Tag Archives: The Hugo Book Club

Pixel Scroll 7/30/21 I Never Could Get The Hang Of Scrolldays

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(1) EATING THE FANTASTIC CELEBRATES EPISODE 150. Scott Edelman encourages listeners to binge on the Balkans with Eisner Award-winning comics writer Tom King in episode 150 of his Eating the Fantastic podcast.

Tom King

Tom started out in comics by interning for both DC and Marvel, where he was an assistant to X-Men writer Chris Claremont. After his comics-inspired debut novel A Once Crowded Sky was published in 2013, and after a stint in the CIA, he went on to write Batman and Mister Miracle for DC, The Vision for Marvel, and many other projects, which won him an Eisner Award in 2018 for Best Writer. Plus — and I only realized this while taking note of comic artist Joe Giella’s recent 93rd birthday — we’ve both written Supergirl stories — 43 years apart! But that’s not the only commonality to our comics careers, as you’ll soon hear.

We discussed the two questions no one in comics can answer, his attempt at age 11 to get a job at Archie Comics, how he goes back to the beginning when writing a classic character such as Supergirl, whether Alan Moore would have had the impetus to create Watchmen in today’s environment, our dealings with comic book censorship, the weird way Monica Lewinsky caused him not to get hired by MAD magazine, the differences we discovered early on between Marvel and DC, what he learned as an intern to the legendary Chris Claremont, the Black Knight pitch he got paid for which was never published, the way comic book people are like circus folk, why the current state of Krypto proves I could never go back to writing comics, and much more.

(2) WORDPLAY IN ANNIE. [Item by Daniel Dern.] Historically, the bad guys in the Annie comics have had names ranging from more-or-less backwards, to descriptive ones. (Sorry, can’t think of or find examples off the top of my head nor thru brief web search, no time to walk over to L/O/A books in bedroom bookshelf…) (The names in Dick Tracy are no slouch, neither.) Currently Annie features a villain called “Bandy Dessinay”… and if that sounds familiar:

Bandes dessinées (singular bande dessinée; literally ‘drawn strips’), abbreviated BDs and also referred to as Franco-Belgian comics (BD franco-belge), are comics that are usually originally in the French language and created for readership in France and Belgium.

As for why I recognized the rephoneticized term, it’s mostly from the year or three that I was subscribing to ComiXology Unlimited (their streaming digital comic book offering), where Bandes Dessinées was often one of the group/type categories along with (something like, IIRC) issues, series, collections.

Interestingly (at least, I think so), “Annie has appeared in the Dick Tracy comic strip after Little Orphan Annie was discontinued.” according to the Pigtails in Paint article on “Harold Gray’s Little Orphan Annie”.

Pogo fans will, of course, remember Albert Alligator and Beauregard Frontenac Bugleboy III (“The Faithful Dog”) (or perhaps Ponce de Leon Montgomery County Alabama Georgia Beauregard Possum, per a different web site) periodically gearing up as “Little Arfin’ Lulu,” with (his) eyes “all blunked out” and Sandy.

(3) PAPERBACK SHOW RETURNS. March 20, 2022 will be the date for the Los Angeles Vintage Paperback Collectors Show. The 42nd edition of the show (which had to skip 2021) will take place as usual at the Glendale Civic Auditorium, in Glendale, California.

(4) SHARPSON REVIEWED. [Item by Olav Rokne.] “The Future Refusing To Be Born” at The Hugo Book Club Blog. I keep thinking about the book, and how the author ties rejection of modernity (nostalgia) to authoritarianism. Definitely think that Sharpson will end up on my personal ballot for the Astounding Award based on this book. 

In Neil Sharpson’s debut novel When The Sparrow Falls, that place is The Caspian Republic: a country founded by expatriate American and Russian bioconservative activists, whose boundaries are roughly those of present-day Azerbaijan.

While the rest of the world has embraced an almost-singularitarian future of AI-guided mass prosperity, near immortality, and widespread expansive human rights, this Caspian Republic has hewed to a quasi-religious “Humanity First” doctrine and polices the use of technology.

…Sharpson’s prose is sparse, clear, and engaging. He ably paints a picture of a deeply flawed society, and one that is the all-too-believable result of nostalgia-driven politics and identity-driven ideology. Because the Caspian Republic’s technology is pretty much limited to what was common in North America in the 1980s, readers will be reminded of late-era Cold War spy stories….

(5) 100 YEARS OF LEM. The Viennese are participating in the Stanislaw Lem centenary reports Radio Poland: “Austrian capital honours Polish sci-fi great Lem”. See video of the dance on Facebook.

Lem’s centenary is being celebrated in Poland as the Year of Lem, and now Vienna, the writer’s home in the 1980s, has joined in, staging a series of musical events collectively dubbed the Lem Festival.

Poland’s Adam Mickiewicz Institute (IAM) is the driving force behind the project, in co-operation with the ImPuls Tanz festival and the Klangforum Wien ensemble.

During the events, which run through the end of July, dancers and musicians are expected to invite audiences “to reflect on the possibility of communication with ‘the Alien,'” according to the Polish institute.

This is because, a century after Lem was born, and following the NASA rover’s landing on Mars, this question has again become our civilisation’s most pressing problem, the organisers have said….

(6) THEY MADE IT. The Uncanny Kickstarter hit its initial funding goal – now they start work on the stretch goals.

(7) APEX AND ABOVE. Likewise, the Apex Magazine 2022 Kickstarter reached its basic goal and is rolling up its milestone rewards. First on the list, a story by Bonnie Jo Stufflebeam – who does a Q&A with publisher Jason Sizemore in the linked update.

JASON SIZEMORE: Do you and Levar Burton hang out? Talk a little about the process of working with Mr. Burton and hearing your words narrated by Mr. Reading Rainbow?

BONNIE JO STUFFLEBEAM: What an experience! I got an unexpected email from Julia Smith, the producer of LeVar Burton Reads, inviting me to be LeVar’s featured writer at his live Dallas event for my story “In the City of Martyrs.” I had no idea that this was an email that one could get, so I was immediately ecstatic to both appear live and to have my story appear on the podcast. The night of the show, I got to meet Julia and LeVar, both amazing and talented professionals, then got to hear LeVar read my story to musical accompaniment. After the reading, we did a Q&A with LeVar and then with the audience.

What I remember most from the event was LeVar’s generosity; he offered to meet-and-greet the very large group of people who came to support me. Also, the audience questions for the Q&A were perceptive as hell. The audience was clearly full of serious readers, and I’m not sure there’s a better feeling than to be surrounded by people who share that passion. Then, of course, there was the magic of hearing my short story read by a man whose voice I grew up listening to. Normally, I can’t divorce the reading of my own stories from the fact that I wrote them, but hearing LeVar read my work with a balalaika setting the story’s mood throughout, I got goosebumps.

(8) DISNEY GETS ROUGH. As reported here earlier, Scarlett Johansson filed a high-stakes breach of contract lawsuit against Disney over the release of Black Widow, alleging Disney broke its contract with her by releasing her solo feature on streaming platform Disney+ on the same day as theaters. Disney’s reply drags their star through the mud: “Disney blasts Scarlett Johansson’s ‘Black Widow’ suit: ‘No merit whatsoever’”.

…However, Disney pushed back hard against Johansson’s arguments. In a statement issued to Yahoo Finance, the media giant said, “There is no merit whatsoever to this filing. The lawsuit is especially sad and distressing in its callous disregard for the horrific and prolonged global effects of the COVID-19 pandemic.”…

Johansson’s representatives at CAA hit back: “Hollywood agent Bryan Lourd steps into Disney v Scarjo fight” in the Los Angeles Times.

“They have shamelessly and falsely accused Ms. Johansson of being insensitive to the global COVID pandemic, in an attempt to make her appear to be someone they and I know she isn’t,” Lourd, co-chairman of Creative Artists Agency said in a statement. Lourd represents some of Hollywood’s biggest stars besides Johansson, such as Brad Pitt and George Clooney. Disney did not respond to requests for comment on Lourd’s statement….

“Scarlett has been Disney’s partner on nine movies, which have earned Disney and its shareholders billions,” Lourd said. “The company included her salary in their press statement in an attempt to weaponize her success as an artist and businesswoman, as if that were something she should be ashamed of.”

(9) BLUE ORIGIN TRIES TO REVIVE NASA’S INTEREST. Blue Origin says it’s willing to cover $2 billion of the cost for a second lunar lander contract, should NASA award one. In a July 26th letter to NASA Administrator Bill Nelson, Blue Origin founder Jeff Bezos said his company is willing to waive up to $2 billion in payments over the current and next two government fiscal years in exchange for a fixed-priced contract. In April, NASA selected SpaceX as the recipient of its Human Landing System (HLS) contract, a decision that competitors Blue Origin and Dynetics protested shortly after. The full letter is at the link, here are some excerpts:

Blue Origin is committed to building a future where millions of people live and work in space to benefit the Earth….

This is why Blue Origin answered NASA’s urgent call to develop a Human Landing System. We built the National Team – with four major partners and more than 200 small and medium suppliers in 47 states – to focus on designing, building, and operating a flight system the nation could count on. NASA invested over half a billion dollars in the National Team in 2020-21, and we performed well. The team developed and risk-reduced a safe, mass-efficient design that could achieve a human landing in 2024. 

Our approach is designed to be sustainable for repeated lunar missions and, above all, to keep our astronauts safe. We created a 21st-century lunar landing system inspired by the well-characterized Apollo architecture — an architecture with many benefits. One of its important benefits is that it prioritizes safety. As NASA recognized, the National Team’s design offers a “comprehensive approach to aborts and contingencies [that] places a priority on crew safety throughout all mission phases.” 

Unlike Apollo, our approach is designed to be sustainable and to grow into permanent, affordable lunar operations. Our lander uses liquid hydrogen for fuel. Not only is hydrogen the highest-performing rocket fuel, but it can also be mined on the Moon. That feature will prove essential for sustained future operations on the Moon and beyond.

From the beginning, we designed our system to be capable of flying on multiple launch vehicles, including Falcon Heavy, SLS, Vulcan, and New Glenn. The value of being able to fly on many different launch vehicles cannot be over-stated…

Yet, in spite of these benefits and at the last minute, the Source Selection Official veered from the Agency’s oft-stated procurement strategy. Instead of investing in two competing lunar landers as originally intended, the Agency chose to confer a multi-year, multi-billion-dollar head start to SpaceX. That decision broke the mold of NASA’s successful commercial space programs by putting an end to meaningful competition for years to come…. 

(10) TED LEWIN (1935-2021). Illustrator and writer of children’s books Ted Lewin died July 28. Jane Yolen paid tribute on Facebook.

Heartbroken–this says it all. Ted and [his wife] Betsy were dear friends for many years and Ted illustrated David’s only children’s book (HIGH RIDGE GOBBLER) and a bunch of mine, Several of his originals for the books decorate my dining room. I see them everyday. Ted was a lovely, lovely man, a wonderful storyteller, who brought much beauty to the world.

Ted Lewin illustrated over 200 books, winning a 1994 Caldecott Honor for Peppe The Lamplighter. A number of these were done in collaboration with his wife, Betsy.

As a young man who wanted to go to art school at the Pratt Institute, he earned money to finance his education by taking a summer job as a professional wrestler – the beginning of a fifteen year part-time career that eventually inspired his autobiographical book I Was a Teenage Professional Wrestler.

Lewin’s professional honors also include a Silver Medal in the Society of Illustrators Annual Show (2007), and he and Betsy were inducted into the Society of Illustrators Hall of Fame in 2015. [Click below for larger image.]

(11) MEMORY LANE.

  • 1987  – In July of 1987, Emma Bull’s War for The Oaks was published by Ace Books. It would win a Locus Best First Novel Award and be nominated for a Mythopoeic Fantasy Award. This urban fantasy would get its own trailer courtesy of Will Shetterly who financed it instead of running for Governor. You’ll no doubt recognize many of the performers here as some of them are from Minnesota fandom.  Decades later, it was scheduled to have a hardcover edition from Tor Books but it got canceled after the books were printed. (They were printed. I have a signed one here.) And the music in War for The Oaks would later be done by Cats Laughing, a band that includes Emma Bull and other members of fandom with lyrics by John Ford, Steven Brust and others. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 30, 1927 — Victor Wong. I remember him best as the Chinese sorcerer Egg Shen in John Carpenter’s exemplary Big Trouble in Little China. He was also The Old Man in The Golden Child, Walter Chang in Tremors, Dr. Wong in the “China Moon” episode of the Beauty and the Beast series and Lee Tzin-Soong in the “Fox Spirit” episode of Poltergeist: The Legacy. (Died 2001.)
  • Born July 30, 1947 — John E. Stith, 74. Winner of two HOMer Awards, given by the Science Fiction and Fantasy Literature Forum on CompuServe, for Redshift Rendezvous and Naught for Hire. The former would be nominated for a Nebula as well. The HOMer Awards ended in about 2000. 
  • Born July 30, 1947 — Arnold Schwarzenegger, 74. Terminator franchise, of course, as well as Running Man, Conan the Barbarian and  Conan the Destroyer, Tales from the Crypt and True Lies. Apparently in sort of announced Conan and Terminator reboots. Though I think that’s more rumor than reality. 
  • Born July 30, 1948 — Carel Struycken, 73. I remember him best as the gong ringing Mr. Holm on Next Gen, companion to Deanna Troi’s mother. He was also Lurch in The Addams Family, Addams Family Values and the Addams Family Reunion. He’s listed as being Fidel in The Witches of Eastwick but I’ll be damned if I remembered his role in that film though I’ve seen it twice. And he’s in Ewoks: The Battle for Endor which I’ve never seen. 
  • Born July 30, 1966 — Jess Nevins, 55. Author of the superlative Encyclopedia of Fantastic Victorian and the equally great Heroes & Monsters: The Unofficial Companion to the League of Extraordinary Gentlemen which is far better than the film ever could be. He’s also written the Fable Encyclopedia which is a most excellent look at Willingham series. I didn’t know he also wrote fiction ‘til now but he has two genre novels, The Road to Prester John and The Datong Incident. 
  • Born July 30, 1966 — Jason Watkins, 55. His first genre role was William Herrick in Being Human. He’s also had a recurring role on Dirk Gentely as DI Gilks. And he voiced Captain Orchis on Watership Down.  Naturally, he’s been in Doctor Who, specifically as Webly in the Eleventh Doctor story, “Nightmare in Silver”.  He showed up in The Golden Compass as Bolvangar Official.
  • Born July 30, 1970 — Christopher Nolan, 51. Writer, producer and often director as well of the latest Batman film franchise, The Prestige, Interstellar, Inception and Batman v Superman: Dawn of Justice to name some of his work. His latest, Tenet, has been nominated for a Hugo this year. 
  • Born July 30, 1975 — Cherie Priest, 46. Her Southern gothic Eden Moore series is kickass good and Clockwork Universe series isa refreshing take on steampunk which has been turned into full cast audiobooks by GraphicAudio. I’ve not read the Cheshire Red Reports novels so have no idea how good they are. Anyone read these?  She won an Endeavour Award for her Dreadnought novel.

(13) COMICS SECTION.

  • Frank and Ernest shows the judge throwing the book at an unexpected traffic offender.

(14) GET YOUR ANSWERS READY. Your hosts for Science Fiction 101 podcast are Phil Nichols of the Bradburymedia website, who is also known for the Bradbury 100 podcast and the Bradbury 101 YouTube channel; and Colin Kuskie of the Take Me To Your Reader podcast. Episode 7, “We Goes There”, features a sci-fi quiz.

(15) BASEDCON. *Rolls eyes* Thread starts here.

(16) HEAP OF GLORY. “Londoners Were Promised a Hill With a View. They Got a Pile of Scaffolding.” Linking to this New York Times item so you can appreciate the amusing comment which I’ve quoted below.

Advance publicity for the Marble Arch Mound — London’s newest visitor attraction — suggested that an Arcadian landscape would be created in the middle of the city, with spectacular views over Hyde Park.

A huge artificial hill, over 80 feet high, would rise at one end of Oxford Street, London’s busiest shopping district. Costing around 2 million pounds, or about $2.7 million, design renderings suggested that it would be covered in lush trees and that visitors would be able to climb to the top — and “feel a light breeze” against their skin.

The hill was part of a £150 million plan by Westminster Council to lure visitors back into the center of the city after the pandemic. In May, Time Out, London’s main listings magazine, described it as “visually arresting/bonkers.”

The reality has turned out to be somewhat different. Since opening on Monday, the mound has been widely mocked online as more of a folly than a dream — a pile of blocky scaffolding covered in patches of vegetation that look in danger of slipping off, and that it isn’t even high enough to look over the trees into Hyde Park….

 A commenter on the article said:

To be fair to Westminster City Council that spot has become increasingly difficult to manage, with the combination effect of a long record of unplanned and haphazard development accumulating to create serious problems. 

Obviously, the confluence of ley lines and faerie roads there lead to that being the natural place for the portal to Avalon, which in turn attracted the gate into Narnia. But, installing the secret entrance to Q branch’s main workshop so close to both the back door to the Ministry of Magic and unquiet spirits of Tyburn Tree was asking for trouble, and probably meant spatio-temporal subsidence would inevitably produce The Rift. 

Although finding a more plausible way to conceal the essential interdimensional-engineering work needed might have been better, it can be argued that attracting widespread ridicule with this hill has provided the sort of smokescreen that was wanted more cost-effectively. 

We probably shouldn’t rush to judgement, and wait for the official paperwork to be declassified and released under the 5,000-year rule.

(17) ROBODOG. [Item by Mike Kennedy.] Is the game “Quick, spot the cop” or “Quick Spot, the cop”? Another publication has chimed in on whether robotic “dogs” are suitable for use by police. “Robotic Police Dogs: Useful Hounds or Dehumanizing Machines?” at U.S. News & World Report.

If you’re homeless and looking for temporary shelter in Hawaii’s capital, expect a visit from a robotic police dog that will scan your eye to make sure you don’t have a fever.

That’s just one of the ways public safety agencies are starting to use Spot, the best-known of a new commercial category of robots that trot around with animal-like agility.

The handful of police officials experimenting with the four-legged machines say they’re just another tool, like existing drones and simple wheeled robots, to keep emergency responders out of harm’s way as they scout for dangers. But privacy watchdogs — the human kind — warn that police are secretly rushing to buy the robots without setting safeguards against aggressive, invasive or dehumanizing uses.

In Honolulu, the police department spent about $150,000 in federal pandemic relief money to buy their Spot from robotics firm Boston Dynamics for use at a government-run tent city near the airport.

“Because these people are houseless it’s considered OK to do that,” said Jongwook Kim, legal director at the American Civil Liberties Union of Hawaii. “At some point it will come out again for some different use after the pandemic is over.”…

(18) AI ASSESSES CATS. Meanwhile, a breakthrough in cat happiness technology has made the headlines: “Feline okay? The app that tells you if your cat’s happy” reports Reuters.

Cat owners who love to take pictures of their furry friends now have a new excuse to pull out their smartphones and take a snapshot: it may actually help the cat.

A Calgary, Alberta, animal health technology company, Sylvester.ai, has developed an app called Tably that uses the phone’s camera to tell whether a feline is feeling pain.

The app looks at ear and head position, eye-narrowing, muzzle tension, and how whiskers change, to detect distress. A 2019 study published in peer-reviewed journal Scientific Reports found that the so-called ‘feline grimace scale,’ or FGS, is a valid and reliable tool for acute pain assessment in cats….

(19) GIVING THE GOVERNMENT THE DIGIT. If an AI can be trusted with your cat, surely their work should not go unrewarded! “Australian Court Rules That AI Can Be an Inventor” – Gizmodo has the story.

In what can only be considered a triumph for all robot-kind, this week, a federal court has ruled that an artificially intelligent machine can, in fact, be an inventor—a decision that came after a year’s worth of legal battles across the globe.

The ruling came on the heels of a years-long quest by University of Surrey law professor Ryan Abbot, who started putting out patent applications in 17 different countries across the globe earlier this year. Abbot—whose work focuses on the intersection between AI and the law—first launched two international patent filings as part of The Artificial Inventor Project at the end of 2019. Both patents (one for an adjustable food container, and one for an emergency beacon) listed a creative neural system dubbed “DABUS” as the inventor.

The artificially intelligent inventor listed here, DABUS, was created by Dr. Stephen Thaler, who describes it as a “creativity engine” that’s capable of generating novel ideas (and inventions) based on communications between the trillions of computational neurons that it’s been outfitted with. Despite being an impressive piece of machinery, last year, the US Patent and Trademark Office (USPTO) ruled that an AI cannot be listed as the inventor in a patent application—specifically stating that under the country’s current patent laws, only “natural persons,” are allowed to be recognized. Not long after, Thaler sued the USPTO, and Abbott represented him in the suit….

(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Zombies Ate My Neighbors and Ghoul Patrol,” Fandom Games says this game will take you back to the ’90s (remember Scholastic book fairs?  All-denim outfits?) and will “tickle your nostalgia nose” but still frustrate you even though you’re not a teenager any more, but have kids and a mortgage.

(21) TINGLING BULLETINS AS THEY BREAK. Chuck Tingle told Facebook followers today that the music rights holders withdrew their complaints three days ago, but Twitter still hasn’t done doodly about restoring his account.

first off POWER OF LOVE IS STRONG with help of some true buckaroos behind scenes (who i will thank when this is all over and direct you to their websites and other ways) AND ALSO with help of all buckaroos on social media: SONY MUSIC and IFPI have decided to withdraw their copyright complaints and say ‘okay just take them down lets trot on you can have your account back’ which is HUGE DEAL. SO THANK YOU SO MUCH THIS PROVES LOVE IS REAL. also even though this situation is frustrating for chuck i must say sincere thank you to sony and ifpi this was a choice they made to do right thing by chuck in the name of the buckaroo lifestyle. so thank you everyone (with more thanks to come)

this happened THREE DAYS ago and twitter was notified. since then twitter has not responded to any methods of contact from chuck or sam rand or manager of chuck. chuck remains suspended with no way of contacting them that does not get automated response even though fact of the matter is:

THERE IS NO REASON FOR CHUCK TINGLE TWITTER TO BE SUSPENDED AT THIS POINT i do not have copyright infringement marks anymore or any other infractions. i have sent message to say ‘can you tell WHY my account is still suspended even after you said it would be better if i fixed these issues?’ and no response.

[Thanks to Mike Kennedy, Andrew Porter, Martin Morse Wooster, Paul Weimer, Olav Rokne, Michael J. Walsh, JJ, Michael Toman, John King Tarpinian, and Cat Eldridge for some of these stories. Title credit belongs to contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 6/2/21 For The File Is Scrollow, And I Have Ticked The Box

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(1) CATEGORY CHALLENGED. “’Asian Fantasy’ Is A Popular Category — But Is It A Useful One?” – NPR’s Kalyani Saxena poses the question to Rebecca F. Kuang, Cindy Pon, Ken Liu, Fonda Lee, Roshani Chokshi, and Tasha Suri.

