Pixel Scroll 4/10/21 Scrollier Than Thou

(1) LEND A HAND? Another Titan Comics blog tour will be rolling through on Monday. Would one of you volunteer to write a review of a comic by tomorrow night? I’d be thrilled, and so would Titan Comics. (Email me at mikeglyer (at) cs (dot) com and I will send you a link to the PDF.)

(2) WISCON SAYS SUPPORT THEIR HOTEL. [Item by Jeffrey Smith.] This is different. The convention hotel saying: No convention this year? Come and hang out anyway! The SF3/WisCon Newsletter encourages readers to  “Spend Memorial Day weekend at the Concourse Hotel”.

As you know, we’re not able to hold a WisCon in Madison this spring. However! The Concourse Hotel, the longtime home of WisCon, is running a special promotion for members and friends of the WisCon community over Memorial Day weekend, May 27-31, 2021

… The Concourse hosted its first WisCon in 1984 and has been our full-time hotel partner since 1995. They are an independently owned and operated hotel and as such have been hit especially hard by the loss of business during the pandemic. This is a fantastic chance to support them, get away from home for the weekend and see some friends in a clean, well-ventilated, socially distant environment….

(3) BOTH SIDES NOW. Lincoln Michel is writing an interesting series about the different genre and literary ecosystems for his Counter Craft newsletter. Here are links to the first three posts.

… I’m NOT going to try and delineate the (various and conflicting) definitions of “genre” and “literary” here. I do plan to get into that in some future newsletter but for now when I refer to the “literary world” I’m speaking of what you’d expect: MFA programs, magazines like The Paris Review or Ploughshares, imprints like Riverhead or FSG, agents who list “literary fiction” on their websites, etc.

When I say “genre world” I’m focusing mostly on science fiction, fantasy, and horror fiction (plus the one hundred billion subgenres of those). Those are the genres I write in and am most familiar with. Obviously, there are other genre ecosystems: crime fiction, romance fiction, etc. Those tend to overlap a fair amount with SFF world, and also tend to function similarly in terms of how professional organizations operate, how awards are structured, and so on. But when I speak of something like “genre jargon” I’m pulling primarily from SFF. I don’t think I need to define SFF, beyond saying that acronym means “science fiction and fantasy.” You know it. Magazines like Lightspeed and Uncanny. Imprints like Orbit, Del Rey, and Tor.

Because genre vs. literary fiction is so often treated like a team sport where you pick a side and scream insults at the other one, I want to state up front that I root for both. Or perhaps play for both, in this metaphor. I’ve published in both “literary” magazines like The Paris Review and Granta as well as “genre” magazines like Lightspeed (forthcoming) and Strange Horizons. My story collection was published by the literary Coffee House Press and my science fiction novel is coming out this year from Orbit. I really love both “teams” here….

…Popular authors also tend to contend over and over. This can easily be seen by the list of multiple winners. Many SFF writers have won the Hugo for Best Novel multiple times. You have 6/12 (wins/nominations) for Heinlein and 4/10 for Bujold. Five different authors have won three times and nine have won twice. There is nothing like that in the Pulitzer. No author has won three, four, or six Pulitzers. Only four have won twice: Booth Tarkington, William Faulkner, John Updike, and Colson Whitehead. This is despite the fact that the Pulitzers have been around since 1918 and the Hugos only since 1953. (This pattern is a little less prominent in other, newer awards, but still there.)

It’s fair to note that SFF perhaps has a smaller pool of books to choose from, since at least theoretically the literary awards are drawn from all of literature. But if the literary world is as narrow and parochial as many SFF fans contend then you’d expect to see that in the rewards.

As with almost everything I discuss here, there are arguments for both ways of doing things. In the genre side, the titans of the genre can be adequately reflected in the awards. A monumental work like N.K. Jemisin’s Broken Earth trilogy—truly one of the best fantasy series of modern times, which I’ve written about a bit here before—can even win three times in a row . That would simply never happen in the literary world, no matter how deserving. And one could certainly argue that the awards more accurately reflect the tastes of readership.

This can be a downside too, since biases and prejudices are also reflected. Before N.K. Jemisin won in 2016, no black author had ever won the Hugo for best novel. If you had died before 2015, when Cixin Liu won, you would have never witnessed a POC win the Hugo. It was hardly perfect in the lit world, but you did have Ralph Ellison, Alice Walker, Toni Morrison, Ha Jin, Jesmyn Ward, Junot Díaz, Jhumpa Lahiri, and others winning NBAs and Pulitzers. It’s about the same for gender. Ursula K. Le Guin was the first woman to win a Hugo for Best Novel in 1970. (Ditto the Nebula, although that had only started in 1966.) By that time, dozens of women had won the Pulitzer and/or National Book Award.

All of that said, both the lit world and SFF world have been far better on the diversity front in the last five to ten years than they have been historically. Hopefully that will continue.

… Publishing runs on novels. At least when it comes to fiction, novels are what agents want to hear about, what editors want to look at, and—with a few exceptions—what readers want to buy. Perhaps because of this, short stories hold a special place in fiction writers’ hearts. The short story is our form. Our weird mysterious little monster that no one else can love.

Strangely, the opposite was true 100 years ago. For the first few decades of the 20th-century, the short story was the popular form of literature. It was a magazine world back then. Short stories were what paid the bills. Authors like F. Scott Fitzgerald felt forced to write short stories that they could afford to write “decent books” (novels) on the side! In the genre world, the short story was so dominant that even the “novels” were often a bunch of existing short stories stitched quickly together in what was known as a “fix-up.” I’m not talking obscure books here, but some of the pillars of SFF from that era: Bradbury’s The Martian Chronicles, Asimov’s I, Robot, and Simak’s City. Also several of Raymond Chandler’s best hardboiled novels over in crime fiction. (Here’s a good post by Charlie Jane Anders arguing the fix-up is the ideal form for SFF.)…

(4) INSIDE BASEBALL. Kevin Standlee views with alarm: “DisCon III Moves to December — and Ignores the WSFS Constitution”.

…You may be asking, “So what? All the bids we knew about have already filed, so what difference does it make?”

I contend that there are two reasons for being concerned about this. The first is that frankly, there are groups that are unhappy about both the bids on the ballot, for various reasons. A “sprint” bid might enter the field. Now even though I have agreed to run Memphis’ WSFS division should they win, I’m trying to be as fair as I can about the known deficiencies of all currently filed bids. In 1990, I was a member of the San Francisco in ’93 Worldcon bid committee, facing filed bids from Phoenix and Zagreb. Due to unimpressive performances from all three filed bids at the 1989 SMOFCon (the filing deadline at that time was the close of the previous Worldcon, and sites were selected three years in advance at that time), a heretofore hoax bid for Hawaii was pressed into service by a large number of SMOFs and a write-in bid for Hawaii in ’93 filed. The write-in bid placed second ahead of the Zagreb and Phoenix bids, and I rather expect that had they been on the ballot, they might have beaten San Francisco. In 1991-92, I wrote and was a co-sponsor of a change to WSFS rules that changed the filing deadline to 180 days before the convention, a rule that, had it been in effect for the 1990 election for the 1993 Worldcon, would have allowed Hawaii to be on the ballot. So even though it would have been used against me back then, I recognize the value in keeping the door open for “sprint” bids. If there are groups that still want to take a shot at the 2023 Worldcon, I think they should have a chance to file until the T-180 deadline that is written into the Constitution.

The second reason I think DisCon III should reopen filing, even if nobody else files, is philosophical. WSFS rules are not self-enforcing. We trust Worldcon committees to follow WSFS rules as much as they can, subject to local laws and other contingencies. There is no higher authority that can force a Worldcon committee to obey WSFS rules. There’s no WSFS Inc. that can step in and give orders. There is no appeal from a Worldcon committee’s decisions. A Worldcon committee that refuses to follow a clearly-written and unambiguous rule that would not be difficult to follow is telling us that no rule is safeWSFS governance is based on trust. If we can’t trust a committee to follow the rules, then the unwritten contract between the members of WSFS and the Worldcon committee that manages the members’ annual convention breaks down….

… I think DisCon III should change their initial decision and reopen site selection filing until June 18, even if no other bid surfaces, to confirm that insofar as they are able to do so, even under the difficulties of a worldwide pandemic, they will continue to obey the rules of the organization whose membership is the World Science Fiction Society. To do otherwise is to do a disservice to the members of WSFS….

(5) READ ALL ABOUT IT. The New York Times takes readers “Inside the Fight for the Future of The Wall Street Journal”, in the process showing what journalists believe is the way to attract today’s audience.

… Now a special innovation team and a group of nearly 300 newsroom employees are pushing for drastic changes at the paper, which has been part of Rupert Murdoch’s media empire since 2007….

… As the team was completing a report on its findings last summer, Mr. [Matt] Murray [WSJ Editor] found himself staring down a newsroom revolt. Soon after the killing of George Floyd, staff members created a private Slack channel called “Newsroomies,” where they discussed how The Journal, in their view, was behind on major stories of the day, including the social justice movement growing in the aftermath of Mr. Floyd’s death. Participants also complained that The Journal’s digital presence was not robust enough, and that its conservative opinion department had published essays that did not meet standards applied to the reporting staff. The tensions and challenges are similar to what leaders of other news organizations, including The Times, have heard from their staffs.

In July, Mr. Murray received a draft from Ms. [Louise] Story’s team, a 209-page blueprint on how The Journal should remake itself called The Content Review. It noted that “in the past five years, we have had six quarters where we lost more subscribers than we gained,” and said addressing its slow-growing audience called for significant changes in everything from the paper’s social media strategy to the subjects it deemed newsworthy.

The report argued that the paper should attract new readers — specifically, women, people of color and younger professionals — by focusing more on topics such as climate change and income inequality. Among its suggestions: “We also strongly recommend putting muscle behind efforts to feature more women and people of color in all of our stories.”

The Content Review has not been formally shared with the newsroom and its recommendations have not been put into effect, but it is influencing how people work: An impasse over the report has led to a divided newsroom, according to interviews with 25 current and former staff members. The company, they say, has avoided making the proposed changes because a brewing power struggle between Mr. Murray and the new publisher, Almar Latour, has contributed to a stalemate that threatens the future of The Journal.

