StokerCon 2021 Announces
Guests of Honor

The Horror Writers Association‘s StokerCon 2021 will be held May 20-23, 2021 at the Curtis Hotel in Denver CO. The convention’s guests of honor were revealed at the end of last night’s Bram Stoker Awards ceremony.

  • Maurice Broaddus: Maurice’s body of work goes back over twenty years, with multiple short story publications, several novellas, two anthologies, and five novels, including his Knights of Breton Court series. His anthology, Dark Faith, co-edited with Jerry Gordon, was a finalist for the 2010 Bram Stoker Award. He worked for twenty years as an environmental toxicologist and was formerly the executive director of Cities of Refuge Ministries. Maurice currently teaches middle school and has a middle school detective novel series, The Usual Suspects. His website is http://mauricebroaddus.com/.
  • Joe R. Lansdale has won ten Bram Stoker Awards, a British Fantasy Award, the Spur Award for Best Historical Western, and an Edgar Award. He has received the Raymond Chandler Lifetime Achievement Award, as well as the Lifetime Achievement Award from the Horror Writers Association. His works include novels, short stories, screenplays, and television scripts. His novella, Bubba Ho Tep, was made into a movie and became a cult classic, while his Hap and Leonard novels became a successful television series. His website is http://www.joerlansdale.com/.
  • Seanan McGuire is a Hugo, Nebula, and Locus award-winning writer, who also received the John W Campbell Award for Best New Writer by the 2010 World Science Fiction Convention. A prolific writer, she has published novels under her name as well as under her pseudonym, Mira Grant. The latter includes the political thriller/zombie series Newsflesh. In 2013, Seanan received a record five Hugo Award nominations, two under her Grant pseudonym and three under her own name. Her website is http://www.seananmcguire.com/.
  • Silvia Moreno-Garcia is a the author of the novels Mexican GothicGods of Jade and ShadowCertain Dark ThingsUntamed Shore, and a bunch of other books. She has also edited several anthologies, including the World Fantasy Award-winning She Walks in Shadows (a.k.a. Cthulhu’s Daughters). She is a columnist for the Washington Post. Her website is https://www.silviamoreno-garcia.com/blog/.
  • Lisa Morton is a screenwriter, author of non-fiction books, and award-winning prose writer whose work was described by the American Library Association’s Readers’ Advisory Guide to Horror as “consistently dark, unsettling, and frightening”.  She is the author of four novels and 150 short stories, a six-time winner of the Bram Stoker Award®, past President of the Horror Writers Association, and a world-class Halloween expert. Her website is https://lisamorton.com/zine/.
  • Steve Rasnic Tem: A Colorado native, Steve is, according to fellow guest of honor Joe Lansdale, “a school of writing unto himself.” Steve is a past winner of the World Fantasy, British Fantasy, and Bram Stoker Awards (incl. 2014’s Blood Kin for novel). His short fiction work is legendary, with over 450 short stories published in a 40+ year career. You’ll find some of his best in Figures Unseen: Selected Stories. His latest is The Night Doctor and Other Tales. His website is http://stevetem.com/.

Carl Brandon Society Resumes Parallax and Kindred Awards

The Carl Brandon Society is reinstituting the Carl Brandon Brandon Parallax and Kindred Awards.  These two literary awards are given annually to outstanding works of speculative fiction. Nominations are now open.

  • The Carl Brandon Parallax Award goes to the best speculative fiction created by a person of color in the preceding calendar year. 
  • The Carl Brandon Kindred Award goes to the work of speculative that best explores and expands our understanding of race in the preceding calendar year; its creator may be of any racial or ethnic background. 

Each award includes an award plaque, a check for US$1000, and the opportunity to participate in the award ceremony.

Nominations for works to be considered for the 2019 Parallax and Kindred Awards are open as of March 6, 2020, and they close April 15, 2020.  Nomination forms are electronic only, and are available via a link on the organization’s website or directly at https://forms.gle/rK3nuYspyL3gn2Ur8.

The first Carl Brandon Parallax and Kindred Awards were presented 2006 for Walter Mosley’s novel 47 and Susan Vaught’s novel Stormwitch, respectively.  The Awards continued through 2011; for a complete history, please visit the Society website.

Founded in 1999, the Carl Brandon Society is a nonprofit organization dedicated to increasing racial and ethnic diversity in the production of and audience for speculative fiction.  We administer the Octavia E. Butler Memorial Scholarship Fund and operate a list serve supporting the growing presence of People of Color in the imaginative genres. 

The Carl Brandon Society Steering Committee members are K. Tempest Bradford, Maurice Broaddus, Candra K. Gill, Jaymee Goh, Victor J. Raymond, Kate Schaefer, and Nisi Shawl.

Pixel Scroll 2/5/20 Scroll, A Scroll, A Scroll I’ll Make, How Many Pixels Will It Take?

(1) EXTREME 18TH CENTURY HORROR. For publishing this book author Lewis would live the rest of his life under a cloud, even though he did get to spend “the summer of 1816 with Mary Shelley and Percy Bysshe Shelly in Geneva, where the three of them recounted ghost stories to each other.” — “Brian Keene’s History of Horror Fiction, Chapter Eight: The Monk and 1796 Cancel Culture” at Cemetery Dance.

As I pointed out in our last column, Walpole’s novel is one of two that has inspired much that has come since, beginning with Mary Shelley, Bram Stoker, and Edgar Allan Poe (all of whom we’ll be getting to soon).

The other novel that serves as the genre’s ancestral blueprint is The Monk by Matthew Gregory Lewis.

Up until the publication of The Monk in March of 1796, the Gothics mostly followed Walpole’s formula. The books usually featured a mystery or threat to the main character, an evil villain threatening the virtue of a virginal female, supernatural elements such as a ghost or an ancestral curse, and secret passages in crumbling mansions or castles. That template carried over into the next century, as evidenced by the bulk of the stories published in the pulps during the 1930s.

But with The Monk, Matthew Gregory Lewis took Walpole’s formula, as well as the influence of Radcliffe’s The Mysteries of Udolpho, and ran them through a meat grinder. The result was the most shocking novel of the century. If The Castle of Otranto was the world’s first horror novel, then The Monk was the world’s first extreme horror novel. As author J.F. Gonzalez once said, “In some ways, The Monk can be seen as the entire hardcore oeuvre of Edward Lee and Wrath James White of 1796. It was certainly hardcore for its time, and as a result it was banned and suppressed in later editions.” 

(2) ON THE FRONT OF F&SF. The Magazine of Fantasy & Science Fiction’s Mar/Apr 2020 cover art is “Walkabout” by Mondolithic Studios.

(3) MO*CON. The day after Maurice Broaddus’ 50th birthday Mo*Con: Origins begins: “Imagine a convention that’s nothing but a barcon. writers, artists, publishing professionals, and fans having great conversations while enjoying great meals”.

The event takes place May 1-3, 2020 at Café Creative (546 E. 17th Street, Indianapolis, IN). Guests of Honor are Nisi Shawl, Chesya Burke, Linda Addison, Wrath James White, and Brian Keene, with Editor Guest Scott Andrews (Beneath Ceaseless Skies), Publisher Guest of Honor Jason Sizemore, Special Guests K. Tempest Bradford, Jeff Strand, Lynne Hanson, and Featured Local Artists Deonna Craig and Rae Parker.

(4) RIPPLES OF RESENTMENT. Miss Manners answered a letter of complaint about the Hugo Losers Party at Dublin 2019 in the San Francisco Chronicle on February 3: “Party was for ‘losers,’ and that’s how they felt”.

No apology or explanation has been given by the party organizers, and that’s really all I want. The radio silence feels like an implication that I’m being the unreasonable one for being upset I wasn’t allowed into a party I was explicitly invited to. Am I in the right or wrong here?

George R.R. Martin wrote several thousand words of explanation here, and specifically said there were things he was sorry for, including — “They had to wait, yes, and I am sorry for that, and it should not have happened, and a number of mistakes were made, most by me.” Alex Acks, who was one of the invited Hugo losers stuck outside, thought the piece fell far short of being an apology (“I didn’t feel personally belittled until this moment: George’s Hugo Losers Party explanation”). Although the Miss Manners letter has parallels to Acks’ post, since that’s been on the internet since September anybody could have cribbed from it. (Question: Does Miss Manners really just wait for letters to show up, or does she have helpers searching for real-life inspirations like this?)

(5) CLASH OF OPINIONS. Deadline says SYFY Wire’s The Great Debate will begin airing this summer, hosted by comedian and actor Baron Vaughn (Grace & Frankie, Mystery Science Theater 3K) and his robot sidekick DB-8.

The show will throw a group of nerds in a room as they answer questions like “Who’d be a worse boss, Darth Vader or the Joker?” or “Would you rather have a Green Lantern ring or a Wizard Wand?”

(6) WE CAN REMOVE YOU WHOLESALE. Tor.com’s James Davis Nicoll calls these “Five SF Precursors to Murderbot”. Number two is —

Jenkins, a robot who appears in Clifford Simak’s City fix-up, at first glance seems an Asimovian robot, dutifully serving the Webster family across generations. Each new cohort of humans make decisions that seem justifiable at the time; each choice assists humans on their way to irrelevance and extinction. It’s little wonder, therefore, that ultimately Jenkins transfers his loyalty away from foolish, suicidal, and sometimes vicious humans to their successors, the gentle Dogs. Humans may have built Jenkins but rather like Frankenstein, they never earned his loyalty.

(7) A DIFFERENT ‘TUDE. The Times Literary Supplement’s Science Fiction Issue came out this week.

John Updike was not much of a fan of science fiction, objecting to the flash and glare of its imagined scenery, complaining that it “rarely penetrates and involves us the way the quietest realistic fiction can”. To Updike, the genre was little more than an “escape into plenitude”. This week, we certainly provide plenitude, but also an examination of the breadth of science fiction, not least the way it often involves much more than Updike ever allowed.

