Pixel Scroll 4/12/19 Been A Scroll Title. Twice.

(1) STAR WARS TRAILER UNVEILED AT CHICAGO CON. The Hollywood Reporter was at the Star Wars Celebration when the Episode IX trailer was screened.

After a year’s worth of speculation, emcee Colbert, Lucasfilm head Kathleen Kennedy and filmmaker J.J. Abrams unveiled the first teaser trailer for Star Wars: The Rise of Skywalker to a packed (and raucous) crowd at Star Wars Celebration in Chicago on Friday.

Among the big reveals is that Emperor Palpatine, the villain played by Ian McDiarmid in the previous two trilogies and thought to be dead, is back — as his laugh is heard at the end of the teaser. McDiarmid also walked out onstage after the trailer and ordered it to be replayed.

Earlier in the panel, Abrams made what might have been a reference to Palpatine, though he didn’t name him.

“This movie, in addition to being the end of three trilogies, it also has to work as its own movie,” said Abrams. “It’s about this new generation and what they’ve inherited, the light and the dark, and asking the question as they face the greatest evil, are they prepared? Are they ready?”

(2) 949. Maybe C-3PO deserves a new number, and not just the strange typo Fansided gives him while declaring “Anthony Daniels is the G.O.A.T. of the Star Wars films”

Daniels is one of the few characters who has appeared in all nine of the Star Wars films, which is a remarkable feat that should be celebrated among the Star Wars universe.

In fact, it was fitting that Daniels would be the first cast member introduced at the Star Wars Celebration in Chicago along with R2-D2, the other character to grace every single film. When you think of 3-CPO, you often think of Daniels, and without his unique take on this iconic character, 3-CPO wouldn’t be the beloved character he is today.

(3) PRIEST HONORED. GenCon 2019 has announced Cherie Priest as its Author Guest of Honor.

Gen Con, the largest and longest-running tabletop gaming convention in North America, has named Locus Award-winning and Hugo Award-nominated author Cherie Priest as the event’s 2019 Author Guest of Honor. Ms. Priest will take part in several events as part of the convention’s Writer’s Symposium program, including book signings and appearances.

(4) LOOKS LIKE HECK. NPR’s Chris Klimek’s reaction to Hellboy: “Hell, no!”

Hellboy, despite its colon-free title, is actually the fifth movie starring the good-guy demon hero (if you count the two animated films that featured the same cast as the live-action films made by monsteur auteur Guillermo del Toro in 2004 and 2008) and it’s even more exhausting than this sentence.

Pity. The blue-collar, crimson-skinned agent of the Bureau for Paranormal Research and Defense — basically a more inclusive version of the Men in Black, with a more casual dress code — is a marvelous character on the page. And because filmmaker del Toro has at least as much affection for 1930s serials and monster movies and European folklore as cartoonist Mike Mignola (Hellboy’s creator) does, his two adaptations of Mignola’s comics were revered. But like most del Toro films they were only moderate box office successes, and the profligate profitability of Marvel movies in the subsequent decade (Hellboy is a creator-owned specimen of IP, outside the Disney megalith) demanded that someone try to tap that rich vein again.

Englishman Neil Marshall would appear to be a sterling candidate: He made a trio of well-regarded low-budget genre flicks and directed two episodes of Game of Thrones, including “Blackwater,” which featured the climactic battle of the series’ second season. The chaotic, repetitive movie he’s given us here calls into question not just his competence but his taste….

(5) NIGHTFIRE BLAZES TO LIFE. “Tom Doherty Associates Announces Nightfire, a New Horror Imprint”Tor.com has the story.

Tom Doherty Associates (TDA) President and Publisher Fritz Foy announced today the creation of NIGHTFIRE, a new horror imprint that will join Tor, Forge, Tor Teen & Starscape, and Tor.com Publishing as part of Tom Doherty Associates.

Foy will be Publisher, and TDA will add dedicated staff in editorial, as well as supplemental staff in marketing and publicity. Under the Nightfire imprint, editors will acquire and publish across the breadth of the genre­—from short story collections to novellas and novels, from standalone works to series, from dark fantasy to the supernatural, from originals to reprints of lost modern classics. In addition to publishing books across all formats (print, audio, and ebook), Nightfire’s releases will also include podcasts, graphic novels, and other media.

(6) FINISHING SCHOOL. Jeff Somers brilliantly envisions “How 15 of Your Favorite Authors Might Finish George R.R. Martin’s A Song of Ice & Fire” at the B&N Sci-Fi & Fantasy Blog.

Brandon Sanderson
After reviewing George R.R. Martin’s notes, Sanderson announces it will take not two but six more books to finish the story properly. After delivering four 1,000-page tomes, Sanderson himself passes away (buried under a pile of 3,500 manuscript pages for the ninth book in the Stormlight Archive) with the story still incomplete. It is the year 2049. The final two books are completed by Christopher Paolini, working from Sanderson’s notes on Martin’s outlines, and are beamed directly into people’s brains via the NookVR brain uplink.

(7) QUIDDITCH REVISIONISM. Emily Giambalvo in the Washington Post profiles the University of Maryland Quidditch team, currently ranked No. 1 and headed to the national Quidditch Cup in Round Rock, Texas this weekend.  But only a quarter of the quidditch players have read Harry Potter and capes and bristles on the “brooms” are now banned (platers compete with PVC pipes between their legs). “Crab cakes and quidditch: That’s what Maryland does”.

The Maryland quidditch team has a 27-3 record and is ranked No. 1 in the country, but it still exists in relative obscurity. Fellow students walk by the practice without adjusting their pace, but they keep their heads turned toward the training. Sometimes onlookers pull out their phones, capturing what seems like a strange combination between playful chaos and a serious sport.

(8) A LITTLE REVIEW. NPR’s Linda Holmes finds Little: A Wrong-Body Comedy That Can’t Get Comfortable”

Marsai Martin is a star.

If you’ve seen her as Diane, the younger daughter on ABC’s Black-ish, you might already know. Diane is wise, wily, funny and a step ahead of her twin brother, Jack. And while scripts work wonders, you cannot create a character like Diane around an actress who wasn’t yet ten years old when she was cast in the role unless the actress in question has the chops for it. Martin’s first starring role in a film comes in Little, where she holds the screen opposite comedy powerhouses Issa Rae and Regina Hall. What’s more, everyone involved in promoting the movie says it was her idea — which she pitched when she was ten. Now, at 14, she’s an executive producer on the film.

…Unfortunately, the film needs more comedy and more consistency in the comedy it has. When it’s funny, it’s really funny, but it’s not funny frequently enough….

(9) TIME TREKKERS. YouTuber Steve Shives tries to determine “Who Is Actually Star Trek’s Most Reckless Time Traveler?”

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 12, 1884 Bob Olsen. He wrote stories for Amazing Stories, from 1927 to 1936, many of them said to be of humorous inclination. He was one of the first writers to use the phrase ‘space marine’ in a two-story Captain Brink sequence consisting of “Captain Brink of the Space Marines” (November 1932 Amazing) and “The Space Marines and the Slavers” (December 1936 Amazing). I’m fairly sure thathe wrote no novels and less than twenty-four short stories. I do know that severe arthritis curtailed his writing career in 1940. (Died 1956.)
  • Born April 12, 1915 Emil Petaja. An author whose career spanned seven decades who really should be remembered as much for his social circles that included early on as H. P. Lovecraft, Clark Ashton Smith, Robert E. Howard, and August Derleth which later expanded to include Anthony Boucher, Frank M. Robinson, Poul Anderson, Ray Bradbury, Philip K. Dick and Robert A. Heinlein.  It should not be overlooked that he did write seven novels and around forty short stories during his career with the stories appearing in Weird TalesFantasy and Science FictionFantastic Adventures, Worlds of Tomorrow,  Future Science Fiction Stories and other venues as well. (Died 2000.)
  • Born April 12, 1936 Charles Napier. Well let’s meet Adam on the Trek episode of “The Way to Eden”. Oh, that’s a horrible outfit he’s wearing. Let’s see if he had better genre roles… well he was on Mission: Impossible twice in truly anonymous roles, likewise he played two minor characters on The Incredible Hulk and he did get a character with a meaningful name (General Denning) on Deep Space 9. I surprised to learn that he was General Hardcastle in Superman and Justice League Unlimited series, and also voiced Agent Zed for the entire run of the Men in Black animated series. (Died 2011.)
  • Born April 12, 1958 Elizabeth Klein-Lebbink, 61. A LA-resident con-running fan. She has worked on a variety of conventions, both regionals and Worldcons, frequently in the art shows. She is has been a member of the Dorsai Irregulars. She is married to fellow fan Jerome Scott. Works for NASA where she writes such papers as ‘Measurements of Integration Gain for the Cospas-Sarsat System from Geosynchronous Satellites’.
  • Born April 12, 1971 Shannen Doherty, 48. Prue Halliwell on Charmed. (Watched the first, I think, four seasons. Lost interest at that point.) Her first genre role was voicing a mouse, Teresa Brisby to be exact on The Secret of NIMH. She was Cate Parker in Blood Lake: Attack of the Killer Lampreys — a film that can’t possibly be as bad as its name, can it? Though I’m willing to bet that Borgore & Sikdope: Unicorn Zombie Apocalypse, an Internet short film, in which she is a News Anchor is every bit as bad as its title! 
  • Born April 12, 1979 Claire Danes, 40. Best known genre role is Kate Brewster in Terminator 3: Rise of the Machines.  Also was Yvaine in Stardust, a film that’s not even close to its source material. 
  • Born April 12, 1979 Jennifer Morrison, 40. Emma Swan in the Once Upon a Time series, and Winona Kirk, mother of James T. Kirk in Star Trek and Star Trek Into Darkness. She also paid her horror dues in Urban Legends: Final Cut as Amy Mayfield, the student videographer whose film goes terribly wrong. I’m intrigued to see that she’s the voice actor for the role of Selina Kyle / Catwoman in the forthcoming Batman: Hush, a film that needs a R rating to be told properly. 

(11) COMICS SECTION.

  • Ziggy makes an out of this world real estate deal.

(12) KEEP WATCHING THE SKIES. Popular Mechanics feels “Cave Paintings Suggest Ancient Humans Understood the Stars Much Better Than We Thought”.

Studying cave paintings from Turkey, Spain, France, and Germany, researchers have come to the conclusion that humanity’s ancient ancestors were smarter than previously given credit for. These famed paintings were not simply decorative, a new study says—they represent a complex understanding of astronomy predating Greek civilization.

And the paper their article is based on is just fascinating – the PDF is here: “Decoding European Palaeolithic art: Extremely ancient knowledge of precession of the equinoxes”.

(13) BLACK HOLE PHOTO CREDIT. The Washington Post sets the record straight in “Trolls hijacked a scientist’s image to attack Katie Bouman. They picked the wrong astrophysicist.”

…Identical memes quickly spread across Twitter, where one typical response was, “Andrew Chael did 90% of the work. Where’s his credit?”

But those claims are flat-out wrong, Chael said. He certainly didn’t write “850,000 lines of code,” a false number likely pulled from GitHub, a Web-based coding service. And while he was the primary author of one piece of software that worked on imaging the black hole, the team used multiple different approaches to avoid bias. His work was important, but Bouman’s was also vital as she helped stitch together all the teams, Chael said.

“Katie was a huge part of our collaboration at every step,” Chael said.

In truth, singling out any one scientist in a massive, cross-disciplinary group effort like the Event Horizon Telescope’s project is bound to create misapprehensions. Many who shared an equally viral image of Bouman clutching her hands in joy at the sight of the black hole came away wrongly believing she was the sole person responsible for the discovery, an idea the postdoctoral researcher at the Harvard-Smithsonian Center for Astrophysics has tried to correct.

(14) TILT THE TABLE, LUKE. Polygon reports “Entire Star Wars Pinball collection coming to Switch, with new modes”.

All 19 tables of Zen Studios’ Star Wars Pinball are coming to Nintendo Switch, with a vertical play mode that takes advantage of the Switch screen’s dimensions when held sideways.

In addition to being sold through the Nintendo eShop, Star Wars Pinball will also get a physical edition release, a first ever for a Zen pinball suite. Star Wars Pinball will launch for Switch on Sept. 13, 2019, the studio/publisher announced today in advance of this weekend’s Star Wars Celebration.

(15) REDFEARN. StokerCon UK, to be held April 16-19, 2020 in Scarborough, has announced its Editor Guest of Honour:

https://twitter.com/StokerconU/status/1116665654004932608

Gillian Redfearn is the Hugo Award-nominated Deputy Publisher of Gollancz, the world’s oldest Science Fiction and Fantasy imprint.

Within five months of joining the Gollancz team as editorial assistant she had commissioned the bestselling First Law trilogy from Joe Abercrombie, swiftly followed by acquiring the UK rights to Patrick Rothfuss’ novels. When she became Editorial Director for the imprint in 2014 she was selected as a Bookseller Rising Star, and two years later Gollancz was shortlisted for best imprint in the Bookseller Awards.

Throughout her career Redfearn has worked across the horror, science fiction and fantasy genres, with bestselling and award winning authors including Ben Aaronovitch, Joe Abercrombie, Aliette de Bodard, Joe Hill, Charlaine Harris, Joanne Harris, Sarah Pinborough, Brandon Sanderson, Alastair Reynolds and Chris Wooding, among many others.

(16) PKD’S LAST BOOK. Electric Lit’s Kristopher Jansma, in “Philip K. Dick’s Unfinished Novel Was a Faustian Fever Dream “, says “the sci-fi author died before he could write ‘The Owl in Daylight,’ but he described trippy plot ideas about aliens, music, and Disneyland.”

On January 10, 1982, the science fiction author Philip K. Dick sat down for an interview with journalist and friend Gwen Lee to discuss The Owl in Daylight, a novel that he’d been composing in his mind since May of the previous year. He wouldn’t finish—or even really begin—the book before his death from a stroke a few weeks later, but the novel he outlined to Lee has had as strange an afterlife as Dick himself.

(17) THEY LOST ON JEOPARDY! Andrew Porter monitored tonight’s Jeopardy! outrage —

Answer: The director of the 2018 version of this 1953 classic said, Yes, books were harmed in the making of this motion picture.

Wrong Question: “What is Burn After Reading”?

(18) WHAT DO THEY KNOW. Heresy! “Coffee not essential for life, Swiss government says”.

The Swiss government wants to put an end to its emergency stockpile of coffee after declaring that it is “not essential” for human survival.

Switzerland began storing emergency reserves of coffee between World War One and World War Two in preparation for potential shortages.

It continued in subsequent decades to combat shortages sparked by war, natural disasters or epidemics.

It now hopes to end the practice by late 2022. But opposition is mounting.

It currently has 15,300 tonnes saved up – that’s enough to last the country three months.

(19) EARLY LEARNING. “Artists draw on Scotland’s Neolithic past” to teach people how to build their own timber circles. Should they be interested, that is…

Artists have drawn on Scotland’s Neolithic past to create a series of new illustrations.

