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Pixel Scroll 12/20/21 The RingWorld Must Roll, Please Turn On Your Scrith-Magnetic Footware

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(1) HUGO AWARDS ACCEPTANCE SPEECHES. There’s been a demand for copies of some of the speeches by Hugo winners at the DisCon III ceremony. Here are links to three now online:

Martha Wells, who won twice, posted the text of her Best Series acceptance speech at “Hugo Awards”. (Only one speech — as she says, “I didn’t expect to win twice.”)

… I’ve been in this field since my first novel was published in 1993, and it has not always been good to me. At first I was too young and later I was too old. I was from the wrong place, I had the wrong accent, I wasn’t friends with the right people. And I know the amount of shit I’ve experienced is a small fraction compared to what writers of color, and other marginalized writers, have experienced and continue to experience in this field.

There are people who don’t want you to write. They especially don’t want you to write and be published. They want all stories to be told by people who are just like them. They have many different ways of letting you know that, and they all add up, and sometimes the weight of it is crushing….

Diana M. Pho, who won Best Editor: Long Form, has both text and video here: “My 2021 Hugo Award Speech”.

It was so unspeakably painful to live the last 18 months knowing — sharply — your breath, the very words out of your mouth, can kill.

Strangers. Loved ones. The vulnerable.

It makes you so afraid to speak. It makes you second-guess your choices. It makes even now being vaxxed, tested, boostered, all that, is not enough. Perhaps I am not enough. But I have done… I have now nothing except my words by which to make this known. It is so hard to feel the pressure and the honor to have the Hugo Award tonight….

Joe Sherry, part of the team that creates Best Fanzine winner Nerds of a Feather, has posted his speech here, with added remarks by the other editors Adri, The G and Vance.

… I’d like to thank and acknowledge the various writers at Nerds of a Feather, both past and present. Our names are on the trophy, but it is your writing day in and day out that makes this possible. You’ve been the best team of writers we could have ever asked to have and you’ve carried us along. You earned this. Thank you…

(2) WELLS-KNOWN. The Guardian’s David Barnett reports on the streak: “Martha Wells continues run of female Hugo award winners”.

… This is the sixth year that a woman has taken the best novel award, with Wells following Arkady Martine last year, Mary Robinette Kowal in 2019, and – for the previous three years – NK Jemisin….

(3) REFLECTIONS. L.D. Lewis, art director for Best Semiprozine Hugo finalist FIYAH Literary Magazine, described incidents of racism she experienced at DisCon III, her first Worldcon. Thread includes five tweets with examples. Starts here.

Lewis is also publisher at Fireside Fiction, founding Director of FIYAHCON, chair of the 2021 Nebula Conference, and Awards Manager for the Lambda Literary Foundation.

(4) MORE REFLECTIONS. It was also the first Worldcon for Clint Schnekloth, pastor of a Lutheran church in Arkansas, and founder of a refugee resettlement agency, who wrote up his experiences at DisCon III in “Pastoral Reflections On The World Science Fiction Convention (#WorldCon2021)” at Patheos, a wide-spectrum site about religions.

…One of the more remarkable aspects of the Con is the way the attendees steward the story of the conventions as a form of in-group identity. Quite often they say, “I found my people.” Or, “Let me tell you the history of what the many Cons were like and where they took place.” This typically comes up in any conversation long before any personal introductions like “where are you from” or “what do you do.”

As we talked, Wesley Chu walked up and joined our conversation. He was both interested in lunch tips, and because I had just attended his kaffeeklatsch he now quasi-knew me (Chu is a New York Times bestselling author with multiple books now optioned for television). This is another part of these Cons. Authors are still also just fans and people. There’s no special treatment.

Chu was heading off soon to go see the new Spiderman film, but in the meantime Juliette Wade walked up and introduced herself. This was a novelist new to me who now intrigues me, as I think she writes at the intersection of disability justice and sci-fi. Joining her was Kate JohnsTon, who among other things is a sensitivity editor. Turns out Kate is also new friends with a neighbor of GSLC here in Fayetteville, who just set up a coffee with me next week. So that’s weird small world.

This morning I got up and the first thing I did was playtest a new RPG with a novelist who is turning his stories into a game. We took about 30 minutes to create characters, then immediately set our characters out on a rescue/capture adventure on another planet. Leaning in to a bit of gaming with the hum of the convention in the background was just about perfect.

Now this afternoon I went to a session on Queering Necromancy. This panel discussion was packed to the gills. It’s hard to summarize everything said by the panel, but one thing stood out. A panelist said, “In a way, coming out is necromancy.” It’s both a kind of coming back to life after death, a raising of oneself, but it also means in some instances dying to others in order to live….

(5) LAKE WOE-IS-ME. The series’ holiday entry is coming this week. Meanwhile, use this newly-created page to catch up with all the installments of Melanie Stormm’s humorous series about the misdirected emails she gets from Writer X: “Emails From Lake Woe-Is-Me: Links To Every Installment”.

(6) MEDIA BIRTHDAY.

1970 — [Item by Cat Eldridge.] Fifty-one years ago on this evening, “The Great Santa Claus Switch” aired on CBS  as part of The Ed Sullivan Show. It was directed by John Moffitt (who has one genre cred, directing The Werewolf of Woodstock film) as written by Jerry Juhl. The puppets here were designed by Don Sahlin who done some of the puppets on Kukla, Fran and Ollie. (Yes, I remember that show fondly.) The human here was Art Carney with the Muppet players this time being Jim Henson, Fran Brill, Richard Hunt, John Lovelady, Jerry Nelson, Frank Oz and Danny Seagren.

The special, narrated by Ed Sullivan narrated in a chair surrounded by children on the floor by a fireplace, begins at the North Pole with Santa Claus and his Christmas Elves getting ready for another Christmas. However, Cosmo Scam played by Art Carney has hatched a plan to kidnap Santa and take his place. As part of the plan, Cosmo plans to abduct Santa’s Christmas Elves one by one and replace them with his evil henchmen.  It’s the Muppets first television special being done after four years of guest spots on the show. 

It hasn’t been released on DVD as the rights are held by the assignees of the Ed Sullivan Show, but you can watch it here.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 20, 1838 — Edwin Abbott Abbott. Author of the Flatland: A Romance of Many Dimensions, an 1884 novella that has come to be adopted as SF even though it’s really mathematical fiction. Go ahead, argue with me. (Died 1926.)
  • Born December 20, 1943 — Jacqueline Pearce. She’s best known as the villain Servalan on Blake’s 7. She appeared in “The Two Doctors”, a Second and Sixth Doctor story  as Chessene, and she’d voice Admiral Mettna in “Death Comes to Time”, a Seventh Doctor story. I’d be remiss not to note her one-offs in Danger Man, The Avengers, The Chronicles of Young Indiana Jones and The Rivals of Sherlock Holmes. (Died 2018.)
  • Born December 20, 1952 — Jenny Agutter, 69. Her first SF role was Jessica 6, the female lead in Logan’s Run. Later genre roles include Nurse Alex Price In An American Werewolf in London (fantastic film), Carolyn Page in Dark Tower which is not a Stephen King based film, an uncredited cameo as a burn doctor in one of my all time fave films which is Darkman and finally she was Councilwoman Hawley in The Avengers and The Winter Soldier. 
  • Born December 20, 1952 — Kate Atkinson, 69. A strong case can be made that her Jackson Brodie detective novels are at least genre adjacent with their level of Universe assisting metanarrative. (Her Jason Isaacs fronted series is also superb.) The Life After Life douology is definitely SF and pretty good reading too. She’s well stocked on all of the usual suspects. 
  • Born December 20, 1960 — Nalo Hopkinson, 61. First novel I ever read by her was Brown Girl in The Ring, a truly amazing novel. Like most of her work, it draws on Afro-Caribbean history and language, and its intertwined traditions of oral and written storytelling. I’d also single out Mojo: Conjure Stories and Falling in Love With Hominids collections as they are both wonderful and challenging reading. Worth seeking out is her edited Whispers from the Cotton Tree Root: Caribbean Fabulist Fiction. Midnight Robber earned her only Hugo nomination at The Millennium Philcon. 
  • Born December 20,1970 — Nicole de Boer, 51. Best remembered for playing the trill Ezri Dax on the final season of Deep Space Nine, and as Sarah Bannerman on The Dead Zone. She’s done a number of genre films including Deepwater Black, Cube, Iron Invader, and Metal Tornado, and has one-offs in Beyond Reality, Forever Knight, TekWar, Outer Limits, Poltergeist: The Legacy, Psi Factor and Stargate Atlantis. Did I mention she’s Canadian?
  • Born December 20, 1984 — Ilean Almaguer, 37. Here for her role as Illa on the most excellent Counterpart series. If you’ve not seen it, I highly recommend it. 

(8) DIVE IN. Miyuki Jane Pinckard helps promote the Mermaids Monthly Kickstarter campaign in a guest post at Sarah Gailey’s Stone Soup: “Thalassophobia”. The Kickstarter has nine days to run.

The thing is, I’m afraid of the ocean.

…I can’t quite pinpoint exactly when my feelings about the ocean and mermaids shifted. What I do know for a fact is that back in December 2019, amid a bleak world (with no idea how much bleaker it was going to get in just a couple of months), I backed a Kickstarter that promised mermaid fiction, poems, art, and comics, once a month. I didn’t especially care for mermaids then, but I really admired the work that Julia Rios and Meg Frank had done elsewhere, and I like to support independent publishing.

Every month, the issues landed in my inbox. They were, first of all, incredibly beautiful to look at, from their stunning covers to the layouts, the font choices, the interior art. And the stories! They featured a wildly diverse range of mer-creatures from righteously vengeful sea witches to joyful selkies to sirenas to human girls longing to become mermaids to climate activist rebels. Mischievous rusalki and wild trapped mermaids. Stories that engaged with disability and toxic relationships and the meaning of home.

I began to realize that, actually, mermaids did mean a lot to me. And so did oceans….

(9) IT HAPPENED ONE VERY STARRY NIGHT. Polygon’s headline “George Lucas threatened Spaceballs’ Mel Brooks over Star Wars parody merch” doesn’t seem a fair representation of what’s said in the body of the article. However, there’s much more about Spaceballs than the issue with Lucas.

…Why? As Brooks explains in All About Me!, even a parody of sci-fi starts with finding the right story. Rather than looking to Star Wars, Alien, 2001 or any of the other famous science fiction plot, Brooks writes that Spaceballs was “inspired by Frank Capra’s 1934 classic It Happened One Night.”

“It is the story of a runaway heiress (Claudette Colbert) who escapes her marriage by fleeing on her wedding day from a very, very rich but very, very dull groom and then she subsequently falls in love with an attractive wise-guy commoner (Clark Gable). We took that same basic plot and shoved it into space!”…

(10) NO KIDDING? Atlas Obscura assures us “In Sweden, There Is No Christmas Without Donald Duck”. “In Sweden, the Christmas star has a yellow bill, a furious temper, and no pants.”

EVERY COUNTRY HAS ITS OWN festive holiday traditions. Austrian children fear Krampus, the half-goat, half-demon who beats naughty children with sticks. Catalonian nativity scenes feature a small defecating man. And in Sweden, about 40 percent of the country gathers round the squawk box on Christmas Eve—to watch Donald Duck.

Every year since 1959, at 3 p.m. on Christmas Eve, the 1958 special Kalle Anka och hans vänner önskar God Jul (Donald Duck and His Friends Wish You a Merry Christmas, in English) is screened on Sweden’s main public television channel, TV1. Known in English as From All of Us to All of You, this hour of Disney mayhem is hosted by Jiminy Cricket, who leads viewers through about a dozen “Christmas cards” that open to reveal shorts, film clips and other cartoons dating from the 1930s through the 1960s. For decades Sweden only had two channels, and this was the only time of year when people could watch Disney animation or American cartoons on television. And the tradition stuck. Swedes are so compelled by the cartoon that last year during the program, cell data usage fell 28 percent and calls to emergency services dropped 16 percent, reports the Local.

(11) ROAD HOG. “Sonic the Hedgehog will become playable via Tesla” reports Eurogamer. Legislators are already dealing with the first question that came to my mind.

Sega’s original Sonic the Hedgehog game will soon become playable via Tesla in-car screens.

Its the latest game to join the Tesla in-car games service, which is compatible with USB controllers. The move comes after a new partnership between the Elon Musk car company and Sega.

Of course, the comparisons between Tesla and Sonic make for an easy brand hookup. One can be wild, out of control, and controlled via computer – and the other… well, you get my drift.

Over the years, numerous games have become available to play via Tesla – including Cuphead, and The Witcher 3. With Cuphead, at least, you could only play while parked or charging – which is common sense.

Last month, the UK government finally announced plans to make playing games while driving illegal – at least while using a mobile phone.

(12) PLAY AGAIN? IGN points to the Homeworld 3 official trailer.

The legendary real-time strategy series is finally getting a new sequel. Check out the trailer for Homeworld 3, revealed at The Game Awards 2021

[Thanks to John King Tarpinian, Andrew Porter, Michael Toman, Steven French, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 12/6/21 A Pixel Is About The Most Massively Useful Thing An Interscroller Hitchfiler Can Have

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(1) SPECTRUM FANTASTIC ART QUARTERLY. Cathy and Arnie Fenner have finished the first volume: “Spectrum Fantastic Art Quarterly *Update*” at Muddy Colors. It will be released December 20. Meantime, Arnie explains they are still at work on changes to the Spectrum competition and annual:

Remember awhile back when I mentioned that Cathy and I were planning to do a quarterly Spectrum bookazine? Guess what: the first volume is done. And what do I mean by “bookazine?” Well, I guess it’s something of a marriage of design, editorial, and graphics in a format that reads like a magazine but sits happily with the books on your shelf. It’s not exactly a new concept: if you hop in the way-back machine and take a look at Herb Lubalin’s Avant Garde or at Ralph Ginzburg’s hardcover Eros (which was also designed by Lubalin) you’ll see just how neat the idea is.

So while we’ve been figuring out all the minutia that goes into reorganizing the Spectrum competition and annual (and, lemme tell you, there are some cool discussions going on…if we can only figure out the logistics) and preparing to open #28 for entries, we put our heads together with some friends and decided to create the Spectrum Fantastic Art Quarterly to stay engaged with the community while the competition/book gets rebuilt—and have some fun in the process. And “fun” is the key word here: as we mention in the introduction to Vol 1, it’s sort of a throw-back to my days publishing fanzines (or “semiprozines” or “boutique magazines” or whatever you want to call them), that are produced out of love with making a buck, though important, secondary. SFAQ is a 12?x12?, perfect-bound, full-color softcover; it’s about and for fantastic artists of all sensibilities—and that includes illustrators, gallery painters, sculptors, art directors, calligraphers, comics artists, and more—and for everyone interested in the people and history of our field. Is it perfect? Nope. Did we probably make some dumb mistakes or let some typos slip by us? Undoubtedly. But it was most certainly fun to put together and we’ve got all kinds of ideas for features and designs percolating in our noggins—all ideas that work better for a “bookazine” rather than a traditional magazine or book, if you know what I mean. If it works, it works; if it doesn’t, we’ll at least have had a good time trying.

Anyway, Spectrum Fantastic Art Quarterly Vol. 1 will be released (according to the printer) December 20th—yes, this year. Merry Christmas! If you’re interested, here’s where you can order your copy. It’ll probably still be a week or so before they have them listed, but…you heard it here first.

STUART NG BOOKS — https://stuartngbooks.com / https://www.facebook.com/stuart.ng.73

BUD PLANT’S ART BOOKS – https://www.budsartbooks.com / https://www.facebook.com/budsartbooks

(2) WINNIPEG IN 2023 WORLDCON BID QUESTIONNAIRE. Jannie Shea reports that Winnipeg in 2023’s response to the Smofcon questionnaire is posted at the bid’s website: “Fannish Question Time_Smofcon – Winnipeg 2023 Worldcon Bid”.

Several of the bid committee also practiced in an informal Q&A session on their YouTube channel earlier this year. The raw unedited session, held back in July, can be viewed here.

(3) FREE READ. Issue 4 of Whetstone: Amateur Magazine of Pulp Sword and Sorcery (which actually is a semiprozine according to Hugo rules) is out: Cora Buhlert says, “Good modern sword and sorcery fiction and it’s free, too.”

(4) TURNAROUND. Neon Hemlock Press launched a Kickstarter to fund the anthology Luminiscent Machinations: Queer Tales of Monumental Invention edited by Rhiannon Rasmussen and dave ring, “a speculative anthology exploring the limits of machinery, the fragility and power of queer bodies, and mecha in all their forms.” Social media controversy has arisen because one of the contributors to the anthology is Neon Yang, who criticized Isabel Fall’s “Helicopter Story” (originally titled “I Sexually Identify as an Attack Helicopter.”) Some defenders of Isabel Fall are condemning Yang’s promotion of their own queer mech story.

Emily VanDer Werff’s Vox article “How Twitter can ruin a life: Isabel Fall’s complicated story” published in summer 2021 refreshed memories about Neon Yang’s stance on Twitter 18 months earlier when “I Sexually Identify as an Attack Helicopter” first appeared:

“When the story was first published, we knew nothing about Isabel Fall’s identity, and there was a smattering of strange behavior around the comments and who was linking to it that led people to suspect right-wing trolls were involved in this,” says science fiction author Neon Yang. They were publicly critical of the story on Twitter…. 

Publisher Neon Hemlock has made this statement:

Meanwhile, Neon Yang’s Twitter account is labeled “temporarily restricted” with a message that says, “You’re seeing this warning because there has been some unusual activity from this account. Do you still want to view it?” although one can still click through the warning and access it.

Doris V. Sutherland’s post “On Neon Yang’s Toxic Reputation” reviews the original 2020 controversy in some detail, searching for an explanation why Yang is experiencing this backlash:

…Yet, despite the flimsiness of the accusation, Neon Yang retains a reputation as the person who did the most to bring down Isabel Fall. As far as I can tell, the misconception can be traced back to the aforementioned Vox article, in which Yang is the only person quoted as justifying the backlash against the story. Nowhere does the article state, or even imply, that Yang was the main aggressor; yet nonetheless, it seems to have established Yang as the face of the anti-Fall movement….

Those that live by the censor’s scissors are liable to end up being snipped at themselves. There is, perhaps, a degree of karma in a person who rolled along with the erasure of Isabel Fall’s story — simply because it made some of the readers uncomfortable — being placed in a position where their own presence in an anthology is deemed uncomfortable, to the extent where at least one collaborator has decided to pull out….

(5) ALL HAIL. AudioFile Magazine’s latest “Behind the Mic Podcast” interviews Ray Porter, who narrated the Project Hail Mary audiobook.

Narrator Ray Porter joins AudioFile’s Michele Cobb to tell listeners about his experience narrating PROJECT HAIL MARY, Andy Weir’s newest sci-fi bestseller. PROJECT HAIL MARY is one of AudioFile’s 2021 Best Science Fiction & Fantasy Audiobooks, and it’s a thrilling interstellar adventure. Ray gives Michele an inside glimpse into preparing the many voices deployed in this space opera and tells her what has stayed with him about bringing it to life. Read the full review of the audiobook at audiofilemagazine.com. Published by Audible, Inc. Curious listeners can take a peek into Ray’s recording studio in his narrator video on PROJECT HAIL MARY.

