The Good Place follows Eleanor Shellstrop and her mentor as she tries to become a better person in the afterlife.. Stars starring Kristen Bell and Ted Danson.

(13) TIME OUT. Trouble, as one of last year’s Best Graphic Story Hugo nominees goes on hiatus. Mad Art Lab reads the Twitter tea leaves in “Tess Fowler Pushed Out of Rat Queens?”

Comic book fans were deeply saddened by the recent news that Rat Queens, the Eisner Award-nominated comic book series, was going on hiatus. As fans likely know, Rat Queens has had a tough run since the series launched in 2013. In 2014, artist/co-creator Roc Upchurch was removed from the series after being arrested on charges of domestic violence. His departure made room for Tess Fowler, who was a natural fit artistically – but also seemed to some a symbolic choice, given her history of speaking up for women in comics. Unfortunately, it seems that is at an end. Fowler announced she would be leaving the series a few weeks ago, with creator Kurtis Wiebe making the news of a hiatus official…

(14) MEMOIR COMPETES AT SF BOOK FEST. Congratulations to Francis Hamit – A Perfect Spy received recognition at the San Francisco Book Festival.

A Perfect Spy, Francis Hamit’s memoir from fifty years ago of his adventures as an undercover police operative fighting the drug trade while a student at the University of Iowa has been awarded runner up (or second place) in the Biography/Autobiography category by the 2016 San Francisco Book Festival.  It is an excerpt from a larger forthcoming work entitled OUT OF STEP: A Soldier’s memoir of the Vietnam War Years.

The book also includes Hamit’s encounters with notable figures such as novelist Nelson Algren, filmmaker Nicholas Meyer and the poet Donald Justice, and his enthusiastic participation in the Sexual Revolution even as he resisted the onslaught of the drug culture.  It was a transformative time for him that led to his abandonment of a theatrical career for one as a writer and his enlistment in the U.S. Army Security Agency at the height of the Vietnam War when most of his contemporaries were trying to evade military service.

(15) NEW BFG TRAILER. Disney’s The BFG comes to theaters July 1, 2016.

(16) STUDY TIME. Paul Fraser at SF Magazines reviews the stories in the June 1940 issue of Astounding, including Retro Hugo nominee “The Roads Must Roll” by Robert Heinlein.

[Thanks to John King Tarpinian, Hampus Eckerman, Andrew Porter, Cora Buhlert, Mark-kitteh, and Will R. for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 5/11/16 Time Enough For LOVE IS REAL!

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(1) REDWOMBAT LOVEFEST. Tor.com is hosting — “’THE POTATO GOD WILL RISE.’ We Are Obsessed With Ursula Vernon’s Tumblr”.

But even if you don’t head over for the sketches and art, there are stories in abundance. For example, a true story about Vernon’s childhood, and “the thing” that she knew hid right behind her in her grandmother’s bathroom. (This tale eventually veers into precognition and predestination, believe it or not):

It seemed to me, looking in the enormous bathroom mirror, that I could see every part of the bathroom except the spot directly behind me, so that was where the unseen creature must be standing.

I didn’t know what it looked like. I had a vague feeling it was grey and shadowy and very flat, with long arms. I thought it would probably have eyes, but no mouth, but that was only a guess.

If I moved suddenly, it moved with me. At first, I thought it was just much faster than me, but that seemed sort of improbable–and when my mother would come into the bathroom, it wouldn’t matter how fast it was, it might risk being caught because there wouldn’t be any place it could stand that one of us couldn’t see it.

If fairy tales are more your beat, Vernon wrote her own version of the story about frogs falling from a girl’s lips when she speaks….

(2) RETRO HUGO FAN CATEGORIES. The FANAC Fan History Project is making available online as many 1940 Retro Hugo Nominees as it can. Joe Siclari writes:

For those of you planning to vote in this year’s Retro Hugo Fan Categories, the FANAC Fan History Project is providing relevant original materials for your reading pleasure.  Too many times, Retro Hugos go to the nominee with the best name recognition.  We have worked to make this material available so that everyone has a chance to read for themselves and cast a more knowledgeable vote.

The fanzines are here. They already have —

  • Ray Bradbury’s Futuria Fantasia
  • Bob Tucker’s Le Zombie and
  • Harry Warner, Jr.’s Spaceways

They are trying to get 1940 copies of Forrest J Ackerman’s and Morojo’s Novacious and Ackerman’s Voice of the Imagi-Nation.

If you have copies that you can scan for us or loan to us to scan, please contact Joe Siclari ([email protected]) or Edie Stern ([email protected]).

FANAC’s Retro Hugo page also includes works by Best Fan Writer nominees from other 1940 fanzines than the fanzines listed above.

They have also made available an array of other fanzines from 1940: Shangri-La, Fantasy News, Futurian Observer and Fantascience Digest. Look for these at Classic Fanzines.

(3) HINES REPOST. Our Words, the new site about disabilities in sf, continues its launch by reposting Jim C. Hines on “Writing with Depression”, which first appeared on SF Signal in 2014.

From what I’ve seen, that anxiety is pretty typical for most novelists. But I’m particularly nervous about my next book, Unbound. This is the third book in my current series, and will probably be out in very early 2015, give or take a few months. I’ve put my protagonist Isaac through an awful lot in the first two books. As a result of those events, when we see Isaac again in Unbound, he’s struggling with clinical depression.

This isn’t the casual “had a rough day” depression people often think about. This is the debilitating one, a mental disability that’s damaging Isaac’s health, his job, and his relationships. This is…well, in a lot of ways, it’s similar to what I was going through two years ago. (Admittedly, Isaac’s depression is a bit more extreme, and I didn’t have to worry about cursed thousand-year-old magical artifacts, or accidentally setting a cathedral on fire with a lightning gun.) …

(4) BESIDES DUNE. John Bardinelli makes sure you don’t miss “5 Overlooked Masterpieces by Frank Herbert” at B&N Sci-Fi & Fantasy Blog.

This week, Brian Herbert released a collection of his late father Frank’s unpublished short stories. It’s an odd, genre-spanning assemblage from creator of Dune, filled not only with science fiction tales, but mysteries, thrillers, “men’s adventure stories,” and more. It’s an intriguing look at the unheralded work of one of the most influential authors of the 20th century—proof that success in publishing doesn’t mean everything you’ve ever written will be a success, and another reminder the when you write one of the greatest science fiction novels of all time, everything else you’ve done suddenly becomes a footnote.

The phenomenon hardly stops with Herbert’s short fiction. Both before and after his signature series took off, he wrote thoughtful, mind bending sci-fi novels that you probably haven’t read, or even heard of, that deserve (almost) as much praise as Dune. Here are five worth tracking down.

Whipping Star One thing Star Trek tends to gloss over is how difficult it is to communicate with alien life. Linguistic and cultural barriers are a challenge, but what if a species doesn’t experience reality the same way we do? The Calebans in 1970’s Whipping Star are the perfect example: they look like stars to our squishy little eyes, and the concepts of linear time and occupying a singular position in space are completely foreign to them. When one of the Caleban needs help from a human, communication is an instant problem. Whipping Star treats us with a firsthand account of this puzzle, feeding us nearly nonsense dialogue until its ideas slowly start to make sense. It’s one of those books that gives you a solid “Ah ha!” moment, independent of the storyline…..

(5) BRITISH BOOK INDUSTRY AWARDS. The Loney by Andrew Michael Hurley won Book of the Year at the British Book Industry awards. The Guardian has the story.

First published in a limited print run of just 300 copies by independent publisher Tartarus Press, The Loney tells of a pilgrimage to the Lancashire coast, “that strange nowhere between the Wyre and the Lune [where] the neap tides would reveal the skeletons of those who thought they could escape its insidious currents”. Word-of-mouth success with the small Yorkshire publisher meant it went on to be acquired by John Murray, and to win the Costa first novel award in January.

The British Book Industry awards, for “books that have been both well-written and brilliantly published”, called The Loney a “true British success story”. “A debut novel suspended between literary gothic and supernatural horror, it was written by an unknown author in his 40s, who worked part-time for 10 years to be able to write,” said organisers of the awards, which are run by The Bookseller magazine. “[The Loney] quickly became the hot literary novel, with almost 100 times its original print run.”

The Loney beat titles including Paula Hawkins’s international hit The Girl on the Train, and Harper Lee’s Go Set a Watchman to the top prize at the British Book Industry awards this evening. The award for non-fiction book of the year went to Lars Mytting and Robert Ferguson’s guide to wood-chopping, Norwegian Wood, a title which organisers said “demonstrated great publisher faith and vision”, while best children’s book was won by David Solomons’s My Brother is a Superhero.

(6) NOMINATION CLUSTERS. Brandon Kempner at Chaos Horizon continues his search for statistical clues to the Hugo-winning novel in  “Checking in with the 2016 Awards Meta-List”. Who’s leading the Meta-List? Here’s a hint: it involves the number five.

For this Meta-List, I track 15 of the biggest SFF awards. Since each award has its own methodologies, biases, and blind spots, this gives us more of a 10,000 foot view of the field, to see if there are any consensus books emerging.

