Tag Archives: Dune

Pixel Scroll 8/25/23 Like A File Over Troubled Pixels I Will Scroll You Down

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(1) HOPE FOR THE JAMES WHITE AWARD. Gareth Jelley, editor and publisher of Interzone, responded to the comments about the James White Award in yesterday’s post “Are These Awards Dead or Just Pining for the Fjords?”

Thank you for the interesting post today on awards. Funnily enough, I’m becoming a big fan of James White’s writing and have one of his books on the bedside stack at the moment.

But you are right: I’ve not yet been asked about Interzone and the James White Award.

It is on my radar, though! It has been on my list of things to do as Martin McGrath and I chat once in a while on the IZ Digital Discord. But we’ve both been quite busy.

So, not 100% an ex-award yet — it is something I would definitely like to get going again, once Interzone is back on its feet.

(2) BEHIND THE SCENES. “Disney+ Celebrates ‘Star Wars: Ahsoka’ Debut with ‘Rebel Crew’ Featurette” and Animation World Network has the story.

Disney+ celebrated yesterday’s launch of Lucasfilm’s newest series, Star Wars: Ahsoka, by sharing the Rebel Crew featurette, a look behind the making of the series. The first two episodes of the show are now available. 

The show, set after the Empire’s fall, follows the former Jedi Knight Ahsoka Tano as she investigates an emerging threat to a vulnerable galaxy.

Rosario Dawson, who reprises her The Mandalorian role as Ahsoka Tano, is joined by Natasha Liu Bordizzo as Sabine Wren; Mary Elizabeth Winstead as Hera Syndulla; Ivanna Sakhno as Shin Hati; Wes Chatham as Captain Enoch; Hayden Christensen as Anakin Skywalker; the late Ray Stevenson as Baylan Skoll; David Tennant as Huyang; Temeura Morrison as Captain Rex; and Lars Mikkelsen as Grand Admiral Thrawn….

(3) EATING THE FANTASTIC. Scott Edelman invites listeners to chow down on crispy pickled cucumbers with Lisa Morton in Episode 205 of his Eating the Fantastic podcast.

Lisa Morton

My second guest from this year’s Pittsburgh StokerCon is Lisa Morton, a screenwriter, award-winning prose writer, author of non-fiction books, and Halloween expert.

She’s written more than 150 short stories, including the Bram Stoker Award-winning “Tested” (from Cemetery Dance magazine) and “What Ever Happened to Lorna Winters?,” chosen for inclusion in Best American Mystery Stories 2020. In 2010, her first novel The Castle of Los Angeles was awarded the Bram Stoker Award for First Novel. Her other novels include Malediction (nominated for the Bram Stoker Award for Best Novel), Netherworld, and Zombie Apocalypse: Washington Deceased.

Her work as an editor includes the anthology Midnight Walk, winner of the Black Quill Award and nominated for the Bram Stoker Award, Haunted Nights (co-edited with Ellen Datlow), Ghost Stories: Classic Tales of Horror and Suspense, and Weird Women: Classic Supernatural Fiction by Groundbreaking Female Writers 1852-1923, co-edited with Leslie Klinger. As a Halloween expert, Lisa wrote the definitive reference book The Halloween Encyclopedia (now in a second edition), and the multiple award-winning Trick or Treat: A History of Halloween. Her screenplay credits include the feature films Tornado Warning, Blood Angels, Blue Demon, and The Glass Trap. She’s is a former President of the Horror Writers Association.

We discussed how seeing The Exorcist at age 15 changed her life, why she sometimes feels guilty about her path to publication, our memories of the late, great Dennis Etchison, the differences between trick or treating in New York vs. L.A., the weirdest thing about working in a bookstore during the pandemic, the differing ways our writing was affected by lockdown, how she myth-busted Halloween, why she doesn’t think of rejection as rejection, what she means when she says horror fiction should be more political, writing for themed anthologies, what it would take for us to turn our hand to novels, and so much more.

(4) SFF ABOVE THE 38TH PARALLEL. Ars Technica leads readers to “The strange, secretive world of North Korean science fiction”.

A plane is flying to the Philippines, gliding above “the infinite surface” of the Pacific Ocean. Suddenly, a few passengers start to scream. Soon, the captain announces there’s a bomb on board, and it’s set to detonate if the aircraft drops below 10,000 feet.

“The inside of the plane turned into a battlefield,” the story reads. “The captain was visibly startled and vainly tried to calm down the screaming and utterly terrorized passengers.”

Only one person keeps his cool: a young North Korean diplomat who has faith that his country will find a solution and save everyone. And he’s right. North Korea’s esteemed scientists and engineers create a mysterious anti-gravitational field and stop the plane in mid-air. The bomb is defused, and everyone gets off the aircraft and is brought back safely to Earth.

This story, Change Course (Hangno rǔl pakkura) by Yi Kŭmchǒl, speaks about solidarity, peace, and love for the motherland, displaying an intricate relationship between literature and politics. It was first published in 2004 in the Chosǒn munhak magazine, only to be reprinted 13 years later, around the time North Korea claimed it was capable of launching attacks on US soil.

“Political messages in every North Korean sci-fi can be hardly missed,” historian of science Dong-Won Kim, who taught at Harvard University and the Korea Advanced Institute of Science and Technology in South Korea, told me….

(5) GALAXY QUEST NEWS. “Is Sigourney Weaver Reprising Her Role in a ‘Galaxy Quest’ Series?” Animation World Network thinks the answer is yes.

Finally, a morsel of news from the Paramount+ series adaptation of Galaxy Quest! While the project has finally made headway after a stint in production hell, we can now report that Sigourney Weaker will reprise her role as Gwen DeMarco, according to a source close to Giant Freakin Robot. Gwen will serve as a mentor-like figure for a new generation of cast members aboard the Protector, if the news is to be believed….

…The Galaxy Quest series will be produced by Mark Johnson under his Gran Via Productions banner. No other execs have been announced.

(6) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 25, 1909 — Michael Rennie. Definitely best remembered as Klaatu in The Day the Earth Stood Still. He would show up a few years later on one of The Lost World films as Lord John Roxton, and he’s got an extensive genre series resume which counts Lost in Space as The Keeper in two episodes, The Batman as The Sandman, The Time Tunnel, The Man from U.N.C.L.E. and The Invaders. (Died 1971.)
  • Born August 25, 1913 — Walt Kelly. If you can get them, Fantagraphics has released Pogo in six stunning hardcover editions covering up to 1960. They’re planning to do all of his strips eventually. Did you know Kelly began his career as animator at Walt Disney Studios, working on Dumbo, Pinocchio and Fantasia? (Died 1973.)
  • Born August 25, 1940 — Marilyn Niven, 83. She was a Boston-area fan who lives in LA with her husband Larry Niven. She has worked on a variety of conventions, both regionals and Worldcons.  In college, she was a member of the MITSFS and was one of the founding members of NESFA. She’s also a member of Almack’s Society for Heyer Criticism.
  • Born August 25, 1947 — Michael Kaluta, 76. He’s best known for his 1970s take on The Shadow with writer Dennis O’Neil for DC in 1973–1974. He’d reprise his work on The Shadow for Dark Horse a generation later. And Kaluta and O’Neil reunited on The Shadow: 1941 – Hitler’s Astrologer graphic novel published in 1988. If you can find them, the M. W. Kaluta: Sketchbook Series are well worth having.
  • Born August 25, 1955 — Simon R. Green, 68. I’ll confess that I’ve read pretty much everything he’s written. Favorite series? The Nightside, Hawk & Fisher and Secret History are my favorite ones with Drinking Midnight Wine the novel I’ve re-read the most. 
  • Born August 25, 1958 — Tim Burton, 65. Beetlejuice is by far my favorite film by him. His Batman is interesting. Read that comment as you will. Charlie and the Chocolate Factory is definitely more Dahlish than the first take was, and Sleepy Hollow is just damn weird. Well, too damn weird for my liking. 
  • Born August 25, 1970 — Chris Roberson, 53. Brilliant writer. I strongly recommend his Recondito series, Firewalk and Firewalkers. The Spencer Finch series is also worth reading. He won two Sidewise Awards, first for his “O One” story and later for The Dragon’s Nine Sons novel. He’s had five Sidewise nominations. And he’s scripted a lot of comics, primarily Hellboy related, but also Fables, The Shadow, Doc Savage, iZombie and House of Mystery.

(7) SAND STOPS RUNNING IN THE HOURGLASS. “’Dune: Part Two’ release postponed to 2024 as actors strike lingers” reports the Portland (ME) Press-Herald.

The release of “Dune: Part Two,” one of the fall’s most anticipated films, has been postponed from November until next near, Warner Bros. confirmed Thursday.

Denis Villeneuve’s science-fiction sequel had been set to open Nov. 3 but will instead land in theaters March 15. With the actors strike entering its second month, “Dune: Part Two” had been rumored to be eyeing a move. Variety earlier this month reported Warner Bros. was mulling the delay.

Warner Bros. is opting to wait until its starry cast can promote the follow-up to the 2021 Oscar-winning “Dune.”…

…Dune: Part Two” is one of the biggest 2023 films yet postponed due to the ongoing strikes by actors and screenwriters. Recent releases have mostly opted to go ahead, despite lacking their stars on red carpets or on magazine covers. SAG-AFTRA has asked its members not to promote studio films during the work stoppage….

(8) NEXT DOMINO TO FALL IS TOLKIEN ANIME FILM. “‘Lord Of The Rings: The War Of The Rohirrim’ Release Delayed Until December 2024” reports Deadline.

New Line’s animated movie The Lord of the Rings: The War of the Rohirrim is moving from its April 12, 2024 release date to December 13 of next year.

The move stems from a chain reaction of Warner Bros re-dating Thursday, spurred by Legendary Entertainment’s Dune: Part Two moving from November 3 this year to March 15, 2024, which pushed that financier and producer’s other title, Godzilla X Kong: The New Empire, from that date to April 12, 2024.

Dune: Part Two had to move had to shift on account of the unavailability of its cast to promote during the ongoing actors strike.

War of the Rohirrim will now face off on its new December date against Sony’s reboot of The Karate Kid.

The anime feature, directed by Kenji Kamiyama, is set 183 years before the events chronicled in the original New Line Lord of the Rings trilogy. Those Peter Jackson movies, in addition to his Hobbit trilogy, always played the December year-end holiday period.

The War of the Rohirrim centers on the fate of the House of Helm Hammerhand, the mighty King of Rohan, a character from the appendix of JRR Tolkien’s The Lord of the Rings: The Return of the King. Succession actor Brian Cox will provide the voice of the protagonist.

(9) FOUND ON FACEBOOK. This is a little touch of genius.

(10) DO YOU KNOW SHUTTLE LORE? The National Air and Space Museum Hackathon invites you to play Galactic Mystery. As far as I can tell I got all the questions right. Is that possible? That has never happened before!

Each year, the National Air and Space Museum holds the Air and Space Hackathon, in collaboration with Deloitte, for local students. A hackathon is a design sprint-like event with the goal of creating functioning software or hardware by the end of the event.

In the most recent Air and Space Hackathon, small teams from schools around the DC area took on the challenge of designing a web or mobile prototype aimed at a K-12 student audience. The goal of their prototype was to highlight inspiring stories of diversity in the past, present, and/or future that connects to something on display at the Steven F. Udvar-Hazy Center.

Team Rambutan from the Governor’s School @ Innovation Park was the winner of our latest Hackathon! They created a game called “Galactic Mystery” in which users answer questions related to Space Shuttle Discovery to solve the mystery of who stole Canadarm. As players successfully progress through the game, their shuttle climbs through the levels of the atmosphere.

And now, their “Galactic Mystery” game is a reality! Anyone can play from wherever you are to test your knowledge of Space Shuttle history.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Joe H.]

Pixel Scroll 8/11/23 The Secret Diary Of Pixel Scroll, Aged Four And Five Fifths

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(1) PUBLISHER STRUGGLES TO GET AMAZON TO LIST “JEWISH FUTURES” ANTHOLOGY. [Item by Michael A. Burstein.] Fantastic Books and I are having trouble getting Amazon to list the Jewish Futures: Science Fiction from the World’s Oldest Diaspora edited by Michael A. Burstein ebook on Amazon.

Fantastic Books publisher Ian Randal Strock told Facebook readers:

Amazon.com has decided to “block [the ebook version of Jewish Futures] from being sold on Amazon.” Apparently, the fact that Fantastic Books published the print version means that Fantastic Books submitting the ebook version to publish through them violates… something. I have no idea. So, if you use a Kindle ebook reader, and you’d like to read an electronic version of Jewish Futures, we recommend you buy it directly from Fantastic Books. Doing so will get you both the epub and the mobi versions of the book.

Amazon provides a number of ways to load your eBooks on to your Kindle. For instance, you can email it to your Kindle address. Click the link in the first comment for their email instructions, however the “Other Ways to Send” column on the right side of the Amazon page also shows you the other options available to you.

Also, they seem to have finally realized that the trade paperback version of the book is available.

Lezli Robyn amplified:

Amazon has decided to block the ebook edition of Jewish Futures from being published after multiple emails where the publisher, Ian Randal Strock, tried to find out why and how he can get the ebook listed on their website (the paper and hardback editions are up there!), and they said they will “uphold” their decision to block it from publication.

Ian will try to find out tomorrow why they made this decision and attempt get it reversed, but if there is ever a time to buy a book directly off of the publisher’s website to support them and their authors, this is it. So much blood, sweat, and tears go into publishing a new title and everyone in the book world knows how important sales numbers are in the first week!

I’ve even emailed Amazon’s CEO but haven’t heard anything. We’ve had to remind people they can buy the ebook from the publisher directly or from Barnes & Noble.  

We’ve also heard that Amazon has delayed getting the print books shipped out, even though the week before it was #1 in a few pre-order categories.

Here is the anthology’s Table of Contents:

  • Introduction by Jack Dann
  • Shema by Samantha Katz
  • Mission Divergence by E.M. Ben Shaul
  • Rachel Nussbaum Saves the World by Esther Friesner
  • One Must Imagine by Harry Turtledove
  • Into Thin Heirs by Susan Shwartz
  • Proof of Alina by Riv Begun
  • Baby Golem by Barbara Krasnoff
  • Frummer House by Leah Cypess
  • Moon Melody by SM Rosenberg
  • Initial Engagement by Steven H Silver
  • Matzah Ball Soup for the Vershluggin Soul by Randee Dawn
  • The Ascent by S.I. Rosenbaum and Abraham Josephine Reisman
  • The Aliens of Chelm by Valerie Estelle Frankel
  • The Kuiper Gemara by Shane Tourtellotte
  • Legend Born by Robert Greenberger
  • The Last Chosen by Jordan King-Lacroix

If anyone is in Boston on August 23, we are having a book event at Brookline Booksmith with the editor, publisher, cover artist Eli Portman and three writers, E.M. Ben Shaul, S.I. Rosenbaum, Abraham Josephine Riesman.

(2) SHERIDAN AND DELENN. “Warner Bros. Releases New ‘Babylon 5: The Road Home’ Clip” – Animation World Network has the story.

…In anticipation of the all-new original animated movie, a never-before-seen clip from the film, “Standing In The Shadows” has just been released! In the clip, John Sheridan (voiced by Bruce Boxleitner) expresses his second thoughts about leaving Babylon 5 to his wife, Delenn (voiced by Rebecca Reidy)….

(3) PROPOSAL SUBMITTED TO COURT IN SUIT AGAINST INTERNET ARCHIVE. “Copyright: Publishers, Internet Archive File Court Proposal” at Publishing Perspectives. “A proposed judgment bars Internet Archive from of offering ‘unauthorized copies’ of book publishers’ copyrighted content inside and outside the United States.” There’s also an unspecified payment involved.

This afternoon (August 11), the Association of American Publishers is confirming to Publishing Perspectives that the publisher-plaintiffs in the June 2020 lawsuit of the Internet Archive have submitted to the US District Court in the Southern District of New York a joint, negotiated proposal for Judge Koeltl’s consideration.

As our readers will remember, the plaintiffs—Hachette Book Group; HarperCollins Publishers; John Wiley & Sons; and Penguin Random House—received on March 24 an adamant ruling against the Internet Archive for its “Open Library” lending activities. In that ruling, the court deemed Internet Archive as liable for copyright infringement.

Today’s proposed consent judgment provides for a “stipulated permanent injunction,” according to the AAP’s media messaging, “preventing Internet Archive from offering unauthorized copies of the plaintiffs’ books to the global public under the manufactured theory of ‘controlled digital lending,’ and indicates that the parties have reached a confidential agreement on a monetary payment, all subject to Internet Archive’s right to appeal the case.”…

(4) ZOOM CHANGES ITS MIND. According to Gizmodo, “Zoom Backtracks on Training Its AI on Your Calls”.

After massive backlash over its wishy-washy communication regarding training artificial intelligence with customer data, Zoom wants to set the record straight. Today, Zoom issued an update to its previous announcement on its plans for AI to formally claim that the company will not use audio, video, chat, or similar data to train its AI models.

Zoom issued the update today to its original blog post, published earlier this week by Chief Product Officer Smita Hashim. Zoom’s terms of service stated that the company could use Customer Content—which is what Zoom calls audio, video, chat, attachments, screen-sharing, etc.—to train its own in-house or third-party AI models. On Monday, however, the blog post from Hashim promised that Zoom wouldn’t use Customer Content to train AI (except in some cases). Today, the company has updated Section 10 of its terms of service to no longer retain the legal right to use Customer Content to train any AI models. Zoom did not immediately return Gizmodo’s request for comment on what data sources these AI features will, in fact, be trained with…..

Here’s the opening paragraph of the Zoom Blog’s post “How Zoom’s terms of service and practices apply to AI features”.

It’s important to us at Zoom to empower our customers with innovative and secure communication solutions. We’ve updated our terms of service (in section 10) to further confirm that Zoom does not use any of your audio, video, chat, screen-sharing, attachments, or other communications like customer content (such as poll results, whiteboard, and reactions) to train Zoom’s or third-party artificial intelligence models. In addition, we have updated our in-product notices to reflect this.*

Zoom is still offering users access to a pair of AI features:

…two powerful generative AI features — Zoom IQ Meeting Summary and Zoom IQ Team Chat Compose — on a free trial basis to enhance your Zoom experience. These features offer automated meeting summaries and AI-powered chat composition. Zoom account owners and administrators control whether to enable these AI features for their accounts.