(6) OUT OF THE PAN AND INTO THE… Cora Buhlert’s review of the latest (in 1966) Space Patrol Orion episode is up at Galactic Journey: “[December 6, 1966] Welcome to the Space Prison: Space Patrol Orion, Episode 6: ‘The Space Trap’”

The episode starts with Commander Cliff Alister McLane (Dietmar Schönherr) receiving his latest orders from General Wamsler (Benno Sterzenbach). It’s yet another routine mission (and we all know how well those tend to go for the Orion 8): Collect space dust in order to investigate the panspermia theory, which causes Wamsler’s aide Spring-Brauner (Thomas Reiner) to drone on and on about the panspermia theory, i.e. the theory that life did not originate on Earth, but is distributed through the universe via spores hitching a ride with space dust, asteroids, meteorites, etc… The theory is the brainchild of Swedish scientist Svante Arrhenius, who also developed the theory of a global greenhouse caused by industrial carbon dioxide emissions, which played a role in the Orion episode “The Battle for the Sun”. One of the writers is apparently a fan….

(7) KGB SCHEDULE CHANGE. Fantastic Fiction at KGB reading series in New York has changed the lineup for their December 15 event.

This month, Mercurio D. Rivera will be reading with David Leo Rice. N.K. Jemisin will be reading for them in February.

David Leo Rice’s info was part of the original announcement. The brief bio for Mercurio D. Rivera follows.

Mercurio D. Rivera

Mercurio D. Rivera’s short fiction has been nominated for the World Fantasy Award and has won the annual readers’ award for Asimov’s and Interzone magazines, respectively. His work has also appeared in venues such as Analog, Lightspeed, io9, Nature, Black Static, and numerous anthologies and Year’s Best collections.

His new novel Wergen: The Alien Love War tells stories of unrequited love set against the backdrop of humanity’s complicated relationship with enigmatic aliens afflicted with a biochemical infatuation for humanity. His story “Beyond the Tattered Veil of Stars,” was recently podcast by Dust Studios, and features Gillian Jacobs (Community) and Justin Kirk (Weeds). 

The readings are Wednesday, December 15 starting at 7:00 p.m. Eastern in the KGB Bar. (Address at the link.)

(8) GHOSTS OF CHRISTMAS PRESENT. A month ago the Scroll linked to NPR’s coverage of the Maryland Renaissance Faire (item #16). Red Barn Productions and Kevin Patterson also run the “Great Dickens Christmas Fair” in the Bay Area of California, similar to a Ren Faire but with a theme of Christmas in Charles Dickens’s time.  They are getting pushback from attendees and participants for what is said to be failure to provide a safe space for marginalized people: “’Not a safe space’: Black cast members boycott Dickens Christmas Fair over failure to prevent racist, sexist behavior” in the San Francisco Chronicle.

… “I met some of my greatest friends at the Dickens Fair,” says Tooles, who went on to join the event’s volunteer cast, taking on bigger roles and more responsibility each year. 

Her history with the tight-knit fair community is what makes the past two years so heartbreaking for Tooles, who is one of a small number of Black cast members at the Great Dickens Christmas Fair. What started as a goodwill effort to help rectify what is seen as the event’s failure to protect its volunteers and guests from racist and sexist behavior has turned ugly. Now, more than 200 cast members and thousands of guests have pledged to boycott this year’s fair, which is set to return to the Cow Palace on Saturday, Dec. 4, in a scaled-down, drive-through experience for the next three weekends. 

“I want people to recognize what their values are and decide if the Dickens Fair aligns with them,” says Tooles, founder of an affinity group for the fair’s Black performers called Londoners of the African Diaspora, or LoAD…. 

There’s a related petition at Change.org, “End Racism and Injustice at The Great Dickens Christmas Fair”.

(9) MEDIA BIRTHDAY.

1979 — [Item by Cat Eldridge.] Forty-two years ago on this date, Star Trek: The Motion Picture had an exclusive premiere in Washington, D.C. It is directed by Robert Wise from the screenplay by Harold Livingston which in turn is based on the story by Alan Dean Foster and I’m surprised he didn’t novelize it. You know who was in the movie so I won’t detail the cast here. Reception was decidedly mixed though Roger Ebert called it “a good time”. The box office was exceedingly good as it made one hundred forty million against forty million in production costs. Audience reviewers at Rotten Tomatoes currently give it a so-so rating of just forty-two percent. It was nominated for a Hugo at Noreascon Two, the year that Alien was chosen as the Best Film. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 6, 1893 — Sylvia Townsend Warner. Do yourself a favor and look up a bio of her as she’s a fascinating person. This site is a good place to do that. Her first novel, Lolly Willowes or, The Loving Huntsman, is definitely genre. ISFDB lists four genre collections by her, but Kingdoms of Elfin and Lolly Willowes are available on the usual suspects. (Died 1973.)
  • Born December 6, 1911 — Ejler Jakobsson, Finnish-born Editor who worked on Astonishing Stories and Super Science Stories butbriefly as they were shut down due to paper shortages. When Super Science Stories was revived in 1949, Jakobsson was named editor until it ceased publication two years later. Twenty years later, he took over Galaxy and If, succeeding Frederik Pohl.  His first credited publications were The Octopus and The Scorpion in 1939, co-edited with his wife, Edith Jakobsson. (Died 1984.)
  • Born December 6, 1918 — William P. McGivern. Once in a while, I run across an author I’ve never heard of. So it is with McGivern. He was a prolific writer of SFF stories for twenty years starting from the early Forties. ISFDB only lists one genre novel by him, The Seeing, that he wrote with his wife Maureen McGivern. The digital has been good for him with the usual suspects having pretty much everything by him that he did except oddly enough the long out of print The Seeing. (Died 1982.)
  • Born December 6, 1923 — Wally Cox. Ok, who can resist the voice of the Underdog series which ran from 1964 to1967? I certainly can’t. He was in Babes in Toyland, The Twilight Zone, Mission: Impossible, Lost in Space, Get Smart, The Girl from U.N.C.L.E., Quarantined, Night Gallery and Once Upon a Mattress. (Died 1974.)
  • Born December 6, 1953 — Tom Hulce, 68. Oscar-nominated screen and stage actor and producer. His first genre role was in a highly-praised performance as the lead in the American Playhouse broadcast of The Rise and Rise of Daniel Rocket, about a young boy who discovers that he can fly. Although the bulk of his career has been in the theater, his most notable genre film role was as Henry Clerval in Kenneth Branagh’s Saturn-nominated Mary Shelley’s Frankenstein. He was nominated for an Annie Award for his voice performance of Quasimodo in Disney’s The Hunchback of Notre Dame, and appeared in the films Stranger than Fiction and Jumper.
  • Born December 6, 1957 — Arabella Weir, 64. A performer with two Who appearances, the first being as Billis in “The Doctor, the Widow and the Wardrobe”, a superb Eleventh Doctor story, before being The Doctor Herself in “Exile”, a Big Audio production. She’s had one-offs on genre and genre adjacent series such as Shades of Darkness, Genie in the House, Randall & Hopkirk (Deceased) and even a genre adjacent Midsomer Murders. 
  • Born December 6, 1962 — Colin Salmon, 59. Definitely best known for his role as Charles Robinson in the Bond films Tomorrow Never Dies, The World Is Not Enough and Die Another Day. He played Dr. Moon in “Silence in the Library” and “Forest of the Dead”, Tenth Doctor stories, and was Walter Steele on Arrow. He most recently played General Zod on Krypton He was, alas, Ben in that clunker of films, Mortal Engines.
  • Born December 6, 1969 — Torri Higginson, 52. I had forgotten that she had a role in the TekWar movies and series as Beth Kittridge. I like that series a lot. Of course, she portrayed Dr. Elizabeth Weir in one episode of Stargate SG-1 and the entire Stargate Atlantis series. Her most recent genre roles was as Dr. Michelle Kessler in Inhuman Condition, where she plays a therapist who focuses on supernatural patients, and Commander Delaney Truffault in the Dark Matter series. 

(11) FOOTS THE BILL. [Item by Olav Rokne.] Turns out Aziraphale might be a bit of an Angel in real life too … “Michael Sheen turns himself into a ‘not-for-profit’ actor” reports BBC News.

…Speaking to The Big Issue, Sheen described how he stepped in to bankroll the Homeless World Cup when funding for the £2m project fell through at the last moment.

“I had committed to helping to organise that and then suddenly, with not long to go, there was no money,” he said.

“I had to make a decision – I could walk away from it and it wouldn’t happen.

“I thought, I’m not going to let that happen. So, I put all my money into keeping it going.

“I had a house in America and a house here and I put those up and just did whatever it took.

“It was scary and incredibly stressful. I’ll be paying for it for a long time.

“But when I came out the other side, I realised I could do this kind of thing and, if I can keep earning money, it’s not going to ruin me.”

(12) GREYSKULL SESSION. [Item by Cora Buhlert.] On my own blog, I wrote a lengthy rumination of Masters of the Universe: Revelation, which does some really interesting things and was so much better than a sequel to a cartoon designed to sell toys has any right to be: “The Power of Greyskull – Some Reflections on Part 2 of Masters of the Universe: Revelation” This one will go on my Hugo ballot, which I for one did not expect at all.

 The second half of Masters of the Universe: Revelation, Kevin Smith’s continuation of the original cartoon from the 1980s, just became available and I opted to watch that over the new Hawkeye show (which I will watch eventually) and Star Trek Discovery (which is apparently available in Europe now, though I still haven’t figured out how), because I enjoyed the first half a lot more than I expected. Besides, part 1 ended on one hell of a cliffhanger, so of course I wanted to know how Teela, Andra, Duncan and the rest of gang are going to get out of that one….

(13) RECOMMENDED KICKSTARTERS. Cora Buhlert also sent links to a pair of Kickstarters worthy of attention: 

Changa and the Jade Obelisk 2, a sword and soul comic, is looking for funding: “Changa and the Jade Obelisk #2 by 133art Publishing”

 Changa #2 Cover by: Matteo Illuminati and Loris Ravina

Blazing Blade of Frankenstein 1, a comic featuring Frankenstein’s monster as a wandering sword and sorcery hero, is also looking for funding. I had never heard of these people before, but the concept is simply too cool to ignore: “Blazing Blade of Frankenstein #1 by FRIED Comics”.

(14) THE CLASS OF 2021. The New York Times is there when “NASA Introduces Class of 10 New Astronaut Candidates”. Their names: Nichole Ayers, Christopher Williams, Luke Delaney, Jessica Wittner, Anil Menon, Marcos Berríos, Jack Hathaway, Christina Birch, Deniz Burnham and Andre Douglas.

NASA on Monday inaugurated 10 new astronaut candidates who could walk on the moon within the next decade, or carry out research on the International Space Station.

The new astronaut candidate class is NASA’s 23rd since 1959, when seven astronauts were picked by the military for Project Mercury, the first American human spaceflight program. The latest astronaut candidate group comes as NASA prepares for its most daunting challenges in space since Americans landed on the moon during the Apollo program of the 1960s and ’70s. The agency’s growing focus is on Artemis, its program to return astronauts to the moon….

(15) BUT NOT ROCK CANDY. BBC News reports “Stonehenge builders had a sweet tooth, artefacts suggest”.

The builders of Stonehenge ate sweet treats including foraged fruit and nuts, English Heritage has revealed.

Previously it was thought they had consumed pork, beef and dairy.

But excavations of the Durrington Walls settlement, inhabited by the builders of the monument in about 2,500 BC, suggest they collected and cooked hazelnuts, sloes and crab apples too.

Researchers said evidence of charred plant remains suggest they might have followed recipes to preserve the food….

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Cora Buhlert, Meredith, Bill, Olav Rokne, Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn. Update: The excerpts of Doris V. Sutherland’s comments were added a couple hours after the Scroll was posted.]

Pixel Scroll 11/24/21 So Good They Scrolled It Twice!

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(1) THANKS FOR THE MEMORIES. Camestros Felapton’s Debarkle has reached its final chapter. The massive history of the Sad Puppies intertwined with right-wing political developments from 2014-2021 concludes with “Debarkle Afterword: Dramatis Personae” – very like the “where are they now?” credits at the end of based-on-a-true-story movies.

(2) ANGRY ROBOT BOOKS UNVEILS NEW LOGO. Angry Robot Books revealed their new logo, designed by Kate Cromwell, which comes as part of an overall rebranding including the launch of an upgraded website, enabling the direct sale of physical books.

AR Logo Icon

Formed in 2009, Angry Robot Books have undergone some key adjustments throughout the years but, since joining Watkins Media in 2014 and coming under the leadership of Associate Publisher Eleanor Teasdale in 2019, the award-winning science fiction, fantasy, and genre-boundary pushing company is thriving. This new logo represents the history of Angry Robot Books whilst simultaneously looking forward.

With initiatives such as Clonefiles – offering free ebooks to any independent bookshop physical purchase – Angry Robot Books have a cherished legacy of serving the book-buying public, and this new, upgraded website with physical sales capacity, deepens the direct connection between publisher and customer.

These developments come at an exciting time for Angry Robot Books as summer 2021’s runaway hit, The Coward by Stephen Aryan, is already in its third reprint and the October super-lead, Un-su Kim’s The Cabinet, continues to bask in reviews including selection for the Best Science Fiction of 2021 in The Washington Post. With 2022 books crossing geographical, figurative, mythological, and atmospheric borders, the future is bright for Angry Robot Books as highlighted in the recent survey of genre for 2022 at Library Journal which so prominently featured a range of the imprint’s titles and authors.

The new logo is part of the cover of R.W.W. Greene’s Mercury Rising, designed by David Leehy. The book will be released May 10, 2022.

Even in a technologically-advanced, Kennedy-Didn’t-Die alternate-history, Brooklyn Lamontagne is going nowhere fast. The year is 1975, thirty years after Robert Oppenheimer invented the Oppenheimer Nuclear Engine, twenty-five years after the first human walked on the moon, and eighteen years after Jet Carson and the Eagle Seven sacrificed their lives to stop the alien invaders.

Brooklyn just wants to keep his mother’s rent paid, earn a little scratch of his own, steer clear of the cops, and maybe get laid sometime in the near future. Simple pleasures, right? But a killer with a baseball bat and a mysterious box of 8-track tapes is about to make his life real complicated…

(3) LAST NIGHT ON RIVERDALE. [Item by Martin Morse Wooster.] Beware spoilers. Riverdale is going through a five-episode story arc when it is in the alternate universe “Rivervale.”  In this universe, Archie died as part of a pagan sacrifice.

“Rivervale” had a mention of Neil Gaiman.  Jughead in this universe is still a writer, but he discovers there is a secret apartment next to his apartment that is haunted.  Jughead and his girlfriend decide to turn the hidden apartment into a writing studio.  He says he wants the apartment to have “a Neil Gaiman nautical vibe,’” so he decides to decorate the window with ships in bottles. I dunno what Gaiman has to do with ships in bottles, and I’m sure Gaiman has nothing to do with Jughead’s making sure he chugs all the Scotch in the bottle before putting a ship in. The ghosts in the hidden apartment empower Jughead so he is able to “vomit out” the first draft of a novella in one night.  I’ll spare the details as to how Jughead’s typewriter gets as smashed as he does after downing a bottle of Scotch.

(4) ROONEY BOYCOTT OF AN ISRAELI PUBLISHER GAINS AUTHORS’ SUPPORT. China Miéville is one of the authors and publishing industry figures who have signed a letter endorsing Sally Rooney’s decision to turn down an offer with an Israel publishing house, describing it as “an exemplary response to the mounting injustices inflicted on Palestinians”.  Artists for Palestine UK organized the letter, and the complete text and a list of all signers is on their website: “Leading writers support Sally Rooney decision to refuse publication in Israel”.

The Guardian’s article includes this background coverage:

…Rooney turned down an offer to sell Hebrew translation rights in her new novel, Beautiful World, Where Are You, to the publisher Modan, which had published her previous two books, and which had put in a bid. The bestselling Irish novelist said last month that she supported the Boycott, Divestment, Sanctions movement (BDS), which works to “end international support for Israel’s oppression of Palestinians and pressure Israel to comply with international law”, and that she did not feel it would be right to collaborate with an Israeli company “that does not publicly distance itself from apartheid and support the UN-stipulated rights of the Palestinian people”.

While two Israeli book chains subsequently announced that they would pull Rooney’s books from their shelves, the novelist’s move has now been backed by 70 writers and publishers…

(5) SAVING THROW. “Thanksgiving” at Tablet Magazine is new seasonal fiction from Elizabeth Bear set in a near-future, climate-changed world. The ending reminds me slightly of the key to world peace from the end of Stand on Zanzibar.

… Kids these days can’t imagine how we lived without reality filters, without ambient power transmission, without biosphere impact laws. They get along fine without frogs, however, which is something I can’t manage.

Most of them never really missed a frog. They never had the opportunity. They have never really missed Vanuatu, or Cape Cod, or a sequoia. Just as I never missed a dodo, an ivory-billed woodpecker, the American chestnut. If I had grandkids—let’s say, my abstract, intellectual grandkids—they would not miss rhinos or sugar maples or coffee. Except in that same abstract, intellectual fashion. They would not give a damn about vanilla, sequoias, or ash trees except as historical curiosities similar to the aurochs, the cave bear, and dinosaurs…

(6) NPR’S PICKS OF 2021. NPR has put up its massive list of “Best Books 2021: Books We Love”. It’s sortable by category – this is the button to pull out the 48 “Sci-Fi, Fantasy & Speculative Fiction” titles. The tool will also take you back to any of their annual selections since 2013.

(7) HELP KEEP THEM AFLOAT. The magazine Mermaids Monthly is running a Kickstarter to finance its second year: “Mermaids Monthly Year 2”. They have raised $4,212 with 35 days to go.

Our campaign goal for Mermaids Monthly 2022 is $33,000. This is a little bit higher than Mermaids Monthly 2021 because it covers some needs that the original team didn’t know about! In addition to covering the cost of content for 12 digital issues, the $33,000 will pay for one additional staff member for more coverage, as well as things like alt text generation, sensitivity readers, the submission system (Moksha), and international money transfer fees for paying our contributors who live outside the U.S.

(8) FIRST FOUNDATION. Cora Buhlert was on the Light On Light Through podcast to discuss Foundation — both the books and the TV show — with Paul Levinson and Joel McKinnon: “Foundation 1st Season: Cora Buhlert, Joel McKinnon, and Paul Levinson discuss”.

 There’s also a video version on YouTube:

(9) MIQUEL BARCELÓ (1948-2021). Miquel Barceló, the founder of Ediciones Nova, a Penguin collection dedicated to science fiction, died November 22. The Wikipedia sums up his career:

…He worked as an editor for Ediciones B, where he directed the NOVA collection, specialized in science fiction tales and novels, and writing introductory articles for the books published in the collection.