…About a month after the report was submitted, Ms. Story’s strategy team was concerned that its work might never see the light of day, three people with knowledge of the matter said, and a draft was leaked to one of The Journal’s own media reporters, Jeffrey Trachtenberg. He filed a detailed article on it late last summer.

But the first glimpse that outside readers, and most of the staff, got of the document wasn’t in The Journal. In October, a pared-down version of The Content Review was leaked to BuzzFeed News, which included a link to the document as a sideways scan. (Staffers, eager to read the report, had to turn their heads 90 degrees.)…

(6) THE POWER OF ANTHOLOGIES. Featuring Linda D. Addison (Sycorax’s Daughters), Maurice Broaddus (POC Destroy Horror & Dark Faith), and Sheree Renée Thomas (Dark Matter), and moderated by author and editor Nisi Shawl (New SunsEverfairStories for Chip: A Tribute to Samuel R. Delany), “Ancestors and Anthologies: New Worlds in Chorus” is a free livestream panel hosted by Clarion West and the Seattle Public Library on Monday, April 12 at 6:30 p.m. Register at the link. It’s part of the “Beyond Afrofuturism: Black Editors and Publishers in Speculative Fiction” Panel Series.

From the groundbreaking Dark Matter to Sycorax’s Daughters to POC Destroy!, anthologies are one way marginalized voices gather in chorus on a particular subject, subgenre, or genre. Our anthologies panel will delve into the world of bespoke collections with luminaries in the field.

(7) AUTHOR’S LIBRARY GOING UNDER THE HAMMER. “L’Engle Library up for auction to benefit three organizations” announces the Madeleine L’Engle website. The books will be sold in lots on April 8, 13, 20, 22, and 27, but bidding opens early.

… What took so long? 1) It is a daunting thing when a loved one dies to be responsible for the accumulations of a lifetime. 2) We’re book people! Letting go of books is painful. A bookcase is a record of time spent and history and books are harder to find good homes for than one might think. 3) Her particular status as beloved author made every decision weighted.

(8) STANISLAW LEM CENTENNIAL DEBATE. On April 18, Polish Society for Futures Studies (PSFS) will present a live online debate “The expansion of future consciousness through the practice of science fiction and futures studies,” celebrating the Stanis?aw Lem centenary. Lem was a celebrated science-fiction writer and futurologist from Poland. The Centennial Debate will feature international participants: Thomas Lombardo, professor emeritus of Rio Salado College and author of books on science-fiction and future consciousness; Karlheinz Steinmüller, PhD, science fiction author, publisher and eminent German futurist; Kacper Nosarzewski, futurist from Poland and a literary critic.

The event will be streamed live on Zoom and YouTube, April 18th 12:00 am Pacific Standard Time, 3:00 pm Eastern Standard Time, 20:00 Central European Time, and the admittance is free. More information including links to the event will be posted at https://centennialdebate.ptsp.pl/.

The event is being supported by the World Futures Studies Federation, Association of Professional Futurists and Lem Estate, among many others.

Stanis?aw Lem wrote, in Solaris: “We don’t want to conquer the cosmos, we simply want to extend the boundaries of Earth to the frontiers of the cosmos.” The Centennial Debate will explore the practice of science-fiction and futures studies as different ways of “using the future” and increasing our understanding of humanity’s hopes, fears, prospects and predicaments.

(9) MEMORY LANE.

  • On a day in 1986 Star Trek IV: The Voyage Home premiered.  It was directed by Leonard Nimoy who wrote it with Harve Bennett. It was produced by Steve Meerson, Peter Krikes, Nicholas Meyer and Harve Bennett. It starred the entire original original Trek cast. It would lose out to Aliens at Conspiracy ’87. The film’s less-than-serious attitude and rather unconventional story were well liked by critics and  fans of the original series along with the general public. It was also a box office success. And it has an exemplary eighty-one percent rating among audience reviewers at Rotten Tomatoes. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born April 10, 1936 – David Hardy, age 85.  Astronomical and SF artist.  European Vice President of the Int’l Ass’n of Astronomical Artists.  Artbooks e.g. Visions of SpaceHardyware50 Years in Space: what we thought then, what we know now.  Two hundred fifty covers, a hundred interiors.  Here is the Jun 74 Amazing.  Here is King David’s Spaceship.  Here is Understanding Space and Time (note that the piano is a Bösendorfer).  Here is the Apr 2010 Analog.  [JH]
  • Born April 10, 1940 Raul Julia. If we count Sesame Street as genre which it should, his appearance as Rafael there was his first genre role. Yeah, I’m stretching it somewhat. OK, how about as Aram Fingal In Overdrawn at the Memory Bank, a RSL production off the John Varley short story? That better?  He later starred in Frankenstein Unbound as Victor Frankenstein as well. His last role released while he was still living was in the superb Addams Family Values as Gomez Addams reprising the role he’d had in The Addams Family. (Died 1994.) (CE) 
  • Born April 10, 1948 – Jim Burns, age 73 (not James H. Burns 1962-2016).  Four hundred twenty covers, two hundred interiors.  Three Hugos.  Twelve BSFA (British SF Ass’n) Awards.  Artist Guest of Honour at Conspiracy ’87 the 45th Worldcon, several other more local cons in the U.K. and U.S., see here.  Artbooks e.g. LightshipTransluminalThe Art of Jim Burns.  Each in The Durdane Trilogy used a segment of this, e.g. The Asutra.  Here is Interzone 11.  Here is the Jul 94 Asimov’s.  Here is The Wanderer.  Here is Dozois’ 34th Year’s Best Science Fiction.  Here is Dark Angels Rising.  [JH]
  • Born April 10, 1951 – Ross Pavlac.  Co-chaired Marcon XIII-XIV, Windycon VIII, Chicon IV the 40th Worldcon.  Fan Guest of Honor at Torque 2.  Sometimes appeared in a blue aardvark costume; RP’s fanzine for the apa Myriad was The Avenging Aardvark’s Aerie; RP was one of the first fans to extrude a Website, also so called.  Chaired Windycon XXIV from his deathbed.  See these appreciations.  (Died 1997) [JH]
  • Born April 10, 1953 David Langford, 68. And how long have you been reading Ansible? If he’s not noted for that singular enterprise, he should be noted for assisting in producing the second edition of the EoSF, not to mention some 629,000 words as a principal editor of the third (online) edition of the Encyclopedia of SF, and contributed some eighty thousand words of articles to the most excellent EoF as well. And let’s not forget his genre writing as well that earned him a Short Story Hugo at the Millennium Philcon for “Different Kinds of Darkness”.  And yes, he has won other Hugos, too numerous to recount here. (CE) 
  • Born April 10, 1955 Pat Murphy, 66. I think that her most brilliant work is The City, Not Long After which I’ve read myriad times. If you’ve not read this novel, do so now. The Max Merriwell series is excellent and Murphy’s ‘explanation’ of the authorial attributions is fascinating. And The Falling Woman by her is an amazing read as well. She’s reasonably well stocked at the usual suspects. (CE)
  • Born April 10, 1957 John M. Ford. Popular at Minicon and other cons where he would be Dr. Mike and give silly answers to questions posed to him while wearing a lab coat before a whiteboard. His most interesting novel I think is The Last Hot Time, an urban fantasy set in Chicago that might have been part of Terri Windling’s Bordertown series but wasn’t. Possibly. The Dragon Waiting is also excellent and his Trek novels are among the best in that area of writing.  I’d be lying to say he’s deeply stocked at the usual suspects. (Died 2006.) (CE) 
  • Born April 10, 1959 – Ruth Lichtwardt, age 62.  Hugo Adm’r for Anticipation the 67th Worldcon.  Chaired MidAmeriCon II the 74th; her reflections as Chair here.  Long active with the Gunn Center for the Study of SF; Adm’r for the 2021 Conference.  Co-chaired ConQuest 49.  Drinks Guinness.  [JH]
  • Born April 10, 1975 – Merrie Haskell, age 46.  Three novels, a score of shorter stories, recently in Beneath Ceaseless Skies 313.  Interviewed in Lightspeed.  Schneider Book Award.  “I don’t think I’m unique in finding stories where female agency is non-existent, or is punished, as really troublesome….  I’m not even talking about the waiting-for-rescue parts; I don’t love that, mind you, but where are the choices?”  [JH]
  • Born April 10, 1978 Hannu Rajaniemi, 43. Author of the Jean le Flambeur series which consists of The Quantum ThiefThe Fractal Prince and The Causal Angel. Damn if I can summarize them. They remind me a bit of Alastair Reynolds’ Prefect novels, somewhat of Ian Mcdonald’s Mars novels as well. Layers of weirdness upon weirdness. Quite fascinating.  (CE) 
  • Born April 10, 1984 – Rachel Carter, age 37.  Three novels for us.  Nonfiction in e.g. The New Republic.  Teaches fiction-writing, also a freelance editor.  [JH]
  • Born April 10, 1992 Daisy Ridley, 29. Obviously she played the role of Rey in The Force AwakensThe Last Jedi and The Rise of Skywalker. She was also in Scrawl, a horror film as well as voicing Cotton Rabbit in Peter Rabbit. Though stretching to even call it genre adjacent even, she was Mary Debenham in Murder on the Orient Express which was rather well done. (CE)

(11) THE GREAT (PRICE) LEAP FORWARD. “Comics are only getting more expensive. How high is too high?” asks Mike Avila at SYFY Wire.

…I won’t lie, though: I sure do miss the time when a buck got you two comics and change. But I get how inflation works and how rising paper costs can’t be ignored. I’m also quite aware that the higher cover prices of today’s market have led to creators being able to make a decent living while entertaining us. That benefits the fans, who get to enjoy the great stories that spring from their imaginations.

However, there does come a point where comic books can simply become too expensive for many fans, forcing readers to drop titles not because they don’t like reading them, but because they simply can’t afford to anymore.

We may be approaching that point.

One of the Big Two publishers, DC Comics, is bumping the price up on some of its monthly titles to $5.99 for a 40-page issue. In its solicitations for June releases, several ongoing series, The Joker #4, Superman Red & Blue #3, Wonder Woman: Black White and Gold #1, and one of the company’s flagship books, Batman #109, are all listed with $5.99 cover prices. Think about that for a moment. If someone wanted to read all four of those titles, it would cost about $24 (before tax) to do so. Four comics, $24. That’s a big financial hit….