The artwork, which includes a tribe and a guide to building a ceremonial timber circle, is for a free education pack called The First Foresters.

It has been created by Forestry and Land Scotland, formerly Forestry Commission Scotland, and Archaeology Scotland.

The artists were guided by European Neolithic artefacts for their drawings.

…”Alan produced the bulk of the illustrations, including a fantastic image of a decaying timber circle being enclosed by an earthen henge, and a fabulous ‘how to build a timber circle’ instruction sheet.

(20) GUNS & WHAMMO. Apropos of recent discussions here, Evan Allgood shows you what “Poorly Researched Men’s Fiction” looks like, at McSweeney’s.

I had a whole gaggle of 100-point bucks in my sights, sleeping peacefully on their feet, like cows. The way they were lined up, I could take down the whole clan in a single shot of gun, clean through their magnificent oversized brains. That’d be enough (deer) meat to last Nora and the baby through the harsh Amarillo winter. I shifted my weight in my hidey spot, snapping a twig and pouring more pepper on the fire by muttering, “God dammit all to hell.” But like any hunting man worth his salt, I was wearing camouflage — that swirly brown-and-green stuff you sometimes see on bandanas. The deers, famously self-assured creatures, didn’t budge. They were awake now, munching happily on some squirrels they’d killed for food, the carnivores. But now they were the squirrels in this equation, which felt somehow ironic….

(21) UNAIRED. You can see a four-minute clip from an unaired Star Trek pilot filmed in 16mm.

The original print from Star Trek’s 2nd pilot was never aired in this format. Had different opening narration, credits, had acts 1 thru 4 like an old quinn martin show and had scenes cut from aired version and different end credits and music. The original 16mm print is now stored in the Smithsonian

[Thanks to Andrew Porter, Carl Slaughter, John King Tarpinian, JJ, Chip Hitchcock, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Darren Garrison.]

Philip K. Dick’s Life in Comics

PKD would have loved it — NBM Graphic Novels released Philip K. Dick, A Comics Biography on January 1.

Philip K. DICK: A Comics Biography

Laurent Queyssi, writer, Mauro Marchesi, art

One of the greatest writers in SF history, Philip K. Dick is mostly remembered for such works as Blade Runner, Minority Report and Total Recall. His dark fascinating work centered on alternate universes and shifting realities in worlds often governed by monopolistic corporations and authoritarian governments. His own life story seems a tussle with reality, going through five wives and becoming increasingly disjointed with fits of paranoia and hallucinations fueled by abuse of drugs meant to stabilize him. His dramatic story is presented unvarnished in this biography.

NBM has a sample page online where Dick is in conversation with Harlan Ellison about Dangerous Visions.

Pixel Scroll 12/8/18 Science Fiction Is What I Yell “ZAP!” For When I Throw At People

(1) WHITTAKER SHALL RETURN.The Hollywood Reporter quashes rumors to the contrary: “Jodie Whittaker Confirms Return for ‘Doctor Who’ Season 12”. Shame on rumor-spreading clickbait sites that got fans all stirred up about this, like, uh — let’s go right to the story, shall we?

The first female Doctor Who, Jodie Whittaker, will be returning for another season. 

While it was largely presumed that Whittaker wouldn’t be handing over her sonic screwdriver anytime soon, the typically tight-tipped BBC hadn’t yet confirmed who would be playing Doctor Who for season 12 of the cult sci-fi series, and there was always the chance that she could go the way of Christopher Eccleston, who managed just one stint as the Time Lord. 

“I really can’t wait to step back in and get to work again,” Whittaker told The Hollywood Reporter.”It’s such an incredible role. It’s been an extraordinary journey so far and I’m not quite ready to hand it over yet.”

(2) NEW SFF ZINE DEBUTES NEXT WEEKEND. Future Science Fiction Digest, a new quarterly publication with a strong focus on translation and international fiction, will be available December 15, with the stories to be posted on the web over the next several months

It is a collaboration between Future Affairs Administration (a media and technology brand in China) and UFO Publishing (a small press from Brooklyn, NY) and is edited by Alex Shvartsman.

Our first issue features fiction from the United States, China, Nigeria, Italy, and the Ukraine, as well as several articles, totaling 65,000 words. It will be published on December 15, with stories posted on the web over the course of several months. The next issue will be published on March 15.

(3) TODAY’S BRADBURY REFERENCE. Dennis Howard got permission to share this image with File 770 readers:

My ex emailed me this photo she took at Walmart and asked if I remembered Alfred Hitchcock’s “The Jar”. Of course, I remembered that creepy episode based on a Ray Bradbury story. I wonder if the manufacturer of this thing remembers.

(4) KGB. The hosts of the Fantastic Fiction at KGB reading series, Ellen Datlow and Matthew Kressel, present Maria Dahvana Headley & Nicole Kornher-Stace on December 19.

Maria Dahvana Headley

Maria Dahvana Headley is a New York Times-bestselling author of seven books, most recently The Mere Wife,a contemporary retelling of Beowulf for the McD imprint at Farrar, Straus& Giroux, which will be followed in 2019 by a new translation of Beowulf, for the same publisher. She’s also the author of the young adult novels Magonia and Aerie. With Neil Gaiman, she edited Unnatural Creatures, and with Kat Howard, she wrote The End of the Sentence. Her short fiction has been nominated for the Nebula, World Fantasy and Shirley Jackson Awards, and included in many Year’s Bests, including Best American Fantasy & Science Fiction, in which, this year, she has two stories. @MariaDahvana on Twitter, or www.mariadahvanaheadley.com

Nicole Kornher-Stace

Nicole Kornher-Stace is the author of Desideria, The Winter Triptych, the Norton Award finalist Archivist Wasp, and its sequel, LatchkeyHer short fiction has appeared in Clarkesworld, Apex, and Fantasy, as well as many anthologiesShe lives in New Paltz, NY with her family. She can be found online at www.nicolekornherstace.com, on Facebook, or onTwitter @wirewalking.

Things begin Wednesday, December 19, 2018, 7 p.m. at the KGB Bar, 85 East 4th Street (just off 2nd Ave, upstairs), New York, NY.

(5) PRATCHETT REFERENCE. Quoting an article by Simon Ings in the December 1 Financial Times about artists who have residencies at the CERN particle physics laboratory —

In The Science of Discworld 4: Judgment Day, mathematician Ian Stewart and reproductive biologist Jack Cohen have fun at the expense of the particle physics community.  Imagine, they say, a group of blind sages at a hotel, poking at a foyer piano.  After some hours, they arrive at an elegant theory about what a piano is–one that involves sound, frequency, harmony, and the material properties of piano strings.

Then one of their number, still not satisfied, suggests that they carry the piano upstairs and drop it from the roof. This they do–and spend the rest of the day dreaming up and knocking over countless ugly hypotheses  involving hypothetical ‘trangons’ and ‘thudons’ and, oh I don’t know, ‘crash bosons.’

(6) BUTLER. Samuel Delany encourages sff readers to get familiar with this Octavia Butler story and a parallel case of injustice.

Three years before she died, Octavia E. Butler wrote her last two science fiction stories: One of them, “Amnesty,” was published in 2003. Though it received no awards, it is arguably the most important SF story written in this the last quarter of a century. It is the penultimate story in the revised and expanded edition of this book (2005). You should have read it but if, for some reason, you haven’t; then you should learn who the models for the alien “Communities” were and the story’s general political inspiration. It is one of the last two story in the second edition of this book.
Wikipedia is a good start. <https://en.wikipedia.org/wiki/Wen_Ho_Lee> After you familiarize yourself with this frightening case of injustice, probably you should read the story again.

(7) IMAGINING TECH. Brian Merchant covers the sci-fi/industrial complex for Medium: “Nike and Boeing Are Paying Sci-Fi Writers to Predict Their Futures”.

One of the most influential product prototypes of the 21st century wasn’t dreamed up in Cupertino or Mountain View. Its development began around a half-century ago, in the pages of a monthly pulp fiction mag.

In 1956, Philip K. Dick published a short story that follows the tribulations of a police chief in a future marked by predictive computers, humans wired to machines, and screen-based video communications. Dick’s work inspired a generation of scientists and engineers to think deeply about that kind of future. To adapt that same story into a $100 million Hollywood film 50 years later, Steven Spielberg sent his production designer, Alex McDowell, to MIT. There, a pioneering researcher?—?and lifelong Dickfan?—?named John Underkoffler was experimenting with ways to let people manipulate data with gloved hands. In 2002, a version of his prototype was featured in the film, where it quickly became one of the most important fictional user interfaces since the heyday of Star Trek. Bas Ording, one of the chief UI designers of the original iPhone, told me his work was inspired directly by the gesture-based system showcased in Minority Report.

For the past century, this messy, looping process?—?in which science fiction writers imagine the fabric of various futures, then the generation reared on those visions sets about bringing them into being?—?has yielded some of our most enduring technologies and products. The late sci-fi author Thomas Disch called it “creative visualization” and noted there was no more persuasive example of its power “than the way the rocket-ship daydreams of the early twentieth century evolved into NASA’s hardware.” Submarines, cellphones, and e-readers all evolved along these lines.

Minority Report produced a hundred patents and helped rapidly mainstream the concept of gesture-based computing?—?not just the iPhone but all touchscreen tablets, the Kinect, the Wii?—?and became cultural shorthand for anyone looking to point their ventures toward the future.

(8) SEIDEL OBIT. Myla Seidel, who more fans would have known as Anne Cox, died December 7 reports her son Kevin. Ed and Anne Cox were among the first fans I met in person in the Seventies. They later divorced. Ed died in 1997, and the last time I saw Anne was at a memorial gathering for him.

Ed Cox and Anne Cox (Myla Seidel).

(9) TODAY IN HISTORY

  • December 8, 1954 Atomic Kid, starring Mickey Rooney, was released on this day.

(10) TODAY’S BIRTHDAYS

[Compiled by Cat Eldridge.]

  • Born December 8, 1861 Georges Méliès. Director of A Trip To The Moon which I know was one of Kage Baker’s most-liked films. It surely must be one of the earliest genre films and also one of the most visually iconic with the rocket ship stuck in the face of the moon. He did some other other genre shorts such as Baron Munchausen’s Dream and The Legend of Rip Van Winkle. (Died 1938.)
  • Born December 8, 1894 E.C.Segar. Creator of Popeye who of course is genre.Who could not watch Altman’s film and not know that? Segar created the character who first appeared in 1929 in Segar’s comic strip Thimble Theatre. Fantagraphics has published a six-volume book set reprinting all Thimble Theatre daily and Sunday strips from 1928–38. (Died 1938.)
  • Born December 8, 1950 Rick Baker,68. Baker won the Academy Award for Best Makeup a record seven times from a record eleven nominations, beginning when he won the first award given for An American Werewolf in London. So what else is he know for? Oh I’m not listing everything but his first was The Thing with Two Heads and I’ll single out The Exorcist, Star Wars, The Howling which I love, Starman for the Starman transformation, Beast design on the Beauty and the Beast series and Hellboy. 
  • Born December 8, 1951Brian Attebery, 67. If I was putting together a library of reference works right now, Attebery would be high on the list of authors at the center of my shopping list. I think The Fantasy Tradition in American Literature: From Irving to Le Guin is still essential reading and his Parabolas of Science Fiction recently published with Veronica Hollinger is very close to a Grand Unification Theory of the Genre. 
  • Born December 8, 1965David Harewood, 53. First genre appearance is the BBC adaptation of Philip Pullman’s The Ruby in the Smoke and The Shadow in the North (Billie Piper plays the lead). He played Tuck in the BBC’s Robin Hood series and showed up as Joshua Naismith in Doctor Who’s ‘The End of Time ‘ episode. Currently he plays two separate characters on Supergirl, J’onnJ’onzz/Martian Manhunter / Hank Henshaw and Cyborg Superman. 
  • Born December 8, 1976 Dominic Monaghan, 42. He  played Meriadoc “Merry” Brandybuck in Peter Jackson’s version of the Lord of the Rings.He’s also the narrator of Ringers: Lord of the Fans, a look at the early days of the Tolkien fandom when it was part of the hippie culture. He has a role as Maverick in X-Men Origins: Wolverine, and will be appearing in the forthcoming Star Wars: Episode IX.

(11) COMICS SECTION.

  • Shoe questions the constant recycling of familiar movie franchises. Sort of.
  • Incidental Comics has a book lover’s holiday wish list.

(12) KEY INGREDIENTS. [Item by Mike Kennedy.] Have you ever felt the need to spend $250 on a set of replacement keycaps for your computer keyboard? If so, Novel Keys has you covered with this set captioned in Aurebesh characters. SYFY Wire has the full story (“Star Wars keyboard senses a great disturbance in your command of Aurebesh”). The keycaps are expected to ship“late April 2019” for preorders through 5 January. Two models are available,with only Aurebesh or with English legends added.

Alright, C-3PO, it’s time to break out those awesome translating skills you’re always humblebragging about — and while you’re at it, break out your wallet, too. Star Wars has just licensed its first-ever official computer keyboard replacement set, coded in Aurebesh, the written version of the official language spoken throughout the Galactic Empire.

This new key replacement set is color-themed to appeal more to the Death Star crowd than to supporters of the gauzy-hued Rebellion. That means don’t even bother looking for X-Wing symbols and Yoda silhouettes here; rather, the Galactic Empire DSA Set sports the cool iconography of the galactic alphabet, plus some killer stand-in Dark Side symbols (like TIE Fighters, AT-ATs, and Darth Vader helmets) for commonly used commands. A red lightsaber in place of an enter/return key? Swish, swish.

(13) THOSE WERE THE DAYS. An article in the December 1 Financial Times by David McWilliams about the possibility that Brexit would lead to the unification of Northern Ireland with Ireland includes this ST:TNGreference:

In 2990 an episode in the third series of Star Trek:  The Next Generation was deemed so incendiary that it was censored in Britain and Ireland.  In that Episode, “The High Ground,’the Starship Enterprise’s android officer data, musing on terrorism, noted from the vantage point of the year 2364 that Ireland had been unified in 2024. The episode was pulled for fear it might encourage more political violence; 1990 was the year the IRA bombed the London Stock Exchange, assassinated Conservative political Ian Gow and when 81 people on both sides of the conflict were murdered in Northern Ireland.

(14) EVEN OLDER DAYS. At theinferor4, Paul Di Filippo shared an antique poem he rediscovered: “Lament for 1999 from the Year 1911”.

…Think of the thrill to him who first took flight,

When all the vast familiar continent

Of air was unexplored….

(15) PLASTIC RAPS. A character who debuted in 1941 might be getting his own movie. The Hollywood Reporter thinks “‘Plastic Man’ Could Be DC’s Answer to ‘Deadpool'”.

And not just because both characters are dressed in red, have criminal backgrounds and smart mouths that don’t know when to shut up. That Warner Bros. is developing a Plastic Man movie perhaps shouldn’t come as quite the surprise that it does; after all, not only did the DC superhero headline his own ABC animated series for a couple of years, but he’s also the perfect choice to give Warners something that it never even knew it needed: A comedic foil to the rest of the DC cinematic universe.

