SFWA’s Legal Affairs Committee has issued an alert informing members that the government of New Zealand has decided to ship more than 400,000 books they are de-listing from their Overseas Published Collections catalogs to the Internet Archive for digitization and inclusion in its Open Library. These are for the most part older books, but many are still in copyright. New Zealand is allowing authors who do not wish their books to be digitized to opt out, but time is running short: the deadline for doing so is December 1.
SFWA recommends downloading and searching the spreadsheet rather than relying on the alphabetical listing, which may not show all entries.
This alert is also a reminder that although the Internet Archive is currently being sued by four major publishers, it is still accumulating copyrighted books from various other sources and making them available on their website. Even if an author has already asked to have their books removed, there is no guarantee that they haven’t been added again. The SFWA Legal Affairs Committee issued two previous infringement alerts concerning the Internet Archive’s massive digitization project, which affects many more authors. The first, sent in 2018 about the Open Library is here. The second sent in 2020 about the now-discontinued National Emergency Library is here.
It is still possible for authors to directly contact the Internet Archive to have them remove their books from their website; both of prior alerts include instructions on how to do that. Books that are included in the New Zealand donation are no exception, if an author misses the December 1 deadline.
What are the joys and challenges of writing and publishing a second book? Writers can take their entire lives to get their first novels published, after which creating another novel in a year — or sometimes less — can be major pressure. After giving everything they had to the first novel — how does a writer decide what’s worth writing next? Do they fear they won’t live up to the promise of their debut, and might disappoint readers? I had a wonderful time listening to this trio of second novelists opening up about their experiences, and I hope you will too.
We chatted while nibbling on takeout from Baltimore’s Zaatar Mediterranean Cuisine, and about two-thirds of the way through, switched up to doughnuts from my favorite such spot in Baltimore — Diablo Doughnuts.
We discussed why “second books are weird,” what (if anything) they learned writing their debuts which made book two easier, why pantsing is a thing of the past, whether book two had them concerned about creating a brand, how writing acknowledgements for second novels can be strange, the way deadlines made taking time off between books impossible, the dangers of being abandoned by debut culture, the fear of fewer pre-publication eyeballs on book two, how the pandemic will affect the creation of future novels, and much more.
(2) WHEN WILL YOU MAKE AN END? You know how cranky some fans get when series remain unfinished for years. James Davis Nicoll promises he can deliver “Five Fully Completed SFF Series” to readers at Tor.com.
I stand second to none in my habit of relentless optimism. Still, I am beginning to suspect that Mr. Dickens is never going to deliver a definitive ending to his otherwise promising The Mystery of Edwin Drood. Admittedly, when one purchases a book all one can legitimately expect is the book in hand. Anticipation of further instalments, no matter how heartfelt, does not constitute a legal contract that binds the author to deliver further instalments.
That said, there are some series whose authors have managed to publish—and finish!—entire series. Here are five recent examples that I would recommend….
…This year is particularly special for me as it will be my last year editing the showcase. After four wonderful, poetry-filled years, I am thankful to the HWA for trusting me with this project, to John Palisano for supporting and encouraging me, and to David E. Cowen for initially recommending me for this position. It has been a journey and a delight, and I’ve learned so much about the market, the genre, and our fantastic community along the way. Thank you for the scares, the nightmares, and the verses, folks. I hope to return the favor someday (insert evil laugh here).
Since the start of the Covid pandemic, there’s been a rise in instances of government censorship of books around the world. In October 2020, the International Publishers Association released a 106-page report, “Freedom to Publish: Challenges, Violations and Countries of Concern,” that outlined 847 instances of censorship in a host of countries, including France, Iran, Serbia, and the United Kingdom, as well as the United States. According to the report, in 55% of those instances, the censorship was undertaken by government authorities. The report is downloadable from the IPA website.
Since that report was issued, efforts to censor books have continued. In July, the Hungarian government imposed an $830 fine on the distributor of the Hungarian translation of Lawrence Schimel’s children’s book What a Family!, citing a law that bans the depiction of homosexuality and gender reassignment in material aimed at minors. The book tells the story of two families with young children—one with two fathers and the other with two mothers.
That incident follows another in Hungary, in October 2020, when a member of parliament put a copy of Meseorszag mindenkie (A Fairy Tale for Everyone), which also features LGBTQ characters, through a shredder. “So the publisher reprinted it as a board book” said Schimel, whose book had the same Hungarian editor.
Schimel, an American living in Madrid, has published dozens of LGBTQ-themed works for children and adults. “It’s important for all families, not just those who are LGBTQ, to see and read these books which show just how normal these families are,” he said. What a Family! is now sold in Hungary with a sticker, warning readers that it depicts families “outside the norm.” It was originally published as two books in Spanish, and Orca Book Publishers is releasing it as two books in the U.S. in September.
Russia led the way in overt European LGBTQ censorship with the passage of its “anti-LGBTQ propaganda” law in 2012. Today, LGBTQ books are routinely suppressed there, and those that make it to market are sold with warning stickers.
“The campaigns by the populist governments in Europe, such as in Hungary and Poland, against the LGBTQ community are in direct violation of the principles of inclusion and the celebration of diversity,” said Michiel Kolman, chair for inclusive publishing at the IPA. He noted that in Poland, several towns have declared themselves LGBTQ-free zones, forcing LGBTQ residents to move, while in Hungary the transgender community was first targeted, and after that the broader LGBTQ community….
The Oscar-winning composer of Dune‘s soundtrack “was so inspired when he looked at the upcoming behind-the-scenes book from Insight Editions, he decided to write some musical accompaniment,” io9 noted. The Art and Soul of Dune by executive producer Tanya Lapointe, which “will be available both in standard and jaw-dropping limited editions,” is going to have a dedicated Zimmer score available to download and stream upon release on October 22, the same date as the film’s debut.
…In an August 9 filing, IA attorneys told the court it is seeking monthly sales data for all books in print by the four plaintiff publishers (Hachette, Penguin Random House, HarperCollins, and Wiley) dating back to 2011. But the publishers, IA lawyers told the court, have balked at the sweeping request reportedly countering that the request is well beyond what the case calls for.
In their pre-motion filing, IA lawyers insist the sales data is crucial to its fair use defense.
“Plaintiffs claim that the Internet Archive’s digital library lending has a negative effect on the market for or value of the works. The Internet Archive disagrees, and wishes to bring forward evidence showing that lending had little or no effect on the commercial performance of the books being lent, compared to books that were not lent,” IA lawyers told the court. “Specifically, in order to show that lending had little or no effect on commercial performance, the Internet Archive wishes to compare the commercial performance of books that were available for digital lending with books that were not available for digital lending.”
IA lawyers also attempt to explain the massive, sweeping scope of their request, conceding that they do not need a decade’s worth of monthly sales data for “each and every book” but only for the 127 works included in the suit as well as “one or more” books that could be deemed “comparable” for each the 127 titles under scrutiny. But since the plaintiffs have “declined to identify books they regard as comparable,” IA attorneys claim, they should be compelled to produce data about all books so that the Internet Archive can “identify books it regards as comparable” and the parties can then “debate, on a level playing field, whether such books are or are not comparable.”…
1975 – Forty-six years ago, the first World Fantasy Award for Life Achievement goes to Robert Bloch. (He’d previously won a Hugo at Detention (1959) — where he and Isaac Asimov were toastmasters — for his “Hell-Bound Train” short story.) Nine years later at L.A.con II, He would receive a Special Committee Award for 50 years as an SF professional, and a year after that, he would be voted the First Fandom Hall of Fame Award.
Robert Bloch
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 13, 1895 — Bert Lahr. Best remembered and certainly beloved as The Cowardly Lion in The Wizard of Oz, as well as his counterpart who was a Kansas farmworker. It’s his only genre role, though In the film Meet the People, he would say “Heavens to Murgatroyd!” which was later popularized by a cartoon character named Snagglepuss. (Died 1967.)
Born August 13, 1899 — Alfred Hitchcock. If he’d only done his two Alfred Hitchcock series which for the most part were awesome, that’d be enough to get him Birthday Honors. But he did some fifty films of which a number are genre such as The Birds and Psycho. Though I’ve not read it, I’ve heard good things about Peter Ackroyd’s Alfred Hitchcock. (Died 1980.)
Born August 13, 1909 — Tristram Coffin, He’s best remembered for being Jeff King in King of the Rocket Men, a Forties SF serial, the first of three serials featuring this character. He showed up on the Fifties Superman series in different roles, sometimes on the side of Good, sometimes not. He played The Ambassador twice on Batman in. “When the Rat’s Away the Mice Will Play” and “A Riddle a Day Keeps the Riddler Away”. (Died 1990.)
Born August 13, 1922 — Willard Sage. He showed up on Trek as Thann, one of the Empaths in “Empath”. He was Dr. Blake in Colossus: The Forbin Project, and had roles in The Land of Giants, Invaders, The Man from U.N.C.L.E., The Outer Limits and The Sixth Sense. (Died 1974.)
Born August 13, 1965 — Michael De Luca, 56. Producer, second Suicide Squad film, Childhood’s End, Ghost Rider and Ghost Rider: Spirit of Vengeance, Dracula Untold, Lost in Space, Blade and Blade II, Pleasantville and Zathura: A Space Adventure which is not a complete listing. Also writer for an episode of Star Trek: Voyager, the first Dredd film (oh well), the Freddy’s Nightmares series and the Dark Justice series which though not quite genre was rather fun.
Born August 13, 1977 — Damian O’Hare, 44. Though you might know him from the Pirates of the Caribbean films, The Curse of the Black Pearl and On Stranger Tides where he played Gillette, I know him as the voice of John Constantine on Justice League Action. He also showed up in Agent Carter. (CE)
Born August 13, 1982 — Sebastian Stan, 39. Bucky Barnes / Winter Soldier in the MCU film franchise; also appeared in Once Upon a Time series, The Martian, The Apparition, Ares III, and Kings, a contemporary alternate-history series about a man who rises to become the King of his nation, based on the biblical story of King David.
(10) LEAVIN’ ON A JET PLANE. Viewers who have been conditioned by all those movies to think Middle-Earth is a neighborhood of New Zealand will see one season of the Amazon’s TV adaptation shot there too – then, goodbye! The Guardian says moving day is coming: “Amazon moves production of Lord of the Rings TV series to UK”.
Amazon has made the surprise decision to move production of its $1bn-plus Lord of the Rings series from New Zealand to the UK, rejecting tens of millions of dollars in incentives to shoot the TV show in the same location as the blockbuster films.
Amazon, which four years ago paid $250m to secure the TV rights to JRR Tolkien’s works after founder Jeff Bezos demanded a Game of Thrones-style hit for its streaming service, chose to film the first series in New Zealand after competitive bids from around the world. Scotland, which narrowly missed out to New Zealand, is considered to be the frontrunner for the new shooting location, although Amazon declined to comment on its plans.
It is understood that the Tolkien estate had been keen for the series to be shot in the UK, the land that inspired JRR Tolkien’s original books, although did not have any right to determine the TV production’s location.
…Despite being one of the most influential and successful film genres, horror does not always get the appreciation it deserves, especially when you consider the passion, patience, technical mastery, and even suffering the cast and crew endure for the sake of a good scare. You may never look at some of the best horror movies the same way again after learning these shocking behind-the-scenes facts, starting with a clever trick used in one of history’s most iconic shockers.
George Lucas Got Stuck In The Mechanical Shark From Jaws
Steven Spielberg was also not prepared for the hysteria he would face the set of his breakout horror hit Jaws, which was mostly due to the technical difficulties that their mechanical star frequently suffered. Someone who experienced these flaws first-hand, and terrifyingly so, was George Lucas, who got his head stuck in the shark as the result of a prank gone wrong while was visiting the set. Curious about it inner-workings, the future Star Wars movies creator voluntarily put his head inside the shark when Spielberg and John Milius activated the jaw clamp, only to panic when they became temporarily unable to get Lucas out.
(12) PROZINE IS STILL WITH US. The Interzone #290/291 Double Issue Ebook is now available. Fiction (see ToC at the link) plus columns by Aliya Whiteley and David Langford; guest editorial by Lavie Tidhar; book reviews by Maureen Kincaid Speller, Duncan Lawie, Val Nolan, and several others; film reviews by Nick Lowe.
Previously announced in 2020, the new series comes from Belgian studio Depuis Audiovisuel. All the Smurfs that folks most likely remember from their childhoods, from Papa Smurf and Brainy to Smurfette and Clumsy, are back. The new addition comes in the form of Willow, who leads a tribe of girl Smurfs. Like most of the network’s cartoons, each episode will come in a pair of 13-minute blocks: the premiere episode, “Smurf-Fu,” will be about Brainy wanting to learn “Smurf-Fu” from Smurfette so he can defend himself, and “Diaper Daddy,” which finds Handy inventing a robot to change Baby Smurf’s diapers so no one else has to.
…In addition to its school-bus-length wingspan, the creature had a three-foot-long skull with a pointed snout and around 40 sharp teeth. This pterosaur likely lived and hunted for fish near the Eromanga Inland Sea, a large inland sea that once occupied much of eastern Australia during the early Cretaceous period.
“It wasn’t built to eat broccoli,” Richards tells Royce Kurmelovs of the Guardian. “It would have been a fearsome sight.”
Though the fossil was found in northwest Queensland over a decade ago, researchers weren’t able to prove it was a new species until now. There are over 200 species of pterosaur, ranging from the 16-foot-tall Quetzalcoatlus to the sparrow-sized Anurognathus. Unlike the feathered birds they shared the sky with, pterosaurs stayed aloft on membrane wings stretched between their fingers….
(16) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In the spoiler-filled “The Suicide Squad: Pitch Meeting” on Screen Rant, Ryan George says that fans of several popular character actors who appear in The Suicide Squad will be disappointed that they die almost immediately after they’re introduced and that Harley Quinn “is better at hand-to-hand combat that a whole squad of military people.”
[Thanks to Mike Kennedy, Andrew Porter, Martin Morse Wooster, JJ, Michael J. Walsh, Michael Toman, John King Tarpinian, and Cat Eldridge for some of these stories. Title credit belongs to contributing editor of the day Daniel Dern.]
There seem to be a lot of cooks hovering over the broth:
Benioff and Weiss executive produce under their Bighead Littlehead banner along with the company’s newly installed president, Bernadette Caulfield. [Rian] Johnson, Ram Bergman, and Nena Rodrigue executive produce via T Street Productions. [Brad] Pitt executive produces with along with Dede Gardner and Jeremy Kleiner for Plan B Entertainment. [Rosamund] Pike and Robie Uniacke executive produce for Primitive Streak. Lin Qi, chairman of Yoozoo Group and The Three-Body Universe, and Zhao Jilong, vice president of The Three-Body Universe, also executive produce.
…Author Liu Cixin and accomplished sci-fi writer Ken Liu, who translated the English versions of the first and third books, serve as consulting producers.
The article quotes Liu Cixin:
“I have the greatest respect for and faith in the creative team adapting ‘The Three-Body Problem’ for television audiences,” said Cixin. “I set out to tell a story that transcends time and the confines of nations, cultures and races; one that compels us to consider the fate of humankind as a whole. It is a great honor as an author to see this unique sci-fi concept travel and gain fandom across the globe and I am excited for new and existing fans all over the world to discover the story on Netflix.”
…Since the start of the coronavirus outbreak in the US earlier this year, campaigns like Biden’s have been forced to entirely rethink how they organize voters. Instead of in-person rallies, Biden’s team has opted for live-streamed events and fundraisers along with socially distanced productions and interviews. The entire Democratic National Convention was held virtually earlier this month, with most guests streaming in over video software like Zoom to deliver speeches.
The Biden-Harris campaign released four sign designs for players to download, featuring the official Biden-Harris logo, Team Joe logo, the “Joe” Pride logo, and an image of aviator sunglasses shaded in red, white, and blue. Players will be able to access the designs in-game by scanning the design QR codes through the Nintendo Switch Online app.
…Millions of people have picked upAnimal Crossing: New Horizons since its initial release in March, and the Biden campaign is hoping to engage that large base with their new merch. “Animal Crossing is a dynamic, diverse, and powerful platform that brings communities together from across the world. It is an exciting new opportunity for our campaign to engage and connect Biden-Harris supporters as they build and decorate their islands,” Christian Tom, director of digital partnerships for the Biden campaign, said in a statement to The Verge. “As we enter the final campaign stretch towards November, this is one way we are finding new creative and innovative ways to meet voters where they are and bring our supporters together.”
…The first panel I watched was “Fantasy for YA vs. Adults”, featuring Alma Alexander, Farah Mendlesohn, Sherwood Smith and Kathryn Sullivan. I picked this panel over the horror panel going on at the same time, because I knew and liked the panelists. There was some concern in the chat that the panelists were all white. And indeed, more diversity would have been nice, especially considering what a diverse field fantasy in general and YA in particular is.
Talking of the chat, unlike other recent virtual conventions, NASFiC opted not to use the Zoom chat, but have the Discord chat side by side with the panel. From the POV of an audience member, this was a lot better than having to switch between Discord and Zoom in different tabs/windows. Though I’m not sure how it was from the POV of a panelist, since panelists and moderators can more easily see questions, when they are asked in the Zoom chat…
(5) MASTERING DUALITY. Sarah Gailey’s Personal Canons series continues with “Abhorsen”.