We begin with two authors whose membership of the SF canon comes with qualification: they are “more” than simply genre novelists. Both H. G. Wells and John Wyndham share a certain approach to the extra-terrestrial, “examining the impact on real-life society of a perturbing incident or two”. Pippa Goldschmidt notes that, when it comes to Wyndham’s triffids, only “persistent and hard physical work will succeed in clearing the protagonist’s land of these all-pervasive plants”. There is more quiet realism here than Updike might have noticed.

One of the pieces is “When we fought a lot of dwarves”, a memoir about the Advanced Dungeons & Dragons Players Handbook.

… Robert Cohen, in The Sun Also Rises, liked to brag that if all else fails, a man can still make a living playing bridge. Somewhere in the back of my mind, I’ve always known that if I hit rock bottom, there’s a shelf in the TV room of my parents’ house in Austin where I’ve got several hundred dollars’ worth of role-playing games. Not just the standard stuff (bent-sided bright red box sets of the old Basic edition), but specialist limited editions like Privateers and Gentlemen. The pick of the bunch, the one that gave me the most pleasure as a kid, is also the most obvious: my 1978 Advanced Dungeons & Dragons Players Handbook.

(8) BARNETT OBIT. The Encyclopedia of Science Fiction crew mourns the death of one of their colleagues: “Paul Barnett (1949-2020)”.

Our old friend and fellow-encyclopedist Paul Barnett — who published mostly as by John Grant — died unexpectedly on 3 February 2020. Besides a prodigious output of solo-written sf, fantasy and nonfiction, he was Technical Editor of the second edition of the SF Encyclopedia (1993), and co-editor with John Clute of the 1997 Encyclopedia of Fantasy , for which they shared a Hugo; he also wrote many new artist entries and updated existing ones for the current online edition of this encyclopedia. See his SFE entry for some indication of his considerable achievement.

(9) KIRK DOUGLAS OBIT. Kirk Douglas, a throwback to Hollywood’s golden age, died February 5 at the age of 103. Although best known as the leading man in movies from Spartacus to Paths of Glory, his portfolio includes appearances in such genre productions as Ulysses (based on Homer), Disney’s production of 20,000 Leagues Under the Sea, TV movie Dr. Jekyll and Mr. Hyde (he played both leads, of course), Saturn 3, the WW2 time-travel movie The Final Countdown, and an episode of the Tales From the Crypt TV series.

He also was the recipient of the 25th Ray Bradbury Creativity Award in 2012.

Bo Derek and Kirk Douglas in 2012.

He wasn’t known as a singer, yet his rendition of “Whale of a Tale” is iconic.

(10) TODAY IN HISTORY.

  • February 5, 1944 — The original Captain America himself — Dick Purcell — premiered theatrically in the silver screen serial. This Republic black-and-white serial film was based on the Timely Comics (now known as Marvel Comics) Captain America character. It was the last Republic serial made about a superhero, and the next theatrical release featuring a Marvel hero would not occur for more than forty years. It was the most expensive serial the company ever produced. You can watch it here.
  • February 5, 1953 — Walt Disney’s Peter Pan premiered.
  • February 5, 1983 T. J. Hooker‘s “ Vengeance Is Mine” premiered. It’s being listed here as Shatner playing Sgt. T. J. Hooker encounters Nimoy in the role of a disturbed police officer whose daughter was raped. For this one episode, these two Trek stars were reunited. 
  • February 4, 1994 The Next Generation’s “Lower Decks” episode from their final season first aired. It’s being included here as the CBS All access service will be adding an animated series in 2020 to the Trek universe called Star Trek: Lower Decks which has already been given a two-season order. The episode itself is consistently ranked among the best episodes of that series making the Best of Lists, and ranking as high as Variety listing it as one of the fifteen best Next Gen episodes. 
  • February 5, 1998 Target Earth premiered. It starred Janell McLeod, Dabney Coleman and Christopher Meloni, and was directed by Peter Markle from a script from Michael Vivkerman. It seems to have been intended as a pilot for a series but it faired poorly at the box office, critics didn’t like (“sheer rubbish” said several) and it currently has a 29% rating among reviewers at Rotten Tomatoes.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 5, 1906 John Carradine. I’m going to count Murders in the Rue Morgue as his first genre appearance. After that early Thirties films, he shows up (bad pun, I know) in The Invisible Man, The Black Cat, Bride of Frankenstein,  Ali Baba Goes to Town, The Three Musketeers and The Hound of the Baskervilles. Look that’s just the Thirties. Can I just state that he did a lot of genre work and leave it at that? He even had roles on The Twilight Zone, The Munsters, Lost in Space, Night Gallery and the Night Strangler. (Died 1988.)
  • Born February 5, 1915 Sam Gilman. He played Doc Holliday in the Trek episode,”Spectre of the Gun”. Surprisingly he’s done little additional in genre showing only up in a one-off in the Tucker’s Witch series, and a starring role in Black Sabbath. Now Westerns he was a pro at. (Died 1985.)
  • Born February 5, 1919 Red Buttons. He shows up on The New Original Wonder Woman as Ashley Norman. Yes, this is the Lynda Carter version. Somewhat later he’s Hoagy in Pete’s Dragon followed by being the voice of Milton in Rudolph and Frosty’s Christmas in July.  He also played four different characters on the original Fantasy Island. (Died 2006.)
  • Born February 5, 1924 Basil Copper. Best remembered for Solar Pons stories continuing the character created as a tribute to Sherlock Holmes by August Derleth. I’m also fond of The Great White Space, his Lovecraftian novel that has a character called Clark Ashton Scarsdale has to be homage to Clark Ashton Smith. Though I’ve not seen them them, PS Publishing released Darkness, Mist and Shadow: The Collected Macabre Tales of Basil Copper, a two-volume set of his dark fantasy tales. (Died 2013.)
  • Born February 5, 1941 Stephen J. Cannell. Creator of The Greatest American Hero. That gets him Birthday Honors. The only other genre series he was involved with was The 100 Lives of Black Jack Savage which I never heard of, but you can see the premiere episode here. (Died 2010.)
  • Born February 5, 1961 Bruce Timm, 59. He did layout at Filmation on the likes of of Flash Gordon and He-Man and the Masters of the Universe. Sought work at DC and Marvel without success before being hired at Warner Brothers where his first show was Tiny Toons before he and his partner on that series created Batman: The Animated Series. That in turn spawned more series by him —  Superman: The Animated SeriesBatman Beyond, Static ShockJustice League in several series and Green Lantern: The Animated Series. Certainly not all of them but that’s the one I remember seeing and enjoying. His first love is comics. He and writer Paul Dini won the Eisner Award for Best Single Story for Batman Adventures: Mad Love in the early Nineties and he’s kept his hand in the business ever since. Harley Quinn by the way is his creation. He’s a voice actor in the DC Universe voicing many characters ranging from the leader of a Jokerz gang in a Batman Beyond episode to playing The Riddler in Batman: Under the Red Hood.
  • Born February 5, 1964 Laura  Linney, 56. She first shows up in our corner of the Universe as Meryl Burbank/Hannah Gill on The Truman Show before playing Officer Connie Mills in The Mothman Prophecies (BARF!) and then Erin Bruner in The Exorcism of Emily Rose. She plays Mrs. Munro In Mr. Holmes, a film best described as stink, stank and stunk when it comes to all things Holmesian. Her last SF was as Rebecca Vincent in Teenage Mutant Ninja Turtles: Out of the Shadows.
  • Born February 5, 1974 Rod Roddenberry, 46. Son of those parents. Currently Executive Producer on Discovery, Picard and Lower Decks. His very first job in the Trek franchise was as production assistant on Next Gen. Interestingly his Wiki page says he was a Consulting Producer on the fanfic video Star Trek: New Voyages

(12) COMICS SECTION.

  • Shoe makes a confession when asked to define a word.
  • Lio creates Dr. Jekyll & the Missing Link.
  • Bizarro creates what I might call a “meowshup.”

(13) IS GOOFY JEALOUS? SYFY Wire wonders if “Pluto’s frozen heart could be causing all those strange formations on its surface”.

Pluto might have been demoted from planet status, but it still has a heart.

Tombaugh Regio is literally the beating heart of Pluto. Half nitrogen ice and half glacier-studded highlands, this frozen heart is located in the Sputnik Planitia basin and is now thought to control the dwarf planet’s wind circulation — kind of like how the human heart is the epicenter of the human circulatory system. It could also possibly be the source of many strange features, like those weird ice dunes that could be a landscape from beyond the Wall in Game of Thrones.

(14) FOUR WALLS DO NOT A PRISON MAKE. At Galactic Journey, Cora Buhlert reviews two stories, a James White prison break, and Jack Vance’s Space Opera. “[February 4, 1965] Space Prison of Opera (February Galactoscope #1)”.

When I spotted The Escape Orbit by James White in the spinner rack at my local import store, what first attracted me was the cover, showing two humans fighting a tusked and tentacled monstrosity. But what made me pick up the book was the tagline “Marooned on a Prison Planet”. Because stories about space prisons are like catnip to me.

(15) BEWARE KRAPTONITE. Io9 warns: “Forget Superbabies, Superman & Lois Will Feature Superteens Instead”.

Sorry if you were looking forward to seeing superpowered baby-raising shenanigans on the CW’s upcoming Superman & Lois spin-off series. The network just announced who’ll be playing the sons of Superman and Lois Lane, and it looks like the show will be leaning into teen drama instead. Well, it is the CW. What did you expect, really?

(16) RECYCLED HEAT. “Can we heat buildings without burning fossil fuels?”

The world is on average getting warmer, but we still need to keep buildings at liveable temperatures year-round. Is it possible to cut emissions while keeping warm in winter?

To look at, the dark, dripping sewers of Brussels seem an unlikely place for anything particularly valuable to be hidden. But a wet day reveals all.

During a winter downpour, the brick tunnels become subterranean waterslides. Fresh rain tumbles from drains in the street above, joining waste water already in the sewers from sinks, baths, showers and toilets on their long journey downstream. The volume of these fluids and, crucially, their temperature are the reason that the city’s energy experts’ minds are in the gutter.