His last academic position was as a professor at the Polytechnic University of Catalonia (UPC) where he promoted the creation of the UPC Prize, the most important prize in Spanish science-fiction. He directed and coordinated the UPC Doctorate program on Sustainability, Technology and Humanism. He also kept a monthly column for the computer magazine “Byte” and contributed to several publications on Astronomy and Artificial Intelligence.

In 1996 the Spanish Association of Fantasy and Science Fiction awarded a lifetime achievement award to Barceló….

(10) MEDIA BIRTHDAY.

1974 — [Item by Cat Eldridge.] Forty-seven years ago in the USA on this date, Murder on the Orient Express was first shown. Based off the Agatha Christie novel, the script was by Paul Dehn, who wrote the Bond film Goldfinger. It was directed by Sydney Lumet who direct Network, which is at least genre adjacent, isn’t it? It was produced by John Brabourne and Richard Goodwin who would go on to produce two more Christie films, Death on the Nile and The Mirror Crack’d. 

Oh, and it has an absolutely stellar cast of Albert Finney, Lauren Bacall, Martin Balsam, Ingrid Bergman, Jacqueline Bisset, Jean-Pierre Cassel, Sean Connery, John Gielgud, Wendy Hiller, Anthony Perkins, Vanessa Redgrave, Rachel Roberts, Richard Widmark and Michael York. You can see the trailer here.

Critics loved it with Roger Ebert’s comments being typical with him saying it provided “a good time, high style, a loving salute to an earlier period of filmmaking.” The box office was amazing as it made thirty six million dollars on a minuscule budget of one point two million dollars.  Christie who died fourteen months after this was made said that this film and Witness for the Prosecution were the only movie versions of her novels that she liked.

Now you’re going to get your Obligatory Science Fiction connection to use the old rec.arts.sf.written newsgroup term. The Twelfth Doctor would riff off this story including the train setting in the “Mummy on the Orient Express” episode though the murderer there was decidedly not human. 

Audience reviewers at Rotten Tomatoes currently give it a most excellent seventy-eight percent rating. 

It would have three more versions over the decades, a 2001 TV film version, a 2010 episode of the Agatha Christie’s Poirot series, and a 2017 film with Kenneth Branagh as the Belgian detective. Branagh narrates the movie tie-in audiobook. 

I just purchased this poster for my apartment as it is one of my favorite films. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 24, 1882 — E. R. Eddison. Writer whose most well-known work by far is The Worm Ouroboros. It’s slightly connected to his much lesser known later Zimiamvian Trilogy.  I’m reasonably that sure I’ve read The Worm Ouroboros but way too long ago to remember anything about it. Silverberg in the Millenium Fantasy Masterworks Series edition of this novel said he considered it to be “the greatest high fantasy of them all”. (Died 1945.)
  • Born November 24, 1907 — Evangeline Walton. Her best known work, the Mabinogion tetralogy, was written during the late 1930s and early 1940s, and her Theseus trilogy was produced during the late 1940s. It’s worth stressing Walton is best known for her four novels retelling the Welsh Mabinogi. She published her first volume in 1936 under the publisher’s title of The Virgin and the Swine which is inarguably a terrible title. Although receiving glowing praise from John Cowper Powys, the book sold quite awfully and none of the other novels in the series were published at that time. Granted a second chance by Ballantine’s Adult Fantasy series in 1970, it was reissued with a much better title of The Island of the Mighty. The other three volumes followed quickly. Witch House is an occult horror story set in New England and She Walks in Darkness which came out on Tachyon Press is genre as well. I think that is the extent of her genre work but I’d be delighted to be corrected. She has won a number of awards including the Mythopoeic Award for Adult Literature, Best Novel along with The Fritz Leiber Fantasy Award,  World Fantasy Award, Convention Award and the World Fantasy Award for Life Achievement. (Died 1996.)
  • Born November 24, 1926 — Forrest J Ackerman. It’s no wonder that he got a Hugo forfor  #1 Fan Personality at Philcon II and equally telling that when he was handed the trophy by Asimov, he physically declined saying it should go to Ken Slater to whom the trophy was later given by the con committee. That’s a nice summation of him. You want more? As a literary agent, he represented some two hundred writers, and he served as agent of record for many long-lost authors, thereby allowing their work to be reprinted. He represented Ed Wood! He was a prolific writer, more than fifty stories to his credit, and he named Vampirella and wrote the origin story for her. Speaking of things pulp which she assuredly is, he appeared in 81 films and as himself in over one hundred documentaries and programs which I’ll not list here. Eclectic doesn’t begin to describe him. His non- fiction writings are wonderful as well. I’ll just single out Forrest J Ackerman’s Worlds of Science Fiction, A Reference Guide to American Science Fiction Films and a work he did with Brad Linaweaver, Worlds of Tomorrow: The Amazing Universe of Science Fiction Art. Did I mention he collected everything? Well, he did. Just one location alone contained some three hundred thousand books, film, SF material objects and writings. The other was eighteen rooms in extent. Damn if anyone needed their own TARDIS, it was him. In his later years, he was a board member of the Seattle Science Fiction Museum and Hall of Fame who now have possession of many items of his collection. Not that he didn’t have problems around fans as Mike reported here. (Died 2008.)
  • Born November 24, 1948 — Spider Robinson, 73. His first story “The Guy with the Eyes” was published in Analog February 1973. It was set in a bar called Callahan’s Place, a setting for much of his later fiction.  His first published novel, Telempath in 1976 was an expansion of the novella “By Any Other Name”. The Stardance trilogywas co-written with his late wife Jeanne Robinson.  In 2004, he began working on a seven-page 1955 novel outline by the late Heinlein to expand it into a novel. The resulting novel would be called Variable Star. Who’s read it? He won the Astounding Award, and has three Hugos: the first at SunCon for his “By Any Other Name” novella, the second at IguanaCon II for “Stardance that he wrote with Jeanne Robinson and the the at ConStellation for the “Melancholy Elephants” short story. 
  • Born November 24, 1957 — Denise Crosby, 64, Tasha Yar on Next Gen who got a meaningful death in “Yesterday’s Enterprise” after getting an earlier truly meaningless one. In other genre work, she was on The X-Files as a doctor who examined Agent Scully’s baby. And I really like it that she was in two Pink Panther films, Trail of the Pink Panther and Curse of the Pink Panther, as Denise, Bruno’s Moll. And she’s yet another Trek performer who’s popped doing what I call Trek video fanfic. She’s Dr. Jenna Yar in “Blood and Fire: Part 2”, an episode of the only season of Star Trek: New Voyages as Paramount was not amused. 
  • Born November 24, 1957 — John Zakour, 64. For sheer pulp pleasure, I wholeheartedly recommend his Zachary Nixon Johnson PI series which he co-wrote some with Larry Ganem. Popcorn reading at its very  best and I see GraphicAudio has done full cast audio performances of them which should be a real hoot. It’s the only series of his I’ve read, so anyone else read his other books? 
  • Born November 24, 1957 — Jeff Noon, 64. Novelist and playwright. Prior to his relocation in 2000 to Brighton, his stories reflected in some way his native though not birth city of Manchester. The Vurt sequence whose first novel won the  Arthur C. Clarke Award is a very odd riff off Alice in Wonderland that he describes as a sequel to those works. Noon was the winner of an Astounding Award for the Best New Science Fiction Writer.

(12) COMICS SECTION.

  • Calvin and Hobbes discuss what they learned from science fiction.
  • Shoe has an awful, genre-related pun. How can you resist?

(13) ON THE LINE. “Another Look At Bill Mauldin” in The Comics Journal, a review of Drawing Fire: The Editorial Cartoons of Bill Mauldin, says that the artist needed real-life experiences to generate effective drawings.

…Mauldin’s drawing style for the wartime cartoons was wonderfully evocative of the ambiance of the dogface’s life. He drew with a brush, and his lines were bold and fluid but clotted with heavy black areas, clothing and background detail disappearing into deep trap-shadow darkness that gave the pictures a grungy aspect that approximated visually the damp and dirty feelings bred by the miserable field conditions of a soldier’s life on front lines everywhere. Willie and Joe looked like they needed a bath, and so did many of their readers…

(14) MOVIES FOR A NEGLECTED HOLIDAY. That’s Connie Willis calls this list of movies for Thanksgiving Day, published on her Facebook page. (And Connie summons all her panache to explain why Miracle on 34th Street is on it.)

Poor Thanksgiving! It gets short shrift all around. Not only is it completely upstaged by Christmas, but now Black Friday means that Thanksgiving only gets a single day, and in the last few years (interrupted only by the Pandemic), Black Friday starts Thursday afternoon so you don’t even have time to do the dishes before Thanksgiving’s over and it’s on to the Christmas spending frenzy.

The same is true for movies. Hallmark devotes an entire month to Christmas movies and there are dozens of other new and old classics to watch, but there are hardly any Thanksgiving movies, and the ones there are always seem to involve a person who’s terminally ill. (Don’t believe me? How about STEPMOM, FUNNY PEOPLE, and ONE TRUE THING, to say nothing of THE BIG CHILL, in which the person’s already died?) Movies like that are the last thing we need in this Pandemic-That-Never-Seems-To-End.

So here’s a list of some cheerful Thanksgiving movies to watch in the ninety seconds or so between Thanksgiving dinner and Black Friday…

(15) LISTEN UP. “Doctor Who teases animated lost story The Abominable Snowmen” – Radio Times has something else for us to be thankful about.

…As fans are well aware, 97 episodes of Doctor Who have been lost to time due to a since-scrapped BBC policy that saw them deleted from the broadcaster’s archives.

This has proved particularly damaging to Patrick Troughton’s time as the Second Doctor, given that almost half of his adventures in the role are incomplete.

The good news is that all of the affected episodes still exist in audio form thanks to recordings made by fans, which have been a great help in reconstructing them in the medium of animation….

(16) IT DOESN’T AGE LIKE WINE. “The Halo 3 Game Fuel fandom is dying” – Polygon fosters that strange sensation called nostalgia for something you never experienced…

Two years ago, YouTube user xKorellx poured a bit of history down the drain. In a first-person video, they gently cradle a can of Mountain Dew Game Fuel in their palm. Swirls of orange and blue energy surround the Mountain Dew logo, and alongside it, a close-up image of Master Chief sprinting forward like he’s going to bust out of the can and into your pathetic reality. The vivid branding hasn’t faded in 10-plus years since Halo 3 Game Fuel left stores, but the can’s structural integrity is … compromised.

The silver top of the can is bloated and uneven. It looks to be moments from exploding. It has been deemed unfit for drinking or display. Solemn guitar music swells. xKorellx cracks the tab one-handed and pours the yellow-orangish liquid into the sink.

Today, a sip of that liquid will cost you anywhere between $35 and $80….

(17) WHAT COLOR BOOK COMES AFTER BLUE? “The Pentagon Forms New Department to Watch and Study UFOs” reports Vice.

The Pentagon announced the formation of the Airborne Object Identification and Management Synchronization Group (AOIMSG), a successor to the U.S. Navy’s Unidentified Aerial Phenomena Task Force. The group study Unidentified Aerial Phenomenon (UAP), the U.S. military’s name for UFOs.

According to the Pentagon’s press release, “the AOIMSG will synchronize efforts across the Department and the broader U.S. government to detect, identify and attribute objects of interests in Special Use Airspace (SUA), and to assess and mitigate any associated threats to safety of flight and national security.”

UFOs have been an obsession of the Pentagon (and broader society) for decades. In the 1950s and 60s, the U.S. Air Force’s Project Blue Book studied the phenomenon. In the preceding years, tales of strange lights in the sky captivated the world. Interest in UFOs waxed and waned over the years but exploded again recently when U.S. Navy pilots began giving interviews on high profile programs like 60 Minutes about the strange things they’d seen in the sky….

(18) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “The Movie Criminal Tutorial” on Screen Rant, written by Seb Decter, Tyler Lemco, Jr. plays movie crime consultant John Doe, Jr.  Doe’s father, John Doe, committed the crimes that led to the 1960s movie The Italian Job, and inspired the younger Doe to allegedly pursue a life of criminal activity.  Doe says it helps to have a wide network (he knows Pajamas Sam, Pajamas Freddy, and Sam The Fish), always talk through a Pringles can on the phone so no one can recognize your voice, and come up with an original tool when you’re whacking somebody (he likes a computer mouse).

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, Chris Barkley, Darrah Chavey, John King Tarpinian, Andrew Porter, Michael Toman, Cat Eldridge, for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 11/10/21 Pixel-Heroes Battle Pixel-Gorillas

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(1) THE SIX-BODY PROBLEM. There’s a new trailer out for China company Tencent’s production of The Three-Body Problem, which is fueling comparisons with another adaptation forthcoming from Netflix. Will Netflix’ Benioff and Weiss, veterans of Game of Thrones, overlook Chinese cultural subtleties? Will China’s censors allow Tencent to address all of them? Variety begins with a gloss of the trailer: “Tencent’s First ‘Three-Body Problem’ Trailer Sparks Netflix Rivalry”:

…The new Tencent trailer opens with an exchange between two off-screen male voices.

“Have significant accidents ever happened to you in your life?” one asks. “No,” the other replies. “Then your life is a sort of accident,” the first continues. “But isn’t that the case for most people?” the second voice asks, and the first responds, to a backdrop of ominous music with deep foghorn-type blasts that would feel at home on the “Tenet” soundtrack: “Then most people’s lives are all accidents.”

In a final line, a woman’s voice says: “This is the end of humanity.”

Several companies have been trying to produce adaptations of Liu Cixin’s novel.

Tencent nabbed the rights to adapt the story into a TV series way back in 2008. Now, its version is entering a crowded playing field.

There are at least two other “Three-Body Problem” adaptations in the works in China, including a film backed by IP rights holder Yoozoo Group that may have fallen permanently to the wayside and an animated take from Gen Z- and anime-leaning platform Bilibili.

Netflix struck its own deal with Yoozoo to create an English-language adaptation, announcing the project last September. The American version is being co-created by “Game of Thrones” big shots David Benioff and Dan Weiss alongside Alexander Woo (“True Blood”), and will be directed by Hong Kong’s Derek Tsang (“Better Days”).

Chinese social media is pressuring Tencent to do a good job:

“‘Three-Body’ is a story full of Chinese elements told by we Chinese from our Chinese perspective and ways of thinking …to express Chinese people’s values, worldview and view of the universe. These things are very hard for foreigners to express — only we are able to do it,” wrote one popular comment in response to Tencent’s Weibo recent post about the new trailer.

It was outranked by the top comment, liked 27,000 times. It read: “Buck up — you better not lose to Netflix’s nonsense version.”

While nationalist users maintained that only a Chinese production could capture the essence of the story, the novel is set during the Cultural Revolution, which could pose a problem for censors in a Chinese retelling.

Incidentally, here is the trailer Bilibili released in 2019 for its anime adaptation of The Three-Body Problem.

(2) CHIP IN. M.C.A. Hogarth is closing in on the $10K stretch goal of a Kickstarter launched to fund a collection of MilSF short stories set in her Peltedverse: To Discover and Preserve by M.C.A. Hogarth. Two days left – you might want to get in on this.

Alysha Forrest, my oldest Peltedverse character, needs some love, aletsen. Not only does she need some, she deserves it. Though fewer in number than the books comprising the Eldritch canon, the Stardancer/light milsf books of the Peltedverse sell well and without nearly the advertising the Eldritch canon has. I have a bunch of short stories that belong to this side of the timeline, but they’re all Patreon extras or newsletter gifts… and I get questions about where new readers can find them all the time! That means it’s time to collect them for retail. And while I have five stories (enough to credibly issue a single volume), they’re pretty short and could use some friends. 

Hogarth has given fans this incentive to push the Kickstarter past $10K:

…if we do, rather than continuing to pad the collection indefinitely, I will promise to finish writing the latest Alysha novel. This is the only way to guarantee you see it within the next year, since it’s otherwise indefinitely backburnered…. 

(3) CLI-FI. The Arizona State University Center for Science and the Imagination today premiered a prerecorded video event, “Cli-Mates: Climate Futures Conversations from Scotland,” in collaboration with the Scottish SF magazine Shoreline of Infinity. The event features the SF authors Kim Stanley Robinson, Ken MacLeod, Xia Jia, Libia Brenda, Gabriela Damián Miravete, Tendai Huchu, and Hannah Onoguwe, along with several scholars and editors.

During the UN Climate Change Conference, or COP26 (1-12 November, 2021), the eyes of the world are on Glasgow, Scotland, where nations, civil-society groups and activists are meeting to determine the shape of global action in the face of the climate crisis. At this moment, perhaps more than any other, we need creatively expansive thinking about possible futures—stories that help us chart a path towards a just, equitable, sustainable global civilization.

(4) FOUNDATION FX. Apple TV+ shows how it’s done in “Foundation — Bringing Visions To Life Featurette”.

From the start, the world’s most dedicated visual effects artists and costume designers established that Foundation would be a show unlike any other on TV.

(5) ONE-TIME OPPORTUNITY. [Item by Bruce D. Arthurs.] I came across this interesting-sounding item on Twitter: On November 18, the Smithsonian Archives department presents Yesterday’s Tomorrows: Visions of the Future on Film, a 1984 film that was part of a NMAH exhibit on “how past visions of the future continue to impact our present and inspire even further futures”, plus commentary from current conservator William Bennett. This is part of the Smithsonian 175th Film Fest, presenting films from the Smithsonian archives.

Due to copyright restrictions, viewers will need to register for a Zoom webinar; the presentation won’t be streamed or saved on YouTube.

(6) FROM AREA 57. “Heinz Debuts ‘Marz Edition’ Ketchup Made With Tomatoes Grown in Mars-Like Conditions” reports Smithsonian Magazine.

On Monday, Heinz revealed its first bottle of “Marz Edition” ketchup, a special recipe made with tomatoes grown in extreme temperature and soil conditions similar to the Red Planet. The team of scientists behind the celestial sauce, which is the product of two years of research and development, says the delicious achievement also advances the possibility of long-term food production on Mars.

“We’re so excited that our team of experts have been able to grow tomatoes in conditions found on another planet and share our creation with the world,” Cristina Kenz of Kraft Heinz said in a statement. “From analyzing the soil from Martian conditions two years ago to harvesting now, it’s been a journey that’s proved wherever we end up, Heinz Tomato Ketchup will still be enjoyed for generations to come.”…

Also note that The Late Show with Stephen Colbert last night included a “cold open” of Hunt’s trying to one-up Heinz with Uranus catsup—“The best tasting thing to come out of Uranus.” 

(7) MEDIA BIRTHDAY.

