“Alpha Centauri” is getting the boot. The longstanding star name has been displaced by its ancient counterpart in a new International Astronomical Union (IAU) catalog that designates 227 official names for different stars in the sky.
The move was intended to reduce confusion, according to the IAU. For instance, a star like Fomalhaut has at least 30 different names, so it’s difficult to figure out what to call it — or even how to spell it. Variations over the years have included Fumalhaut, Fomalhut and even the unusual Fomal’gaut.
The IAU, which is the official arbiter of astronomical names, chose single names to refer to those stars that have historically had many. Some of the decisions may rattle longtime observers, however. For example, the binary star Alpha Centauri, which lies 4.35 light-years from the sun, is now known officially as “Rigil Kentaurus,” the ancient name for the system.
(2) WHELAN ART PROJECT. Michael Whelan has a Kickstarter going for a new book with Baby Tattoo. The book is being published to coincide with an exhibition of Michael’s art at the Riverside Art Museum in Southern California in February.
It’s actually done very well already – the target was $10,000, and $54,056 has been raised with 22 days to go.
(3) DON’T SPOON FEED THE AUDIENCE. Misha Burnett made a good point in a comment at Mad Genius Club.
I think that “overbackstorying” is one of the signature literary sins of our age. During the after-film discussion with my roommate after we had we had seen “Dr. Strange” the subject came up of filmmakers not trusting audiences to pick up on subtleties.
I can just imagine a remake of “Citizen Kane”.
“Come in now, young man–you can’t stay out there with your new sled, which is called ‘Rosebud’ all day!”
“But I love my new sled, which is called Rosebud! No matter what happens for the rest of my life, this will be the moment I’ll remember on my deathbed!”
(4) YOU CAN TALK TO THE HORSE, BUT NOT NECESSARILY OF COURSE. Fantasy Faction reposted Aaron Miles’ insightful article “A Question of Technology”.
How fantasy elements interact with technology is another aspect of worldbuilding to consider. Necessity is the mother of invention, the creation of a tool to aid in a task. But when you have characters that can make it rain at will, it seems pointless to dig ditches for irrigation. Does your world have magical solutions instead of technological ones, how prevalent is magic and its availability in solving daily problems? The opposite can be true as well, does your world have technological solutions to magical problems? Has a castle population built giant net launchers and long range crossbows to help defend themselves from dragon attacks? Perhaps they’ve developed fire resistant armour and building materials. This is an example of the necessity point in action, it’s human nature to try and counter a hostile force. In a world ruled by magic users, perhaps a resistance has created mechanical devices that negate their powers; maybe your heroes need them to complete a quest?
The level of technology in your work can influence the plot and what kind of solutions the writer can present to their characters. Is a character sick or injured? Is there a medical cure, it is easily available or a rarity? What about travel, does your world have domesticated horses, are there paved roads that allow them to make good time?
Translation Microbe (Farscape) Lots of translation devices pop up in science fiction universes, including the Babel Fish in The Hitchhiker’s Guide to the Galaxy, but you have to stick that leech-like thing in your ear. Ew. The Translation Microbe from Farscape also has to be sent into the body (via injection), rooting itself at the base of the brain. But it’s painless, aside from the initial injection, and there’s nothing living in your head. As for Star Trek‘s universal translator? That’s a machine that can be lost or destroyed, and you don’t want to be caught out as a stranger in a strange land.
(6) ATKINS OBIT. Lon Atkins (1942-2016) has died. Guy Lillian III sent this tribute about the legendary fan.
Lon Atkins, lost either yesterday or just this morning, was a titan in our Southern fannish world. His Rebel Award, his Fan GoHship at the DSC, were beautiful if finally inadequate reflections of his contribution to our early days as a regional fandom and our growth into the vibrant and important segment of SFdom we’ve become. He was Official Editor of SFPA for four years and kept it going through its slimmest days. His fabled battles at the Hearts table with his great frtiend Hank Reinhardt were not only legendary, but entertaining, helping to build the sense of community that marks the region and its game. He did the best apazines — the best-written, the best-reproed, the most comprehensive — I have ever seen. And he was a gentleman.
I am lost in regret. Lon was a mentor and a model for how a good man conducts himself in science fiction fandom. MELIKAPHKAZ forever!
Transgender Michigan was founded in 1997, and continues to run one of the only transgender helplines in the country, available 24/7 at 855-345-8464. Every tax-deductible donation helps them continue to provide support, advocacy, and education.
Auction number three is for a personally autographed hardcover set of either the INDA or DOBRENICA series, by author Sherwood Smith. Sherwood is also willing to personalize the books if the donor wishes — doodles, notes about something they’re interested in on the text, etc.
As you’ll see in the pictures below, not only will you notice things from his films like Cronos, Hellboy, Pan’s Labyrinth, Pacific Rim, and Crimson Peak, you’ll see the 1907 edition of Alice’s Adventures in Wonderland, original Moebius artwork, original comic book pages from Alan Moore’sFrom Hell, concept art from films like Walt Disney’sThe Adventures of Ichabod and Mr. Toad, Sleeping Beauty, Fantasia, Alice in Wonderland, James Cameron’sAliens, Drew Struzan’s poster for Pan’s Labyrinth, his love of all things Dracula, Frankenstein, H.P. Lovecraft and Edgar Allen Poe, and so much more.
Since most people will never be able to check out the At Home with Monsters exhibit, while walking around I took a ton of pictures. Even though I snapped over 150 high-resolution pics, trust me when I say I didn’t come close to capturing everything there and if you’re near the Art Gallery of Ontario or the Minneapolis Museum of Art when the exhibition opens in either city, I strongly suggest stopping by and seeing it for yourself.
(10) THE MAGICIANS ON SYFY. This is no fantasy. Lev Grossman’s The Magicians returns for Season 2 on January 25.
(11) THE HOLE YOU SAY. Cards Against Humanity raised over $100,000 on Black Friday by broadcasting a video of a giant hole and asking its users to throw the money in!
This has raised a lot of questions in NPR’s newsroom, some of which Cards Against Humanity endeavored to answer on its site:
What’s happening here?
Cards Against Humanity is digging a holiday hole.
Is this real?
Unfortunately it is.
Where is the hole?
America. And in our hearts.
Is there some sort of deeper meaning or purpose to the hole?
No.
What do I get for contributing money to the hole?
A deeper hole. What else are you going to buy, an iPod?
Why aren’t you giving all this money to charity?
Why aren’t YOU giving all this money to charity? It’s your money.
Is the hole bad for the environment?
No, this was just a bunch of empty land. Now there’s a hole there. That’s life.
How am I supposed to feel about this?
You’re supposed to think it’s funny. You might not get it for a while, but some time next year you’ll chuckle quietly to yourself and remember all this business about the hole.
How deep can you make this sucker?
Great question. As long as you keep spending, we’ll keep digging. We’ll find out together how deep this thing goes.
The folks at Bad Lip Reading have produced some stellar videos over the course of the last few years, but this one might actually be their magnum opus. Reimagining Luke Skywalker’s time with Yoda on Dagobah, the video follows the mismatched pair as the ancient Jedi master sings to a clearly annoyed Luke. Using the speech of the Yoda puppet as a template, the video features a voiceover that replaces the wise teachings of the alien warrior with utter nonsense about seagulls, logs giving birth to sticks, and getting hit in the neck with a hacky sack. It’s undoubtedly one of the weirdest Star Wars related videos that we have ever seen on the Internet, but it’s also that weirdness that makes it so utterly awesome.
[Thanks to Arnie Fenner, JJ, Martin Morse Wooster, Guy H. Lillian III, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Iphinome.]
(1) FREE CLIMATE CHANGE SF ANTHOLOGY. Twelve stories from the Climate Fiction Short Story Contest are collected in Everything Change, a new fiction anthology from Arizona State University’s Imagination and Climate Futures Initiative (ICF). Kim Stanley Robinson wrote the foreword, and there is also an interview with Pablo Bacigalupi.
In the midst of Earth’s hottest year on record, the effects of climate change are more apparent than ever. But how do we come to grips with the consequences on the ground, for actual people in specific places? New York Times bestselling science fiction author Paolo Bacigalupi believes the answer lies in fiction: “Fiction has this superpower of creating empathy in people for alien experiences. You can live inside of the skin of a person who is utterly unlike you.”
The anthology includes the grand prize winner of the Climate Fiction Short Story Contest, “Sunshine State,” a quasi-utopian disaster story set in the Florida Everglades. The story’s authors, Adam Flynn and Andrew Dana Hudson of Oakland, CA, will receive a $1000 prize, and four other prizewinners will receive book bundles signed by Bacigalupi. The contest received 743 submissions from 67 different countries and from more than half of the states in the U.S.
The title Everything Change is drawn from a quote by Margaret Atwood, the first Imagination and Climate Futures lecturer in 2014.
Half a century ago, Bob Dylan shocked the music world by plugging in an electric guitar and alienating folk purists. For decades he continued to confound expectations, selling millions of records with dense, enigmatic songwriting.
Now, Mr. Dylan, the poet laureate of the rock era, has been rewarded with the Nobel Prize in Literature, an honor that elevates him into the company of T. S. Eliot, Gabriel García Márquez, Toni Morrison and Samuel Beckett.
Mr. Dylan, 75, is the first musician to win the award, and his selection on Thursday is perhaps the most radical choice in a history stretching back to 1901. In choosing a popular musician for the literary world’s highest honor, the Swedish Academy, which awards the prize, dramatically redefined the boundaries of literature, setting off a debate about whether song lyrics have the same artistic value as poetry or novels.
At press time, Bookselling This Week learned that California Assemblywoman Ling Ling Chang plans to submit a letter to the state legislature stipulating that a new law covering the sales of collectibles does not apply to either general bookstores or author signing events. Chang was the sponsor of the bill. The law requires sellers of signed books and artwork to provide the buyer with a certificate of authenticity (COA) for any item sold for $5 or more.
“While ABA’s reading of the bill matched that of Assemblywoman Chang’s intent in drafting the law — that the law was meant specifically for the collectibles industry to stave off fraud — we are grateful for how responsive Assemblywoman Chang and her staff were to the concerns of booksellers,” said David Grogan, senior public policy analyst for ABA. “It also clearly shows how much of an impact booksellers can have when they voice their concerns to their legislators. We are happy that a clarification is expected to be entered into the record.”
The clarification comes as a direct response to a blog post and subsequent letters from independent bookstores in California. Concerned that some might assume the law applied to general bookstores, Eureka Books in Eureka, Book Passage in Corte Madera, and others opposed the new law, fearing that it would have a negative financial impact on their businesses.
(4) VENUS IF YOU WILL. Here’s a clickbait-worthy headline: “Why Obama may have picked the wrong planet”. And as a bonus, the article quotes SF writer and NASA scientists Geoffrey Landis.
On Tuesday, Obama published an op-ed at CNN laying out his vision (once again) for visiting Mars.
“We have set a clear goal vital to the next chapter of America’s story in space: sending humans to Mars by the 2030s and returning them safely to Earth, with the ultimate ambition to one day remain there for an extended time,” he wrote.
The Obama administration has been pursuing a visit to Mars for years. But Obama may be overlooking an easier target, if the arguments of one NASA researcher (and numerous supporters) are to be believed. While Mars may seem to be an attractive destination, we should consider sending people to Venus instead, these people argue….
You see, Mars is a challenging destination. It’s far away, the gravity is a fraction of Earth’s — posing additional health hazards beyond the lack of atmospheric radiation shielding — and you have to be suited up just to breathe outside.
By contrast, Venus is a lot closer to Earth than Mars is. At their closest points, Venus is only 25 million miles away, compared with Mars’s 34 million miles. The shorter distance means you’d need less time and fuel to get there, reducing the cost. And although Venus’s surface temperature is hot enough to melt metal, and the crushing pressure will squish you like a bug, the upper atmosphere is actually rather habitable.
“At about 50 kilometers above the surface the atmosphere of Venus is the most earthlike environment (other than Earth itself) in the solar system,” wrote Geoffrey Landis, a NASA scientist, in a 2003 paper. Landis has spent much of his career dreaming up ways to make a human trip to Mars actually feasible, so he knows what he’s talking about.
At high altitude, Venusian temperatures are hot but not unbearable, and the barometric pressure drops to the equivalent of one Earth atmosphere. You’d have droplets of sulfuric acid to worry about, but only if your skin is directly exposed.
It helps that NASA has already taken steps to research a manned mission to Venus.
The realization of human spaceflight has long stood as a testament to the power of human temerity, a triumph of will and intellect alike. Pioneers such as Yuri Gagarin, Neil Armstrong and Sally Ride have been immortalized in the annals of history. Their impact on terrestrial society is as indelible as the footprints left by the Apollo astronauts on the windless surface of the Moon.
Perhaps yet more wondrous than the Cold War-era achievement of extraterrestrial travel, however, is the long and meandering trail that we as a species blazed to arrive at that result. Such is the argument of author-illustrator Ron Miller, an inveterate spaceship junkie and one-time planetarium art director at the National Air and Space Museum in Washington, D.C.
Miller’s just-published book, Spaceships: An Illustrated History of the Real and the Imaginedfrom Smithsonian Books, is a paean to the exploratory yearning of humankind across the centuries. The profusely illustrated volume tracks technological watersheds with diligence, but its principal focus is those starry-eyed visionaries, the dreamers….