“The heat of the tunnels always astonished me,” says Olivier Broers, head of investment at the city’s water company, Vivaqua. He first noticed the Belgian city’s dormant heat source 20 years ago when he worked in tunnel restoration. He recalls days when there was ice and snow in the city, but on climbing down a manhole, he would find the sewers an ambient 12-15C. “Enough to fog my glasses,” he recalls.

…Tunnel Vision

In Belgium, residential heating accounts for around 14% of total greenhouse gas emissions. Of that heat, the largest source of loss is through what goes down the drain and into the sewer. To try and recoup that loss, Broers has developed a prototype heat converter that can be installed in the sewers themselves….

(17) BEST SUPPORTING ROLE. “Green light for UK commercial telecoms Moon mission” – BBC has the story.

UK satellite company SSTL has got the go-ahead to produce a telecommunications spacecraft for the Moon.

The platform, which should be ready for launch in late 2022, will be used by other lunar missions to relay their data and telemetry to Earth.

Satellites already do this at Mars, linking surface rovers with engineers and scientists back home.

The Lunar Pathfinder venture will do the same at the Moon.

SSTL is financing the build of the satellite itself but will sell its telecoms services under a commercial contract with the European Space Agency (Esa).

It’s hoped other governmental organisations and private actors will purchase capacity as well.

…Nasa’s Project Artemis has identified 2024 as the date when the “first woman and the next man” will touchdown, close to the lunar south pole.

The plan is to put the UK satellite into a highly elliptical orbit so that it can have long periods of visibility over this location.

Pathfinder is expected to be particularly useful for any sorties – human or robotic – to the Moon’s far side, which is beyond the reach of direct radio transmission with Earth.

(18) VIDEO OF THE DAY. “Turtle Journey: The Crisis In Our Oceans” on YouTube is a cartoon done by Aardman Animations for Greenpeace about the need to protect turtle habitat in the oceans.

[Thanks to Mike Kennedy, John King Tarpinian, Martin Morse Wooster, Cat Eldridge, Chip Hitchcock, JJ, Gordon Van Gelder, Darrah Chavey, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Xopher Halftongue.]

Pixel Scroll 11/7/19 Filer Scrollflake, Pixelman

(1) OVERCOMING GRIEF. Dan Grossman profiles “Maurice Broaddus: Afrofuturist Author, Conversation Guy, and Mentor” at Nuvo.

Broaddus, who lives near Eagle Creek Reservoir on the northwest side of Indianapolis with his wife and two sons, is a busy guy. This past spring he scored a $175,000 three-book deal with TOR Books for a forthcoming fantasy series titled All the Stars. Tor Books, a subsidiary of Macmillan, is the largest publisher of science fiction and fantasy in the United States. 

Broaddus, 49, also was coping with the death of his father the previous week, but this wasn’t slowing him down.

“One of the ways I tend to cope with grief,” he said, “is to go into high production mode.”

To contain that grief, he wrote a short story, figuring that the word count would be around 5,000. 

“But it turned out to be 20,000 words by the time I was done,” he said. The story, “Bound by Sorrow,” will soon appear in the online sci-fi/fantasy magazine Beneath Ceaseless Skies.   

(2) POP INTO 1964 GERMANY. Cora Buhlert’s latest article at Galactic Journey is about Perry Rhodan, but there is also a bit about East-West German relations, bad German pop music and fairground rides: “[November 5, 1964] The State of the Solar Empire: Perry Rhodan in 1964”

Since the Heftroman issues of Perry Rhodan are published weekly now, the plot moves at a brisk clip. Furthermore, a monthly companion series of so-called Planetenromane (planet novels), 158 page paperback novels, premiered in September. The third issue just came out. Many Heftromane have paperback companion series, but most of them just republish old material, occasionally by literally stapling unsold issues together and adding a new cover. The Planetenromane, on the other hand, offer all-new stories, often side stories, which don’t quite fit into the main series.

(3) LAUGH TRACK. Ethan Alter, in the Yahoo! Entertaiment story “‘WandaVision’: Everything we know about Marvel’s ‘first sitcom'” profiles WandaVision, a sitcom featuring Elizabeth Olsen as Wanda Maximoff, the Scarlet Witch, and Paul Bettany as Vision which will begin streaming on DisneyPlus in the spring of 2021 but which is reportedly shooting now.

WandaVision’s sitcom status was confirmed to Yahoo Entertainment by no less an authority than the Scarlet Witch herself. Catching up with Olsen and Bettany at Disney’s D23 event in August, the actress told us, “We can confidently say it is [a sitcom].” Her co-star quickly added, “That’s how it begins and it moves into more familiar epic territory later. But it’s absolutely a mash-up of sitcoms.” Based on our interviews and concept art unveiled at D23, The Dick Van Dyke Show and Father Knows Best seem to be some of the sitcoms that are being mashed-up. The teaser image shows Bettany and Olsen in a ’50s suburban setting, dressed more like the Cleavers than the Avengers. All that’s missing is the laugh track — and Olsen revealed that may not change, “That’s to be decided.”

(4) IN TECH TO COME. The November 7 issue of Nature includes Andrew Robinson’s reviews of works like Reality Ahead of Schedule by Joel Levy Smithsonian (2019).

This picture-packed volume by science journalist Joel Levy tours scientific advances sparked by ideas in science fiction. The title comes from a definition of sci-fi by Syd Mead, an industrial designer behind the look of futuristic movies such as Blade Runner (1982). But how prescient is sci-fi? Levy shows how H. G. Wells’s 1903 story ‘The Land Ironclads’ inspired Winston Churchill to promote the development of the military tank in 1915. But Wells did not envisage its key technical idea: caterpillar tracks, for added grip.

(5) TODAY IN HISTORY.

  • November 7, 1951Flight To Mars debuted in theaters.
  • November 7, 1954 Target Earth premiered.
  • November 7, 1997 — Paul Verhoeven’s Starship Troopers premiered. Starring Casper Van Dien Dina Meyer and Denise Richards, this adaption of Heinlein’s novel wasn’t well received by critics or SF fans in general but currently garners 70% at Rotten Tomatoes and long since earned back its modest budget. 

(6) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 7, 1910 Pearl Argyle. Catherine CabalI in the 1936 Things to Come as written by H.G. Wells based off his “The Shape of Things to Come” story. Being a dancer, she also appeared in 1926 The Fairy Queen opera by Henry Purcell, with dances by Marie Rambert and Frederick Ashton. Her roles were Dance of the Followers of Night, an attendant on Summer, and Chaconne. (Died 1946.)
  • Born November 7, 1914 R. A. Lafferty. Writer known for somewhat eccentric usage of language.  His first novel Past Master would set a lifelong pattern of seeing his works nominated for Hugo and Nebula Awards as novels but not winning either though he won a Hugo short story for “Eurema’s Dam”. He had received a World Fantasy Lifetime Achievement Award, he received the Cordwainer Smith Foundation’s Rediscovery award. (Died 2002.)
  • Born November 7, 1943 Peter Straker, 76. He was Commander Sharrel in “The Destiny of The Daleks” a Fourth Doctor story. He’s also the Lead Choir Singer in, I kid you not, Morons from Outer Space.
  • Born November 7, 1950 Lindsay Duncan, 69. Adelaide Brooke in the Tenth Doctor‘s “The Waters of Mars” story and the recurring role Lady Smallwood  on Sherlock in “His Last Vow”, “The Six Thatchers” and “The Lying Detective”. She’s also been in Black Mirror, A Discovery of Witches, Frankenstein, The Storyteller: Greek Myths, Mission: 2110 and one of my favorite series, The New Avengers.
  • Born November 7, 1954 Guy Gavriel Kay, 65. So the story goes that when Christopher Tolkien needed an assistant to edit his father J. R. R. Tolkien’s unpublished work, he chose Kay who was then a student of philosophy at the University of Manitoba. And Kay moved to Oxford in 1974 to assist Tolkien in editing The Silmarillion. Cool, eh? Kay’s own Finovar trilogy is the retelling of the legends of King Arthur, Lancelot and Guinevere which is why much of his fiction is considered historical fantasy. Tigana likewise somewhat resembles Renaissance Italy . My favorite work by him is Ysabel which strangely enough is called am urban fantasy when it isn’t. It won a World Fantasy Award. 
  • Born November 7, 1960 Linda Nagata, 59. Her novella “Goddesses” was the first online publication to win the Nebula Award. She writes largely in the Nanopunk genre which is not be confused with the Biopunk genre. To date, she has three series out, to wit The Nanotech SuccessionStories of the Puzzle Lands (as Trey Shiels) and The Red. She has won a Locus Award for Best First Novel for The Bohr Maker which the first novel in The Nanotech Succession. Her 2013 story “Nahiku West” was runner-up for the Theodore Sturgeon Memorial Award, and The Red: First Light was nominated for both the Nebula Award and the John W. Campbell Memorial Award. Her site is here.
  • Born November 7, 1934 Wendy Williams, 85. You know I’ll work a Doctor Who reference in and she was in a Fourth Doctor story, “The Ark in Space” as Vira. Other genre appearances include Jack the Ripper and The Further Adventures of the Musketeers. 

(7) VOTING NEIGH. Jill Hughes, candidate for the Brexit Party for the UK general elections, has been dropped by her party, because she publicly claimed to be an alien from Sirius who has come to Earth to raise humanity’s consciousness. Apparently, that was too much even by the standards of the Brexit Party: “Brexit Party general election candidate dropped after claiming she’s from a distant star” in The New European.

In the acknowledgements for her novel “Spirit of Prophecy”, which is about a psychic detective in rural England, Hughes also said that extraterrestrials (ETs) are working with world governments in a “hush-hush” arrangement.

“The E.T’s, some of them less than apple pie wholesome or positive pumpkins, are already here working with our world governments, but that’s all hush-hush for now,” she said.

Hughes’ author bio tells of how she came to believe in reincarnation “when her old horse Red made a re-appearance, this time as a palomino called Hooray Henry”.

(8) WHAT’S THE BUZZ? Inverse: “Researchers have developed a durable robot bee”. Video at the link.