This wouldn’t be a new role for Plas, as the character’s often called for short. Unusually for a superhero — and especially one whose origin involves having been a criminal who was left for dead by his gang after being exposed to some mysterious chemicals— Plastic Man has traditionally been a comedy character throughout his 75-plus year career. Indeed, his 1970s animated series underscored this appeal by being called The Plastic Man Comedy/Adventure Show. (The series ran from 1979 through 1981; he’s also appeared in other DC animated shows, including Batman:The Brave and the Bold and Justice League Action.)

(16) HIGH SCHOOL MUSICAL HAGGIS. NPR interviews the star of “‘Anna And The Apocalypse’: The Scottish Zombie Christmas High School Musical”.

Anna and the Apocalypse is a [checks notes] Scottish zombie Christmas high school musical.

It drew raves in Great Britain, and has now been released in the United States. It’s based on a short film by the writer-director Ryan McHenry, who died of bone cancer at age 27, and did not get to complete this feature-length production.

Anna and the Apocalypse is directed by John McPhail. Ella Hunt (who is English) stars as the young Scottish teen who’s about to graduate from school, but first has to contend with the zombie takeover of her village and perhaps the world — with a little help from her friends.

“I love that this film glorifies teenage friendship and not teenage romance,” Hunt says in an interview. “To me, it’s a much truer thing to glorify.”

(17) BONDING. In the Weekly Standard, Tony Mecia visits the James Bond museum in Murren, Switzerland, which was built to be Blofeld’s lair in On Her Majesty’s Secret Service and which gives visitors the chance to pick up a red phone to hear instructions from M and “graft a photo of your face onto (George) Lazenby’s face as he aims a pistol.” —“High-Altitude Hideout”

In real life, the filming location called Piz Gloria was not destroyed. For decades, it was merely an observation point and restaurant. In 2013, its owners decided it needed more. They added a small museum, known as“Bond World 007,” and have been adding Bond-related features ever since.

Among serious Bond fans, the site “is the Holy Grail of Bond film locations,” says Martijn Mulder, a Dutch journalist who leads occasional Bond tours and coauthored On the Tracks of 007: A Field Guide to the Exotic James Bond Filming Locations Around the World. That’s because filmmakers bankrolled construction of Piz Gloria, which looks just as it did in the late 1960s.

Bond enthusiasts list other prime destinations, too, such as a site near Phuket, Thailand, that has come to be called “James Bond Island” after appearing in 1974’s The Man with the Golden Gun. Last year, Mulder led 40 people on a two-week tour of Japan to visit locations used in 1967’s You Only Live Twice. He was forced to scrap a two-hour hike to a volcano crater that was an earlier Blofeld hideout because the volcano showed signs of erupting.

(18) MAN’S BEST FIEND. Doctor Strangemind’s Kim Huett begins “Bad Mad Vlad” with this unusual comparison —

Vampires are a lot like dogs, you know.

No. Don’t scoff. They really are if you think about it in just the wrong way (that’s always been the Doctor Strangemind way of course).

Here, let me explain.

So what is the single most noticeable feature of the animal known as dog? That’s right, the seemingly endless plasticity of the species.The fact is humanity has been able to twist and turn and breed dogs into a startling wide array of forms from poodles to corgis to dobermans. If the average Martian visited our planet what are the chances that this visitor from space would guess right off that all dogs are of the same species? Not likely is it? Instead the average Martian would probably decide that dogs make no sense to them. Which is probably why they don’t visit Earth all that often,they find this planet too weird and confusing to be a satisfactory holiday destination.

So what has this to do with vampires I’ve no doubt you’re wondering. Well, the answer to that is to point out how humanity has been able to twist and turn and write vampires into a startling wide array of types and situations, far more than any other supernatural creature….

(19) FIGHT TO THE FINNISH. NPR hopes “World’s First Insect Vaccine Could Help Bees Fight Off Deadly Disease”.

Bees may soon get an ally in their fight against bacterial disease — one of the most serious threats the pollinators face — in the form of an edible vaccine. That’s the promise held out by researchers in Finland, who say they’ve made the first-ever vaccine for insects, aimed at helping struggling honeybee populations.

The scientists are targeting one of bees’ most deadly enemies:American foulbrood, or AFB, an infectious disease that devastates hives and can spread at a calamitous rate. Often introduced by nurse bees, the disease works by bacteria feeding on larvae — and then generating more spores, to spread further.

(20) BREAKING MARTIAN WIND. BBC shares a sound clip: “Nasa’s InSight probe listens to Martian winds”.

The British seismometer package carried on Nasa’s InSight lander detected the vibrations from Martian air as it rushed over the probe’s solar panels.

“The solar panels on the lander’s sides are perfect acoustic receivers,” said Prof Tom Pike, who leads the seismometer experiment from Imperial College London.

“It’s like InSight is cupping its ears.”

Prof Pike compares the effect to a flag in the wind.As a flag breaks up the wind, it creates oscillations in frequency that the human ear perceives as flapping.

(21) DRAGONS HAVE GAS. Space flatulence is a real problem closer to home. Wired lays out the story: “A SpaceX Delivery Capsule May Be Contaminating the ISS”. Evidence is accumulating that the Dragon capsule is outgassing and the contaminants are, well, accumulating on the outside of the International Space Station.

In February 2017, a SpaceX Falcon 9 rocket lifted through low clouds, pushing a Dragon capsule toward orbit. Among the spare parts and food, an important piece of scientific cargo, called SAGE III  rumbled upward. Once installed on the International Space Station, SAGE would peer back and measure ozone molecules and aerosols in Earth’s atmosphere. Its older siblings (SAGEs I and II) had revealed both the growth of the gaping ozone hole and,after humans decided to stop spraying Freon everywhere, its subsequent recovery.

This third kid, then, had a lot to live up to. Like its environmentally conscious predecessors, SAGE III is super sensitive. Because it needs unpolluted conditions to operate optimally, it includes contamination sensors that keep an eye on whether and how its environment might be messing up its measurements. Those sensors soon came in handy: When the next three Dragons docked at the Space Station, over the following months, SAGE experienced unexplained spikes in contamination. Something on these Dragons was outgassing—releasing molecules beyond the expected, and perhaps the acceptable, levels. And those molecules were sticking to SAGE.

(22) VIDEO OF THE DAY. In “The Artificial Intelligence That Deleted a Century” on YouTube, Tom Scott shows what happened when a program released in 2028 to hunt down copyright violators on YouTube achieves artificial general intelligence.

[Thanks to Kevin Cox, Chip Hitchcock, John King Tarpinian, Mike Kennedy, JJ, Martin Morse Wooster, Cat Eldridge, Carl Slaughter, Dennis Howard, Alan Baumler, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip Williams.]

Pixel Scroll 4/9/18 The Opera Of The Menacing Phantom Tollbooth

(1) BUCKS TO PRESERVE BRADBURYANA. At BradburyMedia, Phil Nichols reports “Center for Bradbury Studies receives major grant”.

Congratulations to my friends and colleagues at the Center for Ray Bradbury Studies who were today awarded $50,000 from the National Endowment for the Humanities (NEH).

The grant is for the preservation of the Center’s extensive collection of Bradbury papers and memorabilia – materials which have been invaluable in my research, and will continue to be of interest to Bradbury scholars in the future. The project lead is Prof Jonathan R. Eller, author of Becoming Ray Bradbury and Ray Bradbury Unbound.

And Nichols was amused that the NEH press release mentioned Bradbury and Mae West in the same paragraph:

Additional awards will ensure the preservation of nearly 30,000 pounds of correspondence, manuscripts, photographs, and memorabilia from author Ray Bradbury, and support production of a documentary on the life and legacy of Mae West, one of the most powerful women of early Hollywood, whose writing and film roles served as a barometer ofrapidly changing social mores in 20th-century America.

(2) SIMPSONS RECAP. Martin Morse Wooster had his eye on The Simpsons last night:

Homer and Bart went to a “Tunnelcraft” convention, which was portrayed to be the most boring con ever.  It took up most of a giant convention center, with a few number of dealers and quite a lot of walking.  The high point for Bart was watching two Tunnelcraft players who were very popular on YouTube on a panel.playing each other.  But they presented the panel as if it was just two random dudes playing video games.

This was the first time I had heard “cosplay” used as a word on The Simpsons, and cosplayers in Tunnelcraft looked like the old-school rock’em sock’em robots.  One of the cosplayers was Daniel Radcliffe, who said the only way he could go to a con was hiding under a robot head.  He took off his robot head and was promptly mobbed by fans.  Daniel Radlciffe played himself.

This excerpt is from another part of the episode.

(3) PKD’S REVELATION. In his podcast Imaginary Worlds, Eric Molinsky interviews Penn State professor Richard Doyle, Erik Davis, one of the editors of the “Exegesis,” and Victoria Stewart, who wrote the play 800 Words: The Transformation of Philip K. Dick in order to find out why Dick was obsessed with the mystical experience that happened to him in 1974 and why his work resonates with us today

(4) 1963 SFF. Galactic Journey reviews the latest IF: “[April 9, 1963] IFfy… (May 1963 IF Science Fiction)”

Every month, science fiction stories come out in little digest-sized magazines.  It used to be that this was pretty much the only way one got their SF fix, and in the early ’50s, there were some forty magazines jostling for newsstand space.  Nowadays, SF is increasingly sold in book form, and the numbers of the digests have been much reduced.  This is, in many ways, for the good.  There just wasn’t enough quality to fill over three dozen monthly publications.

That said, though there are now fewer than ten regular SF mags, editors still can find it challenging to fill them all with the good stuff.  Editor Fred Pohl, who helms three magazines, has this problem in a big way.  He saves the exceptional stories and known authors (and the high per word rates) for his flagship digest, Galaxy, and also for his newest endeavor, Worlds of Tomorrow.  That leaves IF the straggler, filled with new authors and experimental works.

Sometimes it succeeds.  Other times, like this month, it is clear that the little sister in Pohl’s family of digests got the short end of the stick.  There’s nothing stellar in this book, but some real clunkers, as you’ll see.  I earned my pay (such as it is) this month!

(5) FASHION PLATE. Miriam Weinberg on Hugo Ceremony attire —

https://twitter.com/MiriamAnneW/status/983397611561537536

See the outfit under discussion in a photo here.

(6) CHARTIER OBIT. Christopher Chartier (1966-2018), founder of Warp 9, a media oriented fan club in Montreal, died April 5. Cathy Palmer-Lister notified local fans, adding: “He ran a couple of conventions, and got many of us involved in the concom. He also got me travelling to Chicago for Visions, still in my memory as the best conventions ever. It’s a shock that he passed away so young, only 52.”

(7) TOO. Junot Diaz’ #MeToo confession, “The Silence: The Legacy of Childhood Trauma”, is online at The New Yorker.

I never got any help, any kind of therapy. I never told anyone.

Last week I returned to Amherst. It’s been years since I was there, the time we met. I was hoping that you’d show up again; I even looked for you, but you didn’t appear. I remember you proudly repped N.Y.C. during the few minutes we spoke, so I suspect you’d moved back or maybe you were busy or you didn’t know I was in town. I have a distinct memory of you in the signing line, saying nothing to anyone, intense. I assumed you were going to ask me to read a manuscript or help you find an agent, but instead you asked me about the sexual abuse alluded to in my books. You asked, quietly, if it had happened to me.

You caught me completely by surprise.

I wish I had told you the truth then, but I was too scared in those days to say anything. Too scared, too committed to my mask. I responded with some evasive bullshit. And that was it. I signed your books. You thought I was going to say something, and when I didn’t you looked disappointed. But more than that you looked abandoned. I could have said anything but instead I turned to the next person in line and smiled….

(8) THE EXPANSE. Abigail Nussbaum, in her column for the Lawyers, Guns & Money blog with “A Political History of the Future: The Expanse”, assures readers: “I don’t hate The Expanse.

For two-plus years, I’ve watched this celebration of the show with bemusement. I don’t hate The Expanse, and I’ll probably keep watching it for as long as it’s on. But I also find it singularly un-engaging—surprisingly so, given how well-calibrated its premise and genre are to my interests. I would describe The Expanse as a show with great casting and production values, amazing worldbuilding, a so-so story, and characters who are, with a few notable exceptions, dull as ditchwater. In its second season in particular I’ve been extremely frustrated by where the show has placed its storytelling emphasis, and the political blindspots that has ended up revealing.

(9) MONSTER SMASH. From February 2017 – Hugo Finalist Emil Ferris, on how My Favorite Thing Is Monsters came to be in “The Bite That Changed My Life”. Following this intro, it’s all done as a comic.

Writer and illustrator Emil Ferris has always had an affinity for stories about outsiders. Growing up in Uptown in the 1960s, Ferris was part of a diverse community of people who she says “operated outside the system.” Her neighbors included black migrants who traveled north during the Great Migration, white Appalachian miners living in abject poverty, and thousands of Native Americans who left their reservations in the wake of relocation programs. “There was an incredible beauty,” says Ferris. “These were people who suffered, but were strong. They were survivors.”

One reason Ferris was drawn to those on the fringe was because she herself was a loner. Born with scoliosis, Ferris was immobile for much of her childhood. “I was also severely hunchbacked, which is why I loved monsters,” says Ferris, who also characterizes her younger self as very wolf-like. “I had this vision of this little wolf girl, enfolding in the arms of this tall handsome cut-apart Frankenstein character.”

Ferris uses those early experiences as a loose backdrop in her stunning debut graphic novel, My Favorite Thing is Monsters.

(10) ON EXHIBIT NOW. Print Magazine covers an “American Illustration and Comic Art Exhibit”, running from April 7 til May 20.

In the early part of the twentieth century, illustration came into its own. Simultaneously over on the newsprint pages of national newspapers, comic strips did as well. These were joined later in the decade by art for both pulp magazines and comic books. This golden age of editorial illustration and cartooning is currently on display in the exhibit “American Illustration & Comic Art” at the Sordoni Gallery, Wilkes University in Wilkes Barre, PA.

The Gallery’s website describes the exhibit: “Selections from the Sordoni Collection of American Illustration & Comic Art”.

The exhibition features 135 original artworks by more than 100 artists—N.C. Wyeth, Maxfield Parrish, Frank Schoonover, Norman Rockwell, J.C. Leyendecker, George Herriman, Harold Foster, Jack Cole, Milton Caniff, Norman Saunders, Harold Gray, Al Hirschfeld, Al Capp, Walt Kelly, Charles Schulz and many others. Wilkes Barre native son Ham Fisher, creator of Joe Palooka, is represented as well. While focusing on the golden age of illustration, contemporary artists, such as Anita Kunz, C.F. Payne, Bob Eckstein, Thomas J. Fluharty, Mike  Lynch and Paul Davis, also have their place in the exhibit.