…However, not all Asian authors writing fantasy feel at home with the genre label. When I reached out to Rebecca F. Kuang, author of The Poppy War, a Hugo-nominated fantasy trilogy inspired by Chinese history, she said that she finds “Asian fantasy” to be a reductive category.

“I think that Asian doesn’t really make a lot of sense, either as a literary category or as an identity category. Obviously, there are a lot of different things that fall under the subcategory of Asian, including East Asian, including South Asians, Southeast Asian, Pacific Islander, for example,” she says. “So when we call works just blanket ‘Asian,’ that belies an entire world of difference.”

So while the growing popularity of Asian fantasy marks a positive turn towards a broader and more inclusive range of experiences in fantasy, it also raises important questions: Does it actually make sense to group novels by a geographic region, especially one that encompasses billions of people? Does the label “Asian fantasy” help or hurt Asian authors? Well, the answer depends on who you’re asking….

(2) SOMTOW ON SCREEN. The Maestro – A Symphony of Terror, from Somtow Sucharitkul (in the title role) and filmmaker Paul Spurrier, opens July 14 in Bangkok at Central World SF Cinema (one of the major movie chains in Thailand). From there it will do the festival circuit, maybe book a few weird international gigs, and onto some kind of streaming platform, Somtow predicts.

The Maestro tells the story of a misunderstood genius with profound psychological problems. Rejected by the European musical establishment, he returns to his native Thailand and gets a job teaching music in a youth program. Stalked by an obsessed opera singer, ridiculed by his public, his big premiere preempted by a world-renowned conducting mediocrity, he begins a descent into madness. Accompanied by street busking violinist and a prodigy pianist from a dysfunctional family, he sets out to build a musical utopia in the wilderness to bring his transcendent vision to life … only, inevitably, it all goes horribly wrong.

(3) IF IT AIN’T BROKE, DON’T FIX IT. Hugo Book Club Blog compared the official list of 1963 Hugo Award nominees with a copy of the ballot and found something was missing. And there unquestionably was. But stay tuned for the rest of the story….

https://twitter.com/Hugo_Book_Club/status/1400217244529954821

They even convinced The Hugo Awards official site to enter a correction:

Note: We previously listed Burn, Witch, Burn (1962) (alt: Night of the Eagle) ([Anglo-Amalgamated/Independent Artists] Directed by Sidney Hayers; Screenplay by Charles Beaumont & Richard Matheson and George Baxt; based on the novel Conjure Wife by Fritz Leiber) as a finalist for the 1963 Hugo Award for Best Dramatic Presentation; however, a copy of the 1963 Hugo Award final ballot that we received on June 2, 2021 does not include this work as a finalist.

And yet when you look at a scanned copy of the 1963 Worldcon Program Book Burn, Witch, Burn is included. (Remember – 1962 is the eligibility year.)

In the DRAMATIC PRODUCTION category, the top four for 1962 were:

TV series: Twilight Zone

Movie: Last Year at Marienbad

Movie: The Day the Earth Caught Fire

Movie: Burn, Witch, Burn

Why is there a discrepancy between the Program Book and the official use-no-other, no-write-ins-allowed postcard ballot? Because someone made a mistake while typing the stencil for the 1963 ballot. Chair George Scithers blushingly told what happened in the Worldcon runner’s manual he wrote after the con — DisCon 1 Guide: Introduction:

…To encourage voting, we used printed, return addressed, postage prepaid postcards with the names of the nominees thereon. This of course was expensive; about $16, plus printing. On the other hand, it did improve the number of votes (about 226 people voted in the final poll, not counting late votes) and it did insure against anyone not a member sending in a forged card. For future cons, I’d suggest prepaid postcards for both nominations and final votes. Be careful and proofread these final ballots; we left “Burn, Witch, Burn” off our postcard list (4) [If George wasn’t accepting the principle of Collective Responsibility, this would read properly: “Dick Eney left ‘Burn, Witch, Burn’ off …”], an omission which was very embarrassing indeed.

(4) GOT TO HAVE IT. Julie Nováková inventories “What Technology Can’t SF Writers Live Without?” at the SFWA Blog.

When I started editing an anthology of SF stories centered around alien life, each accompanied by a short essay on the science of the story, naturally I was curious about what sciences or technologies inspire the contributing authors, how their process works and how they rely on technology. Conducting a mini-interview with each author, I asked, among other things, whether there’s any technology they can’t imagine to live without. Think for a moment what it would be for you. Some piece of 21st century technology, or something vital developed thousands of years ago? Something to guide your writing process, or indispensable in your life regardless of the craft?

Many writers (including myself, after all) can’t imagine working without computers. Rich Larson says: “Over half my day is spent on my netbook.” He uses it for around ten hours of writing and other work, and then for recreation and socialization. At night, its USB port powers the small fan that lets him sleep. “It’s basically a vital organ!”

“My Bose QC 35 wireless headphones,” says Tobias S. Buckell. They help him create a focusing space around himself. “The ritual of turning on noise canceling and hearing the world around me drop into background; it’s this trigger for focus that really helps me,” he adds….

(5) PURPLE EATER PEOPLE. Inspired by the park’s chicken dinners and boysenberry pie – and a few less legal substances —  Rolly Crump’s “Legendary theme park ride resurfaces at Knott’s Berry Farm” reports the Los Angeles Times. “Knott’s Bear-y Tales: Return to the Fair” has been recreated after being out of service for a generation. Crump, the 91-year-old designer, also helped shape It’s a Small World, the Enchanted Tiki Room and the Haunted Mansion at Disneyland, 

… “Everyone comes together at the fair at the end,” Merritt says. “All the characters you saw in the previous scene make a new appearance, doing something different and fun. It’s a big room. It takes up almost half of the show building.”

Crump’s theme park designs were known for near constant movement. The figures may not have been as advanced as those at Disneyland, but every mechanical creature was moving. Today’s theme park fans may want to picture the grand musical and animal finale of Disneyland’s soon-to-be rethemed Splash Mountain when trying to picture the closing seconds of Bear-y Tales.

Describes Merritt, “In the middle of the room, there’s a big balloon coming from the ceiling where the Bear-y Family are going up and down, and there’s music, there’s Dr. Fox selling his Weird Juice, there’s puppets and there’s a frog jumping contest. There’s musicians, there’s a rabbit who’s walking on wire, there’s jugglers. It’s too much. It’s sensory overload.”

…The more one digs into the scenes of the Bear-y Tales ride, the more detail and uniqueness one uncovers.

One of Crump’s first jobs at Disney was to partner with illusionist Yale Gracey on potential effects for the Haunted Mansion, so it’s perhaps no surprise that Crump wanted a sense of magic throughout Bear-y Tales. The ride was liberal in its use of projections and Pepper’s ghost-like effects. There were floating instruments, hovering candle tips and one neat trick that Merritt recalls involving an adorable mouse suddenly appearing out of a candle holder in midair.

But perhaps the real reason Bear-y Tales had such a grip on those who rode it is because in some ways it represents the kind of ride that doesn’t really exist anymore. Crump’s original had pies — and pie scents — but was little more than a story about a bunch of nomadic, bohemian animals.

“It’s super unique. It was such a snapshot in time,” says Nix. “When you look at the pictures, it wasn’t terribly advanced. The animatronics were simple, but there were a lot of them. You just felt like you were in these scenes and places.”…

(6) VIRTUAL 4TH STREET. Elizabeth Bear has made public an edition of her Throwanotherbearinthecanoe newsletter: “What we’ve been doing around here…” After fulminating against the latest “improvement” of Instagram, she alerts readers to her coming appearance at a virtual con:

….Anyway, speaking of things to do on the internet that are actually fun, there will be a Virtual 4th Street Fantasy convention this year. I’ve recorded a panel for it (“Personalizing the Apocalypse”) with a remarkable cast of brilliant people, and we will be doing a live Q&A for attendees on the weekend of June 18th.

If you would like to “attend,” you can register here! Moneys collected go toward paying off hotel expenses, and if you would like to make a donation, the convention is a 401(c) nonprofit organization, which means donations are tax-deductible.

(7) ATWOOD ACQUISITION. “Doubleday to Publish Margaret Atwood Essay Collection” – Publishers Weekly has the story.

Doubleday will publish a new collection of Margaret Atwood’s essays, Burning Questions: Essays 2004-2021, on March 1, 2022. U.S. rights were acquired from Karolina Sutton at Curtis Brown.

…The selection of more than 50 essays, the publisher said, “seeks answers to burning questions such as: Why do people everywhere, in all cultures, tell stories? How much of yourself can you give away without evaporating? How can we live on our planet? Is it true? And is it fair? What do zombies have to do with authoritarianism?”…

(8) TOMORROW, AND TOMORROW, AND TOMORROW. John Hertz celebrates Bob Madle’s 101st birthday with this poem:

All our yesterdays
Live on, or some of them do,
In the fannish mind,
Vitally moving new deeds
Even as we joke of them.

(9) MEDIA BIRTHDAY.

June 2, 1950 – On this day in 1950, Rocketship X-M premiered. The film was produced and directed by Kurt Neumann. The screenplay was by Orville H. Hampton, Kurt Neumann and Dalton Trumbo (of Johnny Got His Gun fame). It starred Lloyd Bridges, Osa Massen, John Emery, Noah Beery, Jr., Hugh O’Brian, and Morris Ankrum. It was shot on a budget of just ninety-four thousand dollars. It was nominated for the 1951 Retro Hugo Award for Best Dramatic Presentation at the Millennium Philcon when Destination Moon won that Award. Fandom holds it in a higher esteem that audience reviewers at Rotten Tomatoes do who give it a mere fifteen percent rating! Oh, and it was the first SF film to use a theremin in the soundtrack. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born June 2, 1857 – Karl Gjellerup.  In The Pilgrim Kamanita, the Pilgrim meets a strange monk who he does not know is Gautama Buddha.  In The World-Roamers, characters re-experience happenings of former eons.  In The Holiest Animal, the snake that killed Cleopatra, Odysseus’ dog, Jesus’ donkey, and others, meeting after death, choose as the holiest animal the Buddha’s horse – but he has vanished without a trace, to Nirvana. Nobel Prize in Literature.  (Died 1919) [JH]
  • Born June 2, 1899 – Lotte Reiniger.  Pioneer of Silhouette animation.  Animated intertitles and wooden rats for Paul Wegener’s Pied Piper of Hamelin (1918); a falcon for Fritz Lang’s Nibelungen (Part 1 – Siegfried, 1924).  Her own Adventures of Prince Achmed (1926) is the oldest known surviving feature-length animated film.  Doctor Dolittle and His Animals, 1928.  Her early version of a mutiplane camera preceded Walt Disney and Ub Iwerks by a decade. Great Cross of the Order of Merit of the Fed’l Republic of Germany, 1979.  (Died 1981) [JH]
  • Born June 2, 1915 – Lester del Rey.  Fan, pro, short-order cook.  Used many names, not least of which was Ramon Felipe San Juan Mario Silvio Enrico Smith Heathcourt-Brace Sierra y Alvarez-del-Rey de los Verdes.  Two dozen novels alone and with others; a hundred shorter stories (see the 2-vol. Selected Short Stories); half a dozen non-fiction books; Skylark Award, SFWA (Science Fiction & Fantasy Writers of America) Grand Master; reviews for Analog, features editor for Galaxy; SF editor for Ballantine; with Judy-Lynn del Rey and after her death, Del Rey Books.  (Died 1993) [JH]
  • Born June 2, 1920 – Bob Madle, age 101.  He may be Oldest of All.  He was at Nycon I the 1st Worldcon; he named the Hugo Awards.  TAFF (Trans-Atlantic Fan Fund) delegate.  Fan Guest of Honor at SunCon the 35th Worldcon.  First Fandom Hall of Fame.  Moskowitz Award for collecting.  Big Heart (our highest service award).  This post from last year includes photos and a summary in his own words.  [JH]
  • Born June 2, 1929 — Norton Juster. Author of The Phantom Tollbooth, it is said that he met Jules Feiffer who illustrated that work when he was taking his trash out. There is of course the superb film that followed. And let’s not forget The Dot and the Line: A Romance in Lower Mathematics, a work well worth spending an evening reading. (Died 2021.) (CE)
  • Born June 2, 1921 — Virginia Kidd. Literary agent, writer and editor, who worked mostly in SF and related fields. She represented  R.A. Lafferty,  Ursula K. Le Guin, Anne McCaffrey, Judith Merril, and Gene Wolfe. She was married to James Blish, and she published a handful of genre short fiction.  Wolfe modeled Ann Schindler, a character in Castleview, in large part on Kidd. (Died 2003.) (CE) 
  • Born June 2, 1937 — Sally Kellerman, 83. Here for her role as Elizabeth Dehner  in “Where No Man Has Gone Before”, the second pilot for Star Trek. Her first genre role was in an episode of the Outer Limits, “The Bellero Shield”.  She shows up in the Invaders in the “Labyrinth” episode. Her last genre appearance was on the Ray Bradbury Theater in the “Exorcism” episode. She also appeared in the Lost Horizon film. (CE) 
  • Born June 2, 1941 — Stacy Keach, 80. Though best known for playing hard-boiled Detective Mike Hammer, he’s got a long association with our genre starting with The Mountain of the Cannibal God, an Italian horror film. Next up for him was Class of 1999, followed by voicing both Carl Beaumont / Voice of Phantasm in Batman: Mask of the Phantasm, a film I really, really like. More horror, and a really silly title, awaited him in Children of the Corn 666: Isaac’s Return. Whereas The Hollow has a tasteful title, the Man with the Screaming Brain does not. Storm War, also known as Weather Wars, is SF. And then there is Sin City: A Dame to Kill which is a rather nice piece of film making. And yes, he’s been in a televised version of Macbeth playing Banquo. (CE) 
  • Born June 2, 1948 – Leigh Edmonds, age 73. Founder of ANZAPA (Australia – New Zealand Amateur Press Ass’n).  Melbourne SF Club Achievement Award.  First DUFF (Down Under Fan Fund) delegate, published Emu Tracks Over America.  First A-NZ Administrator of GUFF (Get-Up-and-over Fan Fund, or Going Under Fan Fund, in alternate years).  Helped organize 10th Australian natcon (i.e. national convention); Fan Guest of Honour (with Valma Brown) at 30th.  Two Ditmars for Best Fanzine, three for Best Fanwriter. [JH] 
  • Born June 2, 1959 – Lloyd Penney, age 62. Thirty years on Ad Astra con committees (Toronto); Chair 1993 & 1994.  “Royal Canadian Mounted Starfleet” (with Yvonne Penney & others – and song) in Chicon IV Masquerade (40th Worldcon).  Also with Yvonne, Chairs of SMOFcon VI (Secret Masters Of Fandom, as Bruce Pelz said “a joke-nonjoke-joke”; con-runners’ con); CUFF (Canadian Unity Fan Fund) delegates, published Penneys Up the River; Fan Guests of Honor, Loscon 34.  Prolific loccer (loc or LoC = letter of comment, the blood of fanzines); 5 FAAn (Fan Activity Achievement) Awards.  [JH]
  • Born June 2, 1965 — Sean Stewart, 56. Fantastic author whose Galveston novel that won the World Fantasy Award I highly recommend, as well as the Resurrection Man novels. I’ve not read his most recent set of novels, The Cathy’s Book series, but it’s take on augmented reality sounds intriguing. (CE) 
  • Born June 2, 1973 – Carlos Acosta, age 48. Cuban director of Birmingham Royal Ballet; before that, 17 years at The Royal Ballet, many other companies.  Prix Benois de la Danse. Commander of the Order of the British Empire for services to ballet.  Besides dancing in many fantasies (Afternoon of a Faun, Apollo, The Nutcracker, Swan Lake) – and finding time for a wife and three children – he’s written a magic-realism novel, Pig’s Foot.  Memoir, No Way Home.  [JH]
  • Born June 2, 1979 — Morena Baccarin, 42. Very long genre history starting with portraying Inara Serra in Firefly and  Serenity; Adria in the Stargate SG-1 series and the Stargate: The Ark of Truth; Anna in the 2009 version of the series V; Vanessa in the Deadpool franchise; and Dr. Leslie Thompkins in Gotham. She did an exemplary job of voicing Black Canary in Justice League Unlimited.  (CE) 

(11) ASIAN AMERICAN SUPERHERO Q&A. View “Jim Lee and Asian American Superheroes”, a video interview available at the Library of Congress.

DC Chief Creative Officer and Publisher Jim Lee discusses his work in celebration of Asian-Pacific American Heritage Month. He will appear in conversation with illustrator Bernard Chang (“Generations Forged”) and writers Sarah Kuhn (“Shadow of the Batgirl”) and Minh Lê (“Green Lantern: Legacy”). This event is moderated by former National Ambassador for Young People’s Literature Gene Luen Yang (“Superman Smashes the Klan”).

(12) PRODUCT PLACEMENT. This iconic watch has been on stars’ wrists from Elvis to the Men in Black: “Exploring The Hollywood History Of The Hamilton Ventura Watch” at A Blog to Watch.

…The Hamilton Ventura has always been part of the Men in Black movies. Back in 1997, when the first installment (Men in Black) hit the cinema, the choice of Agents J and K was the classic Hamilton Ventura Quartz (ref. H24411732). Five years later, in 2002’s Men in Black II, the Ventura Chrono Quartz (ref. H24412732) was chosen in the starring role instead. The next decade saw those two watches reunite on-screen for Men in Black III (2012), as well as introducing the Hamilton Ventura XXL.

Men in Black: International will build on the cult following enjoyed by the Ventura since its launch in ’57. The new film focuses on two agents attempting to protect the world from a mole within their own organization, while dressed in their classic suits and armed with their essential neuralyzer pens. Helping Agent M and Agent H on their mission are the classic Hamilton Ventura Quartz (M), and the Hamilton Ventura Automatic with a cut-out dial and brown leather strap (H), respectively….

(13) JEOPARDY! Andrew Porter watched a contestant miss this one on last night’s Jeopardy!

Final Jeopardy; category: Around the World

Answer: In the 1860s, a zoologist proposed that this island was once part of a lost continent he dubbed Lemuria.

Wrong question: What is Galapagos? 

Correct question: What is Madagascar?

(14) JDA SUSPENDED FROM TWITTER AND FACEBOOK. Straight from the horse’s…mouth.

(15) A HOLE IN THE WRONG ONE. “’Scary stuff’: International Space Station robotic arm struck by space junk” reports The Guardian.

The sudden appearance of a small hole in a robotic arm aboard the international space station (ISS) has brought renewed attention to the danger posed by space junk.

Mission managers discovered the puncture during an inspection of the exterior of the spacecraft on 12 May. The Canadian space agency (CSA), which operates the arm, described it as a “lucky strike” that did not affect operations or endanger the seven astronauts in orbit aboard the station.

It is not known what kind of object struck the space station or when it happened. But analysts say the incident is a reminder of the proliferating amount of junk circling Earth and the risk that poses as launches and satellites in orbit increase.

“There’s a lot of stuff out there traveling at over 17,500mph and obviously it can do a lot of damage,” John Crassidis, SUNY distinguished professor of mechanical and aerospace engineering at the University of Buffalo, told the Guardian….

(16) SABERKITTENS. These prehistoric credentials probably looked pretty cute as long as you weren’t a mammoth. “Sabercats Raised Their Kittens for Years” affirms Smithsonian Magazine.

…Two new studies published this year have underscored the fact that sabercats required some of the same family ties that today’s big cats rely upon. Some young sabercats may have stayed with their parents for two years or more as they waited for their impressive fangs to come in. Those parents likely played an essential role in teaching their saberkittens how to catch and eat food, including dragging mammoth legs home to chew on. Together, these studies help highlight how sabercat behavior evolved to cope with a world in which many carnivorous species—from dire wolves to giant bears—competed for prey.

(17) WATCH YOUR SIXTH. What’s more dangerous, a sabertooth or the Doctor? Artist JohannesVIII did this piece of Doctor Who‘s Sixth Doctor (Colin Baker) as a cat! 

[Thanks to Mike Kennedy, Andrew Porter, Ben Bird Person, John A Arkansawyer, Martin Morse Wooster, JJ, Michael Toman, John King Tarpinian, Cat Eldridge, and John Hertz for some of these stories. Title credit belongs to contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 4/29/21 Who Am I To Scroll Against The Wind?

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(1) ALT-FACTS. The Hugo Book Club Blog contends “Alternate facts make bad alternate history”.

… Even one of the better Alternate History works written by a very conservative author, Another Girl, Another Planet by Lou Antonelli, only really works when it avoids history altogether. When it is a big outer space adventure, it’s relatively engaging. But the version of history depicted in the novel involves weird depictions of Barack Obama as a feckless Marxist ideologue; not so much a counterfactual as a motivated smear job….

(2) NETFLIX TRAILER. Sweet Tooth is “a post-apocalyptic fairytale about a hybrid deer-boy and a wandering loner who embark on an extraordinary adventure.” All episodes of Sweet Tooth premiere on June 4, only on Netflix.

(3) #FINISHINFINITYTRAIN TRENDING WORLDWIDE. There’s an avalanche of tweets from people calling for a studio to finish the Infinity Train series.

https://twitter.com/OweeeeenDennis/status/1387788414653632515

Rose has an entire thread that starts here.

Fan art, too!

(4) THREE’S COMPANY. Kevin Standlee has some extended comments about the new Winnipeg bid and the rules governing whether it should appear on the published site selection ballot in “And Then There Were Three” on his Livejournal.

…Speaking theoretically, there are probably only about six cities in Canada that have the facilities to host a Worldcon. Two of them are in the east (Toronto and Montréal), and they’re both within 800 km of DC, which makes them ineligible to file (even as a write-in bid) under WSFS Constitution Section 4.7. (I’ve not looked at Ottawa or Quebec City’s facilities; if they have enough, then there might be eight potential sites rather than six. Also, any city I name includes anything in that city’s general area.) There’s little point in bidding for a site that’s ineligible in all but the most highly-unlikely scenarios — even more unlikely than the combination of circumstances that crashed the site selection at the 2011 Westercon, because Westercon’s rules are subtly different from Worldcon’s, and anyway, it seems unlikely to me that the existing bids would drive away so many supporters that None of the Above would win.

There are two plausible sites in western Canada (Vancouver and Calgary), but they have a somewhat less obvious political flaw, in that they’re less than 800 km from Seattle, which is bidding for 2025, The 2025 Worldcon will be selected at the 2023 Worldcon. A Worldcon selected for one of those cities would automatically disqualify Seattle’s bid. Bidding is hard enough without borrowing trouble by creating a group (Seattle’s supporters) that automatically would be biased against voting for you.

That leaves only two significant sites: Edmonton and Winnipeg. CanSMOF selected Winnipeg’s proposal, but I’m sure that Edmonton (and Calgary, and Vancouver) would make good places for a Worldcon someday….