As of early May we have nominees for 10 of the 15 awards. I track the following awards: Clarke, British Fantasy, British SF, Campbell, Compton Crook, Gemmell, Hugo, Kitschies, Locus SF, Locus Fantasy, Nebula, Dick, Prometheus, Tiptree, World Fantasy. I ignore the first novel awards….

(7) RACHEL SWIRSKY IN CHICAGO. She has posted her Nebula Awards schedule.

Thursday, 4pm-5pm: Come visit me to discuss short stories: “Brainstorm a problem area, or ask questions about writing short fiction.”

I’m also on three panels:

Friday, 1pm: The Second Life of Stories: handling backlist and reprints. Panelists: Sarah Pinsker, Rachel Swirsky, Colleen Barr, Marco Palmieri, John Joseph Adams, Don Slater

Friday, 4pm: Medicine after the End of the World: managing chronic conditions and serious illness after the apocalypse. Panelists: Annallee Flower Home, Nick Kanas, Daniel Potter, Rachel Swirsky, Michael Damien Thomas, Fran Wilde

Saturday, 4pm: Redefining the Aliens of the Future. Panelists: Juliette Wade, Charles Ganon, Nick Kanas, Fonda Lee, PJ Schnyder, Rachel Swirsky.

I’m also participating in the mass autographing, Friday, 8-9pm. 

(8) MARS MY DESTINATION. David D. Levine, whose Arabella of Mars will be out from Tor in July, also has a full dance card this weekend.

I’m at the airport again, heading for the Nebula Conference in Chicago, where I will learn whether or not my short story “Damage” won the Nebula Award. I will also appear on programming:

  • Thursday May 12, 2:00-3:00 pm: Interfacing with Conventions in LaSalle 2 with Lynne Thomas, Dave McCarty, Michael Damian Thomas, and Michi Trota
  • Friday May 13, 8:00-9:30 pm: Mass Autographing in Red Lacquer Room. Free and open to the public. I will have ARCs of Arabella of Mars to give away!
  • Saturday May 14, 8:30-10:00 pm: Nebula Award Ceremony in Empire Room.
  • Saturday May 14, 10:00-11:00 pm: Nebula Alternate Universe Speeches in Empire Room.
  • Sunday May 15, 10:00-11:00 am: When Is It Time for a New Agent? in LaSalle 2 with Kameron Hurley.

As long as I am in Chicago, I will also be appearing at Book Expo America, signing ARCs of Arabella of Mars 1:00-2:00 pm at autograph table 7.

(9) CHECK ANYONE’S NEBULA SCHEDULE. Here’s the tool that will let you find any SFWAn’s panel at this weekend’s event – Nebula Conference 2016 Schedule.

(10) CONGRATULATIONS TO THE CHU FAMILY. No need to look up Wesley Chu’s Nebula schedule –

(11) TODAY IN HISTORY

  • May 11, 1936 – Dracula’s Daughter was released. Trivia: Bela Lugosi was paid for his participation in publicity photos for this film even though he did not appear in it.

DraculasDaughter

  • May 11, 1984 – Firestarter premiered, a movie based on a Stephen King novel.

(12) ELLIOTT REVIEWED. We mustn’t overlook a book with the magic number in the title — Microreview [book]: Court of Fives by Kate Elliott at Nerds of a Feather.

It might be easy to, at first glance, compare this book with other YA franchises because of its use of death sports and young people. Fives is a game where participants are part athletes, part combatants, and routinely die or are seriously injured on the court. It’s a game that involves complex traps and requires a keen mind and strong body. And it sits at the heart of a plot that revolves around political intrigue, oppression, and privilege. So at first blush it might seem slightly familiar. And yet the character work and the setting set it apart, give it a more historically grounded feel where Fives is more reminiscent of chariot racing than anything more contemporary.

(13) ADVANCED READING CODEX. At Black Gate, Elizabeth Cady argues “The Birth of the Novel” happened a thousand years earlier than some academics believe.

In my last post, I described one product of the Hellenistic period of ancient art as the invention of the novel. This surprised many people, who thought that the novel was an invention of a much later time. So of course, being an academic of leisure (she says as she ducks a flying juice box), I had to say more about it.

Some scholars do date the invention of the novel to the Modern period in Western Europe. I will display my ignorance and say I do not know why this is. Many books exist outside of English, outside of the Modern period, and in fact outside of the Western hemisphere that easily qualify as novels, so it is difficult for me to see this claim as much more than chauvinism. But if someone wants to correct me on this point, I am willing and eager to be enlightened. Or to fight you on it.

The first novel that we have comes from somewhere between the 2nd Century BCE and the 1st Century CE. It is a positively charming little book called Callirhoe, and it describes the travails of a beautiful young woman who marries her true love, an equally handsome young man named Chaereas. Shortly after their wedding, he kicks her in a fit of jealous rage and she dies.

At least that’s what everyone thinks. She has in fact been put into a coma, only to awaken when pirates invade her tomb. These pirates kidnap her and take her to Miletus to sell her at the slave market; she is then sold to a man named Dionysius. Callirhoe is so beautiful and virtuous that Dionysius falls in love with her as well, and asks her to marry him. She would refuse but she has discovered she is pregnant with her first husband’s child, and agrees to the marriage out of maternal devotion….

(14) THE PEEPS LOOK UP. John DeChancie reposted his homage to the LASFS clubhouse on Facebook.

…I only remember the good times. I remember the late nights, the Mah Jongg, the Hell games, the cook outs, the late night bull sessions. . .but what I cherish most is the sheer pleasure of meeting and talking with other people who share my view of the universe.

No, let me rephrase that. I look forward to people who have a view of the universe to share. Not everyone does. What most distinguishes the mentality of SF and its fandom from that of the mundane is the capacity to be aware of the vastness of everything out there, all the wild possibilities, the fantastic vistas, the realms of infinite regress, the black reaches and streams of bright plasma. Most humans have their myopic eyes fixed on the dirt. They don’t look up much. When they do, it is with fear and apprehension….

(15) AEI STAR WARS PANEL. The American Enterprise Institute presents “The world according to Star Wars”, part of the Bradley Lecture Series, on Tuesday, July 14. RSVP to attend this event, or watch live online here on June 14 at 5:30 PM ET. (Registration is not required for the livestream.)

Cass Sustein joins AEI scholars Norman Ornstein, James Pethokoukis, and Michael Strain to discuss his new book, “The World According to Star Wars,” a political and economic comparison of the “Star Wars” series and today’s America.

Cass Sunstein, the Robert Walmsley University Professor at Harvard Law School, has turned his attention to one of the most beloved and successful film series of our time, “Star Wars.” In his new book, “The World According to Star Wars” (Dey Street Books, 2016), Mr. Sunstein, who has written widely about constitutional and environmental law and behavioral economics, argues the legendary series can teach us a lot about economics, law, politics, and the power of individual agency.

Mr. Sunstein will be joined by AEI’s Norman Ornstein, James Pethokoukis, and Michael Strain for a discussion of the timeless lessons from “a long time ago in a galaxy far, far away.” Books will be available for purchase, and a book signing with follow the event.

(16) NEW SAMPLES AT GRRM SITE. George R. R. Martin told Not A Blog readers where to find new samples from two forthcoming books.

For all the Wild Cards fans out there, we’ve got a taste of HIGH STAKES, due out this August. HIGH STAKES is the twenty-third volume in the overall series, and the third and concluding part of the ‘Fort Freak’ triad. The sample is from the pen of the talented Ian Tregillis, and features Mollie Steunenberg, aka Tesseract. You’ll find it at: http://www.georgerrmartin.com/wild-cards-excerpt/

((Readers with weak stomachs be warned, HIGH STAKES is our Lovecraftian horror book, and things do get graphic and bloody and… well… horrible. Althought not so much in the sample)).

And… because I know how much bitching I’d get if I offered a new sample from Wild Cards without also doing one from A SONG OF ICE & FIRE… we’ve also changed the WINDS OF WINTER sample on my wesbite, replacing the Alayne chapter that’s been there for the past year with one featuring Arianne Martell. (Some of you may have heard me read this one at cons).

Have a read at: http://www.georgerrmartin.com/excerpt-from-the-winds-of-winter/

You want to know what the Sand Snakes, Prince Doran, Areo Hotah, Ellaria Sand, Darkstar, and the rest will be up to in WINDS OF WINTER? Quite a lot, actually. The sample will give you a taste. For the rest, you will need to wait.

And no, just to spike any bullshit rumors, changing the sample chapter does NOT mean I am done. See the icon up above? Monkey is still on my back… but he’s growing, he is, and one day…

(17) ZOOM BY TUBE. From Financial Times: “Musk’s Hyperloop in step towards reality”. (Via Chaos Manor.)

Elon Musk’s dream of ultra-high speed travel through a tube came a small step closer to reality on Tuesday, when one of the companies set up to pursue the idea announced it had raised another $80m and said it was ready to show off a key part of the technology.

Mr Musk, chief executive officer of Tesla Motors and SpaceX, stirred a wave of interest in 2013 in a technology known as hyperloop — a tube from which air is pumped out to maintain a near-vacuum, theoretically making it possible for pods carrying people or freight to move at close to the speed of sound.

The idea was floated as a potential alternative to California’s plans for a high-speed rail line between San Francisco and Los Angeles. Coming from an entrepreneur who has come to be seen in some tech circles as a visionary, it attracted enough attention to trigger a race among start-ups trying to prove the technology is in fact practical.