Remember those scary bees from Black Mirror? This ain’t that. Researchers at Harvard have developed a “RoboBee” that has soft artificial muscles, which allow it to crash into walls and the ground without breaking. The soft actuators, mechanisms that operate the robot’s wings, were made with a type of electroactive polymer that has elastic qualities.

(9) SKIFFY. A pigeon has made itself at home inside a war memorial in Australia and has taken poppies from wreaths to build its nest. Photo at the link. The article goes on to discuss the use of pigeons in war.

The Hall of Memory has become host to a pigeon, which has stolen poppies from the Tomb of the Unknown Soldier to make its nest.

Photos show the pigeon nestling by the stained glass window of a wounded Australian soldier in a corner of the revered, mosaic-covered hall.

… Pigeons came back into use in the Second World War, a conflict that at face value appeared to involve only modern technology.

“We’ve got our trucks instead of horses, and wireless radio, and sophisticated radar signals, and all those sorts of things,” Dr Hampton said.

“But particularly in the Pacific, the mountains and the humidity meant that the wireless radios didn’t work very well,” she said.

Pigeons were the most effective way of getting messages up and over ranges, and throughout the islands.

(10) STEM STYLE. FastCompany briefs the fashion conscious that “You can now wear the work of Ada Lovelace, Rachel Carson, and Mae Jemison”.

To those of us who aren’t well-versed in data or computer science, data can seem foreign and intimidating. But Giorgia Lupi has devoted her career to making statistics accessible to everyone by transforming them into visually stunning patterns that tell engaging stories about the knowledge and the people behind the data. In the past, she’s run a data visualization company, and most recently, she joined the design firm Pentagram as a partner. But in her spare time, she’s been moonlighting as a fashion designer.

[Thanks to Cat Eldridge, JJ, Chip Hitchcock, John King Tarpinian, Martin Morse Wooster, Mike Kennedy, Cora Buhlert, SF Concatenation’s Jonathan Cowie, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Ingvar, who gets a star.]

2019 Clarion Workshop Marked by Special Events and Activities

The Clarion Science Fiction and Fantasy Writers’ Workshop begins June 23. The intensive six-week summer program at UC San Diego focuses on fundamentals particular to the writing of science fiction and fantasy short stories.

Clarion Faculty Reading Series: While the workshop itself is behind closed doors, the Clarion Faculty Reading Series hosted by San Diego’s Mysterious Galaxy Bookstore, is open to the public.

Click on the above for more information about each of the faculty via the Mysterious Galaxy event pages.

Clarion Write-a-Thon: Every year, the Clarion Science Fiction and Fantasy Writers’ Workshop holds a six-week Write-a-thon to coincide with the workshop. Like a walk-a-thon, participants write to raise money for scholarships to support future students.

This year, the Write-a-thon will begin June 23, the same day that the workshop begins. Participants commit to achieving their writing goals for the summer, whether that’s a daily word count, number of chapters, stories or submissions, or just butt-in-chair writing time.

You can either sign up to do the Write-a-thon yourself, donate to individual participants, or just make a general donation to the workshop. Everything helps achieve Clarion’s goal of $15,000 to support the workshop and future students. The majority of the Thon funds goes to scholarships for incoming students. Check it out and sign-up or back a writer today!

[Based on a press release.]

Pixel Scroll 5/21/19 The Pixelyon Fifth Project Was The Last Best Hope For Scrolls. It Filed

(1) STICK A FORK IN IT. The second official trailer for Toy Story 4 dropped today. Features Keanu Reeves, who adds Canadian content to the movie as stuntman Duke Caboom. The film comes to U.S. theaters on June 21.

Woody has always been confident about his place in the world and that his priority is taking care of his kid, whether that’s Andy or Bonnie. But when Bonnie adds a reluctant new toy called “Forky” to her room, a road trip adventure alongside old and new friends will show Woody how big the world can be for a toy.

(2) ARF SAYS SANDY. The Dick Tracy strip seems to be starting an arc involving Annie and Daddy Warbucks. Daniel Dern says, “I’ve been following sundry daily strips via GoComics but it appears to have started a week ago here.”

(3) SFWA’S AGENT. Michael Capobianco penned “An Appreciation of Eleanor Wood” for the SFWA Blog.

SFWA thanks Eleanor Wood and Spectrum Literary Agency for more than twenty years of service to the organization….

I still vividly remember how much Eleanor helped when SFWA’s auditor found a serious discrepancy in how Pocket Books was paying royalties for Star Trek books exported to the UK and Australia – they weren’t paying anything, contrary to the language in their boilerplate contract. SFWA complained to Pocket but was met with repeated demurrals; it was only when Eleanor took over that they capitulated, not only paying a fair compensation to all the authors affected, but getting the contract changed to more fairly pay authors in the future….

(4) THE SPIDER SYNDROME. Maurice Broaddus delivers today’s “The Big Idea” at Whatever.

The Usual Suspects is a bit of a departure for me. It’s a middle school detective novel (think “Elmore Leonard for kids” or, as it was pitched, “Encyclopedia Brown meets The Wire”), because I work a lot with children who want to read what I write and, frankly, most of my stuff isn’t “age inappropriate.” In fact, I originally wrote the book to both entertain my oldest son and chronicle some of my children’s antics (it’s the only thing of mine he’s read and he still refers to himself as my original editor). The premise of the story is The Big Idea: when something goes wrong in the school, they round up The Usual Suspects….

(5) AI AT BARBICAN. This is from a review by Simon Ings behind the Financial Times paywall of the “AI:  More Than Human” exhibit now showing at London’s Barbican Centre through August 26.

AI is part of the Barbican’s ‘Life Rewired’ season of films, workshops, concerts, and talks.  What is emerging from the project is less that we must learn how machines think and create, and more that we must stop carelessly running down our own abilities.  Human values and practices persist well beyond the moment we learn to automate them.  Music has been produced algorithmically since Bach’s, and Mozart wrote generative algorithms to power street organs.  Chess computers do nothing but encourage the playing of chess.

The first tented spaces in the Barbican’s gallery do a good job of exploring and to some degree disarming our anxieties about being taken over by thinking machines.  We are shown how the west, under the shadow of Rabbi Loew’s 16th century Golem, adopted a strictly instrumentalist view of human intelligence.  The US science fiction writer Isaac Asimov can be heard channeling the Abrahamic tradition when he insists that ‘A robot may not injure a human being or, through inaction, allow a human being to come to harm.’

(6) INSIDE THE SUIT. Patch O’Furr continues a deep dive into furry fandom with “How furries resist a commercialized fandom (Part 2)”.

Furry fandom often has DIY ethics (intentional or not). That can mean nonprofit volunteer-led events, and directly supporting each other’s art instead of just consuming corporate products. A Daily Beast reporter asked about it and I shared lots of info that didn’t all make the news — so here’s a followup in 3 parts.

Fandom is big business in the mainstream – but furries have their own place apart. Why does this fandom grow independently? Let’s look at unique expression at the heart of it. Of course furries do a lot more things than this story can look at, but one aspect brings insight about decentralized structure.

Some subcultures rise and fall with media they consume. But the influences seen in Part 1 didn’t make one property in common for every furry. They didn’t rise with a movie like Zootopia. Instead, this fandom is fans of each other….

(7) GHOST OF COLAS PAST. This is hilarious. Food & Wine reports “‘New Coke’ Is Coming Back This Summer, Thanks to ‘Stranger Things'” – a product I definitely feel no nostalgia for, at all.

Season three of the spooky Netflix series takes place in 1985, the year of the soft drink brand’s most infamous product launch.

What Crystal Pepsi was to the 1990s, New Coke was to the ’80s. With the cola wars in full swing, the competition to out-do one another meant multi-million dollar, celebrity-filled ad campaigns and some less-than-successful product innovations. In 1985, the Coca-Cola Company made an ill-fated attempt to improve its core product by changing the formula up….

Starting at 5 p.m ET on Thursday, May 23, 12-ounce cans of New Coke will be available as a gift with purchase at CokeStore.com/1985, which will also feature limited-edition, numbered Stranger Things-themed glass bottles of Coca-Cola and Coke Zero Sugar.

(8) CELEBRITY CREDENTIALS. Ten cats from SFF movies made Business Insider’s list — “RANKED: 15 of the best movie cats of all time”.

15. Jonesy in “Alien” (1979) and “Aliens” (1986) is a survivor.

In the space thriller “Alien,” Jonesy the orange tabby cat is a source of comfort for protagonist Ellen Ripley (Sigourney Weaver) as her spaceship and crewmates are viciously attacked by an elusive alien creature called a Xenomorph.

Toward the end of the film, Jonesy and Ripley remain as the lone survivors on the spaceship, which means Jonesy is one tough cat.

Jonesy also made a reappearance in the sequel “Aliens” after he and Ripley traveled in hypersleep for 57 years, officially making him the oldest fictional cat on this list.

(9) ALIEN SPOTTED. A UFO will beam up this rare creature any moment now.

(10) TODAY IN HISTORY.

Another big day in genre movie history.

  • May 21, 1971 Escape from the Planet of the Apes premiered in theaters
  • May 21, 1980 Star Wars: Episode V – The Empire Strikes Back hit theaters.
  • May 21, 1981 Mad Max 2: The Road Warrior debuted in theaters.
  • May 21, 2009 Terminator Salvation opened theatrically.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 21, 1889 Arthur Hohl. He’s Mr. Montgomery, the man who helps Richard Arlen and Leila Hyams to make their final escape in Island of Lost Souls, the 1932 adaptation of H.G. Wells’ The Island of Dr. Moreau which is considered the first such filming. (Died 1964.)
  • Born May 21, 1903 Manly Wade Wellman. I remember reading the John the Balladeer collectionKarl E. Wagner did and then seeking out the rest of those stories. Amazing stuff! Read the Complete John Thunstone a few years back — strongly recommended. What else by him should I read? (Died 1986.)
  • Born May 21, 1917 Raymond Burr. Speaking of lawyers, we have the Birthday of the man who played Perry Mason.  It looks the 1949 film Black Magic with him playing Dumas, Jr. was his first genre performance. Bride of the Gorilla was his next with Lou Chaney Jr. co-starring and Curt Siodmak directing. He goes on to be Grand Vizier Boreg al Buzzar in The Magic Carpet before being Vargo in Tarzan and the She-Devil. And finally he’s in a Godzilla film, Godzilla, King of the Monsters! To be precise, as Steve Martin. And unfortunately he played the same role in Godzilla 1985 which earned him a Golden Raspberry Award. (Died 1993.)
  • Born May 21, 1945 Richard Hatch. He’s best known for his role as Captain Apollo in Battlestar Galactica. He is also widely known for his role as Tom Zarek in the second Battlestar Galactica series. He also wrote a series of tie-in novels co-authored with Christopher Golden, Stan Timmons, Alan Rodgers and Brad Linaweaver. (Died 2017.)
  • Born May 21, 1974 Fairuza Balk, 43. She made her film debut as Dorothy Gale in Return to Oz. She later Aissa in The Island of Dr. Moreau, and Mildred Hubble in The Worst Witch.