…When I first read the Abhorsen books, I was very young, and I was just starting to grapple with questions of identity, duality, and choice. Bound up in those questions was a larger, overarching question of worth. I felt certain that if I didn’t answer those questions about myself correctly, I’d lose some degree of goodness. Bit by bit, parts of me would tarnish; I’d become Bad, and there would be no place in the world for me. That feeling was too much. I couldn’t face it.
But in Garth Nix’s books, I saw that perhaps the answers could be more complicated than I realized. In Sabriel, I saw that feeling afraid and unprepared didn’t have to mean surrender, so long as I could be resourceful and stubborn. In Lirael, I saw that it’s possible to survive the crushing feeling that life is unsurvivable.
(6) NYRSF 30TH SEASON. The New York Review of SF Readings Series, hosted by Jim Freund, kicks off its new season virtually on September 8 with a reading by Michael Swanwick. More info at the link: “NYRSF Readings: Swanwick/Dozois ‘The City Under the Stars’”
This reading marks the beginning of our 30th Season! Sadly, we cannot all join together for a fete, but over the course of time, we’ll figure something out. We wish to experiment with simulcasting the reading on our traditional home here on Facebook, but also try simulcasting it on YouTube. We’ll be testing this through the week so be sure to check back here to find out where to log in.
On Tor.com, Michael Swanwick wrote: “Almost a quarter century ago, Gardner Dozois and I published “The City of God,” now the first half of this novel. It ended with a slam, seemingly precluding any sequels. But over the decades Gardner and I talked over what might come next. We planned to write two more novellas, “The City of Angels” and “The City of Men,” which would tell one long, complete story. One with a happy ending.
Don’t laugh.
Yes, Gardner could be a bleak writer. Yes, the novella was dark even for him. But he had an uplifting idea for how the book would end. We discussed it often. We were midway through the second novella and aiming at that happy ending when, without warning, Gardner died.
I knew I would never write that third novella without his input, his genius. Nevertheless I wanted the world to see this genuinely happy ending. So I changed the direction of the work in progress, combined both novellas, divided them into chapters, and made of them a novel I think Gardner would have been pleased with.
The ending is exactly what Gardner envisioned all those decades ago. A happy one. For everyone.
When I wrote the last words of it, I cried.”
(7) NOT TOO LATE TO TUNE IN. [Item by Martin Morse Wooster.]“Arthur Charles Clarke discusses science fiction” at the Studs Terkel Radio Archive is a 1959 interview Studs Terkel conducted with Clarke where Clarke discusses his novels Childhood’s End and Earthlight, explains why he thought sf was not escapist, and said that “I’m a moral vegetarian, although I hate vegetables.”
We gathered some of our favorite guest stars from Star Trek: The Original Series. They are famous faces from classic television. See if you can match them to their popular roles. Good luck!
…The series trailer (watch it above) sets up the premise of Camp Cretaceous: A group of six teenagers are trapped at a new adventure camp on the opposite side of Isla Nublar. When the events of the film unfold and dinosaurs are unleashed across the island, each kid realizes their very survival rests on the shoulders of themselves and their fellow campers. Unable to reach the outside world, the six teens will go from strangers to friends to family as they band together to survive the dinosaurs and uncover hidden secrets so deep they threaten the world itself.
Jurassic World: Camp Cretaceous premieres September 18 on Netflix.
The new interactive site, live now, invites users to experience a behind the gates look at Jurassic World: Camp Cretaceous. At CampCretaceous.com, users can tour the campgrounds, get up close with dinosaurs, check out tree top cabins and a zipline, among other adventures.
(10) GOSPEL OR BLASPHEMY? Chris Mooney, in “You Don’t Have To Be A Genre Writer To Explore Genre” on CrimeReads, says his desire to put sf elements in a suspense novel led him to explore other works that combine sf and suspense, including novels by Colson Whitehead, Margaret Atwood, and Sir Kazuo Ichiguro.
…Sometimes when you mix things together, the results are amazing, even spectacular. As I was writing Blood World, I realized that almost of my all-time favorite books—the ones that had the greatest impact on me—were from authors who successfully incorporated elements from more than one genre. And now, it’s mid-August, the height of vacation season, and if, like me, you find yourself stuck in your backyard on a “staycation,” or lucky enough to live near a beach, you can do no better than these definitive, intelligent, page-turning, genre-bending classics.
(11) MEDIA BIRTHDAY.
September 1, 1950 — Dimension X’s “The Roads Must Roll.” Based on the Robert Heinlein story that first was published in Astounding Science Fiction in the June 1940 issue, it would first be broadcast on this date on NBC in 1950. It would win the Retro Hugo for Best Novella at MidAmericon II, the same year that OGH won another Hugo for Best Fan Writer. Jason Bolander, Norman Rose and Karl Weber were the cast. You can listen to it here. (CE)
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born September 1, 1875 — Edgar Rice Burroughs. Bradbury declared him “the most influential writer in the entire history of the world.” Now I’d not necessarily disagree or agree with that statement but I would note that he has largely fallen out of public notice once again. So what’s your favorite works by him? The Barsoom stories are mine. (Died 1950.) (CE)
Born September 1, 1928 – Shelby Vick. Edited Planetary Stories 2005-2017. Edited a new (i.e. 2013, centuries after the original) volume of Sindbad stories (with E. Erdelac & E. Roberts; unable to resist the spelling “Sinbad”), writing one. A score of short stories around then. Leading fan since the 1940s. Introduced Lee Hoffman (to some of us, after this incident, “Hoffwoman”), to Bob Tucker. Started WAW with the Crew in ’52 bringing W.A. Willis to Chicon II the 10th Worldcon. Organized, if that word may be used, Corflu 16 (fanziners’ con; corflu = mimeograph correction fluid, once indispensable); brought as a guest to Corflu 29. Rebel Award. (Died 2018) [JH]
Born September 1, 1942 — C. J. Cherryh, 78. I certainly think the Hugo Award-winning Downbelow Station and Cyteen are amazing works but I think my favorite works by her are the Merchanter novels such as Rimrunners. Anyone familiar with “Cassandra“, the short story she won a Hugo for at Seacon ‘79? What’s it part of? (CE)
Born September 1, 1943 – Filthy Pierre, 77. So unassumingly and widely helpful for so long he was at length given the Big Heart (our highest service award) and more locally made a Fellow of NESFA (New England SF Ass’n; its service award). With Marilyn Wisowaty (as she then was; also F.N.) compiled The Blackdex and Bluedex indexing SF prozines. FP being a filker is often at hand during an SF con and, when waiting is, inspires song, accompanying us on the current version of the Filth-O-Phone. Made the well-named Microfilk, an early filk index. Filk Hall of Fame. Invented the Voodoo Message Board. Fan Guest of Honor at Albacon 2010, Baltcon 52. Under a transparent pseudonym has conducted the SF Conventional Calendar for Asimov’s since 1977. [JH]
Born September 1, 1951 — Donald G. Keller, 69. Editor and critic. Co-edited Phantasmicom with Jeff Smith (1969-1974). A contributor to The New York Review of Science Fiction in the early Nineties which is where his “The Manner of Fantasy” essay appeared. He also edited The Horns of Elfland anthology with Ellen Kushner and Delia Sherman. Inactive genre wise for a decade now other than being a member of the editorial board of Slayage, the online Encyclopedia of Buffy Studies. (CE)
Born September 1, 1952 – Brad Linaweaver. Productive pro writer found lovable by many because of or despite proclaimed libertarian opinions. A dozen novels, five dozen shorter stories, some with co-authors. Artbook anthology Worlds of Tomorrowwith Forrest J Ackerman. Interviewed William Tenn for Riverside Quarterly. Two Prometheus Awards. Phoenix. Heinlein’s brass cannon bequeathed to him. (Died 2019)
Born September 1, 1954 – Larisa Mikhaylova, Ph.D., 66. Editor, critic; translator including Cadigan and Le Guin. Editor-in-chief, Supernova. Organizer of conferences on Ivan Yefremov, co-ordinator of preparing his Complete Works. Biography of HE in J. Francaville ed., Harlan Ellison. “Shore Leave Russia” on Star Trek fandom in Russia, Eaton Journal of Archival Research in SF. Academic Secretary, Russian Soc. Amer. Cultural Studies. [JH]
Born September 1, 1961 – Jacinta Escudos, 59. Mario Monteforte Toledo Central American Prize for Fiction. Collection, The Devil Knows My Name (in Spanish, i.e. El diablo sabe mi nombre). Anthologized in And We Sold the Rain, Lovers and Comrades, You Can’t Drown the Fire. Widely known outside our field. Blog here (in Spanish). [JH]
Born September 1, 1964 — Martha Wells, 56. She’s has won a Nebula Award, a Locus Award, and two Hugo Awards, one for the “All Systems Red” novella at WorldCon ‘76, and the other for her “Artificial Condition“ novella at Dublin 2019. Impressive. And she was toastmaster of the World Fantasy Convention in 2017 where she delivered a speech called “Unbury the Future”. Need I note the Muderbot Diaries are a truly amazing reading? (CE)
Born September 1, 1967 — Steve Pemberton, 53. He’s on the Birthday List for being Strackman Lux in the most excellent Eleventh Doctor stories of “Silence in the Library” and “Forest of the Dead” but he has other genre credits including being Drumknott in Terry Pratchett’s Going Postal, Professor Mule in the Gormenghast series and Harmony in the Good Omens series as well. (CE)
Born September 1, 1974 — Burn Gorman, 46. Best known for his roles as Owen Harper in Torchwood , Karl Tanner in the Game of Thrones, Philip Stryker in The Dark Knight Rises and also as Hermann Gottlieb in Pacific Rim and the sequel Pacific Rim: Uprising. Like so many of his fellow Torchwood performers, he’s been active at Big Finish where he’s been in nine Torchwood stories to date. (CE)
Born September 1, 1978 — Yoav Blum, 42. Software developer and author. First novel translated (from Hebrew), The Coincidence Makers. Ranks Guards! Guards! about the same as Winnie-the-Pooh. [JH]
(13) COMICS SECTION.
Ziggy listens to an outburst about an unfair evolutionary advantage.
Off the Mark comes up with one of those times when you shouldn’t count on Superman to save your life.
….I’ve been in a bit of a reading rut in recent weeks, but one book that I’ve been enjoying is The Human Cosmos: Civilization and the Stars by Jo Marchant. It’s out today, and Marchant takes a slightly different tack on the history of astronomy: she looks at not how humanity discovered the stars and planets, but how it impacted our development as a civilization. It’s an excellent example of multidisciplinary history, looking at archeology, science, mathematics, and of course, astronomy. I highly recommend it.
If you’re looking for other books coming out this month, here are 22 science fiction and fantasy ones hitting stores that you should check out.
(15) THE STICKS HAVE BEEN HEARD FROM. SF Concatenation’s Jonathan Cowie, who has been without the internet most of the time during the pandemic, broke out of isolation to update “Concatenation Science Communication News”.
Prior to CoVID-19 / SARS-CoV-2, neither abode being connected to the internet was not a problem (not even required) as regular internet access was available at college, volunteer work offices as well as learned society Fellows rooms’ and public libraries’ cybercafes (plus even hotels when travelling). However, with SARS-CoV-2, access to these has ceased. This means no e-mail communication since 20th March 2020 and this will not resume until we get a vaccine and restrictions are lifted. So if you have e-mailed, now you know why you have not had a response.
All other (non-e-mail) communications are working fine…
More news at the link.
He also tweeted assurance that there will be an autumnal edition of SF2 Concatenation as contributors have been snail-mailing contributions in on memory sticks.
… The material that this movie is based upon is Max McLean’s one man stage play that chronicles the Narnia author’s journey from atheism to Christianity… Although a filmed from the stage version of this production is already available on DVD, the new movie version will be entirely different with a full cast shooting at historic locations from C.S. Lewis’s life.
“The difference about this play is it’s going to be on location all over Oxford. We have full access to Maudlin College, The Kilns, the church, [and] various other places that are mentioned in the play. Instead of it being a one person show, it’s going to be a multi-actor show. I’ll play the older Lewis, we’ll have a boy Lewis, a young Lewis in his 20’s, cast his mother, his father, Tolkien, Barfield, Kirk, among others, and that is going to begin shortly.”
In March 2020 the entire world of Fellowship for Performing Arts came to a complete standstill. The New York based theatrical organization had been selling 2,000 tickets a week for their four productions, but that quickly dropped to 0 tickets a week and there is no expectation that live theater will resume until 2021. More than 30 FPA shows have been canceled because it is far too dangerous to hold any public gatherings in the United States.
“Since our plays have all shut down, we’ve moved up our feature film adaptation of C.S. Lewis’s conversion story. That was designed to be a 2021/2022 project, well we’ve moved it up to September and October of this year. I’ll be leaving tomorrow for the UK to begin shooting in mid-September (I have to quarantine for two weeks before we begin shooting).”-Max McLean
Norman Stone is the producer of this movie. This award-winning British director also directed Shadowlands (1985), C.S. Lewis: Beyond Narnia (2005), and The Narnia Code (2009).
(17) WILL CROWDFUNDING LET THEM MAKE THEIR TEASER TRAILER? The Kickstarter for “BAÏDIR – the animated series”, a space-opera animated series, looks to be far from funding, having raised only $29,266 of its $35,968 goal and the appeal ending September 6.
This is an epic, modern, ecological, and family fable…
It tells the initiatory path of a hero willing to do anything to locate his sister, and thus restore the family’s lost balance. It is also a story that echoes a much broader collective quest. At stake: restoring our planet’s lost environmental equilibrium.
Baïdir is a series designed to span three parts, each composed of 8 episodes of 26 minutes. The genre varies from adventure to science fiction with a good dash of fantasy.
Born from the imagination of Slimane Aniss, then enriched by the graphic universe spun by Charles Lefebvre and Thierry Rivière, Baïdir got its first teaser in 2009. Several years later, in 2012, the concept for the series was purchased by a first production studio. This resulted in a second teaser being hatched. Then several years after that, Andarta Pictures managed to acquire the rights to the work. At long last, work could begin on building the narration and the universe, thus allowing it to take shape for the television screen.
Baïdir is a project that has garnered quite a lot of interest during its various development phases. There is a massive amount of fan art on social networks. This crowdfunding campaign will allow us to breathe life into this whole universe and to tell the story of Baïdir and his friends at last.
Join Neil deGrasse Tyson, the Frederick P. Rose Director of the Hayden Planetarium, and a panel of experts for a livestream debate and question-and-answer session to discuss how life may have formed on Earth and explore what alien life might look like elsewhere in the universe.
What criteria do we use to classify life as we know it? Should the criteria be revised as we look for life on other worlds? The debate will bring together scientists from different fields–Nathalie A. Cabrol of the SETI Institute, Vera Kolb of the University of Wisconsin-Parkside, Seth Shostak of the SETI Institute, Carol Cleland of the University of Colorado, and Max Tegmark of MIT–to share their creative ideas for what forms life might take in an extraterrestrial environment and what these predictions can teach us about life on our own planet.
(19) HO, HO PHO. Archie McPhee has “Ketchup, Shiitake And Pho Candy Canes” ready for the holiday season – whatever holiday that may be. (“National Flash on Your Carpet Day”?) Wait – they seem to think it’s Christmas!
This year’s Archie McPhee candy canes are here! We’ve got three crazy flavors to make your Christmas more delicious than ever. Ketchup Candy Canes are fresh-from-the-bottle candy that tastes just like America’s favorite condiment. Shiitake Mushroom Candy Canes have a mushroom flavor that will make Christmas morning even more fungus than usual. And, finally, Pho Candy Canes are un-pho-gettable!
[Thanks to N., John King Tarpinian, Lise Andreasen, Contrarius, Michael Toman, JJ, Cat Eldridge, John Hertz, Martin Morse Wooster, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Daniel Dern, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day O. Westin.]
The inside of Virgin Galactic’s space plane is like a space-age executive jet.
The seats recline to absorb the forces of acceleration toward space. Mood lighting shifts during each phase of the flight. Twelve windows — two for each of the six passengers, who have paid hundreds of thousands of dollars each for a seat — provide an impressive view of Earth and the darkness of space. Sixteen cameras will capture you floating. And the back of the cabin includes a big circular mirror so that you can watch yourself enjoying a few minutes escaping the effects of gravity.
Virgin Galactic will be offering short up-and-down trips to the edge of space, essentially like giant roller coaster rides with better views, in its space plane, SpaceShipTwo.
But how can the company unveil the fancy new interior of its space plane in the middle of a global pandemic when journalists are not able to gather for a fancy media event?
Modern technology provided an imaginative solution. Virgin Galactic sent Oculus virtual reality headsets as loaners to journalists so that they could chat with the designers of the cabin while walking through a computer-generated version of it — an experience of almost being there while being nowhere near there….
(2) REASONS FOR SITE SELECTION WRITE-INS. Yeah. No.
Confident the reason why Kirkjubaejarklaustur was a write in for Worldcon Site Selection was to make the @CoNZealand returning officer say Kirkjubaejarklaustur. Which of course means that I'll have to write in Llanfairpwllgwyngyllgogerychwyrndrobwllllantysiliogogogoch next time
In a July 28 filing, the Internet Archive answered a copyright infringement lawsuit filed by four major publishers, asserting that its long-running book scanning and lending program is designed to fulfill the role of a traditional library in the digital age, and is protected by fair use.
“The Internet Archive does what libraries have always done: buy, collect, preserve, and share our common culture,” reads the IA’s preliminary statement to its answer, contending that its collection of roughly 1.3 million scans of mostly 20th century books, many of which are out of print, is a good faith and legal effort to “mirror traditional library lending online” via a process called Controlled Digital Lending (CDL).
