Pixel Scroll 6/24/19 The Beast That Shouted “It’s Too Dark In Here To Read!*@%#$” At The Heart (Of Darkness) In The World

(1) TIME FOR A CHAT. Juliette Wade’s new Dive Into Worldbuilding features inventive storyteller Jaymee Goh. Watch and listen on YouTube, or read the synopsis posted on the site. (Or both!)

It was a pleasure to have Jaymee Goh on the show after seeing her at SF in SF last month! If you’d like to learn about SF in SF (Science Fiction in San Francisco), go here. At that event, Jaymee read a horror story called “When the Bough Breaks,” so we started out by talking about that story….

“When the Bough Breaks” is set in Malaysia, and has a condominium building that is similar to the one in the real world collapse. There are many buildings designed with a courtyard in the middle so kids can play. In her story, the courtyard is between the condos and the face of the hill, and it’s called “The Cradle.”

I was really fascinated by the way Jaymee used language in her story. She explained to us that this is exactly how Malaysians talk. She described it as the country having several major languages, and people having a basolect – one main language – to which they would add grammar and vocabulary from others. Maybe the base would be Malay, with Chinese and English added. Maybe if the person was middle class it might be English with Malay and Chinese added. In the story, it’s very clear that this is not an exclusively English-speaking community. When she was hanging with friends there would be various groups with different accents.

I asked Jaymee if she found it at all hard to balance the authenticity of the speech with the need for the audience to understand it. She said it’s not too hard to balance because there’s high compatibility, with a lot of vocabulary and grammar coming from English.

“This is literally how my family talks,” she explains. There are degrees of difference from family to family. She compares her work to the short fiction of Zen Cho, who uses more Hokkien in the text.

(2) STRANGER THINGS FINAL TRAILER. It’s almost time. Stranger Things 3 premieres July 4.

(3) THE FALCON FLIES TONIGHT. SpaceX launches their Falcon Heavy rocket tonight from Cape Canaveral… the first-ever night launch for Falcon Heavy, and carrying a huge complement of various projects. Besides both civilian and military payloads (including the STP-2 mission for the Air Force), two of the projects JPL has been working on for over a decade — the Deep Space Atomic Clock (DSAC) and a US/Taiwan joint weather data satellite called COSMIC-2 — are aboard the rocket. .

Forbes has a pre-launch story: “SpaceX Prepares For Its Most Difficult Launch With First-Ever Falcon Heavy Night Flight”.

A four-hour launch window for the rocket opens tonight, Monday June [24] at 11.30pm Eastern time. The rocket is set to lift off from Launch Complex 39A at NASA’s Kennedy Space Center in Cape Canaveral, Florida. The launch will be streamed live online, which you can follow here about 20 minutes before liftoff.

SpaceX webcast

Falcon Heavy’s side boosters for the STP-2 mission previously supported the Arabsat-6A mission in April 2019. Following booster separation, Falcon Heavy’s two side boosters will attempt to land at SpaceX’s Landing Zones 1 and 2 (LZ-1 and LZ-2) at Cape Canaveral Air Force Station in Florida. Falcon Heavy’s center core will attempt to land on the “Of Course I Still Love You” droneship, which will be stationed in the Atlantic Ocean.

(4) TOP CHILDREN’S BOOKS. The Independent’s Philip Womack lists the “30 best children’s books: From Artemis Fowl to Harry Potter”. I’ve read 14 of these.

But there isn’t room in this list for everything. I’m sure that every single reader will gasp at omissions and query the order. There are many personal favourites that I’ve left out, and many more 20th- and 21st-century writers whom I would have liked to include. 

This isn’t intended as a definitive ranking; but as an overview, and a guide. You’ll recognise many; a few perhaps will be not so well known, but deserve more attention. I’ve considered influence as well as originality; but crucially, all of the books here have stood the tests of time, taste and, most importantly, readers. Each one, whenever it was published, can be read and enjoyed by a child today as much as it was by the children of the past.

 (5) TODAY IN HISTORY.

  • June 24, 1983 Twilight Zone – The Movie premiered theatrically.
  • June 24, 1987 Spaceballs debuted.