(12) JONESING. [Item by Mike Kennedy.] “Phoebe Waller-Bridge to star in new Indiana Jones” reports CNN. Let’s hope the 35-year-old Waller-Bridge is not the love interest for the 78-year-old Harrison Ford. She wouldn’t pass the “half+7” rule for another 22 years.

(13) TRADECRAFT. Francis Hamit was a guest on the Spies Like Us podcast to discuss “Pine Gap (2018) Part One”. (The trailer for the Netflix series is at the link: Pine Gap: Season 1).

2018 Australian 6-episode series which we HIGHLY recommend both for spy geeks and people that don’t care much about tradecraft but enjoy a solid human drama.  Watching these characters unwind and reveal their true characters under the duress of multiple intertwining espionage threats was a real treat for both of us.  ALSO!!!!  It is our first episode featuring a guest with actual expertise in the field, author and ex-intelligence officer Francis Hamit.  Really excited about this one.

Hamit says: “This was a very positive experience for me.  Tod and Dave are really nice guys and very ‘Otaku’ for any spy film or television show.  Some of those (James Bond, etc) fall into the SF&F genre and they’ve done about fifty so far.  Each is an hour long and they usually do two part, one hour each, in depth discussions.  I was on as a topic expert on SIGINT.”

(14) AMONG THE NEVERS. The New York Times’ Mark Hale tells why he found it hard to get into the show: “Review: ‘The Nevers,’ From HBO and (Formerly) Joss Whedon”.

One of the puzzlements of “The Nevers,” the new alt-superhero show beginning Sunday on HBO, is the title. The peculiarly gifted late-Victorian Londoners, mostly women, who serve as the show’s heroes (and some of its villains) are never called “nevers”; they’re most often referred to as the Touched. In the first four of the series’s 12 episodes, nothing is called the Nevers. You can understand not calling a show “The Touched,” but it’s still a little confusing.

And the confusion doesn’t end there. “The Nevers,” while handsomely produced and, from moment to moment, reasonably diverting, doesn’t catch fire in those early episodes in part because we — along with the characters — are still trying to figure out what the heck is going on.

Before this goes any further, it’s time to mention that “The Nevers” — a rare case these days of a genre series not based on an existing property — was created for the screen by Joss Whedon. There are things to be explained about Whedon’s involvement with the show, but for now let’s stick to the synergism between the new series and his great creation, “Buffy the Vampire Slayer.”…

(15) WHAT’S UP, DOCK. AP News is there when “American, Russians dock at International Space Station”.

A trio of Russian and American space travelers launched successfully and reached the International Space Station on Friday [April 9].

NASA astronaut Mark Vande Hei and Russian cosmonauts Oleg Novitskiy and Pyotr Dubrov blasted off as scheduled at 12:42 p.m. (0742 GMT, 3:42 a.m. EDT) aboard the Soyuz MS-18 spacecraft from the Russia-leased Baikonur launch facility in Kazakhstan.

They docked at the station after a two-orbit journey that lasted just over three hours.

It is the second space mission for Vande Hei and the third for Novitskiy, while Dubrov is on his first mission.

(16) KING PONG. SYFY Wire tells how “Elon Musk’s Neuralink gets monkey to play Pong with its mind”. (The video is here.) “The darn monkey probably gets higher scores than I ever did,” says John King Tarpinian.

By today’s standards, Pong doesn’t appear to exactly offer the latest, greatest gaming experience around, but just try and tell that to Pager, a macaque monkey who works for Elon Musk at Neuralink, who is currently playing the game with just his mind…

The gameplay is all part of Musk’s master plan of creating a “fully-implanted, wireless, high-channel count brain-machine interface (BMI),” aka a Neuralink, according to the company’s latest blog post highlighting Pager’s gameplay. While the end goal of the implanted device is to give people dealing with paralysis a direct, neural connection to easily and seamlessly operate their computers and mobile devices, the technology is currently giving this monkey some solid entertainment (as well as some tasty banana smoothies)

In the best video you’ll see of a monkey playing video games all day, we get to hang out for a few minutes with Pager, a 9-year-old macaque who, about six weeks ago, had a Neuralink device implanted into each side of his brain. By appearance, he doesn’t seem to be ill-affected by the procedure, save for some missing head fur. Although, it’s hard to say we’re really having a good hang, as Pager is intently focused on playing mind games with a joystick, and on the sweet, sweet smoothies he gets for interacting with the computer. (Hey, at least he’s getting paid.)

(17) BEACH BLANKET BIG BROTHER. Mr. Sci-Fi – Marc Scott Zicree – is running a multi-part series about radio and on-screen adaptations of Orwell’s novel. The latest is “1984 Marathon Part 5 — 1984 Meets Dr. Phibes!” However, the cute title is deceptive — it’s really an audio copy of Vincent Price’s 1955 radio performance in the role of Winston Smith.

[Thanks to Danny Sichel, John King Tarpinian, Martin Morse Wooster, JJ, Cat Eldridge, Michael Toman, John Hertz, Jeffrey Smith, Michael J. Walsh, Andrew Porter, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day jayn.]

2020 Novellapalooza

stack of books ©canstockphoto / olegd

[Editor’s note: be sure to read the comments on this post for more novellas and more Filer reviews.]

By JJ:

TL;DR: Here’s what I thought of the 2020 Novellas. What did you think?

I’m a huge reader of novels, but not that big on short fiction. But the last few years, I’ve done a personal project to read and review as many Novellas as I could (presuming that the story Synopsis had some appeal for me). I ended up reading:

  • 31 of the novellas published in 2015,
  • 35 of the novellas published in 2016,
  • 50 of the novellas published in 2017,
  • 38 of the novellas published in 2018,
  • 57 of the 2019 novellas,
  • and this year I was waiting for access to a few novellas from my library, so I was reading others, and thus my final total crept up to 59!

The result of these reading sprees were

I really felt as though this enabled me to do Hugo nominations for the Novella category in an informed way, and a lot of Filers got involved with their own comments. So I’m doing it again this year.

It is not at all uncommon for me to choose to read a book despite not feeling that the jacket copy makes the book sound as though it is something I would like – and to discover that I really like or love the work anyway. On the other hand, It is not at all uncommon for me to choose to read a book which sounds as though it will be up my alley and to discover that, actually, the book doesn’t really do much for me.

Thus, my opinions on the following novellas vary wildly: stories I thought I would love but didn’t, stories I didn’t expect to love but did, and stories which aligned with my expectations – whether high or low.

Bear in mind that while I enjoy both, I tend to prefer Science Fiction over Fantasy – and that while I enjoy suspense and thrillers, I have very little appreciation for Horror (and to be honest, I think Lovecraft is way overrated). What’s more, I apparently had a defective childhood, and I do not share a lot of peoples’ appreciation for fairytale retellings and portal fantasies. My personal assessments are therefore not intended to be the final word on these stories, but merely a jumping-off point for Filer discussion.

Novellas are listed in two sections below. The first section, those with cover art, are the ones I have read, and they include mini-reviews by me. These are in approximate order from most-favorite to least-favorite (but bear in mind that after around the first dozen listed, there was not a large degree of difference in preference among most of the remainder, with the exception of a handful at the bottom). The second section is those novellas I haven’t read, in alphabetical order by title.

I’ve included plot summaries, and where I could find them, links to either excerpts or the full stories which can be read online for free. Some short novels which fall between 40,000 and 48,000 words (within the Hugo Novella category tolerance) have been included, and in a couple of cases, novelettes which were long enough to be in the Hugo Novella tolerance were also included.

Please feel free to post comments about 2020 novellas which you’ve read, as well. And if I’ve missed your File 770 comment about a novella, or an excerpt for a novella, please point me to it!

If you see something that looks like gibberish, it is text that has been ROT-13’ed to avoid spoilers. (Please be sure to rot-13 any spoilers.)

(fair notice: all Amazon links are referrer URLs which benefit non-profit SFF fan website Worlds Without End)
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Apex Magazine: A Taste of Things To Come

Jason Sizemore, Editor-in-Chief of Apex Magazine has anticipated the official relaunch on January 5th with a promotional mini-issue that was part of their Kickstarter stretch goals. It contains original fiction by Maurice Broaddus and Beth Dawkins.

The stories and content are available to read online or you can order the free eBook edition from the Apex store.

EDITORIAL

FICTION

NONFICTION

Cover art by Justin Stewart.

Broaddus Wins 2020 Indiana Authors Award

Maurice Broaddus

Maurice Broaddus is the Genre winner of the 2020 Eugene and Marilyn Glick Indiana Authors Awards, which recognize works with Indiana connections in eight categories published in the previous two years (2018 and 2019).

GENRE Pimp My Airship, by Maurice Broaddus. Indianapolis is recast as a steampunk, sci-fi landscape in Broaddus’ work where themes of power, racism and mass incarceration of people of color are explored. The fast-paced adventure through an alternative Indy follows an unlikely trio of Black compatriots into a battle for control of the nation and the soul of their people. Born in London, England, Broaddus has lived most of his life in Indianapolis. Describing himself an “accidental teacher” (at the Oaks Academy Middle School in Indianapolis), an “accidental librarian” (the school library manager as part of the Indianapolis Public Library Shared System) and a purposeful community organizer (resident Afrofuturist at the Kheprw Institute), Broaddus has seen his work appear in a variety of publications, including Lightspeed Magazine, Weird Tales, Asimov’s and Uncanny Magazine. He is the author, collaborator and editor of numerous novels and novellas, including the urban fantasy trilogy The Knights of Breton Court, the middlegrade detective novel series The Usual Suspects, Buffalo Soldier, Bleed with Me and Devil’s Marionette. AMC Networks recently announced plans to adapt his novel Sorcerers for broadcast.

Book award winners receive a $5,000 prize, a physical award featuring Indiana limestone and the opportunity to make a $500 gift to an Indiana public library of their choice. The Literary Champion receives $2,500.

[Thanks to Dann for the story.]

Pixel Scroll 7/8/20 Here’s What We All Must Learn To Do, Scroll And Pixel

(1) HALLOWEEN ALREADY? People who sell candy are getting ready. But no need for anybody to go door-to-door: buy your own bag and tuck in at at home. “Hershey’s Will Have A Ton Of New Halloween Candy This Year Including Reese’s Cups With Green Creme” says Yahoo! Life.

