Pixel Scroll 2/22/18 Scroll Up For The Pixelly Tour!

(1) IT COULD BE A REAL PLACE. Nadia Maddy hopes people will look beyond their headspace for the answer to “Where Is Your Wakanda?”

Where is your Wakanda? Wakanda is real but have you found it? Is it really in East Africa or is it in Central Africa? Perhaps its in Nigeria? What do you think?


(2) LE GUIN WINS A PEN AWARD. PEN America held its 2018 Literary Awards ceremony on February 20 at New York University reports Publishers Weekly “Long Soldier, Zhang, Le Guin Win At 2018 PEN Literary Awards”.

[Ursula K.] Le Guin won the PEN/Diamonstein-Spielvogel Award for the Art of the Essay for No Time to Spare. The author’s son, Theo [accepted the] award on behalf of the late Ursula K. Le Guin.

(3) A SINGAPORE FIRST – AND SECOND. The Straits Times interviews “Two Singaporeans on Nebula awards shortlist”, J.Y. Yang and Vina Jie-Min Prasad.

Yang, a science communications officer, recalls: “When I was growing up, I would print out a list of the works that had won the Hugo and Nebula and try to make my way through them. I would never have imagined that one day I would be a finalist. I’m so proud to be one of the Singaporeans on the list, it’s just fantastic.”

Prasad, 27, a full-time writer, started submitting to science-fiction magazines only last year, but has already been shortlisted twice. “I’m overwhelmed and really honoured,” she says.

She is up for Best Novelette for A Series Of Steaks, about two women in Nanjing who forge quality beef – inspired by the real-life counterfeit food industry – and Best Short Story for Fandom For Robots, in which a sentient robot discovers Japanese anime and starts writing fan fiction.

(4) AT YOUR SERVICE. For anyone who wants paper Hugo and Retro-Hugo ballots, there’s now a way to print them.

Worldcon 76 has published PDFs of the paper nominating ballots for the 2018 Hugo Awards/Award for Best Young Adult Book/John W. Campbell Award for Best New Writer and for the 1943 Retrospective Hugo Awards.

(5) NOMMO NOMINATIONS OPEN. Members of the African Speculative Fiction Society (ASFS) have until March 31 to nominate works for the 2018 Nommo Awards. The awards will be presented at the Ake Arts and Book Festival in November 2018.

(6) BUZZWORDKILL. In The Atlantic, Bruce Sterling commands people to “Stop Saying ‘Smart Cities'” – “Digital stardust won’t magically make future cities more affordable or resilient.”

The term “smart city” is interesting yet not important, because nobody defines it. “Smart” is a snazzy political label used by a modern alliance of leftist urbanites and tech industrialists. To deem yourself “smart” is to make the NIMBYites and market-force people look stupid.

Smart-city devotees all over this world will agree that London is particularly smart. Why? London is a huge, ungainly beast whose cartwheeling urban life is in cranky, irrational disarray. London is a god-awful urban mess, but London does have some of the best international smart-city conferences.

London also has a large urban-management bureaucracy who emit the proper smart-city buzzwords and have even invented some themselves.  The language of Smart City is always Global Business English, no matter what town you’re in.

(7) IN TRAINING. Lightspeed Magazine interviews Carmen Maria Machado about her learning experiences.

I know that you also went to the Clarion science fiction writers workshop. I wonder if you could contrast Iowa and Clarion a little bit?

Clarion is not an MFA program. Clarion is a six-week, insane, exhausting boot camp. It’s a totally different process. The MFA program is more moderate, in the sense that it’s happening over the course of several years. I don’t know really how to compare them. The workshop style is really different. Genre places tend to use the system where everybody goes around in a circle and says their piece and then is silent.

The Milford system?

Oh yeah, the Milford. Which, actually, I do not like that workshop system, but that is the way it’s done at Clarion. It was done that way when I went to Sycamore Hill. That’s just the sort of tradition. Whereas, in my MFA program, it was more of a style of people talking and responding to each other in real time, which I prefer. It’s hard to compare Clarion and Iowa. They’re just inherently really different in terms of what you’re getting out of them. What I got out of Iowa was two years of funded time to work on my own shit, which was amazing and really wonderful. What I got out of Clarion was this really bombastic, high-intensity, octane-fueled, genre extravaganza where I barely slept. I was writing a lot of stuff, some of which was really terrible, and some of which was pretty good, and workshopping non-stop and barely sleeping. They’re really different programs.

(8) IF YOU CAN SAY SOMETHING NICE. Marshall Ryan Maresca helps sff readers pay attention to some people who are doing it the right way in “On My Mind: Building Community”.

So, this past weekend I was at Boskone, and it was a wonderful time, as I was reminded what an amazing community we have in SF/Fantasy Literature.  There are some amazing people in this business, who are filled with wisdom and warmth and kindness.   I had the great fortune of sharing the signing table with Mary Robinette Kowal, who all of these attributes in abundance.  We, as a community, are blessed to have her in it.

Sadly, this past week, I’ve also been reminded that we have a way to go, and there are some people who thrive in being terrible, and making things unpleasant for those around them.  And that behavior, sadly, gets them notoriety.  They get talked about, which serves their ends.  I won’t give them the time of day.

Because the people who are wonderful, who do great work and are good people– they’re the ones who deserve notoriety.  They’re the ones who should get notice and have their names mentioned over and over.  So here is a large list of great people who deserve your attention…..

Names follow.


  • John King Tarpinian says Brevity found a way to make a joke at the expense of two actors who’ve played Captain Kirk.

(10) STORY AMPLIFIED. Yesterday’s Scroll linked to the latest release in Arizona State University’s Center for Science and the Imagination’s Future Tense Fiction series, “Mother of Invention” by Nnedi Okorafor. Joey Eschrich notes that it was published along with a response essay by Internet of Things expert Stacey Higginbotham, focusing on the smart home technology in the story.

(11) SHORT FICTION DISCOVERIES. The prolific Charles Payseur has launched a column at Book Smugglers X Marks The Story. The first installment leads readers to such treasures as —

“A Snow, A Flood, A Fire” by Jamie Berrout (published in Strange Horizons, 01/2018 )

What It Is: Coming in a special issue of Strange Horizons featuring transgender and nonbinary authors, “A Snow, A Flood, A Fire” stars Lupita, a trans woman stuck in an awful job as a security guard at a museum, hoping that she can work her way out of mistakes she made when she was younger and her world was imploding. The changing nature of employment, learning algorithms, employer greed and entitlement, and the dream of economic mobility all collide in a plot that kept the reading experience for me fast and tight and devastating. (And for fans of this story, I also recommend checking out “Dream Job” in January’s Terraform SF, which also explores themes of employment and the traps of late capitalism).

Why I Love It: Perhaps it’s a sign of the times, but stories exploring the future of employment and capitalism seem to be on the rise. For me, it’s a constant reminder of the realities of growing up and entering the workforce in a time where so many things that previous generations take for granted are in shambles or completely gone. Retirement contributions, healthcare, vacation, sick leave, debt forgiveness—the present isn’t exactly a cheery place for many hoping to live and maybe reach for that dream of comfort, security, and autonomy. …

[Via Earl Grey Editing Services.]

(12) BIGGER, BETTER, FASTER, MORE! At Featured Futures, Jason has posted an “Expanded Collated Contents of the Year’s Bests (2017 Stories, Links)” which begins its additional coverage with Ellen Datlow’s freshly announced The Best Horror of the Year, Volume Ten.

By request, this is an expanded edition of Collated Contents of the Big Year’s Bests (2017 Stories, with Links!). That post collates and links to the stories selected by Clarke, Dozois, Horton, and Strahan. This will add Afsharirad, Best American SF&F, Datlow, and Guran.

(13) SIGNAGE. Culver City, CA’s Ripped Bodice Bookstore gives fair warning:

(14) PASSING THE BUCKING BRONCO. Something else we know that ain’t so: “Why The Last ‘Wild’ Horses Really Aren’t”.

A Mongolian horse that has long been hailed as the last truly wild horse species in existence isn’t really all that wild.

It turns out that Przewalski’s horses are actually feral descendants of the first horses that humans are known to have domesticated, around 5,500 years ago.

What’s more, the modern horses that people ride today cannot be traced to those early steeds. That means humans must have tamed wild horses once again later on, somewhere else, but no one knows where or when.

(15) CAVE DWELLERS. If the pics remind you of a kindergarten project, remember your kids didn’t have to be the first people to ever have the idea: “Neanderthals were capable of making art”.

Contrary to the traditional view of them as brutes, it turns out that Neanderthals were artists.

A study in Science journal suggests they made cave drawings in Spain that pre-date the arrival of modern humans in Europe by 20,000 years.

They also appear to have used painted sea shells as jewellery.

Art was previously thought to be a behaviour unique to our species (Homo sapiens) and far beyond our evolutionary cousins.

The cave paintings include stencilled impressions of Neanderthal hands, geometric patterns and red circles.

(16) YOU CAN SEE WHERE THIS STORY IS LEADING. The people who built Stonehenge didn’t get to enjoy it for long: “Ancient Britons ‘replaced’ by newcomers”.

Prof Reich told BBC News: “Archaeologists ever since the Second World War have been very sceptical about proposals of large-scale movements of people in prehistory. But what the genetics are showing – with the clearest example now in Britain at Beaker times – is that these large-scale migrations occurred, even after the spread of agriculture.”

The genetic data, from hundreds of ancient British genomes, reveals that the Beakers were a distinct population from the Neolithic British. After their arrival on the island, Beaker genes appear to swamp those of the native farmers.

Prof Reich added: “The previous inhabitants had just put up the big stones at Stonehenge, which became a national place of pilgrimage as reflected by goods brought from the far corners of Britain.”

He added: “The sophisticated ancient peoples who built that monument and ones like it could not have known that within a short period of time their descendants would be gone and their lands overrun.”

(17) DON’T MISS THIS NON-GENRE LINK. The Hollywood Reporter interviewed the surviving cast and writers for “‘MAS*H’ Oral History: Untold Stories From One of TV’s Most Important Shows”.

(18) NO ARMY CAN STOP AN IDEA WHOSE TIME HAS COME. Adam-Troy Castro offered this subtle suggestion on Facebook:

Let’s run an International Science Fiction Asshole Convention.

People who want to go to conventions or to award ceremonies in order to be disruptive assholes — all while filling thousands of pages of blog posts with their fiendish snickering about the trouble they intend and how much it will bother everyone else — will finally have their annual event, where they can hand out awards to honor The Year’s Biggest Asshole, The Year’s Biggest Dickweed, the Year’s Most Appalling Runner-Up, as well as the Award for Best Newcomer (which at the Hugos are named after a luminary with J, W, and C as initials, and can be done here as well, albeit in different order).

Steve Davidson has volunteered to do the con’s Souvenir Book. In fact, he’s not even going to wait for the convention to be founded —

I’m soliciting articles for this, lol. Someone want to write a history of the (what was it, the ISFC?) from its founding to the present?

Anyone want to do short profiles of award winners from the past?

(19) JUST WAITING TO BE FOUND.  Annalee Newitz tells about the “8,000-year-old heads on spikes found in a remote Swedish lake” at Ars Technica. Warning – the article is full of grisly medical commentary.

In east-central Sweden, workers demolishing a railway that crossed the Motala Ström River discovered something bizarre. For roughly 7,500 years, a shallow, swampy lake in the area had hidden a pile of stones that contained the skeletal remains of at least 10 people and weapons made of stone and antler. They also found the bones of bears, deer, boar, and a badger. Two of the human skulls were mounted on pointed stakes.

Thousands of years ago, this semi-submerged burial ground must have been an imposing sight for the small settlements located nearby. A pile of rocks rose above the water, covered in weapons, wooden structures, and the grisly remains of fearsome animals—as well as the skulls of some carefully chosen people. Now dubbed “Kanaljorden,” the archaeological site has finally begun to yield some secrets about the people who created it. In a recent article for Antiquity, Stockholm University archaeologist Sara Gummesson and her colleagues explain what the evidence reveals about how this ritual site was used.

[Thanks to JJ, Martin Morse Wooster, Joey Eschrich,  Chip Hitchcock, Kendall, John King Tarpinian, Andrew Porter, Cat Eldridge, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]

Pixel Scroll 2/21/18 I Picked The Wrong Week To Quit Scrollin’ Pixels

(1) THE SOURCE. Paste Magazine tells readers “If You Love Black Panther, You Have to Read Nnedi Okorafor’s Books”.

…Okorafor, who’s about to wrap up a run on Marvel’s Black Panther: Long Live the King comic series, boasts an enthralling catalogue of novels steeped in afrofuturism. So if you’re looking for more stories featuring kickass women and inventive tech on the African continent, Okorafor has you covered.

Here are Paste’s top five picks to get you started:

Black Panther: Long Live the King

The obvious first title on this list is Marvel’s six-issue Long Live the King series, in which Okorafor wrote issues one, two and five. With art by André Lima Araújo and colors by Chris O’Halloran, Okorafor’s vision for Wakanda delivers a captivating narrative that breathes new life into the Black Panther canon.

Okorafor also wrote issue six, a one-shot story about Ngozi illustrated by Tana Ford, due out on February 28th. You might recognize Ngozi—an original Okorafor creation—from her first appearance in Venomverse: War Stories. And if the character is new to you, you’ll love the Nigerian woman who bonded with the Venom symbiote and became a hero….

(2) OKORAFOR FREE READ. Slate agrees that the work of Nnedi Okorafor is the place to start, and has timely released “Mother of Invention”, “a new short story by the author of Marvel’s Black Panther: Long Live The King.”

(3) DOUBLE UP. Yes, one reason Black Panther had a record weekend is because patrons failed to get away with stunts like this! “Two kids dressed as a tall man to get into “Black Panther” were caught on video”. Rare has the story:

Two kids decided they wanted to go to the new Marvel superhero film “Black Panther,” but they didn’t want to pay for two movie tickets, so they tried to dupe the movie theater’s manager.

The duo went to the theater disguised as one “tall man” under a trench coat, but unsurprisingly, their plan didn’t work. However, despite their unsuccessful attempt to save on movie tickets, they have gone viral on Twitter thanks to their hilarious antics.


(4) ANTIHARASSMENT DONOR. The Independent reports “Emma Watson donates £1m to help fund for sexual harassment victims”.

The donation from the Harry Potter star to the UK Justice and Equality Fund comes as nearly 200 female British and Irish stars signed an open letter calling for an end to sexual harassment in the workplace.

Watson is one of the first donors to the fund, which was set up by the 190 women who signed the open letter, along with a group of 160 academics, activists and charity workers.

Emma Thompson, Carey Mulligan, Saoirse Ronan, Gemma Chan, Keira Knightley and Watson are among the actors to sign the letter, which was published in The Observer.

(5) THE CULTURE MEETS THE VAST WASTELAND. Engadget reports “Amazon’s answer to ‘Altered Carbon’ is Iain M. Banks’ space opera”.

…Amazon Studios will adapt the first novel, Consider Phlebas, for television.

Dennis Kelly will adapt the sci-fi drama for Plan B Entertainment (World War Z). The Iain Banks’s estate will serve as an executive producer for the series. “Iain Banks has long been a hero of mine, and his innate warmth, humor and humanism shines through these novels,” said Kelly, who previously adapted Matilda for the stage. “Far from being the dystopian nightmares that we are used to, Banks creates a kind of flawed paradise, a society truly worth fighting for — rather than a warning from the future, his books are a beckoning.”

(6) DIAL M. Upon hearing the news about Banks’ novel, Damien G. Walter immediately warned all in hearing that the sky is falling — “5 things that can go HORRIBLY wrong adapting The Culture”.

I don’t consider myself a true fan of many things, but I am an unapologetic Iain (M) Banks fanboy.

Which is an easy thing to be. Banks is a brilliant, brilliant writer. A storyteller in the class of Neil Gaiman, with the muscular prose abilities of J G Ballard, and the conceptual imagination of an Asimov or Le Guin. I read his Culture books in my teens, his literary novels in my twenties, and re-read nearly all of them in my thirties. Just this year I’ve been working my way through Peter Kenny’s spot on audio adaptations.

So, like all true fans, I’m a little worried by news of a tv adaptation. Banks was fairly outspoken about his decision not to allow movie or tv adaptations of the Culture novels. I totally respect any decision his estate makes on this, and nobody doubts Amazon have the cash to make it happen? But do they have the skill, creativity and imagination?

How many ways could a Culture tv adaptation go wrong? Let us count the ways….

(7) WHAT ADA PALMER AND JOHN HERTZ HAVE IN COMMON. Patrick McGuire writes: “I just received my Winter issue of the alumni University of Chicago Magazine. Bundled with it was The Core, a semiannual supplement magazine devoted to the College. (U.C. is primarily a graduate institution, so the undergraduate school is decidedly the tail, not the dog.) The Winter 2018 Core has a profile of sf writer and history professor Ada Palmer. It is fairly insightful and informative, even if it does refer to Sassafras as a ‘folk band.’ The current issue of The Core is, at least as I write, not at the URL where it is supposed to be per the print issue, but after considerable poking around I found the Palmer article here — ‘Renaissance-woman’. The profile does discuss her sf novels and it has photographs of Ada and others in costume. She also gets the magazine cover.”

“Curiously, the mother-ship University of Chicago Magazine for Winter itself has a letter from prominent fan John Hertz. John primarily discusses non-sfnal topics, but does include a plug for Benford’s The Berlin Project.

(8) BOOK RECOMMENDATIONS. New York bookstore The Strand would be delighted to sell you a copy of every single one: “Best Selling Author of Annihilation, Jeff VanderMeer, Shares His Top 50 Books”.

(9) BEST EDITOR HUGO RECOMMENDATIONS. Lee Harris doesn’t want British sff editors overlooked, and assembled a get-acquainted thread. Jump aboard here —


  • February 21, 1966  — Raquel Welch in a Stone Age bikini starred in One Million Years B.C. which premiered theatrically on this date.


  • Born February 21, 1946 — Anthony Daniels, who plays C3PO.


  • John King Tarpinian found a Yoda joke that really works in Half Full.
  • On the other hand, John is right to call this stfnal pun a real groaner – The Argyle Sweater.

(13) WHAT’S THAT HE SAID? At age 54, a Doctor Who reviver finally gets to play Macbeth: “Christopher Eccleston: Northern accent ‘held me back'”.

The actor star says there is a perception in the industry that “people like me can’t be classical”.

Eccleston was born into a working class family on a council estate in Salford in Lancashire in 1964.

He will appear as Macbeth in a new production at the Royal Shakespeare Theatre in Stratford Upon Avon, but he had to ask for the role.

Unfortunately, Billie Piper is not playing Lady Macbeth.

(14) SECOND BREAKFAST. Did you ever do a movie marathon drinking game? Well, this is an eating game for the LotR trilogy – whatever food is eaten on screen, they cook and eat too!

(15) TANK GIRL TO RETURN. Titan Comics will bring the Tank Girl franchise back to life in 2018.

It’s been 30 years since the dynamic partnership of Alan Martin and Jamie Hewlett (Gorillaz) unleashed Tank Girl upon the world! To celebrate Tank Girl’s 30th Anniversary, Titan Comics is launching the ‘Year of Tank Girl’ in 2018 – a year-long celebration with new comics, graphic novels and special events, including a global Tank Girl Day event on Saturday, October 20.

Originally published in 1988 as a black and white comic strip in UK magazine Deadline, Tank Girl has gone on to become a cult icon in the 30 years since her first appearance, with numerous comics and graphic novels, and even her own feature film in 1995, which boasted an all-star cast including Lori Petty, Naomi Watts, Malcolm McDowell, Ice-T, and Iggy Pop, and directed by Doctor Who’s Rachel Talalay.

As Tank Girl prepares to celebrate 30 riotous years in 2018, Titan Comics is proud to announce its ‘Year of Tank Girl’ campaign.

Celebrations kick off in April 2018 with Tank Girl: Full Color Classics 1988-1989 – the first of six prestige editions presenting those original seminal strips from Deadline in glorious color, just as Hewlett and Martin envisaged them three decades ago. Colored by Tracy Bailey (Fighting American) and Sofie Dodgson (Tank Girl: Bad Wind Rising), this is a new take on the classic strips. Plus, it includes rare and unseen artwork, as well as photos from the early days of the Martin and Hewlett partnership.

(16) #!&@! MY DAD SAYS. Bradford Betz, in a Fox News story “William Shatner Shames Texas Dem From Using His Photo in Campaign Newsletter”, says that Shat told Brandy Chambers, running for the Texas House of Representatives as a Democrat, to stop using a photo she took at a Comic-Con with him because it seemed like he endorsed her, which he hasn’t.

The image circulated until it reached Shatner on Saturday. The 86-year-old actor tweeted at Chambers that her use of the convention photo misleadingly suggests an “endorsement” on his part. He then told her to “remove my photo” and “destroy all copies of whatever this is immediately.”

(17) BOXING DAY. According to ULTRAGOTHA, “Spurius Ennius Nasica is Rocky Balboa put through a Roman name generator.” The connection between Rocky and Rome is this discovery — “Rare Roman boxing gloves uncovered near Hadrian’s Wall in ‘astonishing’ find”.

Roman boxing gloves believed to be the only surviving example from the period have gone on display after being discovered near Hadrian’s Wall.

The gloves were found last summer during an excavation at Vindolanda, near Hexham in Northumberland.

Other items were unearthed in the dig, including swords, horse gear and writing tablets.

The gloves – which date from around 120 AD – are made of leather and have the appearance of a protective guard. They are designed to fit snugly over the knuckles, protecting them from impact.

(18) QUANTUM LEAP LEFTOVERS. Io9 investigates the tantalizing question “Did a Fan Just Find Proof of Quantum Leap’s Secret Lost Ending?” 

…The series finale of Quantum Leap was bleak (to put it mildly), with the final title card confirming that Scott Bakula’s character, Sam Beckett, remained lost in time. However, one video claims a long-rumored alternate ending was actually real, one which would’ve made it possible for Sam to make that final leap home.

YouTuber Allison Pregler has released a video sharing what she says are negatives for an alternate ending to the fifth season of Quantum Leap. How did she get her hands on such a historical item? Pregler bought a bunch of Quantum Leap negatives on eBay.

“When I was looking at the film strips to try and guess what episodes or scenes they were, it took me a second to really grasp what I had. I thought it really looked like that alternate ending I’d read before, but no one knew it was filmed so I couldn’t believe it,” Pregler told io9. “I’m still having trouble believing it.”…

(19) LOST AGAIN. Netflix reboot of Lost in Space premieres April 13.

The Robinson family, part of a highly trained mission to establish a new colony in space, is unexpectedly pulled off course forcing them to crash land on a lost planet.


(20) REPEL BUYERS! Tabletop Tribe is not kidding — “The Worst Board Game Box Art Ever”. Man, are these awful! Just look at #19 —

  1. Guildhall (2012?—?Alderac Entertainment Group)

“Meet the wife. I luv ‘er more than any pig, and that’s sayin’ summat.”

Indeed sir. For a pig farmer you appear to be punching way above your weight.

It’s not that the characters are badly rendered (although it does appear that it’s simply photo overpainting at work here), or the inconsistent lighting and flat boring background. It’s just a bizarre motley collection and a piglet with a nose four sizes too big.

[Thanks to Joel Zakem, JJ, Mix Mat, Cat Eldridge, Carl Slaughter, John King Tarpinian, ULTRAGOTHA, Chip Hitchcock, Martin Morse Wooster, Mark Hepworth, Patrick McGuire, Hampus Eckerman, Michael J. Walsh, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Bruce Diamond.]

Pixel Scroll 1/28/18 I Say We Take Off And Pixel The Entire Scroll From Orbit – It’s The Only Way To Be Sure

(1) DUFF DEADLINE. Down Under Fan Fund nominations for the 2018 race close January 31.  If you’re interested, or have someone else lined up, hop to it!

Nominations are now open for a Down Under Fan Fund delegate from Australia or New Zealand to travel either to San Jose, California, USA for the 76th World Science Fiction Convention, 16–20 August 2018, or to other major conventions in North America in 2018.

(2) EARLY COSPLAY AND THE LA WORLDCON OF 1946. SyFy Wire’s Carol Pinchefsky goes beyond the Ackerman/Douglas collaboration in “Firsts: The first cosplay took place at the first-ever con… in 1939”, drawing on other anecdotes collected by John. L. Coker III, sf historian and editor of the nonfiction book Tales of the Time Travelers: The Adventures of Forrest J. Ackerman and Julius Schwartz:

Coker interviewed other First Fans for Tales of the Time Travelers. Author and fan Len J. Moffatt discussed yet another “first” … the first recorded cosplay fail, which took place at the fourth Worldcon, in 1946:

“[Fan] Dale Hart [pictured above] was an excellent Gray Lensman in a silver-gray form-fitting costume like the Astounding cover by Rogers. The problem was that it was so tight that he could not sit down or dare to bend over.”

Moffatt may also have created another “first” at Pacificon I, the first cosplay routine:

“While at Slan Shack on Bixel Street earlier, I had borrowed some of Myrtle’s green make-up, combed my hair over my ears and turned up my jacket collar to become a comical vampire. I made a better impression earlier when friends carried me into a meeting hall and deposited my rigid body on some lined-up folding chairs. I lay there a long time with eyes closed and hands folded on my chest listening to the wondering remarks of passers-by.”

(3) WRATHFUL SPEECH. Middle-Earth Reflections documents “His sharp tongue or Fëanor’s talent to insult”:

Fëanor the Spirit of Fire was the most gifted of all the Elves in linguistic lore. He could use language so well that his speeches affected those who heard them and inspired them to do different, though not always sensible, things. Thus, being gifted with words and able to use them potently, Finwë’s eldest son was also exceptionally good at insulting others.

(4) BESPOKE AWARD. Charles Payseur unveils he fifth and final category winners: “THE SIPPY AWARDS 2017! The “Where We’re Going We Won’t Need Categories” Sippy for Excellent I Don’t Know What in Short SFF”

The “Where We’re Going We Won’t Need Categories” 

Sippy Awards for Excellent I Don’t Know What in Short SFF

What does it mean? Well, part of the point of this category is…I’m not sure. These are stories that defy conventional definitions and categorization. These are the ones that slip between genres and expectations. They’re…well, a lot of them are weird, but beautiful. Haunting, but fun. Deep and complex and brilliant in the ways they innovate and inspire. So without further delay…

(5) LEADING BY EXAMPLE. Lisa Goldstein’s tribute to Ursula K. Le Guin tells how much she meant to girls who wanted to write science fiction and fantasy:

…Her characters were so real and rounded they became people you wanted to know.  She wrote beautifully, in a field where most writing ranged from serviceable to awkward.  And she was not just smart but wise, someone who could get to the heart of a subject with a few well-chosen words.  I was looking through my copy of The Language of the Night this week and found this: “Fantasy is true, of course.  It isn’t factual, but it is true.”

So I began to think that I could actually do this science-fiction thing.  After all, here was a woman who was, IMHO, doing it better than any male writer.  (And around the same time there were also Joanna Russ and Kate Wilhelm and Carol Emshwiller — and James Tiptree, or course, but we didn’t know her secret then.)  She gave me, and any number of other girls reading science fiction in those years, the courage to try….