… We inform you and your meeting participants when Zoom’s generative AI services are in use….

(5) I AM I SAID. Writer Beware’s Victoria Strauss looks into a service capitalizing on a topical concern in “Dear Author, Are You Human? Certifying Authenticity”.

It is a truth universally acknowledged, that where there is an issue of concern for writers, someone will find a way to monetize it….

In this fraught environment, it was probably inevitable that someone would come up with the idea of a service to certify or authenticate human authorship, and invite creators buy into it. This post takes a look at two such services.

The Authenticity Initiative

The originator of The Authenticity Initiative is Eliza Rae, who also offers social media, brand management, and PR services for authors. The Authenticity Initiative provides a seal to authors who pledge not to use AI-generated content in their work, along with a number of additional perks, including a newsletter and promotional opportunities. The cost: $50 per year.

Of course, as illustrated by the Bob the Wizard kerfluffle (in which a cover artist who swore their art was not AI-assisted turned out to be fibbing) as well as a general knowledge of human nature, the question is the degree to which a voluntary promise is actually equivalent to certification. I reached out to Eliza for comment, and you can see her response to that question in the Q&A below.

WRITER BEWARE: The Authenticity Initiative seems to rely on authors to self-certify that their work contains no AI-generated content. Do you have any concern that some authors may not be honest?

ELIZA RAE: Yes, that’s exactly correct. While technology and laws that govern AI are limited, we decided that a trust based platform for authors and readers to come together was the best way to service this aspect of the community until more legislation and/or publishing platforms have caught up to technology issues and the pitfalls of what is and is not considered legal to scrape or use to train generative AI software….

(6) MEDICAL UPDATE. StarShipSofa’s Tony C. Smith made an announcement to the District of Wonders email list.

…Some of you might know, some maybe not but I thought it only best to let you all know.

I have cancer (that feels so horrid to write). Bladder cancer.

As you can imagine this came as one f–king huge shock. Then it was discovered there might have been something on my lung… thank god… that was not the case… so just bladder cancer.

I go into hospital on the 15th August to have my bladder removed and from then on I’m on a bag. Total lifestyle chance but hopefully one I can put behind me and move on when it’s done.

One neat SF thing, the operation will be done by robot – the future is here!

(7) EATING THE FANTASTIC. Scott Edelman invites listeners to feast on Fettuccine Alfredo with Howard Bender on Episode 204 of the Eating the Fantastic podcast.

Howard Bender

Eating the Fantastic moves on to Pittsburgh for the first of three episodes harvested due to this year’s StokerCon taking place in that city. My conversation this time around didn’t take place because of that main event, though, but only because I remembered my guest happens to live in Pittsburgh, and I couldn’t pass up the opportunity to reminisce with him about the old days.

I met Howard Bender 49 years ago, the year we both began working in the Marvel Comics Bullpen. He worked as a letterer and artist in the Marvel Comics production department from 1974–1980, and then moved on to DC Comics in the same role, where he worked from 1981–1985. He’s drawn Superman stories in Action Comics, Dial H for Hero stories published in The New Adventures of Superboy, Ghostbusters for First Comics, and a variety of series for Archie Comics. He also collaborated with Jack C. Harris on a Sherlock Holmes comic strip in the ‘90s. These days, he can be found at markets and fairs all across Pittsburgh working as a caricature artist.

We discussed how desperate Marvel Comics must have been to have hired young kids like us, his role in founding the Pittsburgh Comics Club (and the way he paid homage to that club down the road in Dial H for Hero), the day he showed Stan Lee his art portfolio over dessert, how he started his career at Marvel using Jack Kirby’s taboret, the fact neither of us would have become who we turned out to be without Superman creators Jerry Siegel and Joe Shuster, how terrified we both were of production manager John Verpoorten, our first meetings with the late, great Johnny Romita, the important life lesson he learned from inker Mike Esposito, what he was glad he remembered you shouldn’t talk about with Steve Ditko, how Marie Severin inspired him in his current career as a caricaturist,  and so much more.

(8) NYT SFF CRITIC. Amal El-Mohtar reviews “Witches, Robots and Martial Artists, Ready for Battle” — new books by Juno Dawson, Emma Mieko Candon and Alexander Darwin — in the New York Times.

(9) BSFS BEAUTIFUL. Congratulations to the Baltimore Science Fiction Society on their revived clubhouse space. (By gosh, there’s a Dalek on the balcony!) See the photos at Facebook.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 11, 1902 — Jack Binder. Thrilling Wonder Stories in their October 1938 issue published his article, “If Science Reached the Earth’s Core”, where the first known use of the phrase “zero gravity” is known to happen. In the early Forties, he was an artist for Fawcett, Lev Gleason, and Timely Comics. During these years, he created the Golden Age character Daredevil which is not the Marvel Daredevil though he did work with Stan Lee where they co-created The Destroyer at Timely Comics. (Died 1986.)
  • Born August 11, 1923 — Ben P. Indick. A member of First Fandom and prolific fanzine publisher. He wrote a handful of short genre fiction and two serious non-fiction works, The Drama of Ray Bradbury and George Alec Effinger: From Entropy to Budayeen. (Died 2009.)
  • Born August 11, 1928 — Alan E. Nourse, 1928 – 1992. His connections to other SF writers are fascinating. Heinlein dedicated Farnham’s Freehold to Nourse, and in part dedicated Friday to Nourse’s wife Ann.  His novel The Bladerunner lent its name to the movie but nothing else from it was used in that story. However Blade Runner (a movie) written by, and I kid you not, William S. Burroughs, is based on his novel. Here the term “blade runner” refers to a smuggler of medical supplies, e.g. scalpels. (Died 1992.)
  • Born August 11, 1932 — Chester  Anderson. His The Butterfly Kid is the first part of what is called the Greenwich Village Trilogy, with Michael Kurland writing the middle book, The Unicorn Girl, and the third volume, The Probability Pad, written by T.A. Waters. I can practically taste the acid from here… The Butterfly Kid, like all of these novels. is available from all the usual suspects. (Died 1991.)
  • Born August 11, 1949 — Nate Bucklin, 74. Musician who has co-written songs with Stephen Brust and others. He wrote two Liavek anthology stories, “Dry Well” and “Strings Attached” He’s a founding member of the Scribblies, the Minneapolis writer’s group, and is also one of the founding members of the Minnesota Science Fiction Society, better known as Minn-stf. He spent four years as a member of the National Fantasy Fan Federation or N3F, and his correspondents included Greg Shaw, Walter Breen, and Piers Anthony. He’s been a filk guest of honor at five cons.
  • Born August 11, 1959 — Alan Rodgers. Author of Bone Music, a truly great take off the Robert Johnson myth. His “The Boy Who Came Back From the Dead” novelette won the Bram Stoker Award for Best Long Fiction, and he was editor of Night Cry in the mid-Eighties. (Died 2014.)
  • Born August 11, 1961 — Susan M. Garrett. She was a well-known and much liked writer, editor and publisher in many fandoms, but especially the Forever Knight community. (She also was active in Doctor Who and The Secret Adventures of Jules Verne fandoms. And no, I had no idea that the latter had a fandom.) She is perhaps best known for being invited to write a Forever Knight tie-in novel, Intimations of Mortality. (Died 2010.)
  • Born August 11, 1962 — Brian Azzarello, 61. Comic book writer. First known crime series 100 Bullets, published by Vertigo. Writer of DC’s relaunched Wonder Woman series several years back. One of the writers in the Before Watchmen limited series. Co-writer with Frank Miller of the sequel to The Dark Knight Returns, The Dark Knight III: The Master Race.

(11) COMICS SECTION.

(12) GENERALIZATION ALERT. BookRiot’s Alice Nuttall asks, “Science Fiction Is Inherently Rebellious — So Why Don’t Some of Its Fans Think So?”

My husband and I are currently watching Star Trek: Deep Space Nine, me for the first time, him for about the billionth. After watching one episode where religious fundamentalists insist that the space station’s school teach their holy stories instead of scientific fact, and bomb the school when the teacher doesn’t agree, my husband leaned over to me and commented “But you know, Star Trek was never political.”

“[Sci fi story] was never political” is a running joke of ours, usually said with an eye roll and a bitter laugh at the complaint du jour about sci-fi stories that dare to centre anyone who isn’t a white, cishet man. Sci-fi has been decried as “political” for telling stories about people of colour or women (and predictably, some of the worst backlashes have come when a central character happens to be a woman of colour). Stories have been panned or banned for including LGBTQ+ people and relationships.

Writers who share the marginalisations of their characters are at the greatest risk of being harassed and attacked for daring to publish in a space that reactionary gatekeepers see as “theirs”. The ‘Sad Puppies’ campaign was a coordinated attempt by right-wing, “anti-diversity” pundits to influence the results of the Hugo Awards and push works by authors of colour, women, and LGBTQ+ people to the sidelines. Fortunately, it was unsuccessful — and not only because it was a clumsy, transparent attempt at attacking diversity. The fact is that sci-fi has never been a white, cishet, male, or conservative domain. It has always been a space for subversion, radical thinking, and rebelliousness — and marginalised people have been there from the beginning….

(13) PUMP BROTHERS, PUMP WITH CARE. This idea sucks, but does that mean it’s actually no good? “U.S. to Fund a $1.2 Billion Effort to Vacuum Greenhouse Gases From the Sky” reports the New York Times.

The Biden administration will spend $1.2 billion to help build the nation’s first two commercial-scale plants to vacuum carbon dioxide pollution from the atmosphere, a nascent technology that some scientists say could be a breakthrough in the fight against global warming, but that others fear is an extravagant boondoggle.

Jennifer Granholm, the energy secretary, announced Friday that her agency would fund two pilot projects that would deploy the disputed technology, known as direct air capture.

Occidental Petroleum will build one of the plants in Kleberg County, Texas, and Battelle, a nonprofit research organization, will build the other in Calcasieu Parish on the Louisiana coast. The federal government and the companies will equally split the cost of building the facilities.

“These projects are going to help us prove out the potential of these next-generation technologies so that we can add them to our climate crisis fighting arsenal, and one of those technologies includes direct air capture, which is essentially giant vacuums that can suck decades of old carbon pollution straight out of the sky,” Ms. Granholm said on a telephone call with reporters on Thursday.

The 2021 bipartisan infrastructure law included $3.5 billion to fund the construction of four commercial-scale direct air capture plants. Friday’s announcement covered the first two.

Oil and gas companies lobbied for the direct air capture money to be included in the law, arguing that the world could continue to burn fossil fuels if it had a way to clean up their planet-warming pollution….

(14) CLOSE ENCOUNTERS OF THE CLUCKY KIND. What does that mean? You’ll understand after you see the video of this unidentified flying coop on Tumblr.

(15) MAN OF A THOUSAND FLAVORS. Here’s another exotic collectible, the Chaney Entertainment Hot Sauce 5-Pack from Jade City Foods.

Here’s a close-up of one of the labels.

(16) DUNE WHAT COMES NATURALLY. “’Futurama’ meets ‘Dune’ in action-packed, exclusive clip” at Mashable.

The beloved sci-fi comedy Futurama is no stranger to Frank Herbert’s Dune, featuring nods to stillsuits and space worms. But with its newly launched 11th season, Futurama takes its Dune tributes to a whole new level.

In an exclusive clip from the upcoming episode “Parasites Regained” (a spiritual sequel to Season 3’s “Parasites Lost,” perhaps?), we see Fry, Leela, Zoidberg, and Bender struggling to brave a mysterious desert landscape. There, they encounter a fearsome sandworm that looks like an oranger, fuzzier version of the show-stealing sandworms of Denis Villeneuve’s Dune. We also get Futurama‘s version of the powerful spice melange, a psychedelic drug that turns Leela’s eyes orange instead of Dune‘s classic blue-within-blue….

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Kathy Sullivan, Nickpheas, Michael A. Burstein, Chris Barkley, Michael Toman, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 7/1/23 Yes, There Be Pixels And Where There Be Pixels There Be Birthdays

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(1) WILL FANS ENCOUNTER PICKET LINES AT LA CONVENTION? Anime Expo started today in LA under the cloud of a threatened strike by hotel workers. The union has not said when they will walk off the job: “Anime fans face hotel strike threat” in the Los Angeles Times. (An NBC Los Angeles post updated an hour ago does not show that the strike has begun.)

The largest U.S. hotel workers’ strike in recent memory and the largest anime convention in North America are both set to kick off this weekend in the same downtown Los Angeles spot — with all the attendant agitation playing out on social media.

More than 15,000 union workers are seeking higher pay and better benefits and working conditions at 62 hotels in Los Angeles and Orange counties.

They could walk off the job as early as Saturday after their contracts expire.

On Thursday, the largest hotel, the Westin Bonaventure Hotel & Suites, announced it had reached a tentative deal with the union representing its more than 600 employees.

The deal is the first among many that would be needed to avert the planned strike.

Meanwhile, thousands of fans of Japanese pop culture will gather Saturday for the start of Anime Expo, a four-day convocation of people interested in manga art, cosplay and video games with exhibitions and panels at the Los Angeles Convention Center and nearby hotels. Many have spent months hoarding vacation days and cash to trek to Southern California and commune with like-minded people.

The two passionate interest groups met up virtually in recent days, and the results weren’t pretty.

On Reddit, a union organizer with hotel workers’ Unite Here Local 11 kicked off the Ask-Me-Anything discussion by asking, “Did you know hotel workers at many of the properties you might be staying at for AX, such as the JW Marriott Downtown LA, Westin Bonaventure, Downtown Los Angeles Courtyard, Residence Inn Downtown LA, the Ritz Carlton and more, might be on strike?

“This could mean pickets, protests and other actions at hotels that could impact and potentially disrupt the Anime Expo,” wrote AnimeJustice11, the unnamed organizer.

“When workers go on strike, they stop work and walk off the job. If workers go on strike, there might not be anybody taking out the trash, cooking the food or cleaning the rooms. There also may be loud 24-hour picket lines right outside the property. How do you think this would affect the quality of the Anime Expo if you are attending / planning?”

AnimeJustice11 wrapped up with a plea: “I hope most/all of you will stand in solidarity with the potential striking workers and don’t cross picket lines!” The poster also asked those planning to attend Anime Expo to “contact the management and ask if they would negotiate a new contract that meets what workers are asking for.”

Unite Here Local 11 also has reached out to Anime Expo attendees, as well as other groups, with a targeted anime-style advertisement featuring a pink-haired worker carrying a sign reading: “Anime is cool! Disrespecting workers is not!”

Reddit users had many thoughts, including anger at the union for disrupting an expensive and cherished tradition, anger at hotel owners for not giving raises, and anger at one another for attacking the union organizer. Others debated what it meant to cross the picket line…

(2) LIKE SAND THROUGH THE HOURGLASS. Warner Bros. dropped a second Dune: Part Two Official Trailer.

The saga continues as award-winning filmmaker Denis Villeneuve embarks on “Dune: Part Two,” the next chapter of Frank Herbert’s celebrated novel Dune, with an expanded all-star international ensemble cast. The film, from Warner Bros. Pictures and Legendary Pictures, is the highly anticipated follow-up to 2021’s six-time Academy Award-winning “Dune.”

(3) GRIST FOR THE RUMOR MILL. “Denis Villeneuve Wants To End His Dune Trilogy With A Dune Messiah Adaptation” according to GameSpot.

Fans got a hearty helping of Dune: Part Two yesterday with a wild new trailer, showing everything from Feyd (Austin Butler) in action, to Paul Atreides (Timothee Chalamet) delivering his iconic speech to the Freman. Even though there are only two parts to the Paul and House Atreides narrative, director Denis Villeneuve wants to fans to get a taste of the larger mythos at play with a third Dune film.

Deadline has reported that Villeneuve intends to cap off his Dune trilogy with a much deeper dive into Frank Herbert’s lore of the world of Dune with an adaptation of Dune Messiah. This film would be co-written by Villeneuve and screenwriter Jon Spaihts. Obviously, Warner Bros. Discovery has not yet officially announced active development for Part Three but should Part Two find success like its predecessor, a conclusion should be a no-brainer.

Dune Messiah was the second novel in the Dune Chronicles released in 1969. The book was adapted in the 2003 miniseries Children of Dune–the name of the actual third novel–which included parts of both “Messiah” and “Children.”…

(4) THE CIRCULAR FILE. Camestros Felapton fails to explain “Why did people read The Wheel of Time?” In that he probably has a lot of company.

… I’m happy to dunk on Robert Jordan’s Wheel of Time books because I too read them, each and every one. I bought some of them as big chunky trade paperbacks as well *AND* I thought they were badly written at the time *AND* realised that the story was going nowhere somewhere around the middle. So really I could rephrase this question as “Why did I read the Wheel of Time?”…

(5) NOT THE SPITTING IMAGE.  [Item by Cora Buhlert.] Since I got some new figures, I also made a new Masters-of-the-Universe toy photo story called “Artistic License” to address the question of why Skeletor and his Evil Warriors created the least convincing He-Man doppelganger ever: “Masters-of-the-Universe-Piece Theatre: ‘Artistic License’”.

… As for why Faker looks the way he does, the real world reason is that some Mattel designer forty years ago thought a blue and orange He-Man looked cool. As for the in universe reason, well, here is one potential answer…

… “Behold my new robot doppelganger of He-Man, Lord Skeletor. Those accursed Masters of the Universe will never know what hit them, when we plant this Faker in their midst. And now arise, my Faker.”

“I Am He-Man.”

“Is he not glorious, Lord Skeletor? I daresay he is my best invention yet.”

“Why is he blue?”

“Excuse me, boss?”

“He-Man is not a Gar. So why is he blue?”…

(6) GENRE GENESIS. A paper by Helen de Cruz titled “Cosmic Horror and the Philosophical Origins of Science Fiction” is online at Cambridge Universe Press.