(6) TOO TANGLED FOR TINGLE? I was wondering what the chances were of Chuck Tingle setting up his own SadPuppies.com site when it’s Hugo season again. But Huge Domains already has that registered and is asking $1,895 for the rights.
Well then, what about SadPuppies5.com? Nope, that’s registered, too, by a proxy that contains a reference to the real Sad Puppies site, SadPuppies.org – have they been thinking ahead?
Of course, if Tingle wanted to make a File 770 reference, he could always start up SadPuppiesSecond5th – and that would be fine by me.
(7) VULICH OBIT. Special effects make-up artist John Vulich died October 13. Dread Central recalls:
Vulich worked on some of the horror genre’s most classic films and TV shows such as “Buffy the Vampire Slayer,” George A. Romero’s Day of the Dead, The Dark Half, Castle Freak, From Beyond, Ghoulies, Dolls, TerrorVision, The Texas Chainsaw Massacre Part 2, The Lost Boys, Two Evil Eyes, “The X-Files,” “Angel,” and “Werewolf: The Series” and was one of the founders of Optic Nerve Studios.
(8) TODAY’S BIRTHDAY BOY
Born October 13, 1957 — Chris Carter, creator of “The X-Files.”
At Warner Bros’ global fan event for Fantastic Beasts and Where to Find Them today, the studio made a big announcement: There will be five Fantastic Beasts films total, instead of the trilogy, as originally thought.
(10) SHOCKED, I TELL YOU. In “thoughts on the processing of words” at Text Patterns, a blog on The New Atlantis website, Baylor University English professor Alan Jacobs gives a long review of Matthew Kirschenbaum’s Track Changes: A Literary History of Word Processing, including the revelation that the first author to write a book on a word processor was not Gerrold, Pournelle, or Crichton, but historical novelist Gay Courter.
In any case, the who-was-first questions are not as interesting or as valuable as Kirschenbaum’s meticulous record of how various writers — Anne Rice, Stephen King, John Updike, David Foster Wallace — made, or did not quite make, the transition from handwritten or typewritten drafts to a full reliance on the personal computer as the site for literary writing. Wallace, for instance, always wrote in longhand and transcribed his drafts to the computer at some relatively late stage in the process. Also, when he had significantly altered a passage, he deleted earlier versions from his hard drive so he would not be tempted to revert to them.
Mr. Sulu explains why he doesn’t like the Star Trek cartoon and reveals the magic ingredient he believes the new films are missing. The Star Trek 50th Anniversary TV and Movie Collection Blu-ray Boxset is out now.
They receive a copy of the first chapter of H. G. Wells’ War of the Worlds.
It is roughly 2,250 words.
I tell the students that Mr. Wells has just received a note from his editor. “Great stuff, Herbie, but you go on too long here. Cut this first chapter in half.”
How to make 2,250 words into 1,125 words?
Mr. Wells, alas, has passed on. Fortunately for us, so has the novel’s copyright.
…Ask students to do this to their own stories and their faces turn ashen. Their babies? By half? What madness is this?
So by practicing at first on Wells, they can see what the process entails before going on to apply the knife to their own deathless prose. The exercise not only requires careful editorial skills, but an equally careful reading of the text. What’s important in the telling? What’s icing on the cake?
What led me to write Crosstalk? Oh, lots of things. For one, like everybody else, I’ve always been intrigued by the idea of telepathy and have often thought how nice it would be to be able to tell what other people were thinking, to know if they were lying and how they really felt about you. For another, I live in Colorado, home of the infamous Bridey Murphy, who started the whole channeling-past-lives thing back in the fifties by claiming she’d had a previous life in nineteenth-century Ireland. Which turned out not to be true and which left me with a healthy skepticism of all things paranormal, from psychics to Dr. Rhine’s ESP experiments.
You’ve said many of your stories are about working through arguments with yourself, and working through different aspects of the idea you obsess over. Are you working through an argument in Crosstalk?
Well, looking at the society we’re living in right now, we’re bombarded with information. We have all these new ways of communicating. We can talk face-to-face to somebody in Asia, you can have a best friend who lives across the world. But our relationships don’t seem to be improving radically as a result of all this extra communication.
We’re always looking to technology, thinking it can solve our human problems. Usually it does, but with big side effects we hadn’t counted on. It’s an argument I don’t know how to solve. I’m not suggesting we go be Luddites. But occasionally I’m on panels with all these really gung-ho tech people, and they’re like, “Oh this new development will solve all our problems.” And I think “Anything that solves all our problems will create a whole mess of new problems that would have never occurred to us.” We need to start thinking more in terms of cost-benefit analysis. Maybe that would be more productive.
But mostly with Crosstalk, I just wanted to have fun with the idea of whether communication is a good idea, generally. Not tech communication, communication between people. Most people would say, “We all need more communication in our relationships.” But really, most relationships benefit from all the things we don’t say, all the things we keep to ourselves.
When it comes to the horror genre, there are many icons in the business but none more so than a woman who created a character that has permeated pop culture; her name is Cassandra Peterson and her wonderful, wicked, and hilarious alter ego is Elvira, Mistress Of The Dark. For 35 years, the sexy, dark, and comedic valley girl/gothic goddess has appeared on television, film, pinball machines, comic book covers, record albums, and any other product you could imagine. She is one of the most beloved incarnations in history, and is still surging in popularity to this very day. Peterson herself is now in her mid-sixties but looks like she has discovered the fountain of youth, or made a deal with the devil, she is absolutely beautiful and timeless. Her comedic timing is unmatched, quick fire and quite daunting considering the jokes come straight from her mind like bullets, one of the funniest women alive, hands down. She is also one of the hardest working women in the business, an actress who became her own boss and made her own rules (and still does); truly an inspiration in regard to drive, conviction, and perseverance.
Rue Morgue spoke to Peterson about her 35th Anniversary and her new photo book, entitledELVIRA MISTRESS OF THE DARK, which is a love letter to her fans, and a testament to her many years as a reigning queen in horror comedy….
(16) ACES AND BAIT. In addition to the news I missed while I was in the hospital, I also fell behind reading Adventures With Kuma. From August — “Dodge City Bear”.
Bears wents to lots of places todays. Boys will writes abouts bigs holes in the grounds laters. Bears gots to plays a games in Dodges Citys withs a nices Doctors nameds Hollidays.
Bears saids, “Bears has fives fishes. Whats yous gots?”
[Thanks to John King Tarpinian, Joseph Eschrich, Bartimaeus, Sean R. Kirk, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing edtor of the day Cath.]
…I asked what if we weren’t actually throwing *Capricon*? What if instead, we were holding the annual meeting of the International Order of Villains? We treat the whole convention like it is some *other* event? Tracy asked me why that would be and then I hit her with the nefarious money plan. You see, if it’s a conference like that, when folks sign up, they would tell the convention organizers which kind of villain they were…be it henchmen, lackey, minion, mad scientist, Igor, etc. We could badge each of those groups differently so you’d know who was who. The kicker was that you could also choose to register as an Evil Overlord, but this would be a premium membership for which you would need to pay more money. If you wanted to be an Evil Overlord, you had to pay. We could work out getting them some tokens and souvenirs for it, but as long as we only spent a couple bucks on that, we were still helping the convention. The idea excited me and it excited Tracy, so we shared it with a few other folks and it universally got folks excited and worked up….
From that point on we were in a world we’d never anticipated. We got no small number of people to pay us extra money to be an Evil Overlord and boy howdy did that help us, but holy hell did it make for a convention that’s hard to forget. See, quite a number of the Evil Overlords were going around the convention recruiting minions, henchmen, and lackeys to their cause. Even more brilliantly, Howard Harrison was spending almost all of the time he wasn’t in the filk room going around and organizing the Union of Minions, Henchmen, and Lackeys Local 302. When I asked him why, he told me (in his best Chicago Superfan imitation) “You see, I know that I am going to die in a fiery explosion, or be thrown into a volcano, or just act as fodder for my bosses escape. I need to know what’s going to happen for my family!“. These conversations and all the recruiting brought me to freaking tears. Our whole convention was a LARP and almost everyone was playing and nobody was having a bad time or feeling pressured to participate. Howard even invented the UMHL salute. Take your right hand and make a tight thumbs-up, then flip it upside down (thumbs down). Now, place your knuckles against your temple in salute fashion. There you go, union salute! Howard then took his unionized brothers and sisters and started approaching the Evil Overlords to inquire about benefits and insurance and post-death family care to get his folks the best deal he could….
…At the time, I told him how brilliant he was…but over the years, his playfulness that weekend grew to mean a lot more to me and I don’t think I ever really got to tell him what that grew into for me. I’m sad that I can’t do that with him now, but I *can* share this story with all of you so that you know what a special guy he was.
The Magical Congress of the United States of America, known to American witches and wizards by the abbreviation MACUSA (commonly pronounced as: Mah – cooz – ah) was created in 1693, following the introduction of the International Statute of Wizarding Secrecy. Wizards worldwide had reached a tipping point, suspecting that they could lead freer and happier lives if they built an underground community that offered its own support and had its own structures. This feeling was particularly strong in America, due to the recent Salem Witch Trials.
MACUSA was modeled on the Wizards’ Council of Great Britain, which predated the Ministry of Magic. Representatives from magical communities all over North America were elected to MACUSA to create laws that both policed and protected American wizardkind…
I’m open to criticism and discussing my writing with those who respectfully don’t agree with my opinion, but in covering comic properties, I’ve dealt with everything from people accusing me of not reading comics as if I had no idea what I was talking about to being told I was race baiting by acknowledging certain issues in the film. The worst were the very pointed attacks calling me an “idiot” or a “bitch” and far worse epithets from people I blocked. I won’t even go into the Reddit threads about my article that I was once tauntingly sent screenshots of. It’s something I’ve grown almost numb to as a critic. But what was more interesting to me was the level of hurt coming from these men and their routine way of doubting my comic knowledge—a dynamic other female journalists get time and time again.
I’ve watched all of the Star Trek series more times than I can count, and I often whip out Klingon when I’m nervous.
I have been reading comics obsessively since I was about ten years old. I can probably quote from John Ostrander’s original Suicide Squad run in my sleep, I’ve watched all of the Star Trek series more times than I can count, and I often whip out Klingon when I’m nervous. But I’ve found that the love and knowledge I have on these subjects never seems to be good enough for the people who grow furious at a black woman writing about these properties. White male fans often don’t want to face how their beloved properties often have troubling racial and gender politics. (Just peruse the comments on my review of X-Men: Apocalypsefor RogerEbert.com: “The author feels like the X-Men series in general has failed its female characters—ignoring the fact that Mystique is elevated to a leadership and relevance level well above the source material.” Many didn’t want to face a critique coming from a woman, and a fan, who knows them better than they do.) You can only delete emails and block people on Twitter for so long until you feel burnt out. The reason why we don’t see more black women writing about these subjects with such visibility isn’t because we haven’t been interested in them, it’s that publications rarely give us the opportunity, and when we do write, we often find ourselves facing personal scrutiny that has little to do with the actual writing. At times, I’ve been left to wonder, why do I love these stories so much when they rarely care about people who look like me?
More than 100 authors are now part of the #HoldOnToTheLight conversation! Our authors span the globe, from the US to the UK to Canada, Australia and New Zealand. Even more exciting is that as the campaign picks up traction and visibility, more authors want to join, meaning a growing, vibrant dialog about mental wellness and coping with mental illness.
#HoldOnToTheLight is a blog campaign encompassing blog posts by fantasy and science fiction authors around the world in an effort to raise awareness around treatment for depression, suicide prevention, domestic violence intervention, PTSD initiatives, bullying prevention and other mental health-related issues. We believe fandom should be supportive, welcoming and inclusive, in the long tradition of fandom taking care of its own. We encourage readers and fans to seek the help they or their loved ones need without shame or embarrassment.
(5) MUSEUM OF SF KICKSTARTER FOR A WOMEN IN SF ANTHOLOGY. The Museum of Science Fiction has opened a Kickstarter appeal to fund Catalysts, Explorers & Secret Keepers, a “take-home exhibit” featuring short science fiction works by and about the women of the genre.
This anthology will showcase how they—as readers, as writers, and as characters—have engaged with and influenced science fiction for more than a century….
The cover of Catalysts, Explorers, & Secret Keepers will feature original artwork by the Hugo winning artist Julie Dillon. Award-winning authors Eleanor Arnason, Catherine Asaro, N.K. Jemisin, Nancy Kress, Naomi Kritzer, Karen Lord, Seanan McGuire, Sarah Pinsker, Kiini IburaSalaam, Carrie Vaughn, Jane Yolen, and Sarah Zettel have already agreed to contribute work to the exhibit.
Upon reaching the minimum funding target, the Museum will open submissions until December 1, 2016. The public will be able to submit original work that fits the take-home exhibit’s theme. Authors of original fiction published in Catalysts, Explorers, & Secret Keepers will receive the SFWA-standard pro-rate ofUS $0.06 per word, while authors of solicited reprints will receive US $0.03 per word. All authors featured in this exhibit will be invited to discuss their work as presenters and panelists in 2017 at Escape Velocity, the Museum of Science Fiction’s annual celebration of all things science fiction.
The appeal has raised $6,068 of its $8,500 goal with 26 days to go.