(5) ELLISON WONDERLAND. Dread Central eavesdropped on Mick Garris’ podcast and learned “How Clive Barker Found Inspiration in Harlan Ellison’s House”.

…“[Harlan] had such an incredible collection of fantastic paintings,” Barker says on a new episode of Post Mortem with Mick Garris. “They were classics—covers of Weird Tales and all that wonderful ’30s, ’40s, and ’50s stuff.” 

Garris recalls his own visit to “Ellison Wonderland” just as fondly. He didn’t, however, get a look inside Ellison’s bomb shelter, as Barker did when he was there. (“I do know that you had to go through a hobbit door to get into it,” Garris says.)

“Behind [the door] was a locked room which he said would survive three atom bombs,” Barker says. “This is all very Harlan, right? Maybe if that’s true, then you’re just saying ‘Hello’ to the cockroaches when you get out! But it was an incredible room, because in there, he had the books that he’d collected over the years that he would want to survive the apocalypse. I don’t have a bomb-proof room, but I’ve got those books, too—the books that I feel bespeak our culture.”

(6) EASY MONTHLY PAYMENTS. Vox’s Terry Nguyen dissects the changing attitude in favor of multiple subscriptions to creators and entertainment streams: “Netflix, Amazon Prime, and Disney+: Why we might never reach subscription fatigue”.

…A self-described avid budgeter, Mason currently spends about $120 per month on 11 subscriptions, from streaming services to Substacks and artist Patreon accounts — up from last year’s average of $94 per month.

Quarantine and the demise of digital media were driving factors in Mason’s decision to support more independent artists and writers. The pandemic is partly responsible for facilitating a subscription boom over the past year, but it’s also contributed to the growth of the creator economy, as more people make things from home. “I’m 32 with no kids, no student loans, and no plans to buy a house again,” Mason, the editorial director for the New York Times’s Games team, said. “I’m very much someone who will pay an artist for a thing that they’ve made.”

The monthly $5, $10, and $15 credit-line charges add up, though. When the subscription business model was pioneered by news publishers in the 17th century, there was little competition. Within the past two decades, all sorts of businesses have begun clamoring for a slice of the subscriber pie, from consumer product startups and retailers like Dollar Shave Club to media organizations and internet personalities.

A few major players have become so integral to people’s buying or streaming patterns, like Netflix or Amazon Prime, that consumers approach them almost as a sort of utility….

(7) MEDIA BIRTHDAY.

  • April 29, 2005 –On this day in 2005, The Hitchhiker’s Guide to the Galaxy film premiered in the USA after premiering a day earlier in the U.K. it was based loosely off the series by Douglas Adams, and it was directed by Garth Jennings with production by a not insignificant multitude of individuals. The screenplay was credited to Douglas Adams and Karey Kirkpatrick which is a neat trick indeed given that he’d died some years before. It had a rather stellar cast of Martin Freeman, Sam Rockwell, Mos Def, Zooey Deschanel, Bill Nighy, Alan Rickman, Anna Chancellor and John Malkovich. Critics mostly liked it and it scores an excellent sixty five percent rating among audience reviewers at Rotten Tomatoes. It did not figure in the Hugo nominations the following year. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born April 29, 1880 – Lillian Jones.  Her one novel I know of is the first (1916) Utopia published in America by a black woman.  A century later came Karen Kossie-Chernyshev ed., Recovering “Five Generations Hence” (2013) with the text, annotations, and essays.  Here is a note from the Southwestern Historical Quarterly.  (Died 1965) [JH]
  • Born April 29, 1908 — Jack Williamson. I’ll frankly admit that he’s one of those authors that I know I’ve read a fair amount by can’t really recall any specific titles as I didn’t collect him either in hard copy or digitally. A quick bit of research suggests the Legion of Space series was what I liked best when I was reading him. What did y’all like by him? (Died 2006.) (CE) 
  • Born April 29, 1919 – Elmer Perdue.  One story in Stirring.  Founding member of the N3F (Nat’l Fantasy Fan Fed’n).  Long before aluminum cans and even Country Club malt liquor – ahem – he could crush a tomato-juice can in one hand.  Active in FAPA (Fantasy Amateur Press Ass’n). Fan Guest of Honor at Quakecon.  More here.  (Died 1989) [JH]
  • Born April 29, 1924 – Paul S. Newman.  A novel and a shorter story; beyond that, or besides, or something, Guinness World Record for most prolific comic-book writer: 4,100 stories, 36,000 pages.  Comic-book version of Yellow Submarine.  Tom Corbett, Space cadet.  (Died 1999) [JH]
  • Born April 29, 1943 — Russell M. Griffin. Author of but four novels as he died far too young of a heart attack. The Makeshift God, his first novel, I remember that novel as being a rather decent dystopian affair, and Century’s End was even bleaker. He wrote but nine stories. He alas has not made it into the digital realm yet. (Died 1986.) (CE) 
  • Born April 29, 1946 — Humphrey Carpenter. Biographer whose notable output includes J. R. R. Tolkien: A Biography; he also did the editing of The Letters of J. R. R. Tolkien, and is responsible for The Inklings: CS Lewis, JRR Tolkien, Charles Williams and their Friends. He also wrote the engaging Mr. Majeika children’s series which is most decidedly genre. (Died 2005.) (CE) 
  • Born April 29, 1955 — Kate Mulgrew, 66. Captain Kathryn Janeway on Star Trek: Voyager and she’ll be voicing that role again on the animated Star Trek: Prodigy.  Other genre roles include voicing Red Claw on Batman: The Animated Series, the recurring role of Jane Lattimer on Warehouse 13 and Clytemnestra in Iphigenia 2.0 at the Signature Theatre Company. Finally she voiced Titania in a recurring role on Gargoyles. (CE) 
  • Born April 29, 1956 – Alexander Jablokov, age 65.  Six novels, four dozen shorter stories.  Contributor to NY Review of SF.  John Clute says AJ’s first novel has darkly suave competence, the most recent is exuberantly gonzo.  AJ innocently says “In my work, I like good prose, interesting details, and as much humor as I can comfortably fit in.” [JH]
  • Born April 29, 1960 — Robert J. Sawyer, 61. Hominids which is quite excellent won the Hugo for Best Novel at Torcon 3, and The Terminal Experiment won a Nebula as well. Completing a hat trick, he won a John W. Campbell Memorial Award for Mindscan too. Very impressive.  And then there’s the FlashForward series which lasted for thirteen episodes that was based on his novel of that name.  Interesting series that ended far too soon. (CE) 
  • Born April 29, 1969 – Julia Knight, age 52.  Eight novels, a couple of shorter stories.  Has read The Great Gatsby, Gone with the Wind, Tales of the Dying Earth. “When not writing [likes] motorbikes, watching wrestling or rugby….  incapable of being serious for more than five min –” oops.  [JH]
  • Born April 29, 1970 — Uma Thurman, 51. Venus / Rose in The Adventures of Baron Munchausen (Kage’s favorite film alongside Time Bandits), Maid Marian in the Robin Hood film that starred Patrick Bergin which I highly recommend, Poison Ivy in Batman & Robin. (CE) 
  • Born April 29, 1976 – Micol Ostrow, age 45.  Five novels, one shorter story for us, also a book (with Steven Brezenoff) classified as nonfiction being The Quotable Slayer i.e. Buffy.  Fifty books all told.  Earlier, ten years a children’s-book editor.  “I live and work in Brooklyn, NY, alongside my Emmy Award – winning husband and our two daughters.  It’s pretty much the best.”  [JH]

(9) VISIT TO THE COMIC SHOP. [Item by Daniel Dern.] Marvel (and, I presume, DC) are seriously younger-izing some of their characters/stories… I took a pic of the back of the book, because IMHO it’s funnier in context of other titles.

(10) FANTASTIC COLORS. WIRED explains “How Pixar Uses Hyper-Colors to Hack Your Brain”: “But at Pixar the virtual cameras can see an infinitude of light and color.”

… In a way, every filmmaker is really just playing with moving light and color on surfaces. That’s the whole ball game, a filmic given. But Pixar takes it further, or perhaps just does it more self-consciously and systematically. Its emotionally weighty, computer-generated animated films deploy precisely calibrated color and light to convey narrative and emotion—from the near-total absence of green in WALL-E (until postapocalyptic robots find the last plant on Earth) to the luminous orange marigolds that symbolize Miguel’s trip to the magical Land of the Dead in Coco through the contrast between the cool blue luminosity of the afterlife with the warm, snuggly sepia of New York City in last year’s Soul.

In fact, almost every Pixar movie works within a specific color palette, a story-specific gamut that filmmakers like Feinberg pull from and use to plan the look of each scene, a road map known as the color script. But Coco complicated that process. When its story moves to the Land of the Dead, it cranks up all the dials, colorwise. Those scenes look made out of neon, like a bio-organic version of Tokyo’s Shinjuku District at night. “When it came time to do the color script, it was like, ‘The Land of the Dead has every color. All of it takes place at night, so we can’t use time of day to elicit emotion. There is no weather in the Land of the Dead, so we can’t use weather to elicit emotion.’ Those are three pretty typical things we use to support the story,” Feinberg says….

(11) OCTOTHORPE. In Episode 30 of the Octothorpe podcast “Try to Always Use Chaps in a Gender-Neutral Way”, “John Coxon can’t make a poll, Alison Scott knows the religious forms, and Liz Batty has one more games thing (sorry). We chat about Swancon, DisCon III, FIYAHCON and the Hugo Awards.”

(12) GOOD CAT. “Kid’s Science Fair Project Answers the Eternal Question: ‘Do Cat Butts Really Touch All the Surfaces in Your Home?’” at Popsugar. Highly scientific answer at the link.

…For his homeschool science fair project, Kaeden [Griffin] tackled one of the most perplexing questions stumping pet owners: “Does your cat’s butthole really touch all the surfaces in your home?”

Kaeden, like many others out there, assumed that if his cat sits on a surface, then their “butthole will also touch said surface,” and to test his hypothesis, he and his mom, Kerry, applied nontoxic lipstick (bright red lipstick, in fact!) to the buttholes of their two well-behaved cats. The cats were then given a series of commands — including sit, wait, lie down, and jump up — and were compensated with praise and treats. The lipstick was removed with a baby wipe once they collected the necessary data, which took place in less than 10 minutes….

(13) BAD DOG. Or so the narrative goes. “The NYPD is sending its controversial robot dog back to the pound” – The Verge has the story.

The New York Police Department has canceled its trial of a robot dog made by US firm Boston Dynamics after receiving fierce criticism regarding the “dystopian” technology.

“The contract has been terminated and the dog will be returned,” a spokesperson for the NYPD told the New York Post. John Miller, the department’s deputy commissioner for intelligence and counterterrorism, told The New York Times that the machine was “a casualty of politics, bad information and cheap sound bytes.” Said Miller: “People had figured out the catchphrases and the language to somehow make this evil.”

The NYPD began leasing the machine nicknamed Digidog last year. “This dog is going to save lives, protect people, and protect officers and that’s our goal,” said the NYPD’s Frank Digiacomo in an interview with ABC7. The robot was deployed roughly half a dozen times during its tenure, mostly acting as a mobile camera in potentially hostile environments…

(14) SPACE AS SEEN FROM THE BOTTOM OF A LAKE. A high-tech project is“Hunting ghost particles beneath the world’s deepest lake” says DT Next.

A neutrino-spotting telescope beneath the frozen Lake Baikal in Russia is close to delivering scientific results after four decades of setbacks. A glass orb, the size of a beach ball, plops into a hole in the ice and descends on a metal cable toward the bottom of the world’s deepest lake.

Then another, and another. These light-detecting orbs come to rest suspended in the pitch-dark depths down as far as 4,000 feet below the surface. The cable carrying them holds 36 such orbs, spaced 50 feet apart. There are 64 such cables, held in place by anchors and buoys, two miles off the southern coast of this lake in Siberia with a bottom that is more than a mile down.

This is a telescope, the largest of its kind in the Northern Hemisphere, built to explore black holes, distant galaxies and the remnants of exploded stars. It does so by searching for neutrinos, cosmic particles so tiny that many trillions pass through each of us every second. If only we could learn to read the messages they bear, scientists believe, we could chart the universe, and its history, in ways we cannot yet fully fathom.

“You should never miss the chance to ask nature any question,” said Grigori V. Domogatski, 80, a Russian physicist who has led the quest to build this underwater telescope for 40 years. After a pause, he added: “You never know what answer you will get.” It is still under construction, but the telescope that Dr. Domogatski and other scientists have long dreamed of is closer than ever to delivering results. This hunt for neutrinos from the far reaches of the cosmos, spanning eras in geopolitics and in astrophysics, sheds light on how Russia has managed to preserve some of the scientific prowess that characterised the Soviet Union.

The Lake Baikal venture is not the only effort to hunt for neutrinos in the world’s most remote places. Dozens of instruments seek the particles in specialised laboratories all over the planet. But the new Russian project will be an important complement to the work of IceCube, the world’s largest neutrino telescope, an American-led, $279 million project that encompasses about a quarter of a cubic mile of ice in Antarctica….

(15) THE GOTHA OF DELIVERY DRONES. In the Washington Post, Dalvin Brown reports on a new drone by the German company Wingcopter that can deliver three packages on one flight whereas existing delivery drones can only deliver one package at a time. “Wingcopter is mass producing ‘triple-drop’ drones to deliver more packages, faster”.

… “Today, in order to deploy three packages at one time, companies would have to buy or lease three drones,” Plümmer said. “Price-wise, you’re not going to want to have three of them when you can have one. And no one wants thousands of drones flying above their heads.”

The start-up’s new device is central to its broader vision of providing drones to firms seeking ways to distribute hot meals, groceries, medical supplies or other lightweight goods. It was created to “power logistical highways in the sky,” Plümmer said.

The company says the eight-rotor air vehicle is capable of level-four autonomy, which means it is mostly autonomous but requires a human for some tasks.

It has a 5.8-foot wingspan and measures under 4.5 feet from nose to tail…. 

(16) AVOIDING THE END. The original attempt to stop global warming! “Did Vikings Host Ragnarök Rituals at Surtshellir?” in Smithsonian Magazine.

…The team’s findings, published in the Journal of Archaeological Science, show that the eruption that formed the cave, known as Surtshellir, occurred in the late ninth century A.D., soon after the first Viking settlement of Iceland.

Per the paper, this incident was probably the first major volcanic eruption witnessed by people in northern Europe since the end of the last Ice Age more than 10,000 years prior. The explosion covered about 90 square miles of fertile land in volcanic rock.

“[T]he impacts of this eruption must have been unsettling, posing existential challenges for Iceland’s newly arrived settlers,” write the authors in the study.

According to Owen Jarus of Live Science, the Vikings entered the newly formed cave soon after the lava cooled. They constructed the boat structure, placing ritual offerings inside and burning the bones of animals, including sheep, goats, cattle, horses and pigs. Historical records show that the Vikings associated the cave with Surtr, a giant responsible for battling the gods during Ragnarök and bringing about the end of the world in Norse mythology….

(17) BOOK TRAILER. An appetizer to get you interested in Einstein – The Fantastic Journey of a Mouse Through Time and Space by Torben Kuhlmann. More about the book as well as a sneak peek here.  

Time is relative! Award-winning, illustrator Torben Kuhlmann’s brilliant new book bends time and imagination! When an inventive mouse misses the biggest cheese festival the world has ever seen, he’s determined to turn back the clock. But what is time, and can it be influenced? With the help of a mouse clockmaker, a lot of inventiveness, and the notes of a certain famous Swiss physicist he succeeds in traveling back in time. But when he misses his goal by eighty years, the only one who can help is an employee of the Swiss Patent Office, who turned our concept of space and time upside down….

Suppose Albert Einstein’s famous theories first came into being through an encounter with a little mouse.

[Thanks to Rob Thornton, Mike Kennedy, JJ, Martin Morse Wooster, N., Hampus Eckerman, Daniel Dern, Andrew Porter, Cat Eldridge, John Hertz, James Davis Nicoll, Olav Rokne, Michael Toman, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 4/15/21 Pixel Dawns On MarbleScroll

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(1) PAY THE WRITER. Adam Whitehead in “Disney and Alan Dean Foster approaching settlement on royalties” at The Wertzone brings promising news:

Foster does not go into details, but notes on his webpage.

“The irritating imbroglio with Disney, which you may have read about, is moving towards a mutually agreeable conclusion. A formal statement will be forthcoming.”

Hopefully the matter will now be resolved and Disney will agree to uphold their contractual obligations moving forwards with both Foster and all other impacted authors.

For background, see Cora Buhlert’s post “The #DisneyMustPay Alan Dean Foster and SFWA Joint Press Conference”.

(2) NO, THE REAL WRITER. The Guardian says the proceeds of a literary prize were ripped off by scammers: “Rathbones Folio prize paid £30,000 to scammers posing as the winner”. (Incidentally, they did make it good to the genuine winner.)

… Publishing industry magazine the Bookseller revealed on Wednesday that the Folio, which is awarded to the year’s best work of literature regardless of form, was scammed by “sophisticated cyber-criminals”. The scammers posed as the Mexican author [Valeria] Luiselli, who had won with her novel Lost Children Archive, and requested that the £30,000 payment be made through PayPal.

Minna Fry, the prize’s executive director, confirmed that the funds were lost and that “the police were informed at the time, as were key industry colleagues”.

“Our winner Valeria Luiselli was awarded her prize money in full, and the lost funds were absorbed by cost savings elsewhere,” she added.

The prize is run by a charity and is independent from its sponsor, Rathbone Investment Management. Fry said the investment firm “have supported us through this incident and helped us to put in place additional safeguarding measures”.

This is not the first time a book prize has been targeted by fraudsters. A spokesperson for the Baillie Gifford prize for non-fiction, worth £50,000, confirmed that it was also targeted in November, but no funds were paid.

“Someone emailed pretending to be the 2020 winner Craig Brown and asked us to pay the prize money via PayPal,” a spokesperson for the prize told the Bookseller…

(3) EXIT THE WAYFARER UNIVERSE. On the Imaginary Worlds podcast “Becky Chambers Goes Wayfaring”.

Becky Chambers’ latest novel, “The Galaxy and The Ground Within,” is the final book in her Wayfarer series, which is about aliens, humans and AI trying to make their way through the galaxy and find common ground. Some of the characters in her books may seem fantastical and strange, but the conversations between them often revolve around familiar issues like identity, gender, family structure, and politics. We talk about why she’s closing this chapter in her writing career, even though the Wayfarer series could’ve gone on indefinitely, and what she has planned next.

(4) WEB OF LIES. [Item by Olav Rokne.] Spider-Man co-creator Stan Lee casts an oversized shadow across comic book fandom. But arguments abound about how much credit he deserves for the various works he is purportedly behind. In a new deeply-researched biography True Believer, journalist Abraham Riesman looks at this iconic figure. It’s a terrific book that perhaps people should be considering for Best Related Work on *next year’s* Hugo ballot, and that the Hugo Book Club Blog reviewed this week:  “The Lies That Bind”.

There is a long tradition of fandom idolizing a certain variety of PT Barnum-style self-promoter. This tradition has come under much-needed scrutiny in the past decade thanks to works such as Astounding by Alec Nevala-Lee and The Pleasant Profession of Robert A. Heinlein by Farrah Mendelsohn. Abraham Riesman’s True Believer is a welcome addition to this critical reckoning.

(5) SPOTTED IN GOTHAM. Did you know François Truffaut took the robot dog out of his film of Fahrenheit 451 because there was no technology for the dog? Well, that future has just about arrived: “NYPD Deploys ‘Creepy’ New Robot Dog In Manhattan Public Housing Complex” in Gothamist.

… The remote-controlled bot was made by Boston Dynamics, a robotics company famous for its viral videos of machines dancing and running with human-like dexterity. (Versions of “Spot,” as the mechanical dog is known, can open doors, and are strong enough to help tow an 18-wheeler.)

Since October, the NYPD has dispatched the robot to a handful of crime scenes and hostage situations, raising fears of unwanted surveillance and questions about the department’s use of public dollars. The mobile dog, which comes equipped with automated sensors, lights, and cameras capable of collecting “limitless data,” is sold at a starting price of $74,000.

A spokesperson for the NYPD said the robot dog was on standby, but not used, during a domestic dispute at East 28th Street on Monday afternoon. After a man allegedly barricaded himself inside a room with a mother and her baby, officers showed up and convinced him to let them exit. The man was arrested for weapons possession, police said….

(6) MEDIA BIRTHDAY.