(6) TV ARCHEOLOGY. Echo Ishii, in “SF Obscure: Planet of the Apes TV”, discusses two TV adaptations, one live, one animated.

The live action TV series has two new astronauts stranded on future/parallel earth.  In this version, there are human villages-not quite as primitive as the original movies movies-ruled over by Apes as governors and guards. The two astronauts are assisted by another Ape who believes humans are capable of more. It’s a run of the mill action adventure with the planet of the apes spin. Entertaining, but not outstanding. It was, unfortunately, an expensive show and cancelled after 14 episodes.

(7) BEST OF 2016. Greg Hullender notes Rocket Stack Rank is continuing their analysis of the best science fiction and fantasy short fiction from 2016. In the latest installment, they turn their attention to  —“2016 Best SF/F Short Fiction Authors”.

Out of 602 authors, fully 74% had only one story published in our survey of 887 stories, so we’re picking from a huge diversity of authors.

On the other hand, there’s remarkable consistency among our pool of recommenders: 72% of recommendations went to the top 20% of authors, and 40% got no recommendations at all. It’s true that different reviewers have different opinions, but it’s also true that there’s a sort of broad consensus around who the best authors are.

(8) WHOHIKER. Andrew Hickey reviews Doctor Who and the Krikkitmen, the book by James Goss based on a possible Doctor Who film script by Douglas Adams. It is a positive review with a caveat:

So you can be fairly sure that if you’re the kind of person who would even vaguely consider maybe reading a book like this, you’ll come away having read a book that at least matches your expectations, and maybe exceeds them.

(9) NOT APOLITICAL. How some people were spared persecution in WWII. The thread starts here –

And here’s one of the reasons you’ll want to read it:

(10) SMITH OBIT. Mark E. Smith, the leader and singer/songwriter of influential British post-punk band The Fall, died January 24 at the age of 60. In his last interview a reporter for The Guardian asked whether he saw the most recent Blade Runner since he was a “big fan” of Philip K. Dick movies. As usual, Smith was not exactly diplomatic:

I think the original Blade Runner is the most obscene film ever made, I fucking hated it. The Man in the High Castle is one of my favourite books; how they fucked that TV show up I don’t know. It gets blander and blander. In the book the level of comprehension of that world is fucking astounding, in the show it’s just everybody going around normally except they’ve got swastika armbands on. The only good Philip K Dick film is Total Recall, it’s faithful to the book. Arnie gets it. I was physically sick watching A Scanner Darkly, it was like an episode of Cheers painted over except they all smoke dope and imagine women with no clothes on.


  • January 28, 1986 — At 11:38 a.m. EST the space shuttle Challenger lifts off from Cape Canaveral, then explodes.


  • Born January 28, 1959 – Frank Darabont
  • Born January 28, 1981 – Elijah Wood, who played Frodo in the Lord of the Rings movies.


  • Michael J. Walsh, Mike Kennedy, and John King Tarpinian all saw what happens when a young writer picks sf, in Non Sequitur.
  • John King Tarpinian found a mock terrifying surprise in Lio.

(14) OKORAFOR SAGA. NPR’s Amal el-Mohtar says “Binti’s Story Is Finished — But Don’t Expect Completion”.

Nnedi Okorafor’s Binti trilogy is now complete: The Night Masquerade is the final instalment in a series she’s described as “African girl leaves home. African girl returns home. African girl becomes home.” It’s a beautiful proposed structure, a Hero’s Journey that rings truer for me than Joseph Campbell’s, resonating deeply with my experiences of diaspora, roots, and community. Binti left her Himba family on Earth in order to travel to Oomza University, far beyond the stars; she left Oomza in an attempt to manage her trauma and find herself again in the deserts of her home; and there, in the desert, she incorporated new revelations about her history into the anthology of herself, before being shocked into an awareness of impending doom.

(15) WHEN WILL YOU MAKE AN END? NPR’s Scott Tobias on “‘The Maze Runner: The Death Cure’: Nice Guy Finishes, At Last”:

The Maze Runner is the rare series that has improved with each installment, expanding beyond the organic pen of the first film into a bigger and more thrillingly realized science fiction sandbox. Though its young leads are mostly blah, the franchise has steadily accumulated character actors to liven things up, like Gillen, Esposito, and Pepper in the second film and now Walton Goggins in the third as the deformed leader of the Cranks. While Ball tries for too much in the needlessly protracted finale, he’s supremely confident in staging the action sequences, which usually rely on a meticulously orchestrated set of circumstances.

(16) IT’S NOT FICTION. BBC reports about “Of Mice and Old Men: Silicon Valley’s quest to beat ageing”.

To understand what’s happening in the tech world today, you need to look back to the mid-1800s, when a Frenchman named Paul Bert made a discovery that was as gruesome as it was fascinating.

In his experiment, rodents were quite literally stitched together in order to share bloodstreams. Soon after he found the older mice started showing signs of rejuvenation: better memory, improved agility, an ability to heal more quickly. In later years, researchers at institutions like Stanford would reinforce this work.

The extraordinary technique became known as parabiosis, and forms the basis of efforts at Alkahest, a California start-up that is banking on being able to apply those rejuvenative effects to people, rather than mice. It’s an idea so fantastical it wouldn’t look out of place in an episode of Silicon Valley, the HBO send-up of the start-up scene.

(17) HELPING WATER TAKE SHAPE. An article about digital effects in The Shape of Water: “How visual effects studio Mr. X helped create ‘The Shape of Water’ and its lovable merman”.

It turns out that Jones’ impressive costume and makeup (and his equally impressive performance) only accounts for part of what we see on-screen. Trey Harrell, CG supervisor at visual effects house Mr. X, told me, “Every single shot of the film where you see the creature is a visual effects shot.”

After all, Harrell said that while “Doug is an amazing actor,” his face was also hidden under “an inch of and a half of foam latex.” So at the very least, Mr. X had to create the merman’s eye and face movements. In other instances, like when the merman was viewed swimming inside the lab’s capsule, Mr. X was responsible for the entire creature.

(18) ACCUSATION. Someone has made a claim about the source of the story — “Guillermo del Toro accused of stealing story of ‘Shape of Water’ from 1969 play” reports the New York Daily Post.

Guillermo del Toro has been accused of stealing the storyline of “Shape of Water” from Pulitzer-winning playwright Paul Zindel.

David Zindel, the son of the playwright, who died in 2003, claims del Toro’s story is taken from his father’s 1969 “Let Me Hear You Whisper,” about “a female janitor in a research laboratory who bonds with a captive dolphin and tries to rescue the creature.”

“We are shocked that a major studio could make a film so obviously derived from my late father’s work without anyone recognizing it and coming to us for the rights,” Zindel told the Guardian.

… Fox Searchlight denied that the “Shape of Water” storyline was stolen.

“Guillermo del Toro has never read nor seen Mr. Zindel’s play in any form. Mr. del Toro has had a 25 year career during which he has made 10 feature films and has always been very open about acknowledging his influences,” a spokesman told the Guardian.

(19) I’M FEELING BETTER! Scott Tilley was listening for something else when the unexpected happened: “Amateur astronomer discovers a revived NASA satellite”.

After years in darkness, a NASA satellite is phoning home.

Some 12 years since it was thought lost because of a systems failure, NASA’s Imager for Magnetopause-to-Aurora Global Exploration (IMAGE) has been discovered, still broadcasting, by an amateur astronomer. The find, which he reported in a blog post this week, presents the possibility that NASA could revive the mission, which once provided unparalleled views of Earth’s magnetosphere.

The astronomer, Scott Tilley, spends his free time following the radio signals from spy satellites. On this occasion, he was searching in high-Earth orbit for evidence of Zuma, a classified U.S. satellite that’s believed to have failed after launch. But rather than discovering Zuma, Tilley picked up a signal from a satellite labeled “2000-017A,” which he knew corresponded to NASA’s IMAGE satellite. Launched in 2000 and then left for dead in December 2005, the $150 million mission was back broadcasting. It just needed someone to listen.

(20) RARITY. Offered on eBay for $2,000 – the NAL paperback of The Day After Tomorrow signed by Robert A,. Heinlein to his publisher:

HEINLEIN, ROBERT A. The Day After Tomorrow. New York: Signet – New American Library, 1964. First Paperback Edition. Signed and inscribed by Robert A. Heinlein with a superb inscription to his publisher: “To Kurt Enoch, President of N.A.L. With books as with icebergs it is the unseen 7/8-s which permits the 1/8 to be seen. Thanks! Bob Heinlein”. Originally published as Sixth Column, this copy is enclosed in a custom cloth clamsell box. Paperbound, very good clean copy. From the library of Dr. Kurt Enoch (1895-1982) who was a noted German publisher, forced to flee the Nazis, landing in New York in 1940. In 1948, Dr. Enoch co-founded and became President of New American Library – Signet Books which became one of the successful and acclaimed post-war publishing houses. Enoch went on to become one of the most highly regarded figures in American book publishing.

(21) YOUR MOVE. The mention in yesterday’s Scroll about Richard Paolinelli asking someone to guess his chess ranking inspired this parody of “One Night in Bangkok” (from Chess) by Matthew Johnson (and the last two lines by Soon Lee):

Twitter’s gonna be the witness
To the ultimate test of cerebral fitness
This grips me more than if you go
To San Jose for a cruddy old Hugo

I don’t see you guys making
The nine-dimensional move I’m contemplating
I’d let you watch, I would invite you
But our Gargoyles DVDs would not excite you

So you’d better go back to your Files, your SFWA forums,
Your cat cafes

One night in genre and worlds are your oyster
The Scrolls are Pixels and the comment’s free
My pups are friendly and their noses moister
No politics in SF history
I can feel Bob Heinlein walking next to me
His mistresses are harsh, and his lunch ain’t free.

[Thanks to John King Tarpinian, JJ, Soon Lee, Cat Eldridge, Martin Morse Wooster, Carl Slaughter, Chip Hitchcock, Rob Thornton, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Steve Davidson.]

Pixel Scroll 1/15/18 Scroll Down, You File Too Fast, You Got To Make The Pixels Last

(1) KURT ERICHSEN’S RETIREMENT MAKES THE NEWS. The Toledo Blade has published a superb article about fanartist Kurt Erichsen, who is retiring from his day job as vice president of water quality planning for Toledo Metropolitan Area Council of Governments after a 34-year career. I learned all kinds of things I never knew about his work on getting the Ottawa river cleaned up, and was pleased to see they also covered some of the fannish things I did know about the 2002 Rotsler Award winner —

Mr. Erichsen’s passion for environmental planning wasn’t his first calling in life, though. He was fascinated with drawing since he was young. He might have pursued a career as an illustrator if his parents hadn’t convinced him otherwise, but he never gave up his passion for drawing.

From 1980 to 2008, he produced a comic strip called “Murphy’s Manor.” It focused on the lives of gay men living in the fictional town of Black Swamp, Ohio. That series and others he produced, including “The Sparkle Spinsters” and “GLIB Talk,” appeared in as many as 70 publications marketed to homosexuals, resulting in awards from the Gay/?Lesbian Press Association.

“I was trying to be entertaining while making a point,” Mr. Erichsen said.

Mr. Erichsen also has produced artwork for fans of science fiction fanzines and conventions.

(2) COMES THE MILLENNIUM. Congratulations to James Davis Nicoll, who sent a link to his review of Elizabeth Hand’s Winterlong – captioned “And Rain Keeps Falling Like Helpless Tears” – with the note that it is his 1000th review.

Elizabeth Hand’s 1990 debut novel Winterlong is the first volume in her Winterlong Trilogy.

Nuclear war and germ warfare have left Washington a shadow of its once glorious past. A handful of administrators, descended from self-appointed curators, control the relics of America’s lost past, defending the remnants from the diseased, mutated, and simply unlucky inhabitants of the surrounding sea of ruins….

(3) VERSE AS SWORD AND SHIELD. Middle-Earth Reflections’ new post “On the songs of power” discusses how they work in The Silmarillion.

Among many powerful notions in the world of Arda few are more potent than music and language. Music is the essential element of Arda, its heart and soul, as the world was created and shaped by the majestic Music of the Ainur. And it was the word of Ilúvatar — Eä! — that brought the created vision to life.

The power of words in Middle-earth cannot be overestimated. If used masterfully, with subtlety and skill they can inspire others to do incredible things. It is especially prominent when words are put into verse: songs can become something a lot more potent than mere poetic recitals. I have already spoken about the songs of challenge in The Silmarillion: sung in the situations of dire need and despair, they bring hope and salvation against all the odds. A special place in the story is occupied by the songs of power. They are very effective verses able to create or destroy, be used as a weapon or for defence.

It is by means of a song that Yavanna brings to life the Two Trees of Valinor and, later, the last fruit and flower from them used for creating the Sun and the Moon after the Trees’ destruction. Finrod duels with Sauron on the songs of power. Lúthien sings an equally powerful song to make Tol-in-Gaurhoth tremble and be heard by Beren trapped in Sauron’s dungeons.

(4) HANDMAID’S TALE. Hulu previews the second season.

Whatever is silenced will clamor to be heard. The Handmaid’s Tale Season 2 returns April 25.


(5) ATWOOD’S FEMINISM. Margaret Atwood answers her own question, “Am I a bad feminist?”, in an op-ed at the Toronto Globe and Mail.

So let us suppose that my Good Feminist accusers, and the Bad Feminist that is me, agree on the above points. Where do we diverge? And how did I get into such hot water with the Good Feminists?

In November of 2016, I signed – as a matter of principle, as I have signed many petitions – an Open Letter called UBC Accountable, which calls for holding the University of British Columbia accountable for its failed process in its treatment of one of its former employees, Steven Galloway, the former chair of the department of creative writing, as well as its treatment of those who became ancillary complainants in the case. Specifically, several years ago, the university went public in national media before there was an inquiry, and even before the accused was allowed to know the details of the accusation. Before he could find them out, he had to sign a confidentiality agreement. The public – including me – was left with the impression that this man was a violent serial rapist, and everyone was free to attack him publicly, since under the agreement he had signed, he couldn’t say anything to defend himself. A barrage of invective followed.

But then, after an inquiry by a judge that went on for months, with multiple witnesses and interviews, the judge said there had been no sexual assault, according to a statement released by Mr. Galloway through his lawyer. The employee got fired anyway. Everyone was surprised, including me. His faculty association launched a grievance, which is continuing, and until it is over, the public still cannot have access to the judge’s report or her reasoning from the evidence presented. The not-guilty verdict displeased some people. They continued to attack. It was at this point that details of UBC’s flawed process began to circulate, and the UBC Accountable letter came into being.

A fair-minded person would now withhold judgment as to guilt until the report and the evidence are available for us to see. We are grownups: We can make up our own minds, one way or the other. The signatories of the UBC Accountable letter have always taken this position. My critics have not, because they have already made up their minds. Are these Good Feminists fair-minded people? If not, they are just feeding into the very old narrative that holds women to be incapable of fairness or of considered judgment, and they are giving the opponents of women yet another reason to deny them positions of decision-making in the world.

The #MeToo moment is a symptom of a broken legal system. All too frequently, women and other sexual-abuse complainants couldn’t get a fair hearing through institutions – including corporate structures – so they used a new tool: the internet. Stars fell from the skies. This has been very effective, and has been seen as a massive wake-up call. But what next? The legal system can be fixed, or our society could dispose of it. Institutions, corporations and workplaces can houseclean, or they can expect more stars to fall, and also a lot of asteroids.

If the legal system is bypassed because it is seen as ineffectual, what will take its place? Who will be the new power brokers? It won’t be the Bad Feminists like me. We are acceptable neither to Right nor to Left. In times of extremes, extremists win. Their ideology becomes a religion, anyone who doesn’t puppet their views is seen as an apostate, a heretic or a traitor, and moderates in the middle are annihilated. Fiction writers are particularly suspect because they write about human beings, and people are morally ambiguous. The aim of ideology is to eliminate ambiguity.

(6) VENUS IF YOU WILL. At Galactic Journey, The Traveler reports on the wealth of information collected by the latest (in 1963) Venus probe — “[January 15, 1963] Venus’ true face (Scientific Results of Mariner 2)”.

Getting there is half the fun

Before I talk about Mariner’s encounter with Venus, it’s important to discuss what the spacecraft discovered on the way there.  After all, it was a 185 million mile trip, most of it in interplanetary space charted but once before by Pioneer 5.  And boy, did Mariner learn a lot!

For instance, it has finally been confirmed that the sun does blow a steady stream of charged particles in a gale known as the “Solar Wind.”  The particles get trapped in Earth’s magnetic field and cause, among other things, our beautiful aurorae.

Mariner also measured the interplanetary magnetic field, which is really the sun’s magnetic field.  It varies with the 27-day solar rotation, and if we had more data, I suspect the overall map of the field would look like a spiral.

Why is all this important?  Well, aside from giving us an idea of the kind of “space weather” future probes and astronauts will have to deal with, these observations of the sun’s effect on space give us a window as to what’s going on inside the sun to generate these effects.

One last bit: along the way, Mariner measured the density of “cosmic dust,” little physical particles in space.  It appears that there’s a lot of it around the Earth, perhaps trapped by our magnetic field, and not a lot in space.  It may be that the solar wind sweeps the realm between the planets clean….

(7) LAST JEDI DOES NOT IMPRESS CHINESE. According to The Hollywood Reporter, “China Box Office: ‘Jumanji’ Clobbers Competition With $40M, ‘Last Jedi’ Crashes and Burns”.

Dwane Johnson’s Jumanji: Welcome to the Jungle roared into China over the weekend, racking up a strong $40 million.

The Sony tentpole finally toppled runaway Chinese hit The Ex-File 3: The Return of the Exes, which earned $25.3 million in its third frame, bringing its local total to $272 million. Globally, Jumanji, also starring Kevin Hart, has earned $667 million.

Disney’s and Lucasfilm’s Star Wars: The Last Jedi, meanwhile, didn’t even put up a fight. Only in its second weekend on Chinese screens, The Last Jedi pulled in a paltry $2.4 million — a 92 percent decline from its disappointing $28.7 million debut, according to data from EntGroup.

The Star Wars franchise, never popular in China, appears to be on a precipitous decline in the Middle Kingdom, the world’s second-largest film territory.

…The global picture is far better, of course: As of Sunday, Last Jedi had a worldwide haul of $1.264 billion, making it the biggest film of 2017.

Looper attempts to explain the disappointing numbers –

(8) BINTI ARC CONCLUDES. The B&N Sci-Fi & Fantasy Blog points out how Binti: The Night Masquerade Is the Epic Climax to a Deeply Personal Saga”.

Each of the previous two books in Dr. Nnedi Okorafor’s coming-of-age story saw Binti faced with tremendous change and exposed her to new truths that widened her world, and made it smaller. She’s taken on attributes of the (sometimes) murderous and very alien Meduse, and come to understand there’s more to the seemingly uncivilized desert people of her homeland than she’d ever imagined. The Night Masquerade is the conclusion of her journey, and the title refers to a spectre of change that appears to significant people at times of great crisis. It’s wonderfully evocative of the climactic nature of the story, and Binti will face a great deal more turmoil before hers is done.


  • Born January 15, 1935 – Robert Silverberg


  • Mike Kennedy says Pearls Before Swine showed him an excellent reason (or three) to keep the closet closed
  • John King Tarpinian discovered the consequences of making a Flintstones reference in B.C.
  • Mike Kennedy learned news happens whether you know it or not in this installment of Nonsequitur.
  • The Flying McCoys explore what would happen to Batman if a certain supervillain lived up to his name.

(11) WHAT GOES UP. The BBC talks to “The astronaut fighting to save our home in space”:

The International Space Station (ISS) is humanity’s most expensive structure – and in just six years’ time, it may vanish, plunging into the Pacific Ocean. BBC Future meets the man trying to save it.

… “I’ve been very, very, very, very lucky,” he says, laughing. “Most astronauts are very jealous of me, which is probably why I won’t get to fly in space again!”

Most famously, Foale was on board Mir in June 1997 when an un-crewed Progress supply ship ploughed into the station, smashing a solar panel and breaching the hull. With the master alarm sounding, air leaking, power failing and the station spinning, Foale worked with his two Russian crewmates to prepare their Soyuz escape capsule and close off the damaged module.

By holding his thumb to a station window and examining the movement of stars, Foale used his physics training to estimate the spin rate of the station, so mission control could fire thrusters to bring it back under control.

(12) MUST COME DOWN. Someone hit the center divider on the road, went airborne and crashed into the SECOND floor of a dental business —

Which inspired this Harry Potter reference from “Typical Girl” —

(13) MIXED MARTIAL ARTS. In “Bruce Lee Lightsabers Scene Recreation,” Patrick Nan asks, “What if Bruce Lee fought with lightsabers?”

(14) COMMITMENT. Laura Resnick continues a series about her volunteer work — “Cat Rescue, Part 3: Return to Sender”.

I’m writing a series of blog posts about my volunteer work in cat rescue with Cat Adoption Team (C.A.T.). Part 1 discusses how I got involved and outlines how it works. Part 2 talks about the happy endings that are so rewarding in this work, as well as the sad ones (and also the appallingly infuriating ones) that make some days very hard.

There is another kind of outcome to pet adoption, too. Despite good people trying hard, sometimes things just don’t work out. A cat turns out to be a bad fit for a family, or the family’s life changes in tragic ways that make keeping the cat impossible… and they return them to C.A.T.. This is sad for everyone, but it is absolutely the right thing to do in such circumstances.

I cannot stress this strongly enough: if family decides not to keep a pet, they should return the animal to us (and any responsible rescue group has this same policy). The most important thing to us is that the cat should always be safe. By rescuing the cat, we made a promise that we will never abandon this animal or allow it to return to the condition from which we rescued it, alone and forsaken in the world. Do not break our promise by abandoning the animal we entrusted to you at the time of adoption. Return it to us.

(15) CLASSIC WEIRD. Jared pays tribute to “Jane Gaskell, First Lady of the Weird” in a compelling review article at Pornokitsch. Here’s an excerpt:

The Atlan Series: The Serpent (1963), Atlan (1965), The City (1966), Some Summer Lands (1977)

Note: To keep things complicated, later printings split The Serpent into two volumes (The Serpent and The Dragon)

This series – Gaskell’s epic fantasy saga – is batshit crazy.

It follows Princess Cija, as she meddles in the politics of Atlantis. She goes from princess to prisoner to conqueror to spy to Chosen One to fugitive to back again… It is bonkers, risque and occasionally befuddling.

In a way, the Atlan saga is an even more extreme version of Strange Evil, exacerbated, perhaps, due to its epic length. Cija, like Judith, lacks agency. She is notable because she is desired, rather than possessing any strong desires of her own. She’s passed from hand to hand (to paw), partner to partner. Her bloodline is important, her presence is ‘destined’, but, again, we find in Cjia a distressing subversion of a Chosen One. She is one that has been Chosen, rather than having any control over her fate. This is the Epic Fantasy with the princess-in-the-tower as the first person protagonist, and it can make for harrowing reading: to be the prize and not the hero is, unsurprisingly, kind of dark.

Atlan also has an utterly ridiculous setting – packed with ‘SPACE AGE’ SF, mad science, dragons, monsters, death rays, lizard people, whatever. It feels almost deliberately pulpy, in a way that makes its sneaky-dark message all the more sinister.

Michael Moorcock included the series in Fantasy: The 100 Best Books (1988), and admires – slightly sarcastically – the over-the-top pulpy elements. He refers to the series’ “bewildering status changes” and “breathless peregrinations”, and his summary gleefully points out how silly the whole thing is. But he eventually concludes “Too much? Never! Stirring stuff, all of it.”

Others also (mostly) approve – John Clute describes it with lukewarm praise: “In genre terms the series – sometimes uneasily, but at points with real panache – marries sf and the popular romance; it is full of vigorous and exuberant invention and occasionally overheated prose.” (It is worth noting that late 1960s ‘popular romance’ was pretty bleak stuff – this isn’t a sappy love story, but a harrowing tale of self-actualisation [or… semi-reluctant acceptance].)

(16) ROBOTS V. FAIRIES. SF Bluestocking’s Bridget McKinney isn’t high on this new collection — “Book Review: Robots vs. Fairies edited by Dominik Parisien and Navah Wolfe”.

Robots vs. Fairies is my first reading disappointment of 2018. I loved Dominik Parisien and Navah Wolfe’s first anthology, 2016’s The Starlit Wood, so I was very hyped for this one when it was announced. Unfortunately, Robots vs. Fairies is a bit of a sophomore slump for the editing pair, with a theme that feels more questionable the farther one reads into the collection, stories that largely feel a little too written to spec, and not enough that’s new and interesting to recommend it on those scores. It might work as sort of comfort reading for those who find its table of contents—filled with some of the hottest short fiction writers currently working in SFF—appealing, but if you’re looking for exciting, fresh, innovative work, there’s not much of that here.

(17) JDA TODAY. Jon Del Arroz tries to defend against the Jim C. Hines compilation without mentioning the author by name in “The Ever-Changing Narrative And Double Standards Show They’re Disingenuous” (link to the Internet Archive).

In the past couple days, with that Narrative being such bad publicity for the convention because of the double standard they applied over political affiliation, it’s shifted to “he’s mean on the internet!”  NYT Bestsellers have been swearing about me on their twitter, lower-selling midlist authors are cheering and congratulating each other over spreading rumors and gossip like this is a high school clique rather than professionals. This strategy is going to backfire as well, because first, being mean on the internet is not a crime. No one has been banned from conventions over being mean on the internet before. And it applies to these folk in a massive double standard way. I don’t go around being nearly as mean or cruel as they are.

(18) MEDIC, I’M HIT! I was bitterly disappointed that Jim C. Hines showed in comments today that he reviewed the evidence with JDA about his doctored “Goodbye Jon” email conversation with me (which actually happened in this order) only to conclude —

The summary: We have several possibilities here.

  1. Jon is faking his screenshots.
  2. Mike is lying.
  3. Jon’s Sent Mail shows a different Sent Time than the email(s) Mike received from him.

(19) CHOPPAGE. At Pedestrian, Ben McLeay reports the latest antics of men’s rights activists – erasing women from The Last Jedi — “MRAs Make 46-Minute Cut Of ‘The Last Jedi’ That Edits Out All The Women”.

It is utterly tragic that MRAs aren’t given the respect they deserve. It’s truly galling that just because their entire worldview was formed around a profound sense of entitlement induced by watching thousands of hours of harem anime, no one takes them seriously. It’s heartbreaking to think that people dismiss them out of hand just because – instead of addressing actual issues like the rates of suicide and depression among men – they focus on dumb shit like editing out all the parts of The Last Jedi that aren’t centred around men.

If that last thing sounded too ridiculous to be true, you have clearly forgotten which time it is that we live in and the corresponding fact that pretty much nothing now is too ridiculous to be true. We live in the most aggressively ridiculous timeline. Accordingly, the self-described “chauvinist cut” of TLJ is very, very real, and exactly as dumb as it sounds.

Uploaded to The Pirate Bay yesterday by an anonymous user, the “The Last Jedi: De-Feminized Fanedit” is, according to their own description “basically The Last Jedi minus Girlz Powah and other silly stuff“.

(20) HARD-HITTING JOURNALISM. WIRED delivers a less-than-stunning revelation: “Cantina Talk: The Last Jedi’s Shirtless Kylo Is Proving a Problem for Cosplayers”.