1966 — Fifty-five years on NBC, Star Trek’s “The Corbomite Maneuver” first aired. It was the tenth episode of the first season, and it was written by Jerry Sohl who had previously written for Alfred Hitchcock Presents, The Outer Limits, The Invaders, and The Twilight Zone. (His other Trek scripts were “Whom Gods Destroy” and “This Side of Paradise”.) It was the first episode that was filmed in which Kelley played Dr. Leonard McCoy, Nichols played Lt. Uhura and Whitney played Yeoman Rand, though we first saw them in “The Man Trap”.  Clint Howard, brother of Ron Howard, played Balok, and Ted Cassidy, who was Gorn in “Arena” and the android Ruk in “What Are Little Girls Made Of?”, voiced the Balok puppet here. So did critics like it? No idea as I can’t find any contemporary reviews of it though media critics now love it. Most put it in their top twenty of all the Trek series episodes. It was nominated for a Hugo at NyCon 3, the year that “The Menagerie” won. “The Naked Time” was also nominated that year. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 10, 1924 — Russell Johnson. Best known in what is surely genre for being Professor Roy Hinkley in Gilligan’s Island. His genre career started off with four Fifties films, It Came from Outer Space, This Island Earth, Attack of the Crab Monsters and The Space Children. He would later appear in both the Twilight Zone and Outer Limits. On ALF, he would appear as Professor Roy Hinkley in “Somewhere Over the Rerun”.  (Died 2014.)
  • Born November 10, 1932 — Roy Scheider. First genre role was as Dr. Heywood R. Floyd in 2010, the sequel to 2001: A Space Odyssey. His other major genre performance was as Captain Nathan Bridger in the SeaQuest DSV series. He also has roles in The Curse of the Living Corpse (his first acting role, a very low budget horror film), one of The Punisher films, Dracula III: Legacy and Naked Lunch which may or may not be genre.  I do not consider the Jaws films to be genre, but you may do so. (Died 2008.)
  • Born November 10, 1943 — Milt Stevens. Today is indeed his Birthday. On the day that OGH announced his unexpected passing did a wonderful post and y’all did splendid commentary about him, so I’ll just send you over there. (Died 2017.)
  • Born November 10, 1950 — Dean Wesley Smith, 71. Editor of Pulphouse magazine which fortunately Black Gate magazine has provided us with a fascinating history which you can read here. Pulphouse I first encountered when I collected the works of Charles de Lint who was in issue number eight way back in the summer issue of 1990. As a writer, he is known for his use of licensed properties such as StarTrek, Smallville, Aliens, Men in Black, and Quantum Leap. He is also known for a number of his original novels, such as the Tenth Planet series written in collaboration with his wife, Kristine Kathryn Rusch. 
  • Born November 10, 1955 — Roland Emmerich, 66. Usually I don’t touch upon SJW affairs here (well I do when I want to) but he’s very strong campaigner for the LGBT community, and is openly gay so bravo for him!  Now back to his genre credits.  The Noah’s Ark Principle was in ‘84 by him written and directed by him as his thesis after seeing Star Wars at the Hochschule für Fernsehen und Film München. Moon 44 followed which likely most of you haven’t seen but now we get to his Hollywood films, to wit Universal Soldier, The High Crusade (yes, the Poul Anderson novel — who’s seen it?), Stargate, Independence Day… no, I’m going to stop there. Suffice it to say he’s created a lot of genre film. And oh, he directed Stonewall, the 2015 look at that historic event which I know isn’t genre or genre adjacent but is worth noting. 
  • Born November 10, 1960 — Neil Gaiman, 61. Where to start? By far, Neverwhere is my favorite work by him followed by the Sandman series and Stardust. And I sort of liked American Gods. Coraline is just creepy. By far, I think his best script is Babylon 5’s “Day of The Dead” though his Doctor Who episodes, “The Doctor’s Wife” and “Nightmare in Silver” are interesting, particularly the former. 
  • Born November 10, 1971 — Holly Black, 50. Best known for her Spiderwick Chronicles, which were created with fellow writer and illustrator Tony DiTerlizzi, and for the Modern Faerie Tales YA trilogy.  Her first novel was Tithe: A Modern Faerie Tale. (It’s very, very good.) There have been two sequels set in the same universe. The first, Valiant, won the first Andre Norton Award for Young Adult Science Fiction and Fantasy.  Doll Bones which is really, really creepy was awarded a Newbery Honor and a Mythopoeic Fantasy Award.  Suffice it to say if you like horror, you’ll love her. 
  • Born November 10, 1982 — Aliette de Bodard, 39. Author of the oh-so-excellent Xuya Universe series. Her Xuya Universe novella “The Tea Master and the Detective” won a Nebula Award and a British Fantasy Award, and was nominated for the Hugo and World Fantasy Award. “The Shipmaker”, also set herein, won a BSFA Award for Best Short Fiction. Her other major series is The Dominion of the Fallen which is equally lauded. She’s nominated for a Hugo this year for her “The Inaccessibility of Heaven” novelette. 

(9) COMICS SECTION.

(10) TAKE THE CASH AND THE CREDIT, TOO. [Item by David Doering.] I caught a reference on Cracked about writer credits and comics. A fan asserted that comic writers only starting get credit regularly thanks to Marv Wolfman. I thought, hmmm… Really?

What do you know? It’s true. The Comics Code Authority in the 60s banned mention of “wolfman” in comics, BUT  “In DC Comics’ House of Secrets #83, the book’s host said that the story was told to him by ‘a wandering wolfman.’” Comically [pun intended], DC then credited the story to “Marv Wolfman”, making the reference OK by the CCA. 

After that, writers asking and getting credit for their stories. See full details and scans of the comics at CBR.com: “Comic Book Urban Legends Revealed #119”.

(11) FALSE GRIT. Joel Haver assures us “You’ll never find a more sandy planet of sand.” So this is a Dune parody, you assume? Hell no, it’s a Star Wars parody – go figure.

(12) TAKING THE MICK OUT. “Guardians of the Galaxy: Cosmic Rewind Blueprints Leaked Online” – and Blog Mickey has a bucket full of what leaked.

A set of blueprints reportedly belonging to the Guardians of the Galaxy: Cosmic Rewind attraction have leaked online. The attraction, which has been under construction for more than 4 years, will open sometime in 2022 at EPCOT. The blueprints pull the curtain back a bit on a project that Disney has only slowly revealed information about. It’s unclear how accurate the blueprints are to the final product, but lets take a look….

…As we saw in early construction photos, roller coaster track weaves throughout the building, but the blueprints show just how much track is inside.

It’s unclear how much of the roller coaster track is for the actual attraction, and how much is for the storage, but the majority of the attraction will take place in the large gravity building that was built from scratch for this attraction….

(13) THE GALACTIC HERO BILL. John Scalzi revealed his true net worth today. Don’t you agree that “Billions and billions” is a phrase that suits an sf writer very well?

(14) SHOW NO MERCY. James Davis Nicoll’s latest Young People Read Old SFF introduces the panel to Ursula K. Le Guin’s 1971 “Vaster Than Empires and More Slow.”

“Vaster” takes place in Le Guin’s Hainish setting, where for the most part other worlds are inhabited by variant humans seeded in the ancient past by the Hainish. “Vaster” is an exception: first contact here is not between two branches of humanity but between humans and something very alien. Let’s see what the Young People make of it! 

Sort of like a Beat Bobby Flay episode, the young judges record a split decision.

(15) LOST IN SPACE TRAILER. Official trailer for the third and final season of Lost in Space. All episodes drop December 1 on Netflix.

(16) UNHOBBLING THE HUBBLE. [Item by Mike Kennedy.] This latest problem started 23 October. NASA seems cautiously optimistic that the Hubble can make a full recovery. WIRED has the story: “NASA Tries to Save Hubble, Again”.

THE HUBBLE SPACE telescope, one of the most famous telescopes of the 20th and 21st centuries, has faltered once again. After a computer hardware problem arose in late October, NASA engineers put Hubble into a coma, suspending its science operations as they carefully attempt to bring its systems back online.

Engineers managed to revive one of its instruments earlier this week, offering hope that they will end the telescope’s convalescence as they restart its other systems, one at a time. “I think we are on a path to recovery,” says Jim Jeletic, Hubble’s deputy project manager.

The problem began on October 23, when the school bus-sized space probe’s instruments didn’t receive a standard synchronization message generated by its control unit. Two days later, NASA engineers saw that the instruments missed multiple such messages, so they put them in “safe mode,” powering down some systems and shuttering the cameras.

Some problems are fairly easy to fix, like when a random high-energy particle hits the probe and flips a bit on a switch. But when engineers encounter an unknown problem, they’re meticulous. The slow process is designed to protect Hubble’s systems and make sure the spacecraft continues to thrive and enable scientific discovery for as long as possible. “You don’t want to continually put the instruments in and out of safe mode. You’re powering things on and off, you’re changing the temperature of things over and over again, and we try to minimize that,” Jeletic says.

In this case, they successfully brought the Advanced Camera for Surveys back online on November 7. It’s one of the newer cameras, installed in 2002, and it’s designed for imaging large areas of the sky at once and in great detail. Now they’re watching closely as it collects data again this week, checking to see whether the error returns. If the camera continues working smoothly, the engineers will proceed to testing Hubble’s other instruments….

(17) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Eternals Pitch Meeting” on Screen Rant, Ryan George, in a spoiler-filled episode, has the writer say he has characters including “a speedster, a lady with ancient weapons, and a super-strong guy who shoots beams from his eyes.” The producer asks, “Yeah, yeah, and Batman and Aquaman. Are you sure you’re in the right office?”  The writer also can’t explain why introducing 10 superheroes we’ve never seen before can’t be done in an eight-hour Disney Plus show instead of a single movie.

After Avengers Endgame, Marvel has the massive task of not only continuing their surviving heroes’ stories, but also making audiences care about all new characters and all-new universe-threatening events. Their latest movie Eternals takes on the gargantuan challenge of introducing ten new superheroes AND explaining why they’re only showing up now. This thing’s getting complicated. Eternals definitely raises some questions. Like should this have been a Disney Plus show? Why do the Eternals only have important conversations at Golden Hour? Why is introducing humans to weapons not considered interfering in their affairs? Wouldn’t the Celestials be interested in stopping Thanos if they need a massive population to birth celestials? Why didn’t Kumail have a shirtless scene after all that work!? What have these post-credit scenes become?! To answer all these questions and more, step inside the Pitch Meeting that led to Eternals! It’ll be super easy, barely an inconvenience.

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, N., Chris Barkley, Lise Andreasen, David Doering, Joey Eschrich, Bruce D. Arthurs, M.C. Hogarth, Andrew Porter, Michael Toman, and Cat Eldridge  for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 11/4/21 Last Scroll Of The Planet Fileton, Pix-El (The Cousin Clark Doesn’t Talk About)

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(1) DOCTOR WHO SEASON BEGINS. Plenty of Radio Timesy-Wimey stuff to start today’s Scroll. First — “Doctor Who series 13 episode 1 review ‘The Halloween Apocalypse’” – Radio Times does an episode recap, and beyond this excerpt it’s rather spoilery:

…Flux – Chapter One: The Halloween Apocalypse gets off to a rollicking start. Mid escapade. High peril. No hanging about. Well, unless you’re Yaz and the Doctor, who, as we join them, are dangling from a “gravity bar” over an ocean of roiling acid. The pace is set for a fast, fun-packed opener, impressively achieved by Chibnall and his team in the face of COVID.

Shorn of former sidekicks Ryan and Graham, the Doctor (Jodie Whittaker) and Yaz (Mandip Gill) make good sparring partners, fielding a balance of amity and antagonism, and falling into the trad pattern in which the Time Lord withholds vital information, imperilling the companion’s life, who in turn proves to be plucky and resourceful….

(2) BOX SCORE. And how many watched the kickoff of Season 13? Let Radio Times tell you: “Doctor Who overnight ratings revealed for The Halloween Apocalypse”.

The overnight viewing figures for yesterday’s episode of Doctor Who are in, with the series 13 premiere drawing in almost 4.5 million viewers.

BBC News entertainment correspondent Lizo Mzimba shared the audience statistics on Twitter, writing that an audience of 4.43 million watched series 13’s first episode – Chapter One: The Halloween Apocalypse.

While the figures are higher than most of series 12’s overnight statistics, they are lower than those for last season’s premiere, which was watched by 4.88 million.

(3) RAMPANT SPECULATION. Don’t read this if you’re avoiding spoilers: Radio Times returns with the gossip being shared around the TARDIS’ water-cooler: “Swarm Doctor Who regeneration theories – is Swarm a Time Lord?”

… Obviously, there’s a lot to dissect from the episode – but one of the most striking moments had to be the introduction of new (or possibly old) baddie Swarm, who claims to be an ancient foe of the Doctor now wiped from her memory (thanks to events glimpsed in series 12 finale The Timeless Children)….

(4) WORK OF A LIFETIME. Artist James A. Owen has launched a Kickstarter appeal to fund an art book retrospective/meditation/collection of illustration, comics, pop culture, and stories celebrating his career: “Illustrations & Illuminations by James A. Owen”. As of this writing, it’s raised $13,421 of the $30,000 goal.

…I envisioned this book as the place where I could collect and display the very best of that work: the color covers and best pages from STARCHILD; the line art, color covers, and process drawings for illustrations from the IMAGINARIUM GEOGRAPHICA books; the drawings I made of J.R.R. TOLKIEN, C.S. LEWIS, and the other Inklings of Oxford from Diana Glyer’s book BANDERSNATCH; the lost graphic novel proposal for Peter Beagle’s THE LAST UNICORN; covers for books by Jeff VanderMeer & Cat Rambo, and Alma Alexander, and Catherynne Valente; illustrations and covers for the emagazine THE INTERGALACTIC MEDICINE SHOW; comics adaptations of a song by TORI AMOS and a story by F. PAUL WILSON; unseen art for LOST TREASURES OF THE PIRATES OF THE CARIBBEAN; the covers from my periodical WORDS & PICTURES; designs for the magazines ARGOSY and INTERNATIONAL STUDIO; spot illustrations and pinups from every era of my career; and much, much more….

(5) A FINE ROMANCE, WITH NO KISSES. Deadline reports “’Eternals’ Banned In Saudi Arabia, Qatar, Kuwait, Bahrain & Oman”.

… Eternals was originally scheduled to open in the region on Nov. 11.

While official reasons weren’t provided by either the studio or the local territories, here’s our understanding of what went down:

In Saudi Arabia, Bahrain and Oman, the censors were seeking further cuts beyond any scenes of intimacy and that Disney opted not to make the edits, hence distribution certificates weren’t issued.

Meanwhile in Kuwait and Qatar, the Chloe Zhao-directed super-gods movie was blocked. The issue, we hear, may not solely be the same-sex kiss, but rather that overall these markets have historically had a problem with the depiction of gods and prophets, something they consider blasphemous.

In the United Arab Emirates, Jordan, Lebanon and Egypt we understand that a version of the film will be released that removes all scenes of intimacy — be they heterosexual or homosexual. This is generally normal practice for these markets…

(6) ALL THE ANGLES. At A Pilgrim in Narnia, Brenton Dickieson provides a fascinating in-depth review of a recent book about Tolkien’s Chaucer scholarship: “The Doom and Destiny of Tolkien’s Chaucer Research: A Note on John M. Bowers, Tolkien’s Lost Chaucer (2019)”.

Tolkien’s Lost Chaucer is a book about a book that was doomed from the start….

… However, the entire book is really about how the fertile imagination and poetry of Chaucer provides an unceasingly rich bed for Tolkien’s scholarship and mythopoeic work. Tolkien’s Lost Chaucer really does reveal Tolkien’s thinking about words, accents, language development, regional dialects, poetic beauty, storytelling, character development, and moral and creative rooting. It is also an excellent book for showing Tolkien’s process as a thinker and editor. Readers of the Middle-earth histories and other Tolkien archival collections (like Christopher Tolkien’s publication of Beowulf) will recognize the patterns of intensive work, attention to detail, harried productivity, and chronic procrastination endemic to Tolkien’s lifetime at the desk.

When I mention “parallels” between Chaucer and Tolkien, I really mean that this is what the book is about. These parallels are often striking, sometimes surprising, and almost always thoughtful (even when they are peculiar). I wish, as I always do of writers about intertextual influence, that Bowers would have better distinguished the different kinds of probability of influence on a case-by-case basis. Usually, though, the reader can make that decision, deciding if this is a Chaucerian moment in Tolkien or merely a striking coincidence….

(7) MODEL LYRICS. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Helen Brown says that Gilbert and Sullivan’s “The Major General’s Song” from The Pirates of Penzance (you know, “I am the very model of a modern major general”) has surprising sf resonances because of Tom Lehrer.

The smart-alecky language and precision-engineered rhyme scheme of (W.S.) Gilbert’s original lyrics made their way, via (Tom) Lehrer, into 20th-century science-fiction nerd culture, which made the song a perfect fit for tv shows.  On a 1978 episode of the BBC’s Dr. Who written by Douglas Adams (The Pirate Planet) Tom Baker’s incarnation of the Time Lord sang, ‘I am the very model of a Gallifreyan Buccaneer.’  The song was also sung in episodes of Star Trek:  The Next Generation (1992), Babylon 5 (1997), and Star Trek:  Discovery  (2019)… In 2017, the adorably chaotic minions from Universal’s animated film Despicable Me 3 turned the song into giddy gibberish as “Papa Mamma Loca Pipa.” As their helium-high voices tear into lines like ‘toka bocca pissa lalasagnaa,’ you can imagine Gilbert laughing from beyond the grave.

(8) KRUGMAN, PALMER, WALTON & MORE. City University of New York will present “Imagining the Future: Science Fiction and Social Science”, a free virtual event, on November 10 at 7:30 p.m. Eastern. Reservations required — register on Zoom. (The event will be available a few days later on their YouTube channel.)

What do science fiction and social science have in common? Much in the way economists and political scientists forecast the results of social and economic structures, science-fiction writers envision future civilizations, both utopian and dystopian, through systematic world-building. Paul Krugman, distinguished professor of economics at the CUNY Graduate Center, joins in a conversation about the connection between the social sciences and fantasy fiction, and how they often inspire each other. The panel, including sci-fi novelists and social scientists who often refer to fiction in their writing and interviews, includes: Henry Farrell, a professor working on democracy and international affairs at Johns Hopkins University and editor-in-chief of the Monkey Cage blog at The Washington Post; Ada Palmer, author of the Terra Ignota series and associate professor of history at the University of Chicago; Noah Smith, who writes about economics at Noahpinion and is a former Bloomberg columnist and assistant professor at Stony Brook University; and Jo Walton, whose many books include Tooth and Claw, Ha’Penney, and the recent Or What You Will.

(9) SLIME TIME. “Ghostbusters Confidential: Inside The Original Ghost Shop” is an in-person Artist Talk being presented at the Museum of Neon Art in Glendale, CA on Saturday, November 20 at 5:00 p.m. Pacific. If you’re going to be in the neighborhood, tickets are available for $10 at the link. 

To celebrate the release of Ghostbusters: Afterlife, neon and kinetic sculptor Stuart Ziff returns to MONA to share an entertaining, behind-the-scenes glimpse of the creatures in the original 1984 Ghostbusters movie. As “Head of Ghost Shop,” Stuart managed over 50 artists and technicians to create the film’s iconic monsters and creatures. Stuart will explain the creature-creation process–from concept drawings to filming on set– for fan-favorite creatures including “Slimer”, “Terror Dogs”, and The “Stay Puft Marshmallow Man.” 