…Next up are these Vampire Milk Chocolate Kisses that might look like your classic Hershey’s Kisses (with adorable bat foil) but when you bite in, they’re stuffed with a strawberry creme filling fit for a vampire. You get the strawberry flavor before you even bite in, which I loved. They taste like a chocolate-covered strawberry but, like, way easier to eat.

…In addition to new candies, you’ll also find some old faves on shelves this fall like Reese’s Pumpkins, mini Pumpkin Pie Kit Kats, Hershey’s Glow-In-The-Dark minis, and milk chocolate Monster Kisses with adorable themed foils. All of these will start rolling out in stores as the holiday gets closer which gives you plenty of time to coordinate a Halloween costume around your favorite candy.

(2) COVID-19 TAKES DOWN ANOTHER CON. The Windy City Pulp and Paper Convention, initially postponed from April til September, now has been cancelled says organizer Doug Ellis:

…We regret to announce that after consultation with our convention hotel, the Westin Lombard Yorktown Center in Lombard, Illinois, we have determined that it is not possible to hold our convention this year due to COVID-19. The next Windy City Pulp and Paper Convention is scheduled for April 16-18, 2021 at the same location.

…The 2020 show would have been our 20th, and we had plans to make it our best yet. We’ll take this extra time to work on making what will now be our 20th show (albeit in 2021) even better!

(3) STILL WAITING BY THE LAKE. Meanwhile, some X-factor is keeping Salt Lake City’s FanX event from actually cancelling, no matter how close they might be to making that decision: “What Happens if FanX 2020 is Postponed due to COVID-19?”

The FanX® staff, much like the attendees, looks forward to all our events all year long. We never fathomed we would be in such a state of uncertainty for this year’s event because of a global pandemic. With the recent rise of Utah’s COVID-19 cases, the possibility of having the event this September and meeting again with our FanX family is looking bleak. Unless we see a significant reduction in the number of new COVID-19 cases in the next couple of weeks, we do not feel it is in the best interest of the community and the attendees for us to continue with the plan to have the event this year. Keeping the safety of everyone at the event is always our top priority. 

…In the case that we are able to have FanX® in September 2020, we are preparing to have plenty of safety features in effect and are working with health professionals to take as many safety precautions as possible. We are still preparing details of what this might look like for attendees, and we will continue to monitor COVID-19 best practices at that time for events. 

(4) ON WITH THE SHOW. “‘Batwoman’ Casts Javicia Leslie as New Series Lead”Variety has the details. Leslie, who was on God Friended Me for two seasons, will replace Ruby Rose on “Batwoman” but showrunner Caroline Dries says that Rose’s character, Kate Kane, will not be killed off on the show.

Batwoman” has found its new series lead, with Javicia Leslie set to step into the cape and cowl for the show’s upcoming second season on The CW.

“I am extremely proud to be the first Black actress to play the iconic role of Batwoman on television, and as a bisexual woman, I am honored to join this groundbreaking show which has been such a trailblazer for the LGBTQ+ community,” Leslie said.

Leslie will portray a new character on the show named Ryan Wilder. She is described as likable, messy, a little goofy and untamed. She’s also nothing like Kate Kane (previously played by Ruby Rose), the woman who wore the Batsuit before her….

(5) FRIENDLY PERSUASION. Camestros Felapton advocates for a fourth finalist: “Hugo Fan Writer: Why you should vote for…Bogi Takács”.

… Bogi’s writing is a positive challenge that asks people to reconsider the scope of works that they engage with. “Positive” in the sense that it is driven by creative output and the advocacy for creators of speculative fiction rather than the sense of simply being ‘feel-good’ or avoiding pointing out the ingrained prejudices and issues within the wider SF&F community.

(6) BLM. Essence of Wonder will be joined by Maurice Broaddus this Saturday, July 11 at 3:00 p.m.to discuss his writing, as well as the youth movement taking the lead in the recent Black Lives Matter protests: “Maurice Broaddus and the BLM Youth Movement: The World We Want to Create”

(7) GAIMAN PANEL LIVESTREAM. The 2020 Auckland Writers Festival went virtual and is running a Winter Series of livestreamed panels. On Sunday, July 12, Episode 11 will feature:

 English master storyteller Neil Gaiman with his latest, ‘The Ocean at the End of the Lane’, author and curator Kolokesa Uaf? M?hina-Tuai discussing ‘Crafting Aotearoa’ and Canadian writer and artist Leanne Shapton with ‘Guestbook: Ghost Stories’.

(8) BRADBURY’S PSEUDONYMS. First Fandom Experience fills readers in about “The Making Of ‘The Earliest Bradbury’”, their recently published volume of his earliest writing as a science fiction fan.

… However, developing a comprehensive list of Bradbury’s fanzine contributions required intensive effort by the FFE team and others.

Fortunately, there was a clear starting point: the first and most numerous of Bradbury’s fanzine appearances are found in the club organ of the Los Angeles Science Fiction League (LASFL), Imagination! This title ran for thirteen issues from October 1937 — the same month that Bradbury joined the group — to October 1938. The FFE archive includes a full set of these rare issues, and we read them exhaustively to find anything written by or referring to Bradbury.

This seemingly straightforward task soon revealed a key challenge: Bradbury and other members of the LASFL frequently published under a variety of pseudonyms. We puzzled over a number of articles that might have been penned by Bradbury, but sported whimsical bylines like “D. Lerium Tremaine” and “Kno Knuth Ing.” (A previous blog post discusses our early attempts to sort this out.)…

(9) LIGHTS AND SIRENS. LitHub celebrated Hilary Mantel’s July 6 birthday with a look back at her days as a film reviewer: “On Hilary Mantel’s birthday, please enjoy her 1988 review of RoboCop.”

Today, Dame Hilary Mary Mantel, author of the Booker Prize-winning novels Wolf Hall and Bring Up the Bodies, and the likely future Booker Prize-winning novel The Mirror and the Light, turns 68.

But you probably knew that. What you might not have known was that Mantel was the film critic for the UK’s The Spectator for four years, between 1987 and 1991, during which time she reviewed many films, including Overboard (“God bless us all. And send us better films next week.”), The Accused (“Economy is commendable, but a woman in all her complexity cannot be represented by a pair of outsize shoulder-pads.”), and Fatal Attraction (“A quite unremarkable film in most ways, with its B-movie conceits, cliché-strewn screenplay and derivative effects.”).

She also reviewed RoboCop—and rather enjoyed it:

“F—— me!” cry the criminals, as RoboCop blasts them into the hereafter. Rapists, robbers, terrorists are minced before our eyes. Villains are blown apart, defenestrated, melted down into pools of toxic waste. “You have the right to an attorney,” the courteous robot voice reminds them, as he tosses them through plate glass. The pace is frenetic. The noise level is amazing. You absolutely cannot lose interest; every moment something explodes….

(10) MEDIA ANNIVERSARY.

Forty-three years ago in the Bananas literary zine which was edited by Emma Tennant and published by Blond & Briggs, Angela Carter’s “The Company of Wolves“ was first printed. (A novelette by J.G. Ballard, “The Dead Time”, and a short story by John Sladek, “After Flaubert” comprised the rest of the zine.) Three years later, it was included in Carter’s The Bloody Chamber and Other Stories collection. It would win a BSFA Award for Best Media as it would become a film of that name written by Angela Carter and Neil Jordan which starred Sarah Patterson, Angela Lansbury, Stephen Rea and David Warner. It is quite often produced as a theatre piece in the U.K. (CE)

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born July 8, 1906 Walter Sande. He’s best remembered for being on Red Planet MarsThe War of the Worlds and Invaders from Mars, but he also showed up playing a heavy in such serials as The Green Hornets Strikes Again! and Sky Raiders, the latter being at least genre adjacent. He’s had a recurring role as Col. Crockett on The Wild, Wild West, and one-offs on Voyage to the Bottom of The SeaThe Man from U.N.C.L.E.Lost in Space and Bewitched. (Died 1971.) (CE)
  • Born July 8, 1925 – Lou Feck.  Forty covers, a few interiors.  Here is Rogue in Space.  Here is Cinnabar.  Here is On Wings of Song.  (Died 1981) [JH]
  • Born July 8, 1930 – George Young.  Program Book and publicity for Detention (17th Worldcon).  His head was under the first propeller beanie, made (i.e. the beanie) by Ray Nelson, inspiring on another evolutionary track Beanie Boy of Beanie and Cecil; here’s RN telling the story to Darrell Schweitzer.  See photos of and by GY via the FANAC.org index.  [JH]
  • Born July 8, 1934 – Merv Binns.  Co-founded Melbourne SF Group, founded Melbourne Fantasy Film Group; ran first Australian SF bookshop Space Age Books; Guest of Honour [note spelling] at 9th Australian nat’l SF convention (“natcon”), 13th, 44th; at 2nd New Zealand natcon; chaired Cinecon, SF film convention.  Big Heart (our highest service award).  Ditmar, Chandler, Infinity, McNamara Awards.  Fanzines Australian SF NewsOut of the Bin.  (Died 2020) [JH]
  • Born July 8, 1944 Jeffrey Tambor, 76. I first encountered him on Max Headroom as Murray, Edison’s editor. Later on, and yes, I sat through that film, he’s Mayor Augustus Maywho in How The Grinch Stole Christmas. Finally, I’ll note he was in both of the only true Hellboy films playing Tom Manning, director of the Bureau of Paranormal Research and Defense. (CE)
  • Born July 8, 1944 Glen Cook, 76. With the exception of the new novel which I need to read, I’ve read his entire excellent Black Company series. I’ve also mostly liked his far lighter Garrett P.I. series which it seems unfortunately he’s abandoned. And I should read the Instrumentalities of the Night as I’ve heard good things about it. (CE)
  • Born July 8, 1945 – D. West.  First-rate fanartist.  See here (cover for Chunga), here (Inca), here (Banana Wings); a hundred fifty interiors in his consummately sour style.  Here’s Randy Byers’ tribute (some harsh language, some fanzine slang).  (Died 2015) [JH]
  • Born July 8, 1953 – Mark Blackman, 67.  Chaired Lunacon 38.  Illustrated (with Greg Costikyan) the New York Conspiracy’s Hymnal.  I met him in TAPS (the Terrean Amateur Press Ass’n), later in person.  Reports from New York, like this; can often be found in WOOF.  [JH]
  • Born July 8, 1954 Ellen Klages, 66. Her novelette “Basement Magic” won a Nebula Award for Best Novelette. I strongly recommend Portable Childhoods, a collection of her short fiction, which published by Tachyon Publications, my boutique favorite publisher of fantasy. Passing Strange, her 1940 set San Francisco novel which won a BSFA Award and a World Fantasy Award is also really great. (CE)
  • Born July 8, 1970 Ekaterina Sedia, 50. Her Heart of Iron novel is simply awesome. I’d also recommend The Secret History of Moscow as well. It’s worth noting that both iBooks and Kindle list several collections by her, Willful Impropriety: 13 Tales of Society, Scandal, and Romance and Wilfill Impropriety that ISFDB doesn’t list. They’re quite superb it turns out as is Paper Cities: An Anthology of Urban Fantasy anthology she edited which won a World Fantasy Award. (CE)
  • Born July 8, 1978 George Mann, 42. Writer and editor. He’s edited a number of anthologies including the first three volumes of Solaris Book of New Science Fiction. Among my favourite books by him are his Newbury & Hobbes series, plus his excellent Doctor Who work. (CE)
  • Born July 8, 1978 – Erin Morgenstern, 42.  New York Times Best-Seller The Night Circus won Alex and Locus Awards; 127 editions in 21 languages.  The Starless Sea came next.  Does Nat’l Novel Writing Month which indeed produced Circus; “I’m grateful to Chris Baty for coming up with such an outlandish idea and also he has very good taste in wine.”  Otherwise she drinks Sidecars without sugar.  [JH]

(12) COMICS SECTION.