So, About Kylo’s High-Waisted Tights…

Source: The Wall Street Journal, of all places

Probability of Accuracy: They did get a high quality still of shirtless Kylo, so there’s no denying that they know what they’re doing.

The Real Deal: Perhaps the most surprising Last Jedi story to appear in recent weeks is this Wall Street Journal piece about the high-waisted tights Kylo wore in that one super-uncomfortable scene of him Force-communicating with Rey. (Don’t pretend like you know know exactly which one we’re talking about.) For one, it was surprising because it was in the Journal, but also because it focused on how hard Shirtless Buff Kylo Ren was to pull off for cosplayers. The piece even quotes Last Jedi costume designer Michael Kaplan, who said, “The world of Star Wars is not our world… Kylo Ren is not some hipster in hip-hugging jeans. Think Errol Flynn swashbuckling coolness as a point of departure. Hide that navel!” So, now you know. (Also, let’s be honest: Kylo Ren most definitely is some hipster in hip-hugging jeans, even if his wardrobe doesn’t reflect it.)

(21) BLACK PANTHER. Ruth Carter “‘Black Panther’ Costume Designer Talks Tribal-Tech Inspirations” in The Hollywood Reporter.

Ruth Carter has created costumes for some epic films, Amistad, Malcolm X and Selma among them, but nothing prepared her for the size and scope of Black Panther. For the super-stylish superhero film opening Feb. 12, she imagined a new African diaspora with 700 costumes fusing futurism, indigenous dress and high fashion, using research that spanned from the Rose Bowl Flea Market to textile dealers in Accra, Ghana.

The Ryan Coogler-directed film brings to the big screen Marvel Comics’ first black superhero, reinventing the circa 1966 character for today. Black Panther is depicted as T’Challa (Chadwick Boseman), who rules over the fantastical African country of Wakanda, rich with vibranium, a mythic metal that is woven into the superhero’s sleek black, repeating triangle-pattern suit (designed by Marvel’s Ryan Meinerding), and has allowed the population to make technological advances nearly a century ahead of the rest of the world. The fight for vibranium is at the heart of the story, with T’Challa defending the kingdom against Michael B. Jordan’s Erik Killmonger.

Carter worked with five illustrators, 14 designers, mold makers, fabric dyers, jewelry makers and more. “It was an army,” the costume designer says. On her mood boards were images of African dress from the Maasai, Tuareg, Turkana, Xhosa, Zulu, Suri and Dinka peoples (including a men’s glass bead, animal skin and cowry shell corset from the Metropolitan Museum of Art), as well as piercings and body art, and more abstract examples of drapery and beading. She also examined fashion by avant-garde pleating master Issey Miyake, African-style vintage pieces by Yves Saint Laurent and Donna Karan.

(22) STARTS TOMORROW. CW released a clip from Black Lightning — The Resurrection Scene 2 – a show that premieres January 16.

About BLACK LIGHTNING: Jefferson Pierce is a man wrestling with a secret. Nine years ago, Pierce was gifted with the superhuman power to harness and control electricity, which he used to keep his hometown streets safe as the masked vigilante Black Lightning. However, after too many nights with his life and his family on the line, he left his Super Hero days behind. Almost a decade later, Pierce’s crime-fighting days are long behind him…or so he thought. But with crime and corruption spreading like wildfire, Black Lightning returns — to save not only his family, but also the soul of his community.


[Thanks to JJ, Chip Hitchcock, John King Tarpinian, ULTRAGOTHA, Carl Slaughter, Cat Eldridge, Martin Morse Wooster, Michael J. Walsh, James Davis Nicoll, Dann, Will R., and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day John From GR.]

Pixel Scroll 12/22/17 Well, Those Books Kept Coming And They Don’t Stop Coming

(1) ADVANCED CREATURE ACCOUNTING. If there had been a test I would not have passed…

(2) LIGHTING UP THE NIGHT SKY. Excitement this evening in California caused by the SpaceX Iridium 4 launch out of Vandenberg. Per Gregory Hart:

Successful orbital insertion for deployment of the fourth set of Iridium communication satisfied l satellites. First stage was maneuvered to crash into the ocean safely and it looked like controlled burn backs helped in positioning. They did not want to recover the first stage this time as it had been previously flown in June.

(3) KGB. See all the photos taken by Ellen Datlow at N.K. Jemisin and Christopher Brown’s Fantastic Fiction at KGB reading on December 20 — here.

Chris and Nora

(4) DOWNSIZING, BRIGHT REVIEWS. Rush and watch these productions before critics talk you out of it. Oops, too late….

NPR’s Andrew Lapin calls Downsizing: A Tone-Deaf, Less-Than-Incredible Shrinking Satire”:

It’s the rare movie that seems to execute every part of its concept absolutely wrong; a narrative, tonal, visual and sociopolitical fiasco the likes of which haven’t been seen in many moons.

And Chris Klimek says Bright (from Netflix) is “perfectly, stubbornly mediocre” in “Will Smith Plays Cops-And-Monsters In Unremarkable ‘Bright'”

…the scenes of Smith and Edgerton driving around on patrol, bickering like all the Murtaughs and Riggses and Crocketts and Tubbses and Cagneys and Laceys who’ve sat in cars together on stakeout since the First Age of Middle-Earth — lo, they cast a mighty spell of pure adequacy.

The Daily Beast is even more brutal: “Netflix’s ‘Bright’ Is a $90 Million Steaming Pile of Orc Sh*t”:

Bright is a misnomer on two levels. First of all, the majority of Netflix’s new $90 million original movie takes place at night and in fairly dingy rooms, and that, in combination with how the whole production is lit, means that most of the action is obscured and visually unintelligible. Secondly, there’s nothing about this movie that’s an inherently good idea—or rather, very generously speaking, maybe the story could have made some valid points about the state of race relations in America with a little more thought. But as things stand, Bright plays like the kind of movie a kid might make up (“And then this happens! And then this happens!”) if they were given a very rough overview of American history and then told to write a script about it. It’s almost worse that that’s not the case—scratch that, it is worse—but we’ll get to that.

(5) THEIR MILEAGE VARIED. On the other hand, the BBC lists Downsizing as one of the year’s 10 best (along with 3.5 other genre films):

  1. Downsizing

Despite its title, Downsizing sees Alexander Payne’s ambition growing to vertiginous heights. His specialism is wistful comedies (Sideways, Nebraska) set in a recognisable contemporary US, but his latest film is an apocalyptic science-fiction mind-bender set at some unspecified point in the future, in the US and beyond. Matt Damon and Kristen Wiig play the Midwestern couple who wonder whether they should cut their living costs by being shrunk to the size of Barbie dolls but this droll premise is just the beginning. As soon as you think you can see where it’s going, Downsizing ventures somewhere startlingly new instead.

(6) THE BOMB. Talking about his novel The Berlin Project, Gregory Benford describes where alternate history branches off in “Making A Better World War II”.

Everybody loves success, so historians have papered over the fact that when we developed the atomic bomb we made a decisive bad judgment that cost over half a billion dollars of 1940s dollars and delayed the war’s end by about a year.

The bad decision came in 1942 from General Leslie Groves, who directed the Manhattan Project, which was the U.S. R&D program to develop the first nuclear weapons. To make uranium suitable for an atomic bomb, you must enrich it up to weapons-grade, so that it is almost pure U-235, the element’s most fissile isotope. Groves chose to pursue gaseous diffusion over an alternate concept—Karl Cohen and Nobel Prize in Chemistry winner Harold Urey’s centrifugal separation—to enrich uranium up to weapons-grade.

We now know that was a huge mistake. Karl and Harold Urey said so then.

If we had stuck with centrifugal separation for another six months we would’ve solved its engineering problems, without question.

(7) IT’S A BASEBALL THING. Surely all Filers in Philadelphia would enjoy the excitement of science fiction and the wacky hijinks of the Phillie Phanatic together in one memorable film! MLB.com identifies “The weirdest and best National League gifts you can buy this holiday season”, and one is genre —

The material is only as good as the teacher. Fortunately for all of us, this Christmas the teacher can be … the Phillie Phanatic. Yes, underneath all that green fur is a creature that wants to show us history. Move over, Bill and Ted: This is the movie for me.

The Phillie Phanatic loves the Phillies, but he loves world history, too. When his new time travel helmet arrives in the mail, the Phanatic doesn’t just learn about history, he lives it! With the help of his friend, Larry, the Phanatic goes back in time to help cavemen invent the wheel, becomes king for a day, outduels an evil knight, signs the Declaration of Independence, cracks the Liberty Bell and stumbles into many other wacky adventures with his time travel helmet. What time period is his favorite? Only real Phillies fans know the answer!

(8) FOR SOME VALUES OF RUINED. How can we expect anybody to “have yourself a merry little Christmas” now? “‘Christmas is ruined’: Outrage as Cadbury drops old favourite Fudge from selection boxes”Evening Standard has the story.

Chocolate fans have reacted with fury after Cadbury dropped the beloved fudge bar from its festive selection box.

The old favourite has been replaced by a dairy milk oreo bar, leading some to claim that “Christmas is ruined”.

The biscuit-based newcomer joins the wispa, crunchie, double decker, dairy milk and chocolate buttons in the selection box, which costs £2.99.

Fans of the boxes, which are a popular Christmas gift, have taken to Twitter to lambast Cadbury over the controversial move.

(9) JINGLE HELL. What is Adam Roberts thinking?

(10) BARKS’ FAMILY PORTRAIT. A painting by one of the most famous Walt Disney Studios artists of all time helped Heritage Auctions’ Dec. 9-10 Animation Art Auction in Beverly Hills, California clear more than $1.5 million.

More than a dozen bidders pursued a Carl Barks “Family Portrait” Uncle Scrooge and Disney Ducks Painting #73-15 with Handwritten Letter (1973) until it finally hammered at $68,712.50. The entire Duck family “posed” for the legendary Disney artist, with Donald Duck surrounded by Uncle Scrooge McDuck (a Barks creation), Grandma Duck, Daisy Duck, Gladstone Gander, and in front, Donald’s nephews Huey, Dewey and Louie.

(11) TWO COMICS ARTISTS DIE. The ranks of women comics artists have been depleted by two recent deaths. Vu Nguyen reports

One of the few women in comics, Annie Goetzinger, has died today (20 December 2017).  She was 66, according to la-croix.com.

Goetzinger is a French illustrator, known for her research and attention to detail. Her  earliest works were illustrations for short comic stories published in French comic magazines like Pilote, Charlie Mensuel and Fluide Glacial. Goetzinger’s first graphic novel, Casque d’Or, won her two awards at the 1977 Angoulême International Comics Festival.

“When I started, I did not know there were so few girls making comics. … I didn’t care; I always felt like kind of a maverick.”

Also, another woman artist: Lona Rietschel, from Germany, passed away at the age of 84 on 19 December 2017 (as mentioned by tagesspiegel.de).  Rietschel started her career as a fashion artist and animator at DEFA studios, before relocating to Berlin.  There, she applied to work for the long-running German/Europe’s monthly comic book Mosaik.  She was originally hired as only an illustrator, but she eventually started creating characters for the magazine, including  The Digedags.

In May 2013, Rietschel won the PENG! Prize for her work at the Comicfestival München.

(12) ASTRONAUT OBIT. NASA astronaut Bruce McCandless, the first person to fly freely and untethered in space, died December 22. He was 80.

He was famously photographed in 1984 flying with a hefty spacewalker’s jetpack, alone in the cosmic blackness above a blue Earth. He traveled more than 300 feet away from the space shuttle Challenger during the spacewalk.


  • December 22, 1932 The Mummy seen for the first time in theaters.
  • December 22, 1933 Son of Kong premiered.


  • Born December 22, 1951 – Charles de Lint

(15) NOT TO BE MISSED. See a canvass of top titles in Starburst’s Books of 2017”:

As 2018 and all its potential looms ever closer, it’s about this time of year that we have a quick look back at some of the more interesting books that came out in 2017. We aren’t going to stand on ceremony here.  This is a mixed list of stuff that caught our eye over the year, each one chosen because it delighted us in some way. To start off with, let’s mention Jeanette Ng’s Under the Pendulum Sun, a notably dense yet utterly absorbing tale of two Victorian Era Christian Missionaries head into the land of fairies to bring god to godless. It’s wonderfully bleak and though it’s hardly poolside holiday reading, it’s rather fun. Speaking of light reading is Andy Weir’s Artemis. Weir is best known for his book The Martian, which got turned into a movie featuring Matt Damon. Artemis is more of the same; believable science fiction (this time set in a moon base), slight less believable characters and lots of friendly science to go with the fiction. Bubblegum it may be, but it’s delicious bubblegum that feeds your brain.

(16) MEMORIES AND EXPECTATIONS. Adam Troy-Castro launched a Facebook discussion of Jon Del Arroz’ tweets about applying for SFWA membership and plans to wear a bodycam in the SFWA Suite:

If you’re a reasonably normal person who happens to earn professional credits as a science fiction writer — two subsets which may sound mutually exclusive, but which are not — then your dream, if attending Worldcon, *should* be, normally is, getting to meet and befriend all the iconic writers whose imaginations informed yours.

“Oh my God! I can be in the same room with David Gerrold or Robert Silverberg or George R.R. Martin or Raymond E. Feist or Ursula K. Le Guin or Steve Barnes or (in treasured memory), Octavia Butler, Daniel Keyes, Harry Harrison, Kit Reed, Richard Matheson and Hal Clement!”

You can name the younger names, too, but if you care, there’s a certain generation of writers, young or old, who are icons to you, and it matters to you, and that is one reason you want to go.

This guy looks forward to walking into the SFWA Suite and knowing that they couldn’t lock him out, and indeed he looks forward to wearing a bodycam to entrap people into treating him like shit so he can prove they’re all a bunch of assholes.

A year out…this is what he anticipates with glee.

This is what gives him the tinglies….

Several writers answered with sentimental reminiscences about their first visit to the SFWA Suite at a Worldcon, including a long one by Jim Wright about Sasquan.

(17) JDA AND SFWA. A. Merc Rustad wrote a series of tweets about JDA’s SFWA application, which starts here.

(18) RESIGNS FROM THE EMPIRE. T.R. Napper says no more Star Wars for him – “Glory to the Empire”.

George Lucas, on the other hand, was like Vader. When he started out, young and idealistic, he did some amazing things. As he got older, and the call of his own hubris became too strong, he turned to the dark side. We got Ewoks. Then Gungans. And Midichlorians. And: “NOOOOOOOOOO!” But even then, at his worst – and his worst was terrible – at least he was still capable of originality. Lucas, like Vader, and unlike the Empire, could be redeemed. Just stick him in his toy room in Skywalker Ranch, pew pew pew! And let someone else write and direct his intellectual property. You know, like they did with Empire Strikes Back.

No more. I’ve given up on Star Wars because my people, the Rebellion, are making independent movies like Moonlight, or Whiplash, or The Rover, or Eternal Sunshine of the Spotless Mind, or Memento, or Animal Kingdom. At the bigger end of the scale, they’re taking risks with movies like Blade Runner 2049.

There will be no more risks taken with Star Wars. There’s just the brand and its components, rearranged by filmmaking algorithm, once per year, forever. Kinda takes the magic out of it all.

(19) THE EMPIRE STRIKES OUT. “Stalking, First Order style,” says JJ.

(20) ANOTHER RASH OF ONLINE BIGOTRY. Newsweek reports “Racist Attacks Against Kelly Marie Tran Posted to Rose Tico’s ‘Wookieepedia’ Page”. Examples of the attacks are at the link.

Writer Bryan Young, who posted a screenshot of the racist attacks on Twitter, told Newsweek that he was alerted to the changes by a friend on Tuesday.

Wookieepedia admins have removed the vandalism, closing off Rose’s page for editing. A history of the edits to the page, with attached IP addresses, is still publicly available, though the edit in question has been removed. Young told Newsweek the IP address attached to the edit in the screenshot is The user has been blocked from using Wookieepedia or any other FANDOM wikis.

“FANDOM has a zero tolerance policy for vandalism, inclusive of racism and harassment,” the company said in a statement provided to Newsweek. “The wiki admins take this very seriously and took the steps to resolve this situation as quickly as possible, including escalation to our team, and subsequent lockdown. This lockdown will remain for the foreseeable future and we will be closely monitoring activity on this wiki.”

(21) PUT A CORK IN IT. Vintages are swirled together in these Middle-Earth mixes — “You shall not pass (on a glass)! Warner Brothers collaborates with winemaker on a limited-edition collection of four Lord of the Rings-themed WINES”. Here’s an excerpt from the Daily Mail’s description of these concoctions.

The 2015 Aragorn Appellation Lussac – St. Émilion Contrôlée is $25 and features a blend of 80 per cent Merlot, 15 per cent Cabernet Franc, and 5 per cent Malbec. It is described as ‘rich, concentrated and built to last,’ while the site boasts, ‘If ever there was a wine fit for a king as mighty and honorable as Aragorn, this is it.’

The 2016 Galadriel Bordeaux Blanc white wine is $18 and has flavors of grapefruit, lemon, and lemongrass.

‘The most noble and powerful of the Elves is honored by this high-toned wine, a Bordeaux Blanc with piercing citrus flavors and remarkable concentration.

‘Just as Galadriel is revered by all those graced by her presence, this impressive white is a true testament to her strength and wisdom, imbuing an immediate sense of devotion with its graceful palate. Take a sip and fall under its ethereal spell,’ the site states.

(22) KITSCHIES. These are the 2017 Kitschies judges who have been announced so far:


Leila Abu El Hawa

Leila runs the Post Apocalyptic Book Club… She was a judge for the Clarke Awards in 2015-16 and in her spare time works in the fashion industry. @dystocalypse

Jon Courtenay Grimwood

Jon Courtenay Grimwood was born in Malta and baptised in the up-turned bell of a ship. …He also, for 5 years, wrote a monthly SF&Fantasy column for the Guardian. Two times winner of the BSFA Award for Best Novel, with Felaheen and End of the World Blues. …Moskva, written as Jack Grimwood, was his most recent. Its sequel, Nightfall Berlin, is due Autumn 2017. @joncg

Joshua Idehen

Joshua Idehen is a poet, teacher and musician. A British born Nigerian, Joshua was the founder of one of the most successful poetry events in London, Poejazzi. …He is premiering a live show with Band City, ‘Last Night’, about London’s closed clubs. @benincitizen

Ewa Scibor-Rilka

…With a degree in English & Philosophy, she’s previously spent her time running a sci fi & fantasy section of a central London bookshop, working on conventions, surviving said conventions, and writing about popular nerd culture for The Mirror’s UsVsThem project. …@EwaSR.

Alasdair Stuart

Alasdair Stuart is the owner of Escape Artists, the digital publishing company behind Escape Pod, Pseudopod, Podcastle and Cast of Wonders.  …Read his work at alasdairstuart.com, or follow him at @AlasdairStuart on Twitter for professional enthusiasm, film analysis, the occasional food blog and more.

(23) WATCHING BY NIGHT. No need for any theological arguments about Die Hard’s place in the holiday pantheon when you just admit what you’re doing. Tor.com contributors came up with this list of “Our Favorite Non-Holiday Films to Watch Over the Holidays”, one that concludes with Leah’s preference for doing trilogy marathons —

We began with the obvious and tackled the Star Wars Trilogy. And lo! The 27th dawned, and I felt better than I had in any previous year. And thus a new tradition was born, and we tried Back to the Future, the first three Thin Man movies (those are the good ones) and then the one that stuck: The Lord of the Rings. Obviously, LOTR was already something of a holiday tradition anyway since the movies came out in December, but in a purely shallow way, watching all three movies while stuffing yourself with leftovers is the perfect way to ease back into regular, non-Christmas time. On a more serious note, since Christmas, at its heart, is about celebrating light in the darkness, what better scene to watch than the lighting of the beacons?

(24) FOR SOME VALUES OF “SAFETY.” There’s an app for that? “Reindeer hunted by wolverines get safety app”.

Reindeer, who fall prey to wolverines, wolves and lynx, are being fitted with sensors to protect them.

It makes it easier for herders to track the animals across the remote Lapland forests where they roam.

Sensors around the necks of the female reindeer are linked to the herders’ smartphones, allowing them to rescue hurt animals more quickly and identify the cause of death for those killed.

(25) NEVER TELL ME THE ODDS. In response to complaints, “Apple changes rules on app ‘loot boxes'”.

In the updated guidelines, Apple said any in-game mechanism that rewards players with “randomised virtual items” must list the odds of receiving each type of item. In addition, it said, customers must be informed of these odds before they buy the boxes or rewards.

Many games offer extras to players that can change the appearance of the game, introduce new characters or bestow power-ups that help people as they play.

Some titles let people buy loot boxes with in-game funds they generate by playing or by spending real money to purchase the game’s virtual cash.

The controversy over the crates was thrown into sharp focus last month with the release of the Star Wars Battlefront II game, which used them extensively.

[Thanks to John King Tarpinian, Cat Eldridge, JJ, Ed Fortune, Carl Slaughter, Martin Morse Wooster, and Andrew Porter for some of these stories, Title credit belongs to File 770 contributing editor of the day Camestros Felapton.]

Pixel Scroll 12/7/17 Pixel, It’s Scrolled Outside

(1) SOCIETY PAGE. Cat Valente and Heath Miller shared their news on Twitter. Jump onto the thread about the romantic proposal here —

Part of the announcement:

(2) A GOOD COUNTRY FOR OLD MAN. Deadline started with an Exclusive story, but now we all know — “Netflix Grabs Hold Of John Scalzi’s Sci-Fi Novel ‘Old Man’s War’ For Jon Shestack, Madhouse”.

Netflix has acquired John Scalzi’s modern sci-fi classic Old Man’s War to develop as an original film. The novel is the first in a bestselling six-book series and is considered to be one of the best of the genre over the past two decades, nominated for a Hugo Award. Jon Shestack Productions and Madhouse Entertainment will produce.

John Scalzi goes into a little more detail in his FAQ about the news: “Old Man’s War in Development at Netflix”.

Are you excited?

Hell, yes. One, because I would love to see an OMW movie. But also, two, Netflix is a place where a lot of fantastic entertainment is happening these days. It’s trying a lot of things and taking a lot of chances, and most people I know who are working with Netflix are thrilled about being there right now. It really seems like it could be a great place for the OMW universe.

So is this a movie or TV series?

It’s a movie. On your television!

(Or computer or phone or monitor or wherever you choose to watch Netflix, I don’t judge.)

(3) GODSTALKER. James Davis Nicoll brings you his list of “Twenty Core Works of Religious Speculative Fiction Every True SF Fan Should Have on Their Shelves”. Here are four examples –

  • High Deryni by Katherine Kurtz
  • A Swiftly Tilting Planet by Madeleine L’Engle
  • The Brothers Lionheart by Astrid Lindgren
  • A Canticle for Leibowitz by Walter M. Miller

(4) ROWLING CHALLENGED ON SUPPORT OF DEPP. Amy Zimmerman of The Daily Beast calls it “J.K. Rowling’s Cowardly Defense of Alleged Abuser Johnny Depp in ‘Fantastic Beasts’”.

… In May 2016, actress Amber Heard filed for divorce from Johnny Depp, declaring at the time, “During the entirety of our relationship, Johnny has been verbally and physically abusive to me…I endured excessive emotional, verbal, and physical abuse from Johnny, which has included angry, hostile, humiliating, and threatening assaults to me whenever I questioned his authority or disagreed with him.” In the wake of these explosive allegations, The Daily Beast’s Kevin Fallon wrote a piece titled “Amber Heard Says Johnny Depp Beat Her. It Will Ruin His Career. Just Kidding!”, in which he argued that Depp, like so many accused A-listers before him, was destined to emerge from this scandal professionally unscathed.

…On the one hand, Rowling has inarguably found herself in a difficult position, and it’s hard to watch as female creators are asked to answer for the alleged misconduct and immorality of their male collaborators. In her statement, Rowling acknowledges the seriousness of the allegations against Depp, and appears to have taken the pressure to potentially recast seriously. But, make no mistake: she is supporting and defending Johnny Depp. And, in doing so, she is calling his accuser’s testimony into question.

The most damning sentence here is when Rowling cites “our understanding of the circumstances” to justify the fact that she is “genuinely happy” with Depp’s starring role; it sounds like she’s implying that, if we knew what she knew, we would feel comfortable dismissing Heard’s story too. Rowling is, finally, saying “I believe you”—but the person she’s acknowledging in this scenario is Johnny Depp, not Amber Heard

Here is J.K. Rowling’s complete statement on “Grindelwald casting”:

When Johnny Depp was cast as Grindelwald, I thought he’d be wonderful in the role. However, around the time of filming his cameo in the first movie, stories had appeared in the press that deeply concerned me and everyone most closely involved in the franchise.

Harry Potter fans had legitimate questions and concerns about our choice to continue with Johnny Depp in the role. As David Yates, long-time Potter director, has already said, we naturally considered the possibility of recasting. I understand why some have been confused and angry about why that didn’t happen.

The huge, mutually supportive community that has grown up around Harry Potter is one of the greatest joys of my life. For me personally, the inability to speak openly to fans about this issue has been difficult, frustrating and at times painful. However, the agreements that have been put in place to protect the privacy of two people, both of whom have expressed a desire to get on with their lives, must be respected.  Based on our understanding of the circumstances, the filmmakers and I are not only comfortable sticking with our original casting, but genuinely happy to have Johnny playing a major character in the movies.

I’ve loved writing the first two screenplays and I can’t wait for fans to see ‘The Crimes of Grindelwald’. I accept that there will be those who are not satisfied with our choice of actor in the title role. However, conscience isn’t governable by committee. Within the fictional world and outside it, we all have to do what we believe to be the right thing.

(5) QUICK SIP SHORT FIC RECS. I think I missed Charles Payseur’s “Quick Sip Reviews 2017 Recommended Reading List”, posted last month.

This comes courtesy of my monthly recommendation column, The Monthly Round. The rules are fairly easy, in that the stories must come from publications I regularly read. It’s the single greatest limiting factor for the list, because I do not read everything, but this prevents me from essentially cherry-picking stories from other publications. So there are my favorite stories published at the places I read regularly and have reviewed. There’s a whole wide world of other stories out there, but I did dearly love these. So I hope that, even with that limitation in mind, the list is helpful for finding some truly awesome short SFF. If you want more info on any of the stories, there are links to each or you can do a search of this blog to find my more in-depth reviews.

(6) BLACK SF HONORED. The Root has named “The 16 Best Books of the Year by Black Authors”. Three of these books are of genre interest.

  • #1 — Sing, Unburied, Sing: A Novel by Jesmyn Ward, which Amazon currently lists as the top-selling book in Magical Realism.
  • #4 — Akata Warrior by World Fantasy/Hugo/Nebula Award winner Nnedi Okorafor.
  • #9 — What It Means When a Man Falls From the Sky, by Lesley Nneka Arimah, a debut short-story collection from an award-winning Nigerian-American writer whose short stories hit fantasy, magical realism, science fiction, and horror.

(7) THERE ARE NO OLD, BOLD EQUATIONS. RedWombat mashes up a classic poem with a Hall of Fame story. The first tweet in response by Tim Chase is brilliant, too,

(8) JOIN THE VAMPIRE LODGE. An io9 exclusive! “Vampire Veronica Descends on Riverdale in a New Archie Horror Series”.