“Contrary to the publishers’ accusations, the Internet Archive, and the hundreds of libraries and archives that support it, are not pirates or thieves,” the filing states. “They are librarians, striving to serve their patrons online just as they have done for centuries in the brick-and-mortar world. Copyright law does not stand in the way of libraries’ right to lend, and patrons’ right to borrow, the books that libraries own.”
The IA’s answer comes in response to a June 1 copyright infringement lawsuit filed in the Southern District of New York by Hachette, HarperCollins, John Wiley & Sons, and Penguin Random House, and coordinated by the Association of American Publishers….
(4) KGB READINGS. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Elizabeth Hand and Michael Libling in a YouTube livestreamed event on Wednesday, August 19 at 7 p.m. Eastern.
Elizabeth Hand
Elizabeth Hand is the author of sixteen multiple-award-winning novels and collections of short fiction including Curious Toys, Wylding Hall, and Generation Loss. The Book of Lamps and Banners, her fourth noir novel featuring punk provocateur and photographer Cass Neary, will be out this year. She divides her time between the Maine coast and North London.
Michael Libling
Michael Libling is a World Fantasy Award-nominated author whose short fiction has appeared in The Magazine of Fantasy & Science Fiction, Asimov’s Science Fiction, Realms of Fantasy, Amazing Stories, and many others. His debut novel, Hollywood North: A Novel in Six Reels, was published in 2019. Michael is the father of three daughters and lives on Montreal’s West Island with his wife, Pat, and a big black dog named Piper.
(5) CEASELESS GIVEAWAY. Beneath Ceaseless Skies is running a giveaway of Marie Brennan’s upcoming book Driftwood. The rules and other details can be found here: “First Marie Brennan Driftwood Book Giveaway”
To enter the giveaway that’s in this very post, comment on this post (here) and tell us what your favorite Marie Brennan short story is. Whether a Driftwood story or one of her many other stories; whether published in BCS or elsewhere.
Your comment will enter you in a random drawing for the signed copy of Driftwood. This giveaway ends Wed. Aug. 12. (Full Rules are here, at the end of this post.)
(6) MEDIA BIRTHDAY.
July 31, 1930 — The Shadow first made his appearance as the narrator of the Detective Story Hour radio program which was intended to boost sales of Street & Smith’s monthly Detective Story Magazine. Harry Engman Charlot, a scriptwriter for the Detective Story Hour was responsible for the name. The Shadow would be developed into the character that we know a year later by Walter B. Gibson. (CE)
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born July 31, 1807 – Clara de Chatelain. In her Child’s Own Book of Fairy Tales, two more, retold fifty classics and wrote a hundred forty. The Sedan Chair and Sir Wilfred’s Seven Flights comprises two for adults. Translated four hundred songs for music publishers e.g. Schott; tr. Cammarano’s Italian lyrics for Donizetti’s Lucia di Lammermoor (whose protagonist is Scots). Wrote widely under “Leopold Wray” and other names. Friend of Victor Hugo. (Died 1876) [JH]
Born July 31, 1879 – Kenneth Morris. Ranked by Le Guin with Eddison, MacDonald, Tolkien as master 20th Century fantasy prose stylist. Three novels (this one published posthumously), forty shorter stories, sometimes under the Welsh form of his name Cenydd Morus. (Died 1937) [JH]
Born July 31, 1924 – Waldemar Kumming. Leading German fan for decades. Joined SFCD (Science Fiction Club Deutschland; note combined English-German name) 1956, chair 1962-1968. Fan Guest of Honour at Seacon ’84 – combining Eastercon 35 (U.K. nat’l con) + Eurocon 8. Published Munich_Round_Up with Walter Reinicke until WR died 1981, then alone until 2014; I was glad to contribute. Kurd_Laßwitz_Special Award for MRU and life achievement. Big Heart (our highest service award). Wolf von Witting’s appreciation here. (Died 2017) [JH]
Born July 31, 1928 – Allen Lang, 92. One novel (Wild and Outside, US baseball shortstop sent to civilize the planet Melon), a score of shorter stories translated into Dutch, French, German, Italian, most recently (“Fuel Me Once”) in the Jul-Aug 20 Analog. [JH]
Born July 31, 1929 – Lynne Reid Banks, 91. A dozen novels for us, forty other books including The L-Shaped Room. Children’s fantasy The Indian in the Cupboard, ten million copies sold; four sequels. Eight years teaching on a kibbutz (“not a Jew, but Jew-ish”). Barrie Award. “Writing for a living is a great life, if you don’t weaken.” Website here. [JH]
Born July 31, 1932 — Ted Cassidy. He’s best known for the role of Lurch on The Addams Family in the mid-1960s. if you’ve got a good ear, you’ll recall that he narrated The Incredible Hulk series. And he played the part of the android Ruk in the episode “What Are Little Girls Made Of?” on Trek, and provided the voices of the more strident version of Balok in the episode “The Corbomite Maneuver” and the Gorn in the episode “Arena”. In The Man from U.N.C.L.E. episode “The Napoleon’s Tomb Affair”, he was Edgar, who kidnapped, tortured, and repeatedly attempted to kill Napoleon and Illya. (Died 1979.) (CE)
Born July 31, 1935 –Dave Van Arnam. Seven novels (some with Ted White), translated into Dutch, Japanese, Spanish. Two anthologies (with Kris Neville, William Tenn). “How I Learned to Love Fandom” in NyCon 3 Program & Memory Book (25th Worldcon; DVA was co-chair). Co-founded, or something, APA-F. (Died 2002) [JH]
Born July 31, 1951 — Jo Bannister, 69. Though best-known as a most excellent British crime fiction novelist, she has three SF novels to her credit, all written in the early Eighties — The Matrix, The Winter Plain and A Cactus Garden. ISFDB lists one short story by her as genre, “Howler”, but I wasn’t at all aware that Ellery Queen’s Mystery Magazine printed genre fiction which is where it appeared first. (CE)
Born July 31, 1956 — Michael Biehn, 64. Best-known in genre circles as Sgt. Kyle Reese in The Terminator and Terminator 2: Judgment Day, Cpl. Dwayne Hicks in Aliens and Lt. Coffey in The Abyss. He was also The Sandman in a single episode of Logan’s Run. Though not even genre adjacent, he was Johnny Ringo in the magnitude Tombstone film. (CE)
Born July 31, 1959 — Kim Newman, 61. Though best-known For his Anno Dracula series, I’d like to single him out for his early work, Nightmare Movies: A critical history of the horror film, 1968–88, a very serious history of horror films. It was followed up with the equally great Wild West Movies: Or How the West Was Found, Won, Lost, Lied About, Filmed and Forgotten. He’s also a prolific genre writer and his first published novel, The Night Mayor, sounds very intriguing. (CE)
Born July 31, 1962 — Wesley Snipes, 58. The first actor to be Blade in the Blade film franchise where I thought he made the perfect Blade. (There’s a new Blade actor though their name escapes right now.) I also like him as Simon Phoenix in Demolition Man. (CE)
Born July 31, 1976 — John Joseph Adams, 44. Anthologist of whom I’m very fond of The Improbable Adventures of Sherlock Holmes and Dead Man’s Hand: An Anthology of the Weird West which he did. He was the Assistant Editor at The Magazine of Fantasy & Science Fiction for nearly a decade, and he’s been editing both Lightspeed and Nightmare Magazine since the early part of this decade. (CE)
Born July 31, 1979 – B.J. Novak, 41. Author, actor, writer-director. Fifteen short stories ours in The New Yorker, Zoetrope, and collection One More Thing (it has 64 total; six weeks a NY Times Hardcover Fiction Best-Seller). For children The Book With No Pictures (also a best-seller; “a lot of the other one-star reviews are from people who object to speaking of a hippo named Boo Boo Butt”). [JH]
Today, 98% of international internet traffic is ferried around the world by subsea cables. A vast underwater network of cables crisscrossing the ocean makes it possible to share, search, send, and receive information around the world at the speed of light. In today’s day and age, as the ways that we work, play and connect are becoming increasingly digital, reliable connectivity is more important than ever before. That’s why we’re excited to announce a new subsea cable—Grace Hopper—which will run between the United States, the United Kingdom and Spain, providing better resilience for the network that underpins Google’s consumer and enterprise products.
Grace Hopper joins our other private subsea cables, Curie, Dunant and Equiano to connect far-flung continents along the ocean floor. Private subsea cables allow us to plan effectively for the future capacity needs of our customers and users around the world, and add a layer of security beyond what’s available over the public internet.
Once commissioned, the Grace Hopper cable will be one of the first new cables to connect the U.S. and U.K. since 2003, increasing capacity on this busy global crossroads and powering Google services like Meet, Gmail and Google Cloud. It also marks our first investment in a private subsea cable route to the U.K., and our first-ever route to Spain. The Spanish landing point will more tightly integrate the upcoming Google Cloud region in Madrid into our global infrastructure. The Grace Hopper cable will be equipped with 16 fiber pairs (32 fibers), a significant upgrade to the internet infrastructure connecting the U.S. with Europe. A contract to build the cable was signed earlier this year with Eatontown, N.J.-based subsea cable provider, SubCom, and the project is expected to be completed in 2022.
(11) MOVIE AMBIENCE. [Item by algorithm connoisseur Martin Morse Wooster.] The YouTube algorithm introduced me to a website called Ambient Worlds, whose creator has come up with Harry Potter Movie Ambience: “Hogsmeade Relaxing Music, Crowd Noise And Snow”, which is an hour of music from the Harry Potter movies mixed into background music for whatever you happen to be doing (in my case, writing, because I write with music or baseball in the background). I’ve never heard of such a thing.
Ambient Worlds has a Lord of the Rings background music video that’s three hours!
(12) VIDEO OF THE DAY. Nothing to do with sff, I just want to share my appreciation of this editing job!
[Thanks to John King Tarpinian, Nina Shepardson, Chip Hitchcock, JJ, John Hertz, Mike Kennedy, Cat Eldridge, Michael Toman, Martin Morse Wooster, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Xtifr.]
Alas, no one was paying attention to Youtube’s ContentID copyright bot yesterday until after it shut down a couple officially sponsored livestreams from San Diego Comic-con. The first to get the boot was a Star Trek panel, and then a couple hours later Cartoon Network’s panel was also cut off.
Here’s why this is newsworthy: Both of these panels were blocked by Youtube the networks were streaming content that belonged to the networks.
The panel included the cast and producers of Discovery doing a read-through of the first act of the season 2 finale, “Such Sweet Sorrow, Part 2.” The “enhanced” read-through included sound effects, effects shots, and storyboard images meant to bolster the actors as they delivered lines from their living rooms and home offices.
Even if the presentation didn’t look like a real episode of Discovery to the home viewer, it apparently sounded close enough: after the Star Trek Universe virtual panel began viewers began to lose access to the stream. In place of the video, YouTube displayed a content ID warning reading: “Video unavailable: This video contains content from CBS CID, who has blocked it on copyright grounds.”
After being blacked out for about 20 minutes, the panel was restored, and the recording of the virtual panel has no gaps in playback.
The Digital Reader reminded everyone:
This is not the first time that livestreams have been blocked when they were legally using content; I am reminded of the Worldcon awards dinner livestream that was shut down because someone played a Doctor Who clip. The video had been provided by the BBC (the show had won an award that year) but apparently no one told Ustream’s bot.
(2) TIME IS DRAGON ALONG. The Dragon Award nominations closed July 17, so what better day for their site to make its first post in over a year? Er, wait, it’s July 24! Makes a good reason to call it “A Blast from the Past (Winners) – Part 1”:
…Now in its sixth year, the Dragon Con hosted Dragon Awards has proven to be the defining “must” list for the greatest in genre novels, media, comics, and games. While the world is locked inside, members and fans have turned to past award winners to build their reading lists.
We reached out to eight winners and asked them to talk about their award-winning novels, their other works, the Dragon Awards ceremony, and what they have coming up that they would like to share….
… This is your chance say as much as you want right now to tell all the fans what they should know about you as a person and author, your work, and your career.
…Harry Turtledove: It’s all L. Sprague de Camp’s fault. I found his Lest Darkness Fall in a secondhand bookstore when I was about 15, and started trying to find out how much he was making up (very little) and how much was real (most). And so, after flunking out of Caltech the end of my freshman year (calculus was much tougher than I was), I wound up studying Byzantine history at UCLA. I got my PhD in 1977. If I hadn’t found that book then, I wouldn’t have written most of what I’ve written. I would have written something–I already had the bug–but it wouldn’t be alternate history. I wouldn’t be married to my wife; I met her when I was teaching at UCLA while my professor had a guest appointment in Greece. I wouldn’t have the kids and grandkids I have. I wouldn’t be living where I’m living. Other than that, it didn’t change my life a bit. Imagining me without reading Lest Darkness Fall is alternate history on the micro-historical level.
(3) FAN RESOURCES. Congratulations to Fanac.org for reaching new milestones in preserving fanhistory.
FANAC by the Numbers. Numbers can be misleading, but they do give us some idea of the progress we are making in documenting our fan history. As of today, we have 11,526 fanzine issues consisting of more than 179,423 pages. This is up from the 10,000 fanzine issues and 150,000 pages reported in our April update. Our YouTube channel is now at 621 subscribers, and 90,356 views, up from last time’s 500 and 75,000. Fancyclopedia 3 has exceeded 32,000 items.
(4) TIED UP AT THE DOCK. Next year’s JoCo Cruise, technically a Jonathan Coulton fan cruise but really a week-long ocean cruise of all sorts of nerdery, science fiction fandom, and boardgaming, has been postponed a year to March 5-12, 2022. John Scalzi, a regular participant, also wrote a post about the announcement.
The safety & well-being of our attendees, crew & performing guests are of the utmost importance to us. So we have made the difficult decision to reschedule JoCo Cruise 2021 to March 5-12, 2022. If you were booked for 2021, check your email for detailed info about this process. pic.twitter.com/jdSNKZ40us
“Librarians, publishers, authors, all of us should be working together during this pandemic to help teachers, parents, and especially students,” Kahle implored. “I call on the executives of Hachette, HarperCollins, Wiley, and Penguin Random House to come together with us to help solve the challenging problems of access to knowledge during this pandemic, and to please drop this needless lawsuit.”
Kahle’s remarks came as part of a panel, which featured a range of speakers explaining and defending the practice of Controlled Digital Lending (CDL), the legal theory under which the Internet Archive has scanned and is making available for borrowing a library of some 1.4 million mostly 20th century books….
(6) GEEK PARTNERSHIP SOCIETY FUNDRAISER. At least four Minneapolis-St. Paul conventions call the Geek Partnership Society’s office space home, and a host of other groups use it, too (listed below). The facility may not be able to afford to stay open, and after three weeks the GPS GoFundMe has raised only $13,010 of its $40,000 goal.
Geek Partnership Society may not be able to honor the terms of its lease and could face permanent closure if funds cannot be raised by end of July, 2020.
Please act now to support our facility, our community programs, and the resources we strive to provide to all geeks in the Twin Cities.
So, what happened?
-Clubs and individuals canceled their rentals of GPS’s venue spaces as people complied with sheltering orders and tried to maintain social distance.
-GPS Charity Auction events that we rely on for income were canceled as local conventions were canceled or postponed.
-Some of our large annual contributors are also having financial difficulties. because their conventions were postponed/cancelled for 2020.
What needs to happen now?
We need your help to keep GPS running through the end of the year. This will provide the time needed to plan a more flexible revenue model going into 2021. Our goal is to raise $40,000.
The history of the horror genre is routinely told via the careers of male directors such as James Whale, Alfred Hitchcock, George Romero, John Carpenter, and Wes Craven. Author Alexandra Heller-Nicholas‘ just-published book 1000 Women in Horror: 1895-2018, takes a very different approach, showcasing the contributions of women directors and actors as well as those who have toiled, often unsung, in other capacities. “When we think of women in horror, we default to Janet Leigh or Texas Chain Saw Massacre, those really iconic images from horror films,” says Heller-Nicholas, who has previously written books on Dario Argento’s Suspiria and Abel Ferrara’s Ms. 45. “We think of terror as being embodied through women’s bodies — screaming and running. I really wanted to explode that a little bit and say the person at the editing deck might be a woman, the person in the director’s chair might be a woman, the cinematographer might be a woman. If we move outside of the ‘single male genius’ who else is working on this stuff? And it turns out there’s actually some pretty amazing people, and some of them are women. There’s a lot more going on that women embody in horror than screaming. Not that there’s anything wrong with screaming. It’s hard work!”
Heller-Nicholas was inspired to have 1895 be the chronological starting point for her collection of mini-biographies after seeing a film from that year titled The Execution of Mary Stuart. “It’s a very very early example of special effects,” says the writer. “It’s Mary going up to the guillotine and having her head chopped off and her head being picked up, that’s the end of the film. I was first drawn to this because Mary is played by ‘Mrs Robert Thomas.’ I was fascinated by ‘Mrs Robert Thomas.’ Seemingly it’s a woman, but she’s defined through her relationship to a man. But I did some digging around and apparently it was actually played by a man. There was something about it, a little it of playfulness and the idea that gender and identity is slippery even in 1895.”
(8) MEDIA BIRTHDAY.