  • April 15, 1944 –On this day in 1944, The Monster Maker which was originally titled The Devil’s Apprentice premiered. It was directed by Sam Newfield and produced from a script written by by Sigmund Neufeld which was by Lawrence Williams, Pierre Gendron and Martin Mooney. It starred J. Carrol Naish, Talla Birell, Wanda McKay and Ralph Morgan. It was almost completely ignored by critics at the time and it currently holds an extremely low five percent rating on Rotten Tomatoes among audience reviewers. You can see it here.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born April 15, 1452 – Leonardo da Vinci.  One of our greatest neighbors.  Among his many drawings were things that could almost be made then; dreaming them up, and depicting them, took imagination very much like SF authors’ and illustrators’.  Here is a 500th-anniversary exhibit I made for Dublin 2019 the 77th Worldcon with high-tech graphics wizard Elizabeth Klein-Lebbink (shown as it appeared at Loscon XLVI later; scroll down past Rotsler Award photos).  (Died 1519) [JH]
  • Born April 15, 1908 – Howard Browne.  Edited Amazing and Fantastic; five novels, a dozen shorter stories for us, some under other names; also detective fiction; films, television.  More here.  (Died 1999) [JH]
  • Born April 15, 1933 — Elizabeth Montgomery. She’s best remembered as Samantha Stephens on Bewitched. Other genre roles included being Lili in One Step Beyond’s “The Death Waltz” which you can watch here. She also had on every-offs in The Twilight Zone, Alfred Hitchcock Presents, and voicing a Barmaid in the “Showdown” episode of Batman: The Animated Series. (Died 1995.) (CE)
  • Born April 15, 1937 —  Thomas F. Sutton. Comic book artist who’s best known for his contributions to Marvel Comics and  Warren Publishing’s line of black-and-white horror magazines. He’s particularly known as the first artist of the Vampirella series. He illustrated “Vampirella of Draculona”, the first story which was written by Forrest J Ackerman. (Died 2002.) (CE)
  • Born April 15, 1938 – Unipán Helga, age 83.  (Personal name last, Hungarian style.)  Designed more than a hundred twenty books, many ours.  Here is The Antics of Robi Robot (in Romanian).  Here is an interior from the Jun 73 Korunk (“Our Age”).   Here is Orthopedic Hat.  Here is The Vicissitudes of a Brave Mouse.  Here is Calendar of Nature.  [JH]
  • Born April 15, 1941 – Mal Dean.  Six covers, twoscore interiors for us.  Particularly associated with Michael Moorcock and the graphic-art Jerry Cornelius.  Here is the Jun 69 New Worlds.  Here is “The Duke of Queens duels Lord Shark the Unknown” illustrating MM’s “White Stars”.  Here is the Nov 75 – Jan 76 Other Times.  Outside our field, jazz trumpeter & bandleader, illustrator; cartoonist.  Here is a posthumous artbook.  (Died 1974) [JH]
  • Born April 15, 1949 – Tim Bolgeo.  Uncle Timmy chaired LibertyCons 1-25, Chattacons 7-11.  Fan Guest of Honor at Con*Stellation III (not this one), DeepSouthCon 43, StellarCon 33, LibertyCon 32.  Four decades a fixture in fandom.  (Died 2019) [JH]
  • Born April 15, 1949 —  Sharan Newman, 72. Author of the most excellent Guinevere trilogy (Guinevere, Chessboard Queen and Guinevere Evermore), a superb reinterpretation of the Arthurian saga . They’re available at the usual digital suspects as is her superb Catherine LeVendeur medieval mystery series. Alas her SF short stories are not. (CE) 
  • Born April 15, 1966 – Cressida Crowell, age 56.  A dozen novels, particularly about How to Train Your Dragon (eleven million copies sold) and The Wizards of Once.  Illustrates many of her own books.  Blue Peter Book Award.  “Children are surrounded by adults who are VERY BOSSY.  They might not always mean to be bossy, and they have the best of intentions, but still.”  [JH]
  • Born April 15, 1974 — Jim C. Hines, 47. Winner at Chicon 7 of the Best Fan Writer Hugo. Author of the Goblin Quest series which I’ve read at least two of and enjoyed. Same for his Magic ex Libris series. Yeah more popcorn reading. (CE) 
  • Born April 15, 1990 — Emma Watson, 31. Hermione Granger in the Harry Potter film franchise which lasted an entire decade. She was Belle in Disney’s Beauty and the Beast, and the voice of Prince Pea in The Tale of Despereaux. (CE) 
  • Born April 15, 1997 — Maisie Williams, 24. She made her professional acting debut as Arya Stark of Winterfell in Game of Thrones. She was Ashildr, a Viking woman of unique skills, the principal character of “The Girl Who Died”, during the time of Twelfth Doctor who would be back several times more. She was Wolfsbane in the Marvel film New Mutants. (CE) 

(8) COMICS SECTION.

(9) CLARION CALLS. The Clarion Science Fiction and Fantasy Writers’ Workshop, organized by the Arthur C. Clarke Center for Human Imagination at UC San Diego, is hosting the Winter Writers Series, a monthly series of conversations between Clarion alumni and instructors about the art of speculative fiction and their writing careers. These conversations, co-hosted by Mysterious Galaxy Bookstore, are presented via Zoom Webinars and are free and open to the public. Each conversation will include time for Q&A with the audience. The next is —

Speculative Horror

April 21, 2021, 5pm PT / 8pm ET (register here)

Join us for a conversation about ins and outs of writing modern horror with three astounding writers and Clarion alumni/instructors who terrify and unsettle us.

Jeffrey Ford is the author of the novels The Physiognomy, The Girl in the Glass, The Portrait of Mrs. Charbuque, The Shadow Year, The Twilight Pariah, and Ahab’s Return. His story collections are The Fantasy Writer’s Assistant, The Empire of Ice Cream, The Drowned Life, Crackpot Palace, and A Natural History of Hell.

Victor LaValle is the author of the short story collection Slapboxing with Jesus, four novels, The Ecstatic, Big Machine, The Devil in Silver, and The Changeling and two novellas, Lucretia and the Kroons and The Ballad of Black Tom. He is also the creator and writer of a comic book Victor LaValle’s DESTROYER. He has been the recipient of numerous awards including the World Fantasy Award, British World Fantasy Award, Bram Stoker Award, Whiting Writers’ Award, a Guggenheim Fellowship, Shirley Jackson Award, American Book Award, and the key to Southeast Queens. He was raised in Queens, New York. He now lives in Washington Heights with his wife and kids. He teaches at Columbia University.

Sam J. Miller is the Nebula-Award-winning author of The Art of Starving (an NPR best of the year) and Blackfish City (a best book of the year for Vulture, The Washington Post, Barnes & Noble, and more – and a “Must Read” in Entertainment Weekly and O: The Oprah Winfrey Magazine). A recipient of the Shirley Jackson Award and a graduate of the Clarion Writers’ Workshop, Sam’s work has been nominated for the World Fantasy, Theodore Sturgeon, John W. Campbell and Locus Awards, and reprinted in dozens of anthologies. A community organizer by day, he lives in New York City. His latest novel is The Blade Between.

(10) LEEDS LIBRARY ARTICLE ON E.R. EDDISON. The Secret Library / Leeds Libraries Heritage Blog profiles the author in “Novels That Shaped Our World: Life, Death and Other Worlds”.

…In 1922 he published his first and most notable fantasy work, The Worm Ouroboros. The Worm, a serpent or snake, derived from the old Norse, ormr. This he followed with three volumes set in the imaginary world first observed by the Lords Juss and Brandoch Daha as they gaze from the top of great mountain, Koshstra Pevrarcha in The Worm, Zimiamvia, known as The Zimiamvian trilogy: Mistress of Mistresses (1935), A Fish Dinner in Memison (1941), and The Mezentian Gate (published posthumously in 1958). His Icelandic sagas were: Styrbiorn the Strong (1926) and his much admired translation of Egil’s Saga (1930).

In 1963 almost twenty years after Eddison’s death his late wife, Winifred Grace, and his close friend and literary executor, Sir George Rostrevor Hamilton deposited into the care of the special collections of the Leeds Central Library the vast majority of Eddison’s manuscript works….

(11) LIVE OCTOTHORPE. Big doings by John Coxon, Alison Scott and Liz Batty on the Octothorpe podcast.  Listen to Episode 29 here — “Ode to Badger”.

John is not Chris Garcia, Alison is full of beans, and Liz is T. S. Eliot. We handle letters of comment and then spend an hour talking about ConFusion in a BUMPER EPISODE.

You also are invited to join them for Octothorpe Live on 25 April – either join the Facebook group here or email them at [email protected] for the Zoom link!

(12) VIDEO OF THE DAY. “Zack Snyder’s Justice League/Trilogy” on YouTube is HBO Max’s repackaging of Man Of Steel, Batman v. Superman, and Zack Snyder’s Justice League into a trilogy.

[Thanks to Edd Vick, Bruce D. Arthurs, John King Tarpinian, Martin Morse Wooster, JJ, StephenfromOttawa, Cat Eldridge, James Davis Nicoll, Steven French, Michael Toman, John Hertz, Olav Rokne, Andrew Porter, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 2/16/21 We Seem To Be Living In A Golden Age Of Pixel Scroll Titles At The Moment

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(1) F&SF. The Magazine of Fantasy and Science Fiction’s Mar/Apr 2021 cover art is by Mondolithic Studios. Available at www.fandsf.com.

(2) MAKE READERS FEEL. Melinda Snodgrass has posted the text of her speech at the 2021 Life the Universe and Everything conference: “Tears That Speak”.

…When I sit down to write I am making an explicit promise to my reader or my viewer that I will not disappoint them. Now that isn’t a promise I will give them a happy ending (though Connie Willis and I absolutely agree that there is nothing wrong with a happy ending). What I’m promising is that I will give them an earned ending.

This is my reminder that if your story is based on one of these archetypes you best not complicate the story so much that you fail to meet those expectations by trying to be too clever by half, or trying to “redefine fiction or television” or whatever other grandiose notion one might have.

Which brings me to what for me is the most essential rule: Endings matter. In other words you have to “stick the landing”. This is a debate I’ve had with a certain famous fantasy author over many years. He claims that if you have a great journey you will be forgiven for punting the ending. I couldn’t disagree more. If you blow the ending it doesn’t matter how great the journey might have been. A bad ending will taint the entire work whether book or film.

I have my own personal example of this. The video game Mass Effect. It would probably go down as one if the not the greatest game in the history of the industry… but they blew the ending. I loved that game and the ride was amazing, but I cannot bring myself to replay it because I know that dreadful ending is waiting for me. And believe me, if I love a game I will replay it — numerous times — like Dragon Age: Origins….

(3) WAIT FOR IT. Futurism reads the social media tea leaves and concludes “’The Mandalorian’ Season 3 Cannot Release Until 2022”.

…So most of the titles on the [Disney+ preview kit] list are related to Marvel, and the only ones pertaining to Star Wars are the shows about Boba Fett and the Bad Batch (the former being live-action and the latter being animated). With The Mandalorian absent from this list, it appears that the show will not come back in 2021, but rather 2022. 

…Disney+ wants to be sure that it has subscribers for as long of a period of time as possible. If The Mandalorian season 3 were to come out in 2022, perhaps even right after The Book of Boba Fett has its season finale, then that would give fans a reason to stick around and stay subscribed for a couple more months. This strategy would be similar to what happened recently on CBS All-Access, where the new Star Trek animated series Lower Decks aired its first season and was immediately followed by season 3 of Star Trek: Discovery. It is a strategy that makes a lot of financial sense. The people making the shows try to tell really good stories, but the business side also has to be taken into account in order to sustain the platform that hosts these shows.

(4) PEAK INVENTIVENESS. A novel by S. B. Divya gets the group’s attention in “Hugo Book Club Blog: The Humanity Of Machinehood”.

…One of the recurring themes explored in the book — and one of the reasons it should be considered for the Prometheus Award — is the relationship between government services, the private sector, and do-it-yourself culture. As an example, those wanting to go to space do so through the participation of voluntary hobbyist rocket-ship clubs, while health care is allocated through a system of micro-auctions. Pharmaceuticals are often printed at home with some government oversight, but pill designs come from both giant corporations and from hobbyists. None of these details are delivered by way of polemic, but rather flow naturally within the story.

In such a setting, the most powerful actors seem to be religions, in part because of the unassailable sway they have over their followers. Without giving too much away, there are philosophical aspects to a religion of Neo-Budhism that provide incredible motivations to some of the religion’s adherents. Religion thus is shown to be a tool to navigate and instigate change….

(5) PRIME POHL. Fanac.org has posted recording of a 1963 interview of Frederik Pohl conducted by Fred Lerner: “Science Fiction as Social Criticism” at YouTube.

Frederik Pohl fields questions on everything from how science fiction covers race relations to religion and advertising in this 1963 audio interview (presented with illustrative pictures). Fred Lerner, noted librarian, bibliographer and historian, was just 18 when he interviewed Frederik Pohl, both a professional science fiction writer of long standing, and one of the earliest science fiction fans. 

At the time of the interview, in addition to writing, Fred Pohl was editing prominent SF magazines and original anthologies. In this recording, listen for the discussion of his “Space Merchants” to predictions about the advertising industry, his views on fantasy vs science fiction, comments on the best fiction of the period, and even a whiff of “fans are slans”. This thoughtful interview provides not only a perspective on a major author in the field, but on a major editor. It’s worth noting that this is the second interview Pohl did that day. Interviewer Fred Lerner tells us that “the recording engineer was so interested in what Pohl had to say that he forgot to turn on the recorder. Fred Pohl was gracious – and patient – enough to repeat the interview!”

(6) MEDIA BIRTHDAY.

  • February 16, 1967 — On the day in 1967, Star Trek’s “Space Seed” premiered on NBC. Written by Gene L. Coon and Carey Wilber, it was directed by Marc Daniels. It guest starred Ricardo Montalbán as Khan Noonien Singh who would repeat this role in Star Trek II: The Wrath of Khan which would be nominated for a Hugo. Benedict Cumberbatch later portrayed Khan in Star Trek Into Darkness. (CE)

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born February 16, 1878 – Pamela Colman Smith.  Drew the 78 cards of the Waite-Smith Tarot deck in six months, a remarkable achievement in fantastic art.  Two books of Jamaican folklore; here is Annacy Stories (spelled Anansi in e.g. the Niven-Barnes book).  Illustrated Yeats and Stoker.  World War I charity work.  Theater programs and illustrations; here is an image from Scheherazade; here is Sir Henry Irving as Cardinal Wolsey in Shakespeare’s Henry VIII.  (Died 1951) [JH]
  • Born February 16, 1922 – Rusty Hevelin.  Fan Guest of Honor at Denvention Two the 39th Worldcon; Fan GoH and Toastmaster at so many SF cons that everyone (including RH) lost count.  U.S. Marine in World War II.  Antioch College man (as am I); dated Coretta Scott.  DUFF (Down Under Fan Find) delegate.  Fantascience Digest (with Bob Madle).  Dealer, mostly of prozines, at and after Baycon the 26th Worldcon (there have been various other Baycons); instrumental in Pulpcon for thirty years.  Moskowitz Archive Award (for collecting); his collection went to Univ. Iowa.  Big Heart (our highest service award).  First Fandom Hall of Fame.  Our Gracious Host’s appreciation here.  (Died 2011) [JH]
  • Born February 16, 1925 – Ed Emshwiller.  Over forty years one of our best and most frequent illustrators.  Five hundred forty covers, twelve hundred interiors.  Here is the Jun 51 Galaxy.  Here is Jack of Eagles.  Here is Prelude to Space.  Here is Have Space Suit, Will Travel.  Here is the Apr 60 F&SF.  Here is the Program Book for Chicon III the 20th Worldcon.  Here is The Collected Stories of Carol Emshwiller vol. 1 (his wife).  Five Hugos.  Artbooks Emshwiller: Infinity × Two, Dream Dance.  SF Hall of Fame.  (Died 1990) [JH]
  • Born February 16, 1938 – Chuck Crayne.  Long vital in Los Angeles fandom; earned its Evans-Freehafer Award (service).  Co-chaired Westercon 22 and L.A.Con the 30th Worldcon.  Co-founded the NASFiC (North America SF Con, since 1975 held when the Worldcon is overseas).  Official Arbiter of The Cult at least as often as George Scithers.  Our Gracious Host’s appreciation here.  (Died 2009) [JH]
  • Born February 16, 1951 — William Katt, 70. Ralph Hinkley, the lead of The Greatest American Hero. A series I know I watched and loved at the time.  In December 1975, he auditioned for the part of Luke Skywalker but didn’t get the role obviously. (CE) 
  • Born February 16, 1954 — Iain M. Banks. I’m certain I’ve read the entire Culture series even though I certainly didn’t read them in the order they were written. My favorites? Certainly The Hydrogen Sonata was bittersweet for being the last ever, Use of Weapons and the very first, Consider Phlebas are also my favs. And though not genre, I’m still going to make a plug for Raw Spirit: In Search of the Perfect Dram. It’s about single malt whisky, good food and his love of sports cars. (Died 2013.) (CE) 
  • Born February 16, 1953 — Mike Glyer, 68. I decide to let one of y’all give him Birthday greeting so let’s Paul Weimer do it: “I first became of the inestimate Mr. Glyer because of seeing his name in Locus, multiple times, for something called File 770. When I found it online and started to read the blog, I only stepped in the middle of a stream of decades long science fiction fandom that has been his pole star. Mr. Glyer’s fandom has been an inspiration and model for myself, and doubtless, many others. I am glad that I have helped in my own small way to help with the edifice of SF fandom that he has created and in a very real way, embodies. Although I still have not yet managed to meet him in person,  I am proud to call him a friend. Happy Birthday Mike!” (CE)
  • Born February 16, 1955 – A.C. Farley, age 66.  A score of covers, twoscore interiors (besides his work for Teenage Mutant Ninja Turtles).  Here is Retief to the Rescue.  Here is the Jan 89 Asimov’s.  Here is the Nov 90 Analog.  Here is Precious Cargo.  Here is the Oct 93 TMNT.  Here is his Website for Altered Earth Arts.  [JH]
  • Born February 16, 1957 — Ardwight Chamberlain, 64. The voice of Kosh on Babylon 5. And that tickles me as I don’t think they credited it during the series, did they? Most of his other voice work English dubbing versions of Japanese anime including Digimon: Digital Monsters and The Swiss Family Robinson: Flone of the Mysterious Island. (CE) 
  • Born February 16, 1964 — Christopher Eccleston, 57. The Ninth Doctor who’s my third favorite among the new ones behind David Tennant and Jodie Whittaker. Other genre work includes 28 Days Later, The Seeker, G.I. Joe: The Rise of Cobra, Thor: The Dark World, The Leftovers, The Second Coming and The Borrowers. He also played Macbeth at the Royal Shakespeare Theatre and the Barbican Theatre. (CE) 
  • Born February 16, 1968 — Warren Ellis, 53. I think Planetary is bloody brilliant as is Global Frequency and Transmetropolitan. His work on The Authority is not to be sniffed at either, nor should we overlook Iron Man: Extremis. He’s got two rather superb novels, Crooked Little Vein and Gun Machine, that are not genre but which if you like hardboiled detective fiction, I’ll strongly recommend both. (CE) 
  • Born February 16, 1969 – Jennifer Marie Brissett, age 52.  One novel, nine shorter stories; essay “Dear Ms. Butler” for Luminescent Threads.  Interviewed in Strange Horizons and Uncanny, two good descriptions for her novel Elysium; it won a Philip K. Dick Special Citation.  Has read Anna Karenina, The Makioka Sisters, Aeschylus’ Oresteia plays, Watership Down, Don Quixote, four by Wells, two each by Bradbury, Hemingway, Dumas.  [JH]

(8) COMICS SECTION.

  • xkcd uses Star Wars to explain the circular workings of a vaccine.

(9) A TRILOGY IS STILL IN THE CARDS. News items don’t get much shorter than this:

(10) DID YOU VOTE FOR HIM? James Davis Nicoll celebrates the U.S. holiday with “Five SF Tales of Presidential Peril” that are not jolly at all!

…When it comes to celebrating the legacies of fictional presidents, well… a system of checks and balances that works as designed doesn’t seem to make for a plot-friendly setting (although it must be reassuring to those who live under it). But authors are in no way limited by reality. They can tweak their settings in any way that makes for a thrilling adventure tale…and they have!….

(11) DO OVER. If the Doctor can’t change history, he can at least change his mind.“Sylvester McCoy says doubts about female Doctor were ‘stupid sexism’” the Guardian’s account based on a Radio Times interview.

The former Doctor Who star Sylvester McCoy has said his initial reservations about a female Doctor were due to “stupid sexism” and that he would like the role to be played next by a person of colour.

McCoy, who played the seventh incarnation of the doctor between 1987 and 1996, was quoted in 2015 as saying: “The Time Lord should never regenerate as a woman.”

He further dismissed the idea of a female Doctor, saying: “I’m sorry, but no – Doctor Who is a male character, just like James Bond. If they changed it to be politically correct, then it would ruin the dynamics between the Doctor and the assistant, which is a popular part of the show. I support feminism, but I’m not convinced by the cultural need of a female Doctor Who.”

But in a new interview for Radio Times, McCoy acknowledged that his initial reservations about the casting of Jodie Whittaker in the role were primarily motivated by sexist inclinations….

(12) VIDEO OF THE DAY. In “Honest Trailers:  Lilo & Stitch” on YouTube, the Screen Junkies say Stitch sounds “like a cross between Gollum and the Minions” and notes that Disney + changed the cover of a dryer Lilo plays in to a pizza box because they don’t want anyone to think they want kids to play in dryers.”

[Thanks to Michael Toman, Martin Morse Wooster, N., JJ, John King Tarpinian, Mike Kennedy, Andrew Porter, Olav Rokne, Cat Eldridge, and John Hertz for some of these stories. Meta title credit goes to File 770 contributing editor of the day Cliff.]

Pixel Scroll 1/26/21 When I Know Every Button On Galactus’ Planoform

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(1) ANOTHER YP PROJECT. James Davis Nicoll has set his Young People Read Old SFF panelists to work on a new series – “Young People Read Old Hugo Finalists.” And he’s looking for more contributors —

…This time I will exposing my youthful volunteers to the Hugo Finalists of Yore, specifically the finalists for Best Short Story, starting with a story from 19561! The Hugo Awards reward the best SFF of their time, as chosen by the members of WorldCons through the centuries. How much fun we will have discovering how effectively Hugo finalists have kept their luster!

If you are 30 years of age or younger and you would like to take part in this phase of Young People Read Old SFF, please send email to jdnicoll at panix dot com. If you are already a contributor to Young People, you are welcome to keep contributing regardless of age issues. After all, I let me post.

(2) GOOD TO THE LAST DRAGON. A trailer has dropped for Disney’s Raya and the Last Dragon, theaters and on Disney+ with Premier Access on March 5.

“Raya and the Last Dragon” takes us on an exciting, epic journey to the fantasy world of Kumandra, where humans and dragons lived together long ago in harmony. But when an evil force threatened the land, the dragons sacrificed themselves to save humanity. Now, 500 years later, that same evil has returned and it’s up to a lone warrior, Raya, to track down the legendary last dragon to restore the fractured land and its divided people. However, along her journey, she’ll learn that it’ll take more than a dragon to save the world—it’s going to take trust and teamwork as well.

(3) NOBODY HOME. In “The Best Books on Abandoned Places” at Five Books, Cal Flyn recommends novels by Jeff VanderMeer and J.G. Ballard for readers who like books about abandoned places.

…VanderMeer followed this up with Authority and Acceptance.

Yes. What’s interesting about the Southern Reach trilogy is that it doesn’t answer all the questions that it poses. You have to be quite willing to come away at the end still not quite certain what is going on. But I like that about it.

I made the mistake of taking Annihilation with me on a trip to Swona, an abandoned island off the north coast of Scotland, where I spent 24 hours alone and slept in an abandoned house. I’d travelled there in June, when the wildflowers were in bloom and the birds were breeding; I thought it would be nice to see it so full of life, and it was. But the ‘life’ was not pleased to see me. I was threatened by what we call bonxies – great skuas, big busty seabirds – and then dive-bombed and scratched by Arctic terns when I accidentally got too close to their colony.

Being there amid the abandoned houses, all in various states of dereliction, some with belongings still in the cupboards and one with the dining table still set, was very unsettling. Even though I knew myself to be safe, I just couldn’t relax. There were birds stamping around in the roof space of the house I stayed in overnight, which kept me awake. And my only reading matter was this, which definitely didn’t help. In the end I had to put it back in my rucksack and read a 1974 Readers Digest that I found in a cupboard, because it was making me far too jumpy to sleep.

(4) ON THEIR WAY TO THE FUTURE. The Edmonton crew is interviewed by Cora Buhlert — “Fanzine Spotlight: Hugo Book Club Blog”.

In the past twenty years, fanzines have increasingly moved online. What do you think the future of fanzines looks like?