We now live in a universe composed of billions of galaxies. And, for the most part, we rarely give this any thought. We go about our lives as people have done in the past. Still, you might have reflected on the vastness of the universe: perhaps when you visited a planetarium, or watched a documentary, or even looked up at the (probably light-polluted) night sky and felt a dizziness, a vertigo. That experience is cosmic horror, a sense of the sublime that makes you feel both small and insignificant and a part of a huge, interconnected whole. Once we realize the universe is enormous, and that we’re but a tiny speck in that vast world, we need to recalibrate ourselves. We need to find meaning and significance in being the tiny speck we are. As I’ll argue here, science fiction helps us to come to terms with cosmic horror, as the history of philosophy shows. As a literary form, science fiction originated in philosophical speculation about the universe and our place within it….

(7) G.O.A.T. FANTASY MOVIES. You might not be surprised by what’s at the very top of TimeOut’s list of “The 50 best fantasy movies of all time”, but I, for one, was surprised to see what made number three:

3. Onward (2020)

A pair of grieving elf brothers turn to magic to reanimate, for 24 emotional hours, the dad they never really knew. But the spell is broken halfway through, leaving them with, well, half a dad. With only the legs operational and the missing top half flopping around under layers of clothes, the three bluff their way through a quest to find a magical gem and finish the job. Set in a fantastical land populated by evolved cyclops, fauns, mages and all manner of mythical fauna who have switched from magic to mod cons, ‘Onward’ is a cometh-of-age tale that makes playful capital from our habit of turning the past into touristy kitsch. 

Magic moment: When Ian listens to a tape of the dad he never knew and you wish you’d remember to bulk-buy tissues.

(8) RR DOES NOT STAND FOR RAILROAD. Dominic Noble is “Talking to George RR Martin About HIS Favorite Book”.

GRRM joins me for this very special episode of Reginald’s Book Club to talk about Nine Princes in Amber by Roger Zelazny, which is currently being adapted for TV by Robert Kirkman and Stephen Colbert. I was so nervous doing this I got the name of the book, the name of the author and the name of MY OWN PODCAST wrong, but George was so friendly and chill the whole time I think it came out pretty well.

(9) MEMORY LANE.

2022 – [Written by Cat Eldridge from a choice by Mike Glyer.]

Mike chose Ray Nayler’s The Mountain in the Sea, which came out last year as our Beginning this Scroll. It’s his only novel, published by MCD. 

He’s published considerably more short fiction, most of it in the past three years, though his first published sff story came out in 1996. And he’s written one wonderfully-titled essay, “Not Prediction, But Predication: The True Power of Science Fiction”, which ran in Asimov’s Science Fiction, the May-June 2023 issue.

Our choice was a finalist for the Nebula Award, the Locus Award, and for the LA Times Book Awards’ Ray Bradbury Award for Science Fiction, Fantasy, and Speculative Fiction…

NIGHT. DISTRICT THREE of the Ho Chi Minh Autonomous Trade Zone. 

The plastic awning of the café streamed with rain. Under its shelter, wreathed in kitchen steam and human chatter, waiters wove between tables with steaming bowls of soup, glasses of iced coffee, and bottles of beer. 

Beyond the wall of rain, electric motorbikes swept past like luminescent fish. Better not to think of fish. 

Lawrence concentrated his attention instead on the woman across the table, wiping her chopsticks with a wedge of lime. The color-swarm of the abglanz identity shield masking her face shifted and wavered.

Like something underwater … 

Lawrence dug his nails into his palm. “I’m sorry—does that thing have another setting?” 

The woman made an adjustment. The abglanz settled to a bland construct of a female face. Lawrence could make out the faint outline of her real face, drifting below the surface. 

Drifting …

“I don’t usually use this setting.” The oscillations of the abglanz flattened the woman’s inflection. “The faces are uncanny. Most people prefer the blur.” 

She brought her chopsticks to her mouth. The noodles sank into the glitchy surface of the digital mask’s lips. Inside was the shadow of another set of lips and teeth.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 1, 1891 — Otis Adelbert Kline. Early pulp writer and literary agent whose great claim to fame was a possibly apocryphal feud with fellow author Edgar Rice Burroughs, in which he supposedly raised the latter’s anger by producing close imitations of Burroughs’s Mars novels. Wollheim and Moskowitz would believe in it, Lupoff did not. (Died 1946.)
  • Born July 1, 1934 — Jean Marsh, 89. She was married to Jon Pertwee but it was before either were involved in Dr. Who. She first appeared alongside The First Doctor in “The Crusade” as Lady Joanna, the sister of Richard I (The Lionheart). She returned later that year as companion Sara Kingdom in “The Daleks’ Master Plan”. And she’d return yet again during the time of the Seventh Doctor in “Battlefield” as Morgana Le Fay. She’s also in Unearthly Stranger Dark Places, Return to Oz, Willow as Queen Bavmorda and The Changeling. 
  • Born July 1, 1935 — David Prowse. The physical embodiment of Darth Vader in the original Star Wars trilogy. Ok, it’s been a very long time since I saw Casino Royale but what was Frankenstein’s Creation doing there, the character he played in his first ever role? That he played that role in The Horror of Frankenstein and Frankenstein and the Monster from Hell, Hammer Films a few later surprises me not. He shows up in Gilliam’s Jabberwocky according to IMDB as Red Herring and Black Knights (and no I’ve no idea what that means). Finally he’s the executioner in The People That Time Forgot, a film that’s very loosely based off of several Burroughs novels. (Died 2020.)
  • Born July 1, 1942 — Genevieve Bujold, 81. We would have had a rather different look on Voyager if things had played out as the producers wished, for Bujold was their first choice to play Janeway. She quit after a day and a half of shooting, with the public reason being she was unaccustomed to the hectic pace of television filming. What the real reason was we will never know.
  • Born July 1, 1955 — Robby the Robot, 68.Yes, this is this official birthday according to studio of the robot in Forbidden Planet which debuted a year later. He would later be seen is such films and series as The Invisible Boy,Invasion of the Neptune Men, The Twilight Zone, Lost In Space, The Addams Family, Wonder Woman and Gremlins.  He was also featured in a 2006 commercial for 2006 commercial for AT&T.
  • Born July 1, 1964 — Charles Coleman Finlay, 59. His first story, “Footnotes”, was published in 2001 in The Magazine of Fantasy & Science Fiction where many of his other stories were published, and which he edited for several years. The Traitor to the Crown series is his best-known work.
  • Born July 1, 1981 — Genevieve Valentine, 42. Author of the superb Persona novel and also she scripted a Catwoman series, working with artists Garry Brown and David Messina. Her first novel, Mechanique: A tale of the Circus Tresaulti, won the Crawford Award for a first fantasy novel. She scripted a run of Xena: Warrior Princess, and scripted Batman & Robin Eternal as well. 

(11) CAN YOU HEAR THE DRUMS FERNANDO? The Guardian’s Tim Dowling writes, “The board game is back out, and I’m losing again”.

…“We can have a takeaway for supper, but you’ll have to hang around.”

“In that case,” says the youngest, “shall we play this?” He is pointing to a box containing a complicated board game to do with medieval dynasties.

“Yeah, all right,” says the oldest.

“And Dad,” says the youngest, “you’re definitely playing.”

When this box was first opened a few weeks ago, I wrote about two fears: that it may be one of the last times I watched my grown sons sit down to play a board game in our house; and that I had accidentally raised three nerds.

At the time I did not realise the board game would become a Sunday fixture, and that I would be roped into playing against my will. I still don’t know which outcome is preferable.

“I’m new to this,” I say, sitting down. “So this is a practice round.”

“It’s easier if we just play,” says the middle one. “You’ll pick it up.”

I am supplied with a character, Fernando; some territory – the Iberian peninsula; and a number of plastic knights. I am then obliged to select an abiding trait at random.

“Chaste,” I say.

“Chaste is good,” says the middle one, “but it makes it hard to marry.”

He’s not kidding. By the start of the Second Era the middle one has launched a sustained attack on the Papal States – much to the consternation of the youngest one, who reigns there – but, critically, I have still not found a spouse….

(12) THE SMART SET. [Item by SF Concatenation’s Jonathan Cowie.] This item will be appearing in next season’s (September) SF² Concatenation news page’s science and SF interface section…

Smart clothing – that is, not ‘neat’ but, ‘clever’ clothing – is a minor SF trope.  In terms of SFnal clothing, space-suits are positively mundane, but the genre offers much more from the techno-suits of super-heroes to the stillsuits of Dune.  Now there is a new, electrically-controlled fabric that can vary its heat – infra-red – transmission that could be used to create clothing with abilities not too dissimilar to, say, those found in Iain Banks’ ‘Culture’.  US engineers and applied physicists have created this fabric they call Wearable Variable-Emittance (WeaVE).  To make the material flexible, the authors used kirigami principles, which entail cutting a 2D surface and then folding it into 3D patterns. The polymer can either emit heat or provide insulation depending on the voltage applied to it. Here, the voltage needed is really small, less than one volt, so no large batteries are required.  The material enables wearers to experience the same skin temperature at ambient temperatures from 17.1°C to 22.0°C: that’s almost a 5°C range. No doubt we will get even better smart fabrics in the future… A brief summary of this research appears in Nature and the primary research is Chen, T-H. et al (2023) A kirigami-enabled electrochromic wearable variable-emittance device for energy-efficient adaptive personal thermoregulation. PNAS Nexus, vol. 2, p1-10.

(13) VIDEO OF THE DAY. From a year ago, the opening scene of The Batman.

[Thanks to Chris Barkley, Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Jennifer Hawthorne, N., Francis Hamit, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

2023 SFF Hall of Fame Inductees

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Seattle’s Museum of Pop Culture has announced the 2023 inductees to the Science Fiction and Fantasy Hall of Fame – author N. K. Jemisin, filmmaker John Carpenter, the Dune franchise, and The Rocky Horror Picture Show.

N.K. Jemisin

b. 1972

American science fiction and fantasy writer, N.K. Jemisin debuted her first novel, The Hundred Thousand Kingdoms, in 2010. She has since won multiple awards, including the Hugo, Locus, and Nebula Awards for Best Novel. She is known for exploring a wide range of themes like cultural conflict, liminal spaces, and the mechanics in systems of oppression.

Her Broken Earth Trilogy (2015-2017) won her the Hugo Award for Best Novel, making her the first Black author to win the award. She is the first author to win the award three years in a row, and the first to win it for each book in a trilogy. Jemisin was a recipient of the MacArthur Fellows Program Genius Grant in 2020 and included in Times annual list of the 100 Most Influential People in the World in 2021.

Jemisin has also worked as a counseling psychologist, an instructor for the Clarion and Clarion West writing workshops, and as the science fiction and fantasy book reviewer at The New York Times. Jemisin’s works have been translated into more than 20 languages and in 2021 Sony’s TriStar Pictures won the rights to The Broken Earth Trilogy with Jemisin adapting the novels for the screen.

SELECTED BIBLIOGRAPHY

Inheritance Trilogy (2010-2011)
Dreamblood Duology (2012)
Broken Earth Trilogy (2015-2017)
Great Cities Series (2020-2022)

John Carpenter

b. 1948

John Carpenter is an American filmmaker and composer known for his horror, action, and science fiction films, most notably the Halloween franchise. Carpenter’s films are characterized by minimalist lighting, panoramic compositions, and distinctive scores.

They include box office hits such as Halloween (1978), one of the most successful independent films of all time, The Fog (1980), Escape from New York (1981), and Starman (1984), as well as cult classics Dark Star (1974), The Thing (1982), Prince of Darkness (1987), They Live (1988), and Escape from L.A (1996).

Raised in a musical home, Carpenter wrote or co-wrote the scores for nearly all his films. His early adoption of synthesizers inspired many electronic artists and recent reissues of several has reinvigorated public interest in his talents as a musician.

While his commercial film success peaked in the 1980s, Carpenter’s legacy as a legendary American filmmaker continues to grow. The U.S. Library of Congress selected Halloween for preservation in the National Film Registry in 2006, and in 2019 Carpenter was presented with the Golden Coach Award at the Cannes Film Festival.

SELECTED FILMOGRAPHY

Halloween (1978)
The Fog (1980)
Escape from New York (1981)
The Thing (1982)
Starman (1984)
Big Trouble in Little China (1986)
They Live (1988)
Memoirs of an Invisible Man (1992)
In the Mouth of Madness (1994)
Village of the Damned (1995)
Escape from L.A. (1996)
Ghosts of Mars (2001)

SELECTED DISCOGRAPHY

Lost Themes (2015)
Lost Themes II (2016)
Anthology: Movie Themes 1974–1998 (2017)
Lost Themes III: Alive After Death (2021)

Dune (Franchise)

Considered the world’s best-selling science fiction novel, Frank Herbert’s Dune (1965) created a franchise that now includes comics, video games, television shows, and films—and continues to challenge and inspire generations of creators and audiences.

Herbert’s novel, with its more than two dozen prequels and sequels, tells the story of an interstellar empire tens of thousands of years in the future. Vital to this empire is the desert planet Arrakis, the only known source of the spice melange, which is the most valuable substance in the universe. Control of Arrakis, its spice production, and the combined impact on humanity’s development form the axis of a millennia-long conflict that develops throughout the series.

Ambitious screen adaptations include the 1984 film by David Lynch and the John Harrison turn-of-the-millennium TV miniseries. Denis Villeneuve’s cinematic reimagining brought Dune back to the screen in 2021.

Frank Herbert’s original book was honored with the inaugural Nebula Award for Best Novel and the Hugo Award in 1966. It was praised by The New Yorker as “an epic of political betrayal, ecological brinkmanship, and messianic deliverance.” The novel has been translated into dozens of languages and sold roughly 20 million copies.

RELATED WORKS

Dune, book (1965)
Dune Messiah, book (1969)
The Illustrated Dune, book (1978)
Avalon Hill’s Dune, board game (1979)
Marvel Comics Super Special #36: Dune (1985)
Dune: Blood of the Sardauker, comic book (2021)

Dune, film (1984)
Dune, video game (1992)
Dune, television show (2000)
Children of Dune, television show (2004)
Dune, film (2021)
Dune: Spice Wars, video game (2022)

The Rocky Horror Picture Show (Film)

1975

The Rocky Horror Picture Show is a musical comedy horror film exploring themes of self-expression, the ethics of conformity, and gender and sexual freedom. Initially panned by critics, it has become a landmark cult film with a devoted global fanbase.

Based on Richard O’Brien’s 1973 musical stage production The Rocky Horror Show, it stars O’Brien, Tim Curry, Susan Sarandon, and Barry Bostwick, and centers on a young couple seeking help at a remote castle after their car breaks down. They find the castle occupied by extravagantly dressed people celebrating an annual convention led by Dr. Frank N. Furter, an eccentric scientist, and visiting alien, who creates a man named Rocky Horror in his laboratory.

Embracing the show’s affirmation of gender expression, audiences began participating with the film at the Waverly Theater in New York City in 1976, and audience interaction has become an essential part of the Rocky Horror experience. In 2016, a television remake was made starring Laverne Cox as Dr. Frank N. Furter.

Still in limited release in 2023, Rocky Horror is the longest-running theatrical release in film history. The film was selected for preservation in the United States National Film Registry by the Library of Congress in 2005.

RELATED WORKS

The Rocky Horror Show, play (1973)
The Rocky Horror Picture Show, film (1975)
Rocky Horror Picture Show, The Comic Book, comic book (1980)
Shock Treatment, film (1981)
The Rocky Horror Glee Show, television show (2010)
The Rocky Horror Picture Show: Let’s Do the Time Warp Again, television special (2016)

This is the complete list of nominees voted on by the public:

Pixel Scroll 6/11/23 The Pixel. It Destroyed Its Scroll. Yes. YES. The Pixel Is Out

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(1) THESE FEET ARE MADE FOR WALKING. How have I not covered this before? The North American Bigfoot Center in Boring, Oregon.

The Exhibit Halls are an admission area.  Dozens of displays feature a wide array of bigfoot evidence and historical artifacts.  Our life-sized sasquatch replica (nicknamed “Murphy”) acts as a centerpiece of the exhibit hall and is a popular backdrop for family photos.  We feature short documentaries and films in our small theater, as well as on the displays themselves.  

(2) AGREE OR DISAGREE? Inverse writer Ryan Britt insists “You Need To Watch The Most Misunderstood Sci-Fi Movie On Netflix ASAP”.

…Saying Dune was bad in 1984 because it was either too dense or not enough like the book, isn’t a great criterion, because there are so many other examples of great sci-fi/fantasy adaptations that work in spite of (or because of?) these kinds of so-called flaws. Game of Thrones is pretty dense, and people love that. Meanwhile, again, Blade Runner is a rowdy departure from Philip K. Dick’s novel, Do Androids Dream of Electric Sheep? and that’s probably why it’s good. Plus, it bears mentioning here that the actual events of the film, in the broad strokes, do unfold pretty much the way Herbert wrote it. And, leading up to the film’s release, Herbert’s praise of Lynch was effusive, calling it a “visual feast” and saying that Lynch captured many of his scenes perfectly, with “some of them [scenes] … better” than in his novel.

Okay, so, perhaps you’re now convinced that it’s not cool to hate on the Dune 1984 from a Frank Herbert-purist point of view. Perhaps you’re also now convinced that this was a noble attempt with all the best intentions. This still might not convince you to fire it up on Netflix. You’ve heard (or remember) that aspects of the film are rough and haven’t aged well. Here’s the thing: You’re right. This Dune is rough, and some of it really doesn’t work. It’s tonally incongruous at times, and yes, you sometimes do feel the movie rushing through the plot points, which is weird because, at other times, the movie feels slow….

Yeah, by the time I happened to wind up seated behind Frank Herbert at the 1985 Hugo ceremony I’d heard he liked the movie a lot, so I had to forgo making any Mystery Science Theatre 3000-style jokes to the fan beside me while the trailer ran. (Right, MST3K didn’t even start airing for another three years, but you know what I mean.)

(3) ACCOUNTANTS NOT ACCOUNTABILITY. “Jurassic Park at 30: Spielberg’s sleek blockbuster remains a grave warning” says the Guardian’s Scott Tobias.  