In that century it would have been rare to see work for the slicks (the upper tire of magazine publishing, such as Life, The Saturday Evening Post and The New Yorker) to be seen as equal to that printed on newsprint (the pulps and comics). There once was a pecking order within editorial illustration (slicks over pulps) and in cartooning (single panel over strips, strips over comic books), but times have changed. This all-inclusive exhibition includes work that appeared on magazine covers and interiors, advertisements, book jackets, album covers, daily and Sunday comic strips, cartoons, movie cels and comic books.

It all comes from the private collection of Andrew Sordoni III, whose mother helped found the gallery in 1973. The gallery was renovated last year and now sports 7,000 square feet of exhibition space. The show is up through May 20 and admission is free. It is accompanied by a 185-page catalog with myriad essays, including those by comic book artist and filmmaker Jim Steranko, David Saunders (Norman’s son) and New Yorker and National Lampoon cartoonist Sam Gross.

(11) JUSTICE LEAGUE PERFECTED. Just in case you wondered – “How Justice League Should Have Ended.”

[Thanks to Chip Hitchcock, Carl Slaughter, John King Tarpinian, JJ, Andrew Porter, Martin Morse Wooster, and Danny Sichel for some of these stories, Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 3/8/18 Stay Tuned For Pixels As They Break

(1) ELVES FOREVER. Olga Polomoshnova explores Elves’ immortality in “Who wants to live forever?” at Middle-Earth Reflections.

By their nature the Elves are bound to Arda, with their bodies being made of  “the stuff of Earth”. They live as long as the world endures….

What Men crave for and desire with all their hearts is, in fact, a burden. More accurately, this serial longevity becomes a burden with time. The Elves age very slowly, but during the course of their long lives they know death of wounds or grief, though not, like Men, of old age, and they fear death, too. Elvish ageing shows in their ever-growing weariness of the world. One of the best descriptions of this state was provided by the Hobbit Bilbo Baggins, who experienced such longevity due to his possession of the One Ring. He compared his unnaturally long life with being “all thin, sort of stretched, […] like butter that has been scraped over too much bread” (Fellowship of the Ring, p. 42). So probably that is exactly how the Elves could feel many thousand years into their lives.

(2) HAMILL’S WALK OF FAME STAR DEDICATED. Star Wars icon Mark Hamill is now a star in the Hollywood firmament: “Mark Hamill Gets ‘Overwhelming’ Support From Harrison Ford & George Lucas at Walk of Fame Ceremony”.

On Thursday, some of the actor’s closest friends and colleagues came out to honor him as he was immortalized in Hollywood with the recognition befitting a cultural icon like himself.

Hamill got some sweet support from his former Star Wars co-star Harrison Ford, Star Wars creator George Lucas, recent Last Jedi co-star Kelly Marie Tran, as well as a pair of Storm Troopers and the iconic droid R2-D2. His wife of nearly 40 years, Marilou York, was also to celebrate the honor.

(3) CROWDFUNDING WILL REVIVE AMAZING. Steve Davidson has launched a Kickstarter to hasten “The Return of Amazing Stories Magazine!”

Amazing Stories is an institution. It is an icon of the field. Over the years it has represented both the best and the worst that this genre has to offer. It has inspired the careers of authors, artists, editors, academics, scientists and engineers. Its presence proved that there was a viable market for this kind of literature, a fact not lost on other publishers who quickly followed suit. By 1930 there were four magazines in the field, eventually many more. And the fans? They bought every single one of them.

Amazing Stories deserves to be an ongoing part of our community. It may be a bit worn around the edges, the spine may be cracked a little and it may shed bits of pulp here and there, but those are love scars. Amazing Stories is not just our progenitor, it is the embodiment of the heart and soul of the genre.

We love it. We love what it’s done for us, what it represents, what it created. How can we not, when we love Science Fiction?

We know you share that love. Please show that love. It’s time for Amazing Stories to live again.

On the first day Steve’s appeal brought in $5,079 of its $30,000 goal.

Here’s how the money will be used. (Experimenter Publishing is Steve’s company.)

Experimenter plans to publish its first new issue for a Fall 2018 release and will be distributing the magazine at Worldcon 76 in San Jose CA. Professional, SFWA qualifying rates of 6 cents per word will be paid and Experimenter intends to become a fully SFWA qualifying market within its first year of operation. Several stories by well known authors have already been contracted, as has cover art by a highly respected artist.

Following five years of growth and development as an online multi-author blog serving the interests of science fiction, fantasy and horror fans, the publication of well-regarded articles produced by over 175 contributors, read by over 40,000 registered members, and following the publication of three special editions, a comic book and a growing selection of anthologies, classic novels and facsimile reprints, Experimenter believes the time is right to launch the quarterly magazine.

(4) ABOUT THE BARKLEY PROPOSAL. What were signers of Chris Barkley’s YA Award name proposal told? One of them, Shawna McCarthy, wrote in a comment on Facebook:

I was a signatory and do not feel misrepresented to other than not knowing the name of the award had already been decided. It’s possible the sponsor thought I was more up on the state of WC business committee work than I was.

(5) COMIC-CON’S QUASI-MUSEUM. Kinsee Morlan, in “Don’t Call Comic-Con’s Balboa Park Digs A museum–At Least Not Yet” for Voice of San Diego, says that Comic-Con International is upholding its nonprofit status by building a museum in San Diego’s Balboa Park (which will replace the San Diego Hall of Champions) and is hiring British museum designer Adam Smith to create it.

Smith said specifics are still hazy, but a few things are starting to become clear. For starters, he’s not ready to dub the new space a museum just yet. He’s toying with calling it a center or something else that better communicates its mission of showcasing contemporary exhibits that focus on what’s happening now or in the future — think virtual reality demos or participatory immersive television experiences (yeah, that’s a thing).

Smith also obliterated the traditional curator-led exhibition model. Instead of experts organizing most of the shows, he said, super fans will be likely be generating exhibitions and events. That’s a move taken from Comic-Con’s convention playbook, where fan-generated panels have always been a big part of the offerings.

David Glanzer, Comic-Con’s director of communications who’s been with the nonprofit for decades, fielded some of my questions, too.

Civic leaders are perpetually terrified that Comic-Con will pack up its bag and head to Los Angeles or another city if San Diego doesn’t expand its Convention Center soon. Glanzer said folks should not assume that won’t happen now that Comic-Con’s new center is opening in Balboa Park. He said they’re two separate projects and the convention could still relocate in the future if its space problems start impacting the quality of the convention.

(6) LOVED THE BOOK, HATED THE FILM. LitHub list of “20 Literary Adaptations Disavowed by Their Original Authors” has plenty of sff:

  • Earthsea (2004) – Based on: Ursula K. Le Guin, Earthsea cycle (1968-2001)

Le Guin hated the Sci-Fi Channel’s adaptation of her books, and she had quite a lot to say on the subject, but the biggest problem was that the miniseries completely whitewashed the original text. Early on, she was consulted (somewhat) but when she raised objections, they told her that shooting had already begun. “I had been cut out of the process,” she wrote at Slate.

Also:

  • Mary Poppins (1964) – Based on: P. L. Travers’s Mary Poppins (1934)
  • Hellraiser: Revelations (2011) – Based on: Clive Barker’s The Hellbound Heart (1986)
  • A Wrinkle in Time (2003) – Based on: Madeleine L’Engle’s A Wrinkle in Time (1962)
  • Charlotte’s Web (1973) – Based on: E. B. White’s Charlotte’s Web (1952)
  • Solaris (1972, 2002) – Based on: Stanis?aw Lem’s Solaris (1961)
  • The Last Man on Earth (1964) – Based on: Richard Matheson’s I Am Legend (1954)
  • A Clockwork Orange (1971) – Based on: Anthony Burgess’s A Clockwork Orange (1962)
  • The Shining (1980) – Based on: Stephen King’s The Shining (1977)
  • The NeverEnding Story (1984) – Based on: Michael Ende’s The Neverending Story (1979)
  • Willy Wonka & the Chocolate Factory (1971) – Based on: Roald Dahl’s Charlie and the Chocolate Factory (1964)

(7) LOPATA OBIT. Steve Lopata’s daughter announced that he passed away March 5, peacefully, at the hospital in Little Rock, Arkansas. Sammi Owens said:

…I deeply regret to inform you that his heart was failing and Worldcon 75 Helsinki was his last trip. He had heart surgery and despite valiant efforts he succumbed to his heart disease on March 5, 2018…. My mom Frances and I want the scifi community and all his friends to know how much he dearly loved you all. His all time favorite activities were working Ops for Worldcons and having an audience for his tales- umm, I mean true stories…. Peace be with you all and thank you for your friendship to our beloved man.

Patrick Maher was one of many fans who worked Ops with Steve with good words about him:

I didn’t know Steve very long, only since he walked into Shamrokon in 2014 and offered to help out. We didn’t know who he was but, as he said he had just come from Loncon III, we asked James Bacon who he was. James described him as Steve ‘Awesome Ops Guy’ Lopata. He sat in Ops all weekend and offered sage advice. When I took over Ops for Worldcon 75 in Helsinki, he was the first person I went to for advice.

Lopata also did volunteer work with big cats, as he explained in an article for Mimosa in 2001.

One of the first questions I am asked when I tell people about working with lions and tigers is, “How did you get involved?” There are two answers. First the short, “I like kitties;” and the longer one, “I was at a convention and saw this guy walking a tiger on a leash. I asked if I could pet the tiger and about half an hour later, I was a volunteer at the breeding park.”

(8) COMICS SECTION.

  • Chip Hitchcock calls this too bad not to share: Arlo and Janis.
  • And here’s an International Women’s Day item from Bizarro.

(9) INTERNATIONAL WOMEN’S DAY. Headstuff’s Aoife Martin celebrated the day by analyzing “Author Pseudonyms” used by women. A couple of instances came from sff —

Closer to modern times we have the case of Alice Bradley Sheldon who wrote science fiction under the pen name of James Tiptree Jr. In an interview she said that she chose a male name because it “seemed like good camouflage. I had the feeling that a man would slip by less observed. I’ve had too many experiences in my life of being the first woman in some damn occupation.” It’s interesting that Sheldon should have felt the need to do this but she was a successful science fiction writer – so much so that she won several awards including a Hugo for her 1974 novella, The Girl Who Was Plugged In and several Nebula awards. Her secret wasn’t discovered until 1976 when she was 61. Throughout her career she was referred to as an unusually macho male and as an unusually feminist writer (for a male). Indeed, fellow writer Robert Silverberg once argued that Tiptree could not possibly be a woman while Harlan Ellison, when introducing Tiptree’s story for his anthology Again, Dangerous Visions wrote that “[Kate] Wilhelm is the woman to beat this year, but Tiptree is the man.” Suitably, the James Tiptree Jr. Award is given annually in her honour to works of science fiction and fantasy that expand or explore one’s understanding of gender.

(10) A NEW KIND OF BARBIE. The Huffington Post reports Mattel is honoring a few living legends this International Women’s Day: “Frida Kahlo And Other Historic Women Are Being Made Into Barbies”. Genre-related figures include Katherine Johnson and Patty Jenkins.

Kids around the world will soon be able to own a Barbie doll bearing the likeness of Frida Kahlo, Amelia Earhart or Katherine Johnson.

All three women made herstory in different industries: Earhart was the first female aviator to fly across the Atlantic Ocean; Mexican artist Kahlo was known for her unique painting style and feminist activism; and Johnson, who was highlighted in the 2016 film “Hidden Figures,” broke boundaries for black women in mathematics and calculated dozens of trajectories for NASA, including the 1969 Apollo 11 flight to the moon.

The dolls, which are part of Mattel’s new series called “Inspiring Women,” will be
mass produced and sold in stores….

(11) ANOTHER STAR WARS SERIES. A well-known name in superhero movies will be responsible for a Star Wars series to appear on Disney’s new streaming platform: “Jon Favreau hired for ‘Star Wars’ series: Why fans have mixed feelings”.

The director whose film launched the Marvel Cinematic Universe is coming to a galaxy far, far away. Jon Favreau, the filmmaker behind Iron Man, Elf, and Disney’s live-action Jungle Book and Lion King, will write and executive-produce a live-action Star Wars series for Disney’s new streaming platform. Lucasfilm announced today that Favreau, who is also an actor with roles in the Clone Wars animated series and the upcoming Solo: A Star Wars Story,  will helm the new show. While Favreau has a strong fanbase (going all the way back to his 1996 debut film Swingers), many on social media are wondering why Lucasfilm has hired yet another white man to steer the diverse Star Wars universe — and announced it on International Women’s Day, no less.

(12) STORYBUNDLE. Cat Rambo curated The Feminist Futures Bundle, which will be available for the next three weeks.

In time for Women’s History Month, here’s a celebration of some of the best science fiction being written by women today. This bundle gathers a wide range of outlooks and possibilities, including an anthology that gives you a smorgasbord of other authors you may enjoy.

I used to work in the tech industry, and there I saw how diversity could enhance a team and expand its skillset. Women understand that marketing to women is something other than coming up with a lady-version of a potato chip designed not to crunch or a pink pen sized for our dainty hands. Diversity means more perspectives, and this applies to science fiction as well. I am more pleased with this bundle than any I’ve curated so far.

In her feminist literary theory classic How to Suppress Women’s Writing, science fiction author Joanna Russ talked about the forces working against the works of women (and minority) writers. A counter to that is making a point of reading and celebrating such work, and for me this bundle is part of that personal effort, introducing you to some of my favorites. – Cat Rambo

The initial titles in the Feminist Futures Bundle (minimum $5 to purchase) are:

  • Happy Snak by Nicole Kimberling
  • Alanya to Alanya by L. Timmel Duchamp
  • Code of Conduct by Kristine Smith
  • The Birthday Problem by Caren Gussoff

If you pay at least the bonus price of just $15, you get all four of the regular titles, plus SIX more!

  • Starfarers Quartet Omnibus – Books 1-4 by Vonda N. McIntyre
  • The Steerswoman by Rosemary Kirstein
  • Spots the Space Marine by M.C.A. Hogarth
  • The Terrorists of Irustan by Louise Marley
  • Queen & Commander by Janine A. Southard
  • To Shape the Dark by Athena Andreadis

(13) FAIL HYDRA. Cory Doctorow updated BoingBoing readers about a publisher accused of questionable practices: “Random House responds to SFWA on its Hydra ebook imprint”

Allison R. Dobson, Digital Publishing Director of Random House, has written an open letter to the Science Fiction Writers of America responding to the warning it published about Hydra, a new imprint with a no-advance, author-pays-expenses contract that SFWA (and I) characterize as being totally unacceptable. Dobson’s letter doesn’t do much to change my view on that:

(14) BEARING WITNESS. Lavie Tidhar has tweeted a noir Pooh adventure. Jump on the thread here:

(15) ANDROIDS AT 50. Here’s a clipping from Nature: “Do Androids Dream of Electric Sheep? Ananyo Bhattacharya toasts Philip K. Dick’s prescient science-fiction classic as it turns 50.” [PDF file.]