Between Afterlife with Archie, Chilling Adventures of Sabrina, and the recent addition of Jughead: The Hunger, Archie Comics’ horror imprint is flying higher than Sabrina’s broomstick ever thought possible. But there’s already another series coming to Archie Horror, and it’s got a bit of a bite to it….

Veronica Lodge, Riverdale’s socialite encounters a centuries-old creature of the night, who transforms her into a bloodthirsty vampire. Now she must descend on her unsuspecting hometown to quench her newfound hunger. Veronica now has to contend with this new transformation However, she is still the Veronica we all know and love.

(9) GULP FICTION. Fainting cloths have been in much demand since news broke that “Quentin Tarantino Might Direct a Star Trek Movie”io9 has the story.

Apparently Tarantino recently pitched an idea for a Trek movie to producer J.J. Abrams, who loved it, and they’ll soon begin to assembling a writer’s room to flesh it out. If everything falls into place, Tarantino could be interested in directing with Abrams producing.

This isn’t something that’ll be happening soon, though. Next up for the iconic director is his still-untitled 1969-set movie, which Sony Pictures just picked up. That already has a release date of August 9, 2019, so there’s no doubt that’s next for him. That leaves almost two years of time for a script to get written that could woo Tarantino into doing several things he’s never done before.

He’s never directed a feature he didn’t write. He’s never done a scifi film. He’s never done a major franchise film.

(10) EARLY BIRDS. Worldcon 76 and Dublin 2019 announced their Retro Hugo plans a few days ago and the Hugo Awards Book Club wasted no time coming up with the first set of recommendations: “Retro Hugos 1943: Novels”

It was with no small degree of excitement that we greeted the news that there would be Retro Hugo awards presented at next summer’s Worldcon. Just on principle, we love Retro Hugos, and will take any opportunity to do a deep dive into the science fiction published in a particular year. The Hugo year of 1943 (which would cover works published in 1942) has some excellent novels to choose from. We will explore other fiction categories for these awards in later posts.

Legendary science fiction pioneer Olaf Stapledon has never been nominated for a Hugo

Award in any category. The author of Last and First Men, Star Maker, and Odd John had published most of his major works prior to the first Worldcon, so even with Retro Hugos, there hasn’t been much opportunity to honour his works with the genre’s top award. Although Darkness And The Light is not one of his most well-remembered works, and although it has some flaws, it is still one that should be considered for the award.

(11) CRIDER IN HOSPICE. Crime fiction writer Bill Crider, who also won a 2015 Sidewise Award for his story “It Doesn’t Matter Anymore,” has entered hospice care. He signed off from his blog saying –

Things could change, but I suspect this will be my final post on the blog. I met with some doctors at M. D. Anderson today, and they suggested that I enter hospice care. A few weeks, a few months is about all I have left. The blog has been a tremendous source of pleasure to me over the years, and I’ve made a lot of friends here. My only regret is that I have several unreviewed books, including Lawrence Block’ fine new anthology, Alive in Shape and Color, and Max Allan Collins’ latest collaboration with Mickey Spillane, The Last Stand, which is a collection of two novellas, “A Bullet for Satisfaction,” an early Spillane manuscript with an interesting history, and “The Last Stand,” the last thing that Spillane completed. It saddens me to think of all the great books by many writers that I’ll never read. But I’ve had a great life, and my readers have been a big part of it. Much love to you all.*


  • December 7, 1972 — The crew of Apollo 17, while on their way to the Moon, took a photo of Earth from about 28,000 miles.


  • Born December 7, 1915 — Leigh Brackett, well-known sf author and screenwriter. George Lucas hired Brackett to write the first draft of The Empire Strikes Back, which she completed shortly before she died in March of 1978.

(14) ALL BRADBURY. Courtesy of Cora Buhlert, here’s a brief clip from a German cultural TV program  presenting a new illustrated German edition of Ray Bradbury’s “Something Wicked This Way Comes”. (Video.)

(15) THE GOLD RUSH IS OVER. In “Business Musings: Sustainability”, Kristine Katherine Rusch argues that the market for independently published books has “matured” and that authors should expect much slower growth and lower incomes from here on.

I’m talking about the changes in income to writers who were not rushing to every new way of doing something, writers who were not gaming algorithms, writers who were producing a lot, interacting professionally with their fans, and doing everything right.

Those writers received major rewards, both in sales and in income, in the early years of indie publishing. Those rewards have diminished, because we are entering into a mature market.

What does that mean, exactly?

In business, markets respond to things in similar ways, whether we’re talking markets for shoes or markets for books.

When something is new, everyone wants it. When something is new, the growth is usually exponential. We see that in all kinds of new markets over the years, from desktop computers twenty-five years ago to smart phones ten years ago. There’s always something cool, and consumers flock to it, sometimes in very large numbers.

In publishing, we went through a shift, from traditional only to anyone-can-do-it indie, because of the rise of the neat-o ereader, the Kindle, from Amazon, which gave that ereader a platform and an ecosystem.

Year to year, the number of people who joined the new ecosystem was huge. Other players created viable ereaders and ebook ecosystems. You didn’t just have to use Amazon to publish a book. You could do it on other platforms.

(16) SEVENTIES SF RARITY. The British Film Institute tells “How lost British TV sci-fi Thwum was rediscovered”.

On 16 December 2017, BFI Southbank is offering the first opportunity for over 40 years to see Thwum, a sci-fi-themed 1970s rarity that had long been thought lost forever – and Pete Postlethwaite’s first TV appearance with it.

At the time of Thwum’s broadcast in 1975, it was still common practice for TV companies to wipe much of their output, meaning that many television programmes from the era are now sadly missing. Since 1993, it’s been the mission of the BFI’s Missing Believed Wiped initiative to track down and screen material long AWOL from the official TV archives. Finds over the years have included material from television programmes such as The Avengers, Till Death Us Do Part, Dad’s Army, Armchair Theatre and Top of the Pops.

The case of Thwum provides an interesting example of how missing UK TV material can be recovered….

(17) THE KING IS DEAD. Google’s general-purpose AI beats chess specialist: “Google’s ‘superhuman’ DeepMind AI claims chess crown”. It won or drew 100 games 4 hours after being given the rules of chess.

Even so, one human chess grandmaster was still hugely impressed by DeepMind’s victory.

“I always wondered how it would be if a superior species landed on earth and showed us how they played chess,” Peter Heine Nielsen told the BBC.

“Now I know.”

(18) WHERE YOUR PIZZA DELIVERS ITSELF. There are limits: “San Francisco to restrict goods delivery robots”.

Opponents are concerned about the safety of pedestrians, particularly elderly people and children.

Walk San Francisco, a group that campaigns for pedestrian safety, wanted a complete ban.

A range of companies have begun trialling small robots that can deliver food and other goods.

They use sensors and lasers in a similar way to self-driving cars in order to navigate their routes.

(19) ON A HOLE FAR AWAY. BBC tells where “Farthest monster black hole found”.

The matter-munching sinkhole is a whopping 13 billion light-years away, so far that we see it as it was a mere 690 million years after the Big Bang.

But at about 800 million times the mass of our Sun, it managed to grow to a surprisingly large size in just a short time after the origin of the Universe.

The find is described in the journal Nature.

The newly discovered black hole is busily devouring material at the centre of a galaxy – marking it out as a so-called quasar.

(20) PETRIFEYED. They say it may not be possible to find one any earlier: “Researchers find ‘oldest ever eye’ in fossil”.

An “exceptional” 530-million-year-old fossil contains what could be the oldest eye ever discovered, according to scientists.

The remains of the extinct sea creature include an early form of the eye seen in many of today’s animals, including crabs, bees and dragonflies.

Scientists made the find while looking at the well-preserved trilobite fossil.

These ancestors of spiders and crabs lived in seas during the Palaeozoic era, between 541-251 million years ago.

(21) FTFY. They’re not riotously funny, though some are clever or wonderfully bitter: “These Parody Book Covers Of Famous Classics Will Make Any True Literary Nerd Laugh Out Loud”. Here’s a sample:

(22) SHOULD THAT BE PETREON? Another Patreon critic heard from.

[Thanks to Mark Hepworth, Paul Weimer, JJ, Carl Slaughter, Cora Buhlert, Cat Eldridge, rcade, Greg Hullender, Andrew Porter, Martin Morse Wooster, Allan Maurer, Chip Hitchccock, Darrah Chavey, and John King Tarpinian for some of these stories, Title credit goes to File 770 contributing editor of the day Chris S.]

2017 Novellapalooza

[Editor’s note: be sure to read the comments on this post for more novellas and more Filer reviews.]

By JJ: I’m a huge reader of novels, but not that big on short fiction. But the last couple of years, I’ve done a personal project to read and review as many Novellas as I could (presuming that the story synopsis had some appeal for me). I ended up reading 31 of the novellas published in 2015 and 35 of the novellas published in 2016 (though a few of those were after Hugo nominations closed).

Last year, the result of this was the 2016 Novellapalooza. I really felt as though I was able to do Hugo nominations for the novella category in an informed way, and a lot of Filers got involved with their own comments. So I decided to do it again this year.

The success of Tor’s novella line seems to have sparked a Golden Age for SFF novellas, with Subterranean Press, NewCon Press, PS Publishing, and Book Smugglers jumping on the bandwagon, as well as the Big 3 magazines and the online fiction venues – so there are a lot more novellas to cover this year. Toward the end, I’ve gotten to the point of being more selective about which ones I read, based on the synopsis.

It is not at all uncommon for me to choose to read a book despite not feeling that the jacket copy makes the book sound as though it is something I would like – and to discover that I really like or love the work anyway. On the other hand, It is not at all uncommon for me to choose to read a book in such a case, and to discover that, indeed, the book doesn’t really do much for me.

Thus, my opinions on the following novellas vary wildly: stories I thought I would love but didn’t, stories I didn’t expect to love but did, and stories which aligned with my expectations – whether high or low. Bear in mind that while I enjoy both, I tend to prefer Science Fiction over Fantasy – and that while I enjoy suspense and thrillers, I have very little appreciation for Horror (and to be honest, I think Lovecraft is way overrated). My personal assessments are therefore not intended to be the final word on these stories, but merely a jumping-off point for Filer discussion.

I thought it would be helpful to have a thread where all the Filers’ thoughts on novellas are collected in one place, as a resource when Hugo nomination time rolls around. Which of these novellas have you read? And what did you think of them?

Please feel free to post comments about any other 2017 novellas which you’ve read, as well.

(Be sure to rot-13 any spoilers.)

(fair notice: all Amazon links are referrer URLs which benefit non-profit SFF fan website Worlds Without End)

All Systems Red [The Murderbot Diaries #1], by Martha Wells (excerpt)

Tor.com Publishing, edited by Lee Harris

cover art by Jaime Jones, design by Christine Foltzer

Synopsis: In a corporate-dominated spacefaring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by Company-supplied security androids, for their own safety. But in a society where contracts are awarded to the lowest bidder, safety isn’t a primary concern. On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied ‘droid – a self-aware SecUnit that has hacked its own governor module, and refers to itself (though never out loud) as “Murderbot.” Scornful of humans, all it really wants is to be left alone long enough to figure out who it is. But when a neighboring mission goes dark, it’s up to the scientists and their Murderbot to get to the truth.

What I thought: This seems to be the runaway Filer favorite Novella this year, and I’ll add my voice to everyone else raving about this story. Action, suspense, and adventure with a rogue military AI whose personality is displayed subtly and with a slight bit of delightful snark. This is real SF space opera, the way it should be done. #2, Artificial Condition, comes out in May 2018, and #3, Rogue Protocol, will be released in August 2018. Given how much I enjoyed this, I’m going to have to check out Wells’ Raksura series.

Filer Comments:

  • Lace: arrived Tuesday and I finished it Wednesday. Fun was had. I enjoyed the narrator and its humans – the book is stuffed full of potential for touching moments of cyborg-human connections, which would happen in a different book and don’t in this one. It’s on the list for now, it may well stay there, and I’ll definitely tune in for future instalments.
  • Mark-kitteh: a Tor.com novella that is probably the start of a series (it subtitles itself The Murderbot Diaries) but is nicely self-contained. Its narrator calls themselves “Murderbot” because as a cyborg security unit they don’t have a real name and that’s how the real humans seem to see them, even though behind their armour there’s a more complex intelligence that binge-watches soap operas but can’t stand real life melodrama. So there are two story strands – an action-adventure plot as they are assigned to protect a survey group exploring an alien planet while Shenanigans occur, and exploring the narrator’s character as they react to the group of humans they’ve fallen in with. (If you read Questionable Content then you might see some parallels with the recent storyline there as well.) The adventure plot is good, but the personal storyline is great.
  • Greg Hullender: I gave it five stars. I agree wholeheartedly that the development of the character of the “MurderBot” is the strong point of the story, but I loved how the author did such great character development and worldbuilding without a single infodump. All the dialogue was natural. All the narration was transparent. And all the key plot points were adequately foreshadowed. All of that on top of nonstop action.
  • Rose Embolism: So, I really enjoyed the excerpt at Tor.com. The problem is. ..now I just can’t help but visualize Murderbot as Bubbles from Questionable Content.
  • Linda S: I loved it, and I’ll almost certainly be nominating it for a Hugo next year.
  • Ghostbird: I don’t know if I’d call Murderbot a companionable character but I find them very relatable. I’d recommend the book to anyone who’s cultivated detachment in an awful workplace.
  • Paul Weimer: The tight first-person point of view really does help here in making Murderbot a relatable character, and Wells shows just how important point of view is to telling the story in the way you want to. I can imagine a good Murderbot novella with a 3rd person limited point of view. We might even get some more details on the worldbuilding that I’d love to have. But we’d lose that deep dive into Murderbot’s mind and soul, and the work, IMO, would be lesser if she had chosen that path. A 2nd person Murderbot story would be interesting, I think.
  • Lee: I would say that Murderbot is a compelling character rather than a companionable one. I would also say that their thought processes are a lot like mine when I’m having to put on a polite face while doing something I would very much rather not be doing. I powered my way right thru the story – it dragged me in from the opening scene, and the mystery element was challenging and well-done. It’s definitely got a place on my Hugo nominations for 2018. I notice a thread of similarity between this, the Ancillary trilogy, and A Closed and Common Orbit; they all involve a created intelligence trying to learn how to function beyond its original parameters. This suggests that I’ve got a strong interest in stories which explore that concept and do it well.
  • lurkertype: So I read Murderbot last night, and liked the story. It’s really good, and the interactions between Murderbot and the humans are great. Lots of action. I agree with @Lee’s analysis. This is going on my embryonic Hugo list for next year.
  • Viverrine: just finished Martha Well’s All Systems Red and can’t wait for more Murderbot stories. Thought it did a great job with the narrator’s perspective.
  • Arifel: [It] has already had a lot of deserving hype among Filers – I also loved it and wrote a little bit about it here.
  • Eve: My short list is Wells’ All systems red (Murderbot)…
  • Bonnie McDaniel: Seconding this rec as well, because of the fantastic title character. (Also because sometimes, the cranky misanthropic Murderbot, with its desire to be left alone with its books entertainment feeds, reminded me of… me.) Seriously, though, I realized that Murderbot is pretty much the anti-Data – the artificial being who doesn’t want to be human. It’s a fresh take on the android trope, and I’m looking forward to the sequel.
  • Red Panda Fraction: I finished [it] last night in one sitting, and I really enjoyed it. It’s on my list.
  • Kyra: I’ll chime in along with everyone else who’s already recommended this one. A nice novella with tight plotting and a great main character. I like that it didn’t go for easy answers to the protagonist’s issues. I’m looking forward to the sequels.
  • Cheryl S.: Count me as very pro Murderbot. As soon as I finished it, I started a re-read.
  • Kendall: Y’all have to stop rec’ing things that keep me up two nights in a row. This was excellent, plus it wasn’t what I expected (a good thing, here). The personality, the interactions, the mostly-suppressed-but-expressed emotions – Wells did a great job with everything here. Perfect ending. I look forward to the next two!
  • Cassy B: I just bought and read [it] per Kendell’s rec above. And then immediately started evangelizing about this book to everyone I know. I *love* the narrative voice. Absolutely on my Hugo ballot.
  • Bookworm1398: So far I have… Murderbot for Best Novella.
  • Camestros Felapton: Despite some dark plots, murders and monstrous local fauna, this is a very compassionate story. Beyond Murderbot themselves, the individual characterisation isn’t deep but Wells quickly establishes a feel for what the team Murderbot is protecting is like. A mix of well meaning but wary people, the relationship between the survey team and Murderbot has a strong and plausible arc that gives the story some real soul.
  • Chris S.: I have to admit I inhaled this in one sitting, really enjoyed the concept. Origins of the murderbot personality still seem to be a mystery. Would definitely recommend, despite some dodgy plotting.

And Then There Were (N-one), by Sarah Pinsker (full text)

Uncanny Magazine March-April 2017, editor unknown

Synopsis: A quantomologist who discovers how to access parallel universes arranges a convention for attendees who are all versions of herself from slightly divergent universes.

What I thought: This murder mystery novella uses a format familiar to many SFF fans – a convention with keynote speeches and panels on relevant subjects of interest – to provide the setting for an exploration of the theme in Frost’s Road Not Taken. It’s a powerful metafictional musing on choices and consequences and what’s most important in life – and how one’s priorities can change, depending on the results of previous choices. I loved it. This is definitely going on my Hugo Novella ballot.

Filer Comments:

  • David Goldfarb: Quick note to all, that I’ve just put [this as] the first work this year on my Hugo longlist record for next year… I found it well-written and amusingly meta, although I did guess in advance the outlines of the solution to the mystery.
  • Meredith: Throughly enjoyable multiverse murder mystery where all the suspects are the same person. Ish.
  • Lace: a different, introspective read. A bit more con experience could’ve been fun, but what we saw worked. I was also pleased that whodunnit vf bar ynlre qrrcre guna gur boivbhf fbyhgvba jvgubhg orvat bhg bs yrsg svryq.
  • Arifel I don’t think I’ve ever read anything quite like this, and I wish it had been twice as long.
  • Arifel: wonderful and i keep forgetting it’s a novella as it was published in Uncanny.
  • Andrew: I really liked that one and have been recommending it to a lot of folks.
  • Laura: Here are my favs so far… Novella: And Then There Were (N-One), Sarah Pinsker
  • Short Story Squee and Snark discussion

Lightning in the Blood, by Marie Brennan [Ree Varekai #2, sequel to Cold-Forged Flame] (excerpt)

Tor.com Publishing, edited by Miriam Weinberg

cover art by Jaime Jones, design by Christine Foltzer

Synopsis: Once, there was a call – a binding – and so, a woman appeared, present in body but absent in knowledge of her past self. Making the ultimate journey of rediscovery was not without its own pitfalls – or rewards – and now Ree, a roaming archon, spirit of legend and time and physically now bound to her current form, has yet to fully uncover her true identity. Ree has spent her last innumerable seasons on the move – orbiting, in some sense, the lands of her only friend in this world, Aadet, who has become intricately involved in the new post-revolution politics of his people. Swinging back from the forests surrounding Solaike, Ree falls in with another wandering band, some refugees accompanied by their own archon, who seems to know much more about Ree’s own origins than she ever dared to hope.

What I thought: I really enjoyed the first in this series, Cold-Forged Flame, enough to put it on my Hugo ballot last year, and this is a worthy successor. I really love the world and the characters, and I’m looking forward to more in this universe. I thought this series was so good that it convinced me that I need to read the author’s Lady Trent series sooner, rather than later, even though it’s based on a very different premise.

The Runabout, by Kristine Kathryn Rusch [Diving Universe #6] (42677 words) (excerpt)

Asimov’s Science Fiction Mar-Apr 2017 / WMG Publishing, edited by Sheila Williams

Asimov’s cover art by Jim Simpson; WMG cover art by Philcold/Dreamstime, design by Allyson Longueira

Synopsis: A graveyard of spaceships, abandoned by the mysterious Fleet thousands of years earlier. Boss calls it “The Boneyard.” She needs the ships inside to expand her work for Lost Souls Corporation. Yash Zarlengo thinks the Boneyard will help her discover if the Fleet still exists. Boss and Yash, while exploring the Boneyard, discover a small ship with a powerful and dangerous problem: The ship’s active anacapa drive. To escape the Boneyard, Boss must deal with the drive. Which means she’ll have to dive the ship on limited time and under extremely dangerous conditions. And she can’t go alone.

What I thought: I love love love Kristine Kathryn Rusch’s Diving Universe, which saw the release of The Runabout this year (which is currently on my ballot for Best Novella as well as Best Series). The series focuses on a spaceship-wreck-exploration company, and includes time travel and lots of mystery, action and adventure. The Runabout, and its predecessor The Falls, while they each stand alone, are intertwined stories – but I recommend reading the rest of the series from the beginning, because there’s background and worldbuilding, especially in the first 2 books, which really enhance the rest of them.

Filer Comments:

  • Greg Hullender: I liked The Runabout so much that I went out and bought the rest of the stories in the series.

Passing Strange, by Ellen Klages (excerpt)

Tor.com Publishing, edited by Jonathan Strahan

cover art by Gregory Manchess, design by Christine Foltzer

Synopsis: San Francisco in 1940 is a haven for the unconventional. Tourists flock to the cities within the city: the Magic City of the World’s Fair on an island created of artifice and illusion; the forbidden city of Chinatown, a separate, alien world of exotic food and nightclubs that offer “authentic” experiences, straight from the pages of the pulps; and the twilight world of forbidden love, where outcasts from conventional society can meet. Six women find their lives as tangled with each other’s as they are with the city they call home. They discover love and danger on the borders where magic, science, and art intersect.

What I thought: This story is loosely based on the life of Margaret Brundage, a prolific artist of more than 70 covers plus many interior illustrations for the early SFF pulp magazines (primarily Weird Tales). While the SFFnal elements are slight until the end, I really loved the way the story captured the cultural context of that time and place, as well as telling a poignant story of love and friendship, with beautifully-realized characters. I enjoyed this so much that I was sorry to see it end, and it will definitely be on my Hugo ballot.

Filer Comments:

  • Mark-kitteh: I was going to pass on this because the concept sounded far too light on fantastic elements for my tastes, but some rave reviews persuaded me to try it. I was right that it was very light on the actual fantasy, but it was beautifully written with compelling characters and relationships, and the historical elements of 40s San Francisco were fascinating, so I’m glad I picked it up.
  • Kurt Busiek: Started reading [it] last night, and so far it’s terrific.

The Memoirist, by Neil Williamson (no excerpt)

NewCon Press, edited by Ian Whates

cover art by Chris Moore, design by Andy Bigwood

Synopsis: In a near future where everyone is wired to an interactive evolution of the Internet, ubiquitous tiny recording drones which make everyone’s personal lives fodder for public consumption are an accepted fact of life. A young journalist scores a rare, highly-enviable job writing the memoirs of the reclusive retired lead singer from a historically-famous rock band which mysteriously broke up after something happened… but despite rumors and speculation, no one knows what that something actually was. Why are so many powerful people determined to wipe a poignant gig by a faded rock star from the annals of history? What are they so afraid of? Rhian has no idea of the dangerous path she is treading, nor the implications of her discoveries, which may well alter the course of human history…

What I thought: I really, really liked this story. It blends a realistic projection of future technology with an intriguing mystery. I think that fans of Sarah Pinsker’s Our Lady of the Open Road might really enjoy this one.

The Ghost Line, by Andrew Neil Gray and J. S. Herbison (excerpt)

Tor.com Publishing, edited by Carl Engle-Laird

cover art by John Harris, design by Christine Foltzer

Synopsis: The Martian Queen was the Titanic of the stars before it was decommissioned, set to drift back and forth between Earth and Mars on the off-chance that reclaiming it ever became profitable for the owners. For Saga and her husband Michel, the cruise ship represents a massive payday. Hacking and stealing the ship could earn them enough to settle down, have children, and pay for the treatments to save Saga’s mother’s life. But the Martian Queen is much more than their employer has told them. In the twenty years since it was abandoned, something strange and dangerous has come to reside in the decadent vessel. Saga feels herself being drawn into a spider’s web, and must navigate the traps and lures of an awakening intelligence if she wants to go home again.

What I thought: I thought that the worldbuilding and characterization in this space opera mystery about an awakening AI were really well-done, and am hoping for more from the authors in this universe. Depending on how my Hugo ballot shakes out, this could be in the running for an appearance on it.

Penric’s Fox, by Lois McMaster Bujold [Penric #5, sequel to Penric and the Shaman] (no excerpt)

Spectrum Literary Agency, editor unknown

cover art and design by Ron Miller

Synopsis: Some eight months after the events of Penric and the Shaman, Learned Penric, sorcerer and scholar, travels to Easthome, the capital of the Weald. There he again meets his friends Shaman Inglis and Locator Oswyl. When the body of a sorceress is found in the woods, Oswyl draws him into another investigation; they must all work together to uncover a mystery mixing magic, murder and the strange realities of Temple demons.

Filer Comments:

  • Lace: takes place after Penric and the Shaman, with some supporting characters in common. I liked this one more than the pair starting with Penric’s Mission. It’s in the middle of my pack of maybes for the Hugo ballot, though I’ve only collected a couple of probables so far.
  • Kendall: Bujold goes back in time to write a story connected to (and not long after, IIRC) Penric and the Shaman. I enjoy the Penric & Desdemona novellas a lot; this is a very good addition to the line-up, a little mystery-adventure with more talk about cbffvoyr pbaarpgvbaf orgjrra qrzbaf naq funznavp cbjref.

Mira’s Last Dance, by Lois McMaster Bujold [Penric #4, sequel to Penric’s Mission] (audio excerpt)

Spectrum Literary Agency, editor unknown

cover art and design by Ron Miller

Synopsis: The injured Penric, a Temple sorcerer and learned divine, tries to guide the betrayed General Arisaydia and his widowed sister Nikys across the last hundred miles of hostile Cedonia to safety in the Duchy of Orbas. In the town of Sosie, the fugitive party encounters unexpected delays, and even more unexpected opportunities and hazards, as the courtesan Mira of Adria, one of the ten dead women whose imprints make up the personality of the chaos demon Desdemona, comes to the fore with her own special expertise.

Filer Comments:

  • ULTRAGOTHA: my least favorite so far of her Penric stories. There doesn’t seem to be as much there there, this time. There will probably be another Penric story as this one ends in a good place for it to end, but there’s obviously more to come. It takes up immediately after Penric’s Mission with the same three characters (or 15 if you count the Lioness and the Mare). I find Bujold’s stories always, always, improve on re-reading. It’s extraordinary how she manages to do that! So I suspect I’ll like it better the next time around.
  • Arifel: I have to give a massive “wait what????” to. Of course it’s all good solid well written Bujold fun, but the main plot makes light of transphobia and violence against sex workers in a way i was really disappointed by (the more spoilery elaboration is that Craevp, jvgu n cnegvphyne snprg bs Qrfqrzban ng gur uryz, ratntrf va na riravat bs frk jbex jvgu n urgrebfrkhny zna juvyr cnffvat nf n jbzna, naq zbfg bs gur punenpgref rkcrpg gur phfgbzre gb erfcbaq jvgu ivbyrapr vs Craevp vf bhgrq – fb sne fb ernyvfgvp, naq V unir ab crefbany vffhr jvgu gur jnl frk jbex be traqre naq frkhnyvgl ner cerfragrq va n ernfbanoyl znggre bs snpg jnl, ohg V URNIVYL dhrfgvba Ohwbyq’f qrpvfvba gb cynl nyy guvf nf n uhzbebhf fbhepr bs grafvba.)