Lee Harris and Carl Engle-Laird will be reading and evaluating original novellas submitted by hopeful authors to http://submissions.tor.com/tornovellas/. You can find full guidelines here, and we highly recommend you read the guidelines before submitting. We will be open for three months, beginning on October 12th around 9:00 AM EDT (UTC-4:00) and ending on January 12th around 9:00 AM EST (UTC-5:00). We may extend this period depending on how many submissions we receive over the course of the open period.
Science fiction is meant to take us to places we’ve never been — this is what writer Drew Hayden Taylor is aiming to do with his new collection of short stories, Take Us to Your Chief.
Taylor’s new book filters famous sci-fi tropes such as aliens, time travel and government spying through the lens and perspective of Indigenous people. For him, he is simply taking these familiar stories and putting “some hot sauce on them.” …
“I pictured myself as a 12-year-old kid back on the reserve, reading science fiction or reading books and not seeing our experiences in this book,” he explains. “I was just taking certain touchstones that we were all familiar with and then using them to take them out of the reserve environment into the larger sci-fi environment, and giving it that sort of resonance.”
(8) POSTSCRIPT TO NATIONAL FINISH-YOUR-BOOK DAY. Camestros Felapton reports there was third sf novel finished yesterday – Timothy the Talking Cat’s The Confusing Walrus. According to Camestros,
I’ve read his ‘manuscript’ and it says “Copy whatever John Scalzi has written but use find/replace on the words ‘space’, ‘galaxy’, ‘star’ and ‘planet’ with the word ‘walrus’”
I’ve been writing almost as long as I’ve been reading – my first poem was published when I was 5! – but I didn’t seriously consider making a living out of it until I saw The Exorcist at the age of 15. Seeing the astonishing impact that film had on audiences during its initial release made me realize I wanted to do that, too.
How did you make this a full time job?
Well, it’s not my full time job now. I tried that for a while, back when I was making a fair amount of money as a screenwriter, and it didn’t work for me at all. I know most writers dream of being able to leave their day job and pursue writing all the time, but for me it was too isolating. Plus, I really love being a bookseller.
How did you become President of the Horror Writers Association?
By attrition, sadly. I was serving as Vice President when the President, Rocky Wood, passed away. Before that I’d held a variety of positions within the organization. I do find it satisfying to work with other writers and promote a genre that I love….
Mel Brooks introduced one of the funniest movies ever made, Young Frankenstein, on Wednesday night. But the director couldn’t hold back tears.
Brooks paid homage to Gene Wilder, the star and co-writer of his 1974 classic comedy, before showing Young Frankenstein on the 20th Century Fox lot.
The live event was beamed to theaters around the country and turned into a tribute to Wilder, who died Aug. 29 at age 83. An encore presentation with Brooks’ introduction will screen in theaters Oct. 18.
“I get just a little overcome,” said Brooks, 90, from the stage, dabbing his eyes as he discussed Wilder. “I’ve had a few great memories in my life. But, honestly, I think making Young Frankenstein is my best year.”
(12) SWEET SWILL. ‘Tis the season for Deadworld Zombie Soda! (Turn the sound down when you click on this site.) The sodas come in 12 flavors, with label art created by comic book artists based on the characters and events that take place in Deadworld comic book universe.
ORANGE – Orange Roamer
CHERRY COLA – Goon Biters
BLACK CHERRY – Royal Rotter
CREAM SODA – Brain Sap
COTTON CANDY – Zeek Cocktail
VANILLA CREAM SODA – Geek Juice
GRAPE – Grisly Swill
VANILLA ROOT BEER – Slow Decay
STRAWBERRY – Rot Berry
ROOT BEER – Twilight Shuffler
GREEN APPLE – Morbid Mix
GINGER ALE – Graveyard Delight
Deadworld is the award winning, long running cult hit comic book series published by Caliber Comics that first exploded on the comic scene in 1986. With over 1 million copies in print and over 100 comics & graphic novels released to date, Deadworld is not your typical “zombie comic book or story”.
A supernatural plague has been unleashed on the world. The dead return to walk the earth…but this is no standard zombie story. The dead are just foot soldiers for those who have crossed the ‘Gateway’ from another dimension. There are leader zombies who are intelligent, sadistic, and in addition to having a hankering for flesh, enjoy the tortuous ordeals they put the surviving humans through.
From Hannibal Lecter’s mask to Edward Scissorhands’, well, scissor hands, Oscar-winning costumer Colleen Atwood has pretty much designed it all.
Working steadily since the 1980s, she’s dressed characters from the past and the future — the Middle Ages for Into the Woods, the Civil War for Little Women all the way to Gattaca and the 2001 Planet of the Apes. Her latest movie, Miss Peregrine’s Home for Peculiar Children, is her eleventh with Tim Burton. It travels back in time to Wales during World War II….
Science fiction writers and moviemakers have shown us countless visions of humanity spread out across the Universe, so you might be forgiven for thinking that we’ve already got this in the bag. Unfortunately, we still have more than a few technical limitations to overcome – like the laws of physics as we understand them – before we can start colonising new worlds beyond our Solar System and galaxy.
Interstellar spacecraft will be one of the topics discussed at BBC Future’s World-Changing Ideas Summit in Sydney in November. Is travelling to other galaxies possible? And if so, what kinds of spacecraft might we need to achieve it? Read on to get up to (warp) speed: …
As professional as the actors all are on the set of a Star Trek movie, the final cut of the film adds effects and music to the experience which help transport you to the fictional world. Without that, you’re just a guy standing on a set spouting Star Trek gibberish. This becomes all the more clear when an actor trips over their lines, and suddenly everybody remembers that they’re acting again. The best part, though, is when Chris Pine calls for “Full impulse, Mr. Suliu” and John Cho stops to say that he sounds like he’s doing a William Shatner impression. Pine does add a bit of a classic Shatner pause to the line, so it does sound a bit like him to us. As much as we love William Shatner, we hope this doesn’t become a habit.
A pixeled car and a screaming siren
A shuggoth trail and ripped up books
A walrus wailing and stray pup howling
The place of fifths and tea drinking
That’s appertainment, that’s appertainment
A file of scrolls and a rumble of boots
A wretched hive and a bracket ‘head cloth
Ink splattered walls and the award of a rocket
Time machine appears and spews out pizza
That’s appertainment, that’s appertainment.
[Thanks to John King Tarpinian, Chip Hitchcock, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Darrah Chavey.]
(1) BBC RADIO 4 SF. BBC Radio 4 is presenting Dangerous Visions, a series of science fiction radio plays, both original and adaptations of classic works, beginning May 22. Adapted works include Aldous Huxley’s Brave New Worlds, Wyndham’s The Kraken Wakes, William Morris’ News From Nowhere, and Kazuo Ishiguro’s Never Let Me Go.
The list of upcoming episodes is here. They’ll be available for listening to online “shortly after broadcast” for a limited time (usually 30 days).
(2) REFERENCE DIRECTOR. The BBC’s Dangerous Visions site also offers lessons in “How To Speak Sci-Fi”, a selection of 10 popular taglines.
It takes a LOT of training to be a fully-fledged, proud sci-fi nerd. If someone can speak fluent Italian, they’re revered (assuming they’re not actually Italian) but fluent Klingon? You’re considered a joke. We’re here to set this right….
3. “If I can just reverse the polarity of the neutron flow…”
Try saying that when you’re fighting with the automatic checkout at the supermarket and every Doctor Who fan within earshot will snigger. Jon Pertwee said it originally but it’s used by fans as general shorthand for the Doctor’s more unlikely technological experiments.
What’s inside these familiar-looking decorative bowls, you ask? Civil War in a soup! Marvel teamed up with the popular Japanese ramen chain Ippudo in May to give the public a dose of superhero-themed food.
And we are very sad that we do not live in Japan right now.
(7) CORNELL RECLAIMS CRICKET. In each episode of Unjustly Maligned, comics and games writer Antony Johnston asks a new guest to explain why that thing you hate is actually really great. Episode 51 is “’Cricket’ With Paul Cornell”
As St George’s Day approaches, gentlemen in England’s green and pleasant land take to the field for a game that can last five days, yet still somehow end in a draw…! Author Paul Cornell goes to bat to spread the good word of cricket.
This Elevator Travels Directly To . . . The Marvel Zone
Elsewhere in DCA, a wild rumor got out earlier this spring about a plan to remake Tower of Terror into a Guardians of the Galaxy ride. We can tell you that the Guardians of the Galaxy rumor is true, and TDA’s executive suite was furious when the rumor leaked out from Glendale-based sources. The plan is for the original Twilight Zone backstory to be removed entirely, and replaced with an all new show based around the Collector character from the Guardians movie franchise. WDI had been testing and experimenting with the new show in the elevators for months and the Tower of Terror hourly CM’s were all aware of what WDI had been cooking up since this winter. But when the plan finally leaked online in April, the TDA executive suite hit the roof in anger.
The current plan for Tower of Terror is to close the attraction this fall and give the entire building a full interior and exterior refurbishment so that the new version of the ride can open next May, with the Guardians of the Galaxy movie premiere held at DCA the same week the new ride opens. Assuming this gets the green light by August, and a disastrous Shanghai opening summer is about the only thing that could derail it at this point, the CM’s will be treated to another round of approved Talking Points that will somehow explain that they can now believe what they read online about Guardians of the Galaxy taking over Tower of Terror. The hourly CM’s, of course, are already several steps ahead of TDA.
This Tower of Terror proposal is part of a multi-year plan to get more Marvel into DCA, being pushed heavily by Bob Chapek. Since Chapek arrived a year ago as the new Parks Chairman, he’s been shocked to learn that after five years of owning Marvel there still isn’t a new Marvel ride in the California parks, and that the only thing TDA has done with Marvel is slap together some cheap meet n’ greets over the years.
He had allowed me into his home that November day to conduct a week-long series of interviews for Roger Zelazny, the literary biography I was writing for Frederick Ungar Publishers in New York. My interviews with him at his home and in later interviews over the next ten years were much more than simple Q&A. Roger didn’t stop at a brief statement to anything I asked. He responded with deep insights that revealed experiences and perspectives that he rarely talked about anywhere else.
The final anecdote is a wry revelation about where Zelazny supposedly got his ideas.
(10) HERE KITTY KITTY. JJ calls Tom Gauld’s New Scientist cartoon “SJW Credentials Gone Wild”. The official intro is “Why science needs more funding…”
Without giving too much of the ending away, I can confirm that the sinking of Atlantis does occur, and it is magnificent. Some excellent model work mixed with clever optical effects makes for a satisfying conclusion. Other noteworthy elements are the score (though there is some recycling of motifs from The Time Machine) and the acting, particularly the performances turned in by John Dall (Zaren, who was in Spartacus) and Paul Frees. The latter is never seen; rather, his vocal talents are evident throughout. The versatile Frees, who you’ve assuredly heard in prior films, and will hear in films to come, is the film’s narrator and the looped-over voice of many of the characters.
The first 20 people to post a photo on Instagram or Twitter with this flyer hanging in their favorite bookstore will get a free Audible code direct messaged to them for Chuck’s classic tale BUTTCEPTION: A BUTT WITHIN A BUTT WITHIN A BUTT. The poster of 1 photo (best or most creative), as chosen by Chuck himself, will receive the honor of appearing by name as a side character in an upcoming tingler. Post your photo with the hashtag #BelieveInChuckTingle to enter! Below is the flyer, which can be printed in black and white on standard 8.5 by 11 paper.
So the details are still firming up in my brain and probably won’t settle completely until after WisCon, but starting in June, my creative and insightful output is basically going to, in some form, be shaping up into Alexandra Erin: The Crowdfunded Zine. I’ll still be writing and posting stuff to my blog or directly to Patreon throughout the month, but I’m going to be collecting, collating, and polishing it as I go so that at the end of each month I have a shiny package I can give to my patrons and sell to anyone else who wants it, and that I myself can look at with pride, knowing that yes, I definitely accomplished things this month.
ATTENTION! Talented sci-fi writer Rachel Swirsky has been getting harassed ever since she wrote an award-winning short story “If You Were a Dinosaur, My Love.” She’s now doing a patreon fundraiser for an LGBT health group, Lyon-Martin.
The patreon’s at $437/month. If she hits a $900 stretch goal, the prize is a satirical essay by ME. Please donate. I’d love to write it!
We have achieved the $400 stretch goal: “If You Were a Cuttlefish, My Love.” I showed it to Mary Robinette Kowal and a few other folks, and she gave me an unintentional blurb: “I LOVE THIS WITH THE LOVE OF A THOUSAND CUTTLEFISH EGGS.” I hope y’all enjoy it, too!
We’re partyway to the $500 stretch goal when Liz Argall will make an original comic in her series… Things Without Arms and Without Legs… and Without Butts?
In a future where birds are extinct, genetically modified men take their motorcycles around the country to perform dances that remind people of the migrations that once took place.
Katherine Sparrow is one of my classmates from Clarion West 2005, and I’ve been a fan of her work ever since. In addition to her lovely and lyrical short stories, she also writes young adult novels which center on the theme of collective action.
(17) SMOFCON 34. The 2016 Smofcon has opened online registration. The con will be held at the Crowne Plaza in Rosemont (the Chicagoland area) December 2-4.
(18) HEINLEIN AWARD ACCEPTANCE VIDEO. Dr. Jerry Pournelle told Chaos Manor readers, “The National Space Society award ceremony in Puerto Rico was a bit too far for me to travel to, but we did make a video for the acceptance.”
[Thanks to Cat Eldridge, Mark-kitteh, Bruce Arthurs, JJ, Will R., Brian Z., Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day BigelowT.]