Our book club includes librarians and former journalists, and even we are surprised by some of the changes in publishing technology. Who knows what will happen next? Perhaps blockchain-mediated identity verification will drive a new revolution in trustworthy news sources, and we’ll end up singing kumbaya in a unified and peaceful version of fandom. Perhaps the next generation of fans will be dealing with ink-and-paper fanzines delivered by a Kevin-Costner-on-horseback-based mail system. Or perhaps the singularity will happen and every fanzine that could ever exist will be beamed straight into your neuro-cortex.

(5) CLIMB EVERY MOUNTAIN. “Paramount+ teaser unites Star Trek, Beavis and Butt-Head, Dora & more” in the promo for the rebranded CBS All Access streaming service. SYFY Wire sets the frame:

It’s not every day that Spock and Captain Kirk get to go mountain climbing — let alone with a motley gang of questers that includes Beavis and Butt-Head and Dora the Explorer. But as CBS All Access gets ready to make the switch to the new Paramount+ streaming platform, the service is giving fans a fun reminder of all the cross-genre stars who’ll be making the big ascent together.

(6) ANOTHER NAME TO CONJURE WITH. After nearly 12 years on the air, Krypton Radio yesterday rebranded itself SCIFI.radio (“sci-fi dot radio”). Gene Turnbow says:

We’re the oldest and biggest scifi fandom radio station in the world now, with more than 100,000 listeners ever month in 183 countires around the world.

Gene Turnbow’s 2017 guest post “Krypton Radio: Music for the Geeking World” has much information about the project that is still relevant.

(7) BALTICON 55. The Baltimore Science Fiction Society made it official that their annual Balticon will remain virtual this year.

The Baltimore Science Fiction Society (BSFS) and Balticon look forward to once again holding in-person events when it is safe to do so, but the health of our membership, guests, and volunteer staff is our top priority. Accordingly, we will be holding Balticon 55 as an online event on May 28-31, 2021.

We apologize for the delay in this announcement. While we anticipated that the 2021 Balticon would be virtual, we needed to finalize key details with our host hotel regarding future Balticons before announcing this change.

We will continue to roll over previously-purchased memberships towards our next in-person Balticon. If you have any questions or need further membership information, please email Registration at [email protected].

While Virtual Balticon 55 will be a free online event, it does not come without cost to BSFS. Like last year, we will be launching a GoFundMe campaign with great swag at each giving level. As always, you can donate to BSFS and Balticon year-round through PayPal.

(8) ATTRACTED TO BANKS. In “The Culture War: Iain M. Banks’s Billionaire Fans” at Bloody Knife, Kurt Schiller theorizes about the author’s appeal to a pair of super-rich space enthusiasts.

…At times, reading or watching long-form fiction from someone to whom you are ideologically opposed can feel exhausting, draining, aggravating, and ultimately a bit futile—like being at a party where you simply don’t like anyone, don’t care about the discussions, and are annoyed at the food. There’s much to be gained by engaging with our rhetorical opponents… but, frankly, only up to a point.

What then are we to take from the distinct and quite public fascination of the two richest men in the world—Jeff Bezos and Elon Musk, together worth more than $375 billion—with the sci-fi works of Iain M. Banks, an avowedly socialist author who set his far-future fiction in what might best be described as a post-scarcity, anarcho-communist utopia; a world where your Bezoses and your Musks are not just irrelevant, but actively sought out and disempowered by a society comprised of property-less workers and all-caring, mostly-benevolent A.I.s?

…At first glance, it seems like exactly what you’re imagining when you hear the phrase “space opera,” and so of course two super-wealthy spaceflight-and-sci-fi aficionados would be fans, right? After all, both men own private spaceflight contractors (Musk’s SpaceX and Bezos’s Blue Origin) and speak often of mankind’s future among the stars, with Musk proposing a mission to Mars and Bezos pitching a return to the moon and other intrasystem exploration. Seeking the stars seems to be in their blood (assuming it hasn’t been completely replaced with Soylent and whatever nootropics billionaires get).

Both men have found ways to conspicuously show their fandom: Musk by naming SpaceX rockets after Banks’s tongue-in-cheek Culture ships (“Just Read The Instructions,” “Of Course I Still Love You”) and a “brain interface” loosely patterned after the Culture’s neural laces; Bezos by attempting to bankroll a big-budget TV series based on the books, although this latter effort was unceremoniously canceled after Banks’s estate abruptly backed out. (Probably a wise decision, given both the challenge of adapting the material and the absurdity of one of the most exploitative corporations in the world attempting to adapt proudly far-left sci-fi.)

(9) ARNOLD OBIT. Richard Arnold, Gene Roddenberry’s assistant and the Star Trek archivist, has died. He worked many conventions, including helping Showmasters at some of LA’s Doctor Who-themed Gallifrey One conventions.  

(10) MEDIA BIRTHDAY.

  • January 26, 1967 — On this date in 1967, Star Trek’s “Tomorrow Is Yesterday” first aired on NBC. Written by D. C. Fontana and directed by Michael O’Herlihy, It was nineteenth episode of the first season. It was not nominated for a Hugo the following year when five episodes of the series were. A nifty time travel episode, the slingshot trick used here would later be used in the season two “Assignment: Earth” episode and The Voyage Home film as well. Later reviewers really liked it. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born January 26, 1923 — Anne Jeffreys. Her first role in our end of things was as a young woman on the early Forties film Tarzan’s New York Adventure. She’s Jean Le Danse (note the name) around the same time in the comedy Zombies on Broadway (film geeks here — is this the earliest zombie film?). And no, I’ve not forgotten she had the lead role as Marion Kerby in the Topper series. She also had one-offs in The Man from U.N.C.L.E., Fantasy Island and Battlestar Galactica. (Died 2017.) (CE)
  • Born January 26, 1926 – Jean-François Jamoul.  Essays and covers for Fiction, Galaxie, Univers.  I’ve not found his writing in English, but here is the Jul 71 Galaxie; here is the May 72; here is one from the 3rd trimester 1973; here is the Apr 79 Fiction.  Here is the back cover for Joy Division’s record Licht und Blindheit (Side A “Atmosphere”, Side B “Dead Souls”).  (Died 2002) [JH]
  • Born January 26, 1928 — Roger Vadim. Director, Barbarbella with Jane Fonda in a leather bikini. That alone gets a Birthday Honor. But he was one of three directors of Spirits of the Dead, a horror anthology film. (Louis Malle and Federico Fellini were the others.) And not to stop there, he directed another horror film, Blood and Roses (Et mourir de plaisir) and even was involved in The Hitchhiker horror anthology series. And Don Juan, or If Don Juan Were a Woman is at least genre adjacent… (Died 2000.) (CE)
  • Born January 26, 1918 — Philip José Farmer. I know I’ve read at least the first three Riverworld novels (To Your Scattered Bodies Go, The Fabulous Riverboat and The Dark Design) but I’ll be damned if I recognize the latter ones. Great novels those first three are. And I’ll admit that I’m not familiar at all with the World of Tiers or Dayworld series. I’m sure someone here has read them.  I do remember his Doc Savage novel Escape from Loki as being a highly entertaining read, and I see he’s done a number of Tarzan novels as well.  (Died 2009.) (CE) 
  • Born January 26, 1929 — Jules Feiffer, 92. On the Birthday list as he’s the illustrator of The Phantom Tollbooth. Well and that he’s also illustrated Eisner’s Spirit which helped get him into the Comic Book Hall of Fame. Let’s not overlook that he wrote The Great Comic Book Heroes in the Sixties which made it the first history of the superheroes of the late Thirties and Forties and their creators. (CE) 
  • Born January 26, 1943 – Judy-Lynn del Rey, F.N.  Spectacular editor for Galaxy, If, Ballantine, and after marrying Lester del Rey, her own line Del Rey Books.  Skylark Award.  Fellow of NESFA (New England SF Ass’n; service).  Seven Stellar SF anthologies plus one Stellar Short Novels.  Interviewed by Bill Rotsler for Vertex.  P.K. Dick called her a master craftsman (the suffx -man is not masculine) and “the best editor I’ve ever worked with”.  She left us a few months before ConFederation the 44th Worldcon; she had won a Hugo as Best Professional Editor, but Lester declined it on her behalf, saying she would have objected to an award’s being given her just because she had recently died. (Died 1986) [JH]
  • Born January 26, 1952 – Dwight Decker, age 69.  Four novels, nine shorter stories.  Active in comics fandom; translator for Fantagraphics and Gladstone.  Did an Elfquest Gatherium with the Pinis.  Correspondent of NY Review of SF, Riverside Quarterly, SF Review.  Fanzine Torch.  [JH]
  • Born January 26, 1960 – Dave Bara, age 61.  Half a dozen novels, four shorter stories.  “If you let your mind wander, inspiration will find you.”  [JH]
  • Born January 26, 1960 — Stephen Cox, 61. Pop culture writer who has written a number of books on genre subjects including The Munchkins Remember: The Wizard of Oz and Beyond, The Addams Chronicles: Everything You Ever Wanted to Know about the Addams Family, Dreaming of Jeannie: TV’s Primetime in a Bottle and The Munsters: A Trip Down Mockingbird Lane. I’ll admit to being puzzled by his Cooking in Oz  that he did with Elaine Willingham as I really, really don’t remember that much for food in the Oz books… (CE)
  • Born January 26, 1974 – Shannon Hale, age 47.  A dozen novels, as many shorter stories, for us, some with husband Dean Hale; thirty novels all told.  Newbery Honor.  Josette Frank Award, Whitney Award, Cybils Award.  Three NY Times Best Sellers.  Keeps all her rejection letters, so far a sixty-foot scroll.  Has read Moby-Dick, Les Misérables, A Tale of Two Cities, Huckleberry Finn, One Hundred Years of Solitude.  [JH]
  • Born January 26, 1979 — Yoon Ha Lee, 42. Best known for his Machineries of Empire space opera novels and his best excellent short fiction. His first novel, Ninefox Gambit, won a Locus Award for Best First Novel. Dragon Pearl would win a Locus Award for Best Young Adult Novel. (CE) 
  • Born January 26, 1986 – Brian McClellan, age 35.  Eight novels, a dozen shorter stories.  Morningstar Award.  Lives on the side of a mountain in Utah.  [JH]

(12) COMICS SECTION.

(13) TREK REUNION. They’re making another short together, though not playing their TOS characters. Heavy.com has the details: “Nichelle Nichols & Walter Koenig Star in ‘Star Trek’ Film”.

Two cast members of the Star Trek: The Original Series are teaming up with another Star Trek legend to create an epic new sci-fi adventure. Nichelle Nichols, known to fans as Lieutenant Uhura, and Walter Koenig, also known as Pavel Chekov, will co-star in the upcoming short film Star Trek Renegades Ominara. The film is directed by another Trek actor, Tim Russ, who fans know as Tuvok from Star Trek: Voyager.

The short is a follow-up to two previous fan films in the Star Trek: Renegades series. The series was set 10 years after Voyager’s return to Earth. Koenig reprised his role as Pavel Chekov and co-starred with Russ, who reprised his role as Tuvok. Russ also directed both shorts.

Though Koenig starred as Admiral Chekov in the previous shorts in the Renegades series, he will not be reprising that role in the new film. Additionally, Nichols will not be appearing as Uhura.

(14) BABY T.REX FOUND. An exciting development in paleontology was announced yesterday, giving a clearer picture at the lives of one of the most iconic dinosaurs. “Scientists unearth first baby tyrannosaur fossils ever found” in the University of Alberta Folio.

“Tyrannosaurs are represented by dozens of skeletons and thousands of isolated bones or partial skeletons,” said Mark Powers, second author on the study and PhD student in the Department of Biological Sciences. “But despite this wealth of data for tyrannosaur biology, the smallest identifiable individuals are aged three to four years old, much larger than when they would have hatched. No tyrannosaur eggs or embryos have been found even after 150 years of searching—until now.”

(15) VOTE FOR THE FINAL MEMBER OF THE X-MEN. The first-ever X-Men election is here! The fate of the X-Men is in YOUR hands. Vote at marvel.com/xmenvote starting January 27 until February 2 to determine the final member of the first X-Men team of the Krakoan era – and one of the most iconic teams in the Marvel Universe.

 As revealed in X-MEN #16, Cyclops and Jean Grey shared the need for a new X-Men team to protect the mutant nation of Krakoa and fight on mutantkind’s behalf. A number of nominations have been accepted since then…but the last member of the X-Men is now in YOUR hands!

 X-Men Ballot Nominations include:

  1. Banshee
  2. Polaris
  3. Forge
  4. Boom-Boom
  5. Tempo
  6. Cannonball
  7. Sunspot
  8. Strong Guy
  9. Marrow
  10. Armor

Election results, along with the full X-Men team, will be unveiled during the Hellfire Gala in Marvel comics this June.

[Thanks to JJ, Martin Morse Wooster, Olav Rokne, Andrew Porter, Cat Eldridge, Michael Toman, John Hertz, Mike Kennedy, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel “Model of a Modern” Dern.]

Pixel Scroll 12/15/20 All These Pixels Are Yours. Except Europa. Attempt No Scrolling There

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(1) INTRODUCING BUTLER TO NEW READERS. Elizabeth Connor describes the work of “repackaging the Patternist Series for the Mother of Afrofuturism” in “How to Give Octavia Butler the Covers She Deserves” at Literary Hub.

…After some back and forth—and plenty of discussion with the editor acting as mediator—we determined that by elegant, they likely meant more stylized human forms in more sophisticated poses, as well as a textural or brushy quality to the art (as there had been on the Parable books), that lent an air of being hand-drawn rather than machine-made. As for dynamic, we soon understood that the symmetry of the earliest comps was what the agent and estate were reacting against. By simply breaking the vertical axis and giving each cover a certain degree of asymmetry—even as the figures revolved around a central “moon” shape that remained static—they felt much more alive. The designer came back with revisions and, in relatively quick succession, Wild Seed and Mind of My Mind had approved covers…

(2) DIFFERENT WISDOM. At the SFWA Blog, Sunny Moraine says “Explicit Sex Scenes and the Work of Stories” are far from mutually exclusive.

The origins of this piece lie in an annoyed Twitter thread I posted, in response to a tweet (possibly joking, I don’t know) to the effect of “movies shouldn’t have sex scenes in them, we’re past that now”. 

The origins of my annoyance go back a lot further. 

I’ve been writing explicit sex pretty much since I began writing. Like many of us, I got my start in fanfiction, and while fanfiction’s reputation for being heavily smut-focused isn’t entirely deserved, it isn’t entirely undeserved, either. Which is rather the point, because given that I started out writing a lot of explicit sex, I learned quite early just how much story-work one can do with a well-written sex scene. Especially a very explicit one, without a judicious fade-to-black or Vaseline on the camera lens. 

I want to be clear about something: I am not claiming ultimate authority over what a “good” sex scene consists of. Sex scenes, like sex itself, are highly subjective and personal, and different people will find that different things resonate. 

That said, my opinion is that a good sex scene is usually sexy, and one of the best ways to be sexy is to go deep into not only the physical descriptions of what’s happening, but also what’s going through these characters’ heads as they’re doing the sex. 

Which is one of the places where we get into the work explicit sex can do in a story, and in a way really no other kind of scene can manage in precisely this way….

(3) GETTING THE WORD OUT AND THE DOLLARS IN. James Van Pelt shares “The Frustrations (and the Surprising Successes) of Marketing Your Book” at Black Gate.

…Marketing is easy. Effective marketing that actually sells books, however, is hard. My son works for Facebook, so he helped me with an advertising campaign on the platform. We had a $250 budget for one of my collections, The Experience Arcade and Other Stories. One of the ads reached 1,900 readers. 103 people clicked on it. We did sell books, but not enough to pay back our investment. We found the same pattern to be true on the other books we promoted on Facebook….

(4) ON THE PINNACLE. The Hugo Book Club Blog surveys the top sff awards and why they are in “The Award For Best Award”.

… There are in fact enough award systems to warrant the effort of analysis to help decide which awards are worth paying attention to. Of course, dichotomous and divisive “success or failure” judgments are less useful than comparing how they’re organized and speculating about what might contribute to a robust and respected award. Examining the growing pains of recently created awards and thinking about why several smaller awards have managed to establish long-term relevance can also be helpful….

(5) SFRA. The Fall 2020 issue of the Science Fiction Research Association’s SFRA Review is available to download. Many articles and reviews, including an update from Rachel Cordasco about SF in Translation.

(6) WITH OR WITHOUT CHIPS. “’Scenarios of disruption’: Sci-fi writers asked to help guard France” – Australia’s The Age has the story,

Attacks from floating pirate states and hackers on soldiers with neural implants are just two scenarios dreamed up by a “Red Team” of 10 leading science fiction writers tasked with helping the French army anticipate future threats to national security.

“Astonish us, shake us up, take us out of our habits and comfort zone,” Florence Parly, the French defence minister, told the writers at a Defence Innovation Forum this month.

Many of the “scenarios of disruption” that they have been asked to imagine to challenge military planners are to remain top secret to avoid giving ideas to potential enemies. They were asked to stick to potential threats between 2030 and 2060….

(7) SWATTING A NEW FIREFLY. [Item by Olav Rokne.] One for the “wishful thinking” file. Questionably sourced rumors are bouncing around the internet about a Disney+ Firefly reboot. As much as I would love to believe this, I gotta express significant skepticism.  Adam Whitehead does a pretty good job of analyzing why this rumour likely ain’t true at The Wertzone: “RUMOUR: FIREFLY reboot under consideration for Disney+”.

… I find this rumour dubious for multiple reasons. The first is that Firefly‘s fanbase remains, despite the passage of almost twenty years, both voluble and passionate. Rebooting the show from scratch and dropping the previous actors and continuity would go down very badly. The second is that Firefly‘s universe was designed from scratch to be slightly more morally murky and complex, and that’s part of the show’s appeal. Making it more PG (or PG-13, if you’re in the USA) seems pointless. …

(8) NEW ALLEGATION AGAINST FLEGAL. Artist Sovereign has attached a three-page statement to her tweet: “Trigger warning: Sexual harassment / 1FW. I am speaking up about the harassment I received from Sam Flegal of One Fantastic Week. I’ve been quiet long enough and there are too many that still deserve an apology.”

(9) SEPTEMBER SONG. The date for a Chicago pulp collectors’ event is sliding later in 2021: “Windy City Pulp and Paper Convention Announces Rescheduled 2021 Dates of September 9 – 12, 2021”. Full details at the link. Doug Ellis begins —

As 2020 draws to a close, we’re feeling pretty confident that we will be able to hold our show in 2021.  However, given the current status of the COVID-19 pandemic and the timing on the various vaccines, we became increasingly concerned that it would not be feasible or prudent to hold our show as originally scheduled from April 15-18, 2021.

We can now announce that we’ve reached an agreement with our hotel (the Westin Lombard Yorktown Center in Lombard, Illinois) to reschedule the convention to September 9-12, 2021. The location of the convention remains the same….

(10) MEDIA ANNIVERSARY

1984 — The Winter 1984 issue of the Missouri Review which was undated had Ursula K. Le Guin’s “The Trouble with the Cotton People”, the very first of her Kesh stories that would become part of her Always Coming Home novel which was first published by Harper & Row the following year. Nominated for the Mythopoetic Fantasy Award, it would lose out to Barry Hugart’s Bridge of Birds. Library of America published the Always Coming Home: Author’s Expanded Edition last year. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born December 15, 1923 — Freeman Dyson. Physicist best known in genre circles for the concept he theorized of a Dyson Sphere which would be built by a sufficiently technologically advanced species around a sun to harvest all solar energy. He credited Olaf Stapledon in Star Maker (1937), in which he described “every solar system… surrounded by a gauze of light traps, which focused the escaping solar energy for intelligent use” with first coming up with the concept. (Died 2020.) (CE) 
  • Born December 15, 1935 – Alma Jo Williams.  Five dozen reviews in SF Review.  Raised horses; earned a washin-ryu black belt; forty years at Cornell in the Baker Institute for Animal Health.  Of the 1984 Dune movie she said “The photography is gorgeous, the music appropriate, the special effects … well integrated….  The metamorphosed Guild navigators are laughable….  the evil of the Harkonnens was caricatured…. Only Sting, as Feyd, projected … subtle nastiness”.  (Died 2010) [JH]
  • Born December 15, 1937 — John Sladek. Weird and ambitious would be ways to describe his work. The Complete Roderick Is quite amazing as is Tik-Tok which won a BSFA and Bugs as well. He did amazing amounts of short fiction, much of which is collected finally in the ironically named Maps: The Uncollected John Sladek. (Died 2000.) (CE) 
  • Born December 15, 1944 – Ru Emerson, age 76.  Two dozen novels, a dozen shorter stories.  Under another name she has two recipes in Serve It Forth.  Sings, plays guitar, flies stunt kites, a little Irish hardshoe.  [JH]
  • Born December 15, 1944 – John Guidry, age 76.  Chaired DeepSouthCon 9 & 11, Nolacon II the 46th Worldcon.  Founded ERB-apa (Edgar Rice Burroughs fans).  Rebel Award.  Fan Guest of Honor at DSC 53.  [JH]
  • Born December 15, 1945 – Steve Vertlieb, age 75.  Often seen here.  Mr. James H. Burns gave him this tribute on his 70th, with photos and links.  [JH]
  • Born December 15, 1951 — David Bischoff. He actually started his career writing out for Perry Rhodan. His “Tin Woodman” which was written with Dennis Bailey and nominated for a Nebula would be adapted into a Next Generation story, and he’s continued the Bill the Galactic Hero story with Harry Harrison.  He’s also written a kickass excellent Farscape novel, Ship of Ghosts. (Died 2018.) (CE) 
  • Born December 15, 1953  — Robert Charles Wilson, 67. He won the Hugo Award for Best Novel for Spin, a John W. Campbell Memorial Award for The Chronoliths, a Theodore Sturgeon Memorial Award  for the novelette “The Cartesian Theater” and Prix Aurora Awards for the novels Blind Lake and Darwinia. Impressive indeed. He also garnered a Philip K. Dick Award for Mysterium. (CE) 
  • Born December 15, 1953 – J.M. DeMatteis, age 67.  Like many comics stars, has done substantial work for both DC and Marvel, including television.  Eisner Award.  Wrote Abadazad for CrossGen, then when Disney acquired it, three Abadazad books.  One novel.  One album from his years as a musician.  [JH]
  • Born December 15, 1954 — Alex Cox, 66. Ahhh the Director who back in the early Eighties gave us Repo Man. And did you know that he got a co-writer credit for the screenplay of Fear and Loathing in Las Vegas before it was completely rewritten by Gilliam? And as we know he directed a student film version of Harry Harrison’s Bill, the Galactic Hero at University of Colorado Boulder just a few years ago! (CE) 
  • Born December 15, 1958 – Leslie Smith, age 62.  Co-chaired Ditto 7 (fanziners’ con; named for a brand of spirit-duplicator machine).  Fanzine, Duprass (see Cat’s Cradle) with Linda Bushyager.  [JH]
  • Born December 15, 1981 — Krysten Ritter, 39. She played Jessica Jones on the series of that name and was in The Defenders as well. She had a recurring role in the Veronica Mars series which a lot of a lot is us adore (it’s one of the series that Charles de Lint and his wife MaryAnn Hartis are avid followers of, and they contributed to the film Kickstarter) and I supposed it’s sort of genre adjacent, isn’t it? (Do not analyze that sentence.) She’s been in a number of horror flicks as well, but nothing I groked.  (CE)
  • Born December 15, 1982 — Charlie Cox, 38. He played the role of Matt Murdock / Daredevil in Netflix’s Daredevil and The Defenders, was Tristan Thorn Thorn in Stardust based off the Gaiman novel and Dennis Bridger in the remake of A for Andromeda. (CE)

(12) SF AND WORKERS’ RIGHTS. FutureCon will stream a panel about “Capitalism and workers’ rights on Science Fiction” on Saturday, December 19 at 12 p.m. (noon US Eastern Time). Participants will be Alec Nevala-Lee (USA), Alexey Dodsworth, (Brazil) Fabio Fernandes (Brazil, host), Jorge Baradit (Chile), Marie Vibbert (USA), and Olav Rokne (Canada).