The Prisoner of Limnos, by Lois McMaster Bujold [Penric #6, sequel to Mira’s Last Dance] (no excerpt)

Spectrum Literary Agency, editor unknown

cover art and design by Ron Miller

Synopsis: Temple sorcerer Penric and the widow Nikys have reached safety in the duchy of Orbas when a secret letter from a friend brings frightening news: Nikys’s mother has been taken hostage by her brother’s enemies at the Cedonian imperial court, and confined in a precarious island sanctuary. Their own romance still unresolved, Nikys, Penric, and of course Desdemona must infiltrate the hostile country once more, finding along the way that family relationships can be as unexpectedly challenging as any rescue scheme.

What I thought: I will say that while I have really enjoyed all of the Penric novellas, possibly Penric’s Mission (which was actually well into novel length) might be the only one I really felt rose to Hugo level for me. Both last year, and this year (so far), the rest of them are in my Top 10 but not in my Top 5. They’re great stories, but they seem a bit slight compared to the Vorkosigan stories; they’re solid but not exceptional. That’s probably a function of length, but also probably of their “quietness”. I suspect that if Mission / Dance / Prisoner had been released as one novel, they’d have more of an impact for me. (I re-read Mission before reading Dance, and I re-read Dance before reading Prisoner. For those who have the ability and the reading time to do that, I recommend doing so.)

Filer Comments:

  • Mark-kitteh: The new Penric is good.
  • techgrrl1972: I loved the new Penric, although I don’t always appreciate Lois’ choice of where to stop. It’s not like she needs these sortakinda cliffhangers to draw us back for the next instalment!
  • JJ: I wouldn’t necessarily say that it ends with a cliffhanger. It stops at a logical place, having completed this particular story, but with plenty of seeds dropped for future adventures.

Down Among the Sticks and Bones, by Seanan McGuire [Wayward Children #2, prequel to Every Heart A Doorway] (excerpt Ch 1-2) (audio excerpt Ch 3)

Tor.com Publishing, edited by Lee Harris

cover photographs by Getty Images, design by FORT

Synopsis: Twin sisters Jack and Jill were seventeen when they found their way home and were packed off to Eleanor West’s Home for Wayward Children. This is the story of what happened first… Jacqueline was her mother’s perfect daughter – polite and quiet, always dressed as a princess. If her mother was sometimes a little strict, it’s because crafting the perfect daughter takes discipline. Jillian was her father’s perfect daughter – adventurous, thrill-seeking, and a bit of a tom-boy. He really would have preferred a son, but you work with what you’ve got. They were five when they learned that grown-ups can’t be trusted. They were twelve when they walked down the impossible staircase and discovered that the pretense of love can never be enough to prepare you a life filled with magic in a land filled with mad scientists and death and choices.

What I thought: I really enjoyed the first novella, and this one provides some good character development for the twin sisters from that story. I re-read the first one after reading this, so the inconsistency between the two endings – probably an artifact of trying to retrofit a prequel after the later story has been published – was rather obvious. Nevertheless, I thought this was very good, but it didn’t quite reach the level of Doorway for me. The third novella, Beneath the Sugar Sky, comes out in January 2018.

Filer Comments:

  • Beth in MA: Premise: What happened to Jack and Jill before Every Heart a Doorway? We find out about the world they went to and what happened there. I picked this up on my birthday weekend trip and really loved it! The world is creepy and yet, the real world for the twins was creepy too. In fact, in some ways, the real world for them was worse. We see how that world affected them in the otherworld they visited. It is definitely at the top of my 2017 novella longlist.
  • Chip Hitchcock: So with the discussion of Every Heart a Doorway coming back, has anyone else read the partial prequel, Down Among the Sticks and Bones? I just finished it and am very torn; it’s a powerful story, but there’s much more telling than showing, including a lot of “this is the way Story goes” lines. It’s possible that showing would have taken a much larger book (a very fast count suggests it’s 30-35K words), or even technique McGuire doesn’t have yet (based on my having read most of what’s she’s written), or maybe she’s deliberately writing something that might be called interpreted fiction?
  • Peer Sylvester: Just finished [it]. The short version: Its the Roald Dahlish backstory of Jack and Jill and thats a bit of a problem, because Jack has revealed her backstory in Doorway already and this is just the fleshed-out-version of said backstory. So, there is not much room for surprises here. But its beautifully written – again! If you like Seanan McGuires writing style (and I very much do), you will enjoy this as well. I just hope the third wayward children book will offer a bit more in terms of story.
  • Kendall: I listened to McGuire narrate her novella Down Among the Sticks and Bones this week; she was a pretty good narrator. The book was good, but I liked the first one better. Two minor criticisms (leaving off a third tiny nit I was going to pick): There was too much “I will now talk about how I’m telling you the story that you’re reading” and faux-children’s-book stuff. The former (weirdly) seems like it would work better in print, and was a little clunky; the latter isn’t really my style. Am I misremembering the first novella – did it do this, too?! I want to re-listen anyway, to see the twins now that I’ve listened to the prequel. The twins’ pre-door back story should’ve been shorter. The background helped us understand how they became the people that made the choices they did in the Moors, and how they developed into the characters we met in the first book. But it was too long and a bit tedious. Also, it was the most juvenile-written part (as in, seemingly written for juveniles), too, which isn’t to my taste. The Moors remind me of D&D’s Ravenloft – in a good way. I was very interested to see Qbpgbe Oyrnx pbhyq perngr n qbbe; and to see fbzrbar jub jrag guebhtu n qbbe ohg unq n snvyrq “fgbel” naq jnf genccrq, rgp. Anyway, overall, I enjoyed it and look forward to the next one.
  • Karl-Johan Norén: @Kendall: Every Heart a Doorway is very straightforwardly narrated, so no, it differed from [this one] both in tone and in narrative style. I think the main trouble with Sticks and Bones is twofold: first it’s a prequel, so you have start and end points set, second any story set in McGuire’s fairylands is likely to depend heavily on narrative causality. I’m not sure she has leveled up as an author enough yet to tackle works that explore works of narrative causality yet (not like, say, Cat Valente or the late Terry Pratchett).
  • David Goldfarb: I just finished reading [it], and my socks were knocked off to the extent that it made me go back and re-read “Every Heart a Doorway”. The first time I read Heart I was annoyed by some of its flaws (chiefly that I found the solution of the mystery plot a bit obvious), but this time I was able to focus more on the themes of self-acceptance.
  • Bonnie McDaniel: I actually liked this better than Every Heart a Doorway, as it lacked the somewhat distracting murder mystery plot. This tightly written backstory of Jack and Jill, and nightmare parenting, pulls no punches. At the end, the reader knows just what the twins found in their portal world of the Moors, and understands why they would do anything to return there.
  • Arifel: (specifically the audiobook version read by the author: ) I find it hard to pay attention to audio for long periods of time, but I listened to the whole 4 hours of this in almost one sitting without getting distracted. It’s a powerful story about femininity and sisterhood which worked better for me on a first pass than Every Heart A Doorway. Excellent narration. Will be very surprised if this isn’t on All The Lists at the end of the year

Dusk or Dark or Dawn or Day, by Seanan McGuire (excerpt)

Tor.com Publishing, edited by Lee Harris

cover photographs by Emma Cox and Corey Weiner, design by Jamie Stafford-Hill

Synopsis: When her sister Patty died, Jenna blamed herself. When Jenna died, she blamed herself for that, too. Unfortunately Jenna died too soon. Living or dead, every soul is promised a certain amount of time, and when Jenna passed she found a heavy debt of time in her record. Unwilling to simply steal that time from the living, Jenna earns every day she leeches with volunteer work at a suicide prevention hotline. But something has come for the ghosts of New York, something beyond reason, beyond death, beyond hope; something that can bind ghosts to mirrors and make them do its bidding. Only Jenna stands in its way.

What I thought: I really enjoyed this story. McGuire’s work, in my opinion, ranges from very good to absolutely fantastic. I’d put this one in the very good range; I thought that it was solid and well-done, but not exceptional.

Filer Comments:

  • Mark-kitteh: This is… a separate standalone in a new continuity. Any description of the plot spoils a well-played reveal early in the story so I’m going to keep quiet, but it’s just as readable as you’d expect from McGuire. What I particularly liked was that it had some of the older Urban Fantasy feel of being about people and places and the connections between the two. There’s an element that deserves a content note (rot13 although it’s also obvious from the blurb: Gur znva punenpgre jbexf ng n fhvpvqr ubgyvar naq ure fvfgre pbzzvggrq fhvpvqr) but I believe it’s handled sensitively.
  • Peer Sylvester: Thanks to the Filers who recommended [this]! It was just the right read for a sick day in bed… Easy, but very nice indeed, great world Building, great characters, just the story was a bit on the thin side. But beautiful written and as I sad good “Comfy-iterature” (And yes, its best to go in it totally “cold”, i.e. knowing nothing about the story)
  • Cassy B.: A compelling ghost story… written from the point of view of the ghost.

Idle Ingredients, by Matt Wallace [Sin du Jour #4, sequel to #1 Envy of Angels, #2 Lustlocked, and #3 Pride’s Spell] (excerpt)

Tor.com Publishing, edited by Lee Harris

cover photograph by Getty Images, design by Peter Lutjen

Synopsis: Catering for a charismatic motivational speaker, the staff of the Sin du Jour catering agency find themselves incapacitated by a force from within their ranks. A smile and a promise is all it took. And for some reason, only the men are affected. It’s going to take cunning, guile and a significant amount of violence to resolve. Another day of cupcakes and evil with your favorite demonic caterers.

Greedy Pigs, by Matt Wallace [Sin du Jour #5] (excerpt)

Tor.com Publishing, edited by Lee Harris

cover photograph by Getty Images, design by Peter Lutjen

Synopsis: Politics is a dirty game. When the team at Sin du Jour accidentally caters a meal for the President of the United States and his entourage, they discover a conspiracy that has been in place since before living memory. Meanwhile, the Shadow Government that oversees the co-existence of the natural and supernatural worlds is under threat from the most unlikely of sources. It’s up to one member of the Sin du Jour staff to prevent war on an unimaginable scale. Between courses, naturally.

Gluttony Bay, by Matt Wallace [Sin du Jour #6] (excerpt)

Tor.com Publishing, edited by Lee Harris

cover photograph by Getty Images, design by Peter Lutjen

Synopsis: Welcome to Gluttony Bay High Security Supernatural Prison. We value your patronage. For your entertainment this evening, we are delighted to welcome the world’s most renowned paranormal culinary experts. And on the menu: You.

What I thought: I’m another that loves this series: for the appealing characters, the inventiveness of the otherworldly cuisine, the humor which is great without going over-the-top into cringeworthy, and the way he intertwines the supernatural world with the real world so deftly that it’s utterly believable. Content note: While all of the novellas have some element of gore and/or violence, Gluttony Bay is particularly so. The 7th (and ostensibly the last) Deadly Sin du Jour book, Taste of Wrath, comes out in April 2018.

Filer comments on the Sin du Jour series:

  • Alasdair: One of the Crown Jewels of Tor’s novella lone. Inventive, funny and immensely confident writing.
  • Greg Hullender: The biggest problem I have with this series is that there are too many characters, and they can be hard to tell apart. As a consequence, the individual stories (apart from “Small Wars”) don’t stand alone very well.
  • Kendall: I love this series!
  • Cheryl S.: I really love this series and look forward to every new novella, because they’re terrific; well written, with interesting, offbeat characters that grow in unexpected directions. Plus, there’s always something funny but totally plausible in each one (Goblin King anyone?).
  • Kendall: I also finished Greedy Pigs last night – the latest “Sin du Jour” novella. I read Idle Ingredients… and they’re more closely connected plot-wise than previous entries, ISTM… I enjoyed earlier entries a little more, but I can’t pinpoint why, sorry. Unrelated, but it seemed like there was less food?! LOL. I like that Darren’s and especially Lena’s characters are developing, in these two novellas, and I look forward to the final two entries in the series.

Acadie, by Dave Hutchinson (excerpt)

Tor.com Publishing, edited by Lee Harris

cover art by Stephen Youll, design by Christine Foltzer

Synopsis: The Colony left Earth to find their utopia – a home on a new planet where their leader could fully explore the colonists’ genetic potential, unfettered by their homeworld’s restrictions. They settled a new paradise, and have been evolving and adapting for centuries. Earth has other plans. The original humans have been tracking their descendants across the stars, bent on their annihilation. They won’t stop until the new humans have been destroyed, their experimentation wiped out of the human gene pool. Can’t anyone let go of a grudge anymore?

What I thought: This is an interesting story and an enjoyable read, but perhaps suffers a bit in execution by comparison to similar stories; explaining why would be spoiling the story, so I’ll just suggest reading this if the synopsis appeals to you.

Agents of Dreamland, by Caitlín R. Kiernan (excerpt)

Tor.com Publishing, edited by Jonathan Strahan

cover photograph by Getty Images, design by Christine Foltzer

Synopsis: A government special agent known only as the Signalman gets off a train on a stunningly hot morning in Winslow, Arizona. Later that day he meets a woman in a diner to exchange information about an event that happened a week earlier for which neither has an explanation, but which haunts the Signalman. In a ranch house near the shore of the Salton Sea a cult leader gathers up the weak and susceptible – the Children of the Next Level – and offers them something to believe in and a chance for transcendence. The future is coming and they will help to usher it in. A day after the events at the ranch house which disturbed the Signalman so deeply that he and his government sought out help from ‘other’ sources, Johns Hopkins Applied Physics Laboratory abruptly loses contact with NASA’s interplanetary probe New Horizons. Something out beyond the orbit of Pluto has made contact. And a woman floating outside of time looks to the future and the past for answers to what can save humanity.

What I thought: There are a lot of elements in this work which will only really have meaning for someone who has at least a passing familiarity with Lovecraft’s works. I found it to be more of a “and then this happened… and then this happened…” story, and less what I’d consider a story with a plot and a resolution (but I guess that description would apply to a lot of Lovecraft works). In a review of Dreamland, James K. Nelson says “enough is resolved to satisfy the reader, but we never fully get our bearings on the forces at work. ” I’m going to disagree with him on that; I didn’t think that enough is revealed to be satisfying. I do think that Lovecraft fans will enjoy this, though.

Filer Comments:

  • PhilRM: Two agents from separate, mysterious government agencies – a man known only as the Signalman, and a woman who is even more mysterious than the agency she works for – meet in Winslow, Arizona to trade information on a horrifying event that occurred in a decaying house near the Salton Sea, an event that proves to be only the latest in a series, and will not be the last. No one does modern-day Lovecraft better than Kiernan: this searing, disturbing novella takes place in a universe that, at best, is bleak and indifferent. It also lies at the SF end of the SF/horror spectrum, as in most of late Lovecraft. You will benefit from having read Lovecraft’s The Whisperer in Darkness, but it’s not required. Beautifully written and as dark as a dream of Yuggoth.
  • Mark-kitteh: Another in [Tor.com’s] mini-theme of Lovecraftian stories… and probably the one least likely to be accessible to non-fans of Lovecraft. It’s a rather twisty tale about an unnamed investigator looking into a weird cult with a sense of quiet desperation, while a prescient colleague follows similar threads with quiet acceptance. It was suitably moody but I wasn’t that taken with it.
  • Bonnie McDaniel: I loved this. It’s dense, complex, non-linear, with great characterizations and beautiful writing. It’s a surprisingly successful, if bizarre, blending of Lovecraft and The X-Files, with an alien invasion fit to give anyone nightmares. It’s a shame Kiernan isn’t better known, and it would be great if this story could change that. For the moment, at the top of my Hugo list.
  • Rob Thornton: I wasn’t too hot on Kij Johnson’s Dream-Quest of Vellitt Boe (paled next to the original despite the 21c updates) but Kiernan’s Dreamland truly captures the feverishly bizarre quality of good Lovecraftian fiction. Highly recommended and of course it is on my Hugo list.

At the Speed of Light, by Simon Morden (no excerpt)

NewCon Press, edited by Ian Whates

cover art by Chris Moore, design by Andy Bigwood

Synopsis: A breathless drama set in the depths of space. Aboard a ship that has travelled beyond the reach of human knowledge, Corbyn discovers he is not as alone as he ought to be.

What I thought: A novella about how a near-light-speed vehicle might work, with an uploaded mind as an AI and adaptable drones, and the technical aspects of relativity and maneuvering at such a speed. I found it very Interesting, but the plot, such as it is, is just set dressing for the technical aspects. I’m not sorry I read it, but I can’t enthuse about it either. I gave it 3.5 stars. Morden has a murder mystery set on Mars, One Way, coming out in February 2018 (under the name S.J. Morden), which sounds good enough that I’m already on my library’s waiting list for it.

Filer Comments:

  • Mark-kitteh: I read [it] as well, and I’d totally agree – all the clever science couldn’t cover for a rather meh story.

Binti: Home, by Nnedi Okorafor [Binti #2, sequel to Binti] (excerpt)

Tor.com Publishing, edited by Lee Harris

cover art by Dave Palumbo, design by Christine Foltzer

Synopsis: It’s been a year since Binti and Okwu enrolled at Oomza University. A year since Binti was declared a hero for uniting two warring planets. A year since she found friendship in the unlikeliest of places. And now she must return home to her people, with her friend Okwu by her side, to face her family and face her elders. But Okwu will be the first of his race to set foot on Earth in over a hundred years, and the first ever to come in peace. After generations of conflict can human and Meduse ever learn to truly live in harmony?

What I thought: Like the previous novella, this story has some interesting world-building – but like the previous one, it relies on another deus ex machina in the third act to get where it wants to go. It’s well worth reading, but won’t be on my Hugo ballot.

Filer Comments:

  • Arifel: a very worthy continuation of 2015’s winner, and I’m very excited to see how the final(?) installment [Binti: The Night Masquerade, coming out in January 2018] pans out.

Brother’s Ruin, by Emma Newman [Industrial Magic #1] (excerpt)

Tor.com Publishing, edited by Lee Harris

cover art by Cliff Nielsen, design by Christine Foltzer

Synopsis: The year is 1850 and Great Britain is flourishing, thanks to the Royal Society of the Esoteric Arts. When a new mage is discovered, Royal Society elites descend like buzzards to snatch up a new apprentice. Talented mages are bought from their families at a tremendous price, while weak mages are snapped up for a pittance. For a lower middle class family like the Gunns, the loss of a son can be disastrous, so when seemingly magical incidents begin cropping up at home, they fear for their Ben’s life and their own livelihoods. But Benjamin Gunn isn’t a talented mage. His sister Charlotte is, and to prevent her brother from being imprisoned for false reporting she combines her powers with his to make him seem a better prospect. When she discovers a nefarious plot by the sinister Doctor Ledbetter, Charlotte must use all her cunning and guile to protect her family, her secret and her city.

Filer Comments:

  • Mark-kitteh: This is a Victorian urban fantasy, although apparently they want us to call it a Gaslamp Fantasy which, hmm, let’s see if it catches on. It’s the start of a series and does an ok-but-not-brilliant job of being a standalone story, mostly setting up the world and getting some initial plot, which is that magic in England is controlled by three competing Guilds, rogue mages are caught and forcefully enrolled, and there’s something non-specifically rotten going on with the whole system, which our protagonist will undoubtedly be bumbling into at some point. Speaking of our protagonist, Charlotte is an artist who is already hiding her mundane talent under a bushel by illustrating under a male pseudonym, which leads neatly into the inevitable discovery that she’s also hiding a non-mundane talent under a bushel too… Anyway, Emma Newman is a good writer of UF already, and so this is a good piece of UF and I like the (ahem) gaslamp setting, but I ended up feeling a bit like I’d been served up the first third of a novel. I’ll be picking up the sequel(s) but I really wish first volumes would be a bit more standalone, and if you’re likely to be frustrated by that then you might want to hold off.
  • Kendall: first of two (or four, if they sell well!) in the Industrial Magic set of novellas, which Tor’s calling gaslamp fantasy. IIRC it’s around the 1850s, around the industrial revolution, but powered by magic. Magi are required to work for the Crown via the Royal Society and can’t marry or pursue other endeavors. Hiding your magic (or even not reporting someone else you know has magic) is against the law. It’s all a bit dire and draconian, which makes a good setup for tension and paranoia on the part of the main character – a woman hiding her magic, and a career as an artist, to boot. Anyway, I enjoyed this a lot… there’s a lot of setup here, but for me there was enough plot and intrigue that it felt like a complete story, while obviously setting up the next novella(s). I hope there are more than two; I enjoyed it a lot. It’s way to early to say whether it would be on my Hugo list, but I definitely recommend it!
  • Arifel: great, with an interesting worldbuilding setup and a slightly thin but compelling enough cast, but it does feel like the first third of a really interesting novel, not a complete story in itself – looking forward to more but I recommend anyone who likes solid resolution at the end of their reading hold off for now.
  • Chip Hitchcock: I was looking forward to this as I liked her other fantasy, but was disappointed by [this] first book.

Weaver’s Lament, by Emma Newman [Industrial Magic #2] (excerpt)

Tor.com Publishing, edited by Lee Harris

cover art by Cliff Nielsen, design by Christine Foltzer

Synopsis: Charlotte is learning to control her emerging magical powers under the secret tutelage of Magus Hopkins. Her first covert mission takes her to a textile mill where the disgruntled workers are apparently destroying expensive equipment. And if she can’t identify the culprits before it’s too late, her brother will be exiled, and her family dishonoured…

What I thought: As others have mentioned, these are parts 1 and 2 of a 3-part novel, and may not be satisfying when read individually. I read all 5 of the author’s Split Worlds novels earlier this year, and I really enjoyed them (enough for it to be a Best Series contender), but these first two Industrial Magic novellas feel a lot like re-treads of that series, and I can’t get really enthused about them.

The Dispatcher, by John Scalzi (audio excerpt)

(likely not award-eligible, due to 2016 Audible release)

Subterranean Press, editor unknown; Audible version narrated by Zachary Quinto

cover art by Vincent Chong, design by Desert Isle Design

Synopsis: One day, not long from now, it becomes almost impossible to murder anyone – 999 times out of a thousand, anyone who is intentionally killed comes back. How? We don’t know. But it changes everything: war, crime, daily life. Tony Valdez is a Dispatcher – a licensed, bonded professional whose job is to humanely dispatch those whose circumstances put them in death’s crosshairs, so they can have a second chance to avoid the reaper. But when a fellow Dispatcher and former friend is apparently kidnapped, Tony learns that there are some things that are worse than death, and that some people are ready to do almost anything to avenge what they see as a wrong. It’s a race against time for Valdez to find his friend before it’s too late…before not even a Dispatcher can save him.

What I thought: If you can just roll with the utterly unbelievable premise, this is an enjoyable read – but I suspect that it will end up being one of Scalzi’s less successful attempts at expanding his oeuvre. I’m not sorry I read it, but I can’t enthuse about it, either.

Filer Comments:

  • Kendall: I recommend John Scalzi’s The Dispatcher
  • Anne Goldsmith: I think The Dispatcher was my favourite of these, but I may be giving it subconscious bonus points for being read aloud by Zachary Quinto.
  • Cheryl S.: meh, it was fine but I’m not sure what got it so many five star reviews on Amazon

The Dragon of Dread Peak, by Jeremiah Tolbert (prequel The Cavern of the Screaming Eye) (full text Part 1 Part 2)

Lightspeed Magazine #89 October 2017, edited by John Joseph Adams

Illustration by Reiko Murakami

Synopsis: In a world where trans-dimensional portals from RPG universes have intruded upon and devastated the real world, children and teenagers are the defenders against the monsters and further encroachment. But the dangers in dungeonspace are real: Rash, who was an expert monster slayer, never came back from his last mission a year ago – one of many who have died trying to close down the portals. His younger brother, Flip, has secretly become a crawler in defiance of his mother’s grief – and with his inexperienced team, Flip has been taking on progressively more dangerous portals in the hope of finding and rescuing his brother. What’s more, a mysterious voice has been talking only to him inside of dungeonspace, its motives unknown.

What I thought: Despite not being a gamer, I enjoyed this story; I suspect that RPGers will like it even more. I highly recommend reading the short story prequel “The Cavern of the Screaming Eye” first, as it provides a little additional worldbuilding and characterization for this novella.

The Enclave, by Anne Charnock (no excerpt)

NewCon Press, edited by Ian Whates

cover art by Chris Moore, design by Andy Bigwood

Synopsis: Advances in genetic engineering have created a population free of addictive behaviour. Violent crime is rare. But out in the enclaves it’s survival of the fittest for Lexie – embroiled in a recycling clan and judged unfit for cognitive implants – and Caleb, a young climate migrant working as an illegal, who is eager to prosper and one day find his father.

What I thought: This is an interesting story, set in the same universe as A Calculated Life. I enjoyed it and found it solid but not outstanding.

The Furthest Station, by Ben Aaronovitch [Rivers of London] (excerpt)

Subterranean Press / Gollancz, edited by Editor

cover art by Stephen Walters, design by Desert Isle Design

Synopsis: There have been ghosts on the London Underground, sad, harmless spectres whose presence does little more than give a frisson to travelling and boost tourism. But now there’s a rash of sightings on the Metropolitan Line and these ghosts are frightening, aggressive and seem to be looking for something. Enter PC Peter Grant, junior member of the Metropolitan Police’s Special Assessment unit a.k.a. The Folly a.k.a. the only police officers whose official duties include ghost hunting. Together with Jaget Kumar, his counterpart at the British Transport Police, he must brave the terrifying crush of London’s rush hour to find the source of the ghosts. Joined by Peter’s wannabe wizard cousin, a preschool river god and Toby the ghost hunting dog, their investigation takes a darker tone as they realise that a real person’s life might just be on the line. And time is running out to save them.

What I thought: This is a nice little standalone side mystery in the Rivers of London universe, quick and enjoyable – and minus any of the laddish, male-gazey aspects of the early novels in the series.

Filer Comments:

  • Mark-kitteh: It’s very consistent with the rest of the series so if, like me, you’re a fan of the series then you’ll enjoy this. If you’ve found it’s not your cup of tea, then this won’t change your mind. The title refers to the fact that parts of the London Underground actually head out to some very far-flung places. (For a non-Londoner like me it’s a bit disconcerting to find yourself traveling through green fields on an “underground” train!) It doesn’t really advance the main plot significantly, but is a nice little mystery solved with a good combo of magic and real police work.

Havergey, by John Burnside (excerpt)

Little Toller Monographs, editor unknown

cover art by Norman Ackroyd, designer unknown

Synopsis: A few years from now on the small and remote island of Havergey, a community of survivors from a great human catastrophe has created new lives and a new world in a landscape renewed after millennia of human exploitation. This is an exploration of what constitutes a utopia, a reminder of how precious and precarious our world is, and a rejection of the idea of human supremacy over landscape and wildlife.