(18) AGENT CARTER. E!News asks“Did ABC Just Secretly Cancel Agent Carter?”. BEWARE SPOILERS.

Warning: The following contains mild spoilers for both last night’s new episode of Agents of S.H.I.E.L.D. and Captain America: Civil War. If you’re particularly averse to those sorts of things, you may want to turn away. Consider yourselves warned.

Dearly beloved, we gather here today to pay tribute to to the life of Agent Peggy Carter. But is it also time that we begin mourning Agent Carter, too?

If you didn’t make it out to the megaplex over the weekend to catch Captain America: Civil War, last night’s new episode of Agents of S.H.I.E.L.D. probably dropped quite a bomb on you with their brief mention about the passing of the beloved founding member of S.H.I.E.L.D. at the age of 95. That’s right, friends—Peggy Carter is dead….

(19) RED S GOING FROM CBS TO CW? ScreenRant explains why “Supergirl Season 2 Move to The CW Now a Stronger Possibility”.

CBS joined fellow TV networks FOX and The CW in airing its own DC Comics-based TV show in 2015 with Supergirl. However, the future of the series, starring Melissa Benoist as Kara Danvers a.k.a. Kara Zor-El (Superman’s cousin), is currently up in the air following the airing of its season 1 finale. Although CBS CEO Les Moonves previously appeared to suggest that Supergirl season 2 is all but a done deal, the show has yet to be formally renewed, even now that the deadline for such a renewal is staring CBS right in the face.

There have been rumors that Supergirl could make the move to The CW – the place that Supergirl co-creators Greg Berlanti and Andrew Kreisberg’s other DC superhero TV shows (Arrow, The Flash, Legends of Tomorrow) call home – for its sophomore season. While those claims were relatively shaky in nature, it’s now being reported that Supergirl moving to The CW is more of a real possibility and that steps are being taken to prepare for such a change, behind the scenes on the series.

(20) QUICK SAVE. “Here’s hoping The Flash wrote Kevin Smith a big fat check” says Polygon.

Whatever they paid for last night’s episode, it wasn’t enough

Whatever amount of money CW paid Kevin Smith to direct last night’s episode of The Flash, it wasn’t enough. The man responsible for Clerks (and everything that’s followed in its wake) single-handedly pulled the show out of a narrative tailspin the likes of which haven’t been seen on television since the second season of Heroes.

Now it’s up to the show’s core team to follow through and finish on a high note. Here’s how it went down.…

(21) MOVIES TO WATCH FOR. Hampus Eckerman recommends keeping an eye open for a chance to see these three movies.

A group of online gamers are invited to try a state-of-the-art virtual reality video game but things take a turn for the sinister when these masters of the shoot ’em up discover they will literally be fighting for their lives.

 

 NEUROO-X, a German-Swiss-Chinese entertainment company group, stands for games that dissolve the boundary between reality and gaming). A new gadget, the myth-enshrouded RED BOOK, offers the ultimate gaming experience. The most secret longings of gamers are scanned by the engine and transformed into fantastic adventures. The conspiracy psychoses of users are the raw material for the storytelling of NEUROO-X. Marcus, Chief Development Manager of NEUROO-X dies shortly before completion of the RED BOOK. His lover Ryuko finds out that something terrible happened during testing of the game in China, and the deeper she submerges into the secret of NEUROO-X, the more she loses touch with reality. She neglects her son Walter, who logs into the game and disappears into the digital parallel world. The more Ryuko fights the corporation in order to rescue her son, the more she updates the narrative desired by NEUROO-X. Ryuko finds herself in a world full of demons, witches, knights and terrorists.

 

Three ordinary guys are thrust into a parallel world of an old Sci-Fi movie. Trapped in a low budget universe they must somehow fight their way home before it is too late.

 

(22) TEACH YOUR HATCHLINGS WELL. “Godzilla Celebrates Take Your Child to Work Day!” at Tor.com features wonderful kaiju humor.

Take Your Child To Work Day is a chaotic time – hordes of tiny creatures swarming office spaces, demanding attention and snacks and opportunities to spin around in swivel chairs. But imagine, if you will, Godzilla participating in this tradition! Tumblr-er CaqtusComics proposed such a scenario to fellow Tumblr-er Iquanamouth, and the resulting comic is perfection.

[Thanks to John King Tarpinian, Hampus Eckerman, Michael J. Walsh, Rachel Swirsky, David D. Levine, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Will R.]

Pixel Scroll 5/7/16 All True Scrollaroos Meeting At Worldcon Hinder Pixelman Agenda

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(1) HOPEFULLY INCURABLE. Rhianna Pratchett reacted to the news item that also inspired #12 in yesterday’s Scroll (“Nailsworth teacher claims Harry Potter books cause mental illness”):

(2) CRAZY EX RATED. On NPR’s Wait Wait…Don’t Tell Me, “Not My Job: Actress Rachel Bloom Gets Quizzed On Crazy Ex-Boyfriends”.

Since she’s the expert on crazy ex-girlfriends we’ve decided to ask her three questions about some well-known crazy ex-boyfriends in a game called “No! Really! This time I’ll change!”

She mentions Ray Bradbury, subject of her 2011 Hugo-nominated song.

Rachel Bloom meets Ray Bradbury in 2010. Photo by John King Tarpinian.

Rachel Bloom meets Ray Bradbury in 2010. Photo by John King Tarpinian.

(3) GO AHEAD AND JUMP. David K.M. Klaus predicts, “Someday some Harry Potter fan is going to invent a practical personal jet pack or anti-gravity belt, just so he or she can play Quidditch.” ‘Til then we’ll make do with these skydiving Quidditch players from a Colombian phone commercial.

(4) PARTLY IMMORTAL. Fantasy Faction reposts “Foundations of Fantasy: The Epic of Gilgamesh”.

More than any other genre, fantasy tends to examine ancient epics. Whether it’s the study of archetypes and ectypes, or a historical understanding of narrative itself, or simply a desire to experience myths and legends that have lived for ages, these books remain alive to us. This series of posts will be about some of the more important mythic texts in history, and how they relate to modern fantasy.

The Story Behind the Story

The Epic of Gilgamesh is one of the earliest books we have on record. Original stories regarding the character date back as early as the eighteenth century BCE. The primary text was written between the 13th and tenth century BCE, in cuneiform on stone tablets. Then, it was lost for thousands of years, until it was rediscovered in 1850 in the excavation of Nineveh. Even then, it took decades to be translated into English.

Translations are tricky when dealing with situations like these. The poet Rainer Maria Rilke was one of the first people to read it translated. John Gardner (who also wrote the fantastic novel Grendel, a retelling of Beowulf from the monster’s point of view, and The Art of Fiction: Notes on the Craft for Young Authors) made a much more accurate, yet difficult to read translation, making certain to note each place the actual text was missing. Penguin Classics put out a two-volume translation by Andrew George which has received considerable acclaim. For a more poetic, if less rigorous version, Stephen Mitchell’s translation is quite readable, and uses inferences and the aforementioned earlier stories of Gilgamesh to fill in the missing gaps….

(5) GOOD STUFF. See Rachel Swirsky’s recommendation, “Friday read! ‘Hwang’s Billion Brilliant Daughters’ by Alice Sola Kim”.

One man watches the world evolve as he passes, sleep by sleep, into the future, trailing after his generations of descendants….

“Hwang’s Bilion Brilliant Daughters” by Alice Sola Kim…

(6) THE MARQUIS OF TENTACLE RULES. Is the beer as good as the label? Octopus Wants To Fight IPA from Great Lakes Beer.

Octopus-Wants-to-Fight_can_label

It pours a beautiful burnt gold edging into a dull orange, like a orange creamsicle complete with a tight white head. As you can imagine, lots of tropical fruits abound from the glass with the first whiffs, followed by a walk in the woods as pine, evergreen and some herbaceous notes are picked up. The first sip provides some sweetness, some dank grass combined with pine needles and then onto “juicy fruit”.  Soft body with some middle mouthfeel bitterness that tastes like another.

The Story “Our pet octopus is a bit of a jerk. He’s that guy who has a couple then either tells you how much he loves you or threatens to fight you. So we brewed this IPA, with 8 varieties of hops and 8 types of malt. We targeted 88 IBU and 8.8% to appease him. Sadly, when he found out that we’d fabricated all of the above info, it only made him more volatile. We are starting to realize that Octopus was a poor choice for a pet.”

Food pairing recommendations

Calamari…

(7) DRAGONSCALE. Mark Yon has a fine review of Joe Hill’s The Fireman at SFFWorld.

The arrival of the latest book by Joe Hill has generally been seen as one of the highlights of the publishing year, and has been much anticipated here at SFFWorld.

Joe has said that The Fireman is his take on his father’s masterwork The Stand. I can see what he means, though the end-results are clearly different. Whereas The Stand begins with the spread of a killer flu germ (‘Captain Trips’), The Fireman begins with the dispersal of a 21st century equivalent – a spore named Dragonscale, of unknown origin, possibly weaponised, that has spread to the general public. The symptoms occur suddenly and are quite striking – a strange dark tattoo, interlaced with gold, appears on the body,  often followed by spontaneous combustion of the person infected….

