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Pixel Scroll 4/5/23 The Words Of The Filer Are Written On The Pixel Scrolls

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(1) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Peng Shepherd and Paul Park on Wednesday, April 12 at 7:00 p.m. Eastern. Location: KGB Bar, 85 East 4th Street, New York, NY 10003 (Just off 2nd Ave, upstairs).

Peng Shepherd

Peng Shepherd is the nationally bestselling, award-winning author of The Book of M and The Cartographers. Her novels have been named Best Book of 2022 by The Washington Post, Amazon, Elle, and The Verge, Best Book of the Summer by the Today Show and NPR, and Pick of the Month by Good Morning America, as well as optioned for television. She was born and raised in Phoenix, Arizona, where she rode horses and trained in classical ballet, and has lived in Beijing, Kuala Lumpur, London, New York and Mexico City.

Paul Park

Paul Park is the author of three collections of short stories, most recently A City Made of Words from PM Press. His twelve novels include A Princess of Roumania, Celestis, and All Those Vanished Engines. His work has been nominated for the Nebula and World Fantasy Awards, among many others.  He recently retired from teaching writing and literature at Williams College for many years, and is currently working on a series of screenplays for SunHaus Productions. He lives in Berkshire County, Massachusetts, with his wife, Deborah.

(2) HORROR POETS. At the Horror Writers Association blog “It’s National Poetry Month—How Incredibly Frightening!” Denise Dumars introduces the series:

Now that I’ve got your attention, April is National Poetry Month. Naming the month thusly implies that something of great value is being overlooked. Every poet in America knows what I’m talking about. Poetry has never had the huge following in the U.S. that it boasts in some other cultures; in fact, if you are an HWA member who lives in another country, I’d love to hear how poetry is viewed by the general public where you live. I know some countries where it is very much a part of the national conversation, and is not reserved for the so-called “ivory tower” or wherever people in the U.S. think it lives. (Folks, check the cemeteries, Goth clubs, museums, craft breweries, coffee houses, public libraries, and any place with a senior or student discount! I guarantee a poet will be hanging out in one of those locales or somewhere that has a Happy Hour or free WiFi.)

I write science fiction and fantasy poetry as well as horror poetry, and so I know the trouble poets in other genres face when trying to get genre fiction organizations to recognize it. That’s one of the reasons HWA is so special. Would you believe that horror poetry has been on the Bram Stoker Awards ballot for 23 years? I don’t think I realized it had been recognized by HWA for that long. It makes me very proud to be a member of HWA. But even within our ranks people often overlook poetry as a vitally important part of the genre, so here we are, people! Live poets! Two shows on Sunday!

Here are excerpts from the first four Q&A’s in the series.

What sparked your interest in horror poetry? Was there a particular event or work that inspired you to delve into the darker side of poetry?

I never really understood poetry. I struggled with it for years, both as a reader and as a writer, until I heard someone—I think it was Anselm Berrigan—describe it this way: Poetry is a machine you put people through. And then it just clicked. That was the moment where it fell into place for me, and unlike prose (with which my relationship has always been a slow, iterative kind of process), the transition from confused frustration to comfortable acceptance was immediate. That’s not to say that poetry is easy for me (is it for anyone?), but like realizing what a chisel is meant for, I could at least begin to work with this new tool in ways I couldn’t before.

How do you balance the need to be evocative and disturbing with the constraints of poetic structure and form? Are there any particular strategies you use to create tension and build suspense in your horror poems?

All of us are disturbed by different things, so my goal isn’t necessarily to disturb the reader. My first goal is clarity. Am I conveying what I want to convey? Whether that’s an image, or an emotion, or a concept, I need to make sure it gets across in words—and then I try to balance that communication with aesthetics.

Can you describe your creative process when writing horror poetry? Do you have any rituals or techniques that help you tap into your darkest fears and bring them to life on the page?

Do something related to what you want to be every day. I try to free-write something every day, even if it’s just a scrap or stub. Sometimes I will use a prompt, although most of them are pretty generic. Importantly, I try to read a couple of poems a day – either from a collection or from a site like the Poetry Foundation. I like the latter because I don’t know what to expect and get broad exposure. Poetry should be disruptive, and it’s easier to be surprised and outside your comfort zone when you don’t know what you’re getting into. The other thing is to try and go out into the world and experience things actively – try to really look at things and see them with fresh eyes. There’s a lot of juice in trying to describe something in a very specific way. I don’t know that I tap my darkest fears. I’m a reserved sort, clinical and academic by temperament and training. I tend to want to keep those things for myself. Poetry tends to work against that, which makes for an interesting struggle….

How do you balance the need to be evocative and disturbing with the constraints of poetic structure and form? Are there any particular strategies you use to create tension and build suspense in your horror poems? 

This is absolutely a balance that must be tended to with intention. I think stronger poets think this through and try out different iterations before finding what works. I’m still learning how to do this, so I enjoy reading the works of other poets and playing with imagery and form in my own work. I rely heavily upon the sounds of words to build tension and evoke emotions – alliteration, assonance, anaphora, cacophony – all the tricks!

(3) THE TEST. NPR reminds people “What is the Bechdel test? A shorthand for measuring representation in movies”. Named for the test’s creator, cartoonist Alison Bechdel.

…BECHDEL: As they talk, they’re trying to decide what movie to go see.

UNIDENTIFIED ACTOR #2: (As character) I only go to the movie if it satisfies three basic requirements. One, it has to have at least two women in it…

(SOUNDBITE OF BELL)

UNIDENTIFIED ACTOR #2: (As character) …Who, two…

BECHDEL: Who talk to each other.

(SOUNDBITE OF BELL)

UNIDENTIFIED ACTOR #2: (As character) …About, three, something besides a man.

(SOUNDBITE OF BELL)

BECHDEL: And the punch line is…

UNIDENTIFIED ACTOR #2: (As character) Last movie I was able to see was “Alien.” The two women in it talk to each other about the monster.

(SOUNDBITE OF SCREECH)

…(SOUNDBITE OF ARCHIVED RECORDING)

SAM JONES: The Bechdel Test.

JESSICA CHASTAIN: But then I looked at the test, and I thought, OK, it doesn’t seem too unreasonable. And then I looked at my films, and I realized not one of my films has passed that test….

(4) SADDLE UP! Space Cowboy Books is hosting an online reading and interview with Ai Jiang, author of Linghun, on Tuesday April 11t at 6:00 p.m. Pacific. Register for free here.

From acclaimed author Ai Jiang, follow Wenqi, Liam, and Mrs. to the mysterious town of HOME, a place where the dead live again as spirits, conjured by the grief-sick population that refuses to let go. This edition includes a foreword by Yi Izzy Yu, Translator of The Shadow Book of Ji Yun, the essay “A Ramble on Di Fu Ling & Death” by the author, and two bonus short stories from Jiang: “Yǒngshí” and “Teeter Totter.”

(5) THE MEMORY HOLE. So you bought that ebook before the revisions were made? The New York Times reminds Kindle readers, “It’s Their Content, You’re Just Licensing it”.

Amid recent debates over several publishers’ removal of potentially offensive material from the work of popular 20th-century authors — including Roald Dahl, R.L. Stine and Agatha Christie — is a less discussed but no less thorny question about the method of the revisions. For some e-book owners, the changes appeared as if made by a book thief in the night: quietly and with no clear evidence of a disturbance.

In Britain, Clarissa Aykroyd, a Kindle reader of Dahl’s “Matilda,” watched a reference to Joseph Conrad disappear. (U.S. editions of Dahl’s books were unaffected.) Owners of Stine’s “Goosebumps” books lost mentions of schoolgirls’ “crushes” on a headmaster and a description of an overweight character with “at least six chins.” Racial and ethnic slurs were snipped out of Christie’s mysteries.

In each case, e-books that had been published and sold in one form were retroactively (and irrevocably) altered, highlighting what consumer rights experts say is a convention of digital publishing that customers may never notice or realize they signed up for. Buying an e-book doesn’t necessarily mean it’s yours.

“Nobody reads the terms of service, but these companies reserve the right to go in there and change things around,” said Jason Schultz, the director of New York University’s Technology Law and Policy Clinic and a co-author of “The End of Ownership.”

“They make it feel similar to buying a physical book, but in reality it’s 180 degrees different,” he added….

(6) BOOK OR MOVIE: WHICH WAS BETTER? Inverse’s Ryan Britt claims “Logan’s Run Is a Sci-Fi Masterpiece Because it Rewrote the Book”. I’m not sure who thinks the movie is a masterpiece besides Britt, though – it finished behind No Award in the 1977 Best Dramatic Presentation Hugo vote.

…Although it was published in the same era as Frank Herbert’s Dune and Philip K. Dick’s Do Androids Dream of Electric Sheep?, the novel isn’t spoken about in the same reverent tones relative to its movie adaptation. The number of people who have seen Logan’s Run may not be huge, but the number who still read the book must be minuscule. There are several ways to explain this, the most tempting of which would be to argue that the movie is simply better. But that’s not it.

Both the novel and the film float a similar dystopian premise about futuristic population control. There’s an age where people are required to die, those who try to skirt this rule are called “runners,” and they’re hunted by people called Sandmen. In the movie, the age of “renewal” is 30. In the novel, it’s just 21, a stark difference that makes the novel weirder and hard to buy. But the motivation was clear: the book represents a kind of twisted Lord of the Flies endgame. What if all the college kids protesting in the ‘60s really did run the world?

The novel is a bit more subtle than that, but this central premise is largely why it hasn’t aged well. Which is a shame because, unlike the movie, the world-building is expansive. In the film, Logan (Michael York), Jessica (Jenny Agutter), and all the other twenty-somethings live in domed cities, where the outside world is a distant memory. So when Logan and Jessica escape the domes, they’re out in the wilderness and we’re in Planet of the Apes territory, in which familiar buildings like the Capitol have been overrun by vines and cats.

These features make Logan’s Run the quintessential dystopia, more reminiscent of Brave New World than its own source material….

(7) MOBY KHAN. “Star Trek: Every Literary Reference In The Wrath Of Khan” — ScreenRant furnishes a “Cliff’s Notes” for the movie – not that you need it.

… Star Trek II: The Wrath of Khan‘s references to Moby-Dick are anything but subtle, but the movie finds a way to perfectly utilize Herman Melville’s controversial narrative. Making his intentions clear throughout the story, Khan actually quotes the 1851 novel on several occasions and even uses his last dying breath to invoke one of its most moving passages. “From hell’s heart, I stab at thee,” is so much more than Khan showing off his well-read vocabulary, but instead succinctly encapsulates how he views Kirk and the situation he’s been living in for years on Ceti Alpha V. The parallels are on-the-nose, but powerful nonetheless….

(8) MEMORY LANE.

2006 – [Compiled by Cat Eldridge.] Patricia A. McKillip’s Solstice Wood

I assume that you’re familiar with the work of this author but it’s more likely that you’ve encountered her more fantastic works such as The Riddle-Master of Hed, The Cygnet series or The Forgotten Beasts of Eld.

Solstice Wood was published by Ace Books seventeen years ago as part of the Winter Rose duology with Winter Rose which was published a decade before this novel.

The cover on the left is the one from the Ace Books publication. Before this novel, Kunuko Y. Craft did all of the Ace covers for her books. This cover art is by Gary Blythe. 

It would win the Mythopoeic Fantasy Award for Adult Literature.

I love this novel as what we have here is a quiet, gentler magic at work. I won’t say more about the novel as that would  involve, errrr, SPOILERS as you know. 

If you’re inclined, there’s a detailed review of Solstice Wood of course over at Green Man as we’re terribly fond of her fiction.  We also did a nice interview with her shortly before her death.

So without further commentary, here’s the Beginning…

Sylvia Gram called at five in the morning. She never remembered the time difference. I was already up, sitting at the table in my bathrobe, about to take my first sip of coffee. The phone rang; my hands jerked. Coffee shot into the air, rained down on my hair and the cat, who yowled indignantly and fled. I stared at the phone as it rang again, not wanting to pick up, not wanting to know whatever it was Gram wanted me to know.

At the second ring, I heard Madison stir on my couch-bed.

“Syl?”

“I’m not answering that.”

He unburied his face, squinted at me. “Why not? You having a clandestine affair?”

“It’s Gram.”

His head hit the pillow again on the third ring. “Is not,” he mumbled. “Tell him to leave a message and come back to bed.”

“I can’t,” I said firmly, though his naked body was exerting some serious magnetic pull. “I have to go to the store and unpack a dozen boxes of books.”

“Come back for five minutes. Please? She’ll leave a message.”

 “She won’t.” It rang again. “Only the weak-minded babble their business to inanimate objects.”

“Hah?”

 “She says.” 

It rang for the fifth time; I glowered at it, still not moving. I could have shown her any number of fairy tales in which important secrets imparted to a stone, to the moon, to a hole in the ground, had rescued the runaway princess, or the youngest brother, or the children lost in the wood. But Gram believed in fairies, not fairy tales, and in her world magic and machines were equally suspect.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 5, 1909 — Albert Broccoli. American film producer responsible for all the Bond films up to License to Kill, either by himself or in conjunction with others. He also was the producer of Chitty Chitty Bang Bang, and executive produced The Gamma People. (Died 1996.)
  • Born April 5, 1916 — Bernard Baily. A comics writer, editor and publisher. Best remembered as co-creator of The Spectre and Hourman. For DC Comics precursor National Comics, Baily co-created and drew the adventure feature “Tex Thomson” in Action Comics #1 (June 1938), the landmark comic book that introduced Superman. In 1943, he founded his own studio. Among the artists who started out in the industry there were Frank Frazetta, Carmine Infantino and Gil Kane. (Died 1996.)
  • Born April 5, 1917 — Robert Bloch. His Wiki page says he’s best known as the writer of Psycho, but I’ll guarantee that only film geeks and many of y’all know that. I know him best as the writer of the Trek “Wolf in the Fold” episode, one of three Trek episodes he did. His Night of the Ripper novel is highly recommended. And I know “That Hellbound Train” which won him first Hugo at Detention is the piece by him that I’ve read the most. He received a special committee award at L.A. Con II, where they were honored him for fifty years as SF professional. Impressive indeed. And yes, he’s a member of First Fandom as he should be. (Died 1994.)
  • Born April 5, 1926 — Roger Corman, 97. Ahhhh popcorn films! (See popcorn literature for what I mean.) Monster from the Ocean Floor in the early Fifties was his first such film and Sharktopus vs. Whalewolf on Syfy just a few years back was another such film. He’s a man who even produced such a film called, errr, Munchies. A Worldcon guest of honor in 1996.
  • Born April 5, 1950 — A.C. Crispin. She wrote several Trek and Star Wars novelizations and created her series called Starbridge which was heavily influenced by Trek. She also co-wrote several Witch World novels, Gryphon’s Eyrie and Songsmith, with Andre Norton. Crispin was also the co-founder of Writers Beware – the bane of literary fraudsters and scammers everywhere. Pirates of the Caribbean: The Price of Freedom was her last novel prior to her death from bladder cancer while in hospice care. (Died 2013.)
  • Born April 5, 1955 — Anthony Horowitz, 68. He wrote five episodes of Robin of Sherwood, and he was both creator and writer of Crime Traveller. He’s also written both Bond and Holmes novels. If you can find a copy, Richard Carpenter’s Robin of Sherwood: The Hooded Man is a very nice fleshing out of that series in literary form.
  • Born April 5, 1965 — Deborah Harkness, 58. She’s the author of the All Souls Trilogy, which consists of A Discovery of Witches and its sequels Shadow of Night and The Book of Life. I listened to the Jennifer Ikeda-narrated audiobooks which was an amazing experience. Highly recommended as Harkness tells a remarkable story here. I’m not even fond ’tall of vampires in any form and hers actually are both appealing and make sense.  

(10) EXODUS AND BACK AGAIN. Inverse remembers when the Matt Smith years began: “13 Years Ago, ‘Doctor Who’ Rebooted Itself Again — And Changed Sci-Fi Forever”

There’s a moment during David Tennant’s live announcement of his exit from Doctor Who, made via satellite video at Britain’s National Television Awards, when you can hear a woman scream “No!” over the sounds of shock and disbelief from the audience. That nameless woman unintentionally became the voice of countless fans devastated by the departure of the beloved actor, whose time on Doctor Who had turned him into a geek icon. But change is built into the DNA of Doctor Who, and it was inevitable that Tennant, like the nine actors before him, would leave the show. But at the risk of sounding dramatic, the stakes for this change were never higher….

(11) JEOPARDY! Andrew Porter watched a contestant on tonight’s Jeopardy! run afoul of an sf-themed item.

Category: Literary Bad Day for the Planet

Answer: Arthur C. Clarke’s “The Star” is a sun that went supernova, killing a planet, & is this celestial object from the New Testament.

Wrong question: What is the Star of David?

Right question: What is the Star of Bethlehem?

(12) SOUR NOTES. “Man who made £1.2m from fake vinyl records caught out by Clash fan” reports the Guardian. You can fool some of the people some of the time, but not all of the people all of the time – especially ardent music fans.

A businessman who made more than £1m selling fake vinyl records was caught after a fan of punk band the Clash complained that the sound quality of an LP he had bought was not as sharp as it should have been.

Trading standards officers launched an investigation into Richard Hutter and found that he had been selling thousands of counterfeit records to rock and pop fans over a six-year period.

Hutter, 55, from Ringwood, Hampshire, was given a suspended jail sentence, ordered to do 250 hours unpaid work and told to wear a tag for three months.

He charged up to £35 for albums from bands ranging from the Beatles to Pink Floyd, Nirvana and Amy Winehouse.

He was found out when a Clash fan demanded his money back because of the poor sound quality on the record he had bought online.

When the refund was refused the customer complained to trading standards officers, who bought two sample records – Appetite for Destruction by Guns N’ Roses and Songs for the Deaf by Queens of the Stone Age – from Hutter’s online business and both turned out to be fakes.

Hutter’s home was searched and officers seized his phone and laptop, which led to them uncovering the scale of his operation. As well as selling through his website and a US site, he listed almost 1,200 LPS for sale on eBay in one year.

When questioned, Hutter denied knowing they were counterfeit records and said he had sourced them from Europe and sold them on. He pleaded guilty to 13 counts of selling counterfeit records and one count under the Proceeds of Crime Act (2002).

He was sentenced at Bournemouth crown court and was given a four-month prison sentence, suspended for 24 months. A £373,000 confiscation order was also made.

Martin Thursby, of Dorset Trading Standards, said: “Vinyl sales declined rapidly after CDs were introduced but the resurgence in vinyl started in around 2010.

“Demand is now so great that there are not enough vinyl pressing plants to meet demand. Hutter was aware of the increase in popularity and set up his business to take advantage of that.

“The LPs Hutter was selling were generally good copies that came to light because they were bought by avid fans of the music who could spot the small differences which showed the records were counterfeit.”…

(13) UNDER THE U235. [Item by Mike Kennedy.] A remote-operated underwater vehicle is being used to image the Fukushima nuclear reactors. A 5-minute portion of the first 39-hour video has been released. “New images from inside Fukushima reactor spark safety worry” at AP News. Watch the video at the link.

Images captured by a robotic probe inside one of the three melted reactors at Japan’s wrecked Fukushima nuclear power plant showed exposed steel bars in the main supporting structure and parts of its thick external concrete wall missing, triggering concerns about its earthquake resistance in case of another major disaster.

The plant’s operator, Tokyo Electric Power Company Holdings, has been sending robotic probes inside the Unit 1 primary containment chamber since last year. The new findings released Tuesday were from the latest probe conducted at the end of March.

An underwater remotely operated vehicle named ROV-A2 was sent inside the Unit 1 pedestal, a supporting structure right under the core. It came back with images seen for the first time since an earthquake and tsunami crippled the plant 12 years ago. The area inside the pedestal is where traces of the melted fuel can most likely be found.

An approximately five-minute video — part of 39-hour-long images captured by the robot — showed that the 120-centimeter (3.9-foot) -thick concrete exterior of the pedestal was significantly damaged near its bottom, exposing the steel reinforcement inside.

TEPCO spokesperson Keisuke Matsuo told reporters Tuesday that the steel reinforcement is largely intact but the company plans to further analyze data and images over the next couple of months to find out if and how the reactor’s earthquake resistance can be improved….

(14) IN THE VILLAGE. EV Grieve shared “A new corner of the ‘Star Wars’ galaxy” – a photo of a new mural design going up in the East Village (NYC). See the image at the link.

EVG contributor Stacie Joy spotted local artist-illustrator Rich Miller starting on a new mural on the NE corner of Seventh Street and Avenue C. 

And a sneak preview of what’s to come… a work that includes Grogu, aka Baby Yoda…

(15) SISTERS IN CRIME BENEFIT AUCTION FOR INNOCENCE PROJECT. Vera Stanhope’s iconic hat and coat worn on the TV crime drama Vera will be centerpiece of a charity auction.

Sisters in Crime, an association of authors who specialize in writing stories about justice, are banding together to champion real-life justice. From May 18-21, 2023, the international writing group will host an online auction to support the Innocence Project, a non-profit that works to free the innocent, prevent wrongful convictions, and create fair, compassionate, and equitable systems of justice for everyone.

Sisters in Crime aims to raise $35,000 for the Innocence Project. Writers and agents have donated various items of interest to crime novel fans, including signed books, the chance to name a character in an upcoming book, consultations, and manuscript critiques. 

Fans can bid on the coat worn by Brenda Blethyn, who plays Vera Stanhope on TV in a role created by bestselling mystery author Ann Cleeves. They can also bid on a 50-page critique by Tracy Clark (Hide) or name a character in a future book by bestselling author Michael Connelly, author of the bestselling Harry Bosch series. Potential bidders can visit the site to see all the items and place a bid.  

The Innocence Project is well known for using DNA evidence to overturn wrongful convictions. Their policy work addresses each of the contributing factors to wrongful convictions: eyewitness misidentification, misapplication of forensic science, false confessions, unreliable jailhouse informant testimony, and inadequate defense.

Stephanie Gayle, the Immediate Past President of Sisters in Crime, created the auction as part of her legacy project for the organization. She was inspired by the work of Mystery Loves Democracy, a coalition of authors who raised funds for Fair Fight Action in 2022. 

(16) BAT SIGNAL. My boss and I used to have a running joke about turning on the “bat light” when she needed a quick answer. I could have sent her one of these for her office: “Metal Earth® Batman v Superman Bat-Signal 3D Metal Model Kit”.

Construct a 3D Metal model of the Bat-Signal used in the iconic movie Batman vs Superman: Dawn of Justice in 2016. High quality with a unique design and laser cut ready to assemble. No glue or solder needed.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Mark Kressel, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Cliff.]

Pixel Scroll 4/4/23 There’s A Bad Scroll Happening Tonight And Not Even A Pixel Can Stop It

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(1) SANDERSON ADDRESSES WIRED INTERVIEW. [Item by Dann.] Brandon Sanderson yesterday posted a piece on his blog in response to part of the recent story about him published by Jason Kehe in WIRED Magazine: “Outside”. While Sanderson’s other reactions have been notably muted, he found one aspect of Kehe’s story to be worthy of response.

Sanderson had shared his personal condition of not experiencing emotions in the same way that most other people do. The conversation about emotions seemed off and he asked Kehe to exclude that from his piece.

…My neurodivergence came up in a recent interview I did. The interviewer latched onto the fact that I don’t feel pain like others do. (More accurately, some mild pains don’t cause in me the same response they do others.) I asked the interviewer not to mention it in his article, as I felt the tone to our discussion was wrong. I worry about my oddity changing the way people think of me, as I don’t want to be seen as an emotionless zombie. So I try to speak of it with nuance….