(13) PAWS IN THE ACTION. Sean D talks about a “gorgeous novella” at Nerds of a Feather: “Microreview [Book]: When the Tiger Came Down the Mountain by Nghi Vo”.

It’s hard to pen a story in which the lines are blurred but the narrative is always clear. Ambiguity and warring perspectives can hurricane into incomprehensible pandemonium. However, When the Tiger Came Down the Mountain manages to have characters who not only inhabit both the bodies of animals and humans, but have characters performing oral storytelling that’s just as fluid. What kept me engaged wasn’t rigidity and linearity, but a narrative voice that always had control with a grip greater than any rigidity….

(14) A SFF LOOK AT POLICING. No Police = Know Future edited by James Beamon is available in both print and electronic formats from publisher Amazing Stories and online book outlets.

When the concept of defunding the police (a concept we believe really means re-examining and reforming the concept of policing), arose during this year’s protests, we saw a perfect opportunity to put those beliefs into practice.

James Beamon, our editor, put it this way in his solicitation:

“After the brutal murder of George Floyd by the police, the world responded in righteous protest, with cries of “Black Lives Matter.” The police responded to these calls in large part with even more brutality, with video after video emerging that showed an assault on the public. And more cries came forth, with calls to defund the police.

But what’s that mean?

Science Fiction writers, this is your call to arms. Give us your potential (and hopefully positive) futures that involve alternatives to modern day policing. We want stories that replace the police entirely, dramatically reform them, or create parallel systems to refocus policing. We’re also seeking alternate concepts of rehabilitation and punishment as well, more emphasis on the carrot. In a world where police are perpetually brandishing their batons, I think we’ve all seen enough sticks.”

The stories collected in this volume –

  • Ryan Priest – Pro Bono Detectives
  • Lettie Prell – Justice Systems in Quantum Parallel Probabilities
  • Jared Oliver Adams – All the Mister Rogerses From Bethel A.M.E.
  • P.T. MacKim – Well Regulated
  • Minister Faust – Freeze Police
  • Stewart C. Baker – Maricourt’s Waters Quiet and Deep
  • Ira Naymen – When the Call Comes In
  • Holly Schofield – One Bad Apple
  • Brontë Christopher Wieland – Apogee, Effigy, Storm
  • Jewelle Gomez – A More Perfect Union
  • Anatoly Belilovsky – Tax Day

(15) IN GENERAL. Paul Weimer finds much to like here: “Microreview [book]: Machine by Elizabeth Bear” at Nerds of a Feather.

… Bear calls out in the acknowledgements the inspiration for Core General that was to me delightfully obvious but perhaps newer readers to SF might not be aware of. James White’s Sector General stories and novels describe the adventures of a hospital in space, and Bear’s Core General is clearly a spiritual successor and heir to White’s ideas. Bear of course brings her own sensibilities and ideas to a Hospital in Space but the bones of the homage are there, and the social mores and ideas of White’s novels are updated for modern sensibilities.  This is also done a bit explicitly within the novel itself, as corpsicles found on Big Rock Candy Mountain have some rather archaic, primitive, frankly offensive and un-Synarchy-like ideas about many things. There is a culture clash and some real conflict between Jens and the rest of the Synarchy with Helen, the AI of Big Rock Candy Mountain, and the crew of the ship that they manage to unfreeze and revive….

(16) THE NEXT RIGHT STUFF. “NASA Names Artemis Team of Astronauts Eligible for Early Moon Missions” – the names and brief bios are at the link.

NASA has selected 18 astronauts from its corps to form the Artemis Team and help pave the way for the next astronaut missions on and around the Moon as part of the Artemis program.

…The astronauts on the Artemis Team come from a diverse range of backgrounds, expertise, and experience. The agency’s modern lunar exploration program will land the first woman and next man on the Moon in 2024 and establish a sustainable human lunar presence by the end of the decade.

NASA will announce flight assignments for astronauts later, pulling from the Artemis Team. Additional Artemis Team members, including international partner astronauts, will join this group, as needed….

(17) ROCKING THE MARKET. In “Making A Point With Moon Rocks” on National Review Online, Texas Tech economist Alexander William Salter says that NASA’s contracts to acquire moon rocks (or what is technically “lunar regolith”) is “a clever strategy to nudge space policy in a pro-commerce direction” since the purchases would show that private property can be created on the Moon, a position left ambiguous in the Outer Space Treaty of 1967.

.. NASA’s purchase of moon dirt is a clever strategic move to nudge space policy in a pro-commerce direction. The United States government isn’t violating Article II [of the 1967 Outer Space Treaty], because it’s not appropriating real estate. And it’s not violating Article VI, since it’s up to Congress to determine the extent of monitoring and policing duties. What the NASA program does is create a test case for first harvesting, and then selling, outer-space resources. As David Henderson and I have argued, “Given the vagueness of international space law on property rights, the precedents created by national space law will have a decisive role in shaping the future space environment. Hence, NASA’s actions can support a pro-business turn not just for the United States, but also for the international community as a whole.” …

(18) TODAY’S THING TO WORRY ABOUT. From Fast Company: “What toys from the past can tell us about how we predict the future”.

… What if those predictions actually ended up affecting how the future unfolds, like self-fulfilling prophecies? It’s a question plaguing futurists, and now a project is trying to illustrate the problem by showing how things created in the past have colored the present. The simplest examples—items that truly shape the minds of our next generations—come in the form of children’s toys.

The Museum of Future History’s first exhibition, Toying With Tomorrow: Playthings That Anticipated the Here and Now, is curated by experimental philosopher Jonathon Keats and timed to debut at the UNESCO (the United Nations Educational, Scientific, and Cultural Organization) High-Level Futures Literacy Summit.

The idea was sparked by a growing concern among futurists, Keats says, that we have been “colonizing the future” with visions and predictions of what it will bring, and that those visions limit the opportunities or possibilities of those future generations. But this can be an abstract concept to grasp.

“What we needed was some way in which people could recognize the phenomenon in their own lives, and they could use that as a means by which to consider what sorts of predictions they make, what sort of impact those predictions might have going forward—individually as well as collectively in a society,” Keats explains. “Toys have a very direct way in which they influence the future through the children who play with them.”…

(19) WW84. “Gal Gadot, Patty Jenkins share Wonder Woman 1984 opening scene at red carpet” and SYFY Wire is there.

It’s one thing to watch Diana grow up slowly — something Wonder Woman fans delighting in witnessing as star Gal Gadot lassoed a new generation of hearts in director Patty Jenkins’ 2017 blockbuster. But it’s something else entirely to watch our Amazon hero surge from past to present at lightning speed — leaping out of her idyllic childhood and into the mean city streets — in the butt-kickin’ romp that welcomes viewers to the opening moments of Wonder Woman 1984….

(20) SPACELANES. [Item by Daniel Dern.]  Via Slashdot: “Astronomers Discover Cosmic ‘Superhighways’ For Fast Travel Through the Solar System”. Not faster than light, more like “a faster lane on the service road” IMHO.

Invisible structures generated by gravitational interactions in the Solar System have created a “space superhighway” network, astronomers have discovered. ScienceAlert reports:By applying analyses to both observational and simulation data, a team of researchers led by Natasa Todorovic of Belgrade Astronomical Observatory in Serbia observed that these superhighways consist of a series of connected arches inside these invisible structures, called space manifolds — and each planet generates its own manifolds, together creating what the researchers have called “a true celestial autobahn.” This network can transport objects from Jupiter to Neptune in a matter of decades, rather than the much longer timescales, on the order of hundreds of thousands to millions of years, normally found in the Solar System….

(21) MORE ABOUT BEN BOVA. The New York Times ran Ben Bova’s obituary. To accompany that note, here are a couple of Andrew Porter’s photos of Bova (sent direct to 770, not from the NYT.)

…Ben Bova was a hard-science guy — and a passionate space program booster — and his visions of the future encompassed a dizzying array of technological advances (and resulting horrors or delights), including cloning, sex in space, climate change, the nuclear arms race, Martian colonies and the search for extraterrestrials. In newspaper articles, short stories and more than 100 books, he explored these and other knotty human problems….

  • Photo by and © Andrew Porter
  • Ben and Barbara Bova at Boskone (in 1980s?) Photo by and © Andrew Porter
  • Photo by and © Andrew Porter
  • Ben Bova with Ian Ballantine. Photo by and © Andrew Porterne.

(22) BOVA FINDS. And let Tor.com contributor James Davis Nicoll tell you about “Five SFF Authors Discovered by Ben Bova”. The second of these is —

… John M. Ford’s first professionally published story was “This, Too, We Reconcile,” published in Analog Science Fiction/Science Fact, May 1976. In it, a telepath is hired to read the mind of a martyr to determine if the dead man saw anything of the afterlife as he died and if so, what that afterlife is like. Rather alarmingly, the telepath is the second person hired for the job, his predecessor having committed suicide immediately after reading the martyr’s mind. This has all the earmarks of a task from which one should flee posthaste, but unluckily for our protagonist, his diligence outweighs his prudence.

This is admittedly a minor Ford, which may explain why it was never collected in either of the two Ford collections, From the End of the Twentieth Century (1997), and Heat of Fusion and Other Stories (2004). Nor has it been included in any anthology of which I am aware. Still, Bova saw enough in the story to help launch a career that lasted until Ford’s untimely death in 2006.

(23) HONESTY IS THE FUNNIEST POLICY. [By Martin Morse Wooster.]In “Honest Game Trailers: Marvel’s Spider-Man: Miles Morales” on YouTube, Fandom Games says even though you’re not playing Peter Parker, you can still fly through a very well-detailed New York City and (virtually) cause billions in property damage!

Also dropping today: In “Honest Trailers: Lost” on YouTube, the Screen Junkies sum up the six-season series by saying the characters asked so many questions in the show “The creators got tired of answering them” and that there was so much psychodrama “the writers room needed therapy.”

Fun fact:  the reason why the flight that crashed in show was Oceanic Airlines Flight 646 was that was the flight in the action film Executive Decision.

[Thanks to Michael Toman, Martin Morse Wooster, John King Tarpinian, John Hertz, Mike Kennedy, JJ, Cat Eldridge, James Davis Nicoll, Michael J. Walsh, Daniel Dern, Olav Rokne, Steve Davidson, Doug Ellis, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Olav Rokne.]

Pixel Scroll 1/4/20 A Combination Of Sagrazi And Prescience

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(1) NAME YOUR PRICE. John Varley realized this material should not go to waste — “And the Hugo Goes to … Introduction”.

Earlier this year I was putting together an anthology project to be called And the Hugo Goes To …. The idea was to collect all my stories that were nominated for the Hugo Award. Now, I have had a lot of nominations in my career, and have won three times. Putting them all together would make up a fairly healthy volume.

…Except that fact that one of the books to be published again was The John Varley Reader, which contained most of the stories. It made no sense to put that book and the new one in print. So the Hugo book was dead.

But not quite. I still had fun writing the intros, and I would hate to see them go into the trunk, never to be seen. So I am going to experiment.

…I am going to go the Doctorow route. You can read all the intros at the link right HERE.

Then, should you decide they are worth something, you can go to that little yellow button on the Welcome box at the home page, the one that says DONATE. You can’t miss it. That will take you to PayPal, where you can decide what you want to pay. I don’t know what to suggest. $5? $10? $2? More, less? It’s entirely up to you.

And should you want to read them for free, or if you don’t think they are worth anything, that’s cool, too. We can get along eating dog food for another year.

Here’s a small taste of what Varley put on the table –

…But I gave it a shot. I wrote a four-page story, pecking it out painstakingly on a borrowed typewriter. I can’t recall anything at all about that story. I sent it off to Mr. H.L. Gold, the editor of Galaxy, my favorite magazine at that time. He sent it back with a form rejection slip, and he had written at the bottom: “Nice try, but not quite.”

You think I was disappointed? Not a bit! Those five words, from a man who lived in New York City and edited the finest magazine in the world, just had me walking on air. I’d have framed that rejection slip and hung it on the wall if I could have afforded a frame….

(2) SPACE TRADERS. The Hugo Book Club Blog post “The Movement of Goods In Science Fiction” asks whether these science fictional economies are really wearing any clothes….

Space-based science fiction places a lot of attention on the transportation of goods.

Whether it’s a Lissepian captain hauling self-sealing stem bolts from Deep Space 9 or the crew of Firefly delivering cattle to the colony of Jiangyin, we are often presented with depictions of how goods are moved from one location to another.

This focus is probably a reflection of the modern neoliberal consensus that globalized trade is a good and necessary thing, and is a trend in science fiction that is worth questioning.

The large-scale movement of goods only makes sense if there is a strong economic incentive; if it is cheaper to build something in one location rather than another, if the skills to build something are only available in one location, or if the resources are only available in one location. When you see the depiction of merchant space ships travelling on regular runs between two locations, it implies that there are entire planets where it is cheaper to build something, and markets looking to buy those things.

Is inter-jurisdictional trade really that scalable?

(3) ABEBOOKS QUIZ. Answer appears at the end of the Scroll.

(4) FORESIGHT. The Christian Science Monitor collected input from a host of sff writers for “Future present? How science fiction sees our world in 2050”.

Machine learning speeds up 

The science fiction writer Liu Cixin, author of “The Three-Body Problem,” a richly layered Chinese novel that describes first contact with extraterrestrial life forms, foresees the transforming effect of artificial intelligence. 

“I don’t believe that in 2050 strong artificial intelligence that surpasses human beings will appear, but AI will have developed enough to compete with humans for jobs,” Mr. Liu says in a written statement to the Monitor, translated from Chinese by staff writer Ann Scott Tyson.

“This will have two possible profound implications for society,” he says. “One is that the jobless public and AI will be in a long-standing conflict, causing long-term social turmoil and instability. The second is that humans will have smoothed out the relationship with AI and established a leisurely life in which people reduce their working hours or even don’t need to work. The latter, however, will require major changes in the current political and economic distribution system of mankind.” …

(5) IT IS THE END, MY FRIEND. Here are Paste Magazine’s picks for “The 20 Best “End of the World” Movies”.

“This is the way the world ends: not with a bang but a whimper.”

Then again, what does T.S. Eliot know? As far as the movies go, the possibilities for destroying our planet or civilizations are downright infinite. Certainly, in light of several recent predictions claiming that the end of the world is ‘nigh (most of which have passed, mind you), the apocalypse has naturally been on a lot of peoples’ minds.

And so it goes: What’s prevalent in society’s consciousness is subsequently reflected in our pop culture. This means a surge of movies dealing with a world-ending event. Dramatic or funny; action-packed and exciting or slow and deliberate; real life or supernatural—there’s an apocalypse story for everyone….

6. 12 Monkeys (1995)

Inspired by the classic 1962 French short film La Jetée, 12 Monkeys went on to become the rare financial success in the notoriously disaster-prone career of former Monty Python member Terry Gilliam. Bruce Willis plays a mentally unstable convict from an apocalyptic future who is sent back in time to halt the release of a deadly virus that will kill billions. Featuring great performances from Willis and a decidedly un-glamorized Brad Pitt, 12 Monkeys bears that rare distinction of containing all the creative visuals and quirks that make Gilliam films great without the incoherent, scatter-brained plotting that often proves to be their downfall.

(6) WITCHER WATCHER. In the Washington Post, Sonia Rao previews the Netflix series The Witcher, including news about Polish author Andrzej Sapkowski, on whose novels the series is based, and how the series “is like turning on a self-aware B movie.” “Will you toss a coin to ‘The Witcher’?”

Perhaps you would remain stone-faced, a reaction typical of the Witcher himself, given that Cavill plays him as a brooding hunk wandering the Continent — which, yes, is what this magical, medieval society calls its continent. Or maybe you would be inclined to give “The Witcher” a chance. It’s been advertised as Netflix’s very own “Game of Thrones” but has also proved to be an entertaining fantasy series in its own right. That’s not to say it’s good, per se, but that it’s so bizarre, it’s hard to look away.

(7) CHEKHOV’S CAT. In “Kneading Into the Comfort of Cozy Cat Mysteries”, on Jezebel, Kelly Faircloth explains the rules of cozy mysteries with cats in them, including that you can’t put a cat on the cover unless the cat is a character and you can’t kill a cat in a cozy cat mystery.

…Within the wider world of the cozy, there is the cat cozy. These specifically were pioneered by Lilian Jackson Braun, who launched the “Cat Who” series in the mid-1960s, took a couple of decades off, then returned in the 1980s after she retired and continued writing them regularly almost until she died in 2011. She was joined in the 1990s by Rita Mae Brown—whom you may know as the author of the classic lesbian novel Rubyfruit Jungle—who began “cowriting” her Mrs. Murphy series with her own cat, Sneaky Pie Brown. The cat mystery became a thing unto itself, a world within the broader universe of cozy mysteries.

(8) IF YOU GIVE THE GAME AFOOT IT’LL TAKE A MILE. In “The Year in Sherlock Holmes” on CrimeReads, Lyndsay Faye summarizes 2019’s Sherlockian developments, including  two new Sherlock Holmes conventions, the end of Elementary, and the postponement of the next Robert Downey Jr. Holmes movie until at least 2021.

…CBS’s highly regarded procedural Elementary wrapped up its seventh season this year, and it’s with a heavy heart that I take up my proverbial pen to say goodbye to Jonny Lee Miller and Lucy Liu’s Sherlock Holmes and Joan Watson. An unflinching look at sobriety and addiction—as well as unapologetically progressive casting regarding both race and gender—helped to bring the Great Detective and the Good Doctor to a new generation of enthusiasts. Kinder than BBC’s Sherlock (and in some ways more respectful of the original material—there, I said it, and I’m not taking it back either), Elementary not only stood on its own two feet as a modern crime drama, but contained scores of delightful Easter eggs for fans of Sir Arthur Conan Doyle’s works.

(9) TODAY IN HISTORY.

  • January 4, 1982 — Doctor Who first aired “Castrovalva, Part 1”, the first full episode of the Fifth Doctor as played by Peter Davison. He would play the Fifth Doctor for three series which were twenty stories in totality. As a Baker preceded him in the role, a Baker would follow him in playing the role.
  • January 4, 2002 — Impostor premiered in limited release. in California. Produced by a large group including Gary Sinise, best know for CSI: NY, with a screenplay by Caroline Case, Ehren Kruger and David Twohy off the Dick’s “Impostor” story which was first published in Astounding SF magazine in June, 1953. The 11th Worldcon held in Philadelphia didn’t do a Hugo for Best Short Story, so there’s no telling how it might’ve done that year. The film received overwhelmingly negative reviews from critics and Rotten Tomatoes gives it a score of 41% from reviewers.
  • January 4, 2011 — Monster Mutt was released on DVD. It’s making these notes because of The Baby discussion we’ve been having. Monster Mutt, the very large dog with that name, is not CGI but is yes a puppet requiring five people to control its movements. Critics actually liked the puppet and the film as well,  even though it has a rather weak 40% rating among reviewers at Rotten Tomatoes. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 4, 1890 — Malcolm Wheeler-Nicholson. Creator of the modern comic book in the early Thirties by publishing original material instead of reprints of newspaper comic strips. Some years later, he founded Wheeler-Nicholson’s National Allied Publications which would eventually become DC Comics. (Died 1965.)
  • Born January 4, 1927 — Barbara Rush, 93. She won a Golden Globe Award as the most promising female newcomer for being Ellen Fields in It Came From Outer Space. She portrayed Nora Clavicle in Batman, and was found in other genre programs such as the revival version of Outer Limits, Night Gallery, The Bionic Woman and The Twilight Zone.
  • Born January 4, 1930 — Ruth Kyle. OGH has her touching story here. Warning: it has Isaac Asimov behaving badly at a Con material. Just kidding. Maybe. (Died 2011.)
  • Born January 4, 1946 — Ramsey Campbell, 74. My favorite novel by him is without doubt The Darkest Part of the Woods which has a quietly building horror to it. I know he’s better known for his sprawling (pun full intended) Cthulhu mythology writings but I never got into those preferring his other novels such as his Solomon Kane movie novelization which is quite superb.
  • Born January 4, 1958 — Matt Frewer, 62. His greatest role has to be as Max Headroom on the short-lived series of the same name. Amazingly I think it still stands thirty-five years later as SF well-crafted. Just a taste of his later series SF appearances include playing Jim Taggart, scientist and dog catcher on Eureka, Pestilence in Supernatural, Dr. Kirschner in 12 Monkeys and Carnage in Altered Carbon. His film genre appearance list is just as impressive but I’ll single out Supergirl, Honey, I Shrunk the Kids, The Stand, Monty Python’s The Meaning of Life (oh, do guess where he is in it) and lastly Night at the Museum: Secret of the Tomb, a series of films that I really like. 
  • Born January 4, 1960 — Michael Stipe, 60. Lead singer of R.E.M. which has done a few songs that I could are genre adjacent. But no, I’ve got him here for being involved in a delightful project called Stay Awake: Various Interpretations of Music from Vintage Disney Films. Lots of great songs given interesting new recordings. His contribution was “Little April Shower” from Bambi which he covered along with Natalie Merchant, Michael Stipe, Mark Bingham and The Roches. Fun stuff indeed! 
  • Born January 4, 1985 — Lenora Crichlow, 35. She played Cheen on “Gridlock”, a Tenth Doctor story. She played also Annie Sawyer on the BBC version of Being Human from 2009 to 2012. And she appeared as Victoria Skillane in the “White Bear” of Black Mirror.
  • Born January 4, 2000 — Addy Miller, 20. She is on the Birthday List for being Sarah in Plan 9. Really? They remade that movie? Why? And yes, she played A Walker in that other show. My fav role by her is because of the title, it was a short called Ghost Trek: Goomba Body Snatchers Mortuary Lockdown, in which she was Scary Carrie Carmichael. And yes, you can watch it here.