  • You know what a bear does in the woods. Heathcliff shows what an alien does in the woods.

(13) SLAP HAPPY. [Item by Dann.] I came across this one and thought it might be of interest. Sasha Wood’s Casually Comics channel on YouTube offers a frequently fun and detailed look into various comics. This episode from last year covers the ubiquitous meme where Batman slaps Robin. Sasha does an entertaining dive into the alternative universe that was the World’s Finest series.

I have found Sasha’s approach to be well balanced, informative, and fun. A little signal boost in her direction would be a good thingTM.

(14) FLYING BY. Cat Rambo will be teaching “Principles for Pantsers” online on Saturday, August 1, 1-3 PM Pacific time. Registration and scholarship info at the link.

Some people outline. Others don’t. There’s plenty of advice on how to do the former, but those who practice the latter sometimes feel that they’re floundering, and no one’s providing any principles. Working with my own process as well as that of students, clients, and mentees, I’ve come up with twelve principles that you can apply, post-pantsing, in order to start moving from chaos to order.

Join Cat Rambo for a workshop in which they teach you how to pants successfully.

(15) WORD POWER. NPR relayed on the verdict: “Regardless Of What You Think, ‘Irregardless’ Is A Word”. How many fucks do you give?

Merriam-Webster raised the hackles of stodgy grammarians last week when it affirmed the lexical veracity of “irregardless.”

The word’s definition, when reading it, would seem to be: without without regard.

“Irregardless is included in our dictionary because it has been in widespread and near-constant use since 1795,” the dictionary’s staff wrote in a “Words of the Week” roundup on Friday. “We do not make the English language, we merely record it.”

(16) WHY WAIT? Robert Zubrin says that an Artemis flight around the moon is possible this year: ““Artemis 8” using Dragon” in The Space Review.

A mission equivalent to Apollo 8—call it “Artemis 8”—could be done, potentially as soon as this year, using Dragon, Falcon Heavy, and Falcon 9.

The basic plan is to launch a crew to low Earth orbit in Dragon using a Falcon 9. Then launch a Falcon Heavy, and rendezvous in LEO with its upper stage, which will still contain plenty of propellant. The Falcon Heavy upper stage is then used to send the Dragon on Trans Lunar Injection (TLI), and potentially Lunar Orbit Capture (LOC) and Trans Earth Injection (TEI) as well.

(17) RUSSIAN SPACE AGENCY ADVISOR CHARGED. “Russia Arrests Space Agency Official, Accusing Him of Treason” reports the New York Times. But is it a bum rap?

Russia’s secret police on Tuesday arrested a respected former reporter who worked in recent months as an adviser to the head of the country’s space agency, accusing him of treason for passing secrets to a NATO country.

Life News, a tabloid news site with close ties to the security apparatus, posted a video of the former reporter, Ivan I. Safronov, being bundled off a leafy Moscow street into a gray van by plainclothes officers of the Federal Security Service, or F.S.B., the domestic arm of what was known in Soviet times as the K.G.B.

The F.S.B. said that Mr. Safronov was suspected of working for the intelligence service of an unspecified NATO country, passing on “classified information about military-technical cooperation, defense and the security of the Russian Federation.”

What information that could be, however, was unclear. Mr. Safronov only started working at the space agency, Roscosmos, in May. Before that, he worked for more than a decade as a well-regarded journalist for Kommersant and then Vedomosti, both privately owned business newspapers with no obvious access to state secrets.

Outraged at what was widely viewed as another example of overreach by Russia’s sprawling and often paranoid security apparatus, journalists and ordinary Muscovites gathered in small groups outside the headquarters of the F.S.B. to protest the arrest. Several were detained for holding up signs in support of Mr. Safronov.

(18) HEYERDAHL VINDICATED. “Ancient Americans made epic Pacific voyages”.

New evidence has been found for epic prehistoric voyages between the Americas and eastern Polynesia.

DNA analysis suggests there was mixing between Native Americans and Polynesians around AD 1200.

The extent of potential contacts between the regions has been a hotly contested area for decades.

In 1947, Norwegian explorer Thor Heyerdahl made a journey by raft from South America to Polynesia to demonstrate the voyage was possible.

Until now, proponents of Native American and Polynesian interaction reasoned that some common cultural elements, such as a similar word used for a common crop, hinted that the two populations had mingled before Europeans settled in South America.

Opponents pointed to studies with differing conclusions and the fact that the two groups were separated by thousands of kilometres of open ocean.

Alexander Ioannidis from Stanford University in California and his international colleagues analysed genetic data from more than 800 living indigenous inhabitants of coastal South America and French Polynesia.

(19) VIRGIN TECH. “The tech behind Virgin Orbit’s mission to space” – a BBC video.

Virgin Orbit plans to launch its rockets from a plane. This new approach means no need for a launch site or the need to burn masses of fuel to get the rockets off the ground.

The rockets will be used to take satellites into space. A test launch in May failed but now the company is looking to make a further attempt.

BBC Click’s Marc Cieslak went to find out more about the technology behind the launches.

(20) GET READY AGAIN. Andrew Liptak told Tor.com readers today “Ernest Cline’s Ready Player Two Will Hit Bookstores in November”.

… Penguin Random House hasn’t revealed a plot for the novel, but presumably, it’ll pick up the adventures of Wade, Aech, and Art3mis now that they’re in charge of the OASIS, and will come with plenty of nerd references.

However, Liptak was no fan of Ernest Cline’s most recent book, Armada, as he reminded his Reading List audience by reposting his review titled “Ernie Cline’s Armada Fucking Sucks”.

(21) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] “Truly, Madly, Cheaply!  British B-Movies” on YouTube is a very entertaining 2008 BBC documentary presented by Matthew Sweet about the B movies produced in Britain from the 1930s to the 1970s.  These films were in all sorts of genres, and ones in the 1930s gave Merle Oberon and Sir John Mills some of their first parts, but sf and fantasy films are discussed, including Devil Girl From Mars, Trog, and Konga. Also discussed is the 1973 film Psychomania (also known as The Death Wheelers), a zombie biker movie so bad that star Nicky Henson, interviewed by Sweet, said, “I can’t believe I’m talking to you about this film nearly 40 years later.”  (Psychomania was also the final film of George Sanders.)

[Thanks to Doug Ellis, Martin Morse Wooster, Andrew Porter, Olav Rokne, Chip Hitchcock, Mike Kennedy, Michael Toman, JJ, Chip Hitchcock, David Doering, Cat Eldridge, Dann, and John Hertz for some of these stories. Title credit goes to File 770 contributing editor of the day Steve Davidson.]

StokerCon 2021 Announces
Guests of Honor

The Horror Writers Association‘s StokerCon 2021 will be held May 20-23, 2021 at the Curtis Hotel in Denver CO. The convention’s guests of honor were revealed at the end of last night’s Bram Stoker Awards ceremony.

  • Maurice Broaddus: Maurice’s body of work goes back over twenty years, with multiple short story publications, several novellas, two anthologies, and five novels, including his Knights of Breton Court series. His anthology, Dark Faith, co-edited with Jerry Gordon, was a finalist for the 2010 Bram Stoker Award. He worked for twenty years as an environmental toxicologist and was formerly the executive director of Cities of Refuge Ministries. Maurice currently teaches middle school and has a middle school detective novel series, The Usual Suspects. His website is http://mauricebroaddus.com/.
  • Joe R. Lansdale has won ten Bram Stoker Awards, a British Fantasy Award, the Spur Award for Best Historical Western, and an Edgar Award. He has received the Raymond Chandler Lifetime Achievement Award, as well as the Lifetime Achievement Award from the Horror Writers Association. His works include novels, short stories, screenplays, and television scripts. His novella, Bubba Ho Tep, was made into a movie and became a cult classic, while his Hap and Leonard novels became a successful television series. His website is http://www.joerlansdale.com/.
  • Seanan McGuire is a Hugo, Nebula, and Locus award-winning writer, who also received the John W Campbell Award for Best New Writer by the 2010 World Science Fiction Convention. A prolific writer, she has published novels under her name as well as under her pseudonym, Mira Grant. The latter includes the political thriller/zombie series Newsflesh. In 2013, Seanan received a record five Hugo Award nominations, two under her Grant pseudonym and three under her own name. Her website is http://www.seananmcguire.com/.
  • Silvia Moreno-Garcia is a the author of the novels Mexican GothicGods of Jade and ShadowCertain Dark ThingsUntamed Shore, and a bunch of other books. She has also edited several anthologies, including the World Fantasy Award-winning She Walks in Shadows (a.k.a. Cthulhu’s Daughters). She is a columnist for the Washington Post. Her website is https://www.silviamoreno-garcia.com/blog/.
  • Lisa Morton is a screenwriter, author of non-fiction books, and award-winning prose writer whose work was described by the American Library Association’s Readers’ Advisory Guide to Horror as “consistently dark, unsettling, and frightening”.  She is the author of four novels and 150 short stories, a six-time winner of the Bram Stoker Award®, past President of the Horror Writers Association, and a world-class Halloween expert. Her website is https://lisamorton.com/zine/.
  • Steve Rasnic Tem: A Colorado native, Steve is, according to fellow guest of honor Joe Lansdale, “a school of writing unto himself.” Steve is a past winner of the World Fantasy, British Fantasy, and Bram Stoker Awards (incl. 2014’s Blood Kin for novel). His short fiction work is legendary, with over 450 short stories published in a 40+ year career. You’ll find some of his best in Figures Unseen: Selected Stories. His latest is The Night Doctor and Other Tales. His website is http://stevetem.com/.