Sadly, Kehe did not honor that request.

Having had an aspect of himself laid bare, Sanderson opted to do what many writers do when feeling a need to work through something.  He wrote about himself.  What makes him the type of writer that he is.  What makes him the type of person that he is.

…This is why I write. To understand. To make people feel seen. I type away, hoping some lonely reader out there, left on a curb, will pick up one of my books. And in so doing learn that even if there is no place for them elsewhere, I will make one for them between these pages….

And this is why I read.  When I’m not standing outside, looking up at the falling snow.

(2) START TWANGING. Stephen Haffner’s latest Newsletter announces that The Complete John The Balladeer by Manly Wade Wellman is at the printer and they expect to begin shipping the initial preorders on May 15.

The two-volume set, amounting to 1152 pages, includes all 19 short stories, all 5 novels, and Wellman’s synopsis for the unwritten 6th novel: The Valley So Low.

(3) IN CASE YOU HAVEN’T ALREADY SHIFTED YOUR PARADIGM. “Women now dominate the book business. Why there and not other creative industries?” NPR’s “Planet Money” program looked into the question.

…One of the first projects the Copyright Office had Waldfogel work on was a data analysis of the evolution of women in copyright authorship. Looking at the numbers, Waldfogel’s eyes opened wide when he realized that women have seen incredible progress in book authorship but continue to lag in other creative realms.

For example, while they have made inroads in recent years, women still accounted for less than 20 percent of movie directors and less than 10 percent of cinematographers in the top 250 films made in 2022. Likewise, when looking at the data on patents for new inventions, women make up only between 10 to 15 percent of inventors in the US in a typical year.

For a long time, the book market saw a similar disparity between men and women. Sure, some rockstar female authors come to mind from back in the day: Jane Austen, Mary Shelley, Emily Dickinson, Agatha Christie, Zora Neale Hurston — to name just a few prominent ones. But, Waldfogel says, between roughly 1800 and 1900, the share of female authors hovered around only 10 percent each year.

In the 20th century, female authorship began to slowly pick up. By the late 1960s, the annual percentage of female authors had grown to almost 20 percent.

Then, around 1970, female authorship really began to explode. “There was a sea change after 1970,” Waldfogel says.

By 2020, Waldfogel finds, women were writing the majority of all new books, fiction and nonfiction, each year in the United States. And women weren’t just becoming more prolific than men by this point: they were also becoming more successful. Waldfogel analyzes data from a whole range of sources to come to this conclusion, including the Library of Congress, the U.S. Copyright Office, Amazon, and Goodreads. Waldfogel finds that the average female-authored book now sees greater sales, readership, and other metrics of engagement than the average book penned by a male author….

(4) BEST SF THEN AND NOW. [Item by SF Concatenation’s Jonathan Cowie.] Which SF books do SF fans consider the best? And which SF books did SF fans consider the best? SF2 Concatenation has tweeted an advance post ahead of its next seasonal edition, “Best Science Fiction Novels”, an article comparing SF fans’ choices both today (2022) and back in 1987.

One survey was taken at the UK Eastercon back in 1987 by SF2 Concatenation.The other is a survey of over a thousand followers of the Media Death Cult YouTube Channel taken last year (2022).

Are the choices then and now different or the same? Do some of the same titles appear in both….?

… Before we go any further, it should be pointed out that the two surveys did not poll exactly the same question.  The 1987 SF² Concatenation survey was a desert asteroid poll with participants asked which SF novels would they wish to be castaway with on a desert asteroid.  This is not a point pedantry.  Some may view classics such as – and here I invent wildly – as H. G. Wells’ The Time Machine as being so well read by fans and perhaps dated that they would not select it as one of their ten to be marooned with for goodness knows how long. So, a classic, best SF novel might not be one of a few that you would be marooned with for life.

As for the results, you need to be aware of arguably wild cards.  The eagle-eyed among you will have noticed Pavane coming in at number 16 on the 1987 SF² Concatenation survey results.  Could this be that its author’s status that Easter, Keith Roberts, being a Guest of Honour at the 1987 BECCON Eastercon, influenced matters?

On the Media Death Cult front, you need to be aware that a number of the titles had been mentioned a few times on the YouTube channel the previous years. For example, Leviathan Wakes is part of the ‘Expanse’ series of novels and the first few of these had been reviewed on the Channel and the Expanse television show has been mentioned in a number of the Cult’s TV-related videos.  Was this an influence? Nobody knows, but it is worth being aware that such potential biases exist….

(5) REVISIONISM. “As Classic Novels Get Revised for Today’s Readers, a Debate About Where to Draw the Line” – and the New York Times takes notes.

…While some changes have been made to books published in decades past, often with little fanfare, many of the current attempts to remove offensive language are systematic and have drawn intense public scrutiny. The effort has left publishers and literary estates grappling with how to preserve an author’s original intent while ensuring that their work continues to resonate — and sell.

Finding the right balance is a delicate act: part business decision, part artful conjuring of the worldview of an author from another era in order to adapt it to the present.

“My great-grandmother would not have wanted to offend anyone,” said James Prichard, Christie’s great-grandson, and the chairman and chief executive of Agatha Christie Ltd. “I don’t believe we need to leave what I would term offensive language in our books, because frankly all I care about is that people can enjoy Agatha Christie stories forever.”

The financial and cultural stakes of the exercise are enormous. Authors like Dahl, Christie and Fleming have, together, sold billions of copies of books, and their novels have spawned lucrative film franchises. In 2021, Netflix bought the Roald Dahl Story Company, including rights for classics such as “The BFG,” for a reported $1 billion. Leaving the works unchanged, with offensive and sometimes blatantly racist phrases throughout, could alienate new audiences and damage an author’s reputation and legacy.

But altering a text carries its own risks. Critics say editing books posthumously is an affront to authors’ creative autonomy and can amount to censorship, and that even a well intentioned effort to weed out bigotry can open the door to more pervasive changes.

“You want to think about the precedent that you’re setting, and what would happen if someone of a different predisposition or ideology were to pick up the pen and start crossing things out,” said Suzanne Nossel, the chief executive of PEN America.

Changes could also remake the literary and historical record by deleting evidence of an author’s racial and cultural prejudices, and eroding literature’s ability to reflect the place and time in which it was created. “Sometimes the historical value is intimately intertwined with why something is offensive,” Nossel said.

Then there’s the chance that readers who cherish the original works will revolt….

(6) TIME TO SET YOUR COURSE. The Horror Writers Association has posted the lineup for 2023 Horror University Online at Teachable.com. Single courses are $65 for non-HWA members.

Horror University Online, the HWA’s program of interactive workshops and presentations provides opportunities for writers to learn from some of the strongest voices in horror.

(7) JUST ASKING. “How bad is the idea of a Harry Potter TV series?” asks Camestros Felapton. In a nutshell:

The answer is “very bad” and very bad on multiple axes. 

And Camestros grinds several of those axes in his latest post.

(8) GHOST CARGO. I’m sure your O-Gauge Halloween rail setup will not be complete until it’s haunted by this item of rolling stock: O-“Gondola Car w/Flickering Lighted Ghosts #1984 – Ghost Trap”.

On its customer Web site, the Union Pacific Railroad characterizes a gondola as an “extremely sturdy open design” for carrying “rugged unfinished commodities”; its “large flat interior design with side walls” is described as “more flexible than a flat car.” These qualities make the modern gondola particularly popular with the steel industry, for transportation of loose materials like scrap metal, waste, coke, and slag as well as finished products like iron or steel plate, pipe, structural steel, and rails for railroad track. Other commodities commonly shipped in these versatile cars include mineral ores, granite slabs, gravel, logs, lumber, railroad ties, and even prefabricated railroad track, also known as “panel track.”

These unique versions of the ubiquitous gondola are the perfect addition to your annual Halloween train. Each of the five ghosts is individually lighted and features a flickering glowing effect that is sure to bring your spooky Halloween train to life.

(9) STARTING A NEW CHAPTER. But Chapter 11 can be the next-to-last chapter unless things turn around. “Virgin Orbit: Richard Branson’s rocket firm files for bankruptcy” and BBC News has the story.

British billionaire Sir Richard Branson’s rocket company Virgin Orbit has filed for bankruptcy in the US after failing to secure new investment.

The satellite launch company halted operations weeks ago but it hopes to find a buyer for the business.

The company, based in California, announced last week that it would cut 85% of its 750-strong workforce.

Earlier this year, a Virgin Orbit rocket failed to complete its first-ever satellite launch from UK soil….

… On Tuesday, the company said Virgin Investments, part of Virgin Group, would provide $31.6m in new money to help Virgin Orbit through the process of finding a buyer.

It has filed for what is known as Chapter 11 bankruptcy protection in the US. This allows a business to keep operating and address its financial issues while providing protection against creditors who are owed money.

Former president of Virgin Galactic Will Whitehorn said the failed launch in Cornwall and the collapse of Silicon Valley Bank at the time it was trying to raise new funding contributed to its downfall.

But Mr Whitehorn said the business deserved a second chance because there was “a lot of demand” in the industry.

“What you have got to remember is they have got nearly 50 satellites into space already, so I think there’s a chance they’ll be back,” he said….

(10) MEMORY LANE.

1928 – [Compiled by Cat Eldridge.]

For this Beginning , we have Robert E. Howard’s very first Solomon Kane story, “Red Shadows”.  It was first published in Weird Tales in the August 1928 issue. Most of Howard’s tales about Kane were in Weird Tales. The last time it had a hardcover printing was in The Savage Tales of Solomon Kane by Del Rey twenty years ago. It is now available from the usual suspects. 

SPOILER WARNING. 

Look we are dealing with a nearly century old character, so it’s hard to believe anyone here hasn’t heard of its history.

Other authors will take Kane and adapt him, e.g. Paul Di Filippo’s Observable Things and he is namechecked in Philip José Farmer’s Doc Savage: His Apocalyptic Life. 

Also Tales of the Shadowmen,  an anthology series which is co-edited by Jean-Marc Lofficier and Randy Lofficier. All of the characters there from French and international genre fiction exist in the same multiverse.

END OF SPOILERS IF INDEED THERE WERE ANY

And now our Beginning of Solomon Kane…

The moonlight shimmered hazily, making silvery mists of illusion among the shadowy trees. A faint breeze whispered down the valley, bearing a shadow that was not of the moon-mist. A faint scent of smoke was apparent. 

The man whose long, swinging strides, unhurried yet unswerving, had carried him for many a mile since sunrise, stopped suddenly. A movement in the trees had caught his attention, and he moved silently toward the shadows, a hand resting lightly on the hilt of his long, slim rapier. 

Warily he advanced, his eyes striving to pierce the darkness that brooded under the trees. This was a wild and menacing country; death might be lurking under those trees. Then his hand fell away from the hilt and he leaned forward. Death indeed was there, but not in such shape as might cause him fear

“The fires of Hades!” he murmured. “A girl! What has harmed you, child? Be not afraid of me.” 

The girl looked up at him, her face like a dim white rose in the dark.

“You—who are—you?” her words came in gasps.

“Naught but a wanderer, a landless man, but a friend to all in need.” The gentle voice sounded somehow incongruous, coming from the man. 

The girl sought to prop herself up on her elbow, and instantly he knelt and raised her to a sitting position, her head resting against his shoulder. His hand touched her breast and came away red and wet.”

“Tell me.” His voice was soft, soothing, as one speaks to a babe.

“Le Loup,” she gasped, her voice swiftly growing weaker. “He and his men—descended upon our village—a mile up the valley. They robbed—slew—burned—”

 “That, then, was the smoke I scented,” muttered the man. “Go on, child.”

“I ran. He, the Wolf, pursued me—and—caught me—” The words died away in a shuddering silence. “I understand, child. 

Then—?””

“Then—he—he—stabbed me—with his dagger—oh, blessed saints!—mercy—” 

Suddenly the slim form went limp. The man eased her to the earth, and touched her brow lightly. 

“Dead!” he muttered. 

Slowly he rose, mechanically wiping his hands upon his cloak. A dark scowl had settled on his somber brow. Yet he made no wild, reckless vow, swore no oath by saints or devils.

“Men shall die for this,” he said coldly.”

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 4, 1902 — Stanley G. Weinbaum. His first story, “A Martian Odyssey”, was published to general accolades in July 1934, but he died from lung cancer less than a year-and-a-half later. ISFDB lists two novels, The New Adam and The Dark Other, plus several handfuls of short stories that I assume were out for consideration with various editors at the time of his death. (Died 1935.)
  • Born April 4, 1948 — Dan Simmons, 75. He’s the author of the Hyperion Cantos and the Ilium/Olympos cycles. Hyperion won a Hugo Award at ConFiction (1990), and The Fall of Hyperion was nominated the following year at ChiCon V (1991). Both are, if my memory serves me right, excellent. If you like horror, Song of Kali which won a World Fantasy Award is quite tasty indeed. In 2013 he became a World Horror Convention Grand Master.  Beware his social media, which include remarks about environmental activist Greta Thunberg.
  • Born April 4, 1949 — David C. Sutherland III. An early Dungeons & Dragons artist. His work heavily influenced the development of D&D. He was also one of their writers on such modules as the Queen of the Demonweb Pits that Gary Gygax edited. He also drew the maps for Castle Ravenloft. (Died 2005.)
  • Born April 4, 1952 — Cherie Lunghi, 71. Her fame arose from her role as Guinevere in Excalibur. (I saw Excalibur in a 1920s-built theater on a warm summer night with hardly anyone there.) She was also Baroness Frankenstien (Victor’s Mother) in Kenneth Branagh’s Mary Shelley’s Frankenstein. She was also in The Lady’s Not for Burning as Jennet Jourdemayne. That I’ve not seen.
  • Born April 4, 1959 — Phil Morris, 64. His first acting role was on the “Miri” episode of Trek as simply Boy. He was the Sam the Kid on several episodes of Mr. Merlin before returning to Trek fold as Trainee Foster in Star Trek III: The Search for Spock. Next interesting role is voicing Vandal Savage on a three-part Justice League Unlimited story called “The Savage Time”, a role he reprised for Justice League: Doom. No, I’ve not forgotten that he was on Mission: Impossible as Grant Collier. He also played the Martian Manhunter (J’onn J’onzz) on Smallvillie. And yes played Silas Stone on Doom Patrol and no, I didn’t spot that was him in that role. 
  • Born April 4, 1967 — Xenia Seeberg, 56. She is perhaps best known for her role as Xev Bellringer in Lexx, a show’s that’s fantastic provided you can see in its uncensored form. I’ve also see she played Muireann In Annihilation Earth, Noel in So, You’ve Downloaded a Demon, uncredited role in Lord of The Undead, and Sela in the “Assessment” episode of Total Recall 2070. 
  • Born April 4, 1965 — Robert Downey Jr., 58. Iron Man in the Marvel Universe film franchise. (I loved the first Iron Man film, thought they could’ve stopped there.) Also a rather brilliant Holmes in Sherlock Holmes and Sherlock Holmes: A Game of Shadows. Also voicing James Barris in an animated adaption of Philip K. Dick’s A Scanner Darkly which picked up a nomination at Nippon 2007. Yes, he’s plays the title role in Dolittle which despite having scathing critical reviews has a rather superb seventy-six rating among audience reviewers at Rotten Tomatoes. 
  • Born April 4, 1968 — Gemma Files, 55. She’s a Canadian horror writer, journalist, and film critic. Her Hexslinger series now at three novels and a handful of stories is quite fun. It’s worth noting that she’s a prolific short story writer and four of them have been adapted as scripts for The Hunger horror series. 

(12) PUT ANOTHER TRAILER ON THE BARBIE. [Item by N.] “After being expelled from ‘Barbie Land’ for being a less-than-perfect doll, Barbie sets off for the human world to find true happiness.”

To live in Barbie Land is to be a perfect being in a perfect place. Unless you have a full-on existential crisis. Or you’re a Ken.

(13) JEOPARDY! David Goldfarb tuned into the April 3 episode of Jeopardy! and noted this sff reference:

In the Double Jeopardy round, “Their lesser-known books” for $400:

This author went to Venus instead of Narnia in his space novel “Perelandra”

Eventual game-winner Crystal Zhao responded to this correctly.

(14) JEOPARDY! REDUX. And tonight Andrew Porter found that Jeopardy! devoted an entire category to “The World of Middle-Earth” – the contestants could have been better prepared….

Answer: This peak is where the Ring was forged & the only place it can be destroyed.

Wrong questions: What is Mordor? and What is Sauron?

Right question: What is Mount Doom?

Answer: This creepy guy calls the Ring of Power his “precious”

Wrong question: Who is uh, er, I lost it.

Right question: Who is Smeagol?

Answer: Sting is the name Bilbo gives to this possession.

No one could ask, What is his sword?

(15) HOW PALE IS URANUS?  “A pair of images, taken eight years apart, show changes to the ice giant planet as spring arrives in the northern hemisphere,” says the New York Times. “A Paler Uranus Emerges in the Latest Hubble Telescope Image”.

…Studying Uranus’s seasons takes a while. One year on the distant, bluish gas giant — the time it takes Uranus to go once around the sun — is 84 Earth years.

“This is so long that no one human can hope to study it directly,” said Heidi B. Hammel, vice president for science at the Association of Universities for Research in Astronomy.

Dr. Hammel notes that although Uranus was discovered 242 years ago, sophisticated instruments did not exist then, and even electronic detectors capable of accurately measuring the brightness of the planet did not exist until the 1950s.

Long-term brightness measurements since then suggest the northern hemisphere of Uranus, now emerging into sunlight, is brighter than the southern hemisphere, which Voyager 2 observed when it flew by in 1986….

(16) REACH FOR THE SKY. The New York Times calls it “One of the Luckiest Lightning Strikes Ever Recorded”.

Benjamin Franklin invented lightning rods in the 18th century, and the devices have been protecting buildings and people from the destructive forces of lightning ever since. But the details of how lightning rods function are still the subject of scientific research.

Although modern lightning protection systems involve extra equipment that makes them more efficient, the lightning rod itself is quite simple: a copper or aluminum rod set above the highest point of a building, with wires connected to the ground. When lightning strikes a building it will preferably pass through the rod — the path of least resistance — and then through the wires into the ground, protecting the building and its contents from the extremely high currents and voltages produced by lightning.

But a rod doesn’t wait for the lightning to strike. Less than one millisecond before the lightning touches it, the rod, provoked by the presence of the negative discharge of the lightning, sends a positive discharge up to connect to it.

Brazilian researchers recently got lucky, photographing this event with high-speed video cameras at very high resolution. They captured the electric action in São José dos Campos, a city northeast of São Paulo.

The scientists were in the right place, at the right time, and with the right equipment to capture 31 of these upward discharges as they happened. With their location, about 150 yards away from the lightning strikes, and their camera, a device that records 40,000 images a second, they were able to take clear photographs and a slow-motion video of what happens in that instant before the charge from the rod meets the charge from the lightning bolt. The scientists’ study and photos were published in Geophysical Research Letters in December….

This photo comes from the paper: “Close View of the Lightning Attachment Process Unveils the Streamer Zone Fine Structure”.

(17) JUSTWATCH. Here is the sff that JustWatch found people had on their screens in March.

(18) TALKIN’ ‘BOUT MY REGENERATION. From the Radio Times: “David Tennant stars as Fourteenth Doctor in Comic Relief sketch”.

Doctor Who fans were treated to another visit by the Fourteenth Doctor during yesterday’s Red Nose Day telethon, with David Tennant re-enacting his regeneration scene with Sir Lenny Henry to start the show.

This marked Tennant’s second appearance as The Doctor since he returned to Doctor Who for Jodie Whittaker’s final episode, taking viewers by surprise when the Thirteenth Doctor regenerated.

In the opening sketch, Henry prepared to open the show, saying in the mirror, “Comic Relief, Salford, make some noise!” before doubling over in pain. “I’ve got to stop having them all you can eat hotel breakfasts.”…

(19) VIDEO OF THE DAY. “’Spider-Man: Across the Spider-Verse’ Trailer: Miles Morales Is Back” says Variety.

…In the animated sequel, Miles Morales (voiced by Shameik Moore) and Gwen Stacy (Hailee Steinfeld) work to save every Spider-Man, Spider-Woman and Spider-Person in the multiverse. Together with a new crew, Miles must stop a mysterious new villain, who happens to be planning a disaster that could disrupt each universe. In the trailer, he is told, “Being a Spider-Man is a sacrifice.”…

[Thanks to Cat Eldridge, Mike Kennedy, Andrew Porter, Dann, David Goldfarb, Rich Lynch, N., Dan Bloch, SF Concatenation’s Jonathan Cowie, John King Tarpinian, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 4/1/23 Shhh. Be Vewy Quiet, I’m A Pixel and I’m Hunting Filers

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(1) VOTING OPENS IN SFWA ELECTION AND REFERENDUMS. Full SFWA members have until April 11 to vote in this year’s SFWA Board of Directors election and respond to two referendums on whether English-language translations and speculative poetry should be allowed to count toward SFWA membership eligibility.

BOARD ELECTION

Candidates for President: Jeffe Kennedy*

Candidates for Secretary: Jasmine Gower*

Candidates for Director-At-Large (three [3] positions open): Phoebe Barton, Chelsea Mueller, Anthony Eichenlaub, Christine Taylor-Butler*

Oghenechovwe Ekpeki is also running for SFWA Director-at-Large, as a write-in.

* = currently serving on the Board

REFERENDUMS. Genre writers of poetry and translators of fiction cannot currently use those portions of their paid work as part of their catalog when applying to join SFWA or to upgrade their membership classification. Two resolutions dealing with those qualifications are up for a vote:

(I) Paid SFF and related genre poetry sales shall be considered for the purposes of determining eligibility for membership in SFWA.

(II) Payment for SFF and related genre translation work shall be considered for the purposes of determining eligibility for membership in SFWA by the translator.

(2) WELL, I’M BACK. The Chengdu Worldcon’s English language website is operational again after being down for several days. Naturally it never occurred to the committee to announce the outage before it began, or explain it while it was happening. They told Facebook readers today:

Our official website of 2023 Chengdu Worldcon has come back after upgrades. Please visit the previous address to checkyour membership status, purchase new memberships and to participate in the 2023 Hugo Awards nomination. For any inquiry, please contact us at：

[email protected]

en.chengduworldcon.com

Thanks for your patience and have a good weekend ahead!

(3) HOUR OF POWER. Well, maybe forty-two minutes anyway. BBC Radio 4 Front Row on Thursday included coverage of the Naomi Alderman novel The Power – a topical item as it has just been made into a TV series. “Front Row, Ria Zmitrowicz on The Power, The ENO’s The Dead City and God’s Creatures reviewed”.

The trailer for The Power is online.

The Power, is an emotionally-driven global thriller, based on Naomi Alderman’s international award-winning novel. The world of The Power is our world, but for one twist of nature. Suddenly, and without warning, teenage girls develop the power to electrocute people at will. The Power follows a cast of remarkable characters from London to Seattle, Nigeria to Eastern Europe, as the Power evolves from a tingle in teenagers’ collarbones to a complete reversal of the power balance of the world.

(4) WRONG ENOUGH TO WIN. [Item by ErsatzCulture.] The April 1 edition of the BBC quiz show Pointless Celebrities (which should be available online to UK iPlayer users here) opened with a question asking the contestants to complete the names of a set of science fiction novels.