But even if you don’t head over for the sketches and art, there are stories in abundance. For example, a true story about Vernon’s childhood, and “the thing” that she knew hid right behind her in her grandmother’s bathroom. (This tale eventually veers into precognition and predestination, believe it or not):
It seemed to me, looking in the enormous bathroom mirror, that I could see every part of the bathroom except the spot directly behind me, so that was where the unseen creature must be standing.
I didn’t know what it looked like. I had a vague feeling it was grey and shadowy and very flat, with long arms. I thought it would probably have eyes, but no mouth, but that was only a guess.
If I moved suddenly, it moved with me. At first, I thought it was just much faster than me, but that seemed sort of improbable–and when my mother would come into the bathroom, it wouldn’t matter how fast it was, it might risk being caught because there wouldn’t be any place it could stand that one of us couldn’t see it.
If fairy tales are more your beat, Vernon wrote her own version of the story about frogs falling from a girl’s lips when she speaks….
(2) RETRO HUGO FAN CATEGORIES. The FANAC Fan History Project is making available online as many 1940 Retro Hugo Nominees as it can. Joe Siclari writes:
For those of you planning to vote in this year’s Retro Hugo Fan Categories, the FANAC Fan History Project is providing relevant original materials for your reading pleasure. Too many times, Retro Hugos go to the nominee with the best name recognition. We have worked to make this material available so that everyone has a chance to read for themselves and cast a more knowledgeable vote.
They are trying to get 1940 copies of Forrest J Ackerman’s and Morojo’s Novacious and Ackerman’s Voice of the Imagi-Nation.
If you have copies that you can scan for us or loan to us to scan, please contact Joe Siclari ([email protected]) or Edie Stern ([email protected]).
FANAC’s Retro Hugo page also includes works by Best Fan Writer nominees from other 1940 fanzines than the fanzines listed above.
They have also made available an array of other fanzines from 1940: Shangri-La, Fantasy News, Futurian Observer and Fantascience Digest. Look for these at Classic Fanzines.
(3) HINES REPOST. Our Words, the new site about disabilities in sf, continues its launch by reposting Jim C. Hines on “Writing with Depression”, which first appeared on SF Signal in 2014.
From what I’ve seen, that anxiety is pretty typical for most novelists. But I’m particularly nervous about my next book, Unbound. This is the third book in my current series, and will probably be out in very early 2015, give or take a few months. I’ve put my protagonist Isaac through an awful lot in the first two books. As a result of those events, when we see Isaac again in Unbound, he’s struggling with clinical depression.
This isn’t the casual “had a rough day” depression people often think about. This is the debilitating one, a mental disability that’s damaging Isaac’s health, his job, and his relationships. This is…well, in a lot of ways, it’s similar to what I was going through two years ago. (Admittedly, Isaac’s depression is a bit more extreme, and I didn’t have to worry about cursed thousand-year-old magical artifacts, or accidentally setting a cathedral on fire with a lightning gun.) …
This week, Brian Herbert released a collection of his late father Frank’s unpublished short stories. It’s an odd, genre-spanning assemblage from creator of Dune, filled not only with science fiction tales, but mysteries, thrillers, “men’s adventure stories,” and more. It’s an intriguing look at the unheralded work of one of the most influential authors of the 20th century—proof that success in publishing doesn’t mean everything you’ve ever written will be a success, and another reminder the when you write one of the greatest science fiction novels of all time, everything else you’ve done suddenly becomes a footnote.
The phenomenon hardly stops with Herbert’s short fiction. Both before and after his signature series took off, he wrote thoughtful, mind bending sci-fi novels that you probably haven’t read, or even heard of, that deserve (almost) as much praise as Dune. Here are five worth tracking down.
Whipping Star One thing Star Trek tends to gloss over is how difficult it is to communicate with alien life. Linguistic and cultural barriers are a challenge, but what if a species doesn’t experience reality the same way we do? The Calebans in 1970’s Whipping Star are the perfect example: they look like stars to our squishy little eyes, and the concepts of linear time and occupying a singular position in space are completely foreign to them. When one of the Caleban needs help from a human, communication is an instant problem. Whipping Star treats us with a firsthand account of this puzzle, feeding us nearly nonsense dialogue until its ideas slowly start to make sense. It’s one of those books that gives you a solid “Ah ha!” moment, independent of the storyline…..
(5) BRITISH BOOK INDUSTRY AWARDS. The Loney by Andrew Michael Hurley won Book of the Year at the British Book Industry awards. The Guardian has the story.
First published in a limited print run of just 300 copies by independent publisher Tartarus Press, The Loney tells of a pilgrimage to the Lancashire coast, “that strange nowhere between the Wyre and the Lune [where] the neap tides would reveal the skeletons of those who thought they could escape its insidious currents”. Word-of-mouth success with the small Yorkshire publisher meant it went on to be acquired by John Murray, and to win the Costa first novel award in January.
The British Book Industry awards, for “books that have been both well-written and brilliantly published”, called The Loney a “true British success story”. “A debut novel suspended between literary gothic and supernatural horror, it was written by an unknown author in his 40s, who worked part-time for 10 years to be able to write,” said organisers of the awards, which are run by The Bookseller magazine. “[The Loney] quickly became the hot literary novel, with almost 100 times its original print run.”
The Loney beat titles including Paula Hawkins’s international hit The Girl on the Train, and Harper Lee’s Go Set a Watchman to the top prize at the British Book Industry awards this evening. The award for non-fiction book of the year went to Lars Mytting and Robert Ferguson’s guide to wood-chopping, Norwegian Wood, a title which organisers said “demonstrated great publisher faith and vision”, while best children’s book was won by David Solomons’s My Brother is a Superhero.
(6) NOMINATION CLUSTERS. Brandon Kempner at Chaos Horizon continues his search for statistical clues to the Hugo-winning novel in “Checking in with the 2016 Awards Meta-List”. Who’s leading the Meta-List? Here’s a hint: it involves the number five.
For this Meta-List, I track 15 of the biggest SFF awards. Since each award has its own methodologies, biases, and blind spots, this gives us more of a 10,000 foot view of the field, to see if there are any consensus books emerging.
As of early May we have nominees for 10 of the 15 awards. I track the following awards: Clarke, British Fantasy, British SF, Campbell, Compton Crook, Gemmell, Hugo, Kitschies, Locus SF, Locus Fantasy, Nebula, Dick, Prometheus, Tiptree, World Fantasy. I ignore the first novel awards….
Thursday, 4pm-5pm: Come visit me to discuss short stories: “Brainstorm a problem area, or ask questions about writing short fiction.”
I’m also on three panels:
Friday, 1pm: The Second Life of Stories: handling backlist and reprints. Panelists: Sarah Pinsker, Rachel Swirsky, Colleen Barr, Marco Palmieri, John Joseph Adams, Don Slater
Friday, 4pm: Medicine after the End of the World: managing chronic conditions and serious illness after the apocalypse. Panelists: Annallee Flower Home, Nick Kanas, Daniel Potter, Rachel Swirsky, Michael Damien Thomas, Fran Wilde
(8) MARS MY DESTINATION. David D. Levine, whose Arabella of Mars will be out from Tor in July, also has a full dance card this weekend.
I’m at the airport again, heading for the Nebula Conference in Chicago, where I will learn whether or not my short story “Damage” won the Nebula Award. I will also appear on programming:
Thursday May 12, 2:00-3:00 pm: Interfacing with Conventions in LaSalle 2 with Lynne Thomas, Dave McCarty, Michael Damian Thomas, and Michi Trota
(9) CHECK ANYONE’S NEBULA SCHEDULE. Here’s the tool that will let you find any SFWAn’s panel at this weekend’s event – Nebula Conference 2016 Schedule.
(10) CONGRATULATIONS TO THE CHU FAMILY. No need to look up Wesley Chu’s Nebula schedule –
Sadly bowing out of Worldcon & #Hugoawards this yr. Was looking forward to handing off Campbell tiara+unveil scepter but Chu 2.0 baby cometh
May 11, 1936 – Dracula’s Daughter was released. Trivia: Bela Lugosi was paid for his participation in publicity photos for this film even though he did not appear in it.
May 11, 1984 – Firestarter premiered, a movie based on a Stephen King novel.
It might be easy to, at first glance, compare this book with other YA franchises because of its use of death sports and young people. Fives is a game where participants are part athletes, part combatants, and routinely die or are seriously injured on the court. It’s a game that involves complex traps and requires a keen mind and strong body. And it sits at the heart of a plot that revolves around political intrigue, oppression, and privilege. So at first blush it might seem slightly familiar. And yet the character work and the setting set it apart, give it a more historically grounded feel where Fives is more reminiscent of chariot racing than anything more contemporary.
(13) ADVANCED READING CODEX. At Black Gate, Elizabeth Cady argues “The Birth of the Novel” happened a thousand years earlier than some academics believe.
In my last post, I described one product of the Hellenistic period of ancient art as the invention of the novel. This surprised many people, who thought that the novel was an invention of a much later time. So of course, being an academic of leisure (she says as she ducks a flying juice box), I had to say more about it.
Some scholars do date the invention of the novel to the Modern period in Western Europe. I will display my ignorance and say I do not know why this is. Many books exist outside of English, outside of the Modern period, and in fact outside of the Western hemisphere that easily qualify as novels, so it is difficult for me to see this claim as much more than chauvinism. But if someone wants to correct me on this point, I am willing and eager to be enlightened. Or to fight you on it.
The first novel that we have comes from somewhere between the 2nd Century BCE and the 1st Century CE. It is a positively charming little book called Callirhoe, and it describes the travails of a beautiful young woman who marries her true love, an equally handsome young man named Chaereas. Shortly after their wedding, he kicks her in a fit of jealous rage and she dies.
At least that’s what everyone thinks. She has in fact been put into a coma, only to awaken when pirates invade her tomb. These pirates kidnap her and take her to Miletus to sell her at the slave market; she is then sold to a man named Dionysius. Callirhoe is so beautiful and virtuous that Dionysius falls in love with her as well, and asks her to marry him. She would refuse but she has discovered she is pregnant with her first husband’s child, and agrees to the marriage out of maternal devotion….
…I only remember the good times. I remember the late nights, the Mah Jongg, the Hell games, the cook outs, the late night bull sessions. . .but what I cherish most is the sheer pleasure of meeting and talking with other people who share my view of the universe.
No, let me rephrase that. I look forward to people who have a view of the universe to share. Not everyone does. What most distinguishes the mentality of SF and its fandom from that of the mundane is the capacity to be aware of the vastness of everything out there, all the wild possibilities, the fantastic vistas, the realms of infinite regress, the black reaches and streams of bright plasma. Most humans have their myopic eyes fixed on the dirt. They don’t look up much. When they do, it is with fear and apprehension….
(15) AEI STAR WARS PANEL. The American Enterprise Institute presents “The world according to Star Wars”, part of the Bradley Lecture Series, on Tuesday, July 14. RSVP to attend this event, or watch live online here on June 14 at 5:30 PM ET. (Registration is not required for the livestream.)
Cass Sustein joins AEI scholars Norman Ornstein, James Pethokoukis, and Michael Strain to discuss his new book, “The World According to Star Wars,” a political and economic comparison of the “Star Wars” series and today’s America.
Cass Sunstein, the Robert Walmsley University Professor at Harvard Law School, has turned his attention to one of the most beloved and successful film series of our time, “Star Wars.” In his new book, “The World According to Star Wars” (Dey Street Books, 2016), Mr. Sunstein, who has written widely about constitutional and environmental law and behavioral economics, argues the legendary series can teach us a lot about economics, law, politics, and the power of individual agency.
Mr. Sunstein will be joined by AEI’s Norman Ornstein, James Pethokoukis, and Michael Strain for a discussion of the timeless lessons from “a long time ago in a galaxy far, far away.” Books will be available for purchase, and a book signing with follow the event.
For all the Wild Cards fans out there, we’ve got a taste of HIGH STAKES, due out this August. HIGH STAKES is the twenty-third volume in the overall series, and the third and concluding part of the ‘Fort Freak’ triad. The sample is from the pen of the talented Ian Tregillis, and features Mollie Steunenberg, aka Tesseract. You’ll find it at: http://www.georgerrmartin.com/wild-cards-excerpt/
((Readers with weak stomachs be warned, HIGH STAKES is our Lovecraftian horror book, and things do get graphic and bloody and… well… horrible. Althought not so much in the sample)).
And… because I know how much bitching I’d get if I offered a new sample from Wild Cards without also doing one from A SONG OF ICE & FIRE… we’ve also changed the WINDS OF WINTER sample on my wesbite, replacing the Alayne chapter that’s been there for the past year with one featuring Arianne Martell. (Some of you may have heard me read this one at cons).
You want to know what the Sand Snakes, Prince Doran, Areo Hotah, Ellaria Sand, Darkstar, and the rest will be up to in WINDS OF WINTER? Quite a lot, actually. The sample will give you a taste. For the rest, you will need to wait.
And no, just to spike any bullshit rumors, changing the sample chapter does NOT mean I am done. See the icon up above? Monkey is still on my back… but he’s growing, he is, and one day…
Elon Musk’s dream of ultra-high speed travel through a tube came a small step closer to reality on Tuesday, when one of the companies set up to pursue the idea announced it had raised another $80m and said it was ready to show off a key part of the technology.