(10) ONCE A FANNISH MECCA. Daytonian in Manhattan profiles “The Doomed 1919 Hotel Pennsylvania”, a famous NYC hotel remembered by fans like Andrew Porter under its operating name the Statler-Hilton as the site of the 1967 Worldcon, NyCon 3, and other sff events. Porter commented there:

In 1966, a bunch of science fiction fans, myself included, checked out holding our annual World Science Ficrtion Convention at the then-Statler-Hilton. I remember being shown around. Sights included the enormous drained swimming pools, over which were built office space, as well as all the function rooms, some of which no longer exist. We did indeed hold the convention there, with numerous problems, including that the elevator operators were on strike because they were being automated out of existence. I remember the hotel rooms had window air conditioners, but also had hot, cold, and ice water faucets in the bathrooms, from the days before air conditioning was installed. Over the 1960s to 1990s, numerous science fiction, comics and Star Trek conventions were held in the hotel, and I have numerous photos with those facilities behind the people. Or just Google “1967 World Science Fiction Convention” to see reports, photos, etc.

All the hotel fittings were auctioned in September, and the building is expected to be demolished .

(11) MEDIA BIRTHDAY.

1996 – Twenty-five years ago, DS9’s “Trials and Tribble-ations” first aired in syndication. A most delightful episode, it blended footage from the original “The Trouble with Tribbles” into the new episode in a manner that allowed the characters from DS9 to appear to interact with the original Trek crew. The story was by Ira Steven Behr, Hans Beimler and Robert Hewitt Wolfe with Ronald D. Moore and René Echevarria writing the actual script.

Paramount promoted the episode by arranging the placement of around a quarter million tribbles in subways and buses across the United States. Huh. Critics loved it. Really. Truly. They all turned into fanboys.  And everyone loved that they brought Charlie Brill back to film new scenes. It was nominated for a Hugo at LoneStarCon 2 but lost out to Babylon 5’s “Severed Dreams”. I personally think it should’ve won. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 4, 1912 — Wendayne Ackerman. Was the translator-in-chief of 137 novels of the German space opera series Perry Rhodan, the majority published by Ace Books. She left Germany before WWII to escape anti-Semitism, working as a nurse in France and London. After the war she emigrated to Israel where she married her first husband and had a son. Following their divorce she moved to LA in 1948, and soon met and married Forrest J Ackerman. (Died 1990.)
  • Born November 4, 1917 — Babette Rosmond. She worked at magazine publisher Street & Smith, editing Doc Savage and The Shadow in the late Forties. Rosmond’s first story, co-written by Leonard M. Lake, “Are You Run-Down, Tired-“ was published in the October 1942 issue of Unknown Worlds. Error Hurled was her only genre novel and she only wrote three short genre pieces. She’s not available at the usual suspects. (Died 1997.)
  • Born November 4, 1920 — Sydney Bounds. Writer, Editor, and Fan from Britain who was a prolific author of short fiction, and novels — not just science fiction, but also horror, Westerns, mysteries, and juvenile fiction — from 1946 until his death in 2006. He was an early fan who joined Britain’s Science Fiction Association in 1937. He worked as an electrician on the Enigma machine during World War II, and while in the service, he started publishing the fanzine Cosmic Cuts. The film The Last Days on Mars (an adaptation of “The Animators”) and the Tales of the Darkside episode “The Circus” are based on stories by him. In 2005, two collections of his fiction were released under the title The Best of Sydney J. Bounds: Strange Portrait and Other Stories, and The Wayward Ship and other Stories. In 2007, the British Fantasy Society honored him by renaming their award for best new writer after him. (Died 2006.)
  • Born November 4, 1934 — Gregg Calkins. Gregg Calkins, Writer, Editor, and Fan. Mike Glyer’s tribute to him reads: “Longtime fan Gregg Calkins died July 31, 2017 after suffering a fall. He was 82. Gregg got active in fandom in the Fifties and his fanzine Oopsla (1952-1961) is fondly remembered. He was living in the Bay Area and serving as the Official Editor of FAPA when I applied to join its waitlist in the Seventies. He was Fan GoH at the 1976 Westercon. Calkins later moved to Costa Rica. In contrast to most of his generation, he was highly active in social media, frequently posting on Facebook where it was his pleasure to carry the conservative side of debates. He is survived by his wife, Carol.”
  • Born November 4, 1953 — Kara Dalkey, 68. Writer of YA fiction and historical fantasy. She is a member of the Pre-Joycean Fellowship (which if memory serves me right includes both Emma Bull and Stephen Brust) and the Scribblies. Her works include The Sword of Sagamore, Steel Rose, Little Sister and The Nightingale. And her Water trilogy blends together Atlantean and Arthurian mythologies. She’s been nominated for the Mythopoeic and Otherwise Awards. 
  • Born November 4, 1953 — Stephen Jones, 68. Editor, and that is putting quite mildly, as he went well over the century mark in edited anthologies edited quite some time ago. The Mammoth Book of Best New Horror accounts for eighteen volumes by itself and The Mammoth Book of (Pick A Title) runs for at least another for another dozen. He also, no surprise, to me, has authored a number of horror reference works such as The Art of Horror Movies: An Illustrated History, Basil Copper: A Life in Books and H. P. Lovecraft in Britain. He’s also done hundreds of essays, con reports, obituaries and such showing up, well, just about everywhere. He’s won a number of World Fantasy Awards and far too many BFAs to count. 
  • Born November 4, 1955 — Lani Tupu, 66. He’d be here just for being Crais and the voice of the Pilot on the Farscape series but he’s actually been in several other genre undertakings including the 1989 Punisher as Laccone, and Gordon Standish in Robotropolis. He also had roles in Tales of the South Seas, Time Trax and The Lost World. All of which we can guess were filmed in Australia. Lastly he appears in the Australian remake of the Mission: Impossible series which if you haven’t seen it is quite excellent. I just found it in DVD format several years back. 
  • Born November 4, 1960 — James Vickery, 61. In Babylon 5, he played Neroon which is where I remember him from as he was a Right Bastard there. His major Trek universe role was as Rusot, a member of Damar’s Cardassian resistance group, appearing in the DS9 episodes “The Changing Face of Evil”, “When It Rains…” and “Tacking Into the Wind”.  He also played a Betazoid in Next Gen’s “Night Terrors” and a Klingon in Enterprise‘s “Judgment” episode. And he voiced the character Legolas in a radio adaptation of The Lord of the Rings.

(13) COMICS SECTION.

(14) REUBEN AWARD. Ray Billingsley, creator of the comic strip Curtis, won the Reuben Award for Outstanding Cartoonist from the National Cartoonists Society on October 17. Billingsley is the first Black person to win in the 75-year history of the award. A video of his acceptance speech is here. SVA profiled him in February: “’Curtis’ Creator and SVA Alumnus Ray Billingsley on His Career, His Influences and Representation in Comics”.

(15) STUFFING YOUR CHRISTMAS SCOFFING. The Guardian’s Stuart Heritage enjoys a snarkfest at the expense of an annual UK TV tradition: “John Lewis Christmas advert 2021: this alien girl is here to ravage our planet”.

There are plenty of theories why the John Lewis Christmas ad no longer hits as hard as it once did. You could look at the fortunes of John Lewis itself, which has spent the last couple of years locked in a nightmare of plunging revenues and store closures. You could look at how aggressively every other retailer has attempted to rip off the tear-jerky John Lewis Christmas ad formula, to the extent that sitting through an ITV commercial break in November or December is now exactly the same as suffering through the first 10 minutes of Up on a neverending loop in an abandoned corn silo full of crying children.

But judging by this year’s offering, you might also suggest that John Lewis has run out of ideas. Because this year’s ad is such a straight-down-the-line John Lewis Christmas advert that you can only imagine it was assembled by tombola.

Sweet children? Check. Bittersweet ending? Check. Maudlin cover version of a song you once liked? Check, in this case a version of Together in Electric Dreams that sounds like it was performed by someone who has tumbled down a well and just realised nobody is coming to rescue her…. 

(16) REN FAIRES. Maryland’s NPR outlet produced a segment about “The Timeless Endurance Of Renaissance Faires”. Listen to it at the link. The guests are Eleanor Janega, a guest teacher in women’s history at the London School of Economics and Political Science; host, “Going Medieval;” author, “The Middle Ages: A Graphic History”; Kevin Patterson, executive director, Red Barn Productions; son of the founders of the original Renaissance Faire; and Rachel Lee Rubin, professor and chair of American Studies, University of Massachusetts-Boston; author, “Well Met: Renaissance Faires and the American Counterculture.” There’s also a sizable photo gallery.

The modern Renaissance Faire blossomed from a children’s arts education program in Agoura, California, in 1963.

Now, almost 60 years later, it’s a nationwide industry.

More than 200 festivals operate around the country — complete with jousters, performers, carnival games, vendors selling bespoke costume pieces, and various meats on a stick.

So why has the Renaissance Faire endured, nay, proliferated, all these years later?

(17) VIDEO OF THE DAY. An Audi is such a powerful car that it lets customers buy scary houses!

[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Andrew Porter, John A Arkansawyer, Bill, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna) riffing off an idea by Jon Meltzer.]

Pixel Scroll 11/3/21 The Pixel: No Different File

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(1) OSFCI ANNOUNCEMENT. OryCon, the annual Portland, OR convention, is returning from a year away due to the pandemic.  However, after this year’s event is held on November 12-14, the con will be going on another hiatus for an indefinite period. Thread starts here.

(2) DISCON III PRESSER. Video of yesterday’s DisCon III media briefing with chair Mary Robinette Kowal and vice-chairs Marguerite Smith and Lauren Raye Snow has been posted to Facebook.com.  

(3) AN AMERICAN ORIGINAL. “America’s first vampire was Black and revolutionary – it’s time to remember him” urges The Conversation’s Sam George.

In April of 1819, a London periodical, the New Monthly Magazine, published The Vampyre: A Tale by Lord Byron. Notice of its publication quickly appeared in papers in the United States.

Byron was at the time enjoying remarkable popularity and this new tale, supposedly by the famous poet, caused a sensation as did its reprintings in Boston’s Atheneum (15 June) and Baltimore’s Robinson’s Magazine (26 June).

The Vampyre did away with the East European peasant vampire of old. It took this monster out of the forests, gave him an aristocratic lineage and placed him into the drawing rooms of Romantic-era England. It was the first sustained fictional treatment of the vampire and completely recast the folklore and mythology on which it drew.

By July, Byron’s denial of authorship was being reported and by August the true author was discovered, John Polidori.

In the meantime, an American response, The Black Vampyre: A Legend of St. Domingo, by one Uriah Derick D’Arcy, appeared. D’Arcy explicitly parodies The Vampyre and even suggests that Lord Ruthven, Polidori’s British vampire aristocrat, had his origins in the Carribean. A later reprinting in 1845 attributed The Black Vampyre to a Robert C Sands; however, many believe the author was more likely a Richard Varick Dey (1801–1837), a near anagram of the named author.

What is so remarkable about this story is that it is an anti-slavery narrative from the early 1800s which also contains America’s first vampire who is Black…. 

(4) CORA’S NEW FANCAST Q&A. Cora Buhlert has another Fancast Spotlight up today since the replies seem to be coming in all at once. The latest is a Foundation podcast called Seldon Crisis: “Fancast Spotlight: Seldon Crisis”.

Why did you decide to start your podcast or channel?

I read the full Foundation series for the first time last summer during lockdown. I had read the trilogy in my youth but had forgotten most of it and it was pure joy to re-read it. I had that common feeling after reading a great work of literature of wanting to share it with others, and decided the easiest way to share it with the world was in podcast form. I had no knowledge of the AppleTV series until after I’d written the first several scripts.

(5) ANATHEMA’S FUNDING APPEAL. Anathema: Spec From the Margins, a semiprozine featuring SFF by people from marginalized backgrounds, is looking for funding for its year six: Anathema: Spec from the Margins Year Six” at Indiegogo.

Anathema is an Ignyte Award-nominated online tri-annual magazine of speculative fiction (SF/F/H, the weird, slipstream, fabulism, and more). We exclusively publish the work of people of colour (POC)/Indigenous/Aboriginal creators on every range of the LGBTQIA spectrum….

…We’ve had the chance to be a home to stories that have a hard time getting picked up elsewhere – some for being too unusual, others too nakedly queer, others just not fitting the expected mold a primarily white publishing establishment wants from QBIPOC creators. Anathema, by intent, occupies a radical socialist queer space in the larger genre conversation. And in so doing we walk in the footsteps of giants, our own path fleeting and hope that the work we do can leave some lasting mark. But that takes funds. And we are not yet a self-sustaining entity. We earn some revenue through our website store, but most of our operating funds come from informal subscription drives and more formalized fundraising campaigns like this one….

(6) S&S KICKSTARTER. Tales from the Magician’s Skull, a magazine publishing good modern sword and sorcery, is also running a Kickstarter for its next issues. They have already passed their goal, Cora Buhlert calls them “A good magazine that deserves to be better known” — “More Tales From The Magician’s Skull by Goodman Games” at Kickstarter. No wonder they’re raking in the money – look at this special incentive if you pledge at the highest level.

(7) ORIGINAL EQUIPMENT. “A Beloved William Shatner Star Trek Prop Is Selling For Half A Million Dollars” – GiantFreakinRobot has the story. (Click for larger image.)

In the vast world of Star Trek lore, there are plenty of iconic pieces to collect. From communicators and uniforms, phasers and tribbles, and even blaster rifles, the Star Trek fandom puts significant meaning to collectible items, some of which can be difficult to come by. Now, eager Trekkie collectors can gush over the recently announced auction of the one-of-a-kind phaser used by Captain James T. Kirk in his pilot episode. The rifle is being sold by a private collector with Heritage Auctions in Dallas, Texas; and it can be yours for just half a million dollars (no energy credits accepted).

The phaser rifle made its Star Trek appearance during the original series second pilot episode, Where No Man Has Gone Before…. 

Get your bid down on this item here at Heritage Auctions.

(8) A FACE TO MEET THE FACES. For this installment of Building Beyond, “Mask On, Mask Off”, the premise is: “Over the course of every person’s life, they grow a mask.”

Sarah Gailey is joined by Greg Kasavin and Nome to develop worlds around this idea.

(9) MEMORY LANE.

1976 – Forty-five years ago, one of the better pieces of horror got released in Carrie. It was based on the Stephen King novel of the same name, and it was directed by Brian de Palma being his first hit. Lawrence D. Cohen wrote this screenplay as he would the third version thirty seven years later. It had a stellar cast of Sissy Spacek, Amy Irving, William Katt, Nancy Allen. and John Travolta. 

Like most horror films of the time and particularly King films, it had a truly minuscule budget of under two million dollars which is why it was a box office success when it made just thirty four million. 

So what did the critics think of it? One and all they loved it madly with Roger Ebert saying that it was an “absolutely spellbinding horror movie” and Pauline Kael calling it the “best scary-funny movie since Jaws”. 

Audience reviewers at Rotten Tomatoes give it a rather scary seventy-seven percent rating. As I noted above, there are three more films made off the novel, one in 2002 and one in 2013. Neither, not surprisingly to me, fares particularly well at Rotten Tomatoes. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 3, 1929 — Neal Barrett, Jr. He was nominated for a Hugo at Noreascon 3 for his “Ginny Sweethips’ Flying Circus” short story. He was Toastmaster at LoneStarCon 2.  He was prolific writing over two dozen novels and some fifty pieces of short fiction including a novelization of the first Dredd film. As good as much of his genre work was, I think his finest, best over the top work was the Wiley Moss series which led off with Pink Vodka Blues. He’s generously available at usual suspects. (Died 2015.)
  • Born November 3, 1933 — Jeremy Brett. Still my favorite Holmes of all time. He played him in four Granada TV series from 1984 to 1994 in a total of 41 episodes. One source said he was cast as Bond at one point, but turned the part down, feeling that playing 007 would harm his career. Lazenby was cast instead. (Died 1995.)
  • Born November 3, 1942 — Martin Cruz Smith, 79. Best remembered for Gorky Park, the Russian political thriller, but he’s also done a number of  genre novels in The Indians Won (alternate history), Gypsy in Amber and Canto for a Gypsy (PI with psychic powers) and two wonderful pulpish novels, The Inca Death Squad and Code Name: Werewolf. 
  • Born November 3, 1952 — Eileen Wilks, 69. Her principal genre series is the World of Lupi, a FBI procedural intertwined with shapeshifters, dragons and the multiverse. Highly entertaining, sometimes considered romance novels though I don’t consider them so. The audiobooks are amazing as well! 
  • Born November 3, 1953 — Kate Capshaw, 68. Best known as Willie Scott in Indiana Jones and the Temple of Doom (which I’ll confess I’ve watched but a few times unlike the first film which I’ve watched way too much), and she was in Dreamscape as well. She retired from acting several decades ago.
  • Born November 3, 1960 — Kevin Murphy, 61. American actor and writer best known as the voice and puppeteer of Tom Servo on the Mystery Science Theater 3000. He also does RiffTrax which are humorous audio commentary tracks intended to be played along with various television programs and films. 
  • Born November 3, 1963 — Brian Henson, 58. Can we all agree that The Happytime Murders should never have been done? Thought so. Wash it out of your consciousness with Muppet Treasure Island or perhaps The Muppet Christmas Carol. Or Muppets from Space. If you want something darker, he was a puppeteer on The Witches, and the chief puppeteer on Teenage Mutant Ninja Turtles. And he voices Hoggle in Labyrinth.
  • Born November 3, 1977 — Belén Fabra, 44. Here for her recurring role in the Spanish-language SF series El ministerio del tiempo (The Department Of Time). She also appeared as Captain Sanchez in Origin, a YouTube SF series that lasted but one season. 

(11) COMICS SECTION.

(12) ICON OF RACISM. Witness History’s episode “The enduring legend of Fu Manchu” is available for the coming year at BBC Sounds.

The evil criminal mastermind Fu Manchu was a recurring character in Hollywood films for decades. He epitomised racist stereotypes about China and the Chinese which shaped popular thinking in the West. Vincent Dowd has been talking to writer Sir Christopher Frayling and academic Amy Matthewson about his long-lasting influence.

(13) MOVE OVER PLUTO. Galactic Journey’s Jessica Holmes covers the latest (in 1966) episode of Doctor Who: “[November 2, 1966] An Ending? (Doctor Who: The Tenth Planet)”. Notice how in this future there is still a ninth planet!

EPISODE ONE

The Doctor arrives at the Antarctic base of International Space Command in the year 1986. The men inside (and yes, even in 1986 it seems rocket science is a bit of a boys’ club) take notice of the new arrivals, but there’s no time to worry about them. The latest launch has run into trouble, reporting the sudden appearance of a new planet in the sky. Worse still, their ship is losing power….