July 24, 1952 — Blackhawk: Fearless Champion of Freedom serial premiered. This was a fifteen-chapter black-and-white movie serial from Columbia Pictures, based on the Blackhawk comic book, first published by Quality Comics, but later owned by DC Comics. The latter company would re-use the name in several versions of the group. It was directed by Spencer Gordon Bennet (as Spencer Bennet) Fred F. Sears and produced by Sam Katzman. It was written by George H. Plympton, Royal K. Cole and Sherman L. Lowe. It starred Kirk Alyn, Carol Forman and John Crawford. Despite being very well received, the Blackhawk serial was the last film serial shown on air flights.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born July 24, 1802 – Alexandre Dumas. Published work amounts to over 100,000 pages, translated into a hundred languages, inspiring two hundred motion pictures. Born on Haiti (as it now is); father, a general and the son of a marquis; grandmother, a black slave; Dumas, the name he used, was hers. His Nutcracker, a version of Hoffmann’s, is the basis of Tchaikovsky’s. The Wolf-Leader, an early werewolf novel; The Marriages of Father Olifus, just (2017) re-translated as The Man Who Married a Mermaid; The Count of Monte Cristo, a root of The Stars My Destination. (Died 1870) [JH]
Born July 24, 1878 – Edward Plunkett, 18th Baron Dunsany. Chess and pistol-shooting champion of Ireland. Fifty Tales of Pegana with its own history, geography, gods. Ten dozen unlikely tales told by Joseph Jorkins to anyone buying him a whiskey at their club. Clute and Langford say D’s prose has muscular delicacy. In Fitzgerald’s This Side of Paradise Blaine and D’Invilliers recite D’s poetry. Translated into Czech, Dutch, French, German, Italian, Japanese, Russian, Spanish, Turkish. (Died 1957) [JH]
Born July 24, 1895 — Robert Graves. Poet, mythologist, historical novelist, critic. Author of, among other works, The White Goddess (a very strange book which Yolen quotes from in The Wild Hunt), two volumes called TheGreek Myths, Seven Days in New Crete which Pringle has on his Best Hundred Fantasy Novels list, and more short fiction than really bears thinking about. (Died 1985.) (CE)
Born July 24, 1916 – John D. MacDonald. While the score of books (I warned you about these puns) featuring salvage consultant Travis McGee and his friend Meyer are favorites of many, JDM is here for three SF novels, five dozen shorter stories, he wrote until the end. Wine of the Dreamers has been translated into Dutch, French, German, Italian, Portuguese, Spanish, Swedish; its title if not already meaning something else might name fan activity or SF – or if not unfair to nondrinkers. (Died 1986) [JH]
Born July 24, 1936 — Phyllis Douglas. She also appeared in two episodes of the Trek series in “The Galileo Seven” and “The Way to Eden” and in a two-parter of Batman (“The Joker’s Last Laugh“ and “The Joker’s Epitaph”) where she was Josie. She was in an uncredited role in Atlantis: The Lost Continent, and her very first role was at age two in Gone with The Wind. (Died 2010.) (CE)
Born July 24, 1936 — Mark Goddard, 84. Major Don West, the adversary of Dr. Zachary Smith, on Lost in Space. Other genre appearances were scant. He played an unnamed Detective in the early Eighties Strange Invaders and he showed up on an episode of The Next Step Beyond which investigated supposed hauntings as Larry Hollis in “Sins of Omission”. Oh, and he was an unnamed General in the Lost in Space film. (CE)
Born July 24, 1945 – Gordon Eklund, 75. Some are fans, some are pros, some are both; GE won a Nebula co-authoring with Greg Benford, another: they have written two novels (including If the Stars Are Gods, expanded from the novelette), half a dozen shorter stories, together. Three decades after Stars GE won a FAAn (Fan Activity Achievement) Award as Best Fanwriter. Twenty novels, six dozen shorter stories, translated into Croatian, Dutch, French, German, Italian, Portuguese, Serbian, including two early Star Trek novels, of which one has a Dyson sphere. Recent collection, Stalking the Sun. [JH]
Born July 24, 1946 – Tom Barber, 74. Three dozen covers for books and magazines, a dozen interiors. Here is the May 79 Galileo. Here is The Men in the Jungle (in German as The Brotherhood of Pain). Here is the Mar 76 Amazing; here is the Mar 19; the magazine itself is well-named. [JH]
Born July 24, 1950 – Bob Fowke, 70. Two dozen covers, a dozen interiors. Here is The Golden Apples of the Sun. Here is Connoisseur’s SF. Here is King Creature, Come. Here is La flamme des cités perdues; not all who wander are lost, but here is The Lost Star. [JH]
Born July 24, 1951 — Lynda Carter, 69. Wonder Woman of course. But also Principal Powers, the headmistress of a school for superheroes in Sky High; Colonel Jessica Weaver in the vampire film Slayer; Moira Sullivan, Chloe Sullivan’s Kryptonite-empowered mother in the “Prodigy” episode of Smallville; and President Olivia Marsdin In Supergirl. (CE)
Born July 24, 1959 – Zdrvaka Evtimova, 61. Author and translator. Nine short stories for us in or translated into English, much more outside our field. Besides Bulgaria and Anglophonia, published in France, Germany, Iran, Japan, Poland, Russia, Spain, Vietnam – two dozen countries. Six Bulgarian awards. Member of the Bulgarian Writers’ Union and the UK Writers’ League. See her here (Contemporary Bulgarian Writers; in English, with a photo, book covers and excerpts, links to online stories in English). [JH]
Born July 24, 1964 — Colleen Doran, 56. Comics artist and writer. She’s done includes Warren Ellis’ Orbiter graphic novel, Wonder Woman, Legion of Superheroes, Teen Titans, “Troll Bridge”:by Neil Gaiman and her space opera series, A Distant Soil. She also did portions of The Sandman, in the “Dream Country” and “A Game of You”. She’s tuckerized Into Sandman as the character Thessaly is based on Doran. (CE)
Born July 24, 1981 — Summer Glau, 39. An impressive run in genre roles as she was River Tam in the Firefly series and of course the Serenity film, followed by these performances: Tess Doerner in The 4400, as Cameron in Terminator: The Sarah Connor Chronicles, Bennett Halverson in Dollhouse (is this worth seeing seeing?), Skylar Adams in Alphas and lastly Isabel Rochev who is The Ravager in Arrow. (CE)
(10) COMICS SECTION.
The Far Side shows that somebody needs a manual for first contact. (Fist contact?)
And ever is heard a discouraging word — Dilbert shows it’s tough to be a beginning writer.
Are we having fun with the lockdown yet? Some of you may live, like me, in a region where our pal COVID-19 seems to be under control—or you may be trapped in some dire realm where it is not. Yet, for even those of us who are momentarily spared, respite may prove temporary—it’s always best to stay safe and plan for the possibility of continued isolation. That suggests that it would be prudent to add to your personal Mount Tsundoku, preferably with tomes weighty enough to keep one occupied through weeks of isolation and tedium. Omnibuses could be the very thing! Below are five examples…
(12) READ SANDERSON CHAPTERS. As they’ve done with previous books in the Stormlight Archive, Tor.com will be releasing one chapter from Brandon Sanderson’s upcoming novel Rhythm of War each week from now through its release in November. “Read Rhythm of War by Brandon Sanderson: Prologue and Chapter One”.
Watching the numbers tick up on Brandon Sanderson’s Kickstarter is a remarkable way to pass the time. The fantasy author initially set out to raise $250,000 (£198,500) to release a 10th anniversary, leather-bound edition of his doorstopper novel, The Way of Kings. In less than 10 minutes, it became the most-funded publishing project of all time when it topped $1m. With 15 days still to go, he’s raised more than $5.6m. All this for a book that was just one of 13 Sanderson wrote before he’d even landed a publishing deal.
Most writers have novels that never see the light of day. But 13? That’s serious dedication. The books were written over a decade while Sanderson was working as a night clerk at a hotel – a job chosen specifically because as long as he stayed awake, his bosses didn’t mind if he wrote between midnight and 5am. But publishers kept telling him that his epic fantasies were too long, that he should try being darker or “more like George RR Martin” (it was the late 90s, and A Song of Ice and Fire was topping bestseller charts). His attempts to write grittier books were terrible, he says, so he became “kind of depressed”….
(14) PRESSED OWN AND OVERFLOWING. Alasdair Stuart’s The Full Lid 24th July 2020opens with a tour of duty with Matt Wallace’s Savage Legion. TheSin Du Jour author has turned in his first epic fantasy novel and it’s fiercely intelligent, uniquely perceptive and exactly what the genre needs.
After that, I take a look at the Marchtrilogy of graphic novels. Covering the life of Rep. John Lewis, they’re engrossing, pragmatic, inspiring and horrific. They’re also by some distance some of the best graphic storytelling I’ve ever read.
Our interstitials this week feature the men of The Witcher doing things. Well, attempting things. Well, in the case of baking, being present while it notionally occurs…
This week’s playout is a unique and wonderful version of The Cure’s The Lovecats by the Ukulele Orchestra of Great Britain. Enjoy! I did.
The Full Lid is published every Friday at 5pm BST. It’s free, and you can find both sign up links and an archive of the last six months at the link above.
(15) KING REVIEWS BEUKES. [Item by Rob Thornton] In the upcoming issue of the New York Times Book Review, Stephen King has great things to say about Lauren Beukes’ post-apocalyptic novel “Afterland,” which is described by King as “science fiction” at one point and a “neo-noir” at another. Everybody gets into the naming game: “Stephen King on Lauren Beukes’s ‘Splendid’ New Thriller”.
…The flap copy on my advance edition declares that “Afterland” is a “high-concept feminist thriller that Lauren Beukes fans have been waiting for.” It is a thriller, I grant you that, and feminist in the sense that most of the men have been erased by a flu virus that develops into prostate cancer, but Beukes is too wise and story-oriented to wham away at ideas that have been thoroughly explored, sometimes at tedious length, on cable news and social media. She lets her tale do the talking, and the results are quite splendid.
This is your basic neo-noir, coast-to-coast chase novel, and Beukes, who is from South Africa, sees America with the fresh eyes of an outsider. …
When Warner Brothers pulled Christopher Nolan’s $200-million thriller, Tenet, from its release schedule earlier this week, industry analysts expected a domino effect, and Disney announced this afternoon that the first 17 dominos have fallen.
The Mouse House’s live-action remake of Mulan, the last big-budget Hollywood blockbuster scheduled for August, is now “unset,” on the company’s release schedule.
And the studio has pushed back or cancelled the release of another 16 Disney and Fox films, in a ripple-effect that will affect movie releases for years.
One Searchlight film, The Personal History of David Copperfield, is still scheduled for summer, though pushed back two weeks to August 28. But such other Fox films as Kenneth Branagh’s Agatha Christie remake Death on the Nile, and the supernatural thriller film The Empty Man have been delayed to later in the fall, while Wes Anderson’s The French Dispatch, which was to have opened in October, has been postponed indefinitely.
Other films, including Ridley Scott’s historical thriller The Last Duel, and the supernatural horror film Antlers have been moved to 2021.
And in perhaps the most telling shift, three Star Wars pictures and four Avatar sequels, originally scheduled to alternate as Christmas releases starting next year, have all been moved back a full year, meaning the pandemic will affect film releases through Christmas of 2028.
Harvard scientists find that the same cell types that cause goosebumps are responsible for controlling hair growth
If you’ve ever wondered why we get goosebumps, you’re in good company — so did Charles Darwin, who mused about them in his writings on evolution. Goosebumps might protect animals with thick fur from the cold, but we humans don’t seem to benefit from the reaction much — so why has it been preserved during evolution all this time?
In a new study, Harvard University scientists have discovered the reason: the cell types that cause goosebumps are also important for regulating the stem cells that regenerate the hair follicle and hair. Underneath the skin, the muscle that contracts to create goosebumps is necessary to bridge the sympathetic nerve’s connection to hair follicle stem cells. The sympathetic nerve reacts to cold by contracting the muscle and causing goosebumps in the short term, and by driving hair follicle stem cell activation and new hair growth over the long term.
Published in the journal Cell, these findings in mice give researchers a better understanding of how different cell types interact to link stem cell activity with changes in the outside environment.
A global consortium of astrophysicists have created the world’s largest three-dimensional map of the universe, a project 20 years in the making that researchers say helps better explain the history of the cosmos.
The Sloan Digital Sky Survey (SDSS), a project involving hundreds of scientists at dozens of institutions worldwide, collected decades of data and mapped the universe with telescopes. With these measurements, spanning more than 2 million galaxies and quasars formed over 11 billion years, scientists can now better understand how the universe developed.
“We know both the ancient history of the Universe and its recent expansion history fairly well, but there’s a troublesome gap in the middle 11 billion years,” cosmologist Kyle Dawson of the University of Utah, who led the team that announced the SDSS findings on Sunday.
“For five years, we have worked to fill in that gap, and we are using that information to provide some of the most substantial advances in cosmology in the last decade,” Dawson said in a statement.
[Thanks to Nina Shepardson, Errolwi, JJ, John King Tarpinian, Lise Andreasen, Mike Kennedy, Andrew Porter, Martin Morse Wooster, Josh Hesse, Michael Toman, John Hertz, Cat Eldridge, Cally Soukup, James Davis Nicoll, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew.]
(1) STILL OVERCOMING. Tananarive Due expresses decades of experience in “Can We Live?” in Vanity Fair. Tagline: “The daughter of civil rights activists on the question that’s haunted her for decades.”
… . I was only a little older than Bryant, and sitting in my junior high school cafeteria, when I wrote a poem inspired by police brutality called “I Want to Live.”
I was 14, and neighborhoods in my home city of Miami were burning.
The memory returns, raw and visceral, as I watch footage from the uprisings in Minneapolis and nationwide protesting Floyd’s killing….
… When I was finished, I had tears in my eyes, but the despair in my chest felt soothed. I showed the poem to my mother, and she told me how lucky I was to have writing as an outlet for my emotions. “The people setting those fires feel hopeless,” she said. I’d wanted to be a writer since I was four, but that was the first time I understood that writing might save my life.
Now a new generation is discovering just how devalued their lives are in U.S. society, risking a pandemic and possible police violence to protest in the name of a better society. In their cities they are facing their own baptisms by fire.
But it comes with a cost. After my mother was teargassed at a peaceful march in Tallahassee in 1960, she wore dark glasses even indoors for the rest of her life, complaining about lingering sensitivity to light. “I went to jail so you won’t have to,” she once told me.
If only it were that simple. If only one generation’s sacrifices could have fixed it all….
(2) THAT’S CAT. Camestros Felapton’s latest “Missing moments from movie history” illustrates “George Lucas’s original plans for the Death Star 2…”
…The suit asks the Court to enjoin IA’s mass scanning, public display, and distribution of entire literary works, which it offers to the public at large through global-facing businesses coined “Open Library” and “National Emergency Library,” accessible at both openlibrary.org and archive.org. IA has brazenly reproduced some 1.3 million bootleg scans of print books, including recent works, commercial fiction and non-fiction, thrillers, and children’s books.
The plaintiffs—Hachette Book Group, HarperCollins Publishers, John Wiley & Sons and Penguin Random House—publish many of the world’s preeminent authors, including winners of the Pulitzer Prize, National Book Award, Newbery Medal, Man Booker Prize, Caldecott Medal and Nobel Prize.
Despite the self-serving library branding of its operations, IA’s conduct bears little resemblance to the trusted role that thousands of American libraries play within their communities and as participants in the lawful copyright marketplace. IA scans books from cover to cover, posts complete digital files to its website, and solicits users to access them for free by signing up for Internet Archive Accounts. The sheer scale of IA’s infringement described in the complaint—and its stated objective to enlarge its illegal trove with abandon—appear to make it one of the largest known book pirate sites in the world. IA publicly reports millions of dollars in revenue each year, including financial schemes that support its infringement design….
The press release follows with more details about the AAP’s side of the argument.
A court in England has ruled in favor of Watership Down Enterprises, the estate and family of author Richard Adams, in an action brought against producer Martin Rosen, who wrote and directed a 1978 animated film based on the classic novel, Variety reported.
The judgment ordered Rosen and companies controlled by him to pay the estate court costs and an initial payment for damages totaling approximately $95,000 within 28 days for infringing copyright, agreeing to “unauthorized license deals and denying royalty payments,” Variety wrote, adding that additional damages will be assessed at a future hearing.
The Intellectual Property Enterprise Court also terminated the original contract in which motion picture rights for Watership Down were originally granted to Rosen in 1976. In addition, IPEC granted an injunction preventing Rosen and his companies from continuing to license rights to Watership Down, and directed them to give further disclosures of their activities and to destroy infringing materials.
It’s an open secret among Star Trek fans that the Picard character changes. Between the television show, the movies, and now the show that bears his name, Picard changes from peacemaking collaborative leader to warrior to now something more like a Sherlock Holmes of the 24th century. Instead of a noble hero leading a team, the Picard of the new series, along with the audience at home, is trying to answer some questions, including “What the heck is happening here and what is the next move?”
He doesn’t always make the right one.
Seeing those mistakes, in seeing Picard as a human, allows us to grapple with our own humanity. It’s a different side of Picard from what we saw in the series; instead of perfection, we see a man trying to stay in the game at an age that many would go off to the retirement home. Let’s learn from it, with minimal minor spoilers….