Carl Brandon Society Resumes Parallax and Kindred Awards

The Carl Brandon Society is reinstituting the Carl Brandon Brandon Parallax and Kindred Awards.  These two literary awards are given annually to outstanding works of speculative fiction. Nominations are now open.

  • The Carl Brandon Parallax Award goes to the best speculative fiction created by a person of color in the preceding calendar year. 
  • The Carl Brandon Kindred Award goes to the work of speculative that best explores and expands our understanding of race in the preceding calendar year; its creator may be of any racial or ethnic background. 

Each award includes an award plaque, a check for US$1000, and the opportunity to participate in the award ceremony.

Nominations for works to be considered for the 2019 Parallax and Kindred Awards are open as of March 6, 2020, and they close April 15, 2020.  Nomination forms are electronic only, and are available via a link on the organization’s website or directly at https://forms.gle/rK3nuYspyL3gn2Ur8.

The first Carl Brandon Parallax and Kindred Awards were presented 2006 for Walter Mosley’s novel 47 and Susan Vaught’s novel Stormwitch, respectively.  The Awards continued through 2011; for a complete history, please visit the Society website.

Founded in 1999, the Carl Brandon Society is a nonprofit organization dedicated to increasing racial and ethnic diversity in the production of and audience for speculative fiction.  We administer the Octavia E. Butler Memorial Scholarship Fund and operate a list serve supporting the growing presence of People of Color in the imaginative genres. 

The Carl Brandon Society Steering Committee members are K. Tempest Bradford, Maurice Broaddus, Candra K. Gill, Jaymee Goh, Victor J. Raymond, Kate Schaefer, and Nisi Shawl.

Pixel Scroll 2/5/20 Scroll, A Scroll, A Scroll I’ll Make, How Many Pixels Will It Take?

(1) EXTREME 18TH CENTURY HORROR. For publishing this book author Lewis would live the rest of his life under a cloud, even though he did get to spend “the summer of 1816 with Mary Shelley and Percy Bysshe Shelly in Geneva, where the three of them recounted ghost stories to each other.” — “Brian Keene’s History of Horror Fiction, Chapter Eight: The Monk and 1796 Cancel Culture” at Cemetery Dance.

As I pointed out in our last column, Walpole’s novel is one of two that has inspired much that has come since, beginning with Mary Shelley, Bram Stoker, and Edgar Allan Poe (all of whom we’ll be getting to soon).

The other novel that serves as the genre’s ancestral blueprint is The Monk by Matthew Gregory Lewis.

Up until the publication of The Monk in March of 1796, the Gothics mostly followed Walpole’s formula. The books usually featured a mystery or threat to the main character, an evil villain threatening the virtue of a virginal female, supernatural elements such as a ghost or an ancestral curse, and secret passages in crumbling mansions or castles. That template carried over into the next century, as evidenced by the bulk of the stories published in the pulps during the 1930s.

But with The Monk, Matthew Gregory Lewis took Walpole’s formula, as well as the influence of Radcliffe’s The Mysteries of Udolpho, and ran them through a meat grinder. The result was the most shocking novel of the century. If The Castle of Otranto was the world’s first horror novel, then The Monk was the world’s first extreme horror novel. As author J.F. Gonzalez once said, “In some ways, The Monk can be seen as the entire hardcore oeuvre of Edward Lee and Wrath James White of 1796. It was certainly hardcore for its time, and as a result it was banned and suppressed in later editions.” 

(2) ON THE FRONT OF F&SF. The Magazine of Fantasy & Science Fiction’s Mar/Apr 2020 cover art is “Walkabout” by Mondolithic Studios.

(3) MO*CON. The day after Maurice Broaddus’ 50th birthday Mo*Con: Origins begins: “Imagine a convention that’s nothing but a barcon. writers, artists, publishing professionals, and fans having great conversations while enjoying great meals”.

The event takes place May 1-3, 2020 at Café Creative (546 E. 17th Street, Indianapolis, IN). Guests of Honor are Nisi Shawl, Chesya Burke, Linda Addison, Wrath James White, and Brian Keene, with Editor Guest Scott Andrews (Beneath Ceaseless Skies), Publisher Guest of Honor Jason Sizemore, Special Guests K. Tempest Bradford, Jeff Strand, Lynne Hanson, and Featured Local Artists Deonna Craig and Rae Parker.

(4) RIPPLES OF RESENTMENT. Miss Manners answered a letter of complaint about the Hugo Losers Party at Dublin 2019 in the San Francisco Chronicle on February 3: “Party was for ‘losers,’ and that’s how they felt”.

No apology or explanation has been given by the party organizers, and that’s really all I want. The radio silence feels like an implication that I’m being the unreasonable one for being upset I wasn’t allowed into a party I was explicitly invited to. Am I in the right or wrong here?

George R.R. Martin wrote several thousand words of explanation here, and specifically said there were things he was sorry for, including — “They had to wait, yes, and I am sorry for that, and it should not have happened, and a number of mistakes were made, most by me.” Alex Acks, who was one of the invited Hugo losers stuck outside, thought the piece fell far short of being an apology (“I didn’t feel personally belittled until this moment: George’s Hugo Losers Party explanation”). Although the Miss Manners letter has parallels to Acks’ post, since that’s been on the internet since September anybody could have cribbed from it. (Question: Does Miss Manners really just wait for letters to show up, or does she have helpers searching for real-life inspirations like this?)

(5) CLASH OF OPINIONS. Deadline says SYFY Wire’s The Great Debate will begin airing this summer, hosted by comedian and actor Baron Vaughn (Grace & Frankie, Mystery Science Theater 3K) and his robot sidekick DB-8.

The show will throw a group of nerds in a room as they answer questions like “Who’d be a worse boss, Darth Vader or the Joker?” or “Would you rather have a Green Lantern ring or a Wizard Wand?”

(6) WE CAN REMOVE YOU WHOLESALE. Tor.com’s James Davis Nicoll calls these “Five SF Precursors to Murderbot”. Number two is —

Jenkins, a robot who appears in Clifford Simak’s City fix-up, at first glance seems an Asimovian robot, dutifully serving the Webster family across generations. Each new cohort of humans make decisions that seem justifiable at the time; each choice assists humans on their way to irrelevance and extinction. It’s little wonder, therefore, that ultimately Jenkins transfers his loyalty away from foolish, suicidal, and sometimes vicious humans to their successors, the gentle Dogs. Humans may have built Jenkins but rather like Frankenstein, they never earned his loyalty.

(7) A DIFFERENT ‘TUDE. The Times Literary Supplement’s Science Fiction Issue came out this week.

John Updike was not much of a fan of science fiction, objecting to the flash and glare of its imagined scenery, complaining that it “rarely penetrates and involves us the way the quietest realistic fiction can”. To Updike, the genre was little more than an “escape into plenitude”. This week, we certainly provide plenitude, but also an examination of the breadth of science fiction, not least the way it often involves much more than Updike ever allowed.

We begin with two authors whose membership of the SF canon comes with qualification: they are “more” than simply genre novelists. Both H. G. Wells and John Wyndham share a certain approach to the extra-terrestrial, “examining the impact on real-life society of a perturbing incident or two”. Pippa Goldschmidt notes that, when it comes to Wyndham’s triffids, only “persistent and hard physical work will succeed in clearing the protagonist’s land of these all-pervasive plants”. There is more quiet realism here than Updike might have noticed.

One of the pieces is “When we fought a lot of dwarves”, a memoir about the Advanced Dungeons & Dragons Players Handbook.

… Robert Cohen, in The Sun Also Rises, liked to brag that if all else fails, a man can still make a living playing bridge. Somewhere in the back of my mind, I’ve always known that if I hit rock bottom, there’s a shelf in the TV room of my parents’ house in Austin where I’ve got several hundred dollars’ worth of role-playing games. Not just the standard stuff (bent-sided bright red box sets of the old Basic edition), but specialist limited editions like Privateers and Gentlemen. The pick of the bunch, the one that gave me the most pleasure as a kid, is also the most obvious: my 1978 Advanced Dungeons & Dragons Players Handbook.

(8) BARNETT OBIT. The Encyclopedia of Science Fiction crew mourns the death of one of their colleagues: “Paul Barnett (1949-2020)”.

Our old friend and fellow-encyclopedist Paul Barnett — who published mostly as by John Grant — died unexpectedly on 3 February 2020. Besides a prodigious output of solo-written sf, fantasy and nonfiction, he was Technical Editor of the second edition of the SF Encyclopedia (1993), and co-editor with John Clute of the 1997 Encyclopedia of Fantasy , for which they shared a Hugo; he also wrote many new artist entries and updated existing ones for the current online edition of this encyclopedia. See his SFE entry for some indication of his considerable achievement.

(9) KIRK DOUGLAS OBIT. Kirk Douglas, a throwback to Hollywood’s golden age, died February 5 at the age of 103. Although best known as the leading man in movies from Spartacus to Paths of Glory, his portfolio includes appearances in such genre productions as Ulysses (based on Homer), Disney’s production of 20,000 Leagues Under the Sea, TV movie Dr. Jekyll and Mr. Hyde (he played both leads, of course), Saturn 3, the WW2 time-travel movie The Final Countdown, and an episode of the Tales From the Crypt TV series.

He also was the recipient of the 25th Ray Bradbury Creativity Award in 2012.

Bo Derek and Kirk Douglas in 2012.

He wasn’t known as a singer, yet his rendition of “Whale of a Tale” is iconic.

(10) TODAY IN HISTORY.