(11) COMICS SECTION.

  • The Flying McCoys has an ad from an unexpected kind of ambulance chaser.
  • The strip doubtless works even better if you understand the language, but it’s funny anyway.

(12) UNCANCEL CULTURE. “How Amazon (and Jeff Bezos) Saved ‘The Expanse'” – Space.com thinks, “In hindsight, being canceled by Syfy was probably the best thing that could have happened to ‘The Expanse.’”

However, only three seasons had been sold to Syfy and there are eight novels in the series with a ninth on the way. Not long after Season 3 started to air, Syfy announced it had not purchased the rights for future seasons because of restrictive distribution arrangements, and on May 11, 2018, it was officially canceled. 

However, by now the show had built up a considerable following and fans protested the cancellation. 

Such a display of displeasure from fans isn’t entirely unusual. When “Star Trek: The Original Series” was canceled in 1968 after just two seasons, a letter-writing campaign orchestrated by fans – Bjo and John Trimble in particular – kept the show on the air for an additional season. And while one more season might not seem like a substantial victory, it set a precedent for many subsequent campaigns to keep shows on the air. Some were successful, like “Star Trek” and “Quantum Leap,” but sadly, others weren’t, like “Firefly” and “Almost Human” – both were canceled by Fox after just one season, and both were high-quality sci-fi shows with massive potential that had amassed a loyal fan base in a short amount of time….

(13) WHERE THE FUTURE BEGAN. Syd Mead, whose passing was noted here December 31, has received a lengthy appreciation in the New York Times: “Syd Mead, 86, Maker of Future Worlds in ‘Blade Runner’ and More, Dies”.

…Although his work usually involved creating a fanciful future, it sometimes ended up depicting the actual future. A 2012 exhibition of his artwork in Manhattan included a painting from decades earlier that showed people using hand-held information devices; they could easily pass as modern-day smartphone users. In 1969 he envisioned a personal transportation system called a unipod that used gyroscope technology — what is now used in devices like the Segway personal transporter.

(14) LOOSE ENDS. Or as BBC says, “A Knotty Problem Solved”.

Special fibers that change color when they are under strain have helped scientists come up with some simple rules that can predict how a knot will perform in the real world.

There’s a whole field of mathematics that studies knots, to explore abstract properties of idealized curves. “But that’s not what you care about if you are, for example, a sailor or a climber and you need to tie something which holds,” says Vishal Patil, a graduate student at the Massachusetts Institute of Technology whose new findings appear in the journal Science.

People have used knots since ancient times, notes Patil, and thousands of knots have been invented. Yet scientists struggle to explain why knots do what they do. Most of what’s known about them comes from long experience, rather than any theoretical understanding.

For example, take the granny knot and the reef knot — two simple knots that look very similar but behave very differently.

“It’s quite easy to see this, if you just take a shoelace or a bit of string and you tie it. If you pull on the reef knot, it tends to hold. And if you pull on the granny knot, it tends to slip quite easily,” says Patil. “The fact that they behave so differently suggests that there must be some story there, something you can say mathematically and physically about them.”

(15) BESPOKE SPACESUITS A SPECIALTY. “Hey Sisters, Sew Sisters” from BBC Sounds — 26.5 minute audio.

Space travel is not always high-tech. When the Apollo astronauts landed on the Moon in 1969, seamstresses made their spacesuits at a company famous for stitching latex into Playtex bras.  

During the Space Shuttle era, a group of 18 women were in charge of all soft goods – the fabrics for machine and hand sewing the spaceplane’s thermal blankets. These women became known as the Sew Sisters. 

Presenter, artist and former Nasa astronaut Nicole Stott meets some of these ‘sew sisters’ from past and present missions and celebrates their contributions,,,. 

(16) SWEEPERS, MAN YOUR BROOMS. BBC tells a clean story: “Tackling the Earth’s orbiting space junk”.

Here’s a quiz question: what do using road navigation systems, keeping time consistent around the world and having accurate stock exchange data have in common? The answer is that they all depend on working satellites. But an increasing amount of debris polluting space is now posing a risk to all those services. So one Japanese firm, Astroscale, has been working on ways to clean up space junk. Its founder and chief executive Nobu Okada explains.

(17) CHIMP PUSHED OUT OF THE BUSINESS. The Hollywood Reporter discovers “Hollywood’s Last Actor Chimp in Need of Permanent Home”.

…Having been let go by Working Wildlife (which specializes in providing exotic species for entertainment productions), he was dropped off in March at a financially struggling nonprofit sanctuary near Angeles National Forest, just outside of Los Angeles. The facility shut down in August, and Eli and more than 40 other chimps, many of whom arrived from research labs, have since been under the on-site care of the California Department of Fish and Wildlife. “We are currently in discussion with a high-quality facility that may provide a permanent home for Eli,” says Kirsten Macintyre, a spokeswoman for the state agency.

The 9-year-old chimpanzee’s transition out of the business, as typically occurs when the species reaches adolescence, is part of a larger trend away from using real wild creatures to “act” onscreen. (While chimps, orangutans and elephants are being phased out, it’s still mostly business as usual for species like big cats and bears.)

… Eli — who appeared in commercials (Microsoft), music videos (One Direction) and the occasional TV show (TBS’ Angie Tribeca) — saw his own output curbed by the effort, with a Geico ad pulled and scenes from a season of MasterChef Junior cut. PETA primate expert Debbie Metzler is proud of the result. “A decade ago, there were at least a dozen chimpanzees working,” she says. “Now there are zero.”

(18) NANO NANO. The Harvard Gazette calls it, “Catching lightning in a bottle”.

Researchers in an ultracold environment get a first look at exactly what happens during a chemical reaction

Call it a serendipity dividend. A big one.

Kang-Kuen Ni set out to do something that had never been done before. The Morris Kahn Associate Professor of Chemistry and Chemical Biology and of Physics and a pioneer of ultracold chemistry had built a new apparatus that could achieve the lowest temperature chemical reactions of any currently available technology. Then she and her team successfully forced two ultracold molecules to meet and react, breaking and forming the coldest bonds in the history of molecular couplings.

While they were doing that, something totally unanticipated and important also happened.

In such intense cold — 500 nanokelvin, or just a few millionths of a degree above absolute zero — the molecules slowed to such sluggish speeds that Ni and her team saw something no one has ever seen before: the moment when two molecules meet to form two new molecules. In essence, they captured a chemical reaction in its most critical and elusive act.

“Because [the molecules] are so cold,” Ni said, “now we kind of have a bottleneck effect.”

Chemical reactions are responsible for literally everything: from making soap, pharmaceuticals, and energy to cooking, digesting, and breathing. Understanding how they work at a fundamental level could help researchers design reactions the world has never seen. Maybe, for example, novel molecular couplings could enable more-efficient energy production, new materials like mold-proof walls, or even better building blocks for quantum computers. The world offers an almost infinite number of potential combinations to test.

…Ni’s ultracold temperatures force reactions to a comparatively numbed speed. When she and her team reacted two potassium rubidium molecules — chosen for their pliability —the ultracold temperatures forced the molecules to linger in the intermediate stage for mere millionths of a second. So-called microseconds may seem short, but that’s millions of times longer than ever achieved, and enough time for Ni and her team to investigate the phase when bonds break and form — in essence, how one molecule turns into another.

(19) HOLLYWOOD INSTITUTION CLOSES. The LA Times pays its respects: “His props starred in hundreds of Hollywood movies and TV shows. Now he’s exiting the stage after 42 years”.

Standing amid his life’s work inside a cavernous warehouse in San Fernando, John Zabrucky is eager to show off what he calls his most famous “machine.”

But first, he must scuttle past a spaceship command deck, rows of computer consoles, radar scanners, shelves packed with sophisticated high-tech gadgetry — and even an alien autopsy, before arriving at the futuristic device.

“We did this for the original ‘Incredible Hulk,’ the TV series, back in the late ’70s,” said Zabrucky, the founder and president of Modern Props.

Since then, the device has been seen in more than 100 hundred feature films and TV shows, including “Austin Powers” and multiple episodes of “Star Trek: The Next Generation.” Giving it a once-over, Zabrucky adds with a sparkle of pride, “You can see how well it’s made.” The apparatus has turned up in so many shows that a fan created a YouTube video devoted to its many appearances, dubbing it “the most important device in the universe.”

Zabrucky’s magnum opus, with its pair of giant elongated glass tubes that glow variously in yellow, red and orange, operated by a cutting-edge control board with dials, buttons and a joy stick, looks as if it would be right at home inside the CERN particle collider lab in Switzerland….

(20) ABEBOOKS QUIZ ANSWER.

[Thanks to Cat Eldridge, Mike Kennedy, Lise Andreasen, John King Tarpinian, Michael Toman, Martin Morse Wooster, JJ, Chip Hitchcock, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]

Pixel Scroll 11/1/19 We Are The Pixels That Say “Scroll!”

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(1) TWO NEW TAFF EBOOK FUNDRAISERS. David Langford says they were unable to locate the final speech, but all the rest of The Serious Scientific Talks by Bob Shaw are now available as an ebook which you can download free – though with hopes you‘ll be inspied to donate to the Trans-Atlantic Fan Fund.

The same hope comes with Rob Hansen’s latest fanhistory compilation, Challenging Moskowitz, released today:

Sam Moskowitz’s The Immortal Storm is regarded by many as the definitive history of US fandom in the 1930s, but several contemporary fans either presented alternative versions of events or took issue with the book’s selectivity (New York-centrism in particular) and partisanship. Rob Hansen has compiled and introduced this collection of relevant fanwriting by Allen Glasser, Charles D. Hornig, Damon Knight, Jack Speer, Harry Warner Jr, Donald A. Wollheim and T. Bruce Yerke.

First published as an Ansible Editions ebook for the TAFF site on 1 November 2019. The cover photograph of (from left to right) Jack Darrow, Julius Schwartz, an unknown, Donald A. Wollheim and Conrad Ruppert is from the Ted Carnell collection; actual photographer unidentified. Approximately 47,000 words.

(2) TIME AFTER TIME. In “The Superman Clause”, The Hugo Book Club Blog explores the rule in the WSFS Constitution that lets Worldcon members vote to add a year of Hugo Award eligibility. Their research has uncovered facts that are both fascinating and unexpected. For example, after listing all the works that have been granted an extension, they say:

We find it interesting that despite the high quality of these works, only the Cambridge Companion to Science Fiction was actually placed on the Hugo Ballot (and it won a well-deserved Hugo trophy for Edward James and Farah Mendlesohn)….

(3) DRAGONS IN THE BOX SCORE. George R.R. Martin shares his insights about the fate of two post-Game-of-Thrones TV projects, one approved, the other dropped, in “The Dragons Take Wing” at Not A Blog.

Ryan Condal is new to Westeros, but not to me.   I first met Ryan when he came to New Mexico to shoot a pilot for a fantasy western that was not picked up.  I visited his set and we became friendly.  Later Ryan created and served as showrunner for the SF series COLONY, and we had the honor of doing a premiere screening for the show at the Jean Cocteau.   He’s a terrific writer… and a fan of my books since well before we met.   He tells me that he discovered the series just after A STORM OF SWORDS was published, and “I’ve loved the books for 19 years.”   (He is also a huge fan of my Dunk & Egg stories.   In fact, that was the show he wanted to do initially, but I’m not prepared to bring Dunk & Egg to television until I’ve written quite a few more stories).  Working with Ryan on the development of HOUSE OF THE DRAGON has been a dream.

Martin adds:

But… let me make this perfectly clear… I am not taking on any scripts until I have finished and delivered WINDS OF WINTER.  Winter is still coming, and WINDS remains my priority, as much as I’d love to write an episodes of HOUSE.

(4) WHERE IS IT? Readers learned from the November Ansible where Nature has hidden the fiction:

When Nature acquired a ‘new look’ with its 23 October issue, the ‘Futures’ short-sf-story page vanished from both the printed magazine and the website contents list. The feature continues online but you have to know where to look for it: nature.com/futures.

Their most recent entry (October 30) is Wendy Nikel’s “When We Were Infinite” which begins:

“The faster your ships, the smaller the Universe. The smaller the Universe, the more important it is to live harmoniously.” Inva weaves her digits together, invoking a picture of beings residing tranquilly side-by-side.

(5) THE ORIGINAL UPGRADE. What’s new at Los Alamos – in 1964? Galactic Journey’s Ida Moya has the declassified scoop: “[November 1, 1964] Time (sharing) travel”.

As the Traveler said, things have really been heating up in Los Alamos Scientific Laboratory (LASL). And what with President Kennedy being taken from us so traumatically last year, it has all been too much. We have been struggling with national security while mourning the loss of our leader, and also attending to a deluge of new computers that are coming into the lab. Things have calmed down a little so I am now able to share a few secrets with you again.

…I’m sure I also told you that we finally received our IBM 7090 computer. This equipment is being used for big science calculations around atomic energy, guided missile control, strategic planning (cryptanalysis, weather prediction, game theory), and jet engine design. I’m sure it is no surprise when I tell you we are using it to simulate nuclear explosions. This computer also has what they call an “upgrade,” the addition of more memory and input-output capability. The upgraded computer is called an IBM 7094.

(6) EXPLAINING THAT SUDDEN BURST OF TRAFFIC. I didn’t know there was more than one sff writer named Spinrad – meet Demetria Spinrad.

https://twitter.com/dspins/status/1190360357870505984

(7) WATCHERS’ DIGEST. [Item by Mike Kennedy.] Entertainment Tonight: ”’For All Mankind’ Cast Describes the Apple TV Plus Drama in 10 Seconds”. ET challenged the cast of Apple TV+ streaming alternate history For All Mankind to describe the show in 10 seconds or less. The exclusive video is available on their website. 

This is one small step for your screens, but one giant leap for Apple TV+.

Apple’s streaming service officially launches today with a star-studded lineup of new shows including For All Mankind — the latest space-centric drama from Battlestar Galactica and Star Trek: The Next Generation executive producer Ronald D. Moore.

[…] ET asked Joel Kinnaman, Shantel VanSanten, Sarah Jones and many more of For All Mankind‘s cast members to embark on a stellar mission to describe the drama in 10 seconds or less — and their answers are out of this world!

(8) ALTERNATE SPACE HISTORY. And Andrew Liptak reviews the series at Polygon: “Apple series For All Mankind isn’t thrilled by America’s role in the space race”. When the Soviets get to the Moon first —

…The landing prompts the US to reexamine the drive to get to space. Astronaut Edward Baldwin (Altered Carbon’s Joel Kinnaman) takes the news particularly hard, and calls out NASA’s administration and Werner Von Braun’s cautious approach to space travel. He gets booted from his assignment, Apollo 15, but his antics attract the attention of some ambitious politicians and administrators, who get him to testify in congress that NASA all but allowed the USSR to get there first, and that the country needs a far more aggressive approach to space.

He gets his wish — he’s reinstated on Apollo 15, and Von Braun is forced out. The move is a timely one: after a far more hair-raising Apollo 11 mission (Neil Armstrong and Buzz Aldrin almost don’t make it off after a rough landing), the Soviets land a second time, this time with a female cosmonaut stepping out onto the surface. In response, President Richard Nixon orders that NASA begin training a team of female astronauts. When US intelligence believes that the Soviets might be planning a permanent camp on the Moon, NASA makes a lunar base a top priority.

Other plot threads feel embedded for future episodes or seasons (Moore and his writers have apparently plotted out seven).

(9) THE GAME GOES ON. The final trailer for Jumanji: The Next Level has dropped – the movie comes to theaters December 13.

(10) TODAY IN HISTORY.

  • November 1, 1974 — Phantom Of The Paradise premiered.  Written and directed by Brian De Palma,  and scored by and starring Paul Williams. It’s a very loose bastardisation of The Phantom of the Opera, The Picture of Dorian Gray and Faust. Remarkably it rates 84%% among viewers at Rotten Tomatoes and 92% among critics. 
  • November 1, 2000 — The SciFi series Starhunter premiered with its first episode, “The Divinity Cluster”. Starring Michael Paré, Tanya Allen and Claudette Roche, it would last just two seasons and be called Starhunter 2300 in the second season. Peter Gabriel Did the music for the second season opening credits. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 1, 1882 — Edward Van Sloan. He’s best remembered for his roles in three Thirties Universal Studios films of Dracula, Frankenstein  and The Mummy. He was Abraham Van Helsing in the Dracula, a role he’d done in touring production of Dracula by Hamilton Deane and John L. Balderston. He would be in a number of other horror films though none remembered as well as these. (Died 1964.)
  • Born November 1, 1897 — Naomi Mary Margaret Mitchison, Baroness Mitchison, CBE (née Haldane). Author of many historical novels with genre trappings such as The Corn King and the Spring Queen and The Bull Calves but also new wave SF such as Memoirs of a Spacewoman.
  • Born November 1, 1917 — Zenna Henderson. Her first story was published in The Magazine of Fantasy & Science Fiction in 1951.  The People series appeared in magazines and anthologies, as well as the stitched-together Pilgrimage: The Book of the People and The People: No Different Flesh. Other volumes include The People Collection and Ingathering: The Complete People Stories. She was nominated for a Hugo Award in 1959 for her novelette “Captivity.” Her story “Pottage” was made into the 1972 ABC-TV movie, The People.  “Hush” became an episode of George A. Romero’s Tales from the Darkside which first aired in 1988. (Died 1983.)
  • Born November 1, 1923 — Gordon R. Dickson. Truly one of the best writers of both Science Fiction and Fantasy. I won’t even begin to go into his stellar career in any detail as that would require a skald to do so. His first published speculative fiction was the short story “Trespass!”, written with with Poul Anderson, in the Spring 1950 issue of Fantastic Stories which was the first issue of Fantastic Story Magazine as it came to be titled. Childe Cycle involving the Dorsai is his best-known series and the Hoka are certainly his silliest creation. I’m very, very fond of his Dragon Knight series which I think reflects his interest in that history. (Died 2001.)
  • Born November 1, 1941 — Robert Foxworth, 78. He’s been on quite a number of genre shows including The Questor Tapes,seaQuest DSV, Deep Space Nine, Outer Limits, Enterprise, Stargate SG-1 and Babylon 5. His first genre role was as Dr. Victor Frankenstein in Frankenstein where Bo Swenson played the monster.
  • Born November 1, 1942 — Michael Fleisher. Comics writer best known for his DC Comics work of in the Seventies and Eighties on Spectre and Jonah Hex. He also has had long runs on Ghost Rider and Spider-Woman early which pulling it them on the Marvel Unlimited app shows that he is a rather good writer. (Died 2018.)
  • Born November 1, 1958 — Rachel Ticotin, 61. Melina in Total Recall. (Anyone see the remake?) She voiced Capt. Maria Chavez in the most excellent animated Gargoyles series. She hasn’t done a lot of acting but she was Charbonnet / Lilian in “Staited in Horror”, a Tales from The Crypt episode, and Theodora ‘Teddi’ Madden in “Mona Lisa”, an Outer Limits episode.
  • Born November 1, 1959 — Susanna Clarke, 60. Author of Jonathan Strange & Mr Norrell which I think wins my award for the most-footnoted work in genre literature. It won the World Fantasy, Nebula, Locus, Mythopoeic and Hugo Awards for Best Novel. It was adapted into a BBC series and optioned for a film. The Ladies of Grace Adieu and Other Stories collects her short works and is splendid indeed.
  • Born November 1, 1973 — Aishwarya Rai, 46. Indian actress who’s done two SF films in India, the Tamil language Enthiran (translates as Robot) in which she’s Sana, the protagonist’s medical student girlfriend, and Mala in Action Replayy, a Hindi-language SF romantic comedy. She was also Sonia in The Pink Panther 2.
  • Born November 1, 1984 — Natalia Tena, 35. She played Nymphadora Tonks in the Harry Potter film franchise, and was the wildling Osha in Game of Thrones. She was also Lana Pierce on the YouTube SF series Origin which lasted one season. And, to my amazement, she was Fevvers in the stage adaptation of Angela Carter’s Nights at the Circus which took place at the Kneehigh Theatre. 

(12) ATWOOD NOW A COMPANION. But not the Doctor’s – the Queen’s. Shelf Awareness reports a royal honor for Margaret Atwood:

On Friday, Queen Elizabeth named Margaret Atwood a member of the Order of the Companions of Honour for her services to literature, the CBC reported, adding that Atwood told British media she felt “a bit emotional” in the presence of the Queen while accepting the prestigious accolade during an investiture ceremony at Windsor Castle. The Royal Family’s Twitter account noted the event: “.@MargaretAtwood was made a Companion of Honour by Her Majesty for Services to Literature. #Investiture.”

“When you see the Queen at her age and her schedule that she puts out, it’s an inspiration to everybody, you just keep going,” Atwood said after the ceremony.

Founded by King George V in 1917, the Companion of Honour is an award for those who have made a major contribution to the arts, science, medicine, or government over a long period.

(13) CRADLE OF GOLDEN AGE SF. In “Heinlein and Butler Revisited”, Steve Fahnestalk tells Amazing Stories readers about the time he visited Heinlein’s Missouri home town.

…Knowing that I would be driving to Missouri that summer, Spider [Robinson] asked me if I would be going anywhere near Butler and, if so, could I take some photos of the Heinlein wing of the public library. For reasons of my own not related to RAH, I was indeed going to Butler itself, so I said, “Sure!” and on June 15 of 2013, we drove into the almost prototypical little mid-American town. This town looks like something Ray Bradbury wrote, with a bandstand (Figure 2) on the town square across from the courthouse. I almost expected to see Mr. Dark and the Dust Witch! Or maybe even the story “You Know They Got a Hell of a Band” by Stephen King!

(14) HALLOWEEN IS OVER. And James Davis Nicoll announces he’s “So Tired of All These Gormenghast Costumes, Year After Year…” at Tor.com.

…I do know how important Tékumel and Gormenghast are to people. Tékumel was, after all, one of the earliest in-depth roleplaying game settings, the first that offered worldbuilding with the depth of J. R. R. Tolkien’s popular works without being in any way derivative. (This was important for RPG companies fearing letters from Professor Tolkien’s estate’s lawyers … who are fine people, of course! No offense intended.) Obviously, had anyone tried a Lord of the Rings knock-off that featured Hobbits renamed “Halflets” or some such thing, the game might have survived a legal challenge… However, no roleplaying game company back then had the cash to test the theory. Empire of the Petal Throne pointed the way and other companies have followed.

(15) IN THE SPIRIT. There are lots of photos to go with BBC’s article “Harry Potter: How one drag queen became 31 JK Rowling characters”.

Some people might know Jaremi Carey as drag queen Phi Phi O’Hara.

Others might recognise him as Hermione Granger, Professor McGonagall, Dobby, Sirius Black or Rubeus Hagrid from the Harry Potter movies.