…It [augmented reality] could also be the ultimate tool for a con man. How many times have you run into someone familiar, but you can’t quite place where you know them from? They seem to know you and, not wanting to offend them, you keep talking, hoping it will come to you. What if you’ve never actually seen this person before in your life? What if they’re a hustler, reading everything about you from text floating in the air next to your head, projected in their vision by glasses, or even contact lenses? All that real-time information to establish trust, the primary currency of any con.
(8) ROBERT J. SAWYER. He’s has a successful day drawing attention to his new novel The Oppenheimer Alternative.
… And I didn’t want to tell an alternate history. That is, I didn’t want to say, well, sure, you can gainsay me until this page—the point of divergence—but after that, anything goes. Rather, I decided to tell a secret history: a series of plausible events that were, in themselves, authentic big-ideas hard SF, and have them occur in the lacunae in the public record. I wanted no one to be able to say, “Okay, that was fun, but of course it never happened.”
He appeared on Michael Shinabery’s show on KRSY-AM in Alamogordo, New Mexico, yesterday for han hour-long chat [MP3].
The show starts at the 1-minute mark with Benny Goodman’s “The Glory of Love,” which figures in my novel; the outro is the great Tom Lehrer singing his atomic-bomb song, “We’ll All Go Together When We Go.”
And he was on CTV Calgary:
(9) TODAY IN HISTORY.
June 3, 1950 — Dimension X’s “The Embassy” was broadcast. Written by Donald A. Wollheim, this story was first published in Astounding Science Fiction in the March 1942 issue. (Aussiecon One would later give him a Special Hugo for The Fan Who Has Done Everything.) It was adapted by George Lefferts. The cast was Daniel Ocko, Bryna Raeburn and Norman Rose. You can listen to it here.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born June 3, 1905 — Norman A. Daniels. Creator of the Black Bat, a pulp character who debuted the same time as Batman which led to lawsuits over similarities to the latter, and wrote for such series as The Phantom Detective, Doc Savage and The Shadow. He also created the Crimson Mask. (Died 1995.) (CE)
Born June 3, 1905 — Malcolm Reiss. It’s uncertain if he ever published any genre fiction but he’s an important figure in the history of our community as he edited in the Thirties through the Fifties, Jungle Stories, Planet Stories, Tops in Science Fiction and Two Complete Science-Adventure Books. Fletcher Pratt, Ross Rocklynne, Leigh Brackett and Fredric Brown are but a few of the writers published in those magazines. (Died 1975.) (CE)
Born June 3, 1929 – Brian Lewis. Ninety covers for New Worlds (here’s one), Science Fantasy (here’s one), Science Fiction Adventures (here’s one), for a few books; sometimes realistic, sometimes surrealistic; fifty interiors; also comics. (Died 1978) [JH]
Born June 3, 1946 — Penelope Wilton, 74. She played the recurring role of Harriet Jones in Doctor Who wherethey actually developed a story for the character. She was also played Homily in The Borrowers, Barbara in Shaun of the Dead, The Queen in Roald Dahl’s The BFG, Beatrix Potter in The Tale of Beatrix Potter, The White Queen in Through the Looking-Glass and Gertrude in in Hamlet at the Menier Chocolate Factory. (CE)
Born June 3, 1949 — Michael McQuay. He wrote two novels in Asimov’s Robot City series, Suspicion and Isaac Asimov’s Robot City (with Michael P. Kube-McDowell) and Richter 10 with Arthur C. Clarke. The Mathew Swain sequence neatly blends SF and noir detective tropes – very good popcorn reading. His novelization of Escape from New York is superb. (Died 1995.) (CE)
Born June 3, 1950 – Owen Laurion. Long active in the Nat’l Fantasy Fan Federation (“N3F”). Edited The Nat’l Fantasy Fan and later Tightbeam. Kaymar Award. “The Way It Was” in M. Bastraw ed., Fifty Extremely SF* Stories (none over 50 words). [JH]
Born June 3, 1950 — Melissa Mathison. Screenwriter for E.T. the Extra-Terrestrial. Spielberg credits the line “E.T. phone home” line to her. (She’s Eliot’s school nurse in the film.) She also wrote the screenplays for The Indian in the Cupboard and BFG with the latter being dedicated in her memory. And she wrote the “Kick the Can” segment of Twilight Zone: The Movie. (Died 2015.) (CE)
Born June 3, 1958 — Suzie Plakson, 62. She played four characters on Trek series: a Vulcan, Doctor Selar, in “The Schizoid Man” (Next Gen); the half-Klingon/half-human Ambassador K’Ehleyr in “The Emissary” and “Reunion” (Next Gen); the Lady Q in “The Q and the Grey” (Voyager); and an Andorian, Tarah, in “Cease Fire” (Enterprise). She also voiced Amazonia in the “Amazon Women in the Mood” episode of Futurama. Really. Truly. (CE)
Born June 3, 1964 — James Purefoy, 56. His most recent genre performance was in the recurring role of Laurens Bancroft in Altered Carbon. His most impressive role was I think as Solomon Kane in the film of that name. He was also in A Knight’s Tale as Edward, the Black Prince of Wales/Sir Thomas Colville. He dropped out of being V in V for Vendetta some six weeks into shooting but some early scenes of the masked V are of him. (CE)
Born June 3, 1966 – Kate Forsyth. Thirty fantasy novels, a dozen shorter stories; collections of fairy tales, of her own poetry; sold a million books. Bitter Greens interweaves Rapunzel with the 17th- century Frenchwoman who first told the tale, won American Library Association award for historical fiction; doctoral exegesis The Rebirth of Rapunzel won the Atheling Award for criticism. Five Aurealis Awards. Her Website is here. [JH]
Born June 3, 1973 – Patrick Rothfuss.The Wise Man’s Fear a N.Y. Times Best-Seller. Half a dozen shorter stories. Games, e.g. Acquisitions, Inc. (Penny Arcade). Charity, Worldbuilders. Translated into Dutch, French, German, Portuguese, Spanish. [JH]
(11) COMICS SECTION.
Something’s interfering with TV reception at The Far Side. (A reprint from back when they had antennae.)
Bizarro shows it’s hard to escape those family traits.
Frazz shows an unsuccessful example of genre homework.
The Argyle Sweater sympathizes with folks who can’t tune out the neighbors.
(12) A DIFFERENT TORCON. Tor Books and Den of Geek have posted the schedule for “TorCon 2020: Stay Home, Geek Out”. Register for items at the link.
In partnership with Den of Geek, we are proud to announce the launch of TorCon, an all-new virtual convention that brings all the fun of panels directly to the fans. From Thursday, June 11th through Sunday, June 14th, Tor and Tor.com Publishing are presenting eight panels featuring over twenty of your favorite authors across different platforms, in conversation with each other—and with you!
Join authors including Cory Doctorow, Neil Gaiman, Nnedi Okorafor, Christopher Paolini, Brandon Sanderson, V. E. Schwab, and many more for four days of pure geekery, exclusive content, sneak peeks, and more…all from the comfort of your own home!
(13) SIGNPOSTS. James Davis Nicoll reaches into his reviews archive for choice titles by black authors. Thread starts here.
(14) INTERSECTION OF SFF AND RELIGION. Since Roger Zelazny’s Lord of Light was discussed here recently, Filers may be interested in Victor Gijsbers’ comments on the book. Thread starts here.
My 50 book challenge, book #32: "Lord of Light" by Roger Zelazny (1967). I've read the ten books of Zelazn'ys Amber series, which are good fun though not — if I recall correctly — especially deep. But "Lord of Light" is supposed to be something different. 1/11
“A man dressed as a medieval knight and carrying a 3-foot-long sword created some concern at a aprk in the U.K., bringing police armed with guns. Lennon Thomas, 20, was confronted by police in Cardiff and ordered to put the weapon down, before he explained that he was simply trying out a costume he uses for his hobby of fantasy roleplaying. Thomas apologized for a ‘lapse in judgment,’ conceding, ‘Perhaps it was a little stupid of me to bring the sword, as from a distance it does look realistic.’ He added, ‘Life is a lot more fun when you don’t care how weird you are.'”
New genetic research from around one of the ancient world’s most important trading hubs offers fresh insights into the movement and interactions of inhabitants of different areas of Western Asia between two major events in human history: the origins of agriculture and the rise of some of the world’s first cities.
The evidence reveals that a high level of mobility led to the spread of ideas and material culture as well as intermingling of peoples in the period before the rise of cities, not the other way around, as previously thought. The findings add to our understanding of exactly how the shift to urbanism took place.
The researchers, made up of an international team of scientists including Harvard Professor Christina Warinner, looked at DNA data from 110 skeletal remains in West Asia from the Neolithic to the Bronze Age, 3,000 to 7,500 years ago. The remains came from archaeological sites in the Anatolia (present-day Turkey); the Northern Levant, which includes countries on the Mediterranean coast such as Israel and Jordan; and countries in the Southern Caucasus, which include present-day Armenia and Azerbaijan.
Based on their analysis, the scientists describe two events, one around 8,500 years ago and the other 4,000 years ago, that point to long-term genetic mixing and gradual population movements in the region.
“Within this geographic scope, you have a number of distinct populations, distinct ideological groups that are interacting quite a lot, and it hasn’t really been clear to what degree people are actually moving or if this is simply just a high-contact area from trade,” said Warinner, assistant professor of anthropology in the Faculty of Arts and Sciences and the Sally Starling Seaver Assistant Professor at the Radcliffe Institute for Advanced Study. “Rather than this period being characterized by dramatic migrations or conquest, what we see is the slow mixing of different populations, the slow mixing of ideas, and it’s percolating out of this melting pot that we see the rise of urbanism — the rise of cities.”
Sweden’s controversial decision not to impose a strict lockdown in response to the Covid-19 pandemic led to too many deaths, the man behind the policy, Anders Tegnell, has acknowledged.
Sweden has seen a far higher mortality rate than its nearest neighbours and its nationals are being barred from crossing their borders.
Dr Tegnell told Swedish radio more should have been done early on.
“There is quite obviously a potential for improvement in what we have done.”
Sweden has counted 4,542 deaths and 40,803 infections in a population of 10 million, while Denmark, Norway and Finland have imposed lockdowns and seen far lower rates.
Denmark has seen 580 deaths, Norway has had 237 deaths and Finland 321. Sweden reported a further 74 deaths on Wednesday.
[Thanks to JJ, Mike Kennedy, Martin Morse Wooster, Chip Hitchcock, Scott Edelman, Michael Toman, Chip Hitchcock, John Hertz, Lise Andreasen, Daniel Dern, Cat Eldridge, Alan Baumler, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day StephenfromOttawa.]
(1) TOPICAL TV IDEAS. The Vulture asked TV’s idle talent to take up the challenge: “If I Wrote a Coronavirus Episode”. Tagline: “Tina Fey, Mike Schur, and 35 more TV writers on what their characters would do in a pandemic.” If you scroll way down there’s one for Picard, although most of the others are funnier. By comparison, this bit for Sheldon Cooper is spot on —
“I’m not one to brag, but I was practicing social distancing back when it was called ‘Who’s the weird kid alone in the corner?’ And at the risk of sounding like a hipster, I was washing my hands 30 times a day before it was cool. I do, however, miss being with my friends. Sitting around eating Chinese takeout, sharing my scientific ideas and correcting theirs … that’s my happy place.” —Sheldon Cooper, Ph.D., The Big Bang Theory (Chuck Lorre and Steve Molaro)
(2) SUPPORT AVAILABLE FOR WRITERS. Publishers Lunch has a standing free reference page listing organizations that offer emergency grants to authors and other creators. Two examples:
Poets & Writers has created a COVID-19 Relief Fund to “provide emergency assistance to writers having difficulty meeting their basic needs.” They will provide grants of up to $1,000 to approximately 80 writers in April. The board allocated $50,000, which has been supplemented by gifts from supporters including Michael Piestch and Zibby Owens.
We Need Diverse Books will provide emergency grants to diverse authors, illustrators, and publishing professionals “who are experiencing dire financial need.” They will give grants of $500 each, and are limiting the first round of applications to 70.
Internet Archive founder Brewster Kahle is defending the legality of the organization’s National Emergency Library initiative to a U.S. Senator who last week raised concerns that the effort may be infringing the rights of authors and publishers.
…In his three-page response to [Senator] Tillis, Kahle rejected those criticisms, and explained the creation of National Emergency Library using the Senator’s constituents to illustrate its utility.
“Your constituents have paid for millions of books they currently cannot access,” Kahle explained, adding that North Carolina’s public libraries house more than 15 million print book volumes in 323 library branches across the state. “The massive public investment paid for by taxpaying citizens is unavailable to the very people who funded it,” he writes. “The National Emergency Library was envisioned to meet this challenge of providing digital access to print materials, helping teachers, students and communities gain access to books while their schools and libraries are closed.”
Kahle further maintained that “the vast majority” of the books in the National Emergency Library, mostly 20th Century books, are not commercially available in e-book form, and said the collection contains no books published in the last five years.
“[For] access to those books, readers and students can continue to turn to services like OverDrive and hoopla,” Kahle explained, making what defenders say is a critical distinction: commercial providers offer patrons access to e-books; the National Emergency Library is providing stopgap digital access to scans of paper books that are locked away in shuttered libraries and schools. “That is where the National Emergency Library fills the gap,” Kahle insists.
(4) LEGACY. [Item by Steve Davidson.] From Faaneds on Facebook: A friend is going through the personal effects of a passed fan and came across a number of LOCs by Michael W. Waite. Does anyone here know if there are any family members/friends who would appreciate having these?
I was talking to my friend, Cory, over the weekend, and we decided that we would each read and release something the other had written, because why not?
I’m a huge fan and admirer of Cory both as a human and as a creative person. He’s been my primary mentor since I started writing professionally, and I owe him more than I’ll ever be able to properly repay. It’s not unreasonable to say that, without Cory’s guidance and kindness, I wouldn’t be a published author.
So it’s with excitement (and a little trepidation, because I don’t want to disappoint my friend) that I chose one of Cory’s fantastic short stories from way back in 1999, which he describes this way:
This is the story of the ogres who run the concession stands on Pleasure Island, where Pinocchio’s friend Lampwick turned into a donkey. Like much of my stuff, this has a tie-in with Walt Disney World; the idea came to me on the Pinocchio ride in the Magic Kingdom, in 1993.
Happy National Poetry Month! We have a dozen poems here pulled from past and current issues to celebrate our poets this year. Each of these poems is striking in its own way, and I hope you enjoy the many voices and styles to come. First up is “All Saints Day” by Lisa Bellamy, read by Diana Marie Delgado, followed by “All the Weight” by Holly Day, read by Emily Hockaday, “The Celestial Body” read and written by Leslie J. Anderson, “The Destroyer is in Doubt about Net Neutrality” read and written by Martin Ott, “Unlooping” read and written by Marie Vibbert, “Attack of the 50 foot Woman” read and written by Ron Koertge, “The Language of Water,” by Jane Yolen, read by Monica Wendel, “Archaeologists Uncover Bones, Bifocals, a Tricycle” read and written by Steven Withrow, “Objects in Space” by Josh Pearce, read by R.J. Carey, “Small Certainties” by Sara Polsky, read by Emily Hockaday, “Palate of the Babel Fish” read and written by Todd Dillard, and finally “After a Year of Solitude” by Lora Gray, read by Jackie Sherbow.
(7) SOUNDS PRETTY NUTTY. In the Washington Post, as part of his annual celebration of Squirrel Week, John Kelly has a piece about the Norse god Ratatoskr, a squirrel with a giant horn in the center of his head who ferried messages up and down the great World Tree. “Meet Ratatoskr, mischievous messenger squirrel to the Viking gods”. Incidentally, long before there was File 770, Bruce Pelz’ Ratatosk was the fannish newzine of record.
…Most of what we know about the stories Vikings told each other comes from Snorri Sturluson, who was an Icelandic poet and lawyer, a combination not quite so rare then as now. Snorri (1179-1241) was ambitious. He journeyed from Iceland to Norway to ingratiate himself with leaders there and pick up skills….
In May of 1944, George Walton Lucas Jr. was born, twenty-three years later, he graduated from USC, and a decade after that he changed the world forever by releasing Star Wars. The Star Wars franchise is a phenomenon like no other, and nobody, not even the maker himself, could have predicted its impact.
The headline quote is #9. Here is ScreenRant’s commentary:
…Before The Last Jedi came to be, the prequels were the kings of controversy. After seeing a rough cut of his film in 1999, Lucas said the famous quote to a small screening room “I may have gone too far in a few places.”
Ironically, in behind the scenes videos of The Phantom Menace, Lucas talks about how the key to these types of films is not to go too far. This quote shows Lucas’ self-awareness and references the disjointedness of the movie.
(9) SULLIVAN OBIT. Ann Sullivan, the Disney animator behind The Little Mermaid and The Lion King, has died at the age of 91. She is the third member of the Motion Picture and Television Fund retirement home to die as a result of the coronavirus. The Hollywood Reporter paid tribute.
… Sullivan re-entered the business in 1973, when she started at Filmnation Hanna Barbera. She later returned to Disney, landing credits on studio titles from the late-1980s to the mid-2000s. Sullivan worked in the paint lab on…1989’s The Little Mermaid…and 1992’s Cool World. She painted for the 1990 short The Prince and the Pauper; 1994’s The Lion King; 1995’s Pocahontas; 1997’s Hercules; 1999’s Tarzan and Fantasia 2000; 2000’s The Emperor’s New Groove; and 2002’s Lilo & Stitch and Treasure Planet. Sullivan also is credited as having worked as a cel painter on 1994’s The Pagemaster and for performing additional caps and painting on 2004’s Home on the Range.
