Pixel Scroll 7/7/18 It’s My Pixel, And I’ll Scroll If I Want To

(1) MODEL RAILROADING. A hobbyist told readers of the ModelTrainForum this layout accessory will be available this fall from Menard’s Model Train Company —

(2) ALIEN RETURNS? Website Omega Underground is reporting on a rumor that a series set in the Alien universe may be on its way to a cable network or streaming service. The story notes that the franchise will celebrate it’s 40th anniversary in 2019. Article writer Christopher Marc claims to have multiple sources for at least parts of a rumor that a TV series may be in the offing to mark that occasion.

With the Alien films possibly in limbo could there be other platforms for stories outside of video games and comics?

Well, take the following as a rumor.

Back in April, a reliable source revealed to us that a series set within the “Alien universe” was being considered behind the scenes. I was able to reaffirm the rumbling with another source located in another country that was able to support some of the basic info.

What they couldn’t connect on is where it could land be it FX or a streaming platform, Hulu and Netflix were ruled out at the time.

I didn’t think much of the series rumor at the time as I had assumed it would be a big announcement for Alien Day [26 April] and would just wait, which obviously didn’t happen.

However, the rumbling resurfaced yesterday [2 July] and that something could be announced “soon”. If they plan on announcing their intentions or are aiming to release it next year to celebrate the 40th Anniversary of the Alien franchise remains to be seen.

(3) SMALL WORLD. NPR’s Bob Mondello looks at Ant Man and the Wasp — audio with soundbites, and transcription.

MONDELLO: Super-confidence – not his strong suit. But give him a good enough reason, and he’ll shrink to the occasion. What gets him going this time is multiple bad guys or gals and a mission to head for the Quantum Realm, which is subatomic. And, well, there’s a lot of plot virtually unspoilable because it makes so little sense. So why don’t we let Ant-Man’s pal Luis handle it?

(4) EPIC OF THE LUCAS MUSEUM. Paul Goldberger tells Vanity Fair readers how the twice-spurned project landed in L.A. — “George Lucas Strikes Back: Inside the Fight to Build the Lucas Museum”.

There are a number of reasons why movie directors do not generally go around establishing museums. It is not only because most of them do not own enough artworks to put into them or have enough money to start new careers as philanthropists. If you direct movies for a living, you are accustomed to controlling just about everything that comes across your field of vision. But if you decide to build a museum, you can control very little, as George Lucas—who has plenty of art, and plenty of money—has discovered over the past several years. His quest to donate more than a billion dollars’ worth of art and architecture in the form of a brand-new public museum containing the bulk of his collection of paintings, drawings, and film memorabilia was turned down in San Francisco, driven away by opponents in Chicago, proposed again for a different location in San Francisco, and finally, last year, approved for a site in Los Angeles.

The project, which is now officially named the Lucas Museum of Narrative Art but, given its history, might just as well be called the Flying Dutchman, will take the form of a dramatic, swooping, cloud-like structure designed by the Chinese architect Ma Yansong, in Exposition Park, adjacent to the Los Angeles Memorial Coliseum.

What Lucas is now building—ground was broken on March 14, and there is already an excavation so large that it looks like a massive earthwork if you view it from an airliner approaching Los Angeles International Airport—could not be more different from where he started out. The museum’s original incarnation, proposed for waterfront land within the Presidio national park, with views of the Golden Gate Bridge, was a grandiose, heavy-handed Beaux-Arts building that Lucas, who prides himself on his love of both art and architecture, insisted was the only thing appropriate for that site. That first version was called the Lucas Cultural Arts Museum, a title as awkward semantically as the building was architecturally. Its unveiling, in 2013, marked the beginning of a multi-year saga that would come to have nearly as many dramatic clashes as you’ll encounter in Lucas’s Star Wars, and almost none of the amiability of his American Graffiti.

No one back then had the slightest idea that the proposed museum would provoke a major backlash in not one but two American cities, or that it would finally come to rest in Los Angeles, a location that carries no small degree of irony, since it is a city that Lucas built much of his identity as a filmmaker on spurning. Although he studied film at the University of Southern California and has been a major supporter of its film school, he has lived and worked in Northern California for most of his life, and for years he made something of a fetish of avoiding Los Angeles as much as possible. Although Lucas bought a $33.9 million estate in Bel Air last year, which will allow him to be close to the museum as it rises, he still spends most of his time either in Marin County, north of San Francisco, or in Chicago, where his wife, Mellody Hobson, a Chicago native who is the president of a financial firm, Ariel Investments, is based. Chicago, of course, would become the second city to find itself the recipient of what Lucas felt to be his unrequited love.

(5) TODAY IN HISTORY

  • July 7, 1955 — The sf radio program X-Minus One aired Robert Heinlein’s “The Green Hills Of Earth” for his birthday.

(6) TODAY’S OTHER BIRTHDAYS

  • Born July 7 – Shelley Duvall, 69. Executive Producer of Faerie Tale Theatre, performer in Popeye as Olive Oyl, also Twilight Zone, Time Bandits, The Shining, and Ray Bradbury Theater to name some of her genre work.
  • Born July 7 – Billy Campbell, 59. The Rocketeer of course, but also series work in STNG, Dead Man’s Gun, The 4400, and Helix, plus a role in the Bram Stoker’s Dracula film.

(7) COMICS SECTION.

  • Chip Hitchcock found out how monsters cosplay in Bizarro.

(8) PERSONAL SFF HISTORIES. Fanac.org has posted an interview recorded at Philcon 2017 — Samuel R. Delany & Tom Purdom on the Science Fiction community.

Chip Delany and Tom Purdom talk informally about their experiences in science fiction in this audio tape with images. You’ll hear some startling stories about the Nebulas, and about writers such as Judy Merril, Walter Miller, and Fred Pohl. Tom talks about his introduction to science fiction and fandom in the 50s, and the fannish equivalent of the internet. This is a low key, entertaining session, held in the Philcon con suite. It’s an interesting take on how different fandom is for these two authors. Note: there is some choppiness in the audio during the last 15 minutes. Introduction by Gene Olmstead, and questions by Joe Siclari.

 

(9) DOOMED. Ansonia smeago, named for resemblance to Gollum, is in deep trouble – the BBC has the story: “Lord of the Rings toad on brink of extinction”.

A toad named after the character Gollum in the fantasy novel Lord of the Rings has joined the latest list of animals deemed at risk of extinction.

The amphibian lives not in the Misty Mountains, but on a Malaysian mountain.

The toad got its name from Gollum, also known as Sméagol, in Tolkien’s trilogy because scientists saw similarities between the two….

(10) CLARKE. David Doering discovered Arthur C. Clarke prophesying about developments in tech in a letter of comment from the August 1941 issue of Voice of the Imagi-nation.

2 July:    “Many thanks for the April and May VoM’s which arrived this morning. For the last couple of months I have been in London learning all about radio. This is the sort of work that suits me down to the ground so I am having a fine time with vector diagrams, resonant circuits, valve [tube] characteristics, and the intriguing complexities of A.C. theory. I am hoping that I shall be able to learn about radiolocation eventually – the dear old ‘detector screen’ of science fiction at last! Another scoop for sf, when you think about it.

I’m thinking that the rocket will be the next thing that will hit the war (in more ways than one!) as it is a well-known fact that the Italians have had a jet propelled plane flying for some time [the Caproni Campini N.1], and the Nazis have been using rockets to assist take-off of heavily loaded bombers. After that (or perhaps before) will be atomic power, I fear. Then the fat will be in the fire…..

Arthur “Ego” Clarke

(11) BETTER LATE. Hey, I’m liking this. From 2010, Robin Sloan’s “The Wrong Plane”.

…I showed up at the old gate, handed over my boarding pass—printed at home on an aging Epson inkjet that will no longer produce the color red—and the little scanner beeped in protest, but it was lost in the din of the boarding process, and I kept shuffling, half-asleep, and the gate agent kept shuffling, half-asleep, and everything just shuffled along.

Or maybe, through some strange printer error, my Epson smudged the bar-code in such a way as to produce an encoded string that passed muster. Maybe my boarding pass was defective and yet, presented at precisely the right wrong gate, effective. I realize this explanation is totally implausible, but I found myself drawn to it—because of what I saw out the window.

First, the ocean. Nothing out of the ordinary, except that it was the ocean, and we weren’t supposed to be flying over the ocean.

Second, the sky. An electric globe, ramping from pink at the horizon to indigo high above us, speckled generously with white curlicues, little cloudlets shaped like commas and tildes. They were distributed evenly across my entire field of vision. Not an impossible sky, but an extraordinary sky.

Third, the plane. I was sitting on the wing. It curved away from the fuselage like a giant sickle, and it had a mirror finish like a blade, too, reflecting the pink and blue of the sky. Its length was physics-defying (and I know wing physics); it tapered to a sharp point that looked about a mile away. This was not the United shuttle….

(12) ONCE MORE INTO DINOSAUR KINGDOM II. In the Washington City Paper, Pablo Maurer profiles Dinosaur Kingdom II and reveals that one of Mark Cline’s inspirations for mashing together the Civil War and dinosaurs was Ray Harryhausen — “In Central Virginia, Dinosaurs Still Walk the Earth”.

…Cline’s latest creation is difficult to describe. Just up the highway from his studio, it’s part nature trail, part haunted house, part art gallery.

The story goes something like this: It’s 1864. The Union army is shelling Lexington, and one of their cannon rounds inadvertently disturbs some sleeping dinosaurs in the caverns below. The Yanks, determined to harness the power of their new ancient friends, weaponize them and turn them loose on Confederate troops. That plan, though, backfires. What ensues is a massacre of prehistoric proportions.

Also involved: a pterodactyl flying off with the Gettysburg Address, a re-incarnated Stonewall Jackson fitted with a mechanical arm, slime-colored creatures plucked straight from a low-budget horror flick. There is all of this, and more, at Dinosaur Kingdom II….

Cline says some of the inspiration for Dinosaur Kingdom II comes from the 1969 fantasy flick The Valley of the Gwangi, which tells the story of a wild-west stunt show that stumbles upon and corrals a herd of dinosaurs. He melded that inspiration together with a bit of history. “I started thinking—60 percent of the battles in the Civil War were fought in Virginia. And Robert E. Lee and Stonewall Jackson are buried right here around Lexington. So I blended the two ideas together. Like chocolate and peanut butter.”

(13) CAN’T LOOK AWAY. It’s not just the moon that’s made of this stuff… GeekTyrant invites you to “Watch The Fantastically Cheesy Trailer For Indie Sci-Fi Film ALIEN EXPEDITION”.

If you loved the indie film Turbo Kid, you’re absolutely going to love this. Alien Expedition takes the genre of intentional sci-fi camp and does it some real justice in its two-minute trailer. I for one am really hoping one of the streaming services snags this film up so I can watch it without having to do a lot of searching months from now. …Watch the film’s website for information on a potential release date….

 

(14) BLUE MOON, NOW I’M NO LONGER ALONE. [Scroll item compiled by Mike Kennedy.] Jeff Bezos’ Blue Origin space flight company has announced a program named Blue Moon [GeekWire link] [Business Insider link] to land a spaceship on the Moon no later than 2023. Speaking for Blue Origin, business development director A.C. Charania said the program is “our first step to developing a lunar landing capability for the country, for other customers internationally, to be able to land multi metric tons on the lunar surface.” He continued, “Any permanent human presence on the lunar surface will require such a capability.” He also said, “Blue Moon is on our roadmap, and because of our scale, because of what we see from the government, we brought it a little bit forward in time. I think we are very excited to now implement this long-term commercial solution with NASA partnership.”

This is only one of Blue Origin’s ongoing goals, albeit the most recently announced. They’ve already missed an earlier goal to have human suborbital test fights by 2017  something that’s now hoped before the end of 2018. Tickets for paying sub-orbital passengers may be available in 2019. Meanwhile, they’re developing a new rocket engine (the BE-4) to be used for an geostationary-orbital-class rocket, the New Glenn. Some launches for the New Glenn are already booked for the early 2020’s.

(15) VIDEO OF THE DAY. WernAcular on Vimeo answers this question: wouldn’t your film sound MUCH classier if Werner Herzog narrated it?  Well, with WernAcular, everyone can be Werner Herzog!

[Thanks to Mike Kennedy, John King Tarpinian, JJ, Cat Eldridge, Martin Morse Wooster, Andrew Porter, Chip Hitchcock, David Doering, and Carl Slaughter for some of these stories,. Title credit goes to File 770 contributing editor of the day Joel Zakem.]

Pixel Scroll 6/12/18 Your Mother Was A Scrollster And Your Father Smelt Of Pixelberries! I File In Your General Direction!

(1) ON WITH THE SHOW, THIS IS IT. Deadline learns “‘Looney Tunes’ Getting Short-Form Revival At WB Animation”.

Warner Bros Animation is creating a new series of short-form cartoons based on the studio’s iconic Looney Tunes Cartoons franchise featuring the likes of Bugs Bunny, Daffy Duck and the gang that will harken to the original Looney Tunes theatrical shorts. The studio said today multiple artists will produce 1-6 minute shorts “written” and drawn by the cartoonists allowing their own personality and style to come through.

The plan is to produce 1,000 minutes each season, with the content to be distributed across multiple platforms including digital, mobile and broadcast…

(2) ADVANCE WORD. “How incredible is Incredibles 2? The critics give their verdicts” in a BBC roundup.

Fourteen years on from The Incredibles, a sequel to Pixar’s hit animation has arrived – and it’s “worth the wait”.

That’s the verdict of the Hollywood Reporter, which praises its “engaging” characters and “deep supply of wit“.

Screen International lauds the film’s “kinetic elan“, while Forbes called it “funny, thoughtful and thrilling”….

(3) GOOD POINT. Concern for passing on a legacy is surprisingly absent from many corners of fandom.

(4) BULLIED. ScreenRant tells the story of “5 Actors Who Were Bullied Off Social Media By Angry Fans.”

Let’s kick this whole thing off with a very obvious and very simple fact that shouldn’t even need stating: Actors are NOT the same as the characters they play. When they’re in movies or television shows, they’re ACTING (the clue is in the word “actor”). And if you’ve ever bullied an actor because of something their CHARACTER did – online or otherwise – you really do need to take a long hard look at yourself! That being said, sadly, cowardly bullying of that nature happens all the time in the modern world – it’s particularly easy to do from behind a computer screen when you have a picture of a cat as your profile picture – and, rather unsurprisingly, the actors on the receiving end don’t like it very it much. In this video, we’ll take a look at five actors who were ruthlessly and senselessly bullied off social media (Twitter, Facebook, Instagram etc) by angry so-called “fans” of their movies and TV shows who simply didn’t think before they spoke (N.B. You’re absolutely NOT a fan if you’ve ever done this). The actors in question are; the Star Wars sequel trilogy’s Daisy Ridley, Star Wars: The Last Jedi’s Kelly Marie Tran, Ghostbusters’ Leslie Jones, The Walking Dead’s Josh McDermitt and Game of Thrones’ Faye Marsay.

 

(5) JACKPOT HGHWAY. What do you get when you combine Heinlein’s “Let There Be Light” with “The Roads Must Roll” (give or take a few details)? Roads paved with solar panels! The New York Times has the story — “Free Power From Freeways? China Is Testing Roads Paved With Solar Panels”.

On a smoggy afternoon, huge log carriers and oil tankers thundered down a highway and hurtled around a curve at the bottom of a hill. Only a single, unreinforced guardrail stood between the traffic and a ravine.

The route could make for tough driving under any conditions. But experts are watching it for one feature in particular: The highway curve is paved with solar panels.