In the face of various leadership disasters, it’s become common meme-ing practice in recent years to note that the mayor of Steven Spielberg’s Jaws – the man who wanted to keep the beaches open, even as a Great White was feasting on a buffet of tourists – is still the mayor in Jaws II. Point being, there are rarely any consequences to arrogance and ineptitude, especially if a person has a certain folksy charisma and is only considered guilty of pursuing the almighty dollar.

The world is run by the mayors of Jaws. And when Spielberg adapted Michael Crichton’s bestselling sci-fi/adventure Jurassic Park, he found another one in Dr John Hammond, an avuncular industrialist who rushes to make a theme park out of cloned dinosaurs. As played by Richard Attenborough, Hammond is a white-bearded grandpa with a twinkle in his eye, eager to open a prehistoric zoo where no expense was spared but all corners were cut. It’s hard to understand him as a villain, though, because Spielberg sees a little of himself in a commercial visionary bringing wonders to the masses. He’s just another fool in charge.

Thirty years later, Jurassic Park has only burnished its reputation as one of Spielberg’s finest blockbusters, despite sequels and reboots that keep discovering new frontiers in insulting an audience’s intelligence. But as technology continues to advance, there are more John Hammonds than ever, promoting an astounding future that can feel like an endless beta test, full of bugs that these self-styled geniuses have no ability to anticipate, much less resolve. Though the film feels like Jaws 2.0 in many respects, it also finds Spielberg in a slyly cynical, even self-lacerating mood: he knows what it’s like to create eye-popping spectacles that can be merchandized on T-shirts and lunch boxes. Hammond is his worst image of himself….

(4) THE MONEY KEEPS ROLLING IN. Seems like a strange juxtaposition of articles to follow the digs at Jurassic Park capitalism with this report from Variety that “’Spider-Verse 2′ Surpasses Box Office Gross of First Film in 12 Days”. And few enjoy a strange juxtaposition more than I do…

After less than two weeks of release, “Spider-Man: Across the Spider-Verse” has surpassed the entire box office run of its predecessor, 2018’s Oscar-winning “Spider-Man: Into the Spider-Verse.”

Over the weekend, the comic book sequel hit $226 million in North America and $390 million globally. It now stands as Sony’s highest-grossing animated release in history. The original film, also a box office winner, tapped out with $190 in North America and $384 million globally.

Despite competition from Paramount’s “Transformers: Rise of the Beasts,” which opened to $60 million and targets a similar audience of younger males, “Spider-Verse” added $55 million in its second weekend of domestic release, a decline of 55% from its huge $120 million debut….

(5) YOUR MONEY’S WORTH. Entertainment Weekly talks to everyone involved in the live action, stunts, and effects to learn “How Rings of Power crafted that stunning battle sequence”.

…Here, some of the filmmakers behind The Rings of Power’s biggest episode break down how they crafted that epic battle sequence — from complicated stunt work to careful cinematography. Directed by Charlotte Brandstrom, the episode is entirely centered in the Southlands of Middle-earth, where elf Arondir (Ismael Cruz Córdova) and human Bronwyn (Nazanin Boniadi) lead a scrappy band of villagers as they fight back against a horde of invading orcs. Later, the regal Númenórean cavalry arrives, led by Cynthia Addai-Robinson’s queen-regent Míriel, setting up a grand clash on horseback. 

It’s a massive moment, where multiple story lines converge for the first time. Much of the action is centered in the Southlands village, and the production team constructed the set from scratch, nestled into a bucolic valley in New Zealand. Legendary stunt coordinator and second unit director Vic Armstrong remembers wandering around the set while it was still being built, sketching out action sequences in his head. “That’s the moment I like best, getting creative and dreaming up ideas,” he says with a smile. “It’s like you have to deliver a big cake, and the location tells you what the ingredients are, so you can build up to that lovely tasty cake at the end.”…

(6) MEMORY LANE.

2015 – [Written by Cat Eldridge from a choice by Mike Glyer.]

Canadian author Leah Bobet this time and she is someone that I’d never, as far as I can remember, heard of. She was the last editor of the online Ideomancer zine (fiction, poetry and reviews) which you can read here.

She also contributed quite a bit of fiction to Shadow Unit, the collaborative story created by Elizabeth Bear and Emma Bull.  

Our Beginning is An Inheritance of Ashes: A Novel which is also that which gave her the only Awards she has to date, a Prix Aurora Award and the Sunburst Award for Excellence in Canadian Literature of the Fantastic. The latter think this is a Young Adult novel. 

It is but one of two novels to date, the other being Above. She’s written much, much more short fiction, some forty pieces to date, and thirty-six poems as well.

Now that Beginning… 

PROLOGUE 

Eight Years Before, Midsummer

“HALLIE?” THE VOICE WHISPERED AROUND THE BROKEN chairs and cobwebs, and I breathed out because it wasn’t my father. 

Uncle Matthias edged past the snapped spinning wheel, over a pile of fishing nets set aside for mending. “You can come out, sweetheart,” he said. “It’s over.” My ears still rang with Papa’s roaring swears, with Uncle Matthias’s voice pitched low to cut. They didn’t bother whispering anymore when they fought. Marthe had nudged her foot against mine—I’m right here—when Papa started to growl, but I wasn’t half as big or strong as my older sister. When the first dish had flown, I’d run for the smokehouse—and I hadn’t looked back. 

Deep behind my junk barricades, I swallowed. “Who won?”

“Nobody.” Uncle Matthias’s light steps stopped in front of me. “It doesn’t matter anymore.”

I scowled. Of course it mattered. I would feel that win or loss in the weight of Papa’s footsteps on our farmhouse floorboards, in whether being slow on my chores tomorrow would mean an indifferent smile or a bucket of water across the face. I peeked out from behind the scratched table leg. “Who won?” 

Uncle Matthias sighed. “Your father did,” he said, and my shoulders sagged with relief. “Come sit with me, kiddo. You’ll get splinters down there.” 

My uncle’s careful hands lifted me from my tangled fortress, carried me—even though I was much too big for carrying—to Great-grandmother’s red brocade stool. He set me down gently, a thin, hardy brushstroke of a man, and I pulled my knees up to my chest. There were new islands in the mess of the smokehouse floor: clothes, tools, two pairs of walking boots.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 11, 1927 — Kit Pedler. In the mid-1960s, Pedler, who was a scientist, became the unofficial scientific adviser to the Doctor Who production team. He would help create the Cybermen. In turn, he wrote three scripts for the series: “The Tenth Planet” (with Gerry Davis), “The Moonbase” and “The Tomb of the Cybermen” (also with Gerry Davis). Pedler and Davis also created and co-wrote Doomwatch which ran for three seasons on the Beeb. (Died 1981.)
  • Born June 11, 1933 — Gene Wilder. The first role I saw him play was The Waco Kid in Blazing Saddles. Of course, he has more genre roles than that starting out with Willy Wonka in Willy Wonka & the Chocolate Factory followed by Blazing Saddles and then Dr. Frederick Frankenstein in Young Frankenstein. He was Sigerson Holmes in The Adventure of Sherlock Holmes’ Smarter Brother, a brilliantly weird film who cast included Marty Feldman, Madeline Kahn, Dom DeLuise, Roy Kinnear and Leo McKern!  I’ve also got him playing Lord Ravensbane/The Scarecrow in The Scarecrow, a 1972 TV film based based on Nathaniel Hawthorne’s short story, “Feathertop”. (Died 2016.)
  • Born June 11, 1945 — Adrienne Barbeau, 78. Swamp Thing with her is quite pulpy. She’s also in the Carnivale series, a very weird affair that never got wrapped up properly. She provided the voice of Catwoman on Batman: The Animated Series. And she was in both Creepshow and The Fog. Oh and ISFDB lists her as writing two novels, Vampyres of Hollywood (with Michael Scott) and presumably another vampire novel, Love Bites. Anyone here read these? 
  • Born June 11, 1959 — Hugh Laurie, 64. Best known as House to most folks which I just watched in its entirety. His most recent genre role was as Mycroft Holmes in the Holmes and Watson film. He’s had past genre roles in The Borrowers, the Stuart Little franchise, Tomorrowland, Blackadder: Back & Forth and Randall & Hopkirk (Deceased). He also appeared in Blackadder.
  • Born June 11, 1968 — Justina Robson, 55. Author of the excellent Quantum Gravity series which I loved. I’ve not started her Natural History series, so would be interested in hearing from anyone here who has. I was surprised that she hasn’t picked up any Hugo nominations so far, although her work has been up for other awards quite a few times.
  • Born June 11, 1970 — Jane Goldman, 53. She’s a English screenwriter, author and producer who’s done a lot of work but I’m going to list but a few of her works including the screenplay for the Hugo winning Stardust, the same for Miss Peregrine’s Home for Peculiar Children, based on the Ransom Riggs novel, The Limehouse Golem screenplay off Peter Ackroyd’s novel and a screenplay on spec off Bill Willingham’s Fables series that never got financed. She was also a fan of the X-Files as she wrote two volumes of The X-Files Book of the Unexplained. 
  • Born June 11, 1971 — P. Djèlí Clark, 52. I’m very much enjoying A Master of Djinn which made my Hugo nominations list. It follows his “The Haunting of Tram Car 015” novella, a 2020 Hugo finalist, and “The Angel of Khan el-Khalili” and “A Dead Djinn in Cairo”, short stories, all set in his Dead Djinn universe. I’ve not read his “Black Drums” novella which garnered a Hugo nomination at Dublin 2019, nor the “Ring Shout” novella which got a Hugo nomination at DisCon III, so I welcome opinions on them. And I see his “The Secret Lives of the Nine Negro Teeth of George Washington” short story also got a 2019 Hugo nomination.  

(8) COMICS SECTION.

  • Crabgrass relates Toy Story’s impact and delivers a bonus sff reference.
  • Lola shows one dog’s idea of a safety precaution.
  • Wallace the Brave demonstrates how a little imagination can be very motivating.

(9) I ALREADY GET IT, THANKS. MSN.com has the “10 Weirdest Punchlines in Far Side Comics History” – and their explanation for every joke is something I promise you can be safely skipped.

(10) IT’S A MASSACRE. Mashable names “Every TV show that’s been canceled in 2023 so far, from ‘Avenue 5’ to ‘Ziwe’”.

As we reach the midpoint of 2023, it’s time to take a look back at the scripted dramas, comedies, and genre-bending series that have been taken off our weekly TV schedules. The wave of cancellations can be attributed to a myriad of factors including the ongoing Writers Guild of America strike or streaming services looking to save a few bucks in tax money….

There are four genre casualties from this provider alone:

HBO / Max

  • Avenue 5 – Canceled after 2 seasons
  • Doom Patrol – Canceled after 4 seasons
  • Pennyworth – Canceled after 3 seasons
  • Titans – Canceled after 4 seasons

(11) GOING ONCE, GOING TWICE. John Scalzi put up two photos and — at least among his commenters — it’s not at all close which one they want to be his official author photo.

(12) SPACE TO WRITE. “Why Wouldn’t NASA Want to Use Pencils in Space? Here’s The True Story” says Science Alert.

…But why such a big brouhaha in the first place?

As it turns out, there are certain things that you don’t want floating around in space. Pencil detritus is one of them. The lead could snap off, which presents a hazard; but neither do you want flammable wood shavings floating loose in a spacecraft, or the microscopic particles of electrically conductive graphite that shed from a pencil as it writes.

Any minute particles that can get lodged in delicate machinery are a hazard in space, and the particles that come off pencils were cause for significant concern. Fire, in particular, is a serious safety issue in spacecraft, and one NASA doesn’t treat lightly after a fire killed all three members of the Apollo 1 mission in 1967.

The ballpoint pens of the time were also hazardous. The first commercially successful ballpoint pen was introduced in 1945, and the pens, according to Fisher Pen Company founder Paul C. Fisher, “leaked everywhere”. Droplets of ink are also not something you really want floating around a space capsule….

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Kathy Sullivan, Andrew Porter, John King Tarpinian, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 6/3/23 A File Forever Pixeling Through Strange Scrolls Of Thought, Alone

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(1) MARVEL VS DC: CONTEST OF THE CHAMPIONS. [Item by SF Concatenation’s Jonathan Cowie.] BBC Radio 4 has just broadcast a documentary (just under half-hour) on DC and Marvel Comics. Most of it fans will already know, but there are some things in there folk might not! For example, I never knew that at one time, DC copied Marvel’s grittier art style despite internal management misgivings. You can access it here.

Marvel and DC, the two titans of America superhero comics, have been locked in cosmic battle for over six decades – raging across publishing, radio, TV, movies, gaming and animation.

It’s one of the greatest rivalries in the history of pop culture, ferociously debated by generations of readers, fans and industry creatives alike.

While both companies are now worth billions, this wasn’t always the case.

This feature goes back to their early comic book roots, where DC comics and young upstart Marvel both had offices in 1960s Manhattan – and yet differed widely in their approach to the genre, posing very distinct ideas of what our superheroes should be – and as a result, what it means to be human. Do we want to look up to the skies or do we really want to see a reflection of ourselves? Are our heroes other, outsiders like gods – or are they basically people like us, who gain strange powers but keep their flaws? Readers had a choice.

The creative rivalry between Marvel and DC comics has always been more than a question of sales or market share. It is a fascinating culture clash of ideals, morals and even politics. It has constituted one of the greatest post-war, pop-culture wars of our times.

(2) TAFF EBOOK. Rob Hansen’s British SF Conventions Volume 1: 1937-1951 was released June 1 as a free downloadable ebook on the Trans-Atlantic Fan Fund website. If you enjoy it, a donation to TAFF is welcome.

The cover photo from the London Festivention (1951) shows the editors of six of the seven fanzines then being published in the UK. From left to right: Mike Tealby (Wonder), Derek Pickles (Phantasmagoria), Fred Robinson (Straight Up), Walt Willis (Slant), Bob Foster (Sludge), Vince Clarke and Ken Bulmer (Science Fantasy News).

From Rob Hansen’s Foreword

Surprisingly, there were five conventions organized, announced, and held in the UK during World War Two despite travel under wartime conditions being a difficult and sometimes dangerous affair. For example, the train taking Cardiff fan Terry Overton to one of those conventions pulled out of the station during an air raid as bombs rained down on his (and my) home city. The NORCONs were only cons in the most basic of senses but 1944’s Eastercon was the most ambitious convention the UK had ever seen, as you will discover.

Hansen’s already published book 1957: The First UK Worldcon  fits into this sequence as volume 3.

(3) DRIVE-IN TRIVIA. MeTV asks “Can you complete the titles of these vintage ‘monster’ movies?” It wasn’t easy but I managed to miss two of these softballs.

What would the landscape of horror be like without the famous monsters? For decades, audiences have screamed, laughed and even sometimes jeered at the creatures lurching across the screen. Some nightmares are done so well that they haunt you for years. Others look so cheap and tacky that they become famous for how terrible they look.

We’ve collected a dungeon full of classic horror and sci-fi flicks with “monster” in the title. You may recognize some of these movies from Svengoolie! See if you can complete their full, frightful names.

(4) IT MIGHT BE FILK. John Hertz took inspiration from a recent G&S-themed Scroll title (Pixel Scroll 6/1/23 Three Little Muad’Dibs From Sand Are We) to supply the verse:

Three Muad’Dibs who, all unwary,
Come from Atreides’ seminary,
Free from the Wallach IX tutelary,
Three Muad’Dubs from sand.

Everything is a source of fun.
Paul isn’t safe, his solitude’s done,
Dune is a joke that’s just begun.
Three Muad’Dibs from sand.

Three Muad-’Dibs from sand are we,
Pert as a *pop-hop* well can be,
Filled to the brim with melange glee,
Three Muad’Dibs from sand.

(5) CUE THE CHORUS. Meanwhile another poet soon will be represented in space: “Poem bound for Jupiter’s moon Europa ties Earth to the watery world” reports Axios.

U.S. poet laureate Ada Limón on Thursday revealed her poem that will fly to Jupiter’s moon Europa aboard NASA’s Europa Clipper mission.

The big picture: The mission follows in the tradition of others — like NASA’s Voyagers — that have sent pieces of art representing humanity into the cosmos.

What’s happening: The poem uses water as a thread that binds Earth — and all of its humans — to Europa, a moon with an ocean beneath its icy shell.

  • “We are creatures of constant awe, curious at beauty, at leaf and blossom, at grief and pleasure, sun and shadow,” Limón writes. “And it is not darkness that unites us, not the cold distance of space, but the offering of water, each drop of rain.”
  • The poem is going to be engraved in Limón’s handwriting and affixed to the spacecraft, expected to launch in October 2024.

(6) MEMORY LANE.

1987 – [Written by Cat Eldridge from a choice by Mike Glyer.]

Lawrence Watt-Evans’ “Why I Left Harry’s All-Night Hamburgers” story is where our Beginning comes from this Scroll. Though Mike of course selected it, I too have read it with great delight.

So the story won a Hugo at Nolacon II, and had a Nebula nomination as well.

It was published in Isaac Asimov’s Science Fiction Magazine in their July 1987 issue. 

I’m going to praise him for having up-to-date social media and for dropping out of Twitter. Check out the links to those sites from his ISFDB page 

So here’s the first chapter of that story….

Hamburgers Harry’s was a nice place–probably still is. I haven’t been back lately. It’s a couple of miles off I-79, a few exits north of Charleston, near a place called Sutton. Used to do a pretty fair business until they finished building the Interstate out from Charleston and made it worthwhile for some fast-food joints to move in right next to the cloverleaf; nobody wanted to drive the extra miles to Harry’s after that. Folks used to wonder how old Harry stayed in business, as a matter of fact, but he did all right even without the Interstate trade. I found that out when I worked there. 

Why did I work there, instead of at one of the fast-food joints? Because my folks lived in a little house just around the corner from Harry’s, out in the middle of nowhere – not in Sutton itself, just out there on the road. Wasn’t anything around except our house and Harry’s place. He lived out back of his restaurant. That was about the only thing I could walk to in under an hour, and I didn’t have a car.