What I thought: This is a bit like a near-future, post-apocalypse version of Thoreau’s Walden, in which a time traveler from our era arrives on an island populated by anarchist utopians who survived a devastating global plague, and consists mainly of manuscript readings of the colony’s historians with the traveler’s own personal musings. Fans of literary speculative fiction and philosophy may really enjoy it, but it’s definitely not an SF adventure.

I Met a Traveller in an Antique Land, by Connie Willis (excerpt)

Asimov’s Science Fiction Nov-Dec 2017, edited by Sheila Williams

cover art by Bob Eggleton

Synopsis: An author, in New York City to meet with his publisher and do promotion for his book, takes refuge from a bad storm in a tiny used bookstore in an unfamiliar area of the city. But the store is much larger inside than it looks from the outside, and there’s clearly something mysterious going on.

What I thought: I’m a big Connie Willis fan, and I enjoyed this story, but honestly, it felt a lot like a re-tread mashup of some of her other stories, especially The Winds of Marble Arch. It’s clear very early on to the reader what is really going on (at least it was for me), so it didn’t have that feel of a mystery eventually followed by a discovery which has made a lot of her other stories so enjoyable for me. I thought it was worth reading, but not award-worthy.

In Calabria, by Peter S. Beagle (excerpt)

Tachyon Publications, edited by Rachel Fagundes

cover design by Elizabeth Story

Synopsis: Claudio Bianchi has lived alone for many years on a hillside in Southern Italy’s scenic Calabria. Set in his ways and suspicious of outsiders, Claudio has always resisted change, preferring farming and writing poetry. But one chilly morning, as though from a dream, an impossible visitor appears at the farm. When Claudio comes to her aid, an act of kindness throws his world into chaos. Suddenly he must stave off inquisitive onlookers, invasive media, and even more sinister influences.

What I thought: This is a lovely little fable and well worth reading, but did not come close to the level of The Last Unicorn for me.

Killing Gravity, by Corey J. White [The Voidwitch Saga #1] (excerpt)

Tor.com Publishing, edited by Carl Engle-Laird

cover art by Tommy Arnold, design by Christine Foltzer

Synopsis: Before she escaped in a bloody coup, MEPHISTO transformed Mariam Xi into a deadly voidwitch. Their training left her with terrifying capabilities, a fierce sense of independence, a deficit of trust, and an experimental pet named Seven. She’s spent her life on the run, but the boogeymen from her past are catching up with her. An encounter with a bounty hunter has left her hanging helpless in a dying spaceship, dependent on the mercy of strangers. Penned in on all sides, Mariam chases rumors to find the one who sold her out. To discover the truth and defeat her pursuers, she’ll have to stare into the abyss and find the secrets of her past, her future, and her terrifying potential.

What I thought: The worldbuilding in this is pretty well-done, but I found it a little too predictable and tropey to reach the level of excellent. It’s well worth reading, though, and I’ll be picking up its sequel, Void Black Shadow, which comes out in March 2018.

Filer Comments:

  • Mark-kitteh: This is probably going to suffer from being the novella I read after the excellent All Systems Red, but it was clever enough to cheat by having an exceptionally cute cat-like creature in it for bonus points. It’s a grimy sort of space opera setting, with mercs, bounty hunters, miserable planets and chaotic stations. The protagonist is Mariam Xi, nicknamed Mars, with her not-a-cat Seven. Mars is a powerful telekinetic and she’s permanently running from the big evil corp that made her that way. (You could make a lazy comparison to River Tam and Firefly at this point, but it’s a fairly different plot.) Anyway, shenanigans happen and there’s a rapid tour of various locations in the grimy space opera settings. I would say it’s solid rather than spectacular – none of the elements are especially original on their own but it’s all well put together. One thing that niggled was that her abilities kept on being just powerful enough for the situation, even if she’d dealt with much worse elsewhere in the story. It appears to be the start of a series but stood on its own well enough. I don’t see it troubling my novella shortlist, but on the other hand it appears to be the author’s professional debut – no short stories that I can see – and it was sufficiently interesting that they go onto my Campbell watch list.

The Lamb Will Slaughter the Lion, by Margaret Killjoy [Danielle Cain #1] (excerpt)

Tor.com Publishing, edited by Diana Pho

cover art by Mark Smith; design by Jamie Stafford-Hill

Synopsis: Searching for clues about her best friend’s mysterious suicide, Danielle ventures to the squatter, utopian town of Freedom, Iowa, and witnesses a protector spirit – in the form of a blood-red, three-antlered deer – begin to turn on its summoners. She and her new friends have to act fast if they’re going to save the town – or get out alive.

What I thought: This story features a great selection of diverse characters, but parts of the plot didn’t really work for me, and it definitely felt like a first novel to me. A sequel, The Barrow Will Send What it May, comes out in April 2018, but I probably won’t be picking it up.

Filer Comments:

  • Bonnie McDaniel: This was an odd little book, and I’m including it because while I don’t think it was really for me, I imagine plenty of other people will like it. It’s a punk anarchist mindtrip, with plenty of zombified demon animals, and yes, it’s just as wacky as it sounds. Whether the story hangs together will depend on your tolerance of its collectivist anarchist mindset, but I appreciate that it’s an ambitious story that takes risks.
  • Mark-kitteh: I wasn’t actually going to pick this out, but then it got strongly recced in several places and so I decided to give it a try – and I’m glad I did, because although it’s a bit uneven I found it really interesting. Danielle Cain travels to a small squatters town of utopian-minded anarchists to find out why her friend died. It turns out that the townsfolk have called up that which they cannot put down – a protector spirit in the form of a demonic deer which has started taking a very… abrupt… view of what protection means. I have to say that the concept didn’t grab me when I first heard about it, but actually it works really well. It’s a warts-and-all portrayal of this type of community – something well outside my experience – with the fantasy element rather acting as a metaphor for the problems that it throws up. This style of story lives and dies by the lead character, and Cain is well-drawn and interesting. I also liked that the fantasy element was very limited and mysterious – there’s not a whole menagerie of magic animals trotting around, just this one weird beast that someone created without really knowing what they were doing.
  • Meredith: The imagery… has really stuck with me (I badly want someone to adapt it, it would look amazing), but I wish I’d come out of it feeling like I knew the viewpoint character, like, at all. There’s a bit about her being The Traveler, and I wondered whether that was a hint that she wasn’t human (anymore?) but sort of took on aspects of the people she travels with and that was why she never seemed like much of a person, but they never went anywhere with it, so… ¯\_(?)_/¯ (But I did like a lot of stuff about it! Characters just matter a lot to me as a reader. Probably still the third most interesting novella I’ve read this year, behind And Then There Were N-One and All Systems Red.)

A Long Day in Lychford, by Paul Cornell [Lychford #3, sequel to #1 Witches of Lychford and #2 Lost Child of Lychford] (excerpt)

Tor.com Publishing, edited by Lee Harris

cover photograph by Mark Owen, cover design by FORT

Synopsis: It’s a period of turmoil in Britain, with the country’s politicians electing to remove the UK from the European Union, despite ever-increasing evidence that the public no longer supports it. And the small town of Lychford is suffering. But what can three rural witches do to guard against the unknown? And why are unwary hikers being led over the magical borders by their smartphones’ mapping software? And is the immigration question really important enough to kill for?

What I thought: I thought that Witches was great, and that Lost Child was very good (with the exception of the part with the consent-violating physical assault by the “good guys” against another character, which was pretty awful). But this one just didn’t really do it for me. It’s the story of a one-day ordeal experienced by the 3 main characters, but it felt forced and artificial and pointless to me.

Filer Comments:

  • Kendall: Quoting myself: “I suspect I won’t enjoy it as much as the first two”. Well, I was wrong; it was very good! I’m not sure, but I may have enjoyed it more than the second one. It was depressing and made me sad, especially at the end, but it was well done. BTW this seemed shorter than the others (but I presume it’s still a novella). It’ll probably go into the novella cage match on my ballot.

Mightier than the Sword, by K. J. Parker (no excerpt)

Subterranean Press, editor unknown

cover art by Vincent Chong, design by Desert Isle Design

Synopsis: An Imperial legate is called in to see his aunt, who just happens to be the empress running the civilized world while her husband’s in his sick bed. After some chastisement, she dispatches her nephew to take care of the dreaded Land and Sea Raiders, pirates who’ve been attacking the realm’s monasteries. So begins a possibly doomed tour of banished relatives and pompous royals put in charge of monasteries like Cort Doce and Cort Maleston, to name a few. While attempting to discover the truth of what the pirates might be after, the legate visits great libraries and halls in each varied locale and conducts a romance of which he knows – but doesn’t care – his aunt will not approve. With enough wit and derring-do (and luck), the narrator might just make it through his mission alive… or will he?

What I thought: I’ve really enjoyed the author’s other novellas, and this is another which is well worth reading for its sly humor and solid plotting.

The Murders of Molly Southbourne, by Tade Thompson (excerpt)

Tor.com Publishing, edited by Carl Engle-Laird

cover photograph by RekhaGarton, design by Christine Foltzer

Synopsis: Since she was a small child, Molly has learned that when she sheds blood, Molly-clones magically appear and try to kill her. Her parents have ingrained into her a protective routine to prevent extra Mollys from occurring, and for defending herself and eliminating them when they do occur. But as she gets older, the occurrences become more frequent, and they start to threaten people Molly cares about, too.

What I thought: This isn’t really my sort of thing, but the author actually manages to present a somewhat plausible explanation of the situation at the end of the story which made it interesting reading. If you’re into horror, it might be your sort of thing. Trigger Warning for huge amounts of blood and violence.

Of Things Unknown, by Seanan McGuire [October Daye / April O’Leary] (no excerpt)

(included with the novel The Brightest Fell)

DAW Books, edited by Sheila Gilbert

cover art by Chris McGrath

Synopsis: April O’Leary, (rot13’ed for those who have not yet read the second novel in the October Daye series, A Local Habitation) n qelnq jub abj rkvfgf cheryl nf n ploreorvat va gur pbzchgre flfgrz bs gur snrevr Pbhagl bs Gnzrq Yvtugavat, vf fgvyy zbheavat gur qrngu bs ure “zbgure”, VG theh Wnahnel B’Yrnel, naq frireny bs gur pbhagl’f bgure orybirq erfvqragf ng gur unaqf bs na rivy vagreybcre. Ohg jvgu Gbol’f uryc, gurer vf n cbffvovyvgl gung n erfheerpgvba, bs ng yrnfg fbzr bs gur ivpgvzf, pna or npuvrirq.

What I thought: I enjoyed this novella, which is a follow-on to the second novel in the October Daye series, A Local Habitation, and is a nice expansion on the personality of a secondary character in it. However, it would not stand alone well, and is only recommended to those who have read that book or who have read a lot of the stories in the series.

Proof of Concept, by Gwyneth Jones (excerpt)

Tor.com Publishing, edited by Jonathan Strahan

cover by Drive Communication

Synopsis: On a desperately overcrowded future Earth, crippled by climate change, the most unlikely hope is better than none. Governments turn to Big Science to provide them with the dreams that will keep the masses compliant. The Needle is one such dream, an installation where the most abstruse theoretical science is being tested: science that might make human travel to a habitable exoplanet distantly feasible. When the Needle’s director offers her underground compound as a training base, Kir is thrilled to be invited to join the team, even though she knows it’s only because her brain is host to a quantum artificial intelligence called Altair. But Altair knows something he can’t tell. Kir, like all humans, is programmed to ignore future dangers. Between the artificial blocks in his mind, and the blocks evolution has built into his host, how is he going to convince her the sky is falling?

What I thought: I enjoyed this story, but not as much as I wanted to. It probably warranted a second read to put all the pieces into place once the ending is known, but I didn’t feel compelled to take the time to do so. Readers who find the synopsis appealing will probably enjoy it.

River of Teeth, by Sarah Gailey [River of Teeth #1] (excerpt)

Tor.com Publishing, edited by Justin Landon

cover art by Richard Anderson, design by Christine Foltzer

Synopsis: In the early 20th Century, the United States government concocted a plan to import hippopotamuses into the marshlands of Louisiana to be bred and slaughtered as an alternative meat source. This is true. Other true things about hippos: they are savage, they are fast, and their jaws can snap a man in two. This was a terrible plan. Contained within this volume is an 1890s America that might have been: a bayou overrun by feral hippos and mercenary hippo wranglers from around the globe. It is the story of Winslow Houndstooth and his crew. It is the story of their fortunes. It is the story of his revenge.

Filer Comments:

  • Bonnie McDaniel: This has been mentioned before, but I’ll second (or third) it – what’s not to love about an alternate history weird Western with hippopotami? Also, I believe Sarah Gailey is still eligible for the Campbell (2nd year).
  • Bruce Arthurs: enjoyed it a lot. I got the feeling that the plot structure was heavily influenced by television writing, rather than standard book plotting.
  • Mark-kitteh: River of Teeth was fun. Perhaps the concept was a bit better than the execution, but still worth a read.
  • Chris S.: pretty fun, good characters, great concept, extremely dodgy geography (naq abg rabhtu sreny uvccbf, frrzrq gb or n irel fznyy nern jurer gurl yvirq pbzcnerq gb jung gur znc fhttrfgf). I enjoyed it..

Taste of Marrow, by Sarah Gailey [River of Teeth #2] (excerpt)

Tor.com Publishing, edited by Justin Landon

cover art by Richard Anderson, design by Christine Foltzer

Synopsis: A few months ago, Winslow Houndstooth put together the damnedest crew of outlaws, assassins, cons, and saboteurs on either side of the Harriet for a history-changing caper. Together they conspired to blow the dam that choked the Mississippi and funnel the hordes of feral hippos contained within downriver, to finally give America back its greatest waterway. Songs are sung of their exploits, many with a haunting refrain: “And not a soul escaped alive.” In the aftermath of the Harriet catastrophe, that crew has scattered to the winds. Some hunt the missing lovers they refuse to believe have died. Others band together to protect a precious infant and a peaceful future. All of them struggle with who they’ve become after a long life of theft, murder, deception, and general disinterest in the strictures of the law.

What I thought: These are entertaining little Magnificent Sevenish stories, and the alternate history plotline of the hippos is interesting but rather peripheral to what are essentially standard tropey Westerns set in the Louisiana bayou. They’re readable, but I can’t rave about them.

Filer Comments:

  • Peer: I’m happy to report that I enjoy this more than the first part: It still has the cool setting and the great characters AND it gets going much faster. Im not sure the story is that much deeper or original, but it works better because there is no more need of introduction. Fun, nice read!
  • Mark-kitteh: The sequel to River of Teeth, picking the plot up shortly afterwards… if you liked the first one then pick this up, if you didn’t then I doubt this will improve your opinion. I do think it shows Gailey improving as a writer, as she weaves several storylines together with aplomb.

Snapshot, by Brandon Sanderson (excerpt)

Vault Books / Dragonsteel Entertainment, edited by Peter Orullian and Moshe Feder

cover art by Howard Lyon, design by Isaac Stewart

Synopsis: If you could re-create a day, what dark secrets would you uncover? Anthony Davis and his partner, Chaz, are the only real people in a city of 20 million, sent there by court order to find out what happened in the real world 10 days ago so that hidden evidence can be brought to light and located in the real city today. Within the re-created Snapshot of May 1, Davis and Chaz are the ultimate authorities. Flashing their badges will get them past any obstruction and overrule any civil right of the dupes around them. But the crimes the detectives are sent to investigate seem like drudgery – until they stumble upon the grisly results of a mass killing that the precinct headquarters orders them not to investigate. That’s one order they have to refuse. The hunt is on. And though the dupes in the replica city have no future once the Snapshot is turned off, that doesn’t mean that both Davis and Chaz will walk out of it alive tonight.

What I thought: This is another of what I have come to recognize as standard Sanderson storytelling. It’s a slick little plot along the same lines as Perfect State but better done; unfortunately, I didn’t find the surprise ending very surprising. Solid but not exceptional.

Standard Hollywood Depravity, by Adam Christopher [Ray Electromatic] (excerpt)

Tor.com Publishing, edited by Miriam Weinberg

cover art and design by Will Staehle

Synopsis: The moment Raymond Electromatic set eyes on her, he knew she was the dame marked in his optics, the woman that his boss had warned him about. Honey. As the band shook the hair out of their British faces, stomping and strumming, the go-go dancer’s cage swung, and the events of that otherwise average night were set in motion. A shot, under the cover of darkness, a body bleeding out in a corner, and most of Los Angeles’ population of hired guns hulking, sour-faced over un-drunk whiskey sours at the bar. But as Ray tries to track down the package he was dispatched to the club to retrieve, his own programming might be working against him, sending him down a long hall and straight into a mobster’s paradise. Is Honey still the goal – or was she merely bait for a bigger catch? Just your standard bit of Hollywood depravity, as tracked by the memory tapes of a less-than-standard robot hitman.

What I thought: This is a little noir mystery story featuring an android whose programming gets reset after every mission. Enjoyable but not spectacular (but I haven’t read the other stories in the series, which might make a difference).

Other 2017 Novellas:

Bearly a Lady, by Cassandra Khaw (excerpt)

Book Smugglers Publishing, edited by Ana Grilo and Thea James

cover art by Muna Abdirahman, design by Kenda Montgomery

Synopsis: Zelda McCartney (almost) has it all: a badass superhero name, an awesome vampire roommate, and her dream job at a glossy fashion magazine (plus the clothes to prove it). The only issue in Zelda’s almost-perfect life? The uncontrollable need to transform into a werebear once a month. Just when Zelda thinks things are finally turning around and she lands a hot date with Jake, her high school crush and alpha werewolf of Kensington, life gets complicated. Zelda receives an unusual work assignment from her fashionable boss: play bodyguard for devilishly charming fae nobleman Benedict (incidentally, her boss’s nephew) for two weeks. Will Zelda be able to resist his charms long enough to get together with Jake? And will she want to? Because true love might have been waiting around the corner the whole time in the form of Janine, Zelda’s long-time crush and colleague. What’s a werebear to do?

Filer Comments:

  • Mark-kitteh: This is not the grim and disturbing Cassandra Khaw you might be expecting. In fact, this is a romcom featuring a Were-bear trying to get on in the big city (London in this case, although it could be NY just as easily) with job, romance, and life. Were-bear in the City, if you will. Anyway… a romcom isn’t really in my wheelhouse but I still enjoyed this – there’s a nice mix of competing life pressures for the lead character to juggle in a slightly madcap way. I suspect that if the lead character speaks to you more strongly than she did to me then you’ll like this very much.

The Black Tides of Heaven, by JY Yang [Tensorate] (excerpt)

Tor.com Publishing, editor unknown

cover art by Yuko Shimizu, design by Christine Foltzer

Synopsis: Mokoya and Akeha, the twin children of the Protector, were sold to the Grand Monastery as infants. While Mokoya developed her strange prophetic gift, Akeha was always the one who could see the strings that moved adults to action. While Mokoya received visions of what would be, Akeha realized what could be. What’s more, they saw the sickness at the heart of their mother’s Protectorate. A rebellion is growing. The Machinists discover new levers to move the world every day, while the Tensors fight to put them down and preserve the power of the state. Unwilling to continue as a pawn in their mother’s twisted schemes, Akeha leaves the Tensorate behind and falls in with the rebels. But every step Akeha takes towards the Machinists is a step away from Mokoya. Can Akeha find peace without shattering the bond they share with their twin?

The Red Threads of Fortune, by JY Yang [Tensorate] (excerpt)

Tor.com Publishing, editor unknown

cover art by Yuko Shimizu, design by Christine Foltzer

Synopsis: Fallen prophet, master of the elements, and daughter of the supreme Protector, Sanao Mokoya has abandoned the life that once bound her. Once her visions shaped the lives of citizens across the land, but no matter what tragedy Mokoya foresaw, she could never reshape the future. Broken by the loss of her young daughter, she now hunts deadly, sky-obscuring naga in the harsh outer reaches of the kingdom with packs of dinosaurs at her side, far from everything she used to love. On the trail of a massive naga that threatens the rebellious mining city of Bataanar, Mokoya meets the mysterious and alluring Rider. But all is not as it seems: the beast they both hunt harbors a secret that could ignite war throughout the Protectorate. As she is drawn into a conspiracy of magic and betrayal, Mokoya must come to terms with her extraordinary and dangerous gifts, or risk losing the little she has left to hold dear.

The Book Club, by Alan Baxter (excerpt)

PS Publishing, editor unknown

cover art by Ben Baldwin, design by Michael Smith

Synopsis: Jason Wilkes s life takes a turn for the worse when his wife fails to come home from her book club. Jason calls Kate s book buddy , Dave, who assures him she left hours ago. Contacting the police, Jason finds them equal parts sympathetic and suspicious. He tells them almost everything, except that he s been hearing Kate s voice, calling as if from far away. He certainly doesn t mention that he s seeing shadows that reach for him. With the police getting nowhere fast, Jason takes matters into his own hands, even as nightmare images and Kate s distant cries continue to haunt his waking moments and his dreams, and the strange, grasping shadows persist. Jason begins to unravel the mystery, but he s at odds with the police, he s being lied to by Kate s book club friends, and his chances of finding Kate slip ever further away. It seems that everything is going to go as wrong as it possibly can.

Buffalo Soldier, by Maurice Broaddus (excerpt)

Tor.com Publishing, edited by Lee Harris

cover art by Jon Foster, design by Christine Foltzer

Synopsis: Having stumbled onto a plot within his homeland of Jamaica, former espionage agent, Desmond Coke, finds himself caught between warring religious and political factions, all vying for control of a mysterious boy named Lij Tafari. Wanting the boy to have a chance to live a free life, Desmond assumes responsibility for him and they flee. But a dogged enemy agent remains ever on their heels, desperate to obtain the secrets held within Lij for her employer alone.

Assassins, intrigue, and steammen stand between Desmond and Lij as they search for a place to call home in a North America that could have been.

Case of the Bedevilled Poet: A Sherlock Holmes Enigma, by Simon Clark (no excerpt)

NewCon Press, edited by Ian Whates

cover art by Vincent Sammy, design by Andy Bigwood

Synopsis: After narrowly escaping a bomb blast during the blitz in WW-II London, poet Jack Crofton is threatened with death and worse by a mysterious soldier. Fleeing through the war-torn streets, he seeks sanctuary in a pub and falls into company with two elderly gentlemen who claim to be Holmes and Watson, the real life detectives that inspired Conan Doyle’s fictions. Unconvinced but desperate, Jack shares his story, and Holmes agrees to take his case…

Cottingley, by Alison Littlewood (no excerpt)

NewCon Press, edited by Ian Whates

cover art by Vincent Sammy, design by Andy Bigwood

Synopsis: In 1917 the world was rocked by claims that two young girls – Elsie Wright and Frances Griffiths – had photographed fairies in the sleepy village of Cottingley. In 2017, a century later, we finally discover the true nature of these fey creatures. Correspondence has come to light that contains a harrowing account, written by village resident Lawrence Fairclough, laying bare the fairies’ sinister malevolence and spiteful intent.

The Emperor and the Maula, by Robert Silverberg (no excerpt)

Subterranean Press, editor unknown

cover art by Jim Burns, designer unknown

Synopsis: This is the story of a woman telling a story in order to extend – and ultimately preserve – her life. The Scheherazade of this striking story is Laylah Walis, denizen of a far-future Earth which has been invaded and conquered by a starfaring race known as the Ansaarans. Laylah is a “maula,” a barbarian forbidden, under pain of death, to set foot on the sacred home worlds of the imperial conquerors. Knowing the risks, Laylah travels to Haraar, home of the galactic emperor himself. Once there, she delays her execution by telling the emperor a story – and telling it well. That story, the tale within a tale that dominates this book, is, in fact, Laylah’s own story. It is also the story of the beleaguered planet Earth, of people struggling, often futilely, to oppose their alien masters and restore their lost independence.

Final Girls, by Mira Grant (excerpt)

Subterranean Press, editor unknown

cover art by Julie Dillon, designer unknown

Synopsis: What if you could fix the worst parts of yourself by confronting your worst fears? Dr. Jennifer Webb has invented proprietary virtual reality technology that purports to heal psychological wounds by running clients through scenarios straight out of horror movies and nightmares. In a carefully controlled environment, with a medical cocktail running through their veins, sisters might develop a bond they’ve been missing their whole liveswhile running from the bogeyman through a simulated forest. But… can real change come so easily? Esther Hoffman doubts it. Esther has spent her entire journalism career debunking pseudoscience, after phony regression therapy ruined her father’s life. She’s determined to unearth the truth about Dr. Webb’s budding company. Dr. Webb’s willing to let her, of course, for reasons of her own. What better advertisement could she get than that of a convinced skeptic? But Esther’s not the only one curious about how this technology works. Enter real-world threats just as frightening as those created in the lab. Dr. Webb and Esther are at odds, but they may also be each other’s only hope of survival.

Filer Comments:

  • Lace: just finished [this], and I’m still unpacking some of my thoughts. There are aspects I found underdeveloped though not central, a central story with layers to its horror, and an ending and implications to think through. A scientist has immersive VR technology that’s being used to help people shed psychological trauma; a skeptical reporter comes to write a story about it. Matters develop from there. In general, I don’t like horror, and probably wouldn’t have read this without the combination of picking it up in a Humble Bundle, and generally enjoying Seanan McGuire. Probably worth a look and opinion from someone better suited to weighing it up.

The Girl Who Stole Herself, by R. Garcia y Robertson (excerpt)

Asimov’s Science Fiction Jul-Aug 2017, edited by Sheila Williams

cover art by Bob Eggleton

Synopsis: A young woman escapes being kidnapped by human traffickers to embark on an interplanetary space adventure.

The Girls With Kaleidoscope Eyes, by Howard V. Hendrix (excerpt)

Analog Science Fiction May-Jun 2017, edited by Trevor Quachri

cover art by NASA

Synopsis: A government agent must investigate and discover the truth in a case of an aborted bombing attack on a classroom full of girls.

Gwendy’s Button Box, by Richard Chizmar and Stephen King [Castle Rock] (excerpt)

Cemetary Dance, editor unknown

cover art by Ben Baldwin and illustrations by Keith Minnion, designer unknown

Synopsis: There are three ways up to Castle View from the town of Castle Rock: Route 117, Pleasant Road, and the Suicide Stairs. Every day in the summer of 1974, twelve-year-old Gwendy Peterson has taken the stairs, which are held by strong – if time-rusted – iron bolts and zig-zag up the precarious cliffside. Then one day when Gwendy gets to the top of Castle View, after catching her breath and hearing the shouts of kids on the playground below, a stranger calls to her. There on a bench in the shade sits a man in black jeans, a black coat, and a white shirt unbuttoned at the top. On his head is a small, neat black hat. The time will come when Gwendy has nightmares about that hat… The little town of Castle Rock, Maine has witnessed some strange events and unusual visitors over the years, but there is one story that has never been told – until now.

Heaven’s Covenant, by Bud Sparhawk (no excerpt)

Analog Science Fiction Sep-Oct 2017, edited by Trevor Quachri

cover art by Eldar Zakirov

Synopsis: In the run-up to a space colony mission, the expedition’s leader must unravel the threads of conspiracy and political intrigue which threaten it.

Homecoming, by Rachel Pollack [Jack Shade] (no excerpt)

Fantasy and Science Fiction Jan-Feb 2017, edited by C.C. Finlay

cover art by Charles Vess

Synopsis: A paranormal private investigator is hired by a woman to find her missing soul.