“If it can pass this test, it can fit all conditions,” said Li Wu, the chairman of Shandong Pavenergy, the company that made the plastic-covered solar panels that carpet the road. If his product fares well, it could have a major impact on the renewable energy sector, and on the driving experience, too.

(6) EMERGENCY BACKUP SIXTH ITEM. (Someone noticed I left a gap in the numbering.) Syfy Wire calls these The 13 best friendships in sci-fi & fantasy.

As we alluded to earlier, it was Sam who literally carried Frodo at a critical point in The Lord of the Rings trilogy. But Frodo would have been lost to the ring long before that if his best friend hadn’t accompanied him. In terms of trios, Harry Potter, Hermione Granger, and Ron Weasley could face almost anything together. The original Star Trek also had a core trio of friends: Kirk, Spock, and McCoy.

 

(7) ALTERNATE UNIVERSE NEWS. Kevin Lincoln, in “What If Star Wars Never Happened?” at Polygon, has an alternative universe where George Lucas passes on Star Wars to direct Apocalypse Now (which comes out in 1976), which begins a chain of events including the election of Al Gore in 2000 and the non-existence of Netflix.

The 1970s

Hot off the runaway success of 1973’s American Graffiti, which becomes one of the most profitable movies ever made, 29-year-old George Lucas tries to write a script about a moral, expansive universe filled with mysterious power and mythological heroes and villains. The first treatment he produces is, by many accounts, incoherent. Discouraged by the negative response, he decides to take up his friend Francis Ford Coppola’s offer to direct a Vietnam War movie called Apocalypse Now, written by their other friend, John Milius.

Lucas brings the film in on time and just barely over budget, delivering a well-reviewed movie shot in cinema-verite style that draws comparisons to The Battle of Algiers and Z. But audiences are tired of the Vietnam War, which had finally ended in 1975, and when the movie comes out in 1976, it’s a modest success rather than a breakout hit like Graffiti. However, combined with the success of The Godfather II in 1974, it’s enough to impress the holders of the rights to Flash Gordon, who earlier refused Lucas’ offer to adapt the property. They agree to allow him to make a movie based on the character, produced by Coppola.

(8) SNAP, CRACKLE AND PLOT. Atlas Obscura tells about the importance of some low-tech effects: “Why Foley Artists Use Cabbage and Celery to Create Hollywood’s Distinctive Sounds”.

In one of the final scenes of James Cameron’s Titanic, Rose (played by Kate Winslet) clings to a floating headboard, a piece of debris from the shipwreck that claimed over 1500 lives. A delirious Rose, adrift in the freezing ocean, sees a rescue team in the distance and moves her head. As she lifts her frozen hair off the wood, it crackles audibly.

But Rose’s hair never actually crackled, and the sound wasn’t made by hair at all: It was the sound of frozen lettuce being peeled by Foley artists in a studio. While subtle to the ear, and almost unnoticeable amidst the dialogue, score, and other sound effects, the crackle is critical to amplifying the scene’s drama. And it’s the responsibility of Foley artists to forge these unique sounds in post-production, often from lettuce heads, coconuts, and other foods.

It’s an uncharacteristically overcast May day in Culver City, California—an enclave within Los Angeles where many production studios are found. I’m at Sony Pictures, where two of the studio’s resident Foley artists, Robin Harlan and Sarah Monat-Jacobs, recount the struggle to make Rose’s frozen hair sound like frozen hair. First they tried freezing a wig, but that didn’t work. Velcro didn’t do the trick, either. Later, Harlan was at home and, while making herself a sandwich, found that a head of lettuce’s crackle worked perfectly. “They really wanted to hear the sound of frozen hair pulling off of this wood bedstead, but I mean, you can’t really freeze your own head,” says Harlan.

(9) PETERS OBIT. Only just announced… Luan Peters (1946-2017): Actress and singer, died December 24, 2017, aged 71. Genre appearances include Doctor Who (two episodes, 1967 and 1973), Randall and Hopkirk (Deceased) (aka My Partner the Ghost, one episode, 1969), Lust for a Vampire, Twins of Evil  (both 1971), The Flesh and Blood Show (1972), Vampira (aka Old Dracula, 1974), Land of the Minotaur (aka The Devil’s Men. 1976).

(10) TODAY IN HISTORY

  • June 12, 1987 Predator premiered on this day
  • June 12, 2012 — Ray Bradbury’s Kaleidoscope went into general release.
  • June 12, 2015 Jurassic World debuted

(11) COMICS SECTION.

  • Frazz discusses an application of Sturgeon’s Law but Mike Kennedy doesn’t think the math works.
  • Lise Andreasen asks if you can pass all four of the Turing Tests posed in Tom Gauld’s comic?

(12) POINT OF EXCLAMATION. Do not miss Camestros Felapton’s “Beard Subgenres (Crossover event!)” unless you have something important scheduled, like sorting your sock drawer. Just kidding!

Combining our occasional series of pointless infographics, with our occasional series of misclassifying mundane things by sub-genres of SFF and our occasional series of pictures of beards, Felapton Towers presents: beards by subgenres!

(I have no idea how I am going to justify linking to this. There’s not even a cat this time.)

(13) LEVEL-HEADED. This amazing movie technology advance is still news to me – million dollar idea:

instead of spending thousands of dollars on steady-cam equipment, filmmakers should just attach a camera to the head of a chicken and carry the chicken around as you film.

(14) ERRANT PEDANTRY. Marko Kloos volunteered these examples –

(15) TIDHAR. Jonathan Thornton reviews Candy by Lavie Tidhar” at Fantasy-Faction.

Candy is Lavie Tidhar’s first book for children. It is a perfectly pitched noir take on Charlie and the Chocolate Factory (1964). Its delightful premise following a twelve-year-old private detective in a city where chocolate, candy and sweets are banned. As such the book is both fun and amusing. However, as with Tidhar’s earlier work, his playful approach to genre is in service to the story’s hidden depths. He uses the trappings of noir detective tales to tell a subversive children’s story about corruption, the exploitation of vulnerable communities, and the limits of justice. The end result is a novel that for all its joyous sense of fun still packs a surprising emotional and philosophical punch.

(16) OUTCOME OF SENSITIVITY READ. At The Book Smugglers: “Between the Coats: A Sensitivity Read Changed my Life – an Essay by Sarah Gailey”.

I’m queer, which is why I always thought I’d be dead by now….

… I was a new writer, alien to the writing community, completely unaware of the conversations about queer representation that had been developing for years before I’d thought to write a single word of my story. It didn’t occur to me that queer tragedies like that are part of an agenda, and that the agenda had been working on me for a long time. That agenda had succeeded at keeping me quiet and scared and lonely in ways that I thought were fine, just fine, thanks, how are you? That agenda had succeeded at making me hold my breath. Because of that agenda, I spent my days hoping that no one ever noticed me.

None of that entered my mind, not even once. I thought I was writing in-genre. Fantasy stories have magic. Science fiction stories have rules that I don’t always understand because I somehow got through high school without taking a physics class. Queer stories have death.

And then I got some feedback on the story from a sensitivity reader. They had volunteered to make sure I wasn’t screwing up on a particular point of representation — but they took issue with the story as a whole. They told me emphatically that I should reconsider writing a queer tragedy; that it was a trope, that it was harmful to readers, that it was overused and dangerous. I took the feedback with mortifyingly poor grace. I was lucky enough to be quickly corrected on my behavior. In the wake of that correction, trying to figure out which way was up, I asked friends for help processing the critique.

My straight friends said it was bullshit. They said there was nothing wrong with queer tragedies — that queer people dying again and again was fine. Queer people are just people, and people die, they said. That’s just how it is. Really, it’s best not to overthink it. Go ahead and Forget.

My queer friends didn’t tell me that. Instead, they pointed me to articles and blog posts and callouts pointed at the Bury Your Gays trope. They talked to me about representation with more patience than I deserved. Many of them said that it was okay that I didn’t know, because a lot of straight writers don’t think about these things….

(17) HORRIFIC SCENARIO. In “‘Rosemary’s Baby’ at 50: How the horror classic is more relevant than ever in the #MeToo era”, Yahoo! Entertainment writer Nick Chasger looks at Rosemary’s Baby on its 50th anniversary in the wake of both director Roman Polanski and star Mia Farrow’s role in the #MeToo movement.

Focused on a powerless (and physically slight) female who’s marginalized, assaulted, and controlled in equal measure, Rosemary’s Baby soon becomes a terrifying tale about misogyny’s many guises. As the thing growing in her womb makes her sicker and sicker, her face so ashen that friends can’t help but remark upon it, Rosemary is made to feel crazy as well as helpless. That’s most evident when, after getting into an argument with Guy over her description of Sapirstein as “that nut,” she makes sure to assuage her husband that she’s not going to have an abortion — an option that, it’s clear, she doesn’t have the right to choose, even if she wanted.

(18) VOICE OF COMMAND. A new scheme for playing video games….

For the very first time ever, take your rightful place as the Dragonborn of legend (again) and explore Skyrim using the power of your own voice…your Thu’um!

 

[Thanks to Martin Morse Wooster, ULTRAGOTHA, Steve Green, JJ, John King Tarpinian, Lise Andreasen, Cat Eldridge, Chip Hitchcock, Mike Kennedy, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day jayn.]

Pixel Scroll 3/15/18 Yon Pixel Has A Lean And Hungry Look

(1) LUCAS MUSEUM. NBC Los Angeles was there for Wednesday’s ceremony: “George Lucas’ $1 Billion Museum Breaks Ground in Exposition Park”.

The Lucas Museum of Narrative Arts in Exposition Park is beginning to take shape in Los Angeles’ Exposition Park area.

Filmmaker George Lucas and wife Mellody Hobson were at a groundbreaking Wednesday for the $1 billion museum. The museum will house works by painters such as Edgar Degas, Winslow Homer and Pierre-Auguste Renoir; illustrations, comic art and photography by artists such as Norman Rockwell, Maxfield Parrish and N.C. Wyeth; as well as storyboards, props and other items from popular films. It will be a “barrier-free museum” where “artificial divisions between `high’ art and `popular’ art are absent,” according to the museum’s website.

“It will be beautiful. It will be 11 acres of new parkland here,” Hobson said. “Everyone always wonders why we are doing so much to make this building stand out. George said, ‘I want an iconic building. I want a child to look at this building and say I want to see what is inside of that building.’ The building itself is a piece of art that will be in this park that we’re creating for this entire community and the world.”

The museum plans to feature a five-story building with 300,000 square feet of floor area for a cafe and restaurant, theaters, office space, lecture halls, a library, classrooms, exhibition space and landscaped open space.

Lucas told a CBS News interviewer:

Movies, including the “Star Wars” series, will be featured in exhibits showing what it takes to make a film, from set designs to character and costume sketches. There will be film storyboards and comic art. But the museum will also display paintings by Renoir, N.C. Wyeth, Winslow Homer, Maxfield Parrish and Norman Rockwell – all from Lucas’ private collection.

“I think more people will come in for Rockwell than will come in for ‘Star Wars,'” Lucas said.

“Norman Rockwell can tell a whole story in one picture,” Lucas said.

“When were you captivated by Rockwell?” Blackstone asked.

“When I was 8 years old… I wanted to be an illustrator. I wanted to be able to do that,” Lucas said. “I wanted to be able to do pictures that have a message that appeals to a lot of people.”

Art that tells a story inspired him to tell stories. That narrative art is what Lucas will share in his museum.

(2) ANNIHILATION. Camestros Felapton has eyeballed the evidence and delivered his verdict: “Review: Annihilation (movie 2018 – Netflix)”.

The film (which had a very limited cinema release in the US and then a Netflix release internationally) is a different creature than the book. Events have been changed, plot elements removed, characters adjusted and the structure of the story altered. All of which seems to have been a good idea. The film carries the same sense of paranoia and wonder as the book and the same theme of people trying to cope when confronted with the incomprehensible. However, it has been remade into its own thing – a story with its own structure and characters that shares DNA with the book but which follows its own course.

(3) HELP WANTED. Journey Planet wants contributors for a Star Wars theme issue —

Regular Editors Chris Garcia and James Bacon, joined by Will Frank, have set out to create an issue of Journey Planet dedicated to the legendary Star Wars Universe. The issue, set for a May 4th release, will look at the films, the universe, the fans, the books, the comics, the toys, the Irish Connection and the meaning of the greatest of all science fiction franchises!

We want to hear from you if you are interested in contributing. We have an instant fanzine and are soliciting pieces, from short pieces on the first time you saw the films, about your massive collection of Star Wars figures (Mint-on-Card, of course)

We already have a beautiful cover by Sarah Wilkinson.

Please contact — journeyplanet@gmail.com

Tell us what you’d like to write about. Then content submission Deadline is April 17th

And may the Force be with you!

 

(4) HAL/ALEXA. So how is this invention supposed to parallel the workings of HAL-9000 – by preventing people from getting back into their homes? The Verge tells us “This replica of HAL-9000 from 2001: A Space Odyssey comes with Amazon’s Alexa built in”.

HAL-9000, the malevolent supercomputer at the heart of Stanley Kubrick’s classic 2001: A Space Odyssey, is an icon of science fiction cinema. So much so, that if you ask any one of the virtual assistants to “Open the pod bay doors,” they’ll dutifully parrot HAL’s lines from the movie back at you. Now, Master Replicas Group wants to take that step a bit further, turning HAL into a virtual assistant that can control your home.

The company name might be familiar to prop and costume fans: the original Master Replicas produced a range of high-quality props from franchises like Star Wars and Star Trek before going out of business a decade ago. If you’ve seen someone swinging around a lightsaber, there’s a good chance it’s one of Master Replicas’ props, or based off of their models. The new company is made up of several former employees, who are getting back into the prop replica business with a new range of products, including an interactive replica of HAL.

This isn’t the first time that someone’s thought about putting HAL into your home’s smart devices: a couple of years ago, fan prop-maker GoldenArmor made its own version that allows someone to mount it over their Nest thermostat. MRG’s prop goes a bit beyond that. It recently obtained the license from Warner Bros. to create an exact replica of the iconic computer, and while most prop replicas are static recreations of a movie or film prop, this version is designed to be interactive, using Amazon’s smart assistant, Alexa.

A humorous video simulating “If HAL9000 was Amazon.com’s Alexa” has already gone viral —

(5) TODAY IN HISTORY

  • March 15, 1956 Forbidden Planet premiered.
  • March 15, 1967 Frankenstein Created Woman stitched together a story for the theaters.
  • March 15, 1972 Slaughterhouse Five was first released theatrically.

(6) IS IT VINTAGE? Mark Kelly considers the sequel to Dandelion Wine in “Ray Bradbury: FAREWELL SUMMER”.

RB provides an afterword to this book, also, in which he explains where this book came from. In the mid 1950s (several years after the successes of THE MARTIAN CHRONICLES and THE ILLUSTRATED MAN)  he submitted a manuscript to his publisher, Doubleday, for the book that became DW. But that original manuscript was too long and his editor suggested cutting it. RB quotes his reply (p210 in FS): “ ‘Why don’t we published the first 90,000 words as a novel and keep the second part for some future year when you feel it is ready to be published.’ At the time, I called the full, primitive version The Blue Remembered Hills. The original title for what would become Dandelion Wine was Summer, Morning, Summer Night. Even all those years ago, I had a title ready for this unborn book: Farewell Summer.”

With DANDELION WINE such an entrenched classic, it’s difficult to imagine how the content of FAREWELL SUMMER could have been incorporated into it. That would have been a completely different book. As it came to be, DW has a perfect story arc, across one summer in the life of a 12-year-old. Yet even as a leftover, on its own, FS is a quite different, a rather oddly amazing and moving, book.