For anyone unfamiliar with Pointless, it’s roughly an inverted Family Fortunes/Feud, where surveys have been done of 100 members of the public, but here contestants have to pick the least popular answers. If a completely incorrect answer is put forward, that’s scored as 100 points. The eight contestants are split into four teams of two, and in the opening round, one member of each team has to choose one of 7 questions to answer, and then the other members of each team have to choose from a second set of 7 questions. The aim is to come out of that round with the lowest total score, with the team having the highest score being eliminated.

All but one contestant went for a correct answer – the offender being Children of Dune.  Whilst it’s not surprising to me that the Vonnegut and Cixin Liu novels aren’t well-known to the general public, I was surprised to see how low the James, Haig and St. John Mandel works scored.

There is a series of screencaps from this part of the game in Ersatz Culture’s post at Mastodon, “An episode of Pointless Celebr…”

(5) FLAME ON! Carriesthewind’s Tumblr is the source of the rant “The IA’s ‘Open Library’ is Not a Library,…” quoted by Seanan McGuire at Seanan’s Tumblr.

…Yesterday’s district court ruling DID NOT CHANGE ANY SUBSTANTIVE COPYRIGHT LAW IN THE U.S. I cannot emphasize that enough. Regardless of whatever you think of the ruling, it was applying already existing law to the facts.

This is because the Internet Archive’s “Open Library” absolutely violates existing copyright law. It just does! They broke the law, they had plenty of notice they were breaking the law and harming authors (more on that below) and just think the law shouldn’t apply because they don’t like it.

The Internet Archive’s “Open Library” is not a library….

But what really got Carriesthewind steamed was a line in IA’s statement about the decision “The Fight Continues” which says — “It hurts authors by saying that unfair licensing models are the only way their books can be read online.” That provoked this response:

…How DARE you cloak your theft in the real struggles authors face with unfair licensing models. How DARE you pretend you are on the side of authors when you are stealing their works, and they have made it quite clear that they would like you to stop, please. And how DARE you frame it in this “for exposure” bullcrap that ignores the real struggles that authors have to eat, to get healthcare, to get any sort of fair pay and wages for their work, and instead pretend that all authors should care about is whether or not their books can be read online….

(6) COURT REJECTS A BOOK BAN. [Item by Jennifer Hawthorne.] CNN is reporting: “Judge orders books removed from Texas public libraries due to LGBTQ and racial content must be replaced within 24 hours”. Although no SFF titles are specifically mentioned in the article as having been targeted for the bans, there is a statement that the library cut off access to thousands of digital titles because they weren’t able to restrict access to two of the books they wanted to ban unless they banned access to the ALL the digital titles — so that’s what they did (!@#@!)  and I’m sure that impacted access to a lot of SFF digital titles. Also I figure that the Filers are interested in book banning/unbanning just as a general topic.

A federal judge in Texas ruled that at least 12 books removed from public libraries by Llano County officials, many because of their LGBTQ and racial content, must be placed back onto shelves within 24 hours, according to an order filed Thursday.

Seven residents sued county officials in April 2022, claiming their First and 14th Amendment rights were violated when books deemed inappropriate by some people in the community and Republican lawmakers were removed from public libraries or access was restricted.

The lawsuit filed in the US District Court for the Western District of Texas in San Antonio claimed county officials removed books from the shelves of the three-branch public library system “because they disagree with the ideas within them” and terminated access to thousands of digital books because they could not ban two specific titles….

(7) STEAMY IN SEATTLE. Clarion West is promoting “Steamy in Seattle, a Paranormal Romance Tea Party”, an in-person event also being streamed online. Takes place May 5 from 3:00-4:30 p.m. Pacific. Buy admission for the in-person experience at the link above, or register for the free online version.

Meet authors Gail Carriger and Piper J. Drake as they discuss the paranormal romance genre and their own work in steampunk, shapeshifter romance, and romantic thrillers! Grab a steaming cup of tea and some delicious treats prepared by the Seattle Central College culinary students, or tune in via livestream.

Location: One World Restaurant on Seattle Central College campus (Capitol Hill neighborhood) and streaming worldwide!

(8) MEMORY LANE.

1958 – [Compiled by Cat Eldridge.]

The Muppet Show used to have a segment called “Pigs in Space.” Well this Social Justice Credential counterpart called “Cats in Space”, with a dollop of ever so cute kittens added in, appeared long before Heinlein’s Pixel came into being. 

Our Beginning this Scroll is of Ruthven Todd’s Space Cat and the Kittens. It was published sixty-five years ago by Scribner’s. It’s the fourth, and last, of a children’s books series involving Flyball, a cat who, yes, lives in space. 

The preceding books which, like this one are illustrated by Paul Galdone, are Space Cat, Space Cat Visits Venus and Space Cat Meets Mars. Without giving anything away, let me just say that there will be a lot of cats, not a few kittens and a considerable comical situations as the series goes on. 

They are available in both hardcover and from the usual suspects.

Yes there are spoilers here, so go away if you don’t want to read them as this Beginning tells us about how these cats… Oh that would be giving something away, wouldn’t it? 

And here it is…

They were in and out of everything. When you thought you had cornered one of the red and gray bundles flashing among the crates in the storeroom, you would suddenly become aware that you had been attacked from behind by another. With its sharp claws unsheathed it was scrambling up your back. 

Still, everyone on the Moon not only put up with them but liked them. This was only right, for their parents were the most famous cats in the whole of space. Flyball, their father, had not only been the first cat to leave Earth for the Moon, but he had also been the first cat on Venus and on Mars. 

On Mars he had found his wife. Moofa was the last of the Martian fishing cats. Red as any firetruck, with darker stripes that ran from her head to her tail, she had lived on the fish that she caught in the Martian canals.

Now Moofa and Flyball had these two kittens—Marty and Tailspin. Marty was the older brother by a few minutes and was as proud of it as if he had arranged it himself. 

At first glance the kittens, showing both their father’s gray and their mother’s red, looked exactly alike. Then a second look showed that Tailspin had a pure gray tip to his tail while Marty’s tail was red all the way. 

The kittens had been born on the Moon and both Moofa and Flyball agreed that it was an ideal place for kittens, even though there were neither mice nor birds for them to chase. 

On the Moon they were almost as light as feathers and could jump the most tremendous distances. Still, they found, it was just as hard to catch one’s tail on the Moon as it was on Earth. They knew about Earth, for they had visited it on the shuttle-rockets which went back and forth all the time. 

The Earth, the kittens thought, was rather a dull place. A jump that on the Moon would carry them across a room, on Earth was only an ordinary little pounce.

So please name other SF where cats are characters in the story.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 1, 1875 — Edgar Wallace. Creator of King Kong, he also wrote SF including Planetoid 127, one of the first parallel Earth stories, and The Green Rust, a bioterrorism novel which was made into a silent film called The Green Terror. Critics as diverse as Orwell, Sayers and Penzler have expressed their rather vehement distaste for him.  Kindle has an impressive number of works available. (Died 1932.)
  • Born April 1, 1883 — Lon Chaney. Actor, director, makeup artist and screenwriter. Best remembered I’d say for the Twenties silent horror films The Hunchback of Notre Dame and The Phantom of the Opera in which he did his own makeup. He developed pneumonia in late 1929 and he was diagnosed with bronchial lung cancer which he died from. (Died 1930.)
  • Born April 1, 1926 — Anne McCaffrey. I read both the original trilogy and what’s called the Harper Hall trilogy oh so many years ago when dragons were something I was intensely interested in. I enjoyed them immensely but haven’t revisited them so I don’t know what the Suck Fairy would make of them. I confess that I had no idea she’d written so much other genre fiction! And I recounted her Hugo awards history in the March 7 Pixel Scroll (item #9). (Died 2011.)
  • Born April 1, 1930 — Grace Lee Whitney. Yeoman Janice Rand on Star Trek. She would reach the rank of Lt. Commander in Star Trek VI: The Undiscovered Country. Folks, I just noticed that IMDB says she was only on eight episodes of Trek, all in the first fifteen that aired. It seemed like a lot more at the time. She also appeared in in Star Trek: The Motion Picture, Star Trek III: The Search for Spock, Star Trek IV: The Voyage Home and Star Trek VI: The Undiscovered Country. By the last film, she was promoted to being a Lt. Commander in rank. Her last appearance was in Star Trek: Voyager’s “Flashback” along with Hikaru Sulu. Oh, and she was in two video fanfics, Star Trek: New Voyages and Star Trek: Of Gods and Men. (Died 2015.)
  • Born April 1, 1942 — Samuel R. Delany, 81. There’s no short list of recommended works for him as everything he’s done is brilliant. That said I think I’d start off suggesting a reading first of Babel- 17 and Dhalgren followed by the Return to Nevèrÿon series. His two Hugo wins were at Heicon ’70 for the short story “Time Considered as a Helix of Semi-Precious Stones” as published in New Worlds, December 1968, and at Noreascon 3 (1989) in the Best Non-Fiction Work category for The Motion of Light in Water: Sex and Science Fiction Writing in the East Village, 1957-1965.  I will do a full look at his awards and all of his Hugo nominations in an essay shortly. 
  • Born April 1, 1960 — Michael Praed, 63. Robin of Loxley on Robin of Sherwood which no doubt is one of the finest genre series ever done of a fantasy nature. He also played Phileas Fogg on The Secret Adventures of Jules Verne, an amazing series that never got released on DVD. It has spawned a lively fanfic following since it was cancelled with names such as Spicy Airship Stories which I admit I’m going to go read.
  • Born April 1, 1963 — James Robinson, 60. Writer, both comics and film. Some of his best known comics are the series centered on the Justice Society of America, in particular the Starman character he co-created with Tony Harris. His Starman series is without doubt some of the finest work ever done in the comics field. His screenwriting is a mixed bag. Remember The League of Extraordinary Gentlemen? Well, that’s him. He’s much, much better on the animated Son of Batman film. And I’ll admit that James Robinson’s Complete WildC.A.T.s is a sort of guilty pleasure.
  • Born April 1, 1970 — Brad Meltzer, 53. I’m singling him for his work as a writer at DC including the still controversial Identity Crisis miniseries and his superb story in the Green Arrow series from issues 16 to 21 starting in 2002.  He and artist Gene Ha received an Eisner Award for Best Single Issue (or One-Shot) for their work on issue #11 of Justice League of America series. 

(10) KELLY LINK INTERVIEW. Electric Literature declares, “Kelly Link Makes Fairy Tales Even Weirder Than You Remember”.

Chelsea Davis: Rules—often arbitrary, always ominous—shape many fairy tales, and most of the stories in White Cat. Don’t let anyone enter the front door; don’t visit your lover unless it’s snowing; and (my favorite) don’t hunker down for the night in a home that doesn’t have a corpse inside. How do explicit rules activate or shape a story?

Kelly Link: I love thinking about rules! I’m deeply interested in the relationship that we have with them as members of a family, or a social group, or a culture. They mark out the territory in which we (or our characters) live our lives. When thinking about imaginary people, a useful approach is to consider what rules they live by, which rules they break, and the consequences or freedoms that occur as a result.

When I was a kid, I was fascinated and horrified by all sorts of rules: Don’t wear white after Labor Day! Wear pantyhose with skirts. Never wear navy and black together. Don’t take candy from a stranger. 

I was a preacher’s kid, and aside from all the familiar stuff about virginity, and not taking the Lord’s name in vain, there were weirder, more interesting rules about not eating shellfish, or wearing certain fibers together, or not suffering a witch to live. (Though the two rules about loving your neighbor as yourself, and doing unto others as you would have them do unto you still seem like good practice.)…

(11) EKPEKI GOFUNDME CONTINUES. Oghenechovwe Donald Ekpeki’s GoFundMe fundraiser for visa processing & legal fees has reached 20 percent of its $17,500 goal.

Oghenechovwe Donald Ekpeki recently experienced visa complications that left him unable to attend the NAACP Image award ceremony, where he was a nominee for his work co-editing the anthology Africa Risen. These visa issues will also prevent him from attending the 44th Afrofuturism-themed International Conference For The Fantastic In the Arts as a guest of honour or be a visiting fellow at Arizona State University.

Because of these issues, Ekpeki is crowdfunding for a new visa that allows him the range of activities his burgeoning literary career demands.

Specifically, this crowdfunding is for a new visa and the associated legal and application fees. Ekpeki has already connected with a lawyer experienced in this legal area who will assist with the application.

(12) JEOPARDY! David Goldfarb notes that Thursday’s Jeopardy! episode had a category in the Double Jeopardy round called “Quoth the Title”. It hit one SFF trilogy in the middle, at the $1200 level:

Philip Pullman quoted Milton, “Unless the almighty Maker them ordain” these “to create more worlds”.

Returning champion Lisa Srikan tried, “What are men?” Jacob Lang was perhaps influenced by this to respond, “What are children of men?”. Sharon Stone (not that one) declined to guess. This isn’t quite at the level where I would just assume that every Filer would know it: the clue was looking for “His Dark Materials”.

Goldfarb also tuned into Friday’s Jeopardy! episode and enjoyed several more SFF-related clues. 

In the first Jeopardy round, 

“Hey, Big Spender” for $200:

If you’ve really got all that dough, why don’t you buy Action Comics #1 from 1938, which saw the debut of this otherworldly hero

Jen Petro-Roy responded correctly.

In the Double Jeopardy round,
“Oh, the Literary Places You Don’t Want to Go!”: $1200: 

The Sprawl is a rough city with an artificial gray sky in “Mona Lisa Overdrive”, a novel from this cyberpunk master

Jen knew William Gibson.

“Literary Places”: $2000: 

The idyllic school Hailsham harbors grotesque deeds in “Never Let Me Go” from this Japanese-born author

Jen messed up the name Kazuo Ishiguro: “Kashiguro” was not accepted. The other two didn’t answer.

“Last Lines of Movies”: $800: 

“Oh, no. It wasn’t the airplanes. It was Beauty killed the Beast.”

Jen knew it.

“Literary Places”, $400: 

Isla Nublar off Costa Rica sets the scene of this 1990 Michael Crichton novel that bioengineers some terror

Brittany Shaw knew this one.

(13) APRIL FOOL’S DAY. The Unofficial Hugo Book Club blog tried its best to keep the holiday alive.

(14) FURTHER APRIL FOOLISHNESS. James Davis Nicoll reviews an essential volume of the science fiction canon in “By Klono’s Silk Unmentionables!”

Time erodes all, including our collective memory. Even what is preserved in print can be subject to caprice; once well-known works can be forgotten. Take, for example, that classic space opera: Thorne Smith’s Lensmen….

(15) VIDEO OF THE DAY. Meanwhile, this trailer for Trolls Band Together is not an April Fool – but maybe it ought to be!

After two films of true friendship and relentless flirting, Poppy (Anna Kendrick) and Branch (Justin Timberlake) are now officially, finally, a couple (#broppy)! As they grow closer, Poppy discovers that Branch has a secret past. He was once part of her favorite boyband phenomenon, BroZone, with his four brothers: Floyd (Golden Globe nominated electropop sensation Troye Sivan), John Dory (Eric André; Sing 2), Spruce (Grammy winner Daveed Diggs; Hamilton) and Clay (Grammy winner Kid Cudi; Don’t Look Up). BroZone disbanded when Branch was still a baby, as did the family, and Branch hasn’t seen his brothers since. But when Branch’s bro Floyd is kidnapped for his musical talents by a pair of nefarious pop-star villains—Velvet (Emmy winner Amy Schumer; Trainwreck) and Veneer (Grammy winner and Tony nominee Andrew Rannells; The Book of Mormon)—Branch and Poppy embark on a harrowing and emotional journey to reunite the other brothers and rescue Floyd from a fate even worse than pop-culture obscurity.

[Thanks to John King Tarpinian, Chris Barkley, Michael Toman, David Goldfarb, Jennifer Hawthorne, SF Concatenation’s Jonathan Cowie, Danny Sichel, ErsatzCulture, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 3/30/23 Yes! We Have No Pixels, We Have No Pixels Today

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(1) NEW FUTURE TENSE FICTION PODCAST. The first episode of the Future Tense Fiction podcast series dropped this week. Produced by Slate, it’s hosted by science journalist Maddie Stone, and each episode features a voice actor reading one of the Future Tense stories, followed by a conversation with the author about how their own experiences with technology informed their writing and vision. The first episode features Sturgeon Award–winning story “When Robot and Crow saved East St. Louis,” by Annalee Newitz. The podcast is free and is available through any podcast service that people use (including but not limited to Apple Podcasts, Spotify, Stitcher, and Radio Public).

(2) THE BIG EUROVISION READ. Catherynne M. Valente ecstatically told Facebook followers:

Decibel Jones and the Absolute Zeroes have finally made it to the blue carpet. WHAT.

I could not possibly be more excited to announce that Space Opera, the literary lovechild of @Eurovision & a drunk thesaurus, is officially part of the #BigEurovisionRead and #Eurofestival, sponsored by @bbcarts and @thereadingagency this year!

From a throwaway joke on Twitter to really being part of actual #Eurovision? Oh. My. God.

It truly isn’t possible to express how thrilling it is for an utterly cringe #Eurovision dork like me to be anywhere near the actual event, let alone a small official part of it. I am so honored, so grateful, and I hope Dess and the gang find a whole new galaxy of friends.

Space Opera has been such a ride, and the sequel is out this fall! Thank you so much to all the librarians that chose this book and everyone who has jumped on Mr. Jones’ Wild Ride over the last five years.

Life is beautiful and life is stupid. Truly.

(3) STARFLEET ACADEMY. “’Star Trek: Starfleet Academy’ Series Ordered at Paramount+” and Variety has details.

 “Admission is now open to Starfleet Academy! Explore the galaxy! Captain your destiny! For the first time in over a century, our campus will be re-opened to admit individuals a minimum of 16 Earth years (or species equivalent) who dream of exceeding their physical, mental and spiritual limits, who value friendship, camaraderie, honor and devotion to a cause greater than themselves,” Kurtzman and Landau said. “The coursework will be rigorous, the instructors among the brightest lights in their respective fields, and those accepted will live and study side-by-side with the most diverse population of students ever admitted. Today we encourage all who share our dreams, goals and values to join a new generation of visionary cadets as they take their first steps toward creating a bright future for us all. Apply today! Ex Astris, Scientia!”

The official logline for the series states that it “will introduce us to a young group of cadets who come together to pursue a common dream of hope and optimism. Under the watchful and demanding eyes of their instructors, they will discover what it takes to become Starfleet officers as they navigate blossoming friendships, explosive rivalries, first loves and a new enemy that threatens both the Academy and the Federation itself.”

… Production on “Star Trek: Starfleet Academy” will begin in 2024….

(4) GOODNIGHT MOON. Here’s a strange exercise: “Every Page of Goodnight Moon, Ranked” at McSweeney’s Internet Tendency. This page is ranked next to last – and the commentary is one reason I’m not sure this article succeeds at being funny.

21. And goodnight mouse (Page 16)
Separated from the toy house on page 3, we see this mouse for what it really is: a thinly constructed, two-dimensional character. What had once seemed whimsical now appears in stark reality: a mouse running around a child’s bedroom, the treatment of which should neither be celebrated nor encouraged.

(5) MIKE MIGNOLA’S VISION. On exhibit at the Society of Illustrators through July 8 is “Picturing Pinocchio: Mignola Makes a Marionette”.

Deep in the midst of pandemic lockdowns, a plan was hatched: a new illuminated edition of Carlo Collodi’s Pinocchio, engineered to unDisnify one of the strangest, most startling pieces of fiction ever to be beloved by generations of children worldwide.

The seed was planted by cartoonist and author Mike Mignola (Hellboy), who had been pondering his own take on the puppet for decades. With the world closed up due to COVID, he teamed up with idiosyncratic publisher Beehive Books and holed up in his studio to create a portfolio of over fifty original illustrations re-envisioning Collodi’s tale. When author Lemony Snicket (A Series of Unfortunate Events) got wind of the project, he couldn’t resist joining, offering elaborate hand-typed annotations of his own maddening encounter with this singular text.

Pinocchio, though one of the most popular literary works of all time, is somewhat paradoxically ill-remembered. Collodi originally published the story as serialized installments in a children’s magazine. The original series ended with Pinocchio hung from a tree, dead by the hands of assassins, and was continued only because of an outcry from readers who couldn’t stand to see such a beloved character reach such a dismal end.  This is the true nature of Collodi’s tale — who better than Mike Mignola to illustrate the unremitting darkness and strange whimsy that characterized this bizarre children’s classic?

This exhibition will feature his full portfolio of yet-to-be-published Pinocchio illustrations, including drawings, paintings, process work and other ephemera of Mignola’s pandemic Pinocchio project. The Land of Toys, the City of Catchfools, the Blue Fairy, Fire Eater, the feline Assassins – as seen through the eyes of a modern master of illustration and storytelling.

(6) SMALL WONDERS KICKSTARTER FUNDS. Stephen Granade reports that the “Small Wonders Magazine: Year One” Kickstarter has funded! As a result, he says, all of their Issue 0 stories and poems, including Beth Cato’s “She Seeks a Home” and Premee Mohamed’s “From the Journal of Sawyer L. Gibbs, Hero, Aged 13 1/2”  are available on the Small Wonders website. They will be opening for story and poem submissions on April 1, no joke.

(7) JOE GIELLA (1928-2023). Comics artist Joe Giella died March 21 at the age of 94 reports Heritage Auctions.

Joe Giella is best known for his work at DC in the 1950s and 60s as an inker. But his career spanned 60 years! He studied art at three different schools before his first gig at age 17 in 1946 where he did “Captain Codfish” for Hillman. After some free-lance at Fawcett, former classmate Mike Sekowsky helped him land a job at Timely as an inker. He met Frank Giacoia there and went with Frank when he took a job at DC in 1949. Over the next two decades, at one time or another, Joe inked nearly every feature that Julius Schwartz edited. 

By 1970, Joe had started working with the syndicates and drew or inked Batman, Flash Gordon, the Phantom, while still doing occasional work for DC. In 1991, he took over the Mary Worth strip, where he continued to work until his retirement in 2016. Joe passed away at age 94 on March 21, 2023.

(8) MEMORY LANE.

1972 – [Compiled by Cat Eldridge.]

Clifford Simak’s A Choice of Gods was published fifty-one years ago by G.P. Putnam & Sons with a simultaneous edition done by SFBC. The superb cover art was by Michael Hinge. 

Sixty years ago at Torcon II, it would be nominated for Best Novel though Isaac Asimov’s The Gods Themselves would take home the Hugo that year.

Without being explicit, I will say that I think it shares some similarity in themes to City. 

I think A Choice of Gods has one of the finest Beginnings that I’ve ever had the pleasure to read, so without further commentary on my part, here it is…

Aug. 1, 2185: So we begin again. Actually, we began again fifty years ago, but did not know it then. There was hope, for a time, that there were more people left and that we could pick up where we had left off. We thought, somehow, that we could hang onto what we had, once the shock was over and we could think more clearly and plan more cleverly. By the end of the first year we should have known that it was impossible; by the end of five we should have been willing to admit it, but we weren’t. At first we refused to face the fact and once we had to face it we became stubborn with a senseless sort of faith. The old way of life could not be revived; there were too few of us and none with special knowledge and the old technology was gone beyond all restoration. The technology had been too complex and too specialized and too regimented to be picked up and carried on without a large work force equipped with appropriate skills and knowledge that were necessary not only to operate the technology itself, but to produce the energy that went into it. We are now no more than scavengers feeding on the carcass of the past and some day we’ll be down to the bare bones of it and will be finally on our own. But over the years we have been recovering or rediscovering, whichever it may be, some of the older and more basic technology geared to a simpler way of life and these basic rudimentary skills should keep us from sinking into utter savagery.