When science-fiction writer Peter Watts first opened Philip K. Dick’s 1968 Do Androids Dream of Electric Sheep?, a word caught his eye. It was “friendlily”. How had Dick got that past an editor? As Watts told me: “I knew at that point that Dick had to be some kind of sick genius.”

(16) CURRENT EVENTS. This sounds like a job for Doctor Who: “A Political Dispute Puts A Wrinkle In Time, Slowing Millions Of European Clocks”.

For the past few weeks, something strange has been happening in Europe. Instead of time marching relentlessly forward, it has been slowing down imperceptibly, yet with cumulatively noticeable results, so that millions of clocks the Continent-over are now running behind.

The European Network of Transmission System Operators for Electricity released a statement Tuesday saying that since mid-January, Europe’s standard electrical frequency of 50 hertz has fallen ever so slightly to 49.996 hertz.

For electric clocks that rely on the frequency of the power system — typically radio, oven and heating-panel clocks — the cumulative effect was “close to six minutes,” according to the agency.

(17) TAINT FUNNY MCGEE. The BBC says “Amazon promises fix for creepy Alexa laugh”.

Amazon’s Alexa has been letting out an unprompted, creepy cackle – startling users of the best-selling voice assistant.

The laugh, described by some as “witch like” was reported to sometimes happen without the device being “woken” up.

Others reported the laugh occurring when they asked Alexa to perform a different task, such as playing music.

“We’re aware of this and working to fix it,” Amazon said.

(18) CUBE ROUTER. Meanwhile, at MIT, they’re wasting their time saving time: “Rubik’s robot solves puzzle in 0.38 seconds”.

Ben Katz, a student at the Massachusetts Institute of Technology, collaborated with Jared Di Carlo to create the robot.

“We noticed that all of the fast Rubik’s Cube solvers were using stepper motors and thought that we could do better if we used better motors,” said Mr Di Carlo in a blog post.

Mr Katz said in his blog the 0.38 seconds included “image capture and computation time, as well as actually moving the cube”.

Their contraption used two PlayStation Eye cameras from the old PS3 console to identify the configuration of the cube.

However, mistakes often resulted in a cube being destroyed.

(19) DARK MATTER. The Arthur C. Clarke Center for Human Imagination released a video of a recent guest presentation: “Sir Roger Penrose: New Cosmological View of Dark Matter, which Strangely and Slowly Decays”.

Sir Roger Penrose joined the Arthur C. Clarke Center for Human Imagination on January 19, 2018, to give a talk on his latest research and provide an insight into the thinking of a modern day theoretical physicist. Is the Universe destined to collapse, ending in a big crunch or to expand indefinitely until it homogenizes in a heat death? Roger explains a third alternative, the cosmological conformal cyclic cosmology (CCC) scheme—where the Universe evolves through eons, each ending in the decay of mass and beginning again with new Big Bang. The equations governing the crossover from each aeon to the next demand the creation of a dominant new scalar material, postulated to be dark matter. In order that this material does not build up from aeon to aeon, it is taken to decay away completely over the history of each aeon. The dark matter particles (erebons) may be expected to behave almost as classical particles, though with bosonic properties; they would probably be of about a Planck mass, and interacting only gravitationally. Their decay would produce gravitational signals, and be responsible for the approximately scale invariant temperature fluctuations in the CMB of the succeeding aeon. In our own aeon, erebon decay might well show up in signals discernable by gravitational wave detectors.

 

(20) HANDY HINTS. And in case you ever have this problem: “Here’s How You Could Survive Being Sucked Into a Black Hole”. The article is honestly kind of useless, but I love the clickbait title.

OK, so maybe you aren’t going to get sucked into a black hole tomorrow. Or ever. Maybe even trying to imagine being in such a situation feels like writing yourself into a Doctor Who episode. But, for mathematicians, physicists, and other scientists attempting to understand cosmic strangeness in practical terms, these thought experiments are actually very useful. And they may be more practical in and of themselves than we’d realized.

At least, that’s what a team of researchers led by Peter Hintz at the University of California, Berkeley found through their study of black holes, recently published in the journal Physical Review Letters

[Thanks to Standback, Will R., John King Tarpinian, JJ, Cat Eldridge, Chip Hitchcock, Martin Morse Wooster, Andrew Porter, J. Cowie, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day OGH.]

Pixel Scroll 3/3/18 Scrolling Occupants Of Interpixellary Craft

(1) STRANGE TOY. Robin Sloan offers “Voyages in sentence space”.

Imagine a sentence. “I went looking for adventure.”

Imagine another one. “I never returned.”

Now imagine a sentence gradient between them—not a story, but a smooth interpolation of meaning. This is a weird thing to ask for! I’d never even bothered to imagine an interpolation between sentences before encountering the idea in a recent academic paper. But as soon as I did, I found it captivating, both for the thing itself—a sentence… gradient?—and for the larger artifact it suggested: a dense cloud of sentences, all related; a space you might navigate and explore.

…My project called sentencespace, now public on GitHub, serves up an API that provides two things.

  1. Sentence gradients: smooth interpolations between two input sentences.
  2. Sentence neighborhoods: clouds of alternative sentences closely related to an input sentence.

Sentence neighborhoods are simpler than gradients. Given an input sentence, what if we imagine ourselves standing at its location in sentence space, peering around, jotting down some of the other sentences we see nearby?

Mlex sent the link together with a screenshot of his own experiment with gradients between two sentences: “I put in the opening and closing phrases of Dhalgren and got the output (in the screenshot attached).”

(2) JUKKA WINS. The Finnish Science Fiction and Fantasy Writers Association presented Worldcon 75 chair Jukka Halme with the Cosmos Pen Award, their highest honor.

(3) SPIRIT AWARDS. Get Out won the top two categories at today’s Film Independent Spirit Awards ceremony, Best Feature and Best Director.

The Spirit Awards recognize independent filmmakers. Read the full list of winners here.

(4) SUGGEST CHESLEY AWARD NOMINEES. The Association of Science Fiction and Fantasy Artists is seeking suggestions for 2017 works for consideration for this year’s Chesley Awards in the categories Hardback Cover, Paperback Cover, Magazine Cover, Interior Illustration, Gaming Related Illustration, Product Illustration, Color Work Unpublished, Monochrome Work Unpublished, Three Dimensional Art, Art Director, and Lifetime Artistic Achievement. Anyone can suggest works for consideration, you do not need to be an ASFA member.

The Suggestion form is here: https://goo.gl/v8QuzP

The gallery of works suggested so far is here.

The deadline is March 5.

(5) THESE BOOTS. Will Terry Goodkind get a veto over his next book cover? Although not yet displayed on the Macmillan website, another service is circulating this draft cover art for the third novel in his Nicci Chronicles series. Siege of Stone goes on sale December 31, 2018. Unfortunately, the banner obscures the character’s footwear, one of the things Goodkind criticized in his recent blast about the cover for Shroud of Eternity.

(6) DID PKD EVER COMPLAIN ABOUT HIS COVERS? Alicia Kroell, in “33 of the Weirdest Philip K. Dick Covers We Could Find” at LitHub, has unearthed some truly creepy covers!

(7) ASSEMBLY REQUIRED. Roy Scranton reviews an Iraqi sf novel in New Republic — “A Surreal Story from Baghdad”.

Frankenstein in Baghdad begins with an explosion in Baghdad’s Tayaran Square, the full significance of which doesn’t become clear until later, when the junk dealer Hadi tells his story to a group of journalists at a coffee shop. One, a German documentary-maker, leaves halfway through, laughing off Hadi’s tale as a fable stolen from a Robert De Niro movie. But Mahmoud al-Sawadi, an Iraqi magazine journalist, stays and listens closely, because what Hadi’s telling him is genuinely weird, even for Baghdad: how after the explosion he’d picked up someone’s nose off the street and sewed it onto the face of a corpse he’d been building in his shed. Then how, while he was sleeping, the corpse apparently got up and walked away.

Hadi’s a well-known liar, and a drunk to boot, but as Mahmoud discovers, this time the junk man was telling the truth. His story sparks the plot of Ahmed Saadawi’s brilliant, rueful novel, which won the 2014 International Prize for Arabic Fiction and has recently appeared in a crisp, moving, and mordantly humorous English translation from Jonathan Wright and Penguin Books. Hadi, it turns out, created a monster.

(8) STIERS OBIT. David Ogden Stiers, best known for playing Major Charles Emerson Winchester III on MAS*H, died March 3 at the age of 75. He also appeared in several genre TV shows, and had numerous voice acting roles in animated films.

Stiers was a prolific voice actor, working in eight Disney animated features including 1991’s Beauty and the Beast (in which he played Cogsworth), The Hunchback of Notre Dame (the Archdeacon), Pocahantas (Governor Ratcliffe) and Lilo & Stitch (Dr. Jumba Jookiba). He also voiced Kamaji in the English-dubbed version of Hayao Miyazaki’s Spirited Away.

(9) TODAY’S BIRTHDAYS

  • Born March 3, 1920James Doohan, Actor (Star Trek)
  • Born March 3, 1945George Miller, Director & Producer (Mad Max franchise)
  • Born March 3, 1958Miranda Richardson, Actor (Blackadder, Harry Potter)
  • Born March 3, 1980Katherine Waterston, Actor (Fantastic Beasts and Where to Find Them, Alien: Covenant)
  • Born March 3, 1982Jessica Biel, Actor (Blade: Trinity, Total Recall)

(10) TODAY’S BIRTHDAY DOMAIN

(11) WAKANDA AND COSPLAY. NPR explores how “‘Black Panther’ Brings New Visibility To Cosplayers Of Color”.

The film “Black Panther” has inspired black cosplayers around the country to be more visible within the cosplay community.

Cosplay, which is short for “costume play,” is when people wear often-handmade costumes to embody fictional characters from comic books and popular movies like Captain America and Star Wars. But black and other non-white cosplayers often feel excluded because non-white characters are rarely featured prominently in the fantasy worlds of comics. They are often relegated to the roles of sidekicks or villains rather than the superheroes.

But Black Panther, which features a black lead and a predominantly black cast, offers a multifaceted depiction of African life where people of color play both the villains and the heroes. These characters are transforming the playing field for non-white cosplayers like Tamara Heredia, a black cosplayer from Houston, Texas. …

(12) ANCIENT SAILORS. Learn Moana’s real history — “DNA sheds light on settlement of Pacific”.

Prof Reich, who is lead author of the study in Current Biology, added that Vanuatu was a “gateway to the remote Pacific islands… through that region of Vanuatu and neighbouring islands, people spread all over the Pacific”.

The first people to arrive in the islands belonged to the Lapita culture, who expanded out of Taiwan between 5,000 and 6,000 years ago, reaching Vanuatu about 3,000 years ago. “They were really talented seafaring people,” said Dr Cosimo Posth, from the Max Planck Institute for the Science of Human History in Jena, Germany. Dr Posth was co-author of the study in Nature Ecology & Evolution.

Their secret was the specialised outrigger canoe, which is characterised by the addition of lateral support floats which stabilise the main hull. This innovation, says Dr Posth, “allowed them to cover immense distances of the ocean”.

(13) BUTLER TALK. The Pasadena (CA) Museum of History will host a lecture, “Telling My Stories: The Pioneering Fiction of Octavia E. Butler”, on March 29 at 6:30. Tickets now on sale.

Join Natalie Russell, Assistant Curator of Literary Collections at the Huntington Library and curator of the recent Huntington exhibition, Telling My Stories: The Pioneering Fiction of Octavia E. Butler, for this lecture in celebration of Womens History Month and in conjunction with the new exhibition Dreaming the Universe. Octavia E. Butler was the first female African American writer to make science fiction her career. A shy, only child from Pasadena, she dreamed of ordinary people in extraordinary worlds, and extraordinary people in ordinary worlds, and put them on the page. Her stories brought the voice of women of color to a genre traditionally dominated by white men. That powerful voice tackled issues, not just about race, but themes that continue to resonate with a wide audience: power, identity, gender, class, the environment, and what it means to be human.

This program is presented in partnership with the Historical Society of Southern California – George A. V. Dunning Lecture Series.

Tickets include light refreshments and entrance to the exhibition Dreaming the Universe: The Intersection of Science, Fiction, & Southern California starting at 5:30 pm. Tickets: Members $10; General $15. Advanced ticket purchase is recommended, visit https://octaviabutlerlecture.brownpapertickets.com.

(14) APPRENTICED TO A PILOT. From 2012, John Hodgman presents “Dana Gould as Maurice Evans as Dr. Zaius as Hal Holbrook as Mark Twain.” And I’ll throw in a twisted Gilbert & Sullivan reference as the headline.

[Thanks to JJ, Chip Hitchcock, Alan Baumler, Mark Hepworth, Cat Eldridge, John King Tarpinian, Carl Slaughter, Martin Morse Wooster, Mike Kennedy, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kurt Busiek.]

Pixel Scroll 1/28/18 I Say We Take Off And Pixel The Entire Scroll From Orbit – It’s The Only Way To Be Sure

(1) DUFF DEADLINE. Down Under Fan Fund nominations for the 2018 race close January 31.  If you’re interested, or have someone else lined up, hop to it!

Nominations are now open for a Down Under Fan Fund delegate from Australia or New Zealand to travel either to San Jose, California, USA for the 76th World Science Fiction Convention, 16–20 August 2018, or to other major conventions in North America in 2018.

(2) EARLY COSPLAY AND THE LA WORLDCON OF 1946. SyFy Wire’s Carol Pinchefsky goes beyond the Ackerman/Douglas collaboration in “Firsts: The first cosplay took place at the first-ever con… in 1939”, drawing on other anecdotes collected by John. L. Coker III, sf historian and editor of the nonfiction book Tales of the Time Travelers: The Adventures of Forrest J. Ackerman and Julius Schwartz:

Coker interviewed other First Fans for Tales of the Time Travelers. Author and fan Len J. Moffatt discussed yet another “first” … the first recorded cosplay fail, which took place at the fourth Worldcon, in 1946:

“[Fan] Dale Hart [pictured above] was an excellent Gray Lensman in a silver-gray form-fitting costume like the Astounding cover by Rogers. The problem was that it was so tight that he could not sit down or dare to bend over.”

Moffatt may also have created another “first” at Pacificon I, the first cosplay routine:

“While at Slan Shack on Bixel Street earlier, I had borrowed some of Myrtle’s green make-up, combed my hair over my ears and turned up my jacket collar to become a comical vampire. I made a better impression earlier when friends carried me into a meeting hall and deposited my rigid body on some lined-up folding chairs. I lay there a long time with eyes closed and hands folded on my chest listening to the wondering remarks of passers-by.”

(3) WRATHFUL SPEECH. Middle-Earth Reflections documents “His sharp tongue or Fëanor’s talent to insult”:

Fëanor the Spirit of Fire was the most gifted of all the Elves in linguistic lore. He could use language so well that his speeches affected those who heard them and inspired them to do different, though not always sensible, things. Thus, being gifted with words and able to use them potently, Finwë’s eldest son was also exceptionally good at insulting others.