(6) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 24, 1842 Ambrose Bierce. The Devil’s Dictionary is certainly worth reading but it’s not genre. For his best genre work, I’d say it’s “An Occurrence at Owl Creek Bridge” which along with his “The Tail of the Sphinx” gives you range of his talents. Both iBooks and Kindle offer up everything (as near as I can tell) he’s written, much of it free. (Died 1914.)
  • Born June 24, 1925 Fred Hoyle. Astronomer of course, but also author of a number of SF works including October the First Is Too Late which I think is among the best genre novels done. I’m also fond of Ossian’s Ride which keep its SF elements hidden until late in the story. 
  • Born June 24, 1937 Charles N. Brown. Founder and editor of Locus. I’m going to stop here and turn this over to those of you who knew him far better than I did as my only connection to him is as a reader of Locus for some decades now. (Died 2009.)
  • Born June 24, 1950 Nancy Allen, 69. Officer Anne Lewis in the Robocop franchise. (I like all three films.) her first genre role was not in Carrie as Chris Hargensen, but in a best forgotten a film year earlier (Forced Entry) as a unnamed hitchhiker. She shows up in fan favorite The Philadelphia Experiment as Allison Hayes and I see her in Poltergeist III as Patricia Wilson-Gardner (seriously — a third film in this franchise?). She’s in the direct to video Children of the Corn 666: Isaac’s Return as Rachel Colby. (Oh that sounds awful.) And she was in an Outer Limits episode, “Valerie 23”, as Rachel Rose. 
  • Born June 24, 1947 Peter Weller, 72. Yes, it’s his Birthday today too. Robocop obviously with my favorite scene being him pulling out and smashing Cain’s brain, but let’s see what else he’s done. Well there’s The Adventures of Buckaroo Banzai Across the 8th Dimension, a film I adore. And then there’s Leviathan which you I’m guessing a lot of you never heard of. Is Naked Lunch genre? Well Screamers based on Philip K. Dick’s short story “Second Variety” certainly is. Even if the reviews sucked.  And Star Trek Into Darkness certainlyqualifies. Hey he showed up in Star Trek: Enterprise
  • Born June 24, 1950 Mercedes Lackey, 69. There’s a line on the Wiki page that says she writes nearly six books a year.  Impressive. She’s certainly got a lot of really good series out there including the vast number that are set in the Valdemar universe. I like her Bedlam’s Bard series better. She wrote the first few in this series with Ellen Gunn and the latter in the series with Rosemary Edgehill. The SERRAted Edge series, Elves with race cars, is kinda fun too. Larry Dixon, her husband, and Mark Shepherd were co-writers of these. 
  • Born June 24, 1982 Lotte Verbeek,37. You most likely know her as Ana Jarvis, the wife of Edwin Jarvis, who befriends Carter on Agent Carter. She got interesting genre history including Geillis Duncan on the Outlander series, Helena in The Last Witch Hunter, Aisha in the dystopian political thriller Division 19 film and a deliberately undefined role in the cross-world Counterpart series. 

(7) COMICS SECTION.

  • Grimmy offers a surprising hint about what Batman does in the bat’room.
  • The aliens almost give the traditional greeting to the first human they meet: The Argyle Sweater.

(8) NSFWWW. They made a little mistake: “Samuel L. Jackson is furious over ‘Spider-Man’ poster error”.

Living up to the name of his Marvel character Nick Fury, Samuel L. Jackson unleashed an expletive-laden rant on Instagram about an error in a “Spider-Man: Far From Home” poster.  

(9) TALK TO THE BUG. “Chatty cockroach gets Greeks talking on Athens streets” says the BBC.

“Hello, I live in the sewers of Athens,” says the cockroach. “Yes, me too,” says an Athenian walking past, apparently unfazed by the idea of an insect talking to him from a drain.

Little does he know that, only a few feet away, artists Myrto Sarma and Dimitra Trousa are crouching over a tiny microphone, impersonating the cockroach in a voice they have rehearsed over and over.

The artists are delighted the man is engaging with their insect, explaining how his life has changed over the past decade. He was recently made redundant and has struggled to support himself ever since.

“It’s not nice up here any more,” he complains, speaking into the drain. “I think you’re better off staying down there.”

(10) THE PLAY’S THE THING. BBC reports “Toy Story 4 breaks global box office record for animation”.

Toy Story 4, the long awaited fourth film in the animated franchise, has broken global box office records for an animated movie.