This was when I was sixteen. I needed a job, because my dad was out of work again and if I was gonna do anything I needed my own money. Mom didn’t mind my using her car – so long as it came back with a full tank of gas and I didn’t keep it too long. That was the rule. So I needed some work, and Harry’s All-Night Hamburgers was the only thing within walking distance. Harry said he had all the help he needed–two cooks and two people working the counter, besides himself. The others worked days, two to a shift, and Harry did the late night stretch all by himself. I hung out there a little, since I didn’t have anywhere else, and it looked like pretty easy work – there was hardly any business, and those guys mostly sat around telling dirty jokes. So I figured it was perfect. 

Harry, though, said that he didn’t need any help. 

I figured that was probably true, but I wasn’t going to let logic keep me out of driving my mother’s car. I did some serious begging, and after I’d made his life miserable for a week or two Harry said he’d take a chance and give me a shot, working the graveyard shift, midnight to eight A.M., as his counterman, busboy, and janitor all in one.

I talked him down to 7:30, so I could still get to school, and we had us a deal. I didn’t care about school so much myself, but my parents wanted me to go, and it was a good place to see my friends, y’know? Meet girls and so on. 

So I started working at Harry’s, nights. I showed up at midnight the first night, and Harry gave me an apron and a little hat, like something from a diner in an old movie, same as he wore himself. I was supposed to wait tables and clean up, not cook, so I don’t know why he wanted me to wear them, but he gave them to me, and I needed the bucks, so I put them on and pretended I didn’t notice that the apron was all stiff with grease and smelled like something nasty had died on it a few weeks back. And Harry–he’s a funny old guy, always looked fiftyish, as far back as I can remember. Never young, but never getting really old, either, y’know? Some people do that, they just seem to go on forever. Anyway, he showed me where everything was in the kitchen and back room, told me to keep busy cleaning up whatever looked like it wanted cleaning, and told me, over and over again, like he was really worried that I was going to cause trouble, “Don’t bother the customers. Just take their orders, bring them their food, and don’t bother them. You got that?”

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 3, 1901 — Maurice Evans. Ahhh the amazing work of make-up. Under the make-up that was Dr. Zaius in Planet of the Apes and Beneath the Planet of the Apes was this actor. Though this was his most well-known genre role, it wasn’t his only ones — he was in a Thirties Scrooge as poor man, on Bewitched as Maurice, Samantha’s father, on Batman as The Puzzler in “The Puzzles are Coming” and “The Duo Is Slumming”, in Rosemary’s Baby as Hutch, and finally in Terror in the Wax Museum as Inspector Daniels. Oh, and he showed up on Columbo as Raymond in “The Forgotten Lady”. No, not genre — but I love that series! (Died 1989.)
  • Born June 3, 1905 — Malcolm Reiss. It’s uncertain if he ever published any genre fiction but he’s an important figure in the history of our community as he edited in the Thirties through the Fifties, Jungle Stories, Planet Stories, Tops in Science Fiction and Two Complete Science-Adventure Books. Fletcher Pratt, Ross Rocklynne, Leigh Brackett and Fredric Brown are but a few of the writers published in those magazines. (Died 1975.)
  • Born June 3, 1905 — Norman A. Daniels. Writer working initially in pulp magazines, later on radio and television. He created the Black Bat pulp hero and wrote for such series as The Avengers, The Phantom Detective and The Shadow. He has three non-series novels, The Lady Is a Witch, Spy Slave and Voodoo Lady. To my surprise, iBooks and Kindle has a Black Bat Omnibus available! In addition, iBooks has the radio show.  (Died 1995.)
  • Born June 3, 1947 — John Dykstra, 76. He was one of the founders of Industrial Light & Magic. That means he’s responsible for the original visuals for lightsabers, the space battles between X-wings and TIE fighters, and much of the other Star Wars effects. Can’t list everything he later worked on, so I’ll single out his work on Battlestar Galactica, the sfx for Batman Forever and Batman and Robin, the visual effects on X-Men: First Class, and visual effects supervisor on Doolittle.
  • Born June 3, 1950 — Melissa Mathison. Screenwriter who worked with Spielberg on  E.T. the Extra-Terrestrial, Twilight Zone: The Movie and the charming BFG, the latter being the last script she did before dying of cancer. She also did absolutely splendid The Indian in the Cupboard which was directed by Frank Oz. (Died 2015.)
  • Born June 3, 1958 — Suzie Plakson, 65. She played four characters on the Trek franchise: a Vulcan, Doctor Selar, in “The Schizoid Man”(Next Gen); the half-Klingon/half-human Ambassador K’Ehleyr in “The Emissary” and “Reunion” (Next Gen); the Lady Q in “The Q and the Grey” (Voyager); and an Andorian, Tarah, in “Cease Fire” (Enterprise).  She also voiced Amazonia in the “Amazon Women in the Mood” episode of Futurama. Really. Truly. By the way, her first genre role was in the My Stepmother Is an Alien film as Tenley. She also showed up in the Beauty and the Beast series as Susan in the “In the Forests of the Night” episode.
  • Born June 3, 1949 — Michael McQuay. He wrote two novels in Asimov’s Robot City series, Suspicion and Isaac Asimov’s Robot City (with Michael P. Kube-McDowell) and Richter 10 with Arthur C. Clarke. The Mathew Swain sequence neatly blends SF and noir detective tropes – very good popcorn reading. His novelization of Escape from New York is superb. (Died 1995.)
  • Born June 3, 1964 — James Purefoy, 59. His most recent genre performance was as Laurens Bancroft in Altered Carbon. His most impressive was as Solomon Kane in the film of that name. He was also in A Knight’s Tale as Edward, the Black Prince of Wales/Sir Thomas Colville. He dropped out of being V in V for Vendetta some six weeks into shooting but some early scenes of the masked V are of him. And let’s not forget that he’s Hap Collins in the Sundance series Hap and Leonard which was steaming on Amazon Prime before the idiots there pulled it. 

(8) COMICS SECTION.

  • Macanudo is there when puberty comes to 2001.

(9) JEOPARDY! [Item by David Goldfarb.] Friday’s episode of Jeopardy! had a category in the first round called “Their Middle Initial”, where each clue gave us a person’s given name and surname and asked for…oh, you guessed.

The $1000 level was:

Of sci-fi and fantasy author Ursula Le Guin

One of the contestants did in fact know it.

(10) SPACE CHOW. [Item by Mike Kennedy.] Nope, it’s not Rice-A-Roni. But, this San Francisco firm is competing in the Deep Space Food Challenge, sponsored by NASA and the Canadian Space Agency. The goal is to find ways to meet the food needs of astronauts on long-term space missions, such as one to Mars. Making the food interesting (as well as nutritious) is important from a psychological standpoint. “Does this look appetizing? If you go to Mars, it may be your meal” at CNN Business.

As part of a NASA competition called the Deep Space Food Challenge, a San Francisco based design firm shows CNN its ideas for tasty treats astronauts can grow themselves and even grill while on a long flight to Mars.

(11) JUSTWATCH. Here is the sff that JustWatch found people had on their screens in May.

(12) DINO SKINNER ARRESTED. “Vandal Causes $250,000 in Damage to ‘Jurassic Park’ Exhibition, Police Say” – the New York Times has the story.

A newly opened dinosaur exhibition in Atlanta based on the blockbuster series of “Jurassic Park” movies has been temporarily shut down after an intruder broke in and caused $250,000 in damage, the police said. One man is in custody.

On Monday, officers from the Atlanta Police Department responded to a burglary call at Jurassic World: The Exhibition, where a manager said he discovered several exhibits had been damaged, according to a police report.

The exhibition, which has made stops in North America, officially opened Friday at Pullman Yards, a large entertainment venue east of downtown Atlanta. The show promises to immerse audiences in scenes inspired by the films and features life-size dinosaur models.

Officials for the exhibition said security footage showed four suspects before they entered the property on Sunday night. One suspect was later seen “sitting on top of one of the dinosaurs ripping off the skin covering,” the report said….

… Michael Mattox, the executive vice president of Animax Designs, the company in Nashville that constructed the dinosaurs, told Fox5Atlanta last week that it took 18 months to design and build them.

About 140 artists, engineers and other creative people were involved in the production of the dinosaurs, he said.

(13) STEEL MAGNOLIAS.  “Japan will put a wooden satellite into orbit next year” reports TechSpot.

Researchers from Kyoto University in Japan have determined that wood from magnolia trees could be the ideal construction material for a satellite due to launch into space next year.

Test results from a recent experiment aboard the International Space Station among three wood specimens revealed magnolia to be the most versatile. The samples, which were exposed to the harsh conditions of space for 10 months, returned to Earth this past January.

Analysis showed magnolia experienced no decomposition or damage like cracking, peeling, or warping. Furthermore, there was no change in the mass of the wood samples before and after their exposure in space….

(14) STARLINER STANDS DOWN. “Boeing finds two serious problems with Starliner just weeks before launch” reports Ars Technica. People are surprised this kind of problem was discovered so late in the process.  

A Boeing official said Thursday that the company was “standing down” from an attempt to launch the Starliner spacecraft on July 21 to focus on recently discovered issues with the vehicle.

Mark Nappi, vice president and program manager for Starliner, said two spacecraft problems were discovered before Memorial Day weekend and that the company spent the holiday investigating them. After internal discussions that included Boeing chief executive Dave Calhoun, the company decided to delay the test flight that would carry NASA astronauts Suni Williams and Butch Wilmore to the International Space Station.

“Safety is always our top priority, and that drives this decision,” Nappi said during a teleconference with reporters.

Two issues

The issues seem rather serious to have been discovered weeks before Starliner was due to launch on an Atlas V rocket. The first involves “soft links” in the lines that run from Starliner to its parachutes. Boeing discovered that these were not as strong as previously believed.

During a normal flight, these substandard links would not be an issue. But Starliner’s parachute system is designed to land a crew safely in case one of the three parachutes fails. However, due to the lower failure load limit with these soft links, if one parachute fails, it’s possible the lines between the spacecraft and its remaining two parachutes would snap due to the extra strain.

(15) UFO STUDY. The May 31 public meeting by the NASA team tasked with studying UAPs (UFOs) is archived on YouTube. “NASA’s UFO study team holds a public meeting”. Over 3.5 hours of talks, charts, stats, etc. 

Other coverage includes “NASA reveals findings on unidentified objects” at CNN Business and “UFOs: Five revelations from Nasa’s public meeting” at BBC News.

[Thanks to Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, David Langford, John Hertz, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Pixel Scroll 5/3/23 Don’t Ring That Pixel, It’ll Only Make The Scrolling Trickier

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(1) NEXT ON BABYLON 5. “The secret Babylon 5 project is… an animated movie”. The Verge does a roundup of what is known about the project based on J. Michael Straczynski’s tweets today, plus a little bit from his Patreon page. More details are coming next week, including a release date.

Meanwhile, the Babylon 5 reimagining live action show that’s been in development remains “on hold pending WGA issues” Straczynski said on Facebook last week.

(2) FAN WINS MINN STATE LITERARY AWARD. Congratulations to Minn-Stf member Karen E. Cooper on receiving the 2023 Emilie Buchwald Award for Minnesota Nonfiction, part of the Minnesota Book Awards. Cooper’s winning book is When Minnehaha Flowed with Whiskey: A Spirited History of the Falls.

From the 1880s until at least 1912, Minnehaha Falls was a scene of surprising mayhem. The waterfall was privately owned from the 1850s through 1889, and entrepreneurs made money from hotels and concessions. Even after the area became a city park, shady operators set up at its borders and corrupt police ran “security.” Drinking, carousing, sideshows, dances that attracted unescorted women, and general rowdiness reigned—to the dismay of the neighbors. By 1900, social reformers began to redeem Minnehaha Park. During the struggle for control, the self-indulgent goings-on there became more public and harder to ignore.

(3) LIKE SAND THROUGH THE HOURGLASS. The trailer for Dune: Part Two dropped today.

“Dune: Part Two” will explore the mythic journey of Paul Atreides as he unites with Chani and the Fremen while on a warpath of revenge against the conspirators who destroyed his family. Facing a choice between the love of his life and the fate of the known universe, he endeavors to prevent a terrible future only he can foresee.

(4) TONY AWARDS 2023. The 2023 Tony Award nominations are out. There are a few productions of genre interest like Into the Woods with cast members among the nominees, however the list is mostly not sff. The complete roster is at the link.

(5) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Paul Tremblay & John Langan on Wednesday, May 10, 2023, at 7:00 p.m. Eastern.

Paul Tremblay

Paul Tremblay has won the Bram Stoker, British Fantasy, and Massachusetts Book awards and is the author of The Pallbearers Club, Growing Things, Disappearance at Devil’s Rock, A Head Full of Ghosts, and the crime novels The Little Sleep and No Sleep Till Wonderland. His novel The Cabin at the End of the World was adapted as the major motion picture Knock at the Cabin. His essays and short fiction have appeared in the Los Angeles Times, New York Times, and numerous year’s-best anthologies. He has a master’s degree in mathematics and lives outside Boston with his family.

John Langan

John Langan is the author of two novels and five collections of fiction. For his work, he has received the Bram Stoker and the This Is Horror awards. He is one of the founding members of the Shirley Jackson awards, and serves on its Board of Advisors. He lives in New York’s Mid-Hudson Valley with his family and worries about bears roaming the woods behind the house. His latest book is Corpsemouth and Other Autobiographies.

Where: KGB Bar, 85 East 4th Street, New York, NY 10003 (Just off 2nd Ave, upstairs).

(6) THE SEX LIVES OF TRALFAMADORIANS. [Item by Steven French.] In an interesting and helpful article in Aeon, entitled “Sex Is Real” (but with the important sub-title: ‘Yes, there are just two biological sexes. No, this doesn’t mean every living thing is either one or the other’), philosopher of biology Paul Griffiths tackles the Tralfamadorians:

… imagine if there was a whole species … where three different kinds of gametes combined to make a new individual – a sperm, an egg and a third, mitochondrial gamete. This species would have three biological sexes. Something like this has actually been observed in slime moulds, an amoeba that can, but need not, get its mitochondria from a third ‘parent’. The novelist Kurt Vonnegut imagined an even more complex system in Slaughterhouse-Five (1969): ‘There were five sexes on Tralfamadore, each of them performing a step necessary in the creation of a new individual.’ But the first question a biologist would ask is: why haven’t these organisms been replaced by mutants that dispense with some of the sexes? Having even two sexes imposes many extra costs – the simplest is just finding a mate – and these costs increase as the number of sexes required for mating rises. Mutants with fewer sexes would leave more offspring and would rapidly replace the existing Tralfamadorians. Something like this likely explains why two-sex systems predominate on Earth….

(7) VECTOR NEEDS EDITORS. Jo Lindsay Walton and Polina Levontin will be standing down as editors of the British Science Fiction Association’s magazine Vector after one more issue (#298, late 2023), and the BSFA is inviting applications for new editors: “Vector: be part of a new editorial team!”

(8) MEMORY LANE.

2011 – [Compiled by Cat Eldridge.]

Let’s talk about David Langford for a minute. Y’all know this wonderful individual already, so I need not go into depth on who he is, though I’d be very remiss not to mention that he has the most Hugo Awards in hand with twenty-nine so far. 

Many of those came about from his work as a fan journalist on his essential-reading Ansible newsletter which he has described as The SF Private Eye. The name Ansible you likely know is taken from Le Guin’s communication device.

That he borrowed the name from a fictional device is a fact that lends itself to the lead-in for the Beginning excerpted in this Scroll. It’s from Langford’s story in Fables from the Fountain, edited by Iain Whates, a collection which paid homage to Arthur C. Clarke’s Tales from The White Hart.

Fables from the Fountain centers on The Fountain, a traditional London pub situated in Holborn, sited just off Chancery Lane, where Michael, our landlord, serves only superb ales, ably assisted by barmaids Sally and Bogna.  It is a place where a group of friends – scientists, writers and, yes, genre fans — meet regularly on a Tuesday night to tell true stories, and some well, maybe not so true. 

Our story, “The Pocklington Poltergeist”, was published by NewCon Press as part of this collection twelve years ago. Dean Harkness did the cover art. 

They are, I must say, quite fun tales that keep nicely in the spirit of Clarke’s own. Available at the usual suspects, or in a more traditional paper edition.

And let’s us step into The Fountain for our Beginning…

A buzz of expectation could be felt in the back bar of the Fountain that Tuesday evening, and Michael the landlord hoped aloud that this didn’t mean funny business. No one needed to be told what he meant. The previous meeting had gone with a bang, not to mention a repeated flash, crackle and puff of purple vapour when anyone stepped in the wrong place. Whatever that noisy stuff was, it got on your shoes and followed you even into the sanctuary of the toilet.

“Nitrogen tri-iodide,” said Dalton reminiscently. “Contact explosive. A venerable student tradition. It’s amazing how each new year discovers the formula, as though it were a programmed instinct.”

“They read science fiction,” Ploom suggested. “Robert Heinlein gives a fairly detailed recipe in Farnham’s Freehold.”

“Not his best,” said Dalton. “And not the best procedure either. Solid iodine crystals are far, far more effective than the usual alcoholic solution. I speak purely theoretically, of course.”

At the bar, Professor Mackintosh made reassuring noises. “The only upheaval we’re expecting is a celebrity visitor, Michael. A demi-celebrity, at any rate. Have you heard of Dagon Smythe “the psychic investigator – a real-life Carnacki the Ghost-Finder? Colin Wilson wrote a whole book about him once.”

Next to the Professor, Dr Steve spluttered something into his beer. It could have been: “That charlatan.”

“Now, now,” murmured Mackintosh. “Guests are always received politely. We even managed to be civil to Uri Geller.”