(8) FELLOW ARTISTS. Rudy Rucker blogs about recent visits to SF MOMA and other cultural events, accompanied by plenty of photos and wry commentary.

I was happy to see they have Arneson’s “California Artist” on display, wearing shades whose lenses are holes revealing, oho, that he has an empty head, California artist that he is. I first saw this sculpture when we moved to California in 1986, and I was, like, yeah, I’m a California artist too. I just didn’t realize that before. It’s high time I got here. Solidarität!

(9) FREE WEIRD. From Europa SF I learned about the English-language magazine Finnish Weird:

Finnish Weird is a free magazine published by the Helsinki Science Fiction Society. It introduces the concept of “Finnish Weird”, showcases a few writers and also includes short stories by Johanna Sinisalo, Anne Leinonen, Helena Waris, Leena Likitalo and Magdalena Hai. The printed version will be available on select occasions (come and look for the Finnish party at Worldcon!), but you can also read the zine online or get an electronic version, either as a pdf or an ebook (epub).

(8) TODAY IN HISTORY.

  • May 7, 2010 — The Marvel Cinematic Universe gets its first sequel in Iron Man 2.

(9) LET IT RAIN. The Kickstarter for Quench seeks $20,312 to fund the creation of a computer game that allows players to control the weather and help herds of animals restore their home. Coming to PC & Mac in 2016.

Controlling the Weather

Using your divine powers over the weather, you will provide for your herds, help them as they take up their great pilgrimage, and ultimately restore the world.

Summon rain to bring life to withered plants, quench fires and calm enraged spirits.

Create gusts of wind to hurry your animals along, confuse attackers, and shift great dunes of sand.

Quake the earth to break open chasms and fountains, stun smokebeasts, and clear boulders blocking the way.

Strike lightning to start fires, revive fallen animals and obliterate foes. But don’t forget to take a moment to appreciate the beauty of nature!

There’s also an option for people to vote yes to greenlight the game on Steam.

(10) MORE ABOUT BLACK GATE. Rich Horton’s thoughts about the impact on fiction categories comes before this excerpt in his Black Gate post The Hugo Nominations, 2016; or, Sigh …”.

Of course Black Gate was nominated as Best Fanzine last year, due to Rabid Puppies support, and John O’Neill quite rightly withdrew its nomination. This year we again were (unwillingly) on the Rabid slate, and again John has decided to withdraw.

We discussed what to do – though the choice was always John’s – and there was a definite split. Many of us – myself included – at first inclined to the notion that perhaps we should stay on the ballot. I had four reasons for this: 1) I am certain that Black Gate got a good amount of support from non-Rabid nominators (but we have no way, for now, of knowing how much); 2) I though perhaps the point had been made last year; 3) I felt that withdrawing was ceding even more influence to Vox Day, and also was to an extent disenfranchising the non-Rabid nominators; and 4) I really do think Black Gate is a worthy choice.

But John made two very strong arguments in favor of withdrawing, arguments that now have swayed me so that I believe his decision is correct. First, and most important, by withdrawing it is guaranteed that there will be an entry on the Final Ballot not chosen by Vox Day. Second, in John’s estimation, it is likely that Black Gate wouldn’t have won anyway. I don’t think that’s nearly as important – but it’s probably true. (Alas, the very possible win for whoever replace Black Gate will be somewhat tainted as well if it’s perceived that it won as a default choice.)

(11) CAUSES ME TO TINGLE. Rachel Swirsky said if her Patreon reached $100 by the end of May she would write and send “If You Were a Butt, My Butt” to everyone who subscribes. Well, soon after this tweet, it did, and donations are still coming in. The funds will be given to Lyon-Martin health services.

https://twitter.com/rachelswirsky/status/728724730774233088

(12) OF TWO MINDS. Damien G. Walter’s vlog, titled “Why is writing hard?”, never mentions Chuck Tingle, missing a golden opportunity. He previews the actual topic on his blog —

“Damien gets passionate about writing, and talks about the thing that makes it hard, the clash of two very different sides of our personality, the conscious mind and the subconscious imagination. OR. The crazy old hippy VS the corporate middle manager in all of us.”

 

(13) THREE GOLDEN MINUTES. Kendall turned us on to the amazing 2012 short film “The Device.”

[Thanks to Sunhawk, JJ, David K.M. Klaus, ULTRAGOTHA, Kendall, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Hampus Eckerman.]

Black Gate Withdraws From Hugo Ballot

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Black Gate’s editor John O’Neill announced May 1 that he has withdrawn his online fanzine from the 2016 Hugo ballot — see “Black Gate Declines Hugo Nomination”.

As O’Neill explained the decision:

Why did we decline? While we won’t know the exact number of nominating ballots until the stats are released (after the Hugos are awarded), it’s clear that Black Gate largely benefited from Vox Day’s Rabid Puppy Hugo slate. As we reported Wednesday, roughly 80% of this year’s Hugo ballot was dictated by that slate — it swept six categories, including Short Story, Graphic Story, and Fanzine. Our choice to withdraw was informed by many of the same factors that led us to make the same decision last year.

It also seems fairly obvious that we cannot win. Of the 61 nominees the Puppy ballots placed on the Hugo ballot last year, only one, Guardians of the Galaxy, received an award. The Rabid Puppy brand, which BG is now unwillingly associated with, is so toxic that it’s virtually impossible to overcome that association without the equivalent of a $100 million advertising campaign. Those nominees who stubbornly argued otherwise last year, and attended the Hugo ceremony with high hopes, learned that the hard way, unceremoniously losing out to No Award in a painful rout across virtually every category. (Incidentally, I also voted No Award for most of the ballot.)

[Thanks to Steven H Silver for the story.]

Pixel Scroll 4/27/16 One Pup, Two Pup, Mad Pup, Sad Pup.

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I started this Scroll yesterday before taking off in my time machine, and have just kept on adding. While I don’t plan to divide the Hugo news from other Scroll topics very often, it makes sense to do it today.

(1) QUICK WHATEVER. John Scalzi’s “Quick 2016 Hugo Finalist Thoughts” from Whatever on April 26.

Thoughts on this year’s Hugo finalists (the list of which you can find here):

* First, as part of my new gig at the Los Angeles Times, I wrote an analysis of this year’s ballot there, so head on over there if you want to see it (Note it’s geared toward a general audience, so there a lot of explanatory stuff in there folks here will likely already know). As I’ve already written substantially on the Hugos there, what I write here will be brief.

* Overall, the nominations in several categories look pretty decent to me – Best Novel is particularly not bad at all! At least a couple of categories are a tiresome shitshow, however, thanks to the Puppies, again.

* Which we knew might happen again, remember? Fixing the slating issue was a two-year process. This is year two. Keep working on it, folks.

* The Puppies are once again trying to troll a bunch of people (the Best Related Category is one particularly obvious troll) and while I don’t mean to downplay the basic craptasticness of their actions, I’m finding it all that difficult to get worked up about it. I mean, I know the Puppies are hoping for outrage? Again? But as noted, we’ve seen this act before, and this time it’s just boring. Yes, yes, Puppies. You’re still sad little bigoted assholes screaming for attention. Got it, thanks.

Bear in mind I’m a direct target for their nonsense; at least two of the finalist works go after me in one way or another. I’m very specifically someone they’re trying to get worked up (and to tear down). And yet I just can’t manage it. I’m pretty much over the Puppies. There’s only so many times a toddler can throw a tantrum before you just shrug. You still have to clean up after the toddler, mind you. But you don’t have to let the toddler dictate the terms. Pity these particular toddlers are grown humans

(2) MAN OF HIS TIMES. John Scalzi’s first piece for the LA Times, “The Hugo finalists: John Scalzi on why the sad puppies can’t take credit for Neil Gaiman’s success”, posted April 26.

This year, once again, the two Puppy groups announced slates (or in the case of the “Sad” variant, a “recommendation list”) of people and works they wanted to see on the finalist ballot. Once again, many of their choices made the cut. But where last year’s slates were filled with nominees primarily of interest to the Puppies themselves, this year’s Puppy slates included works and authors already popular with science fiction fans and tastemakers, and (as a subset of both of these) Hugo voters.

Works the Puppy slates included that made the Hugo finalist list include the novel “Seveneves,” written by Neal Stephenson, a past Hugo best novel winner and multiple nominee; the graphic novel “The Sandman: Overture,” by Neil Gaiman, also a multiple Hugo winner; the novella “Penric’s Demon,” by Lois McMaster Bujold, who has won four best novel Hugos; and the film “The Martian,” a best picture Oscar nominee (and controversial best comedy Golden Globe winner).

The Puppies will no doubt be happy to take credit for the appearance of these works and others on the finalist list. But, as with “Guardians of the Galaxy” last year, their endorsement probably doesn’t count for much in the grand scheme of things.

(3) MORE ALFIES. George R.R. Martin saw the new season of Game of Thrones kick off, then rode off to his own dynastic wars – “The Puppy Wars Resume”.

The record turnout seemed to have no impact. Fandom nominated in huge numbers, but it would appear that they did not nominate the same things. They scattered their nominations among dozens, perhaps hundreds, of possible choices. We won’t know the full story till we see the complete list of nomination totals on Hugo night… but I suspect (unless MAC cuts the list short) that we’ll see many more titles than we’re used to.