It earned $238m (£187m) since opening worldwide over the weekend, performing particularly well in Latin America and Europe.

The film struggled in China, however, and also failed to meet expectations in the US, where its $118m (£93m) fell short of a predicted $140m (£110m).

(11) OUTSIDE OF AN OCTOPUS. In the Washington Post, Lela Nargi interviews Alon Gorodetsky, lead researcher of a team at the University of California (Irvine) who is looking at the color-changing abilities of octopi (known as biomimicry) to come up with clothes that can make a user warmer or colder depending on what she desires. “How can an octopus help us stay warm?”

…Ever since, Gorodetsky’s lab at the University of California at Irvine (UCI) has been trying to make what he calls “technologically valuable things” based on cephalopods’ camouflaging skills. They’ve finally succeeded in creating a material that will let people, not disguise themselves as rocks and algae, but regulate how warm or cool they feel. The UCI team built this material using biomimicry — watching how a biological organism behaves, then imitating it.

Cephalopods have a layer of skin that’s packed with pigment-containing cells called chromatophores. When you can’t see the cephalopod, it’s expanding and contracting its chromatophores between little upright points and big, flat disks. Think about drawing dots on a piece of plastic wrap, says Gorodetsky, then stretching the plastic so that those dots get much bigger….

(12) THE FUTURE? WE’RE THERE. The New York Times weighs in on a new HBO series scripted by veteran Doctor Who writer Russell T. Davies: “Review: In ‘Years and Years,’ Things Fall Apart, Fast”.

Ever feel like there’s too much happening? That the news is out of control? That there’s barely time to process one outrage before another replaces it, leaving just the faint memory and a little bit of scar tissue from the previous Worst Thing to Ever Happen?

“Years and Years” is not the escape for you.

The HBO limited series, from the British writer Russell T Davies, is about a lot of ideas: runaway technology, European nationalism, the failure of liberal democracy. But its overarching idea, driven home by its pell-mell narrative, is, “Man, there’s a lot of crazy stuff going on these days.”

This six-episode limited series, beginning Monday, is half family drama, half speculative fiction. It starts in the present, with the adult children of the Lyons clan of Manchester welcoming a new baby into the family. Then it tears ahead five years into the future, its foot jammed on the accelerator, and shows us what rough beasts are being born elsewhere.

World governments continue to lurch toward right-wing xenophobia. China builds a military installation on an artificial island. War breaks out in Ukraine. A nutty, populist entrepreneur, Vivienne Rook (Emma Thompson), runs for Parliament. Oh, P.S.: There are no more butterflies!

[Thanks to JJ, Cat Eldridge, John King Tarpinian, Mike Kennedy, Martin Morse Wooster, Chip Hitchcock, Carl Slaughter, and Andrew Porter. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 11/19/17 And That’s What Pixelmas Is All About, Charlie Scroll

(1) BY WAY OF MELBOURNE. Playbill says King Kong will open on Broadway next year. (Just keep those biplanes grounded!) “King Kong Sets Broadway Opening Night; Tickets Now on Sale”. This musical premiered in Melbourne in 2013 and was originally supposed to come to Broadway when Spiderman folded in 2014. But it didn’t.

The anticipated stage musical adaptation of King Kong—written by Jack Thorne with a score by Marius de Vries and songs by Eddie Perfect—will officially open November 8, 2018, at the Broadway Theatre. Previews are set to begin October 5.

The production, which features a one-ton, six-meter-tall silverback gorilla puppet as its star, arrives on Broadway following a 2013 Melbourne world premiere.

An all-new creative team has been assembled to bring King Kong to Broadway, including Olivier Award-winning book writer Thorne (Harry Potter and the Cursed Child, Let the Right One In), Olivier Award-winning director-choreographer Drew McOnie (Strictly Ballroom, In the Heights), and Australian songwriter Perfect, who is also adapting Beetlejuice for Broadway. Perfect joins the show’s original composer and arranger de Vries (Moulin Rouge, Romeo + Juliet).

(2) TWO FINS UP. Craig Miller comments on a screening of The Shape of Water.

The film was pretty great. It’s set in the early 1960s but it has a sort of timeless quality about it. Set at some sort of secret, military-run laboratory, it’s about a lonely, mute cleaning woman (Hawkins) who works there and what happens when a new “asset” is brought in for investigation and experimentation. Her performance, and that of Doug Jones, are remarkable. More so in that neither character is capable of speaking but you understand them both perfectly.