There is no one who knows what really happened, which does not, of course, deter some of us from formulating theories that might explain it all. The trouble is that all the theories boil down to simple guesses, in which all kinds of metaphysical misconceptions play a part. There are no facts other than two very simple facts and the first of these is that fifty years ago last month the greater fraction of the human race either went somewhere or was taken somewhere. Out of more than eight billion of us, which was certainly far too many of us, there are now, at most, a few hundred left. In this house in which I sit to write these words, there are sixty-seven humans, and only that many because on the night it happened we had invited some young guests to help us celebrate the coming of age of our twin grandsons, John and Jason Whitney. Of the Leech Lake Indians there may be as many as three hundred, although we now see little of them, for they have taken up again, quite happily and to their great advantage, or so it would seem to me, their old tribal wanderings. At times rumors reach us of other little pockets of humanity still surviving (the rumors chiefly brought by some loose-footed robot), but when we’ve gone to hunt for them, they are never there, nor is there anything to indicate they ever had been there. This, of course, proves nothing. It stands to reason that elsewhere on the Earth there must be others left, although we have no idea where. We hunt for them no longer, even when the rumors come, for it seems to us that we no longer have any need of them. In the intervening years we have become content, settling down into the routine of a bucolic life.

The robots still are with us and we have no idea how many there may be. All the robots that were ever in existence must still remain. They did not go or were not taken as was the human race. Over the years a number of them have come to settle in with us, doing all the work and chores necessary for our comfortable existence, becoming, in all truth, a part of our community. Some of them at times may leave and go elsewhere for a while and there are occasions when new ones float in and stay, either for good or for varying periods. It might seem to someone unacquainted with the situation that in the robots we had the labor force we needed to keep at least a small sector of the more vital parts of the old technology alive. It is possible the robots could have been taught the necessary skills, but the rub here is that we had no one who was equipped to teach them. Even if we’d had, I have some well-founded doubt that it would have worked. The robots are not technologically minded. They were not built to be. They were built to bolster human vanity and pride, to meet a strange longing that seems to be built into the human ego—the need to have other humans (or a reasonable facsimile of other humans) to minister to our wants and needs, human slaves to be dominated, human beings over which a man or woman (or a child) can assert authority, thus building up a false feeling of superiority. They were built to serve as cooks, gardeners, butlers, maids, footmen (I have never got quite straight in mind what a footman is)—servants of all kinds. They were the flunkeys and the inferior companions, the yea-sayers, the slaves. In a manner of speaking, in their services to us, I suppose they still are slaves. Although I doubt the robots think of it as slavery; their values, while supplied by human agency, are not entirely human values. They serve us most willingly; thankful of a chance to serve, they press their services upon us, apparently glad to find new masters to replace the old. This is the situation as it applies to us; with the Indians it is different. The robots do not feel at ease with the Indians and the Indians, in turn, regard them with an emotion that borders upon loathing. They are a part of the white man’s culture and are readily acceptable to us upon the basis of our onetime preoccupation with machines. To the Indians they are unclean, something that is repulsively foul and alien. They will have no part of them. Any robot stumbling into an Indian camp is summarily hustled off. A few of the robots serve us. There must be many thousands more. Those that are not with us we have fallen into the habit of calling wild robots, although I doubt they, in any sense, are wild. Often, from our windows or while sitting on the patio, or while out walking, we see bands of wild robots hurrying along as if they had an urgent destination or were involved in some great purpose. We have never been able to determine where the destination or what might be the purpose. There are certain stories of them that we hear at times, but nothing more than stories and with no evidence, and not worth repeating here.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 30, 1904 — Herbert van Thal. Editor of the Pan Book of Horror Stories series, twenty-four volumes that appeared from 1959 to 1983. Back From the Dead: The Legacy of the Pan Book of Horror Stories is a look at the series and it contains Lest You Should Suffer Nightmares, the first biography of him written by Pan Book of Horror Stories expert Johnny Mains. (Died 1983.)
  • Born March 30, 1928 — Chad Oliver. Writer of both Westerns and SF, a not uncommon occupation at that time. He considered himself an anthropological science fiction writer whose training as an academic informed his fiction, an early Le Guin if you will. Not a terribly prolific writer with just nine novels and two collections to his name over a forty-year span. Mists of Dawn, his first novel, is a YA novel which I’d recommend as it reads similarly to Heinlein. (Died 1993.)
  • Born March 30, 1930 — John Astin, 93. He is best known for playing Gomez Addams in Addams Family, reprising it on the Halloween with the New Addams Family film and the Addams Family animated series. A memorable later role would be as Professor Wickwire in The Adventures of Brisco County, Jr., and I’d like single out his delightfully weird appearance on The Wild Wild West as Count Nikolai Sazanov in “The Night of the Tartar” episode.  Years later I remember that episode and him in it. 
  • Born March 30, 1934 — Dennis Etchison. As an editor, he received two World Fantasy Awards for Best Anthology, MetaHorror and The Museum of Horrors. As a writer, he’s best remembered as a short story writer of quite tasty horror. Talking in the Dark Is his personally selected collection of his stories. (Died 2019.)
  • Born March 30, 1948 — Jeanne Robinson. She co-wrote the Stardance Saga with her husband Spider Robinson. To my knowledge, her only other piece of writing was ‘Serendipity: Do, Some Thoughts About Collaborative Writing‘ which was published in the MagiCon Program. (Died 2010.)
  • Born March 30, 1950 — Robbie Coltrane. I first saw him playing Dr. Eddie “Fitz” Fitzgerald on Cracker way back in the Ninties. Not genre, but an amazing role none-the-less. He was Valentin Dmitrovich Zhukovsky in GoldenEye and The World Is Not Enough, with a much less prominent role as a man at an airfield in Flash Gordon being his first genre role. Being Rubeus Hagrid in the Potter franchise was his longest running genre gig. He’s also voiced both Mr. Hyde in the Van Helsing film and Gregory, a mouse, in The Tale of Despereaux film. (Died 2022.)
  • Born March 30, 1965 — Maurice LaMarche, 58. Voice actor primarily for such roles as Pinky and The Brain (both of which Stross makes use of in The Laundry series) with Pinky modeled off Orson Welles, near as I can tell the entire cast of Futurama, the villain Sylar on Heroes, the voice of Orson Welles in Ed Wood, a less serious Pepé Le Pew in Space Jam, and, though maybe not genre, he’s voiced  Kellogg’s Froot Loops spokesbird Toucan Sam and  the animated Willy Wonka character in Nestlé’s Willy Wonka Candy Company commercials.

(10) COMICS SECTION.

  • Sheldon shows that the Vanishing Cabinet from Harry Potter may have had other uses of interest to Valdemort.
  • Sheldon, again, depicts Pippin explaining so clearly and simply why it’s time for another meal that even a future King should be able to understand.
  • Order of the Stick has a magic trap that makes it a bit difficult to determine when the trap has been tripped. 

(11) CAT CHAT. Did we do this before? Well, if so, let’s do it again. CatGPT. It seems to be a one-joke idea, so I won’t excerpt the answer I received to my question “What makes a good social justice credential?”

(12) MASSACRE IN THE EXECUTIVE SUITE. With great power comes sudden unemployment.“Marvel Entertainment Chairman Ike Perlmutter Out at Disney” reports Yahoo! and so are some other top Marvel brass.

Isaac “Ike” Perlmutter, chairman of Marvel Entertainment, has been laid off at Disney. Marvel Entertainment will be folded into the larger Disney business units, a Disney spokesperson confirmed.

The move comes as Disney looks to eliminate 7,000 jobs in multiple rounds of layoffs that kicked off this week, in what CEO Bob Iger calls part of a “strategic realignment.”

Rob Grosser, a longtime third-party Marvel security consultant who is also considered to be Perlmutter’s fixer, is also out, according to two insiders with knowledge of the situation. In addition, Disney has terminated the employment of Rob Steffens, who served as co-president of Marvel Entertainment, and John Turitzin, who held the position of chief counsel for the same division….

(13) KICKED OUT THE DOOR TO THE REAL WORLD. Another casualty of cutbacks is Disney’s metaverse division. TechCrunch has the story: “Disney cuts metaverse division as part of broader restructuring”.

…The metaverse division is headed by Mike White, who was promoted to the role from SVP of consumer experiences and platforms in February 2022 and charged with getting Disney deeper into the web3 space. The unit aimed to find ways to tell more interactive stories in immersive formats using Disney’s extensive library of intellectual property, according to WSJ. Aside from the Disney we all know and love, that extensive library includes Pixar, Marvel and all of the Star Wars movies and shows.

All 50 or so members of the team have lost their jobs, sources told WSJ. White will remain at the company, but it’s not clear in what capacity….

(14) WJW INTERVIEW. A 90-minute video interview with Walter Jon Williams has been posted on Tubi by the program “About the Authors TV”. The Q&A is conducted by author and biographer Jake Brown.

Williams posted the link along with a self-deprecating comment: “I’ve viewed only a few minutes of the interview, enough to be amused by the way Zoom’s filters kept making parts of my anatomy appear and disappear. If you’re looking for inadvertent hilarity, or possibly an epileptic seizure, this is the place for you!”

(15) RAISING THE BAR. “Man proposes to girlfriend using a personal version of ‘Everything Everywhere’ in viral TikTok” at NBC News. The TikTok video can be viewed at the link.

A wedding proposal in a movie theater went viral on TikTok for a creator’s rendition of A24’s “Everything Everywhere All at Once,” and viewers say they’re in awe of the effort.

“I rented out a theater room, did some photoshop, brought her inside, edited a fake video with trailers in the beginning,” TikTok user Daniel Le, who goes by @danyo_le, wrote.

The TikTok, which garnered over 2 million views and included a film Le named “Anniething Anniewhere All at Once” after his girlfriend, showed clips from the acclaimed film and parody versions edited in by Le…. 

(16) JEOPARDY! Andrew Porter did not touch that dial while contestant flailed on tonight’s episode of Jeopardy!

Category: Quoth the title

Answer: Philip Pullman quoted Milton, “Unless the Almighty Maker them ordain” these “to create more worlds”

Wrong questions: “What are men?” and “What are children of men?”

Correct question: “What is ‘His Dark Materials’?”

Answer: The title of this “Hainting” Noel Coward comedy comes from Shelley’s “To a Skylark”

No one could ask, “Shelley wrote, ‘Hail to thee, “Blithe Spirit’.”

(17) OCTOTHORPE. The eightieth episode of the Octothorpe podcast, “Four Constituent Blobs”, is now up!

John Coxon is jetlagged, Alison Scott is working, and Liz Batty is under pressure. We get excited about the upcoming Eastercon, barely even mention Chengdu at all, talk a bit about science fiction, and round it all out with Gaming Corner, sponsored by Mark Plummer. Art by the fabulous Sue Mason.

[Thanks to Cat Eldridge, Mike Kennedy, SF Concatenation’s Jonathan Cowie, Dann, Joey Eschrich, Stephen Granade, John King Tarpinian, Chris Barkley, Andrew Porter, and Michael Toman, for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 3/29/23 Pixelovid Inhibits The Virus From Cross-Posting

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(1) CAT RAMBO MAKES APOLOGY ABOUT WORKSHOP VENUE. Amplifying yesterday’s announcement of The Wayward Wormhole workshop in Spain, Cat Rambo has written “An Apology to the F&SF Community, and Particularly to Those who Look to Me for Leadership” in respect to the 2023 location’s lack of accessibility.

So let me start out by saying I screwed up, and in a way that I should have known better than to do. The problem is that the Wayward Wormhole intensive writing workshop that I’m hosting is in one way absolutely not up to standard, and that is its lack of accessibility. This is particularly unacceptable given that I have called out inaccessible venues in the past….

… So I apologize to the community for setting a bad example. I apologize to my teachers for having involved them in this ethical lapse. And I apologize, abjectly, to my students for having let them down in this regard.

Given that I have already made a substantial down payment that is nonrefundable and which I can’t afford to lose, what are the material steps I can do to show I understand I fucked up and mean to make it right?

The amends Cat will make are identified in four points at the post.

(2) OOPS. Hell Gate NYC is reporting “Some Guy Bought the Flatiron Building and Didn’t Pay for It”. The winning bidder on the Flatiron Building in a public auction held earlier this month has failed to make the $19 million down payment.

…[Jacob] Garlick fell to his knees upon winning the auction and appeared to cry, but why was he crying? Because of the rush of adrenaline that can only come from doing something a 14-year-old version of you would find really cool? Because he fucked up and bid his way into a Coen brothers-esque scenario? (Per our own Adlan Jackson: It’s fine to cry at work, just don’t pretend it’s about the building.) Garlick’s LinkedIn profile says he is “passionate about building deep relationships,” but maybe a little less passionate about actually coughing up the money for the Flatiron building—which he notably did not post about buying even though he’s pretty active on the platform. 

We reached out to Garlick for comment, and until we hear from the man himself, I guess we’ll never know his true motives—or the true source of his apparent buyer’s remorse…. 

According to Spectrum News 1 the next person in line to buy the building may not exercise his right:

…Under the terms of the sale, set by a judge, the building could be offered to the second-highest bidder: Jeffrey Gural, who was part owner of the Flatiron Building heading into the auction.

Gural tapped out after making a $189.5 million bid. But Gural told NY1 he was not interested in the Flatiron Building at that price….

He previously told NY1 he thought the winning bidder offered too much money, as the historic building needs extensive and expensive repairs.

(3) BRANDON SANDERSON, ESQUIRE. [Item by PhilRM.] Adam Morgan’s Esquire profile “Welcome to Brandon Sanderson’s Fantasy Empire” apparently was originally intended to appear just a few hours after Jason Kehe’s hit piece in Wired. The author reached out to Kehe for comment before this piece was published today, but didn’t get much of a response.

“This is my dream,” Brandon Sanderson says.

We’re 30 feet beneath the surface of northern Utah, in a room that feels like a cross between a five-star hotel lobby and a Bond villain’s secret base. My ears popped on the way down. Sanderson points to the grand piano, the shelves filled with ammonite fossils, the high walls covered in wood and damask paneling, and his pièce de résistance: a cylindrical aquarium swirling with saltwater fish.

“George R. R. Martin bought an old movie theater. Jim Butcher bought a LARPing castle,” he says. “I built an underground supervillain lair.”

This is where Sanderson writes bestselling fantasy and science fiction novels. Many of them take place in an interconnected series of worlds called the Cosmere, his ink-and-paper equivalent of the Marvel Cinematic Universe. But instead of superheroes defending Earth, Sanderson’s warriors, thieves, scholars, and royals are spread across a richly detailed system of planets, from the ash-covered cities of Scadrial to the shattered plains of Roshar—a landscape directly inspired by the sandstone buttes and slot canyons of southeastern Utah.

It all started 25 years ago when Sanderson, a practicing Mormon, was an undergraduate student at Brigham Young University just 15 miles away in Provo. He took a part-time job working night shifts at the front desk of a nearby hotel, where he could write between midnight and 5:00 AM.

Over the next five years, while working at the hotel during and after his undergraduate years at BYU, he wrote 12 full-length novels that were all rejected by publishers. But one day in 2003, Moshe Feder, an editor at the Tor Books subsidiary of the publishing house Macmillan, discovered one of his manuscripts in the slush pile—and the fate of the Cosmere was sealed….

…Sanderson tells me he hasn’t heard from Kehe or anyone else at WIRED since the profile ran. “But I hope I can talk to [Kehe] again at some point,” he says. “Anytime I get criticism from anyone, my job is to listen.” Before we hang up, he compares this experience to something in the Cosmere. “One of the main themes of Mistborn is that it’s worth trusting people, even though they can hurt you,” he says. “It’s better to trust and be betrayed in real life, too.”

Over email, I ask Kehe a few questions as well. Why did he read so many of Sanderson’s books if he didn’t like the writing? Was he surprised by the responses to his story? Did the responses change his perspective on anything? Kehe writes back: “As I’ve said to others, the piece belongs to readers now. They get the last word.”…

(4) TUNE OF THE UNKNOWN. NPR’s Maureen Corrigan reviews Biography of X, an alternate history that may, or may not, be considered genre: “Everything she knew about her wife was false — a faux biography finds the ‘truth'”.

To those readers who prize “relatability,” Catherine Lacey’s latest novel may as well come wrapped in a barbed wire book jacket. There is almost nothing about Biography of X, as this novel is called, that welcomes a reader in — least of all, its enigmatic central character, a fierce female artist who died in 1996 and who called herself “X,” as well as a slew of other names. Think Cate Blanchett as Tár, except more narcicisstic and less chummy.

When the novel opens, X’s biography is in the early stages of being researched by her grieving widow, a woman called CM, who comes to realize that pretty much everything she thought she knew about her late wife was false. The fragmented biography of X that CM slowly assembles is shored up by footnotes and photographs, included here.

Real-life figures also trespass onto the pages of this biography to interact with X — who, I must remind you, is a made-up character. Among X’s friends are Patti Smith, the former Weather Underground radical Kathy Boudin, and the beloved New York School poet, Frank O’Hara.

As if this narrative weren’t splintered enough, Lacey’s novel is also a work of alternate history, in which we learn that post-World War II America divided into three sections: The liberal Northern Territory where Emma Goldman served as FDR’s chief of staff (don’t let the dates trip you up); the Southern Territory, labeled a “tyrannical theocracy,” and the off-the-grid “Western Territory.” A violent “Reunification” of the Northern and Southern Territories has taken place, but relations remain hostile…

(5) GAME OVER. “Rift Between Gaming Giants Shows Toll of China’s Economic Crackdown” – the New York Times has the story.

Last October, executives at the Chinese gaming company NetEase and the American video game developer Activision Blizzard joined a Zoom videoconference to discuss the future of their 14-year partnership to offer Activision’s games like World of Warcraft in China.

NetEase executives were worried about new laws imposed by the Chinese government and wanted to make changes to their longstanding contract with Activision to ensure they were in compliance.

But the companies left the call with drastically different interpretations of what had been said, according to four people familiar with the talks and a document viewed by The New York Times. What NetEase executives contended was a conciliatory gesture was seen as a threat by Activision executives. A month later, the companies broke off talks.

In January, more than three million Chinese players lost access to Activision’s iconic games when the partnership ended, and angry NetEase employees livestreamed the dismantling of a 32-foot sculpture of an ax from World of Warcraft that stood outside NetEase’s headquarters in Hangzhou, China.

The testy breakup, after months of talks, ended a relationship that had seemed to prove that global commerce could thrive despite deepening geopolitical rifts. A partnership that had been worth about $750 million in annual revenue, according to company filings and the video game research firm Niko Partners, had become another case study in the increasing difficulty of doing business in China….

… In late January, most of Activision’s games — including World of Warcraft, Diablo III and Overwatch — went dark in China. Chinese companies, including NetEase, released games that some analysts said bore close similarities to the shuttered Activision titles.

NetEase also made a recruiting pitch to former World of Warcraft players, hoping to get them to join Justice Online, a NetEase game in the same genre as World of Warcraft. Online, people posted photos of items from the Justice and Warcraft games that resembled each other.

NetEase said its games did not share similarities with Activision’s….

(6) AB FAN COLLAB. [Item by Mike Kennedy.] In a collaboration between Fermilab scientists and fashion students at the College of DuPage (both in the western part of greater Chicago), Spot now has some new duds. Or will have, once the scientists plus up a little on their tailoring skills.

The lab wanted to be able to send Spot into areas around their nuclear accelerator not “cool“ enough for humans (in a radiation sense) but provide for protection of the robot doggo from radioactive dust. The students said, “Challenge accepted.”

So, they found a way to modify human hazmat suits, including adding Velcro in strategic spots to keep the material from interfering with the sensors. They also had to be careful to size the garment so it wouldn’t get pinched in any of the bot’s joints. And, they found that off-the-shelf dog booties fit Spot’s feet quite well, completing the ensemble.

The students will deliver a pattern & instructions to the scientists designed to avoid difficult sewing tasks. For instance, if you’ve ever had to size an armhole and a matching sleeve then get them sewn together in anything like a working fashion, you know how hard that can be.  “A collaboration pairs Fermilab with fashion students” at Symmetry Magazine.

(7) MEMORY LANE.

1953 – [Compiled by Cat Eldridge.]

So let’s have the Beginning of the most iconic British spies, James Bond. 

Ian Fleming’s Casino Royale was published by Jonathan Cape In hardcover in 1953. Like all the Bond novels, it’s fairly short at two hundred and thirteen pages in this printing. 

It has been a Daily Express comic strip, a Fifties episode of the CBS television series Climax! with Barry Nelson as an American Bond, Jimmy Bond, the Sixties film version with David Niven playing him, and of course the film with Daniel Craig.

He originally named his spy James Secretan before he borrowed the name of James Bond, author of the well known ornithology guide, Birds of the West Indies. As for his looks, he said, “Bond reminds me rather of Hoagy Carmichael.” 

The cover below was devised by Fleming.

A first edition is worth at least seventeen thousand dollars. 

And now for our Beginning…

CHAPTER 1

THE SECRET AGENT

The scent and smoke and sweat of a casino are nauseating at three in the morning. Then the soul-erosion produced by high gambling—a compost of greed and fear and nervous tension—becomes unbearable and the senses awake and revolt from it.

James Bond suddenly knew that he was tired. He always knew when his body or his mind had had enough and he always acted on the knowledge. This helped him to avoid staleness and the sensual bluntness that breeds mistakes.

He shifted himself unobtrusively away from the roulette he had been playing and went to stand for a moment at the brass rail which surrounded breast-high the top table in the salle privée.

Le Chiffre was still playing and still, apparently, winning. There was an untidy pile of flecked hundred-mille plaques in front of him. In the shadow of his thick left arm there nestled a discreet stack of the big yellow ones worth half a million francs each.

Bond watched the curious, impressive profile for a time, and then he shrugged his shoulders to lighten his thoughts and moved away.

The barrier surrounding the caisse comes as high as your chin and the caissier, who is generally nothing more than a minor bank clerk, sits on a stool and dips into his piles of notes and plaques. These are ranged on shelves. They are on a level, behind the protecting barrier, with your groin. The caissier has a cosh and a gun to protect him, and to heave over the barrier and steal some notes and then vault back and get out of the casino through the passages and doors would be impossible. And the caissiers generally work in pairs.