  • February 5, 1944 — The original Captain America himself — Dick Purcell — premiered theatrically in the silver screen serial. This Republic black-and-white serial film was based on the Timely Comics (now known as Marvel Comics) Captain America character. It was the last Republic serial made about a superhero, and the next theatrical release featuring a Marvel hero would not occur for more than forty years. It was the most expensive serial the company ever produced. You can watch it here.
  • February 5, 1953 — Walt Disney’s Peter Pan premiered.
  • February 5, 1983 T. J. Hooker‘s “ Vengeance Is Mine” premiered. It’s being listed here as Shatner playing Sgt. T. J. Hooker encounters Nimoy in the role of a disturbed police officer whose daughter was raped. For this one episode, these two Trek stars were reunited. 
  • February 4, 1994 The Next Generation’s “Lower Decks” episode from their final season first aired. It’s being included here as the CBS All access service will be adding an animated series in 2020 to the Trek universe called Star Trek: Lower Decks which has already been given a two-season order. The episode itself is consistently ranked among the best episodes of that series making the Best of Lists, and ranking as high as Variety listing it as one of the fifteen best Next Gen episodes. 
  • February 5, 1998 Target Earth premiered. It starred Janell McLeod, Dabney Coleman and Christopher Meloni, and was directed by Peter Markle from a script from Michael Vivkerman. It seems to have been intended as a pilot for a series but it faired poorly at the box office, critics didn’t like (“sheer rubbish” said several) and it currently has a 29% rating among reviewers at Rotten Tomatoes.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 5, 1906 John Carradine. I’m going to count Murders in the Rue Morgue as his first genre appearance. After that early Thirties films, he shows up (bad pun, I know) in The Invisible Man, The Black Cat, Bride of Frankenstein,  Ali Baba Goes to Town, The Three Musketeers and The Hound of the Baskervilles. Look that’s just the Thirties. Can I just state that he did a lot of genre work and leave it at that? He even had roles on The Twilight Zone, The Munsters, Lost in Space, Night Gallery and the Night Strangler. (Died 1988.)
  • Born February 5, 1915 Sam Gilman. He played Doc Holliday in the Trek episode,”Spectre of the Gun”. Surprisingly he’s done little additional in genre showing only up in a one-off in the Tucker’s Witch series, and a starring role in Black Sabbath. Now Westerns he was a pro at. (Died 1985.)
  • Born February 5, 1919 Red Buttons. He shows up on The New Original Wonder Woman as Ashley Norman. Yes, this is the Lynda Carter version. Somewhat later he’s Hoagy in Pete’s Dragon followed by being the voice of Milton in Rudolph and Frosty’s Christmas in July.  He also played four different characters on the original Fantasy Island. (Died 2006.)
  • Born February 5, 1924 Basil Copper. Best remembered for Solar Pons stories continuing the character created as a tribute to Sherlock Holmes by August Derleth. I’m also fond of The Great White Space, his Lovecraftian novel that has a character called Clark Ashton Scarsdale has to be homage to Clark Ashton Smith. Though I’ve not seen them them, PS Publishing released Darkness, Mist and Shadow: The Collected Macabre Tales of Basil Copper, a two-volume set of his dark fantasy tales. (Died 2013.)
  • Born February 5, 1941 Stephen J. Cannell. Creator of The Greatest American Hero. That gets him Birthday Honors. The only other genre series he was involved with was The 100 Lives of Black Jack Savage which I never heard of, but you can see the premiere episode here. (Died 2010.)
  • Born February 5, 1961 Bruce Timm, 59. He did layout at Filmation on the likes of of Flash Gordon and He-Man and the Masters of the Universe. Sought work at DC and Marvel without success before being hired at Warner Brothers where his first show was Tiny Toons before he and his partner on that series created Batman: The Animated Series. That in turn spawned more series by him —  Superman: The Animated SeriesBatman Beyond, Static ShockJustice League in several series and Green Lantern: The Animated Series. Certainly not all of them but that’s the one I remember seeing and enjoying. His first love is comics. He and writer Paul Dini won the Eisner Award for Best Single Story for Batman Adventures: Mad Love in the early Nineties and he’s kept his hand in the business ever since. Harley Quinn by the way is his creation. He’s a voice actor in the DC Universe voicing many characters ranging from the leader of a Jokerz gang in a Batman Beyond episode to playing The Riddler in Batman: Under the Red Hood.
  • Born February 5, 1964 Laura  Linney, 56. She first shows up in our corner of the Universe as Meryl Burbank/Hannah Gill on The Truman Show before playing Officer Connie Mills in The Mothman Prophecies (BARF!) and then Erin Bruner in The Exorcism of Emily Rose. She plays Mrs. Munro In Mr. Holmes, a film best described as stink, stank and stunk when it comes to all things Holmesian. Her last SF was as Rebecca Vincent in Teenage Mutant Ninja Turtles: Out of the Shadows.
  • Born February 5, 1974 Rod Roddenberry, 46. Son of those parents. Currently Executive Producer on Discovery, Picard and Lower Decks. His very first job in the Trek franchise was as production assistant on Next Gen. Interestingly his Wiki page says he was a Consulting Producer on the fanfic video Star Trek: New Voyages

(12) COMICS SECTION.

  • Shoe makes a confession when asked to define a word.
  • Lio creates Dr. Jekyll & the Missing Link.
  • Bizarro creates what I might call a “meowshup.”

(13) IS GOOFY JEALOUS? SYFY Wire wonders if “Pluto’s frozen heart could be causing all those strange formations on its surface”.

Pluto might have been demoted from planet status, but it still has a heart.

Tombaugh Regio is literally the beating heart of Pluto. Half nitrogen ice and half glacier-studded highlands, this frozen heart is located in the Sputnik Planitia basin and is now thought to control the dwarf planet’s wind circulation — kind of like how the human heart is the epicenter of the human circulatory system. It could also possibly be the source of many strange features, like those weird ice dunes that could be a landscape from beyond the Wall in Game of Thrones.

(14) FOUR WALLS DO NOT A PRISON MAKE. At Galactic Journey, Cora Buhlert reviews two stories, a James White prison break, and Jack Vance’s Space Opera. “[February 4, 1965] Space Prison of Opera (February Galactoscope #1)”.

When I spotted The Escape Orbit by James White in the spinner rack at my local import store, what first attracted me was the cover, showing two humans fighting a tusked and tentacled monstrosity. But what made me pick up the book was the tagline “Marooned on a Prison Planet”. Because stories about space prisons are like catnip to me.

(15) BEWARE KRAPTONITE. Io9 warns: “Forget Superbabies, Superman & Lois Will Feature Superteens Instead”.

Sorry if you were looking forward to seeing superpowered baby-raising shenanigans on the CW’s upcoming Superman & Lois spin-off series. The network just announced who’ll be playing the sons of Superman and Lois Lane, and it looks like the show will be leaning into teen drama instead. Well, it is the CW. What did you expect, really?

(16) RECYCLED HEAT. “Can we heat buildings without burning fossil fuels?”

The world is on average getting warmer, but we still need to keep buildings at liveable temperatures year-round. Is it possible to cut emissions while keeping warm in winter?

To look at, the dark, dripping sewers of Brussels seem an unlikely place for anything particularly valuable to be hidden. But a wet day reveals all.

During a winter downpour, the brick tunnels become subterranean waterslides. Fresh rain tumbles from drains in the street above, joining waste water already in the sewers from sinks, baths, showers and toilets on their long journey downstream. The volume of these fluids and, crucially, their temperature are the reason that the city’s energy experts’ minds are in the gutter.

“The heat of the tunnels always astonished me,” says Olivier Broers, head of investment at the city’s water company, Vivaqua. He first noticed the Belgian city’s dormant heat source 20 years ago when he worked in tunnel restoration. He recalls days when there was ice and snow in the city, but on climbing down a manhole, he would find the sewers an ambient 12-15C. “Enough to fog my glasses,” he recalls.

…Tunnel Vision

In Belgium, residential heating accounts for around 14% of total greenhouse gas emissions. Of that heat, the largest source of loss is through what goes down the drain and into the sewer. To try and recoup that loss, Broers has developed a prototype heat converter that can be installed in the sewers themselves….

(17) BEST SUPPORTING ROLE. “Green light for UK commercial telecoms Moon mission” – BBC has the story.

UK satellite company SSTL has got the go-ahead to produce a telecommunications spacecraft for the Moon.

The platform, which should be ready for launch in late 2022, will be used by other lunar missions to relay their data and telemetry to Earth.

Satellites already do this at Mars, linking surface rovers with engineers and scientists back home.

The Lunar Pathfinder venture will do the same at the Moon.

SSTL is financing the build of the satellite itself but will sell its telecoms services under a commercial contract with the European Space Agency (Esa).

It’s hoped other governmental organisations and private actors will purchase capacity as well.

…Nasa’s Project Artemis has identified 2024 as the date when the “first woman and the next man” will touchdown, close to the lunar south pole.

The plan is to put the UK satellite into a highly elliptical orbit so that it can have long periods of visibility over this location.

Pathfinder is expected to be particularly useful for any sorties – human or robotic – to the Moon’s far side, which is beyond the reach of direct radio transmission with Earth.

(18) VIDEO OF THE DAY. “Turtle Journey: The Crisis In Our Oceans” on YouTube is a cartoon done by Aardman Animations for Greenpeace about the need to protect turtle habitat in the oceans.

[Thanks to Mike Kennedy, John King Tarpinian, Martin Morse Wooster, Cat Eldridge, Chip Hitchcock, JJ, Gordon Van Gelder, Darrah Chavey, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Xopher Halftongue.]

Pixel Scroll 11/7/19 Filer Scrollflake, Pixelman

(1) OVERCOMING GRIEF. Dan Grossman profiles “Maurice Broaddus: Afrofuturist Author, Conversation Guy, and Mentor” at Nuvo.

Broaddus, who lives near Eagle Creek Reservoir on the northwest side of Indianapolis with his wife and two sons, is a busy guy. This past spring he scored a $175,000 three-book deal with TOR Books for a forthcoming fantasy series titled All the Stars. Tor Books, a subsidiary of Macmillan, is the largest publisher of science fiction and fantasy in the United States. 

Broaddus, 49, also was coping with the death of his father the previous week, but this wasn’t slowing him down.

“One of the ways I tend to cope with grief,” he said, “is to go into high production mode.”

To contain that grief, he wrote a short story, figuring that the word count would be around 5,000. 