(3) MINORITY REPORT. The National Review’s Armond White says “Justice League Is the Epic We Deserve” – and means it in a good sense.

Zack Snyder’s audacity in creating a comic-book movie renaissance (which began with the complex, ambitious Watchmen) has inspired philistine resentment from reviewers and fanboys who don’t want cinema. They’ve been desensitized to the form’s vitality and richness. (Like civics, art is no longer being taught in schools.) The schoolyard game of lambasting Snyder’s magnificent Man of Steel and the even more intricate Batman v Superman: Dawn of Justice almost directly parallels the unsubtle breakdown of our political process. And this year’s post-election delusional praise for the utterly mediocre Wonder Woman is a symptom of our current political paralysis. By coordinating DC Comics’ superhero characters into the fight against Steppenwolf, Snyder attempts to extend his saga from Dawn of Justice. Studio interference (Warner Bros. envy of the lucrative Marvel franchise) and personal tragedy have prevented Snyder from completing his vision on a scale commensurate with the ever-astonishing Watchmen. But as Aquaman (Jason Momoa), The Flash (Ezra Miller), Cyborg (Ray Fisher), and Wonder Woman (Gal Gadot) join Batman (Ben Affleck) in the most-intense-yet fight for human life, what remains of Snyder’s handiwork — after the studio imposed The Avengers dullard Joss Whedon on the final product — is still a triumph.

(4) COCO. The Washington Post’s Michael Cavna talks to the stars and producers of COCO and looks at how Pixar is coming out with a Mexican-themed film for the first time: “‘Coco’ forced Pixar to dive deep into a real-world culture — and add some diversity”.

PIXAR STUDIOS, for all its renown for creating highly detailed worlds, has rarely had to worry too much about cultural authenticity. Even after all their fabled research for movies such as “Brave” and “Ratatouille,” the filmmakers have been free to use their imaginations, without real fear of offending toymakers, automakers or entomologists.

The Bay Area studio knew, however, that centering “Coco,” which opens Nov. 22, on Mexico’s Day of the Dead holiday would enter an entirely different realm, because it would include not only depictions of traditions, but also a significant increase in casting diversity.

(5) THE SCIENTISTS IN SF. Tor.com nominates “Our Favorite Fictionalized Scientists, Mathematicians, and Inventors in SFF”.

Benoit Mandelbrot (Mandelbrot the Magnificent)

Where the rest of us see fractals spinning off into infinity, Benoit Mandelbrot saw minute pockets into parallel universes. Liz Ziemska’s magical pseudo-biography reimagines the mathematician’s childhood during Hitler’s rise to power: in an era where people like Mandelbrot’s family were fleeing their homes to escape the growing evil, young Benoit discovers secret dimensions in which to hide, all unlocked by math. Talk of Kepler’s ellipses transports Benoit; archetypal math problems about approaching infinity provide him with glimpses into mirror worlds in which he can hunt monsters. But as the monsters in his world abandon all pretense of peace, Mandelbrot must harness his gifts to hide his family, or else he’ll have sealed their fates. It’s a lovely example of using fantasy as a way to gild the edges of inspiring true stories, linking math with magic for non-mathematicians. —Natalie

(6) GRAPHIC NOVEL ROUNDUP. In another piece, Michael Cavna gives his picks for “The 10 best graphic novels of 2017”.

My Favorite Thing Is Monsters

By Emil Ferris (Fantagraphics)

This debut graphic novel from a 55-year-old Chicago artist is a revelation: a deeply textured tale of dark histories framed as a girl’s diary and told through riveting art that is an homage to midcentury horror comics and film. A dark-horse winner that came out of nowhere.

(7) NIGEL’S NEXT. Nigel Quinlan did a cover reveal of his new book, The Cloak of Feathers, an MG fantasy coming in the UK and Ireland from Hachette Children’s in January 2018.

It’s about an awful summer festival held every year in a small village in Ireland. Once every hundred years the Fair Folk visit, and it becomes a Great Festival, full of magic and wonder. Except everything has gone horribly wrong. The lake is polluted, there’s a ghost estate built on the shore, and their beloved Princess has vanished. Our heroes, the reluctant members of the Junior Knockmealldown Festival Committee (Cow-Fetching Sub-Group) must perform four Feats to win the Cloak of Feathers and rescue the Princess before the whole village is punished.