(10) TODAY IN HISTORY.
April 14, 2010 — In the United States, The Extraordinary Adventures of Adèle Blanc-Sec (in French,Aventures extraordinaires d’Adèle Blanc-Sec) premiered. It was directed by Luc Besson from his own screenplay. It was produced by Virginie Besson-Silla, his wife. It starred Louise Bourgoin, Mathieu Amalric, Philippe Nahon, Gilles Lellouche and Jean-Paul Rouve. It was narrated by Bernard Lanneau. It is rather loosely based upon “Adèle and the Beast” and “Mummies on Parade” by Jacques Tardi. Critics world-wide loved it, and the box office was very good, but the audience reviewers at Rotten Tomatoes give it a oddly muted 54% rating. Be advised the Shout Factory! DVD is a censored PG rating version but the Blu-Ray is uncensored.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born April 14, 1929 — Gerry Anderson. English television and film producer, director, writer and if need be voice artist. Thunderbirds which ran for thirty-two episodes was I think the best of his puppet based shows though Captain Scarlet and the Mysterons, Fireball XL5 and Stingray are definitely also worth seeing. Later on, he would move into live productions with Space: 1999 being the last production under the partnership of Gerry and Sylvia Anderson. (Died 2012.)
Born April 14, 1935 — Jack McDevitt, 85. If you read nothing else by him, read Time Travelers Never Die as it’s a great riff on the paradoxes of time travel. If you’ve got quite a bit of time, his Alex Benedict space opera series is a fresh approach to conflict between two alien races.
Born April 14, 1936 — Arlene Martel. No doubt you’ll best remember her as T’Pring in Star Trek’s “Amok Time” as it was a rather memorable episode. She also had roles in one-offs in a lot of genre series including Twilight Zone, The Outer Limits, The Man from U.N.C.L.E., The Wild Wild West, Mission:Impossible, The Delphi Bureau, I Dream of Jeannie, Man from Atlantis, My Favorite Martian, The Six Million Dollar Man and Battlestar Galactica. (Died 2014.)
Born April 14, 1949 — Dave Gibbons, 71. He is best known for his work with writer Alan Moore, which includes Watchmen and the Superman story ”For the Man Who Has Everything” (adapted to television twice, first into the same-named episode of Justice League Unlimited and then more loosely into “For the Girl Who Has Everything”.) He also did work for 2000 AD where he created Rogue Trooper, and was the lead artist on Doctor Who Weekly and Doctor Who Monthly
Born April 14, 1954 — Bruce Sterling, 66. Islands in the Net is I think is his finest work as it’s where his characters are best developed and the near future setting is quietly impressive. Admittedly I’m also fond of The Difference Engine which he co-wrote with Gibson which is neither of these things. He edited Mirrorshades: A Cyberpunk Anthology which is still the finest volume of cyberpunk stories that’s been published to date. He’s won two Best Novelette Hugos, one for “Bicycle Repairman” at LoneStarCon 2, and one at AussieCon Three for “Taklamakan”.
Born April 14, 1958 — Peter Capaldi, 62. Twelfth Doctor. Not going to rank as high as the Thirteenth, Tenth Doctor or the Seventh Doctor on my list of favorite Doctors, let alone the Fourth Doctor who remains My Doctor, but I thought he did a decent enough take on the role. His first genre appearance was as Angus Flint in the decidedly weird Lair of the White Worm, very loosely based on the Bram Stoker novel of the same name. He pops up in World War Z as a W.H.O. Doctor before voicing Mr. Curry in Paddington, the story of Paddington Bear. He also voices Rabbit in Christopher Robin. On the boob tube, he’s been The Angel Islington in Neverwhere. (Almost remade by Jim Henson but not quite.) He was in Iain Banks’ The Crow Road as Rory McHoan (Not genre but worth noting). He played Gordon Fleming in two episodes of Sea of Souls series. Before being the Twelfth Doctor, he was on Torchwood as John Frobisher. He is a magnificent Cardinal Richelieu in The Musketeers series running on BBC. And he’s involved in the current animated Watership Down series as the voice of Kehaar.
Born April 14, 1977 — Sarah Michelle Gellar, 43. Buffy Summers on Buffy the Vampire Slayer. Yes, I watched every episode. Great show. Even watched every bit of Angel as well. Her first genre role was as Casey “Cici” Cooper in Scream 2 followed by voicing Gwendy Doll in Small Soldiers. Her performance as Kathryn Merteuil in Cruel Intentions is simply bone chillingly scary. I’ve not seen, nor plan to see, either of the Scooby-Do films so I’ve no idea how she is Daphne Blake. Finally, she voiced April O’Neil in the one of latest animated Teenage Mutant Ninja Turtles films.
Born April 14, 1982 — Rachel Swirsky, 38. Her “The Lady Who Plucked Red Flowers Beneath the Queen’s Window” novella (lovely title that) won a Nebula Award, and her short story, “If You Were a Dinosaur, My Love” would do a short while later. Very impressive. I’ve read her “Eros, Philia, Agape” which is wonderful and “Portrait of Lisane da Patagnia” which is strange and well, go read it.
In Meta-Messages, I explore the context behind (using reader danjack’s term) “meta-messages.” A meta-message is where a comic book creator comments on/references the work of another comic book/comic book creator (or sometimes even themselves) in their comic. Each time around, I’ll give you the context behind one such “meta-message.”
Today, we look at Jerry Siegel plunder the Funny Pages as he, himself, becomes the villain of a Superman story involving other newspaper comic strips!
The whole thing went down in the opening story in 1942’s Superman #19 (by Siegel, Ed Dobrotka and John Sikela)…
With the coronavirus pandemic grinding the comic book industry to all halt, there has been much talk about what is to be done with the “direct market”. But just what exactly is the direct market, and how did it come to be? And perhaps more pressing, what will happen to the direct market in a post-COVID-19 world?
Believe it or not, there was a time comic books were purchased outside of comic book shop, carried by newsstands, grocery stores, and even gas stations. However, the comic book shop model, primarily engineered by Phil Seuling in 1972, offered several advantages. The system was known as the “direct market” because it bypassed traditional newspaper and magazine distributors. It offered a much more diverse line of content than the newsstands, including comic books aimed at an adult audience. One of the primary advantages for the distributor was that the comic books were unreturnable unlike newsstands, which would traditionally return all unsold merchandise….
Much history ensues. Then —
…Because of all of these factors and more, the future of the direct market is looking increasingly uncertain. In addition to the growing concern that many retailers will have to close their doors due to the coronavirus, the comic book industry itself seems destined for an overhaul. Some comic book shop owners are considering the possibility of re-negotiating with Diamond, while others are considering trying to bypass the current distribution system altogether. The direct market has served the comic book industry well for nearly fifty years, but it might be time to ask – what will best serve the comic book industry for the next fifty?
(15) GOOD REASON TO PREEN THEIR PLUMAGE. In “Adri and Joe Talk About Books: The Hugo Awards”, Adri Joy and Joe Sherry talk about their Hugo nomination for Nerds of a Feather, and some of the other works they’re glad made the final ballot.
Adri: There have been a few feelings knocking around! And about an hour of my life in which it has been unclear whether I should cry, shout, laugh, breathe, throw up, and indeed if I could do any one of those things without the others happening too.
Also, while I’ve definitely experienced the post-announcement Twitter love before, CoNZealand’s decision to schedule a streamed announcement at a timezone that worked for as many Hugo-voter-heavy countries as possible, and the general enthusiasm for people to get online at the moment and hang out, meant that the announcement feed and stream just felt so full of frenzied excitement and love for everyone. Definitely a very heightened moment and, yeah, I’ll absolutely take that finalist status, even if I was already swanning around Dublin wearing the “Finalist” badge ribbon last year.
Joe: I absolutely enjoyed that youtube sidebar chat during the announcement, even if it ultimately did amount to a bunch of people just mashing their keyboards at the same time in excitement.
With Streaming Spotlight, existing customers can integrate Kafka monitoring metrics into the Pepperdata dashboard, adding detailed visibility into Kafka cluster metrics, broker health, topics and partitions.
Kafka is a distributed event streaming platform and acts as the central hub for an integrated set of messaging systems. Kafka’s architecture of brokers, topics and data replication supports high availability, high-throughput and publish-subscribe environments. For some users, Kafka handles trillions of messages per day.
Managing these data pipelines and systems is complex and requires deep insight to ensure these systems run at optimal efficiency….
(17) HALL OF FAME. R. Graeme Cameron has finally received the hardware, and I enjoyed his description on Facebook.
Since I was not present when Eileen Kernaghan, Tanya Huff and myself were inducted into the CSFFA Science Fiction Hall of Fame during the Aurora Awards ceremony at Can-Con last year, CSFFA planned to present the plaque to me (and I assume to Eileen) at the Creative Ink Festival in May this year. But, as we all know, Covid-19 forced the CIF to cancel.
Consequently, CSFFA elected to mail me the plaque….
The Janus-like trophy features on one side the visage of an aging knight representing venerable fantasy, blended with vegetation and rather resembling a forest-spirit Don Quixote, an ancient book to the right of his beard, and on the other side the fresh face of a proud, young aviatrix representing the cutting edge of science fiction as perceived back in the 1930s, a rocket ship in flight just to the right of her neck. A most splendid and evocative trophy. Each inductee gets a plaque like this one. The trophy is on display throughout the year in various libraries.
(18) HIGH-SPEED HYPERLOOP PROJECTS WILL BEGIN OPERATION NO EARLIER THAN 2040. [Item by Daniel Dern.] Let’s make notes in our calendars so we can check whether they’re right…
Lux has found that, while the Hyperloop concept is technically feasible, it will require significant development to become cost-effective. The Hyperloop differs from conventional rail because it operates in a vacuum system that reduces aerodynamic drag, thus enabling higher speeds and greater energy efficiency. There are four main design elements creating technical challenges with the Hyperloop: pillar and tube design, pod design, propulsion and levitation of the pods, and station design.
Lux Research found that pod design is the fastest-growing area for Hyperloop patent activity, with a focus on improving comfort and performance. Customer comfort is important due to the compact, enclosed spaces with no windows, which can increase the likelihood of customers getting sick. Optimizing pod performance is key to minimizing drag and reducing costs because pod design choices have a significant impact on tube design and aerodynamics. Propulsion and levitation systems have the least patent activity, in part due to the fact that Hyperloop will likely adapt magnetic levitation, or maglev, technology.
One of the biggest technical challenges will be identifying the optimal system pressure and minimizing leakage of the vacuum system, which, if higher than expected, can increase operating costs and reduce top speeds. “Selecting the Hyperloop’s tube pressure is the most important factor impacting cost, for both operational expenses and the initial capital needed for tube design and construction,” says Lux Research Associate Chad Goldberg….
French space scientists are using the COVID-19 lockdown as a dry run for what it will be like to be cooped up inside a space craft on a mission to Mars.
The guinea pigs in the experiment are 60 students who are confined to their dormitory rooms in the southern city of Toulouse – not far removed from the kind of conditions they might experience on a long space mission.
When the French government imposed movement restrictions to curb the spread of the virus, space researcher Stephanie Lizy-Destrez decided to make the most of a bad situation, and signed up the student volunteers.
It’s not an exact simulation of space flight: tasks such as picking up samples from a planet’s surface using a lunar rover do not feature, and the students can break off from their virtual space journey for a daily trip outside.
Instead, they conduct computer-based tasks such as memory tests and mental agility tests. They keep a daily journal, and every five days have to complete a questionnaire.
(20) SOCIAL DISTANCING EARTH. [Item by Mike Kennedy.] Spacecraft BepiColombo’s handlers have published a GIF of Earth as seen from the craft during a recent flyby. BepiColombo was slingshotting past Earth on its way to a Mercury survey mission. BC presumably wished us well in handling COVID-19, and made sure to stay far enough away not to pick up the virus. “BepiColombo takes last snaps of Earth en route to Mercury”.
The ESA/JAXA BepiColombo mission completed its first flyby on 10 April, as the spacecraft came less than 12 700 km from Earth’s surface at 06:25 CEST, steering its trajectory towards the final destination, Mercury. Images gathered just before closest approach portray our planet shining through darkness, during one of humankind’s most challenging times in recent history.
[Thanks to Daniel Dern, Chip Hitchcock, John King Tarpinian, JJ, Mike Kennedy, Martin Morse Wooster, Cat Eldridge, Michael Toman, John A Arkansawyer, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel “Cole Porter” Dern.]
Today Sotheby announced that is will auction DC Complete: The Ian Levine Collection, a comic book collection that includes every comic book published by DC Comics from 1935 through 2016, including complete runs of Superman, Batman, Action Comics, and Detective Comics. The collection includes more than 40,000 comics that also feature Wonder Woman, The Flash, Green Lantern, Aquaman, and the Justice League. The collection is available to view now on the Sotheby’s website. Sotheby’s chose today to start the private sale as it marks the 81st anniversary of the release of Detective Comics #27, which included the first appearance of Batman.
It’s a private sale, which means there is no public auction, just negotiations between Sotheby’s specialists and one or more private buyers.* Bids are being taken starting today – here’s the Sotheby’s link. Download the catalog here [PDF file]. A quote about how the collection was assembled, from the auction house’s article —
For a decade, Levine purchased a new copy of every DC issue he could find, while trying to fill in earlier issues. However, in pre-internet 1987, Levine despaired of finding many Golden Age comics he lacked, and decided to sell many of his best issues in order to fund his collection of Northern Soul records and Doctor Who film prints. However, reviewing his stacks of comic books with the purchaser reawakened his passion for this pop art form, and Levine bought his comics back from the dealer he had sold them to—at a 50% premium. Amassing about half of the comics DC had ever published, Levine determined to form a complete collection. Sacrificing his incomparable collection of Northern Soul records and Doctor Who prints, along with the assistance of the nascent internet and dealer, advisor, and author of The Comic Book Paul Sassienie, he achieved this ambition, which would essentially be impossible to replicate. In 2010, Levine’s paramount, unique collection was utilized to supply the illustrations for Taschen’s monumental publication 75 Years of DC Comics: The Art of Modern Mythmaking by Paul Levitz, the former president and publisher of DC.
…ANNALEE NEWITZ, science-fiction and nonfiction author, podcaster
I have a couple of scenarios I’ve been batting around in my head, which both feel equally plausible at this point.
Scenario One: As more people hunker down at home, more of our most vital and personal activities will have to go online. Lots of people are learning how to have serious meetings remotely, and how to work as teams in group chat.
Then there’s the arguably more psychologically vital stuff: I’ve been playing Dungeons & Dragons with my gamer group using videoconferencing, and watching TV with a housebound, high-risk loved one by hitting play at the same time on a TV episode and videochatting with him at the same time.
I’m not alone. A lot of us are cut off from our loved ones right now, and online connection is all we have. Suddenly “online” doesn’t feel like a fantasy realm. It’s our social fabric. The online world is going to become a fully robust public space, and we won’t want to see garbage and detritus everywhere. We will finally start to see social media companies taking responsibility for what’s on their platforms — information will need to be accurate, or people will die.
…Scenario Two: The pandemic rips through the population, aided in part by contradictory messages from state and federal governments, as well as misinformation online. As social groups and families are torn apart by disease and unemployment, people look increasingly to social media for radical solutions: violent uprisings, internment camps for immigrants and other “suspicious” groups, and off-the-grid cults that promise sanctuary from death.
This is the second Brown featured in Rediscovery. As mentioned last month, Brown was a promising author whose career was cut short by her death in 1967. I don’t have much to add to that, except to wonder if my Young People will enjoy this story more than they did the previous one.
(4) WHO WAS THAT MASKED FAN? John King Tarpinian has already ordered “Classic Monster Aloha Safety Mask”. Get yours for a mere $9.95. More styles here. And they sell matching shirts for some of them — Daniel Dern says “I’ve got the first two in that were shown in this post.”
Introducing Aloha Safety Face masks!! Hawaiian Printed Masks that are fashionable , fun, and made in the USA!!
And just like that, my shirt factory has shifted production, retooled, and is making much needed face masks for hospitals and clinics. We are all proud to be part of the effort to in the corona-virus fight and provide protective gear to Doctors, Nurses, and hospital staff, who in my eyes are the front line soldiers in this global pandemic.Due to the unprecedented demand for masks, healthcare system completely lacks the needed supplies and we are on a mission to outfit them.
While they are our priority so is the safety of my friends, neighbors, and countrymen. Many people with elderly parents, respiratory illnesses, diabetes, are at high risk, or want to protect their families have reached out. I know it’s hard to find masks of any kind anywhere.
She said border restrictions overseas would likely persist until a vaccine for the novel coronavirus, believed to be one year to eighteen months away at the earliest – some vaccines take a decade to develop.
Life as it is now – with most of us confined to home, getting out only for a walk in the sunshine or a quick trip to pick up mail, prescriptions, another bottle of water, an extra loaf of bread – is something we might have read about in a science fiction novel, seen on TV or at the movies but never before experienced personally to the extent we are dealing with now.
“I feel like I’m in what (science fiction author) Brian Aldiss called a cozy catastrophe,” said Walter Jon Williams, a writer of science fiction and fantasy who lives in Belen. “We have clothing, shelter, enough food in the fridge to last a month, and everything works. But everyone is gone. We just don’t see people. I went for a walk to the park today and saw one person.”