Mr Musk, chief executive officer of Tesla Motors and SpaceX, stirred a wave of interest in 2013 in a technology known as hyperloop — a tube from which air is pumped out to maintain a near-vacuum, theoretically making it possible for pods carrying people or freight to move at close to the speed of sound.
The idea was floated as a potential alternative to California’s plans for a high-speed rail line between San Francisco and Los Angeles. Coming from an entrepreneur who has come to be seen in some tech circles as a visionary, it attracted enough attention to trigger a race among start-ups trying to prove the technology is in fact practical.
Warning: The following contains mild spoilers for both last night’s new episode of Agents of S.H.I.E.L.D. and Captain America: Civil War. If you’re particularly averse to those sorts of things, you may want to turn away. Consider yourselves warned.
Dearly beloved, we gather here today to pay tribute to to the life of Agent Peggy Carter. But is it also time that we begin mourning Agent Carter, too?
If you didn’t make it out to the megaplex over the weekend to catch Captain America: Civil War, last night’s new episode of Agents of S.H.I.E.L.D. probably dropped quite a bomb on you with their brief mention about the passing of the beloved founding member of S.H.I.E.L.D. at the age of 95. That’s right, friends—Peggy Carter is dead….
CBS joined fellow TV networks FOX and The CW in airing its own DC Comics-based TV show in 2015 with Supergirl. However, the future of the series, starring Melissa Benoist as Kara Danvers a.k.a. Kara Zor-El (Superman’s cousin), is currently up in the air following the airing of its season 1 finale. Although CBS CEO Les Moonves previously appeared to suggest that Supergirl season 2 is all but a done deal, the show has yet to be formally renewed, even now that the deadline for such a renewal is staring CBS right in the face.
There have been rumors that Supergirlcould make the move to The CW – the place that Supergirl co-creators Greg Berlanti and Andrew Kreisberg’s other DC superhero TV shows (Arrow, The Flash, Legends of Tomorrow) call home – for its sophomore season. While those claims were relatively shaky in nature, it’s now being reported that Supergirl moving to The CW is more of a real possibility and that steps are being taken to prepare for such a change, behind the scenes on the series.
Whatever they paid for last night’s episode, it wasn’t enough
Whatever amount of money CW paid Kevin Smith to direct last night’s episode of The Flash, it wasn’t enough. The man responsible for Clerks (and everything that’s followed in its wake) single-handedly pulled the show out of a narrative tailspin the likes of which haven’t been seen on television since the second season of Heroes.
Now it’s up to the show’s core team to follow through and finish on a high note. Here’s how it went down.…
(21) MOVIES TO WATCH FOR. Hampus Eckerman recommends keeping an eye open for a chance to see these three movies.
A group of online gamers are invited to try a state-of-the-art virtual reality video game but things take a turn for the sinister when these masters of the shoot ’em up discover they will literally be fighting for their lives.
NEUROO-X, a German-Swiss-Chinese entertainment company group, stands for games that dissolve the boundary between reality and gaming). A new gadget, the myth-enshrouded RED BOOK, offers the ultimate gaming experience. The most secret longings of gamers are scanned by the engine and transformed into fantastic adventures. The conspiracy psychoses of users are the raw material for the storytelling of NEUROO-X. Marcus, Chief Development Manager of NEUROO-X dies shortly before completion of the RED BOOK. His lover Ryuko finds out that something terrible happened during testing of the game in China, and the deeper she submerges into the secret of NEUROO-X, the more she loses touch with reality. She neglects her son Walter, who logs into the game and disappears into the digital parallel world. The more Ryuko fights the corporation in order to rescue her son, the more she updates the narrative desired by NEUROO-X. Ryuko finds herself in a world full of demons, witches, knights and terrorists.
Three ordinary guys are thrust into a parallel world of an old Sci-Fi movie. Trapped in a low budget universe they must somehow fight their way home before it is too late.
Take Your Child To Work Day is a chaotic time – hordes of tiny creatures swarming office spaces, demanding attention and snacks and opportunities to spin around in swivel chairs. But imagine, if you will, Godzilla participating in this tradition! Tumblr-er CaqtusComics proposed such a scenario to fellow Tumblr-er Iquanamouth, and the resulting comic is perfection.
[Thanks to John King Tarpinian, Hampus Eckerman, Michael J. Walsh, Rachel Swirsky, David D. Levine, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Will R.]
(1) IT’S TIME TO PLAY: NAME THAT ELEMENT. You might remember the petition to honor the late Terry Pratchett by giving element 117 the name Octarine — “the color of magic” from Pratchett’s fiction. An article at Nature Chemistry reviews the competing names up for consideration for element 117 — and others.
SB: Petitions like this provide a lot of insight into how people grieve the loss of public figures, but it’s hard, if not impossible, to associate Lemmy with the periodic table or even chemistry and physics. While Lemmy’s death is still fresh in people’s minds, one has to wonder if future generations of scientists would have any connection to him. The petitioners also reference the large mass and expected metallic properties to connect the element with heavy metal music, which is clever on one level, but Lemmy considered Motörhead hard rock not heavy metal. Besides, lemmium would not fall under any of the acceptable categories outlined by IUPAC for naming elements.
KD: You’re probably right, although the petitions have turned out to be a fun way to get people from all areas of life talking about the new elements. We’ve also seen ‘starduston’ and ‘bowium’, in honour of David Bowie. Another example is the one I set up, to name element 117 ‘octarine’, after the colour of magic in Terry Pratchett’s Discworld novels. Obviously I’m biased, but I still maintain that it would be rather appropriate for element 117, which will fall into the halogen group. Octarine is famously described as a sort of greenish-yellow purple, and these are, of course, all halogen colours. It even has the correct -ine ending for the group. According to the mythology of the books, it’s only visible to wizards, witches and cats, which also seems appropriate for an element that’s only been observed by a select few. The odds of IUPAC agreeing to this are probably a million to one but, as Pratchett himself wrote in several Discworld books, million-to-one chances crop up nine times out of ten.
SB: Once you described octarine, I can see how it fits into the halogen family. For an idea like this to gain traction though, someone on the research teams would need to be a fan of Discworld and advocate for it. So far, the mythological concepts used for element names have come from Greek, Roman and Norse sources. These classic mythologies tend to have more universal recognition. Is modern fiction the same as cultural traditions used to explain nature in the ancient world?
KD: Well, all stories have to start somewhere. IUPAC’s rules don’t put an age on the mythology rule, and indeed cobalt, named after the sprites that apocryphally lived underground where its ores were mined, might arguably be considered to be more recent. There are forty-one Discworld books, which have been translated into thirty-seven languages; I’m certain they’ll be remembered for many years to come. Likewise, the periodic table will probably be around for a while; any story we reference now will eventually be old…
1961. The year that an Irishman named Kennedy assumed the highest office in the land. The year in which some 17 African nations celebrated their first birthday. The air smells of cigarette smoke, heads are covered with hats, and men run politics, industry, and much of popular culture.
In a field (and world) dominated by men, it is easy to assume that science fiction is as closed to women as the local Elks Lodge. Who are the stars of the genre? Isaac Asimov, Robert Heinlein, Arthur C. Clarke, Theodore Sturgeon, Robert Sheckley; these are household names. But if there is anything I have discovered in my 11 years as an avid science fiction fan (following another 20 of casual interest), it is that there is a slew of excellent woman authors who have produced a body of high quality work. In fact, per my notes, women write just one ninth of the science fiction stories published, but a full fourth of the best works.
(3) AND TODAY? This past year, according to William Shaw’s “The top 5 science fiction stories of 2015” in The Oxford Student, women wrote most of the best sf stories. (Three were published by Apex Magazine, and the other two by Uncanny Magazine.)
The tone of story is best summarised by its central image of drinking whisky with Death. A contemplative tale about an old woman who takes in a dying swamp god, this is a slow, sad little number which nevertheless sparkles with the sense of wit and worldly wisdom that a story involving passive-aggressive banter with the devil really ought to have. Melancholy without being mawkish, funny without being daft, this is a gem of a story that highlights some important environmental concerns.
(4) WHAT MAKES A NOMINEE A NOMINEE. Brian Paone seems to be getting ahead of himself, but perhaps that’s an occupational hazard for the author of a time travel novel. See “Being nominated for a Hugo award is winning in itself”.
I found out this week that my time-travel romance novel, “Yours Truly, 2095” has been nominated by Hugo Award board member Christopher Broom for the most prestigious award a science fiction novel can receive: a Hugo Award. When I first started outlining the book, back in 2012, my goal was just to finish the book, without making it sound like a big pile of smoldering poo. I never expected 1) how happy I am with the finished product 2) then how many people have bought or read the book in the only 9 months its been out 3) then how many positive 4 & 5 star reviews its consistently receiving and finally 4) that I would ever be nominated for anything, never mind a Hugo!
When I told a friend, and fellow author Randy Blazak, his response was, “this will shoot you into the stratosphere.” I appreciate his enthusiasm for what this might do for my career, but honestly, I’m just on cloud nine that I was even nominated. I’m not even thinking of the future yet.
The award ceremony is in Kansas City during the weekend of August 17. For the first few seconds, I contemplated not going, since being at the ceremony is not a prerequisite, but it was my wife (who I always say might be my worst critic, but my number one supporter) told me, in not so many words, not going wasn’t an option.
So now I will be planning (airfare, hotel, etc) over the next few week to attend an award ceremony–not only any award ceremony, but the most prestigious award ceremony of the year–waiting with bated breath to hear my name and book title called out from the podium. And if it doesn’t win, it will not be a loss. It’s already been a greater win for me than I could ever have imaged 4 years ago when I started writing the book.
Sounds like he poured a bit too much of that timey-wimey stuff into his coffee… The nominations won’t be known til after the first round of voting closes March 31.
The Walt Disney Co. and Marvel Studios indicated opposition to a Georgia religious liberty bill pending before Gov. Nathan Deal, saying that they will take their business elsewhere “should any legislation allowing discriminatory practices be signed into state law.”
With generous tax incentives, Georgia has become a production hub, with Marvel currently shooting “Guardians of the Galaxy 2” at Pinewood Studios outside Atlanta. “Captain America: Civil War” shot there last summer.
“Disney and Marvel are inclusive companies, and although we have had great experiences filming in Georgia, we will plan to take our business elsewhere should any legislation allowing discriminatory practices be signed into state law,” a Disney spokesman said on Wednesday.
This map of Saturn’s moon Titan identifies the locations of mountains that have been named by the International Astronomical Union. The map is an update to a previous version published in 2012 (see Mountains of Titan), and includes an additional mountain area (Moria Montes), along with several “colles” which are collections of hills.
By convention, mountains on Titan are named for mountains from Middle-earth, the fictional setting in fantasy novels by J.R.R. Tolkien. Unfortunately for “Lord of the Rings” fans, Titan’s highest peak is not Doom Mons (see Radar View of Titan’s Tallest Mountains).
Those who have asked to be removed are being asterisked instead to indicate that they asked to be taken off. My perspective is that this is a list of people’s recommendations. There is no need to ask for permission, any more than anyone needs to ask for permission to post a review or purchase the work. Frankly, I think asking to be taken off anyone’s list of award-worthy pieces is an insult to the people who genuinely believe the work is that good, so unless someone asking to be removed is prepared to institute a policy that requires prior approval before purchasing their work, reviewing it, and so forth, they stay on the list.
If someone wants their very own asterisk on the list, they need only ask me. I’m not that difficult to get hold of, and I am asterisking those who ask on the two list posts. I’ll asterisk someone who asks here, too. There may be a delay, since I do have a rather demanding full time job, but it will happen.
(8) NOTHING SUCCEEDS LIKE SUCCESSION. In the Playpen at Ferretbrain, Arthur B. asks:
How do you become the Sad Puppies organiser anyway? Divine right? Killing and eating the heart of your predecessor? Satanic pacts? Who gets to choose who drives the clown car?
(9) DOUBLE-THREAT. How It Should Have Ended not only corrects the illogical events in the The Force Awakens but does it with Lego characters.
(10) COVER LETTER. Karen Junker provided the text of the email she sent to We Are ALL SF members.
Dear We Are ALL SF patrons, I want to apologize to you personally for not getting in touch with you sooner regarding the cancellation of We Are ALL SF Con. Frankly, I have been very ill and I have not known what, exactly, to say.
The con was cancelled after I resigned from the convention board and without the knowledge or consent of the board. There was a lot of confusion and things became too difficult to save the situation. I was re-appointed back to the board and since my name was still on the legal docs, the bank, and the Paypal account, it fell to me to send refunds. I did so by selling a personal investment so that the funds would be covered. I got the refunds out, but was not able to do much more than that, and it has been so emotionally grueling for me to see a project that I had worked on for over a year and poured much of my own personal money into to be destroyed, out of what amounts to petty nonsense.
If you see any public statements about me, please disregard. They are patently untrue. I have a proven track record over the past 15 years in the literary and SFF community. Why someone would attack me or an organization I am attached to is beyond me. I have spent a large sum of my own money in the past few years, putting on writers’ events and workshops and conventions and conferences. We Are ALL SF was no different. I am heartbroken that this great con, which would have been so much fun, was destroyed. I hope to see you again at another thing, some day, somewhere. I wish you well in your work and in your life. Yours, Karen Junker, Chairman, We Are ALL SF Foundation
(11) GIVE THEM LIBERTY. As always, plenty of Baen authors will be attending Libertycon 29 (July 8-10) — Griffin Barber, Rick Boatwright, Walt Boyes, Robert Buettner, David B. Coe, Larry Correia, Kacey Ezell, Bill Fawcett, Charles Gannon, Sarah A. Hoyt, Les Johnson, Mike Massa, Jody Lynn Nye, Gray Rinehart (Master of Ceremonies), John Ringo, Tedd Roberts, Chris Smith, Brad Torgersen, David Weber, Toni Weisskopf, and Michael Z. Williamson.