(12) KNITTING UP THE STEEL WOOL. Cora Buhlert does an exhaustive review of GoT’s conclusion: “And the Iron Throne Goes to…”. The executive summary is —

…So in short, Game of Thrones got a better ending than at least I expected. It’s maybe not the ending most fans wanted or expected, but it is an ending and a surprisingly satisfying one.

(13) GAME OF GROANS. Daniel Dern asks, “Given GoT’s dragon-strafing episode, combined with family tree revelations, is/was Jon Snow referring to Daenerys as ‘Aunt Misbehaving’?”

(14) CONFESSIONS OF A DRAGON RIDER. Sarah Larson, in “Daenerys Tells All!” in The New Yorker, has an extensive interview with Emilia Clarke, including how whoever had the Starbucks cup on the set wasn’t a member of the cast (they don’t drink Starbucks) and telling children named Daenarys, “Work it, girls!”

“I see this vision, this angel, this incredible woman float towards me,” Clarke recalled the other day. “I can’t quite control myself. And Beyoncé says to me, ‘Oh, my goodness, it’s so wonderful to meet you. I think you’re brilliant.’ I just couldn’t handle it! I was on the verge of tears. I could see myself reflected in her eyes. I could see her go, ‘Oh, no. I misjudged this. This girl is crazy and I’m not going to have a real conversation with another celebrity. I’m having a conversation with a crazed fan who’s looking at me like a rabbit in the headlights.’ Which is exactly what I was. I said, ‘I’ve seen you live in concert and I think you’re amazing and wonderful! Wonderful!’ And all I wanted to scream was ‘Please, please still like me even though my character turns into a mass-killing dictator! Please still think that I’m representing women in a really fabulous way.’ ”

(15) FROM GRRM HIMSELF. George R.R. Martin shared a few of his feelings about “An Ending” at Not A Blog. Here are a couple of the less spoilery lines —

..Book or show, which will be the “real” ending?   It’s a silly question.   How many children did Scarlett O’Hara have?

How about this?  I’ll write it.   You read it.  Then everyone can make up their own mind, and argue about it on the internet.

(16) GOOD TO THE LAST BOOK. Bustle knows the way to work this dilemma for some clicks: “The New ‘Game Of Thrones’ Book May Not Be Finished, But These 15 Fantasy Series Definitely Are”.

If you’re a fan frustrated by the incompletion of one of the fantasy series listed above, or you’re waiting on the return of a different series entirely, this list will help you choose your next reading project. All of the fantasy series on the list below have been completed, which means you won’t have to wait to read the next book — unless you want to.

(17) TRIVIAL TRIVIA. You would be hard pressed to find a household that doesn’t have a microwave. But do you know how the beloved appliance came to be? In 1945, a Raytheon engineer was walking around a radar test room with a chocolate bar in his pocket. The bar began to melt when he got too close to a magnetron tube. His curiosity was peaked and he began experimenting with other things like kernels of corn and eggs. Soon after, Raytheon employees began sampling “microwaved” food and thus began the evolution of what we now know as the microwave. (Source: Business Insider)

Jon King Tarpinian includes a postscript: “A family friend worked at Raytheon, in Chatsworth/Canoga Park.  Her family had one before they were offered commercially.  Everybody raved about a grey steak.”

(18) BEYOND BAKING SODA. More than a science-fair project: “To Safely Study Volcanoes, Scientists Bring The Blast To Them” (includes video.)

Volcanoes have been crucial to life on earth. Oozing lava helped form the earth’s land masses. Gasses from volcanoes helped create our atmosphere. But despite the growing field of volcanology, there’s still a lot we don’t understand about volcanic eruptions.

That’s partly because volcanoes aren’t easy to study. Getting the right equipment into remote locations under unpredictable circumstances can be difficult. More importantly, studying active volcanos can be dangerous.

Which is why a group of 40 scientists and engineers from all over the world came together to simulate volcanic eruptions. We tagged along with them as they conducted their experiments at the University at Buffalo’s Geohazards Field Station, a former ballistics test site for military weapons in upstate New York.

The scientists simulated volcanic eruptions by detonating underground explosives. They wanted to study what happened during rapid fire eruptions in a safe and controlled environment. Although big eruptions are often what make the news, small rapid-fire volcanic eruptions are far more common.

(19) SPAM FROM THE CAN. BBC introduces us to “The pun-loving computer programs that write adverts”.

Machines are now writing advertising copy as well as basic news reports, but are their efforts any good and can they be taught to be more inventive?

“Have a suite stay” read an ad for a hotel offering all-suite rooms. A neat – if obvious – pun you might think.

But what made this ad noteworthy was that it was created by an automated copywriting programme developed by Dentsu Aegis Network, the marketing giant.

The firm launched its natural language generation algorithm last year to increase output after changes were made to Google’s advertising system, explains Audrey Kuah, the firm’s managing director.

The programme creates 20 to 25 full ads a second in English and is “trained” by feeding it thousands of the kind of ads it is meant to produce, she says.

(20) ARCHIE MCPHEE. What does this have to do with sff? If you know, leave your answer in comments.

(21) VIDEO OF THE DAY. In Perspective on Vimeo, Fernando Livschitz dreams of really odd forms of transportation.

[Thanks to Daniel Dern, John King Tarpinian, JJ, Cat Eldridge, Chip Hitchcock, Mike Kennedy, Martin Morse Wooster, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Pixel Scroll 4/28/18 The Great Emu-Scroll War Was Lost When The Pixels Attacked The Gazebo

Now, where were we when we were so rudely interrupted?

(1) INFURNITY. Camestros Felapton, the world’s most understanding cat owner, provides his pet with “Tim’s Facial Hair Guide to Infinity War”.

So, I’ve explained before that Timothy doesn’t distinguish human faces well. He is also confused by facial hair. OK strictly speaking he is confused by human skin, which he assumes is fur and hence is doubly confused by facial hair which he thinks is fur that is growing out of fur. Look, the main thing is he finds beards confusing and panics if I shave.

So, Marvel’s Infinity War has many characters and about 40%+ of them have facial hair (90%+ if we count eyebrows – do eyebrows count as facial hair? I assume so.) Some of them i.e. Captain America have gained beards for this film.

So to assist Tim to keep track, here is a field guide to various beard styles in the film….

(2) PUBLIC ASKED FOR PODCAST NOMINATIONS. The Parsec Awards Steering Committee is accepting nominations of podcasts for the 2018 Parsec Awards through June 15. Nominate here.


Any material released between May 1, 2017 and April 30, 2018 is eligible for the 2018 awards. Material released needs to be free for download and released via a mechanism that allows for subscriptions. Thus, YouTube, Facebook, etc.. series are eligible.

If you are a podcaster or author, please feel free to nominate your own podcast or story

 

(3) MORE STAR WARS. Disney announced “Star Wars Resistance, Anime-Inspired Series, Set for Fall Debut”. The series is set in the era before The Force Awakens.

StarWars.com is thrilled to announce that production has begun on Star Wars Resistance, an exciting new animated adventure series about Kazuda Xiono, a young pilot recruited by the Resistance and tasked with a top-secret mission to spy on the growing threat of the First Order. It will premiere this fall on Disney Channel in the U.S. and thereafter, on Disney XD and around the world.

(4) BROADDUS JOINS APEX. Maurice Broaddus has been named nonfiction editor for Apex Magazine. Jason Sizemore, Editor-in-Chief, made the announcement April 2.

Maurice is a prolific and well-regarded author who works in a multitude of genres. He is also the Apex Magazine reprints editor and now wears two hats for our publication. Upcoming authors Maurice has lined up for essays include Mur Lafferty, Mary SanGiovanni, and Tobias S. Buckell.

You can find Maurice Broaddus on Twitter at @mauricebroaddus and online at www.mauricebroaddus.com. His novella “Buffalo Soldiers” was recently published at Tor.com.

(5) SWANWICK CITES LE GUIN ON PRESENT TENSE: Michael Swanwick would be authority enough for many, but first he appeals for support to “Le Guin on Present Tense” before handing down the stone tablets:

Here’s the rule, and it covers all cases: Only use the present tense if there is some reason for doing so that justifies losing some of your readers and annoying others. (This rule goes double for future tense.) Otherwise, use the past tense.

(6) THINGS FALL APART; THE CENTRE CANNOT HOLD: Aalto University reports 2.7 billion tweets confirm: echo chambers in Twitter are very real.

Bipartisan users, who try to bridge the echo chambers, pay a price for their work: they become less central in their network, lose connections to their communities and receive less endorsements from others.

(7) STARTING OUT AS A WOMAN SFF AUTHOR. From Fantasy Café: “Women in SF&F Month: Ann Aguirre”:

…I first sold to New York in 2007, over eleven years ago. That book was Grimspace, a story I wrote largely to please myself because it was hard for me to find the sort of science fiction that I wanted to read. I love space opera, but in the past, I found that movies and television delivered more of the stories I enjoyed. At the time, I was super excited to be published in science fiction and fantasy.

My first professional appearance was scheduled at a small con in Alabama. I was so excited for that, so fresh and full of hope. Let’s just say that my dreams were dashed quite spectacularly. I was sexually harassed by multiple colleagues and the men I encountered seemed to think I existed to serve them. To say that my work wasn’t taken seriously is an understatement. That was only reinforced when I made my first appearance at SDCC (San Diego Comic Con) six months later.