The outcry from publisher and author groups has been swift and furious after the Internet Archive announced last week the launch of it’s National Emergency Library, which has removed access restrictions for some 1.4 million scans of mostly 20th century books in the IA’s Open Library initiative, making the scans available for unlimited borrowing during the Covid-19 Outbreak.
“We are stunned by the Internet Archive’s aggressive, unlawful, and opportunistic attack on the rights of authors and publishers in the midst of the novel coronavirus pandemic,” reads a March 27 statement from Association of American Publishers president and CEO Maria Pallante, adding that publishers are already “working tirelessly to support the public with numerous, innovative, and socially-aware programs that address every side of the crisis: providing free global access to research and medical journals that pertain to the virus; complementary digital education materials to schools and parents; and expanding powerful storytelling platforms for readers of all ages.”
The Authors Guild said it too was “appalled” by the program. “[The Internet Archive] is using a global crisis to advance a copyright ideology that violates current federal law and hurts most authors,” reads a March 27 statement. “It has misrepresented the nature and legality of the project through a deceptive publicity campaign. Despite giving off the impression that it is expanding access to older and public domain books, a large proportion of the books on Open Library are in fact recent in-copyright books that publishers and authors rely on for critical revenue. Acting as a piracy site—of which there already are too many—the Internet Archive tramples on authors’ rights by giving away their books to the world.”
“So much for authors’ incomes in a time of crisis. Do librarians and archivists really want to kick authors while our incomes are down?” Hasbrouck writes. “The argument is that students need e-books while they are staying home. But that’s an argument for spending public funds to purchase or license those resources for public use — not putting the burden of providing educational materials for free on writers, illustrators, and photographers. Authors also need to eat and pay rent during this crisis.”
The Internet Archive announced the National Emergency Library project on March 24, in response to the closures of libraries during the Covid-19 crisis, building upon the Internet Archive’s “Controlled Digital Lending” program. …
(8) MANDEL OBIT. Playwright and screenwriter Loring Mandel
died March 24. His 1959 script ”Project
Immortality” for Playhouse 90 got him his first Emmy nomination: “Key
defense scientist Doner has cancer. Schramm is assigned to code Doner’s
thinking into a computer. He gets to know him as a friend, a husband and
father. The project is successful, but he now knows identity is not
programmable.”
He
was the screenwriter for Countdown,
released in 1967, the year before the first Moon landing: “Desperate to reach
the moon first, N.A.S.A. sends a man and shelter separately, one-way. He must
find it to survive. He can’t return until Apollo is ready.” The movie starred
James Caan and Robert Duvall.
However, as The Hollywood Reporter tribute notes, he was
more famous for non-genre work: “Loring Mandel, Screenwriter and ‘Advise and Consent’
Playwright, Dies at 91”. “Mandel earned five Emmy nominations during
his career, winning twice: in 1968 for his work on an installment of CBS Playhouse and in 2001 for penning the BBC-HBO
telefilm Conspiracy.”
(9) TODAY IN HISTORY.
March 30, 2013 — Orphan Black premiered on BBC America in the USA and Space in Canada. Starring Tatiana Maslany as the clones, it run for five seasons and fifty episodes. It would win a Best Dramatic Presentation, Short Form Hugo at Sasquan for “By Means Which Have Never Yet Been Tried”.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 30, 1904 — Herbert van Thal. Editor of the Pan Book of Horror Stories series that ran twenty-four volumes from 1959 to 1983. Back From the Dead: The Legacy of the Pan Book of Horror Stories is a look at the series and it contains Lest You Should Suffer Nightmares, the first biography of him written by Pan Book of Horror Stories expert Johnny Mains. (Died 1983.)
Born March 30, 1927 — Greta Thyssen. Labeled Queen of the B-Movies she appeared in a number of genre films such as The Beast of Budapest, Creature from Blood Island andJourney to the Seventh Planet. (Died 2018.)
Born March 30, 1928 — Chad Oliver. Writer of both Westerns and SF, a not uncommon occupation at that time. He considered himself an anthropological science fiction writer whose training as an academic informed his fiction, an early Le Guin if you will. Not a terribly prolific writer with just nine novels and two collections to his name over a forty-year span. Mists of Dawn, his first novel, is a YA novel which I’d recommend as it reads a lot a similar Heinlein would. (Died 1993.)
Born March 30, 1933 — Anna Ruud. Dr. ingrid Naarveg in the Three Stooges film Have Rocket — Will Travel. Hey, it is genre of a sorts. On a more serious note, she was Doctor Sigrid Bomark in 12 to the Moon. She had one-offs in Voyage to the Bottom of The Sea, The Girl from U.N.C.L.E. and The Man from U.N.C.L.E. (Died 2018.)
Born March 30, 1943 — Dennis Etchison. As editor, he received two World Fantasy Awards for Best Anthology, MetaHorror and The Museum of Horrors. As a writer, he’s best remembered as a short story writer of quite tasty horror. Talking in the Dark Is his personally selected collection of his stories. (Died 2019.)
Born March 30, 1948 — Jeanne Robinson. She co-wrote the Stardance Saga with her husband Spider Robinson. To my knowledge, her only other piece of writing was ‘Serendipity: Do, Some Thoughts About Collaborative Writing ‘ which was published in the MagiCon Program. (Died 2010.)
Born March 30, 1958 — Maurice LaMarche, 62. Voice actor primarily for such roles as Pinky and The Brain (both of which Stross makes use of) with Pinky modelled off Orson Welles, the entire cast as near as I can tell of Futurama, the villain Sylar on Heroes, the voice of Orson Welles in Ed Wood, a less serious Pepé Le Pew in Space Jam, and, though maybe not genre, he’s voiced Kellogg’s Froot Loops spokesbird Toucan Sam and the animated Willy Wonka character in Nestlé’s Willy Wonka Candy Company commercials.
Born March 30, 1990 — Cassie Scerbo, 30. Nova Clarke in the Sharknado film series alongside Ian Ziering and Tara Reid (2013–2018). And one site listed her as being a member of the cast of Star Trek: Progeny, yet another of those video Trek fanfics.
(11) COMICS SECTION.
Non Sequitur follows Spaceman Leonard as he tries to fuel up on a barren planet (Earth).
(12) FROM COMIC BOOKS TO HISTORY BOOKS. “Overlooked
No More: Kate Worley, a Pioneer Writer of Erotic Comics”. The New York
Times says “Worley, who wrote Omaha the Cat Dancer, about a feline
stripper, ‘injected a woman’s point of view’ that helped the comic stand out
from others in the 1980s.”
…At the heart of the series was the writer Kate Worley, who gave the comic its distinctive voice and helped cultivate its wide-ranging fan base.
The character Omaha, created by the writer and artist Reed Waller, made her debut in 1978 as part of a fanzine. She eventually found her way into her own comic book, beginning in 1984. But then Waller got writer’s block.
“He wasn’t sure he wanted to continue,” Worley wrote in an introduction to a 1989 collected edition of Omaha. So she offered some suggestions. “I chattered for some time about possible plot directions, new characters,” she said.
When she was finished, Waller asked, “Would you like a job?” Worley took over as the writer, while Waller continued to draw the comic.
…United Planets cruiser C-57D, under the command of Commander John J. Adams (Leslie Nielsen), was dispatched to Altair IV to find out what had happened to an expedition that had been sent out twenty years earlier. As soon as the starship arrives in orbit, C-57D receives a transmission from the surface. There is at least one survivor of the earlier mission. To Adams’ surprise, the survivor, scientist Dr. Edward Morbius (Walter Pidgeon) doesn’t want to be rescued. Indeed, he warns the craft to go away if it wants to save its crew.
NASA has selected SpaceX of Hawthorne, California, as the first U.S. commercial provider under the Gateway Logistics Services contract to deliver cargo, experiments and other supplies to the agency’s Gateway in lunar orbit. The award is a significant step forward for NASA’s Artemis program that will land the first woman and next man on the Moon by 2024 and build a sustainable human lunar presence.
At the Moon, NASA and its partners will gain the experience necessary to mount a historic human mission to Mars.
SpaceX will deliver critical pressurized and unpressurized cargo, science experiments and supplies to the Gateway, such as sample collection materials and other items the crew may need on the Gateway and during their expeditions on the lunar surface.
(15) HE AM IRON MAN. [Item by Mike Kennedy.]
Should the Marvel Cinematic Universe ever decide to reboot, we may have
found our new Iron Man…
It is the year 2364, and Jean-Luc Picard – the revered captain of the USS Enterprise – has just come face to face with three humans who have been frozen in time since the late 20th century. By this point in the story – the 1988 finale of the first season of Star Trek: The Next Generation – he has met Klingons, Romulans, a pool of black goo, but nothing is as alien as these greedy, selfish relics.
This is Star Trek, after all: the pop-culture behemoth built on the idealistic future envisioned in the 60s by its creator Gene Roddenberry. “A lot has changed in the past 300 years,” Picard tells them. “People are no longer obsessed with the accumulation of things. We’ve eliminated hunger, want, the need for possessions. We’ve grown out of our infancy.”
Or have we? Revisiting the character 30 years later in Star Trek: Picard, Patrick Stewart’s grand return to the role at the age of 79, it seems the world has not progressed as much as we were led to believe. Set during a time in which the Federation – a union of planets with shared democratic values and interests – has turned isolationist in response to a terror attack, it has proved to be a divisively dark, gritty and morally bleak take on the Star Trek universe….
With global coronavirus cases heading toward half a million, Harvard infectious disease experts said recent modeling shows that — absent the development of a vaccine or other intervention — a staggered pattern of social distancing would save more lives than a one-and-done strategy and avoid overwhelming hospitals while allowing immunity to build in the population.
The work, conducted by researchers at the Harvard T.H. Chan School of Public Health and led by Yonatan Grad, the Melvin J. and Geraldine L. Glimcher Assistant Professor of Immunology and Infectious Diseases, and Marc Lipsitch, professor of epidemiology, also shows that if strict social distancing such as that imposed in China — which cuts transmission by 60 percent — is relaxed, it results in epidemic peaks in the fall and winter similar in size and with similar impacts on the health care system as those in an uncontrolled epidemic.
“We looked at how it would affect the thing that matters most — overwhelming the critical-care unit,” Grad said.
The problem, the researchers said, is that while strict social distancing may appear to be the most effective strategy, little population-level immunity is developed to a virus that is very likely to come around again.
(18) PUBLIC SERVICE ANNOUNCEMENTS. A lot of genre figures
are getting in on the act – we learned about these three from Comicbook.com:
[Thanks to Daniel Dern, JJ, Mike Kennedy, Chip Hitchcock, John King Tarpinian, Martin Morse Wooster, Michael Toman, Michael J. Walsh, Cat Eldridge, Darrah Chavey, and Andrew Porter for some of these stories. (* )Thanks to Bill Burns for the assist. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
Effective as of 10am today, April 10th, 2019, I am resigning my position as a member of the SFWA Board of Directors.
We live in a world where appearance often carries more weight than intention. Recent controversies, and my perceived involvement in them, have increasingly made it difficult for me to effectively perform the responsibilities for which I’d been elected. Accordingly, it makes sense for me to step aside and allow someone else to continue the work.
Today’s decision notwithstanding, I remain committed to the ideals and goals of SFWA, perhaps best expressed by the statement the Board composed at last year’s Nebula Conference: “We are genre writers fostering a diverse professional community committed to inclusion, empowerment, and outreach.”
It has been my privilege to be of service to this organization and our community. I encourage you all to pay it forward.
Schoen’s statement does not specify what “recent controversies” he is perceived to be involved in. They may relate to Jonathan Brazee’s 20Booksto50K Nebula recommendation list. Schoen’s novelette “The Rule of Three” is one of the stories on the list that made the Nebula ballot. Brazee responded to criticism by apologizing for the list.
(2) NICHOLS ON SPACE COMMAND. Marc Zicree told fans, “Today’s shoot with Nichelle Nichols went great! Here’s a behind the scenes clip, with more to come.”
The new teaser trailer for Star Wars: The Rise of Skywalker features quite the surprise: as the trailer comes to a close, the screen cuts to black and our ears are filled with the cackling of Emperor Palpatine. It’s a laugh cold enough to send shivers down your spine and a character inclusion crazy enough to make your head spin. He met his electrifying end in Return of the Jedi, after all. IGN talked to director and co-writer JJ Abrams at Star Wars Celebration Chicago about how the iconic villain came to be a part of the film, and his answer included a meeting with the Maker himself, George Lucas.
“This movie had a very, very specific challenge, which was to take eight films and give an ending to three trilogies, and so we had to look at, what is the bigger story? We had conversations amongst ourselves, we met with George Lucas before writing the script,” Abrams revealed. “These were things that were in real, not debate, but looking at the vastness of the story and trying to figure out, what is the way to conclude this? But it has to work on its own as a movie, it has to be its own thing, it has to be surprising and funny and you have to understand it.”
(4) COPING. Sarah Hughes, TV critic at The Guardian, tells how Game of Thrones helped her cope with her
cancer diagnosis. “Game of Thrones, cancer and me…”
…Best of all, while I might not find out how Martin himself intends to finish his series (there are still two long-awaited books to come), I will almost certainly see the TV series of Game of Thrones return for its brutal, no doubt bloody and hopefully rewarding conclusion this month. As for Tottenham Hotspur winning the league in my lifetime, that remains too great a step for even the most benign of gods to arrange.
A fun way to teach anyone the basics of pIqaD (the Klingon alphabet)
For use on magnetic surfaces, like your fridge or your ship’s hull
…This set contains the entire alphabet, with multiples for the more frequently used, plus a few apostrophes.
(8) TODAY’S BIRTHDAYS.
[Compiled
by Cat Eldridge.]
Born April 13, 1937 — Terry Carr. Lifelong fan and long after he turn pro, he continued to be active in fandom, hence was nominated five times for Hugos for Best Fanzine (1959–1961, 1967–1968), winning in 1959, was nominated three times for Best Fan Writer (1971–1973), winning in 1973, and was Fan Guest of Honor at ConFederation in 1986. He worked as an Editor, first at Ace where he edited The Left Hand of Darkness. After a fallout with Wollheim, he went freelance where he developed Universe and Best Science Fiction of the Year, the latter on a remarkable four publishers. He was nominated for Best Editor Hugo thirteen times and won twice. He wrote three novels, one with Ted White, and three collections of his stories in print. (Died 1987.)
Born April 13, 1943 — Bill Pronzini, 76. Mystery writer whose Nameless Detective has one genre adventure in A Killing in Xanadu. Genre anthologist, often with Barry N Malzberg, were many and wide ranging, covering such things as Bug-Eyed Monsters (with Malzberg), Arbor House Treasury of Horror and the Supernatural (with Greenberg and Malzberg) and Arbor House Necropolis. As Robert Hart Davis, he wrote “The Pillars of Salt Affair”, a Man from U.N.C.L.E. novella that ran in the The Man from U.N.C.L.E. Magazine.
Born April 13, 1951 — Peter Davison, 68. The Fifth Doctor and one that I never came to be fond of. Just seemed too lightweight for the role. I thought he put more gravitas into the voice of Mole he did for The Wind in the Willows animated special Mole’s Christmas. For twenty years now, he has reprised his role as the Fifth Doctor in myriad Doctor Who audio dramas for Big Finish.
Born April 13, 1954 — Michael Cassutt, 65. His notable genre TV work includes executive producing, producing or writing, or both, for Strange Luck, Seven Days, Outer Limits, Eerie, Indiana, and The Twilight Zone. He was also story editor for the Max Headroom series which I loved.
Born April 13, 1959 — Brian Thomsen. Editor, writer and anthologist. He was founding editor of Warner Books’ Questar Science Fiction, and later served as managing fiction editor at TSR. He co-wrote the autobiography of Julius Schwartz. Strangely enough, I’ve actually read one of his anthologies, A Yuletide Universe, as I remember it from the cover art. (Died 2008.)
Born April 13, 1950 — Ron Perlman, 69. Hellboy in a total of five films including three animated films (Hellboy: Sword of Storms, Hellboy: Blood and Iron and Redcap). He’s got a very long association with the genre as his very first film was Quest for Fire in which he was Amoukar. The Ice Pirates and being Zeno followed quickly Captain Soames in Sleepwalkers and Angel De La Guardia in Mexican horror film Cronos. Several years later, I see he’s Boltar in Prince Valiant, followed by a hard SF role as Johnher in Alien Resurrection and Reman Viceroy in Star Trek: Nemesis. And I should note he was in Fantastic Beasts and Where to Find Them as Gnarlack, a goblin gangster if I read the Cliff notes to that correctly. No, I’m not forgetting about his most amazing role of all, Vincent in Beauty and The Beast. At the time, I thought it was the most awesome practical makeup I’d ever seen. And the costume just made look him amazing.
Born April 13, 1962 — Stephen Holland, 57. I’m a deep admirer of those who document our genre and this gentleman is no exception. In handful of works, he’s created an invaluable resource for those interested in SF published in paperback. British Science Fiction Paperbacks and Magazines, 1949-1956: An Annotated Bibliography and Guide and The Mushroom Jungle: A History of Postwar Paperback Publishing certainly look to be essential reading, and his Fantasy Fanzine Index: Volume 1 also sounds useful.
In honor of the eighth and final season of Game of Thrones—which premieres in just three days, people!!!—TGI Friday’s has released a limited-edition menu inspired by the series. However, vegetarians and vegans may want to steer clear of the “Dragon Slayer Feast.” It’s definitely a meat-heavy selection….