(7) WHEATON MEETS SHATNER. In this video, Wil Wheaton acts out meeting William Bleeping Shatner when ST:TNG was in its second season.

The filming of Star Trek 5 happened only a few doors away from Star Trek The Next Generation, Giving Wil Wheaton (Wesley Crusher) the chance to meet his idol William Shatner, it didn’t go as well as he had hoped…

 

(8) LAST-MINUTE CAMPAIGNING. We’re annually snowed under by award eligibility posts, but it’s strange to see them still arriving with less than 24 hours left to nominate, when voters no longer have time to read/listen to the person’s recommended body of work.

Lawrence Schoen urges consideration of his Eating Authors blog:

Every Monday morning*, since June of 2011, I’ve put out a blog post featuring authors and their most memorable meals. That’s more than 350 stories of incredible food, amazing dinning companions, astonishing circumstances, and remarkable settings.

And Crystal Huff points to a year’s worth of tweets:

(9) POOP HAPPENS. From Pitchfork we learn: “Neil Young Writing a Sci-Fi Novel Called Canary”.

Neil Young recently sat down with Rolling Stone’s Patrick Doyle to discuss his role in the upcoming film Paradox. In the midst of the interview, he opened up about the sci-fi novel he’s been writing. It’s called Canary, and Young said it focused on a power company employee who gets caught exposing the corruption at his workplace. “He discovers the solar company he works for is a hoax,” he explained. “And they’re not really using solar. They’re using this shit—the guy who’s doing this has come up with a way to make bad fuel, the bad energy, this really ugly terrible stuff, and he’s figured out a way to genetically create these animals that shit that gives the energy to make the [fuel]. So he’s created this new species. But the species escapes. So it’s a fuckin’ mess. It’s a long story.”

Young said he already has a New York agent on board with the project, but didn’t share a possible publication date. He also got candid when it came to the topic of retirement tours. “When I retire, people will know, because I’ll be dead,” he said. “I’m not gonna say, ‘I’m not coming back.’ What kind of bullshit is that? I could go out and play if I felt like it, but I don’t feel like it.”

(10) SHETTERLY. Are Will Shetterly’s and Jon Del Arroz’ situations alike? JDA evidently thinks so.

(11) YO HO NO. Fraser Sherman is teed off: “Books are too expensive, so it’s okay to pirate them. Oh, really?”

I have no sympathy for this crap. In the many years I did the struggling-writer shtick, I saw lots of books I couldn’t afford. I didn’t steal copies. I wouldn’t do it if I were still struggling. If it was a paper copy, would they shoplift it from Barnes & Noble if they thought it was overpriced? Or how about a restaurant — if the service takes too long (the “they don’t release it fast enough” argument), does that mean they’re entitled to steal food from the salad bar? Soft drinks cost a fraction of what they sell for, does that make it okay to steal them? Or movie tickets — lord knows those are outrageously priced, but does that justify sneaking in without paying?

(12) THE JEOPARDY BEAT. Rich Lynch says tonight’s episode of Jeopardy! included this answer:

A contestant got it right.

(13) GOT OBSIDIAN? “Changing environment influenced human evolution”: a site in Kenya is “the earliest known example of such long distance [25-95km] transport, and possibly of trade.”

Early humans were in the area for about 700,000 years, making large hand axes from nearby stone, explained Dr Potts.

“[Technologically], things changed very slowly, if at all, over hundreds of thousands of years,” he said.

Then, roughly 500,000 years ago, something did change.

A period of tectonic upheaval and erratic climate conditions swept across the region, and there is a 180,000 year interruption in the geological record due to erosion.

It was not only the landscape that altered, but also the plant and animal life in the region – transforming the resources available to our early ancestors….

(14) STORAGE WARS. That stuff sure looked familiar…. “Police: Marvel fan spotted his $1.4M collection for sale online”.

Police in California said two men were arrested on burglary charges after a man discovered his $1.4 million collection of Marvel super hero memorabilia for sale online.

The San Bernardino County Sheriff’s Office said the Rancho Cucamonga Police Department responded Feb. 22 to a storage facility where a man discovered his collection of Marvel collectibles had been stolen after he was made aware that some of his items were listed for sale online.

(15) LATE NIGHT NERDS. Joel Zakem spotted this TV highlight: “Steven Colbert talks to Paul Giamatti about Science Fiction and used book stores during the first 5 minutes of this interview from yesterday’s Late Show. It’s probably the only time you will hear Henry Kuttner and Avram Davidson mentioned on late night TV.” — “Paul Giamatti And Stephen Are Science Fiction Nerds”

‘Billions’ star Paul Giamatti gets some gifts or reading assignments from Stephen, depending on how you look at them.

 

[Thanks to John King Tarpinian, JJ, Chip Hitchcock, Joel Zakem, Martin Morse Wooster, Carl Slaughter, Cat Eldridge, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Owlmirror.]

Pixel Scroll 1/7/18 Your Majesty Is Like A Scroll With Pixels On Top

(1) BOOK SMUGGLERS AT 10. Happy birthday to The Book Smugglers. They celebrated their tenth anniversary today:

Welcome to Smugglivus 2017: A Year In Review. Today, January 7, 2017, is our bloggoversary–and it’s a big one. Today we officially turn ten years old. To celebrate, we’re looking back at 2017 to document our year, as well as our top 10 moments since starting The Book Smugglers a decade ago.

A lot of interesting achievements and reminiscences in this post.

(2) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Myke Cole and Joseph Helmreich on Wednesday, January 17, 2018, 7 p.m. at the KGB Bar (85 East 4th Street, New York).

Myke Cole

Myke Cole is the author of the military fantasy Shadow Ops series and its prequel trilogy, the Reawakening series, both from Ace/Roc. His Sacred Throne series is forthcoming from Tor.com in February. His first nonfiction (military history) book, will be out from Osprey in the fall. Myke appeared on CBS’ hit TV show Hunted, as part of a team of elite investigators tracking fugitives across the southeastern United States.

Joseph Helmreich

Joseph Helmreich has contributed writing to NewsweekNY Daily News, and Tor.com, and is author of the recent sf thriller, The Return (St. Martin’s Press, March 2017) about a physicist who gets abducted by an alien ship on live TV.  When not writing, Joe is a ventriloquist, illustrator, voice-over actor and member of alternative folk duo, Honeybrick. He lives in New York City and works in film distribution.

(3) SALAM AWARD. The 2018 jury for the Salam Award will be Elizabeth Hand , E. Lily Yu and Anil Menon. The award promotes imaginative fiction in Pakistan.

Last year’s winner was Firuza Pastakia for her story The Universe is a Conscientious Gardener.

(4) FANTASY MINIATURES. Dangerous Minds showcases some cute miniature models of Fauns, Jackalopes, Dragons, Daenerys Targaryen, and Unicorns. Here’s Exhibit A:

Warning: Cuteness overload ahead

Silvia Minucelli is an engineer and freelance artisan who creates itsy-bitsy, ickle figurines using polymer clay and a toothpick—can you imagine how painstaking and difficult that must be? Minucelli produces and sells her delightful models under the name Mijbil Creatures—named after the famous otter in Gavin Maxwell’s book Ring of Bright Water.

(5) PKD ON TV. The New York Times’ Jonathan Ringer tells how “With ‘Electric Dreams,’ Philip K. Dick Gets the TV Anthology Treatment”.

…The actors attracted to the series included Bryan Cranston of “Breaking Bad” (also one of the show’s executive producers), Steve Buscemi, Maura Tierney and the avant-R&B singer Janelle Monáe. And “Electric Dreams” attracted writers and directors like Dee Rees (“Mudbound”), Peter Horton (“American Odyssey,” “Thirtysomething”) and Alan Taylor (“Game of Thrones”).

Dick’s daughter, Isa Dick Hackett, whose production company Electric Shepherd oversees adaptations of her father’s work, reached out in 2012 to Mr. Dinner, executive producer of FX’s “Justified,” and invited him to look at the short stories. “Michael really had the idea to do it as anthology,” said Mr. Moore, a friend of Mr. Dinner’s who was brought on soon after.

Mr. Dinner, who had a deal with Sony, also recruited Mr. Cranston, who, like the others, is a major Philip K. Dick fan. All four brought in people they’d worked with as well as reaching out to talent they admired. “I sent Janelle Monáe a letter and asked her if she’d want to be a part of it,” Ms. Hackett said. “I knew that she was a big fan of my dad’s.”

David Klaus sent these comments with the link:

There’s an irony in that Star Trek was sold as the first s.f. t.v. series unlike previous s.f. series which had all been anthology shows, to have continuing characters and standing sets, to reduce production costs.

It could also be said another of Robert Heinlein’s great gifts to science fiction was the typewriter he bought and gave to PKD so that he could earn his way out of being so broke he couldn’t pay a library overdue fine.

(6) BLATHER. The New York Times interviewed an expert about “How To Speak Gibberish”. And it wasn’t even a member of Congress.

… In 2014, Sara Maria Forsberg was a recent high-school graduate in Finland when she posted “What Languages Sound Like to Foreigners,” a video* of herself speaking gibberish versions of 15 languages and dialects. Incorporate actual phonology to make a realistic-sounding gibberish. “Expose yourself to lots of different languages,” says Forsberg, now 23, who grew up speaking Finnish, Swedish and English.

Assemble your raw linguistic materials. Shortly after her YouTube video went viral — it has since been watched more than 19 million times — Lucasfilm contacted Forsberg and asked her to make up a language for one of the alien fighter groups in “Star Wars: The Force Awakens.” The actors were Indonesian, so Forsberg studied online videos in various Austronesian languages including Bahasa Indonesia and Sundanese, a language spoken in western Java. “Listen for repeated syllables,” she says. Write them down phonetically. Note the rhythm of the language. Look at the way a speaker’s lips and tongue give shape to his or her words. You don’t need to be a linguist to get an impression of real syntactic rules, which you can borrow. It helps to love listening to the singsong quality of people talking. For Forsberg, “it’s like music.”…

(7) TRIVIAL TRIVIA.

A friend was watching Queen of Outer Space with Zsa Zsa Gabor and noticed the title stuff did not appear until 17 minutes into the flick.

He then recalled that George Lucas was fined by the Directors Guild for not having the opening credits.  George paid the half million dollar fine and quit the Guild — see “How famous Star Wars title sequence survived imperial assaults” at The Conversation.

Star Wars creator George Lucas had to fight to maintain his vision of going straight into the story through the use of his rolling text sequence. He thought that opening credits were nothing to do with making a movie, seeing them as an example of the old-school posturing that he and his new Hollywood contemporaries had spurned. In this he could well have been inspired by George Mélies’ A Trip to the Moon (1902), which is regarded as the first sci-fi film and avoided using any credits because the visual narrative was so strong.

Lucas did end up having to put the studio and Lucasfilm idents at the start of the reel, but he put his own directing and producing credits at the end of the film. He argued that credits would destroy the impact of the opening, and put them at the end of the film instead.

Lucas did the same thing for Empire Strikes Back in 1980, which was directed not by himself but by Irving Kershner. This time the Directors Guild of America objected, even though Kershner didn’t mind. The guild wanted the movie withdrawn from theatres, the opening re-titled with Kershner’s directing credit at a cost of US$500,000 (£1.4m today), and that Lucas pay a $25,000 fine.

Lucas was incensed and took the guild to court. When it countersued, he decided to pay the fine to avoid entangling Kershner in the dispute. It was a pyrrhic victory for the guild, however. Lucas resigned from both the writers’ and directors’ guilds and all future Star Wars opening titles were untouched and consistent with the original.

(8) TODAY IN HISTORY

  • January 7, 1929 — The Buck Rogers in the 25th Century A.D. comic strip debuted. (The character’s first appearance was in a story published by Amazing Stories in 1928.)

(9) TODAY’S BIRTHDAY BOY

  • January 7, 1934 – Flash Gordon. This has been long regarded as his “birthdate” because that was the day Alex Raymond’s strip was first published.

(10) COMICS SECTION.

(11) WOMBAT ON THE AIR. Information wants to be free —

(12) REMEMBERING THE GREAT RAY BRADBURY. Steve Vertlieb hopes you will read his piece for AmericanMusicPreservation.com, “A Ray Bradbury Remembrance (Film Music Review 14th Anniversary Special)”.

Here is my affectionate tribute to cherished friend Ray Bradbury, whose loving presence occupied my world and my heart for nearly four decades. Ray was one of the most distinguished writers of the twentieth century and, with H.G. Wells, perhaps the most influential, legendary science fiction writer of the past one hundred years. More importantly, however, Ray was a gentle little boy whose love of imagination, fantasy, and stories of other worlds influenced hundreds of writers and millions of admirers all over the world. His monumental presence upon this planet warmed and inspired all who knew him, and I was honored to call him my friend for thirty-eight years. Here, once more, is my loving remembrance of the life and world of Ray Bradbury, “I SING BRADBURY ELECTRIC.”

Steve’s article begins —

He was a kindly, gentle soul who lived among us for a seeming eternity. But even eternity is finite. He was justifiably numbered among the most influential writers of the twentieth century. Among the limitless vistas of science fiction and fantasy he was, perhaps, second only in literary significance to H.G. Wells who briefly shared the last century with him. Ray Bradbury was, above all else, the poet laureate of speculative fiction.

(13) KARMA. The house directly to the left of what was Ray Bradbury’s is listed on Air BnB and other sites as a party rental  You can even search for it by name, Cheviot Wonderland.

The large floor plan with gorgeous floor to ceiling windows overlooking the breathtaking pool area makes entertaining a breeze. With a state of the art chef’s kitchen and dining room that seats 10, tastefully dazzle your guests with a perfect setting for your dinner parties.

Los Angeles architect Thom Mayne razed Bradbury’s longtime Cheviot Hills home and built a place of his own design, which was finished in 2017.

(14) SIMULTANEITY PRINCIPLE. Andrew Porter points out there will be two conventions a few miles apart, same town, same weekend, July 27-29. Confluence is at the Sheraton Pittsburgh Airport Hotel. And Pulpfest is at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry. He says —

They’re about 8 miles apart, NW of downtown Pittsburgh. You’d think both conventions could do some sort of deal together. Maybe a shuttle between the two. I bet both sets of dealers would be happy with the exposure.

Also, judging from people’s Facebook posts, Confluence will be gaining some writers who have been trimmed from ReaderCon programming (another July convention).

(15) ANOTHER ADDICTIVE GAME. They say literally anybody can play: “China’s Most Popular Mobile Game Charges Into American Market”.

Chinese tech giant Tencent is trying to do something that’s never been done before: take the biggest online mobile game in China global.

Kings Of Glory, sometimes also translated as Honor Of Kings, boasts over 200 million monthly players worldwide. In China, it’s been reported that tens of millions play daily. The game is so popular that Tencent had to implement a daily time restriction for young players to “ensure children’s healthy development.”

(16) JUST IN TIME. The doctor will see you – right after he levels up. “Gaming addiction classified as disorder by WHO”.

Gaming addiction is to be listed as a mental health condition for the first time by the World Health Organisation.

Its 11th International Classification of Diseases (ICD) will include the condition “gaming disorder”.

The draft document describes it as a pattern of persistent or recurrent gaming behaviour so severe that it takes “precedence over other life interests”.

Some countries had already identified it as a major public health issue….

(17) MORE TRIVIA. Mad Genius Club has 10 times more people who want to read JDA’s blog than we have here. At least. Didn’t we know that already?