(4) BESPOKE AWARD. Charles Payseur unveils he fifth and final category winners: “THE SIPPY AWARDS 2017! The “Where We’re Going We Won’t Need Categories” Sippy for Excellent I Don’t Know What in Short SFF”

The “Where We’re Going We Won’t Need Categories” 

Sippy Awards for Excellent I Don’t Know What in Short SFF

What does it mean? Well, part of the point of this category is…I’m not sure. These are stories that defy conventional definitions and categorization. These are the ones that slip between genres and expectations. They’re…well, a lot of them are weird, but beautiful. Haunting, but fun. Deep and complex and brilliant in the ways they innovate and inspire. So without further delay…

(5) LEADING BY EXAMPLE. Lisa Goldstein’s tribute to Ursula K. Le Guin tells how much she meant to girls who wanted to write science fiction and fantasy:

…Her characters were so real and rounded they became people you wanted to know.  She wrote beautifully, in a field where most writing ranged from serviceable to awkward.  And she was not just smart but wise, someone who could get to the heart of a subject with a few well-chosen words.  I was looking through my copy of The Language of the Night this week and found this: “Fantasy is true, of course.  It isn’t factual, but it is true.”

So I began to think that I could actually do this science-fiction thing.  After all, here was a woman who was, IMHO, doing it better than any male writer.  (And around the same time there were also Joanna Russ and Kate Wilhelm and Carol Emshwiller — and James Tiptree, or course, but we didn’t know her secret then.)  She gave me, and any number of other girls reading science fiction in those years, the courage to try….

(6) TV ARCHEOLOGY. Echo Ishii, in “SF Obscure: Planet of the Apes TV”, discusses two TV adaptations, one live, one animated.

The live action TV series has two new astronauts stranded on future/parallel earth.  In this version, there are human villages-not quite as primitive as the original movies movies-ruled over by Apes as governors and guards. The two astronauts are assisted by another Ape who believes humans are capable of more. It’s a run of the mill action adventure with the planet of the apes spin. Entertaining, but not outstanding. It was, unfortunately, an expensive show and cancelled after 14 episodes.

(7) BEST OF 2016. Greg Hullender notes Rocket Stack Rank is continuing their analysis of the best science fiction and fantasy short fiction from 2016. In the latest installment, they turn their attention to  —“2016 Best SF/F Short Fiction Authors”.

Out of 602 authors, fully 74% had only one story published in our survey of 887 stories, so we’re picking from a huge diversity of authors.

On the other hand, there’s remarkable consistency among our pool of recommenders: 72% of recommendations went to the top 20% of authors, and 40% got no recommendations at all. It’s true that different reviewers have different opinions, but it’s also true that there’s a sort of broad consensus around who the best authors are.

(8) WHOHIKER. Andrew Hickey reviews Doctor Who and the Krikkitmen, the book by James Goss based on a possible Doctor Who film script by Douglas Adams. It is a positive review with a caveat:

So you can be fairly sure that if you’re the kind of person who would even vaguely consider maybe reading a book like this, you’ll come away having read a book that at least matches your expectations, and maybe exceeds them.

(9) NOT APOLITICAL. How some people were spared persecution in WWII. The thread starts here –

And here’s one of the reasons you’ll want to read it:

(10) SMITH OBIT. Mark E. Smith, the leader and singer/songwriter of influential British post-punk band The Fall, died January 24 at the age of 60. In his last interview a reporter for The Guardian asked whether he saw the most recent Blade Runner since he was a “big fan” of Philip K. Dick movies. As usual, Smith was not exactly diplomatic:

I think the original Blade Runner is the most obscene film ever made, I fucking hated it. The Man in the High Castle is one of my favourite books; how they fucked that TV show up I don’t know. It gets blander and blander. In the book the level of comprehension of that world is fucking astounding, in the show it’s just everybody going around normally except they’ve got swastika armbands on. The only good Philip K Dick film is Total Recall, it’s faithful to the book. Arnie gets it. I was physically sick watching A Scanner Darkly, it was like an episode of Cheers painted over except they all smoke dope and imagine women with no clothes on.

(11) TODAY IN HISTORY

  • January 28, 1986 — At 11:38 a.m. EST the space shuttle Challenger lifts off from Cape Canaveral, then explodes.

(12) TODAY’S BIRTHDAYS

  • Born January 28, 1959 – Frank Darabont
  • Born January 28, 1981 – Elijah Wood, who played Frodo in the Lord of the Rings movies.

(13) COMICS SECTION.

  • Michael J. Walsh, Mike Kennedy, and John King Tarpinian all saw what happens when a young writer picks sf, in Non Sequitur.
  • John King Tarpinian found a mock terrifying surprise in Lio.

(14) OKORAFOR SAGA. NPR’s Amal el-Mohtar says “Binti’s Story Is Finished — But Don’t Expect Completion”.

Nnedi Okorafor’s Binti trilogy is now complete: The Night Masquerade is the final instalment in a series she’s described as “African girl leaves home. African girl returns home. African girl becomes home.” It’s a beautiful proposed structure, a Hero’s Journey that rings truer for me than Joseph Campbell’s, resonating deeply with my experiences of diaspora, roots, and community. Binti left her Himba family on Earth in order to travel to Oomza University, far beyond the stars; she left Oomza in an attempt to manage her trauma and find herself again in the deserts of her home; and there, in the desert, she incorporated new revelations about her history into the anthology of herself, before being shocked into an awareness of impending doom.

(15) WHEN WILL YOU MAKE AN END? NPR’s Scott Tobias on “‘The Maze Runner: The Death Cure’: Nice Guy Finishes, At Last”:

The Maze Runner is the rare series that has improved with each installment, expanding beyond the organic pen of the first film into a bigger and more thrillingly realized science fiction sandbox. Though its young leads are mostly blah, the franchise has steadily accumulated character actors to liven things up, like Gillen, Esposito, and Pepper in the second film and now Walton Goggins in the third as the deformed leader of the Cranks. While Ball tries for too much in the needlessly protracted finale, he’s supremely confident in staging the action sequences, which usually rely on a meticulously orchestrated set of circumstances.

(16) IT’S NOT FICTION. BBC reports about “Of Mice and Old Men: Silicon Valley’s quest to beat ageing”.

To understand what’s happening in the tech world today, you need to look back to the mid-1800s, when a Frenchman named Paul Bert made a discovery that was as gruesome as it was fascinating.

In his experiment, rodents were quite literally stitched together in order to share bloodstreams. Soon after he found the older mice started showing signs of rejuvenation: better memory, improved agility, an ability to heal more quickly. In later years, researchers at institutions like Stanford would reinforce this work.

The extraordinary technique became known as parabiosis, and forms the basis of efforts at Alkahest, a California start-up that is banking on being able to apply those rejuvenative effects to people, rather than mice. It’s an idea so fantastical it wouldn’t look out of place in an episode of Silicon Valley, the HBO send-up of the start-up scene.

(17) HELPING WATER TAKE SHAPE. An article about digital effects in The Shape of Water: “How visual effects studio Mr. X helped create ‘The Shape of Water’ and its lovable merman”.

It turns out that Jones’ impressive costume and makeup (and his equally impressive performance) only accounts for part of what we see on-screen. Trey Harrell, CG supervisor at visual effects house Mr. X, told me, “Every single shot of the film where you see the creature is a visual effects shot.”

After all, Harrell said that while “Doug is an amazing actor,” his face was also hidden under “an inch of and a half of foam latex.” So at the very least, Mr. X had to create the merman’s eye and face movements. In other instances, like when the merman was viewed swimming inside the lab’s capsule, Mr. X was responsible for the entire creature.

(18) ACCUSATION. Someone has made a claim about the source of the story — “Guillermo del Toro accused of stealing story of ‘Shape of Water’ from 1969 play” reports the New York Daily Post.

Guillermo del Toro has been accused of stealing the storyline of “Shape of Water” from Pulitzer-winning playwright Paul Zindel.

David Zindel, the son of the playwright, who died in 2003, claims del Toro’s story is taken from his father’s 1969 “Let Me Hear You Whisper,” about “a female janitor in a research laboratory who bonds with a captive dolphin and tries to rescue the creature.”

“We are shocked that a major studio could make a film so obviously derived from my late father’s work without anyone recognizing it and coming to us for the rights,” Zindel told the Guardian.

… Fox Searchlight denied that the “Shape of Water” storyline was stolen.

“Guillermo del Toro has never read nor seen Mr. Zindel’s play in any form. Mr. del Toro has had a 25 year career during which he has made 10 feature films and has always been very open about acknowledging his influences,” a spokesman told the Guardian.

(19) I’M FEELING BETTER! Scott Tilley was listening for something else when the unexpected happened: “Amateur astronomer discovers a revived NASA satellite”.

After years in darkness, a NASA satellite is phoning home.

Some 12 years since it was thought lost because of a systems failure, NASA’s Imager for Magnetopause-to-Aurora Global Exploration (IMAGE) has been discovered, still broadcasting, by an amateur astronomer. The find, which he reported in a blog post this week, presents the possibility that NASA could revive the mission, which once provided unparalleled views of Earth’s magnetosphere.

The astronomer, Scott Tilley, spends his free time following the radio signals from spy satellites. On this occasion, he was searching in high-Earth orbit for evidence of Zuma, a classified U.S. satellite that’s believed to have failed after launch. But rather than discovering Zuma, Tilley picked up a signal from a satellite labeled “2000-017A,” which he knew corresponded to NASA’s IMAGE satellite. Launched in 2000 and then left for dead in December 2005, the $150 million mission was back broadcasting. It just needed someone to listen.

(20) RARITY. Offered on eBay for $2,000 – the NAL paperback of The Day After Tomorrow signed by Robert A,. Heinlein to his publisher:

HEINLEIN, ROBERT A. The Day After Tomorrow. New York: Signet – New American Library, 1964. First Paperback Edition. Signed and inscribed by Robert A. Heinlein with a superb inscription to his publisher: “To Kurt Enoch, President of N.A.L. With books as with icebergs it is the unseen 7/8-s which permits the 1/8 to be seen. Thanks! Bob Heinlein”. Originally published as Sixth Column, this copy is enclosed in a custom cloth clamsell box. Paperbound, very good clean copy. From the library of Dr. Kurt Enoch (1895-1982) who was a noted German publisher, forced to flee the Nazis, landing in New York in 1940. In 1948, Dr. Enoch co-founded and became President of New American Library – Signet Books which became one of the successful and acclaimed post-war publishing houses. Enoch went on to become one of the most highly regarded figures in American book publishing.

(21) YOUR MOVE. The mention in yesterday’s Scroll about Richard Paolinelli asking someone to guess his chess ranking inspired this parody of “One Night in Bangkok” (from Chess) by Matthew Johnson (and the last two lines by Soon Lee):

Twitter’s gonna be the witness
To the ultimate test of cerebral fitness
This grips me more than if you go
To San Jose for a cruddy old Hugo

I don’t see you guys making
The nine-dimensional move I’m contemplating
I’d let you watch, I would invite you
But our Gargoyles DVDs would not excite you

So you’d better go back to your Files, your SFWA forums,
Your cat cafes

One night in genre and worlds are your oyster
The Scrolls are Pixels and the comment’s free
My pups are friendly and their noses moister
No politics in SF history
I can feel Bob Heinlein walking next to me
His mistresses are harsh, and his lunch ain’t free.

[Thanks to John King Tarpinian, JJ, Soon Lee, Cat Eldridge, Martin Morse Wooster, Carl Slaughter, Chip Hitchcock, Rob Thornton, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Steve Davidson.]

2018 Philip K. Dick Film Festival

The 2018 Philip K. Dick Science Fiction Film Festival has announced its full lineup of critically acclaimed films, exclusive premieres, panel discussions and virtual reality installations. Screening in the boroughs of Manhattan and Queens in New York, the festival will run from February 23-25, 2018. The sixth annual event will feature appearances by show business heavyweights Armand Assante, Charles Baker, Vincent Pastore, Tom Sizemore, Melvin Van Peebles, Chuck Zito and more special guests.

This year’s festival has expanded its tribute to the father of science fiction, Philip K. Dick by broadening its scope of official selections. “Every year our films cover different themes of the PKD spectrum,” said Daniel Abella, the founder and director of the festival. “This event focuses heavily on inner worlds, transhuman realities and other types of films including speculative fiction, magical realism and surrealism. Just like PKD, we are very eclectic in our thinking and do not subscribe to one single unitary form of entertainment.”

The festival will feature appearances by numerous award-winning actors, filmmakers, scientists and innovators who are among the most successful individuals in the entertainment, medical and technology industries. “Real human exchange between ?the stars and the audience is a wonderful experience going back to classical Greece,” said Abella. “We are social creatures and need to be with others to find communion and transcendence.”

Abella added that the festival’s mission to represent society’s issues stands for the work and views of its namesake. “PKD was a modern-day prophet who foresaw the collapse of humanity under the colossal weight of data, technology and ecological devastation,” he said. “Narrative themes in these films are more effective in shaping popular thinking than a new review or manifesto. In our own modest way, the festival represents a resistance against monolithic hypercaptialism and rapacious technology. Think of it as technology with a soul.”

The schedule follows the jump.

Continue reading

Pixel Scroll 1/24/18 You Can Get Anything You Want At Filer’s Pixel Rant

(1) WORLDCON 76 MEMBERSHIPS SPONSORED FOR MEXICANX FANS, CREATORS. Artist John Picacio, a Worldcon 76 guest of honor, and John Scalzi, are funding four memberships —

John Scalzi, who will fund a pair of the memberships, also publicized the announcement on Whatever: “John Picacio Offering Worldcon Memberships to Mexicanx Fans and Creators”.

(2) COMMEMORATION. Naomi Novik was asked by the New York Times to write an appreciation of Ursula K. LeGuin. She responded with a poem — “For Ursula” – which begins:

I want to tell you something true
Because that’s what she did.
I want to take you down a road she built, only I don’t want to follow it to the end.
I want to step off the edge and go into the underbrush
Clearing another way, because that’s also what she taught
Not how to repave her road but how to lay another
Even if it meant the grass came through the cracks of the pavement, and the thicket ate it up.

(3) DID YOU REMEMBER? Philip K. Dick and Ursula K. Le Guin were at Berkeley High School at the same time in 1947. However, it spoils the story to add that they didn’t know each other…. See “When Ursula K. Le Guin & Philip K. Dick Went to High School Together” at Open Culture from 2016.

(4) OF ACE BOOPS. Doctor Strangemind’s Kim Huett draws this great anecdote from the pages of a classic Australian fanzine — “Ursula Le Guin & Her Elusive Hugo!”.

And now for my favourite Ursula Le Guin letter, one which highlights the two things I like best in an author, a lack of pretentiousness and a sense of humour. The following letter appeared in Philosophical Gas #2, published by John Bangsund in October 1970. The Hugo in question was awarded to Ursula for The Left Hand of Darkness at Heicon ’70, the worldcon held in Heidelberg, Germany in August of 1970. I assume the rocket was accepted on Ursula’s behalf by Terry Carr of Ace Books (which would explain a lot).