(14) THE FIFTY-EIGHTH VARIETY. “’Christmas dinner in a can’ promises answer to supermarket shortages” the Guardian reported, but since Heinz only made 500 cans of Christmas Dinner Big Soup this year it’s already sold out, so how was that supposed to work?

If you’re still amused by the idea, see the Heinz web page for the product, which also offered an optional gift box for it.

(15) LOWERING YOUR RESISTANCE. One of the major comic book websites takes readers on a tour of the Borg Cube Advent Calendar mentioned in a recent Scroll: “Star Trek: A Closer Look at the Borg Cube Advent Calendar From Hero Collector”.

Hero Collector sent ComicBook.com one of these advent calendars to take a closer and share our impressions of it with our readers.

We’ve taken a few photos of the product and opened up a few of the gifts to give you an idea of what is inside. Don’t worry. We only opened the first four, so we’re not putting out spoilers for anyone’s holiday fun. You can take a look at what we found in the photos included below….

(16) NEWS TO ME. I hadn’t previously heard of Philip K. Dick’s novel Humpty Dumpty In Oakland til I saw the first edition being offered by L.W. Currey.

Set in San Francisco in the late 1950s, Humpty Dumpty in Oakland is a tragicomedy of misunderstandings among used car dealers and real-estate salesmen: the small-time, struggling individuals for whom Philip K. Dick always reserved his greatest sympathy.

It is one of Dick’s realistic fiction novels, and was published posthumously. Many reviewers say they find the way he tells this story has a lot in common with his science fiction.

(17) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Metroid Dread is the latest version of a Nintendo character so ancient she has ’80s shoulder pads.  But don’t call the new game Metroidmania, the narrator warns, “or I will personally come to your house and slap you!”

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John Lorentz, Chris Barkley, Daniel Dern, Lise Andreasen, John King Tarpinian, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Speculative Literature Foundation Opens Kickstarter for the Portolan Project

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Nalo Hopkinson, Andrea Hairston, Sheree Renee Thomas, and Mary Anne Mohanraj.

The Speculative Literature Foundation has launched a Kickstarter appeal to fund the Portolan Writing Project.

The Portolan Project is an open-source creative writing and literature resource. SLF is creating lessons where they interview masters of the field (including so far George R.R. Martin, Nalo Hopkinson, Kate Elliott, Paolo Bacigalupi, etc.) and editors (such as Patrick and Teresa Nielsen Hayden and Liz Gorinsky), on aspects of craft. These modules include study questions and writing exercises, both for people working on their own, and for teachers to use in the classroom.

At this first stage of the project, they’re raising funds to provide honoraria to teachers who are creating the lessons. They’ve created 10 modules so far and want to create 90 more in the next six months, so that we have 100 initial — enough to represent a wide range of writers, and let SLF start organizing them into ‘courses,’ such as:

  • speculative ecofiction (hopepunk and otherwise)
  • queer & feminist writers of the 70s: remembering our history
  • world-building: its challenges and delights
  • Black futures: on Earth, and elsewhere in the galaxy
  • vampires, fairies, and other supernatural beings (including Shakespeare!)
  • the map is not the territory: building realistic histories
  • and much more!

While the Portolan Project does not plan to become an accredited MFA, they hope to offer many of the same benefits of such a program, for free, to anyone in the world.

For more details, cool rewards, and a video of SLF Executive Director Mary Anne Mohanraj talking about the project, check out their Kickstarter for Phase 1.

[Based on a press release.]

Pixel Scroll 10/20/21 Roll Over Harkonnen And Tell Shai-Tchovsky The News

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(1) KRESS Q&A. DisCon III has posted an “Interview with Author Guest of Honor Nancy Kress” conducted by staff member Dr. Karen Purcell.

(2) FALLEN LEAVES AND HEROES. Brian Murphy shares ten spooky sword and sorcery stories for October:  “Ten Sword-and-Sorcery Tales For the Haunting Season” at Goodman Games.

…Here in New England, I find that as the leaves begin to turn and October shadows lengthen, so too do my thoughts drift from my natural sword-and-sorcery bent toward the nether regions of horror. Edgar Allan Poe and Stephen King, classic Hammer movies and bad slasher films, bring it on, all of it.

But I’m also reminded that I need not necessarily choose between the two. Sword-and-sorcery after all is bedfellows with horror. Though he loathed the term, Karl Edward Wagner described S&S as “a fascinating synthesis of horror, adventure, and imagination … the common motif is a universe in which magic works and an individual may kill according to his personal code.”…

(3) FIRST REFLECTIONS. Tom Shapira analyzes how the Holocaust was reflected in 1950s horror comics: “The Dead Come Back: Mid-Century Horror Comics & The Holocaust”.

We’ve come a long way since Art Spiegelman’s Maus. When the first collected edition published in 1986, it appeared to be a singular and wholly unimagined thing: a comic-book — garishly colored, childishly-plotted things that were mostly concerned with muscled men in tights — about the Holocaust. German philosopher Theodore Adorno once claimed that “To write poetry after Auschwitz is barbaric”…so how can one justify the writing and drawing of comic-books?!

Flash-forward to 2021 and it’s clear that Maus has long stopped being a singular event. There are many more comics about the Holocaust including two graphic adaptations of The Diary of Anne Frank (one of which recently got a movie treatment), A Family Secret, Yossel, The Boxer, Hidden, and even the superhero genre feeling confident enough to take on the subject with the likes of Magneto: Testament….

(4) HE-MAN AND SHE-RA. The Rogues in the House podcast has dedicated an entire episode to “Masters of the Universe”.

(5) START AT THE TOP. And work your way down. Mark Lawrence has finally received a satisfactory result from his recent battles with Kindle Direct Publishing.  The updated saga is here. “My attempts to get sense from KDP”.

… At this point, having aired the first version of this blog post, I get advice from self-publishing experts. Email Jeff Bezos they say. So I do.

I find his email address and email him, explaining that I understand the email will land with one of his team of assistants but that I would appreciate any help in the issue (which I then lay out).

Additionally, I remember that: hey, I’m actually published by Amazon – my Impossible Times trilogy is published by 47North (there’s a story or two in there to be told one day!), one of Amazon’s own publishing imprints. So, I also email one of the people involved in the production of those books, and she very kindly agrees to reach out to someone she knows at KDP.

A day later I get an email from the Executive KDP team! This was on October 7th. A phone call from America follows and I get to speak to a human. A charming and helpful American human called Jeremy. He tells me that both my email to Jeff Bezos and to 47North reached his desk and either one would have prompted the call. So, at least you don’t have to be published by Amazon and sell 100,000+ books for them before they’ll listen.

However – we still had another 13 exciting days to go!…

(6) SKEPTICAL RESPONSE. Following a Last Dangerous Visions progress report, J. Michael  Straczysnki fielded criticisms that the writer list (as so far revealed) lacks diverse representation. His explanations prompted further discussion in a thread Karen Osborne kicked off here.

(7) SET DECORATION. Gaiman’s co-author, the late Terry Pratchett, will be acknowledged again in the sequel: “Good Omens season 2: Neil Gaiman’s tribute to Terry Pratchett on set” – Metro News has the story.

…Terry’s scarf and hat also appeared in the first season of the show.

Several Good Omens fans shared how much they loved the dedication to Terry on set, with one writing: ‘It warms my heart to see Terry Pratchett still represented. I miss the wit and wisdom of his books.’

(8) GET YOUR KICKS. Publishers Weekly interviews the master of a comics industry financial model: “Crowdfunding a Publishing House: PW Talks with Spike Trotman”.

…Lots of prose and comics publishers have used crowdfunding to bring out new work, but few have been doing it as long or as well as C. Spike Trotman, publisher/CEO of Chicago-based independent comics publisher Iron Circus Comics. Trotman recently wrapped up her 30th Kickstarter campaign, The Woman in the Woods and Other North American Stories, a new volume of comics stories by indigenous creators which raised more than $330,000 (the goal was $20,000) in September, marking more than $2 million raised by Trotman through the platform since 2009. But beyond the quantitative success, Trotman has led the way in using crowdfunding as part of a scalable publishing business model that brings unique projects from diverse creators into the mainstream comics and trade book distribution system.

… “I have one foot in international distribution through old-fashioned methods and one foot in the world of Kickstarter,” she said. “I’m distributed by Consortium Book Sales and Distribution, a division of Ingram that specializes in the quirky small press lines.”

She explained that it is not a prevalent strategy for crowdfunders because book distributors generally expect presses to put out at least 10 books per year. “A lot of crowdfunders can’t manage 10 books for trade bookstores, and I understand because it’s really hard. What got me through the door, in addition to volume, was that I had made the step between exclusively self-distributing through conventions or a website, and a larger company like Ingram. I was already reaching out to comic stores and independent bookstores, emailing them PDFs of my books and my catalog, and giving them special discount codes if they ordered from me direct.”

By the time she approached Ingram, Trotman already had more than 40 retailers placing orders. “We couldn’t fulfill the wholesale orders of 40 or 45 stores and run the business, so it’s good they were able to work with us.”…

(9) END OF THE CYCLE. Hollywood Insider examines  “The Rise and Fall of Young Adult Dystopian Adaptation Franchises”.

The year is 2014, the Oscars release a selfie of the world’s biggest movie stars, Justin Bieber’s mugshot surfaces, Emma Watson speaks at the United Nations for gender equality, ‘The Fault in Our Stars’ popularizes the infinity sign; just about everything seems right in the world. As someone who lived and breathed the culture of 2014, everything in the world of pop-culture just seemed easy.

There is a bitter-sweet existence in knowing that decades have passed since the beginning of ‘Harry Potter’ with eight films from 2001-2011 earning 7.7 billion USD from the box office. Or the next successful franchise, ‘Twilight’ with five films from 2008-2012 earning 3.3 billion USD from the box office. Both YA franchises were the kick-start to a rapid incline of young adult dystopian films centered around political impact, connections, love, and loss. Ultimately the success of pop culture, income, and fan-bases from the ‘Harry Potter’ and ‘Twilight’ franchises became the reason as to why studios reached out to the most popular young adult novels in order to try and gain that same impact for more films. So much so that the number of franchises that were successful compared to the ones that failed before their sequel is rather devastating. At the same time, some films give off the apparent reason as to why they failed with lousy acting, even poorer attention to storyline adaptation, timing, and in cases simply didn’t work for audiences.

… With the success of the previous films mentioned, studios began to create anything they thought would be comparable or better than the previous successors. But, with the heavy amount of failures as opposed to the successes, the amount of YA dystopian fiction adaptations diminished into almost nothing. Nowadays, studios are choosing to create YA films targeting important meanings or values such as gay relationships, movements such as Black Lives Matter, or the realism of cyberbullying….

(10) MEDIA BIRTHDAY.

1967 – Fifty-four years ago on this evening, NBC first aired Star Trek’s “Doomsday Machine” which was scripted by Norman Spinrad. It was the sixth episode of the second season. The principal guest star was William Windom as Commodore Matt Decker. The episode is considered one of the finest of the series with the TV Guide ranking it the fourth best, and SciFiNow recently ranked it the tenth best episode of the original series. The special effects and much of the episode were digitally remastered fifteen years ago. And yes, it was nominated for a Hugo at Baycon, one of five Trek episodes so nominated that Con with the Harlan Ellison scripted  “The City on the Edge of Forever” being the winner. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 20, 1882 — Bela Lugosi. He’s best remembered for portraying Count Dracula in the 1931 film franchise Drácula. He came to hate that he played that character feeling he’d been typecast which he certainly had. Now tell me what’s your favorite film character that he played? (Died 1956)
  • Born October 20, 1905 — Frederic Dannay. One half with Manfred Bennington Lee of the writing team who created Ellery Queen. ISFDB lists two Ellery Queen novels as being genre, And on the Eight Day and The Scrolls of Lysis, plus a single short story, “ A Study in Terror”. (Died 1982.)
  • Born October 20, 1916 — Anton Diffring, A long career with many genre roles which I’ll note but a few of here. He was Fabian in Fahrenheit 451 who the sixty-eighth anniversary of the novel we noted yesterday, Graf Udo Von Felseck of Purbridge Manor in The Masks of Deaths (a rather well-crafted Holmes film) and he played De Flores, a neo-Nazi in “Silver Nemesis”, a most excellent Seventh Doctor story. (Died 1989.)
  • Born October 20, 1923 — Erle Korshak. He’s a reminder of how old fandom is. He discovered SF in 1934 with the August Astounding magazine and became a very serious collector in 1937 according to several sources. By 1939 he was a well-known fan and one of the leaders of the Moonstruck Press publishing house which was created to created a bibliography of all fantasy books.  He was part of the leadership triumvirate of Chicon 1, the 1940 Worldcon. He later founded a publishing house whose first major work was Everett F. Bleiler’s The Checklist of Fantastic Literature in the late Forties, a pioneering work of SF bibliography. This was followed by major works by Heinlein, Bester, Fredric Brown and other SF suthors. He was absent from fandom from the late 50s for thirty years, then rejoined fandom and was attending cons with his children.  He was inducted into the First Fandom Hall of Fame in 1996, and won the Barry R. Levin Science Fiction and Fantasy Literature Lifetime Collectors Award in 2001. (Died 2021.)
  • Born October 20, 1934 — Michael Dunn. He’s best remembered  for his recurring role on the Wild Wild West as Dr. Miguelito Loveless attempting to defeat our heroes over and over, but he has had other appearances in genre television. He would be Alexander, a court jester, in the Trek “Plato’s Stepchildren” episode and a killer clown in the Voyage to the Bottom of the Sea’s “The Wax Men” episode. He was even in the Get Smart! pilot as Mr. Big. (Died 1973.)
  • Born October 20, 1937 — Emma Tennant. To the manor born and a lifelong supporter of Labour, ISFDB lists nine of her novels as being as SFF. As the Literary Encyclopedia  says “ Her work is feminist, magical and wicked, and uses the fantastic and the Gothic to interpret and explore everyday women’s roles.“ I’ve not read her, so do tell me about her please if you’ve read her! (Died 2017.)
  • Born October 20, 1958 — Lynn Flewelling, 63. The lead characters of her Nightrunner series are both bisexual, and she has stated this is so was because of “the near-absence of LGBT characters in the genre and marginalization of existing ones.” (As quoted in Strange Horizon, September 2001) The Tamír Triad series is her companion series to this affair. 
  • Born October 20, 1966 — Diana Rowland, 55. New Orleans writer with a fascinating job history that includes cop, a crime scene investigator, and a morgue assistant. She’s best known for her Kara Gillian series and White Trash Zombie series. Her only award is a Phoenix Award, a lifetime achievement award for a science fiction professional who has done a great deal for Southern Fandom, given by DeepSouthCon. 

(12) COMICS SECTION.

(13) BLACK PANTHER #200. Marvel’s Black Panther comics will reach its milestone 200th issue in January. To celebrate, Black Panther #3 will be an oversized issue with bonus stories celebrating the past and foreshadowing the future of the Black Panther and the world of Wakanda. (Click on gallery for larger images.)

Writer John Ridley will introduce a new hero who rises up to protect the people of Wakanda while T’Challa finds his life and role as Black Panther thrown into turmoil! Fans will be able to witness the beginning of this new hero’s journey before seeing him become a key player of Ridley’s run in future issues.

In addition, the main story in the 200th issue of BLACK PANTHER will see T’Challa face off against the X-Men! With assassins closing in and Wakanda’s faith in him shaken, T’Challa goes to visit Storm on the newly terraformed Mars. But this will not be a happy reunion as T’Challa has ulterior motives for his visit. And back home, Shuri discovers who is behind the attacks on Wakanda’s secret agents — a revelation that will change everything.

(14) SCHWAB Q&A. “V.E. Schwab’s New Graphic Novel Returns to her Villains Series”, and Publishers Weekly did an interview with her.

Publishers Weekly: The power you gave Charlotte is a truly horrifying one: When she looks at someone’s reflection, she can vividly foresee the moment of their death. How did you come up with that?

V.E. Schwab: It’s the very first power I ever created for the Villains universe. In the first iteration of Vicious, I had as my main character a man who arrives in this city and two warring groups of people try to recruit him, the Heroes and the Villains. They’re essentially gangs. This character had this ability to see deaths in reflective surfaces, and I loved that ability. The story didn’t work. I ended up just stopping for a minute to write the backstories for the gang leaders, and that’s where I got the Victor and Eli story which would go on to be the series. But I always was looking for someone to give this power to. The way that the powers work in this world is that they’re tied to near-death experiences. You can’t just give the power to anyone; you almost have to retroactively figure out the person from the power. So I had to figure out what circumstance puts Charlotte into the situation where she has a near-death experience that leads to this ability. 

(15) AT THE SCREENING. At Black Gate, Matthew David Surridge reviews an interesting-looking animated fantasy film called The Spine of Night:  “Fantasia 2021, Part XXXII: The Spine Of Night”

 …The feature film it was bundled with was the movie I’d been most eagerly looking forward to at Fantasia, and it did not disappoint. The Spine of Night, written and directed by the team of Morgan Galen King and Philip Gelatt, is billed as a feature-length animated sword-and-sorcery film for adults in the vein of the Heavy Metal movie. And it very much is that. It’s more serious than Heavy Metal in many ways, but the violence and cosmic scope is if anything even greater….

(16) SPACE CUISINE CHALLENGE. This is not your father’s space ice cream — or — chow, chow, chow — or — “NASA Announces Winners of Deep Space Food Challenge”. (The chosen teams are listed at the link.)

Variety, nutrition, and taste are some considerations when developing food for astronauts. For NASA’s Deep Space Food Challenge, students, chefs, small businesses, and others whipped up novel food technology designs to bring new solutions to the table.

NASA has selected 18 U.S. teams to receive a total of $450,000 for ideas that could feed astronauts on future missions. Each team will receive $25,000. Additionally, NASA and the Canadian Space Agency (CSA) jointly recognized 10 international submissions.

NASA Television, the NASA app, and the agency’s website will air a show on the Deep Space Food Challenge at 11 a.m. EST Nov. 9 with details about the competition, winning solutions, and what could be next for the teams.

Special guests during the show will include celebrity chef Martha Stewart and retired NASA astronaut Scott Kelly, who will announce the winners of two awards honoring international teams that demonstrated exceptional innovation. Other participants will include retired CSA astronaut Chris Hadfield and celebrity chef Lynn Crawford…

(17) LIKE THAT WHALE IN OREGON? “The often untold story of cleaning up dead kaiju finally coming to theaters next year” promises SoraNews24. I knew I’ll be holding my breath.

…And coming 4 February, 2022, a truly bold experiment in the genre is set to take place. Daikaiju No Atoshimatsu (lit. “The Great Monster’s Remains“, tentative English title: Kaiju Cleanup) marks the first time veteran film studios Shochiku and Toei have teamed up on a single feature. Perhaps the reason two companies were needed is that this movie boasts the largest monster in Japanese movie history.

However, it’s dead for pretty much the whole film….