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 3, 1896 — Dodie Smith. English children’s novelist and playwright, best remembered for The Hundred and One Dalmatians which of course became the animated film of the same name and thirty years later was remade by Disney as a live action film. (Saw the first a long time ago, never saw the latter.) Though The Starlight Barking, the sequel, was optioned, by Disney, neither sequel film (101 Dalmatians II: Patch’s London Adventure and 102 Dalmatians) is based on it. Elizabeth Hand in her review column in F&SF praised it as one of the very best fantasies (“… Dodie Smith’s sophisticated canine society in The Hundred and One Dalmatians and The Starlight Barking…”) she read. (Died 1990.)
  • Born May 3, 1928 — Jeanne Bal.  Ebony In Trek’s “The Man Trap” episode, she played Nancy Crater, a former lover of Leonard McCoy, who would be a victim of the lethal shape-shifting alien which craves salt. This was the series’ first-aired episode that replaced “The Cage” which the Network really didn’t like. She also had one-offs in Thriller and I-Spy. (Died 1996.)
  • Born May 3, 1939 — Dennis O’Neil. Writer and editor, mostly for Marvel Comics and DC Comics from the Sixties through the Nineties, and was the Group Editor for the Batman family of titles until his retirement which makes him there when Ed Brubaker’s amazing Gotham Central came out. He himself has written Wonder Woman and Green Arrow in both cases introducing some rather controversial storytelling ideas. He also did a rather brilliant DC Comics Shadow series with Michael Kaluta as the artist. (Died 2020.)
  • Born May 3, 1949 — Ron Canada, 74. He’s one of those actors who manages to show up across the Trek verse, in this case on episodes of Next Generation, Deep Space Nine and Voyager. He also showed up in the David Hasselhoff vanity project Nick Fury: Agent of SHIELD as Gabe Jones, and had further one-offs on The X-Files, Star Gate SG-1, Elementary, Grimm and The Strain. He had a recurring role on the now canceled Orville series as Admiral Tucker.
  • Born May 3, 1958 — Bill Sienkiewicz, 65. Comic artist especially known for his work for Marvel Comics’ Elektra, Moon Knight and New Mutants. His work on the Elektra: Assassin! six-issue series which written by Frank Miller is stellar. Finally his work with Andy Helfer on The Shadow series is superb.
  • Born May 3, 1965 — Michael Marshall Smith, 58. His first published story, “The Man Who Drew Cats”, won the British Fantasy Award for Best Short Story. Not stopping there, His first novel, Only Forward, won the August Derleth Award for Best Novel and the Philip K. Dick Award. He has six British Fantasy Awards in total, very impressive indeed. 
  • Born May 3, 1969 — Daryl Mallett, 54. By now you know that I’ve a deep fascination with the nonfiction documentation of our community. This author has done a number of works doing just that including several I’d love to see including Reginald’s Science Fiction and Fantasy Awards: A Comprehensive Guide to the Awards and Their Winners written with Robert Reginald. He’s also written some short fiction including one story with Forrest J Ackerman that bears the charming title of “A Typical Terran’s Thought When Spoken to by an Alien from the Planet Quarn in Its Native Language“.  He’s even been an actor as well appearing in several Next Gen episodes (“Encounter at Farpoint” and “Hide and Q”) and The Undiscovered Country as well, all uncredited. He also appeared in Doctor Who and The Legends Of Time, a fan film which you can see here if you wish to.

(10) COMICS SECTION.

  • Frazz – is built around a culture wars malaprop. (Or at least a misunderstanding.)

(11) EXECUTIVE ACTION. “Jim Lee Re-Ups at DC, Promoted to President” – The Hollywood Reporter has the story.

Jim Lee, the superstar artist-turned-publisher of DC, has added the title president to his growing list of executive designations.

Lee, re-upping his deal with DC, has been promoted to president as well as publisher and CCO of the comic book company, which is part of Warner Bros. Discovery.

The executive will continue to report to Pam Lifford, president of global brands, franchises and experiences at Warner Bros. Discovery, who announced the promotion Wednesday.

Lee, per the company, will continue in his primary role as publisher at DC, where he leads the creative teams. He will also continue to lead the creative efforts to integrate DC’s publishing portfolio of characters and stories across all media, supporting the brands and studios of WBD…

(12) I’VE HEARD THIS TUNE BEFORE. [Item by Dan Bloch.] Did Spider Robinson nail it or what? (Cf. “Melancholy Elephants”) “The Ed Sheeran lawsuit is a threat to Western civilization. Really.” says Elizabeth Nelson in an opinion piece for the Washington Post.

Spider Robinson’s 1983 Hugo-winning short story “Melancholy Elephants” is about a woman fighting a bill in congress which would extend copyright into perpetuity, because it would ultimately stifle humanity’s artistic creativity.  (“Senator, if I try to hoard the fruits of my husband’s genius, I may cripple my race.”)

The Post article talks about musician Ed Sheeran currently being sued by a songwriter’s estate which claims that “a similar but not identical chord progression used by both songs as a principal motif” is copyrighted.  The author says the effects of the estate winning would be horrible: “If artists must pay a tax for employing the most common modes and tones of composition, the process of grinding popular music down to a consensus-driven pay window for tech entrepreneurs and corporate opportunists will have reached its apotheosis.”

The two are eerily similar.

(13) BIG GULP. The good part is you won’t be around by the time this happens to the earth: “Sun-like star swallowed entire planet, MIT and Harvard astronomers say” at CBS News.

For the first time, scientists have caught a star in the act of swallowing a planet – not just a nibble or bite, but one big gulp.

Astronomers on Wednesday reported their observations of what appeared to be a gas giant around the size of Jupiter or bigger being eaten by its star. The sun-like star had been puffing up with old age for eons and finally got so big that it engulfed the close-orbiting planet.

It’s a gloomy preview of what will happen to Earth when our sun morphs into a red giant and gobbles the four inner planets.

“If it’s any consolation, this will happen in about 5 billion years,” said co-author Morgan MacLeod of the Harvard-Smithsonian Center for Astrophysics….

The source article is “An infrared transient from a star engulfing a planet” in Nature.

(14) VIDEO OF THE DAY. Jeanne Gomoll and Scott Custis replaced their garage floor/slab with new concrete. But before that could happen, workers had to lift up the garage and move it out of the way. This timelapse video of their project is quite something.

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, N., Steven French, Jo Lindsay Walton, Dan Bloch, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 4/27/23 Only The True Pixel Denies His Divinity

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(1) BOASE AWARD. The UK’s Branford Boase Award honors debut efforts in children’s books and the editors as well as authors behind them. There are three works on The Branford Boase Award 2023 Shortlist of genre interest:

The other shortlisted works are:

  • The Bones of Me by Kel Duckhouse, edited by Harriet Birkinshaw, Flying Eye Books YA
  • Seed by Caryl Lewis, edited by Sarah Hughes, illustrated by George Ermos, Macmillan Children’s Books 7+
  • The Cats We Meet Along the Way, Nadia Mikail, edited by Bella Pearson, Guppy Books YA
  • Ellie Pillai is Brown, Christine Pillainayagam, edited by Leah Thaxton, Faber 13+
  • The Map of Leaves, Yarrow Townsend, edited by Rachel Leyshon, Chicken House 10+

(2) SMALL PRESS WINS AWARD WITH GENRE BOOK. “Dead Ink wins Republic of Consciousness prize with Missouri Williams’s ‘astonishing’ debut” in the Guardian.

…First awarded in 2017, the Republic of Consciousness prize is given to the best literary novel published by a small press in the UK and Ireland with fewer than five employees. Over the past seven years the prize has awarded almost £100,000 to more than 25 small presses and writers….

Dead Ink Books has won the Republic of Consciousness prize for small presses for Missouri Williams’s “astonishing” debut novel The Doloriad. Yet while Dead Ink and Williams will get the prestige of winning, the entire shortlist will receive the same reward. Each of the five books wins £1,000, split 70:30 between publisher and author, on top of the £300 awarded to the 10 longlisted titles, which was paid to the presses only.

Prague-based Williams’s novel is set in the imagined wake of a mysterious disaster that has wiped out most of humanity. One family, descended from incest, remains, ruled by a merciless woman known only as the Matriarch. When the Matriarch believes there might be more survivors she sends one of her daughters, the legless Dolores, as a marriage offering….

(3) HOW LONG? Author Hana Lee built a tool designed to calculate how many copies an author must sell to earn out an advance. [Via Publishers Weekly.]

“Earning out” means that the amount you’ve “earned” in royalties from copies sold (across all formats) equals or exceeds your advance payment.

(4) CON OR BUST AUCTION RETURNS. Dream Foundry’s Con or Bust program makes direct cash grants to creators or fans of color to assist with travel, food, registration, and other expenses associated with attending industry events. They are bringing back The Con or Bust Auction to raise money for their grants and are looking for donors for items of interest to potential auction buyers. “Think special experiences (like author Q&As), art, limited and/or special edition copies of books, ARCs for anticipated releases, etc.”

They want to have donations in by the end of June for inclusion this year. See full information on the program and how to contact them about donations here. Dream Foundry is a recognized non-profit and any donations given to us are tax deductible.

(5) ELLIOTT Q&A. Paul Weimer asks the questions in “Interview: Kate Elliott, author of Furious Heaven“ at Nerds of a Feather.

Furious Heaven, being a sequel to Unconquerable Sun, is a middle book in a series. How has the writing of this been the same, and different than other series that you have done? 

My goal with each of the three books of this trilogy has been, and continues to be, to shape each individual volume as if it is a standalone. Unconquerable Sun completes several of its major plot threads and, I believe, ends at a satisfying point. If I’ve done my job right, the reader will feel they’ve read a complete story and ALSO wish to read more.

Middle volumes are peculiarly hard. It’s important, in my opinion, to avoid “adding more beads onto the string” — that is, just to add more incident without complicating or expanding on the original elements of the story. A middle volume can add layers, unexpected twists and outcomes; it can deepen the characters and guide the reader into new landscapes and unknown dangers only hinted at in book one. That’s how I worked with (for example) Shadow Gate (Crossroads), Cold Fire (Spiritwalker), and Poisoned Blade (Court of Fives), which are all second volumes in trilogies that make the story bigger and show the reader new places and new conflicts.

With Furious Heaven I specifically wanted to do my best to make the story readable by someone who hadn’t read book one, while also having it build on what had come before…. 

(6) DUNE 2 PREVIEW. “’Dune: Part Two’—An Exclusive First Look at the Saga’s Epic Conclusion” – Vanity Fair offers descriptions and photos, but no video.

If you want to know where Dune: Part Two will begin, just look to the ending of the 2021 original. Director Denis Villeneuve wants to make it clear that his new movie, set for release November 3, is not so much another film as a continuation of the first. “It’s important—it’s not a sequel, it’s a second part. There’s a difference,” Villeneuve tells Vanity Fair for this exclusive first look. “I wanted the movie to really open just where we left the characters. There’s no time jump. I wanted dramatic continuity with part one.”…

….Although the first part of Dune became one of the first post-pandemic blockbusters and was nominated for 10 Oscars, winning six, the filmmaker himself still fixates on what he feels he could have done better. “You have to accept your failures as an artist,” he says. “It’s a task that was almost impossible, for me to be absolutely faithful to what those childhood dreams were. But what brings a lot of peace in my heart is that I brought a lot of them to the screen, a lot of them are close to what I had imagined.”

For now, Villeneuve is keeping his head down, staying focused on his work. “I’m deep into sound design and the visual effects, and it’s a race against time,” he says. Even discussing the film for this story was taxing for him. “I’ll be very blunt, okay?” he says with a smile, deploying the most Canadian analogy imaginable. “It’s very difficult for me to start to talk about a movie when I’m doing it. It’s like asking a hockey player to describe how he will score as he is skating toward the net.” 

Meanwhile, The Onion is skeptical: “’Dune: Part Two’ To Pick Up Right Where Viewers Fell Asleep During First One”.

(7) URSA MAJOR AWARDS. The group that runs the Ursa Major Awards for anthropomorphic works is asking for financial support. Contact them at the Ursa Major Awards website.

(8) MEMORY LANE.

2003 – [Compiled by Cat Eldridge.]

One of my very favorite authors is Emma Bull (she and Will are on the chocolate gifting list) and Finder: A Novel of The Borderland is a novel that I’ve read at least a half dozen times to date.

Without stating any spoilers, I think it’s safe to say that Emma created truly believable characters, from the primary ones to the ones that just exist to enhance out the story, the setting of the city itself, and a story that makes the most of the setting that Bull has fleshed out from what Terri Windling created originally in this series.

The novel is available readily for quite reasonable prices in various editions, print and digital. 

And here’s the Beginning straight from the Border…

“My father he rides with your sheriffs

And I know he would never mean harm…

— Richard Thompson, “Genesis Hall”

 Chapter 1. Falling Out of Paradise

I remember where I was and what I was doing when Bonnie Prince Charlie was killed. Not that I knew it at the time, of course. But while Charlie was traveling the distance from the Pigeon Cloisters belfry to High Street with all the dispatch that gravity can muster, I was sunbathing.

If the weather had held, I’d have been on the roof of my building the next day, too, spread out like a drying sweater. But it promised rain. (If the forecast had been different, would the past be, too? Would a lot of people still be here? This town is strange and has weather to match, but I never imagined it was a matter of life and death.)

So when Tick-Tick pounded on the frame of my open front door, I was in and washing dishes. She poked her head in and shouted, “I am the queen’s daughter, I come from Twelfth and Flynn, in search of Young Orient, pray God I find him!”

I lifted my hands dripping from the suds, took the herbal cigarette out of the corner of my mouth, and said, “Excuse me?”

“Well, in a manner of speaking,” said the Ticker placidly. She stalked in, the picture of elven self-possession, and picked a saucer out of the dishpan with thumb and forefinger. “Mab’s grace. So low as you’ve fallen, my precious boy.”

“I’m out of cups. Nothing else would have driven me to it.” The water had killed my cigarette. I sighed and flicked it out the window.

She dropped into my upholstered chair and swung her long legs over the arm. Her concession to summer’s heat, I noticed, was to tear the sleeves off her favorite pair of gray mechanic’s coveralls and roll the legs up to mid-calf. And still she did look rather like a queen’s daughter; but the elves usually look like royalty. When they’re trying not to, they only look like royalty in a cheap plastic disguise. Tick-Tick had a face like the bust of Nefertiti, only more daunting, and her eyes were huge and long and the gray of January ice.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 27, 1899 — Walter Lantz. Cartoonist, animator, producer and director who founded Walter Lantz Productions. He created the Woody Woodpecker and Chilly Willy characters among others. He received an Academy Award “for bringing joy and laughter to every part of the world through his unique animated motion pictures”. (Died 1994.)
  • Born April 27, 1901 — Frank Belknap Long. John Hertz says that Long should be singled out for the “To Follow Knowledge” novelette which he lovingly discuses here.  I only add that Long received the World Fantasy Award for Life Achievement. (Died 1994.)
  • Born April 27, 1920 — Doris Baumgardt.Well-known and loved fan, illustrator and writer. She was a member of the Futurians, and a founding member of FAPA. She was also a member of the CPASF and the Science Fictioneers. She was one of five members of the Futurians allowed into the first World Science Fiction Convention by Sam Moskowitz — the other four were Isaac Asimov, David Kyle, Jack Robinson and Richard Wilson. She wrote three pieces of short fiction that were published in the Forties and Fifties; she contributed artwork to fanzines. (JJ) (Died 1970.)
  • Born April 27, 1958 — Caroline Spector, 65. She was an Associate Editor at Amazing Stories for several years, but her main genre connection is her fiction in George R. R. Martin’s Wild Cards series where she has seven stories. She also a Shadowrun novel, Worlds Without End. (Now that was an interesting RPG!) she also has an essay, “Power and Feminism in Westeros” in James Lowder’s Beyond the Wall: Exploring George R. R. Martin’s A Song of Ice and Fire, From A “Game of Thrones” to “A Dance with Dragons
  • Born April 27, 1962 — Rachel Caine. She had two ongoing endeavors, the Weather Warden series which is most excellent and the superb Great Library series. I can’t speak to the Morganville Vampires series as I don’t do vampires really. And yes, I know she’s got a number of other series, far more than can detailed be here. (Died 2020.)
  • Born April 27, 1963 — Russell T. Davies, 60. Responsible for the 2005 revival on BBC One of Doctor Who. (A Whovian since the very beginning, he thinks “The Talons of Weng-Chiang” has the best dialogue in the entire series, an opinion I concur with.) Of course he’s also responsible for Torchwood and The Sarah Jane Adventures as well. (Need I note that the The Five(ish) Doctors Reboot was his idea?) Davies returned as the showrunner in October 2022 after the departure of Chris Chibnall; the first episodes of his second tenure will be the show’s sixtieth anniversary specials in 2023.
  • Born April 27, 1986 — Catherine Webb, 37. She’s writes under a number of names but I only know her under her Kate Griffin name where she wrote the extraordinary London set Matthew Swift series which one of the best urban fantasy series I ever read. I’ve not read any of her fiction written as Claire North which is major other name, so if you have, do tell me how it is. As North, her book The First Fifteen Lives of Harry August won the Clarke Award and Campbell Memorial Award, and The Sudden Appearance of Hope won a World Fantasy Award. Now go read the Matthew Swift series! 

(10) JOBS MAGNET. “As New York Boosts Tax Breaks for Movies, Some Critics Pan the Program” reports the New York Times.

 Four years ago, Amazon pulled the plug on its plans to build a headquarters in New York City, amid left-wing outrage over a $3 billion public subsidy package. But New York has hardly cut the company off: Amazon’s film and TV arm has received more than $108 million in state tax credits since then, and the left has raised nary a peep.

The handout is part of a state program that provides hundreds of millions of dollars each year in tax incentives to producers across the film and television industry, including Amazon — helping fuel a rapid expansion of studios in Brooklyn, Queens, the Bronx and Westchester County.

Now, Gov. Kathy Hochul is pushing to expand the program by nearly 70 percent, using the proposed state budget to shower as much as $7.7 billion in tax credits on the industry over the next 11 years. As it now stands, the subsidy is the most generous of any offered by the state, according to an analysis by Reinvent Albany, a watchdog group.

The proposed expansion to $700 million a year from $420 million has drawn stern rebukes from a range of critics who argue the decades-old program has consistently been a bad deal for taxpayers. But its likely success shows what is possible when powerful political and economic forces align in Albany, and states are increasingly pitted against each other for prestige jobs.

Ms. Hochul’s team is most concerned about neighboring New Jersey, which, along with Georgia and Canada, offers its own buffet of sweeteners that threatens to siphon film projects from New York.

(11) WWII RESISTANCE WORK. “Colorful Stories for Children, With the Darkest History as Backdrop” in the New York Times.  Includes many pictures from the books.  