(5) SFWA AFFIRMED. Jennifer Brozek on “SFWA and its Community”:

Last night, I went to the SFWA Reading to see my friends Josh Vogt, Greg Bear, and Tod McCoy read. I realized something: I’d missed my SFWA community. These are people I only see at conventions and SFWA events. I’d been so busy with my own stuff lately, and needed some distance from the organization after I stepped down as a Director-At-Large, that I’d pulled away too much. That was the wrong approach, but I suppose it was one I needed at the time.

It’s hard to express just how good it feels to be in a room full of like-minded people who all understand why losing one of the greats like Ursula K. Le Guin is such a tragedy or why naming Peter S. Beagle as SFWA’s newest Grand Master is such a joy. So many of the people I met up with last night are at various points in their writing careers. It was like looking at my past, present, and future writing self. They all understood the language of the writing professional and the publishing industry. It felt like coming home. It felt like family.

Recently, SFWA has had to deal with some tough issues. All of them center around protecting its membership at large. I know, intimately, what they’ve been going through—all the time spent, the discussions had, the decisions made—and I’m proud of the Board. I think, with the evidence they had on hand, they did the only thing they could do to protect the SFWA organization and the community they’ve built.

(6) MORE ON COMMUNITY. SFWA President Cat Rambo tweeted —

(7) RETURN OF THE SHADOW CLARKE JURY. CSFF Anglia has empaneled a new Shadow Clarke Jury for 2018 — Gary K. Wolfe, Alasdair Stuart, Maureen Kincaid Speller, Nick Hubble, Samira Nadkarni, and Foz Meadows. (Speller and Hubble are the only returning Sharkes.)

Dr. Helen Marshall, General Director of the Centre for Science Fiction and Fantasy says in “And Now for a Word from our Hosts”

The Arthur C. Clarke Award has long been an excellent point of reference for taking stock of the changes in the field. It has a deliberately loose mandate to identify the “best” science fiction book of the year, acknowledging that the definition of “best” must be decided by a changing pool of jurors on an annual basis. The Clarke shortlist and the eventual winner showcase the work that has been done in the field, providing an intriguing snapshot of a field in flux. Since its inception the award has been at the heart of a robust critical discussion which interrogates the centre of the genre, its heartland, as well as the margins, where the genre pushes outward. This is why we’ve chosen the Clarke Award submissions list as a starting point for our discussions, and why we return to their shortlist in our discussions.

…What a shadow jury might do, then, is bring these debates into sharper focus. We believe the criticism is valuable, and that detailed, provocative, and respectful criticism enhances our understanding of the text and the cultures which produced it. This form of criticism is not intended to serve the needs of marketers or publicists but those of readers and writers. It aims not only to make visible but also to illuminate and contextualise.

Shadow Clarke juror Maureen Kincaid Speller’s manifesto for the return engagement, “You’re Never Alone with a Critic – Shadowing the Clarke Award, 2018”, says in part —

Here’s the thing – a critic’s job is not to provide plot synopses, nor is it to tell you whether or not you’ll like a novel. It is definitely not a critic’s job to act as an unpaid publicity agent. A critic’s job is to look at the fiction itself, and to have a view about it. Critics write about all sorts of things. They think about where a text sits in relation to other works of sf, they explore themes, tease out aesthetic similarities and differences; they consider what a novel says about the world at large, and, yes, they make judgement based on their experience as informed readers. Which is, if you think about it, exactly the same kind of work as that carried out by an award jury.

Which makes it all the more puzzling that criticism per se has become so frowned upon in the last few years. Is it just that people don’t want to admit this is what is going on behind the scenes? Is it because the word ‘criticism’ carries two meanings, one analytical, the other disapproving? We couldn’t tell but we were fascinated by this pushback against the Shadow Clarke project and decided we needed to explore it further. So, we have decided to run the project for a second year, and this time, rather than simply focusing on the Clarke Award, we’re taking the opportunity to use the shortlisting process as a springboard to exploring the business of criticism more broadly, because we continue to believe that critical analysis has a vital role to play when it comes to talking about science fiction.

(8) STRONG ATTACHMENT. Live Science reports the discovery of a “1.7-Billion-Year-Old Chunk of North America Found Sticking to Australia”.

Geologists matching rocks from opposite sides of the globe have found that part of Australia was once attached to North America 1.7 billion years ago.

Researchers from Curtin University in Australia examined rocks from the Georgetown region of northern Queensland. The rocks — sandstone sedimentary rocks that formed in a shallow sea — had signatures that were unknown in Australia but strongly resembled rocks that can be seen in present-day Canada.

Will this open the way for an Aussie Worldcon with adjacent NASFiC?

(9) WHO IS COMING. LA’s premiere Doctor Who convention takes place in three weeks, and the program has been posted: “Gallifrey One 2018 Schedule of Events Now Online”.

With great pleasure, Gallifrey One today is proud to announce the release of our Schedule of Events for our upcoming convention, The 29 Voyages of Gallifrey One in February. As in prior years, we are using the Sched online scheduling system for a seamless and easy-to-navigate program that can be used on your desktop or mobile device….

Full Screen (General Purpose) version
Fully viewable version, with custom views of events, searchable, plus panelist and guest listings
http://gallifreyone2018.sched.com

(10) TODAY IN HISTORY

  • January 24, 1984 — Apple Computer, Inc. introduced the Macintosh personal computer.

(11) COMICS SECTION.

(12) RON ELLIK AND THE RONVENTION (1962). Although I never met LASFS member Ron Ellik, who died before I ever joined the club, he was a well-known newzine editor (Starspinkle) and influence on Bruce Pelz, who kept his friend’s name alive in the title of his annual wine and cheese party that I attended for years. Now Rob Hansen gives us new reasons to remember him —

Ron Ellik in 1962.

This year’s Eastercon is being held in Harrogate for the first time in more than half a century. Known as the RONVENTION, that earlier one was organised by Ron Bennett and attended by TAFF-winner Ron Ellik, hence the name. At the January first-Thursday pub meeting here in London, Eastercon committee and staff persons Mark Plummer and Caroline Mullan asked me if I could add a section on the RONVENTION to my website that they could link to. Since this was one of those I’d always intended to get around to I was happy to oblige. I drew mainly from conreports by James White and the two Rons when putting it together: “Ronvention, the 1962 Eastercon”.

I’m uploading this earlier than originally intended because of something I realised after I started work on it, namely that tomorrow, 25th January, is the fiftieth anniversary of Ron Ellik’s death at the tragically young age of 30. So I’m publishing it today in memory of him.

Weird to think that when Ron died, Martin Luther King and Robert Kennedy were still alive, the Beatles were still together, and astronauts had yet to leave Earth orbit and strike out for the moon.

(13) OSCAR ISSUE. The Washington Post’s Cindy Boren, in “Kobe Bryant’s Oscar nod rings awkward in a year Hollywood is hyper-focused on sexual assault”, says Dear Basketball, an Oscar nominee for Best Animated Short Film, may be in trouble because, despite its John Williams score and Glen Keane animation, it features Kobe Bryant, who settled a sexual assault case in 2003 for a substantial sum in an out-of-court settlement.

(14) WOEBEGONE. The MPR News (Minnesota Public Radio) post “Investigation: For some who lived in it, Keillor’s world wasn’t funny” has more information on the firing of Garrison Keillor. Several incidents are described at the link.

For weeks, Minnesota Public Radio refused MPR News’ repeated requests to comment on the company’s separation from Keillor. But as negotiations with Keillor’s company stalled and pressure from news organizations mounted, Jon McTaggart, president and CEO of MPR and American Public Media Group, broke his silence.

In an interview with MPR News Tuesday afternoon, he said the company’s separation of business interests from Keillor came after it received allegations of “dozens” of sexually inappropriate incidents involving Keillor and a woman who worked for him on A Prairie Home Companion. He said the allegations included requests for sexual contact and descriptions of unwanted sexual touching.

McTaggart, who after the interview with MPR News sent an email to MPR listeners and members further explaining the separation from Keillor, says cutting Keillor off was the most painful decision he’s made as CEO. But in-house and external investigations into the matter bore details he could not ignore.

“When we reached a point that from all sources we had sufficient confidence in facts that really required us to act, we took the action we did,” he said. “It was the right thing to do. It was the necessary thing to do, and we stand by it.”

Since the firing, Prairie Home Companion has been renamed Live From Here.

(15) WHAT FATE. Charles McNulty ponders “As artists fall into disgrace, must their art be consigned to oblivion?” at the Los Angeles Times.

The cavalier way men have systemically abused their power over women in and around the workplace warrants little leniency. But a more slippery question has emerged in this me-too moment of cultural reckoning: What to do with the works of artists whose conduct has been abhorrent?

In the growing gallery of alleged predators, there aren’t any artists I hold dear. James Toback’s films aren’t in my Netflix queue. I never mistook Kevin Spacey for one of the greats. And my admiration for James Levine’s conducting has been mostly of the dilettantish variety.

But inevitably a contemporary artist with whom I feel a special kinship will shatter my illusions about his or her character. I doubt that I will throw away the books or delete the recordings or swear off the films. I’m sure I’ll be disillusioned and quite possibly disgusted, but I know that an artist is not identical with his or her masterpieces and that few human beings can live up to their greatest achievements.

This is a theme that Marcel Proust returns to in his epic novel, “In Search of Lost Time” (more romantically known in English as “Remembrance of Things Past”). The narrator recalls a dinner party in which, as a young man, he meets his hero, the writer Bergotte. The young Marcel, intimidated to be seated among the important guests of the swanky Swanns, is struck immediately by the way Bergotte bears no physical resemblance to the man he had “slowly and painstakingly constructed … a drop at a time, like a stalactite, out of the limpid beauty of his books.”

More distressing to Marcel than Bergotte’s coarse appearance is “the busy and self-satisfied mentality … which had nothing in common with the type of mind that informed the books.” The narrator, a natural philosopher, begins to understand through this encounter that art is not contingent on the specific circumstances of an artist’s life.

(16) SF HISTORY. Michael Dirda, in “An expert’s guide to science fiction’s greatest — and neglected — works”, reviews the companion volume to A Conversation larger than the Universe, an exhibit on view at The Grolier Club in New York City from January 25 through March 10 (see the January 19 Pixel Scroll, item 7).

Being well-read both inside and outside the genre, Wessells contends that the first major work of alternate history was a 1931 collection of essays, edited by J.C. Squire, titled “If It Had Happened Otherwise.” Its fanciful “lapses into imaginary history” include “If Lee Had Not Won the Battle of Gettysburg,” by none other than Winston Churchill. Wessells also lingers over one of the most chilling dystopian novels of the 20th century, “Swastika Night,” written by Katharine Burdekin under the pen name Murray Constantine. Drafted in 1936 and published in 1937, it projects a Nazified far-future Europe where Hitler is worshiped as an Aryan god and women are kept in pens as breeding animals. (For more about this remarkable book, I recommend Daphne Patai’s excellent Feminist Press edition or the Gollancz SF Masterworks paperback, for which I wrote a short introduction.)

(17) A COMFORTING DOOM. Jill Lepore’s “A Golden Age for Dystopian Fiction” in the June 5-12 New Yorker last summer, is an essay-review of several dystopian novels, including Cory Doctorow’s Walkaway and Ben H. Winters’s Underground Airlines. Martin Morse Wooster flagged up its quotable last paragraph:

Dystopia used to be a fiction of resistance; it’s become a fiction of submission, the fiction of an untrusting, lonely, and sullen twenty-first century, the fiction of fake news and infowars, the fiction of helplessness and hopelessness. It cannot imagine a better future, and it doesn’t ask anyone to bother to make one.  It nurses grievances and indulges resentments; it doesn’t call for courage; it finds that cowardice suffices.  Its only admonition is:  Despair more.  It appeals to both the left and the right, because, in the end, it requires so little by way of literary, political, or moral imagination, asking only that you enjoy the company of people whose fear of the future aligns comfortably with your own.  Left or right, the radical pessimism of an unremitting dystopianism has itself contributed to the unravelling ot the liberal state and the weakening of a commitment to political pluralism. ‘This isn’t a story about war,’ (Omar) El Akkad writes in American War.  ‘It’s about ruin.’  A story about ruin can be beautiful.  Wreckage is romantic.  But a politics of ruin is doomed.

(18) UP IN THE AIR. Maybe we’ll get them after all? “Degree in ‘flying car’ engineering offered online”.

The online course is being offered by Silicon Valley e-learning school Udacity and will begin in February.

It is the brainchild of former Stanford University professor Sebastian Thrun, who previously headed up Google’s self-driving car project, Waymo.

Prof Thrun is hoping to attract at least 10,000 applicants to what he is describing as a “nanodegree”.

A nanodegree, according to Udacity’s website, is an online certification that can be earned in six to 12 months, and aims to teach basic programming skills in various disciplines.

…Previously Udacity has offered a self-driving car course, which has attracted 50,000 applicants since 2016.

(19) KIDS PUT IT TOGETHER. “K’Nex builds toys rollercoaster you can ride in VR”. (Video) A little like those model railroad trains with the tiny camera on the front – only a lot faster.

Toy-maker K’Nex has designed a toy rollercoaster kit that children can assemble and then “ride” by wearing a virtual reality headset.

The BBC’s Rory Cellan-Jones tried it out at the Toy Fair 2018 exhibition in London.

(20) VOYAGE TO THE BOTTOM OF THE SEA. BBC reports “A submersible mission in Antarctic waters has revealed unique ecosystems so rare they deserve special protection, say scientists.” — “Antarctica’s Weddell Sea ‘deserves protected status'”.

The seabed investigation, co-ordinated by the campaign group Greenpeace, will help build the case for the creation of the world’s largest wildlife sanctuary.

Covering 1.8 million sq km, the marine reserve will be considered by Antarctic nations at a conference in October.

It would ban all fishing in a large part of the Weddell Sea.

… Along with the smaller creatures that live on the seafloor, the reserve would bring additional protection to larger animals such as leopard seals, orcas, humpback whales and penguins.

(21) WETTER RESISTANCE. The BBC’s Nicholas Barber argues “Why ‘The Shape of Water’ is the most relevant film of the year”.

All things considered, the savvy choice for best picture might be Guillermo Del Toro’s The Shape of Water, which has been nominated in a whopping 13 different categories. Admittedly, it’s yet another film with a male director, but it does have a female co-writer, Vanessa Taylor, and a female lead, Sally Hawkins, and it passes the Bechdel Test within minutes. If that weren’t enough, it has major black and gay characters, as well as a South American immigrant; true, he’s a half-human, half-newt South American immigrant, but that’s not the point. More diverse and inclusive than any of the other best picture nominees, the film doesn’t just rail against sexism, racism and homophobia, it argues that they are all symptoms of the same patriarchal disease – a disease which all voiceless and oppressed people should defeat together. In short, The Shape of Water is a lot more militant than the average magic-realist fable about a woman who fancies a fish-monster. What’s more, it’s even more topical now than when it premiered at the Venice Film Festival last August.