That’s because Daikaiju No Atoshimatsu picks up where most tokusatsu films leave off. The evil kaiju collapses in defeat, the hero walks off into the sunset, and credits roll, but also those poor extras who have already been through so much, now have a gigantic rotting corpse to dispose of….

(18) VINTAGE VINELAND. A study published in Nature finds “In tree rings and radioactive carbon, signs of the Vikings in North America” reports NBC News.

… Previous studies have established there was such a cosmic ray event in the year 993 that for a few months caused greater than usual levels of radioactive carbon-14 in the carbon dioxide of the atmosphere.

Trees “breathe” carbon dioxide as they grow, and so the researchers used that radioactive carbon signature to determine which of the annual growth rings seen in cross-sections of the wood was from 993, Kuitems said.

They then used a microscope to count the later growth rings until the bark of the wood, which gave them the exact year the tree had stopped growing — in other words, when it had been felled by the Norse.

To their surprise, each of the three pieces of wood they tested was from a tree cut down in 1021, although they were from three different trees — two firs and probably one juniper….

(19) LOST AND FOUND. Cowboy Bebop’s “The Lost Session” teaser debuts online. The live-action remake arrives at Netflix November 19.

(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Squid Game Pitch Meeting” on Screen Rant, Ryan George, in a spoiler-packed episode, confuses the producer, who thinks the game is in the Shark Tales universe.  But why are the bad guys pretending to be PlayStation buttons?

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, Dann, Cora Buhlert, Lise Andreasen, John King Tarpinian, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 9/24/21 Scrolling Pixels Give You So Much More

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(1) SUES WHATEVER A SPIDER CAN. The heirs of Steve Ditko filed to reclaim their rights to some well-known Marvel characters – now Marvel is suing to prevent them. The Hollywood Reporter looks over the filings in “Marvel Suing to Keep Rights to ‘Avengers’ Characters”.

Disney’s Marvel unit is suing to hold on to full control of Avengers characters including Iron Man, Spider-Man, Dr. Strange, Ant-Man, Hawkeye, Black Widow, Falcon, Thor and others.

The complaints, which The Hollywood Reporter has obtained, come against the heirs of some late comic book geniuses including Stan Lee, Steve Ditko and Gene Colan. The suits seek declaratory relief that these blockbuster characters are ineligible for copyright termination as works made for hire. If Marvel loses, Disney would have to share ownership of characters worth billions.

In August, the administrator of Ditko’s estate filed a notice of termination on Spider-Man, which first appeared in comic book form in 1962. Under the termination provisions of copyright law, authors or their heirs can reclaim rights once granted to publishers after waiting a statutory set period of time. According to the termination notice, Marvel would have to give up Ditko’s rights to its iconic character in June 2023….

If the plaintiffs win, Disney expects to at least hold on to at least a share of character rights as co-owners. The studio would have to share profits with the others. Additionally, the termination provisions of copyright law only apply in the United States, allowing Disney to continue to control and profit from foreign exploitation.

(2) LIKE PEANUT BUTTER AND CHOCOLATE. Lincoln Michel on why noir blends well with sf, at CrimeReads: “Why Noir and Science Fiction Are Still a Perfect Pairing”.

… I think the answer lies first in the fact that both genres have an inherent critique of the social order. They question the state of the world, refusing to just accept the corruption, inequality, and destruction as “the way things are.” Or at least saying, sure, it’s the way things are, but it’s still screwed up.

While other crime genres are often fundamentally a defense of the status quo—police procedurals focus on petty criminals and heroic cops, spy thrillers defeat threats to the established global order—noir presents the established order as crime. It is the rich and the powerful, and the institutions that serve them, that are the true villains. (Of course this isn’t true of every single noir work, but it is of the ones that influenced SF subgenres like cyberpunk.) Take Dashiell Hammett’s masterpiece Red Harvest, in which a rich man and a corrupt police force collaborate with gangs to crush poor workers. Or Chinatown, in which a business tycoon controls government institutions to choke off water supplies. This critique of the social order is why the prototypical hardboiled (anti)hero exists outside of the official law enforcement structure. They’re not a police officer, FBI agent, or government spy. They’re a private investigator, and sometimes even unlicensed as in the case of Walter Mosley’s Easy Rawlins, and realize that the legal system is as corrupt as the organized crime it is fighting…and often in bed with.

(3) RAUM, THE FINAL FRONTIER. Cora Buhlert describes West German TV’s new (in 1966) space adventure show: “[September 24, 1966] Science Fiction TV from West Germany: Space Patrol: The Fantastic Adventures of the Spaceship Orion: Episode 1: Attack From Space” at Galactic Journey.

…The series has the unwieldy title Raumpatrouille – Die Phantastischen Abenteuer des Raumschiffs Orion (Space Patrol – The Fantastic Adventures of the Spaceship Orion), which viewers have already shortened to Raumpatrouille Orion or just plain Orion.

Like the new US series Star Trek, Space Patrol Orion starts with an opening narration, courtesy of veteran actor Claus Biederstaedt, which promises us a fairy tale from the future. In the year 3000 AD, nation states have been abolished. Humanity has settled the ocean floor and colonised far-flung worlds. Starships, including the titular Orion, hurtle through space at unimaginable speeds.

An impressive title sequence and a spacy and very groovy theme tune follow, courtesy of Peter Thomas, who also supplies the music for the Edgar Wallace and Jerry Cotton movies….

(4) TANKS FOR THE MEMORIES. By George, Steve Davidson makes a good point: “Space Force Uniform Controversy” at Amazing Stories.

The Space Force, America’s latest (and completely unnecessary) military branch unveiled its proposed service uniform.

A lot of fans (and fan-adjacent television watchers) have remarked that the proposed dress uniform greatly resembles those created for the entirely fictional space navy depicted in Battlestar Galactica (the completely unnecessary re-boot, to be precise).

Yes, yes it does.  However, those more familiar with real military history would probably be more inclined to think that the new digs for Space Force look more like General George S. Patton’s tanker’s uniform that the general proposed between world wars one and two; about the only difference between uniforms then and uniforms now is Patton’s addition of a football helmet, while it is very unlikely that Space Force will adopt the recommended propeller beanie….

Comparative photos at the link.

(5) COVER SCORES. The public’s choices for best covers in the Self-Published Science Fiction Competition have been announced – and the outcome was a lot close than expected.

(6) JO WALTON KICKSTARTER. A funding appeal launched at Kickstarter aims to produce a Lifelode Audiobook by Jo Walton.

Lifelode is a Mythopoeic Award winning fantasy novel by Jo Walton that has never had an audiobook. Jack Larsen is a young man from New Zealand who has a wonderful voice for reading aloud and wants to become an audiobook reader. Together, they could be amazing…

Jo Walton writes:

The main point of this is to try to kickstart the audiobook reading career of young New Zealand fan Jack Larsen, whose wonderful reading voice has been a mainstay of the Scintillation community through the pandemic.

They will have Jack read the book in a professional studio and have it professionally edited (which is the part which costs all the money) and then sell it where all good audiobooks are sold. 

At the Kickstarter site you can listen to Jack read the first chapter — click on the video there (which is just audio). Bear in mind, Jack did this demo on his phone.

As of today’s writing the appeal has raised $2,457 of its $7,891 goal.

(7) FOUNDATION LAYS ITS CORNERSTONE. Camestros Felapton supplies detailed comments about the beginning of the new series: “Review: Foundation Episode 1 (Apple TV)”.

2021 for all its faults, is offering fans of classic science fiction two (potential) treats: a new movie version of Dune and a TV adaptation of Isaac Asimov’s Foundation series. It’s interesting that of these two highly influential stories that with first you can make a good guess about what specific scenes will appear and in the second I’ve no idea what we will be getting….

Warning, it’s spoilers all the way down from there.

(8) PARTS IS PARTS. In contrast, Rolling Stone’s Alan Sepinwall isn’t a believer. “New Formula for ‘Foundation’ Doesn’t Add Up”.

…Like psycho-history itself, all of these changes make sense in theory. But none of them quite accomplish what the show’s creative team needs them to. This Foundation is, like the clones’ palace on the capitol planet of Trantor, stunning to look at(*) but ultimately cold and sterile. Despite the cast and crew’s best efforts — and what appears to be an unlimited budget, even by Apple’s lavish standards — this Foundation remains an assemblage of concepts in search of a compelling TV show….

(9) LANGDON JONES (1942-2021). Author, editor and musician Langdon Jones, whose short fiction primarily appeared in New Worlds, beginning with “Storm Water Tunnel” in 1964, has died, Michael Moorcock reported on Facebook.

One of my closest, longest and best friendships was with Lang Jones, a talented composer, editor and writer, one of the most modest people I have ever known, with the sweetest nature of almost any human being I’ve met. He was Assistant Editor of New Worlds. He restored Titus Alone by Mervyn Peake to the edition you probably read and wrote the music for The Rhyme of the Flying Bomb.  You can hear his lively piano on The Entropy Tango.  His own collection of stories The Great Clock, remains his only published fiction.  I last saw him about two years ago, at the wonderful wedding of his daughter Isobel to Jason Nickolds, for whom he was extremely happy, and he said he had stopped writing and composing and had never felt better.  He leaves a son, Damon, as well as his daughter.  One of the few people of whom it’s possible to write: Loved by all.

(10) MEDIA BIRTHDAY.

1964 – Fifty-seven years ago, Mary Poppins had its New York City premiere. (Yes, it’s genre as a flying nanny is surely within our realm.) It was directed by Robert Stevenson from the screenplay by Bill Walsh and Don DaGradi as based off P. L. Travers’s Mary Poppins series. It was produced by Walt Disney and starred Julie Andrews in her first screen acting role. Principal other cast were Dick Van Dyke, David Tomlinson and Glynis Johns. The film was shot entirely at the Walt Disney Studios in Burbank, California, using painted London background scenes.  

It won’t surprise you that the film received universal acclaim from film critics, and that Julie Andrews and Dick Van Dyke got lavish praise. Box office wise, it earned some forty five million dollars on an estimated budget of four or so million dollars (Disney never released the budget officially) and it’s had at least another hundred million in box office rentals as well since then.

Audience reviewers currently at Rotten Tomatoes give it an excellent eighty-eight percent rating. A sequel, Mary Poppins Returns, was recently released and it too rates high among audience reviewers currently at Rotten Tomatoes with a sixty five percent rating. Dick Van Dyke has a new role in it. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 24, 1922 — Bert Gordon, 99. Film director most remembered for such SF and horror films as The Amazing Colossal Man, Village of the Giants and The Food of the Gods (based of course on the H.G. Wells’ novel The Food of the Gods and How It Came to Earth).  His nickname “Mister B.I.G.” was a reference both to his initials and to his preference for directing movies featuring super-sized creatures. 
  • Born September 24, 1934 — John Brunner. My favorite works by him? The Shockwave Rider, Stand on Zanzibar which won a Hugo at St. Louiscon and The Sheep Look Up. I’m also fond of The Squares of The City which was nominated for a Hugo at Tricon. That was easy. What’s your favorite works by him? (Died 1995.)
  • Born September 24, 1936 — Jim Henson. As much as I love The Muppet Show, and I’ve watched every show at least twice, I think The Storyteller is his best work. That’s not to overlook Labyrinth, The Witches and The Dark Crystal and the first two Muppets films which are also excellent. Warning note: the three newest takes done on The Muppets suck beyond belief. Disney should be ashamed. (Died 1990.)
  • Born September 24, 1945 — David Drake, 76. Writer with his best-known solo work being the Hammer’s Slammers series of military science fiction which are space operas inspired by the Aubrey–Maturin novels. He has also drafted story ideas that were then finished off by co-authors such as Karl Edward Wagner, S.M. Stirling, and Eric Flint. He’s very, very well stocked at the usual suspects. 
  • Born September 24, 1945 — Ian Stewart, 76. Mathematician and  writer. He makes the Birthday Honors for the four volumes in The Science of Discworld series he wrote with Jack Cohen and Terry Pratchett. It was nominated for a Hugo at Chicon 2000. Each of the books alternates between the usually absurd Discworld story and serious scientific exposition. (All four volumes are available from the usual suspects.) He would write a number of genre novels, none of which I’m familiar with. Anybody here read his works? 
  • Born September 24, 1951 — David Banks, 70. During the Eighties, he was the Cyberleader on Doctor Who in all the stories featuring the Cybermen — Earthshock (Fifth Doctor story), The Five Doctors, Attack of the Cybermen (Sixth Doctor story), and Silver Nemesis (Seventh Doctor story). In 1989, he played the part of Karl the Mercenary in the Doctor Who: The Ultimate Adventure stage play. There were two performances where he appeared as The Doctor as he replaced Jon Pertwee who had fallen ill.
  • Born September 24, 1957 — Brad Bird, 64. Animator, director, screenwriter, producer, and occasionally even a voice actor whom I’m going to praise for directing The Iron Giant (nominated for a Hugo at Chicon 2000), The Incredibles (winner of Best Dramatic Presentation, Long Form at Interaction), Incredibles 2 and Tomorrowland. He’s the voice of Edna Mode in both the Incredibles films. 
  • Born September 24, 1965 — Richard K. Morgan, 56. The Takeshi Kovacs novels are an awesome series  which are why I haven’t watched the Netflix series. His fantasy series, A Land Fit For Heroes, is on my TBR, well my To Be Listened To pile now. And yes I read Thin Air, the sequel first and it’s quite excellent. 

(12) COMICS SECTION.

A meeting with the shrink is the subject of today’s Wulffmorgenthaler-239 at Politiken. Lise Andreasen supplies the translation from Danish:

So … You left him, you killed his aunt and uncle, you blew up his sister’s planet, you chopped his hand off … and NOW you want him to consider you a father figure and join you “on the dark side”. How do you think Luke feels about it?

https://twitter.com/Frk_Vedfald/status/1441118392233070593

(13) TRUTH OR CONSEQUENCES. Or both… Shat might be on his way to space after all these years — “Beam me up? TMZ says William Shatner will take Blue Origin suborbital space trip”.

The next crewed suborbital spaceflight planned by Amazon founder Jeff Bezos’ Blue Origin space venture — which could launch as early as next month — is due to carry Star Trek captain William Shatner, according to the TMZ celebrity news site.

If the report based on unnamed sources is true, that would make Shatner the oldest person to fly in space at the age of 90, besting the record set by 82-year-old aviation pioneer Wally Funk during the first crewed flight of Blue Origin’s New Shepard suborbital spacecraft in July….

(14) THE WARMED-UP EQUATIONS. “’Astronauts check our scripts!’: inside the new age of sumptuous sci-fi TV”. The Guardian tells how we got here.

…The current renaissance can be traced to Moore’s groundbreaking 2004 reimagining of hokey 70s space odyssey Battlestar Galactica. Updating the premise for a post-9/11 TV landscape, he turned a niche sci-fi story into mainstream watercooler TV. “Whether you liked sci-fi or not, you found yourself binging all these seasons,” says Ben Nedivi, one of Moore’s co-creators on For All Mankind. 

While Star Trek, too, is thriving in the current sci-fi landscape, with no less than five series currently in production, it seems unlikely to cross the final frontier into the halls of prestige sci-fi. For Nunn, this comes down to one thing: aliens. 

While the golden age shows of the 90s relied heavily on prosthetics – and, in the case of Farscape, puppets – to present characters from other worlds, today’s sombre offerings dwell solely on human problems. “With Battlestar Galactica, you’ve got robots, but you haven’t got aliens,” Nunn points out. “And The Expanse is similar. So they can be read as science fiction but also dystopias, whereas Star Trek and Babylon 5 and Farscape, even Stargate, all had alien life-forms at their core.”…

… For Shankar, a great strength of The Expanse is that it uses space as more than just a backdrop. “This is a show that turns space into a character,” he says. With a PhD in applied physics, he served as Next Generation’s official science adviser. “On Star Trek it was really about maintaining continuity with the fake science, making sure you used the phasers when you were supposed to, and not the photon torpedoes,” he says. “The technical manual [for the Enterprise] was quite detailed, but it wasn’t real. In The Expanse we use real physics to create drama. There’s a sequence in the first season where the ships are turning their engines on and off so you’re shifting from having weight to weightlessness. Two characters suddenly lose gravity and can’t get back to where they need to be, and the solution is conservation of momentum.”

This absolute commitment to accuracy is shared by the team behind For All Mankind. “We have an astronaut who reads our scripts,” explains co-creator Matt Wolpert. “He’ll tell us when we come up with ideas that are against the laws of physics.”…

(15) TED TALK. Ted White has two books out – one fiction, one non-…. Both were designed by John D. Berry, and published with the assistance of Michal Dobson’s Dobson Books. White is former editor of Amazing® and Heavy Metal® magazines and a past Best Fan Writer Hugo winner.

He’d been set up. Someone (and “independent consultant” Ray Phoenix was pretty sure who) had filed a phony stolen car report. When a freak bus accident allows him to escape into the woods, Ray lands in an entirely new world of trouble – small-town cocaine dealing, counterfeit money, and a web of strange and violent relationships that will take all of Ray’s considerable skills to unravel.

In 1986, legendary science fiction writer and editor Ted White went to jail for possession and sale of marijuana. A prolific correspondent, Ted kept up a steady stream of letters during his confinement that vividly and powerfully detail everyday life behind bars, from relationships with other prisoners and guards to living in cells and common rooms – not to mention the fine jailhouse cuisine. (Seriously, don’t mention it.) Ted White’s letters make you feel like you’re really in jail…and really glad you’re not.

(16) DISCONTENT. [Item by David Doering.] I caught this piece on TechDirt today. It appears that Sony’s art department enjoyed this fan artist’s rendering of She-Venom so much they included it in their official poster. Too bad they didn’t acknowledge that or offer to pay for it.  I certainly see more than just coincidence here. Even if Sony/others have the rights to the character, the similarities are too striking to not say the Sony version owes something to the fan artist. The comments debate both sides. “Sony Pictures, Defenders Of The Creative Industry, Appears To Be Using Fan Art Without Giving Credit”

… You can say the images don’t match up precisely if you like, but they’re certainly very damned close. As mentioned about similar past cases, this likely isn’t a copyright infringement issue; the fan artist doesn’t own any rights to the character he drew. But, again, if the copyright industries are going to do their maximalist routine under the guise of protecting those that create content, well, fan art is content…. 

(17) EVADING THE SURVEILLANCE SOCIETY. [Item by SF Concatenation’s Jonathan Cowie.] BBC Radio 4’s The Digital Human episode “Faceless” notes that it’s becoming harder to hide from facial recognition technology and asks what does this means for people who protest against political systems … So we are SF fans and know all about Orwell’s 1984, William Gibson’s novels etc.  Or do we?  It looks like things are getting worse, but there are ways to fight back…. Digital Human looks at the issues with examples from a non-political English teacher becoming a wanted terrorist on the run in 12 days, to counter-measures.

Johnathan Hirshon works in PR and marketing and describes himself as ‘The Faceless man’ because he’s managed to keep his face off the internet for over twenty years. This may seem extreme but Neda Soltani explains how one online photo of her face, meant she had to leave her family, country and profession. Artist and curator, Bogomir Doringer whose archived and curated thousands of faceless images off the internet talks about how technology is not only choreographing the way we use our faces but persuading us to hand over our biometric data with our use of apps that change the way we look. .