(18) ROWLING SITES. The Washington Post’s Tom Shroder tells how to go about “Discovering the magic of Edinburgh” in a travel piece about his visit to the places where J.K. Rowling wrote Harry Potter and the Philosopher’s Stone in longhand, and a trip to Greyfriars Graveyard, whose tombs include Thomas Riddle (the real name of Lord Voldemort).

It was the first of what I came to think of as our Edinburgh Harry Potter moments — when the ordinary Muggle reality suddenly parted to reveal something magical. As it turned out, this wasn’t entirely fanciful thinking on my part. I only discovered later that J.K. Rowling herself said, in a 2008 speech accepting the Edinburgh Award, “Edinburgh is very much home for me and is the place where Harry evolved over seven books and many, many hours of writing in its cafes.”

The city’s remarkably consistent buildings of mottled brown stone blocks, the most spectacular of them with sharply peaked roofs and ostentatious turrets, are clear inspiration for the architecture of the Hogwarts School of Wizardry. The tombstones in the fabulously gloomy Greyfriars Kirkyard in the oldest part of the city bear the names of some key Potter characters — McGonagall, Moodie and, most notably, Thomas Riddle, the birth name of Harry’s nemesis, Lord Voldemort. Tourists flock to the cafes where the then-impoverished author wrote out her stories in longhand: the Elephant House, Nicholson’s (now called Spoon), the baroquely gorgeous Balmoral Hotel.

(19) ADDRESSER UNKNOWN. An anonymous piece at write.as summarizes Jon Del Arroz’ track record and concludes —

The most mind-boggling thing of all about Jon is, he insults and harasses people, then wonders why folks don’t want him around. If you call SFWA terrorists, insult women in science fiction related podcasts, insult people in the comic industry, call folks running fandom sites bigots, then openly admit you’re going to break a convention’s rules, why would you be surprised when people start banning you? You are your own worst enemy, Jon Del Arroz. I don’t believe you anymore.

(20) WHAT THOSE TINY HANDS ARE FOR. Thanks to ScienceFiction.com I discovered this artistic triumph — “Colorado Symphony Performs ‘Jurassic Park’ Theme Led By A T-Rex”.

Last March, Colorado Symphony conductor Christopher Dragon donned a T-rex costume to lead the ensemble in a performance of John Williams’ beloved ‘Jurassic Park’ theme song. The hilarious musical moment is getting its 15 minutes of fame after a video from the concert was posted to social media.

 

[Thanks to Cat Eldridge, JJ, John King Tarpinian, Martin Morse Wooster, Chip Hitchcock, Carl Slaughter, Steve Vertlieb, Chris Garcia, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Mister Dalliard.]

Pixel Scroll 11/27/17 And All I Ask Is A Tall Scroll And A Pixel To Godstalk Her By

(1) MORE GIFT POSSIBILITIES. C.F. Payne, who has produced covers for Time and Reader’s Digest among others, has been doing portraits of various creatives (writers, artists, musicians, et al) as demos for his art students and selling them on his Etsy page. These three examples are Lucas, Méliès, and Bradbury.

(2) OFF THE GROUND. George R.R. Martin’s 10-episode Season 1 of Nightflyers has been greenlit by SyFy.

NIGHTFLYERS will be shot in the Republic of Ireland, I’m told, on sound stages in Limerick… which will give them access to the same great pool of Irish and British actors that GAME OF THRONES has tapped in Belfast (and considering how many characters we’ve killed, a lot of them should be available). … If all goes according to schedule, the series should debut this summer, in late July. It will be broadcast on SyFy in the USA, and on Netflix around the world.

(3) ROOM DISRUPTION. Arisia 2018 takes place January 12-15 in Boston, but they just learned they’ll have to get by with almost 200 fewer rooms in their main hotel.

Q: What happened?

A: In early November the Westin informed us that its parent company has scheduled guest-room renovations. These renovations will be happening all winter and overlap the convention. During Arisia, three floors of guest rooms will be unavailable.

“Innkeeper” Holly Nelson is appealing to members to volunteer to move their reservations to a secondary hotel:

…One month into my role, Arisia received the news from the Westin about the renovations scheduled this winter. We were told 196 rooms would be unavailable and those reservations would need to transfer to the Aloft across the street. I was shocked and worried about how we would address the situation. Arisia staff members worked with the Westin to negotiate a better deal for those who would be required to move, as well as increasing how much of the Westin is reserved for our attendees to use.

If we don’t get enough volunteers, we’ll need to make involuntary transfers. If that happens we will be considering what is best for everyone who is concerned about moving. We’re working to meet the needs of as many people as possible – with the help of Arisia staff, including our Con Chair – in the most fair, impartial way we can. I would love to avoid this unpleasant duty, but that’s only possible if you volunteer by Thursday….

There are incentives for volunteering – see the FAQ.

(4) ABOUT HUGO AWARDS SITE LINKS TO THIRD PARTIES. The official Hugo Awards website’s response to criticism of Rocket Stack Rank, one of the “Third Party Recommendation Sites” linked there, has been to add a disclaimer:

I asked Kevin Standlee, who is part of the committee that runs the website, to address the broader question of why the Hugo Awards site links to other sites and how they are chosen:

The sites we’ve added have been as they came to our attention or when people asked us to add them. But a key thing is that they had to have a fixed address. People who set up a list for one year, then a new address for another year, then another new address, and so forth, we won’t add, because it’s too difficult to maintain. That has been apparently too high a bar for most people, who want to do things like set up Google Sheets for 2017, 2018, 2019, etc, with a new one every year. I’ve turned down the people whose request amounted to, “Add my site, and constantly monitor it so that when I change it to a different address, you’ll also change yours.” I have enough trouble keeping up with routine maintenance as it is.

Renay of Lady Business, this year’s Best Fanzine Hugo winner, will recognize Kevin’s example.

(5) BLOCKED. In “Star Trek Fight:  Shatner Blasts Isaacs on Twitter”, James Hibbard of Entertainment Weekly notes that William Shatner has blocked Jason Isaacs on Twitter, because he says that Isaacs is preventing him from a guest role on Star Trek: Discovery.  Isaacs responds that since Star Trek:Discovery takes place just before Star Trek TOS, James T. Kirk would be about 16 on the show which leaves no room for Shatner.

William Shatner has set his Twitter shields to maximum.

The actor who played the most iconic Star Trek captain has blocked the newest actor to play a Star Trek captain —  Jason Isaacs on Star Trek: Discovery — on the social network following the latter’s comments in an interview.

Shatner hasn’t publicly stated a reason for the blocking. But it follows a UK tabloid story posted a couple of weeks ago headlined, “Jason Isaacs hopes William Shatner won’t appear in Star Trek: Discovery.” Which admittedly does sound pretty bad. But Isaacs didn’t say that — or at least didn’t seem to mean that — but rather was making a point about how it wouldn’t make sense to have Shatner in the series since his character would only be about 16 years old during the Discovery time period.

(6) THE LION SLEEPS TONIGHT. John Hertz could tell from the way I spelled the lyric “A-WEEMA-WEH” that I was missing cultural nuances – beginning with the correct spelling – readily available from the Wikipedia’s entry about “The Lion Sleeps Tonight”.

Apparently I’m first in directing your attention to the Zulu mbube (“lion”) and uyimbube (“you’re a lion”), the spelling “Wimoweh” by Pete Seeger, and a cross-language cross-cultural trail of creativity and intellectual property (some Filers would add “appropriation”) worthy of B. Pelz’ coinage Berlitzkrieg.

The Wikipedia says this about the song’s origin:

“Mbube” (Zulu for “lion”) was written in the 1920s, by Solomon Linda, a South African singer of Zulu origin, who later worked for the Gallo Record Company in Johannesburg as a cleaner and record packer. He spent his weekends performing with the Evening Birds, a musical ensemble, and it was at Gallo Records, under the direction of producer Griffiths Motsieloa, that Linda and his fellow musicians recorded several songs including “Mbube,” which incorporated a call-response pattern common among many Sub-Saharan African ethnic groups, including the Zulu.

(7) 2017’S TOP HORROR. The B&N Sci-Fi & Fantasy Blog brings us the editors’ picks for “The Best Horror Books of 2017”. The list begins with –

Chalk, by Paul Cornell
Chalk tells the story of Andrew Waggoner, who suffers a horrifying act of violence at the hands of his school’s bullies. In his grief and anger, the boy makes contact with an old and ancient presence, which offers to help make him whole and exact terrible revenge—if he allows it. The occult horror masks a genuine exploration of how trauma can affect a person, cutting them out of the world, instilling violent fantasies of revenge, and leaving psychological wounds that linger long after the physical trauma had healed. It’s heartfelt, surreally terrifying, and utterly wrenching in ways I can only struggle to describe, and worth all the attention you can give it. Read our review.

(8) MYTHS FOR OUR TIME. Let The Guardian tell you why this is a good idea: “Mythos review – the Greek myths get the Stephen Fry treatment”.

Ever since William Godwin persuaded Charles Lamb to retell The Odyssey as a novel for younger readers in The Adventures of Ulysses (1808), the myths of ancient Greece have been retold in contemporary prose by every generation. Most of these retellings were originally poetry – the epics of Hesiod, Homer and the philhellene Latin poet Ovid, the Athenian tragedies of Aeschylus, Sophocles and Euripides – in Mythos, Stephen Fry has narrated a selection of them in engaging and fluent prose. But do we need another version of the Greek myths in an already crowded market? Such treasured collections as Nathaniel Hawthorne’s Tanglewood Tales (1853), Edith Hamilton’s Mythology: Timeless Tales of Gods and Heroes (1942) and Robert Graves’s The Greek Myths (1955) are still in print. Countless family car journeys are enlivened by Simon Russell Beale’s audiobook of Atticus the Storyteller’s 100 Greek Myths. So should a reader looking for an initiation into the thrilling world of the ancient Greek imagination choose Fry’s book?

…Yet Fry’s ear is finely tuned to the quaint tonality of some of his ancient sources. This is best revealed in his retelling of two Homeric Hymns, to Demeter and Hermes. They deal respectively with the abduction of teenage Persephone and the theft by the newborn Hermes of his big brother Apollo’s cattle. Fry’s distinctive voice undoubtedly adds something lively, humorous and intimate to myth’s psychological dimension. People who enjoy his media personality and particular style of post?Wodehouse English drollery are in for a treat. He tells us that he imagines Hera, queen of the gods, “hurling china ornaments at feckless minions”. Ares, god of war, “was unintelligent of course, monumentally dense”. Baby Hermes tells Maia: “Get on with your spinning or knitting or whatever it is, there’s a good mother.” Epaphus, child of Zeus and Io, “was always so maddeningly blasé about his pedigree”.

(9) MARVEL CINEMATIC UNIVERSE TO END — WELL, NOT REALLY. “Secrets of the Marvel Universe” by Joanna Robinson in Vanity Fair is a lengthy interview with MCU supremo Kevin Feige, including the revelation that the MCU will officially end with the release of Avengers 4 in 2019, although there will still be plenty of Marvel superhero movies after the MCU ends.

On a sweltering October weekend, the largest-ever group of Marvel superheroes and friends gathered just outside of Atlanta for a top-secret assignment. Eighty-three of the famous faces who have brought Marvel’s comic-book characters to life over the past decade mixed and mingled—Mark Ruffalo, who plays the Hulk, bonded with Vin Diesel, the voice of Groot, the monosyllabic sapling from Guardians of the Galaxy. Angela Bassett, mother to Chadwick Boseman’s Black Panther, flew through hurricane-like conditions to report for duty alongside Robert Downey Jr., Scarlett Johansson, Gwyneth Paltrow, Brie Larson, Paul Rudd, Jeremy Renner, Laurence Fishburne, and Stan Lee, the celebrated comic-book writer and co-creator of Iron Man, Spider-Man, Doctor Strange, the Fantastic Four, and the X-Men.

Their mission: to strike a heroic pose to commemorate 10 years of unprecedented moviemaking success. Marvel Studios, which kicked things off with Iron Man in 2008, has released 17 films that collectively have grossed more than $13 billion at the global box office; 5 more movies are due out in the next two years. The sprawling franchise has resuscitated careers (Downey), has minted new stars (Tom Hiddleston), and increasingly attracts an impressive range of A-list talent, from art-house favorites (Benedict Cumberbatch and Tilda Swinton in Doctor Strange) to Hollywood icons (Anthony Hopkins and Robert Redford) to at least three handsome guys named Chris (Hemsworth, Evans, and Pratt). The wattage at the photo shoot was so high that Ant-Man star Michael Douglas—Michael Douglas!—was collecting autographs.

(10) BIZARRE HOLLYWOOD. Life and times: Escapes is a Winningly Off-Kilter Doc About the Screenwriter of Sci-Fi Classic Blade Runner” at The Stranger.

If the name Hampton Fancher rings a bell, you probably have strong opinions on the best version of Blade Runner. The screenwriter of that sci-fi classic, Fancher sports one of the damndest backstories in Hollywood, including acting appearances on Bonanza, literal ditch digging, and occasional bouts of flamenco dancing. The documentary Escapes tells the thoroughly odd, strangely endearing saga of a genial bullshitter who somehow keeps stumbling, if not always upwards, at least sideways through show business. Think Robert Evans with a smidge of self-consciousness, and prepare for a wild ride.

Beginning with a long, shaggy story involving Teri Garr, director Michael Almereyda (Experimenter) gives his subject ample room to spin his yarn, wittily utilizing a slew of media clips as Fancher wanders hither and yon between topics such as his relationship with Lolita’s Sue Lyon, Philip K. Dick’s hilariously unsmooth attempt to hit on Fancher’s then-girlfriend, and the sexual exploits of the (human) star of Flipper. As for Blade Runner, that seemingly career-defining experience receives the same breezy pass-through as the rest of his stories, further painting the picture of a man who’s proud of his achievements, but doesn’t always seem entirely certain of how all the dots came to connect….

(11) LONELINESS OF THE LONG-DISTANCE BURRITO. Perhaps you’ve already seen this culinary steampunk extravaganza — it’s dated 2007: “The Alameda-Weehawken Burrito Tunnel” at Idle Words.

Who can imagine New York City without the Mission burrito? Like the Yankees, the Brooklyn Bridge or the bagel, the oversize burritos have become a New York institution. And yet it wasn’t long ago that it was impossible to find a good burrito of any kind in the city. As the 30th anniversary of the Alameda-Weehawken burrito tunnel approaches, it’s worth taking a look at the remarkable sequence of events that takes place between the time we click “deliver” on the burrito.nyc.us.gov website and the moment that our hot El Farolito burrito arrives in the lunchroom with its satisfying pneumatic hiss.

The story begins in any of the three dozen taquerias supplying the Bay Area Feeder Network, an expansive spiderweb of tubes running through San Francisco’s Mission district as far south as the “Burrito Bordeaux” region of Palo Alto and Mountain View. Electronic displays in each taqueria light up in real time with orders placed on the East Coast, and within minutes a fresh burrito has been assembled, rolled in foil, marked and dropped down one of the small vertical tubes that rise like organ pipes in restaurant kitchens throughout the city.

Once in the tubes, it’s a quick dash for the burritos across San Francisco Bay. Propelled by powerful bursts of compressed air, the burritos speed along the same tunnel as the BART commuter train, whose passengers remain oblivious to the hundreds of delicious cylinders whizzing along overhead. Within twelve minutes, even the remotest burrito has arrived at its final destination, the Alameda Transfer Station, where it will be prepared for its transcontinental journey….