“But it turned out to be 20,000 words by the time I was done,” he said. The story, “Bound by Sorrow,” will soon appear in the online sci-fi/fantasy magazine Beneath Ceaseless Skies.   

(2) POP INTO 1964 GERMANY. Cora Buhlert’s latest article at Galactic Journey is about Perry Rhodan, but there is also a bit about East-West German relations, bad German pop music and fairground rides: “[November 5, 1964] The State of the Solar Empire: Perry Rhodan in 1964”

Since the Heftroman issues of Perry Rhodan are published weekly now, the plot moves at a brisk clip. Furthermore, a monthly companion series of so-called Planetenromane (planet novels), 158 page paperback novels, premiered in September. The third issue just came out. Many Heftromane have paperback companion series, but most of them just republish old material, occasionally by literally stapling unsold issues together and adding a new cover. The Planetenromane, on the other hand, offer all-new stories, often side stories, which don’t quite fit into the main series.

(3) LAUGH TRACK. Ethan Alter, in the Yahoo! Entertaiment story “‘WandaVision’: Everything we know about Marvel’s ‘first sitcom'” profiles WandaVision, a sitcom featuring Elizabeth Olsen as Wanda Maximoff, the Scarlet Witch, and Paul Bettany as Vision which will begin streaming on DisneyPlus in the spring of 2021 but which is reportedly shooting now.

WandaVision’s sitcom status was confirmed to Yahoo Entertainment by no less an authority than the Scarlet Witch herself. Catching up with Olsen and Bettany at Disney’s D23 event in August, the actress told us, “We can confidently say it is [a sitcom].” Her co-star quickly added, “That’s how it begins and it moves into more familiar epic territory later. But it’s absolutely a mash-up of sitcoms.” Based on our interviews and concept art unveiled at D23, The Dick Van Dyke Show and Father Knows Best seem to be some of the sitcoms that are being mashed-up. The teaser image shows Bettany and Olsen in a ’50s suburban setting, dressed more like the Cleavers than the Avengers. All that’s missing is the laugh track — and Olsen revealed that may not change, “That’s to be decided.”

(4) IN TECH TO COME. The November 7 issue of Nature includes Andrew Robinson’s reviews of works like Reality Ahead of Schedule by Joel Levy Smithsonian (2019).

This picture-packed volume by science journalist Joel Levy tours scientific advances sparked by ideas in science fiction. The title comes from a definition of sci-fi by Syd Mead, an industrial designer behind the look of futuristic movies such as Blade Runner (1982). But how prescient is sci-fi? Levy shows how H. G. Wells’s 1903 story ‘The Land Ironclads’ inspired Winston Churchill to promote the development of the military tank in 1915. But Wells did not envisage its key technical idea: caterpillar tracks, for added grip.

(5) TODAY IN HISTORY.

  • November 7, 1951Flight To Mars debuted in theaters.
  • November 7, 1954 Target Earth premiered.
  • November 7, 1997 — Paul Verhoeven’s Starship Troopers premiered. Starring Casper Van Dien Dina Meyer and Denise Richards, this adaption of Heinlein’s novel wasn’t well received by critics or SF fans in general but currently garners 70% at Rotten Tomatoes and long since earned back its modest budget. 

(6) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 7, 1910 Pearl Argyle. Catherine CabalI in the 1936 Things to Come as written by H.G. Wells based off his “The Shape of Things to Come” story. Being a dancer, she also appeared in 1926 The Fairy Queen opera by Henry Purcell, with dances by Marie Rambert and Frederick Ashton. Her roles were Dance of the Followers of Night, an attendant on Summer, and Chaconne. (Died 1946.)
  • Born November 7, 1914 R. A. Lafferty. Writer known for somewhat eccentric usage of language.  His first novel Past Master would set a lifelong pattern of seeing his works nominated for Hugo and Nebula Awards as novels but not winning either though he won a Hugo short story for “Eurema’s Dam”. He had received a World Fantasy Lifetime Achievement Award, he received the Cordwainer Smith Foundation’s Rediscovery award. (Died 2002.)
  • Born November 7, 1943 Peter Straker, 76. He was Commander Sharrel in “The Destiny of The Daleks” a Fourth Doctor story. He’s also the Lead Choir Singer in, I kid you not, Morons from Outer Space.
  • Born November 7, 1950 Lindsay Duncan, 69. Adelaide Brooke in the Tenth Doctor‘s “The Waters of Mars” story and the recurring role Lady Smallwood  on Sherlock in “His Last Vow”, “The Six Thatchers” and “The Lying Detective”. She’s also been in Black Mirror, A Discovery of Witches, Frankenstein, The Storyteller: Greek Myths, Mission: 2110 and one of my favorite series, The New Avengers.
  • Born November 7, 1954 Guy Gavriel Kay, 65. So the story goes that when Christopher Tolkien needed an assistant to edit his father J. R. R. Tolkien’s unpublished work, he chose Kay who was then a student of philosophy at the University of Manitoba. And Kay moved to Oxford in 1974 to assist Tolkien in editing The Silmarillion. Cool, eh? Kay’s own Finovar trilogy is the retelling of the legends of King Arthur, Lancelot and Guinevere which is why much of his fiction is considered historical fantasy. Tigana likewise somewhat resembles Renaissance Italy . My favorite work by him is Ysabel which strangely enough is called am urban fantasy when it isn’t. It won a World Fantasy Award. 
  • Born November 7, 1960 Linda Nagata, 59. Her novella “Goddesses” was the first online publication to win the Nebula Award. She writes largely in the Nanopunk genre which is not be confused with the Biopunk genre. To date, she has three series out, to wit The Nanotech SuccessionStories of the Puzzle Lands (as Trey Shiels) and The Red. She has won a Locus Award for Best First Novel for The Bohr Maker which the first novel in The Nanotech Succession. Her 2013 story “Nahiku West” was runner-up for the Theodore Sturgeon Memorial Award, and The Red: First Light was nominated for both the Nebula Award and the John W. Campbell Memorial Award. Her site is here.
  • Born November 7, 1934 Wendy Williams, 85. You know I’ll work a Doctor Who reference in and she was in a Fourth Doctor story, “The Ark in Space” as Vira. Other genre appearances include Jack the Ripper and The Further Adventures of the Musketeers. 

(7) VOTING NEIGH. Jill Hughes, candidate for the Brexit Party for the UK general elections, has been dropped by her party, because she publicly claimed to be an alien from Sirius who has come to Earth to raise humanity’s consciousness. Apparently, that was too much even by the standards of the Brexit Party: “Brexit Party general election candidate dropped after claiming she’s from a distant star” in The New European.

In the acknowledgements for her novel “Spirit of Prophecy”, which is about a psychic detective in rural England, Hughes also said that extraterrestrials (ETs) are working with world governments in a “hush-hush” arrangement.

“The E.T’s, some of them less than apple pie wholesome or positive pumpkins, are already here working with our world governments, but that’s all hush-hush for now,” she said.

Hughes’ author bio tells of how she came to believe in reincarnation “when her old horse Red made a re-appearance, this time as a palomino called Hooray Henry”.

(8) WHAT’S THE BUZZ? Inverse: “Researchers have developed a durable robot bee”. Video at the link.

Remember those scary bees from Black Mirror? This ain’t that. Researchers at Harvard have developed a “RoboBee” that has soft artificial muscles, which allow it to crash into walls and the ground without breaking. The soft actuators, mechanisms that operate the robot’s wings, were made with a type of electroactive polymer that has elastic qualities.

(9) SKIFFY. A pigeon has made itself at home inside a war memorial in Australia and has taken poppies from wreaths to build its nest. Photo at the link. The article goes on to discuss the use of pigeons in war.

The Hall of Memory has become host to a pigeon, which has stolen poppies from the Tomb of the Unknown Soldier to make its nest.

Photos show the pigeon nestling by the stained glass window of a wounded Australian soldier in a corner of the revered, mosaic-covered hall.

… Pigeons came back into use in the Second World War, a conflict that at face value appeared to involve only modern technology.

“We’ve got our trucks instead of horses, and wireless radio, and sophisticated radar signals, and all those sorts of things,” Dr Hampton said.

“But particularly in the Pacific, the mountains and the humidity meant that the wireless radios didn’t work very well,” she said.

Pigeons were the most effective way of getting messages up and over ranges, and throughout the islands.

(10) STEM STYLE. FastCompany briefs the fashion conscious that “You can now wear the work of Ada Lovelace, Rachel Carson, and Mae Jemison”.

To those of us who aren’t well-versed in data or computer science, data can seem foreign and intimidating. But Giorgia Lupi has devoted her career to making statistics accessible to everyone by transforming them into visually stunning patterns that tell engaging stories about the knowledge and the people behind the data. In the past, she’s run a data visualization company, and most recently, she joined the design firm Pentagram as a partner. But in her spare time, she’s been moonlighting as a fashion designer.

[Thanks to Cat Eldridge, JJ, Chip Hitchcock, John King Tarpinian, Martin Morse Wooster, Mike Kennedy, Cora Buhlert, SF Concatenation’s Jonathan Cowie, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Ingvar, who gets a star.]

2019 Clarion Workshop Marked by Special Events and Activities

The Clarion Science Fiction and Fantasy Writers’ Workshop begins June 23. The intensive six-week summer program at UC San Diego focuses on fundamentals particular to the writing of science fiction and fantasy short stories.

Clarion Faculty Reading Series: While the workshop itself is behind closed doors, the Clarion Faculty Reading Series hosted by San Diego’s Mysterious Galaxy Bookstore, is open to the public.

Click on the above for more information about each of the faculty via the Mysterious Galaxy event pages.

Clarion Write-a-Thon: Every year, the Clarion Science Fiction and Fantasy Writers’ Workshop holds a six-week Write-a-thon to coincide with the workshop. Like a walk-a-thon, participants write to raise money for scholarships to support future students.

This year, the Write-a-thon will begin June 23, the same day that the workshop begins. Participants commit to achieving their writing goals for the summer, whether that’s a daily word count, number of chapters, stories or submissions, or just butt-in-chair writing time.

You can either sign up to do the Write-a-thon yourself, donate to individual participants, or just make a general donation to the workshop. Everything helps achieve Clarion’s goal of $15,000 to support the workshop and future students. The majority of the Thon funds goes to scholarships for incoming students. Check it out and sign-up or back a writer today!

[Based on a press release.]