Bond reflected on the problem as he collected the sheaf of hundred thousand and then the sheaves of ten thousand franc notes. With another part of his mind, he had a vision of tomorrow’s regular morning meeting of the casino committee.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 29, 1923 — Geoffrey Ashe. British historian and lecturer, Arthurian expert. His first book, King Arthur’s Avalon: The Story of Glastonbury, was published sixty years ago. He wrote one novel, The Finger and the Moon, set at Allhallows, a college near Glastonbury Tor. Anyone here who’s read this novel? (Died 2022.)
  • Born March 29, 1943 — Eric Idle, 80. Monty Python is genre, isn’t it? If not, I know that The Adventures of Baron Munchausen, Yellowbeard, Monty Python and the Holy Grail, Quest for Camelot, Shrek the Third and Nearly Departed, an updated version of Topper, which he had a hand in certainly are. And it turns out he’s written a witty SF novel, The Road to Mars: A Post-Modern Novel, which involves an Android, comedy and interplanetary travel.
  • Born March 29, 1955 — Marina Sirtis, 68. Counselor Deanna Troi in the Trekverse. Waxwork II: Lost in Time as Gloria is her true genre film role followed shortly by a one-off on the The Return of Sherlock Holmes series as Lucrezia. And then there’s her mid Nineties voice acting as Demona on Gargoyles, possibly her best role to date. Skipping some one-offs on various genre series, her most recent appearance was on Picard where she and Riker are happily married.
  • Born March 29, 1956 — Mary Gentle, 67. Her trilogy of Rats and Gargoyles, The Architecture of Desire (an Otherwise nominee), and Left to His Own Devices, is a stunning work of alternate history with magic replacing science. Ash: A Secret History is superb, it won both a BSFA and a Sideways Award as well as being a finalist for a Clarke and a Campbell Memorial. 
  • Born March 29, 1957 — Elizabeth Hand, 66. Not even going to attempt to summarize her brilliant career. I will say that my fav works by her are the Shirley Jackson Award-winning Wylding Hall, Illyria and Mortal Love. And let’s by no means overlook Waking the Moon which won both a Mythopoeic Award and an Otherwise Award. Her only Hugo nomination was at Renovation for her “The Maiden Flight of McCauley’s Bellerophon” novella. 
  • Born March 29, 1957 — Yolande Palfrey. Yes, another Doctor Who performer. She was Janet in “Terror of the Vervoids”, a Sixth Doctor story. She was also in Dragonslayer as one of its victims, She was Veton in the “Pressure Point” episode of Blake’s 7 and she shows as Ellie on The Ghosts of Motley Hall series. She died far too young of a brain tumor. (Died 2011.)
  • Born March 29, 1968 — Lucy Lawless, 55. Xena in Xena: Warrior Princess and Hercules: The Legendary Journeys, Cylon model Number Three D’Anna Biers on that Battlestar Galactica series. She also played Countess Palatine Ingrid von Marburg, the last of a line of Germanic witches on the Salem series. Her most recent genre role as Ruby Knowby, one of the Dark Ones, on the Ash vs Evil Dead series. Though not genre, she was Lucretia in Spartacus: Blood and Sand, its prequel Spartacus: Gods of the Arena and its sequel Spartacus: Vengeance.

(9) SUPER INHERITANCE. This is the benefit that comes when your parent doesn’t throw his comic books away: “Metro Detroit man uncovers one of the largest, most valuable comic book collections in the country” at CBS Detroit.

A Metro Detroit father kept a secret for 50 years, but now his son is on a journey to uncover the truth. And what he found is one of the largest and most valuable comic book collections in the country.

The story will be featured in an upcoming documentary called “Selling Superman.”

(10) JEOPARDY! [Item by David Goldfarb.] Monday’s episode had some SFF-related clues in the single Jeopardy round. Here they are, in the order they were selected:

Fantasy Sports, $600: Katniss & Peeta are about to eat poisonous berries when they learn they can’t both win this, but they get a reprieve.
Challenger Nicole Rudolph responded: What are the Hunger Games?

Number “One” Movies, $800: Steven Spielberg directed this 2018 movie about the hunt for an “Easter Egg” in a virtual reality called Oasis.
Nobody knew Ready Player One.

Fantasy Sports, $200: Ginny Weasley had a brilliant career in this sport, joining the Holyhead Harpies.
Challenger Kevin Manning said: What is quidditch?

Fantasy Sports, $1000: This author says in “Sirens of Titan” that the children of Mars “spent most of their time playing German batball”.

Another triple stumper: it was Kurt Vonnegut.

(11) NEXT STOP, BRONTO BURGERS? [Item by Mike Kennedy.] An Australian start up specializing in lab-cultured meat recently unveiled a mammoth meatball. Yes, as in made from woolly mammoth meat. (Though it was rather oversized, too.)

Well, it was mostly mammoth. They used available mammoth DNA sequences, but filled in the blanks with African elephant DNA, then stuffed that all into a sheep cell with the nucleus removed. (Paging, John Hammond…)

The company, Vow, is working on their first actual product cultured from Japanese quail. 

As for mammoth meatballs, don’t expect to find them in your grocers’ freezer aisle anytime soon—this was a one-off to get peoples attention and no one even tasted it. Presumably, it would be unwise to nibble on it now it’s likely home to extensive cultures of the bacterial sort. “Elephant in the dining room: Startup makes mammoth meatball” at AP News.

An Australian company on Tuesday lifted the glass cloche on a meatball made of lab-grown cultured meat using the genetic sequence from the long-extinct pachyderm, saying it was meant to fire up public debate about the hi-tech treat.

The launch in an Amsterdam science museum came just days before April 1 so there was an elephant in the room: Is this for real?

“This is not an April Fools joke,” said Tim Noakesmith, founder of Australian startup Vow. “This is a real innovation.”

Cultivated meat — also called cultured or cell-based meat — is made from animal cells. Livestock doesn’t need to be killed to produce it, which advocates say is better not just for the animals but also for the environment.

Vow used publicly available genetic information from the mammoth, filled missing parts with genetic data from its closest living relative, the African elephant, and inserted it into a sheep cell, Noakesmith said. Given the right conditions in a lab, the cells multiplied until there were enough to roll up into the meatball….

(12) WHO OWNS A MONSTER? Monday’s BBC Radio 4 arts programme Front Row had a substantive item halfway through on copyrighting Dungeons & Dragon monsters. Downloadable from here for a month, thereafter BBC Sounds.

Front Row examines the controversy surrounding Dungeons and Dragons, the world’s most popular table-top role playing game and now a Hollywood film, as fans protest against a clampdown on fan-made content. Professional Dungeons and Dragons player Kim Richards and Senior Lecturer in Intellectual Property Law, Dr. Hayleigh Bosher, join Tom Sutcliffe to discuss what this means for fans and copyright owners

(13) ASTEROID CITY. Wes Anderson’s latest. Looks like a STFnal slant?

Asteroid City takes place in a fictional American desert town circa 1955. Synopsis: The itinerary of a Junior Stargazer/Space Cadet convention (organized to bring together students and parents from across the country for fellowship and scholarly competition) is spectacularly disrupted by world-changing events.

(14) FAN VIDEO RELEASED. [Item by N.] The second episode of the animated webseries “A Fox in Space,” based on the Star Fox series of games, has been released after seven whole years of production, set a decade before the events of episode one. Indie animation at its finest, arguably space opera at its finest?

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Cat Rambo, N., David Goldfarb, Anne Marble, SF Concatenation’s Jonathan Cowie, PhilRM, John King Tarpinian, Chris Barkley, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Tom Becker.]

Pixel Scroll 3/25/23 Pixel Is That Which, When You Stop Scrolling It, Doesn’t Go Away— Pixel K. Dick

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(1) IA WILL CONTINUE LITIGATION. The Internet Archive announced they will appeal yesterday’s district court decision in favor of the publishers, ruling that IA cannot make and distribute entire digital copies of works still under copyright. “The Fight Continues” at Internet Archive Blogs.

Today’s lower court decision in Hachette v. Internet Archive is a blow to all libraries and the communities we serve. This decision impacts libraries across the US who rely on controlled digital lending to connect their patrons with books online. It hurts authors by saying that unfair licensing models are the only way their books can be read online. And it holds back access to information in the digital age, harming all readers, everywhere.

But it’s not over—we will keep fighting for the traditional right of libraries to own, lend, and preserve books. We will be appealing the judgment and encourage everyone to come together as a community to support libraries against this attack by corporate publishers…. 

Statement from Internet Archive founder, Brewster Kahle:
“Libraries are more than the customer service departments for corporate database products. For democracy to thrive at global scale, libraries must be able to sustain their historic role in society—owning, preserving, and lending books.

This ruling is a blow for libraries, readers, and authors and we plan to appeal it.”

(2) HEAD OF THE CLASS. John Garth shares research that will fascinate Tolkien fans: “Making an ass of yourself, with Geoffrey Bache Smith”.

…On the serious side, [Geoffrey Bache] Smith persuaded Tolkien to become a poet and was therefore truly instrumental in turning him into the author we know. Smith sent Tolkien a letter from deepest danger in the trenches of the Great War to declare himself a ‘wild and whole-hearted admirer’ of the first Middle-earth writings, and to urge him to publish them. One of the many ironies of that world war is that although Tolkien could find no publisher for his own poetry, he was able to edit Smith’s poems for publication (A Spring Harvest, 1918). You see, Smith had been killed on the Somme battlefield in 1916, and (as Dr Stuart Lee made clear in his conference paper) there was a demand for good poetry by dead soldiers….

(3) SFF IN THE UKRAINE. Borys Sydiuk shows there was a big turnout for a sff book event in Kyiv today:

Event marketing of the highest level. Max Kidruk, a rising star of Ukrainian Science Fiction, presents his book New Dark Ages: Colony in Kyiv on March 25, 2023.

(4) SUPPORT FOR OUSTING LUKYANENKO AS A CHENGDU GOH. On Facebook, David Gerrold encouraged readers to sign Polish fandom’s petition to remove Sergey Lukyanenko as a GoH of the Chengdu Worldcon: “Open letter to the Board of Worldcon 2023 / List otwarty do Organizatorów Worldconu 2023”. Gerrold’s appeal begins:

…I do not ordinarily share petitions of any kind, and I was reluctant to even share this one.

But, silence equals agreement, so I can’t be silent.

The petition asks the 2023 Worldcon Committee to withdraw their invitation to be a Guest of Honor at the convention to Russian author, Sergei Lukyanenko.

Now, ordinarily, I am against the withdrawal of any invitation. I am skeptical of any campaign anywhere to withdraw an honor, whether it is perceived as deserved or not. That is a situation where everybody looks bad, and I have expressed that thought several times in the past few years, even where I might have neither affection nor respect for the individual in the bullseye.

But there are circumstances where any kind of honor is so out of the question that voices must be raised.

Sergei Lukyanenko has made it clear that he endorses the war crimes that Russia has committed against Ukraine and is willing to endorse further war crimes.

That is so far beyond the normal range of fannish squabbles that I am horrified that the 2023 Worldcon committee has to even think twice on this….

(5) FAKE JOB OFFERS. At Writer Beware, Victoria Strauss issues a warning: “Alert: Scammers Impersonating Video Streaming Services With Fake Job Offers”.

About a year and a half ago, I wrote a post about a job offer scam in which fraudsters impersonated Acorn TV.

The scammers’ M.O.: they messaged writers on Twitter and Instagram, claiming to offer an opportunity to write stories for Acorn TV and earn an improbably large amount of money. If writers expressed interest (and why wouldn’t they), a two-part “texting interview” on Telegram followed, at the end of which the writer was offered a job agreement and description. Although I never heard from anyone who accepted, the presumed goal was to steal personal details, such as Social Security numbers and bank account information.

The same scammers are at it again. This time, they’re impersonating Minno, a Christian streaming service for kids….

(6) WHAT I SAY THREE TIMES IS TRUE. Karen Myers has advice about ways to help readers keep up with the story in “Failures of Memory” at Mad Genius Club.

…There’s no prize to be won by taxing the memory of your suffering readers — they won’t thank you for it. Make it easy on ’em, and you’ll have them in your hand for all the emotional and other effects you want to have, based on what you’ve told them.

Now, this takes some subtlety. The setting of the reminders has to feel natural rather than repetitive, worked casually into the general flow…

(7) FUTURE TENSE. Future Tense and Arizona State University’s Center for Science and the Imagination continue their series of short stories about how technology and science will change our lives: “The Preschool,” by Jonathan Parks-Ramage.

2042

Amanda sat at her desk, picking at the same $30 Little Gem salad she ordered daily, suffering a small burning sensation in her gut that was triggered either by acid reflux or the dying embers of her rapidly expiring conscience. Of course, it was standard procedure for her husband to demand that the security firm Dark Metal surveil potential new hires for any of his multibillion-dollar companies, but this was the first time Amanda had been involved in contracting the private intelligence agency herself. Seedlings is your venture, Reid had promised her, even though he’d named himself CEO. I want you to take the lead on this. Amanda was COO of Seedlings and reported to her husband, who dismissed Amanda’s concerns about the legal ramifications of their actions. Worrying about the law was something poor people did, Reid insisted. Besides, she’d never seen Reid do anything that nefarious with this type of information. He was a nice guy. Really….

Theo Zanto, a neuroscience researcher, follows with a response essay, “What can brain-computer interface technologies actually do?”

… Unlike time travel, cybernetics (which refers to the integration of our biology with machines) is one science fiction theme that is part of our experiential reality. We can already control machines with our thoughts—but only with simple commands, like those needed to move a wheelchair or play Pong. Cybernetic devices available today include (but are not limited to) pacemakers, cochlear implants, retinal prostheses, deep brain stimulators, and prosthetic limbs. Current brain-computer interface—or BCI—technologies have enabled us to use computers to decode information from our brains, such as what we have seen or heard, what we intend to say, and what we would like a prosthetic limb to do. With the continual integration of these technologies into our lives, 20th-century sci-fi writers would be surprised at how quickly humans are taking the evolutionary leap from primate to cyborg….

(8) PRETTY BATS ALL IN A ROW. The Guardian made me realize that somewhere not far from me is a movie history treasure house: “Batmobiles, Bugs Bunny and James Dean’s jeans: a day inside the Warner Bros top-secret archive”.

There is an actual Batcave in Los Angeles, where all the old Batmen live. I can’t tell you where: I signed an NDA. But in the most unlikely neighbourhood, in the most obscure location, lies a giant warehouse where Warner Bros keeps a century’s worth of treasures, including the best vehicles from its Batman films going back to 1989.

On a tour of this warehouse, which Warner Bros calls, with a slightly villainous air, the “Corporate Archive”, I saw nine Batmobiles, in a row, gleaming. Each one is a functioning vehicle with an engine, not just an elaborate prop. The most expensive cost close to $1m. It has wing-shaped treads on the tires, so it leaves little bats in its wake.

… Warner Bros, one of the original big five studios from Hollywood’s Golden Age, turns 100 on 4 April 2023, and as part of its centennial celebrations it’s letting reporters inside its secret treasure house. (You can search for the archive on Google: it’s not there.) Warner Bros has produced film or TV classics in every decade – from The Maltese Falcon, Casablanca and 42nd Street, to 2001: A Space Odyssey, to the Looney Tunes and Friends. The corporate archive is where its most infamous props, costumes and set pieces go to die – or rather, to achieve eternal life, watched over in chilled rooms by a team of dedicated archivists….

(9) MEMORY LANE.

2014 – [Compiled by Cat Eldridge.]

Charles de Lint’s Seven Wild Sisters: A Modern Fairy Tale is part of his Appalachian stories. It was published by Little, Brown in 2014 as a sequel to The Cats of Tanglewood Forest with illustrations by Charles Vess.  It was later done in a limited diction by Subterranean Press with illustrations by again by Charles Vess, this time in black in white. Both are wonderful. 

The series started off in A Circle of Cats, a sparkling affair of a children’s book. Two of the characters in these books will show up in Medicine Road.

I’m writing this under a Vess signed limited edition print of fifty for the cover art for A Circle of Cats. 

Though Canadian, de Lint does a very nice job of capturing the feel of the Appalachian region. I know he’s a very good friend of Vess who lives in the Appalachian region, so I expect that at least part of his knowledge comes from him. 

I’ve read all of the works, no surprise as I love his fiction deeply. I think as books that they are more warm, more comfortable than anything else he’s done. And there’s nothing wrong with that sort of genre fiction once in a while, is there? 

And now our Beginning… 

There’s those that call it ginseng, but ’round here we just call it ’sang. Don’t know which is right. All I know for sure is that bees and ’sang don’t mix, leastways not in these hills.

Their rivalry’s got something to do with sweetness and light and wildflower pollen set against dark rooty things that live deep in the forest dirt. That’s why bee spirits’ll lead the ’sang poachers to those hidden ’sang beds. It’s an unkindness you’d expect more from the Mean Fairy—you know, the way he shows up at parties after the work’s all done.

‘Course there’s spirits in the hills. How could there not be? You think we’re alone in this world? We have us a very peopled woods, and I’ve seen all kinds in my time, big and small.

The Father of Cats haunts these hills. Most times he’s this big old panther, sleek and black, but the Kickaha say he can look like a handsome, black-haired man, the fancy takes him. I only ever saw him as a panther. Seeing yourself a panther is unusual enough, though I suppose it’s something anybody who spends enough time in these woods can eventually claim. But I heard him talk.

Don’t you smile. I don’t tell lies.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 25, 1916 — Jean Rogers. Rogers is best remembered for playing Dale Arden in the science fiction serials Flash Gordon and Flash Gordon’s Trip to Mars, both released in the Thirties. Kage Baker would’ve have loved them as she was a great fan of such cinema and wrote a series of essays for Tor.com that turned into Ancient Rockets: Treasures and Trainwrecks of the Silent Screen. (Died 1991.)
  • Born March 25, 1920 — Patrick Troughton. The Second Doctor of who I’ll confess I’m not the most ardent fan of. The Fourth Doctor is my Doctor. Troughton had a long genre resume starting with Hamlet and Treasure Island early on before proceeding to such works as Scars of Dracula and Frankenstein and the Monster from Hell later on. Telly-wise, I see him on R.U.R. Radius playing a robot, on a Fifties Robin Hood show being that character, and on The Feathered Serpent. This is children’s series set in pre-Columbian Mexico and starring Patrick Troughton as the scheming High Priest Nasca. H’h. (Died 1987.)
  • Born March 25, 1939 — D. C. Fontana. Though best known for her work on the first Trek series, she was a story editor and associate producer on the animated series as well. During the 70s, she was staff for such series as Six Million Dollar Man, Logan’s Run and Buck Rogers in the 25th Century. She later wrote for the fanfic Star Trek: New Voyages series. (Died 2019.)
  • Born March 25, 1942 — Jacqueline Lichtenberg, 81. She was nominated at the second DisCon for Best Fan Writer, the year Susan Wood won, and Neffy (National Fantasy Fan Federation Speculative Fiction Award) for Fan of the Year thirty-four years later. She’s written a number of Trek works and more fiction in the Sime/Gen ‘verse. If you’re so interested in the latter, she’s extremely well stocked at the usual suspects.
  • Born March 25, 1947 — Paul Levinson, 76. “The Copyright Case” novelette would garner him a much deserved Compuserve group HOMer Award. It was the first work in a series of novels and short stories featuring the fascinating NYPD forensic detective Dr. Phil D’Amato who first appeared in Levinson’s “The Chronology Protection Case” novelette. You can purchase it from the usual digital sources.
  • Born March 25, 1950 — Robert O’Reilly, 73. Best known I’d say for his appearance in the Trek franchise for a decade in his recurring role on Next Gen and DS9 as Chancellor Gowron, the leader of the Klingon Empire. He made one further appearance in the Trek verse as Kago-Darr in the Enterprise “Bounty” episode. Other genre series he appeared in include Fantasy Island, Knight Rider, Incredible Hulk, MacGyver, Max Headroom and the first version of The Flash. I’ll let y’all tell me what your favorite films with him are.
  • Born March 25, 1958 — Amy Pascal, 65. She gets Birthday honors for being responsible for bringing Hugo Award winning Spider-Man: Into The Spider-Verse to the screen. She also produced Spider-Man: Homecoming and Spider-Man: Far from Home. She is producing the forthcoming Spider-Man: Into the Spider-Verse sequel, Spider-Man: Across The Spider-Verse, and the Spider-Man: No Way Home as well.
  • Born March 25, 1964 — Kate DiCamillo, 59. She is just being one of six people to win two Newbery Medals, noting the wonderfulness of The Tale of Despereaux and Flora & Ulysses. The first I’ve encountered, the tale of a swords mouse in making, the latter I’ve not. Her Mercy Watson series is about the adventures of a fictional pig, illustrated by Chris Van Dusen.

(11) COMICS SECTION.

  • Pearls Before Swine reveals something that was powerful enough to kill one character’s romance.
  • Shoe shows a writer attempting what could be called a kind of reverse engineering.

(12) JEOPARDY! [Item by David Goldfarb.] The March 21 episode of Jeopardy! had a whole category in the Double Jeopardy round called “Books: The Future is Now”. The contestants took the category bottom-to-top, so that’s how I’ll give them to you.

$2000: He saw 2024 as a hellish wasteland in his 1969 short story, “A Boy & His Dog” 

Nobody was able to respond “Harlan Ellison”.

$1600: Later editions of this author’s “Do Androids Dream of Electric Sheep?” moved the story from 1992 to 2021

Returning champion Melissa Klapper correctly responded “Dick”.

$1200: In 2025, game shows are to the death in “The Running Man”, written by Stephen King under this pseudonym

This was another triple stumper: nobody knew “Richard Bachman”.

$800: This 1925 novel about a futuristic city in 2026 became an art deco sci-fi silent movie by Fritz Lang

Melissa knew “Metropolis”.

$400: In Kim Stanley Robinson’s trilogy about colonizing this planet, humans first visit there in 2020

Brandon Anderson (presumably no relation!) knew this one.

(13) STARFLEET RECRUITING OFFICE. How could anyone ever tire of this story? Don’t answer that question. “William Shatner Explains How He Landed ‘Star Trek’ Role as Captain Kirk”.

William Shatner recalled how he managed to land the role of Captain James T. Kirk on the original 1966 Star Trek series.

During the actor’s keynote interview at South by Southwest in Austin, Texas, on Thursday, Alamo Drafthouse founder Tim League asked Shatner about how he got his career-changing gig.

“Talent,” Shatner initially deadpanned, to audience applause, but then he told the story.

As all Trek fans know, Jeffrey Hunter was cast in the NBC show’s first attempt at a Star Trek pilot, “The Cage,” as Captain Christopher Pike. “Jeffrey Hunter, good-looking guy, he was quite a name,” Shatner says. “They presented the pilot to NBC and then there’s that moment when the gods — and, in this case, NBC executives — decide to buy or not to buy. To buy, or not to buy, that is the question! They said, ‘No, we’re not going to buy it, because we don’t like it. But we like the idea. So rewrite, recast and we’ll give you the money to do it.’ I’ve never heard of that happening before or since.” (To be fair, it’s actually happened many times since.)

“So they went around looking for a new captain,” Shatner continued. “I was in New York doing some work. They called me and said, ‘Would you come and see the pilot?’ With the idea of me being the captain. And I watched the pilot [and thought], ‘Oh my God, that’s really good. Why didn’t they buy it?’ Yet [the actors] were a little ponderous. Like, [soberly] ‘Helmsman, turn to the Starboard.’ You’ve been out five years in the middle of space, wouldn’t you say, [casually] ‘Hey, George, turn left’? ‘There’s a meteor coming!’… ‘Well, get out of the way!’ So I added a little lightness. Then it sold. And that’s the answer.”…

(14) A CASE OF THE VAPORS. The Guardian reports “Aviation chiefs rejected measures to curb climate impact of jet vapours”.

Airlines and airports opposed measures to combat global warming caused by jet vapour trails that evidence suggests account for more than half of the aviation industry’s climate impact, new documents reveal.

The industry argued in government submissions that the science was not “robust” enough to justify reduction targets for these non-CO2 emissions. Scientists say the climate impact of vapour trails, or contrails, has been known for more than two decades, with one accusing the industry of a “typical climate denialist strategy”.

While carbon emissions from jet engines contribute to global heating, research suggests the contrails formed when water vapour and soot particles form into ice crystals have an even greater impact. These human-made clouds trap heat in the atmosphere that would otherwise escape into space.