(8) SUPER SJW CREDENTIALS. Quirk Books makes its selection of the “10 Best Cats in Comics”.

Chewie – Captain Marvel

Supergirl and Power Girl are not the only big name superheroes to have pet cats. Captain Marvel has her own feline companion, Chewie. Initially, Carol believed that Chewie was just a normal cat that could keep her company on her adventures, but when she met Rocket Raccoon, he claimed that Chewie was, in fact, a Flerken. Captain Marvel refused to believe that her furry friend was secretly a tentacle-mouthed, egg-laying alien with pocket dimensions in her body…but when Chewie laid 117 eggs on board the ship, she was forced to admit it was true. Although the 117 Flerken kittens were left at a rescue, Chewie herself teleported back on board the ship, and Carol decided to keep her, Flerken or not.

(9) REBOUND. The Traveler pilloried the November 1962 issue of F&SF in a post at Galactic Journey. What a difference a month (and 55 years) makes! — “[November 19, 1962] Reverse Course (December 1962 Fantasy and Science Fiction)”.

I’ve complained bitterly in this column on the meanderings of my favorite science fiction magazines.  Galaxy has gotten too tame.  Analog has gotten too staid.  F&SF has gotten too literary.  In fact, just last month, I was lamenting the streak of purple fluffiness that had corrupted that last mag.  Story after story of unreadable droll nothings, or at best, fantastic horrors without any hard sf.

The December 1962 issue did not promise to be any better.  It has the same line-up of authors, the same subject matter of stories.  There are even 11000…er.. 24 pages devoted to the concept of binary numbers.  Has F&SF lost its mind?!

So imagine my surprise to find that I actually enjoyed this month’s issue, entirely due to the well-written nature of its material.  These are not the kind of stories I prefer, but this experience just goes to show that high quality trumps subject matter.  See if you agree…

(10) ANDY WEIR. The Arthur C. Clarke Center for the Human Imagination has an extra installment of its Into the Imagination podcast: “Bonus: Andy Weir (author of The Martian and Artemis)”.

We have a mid-month bonus episode with Andy Weir, author of the novel The Martian, so memorably adapted in the film starring Matt Damon, and the new book Artemis, which launches today! We talk about lunar colonization, his approach to world- and character-building, and what he would do if he was in charge of the future of space exploration. Andy will be speaking at the Clarke Center on December 7th.

To listen to the podcast, click here.

(11) BEST AND THE REST OF AUGUST. Rich Horton reviews short fiction at Locus Online, covering Lightspeed 8/17, 9/17, Tor.com 8/17, Apex 7/17, Interzone 7-8/17, and McSweeney’s #49.

There’s a good set of stories in the August Lightspeed. Ashok Banker‘s “Tongue” is an uncomfortable and rather over-the-top satire on the horrors of a traditional Indian mar­riage, set on an asteroid. The over-the-top elements are part and parcel of satire, though I also thought the portrayal of Indian culture seemed a wincing cliché, as did the corporate menace target; still, it shocks and scares.

(12) ANALOG (NOT THE MAGAZINE). An op-ed writer for the New York Times claims “Our Love Affair With Digital Is Over”.

This surprising reversal of fortune for these apparently “obsolete” analog technologies is too often written off as nostalgia for a predigital time. But younger consumers who never owned a turntable and have few memories of life before the internet drive most of the current interest in analog, and often include those who work in Silicon Valley’s most powerful companies.

Analog, although more cumbersome and costly than its digital equivalents, provides a richness of experience that is unparalleled with anything delivered through a screen. People are buying books because a book engages nearly all of their senses, from the smell of the paper and glue to the sight of the cover design and weight of the pages read, the sound of those sheets turning, and even the subtle taste of the ink on your fingertips. A book can be bought and sold, given and received, and displayed on a shelf for anyone to see. It can start conversations and cultivate romances.

The limits of analog, which were once seen as a disadvantage, are increasingly one of the benefits people are turning to as a counterweight to the easy manipulation of digital. Though a page of paper is limited by its physical size and the permanence of the ink that marks it, there is a powerful efficiency in that simplicity. The person holding the pen above that notebook page is free to write, doodle or scribble her idea however she wishes between those borders, without the restrictions or distractions imposed by software.