There, the moderator called me the ‘token female’, mispronounced my last name without checking with me first (she checked with the male author seated next to me), and the male panelists spoke over me, interrupted me at will, and gave me very little chance to speak. I remember quite clearly how humiliated I was, while also hoping that it wasn’t noticeable to the audience.

Dear Reader, it was very noticeable. Afterward, David Brin, who was in the audience, came up to me with a sympathetic look and he made a point of shaking my hand. He said, “Well, I was very interested in what you had to say.” With a pointed stress on the word “I.”…

(8) WTF? Can you believe somebody is comparing what they’re marketing to “The Veldt” as if it’s a good thing? “Madison Square Garden cites Ray Bradbury as an influence on upcoming Sphere Arena in Las Vegas”.

Madison Square Garden officials lifted the curtain a bit on their MSG Sphere Arena entertainment venues coming to Las Vegas and London, with a demonstration Thursday that hinted at advanced technology going into the design and experiences for audiences within the new-generation venues.

In his presentation at the Forum in Inglewood, which his company rejuvenated in 2014 with a $100-million face and body lift, Madison Square Garden Co. chairman James L. Dolan cited a short story from science-fiction author and futurist Ray Bradbury’s 1951 anthology “The Illustrated Man” as something of a spiritual model for the new facilities.

In particular, he referenced Bradbury’s story “The Veldt,” which centered on a high-tech room of the future, called the “liquid crystal room,” which could synthesize any environment in which children desired to play or explore.

(9) TODAY IN HISTORY

  • April 28, 2007 — Ashes of actor James Doohan and of Apollo 7 astronaut Gordon Cooper soared into space aboard a rocket.

(10) SIXTY-THREE. Galactic Journey’s Gideon Marcus takes his monthly whack at my favorite-in-the-Sixties prozine: “[April 27, 1963] Built to Last?  (May 1963 Analog)”.

If this trend continues, we can assume that our children and grandchildren will not only have Burroughs, Wells, Verne, Shelley, and Baum to read, but also reprinted copies of our present-day science fiction, as well as the SF of the future (their present).  Perhaps they’ll all be available via some computerized library — tens of thousands of volumes in a breadbox-shaped device, for instance.

The question, then, is whether or not our children will remember our current era fondly enough to want reprints from it.  Well, if this month’s Analog be a representative sample, the answer is a definitive…maybe.

(11) HORTON ON HUGOS. Catching up with Rich Horton’s commentaries about the 2018 Hugo nominees and who he’s voting for.

My views here are fairly simple. It’s a decent shortlist, but a bifurcated one. There are three nominees that are neck and neck in my view, all first-rate stories and well worth a Hugo. And there are three that are OK, but not special – in my view not Hugo-worthy (but not so obviously unworthy that I will vote them below No Award.)…

This is really a very strong shortlist. The strongest shortlist in years and years, I’d say. Two are stories I nominated, and two more were on my personal shortlist of stories I considered nominating. The other two stories are solid work, though without quite the little bit extra I want in an award winner….

This is by no means a bad shortlist. Every story on it is at least pretty decent. …

(12) SIPPING TIME. Charles Payseur finds stories with reasons for the season: “Quick Sips – Fireside Magazine April 2018”.

Spring might finally be arriving, and at Fireside Magazine that means the stories are about rebirth and new beginnings, even as they’re about decay and endings. For me, at least, spring always brings to mind thaw. A thawing of the world after the long freeze of winter. Which means new growth, new green, but also means revealing all the death that the snow concealed. The roadkill, the rot, the dead leaves not yet turned to mulch. And these stories find characters at this point, seeing all around them the evidence of death and pain, and having to make the decision to also see the life. To see the good, and to try and foster that good, to help it grow. These are stories that show people pushing back against the pressure to die, to be silent, and embrace a future full of the possibility of failure, yes, but also full of the hope of success. To the reviews!

(13) GENIUSES AT WORK. Nine letters from the 1940s by Freeman Dyson show “Another Side of Feynman” at Nautilus.

l through a long life I had three main concerns, with a clear order of priority. Family came first, friends second, and work third.”

So writes the pioneering theoretical physicist Freeman Dyson in the introduction to his newly published collection of letters, Maker of Patterns. Spanning about four decades, the collection presents a first-person glimpse into a life that witnessed epochal changes both in world history and in physics.

Here, we present short excerpts from nine of Dyson’s letters, with a focus on his relationship with the physicist Richard Feynman. Dyson and Feynman had both professional and personal bonds: Dyson helped interpret and draw attention to Feynman’s work—which went on to earn a Nobel Prize—and the two men traveled together and worked side by side.

Taken together, these letters present a unique perspective of each man. Feynman’s effervescent energy comes through, as does Dyson’s modesty and deep admiration for his colleague.

(14) ADVANCED TRAINING. Did MZW graduate from this course?

(15) EJECT. Yes, this is me: I sometime I feel like I have finished delivering the info yet haven’t figured out how to end the sentence. “Your Speech Is Packed With Misunderstood, Unconscious Messages” at Nautilus.

Imagine standing up to give a speech in front of a critical audience. As you do your best to wax eloquent, someone in the room uses a clicker to conspicuously count your every stumble, hesitation, um and uh; once you’ve finished, this person loudly announces how many of these blemishes have marred your presentation.

This is exactly the tactic used by the Toastmasters public-speaking club, in which a designated “Ah Counter” is charged with tallying up the speaker’s slip-ups as part of the training regimen. The goal is total eradication. The club’s punitive measures may be extreme, but they reflect the folk wisdom that ums and uhs betray a speaker as weak, nervous, ignorant, and sloppy, and should be avoided at all costs, even in spontaneous conversation.

Many scientists, though, think that our cultural fixation with stamping out what they call “disfluencies” is deeply misguided. Saying um is no character flaw, but an organic feature of speech; far from distracting listeners, there’s evidence that it focuses their attention in ways that enhance comprehension.

Disfluencies arise mainly because of the time pressures inherent in speaking. Speakers don’t pre-plan an entire sentence and then mentally press “play” to begin unspooling it. If they did, they’d probably need to pause for several seconds between each sentence as they assembled it, and it’s doubtful that they could hold a long, complex sentence in working memory. Instead, speakers talk and think at the same time, launching into speech with only a vague sense of how the sentence will unfold, taking it on faith that by the time they’ve finished uttering the earlier portions of the sentence, they’ll have worked out exactly what to say in the later portions.

(16) A MARCH IN MAY. Naomi Kritzer tweeted photos from a Mayday parade – including a notorious purple cat (who may or may not be named Timothy!…) Jump on the thread here:

(17) WHAT’S THAT SMELL. BBC tells how “Sentinel tracks ships’ dirty emissions from orbit” — unclear they’re picking up individual polluters yet, but that could come.

Sentinel-5P was launched in October last year and this week completed its in-orbit commissioning phase.

But already it is clear the satellite’s data will be transformative.

This latest image reveals the trail of nitrogen dioxide left in the air as ships move in and out of the Mediterranean Sea.

The “highway” that the vessels use to navigate the Strait of Gibraltar is easily discerned by S5P’s Tropomi instrument.

(18) EGGING THEM ON. Did anybody see this coming? “Chicken Run 2: Sequel confirmed after 18-year wait”.

The Oscar-winning animation studio hasn’t set a release date yet. Its announcement comes 18 years after the original flew onto the big screen.

Chicken Run is the highest-grossing stop-motion animation film of all-time – banking £161.3m at the box office.

 

(19) HOLD THE BACON. On the other hand, don’t expect to see this anytime soon: Hollywood Reporter headline: ““Tremors’ Reboot Starring Kevin Bacon Dead at Syfy”

Here’s a headline you don’t read every day: A TV reboot of a feature film toplined by the original star is not moving forward.

Syfy has opted to pass on its TV follow-up to 1990 feature film Tremors, starring Kevin Bacon.

…Bacon broke the news himself, writing on his verified Instagram page that he was “[s]ad to report that my dream of revisiting the world of Perfection will not become a reality. Although we made a fantastic pilot (IMHO) the network has decided not to move forward. Thanks to our killer cast and everyone behind the scenes who worked so hard. And always keep one eye out for GRABOIDS!”

(20) CHESLEYS. Here is the Association for Science Fiction and Fantasy Artists (ASFA) “2018 Chesley Award Suggestions List (for 2017 Works)”. The members have finished making nominations and ASFA says the finalists will be posted in a few weeks.

(21). UNSUSPECTED GOLDMINE. American news infamously neglects most countries of the world, but who knew there were big sf doings in Bulgaria? At Aeon, Victor Petrov discusses “Communist robot dreams”.

The police report would have baffled the most grizzled detective. A famous writer murdered in a South Dakota restaurant full of diners; the murder weapon – a simple hug. A murderer with no motive, and one who seemed genuinely distraught at what he had done. You will not find this strange murder case in the crime pages of a local US newspaper, however, but in a Bulgarian science-fiction story from the early 1980s. The explanation thus also becomes more logical: the killer was a robot.

The genre was flourishing in small Bulgaria in the last two decades of socialism, and the country became the biggest producer of robotic laws per capita, supplementing Isaac Asimov’s famous three with two more canon rules – and 96 satirical ones. Writers such as Nikola Kesarovski (who wrote the above murder mystery) and Lyuben Dilov grappled with questions of the boundaries between man and machine, brain and computer. The anxieties of their literature in this period reflected a society preoccupied with technology and cybernetics, an unlikely bastion of the information society that arose on both sides of the Iron Curtain from the 1970s onwards.

[Thanks to Martin Morse Wooster, Cora Buhlert, Cat Eldridge, JJ, John King Tarpinian, Chip Hitchcock, Jason, Carl Slaughter, and Andrew Porter for some of these stories, Title credit goes to File 770 contributing editor of the day johnstick.]

2017 Novellapalooza

[Editor’s note: be sure to read the comments on this post for more novellas and more Filer reviews.]