(22) WORKSHOP WISDOM. Cynthia Felice shared “Five things I learned at Clarion”. The first is:

  1. Writers who write naked or wearing only a fedora do not write any better than a writer who is fully dressed.

(23) TRAILER PARK TRASH. Cnet doesn’t want you to miss it — “Quentin Tarantino’s Star Trek gets a trashy parody trailer”.

Ever since news emerged that Quentin Tarantino, famous for films like “Pulp Fiction” and “Kill Bill,” had pitched a great idea for a Star Trek movie to film studio Paramount, we’ve been wondering what Tarantino Trek might look like.

We now have one possible answer in the form of “Star Trek: Voyage to Vengeance,” a fake trailer made up of moments from the original series.

The video comes from Nerdist and features a laundry list of some of the original series’ most cringe-worthy moments, including the space hippies and almost everyone Captain Kirk ever kissed.

 

[Thanks to John King Tarpinian, Cat Eldridge, JJ, Mark Hepworth, ULTRAGOTHA, Martin Morse Wooster, Michael J. Walsh, Carl Slaughter, Daniel Dern, David K.M. Klaus, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Steve Davidson.]

Pixel Scroll 1/17/18 You’re A Little Short For A Pixel Scroll, Aren’t You?

(1) STRACZYNSKI MEMOIR COMING. Harper Voyager US has acquired the imprint’s first memoir, written by J. Michael Straczynski. The book will be published in 2019.

Straczynski is one of the most successful writers of comics, TV, graphic novels, and movies in modern pop culture, and has emerged as one of the most respected voices in science fiction today, selling millions of comics, winning dozens of awards and working with such luminaries as Clint Eastwood, Angelina Jolie and Kenneth Branagh. He is famed for his work on the recent Netflix hit Sense8, his work on Babylon 5, Changeling, World War Z, Thor, and a seven-year stint on The Amazing Spider-Man. But despite forty years of twelve-hour writing days, there’s one story Straczynski could never tell: his own. This memoir chronicles the author’s struggle growing up surrounded by poverty, violence, alcoholism and domestic abuse. The result is an inspiring account of how he wrote his way out of some of the most harrowing conditions.

(2) COINCIDENTAL PROPHET. Henry Farrell takes the measure of the author and this age in “Philip K. Dick and the Fake Humans” at Boston Review.

Standard utopias and standard dystopias are each perfect after their own particular fashion. We live somewhere queasier—a world in which technology is developing in ways that make it increasingly hard to distinguish human beings from artificial things. The world that the Internet and social media have created is less a system than an ecology, a proliferation of unexpected niches, and entities created and adapted to exploit them in deceptive ways. Vast commercial architectures are being colonized by quasi-autonomous parasites. Scammers have built algorithms to write fake books from scratch to sell on Amazon, compiling and modifying text from other books and online sources such as Wikipedia, to fool buyers or to take advantage of loopholes in Amazon’s compensation structure. Much of the world’s financial system is made out of bots—automated systems designed to continually probe markets for fleeting arbitrage opportunities. Less sophisticated programs plague online commerce systems such as eBay and Amazon, occasionally with extraordinary consequences, as when two warring bots bid the price of a biology book up to $23,698,655.93 (plus $3.99 shipping).

In other words, we live in Philip K. Dick’s future, not George Orwell’s or Aldous Huxley’s. Dick was no better a prophet of technology than any science fiction writer, and was arguably worse than most. His imagined worlds jam together odd bits of fifties’ and sixties’ California with rocket ships, drugs, and social speculation. Dick usually wrote in a hurry and for money, and sometimes under the influence of drugs or a recent and urgent personal religious revelation.

Still, what he captured with genius was the ontological unease of a world in which the human and the abhuman, the real and the fake, blur together.

(3) BLACK LIGHTNING. The Hollywood Reporter’s Daniel Flenberg praised the new series: “‘Black Lightning’: TV Review”.

It could be argued that what The CW needs least is another superhero show, much less another murky superhero show.

The pleasant surprise, then, is that Black Lightning, based on yet another DC Comics property, is smart and relevant and full of an attitude that’s all its own. It takes its characters and their world seriously, but thus far doesn’t take itself too seriously. And, best of all, it’s ostensibly entirely separate from Legends of Tomorrow, The Flash, Arrow and Supergirl, so the risk of time-consuming crossovers or key plot points delivered on a different show is currently nil.

(4) NINE IS TEN. This month io9 is celebrating its 10th anniversary, too. io9 and the File 770 blog started the same month and it’s easy to see which got the most mileage out of that decade. Congratulations io9! Here’s a video made by the founding alumni —  

(5) STARVING IN THE CITY OF THE FUTURE. Slate has published Charlie Jane Anders’ story of future hunger: “The Minnesota Diet”. The future isn’t that far away.

This short story was commissioned and edited jointly by Future Tense and ASU’s Center for Science and the Imagination. Each month in 2018, Future Tense Fiction—a series of short stories from Future Tense and CSI about how technology and science will change our lives—will publish a story on a new theme. The theme for January–March 2018: Home.

North American Transit Route No. 7 carves a path between tree silhouettes like wraiths, through blanched fields that yawn with the furrows of long-ago crops. Weaving in and out of the ancient routes of Interstates 29 and 35, this new highway has no need for rest stops or attempts to beautify the roadside, because none of the vehicles have a driver or any passengers. The trucks race from north to south, at speeds that would cause any human driver to fly off the road at the first curve. The sun goes down and they keep racing, with only a few thin beams to watch for obstacles. They don’t need to see the road to stay on the road. The trucks seem to hum to one another, tiny variations in their engine sounds making a kind of atonal music. Seen from above, they might look like the herds of mustangs that used to run across this same land, long ago….

(6) POLL. Uncanny Magazine has opened voting for readers to pick their three favorite original short stories from the works they published last year — “Uncanny Celebrates Reader Favorites of 2017”.

We’ve set up a poll for Uncanny readers to vote for their top three favorite original short stories from 2017. (You can find links to all of the stories here.)

The poll will be open from January 17 to February 7, after which we’ll announce the results. We’re excited for you to share which Uncanny stories made you feel!

snazzy certificate will be given to the creator whose work comes out on top of  the poll!

So please spread the word! And don’t forget, EVERY VOTE COUNTS!

(7) GENRE DESTRUCTION. Also, Uncanny is taking submissions to a special issue through February 15 — “Disabled People Destroy Science Fiction Guidelines”

We welcome submission from writers who identify themselves as disabled. Identity is what matters for this issue. What kinds of disabilities? All of them. Invisible and visible. Physical disabilities, learning disabilities, intellectual disabilities, mental health disabilities, and neurodiversity.

Yes, even if your disability is a recently acquired one.

Yes, even if your disability is static, or if it isn’t.

Yes, even if you’ve had your disability since birth.

Yes, even if you use adaptive devices only SOME of the time.

Yes, you.

Reading Elsa’s essay “Disabled Enough” from our Kickstarter may help if you have any doubts.

So, if you identify as disabled across any of these definitions or others, we want to hear from you!

(8) LONELINESS OF THE LONG-DISTANCE WORDSMITH. L. Ron Hubbard couldn’t do it. andrew j. offutt couldn’t do it. So it’s up to Matthew Plunkett to tell you “How to Write 100,000 Words Per Day, Every Day” (from McSweeney’s.)

Relationships

My first blog post appeared online in 2008 when I explained how I attained my top ranking on a popular worldwide online game. Since then, I haven’t stopped writing. If you’re wondering whether this level of output will hinder your relationships with friends and lovers, let me set you straight. Life is about decisions. Either you write 100,000 words a day or you meet people and develop ties of affection. You can’t do both.

(9) GENTLER PACE. Concatenation has posted its “Newscast for the Spring 2018” – an aggregation of sff and pop cuture news issued at a not-quite-quarterly rate.

(10) TODAY IN HISTORY

  • January 17, 1982 – The Ray Bradbury-penned The Electric Grandmother premiered on television.

(11) TODAY’S BIRTHDAY DARTH

  • Born January 17, 1931 – James Earl Jones

(12) BIAS AT WORK. Sarah Hollowell, who calls her blog “Sarah Hollowell, Fat Writer Girl and Her Fat Words”, was not added to the Midwest Writers Workshop’s organizational committee after her appearance was made an issue.

A week ago The Guardian covered the initial stages of the story in “Roxane Gay calls out writing group for ‘fatphobic’ treatment of Sarah Hollowell”.

An American writers’ workshop that has counted Joyce Carol Oates, Jeffrey Deaver and Clive Cussler among its faculty has been called out by Roxane Gay for “fatphobia”, after a writer’s appearance was criticised during a vote to give her a public-facing role.

Gay, who has herself been on the faculty for the Midwest Writers Workshop (MWW), turned to Twitter on Tuesday to lay out how the workshop’s organisers treated the writer Sarah Hollowell. According to Gay, Hollowell has worked for MWW for five years, and was voted to be on its organisational committee. But when her appointment was being discussed, “someone said ‘do we really want someone like her representing us?’ That person elaborated ‘someone so fat. It’s disgusting’,” claimed Gay.

Gay, the author of essay collection Bad Feminist and the memoir Hunger, said that only two people in the room defended Hollowell, and that the author was not then brought on to the committee. “This is unacceptable. And cruel. And cowardly, Midwest Writers Workshop. And you thought you could get away with it. You very nearly did,” wrote Gay, calling on the workshop to issue a “public and genuine” apology to Hollowell, and forbidding it to use her name as a past faculty member in its promotional materials again. “I’m too fat and disgusting to be associated with you,” she wrote.

Hollowell herself said that “there are a lot of good people” at the MWW, but that “I have been hurt in a very real way and I don’t think it should be hidden”.

The workshop subsequently issued an apology to Hollowell on Wednesday, in which its director Jama Kehoe Bigger said: “We screwed up.”

The apology and offers to attempt to “make it right” have not panned out. Instead, here’s what’s happening —

Hollowell responded with a full thread, which includes these tweets —

(13) NOW YOU SEE IT. Nothing magical about this disappearing act — “Rare first edition Harry Potter worth £40,000 stolen”.

A hardback first edition of Harry Potter and the Philosopher’s Stone worth about £40,000 was one of a number of rare books stolen during a burglary.

The book, J.K Rowling’s maiden novel of the globally successful series, was stolen from SN Books in Thetford, Norfolk, between 8 and 9 January….

The Harry Potter book was made even more “unique” by being in a custom red box, the force added.

(14) TRAIN TRICKS. The BBC reports a “Japanese train barks like a dog to prevent accidents” — it scares away deer who lick the tracks to get iron.

Tokyo’s Asahi Shimbun newspaper reports that the combination of sounds is designed to scare deer away from the tracks in a bid to reduce the number of animal deaths on the railway.

Officials from the Railway Technical Research Institute (RTRI) say that a three-second blast of the sound of a deer snorting attracts the animals’ attention, and 20 seconds of dog barking is enough to make them take flight.

(15) EVEN IF YOU DO EVERYTHING RIGHT. An interesting thread by Alex Acks who argues that maybe it’s not a conspiracy….

https://twitter.com/katsudonburi/status/953724082024939520

(16) WHAT DOESN’T PAY. And Shaun Duke has his own argument against the conspiracy theory.

https://twitter.com/shaunduke/status/953412558895157248

(17) FILL ‘ER UP. This sounds like the beginning of a nice 1950s sf story —  “UK firm contracts to service satellites”.

Effective Space says its two servicing “Space Drones” will be built using manufacturing expertise in the UK and from across the rest of Europe.

The pair, which will each be sized about the same as a washing machine and weigh less than 400kg, are expected to launch on the same rocket sometime in 2020.

Once in orbit, they will separate and attach themselves to the two different geostationary telecommunications satellites that are almost out of fuel.

 

(18) HIRSUTE. Chip Hitchcock says, “As the proud possessor of a handle bar mustache, I’m pleased to see ’Moustached monkey is separate species’.”

A monkey from Ethiopia and Sudan with a “handlebar moustache” has been identified as a distinct species.

Scientists took a fresh look at the distribution and physical appearance of patas monkeys in Ethiopia, confirming there were two species rather than one.

It was originally described as a separate species in 1862, but was later folded in – incorrectly – with other patas monkeys to form a single species.

(19) WHEN THE BOOKS WERE WRITTEN. Brenton Dickieson has published an epic tool for scholars – “My Cheat Sheet of C.S. Lewis’ Writing Schedule” — at A Pilgrim in Narnia.

For those who study authors of the past, you will soon discover that the publication lists and bibliography of an author are not always terribly helpful. After all, writing, editing, and publishing a book are stages that can each take years. Knowing something is published in 1822 or 1946 tells us little about the writing process. C.S. Lewis and J.R.R. Tolkien each had books that took nearly two decades to write….

Over the last five years, then, I have developed a habit of speaking about when C.S. Lewis or one of the Inklings wrote a book, rather than when they published it. I haven’t been perfectly consistent with this on the blog, but have generally put the writing period in brackets rather than the publication date.

To do this, I discovered that I was slowly building myself a cheat sheet to help me remember when Lewis was writing a book so that I can connect it with what was going on at the time. The cheat sheet includes completed books and incomplete fragments of what would have been a book. I’ve decided to share this cheat sheet with those of you who are interested. This might save you time or inspire you to make connections between Lewis’ work and his life patterns. And, perversely, I’m hoping to draw more people into the project of reading Lewis chronologically, and have provided resources here, here, and here.

(20) HYPERBOREAN AGE. Black Gate’s Doug Ellis says it’s “Time to Revise Your Lin Carter Biography”, though “bibliography” may be the intended word. Either way — Ellis tells about a 1967 fanzine, The Brythunian Prints, published by some Toledo fans.

The most interesting content is two pages of poetry by Lin Carter, under the general heading “War Songs and Battle Cries,” apparently reprinted with Carter’s permission from The Wizard of Lemuria and Thongor of Lemuria. The remaining content is taken up with editorials, limericks by John Boardman (four of which were reprinted from Amra) and a book review of The Fantastic Swordsmen edited by de Camp. The back cover is Tolkien related, as it pictures “Baggins and Trinket” (the Ring).

(21) MORE PAST FUTURES. Let MovieWeb tell you “10 Back to the Future Facts You Never Knew”.

THE POTENTIAL DOC BROWNS

Christopher Lloyd, part of the ensemble of the TV series Taxi which ran from 1978 till 1983, seems irreplaceable as Doctor Emmett Brown in the minds and hearts of fans around the world. But before he landed the role, some other big names were considered for the part, including John Lithgow, Dudley Moore, and Jeff Goldblum. Imagine those memes!

[Thanks to Mark Hepworth, John King Tarpinian, JJ, Cat Eldridge, Will R., Martin Morse Wooster, Andrew Porter, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Will R.]