(12) SIX BOOKS. From Nerds of a Feather comes “6 Books with Mira Grant”:

  1. How about a book you’ve changed your mind about over time–either positively or negatively?

The Dead Zone, by Stephen King. I originally read it when I was way too young, and thought it was incredibly boring. Revisiting it as an adult was a revelation.

(13) VINTAGE DARKNESS. It used to be all you had to do was look up. Night is getting harder to find: “Idaho Dims The Lights For One Of The Best Night Skies Anywhere”.

In a high mountain valley in central Idaho over 6,000 feet in elevation, the last hint of a glow from sun fades in the western sky. The conditions are perfect as Steve Botti, an astronomy enthusiast and city councilman for the tiny town of Stanley, holds his sky quality meter to the heavens. There are no clouds, and the moon has dipped behind the craggy Sawtooth Mountains as he assesses the darkness of the sky with the little device that looks like a pager.

His arm extended and his head snugly wrapped in a beanie, Botti says, “A reading of 21.75 or higher is considered by the dark sky association to be exceptionally dark.”

On a clear night here you can see the purple cloud of the Milky Way stretched across the sky. The rare sight is possible because people are making an effort to keep the night sky dark. Dark enough, they hope, to earn a seal of approval from the International Dark-Sky Association…

(14) CARTLOADS OF CARATS. An asteroid’s leavings: “The German town encrusted with diamonds”.

During construction of the town, which was first mentioned in records in the 9th Century AD, the settlers didn’t realise the stone they were using was embedded with millions of tiny diamonds, in a concentration seen nowhere else in the world.

As I looked down on the sleepy Bavarian town from the top of the tower, it was hard to picture the area as being anything other than tranquil. It was, in fact, a violent and otherworldly event – an asteroid strike that hit 15 million years ago – that led to the strange reality of Nördlingen becoming Germany’s diamond-clad town.

… Not long after Shoemaker and Chao first visited Nördlingen, it was estimated by local geologists that the town walls and buildings contained approximately 72,000 tons of diamonds. Although suevite can be found in other parts of the world from similar impacts, nowhere is the gemstone concentration as high as it is in Nördlingen.

(15) NEW VOICE. Editor Elizabeth Fitzgerald has joined the Skiffy and Fanty Show.

I’ll be working as their YA reviewer and my first post will go up in December. In the meantime, you can hear my first outing as co-host of one of their podcasts. Paul Weimer and I chatted with C.B. Lee, Cat Rambo and Nicky Drayden about participating in National Novel Writing Month.

Last year Fitzgerald was a co-winner of the Ditmar Award for Best Fan Publication with the team of interviewers who created the Australian Speculative Fiction Snapshot.

(16) 70 MM. How long will people be able to see 2001 in its original format? “Dying arts can be saved — but is it worth it?” (From the Boston Globe: may be paywalled in the near future, but isn’t yet.)

When cinema buffs celebrate the 50th anniversary of “2001: A Space Odyssey” next year, an uncomfortable question will loom larger than a malicious monolith. Does the epic sci-fi movie — the one that to its most ardent fans delivers a near-religious experience — have any future?

To true believers, the 1968 Stanley Kubrick cult classic must be viewed in its original wide-screen 70-millimeter format, an immersive visual experience augmented by the classical music score. Lauded for its crisper colors, deeper blacks, and higher-resolution images, fans see 70-millimeter as the highest expression of Hollywood artistry. The format was popularized in the 1950s to showcase movies’ technical superiority over television, and reserved for major productions like “Ben-Hur” and “Lawrence of Arabia.” But today, with Hollywood’s near-total shift to digital projection, the format faces an uncertain future — and is only held together, as a labor of love, by the efforts of a passionate community of movie fans.

…The worst case scenario is that, in a generation or two, the movie theaters may still exist, but the practical skills to build, fix, and use the specialized projectors will have vanished.

(17) GRATITUDE. Joe Stech of Compelling SF found plenty to be thankful for in his Thanksgiving post “10 issues of Compelling Science Fiction: a retrospective”.

I get asked every couple months why I spend so much time on this magazine. Most of the time I give a brief canned answer, something along the lines of “everyone needs a hobby, this is one of mine.” While that’s true, it’s a bit of a non-answer. Let me try and give a real answer here, in a few parts:

  1. Science fiction is fascinating. Like many art forms, good science fiction requires a base layer of technical skill. That’s the starting line. However, there’s a secondary layer of subject matter expertise, and a third layer that involves actually saying something meaningful about the universe we live in.
  2. Evaluating that third layer is deeply subjective, which means that no two readers will necessarily see eye to eye when reading a story. This also means that every publisher has its own set of biases when selecting stories to publish, which means that many stories that I’d enjoy never get out into the world. I want to help change that.
  3. There are extremely talented people out there producing wonderful content who never get paid for their work — I want to help support them, which is why I’ve always paid professional rates, even at the beginning when nobody was supporting the magazine. I’ve always been a proponent of putting my money where my mouth is, and I’m extremely grateful to have found magazine supporters who feel the same way.

[Thanks to John King Tarpinian, JJ, Arnie Fenner, Chip Hitchcock, Cat Eldridge, Carl Slaughter, Martin Morse Wooster, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Pixel Scroll 11/21/2017 Come On Over For Scrolled Pixel With All The Trimmings

(1) TOWARD A MORE GRAMMATICAL HELL. McSweeney’s John Rauschenberg explains it all to you in “Dante’s Nine Circles of Hell, Reimagined for Linguistic Transgressions”.

First Circle (Limbo):
Autocorrect

Here wander the otherwise virtuous souls who were forced into grievous errors by autocorrect programs. They sit in silent masturbation, only rising once every hour to chant eerie koans such as “ducking auto cat rectal.”

Second Circle:
The Serial Comma

One half of this circle is populated by souls who are cursed to make arguments that nobody cares about except their own mothers, howling gorgons and the infernal mistresses of hell. The other half are cursed to make arguments that nobody cares about except their own mothers, howling gorgons, and the infernal mistresses of hell. The difference between these two situations seems to matter a lot to both halves. Neither side will listen to you when you suggest that they could avoid this level entirely.

And so on.

(2) EVEN PIXAR. The Hollywood Reporter’s Kim Masters, in “John Lasseter’s Pattern of Alleged Misconduct Detailed by Disney/Pixar Insiders”, says that longtime Pixar CEO John Lasseter has been suspended following sexual harassment allegations.

Rashida Jones is still credited as a writer on Toy Story 4, the next installment in the beloved franchise. But, sources tell The Hollywood Reporter, the actress and her writing partner at the time, Will McCormack, left the project early on after John Lasseter, the acclaimed head of Pixar and Walt Disney Animation, made an unwanted advance.

Jones and McCormack did not respond to repeated requests for comment. Disney declined to comment on the alleged incident though a studio source said the departure was over “creative differences.” Multiple sources spoke with THR but asked not to be named out of fear that their careers in the tight-knit animation community would be damaged.

Based on the accounts of former Pixar insiders as well as sources in the animation community, the alleged incident was not an isolated occurrence. One longtime Pixar employee says Lasseter, who is well-known for hugging employees and others in the entertainment community, was also known by insiders for “grabbing, kissing, making comments about physical attributes.” Multiple sources say Lasseter is known to drink heavily at company social events such as premiere parties, but this source says the behavior was not always confined to such settings.

(3) MELTDOWN AT LITTLE ROCK’S COSPLAY CON. PopCultHQ extensively covers last weekend’s most disappointing event — “Chaos at Cosplay Con & Anime Experience #CCAE2017”.

November 17 & 18th was the weekend for the Cosplay Con and Anime Experience in North Little Rock, AR. This convention didn’t have a stellar list of top-name celebrities, but it had a good line-up. Their headliner was Ciara Renee from DC’s Legends of Tomorrow. Other guests included Cig and George from SYFY’s Faceoff, Joshua Monroe from Cosplay Melee, and actor/voice actor Robert Axelrod.

Ticket prices weren’t bad for a new convention. The day of the con weekend passes were only $30, Friday passes were $15, and Saturday were $25.

This cosplay con and anime experience promised to be, “The ultimate community focused convention” and was marketed as “…a celebration of comic books and pop culture that showcases the exceptional works of talented Cosplayers, writers, artists, illustrators and creators of all types.”

Instead, this turned into a complete disaster that caused so much stress and anxiety for some that at least one person ended up in the hospital. There are so many things with this con, that I’m just going to give you a list of what I have heard so far and then I will expound on a few of them;

  • Bad communication all around
  • Guests weren’t paid
  • Caterer wasn’t paid
  • No break relief for vendors
  • Vendors were not allowed food or drink at their booths
  • Vendors were forced to accept ‘vendor bucks’ without compensation
  • No Load-in information or map provided for Vendors
  • Guests were kicked out of the hotel when the convention credit card was rejected
  • Not all of the Costume contests occurred
  • Owner avoided guests and wasn’t even seen in the vicinity of the convention for a large portion of the show
  • Owner suspected to be operating with a false identity
  • Continual schedule changes during the event
  • Staff wasn’t paid
  • Volunteers didn’t get fed
  • VIP packages weren’t entirely as promised

The article delivers a paragraph or more about each bulleted complaint and accusation, largely gathered from the victims’ Facebook comments.

(4) FOR CERTAIN VALUES. Camestros Felapton dissects the moral values of the new Netflix series in “The Punisher – An Artfully Crafted Moral Vacuum”.

But this is not a general review. What I wanted to discuss was the wisdom of making the show in the first place. I certainly had my doubts when it was announced and it was also clear that Marvel were nervous about making a show centered on a character defined by his gun-fueled killing sprees. While any of the TV/Movie versions of Marvel characters have some scope for re-invention, The Punisher has to act as a one man extra-judicial death squad. A plot line can expand his motivation or show other aspects of his character and he doesn’t even need his distinctive skull logo but sooner or later if he doesn’t kill lots of bad guys then he simply isn’t The Punisher.

…But this fourth space for superheroes to occupy for non-otherworldly threats poses problems for Marvel (and for DC). This vacuum was eluded too but not examined in Captain America: Civil War. Captain America’s stance not to sign the Sokovia Accords was not well examined or explained. Instead, the rightness of his stance is largely just assumed as an extension of Steve Rogers own integrity. That manages to just about work in that film so long as you don’t pay too much attention to it but on closer examination Rogers really has to choose to be either an agent of the state or a vigilante. If you call yourself ‘Captain America’ then you can either be a soldier employed and held accountable by the state or your indistinguishable from a nutty ‘militia’ hiding in a compound and plotting against the BATF.

The Punisher series gets this. It really is genuinely aware of these issues – mainly because they become unavoidable when your central character uses military equipment to murder criminals without trial.

(5) TRANSHUMAN. C.P. Dunphey’s The Year’s Best Transhuman SF 2017 Anthology is out from Gehenna & Hinnom.

As technology progresses, so does its connection with mankind. Augmentations, cybernetics, artificial intelligence filling the void that the absence of flesh will leave behind. In Transhumanism, we fine our imminent future. Whether this future is to be feared or rejoiced, depends on the individual.

Will technology replace mankind? If AI becomes self-aware, is a war imminent?

C.P. Dunphey, critically acclaimed author of Plane Walker and editor of the bestselling Year’s Best Body Horror 2017 Anthology and Hinnom Magazine¸ has collected 25+ stories from the best up-and-coming authors in science fiction for Gehenna & Hinnom’s sophomore collection, The Year’s Best Transhuman SF 2017 Anthology. From veteran award-winning authors like Julie Novakova, to popular horror authors like Chad Lutzke, the anthology presents no shortage of entertaining, mind-bending science fiction.

(6) THE REST OF THE FOOTAGE. Ethan Alter, in the Yahoo! Entertainment story “Steven Soderbergh Reveals The BackStory on His Viral Lucasfilm Rejection Letter”, interviews Soderbergh, who says the rejection letter from Lucasfilm (reported in the Scroll awhile back) was for some short films Soderbergh sent them and he’s actually not surprised that Lucasfilm rejected the films.

The inspirational message went viral, no doubt encouraging every dreamer with Hollywood ambitions. But the question remains: just what was on the videotape that Soderbergh submitted to Lucas? A proposed sequel to Return of the Jedi? A pitch for a standalone Ewok movie? Soderbergh’s theory for how Han Solo completed the Kessel Run in less than 12 parsecs? Speaking with Yahoo Entertainment, Soderbergh revealed that the tape in question had nothing to do with that galaxy far, far away. “I sent them a 3/4-inch tape that had two of my short films on it,” the director says, chuckling at his youthful hubris. “I was not surprised that it got kicked back! There aren’t enough decimal points to count how many packages George Lucas was getting at that point, and probably still gets.”

Soderbergh adds that the short films in question didn’t have any science-fiction elements, although one of them told a story that might have resonated with the director of the nostalgia-drenched teen classic American Graffiti….

(7) YELLOW LIGHT. The Washington Post’s Steven Zeitchik, in “Why ‘Justice League’ failed — and where DC goes from here”, says that the low box office returns for Justice League has cast Warner’s plans for greenlighting 10 “DC Creative Universe” films, including Flashpoint, Cyborg, and Justice League 2 into question.  Part of the problem is that DC has no one equivalent to Kevin Feige at Marvel implementing quality control and that th stand-alone success of Wonder Woman leads DC and Warner to support quality “stand-alone films” rather than insisting that all its superhero properties “feed into a universe.”

A little more than three years ago, Warner Bros. announced ambitious plans for its DC Comics properties.

The film studio would undertake no fewer than 10 DC movies, chief executive Kevin Tsujihara said. It would introduce various characters and build up to a pair of “Justice League” ensemble pictures, which in turn would allow it to spin off more stand-alone movies. The template? Rival Marvel, which began with “Iron Man” in 2008 and four years later evolved into a massively successful “Avengers” film, which then became the gift that kept on giving (17 movies and counting, including the current smash “Thor: Ragnarok.”)

This past weekend, all those plans blew up.

(8) MISSING KIT REED. One of the writer’s students tells about how he kept in contact with the author: “Alexander Chee on the life, work and loss of his mentor, Kit Reed” in the LA Times.

The first day of Kit Reed’s advanced fiction class, sitting in the yellow Victorian house I would come to know simply as “Lawn Avenue,” was my first time for so many things. I had never been taught by a professor in her own home, for example, and I remember I couldn’t stop looking at it all. I had never been in a home full of that much art, or with walls painted white or black, or in rooms full of chrome furniture, Lucite lamps, and mirrors— there was an offhand glamour to it all that I loved from the start. This was the kind of home you hoped professors at Wesleyan University had, or at least I did, and I sat nervously, excited, aware that I was lucky to be there as she listed off her rules for the class. We had to turn in 20 pages every other week—she ran the class like a boot camp—and she told us never to call her before noon, as she was writing and wouldn’t answer.

Another first: I’d never had a professor tell me I could call at all, and I don’t know that any of them ever did tell me, besides her. It never occurred to me to call my professors outside of class. Her willingness to accept a call was an openness to another kind of connection and conversation with us, one that, for many of us, would go on for the rest of the time we knew her.

(9) BEWES OBIT. Rodney Bewes (1937-2017): British actor and writer, died November 21, aged 79. Genre appearances included Alice’s Adventures in Wonderland (1972), Jonah and the Whale (1975), Jabberwocky (1977), The Spaceman and King Arthur (aka Unidentified Flying Oddball, 1979), Doctor Who (two episodes, 1984).

(10) CASSIDY OBIT. David Cassidy (1950-2017): US singer and actor, died 21 November, aged 67. Genre appearances included The Flash (one episode, 1991), Kim Possible (voiced one episode, 2004).