The same thing happened to the Sad Puppies. By shifting from Torgersen’s slate to Paulk’s list of recommendations, they suffered the same fate as many other recommended reading lists, be it the LOCUS list or the Nebulas or my own recommendations. They had almost no impact on the ballot. The Sads did get works on the ballot when their choices overlapped with the Rabids, to be sure, but very few works that were “sad only” made the list. SP4 was a non-factor. (And before someone else points this out, let me be the first to admit that the Sads had more impact than I did. As near as I can tell, I batted .000 on my own recommendations, which just goes to show that all this talk of about my immense power is somewhat exaggerated. No wonder I never get invited to the meetings of the Secret Cabal).

The big winners were the Rabid Puppies, whose choices completely dominated the list…

One last point. The Rabids used a new tactic this year. They nominated legitimate, quality works in addition to the dross. Works by writers like Stephen King, Neil Gaiman, Neal Stephenson, Alastair Reynolds (Reynolds went public well before the nominations asking NOT to be slated, but they slated him anyway), Andy Weir, and several others. Some of these writers are apolitical (like Weir), while others are known to oppose everything that VD stands for (Gaiman, Stephenson, King). One has to think they were deliberately targeted.

In some of the online comments I’ve seen, these writers are being called “shields.” I’ve even read some people calling for them to withdraw, simply because they were on VD’s list.

Withdrawing is the LAST thing they should do.

I urge them all to stand their ground. They wrote good books, stories, graphic novels, they did NOT take part in any slate. In some cases they were largely unaware of all this. In other cases they explicitly denounced the slates ahead of time (Reynolds, again). Punishing them… demanding they turn down this honor… simply because VD listed them is insane….

(Oh… and yes, for those who were asking. This does mean we will need a second set of Alfies).

(4) SALADIN AHMED.

https://twitter.com/saladinahmed/status/725122354339270657

(5) RAY RADLEIN.

(6) ADVICE TO THE BOOKLORN. Tim Hall is swimming in the mainstream, in “Booky McBookface, by Noah Ward”.

I’m not a Worldcon member, but that’s not going to stop me giving unsolicited advice. So here’s my off-the-top-of-my-head recommendations.

First, ratify E Pluribus Hugo. This is ought to be such a no-brainer than anyone that attempts to argue otherwise is not to be trusted. It won’t fix everything, but it will make it harder for any well-organised minority to swamp the ballot.

Second, think very hard about the wisdom of repeating last year’s block no-awarding everything tainted, throwing good people under the bus in an attempt to preserve the purity of the awards. That stank when they did it to people like Toni Weisskopf last year. The garbage from VD’s cronies you can no award to oblivion if it’s as awful as it sounds from the titles. But remember that burning down The Hugos is VD’s goal, and no-awarding deserving nominees like Toni Weisskopf or Alastair Reynolds gives him what he wants.

Third, recognise that the Sad Puppies and the Rabid ones are very different things, and try to build bridges with the some of the first of those groups, or at least avoid rhetoric or behaviour that further deepens the divide with anyone who’s not an actual acolyte of Vox Day. The mass no-awarding of last year did not help in that regard.

(7) MORE GOOD ANSWERS TO WRONG QUESTIONS. Abigail Nussbaum responds with “The 2016 Hugo Awards: Thoughts on the Nominees”

… In most of the categories dominated by puppy choices, we still have an actual choice between nominees, not just a winner by default because everyone else on the ballot is terrible.  Most importantly, this year’s Best Novel ballot is one that we can look at without cringing, with only one blatant puppy nominee.  It may sound like I’m lowering the bar, but to me this is all a sign that things are settling down, and that in the future–and especially if the anti-slating measures adopted in last year’s business meeting are ratified–we’ll start seeing this award return to normal.

Of course, I’m leaving out one important point, which might cast a pall on this year’s more acceptable raft of nominees–the fact that most of them were puppy choices.  In some cases, these were nominees that probably would have made it onto the ballot without the help of Vox Day and his ilk–things like Neal Stephenson’s Seveneves in Best Novel, The Sandman: Overture in Best Graphic Story, and Strange Horizons in Best Semiprozine.  In other cases, the line is more fuzzy.  Daniel Polansky’s The Builders, for example, was a plausible nominee in Best Novella, coming from the strong, well-publicized Tor Novellas line and garnering a great deal of praise, but did the puppies’ influence help to push it past equally plausible nominees like Elizabeth Hand’s Wylding Hall and Kai Ashante Wilson’s The Sorcerer of the Wildeeps?  We won’t know for certain until the nominating stats are released after the Hugo ceremony (and perhaps not even then), and in the meantime this year’s ballot is a lot less clear-cut than last year’s.

To the puppies, this no doubt looks like a winning gambit.  To those of us who are adults, it’s just more silliness.  We are neither as stupid nor as rigid as they keep insisting that we are, and are perfectly capable of parsing these nuances.  And if this year’s Best Novella shortlist is a lot less exciting than the one I had hoped for–and which I think had a good chance of coming about–well, that’s how I feel about the Hugo most years.  I keep repeating this, but it really needs to be said again and again: despite the puppies’ ridiculous claims, the Hugo is not, and has never been, an elite or rarefied award.  If the puppies’ main accomplishment this year is to have pushed middling but not-awful work onto the ballot over better, more deserving nominees, well, then they’re no different from the majority of Hugo voters….

(8) QUICK AND THE DEAD. Damien Walter also has a few quick “Thoughts on the 2016 Hugo Awards”.

H P Lovecraft somehow managed to get nominated for a 1941 Retro Hugo, despite having died in 1937. Clearly some supernatural forces were at work…or some petty racists voting in revenge after Lovecraft’s erasure as the face of the World Fantasy Awards for being…a petty racist.

(9) LOVE. Aaron Pound’s thorough analysis of the “2016 Hugo Award Finalists” is rounded off with a compelling conclusion:

Both of the Puppy campaigns were built on spite. Larry Correia has openly admitted that he started the Sad Puppy campaign out of spite. Throughout the existence of the Sad and Rabid Puppy campaigns, the barely suppressed rage of its adherents has been readily apparent, and in some cases (such as during Brad Torgersen’s not infrequent frothing meltdowns over the last year or so), the rage has been quite openly expressed. Because of this, the Pups will always fundamentally misunderstand actual fans, who love what they love not out of a desire to spite someone else, but out of actual love for the thing. In the end, the Pups will fail because they are founded on the false premise that they can change what people love about genre fiction by force.

(10) ALLUM BOKHARI. At Breitbart: “Sci-Fi’s Hugo Awards Swept by Anti-SJW Authors – Again!”

This year, the Sad and Rabid Puppies have done it again. Ten out of fifteen Hugo Award categories have been completely dominated by Puppy-endorsed nominees — double what the campaigns achieved in 2015. The Puppies have also secured three out of five nominations for Best Novel, three out of four nominations for Best Short-Form Dramatic Presentation, and three out of five nominations for Best Long-Form Editor.

In total, the Rabid Puppies swept six categories on their own, while a combination of Sad & Rabid puppy nominations swept a further four.

Some of the Rabid Puppies nominations this year — such as a My Little Pony episode for Best Short-Form Dramatic Presentation and a porn parody in Best Short Story — seem clearly intended as troll options, a demonstration of the Puppies’ power to exert their will on the awards.

(11) AGAINST VANDALISM. Kayleigh Ann at Bibliodaze offers “We Have Always Been Here &Y Always Will Be: On the Hugo Awards and Cultural Vandalism”.

…Science-fiction and fantasy will move forward. It will continue to evolve and tell amazing, strange, radical and highly political stories, as it has always done, and the Puppies will cheer false cries of victory regardless of the outcome of the Hugo Awards: Their choices winning will be a sign that the industry agrees with them, and another No Award sweep (which is my predicted outcome) will simply be proof that they’re downtrodden underdogs who stood up against “Outrage Culture”. The truth is that nobody wins in this scenario because we end up having to participate in their Us Versus Them mentality in order to show a sturdy opposition to their nonsense.

Eventually, they’ll be left behind as the voices who have always been there refuse to participate in their cultural smudging. This particular kind of vandalism hurts us all, but those voices who needed the amplification of the Hugos will suffer the most, so it’s up to the rest of us to ensure that doesn’t happen. They’ll be left behind, but they still need to be called out and condemned for the dangerous vandals that they are. Get out your wallets, your microphones and your pens. We’re not going anywhere. We’ll always be here.

(12) STEVEN POORE

(13) VOX POPOLI. Vox Day did a reaction roundup of his own, “Making the Hugos Great Again”.

Of course the Sad Puppies can’t take any credit for Neil Gaiman’s nomination. The Rabid Puppies were responsible! As for whether Gaiman would have been nominated without RP support, they like to claim that sort of thing, but we’ll have to wait and see what the numbers say. Given their past record of ignoring popular, bestselling works, that’s hardly a given. In any event, as we proved last year in Best Novel, even when we don’t control the category, we still have the ability to decide who will win and who will lose when the SJWs don’t No Award the category.