By JJ: I’m a huge reader of novels, but not that big on short fiction. But the last couple of years, I’ve done a personal project to read and review as many Novellas as I could (presuming that the story synopsis had some appeal for me). I ended up reading 31 of the novellas published in 2015 and 35 of the novellas published in 2016 (though a few of those were after Hugo nominations closed).

Last year, the result of this was the 2016 Novellapalooza. I really felt as though I was able to do Hugo nominations for the novella category in an informed way, and a lot of Filers got involved with their own comments. So I decided to do it again this year.

The success of Tor’s novella line seems to have sparked a Golden Age for SFF novellas, with Subterranean Press, NewCon Press, PS Publishing, and Book Smugglers jumping on the bandwagon, as well as the Big 3 magazines and the online fiction venues – so there are a lot more novellas to cover this year. Toward the end, I’ve gotten to the point of being more selective about which ones I read, based on the synopsis.

It is not at all uncommon for me to choose to read a book despite not feeling that the jacket copy makes the book sound as though it is something I would like – and to discover that I really like or love the work anyway. On the other hand, It is not at all uncommon for me to choose to read a book in such a case, and to discover that, indeed, the book doesn’t really do much for me.

Thus, my opinions on the following novellas vary wildly: stories I thought I would love but didn’t, stories I didn’t expect to love but did, and stories which aligned with my expectations – whether high or low. Bear in mind that while I enjoy both, I tend to prefer Science Fiction over Fantasy – and that while I enjoy suspense and thrillers, I have very little appreciation for Horror (and to be honest, I think Lovecraft is way overrated). My personal assessments are therefore not intended to be the final word on these stories, but merely a jumping-off point for Filer discussion.

I thought it would be helpful to have a thread where all the Filers’ thoughts on novellas are collected in one place, as a resource when Hugo nomination time rolls around. Which of these novellas have you read? And what did you think of them?

Please feel free to post comments about any other 2017 novellas which you’ve read, as well.

(Be sure to rot-13 any spoilers.)

Read more…

Learning From Fireside Fiction’s #BlackSpecFic Reports

SFWA President Cat Rambo, in “Talking About Fireside Fiction’s #BlackSpecFic Reports, Part 1 of 2”, is joined by Steven Barnes, Maurice Broaddus, Tananarive Due, Alaya Dawn Johnson, Tonya Liburd, and Nisi Shawl for a roundtable discussion of Fireside Fiction’s reports on blacks in speculative fiction and what the Science Fiction & Fantasy Writers of America might take away from it as action items. Listen to the recording at Soundcloud.

The reports driving their discussion are Antiblack Racism in Speculative Fiction: #BlackSpecFic: A Fireside Fiction Company special report (2015), the follow-up 2016 #BlackSpecFic Report, and the accompanying essays by black writers.

Cat Rambo notes in her introduction:

Here is the central fact they present. Black writers are underrepresented in fantasy and science fiction short fiction magazines. The 2015 figures: 2039 stories in 63 magazines, of which 38 stories were by black authors, in 2015….

For the sake of very broad comparison, American demographics as of July 2016 (according to Wikipedia) were 13.3% African American, 17.8% Latino/Hispanic, and 61.3% white. Like the magazines when it comes to publishing black writers, SFWA’s population skews much whiter than figures might lead one to assume.

Rambo plans to follow the up the two-part discussion with a post about her own takeaway, and how SFWA can respond.

This was a terrific conversation. I was scribbling notes down throughout most of it. In a day or two I’ll post those notes and action items, along with an account of what’s happened so far, but today the focus should be that discussion.

Pixel Scroll 4/12/17 Blah, Blah, Blah, Pixels, Blah, Blah, Scroll

(1) FOR THE RECORD. Odyssey Con co-chair Alex Merrill published an official response to the departure of GoH Monica Valentinelli yesterday – filling the void left by Richard S. Russell’s retracted statement with something more socially acceptable.

We, the Convention Committee of Odyssey Con, deeply regret losing Monica as a Guest of Honor, especially in the way the last twenty-four hours have unfolded. Odyssey Con strives to be a warm and welcoming place for all people to express themselves and engage in fandoms. We took a long and hard look at the issue of having Jim Frenkel continue to be a member of our convention committee when he was banned from WisCon in 2012. Our position at that time was to look at our policy on harassment and ensure that any situation that may take place at our convention would be dealt with professionally. We now have an ombudsman, anonymous reporting procedures, and a very detailed policy. There have been no complaints filed against Mr. Frenkel from attendees of Odyssey Con. However, in light of Monica’s email, the following changes have been made: Mr. Frenkel is no longer a member of our ConCom in any capacity, he has no position of authority in the convention proper, and he is not a panelist or lecturer. He has the right to purchase a badge and attend the convention, but as of this writing, I do not know if he is planning to do that.

I personally wish to apologize for the mishandling of our response to Monica’s concerns. It has never been our intent to minimize any guest’s complaints. Odyssey Con is an all volunteer organization staffed by people who have many strengths, but not all of us are great communicators.

I have already reached out to Monica to personally apologize for the email response she received from one of our ConCom members and for the subsequent posting of email chains publicly. This exchange was not an example of Odyssey Con as a whole, which is run by fans, for fans. I hope to have a continued dialogue with you all.

However, the first comment left on the post identified a number of questions that remained unanswered by the statement.

And after K. Tempest Bradford looked over the new response, she shared her reaction in the comments of her blog.

…No matter how much the Internet is mad at your organization, that does not excuse any implication that the person reporting feeling unsafe because a harasser is involved in running the con is at fault here. That’s immature. That’s not professional. That’s yet another indication that guests would not have been treated professionally by OddCon as an organization.

Also an indication that attendees will not be treated in a professional manner.

And being a volunteer run con is not an excuse for that. Yeah, you’re all volunteers, but you’re running an event. People attending said event as fans or guests have the right to expect a certain level of safety and respectful treatment from those running the event. That was not what happened. Now they’re sorry. Yet I still do not see that behavior addressed in a meaningful way in this Sorry….

(2) MARVEL FIRES SYAF. Marvel pencil artist Ardian Syaf, who inserted anti-Semitic and anti-Christian political references into his work on X-Men Gold has now been officially terminated.

Over the weekend, Marvel released a statement that it had been unaware of the references, and they would remove the artwork from all upcoming versions of the issue.

The company’s follow-up statement, quoted in Paste Magazine, says:

Marvel has terminated Ardian Syaf’s contract effective immediately. X-Men: Gold #2 and #3 featuring his work have already been sent to the printer and will continue to ship bi-weekly.

Issues #4, #5, and #6 will be drawn by R. B. Silva and issues #7, #8, and #9 will be drawn by Ken Lashley. A permanent replacement artist will be assigned to X-Men: Gold in the coming weeks.

Syaf wrote on his Facebook page:

Hello, Worlds…

My career is over now.

It’s the consequence what I did, and I take it.

Please no more mockery, debat, no more hate. I hope all in peace.

In this last chance, I want to tell you the true meaning of the numbers, 212 and QS 5:51. It is number of JUSTICE. It is number of LOVE. My love to Holy Qur’an…my love to the last prophet, the Messenger…my love to ALLAH, The One God.

My apologize for all the noise. Good bye, May God bless you all. I love all of you.

Ardian Syaf

However, Coconuts warns that statement should not be confused with Syaf actually regretting his actions.

…In an interview about the controversy with local newspaper Jawa Pos published today, Ardian explained why he thought that Marvel could not accept his explanation for including the references.

’But Marvel is owned by Disney. When Jews are offended, there is no mercy,” he was quoted as saying.

After making the anti-Semitic remark, Ardian reiterated to the interviewer that he was not anti-Semitic or anti-Christian because, if he was, he wouldn’t have worked for a foreign publisher.

(3) WHITE AWARD DELAYED. The British Science Fiction Association has postponed the date for revealing the winner of the James White Award:

With apologies to those who have entered this year’s competition, we are sorry to announce that the announcement of this year’s James White Award winner has been delayed.

The longlist will announced shortly after Easter and the shortlist shortly after that. We are working to complete the judging as quickly as possible.

We intend to announce the winner by Friday, 19 May at the latest.

(4) SFWA STORYBUNDLE. Cat Rambo has unveiled The SFWA Science Fiction Storybundle.

The SFWA Science Fiction Bundle is a very special collection full of great sci-fi books that benefit a great cause! If you’re unfamiliar with the Science Fiction and Fantasy Writers of America, it’s over 50 years old, and has a membership of professional writers and publishing professionals from around the globe. It administers the Nebula Awards each year. This bundle is filled with talented SFWA members and their wonderful works, such as Tech Heaven by Locus-award-winning Linda Nagata and Factoring Humanity by Hugo, Nebula and John W. Campbell Memorial Award winning Robert J. Sawyer, plus 10 more tremendous reads. You can easily choose to donate part of your purchase to the Science Fiction Fantasy Writers of America to support these fantastic authors. Don’t forget to click here to read much more about the bundle, and make sure to click on each cover for reviews, a preview and a personal note from our curator!

It has another 22 days to run.

(5) DISTRACTIONS. With so much happening in 1962, Galactic Journey’s Victoria Silverwolf finds it hard to concentrate on her reading — “[April 12, 1962] Don’t Bug Me (May 1962 Fantastic).

Maybe it’s because it’s almost time to mail in those tax forms to Uncle Sam, or maybe it’s because of the tension between President Kennedy and the steel companies, or maybe it’s because Jack Parr left his television series (which will now be known by the boring, generic title The Tonight Show), or maybe it’s because the constant radio play of the smash hit Johnny Angel by actress Shelley Fabares of The Donna Reed Show is driving me out of my mind, or maybe it’s because of George Schelling’s B movie cover art for the May 1962 issue of Fantastic; but for whatever reason your faithful correspondent approached the contents of the magazine with a leery eye….

(6) TIPTREE. There will be a Tiptree Auction at WisCon 41 on Saturday, May 27.

Can’t get enough Tiptree fun on Facebook? Are you curious about Tiptree auctions? Fan of Sumana Harihareswara? Want to support science fiction that explores and expands gender? Want to roar with laughter? There are dozens of possible reasons to go to the Tiptree Auction at WisCon 41.