… Milan Klöwer, a climate scientist at Massachusetts Institute of Technology, said airlines were adopting a “typical climate denialist strategy” by overstating the level of uncertainty about non-CO2 effects. He said: “Even in the best case, they roughly double the effect of CO2 emissions on the climate.”…

(15) LOOK OUT BELOW. Science reports a study showing “Earth at higher risk of big asteroid strike, satellite data suggest”.

Using a new catalog of high-resolution satellite imagery, James Garvin and his colleagues identified large rings around three impact craters and one probable one that are 1 million years old or younger. To Garvin, the rings imply the craters are tens of kilometers wider, and record far more violent events, than researchers had thought.

If Garvin is right—no sure bet—each impact resulted in an explosion some 10 times more violent than the largest nuclear bomb in history, enough to blow part of the planet’s atmosphere into space. Although not as destructive as the impact that killed off the dinosaurs, the strikes would have perturbed the global climate and caused local extinctions.

It’s an extraordinary claim, as Garvin himself admits. “We haven’t proven anything,” he says. Without fieldwork to back up the conclusions, impact researchers are wary of the circles Garvin and his colleagues have drawn on maps—especially because they defy other estimates of impact rates. “I’m skeptical,” says Bill Bottke, a planetary dynamicist at the Southwest Research Institute in Boulder, Colorado. “I want to see a lot more before I believe it.”

Because water and wind quickly erase most impact craters on Earth, researchers estimate impact rates by tallying crater sizes and ages on the Moon. They also study the size of asteroids in orbit near Earth—potential future impactors. Based on those two methods, researchers estimate that an asteroid or comet 1 kilometer wide or larger hits the planet every 600,000 to 700,000 years.

The new study, however, suggests that in the past million years alone, four kilometer-size objects pummeled the continents—and, given that two-thirds of the planet is covered by water, that could mean up to a dozen struck Earth in total, Bottke says. Anna Łosiak, a crater researcher at the Polish Academy of Sciences, doubts the ringlike features identified by Garvin’s team are truly crater rims. If they somehow are, she says, “that would be very scary because it would mean we really don’t understand what’s going on at all—and that there are a lot of space rocks that may come and make a mess.”…

[Thanks to Mike Kennedy, John King Tarpinian, Chris Barkley, Rich Horton, Steven French, David Goldfarb, SF Concatenation’s Jonathan Cowie, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Randall M.]

Pixel Scroll 3/24/23 First Fandom: The Next Generation

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(1) WIRED DOES A JOB ON SANDERSON. In his WIRED article: “Brandon Sanderson Is Your God”, Jason Kehe slags Sanderson, his writing, his fans, his business, his religion, his taste in movie musicals, and anything else that comes to mind — and it really feels like puppy-kicking – in the original sense, not that Sanderson is/was a Sad Puppy.

…Sanderson, when I eventually meet him in person, makes versions of these excuses, plus others, for his writerly obscurity. It’s kind of fun to talk about, until it isn’t, and that’s when I realize, in a panic, that I now have a problem. Sanderson is excited to talk about his reputation. He’s excited, really, to talk about anything. But none of his self-analysis is, for my purposes, exciting. In fact, at that first dinner, over flopsy Utah Chinese—this being days before I’d meet his extended family, and attend his fan convention, and take his son to a theme park, and cry in his basement—I find Sanderson depressingly, story-killingly lame.

He sits across from me in an empty restaurant, kind of lordly and sure of his insights, in a graphic T-shirt and ill-fitting blazer, which he says he wears because it makes him look professorial. It doesn’t. He isn’t. Unless the word means only: believing everything you say is worth saying. Sanderson talks a lot, but almost none of it is usable, quotable. I begin to think, This is what I drove all the way from San Francisco to the suburbs of Salt Lake City in the freezing-cold dead of winter for? For previously frozen dim sum and freeze-dried conversation? This must be why nobody writes about Brandon Sanderson.

So, recklessly, I say what’s on my mind. I have to. His wife is there, his biggest fan, always his first reader, making polite comments; I don’t care. Maybe nobody writes about you, I say to Sanderson, because you don’t write very well….

There’s such an uproar that Sanderson’ has posted a letter to his fan community about the WIRED story on his sub-Reddit — “On The Wired Article” — in which he expresses his own confusion about the article but asks his fan community not to harass Jason Kehe over it (apparently this has been happening on Twitter.)

I appreciate the kind words and support.

Not sure how, or if, I should respond to the Wired article. I get that Jason, in writing it, felt incredibly conflicted about the fact that he finds me lame and boring. I’m baffled how he seemed to find every single person on his trip–my friends, my family, my fans–to be worthy of derision.

But he also feels sincere in his attempt to try to understand. While he legitimately seems to dislike me and my writing, I don’t think that’s why he came to see me. He wasn’t looking for a hit piece–he was looking to explore the world through his writing. In that, he and I are the same, and I respect him for it, even if much of his tone seems quite dismissive of many people and ideas I care deeply about.

The strangest part for me is how Jason says he had trouble finding the real me. He says he wants something true or genuine. But he had the genuine me all that time. He really did. What I said, apparently, wasn’t anything he found useful for writing an article. That doesn’t make it not genuine or true.

I am not offended that the true me bores him. Honestly, I’m a guy who enjoys his job, loves his family, and is a little obsessive about his stories. There’s no hidden trauma. No skeletons in my closet. Just a guy trying to understand the world through story. That IS kind of boring, from an outsider’s perspective. I can see how it is difficult to write an article about me for that reason….

(2) NEW AWARD COMPETITION. The Oxford Centre for Fantasy and Pushkin Children’s Books announced creation of The Oxford/Pushkin Children’s Fantasy Prize for fantasy novels aimed at Middle Grand and YA. (Entry fee: £5)

Calling all fantasy novelists at the beginning of their career to a new adventure. To mark this 50th Anniversary year since the death of J R R Tolkien, we are looking for fresh ideas and new voices in the fantasy genre. This is your chance to win our brilliant prize of £2000, as well as the incredible opportunity for mentorship with an editor at Pushkin Children’s Books.

Four runners-up will win further prizes to help them develop their writing skills.

… We will be looking for finalists writing novels for the following reading ages:

Middle grade (9+) and Young Adult.

(3) NO BETTER AT THIS THAN HUMANS. “We asked AI to predict when The Winds of Winter will come out, and it was completely useless” says Natalie Zamora at Winter Is Coming.

…When chatting with AI today, I decided I needed to know whether or not it could give me a good answer to one of our most burning questions here at Winter is Coming. Could it tell me, or even just predict, when George R.R. Martin will release The Winds of Winter? We’re going on 12 years now since the last entry in the A Song of Ice and Fire book series was released, so maybe I’m a little desperate to find out. Does AI know something we don’t? Well… no. I discovered that it doesn’t….

Read ChatGPT’s hapless guess at the link.

(4) READING THE ROOM. “’These are my stomping grounds’: the first Black-owned bookstore opens in Octavia Butler’s home town”. The Guardian is fascinated by this story, too, and ran a profile of bookseller Nikki High.

… Inside Octavia’s Bookshelf is a carefully curated set of books and non-book items that High has sourced from mainly independent Bipoc-owned businesses – “not on Amazon”, she emphatically said. Beyond books, Octavia’s Bookshelf has everything from quirky book-nerd socks to prayer candles dedicated to iconic Black women literary figures such as Toni Morrison and Audre Lorde.

“I had been thinking about [this bookstore] for about 10 years, but not in a way where I was ready to leave my job and do it,” said High, who managed communications for 15 years at Trader Joe’s.

But what pushed High to lean into her dream was the May 2022 death of her grandmother, who had always championed her granddaughter’s pursuits. High took the leap a few months later in October of that year and began the process of starting her own business….

(5) “ALWAYS TO CALL IT RESEARCH”. “Is the Train board game creator due credit in Gabrielle Zevin’s novel?” ponders the Washington Post.

The central relationship in Gabrielle Zevin’s best-selling novel “Tomorrow, and Tomorrow, and Tomorrow” is the lifelong creative partnership between Sam and Sadie, childhood friends who go on to start a video game company. The novel depicts the exhilarating highs and enraging lows of collaboration, including fights over recognition — that is, how Sam and Sadie see each other’s contributions to their work compared with how the world sees them.

One of the games they develop together, “Solution,” is now caught up in a real-life debate about artistry and credit.

On Thursday, game designer Brenda Romero wrote in a Twitter thread that Zevin had drawn on the ideas and structure of her board game Train without acknowledging its inspiration.

“A theme in the book is how women struggle to get credit for their work,” Romero wrote….

(6) REPRESENTATIONAL REGRESS. “GLAAD report finds almost a third of LGBT+ characters will disappear from screens next year” – The Independent has details.

Nearly a third of the LGBT+ characters to have featured on US TV over the past year will not be returning in future, a new report has revealed.

Over the period between 1 June 2022 and 31 May 2023, a total of 596 LGBT+ characters were featured on scripted TV.

Of these, 175 will not be returning in the following season, as a result of series being cancelled or coming to a pre-agreed end. The majority of these characters (140) are the result of series being cancelled.

The statistics are taken from the annual report published by the US media monitoring organisation GLAAD (Gay & Lesbian Alliance Against Defamation).

The report takes into account LGBT+ characters across scripted primetime broadcast networks, scripted primetime cable networks, and scripted series on the eight major US streaming platforms: Prime Video, Hulu, Netflix, Apple TV+, Disney+, HBO Max, Peacock, and Paramount+.

Sarah Kate Ellis, CEO of GLAAD, describes the significant cancellation rates of LGBT+ “disappointing”.

“Some of the year’s biggest hits have been LGBTQ-inclusive series – including HBO’s The Last of Us, ABC’s Abbott Elementary, FX’s What We Do in The Shadows, Showtime’s Yellowjackets, Netflix’s Stranger Things, and HBO Max’s Hacks, to name only a few,” she wrote in a statement….

(7) EATING THE FANTASTIC. Scott Edelman invites listeners to settle in for arancini with Annalee Newitz in Episode 194 of his Eating the Fantastic podcast.

Annalee Newitz

I invite you to take a seat at the table with my guest Annalee Newitz at Tony and Elaine’s, a casual, old school, Italian red sauce restaurant in the North End of Boston.

Annalee is the author of three novels — The Terraformers (just out in January), The Future of Another Timeline, and their debut novel Autonomous, which won the Lambda Literary Award, and was nominated for the Nebula and Locus Awards. Their short story “When Robot and Crow Saved East St. Louis” won the 2019 Theodore Sturgeon Memorial Award.  Their nonfiction books include Four Lost Cities: A Secret History of the Urban Age, which was a national bestseller and was praised in The New York Times, The San Francisco Chronicle, and The New Yorker, and Scatter, Adapt and Remember: How Humans Will Survive a Mass Extinction, which was a finalist for the LA Times Book Prize in science.

They’re also the co-editor of the essay collection She’s Such A Geek (Seal Press), and author of Pretend We’re Dead: Capitalist Monsters in American Pop Culture (Duke University Press). They’re the co-host with Charlie Jane Anders of the Hugo Award-winning podcast Our Opinions Are Correct, and in addition to having been the founder of io9, served as the editor-in-chief of Gizmodo.

We discussed how difficult (and disappointing) it would have been to eat a trilobite, what writing their non-fiction books taught them about creating the arcs of novels, why their brain seems more suited for novels than short stories, how best to include a message in fiction without the soapbox overwhelming the story, the greatest bad review one of their books ever got (it involved creamed corn), how to inhabit characters who are hundreds of years old, fun facts they learned about moose which helped make their new book better, the music they blasted to rev up for one of the novel’s big action scenes, how to make the growth of a fictional romance believable to readers, the serendipitous way in which Ken McLeod rekindled their love of science fiction, and much more.

(8) NBCC. The National Book Critics Circle Awards for the publishing year 2022 have been announced, however, I did not recognize any genre works among the winners. If I missed any, drop a comment to fill me in!

(9) MEMORY LANE.

2016 – [Compiled by Cat Eldridge.]

Our Beginning this Scroll is one of P. Djèlí Clark’s Dead Djinn Universe stories, to wit A Dead Djinn in Cairo which has as its central character Fatma el-Sha’arawi, a fascinating Muslim woman who will show up again in his Hugo nominated A Master of Djinn novel.

This was published on the Tor website in 2016. There’s a third story here so far, The Haunting of Tram Car 015, also first published by Tor. 

It’s a perfect Beginning in my mind as it very nicely introduces us to Fatma el-Sha’arawi and the Djinn in all their chilling awesomeness. 

And now for our most perfect Beginning…

Fatma el-Sha’arawi, special investigator with the Egyptian Ministry of Alchemy, Enchantments, and Supernatural Entities, stood gazing through a pair of spectral goggles at the body slumped atop the mammoth divan.

A djinn.

An Old One, at that—near twice the size of a man, with fingers that ended in curved talons, long as knives. His skin was a sheath of aquamarine scales that shifted to turquoise beneath the glare of flickering gas lamps. He sat unclothed between tasseled cushions of lavender and burgundy, his muscular arms and legs spread wide and leaving nothing to the imagination.

“Now that’s impressive,” a voice came. Fatma glanced back at the figure hovering just over her shoulder. Two long graying whiskers fashioned in the style of some antiquated Janissary twitched on a plump face. It belonged to a man in a khaki uniform that fit his thick frame a bit too tightly, particularly around the belly. He jutted a shaved round chin at the dead djinn’s naked penis: a midnight-blue thing that hung near to the knee. “I’ve seen full-grown cobras that were smaller. A man can’t help but feel jealous, with that staring him in the face.” 

Fatma returned to her work, not deigning to reply. Inspector Aasim Sharif was a member of the local constabulary who served as a police liaison with the Ministry. Not a bad sort. Just vulgar. Cairene men, despite their professed modernity, were still uncomfortable working alongside a woman. And they expressed their unease in peculiar, awkward ways. It was shocking enough to them that the Ministry had tapped some sun-dark backwater Sa’idi for a position in Cairo. But one so young, and who dressed in foreign garb—they’d never quite gotten used to her. 

Today she’d chosen a light gray suit, complete with a matching vest, chartreuse tie, and a red-on-white pinstriped shirt. She had picked it up in the English District, and had it specially tailored to fit her small frame. The accompanying walking cane—a sturdy length of black steel capped by a silver pommel, a lion’s head—was admittedly a bit much. But it added a flair of extravagance to the ensemble. And her father always said if people were going to stare, you should give them a show.

“Exsanguination,” she declared. Fatma pulled off the copper-plated goggles and handed them over to a waiting boilerplate eunuch. The machine-man grasped the instrument between tactile metal fingers, folding it away with mechanical precision into a leather casing. She caught her reflection in its featureless brass countenance: dark oval eyes and a fleshy nose set against russet-brown skin on a slender face. Some might have called it boyish, if not for a set of full, bold lips passed on by her mother. As the boilerplate eunuch stepped away, she used her fingers to smooth back a mop of cropped black curls and turned to the constable. Aasim stared as if she’d just spoken Farsi.

“Those markings.” She tapped the floor with her cane, where curving white script engulfed the divan in a circle. “It’s an exsanguination spell.” Seeing Aasim’s blank look, she reached down to her waist to pull her janbiya free and placed the tip of the knife at the djinn’s thigh before sliding it beneath a scale. It came back out clean. “No blood. Not a drop. He’s been drained.” The inspector blinked, catching on.

“But where did it … the blood … go?”

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 24, 1834 — William Morris. Credited with creating the modern fantasy literature genre, he certainly wrote some of it its earlier works, to note his epic poem The Earthly Paradise, The Wood Beyond the World and The Well at the World’s End, plus his entire artistic motif fits nearly within a fantasy literature as it looks as if it was created by the Fey Themselves. (Died 1896.)
  • Born March 24, 1874 — Harry Houdini. His literary career intersects the genre world in interesting ways. Though it’s not known which, many of his works were written by his close friend Walter B. Gibson who as you know is the creator of The Shadow. And one famous story of his, “Imprisoned with the Pharaohs”, was actually ghost-written by Lovecraft! ISFDB lists another piece of genre fiction for him, “The Spirit Fakers of Hermannstad.” (Died 1926.)
  • Born March 24, 1924 — Peter George. Welsh author, most remembered for the late Fifties Red Alert novel, published first as Two Hours To Doom and written under the name of Peter Bryant. The book was the basis of Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. (Died 1966.)
  • Born March 24, 1941 — Henry Glassie, 82. Folklorist who’s the author of one of my all-time fav Christmas books, All Silver and No Brass: An Irish Christmas Mumming. I was delighted to see that ISFDB say he has two works of genre fiction, “Coals on the Devil’s Hearth“ and “John Brodison and the Policeman”. Both are to be found in the Jane Yolen anthology, Favorite Folktales from Around the World which is available at all the usual digital suspects.
  • Born March 24, 1946 — Andrew I. Porter, 77. Editor, publisher, fan.  Major member of NYC regional fandom starting in the early Sixties. APA publisher and editor of Algol: The Magazine About Science Fiction (later renamed Starship) which won the Best Fanzine Hugo in 1974 (in a tie with Richard E. Geis’ SFR.) He also won two Best Semiprozine Hugos for his news publication Science Fiction Chronicle which he started in 1980 and ran for over 20 years. He has won myriad awards, including the Big Heart Award. He has attended hundreds of science fiction conventions and most Worldcons since his first in ‘63. He has been Fan Guest of Honor at several conventions, including the 1990 Worldcon. And he is an indispensible daily contributor to the Pixel Scroll!
  • Born March 24, 1946 — Gary K. Wolfe, 77. Monthly reviewer for Locus for 27 years now and, yes, I enjoy his column a lot. His brief marriage to Ellen R. Weil, which ended with her tragic early death, resulted in them co-writing Harlan Ellison: The Edge of Forever.  Old Earth Books has reprinted many of his reviews done between 1992 and 2006. He’s also written several critical looks at the genre, Critical Terms for Science Fiction and Fantasy and The Known and the Unknown: The Iconography of Science Fiction. Finally I’ll note that he’s involved with editor Jonathan Strahan on the stellar Coode Street podcast

(11) COMICS SECTION.

  • Eek! remembers the time Dr. Frankenstein made a mistake…
  • Hi and Lois makes a rare genre joke.
  • Crankshaft shows an elder comparing his age to that of comics characters.
  • Bizarro visualizes aliens in ancient Rome.

(12) AVENGERS AT 60. Alex Ross celebrates the 60th anniversary of the Avengers and the X-Men with new connecting variant covers that will run on various titles, starting with August’s UNCANNY AVENGERS #1. For more information, visit Marvel.com.

“In the case of the Avengers, I wanted to capture something of the era I grew up with, but also something extensive,” Ross said. “So I captured the first 30 years of that team, from the ‘60s through the ‘80s. I end where 1989 closes. I’m trying to make sure my work is aligning with how the character looked and also the attitudes the characters had.”

(13) JEOPARDY! Last night David Goldfarb watched the contestants strike out against this Jeopardy answer:

In the Double Jeopardy round, “TV Lingo” for $1600:

This substance powers spaceships on “Star Trek”

A triple stumper.

(14) BRAIN POWER. Meanwhile, Daniel Dern sends along a trivia challenge of his own:

Q: What (at least) two SF works does this NPR news segment, ahem, call to mind? – “Teen who lost half her brain when very young shows the power of neuroplasticity”.

A: (1) Peter Watts’ Blindsight (protagonist Siri Keaton, who has only one organic hemisphere; (2) (IMHO) Gene Wolfe’s story “The Island of Doctor Death And Other Stories,” Tackman Babcock (has both hemispheres, but they’re not connected fully).

(15) WATCH WHERE YOUR GAVEL HITS. “Jack Daniel’s Condemns Poop-Themed Dog Toy Before Supreme Court” and The Takeout is there.

Jack Daniel’s wants you to know that its shit doesn’t stink. Because it doesn’t poop. Sort of. NPR reports that the whiskey distiller made its case to the Supreme Court on Wednesday that a poop-themed dog toy resembling a bottle of Jack was an issue of trademark infringement.

The dog toy is made to look like a square Jack Daniel’s whiskey bottle, and its label says “Bad Spaniels” instead of “Jack Daniel’s.” Where a normal Jack Daniel’s label notes that it’s “40% alcohol by volume,” Bad Spaniels reads “43% poo” and “100% smelly.” Jack Daniel’s took issue with the toy because it’s potentially equating itself with the whiskey brand in the eyes of the consumer….

VIP Products, the company that makes the dog toy, retorted that a reasonable person would not mix up the two, and that it’s just a joke. The brand also manufactures dog toys spoofing beer, wine, and soda, with products like Dos Perros (instead of Dos Equis), Kennel-Relax’n (instead of Kendall-Jackson), and 7Pup (goes without saying)….

(16) BROTHER, CAN YOU SPARE AN ASTEROID? [Item by Daniel Dern.] Or, this fan now really is a heavenly body: “Centuries of Stargazing Leave Jesuit Names Written in the Heavens”. Brother Guy Consolmagno is in (and named in the photo).

…There are institutions like the Pontifical Academy of Science that tell the Vatican what’s going on in the world of science, but we actually do the science,” said Brother Guy Consolmagno, an asteroid honoree (4597 Consolmagno) and director of the observatory, whose website tagline is “faith inspiring science.”

(17) BIG DUMB OBJECT? [Item by SF Concatenation’s Jonathan Cowie.] It is never aliens except when it is aliens…. “A compelling explanation for the enigmatic small object ‘Oumuamua”: Research reported in Nature presents a simple and realistic framework for understanding the object’s many peculiarities…

Interstellar objects have long been thought to transit our Solar System. Planetary systems eject large quantities of small bodies during the initial phases of their formation and, once ejected, these small ‘planetesimals’ travel through interstellar space for millions of years. It stands to reason that some of their paths will pass by the vicinity of the Sun. When ‘Oumuamua was first discovered, astronomers therefore expected it to behave like one of these fragments — not too dissimilar from the comets that form on the outskirts of our own Solar System.

From the beginning, however, something was amiss. ‘Oumuamua did not look like a comet and did not display the usual defining features of comets — a tail and a fuzzy envelope called a coma, both made from gas and dust. Instead, it resembled an inactive object, like an asteroid, which moves mainly as a result of gravity. However, it soon became evident that the motion of ‘Oumuamua was not exclusively due to gravity: it was being pushed along its path in a similar way to that routinely observed in comets, which are subject to an acceleration caused by the recoil of emitted gas and dust. How was it possible that this object looked inactive, but was showing indirect evidence of activity?…”

The primary research paper with the explanation is here.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Jennifer Hawthorne, Bill, David Goldfarb, Daniel Dern, John King Tarpinian, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Camestros Felapton.]

Pixel Scroll 3/21/23 Is This The Real File? Is This Just Fan Activity? Caught In A Pixel, No Escape From 770

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(1) FUTURE SF’S ONLINE “ANTHOZINE”. UFO Publishing and Future Affairs Administration has launched a new project they term an “anthozine”.  

These stories will appear in The Digital Aesthete: Human Musings on the Intersection of Art and AI hybrid anthology/zine project. They will be published as a book on November 14, 2023, and gradually posted to the Future SF website over the course of the following months.

The antho’s preview story was posted today, Adrian Tchaikovsky’s “Silicon Hearts”.

“Next up is Johnny Zepter.” Steve called up the figures. At her own screen, Kate opened the spreadsheet and readied herself to make notes.

“This week, our good buddy Zee submitted four hundred and seventy-three stories to eight different outlets, of which four were accepted.” Steve nodded in appreciation. “Nice work Jay-Zee. That’s another forty quid in the kitty.”