During World War II, a clutch of whimsical children’s books were published in the Netherlands under a pen name, El Pintor. One book shows children flying on the backs of sparrows. In another, they float, attached to balloons. There is a pop-up book with people and animals nestled in trees and an activity book with paper cutouts.

The books sold thousands of copies, and were popular not only in the Netherlands, which was invaded and occupied by Nazi Germany in 1940, but in Germany as well.

The books did more than entertain children during the grim days of war. Behind the pseudonym El Pintor was a Jewish couple, Galinka Ehrenfest and Jacob Kloot. They used the name El Pintor to obscure their heritage, and funneled the proceeds from their picture books to fund Dutch resistance efforts and to help Jews who were hiding from the Nazi regime.

They did so at great risk, said Linda Horn, who wrote a book published in the Netherlands about Ehrenfest’s life.

“Secrecy was very important, people couldn’t write down what they were doing,” said Horn of those who worked in the Dutch resistance. “There are barely any sources.”…

(12) TODAY’S DAY. It’s World Hyena Day today. Which is important if you’re into furry fiction.

https://twitter.com/WildDogUtunu/status/1650854052245250049

(13) HISTORY-MAKING AMATEUR FILM CLUB. [Item by Ahrvid Enghom.] UK fan Jim Walker suddenly appears in the new documentary “A Bunch of Amateurs” (eg 37h30m in, but also later and in the credits), a film about the world’s perhaps oldest amateur film club, the Bradford Movie Makers founded in 1932.

Available here for UK viewers  (Geo-blocking may be overcome by VPN or something, if you know how.) I’ve seen the film, which has been on our local SVT.

(See also e.g. “Bradford-Based Feature Documentary A Bunch Of Amateurs”) — Bradford Movie Makers. They seem to have done some skiffy flicks among their 300 productions over 90 years, e.g. a Superman parody which is shown in this documentary.

Jim Walker

(14) OCTOTHORPE. In episode 82 of Octothorpe, “Metatextual Dinosaurs” —

John Coxon, Alison Scott and Liz Batty talk about their Hugo Award nominations. You have about four days to vote, so get your skates on! Read and watch everything we recommend! Do it now!

(15) APEX ACQUIRES KEENE BOOK. Apex Book Company has acquired first North America English trade paperback rights to the novel Island Of The Dead by Brian Keene in a deal brokered by the author.

Island Of The Dead is a horror/sword and sorcery novel in which an enslaved barbarian plots his escape from a war galley transporting soldiers and a mysterious biological weapon. But when a storm at sea leaves them shipwrecked on a mysterious island, friend and foe alike must band together against a ravenous, steadily growing horde of the undead.

Through Apex Books, Keene has written the Lost Level series of dark fantasy novels and co-authored the Rogan Chronicles series with Steven Shrewsbury.

Brian Keene is the author of over fifty books, mostly in the horror, crime, fantasy, and non-fiction genres. His 2003 novel, The Rising, is credited (along with Robert Kirkman’s The Walking Dead comic and Danny Boyle’s 28 Days Later film) with inspiring pop culture’s recurrent interest in zombies.

(16) STALKER. “A Russian ‘inspector’ satellite appears to be chasing a secret US military satellite in a game of cat and mouse” – see photos at MSN.com.

A mysterious Russian satellite and a confidential US military satellite appear to be engaged in a cat-and-mouse chase through space.

The Russian spacecraft, called Kosmos-2558, was launched into the same orbital plane as the US satellite, called USA-326, in August 2022 and has regularly passed close to the American spacecraft ever since.

The behavior of Kosmos-2558, and the lack of a formal explanation from Russia, has led space observers to believe that the probe is stalking USA-326. It’s at least the third satellite Russia has launched that appears to be an “inspector” — a spacecraft aiming to gather up-close data on another satellite….

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Ahrvid Engholm, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Peer.]

Pixel Scroll 4/25/23 Careful The Things You Scroll, Children Will Pixel

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(1) HUGO NOMINATIONS 101. For the benefit of people who haven’t had a lot of experience with the Hugos, Tarvalon has written “Demystifying the Hugo Award Nomination Process” at Reddit’s r/fantasy forum. And an interesting dialog between Tarvalon and Django Wexler continues in the comments.

… But because this is exactly the kind of nerd I am, I want to spend a little bit more time talking about the E Pluribus Hugo scoring system and its practical effects on crafting a nominating ballot. If you don’t care about the details, just nominate some things and let the math do what it does. If you’re curious, read on. And if you’re curious about the practical effects but not the voting mechanics, skip the next couple paragraphs and pick back up in the following section….

You’ll have to let us know how convincing you find Tarvalon’s ideas about how to do the most to help your favorites. (Another hat Tarvalon wears is being a judge in the Self-Published Science Fiction Book Competition.)

(2) VIEW THE ROSWELL AWARD CEREMONY. There will be a virtual celebration of the 2023 Roswell Award and New Suns Climate Fiction Award honorees on Sunday, May 21, 2023 at 11:00 a.m. Pacific. Free; Register here.

Free; Registration Required In an epic performance honoring planet Earth’s emerging sci-fi writers, celebrity guests deliver dramatic original short story readings! The Roswell Award and New Suns Climate Fiction Award: Virtual Readings & Honors recognizes outstanding new works of science fiction by emerging writers from across the United States and worldwide, including the winner of this year’s climate themed sci-fi story. This lively show will feature dramatic readings by celebrity guests (to be announced) from some of today’s hottest sci-fi and fantasy shows and movies. Following the readings, the authors will be honored for their writing.

(3) IT WILL HAVE TO DO. “John Scalzi says he has no other skills than writing” while answering the LA Times’ “Very Important Questions.”

Science fiction author John Scalzi stopped by the Los Angeles Times photo and video studio at the Festival of Books to tell us what his favorite kaiju is and answer other very important questions.

(4) NEWEST ADDITION TO TAFF EBOOKS. Jacq Monahan’s report of her 2012 Trans-Atlantic Fan Fund trip, Same Planet Different World, is now a free download at the TAFF Ebooks page. (Though don’t let that discourage you from making a little donation to the fund while you’re clicking.) Here’s an excerpt from Jacq’s arrival at Heathrow where she discovered that customs officials’ idea of “humor” is universal.  

…Instead he motioned me toward a chair and said we’d have to have a little interview because it was a different matter if I was going to be paid in some capacity to be in the UK. He started writing something down, and I started thinking in desperate expletives.

I learned later from someone in the know that if I was to be employed in the UK I had to have a “silver thing” in the back of my passport that showed I had the proper permission. It’s always good to know the technical term.

Once I understood that my words misled the agent (because his questions had misled me (she maintains) I interjected hastily, “No, no! I’m not working. I won a fan fund!” I then braced for the worst. How could I explain TAFF to a mundane? And a mundane official? And a mundane official with the keys to my British kingdom? I’d had a hard enough time trying to explain the fan fund to anyone, family or non-fan friend, employer – anyone. And now, here was bureaucracy standing firmly between me and clotted cream.

To my surprise he stopped writing and crossed out what he had already written. He believed me! I couldn’t believe me, my good luck, that is. But then, a warning. “I want you to know that I’ll be attending that convention, and if I see you working in any capacity, I’ll have you arrested!” I trotted away as quickly as possible and found a restroom. Relief was palpable in a few ways, and I used the plastic toothbrush to restore a smile….

(5) RESEARCHING FAN HISTORY. Fanac.org has made the videos available of its two-part “Researching Science Fiction FanHistory” Zoom panel.

  • Researching Science Fiction FanHistory (Pt1 of 2) – Rob Hansen, Andy Hooper, Mark Olson & Joe Siclari

The first fan history was written by Jack Speer in 1939, and the most recent is the crowd-sourced Fancyclopedia.org, updated as of yesterday. The fan historians on our panel each focus in a very different way on fan history…Rob Hansen, author of “Then: Science Fiction Fandom in the UK”, brings a UK centered perspective to global fandom, and Andy Hooper has deeply researched the first World Science Fiction convention, both publishing in the traditional way. 

Mark Olson and Joe Siclari are part of the FANAC Fan History project – Mark is chief editor of the crowd-sourced online Fancyclopedia.org, and Joe is the chairman behind the Fan History project, and in particular the driving force behind FANACs digital archive (FANAC.org)…

In this Part 1 video, the panelists talk about how they became interested in fandom and fan history in particular, and the different approaches they have taken to recording and interpreting fan history. You’ll hear about the creation of the first timeline of UK fan history, the nude figure with a dagger in each hand, and the tenuous but possible connection of fandom to the Zodiac killer. Perhaps most engrossing are the stories of contacts from non-fans, relatives of fans long gone. Some of these have no real understanding of what fandom was and is, but are seeking to learn about their relatives. There’s even an anecdote about Warren Fitzgerald, the African-American fan who was the founding president of the Scienceers, the first first regularly meeting sf fan club which was started in 1929.

Researching Science Fiction FanHistory (Pt2 of 2) – Rob Hansen, Andy Hooper, Mark Olson & Joe Siclari

In this Part 2 video, discussion ranges from academia to our panelists’ investigative techniques. When the primary resources are fanzines, researchers deal with first person accounts where “accuracy is not their primary virtue”, although how different that is from other histories is questionable. Unsurprisingly, panelists share stories and findings, more sometimes with each other than the audience.  Spoiler alert: John W. Campbell’s mother was not an identical twin!…Particularly interesting is a segment on the place of anecdote in fan history, and for those interested in learning more, there’s a “starter list” of readings. Audience Q&A forms the last portion of the recording, and with many of the audience experts in their own right, the questions (and answers) are first-rate.

I’m surprised to learn from a line in the announcement – “There’s even an anecdote about Warren Fitzgerald, the African-American fan who was the founding president of the Scienceers” – that the panel might be unaware of the extensive research some fans have done to put to the test Fitzgerald’s specific identification as an African-American. After I made the same assertion three years ago we had quite a donnybrook in the comments of the December 11, 2020 Scroll, and heard from people who have done a lot of research on Ancestry, through the census, etc.  

(6) WHAT’S UP WITH THE SOCIETY FOR CREATIVE ANACHRONISM? If you find the prospect of reading 42 pages of legal analysis about SCA kerfuffles irresistible, then “A Tale of 6 Sanctions” is for you. I did, of course, read it. Your mileage may vary. This is the introduction to the paper’s author:

In the SCA I am Aeron Harper, OL, OD, premier Society A&S Deputy for Historical Combat, and other awards and titles. My name is still on the society’s A&S rules for historical combat study, and on a number of kingdom’s C&T rules.

Mundanely, I am David Biggs, Attorney, U.S. Diplomat, and foreign policy advisor for the U.S. State Department. My day job includes interpreting, defining, and applying U.S. policies, which often involves ensuring they don’t contradict U.S. law. It also includes negotiating and implementing international agreements with foreign countries on behalf of the United States. I graduated from the University of Minnesota Law School, and was an editor on the Minnesota Law Review. All that to say, I know a little bit about researching, writing, interpreting, and applying laws and rules….

(7) HERE’S HOW IT PLAYS IN PEORIA. Public TV station WCBU is “Exploring the lost world of TV sci-fi in the 50s”.

“Twilight Zone” is often viewed as the first television series to showcase fantasy on the small screen. The Rod Serling program that ran from 1959 to 1964 is an oft-repeated TV classic with many memorable episodes but it wasn’t the first show to bring science fiction to television viewers.

“Captain Video and His Video Rangers” became the world’s first science fiction TV series when it went on the air in 1949 on the now defunct DuMont Television Network, said Alan Morton, author of “The Golden Age of Telefantasy,” a guide to sci-fi, fantasy and horror TV shows of the 1940s and 1950s.

Television was in its infancy in the 1950s with many of the earliest shows (like “Captain Video”) transmitted live. Most of these early sci-fi programs were aimed at kids, said Morton, citing entries such as “Tom Corbett, Space Cadet” (1950-55), “Space Patrol” (1950-55), “Captain Z-Ro” (1951-56) and “Rod Brown of the Rocket Rangers” (aired from 1953 to 1954 with a young Cliff Robertson as Ranger Rod Brown)….

(8) HARRY BELAFONTE (1927-2023). Singer Harry Belafonte died April 25 at the age of 96. His sff credis including guesting on The Muppets, and appearing in the Fifties doomsday film The World, the Flesh and the Devil, and the Nineties alternate America movie White Man’s Burden.

(9) MEMORY LANE.

1989 – [Compiled by Cat Eldridge.]

Pat Murphy’s The City, Not Long After is a magical novel, one of those works that I reread regularly. 

Published thirty-four years ago by Doubleday, it’s set in San Francisco and much of the wonderfulness of the novel is indeed its setting (no spoiler there I’d say). Though the characters are interesting as well.

It was nominated for a Mythopoeic Fantasy Award.

And now our Beginning…

THE EARLY MORNING BREEZE BLEW through the vegetable garden in Union Square, shaking the leaves of the bean plants and the lacy carrot tops. The city of San Francisco was asleep. The city was dreaming.

In the Saint Francis Hotel, just off the Square, Danny-boy was dreaming of the color blue. With a paint roller on a long pole, he painted the sky. He had been at work for many hours. At least half of the expanse above him was smeared with paint of a thousand different shades: royal blue, navy, turquoise, baby blue, teal, the fragile hue of robins’ eggs, the treacherous blue-gray of the ocean at dusk. Toward the horizon, where Danny-boy’s roller had not yet reached, the blues faded to misty gray. But overhead, luminous colors swirled and flowed like the water in a river.

In the middle of the changing pattern, two patches of blue-gray coalesced. Bright eyes watched Danny-boy from the center of the sky. Dark blue shadows defined the angles of a face, the curves of a woman’s body. As Danny-boy stared upward, a young woman stepped out of the sky, looking more than a little confused.

The city slept, and its dreams drifted through the minds of its inhabitants, twisting and changing their thoughts.

“The man who called himself The Machine dozed on a narrow cot at the back of his workshop. In his dream, he was constructing an angel from objects he had gathered. The angel’s bones were pipes from the plumbing of an old Victorian mansion; its muscles were masses of copper wire, torn from the cables that ran beneath the city streets. On the angel’s massive wings, thousands of polished bottlecaps overlapped, making a pattern of scallops like the scales on a fish.

The Machine welded the last bottlecap to the wing and stepped back to admire his work. As he gazed up at the angel, he realized suddenly that his creation was not complete. Its chest was hollow: it had no heart.

“He heard footsteps and glanced behind him. A woman was walking toward him, carrying something in her cupped hands. He could not see what she carried, but he could hear the steady pounding of a heartbeat, keeping time with her footsteps.

“Dawn broke in the city: gray light shone on the gray stone buildings that surrounded the Civic Center Plaza. The statues on the facade of the public library showed signs of neglect. Over the years, pigeons had adorned the statues’ heads with streaks of white and deposited a clutter of feathers and broken nests at their feet.

In a tree that grew in the Plaza, a gray-muzzled monkey, one of the oldest of the troop that lived in the city, dreamed of the Himalayas. Icicles hanging from the eaves of a temple roof melted in the morning sun. Drops of falling water struck a bell, and the metal rang with a musical note. The water trickled away, whispering and crackling softly as it melted a path through the snow. The monkey stirred in its sleep. Changes were coming.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 25, 1897 — Fletcher Pratt. Pratt is best known for his collaborations with de Camp, the most well-known of which is the Harold Shea series which is collected as The Complete Enchanter. His solo fantasy novels The Well of the Unicorn and The Blue Star are also superb. Pratt established the literary dining club known as the Trap Door Spiders in 1944. The club would later fictionalized as the Black Widowers in a series of mystery stories by Asimov. Pratt would be fictionalized in one story, “To the Barest”, as the Widowers’ founder, Ralph Ottur. (Died 1956.)
  • Born April 25, 1907 — Michael Harrison. English writer of both detective and sff fiction. He wrote pastiches of Conan Doyle’s Sherlock Holmes and Poe’s C. Auguste Dupin. His most remembered work is In the Footsteps of Sherlock Holmes, The London of Sherlock Holmes and The World of Sherlock Holmes. He was also a noted Sherlock Holmes scholar, being a member of both the Baker Street Irregulars of New York, and the Sherlock Holmes Society of London. He wrote three genre novels — The Bride of Frankenstein, Higher Things and The Brain. (Died 1991.)
  • Born April 25, 1915 — Mort Weisinger. Comic book editor best known for editing Superman during the Silver Age of comic books. He also served as story editor for the Adventures of Superman series. Before that he was one of the earliest active sf fans, working on fanzines like The Planet (1931) and The Time Traveller (1932) and attending the New York area fan club known as The Scienceers. (Died 1978.)
  • Born April 25, 1925 — Richard Deming. Ok, I think that all of the Man from U.N.C.L.E. novellas, or in this case the Girl from U.N.C.L.E. novellas, in the digest-sized Man from U.N.C.L.E. Magazine, were listed under the house name of Robert Hart Davis. Deming was only one of a very long list of writers (I know of Richard Curtis, Richard Deming, I. G. Edmonds, John Jakes, Frank Belknap Long, Dennis Lynds, Talmage Powell, Bill Pronzini, Charles Ventura and Harry Whittington) that were the writers who penned novellas in the twin U.N.C.L.E. series. (Died 1983.)
  • Born April 25, 1929 — Robert A. Collins. Scholar of science fiction who founded the International Conference for the Fantastic in the Arts. Editor of the Fantasy Newsletter & Fantasy Review from 1978 to 1987, and editor of the IAFA Newsletterfrom 1988 to 1993. Editor, The Scope of the Fantastic: Selected Essays from the First International Conference on the Fantastic in Literature and Film and Modes of the Fantastic: Selected Essays from the Twelfth Annual International Conference for the Fantastic in the Arts. (Died 2009.)
  • Born April 25, 1939 — Rex Miller. Horror writer with a hand in many pies, bloody ones at that. (Sorry couldn’t resist.) The Chaingang series featured Daniel Bunkowski, a half-ton killing-machine. Definitely genre. He contributed to some thirty anthologies including Hotter Blood: More Tales of Erotic Horror, Frankenstein: The Monster Wakes, Dick Tracy: The Secret Files and The Crow: Shattered Lives and Broken Dreams. The last are amazingly outstanding. (Died 2004.)
  • Born April 25, 1981 — Silvia Moreno-Garcia, 42. She’s the publisher of Innmouths Free Press, an imprint devoted to weird fiction. Not surprisingly, for the Press she co-edited with Paula R. Stiles the Historical Lovecraft and Future Lovecraft anthologies. She won a World Fantasy Award for the She Walks in Shadows anthology, also on Innsmouth Free Press. She was a finalist for the Nebula Award in the Best Novel category for her Gods of Jade and Shadow novel, which won a Sunburst and Ignyte Award. And finally with Lavie Tidhar, she edits the Jewish Mexican Literary Review. Not genre, but sort of genre adjacent. Canadian of Mexican descent.