In other news, we have a runner! Tom Mays belatedly decided to go the way of Marko Kloos. Not the brightest move; the time for virtue-signaling is before the nominations are awarded. It’s no big deal, not everyone can take the heat, although I suspect Tom is simply more of a Sad Puppy who hasn’t woken up to the cultural war yet. I was more interested to see that Black Gate caved and decided to accept their nomination this year; John O’Neill is a smart guy, he knows perfectly well that the nomination is well-merited, he grasps the genetic fallacy, and I suspect he has come to terms with the fact that the Rabid Puppies are not going away any time soon.

(14) CHAOS MANOR. Jerry Pournelle posted a reaction to his nomination at Chaos Manor.

I seem to have been nominated for a Hugo. “Best Editor, Short Form”. The only work mentioned for the year 2015 is There Will Be War, Volume Ten” released in November. It is of course a continuation of the There Will Be War series which appeared in the 1980’s and early 90’s, of which the first four volumes were recreated with a new preface during 2015; the rest are scheduled to come out in the next couple of years. I’ve edited a lot of anthologies, starting with 2020 Vision in 1973 (I think it will come out in reprint with new a introduction and afterword’s by the surviving authors next year. I did a series of anthologies with Jim Baen that was pretty popular, and one-off anthologies like Black Holes and The Survival of Freedom, amounting to more than twenty over the years, but this is the first time anyone has ever nominated me for an editing Hugo – and actually the first time I ever thought of it myself.

When I first started in this racket, Best Editor Hugo usually meant one for the current editor of Analog or Galaxy. That spread around over the years, but it meant Editor in the sense of someone employed with the title of Editor, not a working writer who put together anthologies, sometimes for a lark.

I used to get Hugo nominations all the time in my early days, but I never won. My Black Holes story came close, but I lost to Niven’s “Hole Man”. Ursula LeGuin beat me for novella. There were others. Our collaborations routinely got nominated, but again usually came second, so at one point I was irked enough to say “Money will get you through times of no Hugo’s much better than Hugo’s will get you through times of no money,” and put whatever promotion efforts I had time for into afternoon and late night talk radio shows and stuff like that. Which worked for sales, but not for Hugo awards. I’m unlikely to get this one – I’m a good editor but that’s hardly my primary occupation – but I admit I’d like to. I was already going to Kansas City this August, so I’ll be there, but I doubt there’s much need to write a thank you speech.

(15) COUNT HER OUT. Rhiannon Thomas refuses to repeat last year’s experience — “The Hugos Turn Rabid” at Feminist Fiction.

So… what now? It’s hard to take seriously any award with Vox Day’s “SJWs Always Lie” on the ballot. And unlike last year, I’m not going to soldier through the crap to weigh up its merit. I’ll probably read most of the novels, and pick up the non-puppy nominated shorter works, along with the ones by big name writers, because I’ve found that the nomination lists can lead me to interesting reading I would have missed otherwise. It’s basically my job to read endless piles of YA, and this gives me a focussed reason to finally pick up those other recent books too. But do we have to pretend that “Safe Space as Rape Room” is something worthy of serious critical consideration? The Puppies howl out for attention, and they’d hate nothing more than if everyone just ignored them. So let’s just pretend that their troll nominations don’t exist.

Of course, this approach isn’t without casualties. It’s obvious to anyone with a passing knowledge of fantasy and sci-fi that Brandon Sanderson and Stephen King are worth checking out, slate or no. But smaller writers? Not so much. Thomas A. Mays has already withdrawn his Hugo-nominated short story from consideration because of the slates, turning what should have been a moment of pride and victory into heartbreak. If we take the “slate works don’t exist unless they obviously have merit” approach, innocent writers still building their career get dragged down into the muck too. At best, they don’t receive the consideration they deserve. At worst, they get linked to Vox Day in everyone’s minds. And unlike big-name writers, they don’t have enough of an established reputation to shrug it off. It might appear that they need to withdraw to save their reputation, even though the Hugo nomination should have been something that would build their reputation in the first place.

And that sucks. But I, at least, can’t take another year of reading through piles of offensive and poorly written crap in search of potential specks of gold that may have been lost in the mix.

(16) CHUCK WENDIG. It isn’t lost on Chuck Wendig that “We Have A Problem”.

Like I’ve said in the past:

Dinosaurs squawking at meteors. Shaking tiny, impotent arms at the sky. The Empire, wondering where the hot hell all these goddamn X-Wings came from. Shitheel harasser assholes wondering when the world stopped listening to them and their diaperbaby bleats.

The other side of me thinks this is something deeper, darker, a vein of bad mojo thrust through the whole of the culture. Sepsis, toxic shock, an infection in the blood resistant to antibiotics.

But then I look and I think how thirty years ago I didn’t know what transgender meant. How three years ago I didn’t know what genderqueer was, and now it’s in the dictionary. I think about how we’re maybe on the cusp of having our first woman president. I think too about how social media has made the assholes louder — but it’s also amplified the voices of the non-assholes, and how conversations happen, tough as they are, across an Internet that moves fast and furious with both enlightenment and ignorance. I don’t know where we are or what’s going to happen next, and I know that I ping-pong between feeling optimistic about tectonic change and pessimistic about what that change has wrought.

I also know that no matter what we can’t just sit idly by. We push back. We vote no award when shitbirds nest in our award categories. We stand by those who are harassed by the worst of our culture. We stop sheltering the monsters and start protecting the victims. We amplify voices. We close our mouths and try to listen more. We master the one-two-punch of empathy and logic. We try to be better and do better and demand better even when we ourselves are woefully imperfect. I speak to geeks and I speak to men when I say: we need to get our house in order.

We have a problem.

But I hope we also have solutions.

At the very least, let this be a call that we need to do better by those who need us. Out with the bullies. Out with the terrorists. Gone with the ticks. We find those ticks and we pluck ’em out. Then we burn them, toss them in the toilet, rain our piss upon their parasitic heads, and say bye-bye as we flush and fill the bowl with clean water once more.

(17) AGAINST NO AWARD. Eric Flint, in “BUT FOR WALES?”, argues against voting No Award.

Theodore Beale and the people who follow him are idiots. They are petty chiselers and pipsqueaks whose notion of “the righteous battle against leftist wickedness and social justice warriors” is to try to hijack a science fiction award.

A science fiction award? Meaning no disrespect to anyone who cares about the Hugos, but the very fact that Beale and his gaggle of co-conspirators think this is a serious way to wage political struggle should tip you off that they’re a bunch of clowns with delusions of grandeur.

So treat them that way. This time around—remember, it’s 2016, not 2015—don’t hyperventilate, don’t work yourself up into a frenzy, don’t overact. Just treat the nominations the same way you would in any other year. Ignore who nominated who because, first, it’s irrelevant; and secondly, if you do you will be falling for a hustle by an idiot like Beale—which makes you an even bigger idiot.

Is anyone who’s planning to vote for the Hugos so ignorant or so stupid that they really think authors like Neal Stephenson, Jim Butcher, Lois McMaster Bujold, Brandon Sanderson, Alastair Reynolds and Stephen King need a slimeball like Theodore Beale’s approval to get nominated for an award? Are they so ignorant or stupid that they think editors like Toni Weisskopf, artists like Larry Elmore and movie directors like Joss Whedon and Ridley Scott are in the same boat?

Grow the fuck up.

Just vote, that’s all. Take each category for what it is and vote for whatever or whoever you think is most entitled to the award this year. Do NOT use “No Award” unless you really think there’s no work or person nominated in a category who deserves it at all.

(18) YOU CAN ASK BUT WILL HE ANSWER? Chuck Tingle did a Reddit “Ask Me Anything” today — “I am Dr. Chuck Tingle, 2016 Hugo Awards nominee for my book Space Raptor Butt Invasion. AMA!” He did it in character, so although the Hugos are mentioned once or twice, it’s basically played as farce. If you squint real hard (which I’m sure he would approve) at his comment about Vox Day, it includes the phrase “scoundrels never win.” Someone read that quote on FB and ran out to order ribbons….

(19) THE OTHER TINGLE INTERVIEW. Chuck Tingle was more forthcoming about scoundrels to Lauren Sarner at Inverse.

Do you know about the Sad Puppies, a group of people who try to disrupt voting for the Hugo Awards every year?

Don’t know about any puppies but it’s BAD NEWS BEARS if you want to disrupt awards. That is a scoundrel tactic and probably part of Ted Cobbler’s devilman plan. Ted Cobbler is notorious devil and has been seen using dark magic to control puppies around the neighborhood. I do not support the devilman agenda but i think that Space Raptor Butt Invasion proves that LOVE IS REAL and no scoundrels can stop that. Especially not some dumb dogs.

(20) NOW ON SALE. Two overnight sensations. One is satire. At least.

(21) SUNIL PATEL. Sunil Patel is still figuring it out.

(22) FOUR MORE. John Scalzi illustrates “Four Things About the Hugos” with Chuck Tingle’s cover art at Whatever. But it’s not all fun and games.

Fourth off, one of the finalists for Best Short Story, Thomas May, who was on the Rabid Puppy slate, has left the ballot, for admirable reasons. All respect to him for a difficult decision. I don’t believe this should be a signal for folks to hint to other finalists that they should follow his example, for reasons I outline above, i.e., this year’s slates were filled with people and work the Puppies put in for their own strategic ends, and are essentially blameless for an association that is unintended and/or unwanted. If you’ve got a mind to pester people about this, please consider not. Let them do as they will, just as you do what you will when it comes time to vote.