“One percent takeup,” Kate noted. “We’re hitting the mark nicely there.”

“People’s tastes don’t change, right?” Steve said. Johnny Zepter wrote space adventure. He had a stable of half a dozen two-fisted, square-jawed action types who encountered alien planets or artifacts, defeated the locals with human ingenuity or just by punching them in what they had for faces, discovered something superficially revelatory and made a witty quip about it. Four hundred times this week alone….

Preorder the book via the links at the bottom of the story, or support them via Patreon.

(2) IN THE RUNNING. In the SFWA officer elections, Oghenechovwe Donald Ekpeki is a write-in candidate for director-at-large he told Facebook readers today.

SFWA members have until April 11 to vote in the 2023 Officer Elections.

(3) SO WHAT HAPPENED? Very early Sunday morning during last weekend’s Furnal Equinox convention the committee sent this tweet:

And later that day this update was posted to the convention’s website which only added to the mystery: “March 19, 2023 – Early Morning Disturbance”.

Update:  What we know so far..

Early this morning there was an incident near the south tower elevators that created a disturbance which spread throughout the convention level at approximately 2 am.

The events occurred as follows:

• Attendees moved down the escalators away from the south tower

• They moved across the lobby and then back upstairs towards the sky bridge to the convention center 

• Hotel security called Toronto Police Services (TPS) immediately following the incident

• The Nightingales responded shortly after hearing the attendees

• Together with the Toronto Police Service, they secured the area

• They then performed a sweep of the area

• A lockdown was initiated, and the gaming lounge was evacuated

• An “all clear” was called within two hours after no immediate threats were located.

The investigation is still ongoing. At this time we do not have more details, but will provide updates as we investigate further. Please allow us to continue to gather information and avoid spreading rumours. 

We have been assured that the convention area is safe and Furnal Equinox attendees may enjoy the final day of the event as planned.  If you have any concerns now or in the future, please feel free to contact there Nightingales in person or via email at [email protected]. Your health and safety is our top priority.

We would also like to thank the Westin Hotel security team and Toronto Police Service for their quick response and assistance on this matter. And a thank you to all attendees for your cooperation and patience.

So what happened? “Sir Tillfred Laurier” knows, having had some too-personal experience with the offender. Twitter thread starts here.

Now have you figured out the answer? There’s video of Nakedman in action on Twitter here. Or there’s a version with “censored” blocks over the peccant parts, plus furry Odin Wolf’s commentary, here.

(4) INDUSTRY PRAISE. Publishing Perspectives reports the “British Book Awards: Trade and ‘Book of the Year’ Shortlists”. Fiction and children’s fiction are strong on genre nominations. The shortlists for those categories are shown below.

…British Book Awards—sometimes called the Nibbies, as the logo reminds us—are a brand of The Bookseller, the United Kingdom’s news medium of record for the publishing industry. There are 29 award categories. …

Fiction

  • Love Marriage by Monica Ali (Virago, Little, Brown)
  • Stone Blind by Natalie Haynes (Mantle, Pan Macmillan)
  • Fairy Tale by Stephen King (Hodder & Stoughton, Hachette)
  • Babel by R.F. Kuang (Harper Voyager, HarperCollins)
  • The Marriage Portrait by Maggie O’Farrell (Tinder Press, Headline Publishing Group)
  • Young Mungo by Douglas Stuart (Picador, Pan Macmillan)

Children’s Fiction

  • Diary of a Wimpy Kid: Diper Överlöde by Jeff Kinney (Puffin, Penguin Random House Children’s)
  • Onyeka and the Academy of the Sun by Tọlá Okogwu (Simon & Schuster Children’s Books UK)
  • Tyger by SF Said, illustrated by Dave McKean (David Fickling Books)
  • The First to Die at the End by Adam Silvera (Simon & Schuster Children’s Books UK)
  • Skandar and the Unicorn Thief by A.F. Steadman (Simon & Schuster Children’s Books UK)
  • Loki: A Bad God’s Guide to Being Good by Louie Stowell (Walker Books)

(5) SWIPER, NO SWIPING.  Publishers Weekly reports that “At Hearing, Judge Appears Skeptical of Internet Archive’s Scanning and Lending Program”. He does sound dubious.

After nearly three years of legal wrangling, the Internet Archive’s scanning and lending program finally got its day in court on Monday, March 20. And if Judge John G. Koeltl’s questions are any indication, the Internet Archive is facing an uphill battle.

Over the course of a 90-minute hearing on the parties’ cross motions for summary judgment, Koeltl appeared skeptical that there was sufficient basis in law to support the Internet Archive’s scanning and lending of print library books under a legally untested protocol known as controlled digital lending, and unconvinced that the case is fundamentally about the future of library lending, as Internet Archive attorneys have argued.

“To say that this case is about the ability of a library to lend a book that it owns ignores whether the library has a right to copy wholesale the book,” Koeltl offered at one point during an extended exchange with IA attorney Joseph Gratz. “Does a library have the right to lend a book that it owns? Of course,” the judge conceded. But the question at the heart of this case, he added, is “whether a library has the right to make a digital copy of a book that it owns and then lend that digital copy, which it has made without a license and without permission” to patrons. “To formulate the issue in this case as simply ‘does the library have a right to lend a book that it owns’ belies the issue in the case,” Koeltl said….

… But Koeltl peppered [the Internet Archive’s attorney] Gratz with questions throughout the hearing, appearing deeply skeptical that the Internet Archive’s fair use case was properly supported by case law, and unconvinced that the publishers’ market for library e-books was not impacted by libraries choosing to scan print books under CDL protocols.

“A library whether they hold a physical copy or not, has the ability to license an e-book from a publisher. Rather than pay that licensing fee to the publisher some libraries choose to make their own copy and to lend that copy. Why isn’t it self-evident that that deprives the publisher of the fees that the publisher could otherwise obtain from licensing an e-book to that library?” Koeltl asked.

“It is because with respect to the copies at issue in the CDL situation the question is not between OverDrive and nothing. The question is between physically lending a book to a particular patron, for which no payment would be due to a publisher, or digitally lending that book to the patron,” Gratz replied, adding that to find harm “there would need to be a reason to think that the publishers were worse off than the situation in which in which the fair use did not occur at all.” In fact, library e-book lending has grown throughout the existence of the IA’s scanning program, and actually surged during the height of the pandemic….

(6) GOING PAPERLESS? This news item seems like a parallel issue: “Students speak out about one university’s plans to have a digital-only library” at NPR.

STEVE INSKEEP, HOST:

What’s a library like without books? My kid’s school library removed most of the books, creating a space to use in other ways. And apparently, the university system in Vermont wanted this, too. They proposed taking library books off the shelves of at least three campus libraries and offering digital copies instead. That would save money, but…

ROSIE PHELAN: I was shocked. I was really taken aback when I heard that that was happening.

LEILA FADEL, HOST:

Rosie Phelan is an English major who works in the library at Castleton University. That’s one of three colleges merging to create a new Vermont State University.

PHELAN: You go to a college and you expect to have these resources, and the next thing you know, they’re just taken away.

INSKEEP: Phelan insists students still use physical books….

(7) JEOPARDY! Tonight’s episode of Jeopardy! devoted an entire category to science fiction books. Andrew Porter noted these two entries gave contestants problems.

Category: Books: The Future is Now

Answer: He saw 2024 as a Hellish wasteland in his 1969 short story “A Boy & His Dog”

No one could ask, “Who is Harlan Ellison?”

***

In 2025, game shows are to the death in “The Running Man”, written by Stephen King under this pseudonym

No one could ask, “Who is Richard Bachman?”

(8) TAX SEASON. Lincoln Michel encourages authors to “Write-Off What You Know” at Counter Craft.

Business Income Means Business Deductions

On the one hand, 1099 income seems like a raw deal. You don’t get taxes taken out for you like at a standard job, meaning you owe more at tax time. And you even pay higher taxes in the FICA category. (FICA taxes include Social Security and Medicare. These are paid 50% by your employer and 50% by you. But if you’re a self-employed business, then you pay both halves.)

OTOH, you can and should lower your freelance tax bill with business deductions. Just as a regular company takes deductions, you get to take them as a solo business. The money you can write off lowers the income that is taxed, thus lowering your tax bill….

And from there he goes into more tax return issues.

(9) MEMORY LANE.

1965 – [Compiled by Cat Eldridge.]

Heinlein’s The Moon Is a Harsh Mistress is one of my favorite SF works. I knew it had won a well deserved Hugo at NyCon 3 but I hadn’t realized it was nominated the previous year at Tricon. Isn’t that a tad unusual?

It had been first published in If magazine in five parts starting in the December 1965 issue. It was then published in hardcover by G. P. Putnam’s Sons in 1966.  The Penguin Publishing Group has it for sale at the usual suspects as does what I suspect is one pirate publisher as it has no copyright information. 

Now I really think that everyone here has read this novel but keeping with our very firm policy of absolutely no spoilers, I won’t say anything beyond the fact that I think that this is one of his best novels and I’ve throughly enjoyed it each and every time I’ve experienced it. Characters, stetting and story — what’s not to really like here? 

So now to our most superb Beginning…

I SEE IN Lunaya Pravda that Luna City Council has passed on first reading a bill to examine, license, inspect—and tax—public food vendors operating inside municipal pressure. I see also is to be mass meeting tonight to organize “Sons of Revolution” talk-talk. 

My old man taught me two things: “Mind own business” and “Always cut cards.” Politics never tempted me. But on Monday 13 May 2075 I was in computer room of Lunar Authority Complex, visiting with computer boss Mike while other machines whispered among themselves. Mike was not official name; I had nicknamed him for Mycroft Holmes, in a story written by Dr. Watson before he founded IBM. This story character would just sit and think—and that’s what Mike did. Mike was a fair dinkum thinkum, sharpest computer you’ll ever meet. 

Not fastest. At Bell Labs, Buenos Aires, down Earthside, they’ve got a thinkum a tenth his size which can answer almost before you ask. But matters whether you get answer in microsecond rather than millisecond as long as correct? 

Not that Mike would necessarily give right answer; he wasn’t completely honest. 

When Mike was installed in Luna, he was pure thinkum, a flexible logic—“High-Optional, Logical, Multi-Evaluating Supervisor, Mark IV, Mod. L”—a HOLMES FOUR. He computed ballistics for pilotless freighters and controlled their catapult. This kept him busy less than one percent of time and Luna Authority never believed in idle hands. They kept hooking hardware into him—decision-action boxes to let him boss other computers, bank on bank of additional memories, more banks of associational neural nets, another tubful of twelve-digit random numbers, a greatly augmented temporary memory. Human brain has around ten-to-the-tenth neurons. By third year Mike had better than one and a half times that number of neuristors. 

And woke up.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 21, 1915 — Ian Stuart Black. British screenplay writer best known for scripting two First Doctor stories, “The Savages” and “The War Machines” (with Kit Pedler and Pat Dunlop) and a Third Doctor story, “The Macra Terror”. He wrote thirteen episodes of The Invisible Man as well as episodes of One Step Beyond, The Saint, Star Maidens and Danger Man. (Died 1997.)
  • Born March 21, 1931 — Al Williamson. Cartoonist who was best known for his work for EC Comics in the ’50s, including titles like Weird Science and Weird Fantasy, and for his work on Flash Gordon in the Sixties. He won eight Harvey Awards, and an Eisner Hall of Fame Award. (Died 2010.)
  • Born March 21, 1936 — Margaret Mahy. New Zealand author of over a hundred children’s and YA books, some with a strong supernatural bent. She won the Carnegie Medal twice for two of her fantasy novels, The Haunting and for The Changeover, something only seven authors have done in total. (Died 2012.)
  • Born March 21, 1947 — Terry Dowling, 76. I was trying to remember exactly what it was by him that I read and it turned out to be Amberjack: Tales of Fear and Wonder, an offering from Subterranean Press a decade ago. Oh, it was tasty! If it’s at all representative of his other short stories, he’s a master at them. And I see he’s got just one novel, Clowns at Minnight which I’ve not read. He’s not at all deeply stocked at the usual digital suspects but Kindle has this plus several story collections. 
  • Born March 21, 1947 — Don Markstein. He was the creator and sole maintainer of Don Markstein’s Toonpedia which is subtitled “A Vast Repository of Toonological Knowledge”. It is an encyclopedia of print cartoons, comic strips and animation started in 2001. He said, “The basic idea is to cover the entire spectrum of American cartoonery.” (Died 2012.)
  • Born March 21, 1956 — Teresa Nielsen Hayden, 67. She is a consulting editor for Tor and is best known for Making Light, a blog she shares with her husband Patrick and which may yet resume activity. She is also one of the regular instructors for the Martha’s Vineyard writing workshop Viable Paradise.
  • Born March 21, 1970 — Chris Chibnall, 53. A showrunner for Doctor Who and the head writer for the first two (and I think) best series of Torchwood. He first showed up in the Whoverse when he penned the Tenth Doctor story, “42”.  He also wrote several episodes of Life on Mars. He’s been nominated for a Hugo three times for work on Doctor Who, “Rosa” at Dublin 2019, “Resolution” CoNZealand and for “Fugitive of the Judoon” at DisCon III.

(11) COMICS SECTION.

  • Pickles has an unexpected Star Wars reference.

(12) EVANGELIZING FOR SUPERGIRL. [Item by Olav Rokne.] Some of the comic book nerds in the book club with me have all been quite impressed with Tom King’s latest work Supergirl: Woman of Tomorrow, which James Gunn has listed as the direct inspiration for the upcoming Supergirl movie. It’s eligible for the Hugo this year — and I think it’s something a lot of Worldcon folks would love. Smart, fun, serious, high adventure. “Kara Zor-El Unbound” at the Hugo Book Club Blog.

… These aren’t stories about saving the universe, defeating galactic tyrants, or challenges with world-shattering consequences. But the fact that the stakes are more personal shows what matters to Supergirl, and the human scale of the story makes it highly engaging.

On a technical level, this is a superhero comic book, but the writing takes much of its inspiration from heroic fantasy. This is a story about a sword-wielding hero and sidekick traveling across distant landscapes on a quest and getting pulled into side adventures. Given that it takes cues from the heroic fantasy work of Fritz Leiber, Woman of Tomorrow seems like something that would appeal to many Worldcon attendees….

(13) THEY’VE BEEN HAD. “These Painters Regret Their Dealings With Scam Artists” – and the New York Times introduces them to us.

… It seemed too good to be true — and it was.

What happened next followed a pattern seen in nearly a dozen attempts at defrauding artists of their paintings and money that were reviewed by The New York Times. In each case, young artists were offered an attractive price for artworks by “collectors” who sent them checks to cover the price of the work and the cost of shipping it. Each of them was then asked to forward the shipping fee by money order to a person who was arranging the delivery.

Ginsberg sent $2,060 to the aptly named Linda Shady, who was supposed to be a shipping agent based in Fond du Lac, Wis. That name turned out to be fictitious and the person apparently used fake identification to cash the money order before Ginsberg was told by his bank that the $6,210 check he had received — more than he asked for — had not cleared.

“That was when I realized it was fraud,” Ginsberg said.

Cybercrime experts said fake check scams were growing. Though it did not study art scams per se, a study published in February by the Federal Trade Commission’s Consumer Sentinel Network tallied more than $124 million in damages from more than 40,000 cases involving fraudulent foreign money offers or fake checks.

Most of the cases start with an email from a fictitious person, a subset of the surge in phishing that has greatly increased the vulnerability of communications online. A study by the tech security company SlashNext projected that there were more than 255 million phishing attacks in 2022 through email, mobile and other online channels. That was 61 percent higher than the rate of phishing attacks the company tallied a year before….

(14) BE THE MAN WHO BOUGHT THE MOON (NECKLACE). [Item by Mike Kennedy.] Christie’s is having an online-only auction (closing 28 March) of meteorites & meteorite-related objects. Several of the items have had their origin traced to the Moon, Mars, or a specific asteroid. “Deep Impact: Lunar, Martian, and Other Rare Meteorites”.

Perhaps the crown jewel (so to speak) of the auction is Lot #1—an 18 inch single-strand necklace, consisting of 48 8.25 mm beads derived from Lunar material. One particular asteroid, NWA 12691, has been sectioned for display and sale. Apparently some of the smaller bits from that were formed into these beads.

The estimated price for the necklace is $140,000-$200,000, though the top bid as I write this is a mere $10,000. There are a scant few items in the auction with a higher estimate, but none of those is likely to make as fine a red carpet display.

The catalog description notes:

Fastened with a white gold clasp and knotted when strung, each of these lunar beads are of the highest quality. As is the case with any other lunar feldspathic breccia, each bead is composed of fragments of olivine, pigeonite, augite, ilmenite and signature white anorthite — which is rare on Earth but common on the Moon. The different minerals and lithologies were naturally bound together by a melt of lunar regolith, the result of repeated impacts on the lunar surface prior to the collision responsible for launching NWA 12691 to Earth. 

(15) VIDEO OF THE DAY. Honest Trailers does “Everything Everywhere All At Once”, delivering its on-brand snark:

…Stephanie Shu co-stars as their daughter Joy, a character whose complex journey takes her to the edge of madness and back, playing both a teenager struggling to connect with her mom and an omnipotent nihilist seeking to destroy the universe. So of course she lost the Oscar to Jamie Lee Curtis as a mean lady with a funny voice… Let’s just pretend this was a makeup for True Lies….

[Thanks to Chris Barkley, Andrew Porter, Olav Rokne, Kathy Sullivan, Rich Lynch, Alex Shvartsman, Michael Toman, Cat Eldridge, Mike Kennedy, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Tom Becker.]

Pixel Scroll 3/4/23 This Pixel Will Self-Destruct In Five Minutes Unless Scrolled

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(1) COULD IT BE — THE FORCE? Google “The Mandalorian.” Then look in the bottom right corner and click. (Via Steve Lee.)

(2) SF IN SF. Rebecca Gomez Farrell will be reading with Mia Tsai at the SF in SF reading series on March 25 at 6:30 p.m. Pacific. The series takes place at the American Bookbinders Museum, 355 Clementina Alley, San Francisco, All proceeds from the $10 entry fee and cash bar go to the Museum. No one will be turned away for lack of funds.

(3) EKPEKI GOH STATUS. The international Association for the Fantastic in the Arts issued an ICFA 44 Guest of Honor Update to address the change in circumstances now that their GoH Oghenechovwe Donald Ekpeki can’t be present in person:

The International Association for the Fantastic in the Arts is honored and proud to announce that Oghenechovwe Donald Ekpeki will be Guest of Honor in absentia for the ICFA 44, whose theme is Afrofuturism. His recorded presentations and live-streamed commentary will be available for exclusive viewing by those in attendance at conference events.

(4) NOW IS THE SEASON FOR SPAM. Victoria Strauss sends out a warning in “Spam Alert: 4 Seasons Book Awards” at Writer Beware.

…Spamming via contact form is way more labor intensive than just regular spam, so you’ve got to respect the commitment–though I have to say a bit more time could have been invested in proofreading. Also, is it 4 Seasons Book Awards, as in the solicitation, or Four Seasons Book Awards, as in the little medallions in the typo-ridden image at the top of this post? It’s a bit confusing, brand identity-wise….

(5) CLARION ONLINE CLASSES. Clarion West Online Spring 2023 classes include:

Occupational burnout is a phenomenon which has been only formally studied for the last 50 years, though occupational stress has existed for…longer. Though it is a commonly used term, what is burnout actually? How does it manifest, and what contributes to it? Also, how does being an independent author contribute?

Structure is so much more than a formula to be followed. It’s a set of reader expectations that are emergent from the genre, culture, and the story itself, and understanding those structures not only helps you write but it also helps ensure a satisfying reading experience.

In this workshop, we’ll venture beyond the three-act structure, discussing other established plot structures before moving on to the structures inherent in scenes and character arcs. Then we’ll explore how structure is emergent from story and learn how to identify the points in a story that set trajectories and reader expectations. Finally, we’ll put that analysis to good use with exercises to identify a scene’s structure, pick out missing structural elements, and determine how to end a troublesome scene.

Students will explore how structure works on a plot, scene, and character level, in various structures, and how to identify the moments that define a story, scene, or character arc’s structure.

(6) SFF IN TRIVIA. [Item by David Goldfarb.] Jeopardy! has a Page-a-Day calendar, featuring questions taken from the show. March 2 and 3 this year were from the category “It Takes a Villain”, from the episode airing on October 11, 2019.

March 2: $400 level (easiest tier): He says the movie line “You don’t know the power of the dark side.”

March 3: $1600 level (fourth tier): He’s the non-human villain in “2001: A Space Odyssey”

Meanwhile, LearnedLeague’s match for Friday the 3rd had one question directly about SFF, and one with an association.

Question 3 for the day: The Gunslinger, The Drawing of the Three, and The Waste Lands are the first three novels in what 4300+ page epic fantasy series?

This is Stephen King’s The Dark Tower. 48% of LLamas got this right, with the most common wrong answer being Dune (6% of answers).

Question 4 was this: The keys on older typesetting machines were arranged in columns, which were sorted by the frequency with which their constituent letters were used. The second column was s h r d l u (consisting of the 7th through the 12th most frequently used letters); what six letters comprised the first column and often appeared with “shrdlu” in print due to operator error? (Note, the six letters must be in exact order.)

Answer: ETAOIN. This had only an 8% get rate! But I got it because I remembered a story by Fredric Brown about a sentient Linotype machine titled. “ETAOIN SHRDLU”. 

(7) JOHN D. TEEHAN (1967-2023).  Founder of the Merry Blacksmith Press, John D. Teehan, publisher of numerous science fiction, fantasy, graphic and prose novels, died February 23. From the SFWA Blog tribute —

Michael Capobianco, co-chair of the Estates-Legacy Committee and past SFWA president, remarks, “For a decade and a half, John was a major asset to SFWA. In charge of all typesetting, layout, art, and printing of the SFWA Bulletin, his professionalism helped make the Bulletin a great-looking glossy magazine.”

(8) MEMORY LANE.

1954 – [Compiled by Cat Eldridge.]

Our Beginning this Scroll is Fredric Brown’s Martians, Go Home, which is what I’d call a classic of the genre. (You of course are free to disagree with my claim if you so wish.) 

It was first published in Astounding Science Fiction in September 1954 and then by E. P. Dutton in 1955. It’s still in-print from Bantam, and it’s included in the NESFA published Martians and Madness: The Complete SF Novels of Fredric Brown. 

Ok, what are my thoughts on it? It’s a really, really fun novel that is light-hearted and plays nicely off the long standing trope of little green men. I know it would later be made into a film starting Randy Quaid but I’ve neither seen it nor have any desire to so since I like the novel. 

Now here’s your Beginning full of little green men. Well it should be if it isn’t. 

Prologue 

If the peoples of Earth were not prepared for the coming of the Martians, it was their own fault. Events of the preceding century in general and of the preceding few decades in particular should have prepared them. 

One might say that preparation, in a very general sort of way, had been going on much longer than that, for ever since men had known that Earth was not the center of the Universe but only one of a number of planets circling about the same sun, men had speculated as to whether the other planets might not be, like Earth, inhabited. However, such speculation, for lack of evidence pro or con, remained on a purely philosophical plane, like speculation as to how many angels could dance on the point of a pin and whether Adam had a tnavel. So let’s say that preparation really started with Schiaparelli and Lowell, especially Lowell. 

Schiaparelli was the Italian astronomer who discovered the canali on Mars, but he never claimed that they were artificial constructions. His word canali meant channels. 