(11) REESE OBIT. Is playing an angel considered genre? From CNN: “Della Reese, ‘Touched by an Angel’ star and singer, dies at 86”.

For nine seasons on CBS, Reese played Tess on “Touched by an Angel,” tasked with sending angels to Earth to help people redeem themselves.

“We were privileged to have Della as part of the CBS family when she delivered encouragement and optimism to millions of viewers as Tess on “Touched by an Angel,” CBS said in a statement to CNN. “We will forever cherish her warm embraces and generosity of spirit. She will be greatly missed. Another angel has gotten her wings.”

(12) TODAY’S BIRTHDAY BOY

  • Born November 21, 1924 – Christopher Tolkien

(13) GENRE WHIFF. Poul Anderson always advised writers to engage all five senses. But what is a signature science fictional smell? “Ellis Brooklyn’s “Sci Fi” perfume convinced me, a fragrance monogamist, to switch scents”.

I tried “Sci Fi” from Ellis Brooklyn. Everything about this perfume is intriguing. The name, the packaging, the fact that it’s vanilla but in no way smells like what I imagined a vanilla-forward scent to be. When I think of “vanilla perfumes,” I think of the Body Fantasies body spray I bathed myself in during middle school. But Sci Fi’s vanilla is something utterly different.

Sci Fi, like a Ray Bradbury novel, pulls you in and confounds you. It begins with notes of vanilla bean, swirls into a cloud of orange and freesia, and then finishes with a bright smack of green tea. One day of wearing Sci Fi and I knew this was my next scent. I was making the switch.

(14) DISHING ABOUT THE DISH. NASA Watch has the good news: “NSF Decides Not To Shut Down Arecibo”.

Statement on NSF Record of Decision on Arecibo Observatory, NSF

“On Nov. 15, 2017, the National Science Foundation (NSF) signed its Record of Decision for the Arecibo Observatory in Puerto Rico. This important step concludes the agency’s decision-making process with respect to the general path forward for facility operations in a budget-constrained environment and provides the basis for a future decision regarding a new collaborator.”

(15) COSMIC STOGIE. You’re not from around here, are you — “Bizarre shape of interstellar asteroid”.

These properties suggest that ‘Oumuamua is dense, comprised of rock and possibly metals, has no water or ice, and that its surface was reddened due to the effects of irradiation from cosmic rays over long periods of time.

Although ‘Oumuamua formed around another star, scientists think it could have been wandering through the Milky Way, unattached to any star system, for hundreds of millions of years before its chance encounter with our Solar System.

(16) MANSON, HUBBARD AND HEINLEIN. Click-seeker Jeet Heer finds them this week with “Charles Manson’s Science Fiction Roots” in New Republic.

In 1963, while a prisoner at the federal penitentiary at McNeil Island in Washington state, Charles Manson heard other prisoners enthuse about two books: Robert Heinlein’s science fiction novel Stranger in a Strange Land (1961) and L. Ron Hubbard’s self-help guide Dianetics: The Modern Science of Mental Health (1950). Heinlein’s novel told the story of a Mars-born messiah who preaches a doctrine of free love, leading to the creation of a religion whose followers are bound together by ritualistic water-sharing and intensive empathy (called “grokking”). Hubbard’s purportedly non-fiction book described a therapeutic technique for clearing away self-destructive mental habits. It would later serve as the basis of Hubbard’s religion, Scientology.

Manson was barely literate, so he probably didn’t delve too deeply into either of these texts. But he was gifted at absorbing information in conversation, and by talking to other prisoners he gleaned enough from both books to synthesize a new theology. His encounter with the writings of Heinlein and Hubbard was a pivotal event in his life. Until then, he had been a petty criminal and drifter who spent his life in and out of jail. But when Manson was released from McNeil Island in 1967, he was a new figure: a charismatic street preacher who gathered a flock of followers among the hippies of Haight-Ashbury in San Francisco.

…As vile and sociopathic as he was, Charles Manson did have a gift for absorbing the zeitgeist, which is one reason he held such a powerful sway over the cultural imagination. Manson picked up Stranger in a Strange Land in the same spirit that he learned to strum a guitar and offer exegeses on Beatles lyrics. It was a way for him to ride the wave of cultural change. Manson remained infamous all these decades not just because he inspired mass murder, but also because he did so by manipulating some of our most powerful myths.

(17) BAD LUCK. Wrong place, wrong time? A civilian’s frustration at trying to shoot the demolition of the Georgia Dome — “‘Move bus, get out the way!'” (video).

An unlucky camera operator waited 40 minutes to film a stadium demolition – but was thwarted at the last moment.

(18) VIRTUAL MOVIE MUSEUM. Yourprops.com is the “free online museum for your movie props, costumes and wardrobe.” There are myriad photos of movie props (original and replica), wardrobe (original and replica costumes), production used items (crew jackets, shirts and gifts, storyboards, artwork, etc.).

For example: “The Dark Tower, Hero light up Breaker Kid’s Devartoi Watch”.

(19) WHEN NORTH MEETS EAST. At Adweek, see “Sensei Wu Saves Santa, Who Saves Christmas, in Lego’s Fun Holiday Ad”.

Lego Australia is out with a largely winsome addition to the Christmas advertising pile—a stop-motion animation about a Lego Santa finding his way home to save Christmas, thanks to a little surprise help from a spirited stranger.

The minute-long spot from CHE Proximity opens with a Lego North Pole—or Lego Christmas Town, as the brand calls it—set on a living room floor. It’s abuzz with holiday activity, when a human-Godzilla foot comes crashing down on the blissful scene, causing a specific Lego reindeer to squirt very specific Lego poop in fear—graphic sound effects included—while general catastrophe ensues everywhere.

(20) TODAY’S VIDEO. A lure to the dark side in these snippets of The Last Jedi – “Tempt.”

[Thanks to John King Tarpinian, Alan Baumler, Chris Barkley, David K.M. Klaus, Chip Hitchcock, JJ, Cat Eldridge, Carl Slaughter, Martin Morse Wooster, Steve Green, and Andrew Porter. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]

Pixel Scroll 8/19/17 (Isn’t It Good) Norwegian Groot

(1) WHAT A CONCEPT. ScienceFiction.com delivers the news in a very amusing way: “Is Jabba The Hutt In Line For His Own ‘Star Wars’ Anthology Film?”

Look out ’50 Shades’ and ‘Magic Mike’!  Some real sexy is about to hit the big screen!  Namely, a stand-alone ‘Jabba The Hutt’ movie.  Yes, following the now-in-production ‘Han Solo’ film, Disney is in some stage of development on additional films that focus on individual members of the vast ‘Star Wars’ mythology, including Boba Fett, Obi-Wan Kenobi and Yoda.  Now comes word that the space version of ‘The Godfather’ (who is just slightly slimmer than Marlon Brando later in his career) might also get similar treatment.

This news comes from a write-up by Variety about the ‘Obi-Wan Kenobi’ movie and is just casually thrown out…

…As you probably know, Jabba doesn’t speak English.  This is something that helped protect C-3PO who he kept around (and intact) in order to translate for him.  American audiences rarely embrace foreign films.  Does Disney really think The Force is so strong with fans that they will turn out for a movie spoken entirely in a fake alien language?

(2) GALAXY QUEST. A new writer will help the beloved movie resume its trek to TV? Promises, promises!

Amazon’s Galaxy Quest TV revival is back on track. Writer-actor-comedian Paul Scheer of The League has been tapped to pen the script for the Paramount Television-produced series. Scheer takes over for the feature film’s original scribe, Robert Gordon, who was on board to pen the script for the Amazon reboot. The Amazon series is described as a new take on the cult movie that starred Tim Allen, the late Alan Rickman as well as Sigourney Weaver. The original 1999 movie centered on the cast of a since-canceled beloved sci-fi show that was forced to reunite to save the planet after aliens believe their show was real. Plans for the Amazon series were put on hold after Rickman’s passing.

 

(3) ECLIPSE GUILT. You tell ‘em.

(4) HEROIC EFFORT. Hugo administrator Nicholas Whyte has posted packet coordinator Jo Van Ekeren’s deeply interesting “2017 Hugo Voter’s Packet Debrief”. Did we mention, this job is not that easy? Here’s the part about eligibility issues:

Eligibility Issues encountered: after consultation with the Hugo Admins, an explanation was sent to the Finalist of the issue and what the resolution was going to be, and the Finalists were all quite gracious about understanding:

  • Short Form Editor including stories they published but did not edit resolution: they resubmitted a document without those stories
  • Short Form Editor including a short Novel they edited resolution: the Novel was not included in the packet
  • Short Form Editor including an entire issue of a magazine in which they had an editorial published resolution: an extract with only the editorial was included in the packet
  • Professional Artist including two works from an non-eligible publication resolution: these were not included in the packet
  • Campbell Finalist requested inclusion of non-fiction work in the packet resolution: this was not included in the packet
  • Campbell Finalist including a story from a non-eligible market, and a poem resolution: these were not included in the packet
  • Fanzine creating an online web page with links to reviews of 2016 works which included a vast majority of reviews written in 2016, but a handful written in 2015 and 2017 resolution: let them know that I was going to let it slide, but that a future Packet Coordinator might not, and if there had been more of them, I wouldn’t have either, and suggested this might be something they wish to take into consideration in future as far as the timing of posting reviews
  • Explicit Content: The porn novelette was placed inside a subfolder which included “Note – Explicit Content” in the folder name. The Fan Writer whose work included cartoon nudity and explicit verbiage agreed to create an online page on their website, and a document with a link to that webpage was included in the packet (at my recommendation, this URL was added to their robots.txt file, so that it would not be indexed by search engines).
  • Editor Long Form: My original e-mail to the finalists referred to novels edited during the year, and it was called to my attention that the definition actually specifies novel-length works which were published during the eligibility year, and that those works could be either fiction or non-fiction. I sent a revised e-mail to the Editor Long Form Finalists to reflect these changes

(5) CAPTAIN AMERICA’S CREATOR. Mark Peters details “8 Ways Comic Book Legend Jack Kirby Fought Fascism” at Paste.

  1. He Scouted for the Army

When Kirby joined the army, his reputation as the co-creator of Captain America preceded him—but this talent didn’t get him a cushy job, like many luckier writers and artists. Rather, Kirby ended up serving as a scout, a thankless job that involved sneaking into enemy territory and drawing what he saw to help prepare future missions. This was extremely dangerous. As Kirby put it, “If somebody wants to kill you, they make you a scout.” Before setting off for duty, the auteur cranked out an increased flow of comics, stating that he wanted “to get enough work backlogged that I could go into the Army, kill Hitler, and get back before the readers missed us.”…

  1. He Was Ready to Fight Nazis Anywhere

Kirby, who grew up in Manhattan’s rough Lower East Side, knew how to throw a fist and didn’t back down from anyone—especially a Nazi. As Mark Evanier describes in his biography Kirby: King of Comics, “…Jack took a call. A voice on the other end said, ‘There are three of us down here in the lobby. We want to see the guy who does this disgusting comic book and show him what real Nazis would do to his Captain America’. To the horror of others in the office, Kirby rolled up his sleeves and headed downstairs. The callers, however, were gone by the time he arrived.” Based on everything we know about Kirby, these Nazi crank-yankers got lucky.

(6) THE WALKING SUITS. A billion dollars is at stake: “Walking Dead’s Robert Kirkman Joins Lawusit Against AMC”. ComicsBeat has the story.

It’s a giant chess game out there in the entertainment world, with streaming giants and known content producers vying for the upper hand. Mark Millar signing with Netflix and Robert Kirkman going with Amazon made headlines on their own, but a new lawsuit makes the reason for Kirkman’s new home even more apparent.

On August 14, The Walking Dead’s series co-creator Robert Kirkman, joined producers Gale Anne Hurd, Glen Mazzara and David Alpert in a complaint filed against the AMC television network. The complaint alleges breach of contract, tortious interference, and unfair or fraudulent business acts under California business code. The damages being sought could exceed $1 Billion dollars.

Filed at Los Angeles Superior Court, the suit alleges that AMC “exploited their vertically integrated television structure” to keep “the lion’s share of the series’ profits for itself.” The Hollywood Reporter has provided a great breakdown of the major claims in the suit. The complaint alleges the network in effect reduced series profits using various means, thereby diminishing the percent owed to the named plaintiffs. One of the ways this was accomplished, the suit claims, is by AMC Network paying a lower than fair market licence value than the show is worth–a violation of the plaintiff’s signed agreements.

(7) HODGELL. On the Baen Free Radio Hour for August 18, P.C. Hodgell discusses The Gates of Tagmeth, her latest entry in the Kenycyrath Saga high fantasy series; and part thirteen of the complete audiobook serialization of Liaden Universe® novel Alliance of Equals by Sharon Lee and Steve Miller.

(8) TODAY IN HISTORY

  • August 19, 1692 — Five hanged for witchcraft in Salem, Massachusetts
  • August 19, 1983 Yor, the Hunter from the Future premiered

(9) TODAY’S BIRTHDAY BOY

  • August 19, 1921 – Gene Roddenberry

(10) THE COLOR ORANGE.  The Horror Writers Association has opened its Halloween Pumpkin Recipe Contest.

(11) THE COLOR PINK. Safety first! “Bed and breakfast helps chickens cross street with high visibility vests”.

A bed and breakfast in Scotland fitted a group of chickens with high-visibility vests to help them cross a local road.

Glenshieling House shared video Friday of a pair of chickens wearing the bright pink vests as they strolled across the rainy street.

(12) PAINOPISTE. The fans who produced Worldcon 75’s newsletter will be happy to tell you how they did it.

A central feature in the preparation of the newsletter was two parallel concerns: we resolved to make the W75 newsletter as accessible to fans with dyslexia & other reading issues as possible; and we resolved to make the newsletter visually impressive and professional-looking.

The Design AH’s experience with several years of Finncons had led to the emergence of a Finncon “house style,” including preferred typefaces & colors, through which Design sought to present a unified visual identity for W75. Consequently Design was able to provide the newsletter with an adaptable, minimalist & clear template design including a custom masthead and footer. This template was produced using Adobe Indesign and some custom graphics.

For my part, I concentrated on the question of accessibility. Early in this process, I noted that while W75 had agreed to follow the SWFA’s document “Accessibility Checklist for SFWA Spaces,” that document contained no discussion on the question of readability. Discussions between myself, the Design AH, the Design DH, and the Member Services DH Vanessa May, resulted in a number of recommendations which were incorporated into the final W75 newsletter. These recommendations were drawn from a combination of personal experience, systematic reviews in academic literature on readability, the British Dyslexia Association’s Dyslexia Style Guide, and the UK National Union of Students’ Disabled Students’ Campaign’s guidance on accessible printed materials.

(13) PRO TIP. There’s some truth in what she says –

(14) IN THE BEGINNING. James Cooray Smith, in “Starting Star Wars: How George Lucas came to create a galaxy” in New Statesman, has a lot of good information about how Star Wars came to be created, including how the first character Lucas created was Mace Windu and how much of Star Wars was filmed at EMI Elstree because the Harold Wilson government was trying to keep the facility open and one condition of studios filming there was that they had to bring in their own technicians, which suited Lucas fine.

The script development money gave Lucas enough to live on whilst he continued work on the screenplay. As he did so it changed again; a ‘Kiber Crystal’ was written in and then written out. Skywalker became Deak Starkiller’s overweight younger brother before becoming the farm boy familiar from the finished film. Characters swapped names and roles. A new character named Darth Vader – sometimes a rogue Jedi, sometimes a member of the rival ‘Knights of Sith’ – had his role expanded. Some drafts killed him during the explosion of the Death Star, others allowed him to survive; across subsequent drafts his role grew. Some previously major characters disappeared altogether, pushed into a “backstory”, Lucas choosing to develop the practically realisable aspects of his story.