(13) VERDICT ON NEW TURTLEDOVE. The Hugo Award Book Club contends The Hot War is Turtledove at his best”.

Of particular interest in this alternate history is the tragic — and believable — story of Harry Truman. Turtledove’s research into historical figures is always impeccable, and many of Truman’s decisions in these novels are based on courses of action that he considered in real life. Turtledove paints a portrait of an alternate failed presidency that hinges on one bad decision after another.

The consequences of Truman’s mistakes keep compounding. The way in which this weighs on him in the novels is effectively conveyed, and this may be one of the best character arcs Turtledove has ever written. Turtledove seems to be arguing that even a well-intentioned president might invite calamity through brinksmanship.

This cast may be one of the most memorable groups that Turtledove has written since Worldwar: In The Balance back in the 1990s. However, it’s still clear that Turtledove has difficulty writing characters from outside his cultural background — none of the important Korean or Chinese characters are given point-of-view sections.

(14) BE OUR GUEST. Her Universe is ready to fill your need to own the “Star Wars BB-8 Tea Set”.

Being stranded on Jakku might be a downer, but it’s no excuse to avoid quality tea time. This BB-8 themed teapot and cup set from Star Wars is happy to roll up with a hot beverage. Set includes a 650 ml teapot & lid with two 220 ml cups and two 5 1/2″ saucers.

(15) MILLENNIUM PLUS FORTY. Entertainment Weekly was there: “Luke comes home: Mark Hamill’s heartbreaking return to the Millennium Falcon in The Last Jedi”.

Luke Skywalker quietly walks aboard the Millennium Falcon, alone. His old friends are gone. His old life is gone. He is ghostlike himself.

The old Luke Skywalker is gone, too.

That’s a scene from the latest trailer for The Last Jedi (see it here), but in real life, visiting the set of the old Corellian freighter was a similarly haunting experience for Mark Hamill.

“I’m telling you, I didn’t expect to have the reaction I had,” the 66-year-old actor tells EW. “I was there with my family, with [my children] Nathan and Griffin and Chelsea and my wife Marilou, and [Lucasfilm] asked if the documentary crew could be there when I came back on the Millennium Falcon. I mean, this was not on the shooting day. I was just street clothes and going to visit that set. And I said, ‘Sure.’”

(16) BLABBING ABOUT CAMEOS. The Hollywood Reporter learned “Princes Harry and William Play Stormtroopers in New ‘Star Wars’ Film”.

The royals — along with Tom Hardy and singer Gary Barlow — were rumored to make an appearance in Stormtrooper outfits in the film releasing Dec. 15.

In August, Star Wars: The Last Jedi star John Boyega spilled the beans that not only did Prince William and Prince Harry film scenes when they visited Pinewood Studios in April 2016, but Tom Hardy also was milling around the set at the same time. By then, Take That singer Gary Barlow had already revealed that he had shot a scene in March.

(17) KEEPING A FINGER IN THE PIE. According to SyFy Wire, “Steven Moffat and Russell T Davies to write new Doctor Who adaptations”.

Steven Moffat may be leaving his gig as Doctor Who showrunner following this year’s upcoming Christmas special titled “Twice Upon a Time” to make way for Chris Chibnall (Broadchurch), but it looks like he isn’t done with the Whoniverse-at-large just yet.

According to Radio Times, Moffat will team up with former showrunner Russell T Davies and novelist Jenny T. Colgan for a series of Doctor Who novels that will adapt several episodes from the Davies and Moffat eras of the BBC series.

Published by BBC Books and Penguin Randomhouse, the new “Target Collection” is based on the old Target novelizations that strived to adapt classic Doctor Who episodes from the 1970s to the 1990s, with the episodes’ original scriptwriters penning the adaptations whenever possible from the original scripts.

(18) SOME TIME LATER. I will never be the same now that I have seen this tweet.

Here’s the link to his post.

(19) MIGHTY MUMBLING. How It Should Have Ended does a comedy overdub of Batman v Superman and Dawn of Justice. It’s a toss-up whether these animated mouths remind me more of Clutch Cargo or Wallace and Gromit.

[Thanks to John King Tarpinian, JJ, Cat Eldridge, Martin Morse Wooster, Chip Hitchcock, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jon Meltzer.]