How Sere Picked Up Her Laundry, by Alexander Jablokov (excerpt)

Asimov’s Science Fiction Jul-Aug 2017, edited by Sheila Williams

cover art by Bob Eggleton

Synopsis: An investigator is hired to learn the cause of a mysterious death in a planetary colony.

Ironclads, by Adrian Tchaikovsky (excerpt)

Solaris, edited by Jonathan Oliver

cover art by Maz Smith, designer unknown

Synopsis: Scions have no limits. Scions do not die. And Scions do not disappear. Sergeant Ted Regan has a problem. A son of one of the great corporate families, a Scion, has gone missing at the front. He should have been protected by his Ironclad – the lethal battle suits that make the Scions masters of war – but something has gone catastrophically wrong.

Now Regan and his men, ill equipped and demoralized, must go behind enemy lines, find the missing Scion, and uncover how his suit failed. Is there a new Ironclad-killer out there? And how are common soldiers lacking the protection afforded the rich supposed to survive the battlefield of tomorrow?

Filer Comments:

  • Lace: A group of soldiers/grunts in a near-future war is sent to rescue a wealthy soldier, whose supersuit has inexplicably failed behind enemy lines. Some fun geopolitics, maybe a bit stretched but not cookie-cutter, and an asymmetric war with some eerie opposition. “Bugs” aren’t front and center in this one, but they have an enjoyable role.

Infernal Parade, by Clive Barker (no excerpt)

Subterranean Press, edited by Editor

cover art by and interior illustrations by Bob Eggleton, designer unknown

Synopsis: Convicted criminal Tom Requiem returns from the brink of death to restore both fear and a touch of awe to a complacent world. Tom becomes the leader of the eponymous “parade,” which ranges from the familiar precincts of North Dakota to the mythical city of Karantica. Golems, vengeful humans both living and dead, and assorted impossible creatures parade across these pages. The result is a series of highly compressed, interrelated narratives that are memorable, disturbing, and impossible to set aside.

The Keeper of the Dawn, by Dianna Gunn (excerpt)

Book Smugglers Publishing, edited by Ana Grilo and Thea James

cover art by Reiko Murakami, design by unknown

Synopsis: All Lai has ever wanted is to become a priestess, like her mother and grandmother before her, in service to their beloved goddess. That’s before the unthinkable happens, and Lai fails the trials she has trained for her entire life. She makes the only choice she believes she can: she runs away. From her isolated desert homeland, Lai rides north to the colder, stranger kingdom of Alanum – a land where magic, and female warriors, are not commonplace. Here, she hears tales about a mountain city of women guardians and steel forgers, worshiping goddesses who sound very similar to Lai’s own. Determined to learn more about these women, these Keepers of the Dawn, Lai travels onward to find their temple. She is determined to make up for her past failure, and will do whatever it takes to join their sacred order. Falling in love with another initiate was not part of the plan.

The Little Gift, by Stephen Volk (excerpt)

PS Publishing, editor unknown

cover art by Pedro Marques, designer unknown

Synopsis: I was Group Manager at forty-six with a Range Rover Evoque, a beautiful wife and two gorgeous, healthy children, and that was all I wanted. Or so I thought…This is the story of a man who takes a path to become the person he always wanted to be, but never believed he was. Fate takes a hand, a very special person enters his life and changes everything. Emboldened by an irrational passion he risks everything he thought he loved and valued – but the price is worth paying for happiness… Isn’t it?

The Man Who Put the Bomp, by Richard Chwedyk [Saur #5] (no excerpt)

Fantasy and Science Fiction Mar-Apr 2017, edited by C.C. Finlay

cover art by Bryn Barnard

Synopsis: Once they were an in-demand toy craze, but now genetically-engineered, sentient tiny dinosaurs which have escaped or been discarded live together in a community, where various plots, mysteries, and agendas intersect.

Mandelbrot the Magnificent, by Liz Ziemska (excerpt)

Tor.com Publishing, edited by Ann VanderMeer

cover art and design by Will Staehle

Synopsis: Born in the Warsaw ghetto and growing up in France during the rise of Hitler, Benoit Mandelbrot found escape from the cruelties of the world around him through mathematics. Logic sometimes makes monsters, and Mandelbrot began hunting monsters at an early age. Drawn into the infinite promulgations of formulae, he sinks into secret dimensions and unknown wonders. His gifts do not make his life easier, however. As the Nazis give up the pretense of puppet government in Vichy France, the jealousy of Mandelbrot’s classmates leads to denunciation and disaster. The young mathematician must save his family with the secret spaces he’s discovered, or his genius will destroy them.

Mapping the Interior, by Stephen Graham Jones (excerpt)

Tor.com Publishing, edited by Ellen Datlow

cover art by Greg Ruth, design by Christine Foltzer

Synopsis: Walking through his own house at night, a fifteen-year-old thinks he sees another person stepping through a doorway. Instead of the people who could be there, his mother or his brother, the figure reminds him of his long-gone father, who died mysteriously before his family left the reservation. When he follows it he discovers his house is bigger and deeper than he knew. The house is the kind of wrong place where you can lose yourself and find things you’d rather not have. Over the course of a few nights, the boy tries to map out his house in an effort that puts his little brother in the worst danger, and puts him in the position to save them… at terrible cost.

Native Seeds, by Catherine Wells (no excerpt)

Analog Science Fiction Nov-Dec 2017, edited by Trevor Quachri

cover art by Marianne Plumridge Eggleton

Synopsis: On a post-apocalyptic earth, two groups of survivors must find a way to work together to ensure the genetic diversity of threatened species.

Never Now Always, by Desirina Boskovich (excerpt)

Broken Eye Books, edited by Scott Gable, C. Dombrowski, and Matt Youngmark

cover art and design by Jeremy Zerfoss

Synopsis: A dark future finds humanity imprisoned. Invaders took away our story and rewrote everything: all minds, all lives, all history. Everyone forgot. How could this happen? But in this now, Lolo must reclaim her stolen words – her stolen family – from the silent Caretakers. She must call out to all rapt children, “This world is hell. Let’s run.” When the words needed are forgotten, lying unknown, when memories flit like smoke, how can she recover what is lost? She must. To live in this nightmare without a story would be too much to bear.

Nexus, by Michael F. Flynn (excerpt)

Analog Science Fiction Mar-Apr 2017, edited by Trevor Quachri

cover art by Tomislav Tikulin

Synopsis: The life of a time traveler obsessed with fixing the history he destroyed with his mistake intersects with that of several other humans, aliens and androids, all of whom have their own urgent agendas.

Not Far Enough, by Martin L. Shoemaker (no excerpt)

Analog Science Fiction Jul-Aug 2017, edited by Trevor Quachri

cover art by Rado Javor

Synopsis: The surviving members of disastrous Mars exploration mission must battle a rogue AI to get what they need to stay alive.

Plaisir d’Amour, by John Alfred Taylor (excerpt)

Analog Science Fiction Mar-Apr 2017, edited by Trevor Quachri

cover art by Tomislav Tikulin

Synopsis: A sociologist visits a low-gravity mining colony to study its genetically-engineered inhabitants, and falls in love with one of them despite the fact that there is no possibility for them of having a future together.

A Portrait of the Desert in Personages of Power, by Rose Lemberg [Birdverse] (full text)

Beneath Ceaseless Skies #229 July 2017, editor unknown

Synopsis: The Old Royal, a magical bigender being who has reigned for millenia, is threatened by the arrival of a young stranger.

Filer Comments:

The Process (Is a Process All Its Own), by Peter Straub (excerpt)

Subterranean Press, editor unknown

cover art and design by Michael Fusco Straub

Synopsis: This is the story of a 1950s Jack The Ripper, told from the killer’s perspective, with occasional glimpses into the perspectives of his victims.

The Proving Ground, by Alec Nevala-Lee (excerpt)

Analog Science Fiction Jan-Feb 2017, edited by Trevor Quachri

cover art by Kurt Huggins

Synopsis: In a near-future where rising sea-levels threaten existing cities, a woman hopes that an island will provide a safe haven for her community. But the birds are behaving very strangely, to the point of becoming threatening the future existence of the colony, and she needs to find out what’s causing their destructive behavior.

Reenu-You, by Michele Tracy Berger (excerpt)

Book Smugglers Publishing, edited by Ana Grilo and Thea James

cover art by Emma Glaze, designer unknown

Synopsis: New York City, August 1998. On a muggy summer day, five women wake up to discover purple scab-like lesions on their faces – a rash that pulses, oozes, and spreads in spiral patterns. City clinic doctors dismiss the women’s fears as common dermatitis, a regular skin rash. But as more women show up with the symptoms, one clear correlation emerges: an all-natural, first-of-its-kind hair relaxer called Reenu-You. As the outbreak spreads, and cases of new rashes pop up in black and latino communities throughout New York, panic and anger also grows. When the malady begins to kill, medical providers and the corporation behind the so-called hair tonic face charges of conspiracy and coercion from outraged minority communities and leaders across the country. At the heart of the epidemic are these five original women; each from different walks of life. As the world crumbles around them, they will discover more about each other, about themselves, and draw strength to face the future together.

Filer Comments:

  • Arifel: Reenu-you by Michele Tracy Berger… [is] great.

Renegat, by Orson Scott Card [Ender’s Universe] (full text)

Infinite Stars, edited by Bryan Thomas Schmidt

cover art by Julia Lloyd

Synopsis: This Ender’s Universe story, a follow-on from Children of the Fleet, is told from Dabeet Ochoa’s point of view as he, Speaker for the Dead Ender, and Valentine try to solve a murder mystery on the planet Catalunya.

River’s Edge by James P. Blaylock [Langdon St. Ives] (no excerpt)

Subterranean Press, editor unknown

cover art by J.K. Potter, designer unknown

Synopsis: The body of a girl washes up on a mud bank along the edge of the River Medway amid a litter of poisoned fish and sea birds, casting an accusing shadow upon the deadly secrets of the Majestic Paper Mill and its wealthy owners. Simple answers to the mystery begin to suggest insidious secrets, and very quickly Langdon St. Ives and his wife Alice are drawn into a web of conspiracies involving murder, a suspicious suicide, and ritual sacrifice at a lonely and ancient cluster of standing stones. Abruptly St. Ives’s life is complicated beyond the edge of human reason, and he finds himself battling to save Alice’s life and the ruination of his friends, each step forward leading him further into the entanglement, a dark labyrinth from which there is no apparent exit.

Rupert Wong and the Ends of the Earth, by Cassandra Khaw [Gods and Monsters: Rupert Wong #2] (excerpt)

Abaddon Books, edited by David Moore

cover art by Sam Gretton, design by Sam Gretton and Oz Osborne

Synopsis: For a man who started a celestial war, Rupert Wong, Seneschal of Kuala Lumpur and indentured cannibal chef, isn’t doing too badly for himself. Sure, his flesh-eating bosses inexplicably have him on loan to the Greek pantheon, the very gods he thrust into interethnic conflict. Sure, the Chinese Hells have him under investigation for possible involvement in the fracas. And sure as hell, he’s already elbow-deep in debt with the Sisyphean gambling ring. But Rupert is alive. For now. Really, it could be slightly worse.

Snowspelled, by Stephanie Burgis [The Harwood Spellbook #1] (excerpt)

Five Fathoms Press, editor unknown

cover art by Leesha Hannigan, design by Patrick Samphire

Synopsis: Four months ago, Cassandra Harwood was the first woman magician in Angland, and she was betrothed to the brilliant, intense love of her life. Now Cassandra is trapped in a snowbound house party deep in the elven dales, surrounded by bickering gentleman magicians, manipulative lady politicians, her own interfering family members, and, worst of all, her infuriatingly stubborn ex-fiancé, who refuses to understand that she’s given him up for his own good. But the greatest danger of all lies outside the manor in the falling snow, where a powerful and malevolent elf-lord lurks…and Cassandra lost all of her own magic four months ago. To save herself, Cassandra will have to discover exactly what inner powers she still possesses – and risk everything to win a new kind of happiness.

Filer Comments:

  • Lace: First-in-series in a Regency-esque England where the humans are at truce with the elves, and women handle the politicking while men do the magic. For me, it almost felt like its own prequel – a lot of fun world-building setting up future installments, but not too much happens. I’ll probably be back to see where Burgis goes from here. If you enjoy Kowal’s Glamourist Histories or Cho’s Sorcerer to the Crown, or Burgis’s other work, you should take a look.

A Song for Quiet, by Cassandra Khaw [Persons Non Grata #2] (excerpt)

Tor.com Publishing, edited by Carl Engle-Laird

cover art by Jeffrey Alan Love, design by Christine Foltzer

Synopsis: Deacon James is a rambling bluesman straight from Georgia, a black man with troubles that he can’t escape, and music that won’t let him go. On a train to Arkham, he meets trouble – visions of nightmares, gaping mouths and grasping tendrils, and a madman who calls himself John Persons. According to the stranger, Deacon is carrying a seed in his head, a thing that will destroy the world if he lets it hatch. The mad ravings chase Deacon to his next gig. His saxophone doesn’t call up his audience from their seats, it calls up monstrosities from across dimensions. As Deacon flees, chased by horrors and cultists, he stumbles upon a runaway girl, who is trying to escape the destiny awaiting her. Like Deacon, she carries something deep inside her, something twisted and dangerous. Together, they seek to leave Arkham, only to find the Thousand Young lurking in the woods. The song in Deacon’s head is growing stronger, and soon he won’t be able to ignore it any more.

The Speed of Belief, by Robert Reed [The Great Ship Universe] (no excerpt)

Asimov’s Science Fiction Jan-Feb 2017, edited by Sheila Williams

cover art by Maurizio Manzieri

Synopsis: Travelers on a journey to negotiate with a new alien race for new resources must try to salvage their mission when everything goes horribly awry.

The Squirrel on the Train, by Kevin Hearne [Iron Druid / Oberon’s Meaty Mysteries #2] (no excerpt)

Subterranean Press, editor unknown

cover art by Galen Dara, designer unknown

Synopsis: Oberon the Irish wolfhound is off to Portland to smell all the things with canine companions wolfhound Orlaith and Boston terrier Starbuck, and, of course, his human, ancient Druid Atticus O’Sullivan. The first complication is an unmistakable sign of sinister agendas afoot: a squirrel atop the train. But an even more ominous situation is in store when the trio plus Atticus stumble across a murder upon arrival at the station. They recognize Detective Gabriela Ibarra, who’s there to investigate. But they also recognize the body – or rather that the body is a doppelganger for Atticus himself. The police, hampered by human senses of smell and a decided lack of canine intuition, obviously can’t handle this alone. Not with Atticus likely in danger. Oberon knows it’s time to investigate once more – for justice! For gravy! And possibly greasy tacos!

Stillborne, by Marc Laidlaw [Gorlen Vizenfirth] (excerpt)

Fantasy and Science Fiction Nov-Dec 2017, edited by C.C. Finlay

cover art by Kent Bash

Synopsis: The bard Gorlen Vizenfirthe has been cursed — his hand replaced with the stone paw of a gargoyle named Spar, who is reciprocally afflicted. Together, the two of them search for a cure to their problem and frequently end up in fresh varieties of trouble. In this story, which is perhaps the series finale, Gorlen and Spar travel to join the swarm of the Philosopher Moths: giant insects with telepathic powers, who may be able to finally give them a cure for their curse.

The Strange Bird by Jeff VanderMeer [Borne] (excerpt)

MCD/FSG, edited by Sean McDonald

cover design by Abby Kagan

Synopsis: The Strange Bird is a new kind of creature – she is part bird, part human, part many other things. But now the lab in which she was created is under siege and the scientists have turned on their animal creations. But, even if she escapes, she cannot just soar in peace above the earth. The farther she flies, the deeper she finds herself in the orbit of the Company, a collapsed biotech firm that has populated the world with experiments both failed and successful: a pack of networked foxes, a giant predatory bear. But of the many creatures she encounters, it is the humans – all of them now simply scrambling to survive – who are the most insidious, who still see her as simply something to possess, to capture, to trade, to exploit. Never to understand, never to welcome home.

Strange Dogs, by James S. A. Corey [The Expanse] (excerpt)

Orbit Books, edited by Will Hinton

cover art and design by Kirk Benshoff

Synopsis: Like many before them, Cara and her family ventured through the gates as scientists and researchers, driven to carve out a new life and uncover the endless possibilities of the unexplored alien worlds now within reach. But soon the soldiers followed – and under this new order, Cara makes a discovery that will change everything.

Sunwake, in the Lands of Teeth, by Juliette Wade (full text)

Clarkesworld #127 June 2017, edited by Neil Clarke

cover art by Eddie Mendoza

Synopsis: A member of an alien race which resembles dogs, who has made friends with human visitors, must undertake a dangerous rescue mission to bring back his human friend in time for a meeting with his ruler.

Tao Zero, by Damien Broderick (no excerpt)

Asimov’s Science Fiction Mar-Apr 2017, edited by Sheila Williams

cover art by Tomislav Tikulin

Synopsis: The children of two families immersed in different aspects of the Tao philosophy must come together to save the world.

Taste of Ashes, by Charles E. Gannon [Tales of the Terran Republic / Caine Riordan] (no excerpt)

Infinite Stars, edited by Bryan Thomas Schmidt

cover art by Julia Lloyd

Synopsis: This story is set in the author’s Caine Riordan universe; it appears to be an excerpt of the first book in the series, Fire with Fire, about humans’ first encounter with several more advanced races of aliens who have formed an interstellar alliance.

Temporary Duty Assignment, by A.E. Ash (prequel Nice) (no excerpt)

Book Smugglers Publishing, edited by Ana Grilo and Thea James

cover art by Reiko Murakami, design by Kenda Montgomery

Synopsis: Samantha Gao is an elite Metro soldier, dedicated to the job and to her team. But following a devastating mission, Sam is handed a new temporary duty assignment. On paper, she’s supposed to babysit a Metro tech-inspector during a routine evaluation of Greenerhouse seed colony’s corporate sponsor. Sam expects to be on duty at all times, ready for whatever comes. But what she didn’t expect was to see him – Caleb – again. Caleb Estes is an engineer at Greenerhouse and cannot believe his luck when his first love, Samantha Gao, walks into his lab – and back into his life. It’s enough to make him believe in second chances after all. But Sam and Caleb’s reconciliation will have to wait when the routine bodyguard job goes sideways, and the future of the seed colony itself is at stake…

There Was a Crooked Man, He Flipped a Crooked House, by David Erik Nelson (no excerpt)

Fantasy and Science Fiction Jul-Aug 2017, edited by C.C. Finlay

cover art by Nicholas Grunas

Synopsis: The employee of a professional house renovator/flipper is sent to evaluate a gorgeous old mansion as a possible new project, but the house turns out to be an extra-dimensional horror.

The Twilight Pariah, by Jeffrey Ford (excerpt)

Tor.com Publishing, edited by Ellen Datlow

cover photograph by Roy Bishop, design by Christine Foltzer

Synopsis: All Maggie, Russell, and Henry wanted out of their last college vacation was to get drunk and play archaeologist in an old house in the woods outside of town. When they excavate the mansion’s outhouse they find way more than they bargained for: a sealed bottle filled with a red liquid, along with the bizarre skeleton of a horned child. Disturbing the skeleton throws each of their lives into a living hell. They feel followed wherever they go, their homes are ransacked by unknown intruders, and people they care about are brutally, horribly dismembered. The three friends awakened something, a creature that will stop at nothing to retrieve its child.

Published through Tor.com’s Novella line, but NOT novellas

  • The Fortress at the End of Time, by Joe M. McDermott
  • Switchback, by Melissa F. Olson
  • A Red Peace, by Spencer Ellsworth [Starfire #1]
  • Shadow Sun Seven, by Spencer Ellsworth [Starfire #2]

Pixel Scroll 11/3/17 Third Pixel To The Right And Scroll On ‘Til Morning

(1) DISCLAIMERS. Daniel Dern noticed this disclaimer on latest 30-second Justice League trailer (at the very end): “Sequences of Sci-Fi Action and Violence”

“Accurate. Intriguingly specific,” he says. “Makes me wonder what other disclaimers might be.” And he suggests —


“Cussing, pouting, and attitude. Do not attempt these magic experiments without proper protective gear and spells.”


“Warning: If you’ve read the rest of the books, you know things keep getting worse.”


“Warning: It’s not Bob who’s your uncle.”

(2) KINGS OF THE PUBLISHING WORLD. The family that sells together rings cash register bells together…. “Stephen and Owen King and Joe Hill are all on the New York Times bestseller list right now”.

In what’s a first for the Kings, three out of five members of the family are all on the New York Times bestseller list as of this week.

Stephen King and his youngest son, Owen, collaborated on the highly entertaining horror yarn “Sleeping Beauties,” about a mysterious mystical occurrence that puts all the women of the world to sleep — and if they wake up, well, watch out. That book came out on Sept. 26 and immediately shot to the top of the hardcover fiction list; it still remains at number four, five weeks in.

Meanwhile, Joe Hill, the eldest of the King kids, last week released “Strange Weather,” a collection of four novellas about the supernatural and horrific. It debuted this week at number nine on the hardcover fiction charts.

(3) GRIPE SESSION. ComicsBeat’s Heidi MacDonald covers the complaints about the Central Canada Comic Con held in Winnipeg: “When a con goes badly: Area man claims C4 Winnipeg was ‘The Worst Convention I Have Ever Attended’”. According to webcomics creator Michael McAdam —

Blanket statement that remained true for the entire weekend: No volunteer anywhere could answer any questions. They were confused, lost, disjointed, or had incorrect information. In fact, a Facebook friend of mine tried to attend on Saturday- and was given so many incorrect directions to registration that he gave up and left without entering the con! Think about that: a paying attendee, who wants to come in and spend his money, can’t even get directed to the proper entrance due to absolute incompetence and ignorance. How many people do you think gave up? How much in terms of potential earnings was lost due to stupidity?

Followed by lots more like that.

(4) THIS JUST IN. Meanwhile, back at World Wombat HQ….

(5) BINTI MEETS TED. Tor.com tells how “Nnedi Okorafor’s TED Talk Explains Afrofuturism vs. Science Fiction Using the Octopus Analogy”, including this quote from Okorafor:

This idea of leaving but bringing and then becoming more is at one of the hearts of Afrofuturism, or you can simply call it a different type of science fiction. I can best explain the difference between classic science fiction and Afrofuturism if I used the octopus analogy. Like humans, octopuses are some of the most intelligent creatures on earth. However, octopus intelligence evolved from a different evolutionary line, separate from that of human beings, so the foundation is different. The same can be said about the foundations of various forms of science fiction.

(6) ORIGINAL CUT DISCOVERED. Bradbury scholar Phil Nichols made a discovery:

In the Center for Ray Bradbury Studies today I discovered the original release version of SOMETHING WICKED THIS WAY COMES, previously considered lost. The film previewed badly in 1982, and the Disney studios panicked and decided to rework the film. The lost version has never been released, and is believed never to have been screened since that preview.

(7) PARK PLACE. There was a summer groundswell of public support to name a Tacoma park after Dune author Frank Herbert. Metro Parks Tacoma Public Information Officer Michael Thompson answered Andrew Porter’s request for an update with this statement:

Still under consideration, still no decision. Our planning department is dealing with several construction projects, so the decision probably will be pushed back to later in the year instead of “fall.”

Herbert was born in Tacoma in 1920 and lived there as an adult. The idea to name a newly developed park for him was first suggested in 2013.

(8) RUSSELL OBIT. Pioneering television director Paddy Russell (1928-2017) has died at the age of 89. Doctor Who News paid tribute:

Patricia Russell, known to all as Paddy, had a long and distinguished career as one of the first female Directors in British television….

In the 1950’s Television was crying out for theatre staff to work in the new medium and Russell was recruited as a production assistant, working with the famed director Rudolph Cartier. Acting as the director’s eyes and ears on the studio floor, Russell worked on some of the most innovative and pioneering dramas of the day including the Quatermass science-fiction serials as well as the 1954 adaptation of George Orwell’s novel Nineteen Eighty-Four starring Peter Cushing.  …Her first encounter with Doctor Who came in 1966 when she became the first female Director to work on the show. She helmed the First Doctor story The Massacre of St Bartholomew’s Eve.

…It was eight years later that Russell returned to the show working on the six-part Jon Pertwee story Invasion of the Dinosaurs. It was a story fraught with technical difficulties in the attempt to bring dinosaurs to London using the primitive methods available in the early 1970’s. While not always successful it was a story Russell was very proud of.

…Two more stories followed, both staring the Fourth Doctor, Tom Baker. In 1975 she directed the fan favourite Pyramids of Mars, followed in 1977 by the Horror of Fang Rock. She had a prickly relationship with the lead actor whom she found increasingly difficult to work with….


International Speculative Poetry Day

The Science Fiction and Fantasy Poetry Association persuaded the State of Minnesota to declare November 3 to be International Speculative Poetry Day.

International Speculative Poetry Day seeks to highlight the vibrant legacy and extraordinary achievement of speculative poets. It seeks to introduce communities to the delights and benefits of reading and writing speculative poetry as well as make speculative poetry an important and innovative part of our cultural life.  Speculative poetry has produced some of the nation’s leading creative artists and influential books, performances, and exhibitions, inspiring other artists, educators, and community builders around the world.


  • November 3, 1957 – Laika becomes the first dog in space.

And the bards of the Science Fiction and Fantasy Poetry Association have put up a page of verse honoring the pioneer, “Remembering Laika”.

This year, November 3rd coincides with the 60th anniversary of Laika’s historic mission into outer space. (That’s 420 in space dog years!) She advanced Earth’s knowledge and paved the way for space exploration and much of our modern world today.  Several of our SFPA members recently shared poems inspired by Laika and our canine companions to mark the day. A special thanks to them and Dr. Suzie GeeForce for illustrating the occasion! You can also find additional poems by our members in our list-serv.

  • November 3, 1976 — The original Carrie debuted


  • Born November 3, 1954 Godzilla. (I think this means it’s the day the film was released.)

(12) WAVES. Lela E. Buis questions whether some TV participants are “Asking for contradictory things?”

I’m probably going to get into serious trouble with this post, as it touches on third wave feminism. Various people have urged me to address the topic before and I’ve just not gotten to it. Up front, let me say I’m a second wave feminist, and I have opinions that sometimes diverge sharply from the current platform.

Here’s the issue: A while back I watched a panel discussion on the Weinstein scandal, and I was struck with some contradictions. This show was Friday, Oct. 13, Third Rail with Ozy asks: Is sexual harassment inevitable in the workplace? Along with Colorado College Professor Tomi-Ann Roberts, the panel included three younger women.

Roberts related her personal experience with Weinstein as a 20-year-old and her subsequent decision that she wasn’t cut out for work in Hollywood. The panel then went on to define sexual harassment in the workplace to include compliments on appearance and beauty. Hm. Okay, second wave question here: Roberts looks professional. She’s got on a boxy jacket and restrained hair and makeup, but the other women look like they’ve spent hours on their appearance, plus a big chunk of change. They have on form-fitting clothing, heavy make-up and trendy hair styling. Why?

If we assume appearance is expression and therefore a type of speech, what are they saying?…

And she continues from there with her analysis.