This is an important clarification to the idea that Star Wars was “always” a part of a larger saga, one later incarnated in its sequels and prequels. That’s true, but not in an absolutely literal way. Star Wars itself isn’t an excerpted chunk of a vast plotline, the rest of which was then made over the next few decades. It’s a distillation of as much of a vast, abstract, unfinished epic as could be pitched as a fairly cheap film to be shot using the technology of the mid 1970s. And even then much of the equipment used to make the film would be literally invented by Lucas and his crew during production.

(15) ANALYZING WINNERS. Cora Buhlert has “Some More Words about the 2017 Hugo Awards”.

Last I said in my last Hugo post, I did not expect The Obelisk Gate to win, because it was the second book in a trilogy and those rarely win and also because it was competing in a very strong ballot. In fact, I suspected that All the Birds in the Sky by Charlie Jane Anders would win (which also wasn’t one of my three top picks), since it already won the Nebula and Locus Awards (in the end, it came in second). I’ve been wondering how my predictions for this category could have been so totally off and I suspect that we’re seeing an effect at work here we often see with awards of any kind, from genre awards via general literature prizes to the Oscars, namely that more serious works focussed on serious issues tends to trump lighter works. Now both All the Birds in the Sky and A Closed and Common Orbit are lighter and more hopeful works, even though they do tackle serious issues as well. Coincidentally, A Closed and Common Orbit addresses very similar issues as The Obelisk Gate, namely who is viewed as a person and who is viewed as a thing or tool, but it handles these issues in a very different way. And due to a general bias towards more serious works that can be found in pretty much all awards, a darker book like The Obelisk Gate trumped a lighter and more hopeful treatment of the same theme like A Closed and Common Orbit (or the equally lighter and more hopeful All the Birds in the Sky). It was always pretty obvious that Death’s End and Too Like the Lightning were not going to win, since both were love it or hate it books, which leaves Ninefox Gambit as the other darker and more serious work on the ballot.

(16) THE RETURNS. Steven J. Wright also pores over the order of finish in “Hugo Awards 2017: The Relentless Detail”. For most readers “gone are the days when everyone just voted for Langford and forgot about it” is a lighthearted jape about Best Fanwriter (medic!), while I found it easier to admire this turn of phrase about Best Fancast:

And a big (though genteel) yay from me for Tea and Jeopardy, there, easily my favourite among the podcasts. Not much to say about the vote, except that Ditch Diggers got gradually jostled down into its final place. Next one down the long list is Verity!, which has got to be more fun than The Rageaholic, if only because groin surgery is more fun than The Rageaholic, and yes, I am qualified to make that comparison.

(17) PSYCH. Alexandra Erin did an analysis of how professed beliefs can interact with internal worldviews to lead to apparently contradictory behavior. She used as an example Brad Torgersen and the Hugos. The thread begins here —

(18) DRAGON AWARDS RUNNERS. Rebecca Hill viewed the recording of last year’s Dragon Awards ceremony and noted the names of the organizers are, besides President Pat Henry, David Cody, Bill Fawcett, and Bev Kaodak. Of course, we reported last year that David Cody left a comment on Monster Hunter Nation on a thread, making sure people knew how to register.

(19) BETTER HUMOR. The death of a space-age “treat”: astronauts no longer have to eat freeze-dried ice cream: “The Best Item In An Astronaut’s Care Package? Definitely The Ice Cream”.

We all remember astronaut ice cream, those little dehydrated bricks of neopolitan.

The reason astronauts generally don’t have much access to the real stuff isn’t rocket science, but rather something we’ve all encountered: a lack of freezer space.

What limited refrigeration there is on the space station is given over to blood samples, urine samples, etc. — stuff you don’t really want next to your Moose Tracks.

Unlike previous cargo vehicles used by NASA, the SpaceX Dragon capsule has the ability to return to Earth without burning up on re-entry.

That means it can bring stuff back. The spacecraft is equipped with freezers to transport medical and scientific samples back to Earth. And sometimes, those freezers are empty when they go up to the station — which leaves room for ice cream, Vickie Kloeris, manager of NASA’s Space Food Systems Laboratory, tells NPR.

Before the capsule lifted off atop a Falcon 9 rocket from Florida’s Kennedy Space Center on Monday, she says, NASA’s cold storage team packed it with a sweet array of frozen treats: 30 individual cups of Bluebell ice cream and some Snickers ice cream bars.

(20) HOT TIME IN THE OLD TOWN. NASA attacks a bigger worry than asteroid collisions: “NASA’s ambitious plan to save Earth from a supervolcano”.

There are around 20 known supervolcanoes on Earth, with major eruptions occurring on average once every 100,000 years. One of the greatest threats an eruption may pose is thought to be starvation, with a prolonged volcanic winter potentially prohibiting civilisation from having enough food for the current population. In 2012, the United Nations estimated that food reserves worldwide would last 74 days.

When Nasa scientists came to consider the problem, they found that the most logical solution could simply be to cool a supervolcano down. A volcano the size of Yellowstone is essentially a gigantic heat generator, equivalent to six industrial power plants. Yellowstone currently leaks about 60-70% of the heat coming up from below into the atmosphere, via water which seeps into the magma chamber through cracks. The remainder builds up inside the magma, enabling it to dissolve more and more volatile gases and surrounding rocks. Once this heat reaches a certain threshold, then an explosive eruption is inevitable.

But if more of the heat could be extracted, then the supervolcano would never erupt….

(21) NOW IN SESSION. A Chinese ‘cyber-court’ has been launched for online cases:

The Hangzhou Internet Court opened on Friday and heard its first case – a copyright infringement dispute between an online writer and a web company.

Legal agents in Hangzhou and Beijing accessed the court via their computers and the trial lasted 20 minutes.

The court’s focus will be civil cases, including online shopping disputes.

Judges were sworn in and the first case was presented on a large screen in the courtroom.

(22) BEAGLE SUIT. Cat Eldridge has made the latest filing by Peter S. Beagle’s attorney in his suit against his former manager Connor Cochran available here. The filing includes a brief history of the litigation, including the information that in 2016 the court awarded a firm representing Beagle’s attorney $24,000+ in attorneys fees.

[Thanks to JJ, John King Tarpinian, Chip Hitchcock, Rose Embolism, Martin Morse Wooster, and Cat Eldridge for some of these stories. Title credit goes to File 770 contrbuting editor of the day Daniel Dern.]

LA City Council Approves George Lucas Art Museum

The Los Angeles City Council voted 14-0 to approve an environmental impact report and other requirements needed to clear the way for the Lucas Museum of Narrative Art’s construction adjacent to the University of Southern California.

With Tuesday’s approval, plans are to break ground as early as this year and open the museum to the public in 2021. Other than the use of public land, the project is expect to be fully paid for by Lucas and his wife, Mellody Hobson.

Los Angeles Mayor Erik Garcetti said —

People come to Los Angeles from all over the world to be inspired by art, and to see things they have only imagined become real through storytelling. The Lucas Museum of Narrative Art will add another world-class institution to our city’s cultural landscape, and bring a breathtaking architectural jewel to Exposition Park. I am proud to have worked with George Lucas and Mellody Hobson to bring this incredible gift to Los Angeles — and I applaud the City Council for voting to approve a gem for South L.A. that will touch the lives of Angelenos and visitors for generations to come.

After failing to win permission to build on the grounds of the Presidio in San Francisco, and being blocked by litigation from accepting a lakefront site in Chicago, Lucas had simultaneously offered the museum to Los Angeles and San Francisco, a competition that depended in part on which city could get the museum through its legal approval process most quickly. LA won out.

Lucas told the press —

I wanted to put it in my hometown. They said no. Mellody wanted to put it in her hometown. They said no. We were both basically heartbroken.

And then we said, ‘All right, let’s clear the boards and find a place that really wants it.’

The museum’s website says the facility “will feature a bold new architectural design and will be a one-of-a-kind gathering place to experience collections, films and exhibitions dedicated to the power of visual storytelling and the evolution of art and moving images.”

The museum collection will began with a large gift from the founders:

  • Traditional paintings by Edgar Degas, Winslow Homer and Pierre-Auguste Renoir, as well as a broad range of original works in popular mediums such as illustration, children’s art, comic art and photography from many periods and cultures. Major holdings include a large number of works by Norman Rockwell, Maxfield Parrish, and N.C. Wyeth;
  • An in-depth exploration of all facets of cinematic art and its design processes, including original concept art, storyboards, set design, props, costume and fashion, animation and visual effects;
  • Ground-breaking digital technologies and media used by artists in cinema and other art forms;
  • An expansive art and cinematic research library (print and digital).

The Lucas Museum of Narrative Art will be in Exposition Park near the Natural History Museum of Los Angeles County, the California Science Center and the California African American Museum.

Pixel Scroll 5/6/17 And He Called For His Pipe, And He Called For His Scroll, And He Called For His Pixels, Three.

(1) DUALING. Sherwood Smith discusses “Tremontaine: When Collaboration Really Works” at Book View Café.

Nowadays, collaborations are happening in all kinds of forms, in print form in our genre not just the traditional pair of co-authors: there was a rise of senior writer-and-junior writer combos, and the continued series.

Then there are the collaborations that share a lot in common with film development, in which writers gather (in film it’s the writers’ room) and hammer out a story between them all.

Then they either go off separately and write portions, or they pass material back and forth, each adding or subtracting or putting their own spin on the emerging narrative.

The most successful of these that has come to my attention lately is Tremontaine, which initially came out in episodes from Serial Box.

Serial Box in itself is interesting: they are using a TV model for readers. The episodes come out weekly, and I believe most if not all are developed by teams. The episodes individually are cheap—less than you’d spend on a Starbucks coffee….

(2) UP ABOVE THE BEAR SO HIGH. Jeff VanderMeer may inspire a new subgenre of sff with the great reception being given to his new novel Borne:

Wow. In Canada, the #1 hardcover bestseller in Calgary for the week is Borne. Thanks, Calgary. You must really love giant psychotic flying bears. (Borne was #5 in Canada overall, across all 260 indie bookstores that report in.)

(3) STAR TREKKIN’. Visit the edge of space with Captain Kirk. Space.com tells how — “‘Star Trek’ Icon William Shatner to Take Zero-G Flight in August”.

This August, William Shatner will get closer to the final frontier than he ever did in his “Star Trek” days.

The 86-year-old actor, who famously portrayed Captain James T. Kirk in the original “Star Trek” TV series and a number of movies, has signed up for an Aug. 4 flight with the Zero Gravity Corporation (Zero-G). The Virginia-based company sells rides on its modified Boeing 727 aircraft G-Force One, which flies in a series of parabolic arcs to give passengers brief tastes of weightlessness.

“Going weightless will turn a dream into reality,” Shatner said in a statement. “I’ve always wondered what it would be like to actually explore the final frontier, and now I have the opportunity to experience zero gravity firsthand. It will be an incredible adventure.”

You have a chance to share this adventure with Shatner, if you wish: Zero-G is selling a limited number of tickets aboard the actor’s flight for $9,950 apiece, plus 5 percent tax. (For perspective: a seat aboard a normal Zero-G flight runs $4,950, plus 5 percent tax.) Go to Zero-G’s website if you’re interested.

(4) TOURING CHINA. China Miéville is coming to the U.S. later this month on a book tour promoting October: The Story of the Russian Revolution, which is non-fiction.

(5) COMING ATTRACTION. Teaser poster for the FORUM FANTÁSTICO convention taking place in Lisbon, Portugal this September.

(6) TRIVIAL TRIVIA

In The Big Bang Theory series Wil Wheaton is a recurring character. In one episode, Sheldon goes to Wil’s house to confront him. The house number is 1701…a homage to the USS Enterprise.

John King Tarpinian adds, “Something even more trivial got me thinking: ‘A homage or an homage?’

(7) TODAY’S DAY

Free Comic Book Day

History of Free Comic Book Day Free Comic Book day was established by Joe Field in 2001. While writing for a magazine of the comic industry, he noted that there had been a resurgence in purchases in the wake of the recent flow of comic book franchise movies. Society and finances were both looking favorably on this unending wealth of stories, and so it was that he suggested the institution of a Free Comic Book Day to spread the fandom as wide as possible.

(8) FUR AND FEATHERS. Special effects aficionados will love the preview reel for the upcoming SIGGRAPH conference.

SIGGRAPH 2017 brings together thousands of computer graphics professionals, 30 July – 3 August 2017 in Los Angeles, California, USA.

 

(9) A FEATURE NOT A BUG. Dragonfly cyborgs will fight terrorism reports Fox News — “How insect cyborgs could battle terrorism”.

The US military, like others around the world, has long pursued tiny flying robots to deploy for surveillance. Armed with tech like cameras and sensors, these flying robots could gather data that larger technology or humans could not.

To be useful in realistic conditions, the drones would need to be able to fly for long periods of time and be able to navigate around obstacles. They also need to be able to carry the weight of the data gathering systems.

(10) THE WORLD ON A STRING. If you like expensive toys, here’s a chance to pay a lot for “Yomega – Star Wars – Darth Vader – The Glide Yo-Yo” – tagged at $118.25.

  • Now available for a limited time, Yomega has produced its professional level yo yo, The Glide, in a collectible Star Wars Series with laser etching of Darth Vader and both Rebel and Imperial symbols.
  • The Glide has been engineered to the highest competition level standards. Machined from airplane grade aluminum, with a silicone pad return system and the world famous Dif-e-Yo KonKave bearing, this is a yo-yo meant for the most discerning player.
  • If you want the “Force to be With You” this is a must have piece for your collection.

Or for the same price you can rock the rebel logo — “Yomega – Star Wars -Rebel Symbol – Glide Yo-Yo”.

(11) GETTING PAID. Someone who should be able to buy as many yo-yos as he wants is Alan Dean Foster – Inverse recalls how “How George Lucas Made a Young, Anonymous Author Rich”. (And as Foster explains in the story, it’s something Lucas didn’t have to do.)

Alan Dean Foster, the author of the very first Star Wars book, remembers George Lucas doing him a huge solid, even when the fledgling director wasn’t rich.

The original Star Wars was released on May 25, 1977, and a full six months before that, on November 12, 1976, its novelization hit bookstore shelves. Though the author of the book — Star Wars: From the Adventures of Luke Skywalker — is listed under George Lucas’s byline, the novelization was in fact ghost-written by Alan Dean Foster.

(12) THIS BOX OFFICE WEEKEND IN HISTORY

Directed by Sam Raimi and starring Tobey Maguire in the title role, the eagerly awaited comic book adaptation Spider-Man was released on Friday, May 3, 2002, and quickly became the fastest movie ever to earn more than $100 million at the box office, raking in a staggering $114.8 million by Sunday, May 5.

(13) BRADBURYVERSARY. Seventy years ago this week, recalls Phil Nichols, Ray Bradbury’s first book was published.

DARK CARNIVAL, a hardcover from Arkham House, collected Ray’s finest dark fantasy stories, most of them having previously been published in WEIRD TALES magazine.

Some of the classic story titles you may recognize: The Lake, The Small Assassin, The Jar, The Homecoming, The Crowd, The Scythe, There Was An Old Woman, Uncle Einar. Some of his best-ever fiction; and some of the best fantasy fiction of the twentieth-century.