It’s true: I don’t drink alcohol except in very rare circumstances (like, half a glass of champagne at my wedding), I’ve never smoked cigarettes, I’ve never taken an illegal drug, and outside of Novocaine at the dentist’s office, I’m generally reluctant to take legal drugs either; my wife always expresses surprise if I go to the medicine cabinet for ibuprofen, for example. So what’s the story there?
Now the long awaited remake of the classic film is here! In this edge-of-your-set, visually stunning, re-imagination of the original story, “Plan 9” is a spectacular sci-fi/horror adventure with jaw-dropping effects and zombies galore! It’s the film Ed Wood wished he made!
No matter what they say, I was not waiting for this.
[Thanks to John King Tarpinian, Janice Gelb, Mark-kitteh, Hampus Eckerman, Taral, and James H. Burns for some of these stories. Title credit goes to File 770 contributing editor of the day Will R.]
Let us expose this hot nonsense for what it is: a lie meant to exploit writers and to puff up that old persistent myth about the value of exposure or the joy of the starving artist or the mounting power of unpaid citizen journalism.
The lie is this: writing is not work, it is not fundamental, it is a freedom in which you would partake anyway, and here some chucklefuck would say, haw haw haw, you blog at your blog and nobody pays you, you post updates on Twitter and nobody pays you, you speak words into the mighty air and you do it for free, free, free. And Huffington Post floats overhead in their bloated dirigible and they yell down at you, WE BROADCAST TO MILLIONS and DON’T YOU WANT TO REACH MILLIONS WITH YOUR MEAGER VOICE and THIS IS AN OPPORTUNITY FOR YOU.
But it is an opportunity for them, not for you.
But it seemed to me after a strong start Wendig’s rant winds down and loses headway:
Writing is work. Most things begin with writing. Though I find writing a pleasure, it is also a thing that requires great mental effort. It is not mere content — that word said almost dismissively, as if it is a synonym for styrofoam peanuts. (And by the way: you actually have to buy styrofoam peanuts. They aren’t free unless you rob them from boxes shipped to you.) Content is not slurry. It’s not protein goo. It’s not mud or air or some readily available resource…
Intrinsic value and market value are different things. While I don’t think Chuck Wendig believes all writing has the same market value, or necessarily any market value, it seems to me he has conflated spiritual and economic value in this paragraph.
Wendig is right that Huffington Post capitalizes on uncompensated labor, of course. If HuffPo is making money, that establishes that the content collectively has some market value. Since none of that value flows through to the contributor, you can argue an injustice.
But are all these contributors trying to launch writing careers? I do agree that if somebody is trying to be a pro writer, which not all HuffPo contributors necessarily are, they should be working on material that has a paying market.
(2) THAT GETTING PAID THING. In a series of tweets, John Scalzi thanked Wendig for doing the heavy lifting today, and tossed in a few more points:
I should note I am only very rarely asked to write for free these days. Set enough people on fire for asking, everyone else catches on.
One of the things I’ve realized that I need to work on in order to develop a healthier relationship with my job involves certain toxic aspects of the professional writing/publishing culture that I’ve done an overly good job of internalizing. And I’m trying to scrape it out of my soul, because in the long term it winds up being the opposite of productive when dealing with a creative career.
Some of that is a competition thing: “Writer X turns in three books a year and I’m a slacker if I don’t, too!” And that’s not great, honestly, and the sheer pressure to produce isn’t great, either, and doesn’t necessarily lead to good work. One has to think up new things to say between books, after all, or one ends up writing the same book over and over again. No use in that.
I think there’s a certain bravado of culture among may writers that is actively toxic in a lot of ways. And it’s tied to the NaNoWriMo kind of mode of “produce a bunch of stuff really fast, lather rinse repeat” pressure, and also the “THIS JOB SUCKS AND WE’RE WARRIORS FOR DOING IT” thing. It’s this weird Puritan machismo in suffering.
I mean, you don’t learn to write well by turning out 50K in a month once a year. It’s the two pages a day or whatever that get you there. Constant practice, as with any art. And mammals don’t respond well to punishment for performance. If we do a thing and the result is horrible, we generally avoid doing that thing again
In this edition our guest introduction is by Gill Norman. Gill is a former director of i4is. She has helped us become the reasonably well organised body that we now are. Her thoughts here are on the necessity of human engagement in Interstellar Studies and space in general, Space: It’s all about people. She tells us how we need to engage resources and talents from all who feel our outward urge. Scientists and engineers are essential but so are entrepreneurs, PR experts and, of course, the best administrators we can find!
China will move nearly 10,000 people to make way for the world’s largest radio telescope which promises to help humanity search for alien life, state media reported on Tuesday.
It’s compensating them less than $2,000 each to relocate.
(7) CONGRATULATIONS: Becky Thomson and Tom Veal, friends for over 45 years, have announced they are engaged to be married. The wedding will be on June 25, in Ft. Collins, Colorado.
We don’t write many articles about comics here at SF Signal. That’s not to say that we dismiss comics as literature, though. Many of the contributors to this blog are huge fans of the medium, but sites devoted the field abound, and whether superheroes are actually science fiction or a form of fantasy that simply employs sci-fi conventions as convenient MacGuffins is debatable. The one notable exception to our comic freeze out is our annual list of the top science fiction comics of the year… which number exactly one, because last year’s list was our first.
To my surprise, though, last year’s list of the Top 14 Sci-Fi Comics of 2014 turned out to be one of our top ten most popular articles of 2015. So, back by popular demand, here’s a rundown of the best on-going science fiction comics to hit stands in 2015. It’s not exhaustive, because there were a LOT of great sci-fi series this year, but it’s what we consider these to be the cream of the crop. Feel free to debate or contribute your own suggestions in the comments below….
A lawsuit between two best-selling authors involves fantasy, romance, charges of plagiarism, and fan fiction gone mainstream….
I have friends with deep roots in fandom—albeit without much connection to this particular sector of it—who believe that this is the true source of the undying animosity toward Clare: She left fandom “badly,” or, worse yet, she seemed to be repudiating her own origins in that community by changing the spelling of her name. Fan-fiction writers are routinely and viciously ridiculed and shamed for their hobby, which makes their communities especially insular and self-policing. “Back in the day,” Cleolinda Jones, a onetime regular at Fandom Wank, wrote to me, “we used to say, ‘The first rule of fanfic is, do not take money for your fanfic.’ Because the overriding fear was intellectual property holders would sue everybody and shut fandom down.” Rights-holders that once issued cease-and-desists against fan sites for using promotional photos now encourage fan art and other tributes, Jones says, but in the early 2000s, “I just really cannot overstate the sense of living on borrowed time by the grace of the IP holders.” This would explain why word-for-word plagiarism, as opposed to the transformative appropriation of another creator’s characters and setting, would seem a catastrophically reckless sin against the entire community.
Of course, Clare was reviled—and adored—in Harry Potter fandom even before the plagiarism charges against her came to light. And fan fiction itself has come a long way, spawning numerous real-world stars, fan writers such as E.L. James who move on to publish best-sellers. Clare was among the very first to do this. But the prospect of going pro and striking it rich seems to many fan-fiction writers like a serpent in the garden, corrupting what once felt like an idyllic, egalitarian gift-economy of like-minded dabblers. Once, fandom was a destination in itself; now it’s just another stepping stone for ambitious writers with their eyes on a richer prize. Like so much of the idealism of the early Internet, this, too, has become an offshoot of the marketplace. “I think what you don’t understand,” one friend told me when I expressed bafflement that Clare’s fellow fan-fiction writers didn’t view the popularity of her books as a feather in their collective cap, “is that a lot of them just feel used.” When I admitted that didn’t make sense to me, she added, “It’s hard to explain, but that doesn’t mean it isn’t real.”
(10) CON OR BUST. MidAmeriCon II has also pitched in:
MidAmeriCon II, August 17-21, 2016, Kansas City, MO, USA. MidAmeriCon is the 2016 WorldCon; its Guests of Honor are Kinuko Y. Craft, Patrick Nielsen Hayden, Teresa Nielsen Hayden, Tamora Pierce, and Michael Swanwick, and its Toastmaster is Pat Cadigan.
MidAmeriCon has donated four memberships to Con or Bust, either in full or as upgrades to supporting memberships (if the recipient already has one).
(10) TAKING ART IN NEW DIRECTIONS. “Best Fan Artist?” asks Steven H Silver. GPS Doodles’ Stephen Lund creates figures by riding his bike in meatspace on routes tracked by Strava. Some are Star Wars-themed.
Subject: ride alongI’d like to request one. Can you come up with a suitable topic? Vader and his young apprentice perhaps?
It sounded like fun – not just the Star Wars theme but the idea of having someone along for the ride.
Kudos to Geoff, who stuck with me for the entire 4.5+ hours with no inkling whatsoever about what we were doodling. He was completely in the dark (“on the Dark Side,” I suppose you could say) until he got home afterward and downloaded the ride to Strava.
(11) TODAY IN HISTORY
February 18, 1930 – Clyde Tombaugh discovered planet Pluto, before it became a dwarf.
February 18, 1977 – First unmanned test flight of space shuttle Enterprise mounted on another aircraft.
The problems of the Hugo voting/nominating population being relatively small and to a large extent long-term fans who could be termed the science fiction “establishment” (in the sense that many of these people have been to the same conventions for twenty and more years and helped each other run quite a few of them) have probably had years where they actually could read everything eligible with the result that they’ve seen practically everything.
This leads to a kind of weird inversion of killer mailbox syndrome (what happens to your marvelous tale about a killer mailbox when the slush reader has just read the third killer mailbox piece in the slush dive and the other three were horrible. The horrible gets imputed to your story because of the human mind’s extreme pattern-making and association ability) where something that isn’t all that great seems the freshest, most wonderful piece of the year because it’s sufficiently unlike the rest of the entries it stands out. This gets good-but-not-extraordinary works nominated and winning awards because they aren’t like everything else.
There’s no need for a conspiracy to explain some of the “winning the future” selections in recent years – this effect will do just as nicely, particularly since many of said voting group have very similar opinions about what constitutes a desirable message and from what I’ve seen are honestly shocked that their views of what is right and proper are not shared by the rest of fandom (two rules that we fans have to remember: sufficiently advanced stupidity is indistinguishable from malice; and highly intelligent people are capable of extremely advanced stupidity).
The SF-SJWs at File 770 are appalled at the fact that Tor Books and Castalia House author John C. Wright is willing to go on the record and state that, in his opinion, I am a better editor than the late, Hugo Award-winning editor David Hartwell:…
You see, I have perspective that they do not. Unlike them, I have seen Mr. Wright’s unedited prose. I know exactly what it looks like. And as it happens, it looks very much like the prose that appears in Mr. Wright’s novels that are published by Tor Books. John is an excellent writer; he is one of the greatest SF/F writers alive. But he writes very, very quickly and he is prone to what one might describe as an exuberant approach to writing. Last year, Castalia House offered him a contract for a 60k-word book. I am now reading the manuscript, which clocks in at nearly 200k words. Even those authors who don’t like Mr. Wright or his style might well contemplate suicide if they truly understood how speedily and effortlessly the man writes… and writes well. When I say he is a great writer, I do not do so lightly, nor do I do so because I am fortunate enough to publish some of his works. I say it out of pure envy and awe.
…. UPDATE: It appears my surmise about the extent to which Mr. Wright’s books were edited at Tor Books was correct, as per L. Jagi Lamplighter Wright
Just in case anyone wondered: John has tremendous respect for Mr. Hartwell, whom he admired, appreciated working with, and liked as a person. But Mr. Hartwell almost never made any changes to John’s manuscripts.
(14) ADMIRATION. John C. Wright’s contributions to the foregoing discussion included this compliment to another author:
I would have trouble editing George RR Martin’s books. Most of the comments here mock him, but he is an exquisitely skilled writer, a consummate writer. His writing is a little dark for me, but reread the opening prologue of GAME OF THRONES: the text establishes a fullfledged three dimensional character, a man who is realistic yet sympathetic, and who is snuffed out as a redshirt a few paragraphs later to show you how the monster works — and it comes as a surprise because usually the redshirts are not given a backstory. What in other hands would have been a boring B-movie horror scene in Martin’s is a masterful, and even moving, establishing scene. Now, to be frank, I have not read his last two volumes, and I may never, because he has killed off too many likable characters and is taking too long to get anywhere: but once the series is done, and I know it reaches a satisfying conclusion, I may revisit that decision. So Mr. Martin may be suffering from the victory disease, where some of his discipline lapses due to his popularity. Or he may be, as I am, an exuberant writer who likes his digressions.
The Sexy Douchecanoe isn’t an official trope, as such; at least, it’s not one that I often find people analyzing, subverting, and/or railing against. It is one, however, that I run into constantly because, while they’re often unfairly associated with strapping, half-dressed men on paperback covers, Sexy Douchecanoes actually pop up in every medium and every genre. The first time I remember coming across one, I was maybe 20 and reading Naked in Death by JD Robb. At the time, I’d been interested in giving romance a go, but as I hadn’t read much of the genre, I wasn’t entirely sure where to start. I figured the best plan was to pick a romance that was also a murder mystery set in the future.