Thanks.

Filers will agree it’s a damn shame he didn’t have a fifth point!

(23) THE CASUALTIES. Katherine Jay chimes in at Stompydragons.

I am angry for the people who got knocked off the ballot because of the RP tactics. I’m particularly frustrated for the Campbell candidates who will never have another shot at that award because they’re out of time. Andy Weird was an RP pick, and I’m pretty sure he would have made it on the ballot anyway, but there are still three RP picks who are on that list and probably wouldn’t have been otherwise. Three slots that are denied to great writers who may never get another shot, because someone is playing silly games with the system.

I’m frustrated that seeding the RP ballot with a small number of works that would have been nominated anyway adds new kinds of dilemmas for many voters. Angry that many good works got bumped by crap VD was pushing. If you need any proof that his campaign has nothing to do with which works he thinks are genuinely good, take a look at some of the titles he picked, or look at what he said about one of the novels he chose (Seveneves).

Last year, after a lot of consideration, I voted No Award to all the puppy-related picks because I couldn’t condone slate nominating tactics. I still can’t support them.

But this year, if I do that, I’m also punishing works and writers who would have been nominated anyway, and I can’t make myself do that. Hell, I can’t No Award something I nominated–Bujold’s novella, The Martian–because that also makes a mockery of the process.

(24) SHAMUS YOUNG.

https://twitter.com/shamusyoung/status/725167136658866176

(25) GREY GRIPES. Grey The Tick (Grey Carter) is the author of Hugo-nominated Erin Dies Alone.

Yet his collected tweets are uncomplimentary of Vox Day.

(26) PHIL SANDIFER. Phil Sandifer will fight them on the beaches, in the fields, he will never give up.

First, as predicted, the Sad Puppies were a non-entity. That’s a little tough to judge given their new “we’re just a recommendation list” sheen of pointlessness, but it’s notable that the most conspicuous omission from their list, The Fifth Season, got a nomination in best Novel, and that in Fan Artist, a category where they had four picks, three of which were not on the Rabid Puppies slate, none of theirs made it on. Indeed, at a glance I can’t find anything that’s on their list, wasn’t an obvious contender anyway, and made it. These were Vox Day’s Hugos, plain and simple.

Second, let’s not have any silliness about pretending that what was picked reflects any agenda other than Vox Day’s spite. He’s been unambiguous that his sole goal this year is to disrupt the Hugos, not even making an effort to pretend that he was picking works on merit or because there’s actually some body of quality sci-fi he thinks is being overlooked by the awards. His only goal was to ruin things. The nominees exist only for that purpose. They are political, yes. Avowedly so. But their politics does not have even the barest shred of a constructive project. This is fascism shorn of everything but violent brutality – political in the sense of an angry mob kicking a prone body.

And so once again, the course is clear: we must resist. With every tool we have, we must resist. The highest priority, of course, is passing E Pluribus Hugo, the repaired nomination system that will serve to prevent this from happening again. Also important is No Awarding.

[Thanks to John King Tarpinian, JJ, and Hampus Eckerman for some of these stories. Title credit goes to File 770 contributing editor of the day Fugue.]

Pixel Scroll 4/9/16 Little Old Lady Got Nominated Late Last Night

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(1) HERE’S THE PLOT. Ursula Vernon cultivates history in her garden. Read “Sowing History: A Gardener’s Tale” at Tor.com.

When people think of gardeners, many of them tend to picture little old ladies in straw hats with bright green gloves, pottering among the roses.

When people think of gardeners who are also children’s book authors, they go straight to Beatrix Potter and assume that not only are these little old ladies in straw hats pottering among the roses, but they are also greeting the friendly woodland creatures by name—“Hello, Mister Robin! You’re looking very feathery today!” “Why, Missus Tiggywinkle, how have you been?” “Oh dear, that naughty little cottontail has been at my lettuces again!”

Well, I am a gardener and a children’s book author. I am also under forty, tattooed, and the owner of a mostly black wardrobe, and when I greet a happy woodland creature by name, there is an excellent chance that the sentence will end with “touch that and I will end you.”

(2) THE FIRST STAR WARS FANS. The Skywalking Through Neverland podcast discusses “The Early Days of Star Wars Fandom with Craig Miller”.

Our spe­cial guest Craig Miller was the Pub­li­cist and Direc­tor of Fan Rela­tions for Lucas­film dur­ing the hey-day of the 70’s and 80’s. Ever won­der how fans knew what was going on in fan­dom before social media? Whose job was it to tell the world about this new movie called Star Wars? Craig shares some awe­some stories.

 

episod116square Craig Miller

(3) KAMERON HURLEY. Asked where his inspiration came from, lyricist Sammy Cahn said “When the check arrives.” Kameron Hurley’s check has arrived, but she explains what else she needs besides, in “Kameron Hurley: Cultivating Inspiration on Deadline” at Locus Online.

Instead of spending all that time feeling guilty about what I wasn’t doing and scrolling through Twitter, I needed to release myself from the ‘‘I should be writing’’ mentality and let my brain start connect­ing things on its own. I found that the more I actively thought about plot problems, the less my brain wanted to fix them. It kept trying to avoid the problems I’d put to it. For instance, instead of fixing a plot problem on my current book, my brain recently offered up a solution to a subplot problem in the next book I’ll be working on. At some point I have to give in and let my brain make the connections it needs to make, without getting in its way. More and more, I have to let my brain go more than I’m used to, or it just retreads the same old story paths.

I would like to tell you that giving up everything to write is the only way to write. I enjoy spouting that whole ‘‘fall on your sword’’ advice time and time again. Giving up activities that waste your time while you should be writing is beneficial, but I can only burn hard like I have for so long before the flame gutters out. I don’t want to be that writer who just writes the same story over and over again.

(4) A LECKIE FANTASY. Rachel Swirsky’s April 8 Friday Fiction Recommendation is “Marsh Gods” by Ann Leckie.

I’m a fan of Ann’s fantasy universe in which gods must be careful to speak the truth, lest they lose their power. I hope we get longer work in it someday, or at least more. (Publishers: Hint, hint.)

Read “Marsh Gods” at Strange Horizons, or listen at PodCastle.

(5) WRITERS OF THE FUTURE. There was a bit of drama during “Day 5 – Writers of the Future Volume 32 Workshop”.

First up was Liza Trombi from Locus Magazine, the foremost professional publication in science fiction and fantasy literature. She discussed Locus, and then moved on to the vagaries of self-publishing, traditional publishing, and going hybrid. Liza recommended trying traditional publishing before attempting self-publishing. She also mentioned that publishing your first novel is rare, and that the best thing you can do for your future writing career is to always be writing a new book.

Robert J. Sawyer was up after Liza. With fresh copies of Locus in the winner’s hands, Robert took the opportunity to point out that his latest book, while having been well reviewed by Publisher’s Weekly and the Washington Post, was disliked by Locus. And while the book is doing extremely well, the reality is that someone will always dislike your work. He stressed that you should never write to please everyone because you never will. Your job, he says, is to identify what it is you do. You should know what your brand is as a writer, and write to please those people.

(6) WRITERS OF THE PRESENT. The bestselling authors are walking between the raindrops at the Los Angeles Times Festival of Books this weekend.

Stan Lee kept dry.

Other ornaments to our genre were on hand.

No Scalzi food photo today, but it played an important part on the program.

He also found time to practice his starship hijacking skills, on a modest scale.

(7) BINDER FULL OF LETTERS. Doug Ellis shares a few more historic letters in his post “Otto Binder on H.P. Lovecraft and Robert E. Howard” at Black Gate.

In late December 1935, science fiction author Otto Binder moved from Chicago to NYC to represent Otis Adelbert Kline’s literary agency. Among the authors he represented for Kline’s agency was Robert E. Howard. Binder had been to NYC previously, in late June and early July 1935, with his friends Clifford Kornoelje (better known in SF circles as Jack Darrow) and Bill Dellenback.

As I’ve mentioned before, back in 2001 I bought a few boxes of correspondence from Darrow’s estate, including dozens of letters that Binder had written to Darrow over the course of many decades. In going through them last month, I pulled this one and thought I’d post it today.

Once in NYC, Otto quickly resumed his friendships with Mort Weisinger and Charles Hornig, and rapidly met more figures involved in the local science fiction community. Less than two weeks after he’d arrived, he was invited to a gathering at Frank Belknap Long’s place, which was held on Friday, January 3, 1936. Binder and Long were fellow Weird Tales authors, with Binder and his brother, Earl, having sold WT some stories under their Eando Binder penname.

Among the others at the party were Donald and Howard Wandrei, Kenneth Sterling and, most interestingly of all, H.P. Lovecraft. Lovecraft impressed Binder greatly, as he relates in this letter to Darrow dated January 12, 1936. That would have been some gathering to attend!

(8) HAMPUS, IS THAT YOU? Not a toll-free call! CNN has the story: “The Swedish Number: Random Swedes are waiting to hear from you”.

Are you there, Sweden? It’s us, the world.

To mark the 250th anniversary of Sweden’s abolition of censorship, the Swedish Tourist Association has launched a phone number connecting global callers with random Swedes.

Think Chatroulette meets the United Nations.