That’s because he’s spent October 2019 sharing photos of his transformations into some of JK Rowling’s fantasy characters on social media.

“I’m a Harry Potter fan first off, so it wasn’t a stretch for me to do,” Jaremi tells Radio 1 Newsbeat.

He’d already been performing as Helena Bonham Carter’s character, Bellatrix Lestrange, in his live shows, and the idea for something bigger and more magical came to him during a trip to the UK.

(16) KAIJU HERDER. “Godzilla’s Conscience: The Monstrous Humanism of Ishiro Honda” – Criterion traces the director’s impressive career.

… Honda… would forge a unique path as Japan’s foremost director of kaiju eiga, or giant-monster movies. While the works of Kurosawa et al. were limited to art-house distribution abroad, Honda’s films played to mainstream moviegoing audiences in the U.S. and across the West, and they have subsequently become ensconced in the pop-culture pantheon. Honda’s influence is undeniable: as one of the creators of the modern disaster film, he helped set the template for countless blockbusters to follow, and a wide array of filmmakers—including John Carpenter, Martin Scorsese, Tim Burton, and Guillermo del Toro—have expressed their admiration for his work. Yet the full scale of his achievements has only recently begun to be appreciated.

But it all started with Honda’s sober-minded approach to the original Godzilla. Other directors had begged off the project, believing it was ridiculous, and that it would likely end up a laughingstock. But to Honda, this was no joke….

(17) ANSWER BACK. BBC is there when “Disney boss Bob Iger talks Star Wars, Marvel and Martin Scorsese”.

Since becoming chief executive of The Walt Disney Company in 2005, Bob Iger has masterminded the Mouse House’s growth into an entertainment empire with the takeovers of Pixar, Marvel, Lucasfilm and 21st Century Fox….

Following the publication of his memoir, titled The Ride of a Lifetime (Disney does theme parks too), he gave his only UK interview to BBC media editor Amol Rajan.

Here are five key things he said, including why “less is more” in the Star Wars universe, why Martin Scorsese was wrong to compare Marvel films to theme parks, and why Disney didn’t go through with a deal to buy Twitter.

…The legendary Taxi Driver and Goodfellas director recently put the boot into Marvel by saying they are closer to theme parks than real films because it “isn’t the cinema of human beings trying to convey emotional, psychological experiences to another human being”.

“Ouch!” is Iger’s reply. “Martin Scorsese is a great film-maker. I admire him immensely. He’s made some great films. I would debate him on this subject. First of all, Marvel’s making movies. They’re movies. That’s what Martin Scorsese makes. And they’re good movies.”

He goes on: “I don’t think he’s ever seen a Marvel film. Anyone who’s seen a Marvel film could not in all truth make that statement.”

(18) BREAKFAST IS SERVED. Daniel Dern says, “I’m not sure I’l like this on a phone, or on a tablet, on a TV, or on a credenza…” Netflix will launch its Seussian Green Eggs & Ham series on November 8.

Heroes aren’t born, they’re poached, scrambled, and fried… Green Eggs and Ham, serving November 8, only on Netflix. The story you know is just the start. This new adventure is off the charts. Hit the road with a whole new crew. There’s Sam, Guy, and a Chickeraffe too. But how’d we turn this 50-word, Seussian spiel into a 13-episode meal? Our recipe starts “Here” and definitely goes “There.” We added a “Box” full of “Fox”, a “Boat” load of “Goat,” and a “Mouse,” on the “House.” Try it in the “Rain” on a “Train” or go far in your “Car” to find a spot to park and stream it in the “Dark.” Because, in case you were unaware, this show’s miles ahead of “Anywhere!”

[Thanks to John King Tarpinian, JJ, Cat Eldridge, Chip Hitchcock, Martin Morse Wooster, Mike Kennedy, Daniel Dern, SF Concatenaion’s Jonathan Cowie, Mlex, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 10/28/19 I Robot
— R U Robot?

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(1) JUST LET ME GO NATURALLY. Naomi Booth gives an overview of eco-horror in her essay “For Some Horror Writers, Nothing Is Scarier Than a Changing Planet” in the New York Times.

“Why does climate change cast a much smaller shadow on literature than it does on the world?” asked the novelist Amitav Ghosh, writing in The Guardian in 2016. “Is it perhaps too wild a stream to be navigated in the accustomed barques of narration?”

…Yet the idea of a world in crisis is fundamental to horror, a genre historically devalued by the gatekeepers of high culture as, well, outlandish and unserious. Horror has always sought to amplify fear. It works against false comfort, complacency and euphemism, against attempts to repress or sanitize that which disturbs us. Inevitably, the climate crisis has given rise to a burgeoning horror subgenre: eco-horror. Eco-horror reworks horror in order to portray the damage done to the world by people, and the ways the world might damage or even destroy us in turn. In eco-horror, the “natural” world is both under threat and threatening.

The best-known work of eco-horror might be Jeff VanderMeer’s “Southern Reach” trilogy (2014), about a beautiful and deadly exclusion zone known as Area X. The first book, “Annihilation,” which was made into a Hollywood film last year, is narrated by a biologist on a mission to explore the area. She records her initial impressions of the abandoned landscape, including a “low, powerful moaning” audible at dusk. Her team discovers a structure in the earth, an inverted tower. The biologist is lowered into it. There is a smell like rotting honey. The walls are covered with words, the writing system of some kind of fruiting body. She hears a heartbeat. The structure turns out to be a living organism, a “horror show of … beauty and biodiversity.” The biologist leans in close and is sprayed with golden spores — infected….

(2) A LOT OF GOLD IN THEM THAR HILLS. The Hugo Book Club, an unofficial blog about its namesake, has tweeted a long, thoughtful thread about the Best Fan Writer Hugo category, probing how meaningful it is — or isn’t — that any given fan has previously heard of all the finalists. Thread starts here.

(3) IT’S MONEY THEY HAVE. Got $30,000? Then you could make the required minimum bid on this “Apollo 11 Flown and Crew-Signed Beta Cloth Mission Insignia Originally from the Personal Collection of Mission Command Module Pilot Michael Collins, Signed and Certified”, a lot coming up in Heritage Auctions’ Armstrong Family Collection IV sale November 14-16.

(4) PUBLISHING NEWS. This year’s Hugo-winning Best Editor – Long Form, Navah Wolfe, is surprisingly available after a shakeup at Saga Press.

(5) GOVERNMENT FIGURE KNOWS GENRE. France’s new EU Commissioner is a science fiction fan and author according to Politico’s summary “4 things to know about Thierry Breton”.

He’s into sci-fi

Back in 1984, Breton co-wrote a science fiction novel called “Softwar” based around the National Software Agency (which in no way resembles the U.S. National Security Agency). Billed as a “technology thriller,” the novel’s plot is centered on an American cyberattack on Soviet computers. “At the time no one was speaking about viruses, the word didn’t exist,” Breton said, according to Liberation.

However, his co-author Denis Beneich later claimed Breton “never wrote a word of this novel” although “he had the idea for it.”

Breton, whose Commission portfolio would include the space industry, wrote two other novels in the mid to late 1980s — “Vatican III” and “Netwar” (all three of his books are worth checking out, if only for the cover art).

His love of sci-fi doesn’t stop with books, however. Breton also helped come up with the idea for a high-tech theme park called “Futuroscope” in Chasseneuil-du-Poitou, just north of Poitiers in western France. Its tag-line is “Expect the unexpected,” which sounds like good advice ahead of a hearing before the European Parliament.

(6) MILFORD. The New York Times reintroduces people to Milford, PA’s publishing and film history in “A Cabin With a Literary Pedigree”.

Charlie Chaplin slept here. So did Sarah Bernhardt, Mary Pickford, Lillian Gish, Franz Liszt, Warren Harding, Andrew Carnegie, Thomas Wolfe, Cloris Leachman and Arlene Dahl. Likewise, D.W. Griffith, who, in 1912, shot two movies — “A Feud in the Kentucky Hills” and “The Informer” — in this dot of a town in the foothills of the Poconos.

Josh Sapan has slept here too — as often as his schedule permits. But 33 years ago, when Mr. Sapan learned of Milford’s many charms from a friend, he knew nothing about the town’s past. Still, he was sufficiently captivated to buy a waterfront cabin.

It was enough that he could look out his windows after dark and see no illumination but the moon, enough that the Delaware rolled along mere steps from his door. “I just love houses on rivers and I really love this house,” said Mr. Sapan, 67, the president and chief executive of AMC Networks, a Manhattan-based company that owns and operates cable channels including AMC, BBC America and SundanceTV. “I don’t know what it is. I find it quite magical, if that’s the right word.”

Mr. Sapan had yet to learn that the novelist Stephen Crane had camped out for a summer in Milford with friends, and published a satirical newspaper during his stay, that Milford was the birthplace of the conservation movement, and that in the 1950s and 1960s, it was the red hot center of the science fiction writers’ universe, even figuring in Kurt Vonnegut’s novel “God Bless You, Mr. Rosewater,” because several big names in the genre, notably the literary agent Virginia Kidd, had settled in town….

Andrew Porter left a comment there filling in more of the “big names” only alluded to in the article:

Milford is associated with many science fiction writers. Authors Damon Knight, James Blish and Judy Merrill also lived there. It was the setting for the annual Milford Science Fiction Writers Conference for many years, starting in the 1950s, which spun off other “Milford” conferences, most notably in the UK and Seattle, as well as the “New Wave” in SF in the mid-1960s. Also in Milford, the foundations were laid for the Science Fiction & Fantasy Writers of America, an active organization which presents the annual Nebula Awards. For more information about how Milford looms so large in the science fictional universe, see the Wikipedia page here: https://en.wikipedia.org/wiki/Milford_Writer’s_Workshop

(7) EVANS OBIT. “Robert Evans, colorful Paramount boss behind Rosemary’s Baby, dies at 89” reports SYFY Wire.

…Given the reins of Paramount Pictures with little experience in 1966 thanks to a friendship with corporate owner Gulf & Western’s Charles Bluhdorn, Evans turned the company around thanks to a string of critical darlings that would eventually become classics. During his tenure as production VP, he oversaw genre fare like Rosemary’s Baby, Don’t Look Now, and Willy Wonka & the Chocolate Factory.

Moving on from leading the studio, Evans personally produced movies like the adaptation of William Goldman’s Marathon Man (starring Dustin Hoffman), Popeye (with Robin Williams), and early comic book film The Phantom. Some hit higher highs than others, but Evans was a constant presence in the industry.

(8) BRETT OBIT. “Robin Brett, NASA scientist who studied ‘moon rocks,’ dies at 84” – the Washington Post has the story.

Robin Brett, a NASA scientist who 50 years ago was among the first to study and direct research on lunar samples — popularly known as ‘‘moon rocks’’ — from the Apollo space missions, died Sept. 27 at his home in Washington. He was 84.

The cause was Alzheimer’s disease, said his wife, Jill Brett.

From 1969 to 1974, Dr. Brett was chief of the geochemistry branch at NASA’s Lyndon B. Johnson Space Center in Houston. In July 1969, he was among a select four scientists present for the opening of a sealed box containing the first moon rocks from the initial Apollo lunar mission.

…When the lunar samples were first brought to Earth, they were kept for a period in a quarantined and sterile environment, lest they contain or exude a noxious substance that might be harmful in earth’s atmosphere.

Dr. Brett doubted the necessity of this precaution, which he demonstrated, he said, by becoming the first man on Earth to lick a moon rock.

What did it taste like?

‘‘A dirty potato,’’ he answered.

(9) TRIVIAL TRIVIA.

[Item by Martin Morse Wooster.] I saw Zombieland: Double Tap, which delivers if you want a pretty gory zombie movie with many good jokes.  Early in the film the four main characters are hiding out in the ruins of the White House.  They exchange Christmas presents even though it’s November 17 because they don’t have anything else to do.  Emma Stone gives Jesse Eisenberg a copy of the first edition of The Fellowship of the Ring.  (We don’t know why the White House has first editions of Tolkien.

“Why thank you,” Eisenberg says, “and look, you’ve ruined the book by scribbling on the first page.”

Of course, it isn’t really a Tolkien book but they did fake the original cover…

(10) TODAY IN HISTORY.

  • October 28, 1951 — The Out There series premiered. It was one of the first SF anthology series. It lasted a mere twelve episodes. Some of the SF writers it adapted were Heinlein, Sturgeon, Bradbury,  Bissell and Long. Heinlein in particular was a favorite source for them. 
  • October 28, 1994 — Stargate premiered. Starring Kurt Russell and James Spader, critics intensely hated it, and it rated 50% at Rotten Tomatoes. It of course spawned Stargate SG-1 series franchise.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 28, 1902 — Elsa Lanchester. The Bride in 1935’s The Bride of Frankenstein with Boris Karloff. In 1928 she appeared in three silent shorts written for her by H. G. Wells: Blue Bottles, Daydreams and The Tonic. Ray Bradbury originally wrote “Merry Christmas 2116” to be performed by Lanchester and her husband Charles Laughton. (Died 1986.)
  • Born October 28, 1951 — William H. Patterson, Jr. Author of Robert A. Heinlein: In Dialogue with His Century, a two-volume look at Heinlein which arguably is the best biography ever done on him. He also did The Martian Named Smith: Critical Perspectives on Robert A. Heinlein’s Stranger in a Strange Land. This Tribute to Bill Patterson by Mike with comments by Filers is touching indeed. (Died 2014.)
  • Born October 28, 1951 — Joe Lansdale, 68. Writer and screenwriter whose DCU Jonah Hex animated screenplays are far superior to the live action Hex film. Bubba Ho-Tep is a American comedy horror film starting Bruce Campbell is his best known genre work though he has done a number of another works including The God of The Razor and  Reverend Jedidiah Mercer series which are definitely Weird Westerns. 
  • Born October 28, 1952 — Annie Potts, 67. Janine Melnitz in the still-best Ghostbusters and in Ghostbusters II as well. She has a cameo as Vanessa the hotel clerk in the Ghostbusters reboot. She is listed as reprising her original role in the forthcoming Ghostbusters 2020 which I’ll freely admit I know nothing about. 
  • Born October 28, 1958 — Amy Thomson, 61. Writer of four novels in a decade twenty years ago including Virtual Girl which won her the Astounding Award for Best New Writer. She published one piece of short fiction, “The Ransom of Princess Starshine”, in 2017 in Stupefying Stories which is edited by Bruce Bethke.
  • Born October 28, 1958 — Kristin Landon. Though she was working on a fourth novel in the series at the time of her death, the published novels will comprise the Hidden Worlds trilogy: The Hidden Worlds, The Cold Minds, and The Dark Reaches. (Died 2019.)
  • Born October 28, 1962 — Daphne Zuniga, 57. Her very first was as Debbie in The Dorm That Dripped Blood, labelled a Video Nasty in the UK.  You know her much better as Princess Vespa in Spaceballs, and she also in The Fly II being Beth Logan. Series work include Nightmare Classics, Batman Beyond, Happily Ever After: Fairy Tales for Every Child, Twilight Zone, The Outer Limits and, no surprise here, Spaceballs: The Animated Series where she voicedPrincess Vespa
  • Born October 28, 1967 — Julia Roberts, 52. How can I resist giving Birthday Honors to Tinker Bell in Hook? Not to mention she was in the seriously weird Flatliners that I saw at a virtually empty theater. Of course, there’s the ever weirder Mary Reilly with her in the title role. For something more charming, she voiced Charlotte the Spider in Charlotte‘s Web. I’m going to skip her as a Smurf I think…
  • Born October 28, 1974 — Joaquin Phoenix, 45. Currently The Joker. He hasn’t done much genre acting setting aside being Max in SpaceCamp when he was twelve, and being Billy Hercules in the “Little Hercules” episode of Superboy. Well he did a Shyamalan film but I refuse to consider them genre. 
  • Born October 28, 1982 — Matt Smith, 37. The Eleventh Doctor, also Alex in Terminator Genisys, a film I’ve not seen. Nor likely will. He’s also Jim in The Sally Lockhart Mysteries: The Ruby in the Smoke based off the Philip Pullman novels.

(12) EL-MOHTAR REVIEWS. Amal El-Mohtar, in a book review column for the NYT, “Dark Books for Dark Times”, opines about His Hideous Heart, a collection edited by Dahlia Adler, Tamsyn Muir’s Gideon the Ninth, Paul Krueger’s Steel Crow Saga, and Annalee Newitz’s The Future of Another Timeline.

… Conceptually “The Future of Another Timeline” is breathtakingly brilliant, and part of a constellation of time-travel stories this year that wed present-day activism to a willingness to change the past. But as I read, I found myself far more affected by the smaller, fiercer story of Tess and Beth’s early years — the story of feral friendships formed in extreme circumstances, of surviving abuse and finding the power to seek revenge or walk away from it. Everything about that story clutched at my heart, while the broader time-travel stakes and narrative diminished in effect; I became less concerned with the overarching conceit than with the story of these young women arguing over what love and honesty demand. But time travel creates the space for that story to happen — and Newitz’s book is, more than anything else, about the importance of fighting for such spaces. In that, it’s entirely successful.

(13) POWER OFF. Californian Abraham Lustgarten addressed the New York Times about the state’s power shutdowns: “Letter of Recommendation: Mandatory Blackouts” .

…The blackouts solved nothing, of course. De-energizing the electrical grid is a bludgeon: imprecise, with enormous potential for collateral damage as people deal with a darkened world. It doesn’t even eliminate fire risk. What it largely does is shift responsibility away from Pacific Gas & Electric, the state’s largest utility company, whose faulty transmission lines had been found to have caused some of the most destructive wildfires on record.

In fact, cutting power can exacerbate some fire risks. In a blackout, more people rely on home generators, many of which have been installed without permits and might be no less faulty than the utility’s own equipment. Detours and gridlock force more cars into vulnerable places. (Sparks off roadways are another top cause of wildfire.) The blackout makes it harder for the public to respond to fire emergencies even as it does little to prevent all the other factors that cause them — from careless barbecues to tossed-out cigarette butts to plain old arson. One of the state’s most serious fires so far this year was ignited by burning garbage.

But a mandatory blackout does have one radically positive effect. By suddenly withdrawing electrical power — the invisible lifeblood of our unsustainable economic order — PG&E has made the apocalyptic future of the climate crisis immediate and visceral for some of the nation’s most comfortable people. It is easy to ignore climate change in the bosom of the developed world. But you can’t fail to notice when the lights go out.

…In the American West, our climate will only get hotter and drier, our wildfires worse. Every year more places are going to burn, and we will, repeatedly, be horrified by the losses. But we should not be shocked by them. The blackouts have laid bare the uncomfortable fact that the infrastructure we’ve built and maintained over the course of many decades isn’t matched to the threats we face in our rapidly unfolding climate emergency….

(14) THAT HAWAIIAN BURGER JOINT. Eater: Los Angeles says this non-genre yet irresistible film reference will come to life on October 30 and 31 (only): “Big Kahuna Burger From ‘Pulp Fiction’ Pops Up in Hollywood Next Week”

… Fat Sal’s, the overstuffed sandwich makers in Hollywood, have gotten into the mix before, and now for Halloween the group is transforming its corner address off Highland into a Big Kahuna Burger from the movie Pulp Fiction.

Much like in years past, Fat Sal’s plans to its dining area to fit the new temporary theme. Expect a grassy Hawaiian-tinged awning and overt nods to the 1994 film everywhere, including slogans (“Now that is a tasty burger” or “That’s that Hawaiian burger joint”) and an image of Jules Winnfield, the character played by Samuel L. Jackson in the Tarantino flick. A separate area will be turned into the pawn shop from the film as well, and diners will be able to check out merchandise in that space…

Fat Sal’s Hollywood. 1300 N. Highland Ave., Los Angeles.

(15) ANOTHER TRIUMPH. BBC finds thumbs up all over: “Seven Worlds, One Planet: ‘Gorgeous’ nature series gets five-star reviews”.

Sir David Attenborough’s latest nature series has received five-star reviews from critics, one of whom says it may be the BBC’s “best wildlife show ever”.

Seven Worlds, One Planet, the Mail’s Christopher Stevens says, is “visually magnificent” and has photography that is “almost abstract in its beauty”.

The show, says the Telegraph’s Michael Hogan, is “another landmark series” from “the indefatigable Sir David”.

(16) IPO. “Virgin Galactic: Branson’s space firm set for stock market launch”.

Virgin Galactic, the space venture backed by Sir Richard Branson, is ready to launch – not into space but on the New York Stock Exchange (NYSE).

Shares in Virgin Galactic are set to start trading on Monday, a first for a space tourism company.

The move follows Virgin’s merger with publicly-listed Silicon Valley holding firm Social Capital Hedosophia.

That deal brought $800m (£624m) to Virgin as it rushes to meet its goal of sending customers to space in 2020.

Taking the firm public will “open space to more investors and in doing so, open space to thousands of new astronauts,” Sir Richard said at the time.

…The company, founded in 2004, has spent more than $1bn developing its programme, which is years behind schedule and took a hit after a fatal accident in 2014.

However, Virgin has told investors it hopes to make 16 trips to space with customers as soon as next year.

In a presentation, it predicts that revenue will skyrocket as the number of flights increases.

In 2023, the expects to make 270 trips to space, bringing in nearly $600m and generating profit of more than $430m.

About 600 people, including pop star Justin Bieber, have already put down deposits for the 90-minute experience at a price of about $250,000 per ticket, according to the company.

(17) AROUND THE WORLD IN A LOT OF DAYS. NPR takes note when “Secret Air Force Space Plane Lands After More Than 2 Years In Orbit”.

After a record-breaking 780 days circling the Earth, the U.S. Air Force’s mysterious X-37B unmanned space plane dropped out of orbit and landed safely on the same runway that the space shuttle once used.

It was the fifth acknowledged mission for the vehicle, built by Boeing at the aerospace company’s Phantom Works.

“Today marks an incredibly exciting day for the 45th Space Wing,” Brig. Gen. Doug Schiess, 45th Space Wing commander, said in a statement. “Our team has been preparing for this event, and I am extremely proud to see their hard work and dedication culminate in today’s safe and successful landing of the X-37B.”

As in previous missions, many of the details about the vehicle’s activities in the past two years are being kept under wraps. One experiment was to “test experimental electronics and oscillating heat pipe technologies in the long-duration space environment,” according to the Air Force statement.

Randy Walden, the director of the Air Force Rapid Capabilities Office, said the latest X-37B mission “successfully hosted Air Force Research Laboratory experiments, among others, as well as providing a ride for small satellites.”

“The statement that this @usairforce X-37 flight deployed small satellites is alarming, since the US has not reported those deployments in its UN Registration Convention submissions,” McDowell tweeted. “This would be the first time that either the USA or Russia has blatantly flouted the Convention.”

[Thanks to Nicholas Whyte, Andrew Porter, JJ, Chip Hitchcock, John King Tarpinian, Mike Kennedy, Martin Morse Wooster, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]