And maybe that plan would have been successful, if I hadn’t hated the love interest with the power of a thousand suns.
You know you’ve made it big when you’re commissioned by a major toy manufacturer to design a doll. That’s exactly what’s happened to Lady Gaga. The singer/actress is adding “toy designer” to her resume now with a forthcoming Monster High doll. Is there anything she can’t do? She’s designing the doll with her sister, costume designer Natali Germanotta. Which is totally fitting, given Gaga’s Mother Monster moniker.
[Louisa Stein] I mentioned above the TV series Supernatural’s ambivalent depictions of female fans over the years. Supernatural is a series that has a dynamic and rich transformative fandom, and the majority of those participating in the fandom are women. Supernatural fans, while expressing love for the series and its characters and potential, have long been critics of its gender and racial politics, and have spoken out at times about how they have felt misrepresented and even attacked by the series and its metatexts, for example, in response to a preview that declared the teenage girl the “ultimate monster.”
[Thanks to David K.M. Klaus, Brian Z., Dave Doering, Will R., and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day redheadedfemme.]
A woman has posted a selfie taken on a plane in which she claims she was photobombed – by an alien.
Olesya Podkorytov from the city of Kurgan in south-central Russia’s Kurgan Oblast region said she took the picture during the flight on a whim but when she posted it on social media friends pointed out something strange a few seats behind.
Director Mel Brooks spent a lot of money on white handkerchiefs while making his 1974 tour de farce, “Young Frankenstein.”
“I gave everybody in the crew a white handkerchief,” said the 88-year-old comedy legend during a recent phone interview. “I said, ‘When you feel like laughing, put this in your mouth.’ Every once in a while, I’d turn around and see a sea of white handkerchiefs, and I said, ‘I got a hit.'”
“Young Frankenstein” was more than a hit. It is a comic masterpiece.
(3) ‘TWAS CHITTY. Joined by Conan O’Brian, Dick Van Dyke and his a capella group, The Vantastix, sing the title song from his 1968 movie Chitty Chitty Bang Bang.
Van Dyke recently turned 90 but he can still belt out a tune.
I have read some, though far from all, of Lewis’ non-fiction; I intend to talk about it only insofar as I see a bearing on his fiction. I’m interested in seeing what images, tones, ideas, and approaches unite a fairly disparate corpus of writing. I want to see how Lewis’ approach to storytelling developed over his life, and how motifs and themes recurred in his work. I hope that by doing this I’ll better understand his individual books. At any rate, I’ll begin here with a look at Lewis’ published juvenilia…
Today, I want to go through Lewis’ first book, a collection of lyric poems called Spirits in Bondage, published in 1919 when Lewis was still an atheist.
Yesterday I quoted Lewis’ judgement in his 1955 autobiography Surprised by Joy that the Boxen tales are novelistic and not poetic. If that’s so, what did the older Lewis think about the poetry he wrote in his youth? Did he find wonder and romance in the verse of Spirits in Bondage and Dymer? Hard to judge. Lewis doesn’t mention either volume in Surprised by Joy. Which strikes me as a little odd.
(6) CAREER GUIDANCE. David Gerrold responded on Facebook to Dr. Mauser (thought not actually by name). Between his very funny lines about being a so-called internet blowhard and his thoroughly serious rebuttal comes good advice for writers about dealing with controversy.
1) Never never never never never get into feuds. Whatever credibility you might have, you are automatically lending it to anyone you feud with because you are implying they are of equal validity, when most of the time they are not. People who enjoy feuds are automatically downgrading their credibility.
2) If you must respond, focus solely on the issue. Do not get into any personal remarks of any kind. Discuss issues only, not personalities. (This is because everyone has issues, not everyone has a personality.)
3) Never vilify a whole class or group of people — this generalization assumes that everyone in that class or group thinks and acts alike, that they are a monolithic army of clones. They are not. (I have stumbled here, more than once, and have now learned this lesson very well.)
I really don’t think we needed to add a Graphic Story category to the Hugo Awards. Comics have their own awards, the Eisners, they don’t need the Hugo too. Besides, most SF fans do not follow comics closely enough to make informed judgements in this area.
That being said, however, I have to concede that the fans did pretty damned well nominating in this category last year. SAGA was the only one of the finalists that I had actually heard of before Sasquan announced last year’s ballot… but I dutifully read all the others before I voted, and for the most part, I was impressed (okay, not by the Puppy nominee, which was several notches below the other four)… especially by MS. MARVEL, a whole new take on the character (actually a whole new character with an old name), a charming new addition to the Marvel universe, and the eventual winner.
So… I still don’t love Graphic Novel as a Hugo category, but it exists, and those who follow the field more closely than me should nominate Good Stuff here again, and maybe I’ll have more comic books to discover and delight in when the final ballot comes out.
Meanwhile, I do have one truly outstanding graphic novel to suggest… I am not totally disconnected from the world of comics, y’see… and that’s a book called THE SCULPTOR, by Scott McCloud….
(8) TOWERING TRAILER. The movie High-Rise is based on a J.G. Ballard novel.
Doctor Who fans may not be surprised to discover that those forceful characters the Daleks appear to be the only one of the Doctor’s enemies to have been given their own celebratory day. Dalek Day is held on 21st December each year. This date was chosen to commemorate the anniversary of the Daleks because they made their first TV appearance in Doctor Who on 21st December 1963. The official title of Dalek Day is the International Dalek Remembrance Day. There does not appear to be any regular organised celebrations each year to commemorate Dalek Day and it is unclear whether Dalek supporters meet or actually even dress up in Dalek costumes. Many of their fans appear to celebrate Dalek Day at home by having a Doctor Who marathon and watching again their favourite episodes with the Daleks battling against the Doctor.
December 21, 1937 — Walt Disney’s Snow White and the Seven Dwarfs, the first full-length animated feature film, opened in Los Angeles.
December 21, 1984 – Don’t Open ‘Till Christmas opens slightly before Christmas.
(10) NO ROOM IN THE FUTURE FOR RANDY GARRETT. The Traveler at Galactic Journey reviews the January 1961 Analog in a manner that makes a reader wonder if this blog theme is a good fit for somebody who hates a prolific author for the most popular prozine of its time. Not because The Traveler ought to like something he doesn’t, but who’s going to want to hear about it every month?
Thus, it is too early to tell whether or not Analog is ever going to pull itself out of its literary doldrums. I had such high hopes after December’s issue; January’s has dashed them.
It doesn’t help that Randall Garrett is still one of Campbell’s favorite writers. I’m not sure if Garrett’s stories are lousy because Campbell tells Garrett what he should write, or if they’re lousy because Garrett writes what he knows Campbell will take. Or maybe Garrett and Campbell independently share awful taste. In any event, the long long lead novella, The Highest Treason, is a one-star drek-fest if ever there was one.
(11) TIX FOR RADIO PERFORMANCE OF WYNDHAM. Tickets are available to attend a live recording of John Wyndham’s The Kraken Wakes by BBC4 with the BBC Philharmonic. The event will be Friday, January 8, 2016 at MediaCityUK in Salford. Ticket applications are open until December 27.
Join the BBC Philharmonic and BBC Radio 4 for radio drama, The Kraken Wakes. This modern retelling of John Wyndham’s 1953 apocalyptic novel, is adapted by crime writer and dramatist Val McDermid and stars Tamsin Greig, Paul Higgins and Richard Harrington.
This is a rare chance to see a radio drama recorded for Radio 4 with a live orchestral accompaniment from the BBC Philharmonic.
Composer Alan Edward Williams has created a brand new orchestral score that will ‘play the part’ of the great sea monster during the performance.
The Kraken Wakes will be recorded as a live performance in two parts. The drama will then be broadcast later in the year on BBC Radio 4.
As you can probably tell if you’ve interacted with any of his hard-core fans, the science fiction of Philip K. Dick has a way of getting into readers’ heads. What better way to adapt it, then, than in the medium of radio drama, with its direct route into the head through the ears? Science fiction in general provided radio drama with a good deal of bread-and-butter subject matter since pretty much its inception, and suitably so: its producers didn’t have to bother designing distant worlds, alien races and elaborately futuristic technologies when, with the right sound design, the listeners would design it all themselves in their imaginations.
From the series Mind Webs, which ran on Wisconsin public radio, “The Preserving Machine,” “Impostor,” and “The Builder.” From X Minus One, “Colony” and “The Defenders.”From Sci-Fi Radio, “Sales Pitch.”
Ben Hammersley meets creators and fans to investigate how extended fictional universes, from Star Wars and Harry Potter to Game of Thrones, took over global culture. He examines the huge financial success of the world’s biggest franchises, and argues that their stories – the identity of Luke Skywalker’s father, for example – have become common cultural touchstones around the world.
To understand how these expansive fictional universes are created and maintained, Ben visits professor Dumbledore’s office to talk to Stuart Craig, production designer on the Harry Potter films. He goes to Los Angeles to meet Lauren Faust, creator of My Little Pony: Friendship is Magic. And, he travels to San Diego Comic Con where he discusses a number of different universes with Marc Zicree, writer on numerous film and TV series, including Star Trek.
Ben also speaks to authors Robin Hobb and Warren Ellis, and to Axel Alonso and Ryan Penagos from Marvel. He hears from numerous fans, including Game of Thrones super-fans Linda Antonsson and Elio Garcia about the joys of fandom.
Some famous novels are graced by his covers: James Blish’s A Case of Conscience (1958), Stanislaw Lem’s Solaris (1961), Silverberg’s Nightwings (1968), Ursula Le Guin’s The Left Hand of Darkness (1969), and Norman Spinrad’s Bug Jack Barron (1969).
Titles in this art sequence without suitable images online: A Gift from Earth (1968), Re-Birth (1955), All Judgement Fled (1968), Trouble with Lichen (1960), The Midwich Cuckoos (1957).
(15) MAGIC NUMBER. Obviously I must mention something titled “Five for 2015: 5 TV Characters of the Year”, Jon Morgan’s post on Pornokitsch. Under discussion are Agent Carter, Phyrne Fisher, Jessica Jones, Kimmy Schmidt and Cat Grant.
Q: We could talk about that. I mean, the general violation of physics that goes on around the whole Santa’s sleigh thing.
A: Look, I don’t pretend to know the science of the flying sleigh thing, okay? That’s not my job. You can ask Santa’s physicists about it if you want.
Q: Santa has physicists on staff?
A: Of course he does. He’s one of the largest recruiters of physicists outside of NASA. What, you thought all this happened because of magic?
Q: Well, now that you mention it, yes. Yes, I did.
(17) MALCONTENT WARNING. Darth Santa…. Great production values for a video whose humor may leave you a little ill. Or laughing your ass off, depending on what meds you’ve taken today.
[Thanks to John King Tarpinian, Nigel, Martin Morse Wooster, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day redheadedfemme.]
When most people think of “Star Wars” style, Princess Leia’s side-buns hairdo and white robe or Darth Vader’s fearsome black helmet and cape probably come to mind. For copy editors, it’s more likely how to punctuate a jumble of words such as Star Wars Episode IV A New Hope or whether to spell Chewbacca’s species as Wookie or Wookiee.
With the venerable space opera about to start bringing new stories to the big screen at the planned rate of one per year — and the upcoming fleet’s worth of Times stories that will cover all the developments and details of the on- and off-screen “Star Wars” saga — The Times’ copy desk decided it would help in editing to have an organized guide to facts, names and terms that might appear in our coverage.
I volunteered to put it together, and relied on the films; Lucasfilm’s publicly available databank; the Academy Awards’ database; images of officially licensed products; and Times precedence, stories, style rules and tendencies (which sometimes override other groups’ preferences). To answer the questions above: “Star Wars: Episode IV – A New Hope”; Wookiee.
(2) MORE STYLE. In the same spirit, but by a different creator as far as I can tell —
(3) FAN SERVICE. Mark Hamill goes undercover as a stormtrooper (one word) on Hollywood Blvd. to raise awareness for the Omaze charity that’s giving away a chance to win two tickets to the Star Wars: The Force Awakens premiere in exchange for a $10 donation. The contest ends in less than two days.
Considering he’s a centuries-old genius and Time Lord, the Doctor always did seem to have a bit of trouble piloting his Tardis – but fans had a solution for why that could be (apart from it being an obsolete Type 40, of course).
Given the time machine’s central console was hexagonal (and all the controls therefore couldn’t be reached at any one time), could it be that the Tardis was intended for not one, but six pilots?
This fun idea circled around for a while and made some appearance Doctor Who spin-off media before it was finally embraced by the main series in 2008, with David Tennant’s Doctor enlisting all his friends to help pilot the time machine in series 4 finale Journey’s End.
(5) THERE’S AN APP FOR THAT. “It’s what’s on Mark Watney’s smartphone,” says Will R.
(6) BE YOUR OWN ANT FARM. Becky Chambers remembers playing an ancient PC game: “Extended Memory: SimAnt”.
Despite the complexities, my task was clear: recruit as many followers as I could, then march into enemy territory. “Oh my god,” a distant voice in my head said. “This is a Zerg rush…with ants.” I do not know what this voice meant. As an ant, I am ignorant of such things.