Ray revised some of the stories between their WEIRD TALES appearances and their first book appearance. Then, with the passing years, he came to have second thoughts about some of the stories, and so he re-wrote them again when they were re-packaged for a new book, THE OCTOBER COUNTRY. The OCTOBER COUNTRY remains in print to this day.

Because of THE OCTOBER COUNTRY, Ray allowed DARK CARNIVAL to retire, and only once permitted a re-printing. That was for a special limited edition from Gauntlet Press. Both the original book and the Gauntlet edition are out of print today….

(14) BRICK AND MORTAR. Atlas Obscura takes you inside “Internet Archive Headquarters” in San Francisco.

With the stated mission of providing “universal access to all knowledge,” the Internet Archive is one of history’s most ambitious cataloging projects. So far millions of books, movies, television, music, software, and video games have been collected and digitized by the project, and that’s not counting the billions of websites they’ve been archiving over the past two decades with the Wayback Machine.

Fitting of such an ambitious project, the archive’s brick-and-mortar headquarters are also quite grand. The old Christian Scientist church in San Francisco’s Richmond district was chosen largely because the church’s front resembled the Internet Archive’s logo: the Library of Alexandria’s Greek columns. Inside the beautiful building you’ll find dozens of employees and volunteers digitizing everything from old home movies, to old LPs, to 8-bit video games….

(15) THUMBS DOWN ON DARK TOWER TRAILER. According to Forbes, “‘The Dark Tower’ Should Be A Surrealist Western, Not A Superhero Blockbuster”.

When I pictured The Dark Tower movie, I thought about the structure and pacing of The Good, The Bad and the Ugly mixed with the tone of The Road with the aesthetics of The Cell. If that sounds wacky, good, because The Dark Tower is wacky as hell. It’s a western with high fantasy elements thrown in, mixed with every book Stephen King has ever written, and actually includes Stephen King as a character himself in one of the most surreal storylines in literary history.

But what I’m seeing from this trailer weirds me out in a bad way….

(16) IN LIVING BLACK & WHITE. Terror Time forewarns — “LOGAN – B&W Version of Film Hitting Theaters In May”.

Fans of Wolverine will be getting an extra treat very soon. A Black & White version of the film ‘Logan’ will be hitting theaters May 19th and it will also be included on the DVD when that hits the shelves. Only down side of this awesomeness is that it will only be released in U.S. theaters.

This all started when the film was first released and a fan tweeted at the director James Mangold asking if a B&W version could be done like Mad Max. The director replied in kind and here we are.

(17) NEIL CLARKE, MOVIE STAR? I’m sure it’s just a coincidence. Watch the Absolutely Anything trailer.

Neil Clarke, a disillusioned school teacher, suddenly finds he has the ability to do anything he wishes, a challenge bestowed upon him by power-crazed aliens. Unbeknownst to Neil, how he employs his newfound powers will dictate the fate of mankind — one wrong move and the aliens will destroy Earth. CAST: Simon Pegg, Kate Beckinsale, Rob Riggle, Robin Williams, John Cleese, Terry Jones, Terry Gilliam

 

[Thanks to John King Tarpinian, Cat Eldridge, Michael J. Walsh, Carl Slaughter, and JohnFromGR for some of these stories. Title credit goes to File 770 contributing editor of the day Greg Hullender.]

Pixel Scroll 3/28/17 Nevertheless, She Pixelisted

(1) EXPANSE FREAKOUT PREMATURE. James S. A. Corey says to settle down.

Anyway, they always have the books to fall back on…

(2) DON’T BE SHOCKED. Jim C. Hines didn’t expect people to be surprised when he told them “Yes, I Still Get Rejections”.

A while back, I posted something on Facebook about a rejection I’d received on a project. I was a bit taken aback when several people offered to “have a talk” with the editor. Others questioned the editor’s mental health for rejecting a Jim Hines story. It was flattering, in a way — I love that I have fans who are so enthusiastic about reading new stuff from me — but I think it might also reflect a basic misunderstanding.

Rejections are part of the job. They don’t suddenly stop when you become more successful. They’re less frequent, yes. Much less frequent, and my own mental well being is unspeakably grateful for that. But with the possible exception of folks like Rowling and King, we all risk rejection when we write.

Over the past year, I wrote a short story for an anthology that got cancelled. Another editor said they were interested, so I sent the story their way. They read it, said some nice things, and rejected the story. And they were right to do so….

(3) SF MUSEUM EXHIBIT. From June through August 2017, the Barbican Centre museum in London will present the exhibition Into The Unknown: A Journey Through Science Fiction, which is curated by historian and writer Patrick Gyger and will explore science fiction as an experimental genre. The Wire supplies the details in its article “A new Barbican exhibition will explore science fiction from a multidisciplinary angle”.

It’ll include more than 200 books, original manuscripts and typescripts, contemporary and existing art works, 60 film and TV clips, unseen footage, adverts, concept art, film props, comics, video games and robots.

Australian duo Soda_Jerk will present Astro Black, a two-channel video installation with a focus on Sun Ra’s theories of Afrofuturism and featuring footage of Kraftwerk, DJ Kool Herc, Afrika Bambaataa, Grandmaster Flash and Public Enemy. Plus Ben Frost and Daníel Bjarnason’s score inspired by Andrei Tarkovsky’s 1973 film Solaris will be performed with Poland’s Sinfonietta Cracovia, plus video accompaniment by Brian Eno and Nick Robertson.

(4) THIS IS SO WRONG. “Firm Floats Plan to Hang Colossal Skyscraper From an Asteroid”NBC News has the story.

Dubbed Analemma, the fanciful tower wouldn’t be built on the ground, but suspended in air by cables from an asteroid repositioned into geosynchronous Earth orbit just for the purpose.

Over the course of each day, the floating skyscraper would trace a figure-eight path over our planet’s surface, according to plans posted online by Clouds Architecture Office. It would swing between the northern and southern hemispheres, returning to the same point once every 24 hours.

The speed of the tower relative to the ground would vary depending upon which part of the figure eight it was tracing, with the slowest speeds at the top and bottom of each loop, the plans say. The asteroid’s orbit would be calibrated so that the slowest part of the tower’s path would occur over New York City.

…Analemma would be powered by solar panels and use recycled water. Lower floors would be set aside for business use, while sleeping quarters would be sited about two-thirds of the way up. The plans don’t say exactly how people would get on and off the building, though one illustration seem to show people parachuting from the tower to the ground.

(5) EXTENDED FAMILY. Lightspeed Magazine’s Christian A. Coleman interviewed Nnedi Okorafor.

You wrote in the acknowledgments of Binti that your daughter, Anyaugo, essentially came up with the plot of the novella. Was she also involved in plotting Binti: Home?

Anya didn’t come up with the whole plot of Binti. I was stuck on that ship with Binti and the murderous aliens; I knew the ending, but I wasn’t sure what should happen next. I told her about being stuck and she suggested something that went on to become a major part of the plot. The same happened with Binti: Home. When I write, Anya is very often around me or FaceTiming with me. So I’ll look up from writing and talk to her about what I’m writing. She always has something to say, and nine times out of ten, it’s good stuff. The same with part three. There was a major part in part three that we actually argued over because it was disturbing. I wanted one thing; she was like, “Heck no! You can’t do that.”

We live with my characters.

(6) GRRM AND LIBRARIANS. StokerCon is coming up April 27-30 aboard the Queen Mary in Long Beach, CA.

George R.R. Martin will be there on Saturday for an interview and signing.

HWA is sponsoring Librarians’ Day at StokerCon 2017 – which is essentially a day pass for Thursday of StokerCon, as I haven’t seen anything requiring proof of being a librarian in the purchase information.

(7) TUMMY TIME. “Karen Gillan’s ‘Jumanji: Welcome to the Jungle’ Costume Explained, but Does the Reason Make It Okay?” Yahoo! Movies ponders the answer.

When the first footage of the film was released during CinemaCon, the reason for her ensemble was revealed. The plot involves four high-school students who are forced to clean out the basement of their school while in detention. They find an old video game (rather than a board game like in the version of the movie starring Robin Williams) and each chooses a character to play. The teenagers become the characters they selected, leading a nerdy boy to become The Rock’s character and a popular girl to become Jack Black‘s character.

A more shy, reserved teenage girl ends up becoming Karen Gillan‘s character. The video game is old and dusty, so presumably the reason that she is dressed in tiny clothing is because that’s how female video game characters used to be dressed.

Is that enough of a reason for a movie to dress the character this way? Should the objectification of the female lead in the movie become permissible because Jumanji: Welcome to the Jungle’s film creators wanted to be hyper-accurate to old video games? Does the fear of being anachronistic by giving Gillan pants or a fully formed top justify the male gaze? Do the critics who hated Gillan’s outfit feel soothed by this explanation?

(8) DON’T SOUND SO SURPRISED. Io9’s take is “The First Footage From Jumanji Is Surprisingly Very Fun”.

…They realize that, because they are in a video game, they each have video game powers. For example, Johnson’s character is super strong and Gillan’s character is a dance fighter, which they joke about. And also, she very quickly acknowledges how ridiculous it is that the game makes her outfit so skimpy. A kind of guide character tells them they have to place a jewel back into a statue to leave—but as they progress, the challenges get greater and greater. Killer animals, evil men on motorcycles, just lots of crazy stuff. And, like a video game, they each have three lives. If they lose those, they die for real.

(9) TODAY IN HISTORY

  • March 28, 1979 Phantasm was released. John King Tarpinian adds, “Angus Scrimm, The Tall Man, used to come to Ray Bradbury’s Pandemonium Theater Company‘s plays.”

(10) IN GREAT DEMAND. James A. Owen’s seven-day Kickstarter to publish an Inklings Art Print Set hit 200% of its goal on Day One. These involve the illustrations he produced for Bandersnatch by Diana Pavlac Glyer.

Not only can you see the drawings of the individual Inklings at the Kickstarter site, several are matched with photos of scholars and fans who visited to the English locations and recreated the authors’ poses, which I found highly amusing.

(11)THE TRICORDER HAS ARRIVED. And in more than one version. The Washington Post’s Karen Heller, in “This ‘Star Trek’-inspired gizmo could win its inventors $9 million”, profiles George, Basil, and Gus Harris, who are hoping to win a prize of up to $9 million from the Qualcomm Foundation for producing the first successful “tricorder”–defined as a hand-held medical device that could detect blood pressure, diabetes, anemia, and nine other conditions.  The rules are that this device has to weigh less than five pounds and can be mass-produced.

… Harris assembled a seven-member team — himself, three of his siblings and three friends — all of whom were managing full-time jobs. They worked nights and weekends in his home outside Philadelphia, crashed after 72-hour engineering marathons, churned out prototype after prototype on three 3-D printers in Harris’s jumble of an office, each plastic part taking up to 24 hours to fabricate and with his three children, ages 11 to 15, often overseeing sanding and wiring.

The XPrize field began with 312 teams from 38 countries.

Now, improbably, Harris’s group is one of two finalists for the $9 million prize. The winner is scheduled to be announced April 12.

Harris’s competition is Dynamical Biomarkers Group, as formidable as its name: a group of 50 physicians, scientists and programmers, many of them paid for their work, led by Harvard Medical School professor C.K. Peng, a physicist with a 29-page résumé, and backed by the Taiwanese cellphone leviathan HTC and the Taiwanese government.

So, this is basically a Basil and Goliath story….

 

Brothers George, Basil and Gus Harris examine prop tricorders from the Star Trek series. (Courtesy of XPRIZE)

(12) LUCAS INCREASES SCHOLARSHIPS. Liz Calvario on Deadline.com, in a piece called “George Lucas Family Foundation Donates An Additional $10M to USC in Support of Student Diversity”, reports that the George Lucas Family Fund has donated $10 million to the USC School of Cinematic Arts for scholarships for African-American and Hispanic students.

The George Lucas Family Foundation has donated an additional $10 million to USC’s School of Cinematic Arts, expanding its support of student diversity, announced Dean Elizabeth M. Daley. The new endowment raises the Foundation’s total donation to $20 million.

Established in the fall 2016 semester with an initial $10 million, the George Lucas Family Foundation Endowed Student Support Fund for Diversity was created for students from underrepresented communities who qualify for financial support. African American and Hispanic students in both undergraduate and graduate programs receive priority consideration for support from the Fund. Students are known as George Lucas Scholars or Mellody Hobson Scholars….

(13) IT MUST GO OFF. The File 770 comments section yielded an item for the Wordspy newsletter.

WORD OF THE WEEK

Chekhov’s lesbian n. The principle that every reference to a minority in a fictional story must be relevant and irreplaceable. [This is a play on “Chekhov’s gun,” the Russian short-story writer’s famous dictum that memorable story elements should also be necessary and relevant (see this week’s Quote, Words, Unquote).]

Okay, let’s codify it — Chekhov’s Lesbian: if a character in fiction is portrayed as a member of a minority group, that character’s minority status must become a relevant plot point before the end of the story. (Term used sarcastically.) —Darren Garrison, “Pixel Scroll 5/19/16 I Am Not In The Scroll Of Common Men” (comment), File 770, May 20, 2016

 (14) SHORT NOTE TO L.D. COLTER. The Michael Glyer who’s on Twitter is not me. I don’t have a Twitter account because occasionally I’d fly off the handle and tweet something dumb and there it would be for the rest of time. The other Michael Glyer doesn’t appear to have that problem. So there could be worse things than me being mistaken for him.

(15) LOVECRAFT IN NEW MEXICO. As the locals say, it’s not new, and it’s not Mexico, H.P. Lovecraft of Ask Lovecraft visited George R.R. Martin in Santa Fe and recorded a couple segments of his vlog, which can be viewed at the link.

Seeing HPL at Meow Wolf was especially fun, since there are a couple of… ahem… decidedly Lovecraftian touches to be found in the House of Eternal Return.

If you ever get a chance to see Leeman Kessler perform as HPL, do catch him. It’s the next best thing to a shuggoth on your doorstep.

(16) MARTIAN ODDITIES. FiveThirtyEight does both a statistical analysis and a historical survey of Mars in the annals of pop culture — “This Is Why We Love Stories About Mars”.

Movies about aliens are getting more popular. Movies about Martians peaked a while ago.

…But multiculturalism was only part of the era’s Mars story. The 1950s and ’60s saw Martians firmly established on television as belligerent invaders. Marvin the Martian was introduced to give Bugs Bunny a worthy foe hell-bent on destroying Earth.3

There is something poetic about Marvin being the referee in “Space Jam” in the game between the Tunes and the Aliens. After all, he’s a creature of both worlds.

A 1960 episode of “The Twilight Zone” called “People Are Alike All Over” featured a Martian society that was just as indifferent and cruel as humans on Earth. The episode “Will the Real Martian Please Stand Up” played into the anyone-could-be-the-enemy-spy fears of the early 1960s, with invaders posing as humans to begin their infiltration.

In comic books, Martians are — with one notable exception — the baddies. Martians who show up in a Marvel comic are sure to be villains. Sometimes they’re Nazis dressed up as Martians to scare New York. Either way, these comics are stories about external threats made real, conquerors, spies, warlords and assorted monsters of the week. In DC Comics, the White Martians are boilerplate invader types, as are Yellow Martians and the original Burning Martians. Only the Green Martians, of which there remains one — the Martian Manhunter — aren’t out for Earthling blood, despite their ridiculous power.

In the contemporary era, humans dealing with Martians are occupiers, not collaborators. It rarely goes well….

[Thanks to Gregory N. Hullender, Rich Lynch, Rob Thornton, Cat Eldridge, Martin Morse Wooster, DMS, rcade, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day ULTRAGOTHA.]