(13) ANOTHER ATWOOD IN DEVELOPMENT. This one is based on a historical novel: “Margaret Atwood’s ‘Alias Grace’ adapted as Netflix series”.

Another Margaret Atwood novel is getting the Hollywood treatment, this time on Netflix.

In “Alias Grace,” a six-episode Netflix miniseries starring Sarah Gadon, an Irish immigrant working as a maid in Canada in the 1840s is accused of murdering her boss and his mistress. Her case is covered with breathless scrutiny, making the young woman infamous.

Based on Atwood’s historical novel, Gadon plays Grace, who recounts her life story to a young psychiatrist trying to help jog her memory.

(14) IT IS TO BLUSH. Slate’s Sam Adams declares “Stranger Things’ “Punk” Episode Is Unbelievably Awful”

The second season of Stranger Things—or, if we must, Stranger Things 2—effectively recaptures the meme-spawning magic of its first. But for a season that mostly follows the template of “What if that thing you liked, but more?” the new episodes make a pronounced departure in splitting Millie Bobbie Brown’s Eleven off from her group of demogorgon-fighting pals, most of whom think she’s disappeared or dead. As the series’ breakout character, played by its strongest young actor, Eleven is a natural candidate to carry her own largely self-contained storyline, but the strain of building a new world for her to inhabit taxes the Duffer brothers’ self-mimicking skills to the limit, and finally exhausts them altogether in its seventh episode, “The Lost Sister.” The result is an unmitigated embarrassment…

(15) BRINGS THE HAMMER. NPR’s Chris Klimek says “‘Thor: Ragnarok’ Is Hela Good”:

Ragnarok, an incontrovertibly bitchin’ word that refers in Norse myth to the final, winner-take-all smackdown between good and evil, is an awfully heavy subtitle for a movie as affably insubstantial as The Mighty Thor’s mighty third.

Catching us up on what your friendly neighborhood Thunder-God (and your friendly neighborhood Incredible Hulk) were doing while they were absent from last year’s Captain America: Civil War, the movie earns the backhanded compliment of being the best Thor picture by an Asgardian mile, and the more sincere one of being not in the least a chore to sit through. It’s funnier and prettier than most of the other Marvel movies, having figured out that adopting the visual palette of Frank Frazetta’s glossy swords n’ monsters n’ muscles fantasy paintings — rather than trying to cross that uncanny valley into photorealism — is a good way to make the wall-to-wall CGI less fatiguing. Half the frames in this film would look right at home airbrushed on the side of a 1978 Ford Econoline “shaggin’ wagon” van, which would almost certainly be blasting Led Zeppelin’s “Immigrant Song,” a vintage headbanger that the Thor 3 soundtrack Ragna-rocks twice. (I am getting choked up thinking about all the 10-year-olds who will see this thing and shortly thereafter download their very first Led Zep.)

(16) GOURD EMERGENCY. Or, why they call it “felonious abandonment of zucchini”: German man believes 11-pounder is unexploded bomb, calls police: “German police find ‘WW2 bomb’ was big courgette”.

The 5kg (11-pound) courgette had probably been thrown over a hedge into the 81 year old’s garden, police said.

Luckily no evacuation was required in Bretten, a town near Karlsruhe in south-west Germany.

The last part is by no means a joke — On 3 September 65,000 people were evacuated from their homes in Frankfurt, so that a 1.4-tonne British bomb could be defused. It was the biggest evacuation in post-war German history for an unexploded bomb alert.

(17) THIRSTING FOR ACTION. SyFy Wire looks forward to seeing “Beer-loving giant ants terrorize teens in trailer for It Came from the Desert

New levels, man — new levels. In the never-ending quest to escalate campiness to heights that beggar irony, here comes a movie. A movie, based on a Commodore Amiga video game from the late 1980s, about giant ants; ants that live in the desert; ants who enjoy beer straight from the keg and can only be vanquished — at great personal cost — by a mostly-expendable cast of libidinous teens.

You know how these things make us feel.

If you gamed in the ‘80s, you may remember It Came from the Desert, an Amiga title that drew heavy inspiration from Them! and other B-horror flicks from the 1950s. As the game’s protagonist, Dr. Greg Bradley traversed the Nevada desert landscape, staging desperate battles against radioactively-mutated ants in a variety of interesting locations.

Now Cinemaware, the game’s original developer, is teaming with Finnish VFX effects studio Roger! Pictures to revive the goofy premise in a live-action format. The trailer for the eponymous movie seems to lie somewhere between a proof of concept and an enticing synopsis of what we’re (admittedly) hoping will end up as a finished product.


[Thanks to John King Tarpinian, JJ, Cat Eldridge, Andrew Porter, Chip Hitchcock, and Carl Slaughter for some of these stories. Title credit belongs to File 770 contributing editor of the day Matthew Johnson.]

Pixel Scroll 10/4/17 A Hollow Voice Says “Pixel”

(0) WE INTERRUPT THIS SCROLL. I will be taking the train to New Mexico to attend my mother’s 91st birthday celebration over the weekend. I leave Thursday evening and get back Tuesday morning. The train won’t have wi-fi and once I get there I’ll be with the family, so I won’t be able to write Scrolls some of these days (any of these days?) I plan to set up in advance a daily stub with hope that some of you will do-it-yourself, as you did so magnificently when I was offline a year ago. Thanks also to Carl Slaughter who has also chipped in some short video roundups that will be unveiling each night.

(1) VANDERMEER DEAL. The Verge’s Andrew Liptak hears from “Annihilation author Jeff VanderMeer on how his next novel is inspired by our dystopian present”.

Annihilation and Borne author Jeff VanderMeer signed a “major deal” with publisher FSG for his next novel, Hummingbird Salamander, and an untitled short story collection. The deal is for over half a million dollars, and VanderMeer tells The Verge that it’s inspired in part by his concerns over the state the world when it comes to right-wing politics, climate change, and national security.

(2) BEHIND BARS CON. Utah author Brian Lee Durfee (with Simon and Shuster) works at the Utah State Prison. With strong support from the facility’s administration, Brian is launching a convention to be held at the prison for the prisoners. Maze Runner author James Dashner will be there. Durfee told his plans and hopes for it on Facebook.

Good idea? Bad idea? COMIC CON inside a prison. Yup! I arranged it. Not as easy as one might think either. I’m calling it PRISON CON…..I will give you a moment with that) . Anyway, as many of you know I’m a Sergeant at the Utah State Prison. I also teach creative writing inside the prison. I also write novels and meet other famous authors in my travels. And I also have WILD ideas that just take root & wont let go. So on Oct 17 all my various worlds will collide! James Dashner (author of the Maze Runner series) and I are putting on a little mini convention for the Inmates. I must thank Dashner for donating his time to this event and Warden Benzon for agreeing to the craziness of it all. Inmates will be Cosplaying as…well…DOC Inmates. I will be in a Darth Vader suit. Not really. But on a serious note, the inmates LOVE books and LOVE reading, and many are even talented writers. It might not seem like much, two writers discussing books and Maze Runner movies, but letting those who are locked up feel as if they are part of normal society for even an hour or two is a huge deal. They are excited for this. So lets hope its a success because I want PRISON CON to grow and become an annual thing. I truly believe going out of your way to make a difference and to give others hope (even if its just in your own small corner of the world) is important to the future of us all. Thanks also to Director Jensen and Sgt Preece and Officer Halladay and all the programming staff and SWAT guys that will be helping. I always wanna promote the positive things that are happening on the inside.

(3) IN MINNESOTA. Cory Doctorow and Charlie Jane Anders will appear together at the Twin Cities Book Festival. Also appearing are cartoonist Roz Chast, and the Lemony Snicket guy, Senator Al Franken and others.

Twin Cities Book Festival, Minnesota State Fairgrounds

Friday, October 13, 2017: 6-7pm Reception; 7-8pm Opening Night Talk

Saturday, October 14, 2017: 10:00 am to 5:00 pm

(4) RECONSIDERED. I thank Nerds of a Feather, who took down the post that led off yesterday’s Scroll and issued an apology.

We made the editorial decision to pull a recent post on the video game Destiny. In the post, the author discusses at length the various weaponry used in the game and why some are more effective than others.

Like most of our pieces, this one was written more than a week ago and pre-scheduled by the author. And in normal times, this would just be another piece on video games. But these are not normal times. Two days before the Destiny piece posted, a man used an arsenal of real weapons to murder more than fifty people in Las Vegas, whose only “crime” was attending a music festival.

We do not believe that violence in video games has any more relationship to actual violence than violence in film, comics or pen-and-paper RPGs. But the timing of our post was nevertheless problematic. Like many of you, we are in deep shock and grief over what happened, and are angry that the US government does nothing to prevent these kinds of incidents. Thus we apologize for posting something that appears to treat these issues lightly, and just days after the massacre occurred.

-G, Vance and Joe

(5) WORKADAY WORLD. Galactic Journey, in “[October 4, 1962] Get to work!  (The Mercury Flight of Sigma 7)”, notes that excitement about space missions seems to decline in proportion to their frequency and successes.

Five years ago, satellite launches were quarterly events that dominated the front page.  Now, the Air Force is launching a mission every week, and NASA is not far behind.  The United Kingdom and Canada have joined the U.S. and U.S.S.R. in the orbital club, and one can be certain that Japan and France aren’t far behind.  It’s truer than ever that, as I’ve said before, unmanned spaceflight has become routine.

Yesterday, the same thing happened to manned missions.\

39 year-old Navy Commander Walter M. “Wally” Schirra blasted off early the morning of October 3, 1962, flew for six orbits, and splashed down safely in the Pacific near Midway Island less than half a day later.  His Sigma 7 capsule was in space twice as long as Glenn and Carpenter’s Mercury ships and, to all accounts, it was a thoroughly uneventful trip.  Aside from the whole nine hours of weightlessness thing.

While the newspapers all picked up the mission, radio and television coverage was decidedly less comprehensive than for prior flights.  Part of it was the lack of drama.  Shepard was the first.  Grissom almost drowned.  Glenn’s mission had the highest stakes, it being our answer to the Soviet Vostok flights, and his capsule ran the risk of burning up on reentry.  For a couple of hours, Carpenter was believed lost at sea.

(6) CATNIP. John Scalzi spent a busy day telling trolls how he feels about them, a series of tweets now collected in “A Brief Addendum to ‘Word Counts and Writing Process'”.

Although I can see why Solzhenitsyn would come to mind, writing about oppression is the very reason Solzhenitsyn’s name is known. Wouldn’t it have been a comparative loss if he’d been, say, an untroubled but prolific creator of musical comedies?

(7) PURLOINED PARAGRAPHS. Lou Antonelli, the gift that keeps on taking! After File 770 announced a Storybundle with his book in it this afternoon, Lou ganked the text and put it on his blog without attribution. Admittedly all I had to do was write a frame for Kevin J. Anderson’s description of the project, but I guess a Dragon Award nominee like Lou couldn’t spare five minutes away from his next contender to write a frame of his own.


  • October 4, 1961 Attack of the Puppet People premiered in Mexico.
  • October 4, 1985The Adventures of Hercules premiered and staring Lou Ferrigno.


  • Launched October 4, 1957 – Sputnik 1

(10) MORE ON SPUTNIK. NBC says “Soviet satellite embarrassed America but also gave U.S. science education a big boost.” — “Sputnik Shook the Nation 60 Years Ago. That Could Happen Again”.

It was the size of a fitness ball, but its effect was bigger than that of any bomb.

Sixty years ago, on Oct. 4, 1957, the world awoke to learn that the Soviet Union had launched a satellite into orbit — the first nation to do so. Sputnik 1 was nearly two feet in diameter and weighed as much as a middle-aged insurance salesman. Most people were stunned.

Why was this so disturbing? The idea of artificial satellites had been around for a while. Indeed, sci-fi author Arthur C. Clarke had written up a prescient scheme predicting the use of geosynchronous satellites for communications as early as 1945.

The shock, of course, was because Sputnik was launched at the height of the Cold War.


John King Tarpinian found a space fashion statement in today’s Speedbump.

(12) FROM BINTI TO MARVEL. Nnedi Okorafor will be writing for Marvel’s Black Panther.

(13) A BUNDLE THESE COST. On eBay, golden Yoda cufflinks, baby! A mere $3,999.95! (Tax and shipping mumble).

(14) CANADIAN SFF HALL OF FAME. The Canadian Science Fiction & Fantasy Association (CSFFA) added three inductees to the Canadian Science Fiction and Fantasy Hall of Fame for 2017: Charles de Lint, Lorna Toolis, and Elisabeth Vonarburg. The announcement was made September 23 at Hal-Con. [H/T Locus Online.]

(15) I INHALED. Fast Company profiles Beyond the Castle: A Guide to Discovering Your Happily Ever After by Jody Jean Dreyer, who worked for the Walt Disney Studios and Disney Parks Division for 30 years in “The Secrets Of Disneyland: A Company Vet Explains How The Magic Happens”. I knew there was an artificial “new car smell” but I didn’t know Disneyland had similar concepts for its attractions.

Provide A Complete Experience—Aromas Included

Think back to your favorite Disneyland ride. Maybe it’s the dusty rock-filled Indiana Jones Adventure, or the rickety, open-air Big Thunder Mountain Railroad. Whatever your attraction of choice, your memory of it might include a smell: the stuffy, musty attic air of the Haunted Mansion or the leathery dampness of the Pirates of the Caribbean, with just a hint of gunpowder and sea salt.

“That is on purpose,” says Dreyer.

Disneyland’s Imagineers–the creative force behind Walt Disney Parks and Resorts–rely on a scent-emitting machine known as the Smellitzer (patented by Imagineer Bob McCarthy), which produces specific sweet, savory, or mundane smells to accompany various park attractions. Imagineers understand that smell is hardwired to our brain, specifically the area that handles emotions. In her book, Dreyer writes, “That’s why smell can transport us to a time and feeling that we’d long forgotten.”

So whether you’re shopping for a stuffed Donald Duck or clutching your safety bar on Space Mountain, you’ll get a whiff of whatever the Smellitzer crafted to make your experience complete. Even the wafts of popcorn along Main Street U.S.A. are by design.

(16) GOING PUBLIC. Regardless of whether they will be attending, some fans are upset that YaoiCon is letting a Vice Media crew shoot video at the con. The thread starts here.

(17) OUR PAL. Two days next week the Turner Classic Movie channel will run a series of George Pal movies.

(17) FOR YOUR FILES. How could I fail to mention a new product called Pixel Buds? Put them in your ears and they control your mind! Wait, that’s something else.

Loud, proud, wireless.

Google Pixel Buds are designed for high-quality audio and fit comfortably in your ear.

(18) CAT PICTURES. This clever design is available on a variety of products: Cat’s Eye of Sauron (Barad-pûrr).

“The Eye was rimmed with fire, but was itself glazed, yellow as a cat’s, watchful and intent, and the black slit of its pupil opened on a pit, a window into nothing.”- The Fellowship of the Ring

[Thanks to John King Tarpinian, JJ, Cat Eldridge, Andrew Porter, Dave Christenson, Tom Galloway, and Dave Doering for some of these stories. Title credit goes to File 770 contributing editor of the day Niall McAuley.]

Pixel Scroll 9/18/17 The Lethal Weapon Shops Of Isher

(1) GOOD OMENS. Shooting began yesterday… After they got Neil Gaiman and Rob Wilkins (Terry’s manager) to return a necessary bit of equipment:

And Terry Pratchett’s account tweeted a photo of David Tennant and Michael Sheen in costume as Crowley and Aziraphale. [H/T to Nerd & Tie blog.]

(2) HIGH EXPECTATIONS. Joe Sherry gets on the scoreboard with a “Microreview [book]: Provenance, by Ann Leckie” at Nerds of a Feather.

Let’s start like this: Provenance is a novel about family, identity, culture, truth, and what it means to belong.  Provenance is set in the universe of Ann Leckie’s earlier Imperial Radch trilogy, but only connects with references and by association. This is not Breq’s Story 2.0. This is the story of a young woman, Ingray, attempting to run a pretty significant con in order to impress her mother, the matriarch of the Aughskold family.  She’s a bit out of her league on this one.  There’s something about hiring a company to rescue a disgraced member of a rival family out of a prison planet called Compassionate Removal with the hope / assumption that he will be willing to embarrass his family and help hers by providing her with stolen “vestiges” from his family.

A word about vestiges. Vestiges are highly valued historical documents and items, which could range from documents similar to a Declaration of Independence or the American Liberty Bell to an original copy of a famous speech or perhaps some sort of miscellany from some long ago gala where someone famous appeared. The older and the more historical the vestige, the more valuable and the more important the vestige. Vestiges can, in some respects, represent the identity of not only a family, but the heritage of an entire world.

So, what happens when some of the most significant of them are quietly called into question?

(3) HUGO HISTORY. Just like you read in one of those clickbait history articles about some artifact that sat unrecognized on a museum storage shelf for time out of mind, at last someone has recognized the significance of the lists in a 1956 Worldcon progress report. The official Hugo Award site announced the find in “1956 Hugo Award Page Updated”.

Thanks to new information coming to light, we have updated the 1956 Hugo Award history page with the finalists that appeared on the ballot that year. We thank Olav Rokne for bringing to our attention an article on page 15 of the 1956 Worldcon Progress Report 3 that included the names of the finalists along with voting instructions.

Note that the order in which the finalists are listed is the same order that they appeared in the progress report and does not imply order of finish on final ballot. According to the article, the final ballot included space for write-in candidates. In Best Fanzine, one of the winners appears to have been such a write-in. In Best Professional Magazine, no finalists were listed at all, so all votes were write-ins.

Also, Kevin Standlee said in a comment here:

Remember that in those early days, the rules were “whatever the committee says” and were probably first-past-the-post, and quite possibly “close enough, we’ll call it a tie.” We’ll probably never know the full details. Over time, the model for the Hugo Awards has been evolving toward “tell us everything you possibly can short of how each individual person voted.”

(4) LONG LIST 3. David Steffen has launched his Kickstarter for “Long List Anthology Volume 3”, the third edition of an anthology series of stories loved by Hugo voters – this year including stories by Seanan McGuire, Mary Robinette Kowal, Cat Rambo, and others.

The base goal of the campaign will include only the short stories.  There will be stretch goals to add novelettes and novellas.  The goals listed here include only stories that I’ve heard agreement back from the authors–some queries to authors are still pending, there may be another story or two added as an additional stretch goal.  If these stretch goals are reached, I may add on other goals as well.

This project is not endorsed by nor affiliated with the Hugo awards, WSFS, WorldCon, or any associated entities. The Hugo name is used with permission. Please note that the anthology is NOT called “The Hugo Long List Anthology”. It is called “The Long List Anthology”, or the full wordy title: “The Long List Anthology: More Stories From the Hugo Award Nomination List”.  (I’m noting this because it’s pretty commonly referred to by the wrong name)

At this writing people have contributed $1,094 of its $1,700 goal.

(5) THE FUTURE IS NOW. Eliza Angyanwe of The Guardian says of Nnedi Okorafor, “the Nigerian-American writer is flying the flag for black, female geeks” — “‘So many different types of strange’: how Nnedi Okorafor is changing the face of sci-fi”.

As the science fiction novelist Nnedi Okorafor takes to the stage at the TEDGlobal conference in Tanzania, she challenges stereotypes before she has said a word. The 43-year-old writer who won the 2016 Hugo award (the Oscars of the sci-fi world) for best novella doesn’t look like much of a geek. Yes, she wears oversized glasses, but Okorafor’s specs are trendy, royal-blue Cat-Eyes, not wiry aviators. And, crucially, she happens to be a black woman.

The Nigerian-American’s success has been applauded as a victory by a community that has long cheered her on from the margins. So when she tweeted on 11 August that she was working on her first project with the comic publisher Marvel, fans were thrilled. (“A Marvel story. Written by a Nigerian woman. Set in Lagos. Superhero’s name: NGOZI. What a time to be alive,” wrote one fan on Twitter) And with a novel, Who Fears Death, to be adapted for TV by HBO (George RR Martin is its executive producer) Okorafor is about to go from the solitary geek reference-point for young African women to everybody’s favourite new sci-fi writer.

(6) MORE SUPERHEROS. The Teen Titans are coming to CW (well, actually, to DC’s new digital service.)


  • September 18, 1973 – Georgia governor (and future President) Jimmy Carter reports a UFO sighting.
  • September 18, 1989Alien Nation premiered on TV.
  • September 13, 2002 – The third incarnation of The Twilight Zone TV series premiered.


Web comic artist M. Patrinos of Seasonal Depression made this clever comic about the questionable marketing decisions LEGO has made to target girls with the “LEGO Friends” line.

(9) GET YOUR SHARE OF SMUGGLED BOOKS. Ana Grilo & Thea James from The Book Smugglers have added a bunch of new signed copies of books as reward levels for donors to “The Book Smugglers: Level Up” Kickstarter.

Thanks to the generosity of some of the best SFF and YA authors out there, we have a number of signed copies of new and upcoming books including but not limited to: Provenance by multiple-award winner Ann Leckie, audiobooks of the astonishingly good Illuminae and Gemina by Amie Kaufman and Jay Kristoff, both Ninefox Gambit and Raven Stratagem by the incomparable Yoon Ha Lee, the YA time travel Fantasy The Girl With the Red Balloon by Katherine Locke, and many more.

We also have MAPS AND ART! Aliette de Bodard donated a copy of House of Binding Thorns, along with character art by Hugo Award nominated artist M. Sereno! And Megan Whalen Turner is offering signed copies of not only her entire Queen’s Thief series (and we turned that into a SUPER MEGA reward level for SUPER FANS) but also a cool map of that world.

They’re raising money for “A brand new season of short stories and novelettes, new contributors, …a new look and more.” As of today, backers have given $8,068 toward their $16,500 goal, with 16 days to run.

(10) THE POET FROM BEGINNING TIL NOW. SPECPO, in “Monsters and Heroes: An Interview with Bryan D. Dietrich”, quizzes the author of a book-length study on comics, Wonder Woman Unbound, and six books of poems, who’s also co-editor of Drawn to Marvel, the world’s first anthology of superhero poetry, and a past president of the Science Fiction and Fantasy Poetry Association.

When are you most satisfied with a poem you’ve written?

When it surprises me.

When it does something I never do.

When it loses control and runs rogue, only to come back to the pack.

When it makes me cry.

When it reminds me why I started writing poems in the first place, which is to say when it lives up to the debt I owe to the language I love.

George Orwell once famously said that a poetry reading is “a grisly thing.” How do you feel about poetry readings?

Well, I think reading about a man having his soul broken in a locked room with a locked cage filled with rats attached to his face is a pretty grisly thing too, but then who am I to judge?

(11) CRACKDOWN ON NAZI COSPLAY. Nerd & Tie’s Trae Dorn reports “Rose City Comic Con Taking Firmer Stance Against Nazi ‘Cosplay’”.

When you get down to it, there are two kinds of people who put on Nazi cosplay. There are people who are two microfocused on their fandom to think about how what they’re wearing will be perceived by the people around them, and then there are people who are completely aware of it and it’s the whole reason they’re doing it. The former are good people who need to take their convention blinders off (and I’ve been complaining about this issue for a while). The latter though are people who have no place in our community, and we need to take a stand against it as a community.

(12) ASSUME A KINDER, GENTLER ASTEROID. “What if dinosaurs hadn’t died out?” — a fannish preoccupation.

Imagine a world where an asteroid hadn’t wiped out the dinosaurs. What would have happened afterwards – and how might their presence have affected mammals like us?

…Even closer to the present day, dinosaurs would have had to deal with the various ice ages of the past 2.6 million years. But we know that Cretaceous dinosaurs were living above the Arctic Circle. “Maybe in cooler places you would see things with thick and elaborate pelts, covered in fuzz and feathers all the way down to the tips of their toes and tails,” says Naish.

“It wouldn’t have been difficult for a ‘woolly’ tyrannosaurus or dromaeosaur relatives of Velociraptor to evolve,” adds armoured dinosaur expert Victoria Arbour of the Royal Ontario Museum in Canada. “Maybe we could have even had shaggy and woolly ceratopsians, ankylosaurs, or hadrosaurs.”

(13) TIPSY SCHADENFREUDE. BBC has the story: “The whiskey toasting the demise of Lehman Brothers bank”. Chip Hitchcock asks, “Perhaps a Maltcon will tell us if it’s any good?”

A London entrepreneur decided that the whole world should be able to taste one of the most profound company collapses in modern times. On 15 September nine years ago 25,000 people lost their jobs when the bank went bankrupt.

James Green says he was inspired to keep the bank’s name alive by the significance of those events.

“After living through the economic disaster of 2008, it really resounded with me. I personally related to it, there were people in my neighbourhood, my family that were personally affected by the crash,” he says.

He says his three different whiskies, one of which is named Ashes of Disaster, have been specially crafted to capture the flavour of the once mighty bank’s fall from grace.

(14) NOTHING IMPORTANT. From the BBC we learn that “Carbon dating reveals earliest origins of zero symbol”.

The Bakhshali manuscript is now believed to date from the 3rd or 4th Century, making it hundreds of years older than previously thought.

It means the document, held in Oxford, has an earlier zero symbol than a temple in Gwailor, India.

The finding is of “vital importance” to the history of mathematics, Richard Ovenden from Bodleian Libraries said.

The zero symbol evolved from a dot used in ancient India and can be seen throughout the Bakhshali manuscript.

Other ancient cultures like the Mayans and Babylonians also used zero symbols, but the dot the Bakhshali manuscript developed a hollow centre to become the symbol we use today.

It was also only in India where the zero developed into a number in its own right, the Bodleian Libraries added

(15) TV GUIDANCE. Do you get Turner Classic Movies? Then you can look forward to a very scary month! So says a blogger at Thought Catalog “Here Are All The Classic Horror Movies TCM Will Be Airing (Commercial Free!) During October”.

It’s good to see some classic movies getting some love. This year Turner Classic Movies will be airing vintage horror movies all month, and unlike other networks, TCM airs the movies commercial free. If you know someone who needs a good education in the history of horror movies, tell them to tune in.

(17) FAUX WORLDCON BID. Calamity Caitlin rediscovered the exhibit she and a friend made for a Springfield, Vermont Worldcon bid in years gone by. (There are 1+12 tweets, but the chain is broken, so you have to look at her Twitter accountfor September 17 or use this search to see them all.)

And it ends with this one:

(18) REPLACES DANDELION. Do you want to know what the latest Crayola crayon color is? Well, here’s the link anyway

The winner was chosen beat out four other names with 40% of the vote in an online naming contest launched in July.

(19) THE HISTORIC DOCUMENTS. Ed Emshwiller’s sf parody short The Thing From Back Issues, made at the Original Milford Science Fiction Writers Conference in the 1950s, was posted online this past summer by Susan Emshwiller. I only recognize one of the writers, although some well-known names were at the 1956 conference, including Robert Silverberg, Cyril Kornbluth, Katherine MacLean, and Lester Del Rey.

[Thanks to Cat Eldridge, JJ, Chip Hitchcock, Carl Slaughter, Ana Grilo, Kevin Standlee, Andrew Porter, David Steffen, and John King Tarpinian for some of these stories. And an overdue credit for iphinome. Title credit goes to File 770 contributing editor of the day Daniel Dern.]