It was the American astronomer Lowell who changed the translation. It was Lowell who, after studying and drawing them, set afire first his own imagination and then the imagination of the public by claiming they were canals, definitely artificial. Proof positive that Mars was inhabited. 

True, few other astronomers went along with Lowell; some denied the very existence of the markings or claimed they were only optical illusions, some explained them as natural markings, not canals at all. 

But by and large the public, which always tends to accentuate the positive, eliminated the negative and sided with Lowell. Latching onto the affirmative, they demanded and got millions of words of speculation, popular-science and Sunday-supplement style, about the Martians.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 4, 1905 — Frank Utpatel. Artist who did some interior illustrations for Weird Tales, he’s remembered for his Arkham House book covers that began with Lovecraft’s The Shadow over Innsmouth novel in 1936. He would do covers for Ashton, Howard, Derleth, and Lovecraft. One of my favorite covers by him is for Derleth’s The Casebook of Solar Pons but then I like all of his Solar Pons covers and their obviously Holmesian riff. (Died 1980.)
  • Born March 4, 1914 — Ward Kimball. He was part of Walt Disney’s original team of animators, known as the Nine Old Men. Keep in mind that he did not create characters but animated them, which he did to great ability — Jiminy Cricket, the Mad Hatter, Mickey Mouse, and Tweedledee and Tweedledum. He eventually became an animation director at Disney starting with Fantasia, and he worked on Mary Poppins. (Died 2002.)
  • Born March 4, 1923 — Patrick Moore. He held the record as the presenter of the world’s longest-running television series with the same original presenter, BBC’s The Sky at Night.  He was a genre writer with six such novels to his name, one co-written, and a lot of related non-fiction, one that garnered him a Hugo nomination at Interaction, Futures: 50 Years in Space: The Challenge of the Stars, that was co-written with David A. Hardy. (Died 2012.)
  • Born March 4, 1965 — Paul W. S. Anderson, 58. If there be modern pulp films, he’s the director of them. He’s responsible for the Resident Evil franchise plus Event Horizon, Alien V. Predator, Pandorum and even Monster Hunter. 
  • Born March 4, 1966 — Paul Malmont, 57. Author of the comic strips, The Chinatown Death Cloud Peril and Jack London in Paradise which blends pulp tropes and SF elements including using as protagonists Heinlein and Asimov. He wrote the first four issues of DC Comics’ Doc Savage series with artist Howard Porter.
  • Born March 4, 1973 — Len Wiseman, 50. Producer or Director of the Underworld franchise. Director of the Total Recall remake. Also involved in Stargate, Independence Day, Men in Black and Godzilla in the Property Department end of things. He is the Sleepy Hollow series creator and producer for much of it, wrote the pilot as well. (Is it worth watching? I’ve not seen any of it.) Producer for much of the Lucifer series as well and is the producer for the entire series of the rebooted Swamp Thing. Also produced The Gifted. 

(10) FORTHCOMING SFF ON THE BRITISH STAGE. Two live sff stage productions will open in England later this year.

The Lord of the Rings musical will be revived in an “epic and intimate immersive” production this summer. 

The show, which was first seen in Toronto in 2006 ahead of a West End premiere the subsequent year, is based on the classic trilogy by J R R Tolkien about a group of Hobbits who attempt to destroy a piece of malevolent jewelry.  The series of novels was adapted into three record-breaking films in the early 21st century. 

The stage show has book and lyrics by Shaun McKenna and Matthew Warchus and music by A R Rahman (Bombay Dreams, Slumdog Millionaire), Finnish folk band Värttinä and Tony Award winner and Grammy-nominated Christopher Nightingale (Matilda the Musical). 

In an original production, designed by Simon Kenny, at the Watermill Theatre in Newbury, audiences will follow the story across the venue’s auditorium and garden spaces. The revival will feature an ensemble cast and large-scale puppets, with full company and creative team to be revealed…. 

A stage adaptation of seminal series Stranger Things will officially open in the West End this autumn.

Previously teased by the series’ producer Netflix last year, the new stage production is to be directed by Stephen Daldry (Billy Elliot, The Inheritance) with co-direction by Justin Martin (Prima Facie)….

“You will meet endearing new characters, as well as very familiar ones, on a journey into the past that sets the groundwork for the future of Stranger Things. We’re dying to tell you more about the story but won’t – it’s more fun to discover it for yourself. Can’t wait to see you nerds in London!”

(11) OOPS. [Item by Mike Kennedy.] A new “temporary museum —the Misalignment Museum—has opened in San Francisco. It’s essentially a work of dystoptic science fiction itself, set in a future where AI started to wipe out humanity, but then thought better of it before completing the job. (Especially the bottom floor.) “Welcome to the Museum of the Future AI Apocalypse” in WIRED.

… “It’s weird, because it’s such a terrifying topic, but it makes me happy people are interested,” Kim says from a coffee shop across the street. As we talk, we watch passersby peer into the gallery space—fittingly located eight blocks from the offices of OpenAI—that has a prominent “Sorry for killing most of humanity” sign along one wall.

The project started five months ago, shortly before ChatGPT sparked expectation in the tech industry and beyond that we are on the cusp of a wave of AI disruption and somehow closer to the nebulous concept of artificial general intelligence, or AGI. There’s no consensus about the definition of AGI, but the museum calls it the ability to understand or learn any intellectual task that a human can….

[Thanks to Andrew Porter, SF Concatenation’s Jonathan Cowie, Michael Toman, David Goldfarb, Cat Eldridge, Mike Kennedy, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 2/9/23 Fifty Ways To Scroll Your Pixels

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(1) WEBSITE SECURITY. “Safety Dispatch: How to Secure Your Author Website” from the SFWA Safety Committee. Sections on choosing a hosting service, domain registration, and the like, are followed with some wisdom about choosing content.  

Carefully Choose What to Share

Your author bio doesn’t have to list family members, your hometown, or any other identity markers you aren’t comfortable sharing. You’re not obligated to mention your birthday, your employer, or your involvement with other organizations, through which somebody might find details about your identity and location that you don’t wish to share. Some authors are transparent about all of these things, and some aren’t. There isn’t a single right answer to sharing information about your life online. But if you think about the boundaries you would like to set in advance, you’ll find it easier to avoid posting information that you can’t take back.

Photographs can also be sources of more information than you intend. Pay attention to what’s in the background of any photos you post on your website or on social media, such as exterior shots of your home or distinctive landmarks through your windows. Turn off geolocation metadata when you take photos or make sure you know how to remove it before posting images online. 

(2) TRADPUB PAY HIKES. Two publishers recently raised their starting salaries, perhaps hoping to forestall the labor action current facing HarperCollins – Publishers Weekly reports “HBG Raises Starting Salaries to $47,500” and “Macmillan Raises Starting Salaries to $47,500”. It’s hard not to notice the figures are identical – collusion, anyone?

(3) SOONERCON. Oklahoma pop-culture event Soonercon announced a new graphic design and branding yesterday, along with a new mascot.

We are excited today to reveal an all new look and feel for Soonercon! We’ve been working closely these past few months with our Diamond Sponsor Robot House to rebrand Soonercon for the modern era. We started this journey with the Soonercon story and two words came forward: community and hope. Armed with that (and whole heck of a lot more words about our special convention), Robot House designed these new logos for us, a friendly and forward color scheme, and fonts to take us into the future.

Even more exciting, say hello to Ripley Raccoon, Soonercon’s new mascot! Ripley is curious, always learning, loves art and reading, and has a whole lot of hobbies – just like our members.

In the Soonercon Cosplay Facebook group the change received a mixed greeting. Some liked it. Some criticized it for resembling sites aimed at kids, others for lacking any sci-fi identity.

(4) EATING THE FANTASTIC. Scott Edelman invites listeners to collaborate over breakfast with Brian Keene and Mary SanGiovanni in Episode 191 of his Eating the Fantastic podcast.

Mary SanGiovanni and Brian Keene

Anyone who’s listened to more than a few episodes of Eating the Fantastic already knows — collaboration confuses me. Tell me two writers have managed to work together on the same project without blood on the floor and a lifelong feud and I’m baffled. So when I learned previous guests of the show Brian Keene and Mary SanGiovanni had collaborated on the short story collection Things Left Behind, released last year by Thunderstorm Books, I knew we’d have to chat about it.

We met for breakfast at Martinsburg, West Virginia’s Blue White Grill, which has been serving diner food since the ’50s.

Brian’s published more than 40 novels, including the best-selling The Rising, and he’s the winner of the 2014 World Horror Grand Master Award, while Mary is the author of The Hollower trilogy, the first volume of which was nominated for a Bram Stoker Award. There’s a whole lot more to know about each of them, as you’ll learn if you listen to those two earlier episodes.

We discussed how being intimidated by each other helps their collaborative process, their different tolerances for writing gore (and how that’s changed over time), the romantic reason (up until this episode known to only one of them) their collaborative short story collection came about, which of them once wrote 45,000 words in a day, how they came to agree on a joint dedication, who gives each story its final polish (and who get the final say on sending it to market), how Brian attempted to bleed all over Mary’s upcoming Alien novel, the way they approach their own deaths, their honeymoon book tour hitting every state but Alaska and Hawaii, their upcoming collaborative novel, and much more.

(5) MIDDLE-EARTH LEGO SET. “The 6,167-Piece Rivendell Is the One Lego Lord of the Rings Set to Rule Them All” – Gizmodo takes readers on a tour. (See even more on the Lego website.)

…Although Lego’s Rivendell even includes the place where Aragon and Boromir first meet next to the shrine featuring the shards of Narsil, it appears as if the minifigure version of Boromir has yet to cut his finger on the still-sharp sword. But that’s nothing a red Sharpie can’t fix.

As peaceful as Rivendell appears, the elves are still well regarded for their weapons, and not only does this set come with a well-stocked armory, but also a glowing forge for creating Lhangs and other stabby tools for making short work of orcs and goblins.

There’s nothing worse than working your way through a textbook-sized Lego instruction manual only to come across a step that has to be repeated countless times that dramatically slows down your build progress. That is undoubtedly the case with the tiled roof atop Rivendell—each 1×1 Lego tile will have to be attached and aligned individually—but the results look like they’re definitely worth the effort.

Although Lego did release a mountain (of doom) of images of its new LOTR Rivendell set, there still appear to be lots of details not highlighted yet. So if you’re still on the fence over whether you want to make room to add this sizeable set to your collection, you can take a quick tour of its entire layout using this 360-degree animation….

(6) SOMETIMES THEY’RE RIGHT. [Item by David Goldfarb.] On last night’s episode of Jeopardy! in the Double Jeopardy round, “That’s Dedication”, $1200:

Douglas Adams dedicated this title guy’s “Holistic Detective Agency”,

“To my mother, who liked the bit about the horse”

Returning champion Matthew Marcus correctly responded, “Who is Dirk Gently?”

“Comedy Time”, $800:

1960s: General Buck Turgidson wants to explore the nuclear option

Dan Wohl responded, “What is Doctor Strangelove?”

(7) TCHAIKOVSKY Q&A. Moid Moidelhoff conducts “An Interview with Adrian Tchaikovsky – Children Of Memory and Beyond” at Media Death Cult.

(8) OMNIVOROUS READER. A New York Times interview: “Jojo Moyes’s Grandmother Knew a Bookworm When She Saw One”.

Do you distinguish between “commercial” and “literary” fiction? Where’s that line, for you?

Not in terms of my appetite for reading — I read everything from thrillers to literary fiction to comic books. And I’m enjoying the fact that the line appears to have become increasingly blurred between them. If someone I trust tells me something’s good, I’ll give it a go.

What kind of reader were you as a child? Which childhood books and authors stick with you most?

I was an only child and a voracious reader. My grandmother called me a bookworm, and it wasn’t a compliment, as my weekly visits to her were usually spent with my nose buried between the pages. The books that have stayed with me are “The Black Stallion,” by Walter Farley, and “The Secret Garden,” by Frances Hodgson Burnett, and, as a teenager, the books of F. Scott Fitzgerald. I was also a compulsive reader of horror — I could not read horror now if you paid me.

(9) LEE MODER OBITUARY. Comics artist Lee Moder died around January 15 says Deadline.

Comic book artist Lee Moder, who co-created the Courtney Whitmore version of Stargirl with Geoff Johns in 1999, has passed away, according to ComicBook.com and statements from his peers. The web site cited a family friend, who indicated that Moder died quietly at home sometime on or before January 15th. No cause of his death was given. Moder was 53.

(10) MEMORY LANE.

1982 — Paul Weimer offers us his thoughts on Robert Heinlein’s Friday. 

Heinlein’s Friday is, in my mind, unquestionably the strongest of the late Heinleins. It starts with a strong and indelible paragraph that introduces and defines the character. The world of the novel, a sequel to the story “Gulf” is also a refutation of that story’s thesis, and shows the evolved thinking Heinlein had about that earlier story’s assumptions. The balkanized America of the novel is a chaotic and interesting place, from its vividly imagined Democracy run amok California to the mighty and autocratic Chicago Imperium. 

Its ideas on corporations, artificial personhood, and more are thought provoking. Friday is far and away the most successful of the late Heinlein novels in what it tries to do, and remains the most readable by a large margin. 

And now the Beginning of that novel… 

As I left the Kenya Beanstalk capsule he was right on my heels. He followed me through the door leading to Customs, Health, and Immigration. As the door contracted behind him I killed him.

I have never liked riding the Beanstalk. My distaste was full-blown even before the disaster to the Quito Skyhook. A cable that goes up into the sky with nothing to hold it up smells too much of magic. But the only other way to reach Ell-Five takes too long and costs too much; my orders and expense account did not cover it.

So I had been edgy even before I left the shuttle from Ell-Five at Stationary Station to board the Beanstalk capsule…but, damn it, being edgy isn’t reason to kill a man. I had intended only to put him out for a few hours.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 9, 1863 — Anthony Hope. He is remembered predominantly for only two books: The Prisoner of Zenda and its sequel Rupert of Hentzau. Well so says online sources but I never heard of the latter novel. Any of you heard of it? The Prisoner of Zenda was filmed in 1936 with the legendary Ronald Coleman in the lead and Douglas Fairbanks Jr. as Rupert. (Died 1933.)
  • Born February 9, 1877 — George Allan England. His short story, “The Thing from—’Outside’”, which had originally appeared in Gernsback’s Science and Invention, was reprinted in the first issue of the first SF magazine, Amazing Stories, in April 1926. Unfortunately, his later Darkness and Dawn trilogy is badly marred by overt racism as later critics note. (Died 1936.)
  • Born February 9, 1928 — Frank Frazetta. Artist whose illustrations showed up damn near everywhere from LP covers to book covers and posters. Among the covers were Tarzan and the Lost Empire, Conan the Adventurer (L. Sprague de Camp stories in that setting) and Tarzan at the Earth’s Core. He did over-muscled barbarians very well! In the early 1980s, Frazetta worked with Bakshi on the feature Fire and Ice. He provided the poster for it as he did for Mad Monster Party and The Fearless Vampire Killers, or Pardon Me, But Your Teeth Are in My Neck, two other genre films. He was inducted into both Will Eisner Comic Book Hall of Fame and the Jack Kirby Hall of Fame. (Died 2010.)
  • Born February 9, 1935 — R. L. Fanthorpe, 88. He was a pulp writer for UK publisher Badger Books during the 1950s and 1960s during which he wrote under some sixty pen names. I think he wrote several hundred genre novels during that time but no two sources agree on just how many he wrote. Interestingly nothing is available by him digitally currently though his hard copy offerings would fill a wing of a small rural library. He’d be perfect for the usual suspects I’d say.
  • Born February 9, 1946 — Clive Walter Swift. His first genre appearance was as Snug in that version of A Midsummer Night’s Dream (1968). Several years thereafter he was Dr. Black in “A Warning to the Curious” (based on a ghost story by British writer M. R. James).Then he’s Ector, whoever that character is, in Excalibur. He shows up next in the Sixth Doctor story, “The Revelation of a The Daleks” as Professor Jobel. (Died 2019.)
  • Born February 9, 1951 — Justin Gustainis, 72. Author of two series so far, one being the Occult Crimes Unit Investigations series which he’s written three superb novels in so far, and the other being the Quincey Morris Supernatural Investigations series which has seven novels and which I’ve not read yet. Who’s read the latter series? 
  • Born February 9, 1953 — Ciaran Hinds, 70. I can’t picture him but he’s listed as being King Lot in Excalibur, that being his credited his genre role. He next shows up in Mary Reilly, a riff off the Hyde theme, as Sir Danvers Care. I’ve next got him in Jason and the Argonauts as King Aeson followed by being in Lara Croft: Tomb Raider – The Cradle of Life as Jonathan Reiss. (Yes I like those films.) before being replaced in the next film, he played Aberforth Dumbledore in Harry Potter and the Deathly Hallows – Part 2. Two final roles worth noting. he played The Devil in Ghost Rider: Spirit of Vengeance and Steppenwolf In Justice League.
  • Born February 9, 1956 — Timothy Truman, 67. Writer and artist best known in my opinion for his work on Grimjack with John Ostrander, along with Scout, and the reinvention of Jonah Hex with Joe R. Lansdale. His work with Ostrander is simply stellar and is collected in Grimjack Omnibus, Volumes 1 and 2.  For the Hex work, I’d say get Jonah Hex: Shadows West which collects their work together. He did do a lot of other work and I’m sure you’ll point out what I’ve overlooked.

(12) COMICS SECTION.

  • Heart of the City is about a family’s plans to go to a con. 
  • Bizarro’s Star Wars-themed joke today proves again why this comic bears the name it has.  

(13) EKPEKI Q&A. The Horror Writers Association Blog continues their Black History Month theme with “Black Heritage in Horror: Interview with Oghenechovwe Donald Ekpeki”.

What was it about the horror genre that drew you to it?

It’s familiarity. The way that it approached all these very real issues we experienced and lived everyday in ways that were innocent and enticing enough to consume when we shied away from the stark reality of it.

Do you make a conscious effort to include African diaspora characters and themes in your writing and if so, what do you want to portray?

Yes. It’s a conscious, deliberate decolonization process for me. A reclamation of my identity and these pieces of myself, culture, identity that were eroded with slavery and colonialism….

(14) LET THE WOOKIEE WIN. “Chewbacca: Peter Mayhew’s Wife Slams Auction for Star Wars Sale” reports Variety. Things the Mayhews abandoned in an attic when they moved were scheduled to go under the hammer.

Angie Mayhew, the wife of the late “Star Wars” actor Peter Mayhew, is speaking out against an upcoming auction in which Peter’s “Star Wars” memorabilia will be sold. Ryedale Auctioneers is selling “Star Wars” scripts, call-sheets and more that were discovered in Peter Mayhew’s attic after his death. Peter starred as Chewbacca in George Lucas’ original “Star Wars” trilogy. Angie took to Twitter to say the auction “really breaks [her] heart.”

“When we moved out of this house, Peter’s movement challenges made it impossible for him to get into the attic to get the rest of these memories,” Angie wrote. “It really breaks my heart to see our belongings auctioned off like this by [auction house founder] Angus Ashworth and Ryedale Auctioneers.”

“It was one of Peter’s and my biggest regrets that we had to leave these items behind,” Angie added. “His knees and joints had gotten to be so painful that he was no longer able to go into the attic to get them.”

Several hours after posting, Angie updated fans using the Peter Mayhew Foundation account and said that she had a Zoom meeting with the auction house.

“I communicated our desire that Peter’s items be returned to the Mayhew family,” Angie wrote. “Will keep everyone posted as progress is made – thank you for the continued support!”…

(15) INFLATION RATE. Not that you ever doubted it: “Chinese Balloon Had Tools to Collect Communications Signals, U.S. Says” in the New York Times.

The Chinese spy balloon shot down by the U.S. military over the Atlantic Ocean was capable of collecting communications signals and was part of a fleet of surveillance balloons directed by the Chinese military that had flown over more than 40 countries across five continents, the State Department said Thursday.

The United States used high resolution imagery from U-2 flybys to determine the balloon’s capabilities, the department said in a written announcement, adding that the balloon’s equipment “was clearly for intelligence surveillance and inconsistent with the equipment onboard weather balloons.”

The agency said the balloon had multiple antennas in an array that was “likely capable of collecting and geo-locating communications.” Solar panels on the machine were large enough to produce power to operate “multiple active intelligence collection sensors,” the department said.

The agency also said the U.S. government was “confident” that the company that made the balloon had direct commercial ties with the People’s Liberation Army, the Chinese military, citing an official procurement portal for the army. The department did not name the company….

(16) SQUINTING IN SPACE. Nature reports the first space-based discovery of an exoplanet using microlensing. Primary research paper here.

K2-2016-BLG-0005Lb is the first bound micro-lensing exoplanet discovered from space-based data. 

The system lies at a distance of 5.2 ± 0.2 kpc (17,000 light years if my maths is right?) from Earth towards the Galactic bulge, more than twice the distance of the previous most distant planet found by Kepler. The sky-projected separation of the planet from its host is found to be 4.2 ± 0.3 au (1 au being the distance between the Earth and the Sun).

According to current planet formation models, this system is very close to the host mass threshold below which Jupiters are not expected to form…

(17) 00P$. “Google AI chatbot Bard sends shares plummeting after it gives wrong answer” reports the Guardian. “Chatbot Bard incorrectly said James Webb Space Telescope was first to take pictures of planet outside Earth’s solar system.”

Google’s response to ChatGPT has got off to an embarrassing start after its new artificial intelligence-powered chatbot gave a wrong answer in a promotional video, as investors wiped more than $100bn (£82bn) off the value of the search engine’s parent company, Alphabet.

The sell-off on Wednesday came amid investor fears that Microsoft, which is deploying an ChatGPT-powered version of its Bing search engine, will damage Google’s business. Alphabet stock slid by 9% during regular trading in the US but was flat after hours.

Experts pointed out that promotional material for Bard, Google’s competitor to Microsoft-backed ChatGPT, contained an error in the response by the chatbot to: “What new discoveries from the James Webb space telescope (JWST) can I tell my nine-year old about?”…

(18) APPARENT VIOLATION OF THE ROCHE LIMIT. Of course you know what that is. Errr…. “Astronomers Discover Unexpected Ring around Distant Dwarf Planet” at Sky & Telescope.

The distant dwarf planet 500000 Quaoar appears to have a ring that spans far beyond where it ought to be stable. “That is not where it was supposed to be,” says Bruno Morgado (Federal University of Rio de Janeiro, Brazil), lead author of a team of 59 astronomers who report the discovery in Nature. 

French astronomer Edouard Roche defined the concept of the Roche limit in 1848, calculating where a planet’s tidal forces would exceed the gravitational force holding a moon together. Inside that region, the stronger gravitational force of the planet overpowers the moon’s gravity and that tidal pull eventually tears the moon apart. Only outside that limit can small objects, dust, and debris coalesce under their own gravity to form a moon. With the ring’s discovery, the Roche limit may need a rethink….

How much trouble can they get into for violating the Roche Limit? John A Arkansawyer guesses, “They might get thrown out of the Astronomical Union?”

(19) DID THE EARTH MOVE FOR YOU? Matt O’Dowd of PBS Space Time displays multiple different ways of looking at the same question in “How Earth REALLY Moves Through the Galaxy”.

[Thanks to Mike Kennedy, John King Tarpinian, Chris Barkley, Cliff, David Goldfarb, Steven French, Scott Edelman, SF Concatenation’s Jonathan Cowie, John A Arkansawyer, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day by Daniel Dern.]