You can also order up Dragon Fire Hot Wings and the Bucket of Beast Bones, which is a combo of ribs and Friday’s famed glazed wings. However, as far as we know, the GOT special is currently a U.K. exclusive. The meat-filled feast will kick off April 10.
The Calculating Stars has a more grounded aesthetic than it’s predecessor, and aims to present a plausible alternative history where the space program is accelerated and is also a more international collaboration. In the centre of this effort is Dr Elma York who desperately wants to go into space but who must also navigate through the complexities of 1950s America.
It’s an engaging fictional autobiography of a remarkable person — the kind of multi-talented character that you find in accounts of America’s space program. Drive, talent, brains and luck conspire to put Elma in a spotlight but the attention that comes with it reveals Elma’s greatest weakness: social anxiety in crowds when she is the focus of attention. Ironically the press characterising her preemptively as ‘The Lady Astronaut’ complicates her attempts to actually become an astronaut.
(12) CREDIT WHERE DUE. Misty
S. Boyer’s long Facebook post provides
further detail about who contributed to the newsmaking black hole photo.
…The photo that everyone is looking at, the world famous black hole photo? It’s actually a composite photo. It was generated by an algorithm credited to Mareki Honma. Honma’s algorithm, based on MRI technology, is used to “stitch together” photos and fill in the missing pixels by analyzing the surrounding pixels.
But where did the photos come from that are composited into this photo?
The photos making up the composite were generated by 4 separate teams, led by Katie Bouman, Andrew Chael, Kazu Akiyama, Michael Johnson, and Jose L Gomez. Each team was given a copy of the black hole data and isolated from each other. Between the four of them, they used two techniques – an older, traditional one called CLEAN, and a newer one called RML – to generate an image.
The purpose of this division and isolation of teams was deliberately done to test the accuracy of the black hole data they were all using. If four isolated teams using different algorithms all got similar results, that would indicate that the data itself was accurate….
Beliefs in “pseudoarchaeology”—ancient aliens, Atlantis, and other myths—are on the rise. In 2018 41% of Americans believed that aliens visited Earth in the ancient past, and 57% believed that Atlantis or other advanced ancient civilizations existed. These outlandish beliefs have been circulating for decades, and archaeologists are now mobilizing to counter them. They are taking to Twitter, blogs, podcasts, YouTube, and newspapers to debunk false claims and explain real archaeological methods, and they plan to compare notes this week during a symposium at the Society for American Archaeology meeting.
It happened in a split second, and Vanessa Barker doesn’t remember any of it. She doesn’t remember dropping to the field, nor does she remember how she got hit.
When she came to, she was sitting on the sidelines with an EMT, being evaluated for what turned out to be her first concussion. Over the next two years, she’d suffer another two more while out on the field — hardly what she expected when she decided to start playing quidditch.
…”If I ever have any others, I’ll have to stop playing,” she said.
(17) PLAYING A TATTOO. For
the next four weeks you can listen online to BBC4’s production of “Ray Bradbury –
The Illustrated Man”, dramatized by Brian Sibley.
A young traveller encounters a vagrant on the road, who claims that his tattoos come to life after dark and tell the future. Starring Iain Glen and Elaine Claxton.
(18) VIDEO OF THE DAY. “The Black Hole: Based on
Stephen Hawking’s Reith Lecture” on YouTube is an animation done for BBC
Radio4 of an excerpt of a Stephen hawking lecture where Hawking says it’s not
hopeless if you fall into a black hole.
[Thanks to
Martin Morse Wooster, Cat Eldridge, JJ, Chip Hitchcock, Cora Buhlert, SF
Concatenation’s Jonathan Cowie, Mike Kennedy, John King Tarpinian, Carl Slaughter,
and Andrew Porter for some of these stories. Title credit goes to File 770
contributing editor of the day cmm.]
– ALL members may recommend works, including Supporting.
– ALL members may recommend works in ALL categories.
– If you’re trying to get your work considered, please review the Bram Stoker Awards etiquette page
– We’ve already seen a few examples of authors whose works appear on the Recommendations page claiming to be “nominated.” Please do NOT refer to your work as “nominated” unless you are listed on the Final Ballot.
If there is a single thought to keep in mind here, it is the difference between promoting and soliciting.
Promoting (acceptable) is the business of spreading the word about your work and making sure anyone who wants to can read it.
Soliciting (unacceptable) is the practice of wheeling and dealing, whining and wheedling, in order to get yourself an award that you may not deserve.
Works that are truly worthy of the award tend to rise to the top without help if enough people read them. If you have to go out and beg for recommendations or votes, that says something rather uncomplimentary about both you and the work. So you’re doing yourself a service if you refrain.
I was recently reminded of the golden age of Big Dumb Object stories (hat tip to reviewer Roz Kaveny for coining the phrase). As this is not yet commonly accepted genre shorthand, perhaps a definition is in order.
Contrary to the name, BDOs are not necessarily dumb. In fact, most of them have rather sophisticated infrastructure working away off-stage preventing the story from being a Giant Agglomeration of Useless Scrap story. What they definitely are is large. To be a BDO, the Object needs to be world-sized, at least the volume of a moon and preferably much larger. BDOs are also artificial. Some…well, one that I can think of but probably there are others…skirt the issue by being living artifacts but even there, they exist because some being took steps to bring them into existence.
The Internet Archive (Archive.org) is carrying out a very large and growing program of scanning entire books and posting them on the public Internet. It is calling this project “Open Library,” but it is SFWA’s understanding that this is not library lending, but direct infringement of authors’ copyrights. We suspect that this is the world’s largest ongoing project of unremunerated digital distribution of entire in-copyright books. An extensive, random assortment of books is available for e-lending—that is the “borrowing” of a digital (scanned) copy. For those books that can be “borrowed,” Open Library allows users to download digital copies in a variety of formats to read using standard e-reader software. As with other e-lending services, the books are DRM-protected, and should become unreadable after the “loan” period. However, an unreadable copy of the book is saved on users’ devices (iPads, e-readers, computers, etc.) and can be made readable by stripping DRM protection. SFWA is still investigating the extent to which these downloadable copies can be pirated. Unlike e-lending from a regular library, Open Library is not serving up licensed, paid-for copies, but their own scans.
The post includes guidance about how writers can deal with infringement issues.
(4) FAWLTY REASONING. Doctor Strangemind’s Kim Huett sent a link to “Jack Vance & Fawlty Towers” with the warning: “I have to admit the logical progression of this installment is a little unexpected. I’m sure you’ll manage though. I have every confidence in you all.” The metaphor addresses William Atheling Jr.’s misguided review of a Jack Vance book, both written in the 1950s.
It’s with Vance’s next point however that we encounter what surely his Basil Fawlty moment. I’m willing to bet the restrained sarcasm Vance employed in order to agree with Atheling that the short stories contained in The Dying Earth collection made for a terrible novel is as nothing to how he felt when he first read Atheling’s complaint. As somebody who has read The Dying Earth collection, albeit many years ago, the thought that anybody could miss the assorted changes in plot, location, and characters is an astounding one. As the author of these assorted stories and thus more intimately involved with then than any reader could be the Atheling complaint was surely a source of intense frustration for Jack Vance. How do you deal with being told you have failed when the basis of the claim is as demonstrably wrong as this? There are things that should not need explanation, that are a chore, an undeserved burden to set right. If it had been me in Vance’s place the sheer frustration of Atheling’s comments would have had me curling up Basil Fawlty style.
Eliot’s entire conversation with Queen Margo is perfection but hits a high note by kicking things off referencing another Syfy series: Battlestar Galactica. Take a look (unless you want to go into the episode fresh, of course). And don’t worry if you’re not entirely versed in pop culture; there are helpful subtitles to explain some of the references.
Featuring the collections and rare treasures of over 200 booksellers from over 30 different countries the California International Antiquarian Book Fair is recognized as one of the world’s largest and most prestigious exhibitions of antiquarian books. The California International Antiquarian Book Fair gives visitors the opportunity to see, learn about, and purchase the finest in rare and valuable books, manuscripts, autographs, graphics, photographs, print ephemera, and much more.
(7) FOR THOSE SCORING AT HOME. Rocket Stack Rank’s Greg Hullender reports, “We’ve created the 2018 version of our page that helps people nominate for the Hugo Awards. In addition to our reviews, this incorporates feedback from six other prolific short-fiction reviewers to produce a sorted list of the best-reviewed short SFF of 2017.” — “2018 Hugo Awards”.
New this year: they have highlighted which stories were most recommended in different categories.
Hullender continues: “As in the past, the pages offer nomination help several different ways. The list of stories is helpful for readers looking for stories to read, but it’s also helpful to people who need help remembering the stories they’ve already read. The Campbell page identifies everyone eligible for the Campbell (based only on short stories we reviewed).”
I understand that TV audiences want to see a little more showmanship than I’m used to providing on the line back at Lilette, but this is ridiculous. They trucked in a six-foot tall burlap sack with “HOUSE FEED” painted on the side, and we had to spend two hours getting shots of me and some crew pouring it out onto a giant plate. They kept having to refill the bag between takes, and I had nothing to do but sit around in the freezing-ass Russian afternoon. The only wifi reception out here is a 1980-looking suitcase laptop with one of those inch-thick rubber antennas. I think all it does is let Chaz keep in touch with the producers through some kinda HAM radio satellite or whatever. No apps or anything. I’d tried making small talk with him in between takes, but I think the only thing he’s ever actually read is liner notes from Smash Mouth albums. Album, singular? I don’t even know. He sure would though.
(9) TODAY’S BIRTHDAY BOYS
Born January 8, 1862 — Frank Nelson Doubleday (publisher)
Born January 8, 1908 — The first Doctor Who. actor William Hartnell
Born January 8, 1942 – Stephen Hawking
(10) SEVEN CENTURIES OF CAPTAIN AMERICA. A Marvel comics milestone is approaching —
This spring, OUT OF TIME will culminate with the release of CAPTAIN AMERICA’s milestone 700th issue, concluding the arc in an oversized story from creators Mark Waid and Chris Samnee!
Frozen in time, awakened in a decimated future and once again a man out of his era, there is only one way for Steve Rogers to restore order and rebuild civilization—and that’s to rule it as King Captain America!
“No dream, no hoax, no lie, this IS Cap and this IS happening!” said SVP and Executive Editor Tom Brevoort. “Guest-starring the Thing and the Hulk (or as much as is left of them), it’s a celebration of 700 issues of star-spangled adventure! Plus, Mark Waid delivers an untold tale from Captain America’s past, featuring the classic artwork of Jack Kirby!”
(11) MILES MORALES. In “Jason Reynolds Is Revolutionizing the Art of Writing Characters”, Washington City Paper’s Kayla Randall profiles Jason Randall, an experienced African-American YA author whom Marvel picked to write Miles Morales: Spider-Man, a YA novel which appeared late in 2017.
When Marvel Comics calls, people answer. That seems to be a general rule. But local author Jason Reynolds was hesitant when he got his call. Marvel had plans to publish a young adult novel about Spider-Man, specifically Miles Morales, an immensely popular iteration of the character and the first black boy to don the spider suit in the comics. Reynolds was the author the bosses wanted.
That he would be on Marvel’s radar as it identified authors to write about a black Puerto Rican teenager coming of age in Brooklyn comes as no surprise. The Oxon Hill native, who now lives in Northeast D.C., has written nine books and become widely known over the past few years for writing complex young black characters, mostly boys. His book Ghost was a finalist for the 2016 National Book Award for Young People’s Literature and As Brave As You was a 2017 Coretta Scott King Author Honor Book.
“I’ve written a gazillion books about black boys in Brooklyn, so it was kind of like ‘Look dude, this is your wheelhouse, will you take this on?’” Reynolds says.
His initial answer was “I don’t know.” He was afraid the stranglehold of a corporation with huge intellectual properties to protect and monitor would stifle his writing. Then there was the immense pressure he’d feel to properly represent a beloved superhero in his own words.
Sometimes you need to step back to see the big picture, and if your subjects are 249,000 miles apart, you need to step waaay back. Luckily, the spacecraft OSIRIS-REx is moving rapidly away from us and was recently just in the right position, around 3.1 million miles away, so it trained its MapCam instrument towards its former home and captured this poignant portrait of the Earth and the Moon.
(13) LESSON FROM AN EXPERT. Mad Genius Club’s Dave Freer, in “‘Hold-my-beer’ Precedent”, criticizes practices like —
‘De-platforming’ – Another precedent set and accepted and much beloved by the modern Left – those in power should be able to effectively silence any dissent, and isolate dissenters by denying them a public place – be that a convention, Twitter, or a book for sale to the public. The puppy-kickers and indeed SJW’s believe de-platforming an important and completely justified tool… in their hands. They’re in power and think it a great idea.
I know Dave can speak about de-platforming from experience, having banned me from MGC’s comments section.
And what explosive thing did I say to trigger him? My last comment there responded to their site redesign by asking them to make the bylines larger and more readable. No, no, this wasn’t concern trolling. It just seemed an obvious thing to fix as long as they were doing a makeover anyway.
(14) JON PINOCCHIO. Yesterday he was telling the world File 770 has no readers. In February he tweeted the figure below as a taunt. Which was true? Neither. Isn’t that a surprise. There has never been anything remotely like that number of outbound clicks from here to his site.
I want to thank File 770 for referring 500 unique users to my website. I don't know who to thank tho. Not on twitter, internet illiterate.
In an unprecedented move, Worldcon pre-banned me, an action they haven’t taken since 1964 with Walter Breen, a convicted pedophile. Unlike Walter, I’m no criminal, just a family man and professional in the field. I’m an outspoken conservative and Christian, which sets me in the “other, not human” category for some people in science fiction writing, and I’ve been a target of a hate campaign because of my worldviews since coming on the scene. It’s about the opposite of what I imagined a loving, tolerant group would be.
I’ve been given no information to why I’m banned other than I “intend to violate the code of conduct” which I’ve stated several times I don’t. As a popular writer in the field, it seems a move solely based on hate and discrimination of people like me. I wish we could all get along despite differences like in Callahan’s, but it appears some in our world aren’t ready for that.
Milo Yiannopoulos’ DANGEROUS website, for reasons, so they reassure me, that are no reflection on my writing, have suspended my column there, temporarily, or so they hope.
Director Ridley Scott has an idea for a new “Blade Runner” film and is hoping to get it off the ground. Although he recently vocalized some strong opinions about why the second chapter, “Blade Runner 2049,” underperformed at the box office (“It’s slow. It’s slow. Long. Too long. I would have taken out half an hour,” Scott told Al Arabiya), he seems to be eager to return to the series.
When asked about continuing the saga, Scott told Digital Spy, “I hope so. I think there is another story. I’ve got another one ready to evolve and be developed, so there is certainly one to be done for sure.”
(18) A CHECK OF MONEY. Subterranean Press did inspire Harlan Ellison that way, and he allowed Jason Davise to put together the collection Blood’s A Rover. The Ellison-signed edition is already sold out ($500 a pop). Unsigned copies are available at $40.
Harlan Ellison introduced you to Vic and Blood in 1969’s Nebula Award-winning novella, “A Boy and His Dog.” You thrilled to their on-screen adventures in the 1975 Hugo Award-winning feature film adaptation billed as “a kinky tale of survival.” 1977 and 1980 brought brief reunions in “Eggsucker” and “Run, Spot, Run,” and the promise of another story—and a third solo, Spike, to make the Dystopian Duo a Tribulation Trio—but only audiobooks and comics followed, revisiting the same tales.
Now, nearly fifty years after they first set off across the blasted wasteland, Vic and Blood are back.
Harlan Ellison and his editor, Jason Davis, have painstakingly assembled the whole story of Vic and Blood and Spike from the author’s files, using revised-and-expanded versions of the novella and short stories, interstitial material developed for Richard Corben’s graphic adaptation, and—for the first time—never-before-published material from the aborted 1977 NBC television series Blood’s a Rover to tell the complete story of A Boy and His Dog, and a Girl who is tougher than the other two combined.
The Falcon lifted off at 8 p.m. ET Sunday from Cape Canaveral Air Force Station. As the first-stage of the Falcon returned to Earth for an upright landing, the upper stage lofted the mysterious Zuma, presumed to be a spy satellite or military communications satellite, into an undisclosed orbit.
…In the end, it turns out that “USS Callister”, the “Star Trek” episode of Black Mirror is only superficially about Star Trek. This shouldn’t really come as a huge surprise, since Black Mirror normally focusses on “five minutes into the future” tech dystopias and not far future space opera. And indeed, my initial reaction to the “USS Callister” scenes in the general season 4 trailer was, “Huh. Now that doesn’t look like Black Mirror at all.”
And indeed it quickly turns out that the scenes in the trailer of a day-glo 1960ish Star Trek type space adventure are just an immersive virtual reality game created by a programmer named Robert Daley, where he can forget his sad everyday existence and instead live in the world of his favourite TV show, a Star Trek clone called “Space Fleet”, as the heroic captain leading an adoring crew to explore the unknown. At first glance, this seems to be harmless enough, though it is notable that the crew of the USS Callister look very much like his co-workers. Things take a turn towards the seriously creepy when Daley steals the coffee cup of a new employee, swabs it for DNA and pushes a sample into a device attached to his computer…
(23) CW SUPERHEROES. The super season returns starting Monday, January 15 on The CW. Very amusing trailer.
[Thanks to JJ, Martin Morse Wooster, Chip Hitchcock, John King Tarpinian, Daniel Dern, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Nigel.]