So, here’s the bottom line: India has a new generation of gifted graphic storytellers, who are doing comics that speak in direct and powerful ways to the country’s politics, comics that experiment with new visual languages for comics, often drawn from the country’s rich and diverse folk traditions. These artists are slowly but surely producing work that people should be paying attention to. But, you can’t really find them in Indian bookstores when you go looking and they are not making their way into comics specialty shops in the United States. If you want to find India comics, you have to look online.
(8) KEG BUST. Andrew Porter says, “This almost (not really) makes up for HPL’s bust no longer being the World Fantasy Award….” Lovecraft Reanimator Helles Lager from Narragansett Beer.
The History: HPLovecraft’s ‘Herbert West—Reanimator’ and the 1985 film adaptation, Re-Animator, are horror fan favorites. In the story, Dr. West and his accomplice experiments with human reanimation by injecting fresh corpses with a serum meant to bring the dead back to life. We wanted to create a serum to resurrect one of our own; our beloved Bock beer.
(9) TOR PICKS 2015 BEST. “Tor.com Reviewers’ Choice: The Best Books of 2015” picked by Jared Shurin, Alyx Dellamonica, Liz Bourke, Nial Alexander, Mavesh Murad, Amal El-Mohtar, Alex Brown, Caitlyn Paxson, Stefan Raets, Theresa DeLucci, and The G. (Naomi Novik’s Uprooted is prominently mentioned by several contributors.)
Liz Bourke
…I know what my two absolute favourites of the year are, though. Elizabeth Bear’s Karen Memory(Tor) and Ann Leckie’s Ancillary Mercy(Orbit) tie for first place in my heart. One is an adventure story in a steampunk-influenced city on the American Pacific coast in the late 19th-century, whose eponymous protagonist finds herself running headfirst into all kinds of peril—including international espionage plots—while falling in love with another young woman. The other is the capstone of a fantastic trilogy about power and personhood, and what you do with what’s done to you: it brings all its threads together, and ties them up in a conclusion that’s as perfect as it is unexpected. If you’re only going to read two novels published this year, my recommend is read them.
(10) T-SHIRT TNG. Have you been there, done that? Now own the t-shirt!
Will R. demurs, “I have no comment on whether this applies to anything currently under discussion in the world of science fiction.”
(12) OBITUARY.SF Site News reports artist Jon Arfstrom died on December 2. Arfstrom is believed to have been the last of the classic Weird Tales cover artists to be alive.
Lines and waiting are a fact of life with cons. This is easy when you’re child-free and have access to your phone/book/daydreams/whatever. But with a baby, wait times are an event in themselves. Most parents—and hopefully that includes you—have some tricks that can be parsed out over time to try and keep the baby occupied. A good idea is to prep for the con like you would for a long road trip: have new toys/books to spring forward, and use whatever tricks you have up your sleeve. For example, our daughter is fantastic when getting hand-fed small snacks (Cheerio’s, Yums, etc.). We made sure we had an inventory of these and used them as our first go-to when she started to get impatient, albeit at about half the speed we’d normally feed them. We also got lucky in that our baby recognized some of the characters we’ve introduced her to thanks to the cosplayers, so we could point out Batman and catch her interest for a few minutes.
There’s an old saying about judging a book by its cover; we’re not sure how it goes, but it doesn’t matter because titles and covers both appear to be generated completely at random. At least, in the world of Young Adult novels. Jack named his latest book The Librarian. At the publishers’ request, it became Double Agent. A little editing later, and the title was Escape From Besmar. A little more, and that was subbed out in favor of the catchier Springheel. At one point, the title was Black Sheep. Then Three Bags Full. Then Three Bombs Full. Then, at last, they settled on a title that pleased everyone: Switchblade.
The book is currently available under the title The Cut Out….
But with the apparent revival of Xena in the wings, fans and media want to know, will she return as the legendary character she brought to life two decades ago?
…So the question of Lucy Lawless’s age, 47, is central to the Xena reboot, raising obvious retorts: Harrison Ford, 73, Arnold Schwarzenegger, 68, and Bruce Campbell, 57, are all reprising action hero roles they played in their youth without any criticism or complaints being raised about their age.
Lawless won’t go on a rant about it. She shrugs it off, half kidding: “They’ll give the Xena role to a 27-year-old.’’
It’s been 20 years since Xena: Warrior Princess was launched and became the top-rated syndicated TV program in the United States and a highly popular franchise across 108 countries. The character of Xena emerges from a dark past to defend the oppressed, fighting gods, warlords and kings, and living outside the conventional definitions of masculine and feminine. The series ended after six years, in 2001, with the brutal death of Xena, her head cut off, her body turned to ashes. Outraged fans have since cried out for a resurrection and, obliging, NBC plans to reboot Xena and has tapped Rob Tapert to re-develop it.
Problem is, Lawless knows nothing about it. She was blindsided when the news about a Xena revival leaked. A woman with The Hollywood Reporter asked her about the reboot plans, but Lawless denied it. “I thought she was misinformed,’’ she says now. “It was I who was misinformed.’’
(16) GoT TEASER? The Game of Thrones Season 6 teaser. I can confidently say I didn’t understand it. But io9 seems to. Maybe you will, also.
11,248 people gave us $5, and 1,199 people gave us more than $5 by filling out the form more than once. One enthusiastic fan gave us $100. In the end, we made a windfall profit of $71,145.
There’s been a lot of speculation about how we would spend the money from Black Friday, and we’re happy to announce that this time, we kept it all. Here’s what we bought….
“The world is so horrible,” says Mark Hamill, Luke’s closest earthly representative, sitting in the shadow of swaying trees in his rather pleasant Malibu yard. At 64, Hamill is older than Alec Guinness was in the first Star Wars, and is in the process of regrowing a distinctly Obi-Wan-ish beard. “Between the Middle East and gun violence and global warming and racism, it’s just horrible. And people need this. It’s therapeutic.”
The “this” in question is Star Wars: The Force Awakens, out on December 18th and directed by geek hero J.J. Abrams, fresh from rebooting the Star Trek franchise.
(19) ANCIENT SPECIAL. And if you weren’t fatigued before, well, just watch the elusive Star Wars Christmas Special from that bygone era….
(20) MUSICAL INTERLUDE. I remember hearing the song on Doctor Demento but the video is news to me: The Firm – “Star Trekkin'”
[Thanks to Martin Morse Wooster, Hampus Eckerman, Will R., Mark-kitteh, James H. Burns, Andrew Porter, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
Science fiction artist Richard Powers is among the Society of Illustrators’ newest Hall of Fame inductees, along with Beatrix Potter, Peter de Seve, Marshall Arisman, Guy Billout, Rolf Armstrong, and William Glackens. Since 1958, the Society of Illustrators has elected to its Hall of Fame artists recognized for their “distinguished achievement in the art of illustration.”
Richard Powers was a hugely influential science fiction illustrator throughout the 1950s and ’60s…
Powers was dedicated to a fine art career alongside of his commercial work—the influences of modern art were clear throughout his illustration. While trends switched towards more literal and rendered illustration in the ’80s to ’90s, Powers is still beloved today. This year’s World Fantasy Convention mounted a special exhibit of nearly 90 Powers paintings and collages.
We talk a lot of about writers and stories on Tor.com but we always strive to give equal attention to our visual presentation. We are indebted to the artists who work tirelessly to make us, and our stories, look good and connect to readers. With that in mind, I’m sure you can appreciate how delighted and honored I am that 12 illustrations for Tor.com Publishing have been selected for this year’s Society of Illustrators annual exhibition.
(4) Simon Spanton, associate publisher at Gollancz, left Orion on November 20. Orion said Spanton was leaving the publisher after 19 years “by mutual agreement.”
Spanton joined Orion in 1996, having started out as a bookseller in 1986 and after a spell at Macmillan UK.
He first worked on Orion’s Millennium imprint in a wide role encompassing fiction, sports books, military history and children’s fiction before it was bought by Cassell in 1999, after which he became co-editorial director for Gollancz with Jo Fletcher. Spanton was promoted to the position of associate publisher at the sci-fi and fantasy imprint in May 2013, tasked with responsibility for “innovative acquisitions and Gollancz’s social media and community engagement, as well as continuing to publish his award-winning list to its full potential”.
There does seem to be a theme running through a lot of the fanmail I get, along these lines: people who’d stopped reading fantasy for whatever reason have been reading my work and then feeling pulled back into the genre. And that’s awesome. I love that my audience contains so many “non-traditional” fantasy fans. But this is the kind of thing that shouldn’t be happening just because of my fiction. There’s plenty of fantasy out there with “no wizards or orcs or rangers or elves”… and while I think there isn’t nearly enough fantasy out there starring middle-aged mothers of color (or biracial polyamorous proto-goddesses, or blind black women, or Asian male ex-gods with daddy issues, or gay black male assassins, or shy black female healers, or…), there’s some other stories like that out there, too. So what’s happening here, that so many ex-fantasy readers — readers who really just need one non-formulaic book to bring them back into the fold — aren’t aware that there’s stuff here they might enjoy?
Welcome to the last third of NaNoWriMo, where we all despair! Let me throw out some ideas that might help you get going again.
Finished? Ha! Go back a make a searchable mark (I use ///) everyplace where you told us about something instead of showing us, instead of pulling us into the situation.
Then go back to the start and search those out. Rewrite them. Use lots of dialog. Don’t be stiff and terse. Have some fun. Have your hero call something pink. Have your heroine disagree. “Don’t be silly! It’s obviously a soft dusty salmon.” “It’s a fish?” Or flip the genders on it. He’s an artist, he sees these colors. Make the reader laugh. Or cry. Or get mad.
Then go to the next mark and rewrite that bit. Do them all.
Carlo Morris Cerutti was in court Monday, accused of attacking his neighbor for putting trash in his trash can on Saturday. Court documents Cerutti, 50, is charged with Assault after swinging a Klingon sword at his neighbor.
Documents said Cerutti’s wife, Joyce, had accused their neighbor of putting trash in their trash can. The neighbor told police he had gotten into argument with the wife about the trash.
“Our next door neighbor was evicted and he was throwing his stuff in our garbage can so I took it put it in a bag, took it to him and said Jr. will you please not put your stuff in our garbage can,” said Joyce.
Joyce said the incident only escalated from there.
“I turned around and he chucked the bag at me and hit me in the back and then he started throwing garbage all over my yard,” said Joyce.
The neighbor said after the argument, Cerutti came rushing out of his house with a weapon that had multiple blades and started swinging. Court documents said the neighbor put his hands up and blocked the blade from striking him. The neighbor said he was able to pull the weapon away from Cerrutti and in the process, he fell backwards off the porch. The neighbor then called 911. Documents said when police arrived on scene Cerrutti was taken into custody for Assault and was later booked into the Spokane County Jail.
Joyce said that her husband never attacked the neighbor with a sword. She said her husband did grab the Klingon sword off the wall and said he did swing it at the neighbor. She said he only did this after he barged into their home.
(8) Neal Stephenson will be at George R. R. Martin’s Jean Cocteau Theatre in Santa Fe to discuss Seveneves next Friday at 3:30 p.m.
Neal Stephenson
(9) While I don’t think Brian Clegg’s “A Strange Relationship” for the SFWA Blog is heretical, surely somebody will.
Although definitions of science fiction are tricky, it surely specializes in “What if?” – placing humans (or aliens) in an imagined scenario that has an element of science or technology in its set-up and seeing how they react. This is why Jules Verne got it so wrong about H. G. Wells when comparing their fictional voyages to the Moon. Verne remarked “It occurs to me that his stories do not repose on a very scientific basis… I make use of physics.” Yet in reality, Wells did the better job. He took an admittedly fictional means of travel, but then followed it through logically in its impact on humans. Verne took an existing technology – the cannon – and used it in a totally illogical fashion, firing his astronauts into space with a g force that would have left them as soup.
It is far more important in science fiction for the follow-through of the “what if” to be realistic and logical than it is for the setup to make a clear prediction of scientific possibility.
Gross is perhaps best remembered at National Lampoon for the 1973 “Death” issue, whose cover featured the words “If You Don’t Buy This Magazine, We’ll Kill This Dog” emblazoned over an image of a dog with a gun to its head. “This very talented comedian named Ed Bluestone came to the office in 1972 with the line,” Beard told Splitsider in 2012. “The next day Michael found a dog who would turn its eyes away from a pistol with a little prodding. I saw this picture and simply couldn’t believe it. And it was like with a wave of his left hand. Magic.”
“Jessica Jones,” the second of Netflix’s original series based on Marvel comic books (after “Daredevil”), is reluctantly superheroic. Created by Melissa Rosenberg, the screenwriter of five “Twilight” movies as well as a writer on TV shows including “Dexter,” and starring the acerbic Krysten Ritter of “Don’t Trust the B____ in Apartment 23,” it’s a clever 21st-century take on film noir, featuring a heroine who hides her superstrength because it’s at the root of her extreme emotional vulnerability and fear. There’s a tricky balancing act going on — crossing a moody detective show with both a comic action thriller and a woman-in-peril psychological drama — but Ms. Rosenberg proves to be mostly up to the task.
(14) Hunger Games‘ heroine Katniss Everdeen (played by comedian Whitney Avalon) and Harry Potter‘s Hermione Granger (played by actress Molly C. Quinn) are facing off in an epic edition of Princess Rap Battles.
[Thanks to Brian Z., John King Tarpinian, Steven H Silver, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day JJ .]