Artist Zach Blas is interested in queer culture and has created masks using biometric data from minority groups, to push back on the possibility of people being categorised by biometrics. Zach uses masks to show that facial recognition technology can be disrupted. Stephen has been trying to do just that. Stephen is from Hong Kong and spent the summer protesting against the Extradition bill. He and his fellow protesters wore masks to evade identification from the police and Hong Kong’s smart lamp posts. The remit of the protest grew when the wearing of masks by protesters was banned. Stephen believes that by using facial recognition technology on the streets of Hong Kong the authorities in Hong Kong and China are creating a sense of ‘white terror’. Stephen is now protesting in the UK but still feels this ‘white terror’. While protesting people from mainland China have been taking photos of him and other protesters. He knows that photos can go global and by using facial recognition tech he could be easily identified. Is it becoming impossible to escape recognition even when we would like to hide?

(18) HE BLABBED. Tom Hiddleston tells Loki stories: Untold: Tom Hiddleston.

(19) AN ADVENTURE WITH COMPANIONS. Yes! Another excuse to watch David Tennant! “Around the World in 80 Days” will air on PBS.

David Tennant stars as literature’s greatest explorer Phileas Fogg in a thrilling new adaptation of Jules Verne’s classic adventure novel coming to MASTERPIECE on PBS. (Air date to be announced.)

[Thanks to Mike Kennedy, Andrew Porter, Martin Morse Wooster, JJ, Lise Andreasen, David Doering, SF Concatenation’s Jonathan Cowie, Michael Toman, John King Tarpinian, and Cat Eldridge for some of these stories. Title credit belongs to contributing editor of the day Jack Lint.]

Pixel Scroll 9/15/21 You Load Fifteen Pixels, What Do You Get?

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(1) NEW FIRST DOCTOR ANIMATION PLANNED. The next classic Doctor Who adventure to be animated using archival fragments is the opening story of the third season, “Galaxy Four”, reports the BBC.

Galaxy 4 (alternatively spelled Galaxy Four) is the mostly-missing first serial of the third season of Doctor Who, which originally aired in four weekly episodes from 11th September to 2nd October 1965.

Audio-only recordings of all four episodes have survived from this classic story, and have been used to create a brand new, fully animated story, filling the gaps alongside the original surviving Episode 3 and over five minutes of original footage from the otherwise lost Episode 4.

The Doctor and his travel companions, Vicki and Steven land the TARDIS on a planet which is on the verge of total annihilation, as it drifts too close to the three suns it orbits. Trapped on the planet with them are the Drahvins, a race of warrior women, and the Reptillian Rills.

The Drahvins want to steal the Rills spacehip to escape the planet’s death throes, and enlist the Doctor’s help, which he is forced to give when Maaga, the cunning Drahvin leader, keeps Vicki and Steven as hostage. Even though the Doctor is determined to broker a peace deal between the two sides, Maaga doesn’t trust him, or the Rills…

This two disc release gives fans the opportunity to enjoy the four new animated episodes of Galaxy Four in either colour or black and white.

(2) FIYAHCON PUBLISHES CONTENT RELEASE FORM. On the eve of FIYAHCON 2021, which begins tomorrow, the convention leadership has addressed a Twitter kerfuffle.

Kim Yoon Mi evidently was dissatisfied with some terms of the release that FIYAHCON is asking panelists to sign and aired some criticisms on Twitter. Initially, the release’s language was not being quoted, but L. D. Lewis subsequently made it available for public review. (See below.)

Here are screencaps of several of Kim Yoon Mi’s points.

Here are excerpts from L.D. Lewis’ replies on Twitter.

This preface precedes the copy of the consent form:

This is the agreement copy for the Consent Release Form sent to all panelists so they may optionally have their programming item included in FIYAHCON’s Archives. As of this writing, it has been signed without complaint by 302 panelists across both of FIYAHCON’s events, and all caveats have been respected. The document was crafted with the assistance of Marguerite Kenner, a legal expert and active participant in the SFF Community. Questions, concerns, and requests for clarity are welcome and encouraged at [email protected].

(3) 2001 MINUS 71. Fanac.org’s latest additions include a scan of Futurian v3n1 (1940) which contains Arthur C. Clarke’s article, “How To Build A Spaceship.” Clarke thought his rocket would only cost £250,000 to build – a rather surprising bargain when compared with the cost to construct the first Queen Mary passenger ship, £3.5 million in 1934 (says the Wikipedia).

As far as I can remember, no Science Fiction author has ever had the nerve to describe a rocket propelled spaceship as it really must be. Writers such as Manning (“The Wreck of the Asteroid”) and the painstaking German authors have spoken glibly of step rockets, but they have all fallen short of reality. This article will therefore consist largely of a systematic debunking of rocketships. The amount of energy needed for any interplanetary voyage can be accurately calculated, so we know what a spaceship has to be capable of if it is to do its job. We also know the energy content of our best fuels and a simple calculation gives us the quantity of, say, hydrogen and oxygen we need for any particular journey. The result is depressing: so depressing” in fact that Science Fiction has ignored it with the same verve that enabled E.T. Snooks, D.T.G. to repeal the equally inviolable law of inverse squares. To take one ton of matter to the Moon and back requires several hundred tons of the best fuels we possess. Faced with this situation we can do one of two things. We can sit twiddling our thumbs until a better fuel comes along, or we can try and do the job with the materials we have. Course one is not likely to get us very far…

(4) NATIONAL BOOK AWARDS LONGLISTS. The National Book Awards Young People’s Literature longlist includes these titles of genre interest.

  • Home Is Not a Country, Safia Elhillo (Make Me A World)
  • A Snake Falls to Earth, Darcie Little Badger (Levine Querido)
  • Too Bright to See, Kyle Lukoff (Dial)
  • The Mirror Season, Anna-Marie McLemore (Feiwel and Friends)

The judges are Pablo Cartaya (presenter), Traci Chee, Leslie Connor, Cathryn Mercier (chair), and Ibi Aanu Zoboi.

The National Book Awards 2021 Longlist for Translated Literature includes one book of genre interest:

  • On the Origin of Species and Other Stories by Bo-Young Kim. Translated by Joungmin Lee Comfort and Sora Kim-Russell

The complete longlists are at the link. Five finalists in each category will be announced October 5. The winners will be revealed on November 17. Finalists receive a $1,000 prize, a medal, and a judge’s citation. The winners will receive $10,000 and a bronze sculpture.

(5) YA RATINGS SITE DOA. The YAbookratings.com site has been taken down since Foz Meadows unloaded on it the other day. Meadows’ thread, which includes some screencaps of what she reacted to, starts here.

(6) WORRIED ABOUT LIFE ON EARTH. The New York Times profiles the Tennessee author whose novel is on the Booker Prize shortlist: “Richard Powers Speaks For the Trees”. (No relation to the sff artist of the same name.)

…He was hiking in the woods nearby one day when he had the idea for his new novel, “Bewilderment,” which W.W. Norton will release on Sept. 21. Set in the near future, “Bewilderment” is narrated by Theo Byrne, an astrobiologist whose search for life on other planets feels increasingly futile in the face of the coming collapse of life on Earth. As he struggles with the disasters unfolding around him, Theo fears for his 9-year-old son, Robin, who is consumed by grief over the death of his mother and the fate of the planet.

The novel is shaping up to be a literary prize contender and was named to the Booker Prize shortlist on Tuesday. “Bewilderment” marks Powers’s latest and perhaps furthest foray into science fiction, but it has ominous echoes of contemporary America — catastrophic weather, political unrest, a Trump-like president who tweets erratically and spouts conspiracy theories about election fraud, a deadly virus that jumps from cows to humans and spreads rapidly before it gets detected….

(7) ELLISON’S ICONIC HOME. Tim Kirk posted photos of Harlan Ellison and a visitor admiring the “Aztec Martian” facade of Harlan’s home which was designed and sculpted by Tim’s brother Steve Kirk. Also at the link, a shot of Steve and Tim inside Harlan’s study; Steve sculpted the “Robot Deco” totems visible in the foreground.

(8) MEMORY LANE.

1965 – On this evening fifty six years ago on CBS, Lost in Space first aired. It was created and produced by Irwin Allen whose previous SF show was Voyage to the Bottom of The Sea. Its main cast was Guy Williams, June Lockhart, Mark Goddard, Marta Kristen, Bill Mumy, Angela Cartwright and  Jonathan Harris. Oh, and The Robot was played by Bob May and voiced by Dick Tufeld. It was designed by Robert Kinoshita who did the Robot for Forbidden Planet. It would last three seasons of eighty three episodes. A Lost in Space film with a new cast would later happen, as well as a rebooted series. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 15, 1890 — Agatha Christie, or to give her full name of Dame Agatha Mary Clarissa Christie, Lady Mallowan, DBE (née Miller). ISDB lists her Harley Quin tales as being genre as they think the lead character is supernatural though no reviewers I can find think that he is. Anyone here who has read them? They also list one Hercule Poirot story, “The Big Four”, as genre as it involved apparently the use of atomic explosives in a 1927 story.  I’ll admit that I love her Murder on the Orient Express in all its film incarnations no matter who plays the lead role. (Died 1976.)
  • Born September 15, 1940 — Norman Spinrad, 81. The only novel I’ve read by him is Bug Jack Barron. My bad. And I was fascinated to learn he wrote the script for Trek’s “The Doomsday Machine” episode which is an amazing story. It was nominated for a Hugo at Baycon. So how is that he’s never won a Hugo? He did get nominated for quite a few Hugos, the “Riding the Torch” novella at Aussiecon One, Staying Alive: A Writer’s Guide  at L.A. Con II, Journals of the Plague Years at Noreascon 3 and  Science Fiction in the Real World at Chicon V. 
  • Born September 15, 1942 — Chelsea Quinn Yarbro, 79. Best known for her series of historical horror novels about the vampire Count Saint-Germain. She has been honored with the World Fantasy Award for Life Achievement, a Living Legend Award from the International Horror Guild Award and a Bram Stoker Award for Life Time Achievement. Very impressive indeed.
  • Born September 15, 1946 — Oliver Stone, 75. Jeopardy! answer: Oliver Stone. Jeopardy question: Who was the scriptwriter for the Conan the Barbarian? Yeah, isn’t that a kick? He has several genre credits one being the executive producers of the Wild Palms series, and the same for The Hand, a horror film about a comic book artist gone horribly wrong.
  • Born September 15, 1946 — Howard Waldrop, 75. I think that The Texas-Israeli War: 1999 which he wrote with Jake Saunders is my favorite work by him, but I’ve not read Them Bones. His short fiction such as “The Ugly Chickens” which won the World Fantasy and Nebula Awards is most excellent. He just won a World Fantasy Award for Lifetime Achievement. A generous selection of his work is available at the usual digital suspects. 
  • Born September 15, 1952 — Loren D. Estleman, 69. You’ll have noticed that I’ve an expansive definition of genre and so I’m including a trilogy of  novels by this writer who’s better known for his mainstream mysteries featuring Amos Walker which are set in the  Sherlock Holmes Metaverse, Sherlock Holmes vs. Dracula, Dr. Jekyll and Mr. Holmes and The Devil and Sherlock Holmes. I think it was Titan Book that maybe a decade ago republished a lot of these Holmesian pastiches of which there are more than I want to think about. ISFDB lists two other novels by him as genre, Journey of the Dead and The Eagle and the Viper.
  • Born September 15, 1946 — Tommy Lee Jones, 75. Best known as Agent K in the Men in Black franchise, he’s has done other genre, the first being in Batman Forever as Harvey Dent / Two-Face. He’s also Colonel Chester Phillips in Captain America: The First Avenger as well. He most recently appeared as Cliff McBride in Ad Astra.  Oh, and he’s in A Prairie Home Companion as Axeman. 
  • Born September 15, 1962 — Jane Lindskold, 59. My first encounter with her was the Zelazny novel she finished,  Donnerjack. It’s excellent though how much it’s Zelazny is open to debate which we did the last time I posted her Birthday. Of her own novels, I recommend The Buried Pyramid, Child of a Rainless Year and Asphodel as being very good.

(10) COMICS SECTION.

  • Bizarro shows a distant world where the movie theaters are open.

(11) GENESIS STORIES. The Salt Lake Tribune profiles four comics sellers in “How Utah’s independent comic book stores champion fandom, literacy and fantastic storytelling”.

Charles Prows was a Utah State University student in May 2013 when he decided to open a comic book store.

The almost lifelong Utah resident was on a road trip with his brother one weekend, complaining to his brother about the long path ahead: finishing his undergraduate degree and veterinary school, starting his own practice and — eventually — making enough money to retire and open a comic book store.

“That’s a really roundabout, weird way to open a comic book store,” his brother said.

His brother “ended up convincing [him]” that he should drop out of school and chase his real dream, Prows said. And he did just that — jumping in with only a few hundred dollars to his name….

(12) FINAL EXAM. James Gunn’s last book was released this summer: The Reading Protocols of Science Fiction: Discourses on Reading SF.

“The invitation came online, probably an e-mail. I was aware of the existence of SFF.net, a website that specialized in discussions of science fiction issues, often by authors who were too impatient to get their opinions published in the SFWA Bulletin, which got published every two months and was the battleground for some classic debates and sometimes name-calling… The invitation was to join a discussion–in midstream–about the protocols for reading science fiction. One of the exchanges online included a reference to the fact that I had written about the protocols in a recent article… I didn’t read the website regularly, mostly because I didn’t have time; these were busy days for me, both teaching and publishing, and my days as president of SFWA and then of SFRA were long over, and the debates were still raging about mostly the same issues. But the debates about the protocols of reading science fiction were still fresh and the discussion about them, if they existed, was still fresh. And the discussion was brisk and sharp, particularly from Damon Knight, with whom I had an interesting relationship since I had read his fiction and his critical opinions… We had met in a bar at the World Science Fiction Convention…”

And so begins James Gunn’s definitive and fascinating study of the reading protocols of science fiction — the way readers read science fiction differently than other kinds of fiction. (Or, do they?) The journey may seem academically dry, but is anything but, as it involves all sorts of beloved personalities and brawling debates about reading, writing, the very definition of science fiction itself, and what sets it apart from other fiction, and, ultimately, what makes us what we are as humans.

The lively debate involves Damon Knight and many other professional science fiction writers and critcs. The book includes Samuel R. Delany’s key essay on the subject, and several by James Gunn, to thoroughly explore the subject.

This is James Gunn’s last book, finished just before his death, and a most fitting capstone to his incredible career, all carefully put together with his friend and associate, Michael R. Page.

(13) DOROTHY DISAPPEARS. If they only had a heart. Litigation forces a DC-area brewer to rename its best-known beer. The Washington Post tells the story: “Oz forces 7 Locks Brewing beer name change”.

There’s something poignant about the new name for an old beer made by Rockville’s 7 Locks Brewing. What was originally known as “Surrender Dorothy” is now simply called “Surrender.” The Wicked Witch won and 7 Locks had to throw in the bar towel.

In this case, it was Turner Entertainment that was no friend of Surrender Dorothy. Its lawyers dropped a house on 7 Locks Brewing’s effort to trademark the name of their signature beer. (I think I may have mixed metaphors there.) “Basically, Turner owns the rights to ‘The Wizard of Oz,’” said Keith Beutel, co-founder of 7 Locks. “They claimed that we were using the term ‘Surrender Dorothy’ and they didn’t want any confusion with their branding.”…

(14) UNOFFICIAL COMPANION. A Kickstarter appeal has been launched to fund publication of Across Time and Space: An Unofficial Doctor Who Companion by Unbound.

Across Time and Space is a beautifully designed, 800-page paperback containing reviews of every televised Doctor Who story up to the present day. It is based on a blog called The Patient Centurion started by the writer Tony Cross in 2011, which now runs to over 200,000 words. The book includes an introduction from Doctor Who podcast host, Sunday Times bestselling author and all-round good guy Daniel Hardcastle. 

It is an unofficial book not in any way associated with the BBC – this is a project by a fan for the fan community . We hope it will encourage some fans to follow Tony’s journey and start watching all 852 episodes in order . . .

Everyone that pledges at the standard level will receive a copy of the book and other perks. At this writing they’ve raised $4,815 of the $32,557 goal.

(15) GIVE YOUR ANSWER IN THE FORM OF A HAT. “Helen Mirren to Host ‘Harry Potter’ Quiz Show for WarnerMedia” – The Hollywood Reporter has the story.

The Oscar-winning actress has been tapped to host four-part competition series Harry Potter: Hogwarts Tournament of Houses for WarnerMedia. The previously announced series, which marks the 20th anniversary of the first film in the Harry Potter franchise, will air first on Cartoon Network and TBS before making its debut on HBO Max at a date to be determined.

“I knew someday I’d get a Harry Potter role, and I’m so pleased to take part in the 20-year film celebration,” Mirren said. “The films inspired such enchantment and wonder for so many of us, and it will be such a treat to reignite that magic for the countless fans who continue to revel in this spellbinding world.”

(16) DRAGON, PARTY OF FOUR. The Associated Press says it will happen tonight: “4 will circle Earth on 1st SpaceX private flight”.

SpaceX’s first private flight will be led by a 38-year-old entrepreneur who’s bankrolling the entire trip. He’s taking two sweepstakes winners with him on the three-day, round-the-world trip, along with a health care worker who survived childhood cancer.

They’ll ride alone in a fully automated Dragon capsule, the same kind that SpaceX uses to send astronauts to and from the International Space Station for NASA. But the chartered flight won’t be going there.

Set to launch Wednesday night from Kennedy Space Center, the two men and two women will soar 100 miles (160 kilometers) higher than the space station, aiming for an altitude of 357 miles (575 kilometers), just above the current position of the Hubble Space Telescope….

(17) THE PAST THROUGH YESTERDAY. DUST presents “Atropa” Episode 1.

When Off-World Officer Cole Freeman finds the missing research vessel ATROPA, he discovers an inconsistency in the ship logs. He wakes the crew from hypersleep, and they soon find themselves caught up in a much bigger mystery. Series Description: A troubled Off-World cop, running from his past, finds himself slammed directly into it when he boards the mysterious spaceship ATROPA.

(18) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “The Netflix Executive Tutorial” on Screen Rant, Ryan George plays Netflix executive Perry LaCroix, who explains all the advantages of being an executive at Netflix. Your deltoids get a good workout from all the bags of cash you’re carrying around. Everyone is your friend as you throw hundreds at them, “You get very familiar with the anguished cries of former CEOs” who leave pleading voice mails.  But is it possible you could be replaced by an ATM that says “yes” on the front?

[Thanks to John King Tarpinian, Cat Eldridge, Mike Kennedy, rcade, N., Michael J. Walsh, Rich Lynch, SG Concatenation’s Jonathan Cowie, Andrew Porter, Martin Morse Wooster, JJ, and Michael Toman for some of these stories. Title credit belongs to contributing editor of the day Kip Williams.]