Sweden’s new ambassadors don’t receive any training and their time is voluntary. They simply download the Swedish Number app, register their number, and signal their availability by switching themselves on or off.

As for the cost of ringing up, it’s charged as an international call so check with your provider before chatting with your new Swedish buddies late into the night.

There have been nearly 14,000 calls since the service launched on April 6, with nearly a third coming from the U.S. and a fifth from Turkey.

(9) GAME MAKER YIELDS. Crave reports “Baldur’s Gate Developer States They Will Change Trans Character and Remove GamerGate Joke”.

After an inexplicable amount of press was placed upon their team by angry gamers, Baldur’s Gate: Siege of Dragonspear‘s developer Beamdog has stated that they will be altering the dialogue of transgender character Mizhena in a future update, along with removing a reference to GamerGate.

In the game, which is an expansion to the original Baldur’s Gate, there is a line of dialogue in which minor NPC Mizhena explains the origins of her name, revealing to the player that although being born a boy, she and her parents “came to understand [she] was truly a woman” later in life. This entire exchange, which is limited to four sentences, led to the game being bombarded with negative user reviews online, despite critical reviews of the game being positive. Another point of contention for its detractors was a line at the expense of GamerGate, in which popular character Minsc says “really, it’s all about ethics in heroic adventuring.”

(10) CARPENTER ON GALAKTIKA PAYMENT OFFER. Anna Grace Carpenter, who surfaced the story (“Galaktika Magazine: Theft on a Massive Scale”) expresses her views about Galaktika’s response in “Galaktika Magazine: By Way of Explanation”.

Let me pause for a moment and say that the offer of compensation is a step in the right direction. However, neither Mr. Burger or Mr. Németh have addressed the underlying issue.

This is a chronic and widespread issue of theft. It is not just the stories published in 2015 (of which there are many), but work that was published as far back as 2008….

This pattern is more than a lack of diligence or caution or speed on the part of the publishing staff at Galaktika. It is not an occasional oversight or misunderstanding of previous contracts. This is habitual theft.

Remember that the vast majority of these authors never submitted their work for consideration, there was no implication of giving their permission for the translation and publication of their stories in Galaktika. Rather, their work was copied from other, paying publications online without any attempt to contact the original publisher, editor or author, and then printed for profit in Galaktika. That is not a mistake, that is theft.

Cat Rambo, current president of SFWA, said she is still trying to obtain a copy of István Burger’s statement in English and there are still questions to be answered. (How soon can authors expect to receive payment? Will authors be able to request their work be pulled from Galaktika? Will Galaktika contact all those involved to arrange compensation or will they put the responsibility on the individual to contact them and make a claim?)

And the question remains, what will Mr. Burger and Mr. Németh do going forward?

(11) DRAGON AWARDS DISCUSSION CONTINUES.

Deby Fredericks on “The Dragon Awards” at Wyrmflight.

One of the distinctions I believe Dragon Con is trying to make, is that the existing prestigious awards are decided by a limited number of people — a jury, members of a particular convention or group — while the Dragon Awards will be nominated and voted by all fans. This sounds fair and noble, but I’m remembering that time when DC let fans vote on whether Robin should be killed by the Joker. They were aghast that fans wanted Robin dead. Was the outcome fair? Perhaps. But was it noble?

Already, some in the community responsible for the Hugo Awards Kerfluffle have been heard to gloat that now they will win because no bunch of snobs can vote them down. As you probably can tell, I’m a little tired of hearing privileged majorities play the dismartyrdom card. We’ll all find out in time.

I don’t necessarily agree that SF/media/everything needs another set of awards. However, I do believe Dragon Con is a large enough and inclusive enough organization to credibly present such an award. It will be interesting to see the outcome, and where it aligns or doesn’t align with the other awards.

Brian K. Lowe posted about “The Dragon Awards” at Graffiti on the Walls of Time.

“Another trophy,” you say, possibly enthusiastically, perhaps dismissively, maybe with a touch of boredom. Or maybe you say it with an appraising tone, as do we authors who think, “Hey, there’s another award I can aspire to (and probably never win)…” Regardless of your personal reaction, the awards are here and presumably they’re going to stick around a while. (America’s thirst for awards ceremonies is almost as impossible to slake as its thirst for reality shows, or sleazy political drama. If it ain’t a competition, we’re not interested.)

All of these reactions are quite understandable. What I don’t understand is those who believe that this development somehow spells trouble for the Hugo Awards given out every year by the aforementioned Worldcon.

Cirsova takes the whole thing rather less than completely seriously in “Genrefication and Dragon Awards”.

This isn’t a victory, unless your aim is creating genre ghettos.

In response, I propose an alternative.  If I ever get the reach to make such an endeavor feasible, I will give you the Brackett Awards:

  • Categories will include, but are not limited to, in Long and Short Form:
  • Best Space Princess/Classiest Dame
  • Most Dashing Swordsman/Gunman
  • Creepiest Monster/Alien
  • Most Exotic/Erotic Xeno-hominid
  • Best Explosion
  • Coolest Spaceship
  • Best Empire (domineering, crumbling or otherwise)

Will these categories end up punishing certain books under the SFF umbrella?  Probably, but not the most awesome ones.

Ian Mond says live and let live at Hysterical Hamster.

And a day or so ago Dragon Con launched its own genre awards.  To reflect the size of the con there’s about fifty billion categories ranging from best Apocalyptic fiction (my personal favourite) to Best episode in a continuing science fiction or fantasy series, TV or internet (take a deep breath).  I don’t begrudge any organisation, individual or entity organising and administering their own awards.  More power to them.  Personally though, I think I’ll give this one a miss.

Martin C. Wilsey’s sentiments about “The Dragon Awards” are shorter but not as sweet.

Well it was bound to happen. The Hugo Awards process corruption scandal has finally led to the inevitable conclusion. A new award that has fairness baked in. The Dragon Awards.

–Let’s hope that this award is all about quality of the fiction.

(12) RECAP. I don’t watch Sleepy Hollow so it’s hard to explain how I got sucked into reading this spoiler-filled recap of the final episode. This paragraph will give you the gist of what SciFi4Me felt about it:

Bloody Hell. I don’t know what they are thinking. And I don’t know how a show based on such a flimsy premise could jump the shark, but they did.

(13) DEAN KAMEN. The inventor of the Segway is the son of E.C. Comics’ Jack Kamen. Read about “Inventor Dean Kamen’s Big Ideas” in the Wall Street Journal.

Mr. Kamen, 65, is known for coming up with the Segway (the two-wheeled electric vehicle), the iBot (a stair-climbing wheelchair) and a portable dialysis machine. He considers the First Robotics Competition, now in its 25th season, one of his best ideas yet…

In the competition, teams of students have six weeks to build a robot from scratch. The robots must then complete various tasks, working in teams. In this year’s challenge, they have to get through their opponents’ fortifications and take over territory in a space set up to look like a medieval battlefield with castles and towers. More than 400,000 students are competing this year, up from about 100 in 1992. “More and more, kids are starting to see that technology is cool. It’s not for nerds,” he says.

Mr. Kamen grew up a self-described nerd in New York’s Long Island, the son of a comic-book illustrator and a teacher. His engineering career started early; in high school, he earned more than $50,000 a year for designing and installing light and sound systems for musicians and museums.

Mr. Kamen, who is unmarried and doesn’t have children, spends most of his time working. “I get up in the morning, and I start working, then I keep working until I can’t work anymore, then I fall asleep,” he says. His idea of a vacation is going from one project to another when he’s stuck.

(14) TODAY IN HISTORY

  • April 9, 1833: First tax-supported U.S. public library founded, Peterborough, New Hampshire
  • April 9, 1959: NASA introduced first seven astronauts to press.

(15) TODAY’S BIRTHDAY BOY

  • Born April 9, 1926 – Hugh Hefner.

(16) KEEPING THE HARD IN HADRON. Ladies and gentlemen, the LEGO Particle Accelerator! JK Brickworks says —

This is a working particle accelerator built using LEGO bricks. I call it the LBC (Large Brick Collider). It can accelerate a LEGO soccer ball to just over 12.5 kilometers per hour.

 

(17) A CASE OF PHYSLEXIA. As most of you already guessed, I picked the previous item’s headnote because it references a typo that made news this week.

The BBC get overexcited by the world’s largest atom smasher.

 

(18) ATARI FLASHBACK. RPF Pulse brings us “The Art of ATARI Book Preview Images”.

Co-written by Robert V. Conte and Tim Lapetino, The Art of Atari includes a comprehensive retrospective collecting game production and concept artwork, photos, marketing art, with insight from key people involved in Atari’s rich history, and behind-the-scenes details on how dozens of games featured within were conceived, illustrated, approved (or rejected), and brought to life!

Includes a special Foreword by New York Times bestseller Ernst Cline, author of Armada and Ready Player One, soon to be a motion picture directed by Steven Spielberg.

Atari is a touchstone for many people. Their games and game system exposed many to video games for the first time. Whether you’re a fan, collector, enthusiast, or new to the world of Atari, this book offers the most complete collection of Atari artwork ever produced!

[Thanks to John King Tarpinian, JJ,and Soon Lee for some of these stories. Title credit goes to File 770 contributing editor of the day Will R.]