(7) APEX REPRINTS EDITOR. Apex Magazine is bringing aboard Maurice Broaddus as reprints editor. The magazine publishes one reprint in each issue, and he will be responsible for finding those reprints beginning with issue 98, July 2017.

Maurice Broaddus and Apex Publications have a long history together going back 10 years. He has been published in several of our anthologies, including most recently in Upside Down: Inverted Tropes in Storytelling edited by Monica Vallentinelli and Jaym Gates. He has also had several books published through Apex, including Orgy of Souls (co-written by Wrath James White), I Can Transform You, and the anthologies Dark Faith and Dark Faith: Invocations which he co-edited with Jerry Gordon. Most recently, Maurice Broaddus guest edited an issue of Apex Magazine—issue 95 (http://www.apex-magazine.com/issue-95-april-2017/) , which included original fiction by Walter Mosley, Chesya Burke, Sheree Renee Thomas, and Kendra Fortmeyer, poetry by Linda D. Addison and LH Moore, and nonfiction by Tanya C. DePass.

(8) NEW COLUMNIST. Galaxy’s Edge magazine has a new columnist, Robert J. Sawyer. He’ll replace Barry N. Malzberg starting with issue 27.

Robert J. Sawyer, author of the bestselling novel Quantum Night, has agreed to write a regular column for Galaxy’s Edge magazine. Robert is currently one of the foremost science fiction authors in the field and one of Canada’s top writers. He was admitted into The Order of Canada (one of the country’s highest civilian honors) in 2016. His novels have won more awards than any other person in the history of the genre (as per the Locus index for science fiction awards) from countries around the world.

(9) SINISALO. At Europa SF, Cristin Tamas conducts a lengthy interview with 2017 Worldcon GoH Johanna Sinisalo.

Cristian Tamas : Johanna Sinisalo seems to have emerged, along with Leena Krohn and Pasi Ilmari Jääskeläinen, as a central figure in the ‘‘Finnish Weird’’, which like many such movements may be a coincidence, a plot, or even, as Sinisalo herself said in her introduction to last year’s Finnish Weird anthology, simply a ‘‘brand.’’ In any case, it seems to carry with it a celebratory feeling of having just rediscovered the possibilities of nonrealistic fiction, even as some of its major works come with pretty grim premises.” – Gary K.Wolfe ; Please comment !

Johanna Sinisalo : Finnish Weird is basically a term invented for commercial uses, based on the fact that most of the Finnish Weird writers do not want to be pigeonholed as fantasy or sf or horror writers. Words like “nonrealistic” or “speculative fiction” are relatively strange to the wider audiences, so we came up with this kind of definition that could perhaps be compared to the commercial term “Nordic Noir”. Analogically, the Scandinavian crime writers have not “rediscovered the possibilities of crime fiction”, but the term Nordic Noir tells the reader that those books are a part of a certain literary tradition (and in many cases it is also considered as a sign of high quality).

Cristian Tamas : Isn’it weird that the oldest (beginning of the 13th century) known document in any Finnic language, the Birch Bark Letter no.292 is written in Cyrillic alphabet in the Karelian dialect of the archaic Finnish (or Finnic language) and it was found in 1957 by a Soviet expedition led by Artemiy Artsikhovsky in the Nerevsky excavation on the left coast side of Novgorod, Russia ? Is this an avant-la-lettre sample of Finnish Weird ?

Johanna Sinisalo: It is an interesting document. As far as I know the only words in that letter that the scholars totally agree upon are “God” and “arrow”, and the most popular theory is that the the text is a spell or prayer protecting from lightnings, saying “Jumaliennuoli on nimezhi”, roughly ”You are / will be called as the Arrow of Gods”. Perhaps it forecasts that we Finnish Weird writers are lightnings of the literary gods?

(10) TODAY’S DAY

Bookmobile Day

Bookmobile Day is an opportunity to celebrate one of the many services offered through public libraries. Originating in the nineteenth century, the earliest bookmobiles were horse-drawn wagons filled with boxes of books. In the 1920s, Sarah Byrd Askew, a New Jersey librarian, thought reading and literacy so important that she delivered books to rural readers in her own Ford Model T. And today, Kenya still uses camels to deliver materials to fans of reading in rural areas.

(11) TODAY IN HISTORY

  • April 12, 1981 — Space shuttle Columbia first launched.

(12) COMIC SECTION. A horrible pun and a funny gag – John King Tarpinian recommends today’s Brevity.

(13) HATERS. John Scalzi, the midst of his annual Reader Request Week, takes up the subject of “Haters and How I Deal With Them”. This section of his post is from a list of “things I know about haters, and how they relate to me.”

Fourth, I’ve come to realize that some people are using hating me primarily as a transactional enterprise; they see some personal business advantage to holding me up as someone to be hated, and doing so allows them to, say, peddle to the gullible and strident wares that they might not otherwise be able to profitably market. To this respect the hating isn’t actually about me — if I didn’t exist, they’d just pick someone else who suited their needs. That being the case, why get worked up about it? Especially if it’s not having any noticeable effect on my own personal or professional fortunes.

(14) MEANWHILE BACK AT THE RANCH. Quite coincidentally, Vox Day put up a post titled “This is what ‘Zero Fucks’ looks like” that’s all about….would you like to guess?

(15) LIBRARIANS LIKE IT. Library Journal gives its take on the 2017 Hugo ballot in “Quality and Diversity”

After a contentious two years owing to the Sad/Rapid Puppies dispute, last week’s announcement of the 2017 Hugo Award nominees was received with acclaim. Library Journal sf columnist Megan McArdle, noting that the puppies appeared to have lost their fangs, was thrilled by the lists. “The fact that so many women are represented (and trans women! and women of color!), just shows that diversity is actually valued by the majority of SFF fans, which is great to see after so much drama in past years.” She was also excited to see a couple of her favorites—Charlie Jane Anders’s All the Birds in the Sky and Becky Chambers’s A Closed and Common Orbit—make the list.

Co-columnist Kristi Chadwick was equally excited by the nominations, which are voted on by attendees of the World Science Fiction Convention (Worldcon) and paying members of the World Science Fiction Society. “I am a big squeeing girlfan of Seanan McGuire, and I think Every Heart a Doorway has given fantastical tropes a way to bend sideways. Then I see N.K. Jesmin, Charlie Jane Anders, and [Lois McMaster] Bujold? Amazing stories that never cross our desks? The editors, movies and everything else that makes this genre amazing? I am so thrilled with the wealth of knowledge and imagination available to readers today.”

(16) A VISIT TO DYSTOPIA. Nerds of a Feather continues its series on Dystopian Visions. Here are excerpts from two of the major critical essays. And the link will also lead you to innumerable posts about individual books and films with dystopian themes.

What marked Utopia out from these fantasies of plenty was that it could be reached, and reached in two ways. Reached physically: there was a long, arduous but supposedly practicable journey that could get you from here to there. It was a journey beyond the abilities and wishes of most people, but the idea was established that perfection did not exist only in dreams or upon death, but here in the everyday world we all inhabited. And it could be reached structurally: this perfection was not the province of god or of fairies or some supernatural inversion of the natural world, this perfection was achieved by rational men. If a safe, secure, happy existence could be achieved by sensible human organisation in Utopia, then sensible, rational men could achieve the same here.

No, I don’t think science fiction’s exploration of dystopian presents and futures has been instrumental in bringing on twenty-first century dystopia, but the genre as a whole does bear some small responsibility for our comfort with what we should be deeply uncomfortable with…

Three science fiction novels spring to mind as examples, published in 2011, 2013 and 2014. One was by a highly-regarded genre writer, who has spent the last twenty years writing fiction not actually published as science fiction. Another was written by a successful British author of space operas. The earliest of the three is also a space opera, the first in a series of, to date, six novels, which was adapted for television in 2014.

…The three books are: The Peripheral by William Gibson, published in 2014, Leviathan Wakes by James SA Corey, published in 2011, and Marauder by Gary Gibson, published in 2013.

Since its beginnings, science fiction has exhibited a blithe disregard for the characters who people its stories, outside those of the central cast of heroes, anti-heroes, villains, love interests, etc. Frank Herbert’s Dune from 1965, for instance, describes how Paul Muad’Dib launches a jihad across the galaxy which kills billions. EE ‘Doc’ Smith’s Second Stage Lensman, originally serialised in 1941, opens with a space battle between a fleet of over one million giant warships and an equal number of “mobile planets”… Manipulating scale to evoke sense of wonder is one thing, but the lack of affect with which science fiction stories and novels massacre vast numbers of people, for whatever narrative reason, is more astonishing.

(17) DO YOU? I had to answer “No.”

(18) EXOTIC GAME. Review of Simon Stålenhags RPG Tales from The Loop at Geek & Sundry — “Tales from the Loop Invites You to Roleplay in the ‘80s That Never Was”.

Tales from the Loop takes place in a retro-futuristic version of the 80’s where Cold War Era science brought us hover-vehicles, robots, and other advancements that pepper this light sci-fi landscape. It’s an idyllic time. Kids are free to roam after dark. The same children who have grown up around robots and Magnetrine Vehicles geek out over Dungeons & Dragons and Atari systems. There are problems, but the future is hopeful.

If this whole setting sounds like a sci-fi version of Stranger Things you wouldn’t be far off. If that’s what it takes to get you to crack into this portal into a future past then by all means: it’s a sci-fi version of Stranger Things. But in reality it captures more of the feeling of E.T. or The Goonies. Mike, Dustin, and Lucas were able to get help from Joyce and Sheriff Hopper. In Tales from the Loop the focus is squarely on the trials, challenges, and successes of the kids. One of the 6 Principles of the game right in the book is that “Adults Are Out of Reach and Out of Touch”, and if your character ever turns 16 years old, they age out of the campaign

[Thanks to John King Tarpinian, Hampus Eckerman, Cat Eldridge, JJ, and Marc Criley for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W, who will be awarded a Nobel Prize for his discovery of the basic Scroll title DNA.]