(11) COMICS SECTION.

  • Bizarro shows what the medieval marketplace is calling for.  

(12) CLASSIC CARTOONS. StudyFinds ranks the “Best Cartoon Series Of All Time: Top 5 Cartoons Of All Time, According To Editors and Fans”. Looney Tunes is number one.

Cartoons and animated features have been delighting fans since the very beginnings of motion film. As a medium they allow creators to pull an audience into a realm of pure storytelling without limitations. Among all the beloved titles, it can be hard to choose a favorite. So, in the space of the small screen, we endeavor to ask the question, what are best cartoon series of all time?

A lot of nostalgia is associated with popping on your favorite kids’ movie. One recent article describes, “There’s something about watching your favorite animated film and seeing that Magic Kingdom logo that brings back some of the best childhood feelings and memories.” Although some people may automatically associate cartoons with children and humor, the best cartoons move past this stereotype to become a vehicle for storytelling. Slapstick, violence, and impossible situations are all the hallmarks of iconic animated shows….

(13) DUNE 2 TRAILER TEASE. “’Dune: Part Two’ Trailer Shows Timothee Chalamet Riding Giant Sandworm” – Variety saw the trailer at CinemaCon. When it hits YouTube we’ll link to it.

Timothée Chalamet has assumed his rightful place as Muad’Dib, prophet of the Fremen in the first trailer for “Dune: Part Two.”

“In the first movie Paul Atredis is a student…we really see Paul Atreides become a leader here,” Chalamet said at CinemaCon on Tuesday, teasing a first look at the sci-fi epic….

“Dune: Part Two,” which is produced by Legendary and Warner Bros., is set to be released on November 3, 2023. Warner Bros. showed the footage during its presentation to theater owners. It also shared footage and trailers from “Barbie,” “The Flash” and sequels to “Aquaman” and “The Nun.”

(14) READY FOR MY CLOSE-UP. From Nature, “First up-close images of Mars’s little-known moon Deimos”.

Images from the UAE’s Hope mission suggest that the moonlet’s composition is similar to that of the red planet’s surface.

The United Arab Emirates’ space probe Hope has taken the first high-resolution images of the farside of Mars’s moonlet Deimos. The observations add weight to the theory that Deimos formed together with Mars, rather than as an asteroid that was captured in the planet’s orbit, mission scientists say.

(15) MOON MISSION FAILS. Controllers could not regain contact after scheduled touchdown: “Commercial lunar lander presumed lost after historic moon landing attempt” at CNN.

A Japanese lunar lander, carrying a rover developed in the United Arab Emirates, attempted to find its footing on the moon’s surface Tuesday — and potentially mark the world’s first lunar landing for a commercially developed spacecraft. But flight controllers on the ground were not immediately able to regain contact, prompting the company to presume the spacecraft was lost.

The lander, built by Japanese firm Ispace, launched atop a SpaceX rocket from Cape Canaveral, Florida, on December 11. The spacecraft then made a three-month trek to enter orbit around the moon, which lies about 239,000 miles (383,000 kilometers) from Earth, using a low-energy trajectory. Overall, the journey took the lander about 870,000 miles (1.4 million kilometers) through space.

Touchdown was expected to occur Tuesday at 12:40 p.m. ET, which is Wednesday at 1:40 a.m. Japan Standard Time….

[Thanks to John King Tarpinian, Chris Barkley, Michael Toman, David Langford, Cat Eldridge, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 1/28/23 But Oh, Saberish Padawan, Beware Of The Day, If Your Scroll Be A Pixel

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(1) COLUMBIA SHUTTLE TRAGEDY ANNIVERSARY. NPR is “Remembering the Space Shuttle Columbia tragedy 20 years on”.

…SIMON: Twenty years later, what have we learned about that day? What happened there in the sky? And what might have prevented it?

DUGGINS: Well, you know, it’s funny. I mean, if you talk to historians, who are much better at this than I am, they’ll say, you know, the Titanic, it can’t sink. Challenger – routine launch and landing, no problems there. And that hubris always seems to catch up with us. And with Columbia, it was the piece of falling foam that hit the vehicle. And NASA asked the engineers, do you know it’s a problem? And they said, well, we can’t be sure. And so the manager said, fine, we’ll just keep going with the mission and not tell anybody about it. And it wasn’t until the very end that they informed the astronauts ’cause they figured it was going to come up in a press conference. And that was what ultimately doomed the crew….

(2) LE GUIN POETRY VOLUME COMING. The Library of America edition of Ursula K. Le Guin: Collected Poems will be released April 23.  See a PDF of the Table of Contents.

Throughout a celebrated career that spanned five decades and multiple genres, Ursula K. Le Guin was first and last a poet. This sixth volume in the definitive Library of America edition of Le Guin’s work presents for the first time an authoritative gathering of her poetry—from the earliest collection, 1974’s Wild Angels, through her final publication, So Far So Good, which she delivered to her editor a week before her death in 2018. It reveals the full formal range and visionary breadth of a major American poet.

Le Guin’s poems engage with themes that resonate throughout her fiction but find their most refined expression here: exploration as a metaphor for both human bravery and creativity, the mystery and fragility of nature and the impact of humankind on the environment, the Tao Te Ching, marriage, aging, and womanhood. Often traditional in form but never in style, her verse is earthy and playful, surprising and lyrical.

This volume features a new introduction by editor Harold Bloom, written shortly before his own death in 2019, in which he reflects on his late-in-life friendship with Le Guin and the power of her poetic gift. “For many years I have wondered why her poetry is relatively neglected,” he writes. “Her lyrics and reflections are American originals. Sometimes I hear in them the accent of William Butler Yeats and occasionally a touch of Robinson Jeffers, yet her voicing is inimitably individual.” The book also presents sixty-eight uncollected poems, a generous selection of Le Guin’s introductions to and reflections on her poetry, including a rare interview, and a chronology of her life and career.

(3) OH GOODY. Futurism assures readers, “By 2030, You’ll Be Living in a World That’s Run by Google”.

…By 2030, Google will have that World Brain in existence, and it will look after all of us. And that’s quite possibly both the best and worst thing that could happen to humanity.

To explain that claim, let me tell you a story of how your day is going to unfold in 2030.

You wake up in the morning, January 1st, 2030. It’s freezing outside, but you’re warm in your room. Why? Because Nest – your AI-based air conditioner – knows exactly when you need to wake up, and warms the room you’re in so that you enjoy the perfect temperature for waking up.

And who acquired Nest three years ago for $3.2 billion USD? Google did.

You go out to the street and order an autonomous taxi to take you to your workplace. Who programmed that autonomous car? Google did. Who acquired Waze – a crowdsourcing navigation app? That’s right: Google did….

(4) WISH WE COULD BE THERE. Dr. Phil Nichols will speak about “Literacy, Censorship and Burning Books: Ray Bradbury’s Fahrenheit 451” at the Wolverhampton Literature Festival on February 3.

Ray Bradbury’s Fahrenheit 451, the classic dystopian novel of book-burning firemen, is as relevant today as when it debuted seventy years ago. Its insights into censorship, television, drug abuse and the fall and rise of civilisation retain a freshness and plausibility rarely seen in other science fiction of that era.

Fahrenheit 451 is Ray Bradbury’s most successful novel. Ironically for a book which rages against censorship, it frequently shows up on lists of “banned books”. Adapted for the stage by Bradbury himself and twice filmed, it somehow doesn’t date, despite being seventy years old in 2023.

Phil Nichols is the editor of The New Ray Bradbury Review and Senior Consultant to the Ray Bradbury Centre at Indiana University. In this extensively illustrated talk, he explains the curious history of this classic science fiction dystopia. It’s a tale of diverse influences (Huxley and Koestler; but surprisingly not Orwell) and extensive re-writing, resulting in a work which Neil Gaiman calls “a love letter to books . . . a love letter to people.”

(5) DEFINITELY BELONGS TO THE SCIENCE FICTION CANNON. ScreenRant celebrates that “The First Science Fiction Movie Is Over 120 Years Old” and they’ll fight anyone who says it isn’t genre.

…A Trip to the Moon is considered the first science fiction movie by most – but some say it is not science fiction, because it is not based on any realistic form of science, classing it more as a space fantasy. A Trip to the Moon features classic elements of the current sci-fi genre, such as aliens and sleek rockets, that would now be considered sci-fi because of how the genre has developed. However, some people do not classify films such as Star Wars as sci-fi because the science in it lacks plausibility, the same way A Trip to the Moon is not realistic with its science – highlighting how differently the genre is considered amongst audiences, as many would consider it a quintessential sci-fi series….

(6) QUITE A BUNCH OF CHARACTERS. Fonts In Use unravels “The Mystery of the Dune Font” and how devotees are keeping it alive.

… The liaison between Dune and Davison Art Nouveau started in September 1975, when the typeface was used by Berkley Medallion for a paperback edition of the first two novels. At the time, the Berkley imprint was owned by New York-based publisher G.P. Putnam’s Sons. When Berkley Putnam published the first hardcover edition of the third novel, Children of Dune, in 1976, the new typographic identity was applied there, too. Later on, Putnam used the typeface on the jackets for hardback editions of other, unrelated books authored (or coauthored) by Frank Herbert…

 … In 2009, a Dune aficionado who goes by the moniker DuneFish (DFUK) and/or MEP made a digital font called Orthodox Herbertarian, “painstakingly traced from scans of the typeface that was used on the American Ace editions […] of Dune and many other Frank Herbert books”. This amateur digitization is freely available at kullwahad.com. The font is caps only (A–Z), with a basic set of punctuation characters and scaled-down caps in the lowercase. Because it’s based on the book covers (as opposed to the original typeface), it naturally adopts the narrowed proportions. Orthodox Herbertarian is a laudable effort, but it doesn’t include any of the alternates or the numerals. In 2020, Reddit user purgruv added lowercase letters and numerals to this freebie and offered it for download as Extended Herbertarian. The additions aren’t faithful to the original and unfortunately aren’t well drawn, either….

(7) MEMORY LANE.

1923 — [Compiled by Cat Eldridge.]

Following up on my essay yesterday, the quote tonight is from Agatha Christie’s “The Disappearance of Mr. Davenheim”.  

It was first published in March of 1923 in Britain in the Sketch. The story was published in the States in the Blue Book Magazine in December of 1923 as “Mr Davenby Disappears”.  In 1924, the story appeared as part of the Poirot Investigates anthology. 

And yes, David Suchet got to perform the story here in which is Poirot wagers Chief Inspector Japp that he can solve the mystery of a missing banker without leaving his flat. 

And here’s the quote now…

Poirot and I were expecting our old friend Inspector Japp of Scotland Yard to tea. We were sitting round the tea-table awaiting his arrival. Poirot had just finished carefully straightening the cups and saucers which our landlady was in the habit of throwing, rather than placing, on the table. He had also breathed heavily on the metal teapot, and polished it with a silk handkerchief. The kettle was on the boil, and a small enamel saucepan beside it contained some thick, sweet chocolate which was more to Poirot’s palate than what he described as ‘your English poison’. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 28, 1910 — Arnold Moss. Anton Karidian a.k.a. Kodos the Executioner in the most excellent “The Conscience of the King” episode of Trek. It wasn’t his only SFF role as he’d show up in Tales of Tomorrow, The Man from U.N.C.L.E. and The Girl from U.N.C.L.E., The Alfred Hitchcock Hour, Time Tunnel and Fantasy Island. (Died 1989.)
  • Born January 28, 1920 — Lewis Wilson. Genre wise, he’s remembered for being the first actor to play Batman on screen in the 1943 Batman, a 15-chapter theatrical serial from Columbia Pictures. A sequel to the serial was made in 1949, but Robert Lowery replaced Wilson as Batman. (Died 2000.)
  • Born January 28, 1929 — Parke Godwin. I’ve read a number of his novels and I fondly remember in particular Sherwood and Robin and the King. If you’ve not read his excellent Firelord series, I do recommend you do so. So who has read his Beowulf series? (Died 2013.)
  • Born January 28, 1965 — Lynda Boyd, 58. Let’s start off with she’s a singer who starred in productions The Little Shop of Horrors and The Rocky Horror Picture Show. Film-wise, she had roles in Final Destination 2, The Invader, Mission to Mars and Hot Tub Time Machine. She’s had one-offs in X-Files, Highlander, Strange Luck, Millennium, The Sentinel, The Crow: Stairway to Heaven (where she had a recurring role as Darla Mohr), Outer Limits, Twilight Zone and Smallville.
  • Born January 28, 1981 — Elijah Wood, 42. His first genre role was Video-Game Boy #2 in Back to the Future Part II. He next shows up as Nat Cooper in Forever Young followed by playing Leo Biederman in Deep Impact. Up next was his performance as Frodo Baggins In The Lord of The Rings and The Hobbit films. Confession time: I watched the very first of these. Wasn’t impressed. He’s done some other genre work as well including playing Todd Brotzman in the Beeb superb production of Dirk Gently’s Holistic Detective Agency
  • Born January 28, 1986 — Shruti Haasan, 37. Indian film actress known for the Telugu fantasy film Anaganaga O Dheerudu, and the Tamil science fiction thriller 7aum Arivu. She voiced Queen Elsa in the Tamil-dubbed version of Frozen II.
  • Born January 28, 1998 — Ariel Winter, 25. Voice actress who’s shown up in such productions as Mr. Peabody & Sherman as Penny Peterson, Horton Hears a Who!, DC Showcase: Green Arrow as Princess Perdita and Batman: The Dark Knight Returns as Carrie Kelly (Robin). She’s got several one-off live performances on genre series, The Haunting Hour: The Series and Ghost Whisperer.

(9) COMICS SECTION.

  • Six Chix shows how hardcover books have learned to play rough at the airport.

(10) CATZILLAS. “The Army Corps of Engineers Made a Glorious 2023 Cat Calendar” and Gizmodo has a slideshow of the whole thing.

It’s hard to believe that the mighty, stone-faced U.S. Army would ever adapt adorable cat babies as its representatives, but this is the internet in the year of our lord 2023. Anything is possible.

That’s certainly what I thought when I stumbled upon this glorious 2023 cat calendar made by the Portland District of U.S. Army Corps of Engineers. While it’s not the product of a Photoshop wizard, the calendar earnestly features gigantic cats being their amazing furry selves. They play, they scratch, they think about life, and they stretch—all the while interacting with the Army Corps’ various dams, jetties, and heavy machinery….

(11) PLAUDITS FOR NEWITZ. Paul Di Filippo reviews The Terraformers by Annalee Newitz in the Washington Post [Archive.is link].

… This generously overstuffed tale has enough ideas and incidents to populate half a dozen lesser science fiction books. But the reading experience is never clotted or tedious, never plagued by extraneous detours. The story — which begins nearly 60,000 years in the future and unfolds over more than a millennium — rollicks along at a brisk clip while allowing Newitz space to dig into characters and milieu, and pile on startling speculative elements….

(12) NUKE THE MOON. In the New York Times: “‘The Wandering Earth II’ Review: It Wanders Too Far”

Upon its release, “The Wandering Earth,” Frant Gwo’s 2019 film about a dystopia in which Earth is perilously pushed through space, was minted as China’s first substantial, domestic sci-fi blockbuster, with the box office returns to prove it.

The film was entertaining enough, but its ambitious scope had something of an empty gloss to it, partly because the story’s drama wasn’t grounded in anything beyond the showy cataclysm. Its audaciously messy sequel, “The Wandering Earth II,” seems to have taken note and sprinted, aimlessly, entirely in the other direction. Losing all of the glee of its predecessor, the movie instead offers nearly three hours of convoluted story lines, undercooked themes and a tangle of confused, glaringly state-approved political subtext….

(13) KEEP YOUR DRAWERS ON. The Takeout tells how “Fox News Fell for an A&W Joke About Its Pantsless Mascot”.

…As you can see, the A&W tweet is simply parroting M&M’s tweet closely (the internet age is weird, everyone) and riding the same jokey wave. Rooty, typically pantsless, will wear jeans now. Funny gag! However, Fox News took A&W’s post as an opportunity to wage a culture war.

At first the outlet reported A&W’s Rooty announcement as a serious matter….

“First it was an M&M’s, now a bear has to wear [pants],” noted Fox Business anchor Cheryl Casone. “This is the woke police. Cancel culture has gone—ridiculous.”

Later, however, after all that lamentation, Fox realized the error, clarifying that A&W followed up its original tweet with another one that said, “Is now a good time to mention that this is a joke?”

(14) IT COULD HAPPEN ANYWHERE. [Item by SF Concatenation’s Jonathan Cowie.] It’s Saturday, I’m up early, had croissant and coffee and done work chores for today already 10.20. (I’m so hot it’s untrue…) So here is an extra from today’s Science. “Earth-like planets should readily form around other stars, meteorites suggest”.

Samples from space rocks suggest water and light elements are present in warm inner part of planet-forming disks

How hard is it to give birth to an Earth? To assemble the right mix of rock, metal, and water, in a balmy spot not too far from a star? For a long time, planetary scientists have thought Earth was a lucky accident, enriched with water and lighter “volatile” elements—such as nitrogen and carbon—by asteroids that had strayed in from the outer edges of the early Solar System, where those materials were abundant. But a series of new studies, including two published today in Science, suggests all the ingredients were much closer at hand when Earth was born…

Also Matt over at PBS Space Time contemplates Silicon based aliens

(15) VIDEO OF THE DAY. Everything’s up to date on Ukraine’s farms.

[Thanks to Mike Kennedy, John King Tarpinian, Chris Barkley, SF Concatenation’s Jonathan Cowie, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editors of the day Andrew (not Werdna).]